WEBVTT - JFK Impersonator Vaughn Meader: Death of a Career

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<v Speaker 1>Hi everyone, it's Moe. We'll be back with an all

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<v Speaker 1>new episode of the podcast next Wednesday, but this week

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<v Speaker 1>we're reaching into our archives all the way back to

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<v Speaker 1>season one to share the very first episode of Mobituaries,

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<v Speaker 1>Von Meeter and the Death of a Career. This November

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<v Speaker 1>twenty second marks sixty years since the assassination of President

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<v Speaker 1>John F. Kennedy. Pretty Much anyone who is alive on

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<v Speaker 1>that day remembers where they were when they heard the

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<v Speaker 1>devastating news out of Dallas, Texas. But no one experienced

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<v Speaker 1>that day or its aftermath in quite the same way

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<v Speaker 1>that von Meeter did. He was the comedian who'd skyrocketed

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<v Speaker 1>to fame with his uncanny impersonation of jfk In an

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<v Speaker 1>instant that dark day, his livelihood ended and his life

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<v Speaker 1>radically changed. It's an episode we're proud of. We hope

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<v Speaker 1>you appreciate it, and be sure to tune in again

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<v Speaker 1>next week for an all new deep dive into the

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<v Speaker 1>people and things who never got to send off they deserved.

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<v Speaker 2>I think we have time for one final question.

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<v Speaker 1>In the late fall of nineteen sixty two, one of

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<v Speaker 1>President John F. Kennedy's closest advisors Arthur Schlessinger Junior was

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<v Speaker 1>driving in his car when all of a sudden, he

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<v Speaker 1>heard the following question come over the airwaves.

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<v Speaker 2>That's in office.

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<v Speaker 3>What do you think the Chans offer Jewish president?

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<v Speaker 1>A familiar voice answered.

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<v Speaker 2>Well, I think they're pretty good.

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<v Speaker 4>Now, let me say, I don't see why a president

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<v Speaker 4>of the Jewish faith not be President of the United States.

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<v Speaker 4>I know, as a Catholic I could never vote for him.

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<v Speaker 1>But other than that, his confusion was cleared up when

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<v Speaker 1>he learned the voice belonged to Kennedy impersonator Vaughon Meeterer,

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<v Speaker 1>but was concerned enough that when he returned to the

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<v Speaker 1>White House he drafted a memorandum to the President. He

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<v Speaker 1>wrote the following, This raises the question of what in

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<v Speaker 1>hell a president of the United States ought to do

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<v Speaker 1>about mimicry. I'm guessing many of you have never heard

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<v Speaker 1>of von Meder, but for one brief shining moment, Okay,

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<v Speaker 1>a twelve month period between late nineteen sixty two and

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<v Speaker 1>late nineteen sixty three, he was a really big deal.

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<v Speaker 1>He had this parody album called The First Family, a

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<v Speaker 1>spoof of the Kennedys. In old video clips, he looks

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<v Speaker 1>like a distant Kennedy cousin, young, clean cut with a

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<v Speaker 1>thick head of hair, and his JFK impression he's uncanny.

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<v Speaker 4>Just listen today will be in nuclear de Shamelin, followed

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<v Speaker 4>by the un bond issue and a matter of the

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<v Speaker 4>trade agreement. Now first, there is a most important matter

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<v Speaker 4>to settle, mister gall yours was the chicken, Salad and coffee.

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<v Speaker 2>That's a dollar forty.

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<v Speaker 5>Family well in five weeks, this album has broken all

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<v Speaker 5>records in the history of the recording business.

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<v Speaker 3>It's sold well.

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<v Speaker 5>Get this, three and a quarter million copies in five weeks.

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<v Speaker 5>It took My Fair Lady album five years to sell

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<v Speaker 5>that many copies. I had.

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<v Speaker 1>That was late night King of his day, Jack Parr

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<v Speaker 1>marveling at the popularity of this one album. And the

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<v Speaker 1>star of the album, Von Meeter, was just about everywhere

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<v Speaker 1>until all of a sudden he wasn't.

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<v Speaker 6>From Dallas, Texas. The flash apparently official President Kennedy died

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<v Speaker 6>at one pm Central Standard time.

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<v Speaker 1>I'm Morocca and this is mobituaries. This mobent jfk impersonator

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<v Speaker 1>von Meeter November twenty second, nineteen sixty three. Death of

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<v Speaker 1>a career.

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<v Speaker 7>Oh are we recording.

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<v Speaker 8>Now, Okay, I've worked across the street from this building,

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<v Speaker 8>and I had no idea. I thought it was maybe

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<v Speaker 8>some NSA storage unit. I don't know how people's final

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<v Speaker 8>It's okay.

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<v Speaker 1>The CBS News.

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<v Speaker 3>Archives, O lock, Hey, it's Joe.

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<v Speaker 1>N That's Joe Alessi. He's managed the CBS Archives for

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<v Speaker 1>twenty two years now. He's the go to guy if

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<v Speaker 1>you need anything that was shot by CBS News during

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<v Speaker 1>the twenty first, twentieth century. Even the nineteenth.

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<v Speaker 9>First thing we have is eight from eighteen ninety seven,

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<v Speaker 9>and that's William McKinley's inauguration.

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<v Speaker 1>You're kidding, Let's go to the back.

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<v Speaker 9>And then when I say to the back, we're going

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<v Speaker 9>to the vault.

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<v Speaker 4>Are the vault?

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<v Speaker 10>Vault?

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<v Speaker 2>It's the vault.

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<v Speaker 9>It sounds it sounds very mysterious.

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<v Speaker 1>It smells like pastrami or something. Well, I've realis lunch.

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<v Speaker 5>So you're correct on that.

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<v Speaker 2>No, what that is?

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<v Speaker 9>That's sometimes all right, Let's go this way.

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<v Speaker 1>What are CBS's sort of greatest hits.

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<v Speaker 9>Well, the thing that people ask for most is the

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<v Speaker 9>assassination of President Kennedy. That seems to be a story

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<v Speaker 9>that fascinates people from the beginning right up until today,

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<v Speaker 9>people ask for at least once a week.

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<v Speaker 1>And for good reason. That horrible day in November nineteen

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<v Speaker 1>sixty three ended the president's life and changed the life

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<v Speaker 1>of the nation. That's what mister Oakes taught us in

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<v Speaker 1>high school. There was America before the assassination and America

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<v Speaker 1>after and before comedian Vaughan Meter was a household name,

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<v Speaker 1>So surely the CBS archives would have something on the man.

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<v Speaker 1>My friend Joe did not disappoint.

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<v Speaker 8>Three tapes of a von Meter interview sounds promising, because

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<v Speaker 8>that's unless those tapes are super short.

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<v Speaker 1>That's a significant interview.

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<v Speaker 9>Yeah, I think it's a good find.

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<v Speaker 1>And so I took a look. But what I saw

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<v Speaker 1>and heard wasn't exactly funny.

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<v Speaker 3>So it looked like, you know, I could do this forever.

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<v Speaker 3>There was no end to the thought of gold, but

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<v Speaker 3>there was no rainbow either. It was had no idea

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<v Speaker 3>it was gonna be that months.

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<v Speaker 1>This is von Meter in nineteen ninety eight. On these

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<v Speaker 1>tapes he looks haggard and shake him sixty two years old,

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<v Speaker 1>but a rough sixty two. This was all recorded for

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<v Speaker 1>a short lived CBS cable network called Ion people. Meter

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<v Speaker 1>was being profiled as part of a where Are They Now?

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<v Speaker 1>Type series. Little of this footage made it to air.

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<v Speaker 2>Well.

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<v Speaker 3>I was born in Waterville the Night of the flood.

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<v Speaker 1>Abbot von Meeter was born in nineteen thirty six in Waterville, Maine,

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<v Speaker 1>and by all accounts, had a harrowing childhood. His father

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<v Speaker 1>drowned when he was one, and his young mother moved

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<v Speaker 1>from Maine to Boston to work as a cocktail waitress.

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<v Speaker 1>Meeter had to shuttle between Maine and Massachusetts for much

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<v Speaker 1>of his youth, spending some of that time in children's homes.

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<v Speaker 1>He says he started entertaining people to avoid punishment. When

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<v Speaker 1>he got into trouble near the end of high school,

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<v Speaker 1>his mother was institutionalized and Meter ran away to the army.

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<v Speaker 1>He ultimately was stationed in Germany, where he met the

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<v Speaker 1>first of his four wives and played in a band.

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<v Speaker 1>After his time in the service, he did a risque

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<v Speaker 1>piano act around the New York City area and then

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<v Speaker 1>moved on to Greenwich Village, where he owned a politically

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<v Speaker 1>themed comedy routine. It was at this point that he

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<v Speaker 1>dropped his first name, Abbott. He became Vaughan Meeter and

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<v Speaker 1>then one fateful night, a voice came out of Meter.

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<v Speaker 1>It was the President of the United States, John F. Kennedy.

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<v Speaker 5>Yes, the gentleman over there, sir, When are we going

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<v Speaker 5>to send a man to the moon?

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<v Speaker 3>Whenever, mister Goldwater wants to go right with.

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<v Speaker 8>Meter started to reserve the last ten minutes of his

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<v Speaker 8>routine for an impression of Kennedy's live television press conferences.

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<v Speaker 10>My name is Bob Booker. I've just been in the

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<v Speaker 10>entertainment business all my life, and I've been very lucky.

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<v Speaker 10>And I also forgot to turn off my phone.

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<v Speaker 2>Now, that's fine.

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<v Speaker 1>If it's a gig, pick it up.

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<v Speaker 10>I don't even know this Bruce.

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<v Speaker 1>Back in the nineteen sixties, Bob Booker was a disc

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<v Speaker 1>jockey who, along with his partner Earl Dowd, wanted to

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<v Speaker 1>capitalize on the fascination with the new president as well

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<v Speaker 1>as the popularity of comedy albums. These were the days

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<v Speaker 1>of Stan Freeberg, Shelley Berman, Nichols and May, and the

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<v Speaker 1>great Bob Newhart, who had just won Album of the

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<v Speaker 1>Year at the Gram's, a first for a comedy album.

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<v Speaker 1>That classic bit with Newheart as President Lincoln's press agent

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<v Speaker 1>still holds up.

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<v Speaker 5>I sweetheart, how's jEdit Bert.

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<v Speaker 9>Sort of a drag?

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<v Speaker 10>So we were looking for the next thing to do, like,

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<v Speaker 10>you know, so we could have a meal the next day.

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<v Speaker 10>We said, you know, Kennedy make a great album.

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<v Speaker 1>So what was your concept for this album.

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<v Speaker 10>You've got this giant star. He's a movie star, he's

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<v Speaker 10>a political star, he's he's a world star. I got

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<v Speaker 10>in such a good looking man with this beautiful wife. Right.

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<v Speaker 10>We said, if you take this character and the family

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<v Speaker 10>and put them in everyday situations, that's funny.

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<v Speaker 1>This was the beginning of what would become the First

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<v Speaker 1>Family album. The only problem was they had no idea

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<v Speaker 1>who could play the head of this First Family, That

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<v Speaker 1>is until they turned on the TV the evening of

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<v Speaker 1>July third, nineteen sixty two.

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<v Speaker 11>No, but he's from the New school and has served

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<v Speaker 11>his apprenticeship in the little clubs that feature you know,

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<v Speaker 11>the topic of comedians, the kids with the rye offbeat

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<v Speaker 11>comments on life today.

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<v Speaker 1>Does that voice sound familiar? It's Jim Bacchus aka mister

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<v Speaker 1>Magoo aka Thurston Howl, the third from Gilligan's Island. He

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<v Speaker 1>was hosting a summer replacement show called talent Scouts on CBS.

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<v Speaker 11>And I know, I know you're going to be delighted

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<v Speaker 11>with the TV debut of mister Vaughan Meeter.

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<v Speaker 1>Meeters started off with his take on the news headlines

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<v Speaker 1>of the day.

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<v Speaker 4>There's one that might be a little more familiar to you.

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<v Speaker 4>Congressman read Write of Alabama was quoted as saying, literacy

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<v Speaker 4>test ain't proven nothing.

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<v Speaker 1>Listen, I have no idea how funny or fresh is

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<v Speaker 1>topicals stuff actually was. There's that old quote from playwright

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<v Speaker 1>George S. Kaufman, satire is what closes on Saturday Night.

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<v Speaker 1>But his impression of Kennedy was and is nothing short

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<v Speaker 1>of sensational.

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<v Speaker 4>He's doing my act, he's doing my gestures, and he's

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<v Speaker 4>using my lines. Do not ask what this country can

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<v Speaker 4>do for you.

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<v Speaker 2>That's one of my original lines.

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<v Speaker 10>When he did Kennedy, it was perfect, absolutely perfect.

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<v Speaker 1>Bob Booker and Earl Dowd had found their man. But

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<v Speaker 1>there was something else striking about that performance, A kind

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<v Speaker 1>of disclaimer he made at the end of his starmaking routine,

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<v Speaker 1>something I can't imagine any comic doing today.

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<v Speaker 4>Yes, I'd like to make one final statement at this time,

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<v Speaker 4>and I would like to make that final statement as

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<v Speaker 4>myself von Meta, and that is the thing. Thank you

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<v Speaker 4>for the United States, a country where it is possible

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<v Speaker 4>for a young comedian like myself to come out on

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<v Speaker 4>television before millions of people and kid leading citizen, thank

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<v Speaker 4>you good night.

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<v Speaker 12>It was very interesting to me because he was to

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<v Speaker 12>me non controversial.

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<v Speaker 1>I wanted to get the perspective of a modern day

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<v Speaker 1>presidential impersonator.

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<v Speaker 12>I decide how big my failures are, and they're.

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<v Speaker 1>The biggest way Meet Anthony Tammanik. He impersonates President Donald Trump,

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<v Speaker 1>most recently on Comedy Central's The President Show.

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<v Speaker 12>I wonder if that caution was sort of to say, listen,

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<v Speaker 12>I'm making fun with him, not of him.

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<v Speaker 8>This is a telegram that right after von Meter made

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<v Speaker 8>his television debut, he wrote a telegram of the White House.

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<v Speaker 12>He wrote this to you President. Yeah, dear mister President,

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<v Speaker 12>I respectfully call your attention to the Talent Scouts Show,

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<v Speaker 12>which we taped last night for viewing on CBS Television

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<v Speaker 12>Tuesday night, July third, at ten pm. I impersonated you,

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<v Speaker 12>but I did it with great affection and respect. Hope

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<v Speaker 12>it with your approval, respectfully. Von Meter. Wow, that is wild.

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<v Speaker 10>We actually went through eleven I think turned down.

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<v Speaker 1>Booker and Dowd had their concept, their Kennedy, and a

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<v Speaker 1>demo of the album. No One was biting, though. Booker

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<v Speaker 1>remembers one meeting at ABC. In the room that day

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<v Speaker 1>was Jim Haggerty, who was the vice president of News

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<v Speaker 1>and a former White House Press secretary under Eisenhower, Kennedy's predecessor.

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<v Speaker 10>He said, I think the Communists will love it. I

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<v Speaker 10>think Russia will love it, and every communist country in

0:13:36.720 --> 0:13:40.400
<v Speaker 10>the world will love it. And he slammed the door

0:13:40.559 --> 0:13:45.160
<v Speaker 10>behind him and going out. He was outraged, right, So

0:13:45.200 --> 0:13:49.160
<v Speaker 10>we were just insulting the president and his family. He

0:13:49.320 --> 0:13:51.400
<v Speaker 10>was not a man with a great sense of humor.

0:13:51.800 --> 0:13:55.160
<v Speaker 8>Mister, it doesn't sound like it. But did it give

0:13:55.200 --> 0:13:57.760
<v Speaker 8>you any doubt? Did you for a moment, go, boy,

0:13:57.840 --> 0:14:00.600
<v Speaker 8>maybe this is disrespectful. Maybe we should didn't do it.

0:14:00.840 --> 0:14:04.240
<v Speaker 8>This was place number twelve that we'd been thrown in

0:14:04.360 --> 0:14:07.920
<v Speaker 8>the street. Okay, didn't discourage us at all.

0:14:08.320 --> 0:14:11.320
<v Speaker 10>We knew we had a hit record. I would have

0:14:11.400 --> 0:14:14.480
<v Speaker 10>bet anything on it. We did bet everything on it.

0:14:14.880 --> 0:14:18.400
<v Speaker 1>While ABC passed, the president of the network suggested they

0:14:18.440 --> 0:14:22.760
<v Speaker 1>try a smaller label called Cadence, run by Archie Blyier.

0:14:22.760 --> 0:14:25.440
<v Speaker 10>Picked up the phone, called him set the meeting. The

0:14:25.480 --> 0:14:28.560
<v Speaker 10>next morning. We went over and they bought it instantly.

0:14:28.920 --> 0:14:32.360
<v Speaker 1>They'd overcome one hurdle getting a record deal, but as

0:14:32.360 --> 0:14:35.480
<v Speaker 1>it turned out, recording the album before a live audience

0:14:36.000 --> 0:14:37.920
<v Speaker 1>came with its own set of challenges.

0:14:38.600 --> 0:14:42.720
<v Speaker 11>This is a special report from CBS News the Cuban Crisis.

0:14:43.000 --> 0:14:46.520
<v Speaker 10>Talk about an evening. Oh what an evening.

0:14:46.760 --> 0:14:49.520
<v Speaker 1>That's the night of President Kennedy's big speech about.

0:14:49.280 --> 0:14:52.240
<v Speaker 10>The Cuban crisis. And we had the TV sets in

0:14:52.280 --> 0:14:55.920
<v Speaker 10>the back room and we watched the speech where everybody

0:14:55.960 --> 0:14:57.200
<v Speaker 10>believed going to.

0:14:57.200 --> 0:14:59.000
<v Speaker 3>War within the past.

0:14:59.040 --> 0:15:04.320
<v Speaker 7>We unmistakable evidence has established the fact that a series

0:15:04.360 --> 0:15:09.320
<v Speaker 7>of offensive missile sites is now in preparation on that

0:15:09.360 --> 0:15:10.240
<v Speaker 7>imprisoned island.

0:15:10.840 --> 0:15:11.880
<v Speaker 1>So the show starts.

0:15:12.040 --> 0:15:15.120
<v Speaker 8>The audience has no idea that President Kennedy is on

0:15:15.240 --> 0:15:18.520
<v Speaker 8>TV addressing the nation about this.

0:15:18.960 --> 0:15:21.840
<v Speaker 1>Really terrible crisis. Yes it was, And how does the

0:15:21.880 --> 0:15:22.240
<v Speaker 1>show go?

0:15:23.120 --> 0:15:27.120
<v Speaker 10>Perfect? And I did have a fear that the cast

0:15:27.800 --> 0:15:31.320
<v Speaker 10>had heard this speech also, so we did. We did

0:15:31.320 --> 0:15:35.320
<v Speaker 10>a quick little speech right before Hey, it's showtime. We're

0:15:35.360 --> 0:15:40.000
<v Speaker 10>going out there and kill okay, and everybody did it.

0:15:40.040 --> 0:15:41.600
<v Speaker 10>Didn't affect anybody.

0:15:42.040 --> 0:15:45.160
<v Speaker 1>After making it through that crisis within a crisis, Bob

0:15:45.200 --> 0:15:47.840
<v Speaker 1>Booker handed off the album to a DJ friend at

0:15:47.960 --> 0:15:50.240
<v Speaker 1>WIS Radio in New York, and.

0:15:55.440 --> 0:15:57.680
<v Speaker 10>He was going on the air in ten minutes, and

0:15:57.760 --> 0:16:00.600
<v Speaker 10>I said, look what I've got and he looked at

0:16:00.680 --> 0:16:02.800
<v Speaker 10>it and he played one cut and he said, Jesus, Pob,

0:16:02.920 --> 0:16:07.600
<v Speaker 10>that's a satial. He went on the air for three hours.

0:16:07.640 --> 0:16:10.240
<v Speaker 10>He played the album continuously.

0:16:10.440 --> 0:16:12.960
<v Speaker 2>No more Family for a while. Now, I promise, now

0:16:13.400 --> 0:16:14.160
<v Speaker 2>turn off the light.

0:16:15.600 --> 0:16:19.720
<v Speaker 4>Good Night, Jackie, good night, jack Night, Bobby night, ethel.

0:16:24.400 --> 0:16:27.520
<v Speaker 10>Every light in the place lit up. I mean it

0:16:27.600 --> 0:16:31.200
<v Speaker 10>was crazy. The phone calls from the other stations were

0:16:31.200 --> 0:16:37.200
<v Speaker 10>coming in, television bookings for all in three hours, broke

0:16:37.280 --> 0:16:39.000
<v Speaker 10>it wide open, wond Jockey.

0:16:40.600 --> 0:16:44.400
<v Speaker 1>The First Family album took off like a rocket, and

0:16:44.560 --> 0:16:51.440
<v Speaker 1>Von Meeter was in for the right of his life.

0:16:55.400 --> 0:16:58.680
<v Speaker 1>Von Meeter was playing a gig in Detroit and didn't

0:16:58.680 --> 0:16:59.720
<v Speaker 1>know what hit him.

0:17:00.040 --> 0:17:01.720
<v Speaker 3>I couldn't leave until I get back to New York.

0:17:01.760 --> 0:17:04.320
<v Speaker 3>And I walked down the street and heard my voice

0:17:04.359 --> 0:17:07.240
<v Speaker 3>being broadcast and I just couldn't keep up.

0:17:07.160 --> 0:17:08.760
<v Speaker 10>With it, man, I mean, it was on fire.

0:17:08.960 --> 0:17:10.840
<v Speaker 1>Can give me a sense of what that felt like?

0:17:10.920 --> 0:17:11.640
<v Speaker 1>What did you think?

0:17:11.840 --> 0:17:15.320
<v Speaker 10>No, there's no way insanity.

0:17:15.880 --> 0:17:19.600
<v Speaker 1>Everyone wanted von Meeterer to appear on their show, including

0:17:19.640 --> 0:17:23.080
<v Speaker 1>beloved singer Andy Williams, who was hosting a popular new

0:17:23.160 --> 0:17:24.680
<v Speaker 1>variety series on NBC.

0:17:25.320 --> 0:17:26.200
<v Speaker 6>Welcome to our show.

0:17:26.359 --> 0:17:27.320
<v Speaker 3>Thank you very much, Andy.

0:17:27.320 --> 0:17:29.320
<v Speaker 2>It's a pleasure to be here. You know, I've been looking.

0:17:29.119 --> 0:17:31.640
<v Speaker 11>Forward all week to working with Vron because I wanted

0:17:31.680 --> 0:17:33.880
<v Speaker 11>to sit right next to the guy who.

0:17:33.760 --> 0:17:35.160
<v Speaker 4>Was sold well.

0:17:35.160 --> 0:17:37.320
<v Speaker 11>He's had the most successful album in the history of

0:17:37.359 --> 0:17:39.240
<v Speaker 11>the recordiness, the First Family Album.

0:17:39.560 --> 0:17:44.119
<v Speaker 8>Okay, there's a good reason The First Family was the

0:17:44.160 --> 0:17:45.960
<v Speaker 8>best selling album of its time.

0:17:46.800 --> 0:17:50.520
<v Speaker 1>It's a total blast. It's not really a sad tire.

0:17:50.640 --> 0:17:53.760
<v Speaker 1>It's parody the kind of fun zany takeoff that I

0:17:53.840 --> 0:17:56.000
<v Speaker 1>used to love reading in Mad Magazine when I was

0:17:56.000 --> 0:17:58.760
<v Speaker 1>a kid, Like when they turned chips into chimps, or

0:17:59.080 --> 0:18:01.560
<v Speaker 1>the Godfather into the Odd Father. That kind of a thing.

0:18:01.880 --> 0:18:04.240
<v Speaker 1>It's not really meant to make you think, it's meant

0:18:04.240 --> 0:18:08.000
<v Speaker 1>to make you laugh. Okay, so some references may not

0:18:08.119 --> 0:18:09.720
<v Speaker 1>play for today's audiences.

0:18:10.359 --> 0:18:13.000
<v Speaker 2>Eva, you drive a hard bargain.

0:18:13.320 --> 0:18:17.200
<v Speaker 1>Like monopoly with Republican Senate Minority Leader Everett Dirkson.

0:18:17.640 --> 0:18:22.000
<v Speaker 2>I'll show you a boardwalk and park place, but.

0:18:22.000 --> 0:18:24.399
<v Speaker 1>A surprising amount of it really holds up.

0:18:24.760 --> 0:18:29.320
<v Speaker 10>I'd like to ask the following question, faultois philipp.

0:18:29.040 --> 0:18:31.200
<v Speaker 2>Now speak English? Jackie?

0:18:30.440 --> 0:18:36.280
<v Speaker 8>Sure, the Jackie sounds more like Marilyn Monroe, which probably

0:18:36.280 --> 0:18:38.639
<v Speaker 8>didn't make the first lady very happy. But come on,

0:18:38.880 --> 0:18:41.600
<v Speaker 8>to be fair, who didn't think the real Jackie sounded

0:18:41.760 --> 0:18:44.480
<v Speaker 8>a little like Marilyn during that famous TV tour of

0:18:44.480 --> 0:18:45.119
<v Speaker 8>the White House.

0:18:45.400 --> 0:18:48.880
<v Speaker 5>Yes, this room is everything in it really is from

0:18:48.880 --> 0:18:50.520
<v Speaker 5>the time of President Monroe.

0:18:50.640 --> 0:18:52.840
<v Speaker 1>Of course, the album does its own take on that.

0:18:52.880 --> 0:18:56.680
<v Speaker 13>Tour and left at the Dai Madison Pinakorom.

0:18:57.840 --> 0:19:00.560
<v Speaker 1>While most of the jokes are pretty gentle, there are

0:19:00.600 --> 0:19:01.760
<v Speaker 1>a few digs.

0:19:01.640 --> 0:19:03.640
<v Speaker 14>Ask the Richard Nixon dam way.

0:19:05.640 --> 0:19:08.480
<v Speaker 8>One of the biggest laughs comes here when the President

0:19:08.560 --> 0:19:11.240
<v Speaker 8>divvies up Caroline and John John's bath.

0:19:11.080 --> 0:19:14.520
<v Speaker 4>Tool nine of the pet Boach, two of the Yogi

0:19:14.520 --> 0:19:17.359
<v Speaker 4>Bear of beach Balls, the Yah Ball of Hilly Putty

0:19:17.640 --> 0:19:22.000
<v Speaker 4>belonged to Caroline, nine of the pet Boach, one.

0:19:21.680 --> 0:19:24.200
<v Speaker 2>Of the Yogi Ya bearra.

0:19:23.960 --> 0:19:27.680
<v Speaker 4>Beach Balls, and the two Howdy Duty plastic bouncing clowns,

0:19:27.880 --> 0:19:28.920
<v Speaker 4>Ah Baby Johns.

0:19:29.359 --> 0:19:31.720
<v Speaker 2>The rubbishwan is mine.

0:19:33.640 --> 0:19:37.240
<v Speaker 1>I'm imagining people everywhere look at home, around the water cooler,

0:19:37.280 --> 0:19:41.240
<v Speaker 1>at work, repeating that rubber Swan line, and apparently they did.

0:19:41.960 --> 0:19:43.000
<v Speaker 10>I thought it was pretty funny.

0:19:43.720 --> 0:19:47.840
<v Speaker 1>Anthony A. Tamanik, who impersonates President Trump, knows the album well.

0:19:48.200 --> 0:19:50.800
<v Speaker 1>His grandfather played it for him when he was growing up.

0:19:51.320 --> 0:19:53.840
<v Speaker 1>But I also wanted his take on how Meeter looked

0:19:53.840 --> 0:19:56.119
<v Speaker 1>as Kennedy. Is it a good impression?

0:19:56.920 --> 0:19:58.400
<v Speaker 10>Yeah, it is a good impression.

0:19:58.920 --> 0:20:01.280
<v Speaker 12>It's a good impression, becau because a good impression doesn't

0:20:01.320 --> 0:20:08.639
<v Speaker 12>require any makeup or accoutrement. The idea should be that

0:20:08.680 --> 0:20:11.719
<v Speaker 12>the presence of the person is what you feel like.

0:20:11.760 --> 0:20:15.159
<v Speaker 12>There's a will that presents Kennedy in that moment.

0:20:15.840 --> 0:20:18.800
<v Speaker 10>There is not, and I say this with a great pride.

0:20:18.920 --> 0:20:22.680
<v Speaker 10>There is not one ugly joke in the entire thing.

0:20:23.320 --> 0:20:27.439
<v Speaker 10>There's not even a really nasty political joke anywhere in

0:20:27.440 --> 0:20:28.040
<v Speaker 10>the album.

0:20:28.440 --> 0:20:32.800
<v Speaker 1>Yes, it's all very safe from today's vantage point. Turns out,

0:20:32.840 --> 0:20:35.399
<v Speaker 1>and this was a surprise to me. The producers in

0:20:35.480 --> 0:20:37.720
<v Speaker 1>cast were pushing the limits of comedy.

0:20:38.200 --> 0:20:40.200
<v Speaker 5>I had the first I must level with you, I

0:20:40.240 --> 0:20:47.360
<v Speaker 5>had some misgivings about this idea for reasons of my own.

0:20:47.520 --> 0:20:51.000
<v Speaker 1>That's late Night host Jack Parr again he was Johnny

0:20:51.040 --> 0:20:55.640
<v Speaker 1>Carson before Johnny Carson, issuing a disclaimer before inviting von

0:20:55.760 --> 0:20:59.640
<v Speaker 1>Meeter on stage. Parr then goes on to quote famed

0:20:59.680 --> 0:21:04.040
<v Speaker 1>Anthwer apologist Margaret Meade. She too had weighed in on

0:21:04.080 --> 0:21:07.320
<v Speaker 1>the First Family album because well why not, she told

0:21:07.359 --> 0:21:10.960
<v Speaker 1>Life Magazine quote, this making fun of people in authority

0:21:11.119 --> 0:21:15.080
<v Speaker 1>is very healthy. It is the difference between democracy and tyranny.

0:21:15.440 --> 0:21:20.600
<v Speaker 1>End quote. The album continued selling like crazy. But what

0:21:20.680 --> 0:21:27.760
<v Speaker 1>was the White House thinking? Remember presidential advisor Arthur Schlessinger,

0:21:28.080 --> 0:21:30.760
<v Speaker 1>who was so concerned about that voice on the radio

0:21:31.240 --> 0:21:34.560
<v Speaker 1>that he wrote a memo about the dangers of impersonating

0:21:34.600 --> 0:21:38.800
<v Speaker 1>the president. He wrote, the radio listener twirls his dial,

0:21:39.200 --> 0:21:41.720
<v Speaker 1>comes in in the middle of things, and rarely listens

0:21:41.720 --> 0:21:47.040
<v Speaker 1>with full attention. Anyway, Schlessinger concluded on an ominous note,

0:21:47.520 --> 0:21:54.440
<v Speaker 1>remember Orson Wells and the Martian invasion. Again, this comedy

0:21:54.480 --> 0:21:58.080
<v Speaker 1>seems completely benign today. But boy, it raised an alarm

0:21:58.119 --> 0:21:59.440
<v Speaker 1>in the president's inner circle.

0:22:00.119 --> 0:22:05.080
<v Speaker 10>Well, it got dangerous because the people around Kennedy, around

0:22:05.119 --> 0:22:10.800
<v Speaker 10>any president, are so protective the minute they heard someone

0:22:10.880 --> 0:22:14.480
<v Speaker 10>doing Kennedy on the air so accurately, Because Vaughan was

0:22:14.520 --> 0:22:17.879
<v Speaker 10>really good with it. They went screaming. They even went

0:22:17.960 --> 0:22:20.359
<v Speaker 10>to the FCC to try and stop the album.

0:22:20.720 --> 0:22:24.480
<v Speaker 1>Clearly and thankfully, those attempts weren't successful. But I was

0:22:24.560 --> 0:22:27.639
<v Speaker 1>fascinated to learn that Schlessinger took the time to go

0:22:27.720 --> 0:22:30.320
<v Speaker 1>back to the days of FDR to seek out some

0:22:30.400 --> 0:22:34.520
<v Speaker 1>kind of precedent with regard to presidential impersonations. It turns

0:22:34.560 --> 0:22:39.000
<v Speaker 1>out Franklin Roosevelt's press secretary, Stephen Early, had directly asked

0:22:39.119 --> 0:22:43.160
<v Speaker 1>media outlets not to give airtime to Roosevelt impersonators.

0:22:43.359 --> 0:22:45.679
<v Speaker 15>It's been a long time since a president and his

0:22:45.800 --> 0:22:49.760
<v Speaker 15>family have been subjected. It was such a heavy barrage

0:22:49.800 --> 0:22:52.840
<v Speaker 15>of teasing and fun poking and satire. And there have

0:22:52.880 --> 0:22:56.359
<v Speaker 15>been books on backstairs at the White House, and cartoon

0:22:56.440 --> 0:23:03.040
<v Speaker 15>books with clever sayings, and photo albums with balloons and

0:23:03.080 --> 0:23:03.440
<v Speaker 15>the rest.

0:23:03.840 --> 0:23:06.520
<v Speaker 2>And now I smash hit for record.

0:23:07.320 --> 0:23:09.840
<v Speaker 15>Can you tell us whether you read and listen to

0:23:09.880 --> 0:23:13.000
<v Speaker 15>these things and whether they produce annoyment or enjoyment.

0:23:15.080 --> 0:23:18.919
<v Speaker 1>Annoyment, No, they yes, I have read them and listened

0:23:18.920 --> 0:23:19.280
<v Speaker 1>to them.

0:23:19.720 --> 0:23:22.040
<v Speaker 7>Actually I listened to mister Meta record, but I thought

0:23:22.080 --> 0:23:23.760
<v Speaker 7>it sounded more like Teddy than it did me.

0:23:23.920 --> 0:23:29.199
<v Speaker 1>But that's not von Meter as JFK. That is the

0:23:29.240 --> 0:23:32.800
<v Speaker 1>actual President of the United States talking about von Meter

0:23:32.960 --> 0:23:36.760
<v Speaker 1>in one of his live press conferences. According to many accounts,

0:23:36.800 --> 0:23:39.800
<v Speaker 1>the President did enjoy the album and even gave out

0:23:39.840 --> 0:23:41.040
<v Speaker 1>copies for Christmas.

0:23:41.320 --> 0:23:43.440
<v Speaker 10>Do you know why he loved it? Made a human

0:23:43.480 --> 0:23:47.000
<v Speaker 10>being out of him, took him down off the pedestal.

0:23:47.520 --> 0:23:50.960
<v Speaker 10>He was one of us. He just looked a lot

0:23:51.000 --> 0:23:52.240
<v Speaker 10>better than all of us.

0:23:55.520 --> 0:23:58.280
<v Speaker 1>Von Meter went on to win a Grammy for Best

0:23:58.400 --> 0:24:03.000
<v Speaker 1>Comedy Performance and First Family one Album of the Year.

0:24:04.080 --> 0:24:06.880
<v Speaker 1>The First Family beat out the likes of Tony Bennett

0:24:06.960 --> 0:24:11.320
<v Speaker 1>and Ray Charles. Von Meeter was living the dream, right.

0:24:12.520 --> 0:24:13.359
<v Speaker 3>It just took over.

0:24:14.280 --> 0:24:17.480
<v Speaker 1>The voice you're hearing now is the older Meter from

0:24:17.560 --> 0:24:20.680
<v Speaker 1>that nineteen ninety eight interview that I got from the archives.

0:24:21.040 --> 0:24:23.280
<v Speaker 3>You know, I go on Sullivan. I'd asked him if

0:24:23.280 --> 0:24:24.920
<v Speaker 3>I could play a sing a song. I wanted to

0:24:25.119 --> 0:24:28.840
<v Speaker 3>desperately play some music, sing some songs. No no chance,

0:24:28.920 --> 0:24:31.879
<v Speaker 3>no chance, no chance. So I just sell in line,

0:24:31.960 --> 0:24:37.560
<v Speaker 3>you know, and did it. And I had to get

0:24:37.600 --> 0:24:40.000
<v Speaker 3>sued to do a volume two because I didn't want

0:24:40.040 --> 0:24:42.199
<v Speaker 3>to do a volume two. They sued me for a

0:24:42.200 --> 0:24:42.960
<v Speaker 3>million dollars.

0:24:44.880 --> 0:24:47.800
<v Speaker 1>In early nineteen sixty three, while Meter was on a

0:24:47.840 --> 0:24:50.959
<v Speaker 1>concert tour of the album, Bob Booker and Earl Dowd

0:24:51.000 --> 0:24:54.520
<v Speaker 1>began developing fresh material for a second volume of the

0:24:54.520 --> 0:24:55.760
<v Speaker 1>first Family album.

0:24:56.200 --> 0:24:58.960
<v Speaker 10>At twitch time, Vaughan said, I don't want to do

0:24:59.080 --> 0:25:00.000
<v Speaker 10>Kennedy anymore.

0:25:00.720 --> 0:25:04.400
<v Speaker 1>You heard that, right? Meeter, who almost overnight went from

0:25:04.520 --> 0:25:08.359
<v Speaker 1>barely scraping buying clubs just storing in the country's most

0:25:08.520 --> 0:25:11.480
<v Speaker 1>popular album, was sick of the Kennedy act.

0:25:11.960 --> 0:25:14.439
<v Speaker 3>But I wasn't very content with any of it, and

0:25:14.520 --> 0:25:16.760
<v Speaker 3>maybe it was the Kennedy thing that I couldn't get

0:25:16.800 --> 0:25:17.159
<v Speaker 3>out of.

0:25:18.000 --> 0:25:21.440
<v Speaker 1>But album producer Bob Booker was having none of it.

0:25:21.960 --> 0:25:24.160
<v Speaker 10>I said, we have a deal to do it. He said,

0:25:24.200 --> 0:25:26.320
<v Speaker 10>I don't care about that. I don't want to have

0:25:26.400 --> 0:25:28.680
<v Speaker 10>to do Kennedy the rest of my life, he said,

0:25:28.720 --> 0:25:31.399
<v Speaker 10>I want to do my act. And this is the

0:25:31.520 --> 0:25:35.200
<v Speaker 10>time I had to save on. You don't have an act,

0:25:35.960 --> 0:25:39.240
<v Speaker 10>you never had an act. If you give this up,

0:25:39.560 --> 0:25:41.160
<v Speaker 10>you not gonna be working anywhere.

0:25:41.720 --> 0:25:43.480
<v Speaker 1>Was that hard for you to say no?

0:25:43.640 --> 0:25:46.919
<v Speaker 10>Because it was the truth, and I wanted the album

0:25:47.320 --> 0:25:50.560
<v Speaker 10>and just do what we have contractually and then go

0:25:50.640 --> 0:25:53.400
<v Speaker 10>do anything you want in your life. If I never

0:25:53.440 --> 0:25:56.639
<v Speaker 10>see you again, that's fine, and just do what you

0:25:56.760 --> 0:25:57.600
<v Speaker 10>promised you would do.

0:25:58.200 --> 0:26:01.119
<v Speaker 1>How did he take it when you told him you

0:26:01.160 --> 0:26:01.960
<v Speaker 1>don't have an act?

0:26:02.119 --> 0:26:04.120
<v Speaker 10>How did he? Oh? No, he was offended by that.

0:26:04.359 --> 0:26:06.440
<v Speaker 10>He said, no, so I can go do my act.

0:26:06.800 --> 0:26:08.960
<v Speaker 10>Said there was no act. There was no act in

0:26:09.160 --> 0:26:12.360
<v Speaker 10>Talent Scouts right, it was Kennedy, that was it.

0:26:13.160 --> 0:26:16.199
<v Speaker 1>Volume two was released in the spring of nineteen sixty

0:26:16.240 --> 0:26:20.920
<v Speaker 1>three and sold fairly well, but nowhere near the original album.

0:26:21.520 --> 0:26:25.960
<v Speaker 1>One of the sketches, which today seems pretty haunting, imagines

0:26:26.000 --> 0:26:29.359
<v Speaker 1>the Kennedy's enjoying retirement in nineteen ninety six.

0:26:30.320 --> 0:26:35.920
<v Speaker 4>I shertinly enjoyed being president. Bobby enjoyed being president. Jeddy

0:26:36.080 --> 0:26:41.080
<v Speaker 4>enjoyed being president. Then I enjoyed being president again.

0:26:42.760 --> 0:26:45.320
<v Speaker 3>Once I was in, I couldn't find the way out.

0:26:46.800 --> 0:26:56.200
<v Speaker 3>And yeah, I'm sorry, he found the way.

0:26:56.240 --> 0:26:59.560
<v Speaker 1>On the morning of November twenty second, nineteen sixty three,

0:27:00.080 --> 0:27:04.280
<v Speaker 1>the Associated Press published a story by veteran Hollywood columnist

0:27:04.400 --> 0:27:08.920
<v Speaker 1>Bob Thomas, which started as follows, It's always a bit

0:27:08.960 --> 0:27:12.160
<v Speaker 1>surprising to find a new star in show business trying

0:27:12.160 --> 0:27:14.400
<v Speaker 1>to run away from the thing that made him famous.

0:27:14.880 --> 0:27:18.879
<v Speaker 1>Today's example is von Meter. Thomas then goes on to

0:27:18.880 --> 0:27:22.280
<v Speaker 1>write he also is searching for ways to destroy his

0:27:22.400 --> 0:27:28.280
<v Speaker 1>image as a jfk imitator. Meter didn't have to search

0:27:28.560 --> 0:27:29.199
<v Speaker 1>much longer.

0:27:41.359 --> 0:27:45.800
<v Speaker 6>Here is a bulletin from CBS News in Dallas, Texas.

0:27:45.920 --> 0:27:50.480
<v Speaker 6>Three shots were fired at President Kennaday's motorcade in downtown Dallas.

0:27:50.720 --> 0:27:53.400
<v Speaker 6>The first reports say that President Kennedy.

0:27:53.160 --> 0:27:58.640
<v Speaker 1>Yeah, that's the older Von Meter.

0:27:59.480 --> 0:28:02.200
<v Speaker 3>Well, I just got booked at the Democratic Club and

0:28:02.680 --> 0:28:07.560
<v Speaker 3>in Wisconsin. And I flew into Wisconsin from New York.

0:28:08.960 --> 0:28:12.240
<v Speaker 3>And when I got in the cab, the cab driver said,

0:28:12.280 --> 0:28:16.240
<v Speaker 3>you hear Kennedy got shot in Dallas? And I said, no,

0:28:16.359 --> 0:28:18.560
<v Speaker 3>how does it go? Because I thought it was another

0:28:18.640 --> 0:28:21.400
<v Speaker 3>Kennedy joke because people, you know, everywhere I went, people say, oh,

0:28:21.440 --> 0:28:23.280
<v Speaker 3>do you hear about jack who did this? And Jackie

0:28:23.400 --> 0:28:25.159
<v Speaker 3>out of the punchline, you know, So I thought it

0:28:25.160 --> 0:28:28.560
<v Speaker 3>was just another being set up. Somebody recognized me, was

0:28:28.560 --> 0:28:30.880
<v Speaker 3>setting me up for another Kennedy joke, you know. I said,

0:28:31.040 --> 0:28:34.600
<v Speaker 3>how's ago? And then I heard on the taxi cab

0:28:34.760 --> 0:28:39.240
<v Speaker 3>radio that that's what happened. So I went to the hotel,

0:28:39.840 --> 0:28:42.040
<v Speaker 3>got drunk, got the next plane out and went back

0:28:42.080 --> 0:28:45.240
<v Speaker 3>to New York, and I guess they stayed drunk.

0:28:46.600 --> 0:28:49.520
<v Speaker 1>Bob Booker was having lunch in Greenwich Village when he

0:28:49.520 --> 0:28:50.480
<v Speaker 1>heard the news.

0:28:50.920 --> 0:28:53.320
<v Speaker 10>The phone rang and it was my secretary and she said,

0:28:53.400 --> 0:28:56.520
<v Speaker 10>Kennedy's been shot. And I just threw some money on

0:28:56.600 --> 0:29:02.760
<v Speaker 10>the table and left. It was devastating, absolutely devasating. If

0:29:02.840 --> 0:29:05.680
<v Speaker 10>I called Archie Bleyer the minute I got back, and

0:29:05.760 --> 0:29:09.640
<v Speaker 10>I said, get the albums wherever they are, because they're

0:29:09.680 --> 0:29:11.880
<v Speaker 10>out with distributors all over the gun. I said, get

0:29:11.920 --> 0:29:13.920
<v Speaker 10>your hands on all of them. We're going to chop

0:29:13.960 --> 0:29:17.040
<v Speaker 10>them up. I want no part of cashing in on

0:29:17.080 --> 0:29:17.920
<v Speaker 10>this man's death.

0:29:18.560 --> 0:29:22.680
<v Speaker 1>And just like that, Vaughn meeters meteoric rise to fame

0:29:23.960 --> 0:29:28.320
<v Speaker 1>was over. Did you ever see Vaughan again?

0:29:29.200 --> 0:29:31.120
<v Speaker 10>Well, I talked to him a couple of times. I

0:29:31.120 --> 0:29:32.640
<v Speaker 10>don't think I ever did see him again.

0:29:35.800 --> 0:29:43.400
<v Speaker 3>Well, it was over. It's over over. You know, John's gune.

0:29:44.160 --> 0:29:49.400
<v Speaker 3>So I don't want to hear me playing him if

0:29:49.400 --> 0:29:52.120
<v Speaker 3>it isn't me, I don't want to, you know, I

0:29:52.120 --> 0:30:06.800
<v Speaker 3>don't want to be him. Let's say I am.

0:30:07.000 --> 0:30:10.720
<v Speaker 12>I think his issue on this armchair analysis was that

0:30:10.800 --> 0:30:13.160
<v Speaker 12>he did not have a good division between the character

0:30:13.200 --> 0:30:14.280
<v Speaker 12>and himself.

0:30:14.440 --> 0:30:18.440
<v Speaker 1>Trump impersonator Anthony and Tammanik. But he basically doesn't know

0:30:18.480 --> 0:30:22.400
<v Speaker 1>where he ends where Kennedy ends. And he begins, yeah.

0:30:22.320 --> 0:30:25.000
<v Speaker 12>He might have just been a person who just didn't

0:30:25.160 --> 0:30:27.480
<v Speaker 12>think about his psyche before he got into it.

0:30:28.040 --> 0:30:31.800
<v Speaker 3>Well, it broke my heart really at the time. But

0:30:32.320 --> 0:30:34.440
<v Speaker 3>I thought to myself, well, now I can go on

0:30:34.560 --> 0:30:37.160
<v Speaker 3>to something else. But I couldn't. It was I mean

0:30:38.840 --> 0:30:41.680
<v Speaker 3>that they didn't want nobody else. Nobody wanted nothing else

0:30:41.680 --> 0:30:43.600
<v Speaker 3>from me. That's what they wanted, and they couldn't let

0:30:43.720 --> 0:30:47.200
<v Speaker 3>go of that. I'll never forget New York City, as

0:30:48.040 --> 0:30:50.880
<v Speaker 3>cold as it is. I'm walking down Second Avenue and

0:30:51.240 --> 0:30:54.480
<v Speaker 3>a steel riveta, a riveta with a hard hat, sees

0:30:54.560 --> 0:30:57.960
<v Speaker 3>me and stops his rivet and walks over and squeezes

0:30:58.000 --> 0:31:02.239
<v Speaker 3>my hand. It's says, oh so sorry, man, And like,

0:31:02.400 --> 0:31:05.400
<v Speaker 3>you know, I was getting that, you know, like almost pity.

0:31:06.240 --> 0:31:09.280
<v Speaker 3>And I think I had to go to a great extent.

0:31:09.920 --> 0:31:12.160
<v Speaker 3>I know I did. I stayed drunk, and after that

0:31:12.280 --> 0:31:17.840
<v Speaker 3>I stayed drugged to get away from pity feeling sorry

0:31:17.880 --> 0:31:21.160
<v Speaker 3>for me, you know, so then I get to feeling

0:31:21.160 --> 0:31:22.000
<v Speaker 3>sorry for myself.

0:31:22.000 --> 0:31:25.160
<v Speaker 12>I don't know, so imagine if like the one thing

0:31:25.200 --> 0:31:27.600
<v Speaker 12>that you were getting your momentum on just got pulled

0:31:27.600 --> 0:31:30.640
<v Speaker 12>from you, and then everyone's like, oh, that's so bad,

0:31:30.800 --> 0:31:33.000
<v Speaker 12>almost as if also it's like everyone was like, your

0:31:33.040 --> 0:31:33.880
<v Speaker 12>career is over.

0:31:34.000 --> 0:31:37.800
<v Speaker 8>And maybe almost like he wants to shout, I'm not dead, right, yeah.

0:31:37.480 --> 0:31:40.480
<v Speaker 12>And also I thought this, maybe I'm wrong. But they

0:31:40.520 --> 0:31:42.960
<v Speaker 12>would also be like, I don't want this. I don't

0:31:43.400 --> 0:31:46.040
<v Speaker 12>show your pity and love for him, don't don't put

0:31:46.040 --> 0:31:46.400
<v Speaker 12>it to me.

0:31:47.360 --> 0:31:49.640
<v Speaker 1>Meeter would go on to say that he seemed to

0:31:49.640 --> 0:31:53.840
<v Speaker 1>be a living reminder of a tragedy. It's worth remembering

0:31:53.840 --> 0:31:56.760
<v Speaker 1>that in November of nineteen sixty three, he was just

0:31:56.920 --> 0:32:00.240
<v Speaker 1>twenty seven. I mean, that's usually the start of a career.

0:32:01.160 --> 0:32:04.800
<v Speaker 1>One week after the assassination, comedian Lenny Bruce was back

0:32:04.840 --> 0:32:07.840
<v Speaker 1>on stage in New York. Bob Booker saw him and

0:32:07.880 --> 0:32:11.160
<v Speaker 1>says he remembers a moment that has since become legendary.

0:32:11.560 --> 0:32:15.520
<v Speaker 10>And he grabbed that microphone and he said, boyd did

0:32:15.600 --> 0:32:21.960
<v Speaker 10>Vaughan Meter get screwed? Not exactly that word, Okay.

0:32:21.600 --> 0:32:23.640
<v Speaker 1>And you're free to say it if you want to say.

0:32:23.800 --> 0:32:27.120
<v Speaker 10>Oh, he said, boy did Vaughan Meter get fucked now.

0:32:28.000 --> 0:32:31.160
<v Speaker 10>The critics took him apart for this. I have never

0:32:31.240 --> 0:32:34.920
<v Speaker 10>heard a laugh that big in a house in my life,

0:32:35.400 --> 0:32:39.960
<v Speaker 10>because Lenny had the ability to say your most inner

0:32:40.080 --> 0:32:44.560
<v Speaker 10>thought in public that you would never dare say. Everybody

0:32:44.560 --> 0:32:48.160
<v Speaker 10>in that theater had thought that. I had gotten calls

0:32:48.640 --> 0:32:53.280
<v Speaker 10>from people saying, poor Vaughn. I said, poor Vaughn. How

0:32:53.320 --> 0:32:56.680
<v Speaker 10>about poor jack Kennedy? For Christ's sake, right, I think

0:32:56.800 --> 0:33:00.280
<v Speaker 10>about poor Vaughn. One of the best presidents we ever had,

0:33:00.320 --> 0:33:05.520
<v Speaker 10>in my opinion, was dead, assassinated? Is that a sort

0:33:05.800 --> 0:33:07.400
<v Speaker 10>It's not about von Meeter guy?

0:33:08.160 --> 0:33:12.719
<v Speaker 1>No, Von Meder hadn't died, but he was collateral damage.

0:33:13.200 --> 0:33:16.200
<v Speaker 1>Another line attributed to Lenny Bruce was that they should

0:33:16.240 --> 0:33:19.880
<v Speaker 1>put two graves in Arlington, one for Kennedy and one

0:33:19.920 --> 0:33:24.240
<v Speaker 1>for Meter. After the president's death, Meeter wrote a condolence

0:33:24.320 --> 0:33:27.920
<v Speaker 1>letter to Jackie Kennedy. Although we never met, He wrote,

0:33:28.200 --> 0:33:30.240
<v Speaker 1>I felt as though I had known him all my life.

0:33:31.000 --> 0:33:33.680
<v Speaker 1>I was given by fate the ability to impersonate his

0:33:33.800 --> 0:33:37.800
<v Speaker 1>voice and to copy his gestures. I sincerely hope that

0:33:37.880 --> 0:33:39.800
<v Speaker 1>a part of what I did found its way to

0:33:39.880 --> 0:33:43.680
<v Speaker 1>him and gave him and his family a few pleasant moments.

0:33:44.080 --> 0:33:48.320
<v Speaker 14>Yes, beautiful letter, handwritten. It's in two different books.

0:33:48.480 --> 0:33:50.960
<v Speaker 1>Actually did he get a response?

0:33:51.280 --> 0:33:51.880
<v Speaker 14>She hated it.

0:33:52.880 --> 0:33:56.440
<v Speaker 1>That's von Meeter's widow, Sheila. She holds a copy of

0:33:56.480 --> 0:34:00.320
<v Speaker 1>the letter. Missus Kennedy did hate the album when it

0:34:00.360 --> 0:34:02.640
<v Speaker 1>first came out. She referred to meet her as a

0:34:02.760 --> 0:34:06.120
<v Speaker 1>rat in a memo. And here's her conversation with Arthur

0:34:06.160 --> 0:34:09.040
<v Speaker 1>Schlessinger a few months after the assassination.

0:34:09.840 --> 0:34:12.640
<v Speaker 8>What did you think of all these skits about himself,

0:34:12.719 --> 0:34:14.839
<v Speaker 8>like the First Family and so on?

0:34:16.080 --> 0:34:18.359
<v Speaker 2>Do you ever listen to them?

0:34:19.640 --> 0:34:20.560
<v Speaker 10>I think he listened.

0:34:20.560 --> 0:34:22.400
<v Speaker 1>I'm not sure he listened to all of that record.

0:34:22.440 --> 0:34:24.400
<v Speaker 8>I listened to one side and then I threw it

0:34:24.440 --> 0:34:26.279
<v Speaker 8>away because I didn't want my children to see it.

0:34:27.000 --> 0:34:29.239
<v Speaker 1>And well he wasn't.

0:34:29.920 --> 0:34:31.360
<v Speaker 3>I guess he sort of took it.

0:34:33.040 --> 0:34:33.160
<v Speaker 14>You know.

0:34:33.320 --> 0:34:36.440
<v Speaker 10>I thought it was so unfair of those things.

0:34:36.800 --> 0:34:39.080
<v Speaker 1>She went on to say, I mean, I thought it

0:34:39.120 --> 0:34:39.879
<v Speaker 1>was so mean.

0:34:39.960 --> 0:34:42.160
<v Speaker 14>I didn't care if they make fun of me or anything,

0:34:42.600 --> 0:34:44.440
<v Speaker 14>but when they make fun of little children.

0:34:45.880 --> 0:34:49.759
<v Speaker 1>In the year after the assassination, Meter didn't disappear completely.

0:34:50.239 --> 0:34:52.600
<v Speaker 1>He popped up on television a few times in nineteen

0:34:52.640 --> 0:34:57.200
<v Speaker 1>sixty four, but never again as JFK. That same year,

0:34:57.400 --> 0:34:59.920
<v Speaker 1>he put out his own album called have Some Nut

0:35:00.040 --> 0:35:04.400
<v Speaker 1>Unts later another one called if the Shoe Fits So

0:35:04.480 --> 0:35:04.879
<v Speaker 1>pick up.

0:35:04.800 --> 0:35:07.200
<v Speaker 4>Your phone right now and contribute, contribute the name of

0:35:07.200 --> 0:35:08.919
<v Speaker 4>a Communist and put us over the top.

0:35:10.360 --> 0:35:14.240
<v Speaker 1>While they received some nice reviews, they just didn't sell.

0:35:14.360 --> 0:35:17.279
<v Speaker 1>He traveled the country for the next decade, but, as

0:35:17.280 --> 0:35:21.240
<v Speaker 1>Sheila Meder recalls, the man she called by his birth name, Abbot,

0:35:21.800 --> 0:35:23.200
<v Speaker 1>never found that second act.

0:35:23.680 --> 0:35:27.000
<v Speaker 14>He insisted on writing his own stuff, and it didn't

0:35:27.560 --> 0:35:30.520
<v Speaker 14>He needed a writer, you know. That's he would never

0:35:30.640 --> 0:35:36.439
<v Speaker 14>have succeeded in something like the First Family if there

0:35:36.480 --> 0:35:39.440
<v Speaker 14>hadn't been an Earl Dowd and a Bob Booker to

0:35:39.520 --> 0:35:44.400
<v Speaker 14>write it. He was a delivery man. Abbot delivered, Abbot spoke.

0:35:44.560 --> 0:35:49.040
<v Speaker 14>Abbot had a voice that felt like warm oil was

0:35:49.080 --> 0:35:50.720
<v Speaker 14>being rubbed into your skin.

0:35:51.800 --> 0:35:52.680
<v Speaker 2>It was beautiful.

0:35:52.920 --> 0:35:56.760
<v Speaker 1>I mean, that sounds great. I mean there's no shame

0:35:56.880 --> 0:35:59.280
<v Speaker 1>in being, as you say, well, put it a delivery man.

0:35:59.400 --> 0:36:01.160
<v Speaker 14>That's what he wants, right, that's what.

0:36:01.400 --> 0:36:03.160
<v Speaker 1>But so why wasn't he okay with that?

0:36:04.880 --> 0:36:05.920
<v Speaker 14>I don't know, I don't know.

0:36:06.400 --> 0:36:08.560
<v Speaker 1>He turned to a variety of substances.

0:36:09.040 --> 0:36:13.640
<v Speaker 14>Was the cocaine There was the LSD, the was a psilocybin,

0:36:14.320 --> 0:36:19.520
<v Speaker 14>there was the the rom and coke. That was the marijuana.

0:36:20.239 --> 0:36:23.160
<v Speaker 14>And they all had their effects, every one of them.

0:36:23.719 --> 0:36:25.800
<v Speaker 14>You know, he was a different person with each one.

0:36:26.680 --> 0:36:29.800
<v Speaker 1>Why do you think he've used so many substances.

0:36:30.080 --> 0:36:38.360
<v Speaker 14>Escape, running away, getting getting into, going toward a new life,

0:36:38.480 --> 0:36:41.160
<v Speaker 14>a new reality for him.

0:36:41.239 --> 0:36:42.040
<v Speaker 10>I think.

0:36:44.640 --> 0:36:48.160
<v Speaker 1>One of the characters inspired by these substances was a

0:36:48.200 --> 0:36:53.520
<v Speaker 1>blue bunny. Yes, that's correct, a blue bunny. Meeter also

0:36:53.560 --> 0:36:56.799
<v Speaker 1>had a messianic complex, which led in nineteen seventy two

0:36:57.200 --> 0:37:00.879
<v Speaker 1>to a production of a Jesus comedy album called Wait

0:37:00.960 --> 0:37:03.120
<v Speaker 1>for It, the Second Coming.

0:37:03.280 --> 0:37:04.400
<v Speaker 3>I tell parables?

0:37:04.400 --> 0:37:06.160
<v Speaker 2>Would you care to hear something? What I you're on?

0:37:06.360 --> 0:37:06.959
<v Speaker 10>Make me laugh?

0:37:07.160 --> 0:37:09.000
<v Speaker 2>I'm afraid they are.

0:37:09.040 --> 0:37:10.000
<v Speaker 3>I'm very humorous.

0:37:10.040 --> 0:37:11.520
<v Speaker 2>I'll be to judge and I'd run it down.

0:37:13.560 --> 0:37:17.520
<v Speaker 1>So he's playing Jesus, Yeah, is it funny? Kind of

0:37:18.000 --> 0:37:18.799
<v Speaker 1>did it so well?

0:37:19.360 --> 0:37:19.520
<v Speaker 4>No?

0:37:20.320 --> 0:37:23.640
<v Speaker 1>He pursued his passion for honky tonk music and even

0:37:23.640 --> 0:37:26.760
<v Speaker 1>appeared in a few movies in the nineteen seventies, including

0:37:26.800 --> 0:37:32.080
<v Speaker 1>the commercial flop Linda Lovelace for President. Eventually, he moved

0:37:32.120 --> 0:37:34.200
<v Speaker 1>back to his home state of Maine.

0:37:34.239 --> 0:37:36.759
<v Speaker 3>And you know, I should apologize. I'm on television. I

0:37:36.840 --> 0:37:39.160
<v Speaker 3>really should apologize to every woman that ever knew me,

0:37:39.200 --> 0:37:41.040
<v Speaker 3>because I really didn't know how to treat women.

0:37:44.719 --> 0:37:48.760
<v Speaker 1>Something we haven't talked much about is Meter's personal life.

0:37:48.960 --> 0:37:53.000
<v Speaker 1>As mentioned earlier, he was married four times. Sheila was

0:37:53.160 --> 0:37:57.080
<v Speaker 1>number four. They met in the early nineteen eighties in Maine.

0:37:57.600 --> 0:38:00.680
<v Speaker 1>Sheila was running away from her own addictions when she

0:38:00.760 --> 0:38:04.759
<v Speaker 1>came across a flyer advertising Von Meeter playing piano at

0:38:04.760 --> 0:38:08.200
<v Speaker 1>a nearby inn. Did you know who that was?

0:38:08.600 --> 0:38:11.080
<v Speaker 14>I did, but you know, it didn't really register. He

0:38:11.160 --> 0:38:14.560
<v Speaker 14>was only a voice, you know, a voice, that's all.

0:38:14.600 --> 0:38:16.280
<v Speaker 1>He was from that comedy outbum.

0:38:16.400 --> 0:38:21.400
<v Speaker 14>Yeah, from the First Family, And I really didn't register

0:38:21.560 --> 0:38:25.920
<v Speaker 14>him as a living, being, visible, touchable person.

0:38:27.520 --> 0:38:31.120
<v Speaker 1>They would be together for twenty years. Sheila describes a

0:38:31.160 --> 0:38:35.200
<v Speaker 1>controlling relationship with highs and lows, and a man deeply

0:38:35.280 --> 0:38:38.320
<v Speaker 1>conflicted by the thing that had once made him so famous.

0:38:39.320 --> 0:38:41.440
<v Speaker 1>Was he haunted by the whole experience?

0:38:41.520 --> 0:38:48.040
<v Speaker 14>Awful awful, awful awful, But he also didn't let anybody

0:38:48.080 --> 0:38:50.840
<v Speaker 14>know it. At the same time he was letting everyone

0:38:50.920 --> 0:38:55.920
<v Speaker 14>know it. He was a dichotomy. I've never known anyone

0:38:57.200 --> 0:39:00.879
<v Speaker 14>who could be so many things to say time.

0:39:01.040 --> 0:39:03.080
<v Speaker 8>And as far as how he looked back on the

0:39:03.120 --> 0:39:06.400
<v Speaker 8>first family experience, was there a dichotomy? There was he

0:39:06.440 --> 0:39:09.040
<v Speaker 8>haunted by it, but then also wanted people to know

0:39:09.080 --> 0:39:11.800
<v Speaker 8>he was vond Meter, or well he did that.

0:39:11.800 --> 0:39:15.080
<v Speaker 14>That's he wanted to be known as von Meter. But

0:39:15.120 --> 0:39:17.480
<v Speaker 14>on the other hand, he didn't want anything to do

0:39:17.560 --> 0:39:21.080
<v Speaker 14>with von Meter. He was abbot and he wrote his music,

0:39:21.120 --> 0:39:24.080
<v Speaker 14>and he entertained people, and he played the piano, and

0:39:24.200 --> 0:39:25.160
<v Speaker 14>that's what he wanted.

0:39:26.160 --> 0:39:34.960
<v Speaker 4>They say every man must face rejection, they say.

0:39:34.840 --> 0:39:46.000
<v Speaker 2>Every man must fall. But I swear I've seen my reflection.

0:39:49.920 --> 0:39:53.480
<v Speaker 4>Somewhere upon the wall.

0:39:55.239 --> 0:40:20.400
<v Speaker 1>Coming up von Meter as Kennedy one final time. In

0:40:20.480 --> 0:40:23.880
<v Speaker 1>February nineteen ninety eight, von Meter was wintering with friends

0:40:23.880 --> 0:40:27.799
<v Speaker 1>in Florida. He seemed happy playing piano at a local bar.

0:40:28.360 --> 0:40:31.160
<v Speaker 1>He hadn't been a star for years, and then out

0:40:31.160 --> 0:40:35.120
<v Speaker 1>of the blue, he got a call from CBS producers

0:40:35.160 --> 0:40:38.880
<v Speaker 1>wanted to profile Meter for a new cable show hosted

0:40:38.960 --> 0:40:46.160
<v Speaker 1>by Paula Zah coming up on PS. He sounded like JFK,

0:40:46.920 --> 0:40:51.080
<v Speaker 1>he looked like JFK. It made him world famous. Now,

0:40:51.080 --> 0:40:54.000
<v Speaker 1>while you've been listening to von Meter speak It's important

0:40:54.000 --> 0:40:56.160
<v Speaker 1>to note that back in ninety eight, there was a

0:40:56.200 --> 0:40:59.400
<v Speaker 1>producer sitting across from him asking him the questions.

0:41:00.000 --> 0:41:03.600
<v Speaker 8>I was struck immediately by his you know appearance. He

0:41:03.880 --> 0:41:07.000
<v Speaker 8>you know, had full head of gray hair and a

0:41:07.000 --> 0:41:07.720
<v Speaker 8>big beard.

0:41:08.200 --> 0:41:11.280
<v Speaker 1>This is Kevin Hoffman. He was a young CBS producer

0:41:11.320 --> 0:41:11.799
<v Speaker 1>at the time.

0:41:12.040 --> 0:41:14.560
<v Speaker 8>Wait, what do you think his self image was when

0:41:14.560 --> 0:41:15.399
<v Speaker 8>you were sitting there?

0:41:15.680 --> 0:41:18.520
<v Speaker 10>Oh, he was one of the least confident people.

0:41:19.000 --> 0:41:21.680
<v Speaker 8>You know, it's all this bravado like, on the one hand,

0:41:21.760 --> 0:41:24.160
<v Speaker 8>he's aggressive, and if you look at you know, the tape,

0:41:24.200 --> 0:41:27.799
<v Speaker 8>sometimes he looks at me. And I watched it just now,

0:41:27.840 --> 0:41:31.120
<v Speaker 8>and I could see the aggression on his side, like,

0:41:31.239 --> 0:41:33.800
<v Speaker 8>you know, what are you going to ask me next?

0:41:35.320 --> 0:41:38.160
<v Speaker 8>You know, I've got my story to tell and I'm

0:41:38.160 --> 0:41:40.879
<v Speaker 8>not quite confident here. But I also noticed that when

0:41:40.880 --> 0:41:44.200
<v Speaker 8>he does go into bits, his eyes darted around a

0:41:44.239 --> 0:41:47.239
<v Speaker 8>little bit, like he's looking for an audience, very much

0:41:47.600 --> 0:41:51.560
<v Speaker 8>like the camera crew you know behind me were part

0:41:51.600 --> 0:41:55.600
<v Speaker 8>of the audience. You know. When he finally kind of

0:41:55.719 --> 0:41:58.279
<v Speaker 8>shed the act, that's when I felt like I was

0:41:58.320 --> 0:42:00.360
<v Speaker 8>starting to get to the real guy.

0:42:00.480 --> 0:42:03.360
<v Speaker 1>Sheila revealed to me the reason for her husband's weariness,

0:42:03.600 --> 0:42:07.439
<v Speaker 1>his defensiveness. What do you remember from nineteen ninety eight

0:42:07.480 --> 0:42:10.839
<v Speaker 1>when CBS came down to do an interview of him

0:42:10.880 --> 0:42:18.080
<v Speaker 1>in Florida his disappointment. Meeter had boasted to Sheila and

0:42:18.120 --> 0:42:21.120
<v Speaker 1>his friends that TV anchor Paula's On would be coming

0:42:21.160 --> 0:42:24.160
<v Speaker 1>down to do the interview. When he opened the door

0:42:24.160 --> 0:42:25.279
<v Speaker 1>to find Kevin.

0:42:25.560 --> 0:42:29.320
<v Speaker 14>I think that broke his heart. Broke his heart, it did,

0:42:29.680 --> 0:42:32.960
<v Speaker 14>It embarrassed him, and he didn't tolerate embarrassment.

0:42:33.840 --> 0:42:37.040
<v Speaker 8>What happened at the end of the interview, this was said,

0:42:38.360 --> 0:42:40.759
<v Speaker 8>you know we I think toward the end of the

0:42:40.800 --> 0:42:43.480
<v Speaker 8>interview is when I asked him to do the voice,

0:42:43.600 --> 0:42:46.880
<v Speaker 8>and which I felt was kind of a big moment

0:42:47.040 --> 0:42:51.239
<v Speaker 8>for him, Like him doing the voice to me was

0:42:51.280 --> 0:42:56.520
<v Speaker 8>like a really cathartic and possibly damaging thing. I don't know,

0:42:56.760 --> 0:42:58.040
<v Speaker 8>it messed him up.

0:42:59.040 --> 0:43:01.880
<v Speaker 1>I want to play this moment in its entirety because

0:43:02.360 --> 0:43:05.880
<v Speaker 1>more than anywhere else you can hear what a struggle

0:43:06.000 --> 0:43:08.680
<v Speaker 1>it was just being von Meter.

0:43:09.560 --> 0:43:11.560
<v Speaker 3>I wouldn't be doing my job as I didn't ask

0:43:11.600 --> 0:43:13.840
<v Speaker 3>you if you would do the voice for us, you

0:43:13.880 --> 0:43:20.239
<v Speaker 3>wouldn't be doing your job. I'd have to think of

0:43:20.280 --> 0:43:23.319
<v Speaker 3>a clever line well, I do the voice, you know,

0:43:23.640 --> 0:43:26.319
<v Speaker 3>save up that voice. All these years we did not

0:43:26.440 --> 0:43:29.440
<v Speaker 3>have a punchline, not have the line to use the

0:43:29.520 --> 0:43:33.480
<v Speaker 3>voice for no, look at the brain. The brain doesn't

0:43:33.560 --> 0:43:37.880
<v Speaker 3>react to to It just shuts off with the switch.

0:43:38.239 --> 0:43:40.680
<v Speaker 3>My on and off switch went on. I used to

0:43:40.680 --> 0:43:43.640
<v Speaker 3>do the voice. My switch went off. I can't.

0:43:44.040 --> 0:43:45.000
<v Speaker 10>I'm not kidding.

0:43:52.600 --> 0:43:57.239
<v Speaker 3>Two hundred years ago and conquered Massachusetts. Hey, I shot

0:43:57.360 --> 0:44:03.919
<v Speaker 3>was fired that was heard around the world. Thirty something

0:44:04.000 --> 0:44:07.480
<v Speaker 3>years ago in Dallas, Texas, another shot was fired that

0:44:07.640 --> 0:44:11.560
<v Speaker 3>was heard around the world. The first bullet fired from

0:44:11.600 --> 0:44:15.320
<v Speaker 3>the conquer bridge signaled the birth of the American Spirit.

0:44:16.239 --> 0:44:21.440
<v Speaker 3>The second bullet fired from the Texas book Depository attempted to.

0:44:21.400 --> 0:44:22.400
<v Speaker 2>Win that spirit.

0:44:22.920 --> 0:44:25.840
<v Speaker 3>And we have seen in the last thirty something years

0:44:26.800 --> 0:44:34.279
<v Speaker 3>how nearly successful that second bullet was. But in the

0:44:34.320 --> 0:44:38.520
<v Speaker 3>final analysis, there is no bullet, there is no bomb.

0:44:39.080 --> 0:44:41.720
<v Speaker 3>There is no power on the face of this earth

0:44:42.040 --> 0:44:48.680
<v Speaker 3>that can destroy the American Spirit. Maybe he'd say something

0:44:48.719 --> 0:44:49.000
<v Speaker 3>like that.

0:44:49.080 --> 0:44:49.640
<v Speaker 10>I don't know.

0:45:00.320 --> 0:45:02.880
<v Speaker 1>What he's saying here. It's a little bit dark, but

0:45:03.440 --> 0:45:08.759
<v Speaker 1>it's also thoughtful, kind of deep, even I don't know, optimistic,

0:45:09.680 --> 0:45:15.760
<v Speaker 1>A totally different JFK. Impersonation once again, Anthony Tammanik.

0:45:16.600 --> 0:45:18.520
<v Speaker 12>It was interesting because in a weird way, I watched

0:45:18.520 --> 0:45:22.080
<v Speaker 12>it and aligned with it. I was like, oh, it's you.

0:45:22.360 --> 0:45:26.480
<v Speaker 12>You are doing the same thing. You're using this vessel

0:45:27.360 --> 0:45:29.560
<v Speaker 12>to make a greater point.

0:45:29.440 --> 0:45:31.960
<v Speaker 2>Right, So we you know.

0:45:32.040 --> 0:45:36.440
<v Speaker 8>We wrapped up the interview and he got up immediately

0:45:37.239 --> 0:45:39.319
<v Speaker 8>and I followed him. But he went right into the

0:45:39.400 --> 0:45:44.319
<v Speaker 8>kitchen and grabbed a cord of vodka, cracked opened the

0:45:44.360 --> 0:45:49.080
<v Speaker 8>lid and just started chugging. He said, look, I needed this.

0:45:49.280 --> 0:45:53.759
<v Speaker 8>You know I couldn't. I got through your whole interview.

0:45:54.000 --> 0:45:56.960
<v Speaker 8>I did everything, but this is you know, I have

0:45:57.040 --> 0:46:03.800
<v Speaker 8>to do this. I wasn't judging him.

0:46:04.000 --> 0:46:06.719
<v Speaker 1>I can't help but wonder if Van Meter would have

0:46:06.760 --> 0:46:10.040
<v Speaker 1>been better off if he'd never discovered he could imitate Kennedy.

0:46:10.920 --> 0:46:13.479
<v Speaker 1>But what do I know, maybe after a very tough

0:46:13.600 --> 0:46:16.960
<v Speaker 1>childhood he was simply faded to have a rough go

0:46:17.120 --> 0:46:20.759
<v Speaker 1>of it in life. If you could get into a

0:46:20.800 --> 0:46:23.960
<v Speaker 1>time machine and you could go back to the moment

0:46:24.440 --> 0:46:27.520
<v Speaker 1>that he's approached by Bob Booker and Earl Dowd to

0:46:27.600 --> 0:46:29.719
<v Speaker 1>do the first Family album, what would you tell him

0:46:29.800 --> 0:46:32.080
<v Speaker 1>as a time traveler from the future, do.

0:46:32.120 --> 0:46:34.799
<v Speaker 14>It, dear, and I'll be right here. I'll be in

0:46:34.840 --> 0:46:37.560
<v Speaker 14>the background. No one will see me, no one will

0:46:37.600 --> 0:46:40.600
<v Speaker 14>hear me, But I'll be here for you. I would say,

0:46:40.640 --> 0:46:42.360
<v Speaker 14>do it sure?

0:46:42.880 --> 0:46:54.520
<v Speaker 1>Why not? That Vaughan Meter interview from nineteen ninety eight

0:46:54.920 --> 0:46:57.799
<v Speaker 1>was the last the public would hear from him. He

0:46:57.880 --> 0:47:01.640
<v Speaker 1>died six years later on a twenty ninth, two thousand

0:47:01.680 --> 0:47:06.640
<v Speaker 1>and four, just one day after my father died. Pop

0:47:06.719 --> 0:47:09.880
<v Speaker 1>always talked about the time before Kennedy was shot as

0:47:09.920 --> 0:47:13.120
<v Speaker 1>a more innocent time. He heard the news on the

0:47:13.160 --> 0:47:16.360
<v Speaker 1>car radio and pulled the late blue VW Bug he

0:47:16.440 --> 0:47:20.080
<v Speaker 1>was driving, the first car my parents ever owned, over

0:47:20.120 --> 0:47:23.600
<v Speaker 1>to the side of the road and wept. It was

0:47:23.680 --> 0:47:27.120
<v Speaker 1>a different time, one where the presidency was held in

0:47:27.160 --> 0:47:30.640
<v Speaker 1>such regard that von Meter would end his routine with

0:47:30.719 --> 0:47:34.160
<v Speaker 1>the assurance that it was all in good fun. We're

0:47:34.200 --> 0:47:36.600
<v Speaker 1>never going back to that time, and I'm not saying

0:47:36.640 --> 0:47:40.479
<v Speaker 1>we should try, but that doesn't mean we shouldn't pay

0:47:40.520 --> 0:47:45.560
<v Speaker 1>our respects, not just to von Meter, but also to

0:47:45.640 --> 0:47:50.360
<v Speaker 1>that time before that horrible day. So I want to

0:47:50.480 --> 0:47:53.960
<v Speaker 1>end this mobituary with some sound from near the end

0:47:54.000 --> 0:48:02.719
<v Speaker 1>of the first Family album, Sweet Disarmingly Innocent and Yes Funny.

0:48:03.520 --> 0:48:16.840
<v Speaker 13>No Everybody taking it together with Viga Shop.

0:48:36.239 --> 0:48:38.920
<v Speaker 1>Be sure to rate and review our podcast. You can

0:48:38.920 --> 0:48:42.359
<v Speaker 1>also follow Mobituaries on Facebook and Instagram, and you can

0:48:42.400 --> 0:48:46.280
<v Speaker 1>follow me on Twitter at Morocca. For more great content,

0:48:46.400 --> 0:48:50.520
<v Speaker 1>including video of the older vond meter, please visit mobituaries

0:48:50.560 --> 0:48:53.960
<v Speaker 1>dot com. You can subscribe to Mobituaries wherever you get

0:48:54.000 --> 0:49:02.960
<v Speaker 1>your podcasts. This episode Mobituaries was produced by Megan Marcus.

0:49:03.400 --> 0:49:07.400
<v Speaker 1>Our team of producers also includes Gideon Evans, Kate mccauliffe,

0:49:07.560 --> 0:49:11.399
<v Speaker 1>Meghan Detree, and me Moroka. It was edited by Kate

0:49:11.480 --> 0:49:17.280
<v Speaker 1>mccaulliffe and engineered by David Herman. Indispensable support from Genius Denesky,

0:49:17.640 --> 0:49:22.080
<v Speaker 1>Kira Wardlow, Zach Gilcrest, Richard Warrer, the team at CBS

0:49:22.080 --> 0:49:26.920
<v Speaker 1>News Radio, the JFK Presidential Library, and Joe Alessi at

0:49:26.960 --> 0:49:30.520
<v Speaker 1>the CBS News Archives. Our theme music is written by

0:49:30.680 --> 0:49:35.880
<v Speaker 1>Daniel Hart and, as always, undying thanks to Rand Morrison

0:49:35.920 --> 0:49:39.919
<v Speaker 1>and John carp without whom Obituaries couldn't live