1 00:00:01,320 --> 00:00:03,760 Speaker 1: In the morning. You gonna wake up in the morning. 2 00:00:04,040 --> 00:00:06,640 Speaker 1: I'm talking right. You know you're about to experience a 3 00:00:06,800 --> 00:00:11,559 Speaker 1: morning showing like any bast club. What you guys are 4 00:00:11,560 --> 00:00:14,040 Speaker 1: doing right now, it's the hup culture. Breakfast club is 5 00:00:14,240 --> 00:00:17,160 Speaker 1: my morning fit. I need it and I love it. 6 00:00:17,239 --> 00:00:20,400 Speaker 1: Something you like, You're really not popping until you do 7 00:00:20,440 --> 00:00:23,640 Speaker 1: the breakfast club, the waiting come to y'all show man. 8 00:00:23,720 --> 00:00:25,599 Speaker 1: I know you gotta be a big time celebrity be 9 00:00:25,640 --> 00:00:26,720 Speaker 1: up in here. You gotta be you gotta be a 10 00:00:26,720 --> 00:00:31,120 Speaker 1: big time DJ AELI and Charlemagne the guy the breakfast club, 11 00:00:31,200 --> 00:00:49,040 Speaker 1: bitch you Good morning you s a Hey Phail, Good morning, y'all. 12 00:00:49,080 --> 00:00:52,199 Speaker 1: What's good. I'm out here in LA. It's BT Awards 13 00:00:52,280 --> 00:00:57,280 Speaker 1: weekend officially now. I'm in LA and Charlemagne and DJ 14 00:00:57,560 --> 00:01:00,360 Speaker 1: n v R in New York, but I'm fortunately. I 15 00:01:00,360 --> 00:01:04,120 Speaker 1: believe there's been some traffic issues. I believe that there 16 00:01:04,120 --> 00:01:07,839 Speaker 1: are some tunnels and bridges and everything closed in New York. 17 00:01:08,040 --> 00:01:10,080 Speaker 1: I'm not there, so I can't tell you exactly what's 18 00:01:10,080 --> 00:01:12,440 Speaker 1: happening if they're just happened to be late to be late, 19 00:01:13,000 --> 00:01:15,840 Speaker 1: but somehow I'm in La on time. Now. If you 20 00:01:15,880 --> 00:01:18,959 Speaker 1: guys know the time difference. It's three am here in 21 00:01:19,080 --> 00:01:22,520 Speaker 1: LA right now. Long flight. I finally had the opportunity 22 00:01:22,560 --> 00:01:27,440 Speaker 1: to watch the Bill Street movie on the plane. I cried. 23 00:01:27,800 --> 00:01:29,920 Speaker 1: I felt like DJMV when he was watching Creed on 24 00:01:29,959 --> 00:01:33,280 Speaker 1: the plane, balling, crying. But you know, I'm gonna be 25 00:01:33,319 --> 00:01:36,119 Speaker 1: out here updating y'all what's going on. BT Awards a weekend. 26 00:01:36,200 --> 00:01:38,520 Speaker 1: Everybody's out here. As soon as I walked into my hotel, 27 00:01:39,160 --> 00:01:43,800 Speaker 1: it was NonStop action. So also, yesterday was the NBA 28 00:01:44,000 --> 00:01:46,040 Speaker 1: Draft and we're going to talk about that in Front 29 00:01:46,040 --> 00:01:49,640 Speaker 1: Page News. Will also be talking about imagine if you're 30 00:01:49,640 --> 00:01:52,360 Speaker 1: in the middle of divorce and you win the lottery, 31 00:01:52,920 --> 00:01:54,919 Speaker 1: what does that mean from the person that you're getting 32 00:01:54,920 --> 00:01:57,840 Speaker 1: divorced from. Should they share and get half of that money? 33 00:01:57,840 --> 00:02:00,520 Speaker 1: We'll tell you what happened in the d in Detroit. 34 00:02:01,040 --> 00:02:04,680 Speaker 1: And also do we have any guests this morning? Guys, 35 00:02:06,320 --> 00:02:12,400 Speaker 1: Hey dramas. Trina, Oh, Trina? All right, well, Trina is 36 00:02:12,400 --> 00:02:14,520 Speaker 1: gonna be on the show. Normally Emmy would announce that, 37 00:02:14,560 --> 00:02:19,240 Speaker 1: but he's not there yet. And and Kanie Orlando, okay, perfect, 38 00:02:19,320 --> 00:02:21,160 Speaker 1: she runs BT so she'll be able to give us 39 00:02:21,160 --> 00:02:24,000 Speaker 1: an update on what's happening this weekend for BT Awards. 40 00:02:24,000 --> 00:02:26,360 Speaker 1: Normally you don't need her drama's voice now if you 41 00:02:26,360 --> 00:02:28,359 Speaker 1: have her vote or you watch the YouTube videos. He's 42 00:02:28,360 --> 00:02:31,079 Speaker 1: a guy with the beard that Lizzo says is an 43 00:02:31,080 --> 00:02:34,360 Speaker 1: f board that normally sits in the corner and doesn't 44 00:02:34,400 --> 00:02:36,920 Speaker 1: say much and plays with his beard. But this morning 45 00:02:37,440 --> 00:02:39,320 Speaker 1: he's got to give me some updates on what's going on. 46 00:02:40,840 --> 00:02:44,000 Speaker 1: The whole time he pushed his buttons and plays with 47 00:02:44,040 --> 00:02:46,600 Speaker 1: his beard. There you go, there you go. And I 48 00:02:46,600 --> 00:02:48,520 Speaker 1: know Trina's gonna comment on your beard as well, so 49 00:02:48,720 --> 00:02:50,520 Speaker 1: I think she wanted to get into that now. Shout 50 00:02:50,520 --> 00:02:52,480 Speaker 1: out to Trina because she just did my Lip Service 51 00:02:52,520 --> 00:02:54,639 Speaker 1: live show that happened in New York and she was 52 00:02:54,680 --> 00:02:57,160 Speaker 1: really amazing and she had a great time and she 53 00:02:57,240 --> 00:03:00,760 Speaker 1: even posted about it, and it really did mean a 54 00:03:00,760 --> 00:03:02,160 Speaker 1: lot to me because that's a lot of work that 55 00:03:02,200 --> 00:03:04,600 Speaker 1: we put into that. I'm still recovering from that show 56 00:03:04,639 --> 00:03:06,680 Speaker 1: because I was out until midnight, then had to go 57 00:03:06,720 --> 00:03:08,720 Speaker 1: to work and also go home and pack and then 58 00:03:08,760 --> 00:03:11,320 Speaker 1: come straight to LA. But we are running off Humes 59 00:03:11,400 --> 00:03:13,600 Speaker 1: right now, so let's get this show started. We have 60 00:03:13,680 --> 00:03:15,600 Speaker 1: Front Page News on the way it's the Breakfast Club. 61 00:03:16,240 --> 00:03:19,600 Speaker 1: First day here, the gang's all here. Yeah, hey ye, 62 00:03:19,840 --> 00:03:21,560 Speaker 1: first day at summer. It don't feel like it at all, 63 00:03:21,560 --> 00:03:23,440 Speaker 1: at least not in New York City. No, it's nasty'd 64 00:03:23,440 --> 00:03:25,519 Speaker 1: been nasty the last couple of days. In the Lincoln Tunnel, 65 00:03:25,520 --> 00:03:27,799 Speaker 1: that's the tunnel that connects Jersey to New York was 66 00:03:27,919 --> 00:03:30,120 Speaker 1: shut down. I guess one of them playees got hit 67 00:03:30,120 --> 00:03:32,480 Speaker 1: by a car, so they shut it down for a 68 00:03:32,480 --> 00:03:35,400 Speaker 1: little bit and I was done. But sorry, Sorry, Houston 69 00:03:35,440 --> 00:03:37,240 Speaker 1: and Miami. I know y'all don't care. I'm just explained. 70 00:03:37,240 --> 00:03:38,960 Speaker 1: I just letting y'all know what's happening in our world. 71 00:03:39,000 --> 00:03:40,440 Speaker 1: They care that y'all were late, but they just want 72 00:03:40,440 --> 00:03:42,560 Speaker 1: to know why you were too. No, I wasn't. I'm 73 00:03:42,600 --> 00:03:44,720 Speaker 1: never late. I'm supposed to get in six so far. 74 00:03:46,560 --> 00:03:50,840 Speaker 1: You know what. I gotta restructure. All right, let's get 75 00:03:50,880 --> 00:03:56,040 Speaker 1: into front page news now. Last night was the NBA Draft, 76 00:03:56,080 --> 00:03:58,560 Speaker 1: and congratulations to the New York Knicks. They picked up 77 00:03:58,600 --> 00:04:00,920 Speaker 1: the number one picks out y'all. I don't know why 78 00:04:01,080 --> 00:04:03,840 Speaker 1: i'd give Why would you lie? Why would you let 79 00:04:03,840 --> 00:04:06,200 Speaker 1: satan You didn't have a bowl faced lie like that? 80 00:04:06,880 --> 00:04:08,280 Speaker 1: You know, if you're some you're supposed to be some 81 00:04:08,360 --> 00:04:10,880 Speaker 1: type of media authority. So some people maybe listening to 82 00:04:10,920 --> 00:04:13,320 Speaker 1: this like, really, how did that happen, explaining they don't 83 00:04:13,360 --> 00:04:16,880 Speaker 1: get sarcasm. No, no, Well everybody knows that Zion Williamson 84 00:04:17,000 --> 00:04:19,200 Speaker 1: was the first name called for the NBA draft, and 85 00:04:19,240 --> 00:04:20,960 Speaker 1: here's what he had to say in a very emotional 86 00:04:21,000 --> 00:04:23,880 Speaker 1: speech as he got drafted to the New Orleans Pelicans. 87 00:04:24,360 --> 00:04:27,359 Speaker 1: My mom's sacrifice a lot for me. I wouldn't be 88 00:04:27,360 --> 00:04:29,800 Speaker 1: here with on my mom she did. She did everything 89 00:04:29,839 --> 00:04:31,920 Speaker 1: for me. I just want to thank her. Your mom 90 00:04:32,000 --> 00:04:34,080 Speaker 1: was your coach when you were coming up. She coached 91 00:04:34,080 --> 00:04:36,520 Speaker 1: you until you were fourteen. What are the sacrifices you 92 00:04:36,520 --> 00:04:38,919 Speaker 1: feel as though she made for you? She put her 93 00:04:39,000 --> 00:04:41,320 Speaker 1: dreams aside from mine. Dropped on a clues bonx for 94 00:04:41,360 --> 00:04:46,280 Speaker 1: that South Carolina kid, Zion william sit and grasped to him. Yes, congratulationships, 95 00:04:46,279 --> 00:04:49,840 Speaker 1: How did that Brooklyn that to do? Are they were 96 00:04:50,000 --> 00:04:52,680 Speaker 1: number twenty seven? They got the twenty seven, they were seventeen. 97 00:04:53,880 --> 00:04:55,680 Speaker 1: Oh yeah, they got the seventeenth pick. In the twenty 98 00:04:55,680 --> 00:04:58,280 Speaker 1: seventh pick. You're absolutely right. I don't know who they 99 00:04:58,279 --> 00:04:59,840 Speaker 1: picked up, but they had the seventeenth pick in the 100 00:04:59,839 --> 00:05:01,760 Speaker 1: tw only seventh pick. The nets don't even know who 101 00:05:01,760 --> 00:05:06,360 Speaker 1: they picked up. It's only anyway it was the job 102 00:05:06,600 --> 00:05:08,600 Speaker 1: was at the Barclays. Though it was at the Barclays. 103 00:05:08,600 --> 00:05:10,920 Speaker 1: It's a two man it was a two man draft. Okay, 104 00:05:10,920 --> 00:05:15,039 Speaker 1: three Maybe ja J's cool, you know what I mean? 105 00:05:15,360 --> 00:05:18,599 Speaker 1: John morant Zian Willison. I think his sleep was though. 106 00:05:18,640 --> 00:05:20,440 Speaker 1: I think the new ball sung gonna ball out on 107 00:05:20,480 --> 00:05:23,119 Speaker 1: the low. He's seven six though, right, yep, like his daddy. 108 00:05:23,360 --> 00:05:24,720 Speaker 1: Is he skinny or does he have a little weight 109 00:05:24,760 --> 00:05:27,760 Speaker 1: on him? I'm skinny like his daddy. Skinny. Okay, what 110 00:05:27,800 --> 00:05:29,800 Speaker 1: else he got you? Let's talk about a man in 111 00:05:29,839 --> 00:05:32,360 Speaker 1: Detroit who won the lottery. He won a thirty million 112 00:05:32,400 --> 00:05:35,560 Speaker 1: dollar lottery, but now his ex wife is going to 113 00:05:35,600 --> 00:05:38,160 Speaker 1: get half of that. Richards Alaska and his wife Mary Beth, 114 00:05:38,200 --> 00:05:40,719 Speaker 1: they were separated for two years. He bought the Mega 115 00:05:40,760 --> 00:05:43,960 Speaker 1: Millions ticket back in twenty thirteen. The divorce was finalized 116 00:05:44,000 --> 00:05:46,640 Speaker 1: in twenty eighteen, and now he has to give her half. 117 00:05:47,000 --> 00:05:49,919 Speaker 1: Why Well, they were going through ads divorce, so they 118 00:05:49,960 --> 00:05:54,039 Speaker 1: weren't divorced yet. So they said the titter was marital property. Wow, 119 00:05:54,160 --> 00:05:56,479 Speaker 1: So yeah, that's what it is? What can you do? 120 00:05:56,720 --> 00:05:58,480 Speaker 1: You mean to tell me? If I'm married and anything 121 00:05:58,520 --> 00:06:00,560 Speaker 1: I go by is considered marital. If I buy a 122 00:06:00,560 --> 00:06:03,080 Speaker 1: packing Eminem's have her is considered half her. If you 123 00:06:03,120 --> 00:06:05,560 Speaker 1: get a divorce, yeah that's wild. And also if you 124 00:06:05,560 --> 00:06:06,880 Speaker 1: have a I mean, if you had a pre nup. 125 00:06:06,920 --> 00:06:08,680 Speaker 1: I don't know how that would work. You know, I 126 00:06:08,680 --> 00:06:11,040 Speaker 1: know it's a state by state thing, but what about it? 127 00:06:11,080 --> 00:06:13,320 Speaker 1: The stuff I can't use? Like I can't use your tampons. 128 00:06:13,720 --> 00:06:19,200 Speaker 1: You know what I'm said? You can't. I can't, Okay, 129 00:06:19,279 --> 00:06:22,600 Speaker 1: you can? You can? And do what with them? I 130 00:06:22,640 --> 00:06:28,200 Speaker 1: don't know. That's all y'all got. She literally all y'all 131 00:06:28,200 --> 00:06:34,279 Speaker 1: got every day in but Joe, we right, what else 132 00:06:34,279 --> 00:06:37,840 Speaker 1: you got? All right? So, in Rhode Island, as everybody 133 00:06:37,880 --> 00:06:40,480 Speaker 1: else is trying to do all these anti abortion bills, 134 00:06:40,880 --> 00:06:44,039 Speaker 1: I Rhode Island wrote an abortion protection into law. So 135 00:06:44,200 --> 00:06:47,599 Speaker 1: Rhode Island's Democrat control government passed the law to protect 136 00:06:47,640 --> 00:06:51,280 Speaker 1: abortion rights as an effort to support ro versus Way 137 00:06:51,320 --> 00:06:53,960 Speaker 1: as they are, ro versus Wade as they are facing 138 00:06:54,000 --> 00:06:56,560 Speaker 1: a tax nationwide from all the conservatives who are trying 139 00:06:56,600 --> 00:07:01,200 Speaker 1: to take away women's rights. So trying to yes, looks 140 00:07:01,200 --> 00:07:03,880 Speaker 1: like they've done a pretty good job to me. What's 141 00:07:03,920 --> 00:07:07,360 Speaker 1: that every state not yet? Not goodness? Well, as you 142 00:07:07,400 --> 00:07:08,880 Speaker 1: can see, Rhode Island is one of those dates that 143 00:07:08,960 --> 00:07:12,200 Speaker 1: it's protecting women's right. So that's good, that's amazing. All right, 144 00:07:12,240 --> 00:07:14,720 Speaker 1: well last front page news. Get it off your chest. 145 00:07:15,160 --> 00:07:17,520 Speaker 1: Eight hundred five eight five one oh five one. If 146 00:07:17,520 --> 00:07:19,040 Speaker 1: you're upset, you need to vent, you can hit this 147 00:07:19,200 --> 00:07:21,640 Speaker 1: up right now. Maybe you had a horrible night, bad night, 148 00:07:21,760 --> 00:07:24,160 Speaker 1: bad morning. Maybe the bridge was shut down and you 149 00:07:24,200 --> 00:07:27,600 Speaker 1: were late to work, or what bridge the tunnel Lincoln Tunnel, 150 00:07:27,920 --> 00:07:31,160 Speaker 1: or maybe you feel great and if this this have 151 00:07:31,200 --> 00:07:33,120 Speaker 1: to be me, I'm sure there's a bridge shut down somewhere. 152 00:07:33,680 --> 00:07:36,720 Speaker 1: Or if you want to anyway, eight hundred five eight 153 00:07:36,800 --> 00:07:38,320 Speaker 1: five one oh five one, hit us up now. It's 154 00:07:38,320 --> 00:07:46,040 Speaker 1: the breakfast club. Good morning, the breakfast Club. This is 155 00:07:46,040 --> 00:07:47,880 Speaker 1: your time to get it off your chest, whether you're 156 00:07:47,880 --> 00:07:50,320 Speaker 1: man or blast. So we better have the same Inny. 157 00:07:50,480 --> 00:07:52,160 Speaker 1: We want to hear from you on the breakfast club. 158 00:07:53,400 --> 00:07:55,960 Speaker 1: All right, Britain and get you off your chest. Good morning. 159 00:07:56,040 --> 00:07:59,120 Speaker 1: I just wanted to say I woke up very blessed today. 160 00:07:59,480 --> 00:08:02,680 Speaker 1: Yesterday I was driving home from work, and I was 161 00:08:02,720 --> 00:08:04,680 Speaker 1: in a drive by shooting the guy in front of 162 00:08:04,680 --> 00:08:06,560 Speaker 1: me at a red light decided to get out the 163 00:08:06,600 --> 00:08:09,440 Speaker 1: window and just start shooting back at us. So today 164 00:08:09,560 --> 00:08:11,640 Speaker 1: I just woke up and I feel blessed to be here. 165 00:08:11,760 --> 00:08:16,120 Speaker 1: He said he was shooting at you. Why shooting? That's scary. 166 00:08:16,560 --> 00:08:18,440 Speaker 1: It was just a drive by he was. We were 167 00:08:18,480 --> 00:08:20,920 Speaker 1: all stopped at a red light, and he uh just 168 00:08:21,000 --> 00:08:22,880 Speaker 1: hung out the window and just started shooting back at 169 00:08:22,880 --> 00:08:25,600 Speaker 1: the cars that were stopped. White guy, a black guy. 170 00:08:26,000 --> 00:08:28,800 Speaker 1: He was the African American male Jesus Christ. Did he 171 00:08:28,840 --> 00:08:31,680 Speaker 1: get Did they find him? To the cops find him? No, 172 00:08:31,880 --> 00:08:35,120 Speaker 1: they didn't. They came over to my house like they 173 00:08:35,120 --> 00:08:37,800 Speaker 1: were there pretty much all day, just trying to get information. 174 00:08:37,880 --> 00:08:40,480 Speaker 1: But there were up some questions like what type of 175 00:08:40,480 --> 00:08:42,640 Speaker 1: cars were around you? And I'm like, I don't know. 176 00:08:42,720 --> 00:08:45,320 Speaker 1: He started shooting and I dumped underneath and steering will. 177 00:08:45,480 --> 00:08:47,120 Speaker 1: He didn't look at anything else. He had to be 178 00:08:47,120 --> 00:08:53,160 Speaker 1: shooting at somebody. What I'm in a North Carolina in Fayetteville. 179 00:08:53,640 --> 00:08:57,000 Speaker 1: Jesus Christ. I'm glad you're okay, Mama, Yeah, me too. 180 00:08:57,080 --> 00:09:00,839 Speaker 1: Thank you. Guys, have a good one. You're too. Sounds scary. 181 00:09:00,880 --> 00:09:06,240 Speaker 1: I can't imagine that. Yes, what's up the morning? Hey, Nikki, 182 00:09:06,240 --> 00:09:10,240 Speaker 1: get you off your chest. I'm both blessed and I'm 183 00:09:10,240 --> 00:09:13,280 Speaker 1: mad this morning. I'm blessed because God blessed me to 184 00:09:13,360 --> 00:09:15,160 Speaker 1: wake up another day to be able to take care 185 00:09:15,200 --> 00:09:19,640 Speaker 1: of my kids. But I'm pissed off because how sadah 186 00:09:19,720 --> 00:09:22,440 Speaker 1: was written at home and I found out that the 187 00:09:22,480 --> 00:09:25,800 Speaker 1: person that appeared to be the landlord was actually a scammer, 188 00:09:25,880 --> 00:09:28,880 Speaker 1: so he took all of our planey. Yeah, we ended 189 00:09:28,960 --> 00:09:31,439 Speaker 1: up getting kicked kicked out by the bat because the 190 00:09:31,600 --> 00:09:34,640 Speaker 1: ad was actually a four soldier that he made it 191 00:09:34,679 --> 00:09:37,920 Speaker 1: seem like he was at the landlord for it. Damn 192 00:09:38,600 --> 00:09:40,679 Speaker 1: that sucks, says nothing you can do about that. How 193 00:09:40,720 --> 00:09:42,800 Speaker 1: much money did he get from your mama? He got 194 00:09:42,840 --> 00:09:46,200 Speaker 1: four thousand, five hundred dollars and now you don't have 195 00:09:46,240 --> 00:09:49,679 Speaker 1: a place to stay. No, he really he created a 196 00:09:49,760 --> 00:09:53,200 Speaker 1: whole fake least and all of this stuff. And then 197 00:09:53,280 --> 00:09:56,280 Speaker 1: the sheriff came because the house two months later and 198 00:09:56,360 --> 00:09:58,280 Speaker 1: they just kicked the thing. They didn't give us thirty 199 00:09:58,360 --> 00:10:00,600 Speaker 1: days nothing, They said, we had to go. Damn, are 200 00:10:00,640 --> 00:10:02,440 Speaker 1: you in Jersey? If you in Jersey? I got you 201 00:10:02,480 --> 00:10:06,560 Speaker 1: for a month with you in Jersey. Oh, I'm sorry, mama. Damn, 202 00:10:06,559 --> 00:10:08,480 Speaker 1: I'm sorry, that's shot. If you was in Jersey. How 203 00:10:08,559 --> 00:10:10,720 Speaker 1: to put you up in one of my my apartments 204 00:10:10,760 --> 00:10:12,839 Speaker 1: for a month to get you get you, let you 205 00:10:12,880 --> 00:10:15,880 Speaker 1: get yourself together. I'm sorry, Mama. There's nothing you can 206 00:10:15,920 --> 00:10:18,040 Speaker 1: do to get that back then. I mean, we can't 207 00:10:18,040 --> 00:10:20,520 Speaker 1: even find the guy games of all of the poem. 208 00:10:20,559 --> 00:10:23,800 Speaker 1: He saw the information that we had, Blady. They said 209 00:10:23,840 --> 00:10:25,840 Speaker 1: that they can't do nothing because they don't even know 210 00:10:25,840 --> 00:10:28,840 Speaker 1: if that's what we need. These damn scammers. But they 211 00:10:28,840 --> 00:10:32,480 Speaker 1: don't care about people's lives at all. No, they're dumb. 212 00:10:32,559 --> 00:10:37,680 Speaker 1: It's crazy. All right, mama, we'll have a better weekend here. 213 00:10:37,760 --> 00:10:41,560 Speaker 1: Thank you, guys. At you guys, all right, get it 214 00:10:41,559 --> 00:10:44,080 Speaker 1: off your chests. Eight hundred five eight five one oh 215 00:10:44,120 --> 00:10:45,920 Speaker 1: five one. If you need to vep you get hit 216 00:10:45,960 --> 00:10:48,600 Speaker 1: this up right now. It's the breakfast Club. Good morning, 217 00:10:49,000 --> 00:10:57,079 Speaker 1: the breakfast Club. Wake up, wake up, wake your time 218 00:10:57,120 --> 00:11:00,840 Speaker 1: to get it off your chest, your man or blessed. 219 00:11:00,840 --> 00:11:02,480 Speaker 1: We want to hear from you on a breakfast club. 220 00:11:03,600 --> 00:11:06,600 Speaker 1: Angel sir A good boy to breakfast club. Hey, y'all, 221 00:11:06,600 --> 00:11:09,120 Speaker 1: I just want to say angela thank you for always 222 00:11:09,160 --> 00:11:13,000 Speaker 1: being on time. Thank you. All right, listen, I always 223 00:11:13,040 --> 00:11:14,840 Speaker 1: try to get here early because I always tell people, 224 00:11:14,880 --> 00:11:16,880 Speaker 1: if you're early, you're on time. If you're late, if 225 00:11:16,880 --> 00:11:19,720 Speaker 1: you're on time, you're late. ANGELA five minutes from the station, 226 00:11:19,800 --> 00:11:25,360 Speaker 1: damn it, twenty minute like forty five. Also, congratulations, Charlotgagne 227 00:11:26,280 --> 00:11:30,080 Speaker 1: or black men don't cheat our dramas. Please hit those 228 00:11:30,120 --> 00:11:34,800 Speaker 1: fart bars on Charlottagne's versus because they're whack. I'm not 229 00:11:34,840 --> 00:11:36,520 Speaker 1: a rapper, sure, so that doesn't offend me in the 230 00:11:36,600 --> 00:11:41,040 Speaker 1: least bit. It doesn't matter. You're part whacked and gracious Angel, 231 00:11:41,240 --> 00:11:44,000 Speaker 1: damn you hit hits. Those parks hit the park. We 232 00:11:44,120 --> 00:11:46,480 Speaker 1: hit it already. Angel, come down, thank you, Thank you, sir. 233 00:11:46,679 --> 00:11:48,120 Speaker 1: I didn't hear it. I didn't hear it. All right, 234 00:11:48,200 --> 00:11:50,400 Speaker 1: y'all have a blessed weekend. Hell you didn't hear it. 235 00:11:50,480 --> 00:11:52,080 Speaker 1: I don't need to hear the fats to me. Yeah, 236 00:11:52,200 --> 00:11:53,439 Speaker 1: I didn't know that. I thought this was slam of 237 00:11:53,440 --> 00:11:54,960 Speaker 1: the breakfast club. The way he was going in, Hello, 238 00:11:54,960 --> 00:11:59,040 Speaker 1: who's this? Hey? This is hey? Get it off? Damn Hi, 239 00:11:59,120 --> 00:12:01,920 Speaker 1: how are you doing you? Um So? I just wanted 240 00:12:01,960 --> 00:12:04,600 Speaker 1: to bless you know, say, I hope that everyone has 241 00:12:04,600 --> 00:12:07,360 Speaker 1: a blessed day and got if you're going through anything 242 00:12:07,679 --> 00:12:10,880 Speaker 1: or if you're having a little issues, just put your 243 00:12:10,880 --> 00:12:13,160 Speaker 1: faith in problems from God and know that it will 244 00:12:13,200 --> 00:12:16,200 Speaker 1: be solved. There you go, all right, Well, sweet, we 245 00:12:16,200 --> 00:12:18,640 Speaker 1: appreciate that that helped out a lot of people disported 246 00:12:19,040 --> 00:12:22,319 Speaker 1: by guys night. I will say, though, we can put 247 00:12:22,360 --> 00:12:24,840 Speaker 1: a lot of pressure on God to fix our problems, 248 00:12:24,880 --> 00:12:27,560 Speaker 1: when a lot of these things we can fix ourselves. Okay, 249 00:12:27,679 --> 00:12:30,480 Speaker 1: sometimes you're you're in your way. That is true. Hello, 250 00:12:30,520 --> 00:12:35,160 Speaker 1: who's this? Get it off your chess? Didn't want to 251 00:12:35,200 --> 00:12:38,679 Speaker 1: go and tell y'all. So, y'all, Plata is like one 252 00:12:38,720 --> 00:12:42,320 Speaker 1: of the worst drivers in all America. I'm a truck driver, 253 00:12:42,520 --> 00:12:45,440 Speaker 1: and I get to the civil accidents and towarding us plays, 254 00:12:45,600 --> 00:12:47,920 Speaker 1: and I just want to push everybody to place they 255 00:12:47,960 --> 00:12:50,840 Speaker 1: safe out there on those roads. Okay, you in your 256 00:12:50,880 --> 00:12:52,640 Speaker 1: truck now, you're a truck driver. You in the truck now, 257 00:12:53,360 --> 00:12:55,800 Speaker 1: I ain't they blow that home for I knew you 258 00:12:55,920 --> 00:13:03,040 Speaker 1: was gonna do that. There you go, truck drivers out there. 259 00:13:03,320 --> 00:13:05,120 Speaker 1: Shout out to all the truck drivers out there, Thank 260 00:13:05,160 --> 00:13:07,080 Speaker 1: you mama. Get it off your chests. Where we got 261 00:13:07,120 --> 00:13:10,559 Speaker 1: time for one more. Ce J, good morning. Hey, y 262 00:13:10,600 --> 00:13:15,079 Speaker 1: what's going on? Man? What's up? CJJ? Oh all right, 263 00:13:15,200 --> 00:13:21,760 Speaker 1: what up? CJ? Hey? Vi uh Charlomagne. Yeah, we here 264 00:13:21,800 --> 00:13:24,360 Speaker 1: every morning six am to ten am for nine years. 265 00:13:24,400 --> 00:13:26,840 Speaker 1: We'll six oh five to ten m. I got you, hey, 266 00:13:26,880 --> 00:13:30,360 Speaker 1: three things real quick, Antel, you are so beautiful. If 267 00:13:30,360 --> 00:13:33,040 Speaker 1: I wasn't murried, you'll be my woman, and you wouldn't 268 00:13:33,040 --> 00:13:38,160 Speaker 1: be hired me like you're doing your boyfriend. And oh, 269 00:13:38,360 --> 00:13:42,840 Speaker 1: you ain't saying thank you nothing. I'm I'm thank you 270 00:13:42,840 --> 00:13:45,400 Speaker 1: for this and my boyfriend. No, I'll just saying you're beautiful. 271 00:13:45,440 --> 00:13:47,840 Speaker 1: You'll see my woman. If I wasn't murried, I might 272 00:13:48,040 --> 00:13:52,280 Speaker 1: shout out to your wife. Black men don't cheat, broad, y'all, y'all, Hey, 273 00:13:52,320 --> 00:13:55,120 Speaker 1: that's my second point. Last Tuesday, I'm getting off for 274 00:13:55,200 --> 00:13:57,440 Speaker 1: work and I was frying to see my side checking 275 00:13:57,480 --> 00:13:59,559 Speaker 1: the first thing out here in the cards. Black men 276 00:13:59,600 --> 00:14:04,320 Speaker 1: don't see, I want to say, and because once I 277 00:14:03,559 --> 00:14:09,000 Speaker 1: heard trying right the one wet here we are there 278 00:14:09,040 --> 00:14:10,920 Speaker 1: doing God's work, and you need to stop running around 279 00:14:10,920 --> 00:14:12,600 Speaker 1: here like a little black boy and start being a 280 00:14:12,600 --> 00:14:14,719 Speaker 1: real black man. Because black men don't cheat, but black 281 00:14:14,800 --> 00:14:19,960 Speaker 1: boys do your side check. Yeah, I'm not No, it's 282 00:14:19,960 --> 00:14:24,120 Speaker 1: not worth It's exactly sir. How old are you see 283 00:14:24,160 --> 00:14:26,320 Speaker 1: what I'm saying? You're still in that phase? I understand, 284 00:14:26,360 --> 00:14:27,800 Speaker 1: but you know you gotta be a black man, not 285 00:14:27,880 --> 00:14:30,960 Speaker 1: a black boy, sir. He's right right. And hey, the 286 00:14:31,080 --> 00:14:33,480 Speaker 1: last thing is everybody you swimming the right to an 287 00:14:33,520 --> 00:14:36,480 Speaker 1: empty for your gage show. But I'm the same way 288 00:14:36,520 --> 00:14:38,640 Speaker 1: like I'm trilling my bad school energy. I'm free to 289 00:14:38,640 --> 00:14:41,360 Speaker 1: say and do whatever I want to do. The man 290 00:14:41,480 --> 00:14:44,440 Speaker 1: one who fake man and trying to just themselves those 291 00:14:44,480 --> 00:14:47,160 Speaker 1: through the one on the download. All right, listen with 292 00:14:47,280 --> 00:14:49,200 Speaker 1: that said, I want you to know that today's National 293 00:14:49,240 --> 00:14:52,840 Speaker 1: Peaches and Cream Day, sir. All right, I shout out 294 00:14:52,880 --> 00:14:56,600 Speaker 1: to one twelve. Hey that reserve for the night. There 295 00:14:56,680 --> 00:14:59,320 Speaker 1: you go, and if you look, if you get a 296 00:14:59,320 --> 00:15:01,600 Speaker 1: little cream on your bottom lip, just lick it off 297 00:15:01,600 --> 00:15:04,760 Speaker 1: with your tongue like a real man. Hey, Hey, that's 298 00:15:04,760 --> 00:15:09,640 Speaker 1: what my sid Stop talking about your man, grow up, sir, 299 00:15:10,040 --> 00:15:16,280 Speaker 1: he misses her. All right, get it off your chest. 300 00:15:16,360 --> 00:15:18,520 Speaker 1: Eight hundred five A five one on five one. If 301 00:15:18,520 --> 00:15:19,800 Speaker 1: you need to vent, you can hit this up now. 302 00:15:19,800 --> 00:15:21,280 Speaker 1: You we got rumors on the way he asked, we're 303 00:15:21,280 --> 00:15:23,480 Speaker 1: talking about our artists who we all know and love, 304 00:15:23,520 --> 00:15:25,400 Speaker 1: and she's going through something right now, and she was 305 00:15:25,400 --> 00:15:28,840 Speaker 1: on social media talking about her depression. So let's send 306 00:15:28,880 --> 00:15:30,680 Speaker 1: her some love. All right, we'll get into that next. 307 00:15:30,720 --> 00:15:32,840 Speaker 1: Keep it locked. Just to Breakfast Club. Good morning, the 308 00:15:33,080 --> 00:15:41,040 Speaker 1: Breakfast Club. Morning. Everybody is DJ mvy Angela Yee, Charlomagne 309 00:15:41,040 --> 00:15:43,560 Speaker 1: the guy. We are to Breakfast Club, good morning, good morning. 310 00:15:43,600 --> 00:15:45,880 Speaker 1: We got a shout out to our newest family member 311 00:15:46,120 --> 00:15:50,000 Speaker 1: w y RB Rockford's Power one oh six in Rockford, Illinois. 312 00:15:50,040 --> 00:15:52,440 Speaker 1: They joined the club. They joined the family. Welcome guys, 313 00:15:52,680 --> 00:15:59,440 Speaker 1: good morning, how many something? Yes? God is good? Yes, 314 00:15:59,560 --> 00:16:03,120 Speaker 1: and his family look at God. There you go. All right, well, 315 00:16:03,160 --> 00:16:06,520 Speaker 1: let's get to these rumors. Let's talk a little Dirk listens, 316 00:16:07,560 --> 00:16:15,120 Speaker 1: Oh gosh reports. It's the rule report Breakfast Club. But 317 00:16:15,240 --> 00:16:18,000 Speaker 1: a little Dirk has been a granted bond. He's out 318 00:16:18,000 --> 00:16:20,640 Speaker 1: of jail, and he has a curfew. He has to 319 00:16:20,640 --> 00:16:22,800 Speaker 1: also wear an ankle monitor at all times, and he 320 00:16:22,880 --> 00:16:26,120 Speaker 1: cannot have any contact direct or indirect with gang members. 321 00:16:26,120 --> 00:16:28,640 Speaker 1: And he cannot possess or be near any weapons. And 322 00:16:28,760 --> 00:16:30,840 Speaker 1: he has to stay at least two hundred yards away 323 00:16:30,880 --> 00:16:33,360 Speaker 1: from the victim. So, as you know, he's been booked 324 00:16:33,360 --> 00:16:36,400 Speaker 1: for five felony charges that includes criminal intend to commit murder, 325 00:16:36,720 --> 00:16:39,440 Speaker 1: aggravated us all a, possession of a firearm during commission 326 00:16:39,480 --> 00:16:42,560 Speaker 1: of a felony, possession of a firearm by a convicted felon, 327 00:16:42,880 --> 00:16:45,400 Speaker 1: and another charge of associating with a criminal street gang 328 00:16:45,440 --> 00:16:47,920 Speaker 1: to participate in a crime. Now tell me what I'm missing, 329 00:16:47,960 --> 00:16:49,480 Speaker 1: because I thought he killed somebody. So while he got 330 00:16:49,560 --> 00:16:51,320 Speaker 1: to stay away from a victim of the victim, Dad, 331 00:16:51,320 --> 00:16:53,480 Speaker 1: he can't. I don't think he killed It was no, no, no, 332 00:16:53,520 --> 00:16:57,200 Speaker 1: it was attempted murder. And they said a pastor actually 333 00:16:57,200 --> 00:17:00,480 Speaker 1: got him out testified and said, uh, he was a 334 00:17:00,480 --> 00:17:02,560 Speaker 1: good person and all that. And they're not saying to 335 00:17:02,600 --> 00:17:04,320 Speaker 1: pass his name. And then they're saying because of that, 336 00:17:04,320 --> 00:17:07,040 Speaker 1: that's how he was able to get released on bondy right, 337 00:17:07,080 --> 00:17:09,040 Speaker 1: they're saying he's not a flight risk, and the judge 338 00:17:09,280 --> 00:17:11,280 Speaker 1: clearly agrees with that. He's not on house arrest, but 339 00:17:11,320 --> 00:17:13,600 Speaker 1: he has to be in the house at eleven pm 340 00:17:13,640 --> 00:17:17,199 Speaker 1: from eleven pm until seven am. All right, Now, Fattie 341 00:17:17,200 --> 00:17:19,680 Speaker 1: Wapp is in trouble. He is being accused of man 342 00:17:19,760 --> 00:17:22,399 Speaker 1: handling a woman that he met at a video shoot. 343 00:17:22,440 --> 00:17:24,679 Speaker 1: Apparently they were going back to an airbnb. They were 344 00:17:24,720 --> 00:17:26,760 Speaker 1: having a party. It was several other women as well. 345 00:17:27,160 --> 00:17:29,920 Speaker 1: They said at some point during that evening, the accuser 346 00:17:29,960 --> 00:17:32,680 Speaker 1: went to the room with Fattie Wapp and things allegedly 347 00:17:32,720 --> 00:17:34,719 Speaker 1: got a little violent. They said there was a witness 348 00:17:34,760 --> 00:17:37,359 Speaker 1: who's one of the accusers friends who was in the room, 349 00:17:37,400 --> 00:17:40,200 Speaker 1: and they said she was upset. The woman was upset 350 00:17:40,240 --> 00:17:42,760 Speaker 1: because of the other women that he had invited back 351 00:17:42,800 --> 00:17:45,840 Speaker 1: to the house, and she was screaming that he put 352 00:17:45,840 --> 00:17:47,600 Speaker 1: his hands on her and dared him to do it again, 353 00:17:47,600 --> 00:17:50,080 Speaker 1: and that's when he allegedly smacked the phone out of 354 00:17:50,080 --> 00:17:53,879 Speaker 1: her hand. Yeah, got a video of it. What do 355 00:17:53,920 --> 00:17:56,120 Speaker 1: you think when you saw the video? I think people 356 00:17:56,160 --> 00:17:58,600 Speaker 1: were gonna learn about dogging women out in twenty nineteen 357 00:17:58,720 --> 00:18:00,679 Speaker 1: like that Hard on Thoughts movie gonna get a lot 358 00:18:00,720 --> 00:18:03,000 Speaker 1: of y'all in situations like this. That's what I think, 359 00:18:03,560 --> 00:18:07,119 Speaker 1: all right now. Lizzo, she posted and we love Lizza 360 00:18:07,200 --> 00:18:09,280 Speaker 1: so much on the Breakfast Club when she was up here. 361 00:18:09,320 --> 00:18:12,159 Speaker 1: She's been on lip service. She's an amazing person and 362 00:18:12,240 --> 00:18:15,120 Speaker 1: she posted I'm depressing. There's no one I can talk 363 00:18:15,160 --> 00:18:18,320 Speaker 1: to because there's nothing anyone can do about it. Life hurts. 364 00:18:18,960 --> 00:18:21,040 Speaker 1: And then she said, I self love so hard because 365 00:18:21,040 --> 00:18:23,520 Speaker 1: everything feels like rejection. It feels like the whole world 366 00:18:23,520 --> 00:18:26,560 Speaker 1: be ghost to me sometimes sad as f today, but 367 00:18:26,640 --> 00:18:29,120 Speaker 1: this too shall pass. Had out all the messages of love. 368 00:18:29,240 --> 00:18:31,160 Speaker 1: Thank you. That's real though. I mean what she said. 369 00:18:31,160 --> 00:18:33,080 Speaker 1: You know self love, You're first last and best love 370 00:18:33,119 --> 00:18:36,680 Speaker 1: is self love, period. So we're sending some love to 371 00:18:36,760 --> 00:18:39,760 Speaker 1: you right now, Lizzo. Absolutely. Other people may not show 372 00:18:39,840 --> 00:18:41,159 Speaker 1: up for you, but you can always show for your 373 00:18:41,160 --> 00:18:45,080 Speaker 1: goddamn self. All right, Now, let's talk about Little nas X. 374 00:18:45,160 --> 00:18:48,359 Speaker 1: He has his a remix featuring Cardi B and Billy 375 00:18:48,520 --> 00:18:52,560 Speaker 1: Ray Cyrus. So do you guys want to hear? Sure? 376 00:18:52,640 --> 00:19:10,000 Speaker 1: It's a remix? Well everything black look good shot, good shot? 377 00:19:10,000 --> 00:19:11,800 Speaker 1: Thought you heard about it? Must not? Must not like 378 00:19:11,920 --> 00:19:17,840 Speaker 1: to send me dirty dirty not my hearted below I'm like, 379 00:19:20,520 --> 00:19:24,160 Speaker 1: I will only beat his widow. Actually that's a new song, 380 00:19:24,200 --> 00:19:25,639 Speaker 1: but it sounds like a remix to me. That's what 381 00:19:25,680 --> 00:19:28,159 Speaker 1: I thought at first. But it's Rodeo featuring Cardi B. 382 00:19:28,240 --> 00:19:31,159 Speaker 1: And that's off of his debut a EP seven. I 383 00:19:31,320 --> 00:19:33,199 Speaker 1: Loove Cardi B. So you know anything she does. I 384 00:19:33,240 --> 00:19:36,800 Speaker 1: love that song does sound like I like it old 385 00:19:36,840 --> 00:19:39,359 Speaker 1: Town Road so like to any time like they kind 386 00:19:39,400 --> 00:19:40,800 Speaker 1: of yeah. So when I first heard it, I thought 387 00:19:40,800 --> 00:19:42,760 Speaker 1: it was another remix, but it's actually a new song 388 00:19:42,760 --> 00:19:45,880 Speaker 1: called sounds like another country song. I don't necessarily sound 389 00:19:45,880 --> 00:19:48,200 Speaker 1: like Old Town Road like it's got a country vibe. 390 00:19:48,200 --> 00:19:49,720 Speaker 1: It's a playoff of it a little bit. I think. 391 00:19:50,160 --> 00:19:52,440 Speaker 1: M M all right, so and if you love the 392 00:19:52,440 --> 00:19:56,160 Speaker 1: old Country Road, hey, you're gonna love Maybe not because 393 00:19:56,280 --> 00:19:58,879 Speaker 1: Rodeo didn't catch me like that immediately. I gotta listen again, 394 00:19:59,520 --> 00:20:02,280 Speaker 1: all right. Now, another person who's oh song came out. 395 00:20:02,359 --> 00:20:04,880 Speaker 1: She's been teasing this Nicki Minaj Mega Tron. We told 396 00:20:04,880 --> 00:20:07,000 Speaker 1: you what was gonna drop at midnight last night. So 397 00:20:07,119 --> 00:20:08,919 Speaker 1: if you haven't heard it, it's also a video, so 398 00:20:09,040 --> 00:20:10,720 Speaker 1: make sure you watch the video. And here's a snippet 399 00:20:10,720 --> 00:20:13,800 Speaker 1: of that. They called me Mega trump just to the telethone. 400 00:20:13,880 --> 00:20:16,200 Speaker 1: He got my chillous song, and I kill my chillous song. 401 00:20:16,760 --> 00:20:19,760 Speaker 1: I'm like I missed some just came out of prison talking, 402 00:20:20,520 --> 00:20:22,800 Speaker 1: got a pot of piston. My name is sticky m 403 00:20:22,840 --> 00:20:25,240 Speaker 1: I'm in a sticky Ben said that means it's Candy Epple. 404 00:20:25,240 --> 00:20:27,760 Speaker 1: But I'm Bobby. This is Kenny. That is a find effect. 405 00:20:27,920 --> 00:20:30,600 Speaker 1: I'm a hunting me. Oh, this is custom made Donna. 406 00:20:30,680 --> 00:20:37,960 Speaker 1: Tell usent me that Phil pull up only five member 407 00:20:38,080 --> 00:20:47,520 Speaker 1: Phil me pull only just I'm drinking when I'm drinking. 408 00:20:48,800 --> 00:20:50,640 Speaker 1: All right, what y'all think about that? With the little 409 00:20:50,720 --> 00:20:54,240 Speaker 1: heads high sample, you still gotta hear more of the 410 00:20:54,359 --> 00:20:56,800 Speaker 1: same thing with the Rodeo record, Well, I'm sure Emmy's 411 00:20:56,800 --> 00:20:59,520 Speaker 1: gonna play it this morning, right, snippet I throw back 412 00:20:59,560 --> 00:21:02,160 Speaker 1: on Friday. I played Flashback on Friday. It's not sticking 413 00:21:02,200 --> 00:21:03,920 Speaker 1: to my ribs yet. I gotta I gotta vibe with 414 00:21:04,000 --> 00:21:07,240 Speaker 1: these records this weekend. I'm hearing snippets. I haven't heard 415 00:21:07,240 --> 00:21:09,000 Speaker 1: either one of these videos. Dope. I think Nicki Mina 416 00:21:09,200 --> 00:21:10,960 Speaker 1: song is cool. I like when Nicki spitz though, like 417 00:21:11,000 --> 00:21:13,800 Speaker 1: when she's rapping rapping, But this is for what she knows. 418 00:21:13,880 --> 00:21:15,520 Speaker 1: She's going for a single. You've heard the whole song. 419 00:21:15,560 --> 00:21:18,800 Speaker 1: I heard the whole song, and I said, I always 420 00:21:18,800 --> 00:21:22,440 Speaker 1: like a little reggae reggae theme song, So you know 421 00:21:22,600 --> 00:21:25,199 Speaker 1: I like when she does that. All right, I'm Angela 422 00:21:25,320 --> 00:21:27,800 Speaker 1: Yee And that is your rumor report. All right, thank you, 423 00:21:27,920 --> 00:21:30,080 Speaker 1: miss Yee. Now we got front page news. When we 424 00:21:30,160 --> 00:21:32,600 Speaker 1: come back. Man, let's talk about the NBA draft, because 425 00:21:32,600 --> 00:21:34,840 Speaker 1: I know y'all want to talk about Zion Williamson. There 426 00:21:34,960 --> 00:21:38,600 Speaker 1: was very predictably first pick, and we'll discuss what he 427 00:21:38,680 --> 00:21:41,239 Speaker 1: had to say about his inspiration. All right, we'll get 428 00:21:41,280 --> 00:21:43,480 Speaker 1: into that next. Keeping locked this to Breakfast Club. Good morning, 429 00:21:43,600 --> 00:21:47,440 Speaker 1: all right morning. Everybody is DJ mvy, Angela Yee, Charlomagne 430 00:21:47,440 --> 00:21:49,920 Speaker 1: and guy. We are the Breakfast Club. Good morning. What's happening. 431 00:21:50,119 --> 00:21:53,840 Speaker 1: Let's get in some front page news. Now. Last night 432 00:21:53,920 --> 00:21:57,680 Speaker 1: was the twenty and nineteen NBA draft. Congratulations to Zion. 433 00:21:57,880 --> 00:21:59,360 Speaker 1: We knew he was going number one, and we also 434 00:21:59,440 --> 00:22:02,000 Speaker 1: knew that he was going to the Pelicans. So congratulations. 435 00:22:02,040 --> 00:22:05,760 Speaker 1: South Carolina's own drop on a clues box designed Williamson. Damnit. Yes, 436 00:22:05,920 --> 00:22:08,159 Speaker 1: it was a very terry eyed occasion. Here's what he 437 00:22:08,240 --> 00:22:10,879 Speaker 1: had to say about his mama. My mom's sacrifice a 438 00:22:10,880 --> 00:22:13,520 Speaker 1: lot for me. I wouldn't be able on my mom. 439 00:22:14,280 --> 00:22:16,520 Speaker 1: She did everything for me. I just want to think her. 440 00:22:17,040 --> 00:22:19,119 Speaker 1: Your mom was your coach when you were coming up. 441 00:22:19,160 --> 00:22:21,840 Speaker 1: She coached you until you were fourteen. What are the sacrifices. 442 00:22:21,960 --> 00:22:24,280 Speaker 1: You feel as though she made for you, She put 443 00:22:24,359 --> 00:22:27,639 Speaker 1: her dreams aside from mine. Well, the journey is just beginning, 444 00:22:27,680 --> 00:22:30,320 Speaker 1: young Man's right. Being number one doesn't guarantee success. Look 445 00:22:30,400 --> 00:22:34,479 Speaker 1: no farther than Kwame Brown and Greg Olden. He'll get 446 00:22:34,520 --> 00:22:35,800 Speaker 1: a lot of bread. But I think you'll do fine. 447 00:22:35,880 --> 00:22:37,520 Speaker 1: He's a great play I think he'll do Okay. What 448 00:22:37,600 --> 00:22:39,680 Speaker 1: else we got you? Well, they're saying that artists and 449 00:22:39,760 --> 00:22:43,280 Speaker 1: labels are reportedly losing three hundred million dollars in potential revenue, 450 00:22:43,320 --> 00:22:46,000 Speaker 1: and that's all because of fake streams. Now, there was 451 00:22:46,040 --> 00:22:48,360 Speaker 1: a new report from Rolling Stone that put that out, 452 00:22:48,400 --> 00:22:52,000 Speaker 1: and it says that there's computerized click farms and bats 453 00:22:52,520 --> 00:22:54,879 Speaker 1: and that's become a rising concern for people in the 454 00:22:54,920 --> 00:22:58,520 Speaker 1: industry because there's generated streams that are coming from potentially 455 00:22:58,600 --> 00:23:02,280 Speaker 1: fake users. We knew that already. You can't compete with 456 00:23:02,359 --> 00:23:05,600 Speaker 1: these these major corporations when it comes to these streaming 457 00:23:05,640 --> 00:23:08,680 Speaker 1: service especially when they, you know, doing these sponsorship deals 458 00:23:08,720 --> 00:23:11,720 Speaker 1: and you got these companies like Pepsi and Coking whoever 459 00:23:11,760 --> 00:23:14,320 Speaker 1: else buying two hundred million screens before albums even come out. 460 00:23:14,560 --> 00:23:16,760 Speaker 1: How can you compete? Yeah, they said three to four 461 00:23:16,840 --> 00:23:20,200 Speaker 1: percent of global streams are fake. And right now, you 462 00:23:20,280 --> 00:23:22,760 Speaker 1: know the technology is people aren't able to keep up 463 00:23:22,800 --> 00:23:27,000 Speaker 1: with protecting that new technology that's out there. Nothing's real, man, not, 464 00:23:27,080 --> 00:23:29,320 Speaker 1: nothing's real at all. Your votes don't matter. The screams 465 00:23:29,359 --> 00:23:31,800 Speaker 1: ain't real. People get a lot of money off of 466 00:23:31,840 --> 00:23:35,440 Speaker 1: that fake stream stuff too, though, But whatever works, they think, 467 00:23:35,480 --> 00:23:38,159 Speaker 1: So who's getting the money? The labels must because the 468 00:23:38,200 --> 00:23:39,920 Speaker 1: damn sure ain't the artist. But now I said, the 469 00:23:40,000 --> 00:23:44,080 Speaker 1: labels are losing money because of that fake So who's 470 00:23:44,119 --> 00:23:46,119 Speaker 1: faking the streams? Then I would think that was what 471 00:23:46,400 --> 00:23:48,000 Speaker 1: That's something the labels would be doing now they don't 472 00:23:48,000 --> 00:23:49,280 Speaker 1: get money from it. I know that. I know a 473 00:23:49,320 --> 00:23:51,520 Speaker 1: lot a lot of artists. I heard what we're faking 474 00:23:51,560 --> 00:23:54,119 Speaker 1: some of the streams, and they can renegotiate and say, hey, 475 00:23:54,160 --> 00:23:57,000 Speaker 1: I stream this amount of this amount of you know units, 476 00:23:57,040 --> 00:23:58,679 Speaker 1: and I should be getting this amount of money. How 477 00:23:58,720 --> 00:24:02,280 Speaker 1: do artists fake screams? Somebody's sending that manual lover, Yeah, 478 00:24:02,280 --> 00:24:05,240 Speaker 1: I guess they have the website. You just released a single, 479 00:24:05,280 --> 00:24:06,840 Speaker 1: Why You're Gonna see a Black Man? No cheat? I 480 00:24:07,119 --> 00:24:10,480 Speaker 1: think I wouldn't fake some streams. Was just talking about 481 00:24:10,520 --> 00:24:13,639 Speaker 1: that yesterday. Nah, he was just talking about He was 482 00:24:13,680 --> 00:24:15,520 Speaker 1: saying the same thing, like, you got all of these 483 00:24:15,880 --> 00:24:18,320 Speaker 1: people faking screams. Absolutely, remember back in the day they 484 00:24:18,400 --> 00:24:21,199 Speaker 1: used to fake the followers on Twitter and the follows 485 00:24:21,240 --> 00:24:24,720 Speaker 1: on Instagram to that and still do. It's a little 486 00:24:24,720 --> 00:24:27,040 Speaker 1: different with screams, though. You can get money from that. People. 487 00:24:27,240 --> 00:24:29,639 Speaker 1: You know, we're paying you to advertise depending on how 488 00:24:29,720 --> 00:24:32,040 Speaker 1: much I'm Distagram followers. You have one, I'm gonna tell 489 00:24:32,040 --> 00:24:33,600 Speaker 1: you how that kills you. Now, though, people be having 490 00:24:33,640 --> 00:24:35,679 Speaker 1: all of these followers, but they don't get no engagement exactly. 491 00:24:35,720 --> 00:24:37,720 Speaker 1: So you can have somebody that got twenty thousand followers, 492 00:24:37,840 --> 00:24:40,359 Speaker 1: but their engagement is crazy. You know. They also have 493 00:24:40,520 --> 00:24:42,720 Speaker 1: all these apps now because I think they've caught onto that, 494 00:24:42,880 --> 00:24:45,600 Speaker 1: so they can tell when people have fake followers, and 495 00:24:45,680 --> 00:24:47,639 Speaker 1: they can tell when it's bought. So you can actually 496 00:24:47,720 --> 00:24:49,840 Speaker 1: go through that and tell well, I wish they would 497 00:24:49,840 --> 00:24:51,719 Speaker 1: go through mind because I'm so tired of getting spammed. 498 00:24:52,000 --> 00:24:54,359 Speaker 1: You have no idea how much don't see this woman? Man, 499 00:24:55,960 --> 00:24:57,280 Speaker 1: I ain't got time for I don't got time to 500 00:24:57,320 --> 00:24:59,840 Speaker 1: go into my search engine and type word like math 501 00:25:00,280 --> 00:25:03,160 Speaker 1: I got a block? Is masterbate? What else did they say, 502 00:25:03,200 --> 00:25:06,119 Speaker 1: I looked, huh, I got block all the cartoon people already. 503 00:25:06,160 --> 00:25:07,920 Speaker 1: If this one woman that's always that to name a 504 00:25:08,000 --> 00:25:10,560 Speaker 1: girl badder than me, and if another woman asking me 505 00:25:10,600 --> 00:25:14,960 Speaker 1: to always went, who wants to see me? Masterbate blocks 506 00:25:15,760 --> 00:25:21,800 Speaker 1: block block batter So I have I'm blacklos I hate 507 00:25:22,600 --> 00:25:25,280 Speaker 1: all right. Now let's move on. A woman named Marijuana 508 00:25:25,320 --> 00:25:28,160 Speaker 1: Pepsi just got her PhD. She did a whole dissertation 509 00:25:28,280 --> 00:25:32,119 Speaker 1: on black names. His name is what marijuana Pepsi? Her 510 00:25:32,160 --> 00:25:34,760 Speaker 1: mama named a marijuana I guess. So she's a forty 511 00:25:34,800 --> 00:25:37,159 Speaker 1: six year old woman from Wisconsin. She was teased a 512 00:25:37,240 --> 00:25:41,000 Speaker 1: lot for having a name like that, and yeah, a 513 00:25:41,359 --> 00:25:44,520 Speaker 1: child marijuana. Why would they do that? He named pepsi. 514 00:25:44,800 --> 00:25:46,600 Speaker 1: That's not a That's not an obstacle she should have 515 00:25:46,640 --> 00:25:48,240 Speaker 1: had to overcome in her life. I know what her 516 00:25:48,280 --> 00:25:50,399 Speaker 1: mama liked when she was going up marijuana and pepsi, Like, 517 00:25:50,480 --> 00:25:54,160 Speaker 1: why did that happen? So she would go buy Imagine 518 00:25:54,200 --> 00:25:55,760 Speaker 1: trying to get a job and you got to write 519 00:25:55,800 --> 00:25:59,000 Speaker 1: in presenting your resume marijuana pepsi? How d yourself a 520 00:25:59,040 --> 00:26:01,680 Speaker 1: diapers never visited that? I'm curious. I would have definitely 521 00:26:01,760 --> 00:26:04,800 Speaker 1: changed my name. I understand saluting her now, but that's 522 00:26:04,840 --> 00:26:07,680 Speaker 1: an obstacle she should have never had to overcome. That's crazy. 523 00:26:07,720 --> 00:26:10,359 Speaker 1: Why is her name Mari Wanna Pepsi. Why nobody around 524 00:26:10,400 --> 00:26:12,440 Speaker 1: and say that's not a good idea? Well, she said that, 525 00:26:12,560 --> 00:26:15,080 Speaker 1: despite the fact that many people plays blame on her 526 00:26:15,119 --> 00:26:17,600 Speaker 1: mother for giving her that name, she credits that for 527 00:26:17,920 --> 00:26:20,680 Speaker 1: turning her into the powerful, ambitious woman that she is. 528 00:26:20,720 --> 00:26:27,480 Speaker 1: To man, what she said, because man, there's certain obstacles 529 00:26:27,520 --> 00:26:29,159 Speaker 1: that we can't help but have to overcome. You know 530 00:26:29,160 --> 00:26:30,920 Speaker 1: what I'm saying. When you're born in certain situations, you 531 00:26:31,000 --> 00:26:33,960 Speaker 1: got to transcend certain circumstances. That one, right, there is 532 00:26:33,960 --> 00:26:37,280 Speaker 1: absolutely a poor choice that somebody absolutely Mari Wanna Pepsi, 533 00:26:37,359 --> 00:26:38,480 Speaker 1: like you ain't have to do that to your child. 534 00:26:38,920 --> 00:26:40,879 Speaker 1: Why you don't like a kid? Come on, man, like 535 00:26:41,040 --> 00:26:45,040 Speaker 1: nobody that makes no sense either want kids? Does she 536 00:26:45,119 --> 00:26:50,240 Speaker 1: have siblings? What they name? She's a doctor? Now? All right, siblings, 537 00:26:50,320 --> 00:26:52,240 Speaker 1: But now she's a doctor. You go to that doctor. 538 00:26:52,320 --> 00:26:56,240 Speaker 1: Let's be honest, doctor peper She's got a PHDT doctor 539 00:26:56,280 --> 00:26:58,760 Speaker 1: Marijuanna Pepsi. Would you go to that doctor? Doctor Pepsi? 540 00:26:58,800 --> 00:27:01,560 Speaker 1: Sounds like a bootleg soldier. I wanted to doctor pepper y'all, 541 00:27:02,119 --> 00:27:04,840 Speaker 1: doctor pepsi. Doctor. She's got a doctor. She earned her 542 00:27:04,880 --> 00:27:08,840 Speaker 1: PhD in higher education leadership. But you know she's doctor. No, 543 00:27:08,960 --> 00:27:11,639 Speaker 1: that's her PhD. But it's not a doctor like you 544 00:27:11,720 --> 00:27:16,959 Speaker 1: know goes. She goes by doctor marijuana pepsi van. All 545 00:27:17,000 --> 00:27:19,000 Speaker 1: I'm saying is that's a a obstule should not have 546 00:27:19,040 --> 00:27:20,879 Speaker 1: had to overcome in her life. I was about to 547 00:27:20,880 --> 00:27:22,399 Speaker 1: say her last name. I don't want to say it, Hettive. 548 00:27:22,560 --> 00:27:26,240 Speaker 1: What is it? What is it? Pepsi got her last 549 00:27:26,320 --> 00:27:33,240 Speaker 1: name marijuana pepsi van dick, Marijuana pepsi van dick. Okay, 550 00:27:33,320 --> 00:27:36,680 Speaker 1: so she was conceived in a van. The mother loved it. 551 00:27:36,960 --> 00:27:38,840 Speaker 1: She was high and drinking pepsi. There you go, that's 552 00:27:38,880 --> 00:27:43,280 Speaker 1: how they got that name. Put it together, marijuana vandi Jesus, 553 00:27:43,640 --> 00:27:48,080 Speaker 1: thank you ye doctor marijuana pepsi co All right, Well, 554 00:27:48,160 --> 00:27:51,360 Speaker 1: last front page news. Now when we come back, Trino 555 00:27:51,480 --> 00:27:54,679 Speaker 1: will be joining us. She has a number one album 556 00:27:54,800 --> 00:27:57,120 Speaker 1: right now, so she posted her album is number one. 557 00:27:57,280 --> 00:27:59,000 Speaker 1: I'm mad, I'm miss Trina. I wasn't here for Trina. 558 00:27:59,040 --> 00:28:03,280 Speaker 1: That's the homie, right, we did it. It got kind 559 00:28:03,320 --> 00:28:05,119 Speaker 1: of aggressive, so I had the phone a friend, so 560 00:28:05,200 --> 00:28:07,200 Speaker 1: I had the FaceTime Charlomagne, probably the only time I 561 00:28:07,280 --> 00:28:09,879 Speaker 1: ever FaceTime Charlomagne. Yeah, that's the only reason I answered. 562 00:28:09,880 --> 00:28:11,399 Speaker 1: I thought it was some type of It was so 563 00:28:11,600 --> 00:28:13,720 Speaker 1: weird that you FaceTime because y'all were getting at me 564 00:28:13,760 --> 00:28:15,440 Speaker 1: and him so bad. I needed help. Had the phone 565 00:28:15,480 --> 00:28:18,359 Speaker 1: a friend, So we'll get that on next and don't move. 566 00:28:18,400 --> 00:28:24,320 Speaker 1: It's to Breakfast Clugal Morning, the Breakfast Club Morning. Everybody 567 00:28:24,440 --> 00:28:28,000 Speaker 1: is DJ MVY, Angela Yee, Charlomagne and the guy. We 568 00:28:28,119 --> 00:28:30,520 Speaker 1: all the Breakfast Club. We got a special guest in 569 00:28:30,600 --> 00:28:37,000 Speaker 1: the building, the baddest itch. That sounded terrible because it 570 00:28:37,200 --> 00:28:42,640 Speaker 1: sounds like somebody's itching or something. Right, you can say 571 00:28:42,680 --> 00:28:50,160 Speaker 1: it the VY Welcome. What's up? I got a new album, 572 00:28:50,360 --> 00:28:53,720 Speaker 1: the One, Yes, Yes, Yes, and I heard that song. 573 00:28:57,840 --> 00:28:59,720 Speaker 1: We gonna play that. We're gonna play the Breakfast We 574 00:28:59,840 --> 00:29:01,960 Speaker 1: are going to play those records. Okay, got an album 575 00:29:02,000 --> 00:29:05,240 Speaker 1: coming out, Yes, thank you. Finally I'm excited. But before 576 00:29:05,240 --> 00:29:07,240 Speaker 1: we get to the album, let's talk up your other job, 577 00:29:07,360 --> 00:29:10,280 Speaker 1: love and hip hop. Okay, you regret doing that now? No, 578 00:29:10,640 --> 00:29:12,840 Speaker 1: I don't regret it because I don't really have drama 579 00:29:12,920 --> 00:29:14,880 Speaker 1: like that on the show. Um, that's not one of 580 00:29:14,960 --> 00:29:17,040 Speaker 1: my most favorite things. I think with the time in 581 00:29:17,120 --> 00:29:19,240 Speaker 1: the filming, I'm not really like, I'm not a schedule person. 582 00:29:19,280 --> 00:29:21,560 Speaker 1: I have to be on my own schedule. Other than that, UM, 583 00:29:22,000 --> 00:29:23,960 Speaker 1: I don't really have like, you know, the issues. I 584 00:29:24,080 --> 00:29:26,080 Speaker 1: have my little stuff to label my with Bobby, you know, 585 00:29:26,200 --> 00:29:28,160 Speaker 1: just any other My only thing that I don't like 586 00:29:28,360 --> 00:29:30,040 Speaker 1: is the reunion. What happened for me and Trick. That's 587 00:29:30,040 --> 00:29:31,880 Speaker 1: like the only thing that kind of like went left 588 00:29:31,960 --> 00:29:33,960 Speaker 1: for me. And I mean it's no, it's contrary to 589 00:29:34,000 --> 00:29:35,720 Speaker 1: the fact me and Trick for fight every day, but 590 00:29:35,840 --> 00:29:37,600 Speaker 1: it was just on TV and it just got I 591 00:29:37,720 --> 00:29:39,920 Speaker 1: was it just went. It just blowed up, escalator kind 592 00:29:39,960 --> 00:29:41,240 Speaker 1: of kind of big. I just that's the only thing 593 00:29:41,280 --> 00:29:43,480 Speaker 1: I don't like. I felt bad watching the show, and 594 00:29:43,560 --> 00:29:45,600 Speaker 1: I was like, because I saw that you were getting 595 00:29:45,720 --> 00:29:48,640 Speaker 1: very upset and emotional as your career and things that 596 00:29:48,720 --> 00:29:50,760 Speaker 1: you're doing, and it felt like he wasn't taking it 597 00:29:50,840 --> 00:29:53,840 Speaker 1: as seriously. Thank you, I'm happy, somebody said, because everybody 598 00:29:53,880 --> 00:29:57,200 Speaker 1: don't seem to understand why I got so mad because 599 00:29:57,280 --> 00:30:00,640 Speaker 1: Trick was just he was like organize and he was 600 00:30:00,680 --> 00:30:02,240 Speaker 1: taunting me. He does it all the time, but I 601 00:30:02,320 --> 00:30:04,920 Speaker 1: think this particular day, I think I was really sensitive 602 00:30:04,960 --> 00:30:06,800 Speaker 1: because you were talking about the album, and of course 603 00:30:06,880 --> 00:30:09,000 Speaker 1: he knows how hard I beat in the studio and 604 00:30:09,120 --> 00:30:10,760 Speaker 1: been fighting to get him in the studio, and just 605 00:30:10,840 --> 00:30:12,960 Speaker 1: for him to just be like it's nothing. I just 606 00:30:13,160 --> 00:30:15,120 Speaker 1: felt like, this is not the time to do that 607 00:30:15,200 --> 00:30:16,800 Speaker 1: on television. And of course a lot of stuff was 608 00:30:16,840 --> 00:30:18,680 Speaker 1: beat out, so you didn't really get to hear some 609 00:30:18,800 --> 00:30:21,080 Speaker 1: of the things that he said before I just lost it, 610 00:30:21,280 --> 00:30:23,160 Speaker 1: you know, So that kind of just made me feel bad. Um. 611 00:30:23,360 --> 00:30:26,160 Speaker 1: And I mean we made up. I spoke. Of course 612 00:30:26,200 --> 00:30:27,600 Speaker 1: we're gonna make up. My man, he's my brother. So 613 00:30:27,640 --> 00:30:31,600 Speaker 1: I always he caused me in the morning at seven am. 614 00:30:31,680 --> 00:30:33,760 Speaker 1: He just be calling every morning. He'd be just talking 615 00:30:33,800 --> 00:30:35,840 Speaker 1: and talking and talking. So I'm like, okay, finally I 616 00:30:35,880 --> 00:30:37,360 Speaker 1: got to have a converst. I have to meet up 617 00:30:37,360 --> 00:30:38,960 Speaker 1: with him face to face so he could hash this out. 618 00:30:39,200 --> 00:30:42,200 Speaker 1: And of course he I think. I think at a 619 00:30:42,280 --> 00:30:46,000 Speaker 1: restaurant um in Miami, Um, and I think the I 620 00:30:46,040 --> 00:30:48,520 Speaker 1: think what happened it needed to happen. I just didn't 621 00:30:48,560 --> 00:30:50,120 Speaker 1: wanted to happen that way, like I wish it wasn't 622 00:30:50,160 --> 00:30:52,480 Speaker 1: through a love of hip hop scenario, because he's always 623 00:30:52,560 --> 00:30:53,760 Speaker 1: done stuff to me that I don't like, but I 624 00:30:53,760 --> 00:30:55,360 Speaker 1: always just brush it off because this is my brother, 625 00:30:55,480 --> 00:30:57,040 Speaker 1: you know. But I think I got kind of fed 626 00:30:57,160 --> 00:30:58,880 Speaker 1: up and I just wanted him to understand, like stop 627 00:30:59,000 --> 00:31:00,600 Speaker 1: playing with me and taking me for a joke, because 628 00:31:00,600 --> 00:31:02,960 Speaker 1: I really work hard and you know it, and I'm 629 00:31:03,000 --> 00:31:04,800 Speaker 1: always here with you and for you. And the fact 630 00:31:04,840 --> 00:31:06,120 Speaker 1: that you won't commit to coming to see you and 631 00:31:06,240 --> 00:31:09,240 Speaker 1: do this album, and then the fact that you say, oh, well, 632 00:31:09,400 --> 00:31:11,320 Speaker 1: you don't like my records because they're not like the 633 00:31:11,360 --> 00:31:13,720 Speaker 1: baddest bitch records. They're like too soft and water down 634 00:31:13,760 --> 00:31:15,920 Speaker 1: in the diamond price whatever all this stuff. I was like, bro, 635 00:31:16,120 --> 00:31:17,840 Speaker 1: that's just not cool to me. So that's why I 636 00:31:17,960 --> 00:31:19,800 Speaker 1: really like lost it because I'm like, yeah, you do 637 00:31:19,880 --> 00:31:21,800 Speaker 1: this in private, but you're not gonna do it in public. 638 00:31:22,080 --> 00:31:23,400 Speaker 1: And that's kind of how it happened. So now we 639 00:31:23,440 --> 00:31:25,320 Speaker 1: meet up and we talk and I think he really 640 00:31:25,640 --> 00:31:28,800 Speaker 1: have he understands because he's I felt like he was hurt. 641 00:31:28,880 --> 00:31:30,240 Speaker 1: I was hurt, so I know I feel like he 642 00:31:30,360 --> 00:31:32,320 Speaker 1: was hurt, and just our conversation it came up. It 643 00:31:32,400 --> 00:31:34,600 Speaker 1: was organic, of course this trick, and he's gonna always 644 00:31:35,120 --> 00:31:36,720 Speaker 1: nobody else is gonna talk to him like that, and 645 00:31:36,720 --> 00:31:38,240 Speaker 1: nobody's gonna talk to me like that. He's not gonna 646 00:31:38,240 --> 00:31:39,560 Speaker 1: allow it. So it's one of them kind of things. 647 00:31:39,680 --> 00:31:41,240 Speaker 1: We talked and he was just like, you know, I'm sorry, 648 00:31:41,280 --> 00:31:43,960 Speaker 1: he said he was sorry. He never says that, so 649 00:31:44,120 --> 00:31:46,800 Speaker 1: of course for me, you know, I felt better. And 650 00:31:46,880 --> 00:31:48,640 Speaker 1: I mean, I think I feel like he gets it. 651 00:31:48,760 --> 00:31:51,240 Speaker 1: He realized, like Dan, this is not from Noam days, 652 00:31:51,280 --> 00:31:53,160 Speaker 1: Like she's really grown, She's really out here doing her things, 653 00:31:53,160 --> 00:31:55,280 Speaker 1: She's really making happen, so I can't be just knocking 654 00:31:55,320 --> 00:31:56,880 Speaker 1: her down, knocking her down. And I mean, I think 655 00:31:57,080 --> 00:31:59,000 Speaker 1: from my conversation off to meet him, he got that 656 00:31:59,160 --> 00:32:00,920 Speaker 1: or what was his problem? He felt that he just 657 00:32:01,040 --> 00:32:04,440 Speaker 1: feels like this is tricks problem. Tricks feels like he 658 00:32:05,040 --> 00:32:07,640 Speaker 1: feels like, I like, I don't like to do records 659 00:32:07,720 --> 00:32:10,880 Speaker 1: that are like the continuation of nam Okay the street 660 00:32:10,960 --> 00:32:15,160 Speaker 1: record Booty Shake. I mean I do, but I I 661 00:32:15,160 --> 00:32:16,880 Speaker 1: mean you gotta do. He hates when I do any 662 00:32:17,000 --> 00:32:19,360 Speaker 1: love record. He hates the slow melodic, but the women 663 00:32:19,480 --> 00:32:21,400 Speaker 1: love that, and That's what I'm trying to say. But 664 00:32:21,480 --> 00:32:23,680 Speaker 1: he feels like, that's not the baddest bitch, that's the 665 00:32:23,760 --> 00:32:25,920 Speaker 1: diamond princess. That's soft, that's weak, And he feels like 666 00:32:26,200 --> 00:32:28,320 Speaker 1: that's the reason why every all these new artists, the 667 00:32:28,400 --> 00:32:30,760 Speaker 1: girls it's like sound like me or they're still in 668 00:32:30,800 --> 00:32:32,760 Speaker 1: my sound, are doing this because I don't want to 669 00:32:32,800 --> 00:32:35,120 Speaker 1: do those records. I want to do these soft machines. 670 00:32:35,240 --> 00:32:36,920 Speaker 1: And I don't do all soft machine records. I do 671 00:32:36,960 --> 00:32:38,600 Speaker 1: records for women. I feel like it helps Himboudy. You 672 00:32:38,600 --> 00:32:40,320 Speaker 1: go through bad relationship, trying to get your stuff together, 673 00:32:40,440 --> 00:32:42,800 Speaker 1: trying to make sure your bad secure, whatever the case is, 674 00:32:43,080 --> 00:32:45,280 Speaker 1: and he just we just always clash for that. Don't 675 00:32:45,280 --> 00:32:47,680 Speaker 1: you feel like the younger artists do pay homage? Of course? 676 00:32:47,720 --> 00:32:49,200 Speaker 1: And I love that, I mean I should. I love that. 677 00:32:49,240 --> 00:32:51,120 Speaker 1: It's inspiring me because when I hear the music, I 678 00:32:51,160 --> 00:32:52,880 Speaker 1: can hear me through it, you know. And most of 679 00:32:52,920 --> 00:32:55,160 Speaker 1: these artists I met already. I've been around them. I've 680 00:32:55,160 --> 00:32:57,480 Speaker 1: seen him reciting my songs. I've seen them do like 681 00:32:57,640 --> 00:32:59,560 Speaker 1: do my song like it was me, so like I 682 00:32:59,640 --> 00:33:01,400 Speaker 1: fan out over that. I love that. So what I 683 00:33:01,480 --> 00:33:03,280 Speaker 1: like about the city girls, it's I'm a listen to 684 00:33:03,400 --> 00:33:05,520 Speaker 1: me of Trina. Yeah, like it reminds me of you. 685 00:33:05,960 --> 00:33:08,320 Speaker 1: But I don't mean that in a negative way, but 686 00:33:08,440 --> 00:33:10,880 Speaker 1: it's like, oh, it's like nostalgic. And they from Miami, 687 00:33:10,960 --> 00:33:13,000 Speaker 1: they group under me, they love me. They're going the studio. 688 00:33:13,080 --> 00:33:15,520 Speaker 1: They listen to my old albums before they do their music, 689 00:33:15,600 --> 00:33:17,560 Speaker 1: so I get it. When I hear it, I'd be 690 00:33:17,680 --> 00:33:19,960 Speaker 1: like pumped. That just give me way more energy. It 691 00:33:20,000 --> 00:33:22,200 Speaker 1: just makes me more excited. It makes me feel way 692 00:33:22,320 --> 00:33:24,760 Speaker 1: more like just able to keep going on because I'm 693 00:33:24,800 --> 00:33:27,600 Speaker 1: watching what they're doing. I'm like super exciting. I'm always 694 00:33:27,600 --> 00:33:29,120 Speaker 1: talking to them like, Yo, don't worry about the Hay 695 00:33:29,160 --> 00:33:31,480 Speaker 1: doesn't worry about then the internet troll and all that noise. 696 00:33:31,560 --> 00:33:35,760 Speaker 1: Did that just to give young Miami vice. Almost every 697 00:33:35,840 --> 00:33:38,680 Speaker 1: day every day. She just got my message. Last night, 698 00:33:38,680 --> 00:33:40,000 Speaker 1: I was in a car like crying. I was like 699 00:33:40,080 --> 00:33:41,560 Speaker 1: I can't, but she just said some of the sweetest 700 00:33:41,600 --> 00:33:43,640 Speaker 1: things because I'm always telling her, like, you know, it's 701 00:33:43,760 --> 00:33:46,360 Speaker 1: it's realistically. People can say whatever they want to say, 702 00:33:46,400 --> 00:33:49,840 Speaker 1: but you actually got into the game. You're the other 703 00:33:49,920 --> 00:33:52,560 Speaker 1: half of your group is not here. It's not even 704 00:33:52,640 --> 00:33:54,720 Speaker 1: many guys that's gonna hold down a group and do that, 705 00:33:54,960 --> 00:33:57,280 Speaker 1: but like running about somebody else, you actually are holding 706 00:33:57,320 --> 00:33:59,080 Speaker 1: on a whole group, a whole, I mean a whole, 707 00:33:59,360 --> 00:34:02,640 Speaker 1: your whole partner, like a whole situation. That is really 708 00:34:02,680 --> 00:34:04,760 Speaker 1: difficult when you're getting all the BackFlash. People are saying 709 00:34:04,800 --> 00:34:06,880 Speaker 1: so much stuff that's that could be a lot, you know, 710 00:34:07,040 --> 00:34:09,480 Speaker 1: especially for a new artist. She's young, she's sensitive to 711 00:34:09,560 --> 00:34:12,279 Speaker 1: everything somebody said, and now she's pregnant, and now she's 712 00:34:12,320 --> 00:34:15,680 Speaker 1: having a baby, another baby. I mean, so I like, 713 00:34:15,840 --> 00:34:18,319 Speaker 1: I'm always like encouraging her, like no, no, no, no, no, no, baby. 714 00:34:18,360 --> 00:34:20,160 Speaker 1: You know, get your bad bitch attitude on. You tell 715 00:34:20,239 --> 00:34:22,760 Speaker 1: them all the Hayter's kissing, and you keep on focusing 716 00:34:22,800 --> 00:34:24,680 Speaker 1: on making your money, take care of your family. Worried 717 00:34:24,680 --> 00:34:26,879 Speaker 1: about your family, your sister, your son, your newborn baby, 718 00:34:26,920 --> 00:34:28,680 Speaker 1: your mom, everybody that's means something to you. That's what 719 00:34:28,760 --> 00:34:30,239 Speaker 1: you focus on. The rest of this stuff. They're not 720 00:34:30,280 --> 00:34:32,279 Speaker 1: putting money in your pocket, they're not cashing your check, 721 00:34:32,320 --> 00:34:34,040 Speaker 1: so why you even care about what they gotta say? 722 00:34:34,160 --> 00:34:35,680 Speaker 1: You know, I love her, This is like my baby, 723 00:34:35,760 --> 00:34:37,680 Speaker 1: So I'm gonna always encourage her because I've been in 724 00:34:37,760 --> 00:34:39,719 Speaker 1: this game for so long and you can't knock me 725 00:34:39,960 --> 00:34:41,600 Speaker 1: so for her, I just want to make sure she 726 00:34:41,719 --> 00:34:43,800 Speaker 1: stays strong and not be weak because she you know, 727 00:34:43,880 --> 00:34:45,640 Speaker 1: she gets sensitive about a lot of little stuff. So 728 00:34:45,640 --> 00:34:47,759 Speaker 1: I'm always talking to her. Oh girl, well let's talk 729 00:34:47,800 --> 00:34:51,560 Speaker 1: about you. We're gonna talk about me. I want to 730 00:34:51,600 --> 00:34:54,279 Speaker 1: talk about some of the songs on this album, like 731 00:34:54,480 --> 00:34:57,120 Speaker 1: get Money Your Money. That felt like a very personal song, 732 00:34:57,280 --> 00:34:58,839 Speaker 1: like something happened to you in real life, and we've 733 00:34:58,840 --> 00:35:01,640 Speaker 1: seen you on social media. It seems like somebody did 734 00:35:01,719 --> 00:35:03,359 Speaker 1: something to you when people were trying to figure out 735 00:35:03,600 --> 00:35:06,879 Speaker 1: but women betrayed you. Oh you know these women, they're 736 00:35:06,920 --> 00:35:09,480 Speaker 1: so caddy and so shady. Um. That was a situation 737 00:35:09,560 --> 00:35:11,120 Speaker 1: that happened like a while ago. That song I did 738 00:35:11,200 --> 00:35:13,360 Speaker 1: that song. Rico Love produced that record, and that record 739 00:35:13,440 --> 00:35:15,000 Speaker 1: was it was between me and a girl that was 740 00:35:15,040 --> 00:35:17,600 Speaker 1: my friend and like you, my homie, Like this is 741 00:35:17,760 --> 00:35:19,560 Speaker 1: my rider down ride with You're rocking with you, but 742 00:35:19,640 --> 00:35:22,000 Speaker 1: you really you switch sides, like you jumped ship and 743 00:35:22,080 --> 00:35:23,960 Speaker 1: you went against the grain. I can't rock with you 744 00:35:24,040 --> 00:35:26,080 Speaker 1: no more. I love you and it hurts, but I 745 00:35:26,120 --> 00:35:28,360 Speaker 1: can't rock with you. Still from you or no, you 746 00:35:28,440 --> 00:35:30,120 Speaker 1: didn't still you Just try to play both sides of 747 00:35:30,160 --> 00:35:32,400 Speaker 1: the fence of a situation that I just felt like, like, 748 00:35:32,480 --> 00:35:34,640 Speaker 1: if I leave a situation, you leave, we all leave. 749 00:35:35,080 --> 00:35:36,919 Speaker 1: What are you gonna stand hanging around like a bomb, 750 00:35:37,360 --> 00:35:41,080 Speaker 1: talking to my man, my ex talking, hanging right and 751 00:35:41,160 --> 00:35:43,320 Speaker 1: fly like you're doing. It's doing the most I like relaxing, 752 00:35:43,360 --> 00:35:44,719 Speaker 1: pump your brakes. But you know that's what that song 753 00:35:44,840 --> 00:35:46,640 Speaker 1: is about. One thing I noticed about Tina is you 754 00:35:46,719 --> 00:35:48,319 Speaker 1: see a lot of rappers in the industry. Why are 755 00:35:48,320 --> 00:35:52,560 Speaker 1: you going back and forth like that? One thing about 756 00:35:52,560 --> 00:35:55,359 Speaker 1: treating is treata Never I've never seen treatinga broke. I've 757 00:35:55,360 --> 00:35:57,480 Speaker 1: never seen trena without money. I never seen them for 758 00:35:57,640 --> 00:35:59,480 Speaker 1: clothes on, treating the crib. I've never seen none of that. 759 00:35:59,560 --> 00:36:03,440 Speaker 1: So how yeah, been able to keep the bag for 760 00:36:03,560 --> 00:36:06,440 Speaker 1: so long? It's Trina Like, I mean, I'm the bag secure. 761 00:36:06,480 --> 00:36:08,359 Speaker 1: I always secure bags. I've been doing this for so long. 762 00:36:08,360 --> 00:36:10,719 Speaker 1: I just make sure I stay focused and and when 763 00:36:10,760 --> 00:36:12,919 Speaker 1: i'm I mean, I work. I don't just sit around 764 00:36:12,960 --> 00:36:14,160 Speaker 1: and just oh, I put out the record, I'm gonna 765 00:36:14,200 --> 00:36:16,279 Speaker 1: sit back and chill. For me, I perform, I tour, 766 00:36:16,400 --> 00:36:18,799 Speaker 1: I constant. I'm working more than I'm doing anything else. 767 00:36:19,000 --> 00:36:20,440 Speaker 1: You know what I'm saying, So I'm always making sure 768 00:36:20,480 --> 00:36:22,279 Speaker 1: my bag is coming in and come home for no matter. 769 00:36:22,320 --> 00:36:24,160 Speaker 1: I don't care if I don't have an album. I 770 00:36:24,200 --> 00:36:26,040 Speaker 1: don't care if I decide to not do music. No more. 771 00:36:26,040 --> 00:36:28,600 Speaker 1: I want, I have to, I need. I have an expensive, 772 00:36:28,680 --> 00:36:31,879 Speaker 1: extravagant lifestyle, you know what I mean. So, I'm always working. 773 00:36:31,880 --> 00:36:34,359 Speaker 1: I'm always busy, I'm always elevating them, always making money. 774 00:36:34,400 --> 00:36:36,560 Speaker 1: I'm never I don't feel like I'm I'm never gonna 775 00:36:36,560 --> 00:36:38,680 Speaker 1: have enough money. And when she's not working, she's at homebody. 776 00:36:38,800 --> 00:36:40,480 Speaker 1: Just so you know. When I'm not working, them at home, 777 00:36:40,600 --> 00:36:43,520 Speaker 1: you know, I'm a big couch watching TV, watching Netflix 778 00:36:43,640 --> 00:36:46,640 Speaker 1: reruns whatever. Boot Up, Yeah, boot up. Sometimes I'm boot up. 779 00:36:46,719 --> 00:36:49,239 Speaker 1: Sometimes I'm just hoping by myself. I'm always boot up. 780 00:36:49,280 --> 00:36:50,440 Speaker 1: You know that. You know I told you so the 781 00:36:50,520 --> 00:36:51,680 Speaker 1: last time I can't here. I have a man. A 782 00:36:51,719 --> 00:36:57,040 Speaker 1: whole relationship is three years in the making. So it's great, 783 00:36:57,280 --> 00:36:59,120 Speaker 1: thank you. I'm very happy. The money is good, the 784 00:36:59,160 --> 00:37:01,160 Speaker 1: money comes in the bag secure. You know, I had 785 00:37:01,200 --> 00:37:03,520 Speaker 1: a big roof over my head. I can't stay you know, grind, 786 00:37:03,560 --> 00:37:05,360 Speaker 1: and so it's all good. That's what I'm talking about. 787 00:37:05,400 --> 00:37:07,640 Speaker 1: And you're sitting on that face too, right, Let's keep 788 00:37:07,640 --> 00:37:10,120 Speaker 1: around always. That's a good thing about in a relationship. 789 00:37:10,160 --> 00:37:12,279 Speaker 1: You could sit on his face anytime you feel like it. 790 00:37:12,560 --> 00:37:14,600 Speaker 1: I mean, that's a part of life. You women like that, 791 00:37:14,760 --> 00:37:17,520 Speaker 1: like right, everybody everybody that has their face, these women, 792 00:37:18,239 --> 00:37:20,000 Speaker 1: everybody has a face to sit up. I mean, but 793 00:37:20,200 --> 00:37:24,200 Speaker 1: if I'm not doing, what else is he doing? I'm 794 00:37:24,200 --> 00:37:27,359 Speaker 1: I'm a good face writer. You know something good makes 795 00:37:28,320 --> 00:37:29,839 Speaker 1: mean that you know what you're doing. If you could 796 00:37:29,880 --> 00:37:32,399 Speaker 1: be either like you could be a squirrel, you could 797 00:37:32,440 --> 00:37:36,000 Speaker 1: be like you could just I'm gonna stop. I'm not 798 00:37:36,040 --> 00:37:38,200 Speaker 1: gonna happen that I've got all this morning too early. 799 00:37:38,560 --> 00:37:40,080 Speaker 1: I know. You just gotta be you just gotta be 800 00:37:40,160 --> 00:37:42,040 Speaker 1: a good romantic. You just gotta know what you you 801 00:37:42,080 --> 00:37:44,239 Speaker 1: gotta what I learned though, I'm gonna be honest over 802 00:37:44,320 --> 00:37:47,480 Speaker 1: the years, because I've had some unsatisfying moments. What I've 803 00:37:47,560 --> 00:37:50,160 Speaker 1: learned though, you need to make sure that you're satisfied. 804 00:37:50,320 --> 00:37:52,719 Speaker 1: I've been in a situation where it was mostly I 805 00:37:52,800 --> 00:37:54,320 Speaker 1: just I'm I'm in a relationship, and I want a 806 00:37:54,360 --> 00:37:56,200 Speaker 1: relationship to work. I want both people to be, you know, 807 00:37:56,360 --> 00:37:58,600 Speaker 1: completely happy. But I found out a lot of times 808 00:37:58,640 --> 00:38:01,240 Speaker 1: that I felt sure and I wasn't out of the situation, 809 00:38:01,360 --> 00:38:02,840 Speaker 1: you know, and so I just feel like, no, I 810 00:38:02,920 --> 00:38:05,879 Speaker 1: gotta make sure it romantically, however it is, I'm gonna 811 00:38:05,880 --> 00:38:07,960 Speaker 1: be completely satisfied, whether you are or not, that's you, 812 00:38:08,200 --> 00:38:10,319 Speaker 1: because I realized, and men worry about them. You got 813 00:38:10,440 --> 00:38:12,880 Speaker 1: to make sure you are good. And as soon as 814 00:38:12,920 --> 00:38:15,120 Speaker 1: I learned that method, fool and a man that loves you, 815 00:38:15,160 --> 00:38:17,920 Speaker 1: it's satisfied when you're satisfied. Yeah, I feel like I 816 00:38:18,080 --> 00:38:20,320 Speaker 1: believe that's true because I don't think a man. I 817 00:38:20,400 --> 00:38:22,759 Speaker 1: don't feel like, if you're not making sure this woman 818 00:38:22,840 --> 00:38:25,399 Speaker 1: is satisfied, what are you really doing? Correct? So let's 819 00:38:25,440 --> 00:38:28,240 Speaker 1: do this. Gee, But she has a let's play a record, 820 00:38:28,280 --> 00:38:30,160 Speaker 1: because in this record she names a lot of people 821 00:38:30,200 --> 00:38:33,000 Speaker 1: in Oh my god, let's play this. Maybe these people 822 00:38:33,120 --> 00:38:37,480 Speaker 1: didn't satisfy her. So let's let's play this satisfactory introduce 823 00:38:37,520 --> 00:38:42,400 Speaker 1: the record. I think Treetor should introduced her own. Oh 824 00:38:42,440 --> 00:38:44,239 Speaker 1: what's something out? This is training. This is my new record. 825 00:38:44,239 --> 00:38:47,200 Speaker 1: It's called BAPS featuring Nicki Minaj. All right, let's let's 826 00:38:47,239 --> 00:38:50,040 Speaker 1: let's get into it. Her record, she said, right here, 827 00:38:50,160 --> 00:38:52,080 Speaker 1: we'll talk about it when we come back. It's the 828 00:38:52,120 --> 00:38:56,960 Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela Yee, 829 00:38:57,040 --> 00:38:59,560 Speaker 1: Sharlomagne the guy. We are the Breakfast Club. Now that 830 00:38:59,719 --> 00:39:02,920 Speaker 1: one Trina featuring Nicki Minaj just called back. Now that's 831 00:39:02,960 --> 00:39:08,040 Speaker 1: about so Trina for the unsatisfactory experiences with these men? 832 00:39:08,200 --> 00:39:10,480 Speaker 1: Where any of them named in this song? Um? Yeah 833 00:39:11,520 --> 00:39:14,920 Speaker 1: yeah say Harry Yeah yeah, definitely cool though, you move on, 834 00:39:15,000 --> 00:39:16,000 Speaker 1: you know what it is. It is what it is like. 835 00:39:16,040 --> 00:39:18,000 Speaker 1: You gotta be grown. An adult will grown. Everybody gotta 836 00:39:18,000 --> 00:39:19,799 Speaker 1: be grown about the situation. Yeah. I was a lot 837 00:39:19,800 --> 00:39:22,359 Speaker 1: of unsatisfactor in some of the names. Yeah, yeah, there's 838 00:39:22,360 --> 00:39:25,360 Speaker 1: gonna be some backlass there. Whatever it is, let's run it. 839 00:39:27,400 --> 00:39:29,080 Speaker 1: So how did you and Nicki Minaj's team up on 840 00:39:29,120 --> 00:39:31,319 Speaker 1: this record? Because nick is she don't really do too 841 00:39:31,360 --> 00:39:34,359 Speaker 1: many features a lot of times. Yeah, well this Nikki Um, 842 00:39:34,480 --> 00:39:36,719 Speaker 1: she was in Miami working on her album UM, and 843 00:39:36,800 --> 00:39:38,200 Speaker 1: we was just you know, going back and forth. And 844 00:39:38,239 --> 00:39:39,440 Speaker 1: I told I was working on my album and I 845 00:39:39,480 --> 00:39:41,120 Speaker 1: wanted to get an album. So she told me to 846 00:39:41,160 --> 00:39:42,840 Speaker 1: come by the studio. So I pulled up at the studio. 847 00:39:42,880 --> 00:39:44,319 Speaker 1: She was playing some stuff. This is before her album 848 00:39:44,360 --> 00:39:46,560 Speaker 1: came out the Queen album, right, and she played some 849 00:39:46,600 --> 00:39:48,080 Speaker 1: stuff for me and it was it was dope. And 850 00:39:48,200 --> 00:39:50,000 Speaker 1: then this is one of the records that we came 851 00:39:50,080 --> 00:39:51,480 Speaker 1: up with. You know, it was an amazing experience to 852 00:39:51,520 --> 00:39:52,880 Speaker 1: do the record. Here. What's some of the names that 853 00:39:52,960 --> 00:39:55,120 Speaker 1: she said? Let me write these down? So yeah, all right, 854 00:39:55,239 --> 00:39:59,719 Speaker 1: well she meant just Tory Lane. Tory Lane told us 855 00:39:59,719 --> 00:40:02,160 Speaker 1: about Tory is cool. You know I've been I knew 856 00:40:02,200 --> 00:40:04,360 Speaker 1: Tory wait before everybody know maybe right. I came up 857 00:40:04,360 --> 00:40:06,400 Speaker 1: here with my f Love record. Um, that's how I 858 00:40:06,480 --> 00:40:08,200 Speaker 1: first knew Tory. He gave me that record. Um, but 859 00:40:08,280 --> 00:40:09,680 Speaker 1: you know he's a cool person. But you know he's 860 00:40:09,719 --> 00:40:12,759 Speaker 1: quite a straight bullet, straight one French. You gotta set 861 00:40:12,800 --> 00:40:15,960 Speaker 1: it off at French. Don't look at me. We know 862 00:40:16,040 --> 00:40:18,319 Speaker 1: about that what what we is not going to Dutch 863 00:40:18,360 --> 00:40:20,120 Speaker 1: in this conversation because I don't got time to be 864 00:40:20,160 --> 00:40:21,759 Speaker 1: clapping back on in there with this guy. I'm just 865 00:40:21,840 --> 00:40:23,759 Speaker 1: telling you right now, let's keep it cute again. I 866 00:40:23,920 --> 00:40:25,959 Speaker 1: dodged a bullet. We all know what it is. She said, 867 00:40:25,960 --> 00:40:30,240 Speaker 1: she got the bullet that one up right, Yeah, nothing, 868 00:40:32,040 --> 00:40:36,520 Speaker 1: James Harden, don't look at it mebing Okay, curb. Let 869 00:40:36,560 --> 00:40:38,560 Speaker 1: me know, it's cool. Let's let's be clear. This is 870 00:40:38,560 --> 00:40:40,040 Speaker 1: a situation I was in a couple of years ago. 871 00:40:40,040 --> 00:40:42,000 Speaker 1: Everybody know, it's very quick. It was like it was, oh, 872 00:40:42,080 --> 00:40:44,200 Speaker 1: this is my man, we're booted up. No, we were 873 00:40:44,320 --> 00:40:46,520 Speaker 1: in a situation. You know, he's the person where he's cool. 874 00:40:46,560 --> 00:40:48,040 Speaker 1: But you know, I love it that they're cool. But 875 00:40:48,080 --> 00:40:49,560 Speaker 1: they catch a straight bullet. Now you gotta get the 876 00:40:49,560 --> 00:40:51,480 Speaker 1: bullet because I'm not the person. See, I'm not the gameplayer. 877 00:40:51,480 --> 00:40:52,759 Speaker 1: You're not gonna play with me. Go play with the 878 00:40:52,800 --> 00:40:54,560 Speaker 1: rest of them. Don't play with me. Once you step 879 00:40:54,680 --> 00:40:56,279 Speaker 1: home in my place where you started to playing the games, 880 00:40:56,320 --> 00:40:58,000 Speaker 1: you gotta go. I don't play that. I don't care 881 00:40:58,320 --> 00:40:59,880 Speaker 1: what you do, what contract I don't I don't know. 882 00:41:00,000 --> 00:41:01,279 Speaker 1: I don't care about none of that. You got to 883 00:41:01,440 --> 00:41:04,080 Speaker 1: go Martin, So you're not going to know Big three games. 884 00:41:07,760 --> 00:41:10,640 Speaker 1: I mean, everybody know that situation. That's a situation happened long, long, long, 885 00:41:10,719 --> 00:41:13,160 Speaker 1: long long time ago. Um, you know, unfortunately is what 886 00:41:13,200 --> 00:41:14,880 Speaker 1: it is. I mean, people just grow they grow up. 887 00:41:14,920 --> 00:41:16,640 Speaker 1: That was a bad situation. You did a bad thing. 888 00:41:16,760 --> 00:41:18,920 Speaker 1: Is it ended up? Over occurred? It's over, you know, 889 00:41:19,120 --> 00:41:20,960 Speaker 1: So when you see people like when you see them, 890 00:41:21,000 --> 00:41:23,160 Speaker 1: do you say hi? Is it all love? Or I'm 891 00:41:23,239 --> 00:41:25,480 Speaker 1: just keep it moving? I probably will say hi. If 892 00:41:25,520 --> 00:41:28,200 Speaker 1: they say hi, you ain't speaking French. I performed with 893 00:41:28,320 --> 00:41:33,920 Speaker 1: French at the post. It's French. Everybody know how French is. 894 00:41:33,920 --> 00:41:35,959 Speaker 1: He's gonna laugh, he's gonna be silly, he's gonna be crazy, 895 00:41:36,000 --> 00:41:38,040 Speaker 1: he's gonna talk trash. I don't care. I did my 896 00:41:38,080 --> 00:41:40,359 Speaker 1: concert and my seat. I'm gonna shut it down. I did, boy, 897 00:41:40,400 --> 00:41:41,920 Speaker 1: I dedicate to you. It is what it is, and 898 00:41:42,000 --> 00:41:44,239 Speaker 1: that's that. He plus he probably know he's cool. I 899 00:41:44,239 --> 00:41:45,920 Speaker 1: don't have a problem to French. I don't have a 900 00:41:46,000 --> 00:41:47,920 Speaker 1: problem with him. It is what it is. People know, 901 00:41:48,320 --> 00:41:50,759 Speaker 1: you gotta be accountable for your own situations, and you 902 00:41:51,000 --> 00:41:52,560 Speaker 1: you was not my man, so it doesn't matter. But 903 00:41:52,680 --> 00:41:55,000 Speaker 1: you know you did some foul and that's that, and 904 00:41:55,080 --> 00:41:57,960 Speaker 1: it is what it is. It's done. That was it. 905 00:42:00,040 --> 00:42:04,760 Speaker 1: So I like to thank you. Who is your favorite 906 00:42:05,000 --> 00:42:08,000 Speaker 1: X damn me? I would I would guess little Wayne 907 00:42:08,000 --> 00:42:09,880 Speaker 1: because y'all always still work together and it seems like 908 00:42:09,960 --> 00:42:11,560 Speaker 1: you still have a friend Wayne. Yeah, Wayne is a 909 00:42:11,640 --> 00:42:13,279 Speaker 1: good friend. Wayne is my friend. Wayne is just a 910 00:42:13,400 --> 00:42:15,759 Speaker 1: Wayne is so different than like everybody because it's in 911 00:42:15,800 --> 00:42:17,759 Speaker 1: his own world. He's so respectful, he's so calm, he's 912 00:42:17,800 --> 00:42:20,279 Speaker 1: always calm, and he's always showed me respect no matter what. 913 00:42:20,400 --> 00:42:21,880 Speaker 1: Me and Wayne never fell out, We never had an 914 00:42:21,920 --> 00:42:24,080 Speaker 1: issue or anything like that. Were just young and it 915 00:42:24,160 --> 00:42:25,960 Speaker 1: just didn't It didn't work. Like I was too young 916 00:42:26,239 --> 00:42:27,759 Speaker 1: to think I wanted to be in a situation. He 917 00:42:27,880 --> 00:42:29,759 Speaker 1: was way too young to feel like we was, you know, 918 00:42:30,120 --> 00:42:31,640 Speaker 1: courting and doing what we were doing. It just was 919 00:42:31,760 --> 00:42:33,759 Speaker 1: We was just young, and I feel like that's what 920 00:42:33,920 --> 00:42:35,719 Speaker 1: saved us to still be able to be friends right now, 921 00:42:35,760 --> 00:42:38,399 Speaker 1: because we had no bad vibes, no bad intentions. He'd 922 00:42:38,440 --> 00:42:40,239 Speaker 1: never done nothing that was disrespectful to me, So I 923 00:42:40,320 --> 00:42:42,279 Speaker 1: got a lot of love for him. Yeah, so you 924 00:42:42,280 --> 00:42:44,960 Speaker 1: would say that's your favorite X, perhaps because y'all always 925 00:42:44,960 --> 00:42:49,879 Speaker 1: still work together together. He's a nice person. I don't 926 00:42:49,920 --> 00:42:52,320 Speaker 1: have no favorite X any of you, my ex. I 927 00:42:52,360 --> 00:42:54,239 Speaker 1: don't even think it's not even it's done, like we 928 00:42:54,320 --> 00:42:57,080 Speaker 1: don't even want to favor, no favor. We never got married, 929 00:42:57,160 --> 00:42:59,400 Speaker 1: don't have kids. It's nothing favor. It's just it's you. 930 00:42:59,560 --> 00:43:01,600 Speaker 1: It's we had a situation and this move on, This 931 00:43:01,680 --> 00:43:04,000 Speaker 1: will be your first studio album in nine years. Yeah, 932 00:43:04,160 --> 00:43:05,680 Speaker 1: what made you want to get back to music? Well, 933 00:43:05,719 --> 00:43:08,720 Speaker 1: I did. I put out so many pass yeah EPs 934 00:43:08,719 --> 00:43:09,880 Speaker 1: and all that kind of stuff. But the album I 935 00:43:09,960 --> 00:43:12,080 Speaker 1: was supposed to came out four years ago, three years ago, 936 00:43:12,160 --> 00:43:14,040 Speaker 1: So you know, it's a it's a lot of when 937 00:43:14,040 --> 00:43:16,120 Speaker 1: you're independent, you're doing it differently, you're doing on your own. 938 00:43:16,320 --> 00:43:18,040 Speaker 1: It's a lot of a lot of work. It's not 939 00:43:18,160 --> 00:43:20,040 Speaker 1: the same as it was when I did nan Or 940 00:43:20,040 --> 00:43:21,879 Speaker 1: the Baddest album. So I mean, I had to grow. 941 00:43:21,920 --> 00:43:23,440 Speaker 1: I had to learn. I had to be more involved 942 00:43:23,640 --> 00:43:26,120 Speaker 1: and do things a little bit different. The album sounds great, though, 943 00:43:26,160 --> 00:43:27,640 Speaker 1: I'm not gonna lie. I had a chance to get 944 00:43:27,640 --> 00:43:30,440 Speaker 1: a little early listened to it. Yeah, and we was 945 00:43:30,480 --> 00:43:33,640 Speaker 1: in here vibing to it, Okay, vibing the one? So one, 946 00:43:33,840 --> 00:43:35,680 Speaker 1: are you the one? I am the one? I feel 947 00:43:35,719 --> 00:43:37,480 Speaker 1: like I've been through enough, I've done enough. I hold 948 00:43:37,520 --> 00:43:39,560 Speaker 1: my own ground. I have a roof over my head, 949 00:43:39,560 --> 00:43:41,440 Speaker 1: I could stand my own. I have my own I 950 00:43:41,480 --> 00:43:43,520 Speaker 1: don't depend on need nobody for nothing. I feel like 951 00:43:43,560 --> 00:43:45,239 Speaker 1: I've grown into the person that I am. The one 952 00:43:45,280 --> 00:43:46,800 Speaker 1: that I am, I am the one. She let me 953 00:43:46,920 --> 00:43:48,480 Speaker 1: put out this song with a little dou ball called 954 00:43:48,560 --> 00:43:50,640 Speaker 1: black Men don't Cheat. That's what there was a song 955 00:43:50,719 --> 00:43:52,400 Speaker 1: I keep saying. I wonder I started to write a 956 00:43:52,480 --> 00:43:54,240 Speaker 1: pit of y'all asked what that means? Because I'm confused. 957 00:43:54,239 --> 00:43:56,880 Speaker 1: What do you mean black men? Black men don't cheat? Now? 958 00:43:56,960 --> 00:43:58,880 Speaker 1: What is that true? Yes? Why? What do you what? 959 00:43:59,000 --> 00:44:01,120 Speaker 1: What what do you mean by that? Black men evolved 960 00:44:01,320 --> 00:44:04,440 Speaker 1: and we're just no more, no longer black boys and 961 00:44:04,880 --> 00:44:07,680 Speaker 1: we're grown up and okay black men. So you know 962 00:44:07,880 --> 00:44:10,439 Speaker 1: five black men that don't cheat? You could count five 963 00:44:10,520 --> 00:44:12,600 Speaker 1: on your hand, like your homeboys or whoever has a 964 00:44:12,680 --> 00:44:14,440 Speaker 1: wife or a girl, and they never cheat. You go 965 00:44:14,480 --> 00:44:16,239 Speaker 1: to the strip club, you go whatever, and they just 966 00:44:16,400 --> 00:44:18,600 Speaker 1: strictly not cheating. We're not talking about the past. We're 967 00:44:18,600 --> 00:44:20,560 Speaker 1: talking about the president. We're talking about right now, about 968 00:44:20,600 --> 00:44:22,919 Speaker 1: five that you know right now, right now in your life, 969 00:44:23,040 --> 00:44:24,840 Speaker 1: right now, currently, that you can hang out with on 970 00:44:24,920 --> 00:44:26,920 Speaker 1: a Saturday night and they're not gonna cheat. They're not 971 00:44:26,960 --> 00:44:29,360 Speaker 1: gonna cheat. I want to see and meet these guys. 972 00:44:30,320 --> 00:44:32,239 Speaker 1: I got to meet them. Don't get me wrong, I 973 00:44:32,280 --> 00:44:34,560 Speaker 1: don't even know these four different Do you cheat her? 974 00:44:34,719 --> 00:44:37,120 Speaker 1: Do you cheat her? Do you cheat her? Do you 975 00:44:37,200 --> 00:44:46,520 Speaker 1: cheat her black cham gonna say, so let me get 976 00:44:46,600 --> 00:44:48,360 Speaker 1: Let me say this one thing. I would say that 977 00:44:48,480 --> 00:44:51,280 Speaker 1: I believe that some guys don't cheat. I mean contrary 978 00:44:51,320 --> 00:44:53,239 Speaker 1: to the fact, I believe that I feel like but 979 00:44:53,440 --> 00:44:56,040 Speaker 1: that's the same. I just feel like, as people, women 980 00:44:56,200 --> 00:44:58,360 Speaker 1: or men, you have to grow up and be in 981 00:44:58,400 --> 00:45:00,680 Speaker 1: a certain phase in your life and be accountable for 982 00:45:00,680 --> 00:45:03,360 Speaker 1: your responsibilities and be an adult. Cheating means what like 983 00:45:03,440 --> 00:45:04,759 Speaker 1: you cheating for one night and then you got to 984 00:45:04,800 --> 00:45:06,319 Speaker 1: go home to your wife or your husband or whatever, 985 00:45:06,320 --> 00:45:08,120 Speaker 1: and then I thought, you feel like a dog, a slut, 986 00:45:08,560 --> 00:45:11,279 Speaker 1: like you feel delusion to Like that's nasty. So what's 987 00:45:11,280 --> 00:45:12,719 Speaker 1: the purpose of cheat anyway? If you don't want to 988 00:45:12,719 --> 00:45:13,920 Speaker 1: be with somebody, if they're not make you happy or 989 00:45:13,960 --> 00:45:18,040 Speaker 1: you're not satisfied, leave to cheat. So what do mane? 990 00:45:18,040 --> 00:45:19,680 Speaker 1: But Okay, Scharlamie is married not so I'm gonna give 991 00:45:19,760 --> 00:45:22,880 Speaker 1: him that. But you know it's crazy, what do you 992 00:45:22,920 --> 00:45:24,800 Speaker 1: mean the past? Like, well, how far in the past? 993 00:45:25,560 --> 00:45:29,320 Speaker 1: I mean was like no, not yesterday? Like he's like 994 00:45:29,480 --> 00:45:32,440 Speaker 1: four years? I think like years. I'm not cheating, yes, 995 00:45:32,680 --> 00:45:36,960 Speaker 1: And how long he's been his wife? Say, I wish 996 00:45:37,000 --> 00:45:39,400 Speaker 1: you wash, I could pop you stop. Okay, so you 997 00:45:39,480 --> 00:45:41,120 Speaker 1: had he had to get all his boy years them out, 998 00:45:41,239 --> 00:45:43,520 Speaker 1: do all his whole boy things before he got seriously 999 00:45:43,560 --> 00:45:45,120 Speaker 1: to not cheat. He got one year for every end 1000 00:45:45,160 --> 00:45:47,200 Speaker 1: she has and the wife and the one and the 1001 00:45:47,640 --> 00:45:49,160 Speaker 1: person the woman who's his wife not she been with 1002 00:45:49,200 --> 00:45:51,200 Speaker 1: him through all the whole cheating face and all that. See, 1003 00:45:51,280 --> 00:45:53,399 Speaker 1: that's what my problem kicks in it. Oh boy, let's 1004 00:45:53,400 --> 00:45:55,600 Speaker 1: talk about it. Let's tell people always wonder what happens 1005 00:45:55,600 --> 00:45:57,000 Speaker 1: to train and she's in the relationship with this person 1006 00:45:57,040 --> 00:45:59,960 Speaker 1: of this person in the rationship dissolved, and we don't 1007 00:46:00,160 --> 00:46:02,640 Speaker 1: know what happens why she's not with this person, because 1008 00:46:02,640 --> 00:46:04,880 Speaker 1: you know why if you cheat or you do something 1009 00:46:04,960 --> 00:46:07,200 Speaker 1: malicious as in some of the names that I said, 1010 00:46:07,239 --> 00:46:09,360 Speaker 1: you got to go because I feel like it's no 1011 00:46:09,480 --> 00:46:11,160 Speaker 1: reason for that. If you want to be a single 1012 00:46:11,200 --> 00:46:13,320 Speaker 1: man and you want to run around and do what everybody, 1013 00:46:13,400 --> 00:46:15,439 Speaker 1: just be single, so nobody's hurting caught up in the middle. 1014 00:46:15,560 --> 00:46:17,440 Speaker 1: But what if that's not your man, then that's a 1015 00:46:17,480 --> 00:46:19,560 Speaker 1: different stuff. But when I'm saying my man, if you're 1016 00:46:19,680 --> 00:46:21,799 Speaker 1: my man and you and I find out that you've 1017 00:46:21,880 --> 00:46:24,000 Speaker 1: done that, it's over for you. It's no explain I'm 1018 00:46:24,040 --> 00:46:26,120 Speaker 1: not working it out. I'm not gonna I don't go 1019 00:46:26,239 --> 00:46:27,759 Speaker 1: with them. Oh, I don't believe you're not gonna do 1020 00:46:27,800 --> 00:46:30,360 Speaker 1: it again. I'm very I'm a visionary and let me 1021 00:46:30,400 --> 00:46:32,120 Speaker 1: tell you something. You cheat. Guess what's in my mind 1022 00:46:32,280 --> 00:46:33,759 Speaker 1: every time I go to see I'm thinking about you 1023 00:46:33,840 --> 00:46:35,920 Speaker 1: with this woman. Did you go down on her? Did 1024 00:46:36,000 --> 00:46:38,640 Speaker 1: you do all the stuff that? Did? She sit on 1025 00:46:38,760 --> 00:46:40,879 Speaker 1: your face, all over your face and smother you. I'm 1026 00:46:40,880 --> 00:46:42,279 Speaker 1: trying to figure out what was happening with you on 1027 00:46:42,360 --> 00:46:44,279 Speaker 1: this girl that you cheated with, Like, what made it 1028 00:46:44,360 --> 00:46:46,359 Speaker 1: so important for you to do something like that? That's 1029 00:46:46,400 --> 00:46:47,880 Speaker 1: what I'll be thinking. I'm I can't get it. I 1030 00:46:47,920 --> 00:46:50,839 Speaker 1: can't get the visuals out of my mind. Every time 1031 00:46:50,880 --> 00:46:53,239 Speaker 1: I see you naked, I'll be thinking about ill you 1032 00:46:53,400 --> 00:46:55,719 Speaker 1: was cheating with her? And yeah, my vision is bad. 1033 00:46:55,840 --> 00:46:58,240 Speaker 1: Were you want details? Like you know, I'm a detail 1034 00:46:58,320 --> 00:47:00,719 Speaker 1: into details. Yes, when the woman caused you up, but 1035 00:47:00,880 --> 00:47:04,560 Speaker 1: I'm want to know what exactly happened? Would you be like, 1036 00:47:04,640 --> 00:47:08,000 Speaker 1: did y'all shower together? No? No, because some women like 1037 00:47:08,080 --> 00:47:10,319 Speaker 1: to give those details. No, because I had a bad 1038 00:47:10,360 --> 00:47:13,560 Speaker 1: experience with that. That's another reason why I or anybody. No, 1039 00:47:13,600 --> 00:47:15,040 Speaker 1: I don't have recons I don't like you about if 1040 00:47:15,040 --> 00:47:17,200 Speaker 1: something's not going to I'm leaving all we got more 1041 00:47:17,239 --> 00:47:19,120 Speaker 1: with Trina when we come back, don't move. It's to 1042 00:47:19,120 --> 00:47:21,160 Speaker 1: Breakfast Club. Good morning. It's only right to get this on. 1043 00:47:21,280 --> 00:47:23,520 Speaker 1: I mean, I'm I'm feeling this way. Yeah, I'm so 1044 00:47:23,640 --> 00:47:25,759 Speaker 1: disappointed that I wasn't here to talk to the homie Trina. 1045 00:47:25,800 --> 00:47:27,560 Speaker 1: You know what I'm saying, because she is clearly letting 1046 00:47:27,560 --> 00:47:29,920 Speaker 1: Satan use her. But everything she said about cheating is 1047 00:47:29,920 --> 00:47:32,319 Speaker 1: absolutely right, and that's exactly why we made this song 1048 00:47:32,400 --> 00:47:36,719 Speaker 1: to spread that message. E j Envy, Angela Yee, Charlomagne, 1049 00:47:36,719 --> 00:47:38,839 Speaker 1: the guy we are the Breakfast Club was still kicking 1050 00:47:38,880 --> 00:47:41,360 Speaker 1: it with Trina. Her albums out right now. Not Trina, 1051 00:47:41,400 --> 00:47:43,560 Speaker 1: who hurt you. I was in a situation in her relationship. 1052 00:47:43,600 --> 00:47:45,240 Speaker 1: This is a this is a relationship you're talking about 1053 00:47:45,239 --> 00:47:48,160 Speaker 1: five years in though. Gee okay, I'm not the person. 1054 00:47:48,280 --> 00:47:50,319 Speaker 1: I'm not insecure. I'm not the girl that's going through 1055 00:47:50,360 --> 00:47:53,600 Speaker 1: your phone. I'm not checking your phone, your text mess 1056 00:47:53,680 --> 00:47:55,040 Speaker 1: I don't want to be in your DM. I don't care. 1057 00:47:55,120 --> 00:47:57,279 Speaker 1: I don't care about none of that. I'm not gonna 1058 00:47:57,320 --> 00:48:00,959 Speaker 1: do that. But what happens in the dark always comes 1059 00:48:01,040 --> 00:48:02,600 Speaker 1: to the lights, you know what I mean. So I 1060 00:48:02,640 --> 00:48:04,239 Speaker 1: don't have to look for this stuff because it failed 1061 00:48:04,280 --> 00:48:06,040 Speaker 1: directly in my lap. One of your friends told you. No, 1062 00:48:06,160 --> 00:48:08,360 Speaker 1: my friend didn't tell me. You told on yourself. You told, 1063 00:48:08,440 --> 00:48:10,239 Speaker 1: and the person you was cheating with told, not you 1064 00:48:10,360 --> 00:48:15,080 Speaker 1: in person. No. But the thing is that he thought 1065 00:48:15,160 --> 00:48:17,480 Speaker 1: my friend told me. And that's so crazy because you know, 1066 00:48:17,560 --> 00:48:20,120 Speaker 1: you so foul and the only person you know that's 1067 00:48:20,160 --> 00:48:22,680 Speaker 1: around me that with no something you thought it was them. 1068 00:48:22,760 --> 00:48:24,880 Speaker 1: It wasn't. I set you up to tell on yourself, 1069 00:48:25,480 --> 00:48:30,080 Speaker 1: so small I didn't. I just it just happened. Somebody 1070 00:48:30,160 --> 00:48:33,040 Speaker 1: started sending random text messages and emails and all this stuff. 1071 00:48:33,160 --> 00:48:35,480 Speaker 1: It started fluctuating through a circle of people, you know, 1072 00:48:35,640 --> 00:48:37,799 Speaker 1: and it was like, oh, so, yeah, you you're talking 1073 00:48:37,840 --> 00:48:39,440 Speaker 1: to this person. Why what's the point of it. And 1074 00:48:39,440 --> 00:48:40,800 Speaker 1: I'll give you a bene for the doctor because I 1075 00:48:40,800 --> 00:48:42,320 Speaker 1: don't have a kid. You have a kid, so a 1076 00:48:42,400 --> 00:48:43,719 Speaker 1: man with a kid, I'm gonna give you a leave. 1077 00:48:43,760 --> 00:48:45,000 Speaker 1: But hey, I want you to be the best father, 1078 00:48:45,040 --> 00:48:46,839 Speaker 1: to be with the kid. All this stuff, but I'm 1079 00:48:46,880 --> 00:48:48,480 Speaker 1: allowing this. But instead of you just being with the kids. 1080 00:48:48,480 --> 00:48:49,799 Speaker 1: You trying to be with the woman too. Of course 1081 00:48:49,800 --> 00:48:51,520 Speaker 1: that baby mama, go back slide the thing. I don't 1082 00:48:51,560 --> 00:48:52,799 Speaker 1: play all that. You want to slide it with your 1083 00:48:52,800 --> 00:48:54,560 Speaker 1: baby mamma. Go be with your baby mama. So this 1084 00:48:54,719 --> 00:48:57,360 Speaker 1: is what happened. I found out. It wasn't more what 1085 00:48:57,760 --> 00:48:59,799 Speaker 1: she said in the message. It was what he said. 1086 00:49:00,360 --> 00:49:03,640 Speaker 1: That's the thing. That's the real nasty dis No, no, no, no, no, 1087 00:49:04,000 --> 00:49:06,520 Speaker 1: you're you're to come with this guy. He don't even 1088 00:49:06,600 --> 00:49:11,480 Speaker 1: know your emails, your text messages, your conversation. The person 1089 00:49:11,560 --> 00:49:13,520 Speaker 1: you're cheating with is like, oh, I wish you could 1090 00:49:13,560 --> 00:49:15,560 Speaker 1: get back together. I miss you. I know you got 1091 00:49:15,640 --> 00:49:17,360 Speaker 1: this girl now you in love, but let that go 1092 00:49:17,480 --> 00:49:19,640 Speaker 1: because you got a family. X y Z Okay, cool, 1093 00:49:19,800 --> 00:49:22,640 Speaker 1: But what you said, how many more times can I 1094 00:49:22,920 --> 00:49:26,239 Speaker 1: f you before I leave? And when you labor coming 1095 00:49:26,320 --> 00:49:29,960 Speaker 1: to me? So what does that mean? You gotta go? 1096 00:49:30,400 --> 00:49:34,120 Speaker 1: That is disgusting. When you gotta go? No, I just 1097 00:49:34,160 --> 00:49:36,000 Speaker 1: said was on the radio. But you know what I'm 1098 00:49:36,000 --> 00:49:38,920 Speaker 1: talking abound like that, So you know I've been through 1099 00:49:39,000 --> 00:49:40,880 Speaker 1: that and I didn't I didn't look for this. It 1100 00:49:41,000 --> 00:49:43,399 Speaker 1: came out, so you look crazy and I didn't tell 1101 00:49:43,440 --> 00:49:45,640 Speaker 1: you I knew for four months, and that's probably you 1102 00:49:45,800 --> 00:49:47,960 Speaker 1: not tell somebody because you gotta be grown. I had 1103 00:49:47,960 --> 00:49:49,600 Speaker 1: to make a decision if I tell you two things 1104 00:49:49,640 --> 00:49:51,759 Speaker 1: are gonna happen. Women are so we're gonna fall out 1105 00:49:51,800 --> 00:49:53,960 Speaker 1: and get it to this whole blowout and I'm gonna leave, 1106 00:49:54,200 --> 00:49:56,880 Speaker 1: or I'm gonna I just once I tell you everything 1107 00:49:57,000 --> 00:49:59,040 Speaker 1: is ruined because now you know it's awkward, it's bad 1108 00:49:59,120 --> 00:50:01,280 Speaker 1: vibes between us. So I gotta make up my decision. 1109 00:50:01,560 --> 00:50:03,080 Speaker 1: Do I Am I gonna stay in this situation if 1110 00:50:03,120 --> 00:50:04,600 Speaker 1: I tell you we're gonna argue every day about it, 1111 00:50:04,680 --> 00:50:06,160 Speaker 1: or am I just gonna leave? So I was, I was. 1112 00:50:06,360 --> 00:50:08,040 Speaker 1: I was torn like trying to figure out what to do. 1113 00:50:08,239 --> 00:50:10,320 Speaker 1: I gave myself time and time and time, and I 1114 00:50:10,440 --> 00:50:12,200 Speaker 1: just like, I'm gonna walk away because I can't. I'm 1115 00:50:12,200 --> 00:50:13,680 Speaker 1: not gonna be fake. I can't sit here and act 1116 00:50:13,760 --> 00:50:15,160 Speaker 1: like I want to be in a situation. I don't 1117 00:50:15,200 --> 00:50:17,320 Speaker 1: trust you. You're a nasty dog, and I'm out and 1118 00:50:17,360 --> 00:50:18,680 Speaker 1: I left. I don't know how you held that for 1119 00:50:18,760 --> 00:50:20,520 Speaker 1: four months. I can't. I'm trying to make sure my 1120 00:50:20,560 --> 00:50:22,920 Speaker 1: evidence is solid. I got a good reason to like 1121 00:50:23,120 --> 00:50:25,520 Speaker 1: the case. So if somebody in the pass cheating on you. 1122 00:50:25,600 --> 00:50:27,359 Speaker 1: Did you ever give somebody a chance to be like, look, 1123 00:50:27,360 --> 00:50:29,880 Speaker 1: I effed up? This is what it was. I'm sorry. 1124 00:50:30,040 --> 00:50:33,520 Speaker 1: Let's move on. Damn treating because yeah, you're not really 1125 00:50:33,600 --> 00:50:35,359 Speaker 1: sorry because you wasn't think about you was sorry when 1126 00:50:35,400 --> 00:50:36,919 Speaker 1: you did it. What was training at in the picture 1127 00:50:36,920 --> 00:50:38,239 Speaker 1: when you was doing it? When you think about poor 1128 00:50:38,239 --> 00:50:39,759 Speaker 1: little treating the feelers when you were doing it. Now, 1129 00:50:39,880 --> 00:50:41,640 Speaker 1: So why should I be work about your little feelers 1130 00:50:41,640 --> 00:50:43,480 Speaker 1: because you're sorry? Now? Yeah, you're sorry, you got caught. 1131 00:50:43,680 --> 00:50:45,560 Speaker 1: You're sorry, I know, but you're not sorry because you're 1132 00:50:45,560 --> 00:50:47,560 Speaker 1: gonna do it again if it's allowed. So how is 1133 00:50:47,640 --> 00:50:53,319 Speaker 1: he's working with you in your relationship now? Shot talking 1134 00:50:53,360 --> 00:50:56,520 Speaker 1: about how did he decide that he? Like, did y'all 1135 00:50:56,520 --> 00:50:59,319 Speaker 1: have a conversation like we're gonna be in a monogamus relationship? Yeah? 1136 00:50:59,400 --> 00:51:01,560 Speaker 1: My man, I girls just half and we just became 1137 00:51:01,640 --> 00:51:03,440 Speaker 1: friends and then we just scided just the friendship later 1138 00:51:03,480 --> 00:51:05,320 Speaker 1: into relationship. And you know, he's honest, and that's the 1139 00:51:05,360 --> 00:51:07,560 Speaker 1: one thing I respect most is honesty. Like he's already 1140 00:51:07,600 --> 00:51:09,279 Speaker 1: been through the whole vibe of the girls the strip 1141 00:51:09,320 --> 00:51:11,160 Speaker 1: clubs are hanging out the water not. So you got 1142 00:51:11,239 --> 00:51:12,920 Speaker 1: to go through that. Yeah, and that's the thing about me, 1143 00:51:13,000 --> 00:51:14,799 Speaker 1: you know what. I left relationship because of that because 1144 00:51:14,800 --> 00:51:16,799 Speaker 1: guess why I'm not the person. I'm not. I don't 1145 00:51:16,880 --> 00:51:18,520 Speaker 1: want to. I'm not to say, hey, don't hang out 1146 00:51:18,520 --> 00:51:19,799 Speaker 1: to the strip clubs. You want to go bust down 1147 00:51:19,840 --> 00:51:21,440 Speaker 1: the ones and get the butt shaking all over y'all, 1148 00:51:21,520 --> 00:51:23,480 Speaker 1: get it. Go live your life and be have fun. 1149 00:51:23,760 --> 00:51:25,799 Speaker 1: But then when it goes to other levels, you stop cheating, 1150 00:51:25,880 --> 00:51:27,640 Speaker 1: cheating out, you sliding with the strippers, and you slide 1151 00:51:27,640 --> 00:51:29,279 Speaker 1: with the bottens and all that. It's a rap. I 1152 00:51:29,320 --> 00:51:31,120 Speaker 1: don't have time for that. But half and you want 1153 00:51:31,160 --> 00:51:32,719 Speaker 1: to do that, go live your life and do that. 1154 00:51:32,760 --> 00:51:34,360 Speaker 1: I'm not here to stop you. I can't stop you 1155 00:51:34,400 --> 00:51:35,759 Speaker 1: because I know you got to go through that phase. 1156 00:51:35,840 --> 00:51:37,600 Speaker 1: Everybody go through that phase. Black men don't do that 1157 00:51:37,640 --> 00:51:39,399 Speaker 1: anymore though, So that's that's a good charm. I can't 1158 00:51:39,400 --> 00:51:41,279 Speaker 1: wait to see Charlomagne with this. Black men don't cheat 1159 00:51:41,280 --> 00:51:43,160 Speaker 1: foolsh I mean, it's a good it's a good catch. 1160 00:51:44,080 --> 00:51:45,359 Speaker 1: But I just want to know each one of your 1161 00:51:45,440 --> 00:51:48,000 Speaker 1: men that say that, do you have five potential men 1162 00:51:48,120 --> 00:51:49,920 Speaker 1: that you know for sure that do not cheat. If 1163 00:51:49,920 --> 00:51:51,879 Speaker 1: you can't tell me that, I don't believe it. Black men, dude, 1164 00:51:51,920 --> 00:51:55,200 Speaker 1: cheat remix might be nice. Yeah, black men do cheat remix. 1165 00:51:55,280 --> 00:51:58,480 Speaker 1: I'm featuring an angela. Yeah, yeah, I do my first way, 1166 00:51:58,480 --> 00:51:59,560 Speaker 1: I can you write my verse? Do you want to 1167 00:51:59,640 --> 00:52:03,080 Speaker 1: write your Okay? I got you. Could you imagine that 1168 00:52:03,360 --> 00:52:05,480 Speaker 1: in the morning time playing that? Oh my god, I'm 1169 00:52:05,520 --> 00:52:08,200 Speaker 1: getting cursed out right now by treating man. I told 1170 00:52:08,239 --> 00:52:12,000 Speaker 1: the black men don't cheat. Knock it off, Charlemagne charm 1171 00:52:14,040 --> 00:52:18,279 Speaker 1: the narrative you are. I'm so proud of you. You're married, 1172 00:52:18,320 --> 00:52:21,040 Speaker 1: you have a beautiful wife. I'm happy that you're saved 1173 00:52:21,120 --> 00:52:23,319 Speaker 1: and you don't cheat, and you're clean in the last 1174 00:52:23,400 --> 00:52:27,319 Speaker 1: three four years. But those fifteen years that you because, yeah, 1175 00:52:27,440 --> 00:52:33,319 Speaker 1: they come. You see the cause underlying got me. I'm 1176 00:52:33,360 --> 00:52:37,080 Speaker 1: calling the friends I need to change. You got five 1177 00:52:37,200 --> 00:52:41,560 Speaker 1: friends male friends that don't cheat? I do? Actually you do? Yeah, okay, 1178 00:52:41,640 --> 00:52:44,080 Speaker 1: that's really interesting. I'm I'm a rock with this black 1179 00:52:44,120 --> 00:52:50,040 Speaker 1: men on cheat wave. I'm all for y'all. Brothers. Oh baby, 1180 00:52:50,120 --> 00:52:51,880 Speaker 1: you got some forty your old men that's in this 1181 00:52:52,040 --> 00:52:55,360 Speaker 1: industry that are big influencers that I still out here 1182 00:52:55,440 --> 00:52:57,200 Speaker 1: cheating and acting like they're twenty years old. You know 1183 00:52:57,320 --> 00:53:00,720 Speaker 1: we're talking about but yes, I got I got about 1184 00:53:00,760 --> 00:53:05,760 Speaker 1: three all right bye, as we're talking about by Charlotte 1185 00:53:05,760 --> 00:53:12,840 Speaker 1: Mane remixes coming song, Black Man Cremixes Coming so chote 1186 00:53:13,160 --> 00:53:20,240 Speaker 1: O God, I'm standing my brother, thank you, thank you guys. 1187 00:53:20,360 --> 00:53:25,279 Speaker 1: I'm exciting the album and that's it. Yeah, it's the one. 1188 00:53:25,400 --> 00:53:32,560 Speaker 1: Good morning, all right morning every envy angela alone. Man, 1189 00:53:32,600 --> 00:53:34,640 Speaker 1: I wasn't here to have a dialogue with my sister 1190 00:53:34,719 --> 00:53:38,400 Speaker 1: Training Pray for Training? Which does she do? Her song Mercy, 1191 00:53:38,760 --> 00:53:41,600 Speaker 1: Sister Training need pray? Somebody heard of her album is Fire. 1192 00:53:41,640 --> 00:53:45,400 Speaker 1: I'm not gonna lie, yeah, never been fired. First of all, 1193 00:53:45,440 --> 00:53:47,200 Speaker 1: training is a whole legend out here, dropping the clues 1194 00:53:47,239 --> 00:53:50,359 Speaker 1: bons for training everybody. That's that's that's an understatement. Okay. 1195 00:53:50,400 --> 00:53:52,640 Speaker 1: I'm just saying, Sister Tree to need some prayer, Lord 1196 00:53:52,960 --> 00:53:55,000 Speaker 1: Mercy just because he's got a man that she's been 1197 00:53:55,040 --> 00:53:57,520 Speaker 1: winning for over three years. She poppy when you see. 1198 00:53:57,520 --> 00:53:59,359 Speaker 1: I hope she trusts them, you know what I'm saying. 1199 00:53:59,520 --> 00:54:01,680 Speaker 1: That's the other thing. All these women running around here 1200 00:54:01,800 --> 00:54:03,520 Speaker 1: not wanting us to change the narrative of black men 1201 00:54:03,600 --> 00:54:05,320 Speaker 1: not cheating. Do you trust your black man, that you 1202 00:54:05,400 --> 00:54:09,080 Speaker 1: would you trust you think about that? I trust my boyfriend. Good. 1203 00:54:09,160 --> 00:54:11,000 Speaker 1: You should. So when we say black it has never 1204 00:54:11,080 --> 00:54:12,759 Speaker 1: given me reason not to. All right, Well, as long 1205 00:54:12,760 --> 00:54:15,000 Speaker 1: as you trust me, that's all that matters. So when 1206 00:54:15,040 --> 00:54:16,759 Speaker 1: we say black men don't cheating, we're trying to change 1207 00:54:16,800 --> 00:54:19,480 Speaker 1: the narrative. Everythings training said about cheating is absolutely right. 1208 00:54:19,640 --> 00:54:21,320 Speaker 1: That co signed that one hundred percent. A lot of 1209 00:54:21,360 --> 00:54:23,279 Speaker 1: guys do mess up though, well no, a lot of 1210 00:54:23,320 --> 00:54:25,279 Speaker 1: boys mess up. That's what they is. The young man 1211 00:54:25,360 --> 00:54:27,040 Speaker 1: have who haven't matured. That that's correct. And you can 1212 00:54:27,080 --> 00:54:28,799 Speaker 1: be a forty something of your old grown ass boy. 1213 00:54:29,080 --> 00:54:31,719 Speaker 1: You can cold be married with kids. Okay, oh you're 1214 00:54:31,760 --> 00:54:35,160 Speaker 1: definitely wile it now. Okay, you need to change. And 1215 00:54:35,280 --> 00:54:37,520 Speaker 1: that's all. That's the narrative that we're pushing. Let's get 1216 00:54:37,520 --> 00:54:41,400 Speaker 1: into rumors. Let's talk to Double XL freshman. Listen, this 1217 00:54:41,840 --> 00:54:50,960 Speaker 1: is the rumor report with Angela ye Man that Double 1218 00:54:51,239 --> 00:54:53,440 Speaker 1: x L freshman class list is out. Now. I know 1219 00:54:53,680 --> 00:54:55,920 Speaker 1: normally every year we are the ones that do the 1220 00:54:56,000 --> 00:54:59,719 Speaker 1: interview with Vanessa from Double XL about the cover. So 1221 00:55:00,000 --> 00:55:02,320 Speaker 1: we tried to make it happen yesterday, but it was 1222 00:55:02,600 --> 00:55:05,600 Speaker 1: difficult because people weren't in town. People had to leave. 1223 00:55:06,120 --> 00:55:08,480 Speaker 1: So we'll get her on the show next week to 1224 00:55:08,520 --> 00:55:10,160 Speaker 1: talk about it. But some people are saying this might 1225 00:55:10,200 --> 00:55:13,320 Speaker 1: be one of the best ones ever. Really, yes, So 1226 00:55:13,840 --> 00:55:16,359 Speaker 1: let's talk about some of the picks, all right, Tierra Whack, 1227 00:55:16,920 --> 00:55:20,600 Speaker 1: Megan the Stallion, Rico Nasty, three women by the way, 1228 00:55:20,640 --> 00:55:23,560 Speaker 1: which is really I don't think it's ever happened before 1229 00:55:23,640 --> 00:55:28,480 Speaker 1: for the Double XL Freshman Cover, the Baby Gunna, Little Mosey, 1230 00:55:28,760 --> 00:55:32,600 Speaker 1: y Bien Corday, Roddy Rich, Y Kao, Cyrus, Comethazine, and 1231 00:55:32,880 --> 00:55:35,840 Speaker 1: blue Face. So what do you guys think? Oh, sometimes 1232 00:55:35,880 --> 00:55:37,759 Speaker 1: I see the Double XL listen, I feel old because 1233 00:55:37,760 --> 00:55:39,200 Speaker 1: I don't know what the hell is going on. But 1234 00:55:39,560 --> 00:55:41,880 Speaker 1: this one I actually listened to about four those artists 1235 00:55:42,080 --> 00:55:46,319 Speaker 1: on the regular, Meghan Stallion, the Baby Gunna, somebody else 1236 00:55:46,360 --> 00:55:50,640 Speaker 1: you named, blue Face, no Y Bien, Corday, y Ko, Cyrus, 1237 00:55:50,760 --> 00:55:54,759 Speaker 1: Roddy Rich, Roddy Rich Rich. I love the fact that 1238 00:55:54,840 --> 00:55:58,040 Speaker 1: there's three women. It's a dope listen, and three women 1239 00:55:58,120 --> 00:56:00,399 Speaker 1: that deserve to be on it too, So shout out 1240 00:56:00,400 --> 00:56:02,520 Speaker 1: to them. But yeah, and some of them, you look 1241 00:56:02,520 --> 00:56:04,920 Speaker 1: at them and you're like, Wow, the baby's blown up 1242 00:56:04,960 --> 00:56:06,960 Speaker 1: so much and Megan this stallion. But you gotta think 1243 00:56:07,000 --> 00:56:10,919 Speaker 1: they already agreed to do this list Gunna a while ago, 1244 00:56:11,120 --> 00:56:13,799 Speaker 1: so I guess they have to agree to it. They 1245 00:56:13,840 --> 00:56:15,799 Speaker 1: do the shoot, they do the interviews, they do all 1246 00:56:15,840 --> 00:56:19,319 Speaker 1: of that. And Kamaya posted she saluted all the women. 1247 00:56:19,320 --> 00:56:21,080 Speaker 1: She said, shout out to double Xtyle for putting three 1248 00:56:21,120 --> 00:56:24,400 Speaker 1: females on the Freshman cover. History is made. That's player 1249 00:56:24,520 --> 00:56:27,640 Speaker 1: as f y. That's a very, very dope list. That's 1250 00:56:27,640 --> 00:56:29,640 Speaker 1: one of those lists that five years from now, you're 1251 00:56:29,680 --> 00:56:31,239 Speaker 1: gonna look back on it and be like, damn, some 1252 00:56:31,280 --> 00:56:33,440 Speaker 1: superstars really came off that out of that class. And 1253 00:56:33,440 --> 00:56:35,160 Speaker 1: I've seen a lot of them grinding. I've seen a 1254 00:56:35,200 --> 00:56:38,279 Speaker 1: lot of these artists actually out there grinding. So this 1255 00:56:38,400 --> 00:56:40,000 Speaker 1: is a dope list. Is a good list. Yeah, So 1256 00:56:40,040 --> 00:56:42,040 Speaker 1: I can't wait to have that conversation all right now 1257 00:56:42,120 --> 00:56:45,480 Speaker 1: beyond say and Donald Glover. So, there's a TV spot 1258 00:56:45,560 --> 00:56:48,399 Speaker 1: that has a snippet of the cover of Elton Johns. 1259 00:56:48,480 --> 00:56:51,279 Speaker 1: Can you feel the love tonight? I know you guys 1260 00:56:51,360 --> 00:56:53,400 Speaker 1: are so excited for the Lion King. Someone actually came 1261 00:56:53,440 --> 00:56:55,200 Speaker 1: to my live show filip Service and brought me A 1262 00:56:55,239 --> 00:56:59,239 Speaker 1: Lion King DVD's still in the rapper at home. So 1263 00:56:59,440 --> 00:57:06,799 Speaker 1: here's a snip for you. Can you feel to look 1264 00:57:06,840 --> 00:57:12,840 Speaker 1: at the stars? The piece three Kings look down on 1265 00:57:13,080 --> 00:57:25,960 Speaker 1: us from those stars for once and perfect, we're hartill? 1266 00:57:26,000 --> 00:57:30,160 Speaker 1: I okay, okay, So I know you guys are all 1267 00:57:30,240 --> 00:57:33,920 Speaker 1: excited for the Lion. They don't have the Lion came up. Man, 1268 00:57:34,400 --> 00:57:37,240 Speaker 1: people are excited. I'm excited, but man, these live action 1269 00:57:38,000 --> 00:57:40,120 Speaker 1: movies that they're making that we grew up on be 1270 00:57:40,200 --> 00:57:42,920 Speaker 1: looking kind of crazy. They can't mess it up for me. 1271 00:57:43,720 --> 00:57:48,080 Speaker 1: Yeah right, all right? Now, would you be excited for 1272 00:57:48,200 --> 00:57:50,680 Speaker 1: Oprah to do were reboot? Since we're rebooting things. She 1273 00:57:50,880 --> 00:57:55,320 Speaker 1: talked to uh Cheryl Hickey in Canada and she talked 1274 00:57:55,360 --> 00:57:58,880 Speaker 1: about perhaps coming back with the talk show. I would 1275 00:57:58,960 --> 00:58:00,960 Speaker 1: love to make that happen, let me tell you, but 1276 00:58:01,080 --> 00:58:03,880 Speaker 1: maybe not every day. Yeah. For twenty five years it 1277 00:58:04,040 --> 00:58:07,200 Speaker 1: was perfect and the only time I missed it was 1278 00:58:07,320 --> 00:58:10,600 Speaker 1: like during the election or something really big happens in 1279 00:58:10,680 --> 00:58:12,920 Speaker 1: the news. I think, Angie, I wish I had to 1280 00:58:12,960 --> 00:58:16,480 Speaker 1: show thank you. No, I wouldn't be excited for over 1281 00:58:16,680 --> 00:58:19,080 Speaker 1: daytime talk show. And my last name is Pinketsmill For 1282 00:58:19,080 --> 00:58:21,000 Speaker 1: win Free knows Carter and the reason I wouldn't be 1283 00:58:21,040 --> 00:58:23,080 Speaker 1: excited because I feel like Oprah has evolved from that, 1284 00:58:23,360 --> 00:58:27,320 Speaker 1: and I think Oprah Super Soul Conversations is Oprah Show 1285 00:58:27,480 --> 00:58:30,880 Speaker 1: Times ten. I think that it just means so much 1286 00:58:30,920 --> 00:58:32,720 Speaker 1: if you actually listen to our podcast. I love open 1287 00:58:32,760 --> 00:58:35,560 Speaker 1: Super Soul Conversations. I mean open could do whatever she wants. 1288 00:58:35,600 --> 00:58:38,360 Speaker 1: So I didn't you just ask us if we want to. 1289 00:58:39,320 --> 00:58:41,080 Speaker 1: I'm not disagreeing with you, I'm just saying, op we 1290 00:58:41,120 --> 00:58:44,560 Speaker 1: can do whatever she wants. She has everything together. She's like, yeah, 1291 00:58:44,560 --> 00:58:46,360 Speaker 1: I'm doing a weekly show. I would love to see it, 1292 00:58:46,400 --> 00:58:47,560 Speaker 1: but like she said, not every she would do it, 1293 00:58:47,600 --> 00:58:49,400 Speaker 1: and she loved it. That's why I'd like to see 1294 00:58:49,400 --> 00:58:51,360 Speaker 1: Opra Super Soul Conversations in prime time. I don't know 1295 00:58:51,360 --> 00:58:53,000 Speaker 1: if y'all listen to her podcast, but the guest that 1296 00:58:53,080 --> 00:58:55,160 Speaker 1: she has on there, it's it's it's it's just a 1297 00:58:55,280 --> 00:58:57,760 Speaker 1: it's very spiritual and it just gets you on a 1298 00:58:57,840 --> 00:58:59,640 Speaker 1: very high level of consciousness. I would like to see 1299 00:58:59,680 --> 00:59:02,400 Speaker 1: her do that at primetime somewhere. All right, I'm as 1300 00:59:02,560 --> 00:59:05,640 Speaker 1: lay and that is your room report, all right? Charlemagne, Yes, 1301 00:59:05,960 --> 00:59:08,960 Speaker 1: giving a donkey too well, there's a new business business 1302 00:59:09,040 --> 00:59:10,720 Speaker 1: in town that y'all may not be up on, but 1303 00:59:10,720 --> 00:59:13,640 Speaker 1: I'm gonna tell you all about it. Four after the hour. Okay, 1304 00:59:13,680 --> 00:59:15,800 Speaker 1: we'll get to that next keeping lock and then next 1305 00:59:15,880 --> 00:59:19,840 Speaker 1: hour County Orlando from b Et she'll be joining us. 1306 00:59:19,840 --> 00:59:22,800 Speaker 1: We'll kick it with us. Rentings at bat Sister Breakfast Club. 1307 00:59:22,840 --> 00:59:25,120 Speaker 1: Good morning, It's donna be a dusty because right now 1308 00:59:25,160 --> 00:59:29,800 Speaker 1: you want some real It's time for Donkey of the Day. 1309 00:59:30,040 --> 00:59:31,400 Speaker 1: So if we ever feel I need to be a 1310 00:59:31,480 --> 00:59:34,880 Speaker 1: donkey man, get it with the heat. Did she getting 1311 00:59:35,080 --> 00:59:38,480 Speaker 1: in the name? Please? I had become Donkey of the 1312 00:59:38,600 --> 00:59:43,760 Speaker 1: Day the Breakfast Club Bitchy, Yeah, donkey today for Friday, 1313 00:59:43,880 --> 00:59:46,040 Speaker 1: June twenty first goes to a thirty one year old 1314 00:59:46,080 --> 00:59:50,960 Speaker 1: man named Benissus Porto. Now Benisus is an Uber eats 1315 00:59:51,000 --> 00:59:54,080 Speaker 1: delivery guy who's making a delivery and Hackensack, New Jersey 1316 00:59:54,200 --> 00:59:57,040 Speaker 1: dropped on a clues box for Hackensack, New Jersey. All right, 1317 00:59:58,120 --> 01:00:00,480 Speaker 1: Benissa's delivered a bag of food to a twenty three 1318 01:00:00,520 --> 01:00:04,040 Speaker 1: year old customer, and the customer noticed the bag was unstable. 1319 01:00:04,080 --> 01:00:06,800 Speaker 1: Does that happened to anybody in here before? No? Would 1320 01:00:06,840 --> 01:00:09,440 Speaker 1: you eat some food from Uber Eats of the bag 1321 01:00:09,520 --> 01:00:15,080 Speaker 1: was unstable, probably you still would yeah, okay, hungry, Let's see. 1322 01:00:15,080 --> 01:00:17,120 Speaker 1: I mean, it depends. And it looked like it was 1323 01:00:17,280 --> 01:00:20,360 Speaker 1: accidentally unstable and picked it up or was it rummaged through? 1324 01:00:20,600 --> 01:00:23,120 Speaker 1: Was the food all sealed up inside? Well, let's see 1325 01:00:23,160 --> 01:00:25,080 Speaker 1: what you think. After you hit the story, the woman 1326 01:00:25,200 --> 01:00:27,560 Speaker 1: she shot like, y'all, no, she didn't want to eat 1327 01:00:27,720 --> 01:00:30,320 Speaker 1: the food because the bag was unstabled, So she rushed 1328 01:00:30,360 --> 01:00:33,040 Speaker 1: over to the Ford explorer that Porto was driving to 1329 01:00:33,160 --> 01:00:36,520 Speaker 1: question him about the open bag, and then this happened. 1330 01:00:36,880 --> 01:00:39,640 Speaker 1: This thirty one year old Uber Eats delivery driver is 1331 01:00:39,720 --> 01:00:42,480 Speaker 1: charged with lewdness after a customer says she caught the 1332 01:00:42,600 --> 01:00:46,720 Speaker 1: driver and it's just Porto pleasuring himself outside her Hackensack home. 1333 01:00:46,960 --> 01:00:49,440 Speaker 1: The twenty three year old woman says that Porto delivered 1334 01:00:49,480 --> 01:00:52,040 Speaker 1: an unstable bag when she found odds, so she went 1335 01:00:52,080 --> 01:00:54,480 Speaker 1: out to ask him about it. As she approached his car, 1336 01:00:54,720 --> 01:00:57,240 Speaker 1: that's when she saw him. Police say she recorded the 1337 01:00:57,280 --> 01:01:00,080 Speaker 1: incident before he left the neighborhood. Police were able to 1338 01:01:00,160 --> 01:01:03,160 Speaker 1: identify him from the video and he was arrested. First 1339 01:01:03,160 --> 01:01:06,160 Speaker 1: of all, let me give k y W CBS three 1340 01:01:06,800 --> 01:01:10,000 Speaker 1: the credit they deserved for that new story. Also, I 1341 01:01:10,080 --> 01:01:14,920 Speaker 1: want to say by pleasuring himself, they meant masturbation. Right, Yes, 1342 01:01:16,520 --> 01:01:19,240 Speaker 1: that sounds pleasurable. I would love to know what she 1343 01:01:19,440 --> 01:01:21,960 Speaker 1: ordered to eat. What if it was jerk chicken the 1344 01:01:22,080 --> 01:01:28,919 Speaker 1: irony right, well, Vanissa's port that's a good Vanissa's Porter 1345 01:01:29,120 --> 01:01:32,480 Speaker 1: after delivering an open bag of food, went back to 1346 01:01:32,560 --> 01:01:35,960 Speaker 1: the car and saw the young man applying the old handbrake. 1347 01:01:36,280 --> 01:01:38,520 Speaker 1: Clearly this twenty three ye old woman looked amazing because 1348 01:01:38,560 --> 01:01:40,760 Speaker 1: he took a mental picture and couldn't even wait till 1349 01:01:40,760 --> 01:01:42,640 Speaker 1: he got home to badge of his witness. Now, I 1350 01:01:42,720 --> 01:01:45,439 Speaker 1: am so glad this young woman didn't need her food, 1351 01:01:45,480 --> 01:01:47,640 Speaker 1: because any man that would churn his butter at four 1352 01:01:47,840 --> 01:01:50,520 Speaker 1: forty five pm and a Ford explorer in the middle 1353 01:01:50,520 --> 01:01:54,080 Speaker 1: of New Jersey broad daylight definitely would eat some of 1354 01:01:54,160 --> 01:01:56,000 Speaker 1: her food before he dropped it off, even if he 1355 01:01:56,080 --> 01:01:59,160 Speaker 1: just took a fry. The thought of him taking the sausage, 1356 01:01:59,360 --> 01:02:03,360 Speaker 1: the sausage ostygen and touching your food. Now, I must 1357 01:02:03,400 --> 01:02:05,840 Speaker 1: say this young lady is quick, because she pulled out 1358 01:02:05,880 --> 01:02:07,440 Speaker 1: her phone and shot a video of Portal trying to 1359 01:02:07,480 --> 01:02:10,360 Speaker 1: make stomach pancakes before he sped off, and cops tracked 1360 01:02:10,400 --> 01:02:12,280 Speaker 1: down this guy. He's a resident of the New York 1361 01:02:12,560 --> 01:02:15,520 Speaker 1: and they slapped him with a summons of loudness. On 1362 01:02:15,640 --> 01:02:18,600 Speaker 1: a brighter note, Vanissus is starting a new company called 1363 01:02:18,720 --> 01:02:23,200 Speaker 1: uber Beats. All right, so if you're in the men watch, 1364 01:02:23,280 --> 01:02:24,960 Speaker 1: if you're into watching men play the skin flute, he 1365 01:02:24,960 --> 01:02:27,040 Speaker 1: will come to your house and choke the cyclops and 1366 01:02:27,080 --> 01:02:29,560 Speaker 1: do a little dishonorable discharge and all the acids that 1367 01:02:29,600 --> 01:02:32,400 Speaker 1: you give him a five star uber spanking, I mean ranking. 1368 01:02:32,520 --> 01:02:36,360 Speaker 1: All right, please give Venissus port to whatever the hell 1369 01:02:36,440 --> 01:02:38,400 Speaker 1: is masturbate his name is, give him the sweet sounds 1370 01:02:38,400 --> 01:02:44,800 Speaker 1: of the Hamletones. Oh now you are the dogee the day, 1371 01:02:47,960 --> 01:02:57,760 Speaker 1: do gee, oh the day. Ain't nobody gonna be shaking 1372 01:02:58,240 --> 01:03:02,440 Speaker 1: vni whatever? This venis portals for Niece's portals hand in 1373 01:03:02,520 --> 01:03:06,520 Speaker 1: Hackensack for a long time, which is kind of tired. 1374 01:03:07,360 --> 01:03:09,320 Speaker 1: It's kind of wild. You wouldn't shake his hand because 1375 01:03:09,320 --> 01:03:13,080 Speaker 1: you gotta think all men masturbate, right, yes, yeah, so 1376 01:03:13,400 --> 01:03:17,080 Speaker 1: it just like everybody's hand that you dap up has masturbated. 1377 01:03:17,160 --> 01:03:19,120 Speaker 1: So why wouldn't you dap up for Nissa's portal? Just 1378 01:03:19,120 --> 01:03:22,000 Speaker 1: because you know where did he wash it? He should 1379 01:03:22,040 --> 01:03:26,320 Speaker 1: wash your hands after that's true. No hand sanitizing. The 1380 01:03:26,360 --> 01:03:28,360 Speaker 1: world can clean that up, bro. And I'm sure he 1381 01:03:28,440 --> 01:03:32,840 Speaker 1: had more deliveries right after that too, probably Jesus, that's nasty. 1382 01:03:33,000 --> 01:03:35,200 Speaker 1: God bless him. All right, all right, well, thank you 1383 01:03:35,240 --> 01:03:37,480 Speaker 1: for that donkey of the day. Now when we come back, 1384 01:03:37,600 --> 01:03:40,720 Speaker 1: we have the executive vice president of Programming at b ET, 1385 01:03:41,040 --> 01:03:44,280 Speaker 1: the Boss, Connie Orlando, should be joining us. I've been 1386 01:03:44,320 --> 01:03:46,000 Speaker 1: trying to get Connie up here for so damn long, 1387 01:03:46,560 --> 01:03:49,320 Speaker 1: and I think this might be her first radio interview ever, 1388 01:03:50,160 --> 01:03:52,720 Speaker 1: if I'm not mistaken, and she posted that she did 1389 01:03:52,800 --> 01:03:55,000 Speaker 1: say that, right, Okay, all right, so we'll talk to 1390 01:03:55,080 --> 01:03:57,200 Speaker 1: her next. Don't move. It's to Breakfast Club the Morning, 1391 01:03:57,720 --> 01:04:04,520 Speaker 1: the Breakfast Club, j Envy Angela, yee, Charlomagne the guy. 1392 01:04:04,600 --> 01:04:06,800 Speaker 1: We are the Breakfast Club. We got a special guest 1393 01:04:06,920 --> 01:04:09,440 Speaker 1: in the building. We have the president of b ET, 1394 01:04:09,800 --> 01:04:13,959 Speaker 1: Connie Orlando, in the building. Good Morning's up, Connie? What's 1395 01:04:14,080 --> 01:04:17,320 Speaker 1: up here? I thought you'd be in La already getting 1396 01:04:17,320 --> 01:04:19,720 Speaker 1: ready right after this? Right on the plane. Now, we've 1397 01:04:19,760 --> 01:04:23,560 Speaker 1: heard a lot of announcements about what's happening. Best bar, right, 1398 01:04:23,600 --> 01:04:26,240 Speaker 1: we know that Regina Hall is hosting. Very excited about that. 1399 01:04:26,400 --> 01:04:29,040 Speaker 1: We know Nipsey Hustle is getting the Humanitarian Award. Yes, 1400 01:04:29,400 --> 01:04:32,280 Speaker 1: very very honored to give him that award, Mary J. Blige, 1401 01:04:32,320 --> 01:04:36,360 Speaker 1: as well as being honored achievement. Are there some surprises 1402 01:04:36,400 --> 01:04:39,000 Speaker 1: that you haven't told us yet? There's a few. There's 1403 01:04:39,000 --> 01:04:41,360 Speaker 1: a few. Well, you know, Tyler's getting Tyler Perry's getting 1404 01:04:41,360 --> 01:04:45,160 Speaker 1: the Icon Award. And I think this year the plan, 1405 01:04:45,560 --> 01:04:47,560 Speaker 1: you know, Jesse Collins and I we said we wanted 1406 01:04:47,600 --> 01:04:49,640 Speaker 1: to bring it back to moments, those moments that you 1407 01:04:49,720 --> 01:04:51,640 Speaker 1: tune in like you don't know what's going to happen next. 1408 01:04:52,000 --> 01:04:56,919 Speaker 1: I think we have some mashups that you definitely five 1409 01:04:57,080 --> 01:04:59,600 Speaker 1: six seven moments that I think people are gonna be 1410 01:04:59,600 --> 01:05:02,280 Speaker 1: talking ab about and excited about. BT has been putting 1411 01:05:02,280 --> 01:05:04,000 Speaker 1: on some great programming for the past couple of Well, 1412 01:05:04,080 --> 01:05:05,920 Speaker 1: thank you, and I gotta attribute a lot of that 1413 01:05:05,960 --> 01:05:07,520 Speaker 1: to you because you've been listening. You started at the 1414 01:05:07,560 --> 01:05:11,200 Speaker 1: interim in twenty seventeen, right, yep, twenty twenty seventeen. I'm 1415 01:05:11,240 --> 01:05:12,680 Speaker 1: two and a half years in and it seemed like 1416 01:05:12,760 --> 01:05:14,800 Speaker 1: they've been taking a lot of chances with original programming, 1417 01:05:14,840 --> 01:05:17,919 Speaker 1: whether it's erv Gotti tells you know, fifty cents prank 1418 01:05:17,960 --> 01:05:24,320 Speaker 1: show like Being Mary Jane's and Real Husband's yood Game. 1419 01:05:25,000 --> 01:05:28,040 Speaker 1: So with all that said, why aren't more people watching BT? 1420 01:05:28,720 --> 01:05:30,840 Speaker 1: You know? I think, Well, my job is to get 1421 01:05:30,920 --> 01:05:34,440 Speaker 1: people back to the network. I think we are evolving. 1422 01:05:34,840 --> 01:05:36,960 Speaker 1: I love where our programming is going. I love that 1423 01:05:37,000 --> 01:05:39,640 Speaker 1: we're showing the world that we tell many stories in 1424 01:05:39,760 --> 01:05:42,680 Speaker 1: different forms. And I think they're coming back. Like American 1425 01:05:42,760 --> 01:05:47,720 Speaker 1: Soul was a big hit game. People plays Bobby Brown. 1426 01:05:47,840 --> 01:05:50,320 Speaker 1: So I think people are slowly coming back. All right, good? 1427 01:05:50,440 --> 01:05:52,560 Speaker 1: So did you have a production company? Is that how 1428 01:05:52,560 --> 01:05:55,960 Speaker 1: you got into the business. So I had a production company. 1429 01:05:56,040 --> 01:05:58,520 Speaker 1: I was a producer. Well, I was a producer and 1430 01:05:58,600 --> 01:06:02,320 Speaker 1: then I started a small product company. Then maybe three 1431 01:06:02,400 --> 01:06:05,400 Speaker 1: years I started freelance producing for Hype Williams, and then 1432 01:06:05,400 --> 01:06:08,000 Speaker 1: a year later I became his executive producer and ended 1433 01:06:08,080 --> 01:06:10,560 Speaker 1: up running Big Dog Films. Wow, so I've been I've 1434 01:06:10,560 --> 01:06:13,520 Speaker 1: been in the game. I started from that side of it. Oh, 1435 01:06:13,560 --> 01:06:16,120 Speaker 1: so you was on Belly So I was the production company, 1436 01:06:16,200 --> 01:06:20,240 Speaker 1: Hype production company. I was the liaison between Artisan and Hype. 1437 01:06:20,440 --> 01:06:24,040 Speaker 1: How difficult was that? Because that was the area that 1438 01:06:24,160 --> 01:06:29,200 Speaker 1: was the nineties nineties of money. It was a lot 1439 01:06:29,280 --> 01:06:33,720 Speaker 1: of money. We had so much money, million dollar, million 1440 01:06:33,800 --> 01:06:36,280 Speaker 1: dollars we are the yes was big and out of 1441 01:06:36,320 --> 01:06:39,640 Speaker 1: controlling and everybody was super young. So because it was 1442 01:06:39,720 --> 01:06:42,320 Speaker 1: a lot of fun, I think I credit Hype like 1443 01:06:42,520 --> 01:06:45,080 Speaker 1: he is a creative genius, and I credit him with 1444 01:06:45,400 --> 01:06:48,440 Speaker 1: showing me that you can dream and create anything. So 1445 01:06:48,480 --> 01:06:50,640 Speaker 1: what made you want to become a suit so to speak. 1446 01:06:51,000 --> 01:06:52,480 Speaker 1: I don't think I said, oh, I want to become 1447 01:06:52,520 --> 01:06:55,760 Speaker 1: a suit. I think I did my company, we did 1448 01:06:55,840 --> 01:06:57,760 Speaker 1: the music videos, and then I was like wondering what 1449 01:06:57,920 --> 01:07:00,880 Speaker 1: was next. Then I really wanted to be uh to 1450 01:07:01,040 --> 01:07:03,520 Speaker 1: go into film. And a friend of mine and you guys, 1451 01:07:03,880 --> 01:07:06,080 Speaker 1: Jack Benson, was like, you should try TV. Why don't 1452 01:07:06,080 --> 01:07:07,720 Speaker 1: you come and try to produce for TV because the 1453 01:07:07,920 --> 01:07:12,000 Speaker 1: TV producers are at the top and films the director. 1454 01:07:12,520 --> 01:07:15,520 Speaker 1: So I did some freelancing with his company h and 1455 01:07:15,600 --> 01:07:19,320 Speaker 1: then I did some work with BT freelance producing for 1456 01:07:19,480 --> 01:07:21,720 Speaker 1: probably about two years on different shows. I did the 1457 01:07:21,760 --> 01:07:25,000 Speaker 1: New Faces search that found Terrence and Rock Terrence, Roxy, Alicia, 1458 01:07:25,000 --> 01:07:27,800 Speaker 1: Rene Lamar and yeah, yeah, so that was one of 1459 01:07:27,840 --> 01:07:30,720 Speaker 1: my first freelance gigs. And then Stephen brought me in 1460 01:07:30,960 --> 01:07:34,720 Speaker 1: to produce the Five. You guys remember that show? Oh yeah, 1461 01:07:34,760 --> 01:07:36,200 Speaker 1: ray J was a host on that at sometimes and 1462 01:07:37,200 --> 01:07:41,280 Speaker 1: Alicia reeah. So that's how it started. And once I 1463 01:07:41,360 --> 01:07:43,960 Speaker 1: got to BT, I just luckily, I just grew in 1464 01:07:44,080 --> 01:07:46,600 Speaker 1: my career and I was elevated at different points. So 1465 01:07:47,120 --> 01:07:49,880 Speaker 1: when became a sup by accident within midda sweet and 1466 01:07:49,880 --> 01:07:55,120 Speaker 1: twenty seventeen when you became interim president as because Stephen, Yeah, absolutely. 1467 01:07:55,280 --> 01:07:58,160 Speaker 1: Stephen's a great friend of mine, a very great friend, 1468 01:07:58,200 --> 01:08:00,400 Speaker 1: and we've been friends for over twenty years. So definitely 1469 01:08:00,440 --> 01:08:02,600 Speaker 1: bitter sweet, but we're still very close. When did they 1470 01:08:02,640 --> 01:08:05,680 Speaker 1: come and say, okay, you're it? They came five months 1471 01:08:05,760 --> 01:08:08,800 Speaker 1: later in September and said, okay, we want you to 1472 01:08:08,960 --> 01:08:11,960 Speaker 1: do the gig. And I was ecstatic. So what are 1473 01:08:12,000 --> 01:08:15,280 Speaker 1: some of the first things you did? Well? Let it? 1474 01:08:15,880 --> 01:08:19,200 Speaker 1: So I went to LA because the whole original programming 1475 01:08:19,240 --> 01:08:21,639 Speaker 1: team is in LA. So I went there. That's where 1476 01:08:21,640 --> 01:08:23,920 Speaker 1: we do scripted and unscripted, and you kind of just 1477 01:08:24,000 --> 01:08:25,920 Speaker 1: have to go through everything that had been done to 1478 01:08:26,040 --> 01:08:28,519 Speaker 1: that point and kind of catch up almost because I 1479 01:08:28,600 --> 01:08:30,519 Speaker 1: was in the role I was over specials at that point. 1480 01:08:31,320 --> 01:08:33,599 Speaker 1: I had done I had been a VP of original programming, 1481 01:08:33,640 --> 01:08:35,840 Speaker 1: but it was still three years ago, and just getting 1482 01:08:35,920 --> 01:08:37,680 Speaker 1: up to speed on what was going on and what 1483 01:08:37,840 --> 01:08:40,280 Speaker 1: things were in development, man, and just really trying to 1484 01:08:40,360 --> 01:08:43,200 Speaker 1: get a vision for what I wanted my legacy or 1485 01:08:43,520 --> 01:08:46,200 Speaker 1: what handprint I wanted to put on on the programming 1486 01:08:46,240 --> 01:08:48,760 Speaker 1: that I did. So the first year is a lot 1487 01:08:48,800 --> 01:08:51,760 Speaker 1: of cleanup and rearranging and trying to get like a 1488 01:08:51,840 --> 01:08:53,920 Speaker 1: clean slate. So I think last year was the first 1489 01:08:54,000 --> 01:08:57,520 Speaker 1: year that was entirely my slate and nothing was inherited, 1490 01:08:58,240 --> 01:09:00,519 Speaker 1: and I'm very proud of it. I'm pressure. Is it 1491 01:09:00,640 --> 01:09:04,040 Speaker 1: being the new executive vice president being a black woman? Like? 1492 01:09:04,120 --> 01:09:08,160 Speaker 1: What is that pressure? Like? That's interesting? So lots of pressure, 1493 01:09:08,400 --> 01:09:10,240 Speaker 1: I think just with the job. It's not a lot 1494 01:09:10,280 --> 01:09:13,360 Speaker 1: of female pressure, but it's just the pressure to succeed 1495 01:09:13,479 --> 01:09:15,599 Speaker 1: in an environment where you know, less people are watching 1496 01:09:15,640 --> 01:09:18,360 Speaker 1: TV and really make a difference and get people back. 1497 01:09:18,840 --> 01:09:21,240 Speaker 1: We saw Easter Race speech recently where she talks about 1498 01:09:21,400 --> 01:09:24,280 Speaker 1: being too humble all the time when she was accepting 1499 01:09:24,320 --> 01:09:26,679 Speaker 1: her award. Do you feel like, as a woman, you've 1500 01:09:26,960 --> 01:09:30,200 Speaker 1: tried to be sometimes too humble and not really celebrate 1501 01:09:30,240 --> 01:09:33,439 Speaker 1: your victories the way we could yes, yes, I definitely, yes, 1502 01:09:34,960 --> 01:09:38,280 Speaker 1: yes I am. I do suffer from that. But I 1503 01:09:38,360 --> 01:09:41,000 Speaker 1: think it's also like I've had a long career with 1504 01:09:41,200 --> 01:09:43,559 Speaker 1: lots of ups and downs, and I don't take anything 1505 01:09:43,600 --> 01:09:45,960 Speaker 1: for granted. So I know, like this is today. Who 1506 01:09:46,040 --> 01:09:48,000 Speaker 1: knows what's going to happen tomorrow, So I just try 1507 01:09:48,040 --> 01:09:51,080 Speaker 1: to be grateful and that's where that humility comes from. 1508 01:09:51,320 --> 01:09:53,320 Speaker 1: But I'm trying to learn. I'm trying to learn to like, 1509 01:09:53,400 --> 01:09:55,040 Speaker 1: did I enjoy her speech? Because it's still too I 1510 01:09:55,120 --> 01:09:57,680 Speaker 1: do feel like as women sometimes be like, oh, you know, 1511 01:09:57,760 --> 01:10:00,479 Speaker 1: I just it wouldn't be possible. And it's true, you know, 1512 01:10:00,640 --> 01:10:03,400 Speaker 1: with the people that support us, but sometimes we downplay 1513 01:10:03,439 --> 01:10:05,960 Speaker 1: our own achievements and things that we've done. Like even now, 1514 01:10:06,000 --> 01:10:07,400 Speaker 1: you'd be like, you know, I've had ups and downs 1515 01:10:07,439 --> 01:10:09,960 Speaker 1: and you never know, instead of being like, leg, I'm popping. 1516 01:10:10,040 --> 01:10:12,640 Speaker 1: I did this, I'm proud of this. I bought boomerang, 1517 01:10:12,720 --> 01:10:14,400 Speaker 1: And sometimes we have to really put it out there 1518 01:10:14,439 --> 01:10:16,760 Speaker 1: so people could know it and because they might not know, 1519 01:10:17,200 --> 01:10:18,880 Speaker 1: they got to know what's green lighting this stuff. Yes, 1520 01:10:19,080 --> 01:10:26,519 Speaker 1: you're absolutely right, I am poppy. I did this show, 1521 01:10:26,640 --> 01:10:28,960 Speaker 1: but this show I green lit this show even getting 1522 01:10:29,000 --> 01:10:32,040 Speaker 1: the talent that you've gotten to work with, BEET the 1523 01:10:32,200 --> 01:10:35,519 Speaker 1: fifties or the Lena Waves like I mean, a lot 1524 01:10:35,560 --> 01:10:37,880 Speaker 1: of those are especially Lena at this point. Lena could 1525 01:10:37,880 --> 01:10:40,320 Speaker 1: be like, I'm not doing b ET. Yes, you know well, 1526 01:10:40,439 --> 01:10:42,400 Speaker 1: and it was great to have Lena come. Lena and 1527 01:10:42,479 --> 01:10:47,080 Speaker 1: Hallie executive boomerang and we always say, and I always say, 1528 01:10:47,160 --> 01:10:49,439 Speaker 1: that BT is home. So at the end of the day, 1529 01:10:50,080 --> 01:10:51,519 Speaker 1: one of the things I did when I went it 1530 01:10:51,600 --> 01:10:54,000 Speaker 1: is really just sat down and talk to everybody, and 1531 01:10:54,120 --> 01:10:56,559 Speaker 1: you hear people out, You see what the pain points 1532 01:10:56,640 --> 01:10:58,920 Speaker 1: may have been, and then you really my job is 1533 01:10:58,920 --> 01:11:01,599 Speaker 1: to see what you want to do. I don't necessarily pitch, 1534 01:11:01,720 --> 01:11:04,040 Speaker 1: but we want to be in business with great talent 1535 01:11:04,160 --> 01:11:05,920 Speaker 1: and we want to bring great people to the network. 1536 01:11:06,000 --> 01:11:08,800 Speaker 1: So I think that cleansing was a big part of 1537 01:11:08,920 --> 01:11:11,439 Speaker 1: the success that we're having today. And I think people 1538 01:11:11,800 --> 01:11:13,320 Speaker 1: at the end of the day want to come to BET. 1539 01:11:13,560 --> 01:11:15,960 Speaker 1: All right, we have more with Khannie Orlando President or 1540 01:11:16,000 --> 01:11:17,760 Speaker 1: b ET. When we come back, don't move. It's to 1541 01:11:17,760 --> 01:11:21,400 Speaker 1: Breakfast Club. Co morning. It's DJ Envy and Jela Gee, 1542 01:11:21,479 --> 01:11:23,840 Speaker 1: Charlomagne the guy. We are the Breakfast Club. We have 1543 01:11:23,920 --> 01:11:27,360 Speaker 1: a special guest in the building, Executive vice president of 1544 01:11:27,560 --> 01:11:31,679 Speaker 1: Programming from Beet Khannie Orlando Charlomagne. What are the paining 1545 01:11:31,720 --> 01:11:34,000 Speaker 1: points for artists? I would my problem with artists a 1546 01:11:34,040 --> 01:11:37,040 Speaker 1: lot of times they think white ice is colder, so 1547 01:11:37,160 --> 01:11:39,479 Speaker 1: they don't value to BT award that they don't value 1548 01:11:39,520 --> 01:11:42,000 Speaker 1: black entertainment like this, So what would their paying points be. 1549 01:11:42,360 --> 01:11:44,800 Speaker 1: I think it's different. It's different for different people, Like 1550 01:11:45,520 --> 01:11:48,799 Speaker 1: because BT is home and BT's family. If you haven't experienced, 1551 01:11:48,800 --> 01:11:51,120 Speaker 1: that's a little rough, or you know, they take a 1552 01:11:51,240 --> 01:11:55,400 Speaker 1: personal personal and you know they shouldn't because I think BT. 1553 01:11:56,120 --> 01:11:58,000 Speaker 1: You can't judge us just on the programming. We do 1554 01:11:58,040 --> 01:11:59,680 Speaker 1: a lot of things behind the scenes. We do a 1555 01:11:59,720 --> 01:12:02,560 Speaker 1: lot of empowering things. We're always in the community, Like 1556 01:12:03,120 --> 01:12:06,839 Speaker 1: we employ people who look like us, and that's important 1557 01:12:06,840 --> 01:12:08,720 Speaker 1: to us and it's part of our mission. But I 1558 01:12:08,840 --> 01:12:11,479 Speaker 1: just think if you had a bad experience ten years ago, 1559 01:12:11,720 --> 01:12:14,360 Speaker 1: like there's people that still hold on to that, you know, 1560 01:12:14,479 --> 01:12:16,720 Speaker 1: but I'm there to try to fix all that or 1561 01:12:16,720 --> 01:12:18,880 Speaker 1: at least be a voice where you can talk and 1562 01:12:19,200 --> 01:12:21,200 Speaker 1: let's move past it. Do you ever get offended, like 1563 01:12:21,200 --> 01:12:22,760 Speaker 1: you call somebody to be at the awarding, like, oh, 1564 01:12:22,760 --> 01:12:23,800 Speaker 1: I'm not gonna be able to make you like but 1565 01:12:23,880 --> 01:12:27,200 Speaker 1: I saw you at their Grammys. I saw you. You 1566 01:12:27,240 --> 01:12:29,320 Speaker 1: can't come to BET, you know. I do ask myself 1567 01:12:29,400 --> 01:12:31,400 Speaker 1: those questions sometimes because I think at the end of 1568 01:12:31,439 --> 01:12:34,040 Speaker 1: the day, BT launched a lot of careers, yes, and 1569 01:12:34,160 --> 01:12:36,200 Speaker 1: we're there at the beginning. We want to be there 1570 01:12:36,280 --> 01:12:40,360 Speaker 1: through the middle, and as you become a superstar, it's 1571 01:12:40,400 --> 01:12:41,920 Speaker 1: always great for you to come back, and I think 1572 01:12:41,920 --> 01:12:43,439 Speaker 1: it sends a message to the world, like when you 1573 01:12:43,520 --> 01:12:46,880 Speaker 1: don't come home but you see people other places. What 1574 01:12:46,960 --> 01:12:48,760 Speaker 1: about the BAT Hip Hop Awards that those going to 1575 01:12:48,800 --> 01:12:51,000 Speaker 1: be in Atlanta again. They're back in Atlanta. So we 1576 01:12:51,080 --> 01:12:53,320 Speaker 1: were in Miami the last two years. We're back in Atlanta. 1577 01:12:53,360 --> 01:12:57,360 Speaker 1: We're excited about that tape October fifth, What the BT 1578 01:12:57,479 --> 01:13:00,840 Speaker 1: meaning you? Growing up, BT was my sanctuary. I'm an 1579 01:13:00,840 --> 01:13:03,880 Speaker 1: only child, so when I came home, like, I just 1580 01:13:04,000 --> 01:13:07,080 Speaker 1: wanted to watch BTW. It's where I got all the music, 1581 01:13:07,640 --> 01:13:09,680 Speaker 1: It's where I tried to learn to dance. It was 1582 01:13:09,760 --> 01:13:13,000 Speaker 1: just something that felt so comfortable. And I think that's 1583 01:13:13,040 --> 01:13:16,120 Speaker 1: why like my career, like I've with Hype Williams, like 1584 01:13:16,200 --> 01:13:20,120 Speaker 1: I've always been at companies that were about us, like 1585 01:13:20,240 --> 01:13:23,879 Speaker 1: I'd love seeing us on television, and I think it's important, 1586 01:13:23,960 --> 01:13:27,479 Speaker 1: like when we do a lot of movies and TV shows, 1587 01:13:27,600 --> 01:13:31,840 Speaker 1: like the relatability, like when we did Boomerang to hear 1588 01:13:31,920 --> 01:13:34,120 Speaker 1: Lena tell her story, like when she watched the movie 1589 01:13:34,200 --> 01:13:36,280 Speaker 1: What That Did, it was first time she saw us 1590 01:13:36,360 --> 01:13:39,160 Speaker 1: in these roles on television, Like those are moments. And 1591 01:13:39,240 --> 01:13:41,840 Speaker 1: then when I was going up, there were very few 1592 01:13:41,920 --> 01:13:45,040 Speaker 1: moments and BT was the only place that you could 1593 01:13:45,080 --> 01:13:47,400 Speaker 1: really hear music that you wanted to hear or see 1594 01:13:47,479 --> 01:13:49,560 Speaker 1: people that look like you. Yeah, I mean even what 1595 01:13:49,680 --> 01:13:52,240 Speaker 1: you did with the New Edition story and being Bobby Brown, 1596 01:13:52,320 --> 01:13:55,280 Speaker 1: like that's the new minute. When we grew up, they 1597 01:13:55,360 --> 01:13:57,599 Speaker 1: made us it was lu you know what I'm saying, 1598 01:13:57,800 --> 01:14:01,000 Speaker 1: Like now that's not our history. That is our history, 1599 01:14:01,040 --> 01:14:02,599 Speaker 1: but we got a new history and it's like y'all 1600 01:14:02,680 --> 01:14:04,120 Speaker 1: are the only place that can tell it. Like who 1601 01:14:04,120 --> 01:14:06,080 Speaker 1: else is gonna do New Edition in Bobby Brown? Right? 1602 01:14:06,160 --> 01:14:08,200 Speaker 1: And I think the way we tell our stories, like 1603 01:14:08,360 --> 01:14:10,880 Speaker 1: you always learn something and we're thorough because we care 1604 01:14:10,960 --> 01:14:12,680 Speaker 1: so much about it. We're not going to give you 1605 01:14:12,800 --> 01:14:15,599 Speaker 1: a new Edition that doesn't have everything that it should happen. 1606 01:14:15,960 --> 01:14:17,760 Speaker 1: I feel like y'all should do that, like every two years, 1607 01:14:17,840 --> 01:14:23,920 Speaker 1: tell a different story. Uptown Records, that's what needs to 1608 01:14:23,960 --> 01:14:30,439 Speaker 1: be told. I agree with you. Yes, yes, Uptown Records. 1609 01:14:30,479 --> 01:14:33,719 Speaker 1: It's coming. Absolutely, he said it's coming. It's coming, Okay, 1610 01:14:33,760 --> 01:14:35,800 Speaker 1: So that's happening already. Yep. We announced it in the 1611 01:14:35,920 --> 01:14:44,639 Speaker 1: upfront April in development, in development, we're excited really in development. 1612 01:14:44,720 --> 01:14:46,439 Speaker 1: Wait a minute, now, that's got to be a few months. 1613 01:14:46,439 --> 01:14:50,320 Speaker 1: Any series ready to get all the people you got 1614 01:14:50,400 --> 01:14:53,280 Speaker 1: Mary j. Blide's Joe to see Heavy d I'll be shure, 1615 01:14:53,360 --> 01:14:56,880 Speaker 1: Christopher Williams, all the storylines like did he kim porton? 1616 01:14:56,920 --> 01:15:00,200 Speaker 1: I'll be shot in the office, Like oh man, now 1617 01:15:00,560 --> 01:15:02,559 Speaker 1: that's like that. That's like my top three record labels 1618 01:15:02,560 --> 01:15:05,479 Speaker 1: of all time. But not just recond label, just lifestyle. Yes, 1619 01:15:05,880 --> 01:15:08,840 Speaker 1: like that that new Jack Ara meant so much. Guy 1620 01:15:09,680 --> 01:15:14,080 Speaker 1: the nineties was a thug. People don't know that. Like, 1621 01:15:14,280 --> 01:15:16,840 Speaker 1: oh my god, so it's Diddy on board and everything 1622 01:15:17,280 --> 01:15:23,559 Speaker 1: we're getting. Everybody. Andre is totally on. The story need 1623 01:15:23,640 --> 01:15:25,760 Speaker 1: to be told is he opened the door for so 1624 01:15:25,960 --> 01:15:29,080 Speaker 1: many people and artists and like, we are honored to 1625 01:15:29,120 --> 01:15:30,880 Speaker 1: tell this story and we're gonna do it right. And 1626 01:15:30,920 --> 01:15:33,640 Speaker 1: the Nipsey Hustle Humanitarian Award. Is that the award that 1627 01:15:33,800 --> 01:15:36,800 Speaker 1: Jesse Williams won before. Yes, got you Okay, I didn't really. 1628 01:15:36,800 --> 01:15:38,040 Speaker 1: I didn't know if that was a new award of 1629 01:15:38,200 --> 01:15:41,200 Speaker 1: that was it? Nope, it's the social Humanitarian We give 1630 01:15:41,240 --> 01:15:43,280 Speaker 1: it every year. That's something y'all knew you'll wanted to 1631 01:15:43,320 --> 01:15:46,840 Speaker 1: do before he passed. Uh No, So we usually don't 1632 01:15:46,880 --> 01:15:51,040 Speaker 1: even think about it until like May, and then it 1633 01:15:51,200 --> 01:15:55,080 Speaker 1: had already unfortunately happened and it was no no choice. 1634 01:15:55,320 --> 01:15:57,680 Speaker 1: Who do you have accepted for him? The family? I 1635 01:15:57,760 --> 01:16:05,240 Speaker 1: think his mom Lauren Man teams summing that is the 1636 01:16:05,439 --> 01:16:07,840 Speaker 1: number one request we get, just because there's so many 1637 01:16:07,920 --> 01:16:12,559 Speaker 1: issues that kids aren't having addressed as them and for them, 1638 01:16:12,640 --> 01:16:17,639 Speaker 1: and it's different issues. Today is way crazier, way crazier. 1639 01:16:18,000 --> 01:16:20,599 Speaker 1: I think if we were thinking about bringing it back, 1640 01:16:20,640 --> 01:16:22,320 Speaker 1: but I think it's something for digital because that's where 1641 01:16:22,360 --> 01:16:25,560 Speaker 1: kids are now. Yeah, but we're absolutely thinking about it 1642 01:16:25,640 --> 01:16:29,120 Speaker 1: because they don't have that platform to really discuss anything. Well. 1643 01:16:29,160 --> 01:16:30,760 Speaker 1: I like with BT doing and I'd like to jomp 1644 01:16:30,840 --> 01:16:31,960 Speaker 1: doing it for the past couple of years, and I 1645 01:16:32,000 --> 01:16:37,360 Speaker 1: don't why we're not supporting BT more. Well. I hope. 1646 01:16:37,640 --> 01:16:38,880 Speaker 1: That's why I'm trying to get you up here for 1647 01:16:39,000 --> 01:16:41,680 Speaker 1: a little Yeah, but I sounds like Charlotte Mayne told 1648 01:16:41,720 --> 01:16:43,640 Speaker 1: me two years ago I should come up, and I 1649 01:16:43,760 --> 01:16:45,160 Speaker 1: am coming up, and now you're not gonna get rid 1650 01:16:45,160 --> 01:16:47,320 Speaker 1: of me. I'm gonna come up for every show. I'm 1651 01:16:47,320 --> 01:16:49,280 Speaker 1: going to tell you how I'm popping. We should do it? 1652 01:16:49,760 --> 01:16:53,040 Speaker 1: What's going on at me? So? How can people hit 1653 01:16:53,080 --> 01:16:55,040 Speaker 1: you up to pitch shows to you? No, I'm kidding, 1654 01:17:01,400 --> 01:17:04,840 Speaker 1: she said minute. I always wanted you up here because, um, 1655 01:17:04,880 --> 01:17:07,000 Speaker 1: the dope programming that y'all have on BT, and plus 1656 01:17:07,080 --> 01:17:09,120 Speaker 1: you you're a black woman. I think that that's fly 1657 01:17:09,320 --> 01:17:11,599 Speaker 1: for people to see right now in this moment, like, oh, 1658 01:17:12,000 --> 01:17:14,600 Speaker 1: a black woman is running BT. Well, I appreciate that, 1659 01:17:14,840 --> 01:17:17,439 Speaker 1: and I would love I love for people to see 1660 01:17:17,479 --> 01:17:20,760 Speaker 1: a black woman and just doing BT T her T 1661 01:17:21,000 --> 01:17:23,479 Speaker 1: we have B to her like we're all about black 1662 01:17:23,520 --> 01:17:26,760 Speaker 1: women up there. So absolutely my absolute dream job. And 1663 01:17:27,040 --> 01:17:30,000 Speaker 1: I'm having a good time and hopefully everybody comes back 1664 01:17:30,240 --> 01:17:32,759 Speaker 1: the support and I appreciate like you guys have always 1665 01:17:32,840 --> 01:17:35,920 Speaker 1: supported BT and I appreciate that. Thank you, Andy awards 1666 01:17:35,960 --> 01:17:38,840 Speaker 1: it this weekend. Yes, we'll all be funday you' all 1667 01:17:38,880 --> 01:17:41,080 Speaker 1: gonna be watching that. We've been giving all the spoilers 1668 01:17:41,160 --> 01:17:43,120 Speaker 1: as they come out. We have a lot of a 1669 01:17:43,160 --> 01:17:45,800 Speaker 1: lot of little knobs and Billy Ray Cyrus. It's gonna 1670 01:17:45,800 --> 01:17:50,599 Speaker 1: be their first TV look. Wow. Yeah, yep, that was announced. 1671 01:17:57,479 --> 01:17:59,760 Speaker 1: It's gonna be a big show and it's it's gonna 1672 01:17:59,800 --> 01:18:02,320 Speaker 1: bring you back to those moments that you that BT 1673 01:18:02,600 --> 01:18:04,679 Speaker 1: Awards has been known for. You know what I wanted 1674 01:18:04,720 --> 01:18:06,439 Speaker 1: to ask you, was it tense for you having to 1675 01:18:06,520 --> 01:18:09,320 Speaker 1: deal with IRV Gotti and fifty cents in the space 1676 01:18:09,360 --> 01:18:12,759 Speaker 1: and then you know, fifty was tweeting everybody except Kanye 1677 01:18:12,920 --> 01:18:16,360 Speaker 1: Orlando and all of that. Well, I'm friends with both 1678 01:18:16,400 --> 01:18:18,479 Speaker 1: of them because I've known them both from back in 1679 01:18:18,560 --> 01:18:21,200 Speaker 1: the music video days. So it wasn't tense. It was just, 1680 01:18:21,320 --> 01:18:24,760 Speaker 1: you know, conversation between friends, and you know, both of 1681 01:18:24,800 --> 01:18:28,840 Speaker 1: them did the truth, so they stopped when when all 1682 01:18:28,880 --> 01:18:32,920 Speaker 1: that was going on. That's it's all about that. Fifty 1683 01:18:33,120 --> 01:18:34,600 Speaker 1: was a good look for you though, because a lot 1684 01:18:34,640 --> 01:18:36,360 Speaker 1: of people do feel that way, like BT's up for 1685 01:18:36,439 --> 01:18:41,680 Speaker 1: Kanie Orlando, so they know your worth, you know your value. Yes, 1686 01:18:43,520 --> 01:18:45,160 Speaker 1: I know you were like damn man, I was trying 1687 01:18:45,160 --> 01:18:48,400 Speaker 1: to be behind the scenes. Now it's great and fifty 1688 01:18:48,479 --> 01:18:51,679 Speaker 1: is a great friend. So this Sunday with time, This Sunday, 1689 01:18:51,760 --> 01:18:56,160 Speaker 1: eight p m. Eastern Okay on BT ont it's gonna 1690 01:18:56,160 --> 01:18:58,080 Speaker 1: be a great show. Get out your socials. Make sure 1691 01:18:58,120 --> 01:19:01,840 Speaker 1: you used the hashtag. He's on Instagram though I am 1692 01:19:02,040 --> 01:19:04,599 Speaker 1: the private No, it's not private. Okay, give it out, 1693 01:19:05,240 --> 01:19:08,639 Speaker 1: Kannie Orlando Boom, how you about to get a lot 1694 01:19:08,720 --> 01:19:13,479 Speaker 1: of pictures. I have a great idea about my life. Well, 1695 01:19:13,800 --> 01:19:16,120 Speaker 1: I'm thinking I'm gonna give out two tickets to the awards. 1696 01:19:16,200 --> 01:19:20,080 Speaker 1: So well announced on social later Okay on BT Instagram 1697 01:19:20,160 --> 01:19:22,720 Speaker 1: of yours, I'm mine? All right, all right, there you go. 1698 01:19:22,800 --> 01:19:25,280 Speaker 1: Follow Kanie Orlando's he can win three tickets for the 1699 01:19:25,360 --> 01:19:27,800 Speaker 1: BT Award this weekend. Kannie, thank you for coming, Thank 1700 01:19:27,840 --> 01:19:30,320 Speaker 1: you for having me, Thank you for having me. You 1701 01:19:30,439 --> 01:19:41,920 Speaker 1: guys to the Breakfast Club. It's about this is the 1702 01:19:42,000 --> 01:19:47,360 Speaker 1: rumor report. Angela Yee on the Breakfast Club. So Wendy 1703 01:19:47,439 --> 01:19:50,599 Speaker 1: Williams was at the Black Enterprise Forward conference in Charlotte, 1704 01:19:50,640 --> 01:19:54,960 Speaker 1: North Carolina, yesterday, and she talked about basically not knowing 1705 01:19:55,000 --> 01:19:58,439 Speaker 1: anything about her business and that's because her ex, her 1706 01:19:58,560 --> 01:20:01,360 Speaker 1: strange husband, Kevin and Hunter was the person that really 1707 01:20:01,400 --> 01:20:03,640 Speaker 1: took control of everything. And here was her advice in 1708 01:20:03,680 --> 01:20:06,679 Speaker 1: the future. And so yeah, the difference of my business 1709 01:20:06,840 --> 01:20:08,760 Speaker 1: is that, you know, because it needs to be Calf 1710 01:20:09,240 --> 01:20:12,320 Speaker 1: and the ten and then Calf would bring me in 1711 01:20:12,760 --> 01:20:15,360 Speaker 1: until he knew, Okay, the deal's done. Now it's time 1712 01:20:15,400 --> 01:20:17,880 Speaker 1: for you to meet the people. Leave, not now. I 1713 01:20:18,040 --> 01:20:20,519 Speaker 1: want to be in on the first conversation of the deal, 1714 01:20:20,720 --> 01:20:23,040 Speaker 1: and I want to be on every meeting until the 1715 01:20:23,120 --> 01:20:26,120 Speaker 1: deal is done. And that's the way I will. That's right. 1716 01:20:26,200 --> 01:20:29,040 Speaker 1: Take back your power, Queen. I spoke to Wendy last week. 1717 01:20:29,040 --> 01:20:31,479 Speaker 1: Actually I actually FaceTime with us. She says she's back, 1718 01:20:31,680 --> 01:20:33,920 Speaker 1: so you can tell us she back out here in 1719 01:20:33,920 --> 01:20:36,200 Speaker 1: these creatus. The truth to the matter is Kelvin. Kelvin 1720 01:20:36,360 --> 01:20:38,720 Speaker 1: wasn't great at business. It's just a lot of things 1721 01:20:38,760 --> 01:20:40,360 Speaker 1: fell in his lap because I mean, look at the 1722 01:20:40,400 --> 01:20:42,559 Speaker 1: product he had. When you got a product like Wendy Williams, 1723 01:20:42,960 --> 01:20:45,680 Speaker 1: you know, anybody can anybody can manage that. She's a 1724 01:20:45,720 --> 01:20:48,599 Speaker 1: great talent, you know, right, So now she's making sure 1725 01:20:48,680 --> 01:20:51,400 Speaker 1: that she knows everything from start to finish about her business. 1726 01:20:51,800 --> 01:20:53,519 Speaker 1: I agree with that because a lot of times people 1727 01:20:53,560 --> 01:20:56,040 Speaker 1: get taken advantage of because they don't know what's going on. Correct, 1728 01:20:56,120 --> 01:20:57,479 Speaker 1: Like the way I do mine is I have a 1729 01:20:57,520 --> 01:21:00,560 Speaker 1: booking email and I see it and Pat season and 1730 01:21:00,640 --> 01:21:02,719 Speaker 1: we go through it so I could see everything that's happening, 1731 01:21:02,800 --> 01:21:05,200 Speaker 1: all the emails as they transpire. That way, there's never 1732 01:21:05,280 --> 01:21:09,040 Speaker 1: any confusion, right all right, Now, let's talk about Levion Belle. 1733 01:21:09,160 --> 01:21:11,519 Speaker 1: He's talking about the two women who allegedly still half 1734 01:21:11,520 --> 01:21:14,120 Speaker 1: a million dollars worth of stuff, and he had left 1735 01:21:14,160 --> 01:21:16,600 Speaker 1: them naked in the bed earlier in the day. So 1736 01:21:16,760 --> 01:21:19,920 Speaker 1: they do have that nine one one audio TMZ Sports. 1737 01:21:20,200 --> 01:21:23,160 Speaker 1: I got that audio, and here's what he told them. Well, 1738 01:21:23,200 --> 01:21:26,240 Speaker 1: I had two girls in my house and I went 1739 01:21:26,320 --> 01:21:28,800 Speaker 1: to my daughter to do my normal routine to go 1740 01:21:28,880 --> 01:21:31,559 Speaker 1: work out. When I came back, they took my money, 1741 01:21:31,760 --> 01:21:34,800 Speaker 1: It took my jewelry. And she said that you know 1742 01:21:35,080 --> 01:21:37,599 Speaker 1: the girls who did this, I need to get their description. 1743 01:21:37,640 --> 01:21:43,800 Speaker 1: Are they what block or Hispanic? Okay? The one that 1744 01:21:43,920 --> 01:21:46,880 Speaker 1: looks more block, what was she wearing today? I mean 1745 01:21:47,000 --> 01:21:50,479 Speaker 1: what I work she was in we okay? And the 1746 01:21:50,560 --> 01:21:53,200 Speaker 1: other one you said, she looked more Hispanic. And what 1747 01:21:53,439 --> 01:21:56,240 Speaker 1: was she seeing Boston wearing today? The rain works? So 1748 01:21:56,400 --> 01:21:57,880 Speaker 1: We don't know if he's gotten his stuff back yet 1749 01:21:57,960 --> 01:21:59,760 Speaker 1: or if they've caught in these suspects, but clearly he 1750 01:22:00,000 --> 01:22:02,960 Speaker 1: to them right all right now. Rihanna was on Late 1751 01:22:03,040 --> 01:22:05,600 Speaker 1: Night with Seth Seth Meyers and they were doing some 1752 01:22:05,800 --> 01:22:09,759 Speaker 1: day drinking and she was getting some advice from Seth Myers. 1753 01:22:10,400 --> 01:22:13,200 Speaker 1: If I quit music, then what should I do? Oh? Well, 1754 01:22:13,280 --> 01:22:14,680 Speaker 1: I feel like you have a lot of lines of 1755 01:22:14,720 --> 01:22:18,200 Speaker 1: business right now, right yeah, but I mean other than that, Okay, 1756 01:22:18,520 --> 01:22:21,360 Speaker 1: you should be a pilot. She wants to be a pilot. 1757 01:22:21,439 --> 01:22:23,040 Speaker 1: You just want to be a pilot. At what age 1758 01:22:23,280 --> 01:22:27,960 Speaker 1: when I realized my greatest sucked? Okay, Rihanna as an 1759 01:22:27,960 --> 01:22:30,240 Speaker 1: airplane pilot, that'd be dope. I'm trying to figure out 1760 01:22:30,240 --> 01:22:32,040 Speaker 1: why the hell Rihanna did an interview with Seth Meyers 1761 01:22:32,800 --> 01:22:34,919 Speaker 1: because you don't see Rihanna do a lot of interviews, 1762 01:22:35,040 --> 01:22:38,160 Speaker 1: So why Seth Meyers? I mean, and nothing wrong with Seth. 1763 01:22:38,200 --> 01:22:41,360 Speaker 1: I'm just saying why stuff. Maybe he pitched it really hard, 1764 01:22:41,400 --> 01:22:43,120 Speaker 1: like look, I'm trying to get you on here now. 1765 01:22:43,200 --> 01:22:45,679 Speaker 1: Seth Meyers also got some advice about his own pickup 1766 01:22:45,760 --> 01:22:48,559 Speaker 1: lines because his wife says that he's terrible, So check 1767 01:22:48,600 --> 01:22:51,160 Speaker 1: it out. Yeah, I feel free to ring this bell 1768 01:22:51,320 --> 01:22:54,000 Speaker 1: as soon as my pickup line is bad. This is 1769 01:22:54,120 --> 01:22:57,560 Speaker 1: me showing off how good my game is. Hey, he 1770 01:22:57,680 --> 01:22:59,880 Speaker 1: looked like a lady who was also underwhelmed by the 1771 01:23:00,000 --> 01:23:07,400 Speaker 1: Amathron's finale. Excuse me, are he's a girl from a 1772 01:23:07,439 --> 01:23:12,240 Speaker 1: battleship Jesus Sorry, that's where I leave. Yeah, I'm agree 1773 01:23:12,280 --> 01:23:14,400 Speaker 1: with his wife. Oh it's kind of hard to, you know, 1774 01:23:14,560 --> 01:23:16,760 Speaker 1: have good pickup lines for somebody you already picked up. 1775 01:23:18,479 --> 01:23:20,920 Speaker 1: But he was trying. He was trying to my Rihanna. Yeah, 1776 01:23:21,000 --> 01:23:24,800 Speaker 1: those those are definitely wife pickup lines from a dad. Okay, 1777 01:23:24,840 --> 01:23:26,240 Speaker 1: those things you say to your wife just so she 1778 01:23:26,400 --> 01:23:29,400 Speaker 1: laughs at you, like Ohren. And last but not least, 1779 01:23:29,439 --> 01:23:32,759 Speaker 1: you'll know Evelyn Lazada was on the show yesterday Basketball Wives, 1780 01:23:32,800 --> 01:23:35,679 Speaker 1: It's back on your TVs, and everybody was talking about 1781 01:23:35,840 --> 01:23:38,880 Speaker 1: her and Rob Kardashian. They had the exchange via Twitter 1782 01:23:39,280 --> 01:23:41,400 Speaker 1: and here's the information that she gave. But seems like 1783 01:23:41,479 --> 01:23:44,800 Speaker 1: Rob Kardashian could maybe shoot his shot now check it out. 1784 01:23:45,200 --> 01:23:47,639 Speaker 1: I think Rob is a nice guy. Um, I feel 1785 01:23:47,640 --> 01:23:50,599 Speaker 1: like he has potential for greatness. Okay, and I hope 1786 01:23:50,640 --> 01:23:53,200 Speaker 1: he really keeps kicking ass in the gym because I 1787 01:23:53,240 --> 01:23:55,120 Speaker 1: think he's a nice looking man. So if he if 1788 01:23:55,160 --> 01:23:57,760 Speaker 1: he gets in the gym and he together, I'm going 1789 01:23:57,840 --> 01:24:00,160 Speaker 1: to David. Okay, Rob, Look you know his mom. I'm 1790 01:24:00,240 --> 01:24:02,120 Speaker 1: is dating younger. He could day older, you know what 1791 01:24:02,160 --> 01:24:05,519 Speaker 1: I mean. But you know, all right, well I'm Angela. Yeah, 1792 01:24:05,520 --> 01:24:07,720 Speaker 1: and that is your rumor report. All right, thank you, 1793 01:24:07,920 --> 01:24:10,240 Speaker 1: miss ye. Now, shou out to Revokee. We'll see you 1794 01:24:10,360 --> 01:24:12,920 Speaker 1: guys tomorrow, and shout out to everybody in New Orleans 1795 01:24:13,000 --> 01:24:14,800 Speaker 1: to man New Orleans. I'll see y'all on Sunday. We're 1796 01:24:14,840 --> 01:24:18,560 Speaker 1: doing a real estate seminar. Shout to uptown Angela. I 1797 01:24:18,800 --> 01:24:21,360 Speaker 1: spoke to her yesterday on air, and people are excited. 1798 01:24:21,360 --> 01:24:23,160 Speaker 1: They want to learn about real estate. She's coming out. 1799 01:24:23,240 --> 01:24:25,160 Speaker 1: She's bringing a couple of people out just to teach 1800 01:24:25,200 --> 01:24:27,400 Speaker 1: people about real estate and where they could get started 1801 01:24:27,400 --> 01:24:29,120 Speaker 1: and how much they need to get started. And I'm 1802 01:24:29,160 --> 01:24:32,320 Speaker 1: bringing everybody to you guys, from the credit repair people 1803 01:24:32,720 --> 01:24:36,519 Speaker 1: to agents, to lending, to hard money lending, you name it, 1804 01:24:36,560 --> 01:24:38,639 Speaker 1: We're gonna bring him there. I also have Sidney Torres. 1805 01:24:38,840 --> 01:24:41,599 Speaker 1: He's invested a lot in the city. He'll be joining 1806 01:24:41,680 --> 01:24:44,080 Speaker 1: us and my brother Larry Morrow, who's a promoter who 1807 01:24:44,160 --> 01:24:46,720 Speaker 1: owns a restaurant and a couple of properties. He'll be 1808 01:24:46,800 --> 01:24:48,240 Speaker 1: there as well. So I can't wait to see you 1809 01:24:48,320 --> 01:24:50,240 Speaker 1: guys in New Orleans this Sunday. And if you want 1810 01:24:50,240 --> 01:24:52,040 Speaker 1: more information, just hit me up on my link in 1811 01:24:52,080 --> 01:24:54,080 Speaker 1: my bio. Will get all the information about the seminars. 1812 01:24:54,080 --> 01:24:56,759 Speaker 1: All right, the People's Choice mixes up next, get your requested. 1813 01:24:56,840 --> 01:24:59,400 Speaker 1: Now it's the Breakfast Club. Good morning e j Envy 1814 01:24:59,640 --> 01:25:02,519 Speaker 1: and jul Yee, Charlomagne the guy. We are the Breakfast Club. 1815 01:25:02,560 --> 01:25:07,200 Speaker 1: We got a special guest in the building. Yeah, welcome back. 1816 01:25:07,240 --> 01:25:10,880 Speaker 1: So so you know what that means. You know what 1817 01:25:10,920 --> 01:25:14,160 Speaker 1: I mean, mass show up every summer, you know, telling 1818 01:25:14,200 --> 01:25:17,519 Speaker 1: people to help me push the program. So excited I 1819 01:25:17,680 --> 01:25:20,599 Speaker 1: was just in Detroit. I just saw Detroit, Bruce, Yes, 1820 01:25:20,880 --> 01:25:23,360 Speaker 1: and they're so excited that you're kicking off the Big 1821 01:25:23,439 --> 01:25:26,320 Speaker 1: Three this time in Detroit. And you know, I love Detroit. 1822 01:25:26,520 --> 01:25:30,120 Speaker 1: You know Detroit is always giving love to me and 1823 01:25:30,320 --> 01:25:35,080 Speaker 1: my projects, um and um. So you know last year 1824 01:25:35,120 --> 01:25:37,720 Speaker 1: we went to Detroit and you know, they showed out. 1825 01:25:37,840 --> 01:25:40,880 Speaker 1: Everybody filled up the arena, had a good time with 1826 01:25:41,000 --> 01:25:44,200 Speaker 1: the Big Three. Really enjoyed the whole event because it's 1827 01:25:44,240 --> 01:25:47,439 Speaker 1: like a mini All Star game, you know. So, um, 1828 01:25:47,840 --> 01:25:50,439 Speaker 1: we was like, yo, where's the best place to kick 1829 01:25:50,520 --> 01:25:55,160 Speaker 1: this season off? So first, uh, our first game Saturday, 1830 01:25:55,520 --> 01:26:00,960 Speaker 1: Saturday night, CBS eight o'clock is UH is in three games, 1831 01:26:01,080 --> 01:26:04,519 Speaker 1: is in Detroit. Then the next day, one o'clock on 1832 01:26:04,680 --> 01:26:08,560 Speaker 1: Sunday in the afternoon, you know, we go to Indie, Indiana, 1833 01:26:08,800 --> 01:26:11,880 Speaker 1: and um, it's gonna be cool to see, you know, 1834 01:26:11,920 --> 01:26:15,000 Speaker 1: because that's a basketball mecha two correct, So just to 1835 01:26:15,120 --> 01:26:20,280 Speaker 1: see and show fans Big three basketball. Um, it's gonna 1836 01:26:20,280 --> 01:26:23,559 Speaker 1: be incredible. I need my folks out there support the league, 1837 01:26:23,720 --> 01:26:25,720 Speaker 1: you know what I mean. The league is taken off. 1838 01:26:26,240 --> 01:26:28,599 Speaker 1: So it's just it's just fun to be in this position. 1839 01:26:28,720 --> 01:26:31,920 Speaker 1: These players need a rest day. Man. You got him 1840 01:26:31,920 --> 01:26:33,760 Speaker 1: in Detroit one day, and then after they got it 1841 01:26:33,840 --> 01:26:39,599 Speaker 1: was two different teams. No, no, no, no back to back, 1842 01:26:40,080 --> 01:26:42,920 Speaker 1: no back to back. You know, since we got twelve teams, 1843 01:26:43,439 --> 01:26:48,240 Speaker 1: were all the games used to happen on one day, correct, 1844 01:26:48,520 --> 01:26:50,479 Speaker 1: But now since we got twelve teams, we broke it up, 1845 01:26:50,520 --> 01:26:51,680 Speaker 1: and now it was a long day, you know what 1846 01:26:51,720 --> 01:26:54,240 Speaker 1: I mean. So we broke it up. So now we 1847 01:26:54,360 --> 01:26:58,600 Speaker 1: got three games in Detroit, in three games in Indiana. 1848 01:26:59,040 --> 01:27:00,600 Speaker 1: Now I gotta ask you question, and I don't know 1849 01:27:00,600 --> 01:27:03,240 Speaker 1: if you'll be able to answer this as an impartial person, 1850 01:27:03,640 --> 01:27:05,559 Speaker 1: but which team, if you had to put your money 1851 01:27:06,360 --> 01:27:09,400 Speaker 1: on them, do you think is the best? Wow? I 1852 01:27:09,479 --> 01:27:11,840 Speaker 1: mean last time I did that, I got cursed out. 1853 01:27:12,360 --> 01:27:15,720 Speaker 1: I got cursed out. Crazy Power won the championship last year. 1854 01:27:16,320 --> 01:27:19,440 Speaker 1: And you know with our league, when you win the championship, 1855 01:27:19,560 --> 01:27:22,679 Speaker 1: that same team comes back. It's not like other leagues 1856 01:27:22,720 --> 01:27:24,720 Speaker 1: where you don't know who coming right, but right that 1857 01:27:24,880 --> 01:27:27,080 Speaker 1: same team comes back. So I think they have an 1858 01:27:27,080 --> 01:27:31,720 Speaker 1: advantage just by playing together, playing together winning the chip. 1859 01:27:31,880 --> 01:27:34,280 Speaker 1: They know what it takes. And even though we got 1860 01:27:34,360 --> 01:27:37,320 Speaker 1: some good competition with the new teams coming in, they've 1861 01:27:37,400 --> 01:27:39,880 Speaker 1: never played in the Big Three, so it's gonna take 1862 01:27:39,920 --> 01:27:42,400 Speaker 1: a little learning curve for them. So I don't think 1863 01:27:42,439 --> 01:27:45,799 Speaker 1: Power Power last. The year before that was Trilogy Trilogy 1864 01:27:45,840 --> 01:27:52,160 Speaker 1: that he definitely cur I said a team was gonna win, 1865 01:27:52,520 --> 01:27:54,639 Speaker 1: and he when he got the chip, he came over 1866 01:27:54,680 --> 01:27:56,519 Speaker 1: and cursed me out. Oh, I gotta give you a spoiler. 1867 01:27:56,600 --> 01:27:58,920 Speaker 1: This is a little gossipy, but Trina's out here. Yeah, 1868 01:27:59,040 --> 01:28:01,040 Speaker 1: Kenyan Martin's definitely mentioned on one of the songs on 1869 01:28:01,120 --> 01:28:04,439 Speaker 1: her album. Oh is that right? Oh wow? Yeah, they 1870 01:28:04,479 --> 01:28:10,920 Speaker 1: did have something yeah in the past. It's true album 1871 01:28:13,080 --> 01:28:15,720 Speaker 1: I ain't got nothing. I want to stay away from that. 1872 01:28:15,840 --> 01:28:18,840 Speaker 1: You know Kenyon, You know I love Kenyon because he's 1873 01:28:18,880 --> 01:28:22,439 Speaker 1: the first guy that ever signed with ever. You know. 1874 01:28:22,600 --> 01:28:24,559 Speaker 1: He so he got it as soon as you mentioned 1875 01:28:24,560 --> 01:28:27,400 Speaker 1: it to him, he got it right away. Um, My 1876 01:28:27,760 --> 01:28:31,960 Speaker 1: partner Jeff Quantinus was right there. He uh was he 1877 01:28:33,000 --> 01:28:35,240 Speaker 1: you know, he talked to Kenyon and and and I 1878 01:28:35,360 --> 01:28:38,120 Speaker 1: talked to Kenyon. And we really we wasn't sure who 1879 01:28:38,200 --> 01:28:40,519 Speaker 1: was gonna sign. We weren't sure if people would even 1880 01:28:41,240 --> 01:28:45,360 Speaker 1: you know, um see the vision. And uh he was 1881 01:28:45,439 --> 01:28:48,439 Speaker 1: the first one, really And and I remember me and 1882 01:28:48,560 --> 01:28:52,880 Speaker 1: Jeff getting on the phone like that next day saying, damn, 1883 01:28:53,439 --> 01:28:56,160 Speaker 1: we we got a guy signed. This is this is 1884 01:28:56,240 --> 01:28:59,719 Speaker 1: gonna open the floodgates. This is gonna get other players 1885 01:28:59,800 --> 01:29:04,360 Speaker 1: to realize, you know, let's do this. Let's try to 1886 01:29:04,880 --> 01:29:08,320 Speaker 1: to build something that ain't never been done before. And um, 1887 01:29:09,280 --> 01:29:14,800 Speaker 1: and you know, so I'm I'm I'm extremely grateful. Um. 1888 01:29:15,040 --> 01:29:19,559 Speaker 1: We got uh Jason Terry, Okay, we got Gilbert Arenas, yea, 1889 01:29:21,320 --> 01:29:23,880 Speaker 1: the same team. Yep, Gilbert Lamar on the same team, 1890 01:29:24,280 --> 01:29:29,200 Speaker 1: team called the Enemies. We got uh Joe Johnson, we 1891 01:29:29,320 --> 01:29:35,320 Speaker 1: got uh uh no Ryn our tests. He's actually uh, 1892 01:29:35,560 --> 01:29:38,040 Speaker 1: I think he's trying to coach. He's trying to either 1893 01:29:38,160 --> 01:29:42,160 Speaker 1: coach a college or something. Um, something I gotta do 1894 01:29:42,200 --> 01:29:46,080 Speaker 1: with coaching. So you know, UM, what's cool about our 1895 01:29:46,160 --> 01:29:51,559 Speaker 1: league is, you know, we want guys to grow correct. 1896 01:29:51,560 --> 01:29:53,960 Speaker 1: You know, if opportunities come along. You know, I know 1897 01:29:54,200 --> 01:29:57,600 Speaker 1: Kendrick Perkins was gonna play, but he had an opportunity 1898 01:29:58,120 --> 01:30:01,479 Speaker 1: to uh to do e SPN and be an analyst 1899 01:30:01,600 --> 01:30:04,479 Speaker 1: all summer and make a lot, a lot of money. 1900 01:30:04,600 --> 01:30:07,880 Speaker 1: So you know, we blessed that Ai was a coach. 1901 01:30:08,560 --> 01:30:11,439 Speaker 1: Dad was like, yo, I got an opportunity, I got, 1902 01:30:11,520 --> 01:30:15,200 Speaker 1: I got obligations. So you know, we we we want 1903 01:30:15,280 --> 01:30:18,360 Speaker 1: you to come to the Big Three and and win, 1904 01:30:18,880 --> 01:30:22,160 Speaker 1: not coming and and feel like you know, you're you're 1905 01:30:22,680 --> 01:30:25,680 Speaker 1: part of a league that's kind of holding you and 1906 01:30:25,800 --> 01:30:27,960 Speaker 1: you can't really do things. We want guys to make 1907 01:30:28,000 --> 01:30:31,599 Speaker 1: it back into the NBA if they can. Dan Davis 1908 01:30:31,760 --> 01:30:34,479 Speaker 1: is playing. Baron Davis is gonna play this year. He 1909 01:30:35,400 --> 01:30:38,719 Speaker 1: played last year. He got hurt he got injured after 1910 01:30:38,840 --> 01:30:43,519 Speaker 1: the third gag. So um, it's just incredible just to 1911 01:30:43,600 --> 01:30:45,720 Speaker 1: have these guys come out and play. This year is 1912 01:30:45,720 --> 01:30:50,040 Speaker 1: gonna be bananas, you know on CBS, which is big. 1913 01:30:50,120 --> 01:30:52,160 Speaker 1: That's a big look for us. Now, you reached out 1914 01:30:52,200 --> 01:30:54,200 Speaker 1: to Kobe a couple of times. Has he ever responded? 1915 01:30:54,840 --> 01:30:59,920 Speaker 1: He says he's done playing basketball, okay, but everybody say that, yeah, 1916 01:31:00,120 --> 01:31:02,720 Speaker 1: you know, he may get the itch. You know, we 1917 01:31:02,880 --> 01:31:06,559 Speaker 1: have guys who haven't been in the NBA for ten 1918 01:31:06,720 --> 01:31:09,840 Speaker 1: fifteen years still out there. You know, like my mood, 1919 01:31:09,880 --> 01:31:13,599 Speaker 1: I'm due roof things like that, So he may get 1920 01:31:13,640 --> 01:31:16,200 Speaker 1: the itch. Two years from now, three years from now, 1921 01:31:16,680 --> 01:31:19,400 Speaker 1: come here from now and want to play. And what's 1922 01:31:19,479 --> 01:31:22,519 Speaker 1: great is we'll be here. Well, it starts this weekend 1923 01:31:22,600 --> 01:31:25,160 Speaker 1: the twenty second, Detroit and then Indianapolis. If you want 1924 01:31:25,200 --> 01:31:27,200 Speaker 1: more information, just hit the Big three dot com. I 1925 01:31:27,280 --> 01:31:29,920 Speaker 1: think behind the scenes if this is amazing too, because 1926 01:31:29,960 --> 01:31:32,880 Speaker 1: it's all these like you said, basketball greats, yes, and 1927 01:31:33,000 --> 01:31:35,600 Speaker 1: even the coaches and seeing all of that, like a 1928 01:31:35,680 --> 01:31:37,920 Speaker 1: behind the scenes not even just watching the game, but 1929 01:31:38,560 --> 01:31:41,120 Speaker 1: other things too, like on the road, what's happening before 1930 01:31:41,200 --> 01:31:43,960 Speaker 1: the game practice? Well, that's a great segue because we're 1931 01:31:43,960 --> 01:31:46,240 Speaker 1: just starting to show called all about the Big Three 1932 01:31:47,400 --> 01:31:51,320 Speaker 1: premiers tomorrow. We gotta get the Big Three app and 1933 01:31:52,280 --> 01:31:54,760 Speaker 1: it's cool because you'll get a chance to, you know, 1934 01:31:55,439 --> 01:31:59,560 Speaker 1: learn a little more about the league. But for for 1935 01:32:00,240 --> 01:32:05,439 Speaker 1: people in Detroit and in Indianapolis this weekend, you gotta 1936 01:32:05,520 --> 01:32:08,240 Speaker 1: come out. I mean, seeing it on CBS is gonna 1937 01:32:08,280 --> 01:32:11,160 Speaker 1: be cool, But this is an event that you gotta 1938 01:32:11,240 --> 01:32:13,800 Speaker 1: be there because you never know when we're coming back. 1939 01:32:14,400 --> 01:32:17,320 Speaker 1: So if we somewhere near your town, come see the 1940 01:32:17,400 --> 01:32:20,240 Speaker 1: Big Three, it'd be one of the best basketball events 1941 01:32:20,280 --> 01:32:22,280 Speaker 1: you ever attended. We'll be there in Brooklyn and July. 1942 01:32:23,000 --> 01:32:25,400 Speaker 1: Yeah right right. And fun fact that show was almost 1943 01:32:25,439 --> 01:32:29,800 Speaker 1: called the Big Three. Yeah you know you have to 1944 01:32:29,840 --> 01:32:36,040 Speaker 1: pay us. League was almost called the Breakfast Club. All right, 1945 01:32:38,000 --> 01:32:43,519 Speaker 1: it's the Breakfast Club. Mording morning. Everybody's DJ Envy Angela 1946 01:32:43,640 --> 01:32:46,439 Speaker 1: Yee Sholomne the guy. We are the Breakfast Club. You 1947 01:32:46,520 --> 01:32:49,400 Speaker 1: guys have a great weekend year. You're out in La right, Yes, 1948 01:32:49,439 --> 01:32:52,200 Speaker 1: it's BT Awards weekend, so I'm out here. There's like 1949 01:32:52,280 --> 01:32:56,880 Speaker 1: an action packed schedule, so many activities for BT Awards weekends. 1950 01:32:56,920 --> 01:32:58,240 Speaker 1: He's like, this is going to be a really great 1951 01:32:58,320 --> 01:33:01,880 Speaker 1: year as well. So you going to Hollywood Unlocks brunch 1952 01:33:02,120 --> 01:33:05,400 Speaker 1: to accept our award? What is that? Sunday? Saturday? Are 1953 01:33:05,439 --> 01:33:09,040 Speaker 1: you going here? V yes, Shan tell me Sunday. Idn't 1954 01:33:09,080 --> 01:33:11,519 Speaker 1: tell you she did because I said Saturday, both day, 1955 01:33:11,560 --> 01:33:13,400 Speaker 1: y'all be there in Saturday. Why the hell are they 1956 01:33:13,439 --> 01:33:15,000 Speaker 1: have an award showed? Why would they have a brunch 1957 01:33:15,040 --> 01:33:17,080 Speaker 1: to day of the award? I don't know you, Chad, Sunday, 1958 01:33:17,200 --> 01:33:19,360 Speaker 1: I can't tell you nothing like that's eleven am to 1959 01:33:19,520 --> 01:33:22,479 Speaker 1: four pm. I believe all right, I'm gonna swing through 1960 01:33:22,479 --> 01:33:25,120 Speaker 1: because I landed I think at ten thirty am. Shot 1961 01:33:25,160 --> 01:33:27,080 Speaker 1: to my girl Melissa for it. You definitely hit me 1962 01:33:27,160 --> 01:33:29,160 Speaker 1: up multiple times like you coming, You're coming. I just 1963 01:33:29,280 --> 01:33:31,639 Speaker 1: need to know. And I made a last minute trip 1964 01:33:31,680 --> 01:33:33,760 Speaker 1: out here, so yes, I'll be in LA for the day. 1965 01:33:33,760 --> 01:33:35,560 Speaker 1: I'll be there. I think like ten hours. I'm in 1966 01:33:35,840 --> 01:33:39,120 Speaker 1: and out and then Sunday, New Orleans. So yeah, salute 1967 01:33:39,120 --> 01:33:42,439 Speaker 1: to Melissa Forwards, Luta, Jason Lee, everybody over at Hollywood Unlocked. 1968 01:33:42,479 --> 01:33:45,720 Speaker 1: We appreciate the award and also we gotta think a 1969 01:33:45,760 --> 01:33:47,680 Speaker 1: bunch of people that stopped to shout to Trina who 1970 01:33:47,720 --> 01:33:49,680 Speaker 1: came through today. Her new albums out right now. I'm 1971 01:33:49,720 --> 01:33:53,120 Speaker 1: sad Trina is the one that's the name of her album, 1972 01:33:53,200 --> 01:33:55,280 Speaker 1: So make sure y'all get that now, I'm sad. I'm 1973 01:33:55,320 --> 01:33:57,840 Speaker 1: miss treating. Me and Trina always have such great conversations. Man, 1974 01:33:57,920 --> 01:34:00,800 Speaker 1: salute to Trina. Pray for her, you know what I'm saying. 1975 01:34:01,280 --> 01:34:03,320 Speaker 1: I pray that she's dating a nice black man and 1976 01:34:03,439 --> 01:34:05,880 Speaker 1: not a black boy who would be out here doing 1977 01:34:05,920 --> 01:34:08,360 Speaker 1: her dirty, cheating on her and things of that nature, 1978 01:34:08,360 --> 01:34:10,760 Speaker 1: because you know, black men don't cheat. Black boys can 1979 01:34:10,840 --> 01:34:13,280 Speaker 1: coachan f y'all. Yeah, she has a boyfriend now that 1980 01:34:13,400 --> 01:34:16,040 Speaker 1: she loves, but as you can hear from her music, 1981 01:34:16,200 --> 01:34:18,320 Speaker 1: she's had some experiences in the past with some f 1982 01:34:18,520 --> 01:34:22,479 Speaker 1: boys and sometimes that is difficult. And also shout out 1983 01:34:22,479 --> 01:34:25,400 Speaker 1: to Connie Orlando from b ET. She stopped him today. Yes, 1984 01:34:25,520 --> 01:34:28,800 Speaker 1: I think this was Connie's first radio interview ever, And 1985 01:34:28,880 --> 01:34:31,400 Speaker 1: salute to Connie Man. Connie to me, Connie does a 1986 01:34:31,439 --> 01:34:33,400 Speaker 1: great job over at BT. I know people got a 1987 01:34:33,439 --> 01:34:35,679 Speaker 1: lot of negative things to say about BT, but BT 1988 01:34:35,840 --> 01:34:37,840 Speaker 1: really be putting a lot of dope programming on. We 1989 01:34:37,960 --> 01:34:40,920 Speaker 1: just gotta support it. And also ice Cube you he 1990 01:34:41,000 --> 01:34:43,840 Speaker 1: stopped through don't forget. The Big Three kicks off and 1991 01:34:43,920 --> 01:34:47,360 Speaker 1: Detroit this Saturday, so check that out here. Three of 1992 01:34:47,479 --> 01:34:50,200 Speaker 1: the Big Three. So pretty amazing to see how it's 1993 01:34:50,200 --> 01:34:52,439 Speaker 1: evolved because we had Ice Cuba super early on when 1994 01:34:52,439 --> 01:34:56,120 Speaker 1: it first started. Que talk about celebrity deathmatch. It all no, okay, 1995 01:34:56,840 --> 01:34:58,200 Speaker 1: what's going on with it? I mean, it's on this 1996 01:34:58,320 --> 01:35:01,880 Speaker 1: way back, okay, Cuba an executive producer. He said, you too, 1997 01:35:02,120 --> 01:35:05,600 Speaker 1: I haven't said anything. You asking you, I said on you. 1998 01:35:06,080 --> 01:35:08,760 Speaker 1: I haven't said anything. I'm just asking. Hey, man, you 1999 01:35:08,840 --> 01:35:11,320 Speaker 1: know God is good. Okay, well leave it. So the 2000 01:35:11,360 --> 01:35:14,040 Speaker 1: positive note listen to. Positive note is simply this, man, 2001 01:35:14,320 --> 01:35:16,639 Speaker 1: I want you to remember this this weekend. The only 2002 01:35:16,760 --> 01:35:19,080 Speaker 1: limits you have are the limits you believe you have. 2003 01:35:19,479 --> 01:35:22,240 Speaker 1: Breakfast Club, You're all finish for y'all dumps