WEBVTT - Poetry by Ron Burgundy

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<v Speaker 1>Ron Bug Podcast. It's fun podcast. It's him and now hello,

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<v Speaker 1>my name is Ron Burgundy. And if that's not enough,

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<v Speaker 1>we'll then go fudge yourself. Shoot, I said fudge, but

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<v Speaker 1>I meant to say. This is my podcast and I'm

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<v Speaker 1>sitting here with my best friend in the whole world, Carolina, who,

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<v Speaker 1>by the way, is sporting a bright yellow neckerchief. Let's

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<v Speaker 1>talk about that for a second. I'm not wearing anything

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<v Speaker 1>yellow today. What are you talking about? Boy? You just

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<v Speaker 1>go with it for once? Will you go with what

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<v Speaker 1>you want me to? Lion say, I'm wearing a yellow knuckerchef. Yes,

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<v Speaker 1>I do. I want you to lie and pretend it's

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<v Speaker 1>a podcast, for Heaven's sake. Pretending is fun. Carolina. Didn't

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<v Speaker 1>you even pretend with your dollies when you were a child. No,

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<v Speaker 1>I didn't have dollies. No dollies. Hold dollies. Hold on, okay,

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<v Speaker 1>let me get my head around that. When you were

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<v Speaker 1>a young girl, you didn't have a dolly. I did

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<v Speaker 1>not have a dolly. I don't even know if I

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<v Speaker 1>called them that. No dollies. Very interesting? The puzzle is complete?

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<v Speaker 1>What puzzle? A completed puzzle? What are you talking about? Oh? Nothing.

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<v Speaker 1>Just the puzzle has come into complete view. All the

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<v Speaker 1>pieces are in and there it is. Wow, yep, it

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<v Speaker 1>all makes sense. Now, don't give a girl a dolly

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<v Speaker 1>and well, you guys can see for yourself. Who's on

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<v Speaker 1>the podcast today? No one run wonderful. We don't have

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<v Speaker 1>a guest, simply wonderful. Well, it's been a real lumpy,

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<v Speaker 1>dumpy mass of a year with no one able to

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<v Speaker 1>come down here to the ron Burgundy studios because of COVID.

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<v Speaker 1>But the ron Burgundy Radio Hour must go on a podcast, run,

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<v Speaker 1>run the ron Berg podcast, So we'll just have to

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<v Speaker 1>wing it. You want to wing it today? Unlike yes,

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<v Speaker 1>let's just wing it. Um. In fact, why don't we

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<v Speaker 1>do this? Read me that list I made when we

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<v Speaker 1>started this whole journey, you know, the list of topics

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<v Speaker 1>I wanted to cover this one. Yes, that's the baby.

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<v Speaker 1>Read me some of those. There's literally thousands of subjects.

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<v Speaker 1>I know, I know read a few. Okay, Um, I

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<v Speaker 1>discussed man to Raise. That was one wonderful, a two parter,

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<v Speaker 1>and some controversial opinions on that one. But not today.

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<v Speaker 1>Keep going, okay, um, just stop me if you want

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<v Speaker 1>to choose one? Uh should I get a glass eyeball

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<v Speaker 1>not today, okay. Ron opens up about rock collecting pass

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<v Speaker 1>I tell women how to dress, no my time and

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<v Speaker 1>nexium inappropriate, the care and maintenance of donkeys. I called

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<v Speaker 1>Janet at the airline and give her a piece of

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<v Speaker 1>my mind for being a huge to me. You want

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<v Speaker 1>to do that one? No? No, but but but that's accurate.

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<v Speaker 1>The treasures of the deep. What does that mean? How

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<v Speaker 1>to build and maintain the perfect ham sandwich? Is the sun?

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<v Speaker 1>Jealous of the moon? Minnesota the land of the unknown.

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<v Speaker 1>Not quite yet. We're not ready for that one yet,

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<v Speaker 1>not yet, not yet. I interview a real life paper boy.

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<v Speaker 1>My top five hundred Christmas songs of all time? Your

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<v Speaker 1>top five hundred? My top the one where Ross moves in?

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<v Speaker 1>Is that a friend's episode? All about mer cats? I

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<v Speaker 1>share my knowledge about boners. I don't think so. I

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<v Speaker 1>interview hot new writer Miss Jane Austen No my complete

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<v Speaker 1>guide to luxurious living, Keep going. I interview a doctor

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<v Speaker 1>on the show, but really use it to sneak in

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<v Speaker 1>a free exam without paying. It's a great idea, but

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<v Speaker 1>not today. The truth behind the Burgundy Method. My six

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<v Speaker 1>part conversation with Bill Belichick. We would need coach Belichick

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<v Speaker 1>for that one. I read my poetry. Wait, wait a second,

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<v Speaker 1>stop stop right there, I'm stopping up their easy horse, steady, steady,

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<v Speaker 1>stops easy. Let's see. I read my poetry. I like

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<v Speaker 1>that one. Do you even write poetry? I mean enough

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<v Speaker 1>to fill a whole show? Okay, I get it. Just

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<v Speaker 1>say yes, you've made your point, Carolina. You are a

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<v Speaker 1>fussy old mussy head. Sometimes wonderful Carolina, just wonderful. Of course,

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<v Speaker 1>I write poetry. I have so many poems. They could

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<v Speaker 1>fill ten libraries with my poems, and one day they will. Yes,

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<v Speaker 1>I write poetry. Okay. I mean you could have just

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<v Speaker 1>said yes, well, I just I probably write one or

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<v Speaker 1>two very good poems a day, but sometimes I'll write

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<v Speaker 1>a hundred. Uh wow. Okay, do you have any of

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<v Speaker 1>these poems on you? We're going to do the episode today.

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<v Speaker 1>Wonderful treasure Carolina. Uh No, I keep my poems locked

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<v Speaker 1>in a vault in my storage unit in Arizona. However,

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<v Speaker 1>I do have about a thousand or so roughly that's

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<v Speaker 1>an estimation, in the trunk of my car. Oh okay.

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<v Speaker 1>Should we take a commercial break and then we can

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<v Speaker 1>go get them. Not we buddy, not a chance. I

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<v Speaker 1>will go and get the poetry. That's fine. I'm not

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<v Speaker 1>gonna let you or anyone else take a look at

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<v Speaker 1>the trunk of my car. I've said this maybe a

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<v Speaker 1>million times, right, I mean, if anyone gets near the

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<v Speaker 1>trunk of my car, anyone, man, woman, or child, they

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<v Speaker 1>will get kicked in the face. Okay. And we've gone

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<v Speaker 1>through this before, right Carolina. I mean, you remember what

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<v Speaker 1>happened last time someone broke into my trunk. It was

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<v Speaker 1>what time? Um? I think you said it was hospital time.

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<v Speaker 1>That's right, it was hospital time for those people. Yeah.

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<v Speaker 1>Is the trunk of my car is a sacred space? Okay?

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<v Speaker 1>And it's not because of weird reasons. It sounds weird,

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<v Speaker 1>it's not. The insistence is weird. The insistence of wanting

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<v Speaker 1>to protect the sanctity of my trunk is weird. This, yeah,

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<v Speaker 1>the sacredness, the sanctity, the aggressive the way you talk

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<v Speaker 1>about it. But you know what happens if you go

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<v Speaker 1>near my trunk. It's hospital time. What time? It's hospital time?

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<v Speaker 1>Say it again, it's hospital time. Okay, hold on on

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<v Speaker 1>that note. I'm gonna go go to my trunk alright, alright,

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<v Speaker 1>I'm not gonna ask about it. Um, the Ron Burgundy

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<v Speaker 1>Podcast will be right back. I guess hello everyone, I'm

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<v Speaker 1>Ron Burgundy, and today on the podcast you'll be getting

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<v Speaker 1>some top shelf culture with some of the finest poetry

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<v Speaker 1>you've ever heard in your life, my own, Carolina, do

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<v Speaker 1>me and our listeners a favorite and describe what you're

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<v Speaker 1>looking at. Um. Ron went into his trunk, his sacred trunk,

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<v Speaker 1>and um, well, there are boxes and boxes of crumpled

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<v Speaker 1>paper and napkins and like rolls and rolls and rolls

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<v Speaker 1>of toilet paper, pristine rolls of toilet paper, and um

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<v Speaker 1>and notebooks all over the studio. Now, way more than

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<v Speaker 1>I feel like I could fit in the trunk of

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<v Speaker 1>your car. But I guess not so not so. Packing

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<v Speaker 1>a trunk of a car is an art form. It

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<v Speaker 1>requires great skill and geometric knowledge, which I possess in spades.

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<v Speaker 1>I could and probably will, do a whole show on

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<v Speaker 1>packing a car trunk. Write that down, Carolina, how to

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<v Speaker 1>pack your car? That's an episode. Damn it, You're you're

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<v Speaker 1>not writing it down. Ron Burgundy and the Art of

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<v Speaker 1>Packing your car? How about that for a ratings bonanza?

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<v Speaker 1>Write it down. Okay, folks, if you're listening at home,

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<v Speaker 1>well you'd have to be listening. Young Carolina has her

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<v Speaker 1>arms folded like a librarian with a stick upper butt.

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<v Speaker 1>And she is not, I repeat, not writing a thing down.

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<v Speaker 1>But I love it for that. She is a dinder

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<v Speaker 1>doodle bodkin by Colly. Anyway, I'm going to read some

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<v Speaker 1>poetry today, some great poetry. So sit back and prepare

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<v Speaker 1>to be blown away. Are you ready to Carolina? I'm sorry,

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<v Speaker 1>I'm having trouble concentrating. How many rolls of toilet paper

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<v Speaker 1>do you have here? It looks like you had like

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<v Speaker 1>a hundred rolls of toilet paper in the trunk of

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<v Speaker 1>your car. Yes, for tonight? What do you mean for tonight?

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<v Speaker 1>Are you doing something? How many rolls of toilet paper

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<v Speaker 1>do you use in one day? I'm not going to

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<v Speaker 1>tell you that no nobody, because nobody believes me, so

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<v Speaker 1>I'll believe you. But how many do you use? Now?

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<v Speaker 1>I have to know how many do I use? I

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<v Speaker 1>use sixty rolls of toilet paper a day. Now you don't,

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<v Speaker 1>that's not possible. Listen. I like to groom. I like

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<v Speaker 1>to put cologne on my neck. I like to brush

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<v Speaker 1>my chest hair from time to time. And yes, I

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<v Speaker 1>like to wipe, all right, can we please just get

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<v Speaker 1>back to the episode. And I like to wipe vigorously

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<v Speaker 1>and often. All right, I'm sorry, okay, I am, in

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<v Speaker 1>fact curious about what kind of poetry you write. So yeah,

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<v Speaker 1>let's get back to the I'll tell you what type

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<v Speaker 1>I write, only the best. Okay, So hand me, hand

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<v Speaker 1>me one from that stack over there, all right, let

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<v Speaker 1>me unfold this. Yes, oh, this one is called the bucket.

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<v Speaker 1>I read there once was a man from Nantucket who

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<v Speaker 1>kept all his whoop in a bucket. After a week,

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<v Speaker 1>the bucket did leak, so he found a bag and said,

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<v Speaker 1>that's quite a poem, am, I right, sure it's. I mean,

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<v Speaker 1>it's a limerick, but it's a form of poetry. I

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<v Speaker 1>guess if you want to call that. Okay, So, so

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<v Speaker 1>you don't like that one, I can do more than limericks. Here,

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<v Speaker 1>hand me another, all right. This one is called the

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<v Speaker 1>magical Can. I once knew a man in a van

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<v Speaker 1>who pooped in a magical can. Jesus, the more he

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<v Speaker 1>would pooh, the more the can grew. It truly was

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<v Speaker 1>a magical can. I like the delivery sensational, right, sure,

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<v Speaker 1>I can tell that the pride is there. Yes, And

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<v Speaker 1>here's a little fun tidbit. I remember where that one

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<v Speaker 1>came to me. I was walking the great Pacific rim Trail.

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<v Speaker 1>It was morning, and the birds were just beginning the

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<v Speaker 1>long symphony of their day. The sun appeared over the

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<v Speaker 1>eastern ridge, spreading a glorious orange red light, and the

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<v Speaker 1>magic steve. It all flooded in a great wave of

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<v Speaker 1>warm inner feeling I shall never forget. So then you

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<v Speaker 1>were moved. You just had to get it down. The

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<v Speaker 1>poem about poop Carolina. You know, not the mind of

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<v Speaker 1>the poet. The poet is a dreamer and a dancer, right, Okay,

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<v Speaker 1>I'm just curious. Have you written anything that's not a limerick? Um?

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<v Speaker 1>Let me see, hand me one from that pile. Okay, yes, okay.

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<v Speaker 1>I once knew a lady named Regina. We had cucumbers

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<v Speaker 1>up her. Not appropriate? Okay, give me another. Okay, there

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<v Speaker 1>once was a bloke who was all wrong, but who

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<v Speaker 1>was blessed with an elephant dong. Okay, that must be

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<v Speaker 1>my my blue pile for adult crowds only got it. Okay,

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<v Speaker 1>So that's why I don't know if I've ever told

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<v Speaker 1>you about this, But there was a time when I

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<v Speaker 1>was hired to do risk scap parties for adults only.

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<v Speaker 1>It was a way to make some extra bucks on

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<v Speaker 1>the side, and not a bad place to pick up

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<v Speaker 1>a board housewife. I might add I was known around

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<v Speaker 1>San Diego not as Ron Burgundy, but as Slappy Newsome,

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<v Speaker 1>and I booked a lot of parties. I still perform

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<v Speaker 1>from time to time as Slappy Newsom. If I'm short

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<v Speaker 1>on bread. Well, you don't want to hear about that.

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<v Speaker 1>Everything's always great with Ron, as far as you know,

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<v Speaker 1>it's not never any problems. Ald Ron on top of

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<v Speaker 1>the world. Well, sometimes it feels like fire ants have

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<v Speaker 1>crawled up my Okay, okay, what what's in that box

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<v Speaker 1>over there? Probably Limerix from what you've read, Okay, give

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<v Speaker 1>me that. Okay, all right, I read they're Once was

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<v Speaker 1>a woman named Leah here we go, and she loved

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<v Speaker 1>to drink her sangria. But when she ate some roast duck,

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<v Speaker 1>she ran out of luck when the bird caused her

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<v Speaker 1>to squirt diarrhea. Oh come on, come on, what maybe

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<v Speaker 1>something more serious? Diarrhea is serious business? Okay, serious business,

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<v Speaker 1>don't mess around a diarrhea. It's nothing to laugh about.

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<v Speaker 1>That poem was more like a public service announcement. But okay,

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<v Speaker 1>what's in that box over there? Hand me one from

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<v Speaker 1>that box. Ah? Yes, The Phantom Wind by Ronald R. Burgundy.

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<v Speaker 1>This must be one of my my more youthful poems.

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<v Speaker 1>When the world was young and love lingered longingly in

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<v Speaker 1>the air. I was probably no older than you when

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<v Speaker 1>this poem was written. Oh, I bet it's a limerick.

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<v Speaker 1>Heck no. I said this to some serious literary journal

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<v Speaker 1>like Reader's Digest, to be published so I could make

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<v Speaker 1>my way in the world as a young writer, long

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<v Speaker 1>before my prestigious career in the news business. Hm, I'll read,

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<v Speaker 1>let me read it the Phantom Wind. The wind blew

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<v Speaker 1>into town today, dressed in linen and lace. She held

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<v Speaker 1>herself in great esteem. Even as she brushed my face.

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<v Speaker 1>I was unaware of where she went other faces angrily,

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<v Speaker 1>I guessed. She left so quickly then, and left me

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<v Speaker 1>with what I missed. Are you okay? You don't look okay?

0:15:27.600 --> 0:15:35.000
<v Speaker 1>Ron ron come on, are you have to do it?

0:15:36.680 --> 0:15:39.680
<v Speaker 1>Poujie is a double edged sword. You know. It cuts

0:15:39.720 --> 0:15:45.280
<v Speaker 1>both ways. Beauty and the ugly truth, joy and sadness.

0:15:46.360 --> 0:15:59.600
<v Speaker 1>Sometimes the pain keep going of creation is simply bearable. Okay,

0:16:00.000 --> 0:16:04.680
<v Speaker 1>oh the muses, Why do you ensnare me and your

0:16:04.840 --> 0:16:11.680
<v Speaker 1>tortures guile? I don't know, al right, Hand me one

0:16:11.720 --> 0:16:16.880
<v Speaker 1>from that pile. Here we go. This one is called

0:16:17.000 --> 0:16:21.000
<v Speaker 1>simply the tart. I once knew a fabulous tart who

0:16:21.120 --> 0:16:23.720
<v Speaker 1>was chased out of town on a card. But before

0:16:23.800 --> 0:16:27.080
<v Speaker 1>she did go, she let her butt blow a most

0:16:27.160 --> 0:16:36.040
<v Speaker 1>magnificent fart. That wonderful poetry is the window to the soul,

0:16:36.120 --> 0:16:39.960
<v Speaker 1>they say. My my favorite poet is Ron McEwen, probably

0:16:39.960 --> 0:16:43.680
<v Speaker 1>the greatest American poet of all time. But then you

0:16:43.720 --> 0:16:47.520
<v Speaker 1>know that, Oh no, I actually I've never heard of him.

0:16:47.560 --> 0:16:50.680
<v Speaker 1>Of course, I'm sure your favorite poet is Britney Spears

0:16:51.560 --> 0:16:54.400
<v Speaker 1>or whoever you listen to when you're not out riding

0:16:54.480 --> 0:16:58.240
<v Speaker 1>your horse. I don't ride a horse, Yes you do, No,

0:16:58.440 --> 0:17:02.080
<v Speaker 1>I don't. Metaphorically speaking, what do you think girls do like?

0:17:02.120 --> 0:17:04.879
<v Speaker 1>I don't have dollies. I don't ride a horse. Okay,

0:17:04.920 --> 0:17:07.480
<v Speaker 1>I take it back, it's not a metaphor. You straight

0:17:07.560 --> 0:17:10.639
<v Speaker 1>up ride a horse. You call the horse horsey because

0:17:10.640 --> 0:17:12.840
<v Speaker 1>you lack imagination. Tell me I'm right. I'm not going

0:17:12.920 --> 0:17:16.639
<v Speaker 1>to tell you no, I don't ride a horse. Okay,

0:17:17.320 --> 0:17:20.440
<v Speaker 1>you win. I thought I knew you, But you're as

0:17:20.480 --> 0:17:23.760
<v Speaker 1>foreign to me as a pair of blue jeans. I

0:17:23.760 --> 0:17:29.080
<v Speaker 1>want to hear another poem. I mean, okay, what about

0:17:29.080 --> 0:17:31.640
<v Speaker 1>a love poem. I think everyone would like to hear

0:17:31.800 --> 0:17:36.040
<v Speaker 1>a Ron Burgundy love poem. Make it like coming right

0:17:36.160 --> 0:17:40.600
<v Speaker 1>up hand me that. Oh, yes, that napkin from the

0:17:40.640 --> 0:17:48.399
<v Speaker 1>stack over there. Yes, Oh, I remember this, Jim. I

0:17:48.440 --> 0:17:51.480
<v Speaker 1>wrote this one night in a two dollar hotel room

0:17:51.520 --> 0:17:55.119
<v Speaker 1>in San Francisco, back when they had two dollar hotel rooms.

0:17:55.359 --> 0:18:02.479
<v Speaker 1>It's called the daffodils. Death deals everywhere in bunches and

0:18:02.560 --> 0:18:05.679
<v Speaker 1>spread out all over the room I'm in. It's an

0:18:05.720 --> 0:18:10.560
<v Speaker 1>explosion of daffodils. All I can say is wow, here

0:18:10.600 --> 0:18:16.800
<v Speaker 1>and there daffodils on my bed and on the window sill. Daffodils.

0:18:17.240 --> 0:18:21.840
<v Speaker 1>There must be hundreds of them. Wait, they're not called daffodils.

0:18:22.440 --> 0:18:28.880
<v Speaker 1>I was confused. They're called ladybugs. That that was your

0:18:29.080 --> 0:18:31.240
<v Speaker 1>This doesn't sound like a love poem. It sounds more

0:18:31.280 --> 0:18:33.399
<v Speaker 1>like maybe in nature. I don't know, I don't know

0:18:33.400 --> 0:18:35.920
<v Speaker 1>what that was. Well, when you're older and you've traveled

0:18:35.920 --> 0:18:39.480
<v Speaker 1>the world and seen men cut by knives and monsters

0:18:39.520 --> 0:18:42.199
<v Speaker 1>of every shape and size, you'll understand that that was

0:18:42.280 --> 0:18:46.360
<v Speaker 1>indeed a love poem. Give me another one quick, here

0:18:46.400 --> 0:18:51.760
<v Speaker 1>we go, all right? Ah the Best by Ron Burgundy.

0:18:52.080 --> 0:18:55.320
<v Speaker 1>I am the very best there is. There's no one

0:18:55.400 --> 0:18:58.720
<v Speaker 1>better in the biz. I know how to get it done.

0:18:59.240 --> 0:19:02.919
<v Speaker 1>It's why I'm own as number one. My shoes and

0:19:03.000 --> 0:19:06.760
<v Speaker 1>my belt are leather. My overcoat can handle any weather.

0:19:07.760 --> 0:19:13.159
<v Speaker 1>I have many handmade boots. I have many more handmade suits.

0:19:14.080 --> 0:19:18.400
<v Speaker 1>I own hundreds of movies on VHS. So you see,

0:19:18.680 --> 0:19:24.840
<v Speaker 1>I am the best. Good but not great. Yeah, not

0:19:24.960 --> 0:19:27.760
<v Speaker 1>as moving. Yeah, I probably that one out on a

0:19:27.800 --> 0:19:30.159
<v Speaker 1>bus or something. You know, not every poem is going

0:19:30.200 --> 0:19:32.680
<v Speaker 1>to be worthy of an oscar. But still it's worth

0:19:32.800 --> 0:19:36.480
<v Speaker 1>publishing in a book. I don't well, I'm sorry. Why

0:19:36.560 --> 0:19:38.720
<v Speaker 1>haven't you put all these poems in a buck? Oh

0:19:38.720 --> 0:19:41.960
<v Speaker 1>that's a great question. Well, I I have plans right now.

0:19:42.000 --> 0:19:45.800
<v Speaker 1>I have enough for sixteen volumes of poetry, roughly the

0:19:45.840 --> 0:19:49.359
<v Speaker 1>size of a set of encyclopedias. But I don't want

0:19:49.400 --> 0:19:52.720
<v Speaker 1>to separate them. So I'm designing one book about the

0:19:52.760 --> 0:19:56.600
<v Speaker 1>size of a California King bed battress. It's going to

0:19:56.640 --> 0:20:00.680
<v Speaker 1>be over ten thousand pages long, and it should weigh

0:20:00.760 --> 0:20:04.520
<v Speaker 1>around seven hundred pounds, but I'd like it to cost

0:20:04.560 --> 0:20:09.200
<v Speaker 1>around fourteen bucks. And and that's well, it's funny you

0:20:09.200 --> 0:20:11.600
<v Speaker 1>should say that, because that's where the big publishing houses

0:20:11.600 --> 0:20:14.440
<v Speaker 1>are fighting me. They say it's the size that they're

0:20:14.480 --> 0:20:17.280
<v Speaker 1>bumping up against. And I may end up building my

0:20:17.320 --> 0:20:21.399
<v Speaker 1>own printing press to get around that. That would really

0:20:21.440 --> 0:20:24.760
<v Speaker 1>turn the publishing world upside down. A seven hundred pound

0:20:25.000 --> 0:20:28.960
<v Speaker 1>book of poetry the size of a bed mattress. Think

0:20:28.960 --> 0:20:32.600
<v Speaker 1>about that. I mean, I've always been a disruptor. I

0:20:32.680 --> 0:20:36.120
<v Speaker 1>believe in going against the status quo. And and if

0:20:36.119 --> 0:20:40.399
<v Speaker 1>you're a poet, then you know how I feel. Lord

0:20:40.760 --> 0:20:58.840
<v Speaker 1>at all lauded it? Lord did it at all? Lord Lord,

0:20:59.000 --> 0:21:10.040
<v Speaker 1>don't deed de lord do don't do deed? Lord de

0:21:11.320 --> 0:21:19.600
<v Speaker 1>lorded DoD Lord de lord, dear don't lord DoD do

0:21:19.920 --> 0:21:31.160
<v Speaker 1>de de lord de lordie do de run? Hello, Hello,

0:21:31.560 --> 0:21:34.800
<v Speaker 1>run Carolina? How did you get in my room? I'm

0:21:35.000 --> 0:21:37.119
<v Speaker 1>sorry you were lost there for a second. Are you

0:21:37.600 --> 0:21:41.159
<v Speaker 1>going to read more poetry? Do? I'll leave you? Okay,

0:21:41.560 --> 0:21:45.480
<v Speaker 1>give me another one? Oh? Okay? Oh my what do

0:21:45.560 --> 0:21:50.960
<v Speaker 1>we have here? Oh, perhaps perhaps this one is too personal,

0:21:51.600 --> 0:21:56.280
<v Speaker 1>too raw. Let's uh yeah, let's save that for another day.

0:21:56.600 --> 0:21:58.600
<v Speaker 1>Some of these poems go straight to my heart and

0:21:58.680 --> 0:22:01.280
<v Speaker 1>I and I'm honest not sure if I have the

0:22:01.400 --> 0:22:05.720
<v Speaker 1>courage to share them with all the world. Okay, we'll

0:22:05.760 --> 0:22:09.240
<v Speaker 1>pass on that one. No, no, damn it. They were

0:22:09.320 --> 0:22:12.440
<v Speaker 1>meant to be shared, no matter how revealing, I'll do it.

0:22:13.359 --> 0:22:16.399
<v Speaker 1>I feel compelled to let the listeners know. This poem

0:22:16.640 --> 0:22:19.360
<v Speaker 1>is as close to say T. S. Eliot or Sylvia

0:22:19.440 --> 0:22:23.280
<v Speaker 1>Plath as I can get. There's nuance here in every word,

0:22:23.760 --> 0:22:26.720
<v Speaker 1>but for the secret of truth, there's a great reward

0:22:26.800 --> 0:22:30.159
<v Speaker 1>in discovering its meaning. In short, this might be my

0:22:30.480 --> 0:22:36.359
<v Speaker 1>most personal poem. Okay, wow, okay, it's titled what did

0:22:36.400 --> 0:22:40.040
<v Speaker 1>you say? That's exciting? I'm interested. It's titled the Man

0:22:40.359 --> 0:22:47.399
<v Speaker 1>from Afar. Okay, h and I read. I once had

0:22:47.440 --> 0:22:51.960
<v Speaker 1>a roommate named Steve, and he had one big pet Peeve.

0:22:52.640 --> 0:22:56.359
<v Speaker 1>When I ate all his beans and took out his window,

0:22:57.000 --> 0:23:03.600
<v Speaker 1>that's when he begged me to leave. Wonderful, simply wonderful.

0:23:04.200 --> 0:23:07.520
<v Speaker 1>Hand me another, milady, I'm sorry, where is Steve today?

0:23:07.600 --> 0:23:09.960
<v Speaker 1>Do you know? Well, Honestly, that was the least of

0:23:10.040 --> 0:23:13.760
<v Speaker 1>our problems. Yes, when I out his window, I mean

0:23:13.840 --> 0:23:17.040
<v Speaker 1>we we had so many bigger issues as roommates. I'm

0:23:17.080 --> 0:23:20.680
<v Speaker 1>going to say some constructive criticism about that pass. I

0:23:20.840 --> 0:23:25.040
<v Speaker 1>don't think it's that good. That's my note. I it's

0:23:25.080 --> 0:23:27.520
<v Speaker 1>not like Sylvia Plath or t s Elliott at all.

0:23:27.640 --> 0:23:29.400
<v Speaker 1>So I don't know why. Okay, And I will say

0:23:29.480 --> 0:23:31.720
<v Speaker 1>this back to you. Get off my chain, okay, because

0:23:32.080 --> 0:23:34.119
<v Speaker 1>I write in the style that is best for what

0:23:34.359 --> 0:23:37.880
<v Speaker 1>I'm trying to convey. You want an epic, I have epics.

0:23:38.400 --> 0:23:40.399
<v Speaker 1>You want to sonnet, I have sonnets. You you want

0:23:40.440 --> 0:23:42.879
<v Speaker 1>a nursery rhyme? I have those two. Great, Okay, give

0:23:42.960 --> 0:23:45.320
<v Speaker 1>me a nursery rhyme. We'll do. We'll do. Hand that

0:23:45.440 --> 0:23:51.600
<v Speaker 1>purple box over there. Okay. These are these ones that

0:23:51.640 --> 0:23:54.040
<v Speaker 1>are written in cran Yes, I mean it's the only

0:23:54.119 --> 0:23:57.080
<v Speaker 1>way to write nursery rhymes. Someone should put out a

0:23:57.200 --> 0:24:01.040
<v Speaker 1>book of my nursery rhymes. Mother goose as one probably

0:24:01.160 --> 0:24:03.720
<v Speaker 1>not her real name, by the way, probably something like

0:24:04.359 --> 0:24:08.080
<v Speaker 1>gooster Lich or goose Bomb, and she changed it to

0:24:08.160 --> 0:24:10.760
<v Speaker 1>sell more books. If I was a betting man, I

0:24:10.800 --> 0:24:14.240
<v Speaker 1>would say her name was Jennifer goos Ington and some

0:24:14.440 --> 0:24:18.560
<v Speaker 1>smartass publisher came up with mother Goose. Anyway, I think

0:24:18.640 --> 0:24:20.800
<v Speaker 1>I should have a book of nursery rhymes out there.

0:24:21.240 --> 0:24:24.879
<v Speaker 1>I would call it ron Burgundy's Better Bountiful Book of

0:24:25.040 --> 0:24:29.760
<v Speaker 1>silly children's Verse. I can't wait to read that. Um.

0:24:30.240 --> 0:24:35.960
<v Speaker 1>Let's hear one. Okay, this one's called the spider Spider,

0:24:36.080 --> 0:24:39.200
<v Speaker 1>Spider way a pie. Do you want my cherry pie?

0:24:40.080 --> 0:24:43.520
<v Speaker 1>Come down, Come down on your string. Let me hear

0:24:43.720 --> 0:24:47.960
<v Speaker 1>your small mouth sing, sing me a spider lullaby, and

0:24:48.160 --> 0:24:52.880
<v Speaker 1>you shall have my cherry pie. That wasn't actually that bad,

0:24:53.280 --> 0:24:55.959
<v Speaker 1>I'm compared to some of your other stuff. I mean,

0:24:56.000 --> 0:24:59.600
<v Speaker 1>I was expecting more of an adult version of children's

0:24:59.720 --> 0:25:03.200
<v Speaker 1>verse coming from you, But I'm impressed that was That

0:25:03.400 --> 0:25:06.160
<v Speaker 1>was reasonable. Yeah, I mean I know my way around

0:25:06.280 --> 0:25:09.240
<v Speaker 1>nursery rhymes, young lady, Okay, I can see that. Here's

0:25:09.240 --> 0:25:13.320
<v Speaker 1>one one time, two time, three time four We used

0:25:13.359 --> 0:25:17.560
<v Speaker 1>our butts to mop the floor. Yeah, that's more simple, straightforward,

0:25:17.640 --> 0:25:20.399
<v Speaker 1>easy on the ears. Oh, poetry should be easy on

0:25:20.520 --> 0:25:23.119
<v Speaker 1>the ears, which is not to say all poetry should

0:25:23.119 --> 0:25:26.440
<v Speaker 1>be about kittens and lambs. No poetry needs to explore

0:25:26.600 --> 0:25:32.160
<v Speaker 1>darker subjects man's inner struggles, loss and pain and suffering,

0:25:32.600 --> 0:25:37.080
<v Speaker 1>war and famine, heartbreak and fear. This is a poem

0:25:37.119 --> 0:25:41.160
<v Speaker 1>I wrote that addresses such depth of exploration of which

0:25:41.240 --> 0:25:47.440
<v Speaker 1>I speak. It's simply titled Venus. M hmm. That night

0:25:47.560 --> 0:25:51.520
<v Speaker 1>there was something between us. She said she was from

0:25:51.640 --> 0:25:56.680
<v Speaker 1>the planet Venus, from below and above. We made sweet love.

0:25:57.600 --> 0:26:02.280
<v Speaker 1>In the morning she showed me her penis. Well, what

0:26:02.359 --> 0:26:05.720
<v Speaker 1>do you think? Huh? Pretty solid? Right, that's a poem.

0:26:06.480 --> 0:26:21.760
<v Speaker 1>That is a poem, I guess. Okay, Ms Swarthmore if

0:26:21.800 --> 0:26:24.200
<v Speaker 1>you think you can read me a better one, any

0:26:24.280 --> 0:26:27.280
<v Speaker 1>poem you can remember, or something from the internet, really anything,

0:26:27.320 --> 0:26:30.560
<v Speaker 1>I'll tell you if it's up to my standards. Oh um,

0:26:30.680 --> 0:26:33.359
<v Speaker 1>well I didn't go to Swarthmore. Well, one of the

0:26:33.640 --> 0:26:39.920
<v Speaker 1>s schools Smith Swinkleton's scripts. Suremount Shire Shop, you know

0:26:40.040 --> 0:26:43.520
<v Speaker 1>what I'm talking about. Just read something. Um, okay, here's

0:26:43.640 --> 0:26:46.960
<v Speaker 1>one I've actually always loved. It's by one of my

0:26:47.040 --> 0:26:52.080
<v Speaker 1>favorite poets, um, Emily Dickinson. She was just mind blowing, profound.

0:26:52.960 --> 0:26:55.440
<v Speaker 1>I'm assuming you've heard of her. I dated a woman

0:26:55.600 --> 0:26:58.280
<v Speaker 1>named Emily Dickinson back in the seventies, not the same

0:26:58.320 --> 0:27:02.040
<v Speaker 1>one that was a wild ride, my friends, a wild ride.

0:27:02.480 --> 0:27:05.000
<v Speaker 1>I have not thought about that girl in over forty years.

0:27:05.240 --> 0:27:07.960
<v Speaker 1>Oh boy, you want to talk about a wild ride.

0:27:08.040 --> 0:27:11.040
<v Speaker 1>That was some wild ride? I get it. Okay, Well,

0:27:11.240 --> 0:27:13.880
<v Speaker 1>this Emily Dickinson, the one I'm talking about. She wrote

0:27:13.920 --> 0:27:17.720
<v Speaker 1>the poem I'm about to read sometime in um must

0:27:17.760 --> 0:27:20.719
<v Speaker 1>have been the middle of the last century. We are

0:27:20.840 --> 0:27:24.320
<v Speaker 1>talking about two different women. Then my Emily, Yes, because

0:27:24.560 --> 0:27:27.640
<v Speaker 1>she was no poet. She was a free spirit, for sure.

0:27:28.320 --> 0:27:31.560
<v Speaker 1>She never wore a bra good, I guess. Heck, she

0:27:31.640 --> 0:27:34.320
<v Speaker 1>never wore clothes as far as I can remember that.

0:27:34.440 --> 0:27:36.760
<v Speaker 1>You know that the seventies should be remembered as one

0:27:36.920 --> 0:27:40.160
<v Speaker 1>long orgy as far as I'm concerned. This is getting

0:27:40.200 --> 0:27:42.480
<v Speaker 1>off subject. But in nineteen seventy three I went to

0:27:42.560 --> 0:27:46.240
<v Speaker 1>an orgy that I didn't leave until nineteen seventy five.

0:27:46.840 --> 0:27:51.000
<v Speaker 1>That's two years of orgy, buddy, that's a lot of orgy.

0:27:51.760 --> 0:27:54.920
<v Speaker 1>And I think Emily was there. But then so many

0:27:54.960 --> 0:27:59.480
<v Speaker 1>people dropped in and out. Suzanne Plachette, Robert Blake, Robert

0:27:59.560 --> 0:28:04.320
<v Speaker 1>Conrad Hope, laying the list goes on. Anyway, I'm getting

0:28:04.320 --> 0:28:06.920
<v Speaker 1>off subject. You were going to read some poem from

0:28:07.040 --> 0:28:12.360
<v Speaker 1>some woman no one's ever heard of go um okay,

0:28:12.760 --> 0:28:18.440
<v Speaker 1>it's called I'm Nobody? Who are You? By Emily Dickinson. Um,

0:28:19.320 --> 0:28:25.920
<v Speaker 1>I'm nobody? Who are you? Are you nobody too? Then

0:28:25.960 --> 0:28:29.520
<v Speaker 1>there's a pair of us. Don't tell. I don't think so.

0:28:30.400 --> 0:28:35.440
<v Speaker 1>They'd banish us. You know, how dreary to be somebody?

0:28:36.520 --> 0:28:41.000
<v Speaker 1>H how public like a frog? Like a frog to

0:28:41.160 --> 0:28:47.160
<v Speaker 1>tell your name the Livelong day to an admiring bog. Okay,

0:28:47.880 --> 0:28:51.240
<v Speaker 1>I mean she can rhyme, Yeah, she can spit. But

0:28:51.440 --> 0:28:54.280
<v Speaker 1>I don't know if that's considered a good poem. It's

0:28:54.320 --> 0:28:56.120
<v Speaker 1>considered a great poem. I mean, if if it is,

0:28:56.200 --> 0:28:58.040
<v Speaker 1>then I think I have a pretty good chance of

0:28:58.160 --> 0:29:02.000
<v Speaker 1>winning the Best Poem Awards day. Here's how I would

0:29:02.000 --> 0:29:04.600
<v Speaker 1>have done it, off the top of my head, going

0:29:04.680 --> 0:29:09.840
<v Speaker 1>to revise the poem. Let me okay, Uh, there once

0:29:10.000 --> 0:29:13.800
<v Speaker 1>was a guy who was nobody who filled his belly

0:29:13.960 --> 0:29:20.040
<v Speaker 1>with hot toddy. Um, you drank so much whiskey, stomach

0:29:20.120 --> 0:29:25.720
<v Speaker 1>felt frisky, and he let loose a fifty pound partty.

0:29:27.280 --> 0:29:31.640
<v Speaker 1>It goes back to the poop. Huh. Yeah, that blows

0:29:31.720 --> 0:29:35.959
<v Speaker 1>the doors off off of that ditty you read. I mean,

0:29:36.000 --> 0:29:38.360
<v Speaker 1>if Emily Dickinson was here in the room, she'd probably

0:29:38.400 --> 0:29:41.760
<v Speaker 1>be like, I'm so jealous of what you just came

0:29:41.840 --> 0:29:47.120
<v Speaker 1>up with. Maybe maybe, I mean, I think she'd be floored.

0:29:47.320 --> 0:29:51.160
<v Speaker 1>There's no way to know. She might be offended. And

0:29:51.280 --> 0:29:54.280
<v Speaker 1>mine has a moral too, you know. I mean, I'm

0:29:54.320 --> 0:29:58.880
<v Speaker 1>not saying this. Emily Dickinson isn't good, right, She's okay,

0:29:58.960 --> 0:30:00.680
<v Speaker 1>But you gotta admit, I nail that sucker. And that

0:30:00.760 --> 0:30:03.000
<v Speaker 1>was off the top of my head. And she probably

0:30:03.040 --> 0:30:06.200
<v Speaker 1>spent days thinking of her little rhyme. She is really

0:30:06.320 --> 0:30:09.640
<v Speaker 1>considered one of the greatest poets ever and you wait

0:30:09.720 --> 0:30:18.000
<v Speaker 1>her poem, wait her really? Yes, a woman poet, one

0:30:18.040 --> 0:30:21.840
<v Speaker 1>of the greatest. What a wonderful world we live in.

0:30:22.480 --> 0:30:25.560
<v Speaker 1>It's it's really extraordinary. I mean, you know, Carolina. Every

0:30:25.640 --> 0:30:28.920
<v Speaker 1>day I wake up in this menagerie of color and sound,

0:30:29.000 --> 0:30:32.800
<v Speaker 1>and I see beautiful new things happening. Music I've never

0:30:32.920 --> 0:30:38.080
<v Speaker 1>heard before, cars with no sound, labradoodles, and yoga pants.

0:30:38.160 --> 0:30:42.080
<v Speaker 1>It's truly a magical place. Sure we have bigotry and

0:30:42.200 --> 0:30:44.960
<v Speaker 1>hate and angry men and women running around, but with

0:30:45.080 --> 0:30:48.200
<v Speaker 1>each new day comes the promise of surprise. I can

0:30:48.280 --> 0:30:51.400
<v Speaker 1>hardly believe it. And now you're saying a woman poet

0:30:51.520 --> 0:30:57.520
<v Speaker 1>is one of the best. Wonderful. It's simply wonderful, it

0:30:57.640 --> 0:31:06.000
<v Speaker 1>really is. That's beautiful, it's beautifully put. It's extraordinarily well put. Yeah,

0:31:06.200 --> 0:31:10.280
<v Speaker 1>I was. I don't know what else you want me

0:31:10.360 --> 0:31:14.600
<v Speaker 1>to say. If yes, it was amazing. You know, Carolina,

0:31:14.680 --> 0:31:16.120
<v Speaker 1>A lot of times when you look at me, you

0:31:16.200 --> 0:31:20.840
<v Speaker 1>don't blink. Are you aware of that tick? I didn't really,

0:31:20.840 --> 0:31:22.160
<v Speaker 1>I didn't think of it like a tick. I think

0:31:22.160 --> 0:31:25.200
<v Speaker 1>I'm just looking at you in the eye. It's freaking

0:31:25.280 --> 0:31:27.640
<v Speaker 1>you out. I don't know. I just I'm just noticing

0:31:27.680 --> 0:31:31.360
<v Speaker 1>it now for the first time. You barely blink. I blink. Look,

0:31:31.400 --> 0:31:33.880
<v Speaker 1>I'm blinking, blink, blink blink. Well, no, now your eyes

0:31:33.920 --> 0:31:38.040
<v Speaker 1>were just shut. Though. I'm a normal human. I'm normal.

0:31:38.360 --> 0:31:42.080
<v Speaker 1>You're strange. I'm normal. Well, if that's what you have

0:31:42.240 --> 0:31:45.320
<v Speaker 1>to tell yourself to get through the day, then I'm

0:31:45.360 --> 0:31:49.080
<v Speaker 1>proud of you. Okay, let's get back to the task

0:31:49.160 --> 0:31:51.080
<v Speaker 1>at hand. You know what, I feel like, I'd like

0:31:51.200 --> 0:31:54.600
<v Speaker 1>to try something from my my beatnick years, So do

0:31:54.760 --> 0:31:57.120
<v Speaker 1>me the favor and give me that that old leather

0:31:57.240 --> 0:32:00.800
<v Speaker 1>bag over there, Yes, that one. I'm sorry. There's just

0:32:00.880 --> 0:32:04.160
<v Speaker 1>so much toilet paper. It's it's fine, just past, just

0:32:04.320 --> 0:32:08.680
<v Speaker 1>past it. Yes, I didn't know you were a beat, Nick,

0:32:08.800 --> 0:32:11.280
<v Speaker 1>I think I missed that chapter. Well, I hung around.

0:32:11.840 --> 0:32:17.240
<v Speaker 1>I knew most of the beats. Uh Karroac Gainsburg. I

0:32:17.400 --> 0:32:20.560
<v Speaker 1>hitched across the country and road box cars and worked

0:32:20.600 --> 0:32:24.160
<v Speaker 1>the railroad anyway. I carried around an old Smith Corona

0:32:24.240 --> 0:32:26.800
<v Speaker 1>typewriter in a beat up old suitcase. I used to

0:32:27.320 --> 0:32:31.320
<v Speaker 1>pound out versus for kicks. And here's what I wrote, well,

0:32:31.960 --> 0:32:35.400
<v Speaker 1>riding rail out of Needles, California. It's called into the

0:32:35.520 --> 0:32:41.360
<v Speaker 1>desert with nothing to wear. And maybe Nick, you guys

0:32:41.440 --> 0:32:45.040
<v Speaker 1>can throw some jazz fluid and some bongos behind this one.

0:32:45.760 --> 0:32:47.720
<v Speaker 1>I mean, what are we what are we paying you

0:32:47.760 --> 0:32:51.240
<v Speaker 1>guys for anyway? Right? Yeah, we can. It's not a problem.

0:32:51.640 --> 0:32:54.200
<v Speaker 1>I mean, I know it's not pushing a button and

0:32:54.320 --> 0:32:57.800
<v Speaker 1>would require a little thought and some work. But who knows,

0:32:57.880 --> 0:33:00.360
<v Speaker 1>maybe after three seasons of this podcast they could get

0:33:00.360 --> 0:33:02.320
<v Speaker 1>their thumbs out of their butts and do something for me.

0:33:02.600 --> 0:33:08.360
<v Speaker 1>You know, that's not necessary, just a suggestion. Anyway. Once again,

0:33:08.720 --> 0:33:15.200
<v Speaker 1>it's called into the desert with nothing to wear, into

0:33:15.280 --> 0:33:19.080
<v Speaker 1>the desert, it's nothing to wear. I left my overcoat

0:33:19.160 --> 0:33:23.600
<v Speaker 1>back in Sacelito. Back in Sacelito, there was wine and

0:33:23.760 --> 0:33:29.240
<v Speaker 1>talk and more and more talk, empty headed angels banging

0:33:29.280 --> 0:33:34.720
<v Speaker 1>their brains against the red sky, dawn, seagulls circling the moon,

0:33:35.640 --> 0:33:39.160
<v Speaker 1>sal ketchen, the old American walking right up to the

0:33:39.280 --> 0:33:43.200
<v Speaker 1>edge of the water to give thanks. And then the night,

0:33:44.920 --> 0:33:49.080
<v Speaker 1>all nights give way to the dawn. So it was

0:33:49.640 --> 0:33:54.360
<v Speaker 1>in Sarcelito they had this little train shack out back

0:33:54.480 --> 0:33:58.520
<v Speaker 1>by the rail yard, and this old guy switchman or

0:33:58.600 --> 0:34:02.600
<v Speaker 1>brakeman or something would play as old harmonica for the

0:34:02.680 --> 0:34:07.000
<v Speaker 1>hoboes and all the ghosts of hoboes past. And I

0:34:07.040 --> 0:34:09.680
<v Speaker 1>would come in from the cold and share his wine

0:34:09.800 --> 0:34:14.120
<v Speaker 1>and talk railroad politics and girls he knew, and loves

0:34:14.200 --> 0:34:17.319
<v Speaker 1>he never knew, and the big dark world he once

0:34:17.440 --> 0:34:22.360
<v Speaker 1>traversed with great bounding steps longing, not unlike my own longing.

0:34:23.480 --> 0:34:30.920
<v Speaker 1>A lonesome night never ended hands in Pocket, Portland, Frisco, Detroit, Omaha,

0:34:31.800 --> 0:34:35.120
<v Speaker 1>where the boys and girls grow tall and straight, and

0:34:35.239 --> 0:34:38.759
<v Speaker 1>the far off whistle of the train calls out even

0:34:38.840 --> 0:34:43.040
<v Speaker 1>to them in their sleeping. The desert is cold, man,

0:34:43.160 --> 0:34:47.400
<v Speaker 1>I'd give anything to have that overcoat now roun Burgundy

0:34:48.000 --> 0:34:56.520
<v Speaker 1>needles California, September nine. Wow, well there you have it,

0:34:56.800 --> 0:34:59.640
<v Speaker 1>something from my beatenick period. It It's been a long

0:35:00.080 --> 0:35:03.080
<v Speaker 1>time since my rough and rowdy days, but still look

0:35:03.160 --> 0:35:08.839
<v Speaker 1>fondly on that time. I'm sorry you said, um, how

0:35:08.920 --> 0:35:11.440
<v Speaker 1>old were you? If I would have been around eleven

0:35:11.560 --> 0:35:14.040
<v Speaker 1>or twelve years old, I guess, and you were riding

0:35:14.080 --> 0:35:17.560
<v Speaker 1>train cars and drinking. Look, buddy, we didn't all grow

0:35:17.719 --> 0:35:20.200
<v Speaker 1>up drinking whole milk from mama's tits, if you know

0:35:20.280 --> 0:35:24.239
<v Speaker 1>what I mean. I don't um any more poems to

0:35:24.320 --> 0:35:27.720
<v Speaker 1>read for today. This is a poem I wrote today

0:35:28.680 --> 0:35:32.960
<v Speaker 1>in my head. It's an ode to you. Oh really,

0:35:34.040 --> 0:35:37.319
<v Speaker 1>I actually no one's ever written me a poem before. Okay, well,

0:35:37.400 --> 0:35:41.040
<v Speaker 1>I'm nervous, and I don't want you to think it's stupid. No, no, no, no,

0:35:41.320 --> 0:35:43.400
<v Speaker 1>I won't. I promise I'm not going to be mean

0:35:43.520 --> 0:35:48.000
<v Speaker 1>or anything. Okay, an ode. I call it simply my

0:35:48.120 --> 0:35:52.680
<v Speaker 1>best friend. And it goes like this, I once knew

0:35:52.680 --> 0:35:58.480
<v Speaker 1>a woman named Carolina with a wonderful smile and a

0:35:58.680 --> 0:36:03.160
<v Speaker 1>human vagina. Jesus Christ, but I do not care what's

0:36:03.200 --> 0:36:07.000
<v Speaker 1>going on down there, because what's important to me what

0:36:07.200 --> 0:36:11.680
<v Speaker 1>I tell everyone I see there is no one finer

0:36:12.840 --> 0:36:19.839
<v Speaker 1>run that is so wait, it's not finished, Carolina, Carolina,

0:36:20.560 --> 0:36:23.799
<v Speaker 1>I lied to you, Okay, I don't use sixty rolls

0:36:23.840 --> 0:36:29.360
<v Speaker 1>of toilet paper. I really use seventy five a day. Wipe, wipe,

0:36:29.480 --> 0:36:34.440
<v Speaker 1>wipe your butt front to back, my cheeks. Clap, clap, clap,

0:36:35.960 --> 0:36:38.040
<v Speaker 1>And that one is for you, Carolina. You know what,

0:36:39.480 --> 0:36:42.720
<v Speaker 1>Maybe we should call it quits to the poetry for today. Okay,

0:36:43.239 --> 0:36:44.680
<v Speaker 1>if you say so. But I feel I was just

0:36:44.760 --> 0:36:48.080
<v Speaker 1>picking up steam. I mean, the hundreds of boxes in

0:36:48.120 --> 0:36:50.280
<v Speaker 1>this room are only a fraction of what I've written

0:36:50.320 --> 0:36:53.560
<v Speaker 1>and collected over the years, so many poems, and most

0:36:53.600 --> 0:36:56.080
<v Speaker 1>of them the good kind. I mean, I I don't

0:36:56.080 --> 0:36:58.680
<v Speaker 1>want to get the listeners excited. But if I started

0:36:58.719 --> 0:37:01.759
<v Speaker 1>reading my poetry out and I never took a break,

0:37:01.880 --> 0:37:06.000
<v Speaker 1>I wouldn't finish reading until October of this year. You

0:37:06.040 --> 0:37:08.720
<v Speaker 1>don't need to do that. Isn't that extraordinary to think about?

0:37:09.880 --> 0:37:12.400
<v Speaker 1>They've only heard a few, maybe not even my best ones.

0:37:13.560 --> 0:37:15.720
<v Speaker 1>These are only the poems I keep in my trunk.

0:37:15.880 --> 0:37:17.520
<v Speaker 1>We we could take a break, and I could drive

0:37:17.560 --> 0:37:19.879
<v Speaker 1>out to my storage unit in Kingman, Arizona and grab

0:37:20.000 --> 0:37:22.200
<v Speaker 1>some more boxes. You know what, I think we're good.

0:37:23.040 --> 0:37:25.319
<v Speaker 1>I think the listeners gott an idea of the kind

0:37:25.360 --> 0:37:29.960
<v Speaker 1>of poetry you write. I want to take a break. Yes,

0:37:30.360 --> 0:37:34.640
<v Speaker 1>all kinds, but mainly limericks, and mainly dirty limericks about

0:37:34.680 --> 0:37:38.279
<v Speaker 1>hoop and Vagina's touche. Yeah, I do love that form.

0:37:39.040 --> 0:37:43.640
<v Speaker 1>Here's one. Do we have to do just one more? Okay,

0:37:43.719 --> 0:37:46.880
<v Speaker 1>maybe when we're off the air. Actually it's it's not

0:37:47.000 --> 0:37:55.279
<v Speaker 1>a limerick. It's not. Nope, are you sure well? It is?

0:37:55.560 --> 0:37:57.520
<v Speaker 1>It is a limit, right, Yeah, maybe we can save

0:37:57.560 --> 0:37:59.800
<v Speaker 1>it for another day, you know, well, so be it.

0:38:00.520 --> 0:38:04.560
<v Speaker 1>But I do want to say I think we've we've

0:38:04.640 --> 0:38:08.080
<v Speaker 1>learned quite a lot today about poetry and about ourselves.

0:38:09.080 --> 0:38:11.840
<v Speaker 1>For what is a poet if not a kind of

0:38:12.000 --> 0:38:16.680
<v Speaker 1>truth teller? Why poetry at all? If not to shed

0:38:16.840 --> 0:38:19.960
<v Speaker 1>light on the darkness of our lives. It doesn't have

0:38:20.040 --> 0:38:23.000
<v Speaker 1>to be Shakespeare, of course, or Burgundy. It could be

0:38:23.160 --> 0:38:25.440
<v Speaker 1>some little ditty from the radio that pulls you out

0:38:25.520 --> 0:38:29.399
<v Speaker 1>of your doldrums. For there is poetry and everything, from

0:38:29.440 --> 0:38:32.560
<v Speaker 1>the raindrops that fall, to the sound of crashing waves,

0:38:32.640 --> 0:38:35.400
<v Speaker 1>to the great bleeding of the mountain elk, to the

0:38:35.520 --> 0:38:39.799
<v Speaker 1>howl of the Oregon skunk owl. And yes I made

0:38:39.840 --> 0:38:43.040
<v Speaker 1>that one up. There is no Oregon skunk owl, but

0:38:43.160 --> 0:38:46.440
<v Speaker 1>if there was one, it would howl like one hundred

0:38:46.520 --> 0:38:50.280
<v Speaker 1>wolves and shake the snow from trees with its hideous

0:38:50.360 --> 0:38:54.399
<v Speaker 1>piercing howl. But alas there is no Oregon skunk owl.

0:38:55.280 --> 0:38:58.440
<v Speaker 1>I wish there was, but it just can't be. I

0:38:58.520 --> 0:39:02.360
<v Speaker 1>did draw one, if but where was I Yes, my

0:39:02.480 --> 0:39:06.080
<v Speaker 1>closing remarks about poetry, Yes, honor the poets in our world.

0:39:06.280 --> 0:39:09.759
<v Speaker 1>Shower them with garlands and riches for it as they

0:39:10.040 --> 0:39:12.880
<v Speaker 1>who keep the soul alive while the world turns to

0:39:13.000 --> 0:39:18.839
<v Speaker 1>ship I'm Ron Burgundy. Good night, and for Carolina here

0:39:18.920 --> 0:39:22.799
<v Speaker 1>I will say good night as well. Hold up, Hold up,

0:39:22.840 --> 0:39:25.720
<v Speaker 1>hold up, hold up, hold up, hold up one more second.

0:39:26.360 --> 0:39:29.800
<v Speaker 1>I think I will read just one more. This is

0:39:29.840 --> 0:39:32.840
<v Speaker 1>actually when I was in the death Jam scene. You

0:39:32.920 --> 0:39:35.919
<v Speaker 1>know what I'm getting the signal we are out of times. Okay,

0:39:36.040 --> 0:39:41.880
<v Speaker 1>here we go. Listen up, Listen up, listen up, listen up. Okay,

0:39:42.080 --> 0:39:47.640
<v Speaker 1>put them off. Thank you. By the way, Oregon skunk

0:39:47.680 --> 0:39:52.720
<v Speaker 1>out on. Add that to the list of potential topics. Okay,

0:40:00.040 --> 0:40:00.080
<v Speaker 1>I