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Speaker 1: Transmitting what's up.

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Speaker 2: Welcome to the show. We got a great week of show.

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Speaker 2: If we've got a great day of shows, party is here.

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Speaker 2: I guess only one show singular party is here.

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Speaker 1: It's gonna be awesome by the morning studio morn. Thank

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Speaker 1: you all.

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Speaker 2: Let's go to get to know a question to start

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Speaker 2: us off. The question is, if you could spend twenty

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Speaker 2: four hours with any celebrity.

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Speaker 1: Who would it be?

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Speaker 3: Oh that's so good.

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Speaker 2: Now, just to clarify, Lunchbox, if you spend time with them,

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Speaker 2: you don't get to tell them exactly what to do,

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Speaker 2: meaning you can't pick somebody wh thinks hot and be like,

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Speaker 2: I know what they don't want to do. No, it

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Speaker 2: has to like be it they You know you're picking

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Speaker 2: them because you.

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Speaker 1: Probably get along.

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Speaker 2: But if they hate you, that's showbiz. Because I know

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Speaker 2: he's gonna pick some somebody that he.

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Speaker 1: Goes and we do stuff.

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Speaker 2: Lly Berry, Yes, ah man, all right, twenty four hours

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Speaker 2: with any celebrity, who would it be?

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Speaker 1: Eddie Gosh?

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Speaker 4: I think I have to go Tom Hanks because he's

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Speaker 4: super rich. And then we go through the movie set

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Speaker 4: and I kind of see like how he gets into

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Speaker 4: his roles and all that.

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Speaker 1: I think that'd be really cool.

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Speaker 4: Honestly, I wanted to do Jimmy Buffett, but he's no

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Speaker 4: longer with us, because that would have been the best

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Speaker 4: to live a Jimmy Buffett life for twenty four hours.

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Speaker 2: Yeah, but you can't pick anybody dead and even say

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Speaker 2: and throw somebody in his kind of cheating, Yeah, it's what.

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Speaker 4: He'd be like, well Jesus, Yeah, obviously then obviously that

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Speaker 4: would have been no, no, no, but you can't.

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Speaker 1: You can't even mention somebody dead. It's kind of cheating

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Speaker 1: the question. No, Tom Hanks is my dude. I think

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Speaker 1: that'd be awesome. Amy, I'll go Reese Witherspin, same thing

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Speaker 1: to be on the set.

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Speaker 3: No, I want a normal day with her.

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Speaker 1: We can also, twenty four hours is too long.

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Speaker 2: I know the question twenty four hours, but I don't

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Speaker 2: want spend twenty four hours anybody. We should have just said,

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Speaker 2: like eight hours, sure, I'm not because then you gotta

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Speaker 2: spend the night, and.

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Speaker 1: They don't want to spend twenty four hours. It's like,

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Speaker 1: what are you saying at their house? And that breakfast yeah

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Speaker 1: and like that. Yeah, but go ahead, like Hi, maybe.

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Speaker 5: Go blodies, maybe go eat and then yeah, run some

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Speaker 5: lines or something.

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Speaker 1: Yeah, totally scripts.

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Speaker 2: Normal stuff, twenty four hours of Reese.

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Speaker 1: Yeah, have coffee, lunchbox.

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Speaker 5: Man.

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Speaker 6: That's tough because I was gonna say a hottie, but

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Speaker 6: you're saying that you can't.

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Speaker 2: Well, if you think the hotty would like you, then

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Speaker 2: go for it. But you can't demand she does whatever

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Speaker 2: you want.

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Speaker 6: Well, no, you can never demand that. I know that

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Speaker 6: it's called society.

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Speaker 1: Look it up.

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Speaker 6: Gosh, I would I almost want to say Taylor Swift

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Speaker 6: because she's jet setting everywhere, so to fly private jet

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Speaker 6: here go, there go and going all across the world

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Speaker 6: would be amazing.

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Speaker 2: But I think she might be the most want to say,

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Speaker 2: same thing, that's picking somebody dead because you're throwing in

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Speaker 2: like a side, like here's my two a good one.

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Speaker 6: Can you relax because I'm good, because I'm going to say,

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Speaker 6: but I'm going to say Taylor Swift because you.

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Speaker 2: Were gonna say I almost want to say, yeah, we

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Speaker 2: shifted him.

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Speaker 6: No, because I said, my my butt was gonna be

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Speaker 6: she's a little bit annoying.

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Speaker 3: But I'm gonna have to go with Taylor Swift.

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Speaker 1: She's annoying.

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Speaker 2: I was gonna say, but you guys hate on everything

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Speaker 2: I do. I'm gonna go with, Uh, he's kind, that's true.

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Speaker 2: Oh he does say tell he's annoying. We gotta go

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Speaker 2: to the judges in a minute.

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Speaker 5: That's I don't think that's rude if I'm a judge,

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Speaker 5: but I don't think it's.

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Speaker 2: We have a silent governing body that is. But we'll

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Speaker 2: come back to that. Lunch box has to be kind

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Speaker 2: for one more week. I'm gonna go with twenty four

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Speaker 2: hours any Celebrity'm gonna go with Baker Mayfield.

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Speaker 1: Here we go. What you won't answer my message? Maybe

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Speaker 1: this is a way to get it. Yeah.

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Speaker 2: We used to be a very pro Baker show when

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Speaker 2: nobody else was. And now it's like you're handcuffed me, buddy.

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Speaker 2: For twenty four hours, I'll show you what's up. Got

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Speaker 2: a hundred million bucks, boy, not eve about the money,

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Speaker 2: but like you know, you give me a hundred million bucks.

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Speaker 1: You who, I'm still gonna talk to all you guys.

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Speaker 1: Oh thank you man. I'm not talking to you guys.

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Speaker 6: If I get a hundred million bucks, I'll guarantee you

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Speaker 6: that you will never hear from me again.

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Speaker 1: Why why though, what do you mean why why would

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Speaker 1: you not talk to us.

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Speaker 2: It's not like you hate talking to us now and

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Speaker 2: you're only doing it so you can keep your job.

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Speaker 6: No, I mean I just won't have time, guys. I

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Speaker 6: will be out like doing my stuff on the island. Now,

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Speaker 6: I'll be out on the island and I won't have

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Speaker 6: time for phone calls and like, you know, hey.

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Speaker 3: Lunch can I borrow twenty bucks? No, guys, sorry, I'm out.

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Speaker 5: How long has the kindest thing been going on?

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Speaker 1: A week?

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Speaker 5: Okay, this is all making sense now. When I was sick,

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Speaker 5: Lunchbox texted check on me. I was like I was.

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Speaker 5: I thought it was so sweet and he is thoughtful.

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Speaker 5: But now it's coming together that I think maybe he

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Speaker 5: did it. I don't know why that didn't occur to me.

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Speaker 1: Until this moment. I don't think that's why he did it.

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Speaker 2: You know that he's trying to be kind hit his

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Speaker 2: two week marks so he can drive a Lamborghini that

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Speaker 2: will pay for it.

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Speaker 5: Like that took me several several days to figure out

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Speaker 5: that's the only reason he texted me. And now, lunch Box,

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Speaker 5: I thought you were really checking on me.

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Speaker 3: Hey, Bobby's will talk about it.

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Speaker 6: I don't know if you want to talk about it now,

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Speaker 6: you want me to know.

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Speaker 1: No, hold because I think that's funny. I mean, he's

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Speaker 1: sit with that for a minute.

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Speaker 5: I just had this revelation for real.

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Speaker 3: I'm sorry, Okay, no, no, no, it's fine, it's fine.

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Speaker 5: But he's been thoughtful in the years past in that way.

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Speaker 2: He's been thoughtful time or two in the all the

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Speaker 2: years past combined.

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Speaker 5: Well in twenty fourteen exactly, he was. He was super thoughtful,

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Speaker 5: like I could. I could list several things over the years.

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Speaker 1: We'll get to it coming up. Let's open up the

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Speaker 1: mail bag.

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Speaker 7: You send the name mail and we read it all

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Speaker 7: the air to get something we call Bobby's mailbag.

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Speaker 1: Yeah, hello, Bobby Bones.

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Speaker 2: After a year and a half of d eating, my

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Speaker 2: girlfriend and I have finally decided that it's time to

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Speaker 2: move in together.

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Speaker 1: Now.

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Speaker 2: The negotiating has begun and there's definitely a sticking point that,

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Speaker 2: believe it or not, could be a deal breaker. She

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Speaker 2: likes having a TV in the bedroom to watch as

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Speaker 2: she falls asleep into use as a night light. I

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Speaker 2: tolerate it when I spend the night at her place,

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Speaker 2: but don't want to live like that every night, especially

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Speaker 2: since I wake up to go to work at five

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Speaker 2: am and need to get good sleep. But she is

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Speaker 2: not budging on this, and I'm not sure I want

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Speaker 2: to either. Is there a solution here that I'm not

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Speaker 2: seeing or is it doomed to afford? Even starts signed

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Speaker 2: sleepy Sam. First of all, well no, no, first, oh

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Speaker 2: my life. Yeah. I was like, don't be mean to

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Speaker 2: sleepy Sam. No, no, no, no, this is what I want to

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Speaker 2: say to Sleepy Sam. Regardless of what happens to what

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Speaker 2: you decide on, this is not enough of an issue

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Speaker 2: to be a deal breaker in life. If the relationship

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Speaker 2: really matters, Even if you lose completely on this one,

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Speaker 2: it's not enough to be a deal breaker. Even if

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Speaker 2: you win completely. It's not enough for her. This is

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Speaker 2: trivial because eventually it'll shake itself out. I will say.

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Speaker 2: For me, I always slept with the TV on. I

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Speaker 2: never had a bedroom growing up, so I slept in

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Speaker 2: the living room and the TV was always on. That

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Speaker 2: was comfort to me. It felt like someone was there.

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Speaker 2: It felt like when I was a kid. That's where

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Speaker 2: I got comfort. My wife came and I had the

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Speaker 2: TV on, and she was like, I can't sleep with

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Speaker 2: the TV on, and I was like, kick rocks. I

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Speaker 2: didn't say that, but I was like that, We're just

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Speaker 2: gonna keep it on. I can't sleep without it. And

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Speaker 2: then I started to after a while really value the

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Speaker 2: time that we had there, and it wasn't as important

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Speaker 2: to me because I could do other things. I listened

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Speaker 2: to a little podcast to keep it low. I tried

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Speaker 2: lots of things until I finally figured out something that

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Speaker 2: I could do. And now it still annoys her sometimes

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Speaker 2: when she hears Bill Simmons at two o'clock in the morning,

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Speaker 2: but the TV's not on. So I found ways and

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Speaker 2: when she's gone, I keep the TV on sometimes and

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Speaker 2: sometimes I don't even do that. But I'm telling you

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Speaker 2: this is not a deal breaker, regardless, and you can

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Speaker 2: negotiate from this, meaning move in if you get there,

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Speaker 2: and she won't try on the TV off, like I'm

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Speaker 2: gonna sleep in the other room. Eventually she'll get tired,

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Speaker 2: he sleep in the other room. It'll work itself out

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Speaker 2: because it's too trivial, not too it's not a deal breaker.

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Speaker 1: It's not with me. I never thought i'd sleep with

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Speaker 1: the TV off.

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Speaker 2: I do all the time now and Ryan were still

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Speaker 2: oning Bill simms right along with this when they're doing

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Speaker 2: their shows. Anything you want to say. I just think

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Speaker 2: this is so trivial that it's not an issue that

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Speaker 2: will break them up.

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Speaker 5: I think that over the course of your relationship you

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Speaker 5: may encounter. Are there things where one of you is

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Speaker 5: gonna have to confrimense, You're gonna have to work to

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Speaker 5: figure something out. This is a great place to start, Like,

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Speaker 5: look at this as an opportunity to practice.

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Speaker 3: Figuring something out.

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Speaker 2: You want to see her change her mind. You go,

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Speaker 2: you guys move in and be like, Hey, I'm gonna

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Speaker 2: sleep in the other room. Love you, but since TV's on,

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Speaker 2: I get to keep TV on. I'm gonna sit in

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Speaker 2: the other room, like when I get sleepy. That'll change.

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Speaker 2: But he's already doing it at her house like two

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Speaker 2: times a week or whatever. Just let her have it

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Speaker 2: three times a week. But that's not going to be

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Speaker 2: what it's about. Yeah, it'll work itself out. Move in,

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Speaker 2: live a happy life. You guys will get divorced about

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Speaker 2: something else, not that.

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Speaker 1: Oh trust me? Wow, wow, all right that jamail back.

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Speaker 1: Close it up.

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Speaker 7: We got your game mail and we read on her.

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Speaker 8: Now let's find it close.

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Speaker 7: Bobby fail that year.

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Speaker 2: Something I get messaged about all the time is the

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Speaker 2: basketball that I had signed by Larry Bird. I was

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Speaker 2: super excited about it. I left in a bad place.

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Speaker 2: Eddie's signed it because we were signing other balls to

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Speaker 2: give away. Fine, I've moved on now. It's just funny

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Speaker 2: to me. Unfortunate. Yes, I don't want edit it feel

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Speaker 2: bad because it was just as much on me. That

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Speaker 2: being said, people have been like, here's Urry Bird's house.

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Speaker 2: I'm not going to his house. I appreciate it, but

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Speaker 2: so many people have continued to call or go. Can

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Speaker 2: I tell you my story about somebody doing something similar.

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Speaker 2: This is Karen and Georgia. Hey Karen, welcome to the

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Speaker 2: Bobby Bone Show. What do you want to say?

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Speaker 9: So? Back in nineteen ninety two, I was pregnant with

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Speaker 9: my first child. My husband and I didn't want to

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Speaker 9: know what we were having. We wanted everybody to be excited,

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Speaker 9: and so you could bring your tape to the doctor's

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Speaker 9: appointment and they would video. It's like a video camera

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Speaker 9: back in the day VCR.

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Speaker 1: Cape, got it, got it, got it, go ahead.

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Speaker 9: Telling my age here, So you could you could bring

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Speaker 9: it and they would video or you know, record the

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Speaker 9: actual ultrasound and you'd have it, thought, So this only

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Speaker 9: ultratime I had, which was halfway through my pregnancy. So

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Speaker 9: then the day comes, everybody's the pops of the world excited,

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Speaker 9: and then my mom wanted to see the ultrafound, so

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Speaker 9: we goes to look at it. My husband was big

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Speaker 9: in the mask, honor. You see about two seconds of

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Speaker 9: the ultrafound and then it goes to the Daytona five.

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Speaker 1: Hundred big race.

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Speaker 2: So with VCR tapes, couldn't you like pop a tab

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Speaker 2: to keep people from recording over it?

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Speaker 1: Yeah?

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Speaker 2: Isn't that? And I don't know enough about it because

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Speaker 2: I didn't do it. Isn't that what they would do

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Speaker 2: on like the movie release once you get it with

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Speaker 2: the tab pops so you couldn't record over it.

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Speaker 4: Yes, but when you were really desperate, though, you get

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Speaker 4: a piece of tape and cape over the pop tab

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Speaker 4: and you can record.

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Speaker 1: Over Johnson, Thank you.

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Speaker 2: I appreciate that, Karen, And I'm sorry you only got

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Speaker 2: to watch two seconds of that ultrasound.

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Speaker 1: Do you know who won the race?

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Speaker 10: No?

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Speaker 9: No, I have no idea everything.

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Speaker 1: Here man, Thank you, Karen, have a great day. Thank you.

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Speaker 2: Let's go over to Sonya in Texasho's on right now? Hey, Sonya,

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Speaker 2: you're on the Bobby Bone Show. What's going on?

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Speaker 11: So my story is we are a huge Texas longhorn

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Speaker 11: stands and when Texas won the national championship all those

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Speaker 11: years ago, we went and got the Whedy's box that

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Speaker 11: had Matt Brown holding up the you know, the national

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Speaker 11: championship trophy, and so had that box in our house.

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Speaker 11: You know, we have a bunch of Texas Longhorns memorabilias

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Speaker 11: with all of our memorabilia. And my in laws came

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Speaker 11: to town, and my in laws were from Michigan, and

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Speaker 11: they got hungry and decided to.

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Speaker 1: Eat the Whedyes, they thought.

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Speaker 2: It was.

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Speaker 1: Straight up that's hilarious. What did you say? Did you ever?

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Speaker 1: Were they embarrassed?

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Speaker 11: I mean, well, fortunately, I'm I'm a planner, so I

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Speaker 11: had bought two.

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Speaker 8: Wheedy's boxes, so I still have the other ones.

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Speaker 11: But so, yeah, I felt bad because I know that

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Speaker 11: they felt bad because, like I said, we have an

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Speaker 11: entire room in our house dedicated.

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Speaker 7: To all things longhorns.

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Speaker 2: They go into the longer room, ago, well there's some trophy.

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Speaker 2: Should I eat the cereal in here? Or was the

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Speaker 2: cereal next to like the fruit loops.

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Speaker 11: No, I mean it was just it was on a shelf.

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Speaker 1: I say, that's funny.

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Speaker 5: It's been a while.

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Speaker 1: So anyway, I appreciate that call. Thank you very much.

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Speaker 1: Hope you have a great day.

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Speaker 5: You too.

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Speaker 2: You another one? Yes, Gary and Georgia. Gary is on

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Speaker 2: the Bobby Bone Show.

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Speaker 1: What's up? Gary?

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Speaker 7: Okay, So this is years ago. Get on a Southwest airplane.

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Speaker 7: I'm flying all over the country because I do ask

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Speaker 7: the best disabatement, and I can see I get on

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Speaker 7: first because I'm always there early. And there's a guy

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Speaker 7: on a plane holding up the newspaper all kind of

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Speaker 7: pie and I'm like, man, how did he get on there?

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Speaker 7: But he's right on the row I always sit on.

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Speaker 7: So I sit down. People are coming on and you

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Speaker 7: know how you lean back and you see somebody behind

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Speaker 7: the paper. I'm thinking, I know that guy, but I don't.

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Speaker 7: I don't know how I know him. And I leaned

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Speaker 7: back again, like I know him. Finally pull up a

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Speaker 7: paper forward. He says, I am who you think I am?

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Speaker 7: And it was Muhammad Ali. Wow, this is unbelievable. Right

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Speaker 7: before we get ready to land, maybe like five minus

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Speaker 7: before we get ready to land. To announce it, he

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Speaker 7: pulls out the square tab and starts writing down Mahmad Ali,

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Speaker 7: Mohamad Ali, Muhammad Ali and signing them. Then when he

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Speaker 7: got out and in Chicago, he walked through the airplane,

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Speaker 7: passing them out as fast as you walk, so he

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Speaker 7: didn't have to stop and sign anything. Bringing down. I

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Speaker 7: thought that was pretty cool. But on the plane he

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Speaker 7: gave me one, and I think this is awesome. So

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Speaker 7: I get home, I put it up like I'm gonna

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Speaker 7: frame this thing. I put her on refrigerator. My mom

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Speaker 7: comes over and she scribbles out Muhammad Ali and says,

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Speaker 7: I picked up James, and he's with me.

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Speaker 1: That's what you do. You put on the refrigerator And

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Speaker 1: she's writing out Oh my gosh, no, no, no, no no.

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Speaker 2: Did you ever tell her what happened? Like, did you

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Speaker 2: explain to her what she accidentally did?

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Speaker 7: Yeah? I told her later, but didn't do no good.

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Speaker 7: I mean it was ruined.

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Speaker 2: You have a great story, though, Oh my gosh. That

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Speaker 2: that's tough. But that's a great story. He sat next

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Speaker 2: to Mama Ali. That's the good news is she got James,

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Speaker 2: but also a good Yeah, all right, thank you for

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Speaker 2: the call. Let's do one more. Maddie in Virginia.

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Speaker 8: So I'm talking about a video that got ruined. And

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Speaker 8: basically me and my brothers when we were younger, we

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Speaker 8: used to like make little at home videos of all

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Speaker 8: of our toys, like just little skits and stuff, and

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Speaker 8: one was about a bear and a talking toilet, and

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Speaker 8: we recorded it over top of my dad's last video

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Speaker 8: of his father before he died. I know, it was

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Speaker 8: really terrible.

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Speaker 6: What happened in the bear and the toilet? Did you

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Speaker 6: get flushed down the toilet? I tells the any of that.

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Speaker 1: And also how did you find out?

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Speaker 2: Like this was your dad going to watch that video

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Speaker 2: of his dad and he sees the story of the

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Speaker 2: bear and the toilet.

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Speaker 8: Yeah, so we were really excited about the video that

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Speaker 8: we made and we sow him and then at the

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Speaker 8: end was like two seconds of the last video. So yeah,

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Speaker 8: he got really he was not excited about our talking

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Speaker 8: toilet video.

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Speaker 4: That was Hey, it was an accident, man, it happened,

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Speaker 4: but hey, it sounds like these people could have been

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Speaker 4: YouTube people when they were kids.

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Speaker 1: Like what a show. Thank you for the call, Maddie.

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Speaker 1: Hope you have an awesome day.

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Speaker 8: Thank you too has.

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Speaker 2: Become like a three day segment. This makes me not

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Speaker 2: feel so angry. I'm not angry at.

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Speaker 1: It, and I want all these callers to know that's okay.

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Speaker 1: Like it happens, you said, because you did it. I'm

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Speaker 1: part of its.

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Speaker 4: Seventeen year old Evan Spurrier. He's at home with his

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Speaker 4: ten year old sister because the dad went off to

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Speaker 4: run some errands. So he's like, you know what I

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Speaker 4: want to cook for the family tonight, and he's cooking.

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Speaker 4: He's putting a little bit of this on the stove.

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Speaker 4: Next thing, you know who, the food catches on fire.

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Speaker 4: It's spread into the cabinets. It's out of control. He

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Speaker 4: looks for a fire extinguisher, he can't find it anywhere.

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Speaker 4: Oh my gosh, there the house is going to go.

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Speaker 4: So he goes upstairs. His sister was asleep in her room,

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Speaker 4: wakes her sister up, takes her out of the house

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Speaker 4: because the house is.

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Speaker 1: Going in flames. Then he realizes real quick the dog's

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Speaker 1: still in there.

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Speaker 4: He leaves his sister outside, runs back inside, gets the dog,

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Speaker 4: rescues the dog and his ten year old sister, and

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Speaker 4: when the dad gets back of course he's upset.

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Speaker 1: He's like, what's happening to the house.

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Speaker 7: Our fund?

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Speaker 1: The house is fully engulfed at that point.

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Speaker 4: Wow, But he's said, but you know what, the dad

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Speaker 4: was happy anyway because his son saved.

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Speaker 1: The whole family.

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Speaker 2: Boy, there's a point where you have to change your

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Speaker 2: mind and go, all right, I can't put this out

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Speaker 2: and I'm probably gonna get in trouble or it's gonna

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Speaker 2: feel like trouble, and I gotta go save people instead.

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Speaker 2: And that's a that's that's just give that's just given

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Speaker 2: in right, and to just go I can't, I can't.

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Speaker 1: I messed up. I gotta cut my losses and go

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Speaker 1: save people.

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Speaker 4: And the idea of like once you're out with your sister,

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Speaker 4: like I gotta go back in the dog.

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Speaker 2: That's tough. I'm looking at it. Yeah, it's not good,

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Speaker 2: but people lived. So do you have any fire conversations

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Speaker 2: with your kids?

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Speaker 4: Yeah, we have a whole fire escape route that's on

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Speaker 4: the refrigerator. And then all the boys that are sleeping upstairs,

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Speaker 4: they have these ladders they hang out of their rooms

408
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Speaker 4: that always hang out. Now that's in their closets. So

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Speaker 4: I've already teach I already taught him how to bucklet

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Speaker 4: and put it on the window. That's how you can

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Speaker 4: get out.

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Speaker 1: You also know they're going to be leaving the house

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Speaker 1: sneaking out.

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Speaker 2: They want to get out using those I know what

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Speaker 2: it looks like when it comes apart. Good story. Thanks

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Speaker 2: for sharing. Talk to your kids about this. If you're listening,

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Speaker 2: all right, there you go. That's what it's all about.

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Speaker 1: That was telling me something good on the Bobby Bones Show. Now,

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Speaker 1: could to see a buddy you too? How's life good?

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Speaker 2: Do you just get random calls going, hey, you know

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Speaker 2: the song just wrote, We just cut it and it's

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Speaker 2: number one out of nowhere. That's what it feels like

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Speaker 2: it's happening for you sometimes. Yeah, remember this song you

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Speaker 2: wrote a year and a half ago. Well, this person

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Speaker 2: cut it, it's gonna be on the record. Does that happen randomly? Yeah?

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Speaker 10: Yesterday my Tanner, who's my content guy, uh shot a

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Speaker 10: music video and he and I was like, how's it going?

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Speaker 3: And he sent me the.

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Speaker 10: A clip of like their shooting music video and I

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Speaker 10: was like, oh, I wrote that I wrote that song

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Speaker 10: and I didn't.

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Speaker 3: I didn't even know like what they were shooting a

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Speaker 3: video or that the.

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Speaker 2: Guys starting So I mean it feels like, you know,

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Speaker 2: you move to town and you're obviously an artist at

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Speaker 2: the time.

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Speaker 1: That is so different.

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Speaker 2: But it's what's happened so many times, just in my

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00:18:09,000 --> 00:18:10,879
Speaker 2: version of Nashville, is that the people that are so

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00:18:10,880 --> 00:18:14,520
Speaker 2: different end up making creating the path for everybody else

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Speaker 2: later to come in and do what they're doing. Meaning

442
00:18:16,880 --> 00:18:20,280
Speaker 2: you have a style that isn't really one element and

443
00:18:20,359 --> 00:18:22,879
Speaker 2: we all actually live those lives. But until there's a

444
00:18:22,880 --> 00:18:24,280
Speaker 2: group of you guys that came that said, hey, we're

445
00:18:24,320 --> 00:18:27,080
Speaker 2: actually a little multifaceted. Now it's pretty common, but I

446
00:18:27,080 --> 00:18:30,159
Speaker 2: would credit you do a lot of that when you write.

447
00:18:30,880 --> 00:18:32,400
Speaker 2: Do you go down a certain road and go we're

448
00:18:32,400 --> 00:18:34,320
Speaker 2: gonna do rock, We're gonna do country, or do you

449
00:18:34,359 --> 00:18:35,920
Speaker 2: just take whatever you write and then go this is that.

450
00:18:36,240 --> 00:18:40,199
Speaker 10: Now it's a little more thought out, I think in

451
00:18:40,240 --> 00:18:43,320
Speaker 10: the writing room, especially like if it's for me, Like

452
00:18:43,359 --> 00:18:45,359
Speaker 10: if we're writing a song for me that day, like

453
00:18:45,480 --> 00:18:48,439
Speaker 10: I'll I'll come in and be like and it's just

454
00:18:48,480 --> 00:18:50,560
Speaker 10: different like with track guys and stuff these days, Like

455
00:18:50,600 --> 00:18:52,560
Speaker 10: some guys will have rock tracks like Pulled Up or whatever.

456
00:18:52,880 --> 00:18:55,680
Speaker 3: But usually if it's a rock thing.

457
00:18:55,680 --> 00:18:57,439
Speaker 10: It's like, Okay, we're writing a rock song today, and

458
00:18:57,480 --> 00:18:58,720
Speaker 10: this is the idea.

459
00:18:59,040 --> 00:18:59,879
Speaker 1: Was it always like that though?

460
00:19:00,480 --> 00:19:00,680
Speaker 7: No?

461
00:19:00,480 --> 00:19:01,280
Speaker 3: No, definitely not.

462
00:19:02,119 --> 00:19:03,920
Speaker 10: I mean, dude, no, For eight years, eight or nine,

463
00:19:04,000 --> 00:19:07,800
Speaker 10: ten years, I was just trying to just do something

464
00:19:07,840 --> 00:19:10,760
Speaker 10: cool and like write literally whatever though no, I mean

465
00:19:11,160 --> 00:19:15,040
Speaker 10: just whatever the coolest idea or vibe or whatever is

466
00:19:15,040 --> 00:19:15,840
Speaker 10: in the room that day.

467
00:19:15,840 --> 00:19:18,040
Speaker 3: It's just what we wrote. And I typically still do.

468
00:19:18,040 --> 00:19:20,679
Speaker 10: That unless I have like an adamant about an idea,

469
00:19:20,760 --> 00:19:22,760
Speaker 10: and these days, if it's like for something that I

470
00:19:22,760 --> 00:19:23,359
Speaker 10: would cut.

471
00:19:23,440 --> 00:19:26,240
Speaker 2: But what would in the first Let's say that you're

472
00:19:26,480 --> 00:19:29,359
Speaker 2: three through six, when you're a songwriter and you're just

473
00:19:29,480 --> 00:19:31,520
Speaker 2: kind of getting your feet under you, what kind of

474
00:19:31,520 --> 00:19:33,399
Speaker 2: texture was assigned to you as a writer? Was like

475
00:19:33,400 --> 00:19:35,840
Speaker 2: you could write with Hardy Is before you had any

476
00:19:36,000 --> 00:19:38,320
Speaker 2: like massive, massive success. But are they like Hardy kind

477
00:19:38,320 --> 00:19:39,680
Speaker 2: of leans on the rock. If you want to write

478
00:19:39,680 --> 00:19:41,000
Speaker 2: with Hardy, he kind of writes a certain way.

479
00:19:41,680 --> 00:19:46,000
Speaker 10: I don't know if that came until until like my

480
00:19:46,240 --> 00:19:50,080
Speaker 10: first record came out almost you know, and they.

481
00:19:50,000 --> 00:19:52,760
Speaker 1: Started to know who you were as you presented yourself.

482
00:19:52,760 --> 00:19:54,439
Speaker 3: When I started to kind of know who I was

483
00:19:55,840 --> 00:19:56,240
Speaker 3: before that.

484
00:19:56,320 --> 00:19:57,800
Speaker 10: I mean, I guess I'd have to go listen to

485
00:19:57,840 --> 00:20:00,560
Speaker 10: like old demos and stuff. But me and a lot

486
00:20:00,560 --> 00:20:02,159
Speaker 10: of my buddies that I like cut my teeth on

487
00:20:02,200 --> 00:20:04,040
Speaker 10: like coming up and writing songs, we all loved rock

488
00:20:04,080 --> 00:20:05,520
Speaker 10: and roll. So I'm sure a lot of that stuff

489
00:20:05,560 --> 00:20:07,880
Speaker 10: had like a an edge to it, But I really

490
00:20:07,880 --> 00:20:09,840
Speaker 10: don't think I leaned into it until, like I put

491
00:20:09,840 --> 00:20:13,600
Speaker 10: an EP out my first thing was in twenty eighteen,

492
00:20:14,200 --> 00:20:16,920
Speaker 10: and that had that was like it's like Rednecker was

493
00:20:16,960 --> 00:20:18,000
Speaker 10: on that, but there's a song called.

494
00:20:17,920 --> 00:20:20,120
Speaker 3: Four by four which is like a heavier song.

495
00:20:20,160 --> 00:20:24,119
Speaker 10: And that's when I really like just started embracing that

496
00:20:24,200 --> 00:20:27,080
Speaker 10: part of myself. I think was like when I signed

497
00:20:27,080 --> 00:20:29,000
Speaker 10: a record deal and started putting it out on my own.

498
00:20:29,240 --> 00:20:31,480
Speaker 2: Based on where you come from, being from Mississippi and

499
00:20:31,560 --> 00:20:33,440
Speaker 2: Upper Markets, all the classic rock was a massive part

500
00:20:33,480 --> 00:20:35,000
Speaker 2: of my growing up totally.

501
00:20:35,080 --> 00:20:37,280
Speaker 1: Like that also was a big part of that.

502
00:20:37,280 --> 00:20:40,080
Speaker 2: Classic rock was country today even you know when you

503
00:20:40,080 --> 00:20:41,280
Speaker 2: look at like the Eagles and they kind.

504
00:20:41,160 --> 00:20:42,760
Speaker 3: Of worked Steve Miller band, stuff like that.

505
00:20:42,840 --> 00:20:45,560
Speaker 2: A lot of that, Yeah, But how did that influence

506
00:20:45,600 --> 00:20:47,679
Speaker 2: who you were musically? Being from a place where I'm

507
00:20:47,680 --> 00:20:48,919
Speaker 2: sure classic rock was massive.

508
00:20:49,040 --> 00:20:50,000
Speaker 3: Yeah, it was huge.

509
00:20:50,080 --> 00:20:53,040
Speaker 10: I mean one of six point seven it was in

510
00:20:53,119 --> 00:20:56,880
Speaker 10: Jackson still is uh we that was the only classic

511
00:20:56,920 --> 00:20:59,720
Speaker 10: rock station we could pick up. And my I mean

512
00:20:59,720 --> 00:21:03,439
Speaker 10: I my dad from the time I was like I

513
00:21:03,440 --> 00:21:05,840
Speaker 10: don't even know three years old, was just like beating

514
00:21:05,880 --> 00:21:08,639
Speaker 10: that into my brain, like all that stuff.

515
00:21:08,720 --> 00:21:12,560
Speaker 3: Yeah. I remember my like, I mean, it was like

516
00:21:12,760 --> 00:21:13,440
Speaker 3: out of a movie.

517
00:21:13,440 --> 00:21:15,600
Speaker 10: He had a cassette and I was I don't I

518
00:21:15,640 --> 00:21:17,520
Speaker 10: had I was so young, but I remember this and

519
00:21:17,520 --> 00:21:19,120
Speaker 10: he was like, check this out. This is a band

520
00:21:19,160 --> 00:21:20,879
Speaker 10: called Pearl Jam and he put the cassette in the

521
00:21:21,440 --> 00:21:24,960
Speaker 10: in the thing in the truck and Alive was like

522
00:21:25,000 --> 00:21:27,119
Speaker 10: the first song. And back then that wasn't a classic

523
00:21:27,200 --> 00:21:28,879
Speaker 10: rock song, but just rock and roll in general. I

524
00:21:28,960 --> 00:21:31,199
Speaker 10: mean I had no choice but to love rock and

525
00:21:31,240 --> 00:21:33,119
Speaker 10: roll because my dad instilled it in me when I

526
00:21:33,119 --> 00:21:33,760
Speaker 10: was really young.

527
00:21:34,640 --> 00:21:39,240
Speaker 2: The generation that had country music but also had digital media,

528
00:21:39,760 --> 00:21:42,280
Speaker 2: which is you know, I was in the napster world.

529
00:21:42,400 --> 00:21:43,640
Speaker 1: Yeah, and so you.

530
00:21:43,560 --> 00:21:47,199
Speaker 2: Would see everybody be influenced by things that really that

531
00:21:47,359 --> 00:21:50,199
Speaker 2: area of the country maybe weren't influenced by prior. So

532
00:21:50,280 --> 00:21:52,520
Speaker 2: a lot of the older school country folks like that's

533
00:21:52,560 --> 00:21:57,240
Speaker 2: not country. It's because really what they were offered geographically, yeah,

534
00:21:57,440 --> 00:21:59,640
Speaker 2: by radio, by what they were selling. But it all

535
00:21:59,760 --> 00:22:03,480
Speaker 2: changed once digital media was allowed to be consumed. So

536
00:22:03,480 --> 00:22:05,600
Speaker 2: you'd have somebody like me to grow up country music.

537
00:22:05,640 --> 00:22:07,120
Speaker 2: But I was like, okay, now it's time for limbiscuit.

538
00:22:07,600 --> 00:22:09,840
Speaker 2: Now it's time for you know, the old snoops. So

539
00:22:10,080 --> 00:22:12,119
Speaker 2: it didn't make you less country, it just made you

540
00:22:12,119 --> 00:22:12,959
Speaker 2: have you got a computer.

541
00:22:13,200 --> 00:22:15,080
Speaker 1: Yeah, and that was the difference.

542
00:22:15,119 --> 00:22:17,640
Speaker 2: And now you're seeing that generation of like now run

543
00:22:17,680 --> 00:22:19,720
Speaker 2: the format, but you still have the old heads going, yeah,

544
00:22:20,000 --> 00:22:20,720
Speaker 2: that's true.

545
00:22:20,600 --> 00:22:21,159
Speaker 3: That's wild.

546
00:22:21,560 --> 00:22:23,399
Speaker 10: I mean, I remember I've told people this, but like

547
00:22:24,200 --> 00:22:26,560
Speaker 10: I was born in nineteen ninety, but I feel like

548
00:22:27,520 --> 00:22:29,680
Speaker 10: right around like people born around them were the last

549
00:22:29,680 --> 00:22:32,800
Speaker 10: generation to know what it felt like to not have

550
00:22:32,880 --> 00:22:35,320
Speaker 10: access to a song until the next time they heard

551
00:22:35,359 --> 00:22:37,879
Speaker 10: it on the radio, which was like the coolest feeling

552
00:22:37,880 --> 00:22:39,600
Speaker 10: in the world. It was like it was like drugs

553
00:22:39,680 --> 00:22:41,600
Speaker 10: or something that you just like, you waited for it

554
00:22:41,600 --> 00:22:42,920
Speaker 10: and waited for it, and then you finally got to

555
00:22:42,960 --> 00:22:45,520
Speaker 10: hear it unless you you know, your parents or you

556
00:22:45,640 --> 00:22:47,800
Speaker 10: or whoever bought it, you know, on a CD or

557
00:22:47,840 --> 00:22:50,959
Speaker 10: a cassette or whatever. But man, you're right about that,

558
00:22:51,040 --> 00:22:53,120
Speaker 10: and it's it's crazy to think that people will never

559
00:22:53,200 --> 00:22:57,560
Speaker 10: know what it's like to only be cornered into hearing

560
00:22:57,600 --> 00:23:00,320
Speaker 10: a certain you know, genre or just a certain.

561
00:23:00,280 --> 00:23:01,280
Speaker 3: Group of music.

562
00:23:01,320 --> 00:23:03,960
Speaker 10: It's wild how how much the Internet that it just

563
00:23:04,000 --> 00:23:05,680
Speaker 10: blew those doors open forever.

564
00:23:05,760 --> 00:23:07,639
Speaker 2: And I think, you know, whatever the divide is of

565
00:23:07,960 --> 00:23:10,440
Speaker 2: and God, I hate it because it's just been proven

566
00:23:10,440 --> 00:23:13,240
Speaker 2: wrong every generation, every cycle of what's country and what

567
00:23:13,359 --> 00:23:16,480
Speaker 2: isn't there's always been some sort of medium that has

568
00:23:16,520 --> 00:23:19,439
Speaker 2: allowed that to change. If it's vinyl or CDs we

569
00:23:19,480 --> 00:23:21,960
Speaker 2: get more songs on it now or but digital media

570
00:23:22,080 --> 00:23:26,200
Speaker 2: was when people started to have influences, and if people

571
00:23:26,200 --> 00:23:28,560
Speaker 2: in the forties had digital media, they'd be influenced as well.

572
00:23:28,600 --> 00:23:30,920
Speaker 2: They just didn't happen to have it then. And that's

573
00:23:30,960 --> 00:23:33,240
Speaker 2: the version that we had of country music at that point.

574
00:23:33,320 --> 00:23:34,720
Speaker 2: I spent a lot way too much time thinking about it.

575
00:23:34,720 --> 00:23:36,879
Speaker 3: No so do I mean I always thought like who

576
00:23:37,160 --> 00:23:39,640
Speaker 3: who made the rule? Like what where? Where's the rule

577
00:23:39,640 --> 00:23:41,520
Speaker 3: book on what is anything?

578
00:23:41,560 --> 00:23:43,200
Speaker 10: When it comes to like a genre, And of course

579
00:23:43,240 --> 00:23:48,640
Speaker 10: there are certain things, but country it's like it's country

580
00:23:49,280 --> 00:23:55,359
Speaker 10: like it's just there's no like true definition of country

581
00:23:55,440 --> 00:23:57,040
Speaker 10: music to me, I don't know. And I used to

582
00:23:57,040 --> 00:23:59,000
Speaker 10: be I used to be the opposite of that. I

583
00:23:59,080 --> 00:24:01,280
Speaker 10: used to be like a the guy that was like

584
00:24:01,320 --> 00:24:02,639
Speaker 10: it has to be like this, or it has to

585
00:24:02,640 --> 00:24:04,080
Speaker 10: sound like this, or it's not country.

586
00:24:04,080 --> 00:24:07,800
Speaker 3: But I don't know. I just the older I get

587
00:24:07,840 --> 00:24:08,600
Speaker 3: and the more I write.

588
00:24:08,440 --> 00:24:12,040
Speaker 10: Music, I I'm very adamant that music just doesn't have

589
00:24:12,160 --> 00:24:15,160
Speaker 10: rules and there they shouldn't be enforced or even talk.

590
00:24:15,240 --> 00:24:17,040
Speaker 10: I mean you can talk about it, I guess, but

591
00:24:18,080 --> 00:24:19,840
Speaker 10: just I don't know. Do what you do, and you

592
00:24:19,840 --> 00:24:21,280
Speaker 10: don't have to call it anything if you don't want to.

593
00:24:21,440 --> 00:24:23,520
Speaker 10: It's art, right, Yeah, in the end, that's all it is.

594
00:24:23,680 --> 00:24:25,439
Speaker 10: If country music, and you could put any you can

595
00:24:25,480 --> 00:24:27,200
Speaker 10: put any kind of music on. But if country music

596
00:24:27,240 --> 00:24:28,560
Speaker 10: stays stagnant, it would die.

597
00:24:29,000 --> 00:24:31,640
Speaker 1: Yeah, with any style of art.

598
00:24:31,680 --> 00:24:35,120
Speaker 2: If it just stays exactly the same, Yeah, nobody's going

599
00:24:35,160 --> 00:24:36,960
Speaker 2: to want to consume it unless it's in the novelty

600
00:24:37,000 --> 00:24:38,240
Speaker 2: way of like we're going to listen to.

601
00:24:38,160 --> 00:24:39,080
Speaker 1: The old school.

602
00:24:39,160 --> 00:24:43,439
Speaker 2: Yeah, so you almost you need people pushing, and you

603
00:24:43,480 --> 00:24:45,440
Speaker 2: also need the people going with any country, you need.

604
00:24:45,280 --> 00:24:46,560
Speaker 1: That battle for it to grow.

605
00:24:46,640 --> 00:24:47,840
Speaker 3: Yeah, that's true, because.

606
00:24:47,600 --> 00:24:49,800
Speaker 2: Otherwise they would run so wild it wouldn't matter. But

607
00:24:50,320 --> 00:24:51,960
Speaker 2: in the end, the person who is consuming the media

608
00:24:51,960 --> 00:24:53,520
Speaker 2: and paying for the media and paying to go to shows,

609
00:24:53,560 --> 00:24:55,000
Speaker 2: they get to decide yeah.

610
00:24:54,960 --> 00:24:55,679
Speaker 3: That No, you're right.

611
00:24:55,720 --> 00:24:58,040
Speaker 10: The people buying the music are the only people that

612
00:24:58,160 --> 00:25:01,560
Speaker 10: I feel like, get to just yeah.

613
00:25:00,960 --> 00:25:03,159
Speaker 1: And everybody gets to have their own it's country, it's

614
00:25:03,200 --> 00:25:04,680
Speaker 1: not country. Who cares? Yeah.

615
00:25:04,720 --> 00:25:07,240
Speaker 2: So I got a couple questions that we've talked about

616
00:25:07,280 --> 00:25:09,320
Speaker 2: on the show. Number one, you're what's up with your

617
00:25:09,320 --> 00:25:09,800
Speaker 2: tour name?

618
00:25:10,440 --> 00:25:12,760
Speaker 1: Quit or quit? Like, what is it quit?

619
00:25:12,880 --> 00:25:15,360
Speaker 3: Do you know that it's yeah with two exclamation.

620
00:25:15,000 --> 00:25:16,520
Speaker 1: Yeah, that's why it's like quick we have a call,

621
00:25:16,680 --> 00:25:17,760
Speaker 1: like when we talk about.

622
00:25:17,560 --> 00:25:18,719
Speaker 3: It, do you know that story?

623
00:25:18,800 --> 00:25:20,200
Speaker 1: Have you heard that from you?

624
00:25:20,520 --> 00:25:22,200
Speaker 3: For just I don't know. It kind of went viral

625
00:25:22,320 --> 00:25:23,200
Speaker 3: on the internet.

626
00:25:22,960 --> 00:25:24,080
Speaker 1: I don't know what tell to me.

627
00:25:24,520 --> 00:25:29,000
Speaker 10: In twenty fifteen, I was playing in like the songwriter

628
00:25:29,119 --> 00:25:33,520
Speaker 10: room of the Florabama with like three of my buddies,

629
00:25:33,520 --> 00:25:35,040
Speaker 10: and none of us had any hits, but we were

630
00:25:35,040 --> 00:25:37,800
Speaker 10: playing like original songs that we had written, and we

631
00:25:37,840 --> 00:25:40,280
Speaker 10: had a tip jar and somebody at the end of

632
00:25:40,320 --> 00:25:42,520
Speaker 10: the night we emptied the tip jar and somebody on

633
00:25:42,560 --> 00:25:45,760
Speaker 10: a bar napkin had written quit and like two exclamation

634
00:25:45,840 --> 00:25:49,520
Speaker 10: points and yeah, and that was my reaction, like I laughed,

635
00:25:49,560 --> 00:25:52,840
Speaker 10: like you know, and but I held on to it.

636
00:25:53,080 --> 00:25:55,199
Speaker 10: I like stuck it in my pocket, and you know,

637
00:25:56,720 --> 00:25:58,560
Speaker 10: God knows how it made it back to Nashville.

638
00:25:58,640 --> 00:26:00,959
Speaker 3: And it's literally a napkin, a cheap one at that

639
00:26:01,080 --> 00:26:02,000
Speaker 3: like a you know what I mean.

640
00:26:02,480 --> 00:26:06,440
Speaker 10: And I I had a map at back in the

641
00:26:06,520 --> 00:26:09,240
Speaker 10: day and where I put like push pins in every city,

642
00:26:09,280 --> 00:26:10,800
Speaker 10: and that like was like I threw it away because

643
00:26:10,960 --> 00:26:12,120
Speaker 10: once you been, you know how that is, like, once

644
00:26:12,119 --> 00:26:14,240
Speaker 10: you've been everywhere, there's no you know, there's no point

645
00:26:14,280 --> 00:26:15,000
Speaker 10: in having one anymore.

646
00:26:15,000 --> 00:26:16,520
Speaker 3: But I and that napkin.

647
00:26:16,560 --> 00:26:18,080
Speaker 10: I just when I got back, I stuck it on

648
00:26:18,160 --> 00:26:21,840
Speaker 10: there and to this day, I I have it and

649
00:26:21,880 --> 00:26:25,280
Speaker 10: now I just it sits on all of my awards

650
00:26:25,320 --> 00:26:27,840
Speaker 10: that I've won. And so I put a song out

651
00:26:27,880 --> 00:26:31,160
Speaker 10: called quit that's kind of like spoken word rap ish

652
00:26:31,280 --> 00:26:35,160
Speaker 10: type thing, and uh, it's gonna be the title track

653
00:26:35,160 --> 00:26:36,040
Speaker 10: of my next record.

654
00:26:36,160 --> 00:26:36,679
Speaker 3: Can I say this?

655
00:26:36,720 --> 00:26:38,720
Speaker 10: I guess I can say this. The album is gonna

656
00:26:38,720 --> 00:26:40,840
Speaker 10: be it's a square napkins. So it's good. The album

657
00:26:40,960 --> 00:26:43,879
Speaker 10: is just the napkin and what do you mean the

658
00:26:43,920 --> 00:26:46,080
Speaker 10: album is just the napkins, so that the square like

659
00:26:46,119 --> 00:26:48,520
Speaker 10: if it were a vinyl. Yeah, it's just an exact

660
00:26:48,640 --> 00:26:52,120
Speaker 10: like picture of the napkin. So that's cool. So we're

661
00:26:52,160 --> 00:26:55,320
Speaker 10: just chasing that theme for the year of Quit. So

662
00:26:55,440 --> 00:26:57,200
Speaker 10: so it's the actual So the way that they wrote

663
00:26:57,240 --> 00:27:00,399
Speaker 10: it was U I t it just the art is

664
00:27:00,400 --> 00:27:02,440
Speaker 10: the song itself to exclamations?

665
00:27:02,480 --> 00:27:04,320
Speaker 1: Okay, well my question was too.

666
00:27:04,320 --> 00:27:05,760
Speaker 2: We're talking about the tour and we're like, how do

667
00:27:05,800 --> 00:27:07,399
Speaker 2: we say, hey, check them out on quit or check

668
00:27:07,440 --> 00:27:09,520
Speaker 2: them out on quit. We didn't know how she should say,

669
00:27:09,560 --> 00:27:12,280
Speaker 2: like the quit tour or you ulamations?

670
00:27:12,680 --> 00:27:15,040
Speaker 3: Yeah, okay, just get Scuba Steve to scream it.

671
00:27:15,119 --> 00:27:15,320
Speaker 2: Dude.

672
00:27:15,480 --> 00:27:16,000
Speaker 1: Have you heard that?

673
00:27:16,240 --> 00:27:17,800
Speaker 3: Yeah? I thought it was great.

674
00:27:18,040 --> 00:27:21,119
Speaker 2: Aside from knowing he's here, if someone just sent you

675
00:27:21,119 --> 00:27:22,320
Speaker 2: that you didn't know, would you think that was that

676
00:27:22,359 --> 00:27:22,720
Speaker 2: was cool?

677
00:27:22,920 --> 00:27:25,080
Speaker 3: Absolutely? I love metal though, so.

678
00:27:25,280 --> 00:27:28,560
Speaker 5: But like, if you've ever screamed at your shows in

679
00:27:28,600 --> 00:27:29,440
Speaker 5: any way, shape.

680
00:27:29,240 --> 00:27:32,239
Speaker 10: Or form, like yeah, like screamos, I should probably come

681
00:27:32,280 --> 00:27:33,440
Speaker 10: to a show I've seen you.

682
00:27:33,680 --> 00:27:36,160
Speaker 5: Oh no, but I mean like that do I.

683
00:27:36,200 --> 00:27:39,800
Speaker 3: Yeah, we're doing it now, man, we're doing the thing now.

684
00:27:40,080 --> 00:27:41,440
Speaker 2: You can't do the thing where it's like you should

685
00:27:41,480 --> 00:27:42,760
Speaker 2: come do it. How many shows of mine you've been to?

686
00:27:43,359 --> 00:27:46,040
Speaker 1: Yeah, I mean exactly, we're both working.

687
00:27:46,119 --> 00:27:46,320
Speaker 6: Man.

688
00:27:46,320 --> 00:27:48,359
Speaker 3: I've been in this room five times. You've been to

689
00:27:48,440 --> 00:27:49,240
Speaker 3: five on my shows.

690
00:27:49,800 --> 00:27:50,160
Speaker 5: This room.

691
00:27:50,200 --> 00:27:51,760
Speaker 1: This isn't count. You're getting promotion here too.

692
00:27:52,560 --> 00:27:54,240
Speaker 3: Well, this is about promotion, sure it is.

693
00:27:54,400 --> 00:27:56,280
Speaker 1: You know why you're in because you're promoting truck Bed

694
00:27:56,320 --> 00:27:58,280
Speaker 1: going number one. That's what they told me. And the

695
00:27:58,400 --> 00:28:02,560
Speaker 1: quit Yeah, and the quit tour. That's very true. So

696
00:28:02,600 --> 00:28:05,360
Speaker 1: this is like equal trade true. So I'm just saying yeah, yeah, yeah.

697
00:28:05,359 --> 00:28:05,399
Speaker 7: No.

698
00:28:05,440 --> 00:28:08,320
Speaker 10: What I'm just saying like, yeah, I scream a lot now,

699
00:28:08,600 --> 00:28:10,600
Speaker 10: Like I have a rock single out called rock Star,

700
00:28:10,720 --> 00:28:12,960
Speaker 10: and it's like pretty much a matter.

701
00:28:13,040 --> 00:28:16,120
Speaker 3: It's pretty much what we just listened to is.

702
00:28:16,080 --> 00:28:19,200
Speaker 2: That next Uh, you're doing a full rock record next, Yeah,

703
00:28:19,240 --> 00:28:19,680
Speaker 2: that's cool.

704
00:28:19,760 --> 00:28:22,240
Speaker 3: That's the quit record is a rock record.

705
00:28:22,600 --> 00:28:24,600
Speaker 2: Nothing on it that he even could be considered Like

706
00:28:24,600 --> 00:28:25,760
Speaker 2: if I was like, man, this song.

707
00:28:25,760 --> 00:28:27,600
Speaker 3: No, we won't work a song to country radio.

708
00:28:27,680 --> 00:28:29,080
Speaker 2: Now about working though, What if I was like, man,

709
00:28:29,119 --> 00:28:30,719
Speaker 2: this one I could play and people would like it.

710
00:28:30,800 --> 00:28:32,520
Speaker 3: I'm sure because there's a lot of good songs on it.

711
00:28:32,600 --> 00:28:34,960
Speaker 1: But but are they all Are they all hard hard?

712
00:28:36,040 --> 00:28:36,359
Speaker 2: Yeah?

713
00:28:36,400 --> 00:28:39,760
Speaker 10: Okay, that's all yeah, all right, everything else can Yeah,

714
00:28:39,760 --> 00:28:40,239
Speaker 10: I'm good man.

715
00:28:40,440 --> 00:28:41,600
Speaker 1: I'll let you know what I'm playing on the show.

716
00:28:41,600 --> 00:28:42,920
Speaker 1: You come up, you come on, I'll come to your show.

717
00:28:42,920 --> 00:28:44,280
Speaker 3: All right, cool show.

718
00:28:44,320 --> 00:28:46,480
Speaker 2: So well, I've seen him play, but he's like, yeah,

719
00:28:46,480 --> 00:28:48,560
Speaker 2: I've been to a show I'm like called Trammelfrair.

720
00:28:48,600 --> 00:28:49,320
Speaker 1: You've been to my show.

721
00:28:49,560 --> 00:28:50,960
Speaker 3: But this year, you play a lot more shows than

722
00:28:51,000 --> 00:28:52,120
Speaker 3: you do. Come on, come may break.

723
00:28:52,760 --> 00:28:54,120
Speaker 1: I don't know how many shows you play a year.

724
00:28:54,440 --> 00:28:56,280
Speaker 3: I was around eighty a year. I just cut it

725
00:28:56,320 --> 00:28:57,320
Speaker 3: back to thirty this year.

726
00:28:58,080 --> 00:29:01,920
Speaker 2: I probably did fifty, but doing TV as well, probably

727
00:29:01,960 --> 00:29:02,560
Speaker 2: pretty close.

728
00:29:03,400 --> 00:29:04,400
Speaker 3: It's not a competition.

729
00:29:05,040 --> 00:29:06,120
Speaker 1: He made it a competition.

730
00:29:08,680 --> 00:29:12,080
Speaker 5: I mean, I I have always been entertained by your performance.

731
00:29:12,640 --> 00:29:16,000
Speaker 5: I'm even more intrigued screaming.

732
00:29:16,160 --> 00:29:18,440
Speaker 3: It's that's a huge concern of mine.

733
00:29:18,440 --> 00:29:19,800
Speaker 2: I did a bit trying to scream like that, just

734
00:29:19,800 --> 00:29:21,960
Speaker 2: for just for a second, and it hurt. I was

735
00:29:22,040 --> 00:29:23,160
Speaker 2: gone for like six hours.

736
00:29:23,280 --> 00:29:25,160
Speaker 10: There's a way to do it, like, and I've never

737
00:29:25,200 --> 00:29:27,920
Speaker 10: gone to like the coach or whatever. But you it's

738
00:29:28,000 --> 00:29:30,000
Speaker 10: you push from like really deep.

739
00:29:30,800 --> 00:29:31,240
Speaker 1: Yeah.

740
00:29:31,280 --> 00:29:34,880
Speaker 10: Wow, Yeah, there's one woman and I bet Steve that

741
00:29:35,000 --> 00:29:35,960
Speaker 10: she lives in Florida.

742
00:29:36,160 --> 00:29:38,320
Speaker 3: Do you know her name? She's like an older lady.

743
00:29:38,320 --> 00:29:40,520
Speaker 3: She's been doing, she's done like everybody.

744
00:29:41,840 --> 00:29:44,640
Speaker 1: Self taught you get the ear.

745
00:29:45,120 --> 00:29:46,840
Speaker 3: She she teaches you not to blow out your voice.

746
00:29:46,840 --> 00:29:47,960
Speaker 3: But I will say, like.

747
00:29:50,200 --> 00:29:54,000
Speaker 10: It since I've started screaming and shows my voice like

748
00:29:54,200 --> 00:29:57,560
Speaker 10: it's it scares me because like the next weekend it'll

749
00:29:57,560 --> 00:29:59,000
Speaker 10: be weaker, and it's like constantly weaker.

750
00:29:59,120 --> 00:30:02,560
Speaker 2: Are you having to go to do the physically responsible

751
00:30:02,600 --> 00:30:04,520
Speaker 2: things more so now because you're asking more from your

752
00:30:04,520 --> 00:30:05,840
Speaker 2: body or you still.

753
00:30:05,720 --> 00:30:08,960
Speaker 10: You mean like like yeah, more of that for.

754
00:30:08,920 --> 00:30:11,560
Speaker 2: Sure, because you can do that, but only for a

755
00:30:11,600 --> 00:30:12,920
Speaker 2: bit of time and then you blow it out and

756
00:30:12,920 --> 00:30:15,000
Speaker 2: then you can't perform to the same level.

757
00:30:15,160 --> 00:30:16,240
Speaker 1: Yeah, that is.

758
00:30:16,280 --> 00:30:18,880
Speaker 10: Usually like the Saturday Night Show, I'm like freaking out,

759
00:30:19,040 --> 00:30:21,480
Speaker 10: even if I like have behaved all weekend and like

760
00:30:21,560 --> 00:30:23,360
Speaker 10: going to bed and not like talked over a crowd

761
00:30:23,400 --> 00:30:24,000
Speaker 10: and stuff like that.

762
00:30:24,040 --> 00:30:26,320
Speaker 2: After I mean, even like the lead singer syndrome in

763
00:30:26,360 --> 00:30:28,640
Speaker 2: a band where everybody else gets to go party, but

764
00:30:28,640 --> 00:30:30,360
Speaker 2: the lead singer shouldn't as much because they have to.

765
00:30:30,720 --> 00:30:32,960
Speaker 2: If they're down, the whole band can't work Yeah, that's

766
00:30:32,960 --> 00:30:33,480
Speaker 2: a real thing.

767
00:30:33,640 --> 00:30:36,880
Speaker 3: Yeah, I just saw Disturbed. What's his name, Danny Draymond?

768
00:30:37,000 --> 00:30:38,840
Speaker 1: Is that that's him?

769
00:30:38,920 --> 00:30:40,240
Speaker 3: Yeah, yeah, And he talked about that.

770
00:30:40,320 --> 00:30:42,880
Speaker 10: He's like he he said that it was like the

771
00:30:42,920 --> 00:30:44,680
Speaker 10: way he described it was like lonely. But he but

772
00:30:44,760 --> 00:30:47,040
Speaker 10: he made that that point, he was like, I have

773
00:30:47,080 --> 00:30:49,160
Speaker 10: to go like protect myself and everybody else gets to

774
00:30:49,200 --> 00:30:52,120
Speaker 10: go hang out because no, you know, you're right, like

775
00:30:52,160 --> 00:30:56,040
Speaker 10: if it's if there's no singer, you're done. Like you

776
00:30:56,040 --> 00:30:58,400
Speaker 10: could technically get away with like one less guitar player

777
00:30:58,480 --> 00:30:59,200
Speaker 10: or something like that.

778
00:30:59,280 --> 00:31:01,320
Speaker 3: But yeah, it's different when you're the lead singer.

779
00:31:01,360 --> 00:31:02,960
Speaker 2: It's different because we go to Vegas. I'll go to

780
00:31:03,000 --> 00:31:04,840
Speaker 2: bed early, but Lunchblox will stay aping party all night

781
00:31:04,880 --> 00:31:05,480
Speaker 2: and they come to the show.

782
00:31:05,520 --> 00:31:09,480
Speaker 1: Like you didn't even talk allergies. Allergy Those Vegas allergies

783
00:31:09,520 --> 00:31:13,600
Speaker 1: are bad. Yeah, Vegas allergies. All right.

784
00:31:13,680 --> 00:31:17,640
Speaker 2: So truck Bed hopefully going number one this week. The

785
00:31:18,200 --> 00:31:22,040
Speaker 2: Quit Whole records coming out. Yeah, he's not here for promotion, man,

786
00:31:22,120 --> 00:31:22,800
Speaker 2: you can skip that.

787
00:31:23,320 --> 00:31:25,480
Speaker 1: You know. I demand he take it. I demand he

788
00:31:25,600 --> 00:31:25,920
Speaker 1: take it.

789
00:31:26,120 --> 00:31:30,360
Speaker 2: I mean the the the Dift tape.

790
00:31:30,600 --> 00:31:32,200
Speaker 1: Yeah, I was gonna say that the Hicks tape. But

791
00:31:32,240 --> 00:31:32,880
Speaker 1: it's a diff tape.

792
00:31:32,920 --> 00:31:34,760
Speaker 3: Yeah, it's it's like, yeah, it's a spin off R.

793
00:31:34,800 --> 00:31:35,000
Speaker 2: Yeah.

794
00:31:35,200 --> 00:31:38,360
Speaker 3: So that comes out at the end of UH. That

795
00:31:38,440 --> 00:31:39,560
Speaker 3: comes out this month.

796
00:31:39,480 --> 00:31:41,120
Speaker 1: And it's all Joe different songs. Yeah.

797
00:31:41,120 --> 00:31:44,440
Speaker 10: Obviously with Dift tape, it's the original recordings with Joe's

798
00:31:44,520 --> 00:31:49,520
Speaker 10: voice on him and Joe's son Parker gave us his blessing,

799
00:31:49,560 --> 00:31:52,520
Speaker 10: their family's blessing to to strip those down, take some

800
00:31:52,600 --> 00:31:54,640
Speaker 10: of his vocals out, and have like, you know, features

801
00:31:54,640 --> 00:31:56,800
Speaker 10: come in, and it's it's gonna be the biggest Uh.

802
00:31:57,040 --> 00:31:57,480
Speaker 3: It's like the.

803
00:31:57,480 --> 00:31:59,360
Speaker 10: Biggest group of features that we've had, so a lot

804
00:31:59,400 --> 00:32:01,560
Speaker 10: of i mean, people really came together for that, So

805
00:32:01,600 --> 00:32:02,280
Speaker 10: it's really exciting.

806
00:32:02,320 --> 00:32:03,600
Speaker 1: What's post Malone like to hang out with?

807
00:32:04,440 --> 00:32:08,640
Speaker 3: He's like the coolest dude. He's like totally normal. Really, Yeah,

808
00:32:09,200 --> 00:32:09,920
Speaker 3: he's just a dude.

809
00:32:10,880 --> 00:32:13,720
Speaker 2: It's it's almost hard to believe it's the one because

810
00:32:13,760 --> 00:32:16,520
Speaker 2: he's so famous, and then two because the amount of

811
00:32:16,560 --> 00:32:18,240
Speaker 2: tattoos on his face, like this different kind of person,

812
00:32:18,240 --> 00:32:19,520
Speaker 2: the tattoos are faced that much.

813
00:32:19,720 --> 00:32:21,360
Speaker 3: Yeah, But I mean, like Jelly Row has him and

814
00:32:21,360 --> 00:32:22,280
Speaker 3: he's a good hang you know.

815
00:32:22,360 --> 00:32:24,320
Speaker 2: Jelly Roll is a good hang now, but he didn't

816
00:32:24,320 --> 00:32:25,640
Speaker 2: even tell you well like.

817
00:32:25,600 --> 00:32:28,520
Speaker 3: Back in the day when he got on Yah.

818
00:32:28,760 --> 00:32:29,720
Speaker 1: Yeah, yeah, it's true.

819
00:32:31,360 --> 00:32:31,640
Speaker 3: Man.

820
00:32:31,800 --> 00:32:38,720
Speaker 10: I I cannot say enough how respectful and kind, thoughtful

821
00:32:39,080 --> 00:32:43,280
Speaker 10: post Malone is. It's it's mind blowing how just how

822
00:32:43,280 --> 00:32:46,240
Speaker 10: he's held himself together with the level of fame that

823
00:32:46,240 --> 00:32:47,960
Speaker 10: that he's had.

824
00:32:48,040 --> 00:32:49,920
Speaker 2: What about as an artist, because we watched him sing

825
00:32:49,960 --> 00:32:52,080
Speaker 2: America the Beautiful for the super Bowl. That was what

826
00:32:52,120 --> 00:32:55,080
Speaker 2: he's saying on guitar, Like, I think people don't expect

827
00:32:55,120 --> 00:32:57,560
Speaker 2: him to have the musical talent during COVID I watch

828
00:32:57,600 --> 00:32:58,960
Speaker 2: him do a whole Navana record.

829
00:32:58,720 --> 00:33:02,680
Speaker 10: Right, Yeah, so he's he's he's a really good guitar player.

830
00:33:04,720 --> 00:33:04,880
Speaker 1: Man.

831
00:33:04,960 --> 00:33:06,480
Speaker 10: It's just there's something like when he gets in there

832
00:33:06,520 --> 00:33:08,040
Speaker 10: and he does his vocal, like we've been writing these

833
00:33:08,040 --> 00:33:09,360
Speaker 10: songs and like he'll hop in there and do it

834
00:33:09,400 --> 00:33:11,520
Speaker 10: and you're I don't know, it's just like he has

835
00:33:11,560 --> 00:33:13,280
Speaker 10: a thing. Man, He's got like a voice and not

836
00:33:13,360 --> 00:33:15,920
Speaker 10: just like a singing voice, but he just even just

837
00:33:15,960 --> 00:33:17,800
Speaker 10: in that in that regard, he's just an artist. He

838
00:33:17,800 --> 00:33:20,880
Speaker 10: could sing the phone Book and it's just so different

839
00:33:22,280 --> 00:33:24,520
Speaker 10: to me that it's just I don't know, it's just

840
00:33:25,160 --> 00:33:27,040
Speaker 10: that's it's like art coming out of his mouth.

841
00:33:27,080 --> 00:33:27,840
Speaker 1: What's his name?

842
00:33:27,880 --> 00:33:31,960
Speaker 2: And your phone as post host deep Post just post Post.

843
00:33:31,800 --> 00:33:34,480
Speaker 5: When you meet him though, like obviously you're around a

844
00:33:34,520 --> 00:33:37,840
Speaker 5: lot of really successful people, but someone like post Malone,

845
00:33:38,480 --> 00:33:39,840
Speaker 5: like because he's around.

846
00:33:39,600 --> 00:33:44,240
Speaker 2: You right now, like within like meeting Post like do

847
00:33:44,280 --> 00:33:46,239
Speaker 2: you kind of have to remind yourself like because you know,

848
00:33:46,440 --> 00:33:48,080
Speaker 2: but it's I don't know, post alone.

849
00:33:48,160 --> 00:33:50,120
Speaker 5: He seems like next level, Like do you kind of

850
00:33:50,120 --> 00:33:52,120
Speaker 5: have to be like okay, this could be like we

851
00:33:52,120 --> 00:33:54,640
Speaker 5: could actually be friends. We got to be chill, like

852
00:33:54,640 --> 00:33:56,440
Speaker 5: do you have to talk to yourself about or you're just.

853
00:33:56,400 --> 00:33:59,120
Speaker 3: Like normal everybody poops? You know what I mean?

854
00:33:59,640 --> 00:34:00,320
Speaker 1: My life isn't it?

855
00:34:00,680 --> 00:34:01,400
Speaker 3: She doesn't at all?

856
00:34:01,440 --> 00:34:04,680
Speaker 2: No good for her never once wow first one. Yeah no, yeah,

857
00:34:04,680 --> 00:34:06,280
Speaker 2: that's all I was gonna say. So your theory is wrong.

858
00:34:07,040 --> 00:34:10,959
Speaker 1: All right, look you guys at Hardy and Diff tape.

859
00:34:11,000 --> 00:34:11,720
Speaker 1: It's gonna be awesome.

860
00:34:11,760 --> 00:34:13,839
Speaker 2: You wrote Kenny's latest single too, Yeah yeah yeah, it's

861
00:34:13,840 --> 00:34:15,040
Speaker 2: on top of the freaking world right now.

862
00:34:15,280 --> 00:34:16,799
Speaker 1: Should go to a show. Maybe you should go to

863
00:34:16,840 --> 00:34:18,719
Speaker 1: a show. That's what I'm taking from this. I need

864
00:34:18,719 --> 00:34:19,439
Speaker 1: to go to a show.

865
00:34:20,120 --> 00:34:24,520
Speaker 2: Congratulations, man, I'm a big fan, and congratulations and we'll.

866
00:34:24,360 --> 00:34:26,680
Speaker 1: Have a truck bed go number one and I don't

867
00:34:26,680 --> 00:34:27,280
Speaker 1: know another.

868
00:34:27,080 --> 00:34:28,520
Speaker 3: Trophy, dude, knock on wood?

869
00:34:28,520 --> 00:34:28,759
Speaker 7: All right?

870
00:34:28,840 --> 00:34:29,280
Speaker 3: Is that would?

871
00:34:29,400 --> 00:34:32,000
Speaker 1: Yeah? I know it is fake. All right, there is

872
00:34:32,000 --> 00:34:32,560
Speaker 1: hearty everybody.

873
00:34:32,600 --> 00:34:33,319
Speaker 3: Thank you so much.

874
00:34:34,960 --> 00:34:36,360
Speaker 1: There's a voicemail we got yesterday.

875
00:34:36,719 --> 00:34:38,960
Speaker 12: I was just listening to the podcast like I do

876
00:34:39,080 --> 00:34:41,839
Speaker 12: every day at work and heard that you guys are

877
00:34:41,840 --> 00:34:44,040
Speaker 12: talking about going to South Dakota on the trip, and

878
00:34:44,080 --> 00:34:47,680
Speaker 12: I think that would be awesome for you guys, Lunchbox.

879
00:34:47,760 --> 00:34:51,279
Speaker 12: I know you like Las Vegas for the gambling, and

880
00:34:51,440 --> 00:34:53,560
Speaker 12: you better make sure if you go to stop at

881
00:34:53,560 --> 00:34:58,920
Speaker 12: dead Wood, literally a mini Last Vegas for you and Amy.

882
00:34:59,120 --> 00:35:02,080
Speaker 12: If you ever want a girl's trip and want to

883
00:35:02,440 --> 00:35:04,719
Speaker 12: hit up the hot Springs with a view, come to

884
00:35:04,800 --> 00:35:06,160
Speaker 12: Montana and I'll be your girl.

885
00:35:06,200 --> 00:35:07,760
Speaker 1: Okay, So you don't need to go with us South Dakota.

886
00:35:07,840 --> 00:35:08,680
Speaker 1: Montana be your goal.

887
00:35:08,719 --> 00:35:10,719
Speaker 5: Yeah, yeah, Montana's on my list.

888
00:35:10,760 --> 00:35:12,040
Speaker 2: I've been a Montana. It's awesome. But we don't talking

889
00:35:12,040 --> 00:35:17,040
Speaker 2: about that. What's my sandy South Dakota we had We're

890
00:35:17,040 --> 00:35:18,520
Speaker 2: not one step closer to that, by the way.

891
00:35:18,360 --> 00:35:19,800
Speaker 1: What do you mean? Oh, you're right, I haven't a

892
00:35:19,840 --> 00:35:20,680
Speaker 1: masked for permission.

893
00:35:20,800 --> 00:35:23,040
Speaker 2: Yeah, there's been no movement to actually doing it yet.

894
00:35:23,160 --> 00:35:24,799
Speaker 2: I mean as my wife, but I just think that

895
00:35:24,800 --> 00:35:26,680
Speaker 2: would be awesome if we all went to South Dakota

896
00:35:26,719 --> 00:35:29,200
Speaker 2: for a du trip and then Amy can do Montana

897
00:35:29,280 --> 00:35:29,560
Speaker 2: or something.

898
00:35:29,560 --> 00:35:32,279
Speaker 1: You have fun, Amy, good luck, awesome, can't wait?

899
00:35:32,360 --> 00:35:37,840
Speaker 2: Yeah, HITCHI okay, and we'll follow you the whole way.

900
00:35:37,560 --> 00:35:39,000
Speaker 1: A pile of stories.

901
00:35:39,480 --> 00:35:42,759
Speaker 5: So I guess March Madness is starting like tomorrow kind of.

902
00:35:43,160 --> 00:35:46,000
Speaker 1: The playing games so earlier in the week. Yeah, okay.

903
00:35:46,080 --> 00:35:48,279
Speaker 5: Well a poll was taken, and this is how much

904
00:35:48,320 --> 00:35:50,320
Speaker 5: time y'all are going to be spending on March Madness.

905
00:35:50,320 --> 00:35:52,560
Speaker 5: It's not just watching basketball. It's like talking about it

906
00:35:52,600 --> 00:35:55,960
Speaker 5: with your friends. It's placing beds, it's reading about it

907
00:35:56,000 --> 00:35:58,040
Speaker 5: online and then also watching highlights.

908
00:35:58,280 --> 00:36:01,520
Speaker 1: Yeah, a million hours. It's a lot of time every hour.

909
00:36:01,600 --> 00:36:04,319
Speaker 1: It's my favorite time of year. Infinity hours. Not my

910
00:36:04,440 --> 00:36:09,040
Speaker 1: favorite time of year, but up there NFL playoffs, College playoffs.

911
00:36:08,640 --> 00:36:12,120
Speaker 2: That's my favorite favorite. But for like so much action

912
00:36:12,200 --> 00:36:14,719
Speaker 2: at once, it's the best. This is cool because you

913
00:36:14,760 --> 00:36:17,560
Speaker 2: can watch basketball during the day. It's so awesome because

914
00:36:17,560 --> 00:36:18,600
Speaker 2: it starts like at eleven o'clock.

915
00:36:18,600 --> 00:36:20,080
Speaker 1: How many hours we're already doing it.

916
00:36:20,560 --> 00:36:24,560
Speaker 5: It says the average person is thirty six hours. So

917
00:36:24,680 --> 00:36:26,359
Speaker 5: I would imagine if you're on the high end, you're

918
00:36:26,400 --> 00:36:28,239
Speaker 5: double that, and then you're on the low end like me,

919
00:36:28,360 --> 00:36:29,799
Speaker 5: like zero, So.

920
00:36:29,760 --> 00:36:31,640
Speaker 1: Then we even know, well.

921
00:36:31,520 --> 00:36:33,359
Speaker 5: Even now, but it must be like the bigger games,

922
00:36:33,400 --> 00:36:36,239
Speaker 5: because if y'all are saying if it starts tomorrow and in

923
00:36:36,400 --> 00:36:38,440
Speaker 5: April eighth, I feel like that's way more than.

924
00:36:38,760 --> 00:36:39,279
Speaker 1: I would say.

925
00:36:39,320 --> 00:36:42,000
Speaker 2: It's not the bigger games. It's the first weekend whenever

926
00:36:42,120 --> 00:36:43,920
Speaker 2: you have the sixteens in the ones, not so much that,

927
00:36:44,000 --> 00:36:46,800
Speaker 2: but like the the fifteen to two, fourteens and threes,

928
00:36:47,160 --> 00:36:48,319
Speaker 2: you know that kind of thing which you love.

929
00:36:48,400 --> 00:36:49,759
Speaker 1: Upsets. They're all happening at the same time.

930
00:36:49,800 --> 00:36:52,200
Speaker 2: There's usually some game where there's an upset happen because

931
00:36:52,200 --> 00:36:53,319
Speaker 2: there's so many games happening at once.

932
00:36:53,360 --> 00:36:55,160
Speaker 5: What's the one game I should put money on before

933
00:36:55,200 --> 00:36:57,280
Speaker 5: tomorrow the one game or before this weekend?

934
00:36:57,360 --> 00:37:01,440
Speaker 1: Or still no need? I need to dig down. I

935
00:37:01,440 --> 00:37:03,719
Speaker 1: don't know. Will you walk me through it? Yeah, but

936
00:37:03,760 --> 00:37:04,480
Speaker 1: even I don't know.

937
00:37:04,600 --> 00:37:06,880
Speaker 5: I'd like to emerge from March madness with some money.

938
00:37:07,000 --> 00:37:07,480
Speaker 1: There we go.

939
00:37:08,080 --> 00:37:10,400
Speaker 2: I won you some money last year and it's at

940
00:37:10,400 --> 00:37:11,200
Speaker 2: in your account for a year.

941
00:37:11,239 --> 00:37:11,879
Speaker 1: It's still in there.

942
00:37:13,040 --> 00:37:16,400
Speaker 2: And by the way, DraftKings, big fan, big sponsor. But

943
00:37:16,520 --> 00:37:18,719
Speaker 2: now in North Carolina for the first time, you can

944
00:37:18,960 --> 00:37:21,200
Speaker 2: use DraftKings. They just legalized it, all right.

945
00:37:21,200 --> 00:37:24,840
Speaker 5: What else, Well, teachers are begging parents to stop texting

946
00:37:24,880 --> 00:37:28,040
Speaker 5: their kids while they're at school. And it's Monday, start

947
00:37:28,040 --> 00:37:30,839
Speaker 5: of a new week, and I'm gonna take this as

948
00:37:30,840 --> 00:37:33,040
Speaker 5: a little challenge for myself to not text my kids

949
00:37:33,080 --> 00:37:34,879
Speaker 5: while they're a school because I do that. And this

950
00:37:34,960 --> 00:37:36,960
Speaker 5: is the stuff that we're sending, like, Hey, what'd you

951
00:37:36,960 --> 00:37:39,440
Speaker 5: get on your test? Do you want hamburgers or chicken

952
00:37:39,520 --> 00:37:40,280
Speaker 5: for dinner tonight?

953
00:37:40,360 --> 00:37:43,280
Speaker 1: Oh? This general question when they need to be focused.

954
00:37:43,280 --> 00:37:45,280
Speaker 4: And this isn't on us though, this is on the student,

955
00:37:45,400 --> 00:37:46,879
Speaker 4: Like you got to know when to check your phone,

956
00:37:47,400 --> 00:37:49,440
Speaker 4: check your you know what I mean.

957
00:37:50,320 --> 00:37:52,120
Speaker 1: Right now, I'm not reading that because I'm committed now

958
00:37:52,520 --> 00:37:54,200
Speaker 1: one year an adult. Until you are reading that, I

959
00:37:54,239 --> 00:37:54,440
Speaker 1: see you.

960
00:37:55,000 --> 00:37:56,360
Speaker 5: So Also, if you're a kid and you see a

961
00:37:56,360 --> 00:37:57,839
Speaker 5: text from mom or dad, you might be.

962
00:37:57,800 --> 00:38:00,399
Speaker 1: Like, oh, I need to My son doesn't he doesn't.

963
00:38:00,400 --> 00:38:02,640
Speaker 1: He doesn't respond anything. If I sees it.

964
00:38:02,680 --> 00:38:04,160
Speaker 4: Though the other day, I was figuring U from school

965
00:38:04,200 --> 00:38:05,920
Speaker 4: and I said, hey, I'm here. I waited thirty minutes.

966
00:38:06,239 --> 00:38:09,640
Speaker 1: That's funny, I'm here. Why did not call him? I did,

967
00:38:09,680 --> 00:38:11,280
Speaker 1: didn't answer, okay.

968
00:38:11,440 --> 00:38:15,040
Speaker 5: And then Kenny Chesney was talking about how Peyton Manning

969
00:38:15,120 --> 00:38:17,200
Speaker 5: would join him on stage at a lot of his

970
00:38:17,320 --> 00:38:19,759
Speaker 5: shows and they would give him a guitar when he

971
00:38:19,800 --> 00:38:22,239
Speaker 5: would walk out there, but they would never plug it in,

972
00:38:22,280 --> 00:38:24,799
Speaker 5: and he was just like fake playing it the whole time,

973
00:38:25,320 --> 00:38:27,839
Speaker 5: and people would not know it at first, and then

974
00:38:28,040 --> 00:38:30,800
Speaker 5: they would be like, oh, Peg Manning's on stage, everybody,

975
00:38:30,800 --> 00:38:32,799
Speaker 5: but they kind of thought just a guitar player was

976
00:38:33,120 --> 00:38:34,719
Speaker 5: walking out and I just thought.

977
00:38:34,480 --> 00:38:36,320
Speaker 2: Oh, but it was a guitar. He wrote, guitar like

978
00:38:36,360 --> 00:38:38,680
Speaker 2: we'd like, they didn't know they just buttons. Yeah, yeah, yeah,

979
00:38:38,880 --> 00:38:39,680
Speaker 2: all right, thank you.

980
00:38:40,080 --> 00:38:41,120
Speaker 5: I'm maybe that's my pile.

981
00:38:41,960 --> 00:38:44,040
Speaker 1: That was Amy's pile of stories.

982
00:38:44,400 --> 00:38:49,080
Speaker 6: It's time for the good news, Bobby.

983
00:38:51,160 --> 00:38:53,040
Speaker 2: I'm not even sure what crocheting is. I feel like

984
00:38:53,040 --> 00:38:54,080
Speaker 2: it's needles and thread.

985
00:38:54,200 --> 00:38:57,120
Speaker 4: Yeah, yeah, when you make like sweaters or but what's

986
00:38:57,120 --> 00:38:58,320
Speaker 4: the difference that in sewing?

987
00:38:59,320 --> 00:38:59,520
Speaker 12: Yeah?

988
00:38:59,719 --> 00:39:03,319
Speaker 1: Big, you were like yarn you use sure about this? No? No,

989
00:39:03,360 --> 00:39:08,560
Speaker 1: I'm not Okay, see if you declare something like truth. Okay, Morgan,

990
00:39:08,600 --> 00:39:09,360
Speaker 1: what is crocheting?

991
00:39:09,440 --> 00:39:12,399
Speaker 10: Yeah, crochet has bigger needles and you're using like much

992
00:39:12,440 --> 00:39:14,080
Speaker 10: bigger yarn where you're sewing.

993
00:39:14,160 --> 00:39:15,960
Speaker 1: It could be a machine or like a little needle.

994
00:39:16,120 --> 00:39:18,360
Speaker 2: Told you like if you see someone on TV and

995
00:39:18,400 --> 00:39:21,960
Speaker 2: they're like using the big yes, got it. Well, she's

996
00:39:22,000 --> 00:39:23,799
Speaker 2: in seventh grade and she crochets, which I never heard

997
00:39:23,800 --> 00:39:25,680
Speaker 2: of kids doing it. The old people do that me too,

998
00:39:26,080 --> 00:39:28,120
Speaker 2: because they needed those big old needlesticks. They can't see

999
00:39:28,160 --> 00:39:31,560
Speaker 2: little needlesticks. So she got pretty good at it. And

1000
00:39:31,640 --> 00:39:33,680
Speaker 2: part of the Girl Scouts project she was doing, she

1001
00:39:33,800 --> 00:39:38,080
Speaker 2: made almost thirty stuffed animals to donate to other kids

1002
00:39:38,520 --> 00:39:41,319
Speaker 2: and all through the police department North Carolina. And so

1003
00:39:41,560 --> 00:39:43,440
Speaker 2: what she's doing is she's made them all to give

1004
00:39:43,440 --> 00:39:45,040
Speaker 2: to the cops, so the cops can give to kids

1005
00:39:45,080 --> 00:39:46,080
Speaker 2: if they show up at a place.

1006
00:39:46,160 --> 00:39:50,200
Speaker 1: That's so cool and the kids are scared, Yeah, sad.

1007
00:39:51,640 --> 00:39:54,040
Speaker 2: The crocheting thing as a seventh grader, Like, that's awesome

1008
00:39:54,080 --> 00:39:56,360
Speaker 2: to me because I can't imagine other seventh graders are crocheting,

1009
00:39:56,719 --> 00:39:58,359
Speaker 2: and she's doing her own thing. And then secondly, why

1010
00:39:58,400 --> 00:40:00,680
Speaker 2: she's doing it and donating all that stuff. That's awesome and.

1011
00:40:00,640 --> 00:40:03,040
Speaker 1: She probably learned from like her grandma. Right, Well, she's

1012
00:40:03,080 --> 00:40:04,799
Speaker 1: a girl scout. I mean, is that the badge that

1013
00:40:04,840 --> 00:40:08,759
Speaker 1: she chased Crochane badge? I don't know. I don't know,

1014
00:40:08,880 --> 00:40:10,719
Speaker 1: really know. So what's that sport where you hit the

1015
00:40:10,760 --> 00:40:12,200
Speaker 1: ball like uh broque?

1016
00:40:12,480 --> 00:40:15,080
Speaker 2: Yeah, not the same what I thought that was? Yeah,

1017
00:40:15,600 --> 00:40:18,280
Speaker 2: I thought you're awfu little bit. Yeah, a great story.

1018
00:40:18,360 --> 00:40:21,319
Speaker 2: Good job, Kayden Hudson. That's what it's all about. That

1019
00:40:21,680 --> 00:40:22,719
Speaker 2: was telling me something good.