WEBVTT - Second Date Update: Dance Machine

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<v Speaker 1>Bread and butter wines pair with the life moments you love,

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<v Speaker 1>wines aren't delicious? Find a bread and butter wines in

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<v Speaker 1>your favorite store. Second day in the dating world, is

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<v Speaker 1>it easier to meet someone at a wedding or is

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<v Speaker 1>it harder? Oh? Oh, that is a tough question because

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<v Speaker 1>people I've always found it harder personally. I mean, you

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<v Speaker 1>go up there, you deliver a great pickup line, compliment

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<v Speaker 1>the girl on her beautiful white dress, going for the kissing.

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<v Speaker 1>I'm getting thrown out. Yeah, for putting myself out there.

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<v Speaker 1>I'm sorry. One of our listeners, and Nate agrees with

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<v Speaker 1>me because he says he met a girl at a

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<v Speaker 1>wedding and apparently was not as easy as he expected

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<v Speaker 1>it to be. Nate, Welcome to the show. How you doing, man,

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<v Speaker 1>how's it going? Please don't tell me it was the

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<v Speaker 1>the mother in law, any of it. Yeah, I mean god,

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<v Speaker 1>it's a crazy story. I oh my god. Wait was

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<v Speaker 1>it someone that was single that you met? She was single? Yeah? Okay,

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<v Speaker 1>brides are technically single until they say they're not. Jeffrey

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<v Speaker 1>being engaged as someone else who doesn't qualify you as single. Okay,

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<v Speaker 1>well that's good to know. Yeah, I've learned something here.

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<v Speaker 1>But go ahead and nate. Who who is the woman

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<v Speaker 1>that she met? What's her name? Okay? Her name is Meg? Okay,

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<v Speaker 1>Meg okay? And I figured bring in the professionals. I

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<v Speaker 1>need help with the situations, okay. And did you notice

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<v Speaker 1>Meg right away at the wedding? I did notice her

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<v Speaker 1>right away. I saw her sitting in one of the pews,

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<v Speaker 1>crossed the aisle, and I'm like, oh, wow, okay, she's

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<v Speaker 1>really attractive. I should try to talk to her. And

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<v Speaker 1>it was pretty much a struggle to even get to

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<v Speaker 1>meet her. What was your strategy to meet her? Well?

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<v Speaker 1>I was first. I was like, oh, maybe we'll be

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<v Speaker 1>at the same table, but of course we weren't. So

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<v Speaker 1>I was actually trying to switch with somebody, like a

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<v Speaker 1>single person at her table. Actually was able to move

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<v Speaker 1>one table closer, but I was still a table too

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<v Speaker 1>far away. And then I was trying to another table

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<v Speaker 1>over and that didn't work. You can't do that at

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<v Speaker 1>a money do you how much time and energy goes

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<v Speaker 1>into like eating charge. Yes so much. Yeah, I was

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<v Speaker 1>eating the fish. I didn't order the fish. At this point,

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<v Speaker 1>you're just taking someone else's chair, so your table hopping,

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<v Speaker 1>slowly making your way closer and closer to her table.

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<v Speaker 1>Did you ever make it? I never made it to

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<v Speaker 1>her table. You just wait till she's up at the

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<v Speaker 1>bar and then time your drink at the same time

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<v Speaker 1>as hers or yeah, right, that's exactly what happened. It's

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<v Speaker 1>so great. Okay. It feels almost like you were trying

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<v Speaker 1>too hard, like it could have probably happened organically. Saw

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<v Speaker 1>you really trying to force it, saw each table you

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<v Speaker 1>getting closer and closer. That wouldn't be a little bit creepy. Yeah,

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<v Speaker 1>like the term nae her, I'm like anything. So was

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<v Speaker 1>there ever a moment when you were able to get

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<v Speaker 1>some one on one time with her? Yeah, finally at

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<v Speaker 1>the bar. I hear at the bar because she was

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<v Speaker 1>my moment, okay, and I go up there and then

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<v Speaker 1>I tell her that I actually have to talk to

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<v Speaker 1>the groom, which you mind bringing the drink over to

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<v Speaker 1>our table? Oh? He made her your waitress for the night. Yeah,

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<v Speaker 1>that was my Movieeah, I made her my waitress. That's

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<v Speaker 1>a terrible blue wow. I mean, I mean, yeah, I

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<v Speaker 1>would love if someone that to me. He did it work?

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<v Speaker 1>It did work? Oh wow? Right, So she brought the

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<v Speaker 1>drink over to the table and that was cool. So

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<v Speaker 1>we were able to talk for a little bit, you know,

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<v Speaker 1>obviously we knew common people, and it went well. And

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<v Speaker 1>then I was like, hey, would you like to get

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<v Speaker 1>dinner sometime? And she was actually a little surprised. I

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<v Speaker 1>guess that, like I was hitting on her at the

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<v Speaker 1>wedding you know, so stereotypical, but oh she didn't pick

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<v Speaker 1>up that you were hitting on her at first, and

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<v Speaker 1>then finally was like, oh oh wait a minute, like

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<v Speaker 1>you yeah, yeah, okay. So so the wedding night was

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<v Speaker 1>not considered the actual date, right, that was the Yeah,

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<v Speaker 1>that was the meetings. Wokay, So what was the date? Like,

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<v Speaker 1>hopefully you didn't make her your waitress there too, right though, exactly.

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<v Speaker 1>So we went out for dinner and that went really well,

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<v Speaker 1>like we got to know each other. We chatted a

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<v Speaker 1>bit and we had some fun and uh, what was

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<v Speaker 1>the vibe like, were you nervous? I mean on her

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<v Speaker 1>side and your side? Well, she actually called me out.

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<v Speaker 1>She said, did you stage that whole waitress thing? Did

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<v Speaker 1>you just to meet me? She pulled me out, and

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<v Speaker 1>I actually I was like, yeah I did. But it

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<v Speaker 1>started out really good. We were being playful with each other. Yeah,

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<v Speaker 1>And it's a good sign when somebody can give you crap,

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<v Speaker 1>you know, like yeah, and you can take it you

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<v Speaker 1>give it back like that's a good dynamic. Someone's laughing

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<v Speaker 1>at your creepiness. Then there's a shot a moment. So

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<v Speaker 1>how did the rest of the night go? Well? Okay,

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<v Speaker 1>So then she did say that she talked to the

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<v Speaker 1>bride about me, and she wouldn't say exactly what she said,

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<v Speaker 1>but she just said that I would be trouble. No,

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<v Speaker 1>wait are you? I mean at the wedding. Were you

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<v Speaker 1>the groom's friend or the bride's run I didn't know,

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<v Speaker 1>or both the groom's friend. Why would she say that

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<v Speaker 1>your trouble because obviously I don't know you. I'm such

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<v Speaker 1>a great guy, I don't have no idea. Yeah, I

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<v Speaker 1>mean typically, like if I were to say that about

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<v Speaker 1>one of my husband's buddies, it's because they drink a lot.

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<v Speaker 1>There with multiple different women all the time, the very

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<v Speaker 1>attractive qualities yeah, like you know you. Yeah, there's a

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<v Speaker 1>rumor about you. Well, how did the date end? So

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<v Speaker 1>then it was the next stage. We went to one

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<v Speaker 1>of those arcade bar places, so it continued. She was

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<v Speaker 1>still into it, okay, So we were having fun there

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<v Speaker 1>and then she kissed me in front of street Fighter.

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<v Speaker 1>Oh does that mean something? It's interesting the way that

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<v Speaker 1>you said it, though you said she kissed you? Is that?

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<v Speaker 1>Is that? What was she kissed you at the street Fighter?

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<v Speaker 1>Or did you kiss her? Okay? Well I kissed her,

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<v Speaker 1>but she kissed me back, okay, okay, so it was

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<v Speaker 1>your move, it wasn't her move, all right, right, but

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<v Speaker 1>it was just typical. And did you take any plans

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<v Speaker 1>to see each other again? We were just like, oh,

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<v Speaker 1>we'll talk and we'll set up something. And then of

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<v Speaker 1>course this is what I'm calling. I haven't heard from

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<v Speaker 1>her since she had didn't responded to any texts. Have

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<v Speaker 1>texts here, probably three or four times. Maybe she talked

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<v Speaker 1>to the bride again. Yeah, yeah, we'll find out what

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<v Speaker 1>really happened. We're gonna play a song, we'll come back,

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<v Speaker 1>we'll call Meg for you, and we'll try and get

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<v Speaker 1>your second date update. All right, Yeah, that's great things,

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<v Speaker 1>all right, Nate, hold on. When you think of the

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<v Speaker 1>most romantic Hollywood moments of all time, there's Jack and

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<v Speaker 1>Rose kissing on the bow with a Titanic Noah and

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<v Speaker 1>Ali's passionate kiss in the rain from The Notebook, And

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<v Speaker 1>of course, our listener Nate and his date Meg swapping

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<v Speaker 1>saliva in front of the Street Fighter video. Hey, that's

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<v Speaker 1>the sound of their tongues punching each other. That my

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<v Speaker 1>twelve year old dreams from me anyway, But one of

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<v Speaker 1>our listeners, Nate, had a nice dinner date with a

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<v Speaker 1>girl named Meg, followed by a little arcade action. But

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<v Speaker 1>afterwards she's been blowing him off, and he wants to

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<v Speaker 1>know why. So, Nate, how you feeling before we call her?

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<v Speaker 1>I'm so really good, honestly, I mean I hate to

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<v Speaker 1>say this, but I'm thinking she could be the one. WHOA,

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<v Speaker 1>that's pretty quick. I mean, I just we just didn't

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<v Speaker 1>get that sense from the you know, talking to you

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<v Speaker 1>a second ago. No, No, I really love love her. WHOA,

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<v Speaker 1>you just set it again. I mean I love being

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<v Speaker 1>with her. Oh wow, that's okay. So now I'm starting

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<v Speaker 1>to think the reason she's not calling you this movie.

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<v Speaker 1>You came on too strong? Yeah, okay, I never say

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<v Speaker 1>anything like that in front of her. I'm just feeling

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<v Speaker 1>really positive. Okay. It's a lot. Writing on this now

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<v Speaker 1>makes me want to make in front of a street

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<v Speaker 1>fighter machine though, I'm going to get those types of feelings.

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<v Speaker 1>That's what I'm worried. I need to bring a machine

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<v Speaker 1>around with me. Okay, no, don't do that. That doesn't

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<v Speaker 1>make sense, I think. Yeah, we all need to stop

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<v Speaker 1>talking and just call up Meg and figure out what's

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<v Speaker 1>going on. You ready, man, I'm ready. Okay, here we go.

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<v Speaker 1>I'm a dollar number right now. Hello, Hey, I'm looking

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<v Speaker 1>for Meg. Um, this is Maggie. Who who's calling Maggie? Oh?

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<v Speaker 1>Is that is mag Do you go by Meg? Ever? Um?

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<v Speaker 1>My friends call me Meg, but I don't know who

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<v Speaker 1>you are. I mean, hopefully we can do friends after

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<v Speaker 1>we're done with this. But we're calling on behalf of

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<v Speaker 1>one of our listeners who went out on a date

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<v Speaker 1>with you recently. Okay, again, still awkward and not really

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<v Speaker 1>sure like okay, that's pretty part for the core with

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<v Speaker 1>these we're doing something called a second date update. That's

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<v Speaker 1>where if you go out with someone and afterwards, if

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<v Speaker 1>that person isn't calling you back. You can email our

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<v Speaker 1>show for help and we'll reach out to them for

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<v Speaker 1>you to help you figure out the reason why. And

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<v Speaker 1>so the listener that we're calling for his name is Nate.

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<v Speaker 1>Oh yeah, I know Nate. Okay, do you like Nate?

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<v Speaker 1>Maybe I should just say, how do you feel about Nate?

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<v Speaker 1>I mean, Nate's a funny guy. Yeah. We did speak

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<v Speaker 1>with Nate a little bit earlier, and he told us

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<v Speaker 1>all about how you guys met. He told us about

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<v Speaker 1>your dinner date and go into the arcade together, and

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<v Speaker 1>he said there was even a kiss that you guys

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<v Speaker 1>had at the end of the night. So from our end,

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<v Speaker 1>it all sounded pretty good. He's a little bit confused

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<v Speaker 1>why afterwards you're not calling him back though, I mean,

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<v Speaker 1>he's a nice guy and all, and like we did

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<v Speaker 1>have a pretty fun date. I just wasn't sure. I'm

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<v Speaker 1>not sure how to proceed. I'm not really sure if

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<v Speaker 1>I want to pursue it. So that's why I've just

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<v Speaker 1>kind of been like radio silent. I just don't want

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<v Speaker 1>to give the wrong impression or the wrong idea to him.

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<v Speaker 1>Could I ask? Because he did mention that you told

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<v Speaker 1>him that the bride of the wedding said that he

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<v Speaker 1>was trouble. Is that what you're referring to? I mean,

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<v Speaker 1>is it just because of something she told you. I

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<v Speaker 1>don't want to embarrass him because, like I said, she's

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<v Speaker 1>a nice guy. He's a funny dude. Well, he probably

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<v Speaker 1>wants to know, Like if somebody was saying stuff behind

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<v Speaker 1>your gay, yeah, you know, warning people about you, you'd

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<v Speaker 1>want to know what they were saying and to defend

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<v Speaker 1>a little bit. A lot of time, rumors are exactly

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<v Speaker 1>that it could be not even true. Yeah, totally. This

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<v Speaker 1>isn't a rum This was like true. I saw it

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<v Speaker 1>with my own eyes. She saw it, so she warned

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<v Speaker 1>you what did you see at first? But she was like, yeah,

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<v Speaker 1>I gotta be cautious. I'm like, oh my god, if

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<v Speaker 1>he a criminal, does he have a record? Yeah, But

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<v Speaker 1>it wasn't that. It may be worse depending just how

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<v Speaker 1>you look at it. She told me that he loves

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<v Speaker 1>the chance, but he is terrible, Like he's a terrible dancer,

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<v Speaker 1>but just doesn't like he's so oblivious about how bad

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<v Speaker 1>he is. Oh, I don't think there could be Like, dude,

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<v Speaker 1>if people love to dance, like just let him dance.

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<v Speaker 1>Who cares if it looks like an idiot? Do you

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<v Speaker 1>want to date that person? But do you want that person?

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<v Speaker 1>Is so fun at a party? Like everybody loves that person,

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<v Speaker 1>no matter how terrible. Saw what you saw him dance

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<v Speaker 1>at a wedding before you said yes to a date.

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<v Speaker 1>But the difference is Brooke knows that she's like a

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<v Speaker 1>mediocre dancer. The bride says that he's oblivious to it.

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<v Speaker 1>But but you said yes after you saw him dance

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<v Speaker 1>at the wedding. I didn't really see him dancing that

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<v Speaker 1>much at the wedding because you're a lot going on,

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<v Speaker 1>a lot of people are dancing. Yeah, so wait, when

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<v Speaker 1>did you see him dance? Then? So we went obviously,

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<v Speaker 1>you know, we went to an arcade bar, and of

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<v Speaker 1>course they had dance Dance Revolution. This is the whole

0:12:00.960 --> 0:12:05.400
<v Speaker 1>realm of dancing. But nobody's nobody looks good when they

0:12:05.440 --> 0:12:07.760
<v Speaker 1>do DDI it looked like idiots. I mean, it's just

0:12:07.760 --> 0:12:10.280
<v Speaker 1>like stepped up. Oh my god. Like when he saw

0:12:10.480 --> 0:12:12.560
<v Speaker 1>he was like a little can I canny scores, He's like,

0:12:12.559 --> 0:12:14.040
<v Speaker 1>oh my god, oh my god, oh my god, we

0:12:14.080 --> 0:12:16.680
<v Speaker 1>have to play. We have to play next, Like twenty

0:12:16.720 --> 0:12:21.280
<v Speaker 1>thirty minutes, he is just like going to town. Oh no,

0:12:21.559 --> 0:12:27.920
<v Speaker 1>was he so sweaty he was in It was just

0:12:28.280 --> 0:12:31.760
<v Speaker 1>so bad, Like he just kept getting these really low

0:12:31.840 --> 0:12:35.200
<v Speaker 1>scores and he's like, I don't understand what's happening. He's

0:12:35.760 --> 0:12:39.200
<v Speaker 1>doing well, So wait, you just sat there and watched

0:12:39.280 --> 0:12:43.400
<v Speaker 1>him do this for twenty to thirty minutes. I felt

0:12:43.440 --> 0:12:46.360
<v Speaker 1>like so like people are looking. I felt awkward. How

0:12:46.400 --> 0:12:48.600
<v Speaker 1>do you tell someone like maybe we should stop? Like

0:12:48.840 --> 0:12:50.640
<v Speaker 1>at one point I watched the bar and reply to

0:12:50.720 --> 0:12:53.280
<v Speaker 1>my drink and oh no, no, like you go, you go,

0:12:53.360 --> 0:12:54.960
<v Speaker 1>you get yourself down a drink. He's like, I don't

0:12:54.960 --> 0:13:02.880
<v Speaker 1>want to lose my game. Excuse me, sir. Yeah, I'll

0:13:02.880 --> 0:13:05.240
<v Speaker 1>defend a bad dancer forever. But that I mean, it's

0:13:05.240 --> 0:13:08.480
<v Speaker 1>almost like borderline rude. Yeah, he's ignoring you for thirty minutes.

0:13:08.480 --> 0:13:11.320
<v Speaker 1>I don't think he probably didn't even realize that he

0:13:11.440 --> 0:13:14.040
<v Speaker 1>was doing that. But I think maybe we could find

0:13:14.080 --> 0:13:16.160
<v Speaker 1>out by asking him. Because Meg, I need to tell

0:13:16.200 --> 0:13:18.640
<v Speaker 1>you or sorry, excuse me, Maggie. I know we're not

0:13:18.679 --> 0:13:24.360
<v Speaker 1>friends yet, Maggie, I need to let you know. Nate's

0:13:24.360 --> 0:13:26.360
<v Speaker 1>been on the other line listening and he wants to

0:13:26.360 --> 0:13:30.560
<v Speaker 1>talk to you. Oh, oh god, I am on the

0:13:30.559 --> 0:13:32.760
<v Speaker 1>other line, and I will say that you were getting

0:13:32.800 --> 0:13:38.679
<v Speaker 1>some terrible scores yourself. Oh that's why are you being defensive?

0:13:39.200 --> 0:13:41.160
<v Speaker 1>Need to come in like that because we ragged on

0:13:41.160 --> 0:13:44.360
<v Speaker 1>his DDR skills, The claws are going to come. I mean,

0:13:44.960 --> 0:13:47.160
<v Speaker 1>I don't even take it that seriously. Like I was

0:13:47.640 --> 0:13:51.720
<v Speaker 1>set about getting low scores, like you were devastated that

0:13:51.760 --> 0:13:54.280
<v Speaker 1>you were getting low scores on Dance Dance Revolution, Like

0:13:54.320 --> 0:13:56.719
<v Speaker 1>there's a bigger difference. I don't know. I mean, you're

0:13:56.720 --> 0:13:58.600
<v Speaker 1>acting like you should be on Dancing with the Stars

0:13:58.679 --> 0:14:01.280
<v Speaker 1>or something, and that's not the case. I'm not. I don't,

0:14:02.800 --> 0:14:04.840
<v Speaker 1>I'm not. I don't think I should be on Dancing

0:14:04.840 --> 0:14:09.560
<v Speaker 1>with the Stars. I'm not thinking dancer. I don't even

0:14:09.559 --> 0:14:11.839
<v Speaker 1>think that matters. I think what matters is you were

0:14:11.880 --> 0:14:13.960
<v Speaker 1>more concentrated on this game for a half an hour

0:14:14.000 --> 0:14:15.880
<v Speaker 1>than your date. You sent her to the bar by

0:14:15.880 --> 0:14:18.240
<v Speaker 1>yourself to get it her own. I don't think it

0:14:19.040 --> 0:14:23.040
<v Speaker 1>sent to a constrict I am a great dancer, A right, Okay,

0:14:23.160 --> 0:14:25.360
<v Speaker 1>your scorer on the game, would you beg to differ?

0:14:25.640 --> 0:14:31.920
<v Speaker 1>But that game was a polished One of the senses

0:14:32.000 --> 0:14:36.840
<v Speaker 1>is broken Okay, Okay, I think we're learning a lot

0:14:36.840 --> 0:14:39.120
<v Speaker 1>more about I'm gonna tell you something. It definitely wasn't

0:14:39.160 --> 0:14:41.880
<v Speaker 1>broken because the person who like went right before him

0:14:41.880 --> 0:14:45.480
<v Speaker 1>before this whole thing started. That he really high score

0:14:46.800 --> 0:14:51.120
<v Speaker 1>because he works there. Okay, he knows the senses not

0:14:51.160 --> 0:14:54.400
<v Speaker 1>working right, he knows how to use it. Okay, I

0:14:54.400 --> 0:14:56.960
<v Speaker 1>think we're missing the point of this. Hall. I thought

0:14:57.000 --> 0:14:59.000
<v Speaker 1>you wanted to go out with her again. Remember how

0:14:59.040 --> 0:15:02.040
<v Speaker 1>much you like her? You really like her? Yes, well,

0:15:02.120 --> 0:15:04.640
<v Speaker 1>I actually doesn't seem to like my dancing. I mean,

0:15:04.760 --> 0:15:08.960
<v Speaker 1>now what, I haven't just about the dancing anymore. It's

0:15:08.960 --> 0:15:11.640
<v Speaker 1>just about the delusion right now that I'm listening to. Okay,

0:15:12.880 --> 0:15:15.360
<v Speaker 1>I'm a great dancer. There's nothing delusional about that. So

0:15:15.440 --> 0:15:19.080
<v Speaker 1>to be clear, if he had scored higher on then

0:15:19.160 --> 0:15:21.720
<v Speaker 1>you would be interested. I don't think any score would

0:15:21.720 --> 0:15:23.680
<v Speaker 1>really impress the I mean, the fact of the matter

0:15:23.760 --> 0:15:25.840
<v Speaker 1>is I was pretty much ignored for such a good

0:15:25.840 --> 0:15:28.240
<v Speaker 1>amount of time. I just really don't understand, like how

0:15:28.280 --> 0:15:31.000
<v Speaker 1>you could ignore your date to just try to get

0:15:31.040 --> 0:15:33.600
<v Speaker 1>the highest score possible and not realize, like when you're

0:15:33.680 --> 0:15:36.560
<v Speaker 1>constantly failing, like you know, atry, I'm like, no, I'm

0:15:36.600 --> 0:15:39.520
<v Speaker 1>gonna send videos of me dancing. You can see a

0:15:39.600 --> 0:15:45.920
<v Speaker 1>dance for you. I'm gonna block your number right Listen,

0:15:45.960 --> 0:15:48.640
<v Speaker 1>I don't take so much offense. You know, dancings like art.

0:15:48.680 --> 0:15:51.200
<v Speaker 1>It's in the eye of the beholder. Look, man, if

0:15:51.200 --> 0:15:53.040
<v Speaker 1>I was you, I would not listen to Brooks. She's

0:15:53.040 --> 0:15:55.760
<v Speaker 1>a really, really bad dancer. I would just stop the

0:15:55.840 --> 0:15:59.920
<v Speaker 1>dancing altogether and focus on the relationship. If you guy

0:16:00.200 --> 0:16:03.040
<v Speaker 1>have a connection, that's what we need to be focusing on.

0:16:03.240 --> 0:16:06.560
<v Speaker 1>There is no relationship. There's no connection, there's nothing. Like

0:16:07.240 --> 0:16:10.760
<v Speaker 1>I'm done. I well hold on before you're done. I

0:16:10.800 --> 0:16:12.760
<v Speaker 1>do need to ask you if you would like to

0:16:12.800 --> 0:16:15.440
<v Speaker 1>go out on another day with names. Yeah, we'll pay

0:16:15.480 --> 0:16:18.520
<v Speaker 1>for dancing. There won't be any dancing. I don't think anything.

0:16:19.360 --> 0:16:23.480
<v Speaker 1>You can't hearan see that. Yeah, who knows. He could

0:16:23.480 --> 0:16:25.400
<v Speaker 1>take me to a restaurant and next thing I know,

0:16:25.480 --> 0:16:28.240
<v Speaker 1>there's a dance floor opening up. You would be so

0:16:28.320 --> 0:16:29.960
<v Speaker 1>lucky if you dance floor opened up in the middle

0:16:29.960 --> 0:16:36.120
<v Speaker 1>of a restaurant and we were there. Yeah, you will

0:16:36.160 --> 0:16:38.800
<v Speaker 1>find your dancing partner. I just don't think it's Maggie.

0:16:39.120 --> 0:16:41.200
<v Speaker 1>I have to say, you guys really blew it for me.

0:16:41.480 --> 0:16:48.040
<v Speaker 1>You know, I'm the one that was fighting for you, dude. Professional. Yeah,

0:16:48.040 --> 0:16:51.800
<v Speaker 1>we're the professionals at blowing it. That's why maybe we

0:16:51.840 --> 0:16:56.960
<v Speaker 1>should rename this segment blowing It and Jeffrey. It will

0:16:57.000 --> 0:17:00.720
<v Speaker 1>get a lot of Google click Yeah. Text into seven

0:17:00.760 --> 0:17:03.520
<v Speaker 1>eighty five nine two. If you have a promising love interest,

0:17:03.640 --> 0:17:05.200
<v Speaker 1>call us and we'll find a way to blow it

0:17:05.320 --> 0:17:08.520
<v Speaker 1>for work and Jeffrey in the morning.