WEBVTT - Lucie Silvas

0:00:09.320 --> 0:00:14.880
<v Speaker 1>Carola. She's a queen of talking. He was sown your man.

0:00:16.000 --> 0:00:19.239
<v Speaker 1>She's on the side. She got the scoop on on

0:00:19.320 --> 0:00:28.360
<v Speaker 1>the on side. No one can do with Clid Carala, Carola.

0:00:29.640 --> 0:00:36.320
<v Speaker 1>No one can do with Clid Carol Carola. Hey, y'all,

0:00:36.320 --> 0:00:39.959
<v Speaker 1>welcome to Hyper Caroline Hobby. I am your host, Caroline Hobby.

0:00:40.240 --> 0:00:42.519
<v Speaker 1>I know music, I know people, and I know the

0:00:42.640 --> 0:00:45.440
<v Speaker 1>questions do you want to ask? So let's get hyper

0:00:46.560 --> 0:00:49.479
<v Speaker 1>heads up. These are adults having adult conversations, so there

0:00:49.479 --> 0:00:52.920
<v Speaker 1>could be adult content. I am so thrilled to have

0:00:53.000 --> 0:00:56.120
<v Speaker 1>Lucy Silva's joining me today. She is a European sensation,

0:00:56.200 --> 0:00:59.160
<v Speaker 1>sold a million albums in Europe. She just reade a

0:00:59.200 --> 0:01:01.760
<v Speaker 1>song from Miranda Lambert smoking Jacket on the new album

0:01:01.800 --> 0:01:04.880
<v Speaker 1>She's one of cmts next one in the country Smoke.

0:01:05.200 --> 0:01:07.559
<v Speaker 1>Letters to Ghost and Villain are three songs and music

0:01:07.640 --> 0:01:10.120
<v Speaker 1>videos that she made from her album Letters to Gost.

0:01:10.240 --> 0:01:13.520
<v Speaker 1>Rolling Stone premiered them all. She's married to John Osborne

0:01:13.560 --> 0:01:15.720
<v Speaker 1>of their brothers Osborne, and he actually kicks off this

0:01:15.800 --> 0:01:19.039
<v Speaker 1>interview by interviewing Lucy. You all get excited. It is

0:01:19.120 --> 0:01:24.800
<v Speaker 1>so great. Here's Lucy Sylvia's I'm here with Lucy Sylvia's

0:01:25.200 --> 0:01:28.160
<v Speaker 1>and John Osborne, and John's gonna conduct a little interview

0:01:28.200 --> 0:01:30.720
<v Speaker 1>really fast, so take it away, John. So Hi, I'm

0:01:30.800 --> 0:01:34.280
<v Speaker 1>John Osborne. You guys could be here. Really nice to

0:01:34.280 --> 0:01:38.000
<v Speaker 1>meet you. Like your jacket so we hear you're amazing,

0:01:38.040 --> 0:01:43.360
<v Speaker 1>incredible husband. He's got a huge beard because the hairs

0:01:43.400 --> 0:01:45.679
<v Speaker 1>get caught in your mouth when you kiss and stuff,

0:01:46.280 --> 0:01:49.200
<v Speaker 1>the hairs get caught and everything. He's like cookie, he sheds.

0:01:49.600 --> 0:01:52.920
<v Speaker 1>They're all over the house, the food and the roller

0:01:53.120 --> 0:01:55.480
<v Speaker 1>every time roller. It's all over and I find them,

0:01:55.480 --> 0:01:57.360
<v Speaker 1>you know, stuck in my own hair, and find them,

0:01:57.480 --> 0:02:01.000
<v Speaker 1>you know, stuck to my eyelashes. Really, um, y'all are

0:02:01.000 --> 0:02:05.720
<v Speaker 1>doing a lot of making out. No never, we're basically

0:02:05.800 --> 0:02:10.480
<v Speaker 1>like vel crowe Yes, he has got an amazing beads.

0:02:10.919 --> 0:02:14.960
<v Speaker 1>That's it. I love it. Okay, Literally, we are here

0:02:15.000 --> 0:02:18.200
<v Speaker 1>with John Osborne and Lucy Sylvis in their beautiful house

0:02:18.840 --> 0:02:21.760
<v Speaker 1>and we are going to talk about Lucy's album Letters

0:02:21.840 --> 0:02:24.120
<v Speaker 1>to Ghosts, which I think is so cool because you

0:02:24.160 --> 0:02:26.160
<v Speaker 1>are not only a power couple, because you are both

0:02:26.200 --> 0:02:30.519
<v Speaker 1>incredible singer songwriters. You'all co produced this album together. John,

0:02:30.560 --> 0:02:33.080
<v Speaker 1>I mean, is there anything you can't do? Together. I

0:02:33.160 --> 0:02:35.760
<v Speaker 1>love you by the way, I just like looking at

0:02:35.760 --> 0:02:40.240
<v Speaker 1>you just makes me happy. Um um, yeah, no, I

0:02:40.280 --> 0:02:46.079
<v Speaker 1>don't know what was the question? No, he I mean

0:02:46.160 --> 0:02:50.160
<v Speaker 1>John is I have to give John credit because he Um,

0:02:50.200 --> 0:02:52.240
<v Speaker 1>you know, I wrote the songs and that was definitely

0:02:52.320 --> 0:02:54.639
<v Speaker 1>things I had a vision for. He he knows me.

0:02:54.760 --> 0:02:57.560
<v Speaker 1>He knows my sound and what I like without me

0:02:57.600 --> 0:02:59.120
<v Speaker 1>having to tell him, and we grew up with a

0:02:59.120 --> 0:03:02.320
<v Speaker 1>lot of the same influence. It says, what does that sound,

0:03:03.040 --> 0:03:05.120
<v Speaker 1>It's like, well, it's a mixture of so many things,

0:03:05.200 --> 0:03:08.240
<v Speaker 1>which makes it hard to place anywhere. But I love Motown,

0:03:08.280 --> 0:03:11.160
<v Speaker 1>I love country, but it's it's it's got an influence

0:03:11.160 --> 0:03:14.160
<v Speaker 1>of those things what I perceived to be the country

0:03:14.200 --> 0:03:15.920
<v Speaker 1>that I know, you know what I mean, And and

0:03:16.200 --> 0:03:18.080
<v Speaker 1>it's got a twiny sound, but it also has a

0:03:18.120 --> 0:03:21.160
<v Speaker 1>throwback sound, but it's also pop, it's modern, and so

0:03:21.280 --> 0:03:23.520
<v Speaker 1>I think it was exciting for John to do that

0:03:23.600 --> 0:03:26.519
<v Speaker 1>something outside of what he normally does as well, and

0:03:26.639 --> 0:03:28.800
<v Speaker 1>produce an album with freedom with no one telling us

0:03:28.880 --> 0:03:33.320
<v Speaker 1>what we had to do. Talk to me about producing

0:03:33.320 --> 0:03:35.480
<v Speaker 1>an album with freedom, because that's crazy. I could do

0:03:35.520 --> 0:03:38.520
<v Speaker 1>what everyone Yeah, well, you know, sometimes you know the

0:03:38.720 --> 0:03:42.960
<v Speaker 1>artist producer relationship is kind of strenuous because there's a

0:03:42.960 --> 0:03:46.160
<v Speaker 1>lot of creative differences um there. And you would think

0:03:46.160 --> 0:03:47.960
<v Speaker 1>it would be worse for Lucy and I because we're married,

0:03:47.960 --> 0:03:50.520
<v Speaker 1>so we're throwing in another dynamic. But but genuinely I

0:03:50.560 --> 0:03:54.120
<v Speaker 1>trust I trust her implicitly, and she's an incredible ear

0:03:54.200 --> 0:03:57.800
<v Speaker 1>for things and and so when she says something, I

0:03:57.800 --> 0:04:00.480
<v Speaker 1>don't think twice about it, and sometimes I'll pushed back

0:04:00.480 --> 0:04:02.720
<v Speaker 1>and she trusts me too, So I think the mutual

0:04:02.760 --> 0:04:05.880
<v Speaker 1>respect there is is really big. And the fact that

0:04:05.920 --> 0:04:08.440
<v Speaker 1>she funded this record on her own. Technically she is

0:04:08.480 --> 0:04:10.200
<v Speaker 1>the label, so she does get the last call. I

0:04:10.200 --> 0:04:12.600
<v Speaker 1>have to do whatever she was and um, and we

0:04:12.640 --> 0:04:15.960
<v Speaker 1>also produced it with Ian Fitzchuck as well, and he's

0:04:16.000 --> 0:04:18.920
<v Speaker 1>also just a very laid back, easy person. He respects us,

0:04:18.920 --> 0:04:22.240
<v Speaker 1>We respect him immensely and um, just just to know

0:04:22.279 --> 0:04:25.719
<v Speaker 1>that there weren't any limitations in a way made it

0:04:25.720 --> 0:04:28.440
<v Speaker 1>a little more difficult because you could say anything. But

0:04:28.480 --> 0:04:31.599
<v Speaker 1>the freedom of that was very much worth it, I

0:04:31.640 --> 0:04:33.359
<v Speaker 1>think in the end, because we've got to just do

0:04:33.440 --> 0:04:36.000
<v Speaker 1>whatever we felt was right in our hearts. Yeah, you've

0:04:36.000 --> 0:04:38.480
<v Speaker 1>got no one watching you along the way saying well,

0:04:38.839 --> 0:04:42.200
<v Speaker 1>we need a radio single or we need this to fit.

0:04:42.279 --> 0:04:44.000
<v Speaker 1>You know, where's this going to sit? And I think

0:04:44.000 --> 0:04:46.719
<v Speaker 1>autistically that's one of the hardest things for artists, Like

0:04:46.800 --> 0:04:49.480
<v Speaker 1>how can you really? I think every so often an

0:04:49.480 --> 0:04:52.679
<v Speaker 1>anomaly comes along where they've had that, but they've somehow

0:04:52.720 --> 0:04:56.479
<v Speaker 1>managed to compartmentalize themselves so they can make the best

0:04:56.480 --> 0:04:59.640
<v Speaker 1>album of their lives creatively. But it is very hard

0:04:59.680 --> 0:05:02.440
<v Speaker 1>to do that when you've got any limitations or anybody

0:05:02.600 --> 0:05:07.279
<v Speaker 1>watching sort of what you're doing. So do you was

0:05:07.320 --> 0:05:09.760
<v Speaker 1>it a big leap of faith to do this album

0:05:09.760 --> 0:05:11.800
<v Speaker 1>and fund it yourself? Because I know, like we're gonna

0:05:11.839 --> 0:05:13.920
<v Speaker 1>get into your past. You have had record deals, you've

0:05:13.960 --> 0:05:16.120
<v Speaker 1>sort a million albums, you've done crazy stuff. Sort of

0:05:16.200 --> 0:05:18.920
<v Speaker 1>get to Nashville and fund an album and do it

0:05:19.040 --> 0:05:23.640
<v Speaker 1>by yourself? Is it exhilarating and scary? Exactly? Those two things?

0:05:23.720 --> 0:05:27.000
<v Speaker 1>I think Number one, Um, you know, my dad always

0:05:27.000 --> 0:05:29.240
<v Speaker 1>told me you have to like any business person, you

0:05:29.240 --> 0:05:32.720
<v Speaker 1>have to invest in yourself. You have to be Yeah,

0:05:32.960 --> 0:05:35.479
<v Speaker 1>it is. It is because you're like, you know what,

0:05:35.680 --> 0:05:37.279
<v Speaker 1>you know, we've got to pay bills, but also you

0:05:37.320 --> 0:05:39.719
<v Speaker 1>know you should I spend it on Is it is?

0:05:39.720 --> 0:05:42.480
<v Speaker 1>It foolish, is it stupid? You know, no one minds

0:05:42.480 --> 0:05:44.680
<v Speaker 1>spending somebody else's money, you know what I mean. But

0:05:44.760 --> 0:05:47.040
<v Speaker 1>even that, it's like you don't realize that the weight

0:05:47.080 --> 0:05:49.480
<v Speaker 1>that that comes with, at least the weight is mine.

0:05:49.600 --> 0:05:52.640
<v Speaker 1>The stakes are high, and just for me, No, I

0:05:52.640 --> 0:05:55.080
<v Speaker 1>don't think people realize how much money it costs. I mean,

0:05:55.360 --> 0:05:57.400
<v Speaker 1>there are moments when I'm surprised at how much money

0:05:57.400 --> 0:05:59.160
<v Speaker 1>it costs, and it seems that the costs never end.

0:05:59.200 --> 0:06:01.520
<v Speaker 1>I mean, to record it, you gotta get in a

0:06:01.560 --> 0:06:04.200
<v Speaker 1>good studio, you gotta get engineers, you gotta get mixers,

0:06:04.200 --> 0:06:06.520
<v Speaker 1>You've gotta get um, you know, the band, and then

0:06:06.560 --> 0:06:08.880
<v Speaker 1>the cartage in there in the studio, and then you

0:06:08.960 --> 0:06:10.960
<v Speaker 1>have all the amount of hours and the amount of

0:06:11.040 --> 0:06:14.200
<v Speaker 1>labor that goes into it and editing and producing and

0:06:14.240 --> 0:06:16.520
<v Speaker 1>then that alone once you get there, and then you've

0:06:16.520 --> 0:06:18.040
<v Speaker 1>got to master it and then you think you're done,

0:06:18.080 --> 0:06:19.760
<v Speaker 1>but then you gotta get artwork and then the packaging

0:06:19.800 --> 0:06:22.800
<v Speaker 1>and then it just it never ends. So Lucy definitely,

0:06:23.440 --> 0:06:26.719
<v Speaker 1>you know, um, she invested in herself like I think

0:06:26.720 --> 0:06:28.800
<v Speaker 1>any smart persons should. If you really believe in yourself,

0:06:28.800 --> 0:06:30.760
<v Speaker 1>you should be willing to put your money where your

0:06:30.760 --> 0:06:33.159
<v Speaker 1>mouth is and and she did that, and um, I

0:06:33.200 --> 0:06:38.480
<v Speaker 1>think that's usually respectful. Thank you. Also, I just love

0:06:38.680 --> 0:06:41.520
<v Speaker 1>that you as a couple decided like you obviously believe

0:06:41.560 --> 0:06:43.279
<v Speaker 1>in her so much as your wife and an artist

0:06:43.320 --> 0:06:46.080
<v Speaker 1>that you're on board too, Like that is amazing to

0:06:46.200 --> 0:06:49.120
<v Speaker 1>be y'all's relationship. Talk to me about what what you

0:06:49.120 --> 0:06:51.000
<v Speaker 1>guys are like in the studio, Like, how's John and

0:06:51.040 --> 0:06:53.920
<v Speaker 1>how's Lucy working together in the studio. He's It's it's

0:06:53.960 --> 0:06:56.800
<v Speaker 1>fun because it's like, like I said, we when we met,

0:06:57.000 --> 0:06:58.920
<v Speaker 1>it was like a time when you know, everyone was

0:06:59.000 --> 0:07:01.120
<v Speaker 1>jamming around. It's like we knew we had the same

0:07:01.440 --> 0:07:04.760
<v Speaker 1>influences musically. I mean, he's given me an education of

0:07:04.880 --> 0:07:07.680
<v Speaker 1>music that I wouldn't have heard of growing in London.

0:07:08.160 --> 0:07:10.559
<v Speaker 1>And yes, so we were getting the studio. It's fun

0:07:10.720 --> 0:07:14.360
<v Speaker 1>and he's John is better. He's more disciplined than I am,

0:07:14.480 --> 0:07:16.720
<v Speaker 1>so he would get to it time. I mean it's

0:07:16.760 --> 0:07:20.920
<v Speaker 1>almost sometimes well when he's editing, I'll come back like

0:07:20.960 --> 0:07:23.560
<v Speaker 1>an hour later, I'm like, you's still doing that snare drum.

0:07:23.640 --> 0:07:26.520
<v Speaker 1>It's like he's so meticulous that it drives me crazy.

0:07:26.560 --> 0:07:29.120
<v Speaker 1>And then at the same time, I respect it because

0:07:29.160 --> 0:07:31.480
<v Speaker 1>that's kind of the discipline that I don't have. I

0:07:31.520 --> 0:07:34.440
<v Speaker 1>don't like singing vocals very much. I like to sing

0:07:34.440 --> 0:07:37.960
<v Speaker 1>it and just I'm like, well that's that's right, or

0:07:38.000 --> 0:07:40.120
<v Speaker 1>I'll do it like this, and he did it right

0:07:40.200 --> 0:07:43.640
<v Speaker 1>the first time. He'll do everything when he's playing guitar, especially,

0:07:44.000 --> 0:07:47.400
<v Speaker 1>but he's so meticulous, um that he'll he wants he

0:07:47.440 --> 0:07:50.600
<v Speaker 1>does everything, and I respect that. So in the studio,

0:07:51.120 --> 0:07:54.400
<v Speaker 1>actually the two of us together, you know, somehow works.

0:07:54.440 --> 0:08:00.160
<v Speaker 1>Actually don't know what I bring to the equation out

0:08:01.160 --> 0:08:03.400
<v Speaker 1>your name is on it. I think that's it's not

0:08:03.440 --> 0:08:05.640
<v Speaker 1>my name, it's just the name on the CD. That's

0:08:05.640 --> 0:08:08.200
<v Speaker 1>what I bring. No, But it's an amazing it's fun

0:08:08.280 --> 0:08:10.920
<v Speaker 1>and it's like we're sitting there going well in the

0:08:10.960 --> 0:08:14.280
<v Speaker 1>world of music, I mean there's no one could hear it,

0:08:14.400 --> 0:08:16.560
<v Speaker 1>or everyone could hear it. You just don't know. And

0:08:16.840 --> 0:08:19.520
<v Speaker 1>in the world of music, you sit there going we

0:08:19.600 --> 0:08:23.160
<v Speaker 1>have no rules, we have no boundaries. It's the only

0:08:23.240 --> 0:08:26.640
<v Speaker 1>stress that came into it. Honestly, was never a creative one.

0:08:26.680 --> 0:08:29.240
<v Speaker 1>It was never a dynamic thing. It would never we

0:08:29.680 --> 0:08:33.320
<v Speaker 1>respect each other. There's no egos involved. Um. It's the

0:08:33.360 --> 0:08:35.680
<v Speaker 1>financial side of it. That's when I get stressed, and

0:08:35.679 --> 0:08:38.840
<v Speaker 1>that would stress John because he worried about me stressing out.

0:08:38.960 --> 0:08:41.800
<v Speaker 1>So that was just where we'd support each other. And no,

0:08:41.920 --> 0:08:44.240
<v Speaker 1>we have to keep working hard to keep this thing going.

0:08:44.360 --> 0:08:47.199
<v Speaker 1>So yeah, and I'm gonna leave you guys to it.

0:08:47.600 --> 0:08:49.760
<v Speaker 1>I mean, there's planning to go over. I'm just getting

0:08:49.760 --> 0:08:51.679
<v Speaker 1>in the way. Hey, you're not getting away before you go.

0:08:51.880 --> 0:08:54.040
<v Speaker 1>Tell me how it felt when you want a c CMA.

0:08:56.440 --> 0:08:58.840
<v Speaker 1>It was one of the most incredible experiences of my life.

0:08:58.880 --> 0:09:01.600
<v Speaker 1>And and I want my brother and I had quite

0:09:01.600 --> 0:09:04.400
<v Speaker 1>a bit to drink, and all I was thinking was Okay,

0:09:04.600 --> 0:09:06.319
<v Speaker 1>no one expected it. So I was like, don't trip

0:09:06.360 --> 0:09:11.160
<v Speaker 1>on stage, don't curse on national television, and thank Lucy,

0:09:11.240 --> 0:09:13.679
<v Speaker 1>and I did all those things. So that was as

0:09:14.040 --> 0:09:16.480
<v Speaker 1>much of a success to me as anything. And um,

0:09:16.480 --> 0:09:18.440
<v Speaker 1>but it's incredible, you know, I don't know. I still

0:09:18.520 --> 0:09:20.400
<v Speaker 1>every day I think about it, and it's something that

0:09:20.480 --> 0:09:22.959
<v Speaker 1>I can't even wrap my head around. Well, your peers

0:09:23.000 --> 0:09:25.559
<v Speaker 1>voted for it, right, Our peers are people, you know.

0:09:25.840 --> 0:09:28.640
<v Speaker 1>Isn't that kind of the most amazing thing that your

0:09:28.800 --> 0:09:31.720
<v Speaker 1>peers wanted you to win? That's why, I mean, it's

0:09:31.720 --> 0:09:34.600
<v Speaker 1>one thing It's like you know when when you're when

0:09:34.720 --> 0:09:37.000
<v Speaker 1>when you win awards that are voted on by by

0:09:37.040 --> 0:09:39.080
<v Speaker 1>the fans, a lot of times it's it is who

0:09:39.160 --> 0:09:41.160
<v Speaker 1>the most famous, the most successful person is at the

0:09:41.160 --> 0:09:43.560
<v Speaker 1>time that that wins because you have a huge fan base.

0:09:43.600 --> 0:09:45.719
<v Speaker 1>It's just a number saying and anything that is fan

0:09:45.840 --> 0:09:49.160
<v Speaker 1>voted and you went always feels amazing. But to be

0:09:49.280 --> 0:09:52.400
<v Speaker 1>acknowledged by your peers, you feel like an immense amount

0:09:52.440 --> 0:09:54.719
<v Speaker 1>of love because those are the people that you know

0:09:54.960 --> 0:09:56.439
<v Speaker 1>and you see them on a daily basis, and you

0:09:56.520 --> 0:10:00.440
<v Speaker 1>also have a level of like admiration for and um,

0:10:00.480 --> 0:10:02.520
<v Speaker 1>it is an immense amount of love that you feel.

0:10:02.559 --> 0:10:05.280
<v Speaker 1>It's the only thing. It's incredibly overwhelming. It was one

0:10:05.280 --> 0:10:08.640
<v Speaker 1>of the most incredible, surreal experiences of my life. And

0:10:08.679 --> 0:10:10.480
<v Speaker 1>I don't think I could ever actually put it into

0:10:10.520 --> 0:10:13.240
<v Speaker 1>words what it feels like. That's freaking it was when

0:10:13.280 --> 0:10:15.960
<v Speaker 1>I saw from him was like it was that overwhelming

0:10:16.000 --> 0:10:18.640
<v Speaker 1>emotion that he felt because he felt like he's been

0:10:18.640 --> 0:10:20.960
<v Speaker 1>in this town so long as as has t J,

0:10:21.200 --> 0:10:24.480
<v Speaker 1>and they work so long, and they've remained very they

0:10:24.520 --> 0:10:27.079
<v Speaker 1>have a lot of humility and they remained like really

0:10:27.120 --> 0:10:30.200
<v Speaker 1>sweet and team players with this town. And and I

0:10:30.240 --> 0:10:33.839
<v Speaker 1>think that's what made us all emotional, was knowing that

0:10:33.840 --> 0:10:36.520
<v Speaker 1>that award had come from their peers and how much

0:10:36.559 --> 0:10:38.960
<v Speaker 1>goodwill in the room that was for them. I don't

0:10:38.960 --> 0:10:40.960
<v Speaker 1>think you can if you feel that. I feel like

0:10:41.000 --> 0:10:44.240
<v Speaker 1>you feel that gives you some sort of invincibility, if

0:10:44.240 --> 0:10:47.679
<v Speaker 1>you feel like people are supporting you in that way. Yeah,

0:10:48.280 --> 0:10:52.679
<v Speaker 1>but you guys, Lucy, the Brothers, Osborne, all y'all's group,

0:10:52.840 --> 0:10:55.040
<v Speaker 1>y'all radiate. And I was going to talk about this,

0:10:55.160 --> 0:10:58.640
<v Speaker 1>y'all radiate truth and authenticity, Like I feel like all

0:10:58.679 --> 0:11:00.559
<v Speaker 1>the people that you guys read around around with, it

0:11:00.600 --> 0:11:05.640
<v Speaker 1>is so crucial that y'all are honest and authentic, authentic, authentic,

0:11:06.120 --> 0:11:08.600
<v Speaker 1>I feel and I feel like people gravitate towards that

0:11:08.720 --> 0:11:11.120
<v Speaker 1>because after a while, no one wants people to bullshit them.

0:11:11.160 --> 0:11:12.960
<v Speaker 1>You just want to know the real person. And all

0:11:13.000 --> 0:11:15.959
<v Speaker 1>of you guys are like that, Yeah, we're real people,

0:11:15.960 --> 0:11:17.520
<v Speaker 1>and that's how you are, and we've known you for

0:11:17.640 --> 0:11:20.319
<v Speaker 1>years and and everyone in a thousand Horses, all those boys,

0:11:20.360 --> 0:11:22.719
<v Speaker 1>it's like, as soon as we hang out with each other,

0:11:22.720 --> 0:11:24.839
<v Speaker 1>there's a level of comfort because we trust each other.

0:11:24.880 --> 0:11:27.040
<v Speaker 1>We know that we're getting the real human and and

0:11:27.080 --> 0:11:29.520
<v Speaker 1>I think at the end of the day, music and

0:11:29.600 --> 0:11:31.600
<v Speaker 1>success aside, you just want to be around people that

0:11:31.640 --> 0:11:34.240
<v Speaker 1>you love, and you want to be around just genuine people.

0:11:34.520 --> 0:11:36.360
<v Speaker 1>I don't care if you're a genuine asshole. As long

0:11:36.400 --> 0:11:39.840
<v Speaker 1>as you're genuine, it's all good. Just be a consistently

0:11:39.920 --> 0:11:42.240
<v Speaker 1>genuine asshole, So I don't. I just love that. And

0:11:42.720 --> 0:11:46.439
<v Speaker 1>you know, and our lives can be crazy sometimes, but

0:11:46.559 --> 0:11:49.720
<v Speaker 1>when we come home, that's home base and everything just

0:11:49.760 --> 0:11:53.040
<v Speaker 1>goes away. And and um, this is what it's about.

0:11:53.160 --> 0:11:56.040
<v Speaker 1>You know, your your your career is just something that

0:11:56.480 --> 0:11:58.760
<v Speaker 1>isn't the end result. The end result is a life

0:11:58.800 --> 0:12:01.040
<v Speaker 1>that makes you happy. And I feel like our lives together,

0:12:01.320 --> 0:12:03.719
<v Speaker 1>you know, is everything to me. Okay, that's the most

0:12:03.720 --> 0:12:05.640
<v Speaker 1>beautiful thing ever. Anyway, on that note, I really do

0:12:05.679 --> 0:12:10.640
<v Speaker 1>have to go alright by John, thanks for us. I mean,

0:12:10.800 --> 0:12:13.240
<v Speaker 1>if y'all are not the sweetest, cutest kind of he's

0:12:13.280 --> 0:12:17.360
<v Speaker 1>so sweet. It's like it's the sweetest thing. Like I

0:12:17.520 --> 0:12:20.400
<v Speaker 1>got always this sweet and like loving and respectful and

0:12:20.480 --> 0:12:22.559
<v Speaker 1>just perfect. I mean, sometimes we just ignore each other,

0:12:22.640 --> 0:12:24.959
<v Speaker 1>but that's because we're in the house. But that's the thing,

0:12:25.040 --> 0:12:26.480
<v Speaker 1>you know, when you were in the house with someone

0:12:26.520 --> 0:12:28.280
<v Speaker 1>and as long as they're in the house, you have

0:12:28.360 --> 0:12:31.800
<v Speaker 1>that feeling of contentment and peace because you know they're there,

0:12:31.880 --> 0:12:34.439
<v Speaker 1>even though you know, and he often will sit there

0:12:34.440 --> 0:12:36.440
<v Speaker 1>and just play guitar and work on his amps and

0:12:36.480 --> 0:12:38.120
<v Speaker 1>all that kind of stuff, and it gives me a

0:12:38.160 --> 0:12:41.040
<v Speaker 1>great sense of like peace. You know, we do. We

0:12:41.080 --> 0:12:43.320
<v Speaker 1>do get along really well. He is my favorite person.

0:12:43.440 --> 0:12:46.120
<v Speaker 1>He's fun to be with, and you know, it's a

0:12:46.120 --> 0:12:47.920
<v Speaker 1>good thing that he is my favorite person. Because we

0:12:47.960 --> 0:12:49.920
<v Speaker 1>live together. That would be that would be hard. And

0:12:50.000 --> 0:12:53.200
<v Speaker 1>you've decided to join lives, yes, exactly, so it would

0:12:53.240 --> 0:12:55.280
<v Speaker 1>be difficult if we didn't. But what is the secret?

0:12:55.320 --> 0:12:59.360
<v Speaker 1>Child's marriage dated for a while too, right, we did.

0:12:59.440 --> 0:13:01.200
<v Speaker 1>We've been together for a long time, and we did.

0:13:01.320 --> 0:13:04.680
<v Speaker 1>We had a very difficult beginning because we got together

0:13:04.760 --> 0:13:06.440
<v Speaker 1>and then I went back to England and we were like,

0:13:06.480 --> 0:13:08.400
<v Speaker 1>we don't know how to do this long distance thing.

0:13:08.520 --> 0:13:12.640
<v Speaker 1>It was so hard to figure out where our lives

0:13:12.679 --> 0:13:14.560
<v Speaker 1>were going because we were like, well, I don't know

0:13:14.559 --> 0:13:16.080
<v Speaker 1>if I'm going to live in England. I don't know

0:13:16.080 --> 0:13:18.160
<v Speaker 1>if I'm going to live in America. And then I

0:13:18.200 --> 0:13:20.360
<v Speaker 1>think at one stage I think I decided, you know,

0:13:21.160 --> 0:13:23.079
<v Speaker 1>to come here and I wanted, how did you make

0:13:23.120 --> 0:13:25.920
<v Speaker 1>that decision? Because you were crushing it in England, sold

0:13:25.960 --> 0:13:28.560
<v Speaker 1>a million albums. I always heard on this thing with

0:13:28.679 --> 0:13:30.559
<v Speaker 1>Charlotte Church. I don't know. You told me that one

0:13:30.600 --> 0:13:32.600
<v Speaker 1>time and I have never forgotten it. Oh my god,

0:13:32.800 --> 0:13:38.080
<v Speaker 1>you're saying, like, oh the Vogue, like with Charlotte, Oh

0:13:38.120 --> 0:13:40.880
<v Speaker 1>my god, like the things you have done and the

0:13:40.920 --> 0:13:43.080
<v Speaker 1>way you dominated in Europe to pack up a move

0:13:43.160 --> 0:13:46.400
<v Speaker 1>to Nashville has got to be scary. It was really scary.

0:13:46.440 --> 0:13:48.000
<v Speaker 1>I mean it had been a while, it had been

0:13:48.040 --> 0:13:50.040
<v Speaker 1>a couple of years, and I fell in love. I mean,

0:13:50.040 --> 0:13:52.840
<v Speaker 1>who doesn't fall in love with Nashville? You not you?

0:13:53.000 --> 0:13:55.520
<v Speaker 1>How do you not drink the kool aid? And like,

0:13:55.679 --> 0:13:58.600
<v Speaker 1>just not you? You're intoxicated by it because you got

0:13:58.640 --> 0:14:00.640
<v Speaker 1>in right away too, with a great group of people too.

0:14:00.720 --> 0:14:02.040
<v Speaker 1>I feel like the first time I met you were

0:14:02.040 --> 0:14:05.680
<v Speaker 1>hanging out with Cree, Harrison Brothers, Osborne Josh, with Charlie Worsham,

0:14:06.280 --> 0:14:08.360
<v Speaker 1>Casey Musk Graham's Did you meet them right away? I

0:14:08.360 --> 0:14:10.840
<v Speaker 1>didn't meet Casey right away. I didn't meet Casey two

0:14:10.960 --> 0:14:13.680
<v Speaker 1>years later, but I met, yeah, Cree and I lived

0:14:13.679 --> 0:14:15.960
<v Speaker 1>to I mean, it was funny because I think the

0:14:15.960 --> 0:14:20.080
<v Speaker 1>first people I met were actually Barry Dean and Busby.

0:14:19.800 --> 0:14:23.440
<v Speaker 1>They were the first two guys I met um. And

0:14:23.480 --> 0:14:27.120
<v Speaker 1>then I then realized that Chrysalis, the publishing company I

0:14:27.120 --> 0:14:28.880
<v Speaker 1>was signed to at the time, was in Nashville. And

0:14:28.920 --> 0:14:31.520
<v Speaker 1>then I met John and Donnie and Josh and and

0:14:31.560 --> 0:14:35.240
<v Speaker 1>all those guys, Billy and and that's when I met

0:14:35.280 --> 0:14:37.400
<v Speaker 1>you as well. And and then I met Cree, And

0:14:37.440 --> 0:14:39.120
<v Speaker 1>I remember Cree was looking to move out at home,

0:14:39.120 --> 0:14:40.080
<v Speaker 1>and I was like, do you want to come live

0:14:40.160 --> 0:14:41.760
<v Speaker 1>with me? You know, I'm going to come stay here

0:14:41.760 --> 0:14:43.600
<v Speaker 1>for a few months, you know, maybe you could move in.

0:14:43.920 --> 0:14:46.840
<v Speaker 1>And we became crystless really linked it all up. Chrysalis

0:14:46.960 --> 0:14:49.440
<v Speaker 1>linked it up, and and and then I'd go back

0:14:49.440 --> 0:14:52.080
<v Speaker 1>home and I'd come back, and it was years before.

0:14:52.160 --> 0:14:55.440
<v Speaker 1>Really I never really felt like I left once I

0:14:55.480 --> 0:14:57.720
<v Speaker 1>came here, you know, And it was very difficult to

0:14:57.760 --> 0:15:02.000
<v Speaker 1>make that. It is difficult even moving house alone, moving countries, Um.

0:15:02.120 --> 0:15:04.520
<v Speaker 1>And you know the good thing about it is my

0:15:04.600 --> 0:15:07.000
<v Speaker 1>parents live in New Zealand, my sisters live in New Zealand.

0:15:07.040 --> 0:15:10.080
<v Speaker 1>So I've never felt I've always had a nomadic life.

0:15:10.080 --> 0:15:13.000
<v Speaker 1>We've always moved around I've never felt like one place

0:15:13.040 --> 0:15:16.320
<v Speaker 1>as my home until now. I'm with John and we're

0:15:16.360 --> 0:15:18.560
<v Speaker 1>married and we have this home and I can't see

0:15:18.600 --> 0:15:22.440
<v Speaker 1>myself living anywhere else now. But up until now, it's

0:15:22.440 --> 0:15:25.920
<v Speaker 1>been quite It's changed a lot over the years. So

0:15:26.040 --> 0:15:27.840
<v Speaker 1>talk to me about your early life. Your mom was

0:15:27.880 --> 0:15:30.880
<v Speaker 1>an opera singer. She was no, well, my grandma sang

0:15:30.920 --> 0:15:34.400
<v Speaker 1>opera in her church. And my mom actually was in

0:15:34.440 --> 0:15:36.120
<v Speaker 1>a band. I mean she I didn't find this out

0:15:36.160 --> 0:15:37.680
<v Speaker 1>to way later. When she was eighteen. She was in

0:15:37.720 --> 0:15:39.680
<v Speaker 1>a band and she played bass for this band. Yeah,

0:15:39.720 --> 0:15:41.720
<v Speaker 1>your mom's cool, and she was. I was like, wait

0:15:41.720 --> 0:15:43.720
<v Speaker 1>a minute, can you still play bass? Like, yeah, I

0:15:43.720 --> 0:15:46.200
<v Speaker 1>need to need to see this, and um, but she was.

0:15:46.240 --> 0:15:49.240
<v Speaker 1>Actually I think the thing was that her parents were

0:15:49.320 --> 0:15:53.480
<v Speaker 1>very very strict. They were very very conservative family. Um,

0:15:53.480 --> 0:15:56.160
<v Speaker 1>I come from a Jewish dad and a Christian mom.

0:15:56.240 --> 0:15:59.320
<v Speaker 1>So and she converted. So we had such a mixture

0:15:59.360 --> 0:16:02.960
<v Speaker 1>of of an upbringing. And they wanted to sing classical

0:16:03.040 --> 0:16:05.280
<v Speaker 1>music and they were they were really not having it

0:16:05.440 --> 0:16:09.560
<v Speaker 1>for her to sing anything else. Sorry, and and so really, um,

0:16:09.720 --> 0:16:12.200
<v Speaker 1>she didn't want to do that, and she she had

0:16:12.440 --> 0:16:15.800
<v Speaker 1>major stage fright. She because I grew up listening to

0:16:15.800 --> 0:16:17.680
<v Speaker 1>a lot of singers as well, like Judy Garland and

0:16:17.720 --> 0:16:20.320
<v Speaker 1>bober Streisen, and my mom used to hear that barber

0:16:20.360 --> 0:16:22.960
<v Speaker 1>Streisen had huge stage fright, and that used to make

0:16:22.960 --> 0:16:25.280
<v Speaker 1>my mom feel a bit better. But she's still I

0:16:25.320 --> 0:16:27.760
<v Speaker 1>think really she got married and she wanted to make

0:16:27.760 --> 0:16:30.520
<v Speaker 1>her whole life about my dad, which was was amazing.

0:16:31.200 --> 0:16:33.680
<v Speaker 1>But she does have an amazing voice and always I

0:16:33.680 --> 0:16:36.240
<v Speaker 1>think that's what gave me the confidence hearing her saying

0:16:36.560 --> 0:16:38.440
<v Speaker 1>to go and start singing. So how did you get

0:16:38.480 --> 0:16:41.680
<v Speaker 1>into music? Because you started young. You started songwriting super young,

0:16:42.040 --> 0:16:44.640
<v Speaker 1>super young, like maybe started writting songs on the piano.

0:16:44.720 --> 0:16:47.160
<v Speaker 1>I was like ten, I mean they were awful like that.

0:16:47.320 --> 0:16:51.320
<v Speaker 1>I mean, I listess up, they were good, but they weren't.

0:16:51.360 --> 0:16:53.760
<v Speaker 1>And you know, I certainly wasn't singing like a young

0:16:53.800 --> 0:16:56.440
<v Speaker 1>Michael Jackson. I was like I was. I listened back

0:16:56.480 --> 0:16:59.400
<v Speaker 1>to it now and it's like really nasally and excruciating.

0:16:59.480 --> 0:17:02.000
<v Speaker 1>But but I was definitely a music love and my

0:17:02.000 --> 0:17:05.240
<v Speaker 1>parents had huge record collections. I'd sang all the time.

0:17:05.320 --> 0:17:08.040
<v Speaker 1>We all played we all saying this, my sisters saying,

0:17:08.440 --> 0:17:11.800
<v Speaker 1>but you play mandolin and piano. I played piano piano

0:17:11.840 --> 0:17:14.639
<v Speaker 1>is my main instrument. I played piano mandolin because I

0:17:14.680 --> 0:17:17.359
<v Speaker 1>was so bored of I couldn't play the games. I

0:17:17.359 --> 0:17:19.359
<v Speaker 1>have never been able to get my head around the guitar.

0:17:19.560 --> 0:17:21.520
<v Speaker 1>I can play a few chords, but I don't have

0:17:22.080 --> 0:17:24.640
<v Speaker 1>the ability to play it on stage. And so I thought, well,

0:17:24.720 --> 0:17:27.800
<v Speaker 1>the mandolin small one, maybe I'll try that. And I

0:17:27.840 --> 0:17:30.399
<v Speaker 1>was just like, this fits my five ft one body,

0:17:30.720 --> 0:17:33.560
<v Speaker 1>and and John kind of helped me through, just teaching

0:17:33.560 --> 0:17:35.720
<v Speaker 1>me a few things, and it's become really fun to play.

0:17:35.800 --> 0:17:38.480
<v Speaker 1>But my sisters played instruments, and we you know, we

0:17:38.560 --> 0:17:41.280
<v Speaker 1>always were always the kind of family that were taught

0:17:41.320 --> 0:17:44.840
<v Speaker 1>to try anything once at least. And and but no,

0:17:45.000 --> 0:17:47.360
<v Speaker 1>I didn't actually get into the music industry that young.

0:17:47.400 --> 0:17:49.600
<v Speaker 1>I wasn't. I was probably well I was seventeen, so

0:17:49.640 --> 0:17:51.560
<v Speaker 1>I guess that's young in the scheme of things, But

0:17:52.080 --> 0:17:56.080
<v Speaker 1>I was. My parents were strict about it. They were like, no, no,

0:17:56.200 --> 0:17:58.080
<v Speaker 1>you can't meet anybody, you can't go on the road,

0:17:58.119 --> 0:18:00.199
<v Speaker 1>you can't do this. But then you started going on

0:18:00.240 --> 0:18:02.479
<v Speaker 1>the road and touring back up when I did, so

0:18:02.520 --> 0:18:05.000
<v Speaker 1>you said, sorry, parents, thanks for the Well. I think

0:18:05.040 --> 0:18:06.720
<v Speaker 1>it's because of who it was with it was with

0:18:06.800 --> 0:18:09.959
<v Speaker 1>this woman called jud Zook and her and she's an

0:18:09.960 --> 0:18:13.040
<v Speaker 1>amazing singer songwriter. She kind of she had this big

0:18:13.119 --> 0:18:16.240
<v Speaker 1>hit in Europe when she was like eighteen years old,

0:18:16.600 --> 0:18:19.800
<v Speaker 1>and then she was just such a prolific songwriter and

0:18:20.440 --> 0:18:24.359
<v Speaker 1>she didn't necessarily want fame. She just wanted to be

0:18:24.720 --> 0:18:27.680
<v Speaker 1>express her art, express her art, and and I heard

0:18:27.760 --> 0:18:30.520
<v Speaker 1>her stepdaughters one of my best friends. So so that's

0:18:30.520 --> 0:18:33.880
<v Speaker 1>how my parents were okay with this great easier way

0:18:33.920 --> 0:18:36.240
<v Speaker 1>into these They trusted it. I mean, god, we were

0:18:36.400 --> 0:18:39.400
<v Speaker 1>like it was got quite rock and roll on the road.

0:18:39.480 --> 0:18:41.119
<v Speaker 1>We were like I was young, and we were like

0:18:41.280 --> 0:18:43.440
<v Speaker 1>drinking all sorts and we were you know, we would

0:18:43.480 --> 0:18:45.320
<v Speaker 1>we had a good time, and it was it kind

0:18:45.359 --> 0:18:48.439
<v Speaker 1>of I grew up fast because and I knew I

0:18:48.480 --> 0:18:50.600
<v Speaker 1>could see what she was going through as an artist.

0:18:50.640 --> 0:18:52.440
<v Speaker 1>I could see we were in a vent traveling up

0:18:52.440 --> 0:18:55.520
<v Speaker 1>and down the UK, which back then, you know, it

0:18:55.600 --> 0:18:58.120
<v Speaker 1>was it was very We did it all ourselves, and

0:18:58.359 --> 0:18:59.840
<v Speaker 1>it made me want to be on the road. It

0:18:59.880 --> 0:19:01.840
<v Speaker 1>was very young age to be on the road doing

0:19:01.880 --> 0:19:03.879
<v Speaker 1>it's like that, you know. So that's when you go

0:19:03.920 --> 0:19:05.400
<v Speaker 1>at the bag and you're like, this is the life

0:19:05.440 --> 0:19:08.040
<v Speaker 1>for me. Absolutely. I mean I always thought that I

0:19:08.040 --> 0:19:10.560
<v Speaker 1>grew up watching my favorite singers, and I always just

0:19:10.640 --> 0:19:12.800
<v Speaker 1>wanted to be on stage. And admittately I grew up

0:19:12.800 --> 0:19:14.919
<v Speaker 1>with singers more than I grew up with songwriters. I

0:19:14.960 --> 0:19:17.360
<v Speaker 1>didn't even though I was writing songs, I didn't pay

0:19:17.440 --> 0:19:20.720
<v Speaker 1>much attention to the songwriters of this world. It was

0:19:20.760 --> 0:19:23.200
<v Speaker 1>all about voices. For me. It was all about Edda

0:19:23.320 --> 0:19:27.040
<v Speaker 1>James and who are your favorite? Probably added James, m

0:19:27.240 --> 0:19:32.400
<v Speaker 1>Probably Roberta Flack, um Nina Simone. People like that because

0:19:32.480 --> 0:19:35.600
<v Speaker 1>you have so much soul, and like you can feel

0:19:36.000 --> 0:19:38.440
<v Speaker 1>the ache in your voice too when you sing, like

0:19:38.800 --> 0:19:41.480
<v Speaker 1>I feel like when you're singing, I'm like, okay, I'm

0:19:41.520 --> 0:19:44.720
<v Speaker 1>going through whatever you're singing about with you. It's so good.

0:19:45.080 --> 0:19:47.320
<v Speaker 1>Thank you. I think it's just I don't know whether

0:19:47.440 --> 0:19:51.399
<v Speaker 1>that came to me young or because I think the

0:19:51.400 --> 0:19:54.359
<v Speaker 1>older I've gotten life has played its part in the

0:19:54.359 --> 0:19:56.080
<v Speaker 1>way I sing. And I think that happens for a

0:19:56.119 --> 0:19:59.240
<v Speaker 1>lot of artists that just dive into their music and

0:19:59.600 --> 0:20:02.359
<v Speaker 1>I'm not capable of That's been hard for me. I

0:20:02.359 --> 0:20:05.240
<v Speaker 1>think I'm not capable of doing things that I think

0:20:05.480 --> 0:20:08.280
<v Speaker 1>will get me to hear I'm only capable of doing

0:20:08.280 --> 0:20:11.120
<v Speaker 1>what I feel, and that makes you a true artist.

0:20:12.000 --> 0:20:14.199
<v Speaker 1>Thank you and I but it's it's hard in that

0:20:14.240 --> 0:20:17.160
<v Speaker 1>way as well, because you I feel like you don't

0:20:17.160 --> 0:20:20.320
<v Speaker 1>give yourself much leeway. But then you're still being true,

0:20:20.400 --> 0:20:22.880
<v Speaker 1>so that's a good thing. Well, And I am really

0:20:22.920 --> 0:20:25.360
<v Speaker 1>all about the secret and the universe and following your

0:20:25.359 --> 0:20:27.640
<v Speaker 1>heart and you're calling I believe that if you are

0:20:27.800 --> 0:20:31.360
<v Speaker 1>truly committed to the authenticity in your heart, it will

0:20:31.840 --> 0:20:33.719
<v Speaker 1>be what it is supposed to be and nothing can

0:20:33.760 --> 0:20:36.359
<v Speaker 1>stop it. I think you're right, and I think I

0:20:36.400 --> 0:20:38.560
<v Speaker 1>think the biggest thing that I've figured out, like as

0:20:38.600 --> 0:20:41.879
<v Speaker 1>a human being, or I'm trying to figure out, is

0:20:41.920 --> 0:20:46.080
<v Speaker 1>like is like you you actually get what you ask for.

0:20:46.160 --> 0:20:49.480
<v Speaker 1>And I think deep down you need to realize what

0:20:49.520 --> 0:20:53.399
<v Speaker 1>it is you're really asking for. Because some people really

0:20:53.480 --> 0:20:56.760
<v Speaker 1>do want that huge fame. Some people want to have

0:20:56.800 --> 0:20:59.720
<v Speaker 1>a quiet life and just find the perfect partner in

0:20:59.760 --> 0:21:01.960
<v Speaker 1>the family. I mean, we are kind of a lot

0:21:01.960 --> 0:21:04.360
<v Speaker 1>of us want all of those things. But I've never

0:21:04.400 --> 0:21:08.120
<v Speaker 1>really wanted to be um hugely famous or anything like that.

0:21:08.359 --> 0:21:10.600
<v Speaker 1>I just wanted to make music and tour and find

0:21:10.600 --> 0:21:13.000
<v Speaker 1>the people that appreciate it and want to hear it,

0:21:13.440 --> 0:21:17.359
<v Speaker 1>and and honestly, I've never thought of myself as any

0:21:17.440 --> 0:21:21.120
<v Speaker 1>kind of celebrity or person like that. It makes me uncomfortable.

0:21:21.240 --> 0:21:23.480
<v Speaker 1>So it's just and that's not it's like I don't

0:21:23.560 --> 0:21:26.080
<v Speaker 1>enjoy events and being on set. I love being on stage.

0:21:26.160 --> 0:21:29.560
<v Speaker 1>That's fine, that's something you're doing naturally. So and John

0:21:29.640 --> 0:21:32.760
<v Speaker 1>is the same way, Like John plays guitar, and the

0:21:32.840 --> 0:21:38.600
<v Speaker 1>only bold you know, and it really really confident side

0:21:38.600 --> 0:21:41.200
<v Speaker 1>of him is when he's playing. So when he's playing,

0:21:41.240 --> 0:21:43.240
<v Speaker 1>you're like, oh my god, this guy has so much

0:21:43.240 --> 0:21:45.720
<v Speaker 1>confidence and so much self belief. But then he comes

0:21:45.720 --> 0:21:48.800
<v Speaker 1>off stage and he's a very unassuming. He's a conable,

0:21:49.080 --> 0:21:51.560
<v Speaker 1>approachable character. He's fun and bold, and he's you know,

0:21:51.640 --> 0:21:55.520
<v Speaker 1>speaks loud, and everyone thinks he's super extroverted, but actually

0:21:56.080 --> 0:21:59.840
<v Speaker 1>he's not really other than playing guitar. I love that. Okay,

0:22:00.000 --> 0:22:01.560
<v Speaker 1>I want to go there a few things. Okay, Well,

0:22:01.560 --> 0:22:03.040
<v Speaker 1>first off, here's a couple of quotes you said that

0:22:03.080 --> 0:22:05.200
<v Speaker 1>I think are amazing talking about you. You said music

0:22:05.240 --> 0:22:09.440
<v Speaker 1>brings me join heartbreak every day. I'm hopelessly addicted if

0:22:09.600 --> 0:22:11.080
<v Speaker 1>and then you had a picture and said it looks

0:22:11.080 --> 0:22:13.200
<v Speaker 1>painful and it is the kind I love to sing about,

0:22:13.240 --> 0:22:16.200
<v Speaker 1>which I love because all of the songs you're sing

0:22:16.200 --> 0:22:19.040
<v Speaker 1>there's an ache, like especially this new trilogy that you

0:22:19.160 --> 0:22:21.840
<v Speaker 1>just released, Rolling Stones released it. You have three part

0:22:22.000 --> 0:22:26.520
<v Speaker 1>music videos and songs. It's Villain, Letters to Go and

0:22:26.600 --> 0:22:29.960
<v Speaker 1>Smoke just came out. Okay, But before that, you sold

0:22:30.000 --> 0:22:33.760
<v Speaker 1>a million albums in Europe, a million, Lucy you have,

0:22:34.240 --> 0:22:37.119
<v Speaker 1>and then you were you toured with Elton John, Jamie, Colin,

0:22:37.359 --> 0:22:40.360
<v Speaker 1>Macy Gray, you staying with Charlotte Church all that You've

0:22:40.359 --> 0:22:44.119
<v Speaker 1>had several records. Talk to me about that. Oh my god,

0:22:44.920 --> 0:22:48.359
<v Speaker 1>I'm just hearing about it. But a million albums, I

0:22:48.359 --> 0:22:50.240
<v Speaker 1>mean that took a while. It's not like it happened

0:22:50.240 --> 0:22:53.400
<v Speaker 1>all in one, but it is amazing. When I think

0:22:53.440 --> 0:22:56.520
<v Speaker 1>about it, and I think about the it's so weird

0:22:56.600 --> 0:22:59.240
<v Speaker 1>because I always remember saying to one of my friends,

0:22:59.320 --> 0:23:01.159
<v Speaker 1>like when he broke up with this girl that he

0:23:01.240 --> 0:23:04.240
<v Speaker 1>really loved and he was heartbroken. I remember saying, we

0:23:04.359 --> 0:23:07.600
<v Speaker 1>lived ten different lives, like it's gonna be okay, like

0:23:07.720 --> 0:23:10.760
<v Speaker 1>and I remember thinking that really is like if you

0:23:10.800 --> 0:23:14.000
<v Speaker 1>think about yourself ten years ago or you know, all

0:23:14.000 --> 0:23:15.800
<v Speaker 1>those kind of things, you think, who was I and

0:23:15.800 --> 0:23:18.800
<v Speaker 1>what was I doing? And I I think I was

0:23:18.960 --> 0:23:22.000
<v Speaker 1>completely I still am still an idiot, but like you know,

0:23:22.119 --> 0:23:25.080
<v Speaker 1>but I look at it and I think, God, I

0:23:25.119 --> 0:23:28.880
<v Speaker 1>really did have another life and almost career that I

0:23:28.920 --> 0:23:31.960
<v Speaker 1>was doing. I was. I was kind of a workaholic.

0:23:32.080 --> 0:23:35.199
<v Speaker 1>I found a bit more balanced now, um, really, all

0:23:35.280 --> 0:23:37.960
<v Speaker 1>I I would just you know, eat, sleep, and breathe music.

0:23:38.000 --> 0:23:39.480
<v Speaker 1>And it's not that I don't now, I just do

0:23:39.560 --> 0:23:41.159
<v Speaker 1>it in a different way. I think I'd do it

0:23:41.200 --> 0:23:44.680
<v Speaker 1>in a healthier way, in a more enjoyable way. Um,

0:23:44.720 --> 0:23:47.480
<v Speaker 1>But back then, I had a blast. I met incredible

0:23:47.520 --> 0:23:50.639
<v Speaker 1>people like you say, Jamie Jamie Cullum and Elton John

0:23:51.720 --> 0:23:55.359
<v Speaker 1>and he's amazing, and Elton John and Lionel Richie I

0:23:55.480 --> 0:23:57.840
<v Speaker 1>did duet with and that was crazy. And that was

0:23:57.880 --> 0:24:00.600
<v Speaker 1>like someone I'd listened to when I was a kid

0:24:00.680 --> 0:24:03.480
<v Speaker 1>and listened to the Commodores and like and and he

0:24:03.600 --> 0:24:05.960
<v Speaker 1>was so and the guy has sold a hundred million

0:24:06.040 --> 0:24:09.679
<v Speaker 1>records and it's he was so humble. I was a

0:24:09.720 --> 0:24:12.200
<v Speaker 1>brand new person that he'd probably never heard of, apart

0:24:12.200 --> 0:24:14.480
<v Speaker 1>from hearing my voice for a second and going yeah, sure,

0:24:14.520 --> 0:24:17.400
<v Speaker 1>you know. And he I he came on stage and

0:24:17.520 --> 0:24:22.040
<v Speaker 1>he was so sweet and nice and respectful to everybody

0:24:22.040 --> 0:24:24.760
<v Speaker 1>around him, and I thought that this guy is what

0:24:24.880 --> 0:24:27.399
<v Speaker 1>legends are made of. He's so talented, he's written songs

0:24:27.400 --> 0:24:31.479
<v Speaker 1>that are literally household songs. They're they're part of our lives,

0:24:31.560 --> 0:24:34.439
<v Speaker 1>and yet he's so nice and unassuming. Do you feel

0:24:34.800 --> 0:24:38.639
<v Speaker 1>that that's a key element to being really, really successful.

0:24:38.680 --> 0:24:41.160
<v Speaker 1>I know there's some assholes out there, but I keep

0:24:41.200 --> 0:24:45.320
<v Speaker 1>hearing that the really great are the most humble, like

0:24:45.720 --> 0:24:49.520
<v Speaker 1>nice and kind people that you could ever meet. I

0:24:49.560 --> 0:24:51.920
<v Speaker 1>think I don't know if there's one rule for everybody.

0:24:52.000 --> 0:24:53.560
<v Speaker 1>I mean, I I know that there's a lot of

0:24:53.600 --> 0:24:57.000
<v Speaker 1>tortured souls out and we're all tortured souls in a way,

0:24:57.040 --> 0:24:59.439
<v Speaker 1>and you know, not every no one's perfect, and a

0:24:59.480 --> 0:25:02.040
<v Speaker 1>lot of people have even that video trilogy that was

0:25:02.119 --> 0:25:04.879
<v Speaker 1>kind of what that's about is that, you know, I

0:25:05.000 --> 0:25:06.960
<v Speaker 1>try to be a good person, and I think everyone

0:25:07.040 --> 0:25:09.880
<v Speaker 1>tries to be a good person. I have sometimes my

0:25:09.960 --> 0:25:12.240
<v Speaker 1>pride hurts, and that's when the side of me I

0:25:12.280 --> 0:25:15.400
<v Speaker 1>don't like comes out, and that well, all of them,

0:25:15.440 --> 0:25:18.439
<v Speaker 1>it's like, well mainly villain as well. It's like saying, okay,

0:25:18.520 --> 0:25:20.640
<v Speaker 1>I take the blame for the sides of me that

0:25:20.920 --> 0:25:22.800
<v Speaker 1>I didn't handle very well, you know what I mean,

0:25:22.840 --> 0:25:24.680
<v Speaker 1>And all that kind of stuff and smoke is like

0:25:25.160 --> 0:25:28.800
<v Speaker 1>it's the it's the kind of temptation to do the

0:25:28.800 --> 0:25:32.200
<v Speaker 1>wrong things again and again and again, and and it's

0:25:32.240 --> 0:25:34.960
<v Speaker 1>someone saying, you know, help me, save me from myself,

0:25:35.040 --> 0:25:36.560
<v Speaker 1>you know what I mean. And I think you know

0:25:36.680 --> 0:25:39.240
<v Speaker 1>some of our great artists. I think you see Dolly Parton,

0:25:39.320 --> 0:25:42.200
<v Speaker 1>who's one of my favorites as well. She seems so

0:25:42.840 --> 0:25:45.359
<v Speaker 1>down to earth. She seems like she's got life figured out.

0:25:45.680 --> 0:25:47.640
<v Speaker 1>Maybe she doesn't. I don't know that that's the way

0:25:47.640 --> 0:25:50.119
<v Speaker 1>it looks. And she's got this enormous talent, and I

0:25:50.160 --> 0:25:52.359
<v Speaker 1>feel like she hasn't got it by stepping on anyone.

0:25:52.400 --> 0:25:56.280
<v Speaker 1>She hasn't got it by being dishonest or being competitive.

0:25:56.400 --> 0:25:59.200
<v Speaker 1>The only one you should be competing with is yourself.

0:25:59.840 --> 0:26:02.960
<v Speaker 1>And there's room for everybody if you actually look to

0:26:02.960 --> 0:26:06.479
<v Speaker 1>yourself and want to do something you know substantial and

0:26:06.640 --> 0:26:09.159
<v Speaker 1>for yourself. And but it is hard. This is a

0:26:09.200 --> 0:26:12.400
<v Speaker 1>competitive world a lot, especially in the women's world. We're

0:26:12.440 --> 0:26:14.920
<v Speaker 1>all pitted sort of against each other, and when we're

0:26:14.920 --> 0:26:17.080
<v Speaker 1>not supposed to be we're actually the only ones that

0:26:17.160 --> 0:26:20.080
<v Speaker 1>know how it feels to be us, so we actually

0:26:20.080 --> 0:26:22.040
<v Speaker 1>need to support each other. And I've found in this

0:26:22.160 --> 0:26:25.000
<v Speaker 1>town it's I actually feel that more than ever, this

0:26:25.080 --> 0:26:29.880
<v Speaker 1>sound is so supportive and it's super embracing women right now. Yeah,

0:26:30.040 --> 0:26:31.719
<v Speaker 1>so talk to me about that a little bit. And

0:26:31.760 --> 0:26:34.439
<v Speaker 1>even with CMTS next Moment of Country, because that's been

0:26:34.440 --> 0:26:36.679
<v Speaker 1>a movement that's been happening lately that you're a part of.

0:26:36.960 --> 0:26:39.879
<v Speaker 1>And I feel like it's just incredible how women and

0:26:39.880 --> 0:26:42.720
<v Speaker 1>country music are really coming together and supporting each other.

0:26:43.240 --> 0:26:45.359
<v Speaker 1>They are I think we're you know, like I said,

0:26:45.359 --> 0:26:49.040
<v Speaker 1>in this town in Nashville, it's astounding to see how

0:26:49.160 --> 0:26:52.399
<v Speaker 1>people because they say, you know, in high tide, all ships,

0:26:52.520 --> 0:26:54.199
<v Speaker 1>all ships rise, you know what I mean. It's like

0:26:54.240 --> 0:26:57.240
<v Speaker 1>it's a lovely expression because it's like you're not supposed

0:26:57.280 --> 0:27:00.399
<v Speaker 1>to you're supposed to aspire to the people around you.

0:27:00.480 --> 0:27:03.399
<v Speaker 1>So I think people like drink it in like it's

0:27:03.480 --> 0:27:05.640
<v Speaker 1>like I need this. I need to be around these

0:27:05.640 --> 0:27:07.919
<v Speaker 1>people because it lifts me up and it inspires me

0:27:07.960 --> 0:27:10.480
<v Speaker 1>and motivates me. And and and with the CMT have

0:27:10.560 --> 0:27:12.800
<v Speaker 1>been amazing to me. And there's all the change of

0:27:12.800 --> 0:27:15.280
<v Speaker 1>the convo and that the kind of support women trying

0:27:15.320 --> 0:27:19.159
<v Speaker 1>to get them to um, you know, exist in a

0:27:19.240 --> 0:27:23.040
<v Speaker 1>world that's equal. But actually, I think it's all up

0:27:23.080 --> 0:27:26.679
<v Speaker 1>to us individually to do something that stands up to

0:27:26.720 --> 0:27:29.800
<v Speaker 1>actually be strong about it. And it's just that, you know,

0:27:30.240 --> 0:27:32.639
<v Speaker 1>if we come into a room really really confident, we

0:27:32.720 --> 0:27:35.520
<v Speaker 1>get labeled a certain way. It doesn't always look good.

0:27:35.560 --> 0:27:38.399
<v Speaker 1>You're supposed to be sort of a little meeker and

0:27:38.440 --> 0:27:41.199
<v Speaker 1>feminine and sweet. But actually, you know, there's women out

0:27:41.200 --> 0:27:42.919
<v Speaker 1>there with something to say and they and they have

0:27:43.000 --> 0:27:45.439
<v Speaker 1>to shout about it otherwise they don't get noticed. So

0:27:45.920 --> 0:27:48.520
<v Speaker 1>I'm really inspired watching some of the women in this town,

0:27:48.560 --> 0:27:51.480
<v Speaker 1>like Marin and Casey as well, like you know, driving

0:27:51.520 --> 0:27:53.840
<v Speaker 1>things saying I'm going to do it this way. I

0:27:53.840 --> 0:27:55.800
<v Speaker 1>don't need that, I don't need this. I don't need

0:27:56.080 --> 0:27:58.320
<v Speaker 1>this person telling me how to do my career. And

0:27:58.400 --> 0:28:01.680
<v Speaker 1>to have the confidence to be authentic when especially maybe

0:28:01.680 --> 0:28:03.719
<v Speaker 1>people are telling you you can't be to say like,

0:28:03.880 --> 0:28:06.840
<v Speaker 1>I don't even care that dad takes a lot of

0:28:06.840 --> 0:28:09.720
<v Speaker 1>balls because what if your label backs out? What if

0:28:09.760 --> 0:28:11.960
<v Speaker 1>you lose your deal? If you just but you commit

0:28:12.000 --> 0:28:14.640
<v Speaker 1>to being authentic. And that's what's so cool is seeing

0:28:14.720 --> 0:28:17.080
<v Speaker 1>these people commit to being authentic and seeing how it

0:28:17.119 --> 0:28:20.280
<v Speaker 1>responds with people. It's it's it's and it's hard, and

0:28:20.320 --> 0:28:23.880
<v Speaker 1>it's okay that it's hard. It's a challenge to go, Okay,

0:28:23.920 --> 0:28:26.199
<v Speaker 1>this is this is what I've decided, this is who

0:28:26.280 --> 0:28:29.080
<v Speaker 1>I am, and this is what my goal is and things.

0:28:29.600 --> 0:28:32.600
<v Speaker 1>It's natural for things to come and and fall away

0:28:32.840 --> 0:28:36.400
<v Speaker 1>from you and your career and you've just it's very profound. Yeah,

0:28:36.440 --> 0:28:38.360
<v Speaker 1>but it's like, but it's it's just part of life.

0:28:38.360 --> 0:28:40.640
<v Speaker 1>And it's like, if you don't have your eye on

0:28:40.760 --> 0:28:43.040
<v Speaker 1>your goal that's true to you, then you're going to

0:28:43.080 --> 0:28:45.960
<v Speaker 1>take it all extremely personally. And sometimes I do. I

0:28:46.120 --> 0:28:49.560
<v Speaker 1>sometimes think, well what should I do if should I

0:28:49.600 --> 0:28:52.680
<v Speaker 1>be fitting in? Should I be changing what I do

0:28:52.840 --> 0:28:56.280
<v Speaker 1>to suit this or that? But actually, no, you know, okay,

0:28:56.320 --> 0:28:58.760
<v Speaker 1>not everybody gets to where they want to go, but

0:28:59.040 --> 0:29:01.760
<v Speaker 1>at least get there in a way that makes you proud, like,

0:29:01.800 --> 0:29:03.320
<v Speaker 1>at least get there right a way where you know

0:29:03.720 --> 0:29:05.800
<v Speaker 1>I didn't bend, because you know when you've done it,

0:29:06.040 --> 0:29:08.200
<v Speaker 1>you know, when you've compromised yourself and you go home

0:29:08.200 --> 0:29:09.680
<v Speaker 1>and you look in the mirror that night, you just

0:29:09.680 --> 0:29:12.400
<v Speaker 1>feel a bit dirty, dirty, you know, you feel like

0:29:12.920 --> 0:29:14.640
<v Speaker 1>I don't want what I said today or what I

0:29:14.680 --> 0:29:18.040
<v Speaker 1>did today. It wasn't authentic like you say, And I

0:29:18.080 --> 0:29:20.520
<v Speaker 1>think you've just gotta I'm trying my best to I

0:29:20.520 --> 0:29:22.520
<v Speaker 1>can't really speak for anyone else, but I see the

0:29:22.560 --> 0:29:26.200
<v Speaker 1>people that are not afraid to offend anyone or and

0:29:26.240 --> 0:29:28.240
<v Speaker 1>it's not even about that, it's about they're not afraid

0:29:28.280 --> 0:29:31.160
<v Speaker 1>to actually be themselves and be liked or disliked. And

0:29:31.200 --> 0:29:33.440
<v Speaker 1>that's a big thing if you if you're scared of

0:29:33.440 --> 0:29:35.680
<v Speaker 1>being disliked, then you're just going to live in your

0:29:35.680 --> 0:29:40.000
<v Speaker 1>own shadow. It's so true, exactly. So tell me about

0:29:40.480 --> 0:29:43.200
<v Speaker 1>you said you know where you want to go? Where

0:29:43.360 --> 0:29:45.560
<v Speaker 1>is what have used the rod in as where you

0:29:45.600 --> 0:29:47.120
<v Speaker 1>want to go with your music career, and it was

0:29:47.200 --> 0:29:48.920
<v Speaker 1>Letters to Go is a big part of that. Let

0:29:49.000 --> 0:29:50.560
<v Speaker 1>Us to Go with a huge part of it because

0:29:50.560 --> 0:29:52.880
<v Speaker 1>I came out of being with major labels and and

0:29:52.920 --> 0:29:56.400
<v Speaker 1>then let Us to gos was an independent endeavor and

0:29:56.400 --> 0:29:59.040
<v Speaker 1>and it's been especially coming to a country like America

0:29:59.120 --> 0:30:02.040
<v Speaker 1>is so big, and a British artist in a town

0:30:02.080 --> 0:30:04.719
<v Speaker 1>where it's like, well, I kind of exist in a

0:30:04.720 --> 0:30:08.040
<v Speaker 1>lot of pockets, you know, so it's difficult to necessarily

0:30:08.320 --> 0:30:11.800
<v Speaker 1>decipher what that is. And I don't really want to

0:30:12.160 --> 0:30:14.280
<v Speaker 1>fit in anywhere. I want to stay in my own lane.

0:30:14.320 --> 0:30:17.280
<v Speaker 1>I think that's my biggest goal. I want to I

0:30:17.320 --> 0:30:19.800
<v Speaker 1>see the kind of career the artists like Chris Stapleton

0:30:19.920 --> 0:30:21.760
<v Speaker 1>or case you have where they have. You've been touring

0:30:21.760 --> 0:30:24.520
<v Speaker 1>with Chris Stapleton, which is which is? Which is crazy?

0:30:26.480 --> 0:30:28.920
<v Speaker 1>The people that I really really admire and respect, and

0:30:29.080 --> 0:30:31.160
<v Speaker 1>and and the Brothers obviously as well. Just got off

0:30:31.200 --> 0:30:32.680
<v Speaker 1>the dirt Rich Short to have to talk about the

0:30:32.760 --> 0:30:35.920
<v Speaker 1>Nashville show, And yes, I can't wait, but you know,

0:30:36.000 --> 0:30:37.400
<v Speaker 1>it's it's one of those things where I go. I

0:30:37.400 --> 0:30:40.480
<v Speaker 1>want to stay in my lane. I want to perform

0:30:40.520 --> 0:30:43.760
<v Speaker 1>to audiences. It's for me. I'll either get on the

0:30:43.840 --> 0:30:45.720
<v Speaker 1>radio or I won't, or you'll either see me on

0:30:45.760 --> 0:30:47.880
<v Speaker 1>TV or you won't. But I'm not worrying about it,

0:30:48.160 --> 0:30:50.840
<v Speaker 1>not really, because I kind of know the kind of

0:30:50.920 --> 0:30:53.600
<v Speaker 1>music I make. I don't make. How would you describe it?

0:30:55.040 --> 0:30:57.680
<v Speaker 1>I don't know. I think it is popular music. I

0:30:57.720 --> 0:30:59.960
<v Speaker 1>think it's quite mainstream what I do. But it is

0:31:00.560 --> 0:31:04.000
<v Speaker 1>it's got a lot of influences. It has influences of

0:31:04.000 --> 0:31:07.840
<v Speaker 1>of country, it has influences of motown, pop um and

0:31:08.280 --> 0:31:11.280
<v Speaker 1>you can't really place that anywhere. So really, I'm I'm

0:31:11.320 --> 0:31:13.400
<v Speaker 1>trying to find my audience and get out there on

0:31:13.440 --> 0:31:16.760
<v Speaker 1>the road and be a touring artist. That's really all

0:31:16.760 --> 0:31:18.560
<v Speaker 1>I care about. Care about making records on the way

0:31:18.640 --> 0:31:21.840
<v Speaker 1>John Maya does he and you see that and you go, well,

0:31:21.960 --> 0:31:24.640
<v Speaker 1>is John Maya? Pop? Is he? Country? Is he? Soul

0:31:24.880 --> 0:31:28.680
<v Speaker 1>is folks? He's a million things that you either like

0:31:28.760 --> 0:31:30.920
<v Speaker 1>it or you don't like. I don't want to sit

0:31:30.960 --> 0:31:32.960
<v Speaker 1>here and put my own music in a box. And

0:31:33.000 --> 0:31:35.120
<v Speaker 1>if that's a problem for the music industry, that's not

0:31:35.160 --> 0:31:39.080
<v Speaker 1>going to stop me doing records. Um. But yeah, the

0:31:39.160 --> 0:31:42.120
<v Speaker 1>Marathon show with the Brothers, Okay, so you were on tour,

0:31:42.240 --> 0:31:44.360
<v Speaker 1>the Dirt Rich tour. It was the Brothers Asmore and

0:31:44.480 --> 0:31:47.440
<v Speaker 1>you guys, and y'all sold out marathon of music works.

0:31:47.480 --> 0:31:49.600
<v Speaker 1>I feel like it was out of control. How was

0:31:49.640 --> 0:31:51.920
<v Speaker 1>that show? Oh man? I was so proud of them,

0:31:51.960 --> 0:31:54.840
<v Speaker 1>and like, I mean, I'm proud to be with them.

0:31:54.880 --> 0:31:56.960
<v Speaker 1>I'm proud that they love my music that you know,

0:31:57.000 --> 0:31:59.640
<v Speaker 1>of course that my family. But you know, they don't

0:31:59.680 --> 0:32:02.120
<v Speaker 1>want any one on the stage that the music doesn't

0:32:02.600 --> 0:32:04.760
<v Speaker 1>you know, something that they're into or that they like

0:32:04.960 --> 0:32:07.120
<v Speaker 1>and and I think it was a great fit because

0:32:07.160 --> 0:32:10.080
<v Speaker 1>we both want people to have a musical experience. It's

0:32:10.080 --> 0:32:13.440
<v Speaker 1>not necessarily who's in the charts and who can celtickets.

0:32:13.560 --> 0:32:16.000
<v Speaker 1>It's like we want something that's going to add to

0:32:16.080 --> 0:32:20.000
<v Speaker 1>the whole experience of Brothers Osborne. And that night we

0:32:20.040 --> 0:32:23.400
<v Speaker 1>were I had major anxiety. We were really nervous because

0:32:23.440 --> 0:32:26.160
<v Speaker 1>it's Nashville and there is people in the room, Like

0:32:26.200 --> 0:32:28.720
<v Speaker 1>We're like, this is the most talented audience we've ever

0:32:28.760 --> 0:32:31.960
<v Speaker 1>sunk to. It's like everyone in the room can pretty

0:32:32.040 --> 0:32:35.720
<v Speaker 1>much slay with as singing and playing and writing, and

0:32:35.760 --> 0:32:38.880
<v Speaker 1>it's like you're basically it's it's it's like it was

0:32:38.920 --> 0:32:41.360
<v Speaker 1>like the Grammys to what I imagine the Grammys to be, Like,

0:32:41.400 --> 0:32:43.520
<v Speaker 1>I got to sing in front of these people. It's

0:32:43.560 --> 0:32:47.280
<v Speaker 1>like Mick Jagger sitting over there and John Legend. It's

0:32:47.320 --> 0:32:51.280
<v Speaker 1>like and it's it's really really lle Grammy of Nashville.

0:32:51.320 --> 0:32:53.720
<v Speaker 1>That's what it felt like. And and and yet you

0:32:54.600 --> 0:32:57.160
<v Speaker 1>the opposite feeling to that is you feel so much

0:32:57.200 --> 0:33:00.000
<v Speaker 1>love and support in the room. And I was so honest.

0:33:00.200 --> 0:33:02.160
<v Speaker 1>I loved being on stage, and I loved opening and

0:33:02.200 --> 0:33:05.520
<v Speaker 1>I loved being able to play for our friends and Nashville.

0:33:05.600 --> 0:33:09.920
<v Speaker 1>But it wom my heart because seeing them go. You've

0:33:09.960 --> 0:33:12.600
<v Speaker 1>seen it too, you know how hard they've worked. There's

0:33:12.600 --> 0:33:15.600
<v Speaker 1>a dump ster outside. Hey, we're just real life over here.

0:33:15.760 --> 0:33:17.560
<v Speaker 1>I know, this is it. This is like it's Friday

0:33:17.600 --> 0:33:21.280
<v Speaker 1>trash day day, which is great. It's not a recycled

0:33:21.320 --> 0:33:24.200
<v Speaker 1>day because our recycle bin was overflowing. Like that's good,

0:33:24.000 --> 0:33:29.280
<v Speaker 1>good people we're trying to do. I think that the

0:33:29.280 --> 0:33:31.920
<v Speaker 1>proudest thing was to see me, to see the boys

0:33:32.080 --> 0:33:35.880
<v Speaker 1>like just achieve that and go the first hometown show

0:33:35.920 --> 0:33:39.720
<v Speaker 1>in four years and just be and I don't know,

0:33:39.840 --> 0:33:41.480
<v Speaker 1>it just makes me want to cry thinking about it,

0:33:41.480 --> 0:33:45.360
<v Speaker 1>because they really did have to work and work and work,

0:33:45.640 --> 0:33:49.080
<v Speaker 1>never quit, never quit. And then they've re advented themselves.

0:33:49.200 --> 0:33:54.120
<v Speaker 1>They've even they've they've they've danced this dance and they've

0:33:54.200 --> 0:33:57.760
<v Speaker 1>and they've tried their best to do what's asked of them,

0:33:58.160 --> 0:34:01.920
<v Speaker 1>but also stay very true to the kind of music

0:34:01.920 --> 0:34:03.680
<v Speaker 1>they like. And you see them on stage, and you

0:34:03.720 --> 0:34:06.080
<v Speaker 1>see them even walk into a room and you think

0:34:06.120 --> 0:34:08.239
<v Speaker 1>they are who they are. They are not putting on

0:34:08.280 --> 0:34:11.320
<v Speaker 1>a show for anybody that you know, they're not afraid

0:34:11.400 --> 0:34:14.640
<v Speaker 1>to say anything to anyone, and the good people, and

0:34:14.640 --> 0:34:18.000
<v Speaker 1>they have a good family and and they have huge

0:34:18.000 --> 0:34:20.880
<v Speaker 1>family values, and I think it just comes out, like

0:34:21.000 --> 0:34:23.720
<v Speaker 1>we go back to authenticity. It comes out as artists.

0:34:23.719 --> 0:34:26.000
<v Speaker 1>I think that's why people can't help but love them,

0:34:26.040 --> 0:34:28.879
<v Speaker 1>because their music is just an extension of who they are.

0:34:29.120 --> 0:34:32.800
<v Speaker 1>And you, Lucy, are the same you radio that same

0:34:33.320 --> 0:34:36.520
<v Speaker 1>vibe because they say your vibe attracts your tribe. And seriously,

0:34:36.680 --> 0:34:39.920
<v Speaker 1>I like the yeah, you guys, that's why you are

0:34:39.960 --> 0:34:42.520
<v Speaker 1>such a fit. It's such a It's almost like, you know,

0:34:42.640 --> 0:34:44.600
<v Speaker 1>the music Mafia was back in the day. I feel

0:34:44.640 --> 0:34:48.880
<v Speaker 1>like there's this whole new thing Maia. Like it's like

0:34:49.040 --> 0:34:51.440
<v Speaker 1>it's like the truth. Everyone just being so real and

0:34:51.480 --> 0:34:54.480
<v Speaker 1>being themselves. I mean, truthfully, there are so many people

0:34:54.520 --> 0:34:57.439
<v Speaker 1>in this town that we look up to. Um, there

0:34:57.440 --> 0:35:01.000
<v Speaker 1>are so many talented artists. I could truly spend hours

0:35:01.080 --> 0:35:04.120
<v Speaker 1>naming like and that's unusual because usually you can name

0:35:04.160 --> 0:35:06.920
<v Speaker 1>maybe two or three artists that you think are truly special.

0:35:07.080 --> 0:35:09.840
<v Speaker 1>But this town is full of very very special people

0:35:10.000 --> 0:35:12.799
<v Speaker 1>and and they you know, we look at groups of people.

0:35:12.800 --> 0:35:14.560
<v Speaker 1>I remember coming to down and seeing ten out of

0:35:14.600 --> 0:35:16.680
<v Speaker 1>ten and just going, oh, Yeah, that was the thing

0:35:16.680 --> 0:35:18.600
<v Speaker 1>that I just want to be near them. I just

0:35:18.640 --> 0:35:20.880
<v Speaker 1>want to laugh up all the energy of those people

0:35:20.920 --> 0:35:23.640
<v Speaker 1>because that they are creative force and they were so

0:35:23.760 --> 0:35:26.239
<v Speaker 1>talented and I was like, that's the coolest thing ever,

0:35:26.400 --> 0:35:30.120
<v Speaker 1>and just seeing the way that they were all artists individually,

0:35:30.160 --> 0:35:33.080
<v Speaker 1>but they came together and created something really special. And

0:35:33.120 --> 0:35:35.200
<v Speaker 1>I think with you know all the friends. You know,

0:35:35.280 --> 0:35:37.760
<v Speaker 1>we have friends dotted around Nashville that don't hang together

0:35:37.800 --> 0:35:40.560
<v Speaker 1>all the time, but they all inspire me. They I'm

0:35:40.960 --> 0:35:44.719
<v Speaker 1>I'm always seeing what my friends do and I'm amazed

0:35:44.920 --> 0:35:48.359
<v Speaker 1>how people are conducting their lives and their careers. And

0:35:48.719 --> 0:35:51.640
<v Speaker 1>for me being a slight outsider coming from England, I'm

0:35:51.680 --> 0:35:54.759
<v Speaker 1>just learning. I'm learning how to keep my find my

0:35:54.800 --> 0:35:56.920
<v Speaker 1>place and keep my own place. You know, I think

0:35:56.960 --> 0:35:59.839
<v Speaker 1>you're killing it. So Rolling Stones named you want to

0:36:00.400 --> 0:36:02.600
<v Speaker 1>one tin Artist one of tin Artists to watch, and

0:36:02.600 --> 0:36:05.799
<v Speaker 1>then they also premiered your smoke video trilogy is the

0:36:05.840 --> 0:36:08.160
<v Speaker 1>third one in your trilogy. How did you decide to

0:36:08.160 --> 0:36:10.319
<v Speaker 1>make these videos? Because you made three music videos that

0:36:10.360 --> 0:36:14.640
<v Speaker 1>are so haunting and amazing. What inspired you to make

0:36:14.680 --> 0:36:16.400
<v Speaker 1>a music video to go to the songs and to

0:36:16.440 --> 0:36:18.759
<v Speaker 1>release him as a trilogy. I think it was just

0:36:18.840 --> 0:36:22.319
<v Speaker 1>like I was, videos and photo shoots and all that

0:36:22.360 --> 0:36:24.319
<v Speaker 1>stuff like it can be fun, but it's not the

0:36:24.360 --> 0:36:27.239
<v Speaker 1>most comfortable side of things for me and a lot

0:36:27.280 --> 0:36:29.480
<v Speaker 1>of artists. The most comfortable side is on stage or

0:36:29.520 --> 0:36:32.279
<v Speaker 1>being in the studio. So these and I've come to

0:36:32.320 --> 0:36:35.960
<v Speaker 1>love the visual side of things because it became fun.

0:36:36.080 --> 0:36:37.960
<v Speaker 1>I was like, Okay, I'm going to create this character

0:36:38.600 --> 0:36:40.919
<v Speaker 1>and she's I don't want to kill her off too

0:36:40.920 --> 0:36:43.920
<v Speaker 1>soon because she happened in letters to goes what happened

0:36:43.920 --> 0:36:45.960
<v Speaker 1>after the trunk of the car? You know, who is

0:36:46.000 --> 0:36:48.960
<v Speaker 1>the character? Break her down? She's she is a villain,

0:36:49.080 --> 0:36:52.560
<v Speaker 1>and she's like the side of everybody that nobody really

0:36:52.600 --> 0:36:55.839
<v Speaker 1>wants to admit. It's the side that has ever been

0:36:56.360 --> 0:36:59.759
<v Speaker 1>in a relationship and and acted like an idiot, you know,

0:37:00.080 --> 0:37:03.080
<v Speaker 1>or maybe said or done the wrong thing, or not

0:37:03.200 --> 0:37:05.840
<v Speaker 1>always been you know, the person she wants to be

0:37:05.880 --> 0:37:09.279
<v Speaker 1>in every scenario. And I think, but it's also all

0:37:09.320 --> 0:37:12.280
<v Speaker 1>your vices and all your you know, all the parts

0:37:12.280 --> 0:37:15.000
<v Speaker 1>of you that you know deep down inside exists in

0:37:15.080 --> 0:37:17.360
<v Speaker 1>all of us, all those devil on our shoulder, you know,

0:37:17.440 --> 0:37:19.520
<v Speaker 1>talking to us. And I think that's what those videos

0:37:19.560 --> 0:37:21.960
<v Speaker 1>were about and I liked the idea of I've heard

0:37:21.960 --> 0:37:24.760
<v Speaker 1>of concept albums, but I've never heard of concept videos,

0:37:24.760 --> 0:37:27.480
<v Speaker 1>and that they were all connected as one story. And

0:37:27.520 --> 0:37:30.560
<v Speaker 1>I liked seeing her go from obviously being a socialite

0:37:30.560 --> 0:37:32.960
<v Speaker 1>about town with paul Rick Brantley and the trunk and

0:37:33.000 --> 0:37:35.120
<v Speaker 1>then you know, going to prison and having this guy

0:37:35.160 --> 0:37:38.080
<v Speaker 1>that's obviously a love interest that was a major acting too,

0:37:38.480 --> 0:37:41.359
<v Speaker 1>and he was so great, like he was singing him

0:37:41.360 --> 0:37:44.279
<v Speaker 1>back on the glass and crying, oh my god. He

0:37:44.719 --> 0:37:48.080
<v Speaker 1>blew over there, just stoic with like like you had

0:37:48.200 --> 0:37:51.640
<v Speaker 1>made up the face that you kept too was liketing

0:37:51.760 --> 0:37:54.319
<v Speaker 1>was out of control. Thank you, Oh my god. I

0:37:54.360 --> 0:37:57.360
<v Speaker 1>actually had had ran a friend of mine who was

0:37:57.400 --> 0:38:00.360
<v Speaker 1>an actress and said, you know, how do I get

0:38:00.440 --> 0:38:02.080
<v Speaker 1>my head into this? Because I've got such a d

0:38:02.160 --> 0:38:03.960
<v Speaker 1>D that I'm like, how do I focus? And she

0:38:04.080 --> 0:38:06.759
<v Speaker 1>was like, you you just think about something that's hurt

0:38:06.800 --> 0:38:09.200
<v Speaker 1>you or broken your heart and just stay in that moment.

0:38:09.280 --> 0:38:12.120
<v Speaker 1>And I really wanted to be coached to to come

0:38:12.160 --> 0:38:14.480
<v Speaker 1>across for it to be real, you know what I mean?

0:38:14.600 --> 0:38:17.839
<v Speaker 1>And so thank you and in tense like and when

0:38:17.840 --> 0:38:19.600
<v Speaker 1>I looked at him, like bashing on the glass. I

0:38:19.680 --> 0:38:21.000
<v Speaker 1>was almost like, at the end of the take, I

0:38:21.040 --> 0:38:23.040
<v Speaker 1>was like, oh my god, I believe him, and he

0:38:23.120 --> 0:38:25.799
<v Speaker 1>was so amazing, and he kind of motivated me in

0:38:25.800 --> 0:38:28.200
<v Speaker 1>that scene as well, because he was all in, all in,

0:38:28.400 --> 0:38:31.359
<v Speaker 1>I really believed it. And the Smoke video as well,

0:38:31.400 --> 0:38:33.560
<v Speaker 1>you know, she ends up in this, you know, I

0:38:33.560 --> 0:38:35.799
<v Speaker 1>guess it's like a twenty eight days later, you know,

0:38:35.920 --> 0:38:39.040
<v Speaker 1>like rehab facility, and I love and all my friends

0:38:39.040 --> 0:38:40.960
<v Speaker 1>are in the video of my friend Karina, and my

0:38:41.000 --> 0:38:44.040
<v Speaker 1>friends Alex in the video, and Shane and and h

0:38:44.280 --> 0:38:46.680
<v Speaker 1>and Mary Lynn Stella was in the video, and all

0:38:46.719 --> 0:38:50.040
<v Speaker 1>these people that I wanted I knew could play those roles.

0:38:50.239 --> 0:38:52.279
<v Speaker 1>And I liked it because obviously at the end of

0:38:52.280 --> 0:38:54.840
<v Speaker 1>the Smoke you see the twist where actually these characters

0:38:54.920 --> 0:38:57.200
<v Speaker 1>don't exist, aren't They're only in her head. They're actually

0:38:57.280 --> 0:39:01.280
<v Speaker 1>multiple parts of her personality. Just so ever and amazing,

0:39:01.400 --> 0:39:03.400
<v Speaker 1>thank you, And it's like it's it's kind of sinister,

0:39:03.520 --> 0:39:05.359
<v Speaker 1>and I like that. I've always been a big fan

0:39:05.440 --> 0:39:08.040
<v Speaker 1>of like thrillers and like all that kind of thing

0:39:08.040 --> 0:39:10.560
<v Speaker 1>that keeps your edge, psychological thrillers, and that's probably my

0:39:10.640 --> 0:39:13.200
<v Speaker 1>way of trying to be creative and trying to act

0:39:13.239 --> 0:39:16.399
<v Speaker 1>a little bit and create this villain character and live

0:39:16.440 --> 0:39:19.719
<v Speaker 1>it out on my videos. So it's amazing. Thank you.

0:39:19.800 --> 0:39:21.719
<v Speaker 1>So tell me the highlights of twenty sixteen for you,

0:39:21.719 --> 0:39:24.160
<v Speaker 1>because I feel like that was a big year for you, Smoker.

0:39:24.239 --> 0:39:26.279
<v Speaker 1>I mean, Letters It Goes came out at the end

0:39:26.280 --> 0:39:32.400
<v Speaker 1>of is that right? It smoked the end of twenties sixteen.

0:39:33.360 --> 0:39:37.200
<v Speaker 1>The Letters Goes album That's right, Yes, Yes, came out independently,

0:39:37.560 --> 0:39:39.400
<v Speaker 1>and then I signed a deal in the UK, so

0:39:39.480 --> 0:39:41.480
<v Speaker 1>it was just for the UK on Decca, and it

0:39:41.560 --> 0:39:43.760
<v Speaker 1>was like trying to get the album a bigger push.

0:39:44.040 --> 0:39:46.759
<v Speaker 1>But all throughout two thousand and sixteen, I had this

0:39:47.280 --> 0:39:50.080
<v Speaker 1>just train. I had to keep pushing. I feel like

0:39:50.280 --> 0:39:53.560
<v Speaker 1>you doing the independent album, even though it was scary

0:39:53.680 --> 0:39:56.520
<v Speaker 1>and exciting and all of the feelings, it led to

0:39:56.640 --> 0:39:59.360
<v Speaker 1>so many doors opening for you. I feel not that

0:39:59.440 --> 0:40:01.520
<v Speaker 1>you even need doors opening, but like just to see

0:40:01.520 --> 0:40:04.800
<v Speaker 1>this is that coming. People were realizing, oh, okay, this

0:40:05.120 --> 0:40:08.399
<v Speaker 1>is Lucy's heart, Like this is her sound and she's

0:40:08.440 --> 0:40:10.560
<v Speaker 1>committing to a full force. I feel like so many

0:40:10.600 --> 0:40:13.600
<v Speaker 1>things like CMT Next One Country happened, and then honestly,

0:40:13.600 --> 0:40:15.800
<v Speaker 1>like you started touring with Bobby Burns and the raging Idiots,

0:40:15.840 --> 0:40:19.680
<v Speaker 1>and that's awesome and it was so fun. He's so

0:40:19.719 --> 0:40:23.160
<v Speaker 1>many people came on board because and they heard it organically.

0:40:23.280 --> 0:40:26.880
<v Speaker 1>I think Bobby heard it because Lindsay l had invited

0:40:26.920 --> 0:40:28.319
<v Speaker 1>me to come sing a song with her and he

0:40:28.360 --> 0:40:29.920
<v Speaker 1>saw it and he was like, well, who's that and

0:40:30.000 --> 0:40:32.000
<v Speaker 1>she said, I gotta give you her music and it

0:40:32.040 --> 0:40:35.560
<v Speaker 1>was so sweet. That's another example of women supporting each other.

0:40:35.600 --> 0:40:38.359
<v Speaker 1>But I think, you know, and people like CMT and

0:40:39.800 --> 0:40:42.239
<v Speaker 1>behind you, so they got behind me an artist, the

0:40:42.239 --> 0:40:45.680
<v Speaker 1>biggest rolling stone has totally gotten behind you. It's so crazy.

0:40:45.760 --> 0:40:48.239
<v Speaker 1>I never would have dreamed that up. And and the

0:40:48.280 --> 0:40:50.799
<v Speaker 1>biggest thing for me has been when I looked at

0:40:50.800 --> 0:40:52.960
<v Speaker 1>the artist in this town that I admired and then

0:40:53.080 --> 0:41:00.359
<v Speaker 1>ended up on tour with them and Willie Nelson people,

0:41:00.400 --> 0:41:03.239
<v Speaker 1>and it blows my mind. It does blow my mind

0:41:03.360 --> 0:41:07.000
<v Speaker 1>because I always think, well, you know a people I don't.

0:41:07.320 --> 0:41:09.400
<v Speaker 1>I'm not really I don't have a team. I have

0:41:09.520 --> 0:41:11.839
<v Speaker 1>me and my manager, and then I mean and then

0:41:11.880 --> 0:41:14.719
<v Speaker 1>I obviously, after a while of doing some work, I

0:41:14.760 --> 0:41:18.719
<v Speaker 1>had Jay Williams as an agent, which also I have

0:41:18.880 --> 0:41:21.719
<v Speaker 1>so much respect for and he believes in me, and

0:41:21.760 --> 0:41:26.640
<v Speaker 1>he's remember having a conversation saying he's like, I believe

0:41:26.680 --> 0:41:29.080
<v Speaker 1>in this. I don't care how long it takes. I've

0:41:29.080 --> 0:41:32.760
<v Speaker 1>had artists I've worked with before go through so many things.

0:41:32.880 --> 0:41:36.160
<v Speaker 1>I don't need anyone else to tell me that you're great,

0:41:36.440 --> 0:41:38.239
<v Speaker 1>that you're great, and I want to help you. And

0:41:38.280 --> 0:41:40.360
<v Speaker 1>how amazing to have someone like that as your champion,

0:41:40.520 --> 0:41:43.520
<v Speaker 1>really great, amazing like I I couldn't And it makes

0:41:43.560 --> 0:41:46.600
<v Speaker 1>me very emotional because, like I said, there's nobody making

0:41:46.880 --> 0:41:49.560
<v Speaker 1>my manager and me make those calls or make those

0:41:49.840 --> 0:41:52.600
<v Speaker 1>things happen with the music itself. We don't have this

0:41:52.680 --> 0:41:55.440
<v Speaker 1>machine that is able to do that for me. So

0:41:55.680 --> 0:41:57.799
<v Speaker 1>it makes me really proud. And now I've just got

0:41:57.800 --> 0:42:00.839
<v Speaker 1>to keep going and make this new album, and which

0:42:00.880 --> 0:42:02.440
<v Speaker 1>is what I'm starting to do now. So okay, so

0:42:02.600 --> 0:42:04.440
<v Speaker 1>talk about the new album. What is that gonna be like?

0:42:04.480 --> 0:42:07.600
<v Speaker 1>And what can we Oh my god, I love you

0:42:07.880 --> 0:42:10.560
<v Speaker 1>u um and you know, UM, I think this. I'm

0:42:10.640 --> 0:42:13.120
<v Speaker 1>really really excited because to me, let Us to Goos

0:42:13.239 --> 0:42:15.920
<v Speaker 1>was such a good introductory here in America, and now

0:42:16.400 --> 0:42:18.600
<v Speaker 1>I kind of want to bring even more of my

0:42:18.680 --> 0:42:21.080
<v Speaker 1>influences into it. I'm again, I'm not going to worry

0:42:21.080 --> 0:42:23.680
<v Speaker 1>about where it felts that that to me is like

0:42:23.719 --> 0:42:27.279
<v Speaker 1>the biggest fresh breath of fresh air, thank you. And

0:42:27.360 --> 0:42:29.600
<v Speaker 1>so it feels so good that you're just doing what

0:42:29.640 --> 0:42:32.080
<v Speaker 1>you want to do. It's exciting because it's like there

0:42:32.120 --> 0:42:34.920
<v Speaker 1>are no boundaries. I know what could happen with it, right,

0:42:35.080 --> 0:42:37.399
<v Speaker 1>I love a lot of different kinds of music. We're

0:42:37.440 --> 0:42:39.759
<v Speaker 1>gonna be doing a lot of tour dates this year

0:42:39.800 --> 0:42:43.000
<v Speaker 1>with some exciting things like there's there's there's gonna be

0:42:43.040 --> 0:42:45.319
<v Speaker 1>twenty tour dates that we're going to renounce in the

0:42:45.360 --> 0:42:48.880
<v Speaker 1>next couple of weeks, which is really really exciting. And

0:42:48.920 --> 0:42:50.759
<v Speaker 1>then you know, now I've got to be in the

0:42:50.800 --> 0:42:53.240
<v Speaker 1>studio recording, and I think it's going to be quite

0:42:53.640 --> 0:42:55.960
<v Speaker 1>a modern sound, but with a mixture of a lot

0:42:56.000 --> 0:42:59.839
<v Speaker 1>of um my favorite things like Royal Person and Jeff

0:43:00.080 --> 0:43:03.680
<v Speaker 1>Jeff Lynn even and and uh, you know, some Motown

0:43:03.760 --> 0:43:06.120
<v Speaker 1>in there, and obviously I love the Jackson five and

0:43:06.160 --> 0:43:08.600
<v Speaker 1>stuff like that. And I think it's just I mean,

0:43:08.600 --> 0:43:11.600
<v Speaker 1>we've started to do even artwork for it, which is

0:43:11.760 --> 0:43:14.319
<v Speaker 1>it's just so exciting because to me, again, it's like

0:43:14.440 --> 0:43:16.920
<v Speaker 1>it's a creative mood board that you can do whatever

0:43:16.960 --> 0:43:19.400
<v Speaker 1>you want. I'm like, this is where I'm at. I

0:43:19.440 --> 0:43:22.120
<v Speaker 1>always thought artists it's like someone comes into the lives

0:43:22.120 --> 0:43:24.040
<v Speaker 1>and presses a pause button and then they make an

0:43:24.040 --> 0:43:27.520
<v Speaker 1>album and that's where they are, and it's I think, Um,

0:43:27.560 --> 0:43:29.200
<v Speaker 1>I just got to get my head down and get

0:43:29.239 --> 0:43:31.640
<v Speaker 1>my head back into creative mode because we've been on

0:43:31.640 --> 0:43:34.480
<v Speaker 1>the road for ages and that sometimes that's hard to

0:43:34.520 --> 0:43:36.880
<v Speaker 1>get back in the swing of things. So so what

0:43:37.120 --> 0:43:39.600
<v Speaker 1>if you could plan out Seen? What what are you

0:43:39.600 --> 0:43:41.840
<v Speaker 1>looking forward to the most? If you could plan this

0:43:41.880 --> 0:43:44.480
<v Speaker 1>whole year? Yeah, I think were going according to plan.

0:43:44.560 --> 0:43:46.840
<v Speaker 1>What are you hoping to happen in Seen? I'm hoping

0:43:46.920 --> 0:43:48.879
<v Speaker 1>that I could really put my music on the map.

0:43:48.960 --> 0:43:50.959
<v Speaker 1>I'm hoping that I can get out there and tour

0:43:51.040 --> 0:43:54.000
<v Speaker 1>and do my own tour, however small, and by the

0:43:54.120 --> 0:43:55.520
<v Speaker 1>end of this year, I would love to do some

0:43:55.640 --> 0:43:58.560
<v Speaker 1>on my own dates. Um. I'm very excited about the

0:43:58.640 --> 0:44:01.239
<v Speaker 1>artists I'll be out on the road with the year. Um.

0:44:01.280 --> 0:44:04.719
<v Speaker 1>And that's just further you know, motivation for me to

0:44:04.800 --> 0:44:07.200
<v Speaker 1>keep going and knowing that I'm doing the right things.

0:44:07.239 --> 0:44:11.400
<v Speaker 1>These people that you respect want hugely, hugely and um,

0:44:11.440 --> 0:44:13.919
<v Speaker 1>and then I would love you know, I obviously would

0:44:13.920 --> 0:44:16.200
<v Speaker 1>just love people to hear my music because I think

0:44:16.920 --> 0:44:20.480
<v Speaker 1>I've gotten some amazing support within the industry and and

0:44:20.480 --> 0:44:24.400
<v Speaker 1>and gaining fans, you know, slowly but surely. But I

0:44:24.440 --> 0:44:27.960
<v Speaker 1>really want to get out there and do more. I'm

0:44:28.000 --> 0:44:31.880
<v Speaker 1>just I think, you know, ambition and expectation are two

0:44:32.040 --> 0:44:35.279
<v Speaker 1>very different things. I have huge misition and expectation. Okay,

0:44:35.280 --> 0:44:37.680
<v Speaker 1>break that down for me. So I have huge ambitions.

0:44:37.719 --> 0:44:39.640
<v Speaker 1>I want to be on tour. I want to play.

0:44:39.680 --> 0:44:42.320
<v Speaker 1>I have dreams to play venues like the Greek Theater

0:44:42.440 --> 0:44:45.239
<v Speaker 1>and Madison Square Gardens and all those things. I want

0:44:45.239 --> 0:44:47.000
<v Speaker 1>to do a million things. I want to tour with

0:44:47.000 --> 0:44:48.719
<v Speaker 1>the band. I want to write albums. I want to

0:44:48.760 --> 0:44:50.960
<v Speaker 1>write for other people. I want which By the way,

0:44:51.000 --> 0:44:53.520
<v Speaker 1>you've got a Miranda Lambert cut I did what was

0:44:53.680 --> 0:44:56.960
<v Speaker 1>what's the hadle? It's smoking jacket? So, oh my god?

0:44:57.160 --> 0:45:00.239
<v Speaker 1>Can you believe that? No? I can't. Couldn't because were

0:45:00.400 --> 0:45:02.640
<v Speaker 1>so cool with her and Allie Hemby and riding with her.

0:45:02.800 --> 0:45:05.560
<v Speaker 1>It was just like the because of course, though that's

0:45:05.600 --> 0:45:07.759
<v Speaker 1>your gang, you hang with the coolest people. No, But

0:45:07.840 --> 0:45:09.719
<v Speaker 1>I mean I only met her last year because she

0:45:09.800 --> 0:45:12.280
<v Speaker 1>was so sweet and she had tweeted about my album.

0:45:12.280 --> 0:45:14.120
<v Speaker 1>I literally I was sitting on the edge of the

0:45:14.160 --> 0:45:16.239
<v Speaker 1>sofa and I nearly fell off because I was so

0:45:17.120 --> 0:45:19.480
<v Speaker 1>when I saw her tweet, I was like, oh my god,

0:45:19.640 --> 0:45:22.600
<v Speaker 1>Like I it killed me that she even heard my music.

0:45:22.680 --> 0:45:25.279
<v Speaker 1>So um, it was just so nice hanging with her,

0:45:25.280 --> 0:45:27.239
<v Speaker 1>and I got to know on more, you know, just

0:45:27.320 --> 0:45:31.000
<v Speaker 1>a normal human level, and she was in a very

0:45:31.080 --> 0:45:34.200
<v Speaker 1>exciting time in her life where she wanted to break

0:45:34.239 --> 0:45:38.040
<v Speaker 1>down boundaries of creativity and just show the world what

0:45:38.160 --> 0:45:40.239
<v Speaker 1>she's made of. And I got to be part of that,

0:45:40.280 --> 0:45:42.279
<v Speaker 1>and I'm so proud that I got to be part

0:45:42.280 --> 0:45:45.200
<v Speaker 1>of that. So yeah, it was great. But no. Um,

0:45:45.320 --> 0:45:46.759
<v Speaker 1>But now, as I was saying, is that I don't

0:45:46.800 --> 0:45:52.320
<v Speaker 1>have expectations. I don't expect awards, I don't expect record deals,

0:45:52.400 --> 0:45:55.040
<v Speaker 1>I don't expect anything like that. I don't ever want

0:45:55.080 --> 0:45:57.239
<v Speaker 1>my head to be there when it goes there. I

0:45:57.320 --> 0:45:59.279
<v Speaker 1>don't like it when I start to think or maybe

0:45:59.320 --> 0:46:02.600
<v Speaker 1>I should be here, or I should be with this label,

0:46:02.719 --> 0:46:05.239
<v Speaker 1>or maybe I just I just want to keep my

0:46:05.320 --> 0:46:09.680
<v Speaker 1>ambition there to motivate me and not expect anything, because

0:46:09.719 --> 0:46:12.120
<v Speaker 1>I think no one should be entitled. I don't like

0:46:12.719 --> 0:46:15.759
<v Speaker 1>that attitude. I think we're all doing it. Everyone works hard.

0:46:15.800 --> 0:46:17.680
<v Speaker 1>There's a place for everyone in this world. And I

0:46:17.719 --> 0:46:21.680
<v Speaker 1>think you just have to be humble, um, be humble

0:46:21.760 --> 0:46:23.600
<v Speaker 1>and do what you do. So, so, how did you

0:46:23.640 --> 0:46:27.560
<v Speaker 1>say that your ambition ambition is very different than expectations.

0:46:27.719 --> 0:46:31.040
<v Speaker 1>I love that, Yeah, because it's like I think people

0:46:31.120 --> 0:46:33.080
<v Speaker 1>I see even the way being on tour with John

0:46:33.080 --> 0:46:35.480
<v Speaker 1>and t J. I see the way they operate, and

0:46:36.080 --> 0:46:39.600
<v Speaker 1>they have never I've never seen them go I hope

0:46:39.600 --> 0:46:42.680
<v Speaker 1>we get a Grammy nomination. I hope, I hope that

0:46:42.719 --> 0:46:44.960
<v Speaker 1>this album reaches a million people, or it'd stay a

0:46:45.000 --> 0:46:48.520
<v Speaker 1>little longer, reaches a million sales. I hope we want

0:46:48.520 --> 0:46:51.040
<v Speaker 1>this is They never go want, want, want, want. They

0:46:51.080 --> 0:46:53.319
<v Speaker 1>just go, how can we do this? And how can

0:46:53.360 --> 0:46:56.760
<v Speaker 1>we make this brilliant? That's how I see them operate.

0:46:56.840 --> 0:47:00.600
<v Speaker 1>I've never seen John be annoyed about something they didn't get.

0:47:00.960 --> 0:47:03.120
<v Speaker 1>And they've been out this for years and they certainly

0:47:03.360 --> 0:47:06.000
<v Speaker 1>certainly hasn't been overnight for them. And I've never seen

0:47:06.040 --> 0:47:09.680
<v Speaker 1>them entitled or resentful. All I've seen them do is

0:47:09.760 --> 0:47:12.440
<v Speaker 1>keep working. It's like, how can you not be how

0:47:12.480 --> 0:47:17.799
<v Speaker 1>can you be around that and not adopt that attitude. Yeah, okay,

0:47:17.840 --> 0:47:20.799
<v Speaker 1>tell me about your tattoo. Tattoo have No Fear. So

0:47:20.800 --> 0:47:23.600
<v Speaker 1>I actually got this in Nashville. I'd come here. I

0:47:23.600 --> 0:47:25.759
<v Speaker 1>think it was two thousand and seven. I first came here,

0:47:26.160 --> 0:47:28.680
<v Speaker 1>and it was a really hard time in my life.

0:47:28.719 --> 0:47:32.120
<v Speaker 1>I'd come out, Yeah, I'd come out of a relationship

0:47:32.200 --> 0:47:34.839
<v Speaker 1>that was long term. I was I didn't know where

0:47:34.840 --> 0:47:36.640
<v Speaker 1>I was in my career. I didn't really know what

0:47:36.680 --> 0:47:39.120
<v Speaker 1>I wanted to do at that point. I was very last.

0:47:39.160 --> 0:47:42.040
<v Speaker 1>My family were dotted around the world, like and I

0:47:42.080 --> 0:47:47.160
<v Speaker 1>was really I was trying to find some reason to

0:47:47.239 --> 0:47:50.759
<v Speaker 1>motivate myself, like I and and I wrote the song

0:47:50.800 --> 0:47:53.120
<v Speaker 1>called Love with No Fear, and me and Cree Harrison

0:47:53.120 --> 0:47:56.000
<v Speaker 1>had sang it together, and and I said, I really

0:47:56.000 --> 0:47:59.920
<v Speaker 1>want to get that as a tattoo because it's it's

0:48:00.080 --> 0:48:03.480
<v Speaker 1>kind of loving yourself and other people with absolutely no

0:48:03.640 --> 0:48:05.560
<v Speaker 1>fear of the outcome, you know what I mean. And

0:48:05.560 --> 0:48:07.680
<v Speaker 1>I think when I look at that, I remember someone

0:48:07.719 --> 0:48:09.879
<v Speaker 1>telling me, like, that's like a no smoking sign. Now

0:48:09.880 --> 0:48:11.880
<v Speaker 1>you're just gonna be Now you're just gonna want to smoke,

0:48:12.080 --> 0:48:14.560
<v Speaker 1>You'll be afraid. I think a little bit of fear

0:48:14.680 --> 0:48:17.520
<v Speaker 1>is a good thing. I think to be scared um

0:48:17.719 --> 0:48:21.080
<v Speaker 1>actually can challenge you and it makes you actually do

0:48:21.280 --> 0:48:24.080
<v Speaker 1>more than you were going to do it pushed past

0:48:24.600 --> 0:48:26.160
<v Speaker 1>but pushed past it. Yeah, I was going to get

0:48:26.200 --> 0:48:28.520
<v Speaker 1>be afraid on the other arm, just to confuse people.

0:48:28.760 --> 0:48:30.799
<v Speaker 1>But no, But I love have no fear because it's

0:48:30.840 --> 0:48:33.640
<v Speaker 1>not really about not ever being scared. It's about just

0:48:33.920 --> 0:48:36.920
<v Speaker 1>be scared, but do it anyway, like jump off the

0:48:37.280 --> 0:48:39.960
<v Speaker 1>edge of the cliff. And just because we've got one

0:48:40.040 --> 0:48:42.960
<v Speaker 1>life here we we we don't get to do it again,

0:48:43.120 --> 0:48:46.399
<v Speaker 1>and we have to just put everything and not worry

0:48:46.440 --> 0:48:50.480
<v Speaker 1>about judgments. You know. I I've always I grew up

0:48:50.560 --> 0:48:53.200
<v Speaker 1>kind of my My family were very reserved, so I think,

0:48:53.280 --> 0:48:55.560
<v Speaker 1>you know sometimes from my mom. My mom would be

0:48:55.640 --> 0:48:57.839
<v Speaker 1>very like, we mustn't say this and we mustn't do this,

0:48:58.000 --> 0:48:59.840
<v Speaker 1>and that was the way she was brought up, and

0:48:59.880 --> 0:49:02.080
<v Speaker 1>I kind of wanted to do the opposite. I wanted

0:49:02.120 --> 0:49:04.239
<v Speaker 1>to I can't go through my life, you know, just

0:49:04.320 --> 0:49:07.520
<v Speaker 1>pleasing everybody. I can't be like that. I can't really

0:49:07.560 --> 0:49:10.800
<v Speaker 1>live if I'm doing that. I love that. Okay, so

0:49:12.200 --> 0:49:15.200
<v Speaker 1>we're going to wrap up with leave your Light. I

0:49:15.280 --> 0:49:18.319
<v Speaker 1>like to ask everyone to leave your light. So give

0:49:18.360 --> 0:49:21.719
<v Speaker 1>me some inspiration of how you have been inspired or

0:49:21.800 --> 0:49:25.320
<v Speaker 1>how you would like to inspire others. How I've been inspired.

0:49:25.440 --> 0:49:28.600
<v Speaker 1>I've been inspired by family, Like you know, I know

0:49:28.719 --> 0:49:32.560
<v Speaker 1>that sounds kind of typical, but the way that I

0:49:32.600 --> 0:49:35.400
<v Speaker 1>see people be so loyal to each other, and I

0:49:35.440 --> 0:49:37.640
<v Speaker 1>think it's much more important than music or what we

0:49:37.719 --> 0:49:40.120
<v Speaker 1>do in our careers. I think what inspires me is

0:49:40.160 --> 0:49:43.640
<v Speaker 1>people being honest and genuine and that makes everything else.

0:49:43.960 --> 0:49:47.080
<v Speaker 1>Like I'm not just saying that I'm not happy unless

0:49:47.400 --> 0:49:49.839
<v Speaker 1>I have that, you know what I mean, I'm not happy.

0:49:49.960 --> 0:49:52.600
<v Speaker 1>I'm happy, probably for the first time in my life,

0:49:52.840 --> 0:49:57.400
<v Speaker 1>to be with a person that is honorable and does

0:49:57.440 --> 0:50:00.359
<v Speaker 1>things truthfully. Doesn't mean it's perfect. It means that done

0:50:00.520 --> 0:50:03.719
<v Speaker 1>with the most truthful of intentions, and that inspires me

0:50:03.760 --> 0:50:05.680
<v Speaker 1>as a person. I think I can be a better singer,

0:50:05.719 --> 0:50:08.600
<v Speaker 1>a better player, a better artist if I come from

0:50:08.680 --> 0:50:12.080
<v Speaker 1>that perspective. And I think I'd like to inspire people

0:50:12.080 --> 0:50:13.960
<v Speaker 1>in the same way too. I want to inspire them

0:50:14.000 --> 0:50:18.920
<v Speaker 1>to to to I don't know, just love people and

0:50:18.960 --> 0:50:22.000
<v Speaker 1>accept people and accept themselves like I'm trying to do that.

0:50:22.040 --> 0:50:24.680
<v Speaker 1>It's not as if I find it easy, but I

0:50:24.719 --> 0:50:27.600
<v Speaker 1>want if if people are inspired by everything to do,

0:50:27.680 --> 0:50:30.839
<v Speaker 1>it's just to to tell the truth and and look

0:50:30.920 --> 0:50:34.279
<v Speaker 1>past yourself. Sometimes. I think if you're a person that

0:50:34.320 --> 0:50:37.400
<v Speaker 1>doesn't have the ability to support others and look at

0:50:37.880 --> 0:50:42.080
<v Speaker 1>and and and and lift each other up, then you

0:50:42.120 --> 0:50:44.279
<v Speaker 1>need to look at yourself. Because I think no one

0:50:44.280 --> 0:50:47.000
<v Speaker 1>should be on a pedestal or beneath anybody. They should

0:50:47.000 --> 0:50:49.319
<v Speaker 1>be equals. And I think that's kind of what I

0:50:49.360 --> 0:50:53.360
<v Speaker 1>would like to know, inspire people to be if if anything,

0:50:53.400 --> 0:50:55.160
<v Speaker 1>I don't know how I would do that, but that's

0:50:55.160 --> 0:50:57.239
<v Speaker 1>what I just an example what you do. I think

0:50:57.280 --> 0:50:58.879
<v Speaker 1>that's what everyone has to do. They have to lead

0:50:58.920 --> 0:51:02.759
<v Speaker 1>by example because can't tell I'm way too opinionated sometimes

0:51:02.760 --> 0:51:05.120
<v Speaker 1>and I think you can't really tell people what to do.

0:51:05.239 --> 0:51:08.120
<v Speaker 1>You can only, like you say, lead by example and

0:51:08.120 --> 0:51:10.040
<v Speaker 1>try to do the best you can, even if it

0:51:10.080 --> 0:51:13.080
<v Speaker 1>doesn't even if it doesn't have the outcome you want.

0:51:13.200 --> 0:51:16.640
<v Speaker 1>I think, don't change your don't change the way that

0:51:16.719 --> 0:51:19.239
<v Speaker 1>you do things. I think it's you've got to be authentic.

0:51:19.920 --> 0:51:24.840
<v Speaker 1>I love that, sweet Lucy Silvis. It's just nice hanging

0:51:24.840 --> 0:51:27.920
<v Speaker 1>with you. I love hanging with you, and we're neighbors.

0:51:27.960 --> 0:51:31.960
<v Speaker 1>I know where it's that that's where the good thing is.

0:51:32.000 --> 0:51:34.640
<v Speaker 1>It's a trendy and cool place, like we've got friends everywhere.

0:51:34.680 --> 0:51:36.520
<v Speaker 1>It's like it's it's you know, it could be a

0:51:36.520 --> 0:51:39.520
<v Speaker 1>bit sketchy here and there, but just a little bit.

0:51:39.560 --> 0:51:41.840
<v Speaker 1>I just come out of red door. But but no,

0:51:42.040 --> 0:51:44.279
<v Speaker 1>it's great. I love this neighborhood. I can't believe you're

0:51:44.320 --> 0:51:48.479
<v Speaker 1>so nearby. You're right there, right literally right near you. Guys. Yeah,

0:51:49.000 --> 0:51:50.719
<v Speaker 1>we need to hack do this more often. I don't.

0:51:51.680 --> 0:51:54.200
<v Speaker 1>I know, we can just do it for real life, Okay, Lucy,

0:51:54.280 --> 0:51:57.040
<v Speaker 1>can't wait to hear your new music and see who

0:51:57.080 --> 0:51:59.880
<v Speaker 1>you're touring with. I can't wait. I can't tell you now,

0:51:59.880 --> 0:52:02.320
<v Speaker 1>I will, I will. We're gonna announce it in a

0:52:02.360 --> 0:52:10.040
<v Speaker 1>couple of weeks. Yes, you're the best. Thank you, wasn't

0:52:10.120 --> 0:52:13.399
<v Speaker 1>Lucy Silva's amazing. She is such a dreamboat. I love her.

0:52:13.680 --> 0:52:15.560
<v Speaker 1>Make sure you keep your eyes open because she's having

0:52:15.560 --> 0:52:19.680
<v Speaker 1>new music coming soon next week. Maggie Rose joins me.

0:52:19.880 --> 0:52:22.279
<v Speaker 1>She has such an incredible voice. She has also been

0:52:22.280 --> 0:52:24.520
<v Speaker 1>one of CMTS Next One of Country. She's also on

0:52:24.640 --> 0:52:28.640
<v Speaker 1>a CMT seventeen to Watch for seventeen and she's on

0:52:28.680 --> 0:52:32.719
<v Speaker 1>the CMT tour Next Women with Martina Bride and Lauren

0:52:32.760 --> 0:52:35.120
<v Speaker 1>Elena and also Postman Ron is joining her, which I

0:52:35.160 --> 0:52:37.640
<v Speaker 1>interviewed Postman Row and they're amazing. Can you believe all

0:52:37.680 --> 0:52:40.640
<v Speaker 1>the things she's doing. She also got announced that she's

0:52:40.640 --> 0:52:42.799
<v Speaker 1>playing a couple of shows with Tim and Faith on

0:52:42.840 --> 0:52:47.400
<v Speaker 1>their Sould Soul Tour. What she is killing it so

0:52:47.480 --> 0:52:50.200
<v Speaker 1>you guys get excited. Have Maggie Rose joined me next

0:52:50.280 --> 0:52:51.880
<v Speaker 1>week