WEBVTT - G.I. Jane with Rhiannon Hamam

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<v Speaker 1>On the Bechdel Cast.

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<v Speaker 2>The questions asked if movies have women in them, are

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<v Speaker 2>all their discussions just boyfriends and husbands or do they

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<v Speaker 2>have individualism? It's the patriarchy. Zephy and Beast start changing

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<v Speaker 2>with the Bechdel Cast.

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<v Speaker 1>Hey, Caitlyn, Hey Jamie.

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<v Speaker 2>Have you ever wanted to watch a movie that's sort

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<v Speaker 2>of like Mulan but without literally anything that made it fun?

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<v Speaker 1>I can't say that I have wanted that too bad?

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<v Speaker 2>Do I have the movie for you? Is it g

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<v Speaker 2>I Jane? It's with deepest regrets, it's g I Jane. Wow,

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<v Speaker 2>there's what I mean there? What is this movie if

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<v Speaker 2>not the be a Man thing over and over and over,

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<v Speaker 2>but with a soundtrack that is completely dissonant with what

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<v Speaker 2>is happening on screen. This, I mean, this is a

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<v Speaker 2>small nitpick to start with, but the soundtrack to this movie.

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<v Speaker 2>I have a theory as to why it is the

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<v Speaker 2>way it is, but it's it's fun weird. Ridley Scott

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<v Speaker 2>is so all over the place. He really is what

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<v Speaker 2>goes through this man's head? But the why is why

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<v Speaker 2>is the pretenders in G I Jane? Like? Can we

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<v Speaker 2>leave them out of it? I don't like that the

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<v Speaker 2>pretender that Chrissy Hind got like G I Jane Dollar Anyways, anyways, there.

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<v Speaker 1>The feel like making love.

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<v Speaker 2>Honestly, why is that there? That's why Vigo morton'sage accent,

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<v Speaker 2>Vigo Morton's in shorts. Why are so? And this this

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<v Speaker 2>is the this is the petty complaint Runk. There's also

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<v Speaker 2>I mean, but like, okay, Chrissy Hind, Randy Newman, Mozart,

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<v Speaker 2>even Mozart's catching a stray by appearing in G. I.

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<v Speaker 2>Jane Like, it's just you just hate to see you

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<v Speaker 2>hate to see it. Welcome to the Bechdel Cast. I

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<v Speaker 2>guess we were gonna have to cover this one eventually,

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<v Speaker 2>weren't we.

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<v Speaker 1>We were.

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<v Speaker 2>Yeah.

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<v Speaker 1>My name is Jamie, my name is Caitlin. This is

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<v Speaker 1>our show where we examine movies through an intern sectional

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<v Speaker 1>feminist lens, using the Bechdel test simply as a jumping

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<v Speaker 1>off point. That is a media metric, many different versions.

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<v Speaker 1>I'm just gonna breeze through this today because there's so

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<v Speaker 1>much to talk about.

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<v Speaker 2>I know, it's like, but it is, I mean, it's this,

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<v Speaker 2>this movie is slippery in a way that like does

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<v Speaker 2>it pass the Bechdel Test? Sure, but at what cost? Exactly?

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<v Speaker 1>Exactly, so many different versions of the test. The one

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<v Speaker 1>that we use is do two characters of a marginalized

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<v Speaker 1>gender have names? Do they speak to each other? And

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<v Speaker 1>is there conversation about something other than a man? And

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<v Speaker 1>we ideally like it when it's a narratively meaningful conversation,

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<v Speaker 1>which in this case, sure it's narratively meaningful, but is

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<v Speaker 1>the narrative at what jingoistic bullshit?

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<v Speaker 2>Yes, it's like if you had to email the Pentagon

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<v Speaker 2>to get your movie made. Reconsider Yeah all right, yeah,

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<v Speaker 2>well buckle in because spoiler alert, it does pass the

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<v Speaker 2>Bechtel test. But that is literally what we will not really,

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<v Speaker 2>I mean, it is relevant because it passes the Bechdel

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<v Speaker 2>test way before the Bechdel test was a culturally relevant marker,

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<v Speaker 2>and it does so very intentionally, but to a very

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<v Speaker 2>nefarious end, which is to recruit women to the American military.

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<v Speaker 1>Yes, indeed, at what cost? We have a wonderful guest.

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<v Speaker 1>Let's get her in the mix. She is a lawyer

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<v Speaker 1>and host of the five to four podcast and popular

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<v Speaker 1>Cradle podcast. It's Rhan and Hamam.

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<v Speaker 3>Hi welcome, hello, and you're welcome. You said you know,

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<v Speaker 3>we'll just have to you know, we knew we'd have

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<v Speaker 3>to get to g I Jane at some point. You're

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<v Speaker 3>welcome for being the person that brought it to twenty

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<v Speaker 3>twenty five.

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<v Speaker 2>For you guys, thank you came much true, It came true. Yeah,

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<v Speaker 2>I guess to start, let's talk about our history with

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<v Speaker 2>this movie.

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<v Speaker 1>Yeah, Rhannon, what's your relationship with it?

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<v Speaker 3>So this is really interesting because I had a childhood

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<v Speaker 3>relationship to this movie. Without seeing the movie as a child,

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<v Speaker 3>I had a relationship to it in that the promo

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<v Speaker 3>for the movie, Demi Moore and the casts, you know

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<v Speaker 3>what is it called their their publicity tour for it.

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<v Speaker 3>Let's say the interviews that they gave. The hoopla that

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<v Speaker 3>was made about, in particular some of the what people

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<v Speaker 3>would call iconic scenes. Demi Moore shaves her head right

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<v Speaker 3>in this movie, those kinds of things. Demi Moore screams

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<v Speaker 3>at one point, suck my yes. That that sort of

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<v Speaker 3>like media really hit me as a kid. I remember

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<v Speaker 3>seeing things like this being like discussed on TV. And

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<v Speaker 3>you know Demi Moore's workout routine, these kinds of things right,

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<v Speaker 3>and I as a child was even though let's go

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<v Speaker 3>ahead and get it out there. I'm Palestinian Arab growing

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<v Speaker 3>up in the time post Gulf War then post nine

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<v Speaker 3>to eleven. Right, So as a child, I was somehow

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<v Speaker 3>even with that context about myself out in the open here.

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<v Speaker 3>As a child, I was not clocking that the movie

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<v Speaker 3>was about US imperialism, right, the violence of like the

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<v Speaker 3>US military. I was not clocking this at all. And

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<v Speaker 3>again I never saw I never saw the movie. So anyways,

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<v Speaker 3>invited onto this podcast, was thinking immediately about, you know,

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<v Speaker 3>when when I was a kid, what were the movies

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<v Speaker 3>that were like about being a badass lady, you know,

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<v Speaker 3>being a powerful, strong lady, being one of the guys,

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<v Speaker 3>even though you're a lady. So this this came up,

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<v Speaker 3>and then now like as an adult watching it, I

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<v Speaker 3>have you know, the full layers, let's say, of like

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<v Speaker 3>perspectives and interpretations and analysis where you're just like, oh

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<v Speaker 3>my god, this is so so dark, darker than you know,

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<v Speaker 3>even maybe like a sort of substanceless feminism, you know, Patina.

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<v Speaker 3>Over all of this, it's even darker and more disappointing

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<v Speaker 3>and and sort of at root more violent than that.

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<v Speaker 2>It's totally it's very this is a movie with a

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<v Speaker 2>dark energy, putting it in that category. Yeah, and I do.

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<v Speaker 2>I feel like this movie did. I also hadn't seen

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<v Speaker 2>it before, but I felt like I did because it

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<v Speaker 2>was so It's so talked about. I mean, I unfortunately

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<v Speaker 2>one of the associations that I have with this is

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<v Speaker 2>like that g I Jane was name checked in the

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<v Speaker 2>slap incident. This is would remember that.

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<v Speaker 1>WHOA, I don't know, I don't remember that.

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<v Speaker 2>Yes, I blame my fiance for remind I don't know

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<v Speaker 2>why men think about this lap so much, but they do.

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<v Speaker 2>But when Chris Rock was mocking Jada Pinkett Smith, he

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<v Speaker 2>called her GI Jane because she was bald. And all

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<v Speaker 2>that to say, for a movie that was not very

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<v Speaker 2>successful and pretty widely mocked in its time, it has

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<v Speaker 2>real cultural staying power. Yeah, and for like really bizarre reasons.

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<v Speaker 2>Because this movie is clearly clearly has an agenda, and

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<v Speaker 2>it is to promote US imperialism and to bring the

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<v Speaker 2>third wave feminist movement under the umbrella of US imperialism

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<v Speaker 2>and sell it back to women. And I think that

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<v Speaker 2>that is why we get the weird soundtrack that we do.

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<v Speaker 2>We're like, oh, and we've got your music, girl power.

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<v Speaker 2>I mean, there's so many things that this movie does

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<v Speaker 2>that is very nefarious to that end, but it has

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<v Speaker 2>its cultural legacy. I feel like it's a little harder

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<v Speaker 2>to pin down. I'm glad it wasn't more successful. It

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<v Speaker 2>doesn't seem like it had a top gun effect, but

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<v Speaker 2>it still does demonstrable harm because we're still talking about it.

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<v Speaker 3>Yeah, yeah, you know. I think it's also a little

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<v Speaker 3>bit about selling feminism to men too, like because it's like, actually,

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<v Speaker 3>they can be badasses and actually if the real goal

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<v Speaker 3>is like serving your country and shooting at the bad guys,

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<v Speaker 3>then women can do that too. Maybe, you know.

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<v Speaker 1>Yeah, it's feminism for like sexist men who like the

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<v Speaker 1>type of feminism that they could get behind or digest.

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<v Speaker 2>Almost yes, I mean it's like so constantly dissonant, where

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<v Speaker 2>every other scene it's like it will start to make

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<v Speaker 2>a point but then fail to interrogate the system that

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<v Speaker 2>that point is being made inside of. So it's it's

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<v Speaker 2>totally meaningless all the way down to like the turf

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<v Speaker 2>Senator herself, like where you're like, yes, like she's she

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<v Speaker 2>is kind of like Nancy pelosiing her way through life.

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<v Speaker 2>This is a valid criticism. There are people who do this,

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<v Speaker 2>who weaponize identity politics against people like but then fails

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<v Speaker 2>to it. But they were like, and and you know

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<v Speaker 2>who really has it figured out? The Navy, And You're like,

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<v Speaker 2>what do you mean? What do you mean? Her being

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<v Speaker 2>the big bad is so weird, Like it's just like

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<v Speaker 2>I don't I don't know, I don't know what the

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<v Speaker 2>fuck there. I mean, I do know what the fuck

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<v Speaker 2>they're on about, and it's very frustrating, very uh.

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<v Speaker 1>I had also never seen this movie, but I remember

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<v Speaker 1>it being a big deal when it came out. It

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<v Speaker 1>was the same year as Titanic nineteen ninety seven.

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<v Speaker 2>So it never stood a chance.

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<v Speaker 1>So I was busy and with.

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<v Speaker 2>Making an impact.

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<v Speaker 1>Yeah right, but this movie was marketed to all hell

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<v Speaker 1>I remember there was just like yeah, like you mentioned

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<v Speaker 1>Rihann in different images or scenes from it. That just

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<v Speaker 1>became part of the cultural zeitgeist. But I just I've

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<v Speaker 1>never been interested in war or military movies, so I

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<v Speaker 1>was like miss me with this, no thank you. So

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<v Speaker 1>I just watched it for the first time the other day,

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<v Speaker 1>and I don't really know what I was expecting, and

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<v Speaker 1>it kind of it sort of like was everything I

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<v Speaker 1>was expecting and nothing I was expecting at the same time.

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<v Speaker 1>It was a bizarre experience.

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<v Speaker 2>But and I feel like it Also we'll talk about

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<v Speaker 2>this later, but like where it's really Scott's filmography is

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<v Speaker 2>so fucking weird.

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<v Speaker 1>How can he make Thelma and Louise and this also

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<v Speaker 1>like I don't know, he was just like also not

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<v Speaker 1>that like film and Louise is a post child for

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<v Speaker 1>perfect feminism or anything, but but for.

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<v Speaker 2>Its time I mean. But also I mean it's just

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<v Speaker 2>like the movie he made immediately after Thoma and Louise

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<v Speaker 2>was fourteen ninety two Conquest of Paradise. So this guy

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<v Speaker 2>is a girl boss imperialist. Like I don't I which

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<v Speaker 2>those exist, but it's just I don't know, yeah, the

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<v Speaker 2>But then he also makes Gladiator, which is like anti

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<v Speaker 2>imperial he maybe just wants to work. I don't fucking

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<v Speaker 2>get it. I was. He also makes black Hawk Down,

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<v Speaker 2>which is right, also very like military copaganda. I'm gonna

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<v Speaker 2>look up if that one did, because this movie didn't

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<v Speaker 2>get the Pentagon Seal of Approval, but mostly for like

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<v Speaker 2>perverted reasons, where Ridley Scott was like, no, her superior

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<v Speaker 2>does have to look at her in the shower, and

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<v Speaker 2>you're like, that's the reason that that's.

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<v Speaker 3>The nipples are hard in uh in A lot of

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<v Speaker 3>that have to talk.

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<v Speaker 1>I'll talk about that later.

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<v Speaker 2>But she doesn't care. She's just she's just one of

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<v Speaker 2>the boys. She's just one of the boys. I want

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<v Speaker 2>to be treated just like everyone else badly. You're like,

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<v Speaker 2>what the fuck, it's wild.

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<v Speaker 1>Let's take a quick break and then we'll come back

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<v Speaker 1>to recap the.

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<v Speaker 4>Movie, and we're back.

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<v Speaker 1>Okay. So here's g I Jane nineteen ninety seven. So

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<v Speaker 1>we open on a hearing where this guy named Hayes,

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<v Speaker 1>who is vying to become Secretary of the US Navy,

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<v Speaker 1>is giving a testimony. But Senator de Haven, who's a

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<v Speaker 1>whoa whoa whoa woman.

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<v Speaker 2>She's not afraid to say it.

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<v Speaker 3>Yeah.

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<v Speaker 1>This senator interrogates Hayes about the abysmal treatment of women

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<v Speaker 1>in the military and how there are all these barriers

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<v Speaker 1>women aren't allowed to do, like a quarter of the

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<v Speaker 1>jobs in the military, and she wants full integration of

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<v Speaker 1>women in the US military, which is something the Department

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<v Speaker 1>of Defense will agree to if candidates who are women

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<v Speaker 1>are able to prove they measure up to the men

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<v Speaker 1>in a series of test cases, but the high ranking

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<v Speaker 1>men who want this program to fail select the Navy

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<v Speaker 1>Seals as the test case where women would have to

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<v Speaker 1>prove themselves because the Navy Seals training is famously, very

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<v Speaker 1>very difficult. It has a sixty percent dropout rate, meaning

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<v Speaker 1>most men can't even handle it, so there's no way

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<v Speaker 1>a woman will be able to.

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<v Speaker 3>How many times do they say this sixty percent dropout

0:13:45.600 --> 0:13:49.080
<v Speaker 3>rate in the movie explicitly? So many times that they

0:13:49.160 --> 0:13:51.480
<v Speaker 3>just throw out that stat to remind us, you know,

0:13:51.720 --> 0:13:52.800
<v Speaker 3>it's really hard.

0:13:52.880 --> 0:13:54.319
<v Speaker 1>It's so hard, it's.

0:13:54.200 --> 0:13:55.200
<v Speaker 3>So hard to do this.

0:13:55.280 --> 0:13:56.400
<v Speaker 2>The stakes are high.

0:13:56.800 --> 0:13:57.520
<v Speaker 3>Yeah.

0:13:57.800 --> 0:14:01.680
<v Speaker 1>Then we meet Lieutenant Jordan O'Neill played by Demi Moore.

0:14:02.160 --> 0:14:07.880
<v Speaker 1>Her name is not Jane, no shocking, Yeah, it is Jordan.

0:14:08.200 --> 0:14:10.959
<v Speaker 2>I had no idea. Why why not just call it?

0:14:11.080 --> 0:14:14.120
<v Speaker 2>I mean, the name Jordan was not sticking for me.

0:14:14.200 --> 0:14:17.200
<v Speaker 2>All my notes say Jane. Right.

0:14:18.880 --> 0:14:23.520
<v Speaker 1>So she works at the Naval Intelligence Center doing some

0:14:23.600 --> 0:14:29.080
<v Speaker 1>sort of strategist analyst whatever intelligence job, and we see

0:14:29.120 --> 0:14:31.920
<v Speaker 1>her mid mission. Seems like she's good at her job,

0:14:32.640 --> 0:14:36.000
<v Speaker 1>and of course she's surrounded by men who tell her

0:14:36.400 --> 0:14:40.360
<v Speaker 1>to know her place and not step out of line

0:14:40.720 --> 0:14:44.160
<v Speaker 1>or whatever. And she's being told this by someone who

0:14:44.400 --> 0:14:46.120
<v Speaker 1>It took me a while to figure this out because

0:14:46.160 --> 0:14:49.119
<v Speaker 1>all the men in this movie look the same to me, exactly.

0:14:49.280 --> 0:14:52.240
<v Speaker 2>Okay, okay, I was waiting for someone to say it.

0:14:52.320 --> 0:14:56.400
<v Speaker 2>You'rs like, I don't know who these guys are. I

0:14:56.440 --> 0:14:58.560
<v Speaker 2>was like, do we like that one? I don't, don't.

0:14:58.680 --> 0:15:03.040
<v Speaker 1>I don't know, But this man is a don't step

0:15:03.080 --> 0:15:04.920
<v Speaker 1>out a line. And it turns out out to be

0:15:04.960 --> 0:15:05.720
<v Speaker 1>her boyfriend.

0:15:06.280 --> 0:15:07.480
<v Speaker 3>Yeah, they live together.

0:15:07.640 --> 0:15:09.960
<v Speaker 2>They live and not only did they live together, they

0:15:10.000 --> 0:15:13.880
<v Speaker 2>take they take baths together like they're twins.

0:15:14.280 --> 0:15:19.880
<v Speaker 1>It's twins. I guess maybe when you're a child.

0:15:20.080 --> 0:15:27.840
<v Speaker 2>Zoom for efficiency's sake, I wasn't talking about adult twins.

0:15:28.360 --> 0:15:33.160
<v Speaker 1>Meanwhile, Senator de Haven is reviewing candidates to join this

0:15:33.280 --> 0:15:38.160
<v Speaker 1>test program, and she thinks this Jordan O'Neill has potential

0:15:38.760 --> 0:15:41.440
<v Speaker 1>because she's attractive and feminine.

0:15:41.840 --> 0:15:46.800
<v Speaker 3>Yeah. Yeah, transphobia already entered into the movie in this scene.

0:15:47.000 --> 0:15:51.520
<v Speaker 2>Yeah, and with photos too, which is absurd. Yeah. The

0:15:51.560 --> 0:15:54.960
<v Speaker 2>first the first person who is suggested, she's like, oh,

0:15:55.240 --> 0:15:59.480
<v Speaker 2>too strong, people are gonna like she drops chromosomes, Yeah, and.

0:16:00.080 --> 0:16:02.440
<v Speaker 1>Musom test on this person kind of thing.

0:16:02.520 --> 0:16:05.840
<v Speaker 2>And there's like this heavy indication that I'm like, well,

0:16:06.280 --> 0:16:08.360
<v Speaker 2>at least she turns out to be the villain, but

0:16:08.440 --> 0:16:11.240
<v Speaker 2>that's just it was like out of pocket. Immediately she

0:16:11.440 --> 0:16:14.840
<v Speaker 2>checks that, which this is a weird planted payoff. She

0:16:15.040 --> 0:16:17.520
<v Speaker 2>wants to make sure that Debi Moore is straight.

0:16:18.560 --> 0:16:20.360
<v Speaker 3>Yeah, she says, I don't want you batting for the

0:16:20.400 --> 0:16:21.040
<v Speaker 3>other side.

0:16:21.440 --> 0:16:25.520
<v Speaker 2>Yeah, it's like it's such a nineties dork loser like

0:16:26.120 --> 0:16:29.160
<v Speaker 2>way to phrase that, but yeah, I feel like she's

0:16:29.160 --> 0:16:31.800
<v Speaker 2>trying to say, like, well, are you normal, because we

0:16:31.880 --> 0:16:34.680
<v Speaker 2>need a normal person quote unquote to do this, and

0:16:34.680 --> 0:16:37.000
<v Speaker 2>then like all of the prejudices that come with what

0:16:37.040 --> 0:16:41.960
<v Speaker 2>she considers normal, we're safe to advance her career. I'm

0:16:41.960 --> 0:16:44.800
<v Speaker 2>not really sure what she's trying to do it.

0:16:45.280 --> 0:16:48.920
<v Speaker 1>But it's really unclear. I had to watch these scenes

0:16:48.960 --> 0:16:51.120
<v Speaker 1>a few times to try to figure it out, and

0:16:51.240 --> 0:16:53.000
<v Speaker 1>I'll try to explain it when we get there, but

0:16:53.040 --> 0:16:56.200
<v Speaker 1>I'm just like, what is going on here? Yeah, but

0:16:56.840 --> 0:17:02.200
<v Speaker 1>after they say a very like transphobe turfey remark, this

0:17:02.600 --> 0:17:06.800
<v Speaker 1>senator also sees another picture of a woman who is

0:17:06.920 --> 0:17:09.800
<v Speaker 1>tall and thick and muscular. She has kind of more

0:17:09.840 --> 0:17:13.439
<v Speaker 1>masculine features, and they mock her and they're like, is

0:17:13.480 --> 0:17:16.320
<v Speaker 1>this the face of someone you want on newsweek? She

0:17:16.440 --> 0:17:19.239
<v Speaker 1>looks like the wife of a Russian beat farmer, and

0:17:19.280 --> 0:17:21.680
<v Speaker 1>you're just like, holy shit, what.

0:17:21.680 --> 0:17:26.920
<v Speaker 2>A specifically hateful joke, Like who wrote that? Yeah?

0:17:27.000 --> 0:17:30.160
<v Speaker 1>So anyway, they're reviewing all these candidates and they select

0:17:30.359 --> 0:17:34.240
<v Speaker 1>Jordan as the person they want to recruit into this

0:17:34.400 --> 0:17:40.359
<v Speaker 1>program on the condition that Jordan is not gay. And

0:17:40.400 --> 0:17:43.640
<v Speaker 1>we'll talk about that. Don't ask, don't tell of at all,

0:17:43.680 --> 0:17:49.000
<v Speaker 1>because like the senator is very explicitly asking. But anyway,

0:17:49.359 --> 0:17:49.679
<v Speaker 1>like was.

0:17:49.680 --> 0:17:51.560
<v Speaker 2>It that the whole Wasn't that the thing?

0:17:52.320 --> 0:17:54.520
<v Speaker 1>She's like, I know I'm supposed to not ask, but

0:17:54.600 --> 0:17:55.360
<v Speaker 1>I'm asking.

0:17:55.800 --> 0:17:58.520
<v Speaker 2>I'm asking, and you'd better tell, he says.

0:17:59.000 --> 0:18:01.040
<v Speaker 3>She says, I just want to. She says something like,

0:18:01.080 --> 0:18:03.440
<v Speaker 3>I just want to make sure you have a solvent

0:18:03.720 --> 0:18:08.720
<v Speaker 3>heterosexual at home. Yeah, like that you have a male.

0:18:08.560 --> 0:18:13.159
<v Speaker 1>Partner and they're so heterosexual that they take baths together.

0:18:13.320 --> 0:18:16.240
<v Speaker 3>Yeah, we're doing foot stuff.

0:18:16.760 --> 0:18:20.359
<v Speaker 2>Yeah. Cut we cut to Demi Moore's feet. I believe

0:18:20.440 --> 0:18:22.639
<v Speaker 2>a total of three times. One time when they're like,

0:18:22.680 --> 0:18:25.359
<v Speaker 2>your foot's all fucked up, and it cuts to the foot,

0:18:25.440 --> 0:18:28.399
<v Speaker 2>You're like, I hate to say the foot I didn't

0:18:28.440 --> 0:18:29.040
<v Speaker 2>need to see the.

0:18:28.960 --> 0:18:31.320
<v Speaker 1>Foot almost like a Tarantino movie in that way.

0:18:31.600 --> 0:18:32.080
<v Speaker 2>Yeah.

0:18:32.119 --> 0:18:34.919
<v Speaker 1>Anyway, she does have a heterosexual boyfriend.

0:18:35.000 --> 0:18:39.720
<v Speaker 2>His name is Royce Solvent, heterosexual at home. Yeah, and

0:18:39.760 --> 0:18:41.440
<v Speaker 2>don't worry, he hates her.

0:18:42.000 --> 0:18:45.960
<v Speaker 1>He is not supportive of her goals because she's interested

0:18:46.000 --> 0:18:49.679
<v Speaker 1>in this opportunity, but she doesn't want to be a

0:18:49.760 --> 0:18:54.120
<v Speaker 1>poster child for women's rights. She just wants the operational

0:18:54.160 --> 0:18:57.679
<v Speaker 1>experience so that she can advance her military career in

0:18:57.720 --> 0:18:59.800
<v Speaker 1>a way that she's not able to now with all

0:19:00.119 --> 0:19:02.360
<v Speaker 1>these sexist roadblocks.

0:19:02.600 --> 0:19:06.080
<v Speaker 2>So already we're not on board with the goal, right,

0:19:06.119 --> 0:19:08.640
<v Speaker 2>Like the goal is bad, the goal.

0:19:08.520 --> 0:19:13.320
<v Speaker 1>Is real bad. And Royce points out that the men

0:19:13.640 --> 0:19:17.280
<v Speaker 1>in the training program will make her life a living hell,

0:19:18.200 --> 0:19:22.000
<v Speaker 1>and he's not wrong, but he's also like, well, I

0:19:22.000 --> 0:19:23.960
<v Speaker 1>don't want to wait for you if you go off

0:19:24.000 --> 0:19:27.240
<v Speaker 1>to war. I expect you to wait for me, but

0:19:27.320 --> 0:19:30.480
<v Speaker 1>I'm not gonna do that for you. And then I

0:19:30.520 --> 0:19:32.199
<v Speaker 1>don't know if they break up or if he just

0:19:32.280 --> 0:19:36.440
<v Speaker 1>kind of like leaves in a huff, But that doesn't

0:19:36.480 --> 0:19:41.240
<v Speaker 1>really end well. Jordan arrives at a naval base in

0:19:41.280 --> 0:19:45.720
<v Speaker 1>Florida to begin her Navy seal training. She meets her

0:19:45.800 --> 0:19:50.159
<v Speaker 1>commanding officer, who's like, oh god, a woman.

0:19:51.000 --> 0:19:55.000
<v Speaker 2>I guess his reasons for hating women. He gives later

0:19:55.240 --> 0:19:58.560
<v Speaker 2>is very funny. It made me laugh where he's like

0:19:59.200 --> 0:20:02.280
<v Speaker 2>guy in a car, Like I was like, he's just

0:20:02.320 --> 0:20:02.960
<v Speaker 2>saying shit.

0:20:03.200 --> 0:20:06.399
<v Speaker 3>It's like that has nothing to do with you, and like,

0:20:06.440 --> 0:20:08.600
<v Speaker 3>would never inconvenience you, right.

0:20:09.880 --> 0:20:11.800
<v Speaker 1>He's also he says like, I need to hire a

0:20:11.800 --> 0:20:13.800
<v Speaker 1>guy in a collegist now to keep track of your

0:20:13.840 --> 0:20:16.399
<v Speaker 1>pap smears. And it's like she's only there for three months.

0:20:16.720 --> 0:20:20.280
<v Speaker 1>We don't need a bunch of pop smears during that time.

0:20:20.480 --> 0:20:23.160
<v Speaker 2>Like how many pap smears was she forced to get

0:20:23.280 --> 0:20:25.119
<v Speaker 2>during her time?

0:20:26.520 --> 0:20:30.240
<v Speaker 1>I don't know anyway, so he's not thrilled about her

0:20:30.720 --> 0:20:34.879
<v Speaker 1>being there. We also meet some of her fellow trainees,

0:20:35.520 --> 0:20:39.080
<v Speaker 1>who of course are all men, and they're talking about

0:20:39.119 --> 0:20:43.520
<v Speaker 1>how women can't do what we do. They're too weak

0:20:43.600 --> 0:20:45.480
<v Speaker 1>and they have too much body fat.

0:20:45.760 --> 0:20:48.760
<v Speaker 2>And one guy is named Flea, which is my cats,

0:20:48.800 --> 0:20:50.720
<v Speaker 2>which I found very distracting.

0:20:51.160 --> 0:20:52.720
<v Speaker 1>I wrote that in my notes, so I was like

0:20:52.800 --> 0:20:54.200
<v Speaker 1>Jamie's cat alert flee.

0:20:54.480 --> 0:20:56.920
<v Speaker 2>He flee would never do anything that.

0:20:56.880 --> 0:20:59.720
<v Speaker 1>The other flee does. He would never join the military.

0:21:00.000 --> 0:21:01.840
<v Speaker 2>It's a man of integrity exactly.

0:21:02.720 --> 0:21:08.720
<v Speaker 1>In addition to Flee, there are guys like McCool Wickwire Cortes,

0:21:09.560 --> 0:21:13.720
<v Speaker 1>Jim Cavizl is there playing a guy named Slovnik, and

0:21:13.840 --> 0:21:18.560
<v Speaker 1>they hate her immediately. Then she settles into her like

0:21:18.840 --> 0:21:21.359
<v Speaker 1>R and R quarters, which is just an empty room

0:21:21.400 --> 0:21:24.119
<v Speaker 1>because it's separated by gender and she's the only woman.

0:21:25.400 --> 0:21:29.560
<v Speaker 1>Then it's the first day of training. We meet Command

0:21:29.680 --> 0:21:33.320
<v Speaker 1>Master Chief Ergale played by Vigo Mortensen.

0:21:33.920 --> 0:21:37.440
<v Speaker 2>Short shorts Viego Mortenson shorts.

0:21:37.119 --> 0:21:41.560
<v Speaker 3>Are so short the entire film. Yeah, did he ask

0:21:41.680 --> 0:21:44.080
<v Speaker 3>for that, leggy Vigo Mortensen.

0:21:44.600 --> 0:21:48.359
<v Speaker 2>We don't see the legs on literally any other character,

0:21:48.480 --> 0:21:51.560
<v Speaker 2>including I think maybe Demi Moore a couple times, because

0:21:52.040 --> 0:21:55.040
<v Speaker 2>as we'll talk about, there's like, I guess they could

0:21:55.080 --> 0:21:58.080
<v Speaker 2>have done worse with hyper fixating on her body, but

0:21:58.119 --> 0:22:00.320
<v Speaker 2>they definitely don't miss the opportunity too.

0:22:01.320 --> 0:22:04.280
<v Speaker 1>Sure. Well, it seems like all of the whatever like

0:22:04.560 --> 0:22:07.879
<v Speaker 1>leaders of this training program are wearing the same short

0:22:07.960 --> 0:22:10.640
<v Speaker 1>shorts because there's a few of them and I only

0:22:10.680 --> 0:22:14.520
<v Speaker 1>notice one para legs same. Yeah, it seems like it

0:22:14.560 --> 0:22:18.320
<v Speaker 1>was all Vego. I was looking at all the legs.

0:22:18.359 --> 0:22:24.760
<v Speaker 1>But in any case, he's one tough sombitch. And everyone

0:22:24.840 --> 0:22:29.960
<v Speaker 1>starts the very vigorous and brutal training, obviously lots of

0:22:29.960 --> 0:22:34.040
<v Speaker 1>physical exercise. They're fighting over food, they're having to eat

0:22:34.080 --> 0:22:37.200
<v Speaker 1>it back out of the trash again. They're plunging into

0:22:37.200 --> 0:22:40.280
<v Speaker 1>freezing cold water. They have to write an essay about

0:22:40.280 --> 0:22:44.800
<v Speaker 1>why they love the United States Navy. The drill sergeants

0:22:44.800 --> 0:22:48.439
<v Speaker 1>are screaming and belittling them, and this is all just

0:22:48.520 --> 0:22:49.520
<v Speaker 1>in the first day.

0:22:50.000 --> 0:22:55.199
<v Speaker 2>Yeah, there's so many montages in this movie. It's exhausting, truly.

0:22:56.160 --> 0:23:03.159
<v Speaker 1>Gi Jordan is struggling, but she's not the worst at

0:23:03.200 --> 0:23:06.119
<v Speaker 1>this and she's very determined, even though a lot of

0:23:06.119 --> 0:23:10.040
<v Speaker 1>the men are cruel to her, especially this guy Cortes,

0:23:10.560 --> 0:23:14.119
<v Speaker 1>has a vendetta against her. But again she's very determined.

0:23:14.520 --> 0:23:18.520
<v Speaker 1>Though for those who are not determined to complete the training,

0:23:18.920 --> 0:23:21.399
<v Speaker 1>they have to ring this bell three times and it

0:23:21.560 --> 0:23:25.280
<v Speaker 1>signifies their resignation. So that's always kind of like looming

0:23:25.320 --> 0:23:30.040
<v Speaker 1>over everyone. Then there's this obstacle course, which they make

0:23:30.119 --> 0:23:33.160
<v Speaker 1>to be like a war zone with the officers shooting

0:23:33.320 --> 0:23:38.360
<v Speaker 1>at them. Yeah, but there are these like booster steps

0:23:38.440 --> 0:23:44.240
<v Speaker 1>for women and women only time advantages. But Jordan doesn't

0:23:44.280 --> 0:23:47.000
<v Speaker 1>want those. She wants to go through the course like

0:23:47.160 --> 0:23:50.960
<v Speaker 1>everyone else. So she goes to her commanding officer to

0:23:51.000 --> 0:23:55.160
<v Speaker 1>be like, your gendered double standards mean that I'm being

0:23:55.160 --> 0:23:57.920
<v Speaker 1>treated as an outsider, Like how am I supposed to

0:23:58.000 --> 0:24:01.280
<v Speaker 1>fit in and succeed? And then he pitches a fit.

0:24:01.359 --> 0:24:04.480
<v Speaker 1>This is where he's talking about pap smears and her perfume.

0:24:05.160 --> 0:24:10.000
<v Speaker 1>But then he agrees to hold only one standard for everyone.

0:24:10.640 --> 0:24:12.320
<v Speaker 1>Then we get the scene where she buzzes off all

0:24:12.359 --> 0:24:15.840
<v Speaker 1>of her hair, becoming the baldest woman. But I would

0:24:15.840 --> 0:24:18.240
<v Speaker 1>not say she's in charge, so it does not follow

0:24:18.280 --> 0:24:20.760
<v Speaker 1>the baldest woman in charge not.

0:24:20.800 --> 0:24:23.000
<v Speaker 2>Which is weird because I feel like it's one of

0:24:23.040 --> 0:24:26.119
<v Speaker 2>the movies I based that idea around despite have never

0:24:26.200 --> 0:24:29.440
<v Speaker 2>having seen it. But again you have. It is weird

0:24:29.480 --> 0:24:33.200
<v Speaker 2>how how similar there's like sequences in Mulan which comes

0:24:33.240 --> 0:24:36.760
<v Speaker 2>out the next year, similar hair chop and scene.

0:24:37.160 --> 0:24:42.560
<v Speaker 1>True. Yes, she also moves into the same like bunking

0:24:42.720 --> 0:24:47.520
<v Speaker 1>area as the men, and that guy Slavnik is disgusted

0:24:47.800 --> 0:24:49.720
<v Speaker 1>that she brought tampons with her.

0:24:50.400 --> 0:24:53.360
<v Speaker 2>I'm like, what would you like if she didn't have any?

0:24:53.520 --> 0:24:54.920
<v Speaker 2>Like what do you wonder to.

0:24:54.880 --> 0:24:57.800
<v Speaker 1>Just free bleed all over the place.

0:24:58.480 --> 0:25:01.320
<v Speaker 3>Yeah, he screams multiple times, like as they're like, you know,

0:25:01.400 --> 0:25:03.800
<v Speaker 3>clear out, like you know, we gotta we gotta go

0:25:04.000 --> 0:25:07.119
<v Speaker 3>or whatever. He's like, you don't care about tampons. You

0:25:07.200 --> 0:25:12.080
<v Speaker 3>don't care about tampons, like fixated. Right, there's this is

0:25:12.080 --> 0:25:13.760
<v Speaker 3>somebody really really having a meltdown?

0:25:13.840 --> 0:25:17.400
<v Speaker 2>Yeah, as melodramatic as a lot of it is, I'm like, yeah,

0:25:17.440 --> 0:25:20.240
<v Speaker 2>I do believe that someone would do that. Yeah.

0:25:20.400 --> 0:25:21.600
<v Speaker 1>Men are very emotional.

0:25:21.840 --> 0:25:23.040
<v Speaker 2>They're huge drama queens.

0:25:23.080 --> 0:25:23.840
<v Speaker 1>Yeah, it's true.

0:25:24.640 --> 0:25:24.960
<v Speaker 3>Okay.

0:25:25.000 --> 0:25:30.560
<v Speaker 1>So then Hayes, the Navy secretary guy, gets wind that

0:25:31.080 --> 0:25:34.280
<v Speaker 1>a woman doing the Navy seal training program has gone public.

0:25:34.400 --> 0:25:37.320
<v Speaker 1>It was supposed to be a secret, private thing, but

0:25:37.400 --> 0:25:41.439
<v Speaker 1>it's gone public because there was this like investigative journalist

0:25:42.200 --> 0:25:45.760
<v Speaker 1>or someone taking pictures of Jordan during training. And so

0:25:46.840 --> 0:25:50.600
<v Speaker 1>the Navy Secretary is furious about this becoming public information,

0:25:51.000 --> 0:25:55.520
<v Speaker 1>and he wants her progress monitored and then also for

0:25:55.640 --> 0:25:58.520
<v Speaker 1>like background research to be done on her. Basically he

0:25:58.520 --> 0:26:01.639
<v Speaker 1>wants to see if they can find anything to discredit

0:26:01.680 --> 0:26:06.040
<v Speaker 1>her because this haze guy wants the program to fail.

0:26:07.000 --> 0:26:09.919
<v Speaker 1>But she's doing pretty good. She's made it through the

0:26:09.960 --> 0:26:13.760
<v Speaker 1>first week of training. She's getting the hang of things.

0:26:13.960 --> 0:26:17.440
<v Speaker 1>She's getting into peak physical shape, doing a lot of

0:26:17.920 --> 0:26:20.800
<v Speaker 1>you know, pull ups and push ups, but not wearing

0:26:20.880 --> 0:26:24.360
<v Speaker 1>a sports bra, which I don't know why you do that.

0:26:24.680 --> 0:26:26.800
<v Speaker 2>She wants to be just like everyone else. They're not

0:26:26.880 --> 0:26:28.480
<v Speaker 2>wearing a sports bra. Why should she?

0:26:29.080 --> 0:26:34.520
<v Speaker 1>Yeah, exactly, And she's starting to earn the respect of

0:26:34.600 --> 0:26:39.600
<v Speaker 1>some of the men, though others like Cortes and Slavnik

0:26:40.160 --> 0:26:44.600
<v Speaker 1>still have this like sexist rivalry, which.

0:26:44.760 --> 0:26:47.040
<v Speaker 2>Which is the sort of part of what's at the

0:26:47.040 --> 0:26:49.439
<v Speaker 2>core of her very feminist goal is to earn their

0:26:49.440 --> 0:26:50.200
<v Speaker 2>respective men.

0:26:51.080 --> 0:26:52.000
<v Speaker 1>Exactly. Yes.

0:26:52.119 --> 0:26:52.760
<v Speaker 3>Absolutely.

0:26:53.560 --> 0:26:57.080
<v Speaker 1>Then there's a part where Jordan struggles to pull her

0:26:57.359 --> 0:27:01.480
<v Speaker 1>own body weight onto a raft that's speeding by, so

0:27:01.600 --> 0:27:04.920
<v Speaker 1>the master Chief questions if she's strong enough to be there.

0:27:05.800 --> 0:27:08.919
<v Speaker 1>And this is happening in a scene where she's taking

0:27:09.040 --> 0:27:12.280
<v Speaker 1>a shower and he just comes in and she's naked

0:27:12.640 --> 0:27:14.360
<v Speaker 1>and they're both just like shrug.

0:27:14.880 --> 0:27:17.120
<v Speaker 3>This is the scene where Israel is mentioned. Yeah, drink

0:27:18.040 --> 0:27:19.800
<v Speaker 3>d we have an Israel mentioned.

0:27:20.520 --> 0:27:23.879
<v Speaker 2>That was like in a scene where you're already like

0:27:24.000 --> 0:27:26.159
<v Speaker 2>flat on your ass, like what am I watching? And

0:27:26.200 --> 0:27:28.959
<v Speaker 2>then he brings up Israel and it cuts to naked

0:27:28.960 --> 0:27:31.880
<v Speaker 2>Demi Moore. I'm like, what the fuck is this? What

0:27:31.920 --> 0:27:32.840
<v Speaker 2>are we doing?

0:27:33.240 --> 0:27:38.440
<v Speaker 1>He's like, you know, the IOF is awesome actually, and

0:27:39.560 --> 0:27:42.200
<v Speaker 1>then he's like, and you're too weak to be here anyway?

0:27:42.320 --> 0:27:44.720
<v Speaker 1>Want to be in charge of boat number six?

0:27:45.680 --> 0:27:49.080
<v Speaker 2>Well, and she also manages to get a girl Boston

0:27:49.359 --> 0:27:52.720
<v Speaker 2>there too, where she's like is it also talking sort

0:27:52.720 --> 0:27:56.359
<v Speaker 2>of in reference to I guess America and Israel, where

0:27:56.560 --> 0:27:59.560
<v Speaker 2>she's like, well, how did you get your little thing?

0:27:59.680 --> 0:28:01.800
<v Speaker 2>How did you get your little your metal? And it's

0:28:01.800 --> 0:28:06.000
<v Speaker 2>like saving a woman is bad, saving a man is good.

0:28:06.680 --> 0:28:10.520
<v Speaker 2>It makes you think. I was like this, you're naked.

0:28:12.280 --> 0:28:14.400
<v Speaker 2>He's your boss and you're naked. Like yeah.

0:28:14.880 --> 0:28:17.680
<v Speaker 1>So it's at this part of the story that I

0:28:17.720 --> 0:28:20.280
<v Speaker 1>really started to worry that they're gonna wedge in some

0:28:21.080 --> 0:28:24.800
<v Speaker 1>like love story between the two of them, because it

0:28:25.000 --> 0:28:28.080
<v Speaker 1>sort of starts to kind of I think in a

0:28:28.119 --> 0:28:30.959
<v Speaker 1>different movie, or maybe there was just another draft of

0:28:31.000 --> 0:28:34.080
<v Speaker 1>this script where like there was that Okay, I had.

0:28:34.000 --> 0:28:36.040
<v Speaker 2>A feeling, yeah, we'll talk about it. But there I

0:28:36.240 --> 0:28:38.760
<v Speaker 2>went through because I was like, why did this movie

0:28:38.880 --> 0:28:43.120
<v Speaker 2>not get Because there's I mean, the whole military entertainment

0:28:43.160 --> 0:28:47.239
<v Speaker 2>complex usually comes down to weirdly like one guy, and

0:28:47.280 --> 0:28:49.640
<v Speaker 2>it was one guy for like thirty five years, who

0:28:49.680 --> 0:28:51.440
<v Speaker 2>would be the one to decide if you are going

0:28:51.520 --> 0:28:54.240
<v Speaker 2>to get the full force support of the American military

0:28:54.280 --> 0:28:57.760
<v Speaker 2>to make your shitty movie. And this one guy ended

0:28:57.840 --> 0:29:00.440
<v Speaker 2>up saying no and not signing off on g Jane.

0:29:00.440 --> 0:29:03.120
<v Speaker 2>And one of one of the original reasons that Ridley

0:29:03.120 --> 0:29:06.320
<v Speaker 2>Scott did agree to change was that she was originally

0:29:06.440 --> 0:29:12.280
<v Speaker 2>dating her superior in the Navy, which I'm assuming would

0:29:12.280 --> 0:29:14.600
<v Speaker 2>have been the Vigo Mortenson character. So that might just

0:29:14.640 --> 0:29:17.040
<v Speaker 2>be left over from that, I'm not sure.

0:29:17.320 --> 0:29:19.960
<v Speaker 1>But yeah, I'm like, why is this scene here where

0:29:20.000 --> 0:29:27.320
<v Speaker 1>he's like, it's not overtly sexualized, but she isn't the shower,

0:29:27.360 --> 0:29:29.080
<v Speaker 1>but he is kind of like looking her up and

0:29:29.120 --> 0:29:31.720
<v Speaker 1>down and she is naked and he's not, and so

0:29:31.800 --> 0:29:33.160
<v Speaker 1>it's very bizarre and.

0:29:33.120 --> 0:29:37.080
<v Speaker 3>They get very close to face to face. Yeah, it

0:29:37.160 --> 0:29:40.880
<v Speaker 3>is introducing sexual tension here, and it feels like very

0:29:40.920 --> 0:29:43.640
<v Speaker 3>overtly we're supposed to think Demi Moore is hot, Demi

0:29:43.640 --> 0:29:44.600
<v Speaker 3>Moore is sexy, you know.

0:29:45.000 --> 0:29:48.040
<v Speaker 1>Yeah, yeah, so the movie doesn't culminate in any kind

0:29:48.040 --> 0:29:51.360
<v Speaker 1>of love story between them, but it feels like it

0:29:51.440 --> 0:29:55.280
<v Speaker 1>was like starting to drop some hints anyway. Then there's

0:29:55.440 --> 0:30:02.080
<v Speaker 1>this like simulation mission thing. It's I'm like Capture the Flag,

0:30:02.200 --> 0:30:07.920
<v Speaker 1>but like military Industrial Complex style, where Jordan leads her team.

0:30:08.320 --> 0:30:14.400
<v Speaker 1>She's delegating tasks, but Cortes and Slovnik refuse to take

0:30:14.520 --> 0:30:18.640
<v Speaker 1>orders from her because she's a woman, and they get

0:30:18.640 --> 0:30:24.440
<v Speaker 1>themselves and everyone else on the team captured. The master

0:30:24.560 --> 0:30:27.880
<v Speaker 1>Chief beats the shit out of Jordan. He acts like

0:30:27.960 --> 0:30:29.240
<v Speaker 1>he might rape.

0:30:28.920 --> 0:30:30.640
<v Speaker 3>Her in front of everybody.

0:30:30.720 --> 0:30:35.480
<v Speaker 1>Yeah, in front of everybody, because by their logic, this

0:30:35.640 --> 0:30:39.040
<v Speaker 1>is what she quote unquote wanted for them to not

0:30:39.240 --> 0:30:43.200
<v Speaker 1>go easy on her just because she's a woman, But

0:30:43.680 --> 0:30:48.280
<v Speaker 1>she doesn't give up any information. Then she fights back

0:30:48.360 --> 0:30:51.200
<v Speaker 1>and kicks the shit out of the master Chief and

0:30:51.240 --> 0:30:51.880
<v Speaker 1>this is when she.

0:30:51.880 --> 0:30:53.480
<v Speaker 2>Goes suck my deck.

0:30:54.880 --> 0:31:01.840
<v Speaker 1>And now he respects her and so her other fellow

0:31:01.960 --> 0:31:06.960
<v Speaker 1>trainees enough to invite her out for a drink when

0:31:07.000 --> 0:31:08.760
<v Speaker 1>they have some R and R time.

0:31:08.800 --> 0:31:12.800
<v Speaker 2>Which also it's so frustrating, where like her sort of

0:31:12.920 --> 0:31:19.160
<v Speaker 2>one pal who is always like she's whatever, the feminism

0:31:19.240 --> 0:31:23.520
<v Speaker 2>nurse or whatever, but she like this is another sort

0:31:23.520 --> 0:31:27.400
<v Speaker 2>of decisive moment for the debianmore character where she's like

0:31:27.600 --> 0:31:29.840
<v Speaker 2>she tells the other girls She's like, I can't hang out.

0:31:30.080 --> 0:31:33.800
<v Speaker 2>The boys finally invited me. I'm like, god, you suck,

0:31:34.120 --> 0:31:34.600
<v Speaker 2>you suck.

0:31:35.000 --> 0:31:37.560
<v Speaker 1>Yeah, So she goes to hang out and drink with

0:31:37.600 --> 0:31:41.440
<v Speaker 1>the guys, but she also goes on the like little

0:31:41.920 --> 0:31:46.120
<v Speaker 1>beach picnic outing with the women at the training center,

0:31:46.280 --> 0:31:51.479
<v Speaker 1>who I think are mostly medics, and a reporter is

0:31:51.520 --> 0:31:56.360
<v Speaker 1>there taking more secret photos of the women, and the

0:31:56.880 --> 0:32:01.880
<v Speaker 1>high ranking men see the photos and pull Jordan aside

0:32:02.000 --> 0:32:05.400
<v Speaker 1>and say it looks like you were fraternizing with other

0:32:05.520 --> 0:32:10.920
<v Speaker 1>women in a gay way, and Jordan is like, no,

0:32:11.760 --> 0:32:15.600
<v Speaker 1>this is just women hanging out. But the men want

0:32:15.640 --> 0:32:18.040
<v Speaker 1>to pull her out of training and give her a

0:32:18.080 --> 0:32:22.320
<v Speaker 1>desk job, basically demote her, I think. And she's enraged

0:32:22.520 --> 0:32:25.640
<v Speaker 1>and she rings that bell that signals that you want

0:32:25.680 --> 0:32:29.040
<v Speaker 1>to quit the Navy seal training, and she leaves and

0:32:29.080 --> 0:32:35.720
<v Speaker 1>goes back home. Her boyfriend Royce is there. They reconcile

0:32:36.680 --> 0:32:39.880
<v Speaker 1>and he shows her some reports and letters and stuff,

0:32:40.160 --> 0:32:43.280
<v Speaker 1>and it seems like Senator de Haven, the woman who

0:32:43.400 --> 0:32:47.760
<v Speaker 1>was originally advocating for Jordan, is the one who hired

0:32:47.800 --> 0:32:51.080
<v Speaker 1>the photographer to sabotage Jordan's training.

0:32:51.320 --> 0:32:53.680
<v Speaker 3>Yeah, it turns out she's a cowardly bitchous.

0:32:53.960 --> 0:32:55.120
<v Speaker 2>She really is.

0:32:55.960 --> 0:32:59.160
<v Speaker 1>And these are the reasons that I only very vaguely

0:32:59.280 --> 0:33:03.920
<v Speaker 1>understand and can barely articulate. But it's something like she

0:33:04.560 --> 0:33:06.880
<v Speaker 1>I think she's a senator in Texas and there are

0:33:06.880 --> 0:33:09.880
<v Speaker 1>these different military bases in Texas that are in danger

0:33:09.920 --> 0:33:13.520
<v Speaker 1>of being shut down. So she kind of like trades,

0:33:14.080 --> 0:33:18.480
<v Speaker 1>does some kind of trade with someone to prevent the

0:33:18.800 --> 0:33:21.200
<v Speaker 1>basis from being shut down in exchange for kind of

0:33:21.240 --> 0:33:25.320
<v Speaker 1>selling out Jordan, I think, is what was happening, right.

0:33:25.200 --> 0:33:28.880
<v Speaker 3>Yeah, Like she's gonna lose reelection if these bases get

0:33:29.000 --> 0:33:31.920
<v Speaker 3>shut down, like the voters right will turn against her

0:33:32.080 --> 0:33:35.840
<v Speaker 3>or something. And so with this threat looming, she saves

0:33:35.840 --> 0:33:39.560
<v Speaker 3>the bases over saving Jordan, right.

0:33:39.840 --> 0:33:42.760
<v Speaker 2>Right, which of course a senator would do, right. But

0:33:42.800 --> 0:33:45.520
<v Speaker 2>it's like this is where like the ultimate dissonance comes

0:33:45.520 --> 0:33:49.000
<v Speaker 2>in where she's like, no, that I need to be

0:33:49.080 --> 0:33:53.120
<v Speaker 2>a Navy seal, and it's like, lady, you don't. You

0:33:53.200 --> 0:33:56.560
<v Speaker 2>do not need to be a Navy There is a

0:33:56.600 --> 0:33:59.160
<v Speaker 2>funny like there's like a repeated it's just like a

0:33:59.160 --> 0:34:03.040
<v Speaker 2>bad writing thing. But the Anne Bancroft character this seed

0:34:03.320 --> 0:34:05.200
<v Speaker 2>says a few different times she's like, well if you

0:34:05.280 --> 0:34:08.040
<v Speaker 2>think you're going to change my mind, then pull up

0:34:08.040 --> 0:34:10.520
<v Speaker 2>a chair, or like go to sleep, or like you're

0:34:10.520 --> 0:34:12.759
<v Speaker 2>going to be here for a long time.

0:34:12.600 --> 0:34:13.640
<v Speaker 3>Past your time.

0:34:14.400 --> 0:34:17.680
<v Speaker 2>Yes, I was like, what do you okay?

0:34:18.160 --> 0:34:22.840
<v Speaker 1>Whatever, So Jordan threatens to expose the senator for being

0:34:23.280 --> 0:34:27.480
<v Speaker 1>a lying piece of shit. I guess unless de Haven

0:34:28.280 --> 0:34:32.200
<v Speaker 1>gets Jordan back into the Navy Seals training program. Cut

0:34:32.239 --> 0:34:37.440
<v Speaker 1>to Jordan returns to complete her training and she and

0:34:37.520 --> 0:34:40.920
<v Speaker 1>the others are about to do I think this is

0:34:40.960 --> 0:34:45.480
<v Speaker 1>sort of like their last thing and operational readiness exercise

0:34:46.080 --> 0:34:50.600
<v Speaker 1>in the Mediterranean Sea. But then they get called to

0:34:50.760 --> 0:34:54.759
<v Speaker 1>go on a real life military mission in Libya.

0:34:54.960 --> 0:34:57.759
<v Speaker 3>Yeah, like, and they're not done with training yet, and

0:34:57.880 --> 0:35:00.719
<v Speaker 3>they're being asked like, okay, no, you got to do

0:35:01.600 --> 0:35:07.080
<v Speaker 3>Navy Seal mission right now? Yes, And I've seeing how

0:35:07.120 --> 0:35:11.320
<v Speaker 3>fucked up these people are, right right, what an amateur

0:35:11.360 --> 0:35:13.320
<v Speaker 3>show this is.

0:35:13.520 --> 0:35:16.720
<v Speaker 1>I'm like, I don't think they're ready, and the mission

0:35:16.800 --> 0:35:19.200
<v Speaker 1>is also vague, but I think they have to do

0:35:19.239 --> 0:35:24.200
<v Speaker 1>some sort of rescue or extraction thing. I'm guessing rescuing

0:35:24.239 --> 0:35:28.080
<v Speaker 1>some American soldiers in Libya. And we'll talk about the

0:35:28.120 --> 0:35:33.440
<v Speaker 1>way the country and Libyan characters are portrayed. But yeah,

0:35:33.520 --> 0:35:38.000
<v Speaker 1>basically there's you know, a big third act battle. The

0:35:38.040 --> 0:35:42.719
<v Speaker 1>Master Chief needs to be saved and Jordan kind of

0:35:42.760 --> 0:35:46.400
<v Speaker 1>takes charge. She's giving orders, and then she ultimately gets

0:35:46.520 --> 0:35:49.880
<v Speaker 1>the Master Chief to safety. They make it out, and

0:35:49.920 --> 0:35:54.960
<v Speaker 1>they return to the US, where Jordan officially makes it

0:35:55.080 --> 0:36:00.960
<v Speaker 1>into the Navy Seals after successfully completing her training. The

0:36:01.800 --> 0:36:07.640
<v Speaker 1>end y we so let's take another quick break and

0:36:07.680 --> 0:36:23.959
<v Speaker 1>we'll come back to discuss, and we're back where to begin, Oh,

0:36:24.000 --> 0:36:28.640
<v Speaker 1>Ash Rhannon, is anything jumping to you?

0:36:28.640 --> 0:36:30.920
<v Speaker 3>You know, it really is hard to choose. Is it

0:36:31.000 --> 0:36:34.200
<v Speaker 3>the racism, the orientalism? Is it? You know that this

0:36:35.040 --> 0:36:41.920
<v Speaker 3>really military propaganda. Is it the dissonant and illogical, superficial feminism,

0:36:42.640 --> 0:36:46.200
<v Speaker 3>it's it's it's they're so difficult.

0:36:45.680 --> 0:36:45.880
<v Speaker 2>You know.

0:36:46.400 --> 0:36:49.920
<v Speaker 3>I think something that stuck with me throughout every scene

0:36:50.040 --> 0:36:57.080
<v Speaker 3>in which Jordan is insulted or even like sabotaged, you

0:36:57.120 --> 0:37:02.600
<v Speaker 3>know her, the fellow Navy Sealed trainees, you know, actively

0:37:02.640 --> 0:37:06.040
<v Speaker 3>try to sabotage her and make her look bad every time,

0:37:06.480 --> 0:37:11.080
<v Speaker 3>even and I think this culminates in the scenes where

0:37:11.120 --> 0:37:15.880
<v Speaker 3>they're doing this sear training, the capture of the flag exercise. Right,

0:37:16.200 --> 0:37:19.239
<v Speaker 3>It really culminates in this in this part where Vigo

0:37:19.320 --> 0:37:22.680
<v Speaker 3>Mortensen physically assault her. I mean, it's a really it's

0:37:22.680 --> 0:37:26.400
<v Speaker 3>actually like difficult to watch. It's like she's actually getting

0:37:26.560 --> 0:37:30.200
<v Speaker 3>like truly truly violently beat up, and then he acts

0:37:30.200 --> 0:37:33.879
<v Speaker 3>like he's about to sexually assault her in front of everybody.

0:37:34.280 --> 0:37:37.440
<v Speaker 3>There's blood, like all of this stuff. What is sticking

0:37:37.440 --> 0:37:41.880
<v Speaker 3>with me throughout every single one of these horrifically sexist

0:37:42.400 --> 0:37:47.160
<v Speaker 3>examples is not that anybody like learns a true lesson

0:37:47.200 --> 0:37:51.240
<v Speaker 3>about sexism or that that kind of overt sexism is wrong.

0:37:51.760 --> 0:37:57.160
<v Speaker 3>It's that Jordan overcomes it. And actually, you know, master

0:37:57.239 --> 0:37:59.840
<v Speaker 3>Chief Vigo Morten said, did it all for the right reason,

0:38:00.280 --> 0:38:03.560
<v Speaker 3>so that she could prove herself, so that the team

0:38:03.640 --> 0:38:07.440
<v Speaker 3>will get behind her. You know. Afterwards he tells an officer,

0:38:07.719 --> 0:38:09.879
<v Speaker 3>another officer who says like, hey, I think you kind

0:38:09.880 --> 0:38:12.120
<v Speaker 3>of went too far on that. He tells an officer,

0:38:12.200 --> 0:38:15.759
<v Speaker 3>you don't get it. She isn't the problem we are,

0:38:16.520 --> 0:38:18.719
<v Speaker 3>and I did right, like, I did it for all

0:38:18.760 --> 0:38:22.799
<v Speaker 3>the right reasons. And this is the entire movie. It's

0:38:22.960 --> 0:38:24.920
<v Speaker 3>really sick, yeah.

0:38:24.840 --> 0:38:27.520
<v Speaker 1>Right, and it's they don't, like you said, no one

0:38:27.560 --> 0:38:31.600
<v Speaker 1>really learns anything. It's just that she has sort of

0:38:31.840 --> 0:38:37.640
<v Speaker 1>assimilated into man behavior quote unquote yes, which is the

0:38:37.719 --> 0:38:41.600
<v Speaker 1>problem with any sort of girl Boss feminism where it's like,

0:38:42.239 --> 0:38:47.200
<v Speaker 1>women can uphold imperial institutions too, women can commit war

0:38:47.320 --> 0:38:50.680
<v Speaker 1>crimes too, and that's the logic of the movie.

0:38:50.760 --> 0:38:53.080
<v Speaker 2>I feel like this movie even takes out a step

0:38:53.440 --> 0:38:57.320
<v Speaker 2>further where, like I like, in your prescriptive girl Boss narrative,

0:38:57.440 --> 0:39:01.800
<v Speaker 2>it's like, oh, yes, women can commit horrific atrocities, women

0:39:01.880 --> 0:39:04.600
<v Speaker 2>can be billionaires, women can do you know, A, B

0:39:04.719 --> 0:39:08.080
<v Speaker 2>and C. But this one is also predicated to the

0:39:08.080 --> 0:39:12.240
<v Speaker 2>fact that like, like, her whole mission is to be

0:39:12.360 --> 0:39:16.600
<v Speaker 2>treated like a man likes it's yeah, you know, Sheryl

0:39:16.640 --> 0:39:19.560
<v Speaker 2>Sandberg shit where I feel like it's even worse where

0:39:19.560 --> 0:39:22.880
<v Speaker 2>I feel in some girl Boss narratives it's like, oh,

0:39:23.040 --> 0:39:25.919
<v Speaker 2>and now the guns are pink or whatever the fuck

0:39:26.200 --> 0:39:28.719
<v Speaker 2>She's like, she's not even asking for the gun to

0:39:28.760 --> 0:39:32.319
<v Speaker 2>be pink, like she's She's like, I want to do

0:39:32.400 --> 0:39:35.279
<v Speaker 2>war crimes just like everyone else. I she is so

0:39:36.040 --> 0:39:40.080
<v Speaker 2>vested in not questioning the system she's participating in to

0:39:40.320 --> 0:39:43.640
<v Speaker 2>a kind of scary degree. She has no question. Yes,

0:39:43.680 --> 0:39:47.400
<v Speaker 2>her mission is to be completely swallowed whole by it.

0:39:47.560 --> 0:39:49.319
<v Speaker 3>Yeah, let me prove it to you. I can do

0:39:49.600 --> 0:39:51.920
<v Speaker 3>I can do war crimes. I'm actually really good at it.

0:39:51.920 --> 0:39:54.239
<v Speaker 3>If you would just let me, you just beat me

0:39:54.320 --> 0:39:55.320
<v Speaker 3>up like everybody else.

0:39:55.440 --> 0:39:57.360
<v Speaker 1>Yeah, I don't care about feminism. I'm not trying to

0:39:57.400 --> 0:40:00.200
<v Speaker 1>be some poster child for women's rights. I just want

0:40:00.719 --> 0:40:04.160
<v Speaker 1>to be a bloodthirsty war.

0:40:04.040 --> 0:40:07.520
<v Speaker 2>Criminal, right, And that's I do think it's like an

0:40:07.600 --> 0:40:11.080
<v Speaker 2>interesting idea, not in the scope of this movie at all.

0:40:11.080 --> 0:40:13.440
<v Speaker 2>It is an interesting idea to not want to be

0:40:13.560 --> 0:40:15.680
<v Speaker 2>the poster child for something. I think that that is

0:40:15.719 --> 0:40:19.759
<v Speaker 2>like an interesting narrative tension. But in the context of

0:40:19.840 --> 0:40:25.280
<v Speaker 2>this movie, it makes her an even more confusing character because,

0:40:25.560 --> 0:40:27.600
<v Speaker 2>like I get to the extent that she doesn't want

0:40:27.600 --> 0:40:29.400
<v Speaker 2>to be a poster child. She doesn't want the media

0:40:29.440 --> 0:40:32.000
<v Speaker 2>to hyper fixate on her. That's fair, right, Like she

0:40:32.040 --> 0:40:34.680
<v Speaker 2>doesn't want all these things to happen, But like she

0:40:34.840 --> 0:40:38.759
<v Speaker 2>doesn't even take issue with the sexism that she does experience,

0:40:39.360 --> 0:40:42.400
<v Speaker 2>Like she gets annoyed when like the I mean in

0:40:42.440 --> 0:40:46.160
<v Speaker 2>the beginning where the I don't know what the fucking

0:40:46.200 --> 0:40:49.719
<v Speaker 2>title is, but the first guy she meets before Vigo Mortensen,

0:40:50.560 --> 0:40:53.319
<v Speaker 2>lays out sort of like, Okay, here is what we're

0:40:53.360 --> 0:40:57.080
<v Speaker 2>going to do to sort of protect you from what

0:40:57.280 --> 0:41:00.360
<v Speaker 2>is almost certain to be a very hostile group of

0:41:00.360 --> 0:41:04.360
<v Speaker 2>people towards you. Yeah, and she's like, no, I don't

0:41:04.400 --> 0:41:08.279
<v Speaker 2>want to be like, which is just sending what I mean.

0:41:08.320 --> 0:41:12.560
<v Speaker 2>This expands so much because like, obviously there is real

0:41:12.600 --> 0:41:16.080
<v Speaker 2>life misogyny and homophobia in the military which is shown here,

0:41:16.120 --> 0:41:19.759
<v Speaker 2>but it has no interest in questioning those policies. It's

0:41:19.800 --> 0:41:23.160
<v Speaker 2>just questioning it in regards to this one character who's like,

0:41:23.200 --> 0:41:26.600
<v Speaker 2>I don't care about that. So what is this movie

0:41:26.640 --> 0:41:29.960
<v Speaker 2>even trying to accomplish. Yeah, it feels like it's just

0:41:30.400 --> 0:41:35.560
<v Speaker 2>trying to not only enlist women into the American imperial project,

0:41:35.680 --> 0:41:41.560
<v Speaker 2>it's also saying be quiet about the like about the

0:41:41.640 --> 0:41:45.000
<v Speaker 2>gender discrimination you've heard about? Shut up, Like if you

0:41:45.040 --> 0:41:48.120
<v Speaker 2>were a real soldier, you wouldn't quote unquote complain about it.

0:41:48.239 --> 0:41:52.279
<v Speaker 3>Yeah, and any even minuscule nod to like, oh, there

0:41:52.360 --> 0:41:55.560
<v Speaker 3>might be a systemic problem here. For example, when Vigo

0:41:55.600 --> 0:41:59.320
<v Speaker 3>Mortensen after almost killing me more like we're supposed to

0:41:59.440 --> 0:42:03.600
<v Speaker 3>understand right by physical assault in front of people. After

0:42:03.640 --> 0:42:05.319
<v Speaker 3>he does this, and he says the thing about like

0:42:05.840 --> 0:42:08.800
<v Speaker 3>she isn't the problem we are and this is why,

0:42:08.840 --> 0:42:11.440
<v Speaker 3>this is why I did this, right saying we are

0:42:11.640 --> 0:42:14.319
<v Speaker 3>if he's referring to like whatever, the US military or

0:42:14.400 --> 0:42:18.040
<v Speaker 3>something like, there's no there's no then like next step,

0:42:18.080 --> 0:42:20.319
<v Speaker 3>which is like, okay, if this is if you're saying

0:42:20.320 --> 0:42:24.200
<v Speaker 3>this is a systemic problem here, there's no next step

0:42:24.239 --> 0:42:27.200
<v Speaker 3>of like, oh, how might we fix that? The solution

0:42:27.440 --> 0:42:30.600
<v Speaker 3>is like again, honorably, I beat her up in front

0:42:30.600 --> 0:42:33.120
<v Speaker 3>of people, right, Like.

0:42:33.040 --> 0:42:36.280
<v Speaker 2>It's it's not even like there's not even an interest

0:42:36.400 --> 0:42:40.480
<v Speaker 2>in like accomplishing a very like what also would have

0:42:40.520 --> 0:42:45.000
<v Speaker 2>been a bullshit like centrist propaganda to this movie. Ye, yeah,

0:42:45.000 --> 0:42:48.080
<v Speaker 2>it can't even do that because the movie also hates

0:42:48.120 --> 0:42:51.160
<v Speaker 2>their Nancy Pelosi character. So it's like, I don't know

0:42:51.160 --> 0:42:53.000
<v Speaker 2>what to do with that, Like, I mean, it's a

0:42:53.160 --> 0:42:55.200
<v Speaker 2>it's a right wing movie totally.

0:42:55.400 --> 0:42:55.600
<v Speaker 3>Yeah.

0:42:55.680 --> 0:42:59.879
<v Speaker 1>I mean, like it seems to be saying, well, there's

0:43:00.040 --> 0:43:03.000
<v Speaker 1>sexism everywhere, so of course there's going to be sexism

0:43:03.040 --> 0:43:06.960
<v Speaker 1>in the military, but the movie is like otherwise completely

0:43:07.360 --> 0:43:12.400
<v Speaker 1>uncritical of any systemic issues within the military and the

0:43:12.400 --> 0:43:16.920
<v Speaker 1>military itself, which is a tool to uphold US imperialism.

0:43:16.320 --> 0:43:19.600
<v Speaker 3>And do lots of violence, including sexist violence. All over

0:43:19.640 --> 0:43:20.560
<v Speaker 3>the world, you know.

0:43:20.760 --> 0:43:21.400
<v Speaker 2>For sure.

0:43:21.800 --> 0:43:25.960
<v Speaker 1>And it's basically just saying like, yeah, the military is

0:43:25.960 --> 0:43:29.000
<v Speaker 1>is awesome and women should want to be a part

0:43:29.080 --> 0:43:32.720
<v Speaker 1>of it. And that type of jingoism is still being

0:43:32.840 --> 0:43:36.480
<v Speaker 1>used today, obviously not only to recruit for the military,

0:43:36.520 --> 0:43:42.760
<v Speaker 1>but to recruit ICE agents. I've seen people likening the

0:43:42.800 --> 0:43:46.960
<v Speaker 1>signing bonus and the relatively high salaries for ICE agents,

0:43:47.719 --> 0:43:52.360
<v Speaker 1>likening that to incentives the military has historically offered to

0:43:52.640 --> 0:43:54.880
<v Speaker 1>encourage people to enlist.

0:43:55.120 --> 0:43:58.680
<v Speaker 2>So and the fact that the Viga Mortensen character, you know,

0:43:59.080 --> 0:44:04.560
<v Speaker 2>references the IDF in the scope of by far the

0:44:04.719 --> 0:44:07.359
<v Speaker 2>darkest scene in the movie to be there, and it's

0:44:07.360 --> 0:44:10.319
<v Speaker 2>a hard contest because he also almost kills her. I

0:44:10.320 --> 0:44:14.680
<v Speaker 2>mean that is used in IDF logic all the time,

0:44:15.280 --> 0:44:18.120
<v Speaker 2>is that like, we love women and women are a

0:44:18.160 --> 0:44:22.359
<v Speaker 2>part of it. When it's conscripting to a genocide. It's

0:44:22.520 --> 0:44:25.040
<v Speaker 2>just I don't know. I was so shocked at how

0:44:25.560 --> 0:44:29.279
<v Speaker 2>how this movie wouldn't even get to I guess the

0:44:29.400 --> 0:44:34.279
<v Speaker 2>very low nineteen nineties girl boss feminism. It doesn't even

0:44:34.440 --> 0:44:35.600
<v Speaker 2>like clear that.

0:44:37.239 --> 0:44:40.440
<v Speaker 1>No, it sure doesn't. And then you have the whole

0:44:40.480 --> 0:44:45.320
<v Speaker 1>third act of the movie, which is this mission in Libya,

0:44:46.280 --> 0:44:50.439
<v Speaker 1>where again unclear exactly what they're doing. It says they're

0:44:50.480 --> 0:44:53.360
<v Speaker 1>doing an extraction thing, but I don't think we ever see.

0:44:53.120 --> 0:44:58.520
<v Speaker 2>That, which based on the documents, not to be a spy,

0:44:58.760 --> 0:45:02.239
<v Speaker 2>but but based on the documents that I was saying,

0:45:02.480 --> 0:45:05.800
<v Speaker 2>that is very, very intentional, and I think that reminds

0:45:05.840 --> 0:45:08.800
<v Speaker 2>me of like a lot of when the American military

0:45:08.960 --> 0:45:12.600
<v Speaker 2>is involved in a movie. They never want to draw

0:45:12.680 --> 0:45:15.720
<v Speaker 2>your attention to exactly what is being done in the movie.

0:45:15.760 --> 0:45:18.319
<v Speaker 2>That's why in the most recent I didn't see it,

0:45:18.360 --> 0:45:20.960
<v Speaker 2>but in like the Top Gun reboot, they're fighting a

0:45:21.000 --> 0:45:23.600
<v Speaker 2>country that doesn't even exist, unnamed.

0:45:23.960 --> 0:45:27.239
<v Speaker 1>Yeah, so vague. Yeah, I remember that about that.

0:45:27.600 --> 0:45:30.279
<v Speaker 2>So that's very much a part of the playbook where

0:45:30.280 --> 0:45:33.040
<v Speaker 2>they're like, Okay, we're willing to name the country that

0:45:33.080 --> 0:45:35.719
<v Speaker 2>we are killing civilians in, but we don't want to

0:45:35.760 --> 0:45:38.120
<v Speaker 2>say exactly what we're doing or what the goal is

0:45:38.160 --> 0:45:40.000
<v Speaker 2>because you don't want to think about that too hard

0:45:40.120 --> 0:45:41.480
<v Speaker 2>because it's violent. Yeah.

0:45:41.520 --> 0:45:45.360
<v Speaker 3>A couple mentions of the word plutonium, right, like satellite cells.

0:45:45.360 --> 0:45:48.280
<v Speaker 3>It is like something extraction, right, and it's just supposed

0:45:48.280 --> 0:45:50.720
<v Speaker 3>to be like it's it is shoving. It is shoving.

0:45:50.760 --> 0:45:53.960
<v Speaker 3>Imperial violence down your throat, but to such a vagueness

0:45:54.000 --> 0:45:58.359
<v Speaker 3>that like you are assumed to be on their side anyway, right,

0:45:58.480 --> 0:46:01.360
<v Speaker 3>Like you're this is acceptable because surely what's going on

0:46:01.400 --> 0:46:04.480
<v Speaker 3>in Libya is bad and those are bad guys doing it, right,

0:46:04.600 --> 0:46:08.960
<v Speaker 3>Like that's there's this baseline assumption not criticized or not

0:46:09.080 --> 0:46:10.560
<v Speaker 3>like engaged.

0:46:10.360 --> 0:46:14.160
<v Speaker 2>At all to right, like it's just playing on prejudices.

0:46:14.200 --> 0:46:16.400
<v Speaker 2>They're assuming the audience already has.

0:46:16.520 --> 0:46:20.480
<v Speaker 1>Right the idea that like, well, we're in an Arab country,

0:46:20.760 --> 0:46:24.800
<v Speaker 1>so of course it's full of terrorists and those people's

0:46:24.840 --> 0:46:28.239
<v Speaker 1>lives are expendable, and the Navy has carte blanche to

0:46:28.800 --> 0:46:34.000
<v Speaker 1>shoot and kill whoever because they are the enemy. And

0:46:34.080 --> 0:46:38.120
<v Speaker 1>even before Libya gets mentioned, someone says like, oh, we're

0:46:38.120 --> 0:46:41.640
<v Speaker 1>getting called to this mission where Iran Iraq and it's

0:46:41.719 --> 0:46:45.880
<v Speaker 1>like no, another one, another enemy country, quote unquote. So

0:46:46.800 --> 0:46:50.080
<v Speaker 1>and then just like the way the country of Libya

0:46:50.320 --> 0:46:53.719
<v Speaker 1>is portrayed, the score that starts playing once where.

0:46:53.480 --> 0:46:58.040
<v Speaker 3>In Libya stereotypical like arrul, which is like a Arab

0:46:58.080 --> 0:47:02.480
<v Speaker 3>Middle Eastern ancient kind of wind is instrument, is the score.

0:47:02.560 --> 0:47:06.120
<v Speaker 3>So you're like, oh, they're in Arabia, yep, they're landing

0:47:06.160 --> 0:47:08.400
<v Speaker 3>on the beach in Arabia.

0:47:07.920 --> 0:47:10.919
<v Speaker 2>Right, Like, truly, at every level this movie is trying

0:47:10.960 --> 0:47:13.040
<v Speaker 2>to play on American prejudices.

0:47:13.480 --> 0:47:17.040
<v Speaker 1>Yeah, the way they make Libya look like this dusty barren,

0:47:17.560 --> 0:47:23.520
<v Speaker 1>decrepit wasteland, the brown filter they put on those scenes

0:47:23.520 --> 0:47:27.880
<v Speaker 1>in post production that makes everything just look dusty and dirty.

0:47:28.680 --> 0:47:31.680
<v Speaker 1>The way the people of Libya are presented, they're hostile,

0:47:31.719 --> 0:47:36.399
<v Speaker 1>They're needlessly violent, Like forget that the US Navy has

0:47:36.600 --> 0:47:40.480
<v Speaker 1>just invaded this country for unclear reasons and are killing

0:47:40.640 --> 0:47:42.359
<v Speaker 1>anyone they see and.

0:47:42.320 --> 0:47:44.320
<v Speaker 2>Will continue to for decades after.

0:47:44.800 --> 0:47:47.600
<v Speaker 1>Yeah, so just absolutely horrific.

0:47:48.040 --> 0:47:52.560
<v Speaker 2>And I think that like another I honestly do not

0:47:52.640 --> 0:47:55.120
<v Speaker 2>know the name of this character because I couldn't keep

0:47:55.160 --> 0:47:59.040
<v Speaker 2>track of all the boy names. But there is exactly

0:47:59.160 --> 0:48:01.440
<v Speaker 2>one black character who we get to know. This is

0:48:01.480 --> 0:48:05.879
<v Speaker 2>a very very very ugly play to make.

0:48:06.000 --> 0:48:07.040
<v Speaker 1>His name is mcool.

0:48:07.400 --> 0:48:12.320
<v Speaker 2>McCool. All the names are so silly, okay, so McCool. Also,

0:48:12.360 --> 0:48:14.879
<v Speaker 2>he has to give this speech while actively treading water,

0:48:15.080 --> 0:48:17.120
<v Speaker 2>which is like that doesn't seem fair to that actor,

0:48:17.160 --> 0:48:21.600
<v Speaker 2>but whatever. So that where, you know, and it's done

0:48:21.640 --> 0:48:25.680
<v Speaker 2>in this very nineties way where it's equating the struggle

0:48:25.680 --> 0:48:28.160
<v Speaker 2>of black soldiers with the struggle of women's soldiers as

0:48:28.200 --> 0:48:30.840
<v Speaker 2>if it's an identical struggle. But the only black soldier

0:48:30.840 --> 0:48:34.759
<v Speaker 2>we get to know is mcool apparently, and he references

0:48:35.480 --> 0:48:39.680
<v Speaker 2>very real prejudice in the American military against black people,

0:48:39.719 --> 0:48:43.040
<v Speaker 2>which is a very you know, it's an important thing

0:48:43.160 --> 0:48:46.440
<v Speaker 2>to talk about, like it is a very valid subject,

0:48:46.440 --> 0:48:50.399
<v Speaker 2>but it's brought up for all the wrong reasons. It's

0:48:50.440 --> 0:48:53.120
<v Speaker 2>brought up to say, like, oh, no, you know, g

0:48:53.320 --> 0:48:57.680
<v Speaker 2>I Jane, like, I totally understand your struggle, like because

0:48:57.680 --> 0:49:00.640
<v Speaker 2>my grandfather was treated this horrible way by Themerican military,

0:49:00.840 --> 0:49:05.080
<v Speaker 2>and then they proceed to push back on that system

0:49:05.120 --> 0:49:08.440
<v Speaker 2>not at all, like and especially in a movie that

0:49:08.600 --> 0:49:12.600
<v Speaker 2>is racist in general, that it feels like Ridley Scott

0:49:12.640 --> 0:49:15.120
<v Speaker 2>is like or the writers of this movie, sorry he

0:49:15.160 --> 0:49:21.760
<v Speaker 2>didn't write this, David Twohea and Danielle Alexandra girl Boss

0:49:23.239 --> 0:49:26.960
<v Speaker 2>what the fuck? But they you know, they're they're basically

0:49:27.000 --> 0:49:31.880
<v Speaker 2>weaponizing this true fact about how racist the American military

0:49:31.960 --> 0:49:35.959
<v Speaker 2>is to excuse all the other racism that the movie

0:49:36.000 --> 0:49:40.279
<v Speaker 2>is guilty of perpetrating. And also that's the only thing

0:49:40.320 --> 0:49:43.800
<v Speaker 2>we ever learned about McCool, we'd ever guess. Yeah, he

0:49:44.239 --> 0:49:46.600
<v Speaker 2>speaks in other scenes, like, I think all the guys

0:49:46.680 --> 0:49:49.600
<v Speaker 2>sort of with the exception of like the bully guy

0:49:49.680 --> 0:49:52.560
<v Speaker 2>and Viga Mortenson, they're all like about the same amount

0:49:52.600 --> 0:49:54.279
<v Speaker 2>of active in the scene, but the fact that they

0:49:54.360 --> 0:49:55.960
<v Speaker 2>go out of their way to be like, Oh, our

0:49:56.040 --> 0:49:59.960
<v Speaker 2>one black character, he and his family have experienced racism

0:50:00.880 --> 0:50:02.080
<v Speaker 2>and that's all we're gonna tell you.

0:50:02.239 --> 0:50:05.719
<v Speaker 1>And that's what defines him. Yeah. Yeah, because you have

0:50:05.840 --> 0:50:09.560
<v Speaker 1>like the Jim Cavizo character who's obsessed with tampons being

0:50:09.640 --> 0:50:10.120
<v Speaker 1>near him.

0:50:10.560 --> 0:50:12.160
<v Speaker 2>Yeah, that's the one thing we learn about him.

0:50:12.600 --> 0:50:17.759
<v Speaker 1>Yeah, Cortes Cortez is the guy who like sabotages her

0:50:17.800 --> 0:50:21.040
<v Speaker 1>and like doesn't help her over the wall. And then

0:50:21.440 --> 0:50:24.640
<v Speaker 1>Vigle Mortensen sees that and he's like, well, I better

0:50:24.840 --> 0:50:28.520
<v Speaker 1>combat this sexism by threatening to rape a woman in

0:50:28.600 --> 0:50:29.360
<v Speaker 1>front of everyone.

0:50:29.800 --> 0:50:32.880
<v Speaker 3>Yeah. Yeah, what you're never gonna get in this movie.

0:50:33.040 --> 0:50:36.799
<v Speaker 3>And look, I don't expect Hollywood to give this kind

0:50:36.840 --> 0:50:40.280
<v Speaker 3>of analysis to us. I'm not saying right in nineteen

0:50:40.360 --> 0:50:44.200
<v Speaker 3>ninety seven that Hollywood and Demi Moore we're gonna make

0:50:44.520 --> 0:50:47.560
<v Speaker 3>the kind of movie I'm about to describe. But you

0:50:47.840 --> 0:50:52.200
<v Speaker 3>never get from this movie that the US military is

0:50:52.280 --> 0:51:00.160
<v Speaker 3>inherently by design racist, sexist, transphobic, because it is an

0:51:00.200 --> 0:51:05.160
<v Speaker 3>expression of capitalism by imperialism. Right, these things are not

0:51:05.280 --> 0:51:10.360
<v Speaker 3>designed to be inclusive or diverse, right like this is,

0:51:10.560 --> 0:51:13.279
<v Speaker 3>this is this is a structure and a system that

0:51:13.440 --> 0:51:16.640
<v Speaker 3>truly is not reformable, Jamie, you said it earlier, like

0:51:16.719 --> 0:51:18.920
<v Speaker 3>this is a right wing movie, right like this is

0:51:19.360 --> 0:51:22.600
<v Speaker 3>and and and the military, the US military is like

0:51:22.800 --> 0:51:28.040
<v Speaker 3>a right wing conception, you know, a structure, and so yeah,

0:51:28.120 --> 0:51:30.400
<v Speaker 3>you're you're never gonna get that. You're gonna get. What

0:51:30.480 --> 0:51:34.520
<v Speaker 3>you're gonna get from this movie is a peak inside

0:51:35.200 --> 0:51:42.759
<v Speaker 3>quite a glamorized individual experiences of individual discrimination.

0:51:43.080 --> 0:51:43.239
<v Speaker 4>You know.

0:51:43.880 --> 0:51:47.560
<v Speaker 3>But but but not like, oh, you know, the US

0:51:47.680 --> 0:51:53.680
<v Speaker 3>military was racist during World War Two. It's still racist.

0:51:54.040 --> 0:51:58.640
<v Speaker 3>It's still super sexist, and like wonder, wonder what's going

0:51:58.680 --> 0:52:00.480
<v Speaker 3>on there, you know, But.

0:52:00.560 --> 0:52:03.480
<v Speaker 2>At the end of the day, it's the military we've got. Yeah,

0:52:03.640 --> 0:52:06.719
<v Speaker 2>and so I guess in a way it's really cool.

0:52:06.840 --> 0:52:08.760
<v Speaker 3>And at the end of the day they're shooting Arabs,

0:52:08.960 --> 0:52:11.000
<v Speaker 3>so that's great. You know.

0:52:11.440 --> 0:52:14.160
<v Speaker 2>That is like very much what the third act is

0:52:14.239 --> 0:52:20.040
<v Speaker 2>telling yeaheah, yeah, it's this movie is evil. Super Dark

0:52:20.239 --> 0:52:23.880
<v Speaker 2>has an evil and there's there's so much so I

0:52:23.920 --> 0:52:26.160
<v Speaker 2>wanted to We talked about this in a couple of

0:52:26.200 --> 0:52:28.320
<v Speaker 2>different episodes. I know we definitely talked about it in

0:52:28.400 --> 0:52:30.759
<v Speaker 2>our Top Gun episode. I believe we also talked about

0:52:30.760 --> 0:52:33.719
<v Speaker 2>it way back in the day in our Independence Day

0:52:34.360 --> 0:52:39.080
<v Speaker 2>episode and also Transformers because the American government, uh, the

0:52:39.120 --> 0:52:41.920
<v Speaker 2>American military was involved in the making of all of

0:52:42.000 --> 0:52:46.600
<v Speaker 2>these movies. Now, I mean I I did not finish it,

0:52:46.800 --> 0:52:49.680
<v Speaker 2>but I am bravely in the middle of watching a

0:52:49.800 --> 0:52:53.920
<v Speaker 2>documentary called Operation Hollywood, how the Pentagon shapes and censors movies.

0:52:54.440 --> 0:52:56.720
<v Speaker 2>It's f I've heard of this, Yeah, it's on YouTube

0:52:56.760 --> 0:52:58.799
<v Speaker 2>for free. It's from It's a little dated because it's

0:52:58.840 --> 0:53:00.920
<v Speaker 2>from I think it's from like the early to mid

0:53:01.000 --> 0:53:03.640
<v Speaker 2>two thousands, but it is a sort of breakdown of

0:53:03.719 --> 0:53:08.360
<v Speaker 2>exactly how this system works. So for listeners who haven't

0:53:09.200 --> 0:53:11.200
<v Speaker 2>heard of those other episodes or haven't heard us talk

0:53:11.200 --> 0:53:14.200
<v Speaker 2>about it in a while, Basically, there is a specific

0:53:14.360 --> 0:53:19.279
<v Speaker 2>job that is it's a guy named phil Essentially for

0:53:19.400 --> 0:53:21.239
<v Speaker 2>a long time at this time, it was a guy

0:53:21.719 --> 0:53:28.360
<v Speaker 2>named Philip Strubb who is the DoD's film liaison. Is

0:53:28.440 --> 0:53:30.919
<v Speaker 2>the name of the title, and so from nineteen eighty

0:53:31.040 --> 0:53:34.560
<v Speaker 2>nine to twenty eighteen. This was a job that basically

0:53:35.160 --> 0:53:39.200
<v Speaker 2>this guy would go over scripts that wanted to have

0:53:40.200 --> 0:53:44.359
<v Speaker 2>either bases or tanks, weapons, whatever it is, lent out

0:53:44.400 --> 0:53:48.040
<v Speaker 2>to them at a lower rate in exchange for reflecting

0:53:48.080 --> 0:53:51.440
<v Speaker 2>the American military in a positive way. It's a propaganda unit, right,

0:53:52.040 --> 0:53:54.560
<v Speaker 2>And to be clear, obviously there was a ton of

0:53:54.719 --> 0:53:58.880
<v Speaker 2>military propaganda in cinema, like going back to its very existence,

0:53:58.920 --> 0:54:01.399
<v Speaker 2>but it took them till the eighties to make this unit,

0:54:01.560 --> 0:54:05.879
<v Speaker 2>and it is in direct response to Top Gun. Top

0:54:05.920 --> 0:54:09.120
<v Speaker 2>Gun came out in eighty six and famously there was

0:54:09.200 --> 0:54:13.640
<v Speaker 2>a huge enlistment spike in response to its popularity, and

0:54:13.840 --> 0:54:16.920
<v Speaker 2>that was when the DoD I guess realized, well, if

0:54:17.000 --> 0:54:20.239
<v Speaker 2>this is going to be a trend in movies, we

0:54:20.400 --> 0:54:23.200
<v Speaker 2>want to be directly involved with it. And so that

0:54:23.400 --> 0:54:26.960
<v Speaker 2>is why this department was created. And it really does

0:54:27.120 --> 0:54:30.279
<v Speaker 2>seem to just be this guy. So every movie from

0:54:30.400 --> 0:54:32.640
<v Speaker 2>eighty nine to twenty eighteen is going through him. Now

0:54:32.680 --> 0:54:36.839
<v Speaker 2>it goes through this guy named David Evans. Very very

0:54:36.960 --> 0:54:40.560
<v Speaker 2>little is known about these guys by design, I am sure,

0:54:41.200 --> 0:54:44.400
<v Speaker 2>but there is there were a and again I cannot

0:54:44.440 --> 0:54:47.080
<v Speaker 2>vouch for this website, but a website called spy culture

0:54:47.160 --> 0:54:52.960
<v Speaker 2>dot com. Pretty cool sounds git they in Spy Culture Nature.

0:54:53.080 --> 0:54:56.600
<v Speaker 2>They did leak some documents. This is from a couple

0:54:56.600 --> 0:55:00.040
<v Speaker 2>of years ago how the Pentagon rewrote Gi Jane and

0:55:00.280 --> 0:55:03.480
<v Speaker 2>there are twenty five pages of documents that they were

0:55:03.560 --> 0:55:06.919
<v Speaker 2>able to access that were between the office of Ridley

0:55:06.960 --> 0:55:11.760
<v Speaker 2>Scott and Philip Strubb about this movie and with specificity

0:55:11.920 --> 0:55:15.279
<v Speaker 2>what exactly the DoD wanted changed about this movie and

0:55:15.440 --> 0:55:18.239
<v Speaker 2>what Ridley Scott's response is, what the concessions he did

0:55:18.360 --> 0:55:21.520
<v Speaker 2>make and the concessions that he didn't. And so the

0:55:21.640 --> 0:55:24.920
<v Speaker 2>long and short of it is that this movie was

0:55:25.040 --> 0:55:29.920
<v Speaker 2>not signed off by the DoD explicitly because it showed

0:55:30.120 --> 0:55:34.720
<v Speaker 2>that there's sexism in the Navy, and so they were like, sorry,

0:55:34.800 --> 0:55:39.000
<v Speaker 2>mister Scott, the premise is flawed. The Navy isn't sexist.

0:55:39.160 --> 0:55:40.439
<v Speaker 1>There's no sexism here.

0:55:41.320 --> 0:55:43.800
<v Speaker 2>But that does not mean that Ridley Scott did not

0:55:43.960 --> 0:55:48.200
<v Speaker 2>make significant concessions to this. So I'm just going to

0:55:48.239 --> 0:55:51.719
<v Speaker 2>read from this article what were the Pentagon's objections. They

0:55:51.760 --> 0:55:53.800
<v Speaker 2>didn't have any issue with the basic plot of a

0:55:53.840 --> 0:55:56.120
<v Speaker 2>woman going through special Forces training, but they did have

0:55:56.200 --> 0:55:58.920
<v Speaker 2>a problem with almost everything else. One problem was that

0:55:58.960 --> 0:56:01.520
<v Speaker 2>they didn't want the training identified as being for the

0:56:01.640 --> 0:56:04.720
<v Speaker 2>Navy Seals, but wanted Scott to invent a fictional special

0:56:04.880 --> 0:56:07.000
<v Speaker 2>unit that O'Neill was trying to get into. So again

0:56:07.120 --> 0:56:10.520
<v Speaker 2>that trend of like, let's not talk about exactly what

0:56:10.640 --> 0:56:13.600
<v Speaker 2>we're doing because then people might think about it. They

0:56:13.640 --> 0:56:16.800
<v Speaker 2>didn't like O'Neill's boyfriend being her superior, so that was changed.

0:56:17.560 --> 0:56:19.680
<v Speaker 2>A scene between the CEO at the training base and

0:56:19.760 --> 0:56:23.160
<v Speaker 2>O'Neil was considered too sexist, but Scott didn't want to

0:56:23.280 --> 0:56:26.959
<v Speaker 2>change that. O'Neill shaving her head was considered out of line,

0:56:27.400 --> 0:56:30.920
<v Speaker 2>and Scott replied can be negotiated, which I don't think

0:56:30.960 --> 0:56:34.320
<v Speaker 2>it was. But the scene where the chief confronts O'Neil

0:56:34.360 --> 0:56:37.000
<v Speaker 2>while she's naked and having a shower quote presents privacy

0:56:37.080 --> 0:56:41.040
<v Speaker 2>policy issues quote unquote, which Scott agreed to change, which

0:56:41.080 --> 0:56:44.400
<v Speaker 2>he didn't. A scene where a seal urinates in a

0:56:44.440 --> 0:56:47.000
<v Speaker 2>foxhole in front of O'Neil had the DoD conceding that

0:56:47.080 --> 0:56:49.919
<v Speaker 2>it addressed quote issues related to the presence of women

0:56:50.040 --> 0:56:54.080
<v Speaker 2>in frontline combat roles unquote, but quote carries no benefit

0:56:54.200 --> 0:56:57.160
<v Speaker 2>to the US Navy unquote. They also didn't like the

0:56:57.239 --> 0:57:01.360
<v Speaker 2>sequence depicting survival, evasion, resistance escape training, which sees the

0:57:01.480 --> 0:57:06.279
<v Speaker 2>masters chief imprisoning, waterboarding and beating up trainees, including the protagonist.

0:57:06.840 --> 0:57:09.600
<v Speaker 3>So that's it. That's that's it movie.

0:57:10.239 --> 0:57:14.320
<v Speaker 2>So those are the reasons why the DD did not

0:57:14.560 --> 0:57:17.160
<v Speaker 2>ultimately sign off on this movie. Because one of the

0:57:17.280 --> 0:57:23.240
<v Speaker 2>heroes waterboards another hero, however, that does not mean that significant.

0:57:23.600 --> 0:57:26.880
<v Speaker 2>So I guess the question is what is the agenda

0:57:27.000 --> 0:57:29.040
<v Speaker 2>of this movie if not to get the support of

0:57:29.080 --> 0:57:32.320
<v Speaker 2>the DoD, because it doesn't and Redley Scott does not

0:57:32.960 --> 0:57:35.720
<v Speaker 2>end up like really getting the what I don't know

0:57:35.800 --> 0:57:38.320
<v Speaker 2>exactly what the benefits are, but the ostensible benefits you

0:57:38.360 --> 0:57:41.880
<v Speaker 2>would get. So what the fuck is this movie trying

0:57:42.040 --> 0:57:46.680
<v Speaker 2>to do? Like it's baffling right right.

0:57:46.800 --> 0:57:50.680
<v Speaker 1>If it's not gonna bother to bend over backwards to

0:57:50.760 --> 0:57:54.240
<v Speaker 1>get the Seal of approval from the Department of Defense,

0:57:54.320 --> 0:57:57.480
<v Speaker 1>then but it's still like, but the military is awesome,

0:57:58.440 --> 0:58:03.000
<v Speaker 1>and like, let's make this movie basically as recruitment propaganda

0:58:03.680 --> 0:58:07.560
<v Speaker 1>to specifically encourage women question mark to join.

0:58:07.400 --> 0:58:11.320
<v Speaker 2>The military, join the military, and never ask a question like.

0:58:12.920 --> 0:58:19.320
<v Speaker 3>Yeah, yeah, no, the dissonance here the it's really it's

0:58:19.360 --> 0:58:24.919
<v Speaker 3>sort of nonsensical in a lot of ways, plot wise, dialogue,

0:58:25.240 --> 0:58:27.760
<v Speaker 3>and then the and then the kind of like politics

0:58:27.800 --> 0:58:30.760
<v Speaker 3>of it are are are really nonsensical as well. You know,

0:58:30.960 --> 0:58:34.520
<v Speaker 3>what what what was released Scott's goal? What are what

0:58:34.720 --> 0:58:37.320
<v Speaker 3>were the what are the goals of the writers here?

0:58:38.000 --> 0:58:42.240
<v Speaker 3>What's what's Demi Moore's goal in being in being in this?

0:58:42.600 --> 0:58:45.960
<v Speaker 3>You know, it's like a lot of I think there's

0:58:46.000 --> 0:58:47.360
<v Speaker 3>a lot to unpack there.

0:58:48.200 --> 0:58:51.400
<v Speaker 2>I can I know a little bit about that because

0:58:51.440 --> 0:58:55.480
<v Speaker 2>I did not remember. I don't know, I just did

0:58:55.560 --> 0:58:59.800
<v Speaker 2>not remember the like cultural conversation around this movie. But

0:59:00.880 --> 0:59:05.480
<v Speaker 2>so apparently this was Demi Moore at a time in

0:59:05.600 --> 0:59:09.280
<v Speaker 2>her career where like she was sort of waning in popularity.

0:59:09.480 --> 0:59:12.240
<v Speaker 2>She had just starred in a huge box office bomb

0:59:12.360 --> 0:59:13.320
<v Speaker 2>called Strip.

0:59:13.120 --> 0:59:17.280
<v Speaker 1>Tease, which was notorious for being a horrible movie and

0:59:17.480 --> 0:59:19.800
<v Speaker 1>people hated her performance, and.

0:59:20.520 --> 0:59:23.160
<v Speaker 2>So she was already I mean, and this is this

0:59:23.320 --> 0:59:25.960
<v Speaker 2>is sort of, I guess, unfortunately, a more kind of

0:59:26.400 --> 0:59:30.440
<v Speaker 2>classic tale of how actresses are disposable, and then to

0:59:30.560 --> 0:59:34.600
<v Speaker 2>me more making the choice to star in a US

0:59:34.680 --> 0:59:38.439
<v Speaker 2>imperialist narrative to try to undo that and rescue her career.

0:59:38.680 --> 0:59:41.320
<v Speaker 2>I think it seems like what her motivation here was

0:59:41.880 --> 0:59:43.960
<v Speaker 2>was to kind of dig herself out of the hole

0:59:44.080 --> 0:59:48.560
<v Speaker 2>that she'd been thrown into by strip teas and try

0:59:48.680 --> 0:59:52.240
<v Speaker 2>to remarket herself as an action star by doing this.

0:59:53.000 --> 0:59:56.480
<v Speaker 2>But by all accounts, it didn't work. And it seems

0:59:56.640 --> 1:00:00.040
<v Speaker 2>it seems like, I mean, it's I don't like, this

1:00:00.160 --> 1:00:03.920
<v Speaker 2>movie is fucking horrible and evil, and people were very

1:00:04.400 --> 1:00:07.800
<v Speaker 2>like weirdly sexist to Demi Moore for having been in it,

1:00:07.920 --> 1:00:11.640
<v Speaker 2>Like they blamed the movie sucking wholly on her. She

1:00:11.960 --> 1:00:15.040
<v Speaker 2>like won a Razzie, which feels like an over correction

1:00:15.280 --> 1:00:18.560
<v Speaker 2>because it's like, there's so many issues with this movie.

1:00:18.720 --> 1:00:21.520
<v Speaker 2>I wouldn't put her performance in the top ten of

1:00:21.600 --> 1:00:23.720
<v Speaker 2>those issues are agree.

1:00:23.640 --> 1:00:26.200
<v Speaker 3>I actually, okay, you know, let's take the script and

1:00:26.240 --> 1:00:29.440
<v Speaker 3>the and the movie and and everything for what it is.

1:00:30.080 --> 1:00:31.240
<v Speaker 3>Her acting is not.

1:00:31.680 --> 1:00:32.680
<v Speaker 1>It's not the problem.

1:00:32.880 --> 1:00:35.840
<v Speaker 3>It's not the problem. Yeah, it's not the problem that

1:00:36.200 --> 1:00:38.520
<v Speaker 3>makes this movie land the way it lands, you know.

1:00:39.160 --> 1:00:41.560
<v Speaker 2>Right, And she's and like, so it's just from what

1:00:41.680 --> 1:00:43.480
<v Speaker 2>I can tell, I mean that she she was just

1:00:43.720 --> 1:00:49.560
<v Speaker 2>pretty like squarely escapegoaded for this movie's unpopularity, even though

1:00:49.720 --> 1:00:52.880
<v Speaker 2>I will say at the time there were reviews of

1:00:52.960 --> 1:00:56.160
<v Speaker 2>this movie that were like, uh, this movie is too

1:00:56.280 --> 1:00:59.400
<v Speaker 2>jiggoistic for me to engage with. So even in the nineties,

1:00:59.520 --> 1:01:03.120
<v Speaker 2>like people, we're not just taking their slop, which was

1:01:04.080 --> 1:01:06.840
<v Speaker 2>I don't know. I guess I was pleasantly surprised that

1:01:06.960 --> 1:01:09.640
<v Speaker 2>not everyone was just taking the slap. But then you

1:01:09.680 --> 1:01:12.600
<v Speaker 2>get into like, I don't know Ridley Scott. I don't know.

1:01:12.720 --> 1:01:15.120
<v Speaker 2>He's made four thousand movies, he's five hundred years old,

1:01:15.280 --> 1:01:17.720
<v Speaker 2>so can we get to the bottom of what his

1:01:17.840 --> 1:01:20.400
<v Speaker 2>whole deal is? Probably not. He also made huse of Gucci,

1:01:20.440 --> 1:01:21.040
<v Speaker 2>which I forgot.

1:01:21.240 --> 1:01:22.440
<v Speaker 1>Oh my gosh, he directed that.

1:01:22.680 --> 1:01:23.520
<v Speaker 3>That's hilarious.

1:01:23.840 --> 1:01:27.120
<v Speaker 2>Wow, he made the last dool at a house of Gucci. Savior.

1:01:27.400 --> 1:01:30.960
<v Speaker 2>He's just an enigma, an enigma. He's booked and busy.

1:01:31.840 --> 1:01:35.760
<v Speaker 2>He'll do anything. But he I mean his other I mean,

1:01:35.800 --> 1:01:38.120
<v Speaker 2>you could argue his most famous characters he directed the

1:01:38.160 --> 1:01:41.520
<v Speaker 2>first Blade Runner, but he also I mean, his most

1:01:41.560 --> 1:01:44.240
<v Speaker 2>famous character you could say is Ellen Ripley.

1:01:44.400 --> 1:01:46.720
<v Speaker 1>Yeah, right, I would, it's probably his I would agree

1:01:46.760 --> 1:01:47.000
<v Speaker 1>with him.

1:01:47.080 --> 1:01:51.000
<v Speaker 2>And she is also in the American military, so like

1:01:51.720 --> 1:01:52.480
<v Speaker 2>he like.

1:01:52.520 --> 1:01:57.919
<v Speaker 3>There's a soft spot in Ridley Scott's heart for us

1:01:58.040 --> 1:01:59.040
<v Speaker 3>military story.

1:01:59.360 --> 1:02:02.680
<v Speaker 2>Yeah. Yeah, like I don't know, and there has been

1:02:02.720 --> 1:02:04.600
<v Speaker 2>a lot made of over the years of like wow,

1:02:04.760 --> 1:02:09.280
<v Speaker 2>Ridley Scott for a male o tour has women as

1:02:09.360 --> 1:02:12.960
<v Speaker 2>his protagonists pretty often, which is true. I have not

1:02:13.080 --> 1:02:15.880
<v Speaker 2>seen all of his movies, but they're you know, examples

1:02:16.520 --> 1:02:20.680
<v Speaker 2>obviously Alien Thelma and Louise Prometheus, which I didn't see

1:02:20.760 --> 1:02:25.040
<v Speaker 2>Gi Jane. I know that the last duel centers around

1:02:25.720 --> 1:02:29.280
<v Speaker 2>a woman house of Gucci. Looks they're not all good,

1:02:29.600 --> 1:02:33.400
<v Speaker 2>but it does happen with some frequency. But it is always,

1:02:33.760 --> 1:02:37.920
<v Speaker 2>i think, without fail, a white woman. And also he

1:02:38.320 --> 1:02:41.520
<v Speaker 2>doesn't write the scripts, so he's sort of just a

1:02:41.600 --> 1:02:43.600
<v Speaker 2>gun for hire. Clearly he has an interest in this,

1:02:43.720 --> 1:02:46.320
<v Speaker 2>but it's a very particular kind of woman he has

1:02:46.440 --> 1:02:47.520
<v Speaker 2>interest in. Yeah.

1:02:48.000 --> 1:02:52.440
<v Speaker 3>Can I bring up a very short exchange in Gi

1:02:52.600 --> 1:02:59.920
<v Speaker 3>Jane which I think almost completely encapsulates the nonsensical politics

1:03:00.120 --> 1:03:08.720
<v Speaker 3>of this movie. Please, When Jordan has survived the torture session,

1:03:09.040 --> 1:03:12.240
<v Speaker 3>training session, Capture the Flag, when she's survived it and

1:03:12.280 --> 1:03:14.960
<v Speaker 3>she's at the bar with the guys, she's done it,

1:03:15.080 --> 1:03:18.200
<v Speaker 3>She's she's in you know, like this is this is

1:03:18.240 --> 1:03:20.720
<v Speaker 3>almost like a scene with a victory lap where she's

1:03:20.800 --> 1:03:21.400
<v Speaker 3>finally in.

1:03:21.680 --> 1:03:25.960
<v Speaker 2>The boys, you're gonna say, she goes to the bathroom.

1:03:26.240 --> 1:03:29.400
<v Speaker 3>Is this right, Jamie, Yep, she goes to the bathroom.

1:03:29.680 --> 1:03:32.320
<v Speaker 3>Oh and and after all of this has happened to her,

1:03:32.440 --> 1:03:37.120
<v Speaker 3>she's very physically injured her face, like, she has black eyes,

1:03:37.240 --> 1:03:40.439
<v Speaker 3>she has a huge like red mark on the side

1:03:40.440 --> 1:03:44.680
<v Speaker 3>of her face. She's obviously been beat up. Right, she

1:03:44.800 --> 1:03:47.120
<v Speaker 3>goes to the bathroom. She's in the women's restroom. She's

1:03:47.160 --> 1:03:50.160
<v Speaker 3>at the sink, and another woman is in there who

1:03:50.760 --> 1:03:53.840
<v Speaker 3>walks past her and said, after you know, looking at

1:03:53.880 --> 1:03:56.440
<v Speaker 3>her and noticing what her face looks like, she walks

1:03:56.480 --> 1:03:59.640
<v Speaker 3>past her and she says, ain't really my business, but

1:03:59.720 --> 1:04:03.200
<v Speaker 3>I say, leave the bastard, which is like, so this

1:04:03.320 --> 1:04:07.720
<v Speaker 3>woman has assumed that Demi Moore's character is in a

1:04:07.840 --> 1:04:11.240
<v Speaker 3>situation of like intimate partner violence domestic violence, right, and

1:04:11.360 --> 1:04:14.760
<v Speaker 3>that like her partner, a man has beat her up,

1:04:15.240 --> 1:04:20.200
<v Speaker 3>and Demi Moore g Jane Jordan O'Neill turns and gives

1:04:20.280 --> 1:04:23.080
<v Speaker 3>like a little bit of a smirk, like doesn't doesn't

1:04:23.160 --> 1:04:26.160
<v Speaker 3>say anything in response. The woman leaves the bathroom, but

1:04:26.280 --> 1:04:28.439
<v Speaker 3>she kind of smirks, and I think, like, what we're

1:04:28.520 --> 1:04:32.600
<v Speaker 3>supposed to interpret is like, oh, it wasn't that she's

1:04:32.680 --> 1:04:36.920
<v Speaker 3>actually succeeded at something really big and accomplished something important,

1:04:37.240 --> 1:04:41.800
<v Speaker 3>but like, actually, what did happen was that she was

1:04:41.960 --> 1:04:43.520
<v Speaker 3>beat up by a man?

1:04:44.040 --> 1:04:44.920
<v Speaker 2>Yes, you know what I mean.

1:04:45.200 --> 1:04:49.720
<v Speaker 3>Yes, she was physically assaulted by men.

1:04:50.280 --> 1:04:54.120
<v Speaker 1>She is in an abusive relationship, yes, in which a

1:04:54.200 --> 1:04:55.880
<v Speaker 1>lot of people would say she should leave.

1:04:56.320 --> 1:04:56.520
<v Speaker 2>Yeah.

1:04:56.680 --> 1:04:59.280
<v Speaker 3>So it's so it's so wild, it really is.

1:04:59.480 --> 1:05:01.439
<v Speaker 2>Well like and that yeah, and that lady is made

1:05:01.840 --> 1:05:05.600
<v Speaker 2>to look ridiculous and it's like no, you actually unfortunately

1:05:06.040 --> 1:05:09.600
<v Speaker 2>guessed it exactly. But it's like, but this movie cannot

1:05:10.240 --> 1:05:13.280
<v Speaker 2>I think it's like what is the stopping point? Because

1:05:13.320 --> 1:05:16.400
<v Speaker 2>it's like, well, if what is happening to dem More

1:05:16.520 --> 1:05:19.080
<v Speaker 2>is abuse, then what's happening to all of the soldiers

1:05:19.160 --> 1:05:21.600
<v Speaker 2>his abuse? And you're like, yeah, yeah, what if it

1:05:21.840 --> 1:05:27.280
<v Speaker 2>was there? Yes, but again just like going right up

1:05:27.360 --> 1:05:29.880
<v Speaker 2>to the line of like, but we cannot interrogate the

1:05:29.960 --> 1:05:34.800
<v Speaker 2>system why I don't know. I really don't know. The

1:05:35.160 --> 1:05:38.120
<v Speaker 2>other exchange that because and I feel like that that

1:05:38.320 --> 1:05:40.480
<v Speaker 2>exchange and this one like really tells you what the

1:05:40.600 --> 1:05:43.920
<v Speaker 2>movie is about. For some reason, what is the okay

1:05:44.440 --> 1:05:46.200
<v Speaker 2>in one of her many like would you say that

1:05:46.240 --> 1:05:48.960
<v Speaker 2>to a woman? Which there are times to ask that

1:05:49.080 --> 1:05:52.240
<v Speaker 2>question very rarely. When she does though, where it's like

1:05:52.960 --> 1:05:57.360
<v Speaker 2>she's talking to her her nurse friend, you know, and

1:05:58.040 --> 1:06:00.600
<v Speaker 2>she her nurse is like, why are you doing this?

1:06:01.400 --> 1:06:04.680
<v Speaker 2>And it is kind of gendered the way she's asking it.

1:06:04.800 --> 1:06:06.640
<v Speaker 2>I wish she was asking it more in the Royal

1:06:06.800 --> 1:06:09.840
<v Speaker 2>why are we doing this? Can we stop? Right? But

1:06:10.280 --> 1:06:12.680
<v Speaker 2>she says why are you doing this? And then to me,

1:06:12.800 --> 1:06:14.640
<v Speaker 2>Moore says, would you ask a man the same question?

1:06:14.920 --> 1:06:17.040
<v Speaker 2>Blah blah blah? And then like, and what do they

1:06:17.160 --> 1:06:20.680
<v Speaker 2>say when you ask them that question? And the nurse replies,

1:06:21.000 --> 1:06:23.440
<v Speaker 2>they say, because I get to blow shit up. And

1:06:23.560 --> 1:06:28.960
<v Speaker 2>then instead of again, instead of interrogating that, Demi Moore's

1:06:29.040 --> 1:06:31.440
<v Speaker 2>character says, well, there you go. And then the scene

1:06:31.520 --> 1:06:34.000
<v Speaker 2>is over and you're like, well, I guess that's what

1:06:34.160 --> 1:06:36.640
<v Speaker 2>the fucking movie is about. Yeah, because I get to

1:06:36.680 --> 1:06:38.840
<v Speaker 2>blow shit up? Does feel like sort of the moral

1:06:38.920 --> 1:06:39.440
<v Speaker 2>of the story.

1:06:40.240 --> 1:06:44.160
<v Speaker 3>Yeah, yeah, and anything being a victim of any kind

1:06:44.240 --> 1:06:46.640
<v Speaker 3>of violence is worth it so that you can blow

1:06:46.640 --> 1:06:50.280
<v Speaker 3>shit up. Yeah, this is like the moral of the story.

1:06:50.600 --> 1:06:54.760
<v Speaker 1>It's boggling. We touched on this a bit already, but

1:06:55.040 --> 1:06:58.960
<v Speaker 1>The one bit of commentary I suppose that the movie

1:06:59.120 --> 1:07:06.760
<v Speaker 1>does seem to offer is that this senator woman who

1:07:07.760 --> 1:07:15.160
<v Speaker 1>does this like gender integration into the military project, originally

1:07:15.440 --> 1:07:19.520
<v Speaker 1>kind of under the guise of feminism and championing women,

1:07:20.200 --> 1:07:25.320
<v Speaker 1>but she abandons all that to further her political career.

1:07:25.400 --> 1:07:29.400
<v Speaker 1>As soon as her own career is being threatened, she

1:07:30.080 --> 1:07:35.360
<v Speaker 1>drops any advocacy she was doing. Fuck that, I'm looking

1:07:35.400 --> 1:07:38.720
<v Speaker 1>out for me and myself, which happens all the time

1:07:39.360 --> 1:07:44.480
<v Speaker 1>in American politics. I mean, look at fucking AOC pretending

1:07:44.640 --> 1:07:48.720
<v Speaker 1>to be this progressive voice and then voting to keep

1:07:48.840 --> 1:07:51.640
<v Speaker 1>sending money to Israel. You know, shit like that. But

1:07:52.240 --> 1:07:57.240
<v Speaker 1>that commentary means basically nothing in a movie that's saying, well, yeah,

1:07:58.360 --> 1:08:04.520
<v Speaker 1>sure politicians are correct, but the American military is right good.

1:08:04.840 --> 1:08:09.000
<v Speaker 2>Actually, that's I mean the under the underdog. You're like,

1:08:09.240 --> 1:08:11.520
<v Speaker 2>what do you mean you're talking about.

1:08:11.840 --> 1:08:15.040
<v Speaker 3>There's a scene, there's a scene earlier first first half

1:08:15.120 --> 1:08:17.360
<v Speaker 3>of the movie for sure, maybe even first quarter of

1:08:17.479 --> 1:08:21.240
<v Speaker 3>the movie, in which the guy in the highest command

1:08:21.360 --> 1:08:25.719
<v Speaker 3>position at the base or training center where the trainees

1:08:25.720 --> 1:08:28.280
<v Speaker 3>are at he's on the phone with the senator. This

1:08:28.479 --> 1:08:31.519
<v Speaker 3>is when the photos first go public. You know, there's

1:08:31.720 --> 1:08:35.800
<v Speaker 3>some sort of investigative reporter taking pictures with a telephoto lens,

1:08:35.920 --> 1:08:37.760
<v Speaker 3>and these are getting leaked to the public, and all

1:08:37.800 --> 1:08:39.920
<v Speaker 3>of a sudden, the public knows that a woman is

1:08:40.080 --> 1:08:43.519
<v Speaker 3>in the training program for the Navy Seals. So the

1:08:43.720 --> 1:08:48.519
<v Speaker 3>senator calls the high ranking officer and is like, what

1:08:48.680 --> 1:08:50.880
<v Speaker 3>the hell you know, this wasn't supposed to go public.

1:08:51.000 --> 1:08:56.760
<v Speaker 3>What's going on? And the officer guy says, like, you know,

1:08:57.320 --> 1:09:00.400
<v Speaker 3>a Senator, these photographers are using telephoto lenses. Nothing I

1:09:00.439 --> 1:09:03.519
<v Speaker 3>can do. They're on a public highway now unless you

1:09:03.600 --> 1:09:08.720
<v Speaker 3>want me to violate the Constitution and violate their civil liberties.

1:09:09.320 --> 1:09:11.560
<v Speaker 3>I can't do anything about that. And you wouldn't want that,

1:09:11.800 --> 1:09:16.280
<v Speaker 3>would you, Senator. And it's like the milly the military

1:09:16.320 --> 1:09:21.160
<v Speaker 3>cares about the Constitution. They're they're they're doing ice detentions

1:09:21.280 --> 1:09:25.920
<v Speaker 3>right now. They're using military basis for for kidnapping migrants.

1:09:26.000 --> 1:09:30.000
<v Speaker 3>So yeah, no, that's that's yeah. The the US military

1:09:30.120 --> 1:09:32.280
<v Speaker 3>is in no way the good guy in in in

1:09:32.560 --> 1:09:35.559
<v Speaker 3>any in any situation, and certainly not legally right, I.

1:09:35.600 --> 1:09:37.720
<v Speaker 2>Mean, and I think it is like a very a

1:09:37.880 --> 1:09:42.280
<v Speaker 2>very like calculated thing to present the military as the

1:09:42.360 --> 1:09:45.360
<v Speaker 2>good guys but not present the entire government as the

1:09:45.400 --> 1:09:47.880
<v Speaker 2>good guys like they It's almost like it's a it's

1:09:47.960 --> 1:09:50.720
<v Speaker 2>a like a lot of copaganda narratives. It's like the

1:09:50.960 --> 1:09:54.519
<v Speaker 2>there there are bad apples, and Anne Bancroft is a

1:09:54.880 --> 1:09:59.160
<v Speaker 2>bad apple. She is too craven and ambitious, certainly not

1:09:59.640 --> 1:10:02.080
<v Speaker 2>the head of the military, especially if you go back

1:10:02.080 --> 1:10:05.400
<v Speaker 2>to the beginning, and like she I think accurately points

1:10:05.439 --> 1:10:08.599
<v Speaker 2>out that he was sex like wildly sexist at many

1:10:08.640 --> 1:10:11.000
<v Speaker 2>points in his career. But we're just meant to forget

1:10:11.040 --> 1:10:15.680
<v Speaker 2>that because the moral of Demi Moore's story is that

1:10:16.240 --> 1:10:20.360
<v Speaker 2>embracing masculinity and all of its horrors is good for you,

1:10:20.920 --> 1:10:24.400
<v Speaker 2>and so it doesn't matter if even I don't know

1:10:24.600 --> 1:10:28.840
<v Speaker 2>like the because the Ambrake bankrupt character is like it's

1:10:28.880 --> 1:10:31.760
<v Speaker 2>almost frustrating that you're like, yeah, this is these these

1:10:31.800 --> 1:10:34.760
<v Speaker 2>are real people that do this, but there is no

1:10:34.880 --> 1:10:38.840
<v Speaker 2>one in the military who is presented as they would

1:10:38.880 --> 1:10:41.360
<v Speaker 2>actually be, or if they are, it's like, and that's

1:10:41.400 --> 1:10:45.120
<v Speaker 2>good and that's the job. But when when this other

1:10:45.280 --> 1:10:48.920
<v Speaker 2>character is craven and horrible, it's bad.

1:10:49.400 --> 1:10:53.920
<v Speaker 3>There's no rules, right exactly exactly. It's I had a

1:10:54.000 --> 1:10:57.360
<v Speaker 3>note that that the scenes in this movie. We're moving

1:10:57.439 --> 1:11:02.280
<v Speaker 3>at like breakneckt speed. It's the scenes. The scenes in

1:11:02.479 --> 1:11:04.280
<v Speaker 3>this movie, I don't know if we want to talk

1:11:04.320 --> 1:11:09.000
<v Speaker 3>about this. Y'all are forty five seconds long, especially in

1:11:09.040 --> 1:11:13.400
<v Speaker 3>the first half, and we're establishing so much information and

1:11:13.560 --> 1:11:19.320
<v Speaker 3>we are moving at such an intense wild pace, and yeah,

1:11:19.400 --> 1:11:22.200
<v Speaker 3>these are this is editorial choice for sure.

1:11:23.439 --> 1:11:26.280
<v Speaker 1>And it's always this like there are these like hard

1:11:26.439 --> 1:11:29.200
<v Speaker 1>cuts to the next scene, and they're usually accompanied by

1:11:29.280 --> 1:11:34.440
<v Speaker 1>this like really epic music when it's like nothing epic happened.

1:11:34.640 --> 1:11:37.920
<v Speaker 2>Like why are we like it's either epic music or

1:11:38.040 --> 1:11:42.800
<v Speaker 2>like nineties adults contemporary. It's so dissonant we should turn

1:11:42.880 --> 1:11:45.439
<v Speaker 2>to the score. Maybe, Yeah, because there are some.

1:11:46.840 --> 1:11:55.559
<v Speaker 3>Choices made about nineties women ballads in very key scenes.

1:11:56.200 --> 1:11:59.519
<v Speaker 2>Some of them I was laughing because they're just like

1:11:59.840 --> 1:12:04.400
<v Speaker 2>it heard. Yeah, there is a Chrissy Hind song where

1:12:04.560 --> 1:12:07.040
<v Speaker 2>I was like that, and I also hate that, you know,

1:12:07.160 --> 1:12:10.080
<v Speaker 2>it's like these people would have had to have agreed

1:12:10.200 --> 1:12:12.400
<v Speaker 2>to have their song put in this. I what I

1:12:12.520 --> 1:12:14.960
<v Speaker 2>don't know, I guess is do you get to see

1:12:15.000 --> 1:12:17.280
<v Speaker 2>the movie before you like decide if your song is

1:12:17.360 --> 1:12:20.120
<v Speaker 2>able to be used. I'm assuming no, but either way

1:12:20.680 --> 1:12:21.639
<v Speaker 2>it's horrible.

1:12:21.720 --> 1:12:25.360
<v Speaker 3>That's an interesting question. Yeah, whether whether these whether these

1:12:25.439 --> 1:12:28.800
<v Speaker 3>women artists would have approved their song being used in

1:12:28.880 --> 1:12:30.240
<v Speaker 3>the movie had they seen it before.

1:12:30.680 --> 1:12:32.839
<v Speaker 2>Yeah, I mean, even if you agree to the premise,

1:12:33.120 --> 1:12:36.880
<v Speaker 2>it's still it's like either way. Chrissy Hyde put two

1:12:36.960 --> 1:12:41.760
<v Speaker 2>of her songs in the Girl Boss Navy Seals movie. Yeah,

1:12:42.000 --> 1:12:44.760
<v Speaker 2>so you know that's that's on her.

1:12:44.960 --> 1:12:47.360
<v Speaker 3>It was clockable, Yeah, it was clockable beforehand.

1:12:47.400 --> 1:12:49.800
<v Speaker 2>You're right, yeah, it does. It does feel like the

1:12:50.160 --> 1:12:51.320
<v Speaker 2>songs are weaponized.

1:12:51.840 --> 1:12:54.759
<v Speaker 1>Yes, but that was I mean, like not to defend

1:12:55.439 --> 1:12:59.400
<v Speaker 1>anything here, but like the feminism, the Girl Boss feminism

1:12:59.520 --> 1:13:04.080
<v Speaker 1>of the nineties, this movie is very emblematic of that,

1:13:04.360 --> 1:13:07.519
<v Speaker 1>and that was what we were like, Yeah, this is

1:13:07.680 --> 1:13:10.680
<v Speaker 1>feminism because we just weren't in ter I mean there

1:13:10.720 --> 1:13:13.280
<v Speaker 1>are episodes, early episodes of the show I feel like

1:13:13.520 --> 1:13:13.800
<v Speaker 1>on the.

1:13:13.920 --> 1:13:16.959
<v Speaker 2>Rock, Oh yeah, we were not asking the right questions.

1:13:17.120 --> 1:13:20.080
<v Speaker 1>Yeah, I was not saying good things on that episode,

1:13:20.439 --> 1:13:25.120
<v Speaker 1>like being critical enough of the military industrial complex. But yeah,

1:13:25.200 --> 1:13:29.840
<v Speaker 1>this was this was very reflective of the times. There

1:13:29.880 --> 1:13:32.920
<v Speaker 1>are two things I do like about this movie. One

1:13:33.280 --> 1:13:38.720
<v Speaker 1>is the scene where Jordan and her boyfriend are in

1:13:38.800 --> 1:13:41.280
<v Speaker 1>the bathtub together and then he gets out of the

1:13:41.320 --> 1:13:44.320
<v Speaker 1>bathtub and she says, get your dick back in here.

1:13:44.520 --> 1:13:48.639
<v Speaker 2>Oh my god, I like, this movie's tried so hard,

1:13:50.080 --> 1:13:54.519
<v Speaker 2>so hard. Also that weird fart, what is that fart joke?

1:13:54.720 --> 1:13:56.920
<v Speaker 2>That the like, Oh, yeah, the hell was that?

1:13:57.439 --> 1:13:59.800
<v Speaker 3>That was a brain fart, like a soldier. That was

1:13:59.840 --> 1:14:02.000
<v Speaker 3>a brain fart, And I don't accept brain farts in

1:14:02.240 --> 1:14:05.759
<v Speaker 3>you said something stupid and brain and I don't accept

1:14:05.800 --> 1:14:06.519
<v Speaker 3>that in my office.

1:14:06.800 --> 1:14:09.720
<v Speaker 2>This this script was bad, but also the actor was

1:14:09.800 --> 1:14:11.640
<v Speaker 2>not selling it at all or I was like, what

1:14:12.040 --> 1:14:14.520
<v Speaker 2>the hell like, yeah, silly.

1:14:14.400 --> 1:14:17.320
<v Speaker 1>Ye didn't like that? Did love? Get your dick back

1:14:17.360 --> 1:14:20.160
<v Speaker 1>in here? And then there's also a part where the

1:14:21.120 --> 1:14:25.800
<v Speaker 1>whatever the officers are screaming at and berating the trainees,

1:14:26.640 --> 1:14:28.720
<v Speaker 1>you know, hurling insults at them, and one of the

1:14:28.800 --> 1:14:33.479
<v Speaker 1>things they say is worm sperm and that's just that's

1:14:33.880 --> 1:14:35.040
<v Speaker 1>that's funny. That's good.

1:14:35.160 --> 1:14:36.759
<v Speaker 3>I'll go ahead and put that in my pocket.

1:14:36.920 --> 1:14:38.960
<v Speaker 1>Yeah, yeah, I'll say that again.

1:14:39.400 --> 1:14:41.000
<v Speaker 3>Yeah, thank you, Daniella.

1:14:41.240 --> 1:14:47.680
<v Speaker 1>Actually, but everything else was bad. We also touched on

1:14:47.800 --> 1:14:51.400
<v Speaker 1>this a bit, but the way to me Moore's body

1:14:52.000 --> 1:14:56.639
<v Speaker 1>is again, this is not the worst offender of over

1:14:56.800 --> 1:15:01.559
<v Speaker 1>sexualizing a woman's body and lear her. But there are

1:15:01.680 --> 1:15:05.479
<v Speaker 1>some weird choices made where, for example, lives that there's

1:15:05.520 --> 1:15:09.519
<v Speaker 1>that little montage where she's by herself trying to get

1:15:09.560 --> 1:15:12.280
<v Speaker 1>stronger doing push ups and pull ups and stuff, and

1:15:12.400 --> 1:15:15.000
<v Speaker 1>it seems like she is not only not wearing a

1:15:15.080 --> 1:15:19.120
<v Speaker 1>sports bra, but she's not wearing any bra and like

1:15:19.840 --> 1:15:23.160
<v Speaker 1>no shade to not wearing a bra in general, but

1:15:23.760 --> 1:15:28.439
<v Speaker 1>when you're doing like very hard physical exercise, like that

1:15:29.520 --> 1:15:32.719
<v Speaker 1>doesn't make any sense, and it's it's very much seems

1:15:32.760 --> 1:15:34.960
<v Speaker 1>like it's a well, we have to make sure we

1:15:35.160 --> 1:15:37.920
<v Speaker 1>see her hard nips through this white tank top.

1:15:38.200 --> 1:15:41.599
<v Speaker 3>Yes, yeah, she's gotta be she's got to be sweaty,

1:15:41.640 --> 1:15:43.719
<v Speaker 3>and we need to see the edges of her body

1:15:44.000 --> 1:15:47.479
<v Speaker 3>in every respect because throughout the movie, you know the

1:15:47.840 --> 1:15:51.400
<v Speaker 3>naked where she's naked in the shower with Vo Mortensen

1:15:51.600 --> 1:15:54.680
<v Speaker 3>in in the space with her. This is another thing

1:15:54.800 --> 1:15:57.679
<v Speaker 3>like throughout we have to have these almost like sign posts,

1:15:57.800 --> 1:16:01.679
<v Speaker 3>remember that Meanmore is hot, member Demi Moore is sexy,

1:16:01.880 --> 1:16:05.599
<v Speaker 3>you know, like it's reminding the audience constantly like yeah,

1:16:05.680 --> 1:16:07.479
<v Speaker 3>we're kind of saying a girl has a brain and

1:16:07.560 --> 1:16:11.000
<v Speaker 3>a girl has a body that can accomplish things physically

1:16:11.200 --> 1:16:14.280
<v Speaker 3>just like men. But also girls are hot.

1:16:14.360 --> 1:16:16.479
<v Speaker 2>But we're but we're told at the very very big

1:16:16.520 --> 1:16:18.519
<v Speaker 2>I mean it is by I guess who we're supposed

1:16:18.520 --> 1:16:20.479
<v Speaker 2>to think it is the villain of the movie, even

1:16:20.520 --> 1:16:22.920
<v Speaker 2>though she's tied for top villain with so many characters.

1:16:23.040 --> 1:16:24.600
<v Speaker 2>But we're told at the beginning of the movie like

1:16:24.840 --> 1:16:28.679
<v Speaker 2>the limits to which because we're shown we're shown literally

1:16:28.800 --> 1:16:34.639
<v Speaker 2>pictures of women who are not acceptable, and like Demi

1:16:34.720 --> 1:16:37.000
<v Speaker 2>Moore is acceptable, and the camera is not fighting with

1:16:38.120 --> 1:16:40.480
<v Speaker 2>the villain of the movie on that whatsoever.

1:16:40.800 --> 1:16:44.200
<v Speaker 3>Yeah, yeah, the movie isn't taking that up critically. They're like, yeah,

1:16:44.439 --> 1:16:45.439
<v Speaker 3>you're right, she is hot.

1:16:45.720 --> 1:16:47.559
<v Speaker 2>You do have to you do have to be hot

1:16:47.720 --> 1:16:50.479
<v Speaker 2>to be respected. You're like, oh, yeah, right.

1:16:50.560 --> 1:16:53.799
<v Speaker 1>And the Senator isn't even poised as the villain at first,

1:16:54.320 --> 1:16:58.320
<v Speaker 1>and he thinks that she's advocating for women's rights for

1:16:58.600 --> 1:17:02.120
<v Speaker 1>up until probably sixty percent of the way through the movie, and.

1:17:02.160 --> 1:17:05.080
<v Speaker 2>That's that's the bummer is like again, just like with

1:17:05.240 --> 1:17:07.160
<v Speaker 2>the theme of this movie, that at the by the

1:17:07.280 --> 1:17:10.320
<v Speaker 2>end of the movie, no one is advocating for women's rights,

1:17:10.520 --> 1:17:15.760
<v Speaker 2>even disingenuously, like we've actually lost one person pretending to

1:17:15.800 --> 1:17:18.760
<v Speaker 2>fight for women's rights, and then there's no one to

1:17:18.840 --> 1:17:20.439
<v Speaker 2>fill that void, right, and.

1:17:20.479 --> 1:17:22.479
<v Speaker 1>Again, you could read this and I don't think this

1:17:22.680 --> 1:17:25.640
<v Speaker 1>was the movie's intention at all, but you know, it

1:17:25.760 --> 1:17:30.559
<v Speaker 1>could have been commentary that, yeah, there are women who

1:17:30.640 --> 1:17:34.200
<v Speaker 1>you would think would be championing for women's rights, but

1:17:34.479 --> 1:17:38.799
<v Speaker 1>they turn out to be upholding the same sexist ideals

1:17:38.840 --> 1:17:41.080
<v Speaker 1>of the patriarchy, which is very much a thing. There

1:17:41.160 --> 1:17:45.160
<v Speaker 1>are many women like that, but the movie it just

1:17:45.240 --> 1:17:49.000
<v Speaker 1>seems as like, yeah, she, like the only other woman

1:17:49.080 --> 1:17:50.920
<v Speaker 1>in the movie is evil, and.

1:17:51.240 --> 1:17:55.519
<v Speaker 2>Well there's also missus nurse who oh right, missus Medick,

1:17:55.600 --> 1:17:59.080
<v Speaker 2>who is weaponized in a way we haven't talked about yet,

1:17:59.520 --> 1:18:03.400
<v Speaker 2>right where we didn't talk about the homophobia plot point,

1:18:04.720 --> 1:18:07.720
<v Speaker 2>which is get into it seed that is planted and

1:18:07.760 --> 1:18:12.160
<v Speaker 2>then and then it comes back. How thrilling. When the

1:18:12.479 --> 1:18:17.439
<v Speaker 2>senator was outright transphobic and homophobic at the beginning, I was,

1:18:17.640 --> 1:18:20.240
<v Speaker 2>unfortunately like it turned on tried to go into my

1:18:20.320 --> 1:18:22.800
<v Speaker 2>nineteen ninety seven brain. I'm like, I'm assuming that her

1:18:22.880 --> 1:18:26.120
<v Speaker 2>transphobia is completely being played as a joke and audiences

1:18:26.160 --> 1:18:28.840
<v Speaker 2>are not supposed to have a problem with it. The homophobia,

1:18:28.920 --> 1:18:32.280
<v Speaker 2>I was less sure about of like are we because

1:18:32.439 --> 1:18:34.240
<v Speaker 2>she makes such a point of it to be like,

1:18:34.320 --> 1:18:38.559
<v Speaker 2>I need to make sure you're a straight, normal lady.

1:18:38.840 --> 1:18:44.000
<v Speaker 1>You're getting dicked down right by a man with a penis.

1:18:43.840 --> 1:18:46.400
<v Speaker 2>Right, you better be telling someone to get you get

1:18:46.439 --> 1:18:49.840
<v Speaker 2>your dick back in here every night. And she's like,

1:18:49.920 --> 1:18:50.719
<v Speaker 2>don't you worried?

1:18:50.920 --> 1:18:51.280
<v Speaker 3>I am.

1:18:51.800 --> 1:18:56.679
<v Speaker 2>I'm the most normal woman alive. But that home again

1:18:56.880 --> 1:18:59.559
<v Speaker 2>just like this brain dead ass movie where they bring

1:18:59.680 --> 1:19:03.920
<v Speaker 2>back the homophobia because she goes to the beach with

1:19:04.200 --> 1:19:08.800
<v Speaker 2>women and makes physical contact with the only woman she's

1:19:08.840 --> 1:19:10.040
<v Speaker 2>met in the military.

1:19:10.360 --> 1:19:13.480
<v Speaker 1>Even like it's so obviously platonic.

1:19:14.280 --> 1:19:18.360
<v Speaker 2>I mean, but I do believe in like the nineties

1:19:18.400 --> 1:19:23.479
<v Speaker 2>tabloid culture, this could be weaponized against someone successfully. I

1:19:23.640 --> 1:19:26.680
<v Speaker 2>definitely do believe that. But again, it's just like the

1:19:26.840 --> 1:19:29.640
<v Speaker 2>way that it plays out is like, it's not that

1:19:30.400 --> 1:19:34.080
<v Speaker 2>that is something that should be pushed back on. It's

1:19:34.360 --> 1:19:36.840
<v Speaker 2>that because they also once again go out of their

1:19:36.840 --> 1:19:39.320
<v Speaker 2>way to be like we're not asking and you don't

1:19:39.400 --> 1:19:44.040
<v Speaker 2>have to tell us, but which I also know did happen.

1:19:44.479 --> 1:19:46.599
<v Speaker 2>But then her way of dealing with it, she's like, well,

1:19:47.479 --> 1:19:51.040
<v Speaker 2>this sucks because I'm not queer and then she leaves.

1:19:51.120 --> 1:19:53.360
<v Speaker 2>It was like, that's not the only thing that sucks.

1:19:53.600 --> 1:19:56.840
<v Speaker 2>They're like, it's it's just this character is unable to

1:19:57.120 --> 1:20:01.439
<v Speaker 2>conceive of anything outside of her personal predicament, and so

1:20:01.800 --> 1:20:06.120
<v Speaker 2>any like social commentary that happens is because it is

1:20:06.200 --> 1:20:09.880
<v Speaker 2>directly relevant to her. Is why she's always asking would

1:20:09.920 --> 1:20:12.320
<v Speaker 2>you ask a man this? Because she's a woman and

1:20:12.400 --> 1:20:15.439
<v Speaker 2>she's directly experiencing the prejudice. But when it comes to

1:20:15.680 --> 1:20:20.360
<v Speaker 2>literally anyone else, whether it be anyone who's not white,

1:20:20.400 --> 1:20:23.679
<v Speaker 2>whether it be queer people, she's like, well, that sucks

1:20:23.760 --> 1:20:26.759
<v Speaker 2>because I'm straight and white. And then she like stops

1:20:26.840 --> 1:20:31.920
<v Speaker 2>home and again and again with the fucking. When she's

1:20:32.000 --> 1:20:35.439
<v Speaker 2>like threatening and bankrupt, she's like, I'm gonna go, I'm

1:20:35.439 --> 1:20:37.800
<v Speaker 2>gonna say something about this publicly. I'm going to say

1:20:37.840 --> 1:20:41.240
<v Speaker 2>this on MSNBC. And it's like, great, do that. But

1:20:41.360 --> 1:20:44.880
<v Speaker 2>then when she gets what she wants, which is to

1:20:45.240 --> 1:20:49.800
<v Speaker 2>like go commit a war crime, she shuts up, yeah

1:20:49.840 --> 1:20:52.639
<v Speaker 2>and never says anything. So it's like, yeah, she's awful.

1:20:53.240 --> 1:20:55.639
<v Speaker 3>Yeah, you know, I think this is like a really

1:20:55.800 --> 1:20:58.920
<v Speaker 3>I think this is a really big theme of the movie,

1:20:59.200 --> 1:21:04.160
<v Speaker 3>which is that like everything is about everything is about

1:21:04.240 --> 1:21:10.760
<v Speaker 3>individual experiences and individual interactions to everybody's detriment. Right, So

1:21:11.200 --> 1:21:16.200
<v Speaker 3>this is about like her as an individual experiencing you know,

1:21:16.880 --> 1:21:20.920
<v Speaker 3>discrimination in different ways and how she overcomes it. But

1:21:21.240 --> 1:21:24.759
<v Speaker 3>but the system and the rules and and nothing ever changes.

1:21:25.040 --> 1:21:28.080
<v Speaker 3>And I think I was really thinking about this in

1:21:28.920 --> 1:21:34.360
<v Speaker 3>terms of what I think are a set of really

1:21:34.560 --> 1:21:39.479
<v Speaker 3>disappointing ending scenes. So the end of this movie is

1:21:40.320 --> 1:21:43.760
<v Speaker 3>the ceremony on the beach, where you know, the people

1:21:43.840 --> 1:21:48.000
<v Speaker 3>who have made it through the training are entered into Great,

1:21:48.080 --> 1:21:50.679
<v Speaker 3>you made it into the Navy Seals. Good job.

1:21:50.800 --> 1:21:54.639
<v Speaker 1>You know, I've just murdered dozens of brown people in Libya.

1:21:55.000 --> 1:21:58.439
<v Speaker 3>Yeah, that's right, and so handshakes all around, Congratulations soldier,

1:21:58.600 --> 1:22:01.840
<v Speaker 3>here's your here's your ab Seals little metal thing whatever.

1:22:02.479 --> 1:22:07.599
<v Speaker 3>And then that cuts to Jordan, like in the locker room,

1:22:08.680 --> 1:22:12.840
<v Speaker 3>kind of putting her stuff away. She realizes that Master

1:22:13.200 --> 1:22:16.800
<v Speaker 3>Chief Vigo Mortensen has put a book of poems in

1:22:17.000 --> 1:22:22.400
<v Speaker 3>her locker or in her area and inserted another medal,

1:22:22.760 --> 1:22:26.680
<v Speaker 3>like we can only assume is because she saved his

1:22:26.920 --> 1:22:30.320
<v Speaker 3>life right right then, and then they make eye contact

1:22:30.400 --> 1:22:32.880
<v Speaker 3>and they're alone, they're alone in the in this locker room.

1:22:32.920 --> 1:22:35.360
<v Speaker 3>They make eye contact kind of like the honorable nod

1:22:35.479 --> 1:22:38.040
<v Speaker 3>at one another. I see you, you see me, and

1:22:38.120 --> 1:22:40.280
<v Speaker 3>then the movie is over. And so there's a lot

1:22:40.320 --> 1:22:43.920
<v Speaker 3>of questions I have, Like number one, the movie proves

1:22:44.000 --> 1:22:47.439
<v Speaker 3>to you, tells you multiple times, there's no systemic change here,

1:22:47.640 --> 1:22:51.720
<v Speaker 3>even as to some sort of like collective change even

1:22:51.760 --> 1:22:54.960
<v Speaker 3>among her team of trainees that she just went through this.

1:22:55.400 --> 1:22:59.160
<v Speaker 3>That there's no ceremony around her getting this medal publicly,

1:23:00.080 --> 1:23:03.559
<v Speaker 3>Like there's no like team at the end of this movie,

1:23:03.680 --> 1:23:05.760
<v Speaker 3>the people that she's just been through all of this with.

1:23:06.040 --> 1:23:11.160
<v Speaker 3>There's no like celebratory or like, g I Jordan, we

1:23:12.000 --> 1:23:14.840
<v Speaker 3>really actually you know, we did it together, you know

1:23:15.040 --> 1:23:17.400
<v Speaker 3>kind of thing. There's no there's nothing. It ends with

1:23:17.840 --> 1:23:21.160
<v Speaker 3>her in front of a locker like right, yeah, I

1:23:21.240 --> 1:23:25.200
<v Speaker 3>don't know, does that make sense, Like it's just the lady.

1:23:25.400 --> 1:23:26.920
<v Speaker 3>It's just this lady, right.

1:23:26.880 --> 1:23:29.719
<v Speaker 1>You would think there would be like and now women

1:23:29.840 --> 1:23:34.080
<v Speaker 1>are allowed to do the thing. Yeah, but there's none

1:23:34.120 --> 1:23:36.679
<v Speaker 1>of that. Yeah, it's just like it is so hyper

1:23:37.080 --> 1:23:42.000
<v Speaker 1>individualistic every step of the way. To go back to

1:23:42.120 --> 1:23:44.960
<v Speaker 1>the don't ask, don't tell of it all.

1:23:45.400 --> 1:23:45.519
<v Speaker 2>Oh.

1:23:45.640 --> 1:23:50.560
<v Speaker 1>Yeah, So after these like beach photos have been revealed

1:23:51.000 --> 1:23:54.880
<v Speaker 1>and she's like, these accusations are bogus. But she also

1:23:54.960 --> 1:23:58.719
<v Speaker 1>says like she's like, are you suggesting that I'm a lesbian?

1:23:59.240 --> 1:24:04.400
<v Speaker 1>Well you better drop these malicious accusations. As if she's

1:24:04.560 --> 1:24:05.760
<v Speaker 1>also homophobic.

1:24:06.160 --> 1:24:09.920
<v Speaker 2>Yeah, well she is, Like I'm like she we have

1:24:10.120 --> 1:24:13.639
<v Speaker 2>no reason to believe that she holds anything but firmly

1:24:13.760 --> 1:24:16.479
<v Speaker 2>right wing believes based on everything we see her do

1:24:16.640 --> 1:24:18.080
<v Speaker 2>and say or this whole movie.

1:24:18.520 --> 1:24:23.560
<v Speaker 3>True, Yeah, the homophobia here to the degree and I

1:24:23.600 --> 1:24:26.719
<v Speaker 3>don't think it is. But if there is some tiny

1:24:26.840 --> 1:24:30.200
<v Speaker 3>interpretation that could be made that, like homophobia in the

1:24:30.240 --> 1:24:34.439
<v Speaker 3>military is unjust and wrong, which I don't think the

1:24:34.520 --> 1:24:37.960
<v Speaker 3>movie is doing right, it's still you are still supposed

1:24:38.000 --> 1:24:42.560
<v Speaker 3>to kind of shrug your shoulders and understand why that

1:24:42.680 --> 1:24:46.360
<v Speaker 3>would be wielded against her or like wielded against anybody, right,

1:24:46.560 --> 1:24:49.400
<v Speaker 3>Like you're still supposed to be like you know, if

1:24:49.520 --> 1:24:53.080
<v Speaker 3>maybe you're like, yeah, but being queer isn't wrong, right,

1:24:53.280 --> 1:24:56.120
<v Speaker 3>It's still the lesson is still supposed to be. But like,

1:24:56.560 --> 1:24:59.720
<v Speaker 3>but but don't you see like you can't be publicly

1:25:00.880 --> 1:25:04.720
<v Speaker 3>you know. That's the That's the best that can be

1:25:04.840 --> 1:25:06.840
<v Speaker 3>said about the homophobia here.

1:25:07.080 --> 1:25:10.360
<v Speaker 2>And what a nineteen ninety seven sentiment is like, hot

1:25:10.439 --> 1:25:14.200
<v Speaker 2>white women can join the military, but you better be

1:25:14.360 --> 1:25:18.240
<v Speaker 2>straight or you're not welcome here. Like it's just the

1:25:18.760 --> 1:25:21.960
<v Speaker 2>line is so clear. Wait, I need to find this.

1:25:22.960 --> 1:25:27.120
<v Speaker 2>Oh yes, okay, this is from that same spy culture again.

1:25:27.200 --> 1:25:31.200
<v Speaker 2>If anyone knows about the legitimacy of the publication, Spy Culture.

1:25:30.920 --> 1:25:32.840
<v Speaker 1>Sounds like a scholarly journal to me.

1:25:33.280 --> 1:25:35.960
<v Speaker 2>Yeah, their logos very silly. I'm like they got the document.

1:25:36.000 --> 1:25:39.000
<v Speaker 2>I don't know. Okay, I have not vetted spy culture,

1:25:39.080 --> 1:25:41.240
<v Speaker 2>but they had a behind the scenes fact that I

1:25:41.320 --> 1:25:44.559
<v Speaker 2>did not see anywhere else. So, continuing on this back

1:25:44.600 --> 1:25:48.479
<v Speaker 2>and forth between Ridley Scott and the DoD, Scott agreed

1:25:48.520 --> 1:25:50.560
<v Speaker 2>to almost all the changes requested, but even after he

1:25:50.640 --> 1:25:53.240
<v Speaker 2>submitted a heavily altered script, the DOOD still said no.

1:25:53.680 --> 1:25:56.479
<v Speaker 2>This led to an amusing but not unprecedented incident where

1:25:56.520 --> 1:25:59.400
<v Speaker 2>Demi Moore called up the White House and asked to

1:25:59.439 --> 1:26:01.639
<v Speaker 2>talk to press it in Clinton to try to get

1:26:01.680 --> 1:26:05.639
<v Speaker 2>the decision overturned. The DoD file on Gi Jane includes

1:26:05.680 --> 1:26:11.760
<v Speaker 2>several press cuttings about this, all of which makes sexy jokes. Yeah. So, also,

1:26:11.880 --> 1:26:17.840
<v Speaker 2>Demi Moore called one of our pedophile presidents to try

1:26:18.000 --> 1:26:22.799
<v Speaker 2>to get her imperialism movie made as intended.

1:26:22.920 --> 1:26:25.479
<v Speaker 3>You're just like and the White House was probably like lady,

1:26:25.560 --> 1:26:28.120
<v Speaker 3>you just did strip teas and it sucked. Like, you know,

1:26:29.240 --> 1:26:32.479
<v Speaker 3>Demi Moore in ninety seven doesn't have social or political

1:26:32.600 --> 1:26:34.680
<v Speaker 3>capital at the White House, I.

1:26:34.720 --> 1:26:37.439
<v Speaker 2>Mean, and unfortunately that is like reflected. I mean it

1:26:37.600 --> 1:26:41.040
<v Speaker 2>all because it sucks because like Demi Moore is willingly

1:26:41.160 --> 1:26:44.600
<v Speaker 2>participating in this imperialist slop. Yeah, and also she is

1:26:44.720 --> 1:26:46.320
<v Speaker 2>kind of treated like shit a lot.

1:26:46.680 --> 1:26:48.679
<v Speaker 3>Yeah, you're just getting demeaned left and right.

1:26:49.000 --> 1:26:49.240
<v Speaker 4>Yeah.

1:26:49.960 --> 1:26:53.479
<v Speaker 1>Does anyone have anything else they'd like to discuss?

1:26:53.960 --> 1:26:57.519
<v Speaker 3>I'm looking at me notes, but don't want to be

1:26:57.600 --> 1:27:02.120
<v Speaker 3>batting for the other side. They will eat corn flakes

1:27:02.120 --> 1:27:05.040
<v Speaker 3>out of your skull. Oh your boyfriend telling you we

1:27:05.040 --> 1:27:06.760
<v Speaker 3>don't have to talk about that. I just I took

1:27:06.880 --> 1:27:08.799
<v Speaker 3>notes on like the wildest lines.

1:27:09.000 --> 1:27:11.439
<v Speaker 2>You know, there are some lines that are just straight

1:27:11.560 --> 1:27:15.519
<v Speaker 2>up weird, like just yeah, the brain fart thing, the

1:27:15.640 --> 1:27:18.120
<v Speaker 2>corn flake skull, like get your dick back in here.

1:27:18.680 --> 1:27:20.839
<v Speaker 2>Worm sperm or sperm.

1:27:21.760 --> 1:27:25.240
<v Speaker 1>At least we had worm sperm. This movie gave us

1:27:25.280 --> 1:27:29.760
<v Speaker 1>worm sperm and nothing else. I'm grateful. Yeah, that's all

1:27:30.040 --> 1:27:33.880
<v Speaker 1>I had this movie does pass the Bechdel test, as

1:27:33.960 --> 1:27:37.200
<v Speaker 1>we said at the beginning of the episode, but again

1:27:37.439 --> 1:27:38.200
<v Speaker 1>at what cost.

1:27:38.640 --> 1:27:40.640
<v Speaker 2>Yeah, this is this is a great example of the

1:27:40.720 --> 1:27:44.320
<v Speaker 2>reason why it was to this day Alison Bechdel's like,

1:27:44.560 --> 1:27:46.680
<v Speaker 2>that was not how I intended it for it to

1:27:46.760 --> 1:27:48.360
<v Speaker 2>be used, right.

1:27:50.000 --> 1:27:53.760
<v Speaker 1>Yes, as far as our nipple scale though, where we

1:27:54.280 --> 1:27:57.360
<v Speaker 1>rate the movie based on a scale of zero to

1:27:57.439 --> 1:28:02.320
<v Speaker 1>five nipples examining it through yes, hard visible nipples through

1:28:02.400 --> 1:28:06.120
<v Speaker 1>your white tank top, based on examining the movie through

1:28:06.160 --> 1:28:07.760
<v Speaker 1>an intersectional feminist lens.

1:28:09.280 --> 1:28:09.400
<v Speaker 4>Uh.

1:28:09.720 --> 1:28:11.720
<v Speaker 1>I think maybe if I had watched this movie ten

1:28:11.840 --> 1:28:14.479
<v Speaker 1>years ago, I would have given it like two nipples.

1:28:14.960 --> 1:28:18.600
<v Speaker 1>Today I'm giving it zero nipples because it really is

1:28:18.840 --> 1:28:25.320
<v Speaker 1>just a propaganda tool for American imperialism and American military

1:28:25.400 --> 1:28:31.400
<v Speaker 1>industrial complex, and those are the most evil entities imaginable.

1:28:31.720 --> 1:28:35.280
<v Speaker 1>So I give it zero nipples. If I did have

1:28:35.360 --> 1:28:39.640
<v Speaker 1>to give it some, I'll give one foot rot or

1:28:39.680 --> 1:28:43.080
<v Speaker 1>whatever Jordan gets diagnosed with on her foot.

1:28:43.760 --> 1:28:46.760
<v Speaker 2>I can why bring foot rot into it.

1:28:46.800 --> 1:28:49.400
<v Speaker 1>I'm not trying to cut to the foot rot, like, yeah,

1:28:49.840 --> 1:28:54.160
<v Speaker 1>one foot rot to the line worm sperm, but zero nipples.

1:28:54.960 --> 1:28:59.880
<v Speaker 2>Yeah, I'm also zero this. I'm like I'm glad that

1:29:00.080 --> 1:29:03.880
<v Speaker 2>this movie was not successful in doing what it wanted

1:29:03.960 --> 1:29:06.120
<v Speaker 2>to do. I would recommend, I mean, I'm going to

1:29:07.000 --> 1:29:08.840
<v Speaker 2>when we got off this callm to keep watching that

1:29:08.920 --> 1:29:12.120
<v Speaker 2>documentary because I think that that's like something that should

1:29:12.200 --> 1:29:15.120
<v Speaker 2>be talked about a lot off. Like how absolutely complicit

1:29:15.840 --> 1:29:19.479
<v Speaker 2>so many filmmakers, and now I think even more so

1:29:19.720 --> 1:29:23.639
<v Speaker 2>video game creators are in working with the American military.

1:29:23.840 --> 1:29:27.200
<v Speaker 2>And how yeah, and how so much of this I mean,

1:29:27.479 --> 1:29:32.479
<v Speaker 2>this specific movie is clearly targeting women, but how so

1:29:32.720 --> 1:29:36.240
<v Speaker 2>much of this entertainment targets children so that when the

1:29:36.360 --> 1:29:39.960
<v Speaker 2>recruiters come around, they have already been, you know, fully

1:29:40.439 --> 1:29:46.280
<v Speaker 2>encouraged to view fighting for an imperial force as normal

1:29:46.400 --> 1:29:51.600
<v Speaker 2>and good and righteous and all this stuff. So yeah, no, no,

1:29:51.920 --> 1:29:52.920
<v Speaker 2>no nipples. It sucked.

1:29:53.080 --> 1:29:55.320
<v Speaker 3>Yeah, zero nipples for sure from me.

1:29:55.800 --> 1:29:59.040
<v Speaker 1>Love it when we're all in agreement, lehann And thank

1:29:59.080 --> 1:30:01.839
<v Speaker 1>you so much for joining us. It was a pleasure.

1:30:02.200 --> 1:30:04.000
<v Speaker 3>This was really fun. Thanks for having me.

1:30:04.160 --> 1:30:05.840
<v Speaker 2>Oh my gosh, come back anytime.

1:30:06.200 --> 1:30:10.160
<v Speaker 1>Please tell us about your podcasts, tell us where people

1:30:10.240 --> 1:30:11.599
<v Speaker 1>can check them out, et cetera.

1:30:12.120 --> 1:30:15.040
<v Speaker 3>Sure, so wherever you get your podcasts, both of these.

1:30:15.960 --> 1:30:19.559
<v Speaker 3>My podcast five to four is a podcast about how

1:30:19.600 --> 1:30:24.479
<v Speaker 3>much the Supreme Court sucks. We talk about discuss present

1:30:24.760 --> 1:30:28.680
<v Speaker 3>basically left critique of the Supreme Court, critique of the

1:30:28.760 --> 1:30:32.679
<v Speaker 3>conservative legal movement. You know, there's six fascists up there

1:30:32.880 --> 1:30:35.360
<v Speaker 3>right now. There's a lot to talk about. So check

1:30:35.400 --> 1:30:40.880
<v Speaker 3>out five to four for all the Supreme Court depression news.

1:30:41.400 --> 1:30:44.280
<v Speaker 3>And then and then I'm also on a podcast called

1:30:44.320 --> 1:30:47.280
<v Speaker 3>Popular Cradle, which is a little bit newer, and Popular

1:30:47.320 --> 1:30:51.160
<v Speaker 3>Cradle is a podcast about Palestine from here in the

1:30:51.240 --> 1:30:57.560
<v Speaker 3>far diaspora. I am on that podcast with two Palestinian organizers,

1:30:57.640 --> 1:31:01.400
<v Speaker 3>community organizers, and we're talking about the Palestinian liberation movement,

1:31:01.720 --> 1:31:06.160
<v Speaker 3>the history of Palestinian resistance, what's going on right now,

1:31:06.960 --> 1:31:10.760
<v Speaker 3>gesturing at everything, and more. So, Yeah, you can check

1:31:10.800 --> 1:31:14.040
<v Speaker 3>both of those out wherever you get podcasts. You can

1:31:14.600 --> 1:31:18.880
<v Speaker 3>follow me on Blue Sky at Awa Rhiannon AA's a

1:31:19.160 --> 1:31:22.599
<v Speaker 3>y w a Rhiannon. And you can check out our

1:31:23.320 --> 1:31:26.559
<v Speaker 3>Patreon four five to four at patreon dot com Slash

1:31:26.800 --> 1:31:28.760
<v Speaker 3>five four pod all spelled.

1:31:28.479 --> 1:31:32.040
<v Speaker 1>Out excellent, Thank you again, come back anytime.

1:31:32.479 --> 1:31:32.800
<v Speaker 3>Thank you.

1:31:33.439 --> 1:31:37.640
<v Speaker 2>Death to g I Jane, Sorry death death, death to

1:31:37.800 --> 1:31:41.160
<v Speaker 2>g I Jane. So I was thinking of the Wendy Williams,

1:31:41.360 --> 1:31:42.479
<v Speaker 2>the Wendy Volliumes meme.

1:31:43.960 --> 1:31:49.160
<v Speaker 1>Oh Yeah, you can follow our our Patreon as well

1:31:49.560 --> 1:31:53.720
<v Speaker 1>aka Patreon at patreon dot com. Slash Bectal Cast two

1:31:53.760 --> 1:31:57.479
<v Speaker 1>bonus episodes a month, plus the entire back catalog and

1:31:58.479 --> 1:32:00.320
<v Speaker 1>with that at.

1:32:00.360 --> 1:32:04.280
<v Speaker 2>Ease Soldiers at Ease, Bye Bye.

1:32:08.080 --> 1:32:11.360
<v Speaker 1>The Bechdel Cast is a production of iHeartMedia, hosted by

1:32:11.439 --> 1:32:15.280
<v Speaker 1>Caitlin Derante and Jamie Loftis, produced by Sophie Lichtermann, edited

1:32:15.400 --> 1:32:18.559
<v Speaker 1>by Mola Board. Our theme song was composed by Mike

1:32:18.680 --> 1:32:23.040
<v Speaker 1>Kaplan with vocals by Katherine Voskressensky. Our logo in merch

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<v Speaker 1>is designed by Jamie Loftis and a special thanks to

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<v Speaker 1>Aristotle Assevedo. For more information about the podcast, please visit

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