WEBVTT - Real Friends Classic -103: My Best Friend's Mistake w Bill Lawrence

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<v Speaker 1>Donald Countison. One two, No, Donald down, donalds go down.

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<v Speaker 1>That's not what I meant.

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<v Speaker 2>Three two, Well, then that's you gotta say. You said

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<v Speaker 2>count us in. I thought you were like Donald, count

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<v Speaker 2>us down. There we go because counting us in is

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<v Speaker 2>you know, like the song.

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<v Speaker 1>Is like seven eight right exactly, your song count us

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<v Speaker 1>into our song?

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<v Speaker 2>Donald, I really don't want to anymore.

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<v Speaker 1>Five six, seven eight. You want fame, well, fame costs,

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<v Speaker 1>and right here is where you start paying in sweat,

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<v Speaker 1>Debbie Allen Fame the TV show Thank You.

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<v Speaker 3>Here's some stories that show we made about a bunch

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<v Speaker 3>of docs and nurses, and I said, here's the story

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<v Speaker 3>nets so here yead.

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<v Speaker 1>All right, listen, we have Donald one of our first

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<v Speaker 1>We have our first real guest.

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<v Speaker 2>Yes we do. And I'm really excited about this.

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<v Speaker 1>I don't think there could be a more appropriate guest.

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<v Speaker 1>Because he's the reason that we're here. He's the reason

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<v Speaker 1>we're friends. He's the reason that this show happened, that

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<v Speaker 1>so many people across the world love, and it all

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<v Speaker 1>came from his brain.

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<v Speaker 2>He's the reason why I'm in my why I have

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<v Speaker 2>a closet that I can stay in right now.

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<v Speaker 1>He's the reason I have a desk. He's the reason

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<v Speaker 1>I have a desk. He's the reason I have this

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<v Speaker 1>water bottle. I always say that to our next guest

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<v Speaker 1>jokingly but also seriously whenever I buy myself, even like

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<v Speaker 1>occasionally I buy him dinner and he's so grateful, and

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<v Speaker 1>I say, are you kidding? I can only buy you

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<v Speaker 1>this dinner because of you, ladies and gentlemen. The creator

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<v Speaker 1>of Scrubs, mister Bill Lawrence.

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<v Speaker 4>Yeah, I pretended to not even be in the frame,

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<v Speaker 4>even though this is not a video thing.

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<v Speaker 2>Hey, guys, I know I wish we were recording so

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<v Speaker 2>people could see that.

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<v Speaker 1>I want people. I want people at home to know

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<v Speaker 1>that even though we're not recording the video, Bill hid

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<v Speaker 1>on on the Zoom app and made an appearance.

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<v Speaker 4>Hey, that was too nice and of an introduction, because

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<v Speaker 4>you guys would have both done fine without me. I

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<v Speaker 4>like that. I can claim credit for your success and

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<v Speaker 4>well being, but you would have found your way regardless.

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<v Speaker 1>Well that's nice of you to say, but you definitely

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<v Speaker 1>changed both of our lives a lot and a big way,

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<v Speaker 1>and also made something that very rarely happens. I'm finding

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<v Speaker 1>as I attempt to make TV shows and produce them,

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<v Speaker 1>and something that went nine years, and something that is

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<v Speaker 1>a global success. And I guess the first logical question

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<v Speaker 1>I wrote down in my notes is how did Because

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<v Speaker 1>I was listening to this, I want to know how

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<v Speaker 1>you came up with the idea? How did it? How

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<v Speaker 1>did the seed come to you in the first place?

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<v Speaker 4>You guys both know there was a medical advisor on

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<v Speaker 4>the show named j D, and he's the real JD,

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<v Speaker 4>and he's my best friend in college.

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<v Speaker 5>He was a fuck up and a curse on.

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<v Speaker 1>You, curse away, Bill, go nuts, let loose.

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<v Speaker 4>He was.

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<v Speaker 5>He was a screw up. I went the other way, and.

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<v Speaker 4>I used to joke with him because he was such

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<v Speaker 4>a bad student that he went back to college to

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<v Speaker 4>go to med school a second time.

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<v Speaker 5>I mean to pre med a second time, so we'll

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<v Speaker 5>get in to med school.

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<v Speaker 4>I said, my biggest nightmare would be waking up in

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<v Speaker 4>an emergency room and having you standing over me and going, hey, you're.

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<v Speaker 5>Gonna be fine.

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<v Speaker 4>And I just thought that would be a good TV

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<v Speaker 4>show because we used to drink beers and used to

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<v Speaker 4>talk about how all these stories, especially the early ones,

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<v Speaker 4>are ones straight from his life, you know, worrying that

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<v Speaker 4>his friend sowed a piece of gauze up into somebody

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<v Speaker 4>falling in love with a different girl in his residency program.

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<v Speaker 5>And he's now married to He's.

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<v Speaker 4>A real guy. It's more relevant than ever because he

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<v Speaker 4>has become the Kelso at a Kaiser hospital Wells Peelis,

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<v Speaker 4>and he's there running their COVID virus command center today

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<v Speaker 4>as we speak.

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<v Speaker 1>Yeah, I saw that you tweeted something about that, So

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<v Speaker 1>tell us, like, because you're in you must be. You're

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<v Speaker 1>still best friends, so you must be in contact with

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<v Speaker 1>him as he's dealing with all this COVID insanity.

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<v Speaker 4>Right, Yeah, he's superpals. He he's a heart surgeon and

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<v Speaker 4>a cardiologist.

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<v Speaker 5>He he still just speaking and.

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<v Speaker 4>Gay sometimes the real JD. But he goes by John

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<v Speaker 4>so you know, he put out a tweet the other

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<v Speaker 4>day saying, hey to all the doctors and nurses you

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<v Speaker 4>know that work with me.

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<v Speaker 5>I'm really proud, and I said, hey, is the real JD.

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<v Speaker 4>He married the real Elliott and he's out there fighting

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<v Speaker 4>the fight and it became viral on a news story

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<v Speaker 4>and stuff in our basketball game that Donald has played

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<v Speaker 4>in before, and in this episode you can see that

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<v Speaker 4>Donald can play ball. JD played in that game, and

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<v Speaker 4>he tore his rotator cuff, so he can't be a

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<v Speaker 4>heart surgeon as much because it, you know, aggravates his injury.

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<v Speaker 4>So he took the Kelso job the same way. Doctor

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<v Speaker 4>Cox took the Kelso job late in life, and he

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<v Speaker 4>runs the whole hospital on in those fields.

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<v Speaker 2>That said game you speak of is probably the roughest

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<v Speaker 2>game I've ever played in in my life. Jaws being broke,

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<v Speaker 2>noses broke, It's quested.

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<v Speaker 5>It's a bunch of dumb comedy writers too.

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<v Speaker 2>Man, Oh my gosh, it's violent. It's so violent. It's violent, dude,

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<v Speaker 2>it's violent.

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<v Speaker 4>It's a lot older now, Donald, we're all, I mean,

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<v Speaker 4>we're the old guys.

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<v Speaker 5>Now, there's a wave of young guy.

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<v Speaker 4>My son plays Will and I sent Zach a video

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<v Speaker 4>of Will dunking the other day and I was so

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<v Speaker 4>excited about it.

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<v Speaker 1>Yeah, Bill, send me a video Will dunky. He's like,

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<v Speaker 1>you have no idea how proud this makes me?

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<v Speaker 4>Donald Donald, Zach doesn't understand, as you know, like to

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<v Speaker 4>see somebody dunk. I didn't even get a response. So

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<v Speaker 4>Zach's like, oh, yeah, he's thrown that round ball into

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<v Speaker 4>the hoop without.

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<v Speaker 1>If you if you had sent me that kid singing

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<v Speaker 1>bring him Home from lim Is, I would have cried.

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<v Speaker 2>You would have lost your mind.

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<v Speaker 1>You would have lost your mind.

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<v Speaker 2>Oh, by the way, Zach, I am so proud of Will.

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<v Speaker 2>Oh my god.

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<v Speaker 1>I would have had it on repeat. I literally would

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<v Speaker 1>have just been playing Will singing bring him Home.

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<v Speaker 2>Bill. When you were younger, could you dunk? Did you not?

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<v Speaker 2>You cannot dunk? When I was younger, I could. But

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<v Speaker 2>when I was a lot younger, yeah, a lot.

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<v Speaker 4>Donald Will does it?

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<v Speaker 5>Will does it now aggressively.

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<v Speaker 4>It's pretty cool.

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<v Speaker 2>That's awesome. Like on the Spin move on to Break.

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<v Speaker 4>You can do it off the dribble, and he can

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<v Speaker 4>do it off an hour you he's has troubles, still gripping.

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<v Speaker 1>Why are you guys speaking Latin right now? I have

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<v Speaker 1>no idea.

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<v Speaker 2>He tries, he tries.

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<v Speaker 1>I wanted to go back to JD for the real

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<v Speaker 1>JD for a second, because I remember back in when

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<v Speaker 1>we first started, he had a pager and and they

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<v Speaker 1>would literally he'd be at the hospital advising us. So,

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<v Speaker 1>just for those of you who don't know, a medical

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<v Speaker 1>advisor on the show is obviously showing us everyone the

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<v Speaker 1>extra is Donald and I all the doctors how to

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<v Speaker 1>look like we know what we're doing and this is

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<v Speaker 1>how you do this, and this is what you'd be

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<v Speaker 1>doing in this particular situation. And this was still in

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<v Speaker 1>the era of the fax machine. And I remember JD

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<v Speaker 1>would he'd be talking to us and saying, yeah, hold

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<v Speaker 1>it like that, do that, and then he'd get a page.

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<v Speaker 1>And then he'd go receive a fax and he'd look

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<v Speaker 1>down at the facts of someone's EKG and he'd be like, uh,

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<v Speaker 1>I should probably get goo and.

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<v Speaker 4>Yeah. You know, he used to joke about that that

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<v Speaker 4>he liked the gig with us so much more than

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<v Speaker 4>his real gig, you know, because he was a grunt.

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<v Speaker 4>You know, he was still I mean it was out

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<v Speaker 4>of residency, but you know he was a slaven a

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<v Speaker 4>way back then to pay off med school loans and

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<v Speaker 4>kind of being around Hollywood. He loved it. You know.

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<v Speaker 2>His wife would also uh cover for him when he

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<v Speaker 2>was when he couldn't be there, she'd come by and

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<v Speaker 2>you know, we'd run things by her. Speaking of this episode,

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<v Speaker 2>it starts off in the O R and I remember thinking, Oh,

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<v Speaker 2>this is gonna be awesome. I get to show my

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<v Speaker 2>dramatic face in the middle of surgery. It'll be just

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<v Speaker 2>like all the doctor shows that are on right now,

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<v Speaker 2>you know what I mean. And then we get there

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<v Speaker 2>and you're like, no, put the mask on. What we

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<v Speaker 2>put the mask on? You're like, no, you guys, we

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<v Speaker 2>we have to wear the masks. And I was like, wait,

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<v Speaker 2>but we're supposed to be acting. This is nearly and

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<v Speaker 2>you were like no, no, no, no, no no, put

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<v Speaker 2>the masks on.

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<v Speaker 4>Put the mask with your eyes and do it with

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<v Speaker 4>your eyes.

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<v Speaker 2>And I remember being, okay, this could this is gonna be.

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<v Speaker 2>This is okay looking back at it now, we were

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<v Speaker 2>other than mash. I think the first show is really

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<v Speaker 2>to do that. All of these other shows were doing

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<v Speaker 2>surgery without the masks on.

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<v Speaker 4>And Donald it's a great point because you know, JD

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<v Speaker 4>is most proud of even though we took so many

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<v Speaker 4>liberties and ragofy and stuff. It's been often said that

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<v Speaker 4>this for at least medical professionals, that this was the

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<v Speaker 4>most realistic medical show, you know, just on what it

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<v Speaker 4>was like.

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<v Speaker 1>I get that all the time. Bill and people on

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<v Speaker 1>my social media and everything will say and even I

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<v Speaker 1>think the American Medical Association said that so so tell

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<v Speaker 1>us about that when you when you started, did you

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<v Speaker 1>I've always said and correct me if I'm wrong, that

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<v Speaker 1>you because the show is going to be silly and

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<v Speaker 1>go off in crazy tangents. That you said to your

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<v Speaker 1>writers and obviously a mantra to yourself that no, I

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<v Speaker 1>want the medicine to always be as accurate as possible.

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<v Speaker 4>We had to they, you know, they initially even before

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<v Speaker 4>I get cast, you guys talked to about making that

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<v Speaker 4>show on a sound stage, and I'm like, man, this

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<v Speaker 4>show's gonna be so silly in so many ways. If

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<v Speaker 4>it's not in a real hospital, people are going to

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<v Speaker 4>tell it's fake. And so we used to have this

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<v Speaker 4>board of you know, we do all the funny fantasies

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<v Speaker 4>and jokes and silly shit, and then we had this

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<v Speaker 4>board of ways to make it real, you know, and

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<v Speaker 4>one of them.

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<v Speaker 5>Donald was talking about. One of them the masks.

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<v Speaker 4>But you guys need to look competent, people needing to die,

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<v Speaker 4>the rooms to be grungy, and to not have as

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<v Speaker 4>saturated a look color wise. You know, we just wanted

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<v Speaker 4>we thought, like we made everything that wasn't funny real,

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<v Speaker 4>that maybe it would work.

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<v Speaker 5>Going back and forth between serious and goofy tone.

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<v Speaker 4>You know, I heard Donald talking about that in your

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<v Speaker 4>other episode, about how the colors didn't pop and everything

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<v Speaker 4>looked kind of dank and you know, and disgusting.

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<v Speaker 5>Intentionally.

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<v Speaker 1>When you came up, you were coming off of Spin

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<v Speaker 1>City for those of you who don't know.

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<v Speaker 2>But I was going to ask should we go through?

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<v Speaker 2>I mean, not that you want to sit here and

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<v Speaker 2>discuss your resume or anything like that.

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<v Speaker 1>Yeah, he would, he'd love to.

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<v Speaker 2>We gave a little story about what we were doing

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<v Speaker 2>before Scrubs and how our life changed before Scrubs. I

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<v Speaker 2>imagine your life changed. I remember the table read. I'm

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<v Speaker 2>just saying I would love to hear.

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<v Speaker 1>Yeah, we never heard like how I mean, you were

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<v Speaker 1>already successfully you're coming off Spin City, but how you know,

0:09:59.160 --> 0:10:00.760
<v Speaker 1>Donald and I went on and on about how it

0:10:00.800 --> 0:10:03.000
<v Speaker 1>was such a shock to our lives. I mean, this

0:10:03.200 --> 0:10:05.199
<v Speaker 1>was your first hit show on your own. I mean,

0:10:05.280 --> 0:10:06.680
<v Speaker 1>was that a big change in your life?

0:10:07.400 --> 0:10:10.120
<v Speaker 4>Yeah? You know what I had had such a weird

0:10:10.160 --> 0:10:12.400
<v Speaker 4>experience on Spin City that I was partnered up with

0:10:12.440 --> 0:10:16.520
<v Speaker 4>an iconic star from my generation. You know, you guys

0:10:16.520 --> 0:10:18.080
<v Speaker 4>were so kind of Mike Fox when he came and

0:10:18.080 --> 0:10:20.960
<v Speaker 4>guested on the show. But that was such a surreal

0:10:21.679 --> 0:10:25.400
<v Speaker 4>experience for me writing for Mike. You know, it's like

0:10:25.440 --> 0:10:27.040
<v Speaker 4>the back to the guy that I grew up with,

0:10:27.640 --> 0:10:31.679
<v Speaker 4>this particular experience. Even before I met you guys, I

0:10:31.720 --> 0:10:34.000
<v Speaker 4>was like, all right, you can't have any expectations. There's

0:10:34.040 --> 0:10:35.880
<v Speaker 4>no huge movie star doing this.

0:10:36.400 --> 0:10:37.920
<v Speaker 5>You guys have probably heard me say before.

0:10:38.080 --> 0:10:40.280
<v Speaker 4>I decided to treat this whole thing like, all right,

0:10:40.280 --> 0:10:42.160
<v Speaker 4>I wrote the script. No one's ever gonna make it.

0:10:43.440 --> 0:10:44.720
<v Speaker 4>They're gonna let me shoot the pilot.

0:10:44.720 --> 0:10:47.640
<v Speaker 5>It'll never be on. The show's going to be on.

0:10:48.440 --> 0:10:50.599
<v Speaker 4>It'll never last a whole season, So I'll make the

0:10:50.679 --> 0:10:52.800
<v Speaker 4>janitor an imaginary character, you.

0:10:52.800 --> 0:10:53.160
<v Speaker 5>Know what I mean.

0:10:53.760 --> 0:10:55.600
<v Speaker 4>Oh, it lasted the whole season. It'll never be on

0:10:55.679 --> 0:10:59.440
<v Speaker 4>a season two. And so to me, that kind of

0:10:59.480 --> 0:11:03.240
<v Speaker 4>protected me. You know. I thought that I was making

0:11:03.280 --> 0:11:07.360
<v Speaker 4>something like Freaks and Geeks, you know, that would be

0:11:07.400 --> 0:11:09.080
<v Speaker 4>people go hey, that was really good. And it got

0:11:09.160 --> 0:11:11.719
<v Speaker 4>canceled after four episodes, and it was surreal to me

0:11:11.800 --> 0:11:12.640
<v Speaker 4>that it kept working.

0:11:13.120 --> 0:11:15.120
<v Speaker 5>That makes sense to you, guys. So I was really

0:11:15.160 --> 0:11:16.199
<v Speaker 5>into the art of it all.

0:11:16.440 --> 0:11:19.120
<v Speaker 4>Like at a table read, I remember just being so

0:11:19.320 --> 0:11:23.040
<v Speaker 4>happy that everyone top to bottom was so good, you know,

0:11:23.960 --> 0:11:28.040
<v Speaker 4>and from what I had done, not necessarily popping you know,

0:11:28.160 --> 0:11:30.880
<v Speaker 4>jokes in a sitcom style and playing it real.

0:11:31.080 --> 0:11:33.080
<v Speaker 5>And I'm like, oh, this is a show that I'd

0:11:33.080 --> 0:11:34.400
<v Speaker 5>watch even though no one else will.

0:11:35.200 --> 0:11:37.560
<v Speaker 4>So yeah, I was resigned very early to the show

0:11:37.679 --> 0:11:38.600
<v Speaker 4>not being successful.

0:11:38.600 --> 0:11:39.200
<v Speaker 5>It was very weird.

0:11:39.240 --> 0:11:41.280
<v Speaker 1>I never asked you this question, but be coming off

0:11:41.320 --> 0:11:43.480
<v Speaker 1>of Spin City and this was kind of the beginning

0:11:43.520 --> 0:11:46.520
<v Speaker 1>of a big single camera comedy craze for those of

0:11:46.559 --> 0:11:49.240
<v Speaker 1>you who don't know the difference being a sitcom traditionally

0:11:49.760 --> 0:11:51.720
<v Speaker 1>a set in front of a live audience and then

0:11:51.760 --> 0:11:54.280
<v Speaker 1>a single camera we shoot like a movie. Was there

0:11:54.360 --> 0:11:57.160
<v Speaker 1>any pressure on you to make this idea you had

0:11:57.160 --> 0:11:59.079
<v Speaker 1>a sitcom and did you have to affg yeah.

0:11:59.080 --> 0:12:02.360
<v Speaker 4>They The best thing that Spin City bought me was

0:12:02.679 --> 0:12:07.840
<v Speaker 4>the financial and professional security to what happens in television

0:12:07.840 --> 0:12:10.599
<v Speaker 4>often is you'll create a show. Hey, I'm going to

0:12:10.640 --> 0:12:13.760
<v Speaker 4>do a show about a young married couple and what

0:12:13.800 --> 0:12:15.800
<v Speaker 4>it's really like and I'm not going to compromise it

0:12:15.840 --> 0:12:17.680
<v Speaker 4>at all, and then you'll go sell it to a

0:12:17.720 --> 0:12:19.679
<v Speaker 4>network and when you come out, you're like, all right,

0:12:19.679 --> 0:12:21.640
<v Speaker 4>it's the same show. I mean we have a kid

0:12:21.720 --> 0:12:24.320
<v Speaker 4>that's six that speaks like a thirty year old, and

0:12:24.440 --> 0:12:29.400
<v Speaker 4>I do have superpowers now, but otherwise otherwise it is

0:12:29.440 --> 0:12:32.000
<v Speaker 4>like the exact same, right, And so with this show,

0:12:32.120 --> 0:12:34.760
<v Speaker 4>when I said, I was so convinced to be a failure,

0:12:35.120 --> 0:12:38.320
<v Speaker 4>because like early on ABC, we're like, hey, that show

0:12:38.360 --> 0:12:41.480
<v Speaker 4>is interesting. Maybe the doctor Cox character should be married,

0:12:41.880 --> 0:12:43.080
<v Speaker 4>and we'll just it's a sitcom.

0:12:43.120 --> 0:12:44.600
<v Speaker 5>We see him at home, we see him at work.

0:12:44.600 --> 0:12:45.679
<v Speaker 5>I'm like, yeah, I'm not going to do that.

0:12:46.120 --> 0:12:49.000
<v Speaker 4>And it was never really an issue for me because

0:12:49.040 --> 0:12:51.440
<v Speaker 4>I was so convinced that this would never work anyways.

0:12:51.480 --> 0:12:53.160
<v Speaker 4>I just wanted to stick with what I thought would

0:12:53.200 --> 0:12:57.160
<v Speaker 4>be cool, you know, and what would work. So there

0:12:57.280 --> 0:12:59.560
<v Speaker 4>was a lot of pressure. The only thing that this

0:12:59.600 --> 0:13:03.120
<v Speaker 4>episode sode resonates in a huge way because the president

0:13:03.160 --> 0:13:05.480
<v Speaker 4>of NBC at the time was convinced that single camera

0:13:05.880 --> 0:13:10.880
<v Speaker 4>comedy shows weren't funny, and uh so I'm like, I'm

0:13:10.880 --> 0:13:13.880
<v Speaker 4>going to keep this show on by decorating it with

0:13:13.920 --> 0:13:16.000
<v Speaker 4>every bell and whistle I can. So this is one

0:13:16.040 --> 0:13:18.160
<v Speaker 4>of the last I think there's only a couple more

0:13:18.200 --> 0:13:20.360
<v Speaker 4>episodes after this that still have sound effects.

0:13:20.559 --> 0:13:23.040
<v Speaker 1>Yeah, that's something I wanted to talk about is we

0:13:23.559 --> 0:13:24.360
<v Speaker 1>start going through the show.

0:13:26.200 --> 0:13:28.760
<v Speaker 2>Just so we're clear though, who was the president of

0:13:28.800 --> 0:13:33.559
<v Speaker 2>the network? Was the president? What was Sassa? What was Sassa?

0:13:34.080 --> 0:13:35.680
<v Speaker 4>Scott Sassa was very sassified.

0:13:35.720 --> 0:13:38.520
<v Speaker 1>All right, So, uh, this is Bill Bill in an

0:13:38.520 --> 0:13:40.800
<v Speaker 1>episode that will have aired by the time this airs,

0:13:40.800 --> 0:13:43.560
<v Speaker 1>because in episode two we talk about the infamous time

0:13:43.640 --> 0:13:45.960
<v Speaker 1>that Donald gave a nouggie to Jeff Zucker and he said,

0:13:46.040 --> 0:13:50.040
<v Speaker 1>please Donald, no, And but my I.

0:13:49.920 --> 0:13:53.200
<v Speaker 2>Was I always thought at the time, I thought that

0:13:53.280 --> 0:13:57.760
<v Speaker 2>Jeff Zucker was Scott Sass's assistant.

0:13:58.160 --> 0:13:58.720
<v Speaker 5>No, he was.

0:13:58.760 --> 0:13:58.880
<v Speaker 3>He was.

0:13:58.920 --> 0:14:04.520
<v Speaker 4>Scott Sasa got shuffled out right as Jeff Zucker came in.

0:14:04.640 --> 0:14:06.280
<v Speaker 4>Jeff Zucker now run CNA. He's one of the most

0:14:06.280 --> 0:14:10.120
<v Speaker 4>powerful guys you know in the news world. Scott Sasa

0:14:10.440 --> 0:14:12.439
<v Speaker 4>is claimed to fame with me because there's always a

0:14:12.520 --> 0:14:15.040
<v Speaker 4>disconnect with executives that really didn't know how this worked.

0:14:15.320 --> 0:14:17.760
<v Speaker 5>And what's really interesting is if you.

0:14:17.559 --> 0:14:22.560
<v Speaker 4>Look at the credits of Scrubs, the only title in

0:14:22.600 --> 0:14:24.720
<v Speaker 4>the writers that has writer next to it is staff writer,

0:14:24.800 --> 0:14:26.960
<v Speaker 4>which is the lowest rank on the totem pole, and

0:14:27.000 --> 0:14:30.160
<v Speaker 4>then the other writers on the show. Our story editor

0:14:30.280 --> 0:14:31.440
<v Speaker 4>co producer things.

0:14:31.240 --> 0:14:32.400
<v Speaker 5>That don't necessarily say writer.

0:14:33.080 --> 0:14:35.240
<v Speaker 4>And when I handed in the first three scripts, you know,

0:14:35.280 --> 0:14:39.400
<v Speaker 4>a showrunner always rewrites everything on any show. We had

0:14:39.440 --> 0:14:41.240
<v Speaker 4>a great writing staff, but I was still doing that.

0:14:41.680 --> 0:14:43.800
<v Speaker 4>A Scott Sasa called me up. He's like, I read

0:14:43.840 --> 0:14:47.080
<v Speaker 4>the first three scripts and I got to say, those

0:14:47.080 --> 0:14:49.640
<v Speaker 4>three staff writers you hired, because he thought that was

0:14:49.680 --> 0:14:52.240
<v Speaker 4>the whole writing staff was three people. Those three straft

0:14:52.240 --> 0:14:54.640
<v Speaker 4>writers you hired really nailed it and really captured your

0:14:54.680 --> 0:14:57.360
<v Speaker 4>voice from the pilot. I wanted to be like, well,

0:14:57.400 --> 0:15:02.480
<v Speaker 4>first of all, they didn't because I wrote the and secondly, secondly,

0:15:02.480 --> 0:15:04.680
<v Speaker 4>those three staff writers are all like twenty one and

0:15:04.680 --> 0:15:06.280
<v Speaker 4>they've never worked on a show before.

0:15:07.400 --> 0:15:08.200
<v Speaker 5>So crazy man.

0:15:08.240 --> 0:15:12.160
<v Speaker 4>And then he shockingly got fired and uh, Jeff Sucker

0:15:12.200 --> 0:15:14.920
<v Speaker 4>replaced him right before Donald kissed his head.

0:15:14.480 --> 0:15:17.760
<v Speaker 1>Right kiss his head.

0:15:17.840 --> 0:15:19.440
<v Speaker 2>Yes. Yeah.

0:15:19.560 --> 0:15:20.600
<v Speaker 4>By the way, you know what, we missed a good

0:15:20.600 --> 0:15:21.800
<v Speaker 4>bit of scrubs trivia. I got to say it.

0:15:22.160 --> 0:15:25.120
<v Speaker 5>I forget it. Do you guys remember Real j D's

0:15:25.760 --> 0:15:26.520
<v Speaker 5>wife's name.

0:15:26.600 --> 0:15:30.440
<v Speaker 4>She's Elliott and real do you know her last name?

0:15:31.640 --> 0:15:34.240
<v Speaker 4>The maid last name, No, her maiden last name was

0:15:34.320 --> 0:15:37.360
<v Speaker 4>is Dolly Clock. I'm horrible at naming characters. Do you

0:15:37.360 --> 0:15:40.280
<v Speaker 4>remember a character on our show named Molly Clock.

0:15:40.760 --> 0:15:41.840
<v Speaker 1>That was Heather Graham?

0:15:42.080 --> 0:15:45.880
<v Speaker 4>Yes, wow you John. Yeah.

0:15:45.920 --> 0:15:47.560
<v Speaker 1>By the way, a lot of our fans Bill On.

0:15:47.960 --> 0:15:51.040
<v Speaker 1>When we put the first episode out, we asked the question.

0:15:51.280 --> 0:15:53.000
<v Speaker 1>I asked a random question saying I don't even know

0:15:53.000 --> 0:15:55.120
<v Speaker 1>what sitcom set that was, and like my whole Twitter

0:15:55.160 --> 0:15:59.760
<v Speaker 1>feed was like answering that it was the Damon Wayne's show,

0:16:00.280 --> 0:16:05.240
<v Speaker 1>Kids Kids. There you go, So everyone probably Donald question

0:16:05.320 --> 0:16:06.520
<v Speaker 1>before right away?

0:16:06.840 --> 0:16:08.920
<v Speaker 2>You know my favorite, my favorite part of this show

0:16:09.000 --> 0:16:12.240
<v Speaker 2>and it's not even the a storyline in this episode

0:16:12.680 --> 0:16:15.080
<v Speaker 2>is the clock the countdown. You could have made the

0:16:15.120 --> 0:16:17.920
<v Speaker 2>whole show about that. That was. That could have been

0:16:17.960 --> 0:16:18.920
<v Speaker 2>the whole show.

0:16:19.600 --> 0:16:22.400
<v Speaker 4>That's that's a good writer trick. You put an imaginary

0:16:22.800 --> 0:16:24.760
<v Speaker 4>ticking clock on something and everybody invests in it.

0:16:24.960 --> 0:16:26.920
<v Speaker 1>Yeah, that was clever. Wait before we get to the show,

0:16:26.960 --> 0:16:29.280
<v Speaker 1>I just want to ask another trivia thing of Bill.

0:16:29.840 --> 0:16:31.680
<v Speaker 1>I got so geeked out. I really did my homework

0:16:31.720 --> 0:16:32.240
<v Speaker 1>this week.

0:16:32.080 --> 0:16:36.200
<v Speaker 4>And like, before you go, I want to tell Donald

0:16:36.480 --> 0:16:38.720
<v Speaker 4>because he can look him up. There's a picture of

0:16:38.760 --> 0:16:42.040
<v Speaker 4>Donald and the surgeon he was based on. Donald would

0:16:42.040 --> 0:16:45.160
<v Speaker 4>be named John Turk because that's the surgeon's name, but

0:16:45.560 --> 0:16:47.920
<v Speaker 4>j D was already John, so he became Chris Turk.

0:16:48.080 --> 0:16:50.560
<v Speaker 4>There's a picture of you with your arm around John

0:16:50.600 --> 0:16:52.440
<v Speaker 4>Turk when he visited set once, and I'm not even

0:16:52.440 --> 0:16:53.400
<v Speaker 4>sure who he was.

0:16:54.560 --> 0:16:55.840
<v Speaker 2>I remember when he came and visited. He was like,

0:16:55.920 --> 0:16:57.640
<v Speaker 2>I'm Turk, and I remember him being white and me

0:16:57.720 --> 0:17:03.040
<v Speaker 2>being like, oh snap, but you're.

0:17:04.560 --> 0:17:10.639
<v Speaker 1>Donald was like, you're not. I'm I want to just

0:17:10.680 --> 0:17:12.719
<v Speaker 1>want to do one other bit of trivia, that is

0:17:12.800 --> 0:17:17.560
<v Speaker 1>that ABC passed on the show. Yeah, so for those

0:17:17.600 --> 0:17:20.159
<v Speaker 1>of you who don't know, the show is produced by

0:17:20.160 --> 0:17:25.119
<v Speaker 1>ABC Studios, and ABC the network gets first crack at

0:17:25.240 --> 0:17:28.480
<v Speaker 1>things if the studios produces it. And our show ended

0:17:28.560 --> 0:17:30.400
<v Speaker 1>up on NBC. So tell us how that happened.

0:17:30.560 --> 0:17:33.320
<v Speaker 4>The dude is a true story and I'm not even

0:17:33.359 --> 0:17:35.560
<v Speaker 4>going to out him because hes a nice man. When

0:17:35.600 --> 0:17:38.520
<v Speaker 4>I pitched this show to the people that ran the

0:17:38.560 --> 0:17:41.920
<v Speaker 4>ABC network, Uh, one of the dudes had a chair

0:17:42.240 --> 0:17:44.120
<v Speaker 4>that you know, kind of blocked you could wean back

0:17:44.160 --> 0:17:46.600
<v Speaker 4>into that blocked the view of his head. And about

0:17:46.600 --> 0:17:48.840
<v Speaker 4>midway through the pitch, like a guy like a bad

0:17:48.840 --> 0:17:52.719
<v Speaker 4>guy in a movie, and midway through the pitch, we

0:17:52.760 --> 0:17:54.080
<v Speaker 4>all heard audible snoring.

0:17:54.240 --> 0:17:56.240
<v Speaker 5>You had a night I think before.

0:17:57.800 --> 0:17:59.240
<v Speaker 2>B b B B b b B.

0:18:00.720 --> 0:18:02.280
<v Speaker 5>And I was literally like, I don't think this pitch

0:18:02.400 --> 0:18:08.240
<v Speaker 5>is going that well. Guys like, I'm.

0:18:08.080 --> 0:18:10.320
<v Speaker 4>Not sure this is what you would call a sale

0:18:10.359 --> 0:18:12.960
<v Speaker 4>in the room because that the dude that the dude

0:18:12.960 --> 0:18:17.240
<v Speaker 4>that buys is snoozing. So they didn't buy it, and

0:18:17.280 --> 0:18:20.359
<v Speaker 4>the guy that ran ABC Studios said, you got to

0:18:20.400 --> 0:18:24.520
<v Speaker 4>wait five months. But then since they hated it, I'll say, hey,

0:18:24.680 --> 0:18:26.640
<v Speaker 4>can I have permission to go sell this somewhere else?

0:18:26.840 --> 0:18:29.040
<v Speaker 4>And they'll think it'll never sell, so they'll say okay,

0:18:29.240 --> 0:18:30.359
<v Speaker 4>And then I went and sold TENBC.

0:18:30.520 --> 0:18:32.879
<v Speaker 5>But it was why the life of our show was

0:18:32.960 --> 0:18:33.439
<v Speaker 5>so weird.

0:18:33.960 --> 0:18:38.120
<v Speaker 4>We were one of the only shows on NBC completely

0:18:38.160 --> 0:18:41.359
<v Speaker 4>owned by ABC, which is why time slot would be

0:18:41.359 --> 0:18:43.440
<v Speaker 4>moved around and not always protected and stuff.

0:18:43.480 --> 0:18:45.560
<v Speaker 5>So it was it was a weird business arrangement.

0:18:45.600 --> 0:18:48.160
<v Speaker 1>I always wonder how that goes in the TV landscape

0:18:48.200 --> 0:18:50.040
<v Speaker 1>when like, you know, you hear these stories of oh,

0:18:50.119 --> 0:18:53.000
<v Speaker 1>every like everybody passed on Breaking Bad, you know, and

0:18:53.040 --> 0:18:55.439
<v Speaker 1>the guy at ABC who passed on Scrubs, Like I

0:18:55.480 --> 0:18:57.320
<v Speaker 1>just wonder if they if they fuck with each other

0:18:57.320 --> 0:19:00.800
<v Speaker 1>in the hallways, like good job, Tim, You know the.

0:19:01.680 --> 0:19:02.320
<v Speaker 5>Moment I had.

0:19:02.359 --> 0:19:04.439
<v Speaker 4>There is a great guy at ABC who ran it

0:19:04.480 --> 0:19:06.520
<v Speaker 4>for a while and is now a producer named Stu Bloomberg.

0:19:07.040 --> 0:19:09.280
<v Speaker 4>And he ran into me after our first year and

0:19:09.320 --> 0:19:11.760
<v Speaker 4>he goes, you know, I didn't he heard that pitch.

0:19:11.800 --> 0:19:12.240
<v Speaker 4>He was there.

0:19:12.240 --> 0:19:13.879
<v Speaker 5>He's like, I heard that pitch and I didn't get it.

0:19:13.960 --> 0:19:15.280
<v Speaker 5>Now I get it. I feel like an idiot. And

0:19:15.280 --> 0:19:16.320
<v Speaker 5>I thought, oh, that's really cool.

0:19:16.840 --> 0:19:17.320
<v Speaker 4>So it was.

0:19:17.400 --> 0:19:18.760
<v Speaker 5>He was very nice about it. At least he was

0:19:19.320 --> 0:19:20.320
<v Speaker 5>not the one that fell asleep.

0:19:20.640 --> 0:19:23.520
<v Speaker 1>Yeah, will you tell us about casting Turk?

0:19:23.840 --> 0:19:26.520
<v Speaker 2>And Wow, you're just going to get right into it.

0:19:26.680 --> 0:19:29.960
<v Speaker 1>Well, I literally have like hours of questions for Bill,

0:19:30.000 --> 0:19:31.840
<v Speaker 1>but I know we want to also do the episode.

0:19:31.880 --> 0:19:34.480
<v Speaker 1>But tell tell us about just you know about We

0:19:34.520 --> 0:19:36.800
<v Speaker 1>obviously want to know from your experience because we shared

0:19:36.800 --> 0:19:39.080
<v Speaker 1>our experience in the in the first episode, but your

0:19:39.119 --> 0:19:40.800
<v Speaker 1>experience of of finding Donald.

0:19:41.160 --> 0:19:41.280
<v Speaker 4>Uh.

0:19:41.600 --> 0:19:43.040
<v Speaker 5>I was a Donald fan already.

0:19:43.040 --> 0:19:45.760
<v Speaker 4>I'd seen Klulis, you know, and uh I just thought

0:19:45.800 --> 0:19:47.880
<v Speaker 4>he was really funny and and and he killed all

0:19:47.920 --> 0:19:52.200
<v Speaker 4>his auditions and uh in the test part of it.

0:19:53.920 --> 0:19:58.400
<v Speaker 4>You know, it's really interesting because I feel like I

0:19:58.480 --> 0:20:01.879
<v Speaker 4>both hurt and then saved Donald in a way to

0:20:01.920 --> 0:20:04.679
<v Speaker 4>make myself look like a hero feel pretty cool about it,

0:20:04.720 --> 0:20:07.000
<v Speaker 4>which is, you know, the one thing I tell people

0:20:07.680 --> 0:20:11.159
<v Speaker 4>that don't understand what network tests used to be. It

0:20:11.240 --> 0:20:14.520
<v Speaker 4>literally used to be that you would come as an

0:20:14.520 --> 0:20:18.560
<v Speaker 4>actor and actress and stand in the head of casting's

0:20:18.600 --> 0:20:22.840
<v Speaker 4>office while twenty people were in the back sitting or

0:20:23.400 --> 0:20:26.480
<v Speaker 4>you know, leaning against the window judging you, and you'd

0:20:26.480 --> 0:20:29.680
<v Speaker 4>have one chance. If you're actually shooting the show, you'd

0:20:29.680 --> 0:20:32.320
<v Speaker 4>have twenty chances, but you'd have one chance to do

0:20:32.359 --> 0:20:36.520
<v Speaker 4>it not mess up, you know, and also somehow make

0:20:36.560 --> 0:20:38.879
<v Speaker 4>a room of people that all feel weird to be

0:20:38.920 --> 0:20:40.360
<v Speaker 4>standing in someone's office anyways.

0:20:40.480 --> 0:20:40.720
<v Speaker 2>Laugh.

0:20:41.160 --> 0:20:42.800
<v Speaker 5>So I used to tell everybody.

0:20:42.600 --> 0:20:47.520
<v Speaker 4>You know, the biggest curse in the world is low energy.

0:20:47.760 --> 0:20:48.960
<v Speaker 4>You know what I mean, because if you come into

0:20:48.960 --> 0:20:50.720
<v Speaker 4>those low energy everybody's going to be like, oh, this

0:20:50.760 --> 0:20:54.320
<v Speaker 4>is horrible. And the one mistake I made with Donald

0:20:54.560 --> 0:20:57.000
<v Speaker 4>is if you tell Donald, once you dial up that

0:20:57.200 --> 0:21:03.000
<v Speaker 4>energy to eleven, I know where this is show, Why

0:21:03.040 --> 0:21:05.840
<v Speaker 4>don't you make sure you dial that energy up to eleven?

0:21:05.880 --> 0:21:10.639
<v Speaker 5>Everybody, Donald, I mean Donald's like, hello Los Angeles, and

0:21:13.040 --> 0:21:14.439
<v Speaker 5>he came in and he.

0:21:16.520 --> 0:21:20.360
<v Speaker 4>Did he did his audition and the truth is he

0:21:20.400 --> 0:21:24.080
<v Speaker 4>did crush all the comedy about when he left. They're like,

0:21:24.920 --> 0:21:28.480
<v Speaker 4>that guy's energy was fantastic and he's really funny, but

0:21:28.600 --> 0:21:31.000
<v Speaker 4>he very obviously can't do any of the sincere or

0:21:31.040 --> 0:21:38.280
<v Speaker 4>dramatic moments because he's an insane person. And and I'm like, no, no, no,

0:21:38.440 --> 0:21:39.119
<v Speaker 4>you can that's me.

0:21:39.280 --> 0:21:39.560
<v Speaker 2>That's me.

0:21:40.000 --> 0:21:40.879
<v Speaker 5>And they never do this.

0:21:41.040 --> 0:21:42.840
<v Speaker 4>But I had luckily been through the process before in

0:21:42.880 --> 0:21:45.280
<v Speaker 4>a different show, and so I went out to Donald

0:21:45.800 --> 0:21:48.320
<v Speaker 4>and tried to make it very grave because I wanted

0:21:48.359 --> 0:21:51.160
<v Speaker 4>him to come in then and just play the drama

0:21:51.280 --> 0:21:53.840
<v Speaker 4>of everything, you know, because I'm like, I told all

0:21:53.840 --> 0:21:56.040
<v Speaker 4>of them, I'm like, look, that's my note. And if

0:21:56.040 --> 0:21:57.879
<v Speaker 4>he comes back and does it the other way, you'll

0:21:57.880 --> 0:21:58.800
<v Speaker 4>see you can do whatever we want.

0:21:58.840 --> 0:22:00.199
<v Speaker 5>It's a single camera show, you know.

0:22:00.640 --> 0:22:03.600
<v Speaker 4>And I went back to Donald and I'm like, I

0:22:03.640 --> 0:22:05.000
<v Speaker 4>think I said something like, all right, they thought you

0:22:05.040 --> 0:22:08.800
<v Speaker 4>suck shit. Yeah, things, I thought.

0:22:08.640 --> 0:22:10.160
<v Speaker 2>You would come to tell me, all right, you got

0:22:10.160 --> 0:22:12.480
<v Speaker 2>the part. You were like, so I'm walking out. I

0:22:12.520 --> 0:22:16.080
<v Speaker 2>remember skipping into the room like here we go, Here

0:22:16.160 --> 0:22:19.240
<v Speaker 2>we fucking go, And you were like so that really

0:22:19.320 --> 0:22:20.320
<v Speaker 2>was horrible.

0:22:21.560 --> 0:22:25.200
<v Speaker 4>For them. For them, that was too much. I think

0:22:25.280 --> 0:22:28.200
<v Speaker 4>much is the word no, but the uh but then

0:22:28.200 --> 0:22:29.840
<v Speaker 4>I just we talked for a while and I'm just like,

0:22:29.920 --> 0:22:31.520
<v Speaker 4>just dial it down and now play it like it's

0:22:31.560 --> 0:22:32.960
<v Speaker 4>not a comedy and play the drama of it.

0:22:33.320 --> 0:22:35.040
<v Speaker 5>Donald came back in, and this is.

0:22:35.040 --> 0:22:38.280
<v Speaker 4>A compliment to his acting ability. He came back in

0:22:38.359 --> 0:22:40.040
<v Speaker 4>and then he did it as if he wasn't looking

0:22:40.040 --> 0:22:42.640
<v Speaker 4>for any laughs or energy, and he walked out. I'm

0:22:42.680 --> 0:22:45.240
<v Speaker 4>sure shook by doing it again. And the second he

0:22:45.280 --> 0:22:48.359
<v Speaker 4>walked out, the head of NBC casting gout named Mark Hirschfeld,

0:22:48.440 --> 0:22:49.400
<v Speaker 4>was like, Oh, I see it totally.

0:22:49.400 --> 0:22:49.840
<v Speaker 5>He's got it.

0:22:50.960 --> 0:22:53.480
<v Speaker 2>Yeah, thank you, well, thank you well. First of all,

0:22:53.520 --> 0:22:56.479
<v Speaker 2>thank you very much for being a hero and ste

0:22:56.720 --> 0:22:57.239
<v Speaker 2>I'm not a here.

0:22:57.280 --> 0:22:58.639
<v Speaker 4>I don't have the best bedside manner.

0:22:58.680 --> 0:22:59.320
<v Speaker 5>You guys know that.

0:22:59.800 --> 0:23:01.919
<v Speaker 2>Yeah, but it doesn't matter though. Man, you got the

0:23:01.920 --> 0:23:05.800
<v Speaker 2>point across. And look, dude, twenty something years later, I

0:23:05.800 --> 0:23:06.480
<v Speaker 2>owe you a lot.

0:23:06.560 --> 0:23:06.720
<v Speaker 3>Bro.

0:23:09.000 --> 0:23:11.880
<v Speaker 1>Well, I remember it's so intimidating. I almost I think

0:23:11.880 --> 0:23:13.320
<v Speaker 1>that may have been the first time I ever made

0:23:13.320 --> 0:23:15.879
<v Speaker 1>it to a network test and it was down to

0:23:15.920 --> 0:23:18.800
<v Speaker 1>four of us and literally everyone there must have been

0:23:18.800 --> 0:23:21.359
<v Speaker 1>thirty people crammed into a small office It was the

0:23:21.400 --> 0:23:25.520
<v Speaker 1>most awkward environment to ever try and do a good job.

0:23:25.720 --> 0:23:26.359
<v Speaker 2>What was this for?

0:23:26.880 --> 0:23:28.080
<v Speaker 1>This was for scrubs?

0:23:28.240 --> 0:23:29.000
<v Speaker 2>Really it was.

0:23:28.920 --> 0:23:32.280
<v Speaker 1>That guy Mark, wasn't it Bill Mark Hirsche show. Yeah.

0:23:32.440 --> 0:23:36.520
<v Speaker 1>Everyone was crammed into his office and I was very nervous,

0:23:36.800 --> 0:23:39.720
<v Speaker 1>and Sarah was there to read with me for her scenes.

0:23:40.359 --> 0:23:42.399
<v Speaker 1>But I remember feeling my adrenaline come up, like I

0:23:42.440 --> 0:23:44.000
<v Speaker 1>was almost going to have a panic attack, and I

0:23:44.040 --> 0:23:45.920
<v Speaker 1>was like, not today.

0:23:47.520 --> 0:23:50.760
<v Speaker 4>Well, you know, you know, I cheated. Everybody cheats. I

0:23:50.840 --> 0:23:53.000
<v Speaker 4>cheated for the people I wanted to get the part.

0:23:53.080 --> 0:23:55.840
<v Speaker 4>So you guys both had extra lines and jokes and

0:23:55.920 --> 0:23:59.120
<v Speaker 4>moments that we had all come up with and found

0:23:59.160 --> 0:24:01.880
<v Speaker 4>together that other apps actors weren't doing right. And then

0:24:02.000 --> 0:24:03.600
<v Speaker 4>when I at the beginning, when I go in and

0:24:03.600 --> 0:24:05.800
<v Speaker 4>talk to everybody, I'm like, hey, I'm really into everybody

0:24:05.840 --> 0:24:08.480
<v Speaker 4>bringing their own flavor. And so some of these actors

0:24:08.520 --> 0:24:10.840
<v Speaker 4>and actresses have stuff that they've brought on their own

0:24:10.840 --> 0:24:13.720
<v Speaker 4>and I let them do it. But it's not true,

0:24:13.920 --> 0:24:15.359
<v Speaker 4>you know what I mean. It's just you two and

0:24:15.440 --> 0:24:17.119
<v Speaker 4>Sarah had stuff that you brought on your own that

0:24:17.160 --> 0:24:17.679
<v Speaker 4>we let you do.

0:24:18.119 --> 0:24:18.680
<v Speaker 2>Well, I didn't.

0:24:18.760 --> 0:24:22.240
<v Speaker 1>I remember the time thinking that's so awesome. He feels

0:24:22.240 --> 0:24:23.959
<v Speaker 1>like he's rooting for me, but is he doing that

0:24:24.000 --> 0:24:27.000
<v Speaker 1>with everyone? Like I didn't you know that? No, I knew.

0:24:27.040 --> 0:24:28.520
<v Speaker 1>I knew since then you've told me that. But at

0:24:28.520 --> 0:24:31.159
<v Speaker 1>the time I'm thinking, like I think I think I

0:24:31.240 --> 0:24:33.840
<v Speaker 1>might be his favorite, Like I'm getting the extra jokes.

0:24:34.000 --> 0:24:36.520
<v Speaker 4>The you know, the only one that it's great trivia,

0:24:36.880 --> 0:24:40.399
<v Speaker 4>the only one that we didn't know what was going

0:24:40.480 --> 0:24:43.919
<v Speaker 4>to happen, and we shifted gears a little bit of

0:24:43.960 --> 0:24:45.480
<v Speaker 4>like what are we going to do if this doesn't happen?

0:24:45.840 --> 0:24:48.080
<v Speaker 4>It's fascinating and when you have him on the guest

0:24:48.160 --> 0:24:50.040
<v Speaker 4>as a guest, I'll tell you I wrote in the

0:24:50.080 --> 0:24:52.280
<v Speaker 4>script like we were looking for a John c McGinley

0:24:52.280 --> 0:24:56.080
<v Speaker 4>type for doctor Cox. And John came in and read

0:24:56.119 --> 0:24:59.520
<v Speaker 4>it and was fucking he was amazing. And then at

0:24:59.520 --> 0:25:05.000
<v Speaker 4>the studio he did something completely different and high energy

0:25:05.080 --> 0:25:08.359
<v Speaker 4>John and his intensity dial had been dialed up like

0:25:08.400 --> 0:25:12.359
<v Speaker 4>ten notches and the reaction of the studio was like, whoa,

0:25:12.560 --> 0:25:17.600
<v Speaker 4>that is way too And unlike with you guys, I

0:25:17.680 --> 0:25:20.800
<v Speaker 4>wasn't even confident enough to bring John back in and go, hey,

0:25:20.840 --> 0:25:23.520
<v Speaker 4>you did that wrong, because I feel like what would

0:25:23.520 --> 0:25:27.600
<v Speaker 4>follow would be a hard blow to the face, you know,

0:25:28.400 --> 0:25:31.040
<v Speaker 4>Oh my god, get off my neck, Get off my neck.

0:25:32.040 --> 0:25:36.080
<v Speaker 5>And uh. And so we had this giant level.

0:25:36.480 --> 0:25:39.320
<v Speaker 4>Me and the casting directors, you know, bretton Debbie were like, uh,

0:25:39.880 --> 0:25:41.800
<v Speaker 4>oh man, who's it going to be if it because

0:25:41.920 --> 0:25:44.520
<v Speaker 4>for us it was John McGinley, And we went into

0:25:44.560 --> 0:25:47.560
<v Speaker 4>the network and just said just cross your fingers. And

0:25:47.600 --> 0:25:50.199
<v Speaker 4>he came into the network and did it completely different

0:25:50.240 --> 0:25:53.480
<v Speaker 4>without anybody having spoken to him. And this the Johnny

0:25:53.480 --> 0:25:56.440
<v Speaker 4>C dialed down ten notches and literally walked out of

0:25:56.440 --> 0:25:58.840
<v Speaker 4>there as if with the thought. He almost said I

0:25:58.880 --> 0:26:02.280
<v Speaker 4>got this as he left. It was just so Johnny C.

0:26:02.640 --> 0:26:04.280
<v Speaker 4>He was older, he did it. And then I'm like,

0:26:04.320 --> 0:26:06.199
<v Speaker 4>you feel good? He's like, cash, see you.

0:26:11.840 --> 0:26:14.159
<v Speaker 1>Johnny C had so many expressions that he would always say.

0:26:14.160 --> 0:26:17.200
<v Speaker 1>We were talking about five good ones and and cash

0:26:17.280 --> 0:26:18.800
<v Speaker 1>and and how he's better now?

0:26:19.040 --> 0:26:20.200
<v Speaker 4>How you doing better now?

0:26:20.400 --> 0:26:21.080
<v Speaker 2>Better now?

0:26:21.320 --> 0:26:23.040
<v Speaker 1>How are you doing? Here's five good ones for you.

0:26:23.160 --> 0:26:27.320
<v Speaker 1>How you doing better now? And then how he'd say

0:26:27.320 --> 0:26:30.200
<v Speaker 1>to the editor. We'd finish a scene and our editor's

0:26:30.280 --> 0:26:32.600
<v Speaker 1>name was John Michelle, and he goes, well, we gave

0:26:32.640 --> 0:26:33.960
<v Speaker 1>John Michelle some momo.

0:26:35.840 --> 0:26:38.800
<v Speaker 5>Some ammo I love that, dude. Man, that's funny.

0:26:38.640 --> 0:26:40.520
<v Speaker 2>Speaking that you went out for like a Johnny C

0:26:40.720 --> 0:26:43.439
<v Speaker 2>type and everything like that. I find it so funny

0:26:43.440 --> 0:26:45.840
<v Speaker 2>that when that's almost like a gift and a curse

0:26:45.960 --> 0:26:48.159
<v Speaker 2>when they when they say that we talked about this

0:26:48.240 --> 0:26:51.080
<v Speaker 2>in the last podcast, you know what I mean When

0:26:51.119 --> 0:26:53.760
<v Speaker 2>they say we're looking for a Zach Brafft type, they're

0:26:53.760 --> 0:26:57.120
<v Speaker 2>not looking for Zach braff though, they're looking for a Zach.

0:26:56.960 --> 0:26:59.399
<v Speaker 1>Braff They want Zach braff Ish.

0:26:59.480 --> 0:27:02.520
<v Speaker 4>You know what. Although I think I thought it's different

0:27:02.600 --> 0:27:05.280
<v Speaker 4>if like, and this is a compliment, like right now,

0:27:05.320 --> 0:27:07.399
<v Speaker 4>both of you guys, you say Zach Brafford, Donald Faizon,

0:27:07.680 --> 0:27:08.720
<v Speaker 4>they're going TV star.

0:27:09.200 --> 0:27:11.919
<v Speaker 5>When I said John C McGinley type, at the time.

0:27:11.760 --> 0:27:14.960
<v Speaker 4>It just meant a character actor, you know, with kind

0:27:15.000 --> 0:27:17.240
<v Speaker 4>of an intensity thing. It wasn't like he was a

0:27:17.240 --> 0:27:19.760
<v Speaker 4>household name, you know what I mean. So I don't

0:27:19.760 --> 0:27:23.720
<v Speaker 4>think it cursed him as much because there's no insult

0:27:23.720 --> 0:27:25.480
<v Speaker 4>to him. Seven out of ten people that read the

0:27:25.480 --> 0:27:28.120
<v Speaker 4>script or like, no, no, no, cool, who's John C McGinley,

0:27:29.160 --> 0:27:29.640
<v Speaker 4>you know what I mean?

0:27:29.760 --> 0:27:31.600
<v Speaker 5>And so he didn't.

0:27:33.080 --> 0:27:39.320
<v Speaker 4>Yes, you guy, you mean off the space. But that's

0:27:39.320 --> 0:27:41.120
<v Speaker 4>a different guy. No, it's the same guy.

0:27:41.400 --> 0:27:43.120
<v Speaker 5>No, that's not the same guy.

0:27:43.840 --> 0:27:46.360
<v Speaker 4>So uh now if you say John C McGinley type,

0:27:46.400 --> 0:27:49.720
<v Speaker 4>people are like, oh yeah, arms crossed, super intense, you know, but.

0:27:49.720 --> 0:27:54.400
<v Speaker 5>That scary, scary, intimidating.

0:27:55.560 --> 0:27:57.359
<v Speaker 1>And then we were we were afraid of Bill in

0:27:57.400 --> 0:27:59.880
<v Speaker 1>the beginning, but then when we got like more friends.

0:28:00.040 --> 0:28:02.320
<v Speaker 2>Said that, well, you know, I did say one thing.

0:28:02.560 --> 0:28:05.440
<v Speaker 2>I did say one thing, and because of it, because

0:28:05.480 --> 0:28:08.080
<v Speaker 2>of it, it stuck with me for the rest of

0:28:08.160 --> 0:28:11.360
<v Speaker 2>the fucking show. And I said one time, I was like,

0:28:11.640 --> 0:28:13.800
<v Speaker 2>you know, Bill said to everybody, he was like, look,

0:28:14.320 --> 0:28:16.520
<v Speaker 2>I'm going to write for all of you whatever you do,

0:28:17.000 --> 0:28:19.760
<v Speaker 2>just don't come in my fucking office and say, how

0:28:19.760 --> 0:28:22.000
<v Speaker 2>come I'm not in the show this week. And so

0:28:22.359 --> 0:28:25.760
<v Speaker 2>as a joke, I went into his office. I was like, dude,

0:28:25.920 --> 0:28:28.399
<v Speaker 2>I'm fucking barely in the show this week. And he

0:28:28.480 --> 0:28:31.320
<v Speaker 2>was like, oh, yeah, you got Faison And that stuck

0:28:31.400 --> 0:28:35.399
<v Speaker 2>with me. But do you remember phase on dude, Oh.

0:28:35.320 --> 0:28:39.960
<v Speaker 1>My goodness, I totally forgot about that. So Donald did that.

0:28:40.040 --> 0:28:41.680
<v Speaker 1>And then for the rest of the show, when you

0:28:41.680 --> 0:28:43.480
<v Speaker 1>were when you were late, when you barely had anything

0:28:43.480 --> 0:28:44.920
<v Speaker 1>to do in the episode, people like, oh, man, I

0:28:44.920 --> 0:28:47.080
<v Speaker 1>got Faison, I Gotason. I remember.

0:28:47.160 --> 0:28:49.200
<v Speaker 4>There's only two things I remember like that. I remember

0:28:49.280 --> 0:28:54.400
<v Speaker 4>fasoned and I remember even saying to guest actors, see

0:28:54.440 --> 0:28:56.880
<v Speaker 4>if you guys remember this. A guest actor would be like,

0:28:57.040 --> 0:28:58.680
<v Speaker 4>I still don't think I nailed that line.

0:28:58.760 --> 0:29:00.280
<v Speaker 5>I'm like, dude, I don't have time for you to

0:29:00.360 --> 0:29:01.560
<v Speaker 5>Sarah one Morsey.

0:29:01.600 --> 0:29:09.680
<v Speaker 1>Because there's a song one Sarah one more. She wants

0:29:09.760 --> 0:29:15.960
<v Speaker 1>one more when she's had seven. Because Sarah, no matter

0:29:16.040 --> 0:29:18.000
<v Speaker 1>how many takes she did, like, she'd be like the

0:29:18.000 --> 0:29:19.840
<v Speaker 1>director would always be like, Okay, Sarah, you good. Can

0:29:19.880 --> 0:29:20.880
<v Speaker 1>we move on one more?

0:29:21.040 --> 0:29:21.360
<v Speaker 5>One more?

0:29:22.360 --> 0:29:24.880
<v Speaker 4>And I'll be like, there's something so good about a

0:29:24.920 --> 0:29:27.160
<v Speaker 4>confused guest actor's face when I'm like, dude, I don't

0:29:27.160 --> 0:29:28.720
<v Speaker 4>have time to Sarah one Morsey right now?

0:29:29.320 --> 0:29:30.800
<v Speaker 5>Thought I was speaking like kling On.

0:29:30.840 --> 0:29:31.680
<v Speaker 4>It is gibberish.

0:29:31.800 --> 0:29:33.840
<v Speaker 1>That song had like a nice hook to it. She

0:29:33.920 --> 0:29:36.320
<v Speaker 1>wants one more when she's had five.

0:29:36.760 --> 0:29:40.240
<v Speaker 4>So hey, you know what's interesting? I can I remember

0:29:41.080 --> 0:29:44.480
<v Speaker 4>something donald about someone choosing to take in this episode.

0:29:44.800 --> 0:29:46.080
<v Speaker 5>I wish I could remember who said.

0:29:46.080 --> 0:29:48.600
<v Speaker 4>It might have been Neil Goldman because he was up

0:29:48.640 --> 0:29:51.040
<v Speaker 4>on set, but it's in the cut and I didn't

0:29:51.080 --> 0:29:53.600
<v Speaker 4>have it in the initial cut, and he said there's

0:29:53.600 --> 0:29:57.960
<v Speaker 4>one take where Donald comes in and says, uh, does

0:29:58.200 --> 0:30:00.440
<v Speaker 4>has anybody seen my keys? How about my wallet? And

0:30:00.520 --> 0:30:03.960
<v Speaker 4>he says, hell about my wallet? Like Chris Rock about.

0:30:06.960 --> 0:30:08.800
<v Speaker 4>I literally went back to the cut and I went

0:30:08.840 --> 0:30:10.840
<v Speaker 4>back to the cut, watched that master and you're like,

0:30:10.920 --> 0:30:12.320
<v Speaker 4>how about my wallet?

0:30:13.160 --> 0:30:14.800
<v Speaker 1>Donald? Was that Chris Rock inspired?

0:30:14.840 --> 0:30:18.080
<v Speaker 2>I wanted to ask you, now, that's probably Eddie Murphy inspired. Obviously, Yeah,

0:30:19.000 --> 0:30:22.840
<v Speaker 2>but it was there. How well, there's there's that one

0:30:22.960 --> 0:30:24.959
<v Speaker 2>and the one that we used to laugh at all

0:30:25.000 --> 0:30:31.200
<v Speaker 2>the time from this episode is I tried to discover something.

0:30:36.720 --> 0:30:39.040
<v Speaker 2>I remember we laughed for days about that.

0:30:39.240 --> 0:30:40.640
<v Speaker 1>You're really funny in this episode.

0:30:40.680 --> 0:30:46.200
<v Speaker 4>I wanted to say, yes, you are.

0:30:47.720 --> 0:30:51.360
<v Speaker 2>Now that we're talking about the episode, I.

0:30:51.320 --> 0:30:52.880
<v Speaker 1>Was going to say that we can segue to these

0:30:52.960 --> 0:30:53.280
<v Speaker 1>This is.

0:30:53.320 --> 0:30:58.440
<v Speaker 2>Episode three, uh, my best Friend's Mistake, and first of all,

0:30:58.920 --> 0:31:01.120
<v Speaker 2>as a show, caught our stride. I feel like in

0:31:01.160 --> 0:31:04.480
<v Speaker 2>this episode. Now, the next episode that's after this is

0:31:05.400 --> 0:31:07.800
<v Speaker 2>My Old Lady and I think that's the third episode

0:31:07.800 --> 0:31:12.640
<v Speaker 2>we shot, but this episode aired before My Old Lady Whip.

0:31:12.720 --> 0:31:15.640
<v Speaker 1>I'm correct, Bill, Why why were Donald and I you'll

0:31:15.640 --> 0:31:17.880
<v Speaker 1>have the answer to this. Both Donald and I forever

0:31:18.560 --> 0:31:20.640
<v Speaker 1>have always said, oh, one of three was the episode

0:31:20.640 --> 0:31:22.240
<v Speaker 1>where we lose three patients, and it was kind of

0:31:22.280 --> 0:31:24.960
<v Speaker 1>like a good hitting our stride moment. And then both

0:31:24.960 --> 0:31:27.400
<v Speaker 1>of us this morning went to go rewatch the show

0:31:27.440 --> 0:31:29.160
<v Speaker 1>and we're like, oh, one of three is not that?

0:31:29.440 --> 0:31:30.400
<v Speaker 1>Did they twitch around?

0:31:30.560 --> 0:31:33.120
<v Speaker 5>I'm almost positive, but I gotta go look.

0:31:33.720 --> 0:31:39.000
<v Speaker 4>The pilot and the next one or two were directed

0:31:39.080 --> 0:31:40.680
<v Speaker 4>by Adam Bernstein.

0:31:40.880 --> 0:31:43.280
<v Speaker 1>Yeah, I can help you out because Joelle, our amazing producer,

0:31:43.320 --> 0:31:45.480
<v Speaker 1>made a note here that she said, I read this

0:31:45.600 --> 0:31:48.080
<v Speaker 1>was originally supposed to be episode two, this one.

0:31:48.440 --> 0:31:51.320
<v Speaker 4>It wasn't that as much as because we fixed that

0:31:51.360 --> 0:31:53.600
<v Speaker 4>in scripting stage. They wanted me to repilot and I

0:31:53.600 --> 0:31:56.120
<v Speaker 4>wrote episode two that you guys talked about. And then

0:31:56.200 --> 0:31:57.880
<v Speaker 4>Adam didn't want to go away for a week and

0:31:57.920 --> 0:32:04.880
<v Speaker 4>come back, so he was directing two episodes in a row.

0:32:05.000 --> 0:32:07.240
<v Speaker 4>I think we crossboarded even a little bit. I can't remember,

0:32:07.280 --> 0:32:10.400
<v Speaker 4>off to check. And then Mark Bucklin directed The Mild Lady.

0:32:11.080 --> 0:32:12.960
<v Speaker 4>After this, even though it was the third episode, we

0:32:13.040 --> 0:32:15.080
<v Speaker 4>were going to split them up, okay, because Adam was

0:32:15.080 --> 0:32:17.560
<v Speaker 4>it coming from New York and even though we were

0:32:17.560 --> 0:32:20.480
<v Speaker 4>going to go, you're going to direct the first episode.

0:32:20.480 --> 0:32:22.480
<v Speaker 5>In the third episode, he's like, yeah, I'm not flying

0:32:22.520 --> 0:32:23.280
<v Speaker 5>home and coming back.

0:32:23.440 --> 0:32:25.760
<v Speaker 4>I'll do all the prep before do him, you know,

0:32:25.760 --> 0:32:27.080
<v Speaker 4>because he's a quirky character.

0:32:27.600 --> 0:32:30.120
<v Speaker 1>So then we slipped New York. Still this day, I've

0:32:30.120 --> 0:32:31.800
<v Speaker 1>tried to get him to come do with other things

0:32:32.480 --> 0:32:34.360
<v Speaker 1>in the years since, and he's like, I don't really

0:32:34.400 --> 0:32:35.320
<v Speaker 1>like to leave New York.

0:32:36.200 --> 0:32:39.240
<v Speaker 4>Donald smart because we did catch our stride with two things.

0:32:39.240 --> 0:32:42.080
<v Speaker 4>And I'll see if you guys that we used to

0:32:42.360 --> 0:32:43.960
<v Speaker 4>have this big wall of things that we were trying

0:32:44.000 --> 0:32:48.040
<v Speaker 4>to establish as motifs for the show, and this one

0:32:48.680 --> 0:32:51.120
<v Speaker 4>was we had a super long discussion. The reason we

0:32:51.160 --> 0:32:53.840
<v Speaker 4>did that runner about how important music was going to

0:32:53.880 --> 0:32:56.360
<v Speaker 4>be in this show. And so we're like, we're even

0:32:56.360 --> 0:32:58.600
<v Speaker 4>going to make a song travel around the show like

0:32:58.600 --> 0:33:01.840
<v Speaker 4>a virus, and you know that'll be the start of

0:33:02.000 --> 0:33:06.040
<v Speaker 4>how queuing people in that music isn't just background on

0:33:06.120 --> 0:33:10.360
<v Speaker 4>this show. It has huge importance. You know. The song

0:33:10.400 --> 0:33:12.920
<v Speaker 4>that we chose, I'm So in Love with You, you know,

0:33:13.000 --> 0:33:14.880
<v Speaker 4>just gonna be able to it was it was specifically

0:33:14.920 --> 0:33:17.400
<v Speaker 4>about what was going on in those scenes. It wasn't

0:33:17.440 --> 0:33:20.120
<v Speaker 4>just a viral song, and we were trying to train

0:33:20.320 --> 0:33:22.520
<v Speaker 4>people to go, oh, I'm supposed to listen to the

0:33:22.520 --> 0:33:24.920
<v Speaker 4>words of the song too, because they're about what we're

0:33:24.960 --> 0:33:27.400
<v Speaker 4>actually doing. And the second thing, which is why it

0:33:27.480 --> 0:33:30.280
<v Speaker 4>was important that Bernstein was there, was when we first

0:33:30.280 --> 0:33:33.440
<v Speaker 4>discussed that the camera is a character.

0:33:33.680 --> 0:33:35.920
<v Speaker 5>And it's the first time we did a cowboy switch.

0:33:36.400 --> 0:33:40.280
<v Speaker 4>When Zach's running to meet Elliott, that a stuntman dives

0:33:40.320 --> 0:33:44.680
<v Speaker 4>and takes a face plant and the camera doesn't just cut,

0:33:44.800 --> 0:33:47.080
<v Speaker 4>It goes around looking for him like it's like it's

0:33:47.080 --> 0:33:48.760
<v Speaker 4>an actual charity too, you know.

0:33:48.800 --> 0:33:51.320
<v Speaker 5>And then Zach puts up like this, Yeah.

0:33:51.280 --> 0:33:53.200
<v Speaker 4>So if there was a thought bubble, you could have

0:33:53.200 --> 0:33:57.240
<v Speaker 4>almost looped in the camera going where'd you go? And

0:33:57.240 --> 0:34:00.280
<v Speaker 4>and so those two things kind of set a creatative

0:34:00.640 --> 0:34:03.400
<v Speaker 4>course for the show in ways that you know, we

0:34:03.560 --> 0:34:04.520
<v Speaker 4>kind of ran with after this.

0:34:05.160 --> 0:34:07.480
<v Speaker 1>Yeah, I didn't remember this one so much. And then

0:34:07.560 --> 0:34:09.239
<v Speaker 1>as I was watching and I was going, wow, there

0:34:09.320 --> 0:34:11.800
<v Speaker 1>was there's a lot in this episode that are little

0:34:11.800 --> 0:34:15.400
<v Speaker 1>moments that stuck with me forever, like the friend zone

0:34:15.800 --> 0:34:19.799
<v Speaker 1>and and the timer and the creative timer clock thing.

0:34:19.840 --> 0:34:23.320
<v Speaker 1>Every time I see Sarah and and Donald, uh, you know,

0:34:23.320 --> 0:34:25.040
<v Speaker 1>There's a lot of things that were that were used

0:34:25.040 --> 0:34:27.400
<v Speaker 1>throughout the show too, that that are established here, Like

0:34:27.440 --> 0:34:30.400
<v Speaker 1>it's the first time we see Donald playing basketball, and

0:34:31.200 --> 0:34:33.000
<v Speaker 1>you look very good now and you look very fit.

0:34:33.320 --> 0:34:35.640
<v Speaker 2>I wish I could get back into that shape.

0:34:35.719 --> 0:34:37.680
<v Speaker 1>You can do so they eat too much shit.

0:34:38.360 --> 0:34:41.440
<v Speaker 2>Well, twenty six years old body compared to a forty

0:34:41.600 --> 0:34:44.640
<v Speaker 2>six year old body is a big, big, big, big difference. Man.

0:34:44.719 --> 0:34:47.880
<v Speaker 1>Well, I I really I took notice that you looked fire.

0:34:48.360 --> 0:34:48.520
<v Speaker 3>Well.

0:34:48.680 --> 0:34:52.960
<v Speaker 2>I accept and receive that, and so did Rob.

0:34:52.880 --> 0:35:00.439
<v Speaker 4>Mashioh Rob Roy any of black hair? U? I got

0:35:00.440 --> 0:35:01.000
<v Speaker 4>to tell you, man.

0:35:01.080 --> 0:35:02.879
<v Speaker 5>So this is one of the things I get mocked for.

0:35:03.800 --> 0:35:07.120
<v Speaker 4>Why this episode stuck in my head was we all

0:35:07.120 --> 0:35:09.880
<v Speaker 4>have those things, like remember when you you share something

0:35:09.920 --> 0:35:13.040
<v Speaker 4>with friends that you wish you hadn't or or you're

0:35:13.080 --> 0:35:14.879
<v Speaker 4>drunk and you say something to it's a shiver story.

0:35:14.960 --> 0:35:16.760
<v Speaker 4>When you think back, you're like, oh.

0:35:16.440 --> 0:35:18.520
<v Speaker 1>Yes, Donald getting a nugge to Jef Zucker.

0:35:18.960 --> 0:35:21.240
<v Speaker 5>Yes, so one of mine.

0:35:21.480 --> 0:35:25.279
<v Speaker 4>And in writer's rooms you tell personal stories. Was in

0:35:25.360 --> 0:35:28.279
<v Speaker 4>a fraternity? Really? I was in a fraternity? Yeah no,

0:35:28.320 --> 0:35:28.640
<v Speaker 4>I was?

0:35:29.000 --> 0:35:31.560
<v Speaker 2>And uh uh you were in a fraternity?

0:35:31.880 --> 0:35:36.560
<v Speaker 4>Yeah no, I swear Okay. In college, we were all

0:35:36.680 --> 0:35:40.160
<v Speaker 4>drinking and hanging out and I was a little buzzy,

0:35:40.719 --> 0:35:45.279
<v Speaker 4>and I had a hometown girlfriend, and you really think

0:35:45.280 --> 0:35:47.000
<v Speaker 4>you can go and you care that much about her,

0:35:47.040 --> 0:35:49.439
<v Speaker 4>and I said, and it haunted me for the rest

0:35:49.440 --> 0:35:52.080
<v Speaker 4>of the year. They tortured me. I said, dude, I

0:35:52.080 --> 0:35:57.640
<v Speaker 4>miss her so much it hurts sometimes. And that became

0:35:57.719 --> 0:36:01.279
<v Speaker 4>one of the memes from this show because the mental.

0:36:03.280 --> 0:36:05.520
<v Speaker 1>I gotta tell you of all the memes and and

0:36:05.719 --> 0:36:09.360
<v Speaker 1>anything I get, gifts I get sent I miss you

0:36:09.360 --> 0:36:11.600
<v Speaker 1>so much it hurts sometimes, is one of the most common.

0:36:12.120 --> 0:36:19.719
<v Speaker 4>And it's also, by the way, the core of how

0:36:19.760 --> 0:36:22.320
<v Speaker 4>to use you know. I said, Look, voiceover can be

0:36:22.360 --> 0:36:25.360
<v Speaker 4>a crutch comedically because it's so easy. And when I teach,

0:36:25.400 --> 0:36:27.279
<v Speaker 4>like the Writers Guild, they're like, what do you mean how,

0:36:27.440 --> 0:36:30.960
<v Speaker 4>I'm like, well, the easiest way is to state a

0:36:31.040 --> 0:36:33.440
<v Speaker 4>premise in your voiceover and then do the opposite. An

0:36:33.440 --> 0:36:37.120
<v Speaker 4>example is just tell Turk how you feel without sounding

0:36:37.239 --> 0:36:38.640
<v Speaker 4>like you know a girl for once.

0:36:39.160 --> 0:36:41.200
<v Speaker 5>I miss you so much it hurts sometimes, you know.

0:36:41.280 --> 0:36:45.279
<v Speaker 4>Another one was when Elliott had the voiceover, or is

0:36:45.320 --> 0:36:48.840
<v Speaker 4>when Kelso spilled stuff on his face. Whatever you do,

0:36:48.840 --> 0:36:51.279
<v Speaker 4>do not say the word splotchy, and I think, j D,

0:36:51.400 --> 0:36:57.920
<v Speaker 4>I think you just said good splotchy, doctor splotch instead

0:36:57.960 --> 0:37:00.640
<v Speaker 4>of why would you even say good splot that's not

0:37:00.680 --> 0:37:01.400
<v Speaker 4>even a work.

0:37:01.239 --> 0:37:05.360
<v Speaker 1>Good splotsheet splotsheet anyways, all right, So I wanted to

0:37:05.400 --> 0:37:08.920
<v Speaker 1>say at forty nine seconds in is my first Muppet

0:37:08.960 --> 0:37:11.879
<v Speaker 1>exit that I ever did in the show Scrubs, which

0:37:12.080 --> 0:37:14.600
<v Speaker 1>which which I always thought of, was when I when

0:37:14.640 --> 0:37:16.600
<v Speaker 1>I would just turn my head. I always I always

0:37:16.640 --> 0:37:19.280
<v Speaker 1>laughed at how Kermit the Frog and all the Muppets

0:37:19.440 --> 0:37:21.719
<v Speaker 1>Sesame Street characters would always turn and then and then

0:37:21.760 --> 0:37:25.800
<v Speaker 1>walk out. Yeah, so I h when I when I

0:37:25.880 --> 0:37:28.239
<v Speaker 1>leave the viewing room here, I sort of do a

0:37:28.320 --> 0:37:30.200
<v Speaker 1>side turn and I just kind of laughed. I think

0:37:30.200 --> 0:37:32.680
<v Speaker 1>that was the first time I tried out my successful

0:37:32.760 --> 0:37:33.480
<v Speaker 1>Muppet exit.

0:37:34.000 --> 0:37:36.880
<v Speaker 2>You used also ever got yeah became.

0:37:36.640 --> 0:37:39.440
<v Speaker 1>Well it was it was a go to bill at

0:37:39.440 --> 0:37:41.719
<v Speaker 1>one eleven. There's an exterior shot of the hospital that

0:37:41.880 --> 0:37:43.719
<v Speaker 1>has never ever seen again, I don't think. And I

0:37:43.760 --> 0:37:46.239
<v Speaker 1>noticed that it says something about women's on the top

0:37:46.320 --> 0:37:46.600
<v Speaker 1>of it.

0:37:47.080 --> 0:37:47.840
<v Speaker 4>Yeah, I didn't.

0:37:47.880 --> 0:37:49.520
<v Speaker 5>I didn't paint it out.

0:37:49.640 --> 0:37:51.080
<v Speaker 1>We didn't have the budget at the time to be

0:37:51.120 --> 0:37:54.120
<v Speaker 1>painting or no to be painting things out. But it's

0:37:54.160 --> 0:37:56.560
<v Speaker 1>funny watching the early episodes, there's like, it looks like

0:37:56.600 --> 0:37:58.360
<v Speaker 1>you guys were it looks like someone was like, do

0:37:58.400 --> 0:38:00.640
<v Speaker 1>we have an exterior shot at the hospital? Nah? How

0:38:00.640 --> 0:38:01.680
<v Speaker 1>about that one? All right?

0:38:01.800 --> 0:38:03.799
<v Speaker 4>Well, we went and shot a bunch of stuff that

0:38:03.800 --> 0:38:06.680
<v Speaker 4>we used in the pilot, and then once we ran

0:38:06.719 --> 0:38:08.440
<v Speaker 4>out of that stuff, we just started shooting into our

0:38:08.440 --> 0:38:08.960
<v Speaker 4>own building.

0:38:09.680 --> 0:38:12.080
<v Speaker 1>Right. But this one was this This was not because

0:38:12.080 --> 0:38:13.919
<v Speaker 1>it says women's something at the top.

0:38:14.080 --> 0:38:15.920
<v Speaker 4>Yeah, No, it was particularly bad. There's a lot of

0:38:15.920 --> 0:38:17.520
<v Speaker 4>bad stuff in here, guys. You know.

0:38:18.000 --> 0:38:19.239
<v Speaker 5>I always get shipped.

0:38:18.960 --> 0:38:21.279
<v Speaker 4>For that because I'm always like you guys, remember my

0:38:21.320 --> 0:38:24.759
<v Speaker 4>favorite thing to say when we're so busy is I'll

0:38:24.800 --> 0:38:27.120
<v Speaker 4>take all I'll take all the mail on that, Okay,

0:38:27.280 --> 0:38:29.040
<v Speaker 4>So someone like an editor would come up and go,

0:38:29.440 --> 0:38:32.920
<v Speaker 4>that says women's Like when the letters come and there

0:38:32.920 --> 0:38:34.000
<v Speaker 4>are thousands of them are.

0:38:33.880 --> 0:38:36.359
<v Speaker 5>Going to come. Deer Scrubs used to be a huge fan.

0:38:36.440 --> 0:38:39.359
<v Speaker 4>But that hospital exterior said women's on it. You can

0:38:39.400 --> 0:38:41.240
<v Speaker 4>send all those letters to me, I'll take all the mail.

0:38:41.400 --> 0:38:43.720
<v Speaker 4>And it was such an arrogant, dicky thing to say,

0:38:44.080 --> 0:38:45.400
<v Speaker 4>but I just never got caught up.

0:38:45.560 --> 0:38:47.280
<v Speaker 2>No, but it's true because if they're looking at stuff

0:38:47.320 --> 0:38:48.920
<v Speaker 2>like that, they're not really watching the show, you know

0:38:48.960 --> 0:38:49.279
<v Speaker 2>what I mean.

0:38:49.360 --> 0:38:49.560
<v Speaker 4>Yeah.

0:38:49.560 --> 0:38:51.279
<v Speaker 1>Bill would always said that when when we were like,

0:38:51.280 --> 0:38:54.200
<v Speaker 1>when we were all holding up for something like you're

0:38:54.200 --> 0:38:56.680
<v Speaker 1>in the wrong you're wearing the wrong watch, Bill would

0:38:56.719 --> 0:38:59.080
<v Speaker 1>be like, guys, I'll take all the mail on the

0:38:59.080 --> 0:39:01.120
<v Speaker 1>wrong Watch's.

0:39:02.040 --> 0:39:04.120
<v Speaker 4>That? And then the neatest thing that you could say

0:39:04.160 --> 0:39:05.719
<v Speaker 4>is to say it to John Inwood all the time

0:39:05.840 --> 0:39:07.759
<v Speaker 4>was he would make you, guys wait while he went

0:39:07.840 --> 0:39:10.480
<v Speaker 4>and fixed a light, you know, way in the background,

0:39:10.480 --> 0:39:11.320
<v Speaker 4>to take you ten minutes.

0:39:11.440 --> 0:39:13.239
<v Speaker 5>And when he finally got back to camera, I was.

0:39:13.280 --> 0:39:15.080
<v Speaker 4>Go, Showsaver, sure.

0:39:18.360 --> 0:39:19.480
<v Speaker 5>You know we were in real.

0:39:19.280 --> 0:39:21.560
<v Speaker 4>Trouble and you fixed it with that light that's one

0:39:21.640 --> 0:39:22.600
<v Speaker 4>hundred yards.

0:39:22.320 --> 0:39:23.000
<v Speaker 5>In the background.

0:39:23.200 --> 0:39:25.359
<v Speaker 1>Yeah. Well, the man was passionate. He wanted to get

0:39:25.360 --> 0:39:26.839
<v Speaker 1>it just perfect, Zach.

0:39:26.920 --> 0:39:29.560
<v Speaker 4>That was also the episode was also not only your

0:39:29.560 --> 0:39:31.960
<v Speaker 4>first muppet exit. I wish I had a wider frame,

0:39:32.000 --> 0:39:33.600
<v Speaker 4>but the first time that when you got up from

0:39:33.640 --> 0:39:35.280
<v Speaker 4>following that you shook out your shoulders.

0:39:35.480 --> 0:39:40.279
<v Speaker 1>Oh really, I'm frozen in a frame. Here at two

0:39:40.400 --> 0:39:43.959
<v Speaker 1>minutes of me in a threesome fantasy with Sarah Chaw

0:39:44.239 --> 0:39:46.880
<v Speaker 1>and another beautiful model and we're all sweaty, And the

0:39:46.880 --> 0:39:48.840
<v Speaker 1>first thing that came in my head was, could you

0:39:48.920 --> 0:39:52.000
<v Speaker 1>even do that today on a half hour single camera

0:39:52.120 --> 0:39:52.920
<v Speaker 1>network comedy.

0:39:53.560 --> 0:39:57.960
<v Speaker 4>Not that cause it was pretty uh suggestive and graphic risque.

0:39:58.040 --> 0:40:01.920
<v Speaker 2>Sure, that was so awesome, by the way, like holy count.

0:40:03.200 --> 0:40:04.600
<v Speaker 1>My job right right.

0:40:04.640 --> 0:40:07.759
<v Speaker 2>Well, first of all, it was so awesome because that's

0:40:07.880 --> 0:40:10.880
<v Speaker 2>everybody's fantasy to get married and for your wife to

0:40:10.960 --> 0:40:14.279
<v Speaker 2>be like, yeah, we could do this, it's going.

0:40:14.200 --> 0:40:15.560
<v Speaker 4>To be It's also one of it's one of the

0:40:15.560 --> 0:40:17.879
<v Speaker 4>best outtakes ever. Do you remember that one outtake where

0:40:17.960 --> 0:40:20.200
<v Speaker 4>Zach was like, yeah, keep kissing when the don't stop.

0:40:20.640 --> 0:40:21.160
<v Speaker 5>You remember that.

0:40:21.239 --> 0:40:23.000
<v Speaker 1>I remember something being like I was like, I know,

0:40:23.040 --> 0:40:25.080
<v Speaker 1>I think I was like keep rolling.

0:40:26.640 --> 0:40:30.000
<v Speaker 4>Yeah. Look, I've had this discussion a lot. There's tons

0:40:30.040 --> 0:40:33.880
<v Speaker 4>of things on our show you couldn't do now, correctly

0:40:34.080 --> 0:40:37.480
<v Speaker 4>or incorrectly, Like the Todd is an interesting one, oh

0:40:37.600 --> 0:40:41.560
<v Speaker 4>you know, And we used to say, like the Todd

0:40:41.640 --> 0:40:42.479
<v Speaker 4>started in a way.

0:40:42.800 --> 0:40:43.560
<v Speaker 5>I don't know if you remember.

0:40:43.560 --> 0:40:46.520
<v Speaker 4>It was always in a banana hammock because I said,

0:40:46.560 --> 0:40:49.319
<v Speaker 4>if we're gonna do a young man's fantasies and see

0:40:49.320 --> 0:40:54.000
<v Speaker 4>women's scantily clad. I think we have to see as much,

0:40:54.120 --> 0:40:57.279
<v Speaker 4>if not more, ridiculous male nudity, and so Todd would

0:40:57.360 --> 0:41:00.640
<v Speaker 4>just always be in a banana hammick end he was

0:41:00.719 --> 0:41:06.440
<v Speaker 4>representative of somebody intentionally so crass, are so ludicrous that

0:41:06.480 --> 0:41:10.239
<v Speaker 4>he's to be laughed at and not with. But unfortunately

0:41:10.280 --> 0:41:13.600
<v Speaker 4>I think he was laughed with a lot. Uh So

0:41:13.600 --> 0:41:14.840
<v Speaker 4>I don't know if you could do him now. The

0:41:14.880 --> 0:41:17.360
<v Speaker 4>one things I always get busted on or two storylines.

0:41:18.080 --> 0:41:21.360
<v Speaker 4>One is when the janitor turned JD into a racist,

0:41:21.840 --> 0:41:25.920
<v Speaker 4>and one is when I put Donald's picture on the

0:41:25.960 --> 0:41:29.160
<v Speaker 4>cover of his college magazine twice. Do you remember when

0:41:29.840 --> 0:41:32.439
<v Speaker 4>I said, like, your college was so happy to have

0:41:33.000 --> 0:41:36.239
<v Speaker 4>an accomplished, great black guy that you know in their

0:41:36.480 --> 0:41:40.240
<v Speaker 4>lily white school that on their brochure, your your pictures

0:41:40.280 --> 0:41:45.400
<v Speaker 4>there twice. Yeah, they photoshopped you in twice just to

0:41:45.440 --> 0:41:47.160
<v Speaker 4>look like a PC college. You know.

0:41:47.480 --> 0:41:49.120
<v Speaker 2>Well, I noticed that. I noticed that There are a

0:41:49.120 --> 0:41:51.600
<v Speaker 2>lot of things and this is just how how time

0:41:51.680 --> 0:41:54.560
<v Speaker 2>has gone. First, of all the shows about sexual harassment,

0:41:54.960 --> 0:42:00.200
<v Speaker 2>which is very uh being too dominant right now, one

0:42:00.239 --> 0:42:05.080
<v Speaker 2>of Hollywood's biggest movie makers is now in jail for

0:42:05.320 --> 0:42:09.440
<v Speaker 2>doing horrible horrible, horrible things, right, but we're touching things

0:42:09.520 --> 0:42:11.800
<v Speaker 2>like that that are kind of untouched, Like you can't

0:42:11.840 --> 0:42:14.080
<v Speaker 2>touch these things now, these things that we were doing

0:42:14.120 --> 0:42:16.600
<v Speaker 2>in the show back in the day, some of these things,

0:42:16.840 --> 0:42:18.359
<v Speaker 2>networks will be like no, no, no, no, no no, let's

0:42:18.360 --> 0:42:19.439
<v Speaker 2>stay away from that, Let's stay away.

0:42:19.520 --> 0:42:21.080
<v Speaker 4>Oh, they'd be so careful.

0:42:21.080 --> 0:42:24.040
<v Speaker 1>I think, as Bill said, for some for better, we've

0:42:24.160 --> 0:42:26.720
<v Speaker 1>evolved and we probably wouldn't make some of those jokes today,

0:42:26.840 --> 0:42:29.239
<v Speaker 1>and in some I wonder if, in this example, with

0:42:29.360 --> 0:42:33.759
<v Speaker 1>the sort of sexual sweaty threesome fantasy, I'm just surprised

0:42:33.760 --> 0:42:35.560
<v Speaker 1>Bill that you got it. I mean, I knew you

0:42:35.600 --> 0:42:37.440
<v Speaker 1>wanted to push the envelope of what the show could be.

0:42:37.920 --> 0:42:41.440
<v Speaker 1>I'm just I just wondered, like, even now in twenty twenty,

0:42:41.560 --> 0:42:44.440
<v Speaker 1>if in a primetime network comedy, if you could do

0:42:44.600 --> 0:42:46.839
<v Speaker 1>a sweaty sex threesome joke.

0:42:47.400 --> 0:42:47.480
<v Speaker 3>No.

0:42:47.840 --> 0:42:50.680
<v Speaker 4>Look, I want to answer two things. Because what Donald

0:42:50.719 --> 0:42:53.440
<v Speaker 4>was saying, you know, is interesting. We talked about it

0:42:53.480 --> 0:42:55.880
<v Speaker 4>a lot because I don't know if you remember in

0:42:55.920 --> 0:43:00.040
<v Speaker 4>this episode the resolve is that would have been a

0:43:00.120 --> 0:43:06.680
<v Speaker 4>completely different story if doctor Cox or younger male was

0:43:06.719 --> 0:43:10.879
<v Speaker 4>calling Sarah sweetheart and the boys sport, but we were

0:43:10.960 --> 0:43:12.120
<v Speaker 4>kind of anticipating something.

0:43:12.160 --> 0:43:12.880
<v Speaker 5>We talked about it.

0:43:13.320 --> 0:43:15.719
<v Speaker 4>Kelso was of a different generation. He was older than

0:43:15.760 --> 0:43:19.240
<v Speaker 4>all you guys. He called you is definitely an old

0:43:19.320 --> 0:43:22.239
<v Speaker 4>school dude. You can never say these things are innocuous.

0:43:22.280 --> 0:43:24.920
<v Speaker 4>But it was a time in which at the end

0:43:25.000 --> 0:43:29.040
<v Speaker 4>John c McGinley talks to Sarah and goes, if you're

0:43:29.120 --> 0:43:33.680
<v Speaker 4>going to get mad about some quasi term of endearment,

0:43:34.120 --> 0:43:37.040
<v Speaker 4>you know from an old out of touch dude, you

0:43:37.080 --> 0:43:40.120
<v Speaker 4>know your life here is going to be a lot

0:43:40.160 --> 0:43:42.040
<v Speaker 4>more complicated than it has to be. And she took

0:43:42.040 --> 0:43:45.440
<v Speaker 4>the lesson of picking my battles, you know. So to

0:43:45.520 --> 0:43:49.040
<v Speaker 4>Donald's answer, I think it's a story you can maybe

0:43:49.080 --> 0:43:52.160
<v Speaker 4>still do if you're talking. Although we've now moved twenty

0:43:52.239 --> 0:43:54.279
<v Speaker 4>years away from that. At that time we were going like, hey,

0:43:54.280 --> 0:43:56.440
<v Speaker 4>here's a guy in his mid to late sixties.

0:43:56.960 --> 0:43:59.680
<v Speaker 5>You know that is without a doubt, of a generation.

0:44:00.360 --> 0:44:03.480
<v Speaker 4>I got so much trouble when he Kelso said to

0:44:03.520 --> 0:44:06.040
<v Speaker 4>a male nurse, you know, oh, you're wondering why you

0:44:06.040 --> 0:44:08.080
<v Speaker 4>don't get respected, It's because you're doing a woman's job.

0:44:08.880 --> 0:44:12.840
<v Speaker 4>And our intent was that Kelso is so out of

0:44:12.880 --> 0:44:14.759
<v Speaker 4>touch that he would say that, you know what I mean.

0:44:14.960 --> 0:44:19.040
<v Speaker 4>And then the complaints I got from Nurses Association, got

0:44:19.120 --> 0:44:21.840
<v Speaker 4>letters and stuff, true, were how could you have a

0:44:21.920 --> 0:44:25.799
<v Speaker 4>character saying that when it's such a problem that characters

0:44:25.880 --> 0:44:29.200
<v Speaker 4>that people out there, especially from that generation, believe that

0:44:29.239 --> 0:44:29.719
<v Speaker 4>and say that.

0:44:29.800 --> 0:44:31.160
<v Speaker 5>I'm like, right, it's real.

0:44:31.600 --> 0:44:32.919
<v Speaker 4>He's the bad guy on the show.

0:44:32.960 --> 0:44:35.600
<v Speaker 1>And there's a nursing shortage, so like, don't discourage people.

0:44:35.760 --> 0:44:37.759
<v Speaker 4>Yeah, he's the bad guy on the show. He has

0:44:37.800 --> 0:44:39.800
<v Speaker 4>those thoughts, and in a good way. I think Kelso

0:44:39.840 --> 0:44:45.680
<v Speaker 4>evolved and into Zach's question. It comes all under the

0:44:45.760 --> 0:44:47.959
<v Speaker 4>heading and it's not just with those two girls, which

0:44:48.000 --> 0:44:51.080
<v Speaker 4>was a joke and obviously a joke about some you know,

0:44:51.160 --> 0:44:54.399
<v Speaker 4>young male fantasy, but this is for both of you,

0:44:54.600 --> 0:44:55.880
<v Speaker 4>and for Sarah and for Judy.

0:44:56.239 --> 0:44:57.560
<v Speaker 5>When I said the show has to.

0:44:57.520 --> 0:45:01.359
<v Speaker 4>Be real, beyond the goofiness, what we thought about more

0:45:01.400 --> 0:45:04.080
<v Speaker 4>than jokes was about when we would have sex scenes,

0:45:04.440 --> 0:45:07.560
<v Speaker 4>you know, and it was really important to me, not

0:45:07.680 --> 0:45:11.319
<v Speaker 4>no ascibious way that they seemed. They didn't seem like

0:45:11.360 --> 0:45:15.000
<v Speaker 4>a TV sitcom kiss where everybody goes and some of

0:45:15.040 --> 0:45:19.239
<v Speaker 4>the romance scenes between Zach and Sarah and Donald and

0:45:19.320 --> 0:45:22.280
<v Speaker 4>Judy and even Johnny C and my wife, which still

0:45:22.360 --> 0:45:24.120
<v Speaker 4>turns my stomach a little bit because I had to

0:45:24.120 --> 0:45:24.520
<v Speaker 4>see it.

0:45:24.719 --> 0:45:26.120
<v Speaker 2>You did, you did?

0:45:27.280 --> 0:45:30.440
<v Speaker 1>I had to kiss Christa so early and I was

0:45:30.480 --> 0:45:34.000
<v Speaker 1>still in the terrified of Bill phase, and it was

0:45:34.000 --> 0:45:36.640
<v Speaker 1>an early episode I don't know what, probably five or something,

0:45:37.080 --> 0:45:40.080
<v Speaker 1>and I had to make out with Christa and I

0:45:40.120 --> 0:45:42.640
<v Speaker 1>remember being like, this is the craziest job. I'm about

0:45:42.680 --> 0:45:45.360
<v Speaker 1>to make out with my boss's wife for him.

0:45:47.040 --> 0:45:48.680
<v Speaker 4>I still have that on a loop at my house.

0:45:48.719 --> 0:45:52.960
<v Speaker 4>It's awesome hard soon No, Yeah, I mean he's super sexy.

0:45:53.040 --> 0:45:53.840
<v Speaker 5>I'm really grateful.

0:45:54.000 --> 0:46:00.719
<v Speaker 2>Oh my gosh, it is did you did?

0:46:00.840 --> 0:46:03.920
<v Speaker 4>You guys think you were doing fairly racy sex scenes.

0:46:03.680 --> 0:46:04.160
<v Speaker 2>The time.

0:46:06.480 --> 0:46:09.080
<v Speaker 1>Throughout the whole show. I mean, I can't that big

0:46:09.400 --> 0:46:11.840
<v Speaker 1>famous one that Sarah I did with the pizza. I

0:46:11.840 --> 0:46:13.799
<v Speaker 1>remember that being like, I can't believe they're gonna put

0:46:14.120 --> 0:46:16.120
<v Speaker 1>put this on TV. This is gonna be censored. And

0:46:16.200 --> 0:46:18.359
<v Speaker 1>all my stuff with Amy Smart, I remember being like,

0:46:18.560 --> 0:46:19.480
<v Speaker 1>they're gonna air this.

0:46:21.680 --> 0:46:24.520
<v Speaker 2>I was really excited about and not in that way,

0:46:24.560 --> 0:46:27.200
<v Speaker 2>but like when Judy and I would do scenes together,

0:46:27.960 --> 0:46:31.400
<v Speaker 2>I was it really felt like we were a couple

0:46:31.920 --> 0:46:33.879
<v Speaker 2>when watched when I watched it, you know what I mean,

0:46:33.880 --> 0:46:36.040
<v Speaker 2>because that's how I don't know that there was just

0:46:36.080 --> 0:46:41.319
<v Speaker 2>something that was really uh uh uh. She and I

0:46:41.360 --> 0:46:43.960
<v Speaker 2>had great chemistry, I feel like, and because of that,

0:46:44.360 --> 0:46:46.920
<v Speaker 2>and because of that, I uh you know when I

0:46:46.960 --> 0:46:50.279
<v Speaker 2>watched her stuff. That's that's what everybody hopes for when

0:46:50.280 --> 0:46:53.920
<v Speaker 2>they do romantic stuff, that the audience believes it. And

0:46:53.960 --> 0:46:56.680
<v Speaker 2>if the audience doesn't believe it, well hopefully I believe it,

0:46:56.719 --> 0:46:57.319
<v Speaker 2>you know what I mean?

0:46:57.800 --> 0:46:59.640
<v Speaker 5>And much I liked you guys.

0:46:59.719 --> 0:47:01.920
<v Speaker 4>I like you guys. There's no offense because I love

0:47:02.000 --> 0:47:04.280
<v Speaker 4>Zach and Sarah. But my favorite couple on the show,

0:47:04.880 --> 0:47:08.480
<v Speaker 4>Donald and Judy because as a writer's room in a

0:47:08.520 --> 0:47:11.359
<v Speaker 4>glassman the writer's room. One of the things we put

0:47:11.400 --> 0:47:14.080
<v Speaker 4>on those boards in the first couple of weeks was

0:47:14.719 --> 0:47:18.080
<v Speaker 4>we're gonna get Turk and Carla together and never break

0:47:18.120 --> 0:47:20.759
<v Speaker 4>them up and never threaten them. And you know, because

0:47:20.760 --> 0:47:22.200
<v Speaker 4>we're gonna do will there won't they with the other

0:47:22.320 --> 0:47:24.080
<v Speaker 4>characters and how cool is it to see a couple

0:47:24.080 --> 0:47:28.000
<v Speaker 4>that finds each other and works right? And the only

0:47:28.120 --> 0:47:31.000
<v Speaker 4>reason we ever even had you guys have a little

0:47:31.120 --> 0:47:33.919
<v Speaker 4>dip here there as a couple was because we never

0:47:33.960 --> 0:47:36.359
<v Speaker 4>expected the show to last nine years, and we had

0:47:36.360 --> 0:47:37.759
<v Speaker 4>to be like, we should probably throw a couple of

0:47:37.800 --> 0:47:38.680
<v Speaker 4>curve balls their way.

0:47:38.719 --> 0:47:43.440
<v Speaker 2>Man, looking back at it now, it's the it's perfect

0:47:44.000 --> 0:47:47.640
<v Speaker 2>as a young man doing you know who's on a

0:47:47.680 --> 0:47:50.160
<v Speaker 2>television show? Like I used to be like, and we're

0:47:50.160 --> 0:47:52.400
<v Speaker 2>gonna have Holly Berry on the show as my love interest,

0:47:52.600 --> 0:47:56.200
<v Speaker 2>and we and those things that never ever happened.

0:47:56.360 --> 0:47:58.200
<v Speaker 1>Were you bummed out? Not not that it was Judy

0:47:58.200 --> 0:48:00.880
<v Speaker 1>because she's a knockout, but were you my love I know,

0:48:00.960 --> 0:48:02.880
<v Speaker 1>but were you like where are all my love interests?

0:48:03.160 --> 0:48:06.960
<v Speaker 2>Yeah? Absolutely, man, But when you look back at the storytelling,

0:48:07.040 --> 0:48:10.080
<v Speaker 2>when you look back at at at the relationship that

0:48:10.120 --> 0:48:12.319
<v Speaker 2>those two have, Like I can't post pictures of my

0:48:12.400 --> 0:48:14.720
<v Speaker 2>wife and I because people are like, that's not Carlo.

0:48:15.080 --> 0:48:19.120
<v Speaker 1>Yeah, I get it. By the way, post pictures of

0:48:19.200 --> 0:48:22.040
<v Speaker 1>me hugging anyone because they're like, why aren't you hugging turk?

0:48:22.480 --> 0:48:22.680
<v Speaker 4>Right?

0:48:22.960 --> 0:48:25.320
<v Speaker 2>That's that's the other one that comes up. I'll be like,

0:48:25.520 --> 0:48:27.880
<v Speaker 2>here's a lovely picture of me and my family, and

0:48:27.880 --> 0:48:30.520
<v Speaker 2>I'd be like, that's not where's JD? Where's that graph? People?

0:48:30.560 --> 0:48:32.839
<v Speaker 4>People hit me all the time too with how and

0:48:32.880 --> 0:48:36.640
<v Speaker 4>we tried to do it. You and Judy react to

0:48:36.760 --> 0:48:38.879
<v Speaker 4>you know, TV is a world in which a wife

0:48:38.880 --> 0:48:40.480
<v Speaker 4>has her hands on her hips and is frustrated with

0:48:40.520 --> 0:48:42.800
<v Speaker 4>a husband or the husband's like, you know, you're crazy.

0:48:43.320 --> 0:48:45.720
<v Speaker 4>And even when we sent you guys in crazy stories.

0:48:45.719 --> 0:48:48.560
<v Speaker 4>One of my favorite scenes was in a later episode,

0:48:49.000 --> 0:48:53.200
<v Speaker 4>but when you guys find out Judy's pregnant before she does,

0:48:53.239 --> 0:48:58.799
<v Speaker 4>and you're gonna tell her and uh, everybody knows but her,

0:48:59.440 --> 0:49:02.920
<v Speaker 4>And know the cool thing about your characters is that

0:49:04.480 --> 0:49:06.920
<v Speaker 4>you when when it comes to a comedic peak and

0:49:06.960 --> 0:49:10.759
<v Speaker 4>we did this a lot, you admit fault and then she,

0:49:11.360 --> 0:49:14.200
<v Speaker 4>instead of punishing you for it, says, who gives a ship?

0:49:14.239 --> 0:49:16.040
<v Speaker 5>We're having a baby, you know what I mean. And

0:49:16.080 --> 0:49:18.600
<v Speaker 5>that's not often how real couples work. So it was

0:49:18.640 --> 0:49:20.000
<v Speaker 5>a couple to aspire.

0:49:19.680 --> 0:49:22.360
<v Speaker 2>To, right, I thought, Looking back at it now, I

0:49:22.600 --> 0:49:25.839
<v Speaker 2>love it, like just the even the courtship, even how

0:49:25.880 --> 0:49:28.880
<v Speaker 2>the show starts and how these guys start offs. You

0:49:28.920 --> 0:49:31.960
<v Speaker 2>know they're not together, but if you didn't watch the

0:49:31.960 --> 0:49:34.640
<v Speaker 2>show from the beginning, you would imagine that when the

0:49:34.680 --> 0:49:38.040
<v Speaker 2>show was introduced, these characters started off to you know

0:49:38.080 --> 0:49:40.480
<v Speaker 2>what I mean, Like you watch family Guy and you

0:49:40.600 --> 0:49:43.319
<v Speaker 2>and you say, okay, so Peter's married to and this

0:49:43.360 --> 0:49:45.080
<v Speaker 2>is his family and this is and you accept that

0:49:45.160 --> 0:49:47.720
<v Speaker 2>the whole way through. There's no need for an origin

0:49:47.760 --> 0:49:50.120
<v Speaker 2>story or anything like that. And that's how I feel

0:49:50.239 --> 0:49:52.840
<v Speaker 2>it is with Carla and Turk. There's no need for

0:49:52.880 --> 0:49:55.640
<v Speaker 2>an origin story. They're just a TV couple that works,

0:49:55.680 --> 0:49:56.200
<v Speaker 2>you know what I mean?

0:49:56.800 --> 0:50:00.000
<v Speaker 4>Yeah, I was looking. I was thinking about this because

0:50:00.160 --> 0:50:03.080
<v Speaker 4>is get taking it back to the episode, like the

0:50:03.080 --> 0:50:06.120
<v Speaker 4>way Zach was doing cool things and freezing frames. I

0:50:06.160 --> 0:50:08.400
<v Speaker 4>was trying to remember minutia for you guys, and the

0:50:08.400 --> 0:50:11.600
<v Speaker 4>only the Turk and Carla Manusha I remember was the

0:50:11.680 --> 0:50:14.799
<v Speaker 4>scene in which you two are going to hang out

0:50:14.840 --> 0:50:19.600
<v Speaker 4>and watch Fletch and then Donald leaves. It was very

0:50:19.600 --> 0:50:22.000
<v Speaker 4>subtle we had. It's one of those discussions you have

0:50:22.040 --> 0:50:24.440
<v Speaker 4>in the writer's room. It's like Donald's liked to watch

0:50:24.520 --> 0:50:27.640
<v Speaker 4>Fletch and Carla says, do you want to go hang

0:50:27.680 --> 0:50:30.680
<v Speaker 4>out in your room? We don't want just Carla to

0:50:30.719 --> 0:50:33.120
<v Speaker 4>go do you want to go? Fuck? Because that makes

0:50:33.120 --> 0:50:34.200
<v Speaker 4>her seem like a bimbo.

0:50:34.600 --> 0:50:35.480
<v Speaker 5>And we don't want.

0:50:35.360 --> 0:50:38.960
<v Speaker 4>Turk to just you know, be like I'll drop JD

0:50:39.440 --> 0:50:42.480
<v Speaker 4>in an instant. So like the dumb things you argue

0:50:42.520 --> 0:50:44.279
<v Speaker 4>about in writer's room, you won't even notice unless you

0:50:44.280 --> 0:50:46.120
<v Speaker 4>watch it again. Did you see that Carlo was holding

0:50:46.160 --> 0:50:49.719
<v Speaker 4>two beers? So like when she goes to you go

0:50:49.800 --> 0:50:51.880
<v Speaker 4>look at that gainst she goes, you're watching Fletch. You

0:50:51.920 --> 0:50:53.840
<v Speaker 4>know it's funny when we do all the lines. She goes, hey,

0:50:53.880 --> 0:50:55.480
<v Speaker 4>you want to go hang out in your room? And

0:50:55.520 --> 0:50:58.359
<v Speaker 4>she's got so it's not the women in the writing staff.

0:50:58.400 --> 0:51:00.000
<v Speaker 4>I right wanted to make it. Oh, we're not just

0:51:00.080 --> 0:51:01.880
<v Speaker 4>going to go fuck. I mean we will eventually, but

0:51:01.960 --> 0:51:03.759
<v Speaker 4>she's got two beers. So it's like, do you want

0:51:03.760 --> 0:51:05.359
<v Speaker 4>to go out your room, we both have a beer,

0:51:05.360 --> 0:51:07.279
<v Speaker 4>we'll shoot the ship and then we'll hook up. And

0:51:07.400 --> 0:51:10.719
<v Speaker 4>that fine line I think people is me being a nerd.

0:51:10.760 --> 0:51:12.719
<v Speaker 4>I think people, even if they don't notice that it's

0:51:12.920 --> 0:51:15.120
<v Speaker 4>subtext that they if you do a ton of it,

0:51:15.160 --> 0:51:18.879
<v Speaker 4>they gradually notice that it's more than just physical. Right,

0:51:19.080 --> 0:51:22.520
<v Speaker 4>that scene also, Zach had and you can and I'll hand.

0:51:22.360 --> 0:51:24.239
<v Speaker 5>It back to you, but you had.

0:51:24.280 --> 0:51:28.000
<v Speaker 4>One of our other first arguments was we constantly fought

0:51:28.000 --> 0:51:30.560
<v Speaker 4>in the writer's room. I made huge mistakes as we

0:51:30.600 --> 0:51:33.800
<v Speaker 4>went along about things that should be a fantasy and shouldn't.

0:51:34.480 --> 0:51:38.200
<v Speaker 4>And this was one of the first arguments because when

0:51:38.239 --> 0:51:39.279
<v Speaker 4>Carlos's do you want to go.

0:51:39.239 --> 0:51:41.200
<v Speaker 5>Hang out in my room? We look to you and

0:51:41.239 --> 0:51:41.560
<v Speaker 5>when we.

0:51:41.520 --> 0:51:44.239
<v Speaker 4>Look back, the remote control is still hovering in the air. Yeah,

0:51:44.560 --> 0:51:47.520
<v Speaker 4>and it drops at It's very bugs bunny. And it

0:51:47.560 --> 0:51:49.399
<v Speaker 4>was not done as a fantasy, you know what I mean?

0:51:49.400 --> 0:51:51.920
<v Speaker 1>And you already did you always this early have the

0:51:51.960 --> 0:51:55.120
<v Speaker 1>sort of white flash to a fantasy always, I forget.

0:51:55.200 --> 0:51:57.719
<v Speaker 4>Yeah, we were, we were making the rules still, but

0:51:57.840 --> 0:52:01.520
<v Speaker 4>we hadn't done the sound effects because we were just

0:52:01.560 --> 0:52:04.560
<v Speaker 4>starting to obsess about the difference between fantasies and flashbacks.

0:52:04.960 --> 0:52:06.799
<v Speaker 1>Well, you know, one of the funniest things I think

0:52:06.960 --> 0:52:09.960
<v Speaker 1>in throughout nine years of Scrubs is that Bill was

0:52:10.200 --> 0:52:15.000
<v Speaker 1>always dancing around what is so broad that's that it's

0:52:15.040 --> 0:52:17.640
<v Speaker 1>a fantasy, or what could exist in this world? And

0:52:17.680 --> 0:52:19.640
<v Speaker 1>there's a There's two that come to mind as my

0:52:19.760 --> 0:52:22.640
<v Speaker 1>favorites that he put in the real world, but we're

0:52:22.640 --> 0:52:26.000
<v Speaker 1>probably supposed to be fantasies. One one is when when

0:52:26.040 --> 0:52:31.480
<v Speaker 1>Donald packs me into the bag, it was literally it

0:52:31.520 --> 0:52:36.320
<v Speaker 1>was literally the size of a fucking bowling bag. It

0:52:36.440 --> 0:52:39.480
<v Speaker 1>was a backpack, and I was like, and if you

0:52:39.480 --> 0:52:41.680
<v Speaker 1>remember my like arm and leg were sticking up like

0:52:41.719 --> 0:52:43.399
<v Speaker 1>my body would never fake.

0:52:43.600 --> 0:52:46.759
<v Speaker 4>I had a fake foot by your head and then

0:52:46.920 --> 0:52:49.120
<v Speaker 4>so when he scratched your nose, your foot went h.

0:52:49.600 --> 0:52:51.360
<v Speaker 1>That was real and in the real world. And the

0:52:51.400 --> 0:52:53.920
<v Speaker 1>other one is that the janitor builds a full size

0:52:53.920 --> 0:52:56.239
<v Speaker 1>house out of sand in the parking lot, and that

0:52:56.280 --> 0:52:57.040
<v Speaker 1>was in the real world.

0:52:57.239 --> 0:52:57.799
<v Speaker 2>That all right.

0:52:57.880 --> 0:53:01.520
<v Speaker 4>The sand castle is not my fault because the sand castle,

0:53:02.160 --> 0:53:04.080
<v Speaker 4>the gag, you know, it was written like it was

0:53:04.120 --> 0:53:07.040
<v Speaker 4>real in the script, and we thought it would be

0:53:07.360 --> 0:53:09.560
<v Speaker 4>a sand castle like the size of like you ever

0:53:09.560 --> 0:53:13.600
<v Speaker 4>see a kid's playhouse like outside, something you could actually build,

0:53:14.000 --> 0:53:17.239
<v Speaker 4>right and are when I showed up, I drove, I

0:53:17.280 --> 0:53:19.120
<v Speaker 4>tried to drive to my parking spot that morning, and

0:53:19.120 --> 0:53:22.920
<v Speaker 4>the parking lot was closed. I better gone uh oh

0:53:23.400 --> 0:53:29.080
<v Speaker 4>the corner and there was like a final tap, there

0:53:29.120 --> 0:53:32.440
<v Speaker 4>was a sand castle as big as my home. I'm like, oh, no,

0:53:33.400 --> 0:53:35.919
<v Speaker 4>well that's and we can't say it's a fantasy, because

0:53:35.920 --> 0:53:37.000
<v Speaker 4>I think he lived there.

0:53:37.040 --> 0:53:39.320
<v Speaker 5>For most of the episode. He kept yelling at people.

0:53:49.080 --> 0:53:50.680
<v Speaker 1>Those are the two that always stuck out of my

0:53:50.760 --> 0:53:52.719
<v Speaker 1>mind as one, and I'm sure as we go through

0:53:52.719 --> 0:53:54.920
<v Speaker 1>the series we'll find other ones. But I remember thinking like,

0:53:55.560 --> 0:53:57.480
<v Speaker 1>oh my god, that one in the bag was in

0:53:57.560 --> 0:53:58.320
<v Speaker 1>the sand castle.

0:53:59.200 --> 0:53:59.960
<v Speaker 4>Yeah, they're a mistake.

0:54:00.120 --> 0:54:02.480
<v Speaker 1>So listen to twenty five. We were talking about how

0:54:02.480 --> 0:54:06.239
<v Speaker 1>you phased out In this episode you went nuts with

0:54:06.280 --> 0:54:09.799
<v Speaker 1>sound effects and there's there's literally a horn noise when Johnny.

0:54:10.440 --> 0:54:11.239
<v Speaker 4>For fucking.

0:54:12.840 --> 0:54:14.680
<v Speaker 5>When you and Jad eventually.

0:54:14.200 --> 0:54:19.239
<v Speaker 1>Do Yeah, I mean this episode is this This might

0:54:19.239 --> 0:54:22.120
<v Speaker 1>have been your peak sound effects moment as you're figuring out.

0:54:21.960 --> 0:54:23.920
<v Speaker 2>Oh no, there's another one coming. I know there's another

0:54:23.920 --> 0:54:24.759
<v Speaker 2>one coming.

0:54:24.719 --> 0:54:27.160
<v Speaker 1>But this one has this one has the ear flick

0:54:27.400 --> 0:54:30.759
<v Speaker 1>noise and also pretty much like anytime Johnny c moved.

0:54:30.800 --> 0:54:36.440
<v Speaker 4>Just you guys did the trivia question of Jeff's you

0:54:36.440 --> 0:54:38.439
<v Speaker 4>know the Powers that Be And you know it's hard

0:54:38.480 --> 0:54:41.080
<v Speaker 4>to screen rough cuts of single camera shows because they

0:54:41.080 --> 0:54:43.879
<v Speaker 4>wouldn't hear the laughs of all their friends and Will

0:54:43.880 --> 0:54:44.239
<v Speaker 4>and Grace.

0:54:44.680 --> 0:54:47.319
<v Speaker 5>Is this funny? And I thought it was funny. I

0:54:47.400 --> 0:54:48.799
<v Speaker 5>hated those sound effects so much.

0:54:48.840 --> 0:54:50.600
<v Speaker 4>Did you guys do the trivia question of the one

0:54:50.680 --> 0:54:52.480
<v Speaker 4>sound effect that stayed all nine years?

0:54:52.840 --> 0:54:55.920
<v Speaker 2>It's got to be the wish to go away into fantasy?

0:54:56.640 --> 0:54:58.960
<v Speaker 4>Yeah, no wish to fantasies? Though, is not a sign

0:54:59.040 --> 0:55:00.880
<v Speaker 4>effect with an actor. There's an actor.

0:55:01.239 --> 0:55:02.399
<v Speaker 1>Oh oh, Todd high five?

0:55:02.400 --> 0:55:06.800
<v Speaker 4>Whoops, there you go, Todd's high five being amplified times

0:55:06.840 --> 0:55:07.320
<v Speaker 4>nine thousand.

0:55:07.320 --> 0:55:08.680
<v Speaker 5>I think it's I think that's the.

0:55:08.680 --> 0:55:11.520
<v Speaker 4>Sound of like a rubber matt being slapped on the ground,

0:55:13.040 --> 0:55:15.080
<v Speaker 4>you know, And we kept that one forever.

0:55:15.560 --> 0:55:18.879
<v Speaker 1>That's funny. They really hurt, by the way. I mean, John,

0:55:20.719 --> 0:55:22.719
<v Speaker 1>I'm not being a whimp. They genuinely hurt.

0:55:22.840 --> 0:55:25.000
<v Speaker 2>No one's calling you a wimp. But come on, he.

0:55:25.000 --> 0:55:27.760
<v Speaker 4>Still passes out five's, you know on the line to people.

0:55:27.800 --> 0:55:29.480
<v Speaker 1>I know you can. You can go on Cameo. By

0:55:29.520 --> 0:55:31.239
<v Speaker 1>the way, We'll give Rob a shout out. You can

0:55:31.280 --> 0:55:34.040
<v Speaker 1>go on Cameo and Rob Maschio will send you a

0:55:34.080 --> 0:55:38.239
<v Speaker 1>message and high five you virtually, and go hire Rob

0:55:38.320 --> 0:55:40.719
<v Speaker 1>to give your friends a virtual high five on came

0:55:43.920 --> 0:55:45.360
<v Speaker 1>I kind of want to get one for Donald.

0:55:46.160 --> 0:55:48.200
<v Speaker 2>I'll accept and receive it, thank you very much.

0:55:48.840 --> 0:55:51.200
<v Speaker 1>Three twenty six, The janitor says one of my favorite

0:55:51.200 --> 0:55:54.000
<v Speaker 1>lines of the first season. You see him unhappy. I

0:55:54.160 --> 0:55:54.400
<v Speaker 1>like that.

0:55:58.840 --> 0:56:01.000
<v Speaker 5>I had forgotten that he locked you outside.

0:56:00.640 --> 0:56:02.719
<v Speaker 1>And was talking about Neil for his second bill because

0:56:02.719 --> 0:56:04.800
<v Speaker 1>we told we shared with the with the listeners the

0:56:05.160 --> 0:56:08.239
<v Speaker 1>story about how you know he wasn't intended to be

0:56:08.920 --> 0:56:10.480
<v Speaker 1>in your mind as big a role as he was,

0:56:10.560 --> 0:56:13.239
<v Speaker 1>or and then and of course everyone always discusses that

0:56:13.280 --> 0:56:15.399
<v Speaker 1>he may have been a figment of my imagination if

0:56:15.400 --> 0:56:17.839
<v Speaker 1>if the show only went one season, But just talk

0:56:17.880 --> 0:56:20.720
<v Speaker 1>about Neil and how you kept expanding his part because

0:56:20.760 --> 0:56:22.040
<v Speaker 1>he was just so friggin funny.

0:56:22.160 --> 0:56:24.080
<v Speaker 2>I have a question, did he have to audition? Also,

0:56:24.280 --> 0:56:26.200
<v Speaker 2>that's the other question. He did not happen.

0:56:26.239 --> 0:56:28.640
<v Speaker 4>Here's what here's here's what happened is Neil does the

0:56:28.719 --> 0:56:32.160
<v Speaker 4>stand up bit when he's interviewed, because he's a really

0:56:32.200 --> 0:56:33.440
<v Speaker 4>good actor. I don't know if you guys have ever

0:56:33.480 --> 0:56:35.839
<v Speaker 4>seen him any of his dramatic stuff. In the middle,

0:56:35.880 --> 0:56:38.640
<v Speaker 4>he was so and he's so good. Yeah, and he

0:56:38.680 --> 0:56:42.040
<v Speaker 4>came in and read for John mcf doctor Cox and

0:56:43.040 --> 0:56:45.839
<v Speaker 4>he was really good. But literally there, because we were

0:56:45.840 --> 0:56:47.560
<v Speaker 4>old buddies, I'm like, you're going to be the janitor

0:56:47.880 --> 0:56:50.759
<v Speaker 4>and uh. And so when he talks about it, he's like,

0:56:50.760 --> 0:56:53.359
<v Speaker 4>so I really prepared and I came in and then

0:56:53.360 --> 0:56:55.080
<v Speaker 4>Bill's not gonna be the janet. And when Neil does

0:56:55.080 --> 0:56:58.000
<v Speaker 4>the bit, Neil's like, well, I still carry around like

0:56:58.120 --> 0:57:01.399
<v Speaker 4>a clipboard and a step mop, carry around a mop.

0:57:03.360 --> 0:57:06.360
<v Speaker 5>Well I get to wear one of those cool lab jumpsuit.

0:57:06.480 --> 0:57:07.200
<v Speaker 5>Gray jumpsuit.

0:57:08.200 --> 0:57:10.239
<v Speaker 1>Oh, he would get so mad. Neil would that it

0:57:10.280 --> 0:57:14.080
<v Speaker 1>wasn't a jumpsuit. He goes, it's a gray shirt and pants.

0:57:14.120 --> 0:57:15.200
<v Speaker 1>It's not a jumpsuit.

0:57:18.240 --> 0:57:20.880
<v Speaker 2>I'm sorry. I always thought that his character was like

0:57:21.000 --> 0:57:23.479
<v Speaker 2>the worst janitor in the world, But when you watch

0:57:23.560 --> 0:57:26.480
<v Speaker 2>the show, he's always working and he's always doing his job.

0:57:26.720 --> 0:57:28.720
<v Speaker 2>He was never lazy, you know what I mean.

0:57:28.960 --> 0:57:30.400
<v Speaker 5>He was drunk most of the time.

0:57:31.400 --> 0:57:33.120
<v Speaker 4>That was one of my favorite lines ever's have you

0:57:33.160 --> 0:57:33.680
<v Speaker 4>been drinking?

0:57:33.840 --> 0:57:41.560
<v Speaker 5>I'm not drunk? Na, So look JD, the real JD told.

0:57:41.720 --> 0:57:43.800
<v Speaker 4>Me often when he was talking about it, there would

0:57:43.840 --> 0:57:47.080
<v Speaker 4>always be somebody, as there is any group dynamic when

0:57:47.080 --> 0:57:49.080
<v Speaker 4>he was a resident, would just plague him. You know,

0:57:49.480 --> 0:57:51.600
<v Speaker 4>it wasn't always a janitor whatever. So I wanted to

0:57:51.640 --> 0:57:54.120
<v Speaker 4>come up with that character for you, and I thought

0:57:54.160 --> 0:57:56.680
<v Speaker 4>it would be a line here or there. But Neil

0:57:56.800 --> 0:57:59.800
<v Speaker 4>was so funny man and such a gift just to

0:58:00.280 --> 0:58:03.440
<v Speaker 4>have around. And he's you know me, whenever I take

0:58:03.480 --> 0:58:05.560
<v Speaker 4>someone's funny in their buddy, I put him or hurry

0:58:05.560 --> 0:58:08.480
<v Speaker 4>in as much as I possibly can, so he became

0:58:08.800 --> 0:58:12.280
<v Speaker 4>more and more of a character in ways I never thought.

0:58:12.560 --> 0:58:14.160
<v Speaker 4>And part of the joy for me of going back

0:58:14.160 --> 0:58:17.080
<v Speaker 4>and look at these episodes not only seeing moments like

0:58:17.120 --> 0:58:20.240
<v Speaker 4>that Zach that I know Neil made up. You know,

0:58:21.240 --> 0:58:24.160
<v Speaker 4>like even in this episode, you're screaming and the line

0:58:24.160 --> 0:58:26.360
<v Speaker 4>in the script is la la la, I can't hear you.

0:58:26.840 --> 0:58:28.440
<v Speaker 4>But then I kept it in because like, that's one

0:58:28.480 --> 0:58:29.880
<v Speaker 4>of the first times that I looked into editing.

0:58:29.920 --> 0:58:32.000
<v Speaker 5>And then there was Neil going, what you love who?

0:58:32.200 --> 0:58:35.520
<v Speaker 5>You know what I mean? They just playing around with you,

0:58:35.520 --> 0:58:35.960
<v Speaker 5>you know what I mean?

0:58:36.000 --> 0:58:37.840
<v Speaker 1>I remember the scenes with Neil would always be so

0:58:37.960 --> 0:58:40.240
<v Speaker 1>fun because you know, we'd all riffer around, but Neil

0:58:40.520 --> 0:58:43.120
<v Speaker 1>was the best at it, and and you just never

0:58:43.240 --> 0:58:45.880
<v Speaker 1>knew what he was going to say. And I just

0:58:45.960 --> 0:58:48.640
<v Speaker 1>remember I always knew I was gonna laugh extra hard

0:58:48.720 --> 0:58:52.400
<v Speaker 1>because he would just come up with the craziest shit ever.

0:58:53.160 --> 0:58:55.680
<v Speaker 4>I was randomly down the wormhole of getting ready to

0:58:55.680 --> 0:58:57.520
<v Speaker 4>talk to you. To you guy, by the way, the

0:58:57.600 --> 0:58:59.360
<v Speaker 4>end of my other sentence was one of the gifts

0:58:59.360 --> 0:59:01.360
<v Speaker 4>for me as I to show go on and evolved,

0:59:01.880 --> 0:59:04.360
<v Speaker 4>some stuff got worse as a writer, you know, like

0:59:04.360 --> 0:59:06.600
<v Speaker 4>when you say I torture myself when I got too

0:59:06.600 --> 0:59:09.320
<v Speaker 4>broad and stuff like that. But then some stuff got better,

0:59:09.440 --> 0:59:12.480
<v Speaker 4>characters got richer, and last night, randomly, I was watching

0:59:12.560 --> 0:59:14.920
<v Speaker 4>Neil interact with Donald, you know, I mean, I don't

0:59:14.920 --> 0:59:16.680
<v Speaker 4>know if you remember when he had a sock puppet.

0:59:16.920 --> 0:59:19.880
<v Speaker 4>He's like, he pretended to hit you with the days

0:59:20.560 --> 0:59:24.240
<v Speaker 4>and your dynamic with him was so funny as well.

0:59:24.760 --> 0:59:27.240
<v Speaker 4>You know, it was cool to see him start to

0:59:27.240 --> 0:59:31.320
<v Speaker 4>interact with other characters. But the wormhole I ended up

0:59:31.320 --> 0:59:34.200
<v Speaker 4>putting last night and everybody should go look for it.

0:59:34.960 --> 0:59:37.600
<v Speaker 4>There's a scene with Sam Lloyd who plays Ted, and

0:59:37.760 --> 0:59:40.280
<v Speaker 4>Zach and Neil and you guys are trying to help

0:59:40.360 --> 0:59:43.360
<v Speaker 4>Neil with a girlfriend. You know, he's trying to the

0:59:43.400 --> 0:59:47.800
<v Speaker 4>girl that played the ukulele Kate mccoucheoch. You're trying to

0:59:48.360 --> 0:59:51.240
<v Speaker 4>get him to go for it with her. And I

0:59:51.280 --> 0:59:53.440
<v Speaker 4>told Neil, I'm like, you got to make up something

0:59:53.480 --> 0:59:56.600
<v Speaker 4>of what you did with your girlfriend. And Neil, Zach,

0:59:56.760 --> 0:59:59.120
<v Speaker 4>we used your real reactions. He made up a monologue

0:59:59.120 --> 1:00:02.200
<v Speaker 4>about killing a dust for her. It's not in the script,

1:00:02.640 --> 1:00:05.040
<v Speaker 4>and I watched it last night. He goes, he starts

1:00:05.080 --> 1:00:07.720
<v Speaker 4>and he goes, he goes, look, you should give her

1:00:07.760 --> 1:00:11.920
<v Speaker 4>a present, like something personal, something you made. Like when

1:00:11.920 --> 1:00:14.320
<v Speaker 4>I first started dating lady, I gave her a duck

1:00:14.360 --> 1:00:18.280
<v Speaker 4>that I killed already already a weird premise, right, And

1:00:18.280 --> 1:00:20.840
<v Speaker 4>then he said, I know what you're asking. Wouldn't it

1:00:20.840 --> 1:00:22.960
<v Speaker 4>have been more personal to kill her in front of her?

1:00:23.000 --> 1:00:25.520
<v Speaker 4>And yes, it would have, which is also made up.

1:00:26.000 --> 1:00:28.520
<v Speaker 4>And then he goes, but the duck and I were

1:00:28.600 --> 1:00:33.160
<v Speaker 4>driving over and and he goes, he goes, maybe I

1:00:33.280 --> 1:00:35.080
<v Speaker 4>was having a bad day, maybe he was.

1:00:35.120 --> 1:00:35.520
<v Speaker 5>I don't know.

1:00:35.880 --> 1:00:37.960
<v Speaker 4>But next thing you know, we're pulled over on the

1:00:38.000 --> 1:00:40.280
<v Speaker 4>side of the road, shirts off, which meant.

1:00:40.160 --> 1:00:41.280
<v Speaker 5>The duck was wearing your shirt.

1:00:42.480 --> 1:00:45.040
<v Speaker 4>He goes, next thing you know, we're pulled over on

1:00:45.040 --> 1:00:46.960
<v Speaker 4>the side of the road, shirts off, you know, seeing

1:00:47.000 --> 1:00:50.200
<v Speaker 4>what's what? So Neil described a scene that he beat

1:00:50.280 --> 1:00:56.440
<v Speaker 4>a duck to down on the side of the freeway. Yes,

1:00:56.920 --> 1:00:58.640
<v Speaker 4>and I'm like, that's why that guy's in the show

1:00:58.680 --> 1:00:59.120
<v Speaker 4>so much.

1:00:59.160 --> 1:00:59.360
<v Speaker 5>Man.

1:00:59.440 --> 1:01:01.680
<v Speaker 4>I said, hey, come up with something that you did

1:01:01.680 --> 1:01:04.680
<v Speaker 4>for your girlfriend, And he's like, what he's probably looking

1:01:04.720 --> 1:01:08.400
<v Speaker 4>for is that I beat a duck to death for

1:01:08.440 --> 1:01:11.080
<v Speaker 4>her and then brought it over so she could cook it.

1:01:11.800 --> 1:01:14.680
<v Speaker 1>He would also just come up with the craziest ship

1:01:14.760 --> 1:01:17.640
<v Speaker 1>and to the point where in later episodes, in later

1:01:17.680 --> 1:01:19.960
<v Speaker 1>seasons Bill sometimes it would just say in the script,

1:01:20.520 --> 1:01:22.120
<v Speaker 1>it just and then Neil makes up something.

1:01:22.280 --> 1:01:25.600
<v Speaker 4>Yeah, Neil, please say something funny. It's late one script.

1:01:25.600 --> 1:01:27.240
<v Speaker 1>I guess it was late night in the writer's room, Bill,

1:01:27.240 --> 1:01:29.320
<v Speaker 1>and you're like, we're not gonna do that. Just put

1:01:29.440 --> 1:01:30.600
<v Speaker 1>Neil says something funny.

1:01:31.080 --> 1:01:33.080
<v Speaker 4>Yeah, dude, I wrote that in the script. At the

1:01:33.080 --> 1:01:34.920
<v Speaker 4>first time, I'm like, Neil, it's two in the morning,

1:01:35.000 --> 1:01:37.880
<v Speaker 4>just say something funny. And the next day he did.

1:01:39.000 --> 1:01:41.640
<v Speaker 4>You know, I liked it the most when I got

1:01:41.640 --> 1:01:44.200
<v Speaker 4>to see him with you guys or with Sarah actually

1:01:44.240 --> 1:01:46.760
<v Speaker 4>having a real moment, you know, because it was so

1:01:46.840 --> 1:01:48.360
<v Speaker 4>cool that he could actually deliver. You know.

1:01:49.040 --> 1:01:51.640
<v Speaker 2>That's the interesting thing as we you know, as a

1:01:51.720 --> 1:01:55.200
<v Speaker 2>show goes on, you start to see people's first one

1:01:55.240 --> 1:01:59.120
<v Speaker 2>on one scenes together. And so in this episode, John

1:01:59.200 --> 1:02:03.320
<v Speaker 2>c McGinley and Sarah have their first real one on

1:02:03.320 --> 1:02:07.960
<v Speaker 2>one scene where she's asking him for advice. And at

1:02:07.960 --> 1:02:12.000
<v Speaker 2>this point, we as an audios, as an audience member,

1:02:12.040 --> 1:02:14.200
<v Speaker 2>we think that JD and John c McGinley are the

1:02:14.200 --> 1:02:18.120
<v Speaker 2>only ones that you know, that's the only dad son relationship,

1:02:18.160 --> 1:02:20.080
<v Speaker 2>but he was actually a dad to all of us

1:02:20.440 --> 1:02:22.560
<v Speaker 2>in this show as far as you know what I mean.

1:02:22.560 --> 1:02:25.080
<v Speaker 2>And this was the first episode where we see Sarah

1:02:25.120 --> 1:02:28.960
<v Speaker 2>and him, uh and and actually him mess with Sarah

1:02:28.960 --> 1:02:33.000
<v Speaker 2>in a way that could have gotten her fired, you

1:02:33.000 --> 1:02:35.080
<v Speaker 2>know what I mean. I just thought that's I thought

1:02:35.120 --> 1:02:37.760
<v Speaker 2>that was very interesting because eventually you have to introduce everybody,

1:02:37.960 --> 1:02:40.920
<v Speaker 2>even though it took you know, a whole season for

1:02:40.960 --> 1:02:43.680
<v Speaker 2>everybody to meet the janitor, for the janitor to do

1:02:43.720 --> 1:02:46.040
<v Speaker 2>other scenes with, for Neil to do other scenes with

1:02:46.080 --> 1:02:49.800
<v Speaker 2>everyone other than Zach. It was just it's just interesting

1:02:49.800 --> 1:02:51.880
<v Speaker 2>because when the show starts off, it seems like the

1:02:51.880 --> 1:02:54.160
<v Speaker 2>bubble is so small, you know what I mean. And

1:02:54.280 --> 1:02:57.960
<v Speaker 2>it starts with j D's relationship with everybody, but then

1:02:58.040 --> 1:03:00.240
<v Speaker 2>as it goes on, the bubble just kept getting bigger

1:03:00.320 --> 1:03:02.720
<v Speaker 2>and bigger and bigger. It's a great metaphor, and by

1:03:02.760 --> 1:03:05.520
<v Speaker 2>the end of it, we're all in the same universe together.

1:03:05.720 --> 1:03:08.280
<v Speaker 2>And this is also the first episode where the hospital

1:03:08.280 --> 1:03:10.240
<v Speaker 2>gets really wacky all of a sudden, you know what

1:03:10.280 --> 1:03:12.960
<v Speaker 2>I mean, Like we weren't whacky before that. Before this,

1:03:13.280 --> 1:03:16.400
<v Speaker 2>we were you know, even though it's episode three, we started.

1:03:16.520 --> 1:03:18.880
<v Speaker 2>This is where we're starting to do things that later

1:03:18.960 --> 1:03:22.800
<v Speaker 2>on I think, you know, I love it when you

1:03:23.120 --> 1:03:26.120
<v Speaker 2>jump from episode one or two and you jump all

1:03:26.160 --> 1:03:29.320
<v Speaker 2>the way to episode you know, season three, episode five,

1:03:29.680 --> 1:03:31.640
<v Speaker 2>because the growth of the show is so different, you

1:03:31.720 --> 1:03:32.160
<v Speaker 2>know what I mean.

1:03:32.880 --> 1:03:35.160
<v Speaker 4>I think about it in terms of characters, Like, what's

1:03:35.200 --> 1:03:37.680
<v Speaker 4>one of the things that's hard for me to watch

1:03:38.160 --> 1:03:42.440
<v Speaker 4>about the early episodes is Ken Jenkins is such a

1:03:42.440 --> 1:03:45.480
<v Speaker 4>good actor, and he was the bad guy on this show,

1:03:46.160 --> 1:03:51.400
<v Speaker 4>and I had not yet realized how deliciously silly and

1:03:51.440 --> 1:03:53.640
<v Speaker 4>funny that guy could be. You know, that guy is

1:03:53.680 --> 1:03:58.040
<v Speaker 4>a comedy assassin. But he was so good at being

1:03:58.520 --> 1:04:00.720
<v Speaker 4>a guy that you just hated, you know what I mean,

1:04:00.800 --> 1:04:02.440
<v Speaker 4>And and we leaned into that, and he didn't have

1:04:02.440 --> 1:04:05.240
<v Speaker 4>any other levels. So it's so cool when he expands,

1:04:05.480 --> 1:04:07.120
<v Speaker 4>you know what I mean, to see that you know

1:04:07.160 --> 1:04:10.680
<v Speaker 4>that he's silly and funny, that Johnny c can be

1:04:10.800 --> 1:04:14.000
<v Speaker 4>kind here or there, that Donald and the janitor can

1:04:14.080 --> 1:04:15.720
<v Speaker 4>go back and forth at each other but be on

1:04:15.760 --> 1:04:19.240
<v Speaker 4>different playing fields because Donald's not threatened. I mean, it's

1:04:19.240 --> 1:04:21.280
<v Speaker 4>it's weird to see you guys all at the beginning

1:04:21.600 --> 1:04:23.920
<v Speaker 4>because I did like the rich characters that you all

1:04:23.960 --> 1:04:24.720
<v Speaker 4>became very much.

1:04:24.720 --> 1:04:29.720
<v Speaker 2>You know, I love it.

1:04:33.360 --> 1:04:36.040
<v Speaker 1>Bill. We take a caller here on our show, and

1:04:36.120 --> 1:04:37.320
<v Speaker 1>it looks like, by the.

1:04:37.320 --> 1:04:39.680
<v Speaker 4>Way, I just thought it was a super villain because

1:04:39.720 --> 1:04:42.480
<v Speaker 4>it is us a as a gentleman. That is.

1:04:45.400 --> 1:04:48.320
<v Speaker 1>For you guys listening at home. His picture came up

1:04:48.360 --> 1:04:50.840
<v Speaker 1>on zoom and he's petting a cat, like like the

1:04:50.920 --> 1:04:51.959
<v Speaker 1>evil genius.

1:04:54.320 --> 1:04:56.840
<v Speaker 4>You all are enjoying talking about your show. Well, I

1:04:56.840 --> 1:04:58.440
<v Speaker 4>have bad news.

1:04:58.240 --> 1:05:01.600
<v Speaker 1>That's all right, Well, go ahead and introduce him.

1:05:01.840 --> 1:05:04.280
<v Speaker 2>Yes, Hi, Mike, thanks so much for joining us.

1:05:04.600 --> 1:05:06.200
<v Speaker 4>Hi everyone, how are you?

1:05:06.200 --> 1:05:07.280
<v Speaker 1>Can you hear me? Yes?

1:05:07.320 --> 1:05:08.959
<v Speaker 2>We can you just fine, Martin.

1:05:09.000 --> 1:05:11.200
<v Speaker 6>It's my first ever zoom meeting. I've never done this.

1:05:11.280 --> 1:05:12.160
<v Speaker 6>I'm glad it's working.

1:05:12.280 --> 1:05:13.200
<v Speaker 2>I'm glad you're here.

1:05:13.440 --> 1:05:17.160
<v Speaker 1>Well, Mark, you picked a good episode, uh to beyond

1:05:17.160 --> 1:05:19.840
<v Speaker 1>because you have the creator of the whole show, Bill Lawrence.

1:05:20.040 --> 1:05:22.480
<v Speaker 1>So if you have a question for any of us,

1:05:22.520 --> 1:05:23.160
<v Speaker 1>go ahead.

1:05:23.400 --> 1:05:25.600
<v Speaker 4>Oh well, hello Bill Lawrence, and hello all of you.

1:05:25.680 --> 1:05:27.800
<v Speaker 5>That's awesome. I'm so glad.

1:05:27.520 --> 1:05:29.720
<v Speaker 1>To be Where do you live, by the way, I

1:05:29.840 --> 1:05:30.640
<v Speaker 1>live in Chicago.

1:05:30.760 --> 1:05:34.400
<v Speaker 6>I'm on the northwest side Chicago, up in Avondale, Old

1:05:34.440 --> 1:05:35.480
<v Speaker 6>Irving Park area.

1:05:35.640 --> 1:05:37.200
<v Speaker 2>Shotaw, stand up, we.

1:05:37.080 --> 1:05:38.200
<v Speaker 4>Were just talking about Neil Flynn.

1:05:38.200 --> 1:05:39.800
<v Speaker 5>That's where that's the area of the world that he

1:05:39.880 --> 1:05:40.160
<v Speaker 5>is from.

1:05:40.200 --> 1:05:44.240
<v Speaker 2>My friend really Oh, but not your specific area. But

1:05:44.280 --> 1:05:47.200
<v Speaker 2>he's from Chicago. No, but he was like downstairs right now,

1:05:47.320 --> 1:05:47.560
<v Speaker 2>right now?

1:05:47.600 --> 1:05:49.600
<v Speaker 4>No no, no, no, I mean he could be all right,

1:05:49.640 --> 1:05:51.000
<v Speaker 4>go ahead, Mark, all right.

1:05:51.400 --> 1:05:54.680
<v Speaker 6>Even from the earliest episodes, Scrubs wasn't afraid to raise

1:05:54.760 --> 1:05:57.600
<v Speaker 6>social issues and took a clear stance that I thought

1:05:57.640 --> 1:06:01.680
<v Speaker 6>prioritized like well being of people over the economics and

1:06:01.800 --> 1:06:04.520
<v Speaker 6>insurance bureaucracy. I felt like this helped a lot of

1:06:04.640 --> 1:06:07.320
<v Speaker 6>young people, myself included, start thinking about the human side

1:06:07.360 --> 1:06:09.880
<v Speaker 6>of healthcare and healthcare like as a human right for

1:06:09.920 --> 1:06:11.640
<v Speaker 6>the first time, and sort of some of those more

1:06:11.680 --> 1:06:14.160
<v Speaker 6>serious issues. So I was just wondering if you guys

1:06:14.200 --> 1:06:17.920
<v Speaker 6>recalled any specific moments from production episodes or moments on

1:06:17.960 --> 1:06:20.560
<v Speaker 6>set that might have changed your influence the way you

1:06:20.600 --> 1:06:23.400
<v Speaker 6>guys have you the sort of work done by your characters,

1:06:23.520 --> 1:06:25.480
<v Speaker 6>or just sort of the healthcare system as a whole.

1:06:26.080 --> 1:06:29.920
<v Speaker 4>Wow, that's Donald and Zach answer this for the show.

1:06:30.720 --> 1:06:33.520
<v Speaker 4>I will tell you I've been thinking about this a

1:06:33.520 --> 1:06:37.760
<v Speaker 4>lot lately. Mark because the real JD and my pal

1:06:38.320 --> 1:06:40.320
<v Speaker 4>we were both kind of screw ups with a lot

1:06:40.360 --> 1:06:43.040
<v Speaker 4>with very little direction as young guys. And I remember

1:06:43.120 --> 1:06:45.200
<v Speaker 4>asking him what the hell he was doing going back

1:06:45.240 --> 1:06:48.080
<v Speaker 4>to pre med, and he talked about wanting to be

1:06:48.200 --> 1:06:52.960
<v Speaker 4>of service, you know, and his viewpoint right now.

1:06:52.800 --> 1:06:54.960
<v Speaker 5>You know, not to make this two poignant.

1:06:55.640 --> 1:06:57.760
<v Speaker 4>I FaceTime with him every night when he gets off

1:06:57.840 --> 1:07:00.120
<v Speaker 4>work because he's run of the COVID command centers on

1:07:00.160 --> 1:07:02.680
<v Speaker 4>the whole ICU for this hospitals we spoke about, and

1:07:02.720 --> 1:07:05.040
<v Speaker 4>it helps him decompress and not take that stuff into

1:07:05.040 --> 1:07:09.760
<v Speaker 4>his family. And he as a caregiver cares so much

1:07:09.840 --> 1:07:13.920
<v Speaker 4>more about the humanistic side than any of this other bullshit.

1:07:14.000 --> 1:07:16.720
<v Speaker 4>And he instilled that upon me, and he said we

1:07:16.760 --> 1:07:19.880
<v Speaker 4>could steal all of his stories, but we could never

1:07:20.000 --> 1:07:23.720
<v Speaker 4>have a callousness. He said, he was only interested in

1:07:23.800 --> 1:07:26.760
<v Speaker 4>me stealing his stories in his life and his name

1:07:27.680 --> 1:07:31.560
<v Speaker 4>if The undercurrent of the show was that it was

1:07:31.600 --> 1:07:34.600
<v Speaker 4>about a bunch of people flaws and all that cared

1:07:34.680 --> 1:07:37.760
<v Speaker 4>most about helping and taking care of other people. So

1:07:37.840 --> 1:07:39.960
<v Speaker 4>that was part of the series. And I'll weave the

1:07:39.960 --> 1:07:42.560
<v Speaker 4>rest to Donald and Zach. That's cool that you asked

1:07:42.560 --> 1:07:44.280
<v Speaker 4>that because I think about him every day. He's out

1:07:44.280 --> 1:07:45.960
<v Speaker 4>there doing stuff much.

1:07:45.800 --> 1:07:48.640
<v Speaker 1>More important, of course, And and and it's the perfect

1:07:48.720 --> 1:07:52.640
<v Speaker 1>question for this era, Mark because these these these medical

1:07:52.640 --> 1:07:55.360
<v Speaker 1>professionals and everyone who's working in the industry, whether you're

1:07:55.440 --> 1:07:59.760
<v Speaker 1>a doctor, a nurse, or a janitor, a medic, everyone

1:07:59.760 --> 1:08:04.560
<v Speaker 1>who in this environment is as the world is finally

1:08:04.600 --> 1:08:08.479
<v Speaker 1>seeing in the spotlight how heroic these people are. And

1:08:08.560 --> 1:08:10.800
<v Speaker 1>I think I always felt when we were making the

1:08:10.840 --> 1:08:14.720
<v Speaker 1>show that Bill was really shining a light on how

1:08:14.760 --> 1:08:17.400
<v Speaker 1>dedicated these folks were and how they had to deal

1:08:17.439 --> 1:08:19.559
<v Speaker 1>with life and death every single day. One thing that

1:08:19.600 --> 1:08:22.120
<v Speaker 1>really stood out for me when you asked your question

1:08:22.320 --> 1:08:25.519
<v Speaker 1>was the I remember learning that the nurses really run

1:08:25.560 --> 1:08:28.519
<v Speaker 1>the show. I hadn't spent much time in a hospital

1:08:28.560 --> 1:08:33.200
<v Speaker 1>when we started making Scrubs, and I learned that the

1:08:33.240 --> 1:08:37.000
<v Speaker 1>doctors can't do it without the nurses, and the nurses

1:08:37.040 --> 1:08:40.080
<v Speaker 1>are the ones who are on the front lines, and

1:08:40.120 --> 1:08:42.080
<v Speaker 1>the doctors have to be rotating, and they can't do

1:08:42.200 --> 1:08:45.120
<v Speaker 1>anything without the help of amazing nurses. It wasn't until

1:08:45.600 --> 1:08:48.479
<v Speaker 1>I spent more time in hospitals with both my father

1:08:48.560 --> 1:08:51.680
<v Speaker 1>and my sister getting sick, that I really this was

1:08:51.720 --> 1:08:53.880
<v Speaker 1>after Scrubs, but I remember being like, wow, this is

1:08:53.920 --> 1:08:56.000
<v Speaker 1>everything we were doing is so real. I'm witnessing it

1:08:56.000 --> 1:08:58.479
<v Speaker 1>on the front lines that we see that doctor like

1:08:58.640 --> 1:09:01.519
<v Speaker 1>every now and then, But man, these nurses and when

1:09:01.520 --> 1:09:03.519
<v Speaker 1>we have a good one, it is such a difference,

1:09:03.560 --> 1:09:06.439
<v Speaker 1>and me puts a smile on my sick father's face,

1:09:06.479 --> 1:09:08.519
<v Speaker 1>and when we have one that's a little bit aloof

1:09:08.560 --> 1:09:12.320
<v Speaker 1>it just drives you crazy. And I just really it

1:09:12.360 --> 1:09:15.200
<v Speaker 1>really came home to me everything we have been doing

1:09:15.200 --> 1:09:18.360
<v Speaker 1>on the show, how crucial and how important the people

1:09:18.360 --> 1:09:21.080
<v Speaker 1>on the front lines, particularly in this anecdote I'm telling

1:09:21.240 --> 1:09:23.400
<v Speaker 1>the nursing staff of hospitals were to me.

1:09:23.880 --> 1:09:25.760
<v Speaker 2>The one thing that really sticks out for me is

1:09:25.800 --> 1:09:30.000
<v Speaker 2>to piggyback on what Bill said, is you know, for

1:09:30.120 --> 1:09:34.160
<v Speaker 2>some hospitals, if you don't have insurance, you can't get treated.

1:09:34.920 --> 1:09:37.360
<v Speaker 2>And the one thing that Scrubs did which I thought

1:09:37.400 --> 1:09:40.280
<v Speaker 2>was amazing was we had a bunch of the doctors

1:09:40.320 --> 1:09:43.320
<v Speaker 2>on the show were a bunch of rule breakers, benders,

1:09:43.520 --> 1:09:45.680
<v Speaker 2>especially when it came to something like that, you know

1:09:45.720 --> 1:09:49.280
<v Speaker 2>what I mean. That was always special for me because

1:09:49.840 --> 1:09:53.280
<v Speaker 2>you know, a lot of people don't have great insurance,

1:09:53.920 --> 1:09:56.400
<v Speaker 2>especially right now a lot of people.

1:09:56.160 --> 1:09:58.400
<v Speaker 1>Don't have it and or any insurance at all.

1:09:58.760 --> 1:10:01.479
<v Speaker 2>And Test Church at all, thank you, Zach. And Test

1:10:01.520 --> 1:10:03.880
<v Speaker 2>costs a lot of money, you know what I mean.

1:10:04.120 --> 1:10:06.800
<v Speaker 2>And if there are rule breakers and rule benders out

1:10:06.840 --> 1:10:11.080
<v Speaker 2>there that can save lives in that way, I'm all

1:10:11.120 --> 1:10:12.439
<v Speaker 2>for that, you know what I mean. And I love

1:10:12.520 --> 1:10:15.120
<v Speaker 2>that we had people on the show, like doctor Cox.

1:10:15.160 --> 1:10:17.960
<v Speaker 2>When Kelso's trying to get this person out of the hospital,

1:10:18.200 --> 1:10:20.760
<v Speaker 2>Cox comes up with so many different ways to get

1:10:21.400 --> 1:10:23.759
<v Speaker 2>this guy a bed, and I thought that was just amazing.

1:10:24.200 --> 1:10:28.000
<v Speaker 4>Hey, Mark, we obsessed so much about your question. All

1:10:28.000 --> 1:10:31.040
<v Speaker 4>in terms of the character doctor Kelso. There's an episode

1:10:32.080 --> 1:10:33.000
<v Speaker 4>you guys might remember.

1:10:33.439 --> 1:10:34.519
<v Speaker 5>I remember the song.

1:10:34.360 --> 1:10:38.040
<v Speaker 4>And the scenes that because the real JD he runs

1:10:38.040 --> 1:10:40.040
<v Speaker 4>a hospital now and he's like and you're forced with

1:10:40.080 --> 1:10:42.720
<v Speaker 4>having to make these decisions for the greater good. And

1:10:42.720 --> 1:10:45.720
<v Speaker 4>there's an episode in which doctor Kelso you know, has

1:10:45.760 --> 1:10:50.080
<v Speaker 4>to punt a guy you know, from treatment that they've

1:10:50.080 --> 1:10:52.840
<v Speaker 4>done avasurance to have money in an effort to still

1:10:52.880 --> 1:10:55.759
<v Speaker 4>build other stuff and to have money to save other people.

1:10:56.200 --> 1:10:58.840
<v Speaker 5>And we made this joke about.

1:10:58.439 --> 1:11:01.840
<v Speaker 4>How every time doctor Kelson's foot hits the bottom of

1:11:01.880 --> 1:11:04.599
<v Speaker 4>the stairs when he leaves the hospital, he starts whistling

1:11:04.680 --> 1:11:06.320
<v Speaker 4>as if the day doesn't even affect him.

1:11:06.600 --> 1:11:09.200
<v Speaker 5>And at the end of that episode, even he because he.

1:11:09.240 --> 1:11:11.960
<v Speaker 4>Knew he was directly responsible for his guy not getting care,

1:11:12.920 --> 1:11:14.760
<v Speaker 4>his foot hits and he has a moment you can

1:11:14.800 --> 1:11:16.840
<v Speaker 4>see it's really hard for him to start whistling again.

1:11:16.880 --> 1:11:20.519
<v Speaker 4>As a citizen Cope song called Sideways playing, and so

1:11:21.080 --> 1:11:23.240
<v Speaker 4>we just wanted to make sure that the people weren't

1:11:23.280 --> 1:11:25.599
<v Speaker 4>the villains and that the system was So yeah, I'm

1:11:25.640 --> 1:11:27.479
<v Speaker 4>really grateful that you noticed that and asked about it.

1:11:27.800 --> 1:11:28.160
<v Speaker 2>Awesome.

1:11:28.200 --> 1:11:30.760
<v Speaker 6>Thank you guys for giving such detailed, great responses.

1:11:31.360 --> 1:11:33.760
<v Speaker 4>Sure, I think it just speaks to how much you.

1:11:33.680 --> 1:11:35.960
<v Speaker 2>Guys feel for the show and put into the show.

1:11:36.000 --> 1:11:37.800
<v Speaker 6>It really comes across, and I think that's why I've

1:11:37.800 --> 1:11:39.000
<v Speaker 6>been such a big fan for so long.

1:11:39.120 --> 1:11:41.559
<v Speaker 1>So thank you, Thank you, Mark, Thanks so much for

1:11:41.600 --> 1:11:42.280
<v Speaker 1>asking your question.

1:11:42.680 --> 1:11:45.720
<v Speaker 2>Do you want to ask another question? Oh? Sure, all right,

1:11:45.880 --> 1:11:46.559
<v Speaker 2>you get one more?

1:11:47.120 --> 1:11:47.519
<v Speaker 4>All right?

1:11:48.400 --> 1:11:52.400
<v Speaker 6>So, this episode, episode three, and the show as a whole,

1:11:52.439 --> 1:11:56.759
<v Speaker 6>I think has a lot of moments that exemplify really healthy,

1:11:56.960 --> 1:11:59.720
<v Speaker 6>often sensitive male relationships.

1:12:00.120 --> 1:12:03.600
<v Speaker 4>Your guys's Turk and JD and JD and doctor.

1:12:03.360 --> 1:12:05.640
<v Speaker 6>Cox and other ones, and I was just wondering if

1:12:05.640 --> 1:12:07.840
<v Speaker 6>you guys could maybe talk a little bit about what

1:12:07.880 --> 1:12:10.599
<v Speaker 6>was important to you guys to have positive sort of

1:12:10.640 --> 1:12:13.160
<v Speaker 6>emotional moments between rose.

1:12:13.640 --> 1:12:15.840
<v Speaker 4>And how that might have affected your real life.

1:12:16.120 --> 1:12:18.160
<v Speaker 1>I think that's a great question. I'm glad you asked

1:12:18.160 --> 1:12:20.880
<v Speaker 1>it with Bill on the show, because for me, I

1:12:21.000 --> 1:12:24.080
<v Speaker 1>really felt in a positive way. Granted we joked about

1:12:24.400 --> 1:12:26.040
<v Speaker 1>it a lot, but I thought in a positive way

1:12:26.040 --> 1:12:29.080
<v Speaker 1>we were showing, you know, when we were growing up.

1:12:29.160 --> 1:12:31.880
<v Speaker 1>I mean when Donald, Bill's a smidge and older than us,

1:12:31.880 --> 1:12:33.640
<v Speaker 1>but when Donald and I were growing up, you know,

1:12:33.720 --> 1:12:37.200
<v Speaker 1>anything you did that was a motive towards the guy

1:12:37.320 --> 1:12:39.600
<v Speaker 1>you were called gay and it was derogatory and it

1:12:39.640 --> 1:12:42.160
<v Speaker 1>was negative, and it was just an adjective in high

1:12:42.160 --> 1:12:44.400
<v Speaker 1>school and junior high, in middle school and everything was

1:12:44.920 --> 1:12:48.519
<v Speaker 1>And I always as someone who was it's no surprise

1:12:48.760 --> 1:12:51.160
<v Speaker 1>I'm similar in a lot of ways to JD. I

1:12:51.200 --> 1:12:54.160
<v Speaker 1>always felt like, but this is who I am. I

1:12:54.200 --> 1:12:57.000
<v Speaker 1>am a guy who is a hugger and who's emotional

1:12:57.040 --> 1:12:59.920
<v Speaker 1>and where's his hardness sleeve and loves musicals who happens

1:12:59.920 --> 1:13:03.439
<v Speaker 1>to be a heterosexual. And I felt like Bill wrote

1:13:03.479 --> 1:13:06.479
<v Speaker 1>a character a friendship that was like, well, we're gonna

1:13:06.479 --> 1:13:09.599
<v Speaker 1>show that that's okay to men in a way, because

1:13:09.640 --> 1:13:12.120
<v Speaker 1>I've noticed it in my life, you know, the fact

1:13:12.160 --> 1:13:14.120
<v Speaker 1>that Donald and I would hug and stuff. You know,

1:13:14.400 --> 1:13:17.120
<v Speaker 1>I did a Broadway show and Scrubs fans would come

1:13:17.160 --> 1:13:19.240
<v Speaker 1>to the to the stage door and they'd be like, JD,

1:13:19.360 --> 1:13:21.320
<v Speaker 1>can I have a hug? And I would always kind

1:13:21.320 --> 1:13:23.759
<v Speaker 1>of laugh. It was almost like the show was giving

1:13:24.400 --> 1:13:27.160
<v Speaker 1>a certain community of men telling them that it was

1:13:27.200 --> 1:13:31.000
<v Speaker 1>okay to You're not gonna no matter what your sexuality is,

1:13:31.000 --> 1:13:34.280
<v Speaker 1>who cares, It's not gonna be threatened by being like JD,

1:13:34.800 --> 1:13:38.240
<v Speaker 1>just being who you truly are. And I always thought

1:13:38.400 --> 1:13:41.880
<v Speaker 1>that that was a really positive thing that Bill put

1:13:41.880 --> 1:13:42.280
<v Speaker 1>out there.

1:13:42.640 --> 1:13:44.479
<v Speaker 2>Yeah, I love that. I love the fact that the

1:13:44.520 --> 1:13:47.160
<v Speaker 2>two of them were so comfortable around each other that

1:13:47.200 --> 1:13:49.760
<v Speaker 2>they could be like brothers and lie in the same

1:13:49.800 --> 1:13:53.519
<v Speaker 2>bed in their underwear and it not be a thing

1:13:53.680 --> 1:13:55.960
<v Speaker 2>for them, you know what I mean. I like that,

1:13:56.080 --> 1:14:00.840
<v Speaker 2>And I think that storyline definitely transferred into my real

1:14:00.880 --> 1:14:03.360
<v Speaker 2>life with Zach, you know what I mean, Like, I

1:14:03.400 --> 1:14:09.200
<v Speaker 2>feel like my comfortability about being around other men and

1:14:10.080 --> 1:14:14.200
<v Speaker 2>not being afraid to be who I am and accept

1:14:14.200 --> 1:14:17.000
<v Speaker 2>who they are is all because of Scrubs, you know

1:14:17.000 --> 1:14:21.880
<v Speaker 2>what I mean. I've played best friends in other projects,

1:14:22.200 --> 1:14:25.040
<v Speaker 2>and you know, you play the tough guy, et cetera,

1:14:25.080 --> 1:14:28.080
<v Speaker 2>et cetera. But with these guys, none of that stuff mattered.

1:14:28.120 --> 1:14:30.160
<v Speaker 2>What mattered was that they loved each other at the

1:14:30.240 --> 1:14:33.000
<v Speaker 2>end of the day. And I cherished the fact that

1:14:33.040 --> 1:14:36.280
<v Speaker 2>I can have friendships with men and I can say

1:14:36.280 --> 1:14:39.519
<v Speaker 2>to them I love you and it not be looked

1:14:39.520 --> 1:14:41.040
<v Speaker 2>at as a bad thing.

1:14:41.960 --> 1:14:44.840
<v Speaker 4>It's a weird topic for me because you know, JD

1:14:45.400 --> 1:14:48.000
<v Speaker 4>was based on real JD. Donald's based on doctor. But

1:14:48.040 --> 1:14:51.240
<v Speaker 4>the truth is with these two characters. Anyways, I always

1:14:51.320 --> 1:14:53.000
<v Speaker 4>joked around that I was kind of wrestling with both

1:14:53.040 --> 1:14:55.000
<v Speaker 4>sides of myself because.

1:14:56.040 --> 1:15:00.240
<v Speaker 5>I am I played sports and was the high.

1:15:00.120 --> 1:15:04.240
<v Speaker 4>School jockey type guy that I was afraid of this stuff.

1:15:04.280 --> 1:15:06.559
<v Speaker 5>And on the other side, I do Zach and I

1:15:06.600 --> 1:15:08.040
<v Speaker 5>share a love of Broadway.

1:15:07.680 --> 1:15:10.640
<v Speaker 1>Musicals, Robin French, Gobil.

1:15:11.920 --> 1:15:14.000
<v Speaker 4>Ndtude.

1:15:14.000 --> 1:15:20.800
<v Speaker 1>All right, whatever, and uh you take the watch. That's

1:15:20.840 --> 1:15:24.200
<v Speaker 1>a digression. Well in later episodes, Okay, Uh.

1:15:24.720 --> 1:15:27.880
<v Speaker 4>True, I was always wrestling as a young man with

1:15:28.760 --> 1:15:32.000
<v Speaker 4>you know which which lane I fit in, and wishing

1:15:32.520 --> 1:15:35.280
<v Speaker 4>that it would be easier just to not have to

1:15:35.320 --> 1:15:38.840
<v Speaker 4>pick a lane. And then these guys, look, the truth is,

1:15:39.360 --> 1:15:42.519
<v Speaker 4>whenever you create a relationship as a writer, it's yours

1:15:42.560 --> 1:15:45.680
<v Speaker 4>for a second. And then the actors, if they're great,

1:15:45.800 --> 1:15:48.880
<v Speaker 4>they wrestle ownership from you. And what starts out is

1:15:49.360 --> 1:15:53.120
<v Speaker 4>eighty twenty years. You know, quickly in this show became

1:15:53.200 --> 1:15:56.439
<v Speaker 4>fifty to fifty mine and theirs, and then became all

1:15:56.479 --> 1:15:59.080
<v Speaker 4>theirs in a way that I would write moments that

1:15:59.120 --> 1:16:03.080
<v Speaker 4>weren't supposed to be romance moments, you know, like whether

1:16:03.120 --> 1:16:05.400
<v Speaker 4>it was them wanting to hug each other, you know,

1:16:05.640 --> 1:16:07.799
<v Speaker 4>at the end, and then when I look in the dailies,

1:16:07.800 --> 1:16:10.040
<v Speaker 4>they're rubbing their faces and heads against.

1:16:09.680 --> 1:16:16.840
<v Speaker 1>Me, Like that's my favorite gift. Is my favorite gift,

1:16:17.520 --> 1:16:19.559
<v Speaker 1>and use it all the time.

1:16:19.640 --> 1:16:20.040
<v Speaker 2>Whatever.

1:16:20.760 --> 1:16:24.360
<v Speaker 1>People are always like you using gifts of yourself. I'm like, yeah,

1:16:24.360 --> 1:16:24.880
<v Speaker 1>that one I do.

1:16:25.080 --> 1:16:27.559
<v Speaker 2>Because it really looks like we're trying to smell each other, dude,

1:16:28.160 --> 1:16:29.040
<v Speaker 2>really looks like.

1:16:29.080 --> 1:16:30.840
<v Speaker 4>By the way I think one of you had lived

1:16:30.840 --> 1:16:33.400
<v Speaker 4>in that you smell like an athlete and in a

1:16:33.439 --> 1:16:36.840
<v Speaker 4>way that you're just so happy. So my point is

1:16:37.680 --> 1:16:40.240
<v Speaker 4>I was doing it as an intellectual exercise, and these

1:16:40.240 --> 1:16:42.240
<v Speaker 4>guys made it something more and it's all about their

1:16:42.880 --> 1:16:45.120
<v Speaker 4>You get lucky on a TV show when what you're

1:16:45.160 --> 1:16:48.920
<v Speaker 4>watching feels even more real because the undercurrent of it

1:16:48.960 --> 1:16:50.360
<v Speaker 4>their intense friendship Israel.

1:16:51.280 --> 1:16:55.200
<v Speaker 2>You know. I also like that when we meet people nowadays,

1:16:55.479 --> 1:16:58.120
<v Speaker 2>they're so eager to talk about their best friend and

1:16:58.160 --> 1:17:00.120
<v Speaker 2>how much they love their best friend, you know what

1:17:00.160 --> 1:17:02.880
<v Speaker 2>I mean, and that that that makes me feel great.

1:17:02.880 --> 1:17:05.160
<v Speaker 2>You know, he's the brown bear to my vanilla bear,

1:17:05.320 --> 1:17:06.160
<v Speaker 2>or you know what I mean.

1:17:06.320 --> 1:17:10.960
<v Speaker 1>I honestly think it gave us a certain community of

1:17:11.080 --> 1:17:13.559
<v Speaker 1>men who watched the show and we're open to it,

1:17:13.600 --> 1:17:16.599
<v Speaker 1>a sort of permission to to to be more true

1:17:16.600 --> 1:17:17.639
<v Speaker 1>to who they were.

1:17:18.040 --> 1:17:19.560
<v Speaker 4>A mark if you want to, if you want to

1:17:19.600 --> 1:17:22.360
<v Speaker 4>indulge my version of googling my own name is all

1:17:22.400 --> 1:17:25.280
<v Speaker 4>occasionally go looking at all these wedding videos where the

1:17:25.320 --> 1:17:27.759
<v Speaker 4>best man sings guy love to the groom.

1:17:28.160 --> 1:17:30.760
<v Speaker 5>They're fantastic. There's like a thousand of them out there,

1:17:31.080 --> 1:17:33.639
<v Speaker 5>and it always starts with a fake setup.

1:17:33.640 --> 1:17:34.760
<v Speaker 4>He's like, you know, I was trying to think of

1:17:34.800 --> 1:17:36.439
<v Speaker 4>what to toast and what to blah blah, and I

1:17:36.439 --> 1:17:38.280
<v Speaker 4>thought it's probably better to do win song.

1:17:38.360 --> 1:17:40.599
<v Speaker 5>There the facts and then the groom.

1:17:40.720 --> 1:17:43.240
<v Speaker 4>The groom always stands up with a microphone too, because

1:17:43.240 --> 1:17:46.080
<v Speaker 4>they've rehearsed it twenty times. And I'm at home by myself,

1:17:46.160 --> 1:17:46.759
<v Speaker 4>just going.

1:17:46.600 --> 1:17:50.760
<v Speaker 2>Like this, lauding. I love it.

1:17:50.960 --> 1:17:53.120
<v Speaker 1>All right, Mark, thank you for two awesome questions.

1:17:53.640 --> 1:17:56.120
<v Speaker 5>Thanks for having me that great? All right, stay says

1:17:56.160 --> 1:17:56.679
<v Speaker 5>meeting your Mark.

1:17:56.680 --> 1:17:59.920
<v Speaker 4>Hey, stay safe, buddy, he can be healthy, Bill.

1:18:00.080 --> 1:18:03.480
<v Speaker 1>Why does nurse Roberts have so many bowling shoes for sale?

1:18:07.280 --> 1:18:10.479
<v Speaker 4>Look, one of the things that we embraced on Scrubs

1:18:10.520 --> 1:18:15.760
<v Speaker 4>early on was surreal jokes just for us, okay, And

1:18:15.800 --> 1:18:17.840
<v Speaker 4>we were trying to think, I remember this, and we

1:18:17.880 --> 1:18:19.600
<v Speaker 4>wanted this to be a runner, and we dropped it.

1:18:19.600 --> 1:18:21.240
<v Speaker 4>We shouldn't have dropped it, but you know, you get

1:18:21.280 --> 1:18:24.920
<v Speaker 4>too busy. When you were fantasizing about talking to Turk,

1:18:25.360 --> 1:18:28.559
<v Speaker 4>we started going down patho going What he doesn't realize

1:18:28.640 --> 1:18:31.400
<v Speaker 4>is he's in a topic with Nurse Roberts and she's

1:18:31.439 --> 1:18:33.760
<v Speaker 4>got a side hustle. And we were like, what's her

1:18:33.760 --> 1:18:38.360
<v Speaker 4>side hustle? It's selling her dead husband's bowling shoes. But

1:18:38.520 --> 1:18:41.360
<v Speaker 4>he didn't even bowl. She's just got like twenty pairs

1:18:41.360 --> 1:18:44.400
<v Speaker 4>of bowling shoes. She tries to unload to people.

1:18:45.280 --> 1:18:47.519
<v Speaker 1>I thought that was I thought that was so funny,

1:18:47.560 --> 1:18:50.479
<v Speaker 1>and I forgot that joke, and then that when Donald

1:18:50.520 --> 1:18:52.479
<v Speaker 1>showed up wearing them, I just laughed out loud. I

1:18:52.520 --> 1:18:56.760
<v Speaker 1>thought that was so funny, and roberts and then I thought,

1:18:56.760 --> 1:18:59.479
<v Speaker 1>I gotta ask Bill just the logic behind it? What

1:18:59.600 --> 1:19:02.400
<v Speaker 1>is Nurse rob Why is Nurse Robert's side hustle selling

1:19:02.439 --> 1:19:04.000
<v Speaker 1>her husband's bull shoes?

1:19:04.240 --> 1:19:06.439
<v Speaker 4>She's just always looking to get a step ahead, man.

1:19:06.600 --> 1:19:10.880
<v Speaker 4>The I just love that joke because the same way

1:19:10.920 --> 1:19:14.920
<v Speaker 4>I told you that Neil's joke meant that he and

1:19:14.960 --> 1:19:17.160
<v Speaker 4>the duck were both wearing shirts, even though that wasn't

1:19:17.200 --> 1:19:21.040
<v Speaker 4>said aloud, that joke means that while you were fantasizing.

1:19:20.520 --> 1:19:23.759
<v Speaker 5>About turk apropos of nothing, Nurse.

1:19:23.600 --> 1:19:25.760
<v Speaker 4>Robert said, Hey, is there any chance you ever to

1:19:25.760 --> 1:19:30.680
<v Speaker 4>be interested in buying some used bowling shoes? Is that

1:19:30.800 --> 1:19:32.720
<v Speaker 4>something that you would want? Because then you snap out

1:19:32.720 --> 1:19:33.519
<v Speaker 4>of it, You're like, I do.

1:19:33.439 --> 1:19:34.280
<v Speaker 5>I would really want that.

1:19:34.320 --> 1:19:35.800
<v Speaker 1>Ye, when I come out of the when I come

1:19:35.840 --> 1:19:37.479
<v Speaker 1>out of the phantasy, she says something like, so the

1:19:37.520 --> 1:19:38.840
<v Speaker 1>check's in your locker or something.

1:19:40.160 --> 1:19:41.439
<v Speaker 2>No, because I got them in my locker.

1:19:42.000 --> 1:19:43.160
<v Speaker 1>Oh yeah, you want to write me check.

1:19:43.200 --> 1:19:44.439
<v Speaker 2>You want to write me a check because I got

1:19:44.479 --> 1:19:45.160
<v Speaker 2>them in my locker.

1:19:47.680 --> 1:19:52.160
<v Speaker 1>So I picture her locker is just stacked bullings is

1:19:52.920 --> 1:19:54.720
<v Speaker 1>every couple of days she saw someone a pair of

1:19:54.720 --> 1:19:55.280
<v Speaker 1>bowling shoes.

1:19:55.280 --> 1:19:56.559
<v Speaker 4>It's just a little side hustle.

1:19:56.920 --> 1:19:59.800
<v Speaker 1>Bill touched on this at nineteen thirty seven. There's the

1:19:59.880 --> 1:20:03.559
<v Speaker 1>very first thing we did a lot with stunts on

1:20:03.600 --> 1:20:06.360
<v Speaker 1>scrubs called the Cowboy Switch. And just if you go

1:20:06.360 --> 1:20:08.599
<v Speaker 1>back and watch it, what happens is the camera never cuts,

1:20:08.600 --> 1:20:11.880
<v Speaker 1>but I'm running down the hall, and then the camera

1:20:11.960 --> 1:20:16.040
<v Speaker 1>without cutting, goes behind a cart, which switches to the stuntman,

1:20:16.520 --> 1:20:19.000
<v Speaker 1>who then goes and does a really hard fall on

1:20:19.040 --> 1:20:21.479
<v Speaker 1>the ground. The camera can't find me and comes back

1:20:21.479 --> 1:20:23.920
<v Speaker 1>and like a magic trick, I've switched back to where

1:20:23.920 --> 1:20:26.640
<v Speaker 1>I was. This is a really clever thing that we

1:20:26.760 --> 1:20:28.120
<v Speaker 1>used to do a bunch of times on the show.

1:20:28.120 --> 1:20:30.840
<v Speaker 1>In order to do a really harder fall that needed

1:20:30.840 --> 1:20:32.880
<v Speaker 1>to be a stuntman. And I wonder, Bill, is that

1:20:32.960 --> 1:20:35.840
<v Speaker 1>something Adam brought, or something a stuntman brought or you

1:20:35.920 --> 1:20:38.160
<v Speaker 1>knew about? How how did those start coming into the show.

1:20:38.880 --> 1:20:42.040
<v Speaker 4>Adam pitched very hard the thing we already spoke about

1:20:42.200 --> 1:20:45.719
<v Speaker 4>is on this show the camera is a character because

1:20:45.840 --> 1:20:48.760
<v Speaker 4>it's almost an extension of JD's head. You know, he's

1:20:48.840 --> 1:20:52.759
<v Speaker 4>narrating for this camera that doesn't exist. So that was Adam.

1:20:52.800 --> 1:20:55.519
<v Speaker 4>It's why he directed it. I remember him even saying

1:20:56.600 --> 1:20:58.599
<v Speaker 4>just so you know, I think he shot one without it,

1:20:58.840 --> 1:21:01.280
<v Speaker 4>but he's like, just so you know, when we do

1:21:01.360 --> 1:21:04.080
<v Speaker 4>the cowboy switch to buy time, the cameras is going

1:21:04.120 --> 1:21:07.240
<v Speaker 4>to look around for jad and I remember going, like

1:21:07.280 --> 1:21:09.240
<v Speaker 4>what it's like, it's gonna go like that, it's gonna

1:21:09.240 --> 1:21:11.120
<v Speaker 4>try and find it's gonna try and find its owner.

1:21:11.120 --> 1:21:13.120
<v Speaker 4>It's like a dog when you disappear, you know what

1:21:13.160 --> 1:21:17.000
<v Speaker 4>I mean. And so that was Adam and that dude.

1:21:17.360 --> 1:21:21.080
<v Speaker 4>Noon was all about the cowboy switches because he and

1:21:21.280 --> 1:21:23.840
<v Speaker 4>Ernie the two stunt men always but it's our favorite

1:21:23.920 --> 1:21:27.599
<v Speaker 4>Joke's at Ernie a great stuntman, but it's like, always

1:21:27.640 --> 1:21:30.040
<v Speaker 4>be wary of a stuntman who no longer has any

1:21:30.040 --> 1:21:32.679
<v Speaker 4>of his own teeth or hair. He had a big set.

1:21:32.760 --> 1:21:34.360
<v Speaker 4>He had a big set of a great white teeth

1:21:34.760 --> 1:21:36.800
<v Speaker 4>and like, what happened to your real teeth? So yeah,

1:21:36.840 --> 1:21:39.519
<v Speaker 4>the end is they said the stunts on this show

1:21:40.000 --> 1:21:42.120
<v Speaker 4>you want this stuff to all look real and not silly.

1:21:42.240 --> 1:21:44.559
<v Speaker 4>Let's have our thespians and you guys both did some

1:21:44.800 --> 1:21:46.920
<v Speaker 4>do them as much as we can, whether it's driving

1:21:46.960 --> 1:21:50.080
<v Speaker 4>a scooter into the water or sliding under the cart

1:21:50.400 --> 1:21:53.040
<v Speaker 4>or cowboy switches, and it helped sell the reality of

1:21:53.040 --> 1:21:53.680
<v Speaker 4>that clumsiness.

1:21:53.680 --> 1:21:54.479
<v Speaker 5>So I thought it was awesome.

1:21:54.600 --> 1:21:56.439
<v Speaker 1>And when we get to the Wizard of Oz episode,

1:21:56.439 --> 1:21:59.000
<v Speaker 1>there's the most epic cowboy switch that we'll talk about

1:21:59.000 --> 1:22:01.599
<v Speaker 1>where the scooter goes in to the puddle, but stay

1:22:01.600 --> 1:22:05.000
<v Speaker 1>tuned for that. The friend Zone bill that is one

1:22:05.040 --> 1:22:07.840
<v Speaker 1>of the funniest articulations of the friend Zone. I noticed

1:22:07.840 --> 1:22:12.080
<v Speaker 1>this time that everything everybody's dressed in beige.

1:22:12.800 --> 1:22:16.240
<v Speaker 2>That's my first favorite. That's my first favorite and one

1:22:16.280 --> 1:22:21.640
<v Speaker 2>of my all time favorite fantasies ever. And it just

1:22:21.800 --> 1:22:24.840
<v Speaker 2>was It's such a smart, smart way to describe the.

1:22:24.760 --> 1:22:27.719
<v Speaker 4>First I would have done that fantasy in a world

1:22:28.000 --> 1:22:30.479
<v Speaker 4>of streaming where you don't have time limits for ten minutes,

1:22:30.520 --> 1:22:32.639
<v Speaker 4>I would have wanted to hear where everybody crossed paths

1:22:32.640 --> 1:22:36.439
<v Speaker 4>with her. I loved my favorite was it even Becky

1:22:36.520 --> 1:22:38.439
<v Speaker 4>being in there. My favorite was the guy we worked

1:22:38.439 --> 1:22:41.360
<v Speaker 4>together at Penguins because in my head, I'm like that guy.

1:22:42.400 --> 1:22:45.720
<v Speaker 4>That guy and Elliott barely had shifts together. They just

1:22:45.800 --> 1:22:51.719
<v Speaker 4>occasionally overlapped penguins yogurt, and he was just like your shift.

1:22:51.880 --> 1:22:55.559
<v Speaker 1>I just love the cleverness of in Elliott's mind. None

1:22:55.600 --> 1:22:58.040
<v Speaker 1>of those people stood out so that everybody's dressed in

1:22:58.040 --> 1:22:59.080
<v Speaker 1>a shade of beige.

1:22:59.640 --> 1:23:03.120
<v Speaker 4>Yeah, they're all blending in. They're all just people that

1:23:03.240 --> 1:23:04.720
<v Speaker 4>drifted through her life. You know.

1:23:05.800 --> 1:23:07.439
<v Speaker 1>The last thing, I don't know if Donald, do you

1:23:07.479 --> 1:23:09.240
<v Speaker 1>have anything else? But the last thing from the show

1:23:09.280 --> 1:23:11.000
<v Speaker 1>that I wrote down that I thought was really funny. I

1:23:11.000 --> 1:23:12.200
<v Speaker 1>don't know if we ever did it again, is that

1:23:12.240 --> 1:23:14.559
<v Speaker 1>you're using Rowdy's mouth to open up the pie.

1:23:15.200 --> 1:23:16.920
<v Speaker 2>That was That was the last thing I had to

1:23:17.120 --> 1:23:18.160
<v Speaker 2>I was gonna ask you.

1:23:18.520 --> 1:23:21.120
<v Speaker 4>I thought Rowdy. I thought Rowdy should have always it

1:23:21.160 --> 1:23:23.599
<v Speaker 4>should have always been a bottle opener. But I think

1:23:23.640 --> 1:23:26.000
<v Speaker 4>that's the first time we introduced your dead dog without

1:23:26.120 --> 1:23:28.080
<v Speaker 4>I don't think we had any lines referencing it.

1:23:28.040 --> 1:23:28.320
<v Speaker 5>Did we?

1:23:28.640 --> 1:23:28.680
<v Speaker 4>No?

1:23:29.600 --> 1:23:29.760
<v Speaker 1>No?

1:23:29.760 --> 1:23:30.080
<v Speaker 2>No?

1:23:30.560 --> 1:23:30.720
<v Speaker 1>Oh?

1:23:30.880 --> 1:23:32.200
<v Speaker 5>You mean was he an episode two?

1:23:32.320 --> 1:23:33.639
<v Speaker 1>Yeah? He is an episode two.

1:23:34.280 --> 1:23:35.880
<v Speaker 2>That's when we introduced him. That's when we.

1:23:35.840 --> 1:23:39.760
<v Speaker 4>Introduce Yeah, yeah, okay, I loved you know, Rowdy is

1:23:40.040 --> 1:23:43.839
<v Speaker 4>that's I think something more than shockingly, more than anything

1:23:43.960 --> 1:23:46.599
<v Speaker 4>that people would go now is a is there a

1:23:46.640 --> 1:23:48.519
<v Speaker 4>dead dog that's a character in this show, a real

1:23:48.560 --> 1:23:49.439
<v Speaker 4>stuff dead dog.

1:23:49.560 --> 1:23:51.080
<v Speaker 5>That would be a huge issue.

1:23:51.120 --> 1:23:53.200
<v Speaker 1>Bill. I don't know if the urban legend is true,

1:23:53.200 --> 1:23:54.840
<v Speaker 1>and I really don't want you to correct it if

1:23:54.840 --> 1:23:56.680
<v Speaker 1>it's not. But Donald and I were discussing in an

1:23:56.680 --> 1:24:00.160
<v Speaker 1>earlier episode of the podcast that when the one the

1:24:00.200 --> 1:24:02.880
<v Speaker 1>prop men was let go, he hid Rowdy in the

1:24:02.880 --> 1:24:05.960
<v Speaker 1>ceiling tiles of the prop room. That's true, that's true.

1:24:06.160 --> 1:24:09.040
<v Speaker 2>That is true. I told you, I told you it's true.

1:24:09.280 --> 1:24:12.960
<v Speaker 4>Yeah, we had to let someone go for different reasons,

1:24:13.120 --> 1:24:15.320
<v Speaker 4>and he knew that that was a prop that he

1:24:15.400 --> 1:24:17.320
<v Speaker 4>had that was a character on the show, so he

1:24:17.400 --> 1:24:19.680
<v Speaker 4>tried to get us back by hiding it in the

1:24:20.400 --> 1:24:22.880
<v Speaker 4>above the tiles. He locked himself in there and hid

1:24:22.920 --> 1:24:25.840
<v Speaker 4>that poor dead dog above the tiles. And by the way,

1:24:25.920 --> 1:24:28.439
<v Speaker 4>we found it right away. So when we got an

1:24:28.439 --> 1:24:31.160
<v Speaker 4>extra one, we were only getting an extra one in

1:24:31.200 --> 1:24:33.479
<v Speaker 4>case something ever happened to the real one. But part

1:24:33.479 --> 1:24:35.360
<v Speaker 4>of the lore became that we got an extra dead

1:24:35.360 --> 1:24:38.800
<v Speaker 4>dog to you know, replace the one that was lost.

1:24:38.840 --> 1:24:41.200
<v Speaker 4>But it's not it's just to generate. It's just in

1:24:41.240 --> 1:24:44.120
<v Speaker 4>a weird way. That's what generated that story of what

1:24:44.160 --> 1:24:44.680
<v Speaker 4>would we do?

1:24:44.920 --> 1:24:48.000
<v Speaker 1>And then Bill that gave birth to a beautiful, very

1:24:48.040 --> 1:24:57.000
<v Speaker 1>moving storyline of introducing Stephen the other I was already

1:24:57.080 --> 1:24:58.200
<v Speaker 1>laughing with on a the end.

1:24:58.200 --> 1:24:59.839
<v Speaker 2>Did you get Rowdy or did you get Stephen?

1:25:00.040 --> 1:25:02.240
<v Speaker 1>I got nothing neither. They're all I told you this story.

1:25:02.920 --> 1:25:05.839
<v Speaker 2>I mean, when we break so we don't live together anymore.

1:25:05.880 --> 1:25:07.920
<v Speaker 2>At one point, who gets who gets who?

1:25:08.439 --> 1:25:10.200
<v Speaker 4>Oh? I forgot who got rowdy and who got Steven?

1:25:10.200 --> 1:25:12.080
<v Speaker 1>I don't remember. But Bill, I was laughing with Donald

1:25:12.120 --> 1:25:16.000
<v Speaker 1>about how someone can't tell the difference. And I feel

1:25:16.160 --> 1:25:19.280
<v Speaker 1>where their old taxidermy balls are, and I go, no,

1:25:19.520 --> 1:25:20.280
<v Speaker 1>that's Steven.

1:25:22.520 --> 1:25:24.719
<v Speaker 5>You knew one of them was fixed, so.

1:25:27.640 --> 1:25:30.639
<v Speaker 4>Rowdy hit that. I think that's Donald's line to open.

1:25:34.560 --> 1:25:36.000
<v Speaker 1>I don't see. I don't know if today you could

1:25:36.040 --> 1:25:39.120
<v Speaker 1>do taxidermy dead dogs humping someone's leg.

1:25:39.400 --> 1:25:40.400
<v Speaker 4>Yeah, I don't know.

1:25:40.560 --> 1:25:45.600
<v Speaker 2>It's a whole.

1:25:43.240 --> 1:25:46.280
<v Speaker 4>Everybody not to make this an end line. But this

1:25:46.400 --> 1:25:50.799
<v Speaker 4>was such a fun exercise for me because everybody always

1:25:50.960 --> 1:25:54.479
<v Speaker 4>asks me what my favorite episode of Scrubs is, and

1:25:54.640 --> 1:25:57.160
<v Speaker 4>I don't know how you guys feel. I always say

1:25:57.400 --> 1:26:01.920
<v Speaker 4>the pilot because remember reminds me of first meeting you all,

1:26:02.200 --> 1:26:05.639
<v Speaker 4>and of the experience and the people so much more

1:26:06.000 --> 1:26:08.559
<v Speaker 4>than any specific episodes. When I watch these, like the

1:26:08.560 --> 1:26:11.599
<v Speaker 4>first one, two or three episodes, that's what I remember

1:26:12.080 --> 1:26:16.400
<v Speaker 4>is seeing you two idiots become friends and having to

1:26:16.479 --> 1:26:18.519
<v Speaker 4>deal with the pluses and minuses of that when you

1:26:18.600 --> 1:26:21.160
<v Speaker 4>came in crazy hungover to work, but also when I

1:26:21.160 --> 1:26:24.240
<v Speaker 4>would see your friendship on screen, you know, and seeing

1:26:24.280 --> 1:26:27.240
<v Speaker 4>how people were afraid of Johnny C and how that translated,

1:26:27.600 --> 1:26:32.519
<v Speaker 4>and seeing Donald's chemistry with Judy and Zach and Sarah's

1:26:32.520 --> 1:26:34.600
<v Speaker 4>puppy dog love for each I mean, it's fantastic.

1:26:34.640 --> 1:26:35.720
<v Speaker 5>So that's what this stuff.

1:26:35.479 --> 1:26:38.280
<v Speaker 4>Takes me back to, you know, is how cool it

1:26:38.320 --> 1:26:40.000
<v Speaker 4>is that not only that you two are still friends,

1:26:40.000 --> 1:26:42.479
<v Speaker 4>but that we all still spend time together and talk.

1:26:42.520 --> 1:26:45.240
<v Speaker 2>You Know, I say, I love a lot I've noticed,

1:26:45.240 --> 1:26:48.599
<v Speaker 2>but I truly do love that about what we've done together.

1:26:49.080 --> 1:26:51.679
<v Speaker 2>You know, we didn't just build a television show together.

1:26:52.160 --> 1:26:55.160
<v Speaker 2>You know. It wasn't just you know, you created a show,

1:26:55.240 --> 1:26:58.439
<v Speaker 2>we acted and it'd see you later. It's we become

1:26:58.800 --> 1:27:01.840
<v Speaker 2>like a family, and when we see each other it's

1:27:01.840 --> 1:27:04.920
<v Speaker 2>so amazing. And you know, I don't see everybody as

1:27:05.000 --> 1:27:07.000
<v Speaker 2>much as I see the two of you, but it's

1:27:07.160 --> 1:27:11.320
<v Speaker 2>always it's always dope, you know what I mean. I enjoy.

1:27:11.640 --> 1:27:13.760
<v Speaker 2>I know I'm gonna laugh. I know i'm gonna you

1:27:13.800 --> 1:27:15.360
<v Speaker 2>know what I mean, I know I'm gonna feel good.

1:27:15.880 --> 1:27:17.479
<v Speaker 2>It's always great to be around y'all.

1:27:18.000 --> 1:27:18.599
<v Speaker 4>So happy.

1:27:18.800 --> 1:27:20.680
<v Speaker 1>Thank you so much, Bill for coming on. And I

1:27:20.720 --> 1:27:22.840
<v Speaker 1>hope that you'll do this. I mean, it makes sense

1:27:23.120 --> 1:27:25.120
<v Speaker 1>of all people for you to come on a bunch

1:27:25.200 --> 1:27:26.920
<v Speaker 1>to this because I hope, I hope you will, because

1:27:27.360 --> 1:27:29.519
<v Speaker 1>you know, people seem to be really liking it and

1:27:29.560 --> 1:27:32.200
<v Speaker 1>which makes a smile, and it makes so much sense

1:27:32.200 --> 1:27:34.280
<v Speaker 1>to have you on whenever you're willing to come on.

1:27:35.040 --> 1:27:36.439
<v Speaker 5>You know what I thought you could do that.

1:27:37.240 --> 1:27:40.400
<v Speaker 4>You can either use this cut it or take this

1:27:40.479 --> 1:27:43.600
<v Speaker 4>pitch and do it from now on on any podcast

1:27:43.760 --> 1:27:47.000
<v Speaker 4>that I'm not on. If you guys run into a

1:27:47.120 --> 1:27:49.479
<v Speaker 4>question with the guests or with each other, why did

1:27:49.520 --> 1:27:49.920
<v Speaker 4>this happen?

1:27:49.960 --> 1:27:52.680
<v Speaker 5>Or is this true? You can fire it off to me.

1:27:53.240 --> 1:27:55.920
<v Speaker 4>I will voice mema record a one line response that

1:27:55.960 --> 1:27:57.120
<v Speaker 4>you can edit in that.

1:27:57.880 --> 1:28:01.240
<v Speaker 1>That's great, that's very smart'd be like all right, Joelle,

1:28:01.520 --> 1:28:04.559
<v Speaker 1>we need a bill voice note answer on this question

1:28:04.640 --> 1:28:06.040
<v Speaker 1>and then we'll just cut it in when we do

1:28:06.120 --> 1:28:07.160
<v Speaker 1>the podcast editing.

1:28:07.479 --> 1:28:11.160
<v Speaker 4>I love yeah, you know, as if I'm hovering there

1:28:11.200 --> 1:28:13.080
<v Speaker 4>all the time, which I will not be. This is

1:28:13.080 --> 1:28:14.800
<v Speaker 4>great what you guys are doing. I love you both,

1:28:14.840 --> 1:28:15.519
<v Speaker 4>I miss you both.

1:28:15.840 --> 1:28:19.160
<v Speaker 1>Thank you and and we love you and thank you.

1:28:19.360 --> 1:28:22.240
<v Speaker 1>And you know, we ended the last episode by giving

1:28:22.280 --> 1:28:25.160
<v Speaker 1>a shout out to the medical community, and I think

1:28:25.160 --> 1:28:26.920
<v Speaker 1>it's right to do it since we were a show

1:28:26.960 --> 1:28:29.439
<v Speaker 1>about a hospital. Just to give all our love to

1:28:29.439 --> 1:28:32.680
<v Speaker 1>anybody who's listening to this, who has anyone fighting on

1:28:32.720 --> 1:28:35.479
<v Speaker 1>the front lines of this insanity. Thank you so much

1:28:35.520 --> 1:28:38.280
<v Speaker 1>for your courage and uh and and for being there

1:28:38.320 --> 1:28:39.680
<v Speaker 1>for for all of us.

1:28:39.960 --> 1:28:41.760
<v Speaker 4>And yeah, there's a thousand things you can do to

1:28:41.800 --> 1:28:44.160
<v Speaker 4>be of service. You can write a check, or you

1:28:44.160 --> 1:28:46.559
<v Speaker 4>can call your friend that's working at a hospital and

1:28:46.640 --> 1:28:48.280
<v Speaker 4>talk to him or her every night just to see

1:28:48.280 --> 1:28:48.840
<v Speaker 4>how they're doing.

1:28:48.920 --> 1:28:50.960
<v Speaker 5>But spend a few minutes and do it.

1:28:51.479 --> 1:28:53.680
<v Speaker 1>Thank you so much. And on that note, Donald, will

1:28:53.680 --> 1:28:54.439
<v Speaker 1>you lead us in song?

1:28:55.400 --> 1:28:59.080
<v Speaker 2>Yeah? Five five six story.

1:29:00.160 --> 1:29:04.680
<v Speaker 3>Show we made about a bunch of talks and nurses

1:29:04.800 --> 1:29:06.840
<v Speaker 3>in Canada whom I.

1:29:06.960 --> 1:29:08.120
<v Speaker 5>Said, here's the story.

1:29:09.160 --> 1:29:15.040
<v Speaker 3>NEPWLL should know, so gather around you here up, gather

1:29:15.240 --> 1:29:16.439
<v Speaker 3>around you here, up.

1:29:16.600 --> 1:29:17.120
<v Speaker 1>Scruts me.

1:29:17.320 --> 1:29:18.320
<v Speaker 5>My show is a