WEBVTT - Episode 43 w/ DJ Clue & Grafh

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<v Speaker 1>This is Firefighter Raphael Poiriet for Firehouse Subs introducing new

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<v Speaker 1>firehouse pairs. Pair your favorite small sub with a signature

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<v Speaker 1>side like the awesome five cheese mac and Cheese, and

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<v Speaker 1>remember a portion of every purchase at Firehouse Subs goes

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<v Speaker 1>towards helping first responders. Firehouse Subs enjoy more subs, save

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<v Speaker 1>more lives. Participating locations. Don't leave firehouse hubs, but don't

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<v Speaker 1>eat a minimum one million dollars in two thousand nineteen

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<v Speaker 1>to the Firehouse Subs publicly safe the foundation by don't

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<v Speaker 1>any point of every purchase. He's a legendary Queen's rapper,

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<v Speaker 1>hang boy, He's a Miami hip hop pioneer. What up

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<v Speaker 1>is d J e f n Together they drink it

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<v Speaker 1>up with some of the biggest players in music and sports.

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<v Speaker 1>You know what I mean, the most professional unprofessional podcast

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<v Speaker 1>and your number one source for drum facts. This is

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<v Speaker 1>Drinks chap Radar. Every day is New Year's Eve, just

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<v Speaker 1>for port life. Drink Champ Sports. This is the Sly

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<v Speaker 1>Father And what up is d J E f YEA Yeah,

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<v Speaker 1>drink Champs on Drink Champ Sports. Now, Paul, let's get

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<v Speaker 1>to it. You predicted. I didn't. I predicted that the

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<v Speaker 1>cub is gonna win in six. But they win seven.

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<v Speaker 1>So we we gotta still make some noise for you

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<v Speaker 1>because he was the time your your first prediction with

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<v Speaker 1>us was wrong, right, I don't remember that that was?

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<v Speaker 1>That was that was last season? On and on. Okay,

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<v Speaker 1>so how about this this Sunday, the Rifles just going

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<v Speaker 1>down the Jets. The division rivals is in effect. We

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<v Speaker 1>got the Jets in town Miami Jets Gang Green with

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<v Speaker 1>the Dolphins, and it's gonna be a great game. The

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<v Speaker 1>fans love it, the community love it, both cities love it,

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<v Speaker 1>both states love it. It's Jets in Miami. I just

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<v Speaker 1>it's a bunch of other games too. But but that's

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<v Speaker 1>like my prime time. But Miami's going down Gang Green

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<v Speaker 1>Jets to stand up. That's right. What's your prediction in

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<v Speaker 1>Batmanton this year? Joseane? And where who is back? I

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<v Speaker 1>don't know? Hey, so what's your prediction? Wait? Wait, wait, okay,

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<v Speaker 1>you got another sports outside of do um? How about

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<v Speaker 1>Christmas and Night? Christmas Night is the first time Golden

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<v Speaker 1>State plays the Calves. Is this true? Gold Yes, this

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<v Speaker 1>is the first time since the Championship and that's Christmas Night. No,

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<v Speaker 1>I don't know how you don't know. There's your dream

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<v Speaker 1>chand sports. I mean I got thanks Giving in order?

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<v Speaker 1>What Thanksgiving pre Well? I think Detroit is gonna take it.

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<v Speaker 1>The Detroit lines, I'm saying, Um, they usually have a

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<v Speaker 1>great game this time of year. Is this because the

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<v Speaker 1>stats are? Because this is what you just you like

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<v Speaker 1>them stats. I've tried to sharpen my skills because I

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<v Speaker 1>don't want to put my money on you just being

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<v Speaker 1>like I have a feeling. I proved it today. Shout

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<v Speaker 1>out to Chicago. That one you can't somebody google on

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<v Speaker 1>Christmas Day. I think it's um, um, the Calves Verse

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<v Speaker 1>Golden State the first time the championship. What's your prediction

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<v Speaker 1>for Super Tuesday? Hey, dickhead, what's your prediction for Super Tuesday?

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<v Speaker 1>Give some boris you don't know Super Tuesday? I mean,

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<v Speaker 1>do you know what that what I'm talking about? The election? Yeah?

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<v Speaker 1>Voter Yeah, because he's I mean, I think Hillary is

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<v Speaker 1>gonna win. But there's a lot of people that that's

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<v Speaker 1>trying to prove me wrong. Go out there, vote for Hillary.

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<v Speaker 1>Got the old vote. God, damnit, voter die. That's Thanksgiving, Christmas,

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<v Speaker 1>Christmas Warriors Calves, Warriors Calves, and I think kas is

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<v Speaker 1>gonna win. I predicted Caves gonna win that game because

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<v Speaker 1>Lebron just had a Halloween party and he had Steph

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<v Speaker 1>Curry cookies, right, he had Steph Curry and Draymond Green

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<v Speaker 1>is already lying the fire saying he want to demolish them.

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<v Speaker 1>He wants to I want to thrash them, he said

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<v Speaker 1>it like like the other day. So he's out there

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<v Speaker 1>all right, and then thanks Giving basketball? What you what

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<v Speaker 1>you got Thanksgiving? Oh yeah, yea. Our Google is not

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<v Speaker 1>very Google. We do it all, do it, I'm he said.

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<v Speaker 1>The Detroit Lions said, Detroit Lions, NBA, don't come on,

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<v Speaker 1>I'm not well, you know, you know, while we at

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<v Speaker 1>it that that's that's like the people check check out

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<v Speaker 1>drink Champs dot com. Yeah, the new dream Champs New

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<v Speaker 1>Drink Champ at make sure you download the iPhone emojis

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<v Speaker 1>and it's for the Android two or the Drink Champs,

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<v Speaker 1>the drink Champ chap. The regular app is for iPhone

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<v Speaker 1>and Android. We got the new dream Champs dot com absolutely,

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<v Speaker 1>and then for iPhone seven and all iOS tenk users

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<v Speaker 1>you could download the stick of app for text messaging.

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<v Speaker 1>They got to type in drunk text by Drink Champs

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<v Speaker 1>in the app store and download it and it pops

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<v Speaker 1>up in your keyboard where you find your jifs or

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<v Speaker 1>your gifts or whatever the ji jifs. It's gifts. Know

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<v Speaker 1>what somebody tells. But we gotta shout out to HOMEI

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<v Speaker 1>that that created the apps at e f X apps,

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<v Speaker 1>e f e x X apps, and he created the apps,

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<v Speaker 1>and our graphic designer Akzy at AKZ nine one six

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<v Speaker 1>shout out to him. And also pick up the new

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<v Speaker 1>Drink Champ slides. Yeah, the sh are tight. I call

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<v Speaker 1>him slippers, but I noticed that that like the millennials

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<v Speaker 1>call him slides, but um slippers definitely. And also, um,

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<v Speaker 1>we're gonna go request them if you're in the New

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<v Speaker 1>York area. A lot of people have been trying to um,

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<v Speaker 1>you know, get drink trance material or Fat Joe's up

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<v Speaker 1>y Uh supposed to be able to Uh, it's supposed

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<v Speaker 1>to be um packaging the slippers, the shirts, the cups

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<v Speaker 1>and everything. So go see Fat Joe Store up NYC.

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<v Speaker 1>You know what I mean. We're actually going to visit there.

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<v Speaker 1>As well the whole Drink Champs shout out to eight

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<v Speaker 1>to nine as well. Shout out to eight and nine

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<v Speaker 1>of course, and um so we'll get into this episode. Also,

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<v Speaker 1>I want to pick up my guy tax Stone out

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<v Speaker 1>there did a great interview with Meek Milk. Just everybody

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<v Speaker 1>go out there and and and and and check it out.

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<v Speaker 1>It's dope, m very informative. And I like the fact that,

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<v Speaker 1>you know, artists are now coming to podcasts as opposed

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<v Speaker 1>to you know, running too radio traditional thing. So I

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<v Speaker 1>want to keep supporting that, keep you know, pushing the

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<v Speaker 1>coaching forward. Also, you know, we got Joe Button's coming up.

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<v Speaker 1>He got a podcast out there, naming that podcast later,

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<v Speaker 1>Big Up Combat Jack, Big Up Rap Radar, tax Stone,

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<v Speaker 1>Brilliant Idiots, and you know all the other podcasts out there.

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<v Speaker 1>Wat got a dope one out there, Kim. I feel

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<v Speaker 1>like I set that up because they hit me to say,

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<v Speaker 1>you know, who's the connect for Masters of Ceremony, And

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<v Speaker 1>I gave you the connect And then I didn't realize

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<v Speaker 1>that rock Kid was on the show and they, like

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<v Speaker 1>they did Drink chap Stars they set up backstage. I

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<v Speaker 1>was like, yeah, but you know, what's to loot them

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<v Speaker 1>because it was great to warn up steam. It sounds

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<v Speaker 1>um Rosenberg, you know, big big y'all guys up, lover

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<v Speaker 1>styles her podcasts out there, and uh Maria Raligious, I

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<v Speaker 1>forgot her name. I'm sorry, she got a podcast out there,

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<v Speaker 1>but you know, pick it up. You know what I'm saying,

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<v Speaker 1>big up. All of those going down. So we'll get

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<v Speaker 1>to this DJ podcast right now. DJ clue, DJ clue,

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<v Speaker 1>you know what I mean. Shout the graph. Also shout

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<v Speaker 1>the graph. Shout to Oskino and p Kraft came again.

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<v Speaker 1>They cut me. Let's drunk, that's drunk. You wanted to

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<v Speaker 1>even it out. So we're gonna get into it, man.

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<v Speaker 1>And as you know, man, we got something. We've got

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<v Speaker 1>a surprise, you know. Um, We've got a couple of

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<v Speaker 1>announcements coming everything. And we got a couple of TV

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<v Speaker 1>announcements coming soon as well. And and Thanksgiving night we're

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<v Speaker 1>playing something very very huge. We're gonna start promoting it

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<v Speaker 1>now so you guys can understand that we're really going

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<v Speaker 1>all out for you guys, so you know, and no

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<v Speaker 1>more sports predictions, Paul Thanksgiving one, yeah, oh yeah, Thanksgiving ones, Timberwolves, Pelicans, Timberwolves, Pelicans,

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<v Speaker 1>Minnesota all the way. It's gonna take that one. Lakers, Warriors,

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<v Speaker 1>that's their names, and the Pelicans, Pelicans, Lakers and the Warriors,

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<v Speaker 1>Lakers and the Warriors. I think I think I got

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<v Speaker 1>the Lakers on that one. Yeah, you know the dream

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<v Speaker 1>chances are you demolished if you're wrong, right right, So

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<v Speaker 1>think it through because you're just throwing these out there

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<v Speaker 1>sports too, just to do it. That drink Chance sports

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<v Speaker 1>bother him and the thunder in the Kings, the last

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<v Speaker 1>one Thundering the Kings. Thunder's gonna take that Westbrook. He's

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<v Speaker 1>on the point. How Westbrook we're doing out there? He's ridiculous.

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<v Speaker 1>He's going like forty eight points either night. Wow, I

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<v Speaker 1>haven't been paying that much attention this year to basketball football.

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<v Speaker 1>I'm disappointed to myself. But by yeah, it's just busy man.

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<v Speaker 1>But you know we have the new has Matt Studio.

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<v Speaker 1>Shut up by the way, man. You know last time

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<v Speaker 1>I came, um, it was normal. Right now it's fine,

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<v Speaker 1>it's very fine. So you know, if you need your

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<v Speaker 1>ship mixed, hit up Hazard the Sounds, you know what

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<v Speaker 1>I mean. You can hit up Drink Champs for its

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<v Speaker 1>contact for as well. Uh, and you know we do.

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<v Speaker 1>We're all here doing it man, having fun. Man, let's

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<v Speaker 1>get into this episode. Uh, let's having fun. Let's go, Hey,

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<v Speaker 1>Hank Green Hope, it's this your boy? And what is

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<v Speaker 1>DJ drink Chest for? The podcast makes up? Right now

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<v Speaker 1>we have a legendary DJ in the building and I'm

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<v Speaker 1>gonna keep it a hundred. If it wasn't for him,

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<v Speaker 1>I might not be where I'm at. He used to

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<v Speaker 1>discover the records I heard choking no joke the other day,

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<v Speaker 1>say the whole tunnel was based on what records Clue

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<v Speaker 1>was playing. He's dominated the mixtape game. He's from my

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<v Speaker 1>home barrow. We know each other twenty years at least.

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<v Speaker 1>Let's let's let's say ten because we're trying to stay young.

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<v Speaker 1>But right now in the building, we have the legendary

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<v Speaker 1>DJ Clue and the drink Chat makes up? Now? What

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<v Speaker 1>take us in the beginning, In the beginning, Um, uh,

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<v Speaker 1>it's in my phone. Okay, So take us in the beginning.

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<v Speaker 1>How you first started? Um, what's it? You started as

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<v Speaker 1>a DJ or you started doing mix taps? To be honest,

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<v Speaker 1>you started wrapping, man. I used to wrap. Yeah, I

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<v Speaker 1>used to wrap, man Um, I didn't even like the

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<v Speaker 1>spotlight too much, man at all. Like, so, I mean

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<v Speaker 1>I kind of being like a little bit kind of

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<v Speaker 1>behind the scenes, but not too months. So I said,

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<v Speaker 1>you know, I'm gonna start. Don't got a cup, Let's

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<v Speaker 1>get clear cup? Can get clear cup? Continue? Yes? Yes,

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<v Speaker 1>So I was rapping doing little shows here and then

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<v Speaker 1>you know Rocherdale Village all that, you know, around the

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<v Speaker 1>way stuff, and I just sided like yo, man, get

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<v Speaker 1>behind the turntable to start DJ. And so that's how

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<v Speaker 1>that came about. Man. So what's the first time, like

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<v Speaker 1>Clue got recognized when um it was a Biggie joint

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<v Speaker 1>or something like that. I'm not gonna say that's the

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<v Speaker 1>time I got recognized, but that was like that was

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<v Speaker 1>a big defining moment. Yeah, yeah, yeah. When he got on,

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<v Speaker 1>he got on FLEXI on, he was like, I'm looking

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<v Speaker 1>for you and I found you. But what record was this? Um?

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<v Speaker 1>It was? I think it was the original version of

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<v Speaker 1>One More Chance, Na right, it wasn't One More Chance.

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<v Speaker 1>I forget what the record it was, man, But because

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<v Speaker 1>I had so many records back then, man Um, I

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<v Speaker 1>think it might have been it might have been a

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<v Speaker 1>snippet of Juicy and another record. I think, yeah, mad

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<v Speaker 1>was a snippet of Juicy and then um and the

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<v Speaker 1>the original, Uh, the original I think it was me

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<v Speaker 1>it was it was one more chance it was it

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<v Speaker 1>was original version of Juicy. Another record he had though,

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<v Speaker 1>but already Mad mix tapes by that point. Yeah, I

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<v Speaker 1>had Mad mix tapes moving. But it was kind of

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<v Speaker 1>it was kind of on on on a local level,

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<v Speaker 1>you know what I mean. So, now, how did you

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<v Speaker 1>start getting these these exclusive NAS freestyles? Like at one point,

0:11:56.520 --> 0:11:58.079
<v Speaker 1>if you wanted to hear NAS, you had to have

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<v Speaker 1>a clue. Take yo, man, hear everything. I mean basically

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<v Speaker 1>I got in the car, man, I ain't even know

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<v Speaker 1>tow me heads out there in New a couple. I

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<v Speaker 1>just got in the call with the queens Bridge and

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<v Speaker 1>started asking questions. Yeah. See that's see that, you know

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<v Speaker 1>when you when you say that, that's what the different

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<v Speaker 1>points when poor Rank come on, got that. I don't

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<v Speaker 1>want touching with nobody. Let you get your own right.

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<v Speaker 1>So that's the difference between when you DJ and what

0:12:26.720 --> 0:12:30.440
<v Speaker 1>DJ's is now. Because DJ's now they just it seems

0:12:30.440 --> 0:12:33.360
<v Speaker 1>like DJ's just followed the trend. Now they just play whatever.

0:12:33.640 --> 0:12:35.640
<v Speaker 1>They go to the town and ask what's hot or

0:12:36.480 --> 0:12:40.040
<v Speaker 1>but back then used to go in Queen's Bridge and

0:12:40.200 --> 0:12:43.880
<v Speaker 1>forty projects, and it was it about you getting it first,

0:12:44.400 --> 0:12:48.079
<v Speaker 1>or was you about um uh you you you you

0:12:48.320 --> 0:12:50.599
<v Speaker 1>just breaking this record. It was kind of it was

0:12:50.679 --> 0:12:52.959
<v Speaker 1>kind of trying to trying to find that that hot

0:12:53.080 --> 0:12:54.680
<v Speaker 1>new thing at the time. You know what I'm saying,

0:12:55.320 --> 0:12:58.360
<v Speaker 1>that that unfound talent and just and just going and grinding,

0:12:58.440 --> 0:13:01.680
<v Speaker 1>man and and and working with people in the studios

0:13:01.720 --> 0:13:06.719
<v Speaker 1>and making them hot joints. Definitely, so then now what

0:13:06.840 --> 0:13:10.319
<v Speaker 1>you like better back then or now? Definitely back then?

0:13:10.520 --> 0:13:13.160
<v Speaker 1>Back then? Yah, Well, I break that down. I mean

0:13:13.360 --> 0:13:16.760
<v Speaker 1>I feel like it's kind of in a way, it's oversaturated,

0:13:17.360 --> 0:13:20.360
<v Speaker 1>you know what I mean, Like like I tell a

0:13:20.440 --> 0:13:22.439
<v Speaker 1>story all the time, and you go on the Internet

0:13:23.160 --> 0:13:26.199
<v Speaker 1>every day and you wake up and it's fourteen new records,

0:13:28.600 --> 0:13:33.120
<v Speaker 1>album's records, freestyles, videos, And I mean me, as a DJ,

0:13:33.600 --> 0:13:36.000
<v Speaker 1>I gotta be real meticulous with what I picked and

0:13:36.120 --> 0:13:39.079
<v Speaker 1>choose to funk with. But at the same time, you

0:13:39.160 --> 0:13:41.600
<v Speaker 1>gotta figure that the consumer gotta be confused because they

0:13:41.640 --> 0:13:44.280
<v Speaker 1>don't know. No one has enough time on their hands

0:13:44.320 --> 0:13:46.280
<v Speaker 1>to click on fourteen records and check them out and

0:13:46.320 --> 0:13:48.520
<v Speaker 1>they all sound the same anyway, Yeah, some of them

0:13:48.600 --> 0:13:51.400
<v Speaker 1>sound the same and sell them as bliss. It was like,

0:13:51.520 --> 0:13:54.640
<v Speaker 1>you know, it's like roulette, man, you know what I

0:13:54.720 --> 0:13:56.719
<v Speaker 1>mean kinda what's the record that stands out to you

0:13:56.920 --> 0:13:59.000
<v Speaker 1>right now? Like if it wasn't hot that you would

0:13:59.120 --> 0:14:02.319
<v Speaker 1>want to take this record and blow it up? A

0:14:02.480 --> 0:14:06.040
<v Speaker 1>record that's not how yet, like like like uh not,

0:14:06.120 --> 0:14:07.559
<v Speaker 1>I don't want to say that's not hot that but

0:14:07.679 --> 0:14:10.840
<v Speaker 1>like something that you're into that even if it wasn't hot,

0:14:11.000 --> 0:14:13.160
<v Speaker 1>you would you would take this record and feel like

0:14:13.200 --> 0:14:16.440
<v Speaker 1>you would personally want to break it. That's tough, man.

0:14:16.880 --> 0:14:18.880
<v Speaker 1>There's a lot of records out there that the um

0:14:19.960 --> 0:14:21.920
<v Speaker 1>that kind of me. I mean, like when I heard

0:14:21.960 --> 0:14:24.280
<v Speaker 1>the Young may Reck, I knew it was hot, you

0:14:24.320 --> 0:14:25.720
<v Speaker 1>know what I mean? I knew that was gonna be

0:14:25.760 --> 0:14:28.240
<v Speaker 1>a smoker. Puerto Rican gotta open up his pineapple juice.

0:14:28.240 --> 0:14:30.600
<v Speaker 1>Come on, somebodyst to have the thing. Come on, Puerto Rican,

0:14:30.640 --> 0:14:33.280
<v Speaker 1>come on, let's go. But don't fast forward too much.

0:14:33.600 --> 0:14:38.240
<v Speaker 1>I like to go back to the mixage kick, like

0:14:38.280 --> 0:14:40.160
<v Speaker 1>how did you how did that all get started? Like

0:14:40.200 --> 0:14:41.880
<v Speaker 1>what's the inception? When did you say I want to

0:14:41.880 --> 0:14:44.040
<v Speaker 1>be a mixtape DJ. Then you start rolling them out.

0:14:44.360 --> 0:14:46.240
<v Speaker 1>I used to go Jamaica Avenue. I used to get

0:14:46.280 --> 0:14:50.240
<v Speaker 1>on uh well even let's for one a little bit.

0:14:50.240 --> 0:14:52.960
<v Speaker 1>Even before that, I said, like have my car. When

0:14:53.000 --> 0:14:54.520
<v Speaker 1>I was young, you know, I had I had license.

0:14:54.560 --> 0:14:56.240
<v Speaker 1>As soon as you get licensed back then was like

0:14:56.280 --> 0:14:58.160
<v Speaker 1>fitting and I had a call back. Then I used

0:14:58.160 --> 0:15:00.080
<v Speaker 1>to like having you know, dope music to play. Have

0:15:00.160 --> 0:15:04.320
<v Speaker 1>a little fake system, you know the home speaking. Yeah,

0:15:05.480 --> 0:15:10.120
<v Speaker 1>I like everybody a matter of fact, he's a DJ

0:15:10.320 --> 0:15:14.920
<v Speaker 1>Snapple factor. I bought my system that I had him.

0:15:14.960 --> 0:15:18.920
<v Speaker 1>I have Nissan Sentral right. I bought my crazy system

0:15:19.160 --> 0:15:22.040
<v Speaker 1>from who Kids before he was before he was who Kids.

0:15:23.320 --> 0:15:25.480
<v Speaker 1>I bought the system that was in his car, brought

0:15:25.480 --> 0:15:27.720
<v Speaker 1>it from him because I liked it. Yeah, so I

0:15:27.840 --> 0:15:30.040
<v Speaker 1>needed to shake the trustle on the Jamaica Avenue. So

0:15:30.120 --> 0:15:33.680
<v Speaker 1>I need that because then yeah, so I brought I

0:15:33.760 --> 0:15:37.000
<v Speaker 1>bought two kids um his his system and through to

0:15:37.080 --> 0:15:40.480
<v Speaker 1>my trump you know what I mean. And I used

0:15:40.480 --> 0:15:42.200
<v Speaker 1>to have mix tapes. I used to get baby J

0:15:42.480 --> 0:15:44.240
<v Speaker 1>and I used to go to the house. I used

0:15:44.240 --> 0:15:46.320
<v Speaker 1>to pay DJs to make me make me a mix tape.

0:15:46.440 --> 0:15:50.480
<v Speaker 1>Now you're saying when you say you to my DJ, Yeah,

0:15:50.520 --> 0:15:53.200
<v Speaker 1>he used having mixed tapes and he's a cat named

0:15:53.200 --> 0:15:57.280
<v Speaker 1>baby j Okay, I get around that, not yet now

0:15:57.320 --> 0:15:59.640
<v Speaker 1>you Okay? Yes, So I used to go to the Advocate,

0:16:00.040 --> 0:16:03.160
<v Speaker 1>True Life mixing tapes, a couple of little uh you know,

0:16:03.480 --> 0:16:07.720
<v Speaker 1>more local DJ's, Dog Time, Grandmaster VICI. They legendary and queens,

0:16:07.720 --> 0:16:10.960
<v Speaker 1>you know what I mean? Right right? So I just

0:16:11.080 --> 0:16:13.120
<v Speaker 1>get all kind of mix tapes. And I used to say, man,

0:16:13.280 --> 0:16:15.920
<v Speaker 1>like yo, if someone made a mixtape that was hot

0:16:16.520 --> 0:16:18.560
<v Speaker 1>from beginning to end with no fast forward and they

0:16:18.640 --> 0:16:21.560
<v Speaker 1>get murdered and make some real cash, you know what

0:16:21.600 --> 0:16:23.680
<v Speaker 1>I mean? So what was your first mixtape you felt

0:16:23.720 --> 0:16:26.720
<v Speaker 1>like took off? Well, I had to be sneaky man

0:16:28.200 --> 0:16:31.400
<v Speaker 1>when I started. I didn't want to have taking number one.

0:16:31.520 --> 0:16:34.920
<v Speaker 1>I started taking number twenty six, you know what I mean,

0:16:35.840 --> 0:16:37.480
<v Speaker 1>to make people think I've been doing it for a while.

0:16:37.600 --> 0:16:39.000
<v Speaker 1>You know I did that, But I did it with

0:16:39.160 --> 0:16:43.040
<v Speaker 1>number two. I started to taking number six baby, So

0:16:43.360 --> 0:16:46.040
<v Speaker 1>that's crazy. Yeah, where did uice go? When did you

0:16:46.120 --> 0:16:51.200
<v Speaker 1>mean you made Remember Mark fermannection? Was he instrumental at all?

0:16:51.440 --> 0:16:52.840
<v Speaker 1>And what you did? I mean he was a big

0:16:52.920 --> 0:16:55.800
<v Speaker 1>mix tape distributor not raided by the FEDS, and I

0:16:55.920 --> 0:16:59.120
<v Speaker 1>know who yeah, yeah, dodging the Fed's back then was

0:16:59.360 --> 0:17:01.400
<v Speaker 1>was was for me, but half people because they was

0:17:01.480 --> 0:17:04.080
<v Speaker 1>too They tried to be too over the top with it,

0:17:04.160 --> 0:17:06.240
<v Speaker 1>you know what I mean. I tried to stay you know,

0:17:06.440 --> 0:17:08.800
<v Speaker 1>but why was that break confederal laws? I don't understand

0:17:09.160 --> 0:17:13.360
<v Speaker 1>your copyright? Yeah, copyright, but um, but how is the copyrighted?

0:17:13.359 --> 0:17:16.040
<v Speaker 1>Frenchman's the artist, you're a bootlegger. That's that's a mixtape.

0:17:16.119 --> 0:17:17.879
<v Speaker 1>DJ a lawyer. When I told him what I did,

0:17:17.920 --> 0:17:19.560
<v Speaker 1>He's liked, you need to stop. I said, you don't understand.

0:17:19.880 --> 0:17:23.479
<v Speaker 1>But you don't understand. Yeah, that's the lawyer. I told him, mixtape,

0:17:23.600 --> 0:17:26.239
<v Speaker 1>you need to stop that ship right now, even even

0:17:26.280 --> 0:17:28.200
<v Speaker 1>because even the artists don't even really own the music.

0:17:28.280 --> 0:17:30.159
<v Speaker 1>Really yeah, as you you know what I mean? That

0:17:30.520 --> 0:17:33.719
<v Speaker 1>was you know, so the corporate the corporate people, they

0:17:34.600 --> 0:17:37.040
<v Speaker 1>they was running down on people. Man, it's getting and

0:17:37.240 --> 0:17:39.119
<v Speaker 1>I heard my name tossed around, but you know what

0:17:39.160 --> 0:17:41.639
<v Speaker 1>I mean, And they didn't run down like DJ Drama. Now,

0:17:41.720 --> 0:17:43.680
<v Speaker 1>I didn't do that. I seen that and I was like, whoa,

0:17:43.880 --> 0:17:45.560
<v Speaker 1>I mean that that was a good thing. I dodged

0:17:45.600 --> 0:17:48.200
<v Speaker 1>that one, you know what I mean? So that so

0:17:48.359 --> 0:17:51.000
<v Speaker 1>that was you didn't you do a bad boy mixtape?

0:17:51.200 --> 0:17:54.280
<v Speaker 1>I definitely did a bad one the first one. Yeah,

0:17:54.320 --> 0:17:56.639
<v Speaker 1>I did the first bad Onoe mixtape because um, you know,

0:17:57.040 --> 0:17:59.360
<v Speaker 1>half and them there was from my neighborhood, had from

0:17:59.480 --> 0:18:06.280
<v Speaker 1>Queen's half. He's being Queens. I'm not seen myrix. It

0:18:06.359 --> 0:18:09.440
<v Speaker 1>was all from around the way. So when they when

0:18:09.480 --> 0:18:11.440
<v Speaker 1>he was doing a mixtape, they was like, yo, you

0:18:11.520 --> 0:18:14.000
<v Speaker 1>know we want you to be on it, all right? Cool?

0:18:14.040 --> 0:18:17.159
<v Speaker 1>So I said, you know, a Puerto Rican did not

0:18:17.280 --> 0:18:21.000
<v Speaker 1>open this out putter wecans. Don't someone use a knife

0:18:21.040 --> 0:18:23.959
<v Speaker 1>to the open That's just gotta be a Dominican who

0:18:24.040 --> 0:18:29.320
<v Speaker 1>open this. You did a little bit, all right, let

0:18:29.320 --> 0:18:31.000
<v Speaker 1>me get you some more ikes. Man, you don't get

0:18:31.000 --> 0:18:34.879
<v Speaker 1>a clue drunk. He can be smooth. You try and

0:18:34.880 --> 0:18:36.240
<v Speaker 1>get me drunk, it's gonna be a long night. But

0:18:37.960 --> 0:18:39.720
<v Speaker 1>remember I'm gonn club every night, so I've been drinking

0:18:39.760 --> 0:18:43.760
<v Speaker 1>all time. So now, how was that was that your

0:18:43.800 --> 0:18:47.080
<v Speaker 1>first time working with Pup? Well, actually, you know what

0:18:47.840 --> 0:18:50.600
<v Speaker 1>I mean. You know we want a little bit. You know,

0:18:50.760 --> 0:18:53.400
<v Speaker 1>Pup wasn't really my good friend of mine. Time because

0:18:53.440 --> 0:18:57.080
<v Speaker 1>he was mad because that big thing. So when he

0:18:57.119 --> 0:18:59.720
<v Speaker 1>found out I was working in our city records, you

0:18:59.760 --> 0:19:02.320
<v Speaker 1>know me, he called him Steve Stout so off was

0:19:02.359 --> 0:19:05.480
<v Speaker 1>looking for me. W yeah, because it was Steve brought

0:19:05.520 --> 0:19:06.879
<v Speaker 1>up in the same block, right or something like that,

0:19:07.080 --> 0:19:10.080
<v Speaker 1>in the same name. Yeah, so m so when he

0:19:10.160 --> 0:19:11.639
<v Speaker 1>called him there, man, like he didn't even know what

0:19:11.680 --> 0:19:14.960
<v Speaker 1>was me answering phones like can I help you? Sean

0:19:15.040 --> 0:19:17.560
<v Speaker 1>combs on? Is that keep clue? Like nine nine? I

0:19:17.600 --> 0:19:21.720
<v Speaker 1>ain't right, you know. So, I mean it was cool.

0:19:21.720 --> 0:19:23.200
<v Speaker 1>We worked that, we smoothed it out though, man, and

0:19:23.280 --> 0:19:24.520
<v Speaker 1>it was cool, like you know what I mean, Big

0:19:24.560 --> 0:19:28.080
<v Speaker 1>became real cool and you the whole team. And then

0:19:28.320 --> 0:19:29.800
<v Speaker 1>when I went to Brooklyn, I had to go brookekn

0:19:29.840 --> 0:19:33.040
<v Speaker 1>to go pick up exclusive for Junior Mafia. I went

0:19:33.160 --> 0:19:34.600
<v Speaker 1>by myself to you know what, we had to go

0:19:34.680 --> 0:19:38.359
<v Speaker 1>in the Peace you know after the Yeah, yeah, I

0:19:38.440 --> 0:19:39.720
<v Speaker 1>had to go to Peace and that I went to

0:19:39.760 --> 0:19:42.800
<v Speaker 1>buy myself to go pick with the exclusives. Yeah. Yeah.

0:19:43.400 --> 0:19:45.240
<v Speaker 1>Back then I used to just be rolling around like

0:19:45.440 --> 0:19:47.240
<v Speaker 1>I ain't kid, who wasn't rolling. I was just trying

0:19:47.280 --> 0:19:48.440
<v Speaker 1>to go do what I had to do, you know

0:19:48.480 --> 0:19:52.920
<v Speaker 1>what I mean? And so so how was it working

0:19:53.000 --> 0:19:56.359
<v Speaker 1>with the Rockefeller when did you? Wasn't you also Rockefeller's

0:19:56.440 --> 0:20:00.280
<v Speaker 1>first artist? I wasn't Rocking Fellers first artist, what I mean?

0:20:00.320 --> 0:20:02.840
<v Speaker 1>I was the definitely the first DJ. Yeah, definitely the

0:20:02.880 --> 0:20:07.080
<v Speaker 1>first DJ. I mean IRV Gotti had bought Jad meet

0:20:07.119 --> 0:20:10.200
<v Speaker 1>me at a Harlem music cut his music hunt. Damn

0:20:10.280 --> 0:20:15.119
<v Speaker 1>that spot is closed the train stage everybody there, yes, so, um,

0:20:15.480 --> 0:20:18.000
<v Speaker 1>you know, he was trying to get Jay's record broken.

0:20:18.520 --> 0:20:21.879
<v Speaker 1>I think it was. It was either in my lifetime

0:20:22.280 --> 0:20:25.399
<v Speaker 1>or was I'm not sure. It's one of them joints,

0:20:26.440 --> 0:20:28.119
<v Speaker 1>but he was trying anyway, He's trying to get uh

0:20:28.600 --> 0:20:31.439
<v Speaker 1>James records heard. So he was like yo, He's like yo,

0:20:31.920 --> 0:20:34.840
<v Speaker 1>I want you hear this cat. I was like, all right, cool.

0:20:34.880 --> 0:20:36.880
<v Speaker 1>So I met him, you know, but you know, Jay's

0:20:36.920 --> 0:20:39.399
<v Speaker 1>a real monotone, cool, smooth nigger, so he asked me

0:20:39.440 --> 0:20:43.160
<v Speaker 1>too much. So he was just like cool. We met, alright,

0:20:43.160 --> 0:20:45.239
<v Speaker 1>We're gonna get up cool, you know what I mean?

0:20:46.119 --> 0:20:48.920
<v Speaker 1>And then what happened? So how did y'all actually couldn't? Then?

0:20:49.040 --> 0:20:51.960
<v Speaker 1>Uh did Earth called me one night? He was like

0:20:52.040 --> 0:20:53.480
<v Speaker 1>in the middle of a snowstone. I was I was

0:20:53.560 --> 0:20:56.280
<v Speaker 1>in Queens. I was driving and he said, yeah, I

0:20:56.320 --> 0:20:58.359
<v Speaker 1>got this record for you, man, I can come meet you.

0:20:58.760 --> 0:21:00.280
<v Speaker 1>It's a fire joint. He said, you feel to mix

0:21:00.280 --> 0:21:03.399
<v Speaker 1>tabe no no, I offenished. Yet what you got I

0:21:03.480 --> 0:21:08.480
<v Speaker 1>got director with with Jay Z and Foxy Brown. So

0:21:09.520 --> 0:21:11.080
<v Speaker 1>so we came at me, gave me the joint and

0:21:11.160 --> 0:21:12.800
<v Speaker 1>the fox. He is hot at this time on all

0:21:13.480 --> 0:21:16.359
<v Speaker 1>not yet okay, and it is really whole, whole is

0:21:16.480 --> 0:21:18.879
<v Speaker 1>loop hole, whole was heating up. He was heating up.

0:21:19.119 --> 0:21:21.320
<v Speaker 1>Was hey, you know what I mean. I think a

0:21:21.400 --> 0:21:23.200
<v Speaker 1>couple of songs had leaked that I heard, like the

0:21:23.280 --> 0:21:26.240
<v Speaker 1>Evils and you know me on the first joint. So

0:21:26.359 --> 0:21:28.320
<v Speaker 1>he was eating up and up. But with that joint,

0:21:28.520 --> 0:21:30.800
<v Speaker 1>I knew he was like, you know, getting ready to

0:21:31.080 --> 0:21:34.080
<v Speaker 1>make some noise. So now choke no jokes. Said on

0:21:34.160 --> 0:21:38.600
<v Speaker 1>the interview recently that day's the base the records on

0:21:38.720 --> 0:21:42.879
<v Speaker 1>the tunnel based on what records Cool would play, and

0:21:42.920 --> 0:21:46.119
<v Speaker 1>then they would big cat would take the records or

0:21:46.200 --> 0:21:48.080
<v Speaker 1>like whatever you had playing on your ship, and the

0:21:48.160 --> 0:21:50.080
<v Speaker 1>big Cat to take the records, and then they would

0:21:50.119 --> 0:21:52.680
<v Speaker 1>know that this is a certified tunnel benger. But the

0:21:52.760 --> 0:21:55.000
<v Speaker 1>secret was they was getting it from you, is that true?

0:21:55.440 --> 0:21:57.320
<v Speaker 1>They was getting the rex from me, like you're not

0:21:57.480 --> 0:22:00.600
<v Speaker 1>not he it was, I mean, I mean different, I mean,

0:22:00.800 --> 0:22:02.080
<v Speaker 1>I mean, I guess I mean I was. I was

0:22:02.600 --> 0:22:03.960
<v Speaker 1>rest in peace, the big cat. I was cool with

0:22:04.240 --> 0:22:07.840
<v Speaker 1>with cats PM, but they never used to really be

0:22:07.920 --> 0:22:09.200
<v Speaker 1>in touch with me and nothing like that, Like you know,

0:22:09.280 --> 0:22:10.600
<v Speaker 1>I mean like I was just doing my own thing,

0:22:10.640 --> 0:22:11.800
<v Speaker 1>you know what I mean. I was kind of under

0:22:11.800 --> 0:22:14.119
<v Speaker 1>the radar normally knew what I looked like, you know,

0:22:14.160 --> 0:22:16.119
<v Speaker 1>I was just moving around doing my thing. But it

0:22:16.280 --> 0:22:18.920
<v Speaker 1>was cool like because you know, like I started bringing

0:22:19.000 --> 0:22:21.360
<v Speaker 1>my tapes like after Queen's I was, I was going

0:22:21.400 --> 0:22:23.320
<v Speaker 1>to school and downtown brook So I said, let me

0:22:23.359 --> 0:22:26.760
<v Speaker 1>call the B Street downtown dropping tapes off. So I

0:22:26.880 --> 0:22:30.800
<v Speaker 1>dropped a couple of tapes off. They called me next morning, like, yo, um,

0:22:31.400 --> 0:22:32.800
<v Speaker 1>the tape you dropped off? You got some more um

0:22:32.880 --> 0:22:35.399
<v Speaker 1>joints because I had I had to. I had to

0:22:36.280 --> 0:22:39.960
<v Speaker 1>the method man and e H had that and I

0:22:40.080 --> 0:22:44.080
<v Speaker 1>had and had Yeah, how did you get that? Chill? Chill?

0:22:45.800 --> 0:22:49.200
<v Speaker 1>That's old news to give those secrets. I can't. I

0:22:49.240 --> 0:22:53.240
<v Speaker 1>can't do that. I can't, I can't. I'm taking to

0:22:53.320 --> 0:22:56.000
<v Speaker 1>the grave with me and I had I had Live

0:22:56.119 --> 0:23:00.840
<v Speaker 1>Nigga rap with Marv d N Yeah, also exclusive I

0:23:00.920 --> 0:23:03.760
<v Speaker 1>had that off the cassette. Wow. A matter of fact,

0:23:03.800 --> 0:23:06.399
<v Speaker 1>that that song they couldn't even find a real sport.

0:23:06.480 --> 0:23:08.760
<v Speaker 1>What you hear on that, mom? The album is the

0:23:08.840 --> 0:23:12.359
<v Speaker 1>cassette version, two track version. Yeah, because they somehow really

0:23:12.400 --> 0:23:16.120
<v Speaker 1>got lost or destroyed something. Is so now that first

0:23:16.200 --> 0:23:21.000
<v Speaker 1>clue album, right, they come to you because I mean,

0:23:21.400 --> 0:23:24.600
<v Speaker 1>do you feel like someonewhat like you inflex kind of

0:23:24.680 --> 0:23:27.320
<v Speaker 1>settled up for college for college, like you know what

0:23:27.440 --> 0:23:31.040
<v Speaker 1>college is doing is like you in flexes albums? Yeah,

0:23:31.119 --> 0:23:33.760
<v Speaker 1>like the DJ Yeah definitely. So let's take us to

0:23:33.840 --> 0:23:37.080
<v Speaker 1>that first album that they approach you or this is

0:23:37.160 --> 0:23:40.399
<v Speaker 1>your idea to do an album? Make a mixtape? Ship man,

0:23:40.400 --> 0:23:41.880
<v Speaker 1>I was making so much bread. I wasn't even thinking

0:23:41.880 --> 0:23:44.960
<v Speaker 1>about going to the label, you know what I mean.

0:23:45.440 --> 0:23:47.040
<v Speaker 1>It was like it was then where I was like,

0:23:47.400 --> 0:23:49.000
<v Speaker 1>you know, at that young age, you got so much.

0:23:49.119 --> 0:23:50.720
<v Speaker 1>I was making so much bread, like I didn't even

0:23:50.880 --> 0:23:52.639
<v Speaker 1>do it, like I just went around pocket falls of

0:23:52.680 --> 0:23:55.280
<v Speaker 1>money like yo, Like it was like you know, go

0:23:55.400 --> 0:24:00.720
<v Speaker 1>to atri and go spend bread, not clear it out

0:24:00.800 --> 0:24:02.520
<v Speaker 1>and just you know what I mean. But I mean,

0:24:02.600 --> 0:24:06.479
<v Speaker 1>Earth came to me and yeah it was instrumental yea,

0:24:07.520 --> 0:24:09.600
<v Speaker 1>and me Earthed a lot of talking, man Like when

0:24:09.640 --> 0:24:12.640
<v Speaker 1>he was going to first break for for Death Jam.

0:24:12.720 --> 0:24:15.120
<v Speaker 1>He's like, yo, man, let me ask you a questions,

0:24:15.240 --> 0:24:16.600
<v Speaker 1>like what you thinking about me working for Death Jam.

0:24:16.600 --> 0:24:19.280
<v Speaker 1>I'm like, yeah, why not? You know he's like beat

0:24:19.320 --> 0:24:21.160
<v Speaker 1>really paying no money, you know what I mean? He said,

0:24:21.200 --> 0:24:22.680
<v Speaker 1>Leo wanted to work, but he's not really paying. My

0:24:22.720 --> 0:24:26.000
<v Speaker 1>mom like you listen, it's more about the opportunity then

0:24:26.160 --> 0:24:27.879
<v Speaker 1>this is about the money. Like you know, once you

0:24:28.000 --> 0:24:30.159
<v Speaker 1>get in and getting the door, you'd be able to

0:24:30.240 --> 0:24:32.639
<v Speaker 1>make that money times twenty, you know what I mean.

0:24:32.720 --> 0:24:34.280
<v Speaker 1>He's like, you know what, You're right, You're right, You're right.

0:24:34.960 --> 0:24:37.000
<v Speaker 1>And Earth got into the job at Death Jam for

0:24:37.080 --> 0:24:44.399
<v Speaker 1>DJ Clue. Let's make not he took the job for

0:24:44.560 --> 0:24:49.760
<v Speaker 1>him exactly. I ain't get no money exactly. But yeah,

0:24:49.880 --> 0:24:52.360
<v Speaker 1>so Earth came to me. He's like, yo, um when

0:24:52.440 --> 0:24:54.199
<v Speaker 1>we talked to Rockefeller about doing you know what I mean,

0:24:54.280 --> 0:24:56.600
<v Speaker 1>doing an album with you like me, I'm like, so

0:24:56.720 --> 0:25:00.480
<v Speaker 1>it was Earth's out there initially, Like I mean, yeah, yeah,

0:25:00.560 --> 0:25:02.440
<v Speaker 1>I wasn't really I wasn't really constrained. I wasn't really

0:25:02.480 --> 0:25:04.399
<v Speaker 1>concentrated on building the brand, you know what I mean,

0:25:04.440 --> 0:25:06.280
<v Speaker 1>Because I mean that would have been building the brand

0:25:06.359 --> 0:25:11.400
<v Speaker 1>right there. Listen, brother, I had I had, I had

0:25:11.840 --> 0:25:14.920
<v Speaker 1>no I know, I had hoving. Seriously, all that's a

0:25:14.960 --> 0:25:17.320
<v Speaker 1>different type of building the brand at that level. I

0:25:17.440 --> 0:25:22.320
<v Speaker 1>was distributing the chain stores. I hadn't moving, you know

0:25:22.359 --> 0:25:24.000
<v Speaker 1>what I mean. I mean, and the and the money

0:25:24.000 --> 0:25:27.879
<v Speaker 1>they was offering me for it's definitely not gonna get sure.

0:25:28.240 --> 0:25:30.320
<v Speaker 1>I was like, all right, it's like you put your

0:25:30.359 --> 0:25:33.200
<v Speaker 1>weight every week, what your so many much made you

0:25:33.320 --> 0:25:35.920
<v Speaker 1>wind up doing it with Rockefeller and mean, I thought

0:25:35.960 --> 0:25:37.280
<v Speaker 1>it was a good opportunity, you know what I mean.

0:25:37.320 --> 0:25:40.000
<v Speaker 1>I said, you know, maybe I could even though I'm

0:25:40.040 --> 0:25:42.080
<v Speaker 1>still something a bunch of mixages, I can make it

0:25:42.200 --> 0:25:45.200
<v Speaker 1>on bigger scale and you know, get audiences across seas

0:25:45.200 --> 0:25:46.919
<v Speaker 1>and stuff like that. Even though I was still already

0:25:46.960 --> 0:25:50.600
<v Speaker 1>doing parties overseas and on and stuff like independently. I

0:25:50.640 --> 0:25:52.000
<v Speaker 1>still felt like it was like, you know what I mean,

0:25:52.000 --> 0:25:53.560
<v Speaker 1>I could get some of the bigger artists do something

0:25:53.640 --> 0:25:57.240
<v Speaker 1>exclusive and make it and you know, back then, selling

0:25:57.280 --> 0:25:59.560
<v Speaker 1>platform is a big thing. I thought Platinum, which I did,

0:25:59.600 --> 0:26:06.760
<v Speaker 1>you know, first right. I think Flex has plaques before you,

0:26:06.840 --> 0:26:10.200
<v Speaker 1>but I think it was his goal. But um, so

0:26:10.400 --> 0:26:12.399
<v Speaker 1>now all right, cool, So you come up with this album,

0:26:12.960 --> 0:26:16.320
<v Speaker 1>it goes platinum. You at Hot ninety seven. How did

0:26:16.359 --> 0:26:22.280
<v Speaker 1>you get to Hot ninety seven? From there? Um Tracy

0:26:22.320 --> 0:26:25.639
<v Speaker 1>Clardy who was a program director time Um and Tracy Clary.

0:26:26.080 --> 0:26:29.320
<v Speaker 1>I had went to the studio a couple of weeks

0:26:29.400 --> 0:26:32.240
<v Speaker 1>prior before I got hired. You know, I listened to

0:26:32.320 --> 0:26:35.159
<v Speaker 1>I listened to the to the Biggie album because Puffy

0:26:35.160 --> 0:26:37.879
<v Speaker 1>wanted me to pick two joints pim mix tape. So

0:26:37.960 --> 0:26:40.159
<v Speaker 1>I listened to the whole album. It is Ready to

0:26:40.240 --> 0:26:44.919
<v Speaker 1>Die yeah, and and to No No No after vickd Oh.

0:26:45.000 --> 0:26:50.000
<v Speaker 1>So this is life out of Death. Okay. So um uh,

0:26:50.840 --> 0:26:53.840
<v Speaker 1>Puff was like, you picked two songs you want and

0:26:53.960 --> 0:26:55.840
<v Speaker 1>you'll give me you put on a mixtape, that's all right.

0:26:56.640 --> 0:27:03.560
<v Speaker 1>So I picked Hypnotize and more Money, More Problems. Yeah,

0:27:03.640 --> 0:27:05.359
<v Speaker 1>So I picked them two songs and I put him

0:27:05.359 --> 0:27:11.320
<v Speaker 1>on a mixtape. So I put them on mix tape,

0:27:11.400 --> 0:27:15.080
<v Speaker 1>my voice on it, and like two days later Hot

0:27:15.320 --> 0:27:17.040
<v Speaker 1>seven had it in rotation with my voice on it,

0:27:17.640 --> 0:27:24.280
<v Speaker 1>screaming shoutouts. Everything from your mixtape yeah. So Tracy called

0:27:24.320 --> 0:27:26.639
<v Speaker 1>me like, she's like, you're listening, man, She's like, listen,

0:27:27.359 --> 0:27:29.280
<v Speaker 1>you might as well come work here, you know, I mean,

0:27:29.359 --> 0:27:31.159
<v Speaker 1>let me, let me give you a show, and you know,

0:27:31.600 --> 0:27:34.240
<v Speaker 1>and the show was the Monday Night Mixed Mix tape.

0:27:34.920 --> 0:27:37.639
<v Speaker 1>So yeah, that's how that happened. Man, And then Fabulous

0:27:37.800 --> 0:27:49.280
<v Speaker 1>gets discovered. Well, I had you the show freestyleing. Yeah,

0:27:49.400 --> 0:27:51.800
<v Speaker 1>so I had I had the inner worry of the

0:27:51.960 --> 0:27:54.680
<v Speaker 1>free styling and um my, man, just skinning called. He's

0:27:54.680 --> 0:27:57.200
<v Speaker 1>like yo, He's like, yea, I've been doing this cats

0:27:57.240 --> 0:27:59.359
<v Speaker 1>for a while, but he got this. I got this

0:27:59.520 --> 0:28:04.159
<v Speaker 1>kid that yeah, he got some potential. He's like, yo,

0:28:04.400 --> 0:28:06.680
<v Speaker 1>He's like, I want you to hear him. I was like,

0:28:06.960 --> 0:28:08.280
<v Speaker 1>I was like, all right, cool, it's like, not only

0:28:08.280 --> 0:28:11.080
<v Speaker 1>am I gonna hear him, I'm gonna bring him up

0:28:11.600 --> 0:28:14.480
<v Speaker 1>and lit him freestyle right now. So when he got there,

0:28:14.520 --> 0:28:16.479
<v Speaker 1>that was the first time, the first time I met

0:28:16.520 --> 0:28:18.440
<v Speaker 1>him and heard him get the funk out of here.

0:28:18.760 --> 0:28:23.040
<v Speaker 1>That's crazy. So he walked in. I met him. I said,

0:28:23.080 --> 0:28:25.800
<v Speaker 1>you're ready. He said, young ready. I said, keep at

0:28:25.800 --> 0:28:28.680
<v Speaker 1>the freestyle at the North down I have a check

0:28:28.720 --> 0:28:31.480
<v Speaker 1>and get grab Mike, you know, me. So that's how

0:28:31.560 --> 0:28:35.480
<v Speaker 1>that happened. That's real, that's real training right there, like

0:28:35.840 --> 0:28:38.160
<v Speaker 1>and he showed up to occasion like you know what

0:28:38.200 --> 0:28:40.800
<v Speaker 1>I'm saying, Like every time I see fab you know,

0:28:41.200 --> 0:28:44.360
<v Speaker 1>I always show him extra love because I just remember

0:28:44.480 --> 0:28:48.160
<v Speaker 1>seeing the hunger that he had at that moment, and

0:28:48.240 --> 0:28:50.560
<v Speaker 1>it was like nothing that was gonna stop him. And

0:28:50.680 --> 0:28:52.640
<v Speaker 1>I was like when I when I piped that because

0:28:52.720 --> 0:28:55.480
<v Speaker 1>I was in a battle. Not in the battle, excuse me,

0:28:55.600 --> 0:28:59.840
<v Speaker 1>but Shine and my son had had a battle. We

0:29:00.200 --> 0:29:02.400
<v Speaker 1>were in a sight for me Shine and my song

0:29:03.040 --> 0:29:05.520
<v Speaker 1>and my son looked at me like, nigga, you got

0:29:05.600 --> 0:29:10.280
<v Speaker 1>your deal. Relaxed, relaxed like and then Mike became a

0:29:10.360 --> 0:29:14.480
<v Speaker 1>my Song and Shine battle. So I remember that same look.

0:29:14.600 --> 0:29:17.200
<v Speaker 1>Was like when we started riding with fat Fath looked

0:29:17.240 --> 0:29:20.240
<v Speaker 1>at me like, slivee, you on already like and I

0:29:20.400 --> 0:29:23.480
<v Speaker 1>just let him go. And and from that day forward

0:29:23.640 --> 0:29:26.040
<v Speaker 1>he's been a star. Let's make some noise for Fabrics. Godaver,

0:29:28.000 --> 0:29:30.800
<v Speaker 1>I'm very proud of that. So then so you saw

0:29:30.880 --> 0:29:32.640
<v Speaker 1>the vision right then and there with him. He was

0:29:32.720 --> 0:29:34.400
<v Speaker 1>like you know what I'm gonna making because I heard

0:29:34.440 --> 0:29:37.640
<v Speaker 1>he didn't even have a name. But now he I

0:29:37.720 --> 0:29:39.560
<v Speaker 1>just heard him in that rap say it's the f

0:29:39.720 --> 0:29:44.120
<v Speaker 1>A bolo us in the news cile in the US,

0:29:44.480 --> 0:29:47.400
<v Speaker 1>and I thought it's hard. I was like, yeah, we're

0:29:47.400 --> 0:29:51.160
<v Speaker 1>gonna roll with that, right. So so he when Skin

0:29:51.280 --> 0:29:53.520
<v Speaker 1>sent him sitting this kid, he never said his name.

0:29:54.000 --> 0:29:56.120
<v Speaker 1>I think he call him a sport back there, yport,

0:29:56.120 --> 0:30:02.640
<v Speaker 1>because that's what they said. Fabulous boy sp that's crazy, man,

0:30:02.720 --> 0:30:04.400
<v Speaker 1>I had something that I had something to do with

0:30:08.760 --> 0:30:10.720
<v Speaker 1>such a great person. I always get out the great

0:30:10.760 --> 0:30:15.400
<v Speaker 1>stories about me. It's such a great Sometimes you gotta

0:30:15.400 --> 0:30:18.280
<v Speaker 1>pack yourself on the back. So now cool, you did,

0:30:18.640 --> 0:30:20.959
<v Speaker 1>you did the album, did the mixtape, Now you got

0:30:21.040 --> 0:30:26.360
<v Speaker 1>this artist. Now I'm hearing this turmorial with fab in

0:30:26.480 --> 0:30:29.440
<v Speaker 1>the skull you go to death jam. But even before that,

0:30:29.560 --> 0:30:33.160
<v Speaker 1>man like a lecturer, I mean trying to get the

0:30:33.240 --> 0:30:35.600
<v Speaker 1>signs of paying the ask because you know everyone everyone

0:30:35.680 --> 0:30:37.920
<v Speaker 1>looks at you is even with you being the hottest DJ,

0:30:38.360 --> 0:30:40.280
<v Speaker 1>they still get hard. Everyone looks at you with that

0:30:40.360 --> 0:30:43.520
<v Speaker 1>labels and the label is DJ, so they don't look.

0:30:43.560 --> 0:30:46.160
<v Speaker 1>They don't look past you know, being a businessman and

0:30:46.800 --> 0:30:50.160
<v Speaker 1>marketing and being to be able to produce and on

0:30:51.080 --> 0:30:54.920
<v Speaker 1>so um. Steve Stott had just got the job and

0:30:55.000 --> 0:30:56.520
<v Speaker 1>in the scope I think he was the president of

0:30:57.360 --> 0:30:59.120
<v Speaker 1>of A and all whatever whatever. He got a job

0:30:59.200 --> 0:31:01.640
<v Speaker 1>with them on with Jimmy Ivan. Yeah, he got the

0:31:01.720 --> 0:31:04.320
<v Speaker 1>job then and he called me like, yo, man, He's like, yo,

0:31:05.440 --> 0:31:06.800
<v Speaker 1>don't you come work for me? Man, Like you know

0:31:06.800 --> 0:31:09.560
<v Speaker 1>what I mean, like, come work from me? And yeah,

0:31:10.200 --> 0:31:14.360
<v Speaker 1>because I had worked under him, uh you know, we

0:31:14.440 --> 0:31:18.800
<v Speaker 1>had mob deep and um. So he called me and

0:31:18.880 --> 0:31:21.480
<v Speaker 1>he was like, yo, once you can work for me.

0:31:21.520 --> 0:31:23.720
<v Speaker 1>And I was like, I said, I come up for you.

0:31:23.800 --> 0:31:26.240
<v Speaker 1>But I said, I said, you gotta be a serious

0:31:26.280 --> 0:31:28.360
<v Speaker 1>situation like normal. So he gave me a production deal

0:31:28.400 --> 0:31:30.120
<v Speaker 1>and he's like, yo, I said, I got this artist,

0:31:30.720 --> 0:31:32.360
<v Speaker 1>this kid fabrics, I'm gonna sign that. You want to

0:31:32.360 --> 0:31:34.920
<v Speaker 1>sign him. I'm like yeah, are you sure? I'm like yeah.

0:31:35.520 --> 0:31:37.000
<v Speaker 1>So he's like all right, bet. So they did the

0:31:37.040 --> 0:31:42.240
<v Speaker 1>whole deal, production deal, vice president and uh that stuff. Yeah,

0:31:44.000 --> 0:31:48.640
<v Speaker 1>after I left for a lecture. Yeah no, no, no, afterwards,

0:31:48.920 --> 0:31:52.080
<v Speaker 1>lecture was afterwards. After that was the first was first

0:31:52.120 --> 0:31:55.240
<v Speaker 1>and then and then we we left. We left over there.

0:31:55.560 --> 0:31:57.480
<v Speaker 1>So why do you think it's a lot of New

0:31:57.600 --> 0:32:00.240
<v Speaker 1>York artists that have a lot of problems in the

0:32:00.360 --> 0:32:03.600
<v Speaker 1>scope because it's in the scope primarily based in Los

0:32:03.680 --> 0:32:06.760
<v Speaker 1>Angeles West Coast. So do you think that's the problem.

0:32:06.960 --> 0:32:09.680
<v Speaker 1>I mean, sometimes that three hours off could be a difference.

0:32:10.680 --> 0:32:13.000
<v Speaker 1>We had. We had, but we had a movement with

0:32:13.040 --> 0:32:14.880
<v Speaker 1>the East coach offer stuff, you know what I mean.

0:32:14.920 --> 0:32:17.280
<v Speaker 1>They had just sound how it comes from the West coast.

0:32:17.680 --> 0:32:19.800
<v Speaker 1>Jimmy Irvin living on the West. They had just signed

0:32:19.920 --> 0:32:22.840
<v Speaker 1>Minel and they had just signed m and they just

0:32:22.880 --> 0:32:27.040
<v Speaker 1>signed They forgot about you'll let's keep let's keep it

0:32:27.160 --> 0:32:30.160
<v Speaker 1>real cool. They even forgot about everybody listen, listen to

0:32:30.960 --> 0:32:34.960
<v Speaker 1>they just signed him though Jim Jimmy Avien's nephew, DJ

0:32:35.160 --> 0:32:40.040
<v Speaker 1>was my Internet, that's my intern. Yeah. So they had Swing,

0:32:40.240 --> 0:32:44.440
<v Speaker 1>Swing had albums, swin Tech had a compilation. Um, they

0:32:44.600 --> 0:32:46.239
<v Speaker 1>was just working on the day, working on DR DRE

0:32:47.560 --> 0:32:49.360
<v Speaker 1>you know what I mean. So I was in in

0:32:49.440 --> 0:32:51.640
<v Speaker 1>those meetings too, you know what I mean When I

0:32:51.680 --> 0:32:53.360
<v Speaker 1>mean when I heard that album, you know, I was like,

0:32:53.600 --> 0:32:57.240
<v Speaker 1>I was my album and I knew I knew what

0:32:57.320 --> 0:32:58.800
<v Speaker 1>I heard that emin and my name is I knew

0:32:58.800 --> 0:33:00.440
<v Speaker 1>that was going to be one of the joints. Soon

0:33:00.560 --> 0:33:05.560
<v Speaker 1>he was white off Top or we got no I

0:33:05.680 --> 0:33:07.680
<v Speaker 1>first heard the record, and I was like, you never

0:33:07.760 --> 0:33:10.040
<v Speaker 1>seen him before I heard the record of Pride to

0:33:10.120 --> 0:33:12.520
<v Speaker 1>me seeing Eminem, so I had no idea like when

0:33:12.560 --> 0:33:15.560
<v Speaker 1>I see the videos like oh ship like because I thought,

0:33:15.880 --> 0:33:18.160
<v Speaker 1>I though Blacks what I'm saying. I thought he's just

0:33:18.200 --> 0:33:21.760
<v Speaker 1>a funny dude. Yeah. But um so now your experiences.

0:33:22.840 --> 0:33:27.240
<v Speaker 1>So now you was around rocket Feller when the rocket

0:33:27.280 --> 0:33:31.520
<v Speaker 1>Feller was height, they were the the Dame and j

0:33:33.560 --> 0:33:35.960
<v Speaker 1>Did you did you see it that coming that that

0:33:36.280 --> 0:33:40.440
<v Speaker 1>that they would eventually break guard ways? I mean you

0:33:40.520 --> 0:33:42.480
<v Speaker 1>could I think in the beginning though, right, No, no,

0:33:42.560 --> 0:33:44.720
<v Speaker 1>nothing to be in the beginning, everything was smooth, but

0:33:44.840 --> 0:33:46.600
<v Speaker 1>you could tell, like you know, there was little tensions

0:33:46.600 --> 0:33:48.280
<v Speaker 1>here and they're little fires. Had they get put out?

0:33:49.040 --> 0:33:50.720
<v Speaker 1>You know what I mean? I mean? And that goes

0:33:50.760 --> 0:33:55.520
<v Speaker 1>by any situation when you have you know, people empowering.

0:33:55.640 --> 0:33:58.320
<v Speaker 1>You know, people start button heads and this presidents in

0:33:58.400 --> 0:34:01.960
<v Speaker 1>charge this, this president in charge of that. Jay's back

0:34:02.000 --> 0:34:04.240
<v Speaker 1>then Jay was kind of more in artist mode, but

0:34:04.320 --> 0:34:06.880
<v Speaker 1>he still would like, you know, have his input and

0:34:06.920 --> 0:34:08.879
<v Speaker 1>stuff like that. But Dame was more instrument Like even

0:34:08.920 --> 0:34:11.680
<v Speaker 1>was signing me, Dame was more instrumental in signing you

0:34:11.760 --> 0:34:14.839
<v Speaker 1>know me and yeah, and you know that was really

0:34:15.680 --> 0:34:17.279
<v Speaker 1>he was the one and Jim like I had cool

0:34:17.320 --> 0:34:19.960
<v Speaker 1>his daughter, you know the type of there was. But

0:34:20.280 --> 0:34:23.799
<v Speaker 1>but again, did you now later on when when did

0:34:23.880 --> 0:34:28.600
<v Speaker 1>you first start seeing that this this ship might just stop? Um,

0:34:31.239 --> 0:34:33.279
<v Speaker 1>I think I think I heard about it. When when uh,

0:34:33.520 --> 0:34:38.279
<v Speaker 1>when I think with the whole, I think Dame made

0:34:38.360 --> 0:34:40.759
<v Speaker 1>Cameron the president or something like that. I think that's

0:34:40.760 --> 0:34:43.560
<v Speaker 1>what the whole. Yeah, it seemed like from the Eltzi

0:34:44.440 --> 0:34:46.600
<v Speaker 1>and I was kind of like, I was kind of like,

0:34:48.040 --> 0:34:50.319
<v Speaker 1>I didn't I didn't understand that, like because I mean

0:34:50.400 --> 0:34:53.279
<v Speaker 1>me personally, I knew I knew it was Jane Dan Big.

0:34:53.480 --> 0:34:56.040
<v Speaker 1>So when they make of artist that, I was like,

0:34:56.080 --> 0:34:58.080
<v Speaker 1>I cool, me, I understand the move came was hot

0:34:58.120 --> 0:35:00.640
<v Speaker 1>as fighting. So I'm like, I in the move, but

0:35:01.400 --> 0:35:04.440
<v Speaker 1>in my mind thinking like, it's Jay, gonna understand it

0:35:04.560 --> 0:35:06.279
<v Speaker 1>because Jay's artist too, you know what I mean. It's

0:35:06.280 --> 0:35:09.680
<v Speaker 1>at the same time, it's like, you know, but whytt bleak?

0:35:10.920 --> 0:35:13.640
<v Speaker 1>I mean, I mean, I mean, we'll listen. You know,

0:35:13.760 --> 0:35:16.560
<v Speaker 1>Camdon Camon and they were signing the rock for the time,

0:35:17.160 --> 0:35:18.600
<v Speaker 1>so you know what I mean. It was it was cool.

0:35:19.040 --> 0:35:20.440
<v Speaker 1>It's so a family but at the same time, I'm

0:35:20.480 --> 0:35:22.680
<v Speaker 1>thinking to my head and I know how Jay think.

0:35:23.320 --> 0:35:25.640
<v Speaker 1>I'm thinking, like, Yo, it might be you know a

0:35:25.680 --> 0:35:28.959
<v Speaker 1>little bit of turmoil in with that situation. Who knows,

0:35:29.200 --> 0:35:31.200
<v Speaker 1>but you know I was sending back watching you know,

0:35:31.360 --> 0:35:34.000
<v Speaker 1>grab my popcorn in your opinion. When you see that

0:35:34.200 --> 0:35:37.239
<v Speaker 1>it was like something's wrong. I didn't think something was wrong.

0:35:37.360 --> 0:35:41.920
<v Speaker 1>I just knew that something would be wrong. Later internally

0:35:42.040 --> 0:35:45.600
<v Speaker 1>with this came because I don't know how built I

0:35:45.680 --> 0:35:48.480
<v Speaker 1>felt like that, you know, because you know, usually Jay

0:35:48.480 --> 0:35:51.560
<v Speaker 1>would like, you know, something happened, he would, you know,

0:35:51.719 --> 0:35:54.480
<v Speaker 1>back then, he would get on his two way and

0:35:54.800 --> 0:35:56.319
<v Speaker 1>you know I'm talking about you know what I mean.

0:35:56.719 --> 0:35:59.480
<v Speaker 1>You used to have mad two way beats to do.

0:36:01.280 --> 0:36:04.839
<v Speaker 1>You don't remember that he's that mad beating on your too?

0:36:04.880 --> 0:36:09.400
<v Speaker 1>What's our duroy? A matter of fact, if you out

0:36:09.480 --> 0:36:10.880
<v Speaker 1>away from he got a record that he's mixing for

0:36:10.960 --> 0:36:14.040
<v Speaker 1>me right now. So he's still mixing records. Of course,

0:36:14.160 --> 0:36:15.960
<v Speaker 1>damn it. Do get a lot of money. Let's makes

0:36:16.000 --> 0:36:25.799
<v Speaker 1>about probably about twenty to thirty Grammy's mixing. I've never

0:36:25.880 --> 0:36:27.640
<v Speaker 1>been nominated for a Grammy. That's why we're doing an

0:36:27.640 --> 0:36:29.840
<v Speaker 1>old award show. We got the ass eat of the

0:36:29.960 --> 0:36:37.360
<v Speaker 1>year category. We got we got a cigarette Nigger of

0:36:37.400 --> 0:36:41.319
<v Speaker 1>the Yeah, we got the fouless Nigger of the Yeah,

0:36:42.120 --> 0:36:43.960
<v Speaker 1>we got we got the petties Nigger of the Year.

0:36:44.000 --> 0:36:46.400
<v Speaker 1>You know, I got fifty up in there, got me

0:36:46.560 --> 0:36:48.880
<v Speaker 1>up in there. Who else is petty Drake up in

0:36:48.960 --> 0:36:53.600
<v Speaker 1>there is definitely Yeah, he's definitely that pick you off

0:36:53.640 --> 0:37:03.960
<v Speaker 1>for having pettiness, and so yeah, we're doing it like that. Yeah. Man,

0:37:04.040 --> 0:37:05.719
<v Speaker 1>every time I walk down the street, people are telling

0:37:05.719 --> 0:37:07.800
<v Speaker 1>me I look younger, They're telling me I look brighter,

0:37:08.040 --> 0:37:10.520
<v Speaker 1>were telling me I'm shining, And I just tell them, man,

0:37:10.680 --> 0:37:13.200
<v Speaker 1>it's some Bevel products. You figure smell that. That's that's

0:37:13.239 --> 0:37:15.360
<v Speaker 1>where they're going. The Bevil is made for me, and

0:37:15.440 --> 0:37:17.400
<v Speaker 1>I could tell you know why. It's the first and

0:37:17.560 --> 0:37:20.400
<v Speaker 1>only shaving system for men with coarse, curly hair and

0:37:20.480 --> 0:37:24.600
<v Speaker 1>sensitive skin. Hard body dermatologists recommend that ship helps reduce

0:37:24.760 --> 0:37:28.480
<v Speaker 1>raisor bumps and shave irritations. I have a razor bumps

0:37:28.520 --> 0:37:30.560
<v Speaker 1>sinse and there's a reason nine out of ten Bevil

0:37:30.640 --> 0:37:34.960
<v Speaker 1>customers come back month after month. Up to black men

0:37:35.000 --> 0:37:37.440
<v Speaker 1>and women struggle with razor bumps, and up to thirty

0:37:37.880 --> 0:37:40.319
<v Speaker 1>of all men and women counter raizor bumps as well.

0:37:40.360 --> 0:37:42.680
<v Speaker 1>That means I'm cuban be people too, bro. That's right.

0:37:43.280 --> 0:37:46.200
<v Speaker 1>Multi blade raisors can only result in raisor bumps if

0:37:46.200 --> 0:37:49.239
<v Speaker 1>you have coarse, curly hair, while hair removal creams are

0:37:49.400 --> 0:37:52.320
<v Speaker 1>messy and can leave burns. Dude, we don't need that.

0:37:52.760 --> 0:37:55.879
<v Speaker 1>The Bevil razor uses a single blade which cuts hair

0:37:56.160 --> 0:37:59.600
<v Speaker 1>above the skin, not beneath, so you can avoid painful

0:37:59.680 --> 0:38:02.840
<v Speaker 1>and own hairs. Yeah, that sound bottery. Designed from the

0:38:02.920 --> 0:38:06.200
<v Speaker 1>ground up to give a smoother, clearer shave. Bevil's End

0:38:06.280 --> 0:38:09.960
<v Speaker 1>the end shaving system includes a pre shaved oil, badger brush,

0:38:10.200 --> 0:38:14.240
<v Speaker 1>safety raisors, blades and shaving cream, and a cooling restoring bomb.

0:38:14.600 --> 0:38:17.680
<v Speaker 1>And this is a nice box, I must say box

0:38:17.760 --> 0:38:19.719
<v Speaker 1>make you feel rich, you know. And it's created by

0:38:19.840 --> 0:38:23.400
<v Speaker 1>Tristan Walker from Queen Young, entrepreneur that saw avoid in

0:38:23.440 --> 0:38:25.719
<v Speaker 1>the health and beauty market. His goal is to make

0:38:25.800 --> 0:38:29.680
<v Speaker 1>health and beauty simple for people of all color. Start

0:38:29.719 --> 0:38:32.560
<v Speaker 1>shaving smarter today at get bevil dot com for your

0:38:32.640 --> 0:38:36.120
<v Speaker 1>first month of membership free by going to get bevil

0:38:36.280 --> 0:38:39.600
<v Speaker 1>dot com Forward slash champs. That's get bevil dot com

0:38:40.040 --> 0:38:43.920
<v Speaker 1>slash Champs support us and support your face. Hell, you

0:38:44.239 --> 0:38:46.879
<v Speaker 1>look better in life. Let's go bevil yourself out now

0:38:47.040 --> 0:38:50.480
<v Speaker 1>and you can stop looking at like feet your face.

0:38:51.440 --> 0:38:56.040
<v Speaker 1>Drink Chance Welcome to play a new podcast network featuring

0:38:56.200 --> 0:39:00.640
<v Speaker 1>radio and TV personalities, talking business, sports, tech, enterty, and more.

0:39:01.000 --> 0:39:05.200
<v Speaker 1>Play it at play dot It. We're back to Drink

0:39:05.280 --> 0:39:09.120
<v Speaker 1>Champs Radio with Rapper and R and d J. Then,

0:39:12.280 --> 0:39:17.319
<v Speaker 1>but clue, you've been down with You've seen bad Boy era,

0:39:17.719 --> 0:39:20.879
<v Speaker 1>You've seen the Rockefeller era, you seem to cash Money era.

0:39:22.280 --> 0:39:26.120
<v Speaker 1>Is any era right now that exists that's brand new

0:39:26.719 --> 0:39:29.480
<v Speaker 1>to think like you, that that it could emulate that

0:39:29.800 --> 0:39:35.799
<v Speaker 1>these moments? Can we have other great moments in music? Again? Oh,

0:39:35.920 --> 0:39:38.919
<v Speaker 1>this is just business now. It's it's it's it's tough

0:39:39.000 --> 0:39:44.040
<v Speaker 1>now man, because it's different now nowadays, you could you

0:39:44.080 --> 0:39:47.040
<v Speaker 1>could put out a song in in five seconds everywhere

0:39:47.080 --> 0:39:49.560
<v Speaker 1>in the world. Back then, when I had an exclusive

0:39:50.400 --> 0:39:54.680
<v Speaker 1>that yeah, hey exclusive coming man, like they'd be like, yo, man,

0:39:55.320 --> 0:39:58.799
<v Speaker 1>it's supposed today Friday, right man, it's gonna be there Thursday. Man. Right,

0:39:59.800 --> 0:40:01.480
<v Speaker 1>I'm I'm paying an extra money to get into you.

0:40:02.120 --> 0:40:06.160
<v Speaker 1>Take even it's gonna get to you in a couple

0:40:06.160 --> 0:40:07.480
<v Speaker 1>of days. You know what I say, Now, it's like

0:40:07.520 --> 0:40:10.880
<v Speaker 1>you press the button even by accident, the whole internet

0:40:10.920 --> 0:40:15.040
<v Speaker 1>got it. So it's different that And I just feel

0:40:15.080 --> 0:40:17.960
<v Speaker 1>like there's no unity, your mom. I think it's it's

0:40:18.000 --> 0:40:20.960
<v Speaker 1>all a big competition, and it's because everybody's looking in

0:40:22.160 --> 0:40:24.440
<v Speaker 1>not talking about this all the time. With social media,

0:40:24.520 --> 0:40:26.480
<v Speaker 1>I feel like social media has made the world so

0:40:26.640 --> 0:40:29.480
<v Speaker 1>much smaller, you know what I mean. I feel like

0:40:29.560 --> 0:40:34.640
<v Speaker 1>with everything, like if you even think about relationships, you

0:40:34.719 --> 0:40:38.879
<v Speaker 1>see less people getting married, you see more divorces because

0:40:38.920 --> 0:40:41.400
<v Speaker 1>everyone feels like there's more options out there, you know

0:40:41.440 --> 0:40:43.520
<v Speaker 1>what I mean. And the same thing with music, you

0:40:43.560 --> 0:40:45.800
<v Speaker 1>know what I mean, Like one second they love you

0:40:46.000 --> 0:40:48.719
<v Speaker 1>too much. Later like they're not even paying attention to Yeah. Now,

0:40:48.880 --> 0:40:54.560
<v Speaker 1>music is a loyal business. Yeah, definitely very loyal. So

0:40:54.719 --> 0:40:58.839
<v Speaker 1>now for my DJ's perspective, how crazy is it when

0:40:58.880 --> 0:41:01.200
<v Speaker 1>the person sent you a record and you hate it.

0:41:03.160 --> 0:41:04.440
<v Speaker 1>I mean, you know me a long time, you know

0:41:04.480 --> 0:41:05.959
<v Speaker 1>how to play right now, I know what you gotta

0:41:05.960 --> 0:41:07.759
<v Speaker 1>tell him. You gotta tell these keep it up. I

0:41:07.880 --> 0:41:10.160
<v Speaker 1>keep it a buck with you, y'all. I need something else.

0:41:12.600 --> 0:41:14.759
<v Speaker 1>I don't care how how you think it is. I

0:41:14.800 --> 0:41:17.200
<v Speaker 1>don't care if you got every hot rap in America

0:41:17.280 --> 0:41:19.400
<v Speaker 1>on it. If it ain't it, I'm gonna tell you

0:41:22.080 --> 0:41:24.200
<v Speaker 1>this ain't good one. And I've had I mean, I've

0:41:24.239 --> 0:41:26.080
<v Speaker 1>had to sell I don't say no names. I had

0:41:26.080 --> 0:41:33.279
<v Speaker 1>to come on drink people, please man, hair lit Man. Yeah,

0:41:33.480 --> 0:41:36.319
<v Speaker 1>we have on hair lit Man drink drinking. We got

0:41:36.400 --> 0:41:40.920
<v Speaker 1>graphic head for queens, got damn it. I had to

0:41:40.960 --> 0:41:42.600
<v Speaker 1>tell a couple of people like, yo, man, I don't

0:41:42.640 --> 0:41:46.480
<v Speaker 1>know if this is reckond now is that? Is that

0:41:46.560 --> 0:41:50.200
<v Speaker 1>the mixtape? Or is that um when you're on the radio,

0:41:50.840 --> 0:41:53.880
<v Speaker 1>I mean, I mean, I mean both. Yeah. Now, if

0:41:53.920 --> 0:41:57.439
<v Speaker 1>I'm on the radio and you know I've been wrong,

0:41:57.600 --> 0:42:00.520
<v Speaker 1>but I've been right about ninety seven send the time

0:42:01.120 --> 0:42:06.360
<v Speaker 1>name record was wrong about I slept on, Yeah, slept on.

0:42:08.120 --> 0:42:10.160
<v Speaker 1>I'm thinking a good I don't think of a good record.

0:42:10.239 --> 0:42:15.000
<v Speaker 1>Slipped the line and le m hm. I mean, I

0:42:15.080 --> 0:42:17.040
<v Speaker 1>mean even recently, I didn't. I didn't. I didn't really

0:42:17.120 --> 0:42:24.719
<v Speaker 1>like the the usher no little record. I thought, No, look,

0:42:24.760 --> 0:42:30.440
<v Speaker 1>that's hard clue you. I mean, I hope that's not

0:42:30.480 --> 0:42:33.239
<v Speaker 1>the way it sounds every record, but just the way

0:42:33.320 --> 0:42:41.719
<v Speaker 1>every record sounds, mumble mumble rap with you all. I mean,

0:42:41.960 --> 0:42:43.920
<v Speaker 1>I played it because people liked it. But at the

0:42:43.960 --> 0:42:50.279
<v Speaker 1>same time, I don't think seven years fro now people

0:42:50.320 --> 0:42:52.319
<v Speaker 1>gonna play the record. For five years from now people

0:42:52.360 --> 0:42:54.440
<v Speaker 1>don't play the record. But that's how I judged my

0:42:54.480 --> 0:42:58.239
<v Speaker 1>Red My Records. Is it gonna it's gonna be a classic. Yeah,

0:42:58.320 --> 0:43:01.120
<v Speaker 1>But I think I think, I think you're you're right.

0:43:01.200 --> 0:43:03.000
<v Speaker 1>But at the same time, I think people are making

0:43:03.040 --> 0:43:08.040
<v Speaker 1>disposable music now. Like I remember back then, we used

0:43:08.040 --> 0:43:11.480
<v Speaker 1>to make starts. That's real problem. Star text used to

0:43:11.640 --> 0:43:15.920
<v Speaker 1>last forever. But right now I phone a Samsung blow

0:43:16.000 --> 0:43:17.640
<v Speaker 1>up and blow up on you, nigger. You know what

0:43:17.640 --> 0:43:20.200
<v Speaker 1>I'm saying. So people are making disposable ship like right

0:43:20.200 --> 0:43:24.279
<v Speaker 1>now I can just start tech. Wouldn't break start tech,

0:43:24.360 --> 0:43:27.239
<v Speaker 1>that ship fall. That's it. It's handy I phone right now.

0:43:27.480 --> 0:43:30.560
<v Speaker 1>That said my case over. Yeah, but you guys, when

0:43:30.600 --> 0:43:32.560
<v Speaker 1>people making music, Yeah, but you canna understand what that

0:43:32.680 --> 0:43:37.560
<v Speaker 1>does to you as an artist. If you start, if

0:43:37.600 --> 0:43:40.160
<v Speaker 1>you start putting out dilated it's like, if you're putting

0:43:40.160 --> 0:43:43.239
<v Speaker 1>out work, it's dillar to work. The fiends is gonna

0:43:43.280 --> 0:43:46.440
<v Speaker 1>catch you at a minute. Even what happens is everybody

0:43:46.520 --> 0:43:52.279
<v Speaker 1>has dilated work. That I can't say everything. I can't

0:43:52.280 --> 0:43:56.239
<v Speaker 1>say everybody, but let's say that. Let's say that, like, uh,

0:43:58.560 --> 0:44:02.640
<v Speaker 1>people have dilated work. It's kind of like why not

0:44:02.840 --> 0:44:05.160
<v Speaker 1>have the same ship I'm talking about for artists, I'm not.

0:44:05.200 --> 0:44:07.680
<v Speaker 1>I ain't trying to make that. If I'm an artist

0:44:07.719 --> 0:44:10.160
<v Speaker 1>and i'm and I'm gonna hop on a record that's

0:44:10.200 --> 0:44:13.120
<v Speaker 1>for the moment. I'm gonna hop on somebody else's record

0:44:13.480 --> 0:44:15.840
<v Speaker 1>that they're doing and put a first on I'm not

0:44:16.560 --> 0:44:18.760
<v Speaker 1>for my name on it. And it's a difference between

0:44:18.760 --> 0:44:26.080
<v Speaker 1>a career in a moment you think about that, Yeah,

0:44:26.280 --> 0:44:29.320
<v Speaker 1>how you're a Faba said, right, no could tell me?

0:44:29.880 --> 0:44:33.520
<v Speaker 1>What do you say? What do you say? He said,

0:44:33.560 --> 0:44:35.279
<v Speaker 1>right now, I get you the m v P. Don't

0:44:35.480 --> 0:44:36.840
<v Speaker 1>to get you the Hall of Fame. You know what

0:44:36.840 --> 0:44:41.359
<v Speaker 1>I mean? Right now? Good? What's going on? You'll keep

0:44:41.400 --> 0:44:44.080
<v Speaker 1>looking at the mask and that's something like that. Something

0:44:44.120 --> 0:44:50.600
<v Speaker 1>like that sound is that it's like the luminatis here cluminait.

0:44:52.520 --> 0:44:56.200
<v Speaker 1>How did you? How did you come over that clubinati Yo? Man?

0:44:57.200 --> 0:44:59.120
<v Speaker 1>First of all, do they think you in the luminati?

0:44:59.239 --> 0:45:01.839
<v Speaker 1>Right now? I'd be people asking me that but had

0:45:01.880 --> 0:45:03.200
<v Speaker 1>nothing to do that. You've been in a little Binaty

0:45:03.239 --> 0:45:11.879
<v Speaker 1>for years. Let's just so many years back. Early people

0:45:11.880 --> 0:45:14.680
<v Speaker 1>always ask me that. But U now, man, I got

0:45:14.760 --> 0:45:16.279
<v Speaker 1>the name clude from. I was like the board game

0:45:16.320 --> 0:45:19.799
<v Speaker 1>when I was young, you know what I mean? Oh

0:45:19.880 --> 0:45:22.640
<v Speaker 1>clue the boy get and being there. I wanted to

0:45:22.680 --> 0:45:24.840
<v Speaker 1>be behind the scenes. When I first dropped my first mixtape,

0:45:25.040 --> 0:45:29.360
<v Speaker 1>I had the name on that. You were people. I

0:45:29.480 --> 0:45:31.640
<v Speaker 1>made it make sense. Yeah, we gotta get something, we

0:45:31.680 --> 0:45:33.320
<v Speaker 1>gotta get. I'm gonna get your something. Bell In for

0:45:33.400 --> 0:45:38.040
<v Speaker 1>the drink chance shows bottom of that rose, from the

0:45:38.120 --> 0:45:41.120
<v Speaker 1>frigerator things, bottom of that rose. But you know most

0:45:43.160 --> 0:45:48.839
<v Speaker 1>my family, the family take every family young Salve Ricky Rose.

0:45:49.360 --> 0:45:51.000
<v Speaker 1>So let me say, you just want to it by

0:45:51.239 --> 0:45:53.880
<v Speaker 1>Rock and bell In. Actually I'm not sing with No

0:45:53.960 --> 0:45:56.040
<v Speaker 1>More I mean, I mean I drink it, but I'm

0:45:56.040 --> 0:46:00.040
<v Speaker 1>not I'm not sponsored by No More Hell because and

0:46:00.120 --> 0:46:02.600
<v Speaker 1>he said the same thing, let's get into this rock.

0:46:03.360 --> 0:46:07.120
<v Speaker 1>Are you about to be ef? I don't know if

0:46:07.440 --> 0:46:09.680
<v Speaker 1>if they called me and you to be talked about it.

0:46:09.719 --> 0:46:17.840
<v Speaker 1>So I kind of swech early. Yeah, thank you, thank you, manure.

0:46:18.600 --> 0:46:20.520
<v Speaker 1>I had I had some conversations with some of fifty

0:46:20.520 --> 0:46:22.879
<v Speaker 1>people about doing some stuff, but I think I think

0:46:22.960 --> 0:46:28.000
<v Speaker 1>being at um you know, being at I'm already you know,

0:46:28.160 --> 0:46:31.520
<v Speaker 1>down with bell A kind of so what happened? You

0:46:31.640 --> 0:46:33.200
<v Speaker 1>was down with the Rock but you're not working with

0:46:33.320 --> 0:46:36.320
<v Speaker 1>them no more? What's the issue? Let's get to it.

0:46:36.640 --> 0:46:40.680
<v Speaker 1>I need to know. I mean, as as far as

0:46:40.719 --> 0:46:43.680
<v Speaker 1>I heard, like, it was a lot of it was

0:46:43.680 --> 0:46:47.719
<v Speaker 1>a lot of controversy. And when I was actually you know,

0:46:48.000 --> 0:46:51.680
<v Speaker 1>promoting Rock as Spades and Bella at the same time,

0:46:51.800 --> 0:46:53.879
<v Speaker 1>goddamn clue, let's make some luis clue getting that money.

0:46:53.920 --> 0:46:59.040
<v Speaker 1>Got that's what we doing, were sponsoring everybody. You should

0:46:59.040 --> 0:47:07.439
<v Speaker 1>have seen thoughts people, I mean like so yeah, they would,

0:47:07.640 --> 0:47:09.200
<v Speaker 1>you know, they would. It would come to be like

0:47:09.280 --> 0:47:11.000
<v Speaker 1>you know what I mean, like not not puff, but

0:47:11.160 --> 0:47:13.920
<v Speaker 1>you know some of the people who worked for, you know,

0:47:14.000 --> 0:47:16.120
<v Speaker 1>around him, was like, yo, you're kind of posting a

0:47:16.200 --> 0:47:19.040
<v Speaker 1>spaded a lot man likes something like, you know, is

0:47:19.040 --> 0:47:22.160
<v Speaker 1>giving that we did not know? We need? Yeah, we

0:47:22.239 --> 0:47:24.520
<v Speaker 1>need to you know, we need to Rock looks to

0:47:24.600 --> 0:47:29.680
<v Speaker 1>be Dominante, you know what I mean. So I guess

0:47:29.680 --> 0:47:31.920
<v Speaker 1>when it came around for that renewal a couple of

0:47:32.000 --> 0:47:34.439
<v Speaker 1>years later, it was kind of like, yo, we don't

0:47:34.440 --> 0:47:37.440
<v Speaker 1>think we got it in the budget. Told us something

0:47:37.480 --> 0:47:46.120
<v Speaker 1>about the budget today we all find it out version.

0:47:47.400 --> 0:47:50.239
<v Speaker 1>Somebody give me a couple of a different cup. So now,

0:47:50.760 --> 0:47:53.359
<v Speaker 1>but the bell at people they straight you're saying, yeah,

0:47:53.440 --> 0:47:57.120
<v Speaker 1>bell is cool, and you I've been. I've been. I've

0:47:57.120 --> 0:48:00.000
<v Speaker 1>been with bells the start I mean like the start,

0:48:00.080 --> 0:48:03.719
<v Speaker 1>I mean like incubation stage. So I've been starts. So

0:48:03.960 --> 0:48:10.279
<v Speaker 1>like you know, picking the colors the bottom, that's the fan.

0:48:10.520 --> 0:48:14.000
<v Speaker 1>That now bell and bella and wing stop. It sounds

0:48:14.080 --> 0:48:17.600
<v Speaker 1>like a great combination to me. You get the wing stops.

0:48:18.440 --> 0:48:22.560
<v Speaker 1>We gotta do the wing stop ross. That's the first

0:48:22.600 --> 0:48:24.799
<v Speaker 1>thing he said to me. That was their fault though

0:48:24.960 --> 0:48:29.920
<v Speaker 1>I know it was. And then the hurricane. Yet the

0:48:30.000 --> 0:48:32.920
<v Speaker 1>hurricane was the hurricane fault. Yeah, so we're ready to

0:48:32.960 --> 0:48:34.880
<v Speaker 1>go back and do the in store. So Graph come

0:48:34.920 --> 0:48:36.880
<v Speaker 1>over here, real, let's have a queen's moment right now.

0:48:37.880 --> 0:48:39.520
<v Speaker 1>Go over there. It might go over there, my brother.

0:48:39.840 --> 0:48:43.520
<v Speaker 1>Yeah you know Graph right long time. Yeah, both from Jamaica.

0:48:43.800 --> 0:48:46.800
<v Speaker 1>You know how to break down queens Buses and trains,

0:48:47.520 --> 0:48:51.080
<v Speaker 1>Like there's a you heard me say this before. Oh,

0:48:51.239 --> 0:48:54.239
<v Speaker 1>this is how to breakdown queens. It's like busses and

0:48:54.360 --> 0:49:00.760
<v Speaker 1>trains sections um, left frag Queensbridge Ravens was the story

0:49:00.880 --> 0:49:05.560
<v Speaker 1>of what side you can all get through the trains,

0:49:06.200 --> 0:49:10.200
<v Speaker 1>then it's the busses, the bus. I'm hurst you get

0:49:10.239 --> 0:49:13.400
<v Speaker 1>through and train, but but it's buses too. But um

0:49:13.560 --> 0:49:19.480
<v Speaker 1>then once you hit Parsons Boulevards trains. Yeah, so yeah,

0:49:19.560 --> 0:49:21.720
<v Speaker 1>y'all agree with me on bugging out as I'm retarded.

0:49:21.719 --> 0:49:23.440
<v Speaker 1>You know, I'm the electric I look at everything in

0:49:23.480 --> 0:49:27.600
<v Speaker 1>a different way. You understand what I'm saying, you cold? Yes?

0:49:27.719 --> 0:49:30.520
<v Speaker 1>I am one more that point though, yea, So graph

0:49:30.560 --> 0:49:32.400
<v Speaker 1>what's going on? Told to the people? Man, ain't she

0:49:32.600 --> 0:49:34.719
<v Speaker 1>working my ass? Off? Man? I'm happy to be here

0:49:34.719 --> 0:49:36.239
<v Speaker 1>with your niggas. Man, it's the loop, the clue to

0:49:36.320 --> 0:49:40.080
<v Speaker 1>loot to you? Of course, if around when I get

0:49:40.160 --> 0:49:43.360
<v Speaker 1>that cup when you around when the clue tapes was crazy,

0:49:44.440 --> 0:49:46.000
<v Speaker 1>I was young, but I was around for the way

0:49:46.080 --> 0:49:48.280
<v Speaker 1>we was really chasing them. And I learned this in Paris.

0:49:48.360 --> 0:49:51.799
<v Speaker 1>This call piecen like back but back then. Okay, yeah,

0:49:57.120 --> 0:49:58.560
<v Speaker 1>I don't even know what that means, but it's south

0:49:58.600 --> 0:50:04.160
<v Speaker 1>fly I mean too much phone in that. Don't worry

0:50:04.160 --> 0:50:07.480
<v Speaker 1>about it. I've learned that in France. Come on, you'll

0:50:07.560 --> 0:50:11.600
<v Speaker 1>let the pacing, yeah not the clue tapes was what

0:50:11.719 --> 0:50:13.879
<v Speaker 1>it was back then. That's that's how niggas is getting

0:50:13.920 --> 0:50:18.200
<v Speaker 1>exclusive music for sure, sure sure, sure sure. Now tell

0:50:18.200 --> 0:50:20.080
<v Speaker 1>the people where you're from in Queens, so everybody know

0:50:20.760 --> 0:50:23.439
<v Speaker 1>I'm Jamaica, man, away from Rosdale and Jamaica, like really

0:50:23.480 --> 0:50:26.959
<v Speaker 1>like fatching Um and Merrick. You know what I'm saying.

0:50:27.160 --> 0:50:29.280
<v Speaker 1>And then clue where you from? Queens? Tell you Nigga's

0:50:29.280 --> 0:50:34.880
<v Speaker 1>speech spring Freeling, tell him where you from? He's supposed

0:50:34.880 --> 0:50:39.879
<v Speaker 1>to say left, friend, anybody asked me, I all to say,

0:50:39.920 --> 0:50:42.200
<v Speaker 1>you know what, I just want to say something like

0:50:43.719 --> 0:50:45.400
<v Speaker 1>I'll be I'll be slacking a little bit on the

0:50:45.480 --> 0:50:48.560
<v Speaker 1>left frank shots. It's not on purpose though, because I

0:50:48.600 --> 0:50:51.080
<v Speaker 1>don't be over there checking out on them because I'm

0:50:51.080 --> 0:50:53.239
<v Speaker 1>not there. Yeah, alright, I used to be over there,

0:50:53.320 --> 0:50:55.560
<v Speaker 1>you know what I mean. You don't see any used

0:50:55.600 --> 0:50:58.839
<v Speaker 1>to come to my curse. Come, come pick me up,

0:50:59.360 --> 0:51:03.120
<v Speaker 1>come can free style listen clue man in case I

0:51:03.239 --> 0:51:05.680
<v Speaker 1>never told you, man, I appreciate everything we did on

0:51:05.800 --> 0:51:08.480
<v Speaker 1>the come up, and you know, for you to continue

0:51:08.560 --> 0:51:10.879
<v Speaker 1>doing what we're doing, for me to continue doing we're doing,

0:51:11.160 --> 0:51:13.480
<v Speaker 1>I just feel like, you know, we I know we're

0:51:13.520 --> 0:51:16.239
<v Speaker 1>both proud of each other. Every time each other we asked,

0:51:16.440 --> 0:51:19.040
<v Speaker 1>We asked, you know who's drinking? Who's drinking on your graph?

0:51:19.080 --> 0:51:22.320
<v Speaker 1>You drinking some mom Rose drinking about drinking. This is

0:51:22.320 --> 0:51:31.839
<v Speaker 1>about better drink. Both butter hit he didn't drink all

0:51:31.840 --> 0:51:34.040
<v Speaker 1>the time. Both came here and made a Jeffrey he

0:51:34.160 --> 0:51:38.879
<v Speaker 1>took we had mad and he took bottle and put

0:51:38.920 --> 0:51:42.000
<v Speaker 1>it all in one drink and we'd drinking. And then

0:51:44.080 --> 0:51:47.480
<v Speaker 1>it ain't a lie man puff he savage with it man,

0:51:48.320 --> 0:51:50.560
<v Speaker 1>because clue, you've been partying all over the world. Who

0:51:50.800 --> 0:51:54.040
<v Speaker 1>who Who's the one person you see that you don't

0:51:54.080 --> 0:51:56.680
<v Speaker 1>want a party with because they take it too far?

0:52:00.840 --> 0:52:04.640
<v Speaker 1>Artist wash, It don't matter what the artists what cous

0:52:04.719 --> 0:52:08.280
<v Speaker 1>of mind? First man, Big Scottie Scott, the animal Scott.

0:52:08.680 --> 0:52:12.160
<v Speaker 1>He gets super wasted, super he's the team wins to

0:52:12.160 --> 0:52:15.880
<v Speaker 1>seem captain. Okay, grab how about you? Who's one thing

0:52:16.040 --> 0:52:18.920
<v Speaker 1>that you It's like, damn, this nigga is too crazy.

0:52:19.320 --> 0:52:21.360
<v Speaker 1>Niggas from my hood really like a couple of niggers.

0:52:21.360 --> 0:52:22.799
<v Speaker 1>I'll be around to get so ways that they want

0:52:22.840 --> 0:52:25.520
<v Speaker 1>to shout him out. Yeah, they want to m m

0:52:26.760 --> 0:52:29.320
<v Speaker 1>my one of my niggas. Hell, he get crazy, you

0:52:29.400 --> 0:52:32.000
<v Speaker 1>get crazy. He used to want to get drunk and

0:52:32.080 --> 0:52:34.720
<v Speaker 1>robb niggas and fighting. He's the one of Robb niggers.

0:52:34.719 --> 0:52:36.600
<v Speaker 1>I'll be around like rap niggers don't come. I know

0:52:36.640 --> 0:52:39.960
<v Speaker 1>what changes really, I'm like nigga no, yeah, like I'll

0:52:39.960 --> 0:52:41.239
<v Speaker 1>be in the spot with it. I said, I want

0:52:41.239 --> 0:52:43.640
<v Speaker 1>to call niggers names. Who Who's who? He'll be looking at.

0:52:44.960 --> 0:52:47.120
<v Speaker 1>I keeps to happen. I don't even bring the niggas

0:52:47.160 --> 0:52:50.239
<v Speaker 1>around because I don't want to get in situations. So

0:52:50.840 --> 0:52:55.000
<v Speaker 1>exactly my nigga I didn't speed. Yeah, they need to

0:52:55.040 --> 0:52:58.239
<v Speaker 1>be handy, you know, like certain niggers. I don't bring

0:52:58.280 --> 0:53:00.600
<v Speaker 1>around them morgas. They're not to act now like like

0:53:00.840 --> 0:53:03.359
<v Speaker 1>like I got a couple of that's a drink chance,

0:53:03.400 --> 0:53:04.759
<v Speaker 1>a couple of niggs and they have to get throw

0:53:04.800 --> 0:53:07.959
<v Speaker 1>under the bus. But in general, remember there's two rappers

0:53:08.000 --> 0:53:10.520
<v Speaker 1>in particular that I was gonna be around. And when

0:53:10.560 --> 0:53:12.719
<v Speaker 1>I'm in a club with him, he'd be saucy on

0:53:12.800 --> 0:53:14.520
<v Speaker 1>the block and he'll call my phone like, yeah, when

0:53:14.520 --> 0:53:16.440
<v Speaker 1>you get there, I'm just gonna come in there. We

0:53:16.480 --> 0:53:18.840
<v Speaker 1>ain't gotta know what together. So let's say one raps

0:53:18.840 --> 0:53:20.279
<v Speaker 1>over there once over here, so I'm gonna come into

0:53:20.280 --> 0:53:21.880
<v Speaker 1>the spot. I'm gonna do a bottle of that nig

0:53:21.960 --> 0:53:24.839
<v Speaker 1>when everybody looking there, I'm putting the gun strategy. I'm

0:53:24.880 --> 0:53:27.640
<v Speaker 1>like drunk strategy. That's what I'm in the spot. My

0:53:27.719 --> 0:53:30.080
<v Speaker 1>phone is off. You stay in the hood forever. I'm

0:53:30.120 --> 0:53:33.920
<v Speaker 1>not bringing you nowhere like drink there. So look check it.

0:53:34.840 --> 0:53:37.040
<v Speaker 1>We just had Jada kiss on here right, and me

0:53:37.120 --> 0:53:40.520
<v Speaker 1>and Jada kiss and e FN spoke about like the

0:53:40.719 --> 0:53:43.040
<v Speaker 1>beef now right, like the things just happening in the

0:53:43.160 --> 0:53:45.600
<v Speaker 1>hip hop now. So I asked Jade that, I said,

0:53:45.640 --> 0:53:47.719
<v Speaker 1>but when you was worn with like you know, stay

0:53:47.800 --> 0:53:52.400
<v Speaker 1>property and stay property, you know whatever he said. He said,

0:53:52.680 --> 0:53:56.719
<v Speaker 1>although you know it's beef now, He's like, but back

0:53:56.800 --> 0:54:00.960
<v Speaker 1>then it was like real even like no nothing got

0:54:00.960 --> 0:54:03.640
<v Speaker 1>into physical. Do you agree with that? Like what ship

0:54:03.840 --> 0:54:07.640
<v Speaker 1>was happening in the nineties the early two thousands, I

0:54:07.719 --> 0:54:11.640
<v Speaker 1>didn't see so much someone ship pop off like I mean, look,

0:54:11.760 --> 0:54:15.640
<v Speaker 1>I was not for nothing. I was there when the

0:54:15.840 --> 0:54:20.439
<v Speaker 1>when the biggest ship popped off in l A. Yeah,

0:54:20.600 --> 0:54:23.160
<v Speaker 1>I was. I was like, they wasn't come out of

0:54:23.200 --> 0:54:26.520
<v Speaker 1>the party all weekend and then I just seen it

0:54:26.719 --> 0:54:30.080
<v Speaker 1>was like about prob one thirties, about half an hour

0:54:30.200 --> 0:54:33.120
<v Speaker 1>left in the party, and what about one forty? I

0:54:33.200 --> 0:54:37.680
<v Speaker 1>see season big pull up in the party. I'm like,

0:54:37.840 --> 0:54:39.360
<v Speaker 1>all right, cool, like you know what I thought you

0:54:39.440 --> 0:54:41.840
<v Speaker 1>wasn't coming out. N came to chill for company. This

0:54:42.120 --> 0:54:46.920
<v Speaker 1>is the buy party party. And and then biggest seams like, yo,

0:54:46.960 --> 0:54:48.920
<v Speaker 1>we're doing We're doing a barbecue to morrow. Want your DJ?

0:54:49.640 --> 0:54:53.080
<v Speaker 1>I said, all right, cool. Problem. So me me being me,

0:54:53.480 --> 0:54:55.680
<v Speaker 1>you know, I'm from from Queen's from you know, from

0:54:55.719 --> 0:54:57.919
<v Speaker 1>the hood. I'm like, Yo, was getting late. I'm gonna

0:54:57.960 --> 0:55:00.279
<v Speaker 1>get out of here because we gotta be we get

0:55:00.320 --> 0:55:04.120
<v Speaker 1>a mansion party that I was throwing track masses up master. Yeah.

0:55:04.200 --> 0:55:06.440
<v Speaker 1>So I had, I had broke out. I had I

0:55:06.480 --> 0:55:09.160
<v Speaker 1>had the new the new Bends drop top I had rented,

0:55:09.200 --> 0:55:11.600
<v Speaker 1>and I thought I was doing something, you know what

0:55:11.680 --> 0:55:13.200
<v Speaker 1>I mean, And I said, let me get out of here.

0:55:13.880 --> 0:55:15.200
<v Speaker 1>You know it's too much going on. Let me get

0:55:15.239 --> 0:55:19.800
<v Speaker 1>out of here now. Smoke poker. So I hopped in

0:55:19.840 --> 0:55:22.600
<v Speaker 1>the car and left and I got a call like

0:55:22.719 --> 0:55:28.120
<v Speaker 1>about half an hour like, dude, Biggie got shot. I'm damn.

0:55:28.200 --> 0:55:31.040
<v Speaker 1>I'm like we'd when you said when it popped off,

0:55:31.120 --> 0:55:35.960
<v Speaker 1>I'm thinking you saying like when the beef started, you saying, yeah,

0:55:36.840 --> 0:55:40.279
<v Speaker 1>I was. I was at the actual party. Wow. Yeah man,

0:55:40.360 --> 0:55:44.480
<v Speaker 1>soon I heard that and then, um, I didn't know

0:55:44.719 --> 0:55:45.880
<v Speaker 1>was showing that, you know, I mean it could have

0:55:45.920 --> 0:55:47.719
<v Speaker 1>been room. I didn't shooting that. So I was gonna

0:55:47.719 --> 0:55:49.880
<v Speaker 1>be it was all in the in the house party.

0:55:49.880 --> 0:55:53.920
<v Speaker 1>It was like it was like the Lives Mary Leiyah,

0:55:54.600 --> 0:55:56.040
<v Speaker 1>like a bunch of people and you know what I mean,

0:55:56.400 --> 0:55:58.920
<v Speaker 1>the party was about to be lit the house party

0:55:59.000 --> 0:56:01.839
<v Speaker 1>is you never the thought from the party that something

0:56:01.960 --> 0:56:05.399
<v Speaker 1>was gonna pap And then we got the caller, Yo,

0:56:05.600 --> 0:56:09.279
<v Speaker 1>big dim and damn, get the funk out here. So

0:56:09.400 --> 0:56:13.839
<v Speaker 1>I told I told Chris leidyea the worst start going

0:56:13.880 --> 0:56:15.719
<v Speaker 1>around and they were like, yo, man, we ain't going

0:56:15.719 --> 0:56:19.799
<v Speaker 1>out of him. Man Wilson tran in case y'all don't

0:56:19.800 --> 0:56:22.480
<v Speaker 1>know this. The Elliott Wilson we're telling me gets a

0:56:22.560 --> 0:56:29.839
<v Speaker 1>good story popping. Yeah, it's hard that he get into

0:56:30.080 --> 0:56:32.960
<v Speaker 1>basically going in right now, Sally is working over Tom.

0:56:33.040 --> 0:56:40.520
<v Speaker 1>Let's speed out of you. You keep it continue its yeah,

0:56:40.600 --> 0:56:45.000
<v Speaker 1>but up sorry look ahead. Yeah. So, um, yeah, we

0:56:45.120 --> 0:56:46.640
<v Speaker 1>heard about now we were just like you know what

0:56:46.680 --> 0:56:50.279
<v Speaker 1>I mean, I called seeds, gave my adonces and I'm like, yo,

0:56:50.920 --> 0:56:53.120
<v Speaker 1>I was trying to find the first flight out of them,

0:56:53.520 --> 0:56:57.919
<v Speaker 1>right like with that whole each coach. Around that time,

0:56:58.239 --> 0:57:00.840
<v Speaker 1>I'm not gonna lie. Around that time, it was nervous

0:57:00.920 --> 0:57:04.720
<v Speaker 1>going on the alley, like it was just nervous literally

0:57:04.760 --> 0:57:07.600
<v Speaker 1>when losing them all because I had went to the

0:57:07.680 --> 0:57:10.720
<v Speaker 1>mall with Nas. I remember Nas, and Big wasn't speaking

0:57:10.719 --> 0:57:13.160
<v Speaker 1>at the time exactly. So I go to the mall

0:57:13.239 --> 0:57:19.120
<v Speaker 1>with Nas and it's all Macy's. I'm I'm with NAS,

0:57:19.120 --> 0:57:20.640
<v Speaker 1>and I see bigging them you know me and bigging

0:57:20.640 --> 0:57:22.920
<v Speaker 1>them is cool and you know the rock, So I

0:57:22.960 --> 0:57:24.520
<v Speaker 1>say it was something to them in Nazis kind of

0:57:24.640 --> 0:57:27.120
<v Speaker 1>kept walking. He wasn't really speaking to them, and it

0:57:27.240 --> 0:57:29.040
<v Speaker 1>was like little kids. And then he was like throwing

0:57:29.080 --> 0:57:32.480
<v Speaker 1>the game signs and Biggie like, Yo, what's side outside?

0:57:32.640 --> 0:57:37.600
<v Speaker 1>Going crazy? Yeah, but not to Nas. Nah, wow, Na

0:57:38.280 --> 0:57:39.600
<v Speaker 1>it was. It was kind of awkward, but at the

0:57:39.640 --> 0:57:42.360
<v Speaker 1>same time it was like, you know, I wasn't really

0:57:42.400 --> 0:57:44.960
<v Speaker 1>thinking too much other I didn't know how serious it

0:57:45.200 --> 0:57:49.600
<v Speaker 1>was until thencing that happened. Yeah, that's christ piece of

0:57:49.640 --> 0:57:58.720
<v Speaker 1>the big So um does Clue like streaming music? Streaming? Yeah? Yo, man,

0:57:58.840 --> 0:58:03.280
<v Speaker 1>Clue just be to uh a five five thousand foot

0:58:03.560 --> 0:58:08.040
<v Speaker 1>facility in Houston. I'm actually going into Mars for Clue Radio.

0:58:08.880 --> 0:58:10.640
<v Speaker 1>So you're gonna hear about that. So we got to

0:58:10.800 --> 0:58:12.600
<v Speaker 1>you have to talk to you. But we're gonna talk.

0:58:13.320 --> 0:58:17.280
<v Speaker 1>We're gonna talk what we're gonna Clue Radio even Power

0:58:17.320 --> 0:58:27.760
<v Speaker 1>one over. It's a whole separate entity man, Like you know,

0:58:27.760 --> 0:58:29.520
<v Speaker 1>I mean, I got the Clue Radio app coming out

0:58:30.360 --> 0:58:32.160
<v Speaker 1>real soon, So you're gonna you're gonna hear about that.

0:58:32.600 --> 0:58:35.720
<v Speaker 1>That's all. It's all drink chat. You know. We support artists,

0:58:35.720 --> 0:58:38.080
<v Speaker 1>we support our legends over here, you know what I mean.

0:58:38.320 --> 0:58:41.840
<v Speaker 1>So you got the Clue app. You the Clue Radio app.

0:58:41.920 --> 0:58:45.840
<v Speaker 1>It's gonna be the website. It's it's gonna be serious

0:58:45.880 --> 0:58:48.600
<v Speaker 1>that it's gonna be serious, bro. Trust So and is

0:58:48.600 --> 0:58:52.920
<v Speaker 1>it gonna be music there? So it sounds like, don't

0:58:52.920 --> 0:58:54.200
<v Speaker 1>I don't want to give you too much info, but

0:58:54.240 --> 0:58:56.760
<v Speaker 1>I will come back to the drink chats from the launch.

0:58:56.800 --> 0:58:58.840
<v Speaker 1>I will come back so I will give you the

0:58:58.920 --> 0:59:03.200
<v Speaker 1>whole rundown. We're doing another album. I actually I actually

0:59:03.240 --> 0:59:06.960
<v Speaker 1>have an EP done. I gotta EP done. You know

0:59:06.960 --> 0:59:08.400
<v Speaker 1>what I mean, I got, I gotta, I gotta. I

0:59:08.440 --> 0:59:10.840
<v Speaker 1>gotta tell you was mixing a single for me. I

0:59:10.920 --> 0:59:13.240
<v Speaker 1>miss you. Yeah, I gotta enjoy it with uh with

0:59:13.600 --> 0:59:16.640
<v Speaker 1>the rest of piece of chins, got d chinks, Little

0:59:16.680 --> 0:59:20.680
<v Speaker 1>Wayne implies some about to put out. Wow. Yeah, so's

0:59:20.720 --> 0:59:24.600
<v Speaker 1>it's fired too working over time. You gotta come on,

0:59:25.160 --> 0:59:28.880
<v Speaker 1>you gotta let him leve. So now you coulduce a

0:59:29.040 --> 0:59:32.400
<v Speaker 1>classic record for me that people always like, I swear

0:59:32.440 --> 0:59:34.960
<v Speaker 1>to guard his body and the trump and then it's

0:59:35.160 --> 0:59:37.160
<v Speaker 1>at stop lock. People always be like, Yo, why you

0:59:37.200 --> 0:59:39.960
<v Speaker 1>ain't shoot a video to that? Because in that record,

0:59:40.000 --> 0:59:43.479
<v Speaker 1>I say I'm in Miami, Like that's like my first

0:59:43.520 --> 0:59:46.160
<v Speaker 1>time in Miami. And I said that on the record,

0:59:46.840 --> 0:59:49.440
<v Speaker 1>Like how did that come about? I know how it

0:59:49.520 --> 0:59:51.240
<v Speaker 1>came about. So what I'm saying, I mean, I know

0:59:51.360 --> 0:59:54.800
<v Speaker 1>he's not I know he's in the studio. And that's

0:59:54.920 --> 0:59:57.880
<v Speaker 1>that's when you was you would like them it a

0:59:57.960 --> 1:00:04.040
<v Speaker 1>Neptunes artist. Yeah, yeah, I think I think we was

1:00:04.120 --> 1:00:06.120
<v Speaker 1>in I think he was in right track, right track

1:00:06.200 --> 1:00:09.200
<v Speaker 1>that was in the basement and you told me to

1:00:09.320 --> 1:00:12.040
<v Speaker 1>play some beats and so we started. We started going

1:00:12.080 --> 1:00:13.560
<v Speaker 1>through some beats and you know what I mean, and

1:00:14.400 --> 1:00:16.160
<v Speaker 1>the whole vibe came out, and I said, we need

1:00:16.200 --> 1:00:19.040
<v Speaker 1>to make it something with the Spanish that you make

1:00:19.080 --> 1:00:29.200
<v Speaker 1>it nice. Let's do something spinish. That's that's why he

1:00:29.280 --> 1:00:32.160
<v Speaker 1>get there's the Partnapple ship over too. It's like, that's

1:00:32.240 --> 1:00:35.480
<v Speaker 1>that's not really Latino right there, Like you gotta stab both,

1:00:35.640 --> 1:00:38.640
<v Speaker 1>come on, you know better since since the great Goose

1:00:38.720 --> 1:00:41.720
<v Speaker 1>days go ahead? Yeah, so um, I mean, yeah, that

1:00:41.760 --> 1:00:44.000
<v Speaker 1>side of record came about. Man, that's that's that's definitely

1:00:44.040 --> 1:00:46.240
<v Speaker 1>a classic joint though, the classic joint. That's one of

1:00:46.280 --> 1:00:50.200
<v Speaker 1>the two most um um requested, like because you know,

1:00:50.400 --> 1:00:53.160
<v Speaker 1>that's what we're trying to do. Like, um, I don't

1:00:53.200 --> 1:00:56.200
<v Speaker 1>really want to record new music. But if I record

1:00:56.280 --> 1:01:00.840
<v Speaker 1>new music, don't be mad at me. But right now,

1:01:00.840 --> 1:01:07.280
<v Speaker 1>I don't chance an EP done too big Justice League.

1:01:07.600 --> 1:01:10.320
<v Speaker 1>We got a whole EP done. But right now I'm chilling,

1:01:10.320 --> 1:01:12.280
<v Speaker 1>you know what I'm saying. But if I wasn't, dude,

1:01:12.280 --> 1:01:13.760
<v Speaker 1>I wanted, I would like to do a body in

1:01:13.840 --> 1:01:17.600
<v Speaker 1>the Trunk video that crazy bring what I'm saying, but

1:01:17.840 --> 1:01:21.840
<v Speaker 1>I'm out, uh like new style, but it would be

1:01:21.920 --> 1:01:27.000
<v Speaker 1>the same song and we get debuted on a clue radio,

1:01:28.560 --> 1:01:32.080
<v Speaker 1>the guy ain't doing it. That means this platform also

1:01:32.240 --> 1:01:38.200
<v Speaker 1>does videos. We already know that we're breaking stories, breaking ahead.

1:01:38.280 --> 1:01:41.200
<v Speaker 1>That's all that's listen. I was just gonna clear the

1:01:41.240 --> 1:01:43.680
<v Speaker 1>freestyles did over the Drede Beach member. Those three styles

1:01:44.720 --> 1:01:50.160
<v Speaker 1>give a nigga two way. He think he's CEO your clue, man,

1:01:50.560 --> 1:01:52.880
<v Speaker 1>I ain't front. I had to tell us to envy

1:01:53.360 --> 1:01:56.920
<v Speaker 1>yo y'all single handedly was like because I got to

1:01:56.960 --> 1:01:58.920
<v Speaker 1>see y'all work, see the thing about it, and you

1:01:58.960 --> 1:02:02.600
<v Speaker 1>know eneries from my block right he literally lives six

1:02:02.680 --> 1:02:06.720
<v Speaker 1>houses up outside of the street literally, but that was

1:02:06.800 --> 1:02:10.360
<v Speaker 1>the crazy ship was to me see y'all work, like

1:02:10.480 --> 1:02:13.919
<v Speaker 1>to see y'all go in any hood and go grab yeah.

1:02:13.960 --> 1:02:16.040
<v Speaker 1>Remember there's no email back then, no, not at all,

1:02:16.880 --> 1:02:22.520
<v Speaker 1>to get exclusive whatever physically going to have like you

1:02:22.560 --> 1:02:26.160
<v Speaker 1>know dos effects me. He's kind of my mom's basement recording.

1:02:27.560 --> 1:02:29.920
<v Speaker 1>It's like, you know what it is, you know what

1:02:29.920 --> 1:02:33.160
<v Speaker 1>I mean, like anywhere Keith Murray, I mean, I mean

1:02:33.320 --> 1:02:36.360
<v Speaker 1>jay Z practice for his first show in my basement

1:02:37.000 --> 1:02:43.480
<v Speaker 1>Earth that y'all are such a part of like hip

1:02:43.520 --> 1:02:47.280
<v Speaker 1>hop fiber, Like this is crazy fibers Hill. I don't

1:02:47.360 --> 1:02:53.880
<v Speaker 1>know what technically would it mean if anyone, anyone right

1:02:53.920 --> 1:02:56.800
<v Speaker 1>now can name the chip who sung the hook on,

1:02:56.880 --> 1:03:00.640
<v Speaker 1>ain't no nigger we get we need to give him,

1:03:01.160 --> 1:03:04.480
<v Speaker 1>give him hold on. This is sucking me up now

1:03:04.520 --> 1:03:07.040
<v Speaker 1>because I'll be swearing I might hip the story because

1:03:08.200 --> 1:03:10.720
<v Speaker 1>it was it was, It was her And I don't

1:03:10.720 --> 1:03:15.480
<v Speaker 1>even know anything we got as here? Has it it

1:03:15.560 --> 1:03:19.880
<v Speaker 1>sound Google that ship don't even know. I don't might

1:03:19.920 --> 1:03:21.840
<v Speaker 1>not even know that one man. I ain't gonna lie Google.

1:03:22.760 --> 1:03:26.760
<v Speaker 1>That's that's a good one. But you said she went

1:03:26.840 --> 1:03:29.480
<v Speaker 1>to the cle ain't gonna know that. Trust me. It's

1:03:29.480 --> 1:03:33.680
<v Speaker 1>a Google. Don't work Wikipedia. She is Wikipedia that whatever

1:03:33.800 --> 1:03:36.720
<v Speaker 1>she's doing their life, she's somewhere saying that was me.

1:03:37.880 --> 1:03:41.040
<v Speaker 1>That's a fact. She's definitely using that card. You have

1:03:41.240 --> 1:03:43.640
<v Speaker 1>to come on. That was like the first breakout record

1:03:43.720 --> 1:03:46.040
<v Speaker 1>for jay Z. What was what was? What do you

1:03:46.120 --> 1:03:49.200
<v Speaker 1>think was your biggest record that you have? See it

1:03:49.280 --> 1:03:53.800
<v Speaker 1>depends on it's Super Doug sometimes as far as bringing

1:03:53.840 --> 1:03:56.560
<v Speaker 1>you to the world, Super that would be the biggest record.

1:03:56.840 --> 1:04:01.880
<v Speaker 1>The first record, Yeah, the first so first crossover record

1:04:01.960 --> 1:04:05.480
<v Speaker 1>that definitely a super was on that right, No, what'slie?

1:04:05.520 --> 1:04:07.919
<v Speaker 1>Who's something that? Damn, you're trying to put me under

1:04:07.960 --> 1:04:11.320
<v Speaker 1>the she did that, but I was trying to keep you.

1:04:11.920 --> 1:04:14.920
<v Speaker 1>Didn't you say that? She sang that part? Who No,

1:04:15.080 --> 1:04:18.240
<v Speaker 1>that's not Colise, that's not Elsie. I'm listening to that.

1:04:20.640 --> 1:04:24.080
<v Speaker 1>It wasn't Tammy Lucas either, right, was it Tammy Lucas? Um? Damn?

1:04:24.120 --> 1:04:26.600
<v Speaker 1>I don't know. I'm with like you, we don't find

1:04:26.600 --> 1:04:34.840
<v Speaker 1>out record. I wanted to heys smoking a walk ground

1:04:35.680 --> 1:04:38.360
<v Speaker 1>graphic over here drinking. I'm trying to pay stuff. I

1:04:38.400 --> 1:04:43.160
<v Speaker 1>know what's Hound's gonna yourself? Now when you come to

1:04:43.280 --> 1:04:46.120
<v Speaker 1>when you come to Miami, do you do you play

1:04:46.200 --> 1:04:50.200
<v Speaker 1>Miami Records? Or or you say? You know what? I'm

1:04:50.240 --> 1:04:52.960
<v Speaker 1>a day here for me because I'm from New York.

1:04:53.840 --> 1:04:58.800
<v Speaker 1>I mean I think as a DJ who traveled around

1:04:58.800 --> 1:05:01.200
<v Speaker 1>the country, I think I'm well around this, so you

1:05:01.240 --> 1:05:02.680
<v Speaker 1>know what I mean. I think I played a little

1:05:02.680 --> 1:05:04.680
<v Speaker 1>bit everything. But you know what I mean, because like

1:05:04.800 --> 1:05:07.280
<v Speaker 1>I was probably the first DJ, like I said, he

1:05:07.440 --> 1:05:10.280
<v Speaker 1>was playing South music in New York, Like when I

1:05:10.360 --> 1:05:14.080
<v Speaker 1>first started playing Cash Money Records, and everyone like yo

1:05:14.320 --> 1:05:16.320
<v Speaker 1>that man, like yo, are you are you playing that?

1:05:16.920 --> 1:05:19.320
<v Speaker 1>Why are you playing Why are you playing jupil now high?

1:05:19.360 --> 1:05:21.959
<v Speaker 1>What is? What is that? I was playing blame bling

1:05:22.120 --> 1:05:24.720
<v Speaker 1>I tay Hi and then I told j about it.

1:05:24.920 --> 1:05:26.880
<v Speaker 1>That's how Jay got. I told Jam about it and

1:05:26.960 --> 1:05:29.120
<v Speaker 1>he was kind of sleeping on it. Then he was

1:05:29.200 --> 1:05:32.120
<v Speaker 1>on promo. We went to Atlanta and you heard on

1:05:32.200 --> 1:05:34.040
<v Speaker 1>the radio and seen in the club and he was like, yo,

1:05:34.720 --> 1:05:40.240
<v Speaker 1>I need that. Yeah. Yeah, I feel like I was

1:05:40.280 --> 1:05:43.160
<v Speaker 1>the nigger that put niggas on the high because I had.

1:05:43.640 --> 1:05:47.120
<v Speaker 1>I had went to New Orleans like for a Spanish party,

1:05:47.160 --> 1:05:49.560
<v Speaker 1>which was very awkward, and I came back to New

1:05:49.680 --> 1:05:54.360
<v Speaker 1>York and I was like, huh, I did, mate, that's

1:05:54.360 --> 1:05:57.360
<v Speaker 1>what I'm saying that And then know what I was

1:05:57.360 --> 1:06:00.000
<v Speaker 1>talking about. I didn't know his name. I couldn't be like, yeah,

1:06:00.080 --> 1:06:02.320
<v Speaker 1>that's the net that I just like, that's all I knew.

1:06:02.520 --> 1:06:09.880
<v Speaker 1>If they want to be high, I always I always knew.

1:06:10.840 --> 1:06:14.000
<v Speaker 1>To me, I always thought Wayne was gonna be You

1:06:14.120 --> 1:06:16.320
<v Speaker 1>knew was going to be the student because all of

1:06:16.360 --> 1:06:20.840
<v Speaker 1>them want the record in the nine out had the

1:06:20.880 --> 1:06:25.320
<v Speaker 1>whole Yeah, because I had. He was doing fab album

1:06:26.240 --> 1:06:29.760
<v Speaker 1>and I had, and they asked me what you artists?

1:06:29.760 --> 1:06:32.520
<v Speaker 1>I wanted to do record? I still got. I still

1:06:32.560 --> 1:06:34.560
<v Speaker 1>got the record with him and Wayne that we heard

1:06:34.640 --> 1:06:38.000
<v Speaker 1>Fab said that the record, yeah, because when we didn't

1:06:38.040 --> 1:06:40.760
<v Speaker 1>finish the record. But I actually, you know, man, if

1:06:40.840 --> 1:06:43.040
<v Speaker 1>I had actually cut a check for that, I cut.

1:06:43.520 --> 1:06:45.280
<v Speaker 1>I mean I cut because Baby was like, you listen,

1:06:45.680 --> 1:06:47.880
<v Speaker 1>if you want single rights and video rights, let me

1:06:47.920 --> 1:06:51.479
<v Speaker 1>know now, so you cut the whole deal, single rights,

1:06:52.200 --> 1:06:54.320
<v Speaker 1>album rights in the video game. I cut the check.

1:06:54.400 --> 1:06:57.560
<v Speaker 1>But we never anything, and that record with that record

1:06:57.600 --> 1:07:03.000
<v Speaker 1>doesn't exist. It's a man, right now, keep you using

1:07:03.000 --> 1:07:08.280
<v Speaker 1>your drop. Let's me playing on the podcast to me

1:07:08.600 --> 1:07:11.360
<v Speaker 1>and Little we're ready. We're ready to go to the

1:07:11.440 --> 1:07:15.080
<v Speaker 1>podcast right now. It's still in my crib on a cassette.

1:07:17.560 --> 1:07:21.000
<v Speaker 1>I still got it, but I've never heard I got.

1:07:21.080 --> 1:07:23.360
<v Speaker 1>I got a bunch of records like that. I got

1:07:23.480 --> 1:07:27.440
<v Speaker 1>like I got whutang randkids. I got NAS records. That's crazy,

1:07:29.040 --> 1:07:33.840
<v Speaker 1>nigger records, real full fled records. They never been heard.

1:07:34.000 --> 1:07:36.400
<v Speaker 1>What was the reason you never put them out? The

1:07:36.440 --> 1:07:39.760
<v Speaker 1>only nigger with him? Too many of them. Probably that's

1:07:39.800 --> 1:07:42.440
<v Speaker 1>why I'm so I'm so respectful with mine, you know

1:07:42.480 --> 1:07:45.479
<v Speaker 1>what I mean? Or you would have doctor dre type

1:07:45.520 --> 1:07:48.680
<v Speaker 1>like perfectionists. Some of these wasn't right. First of all,

1:07:49.120 --> 1:07:53.320
<v Speaker 1>let's be clear, when Drey was working on this album

1:07:53.360 --> 1:07:55.840
<v Speaker 1>and he was supposed to put out the detail, you know,

1:07:55.960 --> 1:08:02.600
<v Speaker 1>but I heard about four records fire. He gotta record

1:08:02.640 --> 1:08:08.880
<v Speaker 1>with Loewayne and Miek Milner's so fire. He got wrecked

1:08:08.920 --> 1:08:12.880
<v Speaker 1>with married that's so fire. But you probably you probably

1:08:13.320 --> 1:08:16.080
<v Speaker 1>never gonna hate. But he got it. Don't think, don't

1:08:16.120 --> 1:08:19.280
<v Speaker 1>think he ain't got him, because he he got He

1:08:19.360 --> 1:08:22.599
<v Speaker 1>got him. He got guys I heard and I want

1:08:22.640 --> 1:08:25.519
<v Speaker 1>to say I heard those about three to four years ago.

1:08:27.200 --> 1:08:31.160
<v Speaker 1>That's great, so they existed. He got him draping out

1:08:31.200 --> 1:08:33.920
<v Speaker 1>the detox where y'all fail. Hip hop is going now

1:08:34.640 --> 1:08:37.960
<v Speaker 1>like at this point, at this point to the sewer,

1:08:39.960 --> 1:08:43.280
<v Speaker 1>you don't got to people. Yeah, I mean, I mean,

1:08:44.680 --> 1:08:46.680
<v Speaker 1>like I said, with with the age of the internet, man,

1:08:46.760 --> 1:08:50.320
<v Speaker 1>it's like it's it's hard man. It's a hard thing. Man.

1:08:52.479 --> 1:08:54.960
<v Speaker 1>I'm trying. I'm trying to I'm trying to actually feel

1:08:54.960 --> 1:08:58.160
<v Speaker 1>it out and see, you know where it's going. But

1:08:59.800 --> 1:09:02.280
<v Speaker 1>it's but in the last two years have been a

1:09:02.320 --> 1:09:05.040
<v Speaker 1>lot of one hit wonders, you know what happens though,

1:09:05.080 --> 1:09:07.320
<v Speaker 1>I think a lot of niggas just never learned, Like

1:09:07.520 --> 1:09:09.680
<v Speaker 1>I like all wrap that's out. I'm a fan of

1:09:09.680 --> 1:09:11.439
<v Speaker 1>all types of ship, but I think a lot of

1:09:12.360 --> 1:09:14.639
<v Speaker 1>all that stuff out now never really learn how to wrap.

1:09:15.400 --> 1:09:17.040
<v Speaker 1>Like It's like it's like a sport to me. So

1:09:17.120 --> 1:09:19.880
<v Speaker 1>it's like if you played basketball, you watch the players

1:09:19.920 --> 1:09:21.439
<v Speaker 1>before you know what I was doing. You know what

1:09:21.520 --> 1:09:23.519
<v Speaker 1>the fun was doing before you went to the league.

1:09:23.840 --> 1:09:25.760
<v Speaker 1>The same thing in boxing, you watch the tapes, you know,

1:09:25.840 --> 1:09:28.320
<v Speaker 1>how do you learn your move? Some fucking tyson to somebody.

1:09:28.560 --> 1:09:31.880
<v Speaker 1>But it's what you're saying coming from a lyricist perspective,

1:09:32.040 --> 1:09:35.400
<v Speaker 1>from from a lyric and like a fan, because what

1:09:35.520 --> 1:09:37.760
<v Speaker 1>you say is that our generation dropped the ball in

1:09:40.640 --> 1:09:44.840
<v Speaker 1>I think. I think the waves can catch you and

1:09:45.040 --> 1:09:47.760
<v Speaker 1>bring and bring you to a point. But can you

1:09:47.880 --> 1:09:52.400
<v Speaker 1>consistently staying on top of the wave. That's what it is.

1:09:52.479 --> 1:09:55.840
<v Speaker 1>You know, like you might get a record and it

1:09:55.920 --> 1:09:58.240
<v Speaker 1>could be the highest record out of the time, whatever, whatever,

1:09:58.600 --> 1:10:00.960
<v Speaker 1>But can you stay off low? Can you stay on

1:10:01.040 --> 1:10:02.880
<v Speaker 1>the wave and ride the wave? But what is the

1:10:02.960 --> 1:10:06.440
<v Speaker 1>wave now? Because now there's artists to find their audience

1:10:06.800 --> 1:10:10.760
<v Speaker 1>online and they've got hundreds of thousands of followers and

1:10:10.840 --> 1:10:14.360
<v Speaker 1>they do festivals or concerts or whatever shows and nobody

1:10:14.400 --> 1:10:16.080
<v Speaker 1>even heard of that artist, and they have no because

1:10:16.080 --> 1:10:20.120
<v Speaker 1>it's different what quote unquote, the wave is different now

1:10:20.920 --> 1:10:23.360
<v Speaker 1>because of the Internet and the way that people get

1:10:23.400 --> 1:10:28.000
<v Speaker 1>to their and and I always I always talk about

1:10:28.080 --> 1:10:30.280
<v Speaker 1>all the time to this day, and I say, like,

1:10:33.400 --> 1:10:36.000
<v Speaker 1>you can't you can't blame the kids of this age

1:10:36.840 --> 1:10:40.960
<v Speaker 1>for liking the stuff that they like, you know what

1:10:41.000 --> 1:10:43.760
<v Speaker 1>I mean, like because it's what they know. What we

1:10:43.880 --> 1:10:45.479
<v Speaker 1>know is what we know, and what they know, what

1:10:45.640 --> 1:10:48.160
<v Speaker 1>they know they can only they can only know what

1:10:48.280 --> 1:10:54.280
<v Speaker 1>they've heard. They can't they can't relive our moment. Obviously,

1:10:54.600 --> 1:10:57.080
<v Speaker 1>they're they're living their moment, you know what I mean.

1:10:57.120 --> 1:10:59.000
<v Speaker 1>So they had some ship, you know what I mean,

1:10:59.080 --> 1:11:01.519
<v Speaker 1>that they like, and then their little kids and they like,

1:11:01.760 --> 1:11:04.400
<v Speaker 1>wait until we dancing. We're doing this. You can't get

1:11:04.479 --> 1:11:06.320
<v Speaker 1>mad at that. But at the same time, you know,

1:11:06.400 --> 1:11:08.800
<v Speaker 1>you're probably being you, being from our ir you're not

1:11:08.840 --> 1:11:11.120
<v Speaker 1>gonna expect it the same, you know what I mean.

1:11:11.240 --> 1:11:14.400
<v Speaker 1>Like when we came up, if you had an album

1:11:14.479 --> 1:11:17.200
<v Speaker 1>and you was wrapping on there, it stayed on the shelf,

1:11:18.479 --> 1:11:20.680
<v Speaker 1>you know what I mean. Nowadays, if you hear a

1:11:20.760 --> 1:11:23.559
<v Speaker 1>record and the ship is hot and you could download

1:11:23.600 --> 1:11:25.080
<v Speaker 1>and you ain't gotta paid for it, and you could

1:11:25.120 --> 1:11:27.880
<v Speaker 1>dance with the club. You're cool with it. But if

1:11:27.920 --> 1:11:29.880
<v Speaker 1>you brought an album back then and they had only

1:11:29.920 --> 1:11:31.719
<v Speaker 1>two hot songs on it, you feel you got jerked.

1:11:31.760 --> 1:11:34.960
<v Speaker 1>You wanna take it back. So it's it's different, you

1:11:35.000 --> 1:11:36.599
<v Speaker 1>know what I mean. But you know I'm not saying

1:11:36.600 --> 1:11:37.760
<v Speaker 1>on the type of that because I'm a fan of

1:11:37.960 --> 1:11:39.479
<v Speaker 1>most most of the like a lot of news that

1:11:39.479 --> 1:11:41.640
<v Speaker 1>this is out now Mama rapped, But ever niggers on

1:11:41.680 --> 1:11:43.280
<v Speaker 1>the collar, I still ride to the ship becau. Niggas

1:11:43.280 --> 1:11:46.360
<v Speaker 1>got dope melodies, dope beats, and the records in general adopt.

1:11:46.920 --> 1:11:49.479
<v Speaker 1>But no matter what genre a rap you do, in

1:11:49.600 --> 1:11:52.680
<v Speaker 1>my opinion, they put a beat on, you should know

1:11:52.720 --> 1:11:55.120
<v Speaker 1>how to fucking spit the verse, and they take the

1:11:55.160 --> 1:11:58.000
<v Speaker 1>beat off. You should know how to spit the verse. Period.

1:11:58.080 --> 1:11:59.960
<v Speaker 1>Did you know the basics of any craft you're doing

1:12:00.040 --> 1:12:02.040
<v Speaker 1>if you would work for ups? No, I didn't drap

1:12:02.200 --> 1:12:05.000
<v Speaker 1>that fucking package and drop it off without shadow Rower's

1:12:05.040 --> 1:12:07.280
<v Speaker 1>in that ship. You gotta know the basics, you know.

1:12:07.320 --> 1:12:09.080
<v Speaker 1>What I'm saying, in my opinion is something that I

1:12:09.160 --> 1:12:11.599
<v Speaker 1>think kind of got over with it and got lucky,

1:12:11.640 --> 1:12:13.479
<v Speaker 1>I would say, and not even learn the basics of

1:12:13.560 --> 1:12:15.400
<v Speaker 1>the ship. And it's like the only sport you could

1:12:15.439 --> 1:12:17.160
<v Speaker 1>do that and know what I'm saying, So that's the

1:12:17.200 --> 1:12:19.479
<v Speaker 1>only part I'll be like, it's only amount of time

1:12:19.520 --> 1:12:21.240
<v Speaker 1>before you get exposed though, So it's like, you know,

1:12:21.320 --> 1:12:24.080
<v Speaker 1>it's like anything else true, but you can still wait

1:12:24.160 --> 1:12:26.120
<v Speaker 1>up to being exposed in the sport because the rules

1:12:26.160 --> 1:12:28.479
<v Speaker 1>don't matter no more. There's no like respect for the

1:12:28.640 --> 1:12:30.479
<v Speaker 1>art of it. You could you could, you could knock

1:12:30.520 --> 1:12:33.200
<v Speaker 1>out the top box with a with a lucky punch. Yeah,

1:12:33.439 --> 1:12:35.160
<v Speaker 1>you know what I mean. It don't mean you're gonna

1:12:35.160 --> 1:12:37.280
<v Speaker 1>be able to get in the ring consistently exactly. Yeah,

1:12:37.360 --> 1:12:39.920
<v Speaker 1>that's the fact that, you know what I mean, it's

1:12:39.920 --> 1:12:41.960
<v Speaker 1>got real hip hop right now. I like that. I

1:12:41.960 --> 1:12:45.200
<v Speaker 1>mean I think sometimes we honestly underestimate some of the

1:12:45.280 --> 1:12:48.439
<v Speaker 1>young cats because it's so many of them and they

1:12:48.520 --> 1:12:50.559
<v Speaker 1>have their own audience. Like for example, I'm gonna give

1:12:50.560 --> 1:12:53.960
<v Speaker 1>you an example. For a long time, nobody paid attention

1:12:53.960 --> 1:12:59.719
<v Speaker 1>to Kendrick because he had early early yeah mix tapes early,

1:13:00.960 --> 1:13:05.519
<v Speaker 1>and eventually that what he did because the quality it rose,

1:13:05.600 --> 1:13:07.600
<v Speaker 1>it rose, You know what I'm saying, and people was

1:13:07.680 --> 1:13:13.240
<v Speaker 1>underestimating the youth following that lyrical movement, and they did

1:13:13.320 --> 1:13:14.960
<v Speaker 1>you know what I'm saying, He found his audience and

1:13:15.040 --> 1:13:18.720
<v Speaker 1>the audience obviously was bigger than life I say. And

1:13:18.760 --> 1:13:20.200
<v Speaker 1>there's a lot of artists like that, like a Joey

1:13:20.240 --> 1:13:24.240
<v Speaker 1>Badass too in Miami got Denzel Curry. But for example,

1:13:24.280 --> 1:13:26.080
<v Speaker 1>it's like you might ask someone next to you, do

1:13:26.160 --> 1:13:27.800
<v Speaker 1>you know who this is? They do not know who

1:13:27.880 --> 1:13:30.600
<v Speaker 1>that artist is because it's the landscape of music is

1:13:30.680 --> 1:13:34.040
<v Speaker 1>so broad. The Internet allows you to have a lane

1:13:34.080 --> 1:13:36.960
<v Speaker 1>that you have hundreds of thousands of of listeners and fans,

1:13:37.320 --> 1:13:38.800
<v Speaker 1>but the next guy next to you doesn't know who

1:13:38.880 --> 1:13:41.120
<v Speaker 1>you are. And that's where we're at now. It's like

1:13:41.160 --> 1:13:49.360
<v Speaker 1>a weird space. Definitely, Definitely, it's crazy. Space is crazy. Listen, man,

1:13:49.680 --> 1:13:53.880
<v Speaker 1>I think hip hop. I think hip hop is a

1:13:54.000 --> 1:13:57.120
<v Speaker 1>vehicle for you to you know, get to feed in

1:13:57.240 --> 1:14:00.200
<v Speaker 1>and do something else. Yeah, I agree with that. If

1:14:00.320 --> 1:14:04.360
<v Speaker 1>hip hop is your only hustle, it's you're not doing

1:14:04.400 --> 1:14:08.920
<v Speaker 1>the best thing in life. Because that's that's why at

1:14:08.920 --> 1:14:12.760
<v Speaker 1>the beginning when they said, uh, sometimes the rap game

1:14:12.800 --> 1:14:16.479
<v Speaker 1>of my mare, the crack game that was then because

1:14:16.800 --> 1:14:20.320
<v Speaker 1>it can. It can actually financially equal that. Now it's

1:14:20.360 --> 1:14:23.759
<v Speaker 1>not to do what you want, but if you hustle smart,

1:14:23.840 --> 1:14:26.760
<v Speaker 1>you can hustle rap right in this game, you gotta

1:14:26.760 --> 1:14:29.800
<v Speaker 1>be able to hustle. You've gotta have multiple hustles diversified.

1:14:30.640 --> 1:14:33.560
<v Speaker 1>You can't put um oh your eggs to one I

1:14:33.680 --> 1:14:35.360
<v Speaker 1>tell people all time, you can't put your eggs in

1:14:35.360 --> 1:14:38.519
<v Speaker 1>one basket, all right, now, you can't. I learned that

1:14:38.600 --> 1:14:41.479
<v Speaker 1>from watching your niggas. I mean watch I watched Swizz

1:14:41.560 --> 1:14:44.120
<v Speaker 1>one time at a fucking video shoot. He had like

1:14:44.200 --> 1:14:47.160
<v Speaker 1>at least Keys on the record and Little Wayne on

1:14:47.200 --> 1:14:49.240
<v Speaker 1>the record of Mad Niggers. But then I've seen hell

1:14:49.320 --> 1:14:51.599
<v Speaker 1>of sponsors to the video shoot. Monster and his drink

1:14:51.600 --> 1:14:52.600
<v Speaker 1>it was this. It was that. I was like, I

1:14:52.640 --> 1:14:56.040
<v Speaker 1>would have it's been a Monster energy drink. Yeah, they

1:14:59.880 --> 1:15:05.759
<v Speaker 1>love tell him, Come come, I'm not drunking this episode.

1:15:06.000 --> 1:15:10.479
<v Speaker 1>Hook on, Yeah, you gotta be deemon something opinion. So

1:15:12.520 --> 1:15:16.759
<v Speaker 1>who got cigars? Clue broke down that real DJ history?

1:15:20.320 --> 1:15:23.600
<v Speaker 1>So was that considered legal tender when y'all did like

1:15:23.760 --> 1:15:28.559
<v Speaker 1>the mixtapes appointment Like you couldn't claim it like an album,

1:15:28.960 --> 1:15:32.080
<v Speaker 1>Like hell no, no, that's that's like selling drugs straight up,

1:15:32.560 --> 1:15:35.400
<v Speaker 1>no where, straight up. They treated y'all like that. Yeah.

1:15:36.520 --> 1:15:38.799
<v Speaker 1>The dude I told him, Mark Ferman. He's from Miami.

1:15:39.080 --> 1:15:41.960
<v Speaker 1>He had to distribution mixtape called Hip Hop Connection. He

1:15:42.080 --> 1:15:45.439
<v Speaker 1>was one of the biggest mixtape distributors in the world.

1:15:46.000 --> 1:15:47.880
<v Speaker 1>He got rated by the Feast. They raided him like

1:15:47.960 --> 1:15:50.600
<v Speaker 1>he was Al Quaeda. I know, I know, I know

1:15:50.640 --> 1:15:52.960
<v Speaker 1>a couple of a couple people who got rated. He

1:15:53.160 --> 1:15:55.920
<v Speaker 1>was one. There's another dude who was just he was just.

1:15:56.200 --> 1:15:58.759
<v Speaker 1>He wasn't even selling ship. He would just downloading videos

1:15:58.840 --> 1:16:02.160
<v Speaker 1>and songs and fetuated his credit, took on his computers,

1:16:02.479 --> 1:16:06.400
<v Speaker 1>his famous computers. It was ugly, man, Yeah it was.

1:16:07.360 --> 1:16:09.160
<v Speaker 1>And then when I when I've seen when I've seen,

1:16:09.960 --> 1:16:13.439
<v Speaker 1>you know, they readed drama and they had to be

1:16:13.640 --> 1:16:16.160
<v Speaker 1>it's on flat beds, and I was like, damn, yeah,

1:16:16.280 --> 1:16:18.839
<v Speaker 1>that's a bad feelings. Believe it. In the other mixtapes

1:16:18.880 --> 1:16:21.200
<v Speaker 1>of some Real Ship and Somebody go over the bone,

1:16:22.760 --> 1:16:25.600
<v Speaker 1>come over nigga got Yeah, you got the permits. I

1:16:25.640 --> 1:16:32.400
<v Speaker 1>don't crack drinks something that coming Ricans going out part

1:16:32.439 --> 1:16:37.599
<v Speaker 1>Ricans right now, and you Pandemanian clue not all fully Pandermania, right,

1:16:37.840 --> 1:16:43.120
<v Speaker 1>half half and half. This nigger as an island up.

1:16:43.520 --> 1:16:45.400
<v Speaker 1>That's big. That's big up for him to learn out,

1:16:47.280 --> 1:16:51.840
<v Speaker 1>you know what I mean, let's make that up. You

1:16:51.960 --> 1:16:54.680
<v Speaker 1>just learn how to wear socks. It's just just keep

1:16:54.720 --> 1:16:57.479
<v Speaker 1>it real. At the moment. Skin know what's going on? Crack,

1:16:57.560 --> 1:17:07.760
<v Speaker 1>what's going on? Yeah? Yeah, yeah, yeah, yeah, a little clue.

1:17:07.840 --> 1:17:14.880
<v Speaker 1>You know how legendary this nigga is. Were just in Carolina? Yeah,

1:17:15.680 --> 1:17:18.120
<v Speaker 1>in the middle that all you can eat. We just

1:17:18.200 --> 1:17:21.240
<v Speaker 1>North Carolina, right, Yeah? What was that? We had some

1:17:21.400 --> 1:17:27.360
<v Speaker 1>weird ship. Yeah, that's ball. We had to get some

1:17:27.720 --> 1:17:31.960
<v Speaker 1>real go to the We did it. We did a

1:17:32.040 --> 1:17:49.640
<v Speaker 1>dope right, it was that's yourself. Welcome to play a

1:17:49.720 --> 1:17:55.559
<v Speaker 1>new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1:17:55.680 --> 1:18:00.280
<v Speaker 1>and more. Play it at play dot It. We're back

1:18:00.360 --> 1:18:03.920
<v Speaker 1>to Drink Champs Radio with Rapper and R and DJ

1:18:06.479 --> 1:18:08.680
<v Speaker 1>Ya listen, man, I just want the people to know

1:18:09.479 --> 1:18:12.120
<v Speaker 1>that we do this ship for real hip hop, um,

1:18:12.560 --> 1:18:17.320
<v Speaker 1>every other genre of music. They support their legends and

1:18:17.400 --> 1:18:20.360
<v Speaker 1>it's a platform to support their legends. A lot of

1:18:20.400 --> 1:18:23.080
<v Speaker 1>people ask us a lot of times. While we don't

1:18:23.160 --> 1:18:25.800
<v Speaker 1>interview the new Niggers, and we have nothing but love

1:18:25.880 --> 1:18:28.599
<v Speaker 1>for the new Niggers. I've never said anything bad about

1:18:28.680 --> 1:18:32.240
<v Speaker 1>anyone of them. It don't matter. But I want to

1:18:32.280 --> 1:18:37.000
<v Speaker 1>continue to support my culture, which I know, which e

1:18:37.240 --> 1:18:41.680
<v Speaker 1>FN knows. Ship people who put in work, you know

1:18:41.680 --> 1:18:44.000
<v Speaker 1>what I'm saying. Some people who made millions, some people

1:18:44.080 --> 1:18:47.559
<v Speaker 1>who made ten thousands, some people who made hundred thousands.

1:18:47.600 --> 1:18:51.479
<v Speaker 1>There's we don't care. We want to keep our culture pushing.

1:18:51.920 --> 1:18:54.519
<v Speaker 1>You don't want to kill all legends overhead drink camps.

1:18:54.680 --> 1:18:57.680
<v Speaker 1>That's that's what we do. So and these stories and

1:18:58.080 --> 1:19:02.479
<v Speaker 1>stories include who went in, he finishes Drake, but he

1:19:02.560 --> 1:19:06.400
<v Speaker 1>went in, come on finishing? Come on, I ain't drinking up.

1:19:06.479 --> 1:19:11.559
<v Speaker 1>I've never seen this. Pick it out and clue you're

1:19:11.560 --> 1:19:15.439
<v Speaker 1>a basketball nigger. Yeah, actually, we're trying to play ball today, man,

1:19:15.520 --> 1:19:17.960
<v Speaker 1>Like did you play ball? No? No, no, we're trying

1:19:17.960 --> 1:19:20.120
<v Speaker 1>to play ball today. Like I was serious with your ball.

1:19:20.400 --> 1:19:24.600
<v Speaker 1>I say that GW mad They got a um on

1:19:24.600 --> 1:19:27.080
<v Speaker 1>the nineteenth floor, but it was tied up today and

1:19:27.160 --> 1:19:31.639
<v Speaker 1>we couldn't even play today. I was man, but right, yeah,

1:19:35.800 --> 1:19:41.360
<v Speaker 1>come on, I'm on Pete Crack Coke Caine, So y'all

1:19:41.439 --> 1:19:44.920
<v Speaker 1>was on tour together Pete Crack. Will you ever to clue? Nah?

1:19:45.080 --> 1:19:52.080
<v Speaker 1>I can't too late. I was gonna. I was using

1:19:52.120 --> 1:19:55.360
<v Speaker 1>the rock the tour right, Yeah, I was, yeah that

1:19:55.520 --> 1:20:02.600
<v Speaker 1>tell skill using clue gone to be honest, you, I

1:20:02.640 --> 1:20:04.439
<v Speaker 1>only went on two tours. I went on tour with

1:20:04.600 --> 1:20:08.760
<v Speaker 1>UM the Heart of My Life tour and I went

1:20:08.800 --> 1:20:14.360
<v Speaker 1>on Talk Mariah carry In the second time to time

1:20:14.400 --> 1:20:15.920
<v Speaker 1>I et you to say that hold on that ship,

1:20:17.520 --> 1:20:19.680
<v Speaker 1>Yeah I was. I was really trying to focus on

1:20:19.720 --> 1:20:24.360
<v Speaker 1>my radio ships. So whatever, I'm still gonna come on. Right.

1:20:27.080 --> 1:20:31.599
<v Speaker 1>That was a home Girl too. I was really um

1:20:32.439 --> 1:20:36.560
<v Speaker 1>the second tour, I put us one on because I

1:20:36.680 --> 1:20:38.040
<v Speaker 1>was like, you know, I couldn't. I didn't want to

1:20:38.080 --> 1:20:39.840
<v Speaker 1>do every day. So I started putting him on with

1:20:39.880 --> 1:20:41.920
<v Speaker 1>that and then and now now he's on to the

1:20:41.960 --> 1:20:45.920
<v Speaker 1>full time. He's doing they get stuff and all that. Yeah. Yeah,

1:20:46.560 --> 1:20:50.960
<v Speaker 1>put yeah, I like, I like like she's supposed to do. Yeah,

1:20:52.000 --> 1:20:56.160
<v Speaker 1>no hate put your people. Oh man, that was all

1:20:56.760 --> 1:20:57.960
<v Speaker 1>so listen, this is what we want to do. We

1:20:58.040 --> 1:21:00.479
<v Speaker 1>don't go to the story tonight. We don't know, um,

1:21:00.880 --> 1:21:02.439
<v Speaker 1>when are we going to drop this? And they're gonna

1:21:02.520 --> 1:21:06.760
<v Speaker 1>drop I think it's dropping midweek like Monday next week. No, yeah,

1:21:06.800 --> 1:21:11.320
<v Speaker 1>this week coming up Wednesday, Monday Wednesday, you know something

1:21:11.360 --> 1:21:14.360
<v Speaker 1>like that. Let's want to pick up all the podcasts

1:21:14.400 --> 1:21:16.519
<v Speaker 1>out there before big up all the podcasts. Want to

1:21:16.520 --> 1:21:20.120
<v Speaker 1>big up our own crew as of this sound who

1:21:20.160 --> 1:21:27.320
<v Speaker 1>got the biggest podcast out there? Come on? That was

1:21:27.360 --> 1:21:29.559
<v Speaker 1>a sad way for you to big yourself far? Yeah

1:21:30.160 --> 1:21:35.920
<v Speaker 1>that was you did it alright now I wasn't. Oh

1:21:36.040 --> 1:21:43.960
<v Speaker 1>yeah we did two point two million. Yeah, last technical

1:21:44.000 --> 1:21:50.320
<v Speaker 1>clean technically, technically we're being like some radio stations, because

1:21:50.600 --> 1:21:52.640
<v Speaker 1>some radio stations only do I'm not gonna lie in

1:21:53.040 --> 1:21:58.400
<v Speaker 1>my niggas. Hey, I'm happy for y'all. Man, Yeah, thank you,

1:21:58.680 --> 1:22:05.280
<v Speaker 1>because nigga niggas, I'm having to be out you go.

1:22:05.479 --> 1:22:08.559
<v Speaker 1>We're having fun and all we're doing is celebrating hip hop.

1:22:09.240 --> 1:22:11.839
<v Speaker 1>So everybody should be a part of this, every station,

1:22:11.960 --> 1:22:15.040
<v Speaker 1>every people, because you all got history and listen and

1:22:15.160 --> 1:22:16.840
<v Speaker 1>you know, and big up to the people who be

1:22:17.240 --> 1:22:18.720
<v Speaker 1>hitting up saying, you know, you know, I want to

1:22:18.760 --> 1:22:20.760
<v Speaker 1>do it when I got something going on, It ain't

1:22:20.800 --> 1:22:23.200
<v Speaker 1>about that. It's about to sit down and talk about

1:22:23.200 --> 1:22:28.400
<v Speaker 1>your and then maybe whatever you're doing you got going on,

1:22:28.600 --> 1:22:30.920
<v Speaker 1>maybe you're helping you know what I'm saying, Like we

1:22:31.040 --> 1:22:35.640
<v Speaker 1>don't know. Um Like so next uh coming up? You know,

1:22:35.960 --> 1:22:40.920
<v Speaker 1>Jeezy be dropping our episode with jess Day. I don't care.

1:22:41.080 --> 1:22:44.599
<v Speaker 1>That's okay. We're letting Jesus episode out on Jesus Day.

1:22:44.880 --> 1:22:46.880
<v Speaker 1>Because I had to think like a promotional guy. I

1:22:46.960 --> 1:22:49.280
<v Speaker 1>had to think like an artist. I'm like, if I have,

1:22:50.360 --> 1:22:53.599
<v Speaker 1>if if we have this platform and it's supposedly as

1:22:53.720 --> 1:22:56.479
<v Speaker 1>as big as it is, why wouldn't we help the artist?

1:22:59.439 --> 1:23:03.320
<v Speaker 1>So Jesus, we're supporting you fully. He asked me, no death,

1:23:03.400 --> 1:23:06.880
<v Speaker 1>jam ain't call us. There's no payola, Like, this is

1:23:06.960 --> 1:23:10.240
<v Speaker 1>what I'm saying. I hunting. Jez came in, kept it

1:23:10.360 --> 1:23:13.360
<v Speaker 1>really drink au bon. He sweated like sunny d D

1:23:15.680 --> 1:23:20.960
<v Speaker 1>and had fun with us. Yeah, last night, him and Davies,

1:23:20.960 --> 1:23:23.360
<v Speaker 1>they came through the aces and aces and turned on me. Now,

1:23:25.160 --> 1:23:27.280
<v Speaker 1>good dude, man, that was a good show. The fan

1:23:27.400 --> 1:23:31.720
<v Speaker 1>blew about thirty thou singles. I should have when you

1:23:31.760 --> 1:23:34.360
<v Speaker 1>should have asked about you got you got to drink chance,

1:23:34.439 --> 1:23:38.840
<v Speaker 1>gotta come through the aces, man, let's running you running

1:23:38.840 --> 1:23:41.880
<v Speaker 1>the aces. They got a spade in it. Whatever you need,

1:23:42.160 --> 1:23:46.360
<v Speaker 1>you whatever you need, make sure you got it, don't

1:23:46.360 --> 1:23:48.240
<v Speaker 1>worry about that. So you know, before we get up

1:23:48.280 --> 1:23:50.080
<v Speaker 1>out of here, I just want all of y'all to

1:23:50.120 --> 1:23:52.560
<v Speaker 1>shout out your ships, tell you what you got going on.

1:23:53.080 --> 1:23:54.360
<v Speaker 1>You know what I'm saying, And I want to say

1:23:54.439 --> 1:23:57.360
<v Speaker 1>thank you because, like I said again, over here and

1:23:57.479 --> 1:23:59.840
<v Speaker 1>Drink Champion and about no drama and about no beef

1:23:59.960 --> 1:24:02.880
<v Speaker 1>is about bigging up our people. Because if we ain't

1:24:02.880 --> 1:24:04.720
<v Speaker 1>going to big up our people, who the funk would

1:24:04.720 --> 1:24:07.040
<v Speaker 1>big big up our people? I want to give your

1:24:07.120 --> 1:24:09.559
<v Speaker 1>flowers while you can smell them, and I'm gonna smoke

1:24:09.880 --> 1:24:16.120
<v Speaker 1>trees with you when you can hell them. You're I'm

1:24:16.160 --> 1:24:19.000
<v Speaker 1>a real dude. I've done it, I've had fun. So

1:24:19.160 --> 1:24:21.120
<v Speaker 1>Clue tell them what's next. We know the app and

1:24:21.200 --> 1:24:24.479
<v Speaker 1>were beating um that Drink Champs. We feel like more

1:24:25.040 --> 1:24:31.280
<v Speaker 1>than that. It's more than that. Tell us I'm not

1:24:31.360 --> 1:24:33.760
<v Speaker 1>a lot of apples. It's it's the Clue radio app.

1:24:34.439 --> 1:24:36.920
<v Speaker 1>You're gonna be able to download the pipe about thirty

1:24:37.000 --> 1:24:38.720
<v Speaker 1>to forty five days, you know what I mean. It's

1:24:38.760 --> 1:24:41.760
<v Speaker 1>gonna be of course, follow me on Twitter, Instagram at

1:24:41.840 --> 1:24:46.439
<v Speaker 1>dj Clue, and on Snapchat. It's the DJ Clue Show

1:24:46.840 --> 1:24:49.160
<v Speaker 1>and you catch me on Power in New York. That's right,

1:24:49.200 --> 1:24:52.320
<v Speaker 1>Big on the Friday six or ten pm, the number one,

1:24:52.560 --> 1:24:54.200
<v Speaker 1>the number one show in the city. You know what

1:24:54.200 --> 1:24:57.920
<v Speaker 1>I mean, the number one city in the world. It

1:24:58.080 --> 1:25:00.640
<v Speaker 1>is what it is crazy I I say something the

1:25:00.680 --> 1:25:03.200
<v Speaker 1>Clue testament, like he really do break records, you know,

1:25:03.360 --> 1:25:06.639
<v Speaker 1>Clue broke Bring the Goons Out. That's the only record

1:25:06.680 --> 1:25:08.760
<v Speaker 1>I've ever had at radio, and he broke that ship.

1:25:08.840 --> 1:25:10.880
<v Speaker 1>He went and the city went crazy for the ship.

1:25:10.920 --> 1:25:12.760
<v Speaker 1>And even I gotta I always lose you when I

1:25:12.760 --> 1:25:14.680
<v Speaker 1>see you, because nobody ever broke a graph record on

1:25:14.720 --> 1:25:17.680
<v Speaker 1>the fucking radio. He took a chance. Like I'm like it,

1:25:17.760 --> 1:25:24.479
<v Speaker 1>I'm going every time I thank you. I can't. I

1:25:24.560 --> 1:25:28.400
<v Speaker 1>can't tell you how many records I see in Clue Break. Yeah,

1:25:28.439 --> 1:25:32.000
<v Speaker 1>that's the real ship beginning. That's just don't so you know,

1:25:32.080 --> 1:25:33.880
<v Speaker 1>I've got to shout that out. Let me shout out

1:25:33.880 --> 1:25:38.720
<v Speaker 1>all my ship fun. That ain't the best emotionally I got.

1:25:38.800 --> 1:25:41.240
<v Speaker 1>The album Puto called pain Killers Beloaded a couple of

1:25:41.280 --> 1:25:43.360
<v Speaker 1>months ago was dope bro hip hop shich. I know.

1:25:43.439 --> 1:25:44.800
<v Speaker 1>I come from the era where I want to hear

1:25:44.800 --> 1:25:48.280
<v Speaker 1>a real rap, but I take the the old school

1:25:48.320 --> 1:25:49.760
<v Speaker 1>and mixes a new school and get y'all the future.

1:25:49.800 --> 1:25:51.360
<v Speaker 1>So when you'll hear it, y'all see, I got my

1:25:51.439 --> 1:25:53.400
<v Speaker 1>big homy bum Bey on there, and I got a

1:25:53.479 --> 1:25:55.800
<v Speaker 1>joint produced by Pete Pete Rock with a voice to

1:25:55.880 --> 1:25:58.799
<v Speaker 1>five nine on. I got the Lives on the whole project.

1:25:59.080 --> 1:26:02.160
<v Speaker 1>I got Jada kiss Chet and styles Pe on different records.

1:26:02.800 --> 1:26:04.599
<v Speaker 1>But then I got my nikel whis Khalifa on there,

1:26:05.120 --> 1:26:06.640
<v Speaker 1>and I put Jade on the song with Wiz. You

1:26:06.640 --> 1:26:07.880
<v Speaker 1>know what I'm saying. So I just be doing some

1:26:08.000 --> 1:26:09.960
<v Speaker 1>you know, I'll be cheffing up with a sign to

1:26:10.040 --> 1:26:12.280
<v Speaker 1>tell a game. At one point he was kicking it

1:26:12.320 --> 1:26:13.840
<v Speaker 1>about that a little bit, you know what I'm saying.

1:26:13.840 --> 1:26:16.040
<v Speaker 1>But we're just good friends, man, And shout to Wisklifa,

1:26:16.080 --> 1:26:17.840
<v Speaker 1>shout out of the hotel of gang and ship. I mean,

1:26:18.000 --> 1:26:20.240
<v Speaker 1>so I just want to say that, man, support independent

1:26:20.320 --> 1:26:23.759
<v Speaker 1>hip hop, Support independent hip hop, celebrate that ship, complain

1:26:23.800 --> 1:26:25.519
<v Speaker 1>about what's side. If you make supporting what the funk

1:26:25.560 --> 1:26:28.080
<v Speaker 1>you like, So go online and please stream the ship

1:26:28.240 --> 1:26:29.760
<v Speaker 1>by it even though it streams rip us up a

1:26:29.800 --> 1:26:31.720
<v Speaker 1>little bit. I thank you very very much, because I

1:26:31.800 --> 1:26:34.720
<v Speaker 1>still make money off the music. However, you get it,

1:26:34.800 --> 1:26:38.840
<v Speaker 1>just buy it. My graph is in mind album. I

1:26:38.880 --> 1:26:41.080
<v Speaker 1>appreciate that support. Just buy the ship. What I'm saying,

1:26:41.120 --> 1:26:44.200
<v Speaker 1>don't get the bullleg help me help, let me help you.

1:26:44.280 --> 1:26:51.559
<v Speaker 1>How are you still make buotlegs? Yeah it's crazy cy

1:26:52.280 --> 1:26:55.280
<v Speaker 1>normally I'll say, but has it on YouTube right now?

1:26:55.439 --> 1:26:57.719
<v Speaker 1>The independent ship. What I'm saying, So that's pain killers

1:26:57.760 --> 1:27:00.080
<v Speaker 1>be loaded and get that. My Instagram is g F

1:27:00.280 --> 1:27:04.320
<v Speaker 1>g R a f H. Snapchat is Lord of Mercy,

1:27:04.560 --> 1:27:06.360
<v Speaker 1>you know, like Lord Have Mercy. I'm Jamaican, so we

1:27:06.400 --> 1:27:10.800
<v Speaker 1>function up Lord of Mercy on Snapchat, funk with a nigga.

1:27:11.120 --> 1:27:12.400
<v Speaker 1>And like you said before, you know, I used my

1:27:12.520 --> 1:27:14.360
<v Speaker 1>platform to do over things. I got a clothing line

1:27:14.439 --> 1:27:17.600
<v Speaker 1>call Gang NYC. This is one of my send me

1:27:17.680 --> 1:27:23.200
<v Speaker 1>no clothes. I sold out on tour. I w oh, y'all.

1:27:23.240 --> 1:27:24.960
<v Speaker 1>I'll tell the truth. I went on tour with Rot

1:27:25.000 --> 1:27:27.519
<v Speaker 1>the Five. Now, I was my first tour and everything

1:27:27.600 --> 1:27:29.960
<v Speaker 1>sold out on the road. Everything I came back with

1:27:30.040 --> 1:27:32.280
<v Speaker 1>just the empty boxes of ship. So I just never

1:27:32.360 --> 1:27:39.240
<v Speaker 1>told me that, ain't I never told me that we're

1:27:39.320 --> 1:27:41.519
<v Speaker 1>small guys. He's starting out, he's still learning this ship

1:27:42.160 --> 1:27:45.479
<v Speaker 1>should like right there. I just gotta deal with with

1:27:46.240 --> 1:27:49.080
<v Speaker 1>with the factor in China brand new. We're still learning

1:27:49.560 --> 1:27:54.000
<v Speaker 1>China connect. We just started and looked out for a

1:27:54.040 --> 1:28:00.840
<v Speaker 1>drink chance radio on radio, separate programs several you know

1:28:00.920 --> 1:28:04.000
<v Speaker 1>what's going on? You pulling the hand with Ferrari's Lamborghin.

1:28:06.520 --> 1:28:10.880
<v Speaker 1>What's up you gott man? You're looking to the mic

1:28:12.200 --> 1:28:15.840
<v Speaker 1>advertising the six six episodes of SNAPA next week, David,

1:28:15.920 --> 1:28:19.040
<v Speaker 1>So my single shooting the video that asked for we

1:28:19.080 --> 1:28:22.160
<v Speaker 1>should a video six five South A little tricky, you

1:28:22.200 --> 1:28:24.360
<v Speaker 1>know in the building that we got to North Carolina

1:28:24.640 --> 1:28:29.000
<v Speaker 1>connectic connected already and they didn't even say North Carolina.

1:28:29.080 --> 1:28:32.320
<v Speaker 1>I said Nerve Carolina. You know, I like the Spanish

1:28:32.360 --> 1:28:36.920
<v Speaker 1>for real, Like, yeah, I'm working with North Carolina from now.

1:28:39.080 --> 1:28:40.800
<v Speaker 1>What came up to me today? I know I'm in

1:28:41.479 --> 1:28:44.120
<v Speaker 1>the ocean drop from the NBA. You know about the

1:28:44.160 --> 1:28:50.120
<v Speaker 1>game on the podcast you're popping. I don't even know

1:28:50.240 --> 1:28:55.599
<v Speaker 1>you guys. Thanks, you know right now, but I gotta

1:28:55.640 --> 1:29:03.600
<v Speaker 1>enjoy this. Yes, let's make I was skinned on my

1:29:03.800 --> 1:29:07.000
<v Speaker 1>dagger man. Anybody, don't forget crack. Don't forget crack. I'm

1:29:07.200 --> 1:29:15.760
<v Speaker 1>coming hold on. Yeah, I had a whole a little

1:29:15.800 --> 1:29:18.240
<v Speaker 1>separate thing for you because remember I kept telling you

1:29:18.320 --> 1:29:20.320
<v Speaker 1>trying to put take off your hat. Now you want

1:29:20.320 --> 1:29:28.439
<v Speaker 1>to come over like ship, like Tony down up people

1:29:28.560 --> 1:29:32.840
<v Speaker 1>like me. Yeah, shout out Danny gotta see it too,

1:29:32.920 --> 1:29:37.920
<v Speaker 1>This is ship, right even man, Danny got out, Danny

1:29:38.000 --> 1:29:40.800
<v Speaker 1>got a little bit shut out. Danny got to see

1:29:40.800 --> 1:29:42.439
<v Speaker 1>it with the dope mind. You know what I'm saying,

1:29:42.439 --> 1:29:45.920
<v Speaker 1>I love this little boy ship. But shout out you

1:29:46.120 --> 1:29:48.080
<v Speaker 1>nor you man. See, I'm happy for you. You know

1:29:48.080 --> 1:29:50.640
<v Speaker 1>what I'm saying. I'm really really genuinely happy for you

1:29:50.960 --> 1:29:52.920
<v Speaker 1>because I know like we did a two point to

1:29:53.120 --> 1:29:58.840
<v Speaker 1>this mainly. But the only people that's not happy for you,

1:29:59.000 --> 1:30:02.000
<v Speaker 1>people that's not really associating close with you. See, I'm

1:30:02.000 --> 1:30:04.559
<v Speaker 1>happy because I'm your friend, and I know that I'm

1:30:04.560 --> 1:30:10.519
<v Speaker 1>gonna be cool too. When just rich ship, I know

1:30:10.640 --> 1:30:15.760
<v Speaker 1>I got somewhere to go to. But now, yeah, man,

1:30:15.880 --> 1:30:19.920
<v Speaker 1>I was king over pretty much talks the talking. I

1:30:20.080 --> 1:30:23.240
<v Speaker 1>just say, I'll just be cool. What we're going, what

1:30:23.360 --> 1:30:26.439
<v Speaker 1>we're doing. You shout out, shout out Johnny J three

1:30:26.520 --> 1:30:31.599
<v Speaker 1>six five salt Man, really big man, just watch us man,

1:30:31.720 --> 1:30:34.400
<v Speaker 1>just watch us man. The PD crack ring ring. I

1:30:34.479 --> 1:30:39.040
<v Speaker 1>love y'all. Niggs man. Well, I'm thank you, thank you Graf,

1:30:39.240 --> 1:30:41.880
<v Speaker 1>thank you Clue, thank your old skinning on and listen,

1:30:41.920 --> 1:30:43.720
<v Speaker 1>this is what we're gonna do. We want to show

1:30:43.760 --> 1:30:46.120
<v Speaker 1>out to our whole drink Champs, Army. You know what

1:30:46.160 --> 1:30:54.680
<v Speaker 1>I'm saying. Everybody left frack from again. I shot to

1:30:54.720 --> 1:30:58.000
<v Speaker 1>hold Jamaica from Heavywhere in Jamaica. Shout out to hood

1:30:58.240 --> 1:31:00.640
<v Speaker 1>shot the shot that we're not shot to him is

1:31:00.680 --> 1:31:07.559
<v Speaker 1>dead Springfield and all that you know we knew Kendall, Kendall,

1:31:10.880 --> 1:31:15.200
<v Speaker 1>shout out, shout out the dead section one sex two second,

1:31:15.240 --> 1:31:17.639
<v Speaker 1>threes forces five for you something to have night nights

1:31:18.400 --> 1:31:20.920
<v Speaker 1>Iraq always Well, look, I wanted some shout to the

1:31:20.960 --> 1:31:22.880
<v Speaker 1>dream champs on me. You don't want to shout out

1:31:22.920 --> 1:31:24.760
<v Speaker 1>to Hazardus, want to shouts of Sunny d I want

1:31:24.760 --> 1:31:27.800
<v Speaker 1>to shout out to Roster Drain, to Twin Big Drain.

1:31:28.160 --> 1:31:30.040
<v Speaker 1>I want to shout out to Calito. Want to shout

1:31:30.120 --> 1:31:32.680
<v Speaker 1>to Mr Lee And you know what I'm saying, My niss,

1:31:35.840 --> 1:31:42.160
<v Speaker 1>rest of piece of money bags, BUNNYA, Paul eric Um Jose,

1:31:42.680 --> 1:31:45.760
<v Speaker 1>you know what I'm saying. Richie Blanco, Kevin, Kevin, where

1:31:45.760 --> 1:31:49.240
<v Speaker 1>you at? What up? Kevin d to Barbara Roster and

1:31:49.800 --> 1:31:54.920
<v Speaker 1>New York styles. Caltho, my cousin's he's he. We gotta

1:31:54.920 --> 1:32:00.559
<v Speaker 1>get him back on the Marrigan grounds. Pick up to Boris,

1:32:00.800 --> 1:32:04.320
<v Speaker 1>Mr Lee, Starrock clothing, everybody you know, nigga stop something

1:32:04.360 --> 1:32:07.920
<v Speaker 1>here from Peru. Yeah, the Peru niggas is cooked up

1:32:08.000 --> 1:32:12.000
<v Speaker 1>from the coming niggas. My homie from coming home. Peru

1:32:12.120 --> 1:32:24.160
<v Speaker 1>is here. Niggas ain't moss a lot. Yeah, because okay,

1:32:24.200 --> 1:32:28.519
<v Speaker 1>they're gonna kick somebody couch at some point. But Yo,

1:32:28.680 --> 1:32:31.719
<v Speaker 1>so we're gonna go to the club. Story Um, hopefully

1:32:32.200 --> 1:32:34.559
<v Speaker 1>we're gonna see the drink chance to read the drink chances.

1:32:34.720 --> 1:32:37.000
<v Speaker 1>It is true. I'm gonna do another about a rose.

1:32:38.120 --> 1:32:41.439
<v Speaker 1>But you ain't finish your drink. But you said, you

1:32:41.560 --> 1:32:45.840
<v Speaker 1>said okay, so you said you could do it all

1:32:45.920 --> 1:32:49.960
<v Speaker 1>night though, Yeah, because you pause because you will go

1:32:50.080 --> 1:32:53.400
<v Speaker 1>from Vegas like, I'm in a couple all the time,

1:32:53.520 --> 1:32:57.439
<v Speaker 1>so you know, I'm always drinking, so it ain't but

1:32:57.520 --> 1:32:59.040
<v Speaker 1>safe of sounds in the club all the time. He

1:32:59.160 --> 1:33:01.759
<v Speaker 1>never drinks. What do you say to this and listening?

1:33:02.080 --> 1:33:07.280
<v Speaker 1>You gotta get focused. He gotta get focused, So he

1:33:07.400 --> 1:33:09.559
<v Speaker 1>just gotta start drinking. Nigga said, don't drink. I gotta

1:33:10.120 --> 1:33:15.720
<v Speaker 1>say that if you if you were alcoholics, you know,

1:33:16.120 --> 1:33:19.880
<v Speaker 1>if you if you're recovering alcoholic, then it's like, I cool.

1:33:20.240 --> 1:33:23.519
<v Speaker 1>But then you put on Joe Biden too, because Joe Buddy. Listen,

1:33:23.600 --> 1:33:26.760
<v Speaker 1>he just said I talked about podcast, talked about it

1:33:26.760 --> 1:33:29.040
<v Speaker 1>on because Joe was my man and the only reason

1:33:29.040 --> 1:33:31.040
<v Speaker 1>why I talked about on the podcasts him and Envy

1:33:31.120 --> 1:33:33.760
<v Speaker 1>had beef. So why Envy was here? What any come

1:33:33.920 --> 1:33:37.960
<v Speaker 1>when they had to loose? What happened Joe? I just

1:33:38.120 --> 1:33:40.040
<v Speaker 1>was bringing it up because you ht in the podcast

1:33:40.120 --> 1:33:44.880
<v Speaker 1>world and you amv had beef like get back and forth. Yeah,

1:33:45.640 --> 1:33:48.800
<v Speaker 1>there ain't gonna be nothing because you put your then

1:33:49.040 --> 1:33:50.719
<v Speaker 1>that was the whole clue. When you put on fast

1:33:51.160 --> 1:33:54.640
<v Speaker 1>I signed, I gave the Envy album deal. I had

1:33:54.680 --> 1:33:58.519
<v Speaker 1>my deal epics ony. She put Envy because Joe at

1:33:58.560 --> 1:34:04.720
<v Speaker 1>death jam. You know, put Joe and fabulous. I'm not

1:34:04.800 --> 1:34:08.080
<v Speaker 1>really about paused to my horn, but you know, put

1:34:08.120 --> 1:34:11.000
<v Speaker 1>a lot of it makes a noise for Djack that,

1:34:11.920 --> 1:34:15.439
<v Speaker 1>let's sake, takes a look beaty track. Having a perm

1:34:16.360 --> 1:34:18.120
<v Speaker 1>you didn't want you didn't want to give us the

1:34:18.160 --> 1:34:20.280
<v Speaker 1>perm story here, so you gave it the b T

1:34:20.840 --> 1:34:22.479
<v Speaker 1>you know on the load, like if you think about

1:34:22.479 --> 1:34:25.600
<v Speaker 1>it in the media says I knew, I knew you

1:34:25.760 --> 1:34:30.519
<v Speaker 1>had a plan. Like let's say, talk that ship. Yeah,

1:34:30.640 --> 1:34:34.080
<v Speaker 1>how you talking ship? I wanted to show it on

1:34:34.240 --> 1:34:36.600
<v Speaker 1>drink that ship. You're gonna do it for us? N

1:34:37.560 --> 1:34:42.040
<v Speaker 1>you read the bet said all that ship, but what's

1:34:42.840 --> 1:34:47.640
<v Speaker 1>what's property? But what you said he would have to

1:34:47.680 --> 1:34:50.840
<v Speaker 1>stay property when you're bet and you showed him to

1:34:50.960 --> 1:34:53.759
<v Speaker 1>here like that, everybody tell me to warn me about

1:34:53.840 --> 1:34:58.240
<v Speaker 1>you bet. Don't cool that nigg you're watching story, I'm like,

1:34:58.320 --> 1:35:03.240
<v Speaker 1>y'all cool, I don't really guts you watch though, watching

1:35:05.920 --> 1:35:13.080
<v Speaker 1>breaking man, if you go back to the episode, I

1:35:13.120 --> 1:35:15.240
<v Speaker 1>kept saying, took them yeah, because I knew it was

1:35:15.320 --> 1:35:17.600
<v Speaker 1>something because it was like it was like it was

1:35:17.840 --> 1:35:21.000
<v Speaker 1>it was a breaking story. My ship wasn't no breaking story.

1:35:21.280 --> 1:35:24.360
<v Speaker 1>This is the breaking story. You just got a big

1:35:24.479 --> 1:35:29.280
<v Speaker 1>crazy curly fro at that time. My ship puts some

1:35:29.400 --> 1:35:33.960
<v Speaker 1>heat on my ship. Ain't no chemicals though. Yeah, it

1:35:34.080 --> 1:35:38.040
<v Speaker 1>was a perm Yeah It'stagram whole Instagram yet permed out.

1:35:39.680 --> 1:35:42.639
<v Speaker 1>I ain't that. But that's your black size, I mean,

1:35:42.720 --> 1:35:44.960
<v Speaker 1>that's your Puerto Rican side. Team. It's out of perm.

1:35:45.400 --> 1:35:48.439
<v Speaker 1>Black people call out a perm just because you just

1:35:48.439 --> 1:35:51.000
<v Speaker 1>because you want every one stitches on there. You just

1:35:51.960 --> 1:35:56.760
<v Speaker 1>kid you number one. I can number one though I

1:35:56.800 --> 1:36:02.800
<v Speaker 1>ain't boll I never saw yeah, do not at some

1:36:02.920 --> 1:36:06.760
<v Speaker 1>point that people think that I'm balldin all right because

1:36:06.760 --> 1:36:10.599
<v Speaker 1>I've grown my shirt out just to be petty. Don't

1:36:10.640 --> 1:36:12.960
<v Speaker 1>want to give you prepping. You're prepping for the ball.

1:36:13.200 --> 1:36:17.960
<v Speaker 1>Nah nah no VT. My grandfather he died with a

1:36:18.000 --> 1:36:20.200
<v Speaker 1>full head of head. Both of my grandfathers died with

1:36:20.240 --> 1:36:22.439
<v Speaker 1>the full head of hair. I'm great. I'm thinking my

1:36:22.560 --> 1:36:26.840
<v Speaker 1>genetics as I get that purp shit out of you.

1:36:27.000 --> 1:36:30.320
<v Speaker 1>But listen, playing like, let's keep it real. Don't keep

1:36:30.320 --> 1:36:33.639
<v Speaker 1>it real, keep it real because he made a North Philly.

1:36:33.680 --> 1:36:35.760
<v Speaker 1>That's a lot of Spanish niggers. What do y'all call

1:36:35.840 --> 1:36:40.479
<v Speaker 1>it again? No, it was the other big rule. This

1:36:40.560 --> 1:36:42.960
<v Speaker 1>is a lot of Spanish telling us a perm and

1:36:43.080 --> 1:36:56.200
<v Speaker 1>black conny condition and some heat. That's then my mother

1:36:56.360 --> 1:37:00.439
<v Speaker 1>just say you ball ball. I'm gonna prove myself bring

1:37:00.560 --> 1:37:05.080
<v Speaker 1>the hair back. I'm let's take your ad clue. Let's

1:37:05.080 --> 1:37:16.439
<v Speaker 1>see let's see yeah, no, but I do see. No,

1:37:16.600 --> 1:37:18.840
<v Speaker 1>you got a little bit of George Jefferson coming back.

1:37:20.000 --> 1:37:23.760
<v Speaker 1>I expect that coming in, but I can pare you wrong.

1:37:25.000 --> 1:37:33.720
<v Speaker 1>Puerto Rican back two dayson. Just cut, I'm gonna I've

1:37:33.920 --> 1:37:40.320
<v Speaker 1>dressed my Friday. I'm just storing it out. And my father,

1:37:40.479 --> 1:37:43.320
<v Speaker 1>my father used to take. My father used to drink,

1:37:43.680 --> 1:37:45.840
<v Speaker 1>and when he ain't drink, his head wight grow. But

1:37:45.920 --> 1:37:48.240
<v Speaker 1>when he drank, his hair grow. The next day he

1:37:48.280 --> 1:37:50.760
<v Speaker 1>would shave itself and the next day, So I got

1:37:50.840 --> 1:37:53.439
<v Speaker 1>that same thing. That's true. What I'm saying, go to

1:37:53.479 --> 1:37:56.320
<v Speaker 1>you the next day. No, yeah, yeah, basically here his

1:37:56.360 --> 1:37:59.040
<v Speaker 1>ship just grow right back. This is this real fun

1:37:59.360 --> 1:38:03.040
<v Speaker 1>and you pay him Indian and Jamaican. Absolutely. How many

1:38:03.080 --> 1:38:05.479
<v Speaker 1>kids you got? Mad? Bitches want your kids? If you

1:38:06.680 --> 1:38:08.960
<v Speaker 1>my man, he's down with the leave it in gang.

1:38:09.040 --> 1:38:15.360
<v Speaker 1>That's not me, not clue, not married, You ain't none

1:38:15.400 --> 1:38:21.160
<v Speaker 1>of that got in. Girls gonna shit on you right

1:38:26.080 --> 1:38:30.160
<v Speaker 1>y you do. Graphy ass. She gotta be phenomenal. Man.

1:38:30.200 --> 1:38:32.400
<v Speaker 1>The pussy is getting If she's not, she's bad enough

1:38:32.439 --> 1:38:37.599
<v Speaker 1>to pussies. He's getting handled. But extra, they asked, question,

1:38:37.760 --> 1:38:47.720
<v Speaker 1>is skino elevator the elevator ride down? Clue ass, she

1:38:47.800 --> 1:38:49.720
<v Speaker 1>gotta be phenomenal. I gotta be looking at that bas like,

1:38:49.840 --> 1:38:52.600
<v Speaker 1>oh my god, I'm living graph Is on play with It.

1:38:53.280 --> 1:38:54.800
<v Speaker 1>She gotta be like that. If it ain't like that,

1:38:54.880 --> 1:38:56.320
<v Speaker 1>then it's like you know you're doing what you're doing.

1:38:56.360 --> 1:39:07.760
<v Speaker 1>It's like phide Cracks, isn't Terry's about. You're scared of

1:39:07.840 --> 1:39:12.160
<v Speaker 1>the ask inquestion? But look once again, man by easy

1:39:13.920 --> 1:39:16.760
<v Speaker 1>I eat asshole a big difference. It's got to be

1:39:16.880 --> 1:39:19.920
<v Speaker 1>really really bad for your brain. Even for your brain

1:39:20.040 --> 1:39:22.200
<v Speaker 1>even go there. You gotta look out. You gotta be

1:39:22.240 --> 1:39:24.200
<v Speaker 1>thinking about doing all kind of ships for the clothes

1:39:24.240 --> 1:39:26.920
<v Speaker 1>even come off. You know what I'm saying Like that, Well,

1:39:27.000 --> 1:39:29.519
<v Speaker 1>look out for the new interview. We got puff and

1:39:29.600 --> 1:39:34.040
<v Speaker 1>cash on here when I was crazy? When when is

1:39:34.120 --> 1:39:36.840
<v Speaker 1>new in warring music coming out? I got I got

1:39:37.040 --> 1:39:42.240
<v Speaker 1>as It's Dope Me and Justice League I've never done

1:39:42.920 --> 1:39:51.040
<v Speaker 1>debuted on Clue Radio. Yeah yeah soon Yeah soon, We're

1:39:51.080 --> 1:39:53.559
<v Speaker 1>gonna do it. Man. Thank the people for joining us

1:39:53.560 --> 1:40:03.120
<v Speaker 1>again Drink Chats Podcast. All our guests one motherfucking did

1:40:03.160 --> 1:40:06.719
<v Speaker 1>we do? Ao has? Hold up one second? While everybody

1:40:06.800 --> 1:40:08.840
<v Speaker 1>know they could check us at drink champs dot com.

1:40:09.320 --> 1:40:12.880
<v Speaker 1>Follow us at drink Champs on Twitter. Instagram and Facebook.

1:40:13.320 --> 1:40:17.080
<v Speaker 1>Check Noriatta at the Real Norieg on Instagram, at Norieg

1:40:17.200 --> 1:40:20.080
<v Speaker 1>on Twitter and New Year Nori on Snapchat. You can

1:40:20.160 --> 1:40:22.559
<v Speaker 1>check me d j e f at at Who's Crazy

1:40:22.680 --> 1:40:25.960
<v Speaker 1>Instagram at d j e f n on Twitter at

1:40:26.040 --> 1:40:29.240
<v Speaker 1>Who's Crazy on Snapchat. Make sure you follow the team

1:40:29.640 --> 1:40:33.559
<v Speaker 1>our visual media manager Rich Blanco at Rich underscore Blanco

1:40:33.880 --> 1:40:36.679
<v Speaker 1>on Instagram and Twitter. Our engineer has It Its Sounds

1:40:36.920 --> 1:40:39.519
<v Speaker 1>at has It Its Sounds on Instagram and Twitter. Our

1:40:39.560 --> 1:40:43.519
<v Speaker 1>photographer Big Drain at Drain on Instagram and at big

1:40:43.640 --> 1:40:47.400
<v Speaker 1>Drain on Twitter. Are graphic artists a kz at Akz

1:40:48.439 --> 1:40:51.560
<v Speaker 1>on Instagram and Twitter. Also shout out the whole CBS

1:40:51.800 --> 1:40:55.200
<v Speaker 1>play dot It team. Follow them at play it on Twitter,

1:40:55.600 --> 1:40:57.719
<v Speaker 1>and make sure you grab yourself some Drink Champs shirts,

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<v Speaker 1>shot glasses and cups and all that merch at drink

1:41:00.640 --> 1:41:03.200
<v Speaker 1>Champs dot com or check our homies at eight nine

1:41:03.320 --> 1:41:06.000
<v Speaker 1>dot com. Head over to iTunes and pick up the

1:41:06.080 --> 1:41:09.000
<v Speaker 1>singles for the Win Moguls and Petty, as well as

1:41:09.040 --> 1:41:12.320
<v Speaker 1>a Drunk Uncle project from Nori. Also, my album Another

1:41:12.400 --> 1:41:15.599
<v Speaker 1>Time is out now available on iTunes, Spotify, Google Play

1:41:15.720 --> 1:41:19.080
<v Speaker 1>or physicals at crazyhood dot com. Check hasard its Sounds

1:41:19.120 --> 1:41:21.479
<v Speaker 1>projects Save the Culture and you can check that at

1:41:21.520 --> 1:41:24.080
<v Speaker 1>hasard its Sounds dot com or check it on all

1:41:24.120 --> 1:41:27.479
<v Speaker 1>digital platforms. Also look out for Nori's cooking show coming

1:41:27.640 --> 1:41:30.640
<v Speaker 1>very soon and My Coming Home Vietnam film which you

1:41:30.680 --> 1:41:33.400
<v Speaker 1>can see the previous films about Haiti, Cuba and Peru

1:41:33.680 --> 1:41:37.120
<v Speaker 1>currently on Revolt TV. Shout out the whole drink Chats Army.

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<v Speaker 1>We really appreciate your support and we out of here

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<v Speaker 1>Now that's simple, easy, awesome. Go to Exfinity dot com,

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<v Speaker 1>supply