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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the.

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Speaker 1: Video version of the history of Curby Your Enthusiasm podcast

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Speaker 1: on Max and YouTube, as well.

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Speaker 2: Links available in the episode description.

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Speaker 1: Episode two of season two, Yes four four which, by

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Speaker 1: the way, I have a nephew whose name is Thor,

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Speaker 1: but it's pronounced tour.

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Speaker 3: If I said that, you should definitely not believe me.

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Speaker 2: But I'm telling you that.

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Speaker 3: I know you're telling me the truth, but I that

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Speaker 3: is insanity.

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Speaker 2: And we started on.

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Speaker 3: I was just in the bathroom and they had sugarcane

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Speaker 3: toilet see covers sugar cane.

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Speaker 2: Yeah, I'm supposed to lick the toilet.

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Speaker 3: No, I ate one. It was sweet and delicious.

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Speaker 1: So we we start out and Larry is meeting Jeff

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Speaker 1: at a hotel coffee shop, right, and clearly it's a hotel.

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Speaker 1: You could tell it's a hotel, right, And Jeff tells

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Speaker 1: Larry that.

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Speaker 3: Hold on, one second, here is it me? Or is

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Speaker 3: Larry wearing something? Because I made a note collar is huge.

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Speaker 3: I think it was me in that scene. I'm looking

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Speaker 3: at the shirt and the collar is so not even

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Speaker 3: of its time.

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Speaker 2: I was just going to say, was that its time?

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Speaker 3: No, it was you know you No collars were like

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Speaker 3: that since maybe the seventies, and it's gigantic and pointing

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Speaker 3: on the end.

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Speaker 1: You know, wardrobe is so important, right in all kinds

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Speaker 1: of shows.

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Speaker 3: Well, by the way our wardrobe person I just complimented

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Speaker 3: the other day about what you were wearing.

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Speaker 1: If bar wardrop person, now, yeah, yes, chilling, leslie, brilliant.

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Speaker 3: No, but by the way she actually is all your outfits,

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Speaker 3: you stop in your tracks and you go, what the fun.

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Speaker 1: You complimented her on that pearl outfit? I bet one

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Speaker 1: you just wore.

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Speaker 3: Yeah, because she clearly devised that outfit and you'll see

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Speaker 3: it obviously this season when it comes out, and it

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Speaker 3: was hilarious but subtle, but subtle exactly, no, but hilarious

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Speaker 3: and so subtle with your outfits.

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Speaker 1: There are times in fittings when you know, we'll put

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Speaker 1: things together, and my fittings are very fun by the way.

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Speaker 1: I will put things together and we'll look at each

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Speaker 1: other and we'll say too much, and then we laugh

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Speaker 1: because it's like, is it ever too much for Susie,

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Speaker 1: and yes, it is sometimes too obvious exactly, you know,

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Speaker 1: so the subtlety is very I.

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Speaker 3: Wear early in this this season that just killed me.

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Speaker 2: I know what it was? What was It was true

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Speaker 2: out fit?

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Speaker 3: Oh yes, I mean that was like I was. I

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Speaker 3: couldn't even look at you without laughing.

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Speaker 1: All right, okay, so you inform Larry that you have

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Speaker 1: left Susie. Now what's interesting is why would we divorce

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Speaker 1: so early in the season. And the response is, I

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Speaker 1: didn't know that my character was going to be here

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Speaker 1: twelve seasons later.

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Speaker 3: Well, by the way, this is the first true Susie moment.

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Speaker 1: Well the lawyer in season one when the Fresh Air kid,

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Speaker 1: you know, robs our house.

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Speaker 3: Yeah, but by the way, anybody would with the other

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Speaker 3: set this one. You've kicked him out. You are furious

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Speaker 3: and you take it on Larry and he doesn't want

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Speaker 3: to do this. That's why it's the favor if you will.

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Speaker 3: So it's pretty amazing.

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Speaker 1: It's starting to develop. But I was a day player.

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Speaker 1: I had no contract. I didn't know from season to

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Speaker 1: season if I was going to be in the show,

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Speaker 1: how many episodes I was going to be in. Not

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Speaker 1: until way way later, was that different.

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Speaker 3: Well, I think it was well thought out and well

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Speaker 3: planned that we would have at this point when he

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Speaker 3: wrote it, he knew it would be good for the episode,

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Speaker 3: and there was no thought. Okay, but you say day player,

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Speaker 3: like it could have ended. No, it was working clearly.

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Speaker 3: Larry is not stupid, you know, and so there was

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Speaker 3: no risk. It was like, let's try this. I think

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Speaker 3: it's hilarious, and it was. It was, And then that

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Speaker 3: flipped the dominoes. If you will for the way you

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Speaker 3: are all the way.

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Speaker 2: Through to today, Yeah, that's true.

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Speaker 3: I mean, by the way, can I also say I don't.

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Speaker 1: Think that there was a plan in Larry's head that

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Speaker 1: you know, because every season we never knew we were

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Speaker 1: going to do another season never.

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Speaker 3: But also there wasn't this specific plan to where we've

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Speaker 3: ended up today. But he it was a spark in

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Speaker 3: his eye that he saw you. Yes, yes, but by

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Speaker 3: the way, I was thinking yesterday when we filmed that

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Speaker 3: scene by the staircase, and ultimately you tell him to

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Speaker 3: leave the house, he's still after all these years, loses it.

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Speaker 3: He can't control laughing. When you start saying that to him,

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Speaker 3: he just falls apart.

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Speaker 1: You then, how many times have I kicked him out

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Speaker 1: of the house, which is my favorite thing to do.

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Speaker 3: The first one I think was the house. If I'm

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Speaker 3: not mistaken, that was the first time where you said

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Speaker 3: get out that I remember, Well, we'll find out. These

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Speaker 3: are all well find out. But the fact that you

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Speaker 3: kill him on that all these years, because the first

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Speaker 3: time you did it he couldn't control himself.

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Speaker 2: Now he still laughs, he's really hard.

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Speaker 1: Well, the fact that I make Larry laugh has given

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Speaker 1: me a job all these years. Yes, yes, So Jeff

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Speaker 1: and Susie are getting a divorce and Jeff is afraid

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Speaker 1: that Susie is going to tell people about his sexual pecadillos.

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Speaker 2: That's a tone for the episode.

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Speaker 1: It does, and it's about sexual blackmail. Yeah, And it's

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Speaker 1: an interesting subject because I've experienced this where people have

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Speaker 1: told me sexual piccadillos about x's and I think it's

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Speaker 1: so wrong.

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Speaker 2: Oh it is so wrong.

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Speaker 3: Oh no, I've been the victim of that, in other words,

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Speaker 3: being told and you're like, no, don't tell me. If

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Speaker 3: a friend's cheating on his wife, do not tell me.

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Speaker 2: Yeah.

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Speaker 3: I really like and respect enough I hate their wife.

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Speaker 3: I say, good for you, but most.

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Speaker 2: Of them you don't want the information.

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Speaker 3: No, and even then you don't want the information. So

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Speaker 3: it's like, I really dig and respect your wife, I

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Speaker 3: don't want this information in my head when I talk

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Speaker 3: to her next time, because it's just gonna be pity.

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Speaker 1: Or I had I had somebody tell me once who

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Speaker 1: many many years ago, way before my husband Jimmy tell

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Speaker 1: me I started dating this guy in an ex girlfriend

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Speaker 1: of his told me intimate things about his sexuality, just

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Speaker 1: that it was cruel and it made me dislike her intensely.

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Speaker 3: Oh, by the way, how could you not so like?

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Speaker 3: You know, you always have this way too much information.

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Speaker 3: That's information that is unneess particularly wrong, pig baller wrong.

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Speaker 1: But Jeff is afraid that Susie is going to turn

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Speaker 1: him in and sexual blackmail, and Larry says that's why

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Speaker 1: he's never done anything remotely kinky, and by the way

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Speaker 1: he's comput it on the bottom, it's the kinkiest he's

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Speaker 1: ever done.

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Speaker 3: But by the way in that conversation he is so

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Speaker 3: curious as to what I might be doing.

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Speaker 1: Well, you you, I think your character in many episodes

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Speaker 1: acts out his fantasies for him most certainly, And then

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Speaker 1: you say to him, not even with your wife. He says,

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Speaker 1: I treat her like an acquaintance. She has nothing to

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Speaker 1: say at all.

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Speaker 2: I treat her like an aquaint by the way.

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Speaker 3: Richard Lewis, Larry David, they come up with this stuff,

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Speaker 3: where you go, where did that come from? Yea, you

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Speaker 3: know how did you? Yes? But I can't be amazed

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Speaker 3: that my own skill had Yeah, because I think I

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Speaker 3: said to the truth.

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Speaker 2: Of the matter is all of us come up with with.

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Speaker 3: Stinga Where did you pull that out?

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Speaker 2: What?

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Speaker 3: What crevis was that pulled out of? I mean the

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Speaker 3: way what's her name is doing the show now.

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Speaker 1: And I was just going to say that about vince

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Speaker 1: baughn you know, pull stuff out? Where does this come from?

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Speaker 3: Tracy God a couple of them being drunk and going

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Speaker 3: to the city council meeting and saying what I don't

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Speaker 3: want to tell you because I want you to no, no,

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Speaker 3: but I want them to watch it and be surprised

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Speaker 3: by it. But she says two things in the episode

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Speaker 3: we're working on two different scenes, no same scene. She says,

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Speaker 3: these two gems that I'm Larry and I were talking

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Speaker 3: about it laughing because it was like, wow, where did

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Speaker 3: that come from so specific, and she's delightful, as I'm

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Speaker 3: apt to add.

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Speaker 2: And it's not something you can teach.

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Speaker 3: No, no, no, no, that you cannot teach. That's why

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Speaker 3: Larry and Richard where they come up with these phrases,

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Speaker 3: what were you playing cards with Mengola? Wasn't that from

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Speaker 3: last season when he was racist or something? Larry met

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Speaker 3: the guy on the beach the black yea, yeah, but

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Speaker 3: these are I treat her as an acquaintance. Hilarious, Hilario's

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Speaker 3: and he made it up in the moment. You know,

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Speaker 3: that's what you're like, What it's not in the script? Well? Nothing,

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Speaker 3: by the way, well now they're much longer, but back

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Speaker 3: in those days they were like seven pages long.

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Speaker 2: They were seven pages long.

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Speaker 3: Yeah. Now they're in the twenties.

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Speaker 1: So now Jeff asks Larry to do him a huge

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Speaker 1: favor because Jeff is now living in the hotel and

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Speaker 1: he wants Larry to go pick up his clothes and

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Speaker 1: bring his clothes to the hotel and Larry Larry asks

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Speaker 1: if Susie will be home, and Jeff says yes. Larry's

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Speaker 1: shall lead me alive about Susie. I always love when

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Speaker 1: my character is talked about right.

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Speaker 3: That's gotta be fun.

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Speaker 2: I always enjoy that look at him.

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Speaker 3: Sending out a message of the way he's going to

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Speaker 3: develop your character. When he says she'll eat me alive,

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Speaker 3: he's establishing what you're about to do. And that's what

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Speaker 3: I'm saying. The other appearance says you're angry at the

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Speaker 3: fresh Air Fund, but.

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Speaker 2: The other with my parents, you were very nice. And

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Speaker 2: it is this season later on when we'll get to

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Speaker 2: it in the double hall the moment. It's one of the.

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Speaker 1: Reasons why the Dollar is my favorite episode, because this

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Speaker 1: is when you really establish the fear that Jeff and

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Speaker 1: Larry they live in.

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Speaker 3: Huge fear, huge fear. We can't even speak in front

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Speaker 3: of you sometimes. And we even just found that. We

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Speaker 3: felt one yesterday. We got painted into a corner and

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Speaker 3: we didn't know what to do when we looked at

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Speaker 3: each other, and we had to come up with some

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Speaker 3: stupid bullsh and it's.

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Speaker 2: Always and I see right through you by the way.

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Speaker 3: You said that right away, and you've said that many

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Speaker 3: times before.

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Speaker 2: We'll be right back.

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Speaker 4: Stay tuned. Okay, we're back.

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Speaker 1: So Larry says he will do the favor, and Larry's

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Speaker 1: now home and Cheryl is, you know, they're they're sitting

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Speaker 1: around at breakfast or something eating and Cheryl is reading an.

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Speaker 2: Article about Triple A.

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Speaker 1: Oh yeah, and the political agenda of Triple A about

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Speaker 1: their environmental and I was definitely based on Larry's wife,

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Speaker 1: who was La, who was.

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Speaker 3: Not even based. I actually asked, that's fact. That was

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Speaker 3: fact at that time. I don't know what they are now,

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Speaker 3: but at that time that was factual information.

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Speaker 2: And Laurie was a huge environmental.

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Speaker 3: And Larry heard that exact information and.

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Speaker 1: From Laura saying that Triple A, you know, destroys the

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Speaker 1: environment and they just want to get more members and

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Speaker 1: more people driving and pollution and et cetera, et cetera.

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Speaker 2: And Cheryl, you know, goes off on a tie rate

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Speaker 2: about this.

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Speaker 3: But but by the way he took it as if

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Speaker 3: she's going blo blah blah. He didn't even pay attention.

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Speaker 2: Didn't even pay attention because.

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Speaker 3: And something's wrong with Triple A. He's not going to

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Speaker 3: hang on every note of that information.

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Speaker 1: And then Cheryl's and he's not really responding, and then

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Speaker 1: Cheryl says to him.

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Speaker 5: Why are you so quiet? Oh?

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Speaker 2: Think about sex?

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Speaker 6: How are you talking about now.

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Speaker 2: Whenever you're quiet, you usually thinking about sex.

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Speaker 6: I'm not thinking about sex, You're not kind of not

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Speaker 6: thinking about your little afternoon sex or something.

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Speaker 3: I'm just crazy.

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Speaker 2: It's kind of kinky. You think I'm kinky? Do you

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Speaker 2: think you're kinky? Well, you just said that's kind of kinky.

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Speaker 1: You think I'm kinky.

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Speaker 2: I'm not kinky.

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Speaker 5: I'm just saying, or you don't want to have sex

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Speaker 5: in the afternoons, kind.

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Speaker 6: Of I want to have sex in the afternoon?

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Speaker 2: Did I that's what you said?

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Speaker 6: Why do you say that going.

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Speaker 3: On in there that you don't ever like.

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Speaker 2: Like sick things going on?

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Speaker 4: Is that what you're sick?

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Speaker 6: Do you think there's sick twisted things going on?

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Speaker 5: Are there sick twisted things going on?

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Speaker 6: Not at all?

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Speaker 1: Why are you so quiet? What are you thinking about?

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Speaker 1: Are you thinking about sex?

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Speaker 2: No? No, no, no, I'm not.

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Speaker 1: Because he's afraid of the sexual blackmail. We've already established that.

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Speaker 1: And then she says, are you thinking about afternoon sex.

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Speaker 3: What she clearly wants in this scene? Yes, and he

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Speaker 3: doesn't do it because he.

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Speaker 1: Was just she says to him, whenever you're quiet, you're

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Speaker 1: thinking about sex. And then she says the afternoon sex

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Speaker 1: kind of kinky, and she's saying that in the four

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Speaker 1: play kind of playful way, and right away he gets defensive,

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Speaker 1: I'm not kinky, I'm not kicky, and he gets like

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Speaker 1: fearful and defensive with his own wife. Cozy trees are

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Speaker 1: like in a quaint right, and Larry says, do you

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Speaker 1: think there are sick twisted things going on?

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Speaker 2: And he's thinking about you.

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Speaker 1: Obviously that whole scene is so funny, and then he

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Speaker 1: goes to call Jason to talk about the show. And

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Speaker 1: this is where they established this whole thing. And Jason

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Speaker 1: asks Larry to come to his office.

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Speaker 2: Right and well.

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Speaker 1: Which is in the valley, which we know Larry lives

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Speaker 1: on the west side, and it's far and it's studio city.

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Speaker 3: Is this when his tire goes out.

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Speaker 1: Real, Yes, okay, And Larry's like, it's never in Larry's office.

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Speaker 2: He never has a meeting.

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Speaker 1: He's never never, I'm always traveling and he's nonplus that

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Speaker 1: he has to schlep to Jason's office, but he does

290
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Speaker 1: because he's accommodating. And as he's driving to go meet

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Speaker 1: Jason in his office, he drives past Wanda doing a

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Speaker 1: power walk in the neighborhood and he yells out at

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Speaker 1: her quite innocently.

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Speaker 2: Il M, I know that tush anywhere, and I.

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Speaker 1: Don't think he's being lecherous one iota. I mean it's

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Speaker 1: something I would say to somebody, a friend, and she

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00:14:32,720 --> 00:14:35,760
Speaker 1: just keeps walking and just whatever. And then he's driving

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Speaker 1: along and there are kids in the back of a

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Speaker 1: station wagon.

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Speaker 2: What kind of car was that.

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Speaker 1: It's an old one of those wooden panels, station wagoneer

302
00:14:44,560 --> 00:14:48,760
Speaker 1: or some I remember so well, sitting in the back

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Speaker 1: of the station wagon making faces out the back window.

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Speaker 2: I mean in my childhood. I remember that.

305
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Speaker 3: By the way, it brings up nausea, nausea to me.

306
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Speaker 3: Why I was in a car accident sitting in the back?

307
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Speaker 4: Can I can?

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Speaker 1: I just say to our audience, because some of you

309
00:15:03,240 --> 00:15:06,000
Speaker 1: might be young, Not only did we not have car

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Speaker 1: seats for kids, we didn't have seatbelts, which.

311
00:15:09,520 --> 00:15:11,720
Speaker 3: Were great because when your mom wanted to hit you

312
00:15:11,760 --> 00:15:16,280
Speaker 3: in the all over exactly freedom.

313
00:15:16,320 --> 00:15:18,920
Speaker 1: And but we would be just flailing around back there.

314
00:15:18,960 --> 00:15:21,800
Speaker 1: There was no seatbelt, just flailing around.

315
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Speaker 3: And so I was. I got into an accident, and

316
00:15:24,480 --> 00:15:26,960
Speaker 3: I remember I'd come from an ice cream place we

317
00:15:27,000 --> 00:15:31,360
Speaker 3: had crossed this intersection. We were hit. The back opened

318
00:15:31,440 --> 00:15:34,360
Speaker 3: up and my cousin and I flew out of the

319
00:15:34,400 --> 00:15:39,280
Speaker 3: back seat about maybe i'll say, fifty yards and landed

320
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Speaker 3: on pebble and so I had a lot of I

321
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Speaker 3: low you ten.

322
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Speaker 2: Uh huh, And I got.

323
00:15:45,720 --> 00:15:47,960
Speaker 3: Caught up pretty good, but I was fine. I remember

324
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Speaker 3: laying on the ground going, Mommy, I know. But what

325
00:15:53,200 --> 00:15:55,720
Speaker 3: I want to say is I even remember flying in

326
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Speaker 3: the air and seeing him flying in there next to me.

327
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Speaker 2: Was okay, he was fine too. You're both but you

328
00:16:03,160 --> 00:16:04,280
Speaker 2: remember saying it was.

329
00:16:04,240 --> 00:16:07,720
Speaker 3: All very It's all. It all stays with me, every detail.

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Speaker 1: Maybe that was the beginning, Jeff, of what whatever, What

331
00:16:11,960 --> 00:16:12,960
Speaker 1: the are you talking about?

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00:16:13,000 --> 00:16:15,600
Speaker 2: Some some kind of neurosis or some kind of.

333
00:16:15,560 --> 00:16:17,640
Speaker 3: Oh, that's what you're talking about. And by the way,

334
00:16:17,720 --> 00:16:20,960
Speaker 3: is that a neurosis thinking about a car accident.

335
00:16:21,000 --> 00:16:24,440
Speaker 1: Some kind of fear, some kind of mommy issue, some

336
00:16:24,600 --> 00:16:26,880
Speaker 1: kind of I don't know, I'm just throwing it.

337
00:16:26,840 --> 00:16:27,760
Speaker 2: Out, all right.

338
00:16:27,840 --> 00:16:30,360
Speaker 3: All that didn't come to fruition until I was in

339
00:16:30,400 --> 00:16:32,680
Speaker 3: my twenties. And by the way, when I look back at.

340
00:16:32,680 --> 00:16:35,360
Speaker 2: My repressed no, there was nothing really.

341
00:16:35,160 --> 00:16:38,960
Speaker 3: Repressed at that age. But starting in high school. It

342
00:16:39,000 --> 00:16:43,400
Speaker 3: became a lot of noise in my head and then later.

343
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Speaker 2: On the pebbles.

344
00:16:45,760 --> 00:16:49,479
Speaker 3: But you're hooking on this accident that that caused brain injury,

345
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Speaker 3: and that was different.

346
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Speaker 2: We'll see a future episode.

347
00:16:53,640 --> 00:16:56,680
Speaker 3: What do you keep saying? Well, see leave me alone?

348
00:16:57,200 --> 00:16:57,560
Speaker 2: All right.

349
00:16:57,600 --> 00:16:59,200
Speaker 1: So the three boys are in the back of the

350
00:16:59,240 --> 00:17:02,200
Speaker 1: station wagon making faces at Larry, and Larry starts to

351
00:17:02,200 --> 00:17:04,720
Speaker 1: play along with them, right, you know, making faces.

352
00:17:04,720 --> 00:17:08,119
Speaker 2: But he sweet and he's enjoying it.

353
00:17:08,160 --> 00:17:12,120
Speaker 1: He enjoying it, and then he but then he starts.

354
00:17:12,440 --> 00:17:15,600
Speaker 1: I forgot who started with the shooting. Larry starts with

355
00:17:15,640 --> 00:17:18,480
Speaker 1: the shooting, big shooting. All the kids did the kids? Okay,

356
00:17:18,680 --> 00:17:21,119
Speaker 1: kids start with the fake shooting. Larry starts with the

357
00:17:21,160 --> 00:17:23,159
Speaker 1: fake shooting, and all of a sudden, you see the

358
00:17:23,240 --> 00:17:24,320
Speaker 1: kid's face change.

359
00:17:24,520 --> 00:17:27,280
Speaker 2: They seem upset and they turn around.

360
00:17:27,400 --> 00:17:31,159
Speaker 3: You read it as they were getting their father to

361
00:17:31,200 --> 00:17:32,719
Speaker 3: be worked up to do something.

362
00:17:32,840 --> 00:17:33,639
Speaker 2: Yes, I think so.

363
00:17:33,920 --> 00:17:35,760
Speaker 3: I don't think they were freaked out because he'd been

364
00:17:35,760 --> 00:17:37,800
Speaker 3: playing with them, But I think they're like, you know,

365
00:17:37,880 --> 00:17:39,000
Speaker 3: we're going to get this guy.

366
00:17:39,200 --> 00:17:41,240
Speaker 2: Yeah, yeah, Braddy. Little kids.

367
00:17:41,560 --> 00:17:43,680
Speaker 1: And this is something that I noticed that I had

368
00:17:43,680 --> 00:17:47,760
Speaker 1: forgotten about the car stops and then we hear that

369
00:17:47,880 --> 00:17:51,320
Speaker 1: spaghetti western and we see when.

370
00:17:51,240 --> 00:17:53,280
Speaker 2: We see the cowboy boots.

371
00:17:53,320 --> 00:17:56,359
Speaker 1: And I didn't know that that spaghetti western music was

372
00:17:56,440 --> 00:17:59,760
Speaker 1: used because that then became my theme, right, So I

373
00:17:59,800 --> 00:18:03,320
Speaker 1: was a little upset by the way walking.

374
00:18:02,359 --> 00:18:05,680
Speaker 3: Towards the car. He was a big guy and obviously

375
00:18:05,760 --> 00:18:08,320
Speaker 3: well built when we filmed it, and obviously a nice man.

376
00:18:08,840 --> 00:18:11,959
Speaker 3: But that being said, when he first got out and

377
00:18:12,000 --> 00:18:15,000
Speaker 3: he's walking towards Larry, I'm like, is Larry ping in

378
00:18:15,040 --> 00:18:17,040
Speaker 3: his pants? This guy's gigantian.

379
00:18:17,160 --> 00:18:19,480
Speaker 1: Well, Larry rolls up the window. Yeah, he rolls up

380
00:18:19,520 --> 00:18:22,159
Speaker 1: the window like the coward that he is. And you know,

381
00:18:22,240 --> 00:18:26,520
Speaker 1: the cowardliness is such a comedic. You know, all the

382
00:18:26,520 --> 00:18:30,399
Speaker 1: way back to Bob Hope and Jack Benny and Woody Allen,

383
00:18:30,520 --> 00:18:33,720
Speaker 1: they all played that cowardly role, which is a comedic.

384
00:18:33,760 --> 00:18:34,000
Speaker 2: Goal.

385
00:18:34,440 --> 00:18:36,320
Speaker 3: Yeah, it is really funny.

386
00:18:36,640 --> 00:18:38,800
Speaker 2: And this guy long blonde.

387
00:18:38,560 --> 00:18:42,200
Speaker 3: Because I'm big and powerful and just a strong, strong,

388
00:18:42,720 --> 00:18:45,000
Speaker 3: imposing man doesn't work for me.

389
00:18:45,440 --> 00:18:51,399
Speaker 1: Big and powerful, okay, imposing, And this guy long blonde hair,

390
00:18:51,760 --> 00:18:52,840
Speaker 1: you know, clearly.

391
00:18:52,520 --> 00:18:55,080
Speaker 3: Buff, but he does look like a professional wrestler.

392
00:18:55,320 --> 00:18:55,680
Speaker 2: He does.

393
00:18:55,720 --> 00:18:57,280
Speaker 3: I think that's why we hired him. We looked at

394
00:18:57,320 --> 00:18:59,960
Speaker 3: a lot of people who, you know, Larry wanted to

395
00:19:00,359 --> 00:19:04,320
Speaker 3: establish the second we see him, like, oh, is this

396
00:19:04,359 --> 00:19:07,240
Speaker 3: guy a professional wrestler because the other guys were big whatever,

397
00:19:07,400 --> 00:19:09,600
Speaker 3: but they didn't have that groove like this, the.

398
00:19:09,680 --> 00:19:13,520
Speaker 1: Long hair, the whole thing, the Viking look, the whole Yeah. Yeah,

399
00:19:13,800 --> 00:19:16,120
Speaker 1: And he calls Larry a ball turd, and he tells

400
00:19:16,200 --> 00:19:18,479
Speaker 1: him he's gonna talking to him.

401
00:19:20,160 --> 00:19:23,680
Speaker 3: Yeah, exactly, he's talking to him like, you know, Uh,

402
00:19:24,200 --> 00:19:26,040
Speaker 3: there's a guy named Gordon Solely when I was a

403
00:19:26,119 --> 00:19:29,760
Speaker 3: kid in Florida. You know, I'm Gordon Solely, and he'd

404
00:19:29,800 --> 00:19:31,919
Speaker 3: have a wrestler on each side of him arguing with

405
00:19:31,960 --> 00:19:34,720
Speaker 3: each other. And that was like taken straight from that.

406
00:19:35,040 --> 00:19:37,440
Speaker 3: It might have even been dialogue that he'd done before.

407
00:19:37,880 --> 00:19:40,400
Speaker 3: Oh really, I think, you know, not in real life,

408
00:19:40,440 --> 00:19:41,480
Speaker 3: but I'm saying in terms of.

409
00:19:41,440 --> 00:19:43,520
Speaker 2: This guy wasn't really a wrestler? Was he the actor?

410
00:19:43,840 --> 00:19:45,720
Speaker 3: I think he was just a gentle love maker.

411
00:19:45,760 --> 00:19:47,960
Speaker 2: Okay, one does not preclude the other.

412
00:19:48,560 --> 00:19:51,760
Speaker 1: So Larry's traumatized because this big man is threatening him

413
00:19:51,800 --> 00:19:53,600
Speaker 1: and he's going to stick his finger up his finger

414
00:19:54,200 --> 00:19:55,760
Speaker 1: and we move.

415
00:19:55,600 --> 00:19:58,439
Speaker 3: On, Hold on, no, no, no, we don't move on. He

416
00:19:58,640 --> 00:20:02,879
Speaker 3: disappears behind the car the wrestler, and remember Larry's like, looking,

417
00:20:03,000 --> 00:20:04,400
Speaker 3: what did he possibly do?

418
00:20:05,280 --> 00:20:08,040
Speaker 2: That's right, that's that and we're about to find out.

419
00:20:08,440 --> 00:20:10,760
Speaker 1: Right, he disappears behind Larry's car and we don't know

420
00:20:10,800 --> 00:20:14,040
Speaker 1: what he did. But soon Larry hears a little rattling

421
00:20:14,200 --> 00:20:17,080
Speaker 1: sound and he's got a flat tire. Obviously this guy

422
00:20:18,080 --> 00:20:21,240
Speaker 1: let the air out slash his tires something, and Larry

423
00:20:21,280 --> 00:20:24,800
Speaker 1: then decides to call Triple A because what do you

424
00:20:24,840 --> 00:20:25,920
Speaker 1: do when you have a flat tire?

425
00:20:26,480 --> 00:20:29,400
Speaker 2: But Triple A has been canceled and.

426
00:20:29,560 --> 00:20:31,840
Speaker 1: His apparently his wife canceled it, who she had no

427
00:20:31,920 --> 00:20:34,879
Speaker 1: authorization to cancel, and he tries to re up it

428
00:20:35,000 --> 00:20:37,959
Speaker 1: but he can't, so he decides he's gonna change his

429
00:20:38,000 --> 00:20:41,879
Speaker 1: own tire. He opens his trunk clueless, which he in

430
00:20:41,920 --> 00:20:43,880
Speaker 1: real life I believe would be yes.

431
00:20:44,040 --> 00:20:47,879
Speaker 3: Well, by the way he's told us about he's anything mechanical,

432
00:20:48,040 --> 00:20:49,800
Speaker 3: it's not a stretch to think he couldn't.

433
00:20:49,840 --> 00:20:52,160
Speaker 1: And he's there's a whole scene, you know, different people

434
00:20:52,200 --> 00:20:54,520
Speaker 1: walk by, one of which was Dort, who is our

435
00:20:54,600 --> 00:20:55,800
Speaker 1: prop master at the time.

436
00:20:55,960 --> 00:20:59,280
Speaker 3: By the way, one of the recurring themes is someone

437
00:20:59,280 --> 00:21:02,160
Speaker 3: would give him a little piece of information.

438
00:21:04,480 --> 00:21:07,920
Speaker 1: You got to loosen the lug nuts more. You're gonna

439
00:21:07,920 --> 00:21:08,639
Speaker 1: bust your bumper.

440
00:21:08,800 --> 00:21:09,240
Speaker 2: Move on.

441
00:21:10,200 --> 00:21:12,760
Speaker 1: I never took a shop class. And then he starts

442
00:21:12,800 --> 00:21:19,160
Speaker 1: to offer people money, thirty five dollars five and then

443
00:21:19,280 --> 00:21:22,040
Speaker 1: just ten dollars for a verbal response. And it's just

444
00:21:22,160 --> 00:21:24,720
Speaker 1: on and on, and it's a hilarious scene and just

445
00:21:24,880 --> 00:21:28,800
Speaker 1: establishing the lariness of his life and and how he's

446
00:21:28,920 --> 00:21:32,639
Speaker 1: you know, his wife is sabotaging him. Then he shows

447
00:21:32,720 --> 00:21:35,320
Speaker 1: up at Jason's office and he's filthy from trying to

448
00:21:36,720 --> 00:21:40,439
Speaker 1: his face from trying to change, you know, change the dryer,

449
00:21:40,960 --> 00:21:44,359
Speaker 1: the tire. And Jason knows who this guy is because

450
00:21:44,359 --> 00:21:47,479
Speaker 1: he tells him about the license plate said Thor And

451
00:21:47,560 --> 00:21:49,200
Speaker 1: Jason said, oh, that's Thor Olsen.

452
00:21:49,240 --> 00:21:52,400
Speaker 2: He's a professional wrestler. He tells Larry.

453
00:21:52,920 --> 00:21:53,080
Speaker 3: Oh.

454
00:21:53,160 --> 00:21:56,200
Speaker 1: And also then another important thing that's established. He sees

455
00:21:56,240 --> 00:22:00,359
Speaker 1: the ticket on Jason's desk, the ticket from the camera.

456
00:22:00,960 --> 00:22:03,639
Speaker 3: Oh yeah, He hands Larry that. What is that? I

457
00:22:03,680 --> 00:22:07,560
Speaker 3: hate taking pictures? This is the domino effect of Larry's

458
00:22:07,560 --> 00:22:09,439
Speaker 3: writing correct where it goes over and.

459
00:22:09,800 --> 00:22:12,200
Speaker 2: It's the light camera. There's a camera on the light

460
00:22:12,680 --> 00:22:13,120
Speaker 2: by the way.

461
00:22:13,320 --> 00:22:16,600
Speaker 3: I had that before. Yeah, of course, I guess I

462
00:22:16,640 --> 00:22:19,080
Speaker 3: went through a red I did, otherwise it wouldn't take

463
00:22:19,080 --> 00:22:22,240
Speaker 3: my picture. I went through a red light and had

464
00:22:22,280 --> 00:22:23,119
Speaker 3: my picture sent to me.

465
00:22:23,200 --> 00:22:23,360
Speaker 2: Yeah.

466
00:22:23,359 --> 00:22:25,480
Speaker 3: And by the way, nobody looks really good in those.

467
00:22:25,359 --> 00:22:28,800
Speaker 1: Well, Jesus I'm fat when he looks at the picture.

468
00:22:28,960 --> 00:22:33,800
Speaker 1: This is a fantastic scene with Jason. Larry's all famished

469
00:22:34,000 --> 00:22:36,760
Speaker 1: from the tire and everything, and they're going to make

470
00:22:36,800 --> 00:22:39,800
Speaker 1: the meeting tomorrow, right, And then they go back and

471
00:22:39,840 --> 00:22:43,600
Speaker 1: forth about whose office they're going to have the meeting in.

472
00:22:44,000 --> 00:22:47,400
Speaker 1: And this is a Jason brilliant scene, I think, don't you.

473
00:22:47,560 --> 00:22:49,920
Speaker 3: The way he plays in Associate And we made a plan.

474
00:22:49,760 --> 00:22:51,960
Speaker 1: And the plan didn't work, and so they said, you'll

475
00:22:51,960 --> 00:22:53,640
Speaker 1: come back and we'll do it first.

476
00:22:53,680 --> 00:22:54,480
Speaker 2: We're going to do the plan.

477
00:22:54,760 --> 00:22:56,720
Speaker 1: And it's back and forth and back and forth and back,

478
00:22:56,880 --> 00:23:00,439
Speaker 1: and it's just it's a brilliant little piece of improv scen.

479
00:23:00,440 --> 00:23:04,080
Speaker 2: We made a plant plan. We said, we'll meet at

480
00:23:04,119 --> 00:23:06,680
Speaker 2: my office, right and we'll have a meeting. Yeah, that's

481
00:23:06,720 --> 00:23:09,639
Speaker 2: the plan that hasn't been accomplished. Let's accomplish that.

482
00:23:09,640 --> 00:23:12,000
Speaker 6: That's all we attempted to have the meeting, but it was.

483
00:23:12,000 --> 00:23:14,640
Speaker 2: A board and we failed. Let's have that meeting. Let's happen.

484
00:23:14,640 --> 00:23:16,560
Speaker 6: We we're having that meeting right now.

485
00:23:16,760 --> 00:23:18,480
Speaker 2: This is not a meeting about the show. This is

486
00:23:18,520 --> 00:23:19,800
Speaker 2: a meeting about having a meeting.

487
00:23:20,040 --> 00:23:23,240
Speaker 6: I know. But the intention is the same, don't you understand.

488
00:23:23,320 --> 00:23:25,320
Speaker 6: I drove here with the same intention.

489
00:23:25,440 --> 00:23:27,159
Speaker 2: The driving is not the meeting.

490
00:23:27,200 --> 00:23:29,879
Speaker 6: The driving is what we're driving is The driving is

491
00:23:29,920 --> 00:23:31,040
Speaker 6: what we're talking about.

492
00:23:31,160 --> 00:23:34,240
Speaker 2: You keep coming back to this insane thing we're driving. Yes,

493
00:23:34,680 --> 00:23:37,159
Speaker 2: driving is not the issue, do we not? The driving

494
00:23:37,280 --> 00:23:37,760
Speaker 2: is a issue.

495
00:23:39,359 --> 00:23:42,680
Speaker 6: Plan We were gonna have a meeting, a meeting.

496
00:23:42,760 --> 00:23:43,840
Speaker 2: You can train it all the world.

497
00:23:43,880 --> 00:23:48,000
Speaker 3: He's so this scene, here's my last episode. I gave

498
00:23:48,119 --> 00:23:52,280
Speaker 3: my fun fact thing and that's this scene. This scene

499
00:23:52,359 --> 00:23:56,320
Speaker 3: we started filming after lunch two thirty three o'clock in

500
00:23:56,359 --> 00:23:58,119
Speaker 3: the morning. We had shot the scene because it was

501
00:23:58,160 --> 00:24:01,520
Speaker 3: right outside of Jason's office where we did the tire thing,

502
00:24:01,720 --> 00:24:04,280
Speaker 3: which is where he was, so he'd done that earlier.

503
00:24:04,560 --> 00:24:08,919
Speaker 3: And they're in the office and Larry couldn't control his laughing,

504
00:24:09,040 --> 00:24:14,000
Speaker 3: including Jason pointing out why he's dirty, Jason saying everything

505
00:24:14,040 --> 00:24:17,760
Speaker 3: he said to him. Larry was tickled. The scene started

506
00:24:17,800 --> 00:24:20,480
Speaker 3: out it's supposed to be day, but we went into

507
00:24:20,560 --> 00:24:22,800
Speaker 3: the night. It's the hardest I've ever seen Larry laugh

508
00:24:23,000 --> 00:24:26,720
Speaker 3: for an extended period. He cost us maybe two hours

509
00:24:26,760 --> 00:24:29,840
Speaker 3: of his laughing because he couldn't recover. It wasn't like

510
00:24:30,000 --> 00:24:32,879
Speaker 3: laugh and go back, which is normal for him, but

511
00:24:33,119 --> 00:24:36,200
Speaker 3: not like this, because he knew he loves when.

512
00:24:36,240 --> 00:24:38,720
Speaker 2: They did not recover for many many takes.

513
00:24:38,800 --> 00:24:41,879
Speaker 3: Oh yes, but I'm telling you, Susie, this was beyond

514
00:24:41,960 --> 00:24:45,800
Speaker 3: anything I'd ever experienced with him. Yeah, so we had

515
00:24:45,840 --> 00:24:49,720
Speaker 3: to like the outside to look like day, yet it's

516
00:24:49,760 --> 00:24:53,879
Speaker 3: pitch blackout like it took that long. But Larry loves.

517
00:24:53,880 --> 00:24:56,640
Speaker 3: Here's you know, this is the thing with you. Larry

518
00:24:56,840 --> 00:25:02,240
Speaker 3: loves when other characters see the insaneness of what Larry's

519
00:25:02,280 --> 00:25:05,919
Speaker 3: doing and pointed out to him, you know, so you

520
00:25:05,920 --> 00:25:09,679
Speaker 3: won't see this on camera, but off camera, Larry giggles

521
00:25:09,760 --> 00:25:13,520
Speaker 3: and he just loves that this was insanity. This was

522
00:25:13,560 --> 00:25:16,240
Speaker 3: actually people getting mad at him because it was like,

523
00:25:16,240 --> 00:25:16,840
Speaker 3: what the fuck?

524
00:25:16,960 --> 00:25:19,760
Speaker 2: What the fuck? And I would say professional.

525
00:25:19,320 --> 00:25:21,880
Speaker 3: I would say to Larry, look at his forehead, don't

526
00:25:21,880 --> 00:25:23,840
Speaker 3: look at his face, you know, not that that's not

527
00:25:23,920 --> 00:25:26,119
Speaker 3: part of a face. All right, I hope that was

528
00:25:26,160 --> 00:25:29,399
Speaker 3: a fun fact for everyone. There might be future fun facts.

529
00:25:29,560 --> 00:25:31,679
Speaker 3: I'm not going to guarantee it. The only thing I

530
00:25:31,720 --> 00:25:35,479
Speaker 3: guarantee is that I don't remember the guarantee I made

531
00:25:35,560 --> 00:25:37,800
Speaker 3: less your money back, guarantee money back. But I'm what

532
00:25:38,240 --> 00:25:39,360
Speaker 3: of the Pomber.

533
00:25:39,840 --> 00:25:43,040
Speaker 1: But this scene in particular, this struck me as just

534
00:25:43,200 --> 00:25:45,160
Speaker 1: this is why we improvised this show.

535
00:25:45,400 --> 00:25:50,240
Speaker 3: Yes, a thing of beauty. I love that scene so much.

536
00:25:50,240 --> 00:25:53,800
Speaker 1: If people out there watch that scene right and learn,

537
00:25:54,080 --> 00:25:55,960
Speaker 1: I don't know what you could learn because you don't

538
00:25:55,960 --> 00:25:57,280
Speaker 1: have Jason and Larry's brains.

539
00:25:57,280 --> 00:25:59,960
Speaker 2: But whatever, We'll be right back.

540
00:26:00,080 --> 00:26:12,320
Speaker 4: Stay tuned. Okay, we're back.

541
00:26:12,600 --> 00:26:15,840
Speaker 3: Tim Kazerinski an old friend of mine Second City saren

542
00:26:15,840 --> 00:26:19,920
Speaker 3: It Live. He was doing and has been on Curb

543
00:26:20,000 --> 00:26:24,679
Speaker 3: Yes as what's his name is, Hugh Hugh. He spoke

544
00:26:24,720 --> 00:26:27,200
Speaker 3: at Second City when I was a young improviser there

545
00:26:27,480 --> 00:26:30,480
Speaker 3: and all these improvisers were in a room hanging on

546
00:26:30,640 --> 00:26:33,159
Speaker 3: us everybody. This guy was on saren It Live. He

547
00:26:33,200 --> 00:26:37,080
Speaker 3: had a huge part in Neighbors Anyhow, loved it. Someone

548
00:26:37,160 --> 00:26:41,720
Speaker 3: brings up they ask me about Eddie Murphy and he says,

549
00:26:42,160 --> 00:26:45,720
Speaker 3: let me tell you all something. There are no other

550
00:26:46,200 --> 00:26:51,000
Speaker 3: better improvisers, better actors, and all of you will never

551
00:26:51,080 --> 00:26:54,399
Speaker 3: come close. He said this, and I only wanted to

552
00:26:54,520 --> 00:26:57,680
Speaker 3: yell for I swear. This overcame me, but I didn't

553
00:26:57,680 --> 00:27:00,919
Speaker 3: do it, considering I have ADHD it was amazing. I

554
00:27:00,920 --> 00:27:03,120
Speaker 3: didn't do it, but I wanted to yell.

555
00:27:03,080 --> 00:27:05,040
Speaker 2: Oh I do I will?

556
00:27:05,400 --> 00:27:07,240
Speaker 3: You know, And by the way, having done a movie

557
00:27:07,240 --> 00:27:10,000
Speaker 3: with Eddie Murphy, yes, I was in awe of his

558
00:27:10,119 --> 00:27:13,720
Speaker 3: talent where it made me think like, how the fuck

559
00:27:13,760 --> 00:27:16,640
Speaker 3: does he do that? But I held my own with him,

560
00:27:17,080 --> 00:27:18,520
Speaker 3: and you know the way he said that none of

561
00:27:18,560 --> 00:27:19,439
Speaker 3: you will come close.

562
00:27:20,000 --> 00:27:22,920
Speaker 1: You know when I was before I started doing stand

563
00:27:23,000 --> 00:27:25,800
Speaker 1: up and I was lost. I was just had no

564
00:27:25,880 --> 00:27:27,760
Speaker 1: idea what I was supposed to do. I thought I

565
00:27:27,800 --> 00:27:29,280
Speaker 1: was wanted to be an actress and I would take

566
00:27:29,320 --> 00:27:32,000
Speaker 1: acting class and I was totally bored and no idea.

567
00:27:32,560 --> 00:27:36,040
Speaker 1: Somebody encouraged me to take an improv class. Oh really, yes,

568
00:27:36,200 --> 00:27:38,760
Speaker 1: And I took an improv class and it was like

569
00:27:39,000 --> 00:27:41,639
Speaker 1: revelatory to me. I was really good at it. I

570
00:27:41,680 --> 00:27:44,199
Speaker 1: had no idea I was good at it. You know,

571
00:27:44,240 --> 00:27:46,119
Speaker 1: you do the freeze tag and I jump in and

572
00:27:46,280 --> 00:27:48,159
Speaker 1: was like, this is a whole part of myself.

573
00:27:48,200 --> 00:27:49,520
Speaker 2: I had no idea about it.

574
00:27:49,640 --> 00:27:54,080
Speaker 3: Kay, you're saying this. Larry David told me yesterday that

575
00:27:54,160 --> 00:27:56,520
Speaker 3: he didn't realize he was funny at all.

576
00:27:56,960 --> 00:28:00,600
Speaker 2: I was doing intege to college, right, Yes.

577
00:28:00,480 --> 00:28:03,159
Speaker 3: Wow, I mean And for me, I knew I was

578
00:28:03,200 --> 00:28:06,240
Speaker 3: funny starting in nursery school, and by eleventh grade it

579
00:28:06,359 --> 00:28:08,480
Speaker 3: was what I was going to do and you couldn't

580
00:28:08,480 --> 00:28:10,760
Speaker 3: stop me. So every year it was a matter of

581
00:28:10,880 --> 00:28:13,280
Speaker 3: pride that I was the funniest kid in school.

582
00:28:13,359 --> 00:28:16,080
Speaker 2: Yeah he was not that. No, not many of our.

583
00:28:15,960 --> 00:28:18,919
Speaker 3: Peers are that. I was lucky to know that I

584
00:28:19,080 --> 00:28:21,760
Speaker 3: was on a journey that was meant to be. It

585
00:28:21,760 --> 00:28:23,119
Speaker 3: would have been sad, by the way, if I was

586
00:28:23,119 --> 00:28:25,280
Speaker 3: one of those unfunny people and I had that. And

587
00:28:26,119 --> 00:28:28,280
Speaker 3: by the way, you know where I decided this is,

588
00:28:28,440 --> 00:28:30,680
Speaker 3: you know, maybe kind of lame, but kind of cool.

589
00:28:30,960 --> 00:28:34,160
Speaker 3: I knew that I was going to move forward and

590
00:28:34,280 --> 00:28:36,399
Speaker 3: do this, and I was meant to do this because

591
00:28:36,480 --> 00:28:39,720
Speaker 3: after I saw the Blues Brothers, which moved me incredibly,

592
00:28:39,760 --> 00:28:42,480
Speaker 3: and I felt such a kinship and I recognize a

593
00:28:42,480 --> 00:28:45,959
Speaker 3: lot of Chicago and of course Beluci and Ackroyd and

594
00:28:46,320 --> 00:28:50,480
Speaker 3: I mean John Candy, you know who wants an orange

595
00:28:50,480 --> 00:28:52,960
Speaker 3: whip and an orange whip, which I've repeated that line

596
00:28:52,960 --> 00:28:55,800
Speaker 3: a million times. Anyhow, when I got in the car

597
00:28:56,160 --> 00:28:59,880
Speaker 3: and two guys that I'm still friends with, the Astro Brothers,

598
00:29:00,120 --> 00:29:02,320
Speaker 3: they said, what did you think of it? And I,

599
00:29:02,480 --> 00:29:05,640
Speaker 3: without hesitating, I said, I'm on a mission from God.

600
00:29:05,920 --> 00:29:09,120
Speaker 3: They go they laughed, and I go, no, no, no,

601
00:29:09,160 --> 00:29:11,320
Speaker 3: I'm being serious, which is a big line from the

602
00:29:11,360 --> 00:29:13,520
Speaker 3: movie We're on a mission from God and it becomes

603
00:29:13,560 --> 00:29:18,080
Speaker 3: an epiphany for Jake or Elwood. Elwood was acrod and

604
00:29:18,120 --> 00:29:19,840
Speaker 3: so in the car, I kept saying I'm on a

605
00:29:19,880 --> 00:29:22,600
Speaker 3: mission from God, and they said, what is it? Actually,

606
00:29:22,640 --> 00:29:24,720
Speaker 3: I said this, which I'm embarrassed about. I'm going to

607
00:29:24,760 --> 00:29:27,800
Speaker 3: be a famous comedian. And by the way, they didn't

608
00:29:27,880 --> 00:29:29,040
Speaker 3: laugh when I said that.

609
00:29:29,120 --> 00:29:31,000
Speaker 2: So you had never done stand up at this point.

610
00:29:31,200 --> 00:29:35,040
Speaker 3: No, and very young. My friend Robin Siegel's mother, I

611
00:29:35,080 --> 00:29:39,640
Speaker 3: mean seventeen eighteen nineteen would encourage me to go up

612
00:29:39,680 --> 00:29:42,760
Speaker 3: and do stand up and that was really daunting the

613
00:29:42,800 --> 00:29:45,800
Speaker 3: idea of doing it. But I remember her as the

614
00:29:45,840 --> 00:29:49,600
Speaker 3: only person in my life that encouraged me. Not that

615
00:29:49,640 --> 00:29:52,640
Speaker 3: I was discouraged by people laughed at me, but she

616
00:29:52,760 --> 00:29:53,760
Speaker 3: was the only one.

617
00:29:53,560 --> 00:29:57,640
Speaker 2: Going, hey, hey, that's doing to do? Yeah, and I

618
00:29:57,680 --> 00:29:59,880
Speaker 2: listened to her finally, I hope you thanked her.

619
00:30:00,480 --> 00:30:00,880
Speaker 3: Thank you.

620
00:30:01,800 --> 00:30:04,280
Speaker 2: So now we're going to get back to the episode.

621
00:30:04,320 --> 00:30:06,960
Speaker 3: Oh well, now you're saying that, implying that I have

622
00:30:07,120 --> 00:30:08,560
Speaker 3: knocked the whole show off track.

623
00:30:09,400 --> 00:30:12,880
Speaker 2: Look at me, check, I walked at me.

624
00:30:12,960 --> 00:30:15,280
Speaker 3: I thought, now, by the way, everybody's.

625
00:30:15,600 --> 00:30:18,160
Speaker 1: Did nice say to you yesterday that I like when

626
00:30:18,160 --> 00:30:19,640
Speaker 1: we go off on our tangents.

627
00:30:19,720 --> 00:30:22,040
Speaker 3: Yeah, but it didn't seem like you did. But right

628
00:30:22,120 --> 00:30:24,440
Speaker 3: now it seemed like, now, everybody, I'm going to get

629
00:30:24,520 --> 00:30:27,240
Speaker 3: him back on track. But guess what, miss reading, No,

630
00:30:27,320 --> 00:30:28,320
Speaker 3: I'm back on track now.

631
00:30:28,480 --> 00:30:31,560
Speaker 1: Larry goes home and he yells at Cheryl about canceling

632
00:30:31,600 --> 00:30:34,520
Speaker 1: Triple A and then he says he's got to go

633
00:30:34,680 --> 00:30:37,760
Speaker 1: change because he's a mess looking from changing the tire

634
00:30:38,160 --> 00:30:41,400
Speaker 1: and go to Jeff's house to get his clothes. Then

635
00:30:41,440 --> 00:30:43,840
Speaker 1: Cheryl says him, why did you tell Wanda she has

636
00:30:43,880 --> 00:30:46,160
Speaker 1: a big ass? And I don't think he did tell

637
00:30:46,160 --> 00:30:47,560
Speaker 1: Wanda she had a big by.

638
00:30:47,400 --> 00:30:50,280
Speaker 3: The way, that's what it felt like to her what

639
00:30:50,360 --> 00:30:53,000
Speaker 3: she thought he was doing, which is what we live

640
00:30:53,080 --> 00:30:56,080
Speaker 3: with now. You know, they know you said, I'm not

641
00:30:56,120 --> 00:30:59,440
Speaker 3: talking about women, I'm talking about anybody who feels that

642
00:30:59,520 --> 00:31:03,400
Speaker 3: they have and abused in that way. So everyone assumes that,

643
00:31:03,720 --> 00:31:04,960
Speaker 3: and no, he meant it as a.

644
00:31:04,960 --> 00:31:06,840
Speaker 2: Gentle Yes, it was a friendly remark.

645
00:31:06,880 --> 00:31:09,360
Speaker 1: I was being chummy, Yeah, he says, I was being

646
00:31:09,480 --> 00:31:12,320
Speaker 1: I like big asses, he says, and then they start

647
00:31:12,400 --> 00:31:16,400
Speaker 1: having a fight about ass size, and then Cheryl accuses

648
00:31:16,480 --> 00:31:18,800
Speaker 1: him of having an ass fetish, and then he gets

649
00:31:18,840 --> 00:31:21,440
Speaker 1: back to I'm not a devian, I'm not kinky, and

650
00:31:21,560 --> 00:31:24,280
Speaker 1: you know all of that stuff, and which goes back

651
00:31:24,320 --> 00:31:26,800
Speaker 1: to the original scene with you in the beginning about

652
00:31:26,840 --> 00:31:30,800
Speaker 1: the sexual blackmail. Right, He's very fearful of the sexual

653
00:31:30,840 --> 00:31:34,360
Speaker 1: black mail. And then Wanta comes over and she, you know,

654
00:31:34,440 --> 00:31:35,520
Speaker 1: starts going after him.

655
00:31:35,560 --> 00:31:38,040
Speaker 2: That's how you say hello, by the way she walked.

656
00:31:37,760 --> 00:31:40,719
Speaker 3: In the door, and she announced herself, this is who

657
00:31:40,800 --> 00:31:43,560
Speaker 3: I am on the show. I will not change one

658
00:31:43,640 --> 00:31:47,920
Speaker 3: iota from this moment until many seasons later. Yeah, this

659
00:31:48,040 --> 00:31:50,360
Speaker 3: is what I bring and I'm gonna do it.

660
00:31:50,600 --> 00:31:52,880
Speaker 5: Wanda, Oh, you know why I am Okay, So I

661
00:31:52,880 --> 00:31:54,960
Speaker 5: had to turn around show you my big ass.

662
00:31:55,160 --> 00:31:58,840
Speaker 6: You completely completely misinterpret that I didn't.

663
00:31:59,520 --> 00:32:02,360
Speaker 2: I didn't say big as, I.

664
00:32:02,280 --> 00:32:03,200
Speaker 6: Didn't say big as.

665
00:32:03,240 --> 00:32:05,280
Speaker 2: I was just saying hello. I was just trying. Is

666
00:32:05,320 --> 00:32:06,480
Speaker 2: that how you say hello?

667
00:32:07,200 --> 00:32:07,360
Speaker 6: Well?

668
00:32:07,600 --> 00:32:08,000
Speaker 2: Is that it?

669
00:32:08,040 --> 00:32:08,960
Speaker 4: Hey big ass?

670
00:32:09,040 --> 00:32:09,360
Speaker 5: Or hey?

671
00:32:09,520 --> 00:32:09,720
Speaker 6: Hey?

672
00:32:09,880 --> 00:32:10,960
Speaker 4: Ask hey?

673
00:32:11,040 --> 00:32:11,959
Speaker 5: I know your asked?

674
00:32:12,000 --> 00:32:13,040
Speaker 4: What what? What is that?

675
00:32:13,040 --> 00:32:15,320
Speaker 5: That's not how you say hello with it? Perhaps not

676
00:32:15,520 --> 00:32:18,360
Speaker 5: so something about my ass has made you download and

677
00:32:18,360 --> 00:32:19,520
Speaker 5: you stored it in your memory.

678
00:32:19,720 --> 00:32:21,680
Speaker 6: No, no, that's not so.

679
00:32:23,160 --> 00:32:26,280
Speaker 5: That we were having this. Did you tell him how

680
00:32:26,320 --> 00:32:28,600
Speaker 5: wrong it is you say something like that. I told

681
00:32:28,800 --> 00:32:30,600
Speaker 5: you know, a woman's ass is very personal.

682
00:32:32,560 --> 00:32:35,000
Speaker 2: He was so obsessed with asses you.

683
00:32:38,840 --> 00:32:45,880
Speaker 6: As a finished he finished, okay, obsessed with asses?

684
00:32:46,160 --> 00:32:48,400
Speaker 5: I'm not obsessed with okay?

685
00:32:48,440 --> 00:32:50,000
Speaker 4: And what is that that ship all over you?

686
00:32:50,040 --> 00:32:52,600
Speaker 5: What you've been doing scrounging around looking for asses all

687
00:32:52,680 --> 00:32:54,760
Speaker 5: under bleachers and saying all his ass?

688
00:32:55,120 --> 00:32:57,760
Speaker 2: Exactly? You're establishing that relationship there.

689
00:32:57,800 --> 00:33:01,360
Speaker 3: But from the very beginning, boom, like what Cheryl's is

690
00:33:01,400 --> 00:33:05,320
Speaker 3: not the same? Yours wasn't the same? Wanda when she

691
00:33:05,480 --> 00:33:06,800
Speaker 3: comes in boom?

692
00:33:07,360 --> 00:33:11,040
Speaker 1: Okay, So then Larry goes to our house and I

693
00:33:11,120 --> 00:33:11,920
Speaker 1: answered the door.

694
00:33:12,720 --> 00:33:15,120
Speaker 2: Now, let me say something about my outfit here.

695
00:33:15,280 --> 00:33:19,160
Speaker 1: It's not fully Susie Green yet, but it started to

696
00:33:19,320 --> 00:33:23,040
Speaker 1: develop that look that I had wanted. And I remember

697
00:33:23,120 --> 00:33:26,720
Speaker 1: saying to Wendy, who was our wardrobe person at the time,

698
00:33:27,240 --> 00:33:29,080
Speaker 1: what I wanted this woman to look like.

699
00:33:29,160 --> 00:33:31,479
Speaker 2: I had this idea, and she didn't fully get it.

700
00:33:32,000 --> 00:33:34,800
Speaker 1: I wanted her to look like those Russian women in

701
00:33:34,840 --> 00:33:38,680
Speaker 1: Brighton Beach in Brooklyn, her dress in these kinds of

702
00:33:38,960 --> 00:33:42,920
Speaker 1: very outrageous, out there ways. And I remember Wendy saying

703
00:33:42,920 --> 00:33:45,560
Speaker 1: to me, where would I get those clothes? And I said,

704
00:33:45,800 --> 00:33:49,080
Speaker 1: the back room of Lomans, which no longer exists, and

705
00:33:49,120 --> 00:33:50,880
Speaker 1: I had to take her on a little field trip

706
00:33:50,920 --> 00:33:53,760
Speaker 1: to Lomans. She'd never heard of Lomans, so she didn't,

707
00:33:53,800 --> 00:33:55,920
Speaker 1: well whatever. A lot of people haven't at this point.

708
00:33:55,920 --> 00:33:57,880
Speaker 1: But if you're my wage and you grew up in

709
00:33:57,920 --> 00:33:59,600
Speaker 1: New York, you know all about.

710
00:33:59,840 --> 00:34:03,160
Speaker 3: The first episode and later on this season it is

711
00:34:03,280 --> 00:34:06,240
Speaker 3: glued and it is established. But this is the first

712
00:34:06,280 --> 00:34:09,080
Speaker 3: episode that Larry and I are scared of you, right,

713
00:34:09,239 --> 00:34:14,560
Speaker 3: and you hammer Larry about me and at Larry in

714
00:34:14,600 --> 00:34:17,400
Speaker 3: the classic Susie way. We know it's now classic, but

715
00:34:17,440 --> 00:34:19,640
Speaker 3: we have not said it is the one. You were

716
00:34:19,760 --> 00:34:24,560
Speaker 3: very nice and you're yeah with the fresh air fun

717
00:34:24,640 --> 00:34:28,680
Speaker 3: kid who brought us that that was deserved? Who wouldn't

718
00:34:28,680 --> 00:34:30,840
Speaker 3: be excited in a situation like that.

719
00:34:30,680 --> 00:34:31,279
Speaker 2: Right, you know.

720
00:34:31,480 --> 00:34:33,120
Speaker 1: So this is where you start to see what a

721
00:34:33,160 --> 00:34:36,000
Speaker 1: crazy woman she is. Right and Anna asked if that

722
00:34:36,080 --> 00:34:37,880
Speaker 1: whole tyrant that I did was improvise.

723
00:34:38,200 --> 00:34:40,040
Speaker 2: Yes, everything is improvised.

724
00:34:40,080 --> 00:34:41,600
Speaker 3: Yeah, everything is improvised on the show.

725
00:34:41,680 --> 00:34:43,520
Speaker 1: There's a couple of things that will come up that

726
00:34:43,600 --> 00:34:46,239
Speaker 1: will tell you when they happen in later seasons that

727
00:34:46,280 --> 00:34:47,600
Speaker 1: were scripted for a reason.

728
00:34:47,920 --> 00:34:49,839
Speaker 3: But by the way, in terms of scripted, they're not

729
00:34:49,920 --> 00:34:53,200
Speaker 3: scripted at all. But there might be a line that

730
00:34:53,239 --> 00:34:56,280
Speaker 3: he writes down, and by the way, I get maybe

731
00:34:56,320 --> 00:34:59,240
Speaker 3: a half dozen lines a season, so I'll be damned

732
00:34:59,239 --> 00:35:01,640
Speaker 3: if I'm not going to deliver it perfect. And it's

733
00:35:01,719 --> 00:35:05,200
Speaker 3: usually a line not even you know, what do you mean?

734
00:35:08,200 --> 00:35:13,120
Speaker 3: There's a line Jeff says which rarely appears. So when

735
00:35:13,160 --> 00:35:15,879
Speaker 3: he writes that, I feel a sense of.

736
00:35:15,960 --> 00:35:17,239
Speaker 2: Duty to say that.

737
00:35:18,400 --> 00:35:20,800
Speaker 1: I'll get lines like that where we'll be like Susie

738
00:35:20,800 --> 00:35:23,840
Speaker 1: tells Larry to go fuck himself. Those are the lines

739
00:35:23,840 --> 00:35:26,360
Speaker 1: that I get, which I usually do anyway. I answer

740
00:35:26,440 --> 00:35:29,760
Speaker 1: the door, Susie answers the door. Oh, Jeff's messenger boy

741
00:35:29,960 --> 00:35:30,920
Speaker 1: is here, you know.

742
00:35:30,960 --> 00:35:33,520
Speaker 2: From the top, right, from the top line from the top.

743
00:35:33,600 --> 00:35:36,560
Speaker 1: We know what's going on, and you know, on and

744
00:35:36,600 --> 00:35:39,880
Speaker 1: on about your little bimbo actresses. You're getting blow drops

745
00:35:39,920 --> 00:35:42,160
Speaker 1: and I was like, no, no, and then I hand

746
00:35:42,239 --> 00:35:45,080
Speaker 1: Larry your porn stash and on the.

747
00:35:45,040 --> 00:35:46,600
Speaker 2: Porn stay comes up later.

748
00:35:47,400 --> 00:35:51,040
Speaker 1: Yes, in another episode not even the season, right, and

749
00:35:51,080 --> 00:35:54,600
Speaker 1: that we focus on big ass Mama was in your well,

750
00:35:54,640 --> 00:35:57,040
Speaker 1: actually there was the porn stash in the porno Gill

751
00:35:57,280 --> 00:35:59,839
Speaker 1: episode to get it out.

752
00:36:00,160 --> 00:36:03,840
Speaker 2: Yes, is that we already pass that? Yeah, yeah, we did, that, says.

753
00:36:03,680 --> 00:36:05,759
Speaker 3: I know that guy when my parents walk in.

754
00:36:06,160 --> 00:36:08,640
Speaker 2: Yes, that's that. That was the odin Kirk that Karen.

755
00:36:08,680 --> 00:36:11,280
Speaker 3: I don't remember discussing that particular scene.

756
00:36:11,360 --> 00:36:12,000
Speaker 2: Yeah, we did.

757
00:36:12,120 --> 00:36:14,080
Speaker 3: And by the way, there's some great things from Louis

758
00:36:14,160 --> 00:36:14,960
Speaker 3: in this episode.

759
00:36:15,040 --> 00:36:17,440
Speaker 1: Louis and I, oh yeah, yeah, well we get to

760
00:36:17,480 --> 00:36:20,759
Speaker 1: that the rotten I love the rut. You know, you're

761
00:36:20,800 --> 00:36:23,799
Speaker 1: into that big ass stuff. And no, I recognize that woman.

762
00:36:24,040 --> 00:36:26,320
Speaker 1: And then I go into this hall. How you defile

763
00:36:26,480 --> 00:36:29,040
Speaker 1: me and you violate me? You know what, Jeff does

764
00:36:29,160 --> 00:36:30,560
Speaker 1: I do the sexual blackmail?

765
00:36:30,640 --> 00:36:31,040
Speaker 2: Exactly?

766
00:36:31,080 --> 00:36:32,240
Speaker 3: What reaction?

767
00:36:33,239 --> 00:36:33,279
Speaker 6: No?

768
00:36:33,440 --> 00:36:35,160
Speaker 2: No, no, no, I don't want to hear.

769
00:36:35,320 --> 00:36:36,479
Speaker 3: Please, I beg of you.

770
00:36:36,560 --> 00:36:39,000
Speaker 1: And while we're in the middle of this, who walks

771
00:36:39,000 --> 00:36:40,360
Speaker 1: in your parents?

772
00:36:40,600 --> 00:36:42,640
Speaker 3: But it's not while we're in the middle. We go

773
00:36:42,719 --> 00:36:47,160
Speaker 3: down You go downstairs, Larry, you open the door and

774
00:36:47,440 --> 00:36:51,879
Speaker 3: there are your in laws, whose child you just kicked

775
00:36:51,920 --> 00:36:54,359
Speaker 3: out of your hand, doubt And but by the way

776
00:36:54,520 --> 00:36:55,960
Speaker 3: you're so kind to them.

777
00:36:56,080 --> 00:36:59,919
Speaker 2: Well, I have a relationship. What I'm saying that a position, yeah,

778
00:37:00,040 --> 00:37:00,800
Speaker 2: which is interesting.

779
00:37:00,880 --> 00:37:03,040
Speaker 1: And Louis, Louis and I who plays your dad? I

780
00:37:03,080 --> 00:37:04,919
Speaker 1: don't know that we ever had names for them, did

781
00:37:04,960 --> 00:37:05,960
Speaker 1: we be your parents?

782
00:37:06,040 --> 00:37:07,960
Speaker 2: I don't remember mom and dad. We just called them

783
00:37:08,239 --> 00:37:09,680
Speaker 2: You've done something rotten.

784
00:37:09,800 --> 00:37:13,000
Speaker 3: But that's an opening line. And the way he says rotten,

785
00:37:13,440 --> 00:37:15,840
Speaker 3: by the way, I'm watching it now and I'm laughing,

786
00:37:15,920 --> 00:37:18,640
Speaker 3: laugh hard at the way he says rotten.

787
00:37:19,200 --> 00:37:21,520
Speaker 2: Yeah, I mean he was great. I love and that

788
00:37:21,640 --> 00:37:27,040
Speaker 2: was great casting for him as your father. I told, right, yeah, yeah,

789
00:37:27,520 --> 00:37:28,360
Speaker 2: we loved him.

790
00:37:28,719 --> 00:37:32,480
Speaker 1: And then Mina wants to go with Larry right to

791
00:37:32,840 --> 00:37:35,000
Speaker 1: the hotel to see her little baby boy she's so

792
00:37:35,080 --> 00:37:35,760
Speaker 1: worried about.

793
00:37:36,040 --> 00:37:38,799
Speaker 2: And Louis stays with me, why did you have to

794
00:37:38,840 --> 00:37:41,839
Speaker 2: put those clothes of Jeff just throw them back?

795
00:37:42,040 --> 00:37:45,439
Speaker 5: Why did you throw them in the trunk on top

796
00:37:45,480 --> 00:37:46,600
Speaker 5: of a dirty old tire.

797
00:37:46,960 --> 00:37:48,480
Speaker 6: Why that's obviously something wrong.

798
00:37:48,760 --> 00:37:51,960
Speaker 2: That's the question that is wrong. Why would anybody do that?

799
00:37:52,000 --> 00:37:52,840
Speaker 2: Person wouldn't do that.

800
00:37:53,000 --> 00:37:54,600
Speaker 6: I don't have a closet in my house. I'm just

801
00:37:54,680 --> 00:37:55,760
Speaker 6: used to throwing things.

802
00:37:55,600 --> 00:37:57,640
Speaker 2: Around like that and throwing them on the floor.

803
00:37:57,719 --> 00:37:59,560
Speaker 6: I throw them on the floor. That's how all my

804
00:37:59,640 --> 00:38:01,719
Speaker 6: clothes at home all on the floor. I don't even

805
00:38:01,800 --> 00:38:04,080
Speaker 6: have a bed. I sleep on a big pile of clothes.

806
00:38:04,120 --> 00:38:06,000
Speaker 2: Well, it's just disgusting.

807
00:38:06,120 --> 00:38:07,120
Speaker 3: I'm a disgusting man.

808
00:38:07,200 --> 00:38:08,040
Speaker 2: Who I can see that?

809
00:38:08,440 --> 00:38:08,960
Speaker 4: Why?

810
00:38:09,160 --> 00:38:09,719
Speaker 2: Why?

811
00:38:10,000 --> 00:38:10,400
Speaker 5: Why?

812
00:38:10,520 --> 00:38:13,520
Speaker 2: She's in the car. She's hilarious with him in the car.

813
00:38:13,360 --> 00:38:15,960
Speaker 3: And he's doing his best to ignore.

814
00:38:15,760 --> 00:38:17,760
Speaker 2: Why did you throw those clothes on the floor?

815
00:38:17,800 --> 00:38:21,200
Speaker 3: Why not his mother in law? And he still is

816
00:38:21,280 --> 00:38:22,759
Speaker 3: dealing with it in a way of like.

817
00:38:22,880 --> 00:38:24,120
Speaker 2: Kill me exactly.

818
00:38:24,480 --> 00:38:29,319
Speaker 1: And she is the mother in law terrific magic, you know.

819
00:38:29,360 --> 00:38:31,879
Speaker 1: And he says to her, but she's like why why?

820
00:38:31,920 --> 00:38:35,360
Speaker 1: He says, I'm a disgusting man, and.

821
00:38:35,400 --> 00:38:37,759
Speaker 3: He starts playing with her questions.

822
00:38:37,280 --> 00:38:39,200
Speaker 1: And then I forget why she wanted to look for

823
00:38:39,239 --> 00:38:41,160
Speaker 1: a pen? Do you remember why she wanted to look

824
00:38:41,200 --> 00:38:41,560
Speaker 1: for a pen?

825
00:38:41,719 --> 00:38:42,520
Speaker 2: No, there was something.

826
00:38:42,800 --> 00:38:43,359
Speaker 3: She saw a.

827
00:38:43,360 --> 00:38:44,319
Speaker 2: Sign, that's right.

828
00:38:44,360 --> 00:38:46,120
Speaker 1: She wanted to write something down, so she wants to

829
00:38:46,160 --> 00:38:48,360
Speaker 1: look for a pin. So she turns around to go

830
00:38:48,400 --> 00:38:48,839
Speaker 1: into the back.

831
00:38:49,280 --> 00:38:51,080
Speaker 3: Larry tells her there's a pen in.

832
00:38:51,040 --> 00:38:53,479
Speaker 1: The backseat and her ass is in the air. While

833
00:38:53,480 --> 00:38:56,400
Speaker 1: she's rummaging around in the back seat, Larry makes.

834
00:38:56,200 --> 00:38:58,680
Speaker 3: Her face, having no idea where this is going.

835
00:38:59,040 --> 00:38:59,560
Speaker 2: This is going.

836
00:39:00,080 --> 00:39:03,279
Speaker 1: And then they get to the hotel and Larry uh,

837
00:39:03,719 --> 00:39:06,400
Speaker 1: he carries the clothes in and minded that your mother's

838
00:39:06,480 --> 00:39:11,319
Speaker 1: just rambling, rambling, rambling. And then he sees Thor in

839
00:39:11,360 --> 00:39:14,160
Speaker 1: the hotel. And Jason had established we hadn't said this,

840
00:39:14,360 --> 00:39:16,480
Speaker 1: that there was a wrestling match in town.

841
00:39:17,080 --> 00:39:17,799
Speaker 2: Yes, big.

842
00:39:18,040 --> 00:39:22,279
Speaker 3: Also we're skipping that. In the parking lot when he parked.

843
00:39:22,160 --> 00:39:26,160
Speaker 1: He saw the car, the station wagon with Thor, And

844
00:39:26,200 --> 00:39:29,120
Speaker 1: again Jason had established it there's a big wrestling convention

845
00:39:29,400 --> 00:39:30,040
Speaker 1: or meat.

846
00:39:29,920 --> 00:39:30,480
Speaker 2: Or whatever they do.

847
00:39:31,880 --> 00:39:32,759
Speaker 3: It was a match, a.

848
00:39:32,760 --> 00:39:36,000
Speaker 1: Match, okay, and and minus cow beautiful hotel.

849
00:39:36,080 --> 00:39:38,279
Speaker 2: But she goes up to the room mute. Then you

850
00:39:38,400 --> 00:39:38,919
Speaker 2: come down.

851
00:39:39,120 --> 00:39:41,000
Speaker 3: No, no, I don't go up them. I sent her

852
00:39:41,080 --> 00:39:41,480
Speaker 3: up with them.

853
00:39:41,600 --> 00:39:43,160
Speaker 2: That's you meet them.

854
00:39:43,200 --> 00:39:45,719
Speaker 1: And then you send her up to the hotel down

855
00:39:46,200 --> 00:39:49,560
Speaker 1: And then Larry spots Thor and he says, to you,

856
00:39:49,800 --> 00:39:52,120
Speaker 1: remember you said you owed me one. I'm going to

857
00:39:52,200 --> 00:39:54,279
Speaker 1: take you up on it. And you you know it's

858
00:39:54,280 --> 00:39:56,719
Speaker 1: a bizarre request. He wants you to let the air

859
00:39:56,760 --> 00:39:59,520
Speaker 1: out of the tires, right. I go to it now,

860
00:40:00,440 --> 00:40:03,600
Speaker 1: really very accommodating.

861
00:40:03,280 --> 00:40:06,680
Speaker 3: Because a word's a word, you know, and you.

862
00:40:06,600 --> 00:40:13,920
Speaker 1: Know also this is your relationship with him, you're best friends, manager, clients.

863
00:40:13,960 --> 00:40:16,800
Speaker 3: Mostly it's me getting him in trouble, but quite often

864
00:40:16,800 --> 00:40:18,240
Speaker 3: he gets me correct.

865
00:40:18,440 --> 00:40:22,040
Speaker 1: But it's a YouTube in codes always yeah, we'll be.

866
00:40:22,040 --> 00:40:35,080
Speaker 4: Right back, stay tuned, and we're back.

867
00:40:36,440 --> 00:40:38,960
Speaker 1: He tells you go do it now, and then he

868
00:40:39,040 --> 00:40:41,719
Speaker 1: watches Thor walk away, and he goes to talk to

869
00:40:41,760 --> 00:40:43,200
Speaker 1: the kids.

870
00:40:43,000 --> 00:40:45,960
Speaker 3: Which is that voice that he uses when he knows

871
00:40:45,960 --> 00:40:48,960
Speaker 3: he's full of shit, the nodding, the smile.

872
00:40:49,280 --> 00:40:50,640
Speaker 2: Wrestling is fixed.

873
00:40:50,800 --> 00:40:52,360
Speaker 3: Yeah, your dad's an actor.

874
00:40:52,560 --> 00:40:55,480
Speaker 2: Yes, the winners are predetermined.

875
00:40:56,000 --> 00:40:58,439
Speaker 3: And it also goes to show and I do agree

876
00:40:58,520 --> 00:41:01,120
Speaker 3: the kids don't recognize him because now he saw him

877
00:41:01,120 --> 00:41:03,400
Speaker 3: through the car. But I guarantee they do that to

878
00:41:03,480 --> 00:41:06,960
Speaker 3: a lot of people, you know, make the something because

879
00:41:06,960 --> 00:41:11,120
Speaker 3: they're entertained by their dad's reaction. But they're horrified he

880
00:41:11,160 --> 00:41:13,000
Speaker 3: has mit them, and even when he walks away, the

881
00:41:13,040 --> 00:41:14,440
Speaker 3: look on their faces is like.

882
00:41:14,480 --> 00:41:17,000
Speaker 1: Well, they thought their dad was something, and now he's

883
00:41:17,000 --> 00:41:19,640
Speaker 1: telling their dad the dad about it.

884
00:41:19,760 --> 00:41:21,520
Speaker 3: Now they're going to ask him about now what he's

885
00:41:21,520 --> 00:41:24,840
Speaker 3: not going to enjoy. However, you feel like, is he

886
00:41:24,920 --> 00:41:27,200
Speaker 3: going to walk in on Larry? Like there's tension there.

887
00:41:27,360 --> 00:41:28,640
Speaker 2: There's a lot of tensions right there.

888
00:41:28,719 --> 00:41:31,640
Speaker 1: I was watching it even knowing what the ending is,

889
00:41:31,640 --> 00:41:33,520
Speaker 1: although I forget half the time what's going to happen.

890
00:41:33,560 --> 00:41:34,439
Speaker 2: This was so long ago.

891
00:41:34,719 --> 00:41:37,640
Speaker 1: I was feeling him, the idea of him like turning

892
00:41:37,680 --> 00:41:40,279
Speaker 1: around and seeing him standing there right, you know it

893
00:41:40,320 --> 00:41:42,600
Speaker 1: was it was set up that way, but that's not

894
00:41:42,680 --> 00:41:46,239
Speaker 1: what happened. What happens is you are outside letting the

895
00:41:46,280 --> 00:41:48,960
Speaker 1: air out of the tires, and then we see those

896
00:41:49,000 --> 00:41:51,360
Speaker 1: cowboy boots, yeah, standing right.

897
00:41:51,360 --> 00:41:54,480
Speaker 3: By the way. I thought, as I'm watching it, I

898
00:41:54,480 --> 00:41:56,160
Speaker 3: think it's wonderful that I'm silent.

899
00:41:56,560 --> 00:41:58,560
Speaker 2: Of course, I totally agree, and I.

900
00:41:58,560 --> 00:42:00,759
Speaker 3: May have done it in the scene. But one of

901
00:42:00,800 --> 00:42:04,560
Speaker 3: the things that I do on the show is when I'm.

902
00:42:04,440 --> 00:42:07,000
Speaker 2: Caught hey hey, yeah, yeah.

903
00:42:06,960 --> 00:42:08,799
Speaker 3: And I'll talk to the person, you know, But I

904
00:42:08,840 --> 00:42:10,839
Speaker 3: didn't think it or or we kept it out.

905
00:42:11,080 --> 00:42:13,000
Speaker 2: I think he was too intimidating to do that.

906
00:42:13,280 --> 00:42:16,120
Speaker 3: Well. I think that I at least did one take

907
00:42:16,320 --> 00:42:18,759
Speaker 3: where I didn't say anything, and that's what they use.

908
00:42:18,960 --> 00:42:20,160
Speaker 3: That's quite often.

909
00:42:20,160 --> 00:42:23,080
Speaker 1: Quite often we give a varite well almost always, yeah,

910
00:42:23,080 --> 00:42:25,600
Speaker 1: we do. We give a variety of choices, and then

911
00:42:25,600 --> 00:42:27,920
Speaker 1: you see what you know in editing, it's a completely

912
00:42:27,920 --> 00:42:30,600
Speaker 1: different thing because you see the flow of something and

913
00:42:30,640 --> 00:42:31,399
Speaker 1: the the way.

914
00:42:31,440 --> 00:42:31,680
Speaker 2: You know.

915
00:42:31,719 --> 00:42:35,799
Speaker 3: What's fun about us doing something different when most of

916
00:42:35,840 --> 00:42:38,759
Speaker 3: the guest actors that come on the show do the

917
00:42:38,800 --> 00:42:42,000
Speaker 3: same thing every take, So for us we can rely

918
00:42:42,719 --> 00:42:46,560
Speaker 3: on knowing that that pitch is coming, like they're gonna

919
00:42:46,560 --> 00:42:47,840
Speaker 3: say that, and I'm.

920
00:42:47,719 --> 00:42:49,040
Speaker 2: Going to be read by something different.

921
00:42:49,400 --> 00:42:51,080
Speaker 3: I'm not thinking out of the time what I'm going

922
00:42:51,120 --> 00:42:54,320
Speaker 3: to say. I just know they're going to say that. Again.

923
00:42:54,800 --> 00:42:58,879
Speaker 1: It's hard sometimes to say the same thing take after take.

924
00:42:59,480 --> 00:43:02,239
Speaker 3: Hard sometimes. That's been my problem doing stand up for

925
00:43:02,239 --> 00:43:04,640
Speaker 3: forty years. I did one, I did a few one

926
00:43:04,680 --> 00:43:07,960
Speaker 3: man shows in Chicago, so I did this one my show,

927
00:43:08,239 --> 00:43:10,719
Speaker 3: my first one, I Want Someone to Cheese With, and

928
00:43:10,880 --> 00:43:14,080
Speaker 3: it was very successful. It kept on moving to bigger theaters,

929
00:43:14,480 --> 00:43:17,080
Speaker 3: and I hated the sound of my voice. I had

930
00:43:17,120 --> 00:43:19,799
Speaker 3: so much trouble doing it the same way, so I

931
00:43:19,840 --> 00:43:22,520
Speaker 3: began improvising, and by the end of the run, I

932
00:43:22,520 --> 00:43:24,600
Speaker 3: don't know what was even left from the beginning of

933
00:43:24,600 --> 00:43:27,520
Speaker 3: the run. Well, during this time, Jackie Mason was in

934
00:43:27,560 --> 00:43:32,040
Speaker 3: town doing a one man show, so I was invited

935
00:43:32,080 --> 00:43:35,600
Speaker 3: backstage and I tell him that I'm having trouble with

936
00:43:35,640 --> 00:43:38,719
Speaker 3: my show because I can't stay focused on the words.

937
00:43:38,880 --> 00:43:41,520
Speaker 3: I gotta change everything. And he says to me, what

938
00:43:41,600 --> 00:43:44,239
Speaker 3: are you a schmuck? You're a schmuck. You got a

939
00:43:44,320 --> 00:43:48,520
Speaker 3: hit show and you're messing around with it. You're a schmuck. Well,

940
00:43:48,520 --> 00:43:50,600
Speaker 3: for the rest of my career, I've continued to be

941
00:43:50,640 --> 00:43:55,040
Speaker 3: a schmuckcause he was all school, Jackie Mason, but also

942
00:43:55,800 --> 00:43:58,080
Speaker 3: very funny, brilliantly funny.

943
00:43:58,280 --> 00:44:00,480
Speaker 1: And that first show he did, that first Way show

944
00:44:00,480 --> 00:44:03,080
Speaker 1: he did, was amazing. So one of the funniest things,

945
00:44:03,400 --> 00:44:05,520
Speaker 1: and one of the reasons why it was so brilliant

946
00:44:05,920 --> 00:44:08,759
Speaker 1: was because it was years and years and years of

947
00:44:08,800 --> 00:44:11,799
Speaker 1: material that he had honed. The subsequent shows were not

948
00:44:11,840 --> 00:44:14,960
Speaker 1: as good because it was they were still very funny.

949
00:44:15,280 --> 00:44:18,480
Speaker 1: But we were talking about this on set yesterday. Maybe

950
00:44:18,520 --> 00:44:20,080
Speaker 1: you weren't there I forgot who I was talking to.

951
00:44:20,080 --> 00:44:21,960
Speaker 3: You was Jack you Mason? I wasn't there.

952
00:44:22,080 --> 00:44:23,839
Speaker 1: No, we weren't talking about Jacum Mason. We were talking

953
00:44:23,880 --> 00:44:27,440
Speaker 1: about different stand ups. And some stand ups when they

954
00:44:27,440 --> 00:44:29,680
Speaker 1: get on stage, they know exactly what they're going to

955
00:44:29,760 --> 00:44:32,400
Speaker 1: do and what order they're going to do. And I

956
00:44:32,480 --> 00:44:35,239
Speaker 1: used to know what my opening line was going to

957
00:44:35,280 --> 00:44:37,799
Speaker 1: be because I was too nervous not to know. But

958
00:44:37,880 --> 00:44:40,480
Speaker 1: that was all I ever knew. Beyond that, I never

959
00:44:40,560 --> 00:44:43,680
Speaker 1: knew an order. I never had a preconceived notion of

960
00:44:43,680 --> 00:44:45,520
Speaker 1: what I was going to do. It would just all

961
00:44:45,560 --> 00:44:48,080
Speaker 1: happen in that moment on stage. You and I worked

962
00:44:48,080 --> 00:44:51,600
Speaker 1: similarly in that way. A lot of comics worked our way,

963
00:44:51,640 --> 00:44:53,239
Speaker 1: and a lot of comics there's no right or wrong,

964
00:44:53,320 --> 00:44:54,120
Speaker 1: they're mutually different.

965
00:44:54,160 --> 00:44:56,400
Speaker 3: Well, I'm actually envious of anyone who can do a

966
00:44:56,440 --> 00:44:57,400
Speaker 3: full an a to Z.

967
00:44:58,280 --> 00:45:01,120
Speaker 1: I tried it when I would have so much anxiety

968
00:45:01,160 --> 00:45:03,799
Speaker 1: doing stand up, and part of it was because of

969
00:45:03,840 --> 00:45:05,879
Speaker 1: the way I worked right And I thought, well, maybe

970
00:45:05,920 --> 00:45:08,520
Speaker 1: if I had a set set, I wouldn't feel so

971
00:45:08,600 --> 00:45:11,480
Speaker 1: anxious and it wouldn't be so stressful. And I tried

972
00:45:11,480 --> 00:45:14,480
Speaker 1: it that way, and I was incapable of doing it.

973
00:45:14,600 --> 00:45:17,880
Speaker 1: I was incapable. It just it wasn't interesting to me,

974
00:45:18,280 --> 00:45:21,040
Speaker 1: It wasn't creative to me. It just didn't work for me.

975
00:45:21,080 --> 00:45:22,440
Speaker 1: So you have to know who you are.

976
00:45:23,000 --> 00:45:25,680
Speaker 3: Why, by the way, do you know who set me

977
00:45:25,800 --> 00:45:29,280
Speaker 3: on the path of the structure of which I used today,

978
00:45:29,719 --> 00:45:32,719
Speaker 3: Don Rickles. I became friendly with.

979
00:45:32,719 --> 00:45:35,120
Speaker 2: Don, but I'll bet you he never had an a

980
00:45:35,200 --> 00:45:36,200
Speaker 2: to z No he.

981
00:45:36,200 --> 00:45:39,240
Speaker 3: Has from the approach. So we're at the toy Story

982
00:45:39,280 --> 00:45:42,560
Speaker 3: three dinner. There was a dinner before the movie came out,

983
00:45:42,840 --> 00:45:45,319
Speaker 3: and he actually requested for me to sit next to him,

984
00:45:45,480 --> 00:45:48,480
Speaker 3: and we weren't tight at this point, so I obviously

985
00:45:48,719 --> 00:45:50,120
Speaker 3: was so.

986
00:45:49,600 --> 00:45:52,880
Speaker 2: Of course I didn't even know what it was a kid.

987
00:45:52,760 --> 00:45:55,960
Speaker 3: I So I was like, really, I didn't believe it.

988
00:45:56,360 --> 00:45:58,960
Speaker 3: And I sat next to him. He was so happy,

989
00:45:59,360 --> 00:46:02,399
Speaker 3: and it was his wife and Marla was there. But

990
00:46:02,440 --> 00:46:05,319
Speaker 3: Marla knew sitting there that I was not going to

991
00:46:05,360 --> 00:46:08,279
Speaker 3: be available to her at any point during that meal.

992
00:46:08,480 --> 00:46:10,880
Speaker 3: And we talked and talked, and then he told me

993
00:46:10,960 --> 00:46:12,120
Speaker 3: the structure.

994
00:46:11,640 --> 00:46:13,759
Speaker 2: That he uses, which is what I'm you.

995
00:46:13,800 --> 00:46:17,839
Speaker 3: Go up and you hit him hard. Jack Benny as

996
00:46:17,880 --> 00:46:19,680
Speaker 3: another piece of ice. Didn't give it to me, but

997
00:46:19,719 --> 00:46:22,280
Speaker 3: I heard it, and I follow that that's the only deviation.

998
00:46:22,680 --> 00:46:25,000
Speaker 3: You go out and hit him hard with the best

999
00:46:25,040 --> 00:46:28,160
Speaker 3: you got, then you do whatever you want, and you

1000
00:46:28,360 --> 00:46:31,840
Speaker 3: end with your rabbi piece. By rabbi piece, he meant

1001
00:46:32,200 --> 00:46:36,880
Speaker 3: a very sincere kind not well for me, not Maudlin.

1002
00:46:37,719 --> 00:46:43,080
Speaker 2: He could get a little more different period generation, but

1003
00:46:43,680 --> 00:46:44,360
Speaker 2: I would get.

1004
00:46:46,040 --> 00:46:48,840
Speaker 3: Every time I close my show now and I'm totally sincere,

1005
00:46:49,280 --> 00:46:52,400
Speaker 3: I thank the audience how much they meant to me,

1006
00:46:52,920 --> 00:46:55,560
Speaker 3: and I hope I've meant something to you, and then

1007
00:46:55,920 --> 00:46:58,400
Speaker 3: my last line is all right, now back to my

1008
00:46:58,440 --> 00:47:03,520
Speaker 3: life of shame and regret. Yeah, so that's a structure

1009
00:47:03,560 --> 00:47:06,920
Speaker 3: I used. The one other thing that I took. There's

1010
00:47:07,000 --> 00:47:11,360
Speaker 3: these comedy recordings with all the great comedians being interviewed.

1011
00:47:11,520 --> 00:47:15,200
Speaker 3: Oh really, Jack Benny talked about he would watch comedians

1012
00:47:15,239 --> 00:47:18,800
Speaker 3: and knew they were not going to go anywhere, and

1013
00:47:19,360 --> 00:47:21,759
Speaker 3: he was asked why. He said, because they go up

1014
00:47:21,800 --> 00:47:23,080
Speaker 3: and they go right into their act.

1015
00:47:23,560 --> 00:47:26,080
Speaker 1: When you go up, he doesn't feel. They don't feel

1016
00:47:26,080 --> 00:47:27,560
Speaker 1: what the audience needs.

1017
00:47:27,600 --> 00:47:29,080
Speaker 2: And the audience, by the way.

1018
00:47:29,000 --> 00:47:31,360
Speaker 3: It's not even the audience. You want the audience, what

1019
00:47:31,520 --> 00:47:33,920
Speaker 3: is the audience? They want the audience to get a

1020
00:47:34,120 --> 00:47:37,080
Speaker 3: sense of you and where you're at on that particular,

1021
00:47:37,480 --> 00:47:39,920
Speaker 3: get to know you just a little bit, see that

1022
00:47:40,000 --> 00:47:42,200
Speaker 3: you're human, and then hit them with your hearts.

1023
00:47:42,360 --> 00:47:45,400
Speaker 1: But it's also you know, audiences are so interesting and

1024
00:47:45,440 --> 00:47:47,799
Speaker 1: this is something we could talk about for hours. But

1025
00:47:48,400 --> 00:47:52,480
Speaker 1: from the second you walk on the stage, the audience

1026
00:47:52,520 --> 00:47:55,080
Speaker 1: has a feeling about you, from the way you take

1027
00:47:55,120 --> 00:47:57,480
Speaker 1: the mic, from the way you stay. And for me,

1028
00:47:57,840 --> 00:48:00,440
Speaker 1: it was always that you have to have comenfidence for

1029
00:48:00,520 --> 00:48:01,319
Speaker 1: the minute you walk on that.

1030
00:48:02,920 --> 00:48:03,920
Speaker 2: Smell it if you don't.

1031
00:48:04,080 --> 00:48:07,840
Speaker 3: But the exception is if you're famous, they'll give you

1032
00:48:07,840 --> 00:48:10,560
Speaker 3: about a minute. You got a minute of reprieve.

1033
00:48:10,280 --> 00:48:13,920
Speaker 1: And by the way, sixty seconds is a long nine.

1034
00:48:14,160 --> 00:48:16,640
Speaker 3: But they'll give you that minute, which is very generous

1035
00:48:16,880 --> 00:48:19,719
Speaker 3: because they dig you in whatever role you play. But

1036
00:48:19,880 --> 00:48:21,080
Speaker 3: after that minute.

1037
00:48:20,920 --> 00:48:22,759
Speaker 2: You bet it will hurt your gun, that's right, you

1038
00:48:22,800 --> 00:48:23,400
Speaker 2: bet it away.

1039
00:48:23,560 --> 00:48:24,080
Speaker 3: Yeah.

1040
00:48:24,120 --> 00:48:25,760
Speaker 2: And you have to be in control.

1041
00:48:26,000 --> 00:48:29,680
Speaker 3: Yeah, oh yeah, that's you have to be vulnerable and

1042
00:48:29,800 --> 00:48:32,120
Speaker 3: confident at the same time. For me, you do.

1043
00:48:33,239 --> 00:48:34,040
Speaker 2: It's a hard job.

1044
00:48:34,320 --> 00:48:35,319
Speaker 3: Okay, back to the show.

1045
00:48:35,400 --> 00:48:37,799
Speaker 2: Okay, back to the show. So we're almost done.

1046
00:48:37,920 --> 00:48:40,759
Speaker 1: I mean, so we see you're letting the air out

1047
00:48:40,760 --> 00:48:41,800
Speaker 1: of Thor's tires.

1048
00:48:42,080 --> 00:48:44,319
Speaker 2: He walks up. That's it. We don't we don't need

1049
00:48:44,360 --> 00:48:44,640
Speaker 2: to know.

1050
00:48:44,880 --> 00:48:46,720
Speaker 1: If you beat the ship out of you, he's obviously

1051
00:48:46,760 --> 00:48:47,759
Speaker 1: going to beat the shit out of you.

1052
00:48:48,760 --> 00:48:52,400
Speaker 2: And then Larry is at home, and you know the

1053
00:48:52,480 --> 00:48:54,839
Speaker 2: whole thing about he and Jason can't decide where to meet.

1054
00:48:54,840 --> 00:48:57,959
Speaker 2: And Cheryl goes through the mail and she says, are.

1055
00:48:57,880 --> 00:48:59,560
Speaker 5: You expecting something from the city?

1056
00:49:00,320 --> 00:49:01,759
Speaker 4: No, can I open it?

1057
00:49:02,200 --> 00:49:02,480
Speaker 3: Sure?

1058
00:49:10,760 --> 00:49:15,120
Speaker 1: Oh my god, And there's the ticket with a camera

1059
00:49:15,200 --> 00:49:18,840
Speaker 1: from the light, with Larry driving, and all you see

1060
00:49:19,000 --> 00:49:21,719
Speaker 1: is your mother. Cheryl doesn't know, is your mother her

1061
00:49:21,840 --> 00:49:24,400
Speaker 1: big fat ass sitting there.

1062
00:49:24,719 --> 00:49:27,319
Speaker 3: Well by the way in that moment, because remember when

1063
00:49:27,360 --> 00:49:30,879
Speaker 3: she first did it, he turned and he saw it,

1064
00:49:31,000 --> 00:49:34,160
Speaker 3: and then he turned back and discussed. Of course the

1065
00:49:34,200 --> 00:49:36,720
Speaker 3: picture was taking it at the moment when he turned

1066
00:49:36,719 --> 00:49:40,000
Speaker 3: and he saw it. So she sees him looking at the.

1067
00:49:40,000 --> 00:49:43,520
Speaker 1: Ass, and of course, in typical curve fashion, we have

1068
00:49:43,560 --> 00:49:47,440
Speaker 1: already established the ash fetish ash fetish.

1069
00:49:47,480 --> 00:49:50,319
Speaker 3: But it all it starts somewhere you don't know where

1070
00:49:50,320 --> 00:49:52,480
Speaker 3: it's going going, and then it's all tied up in

1071
00:49:52,520 --> 00:49:52,799
Speaker 3: the air.

1072
00:49:52,920 --> 00:49:55,160
Speaker 1: And yet when you see it in retrospect, it's obvious

1073
00:49:55,200 --> 00:49:57,160
Speaker 1: where it's going but it's not right.

1074
00:49:57,520 --> 00:49:59,879
Speaker 3: Well, it wasn't for me back then. When I read

1075
00:49:59,880 --> 00:50:03,560
Speaker 3: the outlines before the season started, I didn't know where

1076
00:50:03,560 --> 00:50:05,759
Speaker 3: they were going to end. And sometimes I was like

1077
00:50:05,840 --> 00:50:08,640
Speaker 3: blown away that I couldn't believe that he was smart

1078
00:50:08,760 --> 00:50:09,640
Speaker 3: enough to do it that way.

1079
00:50:09,719 --> 00:50:14,200
Speaker 1: Yeah, the reading the outlines is an experience that most

1080
00:50:14,200 --> 00:50:16,840
Speaker 1: people won't have. But when you read it, you just

1081
00:50:17,040 --> 00:50:20,319
Speaker 1: marvel at it, like how did he get there? How

1082
00:50:20,320 --> 00:50:21,000
Speaker 1: did he get there?

1083
00:50:21,239 --> 00:50:25,759
Speaker 3: Yeah, and he's not a savant because off camera he's

1084
00:50:25,800 --> 00:50:27,000
Speaker 3: supremely intelligent.

1085
00:50:27,680 --> 00:50:30,920
Speaker 2: Yes, yes, where does he pick this up?

1086
00:50:31,000 --> 00:50:35,000
Speaker 3: It's like this guy, at all times, comedically or personally,

1087
00:50:35,560 --> 00:50:38,879
Speaker 3: is super intelligent. And I think I mentioned but we've

1088
00:50:38,920 --> 00:50:42,680
Speaker 3: made about fifty bets over the years, and no exaggeration,

1089
00:50:43,200 --> 00:50:44,799
Speaker 3: I've never won one of them.

1090
00:50:45,080 --> 00:50:48,080
Speaker 2: Really, Oh no, no, this is he has won.

1091
00:50:48,480 --> 00:50:50,959
Speaker 3: I will tell you the flip side. I'm always paying

1092
00:50:51,000 --> 00:50:53,680
Speaker 3: for our valet parking and he's never paid me back,

1093
00:50:53,920 --> 00:50:55,920
Speaker 3: like I give him money for his car.

1094
00:50:56,200 --> 00:51:00,520
Speaker 2: And anyhow, I was just saying this always always intelligence.

1095
00:51:00,800 --> 00:51:03,280
Speaker 1: But this is why I think Larry is a genius.

1096
00:51:03,280 --> 00:51:07,400
Speaker 1: And I use that word very carefully because when I

1097
00:51:07,480 --> 00:51:09,960
Speaker 1: read the outlines and I have comedy brain. You have

1098
00:51:10,040 --> 00:51:16,719
Speaker 1: comedy brain. It's transcendent. I don't know how to don't comedy,

1099
00:51:16,760 --> 00:51:19,240
Speaker 1: and the transcendence is what makes a genius.

1100
00:51:19,480 --> 00:51:23,680
Speaker 2: Well, you don't. And we'll discuss it more next time.

1101
00:51:23,680 --> 00:51:28,279
Speaker 3: With that episode three, season two. And I said two

1102
00:51:28,680 --> 00:51:30,680
Speaker 3: in a way that might not have sounded good to

1103
00:51:30,719 --> 00:51:34,640
Speaker 3: our listeners. Too much of it on the tledge apologize

1104
00:51:34,760 --> 00:51:37,399
Speaker 3: and don't forget. You have a money back guarantee if

1105
00:51:37,400 --> 00:51:40,560
Speaker 3: the show irritates you at any point, which I'm assuming

1106
00:51:40,680 --> 00:51:44,360
Speaker 3: everything I say, truly talk about a shame and regret.

1107
00:51:44,880 --> 00:51:48,440
Speaker 3: You think I don't go home from these recordings and

1108
00:51:48,680 --> 00:51:49,960
Speaker 3: fill with shame and regret.

1109
00:51:50,080 --> 00:51:52,479
Speaker 2: Really, you see I don't feel that well of.

1110
00:51:52,400 --> 00:51:55,760
Speaker 3: Course, because you're not disturbed like I am. I'm envious

1111
00:51:55,800 --> 00:51:56,040
Speaker 3: of you.

1112
00:51:56,760 --> 00:51:58,400
Speaker 2: We'll see you next time, folks.

1113
00:51:58,560 --> 00:52:00,120
Speaker 3: Thanks everybody.

1114
00:52:05,960 --> 00:52:09,280
Speaker 1: The History of carb Your Enthusiasm is a production of iHeartRadio.

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00:52:09,400 --> 00:52:13,560
Speaker 2: For more podcasts from iHeart Radio, visit the iHeartRadio app,

1116
00:52:13,600 --> 00:52:16,520
Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows.