1 00:00:03,480 --> 00:00:14,840 Speaker 1: Motherfucking miniar So mini episode, motherfucking miniar so. Welcome, Welcome, 2 00:00:14,920 --> 00:00:19,759 Speaker 1: Welcome to another episode of My Mama Told Me, the 3 00:00:19,960 --> 00:00:23,560 Speaker 1: podcast where we dive deep deep into the pockets of 4 00:00:23,640 --> 00:00:27,840 Speaker 1: black conspiracy theories, and we were to prove the theories 5 00:00:27,920 --> 00:00:36,040 Speaker 1: of you, the listener, stupid, stupid as you done. Motherfucker. 6 00:00:36,120 --> 00:00:38,320 Speaker 1: You thought we wouldn't gonna make fun of your bitch ass, 7 00:00:38,800 --> 00:00:41,760 Speaker 1: So I didn't notice that you're wearing Team Jordan's. And 8 00:00:43,479 --> 00:00:47,519 Speaker 1: I saw. I told everybody in the group they and 9 00:00:47,640 --> 00:00:50,479 Speaker 1: it don't matter which Team Jordan's it is. You know 10 00:00:50,600 --> 00:00:56,760 Speaker 1: you did the wrong things, It's team kill yourself. I 11 00:00:56,880 --> 00:01:01,080 Speaker 1: loose the Blake Griffin's cut it out? What is wrong? 12 00:01:01,280 --> 00:01:08,000 Speaker 1: What are you thinking? My name is David Boy, I'm 13 00:01:08,080 --> 00:01:11,320 Speaker 1: Legs Kerman, and and we're so happy you're here. We're 14 00:01:11,360 --> 00:01:14,760 Speaker 1: so excited that you're here because we're we're going to 15 00:01:15,240 --> 00:01:19,240 Speaker 1: we're gonna do another dive into your conspiracy theories, the 16 00:01:19,240 --> 00:01:21,760 Speaker 1: ones you send us to. The to the email which 17 00:01:21,760 --> 00:01:25,840 Speaker 1: has been doing really well. We want to say thank 18 00:01:25,920 --> 00:01:29,120 Speaker 1: you for everyone who's been contacting us. We we love 19 00:01:30,000 --> 00:01:31,880 Speaker 1: hearing from you. We would love to hear from you 20 00:01:32,000 --> 00:01:35,800 Speaker 1: more often. Uh, so so if you've been sending, send more, 21 00:01:35,920 --> 00:01:39,560 Speaker 1: and if you've never sent, do that ship. And also, hey, 22 00:01:39,680 --> 00:01:42,280 Speaker 1: leave me the funk alone in my uh in my 23 00:01:42,400 --> 00:01:45,800 Speaker 1: d M s I don't I don't want conspiracy theories 24 00:01:45,880 --> 00:01:49,520 Speaker 1: in my d M. Just send it to the email 25 00:01:49,560 --> 00:01:54,400 Speaker 1: that I'm constantly repeating every time. Sometimes motherfucker's will send 26 00:01:54,440 --> 00:01:56,600 Speaker 1: me a whole voice memo in my d MS and 27 00:01:56,600 --> 00:02:02,720 Speaker 1: it's like, bro, I came here to reflect on Instagram, Yeah, 28 00:02:02,760 --> 00:02:05,440 Speaker 1: all my problems. Oh, I go in there to look 29 00:02:05,440 --> 00:02:08,600 Speaker 1: at butts I would never see on the street. I like, Uh, 30 00:02:08,919 --> 00:02:11,840 Speaker 1: there was a point, there was this magic moment in 31 00:02:11,919 --> 00:02:15,079 Speaker 1: my history. Now, a lot of my Explorer page has 32 00:02:15,080 --> 00:02:18,799 Speaker 1: turned into like titties and anime. It's it's a lot 33 00:02:18,840 --> 00:02:22,240 Speaker 1: of that. But there was a really sweet spot about 34 00:02:22,360 --> 00:02:24,400 Speaker 1: like a year and a half two years ago on 35 00:02:24,440 --> 00:02:28,160 Speaker 1: Instagram where I would go on my Explore page and 36 00:02:28,160 --> 00:02:33,680 Speaker 1: it was strictly like bad bitches and whale videos that 37 00:02:33,960 --> 00:02:36,880 Speaker 1: sometime I had I know what you mean, sometimes like 38 00:02:37,639 --> 00:02:42,080 Speaker 1: sometimes yeah, the Explored page will hit a righteous level 39 00:02:42,160 --> 00:02:45,080 Speaker 1: of you, Like sometimes the Explore page will be the 40 00:02:45,240 --> 00:02:49,079 Speaker 1: you that you want to be. Yeah, it was so 41 00:02:49,280 --> 00:02:51,840 Speaker 1: at peace and it was a very. It was mostly 42 00:02:52,000 --> 00:02:55,720 Speaker 1: whale videos and then a very occasional bad bitch. It 43 00:02:55,800 --> 00:02:59,520 Speaker 1: was like the the exact right curation of like, you know, 44 00:02:59,600 --> 00:03:03,040 Speaker 1: I just want to be watching a fucking a fucking 45 00:03:03,120 --> 00:03:07,080 Speaker 1: humpback like breach the water and then everyone's in a while. 46 00:03:08,520 --> 00:03:13,360 Speaker 1: Yeah that's tight. My export page now is it's so scary. Yeah, 47 00:03:13,720 --> 00:03:17,400 Speaker 1: it's just like butts and then like little booty and 48 00:03:17,400 --> 00:03:20,560 Speaker 1: then like back and then like somebody popping a pimpoo 49 00:03:20,600 --> 00:03:25,480 Speaker 1: on the back and then fight. Like it's like it's 50 00:03:25,520 --> 00:03:27,800 Speaker 1: like a problem. Yeah you got you got a lot 51 00:03:27,880 --> 00:03:31,760 Speaker 1: of violence. You problem. It's some violence. It's more I 52 00:03:31,800 --> 00:03:34,640 Speaker 1: don't mean I don't mean physical violence. I mean there's 53 00:03:34,639 --> 00:03:39,120 Speaker 1: an emotional violence like transpiring in your Explorer page at 54 00:03:39,160 --> 00:03:41,280 Speaker 1: all times. Well, you know what I figured out because 55 00:03:41,360 --> 00:03:44,839 Speaker 1: Instagram recently, I like, I like, like the only word 56 00:03:44,880 --> 00:03:53,000 Speaker 1: I can use a smut like like very. I thought 57 00:03:53,000 --> 00:03:55,360 Speaker 1: it'd be I thought it'd be a softer word, if 58 00:03:55,360 --> 00:03:58,520 Speaker 1: I'm being honest. No, No, I like watching ship that's 59 00:03:58,600 --> 00:04:04,040 Speaker 1: like grab thick. Yeah, I thought. I thought when you 60 00:04:04,200 --> 00:04:06,400 Speaker 1: looked up at the sky and were like the only 61 00:04:06,440 --> 00:04:09,240 Speaker 1: word I can use, you were sort of finding the 62 00:04:09,360 --> 00:04:12,040 Speaker 1: softest way to articulate what you're talking about. But you 63 00:04:12,040 --> 00:04:16,040 Speaker 1: were like, now, what's the root word. No, I'm giving you. 64 00:04:16,080 --> 00:04:19,159 Speaker 1: I'm telling you the real it's it's not even grow, 65 00:04:19,320 --> 00:04:21,479 Speaker 1: it's just raw. It's just I just like graphic ship. 66 00:04:21,640 --> 00:04:24,680 Speaker 1: It's I blame the Internet. I don't know. Maybe I 67 00:04:24,760 --> 00:04:27,520 Speaker 1: don't know because you you just saw my mom. She's sweet. 68 00:04:27,560 --> 00:04:30,280 Speaker 1: I don't know what she didn't want im looking at 69 00:04:30,320 --> 00:04:33,280 Speaker 1: smart No, no, no, I bet her Instagram is like 70 00:04:33,320 --> 00:04:36,360 Speaker 1: I bet you, it's like a lot of like Monique 71 00:04:36,400 --> 00:04:40,800 Speaker 1: and like smart outfits. Man, I can't imagine what else 72 00:04:40,880 --> 00:04:48,039 Speaker 1: or Instagram Monique and smart outfits. My mom loves Monique. 73 00:04:48,040 --> 00:04:49,720 Speaker 1: She when we when I was a kid, we used 74 00:04:49,720 --> 00:04:51,720 Speaker 1: to watch The Parkers and I don't know what it is, 75 00:04:51,760 --> 00:04:53,320 Speaker 1: but she would just be like, I think Monique is 76 00:04:53,360 --> 00:04:57,320 Speaker 1: so beautiful. M she just loves Monique. I will say 77 00:04:57,360 --> 00:05:01,960 Speaker 1: that Monique, Monique is very beautiful and unique. Monique, especially young, 78 00:05:02,760 --> 00:05:06,640 Speaker 1: I think was was like a very cute lady. And 79 00:05:06,640 --> 00:05:09,800 Speaker 1: and now she's a bit of a grumpy guss. But 80 00:05:09,800 --> 00:05:13,520 Speaker 1: but but that's that's okay. She had a thriving career 81 00:05:13,560 --> 00:05:19,880 Speaker 1: and she she's she's a bit of a grumpy guss 82 00:05:19,880 --> 00:05:22,920 Speaker 1: and she's got she's got a few problems that that 83 00:05:23,000 --> 00:05:25,120 Speaker 1: always seemed to follow her way. It's hard to know 84 00:05:25,200 --> 00:05:28,479 Speaker 1: whose fault it is. She's only how did all of 85 00:05:28,520 --> 00:05:36,679 Speaker 1: this trouble begin? Either way? Still still very pretty, still 86 00:05:36,800 --> 00:05:42,520 Speaker 1: very pretty. So we we got an email, Yeah, we 87 00:05:42,600 --> 00:05:46,480 Speaker 1: got an email from somebody named Jerry. Jerry sent us 88 00:05:46,480 --> 00:05:50,720 Speaker 1: an email and Jay, if it was g I wouldn't 89 00:05:50,760 --> 00:05:55,480 Speaker 1: read it. I think I think I deleted it and 90 00:05:55,480 --> 00:05:59,120 Speaker 1: and flagging as spam. You know what I mean? If 91 00:05:59,160 --> 00:06:01,520 Speaker 1: if a I'll say that is, if it's a girl 92 00:06:01,560 --> 00:06:04,280 Speaker 1: and she's British, fine, I'll live with this. But if 93 00:06:04,320 --> 00:06:11,200 Speaker 1: it's a man with G E R R Y contacting me, sir, 94 00:06:11,680 --> 00:06:15,880 Speaker 1: we need not speak anymore. We have nothing to talk about. 95 00:06:16,360 --> 00:06:23,960 Speaker 1: I don't wish, I don't wish any ill will on you. 96 00:06:24,480 --> 00:06:27,080 Speaker 1: How did you get this number? How do you get 97 00:06:27,160 --> 00:06:31,520 Speaker 1: this goddamn email? Jerry? What do you? What are you 98 00:06:31,560 --> 00:06:35,520 Speaker 1: contacting me for? It's not good. No, we ain't got 99 00:06:35,520 --> 00:06:39,120 Speaker 1: nothing to talk about. Jerry, but a regular Jerry sent 100 00:06:39,240 --> 00:06:43,200 Speaker 1: us an email? Uh where where they said? Hey, Langston 101 00:06:43,240 --> 00:06:46,360 Speaker 1: and David, I sent a conspiracy theory and before and 102 00:06:46,400 --> 00:06:50,279 Speaker 1: have have another one for you. Everybody's mad about their 103 00:06:50,360 --> 00:06:54,279 Speaker 1: conspiracy theories not not being addressed. Maybe I did address 104 00:06:54,360 --> 00:06:57,240 Speaker 1: Jerry and I'm just not remembering. I mean, I listen, 105 00:06:57,279 --> 00:06:59,560 Speaker 1: you got you saw the last one. I don't smile. 106 00:07:04,360 --> 00:07:07,960 Speaker 1: You think you think I'm skipping my mom's phone calls 107 00:07:08,040 --> 00:07:11,320 Speaker 1: so I can rush to your email. Talk to Jerry. 108 00:07:11,600 --> 00:07:14,800 Speaker 1: Get out of here. Right. You may not be a 109 00:07:14,920 --> 00:07:17,920 Speaker 1: g Jerry, but you're still a Jerry guy. Yeah. Yeah, 110 00:07:18,000 --> 00:07:23,760 Speaker 1: don't forget. You're named after a cartoon mouse or a 111 00:07:23,800 --> 00:07:28,120 Speaker 1: pedophilic comedian. You name which one. And she was seventeen. 112 00:07:28,240 --> 00:07:32,440 Speaker 1: We all knew it. I don't know how he got 113 00:07:32,440 --> 00:07:35,200 Speaker 1: away with that. He got away with it Scott free 114 00:07:35,240 --> 00:07:39,440 Speaker 1: and move and then kept telling jokes about like how 115 00:07:39,720 --> 00:07:42,960 Speaker 1: how apples are weird or whatever it is that that 116 00:07:43,040 --> 00:07:45,200 Speaker 1: comedy is about. That's what you need to look at, 117 00:07:45,240 --> 00:07:48,760 Speaker 1: is these weirdos talking about apples on stage. I will say, 118 00:07:48,840 --> 00:07:50,880 Speaker 1: there's a reason they don't want to discuss sex, because 119 00:07:50,880 --> 00:07:53,840 Speaker 1: they're doing it weird. Look, dog, The people who are 120 00:07:53,920 --> 00:07:57,840 Speaker 1: like the most like innocuous, I ain't talking about nothing 121 00:07:58,400 --> 00:08:04,240 Speaker 1: always end up pretty odd. They seem to have no 122 00:08:04,600 --> 00:08:08,640 Speaker 1: like conflict. Any comedian who seems to have no conflict 123 00:08:08,760 --> 00:08:12,640 Speaker 1: actually within their act, like no like existential crisis or 124 00:08:12,680 --> 00:08:15,640 Speaker 1: nothing like that. Don't trust them. I don't give a 125 00:08:15,680 --> 00:08:21,600 Speaker 1: funk who say what blood? Yeah, like it truly like 126 00:08:21,640 --> 00:08:23,960 Speaker 1: it's it's it's you don't even it's not that you 127 00:08:24,080 --> 00:08:26,600 Speaker 1: have to be like and that's when I did this 128 00:08:26,720 --> 00:08:29,680 Speaker 1: and murdered that or whatever the funk it is, But like, 129 00:08:30,080 --> 00:08:33,200 Speaker 1: you truly gotta at least be like, hey, my dad 130 00:08:33,320 --> 00:08:39,760 Speaker 1: was weird. Yeah, yeah or something or something. Yeah, you 131 00:08:39,840 --> 00:08:44,160 Speaker 1: gotta there's gotta be a little bite. Otherwise you've you 132 00:08:44,320 --> 00:08:47,640 Speaker 1: do some biting elsewhere, and that's that's not good. So 133 00:08:47,840 --> 00:08:50,840 Speaker 1: Jerry said, hey, Lankson and David, I sent the conspiracy 134 00:08:50,880 --> 00:08:53,840 Speaker 1: and before and I have another one for you. My 135 00:08:53,920 --> 00:08:57,880 Speaker 1: mama told me that music and artists put hidden messages 136 00:08:58,080 --> 00:09:01,959 Speaker 1: in their music, not to brainwash folks, but just subtle 137 00:09:02,000 --> 00:09:04,839 Speaker 1: messages that would not be easily picked up if we 138 00:09:04,840 --> 00:09:07,760 Speaker 1: weren't paying attention. The song at the top of the list, 139 00:09:07,920 --> 00:09:11,599 Speaker 1: Candy by Cameo, is supposed to be about doing cocaine. 140 00:09:12,080 --> 00:09:14,439 Speaker 1: There are a few others, like Pretty Wings being about 141 00:09:14,480 --> 00:09:20,160 Speaker 1: someone dying, although that seems obvious. I mean SODA's candy 142 00:09:21,360 --> 00:09:29,360 Speaker 1: being about cocaine. Yeah, you yes, I know cocaine to you, 143 00:09:29,360 --> 00:09:35,480 Speaker 1: you idiot that whole song. Hen you didn't hear that 144 00:09:35,559 --> 00:09:39,400 Speaker 1: dude grinding his teeth between takes on that on that song, 145 00:09:39,760 --> 00:09:51,480 Speaker 1: I will say, crunch, crunch, crunch. That's it was. That 146 00:09:51,640 --> 00:09:55,800 Speaker 1: was very apparent. Yeah, now he's definitely talking about drugs 147 00:09:55,920 --> 00:10:00,880 Speaker 1: and or but and yeah and probably both time. I 148 00:10:00,880 --> 00:10:03,520 Speaker 1: would like to think, Yeah, it's like it's like how 149 00:10:03,559 --> 00:10:08,040 Speaker 1: twenty one Savage mixes between murder and and sex, like 150 00:10:08,240 --> 00:10:11,480 Speaker 1: between bars. Imagine that's what the cameo song was doing, 151 00:10:12,000 --> 00:10:14,800 Speaker 1: where it's like this this line's about as but this 152 00:10:14,880 --> 00:10:18,040 Speaker 1: line that's cocaine. Yeah, it's but it's all, it's all. 153 00:10:18,160 --> 00:10:22,240 Speaker 1: It's a similar d compulsion. Yeah, for sure. But to 154 00:10:22,520 --> 00:10:26,880 Speaker 1: Jerry's question, is there a possibility, Let's expand it, because 155 00:10:26,880 --> 00:10:29,880 Speaker 1: I do think that Jerry's examples might not be sort 156 00:10:29,920 --> 00:10:32,800 Speaker 1: of the most like elusive ones, right, they feel of 157 00:10:32,920 --> 00:10:42,160 Speaker 1: a little front facing. But about Chicago when he's talking 158 00:10:42,160 --> 00:10:45,280 Speaker 1: about Wendy, When Kanye is talking about Wendy, he's actually 159 00:10:45,320 --> 00:10:48,880 Speaker 1: talking about the city of wind Chicago. I was just 160 00:10:48,880 --> 00:10:51,360 Speaker 1: with my friend Rateau, I'm longtime listener and she said 161 00:10:51,440 --> 00:10:54,440 Speaker 1: she did not know that that was what that song 162 00:10:54,520 --> 00:10:57,319 Speaker 1: was about. Get the funk out of here, he says, 163 00:10:57,360 --> 00:11:01,960 Speaker 1: I'm talking about Shy He's is it at the end. Also, 164 00:11:02,040 --> 00:11:05,559 Speaker 1: nobody says more no one's name is Wendy it. But 165 00:11:06,320 --> 00:11:09,680 Speaker 1: wait because when I listened to the song, one of 166 00:11:09,720 --> 00:11:13,400 Speaker 1: the things that infuriates me the most about it is 167 00:11:13,480 --> 00:11:16,640 Speaker 1: the moment when he goes and just so you know, 168 00:11:16,960 --> 00:11:20,240 Speaker 1: this whole song is about Chicago. Yes, as if you 169 00:11:20,280 --> 00:11:22,760 Speaker 1: couldn't tell, I could tell from the first one. It's 170 00:11:22,920 --> 00:11:25,680 Speaker 1: literally in like the first couple of lines. But like 171 00:11:25,840 --> 00:11:29,760 Speaker 1: then he's like, just to be clear, I the metaphor 172 00:11:29,880 --> 00:11:32,959 Speaker 1: was Chicago. This was the craziest part. She was like, 173 00:11:33,200 --> 00:11:34,960 Speaker 1: I was so used to hearing that song when I 174 00:11:35,000 --> 00:11:37,560 Speaker 1: was partying that I never caught that part. And I 175 00:11:37,600 --> 00:11:43,439 Speaker 1: was like, you were partying too. I'm always saying this 176 00:11:43,600 --> 00:11:45,560 Speaker 1: all out because she's gonna listen to this and texts me. 177 00:11:45,600 --> 00:11:47,040 Speaker 1: But yeah, I was like, you're a party of the 178 00:11:47,120 --> 00:11:50,559 Speaker 1: Kanye West and Adam Levine. Yeah, no, it was Chris Martin. 179 00:11:50,679 --> 00:11:56,840 Speaker 1: It is fair enough. Chris Martin cheated on Gwyneth Paltrow, 180 00:11:57,000 --> 00:12:01,440 Speaker 1: Adam Levine cheated on a much less famous Gwyneth Paltrow. 181 00:12:01,480 --> 00:12:05,640 Speaker 1: I imagine what band is Chris Martin man cold Play? 182 00:12:05,679 --> 00:12:09,000 Speaker 1: Oh I don't like that, Oh that he featured a 183 00:12:09,040 --> 00:12:13,320 Speaker 1: British dude on his song about Oh you don't like 184 00:12:13,679 --> 00:12:17,680 Speaker 1: you don't like nothing they do. Oh that's not fair, 185 00:12:17,760 --> 00:12:22,760 Speaker 1: that's not And I don't like Radiohead. Damn. Well, I 186 00:12:22,760 --> 00:12:25,040 Speaker 1: know people get upset about me about the Radiohead. It 187 00:12:25,160 --> 00:12:28,160 Speaker 1: sounds like it sounds like nothing. I can't explain it. 188 00:12:28,520 --> 00:12:31,920 Speaker 1: That's in But that's an insane comparison. Well, these are 189 00:12:31,920 --> 00:12:34,240 Speaker 1: just two things I don't like. I don't mean that 190 00:12:34,280 --> 00:12:37,960 Speaker 1: they're okay. I I just think. I just think in 191 00:12:38,000 --> 00:12:40,679 Speaker 1: the future, let's put a little distance between cold Play 192 00:12:40,720 --> 00:12:44,120 Speaker 1: and Radiohead. I think, I think whatever we feel about 193 00:12:44,160 --> 00:12:46,880 Speaker 1: the bands, and I respect you not liking their music, 194 00:12:47,440 --> 00:12:51,440 Speaker 1: they're they're not You're you're mixing dark and light liquors. 195 00:12:50,760 --> 00:12:53,480 Speaker 1: And I understand you know what, I man, that was 196 00:12:53,520 --> 00:12:56,160 Speaker 1: a rum, That was a that was a coconut rum 197 00:12:56,240 --> 00:12:59,800 Speaker 1: whiskey situation. And yeah, and in a way that like 198 00:13:00,280 --> 00:13:02,600 Speaker 1: one of those you were talking about like a fifteen 199 00:13:02,679 --> 00:13:05,720 Speaker 1: year old Scotch and the other one you're talking about 200 00:13:06,080 --> 00:13:09,960 Speaker 1: fucking like those little highballs they sell at the front 201 00:13:09,960 --> 00:13:12,400 Speaker 1: of the liquor store. You know which one is the Scotch, 202 00:13:12,520 --> 00:13:16,640 Speaker 1: which one is the shooter. Radio Head is amazing, truly 203 00:13:16,760 --> 00:13:20,839 Speaker 1: like one of the greatest bands to ever do. Band stuff, 204 00:13:20,880 --> 00:13:26,280 Speaker 1: if that's what you're into. Yeah stuff, Yeah, I don't. 205 00:13:26,480 --> 00:13:31,120 Speaker 1: I'm not a musician. I just and Maroon five is trash. No, 206 00:13:31,640 --> 00:13:33,839 Speaker 1: you see, you don't even remember what what band you're 207 00:13:33,840 --> 00:13:38,640 Speaker 1: talking about? Play oh yeah yea, and cold Play, I 208 00:13:38,679 --> 00:13:41,720 Speaker 1: would say, has had a number of hits, but also 209 00:13:42,080 --> 00:13:47,240 Speaker 1: is sometimes just making noise and it's it's hard to 210 00:13:47,280 --> 00:13:51,360 Speaker 1: tell which one they're doing at which time, right, But 211 00:13:51,440 --> 00:13:53,840 Speaker 1: they've got some they've got some jams. But I respect 212 00:13:53,840 --> 00:13:57,520 Speaker 1: that you don't like either. Yeah, and this isn't the same. 213 00:13:57,600 --> 00:14:00,480 Speaker 1: I feel like people are always often I like white music. 214 00:14:00,520 --> 00:14:02,199 Speaker 1: I just I don't like those two bag I like 215 00:14:02,280 --> 00:14:04,560 Speaker 1: white people's music. I think, So, what's your go to 216 00:14:04,679 --> 00:14:09,000 Speaker 1: white white group or or or a solid parton Okay 217 00:14:09,040 --> 00:14:13,480 Speaker 1: you're a Dolly Man go to? I don't know, It's 218 00:14:13,480 --> 00:14:16,000 Speaker 1: just it really depends because there's so much of it. 219 00:14:16,000 --> 00:14:19,400 Speaker 1: It just really depends on the day. M M, you 220 00:14:19,400 --> 00:14:21,640 Speaker 1: know what I mean. Sure, So you you're not just 221 00:14:21,760 --> 00:14:24,760 Speaker 1: a one a one and done, shooter, you're you're more 222 00:14:24,880 --> 00:14:28,320 Speaker 1: like and I like you got some people you like. 223 00:14:28,320 --> 00:14:30,400 Speaker 1: I listen, Yeah, I like. I like punk raft music 224 00:14:30,440 --> 00:14:34,720 Speaker 1: as well. It just it just really depends. But I 225 00:14:34,800 --> 00:14:39,440 Speaker 1: don't like Coldplay, Radiohead, and I know that radio Head 226 00:14:39,520 --> 00:14:42,120 Speaker 1: is like very different on different albums. But it doesn't matter. 227 00:14:42,160 --> 00:14:43,920 Speaker 1: It could be kid A, it could be whatever. I 228 00:14:44,080 --> 00:14:48,320 Speaker 1: just don't. Yeah, So no Coldplay, no Radiohead, and clearly 229 00:14:48,480 --> 00:14:51,200 Speaker 1: no My Room five because no, My Room five is 230 00:14:51,280 --> 00:14:54,240 Speaker 1: kind of because it's very rhythmic. Oh you like My 231 00:14:54,360 --> 00:14:58,960 Speaker 1: Room five? I don't hate it. Whoa, there's very raised. 232 00:14:59,040 --> 00:15:05,240 Speaker 1: What's right? I'll be down the street and not doing Yeah, 233 00:15:05,520 --> 00:15:10,400 Speaker 1: that's that's five. More five has a black guy in it. 234 00:15:10,520 --> 00:15:15,760 Speaker 1: Now they've changed, No, they have not gotten. They have 235 00:15:15,880 --> 00:15:18,000 Speaker 1: not become a better band over you know what I 236 00:15:18,080 --> 00:15:20,440 Speaker 1: found out. I saw a picture, come and find out. 237 00:15:20,480 --> 00:15:22,400 Speaker 1: You know there's more black people than white people in 238 00:15:22,400 --> 00:15:25,400 Speaker 1: the Dave Matthews band. Yeah, they're always as been. What 239 00:15:25,480 --> 00:15:33,120 Speaker 1: are we gonna do about this? When are we gonna 240 00:15:33,200 --> 00:15:40,000 Speaker 1: stand up to this injustice? I saw a picture. I 241 00:15:40,080 --> 00:15:41,840 Speaker 1: was like, you all let him get away with scatting. 242 00:15:42,360 --> 00:15:46,280 Speaker 1: It's wild it's and what's crazy is and I'm not 243 00:15:46,400 --> 00:15:48,760 Speaker 1: a Dave Matthews fan, so I don't I don't have 244 00:15:49,040 --> 00:15:51,480 Speaker 1: the names to be able to pair this up, but 245 00:15:51,720 --> 00:15:56,240 Speaker 1: everybody I've ever spoken to has almost like made it up. 246 00:15:56,320 --> 00:15:59,720 Speaker 1: Even people who are fans of his ship are like, yeah, objectively, 247 00:15:59,800 --> 00:16:02,560 Speaker 1: he is the worst member of the band, Like it's 248 00:16:02,600 --> 00:16:06,440 Speaker 1: not even close that like the fucking fiddlist and the 249 00:16:06,560 --> 00:16:09,280 Speaker 1: guitar guy or whoever, the all those black dudes with 250 00:16:09,440 --> 00:16:13,800 Speaker 1: blonde dreads that he's been employing for years are insanely 251 00:16:13,960 --> 00:16:16,560 Speaker 1: like some of the most gifted musicians on the planet. 252 00:16:17,080 --> 00:16:20,360 Speaker 1: And then he's just okay. And he didn't put his 253 00:16:20,520 --> 00:16:23,000 Speaker 1: name on it. Imagine if everybody hated Cool and love 254 00:16:23,120 --> 00:16:35,320 Speaker 1: the gang. That's upside down. Yeah, no, it's it surely 255 00:16:35,440 --> 00:16:38,680 Speaker 1: doesn't make sense, but that is in fact what he did, 256 00:16:38,840 --> 00:16:42,480 Speaker 1: and clearly nobody's fighting it. Did you know that when 257 00:16:42,600 --> 00:16:46,360 Speaker 1: when bands signed to a record label, only the lead 258 00:16:46,480 --> 00:16:50,160 Speaker 1: singer signs, so like, if so let's say I go 259 00:16:50,360 --> 00:16:54,680 Speaker 1: in to Island def Jam, They're only going to sign 260 00:16:54,760 --> 00:17:01,280 Speaker 1: too and not the mat House. That's where that's exactly 261 00:17:02,080 --> 00:17:04,800 Speaker 1: that's I think that is true, which is why it's 262 00:17:04,840 --> 00:17:08,440 Speaker 1: always the uh the lead singer is like branching off 263 00:17:08,560 --> 00:17:12,080 Speaker 1: to go. Do you know it's justin timber Lake. Is 264 00:17:12,200 --> 00:17:14,760 Speaker 1: Lee is going to do a solo album within sync 265 00:17:14,840 --> 00:17:19,440 Speaker 1: until he Yeah, the other guys just got a chill. 266 00:17:19,920 --> 00:17:21,960 Speaker 1: And I've said this a lot of times on this podcast. 267 00:17:22,040 --> 00:17:25,479 Speaker 1: That's why Zap and Roger were so smart? Uh right? 268 00:17:25,560 --> 00:17:29,240 Speaker 1: They separated? Yeah? Yeah? Also I think one killed the other. 269 00:17:30,240 --> 00:17:33,080 Speaker 1: Is that true? I'm pretty sure Zap killed Roger maybe 270 00:17:33,119 --> 00:17:37,359 Speaker 1: the other way around they were was it a was 271 00:17:37,440 --> 00:17:39,720 Speaker 1: it an affair or was it like I just don't 272 00:17:39,760 --> 00:17:42,440 Speaker 1: funk with you know, I can't remember it. This is 273 00:17:42,480 --> 00:17:45,560 Speaker 1: one of those times I was just on Wikipedia Whilan whoa. 274 00:17:45,800 --> 00:17:48,040 Speaker 1: He was like, you still my voice machine, I'm gonna 275 00:17:48,200 --> 00:17:50,320 Speaker 1: murder you. Yeah. It was something weird because I think 276 00:17:50,320 --> 00:17:54,879 Speaker 1: the brothers there's Zapp and Roger Troutman. Right, Fuck, I 277 00:17:54,960 --> 00:17:59,239 Speaker 1: don't know we have an email. I'm sure all right? 278 00:17:59,440 --> 00:18:03,239 Speaker 1: Roger try Man in an updated Poliblicity photo, probably from 279 00:18:03,280 --> 00:18:05,960 Speaker 1: the early eighties. Troutman, a musician and leader of the 280 00:18:06,000 --> 00:18:10,200 Speaker 1: band Zapp, was shot and killed by his brother, Larry Troutman. 281 00:18:10,520 --> 00:18:14,320 Speaker 1: So it wasn't Roger was Larry. Yeah, Larry was apparently, 282 00:18:15,080 --> 00:18:21,640 Speaker 1: but Roger in the bandon everybody does he Pisa bad, 283 00:18:22,440 --> 00:18:26,600 Speaker 1: but I'm the talent. Larry Roger was killed by Larry 284 00:18:27,040 --> 00:18:32,960 Speaker 1: in nineteen nine April. Yeah, I mean I think Larry 285 00:18:33,320 --> 00:18:38,879 Speaker 1: was short for his nickname was Zapp. He was like, 286 00:18:38,920 --> 00:18:43,400 Speaker 1: I'm a Zappio as Larry Zapp troutman, Larry Zapp troutman. 287 00:18:43,520 --> 00:18:47,240 Speaker 1: God damn well for all our zapp fans that have 288 00:18:47,400 --> 00:18:49,600 Speaker 1: been listening, I'm sorry to break the news to you, 289 00:18:49,760 --> 00:18:55,640 Speaker 1: but Rogers dead. Rogers has been dead for for almost years. Yeah. 290 00:19:02,800 --> 00:19:07,280 Speaker 1: I think at its core there may be some hidden 291 00:19:07,440 --> 00:19:11,560 Speaker 1: messages that are that are often put into music, and 292 00:19:11,640 --> 00:19:14,920 Speaker 1: I think maybe looking more towards some of the more 293 00:19:15,000 --> 00:19:19,560 Speaker 1: elusive writers might help to to ground some of the 294 00:19:19,720 --> 00:19:23,280 Speaker 1: Like I think about like Frank Ocean, right, like that 295 00:19:23,400 --> 00:19:26,639 Speaker 1: he has songs that feel like they're about something without 296 00:19:26,760 --> 00:19:33,680 Speaker 1: ever really being about something. If that like themed album, yeah, 297 00:19:33,840 --> 00:19:37,920 Speaker 1: where like if you listen enough throughout, you will gather 298 00:19:38,119 --> 00:19:41,800 Speaker 1: a general story of what he's talking about, but you're 299 00:19:41,800 --> 00:19:49,040 Speaker 1: not necessarily sitting in tracking like a start to finish narrative, right, Yeah, No, 300 00:19:49,200 --> 00:19:52,040 Speaker 1: it's nothing like that. It's closer to like two Pemple 301 00:19:52,080 --> 00:19:56,240 Speaker 1: butterfly frankly, Okay, I mean, yeah, I think there's I 302 00:19:56,320 --> 00:20:00,280 Speaker 1: think there's merit to but yeah, definitely, I think that's writing, right, 303 00:20:00,720 --> 00:20:03,320 Speaker 1: That's why, that's why writing is so great. Like I 304 00:20:03,520 --> 00:20:06,600 Speaker 1: was just read man, I don't want to sound like 305 00:20:06,640 --> 00:20:09,359 Speaker 1: a nerd after fucking Casine with my face off. I 306 00:20:09,560 --> 00:20:14,400 Speaker 1: read I used from Yeah, I had to go underwater 307 00:20:14,480 --> 00:20:18,680 Speaker 1: for a little bit. I was reading J. D. Salinger 308 00:20:18,800 --> 00:20:21,440 Speaker 1: has this book and or this, Like, he has this 309 00:20:21,480 --> 00:20:24,240 Speaker 1: book called Nine Stories and this one Clownfish. Have you 310 00:20:24,320 --> 00:20:27,119 Speaker 1: ever read that? No, I've never read. The only J. D. 311 00:20:27,240 --> 00:20:30,520 Speaker 1: Sallenger I've read is uh Catcher in the Rhine. Well, 312 00:20:30,640 --> 00:20:32,600 Speaker 1: if you read Nine Stories, I think you'll like him, 313 00:20:32,880 --> 00:20:36,840 Speaker 1: maybe even more. But I like, I read it and 314 00:20:36,920 --> 00:20:38,680 Speaker 1: then I read it. I had read it again because 315 00:20:38,800 --> 00:20:40,840 Speaker 1: a short story, and I had read it again and 316 00:20:40,880 --> 00:20:42,400 Speaker 1: I was like, I don't think I know what's going 317 00:20:42,480 --> 00:20:44,720 Speaker 1: on here, and I went online and looked it up 318 00:20:44,760 --> 00:20:46,840 Speaker 1: and then I was like, Oh, this is this whole 319 00:20:47,640 --> 00:20:51,600 Speaker 1: guy who's like telling his war trauma to this child 320 00:20:51,760 --> 00:20:54,680 Speaker 1: on the beach. I just mean, it's like it's like 321 00:20:54,760 --> 00:20:58,760 Speaker 1: a regular trick that in literature and writing that people 322 00:21:00,040 --> 00:21:03,480 Speaker 1: will use like disguise messages and stuff like that. Yeah, 323 00:21:03,560 --> 00:21:06,119 Speaker 1: I mean to your point. It just as how you 324 00:21:06,200 --> 00:21:09,639 Speaker 1: make writing more interesting. If we all are just explicitly 325 00:21:09,840 --> 00:21:13,680 Speaker 1: stating the thing that happened to us, it gets a 326 00:21:13,760 --> 00:21:17,400 Speaker 1: little bland after exactly that's that's the that's the that's 327 00:21:17,440 --> 00:21:22,920 Speaker 1: the fun of it. Yeah. I think about that that 328 00:21:23,119 --> 00:21:26,240 Speaker 1: O J song Brandy. I don't know if you you 329 00:21:26,359 --> 00:21:28,840 Speaker 1: ever heard this when you were younger, but but there 330 00:21:28,880 --> 00:21:33,360 Speaker 1: are some who believe that that song is about woman. Obviously, 331 00:21:33,440 --> 00:21:35,680 Speaker 1: it sounds like he's singing about a woman who left him, 332 00:21:35,920 --> 00:21:37,760 Speaker 1: But there are a lot who argue that that song 333 00:21:37,920 --> 00:21:41,840 Speaker 1: is about his dog who who ran away and its 334 00:21:42,359 --> 00:21:45,240 Speaker 1: and it's just the whole thing either ran away or died. 335 00:21:45,280 --> 00:21:48,040 Speaker 1: I can't remember if Brandy is dead or just not 336 00:21:48,200 --> 00:21:51,159 Speaker 1: with us and you know, not nearby, But either way, 337 00:21:51,240 --> 00:21:53,920 Speaker 1: it's about the dog, not about a lady. See. And 338 00:21:54,040 --> 00:21:55,840 Speaker 1: I always thought that song was about how he has 339 00:21:55,880 --> 00:22:02,639 Speaker 1: to quit drink. There's a lot of this is just 340 00:22:02,880 --> 00:22:07,800 Speaker 1: him with a massive hangover being like, I really miss you, Brandy, 341 00:22:10,000 --> 00:22:14,840 Speaker 1: I gotta let you go. Well, if you know for sure, 342 00:22:14,920 --> 00:22:18,720 Speaker 1: if you're in if you're in touch with who's daddy 343 00:22:18,840 --> 00:22:23,240 Speaker 1: was that that was who's from? Yeah, from the least 344 00:22:23,440 --> 00:22:27,119 Speaker 1: from the o J's it was fuck. Gerald Levite's daddy 345 00:22:28,400 --> 00:22:31,159 Speaker 1: is the lead singer of the o JS. But anyway, 346 00:22:31,200 --> 00:22:33,560 Speaker 1: if you're in touch with Gerald Levit's daddy, you contact 347 00:22:33,680 --> 00:22:35,440 Speaker 1: him and you find out if that song is about 348 00:22:35,480 --> 00:22:39,600 Speaker 1: the dog or about his unhealthy relationship with Ian J, 349 00:22:40,480 --> 00:22:43,280 Speaker 1: or if you're in contact with Gerald Leverte or really 350 00:22:43,400 --> 00:22:46,199 Speaker 1: any of the members of Leverte Sweat Gil let him 351 00:22:46,240 --> 00:22:49,920 Speaker 1: know I'm thinking about him. Well, unfortunately, Gerald Leverte is 352 00:22:49,960 --> 00:22:53,240 Speaker 1: no longer with us, but general Vert dead from Gerald 353 00:22:53,280 --> 00:22:55,280 Speaker 1: Levite has been dead for quite a while. I had 354 00:22:55,440 --> 00:23:01,280 Speaker 1: no idea, Yeah, now he's gone, I'm said the whole time. 355 00:23:01,400 --> 00:23:05,280 Speaker 1: But I think he was like he was thinking the beginning. 356 00:23:05,560 --> 00:23:09,560 Speaker 1: I do think he had a pretty tragic like a 357 00:23:09,760 --> 00:23:12,320 Speaker 1: heart or a brain thing. I remember, it was not 358 00:23:12,560 --> 00:23:15,359 Speaker 1: it was a a big surprise kind of vibe that 359 00:23:15,520 --> 00:23:18,920 Speaker 1: Gerald Levite suddenly was dead. I didn't I didn't know. 360 00:23:19,720 --> 00:23:22,920 Speaker 1: I had no idea. Yeah, but Keith Sweat still out here. 361 00:23:23,680 --> 00:23:27,280 Speaker 1: Keith Sweat doesn't even age bro you know forever, I 362 00:23:27,520 --> 00:23:31,360 Speaker 1: fucking man, you know, you know that's his real nameth. Yeah, 363 00:23:31,400 --> 00:23:34,440 Speaker 1: it's a family name. Yeah, what he got to change 364 00:23:34,480 --> 00:23:37,000 Speaker 1: his name for the industry change for him because his 365 00:23:37,040 --> 00:23:46,600 Speaker 1: mother's name is Wa Nita Sweat anyways, And that's not 366 00:23:46,680 --> 00:23:50,800 Speaker 1: a metaphor, that's just straight up that's what you're telling people, 367 00:23:50,840 --> 00:23:53,119 Speaker 1: who who the funk you are when your name is 368 00:23:53,160 --> 00:23:59,480 Speaker 1: Wa Nita Sweat. So yes, I do think. I also 369 00:23:59,600 --> 00:24:01,840 Speaker 1: do think. I think there are a lot of great 370 00:24:01,920 --> 00:24:06,120 Speaker 1: examples of where like metaphors sort of like does exist, 371 00:24:06,240 --> 00:24:10,000 Speaker 1: and obviously it is with the intention sometimes of of 372 00:24:10,240 --> 00:24:12,600 Speaker 1: swaying us. I would say, like I and we didn't 373 00:24:12,640 --> 00:24:15,200 Speaker 1: talk about this yet, but when I read this email, 374 00:24:15,240 --> 00:24:17,000 Speaker 1: one of the things that I thought about is if 375 00:24:17,080 --> 00:24:19,400 Speaker 1: this is dangerous? And I do think there are times 376 00:24:19,440 --> 00:24:24,239 Speaker 1: where it does get dangerous where the hidden messages, as 377 00:24:24,359 --> 00:24:27,840 Speaker 1: they were, are not so much about a story device 378 00:24:28,000 --> 00:24:30,879 Speaker 1: or or a thing that you've experienced, but more about 379 00:24:30,880 --> 00:24:34,119 Speaker 1: a brand that they want us to to sort of 380 00:24:34,200 --> 00:24:38,080 Speaker 1: be like remembering or committing to or whatever the funk. 381 00:24:38,160 --> 00:24:42,000 Speaker 1: And I imagine now more than ever people are rapping 382 00:24:42,040 --> 00:24:46,640 Speaker 1: about ship that also they're selling or being told to sell. 383 00:24:46,840 --> 00:24:48,560 Speaker 1: Or what makes me sad is I don't think they 384 00:24:48,600 --> 00:24:50,560 Speaker 1: even aren't actually selling it. A lot of times I 385 00:24:50,640 --> 00:24:52,879 Speaker 1: think they're just I don't want to get into this, 386 00:24:53,040 --> 00:24:56,240 Speaker 1: but materialism is the whole thing. Oh, you think it's 387 00:24:56,280 --> 00:25:00,520 Speaker 1: just vanity, and then subsequently we become victims of their vanity. 388 00:25:00,840 --> 00:25:02,720 Speaker 1: I think that's most of it. I don't think Blood 389 00:25:02,800 --> 00:25:05,760 Speaker 1: Chicago is giving up them any checks. Well here's the thing, 390 00:25:06,880 --> 00:25:09,400 Speaker 1: you know, this is what makes me think that it's 391 00:25:09,480 --> 00:25:12,680 Speaker 1: it's a little more complicated than just their vanity. Is 392 00:25:12,960 --> 00:25:17,280 Speaker 1: I learned that music videos are paid for by the artists, 393 00:25:17,440 --> 00:25:21,240 Speaker 1: right that, like, there's there's no version of like, oh, 394 00:25:21,320 --> 00:25:24,520 Speaker 1: the record labels paying for this. What they do is 395 00:25:24,640 --> 00:25:27,159 Speaker 1: they a lot you a certain amount of money for 396 00:25:27,560 --> 00:25:30,560 Speaker 1: like you know, promotions, media, whatever the funk it is, 397 00:25:30,680 --> 00:25:33,480 Speaker 1: and you can spend some of your money that they've 398 00:25:33,520 --> 00:25:38,280 Speaker 1: allotted towards your music video, whatever, whatever, whatever. But then 399 00:25:38,359 --> 00:25:40,920 Speaker 1: I've also now learned that part of the way that 400 00:25:41,080 --> 00:25:44,520 Speaker 1: artists recoup the bread that they've been spending is by 401 00:25:44,600 --> 00:25:49,240 Speaker 1: adding branding into the music videos and like wearing specific 402 00:25:49,320 --> 00:25:52,960 Speaker 1: shoes or driving a specific car, drinking a specific drink 403 00:25:53,320 --> 00:25:56,920 Speaker 1: in order to do the thing right. And so subsequently 404 00:25:57,080 --> 00:26:00,879 Speaker 1: that makes me feel like it's very likely that that 405 00:26:01,160 --> 00:26:05,400 Speaker 1: is also true for music that you're writing that you're 406 00:26:05,440 --> 00:26:08,920 Speaker 1: performing connecting to you know what I mean. It's also 407 00:26:09,000 --> 00:26:11,480 Speaker 1: like product placement videos. The older we get has been 408 00:26:12,400 --> 00:26:16,800 Speaker 1: has been more and more apparent, right, Yeah, I feel 409 00:26:16,840 --> 00:26:19,680 Speaker 1: that way even with like sports too, Like I don't 410 00:26:20,160 --> 00:26:26,560 Speaker 1: coming to America. Ye, did you see the newest One? Yeah, 411 00:26:26,640 --> 00:26:29,800 Speaker 1: it was a commercial. It was like, oh man, thank god, 412 00:26:29,880 --> 00:26:33,360 Speaker 1: I got this Barack Sarack Obama to cool me off 413 00:26:33,440 --> 00:26:36,560 Speaker 1: on this hot, hot day, my Nike branded hat. You 414 00:26:36,680 --> 00:26:43,119 Speaker 1: haven't get so crazy. Yeah, it truly was. It was. 415 00:26:43,200 --> 00:26:47,640 Speaker 1: It was great as commercial for Rick Ross, this house, 416 00:26:47,760 --> 00:26:52,080 Speaker 1: I think just everything Rick Ross was connected to. But 417 00:26:52,840 --> 00:26:56,399 Speaker 1: but I think at its core we're talking about the 418 00:26:56,480 --> 00:26:59,760 Speaker 1: same thing. We're saying that there's a possibility that like, yeah, 419 00:27:00,040 --> 00:27:02,680 Speaker 1: be you're wrapping, you know, you're wrapping about some fly ship, 420 00:27:03,119 --> 00:27:07,520 Speaker 1: but Balinciaga specifically is sponsoring some of that fly ship. 421 00:27:07,720 --> 00:27:11,080 Speaker 1: So yeah, I'm gonna say Balinciaga instead of just like 422 00:27:11,320 --> 00:27:14,520 Speaker 1: leaving it at you know, Gucci or Fanti or whatever 423 00:27:14,600 --> 00:27:18,440 Speaker 1: the fuck you're actually wearing or interested in blah blah 424 00:27:18,480 --> 00:27:21,440 Speaker 1: blah blah blah. No, that's yeah, No, that's fair. I 425 00:27:21,480 --> 00:27:23,639 Speaker 1: think it's like I just donna think it's going anywhere. 426 00:27:23,680 --> 00:27:25,320 Speaker 1: I think it's the tales all the time. It always 427 00:27:25,359 --> 00:27:28,800 Speaker 1: will be so often times, and I've betimes, and to 428 00:27:28,880 --> 00:27:31,280 Speaker 1: be fair to this point is like sometimes I'll see 429 00:27:31,320 --> 00:27:33,960 Speaker 1: some ship that's actually about another some other ship, and 430 00:27:34,040 --> 00:27:37,560 Speaker 1: I'll get like excited. But you've never seen that movie, 431 00:27:37,920 --> 00:27:41,679 Speaker 1: the Legend of Bag of Advance. I have never uh 432 00:27:41,840 --> 00:27:44,240 Speaker 1: sat down and I thought it was just a coon movie. 433 00:27:44,640 --> 00:27:48,200 Speaker 1: And it turns out it's it's the bogle Akita the 434 00:27:48,320 --> 00:27:54,760 Speaker 1: Hindu text. Oh makes it far less so Wait, this 435 00:27:55,040 --> 00:28:00,200 Speaker 1: is a like a Hindu story they're adapting with. It's 436 00:28:00,240 --> 00:28:03,200 Speaker 1: the story of the warrior king or whatever. Yeah, somebody 437 00:28:03,240 --> 00:28:05,280 Speaker 1: they taught me that in high school. But then they 438 00:28:05,359 --> 00:28:09,600 Speaker 1: adapted into Matt Damon plays golf with Will Smith. Yeah 439 00:28:09,680 --> 00:28:12,080 Speaker 1: that's why they have all these weird sounding names like 440 00:28:12,359 --> 00:28:18,800 Speaker 1: Ranolph Juna. That's an Indian name. Dog whoa, that's crazy. Well, 441 00:28:18,840 --> 00:28:20,399 Speaker 1: that's just when my high school teacher told me it 442 00:28:20,480 --> 00:28:25,080 Speaker 1: might be wrong. I remember so we we we we 443 00:28:25,320 --> 00:28:28,399 Speaker 1: we we we terrorized her. I remember this girl, Sasha, 444 00:28:28,480 --> 00:28:30,320 Speaker 1: she asked that she was a virgin. Is the funniest 445 00:28:30,320 --> 00:28:33,000 Speaker 1: thing I've ever seen a high school She raised her 446 00:28:33,040 --> 00:28:35,480 Speaker 1: hand and she and she was like Sasha and she 447 00:28:35,640 --> 00:28:39,840 Speaker 1: was like, Mr Gear, you a virgin. I've had a 448 00:28:39,920 --> 00:28:43,960 Speaker 1: student do that to me and uh, and I will say, 449 00:28:44,240 --> 00:28:50,560 Speaker 1: I've never wanted to find a person more than You're 450 00:28:50,600 --> 00:28:52,560 Speaker 1: so funniest thing you could do to a teacher as 451 00:28:52,600 --> 00:28:57,480 Speaker 1: a child. And he what made it so obnoxious was 452 00:28:57,600 --> 00:29:00,440 Speaker 1: that he was sort of like this very meek, very 453 00:29:00,600 --> 00:29:04,560 Speaker 1: sort of like not that that wild ass kid that 454 00:29:04,640 --> 00:29:06,960 Speaker 1: you would expect to be the one doing it. And 455 00:29:07,120 --> 00:29:10,560 Speaker 1: so it made it more like he sincerely didn't know. 456 00:29:11,360 --> 00:29:13,680 Speaker 1: But I feel like he was just fucking with you 457 00:29:13,760 --> 00:29:15,440 Speaker 1: know what I mean, Like it wasn't he thought you 458 00:29:15,520 --> 00:29:18,280 Speaker 1: were the one to steal on. Yeah, he just was like, 459 00:29:18,520 --> 00:29:22,959 Speaker 1: this will fix my my awkward high school experience if 460 00:29:23,040 --> 00:29:27,800 Speaker 1: I air out this motherfucker of all my peers and it, 461 00:29:27,960 --> 00:29:30,280 Speaker 1: to be honest, it might have worked. He got the 462 00:29:30,320 --> 00:29:34,600 Speaker 1: wrong one. What was the reaction I aired it? I 463 00:29:34,960 --> 00:29:37,640 Speaker 1: I shot back, baby, are you a virgin? What we're doing? 464 00:29:37,960 --> 00:29:45,600 Speaker 1: What's up? I was like, no, are you you know 465 00:29:45,640 --> 00:29:48,360 Speaker 1: what I mean? Like, I'm I ain't not for a 466 00:29:48,440 --> 00:29:52,960 Speaker 1: second am I sitting in that feeling not since Yeah, 467 00:29:53,120 --> 00:29:56,480 Speaker 1: come on, big dog, I made it through high school 468 00:29:56,520 --> 00:29:58,880 Speaker 1: and you're about to get me. It might be your dad. 469 00:29:59,480 --> 00:30:03,720 Speaker 1: You're right, because because the fear that they're they're hoping 470 00:30:03,760 --> 00:30:05,880 Speaker 1: I'm gonna play in is be like why I can't 471 00:30:06,000 --> 00:30:10,720 Speaker 1: reply because this is sexualizing a teen or or putting 472 00:30:10,800 --> 00:30:15,560 Speaker 1: a you know, nah, look, hey, what's up? Who you 473 00:30:15,680 --> 00:30:26,320 Speaker 1: fuck it? Who you fucking who you be with? Because no, 474 00:30:26,520 --> 00:30:28,640 Speaker 1: I'm not just gonna sit in that feeling. And if 475 00:30:28,720 --> 00:30:32,680 Speaker 1: my job is on the line after words, so goddamn 476 00:30:32,760 --> 00:30:36,600 Speaker 1: be it. Then all these students were like, hey, Mr 477 00:30:36,680 --> 00:30:41,160 Speaker 1: Kerman is yeah, like Mr Kor do you have like 478 00:30:41,280 --> 00:30:46,360 Speaker 1: some cool No, I couldn't do it. I just yeah, 479 00:30:46,520 --> 00:30:50,320 Speaker 1: And in part because I was much younger than everybody 480 00:30:50,800 --> 00:30:53,880 Speaker 1: on the stag. Yeah, And so in that way, I 481 00:30:53,960 --> 00:30:58,160 Speaker 1: think they were worried that like, if I became too familiar, 482 00:30:58,720 --> 00:31:01,360 Speaker 1: it would sort of it was already a challenge, sort 483 00:31:01,400 --> 00:31:04,280 Speaker 1: of like not you. I'm not saying you, but that's 484 00:31:04,320 --> 00:31:07,440 Speaker 1: how people end up students. I think, So you become 485 00:31:07,560 --> 00:31:10,280 Speaker 1: too like, too much of a friend, and then it's 486 00:31:10,320 --> 00:31:13,160 Speaker 1: something in my high school I seen it. Yeah. I 487 00:31:13,280 --> 00:31:17,360 Speaker 1: never wanted to be their friends their teens. I didn't 488 00:31:17,360 --> 00:31:20,240 Speaker 1: suck a teacher, No good for you. I mean I 489 00:31:20,320 --> 00:31:23,760 Speaker 1: would have had the opportunity arisen to funk one of 490 00:31:23,840 --> 00:31:26,200 Speaker 1: your teachers. Yeah, I would have, But I don't think 491 00:31:26,240 --> 00:31:28,400 Speaker 1: it would have got because here's what happened. Is like 492 00:31:28,560 --> 00:31:30,720 Speaker 1: a student in my high school did it. And it 493 00:31:30,840 --> 00:31:34,840 Speaker 1: was a little brother of somebody that I was close to. 494 00:31:35,600 --> 00:31:38,760 Speaker 1: It was a boy, girls, It wasn't a male teacher. 495 00:31:38,800 --> 00:31:40,840 Speaker 1: Having said it was a female teacher having sessed with 496 00:31:40,880 --> 00:31:42,920 Speaker 1: a man, the one that you always think is cool. 497 00:31:43,160 --> 00:31:45,920 Speaker 1: But then when it happened, when it happened the way 498 00:31:45,960 --> 00:31:48,520 Speaker 1: it shook out, I was like, oh, this is yeah, 499 00:31:48,640 --> 00:31:51,840 Speaker 1: she she's that was that was That was abuse, and 500 00:31:51,920 --> 00:31:54,000 Speaker 1: it ruined his life. It really fucked up the little 501 00:31:54,040 --> 00:31:57,520 Speaker 1: boy's life. Yeah, no, I don't think. I don't think 502 00:31:57,600 --> 00:32:00,840 Speaker 1: it's ever as cool as we have iagined it would be. 503 00:32:01,000 --> 00:32:05,560 Speaker 1: It true. I was wishing, Oh I would have happily 504 00:32:05,640 --> 00:32:08,320 Speaker 1: done it in in high school and and never looked 505 00:32:08,360 --> 00:32:15,000 Speaker 1: back at my therapist. Yeah I would. I would have 506 00:32:15,080 --> 00:32:17,640 Speaker 1: looked back at my therapist as I'm leaving, I would say, 507 00:32:17,680 --> 00:32:19,880 Speaker 1: am I gonna be okay? And she has been like, 508 00:32:20,120 --> 00:32:24,040 Speaker 1: I don't know, it's see you next week, big man. 509 00:32:27,600 --> 00:32:30,960 Speaker 1: She called me big man because there's a closeness. Now yeah, no, 510 00:32:31,040 --> 00:32:35,080 Speaker 1: I understand. Listen, we're all in too deep anyways. The 511 00:32:35,160 --> 00:32:37,600 Speaker 1: messages in music, I believe it. Yeah, I think that. 512 00:32:37,720 --> 00:32:40,680 Speaker 1: I think that's a hundred percent possible. I think there is. 513 00:32:40,760 --> 00:32:43,560 Speaker 1: In fact, it's more than likely that there are secret messages, 514 00:32:43,680 --> 00:32:46,680 Speaker 1: some more harmful than others. And the best thing we 515 00:32:46,800 --> 00:32:50,080 Speaker 1: can do is, uh, it's just listen to the messages 516 00:32:50,200 --> 00:32:58,760 Speaker 1: from people we like. You know, yeah, hug your loved 517 00:32:58,840 --> 00:33:03,080 Speaker 1: ones while while Future sings to you about why Gucci 518 00:33:03,320 --> 00:33:06,640 Speaker 1: is the best of all the brands. If she catching cheating, 519 00:33:06,800 --> 00:33:13,240 Speaker 1: catch me cheating, I won't never tell her. Sorry. Yeah, 520 00:33:13,360 --> 00:33:19,960 Speaker 1: I was that not militarizing the population, bron. If that's 521 00:33:19,960 --> 00:33:24,480 Speaker 1: not the secret message that makes you a fucking the 522 00:33:24,600 --> 00:33:27,680 Speaker 1: type of person that slits a puppy's throat, I don't know. 523 00:33:29,840 --> 00:33:35,040 Speaker 1: God damn a mom. Yeah, it's like, bro, you have 524 00:33:37,600 --> 00:33:39,480 Speaker 1: you have so many kids, there has to be a 525 00:33:39,600 --> 00:33:44,160 Speaker 1: daughter in there some way. Yea. And not that it 526 00:33:44,200 --> 00:33:47,760 Speaker 1: should require a daughter for you to be even remotely humane, 527 00:33:47,920 --> 00:33:53,160 Speaker 1: but but at the same time, god damn. Yeah. Yeah, 528 00:33:53,280 --> 00:33:55,840 Speaker 1: his music makes me feel like a prude sometimes, you know, 529 00:33:55,880 --> 00:33:58,959 Speaker 1: like sometimes you listen to super gangster rapping. You're like, oh, 530 00:33:59,120 --> 00:34:03,160 Speaker 1: I'm not I'm not like Benny the Butcher. Yeah that's 531 00:34:04,360 --> 00:34:09,120 Speaker 1: the future. Like yo, my heart longs for love. Yeah No, 532 00:34:09,280 --> 00:34:12,839 Speaker 1: I know everybody is always judgmental of things, but I've 533 00:34:12,840 --> 00:34:15,880 Speaker 1: never related to jay Z more than uh four or 534 00:34:16,000 --> 00:34:18,200 Speaker 1: four where I was like, Oh, this is just a 535 00:34:18,280 --> 00:34:21,439 Speaker 1: man who goes to work and trying to do better. 536 00:34:21,920 --> 00:34:25,120 Speaker 1: I get that, man, That's that's that's the longevity I'm 537 00:34:25,160 --> 00:34:28,240 Speaker 1: looking for. When he was talking about cocaine, I didn't 538 00:34:28,280 --> 00:34:31,880 Speaker 1: get that motherfucker at all. I told my friends I did. Yeah, No, 539 00:34:32,040 --> 00:34:34,680 Speaker 1: I pretended to, and I tried try as hard as 540 00:34:34,719 --> 00:34:37,440 Speaker 1: I could. But and I enjoyed trying. I can't think 541 00:34:37,480 --> 00:34:40,960 Speaker 1: of an artist I enjoyed trying with more. But did 542 00:34:41,040 --> 00:34:42,839 Speaker 1: I get it? No? I didn't get it. But when 543 00:34:42,880 --> 00:34:44,920 Speaker 1: he when he got to being like, hey man, I 544 00:34:45,080 --> 00:34:47,640 Speaker 1: just wanna I just want to learn to stretch in 545 00:34:47,719 --> 00:34:52,040 Speaker 1: the morning and and check check stocks, it was like, yeah, 546 00:34:52,200 --> 00:34:56,200 Speaker 1: jay Z, I get it. I like this. I also 547 00:34:56,239 --> 00:35:02,680 Speaker 1: eat grape fruit with a spoon, still about the little No, 548 00:35:02,920 --> 00:35:06,160 Speaker 1: I eat it because I'm still I'm still out here. 549 00:35:08,520 --> 00:35:11,960 Speaker 1: I feel it like an orange. I love that for 550 00:35:12,120 --> 00:35:17,320 Speaker 1: you well, Jerry, uh the j I I believe this 551 00:35:17,480 --> 00:35:21,760 Speaker 1: should have answered your question. There definitely are conspiracy theories. 552 00:35:21,960 --> 00:35:24,040 Speaker 1: Next time you come to us, you come with something 553 00:35:24,160 --> 00:35:29,440 Speaker 1: better than the very coked out band cameo talking about 554 00:35:29,719 --> 00:35:34,120 Speaker 1: candy as a reference to cocaine. People call it nos candy. 555 00:35:34,480 --> 00:35:38,160 Speaker 1: They just start off on Jesus Christ. Jerry, you've made 556 00:35:38,200 --> 00:35:42,719 Speaker 1: a fool of yourself again yet again. Right let this 557 00:35:42,920 --> 00:35:45,960 Speaker 1: is quite possibly your second time around the Bend and 558 00:35:46,160 --> 00:35:48,400 Speaker 1: this is what the funk you came back with. Jerry, 559 00:35:48,960 --> 00:35:55,960 Speaker 1: you make us sick. Well, Bory, could you tell the 560 00:35:55,960 --> 00:35:57,800 Speaker 1: people where they can find you and what cool should 561 00:35:57,840 --> 00:36:01,399 Speaker 1: you have going on? Yeah? You can find December twenty second, 562 00:36:02,360 --> 00:36:06,200 Speaker 1: I will be at the Jimmy Kimmel Comedy Club in 563 00:36:06,320 --> 00:36:09,399 Speaker 1: Las Vegas, Nevada. Come out and make sure I don't 564 00:36:09,440 --> 00:36:13,160 Speaker 1: have a terrible Christmas. Don't worry. I'm just kidding. Don't 565 00:36:13,200 --> 00:36:17,040 Speaker 1: talk to me. I honestly don't like it. I mean, 566 00:36:17,080 --> 00:36:19,000 Speaker 1: I like you, I like I take a picture with you, 567 00:36:19,080 --> 00:36:22,160 Speaker 1: but don't talk to me much after that. Damn me. 568 00:36:22,280 --> 00:36:24,279 Speaker 1: Here's something and I'll answer it on a plane, but 569 00:36:24,840 --> 00:36:27,200 Speaker 1: I ain't. I ain't got it. Back back and forth face. 570 00:36:27,360 --> 00:36:29,880 Speaker 1: You mean you don't like being held captive by an 571 00:36:29,880 --> 00:36:33,839 Speaker 1: audience after the show while they repeat your jokes back 572 00:36:33,880 --> 00:36:36,920 Speaker 1: to you poorly. I like, I like taking a picture 573 00:36:37,040 --> 00:36:39,640 Speaker 1: talking to somebody for a couple of seconds. Like in Portland, 574 00:36:39,920 --> 00:36:41,600 Speaker 1: a lady, a fan of the show, was like, Hey, 575 00:36:41,880 --> 00:36:44,799 Speaker 1: my sister works for this company that helps people out 576 00:36:44,840 --> 00:36:47,120 Speaker 1: in Ciri Leon. I like ship like that, but I can't. 577 00:36:47,200 --> 00:36:51,239 Speaker 1: I can't hear your life. I ain't got it and 578 00:36:51,320 --> 00:36:53,600 Speaker 1: you honestly, I don't want to tell you mine. Yeah, no, 579 00:36:53,760 --> 00:36:56,960 Speaker 1: that's fair. That's that's a percent fair. And no I 580 00:36:57,040 --> 00:36:59,359 Speaker 1: don't want to tell you. If you didn't learn enough 581 00:36:59,400 --> 00:37:04,080 Speaker 1: about my life from my our performance, then then catch 582 00:37:04,160 --> 00:37:08,960 Speaker 1: me next time. Yeah, I don't got much else to offer, 583 00:37:09,040 --> 00:37:13,240 Speaker 1: your big dog. Where can the people see you? Langston? 584 00:37:13,440 --> 00:37:16,480 Speaker 1: They can follow me at Langston Kerman on all platforms. 585 00:37:16,520 --> 00:37:18,440 Speaker 1: I would love to hear from you, And if you 586 00:37:18,440 --> 00:37:21,239 Speaker 1: would love to send us your own conspiracy theories, your 587 00:37:21,280 --> 00:37:23,680 Speaker 1: own drops, if you want to say everything you didn't 588 00:37:23,719 --> 00:37:25,920 Speaker 1: get a chance to say to David while you were 589 00:37:25,960 --> 00:37:28,880 Speaker 1: in Portland holding him captive, please send that to my 590 00:37:29,120 --> 00:37:32,120 Speaker 1: Mama pod at gmail dot com. We would love to 591 00:37:32,239 --> 00:37:39,880 Speaker 1: hear from you. That's about it. By bitch. Motherfucking many years, 592 00:37:39,960 --> 00:37:50,640 Speaker 1: so many episode, motherfucking many episode. Motherfucking many years, so 593 00:37:52,560 --> 00:37:56,160 Speaker 1: many episode, motherfucking many episode