1
00:00:00,200 --> 00:00:02,800
Speaker 1: Bread and butter wines pair with the life moments you love,

2
00:00:02,920 --> 00:00:06,320
Speaker 1: Offering a rich and jammy Cabernet sauvignon, a silky smooth

3
00:00:06,320 --> 00:00:08,920
Speaker 1: piano now are and a buttery chardonnay. Bread and butter

4
00:00:09,000 --> 00:00:11,600
Speaker 1: wines aren't delicious? Find a bread and butter wines in

5
00:00:11,600 --> 00:00:20,599
Speaker 1: your favorite store. Second day in the dating world, is

6
00:00:20,600 --> 00:00:22,919
Speaker 1: it easier to meet someone at a wedding or is

7
00:00:22,920 --> 00:00:26,560
Speaker 1: it harder? Oh? Oh, that is a tough question because

8
00:00:27,400 --> 00:00:30,960
Speaker 1: people I've always found it harder personally. I mean, you

9
00:00:31,080 --> 00:00:34,880
Speaker 1: go up there, you deliver a great pickup line, compliment

10
00:00:34,920 --> 00:00:38,840
Speaker 1: the girl on her beautiful white dress, going for the kissing.

11
00:00:39,040 --> 00:00:43,280
Speaker 1: I'm getting thrown out. Yeah, for putting myself out there.

12
00:00:43,440 --> 00:00:48,800
Speaker 1: I'm sorry. One of our listeners, and Nate agrees with

13
00:00:48,880 --> 00:00:50,839
Speaker 1: me because he says he met a girl at a

14
00:00:50,840 --> 00:00:54,520
Speaker 1: wedding and apparently was not as easy as he expected

15
00:00:54,560 --> 00:00:57,680
Speaker 1: it to be. Nate, Welcome to the show. How you doing, man,

16
00:00:58,080 --> 00:00:59,760
Speaker 1: how's it going? Please don't tell me it was the

17
00:01:00,840 --> 00:01:04,360
Speaker 1: the mother in law, any of it. Yeah, I mean god,

18
00:01:04,400 --> 00:01:06,880
Speaker 1: it's a crazy story. I oh my god. Wait was

19
00:01:06,920 --> 00:01:10,760
Speaker 1: it someone that was single that you met? She was single? Yeah? Okay,

20
00:01:10,880 --> 00:01:15,280
Speaker 1: brides are technically single until they say they're not. Jeffrey

21
00:01:15,959 --> 00:01:19,800
Speaker 1: being engaged as someone else who doesn't qualify you as single. Okay,

22
00:01:19,840 --> 00:01:23,080
Speaker 1: well that's good to know. Yeah, I've learned something here.

23
00:01:23,240 --> 00:01:24,920
Speaker 1: But go ahead and nate. Who who is the woman

24
00:01:24,959 --> 00:01:28,199
Speaker 1: that she met? What's her name? Okay? Her name is Meg? Okay,

25
00:01:28,360 --> 00:01:31,600
Speaker 1: Meg okay? And I figured bring in the professionals. I

26
00:01:31,640 --> 00:01:41,520
Speaker 1: need help with the situations, okay. And did you notice

27
00:01:41,520 --> 00:01:43,960
Speaker 1: Meg right away at the wedding? I did notice her

28
00:01:44,040 --> 00:01:46,119
Speaker 1: right away. I saw her sitting in one of the pews,

29
00:01:46,319 --> 00:01:48,360
Speaker 1: crossed the aisle, and I'm like, oh, wow, okay, she's

30
00:01:48,360 --> 00:01:50,600
Speaker 1: really attractive. I should try to talk to her. And

31
00:01:50,640 --> 00:01:53,680
Speaker 1: it was pretty much a struggle to even get to

32
00:01:53,880 --> 00:01:57,320
Speaker 1: meet her. What was your strategy to meet her? Well?

33
00:01:57,440 --> 00:01:59,080
Speaker 1: I was first. I was like, oh, maybe we'll be

34
00:01:59,080 --> 00:02:02,600
Speaker 1: at the same table, but of course we weren't. So

35
00:02:02,640 --> 00:02:05,800
Speaker 1: I was actually trying to switch with somebody, like a

36
00:02:05,800 --> 00:02:10,120
Speaker 1: single person at her table. Actually was able to move

37
00:02:10,200 --> 00:02:12,880
Speaker 1: one table closer, but I was still a table too

38
00:02:12,880 --> 00:02:15,120
Speaker 1: far away. And then I was trying to another table

39
00:02:15,200 --> 00:02:17,400
Speaker 1: over and that didn't work. You can't do that at

40
00:02:17,400 --> 00:02:20,280
Speaker 1: a money do you how much time and energy goes

41
00:02:20,360 --> 00:02:24,440
Speaker 1: into like eating charge. Yes so much. Yeah, I was

42
00:02:24,480 --> 00:02:29,600
Speaker 1: eating the fish. I didn't order the fish. At this point,

43
00:02:29,639 --> 00:02:32,920
Speaker 1: you're just taking someone else's chair, so your table hopping,

44
00:02:33,120 --> 00:02:36,079
Speaker 1: slowly making your way closer and closer to her table.

45
00:02:36,120 --> 00:02:38,520
Speaker 1: Did you ever make it? I never made it to

46
00:02:38,560 --> 00:02:41,040
Speaker 1: her table. You just wait till she's up at the

47
00:02:41,080 --> 00:02:43,760
Speaker 1: bar and then time your drink at the same time

48
00:02:43,760 --> 00:02:46,520
Speaker 1: as hers or yeah, right, that's exactly what happened. It's

49
00:02:46,520 --> 00:02:48,880
Speaker 1: so great. Okay. It feels almost like you were trying

50
00:02:48,919 --> 00:02:52,760
Speaker 1: too hard, like it could have probably happened organically. Saw

51
00:02:52,880 --> 00:02:56,000
Speaker 1: you really trying to force it, saw each table you

52
00:02:56,080 --> 00:02:59,359
Speaker 1: getting closer and closer. That wouldn't be a little bit creepy. Yeah,

53
00:02:59,440 --> 00:03:01,680
Speaker 1: like the term nae her, I'm like anything. So was

54
00:03:01,720 --> 00:03:03,639
Speaker 1: there ever a moment when you were able to get

55
00:03:03,639 --> 00:03:06,040
Speaker 1: some one on one time with her? Yeah, finally at

56
00:03:06,040 --> 00:03:07,639
Speaker 1: the bar. I hear at the bar because she was

57
00:03:07,680 --> 00:03:10,360
Speaker 1: my moment, okay, and I go up there and then

58
00:03:10,400 --> 00:03:11,960
Speaker 1: I tell her that I actually have to talk to

59
00:03:12,000 --> 00:03:14,799
Speaker 1: the groom, which you mind bringing the drink over to

60
00:03:14,840 --> 00:03:18,440
Speaker 1: our table? Oh? He made her your waitress for the night. Yeah,

61
00:03:18,520 --> 00:03:21,240
Speaker 1: that was my Movieeah, I made her my waitress. That's

62
00:03:21,280 --> 00:03:24,239
Speaker 1: a terrible blue wow. I mean, I mean, yeah, I

63
00:03:24,280 --> 00:03:26,840
Speaker 1: would love if someone that to me. He did it work?

64
00:03:27,400 --> 00:03:30,280
Speaker 1: It did work? Oh wow? Right, So she brought the

65
00:03:30,360 --> 00:03:33,080
Speaker 1: drink over to the table and that was cool. So

66
00:03:33,120 --> 00:03:35,200
Speaker 1: we were able to talk for a little bit, you know,

67
00:03:35,240 --> 00:03:38,000
Speaker 1: obviously we knew common people, and it went well. And

68
00:03:38,000 --> 00:03:39,960
Speaker 1: then I was like, hey, would you like to get

69
00:03:40,000 --> 00:03:43,360
Speaker 1: dinner sometime? And she was actually a little surprised. I

70
00:03:43,360 --> 00:03:45,560
Speaker 1: guess that, like I was hitting on her at the

71
00:03:45,680 --> 00:03:48,760
Speaker 1: wedding you know, so stereotypical, but oh she didn't pick

72
00:03:48,840 --> 00:03:50,320
Speaker 1: up that you were hitting on her at first, and

73
00:03:50,360 --> 00:03:52,800
Speaker 1: then finally was like, oh oh wait a minute, like

74
00:03:52,880 --> 00:03:57,240
Speaker 1: you yeah, yeah, okay. So so the wedding night was

75
00:03:57,280 --> 00:04:01,280
Speaker 1: not considered the actual date, right, that was the Yeah,

76
00:04:01,280 --> 00:04:04,280
Speaker 1: that was the meetings. Wokay, So what was the date? Like,

77
00:04:04,400 --> 00:04:09,400
Speaker 1: hopefully you didn't make her your waitress there too, right though, exactly.

78
00:04:09,440 --> 00:04:13,000
Speaker 1: So we went out for dinner and that went really well,

79
00:04:13,000 --> 00:04:15,120
Speaker 1: like we got to know each other. We chatted a

80
00:04:15,120 --> 00:04:17,400
Speaker 1: bit and we had some fun and uh, what was

81
00:04:17,440 --> 00:04:20,040
Speaker 1: the vibe like, were you nervous? I mean on her

82
00:04:20,040 --> 00:04:23,240
Speaker 1: side and your side? Well, she actually called me out.

83
00:04:23,320 --> 00:04:25,840
Speaker 1: She said, did you stage that whole waitress thing? Did

84
00:04:25,880 --> 00:04:28,120
Speaker 1: you just to meet me? She pulled me out, and

85
00:04:28,279 --> 00:04:30,040
Speaker 1: I actually I was like, yeah I did. But it

86
00:04:30,120 --> 00:04:33,200
Speaker 1: started out really good. We were being playful with each other. Yeah,

87
00:04:33,480 --> 00:04:35,680
Speaker 1: And it's a good sign when somebody can give you crap,

88
00:04:35,880 --> 00:04:38,000
Speaker 1: you know, like yeah, and you can take it you

89
00:04:38,000 --> 00:04:40,599
Speaker 1: give it back like that's a good dynamic. Someone's laughing

90
00:04:40,640 --> 00:04:43,840
Speaker 1: at your creepiness. Then there's a shot a moment. So

91
00:04:43,880 --> 00:04:45,680
Speaker 1: how did the rest of the night go? Well? Okay,

92
00:04:45,680 --> 00:04:48,479
Speaker 1: So then she did say that she talked to the

93
00:04:48,480 --> 00:04:52,320
Speaker 1: bride about me, and she wouldn't say exactly what she said,

94
00:04:52,320 --> 00:04:54,560
Speaker 1: but she just said that I would be trouble. No,

95
00:04:54,880 --> 00:04:57,040
Speaker 1: wait are you? I mean at the wedding. Were you

96
00:04:57,040 --> 00:04:59,080
Speaker 1: the groom's friend or the bride's run I didn't know,

97
00:04:59,279 --> 00:05:03,200
Speaker 1: or both the groom's friend. Why would she say that

98
00:05:03,240 --> 00:05:07,159
Speaker 1: your trouble because obviously I don't know you. I'm such

99
00:05:07,200 --> 00:05:11,680
Speaker 1: a great guy, I don't have no idea. Yeah, I

100
00:05:11,680 --> 00:05:13,680
Speaker 1: mean typically, like if I were to say that about

101
00:05:13,720 --> 00:05:16,320
Speaker 1: one of my husband's buddies, it's because they drink a lot.

102
00:05:16,680 --> 00:05:20,360
Speaker 1: There with multiple different women all the time, the very

103
00:05:20,400 --> 00:05:25,640
Speaker 1: attractive qualities yeah, like you know you. Yeah, there's a

104
00:05:25,720 --> 00:05:28,600
Speaker 1: rumor about you. Well, how did the date end? So

105
00:05:28,640 --> 00:05:30,400
Speaker 1: then it was the next stage. We went to one

106
00:05:30,400 --> 00:05:34,320
Speaker 1: of those arcade bar places, so it continued. She was

107
00:05:34,360 --> 00:05:36,760
Speaker 1: still into it, okay, So we were having fun there

108
00:05:37,120 --> 00:05:39,680
Speaker 1: and then she kissed me in front of street Fighter.

109
00:05:39,920 --> 00:05:47,600
Speaker 1: Oh does that mean something? It's interesting the way that

110
00:05:47,640 --> 00:05:50,960
Speaker 1: you said it, though you said she kissed you? Is that?

111
00:05:51,080 --> 00:05:53,000
Speaker 1: Is that? What was she kissed you at the street Fighter?

112
00:05:53,080 --> 00:05:55,520
Speaker 1: Or did you kiss her? Okay? Well I kissed her,

113
00:05:55,560 --> 00:05:57,880
Speaker 1: but she kissed me back, okay, okay, so it was

114
00:05:57,880 --> 00:06:00,120
Speaker 1: your move, it wasn't her move, all right, right, but

115
00:06:00,160 --> 00:06:04,120
Speaker 1: it was just typical. And did you take any plans

116
00:06:04,120 --> 00:06:06,040
Speaker 1: to see each other again? We were just like, oh,

117
00:06:06,080 --> 00:06:09,080
Speaker 1: we'll talk and we'll set up something. And then of

118
00:06:09,120 --> 00:06:11,320
Speaker 1: course this is what I'm calling. I haven't heard from

119
00:06:11,360 --> 00:06:13,880
Speaker 1: her since she had didn't responded to any texts. Have

120
00:06:13,920 --> 00:06:16,120
Speaker 1: texts here, probably three or four times. Maybe she talked

121
00:06:16,120 --> 00:06:22,960
Speaker 1: to the bride again. Yeah, yeah, we'll find out what

122
00:06:23,040 --> 00:06:25,120
Speaker 1: really happened. We're gonna play a song, we'll come back,

123
00:06:25,360 --> 00:06:27,200
Speaker 1: we'll call Meg for you, and we'll try and get

124
00:06:27,240 --> 00:06:29,640
Speaker 1: your second date update. All right, Yeah, that's great things,

125
00:06:29,680 --> 00:06:37,200
Speaker 1: all right, Nate, hold on. When you think of the

126
00:06:37,240 --> 00:06:42,200
Speaker 1: most romantic Hollywood moments of all time, there's Jack and

127
00:06:42,360 --> 00:06:46,320
Speaker 1: Rose kissing on the bow with a Titanic Noah and

128
00:06:46,480 --> 00:06:50,320
Speaker 1: Ali's passionate kiss in the rain from The Notebook, And

129
00:06:50,480 --> 00:06:53,640
Speaker 1: of course, our listener Nate and his date Meg swapping

130
00:06:53,680 --> 00:07:01,400
Speaker 1: saliva in front of the Street Fighter video. Hey, that's

131
00:07:01,440 --> 00:07:06,960
Speaker 1: the sound of their tongues punching each other. That my

132
00:07:07,000 --> 00:07:09,760
Speaker 1: twelve year old dreams from me anyway, But one of

133
00:07:09,760 --> 00:07:12,080
Speaker 1: our listeners, Nate, had a nice dinner date with a

134
00:07:12,080 --> 00:07:14,880
Speaker 1: girl named Meg, followed by a little arcade action. But

135
00:07:15,000 --> 00:07:18,320
Speaker 1: afterwards she's been blowing him off, and he wants to

136
00:07:18,360 --> 00:07:21,720
Speaker 1: know why. So, Nate, how you feeling before we call her?

137
00:07:22,160 --> 00:07:24,920
Speaker 1: I'm so really good, honestly, I mean I hate to

138
00:07:24,920 --> 00:07:27,880
Speaker 1: say this, but I'm thinking she could be the one. WHOA,

139
00:07:31,480 --> 00:07:33,760
Speaker 1: that's pretty quick. I mean, I just we just didn't

140
00:07:33,760 --> 00:07:35,960
Speaker 1: get that sense from the you know, talking to you

141
00:07:36,080 --> 00:07:39,400
Speaker 1: a second ago. No, No, I really love love her. WHOA,

142
00:07:39,480 --> 00:07:42,800
Speaker 1: you just set it again. I mean I love being

143
00:07:42,840 --> 00:07:46,520
Speaker 1: with her. Oh wow, that's okay. So now I'm starting

144
00:07:46,520 --> 00:07:48,320
Speaker 1: to think the reason she's not calling you this movie.

145
00:07:48,320 --> 00:07:50,600
Speaker 1: You came on too strong? Yeah, okay, I never say

146
00:07:50,640 --> 00:07:52,320
Speaker 1: anything like that in front of her. I'm just feeling

147
00:07:52,320 --> 00:07:55,880
Speaker 1: really positive. Okay. It's a lot. Writing on this now

148
00:07:57,240 --> 00:07:58,680
Speaker 1: makes me want to make in front of a street

149
00:07:58,680 --> 00:08:01,000
Speaker 1: fighter machine though, I'm going to get those types of feelings.

150
00:08:01,040 --> 00:08:02,840
Speaker 1: That's what I'm worried. I need to bring a machine

151
00:08:02,880 --> 00:08:05,600
Speaker 1: around with me. Okay, no, don't do that. That doesn't

152
00:08:05,640 --> 00:08:09,040
Speaker 1: make sense, I think. Yeah, we all need to stop

153
00:08:09,040 --> 00:08:11,680
Speaker 1: talking and just call up Meg and figure out what's

154
00:08:11,680 --> 00:08:14,120
Speaker 1: going on. You ready, man, I'm ready. Okay, here we go.

155
00:08:14,320 --> 00:08:26,680
Speaker 1: I'm a dollar number right now. Hello, Hey, I'm looking

156
00:08:26,680 --> 00:08:32,840
Speaker 1: for Meg. Um, this is Maggie. Who who's calling Maggie? Oh?

157
00:08:32,960 --> 00:08:37,520
Speaker 1: Is that is mag Do you go by Meg? Ever? Um?

158
00:08:37,720 --> 00:08:40,680
Speaker 1: My friends call me Meg, but I don't know who

159
00:08:40,720 --> 00:08:48,439
Speaker 1: you are. I mean, hopefully we can do friends after

160
00:08:48,480 --> 00:08:50,400
Speaker 1: we're done with this. But we're calling on behalf of

161
00:08:50,400 --> 00:08:53,000
Speaker 1: one of our listeners who went out on a date

162
00:08:53,040 --> 00:08:57,200
Speaker 1: with you recently. Okay, again, still awkward and not really

163
00:08:57,240 --> 00:09:00,280
Speaker 1: sure like okay, that's pretty part for the core with

164
00:09:00,360 --> 00:09:03,280
Speaker 1: these we're doing something called a second date update. That's

165
00:09:03,280 --> 00:09:05,000
Speaker 1: where if you go out with someone and afterwards, if

166
00:09:05,000 --> 00:09:07,640
Speaker 1: that person isn't calling you back. You can email our

167
00:09:07,640 --> 00:09:09,760
Speaker 1: show for help and we'll reach out to them for

168
00:09:09,800 --> 00:09:11,480
Speaker 1: you to help you figure out the reason why. And

169
00:09:11,520 --> 00:09:14,480
Speaker 1: so the listener that we're calling for his name is Nate.

170
00:09:15,679 --> 00:09:19,960
Speaker 1: Oh yeah, I know Nate. Okay, do you like Nate?

171
00:09:20,880 --> 00:09:22,720
Speaker 1: Maybe I should just say, how do you feel about Nate?

172
00:09:23,440 --> 00:09:29,400
Speaker 1: I mean, Nate's a funny guy. Yeah. We did speak

173
00:09:29,400 --> 00:09:31,760
Speaker 1: with Nate a little bit earlier, and he told us

174
00:09:31,800 --> 00:09:33,960
Speaker 1: all about how you guys met. He told us about

175
00:09:34,000 --> 00:09:36,560
Speaker 1: your dinner date and go into the arcade together, and

176
00:09:36,559 --> 00:09:38,400
Speaker 1: he said there was even a kiss that you guys

177
00:09:38,400 --> 00:09:40,280
Speaker 1: had at the end of the night. So from our end,

178
00:09:40,320 --> 00:09:42,920
Speaker 1: it all sounded pretty good. He's a little bit confused

179
00:09:42,920 --> 00:09:45,440
Speaker 1: why afterwards you're not calling him back though, I mean,

180
00:09:45,559 --> 00:09:47,960
Speaker 1: he's a nice guy and all, and like we did

181
00:09:48,080 --> 00:09:51,360
Speaker 1: have a pretty fun date. I just wasn't sure. I'm

182
00:09:51,360 --> 00:09:55,120
Speaker 1: not sure how to proceed. I'm not really sure if

183
00:09:55,160 --> 00:09:57,560
Speaker 1: I want to pursue it. So that's why I've just

184
00:09:57,640 --> 00:10:00,600
Speaker 1: kind of been like radio silent. I just don't want

185
00:10:00,600 --> 00:10:03,400
Speaker 1: to give the wrong impression or the wrong idea to him.

186
00:10:03,520 --> 00:10:06,439
Speaker 1: Could I ask? Because he did mention that you told

187
00:10:06,559 --> 00:10:09,360
Speaker 1: him that the bride of the wedding said that he

188
00:10:09,480 --> 00:10:12,800
Speaker 1: was trouble. Is that what you're referring to? I mean,

189
00:10:12,960 --> 00:10:15,800
Speaker 1: is it just because of something she told you. I

190
00:10:15,840 --> 00:10:18,400
Speaker 1: don't want to embarrass him because, like I said, she's

191
00:10:18,400 --> 00:10:21,040
Speaker 1: a nice guy. He's a funny dude. Well, he probably

192
00:10:21,040 --> 00:10:23,520
Speaker 1: wants to know, Like if somebody was saying stuff behind

193
00:10:23,559 --> 00:10:26,280
Speaker 1: your gay, yeah, you know, warning people about you, you'd

194
00:10:26,280 --> 00:10:28,480
Speaker 1: want to know what they were saying and to defend

195
00:10:28,520 --> 00:10:30,640
Speaker 1: a little bit. A lot of time, rumors are exactly

196
00:10:30,679 --> 00:10:33,280
Speaker 1: that it could be not even true. Yeah, totally. This

197
00:10:33,360 --> 00:10:36,960
Speaker 1: isn't a rum This was like true. I saw it

198
00:10:36,960 --> 00:10:40,319
Speaker 1: with my own eyes. She saw it, so she warned

199
00:10:40,320 --> 00:10:43,600
Speaker 1: you what did you see at first? But she was like, yeah,

200
00:10:43,600 --> 00:10:45,080
Speaker 1: I gotta be cautious. I'm like, oh my god, if

201
00:10:45,120 --> 00:10:47,280
Speaker 1: he a criminal, does he have a record? Yeah, But

202
00:10:48,040 --> 00:10:51,040
Speaker 1: it wasn't that. It may be worse depending just how

203
00:10:51,080 --> 00:10:56,400
Speaker 1: you look at it. She told me that he loves

204
00:10:56,600 --> 00:11:01,400
Speaker 1: the chance, but he is terrible, Like he's a terrible dancer,

205
00:11:01,800 --> 00:11:04,920
Speaker 1: but just doesn't like he's so oblivious about how bad

206
00:11:05,000 --> 00:11:09,360
Speaker 1: he is. Oh, I don't think there could be Like, dude,

207
00:11:09,400 --> 00:11:11,520
Speaker 1: if people love to dance, like just let him dance.

208
00:11:11,559 --> 00:11:13,319
Speaker 1: Who cares if it looks like an idiot? Do you

209
00:11:13,440 --> 00:11:17,600
Speaker 1: want to date that person? But do you want that person?

210
00:11:17,760 --> 00:11:20,600
Speaker 1: Is so fun at a party? Like everybody loves that person,

211
00:11:20,640 --> 00:11:29,040
Speaker 1: no matter how terrible. Saw what you saw him dance

212
00:11:29,080 --> 00:11:31,080
Speaker 1: at a wedding before you said yes to a date.

213
00:11:31,160 --> 00:11:33,240
Speaker 1: But the difference is Brooke knows that she's like a

214
00:11:33,280 --> 00:11:36,520
Speaker 1: mediocre dancer. The bride says that he's oblivious to it.

215
00:11:37,559 --> 00:11:39,680
Speaker 1: But but you said yes after you saw him dance

216
00:11:39,720 --> 00:11:42,480
Speaker 1: at the wedding. I didn't really see him dancing that

217
00:11:42,600 --> 00:11:44,960
Speaker 1: much at the wedding because you're a lot going on,

218
00:11:45,240 --> 00:11:48,360
Speaker 1: a lot of people are dancing. Yeah, so wait, when

219
00:11:48,400 --> 00:11:51,319
Speaker 1: did you see him dance? Then? So we went obviously,

220
00:11:51,320 --> 00:11:54,800
Speaker 1: you know, we went to an arcade bar, and of

221
00:11:54,840 --> 00:12:00,880
Speaker 1: course they had dance Dance Revolution. This is the whole

222
00:12:00,960 --> 00:12:05,400
Speaker 1: realm of dancing. But nobody's nobody looks good when they

223
00:12:05,440 --> 00:12:07,760
Speaker 1: do DDI it looked like idiots. I mean, it's just

224
00:12:07,760 --> 00:12:10,280
Speaker 1: like stepped up. Oh my god. Like when he saw

225
00:12:10,480 --> 00:12:12,560
Speaker 1: he was like a little can I canny scores, He's like,

226
00:12:12,559 --> 00:12:14,040
Speaker 1: oh my god, oh my god, oh my god, we

227
00:12:14,080 --> 00:12:16,680
Speaker 1: have to play. We have to play next, Like twenty

228
00:12:16,720 --> 00:12:21,280
Speaker 1: thirty minutes, he is just like going to town. Oh no,

229
00:12:21,559 --> 00:12:27,920
Speaker 1: was he so sweaty he was in It was just

230
00:12:28,280 --> 00:12:31,760
Speaker 1: so bad, Like he just kept getting these really low

231
00:12:31,840 --> 00:12:35,200
Speaker 1: scores and he's like, I don't understand what's happening. He's

232
00:12:35,760 --> 00:12:39,200
Speaker 1: doing well, So wait, you just sat there and watched

233
00:12:39,280 --> 00:12:43,400
Speaker 1: him do this for twenty to thirty minutes. I felt

234
00:12:43,440 --> 00:12:46,360
Speaker 1: like so like people are looking. I felt awkward. How

235
00:12:46,400 --> 00:12:48,600
Speaker 1: do you tell someone like maybe we should stop? Like

236
00:12:48,840 --> 00:12:50,640
Speaker 1: at one point I watched the bar and reply to

237
00:12:50,720 --> 00:12:53,280
Speaker 1: my drink and oh no, no, like you go, you go,

238
00:12:53,360 --> 00:12:54,960
Speaker 1: you get yourself down a drink. He's like, I don't

239
00:12:54,960 --> 00:13:02,880
Speaker 1: want to lose my game. Excuse me, sir. Yeah, I'll

240
00:13:02,880 --> 00:13:05,240
Speaker 1: defend a bad dancer forever. But that I mean, it's

241
00:13:05,240 --> 00:13:08,480
Speaker 1: almost like borderline rude. Yeah, he's ignoring you for thirty minutes.

242
00:13:08,480 --> 00:13:11,320
Speaker 1: I don't think he probably didn't even realize that he

243
00:13:11,440 --> 00:13:14,040
Speaker 1: was doing that. But I think maybe we could find

244
00:13:14,080 --> 00:13:16,160
Speaker 1: out by asking him. Because Meg, I need to tell

245
00:13:16,200 --> 00:13:18,640
Speaker 1: you or sorry, excuse me, Maggie. I know we're not

246
00:13:18,679 --> 00:13:24,360
Speaker 1: friends yet, Maggie, I need to let you know. Nate's

247
00:13:24,360 --> 00:13:26,360
Speaker 1: been on the other line listening and he wants to

248
00:13:26,360 --> 00:13:30,560
Speaker 1: talk to you. Oh, oh god, I am on the

249
00:13:30,559 --> 00:13:32,760
Speaker 1: other line, and I will say that you were getting

250
00:13:32,800 --> 00:13:38,679
Speaker 1: some terrible scores yourself. Oh that's why are you being defensive?

251
00:13:39,200 --> 00:13:41,160
Speaker 1: Need to come in like that because we ragged on

252
00:13:41,160 --> 00:13:44,360
Speaker 1: his DDR skills, The claws are going to come. I mean,

253
00:13:44,960 --> 00:13:47,160
Speaker 1: I don't even take it that seriously. Like I was

254
00:13:47,640 --> 00:13:51,720
Speaker 1: set about getting low scores, like you were devastated that

255
00:13:51,760 --> 00:13:54,280
Speaker 1: you were getting low scores on Dance Dance Revolution, Like

256
00:13:54,320 --> 00:13:56,719
Speaker 1: there's a bigger difference. I don't know. I mean, you're

257
00:13:56,720 --> 00:13:58,600
Speaker 1: acting like you should be on Dancing with the Stars

258
00:13:58,679 --> 00:14:01,280
Speaker 1: or something, and that's not the case. I'm not. I don't,

259
00:14:02,800 --> 00:14:04,840
Speaker 1: I'm not. I don't think I should be on Dancing

260
00:14:04,840 --> 00:14:09,560
Speaker 1: with the Stars. I'm not thinking dancer. I don't even

261
00:14:09,559 --> 00:14:11,839
Speaker 1: think that matters. I think what matters is you were

262
00:14:11,880 --> 00:14:13,960
Speaker 1: more concentrated on this game for a half an hour

263
00:14:14,000 --> 00:14:15,880
Speaker 1: than your date. You sent her to the bar by

264
00:14:15,880 --> 00:14:18,240
Speaker 1: yourself to get it her own. I don't think it

265
00:14:19,040 --> 00:14:23,040
Speaker 1: sent to a constrict I am a great dancer, A right, Okay,

266
00:14:23,160 --> 00:14:25,360
Speaker 1: your scorer on the game, would you beg to differ?

267
00:14:25,640 --> 00:14:31,920
Speaker 1: But that game was a polished One of the senses

268
00:14:32,000 --> 00:14:36,840
Speaker 1: is broken Okay, Okay, I think we're learning a lot

269
00:14:36,840 --> 00:14:39,120
Speaker 1: more about I'm gonna tell you something. It definitely wasn't

270
00:14:39,160 --> 00:14:41,880
Speaker 1: broken because the person who like went right before him

271
00:14:41,880 --> 00:14:45,480
Speaker 1: before this whole thing started. That he really high score

272
00:14:46,800 --> 00:14:51,120
Speaker 1: because he works there. Okay, he knows the senses not

273
00:14:51,160 --> 00:14:54,400
Speaker 1: working right, he knows how to use it. Okay, I

274
00:14:54,400 --> 00:14:56,960
Speaker 1: think we're missing the point of this. Hall. I thought

275
00:14:57,000 --> 00:14:59,000
Speaker 1: you wanted to go out with her again. Remember how

276
00:14:59,040 --> 00:15:02,040
Speaker 1: much you like her? You really like her? Yes, well,

277
00:15:02,120 --> 00:15:04,640
Speaker 1: I actually doesn't seem to like my dancing. I mean,

278
00:15:04,760 --> 00:15:08,960
Speaker 1: now what, I haven't just about the dancing anymore. It's

279
00:15:08,960 --> 00:15:11,640
Speaker 1: just about the delusion right now that I'm listening to. Okay,

280
00:15:12,880 --> 00:15:15,360
Speaker 1: I'm a great dancer. There's nothing delusional about that. So

281
00:15:15,440 --> 00:15:19,080
Speaker 1: to be clear, if he had scored higher on then

282
00:15:19,160 --> 00:15:21,720
Speaker 1: you would be interested. I don't think any score would

283
00:15:21,720 --> 00:15:23,680
Speaker 1: really impress the I mean, the fact of the matter

284
00:15:23,760 --> 00:15:25,840
Speaker 1: is I was pretty much ignored for such a good

285
00:15:25,840 --> 00:15:28,240
Speaker 1: amount of time. I just really don't understand, like how

286
00:15:28,280 --> 00:15:31,000
Speaker 1: you could ignore your date to just try to get

287
00:15:31,040 --> 00:15:33,600
Speaker 1: the highest score possible and not realize, like when you're

288
00:15:33,680 --> 00:15:36,560
Speaker 1: constantly failing, like you know, atry, I'm like, no, I'm

289
00:15:36,600 --> 00:15:39,520
Speaker 1: gonna send videos of me dancing. You can see a

290
00:15:39,600 --> 00:15:45,920
Speaker 1: dance for you. I'm gonna block your number right Listen,

291
00:15:45,960 --> 00:15:48,640
Speaker 1: I don't take so much offense. You know, dancings like art.

292
00:15:48,680 --> 00:15:51,200
Speaker 1: It's in the eye of the beholder. Look, man, if

293
00:15:51,200 --> 00:15:53,040
Speaker 1: I was you, I would not listen to Brooks. She's

294
00:15:53,040 --> 00:15:55,760
Speaker 1: a really, really bad dancer. I would just stop the

295
00:15:55,840 --> 00:15:59,920
Speaker 1: dancing altogether and focus on the relationship. If you guy

296
00:16:00,200 --> 00:16:03,040
Speaker 1: have a connection, that's what we need to be focusing on.

297
00:16:03,240 --> 00:16:06,560
Speaker 1: There is no relationship. There's no connection, there's nothing. Like

298
00:16:07,240 --> 00:16:10,760
Speaker 1: I'm done. I well hold on before you're done. I

299
00:16:10,800 --> 00:16:12,760
Speaker 1: do need to ask you if you would like to

300
00:16:12,800 --> 00:16:15,440
Speaker 1: go out on another day with names. Yeah, we'll pay

301
00:16:15,480 --> 00:16:18,520
Speaker 1: for dancing. There won't be any dancing. I don't think anything.

302
00:16:19,360 --> 00:16:23,480
Speaker 1: You can't hearan see that. Yeah, who knows. He could

303
00:16:23,480 --> 00:16:25,400
Speaker 1: take me to a restaurant and next thing I know,

304
00:16:25,480 --> 00:16:28,240
Speaker 1: there's a dance floor opening up. You would be so

305
00:16:28,320 --> 00:16:29,960
Speaker 1: lucky if you dance floor opened up in the middle

306
00:16:29,960 --> 00:16:36,120
Speaker 1: of a restaurant and we were there. Yeah, you will

307
00:16:36,160 --> 00:16:38,800
Speaker 1: find your dancing partner. I just don't think it's Maggie.

308
00:16:39,120 --> 00:16:41,200
Speaker 1: I have to say, you guys really blew it for me.

309
00:16:41,480 --> 00:16:48,040
Speaker 1: You know, I'm the one that was fighting for you, dude. Professional. Yeah,

310
00:16:48,040 --> 00:16:51,800
Speaker 1: we're the professionals at blowing it. That's why maybe we

311
00:16:51,840 --> 00:16:56,960
Speaker 1: should rename this segment blowing It and Jeffrey. It will

312
00:16:57,000 --> 00:17:00,720
Speaker 1: get a lot of Google click Yeah. Text into seven

313
00:17:00,760 --> 00:17:03,520
Speaker 1: eighty five nine two. If you have a promising love interest,

314
00:17:03,640 --> 00:17:05,200
Speaker 1: call us and we'll find a way to blow it

315
00:17:05,320 --> 00:17:08,520
Speaker 1: for work and Jeffrey in the morning.