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Speaker 1: This is Firefighter Raphael Poiriet for Firehouse Subs introducing new

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Speaker 1: firehouse pairs. Pair your favorite small sub with a signature

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Speaker 1: side like the awesome five cheese mac and Cheese, and

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Speaker 1: remember a portion of every purchase at Firehouse Subs goes

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Speaker 1: towards helping first responders. Firehouse Subs enjoy more subs, save

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Speaker 1: more lives. Participating locations. Don't leave firehouse hubs, but don't

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Speaker 1: eat a minimum one million dollars in two thousand nineteen

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Speaker 1: to the Firehouse Subs publicly safe the foundation by don't

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Speaker 1: any point of every purchase. He's a legendary Queen's rapper,

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Speaker 1: hang boy, He's a Miami hip hop pioneer. What up

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Speaker 1: is d J e f n Together they drink it

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Speaker 1: up with some of the biggest players in music and sports.

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Speaker 1: You know what I mean, the most professional unprofessional podcast

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Speaker 1: and your number one source for drum facts. This is

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Speaker 1: Drinks chap Radar. Every day is New Year's Eve, just

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Speaker 1: for port life. Drink Champ Sports. This is the Sly

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Speaker 1: Father And what up is d J E f YEA Yeah,

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Speaker 1: drink Champs on Drink Champ Sports. Now, Paul, let's get

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Speaker 1: to it. You predicted. I didn't. I predicted that the

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Speaker 1: cub is gonna win in six. But they win seven.

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Speaker 1: So we we gotta still make some noise for you

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Speaker 1: because he was the time your your first prediction with

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Speaker 1: us was wrong, right, I don't remember that that was?

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Speaker 1: That was that was last season? On and on. Okay,

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Speaker 1: so how about this this Sunday, the Rifles just going

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Speaker 1: down the Jets. The division rivals is in effect. We

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Speaker 1: got the Jets in town Miami Jets Gang Green with

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Speaker 1: the Dolphins, and it's gonna be a great game. The

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Speaker 1: fans love it, the community love it, both cities love it,

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Speaker 1: both states love it. It's Jets in Miami. I just

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Speaker 1: it's a bunch of other games too. But but that's

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Speaker 1: like my prime time. But Miami's going down Gang Green

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Speaker 1: Jets to stand up. That's right. What's your prediction in

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Speaker 1: Batmanton this year? Joseane? And where who is back? I

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Speaker 1: don't know? Hey, so what's your prediction? Wait? Wait, wait, okay,

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Speaker 1: you got another sports outside of do um? How about

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Speaker 1: Christmas and Night? Christmas Night is the first time Golden

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Speaker 1: State plays the Calves. Is this true? Gold Yes, this

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Speaker 1: is the first time since the Championship and that's Christmas Night. No,

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Speaker 1: I don't know how you don't know. There's your dream

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Speaker 1: chand sports. I mean I got thanks Giving in order?

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Speaker 1: What Thanksgiving pre Well? I think Detroit is gonna take it.

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Speaker 1: The Detroit lines, I'm saying, Um, they usually have a

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Speaker 1: great game this time of year. Is this because the

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Speaker 1: stats are? Because this is what you just you like

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Speaker 1: them stats. I've tried to sharpen my skills because I

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Speaker 1: don't want to put my money on you just being

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Speaker 1: like I have a feeling. I proved it today. Shout

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Speaker 1: out to Chicago. That one you can't somebody google on

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Speaker 1: Christmas Day. I think it's um, um, the Calves Verse

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Speaker 1: Golden State the first time the championship. What's your prediction

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Speaker 1: for Super Tuesday? Hey, dickhead, what's your prediction for Super Tuesday?

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Speaker 1: Give some boris you don't know Super Tuesday? I mean,

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Speaker 1: do you know what that what I'm talking about? The election? Yeah?

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Speaker 1: Voter Yeah, because he's I mean, I think Hillary is

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Speaker 1: gonna win. But there's a lot of people that that's

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Speaker 1: trying to prove me wrong. Go out there, vote for Hillary.

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Speaker 1: Got the old vote. God, damnit, voter die. That's Thanksgiving, Christmas,

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Speaker 1: Christmas Warriors Calves, Warriors Calves, and I think kas is

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Speaker 1: gonna win. I predicted Caves gonna win that game because

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Speaker 1: Lebron just had a Halloween party and he had Steph

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Speaker 1: Curry cookies, right, he had Steph Curry and Draymond Green

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Speaker 1: is already lying the fire saying he want to demolish them.

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Speaker 1: He wants to I want to thrash them, he said

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Speaker 1: it like like the other day. So he's out there

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Speaker 1: all right, and then thanks Giving basketball? What you what

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Speaker 1: you got Thanksgiving? Oh yeah, yea. Our Google is not

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Speaker 1: very Google. We do it all, do it, I'm he said.

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Speaker 1: The Detroit Lions said, Detroit Lions, NBA, don't come on,

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Speaker 1: I'm not well, you know, you know, while we at

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Speaker 1: it that that's that's like the people check check out

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Speaker 1: drink Champs dot com. Yeah, the new dream Champs New

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Speaker 1: Drink Champ at make sure you download the iPhone emojis

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Speaker 1: and it's for the Android two or the Drink Champs,

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Speaker 1: the drink Champ chap. The regular app is for iPhone

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Speaker 1: and Android. We got the new dream Champs dot com absolutely,

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Speaker 1: and then for iPhone seven and all iOS tenk users

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Speaker 1: you could download the stick of app for text messaging.

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Speaker 1: They got to type in drunk text by Drink Champs

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Speaker 1: in the app store and download it and it pops

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Speaker 1: up in your keyboard where you find your jifs or

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Speaker 1: your gifts or whatever the ji jifs. It's gifts. Know

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Speaker 1: what somebody tells. But we gotta shout out to HOMEI

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Speaker 1: that that created the apps at e f X apps,

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Speaker 1: e f e x X apps, and he created the apps,

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Speaker 1: and our graphic designer Akzy at AKZ nine one six

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Speaker 1: shout out to him. And also pick up the new

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Speaker 1: Drink Champ slides. Yeah, the sh are tight. I call

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Speaker 1: him slippers, but I noticed that that like the millennials

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Speaker 1: call him slides, but um slippers definitely. And also, um,

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Speaker 1: we're gonna go request them if you're in the New

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Speaker 1: York area. A lot of people have been trying to um,

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Speaker 1: you know, get drink trance material or Fat Joe's up

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Speaker 1: y Uh supposed to be able to Uh, it's supposed

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Speaker 1: to be um packaging the slippers, the shirts, the cups

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Speaker 1: and everything. So go see Fat Joe Store up NYC.

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Speaker 1: You know what I mean. We're actually going to visit there.

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Speaker 1: As well the whole Drink Champs shout out to eight

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Speaker 1: to nine as well. Shout out to eight and nine

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Speaker 1: of course, and um so we'll get into this episode. Also,

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Speaker 1: I want to pick up my guy tax Stone out

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Speaker 1: there did a great interview with Meek Milk. Just everybody

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Speaker 1: go out there and and and and and check it out.

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Speaker 1: It's dope, m very informative. And I like the fact that,

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Speaker 1: you know, artists are now coming to podcasts as opposed

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Speaker 1: to you know, running too radio traditional thing. So I

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Speaker 1: want to keep supporting that, keep you know, pushing the

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Speaker 1: coaching forward. Also, you know, we got Joe Button's coming up.

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Speaker 1: He got a podcast out there, naming that podcast later,

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Speaker 1: Big Up Combat Jack, Big Up Rap Radar, tax Stone,

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Speaker 1: Brilliant Idiots, and you know all the other podcasts out there.

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Speaker 1: Wat got a dope one out there, Kim. I feel

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Speaker 1: like I set that up because they hit me to say,

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Speaker 1: you know, who's the connect for Masters of Ceremony, And

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Speaker 1: I gave you the connect And then I didn't realize

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Speaker 1: that rock Kid was on the show and they, like

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Speaker 1: they did Drink chap Stars they set up backstage. I

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Speaker 1: was like, yeah, but you know, what's to loot them

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Speaker 1: because it was great to warn up steam. It sounds

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Speaker 1: um Rosenberg, you know, big big y'all guys up, lover

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Speaker 1: styles her podcasts out there, and uh Maria Raligious, I

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Speaker 1: forgot her name. I'm sorry, she got a podcast out there,

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Speaker 1: but you know, pick it up. You know what I'm saying,

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Speaker 1: big up. All of those going down. So we'll get

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Speaker 1: to this DJ podcast right now. DJ clue, DJ clue,

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Speaker 1: you know what I mean. Shout the graph. Also shout

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Speaker 1: the graph. Shout to Oskino and p Kraft came again.

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Speaker 1: They cut me. Let's drunk, that's drunk. You wanted to

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Speaker 1: even it out. So we're gonna get into it, man.

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Speaker 1: And as you know, man, we got something. We've got

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Speaker 1: a surprise, you know. Um, We've got a couple of

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Speaker 1: announcements coming everything. And we got a couple of TV

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Speaker 1: announcements coming soon as well. And and Thanksgiving night we're

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Speaker 1: playing something very very huge. We're gonna start promoting it

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Speaker 1: now so you guys can understand that we're really going

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Speaker 1: all out for you guys, so you know, and no

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Speaker 1: more sports predictions, Paul Thanksgiving one, yeah, oh yeah, Thanksgiving ones, Timberwolves, Pelicans, Timberwolves, Pelicans,

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Speaker 1: Minnesota all the way. It's gonna take that one. Lakers, Warriors,

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Speaker 1: that's their names, and the Pelicans, Pelicans, Lakers and the Warriors,

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Speaker 1: Lakers and the Warriors. I think I think I got

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Speaker 1: the Lakers on that one. Yeah, you know the dream

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Speaker 1: chances are you demolished if you're wrong, right right, So

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Speaker 1: think it through because you're just throwing these out there

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Speaker 1: sports too, just to do it. That drink Chance sports

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Speaker 1: bother him and the thunder in the Kings, the last

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Speaker 1: one Thundering the Kings. Thunder's gonna take that Westbrook. He's

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Speaker 1: on the point. How Westbrook we're doing out there? He's ridiculous.

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Speaker 1: He's going like forty eight points either night. Wow, I

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Speaker 1: haven't been paying that much attention this year to basketball football.

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Speaker 1: I'm disappointed to myself. But by yeah, it's just busy man.

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Speaker 1: But you know we have the new has Matt Studio.

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Speaker 1: Shut up by the way, man. You know last time

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Speaker 1: I came, um, it was normal. Right now it's fine,

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Speaker 1: it's very fine. So you know, if you need your

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Speaker 1: ship mixed, hit up Hazard the Sounds, you know what

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Speaker 1: I mean. You can hit up Drink Champs for its

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Speaker 1: contact for as well. Uh, and you know we do.

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Speaker 1: We're all here doing it man, having fun. Man, let's

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Speaker 1: get into this episode. Uh, let's having fun. Let's go, Hey,

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Speaker 1: Hank Green Hope, it's this your boy? And what is

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Speaker 1: DJ drink Chest for? The podcast makes up? Right now

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Speaker 1: we have a legendary DJ in the building and I'm

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Speaker 1: gonna keep it a hundred. If it wasn't for him,

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Speaker 1: I might not be where I'm at. He used to

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Speaker 1: discover the records I heard choking no joke the other day,

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Speaker 1: say the whole tunnel was based on what records Clue

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Speaker 1: was playing. He's dominated the mixtape game. He's from my

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Speaker 1: home barrow. We know each other twenty years at least.

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Speaker 1: Let's let's let's say ten because we're trying to stay young.

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Speaker 1: But right now in the building, we have the legendary

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Speaker 1: DJ Clue and the drink Chat makes up? Now? What

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Speaker 1: take us in the beginning, In the beginning, Um, uh,

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Speaker 1: it's in my phone. Okay, So take us in the beginning.

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Speaker 1: How you first started? Um, what's it? You started as

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Speaker 1: a DJ or you started doing mix taps? To be honest,

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Speaker 1: you started wrapping, man. I used to wrap. Yeah, I

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Speaker 1: used to wrap, man Um, I didn't even like the

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Speaker 1: spotlight too much, man at all. Like, so, I mean

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Speaker 1: I kind of being like a little bit kind of

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Speaker 1: behind the scenes, but not too months. So I said,

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Speaker 1: you know, I'm gonna start. Don't got a cup, Let's

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Speaker 1: get clear cup? Can get clear cup? Continue? Yes? Yes,

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Speaker 1: So I was rapping doing little shows here and then

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Speaker 1: you know Rocherdale Village all that, you know, around the

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Speaker 1: way stuff, and I just sided like yo, man, get

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Speaker 1: behind the turntable to start DJ. And so that's how

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Speaker 1: that came about. Man. So what's the first time, like

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Speaker 1: Clue got recognized when um it was a Biggie joint

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Speaker 1: or something like that. I'm not gonna say that's the

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Speaker 1: time I got recognized, but that was like that was

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Speaker 1: a big defining moment. Yeah, yeah, yeah. When he got on,

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Speaker 1: he got on FLEXI on, he was like, I'm looking

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Speaker 1: for you and I found you. But what record was this? Um?

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Speaker 1: It was? I think it was the original version of

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Speaker 1: One More Chance, Na right, it wasn't One More Chance.

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Speaker 1: I forget what the record it was, man, But because

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Speaker 1: I had so many records back then, man Um, I

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Speaker 1: think it might have been it might have been a

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Speaker 1: snippet of Juicy and another record. I think, yeah, mad

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Speaker 1: was a snippet of Juicy and then um and the

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Speaker 1: the original, Uh, the original I think it was me

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Speaker 1: it was it was one more chance it was it

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Speaker 1: was original version of Juicy. Another record he had though,

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Speaker 1: but already Mad mix tapes by that point. Yeah, I

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Speaker 1: had Mad mix tapes moving. But it was kind of

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Speaker 1: it was kind of on on on a local level,

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Speaker 1: you know what I mean. So, now, how did you

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Speaker 1: start getting these these exclusive NAS freestyles? Like at one point,

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Speaker 1: if you wanted to hear NAS, you had to have

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Speaker 1: a clue. Take yo, man, hear everything. I mean basically

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Speaker 1: I got in the car, man, I ain't even know

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Speaker 1: tow me heads out there in New a couple. I

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Speaker 1: just got in the call with the queens Bridge and

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Speaker 1: started asking questions. Yeah. See that's see that, you know

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Speaker 1: when you when you say that, that's what the different

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Speaker 1: points when poor Rank come on, got that. I don't

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Speaker 1: want touching with nobody. Let you get your own right.

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Speaker 1: So that's the difference between when you DJ and what

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Speaker 1: DJ's is now. Because DJ's now they just it seems

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Speaker 1: like DJ's just followed the trend. Now they just play whatever.

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Speaker 1: They go to the town and ask what's hot or

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Speaker 1: but back then used to go in Queen's Bridge and

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Speaker 1: forty projects, and it was it about you getting it first,

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Speaker 1: or was you about um uh you you you you

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Speaker 1: just breaking this record. It was kind of it was

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Speaker 1: kind of trying to trying to find that that hot

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Speaker 1: new thing at the time. You know what I'm saying,

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Speaker 1: that that unfound talent and just and just going and grinding,

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Speaker 1: man and and and working with people in the studios

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Speaker 1: and making them hot joints. Definitely, so then now what

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Speaker 1: you like better back then or now? Definitely back then?

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Speaker 1: Back then? Yah, Well, I break that down. I mean

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Speaker 1: I feel like it's kind of in a way, it's oversaturated,

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Speaker 1: you know what I mean, Like like I tell a

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Speaker 1: story all the time, and you go on the Internet

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Speaker 1: every day and you wake up and it's fourteen new records,

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Speaker 1: album's records, freestyles, videos, And I mean me, as a DJ,

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Speaker 1: I gotta be real meticulous with what I picked and

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Speaker 1: choose to funk with. But at the same time, you

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Speaker 1: gotta figure that the consumer gotta be confused because they

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Speaker 1: don't know. No one has enough time on their hands

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Speaker 1: to click on fourteen records and check them out and

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Speaker 1: they all sound the same anyway, Yeah, some of them

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Speaker 1: sound the same and sell them as bliss. It was like,

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Speaker 1: you know, it's like roulette, man, you know what I

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Speaker 1: mean kinda what's the record that stands out to you

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Speaker 1: right now? Like if it wasn't hot that you would

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Speaker 1: want to take this record and blow it up? A

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Speaker 1: record that's not how yet, like like like uh not,

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Speaker 1: I don't want to say that's not hot that but

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Speaker 1: like something that you're into that even if it wasn't hot,

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Speaker 1: you would you would take this record and feel like

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Speaker 1: you would personally want to break it. That's tough, man.

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Speaker 1: There's a lot of records out there that the um

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Speaker 1: that kind of me. I mean, like when I heard

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Speaker 1: the Young may Reck, I knew it was hot, you

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Speaker 1: know what I mean? I knew that was gonna be

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Speaker 1: a smoker. Puerto Rican gotta open up his pineapple juice.

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Speaker 1: Come on, somebodyst to have the thing. Come on, Puerto Rican,

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Speaker 1: come on, let's go. But don't fast forward too much.

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Speaker 1: I like to go back to the mixage kick, like

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Speaker 1: how did you how did that all get started? Like

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Speaker 1: what's the inception? When did you say I want to

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Speaker 1: be a mixtape DJ. Then you start rolling them out.

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Speaker 1: I used to go Jamaica Avenue. I used to get

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Speaker 1: on uh well even let's for one a little bit.

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Speaker 1: Even before that, I said, like have my car. When

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Speaker 1: I was young, you know, I had I had license.

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Speaker 1: As soon as you get licensed back then was like

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Speaker 1: fitting and I had a call back. Then I used

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Speaker 1: to like having you know, dope music to play. Have

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Speaker 1: a little fake system, you know the home speaking. Yeah,

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Speaker 1: I like everybody a matter of fact, he's a DJ

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Speaker 1: Snapple factor. I bought my system that I had him.

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Speaker 1: I have Nissan Sentral right. I bought my crazy system

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Speaker 1: from who Kids before he was before he was who Kids.

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Speaker 1: I bought the system that was in his car, brought

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Speaker 1: it from him because I liked it. Yeah, so I

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Speaker 1: needed to shake the trustle on the Jamaica Avenue. So

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Speaker 1: I need that because then yeah, so I brought I

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Speaker 1: bought two kids um his his system and through to

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Speaker 1: my trump you know what I mean. And I used

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Speaker 1: to have mix tapes. I used to get baby J

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Speaker 1: and I used to go to the house. I used

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Speaker 1: to pay DJs to make me make me a mix tape.

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Speaker 1: Now you're saying when you say you to my DJ, Yeah,

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Speaker 1: he used having mixed tapes and he's a cat named

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Speaker 1: baby j Okay, I get around that, not yet now

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Speaker 1: you Okay? Yes, So I used to go to the Advocate,

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Speaker 1: True Life mixing tapes, a couple of little uh you know,

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Speaker 1: more local DJ's, Dog Time, Grandmaster VICI. They legendary and queens,

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Speaker 1: you know what I mean? Right right? So I just

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Speaker 1: get all kind of mix tapes. And I used to say, man,

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Speaker 1: like yo, if someone made a mixtape that was hot

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Speaker 1: from beginning to end with no fast forward and they

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Speaker 1: get murdered and make some real cash, you know what

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Speaker 1: I mean? So what was your first mixtape you felt

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Speaker 1: like took off? Well, I had to be sneaky man

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Speaker 1: when I started. I didn't want to have taking number one.

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Speaker 1: I started taking number twenty six, you know what I mean,

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Speaker 1: to make people think I've been doing it for a while.

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Speaker 1: You know I did that, But I did it with

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Speaker 1: number two. I started to taking number six baby, So

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Speaker 1: that's crazy. Yeah, where did uice go? When did you

305
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Speaker 1: mean you made Remember Mark fermannection? Was he instrumental at all?

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Speaker 1: And what you did? I mean he was a big

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Speaker 1: mix tape distributor not raided by the FEDS, and I

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Speaker 1: know who yeah, yeah, dodging the Fed's back then was

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Speaker 1: was was for me, but half people because they was

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Speaker 1: too They tried to be too over the top with it,

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Speaker 1: you know what I mean. I tried to stay you know,

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Speaker 1: but why was that break confederal laws? I don't understand

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Speaker 1: your copyright? Yeah, copyright, but um, but how is the copyrighted?

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Speaker 1: Frenchman's the artist, you're a bootlegger. That's that's a mixtape.

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Speaker 1: DJ a lawyer. When I told him what I did,

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Speaker 1: He's liked, you need to stop. I said, you don't understand.

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Speaker 1: But you don't understand. Yeah, that's the lawyer. I told him, mixtape,

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Speaker 1: you need to stop that ship right now, even even

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Speaker 1: because even the artists don't even really own the music.

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Speaker 1: Really yeah, as you you know what I mean? That

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Speaker 1: was you know, so the corporate the corporate people, they

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Speaker 1: they was running down on people. Man, it's getting and

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Speaker 1: I heard my name tossed around, but you know what

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Speaker 1: I mean, And they didn't run down like DJ Drama. Now,

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Speaker 1: I didn't do that. I seen that and I was like, whoa,

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Speaker 1: I mean that that was a good thing. I dodged

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Speaker 1: that one, you know what I mean? So that so

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Speaker 1: that was you didn't you do a bad boy mixtape?

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Speaker 1: I definitely did a bad one the first one. Yeah,

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Speaker 1: I did the first bad Onoe mixtape because um, you know,

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Speaker 1: half and them there was from my neighborhood, had from

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Speaker 1: Queen's half. He's being Queens. I'm not seen myrix. It

333
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Speaker 1: was all from around the way. So when they when

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Speaker 1: he was doing a mixtape, they was like, yo, you

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Speaker 1: know we want you to be on it, all right? Cool?

336
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Speaker 1: So I said, you know, a Puerto Rican did not

337
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Speaker 1: open this out putter wecans. Don't someone use a knife

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Speaker 1: to the open That's just gotta be a Dominican who

339
00:18:24,040 --> 00:18:29,320
Speaker 1: open this. You did a little bit, all right, let

340
00:18:29,320 --> 00:18:31,000
Speaker 1: me get you some more ikes. Man, you don't get

341
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Speaker 1: a clue drunk. He can be smooth. You try and

342
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Speaker 1: get me drunk, it's gonna be a long night. But

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Speaker 1: remember I'm gonn club every night, so I've been drinking

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Speaker 1: all time. So now, how was that was that your

345
00:18:43,800 --> 00:18:47,080
Speaker 1: first time working with Pup? Well, actually, you know what

346
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Speaker 1: I mean. You know we want a little bit. You know,

347
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Speaker 1: Pup wasn't really my good friend of mine. Time because

348
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Speaker 1: he was mad because that big thing. So when he

349
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Speaker 1: found out I was working in our city records, you

350
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Speaker 1: know me, he called him Steve Stout so off was

351
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Speaker 1: looking for me. W yeah, because it was Steve brought

352
00:19:05,520 --> 00:19:06,879
Speaker 1: up in the same block, right or something like that,

353
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Speaker 1: in the same name. Yeah, so m so when he

354
00:19:10,160 --> 00:19:11,639
Speaker 1: called him there, man, like he didn't even know what

355
00:19:11,680 --> 00:19:14,960
Speaker 1: was me answering phones like can I help you? Sean

356
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Speaker 1: combs on? Is that keep clue? Like nine nine? I

357
00:19:17,600 --> 00:19:21,720
Speaker 1: ain't right, you know. So, I mean it was cool.

358
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Speaker 1: We worked that, we smoothed it out though, man, and

359
00:19:23,280 --> 00:19:24,520
Speaker 1: it was cool, like you know what I mean, Big

360
00:19:24,560 --> 00:19:28,080
Speaker 1: became real cool and you the whole team. And then

361
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Speaker 1: when I went to Brooklyn, I had to go brookekn

362
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Speaker 1: to go pick up exclusive for Junior Mafia. I went

363
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Speaker 1: by myself to you know what, we had to go

364
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Speaker 1: in the Peace you know after the Yeah, yeah, I

365
00:19:38,440 --> 00:19:39,720
Speaker 1: had to go to Peace and that I went to

366
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Speaker 1: buy myself to go pick with the exclusives. Yeah. Yeah.

367
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Speaker 1: Back then I used to just be rolling around like

368
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Speaker 1: I ain't kid, who wasn't rolling. I was just trying

369
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Speaker 1: to go do what I had to do, you know

370
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Speaker 1: what I mean? And so so how was it working

371
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Speaker 1: with the Rockefeller when did you? Wasn't you also Rockefeller's

372
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Speaker 1: first artist? I wasn't Rocking Fellers first artist, what I mean?

373
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Speaker 1: I was the definitely the first DJ. Yeah, definitely the

374
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Speaker 1: first DJ. I mean IRV Gotti had bought Jad meet

375
00:20:07,119 --> 00:20:10,200
Speaker 1: me at a Harlem music cut his music hunt. Damn

376
00:20:10,280 --> 00:20:15,119
Speaker 1: that spot is closed the train stage everybody there, yes, so, um,

377
00:20:15,480 --> 00:20:18,000
Speaker 1: you know, he was trying to get Jay's record broken.

378
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Speaker 1: I think it was. It was either in my lifetime

379
00:20:22,280 --> 00:20:25,399
Speaker 1: or was I'm not sure. It's one of them joints,

380
00:20:26,440 --> 00:20:28,119
Speaker 1: but he was trying anyway, He's trying to get uh

381
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Speaker 1: James records heard. So he was like yo, He's like yo,

382
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Speaker 1: I want you hear this cat. I was like, all right, cool.

383
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Speaker 1: So I met him, you know, but you know, Jay's

384
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Speaker 1: a real monotone, cool, smooth nigger, so he asked me

385
00:20:39,440 --> 00:20:43,160
Speaker 1: too much. So he was just like cool. We met, alright,

386
00:20:43,160 --> 00:20:45,239
Speaker 1: We're gonna get up cool, you know what I mean?

387
00:20:46,119 --> 00:20:48,920
Speaker 1: And then what happened? So how did y'all actually couldn't? Then?

388
00:20:49,040 --> 00:20:51,960
Speaker 1: Uh did Earth called me one night? He was like

389
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Speaker 1: in the middle of a snowstone. I was I was

390
00:20:53,560 --> 00:20:56,280
Speaker 1: in Queens. I was driving and he said, yeah, I

391
00:20:56,320 --> 00:20:58,359
Speaker 1: got this record for you, man, I can come meet you.

392
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Speaker 1: It's a fire joint. He said, you feel to mix

393
00:21:00,280 --> 00:21:03,399
Speaker 1: tabe no no, I offenished. Yet what you got I

394
00:21:03,480 --> 00:21:08,480
Speaker 1: got director with with Jay Z and Foxy Brown. So

395
00:21:09,520 --> 00:21:11,080
Speaker 1: so we came at me, gave me the joint and

396
00:21:11,160 --> 00:21:12,800
Speaker 1: the fox. He is hot at this time on all

397
00:21:13,480 --> 00:21:16,359
Speaker 1: not yet okay, and it is really whole, whole is

398
00:21:16,480 --> 00:21:18,879
Speaker 1: loop hole, whole was heating up. He was heating up.

399
00:21:19,119 --> 00:21:21,320
Speaker 1: Was hey, you know what I mean. I think a

400
00:21:21,400 --> 00:21:23,200
Speaker 1: couple of songs had leaked that I heard, like the

401
00:21:23,280 --> 00:21:26,240
Speaker 1: Evils and you know me on the first joint. So

402
00:21:26,359 --> 00:21:28,320
Speaker 1: he was eating up and up. But with that joint,

403
00:21:28,520 --> 00:21:30,800
Speaker 1: I knew he was like, you know, getting ready to

404
00:21:31,080 --> 00:21:34,080
Speaker 1: make some noise. So now choke no jokes. Said on

405
00:21:34,160 --> 00:21:38,600
Speaker 1: the interview recently that day's the base the records on

406
00:21:38,720 --> 00:21:42,879
Speaker 1: the tunnel based on what records Cool would play, and

407
00:21:42,920 --> 00:21:46,119
Speaker 1: then they would big cat would take the records or

408
00:21:46,200 --> 00:21:48,080
Speaker 1: like whatever you had playing on your ship, and the

409
00:21:48,160 --> 00:21:50,080
Speaker 1: big Cat to take the records, and then they would

410
00:21:50,119 --> 00:21:52,680
Speaker 1: know that this is a certified tunnel benger. But the

411
00:21:52,760 --> 00:21:55,000
Speaker 1: secret was they was getting it from you, is that true?

412
00:21:55,440 --> 00:21:57,320
Speaker 1: They was getting the rex from me, like you're not

413
00:21:57,480 --> 00:22:00,600
Speaker 1: not he it was, I mean, I mean different, I mean,

414
00:22:00,800 --> 00:22:02,080
Speaker 1: I mean, I guess I mean I was. I was

415
00:22:02,600 --> 00:22:03,960
Speaker 1: rest in peace, the big cat. I was cool with

416
00:22:04,240 --> 00:22:07,840
Speaker 1: with cats PM, but they never used to really be

417
00:22:07,920 --> 00:22:09,200
Speaker 1: in touch with me and nothing like that, Like you know,

418
00:22:09,280 --> 00:22:10,600
Speaker 1: I mean like I was just doing my own thing,

419
00:22:10,640 --> 00:22:11,800
Speaker 1: you know what I mean. I was kind of under

420
00:22:11,800 --> 00:22:14,119
Speaker 1: the radar normally knew what I looked like, you know,

421
00:22:14,160 --> 00:22:16,119
Speaker 1: I was just moving around doing my thing. But it

422
00:22:16,280 --> 00:22:18,920
Speaker 1: was cool like because you know, like I started bringing

423
00:22:19,000 --> 00:22:21,360
Speaker 1: my tapes like after Queen's I was, I was going

424
00:22:21,400 --> 00:22:23,320
Speaker 1: to school and downtown brook So I said, let me

425
00:22:23,359 --> 00:22:26,760
Speaker 1: call the B Street downtown dropping tapes off. So I

426
00:22:26,880 --> 00:22:30,800
Speaker 1: dropped a couple of tapes off. They called me next morning, like, yo, um,

427
00:22:31,400 --> 00:22:32,800
Speaker 1: the tape you dropped off? You got some more um

428
00:22:32,880 --> 00:22:35,399
Speaker 1: joints because I had I had to. I had to

429
00:22:36,280 --> 00:22:39,960
Speaker 1: the method man and e H had that and I

430
00:22:40,080 --> 00:22:44,080
Speaker 1: had and had Yeah, how did you get that? Chill? Chill?

431
00:22:45,800 --> 00:22:49,200
Speaker 1: That's old news to give those secrets. I can't. I

432
00:22:49,240 --> 00:22:53,240
Speaker 1: can't do that. I can't, I can't. I'm taking to

433
00:22:53,320 --> 00:22:56,000
Speaker 1: the grave with me and I had I had Live

434
00:22:56,119 --> 00:23:00,840
Speaker 1: Nigga rap with Marv d N Yeah, also exclusive I

435
00:23:00,920 --> 00:23:03,760
Speaker 1: had that off the cassette. Wow. A matter of fact,

436
00:23:03,800 --> 00:23:06,399
Speaker 1: that that song they couldn't even find a real sport.

437
00:23:06,480 --> 00:23:08,760
Speaker 1: What you hear on that, mom? The album is the

438
00:23:08,840 --> 00:23:12,359
Speaker 1: cassette version, two track version. Yeah, because they somehow really

439
00:23:12,400 --> 00:23:16,120
Speaker 1: got lost or destroyed something. Is so now that first

440
00:23:16,200 --> 00:23:21,000
Speaker 1: clue album, right, they come to you because I mean,

441
00:23:21,400 --> 00:23:24,600
Speaker 1: do you feel like someonewhat like you inflex kind of

442
00:23:24,680 --> 00:23:27,320
Speaker 1: settled up for college for college, like you know what

443
00:23:27,440 --> 00:23:31,040
Speaker 1: college is doing is like you in flexes albums? Yeah,

444
00:23:31,119 --> 00:23:33,760
Speaker 1: like the DJ Yeah definitely. So let's take us to

445
00:23:33,840 --> 00:23:37,080
Speaker 1: that first album that they approach you or this is

446
00:23:37,160 --> 00:23:40,399
Speaker 1: your idea to do an album? Make a mixtape? Ship man,

447
00:23:40,400 --> 00:23:41,880
Speaker 1: I was making so much bread. I wasn't even thinking

448
00:23:41,880 --> 00:23:44,960
Speaker 1: about going to the label, you know what I mean.

449
00:23:45,440 --> 00:23:47,040
Speaker 1: It was like it was then where I was like,

450
00:23:47,400 --> 00:23:49,000
Speaker 1: you know, at that young age, you got so much.

451
00:23:49,119 --> 00:23:50,720
Speaker 1: I was making so much bread, like I didn't even

452
00:23:50,880 --> 00:23:52,639
Speaker 1: do it, like I just went around pocket falls of

453
00:23:52,680 --> 00:23:55,280
Speaker 1: money like yo, Like it was like you know, go

454
00:23:55,400 --> 00:24:00,720
Speaker 1: to atri and go spend bread, not clear it out

455
00:24:00,800 --> 00:24:02,520
Speaker 1: and just you know what I mean. But I mean,

456
00:24:02,600 --> 00:24:06,479
Speaker 1: Earth came to me and yeah it was instrumental yea,

457
00:24:07,520 --> 00:24:09,600
Speaker 1: and me Earthed a lot of talking, man Like when

458
00:24:09,640 --> 00:24:12,640
Speaker 1: he was going to first break for for Death Jam.

459
00:24:12,720 --> 00:24:15,120
Speaker 1: He's like, yo, man, let me ask you a questions,

460
00:24:15,240 --> 00:24:16,600
Speaker 1: like what you thinking about me working for Death Jam.

461
00:24:16,600 --> 00:24:19,280
Speaker 1: I'm like, yeah, why not? You know he's like beat

462
00:24:19,320 --> 00:24:21,160
Speaker 1: really paying no money, you know what I mean? He said,

463
00:24:21,200 --> 00:24:22,680
Speaker 1: Leo wanted to work, but he's not really paying. My

464
00:24:22,720 --> 00:24:26,000
Speaker 1: mom like you listen, it's more about the opportunity then

465
00:24:26,160 --> 00:24:27,879
Speaker 1: this is about the money. Like you know, once you

466
00:24:28,000 --> 00:24:30,159
Speaker 1: get in and getting the door, you'd be able to

467
00:24:30,240 --> 00:24:32,639
Speaker 1: make that money times twenty, you know what I mean.

468
00:24:32,720 --> 00:24:34,280
Speaker 1: He's like, you know what, You're right, You're right, You're right.

469
00:24:34,960 --> 00:24:37,000
Speaker 1: And Earth got into the job at Death Jam for

470
00:24:37,080 --> 00:24:44,399
Speaker 1: DJ Clue. Let's make not he took the job for

471
00:24:44,560 --> 00:24:49,760
Speaker 1: him exactly. I ain't get no money exactly. But yeah,

472
00:24:49,880 --> 00:24:52,360
Speaker 1: so Earth came to me. He's like, yo, um when

473
00:24:52,440 --> 00:24:54,199
Speaker 1: we talked to Rockefeller about doing you know what I mean,

474
00:24:54,280 --> 00:24:56,600
Speaker 1: doing an album with you like me, I'm like, so

475
00:24:56,720 --> 00:25:00,480
Speaker 1: it was Earth's out there initially, Like I mean, yeah, yeah,

476
00:25:00,560 --> 00:25:02,440
Speaker 1: I wasn't really I wasn't really constrained. I wasn't really

477
00:25:02,480 --> 00:25:04,399
Speaker 1: concentrated on building the brand, you know what I mean,

478
00:25:04,440 --> 00:25:06,280
Speaker 1: Because I mean that would have been building the brand

479
00:25:06,359 --> 00:25:11,400
Speaker 1: right there. Listen, brother, I had I had, I had

480
00:25:11,840 --> 00:25:14,920
Speaker 1: no I know, I had hoving. Seriously, all that's a

481
00:25:14,960 --> 00:25:17,320
Speaker 1: different type of building the brand at that level. I

482
00:25:17,440 --> 00:25:22,320
Speaker 1: was distributing the chain stores. I hadn't moving, you know

483
00:25:22,359 --> 00:25:24,000
Speaker 1: what I mean. I mean, and the and the money

484
00:25:24,000 --> 00:25:27,879
Speaker 1: they was offering me for it's definitely not gonna get sure.

485
00:25:28,240 --> 00:25:30,320
Speaker 1: I was like, all right, it's like you put your

486
00:25:30,359 --> 00:25:33,200
Speaker 1: weight every week, what your so many much made you

487
00:25:33,320 --> 00:25:35,920
Speaker 1: wind up doing it with Rockefeller and mean, I thought

488
00:25:35,960 --> 00:25:37,280
Speaker 1: it was a good opportunity, you know what I mean.

489
00:25:37,320 --> 00:25:40,000
Speaker 1: I said, you know, maybe I could even though I'm

490
00:25:40,040 --> 00:25:42,080
Speaker 1: still something a bunch of mixages, I can make it

491
00:25:42,200 --> 00:25:45,200
Speaker 1: on bigger scale and you know, get audiences across seas

492
00:25:45,200 --> 00:25:46,919
Speaker 1: and stuff like that. Even though I was still already

493
00:25:46,960 --> 00:25:50,600
Speaker 1: doing parties overseas and on and stuff like independently. I

494
00:25:50,640 --> 00:25:52,000
Speaker 1: still felt like it was like, you know what I mean,

495
00:25:52,000 --> 00:25:53,560
Speaker 1: I could get some of the bigger artists do something

496
00:25:53,640 --> 00:25:57,240
Speaker 1: exclusive and make it and you know, back then, selling

497
00:25:57,280 --> 00:25:59,560
Speaker 1: platform is a big thing. I thought Platinum, which I did,

498
00:25:59,600 --> 00:26:06,760
Speaker 1: you know, first right. I think Flex has plaques before you,

499
00:26:06,840 --> 00:26:10,200
Speaker 1: but I think it was his goal. But um, so

500
00:26:10,400 --> 00:26:12,399
Speaker 1: now all right, cool, So you come up with this album,

501
00:26:12,960 --> 00:26:16,320
Speaker 1: it goes platinum. You at Hot ninety seven. How did

502
00:26:16,359 --> 00:26:22,280
Speaker 1: you get to Hot ninety seven? From there? Um Tracy

503
00:26:22,320 --> 00:26:25,639
Speaker 1: Clardy who was a program director time Um and Tracy Clary.

504
00:26:26,080 --> 00:26:29,320
Speaker 1: I had went to the studio a couple of weeks

505
00:26:29,400 --> 00:26:32,240
Speaker 1: prior before I got hired. You know, I listened to

506
00:26:32,320 --> 00:26:35,159
Speaker 1: I listened to the to the Biggie album because Puffy

507
00:26:35,160 --> 00:26:37,879
Speaker 1: wanted me to pick two joints pim mix tape. So

508
00:26:37,960 --> 00:26:40,159
Speaker 1: I listened to the whole album. It is Ready to

509
00:26:40,240 --> 00:26:44,919
Speaker 1: Die yeah, and and to No No No after vickd Oh.

510
00:26:45,000 --> 00:26:50,000
Speaker 1: So this is life out of Death. Okay. So um uh,

511
00:26:50,840 --> 00:26:53,840
Speaker 1: Puff was like, you picked two songs you want and

512
00:26:53,960 --> 00:26:55,840
Speaker 1: you'll give me you put on a mixtape, that's all right.

513
00:26:56,640 --> 00:27:03,560
Speaker 1: So I picked Hypnotize and more Money, More Problems. Yeah,

514
00:27:03,640 --> 00:27:05,359
Speaker 1: So I picked them two songs and I put him

515
00:27:05,359 --> 00:27:11,320
Speaker 1: on a mixtape. So I put them on mix tape,

516
00:27:11,400 --> 00:27:15,080
Speaker 1: my voice on it, and like two days later Hot

517
00:27:15,320 --> 00:27:17,040
Speaker 1: seven had it in rotation with my voice on it,

518
00:27:17,640 --> 00:27:24,280
Speaker 1: screaming shoutouts. Everything from your mixtape yeah. So Tracy called

519
00:27:24,320 --> 00:27:26,639
Speaker 1: me like, she's like, you're listening, man, She's like, listen,

520
00:27:27,359 --> 00:27:29,280
Speaker 1: you might as well come work here, you know, I mean,

521
00:27:29,359 --> 00:27:31,159
Speaker 1: let me, let me give you a show, and you know,

522
00:27:31,600 --> 00:27:34,240
Speaker 1: and the show was the Monday Night Mixed Mix tape.

523
00:27:34,920 --> 00:27:37,639
Speaker 1: So yeah, that's how that happened. Man, And then Fabulous

524
00:27:37,800 --> 00:27:49,280
Speaker 1: gets discovered. Well, I had you the show freestyleing. Yeah,

525
00:27:49,400 --> 00:27:51,800
Speaker 1: so I had I had the inner worry of the

526
00:27:51,960 --> 00:27:54,680
Speaker 1: free styling and um my, man, just skinning called. He's

527
00:27:54,680 --> 00:27:57,200
Speaker 1: like yo, He's like, yea, I've been doing this cats

528
00:27:57,240 --> 00:27:59,359
Speaker 1: for a while, but he got this. I got this

529
00:27:59,520 --> 00:28:04,159
Speaker 1: kid that yeah, he got some potential. He's like, yo,

530
00:28:04,400 --> 00:28:06,680
Speaker 1: He's like, I want you to hear him. I was like,

531
00:28:06,960 --> 00:28:08,280
Speaker 1: I was like, all right, cool, it's like, not only

532
00:28:08,280 --> 00:28:11,080
Speaker 1: am I gonna hear him, I'm gonna bring him up

533
00:28:11,600 --> 00:28:14,480
Speaker 1: and lit him freestyle right now. So when he got there,

534
00:28:14,520 --> 00:28:16,479
Speaker 1: that was the first time, the first time I met

535
00:28:16,520 --> 00:28:18,440
Speaker 1: him and heard him get the funk out of here.

536
00:28:18,760 --> 00:28:23,040
Speaker 1: That's crazy. So he walked in. I met him. I said,

537
00:28:23,080 --> 00:28:25,800
Speaker 1: you're ready. He said, young ready. I said, keep at

538
00:28:25,800 --> 00:28:28,680
Speaker 1: the freestyle at the North down I have a check

539
00:28:28,720 --> 00:28:31,480
Speaker 1: and get grab Mike, you know, me. So that's how

540
00:28:31,560 --> 00:28:35,480
Speaker 1: that happened. That's real, that's real training right there, like

541
00:28:35,840 --> 00:28:38,160
Speaker 1: and he showed up to occasion like you know what

542
00:28:38,200 --> 00:28:40,800
Speaker 1: I'm saying, Like every time I see fab you know,

543
00:28:41,200 --> 00:28:44,360
Speaker 1: I always show him extra love because I just remember

544
00:28:44,480 --> 00:28:48,160
Speaker 1: seeing the hunger that he had at that moment, and

545
00:28:48,240 --> 00:28:50,560
Speaker 1: it was like nothing that was gonna stop him. And

546
00:28:50,680 --> 00:28:52,640
Speaker 1: I was like when I when I piped that because

547
00:28:52,720 --> 00:28:55,480
Speaker 1: I was in a battle. Not in the battle, excuse me,

548
00:28:55,600 --> 00:28:59,840
Speaker 1: but Shine and my son had had a battle. We

549
00:29:00,200 --> 00:29:02,400
Speaker 1: were in a sight for me Shine and my song

550
00:29:03,040 --> 00:29:05,520
Speaker 1: and my son looked at me like, nigga, you got

551
00:29:05,600 --> 00:29:10,280
Speaker 1: your deal. Relaxed, relaxed like and then Mike became a

552
00:29:10,360 --> 00:29:14,480
Speaker 1: my Song and Shine battle. So I remember that same look.

553
00:29:14,600 --> 00:29:17,200
Speaker 1: Was like when we started riding with fat Fath looked

554
00:29:17,240 --> 00:29:20,240
Speaker 1: at me like, slivee, you on already like and I

555
00:29:20,400 --> 00:29:23,480
Speaker 1: just let him go. And and from that day forward

556
00:29:23,640 --> 00:29:26,040
Speaker 1: he's been a star. Let's make some noise for Fabrics. Godaver,

557
00:29:28,000 --> 00:29:30,800
Speaker 1: I'm very proud of that. So then so you saw

558
00:29:30,880 --> 00:29:32,640
Speaker 1: the vision right then and there with him. He was

559
00:29:32,720 --> 00:29:34,400
Speaker 1: like you know what I'm gonna making because I heard

560
00:29:34,440 --> 00:29:37,640
Speaker 1: he didn't even have a name. But now he I

561
00:29:37,720 --> 00:29:39,560
Speaker 1: just heard him in that rap say it's the f

562
00:29:39,720 --> 00:29:44,120
Speaker 1: A bolo us in the news cile in the US,

563
00:29:44,480 --> 00:29:47,400
Speaker 1: and I thought it's hard. I was like, yeah, we're

564
00:29:47,400 --> 00:29:51,160
Speaker 1: gonna roll with that, right. So so he when Skin

565
00:29:51,280 --> 00:29:53,520
Speaker 1: sent him sitting this kid, he never said his name.

566
00:29:54,000 --> 00:29:56,120
Speaker 1: I think he call him a sport back there, yport,

567
00:29:56,120 --> 00:30:02,640
Speaker 1: because that's what they said. Fabulous boy sp that's crazy, man,

568
00:30:02,720 --> 00:30:04,400
Speaker 1: I had something that I had something to do with

569
00:30:08,760 --> 00:30:10,720
Speaker 1: such a great person. I always get out the great

570
00:30:10,760 --> 00:30:15,400
Speaker 1: stories about me. It's such a great Sometimes you gotta

571
00:30:15,400 --> 00:30:18,280
Speaker 1: pack yourself on the back. So now cool, you did,

572
00:30:18,640 --> 00:30:20,959
Speaker 1: you did the album, did the mixtape, Now you got

573
00:30:21,040 --> 00:30:26,360
Speaker 1: this artist. Now I'm hearing this turmorial with fab in

574
00:30:26,480 --> 00:30:29,440
Speaker 1: the skull you go to death jam. But even before that,

575
00:30:29,560 --> 00:30:33,160
Speaker 1: man like a lecturer, I mean trying to get the

576
00:30:33,240 --> 00:30:35,600
Speaker 1: signs of paying the ask because you know everyone everyone

577
00:30:35,680 --> 00:30:37,920
Speaker 1: looks at you is even with you being the hottest DJ,

578
00:30:38,360 --> 00:30:40,280
Speaker 1: they still get hard. Everyone looks at you with that

579
00:30:40,360 --> 00:30:43,520
Speaker 1: labels and the label is DJ, so they don't look.

580
00:30:43,560 --> 00:30:46,160
Speaker 1: They don't look past you know, being a businessman and

581
00:30:46,800 --> 00:30:50,160
Speaker 1: marketing and being to be able to produce and on

582
00:30:51,080 --> 00:30:54,920
Speaker 1: so um. Steve Stott had just got the job and

583
00:30:55,000 --> 00:30:56,520
Speaker 1: in the scope I think he was the president of

584
00:30:57,360 --> 00:30:59,120
Speaker 1: of A and all whatever whatever. He got a job

585
00:30:59,200 --> 00:31:01,640
Speaker 1: with them on with Jimmy Ivan. Yeah, he got the

586
00:31:01,720 --> 00:31:04,320
Speaker 1: job then and he called me like, yo, man, He's like, yo,

587
00:31:05,440 --> 00:31:06,800
Speaker 1: don't you come work for me? Man, Like you know

588
00:31:06,800 --> 00:31:09,560
Speaker 1: what I mean, like, come work from me? And yeah,

589
00:31:10,200 --> 00:31:14,360
Speaker 1: because I had worked under him, uh you know, we

590
00:31:14,440 --> 00:31:18,800
Speaker 1: had mob deep and um. So he called me and

591
00:31:18,880 --> 00:31:21,480
Speaker 1: he was like, yo, once you can work for me.

592
00:31:21,520 --> 00:31:23,720
Speaker 1: And I was like, I said, I come up for you.

593
00:31:23,800 --> 00:31:26,240
Speaker 1: But I said, I said, you gotta be a serious

594
00:31:26,280 --> 00:31:28,360
Speaker 1: situation like normal. So he gave me a production deal

595
00:31:28,400 --> 00:31:30,120
Speaker 1: and he's like, yo, I said, I got this artist,

596
00:31:30,720 --> 00:31:32,360
Speaker 1: this kid fabrics, I'm gonna sign that. You want to

597
00:31:32,360 --> 00:31:34,920
Speaker 1: sign him. I'm like yeah, are you sure? I'm like yeah.

598
00:31:35,520 --> 00:31:37,000
Speaker 1: So he's like all right, bet. So they did the

599
00:31:37,040 --> 00:31:42,240
Speaker 1: whole deal, production deal, vice president and uh that stuff. Yeah,

600
00:31:44,000 --> 00:31:48,640
Speaker 1: after I left for a lecture. Yeah no, no, no, afterwards,

601
00:31:48,920 --> 00:31:52,080
Speaker 1: lecture was afterwards. After that was the first was first

602
00:31:52,120 --> 00:31:55,240
Speaker 1: and then and then we we left. We left over there.

603
00:31:55,560 --> 00:31:57,480
Speaker 1: So why do you think it's a lot of New

604
00:31:57,600 --> 00:32:00,240
Speaker 1: York artists that have a lot of problems in the

605
00:32:00,360 --> 00:32:03,600
Speaker 1: scope because it's in the scope primarily based in Los

606
00:32:03,680 --> 00:32:06,760
Speaker 1: Angeles West Coast. So do you think that's the problem.

607
00:32:06,960 --> 00:32:09,680
Speaker 1: I mean, sometimes that three hours off could be a difference.

608
00:32:10,680 --> 00:32:13,000
Speaker 1: We had. We had, but we had a movement with

609
00:32:13,040 --> 00:32:14,880
Speaker 1: the East coach offer stuff, you know what I mean.

610
00:32:14,920 --> 00:32:17,280
Speaker 1: They had just sound how it comes from the West coast.

611
00:32:17,680 --> 00:32:19,800
Speaker 1: Jimmy Irvin living on the West. They had just signed

612
00:32:19,920 --> 00:32:22,840
Speaker 1: Minel and they had just signed m and they just

613
00:32:22,880 --> 00:32:27,040
Speaker 1: signed They forgot about you'll let's keep let's keep it

614
00:32:27,160 --> 00:32:30,160
Speaker 1: real cool. They even forgot about everybody listen, listen to

615
00:32:30,960 --> 00:32:34,960
Speaker 1: they just signed him though Jim Jimmy Avien's nephew, DJ

616
00:32:35,160 --> 00:32:40,040
Speaker 1: was my Internet, that's my intern. Yeah. So they had Swing,

617
00:32:40,240 --> 00:32:44,440
Speaker 1: Swing had albums, swin Tech had a compilation. Um, they

618
00:32:44,600 --> 00:32:46,239
Speaker 1: was just working on the day, working on DR DRE

619
00:32:47,560 --> 00:32:49,360
Speaker 1: you know what I mean. So I was in in

620
00:32:49,440 --> 00:32:51,640
Speaker 1: those meetings too, you know what I mean When I

621
00:32:51,680 --> 00:32:53,360
Speaker 1: mean when I heard that album, you know, I was like,

622
00:32:53,600 --> 00:32:57,240
Speaker 1: I was my album and I knew I knew what

623
00:32:57,320 --> 00:32:58,800
Speaker 1: I heard that emin and my name is I knew

624
00:32:58,800 --> 00:33:00,440
Speaker 1: that was going to be one of the joints. Soon

625
00:33:00,560 --> 00:33:05,560
Speaker 1: he was white off Top or we got no I

626
00:33:05,680 --> 00:33:07,680
Speaker 1: first heard the record, and I was like, you never

627
00:33:07,760 --> 00:33:10,040
Speaker 1: seen him before I heard the record of Pride to

628
00:33:10,120 --> 00:33:12,520
Speaker 1: me seeing Eminem, so I had no idea like when

629
00:33:12,560 --> 00:33:15,560
Speaker 1: I see the videos like oh ship like because I thought,

630
00:33:15,880 --> 00:33:18,160
Speaker 1: I though Blacks what I'm saying. I thought he's just

631
00:33:18,200 --> 00:33:21,760
Speaker 1: a funny dude. Yeah. But um so now your experiences.

632
00:33:22,840 --> 00:33:27,240
Speaker 1: So now you was around rocket Feller when the rocket

633
00:33:27,280 --> 00:33:31,520
Speaker 1: Feller was height, they were the the Dame and j

634
00:33:33,560 --> 00:33:35,960
Speaker 1: Did you did you see it that coming that that

635
00:33:36,280 --> 00:33:40,440
Speaker 1: that they would eventually break guard ways? I mean you

636
00:33:40,520 --> 00:33:42,480
Speaker 1: could I think in the beginning though, right, No, no,

637
00:33:42,560 --> 00:33:44,720
Speaker 1: nothing to be in the beginning, everything was smooth, but

638
00:33:44,840 --> 00:33:46,600
Speaker 1: you could tell, like you know, there was little tensions

639
00:33:46,600 --> 00:33:48,280
Speaker 1: here and they're little fires. Had they get put out?

640
00:33:49,040 --> 00:33:50,720
Speaker 1: You know what I mean? I mean? And that goes

641
00:33:50,760 --> 00:33:55,520
Speaker 1: by any situation when you have you know, people empowering.

642
00:33:55,640 --> 00:33:58,320
Speaker 1: You know, people start button heads and this presidents in

643
00:33:58,400 --> 00:34:01,960
Speaker 1: charge this, this president in charge of that. Jay's back

644
00:34:02,000 --> 00:34:04,240
Speaker 1: then Jay was kind of more in artist mode, but

645
00:34:04,320 --> 00:34:06,880
Speaker 1: he still would like, you know, have his input and

646
00:34:06,920 --> 00:34:08,879
Speaker 1: stuff like that. But Dame was more instrument Like even

647
00:34:08,920 --> 00:34:11,680
Speaker 1: was signing me, Dame was more instrumental in signing you

648
00:34:11,760 --> 00:34:14,839
Speaker 1: know me and yeah, and you know that was really

649
00:34:15,680 --> 00:34:17,279
Speaker 1: he was the one and Jim like I had cool

650
00:34:17,320 --> 00:34:19,960
Speaker 1: his daughter, you know the type of there was. But

651
00:34:20,280 --> 00:34:23,799
Speaker 1: but again, did you now later on when when did

652
00:34:23,880 --> 00:34:28,600
Speaker 1: you first start seeing that this this ship might just stop? Um,

653
00:34:31,239 --> 00:34:33,279
Speaker 1: I think I think I heard about it. When when uh,

654
00:34:33,520 --> 00:34:38,279
Speaker 1: when I think with the whole, I think Dame made

655
00:34:38,360 --> 00:34:40,759
Speaker 1: Cameron the president or something like that. I think that's

656
00:34:40,760 --> 00:34:43,560
Speaker 1: what the whole. Yeah, it seemed like from the Eltzi

657
00:34:44,440 --> 00:34:46,600
Speaker 1: and I was kind of like, I was kind of like,

658
00:34:48,040 --> 00:34:50,319
Speaker 1: I didn't I didn't understand that, like because I mean

659
00:34:50,400 --> 00:34:53,279
Speaker 1: me personally, I knew I knew it was Jane Dan Big.

660
00:34:53,480 --> 00:34:56,040
Speaker 1: So when they make of artist that, I was like,

661
00:34:56,080 --> 00:34:58,080
Speaker 1: I cool, me, I understand the move came was hot

662
00:34:58,120 --> 00:35:00,640
Speaker 1: as fighting. So I'm like, I in the move, but

663
00:35:01,400 --> 00:35:04,440
Speaker 1: in my mind thinking like, it's Jay, gonna understand it

664
00:35:04,560 --> 00:35:06,279
Speaker 1: because Jay's artist too, you know what I mean. It's

665
00:35:06,280 --> 00:35:09,680
Speaker 1: at the same time, it's like, you know, but whytt bleak?

666
00:35:10,920 --> 00:35:13,640
Speaker 1: I mean, I mean, I mean, we'll listen. You know,

667
00:35:13,760 --> 00:35:16,560
Speaker 1: Camdon Camon and they were signing the rock for the time,

668
00:35:17,160 --> 00:35:18,600
Speaker 1: so you know what I mean. It was it was cool.

669
00:35:19,040 --> 00:35:20,440
Speaker 1: It's so a family but at the same time, I'm

670
00:35:20,480 --> 00:35:22,680
Speaker 1: thinking to my head and I know how Jay think.

671
00:35:23,320 --> 00:35:25,640
Speaker 1: I'm thinking, like, Yo, it might be you know a

672
00:35:25,680 --> 00:35:28,959
Speaker 1: little bit of turmoil in with that situation. Who knows,

673
00:35:29,200 --> 00:35:31,200
Speaker 1: but you know I was sending back watching you know,

674
00:35:31,360 --> 00:35:34,000
Speaker 1: grab my popcorn in your opinion. When you see that

675
00:35:34,200 --> 00:35:37,239
Speaker 1: it was like something's wrong. I didn't think something was wrong.

676
00:35:37,360 --> 00:35:41,920
Speaker 1: I just knew that something would be wrong. Later internally

677
00:35:42,040 --> 00:35:45,600
Speaker 1: with this came because I don't know how built I

678
00:35:45,680 --> 00:35:48,480
Speaker 1: felt like that, you know, because you know, usually Jay

679
00:35:48,480 --> 00:35:51,560
Speaker 1: would like, you know, something happened, he would, you know,

680
00:35:51,719 --> 00:35:54,480
Speaker 1: back then, he would get on his two way and

681
00:35:54,800 --> 00:35:56,319
Speaker 1: you know I'm talking about you know what I mean.

682
00:35:56,719 --> 00:35:59,480
Speaker 1: You used to have mad two way beats to do.

683
00:36:01,280 --> 00:36:04,839
Speaker 1: You don't remember that he's that mad beating on your too?

684
00:36:04,880 --> 00:36:09,400
Speaker 1: What's our duroy? A matter of fact, if you out

685
00:36:09,480 --> 00:36:10,880
Speaker 1: away from he got a record that he's mixing for

686
00:36:10,960 --> 00:36:14,040
Speaker 1: me right now. So he's still mixing records. Of course,

687
00:36:14,160 --> 00:36:15,960
Speaker 1: damn it. Do get a lot of money. Let's makes

688
00:36:16,000 --> 00:36:25,799
Speaker 1: about probably about twenty to thirty Grammy's mixing. I've never

689
00:36:25,880 --> 00:36:27,640
Speaker 1: been nominated for a Grammy. That's why we're doing an

690
00:36:27,640 --> 00:36:29,840
Speaker 1: old award show. We got the ass eat of the

691
00:36:29,960 --> 00:36:37,360
Speaker 1: year category. We got we got a cigarette Nigger of

692
00:36:37,400 --> 00:36:41,319
Speaker 1: the Yeah, we got the fouless Nigger of the Yeah,

693
00:36:42,120 --> 00:36:43,960
Speaker 1: we got we got the petties Nigger of the Year.

694
00:36:44,000 --> 00:36:46,400
Speaker 1: You know, I got fifty up in there, got me

695
00:36:46,560 --> 00:36:48,880
Speaker 1: up in there. Who else is petty Drake up in

696
00:36:48,960 --> 00:36:53,600
Speaker 1: there is definitely Yeah, he's definitely that pick you off

697
00:36:53,640 --> 00:37:03,960
Speaker 1: for having pettiness, and so yeah, we're doing it like that. Yeah. Man,

698
00:37:04,040 --> 00:37:05,719
Speaker 1: every time I walk down the street, people are telling

699
00:37:05,719 --> 00:37:07,800
Speaker 1: me I look younger, They're telling me I look brighter,

700
00:37:08,040 --> 00:37:10,520
Speaker 1: were telling me I'm shining, And I just tell them, man,

701
00:37:10,680 --> 00:37:13,200
Speaker 1: it's some Bevel products. You figure smell that. That's that's

702
00:37:13,239 --> 00:37:15,360
Speaker 1: where they're going. The Bevil is made for me, and

703
00:37:15,440 --> 00:37:17,400
Speaker 1: I could tell you know why. It's the first and

704
00:37:17,560 --> 00:37:20,400
Speaker 1: only shaving system for men with coarse, curly hair and

705
00:37:20,480 --> 00:37:24,600
Speaker 1: sensitive skin. Hard body dermatologists recommend that ship helps reduce

706
00:37:24,760 --> 00:37:28,480
Speaker 1: raisor bumps and shave irritations. I have a razor bumps

707
00:37:28,520 --> 00:37:30,560
Speaker 1: sinse and there's a reason nine out of ten Bevil

708
00:37:30,640 --> 00:37:34,960
Speaker 1: customers come back month after month. Up to black men

709
00:37:35,000 --> 00:37:37,440
Speaker 1: and women struggle with razor bumps, and up to thirty

710
00:37:37,880 --> 00:37:40,319
Speaker 1: of all men and women counter raizor bumps as well.

711
00:37:40,360 --> 00:37:42,680
Speaker 1: That means I'm cuban be people too, bro. That's right.

712
00:37:43,280 --> 00:37:46,200
Speaker 1: Multi blade raisors can only result in raisor bumps if

713
00:37:46,200 --> 00:37:49,239
Speaker 1: you have coarse, curly hair, while hair removal creams are

714
00:37:49,400 --> 00:37:52,320
Speaker 1: messy and can leave burns. Dude, we don't need that.

715
00:37:52,760 --> 00:37:55,879
Speaker 1: The Bevil razor uses a single blade which cuts hair

716
00:37:56,160 --> 00:37:59,600
Speaker 1: above the skin, not beneath, so you can avoid painful

717
00:37:59,680 --> 00:38:02,840
Speaker 1: and own hairs. Yeah, that sound bottery. Designed from the

718
00:38:02,920 --> 00:38:06,200
Speaker 1: ground up to give a smoother, clearer shave. Bevil's End

719
00:38:06,280 --> 00:38:09,960
Speaker 1: the end shaving system includes a pre shaved oil, badger brush,

720
00:38:10,200 --> 00:38:14,240
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721
00:38:14,600 --> 00:38:17,680
Speaker 1: And this is a nice box, I must say box

722
00:38:17,760 --> 00:38:19,719
Speaker 1: make you feel rich, you know. And it's created by

723
00:38:19,840 --> 00:38:23,400
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724
00:38:23,440 --> 00:38:25,719
Speaker 1: the health and beauty market. His goal is to make

725
00:38:25,800 --> 00:38:29,680
Speaker 1: health and beauty simple for people of all color. Start

726
00:38:29,719 --> 00:38:32,560
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727
00:38:32,640 --> 00:38:36,120
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729
00:38:40,040 --> 00:38:43,920
Speaker 1: slash Champs support us and support your face. Hell, you

730
00:38:44,239 --> 00:38:46,879
Speaker 1: look better in life. Let's go bevil yourself out now

731
00:38:47,040 --> 00:38:50,480
Speaker 1: and you can stop looking at like feet your face.

732
00:38:51,440 --> 00:38:56,040
Speaker 1: Drink Chance Welcome to play a new podcast network featuring

733
00:38:56,200 --> 00:39:00,640
Speaker 1: radio and TV personalities, talking business, sports, tech, enterty, and more.

734
00:39:01,000 --> 00:39:05,200
Speaker 1: Play it at play dot It. We're back to Drink

735
00:39:05,280 --> 00:39:09,120
Speaker 1: Champs Radio with Rapper and R and d J. Then,

736
00:39:12,280 --> 00:39:17,319
Speaker 1: but clue, you've been down with You've seen bad Boy era,

737
00:39:17,719 --> 00:39:20,879
Speaker 1: You've seen the Rockefeller era, you seem to cash Money era.

738
00:39:22,280 --> 00:39:26,120
Speaker 1: Is any era right now that exists that's brand new

739
00:39:26,719 --> 00:39:29,480
Speaker 1: to think like you, that that it could emulate that

740
00:39:29,800 --> 00:39:35,799
Speaker 1: these moments? Can we have other great moments in music? Again? Oh,

741
00:39:35,920 --> 00:39:38,919
Speaker 1: this is just business now. It's it's it's it's tough

742
00:39:39,000 --> 00:39:44,040
Speaker 1: now man, because it's different now nowadays, you could you

743
00:39:44,080 --> 00:39:47,040
Speaker 1: could put out a song in in five seconds everywhere

744
00:39:47,080 --> 00:39:49,560
Speaker 1: in the world. Back then, when I had an exclusive

745
00:39:50,400 --> 00:39:54,680
Speaker 1: that yeah, hey exclusive coming man, like they'd be like, yo, man,

746
00:39:55,320 --> 00:39:58,799
Speaker 1: it's supposed today Friday, right man, it's gonna be there Thursday. Man. Right,

747
00:39:59,800 --> 00:40:01,480
Speaker 1: I'm I'm paying an extra money to get into you.

748
00:40:02,120 --> 00:40:06,160
Speaker 1: Take even it's gonna get to you in a couple

749
00:40:06,160 --> 00:40:07,480
Speaker 1: of days. You know what I say, Now, it's like

750
00:40:07,520 --> 00:40:10,880
Speaker 1: you press the button even by accident, the whole internet

751
00:40:10,920 --> 00:40:15,040
Speaker 1: got it. So it's different that And I just feel

752
00:40:15,080 --> 00:40:17,960
Speaker 1: like there's no unity, your mom. I think it's it's

753
00:40:18,000 --> 00:40:20,960
Speaker 1: all a big competition, and it's because everybody's looking in

754
00:40:22,160 --> 00:40:24,440
Speaker 1: not talking about this all the time. With social media,

755
00:40:24,520 --> 00:40:26,480
Speaker 1: I feel like social media has made the world so

756
00:40:26,640 --> 00:40:29,480
Speaker 1: much smaller, you know what I mean. I feel like

757
00:40:29,560 --> 00:40:34,640
Speaker 1: with everything, like if you even think about relationships, you

758
00:40:34,719 --> 00:40:38,879
Speaker 1: see less people getting married, you see more divorces because

759
00:40:38,920 --> 00:40:41,400
Speaker 1: everyone feels like there's more options out there, you know

760
00:40:41,440 --> 00:40:43,520
Speaker 1: what I mean. And the same thing with music, you

761
00:40:43,560 --> 00:40:45,800
Speaker 1: know what I mean, Like one second they love you

762
00:40:46,000 --> 00:40:48,719
Speaker 1: too much. Later like they're not even paying attention to Yeah. Now,

763
00:40:48,880 --> 00:40:54,560
Speaker 1: music is a loyal business. Yeah, definitely very loyal. So

764
00:40:54,719 --> 00:40:58,839
Speaker 1: now for my DJ's perspective, how crazy is it when

765
00:40:58,880 --> 00:41:01,200
Speaker 1: the person sent you a record and you hate it.

766
00:41:03,160 --> 00:41:04,440
Speaker 1: I mean, you know me a long time, you know

767
00:41:04,480 --> 00:41:05,959
Speaker 1: how to play right now, I know what you gotta

768
00:41:05,960 --> 00:41:07,759
Speaker 1: tell him. You gotta tell these keep it up. I

769
00:41:07,880 --> 00:41:10,160
Speaker 1: keep it a buck with you, y'all. I need something else.

770
00:41:12,600 --> 00:41:14,759
Speaker 1: I don't care how how you think it is. I

771
00:41:14,800 --> 00:41:17,200
Speaker 1: don't care if you got every hot rap in America

772
00:41:17,280 --> 00:41:19,400
Speaker 1: on it. If it ain't it, I'm gonna tell you

773
00:41:22,080 --> 00:41:24,200
Speaker 1: this ain't good one. And I've had I mean, I've

774
00:41:24,239 --> 00:41:26,080
Speaker 1: had to sell I don't say no names. I had

775
00:41:26,080 --> 00:41:33,279
Speaker 1: to come on drink people, please man, hair lit Man. Yeah,

776
00:41:33,480 --> 00:41:36,319
Speaker 1: we have on hair lit Man drink drinking. We got

777
00:41:36,400 --> 00:41:40,920
Speaker 1: graphic head for queens, got damn it. I had to

778
00:41:40,960 --> 00:41:42,600
Speaker 1: tell a couple of people like, yo, man, I don't

779
00:41:42,640 --> 00:41:46,480
Speaker 1: know if this is reckond now is that? Is that

780
00:41:46,560 --> 00:41:50,200
Speaker 1: the mixtape? Or is that um when you're on the radio,

781
00:41:50,840 --> 00:41:53,880
Speaker 1: I mean, I mean, I mean both. Yeah. Now, if

782
00:41:53,920 --> 00:41:57,439
Speaker 1: I'm on the radio and you know I've been wrong,

783
00:41:57,600 --> 00:42:00,520
Speaker 1: but I've been right about ninety seven send the time

784
00:42:01,120 --> 00:42:06,360
Speaker 1: name record was wrong about I slept on, Yeah, slept on.

785
00:42:08,120 --> 00:42:10,160
Speaker 1: I'm thinking a good I don't think of a good record.

786
00:42:10,239 --> 00:42:15,000
Speaker 1: Slipped the line and le m hm. I mean, I

787
00:42:15,080 --> 00:42:17,040
Speaker 1: mean even recently, I didn't. I didn't. I didn't really

788
00:42:17,120 --> 00:42:24,719
Speaker 1: like the the usher no little record. I thought, No, look,

789
00:42:24,760 --> 00:42:30,440
Speaker 1: that's hard clue you. I mean, I hope that's not

790
00:42:30,480 --> 00:42:33,239
Speaker 1: the way it sounds every record, but just the way

791
00:42:33,320 --> 00:42:41,719
Speaker 1: every record sounds, mumble mumble rap with you all. I mean,

792
00:42:41,960 --> 00:42:43,920
Speaker 1: I played it because people liked it. But at the

793
00:42:43,960 --> 00:42:50,279
Speaker 1: same time, I don't think seven years fro now people

794
00:42:50,320 --> 00:42:52,319
Speaker 1: gonna play the record. For five years from now people

795
00:42:52,360 --> 00:42:54,440
Speaker 1: don't play the record. But that's how I judged my

796
00:42:54,480 --> 00:42:58,239
Speaker 1: Red My Records. Is it gonna it's gonna be a classic. Yeah,

797
00:42:58,320 --> 00:43:01,120
Speaker 1: But I think I think, I think you're you're right.

798
00:43:01,200 --> 00:43:03,000
Speaker 1: But at the same time, I think people are making

799
00:43:03,040 --> 00:43:08,040
Speaker 1: disposable music now. Like I remember back then, we used

800
00:43:08,040 --> 00:43:11,480
Speaker 1: to make starts. That's real problem. Star text used to

801
00:43:11,640 --> 00:43:15,920
Speaker 1: last forever. But right now I phone a Samsung blow

802
00:43:16,000 --> 00:43:17,640
Speaker 1: up and blow up on you, nigger. You know what

803
00:43:17,640 --> 00:43:20,200
Speaker 1: I'm saying. So people are making disposable ship like right

804
00:43:20,200 --> 00:43:24,279
Speaker 1: now I can just start tech. Wouldn't break start tech,

805
00:43:24,360 --> 00:43:27,239
Speaker 1: that ship fall. That's it. It's handy I phone right now.

806
00:43:27,480 --> 00:43:30,560
Speaker 1: That said my case over. Yeah, but you guys, when

807
00:43:30,600 --> 00:43:32,560
Speaker 1: people making music, Yeah, but you canna understand what that

808
00:43:32,680 --> 00:43:37,560
Speaker 1: does to you as an artist. If you start, if

809
00:43:37,600 --> 00:43:40,160
Speaker 1: you start putting out dilated it's like, if you're putting

810
00:43:40,160 --> 00:43:43,239
Speaker 1: out work, it's dillar to work. The fiends is gonna

811
00:43:43,280 --> 00:43:46,440
Speaker 1: catch you at a minute. Even what happens is everybody

812
00:43:46,520 --> 00:43:52,279
Speaker 1: has dilated work. That I can't say everything. I can't

813
00:43:52,280 --> 00:43:56,239
Speaker 1: say everybody, but let's say that. Let's say that, like, uh,

814
00:43:58,560 --> 00:44:02,640
Speaker 1: people have dilated work. It's kind of like why not

815
00:44:02,840 --> 00:44:05,160
Speaker 1: have the same ship I'm talking about for artists, I'm not.

816
00:44:05,200 --> 00:44:07,680
Speaker 1: I ain't trying to make that. If I'm an artist

817
00:44:07,719 --> 00:44:10,160
Speaker 1: and i'm and I'm gonna hop on a record that's

818
00:44:10,200 --> 00:44:13,120
Speaker 1: for the moment. I'm gonna hop on somebody else's record

819
00:44:13,480 --> 00:44:15,840
Speaker 1: that they're doing and put a first on I'm not

820
00:44:16,560 --> 00:44:18,760
Speaker 1: for my name on it. And it's a difference between

821
00:44:18,760 --> 00:44:26,080
Speaker 1: a career in a moment you think about that, Yeah,

822
00:44:26,280 --> 00:44:29,320
Speaker 1: how you're a Faba said, right, no could tell me?

823
00:44:29,880 --> 00:44:33,520
Speaker 1: What do you say? What do you say? He said,

824
00:44:33,560 --> 00:44:35,279
Speaker 1: right now, I get you the m v P. Don't

825
00:44:35,480 --> 00:44:36,840
Speaker 1: to get you the Hall of Fame. You know what

826
00:44:36,840 --> 00:44:41,359
Speaker 1: I mean? Right now? Good? What's going on? You'll keep

827
00:44:41,400 --> 00:44:44,080
Speaker 1: looking at the mask and that's something like that. Something

828
00:44:44,120 --> 00:44:50,600
Speaker 1: like that sound is that it's like the luminatis here cluminait.

829
00:44:52,520 --> 00:44:56,200
Speaker 1: How did you? How did you come over that clubinati Yo? Man?

830
00:44:57,200 --> 00:44:59,120
Speaker 1: First of all, do they think you in the luminati?

831
00:44:59,239 --> 00:45:01,839
Speaker 1: Right now? I'd be people asking me that but had

832
00:45:01,880 --> 00:45:03,200
Speaker 1: nothing to do that. You've been in a little Binaty

833
00:45:03,239 --> 00:45:11,879
Speaker 1: for years. Let's just so many years back. Early people

834
00:45:11,880 --> 00:45:14,680
Speaker 1: always ask me that. But U now, man, I got

835
00:45:14,760 --> 00:45:16,279
Speaker 1: the name clude from. I was like the board game

836
00:45:16,320 --> 00:45:19,799
Speaker 1: when I was young, you know what I mean? Oh

837
00:45:19,880 --> 00:45:22,640
Speaker 1: clue the boy get and being there. I wanted to

838
00:45:22,680 --> 00:45:24,840
Speaker 1: be behind the scenes. When I first dropped my first mixtape,

839
00:45:25,040 --> 00:45:29,360
Speaker 1: I had the name on that. You were people. I

840
00:45:29,480 --> 00:45:31,640
Speaker 1: made it make sense. Yeah, we gotta get something, we

841
00:45:31,680 --> 00:45:33,320
Speaker 1: gotta get. I'm gonna get your something. Bell In for

842
00:45:33,400 --> 00:45:38,040
Speaker 1: the drink chance shows bottom of that rose, from the

843
00:45:38,120 --> 00:45:41,120
Speaker 1: frigerator things, bottom of that rose. But you know most

844
00:45:43,160 --> 00:45:48,839
Speaker 1: my family, the family take every family young Salve Ricky Rose.

845
00:45:49,360 --> 00:45:51,000
Speaker 1: So let me say, you just want to it by

846
00:45:51,239 --> 00:45:53,880
Speaker 1: Rock and bell In. Actually I'm not sing with No

847
00:45:53,960 --> 00:45:56,040
Speaker 1: More I mean, I mean I drink it, but I'm

848
00:45:56,040 --> 00:46:00,040
Speaker 1: not I'm not sponsored by No More Hell because and

849
00:46:00,120 --> 00:46:02,600
Speaker 1: he said the same thing, let's get into this rock.

850
00:46:03,360 --> 00:46:07,120
Speaker 1: Are you about to be ef? I don't know if

851
00:46:07,440 --> 00:46:09,680
Speaker 1: if they called me and you to be talked about it.

852
00:46:09,719 --> 00:46:17,840
Speaker 1: So I kind of swech early. Yeah, thank you, thank you, manure.

853
00:46:18,600 --> 00:46:20,520
Speaker 1: I had I had some conversations with some of fifty

854
00:46:20,520 --> 00:46:22,879
Speaker 1: people about doing some stuff, but I think I think

855
00:46:22,960 --> 00:46:28,000
Speaker 1: being at um you know, being at I'm already you know,

856
00:46:28,160 --> 00:46:31,520
Speaker 1: down with bell A kind of so what happened? You

857
00:46:31,640 --> 00:46:33,200
Speaker 1: was down with the Rock but you're not working with

858
00:46:33,320 --> 00:46:36,320
Speaker 1: them no more? What's the issue? Let's get to it.

859
00:46:36,640 --> 00:46:40,680
Speaker 1: I need to know. I mean, as as far as

860
00:46:40,719 --> 00:46:43,680
Speaker 1: I heard, like, it was a lot of it was

861
00:46:43,680 --> 00:46:47,719
Speaker 1: a lot of controversy. And when I was actually you know,

862
00:46:48,000 --> 00:46:51,680
Speaker 1: promoting Rock as Spades and Bella at the same time,

863
00:46:51,800 --> 00:46:53,879
Speaker 1: goddamn clue, let's make some luis clue getting that money.

864
00:46:53,920 --> 00:46:59,040
Speaker 1: Got that's what we doing, were sponsoring everybody. You should

865
00:46:59,040 --> 00:47:07,439
Speaker 1: have seen thoughts people, I mean like so yeah, they would,

866
00:47:07,640 --> 00:47:09,200
Speaker 1: you know, they would. It would come to be like

867
00:47:09,280 --> 00:47:11,000
Speaker 1: you know what I mean, like not not puff, but

868
00:47:11,160 --> 00:47:13,920
Speaker 1: you know some of the people who worked for, you know,

869
00:47:14,000 --> 00:47:16,120
Speaker 1: around him, was like, yo, you're kind of posting a

870
00:47:16,200 --> 00:47:19,040
Speaker 1: spaded a lot man likes something like, you know, is

871
00:47:19,040 --> 00:47:22,160
Speaker 1: giving that we did not know? We need? Yeah, we

872
00:47:22,239 --> 00:47:24,520
Speaker 1: need to you know, we need to Rock looks to

873
00:47:24,600 --> 00:47:29,680
Speaker 1: be Dominante, you know what I mean. So I guess

874
00:47:29,680 --> 00:47:31,920
Speaker 1: when it came around for that renewal a couple of

875
00:47:32,000 --> 00:47:34,439
Speaker 1: years later, it was kind of like, yo, we don't

876
00:47:34,440 --> 00:47:37,440
Speaker 1: think we got it in the budget. Told us something

877
00:47:37,480 --> 00:47:46,120
Speaker 1: about the budget today we all find it out version.

878
00:47:47,400 --> 00:47:50,239
Speaker 1: Somebody give me a couple of a different cup. So now,

879
00:47:50,760 --> 00:47:53,359
Speaker 1: but the bell at people they straight you're saying, yeah,

880
00:47:53,440 --> 00:47:57,120
Speaker 1: bell is cool, and you I've been. I've been. I've

881
00:47:57,120 --> 00:48:00,000
Speaker 1: been with bells the start I mean like the start,

882
00:48:00,080 --> 00:48:03,719
Speaker 1: I mean like incubation stage. So I've been starts. So

883
00:48:03,960 --> 00:48:10,279
Speaker 1: like you know, picking the colors the bottom, that's the fan.

884
00:48:10,520 --> 00:48:14,000
Speaker 1: That now bell and bella and wing stop. It sounds

885
00:48:14,080 --> 00:48:17,600
Speaker 1: like a great combination to me. You get the wing stops.

886
00:48:18,440 --> 00:48:22,560
Speaker 1: We gotta do the wing stop ross. That's the first

887
00:48:22,600 --> 00:48:24,799
Speaker 1: thing he said to me. That was their fault though

888
00:48:24,960 --> 00:48:29,920
Speaker 1: I know it was. And then the hurricane. Yet the

889
00:48:30,000 --> 00:48:32,920
Speaker 1: hurricane was the hurricane fault. Yeah, so we're ready to

890
00:48:32,960 --> 00:48:34,880
Speaker 1: go back and do the in store. So Graph come

891
00:48:34,920 --> 00:48:36,880
Speaker 1: over here, real, let's have a queen's moment right now.

892
00:48:37,880 --> 00:48:39,520
Speaker 1: Go over there. It might go over there, my brother.

893
00:48:39,840 --> 00:48:43,520
Speaker 1: Yeah you know Graph right long time. Yeah, both from Jamaica.

894
00:48:43,800 --> 00:48:46,800
Speaker 1: You know how to break down queens Buses and trains,

895
00:48:47,520 --> 00:48:51,080
Speaker 1: Like there's a you heard me say this before. Oh,

896
00:48:51,239 --> 00:48:54,239
Speaker 1: this is how to breakdown queens. It's like busses and

897
00:48:54,360 --> 00:49:00,760
Speaker 1: trains sections um, left frag Queensbridge Ravens was the story

898
00:49:00,880 --> 00:49:05,560
Speaker 1: of what side you can all get through the trains,

899
00:49:06,200 --> 00:49:10,200
Speaker 1: then it's the busses, the bus. I'm hurst you get

900
00:49:10,239 --> 00:49:13,400
Speaker 1: through and train, but but it's buses too. But um

901
00:49:13,560 --> 00:49:19,480
Speaker 1: then once you hit Parsons Boulevards trains. Yeah, so yeah,

902
00:49:19,560 --> 00:49:21,720
Speaker 1: y'all agree with me on bugging out as I'm retarded.

903
00:49:21,719 --> 00:49:23,440
Speaker 1: You know, I'm the electric I look at everything in

904
00:49:23,480 --> 00:49:27,600
Speaker 1: a different way. You understand what I'm saying, you cold? Yes?

905
00:49:27,719 --> 00:49:30,520
Speaker 1: I am one more that point though, yea, So graph

906
00:49:30,560 --> 00:49:32,400
Speaker 1: what's going on? Told to the people? Man, ain't she

907
00:49:32,600 --> 00:49:34,719
Speaker 1: working my ass? Off? Man? I'm happy to be here

908
00:49:34,719 --> 00:49:36,239
Speaker 1: with your niggas. Man, it's the loop, the clue to

909
00:49:36,320 --> 00:49:40,080
Speaker 1: loot to you? Of course, if around when I get

910
00:49:40,160 --> 00:49:43,360
Speaker 1: that cup when you around when the clue tapes was crazy,

911
00:49:44,440 --> 00:49:46,000
Speaker 1: I was young, but I was around for the way

912
00:49:46,080 --> 00:49:48,280
Speaker 1: we was really chasing them. And I learned this in Paris.

913
00:49:48,360 --> 00:49:51,799
Speaker 1: This call piecen like back but back then. Okay, yeah,

914
00:49:57,120 --> 00:49:58,560
Speaker 1: I don't even know what that means, but it's south

915
00:49:58,600 --> 00:50:04,160
Speaker 1: fly I mean too much phone in that. Don't worry

916
00:50:04,160 --> 00:50:07,480
Speaker 1: about it. I've learned that in France. Come on, you'll

917
00:50:07,560 --> 00:50:11,600
Speaker 1: let the pacing, yeah not the clue tapes was what

918
00:50:11,719 --> 00:50:13,879
Speaker 1: it was back then. That's that's how niggas is getting

919
00:50:13,920 --> 00:50:18,200
Speaker 1: exclusive music for sure, sure sure, sure sure. Now tell

920
00:50:18,200 --> 00:50:20,080
Speaker 1: the people where you're from in Queens, so everybody know

921
00:50:20,760 --> 00:50:23,439
Speaker 1: I'm Jamaica, man, away from Rosdale and Jamaica, like really

922
00:50:23,480 --> 00:50:26,959
Speaker 1: like fatching Um and Merrick. You know what I'm saying.

923
00:50:27,160 --> 00:50:29,280
Speaker 1: And then clue where you from? Queens? Tell you Nigga's

924
00:50:29,280 --> 00:50:34,880
Speaker 1: speech spring Freeling, tell him where you from? He's supposed

925
00:50:34,880 --> 00:50:39,879
Speaker 1: to say left, friend, anybody asked me, I all to say,

926
00:50:39,920 --> 00:50:42,200
Speaker 1: you know what, I just want to say something like

927
00:50:43,719 --> 00:50:45,400
Speaker 1: I'll be I'll be slacking a little bit on the

928
00:50:45,480 --> 00:50:48,560
Speaker 1: left frank shots. It's not on purpose though, because I

929
00:50:48,600 --> 00:50:51,080
Speaker 1: don't be over there checking out on them because I'm

930
00:50:51,080 --> 00:50:53,239
Speaker 1: not there. Yeah, alright, I used to be over there,

931
00:50:53,320 --> 00:50:55,560
Speaker 1: you know what I mean. You don't see any used

932
00:50:55,600 --> 00:50:58,839
Speaker 1: to come to my curse. Come, come pick me up,

933
00:50:59,360 --> 00:51:03,120
Speaker 1: come can free style listen clue man in case I

934
00:51:03,239 --> 00:51:05,680
Speaker 1: never told you, man, I appreciate everything we did on

935
00:51:05,800 --> 00:51:08,480
Speaker 1: the come up, and you know, for you to continue

936
00:51:08,560 --> 00:51:10,879
Speaker 1: doing what we're doing, for me to continue doing we're doing,

937
00:51:11,160 --> 00:51:13,480
Speaker 1: I just feel like, you know, we I know we're

938
00:51:13,520 --> 00:51:16,239
Speaker 1: both proud of each other. Every time each other we asked,

939
00:51:16,440 --> 00:51:19,040
Speaker 1: We asked, you know who's drinking? Who's drinking on your graph?

940
00:51:19,080 --> 00:51:22,320
Speaker 1: You drinking some mom Rose drinking about drinking. This is

941
00:51:22,320 --> 00:51:31,839
Speaker 1: about better drink. Both butter hit he didn't drink all

942
00:51:31,840 --> 00:51:34,040
Speaker 1: the time. Both came here and made a Jeffrey he

943
00:51:34,160 --> 00:51:38,879
Speaker 1: took we had mad and he took bottle and put

944
00:51:38,920 --> 00:51:42,000
Speaker 1: it all in one drink and we'd drinking. And then

945
00:51:44,080 --> 00:51:47,480
Speaker 1: it ain't a lie man puff he savage with it man,

946
00:51:48,320 --> 00:51:50,560
Speaker 1: because clue, you've been partying all over the world. Who

947
00:51:50,800 --> 00:51:54,040
Speaker 1: who Who's the one person you see that you don't

948
00:51:54,080 --> 00:51:56,680
Speaker 1: want a party with because they take it too far?

949
00:52:00,840 --> 00:52:04,640
Speaker 1: Artist wash, It don't matter what the artists what cous

950
00:52:04,719 --> 00:52:08,280
Speaker 1: of mind? First man, Big Scottie Scott, the animal Scott.

951
00:52:08,680 --> 00:52:12,160
Speaker 1: He gets super wasted, super he's the team wins to

952
00:52:12,160 --> 00:52:15,880
Speaker 1: seem captain. Okay, grab how about you? Who's one thing

953
00:52:16,040 --> 00:52:18,920
Speaker 1: that you It's like, damn, this nigga is too crazy.

954
00:52:19,320 --> 00:52:21,360
Speaker 1: Niggas from my hood really like a couple of niggers.

955
00:52:21,360 --> 00:52:22,799
Speaker 1: I'll be around to get so ways that they want

956
00:52:22,840 --> 00:52:25,520
Speaker 1: to shout him out. Yeah, they want to m m

957
00:52:26,760 --> 00:52:29,320
Speaker 1: my one of my niggas. Hell, he get crazy, you

958
00:52:29,400 --> 00:52:32,000
Speaker 1: get crazy. He used to want to get drunk and

959
00:52:32,080 --> 00:52:34,720
Speaker 1: robb niggas and fighting. He's the one of Robb niggers.

960
00:52:34,719 --> 00:52:36,600
Speaker 1: I'll be around like rap niggers don't come. I know

961
00:52:36,640 --> 00:52:39,960
Speaker 1: what changes really, I'm like nigga no, yeah, like I'll

962
00:52:39,960 --> 00:52:41,239
Speaker 1: be in the spot with it. I said, I want

963
00:52:41,239 --> 00:52:43,640
Speaker 1: to call niggers names. Who Who's who? He'll be looking at.

964
00:52:44,960 --> 00:52:47,120
Speaker 1: I keeps to happen. I don't even bring the niggas

965
00:52:47,160 --> 00:52:50,239
Speaker 1: around because I don't want to get in situations. So

966
00:52:50,840 --> 00:52:55,000
Speaker 1: exactly my nigga I didn't speed. Yeah, they need to

967
00:52:55,040 --> 00:52:58,239
Speaker 1: be handy, you know, like certain niggers. I don't bring

968
00:52:58,280 --> 00:53:00,600
Speaker 1: around them morgas. They're not to act now like like

969
00:53:00,840 --> 00:53:03,359
Speaker 1: like I got a couple of that's a drink chance,

970
00:53:03,400 --> 00:53:04,759
Speaker 1: a couple of niggs and they have to get throw

971
00:53:04,800 --> 00:53:07,959
Speaker 1: under the bus. But in general, remember there's two rappers

972
00:53:08,000 --> 00:53:10,520
Speaker 1: in particular that I was gonna be around. And when

973
00:53:10,560 --> 00:53:12,719
Speaker 1: I'm in a club with him, he'd be saucy on

974
00:53:12,800 --> 00:53:14,520
Speaker 1: the block and he'll call my phone like, yeah, when

975
00:53:14,520 --> 00:53:16,440
Speaker 1: you get there, I'm just gonna come in there. We

976
00:53:16,480 --> 00:53:18,840
Speaker 1: ain't gotta know what together. So let's say one raps

977
00:53:18,840 --> 00:53:20,279
Speaker 1: over there once over here, so I'm gonna come into

978
00:53:20,280 --> 00:53:21,880
Speaker 1: the spot. I'm gonna do a bottle of that nig

979
00:53:21,960 --> 00:53:24,839
Speaker 1: when everybody looking there, I'm putting the gun strategy. I'm

980
00:53:24,880 --> 00:53:27,640
Speaker 1: like drunk strategy. That's what I'm in the spot. My

981
00:53:27,719 --> 00:53:30,080
Speaker 1: phone is off. You stay in the hood forever. I'm

982
00:53:30,120 --> 00:53:33,920
Speaker 1: not bringing you nowhere like drink there. So look check it.

983
00:53:34,840 --> 00:53:37,040
Speaker 1: We just had Jada kiss on here right, and me

984
00:53:37,120 --> 00:53:40,520
Speaker 1: and Jada kiss and e FN spoke about like the

985
00:53:40,719 --> 00:53:43,040
Speaker 1: beef now right, like the things just happening in the

986
00:53:43,160 --> 00:53:45,600
Speaker 1: hip hop now. So I asked Jade that, I said,

987
00:53:45,640 --> 00:53:47,719
Speaker 1: but when you was worn with like you know, stay

988
00:53:47,800 --> 00:53:52,400
Speaker 1: property and stay property, you know whatever he said. He said,

989
00:53:52,680 --> 00:53:56,719
Speaker 1: although you know it's beef now, He's like, but back

990
00:53:56,800 --> 00:54:00,960
Speaker 1: then it was like real even like no nothing got

991
00:54:00,960 --> 00:54:03,640
Speaker 1: into physical. Do you agree with that? Like what ship

992
00:54:03,840 --> 00:54:07,640
Speaker 1: was happening in the nineties the early two thousands, I

993
00:54:07,719 --> 00:54:11,640
Speaker 1: didn't see so much someone ship pop off like I mean, look,

994
00:54:11,760 --> 00:54:15,640
Speaker 1: I was not for nothing. I was there when the

995
00:54:15,840 --> 00:54:20,439
Speaker 1: when the biggest ship popped off in l A. Yeah,

996
00:54:20,600 --> 00:54:23,160
Speaker 1: I was. I was like, they wasn't come out of

997
00:54:23,200 --> 00:54:26,520
Speaker 1: the party all weekend and then I just seen it

998
00:54:26,719 --> 00:54:30,080
Speaker 1: was like about prob one thirties, about half an hour

999
00:54:30,200 --> 00:54:33,120
Speaker 1: left in the party, and what about one forty? I

1000
00:54:33,200 --> 00:54:37,680
Speaker 1: see season big pull up in the party. I'm like,

1001
00:54:37,840 --> 00:54:39,360
Speaker 1: all right, cool, like you know what I thought you

1002
00:54:39,440 --> 00:54:41,840
Speaker 1: wasn't coming out. N came to chill for company. This

1003
00:54:42,120 --> 00:54:46,920
Speaker 1: is the buy party party. And and then biggest seams like, yo,

1004
00:54:46,960 --> 00:54:48,920
Speaker 1: we're doing We're doing a barbecue to morrow. Want your DJ?

1005
00:54:49,640 --> 00:54:53,080
Speaker 1: I said, all right, cool. Problem. So me me being me,

1006
00:54:53,480 --> 00:54:55,680
Speaker 1: you know, I'm from from Queen's from you know, from

1007
00:54:55,719 --> 00:54:57,919
Speaker 1: the hood. I'm like, Yo, was getting late. I'm gonna

1008
00:54:57,960 --> 00:55:00,279
Speaker 1: get out of here because we gotta be we get

1009
00:55:00,320 --> 00:55:04,120
Speaker 1: a mansion party that I was throwing track masses up master. Yeah.

1010
00:55:04,200 --> 00:55:06,440
Speaker 1: So I had, I had broke out. I had I

1011
00:55:06,480 --> 00:55:09,160
Speaker 1: had the new the new Bends drop top I had rented,

1012
00:55:09,200 --> 00:55:11,600
Speaker 1: and I thought I was doing something, you know what

1013
00:55:11,680 --> 00:55:13,200
Speaker 1: I mean, And I said, let me get out of here.

1014
00:55:13,880 --> 00:55:15,200
Speaker 1: You know it's too much going on. Let me get

1015
00:55:15,239 --> 00:55:19,800
Speaker 1: out of here now. Smoke poker. So I hopped in

1016
00:55:19,840 --> 00:55:22,600
Speaker 1: the car and left and I got a call like

1017
00:55:22,719 --> 00:55:28,120
Speaker 1: about half an hour like, dude, Biggie got shot. I'm damn.

1018
00:55:28,200 --> 00:55:31,040
Speaker 1: I'm like we'd when you said when it popped off,

1019
00:55:31,120 --> 00:55:35,960
Speaker 1: I'm thinking you saying like when the beef started, you saying, yeah,

1020
00:55:36,840 --> 00:55:40,279
Speaker 1: I was. I was at the actual party. Wow. Yeah man,

1021
00:55:40,360 --> 00:55:44,480
Speaker 1: soon I heard that and then, um, I didn't know

1022
00:55:44,719 --> 00:55:45,880
Speaker 1: was showing that, you know, I mean it could have

1023
00:55:45,920 --> 00:55:47,719
Speaker 1: been room. I didn't shooting that. So I was gonna

1024
00:55:47,719 --> 00:55:49,880
Speaker 1: be it was all in the in the house party.

1025
00:55:49,880 --> 00:55:53,920
Speaker 1: It was like it was like the Lives Mary Leiyah,

1026
00:55:54,600 --> 00:55:56,040
Speaker 1: like a bunch of people and you know what I mean,

1027
00:55:56,400 --> 00:55:58,920
Speaker 1: the party was about to be lit the house party

1028
00:55:59,000 --> 00:56:01,839
Speaker 1: is you never the thought from the party that something

1029
00:56:01,960 --> 00:56:05,399
Speaker 1: was gonna pap And then we got the caller, Yo,

1030
00:56:05,600 --> 00:56:09,279
Speaker 1: big dim and damn, get the funk out here. So

1031
00:56:09,400 --> 00:56:13,839
Speaker 1: I told I told Chris leidyea the worst start going

1032
00:56:13,880 --> 00:56:15,719
Speaker 1: around and they were like, yo, man, we ain't going

1033
00:56:15,719 --> 00:56:19,799
Speaker 1: out of him. Man Wilson tran in case y'all don't

1034
00:56:19,800 --> 00:56:22,480
Speaker 1: know this. The Elliott Wilson we're telling me gets a

1035
00:56:22,560 --> 00:56:29,839
Speaker 1: good story popping. Yeah, it's hard that he get into

1036
00:56:30,080 --> 00:56:32,960
Speaker 1: basically going in right now, Sally is working over Tom.

1037
00:56:33,040 --> 00:56:40,520
Speaker 1: Let's speed out of you. You keep it continue its yeah,

1038
00:56:40,600 --> 00:56:45,000
Speaker 1: but up sorry look ahead. Yeah. So, um, yeah, we

1039
00:56:45,120 --> 00:56:46,640
Speaker 1: heard about now we were just like you know what

1040
00:56:46,680 --> 00:56:50,279
Speaker 1: I mean, I called seeds, gave my adonces and I'm like, yo,

1041
00:56:50,920 --> 00:56:53,120
Speaker 1: I was trying to find the first flight out of them,

1042
00:56:53,520 --> 00:56:57,919
Speaker 1: right like with that whole each coach. Around that time,

1043
00:56:58,239 --> 00:57:00,840
Speaker 1: I'm not gonna lie. Around that time, it was nervous

1044
00:57:00,920 --> 00:57:04,720
Speaker 1: going on the alley, like it was just nervous literally

1045
00:57:04,760 --> 00:57:07,600
Speaker 1: when losing them all because I had went to the

1046
00:57:07,680 --> 00:57:10,720
Speaker 1: mall with Nas. I remember Nas, and Big wasn't speaking

1047
00:57:10,719 --> 00:57:13,160
Speaker 1: at the time exactly. So I go to the mall

1048
00:57:13,239 --> 00:57:19,120
Speaker 1: with Nas and it's all Macy's. I'm I'm with NAS,

1049
00:57:19,120 --> 00:57:20,640
Speaker 1: and I see bigging them you know me and bigging

1050
00:57:20,640 --> 00:57:22,920
Speaker 1: them is cool and you know the rock, So I

1051
00:57:22,960 --> 00:57:24,520
Speaker 1: say it was something to them in Nazis kind of

1052
00:57:24,640 --> 00:57:27,120
Speaker 1: kept walking. He wasn't really speaking to them, and it

1053
00:57:27,240 --> 00:57:29,040
Speaker 1: was like little kids. And then he was like throwing

1054
00:57:29,080 --> 00:57:32,480
Speaker 1: the game signs and Biggie like, Yo, what's side outside?

1055
00:57:32,640 --> 00:57:37,600
Speaker 1: Going crazy? Yeah, but not to Nas. Nah, wow, Na

1056
00:57:38,280 --> 00:57:39,600
Speaker 1: it was. It was kind of awkward, but at the

1057
00:57:39,640 --> 00:57:42,360
Speaker 1: same time it was like, you know, I wasn't really

1058
00:57:42,400 --> 00:57:44,960
Speaker 1: thinking too much other I didn't know how serious it

1059
00:57:45,200 --> 00:57:49,600
Speaker 1: was until thencing that happened. Yeah, that's christ piece of

1060
00:57:49,640 --> 00:57:58,720
Speaker 1: the big So um does Clue like streaming music? Streaming? Yeah? Yo, man,

1061
00:57:58,840 --> 00:58:03,280
Speaker 1: Clue just be to uh a five five thousand foot

1062
00:58:03,560 --> 00:58:08,040
Speaker 1: facility in Houston. I'm actually going into Mars for Clue Radio.

1063
00:58:08,880 --> 00:58:10,640
Speaker 1: So you're gonna hear about that. So we got to

1064
00:58:10,800 --> 00:58:12,600
Speaker 1: you have to talk to you. But we're gonna talk.

1065
00:58:13,320 --> 00:58:17,280
Speaker 1: We're gonna talk what we're gonna Clue Radio even Power

1066
00:58:17,320 --> 00:58:27,760
Speaker 1: one over. It's a whole separate entity man, Like you know,

1067
00:58:27,760 --> 00:58:29,520
Speaker 1: I mean, I got the Clue Radio app coming out

1068
00:58:30,360 --> 00:58:32,160
Speaker 1: real soon, So you're gonna you're gonna hear about that.

1069
00:58:32,600 --> 00:58:35,720
Speaker 1: That's all. It's all drink chat. You know. We support artists,

1070
00:58:35,720 --> 00:58:38,080
Speaker 1: we support our legends over here, you know what I mean.

1071
00:58:38,320 --> 00:58:41,840
Speaker 1: So you got the Clue app. You the Clue Radio app.

1072
00:58:41,920 --> 00:58:45,840
Speaker 1: It's gonna be the website. It's it's gonna be serious

1073
00:58:45,880 --> 00:58:48,600
Speaker 1: that it's gonna be serious, bro. Trust So and is

1074
00:58:48,600 --> 00:58:52,920
Speaker 1: it gonna be music there? So it sounds like, don't

1075
00:58:52,920 --> 00:58:54,200
Speaker 1: I don't want to give you too much info, but

1076
00:58:54,240 --> 00:58:56,760
Speaker 1: I will come back to the drink chats from the launch.

1077
00:58:56,800 --> 00:58:58,840
Speaker 1: I will come back so I will give you the

1078
00:58:58,920 --> 00:59:03,200
Speaker 1: whole rundown. We're doing another album. I actually I actually

1079
00:59:03,240 --> 00:59:06,960
Speaker 1: have an EP done. I gotta EP done. You know

1080
00:59:06,960 --> 00:59:08,400
Speaker 1: what I mean, I got, I gotta, I gotta. I

1081
00:59:08,440 --> 00:59:10,840
Speaker 1: gotta tell you was mixing a single for me. I

1082
00:59:10,920 --> 00:59:13,240
Speaker 1: miss you. Yeah, I gotta enjoy it with uh with

1083
00:59:13,600 --> 00:59:16,640
Speaker 1: the rest of piece of chins, got d chinks, Little

1084
00:59:16,680 --> 00:59:20,680
Speaker 1: Wayne implies some about to put out. Wow. Yeah, so's

1085
00:59:20,720 --> 00:59:24,600
Speaker 1: it's fired too working over time. You gotta come on,

1086
00:59:25,160 --> 00:59:28,880
Speaker 1: you gotta let him leve. So now you coulduce a

1087
00:59:29,040 --> 00:59:32,400
Speaker 1: classic record for me that people always like, I swear

1088
00:59:32,440 --> 00:59:34,960
Speaker 1: to guard his body and the trump and then it's

1089
00:59:35,160 --> 00:59:37,160
Speaker 1: at stop lock. People always be like, Yo, why you

1090
00:59:37,200 --> 00:59:39,960
Speaker 1: ain't shoot a video to that? Because in that record,

1091
00:59:40,000 --> 00:59:43,479
Speaker 1: I say I'm in Miami, Like that's like my first

1092
00:59:43,520 --> 00:59:46,160
Speaker 1: time in Miami. And I said that on the record,

1093
00:59:46,840 --> 00:59:49,440
Speaker 1: Like how did that come about? I know how it

1094
00:59:49,520 --> 00:59:51,240
Speaker 1: came about. So what I'm saying, I mean, I know

1095
00:59:51,360 --> 00:59:54,800
Speaker 1: he's not I know he's in the studio. And that's

1096
00:59:54,920 --> 00:59:57,880
Speaker 1: that's when you was you would like them it a

1097
00:59:57,960 --> 01:00:04,040
Speaker 1: Neptunes artist. Yeah, yeah, I think I think we was

1098
01:00:04,120 --> 01:00:06,120
Speaker 1: in I think he was in right track, right track

1099
01:00:06,200 --> 01:00:09,200
Speaker 1: that was in the basement and you told me to

1100
01:00:09,320 --> 01:00:12,040
Speaker 1: play some beats and so we started. We started going

1101
01:00:12,080 --> 01:00:13,560
Speaker 1: through some beats and you know what I mean, and

1102
01:00:14,400 --> 01:00:16,160
Speaker 1: the whole vibe came out, and I said, we need

1103
01:00:16,200 --> 01:00:19,040
Speaker 1: to make it something with the Spanish that you make

1104
01:00:19,080 --> 01:00:29,200
Speaker 1: it nice. Let's do something spinish. That's that's why he

1105
01:00:29,280 --> 01:00:32,160
Speaker 1: get there's the Partnapple ship over too. It's like, that's

1106
01:00:32,240 --> 01:00:35,480
Speaker 1: that's not really Latino right there, Like you gotta stab both,

1107
01:00:35,640 --> 01:00:38,640
Speaker 1: come on, you know better since since the great Goose

1108
01:00:38,720 --> 01:00:41,720
Speaker 1: days go ahead? Yeah, so um, I mean, yeah, that

1109
01:00:41,760 --> 01:00:44,000
Speaker 1: side of record came about. Man, that's that's that's definitely

1110
01:00:44,040 --> 01:00:46,240
Speaker 1: a classic joint though, the classic joint. That's one of

1111
01:00:46,280 --> 01:00:50,200
Speaker 1: the two most um um requested, like because you know,

1112
01:00:50,400 --> 01:00:53,160
Speaker 1: that's what we're trying to do. Like, um, I don't

1113
01:00:53,200 --> 01:00:56,200
Speaker 1: really want to record new music. But if I record

1114
01:00:56,280 --> 01:01:00,840
Speaker 1: new music, don't be mad at me. But right now,

1115
01:01:00,840 --> 01:01:07,280
Speaker 1: I don't chance an EP done too big Justice League.

1116
01:01:07,600 --> 01:01:10,320
Speaker 1: We got a whole EP done. But right now I'm chilling,

1117
01:01:10,320 --> 01:01:12,280
Speaker 1: you know what I'm saying. But if I wasn't, dude,

1118
01:01:12,280 --> 01:01:13,760
Speaker 1: I wanted, I would like to do a body in

1119
01:01:13,840 --> 01:01:17,600
Speaker 1: the Trunk video that crazy bring what I'm saying, but

1120
01:01:17,840 --> 01:01:21,840
Speaker 1: I'm out, uh like new style, but it would be

1121
01:01:21,920 --> 01:01:27,000
Speaker 1: the same song and we get debuted on a clue radio,

1122
01:01:28,560 --> 01:01:32,080
Speaker 1: the guy ain't doing it. That means this platform also

1123
01:01:32,240 --> 01:01:38,200
Speaker 1: does videos. We already know that we're breaking stories, breaking ahead.

1124
01:01:38,280 --> 01:01:41,200
Speaker 1: That's all that's listen. I was just gonna clear the

1125
01:01:41,240 --> 01:01:43,680
Speaker 1: freestyles did over the Drede Beach member. Those three styles

1126
01:01:44,720 --> 01:01:50,160
Speaker 1: give a nigga two way. He think he's CEO your clue, man,

1127
01:01:50,560 --> 01:01:52,880
Speaker 1: I ain't front. I had to tell us to envy

1128
01:01:53,360 --> 01:01:56,920
Speaker 1: yo y'all single handedly was like because I got to

1129
01:01:56,960 --> 01:01:58,920
Speaker 1: see y'all work, see the thing about it, and you

1130
01:01:58,960 --> 01:02:02,600
Speaker 1: know eneries from my block right he literally lives six

1131
01:02:02,680 --> 01:02:06,720
Speaker 1: houses up outside of the street literally, but that was

1132
01:02:06,800 --> 01:02:10,360
Speaker 1: the crazy ship was to me see y'all work, like

1133
01:02:10,480 --> 01:02:13,919
Speaker 1: to see y'all go in any hood and go grab yeah.

1134
01:02:13,960 --> 01:02:16,040
Speaker 1: Remember there's no email back then, no, not at all,

1135
01:02:16,880 --> 01:02:22,520
Speaker 1: to get exclusive whatever physically going to have like you

1136
01:02:22,560 --> 01:02:26,160
Speaker 1: know dos effects me. He's kind of my mom's basement recording.

1137
01:02:27,560 --> 01:02:29,920
Speaker 1: It's like, you know what it is, you know what

1138
01:02:29,920 --> 01:02:33,160
Speaker 1: I mean, like anywhere Keith Murray, I mean, I mean

1139
01:02:33,320 --> 01:02:36,360
Speaker 1: jay Z practice for his first show in my basement

1140
01:02:37,000 --> 01:02:43,480
Speaker 1: Earth that y'all are such a part of like hip

1141
01:02:43,520 --> 01:02:47,280
Speaker 1: hop fiber, Like this is crazy fibers Hill. I don't

1142
01:02:47,360 --> 01:02:53,880
Speaker 1: know what technically would it mean if anyone, anyone right

1143
01:02:53,920 --> 01:02:56,800
Speaker 1: now can name the chip who sung the hook on,

1144
01:02:56,880 --> 01:03:00,640
Speaker 1: ain't no nigger we get we need to give him,

1145
01:03:01,160 --> 01:03:04,480
Speaker 1: give him hold on. This is sucking me up now

1146
01:03:04,520 --> 01:03:07,040
Speaker 1: because I'll be swearing I might hip the story because

1147
01:03:08,200 --> 01:03:10,720
Speaker 1: it was it was, It was her And I don't

1148
01:03:10,720 --> 01:03:15,480
Speaker 1: even know anything we got as here? Has it it

1149
01:03:15,560 --> 01:03:19,880
Speaker 1: sound Google that ship don't even know. I don't might

1150
01:03:19,920 --> 01:03:21,840
Speaker 1: not even know that one man. I ain't gonna lie Google.

1151
01:03:22,760 --> 01:03:26,760
Speaker 1: That's that's a good one. But you said she went

1152
01:03:26,840 --> 01:03:29,480
Speaker 1: to the cle ain't gonna know that. Trust me. It's

1153
01:03:29,480 --> 01:03:33,680
Speaker 1: a Google. Don't work Wikipedia. She is Wikipedia that whatever

1154
01:03:33,800 --> 01:03:36,720
Speaker 1: she's doing their life, she's somewhere saying that was me.

1155
01:03:37,880 --> 01:03:41,040
Speaker 1: That's a fact. She's definitely using that card. You have

1156
01:03:41,240 --> 01:03:43,640
Speaker 1: to come on. That was like the first breakout record

1157
01:03:43,720 --> 01:03:46,040
Speaker 1: for jay Z. What was what was? What do you

1158
01:03:46,120 --> 01:03:49,200
Speaker 1: think was your biggest record that you have? See it

1159
01:03:49,280 --> 01:03:53,800
Speaker 1: depends on it's Super Doug sometimes as far as bringing

1160
01:03:53,840 --> 01:03:56,560
Speaker 1: you to the world, Super that would be the biggest record.

1161
01:03:56,840 --> 01:04:01,880
Speaker 1: The first record, Yeah, the first so first crossover record

1162
01:04:01,960 --> 01:04:05,480
Speaker 1: that definitely a super was on that right, No, what'slie?

1163
01:04:05,520 --> 01:04:07,919
Speaker 1: Who's something that? Damn, you're trying to put me under

1164
01:04:07,960 --> 01:04:11,320
Speaker 1: the she did that, but I was trying to keep you.

1165
01:04:11,920 --> 01:04:14,920
Speaker 1: Didn't you say that? She sang that part? Who No,

1166
01:04:15,080 --> 01:04:18,240
Speaker 1: that's not Colise, that's not Elsie. I'm listening to that.

1167
01:04:20,640 --> 01:04:24,080
Speaker 1: It wasn't Tammy Lucas either, right, was it Tammy Lucas? Um? Damn?

1168
01:04:24,120 --> 01:04:26,600
Speaker 1: I don't know. I'm with like you, we don't find

1169
01:04:26,600 --> 01:04:34,840
Speaker 1: out record. I wanted to heys smoking a walk ground

1170
01:04:35,680 --> 01:04:38,360
Speaker 1: graphic over here drinking. I'm trying to pay stuff. I

1171
01:04:38,400 --> 01:04:43,160
Speaker 1: know what's Hound's gonna yourself? Now when you come to

1172
01:04:43,280 --> 01:04:46,120
Speaker 1: when you come to Miami, do you do you play

1173
01:04:46,200 --> 01:04:50,200
Speaker 1: Miami Records? Or or you say? You know what? I'm

1174
01:04:50,240 --> 01:04:52,960
Speaker 1: a day here for me because I'm from New York.

1175
01:04:53,840 --> 01:04:58,800
Speaker 1: I mean I think as a DJ who traveled around

1176
01:04:58,800 --> 01:05:01,200
Speaker 1: the country, I think I'm well around this, so you

1177
01:05:01,240 --> 01:05:02,680
Speaker 1: know what I mean. I think I played a little

1178
01:05:02,680 --> 01:05:04,680
Speaker 1: bit everything. But you know what I mean, because like

1179
01:05:04,800 --> 01:05:07,280
Speaker 1: I was probably the first DJ, like I said, he

1180
01:05:07,440 --> 01:05:10,280
Speaker 1: was playing South music in New York, Like when I

1181
01:05:10,360 --> 01:05:14,080
Speaker 1: first started playing Cash Money Records, and everyone like yo

1182
01:05:14,320 --> 01:05:16,320
Speaker 1: that man, like yo, are you are you playing that?

1183
01:05:16,920 --> 01:05:19,320
Speaker 1: Why are you playing Why are you playing jupil now high?

1184
01:05:19,360 --> 01:05:21,959
Speaker 1: What is? What is that? I was playing blame bling

1185
01:05:22,120 --> 01:05:24,720
Speaker 1: I tay Hi and then I told j about it.

1186
01:05:24,920 --> 01:05:26,880
Speaker 1: That's how Jay got. I told Jam about it and

1187
01:05:26,960 --> 01:05:29,120
Speaker 1: he was kind of sleeping on it. Then he was

1188
01:05:29,200 --> 01:05:32,120
Speaker 1: on promo. We went to Atlanta and you heard on

1189
01:05:32,200 --> 01:05:34,040
Speaker 1: the radio and seen in the club and he was like, yo,

1190
01:05:34,720 --> 01:05:40,240
Speaker 1: I need that. Yeah. Yeah, I feel like I was

1191
01:05:40,280 --> 01:05:43,160
Speaker 1: the nigger that put niggas on the high because I had.

1192
01:05:43,640 --> 01:05:47,120
Speaker 1: I had went to New Orleans like for a Spanish party,

1193
01:05:47,160 --> 01:05:49,560
Speaker 1: which was very awkward, and I came back to New

1194
01:05:49,680 --> 01:05:54,360
Speaker 1: York and I was like, huh, I did, mate, that's

1195
01:05:54,360 --> 01:05:57,360
Speaker 1: what I'm saying that And then know what I was

1196
01:05:57,360 --> 01:06:00,000
Speaker 1: talking about. I didn't know his name. I couldn't be like, yeah,

1197
01:06:00,080 --> 01:06:02,320
Speaker 1: that's the net that I just like, that's all I knew.

1198
01:06:02,520 --> 01:06:09,880
Speaker 1: If they want to be high, I always I always knew.

1199
01:06:10,840 --> 01:06:14,000
Speaker 1: To me, I always thought Wayne was gonna be You

1200
01:06:14,120 --> 01:06:16,320
Speaker 1: knew was going to be the student because all of

1201
01:06:16,360 --> 01:06:20,840
Speaker 1: them want the record in the nine out had the

1202
01:06:20,880 --> 01:06:25,320
Speaker 1: whole Yeah, because I had. He was doing fab album

1203
01:06:26,240 --> 01:06:29,760
Speaker 1: and I had, and they asked me what you artists?

1204
01:06:29,760 --> 01:06:32,520
Speaker 1: I wanted to do record? I still got. I still

1205
01:06:32,560 --> 01:06:34,560
Speaker 1: got the record with him and Wayne that we heard

1206
01:06:34,640 --> 01:06:38,000
Speaker 1: Fab said that the record, yeah, because when we didn't

1207
01:06:38,040 --> 01:06:40,760
Speaker 1: finish the record. But I actually, you know, man, if

1208
01:06:40,840 --> 01:06:43,040
Speaker 1: I had actually cut a check for that, I cut.

1209
01:06:43,520 --> 01:06:45,280
Speaker 1: I mean I cut because Baby was like, you listen,

1210
01:06:45,680 --> 01:06:47,880
Speaker 1: if you want single rights and video rights, let me

1211
01:06:47,920 --> 01:06:51,479
Speaker 1: know now, so you cut the whole deal, single rights,

1212
01:06:52,200 --> 01:06:54,320
Speaker 1: album rights in the video game. I cut the check.

1213
01:06:54,400 --> 01:06:57,560
Speaker 1: But we never anything, and that record with that record

1214
01:06:57,600 --> 01:07:03,000
Speaker 1: doesn't exist. It's a man, right now, keep you using

1215
01:07:03,000 --> 01:07:08,280
Speaker 1: your drop. Let's me playing on the podcast to me

1216
01:07:08,600 --> 01:07:11,360
Speaker 1: and Little we're ready. We're ready to go to the

1217
01:07:11,440 --> 01:07:15,080
Speaker 1: podcast right now. It's still in my crib on a cassette.

1218
01:07:17,560 --> 01:07:21,000
Speaker 1: I still got it, but I've never heard I got.

1219
01:07:21,080 --> 01:07:23,360
Speaker 1: I got a bunch of records like that. I got

1220
01:07:23,480 --> 01:07:27,440
Speaker 1: like I got whutang randkids. I got NAS records. That's crazy,

1221
01:07:29,040 --> 01:07:33,840
Speaker 1: nigger records, real full fled records. They never been heard.

1222
01:07:34,000 --> 01:07:36,400
Speaker 1: What was the reason you never put them out? The

1223
01:07:36,440 --> 01:07:39,760
Speaker 1: only nigger with him? Too many of them. Probably that's

1224
01:07:39,800 --> 01:07:42,440
Speaker 1: why I'm so I'm so respectful with mine, you know

1225
01:07:42,480 --> 01:07:45,479
Speaker 1: what I mean? Or you would have doctor dre type

1226
01:07:45,520 --> 01:07:48,680
Speaker 1: like perfectionists. Some of these wasn't right. First of all,

1227
01:07:49,120 --> 01:07:53,320
Speaker 1: let's be clear, when Drey was working on this album

1228
01:07:53,360 --> 01:07:55,840
Speaker 1: and he was supposed to put out the detail, you know,

1229
01:07:55,960 --> 01:08:02,600
Speaker 1: but I heard about four records fire. He gotta record

1230
01:08:02,640 --> 01:08:08,880
Speaker 1: with Loewayne and Miek Milner's so fire. He got wrecked

1231
01:08:08,920 --> 01:08:12,880
Speaker 1: with married that's so fire. But you probably you probably

1232
01:08:13,320 --> 01:08:16,080
Speaker 1: never gonna hate. But he got it. Don't think, don't

1233
01:08:16,120 --> 01:08:19,280
Speaker 1: think he ain't got him, because he he got He

1234
01:08:19,360 --> 01:08:22,599
Speaker 1: got him. He got guys I heard and I want

1235
01:08:22,640 --> 01:08:25,519
Speaker 1: to say I heard those about three to four years ago.

1236
01:08:27,200 --> 01:08:31,160
Speaker 1: That's great, so they existed. He got him draping out

1237
01:08:31,200 --> 01:08:33,920
Speaker 1: the detox where y'all fail. Hip hop is going now

1238
01:08:34,640 --> 01:08:37,960
Speaker 1: like at this point, at this point to the sewer,

1239
01:08:39,960 --> 01:08:43,280
Speaker 1: you don't got to people. Yeah, I mean, I mean,

1240
01:08:44,680 --> 01:08:46,680
Speaker 1: like I said, with with the age of the internet, man,

1241
01:08:46,760 --> 01:08:50,320
Speaker 1: it's like it's it's hard man. It's a hard thing. Man.

1242
01:08:52,479 --> 01:08:54,960
Speaker 1: I'm trying. I'm trying to I'm trying to actually feel

1243
01:08:54,960 --> 01:08:58,160
Speaker 1: it out and see, you know where it's going. But

1244
01:08:59,800 --> 01:09:02,280
Speaker 1: it's but in the last two years have been a

1245
01:09:02,320 --> 01:09:05,040
Speaker 1: lot of one hit wonders, you know what happens though,

1246
01:09:05,080 --> 01:09:07,320
Speaker 1: I think a lot of niggas just never learned, Like

1247
01:09:07,520 --> 01:09:09,680
Speaker 1: I like all wrap that's out. I'm a fan of

1248
01:09:09,680 --> 01:09:11,439
Speaker 1: all types of ship, but I think a lot of

1249
01:09:12,360 --> 01:09:14,639
Speaker 1: all that stuff out now never really learn how to wrap.

1250
01:09:15,400 --> 01:09:17,040
Speaker 1: Like It's like it's like a sport to me. So

1251
01:09:17,120 --> 01:09:19,880
Speaker 1: it's like if you played basketball, you watch the players

1252
01:09:19,920 --> 01:09:21,439
Speaker 1: before you know what I was doing. You know what

1253
01:09:21,520 --> 01:09:23,519
Speaker 1: the fun was doing before you went to the league.

1254
01:09:23,840 --> 01:09:25,760
Speaker 1: The same thing in boxing, you watch the tapes, you know,

1255
01:09:25,840 --> 01:09:28,320
Speaker 1: how do you learn your move? Some fucking tyson to somebody.

1256
01:09:28,560 --> 01:09:31,880
Speaker 1: But it's what you're saying coming from a lyricist perspective,

1257
01:09:32,040 --> 01:09:35,400
Speaker 1: from from a lyric and like a fan, because what

1258
01:09:35,520 --> 01:09:37,760
Speaker 1: you say is that our generation dropped the ball in

1259
01:09:40,640 --> 01:09:44,840
Speaker 1: I think. I think the waves can catch you and

1260
01:09:45,040 --> 01:09:47,760
Speaker 1: bring and bring you to a point. But can you

1261
01:09:47,880 --> 01:09:52,400
Speaker 1: consistently staying on top of the wave. That's what it is.

1262
01:09:52,479 --> 01:09:55,840
Speaker 1: You know, like you might get a record and it

1263
01:09:55,920 --> 01:09:58,240
Speaker 1: could be the highest record out of the time, whatever, whatever,

1264
01:09:58,600 --> 01:10:00,960
Speaker 1: But can you stay off low? Can you stay on

1265
01:10:01,040 --> 01:10:02,880
Speaker 1: the wave and ride the wave? But what is the

1266
01:10:02,960 --> 01:10:06,440
Speaker 1: wave now? Because now there's artists to find their audience

1267
01:10:06,800 --> 01:10:10,760
Speaker 1: online and they've got hundreds of thousands of followers and

1268
01:10:10,840 --> 01:10:14,360
Speaker 1: they do festivals or concerts or whatever shows and nobody

1269
01:10:14,400 --> 01:10:16,080
Speaker 1: even heard of that artist, and they have no because

1270
01:10:16,080 --> 01:10:20,120
Speaker 1: it's different what quote unquote, the wave is different now

1271
01:10:20,920 --> 01:10:23,360
Speaker 1: because of the Internet and the way that people get

1272
01:10:23,400 --> 01:10:28,000
Speaker 1: to their and and I always I always talk about

1273
01:10:28,080 --> 01:10:30,280
Speaker 1: all the time to this day, and I say, like,

1274
01:10:33,400 --> 01:10:36,000
Speaker 1: you can't you can't blame the kids of this age

1275
01:10:36,840 --> 01:10:40,960
Speaker 1: for liking the stuff that they like, you know what

1276
01:10:41,000 --> 01:10:43,760
Speaker 1: I mean, like because it's what they know. What we

1277
01:10:43,880 --> 01:10:45,479
Speaker 1: know is what we know, and what they know, what

1278
01:10:45,640 --> 01:10:48,160
Speaker 1: they know they can only they can only know what

1279
01:10:48,280 --> 01:10:54,280
Speaker 1: they've heard. They can't they can't relive our moment. Obviously,

1280
01:10:54,600 --> 01:10:57,080
Speaker 1: they're they're living their moment, you know what I mean.

1281
01:10:57,120 --> 01:10:59,000
Speaker 1: So they had some ship, you know what I mean,

1282
01:10:59,080 --> 01:11:01,519
Speaker 1: that they like, and then their little kids and they like,

1283
01:11:01,760 --> 01:11:04,400
Speaker 1: wait until we dancing. We're doing this. You can't get

1284
01:11:04,479 --> 01:11:06,320
Speaker 1: mad at that. But at the same time, you know,

1285
01:11:06,400 --> 01:11:08,800
Speaker 1: you're probably being you, being from our ir you're not

1286
01:11:08,840 --> 01:11:11,120
Speaker 1: gonna expect it the same, you know what I mean.

1287
01:11:11,240 --> 01:11:14,400
Speaker 1: Like when we came up, if you had an album

1288
01:11:14,479 --> 01:11:17,200
Speaker 1: and you was wrapping on there, it stayed on the shelf,

1289
01:11:18,479 --> 01:11:20,680
Speaker 1: you know what I mean. Nowadays, if you hear a

1290
01:11:20,760 --> 01:11:23,559
Speaker 1: record and the ship is hot and you could download

1291
01:11:23,600 --> 01:11:25,080
Speaker 1: and you ain't gotta paid for it, and you could

1292
01:11:25,120 --> 01:11:27,880
Speaker 1: dance with the club. You're cool with it. But if

1293
01:11:27,920 --> 01:11:29,880
Speaker 1: you brought an album back then and they had only

1294
01:11:29,920 --> 01:11:31,719
Speaker 1: two hot songs on it, you feel you got jerked.

1295
01:11:31,760 --> 01:11:34,960
Speaker 1: You wanna take it back. So it's it's different, you

1296
01:11:35,000 --> 01:11:36,599
Speaker 1: know what I mean. But you know I'm not saying

1297
01:11:36,600 --> 01:11:37,760
Speaker 1: on the type of that because I'm a fan of

1298
01:11:37,960 --> 01:11:39,479
Speaker 1: most most of the like a lot of news that

1299
01:11:39,479 --> 01:11:41,640
Speaker 1: this is out now Mama rapped, But ever niggers on

1300
01:11:41,680 --> 01:11:43,280
Speaker 1: the collar, I still ride to the ship becau. Niggas

1301
01:11:43,280 --> 01:11:46,360
Speaker 1: got dope melodies, dope beats, and the records in general adopt.

1302
01:11:46,920 --> 01:11:49,479
Speaker 1: But no matter what genre a rap you do, in

1303
01:11:49,600 --> 01:11:52,680
Speaker 1: my opinion, they put a beat on, you should know

1304
01:11:52,720 --> 01:11:55,120
Speaker 1: how to fucking spit the verse, and they take the

1305
01:11:55,160 --> 01:11:58,000
Speaker 1: beat off. You should know how to spit the verse. Period.

1306
01:11:58,080 --> 01:11:59,960
Speaker 1: Did you know the basics of any craft you're doing

1307
01:12:00,040 --> 01:12:02,040
Speaker 1: if you would work for ups? No, I didn't drap

1308
01:12:02,200 --> 01:12:05,000
Speaker 1: that fucking package and drop it off without shadow Rower's

1309
01:12:05,040 --> 01:12:07,280
Speaker 1: in that ship. You gotta know the basics, you know.

1310
01:12:07,320 --> 01:12:09,080
Speaker 1: What I'm saying, in my opinion is something that I

1311
01:12:09,160 --> 01:12:11,599
Speaker 1: think kind of got over with it and got lucky,

1312
01:12:11,640 --> 01:12:13,479
Speaker 1: I would say, and not even learn the basics of

1313
01:12:13,560 --> 01:12:15,400
Speaker 1: the ship. And it's like the only sport you could

1314
01:12:15,439 --> 01:12:17,160
Speaker 1: do that and know what I'm saying, So that's the

1315
01:12:17,200 --> 01:12:19,479
Speaker 1: only part I'll be like, it's only amount of time

1316
01:12:19,520 --> 01:12:21,240
Speaker 1: before you get exposed though, So it's like, you know,

1317
01:12:21,320 --> 01:12:24,080
Speaker 1: it's like anything else true, but you can still wait

1318
01:12:24,160 --> 01:12:26,120
Speaker 1: up to being exposed in the sport because the rules

1319
01:12:26,160 --> 01:12:28,479
Speaker 1: don't matter no more. There's no like respect for the

1320
01:12:28,640 --> 01:12:30,479
Speaker 1: art of it. You could you could, you could knock

1321
01:12:30,520 --> 01:12:33,200
Speaker 1: out the top box with a with a lucky punch. Yeah,

1322
01:12:33,439 --> 01:12:35,160
Speaker 1: you know what I mean. It don't mean you're gonna

1323
01:12:35,160 --> 01:12:37,280
Speaker 1: be able to get in the ring consistently exactly. Yeah,

1324
01:12:37,360 --> 01:12:39,920
Speaker 1: that's the fact that, you know what I mean, it's

1325
01:12:39,920 --> 01:12:41,960
Speaker 1: got real hip hop right now. I like that. I

1326
01:12:41,960 --> 01:12:45,200
Speaker 1: mean I think sometimes we honestly underestimate some of the

1327
01:12:45,280 --> 01:12:48,439
Speaker 1: young cats because it's so many of them and they

1328
01:12:48,520 --> 01:12:50,559
Speaker 1: have their own audience. Like for example, I'm gonna give

1329
01:12:50,560 --> 01:12:53,960
Speaker 1: you an example. For a long time, nobody paid attention

1330
01:12:53,960 --> 01:12:59,719
Speaker 1: to Kendrick because he had early early yeah mix tapes early,

1331
01:13:00,960 --> 01:13:05,519
Speaker 1: and eventually that what he did because the quality it rose,

1332
01:13:05,600 --> 01:13:07,600
Speaker 1: it rose, You know what I'm saying, and people was

1333
01:13:07,680 --> 01:13:13,240
Speaker 1: underestimating the youth following that lyrical movement, and they did

1334
01:13:13,320 --> 01:13:14,960
Speaker 1: you know what I'm saying, He found his audience and

1335
01:13:15,040 --> 01:13:18,720
Speaker 1: the audience obviously was bigger than life I say. And

1336
01:13:18,760 --> 01:13:20,200
Speaker 1: there's a lot of artists like that, like a Joey

1337
01:13:20,240 --> 01:13:24,240
Speaker 1: Badass too in Miami got Denzel Curry. But for example,

1338
01:13:24,280 --> 01:13:26,080
Speaker 1: it's like you might ask someone next to you, do

1339
01:13:26,160 --> 01:13:27,800
Speaker 1: you know who this is? They do not know who

1340
01:13:27,880 --> 01:13:30,600
Speaker 1: that artist is because it's the landscape of music is

1341
01:13:30,680 --> 01:13:34,040
Speaker 1: so broad. The Internet allows you to have a lane

1342
01:13:34,080 --> 01:13:36,960
Speaker 1: that you have hundreds of thousands of of listeners and fans,

1343
01:13:37,320 --> 01:13:38,800
Speaker 1: but the next guy next to you doesn't know who

1344
01:13:38,880 --> 01:13:41,120
Speaker 1: you are. And that's where we're at now. It's like

1345
01:13:41,160 --> 01:13:49,360
Speaker 1: a weird space. Definitely, Definitely, it's crazy. Space is crazy. Listen, man,

1346
01:13:49,680 --> 01:13:53,880
Speaker 1: I think hip hop. I think hip hop is a

1347
01:13:54,000 --> 01:13:57,120
Speaker 1: vehicle for you to you know, get to feed in

1348
01:13:57,240 --> 01:14:00,200
Speaker 1: and do something else. Yeah, I agree with that. If

1349
01:14:00,320 --> 01:14:04,360
Speaker 1: hip hop is your only hustle, it's you're not doing

1350
01:14:04,400 --> 01:14:08,920
Speaker 1: the best thing in life. Because that's that's why at

1351
01:14:08,920 --> 01:14:12,760
Speaker 1: the beginning when they said, uh, sometimes the rap game

1352
01:14:12,800 --> 01:14:16,479
Speaker 1: of my mare, the crack game that was then because

1353
01:14:16,800 --> 01:14:20,320
Speaker 1: it can. It can actually financially equal that. Now it's

1354
01:14:20,360 --> 01:14:23,759
Speaker 1: not to do what you want, but if you hustle smart,

1355
01:14:23,840 --> 01:14:26,760
Speaker 1: you can hustle rap right in this game, you gotta

1356
01:14:26,760 --> 01:14:29,800
Speaker 1: be able to hustle. You've gotta have multiple hustles diversified.

1357
01:14:30,640 --> 01:14:33,560
Speaker 1: You can't put um oh your eggs to one I

1358
01:14:33,680 --> 01:14:35,360
Speaker 1: tell people all time, you can't put your eggs in

1359
01:14:35,360 --> 01:14:38,519
Speaker 1: one basket, all right, now, you can't. I learned that

1360
01:14:38,600 --> 01:14:41,479
Speaker 1: from watching your niggas. I mean watch I watched Swizz

1361
01:14:41,560 --> 01:14:44,120
Speaker 1: one time at a fucking video shoot. He had like

1362
01:14:44,200 --> 01:14:47,160
Speaker 1: at least Keys on the record and Little Wayne on

1363
01:14:47,200 --> 01:14:49,240
Speaker 1: the record of Mad Niggers. But then I've seen hell

1364
01:14:49,320 --> 01:14:51,599
Speaker 1: of sponsors to the video shoot. Monster and his drink

1365
01:14:51,600 --> 01:14:52,600
Speaker 1: it was this. It was that. I was like, I

1366
01:14:52,640 --> 01:14:56,040
Speaker 1: would have it's been a Monster energy drink. Yeah, they

1367
01:14:59,880 --> 01:15:05,759
Speaker 1: love tell him, Come come, I'm not drunking this episode.

1368
01:15:06,000 --> 01:15:10,479
Speaker 1: Hook on, Yeah, you gotta be deemon something opinion. So

1369
01:15:12,520 --> 01:15:16,759
Speaker 1: who got cigars? Clue broke down that real DJ history?

1370
01:15:20,320 --> 01:15:23,600
Speaker 1: So was that considered legal tender when y'all did like

1371
01:15:23,760 --> 01:15:28,559
Speaker 1: the mixtapes appointment Like you couldn't claim it like an album,

1372
01:15:28,960 --> 01:15:32,080
Speaker 1: Like hell no, no, that's that's like selling drugs straight up,

1373
01:15:32,560 --> 01:15:35,400
Speaker 1: no where, straight up. They treated y'all like that. Yeah.

1374
01:15:36,520 --> 01:15:38,799
Speaker 1: The dude I told him, Mark Ferman. He's from Miami.

1375
01:15:39,080 --> 01:15:41,960
Speaker 1: He had to distribution mixtape called Hip Hop Connection. He

1376
01:15:42,080 --> 01:15:45,439
Speaker 1: was one of the biggest mixtape distributors in the world.

1377
01:15:46,000 --> 01:15:47,880
Speaker 1: He got rated by the Feast. They raided him like

1378
01:15:47,960 --> 01:15:50,600
Speaker 1: he was Al Quaeda. I know, I know, I know

1379
01:15:50,640 --> 01:15:52,960
Speaker 1: a couple of a couple people who got rated. He

1380
01:15:53,160 --> 01:15:55,920
Speaker 1: was one. There's another dude who was just he was just.

1381
01:15:56,200 --> 01:15:58,759
Speaker 1: He wasn't even selling ship. He would just downloading videos

1382
01:15:58,840 --> 01:16:02,160
Speaker 1: and songs and fetuated his credit, took on his computers,

1383
01:16:02,479 --> 01:16:06,400
Speaker 1: his famous computers. It was ugly, man, Yeah it was.

1384
01:16:07,360 --> 01:16:09,160
Speaker 1: And then when I when I've seen when I've seen,

1385
01:16:09,960 --> 01:16:13,439
Speaker 1: you know, they readed drama and they had to be

1386
01:16:13,640 --> 01:16:16,160
Speaker 1: it's on flat beds, and I was like, damn, yeah,

1387
01:16:16,280 --> 01:16:18,839
Speaker 1: that's a bad feelings. Believe it. In the other mixtapes

1388
01:16:18,880 --> 01:16:21,200
Speaker 1: of some Real Ship and Somebody go over the bone,

1389
01:16:22,760 --> 01:16:25,600
Speaker 1: come over nigga got Yeah, you got the permits. I

1390
01:16:25,640 --> 01:16:32,400
Speaker 1: don't crack drinks something that coming Ricans going out part

1391
01:16:32,439 --> 01:16:37,599
Speaker 1: Ricans right now, and you Pandemanian clue not all fully Pandermania, right,

1392
01:16:37,840 --> 01:16:43,120
Speaker 1: half half and half. This nigger as an island up.

1393
01:16:43,520 --> 01:16:45,400
Speaker 1: That's big. That's big up for him to learn out,

1394
01:16:47,280 --> 01:16:51,840
Speaker 1: you know what I mean, let's make that up. You

1395
01:16:51,960 --> 01:16:54,680
Speaker 1: just learn how to wear socks. It's just just keep

1396
01:16:54,720 --> 01:16:57,479
Speaker 1: it real. At the moment. Skin know what's going on? Crack,

1397
01:16:57,560 --> 01:17:07,760
Speaker 1: what's going on? Yeah? Yeah, yeah, yeah, yeah, a little clue.

1398
01:17:07,840 --> 01:17:14,880
Speaker 1: You know how legendary this nigga is. Were just in Carolina? Yeah,

1399
01:17:15,680 --> 01:17:18,120
Speaker 1: in the middle that all you can eat. We just

1400
01:17:18,200 --> 01:17:21,240
Speaker 1: North Carolina, right, Yeah? What was that? We had some

1401
01:17:21,400 --> 01:17:27,360
Speaker 1: weird ship. Yeah, that's ball. We had to get some

1402
01:17:27,720 --> 01:17:31,960
Speaker 1: real go to the We did it. We did a

1403
01:17:32,040 --> 01:17:49,640
Speaker 1: dope right, it was that's yourself. Welcome to play a

1404
01:17:49,720 --> 01:17:55,559
Speaker 1: new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1405
01:17:55,680 --> 01:18:00,280
Speaker 1: and more. Play it at play dot It. We're back

1406
01:18:00,360 --> 01:18:03,920
Speaker 1: to Drink Champs Radio with Rapper and R and DJ

1407
01:18:06,479 --> 01:18:08,680
Speaker 1: Ya listen, man, I just want the people to know

1408
01:18:09,479 --> 01:18:12,120
Speaker 1: that we do this ship for real hip hop, um,

1409
01:18:12,560 --> 01:18:17,320
Speaker 1: every other genre of music. They support their legends and

1410
01:18:17,400 --> 01:18:20,360
Speaker 1: it's a platform to support their legends. A lot of

1411
01:18:20,400 --> 01:18:23,080
Speaker 1: people ask us a lot of times. While we don't

1412
01:18:23,160 --> 01:18:25,800
Speaker 1: interview the new Niggers, and we have nothing but love

1413
01:18:25,880 --> 01:18:28,599
Speaker 1: for the new Niggers. I've never said anything bad about

1414
01:18:28,680 --> 01:18:32,240
Speaker 1: anyone of them. It don't matter. But I want to

1415
01:18:32,280 --> 01:18:37,000
Speaker 1: continue to support my culture, which I know, which e

1416
01:18:37,240 --> 01:18:41,680
Speaker 1: FN knows. Ship people who put in work, you know

1417
01:18:41,680 --> 01:18:44,000
Speaker 1: what I'm saying. Some people who made millions, some people

1418
01:18:44,080 --> 01:18:47,559
Speaker 1: who made ten thousands, some people who made hundred thousands.

1419
01:18:47,600 --> 01:18:51,479
Speaker 1: There's we don't care. We want to keep our culture pushing.

1420
01:18:51,920 --> 01:18:54,519
Speaker 1: You don't want to kill all legends overhead drink camps.

1421
01:18:54,680 --> 01:18:57,680
Speaker 1: That's that's what we do. So and these stories and

1422
01:18:58,080 --> 01:19:02,479
Speaker 1: stories include who went in, he finishes Drake, but he

1423
01:19:02,560 --> 01:19:06,400
Speaker 1: went in, come on finishing? Come on, I ain't drinking up.

1424
01:19:06,479 --> 01:19:11,559
Speaker 1: I've never seen this. Pick it out and clue you're

1425
01:19:11,560 --> 01:19:15,439
Speaker 1: a basketball nigger. Yeah, actually, we're trying to play ball today, man,

1426
01:19:15,520 --> 01:19:17,960
Speaker 1: Like did you play ball? No? No, no, we're trying

1427
01:19:17,960 --> 01:19:20,120
Speaker 1: to play ball today. Like I was serious with your ball.

1428
01:19:20,400 --> 01:19:24,600
Speaker 1: I say that GW mad They got a um on

1429
01:19:24,600 --> 01:19:27,080
Speaker 1: the nineteenth floor, but it was tied up today and

1430
01:19:27,160 --> 01:19:31,639
Speaker 1: we couldn't even play today. I was man, but right, yeah,

1431
01:19:35,800 --> 01:19:41,360
Speaker 1: come on, I'm on Pete Crack Coke Caine, So y'all

1432
01:19:41,439 --> 01:19:44,920
Speaker 1: was on tour together Pete Crack. Will you ever to clue? Nah?

1433
01:19:45,080 --> 01:19:52,080
Speaker 1: I can't too late. I was gonna. I was using

1434
01:19:52,120 --> 01:19:55,360
Speaker 1: the rock the tour right, Yeah, I was, yeah that

1435
01:19:55,520 --> 01:20:02,600
Speaker 1: tell skill using clue gone to be honest, you, I

1436
01:20:02,640 --> 01:20:04,439
Speaker 1: only went on two tours. I went on tour with

1437
01:20:04,600 --> 01:20:08,760
Speaker 1: UM the Heart of My Life tour and I went

1438
01:20:08,800 --> 01:20:14,360
Speaker 1: on Talk Mariah carry In the second time to time

1439
01:20:14,400 --> 01:20:15,920
Speaker 1: I et you to say that hold on that ship,

1440
01:20:17,520 --> 01:20:19,680
Speaker 1: Yeah I was. I was really trying to focus on

1441
01:20:19,720 --> 01:20:24,360
Speaker 1: my radio ships. So whatever, I'm still gonna come on. Right.

1442
01:20:27,080 --> 01:20:31,599
Speaker 1: That was a home Girl too. I was really um

1443
01:20:32,439 --> 01:20:36,560
Speaker 1: the second tour, I put us one on because I

1444
01:20:36,680 --> 01:20:38,040
Speaker 1: was like, you know, I couldn't. I didn't want to

1445
01:20:38,080 --> 01:20:39,840
Speaker 1: do every day. So I started putting him on with

1446
01:20:39,880 --> 01:20:41,920
Speaker 1: that and then and now now he's on to the

1447
01:20:41,960 --> 01:20:45,920
Speaker 1: full time. He's doing they get stuff and all that. Yeah. Yeah,

1448
01:20:46,560 --> 01:20:50,960
Speaker 1: put yeah, I like, I like like she's supposed to do. Yeah,

1449
01:20:52,000 --> 01:20:56,160
Speaker 1: no hate put your people. Oh man, that was all

1450
01:20:56,760 --> 01:20:57,960
Speaker 1: so listen, this is what we want to do. We

1451
01:20:58,040 --> 01:21:00,479
Speaker 1: don't go to the story tonight. We don't know, um,

1452
01:21:00,880 --> 01:21:02,439
Speaker 1: when are we going to drop this? And they're gonna

1453
01:21:02,520 --> 01:21:06,760
Speaker 1: drop I think it's dropping midweek like Monday next week. No, yeah,

1454
01:21:06,800 --> 01:21:11,320
Speaker 1: this week coming up Wednesday, Monday Wednesday, you know something

1455
01:21:11,360 --> 01:21:14,360
Speaker 1: like that. Let's want to pick up all the podcasts

1456
01:21:14,400 --> 01:21:16,519
Speaker 1: out there before big up all the podcasts. Want to

1457
01:21:16,520 --> 01:21:20,120
Speaker 1: big up our own crew as of this sound who

1458
01:21:20,160 --> 01:21:27,320
Speaker 1: got the biggest podcast out there? Come on? That was

1459
01:21:27,360 --> 01:21:29,559
Speaker 1: a sad way for you to big yourself far? Yeah

1460
01:21:30,160 --> 01:21:35,920
Speaker 1: that was you did it alright now I wasn't. Oh

1461
01:21:36,040 --> 01:21:43,960
Speaker 1: yeah we did two point two million. Yeah, last technical

1462
01:21:44,000 --> 01:21:50,320
Speaker 1: clean technically, technically we're being like some radio stations, because

1463
01:21:50,600 --> 01:21:52,640
Speaker 1: some radio stations only do I'm not gonna lie in

1464
01:21:53,040 --> 01:21:58,400
Speaker 1: my niggas. Hey, I'm happy for y'all. Man, Yeah, thank you,

1465
01:21:58,680 --> 01:22:05,280
Speaker 1: because nigga niggas, I'm having to be out you go.

1466
01:22:05,479 --> 01:22:08,559
Speaker 1: We're having fun and all we're doing is celebrating hip hop.

1467
01:22:09,240 --> 01:22:11,839
Speaker 1: So everybody should be a part of this, every station,

1468
01:22:11,960 --> 01:22:15,040
Speaker 1: every people, because you all got history and listen and

1469
01:22:15,160 --> 01:22:16,840
Speaker 1: you know, and big up to the people who be

1470
01:22:17,240 --> 01:22:18,720
Speaker 1: hitting up saying, you know, you know, I want to

1471
01:22:18,760 --> 01:22:20,760
Speaker 1: do it when I got something going on, It ain't

1472
01:22:20,800 --> 01:22:23,200
Speaker 1: about that. It's about to sit down and talk about

1473
01:22:23,200 --> 01:22:28,400
Speaker 1: your and then maybe whatever you're doing you got going on,

1474
01:22:28,600 --> 01:22:30,920
Speaker 1: maybe you're helping you know what I'm saying, Like we

1475
01:22:31,040 --> 01:22:35,640
Speaker 1: don't know. Um Like so next uh coming up? You know,

1476
01:22:35,960 --> 01:22:40,920
Speaker 1: Jeezy be dropping our episode with jess Day. I don't care.

1477
01:22:41,080 --> 01:22:44,599
Speaker 1: That's okay. We're letting Jesus episode out on Jesus Day.

1478
01:22:44,880 --> 01:22:46,880
Speaker 1: Because I had to think like a promotional guy. I

1479
01:22:46,960 --> 01:22:49,280
Speaker 1: had to think like an artist. I'm like, if I have,

1480
01:22:50,360 --> 01:22:53,599
Speaker 1: if if we have this platform and it's supposedly as

1481
01:22:53,720 --> 01:22:56,479
Speaker 1: as big as it is, why wouldn't we help the artist?

1482
01:22:59,439 --> 01:23:03,320
Speaker 1: So Jesus, we're supporting you fully. He asked me, no death,

1483
01:23:03,400 --> 01:23:06,880
Speaker 1: jam ain't call us. There's no payola, Like, this is

1484
01:23:06,960 --> 01:23:10,240
Speaker 1: what I'm saying. I hunting. Jez came in, kept it

1485
01:23:10,360 --> 01:23:13,360
Speaker 1: really drink au bon. He sweated like sunny d D

1486
01:23:15,680 --> 01:23:20,960
Speaker 1: and had fun with us. Yeah, last night, him and Davies,

1487
01:23:20,960 --> 01:23:23,360
Speaker 1: they came through the aces and aces and turned on me. Now,

1488
01:23:25,160 --> 01:23:27,280
Speaker 1: good dude, man, that was a good show. The fan

1489
01:23:27,400 --> 01:23:31,720
Speaker 1: blew about thirty thou singles. I should have when you

1490
01:23:31,760 --> 01:23:34,360
Speaker 1: should have asked about you got you got to drink chance,

1491
01:23:34,439 --> 01:23:38,840
Speaker 1: gotta come through the aces, man, let's running you running

1492
01:23:38,840 --> 01:23:41,880
Speaker 1: the aces. They got a spade in it. Whatever you need,

1493
01:23:42,160 --> 01:23:46,360
Speaker 1: you whatever you need, make sure you got it, don't

1494
01:23:46,360 --> 01:23:48,240
Speaker 1: worry about that. So you know, before we get up

1495
01:23:48,280 --> 01:23:50,080
Speaker 1: out of here, I just want all of y'all to

1496
01:23:50,120 --> 01:23:52,560
Speaker 1: shout out your ships, tell you what you got going on.

1497
01:23:53,080 --> 01:23:54,360
Speaker 1: You know what I'm saying, And I want to say

1498
01:23:54,439 --> 01:23:57,360
Speaker 1: thank you because, like I said again, over here and

1499
01:23:57,479 --> 01:23:59,840
Speaker 1: Drink Champion and about no drama and about no beef

1500
01:23:59,960 --> 01:24:02,880
Speaker 1: is about bigging up our people. Because if we ain't

1501
01:24:02,880 --> 01:24:04,720
Speaker 1: going to big up our people, who the funk would

1502
01:24:04,720 --> 01:24:07,040
Speaker 1: big big up our people? I want to give your

1503
01:24:07,120 --> 01:24:09,559
Speaker 1: flowers while you can smell them, and I'm gonna smoke

1504
01:24:09,880 --> 01:24:16,120
Speaker 1: trees with you when you can hell them. You're I'm

1505
01:24:16,160 --> 01:24:19,000
Speaker 1: a real dude. I've done it, I've had fun. So

1506
01:24:19,160 --> 01:24:21,120
Speaker 1: Clue tell them what's next. We know the app and

1507
01:24:21,200 --> 01:24:24,479
Speaker 1: were beating um that Drink Champs. We feel like more

1508
01:24:25,040 --> 01:24:31,280
Speaker 1: than that. It's more than that. Tell us I'm not

1509
01:24:31,360 --> 01:24:33,760
Speaker 1: a lot of apples. It's it's the Clue radio app.

1510
01:24:34,439 --> 01:24:36,920
Speaker 1: You're gonna be able to download the pipe about thirty

1511
01:24:37,000 --> 01:24:38,720
Speaker 1: to forty five days, you know what I mean. It's

1512
01:24:38,760 --> 01:24:41,760
Speaker 1: gonna be of course, follow me on Twitter, Instagram at

1513
01:24:41,840 --> 01:24:46,439
Speaker 1: dj Clue, and on Snapchat. It's the DJ Clue Show

1514
01:24:46,840 --> 01:24:49,160
Speaker 1: and you catch me on Power in New York. That's right,

1515
01:24:49,200 --> 01:24:52,320
Speaker 1: Big on the Friday six or ten pm, the number one,

1516
01:24:52,560 --> 01:24:54,200
Speaker 1: the number one show in the city. You know what

1517
01:24:54,200 --> 01:24:57,920
Speaker 1: I mean, the number one city in the world. It

1518
01:24:58,080 --> 01:25:00,640
Speaker 1: is what it is crazy I I say something the

1519
01:25:00,680 --> 01:25:03,200
Speaker 1: Clue testament, like he really do break records, you know,

1520
01:25:03,360 --> 01:25:06,639
Speaker 1: Clue broke Bring the Goons Out. That's the only record

1521
01:25:06,680 --> 01:25:08,760
Speaker 1: I've ever had at radio, and he broke that ship.

1522
01:25:08,840 --> 01:25:10,880
Speaker 1: He went and the city went crazy for the ship.

1523
01:25:10,920 --> 01:25:12,760
Speaker 1: And even I gotta I always lose you when I

1524
01:25:12,760 --> 01:25:14,680
Speaker 1: see you, because nobody ever broke a graph record on

1525
01:25:14,720 --> 01:25:17,680
Speaker 1: the fucking radio. He took a chance. Like I'm like it,

1526
01:25:17,760 --> 01:25:24,479
Speaker 1: I'm going every time I thank you. I can't. I

1527
01:25:24,560 --> 01:25:28,400
Speaker 1: can't tell you how many records I see in Clue Break. Yeah,

1528
01:25:28,439 --> 01:25:32,000
Speaker 1: that's the real ship beginning. That's just don't so you know,

1529
01:25:32,080 --> 01:25:33,880
Speaker 1: I've got to shout that out. Let me shout out

1530
01:25:33,880 --> 01:25:38,720
Speaker 1: all my ship fun. That ain't the best emotionally I got.

1531
01:25:38,800 --> 01:25:41,240
Speaker 1: The album Puto called pain Killers Beloaded a couple of

1532
01:25:41,280 --> 01:25:43,360
Speaker 1: months ago was dope bro hip hop shich. I know.

1533
01:25:43,439 --> 01:25:44,800
Speaker 1: I come from the era where I want to hear

1534
01:25:44,800 --> 01:25:48,280
Speaker 1: a real rap, but I take the the old school

1535
01:25:48,320 --> 01:25:49,760
Speaker 1: and mixes a new school and get y'all the future.

1536
01:25:49,800 --> 01:25:51,360
Speaker 1: So when you'll hear it, y'all see, I got my

1537
01:25:51,439 --> 01:25:53,400
Speaker 1: big homy bum Bey on there, and I got a

1538
01:25:53,479 --> 01:25:55,800
Speaker 1: joint produced by Pete Pete Rock with a voice to

1539
01:25:55,880 --> 01:25:58,799
Speaker 1: five nine on. I got the Lives on the whole project.

1540
01:25:59,080 --> 01:26:02,160
Speaker 1: I got Jada kiss Chet and styles Pe on different records.

1541
01:26:02,800 --> 01:26:04,599
Speaker 1: But then I got my nikel whis Khalifa on there,

1542
01:26:05,120 --> 01:26:06,640
Speaker 1: and I put Jade on the song with Wiz. You

1543
01:26:06,640 --> 01:26:07,880
Speaker 1: know what I'm saying. So I just be doing some

1544
01:26:08,000 --> 01:26:09,960
Speaker 1: you know, I'll be cheffing up with a sign to

1545
01:26:10,040 --> 01:26:12,280
Speaker 1: tell a game. At one point he was kicking it

1546
01:26:12,320 --> 01:26:13,840
Speaker 1: about that a little bit, you know what I'm saying.

1547
01:26:13,840 --> 01:26:16,040
Speaker 1: But we're just good friends, man, And shout to Wisklifa,

1548
01:26:16,080 --> 01:26:17,840
Speaker 1: shout out of the hotel of gang and ship. I mean,

1549
01:26:18,000 --> 01:26:20,240
Speaker 1: so I just want to say that, man, support independent

1550
01:26:20,320 --> 01:26:23,759
Speaker 1: hip hop, Support independent hip hop, celebrate that ship, complain

1551
01:26:23,800 --> 01:26:25,519
Speaker 1: about what's side. If you make supporting what the funk

1552
01:26:25,560 --> 01:26:28,080
Speaker 1: you like, So go online and please stream the ship

1553
01:26:28,240 --> 01:26:29,760
Speaker 1: by it even though it streams rip us up a

1554
01:26:29,800 --> 01:26:31,720
Speaker 1: little bit. I thank you very very much, because I

1555
01:26:31,800 --> 01:26:34,720
Speaker 1: still make money off the music. However, you get it,

1556
01:26:34,800 --> 01:26:38,840
Speaker 1: just buy it. My graph is in mind album. I

1557
01:26:38,880 --> 01:26:41,080
Speaker 1: appreciate that support. Just buy the ship. What I'm saying,

1558
01:26:41,120 --> 01:26:44,200
Speaker 1: don't get the bullleg help me help, let me help you.

1559
01:26:44,280 --> 01:26:51,559
Speaker 1: How are you still make buotlegs? Yeah it's crazy cy

1560
01:26:52,280 --> 01:26:55,280
Speaker 1: normally I'll say, but has it on YouTube right now?

1561
01:26:55,439 --> 01:26:57,719
Speaker 1: The independent ship. What I'm saying, So that's pain killers

1562
01:26:57,760 --> 01:27:00,080
Speaker 1: be loaded and get that. My Instagram is g F

1563
01:27:00,280 --> 01:27:04,320
Speaker 1: g R a f H. Snapchat is Lord of Mercy,

1564
01:27:04,560 --> 01:27:06,360
Speaker 1: you know, like Lord Have Mercy. I'm Jamaican, so we

1565
01:27:06,400 --> 01:27:10,800
Speaker 1: function up Lord of Mercy on Snapchat, funk with a nigga.

1566
01:27:11,120 --> 01:27:12,400
Speaker 1: And like you said before, you know, I used my

1567
01:27:12,520 --> 01:27:14,360
Speaker 1: platform to do over things. I got a clothing line

1568
01:27:14,439 --> 01:27:17,600
Speaker 1: call Gang NYC. This is one of my send me

1569
01:27:17,680 --> 01:27:23,200
Speaker 1: no clothes. I sold out on tour. I w oh, y'all.

1570
01:27:23,240 --> 01:27:24,960
Speaker 1: I'll tell the truth. I went on tour with Rot

1571
01:27:25,000 --> 01:27:27,519
Speaker 1: the Five. Now, I was my first tour and everything

1572
01:27:27,600 --> 01:27:29,960
Speaker 1: sold out on the road. Everything I came back with

1573
01:27:30,040 --> 01:27:32,280
Speaker 1: just the empty boxes of ship. So I just never

1574
01:27:32,360 --> 01:27:39,240
Speaker 1: told me that, ain't I never told me that we're

1575
01:27:39,320 --> 01:27:41,519
Speaker 1: small guys. He's starting out, he's still learning this ship

1576
01:27:42,160 --> 01:27:45,479
Speaker 1: should like right there. I just gotta deal with with

1577
01:27:46,240 --> 01:27:49,080
Speaker 1: with the factor in China brand new. We're still learning

1578
01:27:49,560 --> 01:27:54,000
Speaker 1: China connect. We just started and looked out for a

1579
01:27:54,040 --> 01:28:00,840
Speaker 1: drink chance radio on radio, separate programs several you know

1580
01:28:00,920 --> 01:28:04,000
Speaker 1: what's going on? You pulling the hand with Ferrari's Lamborghin.

1581
01:28:06,520 --> 01:28:10,880
Speaker 1: What's up you gott man? You're looking to the mic

1582
01:28:12,200 --> 01:28:15,840
Speaker 1: advertising the six six episodes of SNAPA next week, David,

1583
01:28:15,920 --> 01:28:19,040
Speaker 1: So my single shooting the video that asked for we

1584
01:28:19,080 --> 01:28:22,160
Speaker 1: should a video six five South A little tricky, you

1585
01:28:22,200 --> 01:28:24,360
Speaker 1: know in the building that we got to North Carolina

1586
01:28:24,640 --> 01:28:29,000
Speaker 1: connectic connected already and they didn't even say North Carolina.

1587
01:28:29,080 --> 01:28:32,320
Speaker 1: I said Nerve Carolina. You know, I like the Spanish

1588
01:28:32,360 --> 01:28:36,920
Speaker 1: for real, Like, yeah, I'm working with North Carolina from now.

1589
01:28:39,080 --> 01:28:40,800
Speaker 1: What came up to me today? I know I'm in

1590
01:28:41,479 --> 01:28:44,120
Speaker 1: the ocean drop from the NBA. You know about the

1591
01:28:44,160 --> 01:28:50,120
Speaker 1: game on the podcast you're popping. I don't even know

1592
01:28:50,240 --> 01:28:55,599
Speaker 1: you guys. Thanks, you know right now, but I gotta

1593
01:28:55,640 --> 01:29:03,600
Speaker 1: enjoy this. Yes, let's make I was skinned on my

1594
01:29:03,800 --> 01:29:07,000
Speaker 1: dagger man. Anybody, don't forget crack. Don't forget crack. I'm

1595
01:29:07,200 --> 01:29:15,760
Speaker 1: coming hold on. Yeah, I had a whole a little

1596
01:29:15,800 --> 01:29:18,240
Speaker 1: separate thing for you because remember I kept telling you

1597
01:29:18,320 --> 01:29:20,320
Speaker 1: trying to put take off your hat. Now you want

1598
01:29:20,320 --> 01:29:28,439
Speaker 1: to come over like ship, like Tony down up people

1599
01:29:28,560 --> 01:29:32,840
Speaker 1: like me. Yeah, shout out Danny gotta see it too,

1600
01:29:32,920 --> 01:29:37,920
Speaker 1: This is ship, right even man, Danny got out, Danny

1601
01:29:38,000 --> 01:29:40,800
Speaker 1: got a little bit shut out. Danny got to see

1602
01:29:40,800 --> 01:29:42,439
Speaker 1: it with the dope mind. You know what I'm saying,

1603
01:29:42,439 --> 01:29:45,920
Speaker 1: I love this little boy ship. But shout out you

1604
01:29:46,120 --> 01:29:48,080
Speaker 1: nor you man. See, I'm happy for you. You know

1605
01:29:48,080 --> 01:29:50,640
Speaker 1: what I'm saying. I'm really really genuinely happy for you

1606
01:29:50,960 --> 01:29:52,920
Speaker 1: because I know like we did a two point to

1607
01:29:53,120 --> 01:29:58,840
Speaker 1: this mainly. But the only people that's not happy for you,

1608
01:29:59,000 --> 01:30:02,000
Speaker 1: people that's not really associating close with you. See, I'm

1609
01:30:02,000 --> 01:30:04,559
Speaker 1: happy because I'm your friend, and I know that I'm

1610
01:30:04,560 --> 01:30:10,519
Speaker 1: gonna be cool too. When just rich ship, I know

1611
01:30:10,640 --> 01:30:15,760
Speaker 1: I got somewhere to go to. But now, yeah, man,

1612
01:30:15,880 --> 01:30:19,920
Speaker 1: I was king over pretty much talks the talking. I

1613
01:30:20,080 --> 01:30:23,240
Speaker 1: just say, I'll just be cool. What we're going, what

1614
01:30:23,360 --> 01:30:26,439
Speaker 1: we're doing. You shout out, shout out Johnny J three

1615
01:30:26,520 --> 01:30:31,599
Speaker 1: six five salt Man, really big man, just watch us man,

1616
01:30:31,720 --> 01:30:34,400
Speaker 1: just watch us man. The PD crack ring ring. I

1617
01:30:34,479 --> 01:30:39,040
Speaker 1: love y'all. Niggs man. Well, I'm thank you, thank you Graf,

1618
01:30:39,240 --> 01:30:41,880
Speaker 1: thank you Clue, thank your old skinning on and listen,

1619
01:30:41,920 --> 01:30:43,720
Speaker 1: this is what we're gonna do. We want to show

1620
01:30:43,760 --> 01:30:46,120
Speaker 1: out to our whole drink Champs, Army. You know what

1621
01:30:46,160 --> 01:30:54,680
Speaker 1: I'm saying. Everybody left frack from again. I shot to

1622
01:30:54,720 --> 01:30:58,000
Speaker 1: hold Jamaica from Heavywhere in Jamaica. Shout out to hood

1623
01:30:58,240 --> 01:31:00,640
Speaker 1: shot the shot that we're not shot to him is

1624
01:31:00,680 --> 01:31:07,559
Speaker 1: dead Springfield and all that you know we knew Kendall, Kendall,

1625
01:31:10,880 --> 01:31:15,200
Speaker 1: shout out, shout out the dead section one sex two second,

1626
01:31:15,240 --> 01:31:17,639
Speaker 1: threes forces five for you something to have night nights

1627
01:31:18,400 --> 01:31:20,920
Speaker 1: Iraq always Well, look, I wanted some shout to the

1628
01:31:20,960 --> 01:31:22,880
Speaker 1: dream champs on me. You don't want to shout out

1629
01:31:22,920 --> 01:31:24,760
Speaker 1: to Hazardus, want to shouts of Sunny d I want

1630
01:31:24,760 --> 01:31:27,800
Speaker 1: to shout out to Roster Drain, to Twin Big Drain.

1631
01:31:28,160 --> 01:31:30,040
Speaker 1: I want to shout out to Calito. Want to shout

1632
01:31:30,120 --> 01:31:32,680
Speaker 1: to Mr Lee And you know what I'm saying, My niss,

1633
01:31:35,840 --> 01:31:42,160
Speaker 1: rest of piece of money bags, BUNNYA, Paul eric Um Jose,

1634
01:31:42,680 --> 01:31:45,760
Speaker 1: you know what I'm saying. Richie Blanco, Kevin, Kevin, where

1635
01:31:45,760 --> 01:31:49,240
Speaker 1: you at? What up? Kevin d to Barbara Roster and

1636
01:31:49,800 --> 01:31:54,920
Speaker 1: New York styles. Caltho, my cousin's he's he. We gotta

1637
01:31:54,920 --> 01:32:00,559
Speaker 1: get him back on the Marrigan grounds. Pick up to Boris,

1638
01:32:00,800 --> 01:32:04,320
Speaker 1: Mr Lee, Starrock clothing, everybody you know, nigga stop something

1639
01:32:04,360 --> 01:32:07,920
Speaker 1: here from Peru. Yeah, the Peru niggas is cooked up

1640
01:32:08,000 --> 01:32:12,000
Speaker 1: from the coming niggas. My homie from coming home. Peru

1641
01:32:12,120 --> 01:32:24,160
Speaker 1: is here. Niggas ain't moss a lot. Yeah, because okay,

1642
01:32:24,200 --> 01:32:28,519
Speaker 1: they're gonna kick somebody couch at some point. But Yo,

1643
01:32:28,680 --> 01:32:31,719
Speaker 1: so we're gonna go to the club. Story Um, hopefully

1644
01:32:32,200 --> 01:32:34,559
Speaker 1: we're gonna see the drink chance to read the drink chances.

1645
01:32:34,720 --> 01:32:37,000
Speaker 1: It is true. I'm gonna do another about a rose.

1646
01:32:38,120 --> 01:32:41,439
Speaker 1: But you ain't finish your drink. But you said, you

1647
01:32:41,560 --> 01:32:45,840
Speaker 1: said okay, so you said you could do it all

1648
01:32:45,920 --> 01:32:49,960
Speaker 1: night though, Yeah, because you pause because you will go

1649
01:32:50,080 --> 01:32:53,400
Speaker 1: from Vegas like, I'm in a couple all the time,

1650
01:32:53,520 --> 01:32:57,439
Speaker 1: so you know, I'm always drinking, so it ain't but

1651
01:32:57,520 --> 01:32:59,040
Speaker 1: safe of sounds in the club all the time. He

1652
01:32:59,160 --> 01:33:01,759
Speaker 1: never drinks. What do you say to this and listening?

1653
01:33:02,080 --> 01:33:07,280
Speaker 1: You gotta get focused. He gotta get focused, So he

1654
01:33:07,400 --> 01:33:09,559
Speaker 1: just gotta start drinking. Nigga said, don't drink. I gotta

1655
01:33:10,120 --> 01:33:15,720
Speaker 1: say that if you if you were alcoholics, you know,

1656
01:33:16,120 --> 01:33:19,880
Speaker 1: if you if you're recovering alcoholic, then it's like, I cool.

1657
01:33:20,240 --> 01:33:23,519
Speaker 1: But then you put on Joe Biden too, because Joe Buddy. Listen,

1658
01:33:23,600 --> 01:33:26,760
Speaker 1: he just said I talked about podcast, talked about it

1659
01:33:26,760 --> 01:33:29,040
Speaker 1: on because Joe was my man and the only reason

1660
01:33:29,040 --> 01:33:31,040
Speaker 1: why I talked about on the podcasts him and Envy

1661
01:33:31,120 --> 01:33:33,760
Speaker 1: had beef. So why Envy was here? What any come

1662
01:33:33,920 --> 01:33:37,960
Speaker 1: when they had to loose? What happened Joe? I just

1663
01:33:38,120 --> 01:33:40,040
Speaker 1: was bringing it up because you ht in the podcast

1664
01:33:40,120 --> 01:33:44,880
Speaker 1: world and you amv had beef like get back and forth. Yeah,

1665
01:33:45,640 --> 01:33:48,800
Speaker 1: there ain't gonna be nothing because you put your then

1666
01:33:49,040 --> 01:33:50,719
Speaker 1: that was the whole clue. When you put on fast

1667
01:33:51,160 --> 01:33:54,640
Speaker 1: I signed, I gave the Envy album deal. I had

1668
01:33:54,680 --> 01:33:58,519
Speaker 1: my deal epics ony. She put Envy because Joe at

1669
01:33:58,560 --> 01:34:04,720
Speaker 1: death jam. You know, put Joe and fabulous. I'm not

1670
01:34:04,800 --> 01:34:08,080
Speaker 1: really about paused to my horn, but you know, put

1671
01:34:08,120 --> 01:34:11,000
Speaker 1: a lot of it makes a noise for Djack that,

1672
01:34:11,920 --> 01:34:15,439
Speaker 1: let's sake, takes a look beaty track. Having a perm

1673
01:34:16,360 --> 01:34:18,120
Speaker 1: you didn't want you didn't want to give us the

1674
01:34:18,160 --> 01:34:20,280
Speaker 1: perm story here, so you gave it the b T

1675
01:34:20,840 --> 01:34:22,479
Speaker 1: you know on the load, like if you think about

1676
01:34:22,479 --> 01:34:25,600
Speaker 1: it in the media says I knew, I knew you

1677
01:34:25,760 --> 01:34:30,519
Speaker 1: had a plan. Like let's say, talk that ship. Yeah,

1678
01:34:30,640 --> 01:34:34,080
Speaker 1: how you talking ship? I wanted to show it on

1679
01:34:34,240 --> 01:34:36,600
Speaker 1: drink that ship. You're gonna do it for us? N

1680
01:34:37,560 --> 01:34:42,040
Speaker 1: you read the bet said all that ship, but what's

1681
01:34:42,840 --> 01:34:47,640
Speaker 1: what's property? But what you said he would have to

1682
01:34:47,680 --> 01:34:50,840
Speaker 1: stay property when you're bet and you showed him to

1683
01:34:50,960 --> 01:34:53,759
Speaker 1: here like that, everybody tell me to warn me about

1684
01:34:53,840 --> 01:34:58,240
Speaker 1: you bet. Don't cool that nigg you're watching story, I'm like,

1685
01:34:58,320 --> 01:35:03,240
Speaker 1: y'all cool, I don't really guts you watch though, watching

1686
01:35:05,920 --> 01:35:13,080
Speaker 1: breaking man, if you go back to the episode, I

1687
01:35:13,120 --> 01:35:15,240
Speaker 1: kept saying, took them yeah, because I knew it was

1688
01:35:15,320 --> 01:35:17,600
Speaker 1: something because it was like it was like it was

1689
01:35:17,840 --> 01:35:21,000
Speaker 1: it was a breaking story. My ship wasn't no breaking story.

1690
01:35:21,280 --> 01:35:24,360
Speaker 1: This is the breaking story. You just got a big

1691
01:35:24,479 --> 01:35:29,280
Speaker 1: crazy curly fro at that time. My ship puts some

1692
01:35:29,400 --> 01:35:33,960
Speaker 1: heat on my ship. Ain't no chemicals though. Yeah, it

1693
01:35:34,080 --> 01:35:38,040
Speaker 1: was a perm Yeah It'stagram whole Instagram yet permed out.

1694
01:35:39,680 --> 01:35:42,639
Speaker 1: I ain't that. But that's your black size, I mean,

1695
01:35:42,720 --> 01:35:44,960
Speaker 1: that's your Puerto Rican side. Team. It's out of perm.

1696
01:35:45,400 --> 01:35:48,439
Speaker 1: Black people call out a perm just because you just

1697
01:35:48,439 --> 01:35:51,000
Speaker 1: because you want every one stitches on there. You just

1698
01:35:51,960 --> 01:35:56,760
Speaker 1: kid you number one. I can number one though I

1699
01:35:56,800 --> 01:36:02,800
Speaker 1: ain't boll I never saw yeah, do not at some

1700
01:36:02,920 --> 01:36:06,760
Speaker 1: point that people think that I'm balldin all right because

1701
01:36:06,760 --> 01:36:10,599
Speaker 1: I've grown my shirt out just to be petty. Don't

1702
01:36:10,640 --> 01:36:12,960
Speaker 1: want to give you prepping. You're prepping for the ball.

1703
01:36:13,200 --> 01:36:17,960
Speaker 1: Nah nah no VT. My grandfather he died with a

1704
01:36:18,000 --> 01:36:20,200
Speaker 1: full head of head. Both of my grandfathers died with

1705
01:36:20,240 --> 01:36:22,439
Speaker 1: the full head of hair. I'm great. I'm thinking my

1706
01:36:22,560 --> 01:36:26,840
Speaker 1: genetics as I get that purp shit out of you.

1707
01:36:27,000 --> 01:36:30,320
Speaker 1: But listen, playing like, let's keep it real. Don't keep

1708
01:36:30,320 --> 01:36:33,639
Speaker 1: it real, keep it real because he made a North Philly.

1709
01:36:33,680 --> 01:36:35,760
Speaker 1: That's a lot of Spanish niggers. What do y'all call

1710
01:36:35,840 --> 01:36:40,479
Speaker 1: it again? No, it was the other big rule. This

1711
01:36:40,560 --> 01:36:42,960
Speaker 1: is a lot of Spanish telling us a perm and

1712
01:36:43,080 --> 01:36:56,200
Speaker 1: black conny condition and some heat. That's then my mother

1713
01:36:56,360 --> 01:37:00,439
Speaker 1: just say you ball ball. I'm gonna prove myself bring

1714
01:37:00,560 --> 01:37:05,080
Speaker 1: the hair back. I'm let's take your ad clue. Let's

1715
01:37:05,080 --> 01:37:16,439
Speaker 1: see let's see yeah, no, but I do see. No,

1716
01:37:16,600 --> 01:37:18,840
Speaker 1: you got a little bit of George Jefferson coming back.

1717
01:37:20,000 --> 01:37:23,760
Speaker 1: I expect that coming in, but I can pare you wrong.

1718
01:37:25,000 --> 01:37:33,720
Speaker 1: Puerto Rican back two dayson. Just cut, I'm gonna I've

1719
01:37:33,920 --> 01:37:40,320
Speaker 1: dressed my Friday. I'm just storing it out. And my father,

1720
01:37:40,479 --> 01:37:43,320
Speaker 1: my father used to take. My father used to drink,

1721
01:37:43,680 --> 01:37:45,840
Speaker 1: and when he ain't drink, his head wight grow. But

1722
01:37:45,920 --> 01:37:48,240
Speaker 1: when he drank, his hair grow. The next day he

1723
01:37:48,280 --> 01:37:50,760
Speaker 1: would shave itself and the next day, So I got

1724
01:37:50,840 --> 01:37:53,439
Speaker 1: that same thing. That's true. What I'm saying, go to

1725
01:37:53,479 --> 01:37:56,320
Speaker 1: you the next day. No, yeah, yeah, basically here his

1726
01:37:56,360 --> 01:37:59,040
Speaker 1: ship just grow right back. This is this real fun

1727
01:37:59,360 --> 01:38:03,040
Speaker 1: and you pay him Indian and Jamaican. Absolutely. How many

1728
01:38:03,080 --> 01:38:05,479
Speaker 1: kids you got? Mad? Bitches want your kids? If you

1729
01:38:06,680 --> 01:38:08,960
Speaker 1: my man, he's down with the leave it in gang.

1730
01:38:09,040 --> 01:38:15,360
Speaker 1: That's not me, not clue, not married, You ain't none

1731
01:38:15,400 --> 01:38:21,160
Speaker 1: of that got in. Girls gonna shit on you right

1732
01:38:26,080 --> 01:38:30,160
Speaker 1: y you do. Graphy ass. She gotta be phenomenal. Man.

1733
01:38:30,200 --> 01:38:32,400
Speaker 1: The pussy is getting If she's not, she's bad enough

1734
01:38:32,439 --> 01:38:37,599
Speaker 1: to pussies. He's getting handled. But extra, they asked, question,

1735
01:38:37,760 --> 01:38:47,720
Speaker 1: is skino elevator the elevator ride down? Clue ass, she

1736
01:38:47,800 --> 01:38:49,720
Speaker 1: gotta be phenomenal. I gotta be looking at that bas like,

1737
01:38:49,840 --> 01:38:52,600
Speaker 1: oh my god, I'm living graph Is on play with It.

1738
01:38:53,280 --> 01:38:54,800
Speaker 1: She gotta be like that. If it ain't like that,

1739
01:38:54,880 --> 01:38:56,320
Speaker 1: then it's like you know you're doing what you're doing.

1740
01:38:56,360 --> 01:39:07,760
Speaker 1: It's like phide Cracks, isn't Terry's about. You're scared of

1741
01:39:07,840 --> 01:39:12,160
Speaker 1: the ask inquestion? But look once again, man by easy

1742
01:39:13,920 --> 01:39:16,760
Speaker 1: I eat asshole a big difference. It's got to be

1743
01:39:16,880 --> 01:39:19,920
Speaker 1: really really bad for your brain. Even for your brain

1744
01:39:20,040 --> 01:39:22,200
Speaker 1: even go there. You gotta look out. You gotta be

1745
01:39:22,240 --> 01:39:24,200
Speaker 1: thinking about doing all kind of ships for the clothes

1746
01:39:24,240 --> 01:39:26,920
Speaker 1: even come off. You know what I'm saying Like that, Well,

1747
01:39:27,000 --> 01:39:29,519
Speaker 1: look out for the new interview. We got puff and

1748
01:39:29,600 --> 01:39:34,040
Speaker 1: cash on here when I was crazy? When when is

1749
01:39:34,120 --> 01:39:36,840
Speaker 1: new in warring music coming out? I got I got

1750
01:39:37,040 --> 01:39:42,240
Speaker 1: as It's Dope Me and Justice League I've never done

1751
01:39:42,920 --> 01:39:51,040
Speaker 1: debuted on Clue Radio. Yeah yeah soon Yeah soon, We're

1752
01:39:51,080 --> 01:39:53,559
Speaker 1: gonna do it. Man. Thank the people for joining us

1753
01:39:53,560 --> 01:40:03,120
Speaker 1: again Drink Chats Podcast. All our guests one motherfucking did

1754
01:40:03,160 --> 01:40:06,719
Speaker 1: we do? Ao has? Hold up one second? While everybody

1755
01:40:06,800 --> 01:40:08,840
Speaker 1: know they could check us at drink champs dot com.

1756
01:40:09,320 --> 01:40:12,880
Speaker 1: Follow us at drink Champs on Twitter. Instagram and Facebook.

1757
01:40:13,320 --> 01:40:17,080
Speaker 1: Check Noriatta at the Real Norieg on Instagram, at Norieg

1758
01:40:17,200 --> 01:40:20,080
Speaker 1: on Twitter and New Year Nori on Snapchat. You can

1759
01:40:20,160 --> 01:40:22,559
Speaker 1: check me d j e f at at Who's Crazy

1760
01:40:22,680 --> 01:40:25,960
Speaker 1: Instagram at d j e f n on Twitter at

1761
01:40:26,040 --> 01:40:29,240
Speaker 1: Who's Crazy on Snapchat. Make sure you follow the team

1762
01:40:29,640 --> 01:40:33,559
Speaker 1: our visual media manager Rich Blanco at Rich underscore Blanco

1763
01:40:33,880 --> 01:40:36,679
Speaker 1: on Instagram and Twitter. Our engineer has It Its Sounds

1764
01:40:36,920 --> 01:40:39,519
Speaker 1: at has It Its Sounds on Instagram and Twitter. Our

1765
01:40:39,560 --> 01:40:43,519
Speaker 1: photographer Big Drain at Drain on Instagram and at big

1766
01:40:43,640 --> 01:40:47,400
Speaker 1: Drain on Twitter. Are graphic artists a kz at Akz

1767
01:40:48,439 --> 01:40:51,560
Speaker 1: on Instagram and Twitter. Also shout out the whole CBS

1768
01:40:51,800 --> 01:40:55,200
Speaker 1: play dot It team. Follow them at play it on Twitter,

1769
01:40:55,600 --> 01:40:57,719
Speaker 1: and make sure you grab yourself some Drink Champs shirts,

1770
01:40:58,040 --> 01:41:00,559
Speaker 1: shot glasses and cups and all that merch at drink

1771
01:41:00,640 --> 01:41:03,200
Speaker 1: Champs dot com or check our homies at eight nine

1772
01:41:03,320 --> 01:41:06,000
Speaker 1: dot com. Head over to iTunes and pick up the

1773
01:41:06,080 --> 01:41:09,000
Speaker 1: singles for the Win Moguls and Petty, as well as

1774
01:41:09,040 --> 01:41:12,320
Speaker 1: a Drunk Uncle project from Nori. Also, my album Another

1775
01:41:12,400 --> 01:41:15,599
Speaker 1: Time is out now available on iTunes, Spotify, Google Play

1776
01:41:15,720 --> 01:41:19,080
Speaker 1: or physicals at crazyhood dot com. Check hasard its Sounds

1777
01:41:19,120 --> 01:41:21,479
Speaker 1: projects Save the Culture and you can check that at

1778
01:41:21,520 --> 01:41:24,080
Speaker 1: hasard its Sounds dot com or check it on all

1779
01:41:24,120 --> 01:41:27,479
Speaker 1: digital platforms. Also look out for Nori's cooking show coming

1780
01:41:27,640 --> 01:41:30,640
Speaker 1: very soon and My Coming Home Vietnam film which you

1781
01:41:30,680 --> 01:41:33,400
Speaker 1: can see the previous films about Haiti, Cuba and Peru

1782
01:41:33,680 --> 01:41:37,120
Speaker 1: currently on Revolt TV. Shout out the whole drink Chats Army.

1783
01:41:37,439 --> 01:41:40,000
Speaker 1: We really appreciate your support and we out of here

1784
01:42:00,080 --> 01:42:08,479
Speaker 1: m H. Find all your favorite movies and shows faster

1785
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Speaker 1: with Accinity. Just speaking to the excellent voice remote to

1786
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Speaker 1: search across Live, Divy, on demand, even Netflix and Prime Video.

1787
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Speaker 1: Now that's simple, easy, awesome. Go to Exfinity dot com,

1788
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Speaker 1: call one Exity or visit a store today restricts and

1789
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Speaker 1: supply