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Speaker 1: Jesus crashed. Welcome to that pod, gosta Hey. Shout out

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Speaker 1: to millies. We get to speak with upcoming Massachusetts MC.

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Speaker 1: He's from Cambridge, not Boston. I fucked that up. They're

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Speaker 1: close in proximity. I'm sorry, Cambridge's finest millies. Fire Ass MC.

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Speaker 1: He's Caucasian. He wraps his ass off and he signed

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Speaker 1: a Jadakiss is so Rasky imprint. So we talked to him.

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Speaker 1: We dropped the freestyle with him too. You can go

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Speaker 1: check out on the YouTube page. It's fire plus. I

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Speaker 1: think he's got an LA Leakers freestyle that might be

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Speaker 1: out by the time you listen to this. It's like

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Speaker 1: six minutes long, he said, So go check that out too.

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Speaker 1: We're not haters over here. Shout out to the LA Leakers.

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Speaker 1: We don't hate. We appreciate, all right. Also, shout out

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Speaker 1: to odd socks. Go to our lovely sponsors website. You

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Speaker 1: know they bring you the show every week odd socksofficial

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Speaker 1: Use the keyword bootleg keV for twenty percent off at

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Speaker 1: odd socksofficial dot com. Let's get into the Millis interview.

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Speaker 1: You fuck you good little baby. Seven years ago, I

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Speaker 1: had like twenty five plaques gets stolen on my store

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Speaker 1: shed I'm still looking for eBay like I'll be waiting

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Speaker 1: for the motherfuckers to post them on eBay with my

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Speaker 1: name on it. Future plat Yeah. Are we rolling? All right?

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Speaker 1: We kill that door? All right? Yo? Man? Should we

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Speaker 1: move up this way? We're good? All right? All right,

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Speaker 1: all right yo. It's the Boulet Cap Podcast. Boulet Cap

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Speaker 1: Show Special guests. My guy in here, Boston's finest millies

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Speaker 1: is here. Cambridge specifically came here. You gotta help me

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Speaker 1: out six months seven. You know, I love Boston. I

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Speaker 1: went to Lawrence once in DJ and there was some

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Speaker 1: lovely Puerto Rican women in that city. MANI ghanas Yeah, yeah,

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Speaker 1: that was that was as that's where Nikki jam is from.

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Speaker 1: Is that where terms from? That's where terms from. So

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Speaker 1: what's up? Man? Good you've been grinding, bro, talk to me.

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Speaker 1: I mean, obviously you got the album coming out of

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Speaker 1: the twenties, but I feel like you've just been so

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Speaker 1: active the last couple of years since the last time

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Speaker 1: we saw each other. This is the last time you

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Speaker 1: did the show. I just feel like you've been on

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Speaker 1: your campaign shit, just going crazy. Yeah, when did I

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Speaker 1: do the show? That was? That was twenty nineteen, twenty eighteen. Yeah,

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Speaker 1: it was when you were I think at the test,

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Speaker 1: when I was still getting solidified with the bars, like yeah,

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Speaker 1: I mean I've been so little. That's when I was

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Speaker 1: checking off all the platforms like I think at that

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Speaker 1: time enough was helping out. Yeah you know what I'm saying.

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Speaker 1: Hell yeah, but yeah, No, I mean I feel like

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Speaker 1: the last year and some I feel like you've been

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Speaker 1: thriving during the pandemic. Bro. Yeah, Now the pandemic did it?

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Speaker 1: The pandemic did it? Because with the pandemic did it

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Speaker 1: even the playing field for me? So whereas like a

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Speaker 1: rapper that's already booming and doing festivals, you could get

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Speaker 1: all that type of content. Right, every day, your social

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Speaker 1: media looks crazy. You jumping in crowds and marsh pits

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Speaker 1: and you're next to Kylie jennerat after parties. The pandemic

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Speaker 1: leveled the whole playing field because now you can't do that.

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Speaker 1: So now you got to compete with me song for song,

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Speaker 1: video for video, bar for bar and outdo that. You

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Speaker 1: know what I mean, I outdo you on that. So

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Speaker 1: I feel like that's where I thrive that. Yeah, I

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Speaker 1: always say like I feel like for artists who actually

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Speaker 1: can wrap the pandemic did wonders because everyone's listening differently.

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Speaker 1: They're listening at the crib. They're listening to their AirPods

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Speaker 1: where they were listening driving in their car, as opposed

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Speaker 1: to being at the club standing on a fucking couch

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Speaker 1: digesting like microwavable bullshit. You know what I'm saying. It

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Speaker 1: took out. It took out all like the bubble gum

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Speaker 1: shit for a while, you're thriving. Freddy Gibbs with thriving

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Speaker 1: all the Griselda's on a run during the pandemic, Like,

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Speaker 1: I feel like the bars are like the with this

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Speaker 1: ship that just happened with the locks, this is at

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Speaker 1: the height of the rap get amazing. It's like it

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Speaker 1: feels like Na's got the number one album on iTunes.

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Speaker 1: Like I just feel like it's we're kind of like

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Speaker 1: low key in like a renaissance of like dope rap again. Yeah,

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Speaker 1: a lot of the bullshits out the window right now. Yeah,

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Speaker 1: hell yeah you feel that way too now one hundred.

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Speaker 1: I feel like it's high level rap, you know what

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Speaker 1: I mean? High level rap is what high level rap

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Speaker 1: is longevity, like that shit never goes away without that

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Speaker 1: skill set. It'll never ever go away, you know, as

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Speaker 1: far as like you always have a core audience because

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Speaker 1: you have that skill set. It's like you know, being

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Speaker 1: able to to uh like like be a chef or

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Speaker 1: some shit, like you know how to cook like that

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Speaker 1: will always That'll always be helpful in some capacity. Some

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Speaker 1: other shit just comes and go. If you think of

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Speaker 1: like who's been here forever and who it's all the rappers, nobody,

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Speaker 1: That's what I mean, even think of Drake. Drake is

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Speaker 1: an elite m C. Yeah, high level rap. Kendrick J

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Speaker 1: Cole level wrap high level rap. Rap. Yeah, No, that's facts, man.

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Speaker 1: We think about who's been around twenty twenty five years

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Speaker 1: and but it wasn't the trendy shit right, you know

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Speaker 1: sometimes they I feel like they would even like people

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Speaker 1: would look down on it, like, oh you rap, oh yo,

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Speaker 1: you got bars? Like try to cast that to the side, now, pussy,

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Speaker 1: I got bars. Yeah, I could be here forever. You can't. Yeah,

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Speaker 1: enjoying your summer, yeah yeah, get hot. That's why I

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Speaker 1: don't trip when I see people like surpass me or whatever.

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Speaker 1: It might be like a younger artist and it gets on.

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Speaker 1: He has a crazy two years. But I know I'm

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Speaker 1: I got this ship foreverever, forever, and I only get better.

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Speaker 1: Give me some of your background, like, like obviously coming

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Speaker 1: out of Massachusetts, when did you start rapping? Like when

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Speaker 1: did you start actually recording music, going to the studio

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Speaker 1: taking shit kind of serious? I've been doing this a

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Speaker 1: long time, bro, Like I've been. I've been rapping since

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Speaker 1: like twenty and ten, even two thousand and eight for real, Like,

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Speaker 1: but twenty sixteen I started putting my whole soul into

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Speaker 1: it and taking this serious serious serious because I like

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Speaker 1: moved to New York. I got some baggage off of me,

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Speaker 1: like when I was when I was rapping before I

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Speaker 1: just had a lot of other shit connected to it,

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Speaker 1: like street shit and whatever was going on. So that

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Speaker 1: would kind of you know, direct one foot out, yeah,

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Speaker 1: and just being attached to Massachusetts when I when I

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Speaker 1: moved to New York, it was like I kind of

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Speaker 1: took a step back to take a step forward. I

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Speaker 1: had to compromise like my my living comfortability and shit

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Speaker 1: like that, Like you know what I mean. I had

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Speaker 1: to I had like I moved to New York. I

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Speaker 1: moved to the Bronx in a roaching festa department and

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Speaker 1: started over right there with no network. I just knew

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Speaker 1: Seth Freed. I was the only person I knew in

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Speaker 1: New York, and I started just building my network over

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Speaker 1: time there from the ground up. And I think that

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Speaker 1: was in twenty thirteen, and then in twenty sixteen, I

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Speaker 1: finally I cracked the BT cipher. I was able to

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Speaker 1: do that, and it just started going for me. So

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Speaker 1: you had to kind of like what made you make

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Speaker 1: the decision to get out of your comfort zone and leave.

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Speaker 1: Was it because you were involved in some bullshit back

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Speaker 1: home and you felt like No, I feel like I

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Speaker 1: hit a glass ceiling because I was always like I

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Speaker 1: always been lit where I'm from, Like in my state,

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Speaker 1: I've been getting paid for features for ten plus years,

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Speaker 1: you know what I mean. I've been in the newspapers

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Speaker 1: I did Summer Jam. I was always him where I

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Speaker 1: was Jam, Yeah, Jam and Summer Jam. I was always

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Speaker 1: him where I was from. So it's like I hit

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Speaker 1: this glass ceiling and it just felt like I was

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Speaker 1: a big fish in a small pond. I wanted more.

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Speaker 1: I would go. I would take these trips. I would

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Speaker 1: go to like you know, south By, Southwest or whatever

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Speaker 1: it was, or different shit in New York, and people

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Speaker 1: wouldn't know me like that, you know, I have to Yeah,

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Speaker 1: you got to see things how they are, not how

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Speaker 1: you want them to be. I'd be like, damn, I'm

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Speaker 1: not really that lit. And so that's what made me

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Speaker 1: move to New York. And then it just so happened that,

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Speaker 1: like when I was out there, I realized I could

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Speaker 1: commit to being a full artist, like completely in totality.

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Speaker 1: Boston has always kind of had like an interesting scene.

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Speaker 1: There's always been a scene there, right, There's been guys

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Speaker 1: like obviously Static selected to me is like kind of

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Speaker 1: the go to the last like ten or fifteen years

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Speaker 1: later most one of the greatest producers ever shout out

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Speaker 1: to static. But I just mean, like, you know, cousin Stiz.

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Speaker 1: I think it was Michael christmas Is from out there,

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Speaker 1: my people. There's uh was Mike stud from Boston, see

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Speaker 1: from Providence. I don't know, but you know, there was

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Speaker 1: always there's always artists that are active in the city.

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Speaker 1: But I always feel like Boston as like as like

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Speaker 1: a there's never been like a movement on the mainstream,

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Speaker 1: you know what I'm saying. Part of the problem is that,

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Speaker 1: like Boston is a small part of Massachusett, but but

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Speaker 1: it gets credit for the whole Massachusetts facts. So like

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Speaker 1: I mean, look, I was like, yeah, we got Boston's fight.

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Speaker 1: That's annoying, you know what I mean. But it's like

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Speaker 1: everybody looks at the whole mass If you look at

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Speaker 1: Boston actually on the map, it's like a small part

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Speaker 1: of Massachusetts, right, So it's like we got Springfield, Lawrence, Lowell, Worcester,

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Speaker 1: uh Lynn, Cambridge, you know what I mean, all these

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Speaker 1: different places that produce talent. But I feel like, now

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Speaker 1: that's shout out to be too. I got like, yeah, now, Joiner,

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Speaker 1: we got Massachusetts. But I feel like I feel like

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Speaker 1: that like Boston just had like a stigma with it

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Speaker 1: because when you think of like Boston, you think of

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Speaker 1: like white people and racism and ship like certain like

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Speaker 1: it's hard to break into understand how much culture is

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Speaker 1: in that city, like the Dorchester's and Roxbury's and Mattapans

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Speaker 1: and ship like that. Like, but yeah, I think it

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Speaker 1: was hard for people to understand it. Good music was

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Speaker 1: being made out of Boston, out of Massachusetts. But we're

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Speaker 1: pushing the Massachusetts movement now, it's a lot of talent

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Speaker 1: out there. Do you think that that is a misconception

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Speaker 1: about the area, the racist shit, because we always hear

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Speaker 1: that about the sports fans out of Massachusetts. The you know,

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Speaker 1: you know, now it's not a it's not a misconception,

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Speaker 1: but it's it's two sides to everything, right, you know

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Speaker 1: what I mean, That's what I would say, like like

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Speaker 1: that exists, but that's not the only thing that of

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Speaker 1: course they exist, Like I've never been in the TV

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Speaker 1: garden and heard somebody say some racist shit, right personally,

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Speaker 1: that's what there was. That the big controversy about which

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Speaker 1: player stepped on the damn Celtics guy and then Big

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Speaker 1: Baby Davis came and spoke up on it, and KG

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Speaker 1: spoke up on it. There's a well how'd you feel

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Speaker 1: where that happened? Because that's a historic I feel like

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Speaker 1: sometimes we get a little too overly sensitive these days.

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Speaker 1: The word it's like guys, you know, like we're talking

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Speaker 1: about basket ball, Like the logo is a little leprechaun,

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Speaker 1: but like, not everything connected to the race. He did

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Speaker 1: what he was supposed to do. Yeah, well I don't.

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Speaker 1: I didn't take it on no racist shit. I just

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Speaker 1: took it like he was saying, fuck the Celtics. I mean, yeah,

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Speaker 1: he had a bad you know, two years in Boston

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Speaker 1: for whatever reason. I mean a lot of it was

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Speaker 1: probably on him, but you know that's not here nor there.

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Speaker 1: You and and Jada kiss obviously fucking with so raspy kisses.

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Speaker 1: You know, one of the most just down to earth's

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Speaker 1: coolest dudes in the rap game. If you know him,

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Speaker 1: you know, he's just, you know, he's just, He's humble,

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Speaker 1: and I feel like he's always trying to help out

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Speaker 1: whoever he fucks with, even if it's not on something

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Speaker 1: like you're signing me ship. He's always doing for records

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Speaker 1: with up and coming artists he walks with. Definitely. What's

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Speaker 1: it like working with Kiss just in general having him

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Speaker 1: as your big homie man, It's dope. Man. It's like

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Speaker 1: like the Kiss the people saw on verses. I see

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Speaker 1: that every day. Facts. Yeah, people think like did he

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Speaker 1: I don't know, like that that's some new ship for

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Speaker 1: him now. That's how he acts on his block with

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Speaker 1: like one hundred homies around the way he cracks jokes

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Speaker 1: and all of that, Like and then like, yeah, he

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Speaker 1: he's just for the culture man, Like he's a real

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Speaker 1: rapper bro at the core. And are you are you

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Speaker 1: signing his label? Yeah, I'm down with Kiss since I've

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Speaker 1: been down with Kiss since for a minute. Yeah, but

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Speaker 1: like officially like twenty seventeen. Yeah, it's crazy because I

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Speaker 1: feel like that versus moment, like you said, it kind

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Speaker 1: of like reminded a lot of people, like Yo, Kisses.

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Speaker 1: They don't say top five dead or a lot for

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Speaker 1: no reason. You know what I'm saying to burn any

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Speaker 1: rapper his age right now? No, I mean any rapper,

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Speaker 1: I mean right now, give any rapper and I got

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Speaker 1: the utmost respect, the utmost respect for whole nas am

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Speaker 1: Kiss will give each one of them a sixteen on

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Speaker 1: the same beat, kiss will burn them. I can agree

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Speaker 1: with you there, that's a fact for sure. I think

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Speaker 1: too whole might stand a chance just in that bar

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Speaker 1: for him, Like I'm talking about sixteen verse sixteen sixteen

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Speaker 1: bars with the goats, with all of the goats, the goats,

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Speaker 1: That's why I'm you know, talking about them. But kisses

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Speaker 1: burning shit. I just think too. Like with that verses,

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Speaker 1: I was telling everybody before it happened, I was like, man,

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Speaker 1: the one thing people are not factoring into this battle

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Speaker 1: is the locks still actually fuck with each other. They're

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Speaker 1: still actually chemistry, chemistry, camaraderie, chemistry. These guys are still

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Speaker 1: with each other. My man, right there, Reem Scully hurt.

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Speaker 1: He thought he's still hurt. He been on Twitter saying

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Speaker 1: that he want to do a rematch on Live and

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Speaker 1: the songs that they match. He's hurt. You know a

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Speaker 1: lot of people were hurt by that. And you know what, though,

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Speaker 1: low X baby, there's a lot of people that's acting

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Speaker 1: like already now people but now, but you know what

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Speaker 1: the difference is now is Nah, listen, the difference is

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Speaker 1: kiss This versus has done something that no other verses

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Speaker 1: really has done. And I feel like now I was

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Speaker 1: on academic shit right now and they just posted a

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Speaker 1: kiss verse he did with dream Doog and said, is

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Speaker 1: this the verse of the year. I'm like that shit

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Speaker 1: ain't happening, you know now, like the younger kids who

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Speaker 1: might not have known the pedigree that Jada kissed when

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Speaker 1: they did that fucking yo man. But y'all ain't got

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Speaker 1: nothing for them. Females, Oh man, it was a murder.

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Speaker 1: And when Kiss came back with the female bag, oh

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Speaker 1: my god, they did the Jenny from the block and

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Speaker 1: the Marah. I said this, this is embarrassing. At this point,

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Speaker 1: we got grims. Y'all got grams, and then I forget

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Speaker 1: what souse to Sousta Jones. Though, listen, I love Dipset,

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Speaker 1: and like, on the surface, I can see how you

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Speaker 1: could be like I got dipset, went in the battle

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00:14:55,000 --> 00:14:57,760
Speaker 1: before it happened. But once you really start thinking, like, man,

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00:14:58,680 --> 00:15:00,800
Speaker 1: Jada was on, I mean, and the locks were on,

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Speaker 1: you know, life after death, they were on it's dark

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00:15:04,440 --> 00:15:06,000
Speaker 1: and hell it is hot, you know what I'm saying,

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Speaker 1: Like this is different, It's a different bag. It's just

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Speaker 1: a whole different bag. They would have washed G Unit.

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Speaker 1: I think so. I think so it's undebatable. Would have

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Speaker 1: been nice, said the unit would have been fire. Yeah,

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00:15:23,920 --> 00:15:26,600
Speaker 1: but the thing is is that camaraderie. But then I

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Speaker 1: don't know, like you like, fifty is tough to wash.

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Speaker 1: He don't need G unit. Fifty just on stage and

291
00:15:33,600 --> 00:15:36,040
Speaker 1: Fifty could just play get Rich to Die, trying from

292
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Speaker 1: front to back and just half the mic and just

293
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Speaker 1: troll people. That's the one thing I would love to

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00:15:40,920 --> 00:15:43,160
Speaker 1: see Jaden and fifty on stage just just just throwing

295
00:15:43,200 --> 00:15:46,120
Speaker 1: shots at each other because they're both hilarious type shit.

296
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Speaker 1: But yeah, I was like, I was so disappointed with Cab.

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00:15:48,800 --> 00:15:50,920
Speaker 1: I was expected Cab to say some funny ship. I

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00:15:50,960 --> 00:15:53,600
Speaker 1: was like, man, anytime Jim Jones was performing his ship,

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00:15:53,720 --> 00:15:56,120
Speaker 1: Cameron was in the back with like the aunts. I

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Speaker 1: was like, damn, styles was with kids, like they was

301
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Speaker 1: witty each other. That ship was historical though, Nah what

302
00:16:04,640 --> 00:16:08,600
Speaker 1: I love? Nah, listen, man, they were in the crowd.

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Speaker 1: I wasn't gonna dude, I think because when they because

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00:16:12,240 --> 00:16:18,120
Speaker 1: when the what I love when they played the street Ship,

305
00:16:18,200 --> 00:16:20,400
Speaker 1: they played that bird Gang ship the water over there,

306
00:16:21,480 --> 00:16:25,320
Speaker 1: they played that bird Gang ship. But they can't just

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00:16:25,400 --> 00:16:28,400
Speaker 1: stack Bundles was bird gang that ain't dip stick, that

308
00:16:28,440 --> 00:16:31,360
Speaker 1: ain't dip sick. Nah man, they hey man, shout out

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00:16:31,400 --> 00:16:33,480
Speaker 1: to Jim, shout out to camp. I love dip set,

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00:16:33,480 --> 00:16:36,400
Speaker 1: but there was a definitive l man. So who all

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Speaker 1: do you have on this new album? You say got

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00:16:38,200 --> 00:16:42,240
Speaker 1: g Herbal kids, I got Herbal, I got kissed, I

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00:16:42,280 --> 00:16:47,280
Speaker 1: got Asian Doll, I got Ben Butcher. I got dot

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00:16:47,280 --> 00:16:52,120
Speaker 1: of the dela Ate zip from Boston. And why from

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00:16:52,160 --> 00:16:55,640
Speaker 1: Boston you put out a video agent doll? Right? Yeah,

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00:16:55,800 --> 00:16:58,600
Speaker 1: I saw that. That's kind of a random collap. Yeah, yeah,

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00:16:58,600 --> 00:17:00,760
Speaker 1: I didn't see that one coming. We met, We met

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Speaker 1: in a crazy way. We met. We met in a

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Speaker 1: strip club. And I was literally about to say, I

320
00:17:06,800 --> 00:17:08,440
Speaker 1: bet you better at a strip call, you know that.

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Speaker 1: We met in a strip club in Atlanta, and and

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Speaker 1: and and I was I was with my people who

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Speaker 1: knew her, and we left out and I had the

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00:17:19,680 --> 00:17:23,480
Speaker 1: color in the Rolls truck or whatever, and we all

325
00:17:23,600 --> 00:17:25,359
Speaker 1: jumped in the Rolls truck and we were going to

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Speaker 1: go to the next spot, and then shots just started

327
00:17:28,000 --> 00:17:32,840
Speaker 1: going off, like little machine gun fire and ship and

328
00:17:32,840 --> 00:17:35,000
Speaker 1: and I'm bent, I'm smacked, you know, what I'm saying,

329
00:17:35,000 --> 00:17:36,879
Speaker 1: and my man is like, Yo, get down, get out

330
00:17:36,960 --> 00:17:39,560
Speaker 1: the car, get down. But I feel like the shots

331
00:17:39,560 --> 00:17:41,960
Speaker 1: aren't too close to me type shit, So I just

332
00:17:42,040 --> 00:17:45,080
Speaker 1: I get out the car or whatever. I get down,

333
00:17:45,119 --> 00:17:47,120
Speaker 1: But like before I do that, like I just look

334
00:17:47,200 --> 00:17:49,480
Speaker 1: in the passenger side and like Asian dogs, just in

335
00:17:49,520 --> 00:17:52,520
Speaker 1: the passenger side, like fixing her makeup in the mirror

336
00:17:52,640 --> 00:17:59,159
Speaker 1: one pa while the shots are going off. Looked. I'm like, shit, ends,

337
00:18:00,200 --> 00:18:02,639
Speaker 1: I'm like, yo, you're doing your makeup while the shots

338
00:18:02,720 --> 00:18:04,400
Speaker 1: was going on. She's like, man, I'm trying to get

339
00:18:04,400 --> 00:18:06,520
Speaker 1: to my next destination some ship like that. And it

340
00:18:06,560 --> 00:18:08,720
Speaker 1: was like, oh no, she's different, and then we locked

341
00:18:08,720 --> 00:18:11,400
Speaker 1: it since then, so yeah, yeah, she did a freestyle

342
00:18:11,440 --> 00:18:12,840
Speaker 1: for us a couple of years ago that was that

343
00:18:13,040 --> 00:18:16,240
Speaker 1: was solid. Yeah, it was She's fire. Surprised she's fire,

344
00:18:16,440 --> 00:18:18,560
Speaker 1: but she was. I think she used to be with Gucci,

345
00:18:18,680 --> 00:18:24,280
Speaker 1: right gee, herbo fire, Yeah, Benny, that's I mean. Herbo

346
00:18:24,320 --> 00:18:26,800
Speaker 1: shit came from high level rap too, because he he

347
00:18:26,920 --> 00:18:30,760
Speaker 1: posted my bars on nine five Freestyle. But I had

348
00:18:30,800 --> 00:18:34,679
Speaker 1: known herbo since some Smokers Club tour, right right, But

349
00:18:34,760 --> 00:18:38,879
Speaker 1: he posted my my bars on nine five free Style

350
00:18:40,600 --> 00:18:42,280
Speaker 1: and then I just knew, like a hes gonna give

351
00:18:42,280 --> 00:18:44,000
Speaker 1: me a rack at that first ship, and when I

352
00:18:44,119 --> 00:18:45,600
Speaker 1: hit him, he's like, hey, yeah, let's do it. We

353
00:18:45,680 --> 00:18:47,560
Speaker 1: did that ship out here, so that was fire. It's

354
00:18:47,560 --> 00:18:50,080
Speaker 1: gonna be my quickest million. Are you going to do another?

355
00:18:50,840 --> 00:18:53,080
Speaker 1: You did a collab tape with Dave? Is there another

356
00:18:53,119 --> 00:18:54,760
Speaker 1: artist you would want to do a collab tape with

357
00:18:54,880 --> 00:18:57,240
Speaker 1: or someone who you're talking to? I don't know, Like

358
00:18:57,440 --> 00:18:58,720
Speaker 1: I never met him, but I wanted to do a

359
00:18:58,720 --> 00:19:01,760
Speaker 1: collab table with Mazi though. That would be hard with

360
00:19:01,880 --> 00:19:03,800
Speaker 1: Mazi because he got like ball work, I like some

361
00:19:03,840 --> 00:19:07,800
Speaker 1: of the and he got pain. Yes, is one of

362
00:19:07,840 --> 00:19:09,560
Speaker 1: my favorite rappers in the world. I want to lock

363
00:19:09,640 --> 00:19:12,480
Speaker 1: him with Mazi. You you haven't met Mazi yet, No,

364
00:19:12,960 --> 00:19:15,639
Speaker 1: but we got mutual people though. I want him to

365
00:19:15,720 --> 00:19:19,480
Speaker 1: locking with Mazi. That's that's about it. That'd be crazy.

366
00:19:19,560 --> 00:19:21,320
Speaker 1: I like to do some shit with Young Ma too.

367
00:19:21,920 --> 00:19:26,480
Speaker 1: She's fired. That's like the type of rappers that I like,

368
00:19:26,520 --> 00:19:28,120
Speaker 1: you know what I mean? I mean, I'm so glad

369
00:19:28,119 --> 00:19:30,320
Speaker 1: that rappers they could rap, but they still like that.

370
00:19:30,440 --> 00:19:32,680
Speaker 1: I just love these coach people tapping with Maji because

371
00:19:32,680 --> 00:19:35,840
Speaker 1: I feel like he's he's high level, hell high level MC,

372
00:19:36,119 --> 00:19:38,560
Speaker 1: and I just don't think like outside of like over here,

373
00:19:38,600 --> 00:19:40,080
Speaker 1: he I feel like he should get more respect in

374
00:19:40,119 --> 00:19:43,720
Speaker 1: those conversations. You know what I'm saying. Blaha that blata

375
00:19:43,760 --> 00:19:48,120
Speaker 1: that Yo. You have a relationship with Shady? Right, Yes, sir?

376
00:19:49,880 --> 00:19:51,840
Speaker 1: How's he doing? He he's doing contact with him. He's

377
00:19:51,880 --> 00:19:54,840
Speaker 1: doing great. Every day I talked to him, just as

378
00:19:55,320 --> 00:19:58,440
Speaker 1: another day at the office. Man's getting some getting some rest,

379
00:19:58,560 --> 00:20:01,160
Speaker 1: working out. It's another day at the oh this yeah,

380
00:20:01,440 --> 00:20:04,119
Speaker 1: that's how you know, there's this this whole situation that

381
00:20:04,160 --> 00:20:05,879
Speaker 1: he's been a part of just kind of got reignited

382
00:20:05,880 --> 00:20:08,520
Speaker 1: online with this whack one hundred interview and a lot

383
00:20:08,560 --> 00:20:10,960
Speaker 1: of that stuff. Kind of what's your take on on

384
00:20:11,560 --> 00:20:14,520
Speaker 1: you know, it seems to be like I feel like

385
00:20:14,640 --> 00:20:19,200
Speaker 1: there's some sort of part of the industry that's starting

386
00:20:19,200 --> 00:20:21,000
Speaker 1: to try to push six nine back in our face

387
00:20:21,040 --> 00:20:22,720
Speaker 1: a little bit. I felt like shit had kind of

388
00:20:22,720 --> 00:20:24,640
Speaker 1: got put to bed after he put his ship out

389
00:20:24,680 --> 00:20:27,119
Speaker 1: and it kind of flopped like, kind of, what's your

390
00:20:27,119 --> 00:20:29,040
Speaker 1: thoughts on what's going on right now with all that shit?

391
00:20:32,560 --> 00:20:38,199
Speaker 1: It's a rat a rodent. I don't know, Like I

392
00:20:38,200 --> 00:20:40,479
Speaker 1: don't I don't even be I don't even be watching

393
00:20:40,520 --> 00:20:43,159
Speaker 1: this shit he do or whatever. It's that's like, you know,

394
00:20:43,200 --> 00:20:45,040
Speaker 1: he sent people to jail, he took people away from

395
00:20:45,080 --> 00:20:48,119
Speaker 1: their kids. Man, like he a rat, he eroding, he

396
00:20:48,160 --> 00:20:50,639
Speaker 1: discover of the earth bro. There's no it's like me

397
00:20:50,680 --> 00:20:53,080
Speaker 1: sitting here and discussing the pedophile, like you already know

398
00:20:53,119 --> 00:20:57,399
Speaker 1: what it is like that he is because because I

399
00:20:57,400 --> 00:20:59,080
Speaker 1: think that that's what the one thing Whack was saying

400
00:20:59,200 --> 00:21:02,320
Speaker 1: he's a rat, because was like, he's a civilian who

401
00:21:02,320 --> 00:21:06,240
Speaker 1: told the truth. Once you do a street act, that

402
00:21:06,240 --> 00:21:09,399
Speaker 1: that takes you out of that discussion. You consciously do

403
00:21:09,400 --> 00:21:12,680
Speaker 1: a street act. Yeah, yeah, that's what you're not a civilian, nomore,

404
00:21:12,760 --> 00:21:14,439
Speaker 1: that's what glasses me. You choose to pick up a

405
00:21:14,440 --> 00:21:17,120
Speaker 1: gun and walk outside right now, you know what's coming

406
00:21:17,119 --> 00:21:19,320
Speaker 1: out of a civilian No more, that's a legal crime.

407
00:21:19,400 --> 00:21:24,400
Speaker 1: You're a criminal. Yeah, that's kind of you know, shout

408
00:21:24,440 --> 00:21:27,119
Speaker 1: out to guy, you just rode it, g Malone out here.

409
00:21:27,160 --> 00:21:29,760
Speaker 1: That's kind of what he says it. Once you once

410
00:21:29,800 --> 00:21:34,240
Speaker 1: you knowingly do something criminal involved in that life, and

411
00:21:34,240 --> 00:21:37,520
Speaker 1: you got to know what that ship comes with, right period.

412
00:21:38,280 --> 00:21:41,560
Speaker 1: It's called accountability. And I don't even funk with people

413
00:21:41,560 --> 00:21:44,960
Speaker 1: who aren't accountability in the normal life. In normal life,

414
00:21:45,040 --> 00:21:47,919
Speaker 1: let alone when people's lives are on the line, you

415
00:21:48,040 --> 00:21:50,639
Speaker 1: send the motherfuckers to jail because you're not accountable for

416
00:21:50,680 --> 00:21:53,920
Speaker 1: your actions. Fuck out, it come of the earth. There

417
00:21:53,920 --> 00:21:56,960
Speaker 1: it is. He's a broken man. I mean, you know

418
00:21:57,000 --> 00:22:00,320
Speaker 1: what I'm saying, Like you, you got broken, You let

419
00:22:00,359 --> 00:22:03,200
Speaker 1: them people break? You assume me. I got homies doing

420
00:22:03,280 --> 00:22:05,160
Speaker 1: natural life right now. But they're not broken. They could

421
00:22:05,200 --> 00:22:09,159
Speaker 1: look in the mirror every day still called me in

422
00:22:09,240 --> 00:22:13,680
Speaker 1: high spirits type shit. When Shady was running with six '

423
00:22:13,800 --> 00:22:15,399
Speaker 1: nine and you were cool with him when he was

424
00:22:15,440 --> 00:22:18,280
Speaker 1: out of jail. Was there ever any conversations about like

425
00:22:18,760 --> 00:22:20,800
Speaker 1: watch out for that guy, because I think obviously he

426
00:22:20,840 --> 00:22:24,320
Speaker 1: had rainbow hair. He seemed to be extremely extravagant online

427
00:22:24,359 --> 00:22:28,280
Speaker 1: from the jump. No, I never I never went around

428
00:22:28,320 --> 00:22:29,959
Speaker 1: him like that, Like I had been around him all

429
00:22:30,000 --> 00:22:32,440
Speaker 1: like the video set of like to get the strap

430
00:22:32,480 --> 00:22:35,439
Speaker 1: shit with fifty cent or whatever, But that was like

431
00:22:35,440 --> 00:22:37,719
Speaker 1: the furthest extent of it. But what I do know

432
00:22:37,800 --> 00:22:41,000
Speaker 1: is Shady really loved him though, and Shady put in

433
00:22:41,040 --> 00:22:44,880
Speaker 1: a lot of pain behind him, but like Shady really

434
00:22:44,880 --> 00:22:48,199
Speaker 1: loved him, like intimate conversations for me with me and

435
00:22:48,320 --> 00:22:50,760
Speaker 1: Shaddy where I knew like before all that shit hit

436
00:22:50,760 --> 00:22:52,199
Speaker 1: the fan, He's like, nah, I love that dude. Man,

437
00:22:52,240 --> 00:22:55,040
Speaker 1: I'll rest my life for that dude. Like Shady loved

438
00:22:55,040 --> 00:22:57,920
Speaker 1: that kid. They had a genuine connection. Oh yeah, bro,

439
00:22:58,000 --> 00:22:59,560
Speaker 1: he would have went to the end of the earth

440
00:22:59,680 --> 00:23:03,240
Speaker 1: pret that kid. He would have did whatever he could

441
00:23:03,880 --> 00:23:07,320
Speaker 1: to make that kid be successful and that and that. Yeah,

442
00:23:07,320 --> 00:23:09,640
Speaker 1: that kid knows that ship and he did. Yeah. When

443
00:23:09,640 --> 00:23:12,760
Speaker 1: I went to the I went to the to his sentencing,

444
00:23:14,080 --> 00:23:16,560
Speaker 1: and Kazshati used to always tell me. I used to

445
00:23:16,600 --> 00:23:19,680
Speaker 1: ask him like yo, because he was trying to sign

446
00:23:19,680 --> 00:23:21,200
Speaker 1: me in and we were trying to figure it out,

447
00:23:21,240 --> 00:23:23,679
Speaker 1: like if we could mix the trade Wave ship with

448
00:23:23,720 --> 00:23:26,679
Speaker 1: the sol raster ship or whatever, and he would always

449
00:23:26,720 --> 00:23:28,399
Speaker 1: ask me. I mean, I will always ask him like, yo,

450
00:23:28,440 --> 00:23:30,720
Speaker 1: what about the Feds? Bro, ain't the Feds coming for y'all?

451
00:23:30,720 --> 00:23:32,440
Speaker 1: And it be like, hell no, Millie's man, I ain't

452
00:23:32,440 --> 00:23:34,639
Speaker 1: did the crime for so long He's like you know

453
00:23:34,680 --> 00:23:36,600
Speaker 1: what I mean, shit like that. But then when we

454
00:23:36,600 --> 00:23:42,240
Speaker 1: was at his sentencing, like the judge listed off all

455
00:23:42,320 --> 00:23:45,240
Speaker 1: the pain he put in and I mean like every

456
00:23:45,240 --> 00:23:48,440
Speaker 1: two months it was something and I was like, damn, bro,

457
00:23:48,600 --> 00:23:51,440
Speaker 1: like you were really going crazy. He was like, yeah,

458
00:23:51,480 --> 00:23:53,359
Speaker 1: I should have been more hands off, you know what

459
00:23:53,400 --> 00:23:56,360
Speaker 1: I mean. But he was putting in pain for that kid.

460
00:23:56,720 --> 00:23:58,520
Speaker 1: Does that make like like when you see ship like

461
00:23:58,600 --> 00:24:00,840
Speaker 1: that or I mean, obviously there's been I feel like

462
00:24:00,920 --> 00:24:03,080
Speaker 1: hip hop is under a microscope with the Feds for

463
00:24:03,119 --> 00:24:07,359
Speaker 1: some reason. Right now, do you do you not only

464
00:24:07,400 --> 00:24:10,040
Speaker 1: on that, but this is why not to cut you off.

465
00:24:10,160 --> 00:24:12,280
Speaker 1: This is why it's under a microscope with the Feds

466
00:24:12,320 --> 00:24:15,960
Speaker 1: because if you think about it, right, all right, you

467
00:24:15,160 --> 00:24:18,919
Speaker 1: will you're a federal officer or some shit. You you

468
00:24:19,000 --> 00:24:21,920
Speaker 1: gotta bring your boss some cases. Right, So you got

469
00:24:21,920 --> 00:24:25,000
Speaker 1: these dudes over here selling this, doing this. You got

470
00:24:25,000 --> 00:24:26,840
Speaker 1: these dudes over here selling us doing this, and then

471
00:24:26,840 --> 00:24:28,679
Speaker 1: you got these dudes over here selling us doing this,

472
00:24:28,840 --> 00:24:33,600
Speaker 1: but they're connected to a successful rapper. Whose case is

473
00:24:33,680 --> 00:24:35,480
Speaker 1: your boss gonna take. He's gonna take the one with

474
00:24:35,520 --> 00:24:38,440
Speaker 1: the successful rapper because that shit's gonna hit the media.

475
00:24:38,440 --> 00:24:40,800
Speaker 1: And then it makes like it's like your PR campaign

476
00:24:40,880 --> 00:24:44,000
Speaker 1: is done for you. Also, it's probably easier to get

477
00:24:44,000 --> 00:24:47,159
Speaker 1: those guys because not for nothing, it's a lot of

478
00:24:47,200 --> 00:24:51,080
Speaker 1: self snitching going on on the internet in the hip

479
00:24:51,119 --> 00:24:53,639
Speaker 1: hop world, Yeah, but they be taking it out of

480
00:24:53,640 --> 00:24:55,760
Speaker 1: context too. I'll be seeing some of these kids from

481
00:24:55,800 --> 00:24:59,640
Speaker 1: Jacksonville and I'm like, man, where is their team? Because

482
00:24:59,640 --> 00:25:02,480
Speaker 1: they're there's like bodies piling up out there, and this

483
00:25:02,600 --> 00:25:05,960
Speaker 1: motherfuckers is like on the internet making records and I'm like, bro,

484
00:25:06,080 --> 00:25:09,679
Speaker 1: what is going on? Like you know, like I feel like,

485
00:25:10,040 --> 00:25:11,920
Speaker 1: do you feel like there's like certain things you won't

486
00:25:11,920 --> 00:25:14,840
Speaker 1: share online or sharing bars or sharing records because even

487
00:25:14,880 --> 00:25:17,640
Speaker 1: if it's fictional, even if it's some hip hop shit,

488
00:25:17,720 --> 00:25:19,879
Speaker 1: you're afraid that maybe, like how am I get taken

489
00:25:20,240 --> 00:25:21,800
Speaker 1: out of context? If there were to ever be a

490
00:25:21,840 --> 00:25:26,600
Speaker 1: situation like that. I don't involve myself in any crown whatsoever.

491
00:25:27,800 --> 00:25:35,359
Speaker 1: So No, what about you know, moving around because you're

492
00:25:35,480 --> 00:25:37,800
Speaker 1: always see you everywhere? Bro, You're in Atlanta, you're in

493
00:25:37,960 --> 00:25:41,400
Speaker 1: LA you move around nicely Columbia. I'm the only white

494
00:25:41,480 --> 00:25:43,800
Speaker 1: rabbit that does that too. But I was gonna say, like,

495
00:25:44,040 --> 00:25:46,719
Speaker 1: you know, there's been so many people getting caught slipping,

496
00:25:46,800 --> 00:25:50,320
Speaker 1: whether it's nip, whether it's King Vaughn, whatever it is,

497
00:25:50,520 --> 00:25:53,040
Speaker 1: how careful are you when you're moving around outside of

498
00:25:53,040 --> 00:25:55,240
Speaker 1: your like where you're from? I mean, listen, you have

499
00:25:55,320 --> 00:25:58,280
Speaker 1: a This is probably the biggest arms fast she's had

500
00:25:58,280 --> 00:26:02,399
Speaker 1: in a while. So there it is very carey, got it.

501
00:26:02,480 --> 00:26:05,040
Speaker 1: We got to protect the brand. I never been touched

502
00:26:05,080 --> 00:26:10,200
Speaker 1: like I've been rapping like ten fifteen years, Like you know,

503
00:26:10,440 --> 00:26:13,000
Speaker 1: nothing ever happened to me in that whole time. That's

504
00:26:13,040 --> 00:26:16,120
Speaker 1: fair and it's not gunning like you know that. That's

505
00:26:16,200 --> 00:26:18,960
Speaker 1: just how I wake up and feel every day. Who

506
00:26:19,040 --> 00:26:20,760
Speaker 1: was your when you were like when you were growing

507
00:26:20,840 --> 00:26:23,520
Speaker 1: up listening to hip hop being a kid from Massachusetts,

508
00:26:23,640 --> 00:26:25,439
Speaker 1: who was like that artist you looked up to in

509
00:26:25,480 --> 00:26:28,159
Speaker 1: your city that made you feel like, oh shit, it's

510
00:26:28,200 --> 00:26:32,000
Speaker 1: possible to make it out of here. I saw I

511
00:26:32,040 --> 00:26:35,760
Speaker 1: saw a Smoke Bulger in the newspaper. You ever heard him?

512
00:26:36,600 --> 00:26:38,480
Speaker 1: Smoke Bulger? He was a big rapper when I was

513
00:26:38,520 --> 00:26:40,720
Speaker 1: coming up facts and he's still He's got to deal

514
00:26:40,760 --> 00:26:44,080
Speaker 1: with Rick Ross right now. So smoke Bulger inspired me.

515
00:26:44,119 --> 00:26:46,480
Speaker 1: I was at my school. I used to go to school,

516
00:26:46,520 --> 00:26:49,000
Speaker 1: this little sped school in Charlestown, and I got the

517
00:26:49,040 --> 00:26:51,840
Speaker 1: Boston Herald one morning and I looked at it and

518
00:26:51,920 --> 00:26:54,400
Speaker 1: he was on like like one of the front pages.

519
00:26:54,920 --> 00:26:57,760
Speaker 1: That inspired me. And other than that, I don't know,

520
00:26:57,800 --> 00:27:01,040
Speaker 1: like nobody was really nobody was, cause you probably came

521
00:27:01,119 --> 00:27:04,600
Speaker 1: up after like the Maid, like cousin Stizz inspired me

522
00:27:04,680 --> 00:27:07,920
Speaker 1: like later on in life. Yeah, he's killing it. He's dope, man,

523
00:27:07,920 --> 00:27:10,679
Speaker 1: he's a good dude too. Yeah, that's my brother, so

524
00:27:11,240 --> 00:27:13,800
Speaker 1: you know. But but people, but like Joiner inspires me,

525
00:27:13,920 --> 00:27:18,399
Speaker 1: be it inspires me. Anybody. Anybody who's popping out of

526
00:27:18,400 --> 00:27:21,879
Speaker 1: Massachusetts inspires me because it's one of the hardest places

527
00:27:21,880 --> 00:27:24,240
Speaker 1: to make it out of. I think with changing that slowly,

528
00:27:24,320 --> 00:27:27,520
Speaker 1: but if you made if you made it to some

529
00:27:27,600 --> 00:27:31,360
Speaker 1: sort of national popularity fame, like I salute you because

530
00:27:31,920 --> 00:27:36,400
Speaker 1: you did good, you did great. You moved obviously, static

531
00:27:36,440 --> 00:27:38,480
Speaker 1: had to move to New York. Do you feel like

532
00:27:38,840 --> 00:27:41,200
Speaker 1: for any kids who are listening from your city, from

533
00:27:41,240 --> 00:27:43,160
Speaker 1: your state that are watching this, do you think it's

534
00:27:43,200 --> 00:27:45,719
Speaker 1: a smart play for them to, you know, get out

535
00:27:45,760 --> 00:27:47,840
Speaker 1: of the comfort zone. And maybe yeah, but only when

536
00:27:47,880 --> 00:27:50,639
Speaker 1: you get booming in mass You still gotta get booming

537
00:27:50,680 --> 00:27:53,919
Speaker 1: in mass conquer home first. You still gotta be played

538
00:27:53,920 --> 00:27:58,000
Speaker 1: on the launch pad with E doublin. You still gotta

539
00:27:58,359 --> 00:28:00,440
Speaker 1: you gotta be known if your name is in No.

540
00:28:00,560 --> 00:28:04,760
Speaker 1: When when I left Massachusetts, at least seventy five percent

541
00:28:04,840 --> 00:28:06,920
Speaker 1: of the whole fucking state knew my name. You know

542
00:28:06,960 --> 00:28:08,720
Speaker 1: what I mean, you had already done what you could do.

543
00:28:09,080 --> 00:28:11,520
Speaker 1: Like if you don't know me, you maybe a freshman

544
00:28:11,880 --> 00:28:13,760
Speaker 1: in college going to one of these schools and you

545
00:28:13,840 --> 00:28:16,760
Speaker 1: from Ioway or something, but like blue collar Massachusetts people

546
00:28:16,800 --> 00:28:18,400
Speaker 1: kne who I was. So I got to that level

547
00:28:18,440 --> 00:28:21,440
Speaker 1: and then I moved. And I feel like even like

548
00:28:21,440 --> 00:28:23,200
Speaker 1: like like be A moved when she got to deal

549
00:28:23,240 --> 00:28:24,600
Speaker 1: with forrel So if you get a deal and you

550
00:28:24,640 --> 00:28:27,600
Speaker 1: gotta move or something, but yeah, I feel like you

551
00:28:27,640 --> 00:28:31,000
Speaker 1: should move out of mass after you after you conquer it,

552
00:28:31,080 --> 00:28:33,480
Speaker 1: you know what I mean. What is in your opinion

553
00:28:33,520 --> 00:28:37,639
Speaker 1: the best Boston movie, because there's some amazing one that

554
00:28:37,760 --> 00:28:40,680
Speaker 1: departed was a Town. No, I'm fucking with the town.

555
00:28:41,360 --> 00:28:43,200
Speaker 1: The town over the Departy. I'm fucking with the town

556
00:28:43,240 --> 00:28:46,520
Speaker 1: because Slain's in the town and Slains my slings the homie. Yeah,

557
00:28:46,760 --> 00:28:49,720
Speaker 1: and that shit was just flavor. Like I couldn't the

558
00:28:50,120 --> 00:28:52,120
Speaker 1: dude because I grew up with them type of dudes,

559
00:28:52,800 --> 00:28:55,840
Speaker 1: like in Cambridge, just like my neighborhood was mostly black.

560
00:28:55,880 --> 00:28:59,120
Speaker 1: But then there's like like a part of Cambridge called

561
00:28:59,160 --> 00:29:01,760
Speaker 1: East Cambridge and it's like those tough type of white boys.

562
00:29:01,800 --> 00:29:03,600
Speaker 1: And then I went to school in Charlestown where they

563
00:29:03,600 --> 00:29:05,440
Speaker 1: made that movie, So I grew up with those type

564
00:29:05,440 --> 00:29:07,520
Speaker 1: of dudes. And Jeremy Renner. When I found out he

565
00:29:07,600 --> 00:29:10,160
Speaker 1: was Australian, my mind was blown because he killed it.

566
00:29:10,200 --> 00:29:13,400
Speaker 1: Because he did fucking good. Kid. He did great, he

567
00:29:13,480 --> 00:29:16,960
Speaker 1: did great, He did fucking good kid. Yeah, it's it's

568
00:29:16,960 --> 00:29:19,080
Speaker 1: it's crazy because if you like, actually know people from

569
00:29:19,120 --> 00:29:20,880
Speaker 1: Boston and then you watch a movie where they're trying

570
00:29:20,880 --> 00:29:24,360
Speaker 1: to do the Boston accent and not everybody has that ship.

571
00:29:25,040 --> 00:29:27,360
Speaker 1: I don't have that, Like you don't have the heavy

572
00:29:27,840 --> 00:29:31,840
Speaker 1: getting get in the fucking car dude. Yeah, Yo, something

573
00:29:31,920 --> 00:29:34,640
Speaker 1: something about I did good. I think you did. I

574
00:29:34,640 --> 00:29:36,880
Speaker 1: mean I think you can hit it. Bro shout out.

575
00:29:37,080 --> 00:29:39,680
Speaker 1: Every time I go to Boston and DJ Bro and

576
00:29:39,720 --> 00:29:41,960
Speaker 1: there's like the drunk Boston white chicks, I'll just be

577
00:29:42,040 --> 00:29:45,240
Speaker 1: weak as fuck the way they be talking. Yeah, Yo,

578
00:29:45,320 --> 00:29:48,440
Speaker 1: can you play some fucking pit Bull, Like some fucking

579
00:29:48,560 --> 00:29:54,080
Speaker 1: pit bull dude? Shout out to Boston, Man, is this

580
00:29:54,160 --> 00:29:56,600
Speaker 1: gonna be the only project you dropped after? You're gonna

581
00:29:56,640 --> 00:29:58,480
Speaker 1: drop this project next? Friday. Is that Are you done

582
00:29:58,480 --> 00:30:00,000
Speaker 1: for the rest of the year, just working the album?

583
00:30:00,000 --> 00:30:01,480
Speaker 1: I mean you got some other shit, right, I'm probably

584
00:30:01,480 --> 00:30:03,080
Speaker 1: worked the album for the year. I might drop some

585
00:30:03,120 --> 00:30:06,360
Speaker 1: more music, but yeah, like this this ship is like

586
00:30:06,400 --> 00:30:08,560
Speaker 1: a home cooked meal. This is so ful, Like this

587
00:30:08,640 --> 00:30:10,960
Speaker 1: is this is it, man, This is the culmination of

588
00:30:11,000 --> 00:30:14,320
Speaker 1: everything that's happened over this pandemic for me. So yeah,

589
00:30:14,320 --> 00:30:16,200
Speaker 1: I feel like you, Like I said, man, I mean

590
00:30:16,240 --> 00:30:19,680
Speaker 1: you've been shooting videos for every fucking thing. Oh yeah,

591
00:30:19,760 --> 00:30:22,000
Speaker 1: shot out my man tans Like I feel like God

592
00:30:22,040 --> 00:30:25,960
Speaker 1: gave me like a videographer to That's what I needed,

593
00:30:26,720 --> 00:30:29,120
Speaker 1: somebody who could run around with me same ambition and

594
00:30:29,240 --> 00:30:31,480
Speaker 1: drive shoot my ship, get it out there, because like

595
00:30:31,520 --> 00:30:34,760
Speaker 1: we got shipped with eight hundred thousand and damn there

596
00:30:34,760 --> 00:30:38,160
Speaker 1: are a million views that we just fucking freestyled, like

597
00:30:38,320 --> 00:30:41,320
Speaker 1: just shot, like shoot a video right now. Even last

598
00:30:41,400 --> 00:30:43,600
Speaker 1: night before I did the other press thing that I did,

599
00:30:43,680 --> 00:30:46,160
Speaker 1: we we were in the parking lot. It just started

600
00:30:46,160 --> 00:30:49,000
Speaker 1: shooting a video because he's nice like that. So it's like,

601
00:30:49,080 --> 00:30:51,280
Speaker 1: I feel like that's people being able to see me

602
00:30:51,320 --> 00:30:54,960
Speaker 1: in that capacity took me to the left. Videographer is

603
00:30:54,960 --> 00:31:03,200
Speaker 1: important when I mean, that's like videographer, producer, videographer, producer,

604
00:31:04,160 --> 00:31:06,880
Speaker 1: good engineer. Do you have like a like in house

605
00:31:06,880 --> 00:31:08,920
Speaker 1: production team you work with. I worked with this kid

606
00:31:09,000 --> 00:31:12,440
Speaker 1: Ray Beats. He's from Albania. He's sixteen years old. He

607
00:31:12,520 --> 00:31:16,080
Speaker 1: lives in Albania. Shoutout Toros. He sends me a beat

608
00:31:16,120 --> 00:31:18,840
Speaker 1: every morning. Wow. He did the Asian Doll shit, he

609
00:31:18,880 --> 00:31:21,760
Speaker 1: did the g Herbal shit, he did the Jada record,

610
00:31:21,920 --> 00:31:25,000
Speaker 1: he did the Banny record. He's disgusting, bro. He's sixteen

611
00:31:25,040 --> 00:31:30,920
Speaker 1: years sixteen year old kid in Albania, Albania, the Albanian goat. Hey,

612
00:31:30,960 --> 00:31:34,640
Speaker 1: Albania low key in music is popping. They got band band,

613
00:31:34,680 --> 00:31:39,200
Speaker 1: they got Dua Lipa gashi. Yeah, they're doing their thing. Man.

614
00:31:39,480 --> 00:31:41,520
Speaker 1: Oh yeah, they got ray Beats too. Shout out and

615
00:31:41,600 --> 00:31:45,680
Speaker 1: they got ray Beats, damn shout out to Okay, let's listen,

616
00:31:45,680 --> 00:31:48,480
Speaker 1: we conquered. So the Town is the best Boston movie ever?

617
00:31:48,920 --> 00:31:52,560
Speaker 1: Hell yeah, I'm right, it's violid. Okay, how about this

618
00:31:54,920 --> 00:31:56,480
Speaker 1: Blue hell Ave? Yeah, if you want to go to

619
00:31:56,480 --> 00:31:58,760
Speaker 1: the other side of the Boston Blue hell Ave, I

620
00:31:58,800 --> 00:32:02,640
Speaker 1: haven't seen here. That's a movie. Yeah, that's that's that's

621
00:32:02,760 --> 00:32:05,120
Speaker 1: that's the joint with us the other real side of Boston,

622
00:32:05,280 --> 00:32:07,800
Speaker 1: like Blue Bluehill. I've got nothing to do with the town.

623
00:32:09,200 --> 00:32:11,880
Speaker 1: What's the joint with the one that popped off Matt

624
00:32:11,960 --> 00:32:15,480
Speaker 1: Damon and Ben Affleck. That's I mean, that was a

625
00:32:15,480 --> 00:32:17,680
Speaker 1: good movie. I mean it's cool. I like that Gangster Ship.

626
00:32:17,880 --> 00:32:20,200
Speaker 1: I mean, we're talking gangster movies. It's different. Okay, what

627
00:32:20,280 --> 00:32:22,880
Speaker 1: about this who if you if you had, if you

628
00:32:22,920 --> 00:32:27,040
Speaker 1: had your opportunity to have a meal with any Boston

629
00:32:27,120 --> 00:32:30,200
Speaker 1: legend ever. I mean there's so many legends from the

630
00:32:30,200 --> 00:32:32,280
Speaker 1: city of Boston. I mean they don't even got people

631
00:32:32,440 --> 00:32:34,240
Speaker 1: be from Boston. It could be Larry Bird, it could

632
00:32:34,240 --> 00:32:37,640
Speaker 1: be Ben Affleck, it could be Matt Damon. There's so

633
00:32:37,720 --> 00:32:40,160
Speaker 1: many legends from the city of Boston. If you could

634
00:32:40,160 --> 00:32:42,040
Speaker 1: have a meal with one of them, like pick pick

635
00:32:42,080 --> 00:32:44,000
Speaker 1: the all time goat that you would want to sit

636
00:32:44,040 --> 00:32:49,360
Speaker 1: down with from your city, I sit down with me.

637
00:32:49,480 --> 00:32:54,440
Speaker 1: I don't know, come on, man, who damn? I don't

638
00:32:54,480 --> 00:32:59,080
Speaker 1: know man, David Ortiz KG Yeah, I get some bluntingos

639
00:32:59,160 --> 00:33:01,400
Speaker 1: with David or t or some shit like I feel

640
00:33:01,400 --> 00:33:03,560
Speaker 1: like that's not that's no. If you want athletes like no,

641
00:33:03,640 --> 00:33:05,520
Speaker 1: I mean, anybody you don't got to be just athletes.

642
00:33:05,560 --> 00:33:07,400
Speaker 1: But you're seeing people from there. You know. I said,

643
00:33:07,440 --> 00:33:09,160
Speaker 1: it's got to be a Boston legend. They don't got

644
00:33:09,240 --> 00:33:11,680
Speaker 1: it necessarily O KG. Yeah, yeah, yeah, KG, And I

645
00:33:11,720 --> 00:33:13,800
Speaker 1: know KG, but I still sit down for dinner with

646
00:33:13,840 --> 00:33:17,240
Speaker 1: him because he's just who he is. KG. Yeah, Kevin

647
00:33:17,280 --> 00:33:20,600
Speaker 1: Garnet facts. You got the Celtics tattoo? Right? Yeah? How

648
00:33:20,640 --> 00:33:22,840
Speaker 1: you feeling about? Uh? You know, Dennis Shrewder going over

649
00:33:22,880 --> 00:33:24,600
Speaker 1: to the Celtics for that five point nine man? They

650
00:33:24,600 --> 00:33:28,280
Speaker 1: should have signed my dog, Isaiah Thomas Man. They did

651
00:33:28,440 --> 00:33:32,200
Speaker 1: Isaiah dirty though. Hey, but you know what, he just

652
00:33:32,240 --> 00:33:34,840
Speaker 1: put up eighty one points in the direct game, and

653
00:33:35,560 --> 00:33:37,480
Speaker 1: I guess he's still good for fifteen a night in

654
00:33:37,480 --> 00:33:39,760
Speaker 1: the league. I could see it. Gave him a little

655
00:33:39,800 --> 00:33:41,720
Speaker 1: ten day contract and he came back and was putting

656
00:33:41,760 --> 00:33:43,760
Speaker 1: up fifteen. He's like black balled or something. I swear

657
00:33:43,800 --> 00:33:45,480
Speaker 1: to god, I could see the Celtics bring them back

658
00:33:45,640 --> 00:33:48,440
Speaker 1: trying to because Daddy ain't ain't there no more. I

659
00:33:48,440 --> 00:33:51,640
Speaker 1: feel like he's black balled in the NBA. Yeah, I

660
00:33:51,640 --> 00:33:53,200
Speaker 1: mean the Celtics I feel like had a bit of

661
00:33:53,200 --> 00:33:58,040
Speaker 1: a The off season was underwhelming. Brad Stevens is running

662
00:33:58,040 --> 00:33:59,800
Speaker 1: the ship. Now they kind of shipped out of I

663
00:33:59,800 --> 00:34:01,760
Speaker 1: mean had a shrewder for him five million. But next

664
00:34:01,800 --> 00:34:03,920
Speaker 1: year we're gonna do good next year though, I think

665
00:34:03,920 --> 00:34:06,280
Speaker 1: that's what they're they're they're trying to grab something, Bradley

666
00:34:06,320 --> 00:34:09,400
Speaker 1: Bell or something like that. We'll see, y'all were supposed

667
00:34:09,400 --> 00:34:11,520
Speaker 1: to get a D two, all that planning and not

668
00:34:11,560 --> 00:34:15,879
Speaker 1: trading them draft picks. Never got a D. But we're competitive. Ever. Yeah,

669
00:34:15,880 --> 00:34:18,040
Speaker 1: what team you were for the Suns and were in

670
00:34:18,080 --> 00:34:22,120
Speaker 1: the finals. Yeah, this is the first time in the finals.

671
00:34:22,120 --> 00:34:26,840
Speaker 1: We've been in the conference finals. Zero rings? Yeah, zero.

672
00:34:27,000 --> 00:34:29,840
Speaker 1: So listen, you have the you have the most probably

673
00:34:30,040 --> 00:34:32,759
Speaker 1: historically successful franchise, because if you really want to go

674
00:34:32,800 --> 00:34:35,520
Speaker 1: with the Lakers, those Minneapolis rings don't count them. That

675
00:34:35,680 --> 00:34:38,640
Speaker 1: COVID ring don't count the Celtics to me, of the

676
00:34:38,680 --> 00:34:43,080
Speaker 1: most historically successful franch I mean, like you said, the

677
00:34:43,160 --> 00:34:45,400
Speaker 1: year Kyrie was out, they went to the Eastern Conference

678
00:34:46,040 --> 00:34:48,200
Speaker 1: to the when Isaiah Thomas was there, we were to

679
00:34:48,239 --> 00:34:50,759
Speaker 1: the conference finals, like we go we got I think

680
00:34:51,040 --> 00:34:54,120
Speaker 1: Tatum been to the conference finals three years if I'm

681
00:34:54,120 --> 00:34:56,160
Speaker 1: not mistaken, and he only played for like four or

682
00:34:56,200 --> 00:34:59,560
Speaker 1: five years. Shout out to Tatum. Anything else, man, obviously,

683
00:34:59,640 --> 00:35:01,439
Speaker 1: I know you you know, are you Are you gonna

684
00:35:01,440 --> 00:35:03,520
Speaker 1: start get fucking with anything outside of the hip hop shit,

685
00:35:03,680 --> 00:35:06,040
Speaker 1: like maybe acting or just I was just riding through

686
00:35:06,040 --> 00:35:08,080
Speaker 1: here looking at all like the big movie signs and

687
00:35:08,120 --> 00:35:10,480
Speaker 1: ship and I was like, yeah, like I gotta get

688
00:35:10,480 --> 00:35:13,240
Speaker 1: an app. You could get your slain on for sure, definitely,

689
00:35:13,280 --> 00:35:15,279
Speaker 1: you gotta plug me in. You could be like the

690
00:35:15,400 --> 00:35:19,560
Speaker 1: new go to goon in Boston gangster movies. I'll bet yeah.

691
00:35:19,680 --> 00:35:22,320
Speaker 1: I like that. You just said hard hard you know

692
00:35:22,360 --> 00:35:26,640
Speaker 1: what I'm saying. You got it? You just that was it? Yeah, yeah, yeah,

693
00:35:26,719 --> 00:35:28,920
Speaker 1: I could do acting anything else though, Like you're like,

694
00:35:29,120 --> 00:35:31,400
Speaker 1: are you like investing, are you like getting your your

695
00:35:31,440 --> 00:35:33,279
Speaker 1: feeding anything besides the rap shit right now? You just

696
00:35:33,320 --> 00:35:35,400
Speaker 1: focused on on popping the rap shit off. Yeah, I

697
00:35:35,440 --> 00:35:37,319
Speaker 1: mean I got I got high level rap right now.

698
00:35:37,400 --> 00:35:39,319
Speaker 1: So that's like something that like me and East kind

699
00:35:39,320 --> 00:35:43,239
Speaker 1: of came up with the concept HLR and it's kind

700
00:35:43,239 --> 00:35:45,320
Speaker 1: of like a fraternity, but we're coming with the merch.

701
00:35:45,920 --> 00:35:48,319
Speaker 1: You know, high level rap, high level life, high level,

702
00:35:48,400 --> 00:35:51,400
Speaker 1: high level, high lifestyle rap, you know all of that.

703
00:35:52,200 --> 00:35:54,440
Speaker 1: But but that's a brand. I wanna I want to

704
00:35:56,640 --> 00:35:59,120
Speaker 1: create something bigger for that, whether it's an app or

705
00:35:59,160 --> 00:36:01,399
Speaker 1: something of that and they But yeah, high level rap

706
00:36:01,440 --> 00:36:04,680
Speaker 1: is the movement. So who's your starting five MC's right now,

707
00:36:04,800 --> 00:36:07,279
Speaker 1: excluding yourself just in all the rap. If we're talking

708
00:36:07,360 --> 00:36:10,319
Speaker 1: high level raps starting five, take the Davies out the

709
00:36:10,320 --> 00:36:13,600
Speaker 1: conversation too, like Alive just right now? No, no, who's

710
00:36:13,640 --> 00:36:15,640
Speaker 1: just doing it right now? I'm not talking about all

711
00:36:15,719 --> 00:36:19,720
Speaker 1: time alive. We're taking East out the convo, taking yourself

712
00:36:19,719 --> 00:36:21,480
Speaker 1: out the can, and we're taking Kiss out the convo.

713
00:36:22,640 --> 00:36:24,759
Speaker 1: I mean you could put Kiss. I'm just saying about

714
00:36:24,760 --> 00:36:27,400
Speaker 1: who's on five, Like, like, let's say the most active

715
00:36:28,200 --> 00:36:31,879
Speaker 1: current rappers. Jade is one of them. Yeah, he's number one.

716
00:36:32,239 --> 00:36:36,920
Speaker 1: He's the hottest rapper right now. I don't disagree Conway,

717
00:36:38,440 --> 00:36:45,000
Speaker 1: Benny Damn. Who else is nice? Like I said, I

718
00:36:45,080 --> 00:36:50,320
Speaker 1: like Mazie Mazi is in there, herbo there it is. Yeah,

719
00:36:50,360 --> 00:36:53,480
Speaker 1: that's a nice starting five. Yeah, all parts of the

720
00:36:53,719 --> 00:36:56,160
Speaker 1: all parts of the country. Yeah, I feel like I'm

721
00:36:56,200 --> 00:37:01,560
Speaker 1: forgetting somebody. But that's that's a solid five. That's solid. Well, look,

722
00:37:01,560 --> 00:37:04,480
Speaker 1: the album comes out next Friday. Yes, sir, go get

723
00:37:04,520 --> 00:37:07,400
Speaker 1: that ship. You can go get the merchant. All that

724
00:37:07,400 --> 00:37:10,919
Speaker 1: shit going up. Yeah, the merchant is going crazy. Any

725
00:37:10,960 --> 00:37:13,680
Speaker 1: tour shit coming up? Maybe I got some dates with

726
00:37:13,760 --> 00:37:16,799
Speaker 1: Conway on the road. I don't think I announced that,

727
00:37:16,800 --> 00:37:18,520
Speaker 1: so I'm announcing that. Hell yeah I got. I got

728
00:37:18,560 --> 00:37:21,400
Speaker 1: a few dates on the Conway tour and then I

729
00:37:21,440 --> 00:37:22,880
Speaker 1: got some other shows. But I got to see how

730
00:37:22,920 --> 00:37:26,160
Speaker 1: this COVID shit plays out. Yeah, I just saw one

731
00:37:26,160 --> 00:37:28,600
Speaker 1: of the homies. Chris Webby just canceled his whole tour

732
00:37:28,680 --> 00:37:30,480
Speaker 1: over the COVID shit. If we supposed to go on

733
00:37:30,520 --> 00:37:33,880
Speaker 1: tour with Dizzy right, and they were like, the mandates

734
00:37:33,880 --> 00:37:36,279
Speaker 1: are too crazy. We don't ask our fans because a

735
00:37:36,320 --> 00:37:38,200
Speaker 1: lot of the venues you got to be vaccinated to

736
00:37:38,239 --> 00:37:40,080
Speaker 1: go in. Oh yeah, he don't. He don't play that

737
00:37:40,200 --> 00:37:42,960
Speaker 1: vaccinator shit. And so it was in Colorado it was

738
00:37:43,000 --> 00:37:48,480
Speaker 1: like fuck vaccinations. Ninety thousand people put their hands up, like,

739
00:37:50,520 --> 00:37:53,839
Speaker 1: yeah he's different. Shut out Chris Webby. Great guy, man,

740
00:37:54,400 --> 00:37:57,000
Speaker 1: great guy, my boy. Yeah yeah, yeah, great guy. Well

741
00:37:57,000 --> 00:37:59,000
Speaker 1: look man, appreciate you pulling up. And then we're gonna

742
00:37:59,000 --> 00:38:01,600
Speaker 1: do a freestyle. So there's gonna be another YouTube video

743
00:38:02,000 --> 00:38:24,480
Speaker 1: where he's doing high level bars. Yeah, boom,