WEBVTT - “30 Rock” Star Jack McBrayer Says “Yes, And...”

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<v Speaker 1>This is Alec Baldwin and you were listening to Here's

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<v Speaker 1>the Thing from iHeart Radio. He was born in Stone Mountain, Georgia.

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<v Speaker 1>His mind is a blank slate. He is the son

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<v Speaker 1>of a pig farmer and one of the most iconic

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<v Speaker 1>characters in sitcom history. He could only have been played

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<v Speaker 1>by my guest today, Jack macbriar. He inhabited the role

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<v Speaker 1>of wide eyed, television obsessed Kenneth the Page on NBC's

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<v Speaker 1>Thirty Rock for seven seasons. Hailing from Macon, Georgia himself,

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<v Speaker 1>macbrair discovered his improv skills at Second City in Chicago.

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<v Speaker 1>He continued to hone his craft with recurring roles on

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<v Speaker 1>Late Night with Conan O'Brien and arrested development before landing

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<v Speaker 1>the part that would change his life. The Emmy nominated

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<v Speaker 1>actor has also voiced countless animated characters, and in twenty

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<v Speaker 1>twenty one, he created Produce Uston starred in the Apple

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<v Speaker 1>TV series Hello Jack, The Kind Of Show. His latest venture,

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<v Speaker 1>a travel series called Zillow Gone Wild, premiered on HGTV

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<v Speaker 1>just this past May. Playing Jack Donneghey alongside McBriar. Was

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<v Speaker 1>one of the most momentous parts of my career. I

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<v Speaker 1>was curious if thirty Rock had as big of an

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<v Speaker 1>impact on mcbrear's life as it did mine.

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<v Speaker 2>It changed everything for me, would you say so it did?

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<v Speaker 2>Oh for damn sure, yes, sir. That was kind of

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<v Speaker 2>my first break and the fact that it was with you.

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<v Speaker 2>I was just so excited to have a job. But

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<v Speaker 2>then when I realized what the job was, I was like, Oh,

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<v Speaker 2>this is amazing.

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<v Speaker 1>What were you doing just prior to the show, because

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<v Speaker 1>your resume is like the menu at whoa Hop. It's

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<v Speaker 1>like the longest thing I've ever seen in my life.

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<v Speaker 2>With pictures to boot. But I was temping. I was

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<v Speaker 2>in California and I was temping at a place called Teleflora.

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<v Speaker 2>I was rearranging their storage facility. And when you have

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<v Speaker 2>some OCD tendencies like I do, that's a breeze. So

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<v Speaker 2>I was just a hustling boy. Yeah, thirty Rock by far,

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<v Speaker 2>which is crazy. And so this would have started in

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<v Speaker 2>two thousand and six, right, and you are fifteen years

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<v Speaker 2>older than me. Katrina Bowden is fifteen years younger than me,

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<v Speaker 2>and it would have been a few years ago. I

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<v Speaker 2>was reading an article that when we started thirty Rock,

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<v Speaker 2>you were forty eight years old, And when I was

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<v Speaker 2>reading that article, I was forty eight years old. I

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<v Speaker 2>was like, how is this possible?

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<v Speaker 1>Right?

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<v Speaker 2>Because I mean, like you've always been a grown up

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<v Speaker 2>to me and I still eat cereal for dinner. But

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<v Speaker 2>it is amazing to me just to see how much

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<v Speaker 2>time has passed and how my life has changed, and

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<v Speaker 2>it's great, like I'm really having a good time.

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<v Speaker 1>When you weren't a telefloor right before we did thirty Rock.

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<v Speaker 2>Yes, sir, because I booked. I told y'all, how was

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<v Speaker 2>that possible? I don't know, but I mean I've never

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<v Speaker 2>been scared to, you know, hustle and pay the bills

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<v Speaker 2>and everything. I knew that I was gonna get something,

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<v Speaker 2>and I'd had little bites. I was able to do

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<v Speaker 2>Talladega Nights just before thirty Rock. I was doing a

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<v Speaker 2>couple of episodes of Arrested Development just before thirty Rock,

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<v Speaker 2>so I knew I was on the right track. And

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<v Speaker 2>of course, I mean Tina Fey giving me this lifeline

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<v Speaker 2>that really it changed everything.

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<v Speaker 1>Had you known her, because she quite often is accessing

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<v Speaker 1>people that she's known and worked with her she knows

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<v Speaker 1>something about them.

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<v Speaker 2>Yes, sir, Absolutely, I started doing the comedy scene in

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<v Speaker 2>Chicago in the nineties nineteen nineties, and Tina Fey's husband,

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<v Speaker 2>Jeff Richmond, was my director at Second City.

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<v Speaker 1>So he was Yes, that was a connection with Jeff

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<v Speaker 1>as absolutely.

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<v Speaker 2>Absolutely, Tina was on the main stage when I was

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<v Speaker 2>taking the classes and all that kind of stuff, but

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<v Speaker 2>she very quickly moved on to New York and Saturday

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<v Speaker 2>Night Live. Jeff stayed around for a couple more years,

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<v Speaker 2>and he was my director at Second City, and she

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<v Speaker 2>would come back to visit. I know, I know, and

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<v Speaker 2>it was just it was so fun to and then

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<v Speaker 2>I did move to New York just to give that

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<v Speaker 2>a shot as a poor person. So for three years

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<v Speaker 2>between two thousand and two and two thousand and five,

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<v Speaker 2>I was just just a hustling in New York and

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<v Speaker 2>exploring the UCB scene there, doing bits for Late Night

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<v Speaker 2>with Conan O'Brien, and that paid my bills, and then

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<v Speaker 2>I was able to hang out with all the people

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<v Speaker 2>from SNL that I really knew from Chicago. And so,

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<v Speaker 2>you know, I've always been in Tina and Jeff's life

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<v Speaker 2>for a very long time. And so when the time

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<v Speaker 2>came for her to create thirty right. I'm sure it

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<v Speaker 2>was Jeff, just like nudge and or say, hey, throw

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<v Speaker 2>mcbrear in there, so I'll take that bone.

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<v Speaker 1>Well for me and I wonder to get curious about

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<v Speaker 1>you as well. You know, we did season one. It

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<v Speaker 1>was kind of like introducing ourselves. And we get through

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<v Speaker 1>that first season. Seasons two, three, and four, we win

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<v Speaker 1>every prize in the world. We win everything. We have

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<v Speaker 1>a great time. Then season five comes and I'm thinking,

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<v Speaker 1>I don't think I want to do this anymore. Season five,

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<v Speaker 1>everybody acknowledged was like kind of more neemic, still good,

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<v Speaker 1>but not up to her standards of what she normally achieved.

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<v Speaker 1>Her and Carl Lock and everybody, and this says. The

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<v Speaker 1>season six comes and I'm like, sign me up for

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<v Speaker 1>five more seasons. This is funny again. We have a

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<v Speaker 1>great six season and we stop, and when it was over,

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<v Speaker 1>I was so sad. Oh yeah, what was your last

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<v Speaker 1>scene that you recorded on the show.

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<v Speaker 2>It was the last scene of the series. It was

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<v Speaker 2>me as the president of NBC behind your old desk.

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<v Speaker 2>I know, I know, and I'm being pitched a show

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<v Speaker 2>by Liz Lemon's great granddaughter.

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<v Speaker 3>I know, I know.

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<v Speaker 2>This show was so weird.

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<v Speaker 1>But my gosh, I loved it.

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<v Speaker 2>I loved it. I loved it, And I will say

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<v Speaker 2>to your point, I've never been a person who can

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<v Speaker 2>like watch a series and be like, oh, that season

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<v Speaker 2>was lacking or whatever. Like when people talk about The Simpsons,

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<v Speaker 2>for example, they're like, oh, they should have thrown in

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<v Speaker 2>the towel at season seventeen. I'm like, these are just

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<v Speaker 2>as funny as ones I remember from seven years ago.

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<v Speaker 2>But I understand that some people are, you know, they

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<v Speaker 2>compare them differently, But as far as I can tell,

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<v Speaker 2>it was just all a blast. I was very you know,

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<v Speaker 2>you're catching me at an interesting time because I'm starting

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<v Speaker 2>to realize as a grown ass man, I need to

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<v Speaker 2>reevaluate how I.

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<v Speaker 1>Move in the world.

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<v Speaker 2>Meaning I was tempting at Teleflora before thirty Rocks started,

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<v Speaker 2>and so what I kind of had to do was

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<v Speaker 2>just hold on to money like this, just not let

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<v Speaker 2>go during the course of thirty Rock. And then because

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<v Speaker 2>I was on thirty right, You're able to get other jobs.

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<v Speaker 2>I think once people saw what we were doing and

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<v Speaker 2>what kind of character I could play on thirty Rock,

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<v Speaker 2>you do start getting more opportunities. You were very instrumental

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<v Speaker 2>in guiding me towards voiceover work, and now that is

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<v Speaker 2>my bread and butter. I mean, I know I sound

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<v Speaker 2>like a banjo, but I tell you what I like it.

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<v Speaker 2>I like it a lot. You're great, You're the best

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<v Speaker 2>banjo human best. But because of the opportunities that thirty

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<v Speaker 2>Rock afforded me, I really was just hoping that it

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<v Speaker 2>went on forever. I absolutely understand why Tina and the

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<v Speaker 2>writing crew were just like, well, the story has been

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<v Speaker 2>told after seven seasons, but it was again. It was

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<v Speaker 2>incredibly emotional. I remember I remember walking into your dressing

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<v Speaker 2>room on our last scene together, and I just burst

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<v Speaker 2>into tears. I burst into tears because I just realized

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<v Speaker 2>how special it was and how important the whole job was.

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<v Speaker 2>And not to blow smoke, sir, but I am so

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<v Speaker 2>grateful to you saying yes, because there's a you know,

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<v Speaker 2>we read stories about who all else audition for mister Donneghe,

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<v Speaker 2>and you know, all these other possible casting choices, and

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<v Speaker 2>if you had not said yes to this crazy live

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<v Speaker 2>action cartoon that we did, then like who's to say,

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<v Speaker 2>it might have gone like thirteen episodes and.

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<v Speaker 1>You know the end.

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<v Speaker 2>But no, seven years we got to do that.

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<v Speaker 1>That crazy.

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<v Speaker 2>It was nuts.

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<v Speaker 1>I did the last scene with Tina. We're in this

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<v Speaker 1>little marina, this really cute little marina down in Battery Park.

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<v Speaker 1>It's nighttime. We're shooting at night and it was cold,

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<v Speaker 1>remember it was really cold, and the whole crew was there.

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<v Speaker 1>And it's my last scene in the show. And I'm

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<v Speaker 1>going on and on with this monologue about the German

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<v Speaker 1>Luba for whatever, really funny speech. And as I'm groping

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<v Speaker 1>for what I want to say, she of course interests

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<v Speaker 1>me and says, I love you too, Jack, And I

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<v Speaker 1>couldn't get through it. I couldn't get through I was crying,

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<v Speaker 1>and I thought, this has been such an important part

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<v Speaker 1>of my life. But this was six and a half

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<v Speaker 1>years of my life, and it was such a great group,

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<v Speaker 1>as we all know. You know, I breeze out there.

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<v Speaker 1>I'm doing the reverse commute over the fifty ninth Street bridge,

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<v Speaker 1>hit Silver Cup. We're out there. The only complaint I

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<v Speaker 1>had was there was no restaurants nearby for us to

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<v Speaker 1>order decent food. None. None. We were like the Siberia

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<v Speaker 1>of Queen's there. Really important and economically a piston in

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<v Speaker 1>the engine of Manhattan. Economics, but no good restaurants was

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<v Speaker 1>to order or coffee truck, mud truck, taco truck, ice

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<v Speaker 1>cream truck, a lot of trucks. We ate more fucking

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<v Speaker 1>food off of a truck than I ever thought was possible. Construction, yeah,

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<v Speaker 1>like we're bridge builders or something. But yeah, when that

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<v Speaker 1>was over, I was so sad, and I was so

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<v Speaker 1>blessed by everybody there. Like I really believe, like any

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<v Speaker 1>group it could be sex in the city, the Beatles,

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<v Speaker 1>you name, you remove one person, it's not gonna work.

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<v Speaker 1>It had to be those five people that those five

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<v Speaker 1>people just meshed and the writing more importantly meshed for them.

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<v Speaker 1>And I was so so sad when it was over,

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<v Speaker 1>and it put a curse on me because everywhere I'd

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<v Speaker 1>go people would send me scripts and say, well, here's

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<v Speaker 1>a comedy, here's this, here's this. When I sit there

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<v Speaker 1>and I go, this is more cute than funny. Sure, sure,

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<v Speaker 1>I mean they taught these people taught me what funny, Carlos,

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<v Speaker 1>they taught me what was funny surgical?

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<v Speaker 2>And you are right, I mean, like the choices made

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<v Speaker 2>with the casting and everything, I can't even imagine what

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<v Speaker 2>it was. Another thing that I was so impressed with

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<v Speaker 2>and I learned a great deal from was how strong

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<v Speaker 2>the were at mixing up the dynamics of the characters.

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<v Speaker 2>The fact that Ken at the page could have all

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<v Speaker 2>these scenes with Jack Donneghe, the fact that you know,

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<v Speaker 2>they could pare me with Jane, they could spare me

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<v Speaker 2>with Tracy like and it worked and it was fun

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<v Speaker 2>and it didn't seem weird. Well, I mean it seemed

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<v Speaker 2>weird because the man that show was weird. I mean,

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<v Speaker 2>do you remember you were dressed like Thomas Jefferson's misters?

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<v Speaker 2>I mean there were.

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<v Speaker 1>What was the one I said to you before? First

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<v Speaker 1>of there's too many to count, and not even the

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<v Speaker 1>ones I'm in. I mean the Sandwich Day and all

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<v Speaker 1>you're drinking with Dennihee. I mean that Sandwich Day thing

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<v Speaker 1>is the funniest episode of all. But I mean, I

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<v Speaker 1>I'll never when you sit there and go remember your

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<v Speaker 1>live television when we do these are the live shows.

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<v Speaker 1>I want to ask you about that and the live

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<v Speaker 1>show you go. He was like you, mister Jordan. He

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<v Speaker 1>didn't like to rehearse at all. And then because to

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<v Speaker 1>Joey Montero and I'm doing my bad Dean Martin. You

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<v Speaker 1>know when I come out there and I thought to myself,

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<v Speaker 1>this is the most fun I've ever had in my life.

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<v Speaker 1>Almost fun I ever end of my life. Stupid as

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<v Speaker 1>hell funny.

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<v Speaker 2>It was ridiculous. Oh, in the fact that Kenneth the

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<v Speaker 2>Page is immortal. I was like, Okay, here we go.

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<v Speaker 1>Well, Kenneth the Page was a joke, Like when we

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<v Speaker 1>said when people would say about Tracy, they say this

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<v Speaker 1>about you personally. They were like, when Tracy was on

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<v Speaker 1>the show, and I think it was Tina, it was

0:11:18.360 --> 0:11:20.800
<v Speaker 1>either Tina or Jane turns the other one and says,

0:11:20.800 --> 0:11:23.199
<v Speaker 1>you know, well, he's black. He could be thirty, he

0:11:23.240 --> 0:11:25.840
<v Speaker 1>could be seventy. Like we're trying to guess his age.

0:11:25.960 --> 0:11:28.600
<v Speaker 1>And people say that about you, They're like, Jack mcbaar,

0:11:28.880 --> 0:11:31.319
<v Speaker 1>he could be thirty, you could be ninety. You know,

0:11:31.400 --> 0:11:32.600
<v Speaker 1>you're so youthful.

0:11:32.679 --> 0:11:34.439
<v Speaker 2>Look in my brain, I'm seventeen.

0:11:34.559 --> 0:11:36.160
<v Speaker 1>But god, that show.

0:11:36.360 --> 0:11:39.040
<v Speaker 2>It was ridiculous. You know what's interesting too for me,

0:11:39.080 --> 0:11:41.080
<v Speaker 2>and maybe it's the same for you. I just kind

0:11:41.080 --> 0:11:43.760
<v Speaker 2>of it didn't click for me that. Oh, once we're

0:11:43.800 --> 0:11:46.760
<v Speaker 2>done with the show, it will stream, it will live

0:11:46.960 --> 0:11:50.960
<v Speaker 2>on beyond, you know. Twenty thirteen when we wrapped or whatever.

0:11:51.280 --> 0:11:53.960
<v Speaker 2>And so for me, it's so strange when young people

0:11:54.440 --> 0:11:57.480
<v Speaker 2>recognize me from thirty Rock and are like quoting lines

0:11:57.679 --> 0:12:00.600
<v Speaker 2>and stories. I'm like, it kind of breaks my brain

0:12:00.640 --> 0:12:01.160
<v Speaker 2>a little bit.

0:12:05.800 --> 0:12:11.120
<v Speaker 1>Actor and comedian Jack mcbraer. If you enjoy conversations with

0:12:11.280 --> 0:12:15.640
<v Speaker 1>singular comedians, check out my episode with Caroline Ray. You're

0:12:15.679 --> 0:12:19.360
<v Speaker 1>most comfortable when you're on stage, Probably you really love it.

0:12:19.840 --> 0:12:22.000
<v Speaker 3>Yeah, I feel like I always think my stand up

0:12:22.080 --> 0:12:23.640
<v Speaker 3>is a dinner party. I know what I'm gonna make,

0:12:24.160 --> 0:12:26.480
<v Speaker 3>you're my guests. I don't know what's gonna happen. But

0:12:26.520 --> 0:12:28.640
<v Speaker 3>the thing about stand up that amazes me is it's

0:12:28.640 --> 0:12:30.679
<v Speaker 3>only gonna happen in that moment in time. Even if

0:12:30.720 --> 0:12:33.000
<v Speaker 3>we film it, it's never gonna be what it feels

0:12:33.040 --> 0:12:37.160
<v Speaker 3>like live. So I think it's just an exchange of energy.

0:12:38.280 --> 0:12:41.559
<v Speaker 1>To hear more of my conversation with Caroline Ray, go

0:12:41.640 --> 0:12:46.160
<v Speaker 1>to Here's the Thing dot Org. After the break, Jack

0:12:46.240 --> 0:12:49.480
<v Speaker 1>McBriar shares the story of his very first night in

0:12:49.480 --> 0:12:53.319
<v Speaker 1>New York City and visiting the set of Saturday Night Live.

0:13:07.280 --> 0:13:10.200
<v Speaker 1>I'm Alec Baldwin and you're listening to Here's the Thing.

0:13:11.040 --> 0:13:14.160
<v Speaker 1>Anyone who has caught actor Jack mcbrair in one of

0:13:14.160 --> 0:13:17.560
<v Speaker 1>his many roles on Phineas and Ferb big Mouth or

0:13:17.679 --> 0:13:21.000
<v Speaker 1>The Jack and Triumph Show, knows the depth of this talent.

0:13:21.559 --> 0:13:25.640
<v Speaker 1>I wanted to know when McBriar himself first discovered he

0:13:25.800 --> 0:13:26.240
<v Speaker 1>was funny.

0:13:27.360 --> 0:13:29.720
<v Speaker 2>I think when you get that reaction of people laughing

0:13:29.720 --> 0:13:32.720
<v Speaker 2>at you, and it does scratch an itch, you know,

0:13:33.160 --> 0:13:36.400
<v Speaker 2>doing live comedy especially, you get that immediate gratification if

0:13:36.400 --> 0:13:40.000
<v Speaker 2>people laughing. People are laughing, then yo, you're funny. And

0:13:40.040 --> 0:13:43.080
<v Speaker 2>if they're not laughing, you're like, oh, let me learn

0:13:43.080 --> 0:13:43.600
<v Speaker 2>a trade.

0:13:43.720 --> 0:13:45.719
<v Speaker 1>I'm got me go work at Teleflora. I think I

0:13:46.200 --> 0:13:47.120
<v Speaker 1>was so good at it.

0:13:47.360 --> 0:13:49.280
<v Speaker 2>Oh yeah, yeah, I got people who are vouched for me.

0:13:49.640 --> 0:13:54.360
<v Speaker 2>But when I think about that, I think about opportunities.

0:13:54.640 --> 0:13:57.200
<v Speaker 2>I didn't even start doing school plays till I was

0:13:57.240 --> 0:14:00.440
<v Speaker 2>in tenth grade. We moved to Conyer's Georgia, and so

0:14:00.559 --> 0:14:05.400
<v Speaker 2>for me acting showbiz that wasn't even on the radar.

0:14:05.800 --> 0:14:08.520
<v Speaker 2>When I would watch television, I would love shows like

0:14:08.720 --> 0:14:11.600
<v Speaker 2>Carol Burnett and Friends, and so I think I got

0:14:11.600 --> 0:14:15.680
<v Speaker 2>bit by the bug then of ensemble comedy making each

0:14:15.720 --> 0:14:19.160
<v Speaker 2>other laugh, not having to be the star of anything

0:14:19.520 --> 0:14:22.760
<v Speaker 2>that really appealed to me at a very early age. Again,

0:14:23.080 --> 0:14:26.760
<v Speaker 2>I did not know of opportunities to participate in that,

0:14:27.520 --> 0:14:30.600
<v Speaker 2>so did the plays in high school. Starting in tenth grade,

0:14:30.680 --> 0:14:35.560
<v Speaker 2>realized I wanted to pursue performance, and I always enjoyed

0:14:35.560 --> 0:14:38.680
<v Speaker 2>getting the comic relief roles or whatever, but again I

0:14:38.680 --> 0:14:42.200
<v Speaker 2>didn't know what my options were. Went to college, didn't

0:14:42.240 --> 0:14:45.000
<v Speaker 2>really get to perform there, but then moving to Chicago,

0:14:45.120 --> 0:14:49.359
<v Speaker 2>but you studied what I got a BS in theater management,

0:14:49.680 --> 0:14:52.120
<v Speaker 2>emphasis on the bs.

0:14:52.200 --> 0:14:55.360
<v Speaker 1>Es now, But were your parents encouraging you back then?

0:14:55.760 --> 0:14:59.600
<v Speaker 2>Performance writers are always very supportive, but again if this

0:14:59.680 --> 0:15:05.160
<v Speaker 2>is in the zeitgeist, if they if there's no understanding

0:15:05.200 --> 0:15:06.960
<v Speaker 2>of what it means to be a performer, and there's

0:15:06.960 --> 0:15:09.960
<v Speaker 2>some lean years in there too, but they were being supportive,

0:15:10.040 --> 0:15:13.480
<v Speaker 2>but because they didn't fully understand what it meant, they're

0:15:13.520 --> 0:15:16.640
<v Speaker 2>just like all right. And their three rules were make

0:15:16.680 --> 0:15:19.560
<v Speaker 2>sure you're able to pay your bills, always have insurance,

0:15:19.960 --> 0:15:21.760
<v Speaker 2>and do something that makes you happy. So I was

0:15:21.800 --> 0:15:23.000
<v Speaker 2>able to check those boxes.

0:15:23.080 --> 0:15:25.040
<v Speaker 1>What did they teach? They were both teachers, right.

0:15:24.920 --> 0:15:28.480
<v Speaker 2>Yes, sir, Mom was health them pe and dad was

0:15:28.720 --> 0:15:30.680
<v Speaker 2>social studies. And I mean decades.

0:15:31.440 --> 0:15:33.440
<v Speaker 1>It's funny you say that that's the word social study.

0:15:33.480 --> 0:15:37.720
<v Speaker 1>My dad taught studies the term they had use.

0:15:37.640 --> 0:15:40.600
<v Speaker 2>That term right, So in a weird way, I kind

0:15:40.640 --> 0:15:44.000
<v Speaker 2>of just assumed I would be a teacher as well,

0:15:44.080 --> 0:15:46.720
<v Speaker 2>that I would have been a good teacher. But I

0:15:46.760 --> 0:15:50.200
<v Speaker 2>am so glad that I was, like, I let curiosity

0:15:50.200 --> 0:15:52.000
<v Speaker 2>get the best of me and be like, I wonder

0:15:52.120 --> 0:15:54.560
<v Speaker 2>what it would be like to try this. I wonder

0:15:54.600 --> 0:15:57.680
<v Speaker 2>what it would be like to move to a different city.

0:15:58.200 --> 0:16:01.720
<v Speaker 2>So I'm so glad I trusted my gut there and

0:16:02.280 --> 0:16:02.920
<v Speaker 2>just went for it.

0:16:03.600 --> 0:16:07.240
<v Speaker 1>Now, would you say that like many people who they

0:16:07.320 --> 0:16:09.480
<v Speaker 1>take a swing at an acting career, at an on

0:16:09.640 --> 0:16:13.120
<v Speaker 1>camera or on stage career, and then they're convinced that

0:16:13.160 --> 0:16:14.800
<v Speaker 1>it's going to be too much of an uphill road,

0:16:15.040 --> 0:16:17.120
<v Speaker 1>so they access some other part of the business. They

0:16:17.160 --> 0:16:19.840
<v Speaker 1>want to get into sets and wardrobe and editing or

0:16:20.160 --> 0:16:23.520
<v Speaker 1>camera or directing or writing anything that's not acting and

0:16:23.560 --> 0:16:26.480
<v Speaker 1>not performing. Did you feel that the theater administration was

0:16:26.560 --> 0:16:30.200
<v Speaker 1>you saw yourself doing something that was just your setting

0:16:30.280 --> 0:16:32.080
<v Speaker 1>your sights on something not performing.

0:16:32.320 --> 0:16:36.000
<v Speaker 2>Honestly, in hindsight, I think I was straddling the fence

0:16:36.000 --> 0:16:37.880
<v Speaker 2>at that point. I was like, there's no way I

0:16:37.880 --> 0:16:41.640
<v Speaker 2>can make a career out of acting. So let me

0:16:41.720 --> 0:16:44.280
<v Speaker 2>get some business courses in here as well, so that

0:16:44.360 --> 0:16:47.240
<v Speaker 2>I can go and be a business person or you know,

0:16:47.360 --> 0:16:51.640
<v Speaker 2>just have a fallback essentially. And I don't regret doing that.

0:16:51.720 --> 0:16:54.080
<v Speaker 2>I mean, I'm not gonna lie. Having some of that

0:16:54.160 --> 0:16:58.000
<v Speaker 2>business background, and especially with like accounting and finance economics,

0:16:58.160 --> 0:17:02.040
<v Speaker 2>that has been immensely helpful for me as a grown up,

0:17:02.240 --> 0:17:04.520
<v Speaker 2>no matter what career or want to chose it. But

0:17:04.560 --> 0:17:06.679
<v Speaker 2>I'm very grateful that I chose it as an actor,

0:17:06.760 --> 0:17:10.520
<v Speaker 2>because I mean, I can balance the checkbook real good

0:17:10.840 --> 0:17:13.560
<v Speaker 2>and just have an understanding. Now, if we want to

0:17:13.600 --> 0:17:16.440
<v Speaker 2>dig deeper, I do have to wonder if I need

0:17:16.480 --> 0:17:20.040
<v Speaker 2>to look at some maybe d programming on my relationship

0:17:20.080 --> 0:17:23.080
<v Speaker 2>with money or planning for the future or anything like that.

0:17:23.240 --> 0:17:25.000
<v Speaker 2>But I think that's just a human thing and it

0:17:25.040 --> 0:17:26.439
<v Speaker 2>wouldn't matter if I was acting or not.

0:17:26.760 --> 0:17:30.199
<v Speaker 1>But I think people rarely or certainly not enough to

0:17:30.200 --> 0:17:33.000
<v Speaker 1>look at performers, especially ones who work a lot and

0:17:33.040 --> 0:17:36.520
<v Speaker 1>have been successful and understand them as people and say

0:17:36.520 --> 0:17:38.960
<v Speaker 1>that if you grow up with tremendous economic insecurity, once

0:17:39.000 --> 0:17:41.440
<v Speaker 1>you come into this business, if you succeed, you don't

0:17:41.480 --> 0:17:43.760
<v Speaker 1>just make a lot of money, you make it fast. Yes,

0:17:44.000 --> 0:17:45.920
<v Speaker 1>Like one day I'm standing there and a guy goes,

0:17:46.200 --> 0:17:47.639
<v Speaker 1>we're gonna make a test deal with you to do

0:17:47.680 --> 0:17:51.159
<v Speaker 1>this TV show. They're gonna get twelve five an episode

0:17:51.240 --> 0:17:53.760
<v Speaker 1>and twenty five for the pilot. And I'm like, my

0:17:53.760 --> 0:17:55.840
<v Speaker 1>Gomer pilot. I will do my Goomer. I'm like, god,

0:17:57.280 --> 0:17:59.760
<v Speaker 1>y'all gonna pay me two thousand, five hundred for the

0:18:00.640 --> 0:18:02.879
<v Speaker 1>and two two fifty for the show and the Like,

0:18:03.040 --> 0:18:05.720
<v Speaker 1>my agent literally on the phonecals, no, you Maron, We're

0:18:05.720 --> 0:18:08.199
<v Speaker 1>gonna pay you twenty five thousand for the pilot and

0:18:08.320 --> 0:18:11.280
<v Speaker 1>twelve thousand five dred an episode. I'm not going all sudden.

0:18:11.440 --> 0:18:14.160
<v Speaker 1>The phone booth I'm in haint hint no phones back

0:18:14.160 --> 0:18:16.919
<v Speaker 1>then is the early eighties. The phone booth I'm in

0:18:17.040 --> 0:18:20.440
<v Speaker 1>near Culver Studios is starts spinning. The room is spinning.

0:18:20.760 --> 0:18:23.919
<v Speaker 2>Yes, I mean it was a shift of gears and

0:18:23.960 --> 0:18:25.920
<v Speaker 2>I just had. You know, it took me a while

0:18:25.920 --> 0:18:29.480
<v Speaker 2>to find my legs. Even with that, I am very

0:18:29.520 --> 0:18:32.439
<v Speaker 2>grateful that I did not get thirty Rock until I

0:18:32.480 --> 0:18:35.280
<v Speaker 2>was thirty three years old, because at that point I

0:18:35.359 --> 0:18:38.679
<v Speaker 2>knew who I was, I knew what things I needed.

0:18:38.720 --> 0:18:40.399
<v Speaker 2>I am not a car guy. I still drive my

0:18:40.400 --> 0:18:42.720
<v Speaker 2>two thousand and four Hundai Accent, So I did not

0:18:42.920 --> 0:18:45.560
<v Speaker 2>go out and buy a Ferrari or anything like that.

0:18:46.080 --> 0:18:48.879
<v Speaker 2>I knew that I wanted a house and I've always always,

0:18:48.960 --> 0:18:50.480
<v Speaker 2>always wanted a swimming pool.

0:18:50.960 --> 0:18:52.400
<v Speaker 1>Do you have a house now, sir?

0:18:52.600 --> 0:18:55.000
<v Speaker 2>Look this is my house. It is my dream house, not.

0:18:55.080 --> 0:18:57.120
<v Speaker 1>The house thirty Rock built.

0:18:57.440 --> 0:18:59.440
<v Speaker 2>When I give the tour, I'm like, well, Tina Fey,

0:18:59.480 --> 0:19:02.240
<v Speaker 2>wont me this exactly? You know that they gave me

0:19:02.280 --> 0:19:05.600
<v Speaker 2>a page uniform for a rap gift, no swear to go.

0:19:05.720 --> 0:19:07.560
<v Speaker 1>Are you kidding me? They said to me, if you

0:19:07.560 --> 0:19:10.320
<v Speaker 1>could take one prop with you, pick one thing you wanted.

0:19:10.320 --> 0:19:12.359
<v Speaker 1>It's a memento of the show. And I still have

0:19:12.400 --> 0:19:14.720
<v Speaker 1>it on my desk and my office, which is there

0:19:14.760 --> 0:19:18.280
<v Speaker 1>was a glass a glass globe of the world mounted

0:19:18.320 --> 0:19:21.320
<v Speaker 1>on a stand like a glass stand. They said, you know,

0:19:21.600 --> 0:19:25.600
<v Speaker 1>ge innovator of nineteen you know ninety nine whatever to

0:19:25.680 --> 0:19:28.119
<v Speaker 1>Jack's period was. And then I have this award I

0:19:28.240 --> 0:19:29.960
<v Speaker 1>was given. It's small, it's like the size of like

0:19:30.000 --> 0:19:32.160
<v Speaker 1>a like I how tall. It was like a coke gift.

0:19:32.760 --> 0:19:34.080
<v Speaker 1>And then they gave it to me and I still

0:19:34.160 --> 0:19:35.400
<v Speaker 1>cherish to tell you.

0:19:36.920 --> 0:19:40.159
<v Speaker 2>Fe also gave me the snow globe that Kenneth holds

0:19:40.200 --> 0:19:42.520
<v Speaker 2>at the very very end of the series that has

0:19:42.680 --> 0:19:46.000
<v Speaker 2>a little tiny thirty rock inside the snow globe, and

0:19:46.040 --> 0:19:46.880
<v Speaker 2>I have it.

0:19:46.680 --> 0:19:50.359
<v Speaker 1>But I'll never forget. When we were contemplating, my ex

0:19:50.440 --> 0:19:53.280
<v Speaker 1>wife was going to come on the show and play

0:19:53.400 --> 0:19:57.119
<v Speaker 1>your stepmother. And she comes to New York to visit you,

0:19:57.160 --> 0:20:00.439
<v Speaker 1>and your father has died down in Stone Mountain and

0:20:00.480 --> 0:20:02.639
<v Speaker 1>your father is dead, and your mother comes up at

0:20:02.680 --> 0:20:05.679
<v Speaker 1>your stepmother and it's my ex wife, Kim Basin, and

0:20:05.720 --> 0:20:07.320
<v Speaker 1>she's gonna come and do the show. And we fall

0:20:07.359 --> 0:20:10.120
<v Speaker 1>in love and get married, and you become quasi illegally

0:20:10.200 --> 0:20:13.119
<v Speaker 1>my step son. I'm your step father, and then I

0:20:13.160 --> 0:20:16.840
<v Speaker 1>make you the president of NBC, of NBC Entertainment. And

0:20:16.960 --> 0:20:21.400
<v Speaker 1>I was almost swallowing my tongue and gagging on this idea.

0:20:21.400 --> 0:20:24.240
<v Speaker 1>It was the funniest. And it was always things they'd

0:20:24.240 --> 0:20:25.840
<v Speaker 1>say to me that I sit there and go, you

0:20:25.840 --> 0:20:28.680
<v Speaker 1>can't be serious, We can't do that. Oh. I was

0:20:28.680 --> 0:20:30.320
<v Speaker 1>always looking at car locking and he'd hand me the

0:20:30.320 --> 0:20:32.760
<v Speaker 1>script on Wednesday before the read through. I'm in the makeup,

0:20:32.840 --> 0:20:34.280
<v Speaker 1>dur In the morning reading the script and I'd say,

0:20:34.320 --> 0:20:36.520
<v Speaker 1>are you out of your fucking mind? We can't do this.

0:20:36.760 --> 0:20:38.479
<v Speaker 1>And he always said the same phrase, he goes, it's

0:20:38.520 --> 0:20:40.720
<v Speaker 1>a big swing, it's a big swing, but we believe

0:20:40.720 --> 0:20:43.000
<v Speaker 1>in you. We know you can make it. I was like,

0:20:43.000 --> 0:20:46.199
<v Speaker 1>you little bastards, I mean, and they always had these

0:20:46.240 --> 0:20:49.160
<v Speaker 1>insane I did well. They didn't do it, obviously, but oh,

0:20:49.200 --> 0:20:50.280
<v Speaker 1>I was dreaming of being.

0:20:50.240 --> 0:20:55.040
<v Speaker 2>Stuff you imagined. Now, mister Baldock, you certainly don't remember this.

0:20:55.600 --> 0:20:58.080
<v Speaker 2>I actually met you before thirty Rock.

0:20:59.040 --> 0:21:01.200
<v Speaker 1>The year was two by buying Flowers.

0:21:01.760 --> 0:21:04.080
<v Speaker 2>L seventh, two thousand and one, you were the host

0:21:04.400 --> 0:21:09.960
<v Speaker 2>of Saturday Night Live with musical guest Coldplay and Tina

0:21:10.000 --> 0:21:12.119
<v Speaker 2>Fey Rachel Jets. They were like, showing me it was

0:21:12.119 --> 0:21:15.080
<v Speaker 2>my first night in New York City. It was that

0:21:15.160 --> 0:21:17.760
<v Speaker 2>was the first time I'd ever visited, and they were like,

0:21:17.800 --> 0:21:19.800
<v Speaker 2>I got to go to the after party and they

0:21:19.880 --> 0:21:21.600
<v Speaker 2>brought me over and I got to meet you very

0:21:21.680 --> 0:21:24.960
<v Speaker 2>very briefly, and they introduced me to Chris Martin from Coldplay.

0:21:25.200 --> 0:21:27.560
<v Speaker 2>And now all these years later, I'm like friends with

0:21:27.600 --> 0:21:31.440
<v Speaker 2>the both of y'all. I know, I can't get over

0:21:31.640 --> 0:21:32.480
<v Speaker 2>I can't.

0:21:32.200 --> 0:21:35.560
<v Speaker 1>Get it is. It is for me that is the magic.

0:21:35.600 --> 0:21:36.640
<v Speaker 1>The people you get to meet.

0:21:36.680 --> 0:21:36.959
<v Speaker 2>I know.

0:21:37.160 --> 0:21:39.280
<v Speaker 1>I mean I say to people, I like, you know,

0:21:39.320 --> 0:21:41.760
<v Speaker 1>thirty rocks to me, which is perfect. But that idea

0:21:41.800 --> 0:21:45.520
<v Speaker 1>that to go in to work with her and be

0:21:45.560 --> 0:21:47.680
<v Speaker 1>the beneficiary of all her great talents. It was really

0:21:47.720 --> 0:21:49.879
<v Speaker 1>like the highlight of my life. Now, when you go

0:21:50.000 --> 0:21:52.720
<v Speaker 1>to Second City, what's that experience like for you? Was

0:21:52.720 --> 0:21:54.920
<v Speaker 1>there a competitive nature to that? Do you go into

0:21:54.960 --> 0:21:57.639
<v Speaker 1>there and you're like, God, that guy's funny and she's funny,

0:21:57.640 --> 0:22:00.760
<v Speaker 1>and you're you want to keep up with them? Well?

0:22:01.359 --> 0:22:05.480
<v Speaker 2>Good question. One thing that really drew me to improvisation

0:22:05.840 --> 0:22:10.320
<v Speaker 2>was the collaboration and the ensemble part of it, and

0:22:11.400 --> 0:22:14.600
<v Speaker 2>really the basic tenets of make your partner look better

0:22:14.640 --> 0:22:19.520
<v Speaker 2>than you do, and that really aligned with what I

0:22:19.760 --> 0:22:22.120
<v Speaker 2>liked doing and what I feel that I was good

0:22:22.119 --> 0:22:25.000
<v Speaker 2>at doing. So Yes, in terms of competition, you have

0:22:25.080 --> 0:22:27.119
<v Speaker 2>to audition and you might get cast and you might not.

0:22:27.359 --> 0:22:28.040
<v Speaker 1>Don't get me wrong.

0:22:28.080 --> 0:22:29.159
<v Speaker 2>At the end of the day, you do have to

0:22:29.160 --> 0:22:33.040
<v Speaker 2>make people laugh, but I appreciated not having to, you know,

0:22:33.080 --> 0:22:35.480
<v Speaker 2>it was not so cutthroat, and I made some of

0:22:35.560 --> 0:22:38.840
<v Speaker 2>the most incredible friends and I learned so much from

0:22:38.920 --> 0:22:41.920
<v Speaker 2>watching people who were better than me, and I think,

0:22:42.000 --> 0:22:43.680
<v Speaker 2>I do have to admit I think, in my heart

0:22:43.720 --> 0:22:46.360
<v Speaker 2>of hearts, I knew that I could succeed at this.

0:22:46.480 --> 0:22:50.320
<v Speaker 2>I knew I could get some traction, but it was

0:22:50.359 --> 0:22:52.919
<v Speaker 2>such a I remember when I decided to focus on

0:22:53.000 --> 0:22:56.679
<v Speaker 2>Second City. It really was a revelatory experience. I was

0:22:56.680 --> 0:22:58.840
<v Speaker 2>sitting in the audience, it was my first time being

0:22:58.920 --> 0:23:01.639
<v Speaker 2>at this theater, even no and what it was seeing

0:23:01.680 --> 0:23:06.560
<v Speaker 2>the show, seeing Adam McKay, Rachel Dretch, all these phenomenal performers,

0:23:06.880 --> 0:23:08.879
<v Speaker 2>and then it was just like the heavens opened up

0:23:08.880 --> 0:23:10.240
<v Speaker 2>and I was like, this is what.

0:23:10.119 --> 0:23:10.679
<v Speaker 1>I want to do.

0:23:10.760 --> 0:23:13.119
<v Speaker 2>They are doing exactly what I want to do, and

0:23:13.160 --> 0:23:15.480
<v Speaker 2>this is their job, and these people are dying like

0:23:15.560 --> 0:23:16.360
<v Speaker 2>it's amazing.

0:23:16.400 --> 0:23:18.439
<v Speaker 1>It was so fun. I went to UCB to do

0:23:18.520 --> 0:23:20.520
<v Speaker 1>the live episode of thirty Rock. We had the strike

0:23:21.320 --> 0:23:23.159
<v Speaker 1>and we go there and because we weren't doing the

0:23:23.160 --> 0:23:24.959
<v Speaker 1>episode due to the strike, we did it live at

0:23:25.040 --> 0:23:29.480
<v Speaker 1>UCB and eighty Falco role the Congressional The congresswoman who

0:23:29.480 --> 0:23:31.639
<v Speaker 1>I was in love with was played by Paula Paula

0:23:31.760 --> 0:23:36.800
<v Speaker 1>Pelle and she walks up to me. Paula Pell who.

0:23:36.920 --> 0:23:39.840
<v Speaker 1>I don't think there's another person in this business I

0:23:39.920 --> 0:23:44.680
<v Speaker 1>worship more as much, maybe like Paula Pell. Oh my god,

0:23:44.960 --> 0:23:46.920
<v Speaker 1>she's the one that wrote all the Tony Bennett sketches,

0:23:47.040 --> 0:23:49.639
<v Speaker 1>you know, hold that thought about blah blah blah. We

0:23:49.920 --> 0:23:54.200
<v Speaker 1>do this spot for you know, lamasille, nail fungus, whatever

0:23:54.200 --> 0:23:56.960
<v Speaker 1>it was. And we do and she goes. You know,

0:23:57.040 --> 0:23:59.679
<v Speaker 1>I dated a woman once who was one one thousand

0:24:00.160 --> 0:24:03.200
<v Speaker 1>gorgeous until it took a shoe shop and her toe

0:24:03.320 --> 0:24:06.440
<v Speaker 1>nails looked like a bunch of barbecue fridos. I mean,

0:24:06.520 --> 0:24:10.119
<v Speaker 1>Paula Pelle wrote this. No clippers contain those poker chips.

0:24:10.840 --> 0:24:14.720
<v Speaker 1>Paula Pelle, Paula Pell, she made me cry. We do

0:24:14.840 --> 0:24:17.919
<v Speaker 1>UCB and she's playing EDI's role, and she walks up

0:24:17.960 --> 0:24:20.200
<v Speaker 1>and she wraps her thigh around my body and starts

0:24:20.240 --> 0:24:23.240
<v Speaker 1>humping me. Oh yeah, slow, like almost imperceptibly. She's the

0:24:23.240 --> 0:24:25.800
<v Speaker 1>funniest fucking woman, like one of the ten I've ever met.

0:24:25.720 --> 0:24:28.200
<v Speaker 2>In my life, and nice and generous with a laugh.

0:24:28.640 --> 0:24:30.960
<v Speaker 2>She's sweet as she's the best. She's the best.

0:24:31.320 --> 0:24:34.479
<v Speaker 1>But when we did the show live, I thought to myself,

0:24:34.520 --> 0:24:37.280
<v Speaker 1>I could never last with these people. You must have

0:24:37.320 --> 0:24:39.560
<v Speaker 1>loved every minute I did. I did. How long were

0:24:39.600 --> 0:24:40.200
<v Speaker 1>you there.

0:24:40.119 --> 0:24:42.680
<v Speaker 2>At Second City? I was there for about seven years,

0:24:43.200 --> 0:24:47.200
<v Speaker 2>did three resident stages, the first one directed by Jeff Richmond,

0:24:47.560 --> 0:24:49.639
<v Speaker 2>and then when I did move to New York, for

0:24:49.680 --> 0:24:52.119
<v Speaker 2>those three years I was able to do ucb Amy

0:24:52.119 --> 0:24:54.840
<v Speaker 2>Poehler was in town. All the SNL gang would come

0:24:54.880 --> 0:24:56.800
<v Speaker 2>for the Sunday night Asscat show.

0:24:57.280 --> 0:24:58.840
<v Speaker 1>It really fell Asscat.

0:24:58.920 --> 0:25:00.560
<v Speaker 2>That's it, sir, Yes, sir, I.

0:25:00.520 --> 0:25:02.080
<v Speaker 1>Want to go do ascast they asked to do, Like

0:25:02.119 --> 0:25:04.119
<v Speaker 1>I would just play say one line. Yeah, they had

0:25:04.200 --> 0:25:06.440
<v Speaker 1>me come on stage and say some something that would

0:25:06.520 --> 0:25:07.280
<v Speaker 1>launch the show.

0:25:07.440 --> 0:25:09.760
<v Speaker 2>Yes, sir, you would. You would give like a monologue

0:25:09.760 --> 0:25:12.400
<v Speaker 2>that would inspire the improvisation that would happen after that.

0:25:12.600 --> 0:25:14.840
<v Speaker 2>But fella, I tell you what my whole thing. You know,

0:25:14.880 --> 0:25:16.800
<v Speaker 2>it's so interesting when people are just like, oh, I

0:25:16.840 --> 0:25:20.040
<v Speaker 2>could never do improv. I And for me, improv is

0:25:20.119 --> 0:25:23.400
<v Speaker 2>like breathing. But my argument is, like everybody's doing improv

0:25:23.600 --> 0:25:26.200
<v Speaker 2>all the time. I mean, we're not giving the script

0:25:26.359 --> 0:25:29.280
<v Speaker 2>to like go around and like say lines all day.

0:25:29.840 --> 0:25:32.120
<v Speaker 2>So for me, it's just the interaction with the other

0:25:32.160 --> 0:25:36.439
<v Speaker 2>people on stage, the supporting that. Yes, anding it's just

0:25:36.640 --> 0:25:39.600
<v Speaker 2>I mean baked within me. But I do understand how

0:25:39.640 --> 0:25:42.280
<v Speaker 2>some people would be reticent to do so. But I

0:25:42.320 --> 0:25:44.879
<v Speaker 2>can totally vouch that anybody can do improv.

0:25:45.320 --> 0:25:47.399
<v Speaker 1>Two quick things they want to ask you. One is

0:25:47.560 --> 0:25:51.399
<v Speaker 1>thirty Rock was a show that was adorned with guest stars.

0:25:52.119 --> 0:25:54.399
<v Speaker 1>We had so many famous people come on that was

0:25:54.440 --> 0:25:56.840
<v Speaker 1>just ridiculous. And was it one you had a special

0:25:57.040 --> 0:25:59.119
<v Speaker 1>feeling for that? I mean, I'm sure there's many, but

0:25:59.240 --> 0:26:02.040
<v Speaker 1>what's what's one that's stands out in your mind? So many?

0:26:02.160 --> 0:26:05.400
<v Speaker 2>You know, I became such good friends with John Hamm

0:26:05.440 --> 0:26:07.800
<v Speaker 2>because of his time on thirty Rock, But I do

0:26:07.880 --> 0:26:11.199
<v Speaker 2>have to say one that was just I still to

0:26:11.240 --> 0:26:14.480
<v Speaker 2>this day can't get over it. Tim Conway, who joined

0:26:14.520 --> 0:26:17.120
<v Speaker 2>us for the episode I believe it was called Subway Hero,

0:26:17.800 --> 0:26:20.280
<v Speaker 2>and all of my scenes were with him, and he

0:26:20.760 --> 0:26:24.560
<v Speaker 2>was my comedy hero growing up, so watching Carol Burnette

0:26:24.560 --> 0:26:28.119
<v Speaker 2>and friends, watching him, watching him and Don Nott's do

0:26:28.480 --> 0:26:30.080
<v Speaker 2>their two person movies, and.

0:26:30.040 --> 0:26:32.879
<v Speaker 1>Marvin Corman on all of them, all of them. I

0:26:32.960 --> 0:26:33.919
<v Speaker 1>loved Harvey Korman.

0:26:34.119 --> 0:26:36.679
<v Speaker 2>God bless but so to be able to meet my

0:26:36.760 --> 0:26:40.000
<v Speaker 2>comedy hero, and he lived up to all of my

0:26:40.080 --> 0:26:44.320
<v Speaker 2>hopes and expectations, and we got to become friends. After that,

0:26:44.640 --> 0:26:47.000
<v Speaker 2>I would go and have lunch with him and his family,

0:26:47.400 --> 0:26:50.400
<v Speaker 2>like it was the best. It was the best when

0:26:50.400 --> 0:26:54.760
<v Speaker 2>you meet your hero and they absolutely live up to expectations.

0:26:54.960 --> 0:26:56.800
<v Speaker 1>So you'd say that Conway, where's your family?

0:26:56.920 --> 0:26:59.400
<v Speaker 2>Yes, sir, among your yes, just because again, like when

0:26:59.440 --> 0:27:03.240
<v Speaker 2>I take that stick back, I can't believe what we

0:27:03.240 --> 0:27:05.560
<v Speaker 2>were able to do and who we were able to

0:27:05.560 --> 0:27:08.840
<v Speaker 2>play with and Tim Conway, what a joy. We had

0:27:08.880 --> 0:27:11.520
<v Speaker 2>so many fun people come here. I can't believe. Catherine

0:27:11.520 --> 0:27:14.600
<v Speaker 2>O'Hara played my mom. Katherine O'Hara, You.

0:27:14.560 --> 0:27:17.359
<v Speaker 1>Know, I was always knocked out. I worshiped Carrie Fisher.

0:27:17.400 --> 0:27:20.400
<v Speaker 1>She came on the show. I loved Carrie. I mean

0:27:20.760 --> 0:27:23.600
<v Speaker 1>there were people on her episodes a great episode and

0:27:23.600 --> 0:27:25.080
<v Speaker 1>there were people that came out. But of course, even

0:27:25.119 --> 0:27:27.320
<v Speaker 1>though she wasn't a guest star, she was more of

0:27:27.400 --> 0:27:31.000
<v Speaker 1>us recurring character. Everybody's eclipsed by Elaine, who played my mother.

0:27:31.160 --> 0:27:33.680
<v Speaker 1>When I was doing those scenes with Elaine, oh I was.

0:27:33.880 --> 0:27:35.320
<v Speaker 1>I just couldn't help it, and she was, and she

0:27:35.400 --> 0:27:36.280
<v Speaker 1>taught me so much.

0:27:36.480 --> 0:27:36.800
<v Speaker 2>She did.

0:27:36.840 --> 0:27:39.080
<v Speaker 1>You could tell she was completely contrived and completely fake.

0:27:39.560 --> 0:27:41.439
<v Speaker 1>She would pretend to blow a line at the end

0:27:41.480 --> 0:27:43.439
<v Speaker 1>of the take. She was buying herself rehearsal time. She

0:27:43.560 --> 0:27:45.680
<v Speaker 1>do take one, take two, flub the line, Take three,

0:27:45.680 --> 0:27:47.640
<v Speaker 1>flip the line, Take four, flub the line. Take five,

0:27:47.680 --> 0:27:49.760
<v Speaker 1>get more of the line. Take six, git almost the

0:27:49.760 --> 0:27:52.720
<v Speaker 1>whole line. Then by seven she was warmed up, and

0:27:52.760 --> 0:27:55.160
<v Speaker 1>then she'd just go like she was skeet shooting. She'd

0:27:55.200 --> 0:27:58.320
<v Speaker 1>be like pol and she shoot all the clays out

0:27:58.320 --> 0:27:59.879
<v Speaker 1>of the sky. She nailed.

0:28:00.000 --> 0:28:03.320
<v Speaker 2>He mailed it. My first interaction with miss Stritch was

0:28:03.440 --> 0:28:06.600
<v Speaker 2>I think one of her first episodes. She came down

0:28:06.840 --> 0:28:09.040
<v Speaker 2>and so we put her in a guest dressing room

0:28:09.040 --> 0:28:11.199
<v Speaker 2>that was just down the hall from mine, and so

0:28:11.280 --> 0:28:14.840
<v Speaker 2>here I am sitting in my page uniform, and she

0:28:15.000 --> 0:28:17.520
<v Speaker 2>hated to get some ice. She's like, this sofa needs

0:28:17.560 --> 0:28:20.399
<v Speaker 2>to come out of my dressing room. I'm like, and

0:28:20.440 --> 0:28:22.600
<v Speaker 2>I'll tell you what. Instead of trying to explain to

0:28:22.640 --> 0:28:26.200
<v Speaker 2>her like, oh, madam, I'm an actor, I was just like, Okay,

0:28:26.400 --> 0:28:28.960
<v Speaker 2>this is a costume about me and Vanessa Hoffman.

0:28:29.040 --> 0:28:32.480
<v Speaker 1>We're in Queen's Actually we're not in Manhattan. On Rockefelle Plaza.

0:28:32.760 --> 0:28:35.800
<v Speaker 2>Me and little Vanessa Hoffman were lugging this giant sofa

0:28:35.840 --> 0:28:37.840
<v Speaker 2>out of her dressing room just because it was easier

0:28:37.840 --> 0:28:38.200
<v Speaker 2>that way.

0:28:39.320 --> 0:28:45.040
<v Speaker 1>She thought you were the help well actor and comedian

0:28:45.240 --> 0:28:48.920
<v Speaker 1>Jack mcbraar. If you're enjoying this conversation, tell a friend

0:28:49.280 --> 0:28:51.960
<v Speaker 1>and be sure to follow Here's the Thing on the

0:28:52.000 --> 0:28:56.920
<v Speaker 1>iHeartRadio app, Spotify or wherever you get your podcasts. When

0:28:57.000 --> 0:29:00.440
<v Speaker 1>we come back, Jack McBriar shares the inspiration for his

0:29:00.480 --> 0:29:14.200
<v Speaker 1>new show Zillow Gone Wild. I'm atc Baldwin and you're

0:29:14.240 --> 0:29:17.920
<v Speaker 1>listening to Here's the Thing. In addition to his memorable

0:29:18.000 --> 0:29:22.720
<v Speaker 1>television work, Jack mcbrair is also a thespian. He performed

0:29:22.760 --> 0:29:26.040
<v Speaker 1>in the Broadway hit Waitress in London's West End and

0:29:26.120 --> 0:29:29.400
<v Speaker 1>in the Gershwin musical Crazy for You at Lincoln Center.

0:29:29.960 --> 0:29:33.680
<v Speaker 1>I was curious if McBriar had any traditional theater training

0:29:33.960 --> 0:29:34.680
<v Speaker 1>or background.

0:29:35.720 --> 0:29:38.120
<v Speaker 2>High school theater really didn't do it in college, No,

0:29:38.320 --> 0:29:40.959
<v Speaker 2>I mean Second City was live performance and it was,

0:29:41.000 --> 0:29:43.000
<v Speaker 2>you know, eight shows a week. But that was the

0:29:43.080 --> 0:29:45.760
<v Speaker 2>easy stuff. When I sometimes I just say yes to

0:29:45.840 --> 0:29:47.720
<v Speaker 2>things to see what it is like and to kind

0:29:47.720 --> 0:29:50.360
<v Speaker 2>of scare myself. So saying yes to that one night

0:29:50.400 --> 0:29:53.720
<v Speaker 2>only performance of Crazy for you was terrifying, but we

0:29:54.040 --> 0:29:56.520
<v Speaker 2>did it and it was really fun saying yes to

0:29:56.880 --> 0:29:59.880
<v Speaker 2>six months in London on the West End doing Waitress.

0:30:00.360 --> 0:30:02.920
<v Speaker 2>It was terrifying, but I said yes, and I did it,

0:30:03.080 --> 0:30:05.000
<v Speaker 2>and I'm just I'm proud of myself.

0:30:05.120 --> 0:30:07.000
<v Speaker 1>Go over over there were you had you already done

0:30:07.040 --> 0:30:08.360
<v Speaker 1>thirty Rock when you do Waitress?

0:30:08.600 --> 0:30:11.200
<v Speaker 2>Uh? Yes, I believe Crazy for You is twenty seventeen

0:30:11.280 --> 0:30:13.320
<v Speaker 2>and then Waitress was twenty nineteen.

0:30:13.920 --> 0:30:15.800
<v Speaker 1>So you went there just a few years ago, and like,

0:30:15.840 --> 0:30:18.040
<v Speaker 1>how did you? I mean, I mean, I'm always terrified

0:30:18.040 --> 0:30:20.120
<v Speaker 1>of this, of performing over there. I'm like, how did

0:30:20.160 --> 0:30:22.960
<v Speaker 1>you go over with a British audience? Oh gosh?

0:30:22.960 --> 0:30:25.920
<v Speaker 2>Everybody was super kind. Now, what was interesting is it

0:30:26.000 --> 0:30:29.240
<v Speaker 2>was a musical and I mean, I can sort of

0:30:29.240 --> 0:30:31.200
<v Speaker 2>carry a tune, but I am not a singer. Our

0:30:31.240 --> 0:30:34.360
<v Speaker 2>star was like Katherine McPhee, who is a singer. But

0:30:34.440 --> 0:30:36.360
<v Speaker 2>the good news was as the comic relief, I had more,

0:30:36.600 --> 0:30:38.880
<v Speaker 2>you know, of the power songs. But i tell you what,

0:30:38.960 --> 0:30:42.120
<v Speaker 2>Like those reviews were just like, well, not the strongest singer,

0:30:42.200 --> 0:30:45.440
<v Speaker 2>he's definitely delightfully funny, and I'm like, I'll take it.

0:30:46.480 --> 0:30:49.800
<v Speaker 1>Yes, a basket of chim and when you did thirty Rock.

0:30:49.800 --> 0:30:52.800
<v Speaker 1>I'm curious when anything you do with improv you have

0:30:52.920 --> 0:30:56.040
<v Speaker 1>more of a somewhat of an influence and a contribution

0:30:56.120 --> 0:30:58.600
<v Speaker 1>to this in terms of the text and the material,

0:30:58.800 --> 0:31:00.719
<v Speaker 1>when you were doing thirty Rock or anything you've done,

0:31:00.760 --> 0:31:02.840
<v Speaker 1>if people come to you and asked you for your

0:31:03.280 --> 0:31:05.520
<v Speaker 1>input into the material or you just take the script

0:31:05.560 --> 0:31:07.720
<v Speaker 1>on thirty Ruck and do it as written, they never

0:31:07.840 --> 0:31:09.640
<v Speaker 1>asked you what your thoughts were about the material.

0:31:10.000 --> 0:31:12.480
<v Speaker 2>It was rare that they would ever ask me what

0:31:12.560 --> 0:31:15.120
<v Speaker 2>I thought on thirty Rock. And the good news was,

0:31:15.240 --> 0:31:18.880
<v Speaker 2>you know, the cripts were pretty fantastic. Now, with that

0:31:18.960 --> 0:31:22.520
<v Speaker 2>being said, I don't bring nothing to the table. And

0:31:22.560 --> 0:31:25.320
<v Speaker 2>there were a few times where you know, it was

0:31:25.400 --> 0:31:28.160
<v Speaker 2>just like really and it was so rare, but I'll

0:31:28.200 --> 0:31:30.840
<v Speaker 2>never forget. There was one time they made Kenneth speak

0:31:30.920 --> 0:31:34.120
<v Speaker 2>gibberish and I was like, well, as they say in

0:31:34.200 --> 0:31:38.000
<v Speaker 2>Stone Mountain, old gig to see sell people. And I

0:31:38.040 --> 0:31:41.440
<v Speaker 2>will never forget it was Carlock Matt Hubbard, maybe both

0:31:41.480 --> 0:31:45.160
<v Speaker 2>of them said no, no, it's sea salt gone pee.

0:31:45.200 --> 0:31:49.040
<v Speaker 2>Paul on the like, oh wait are these real words? No? No,

0:31:49.520 --> 0:31:53.600
<v Speaker 2>I was like mm hmm, okay, So just having to

0:31:54.280 --> 0:31:57.480
<v Speaker 2>get gibberish down correctly. But at the same time it

0:31:57.520 --> 0:32:00.120
<v Speaker 2>was just like if you trust those scripts, then who care,

0:32:00.400 --> 0:32:03.600
<v Speaker 2>like just say the words cash the check taking that

0:32:04.080 --> 0:32:07.040
<v Speaker 2>you know? It is interesting because again you were the

0:32:07.080 --> 0:32:10.040
<v Speaker 2>one who's like Jack, you should think about voice acting.

0:32:10.600 --> 0:32:13.440
<v Speaker 2>And now what I have learned in the years that

0:32:13.440 --> 0:32:15.760
<v Speaker 2>I've been able to do it is, I guess in

0:32:15.800 --> 0:32:18.960
<v Speaker 2>the voice acting world, I have what's called a signature voice,

0:32:19.360 --> 0:32:22.160
<v Speaker 2>meaning like, when you hire me, this is what you're

0:32:22.160 --> 0:32:24.280
<v Speaker 2>gonna get. And so even though I've been able to

0:32:24.280 --> 0:32:26.280
<v Speaker 2>do all sorts of different characters, they all kind of

0:32:26.320 --> 0:32:29.560
<v Speaker 2>sound alike as opposed to it well, and I mean,

0:32:29.640 --> 0:32:32.720
<v Speaker 2>I'm okay with it. But you know those actors who

0:32:32.720 --> 0:32:35.200
<v Speaker 2>work on the Simpsons who do like twelve different voices

0:32:35.240 --> 0:32:37.880
<v Speaker 2>and stuff. I just don't have that skill set. So

0:32:38.000 --> 0:32:42.920
<v Speaker 2>I am very deferential. Like I am very I give

0:32:42.960 --> 0:32:46.960
<v Speaker 2>all accolades to people who are just better trained at

0:32:47.040 --> 0:32:47.960
<v Speaker 2>voice acting than me.

0:32:48.480 --> 0:32:51.760
<v Speaker 1>Now thirty Rock was over, and you wouldn't did describe this?

0:32:51.880 --> 0:32:53.320
<v Speaker 1>What is the children's show you did?

0:32:53.560 --> 0:32:54.240
<v Speaker 3>Oh?

0:32:54.280 --> 0:32:56.680
<v Speaker 2>The preschool show that I was able to do for Apple,

0:32:56.800 --> 0:32:58.920
<v Speaker 2>Hello Jack, the Kindness show.

0:32:58.960 --> 0:33:01.400
<v Speaker 1>Whose idea was that it was mine, and why did

0:33:01.440 --> 0:33:02.360
<v Speaker 1>you want to go in that direction?

0:33:03.080 --> 0:33:05.959
<v Speaker 2>Well, it was another like revelatory kind of thing. I

0:33:06.000 --> 0:33:08.160
<v Speaker 2>had just reached a point. So this would have been

0:33:08.200 --> 0:33:12.120
<v Speaker 2>maybe in like twenty seventeen, where I have never been

0:33:12.400 --> 0:33:18.280
<v Speaker 2>very politically active or even really politically aware, because the

0:33:18.320 --> 0:33:21.720
<v Speaker 2>sad reason is I didn't have to be. And in

0:33:21.720 --> 0:33:24.360
<v Speaker 2>twenty seventeen, I think I just started paying more attention

0:33:24.480 --> 0:33:27.280
<v Speaker 2>to the state of the world and how people were

0:33:27.320 --> 0:33:30.360
<v Speaker 2>behaving towards each other. And it hurt my heart. It

0:33:30.440 --> 0:33:36.160
<v Speaker 2>surprised me, and it disappointed me, and I was confused.

0:33:36.280 --> 0:33:37.040
<v Speaker 1>I was like, I.

0:33:36.960 --> 0:33:41.040
<v Speaker 2>Thought human beings, I thought grown ups knew how to

0:33:41.360 --> 0:33:45.040
<v Speaker 2>treat each other with compassion and this kind of thing.

0:33:45.120 --> 0:33:48.440
<v Speaker 2>And so as I felt my heart breaking, I was like, well,

0:33:48.560 --> 0:33:50.720
<v Speaker 2>but what can I do about it? And I'm start

0:33:50.720 --> 0:33:54.000
<v Speaker 2>writing checks to every organization that I think can benefit

0:33:54.040 --> 0:33:55.960
<v Speaker 2>from it. But then I was like, but what can

0:33:56.080 --> 0:34:01.120
<v Speaker 2>Jack mcbrair do with his very limited skill? And so

0:34:01.880 --> 0:34:04.360
<v Speaker 2>I thought about it, and I was like, you know,

0:34:04.400 --> 0:34:06.600
<v Speaker 2>everybody's treating each other so rudely, and these are like

0:34:06.720 --> 0:34:10.000
<v Speaker 2>lessons that we should have learned as children, like on

0:34:10.160 --> 0:34:14.680
<v Speaker 2>mister Rogers neighborhood. And then I was like, Oh, I

0:34:14.760 --> 0:34:18.520
<v Speaker 2>want to do a show very much like mister Rogers

0:34:18.600 --> 0:34:24.520
<v Speaker 2>Neighborhood that teaches messages of kindness and compassion and listening

0:34:24.640 --> 0:34:26.880
<v Speaker 2>and patient, you know, like just all the good things.

0:34:27.000 --> 0:34:31.200
<v Speaker 2>And where'd you shoot that beautiful Seami Valley, California?

0:34:31.280 --> 0:34:34.680
<v Speaker 1>Have you been? My God? That brings out the best

0:34:34.719 --> 0:34:37.120
<v Speaker 1>in all of us? Doesn't some one of the greatest

0:34:37.120 --> 0:34:38.080
<v Speaker 1>shows in history.

0:34:38.800 --> 0:34:41.320
<v Speaker 2>It was a joy. It was definitely a labor of love.

0:34:41.440 --> 0:34:43.680
<v Speaker 2>It was a great deal of work because it was

0:34:43.840 --> 0:34:46.960
<v Speaker 2>live action, it was preschool. The curriculum for preschool is

0:34:47.200 --> 0:34:50.440
<v Speaker 2>very exacting, and I wanted to do it correctly. So

0:34:50.560 --> 0:34:52.480
<v Speaker 2>the good news is I surrounded myself with a lot

0:34:52.520 --> 0:34:55.920
<v Speaker 2>of experts and consultants and professionals who knew what they

0:34:55.960 --> 0:34:58.479
<v Speaker 2>were talking about, and we did it. And I'm very

0:34:58.520 --> 0:35:01.919
<v Speaker 2>proud we got, you know how many episodes? Let's see,

0:35:01.960 --> 0:35:05.640
<v Speaker 2>I think we did eighteen total over two seasons, with

0:35:05.719 --> 0:35:09.080
<v Speaker 2>a tremendous cast of young actors. And that was a

0:35:09.120 --> 0:35:11.000
<v Speaker 2>whole new thing for me, working with like six year

0:35:11.000 --> 0:35:14.560
<v Speaker 2>old children who knew their lines better than me. And

0:35:15.040 --> 0:35:17.560
<v Speaker 2>I'm very proud of what I was able to do.

0:35:17.840 --> 0:35:19.880
<v Speaker 2>I'm curious to see what the next thing is, because

0:35:19.920 --> 0:35:22.960
<v Speaker 2>now that this has been opened up to me again,

0:35:22.960 --> 0:35:24.880
<v Speaker 2>you're catching me at an interesting time where I'm like,

0:35:24.960 --> 0:35:28.680
<v Speaker 2>what am I doing? What am I supposed to be doing?

0:35:28.719 --> 0:35:33.839
<v Speaker 2>What is my raison etra? What is my purpose? And

0:35:34.360 --> 0:35:37.440
<v Speaker 2>it's not scary. It doesn't give me anxiety or make

0:35:37.480 --> 0:35:39.880
<v Speaker 2>me feel desperate or anything. It really is just that

0:35:40.040 --> 0:35:42.600
<v Speaker 2>curiosity like what can I be doing?

0:35:42.840 --> 0:35:45.359
<v Speaker 1>Now? Well you're doing Are you doing Zillo Goes Wild now?

0:35:45.440 --> 0:35:46.160
<v Speaker 1>Or that's done?

0:35:46.640 --> 0:35:48.200
<v Speaker 2>I'm doing Zillo Gone Wild?

0:35:48.400 --> 0:35:49.359
<v Speaker 1>So you're doing that now?

0:35:49.640 --> 0:35:52.920
<v Speaker 2>Yes, sir, which is a very fun and easy travel

0:35:52.960 --> 0:35:55.440
<v Speaker 2>show on HGTV. And what I do love about that

0:35:55.600 --> 0:35:58.160
<v Speaker 2>is I just get to go into these strangers' homes

0:35:58.560 --> 0:36:01.120
<v Speaker 2>and they give me a tool or of their incredibly

0:36:01.160 --> 0:36:05.360
<v Speaker 2>weird and wild homes and it's so fun. So I

0:36:05.520 --> 0:36:08.440
<v Speaker 2>like it really makes me think, like, Okay, is my superpower?

0:36:08.640 --> 0:36:12.359
<v Speaker 2>Just making people feel comfortable? Is my superpower? Just that

0:36:12.480 --> 0:36:15.920
<v Speaker 2>I make friends pretty quickly and pretty easily. And if so,

0:36:16.200 --> 0:36:18.640
<v Speaker 2>I love it. What can I do with that?

0:36:19.239 --> 0:36:20.640
<v Speaker 1>You know? But you are doing it?

0:36:20.760 --> 0:36:23.560
<v Speaker 2>Well, I am doing it, But like, what more can

0:36:23.600 --> 0:36:25.960
<v Speaker 2>I do? Like? Am I supposed to run for office?

0:36:26.040 --> 0:36:29.080
<v Speaker 2>Am I gonna be a diplomat, Like I'm not saying

0:36:29.160 --> 0:36:32.040
<v Speaker 2>like quit anything that I'm doing. What else can I

0:36:32.120 --> 0:36:34.600
<v Speaker 2>do that will scratch the curiosity.

0:36:34.600 --> 0:36:38.400
<v Speaker 1>Your warmth and your kindness? So I wonder sometimes do

0:36:38.480 --> 0:36:40.200
<v Speaker 1>people come up to you in public? They must come

0:36:40.200 --> 0:36:42.360
<v Speaker 1>to you all the time, and do they want the

0:36:42.440 --> 0:36:45.040
<v Speaker 1>relationship with Kenneth the Page to go another step further

0:36:45.080 --> 0:36:47.760
<v Speaker 1>now that they've met you? Can we go have lunch together?

0:36:48.280 --> 0:36:49.600
<v Speaker 1>Can we go have a coffee to gother? Do you

0:36:49.640 --> 0:36:51.560
<v Speaker 1>find people that are really really drawn to you that way?

0:36:51.800 --> 0:36:53.759
<v Speaker 2>I mean, like, I'm not hard to talk to. I

0:36:53.760 --> 0:36:56.480
<v Speaker 2>can make friends with wallpaper, but I like that.

0:36:56.400 --> 0:36:58.200
<v Speaker 1>In the airport they're like, you're gonna miss your flight

0:36:58.200 --> 0:37:01.480
<v Speaker 1>because they won't shut up, which they love you, I

0:37:01.480 --> 0:37:02.680
<v Speaker 1>would suspect.

0:37:02.280 --> 0:37:04.760
<v Speaker 2>Yes, it's not far from the truth.

0:37:04.880 --> 0:37:07.080
<v Speaker 1>That's you get a very warm response from people in

0:37:07.520 --> 0:37:10.680
<v Speaker 1>what you Deserve because you really really brought such an

0:37:10.840 --> 0:37:13.480
<v Speaker 1>essential ingredient to that show. Now, my last question, yes,

0:37:14.000 --> 0:37:16.600
<v Speaker 1>is you're on thirty Rock about Somebody. But these shows

0:37:16.600 --> 0:37:19.759
<v Speaker 1>you've done subsequently were your creation? Do you like doing

0:37:19.760 --> 0:37:21.239
<v Speaker 1>that you see yourself doing more of that or was

0:37:21.280 --> 0:37:22.880
<v Speaker 1>it more work than you envisioned?

0:37:22.960 --> 0:37:25.759
<v Speaker 2>No? No, you know, depending on the project, it can

0:37:25.800 --> 0:37:28.000
<v Speaker 2>be a great deal of work, but also it depends

0:37:28.040 --> 0:37:29.680
<v Speaker 2>on where my heart is for that. So I am

0:37:29.719 --> 0:37:32.920
<v Speaker 2>so grateful for the chance to be a co creator

0:37:32.920 --> 0:37:35.520
<v Speaker 2>on a show, EP on a show, but I definitely

0:37:35.560 --> 0:37:38.400
<v Speaker 2>want to continue to do that. The most important aspect

0:37:38.440 --> 0:37:41.120
<v Speaker 2>of that to me, though, is the collaboration with people

0:37:41.160 --> 0:37:44.879
<v Speaker 2>that I like, I trust are talented. That has been

0:37:45.040 --> 0:37:48.800
<v Speaker 2>the most amazing gift to me about this crazy business

0:37:48.800 --> 0:37:53.040
<v Speaker 2>that we've chosen. Meeting these people who have such diverse

0:37:53.160 --> 0:37:57.880
<v Speaker 2>talents and you're able to create something together that is

0:37:57.920 --> 0:38:01.239
<v Speaker 2>so special to me, and that is very mean to me.

0:38:01.560 --> 0:38:04.000
<v Speaker 2>I don't need to be the solo artist. I don't

0:38:04.000 --> 0:38:07.200
<v Speaker 2>need to be the star. I like working with other people,

0:38:07.320 --> 0:38:11.000
<v Speaker 2>and I want to keep creating things that people enjoy,

0:38:11.200 --> 0:38:14.840
<v Speaker 2>enjoy with comfort, laugh at, can have kids watch.

0:38:15.280 --> 0:38:17.160
<v Speaker 1>I like all of that. All right. Let me just

0:38:17.239 --> 0:38:19.800
<v Speaker 1>say that I'm so happy for you. And when the

0:38:19.840 --> 0:38:22.400
<v Speaker 1>show's over, you went out there, you got your house,

0:38:22.880 --> 0:38:26.319
<v Speaker 1>you got your pool. It's all coming together for you,

0:38:26.320 --> 0:38:29.479
<v Speaker 1>your vision of show business success, which I love because

0:38:29.480 --> 0:38:31.160
<v Speaker 1>if I had it to do over again, I would

0:38:31.200 --> 0:38:33.920
<v Speaker 1>have enjoyed myself more sure. My love to you. My

0:38:34.000 --> 0:38:34.759
<v Speaker 1>deep love to you.

0:38:35.120 --> 0:38:37.760
<v Speaker 2>This was a delight.

0:38:38.719 --> 0:38:42.040
<v Speaker 1>As Jack mcbrair and I were wrapping up, my producers

0:38:42.040 --> 0:38:46.160
<v Speaker 1>brought on a special guest, Kevin Brown, who thirty Rock

0:38:46.239 --> 0:38:50.440
<v Speaker 1>fans will recognize as dot Com Tracy Jordan's bodyguard and

0:38:50.560 --> 0:38:53.960
<v Speaker 1>right hand man. Brown surprised us at the end of

0:38:54.000 --> 0:38:57.720
<v Speaker 1>the taping, dressed head to toe in a graduation gown.

0:38:58.520 --> 0:39:02.000
<v Speaker 1>All no way, Kevin, where'd you graduate from? Is your

0:39:02.040 --> 0:39:02.959
<v Speaker 1>graduation time?

0:39:03.120 --> 0:39:05.880
<v Speaker 4>It's today, and it's from City College and it's a

0:39:05.920 --> 0:39:06.880
<v Speaker 4>master's degree.

0:39:07.080 --> 0:39:13.160
<v Speaker 2>Buddy, congratulations Kevin, you a master's and what well, I

0:39:13.280 --> 0:39:16.919
<v Speaker 2>just say Black studies, but it's called Study of the Americas.

0:39:17.320 --> 0:39:18.720
<v Speaker 1>I like Black studies better.

0:39:18.880 --> 0:39:22.279
<v Speaker 4>I'm a Black study scholar. I'm an adjunct professor at

0:39:22.360 --> 0:39:25.000
<v Speaker 4>Hunter College and I'm still do a stand up comedy.

0:39:25.120 --> 0:39:27.080
<v Speaker 1>My god, how wonderful, Kevin.

0:39:27.520 --> 0:39:28.880
<v Speaker 2>Oh, I miss you, buddy.

0:39:29.160 --> 0:39:29.680
<v Speaker 1>Good for you.

0:39:30.200 --> 0:39:32.640
<v Speaker 4>I promised my mother in eighty eight when I was

0:39:32.719 --> 0:39:35.040
<v Speaker 4>dropping out, that I go back one day with no

0:39:35.160 --> 0:39:38.840
<v Speaker 4>intentions of going back. So twenty twenty one, she sadly

0:39:38.880 --> 0:39:42.120
<v Speaker 4>passed away. But I realized I didn't honor that promise

0:39:42.160 --> 0:39:44.680
<v Speaker 4>to her, and it became the most important decision I

0:39:44.719 --> 0:39:45.440
<v Speaker 4>haven't made in my life.

0:39:45.480 --> 0:39:46.319
<v Speaker 1>I have to go back.

0:39:46.400 --> 0:39:48.840
<v Speaker 4>So I went back and got my bachelor's in twenty

0:39:48.920 --> 0:39:52.160
<v Speaker 4>twenty one, and then I got my master's and it

0:39:52.200 --> 0:39:54.240
<v Speaker 4>took about two years. I think it was from twenty

0:39:54.280 --> 0:39:57.719
<v Speaker 4>twenty two to today, buddy. The timing of connecting with

0:39:57.760 --> 0:40:01.520
<v Speaker 4>you guys because I miss you, guys, Kevin. My classmates

0:40:01.560 --> 0:40:03.839
<v Speaker 4>ask me about you guys all the time. But it's

0:40:03.840 --> 0:40:04.800
<v Speaker 4>great to see you.

0:40:04.800 --> 0:40:08.439
<v Speaker 2>You two, you too, Bunny, congratulations, Pal, Well, my love

0:40:08.480 --> 0:40:09.000
<v Speaker 2>to you both.

0:40:09.040 --> 0:40:12.680
<v Speaker 1>Good to see you. Listen, Kevin, sincerely, congratulations. You should

0:40:12.719 --> 0:40:14.960
<v Speaker 1>be very proud of yourself. That's an amazing achievement.

0:40:15.400 --> 0:40:18.400
<v Speaker 4>Well, I tell you, it's a pleasure to see you guys.

0:40:18.880 --> 0:40:22.799
<v Speaker 1>Jac you are hilarious. You stole the many scenes from

0:40:22.840 --> 0:40:25.439
<v Speaker 1>all of us. See that's the second person that said

0:40:25.440 --> 0:40:28.080
<v Speaker 1>the same thing. You stole those scenes, you bastard.

0:40:28.160 --> 0:40:31.160
<v Speaker 2>I'll read the lines and smile. Omit, that's all I got.

0:40:35.440 --> 0:40:38.640
<v Speaker 1>My thanks to my friend, the one and only Jack mcbraar.

0:40:39.400 --> 0:40:43.680
<v Speaker 1>Here's the Thing is recorded at CDM Studios. This episode

0:40:43.760 --> 0:40:47.280
<v Speaker 1>was produced by Kathleen Russo, Zach MacNeice, and Maureen Hoban.

0:40:48.000 --> 0:40:52.040
<v Speaker 1>Our engineer is Frank Imperial. Our social media manager is

0:40:52.120 --> 0:40:55.360
<v Speaker 1>Danielle Gingrich. I'm Alec Baldwin. Here's the thing is brought

0:40:55.360 --> 0:41:11.440
<v Speaker 1>to you by iHeart Radio