WEBVTT - S3E5 Rufus Getting Married with Aaron Schwartz

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<v Speaker 1>Hey, I'm Aaron Schwartz. I played Bonja, I'm gossip Girl

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<v Speaker 1>and we are rewatching rufus getting there. Welcome back, listeners.

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<v Speaker 1>Do you want an only source into all things gossip crul?

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<v Speaker 1>You know you'll love it? X O x ol. Hey,

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<v Speaker 1>what's up? Hey everybody? Hi? Aeron dude, I'm doing good.

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<v Speaker 1>How you doing? I'm in here. Sammy's excited right now.

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<v Speaker 1>I don't know what I'm talking to somebody? What's going on?

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<v Speaker 1>Oh my gosh, we're talking to Aaron Schwartz today and

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<v Speaker 1>her beautiful dog Puppy's she's like, what are you doing?

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<v Speaker 1>She is too, she just turned to like a couple

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<v Speaker 1>of days ago. Yes, so handful. Yeah, but she's very

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<v Speaker 1>puppy like right she's she's rambunctious. I hear. So. It's

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<v Speaker 1>nice to see you both. Nice to see everybody here. Yes,

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<v Speaker 1>the last time we saw each other, this is Aaron Schwartz,

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<v Speaker 1>everyone who played the lovely I'm gonna let you say

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<v Speaker 1>it with the accent. God knows, I might have lost

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<v Speaker 1>half of the accent the last time you did it.

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<v Speaker 1>I think that's how Yeah, Vanya, I forget your last

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<v Speaker 1>name though, doesn't need one. I feel like it's just

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<v Speaker 1>very It's like Madonna, like, yeah, you just got it. Um,

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<v Speaker 1>but wait, let me ask about Sam. He's your dog's name, right, yes, yes,

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<v Speaker 1>So when you travel for work or like when we

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<v Speaker 1>were just in North or North Carolina? Is that where

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<v Speaker 1>we were? South Carolina? South Carolina, South Carolina? And when

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<v Speaker 1>I said no, I'm like, no, that's not okay. Yeah,

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<v Speaker 1>when we were in Charleston, which I loved. By the way,

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<v Speaker 1>what do you do with your dog? I put her,

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<v Speaker 1>So it depends if I have friends. I moved to

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<v Speaker 1>Texas not too long ago, so I don't have a

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<v Speaker 1>ton of friends out here, but sometimes friends will watch her.

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<v Speaker 1>But most of the time I keep her a place

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<v Speaker 1>called K nine Cowboy. It's very cute, very perfect. It's

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<v Speaker 1>a little house maybe like forty minutes. I do this

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<v Speaker 1>forty minute drive just to put her there because it's

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<v Speaker 1>kennel free and it's easy for her to like play

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<v Speaker 1>in a house with a bunch of other dogs, and

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<v Speaker 1>I just leave her there when well, yeah, because she's

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<v Speaker 1>like it's not easy to travel with that sized dog.

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<v Speaker 1>Like are my dogs eleven you know, like eleven or

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<v Speaker 1>twelve pounds? So it's like very easy to bring her underneath,

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<v Speaker 1>like just yeah, I wish she was sometimes, Yeah, that

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<v Speaker 1>you have a place like that, because that's like very hard.

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<v Speaker 1>I've had dogs where I couldn't travel, So to know

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<v Speaker 1>that you have a place where they're you know, can

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<v Speaker 1>run around and are taken care of, then you can

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<v Speaker 1>kind of go and like work without being stressed about it. Yeah,

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<v Speaker 1>I do wish she could travel with me. I didn't

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<v Speaker 1>really think about that extensively before I got her. We

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<v Speaker 1>just have to get a tour bus, Aaron, you can

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<v Speaker 1>just do the van, I know, but you know, but

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<v Speaker 1>I've actually always been really inspired by Aaron for many

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<v Speaker 1>reasons as an actor, as an easy, tremendous friend, generous hearted,

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<v Speaker 1>lovely human. But he also is such an adventurous soul.

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<v Speaker 1>So he's lived I think, you know, has this New

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<v Speaker 1>York East Coast family, lived in l A, did the

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<v Speaker 1>Hollywood thing, and then just picked up and went to Texas,

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<v Speaker 1>lived in Israel for three years Israel, which I think

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<v Speaker 1>is so cool. It's so cool, right like, and he'd

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<v Speaker 1>like pass that. He he has that thing that we

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<v Speaker 1>talked about with Joanna Garcia. He always has that smile

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<v Speaker 1>to like you can see right now does not leave

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<v Speaker 1>your face. It's so so like warm, like warm and

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<v Speaker 1>beautiful and don't know, it's very true. But I'm like,

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<v Speaker 1>what what Susanna I'll just said is like you have

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<v Speaker 1>like a very interesting story, and you've been to a

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<v Speaker 1>lot of places, and you've been an actor and worked

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<v Speaker 1>I mean like you've been in films that when I

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<v Speaker 1>was younger, if I would have own that we worked

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<v Speaker 1>on the same show together, sat like my younger self

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<v Speaker 1>would have flipped out like Mighty Ducks. Yeah, nobody knew

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<v Speaker 1>except for um, Matthew Settled. Matthew Settle. The first scene

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<v Speaker 1>last episode, I don't know, he came up to me

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<v Speaker 1>and was like, by the way, I know who you are,

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<v Speaker 1>and I was like, am I in trouble? Like what's

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<v Speaker 1>going on? So that's the only person that ever knew.

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<v Speaker 1>But also, you guys were pretty young. I was in

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<v Speaker 1>my early thirties at the time, and everybody on the

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<v Speaker 1>set was in their early twenties, So I don't think

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<v Speaker 1>it was like a thing that people really watched. Well,

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<v Speaker 1>speaking of young, you have this fascinating, um, you know,

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<v Speaker 1>sort of origin story as an actor because you were

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<v Speaker 1>on Mighty Ducks. When you were a kid. And then

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<v Speaker 1>you also were on what's the other movie? Um with Keenan,

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<v Speaker 1>Oh my god, Heavyweights, those movies that were kind of

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<v Speaker 1>cult classics. So you basically had this like Hollywood child

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<v Speaker 1>star thing. And I know that you've been working. I

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<v Speaker 1>don't know, you want to do something. Oh yeah, I

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<v Speaker 1>talk about later down the line. We've been working on

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<v Speaker 1>a project documentary on child stars. Yeah, that's awesome. It's

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<v Speaker 1>something that you're exploring and really invested in finding the

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<v Speaker 1>sort of psychological and emotional consequences of that kind of

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<v Speaker 1>like the stigma attached to child actors. You know. Going

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<v Speaker 1>back into the business when I was I was a

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<v Speaker 1>little kid, I left went to Israel for like three

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<v Speaker 1>four years off and on. I got back into the

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<v Speaker 1>business when I was i'd say twenty, but I didn't

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<v Speaker 1>really like really start hustling and getting an agent again

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<v Speaker 1>and really started from scratch. By the time I was

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<v Speaker 1>about twenty five, I did at Guiding Light, and then

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<v Speaker 1>like within not too long after that, I booked Manya

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<v Speaker 1>on Gossip Girl, and so that whole foray back into

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<v Speaker 1>the business was kind of like a little bit of

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<v Speaker 1>a you know, it was a little bit of a

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<v Speaker 1>shock to the system to get back into it in

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<v Speaker 1>my you know, late twenties, but I think it did

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<v Speaker 1>some thing where it allowed me to kind of stay

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<v Speaker 1>a little more grounded that I didn't keep on growing

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<v Speaker 1>through my late teens and early twenties in the limelight,

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<v Speaker 1>and I think it helped me not you know, attached

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<v Speaker 1>to that stigma of child actors, which also can be

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<v Speaker 1>to like where it is kind of separate, you know

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<v Speaker 1>what I'm saying, in the sense of because you you

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<v Speaker 1>like getting to know yourself and yourself as an actor

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<v Speaker 1>all the way through all of that, because sometimes I

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<v Speaker 1>feel like you you you are a different actor in

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<v Speaker 1>your twenties and you were when you were on Mighty

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<v Speaker 1>Ducks than you are in your thirties. And sometimes if

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<v Speaker 1>you stay in that the whole time, it's hard for

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<v Speaker 1>people to disconnect and then reconnect in a new role

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<v Speaker 1>or a new film or so. I think it's like

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<v Speaker 1>quite awesome and neat and really amazing either. Something about

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<v Speaker 1>fame too, When you when you in the limelight and

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<v Speaker 1>you have fame, you kind of take on the persona

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<v Speaker 1>that people give you. I mean, I've seen it with

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<v Speaker 1>some of the younger castmates. They just got famous right

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<v Speaker 1>when I got on set and Gossip Girl, and I

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<v Speaker 1>can see some of the not in a negative way

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<v Speaker 1>at all. I just can see that some of the

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<v Speaker 1>stuff that even if it was tabloids, hopefully they didn't

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<v Speaker 1>listen to the tabloids, but you know, even just outside

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<v Speaker 1>fandom would kind of put on them. They kind of

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<v Speaker 1>took it as their personality in the beginning, and if

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<v Speaker 1>you're young and you don't really have a grounding on

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<v Speaker 1>your own personality, it could kind of envelop you and

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<v Speaker 1>you you're acting world, your personal life all kind of

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<v Speaker 1>becomes that same narrative, and it could be dangerous for sure.

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<v Speaker 1>And there's probably something in that where it's like, because

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<v Speaker 1>if the world and people are appreciating it, like you're

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<v Speaker 1>being praised for it, and it's all this like wonderful

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<v Speaker 1>thing and it's the show that's hitting and everyone's liking

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<v Speaker 1>this about that character, it almost subconsciously probably feels like, oh,

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<v Speaker 1>if this feels right and it's working for all these

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<v Speaker 1>people that love it all over the world, then maybe

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<v Speaker 1>it's should bleed into all my other my life lanes

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<v Speaker 1>in my life. Yeah, And so you can you can

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<v Speaker 1>kind of see where that would happen and where it

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<v Speaker 1>could get like slippery or you know, depending on the

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<v Speaker 1>type of person you are, or how you can handle

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<v Speaker 1>it more well more well in anybody that I know.

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<v Speaker 1>It's like you know that you you know your character

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<v Speaker 1>on Gossip Girl, you know, keep the fans don't separate

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<v Speaker 1>Jessica from your character that you are, you know, and

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<v Speaker 1>it's it becomes this thing where they talk to you

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<v Speaker 1>like you're her, and it could easily get just like

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<v Speaker 1>smeared into it. Yeah, it's a wild interesting world, right.

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<v Speaker 1>It's so hard to be an actor for so many reasons,

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<v Speaker 1>you know, And it's like we already have to do

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<v Speaker 1>so much like emotional maintenance to keep ourselves, you know, positive,

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<v Speaker 1>because there's so much rejection and it's such an unsteady

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<v Speaker 1>career path. And then on top of it, if you

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<v Speaker 1>do have some success that you have to you know,

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<v Speaker 1>stay grounded. And I have to keep it going. I

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<v Speaker 1>gotta stay relevant, I gotta stay It's like such an

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<v Speaker 1>anxiety written place to approach it to a lot of

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<v Speaker 1>people always ask did you love doing Gossip Grow Of

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<v Speaker 1>course I'm like, yes, it was such a good time

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<v Speaker 1>in our lives. It was such a good show that

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<v Speaker 1>so many people enjoyed, whether it was you know, getting

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<v Speaker 1>through you know, there's people that have come up to

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<v Speaker 1>us in South Carolina, remember and into Charlotte. Yes, like

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<v Speaker 1>now that was like my Charles, my mom was fighting

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<v Speaker 1>cancer and we really that was where we bonded and

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<v Speaker 1>got through that. Or you know, I had a really

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<v Speaker 1>tough pregnancy and I could check out and you know,

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<v Speaker 1>just be thankful. And so when you hear that and

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<v Speaker 1>see those types of things with fans, You're like, this

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<v Speaker 1>really is so beautiful that we get paid to do

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<v Speaker 1>something we love and it can affect people on some

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<v Speaker 1>sort of level in that way. And then there's times

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<v Speaker 1>where people like, well did you really love it like

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<v Speaker 1>with all you know, the fame that came with it,

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<v Speaker 1>or the people that you know didn't like your character

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<v Speaker 1>so much, And I'm like, you know, it's it's a

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<v Speaker 1>it's a mine line to like even answer that question.

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<v Speaker 1>I have to I have to like ride this like line,

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<v Speaker 1>you know, like because yes, I was super blessed and

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<v Speaker 1>great and and you know what if people were affected

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<v Speaker 1>by how Vanessa was or came off in certain seasons

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<v Speaker 1>or the way she did certain things, to Dan, you

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<v Speaker 1>know that's part of the entertainment and the show that

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<v Speaker 1>we were in. Yeah, that's part because like sometimes loved

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<v Speaker 1>and then Hayden hearing Oh that girl, Yeah, I remember her,

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<v Speaker 1>and I was like, I wish you could meet Jessica

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<v Speaker 1>because you would not feel this way. But it's so

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<v Speaker 1>crazy because it's also I'm like, no, in a million years,

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<v Speaker 1>you know, you're as an actor, you were like, you

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<v Speaker 1>put all this time and effort into hoping that a

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<v Speaker 1>pilot that you do or show you a character you

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<v Speaker 1>play is able to keep coming back and keep growing

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<v Speaker 1>and the audience loves it. So I'm like, no, I

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<v Speaker 1>wouldn't change any of it. Um. But again, yeah, Vanessa

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<v Speaker 1>did certain things Jessica did not, so keep it separate.

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<v Speaker 1>But it's like you said, they don't. So that's a

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<v Speaker 1>really good way to put it. Stephanie and Josh really

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<v Speaker 1>really stuck into you sometimes they did. Yeah. But speaking

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<v Speaker 1>of that, let's talk about your with Josh and Stephanie

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<v Speaker 1>or you're casting your story? What were you with Josh

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<v Speaker 1>and Stephanie? Were you in New York? Tell us, I

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<v Speaker 1>was in New York, so I'm born and raised in

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<v Speaker 1>New York and I was, I was getting back into

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<v Speaker 1>the business, and I I think it was a year

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<v Speaker 1>prior I was. Actually my ex told me I have

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<v Speaker 1>to be on the show. I remember my ex was like,

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<v Speaker 1>you met Nikki Susan. She was fantastic and she was

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<v Speaker 1>a big girl fan, right huge, like right when right

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<v Speaker 1>when those billboards came up with like you know, like

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<v Speaker 1>two people like in the middle of it, and then

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<v Speaker 1>the ad was like, this is disgusting, don't let your

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<v Speaker 1>children watch it. I thought it was, but the parents,

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<v Speaker 1>it was the parent council that was, oh yeah, it

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<v Speaker 1>was amazing. So she's like, you have to be honest,

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<v Speaker 1>and I'm I'm like this, do you know what's honey

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<v Speaker 1>about that? Sorry, I don't want to go off seeing

0:11:58.480 --> 0:12:01.760
<v Speaker 1>those billboards, the all the parent groups that were writing

0:12:01.800 --> 0:12:04.400
<v Speaker 1>those in that's what our marketing team did. They took

0:12:04.480 --> 0:12:07.719
<v Speaker 1>those quotes and then put it on like steamy billboards

0:12:07.760 --> 0:12:10.760
<v Speaker 1>with like Nate and Serena like naked in a pool

0:12:11.000 --> 0:12:14.720
<v Speaker 1>and Blair. So they did such a brilliant job anyway,

0:12:14.840 --> 0:12:17.320
<v Speaker 1>and it was brilliant, and I think that was what

0:12:17.480 --> 0:12:21.040
<v Speaker 1>gave it that like momentum to like just shoot out

0:12:21.080 --> 0:12:24.400
<v Speaker 1>there and it became a fan favorite immediately. I didn't

0:12:24.440 --> 0:12:27.000
<v Speaker 1>know about it. She told me about it, and I

0:12:27.040 --> 0:12:28.920
<v Speaker 1>was trying to get back into the business and I

0:12:28.960 --> 0:12:31.520
<v Speaker 1>was doing things like I was hustling. I was like,

0:12:31.600 --> 0:12:34.200
<v Speaker 1>I gotta like get seen, you know, I just got

0:12:34.240 --> 0:12:36.920
<v Speaker 1>an agent and a manager, and I just decided to

0:12:36.960 --> 0:12:39.640
<v Speaker 1>go to these There's these intensives that people will do

0:12:39.720 --> 0:12:43.040
<v Speaker 1>to meet casting directors, and it's really to meet them,

0:12:43.040 --> 0:12:45.079
<v Speaker 1>but it's supposed to be a class, and so it's

0:12:45.120 --> 0:12:47.000
<v Speaker 1>like this fine line, is it a class or are

0:12:47.080 --> 0:12:49.920
<v Speaker 1>you really trying to like network with casting directors. So

0:12:50.040 --> 0:12:52.680
<v Speaker 1>I would just it was mel A Naggler's mal cap

0:12:52.760 --> 0:12:55.480
<v Speaker 1>casting for the first and second season and then it

0:12:55.559 --> 0:12:59.160
<v Speaker 1>switched to Bowling Misha, But for the second season, I

0:12:59.240 --> 0:13:03.040
<v Speaker 1>would go to these intensives with Melli Nagler. I probably

0:13:03.080 --> 0:13:06.560
<v Speaker 1>paid her rent or her mortgage to that year. I

0:13:06.600 --> 0:13:13.000
<v Speaker 1>think I think I went like ten times, spending a thousand,

0:13:13.520 --> 0:13:15.360
<v Speaker 1>and I was like, this is like going to spend

0:13:15.360 --> 0:13:17.880
<v Speaker 1>money to make money, Aaron, right, And they would just

0:13:17.960 --> 0:13:20.080
<v Speaker 1>like leave me alone. Almost she got to this point

0:13:20.080 --> 0:13:23.560
<v Speaker 1>where she started bringing me in for everything. And then

0:13:23.880 --> 0:13:26.880
<v Speaker 1>the Vanya one wasn't even supposed to be on the show.

0:13:27.080 --> 0:13:28.880
<v Speaker 1>I think the Vanya one was supposed to be just

0:13:28.960 --> 0:13:31.560
<v Speaker 1>for Chasing the Rhodo, which was like the we've talked

0:13:31.600 --> 0:13:35.880
<v Speaker 1>about that before. Yeah, yeah, the spinoff the little web series.

0:13:36.000 --> 0:13:38.679
<v Speaker 1>So they had introduced Vanya as the you know, as

0:13:38.679 --> 0:13:42.040
<v Speaker 1>the boyfriend figure. So it was born of the idea

0:13:42.120 --> 0:13:45.440
<v Speaker 1>of the spinoff. And then because Aaron was so fantastic,

0:13:45.760 --> 0:13:48.959
<v Speaker 1>pH you know, just slotted right in and like he

0:13:49.080 --> 0:13:51.960
<v Speaker 1>made the most of Vanya. Yeah, all of a sudden,

0:13:52.000 --> 0:13:55.120
<v Speaker 1>he's you know, popping up as a major plot player

0:13:55.280 --> 0:13:57.640
<v Speaker 1>in um, you know, g G proper. So it was

0:13:57.679 --> 0:14:00.720
<v Speaker 1>like such a cool thing that that, yeah, you know,

0:14:01.280 --> 0:14:04.400
<v Speaker 1>allowed for us to have a relationship. Yeah, we had

0:14:04.440 --> 0:14:06.800
<v Speaker 1>a great relationship, and it was I thought it was

0:14:06.880 --> 0:14:10.400
<v Speaker 1>just for the Verizon thing, and I don't know exactly

0:14:10.480 --> 0:14:14.080
<v Speaker 1>what happened, but I did the show first before the

0:14:14.160 --> 0:14:16.200
<v Speaker 1>Chasing the Road. I did the last episode of season

0:14:16.240 --> 0:14:20.280
<v Speaker 1>two first, and I was, man, I was nerve racked

0:14:20.360 --> 0:14:23.480
<v Speaker 1>because I was like, not expecting you get this to

0:14:23.520 --> 0:14:25.320
<v Speaker 1>do the spinoff and then they call you and they're like, hey,

0:14:25.360 --> 0:14:28.200
<v Speaker 1>we actually want you to come to to work on

0:14:28.240 --> 0:14:30.920
<v Speaker 1>the c W show, to set on location. It wasn't

0:14:30.960 --> 0:14:32.920
<v Speaker 1>even in the studio and was that that was the

0:14:32.920 --> 0:14:35.720
<v Speaker 1>scene with paparazzi and it's the baseball that, Yeah, and

0:14:35.760 --> 0:14:37.480
<v Speaker 1>they're trying to get in there, they're trying to get

0:14:37.480 --> 0:14:40.960
<v Speaker 1>photos of Serena, and you're like pushing them out, pushing

0:14:40.960 --> 0:14:43.680
<v Speaker 1>people off. And I'm still working on the accent because

0:14:43.720 --> 0:14:46.720
<v Speaker 1>I just memorized the accent for the audition. And the

0:14:46.760 --> 0:14:50.680
<v Speaker 1>audition was funny because the audition wasn't the audition wasn't

0:14:50.680 --> 0:14:52.920
<v Speaker 1>supposed to be like he was kind of like I

0:14:52.960 --> 0:14:54.880
<v Speaker 1>made him kind of nerdy, and I don't think they

0:14:54.880 --> 0:14:57.040
<v Speaker 1>wrote it that way. I think they were like there

0:14:57.040 --> 0:14:59.040
<v Speaker 1>were people in the audition that were like trying to

0:14:59.040 --> 0:15:02.480
<v Speaker 1>look swab right, and I remember actually in the intensive,

0:15:02.600 --> 0:15:05.760
<v Speaker 1>Mela was saying, like make your audition different, like make

0:15:05.800 --> 0:15:08.760
<v Speaker 1>it different. So I was like, effort. I'm just gonna

0:15:08.800 --> 0:15:11.120
<v Speaker 1>go in and I'm just gonna like whatever. I've been

0:15:11.160 --> 0:15:13.600
<v Speaker 1>here a million times, I'm not gonna cast I'll just

0:15:13.640 --> 0:15:16.200
<v Speaker 1>go with it. And I like got myself look at

0:15:16.240 --> 0:15:18.920
<v Speaker 1>all nerdy and kind of did like a Don Nots

0:15:19.960 --> 0:15:24.480
<v Speaker 1>version of of a Russian dorman. And I got out

0:15:24.480 --> 0:15:26.160
<v Speaker 1>of there thinking, oh my god, I'm gonna get a

0:15:26.160 --> 0:15:28.840
<v Speaker 1>call from my agents saying you're an idiot, what are

0:15:28.840 --> 0:15:33.200
<v Speaker 1>you doing? And then somehow I banyas dorkiness made it

0:15:33.200 --> 0:15:36.160
<v Speaker 1>into the show. Well, that's what's so lovely about Vanya

0:15:36.240 --> 0:15:38.400
<v Speaker 1>is that this kind of earnestness and the fact that

0:15:38.400 --> 0:15:40.960
<v Speaker 1>he's such a sweet human. And so because I think

0:15:41.040 --> 0:15:45.080
<v Speaker 1>Dorota is a sweet, sweethearted person, the people like like

0:15:45.240 --> 0:15:47.120
<v Speaker 1>the two of them together because you were like, you know,

0:15:47.200 --> 0:15:50.040
<v Speaker 1>you believe that they were like, um, you know, good

0:15:50.040 --> 0:15:53.040
<v Speaker 1>people who could you take care of each other and

0:15:53.320 --> 0:15:56.360
<v Speaker 1>rot to crack the whip with Bonnia, but didn't such

0:15:56.440 --> 0:16:00.960
<v Speaker 1>like such a like a wholesome way, you know. But

0:16:01.000 --> 0:16:05.040
<v Speaker 1>and what's so like cool about the backstory and von

0:16:05.120 --> 0:16:07.960
<v Speaker 1>Yan de Rota is that this it was all things

0:16:08.000 --> 0:16:10.080
<v Speaker 1>that you never saw coming, which I know they do

0:16:10.160 --> 0:16:11.960
<v Speaker 1>that a lot in the show, but it was like

0:16:12.040 --> 0:16:14.400
<v Speaker 1>even in this episode, like at the end, I know,

0:16:14.440 --> 0:16:17.960
<v Speaker 1>I'm jumping forward when you're at the bar with Georgina,

0:16:18.440 --> 0:16:21.480
<v Speaker 1>I'm like, wait, they were planting things and doing stuff.

0:16:21.520 --> 0:16:23.680
<v Speaker 1>So when I hear the story of that's what your

0:16:23.680 --> 0:16:27.160
<v Speaker 1>audition you know process, and you know story was that

0:16:27.200 --> 0:16:30.120
<v Speaker 1>you went in for the you know, the spinoff and

0:16:30.160 --> 0:16:31.600
<v Speaker 1>then they asked you to come to set. Now you're

0:16:31.640 --> 0:16:36.520
<v Speaker 1>Serena's doorman the Vanderwoods and how much. Yeah, and then

0:16:36.560 --> 0:16:39.040
<v Speaker 1>you're sitting here and and this twist at the end

0:16:39.080 --> 0:16:41.240
<v Speaker 1>that you throw with Georgina, Now I'm like, wait, that's

0:16:41.240 --> 0:16:43.400
<v Speaker 1>gotta be through Blair and Derota, but like, we won't

0:16:43.400 --> 0:16:46.200
<v Speaker 1>know now for a couple episodes. But it's really wild

0:16:46.240 --> 0:16:48.640
<v Speaker 1>because it's so set up and go so smoothly, Like

0:16:49.240 --> 0:16:51.400
<v Speaker 1>something had to go down with Georgina because no one

0:16:51.560 --> 0:16:53.200
<v Speaker 1>on the Upper East Side is letting her get away

0:16:53.200 --> 0:16:55.800
<v Speaker 1>with what she pulled during this whole episode, which was

0:16:55.920 --> 0:16:59.680
<v Speaker 1>very vindictive and very wrong. And Georgina's she's not my

0:16:59.760 --> 0:17:04.280
<v Speaker 1>damn nerves because she was just not character you played that.

0:17:04.520 --> 0:17:07.520
<v Speaker 1>You played that episode. I haven't seen that episode in

0:17:07.560 --> 0:17:11.119
<v Speaker 1>so long, and I was like, I know, she was

0:17:11.160 --> 0:17:16.200
<v Speaker 1>just day and then doing that to Dan and literally, yeah,

0:17:16.240 --> 0:17:18.119
<v Speaker 1>we should probably say this. The episode is actually called

0:17:18.200 --> 0:17:21.240
<v Speaker 1>Rufus Getting Married Mary, the one that we're talking about

0:17:21.280 --> 0:17:24.880
<v Speaker 1>here today, so we have a lot of marriage plotlines,

0:17:25.040 --> 0:17:28.480
<v Speaker 1>and like you're saying, Georgina gets really nasty and like

0:17:28.560 --> 0:17:30.840
<v Speaker 1>really does some bad stuff here, and we get to

0:17:30.840 --> 0:17:34.920
<v Speaker 1>see this fantastic little moment of Vanya coming into totally

0:17:35.000 --> 0:17:37.520
<v Speaker 1>to save the day and like get rid of Georgina.

0:17:38.000 --> 0:17:40.600
<v Speaker 1>So shall we say where we left off? But before

0:17:40.640 --> 0:17:42.760
<v Speaker 1>we do that, it's based on the movie title Rachel

0:17:42.760 --> 0:17:47.400
<v Speaker 1>Getting Married, which a little fun fact, Sebastian Stan who

0:17:47.440 --> 0:17:50.080
<v Speaker 1>is in this episode with all of us, is also

0:17:50.240 --> 0:17:55.000
<v Speaker 1>in that movie, so that's us. Like, okay, so I've

0:17:55.040 --> 0:17:58.879
<v Speaker 1>seen that. I don't remember that he was like on

0:17:58.920 --> 0:18:06.479
<v Speaker 1>the gas pedal mack then like, oh yeah, okay, So

0:18:06.520 --> 0:18:10.040
<v Speaker 1>we left off last time on Gossip Girls, Serena defused

0:18:10.040 --> 0:18:13.800
<v Speaker 1>a potential meltdown from disgrace actress Ursula, which was um

0:18:13.920 --> 0:18:16.679
<v Speaker 1>Tyra Banks at the cost of her job. She needed

0:18:16.680 --> 0:18:19.320
<v Speaker 1>to fend off Lily's design to send her off to college.

0:18:19.640 --> 0:18:22.320
<v Speaker 1>On the bright side, Dan comes to terms with Olivia's

0:18:22.320 --> 0:18:26.159
<v Speaker 1>fame and identity, leaving hope for their future relationship, and

0:18:26.200 --> 0:18:29.080
<v Speaker 1>then Jenny begins letting go of her quest to break

0:18:29.320 --> 0:18:33.439
<v Speaker 1>school hierarchies and a lure for her own popularity. So

0:18:33.560 --> 0:18:35.840
<v Speaker 1>that is where we left off, and it's like we

0:18:35.920 --> 0:18:37.600
<v Speaker 1>kind of had that a little bit of a break

0:18:37.640 --> 0:18:39.399
<v Speaker 1>almost from some of the plot lines in that episode,

0:18:39.440 --> 0:18:42.000
<v Speaker 1>and that we're back with a vengeance today with this one.

0:18:42.359 --> 0:18:45.320
<v Speaker 1>Um Lilian Riffus decided to move up their wedding day.

0:18:45.680 --> 0:18:48.400
<v Speaker 1>Chuck discovers a secret that Carter has been keeping from Serena,

0:18:48.440 --> 0:18:51.600
<v Speaker 1>which involves Brie and the Buckley's. Dan and Vanessa are

0:18:51.640 --> 0:18:54.280
<v Speaker 1>pulled into one of Georgina's schemes when she learns Scott

0:18:54.320 --> 0:18:57.600
<v Speaker 1>back to New York on a ruse. Also, Blair is

0:18:57.720 --> 0:19:00.480
<v Speaker 1>suspicious of Brie and she shares her concerns Nate. So

0:19:00.560 --> 0:19:02.880
<v Speaker 1>it's like, we're back to the brief stuff. We're back

0:19:02.920 --> 0:19:05.840
<v Speaker 1>to I knew Brie was in something up to something

0:19:05.920 --> 0:19:11.160
<v Speaker 1>from many well, see she's she plays it really well though,

0:19:11.200 --> 0:19:14.000
<v Speaker 1>in the sense of this sweet dynamic where you're like, Okay,

0:19:14.240 --> 0:19:16.800
<v Speaker 1>maybe she's just really going to fall for for Nate.

0:19:16.960 --> 0:19:19.199
<v Speaker 1>And I'm thinking the whole time that it's because of

0:19:19.640 --> 0:19:24.760
<v Speaker 1>their political families, like you know, like the Buckley's and

0:19:24.800 --> 0:19:28.200
<v Speaker 1>the you know, Archibalds. Like so I'm like, okay, that's

0:19:28.240 --> 0:19:30.439
<v Speaker 1>where this is going. And then of course, you know,

0:19:30.640 --> 0:19:33.600
<v Speaker 1>then it has something to do with Carter and Serena

0:19:33.720 --> 0:19:35.879
<v Speaker 1>now and now it's like it's like a domino effect

0:19:35.880 --> 0:19:38.440
<v Speaker 1>every time, like it's always like boom boom, boom, boom

0:19:38.440 --> 0:19:41.320
<v Speaker 1>boom and then still that last Domino that's standing blows

0:19:41.359 --> 0:19:44.000
<v Speaker 1>your mind, like like you at the end of this episode, Erin,

0:19:44.080 --> 0:19:48.480
<v Speaker 1>I'm like, what, yeah, where that was crazy? And I

0:19:48.520 --> 0:20:03.959
<v Speaker 1>got to play swab at one point I have to say, like,

0:20:03.960 --> 0:20:07.160
<v Speaker 1>like the whole Breeze storyline, Juanna plays it in such

0:20:07.200 --> 0:20:09.840
<v Speaker 1>a way that I really didn't. I was never convinced

0:20:09.840 --> 0:20:13.199
<v Speaker 1>that she was duplicitous or that she did have you know,

0:20:13.280 --> 0:20:16.440
<v Speaker 1>alter your motives. So it's it's really nice because then

0:20:16.440 --> 0:20:18.199
<v Speaker 1>you kind of at the end, it really is a

0:20:18.200 --> 0:20:20.160
<v Speaker 1>little bit of a heartbreak when she's when Nate comes

0:20:20.160 --> 0:20:22.240
<v Speaker 1>to her and says, were you're using me? And she

0:20:22.280 --> 0:20:28.879
<v Speaker 1>was and for what She was so endearing at the

0:20:28.960 --> 0:20:31.080
<v Speaker 1>end too, because she's also like, I'm really sorry to

0:20:31.080 --> 0:20:33.240
<v Speaker 1>say like me and anything, like I really am. He's like, no,

0:20:33.440 --> 0:20:38.040
<v Speaker 1>get out right, yes, okay. So it opens up with

0:20:38.400 --> 0:20:41.120
<v Speaker 1>Serena and Carter are happily together, Nate and bree they're

0:20:41.119 --> 0:20:44.240
<v Speaker 1>they get they're bouncing around. They keep cutting to each couple,

0:20:44.400 --> 0:20:46.920
<v Speaker 1>Dan as I am in, Olivia, Chuck and Blair and

0:20:47.000 --> 0:20:50.800
<v Speaker 1>bed together. Um. By the way, when they're doing this,

0:20:50.880 --> 0:20:52.880
<v Speaker 1>I'm like, these couples are just all real cute like

0:20:52.960 --> 0:20:56.520
<v Speaker 1>your guys are just cute, Like yeah, you know, even

0:20:56.600 --> 0:20:58.840
<v Speaker 1>even Brill and Brian Nate. At this point, I'm like,

0:20:58.880 --> 0:21:01.720
<v Speaker 1>I'm liking them. Dan and Olivia, I'm not quite sure

0:21:01.760 --> 0:21:04.840
<v Speaker 1>really what obviously what's going on there. I think it's

0:21:04.880 --> 0:21:08.960
<v Speaker 1>also like such a throwback to do the I am ng'

0:21:09.160 --> 0:21:12.800
<v Speaker 1>using vanessas doc you DOCU Girl ninety one or something.

0:21:13.080 --> 0:21:16.960
<v Speaker 1>Do you think Dan is okay Vanessa? So he's like

0:21:17.160 --> 0:21:19.320
<v Speaker 1>he's using that, he uses that laptop like on the

0:21:19.359 --> 0:21:25.720
<v Speaker 1>street chunky laptop or the flip pulls out. It's like,

0:21:25.920 --> 0:21:30.879
<v Speaker 1>so I love seeing all the old technology. Yeah, so

0:21:31.200 --> 0:21:34.680
<v Speaker 1>all of these things are going on. Who who Aaron

0:21:34.800 --> 0:21:37.080
<v Speaker 1>is your favorite couple at this point. I mean, I

0:21:37.080 --> 0:21:39.400
<v Speaker 1>know you're not rewatching it like we are, but like, yeah,

0:21:39.680 --> 0:21:41.439
<v Speaker 1>I definitely in and a part of the show. So

0:21:41.480 --> 0:21:44.000
<v Speaker 1>like you like watch this and I was like, let

0:21:44.000 --> 0:21:46.639
<v Speaker 1>me dive in and really watch it. And I watched

0:21:46.640 --> 0:21:49.000
<v Speaker 1>it from beginning to end. And I'll tell you right now.

0:21:49.200 --> 0:21:54.120
<v Speaker 1>Lillian rufus Man when they when the kids get them

0:21:54.160 --> 0:21:57.639
<v Speaker 1>back together in the diner or wherever they are in

0:21:57.640 --> 0:22:01.760
<v Speaker 1>Brooklyn and they get them back together, Lily's reaction when

0:22:01.800 --> 0:22:04.360
<v Speaker 1>she figures out like her a little smile. I thought

0:22:04.359 --> 0:22:07.520
<v Speaker 1>it was really cute. Yeah, She's like, I hate this,

0:22:07.760 --> 0:22:13.280
<v Speaker 1>but yeah, yeah, what about you? Years changes, right Ssanna?

0:22:13.920 --> 0:22:17.200
<v Speaker 1>Who me? I think that, you know, a mind does change.

0:22:17.200 --> 0:22:18.960
<v Speaker 1>But I think, like I agree with Aaron that like

0:22:19.000 --> 0:22:21.240
<v Speaker 1>Lillian Rufus here, you know, they're obviously the heart of

0:22:21.240 --> 0:22:23.760
<v Speaker 1>this episode. And what's so nice about it is the

0:22:24.720 --> 0:22:27.400
<v Speaker 1>like Lily is usually such like a you know, kind

0:22:27.400 --> 0:22:29.960
<v Speaker 1>of a badass, and like you see her get so

0:22:30.840 --> 0:22:33.399
<v Speaker 1>um and a soft, a little you know soft in

0:22:33.400 --> 0:22:35.760
<v Speaker 1>this episode, and that you see her her insecurity is

0:22:35.760 --> 0:22:38.640
<v Speaker 1>a couple of times, and the fact that we sort

0:22:38.640 --> 0:22:40.480
<v Speaker 1>of bring up in this funny, cheeky way, the fact

0:22:40.480 --> 0:22:43.280
<v Speaker 1>that she's had all these husbands and how each wedding

0:22:43.359 --> 0:22:45.560
<v Speaker 1>was so fast, you know, fabulous and over the top,

0:22:45.720 --> 0:22:47.199
<v Speaker 1>and then she has to write these vows and she

0:22:47.240 --> 0:22:49.440
<v Speaker 1>can't quite get there, and it's like he has to

0:22:49.480 --> 0:22:50.800
<v Speaker 1>kind of break her down and be like, what are

0:22:50.840 --> 0:22:52.480
<v Speaker 1>you scared of? You know, And it's kind of what

0:22:52.920 --> 0:22:55.400
<v Speaker 1>all of these characters are usually dealing with, and then

0:22:55.480 --> 0:22:57.800
<v Speaker 1>here we see it with her, which is that like

0:22:58.640 --> 0:23:01.240
<v Speaker 1>in the end, it's that she based Alee says like

0:23:01.280 --> 0:23:04.000
<v Speaker 1>I'm scared of having a real partner, you know, and

0:23:04.000 --> 0:23:06.479
<v Speaker 1>like like that she's you know, not ready for that,

0:23:06.600 --> 0:23:07.919
<v Speaker 1>or she doesn't think she is, and he has to

0:23:07.960 --> 0:23:10.000
<v Speaker 1>kind of show her so and he has to like

0:23:10.040 --> 0:23:12.640
<v Speaker 1>call her out. Oh yeah, she has to really take

0:23:12.640 --> 0:23:14.600
<v Speaker 1>her to task. You you don't want to do this

0:23:14.680 --> 0:23:18.640
<v Speaker 1>because you're scared of really falling in love and being

0:23:18.640 --> 0:23:20.119
<v Speaker 1>with someone who really cares for you. And he's like,

0:23:20.160 --> 0:23:21.919
<v Speaker 1>and I know that because you're breaking my heart right now.

0:23:21.960 --> 0:23:25.960
<v Speaker 1>And I'm like, oh, oh, such a good scene. Yeah.

0:23:26.119 --> 0:23:30.200
<v Speaker 1>The dynamic between between them is so amazing. Also because

0:23:30.200 --> 0:23:32.960
<v Speaker 1>they're from two different worlds. I think that's like a

0:23:32.960 --> 0:23:35.240
<v Speaker 1>big thing. Like everybody you see, all the other couples

0:23:35.280 --> 0:23:39.320
<v Speaker 1>are basically from the same world, even uh Vonnie and

0:23:39.320 --> 0:23:42.000
<v Speaker 1>de Roda they're from you know, they're they're the help,

0:23:42.119 --> 0:23:44.000
<v Speaker 1>you know, and then everybody else is the Upper east Side.

0:23:44.040 --> 0:23:48.600
<v Speaker 1>But they Yeah, but they're this good mix of like

0:23:48.640 --> 0:23:51.359
<v Speaker 1>he's this rocker living in Brooklyn and she's from this

0:23:51.400 --> 0:23:54.080
<v Speaker 1>big family and you see it work and I think

0:23:54.080 --> 0:23:57.840
<v Speaker 1>it's a cool little dynamic. See that on the Upper

0:23:57.840 --> 0:24:01.920
<v Speaker 1>east Side. It's lovely and of horse, their their union

0:24:02.080 --> 0:24:05.919
<v Speaker 1>is strengthened or challenged both in this episode by the

0:24:06.000 --> 0:24:09.000
<v Speaker 1>resurgence of Scott. So we have this character Scott, who

0:24:09.040 --> 0:24:13.080
<v Speaker 1>we know is the love child that they think he's dead.

0:24:13.520 --> 0:24:16.320
<v Speaker 1>He kind of came back around and basically copped to

0:24:16.440 --> 0:24:19.399
<v Speaker 1>being from the family of the kid that they thought

0:24:19.400 --> 0:24:22.080
<v Speaker 1>they had, but he wasn't quite truthful. And then because

0:24:22.119 --> 0:24:26.520
<v Speaker 1>of Georgina's antics, he is outed here in this episode.

0:24:26.640 --> 0:24:29.320
<v Speaker 1>And so the fact that the three of them face

0:24:29.400 --> 0:24:31.359
<v Speaker 1>off and then have this beautiful moment where they come

0:24:31.400 --> 0:24:34.040
<v Speaker 1>together and hug, and it's part of part of what

0:24:34.119 --> 0:24:36.440
<v Speaker 1>breaks Lily in the end to see and the way

0:24:36.480 --> 0:24:39.520
<v Speaker 1>she she played that too, you know, like having a

0:24:40.119 --> 0:24:44.439
<v Speaker 1>very vulnerable breakup moment with Rufus two. Then the son's

0:24:44.440 --> 0:24:46.800
<v Speaker 1>coming up to all the people walking and you know,

0:24:46.840 --> 0:24:49.520
<v Speaker 1>their whole crew, all their kids, having like the circle

0:24:49.560 --> 0:24:52.359
<v Speaker 1>around them because they're they're late to their wedding. So

0:24:52.640 --> 0:24:54.879
<v Speaker 1>there's just and then there's so many things going on.

0:24:54.960 --> 0:24:56.840
<v Speaker 1>She's basically like, I don't know if we can get married.

0:24:56.840 --> 0:24:59.639
<v Speaker 1>Then she finds out that's her son that they thought

0:24:59.720 --> 0:25:02.560
<v Speaker 1>was not alive. I mean, there's just the way she

0:25:02.680 --> 0:25:05.879
<v Speaker 1>played all those things going on was like incredible to me.

0:25:05.960 --> 0:25:08.720
<v Speaker 1>I'm like Oh my god, Kelly, Right, And it was

0:25:09.280 --> 0:25:10.879
<v Speaker 1>I thought of you just because I was like, I

0:25:10.880 --> 0:25:13.480
<v Speaker 1>feel like there's something about you know, Kelly had such

0:25:13.480 --> 0:25:15.480
<v Speaker 1>a depth of emotion and in the way that she

0:25:15.520 --> 0:25:17.760
<v Speaker 1>was playing Lily in those scenes, and I was like,

0:25:17.800 --> 0:25:19.600
<v Speaker 1>there has to be something about she was, you know,

0:25:19.640 --> 0:25:22.639
<v Speaker 1>a new mom, uh, you know, like she was just

0:25:22.680 --> 0:25:25.919
<v Speaker 1>came back from maternity leave in these episodes. This was

0:25:25.920 --> 0:25:28.959
<v Speaker 1>her first episode back from having the baby, right. So

0:25:29.000 --> 0:25:32.080
<v Speaker 1>it's like, undoubtedly that strengthens a certain muscle in you.

0:25:32.960 --> 0:25:34.399
<v Speaker 1>So I always think of you when I think of

0:25:34.440 --> 0:25:36.600
<v Speaker 1>you know, young actor moms, and I'm like, you know,

0:25:36.640 --> 0:25:39.000
<v Speaker 1>the idea that you have a new perspective, you know,

0:25:39.080 --> 0:25:41.760
<v Speaker 1>and so you can like bring a different um you know. Yeah,

0:25:44.240 --> 0:25:47.399
<v Speaker 1>how does that how when you're acting now, do you

0:25:47.480 --> 0:25:50.280
<v Speaker 1>find that you are able to kind of dig deeper

0:25:50.320 --> 0:25:54.160
<v Speaker 1>now that you're taking care of human life that's yours? Yeah,

0:25:54.200 --> 0:25:57.120
<v Speaker 1>because I feel like you just you're looking and feeling

0:25:57.359 --> 0:25:59.840
<v Speaker 1>things in a different lens, in a different way of

0:26:00.119 --> 0:26:02.000
<v Speaker 1>what would you do if this would happen to your daughter?

0:26:02.080 --> 0:26:04.080
<v Speaker 1>What would you do if you had to do something

0:26:04.119 --> 0:26:07.399
<v Speaker 1>to protect them in this way? Or find out that

0:26:07.440 --> 0:26:10.000
<v Speaker 1>I knew that there was a child along, but then

0:26:10.000 --> 0:26:12.040
<v Speaker 1>found out they were no longer alive. And then he's

0:26:12.080 --> 0:26:15.480
<v Speaker 1>standing in front of me and and you didn't expect that.

0:26:15.480 --> 0:26:17.880
<v Speaker 1>That's like a shocking thing to your heart, to your

0:26:18.960 --> 0:26:21.480
<v Speaker 1>everything that you probably tried to get through your whole

0:26:21.520 --> 0:26:23.399
<v Speaker 1>life to be like it was the right decision. It

0:26:23.480 --> 0:26:25.760
<v Speaker 1>was the right decision. Now they're here, you know, and

0:26:26.359 --> 0:26:29.359
<v Speaker 1>on my wedding day with his father, like just the

0:26:29.400 --> 0:26:31.840
<v Speaker 1>amount of things. But yes, you definitely can dig in

0:26:31.920 --> 0:26:36.240
<v Speaker 1>deeper and definitely like it's just a different way. You

0:26:36.320 --> 0:26:37.920
<v Speaker 1>just look at life different when you have a baby

0:26:37.960 --> 0:26:47.679
<v Speaker 1>in my life, I'm showing us a little furry baby.

0:26:48.000 --> 0:26:55.320
<v Speaker 1>He's like my dad talking to right now. I love it.

0:26:55.800 --> 0:26:58.440
<v Speaker 1>So in this episode, we have this wedding that is

0:26:58.480 --> 0:27:02.080
<v Speaker 1>the kind of pinnacle cluck climactic scene, the idea that

0:27:02.119 --> 0:27:04.679
<v Speaker 1>they actually decided to go ahead and have the wedding,

0:27:05.040 --> 0:27:08.080
<v Speaker 1>you know, tomorrow or whatever it is, and so which

0:27:08.119 --> 0:27:10.520
<v Speaker 1>I Lorena, who is in a really good place with Carter,

0:27:11.080 --> 0:27:14.600
<v Speaker 1>is sort of decided to you know, really jump on

0:27:14.640 --> 0:27:16.800
<v Speaker 1>board and help Lily to organize his wedding. And she's

0:27:16.840 --> 0:27:18.600
<v Speaker 1>kind of the kind of making up, you know, because

0:27:18.840 --> 0:27:20.840
<v Speaker 1>Lily is still a little bit tentative about her not

0:27:20.840 --> 0:27:24.639
<v Speaker 1>going to college, and so we have Serena on that mission,

0:27:27.160 --> 0:27:29.840
<v Speaker 1>and at the same time you have uh, you know,

0:27:30.280 --> 0:27:32.840
<v Speaker 1>Brie and Nate who are you know, in the throes

0:27:32.880 --> 0:27:35.960
<v Speaker 1>of their relationship, and then Blair and Chuck and Blair

0:27:36.080 --> 0:27:38.879
<v Speaker 1>is just like go into town being so mean to

0:27:38.960 --> 0:27:41.400
<v Speaker 1>Bree Buckley. In this episode, she is like, I can't

0:27:41.440 --> 0:27:46.960
<v Speaker 1>stand or something, and I'm like Blair the dim summum

0:27:47.080 --> 0:27:53.479
<v Speaker 1>d double date, double day. She goes. Claire says, I know, uh,

0:27:53.680 --> 0:27:55.800
<v Speaker 1>I know women, and none of them are that nice.

0:27:56.080 --> 0:28:01.359
<v Speaker 1>I think she says that, and I'm so good. She

0:28:01.480 --> 0:28:04.439
<v Speaker 1>really doesn't stick burns on Brie and that in that lunch,

0:28:04.720 --> 0:28:07.359
<v Speaker 1>so it's like she knows that. She's like, it's like

0:28:07.400 --> 0:28:10.920
<v Speaker 1>she has a sixth sense about Bree. But but Chuck

0:28:11.000 --> 0:28:14.280
<v Speaker 1>basically tells her, your problem with Bree is that you

0:28:14.280 --> 0:28:16.199
<v Speaker 1>don't like to see Nate move on even though you're

0:28:16.200 --> 0:28:18.040
<v Speaker 1>in love with me. You don't want anyone else to

0:28:18.080 --> 0:28:20.640
<v Speaker 1>be happy or whatever. That's kind of what he yeah,

0:28:20.720 --> 0:28:23.200
<v Speaker 1>you know which, by the way, when Chuck says that,

0:28:23.280 --> 0:28:26.439
<v Speaker 1>I'm like, that's like, still I feel like such a

0:28:26.480 --> 0:28:30.400
<v Speaker 1>mature thing for someone their age, like Chuck, that's Nate's

0:28:30.440 --> 0:28:32.880
<v Speaker 1>best friend and Blair's Chuck's girlfriend, So to be like,

0:28:33.160 --> 0:28:35.199
<v Speaker 1>actually you just have a problem with Nate moving on,

0:28:35.280 --> 0:28:38.760
<v Speaker 1>I'm like, okay, Chuck, are you like a grown ass man?

0:28:38.920 --> 0:28:43.320
<v Speaker 1>Like that's like very also like giving giving him a

0:28:43.320 --> 0:28:46.160
<v Speaker 1>little room because he saw the goons that were the

0:28:46.200 --> 0:28:49.240
<v Speaker 1>brother in law's show up and he's like he comes

0:28:49.280 --> 0:28:54.400
<v Speaker 1>to uh Serena. It's like, look like this was really

0:28:54.440 --> 0:28:56.440
<v Speaker 1>big of him that he actually even showed up to

0:28:56.480 --> 0:28:59.680
<v Speaker 1>the wedding. So you gotta respect that, Like he could

0:28:59.680 --> 0:29:01.240
<v Speaker 1>have left, Like I gave him a ticket and he

0:29:01.320 --> 0:29:06.080
<v Speaker 1>chose not to. Yeah. Yeah, Chuck is very been very mature,

0:29:06.120 --> 0:29:12.280
<v Speaker 1>emotionally mature. That's so true. Give me two. Yeah, let's see.

0:29:12.320 --> 0:29:14.959
<v Speaker 1>At the end of this one, it's like we're watching

0:29:15.080 --> 0:29:17.720
<v Speaker 1>sort of this wedding kind of come together come you know,

0:29:17.760 --> 0:29:19.680
<v Speaker 1>fall apart, come together, and we're kind of going down

0:29:19.760 --> 0:29:22.240
<v Speaker 1>this one road and then this whole time there's this

0:29:22.320 --> 0:29:25.959
<v Speaker 1>like black mail um danger brewing with Gma. So like

0:29:26.440 --> 0:29:29.440
<v Speaker 1>I feel like Vanessa is really like this. I mean,

0:29:29.480 --> 0:29:32.360
<v Speaker 1>this episode has been like some really good Vanessa fadder

0:29:32.400 --> 0:29:35.680
<v Speaker 1>because Vanessa is the one person who knows the truth

0:29:35.720 --> 0:29:39.760
<v Speaker 1>about Scott, and Georgina comes back and realizes that, Um,

0:29:39.880 --> 0:29:43.160
<v Speaker 1>Dan is you know, into Olivia and he's kind of

0:29:43.160 --> 0:29:46.960
<v Speaker 1>ghosting her or not, you know, not texting her back anymore,

0:29:46.960 --> 0:29:48.840
<v Speaker 1>and she's jealous and she wants to break them up,

0:29:48.840 --> 0:29:51.800
<v Speaker 1>so she wants to engage in Vanessa in that um

0:29:51.800 --> 0:29:54.200
<v Speaker 1>it's basically like you have to break Dan and Olivia up,

0:29:54.560 --> 0:29:58.080
<v Speaker 1>and vanessas like, well, I think hello, and then she's

0:29:58.160 --> 0:30:03.280
<v Speaker 1>like gonna blackmailer because Vanessa asked, Dan, why are you

0:30:03.320 --> 0:30:05.400
<v Speaker 1>Why are you using my? I am like I think.

0:30:05.400 --> 0:30:06.720
<v Speaker 1>She's like, why are you using mine? And he's like

0:30:06.720 --> 0:30:09.400
<v Speaker 1>because every time I use mine. Georgina comes and says

0:30:09.440 --> 0:30:11.240
<v Speaker 1>something and she's like not getting it, Like I broke

0:30:11.320 --> 0:30:13.239
<v Speaker 1>up with her? How much more can I say? So

0:30:13.280 --> 0:30:16.400
<v Speaker 1>she's like, Okay, I get it. Then when Vanessa and

0:30:16.400 --> 0:30:19.280
<v Speaker 1>and Georgina sit down in the coffee shop, she's like,

0:30:19.320 --> 0:30:21.440
<v Speaker 1>I just don't know why Dan's not responding to me,

0:30:21.480 --> 0:30:23.760
<v Speaker 1>and she goes Vanessa goes, hey, because he broke up

0:30:23.800 --> 0:30:26.360
<v Speaker 1>with you, be he's seeing someone else. And see, even

0:30:26.360 --> 0:30:28.120
<v Speaker 1>though I try to defend you, you're a full on

0:30:28.320 --> 0:30:30.920
<v Speaker 1>crazy person. And she's like, wait, can we go back

0:30:30.920 --> 0:30:33.960
<v Speaker 1>to be She's like, he's seeing someone, and then she

0:30:34.080 --> 0:30:36.520
<v Speaker 1>basically is like, you have to break them up. And

0:30:37.000 --> 0:30:39.440
<v Speaker 1>Vanessa because of this big secret that she has and

0:30:39.480 --> 0:30:43.120
<v Speaker 1>this is not like, hey, you know, Dan made out

0:30:43.160 --> 0:30:46.080
<v Speaker 1>with someone. This is like someone's child, this is someone's brother,

0:30:46.200 --> 0:30:49.320
<v Speaker 1>this is someone like there's just so many things that

0:30:49.520 --> 0:30:51.400
<v Speaker 1>go around Scott. I know, I say that a lot.

0:30:51.440 --> 0:30:53.440
<v Speaker 1>I say it every episode because I still and it's

0:30:53.480 --> 0:30:57.320
<v Speaker 1>probably because I'm a parent now. I cannot believe this storyline.

0:30:57.600 --> 0:31:01.600
<v Speaker 1>I just can't believe it. It's crazy. And Gina getting

0:31:01.600 --> 0:31:07.120
<v Speaker 1>out of bus to Boston little girl is all these

0:31:07.120 --> 0:31:12.080
<v Speaker 1>people's lives. Yeah, yeah, between a rock and a hard place.

0:31:12.200 --> 0:31:13.960
<v Speaker 1>She's like, I can't be the one on the wedding

0:31:14.040 --> 0:31:16.360
<v Speaker 1>day to blast everyone out or do it to Scott.

0:31:16.440 --> 0:31:19.680
<v Speaker 1>Vanessa had an intimate relationship with Scott, so it's also

0:31:19.760 --> 0:31:22.800
<v Speaker 1>not just the secret she was dating him, which is

0:31:22.880 --> 0:31:26.440
<v Speaker 1>when you say that out loud, it's wild. Yeah, it's

0:31:26.440 --> 0:31:32.000
<v Speaker 1>really loaded. How crazy is that? So many twisted Josh

0:31:32.920 --> 0:31:35.640
<v Speaker 1>pulling out all the stuffs with this ever got how

0:31:35.800 --> 0:31:40.080
<v Speaker 1>intertwined all of these stories were. It's crazy, yeah, right,

0:31:40.800 --> 0:31:43.840
<v Speaker 1>And the blackmail is so nuts because it's like this um.

0:31:43.880 --> 0:31:47.480
<v Speaker 1>In order for Vanessa to to do it, she has

0:31:47.520 --> 0:31:50.719
<v Speaker 1>to kind of convince Dan that Olivia is not right

0:31:50.800 --> 0:31:53.320
<v Speaker 1>for him. So what I love is this funny thing

0:31:53.360 --> 0:31:56.640
<v Speaker 1>that proceeds in which it seems like she's trying to

0:31:56.680 --> 0:31:59.920
<v Speaker 1>get Dan to date her. So it's like everything she

0:32:00.040 --> 0:32:02.760
<v Speaker 1>is saying, like you should look at your you know,

0:32:02.840 --> 0:32:07.960
<v Speaker 1>friends you already have for people who are in your history. Yeah,

0:32:08.440 --> 0:32:12.640
<v Speaker 1>he's like her too, because then he comes He's like, listen,

0:32:12.640 --> 0:32:15.000
<v Speaker 1>I know what you're doing. You're like, no, I'm not

0:32:15.040 --> 0:32:18.240
<v Speaker 1>doing that, idiot. He's like, I know, I'm not into Moron.

0:32:18.520 --> 0:32:21.560
<v Speaker 1>The next time, like look in the Nest episode, it's

0:32:21.560 --> 0:32:25.120
<v Speaker 1>so funny, but Dan takes one for the team, which

0:32:25.160 --> 0:32:27.320
<v Speaker 1>is I should say, because it's also part of his

0:32:27.360 --> 0:32:30.040
<v Speaker 1>whole world. And he goes and pretends to Georgina that

0:32:30.800 --> 0:32:33.800
<v Speaker 1>he has missed her and that he should be with

0:32:33.840 --> 0:32:35.920
<v Speaker 1>someone that he has a passed with. So Georgina is

0:32:35.960 --> 0:32:37.440
<v Speaker 1>all like, Okay, I can come to the wedding with

0:32:37.480 --> 0:32:40.160
<v Speaker 1>you tonight, and he said, you know, it's a private event.

0:32:40.680 --> 0:32:50.040
<v Speaker 1>Should have grabbed that right. Maybe he's not such a

0:32:50.040 --> 0:32:53.520
<v Speaker 1>good actor after all. How great is that? Like background

0:32:53.520 --> 0:32:57.360
<v Speaker 1>actor who she He like turns to that guy. I

0:32:57.360 --> 0:32:58.760
<v Speaker 1>don't know if he's like some old guy in the

0:32:58.800 --> 0:33:01.520
<v Speaker 1>park or hot dog vendor something, and he's like, you know,

0:33:01.960 --> 0:33:03.680
<v Speaker 1>she's she turns to him, and it's like, you know,

0:33:03.920 --> 0:33:05.280
<v Speaker 1>what does it mean when the guy doesn't grab your

0:33:05.280 --> 0:33:07.400
<v Speaker 1>ass anymore? And then when she walks away, the way

0:33:07.440 --> 0:33:09.400
<v Speaker 1>that that man looks her up and down and looks

0:33:09.400 --> 0:33:12.240
<v Speaker 1>at her ass is like so amazing. And I was

0:33:12.280 --> 0:33:15.760
<v Speaker 1>like that guy, yeah, it's like he was like a

0:33:15.920 --> 0:33:17.800
<v Speaker 1>you know, I had to play the small role or

0:33:17.800 --> 0:33:20.440
<v Speaker 1>he was a background actor, and he really committed. He

0:33:20.520 --> 0:33:23.400
<v Speaker 1>did a whole like really really gross, like old man

0:33:23.520 --> 0:33:26.080
<v Speaker 1>look that reminds me. At the end of the episode,

0:33:26.280 --> 0:33:29.400
<v Speaker 1>they I was gonna do like a Vanya twist to

0:33:29.520 --> 0:33:31.480
<v Speaker 1>it where I was like scared at the end, like

0:33:31.520 --> 0:33:34.720
<v Speaker 1>I'm like being suave and then I'm like, oh my god,

0:33:34.920 --> 0:33:37.200
<v Speaker 1>this is happening, and they were like, don't do it.

0:33:37.280 --> 0:33:39.880
<v Speaker 1>We don't want to give the audience any more information.

0:33:40.000 --> 0:33:42.920
<v Speaker 1>Just walk away and just be cool. So my way

0:33:42.920 --> 0:33:46.080
<v Speaker 1>of being cool was looking Michelle up and down like

0:33:46.520 --> 0:33:49.880
<v Speaker 1>checking her out and used it. And I was like

0:33:50.160 --> 0:33:52.840
<v Speaker 1>that bunny looks like a perv, Like what I didn't

0:33:52.840 --> 0:33:54.880
<v Speaker 1>really notice that. I just feel like I didn't feel

0:33:54.880 --> 0:33:58.040
<v Speaker 1>that I noticed it. Yeah, I didn't feel that way

0:33:58.080 --> 0:34:01.720
<v Speaker 1>at all. But it's also because and years maybe why.

0:34:01.800 --> 0:34:04.120
<v Speaker 1>But I also feel like the fans that really watched

0:34:04.120 --> 0:34:06.320
<v Speaker 1>the show and the viewers they like really don't miss

0:34:06.320 --> 0:34:09.520
<v Speaker 1>a thing. Maybe they didn't want to because you outside

0:34:09.520 --> 0:34:14.200
<v Speaker 1>of the you know, your your wardrobe. For them, it

0:34:14.239 --> 0:34:16.399
<v Speaker 1>would be very hot. You're in a suit. You didn't

0:34:16.440 --> 0:34:18.120
<v Speaker 1>see your hair really because you had a hat on,

0:34:18.120 --> 0:34:21.799
<v Speaker 1>didn't you In the with the doorman. Yeah, so I'm

0:34:21.800 --> 0:34:24.239
<v Speaker 1>saying it would be very hard to be like, that's

0:34:24.239 --> 0:34:26.319
<v Speaker 1>the guy that was you know what I mean? Maybe

0:34:26.400 --> 0:34:29.440
<v Speaker 1>that's why it was just Yeah, it was also just

0:34:29.560 --> 0:34:32.080
<v Speaker 1>introduced like only two episodes. We'd only see them in

0:34:32.080 --> 0:34:34.839
<v Speaker 1>that one time with the paparazzi right right like one

0:34:34.880 --> 0:34:36.880
<v Speaker 1>other one. I think it was just like me coming

0:34:36.880 --> 0:34:42.000
<v Speaker 1>to the door to Lillian Um and how about speaking

0:34:42.000 --> 0:34:44.680
<v Speaker 1>of different wardrobe, we got to rode out with like

0:34:44.760 --> 0:34:50.240
<v Speaker 1>hats and and oh my gosh, the best I remember

0:34:50.239 --> 0:34:52.279
<v Speaker 1>when people asked me about the wardrobe and all that

0:34:52.280 --> 0:34:54.240
<v Speaker 1>stuff on Gossip Girl. I always think of this episode

0:34:54.239 --> 0:34:56.000
<v Speaker 1>because it was, like I think the first time they

0:34:56.040 --> 0:34:59.360
<v Speaker 1>gave me any outfit to wear besides my uniform, and

0:34:59.440 --> 0:35:01.319
<v Speaker 1>it was like that Laurel dressing a big old hat

0:35:01.440 --> 0:35:03.080
<v Speaker 1>and I had my hair done in my makeup like

0:35:03.080 --> 0:35:04.920
<v Speaker 1>I look still cute my old makeup I had, I

0:35:04.920 --> 0:35:07.080
<v Speaker 1>should put lashes on me and stuff, you know, because

0:35:08.600 --> 0:35:11.200
<v Speaker 1>so so it was was so fun. And I love

0:35:11.239 --> 0:35:13.080
<v Speaker 1>the fact that de Rhoda's job at the wedding is

0:35:13.120 --> 0:35:17.040
<v Speaker 1>to attempt to get uh what's the band called that?

0:35:17.080 --> 0:35:22.000
<v Speaker 1>She's um, oh, she's try then yeah, she calls them

0:35:22.000 --> 0:35:28.319
<v Speaker 1>sonic youths. So that's amazing. I love that's responsibility. Yeah. Yeah.

0:35:28.360 --> 0:35:30.680
<v Speaker 1>And then they end up doing a cameo and they

0:35:30.680 --> 0:35:34.160
<v Speaker 1>sing a song and which is pretty married. The lead

0:35:34.200 --> 0:35:38.759
<v Speaker 1>singer married love that. Yeah, it was pretty awesome. And

0:35:38.800 --> 0:35:41.680
<v Speaker 1>it was like, I think the audience, the audience was

0:35:41.719 --> 0:35:44.600
<v Speaker 1>really young. So the fact that they got Sonic youth

0:35:45.080 --> 0:35:47.200
<v Speaker 1>and they were talking about like when they were talking

0:35:47.200 --> 0:35:51.080
<v Speaker 1>about their like stint in this hotel and they were

0:35:51.120 --> 0:35:53.920
<v Speaker 1>like bringing up all these things from the eighties and nineties,

0:35:53.960 --> 0:35:56.919
<v Speaker 1>I was like, I don't know if the audiences it's

0:35:56.960 --> 0:36:00.360
<v Speaker 1>just for the adults watching this stuff. I well, but

0:36:00.400 --> 0:36:02.239
<v Speaker 1>there were a lot of adults too. I feel like

0:36:02.280 --> 0:36:03.600
<v Speaker 1>that's one of the things they did well as if

0:36:03.640 --> 0:36:05.200
<v Speaker 1>they had they had a sense that there was a

0:36:05.200 --> 0:36:09.520
<v Speaker 1>cross generational like audience demographics, so they had they gave

0:36:09.680 --> 0:36:13.080
<v Speaker 1>enough of those, like those kind of little jams special

0:36:13.080 --> 0:36:17.040
<v Speaker 1>treats for the older audience too. Write definite. I was

0:36:17.040 --> 0:36:19.640
<v Speaker 1>gonna ask, as have either of you ever officiated a wedding?

0:36:20.160 --> 0:36:24.520
<v Speaker 1>Nobody nobody, as I have, I've done, I've done. I

0:36:24.560 --> 0:36:27.439
<v Speaker 1>think I haven't. I just got asked to do another one,

0:36:27.840 --> 0:36:31.200
<v Speaker 1>so I might. I'll be on Wedding numb say in March. Yeah,

0:36:31.200 --> 0:36:33.000
<v Speaker 1>so I've So when I saw that scene and I

0:36:33.040 --> 0:36:35.040
<v Speaker 1>was like, you know, I know, I know that feeling

0:36:35.080 --> 0:36:37.600
<v Speaker 1>because she had that line about um, you know, by

0:36:37.680 --> 0:36:40.319
<v Speaker 1>the power vested in me by the sketchy Internet. I

0:36:40.360 --> 0:36:43.680
<v Speaker 1>was like, that's I've said that some version of that

0:36:43.760 --> 0:36:47.680
<v Speaker 1>line many times because I've done so many weddings. Yeah. Yeah,

0:36:47.719 --> 0:36:49.760
<v Speaker 1>So you do you have to take some sort of course,

0:36:49.800 --> 0:36:52.840
<v Speaker 1>like not course, but you don't have to do anything.

0:36:53.000 --> 0:36:55.520
<v Speaker 1>Just do it right. You basically don't go on a website.

0:36:55.600 --> 0:36:57.799
<v Speaker 1>You fill it out. No, the website, you fill it out,

0:36:57.800 --> 0:36:59.319
<v Speaker 1>you pay a little money. It's like, I mean, but

0:36:59.400 --> 0:37:02.719
<v Speaker 1>you know, it's like a Bucks or something, so of course,

0:37:02.760 --> 0:37:05.799
<v Speaker 1>but I thought there was no questionnaire and you get

0:37:05.800 --> 0:37:08.880
<v Speaker 1>like a certificate. Yeah, they send you a certificate and

0:37:08.880 --> 0:37:11.799
<v Speaker 1>and it's like good for life too. So some states

0:37:11.840 --> 0:37:14.480
<v Speaker 1>have different requirements. But yeah, but you have UM. But yeah,

0:37:14.480 --> 0:37:17.560
<v Speaker 1>the website is very quick and easy, and you know

0:37:17.719 --> 0:37:20.000
<v Speaker 1>it's a little bit of you know, well, I still

0:37:20.840 --> 0:37:22.759
<v Speaker 1>I don't have a date yet, so who knows? You

0:37:22.840 --> 0:37:27.680
<v Speaker 1>might be a number. I have a good track record.

0:37:27.719 --> 0:37:30.920
<v Speaker 1>I only well, I have one divorce. One divorce. Clearly

0:37:30.960 --> 0:37:33.200
<v Speaker 1>you do. You keep being asked and but that's that

0:37:33.320 --> 0:37:35.719
<v Speaker 1>on you. No, that's what I mean. I did my

0:37:35.760 --> 0:37:38.960
<v Speaker 1>best to marry them and send them off. But yeah,

0:37:39.040 --> 0:37:40.960
<v Speaker 1>but I do like how the wedding in this episode

0:37:41.000 --> 0:37:43.439
<v Speaker 1>is um it goes from being supposed to be really

0:37:43.480 --> 0:37:47.040
<v Speaker 1>big to impromptu and at the Botanical Bark Garden and

0:37:47.040 --> 0:37:50.040
<v Speaker 1>then and the end it ends up just being just

0:37:50.120 --> 0:37:53.799
<v Speaker 1>the kids in the loft um and sonic youth and

0:37:53.840 --> 0:37:57.279
<v Speaker 1>sonic cute, you know what. Really crazy and until you

0:37:57.640 --> 0:38:00.160
<v Speaker 1>so I was watching it, I'm like, something happened in

0:38:00.200 --> 0:38:03.760
<v Speaker 1>this episode. So in real life, we were in Brooklyn

0:38:03.800 --> 0:38:06.960
<v Speaker 1>filming in those and my brother at the time was

0:38:07.239 --> 0:38:11.000
<v Speaker 1>in ic you for like weeks. He had a virus

0:38:11.000 --> 0:38:13.640
<v Speaker 1>that attacked the brain called encephalitis, and I don't know,

0:38:13.920 --> 0:38:15.880
<v Speaker 1>my god, guys wouldn't have remembered because I didn't. That's

0:38:15.880 --> 0:38:17.279
<v Speaker 1>why all of a sudden, Vanessa is not in the

0:38:17.320 --> 0:38:19.760
<v Speaker 1>rest of the episode, like she's not at the wedding.

0:38:20.440 --> 0:38:22.480
<v Speaker 1>She's not. And I was kind of I was watching

0:38:22.520 --> 0:38:24.120
<v Speaker 1>and I'm like, why is she not? Even if I

0:38:24.160 --> 0:38:26.880
<v Speaker 1>didn't have like big more you know, more things to

0:38:26.920 --> 0:38:28.760
<v Speaker 1>say at the wedding, she still would have been around.

0:38:28.960 --> 0:38:30.919
<v Speaker 1>You know, we know that those were those long days

0:38:30.920 --> 0:38:37.680
<v Speaker 1>where even if those big parties had sometimes so I'm like,

0:38:38.160 --> 0:38:39.960
<v Speaker 1>this is wild that you don't see her little pop

0:38:40.000 --> 0:38:42.000
<v Speaker 1>of yellow around And then I'm like, oh my god,

0:38:42.040 --> 0:38:45.840
<v Speaker 1>that's right. The doctor had called my family and was like, listen,

0:38:46.320 --> 0:38:48.360
<v Speaker 1>everyone needs to come home. And I'm not trying to

0:38:48.360 --> 0:38:50.839
<v Speaker 1>be dramatic. My brother is absolutely fine. He's thirty two

0:38:50.880 --> 0:38:52.720
<v Speaker 1>years old. He's my best friend, and he's in great

0:38:52.719 --> 0:38:54.880
<v Speaker 1>health now. But he was twenty one, had to learn

0:38:54.920 --> 0:38:56.680
<v Speaker 1>how to walk again while he was down to like

0:38:56.719 --> 0:38:59.840
<v Speaker 1>a hundred pounds. He's six three. Like it was crazy,

0:38:59.840 --> 0:39:02.879
<v Speaker 1>and remember it was all when we walked up and

0:39:02.920 --> 0:39:06.640
<v Speaker 1>Scott was there and we were like telling Rufus and

0:39:06.880 --> 0:39:09.640
<v Speaker 1>Lily what was going on. And then I got the

0:39:09.680 --> 0:39:11.960
<v Speaker 1>call and I remember looking at it and like he's like,

0:39:11.960 --> 0:39:13.560
<v Speaker 1>you need to go now and I'll finish and then

0:39:13.560 --> 0:39:16.120
<v Speaker 1>I'll meet you in Wisconsin and I like, look up

0:39:16.120 --> 0:39:17.640
<v Speaker 1>Blake and she's like just I said, I don't know

0:39:17.680 --> 0:39:19.759
<v Speaker 1>what to do you guys, And here's the thing. This

0:39:19.840 --> 0:39:22.200
<v Speaker 1>was like at the moment, a life or dath situation.

0:39:22.239 --> 0:39:24.040
<v Speaker 1>So I was like, but it was so My point

0:39:24.040 --> 0:39:26.839
<v Speaker 1>of this is that it was so lovely how all

0:39:26.840 --> 0:39:29.399
<v Speaker 1>of our cast was and everyone was like, listen, we'll

0:39:29.440 --> 0:39:32.120
<v Speaker 1>just have a standing in for your So they did

0:39:32.160 --> 0:39:33.839
<v Speaker 1>my coverage quick. As I was waiting for the car

0:39:33.880 --> 0:39:35.920
<v Speaker 1>to come. I went to I went to the airport

0:39:35.920 --> 0:39:38.360
<v Speaker 1>in wardrobe and I was Vanessa like. People at the

0:39:38.360 --> 0:39:40.279
<v Speaker 1>airport were literally like the past and I'm like, yep,

0:39:40.400 --> 0:39:46.520
<v Speaker 1>this is actually her hair, makeup and here because it

0:39:46.560 --> 0:39:50.319
<v Speaker 1>was just and then you got your coverage done. And

0:39:50.360 --> 0:39:53.040
<v Speaker 1>then Russia because I was waiting for the car and

0:39:53.080 --> 0:39:55.360
<v Speaker 1>they literally were like, if you can you hold it

0:39:55.400 --> 0:39:57.799
<v Speaker 1>together and I was like yeah, but then I got

0:39:57.920 --> 0:40:01.560
<v Speaker 1>like and then literally the car came and and or Transpo.

0:40:01.680 --> 0:40:04.359
<v Speaker 1>I think Transport made a like even take. Yeah. So

0:40:04.400 --> 0:40:06.359
<v Speaker 1>when I was watching this, not to be dramatic and what,

0:40:06.400 --> 0:40:09.560
<v Speaker 1>I remember your coverage and you're life, but I remember

0:40:10.520 --> 0:40:12.719
<v Speaker 1>where did she go? And they don't say anything, but

0:40:12.840 --> 0:40:15.920
<v Speaker 1>I just and everyone was so lovely, like Sentim Flowers

0:40:16.000 --> 0:40:17.960
<v Speaker 1>and was like checking all the time. But it was

0:40:18.040 --> 0:40:21.239
<v Speaker 1>just very sweet. Remember Blake's like go girl Like. It

0:40:21.320 --> 0:40:23.680
<v Speaker 1>was just very sweet how everyone was. It's really nice

0:40:23.719 --> 0:40:26.400
<v Speaker 1>to have a cast that's supportive and great no this show,

0:40:26.840 --> 0:40:30.360
<v Speaker 1>but I remember, because I've done quite a bit after

0:40:30.480 --> 0:40:32.560
<v Speaker 1>that once I got back into the business. This show.

0:40:33.280 --> 0:40:37.160
<v Speaker 1>I remember all the producers, all the cats, everybody being

0:40:37.280 --> 0:40:40.360
<v Speaker 1>so sweet and just kind. They were like a family.

0:40:41.120 --> 0:40:43.480
<v Speaker 1>I was really and it was like a family there. Yeah,

0:40:43.520 --> 0:40:45.520
<v Speaker 1>and you know what, and through all these things, especially

0:40:45.560 --> 0:40:47.239
<v Speaker 1>when a show that goes out long, it was like,

0:40:47.280 --> 0:40:50.560
<v Speaker 1>you know, Kelly having her baby, this happening with my brother,

0:40:50.640 --> 0:40:53.960
<v Speaker 1>people getting married, people breaking up, like you do go

0:40:54.040 --> 0:40:56.160
<v Speaker 1>through a lot with people, especially when you're doing twenty

0:40:56.200 --> 0:40:58.840
<v Speaker 1>two episodes for five years. You know, people moving, people

0:40:58.880 --> 0:41:02.040
<v Speaker 1>coming back, people you know, booking their first huge movie.

0:41:02.040 --> 0:41:05.040
<v Speaker 1>In between, like when Blake got the green lantern, like

0:41:05.120 --> 0:41:07.080
<v Speaker 1>that was a big deal for one of them, one

0:41:07.120 --> 0:41:09.560
<v Speaker 1>of us, you know, and a lot of you guys

0:41:09.560 --> 0:41:14.759
<v Speaker 1>were dating, dating going on. I would see you like

0:41:14.960 --> 0:41:16.680
<v Speaker 1>a breakup, and I'd show up the next day and

0:41:16.680 --> 0:41:20.840
<v Speaker 1>I'd be like to see how they reacted. But everyone

0:41:20.920 --> 0:41:24.400
<v Speaker 1>was professional. Would people are like, when you say professional,

0:41:24.480 --> 0:41:26.440
<v Speaker 1>I'm like, no, really, I don't even know a lot

0:41:26.440 --> 0:41:28.239
<v Speaker 1>of those stories because I was around, but I just

0:41:28.280 --> 0:41:30.400
<v Speaker 1>never knew anything because I was just oblivious. So like,

0:41:30.440 --> 0:41:33.920
<v Speaker 1>it's funny because yeah, it was hard sometimes too to

0:41:34.040 --> 0:41:36.440
<v Speaker 1>guess what was going on because everybody was kind of

0:41:36.440 --> 0:41:38.759
<v Speaker 1>just doing their job. But well, and you know, yeah,

0:41:38.800 --> 0:41:41.600
<v Speaker 1>and then you know, the press always said things that

0:41:41.640 --> 0:41:43.439
<v Speaker 1>weren't right. So would be like some days they would

0:41:43.440 --> 0:41:44.640
<v Speaker 1>be like, did you guys break up? I'm like, no,

0:41:44.719 --> 0:41:46.960
<v Speaker 1>we were literally he got picked up at his place

0:41:47.000 --> 0:41:51.319
<v Speaker 1>from transport today, like we're not from up so it

0:41:51.400 --> 0:41:57.600
<v Speaker 1>was a trip. Would have security guards with umbrella's covering

0:41:57.680 --> 0:42:01.000
<v Speaker 1>everybody so they couldn't see the wardrobe. It was nice.

0:42:01.000 --> 0:42:16.920
<v Speaker 1>It was so wild, you know, I had during the show.

0:42:17.120 --> 0:42:19.160
<v Speaker 1>I had my mom passed away in twelve and that

0:42:19.200 --> 0:42:22.080
<v Speaker 1>was during the show, and a very similar experience what

0:42:22.120 --> 0:42:23.839
<v Speaker 1>you had is that I remember, like, you know, having

0:42:23.840 --> 0:42:27.719
<v Speaker 1>to go home obviously, and you know, they just being

0:42:27.800 --> 0:42:31.640
<v Speaker 1>so supported by everyone and then that warm feeling when

0:42:31.640 --> 0:42:33.760
<v Speaker 1>you come back. And then also I broke my foot

0:42:33.960 --> 0:42:35.960
<v Speaker 1>during Gossip Girl and I had like a boot for like,

0:42:36.320 --> 0:42:38.600
<v Speaker 1>you know, so long, and so I you know, and

0:42:38.640 --> 0:42:41.200
<v Speaker 1>then they always worked around that stuff too. So it's

0:42:41.239 --> 0:42:42.839
<v Speaker 1>like you go through I mean, if you think about

0:42:42.840 --> 0:42:44.760
<v Speaker 1>all the stuff that happens in your life in six years,

0:42:45.160 --> 0:42:50.360
<v Speaker 1>especially formative years. Um, you know, it's a lot so everybody,

0:42:50.400 --> 0:42:53.000
<v Speaker 1>you know, Weather's a lot um on set and you

0:42:53.000 --> 0:42:55.120
<v Speaker 1>spend so much time there together and then you can

0:42:55.160 --> 0:42:58.719
<v Speaker 1>also miss huge swaths of things like who's dating who

0:42:58.760 --> 0:43:01.440
<v Speaker 1>and what's going on. You know, but it is but

0:43:01.480 --> 0:43:04.279
<v Speaker 1>it's exciting, um to know that, Like it's such a

0:43:04.320 --> 0:43:07.799
<v Speaker 1>patchwork of people's lives and they all come together for this,

0:43:07.960 --> 0:43:12.239
<v Speaker 1>you know, a little character. And I'm so grateful to

0:43:12.360 --> 0:43:13.880
<v Speaker 1>even say I was a part of it. It was

0:43:13.880 --> 0:43:17.800
<v Speaker 1>such an awesome, awesome show and everybody there was so awesome,

0:43:18.080 --> 0:43:20.399
<v Speaker 1>so cool. Yeah, and we were so happy to have you,

0:43:20.520 --> 0:43:22.920
<v Speaker 1>Like we always talked about this. There was nothing or

0:43:22.960 --> 0:43:25.960
<v Speaker 1>anyone or any part of it of guest stars that

0:43:26.000 --> 0:43:29.719
<v Speaker 1>came out or reoccurring that weren't such a huge part

0:43:29.800 --> 0:43:33.560
<v Speaker 1>of the whole puzzle, Like you added two things that

0:43:34.000 --> 0:43:37.759
<v Speaker 1>you know, made serena storyline better, or de Roda's or

0:43:37.880 --> 0:43:39.160
<v Speaker 1>vice versa. Do you know what I mean? Like we

0:43:39.160 --> 0:43:41.360
<v Speaker 1>couldn't have done certain scenes or had certain things go

0:43:41.480 --> 0:43:44.680
<v Speaker 1>down without you know, Vonya or without drawing. Felt that

0:43:44.800 --> 0:43:49.600
<v Speaker 1>way until there was a wedding. It was our wedding's

0:43:49.600 --> 0:43:55.000
<v Speaker 1>wedding up the sea, and I had his speech and

0:43:55.000 --> 0:43:58.520
<v Speaker 1>and Layton started crying in the scene, and then afterwards

0:43:58.520 --> 0:44:01.239
<v Speaker 1>she was still crying, and I was like, why are

0:44:01.239 --> 0:44:04.520
<v Speaker 1>you Why are you crying? And Layton is such a sweetheart,

0:44:04.600 --> 0:44:06.520
<v Speaker 1>but she would never Oh she's not the type of

0:44:06.520 --> 0:44:09.280
<v Speaker 1>person would be like, god, it really touched me. She wouldn't,

0:44:09.360 --> 0:44:11.680
<v Speaker 1>you know, she wouldn't say that to me. And she

0:44:11.760 --> 0:44:14.640
<v Speaker 1>said to me, she was like she's like something about

0:44:15.239 --> 0:44:18.440
<v Speaker 1>like just the whole thing that just happened really touched me.

0:44:18.760 --> 0:44:23.879
<v Speaker 1>That was like I didn't write it, but thank you so,

0:44:23.960 --> 0:44:26.440
<v Speaker 1>but I remember that and that and then at that

0:44:26.480 --> 0:44:28.560
<v Speaker 1>moment I was like, Okay, Bonnie is kind of a

0:44:28.600 --> 0:44:31.759
<v Speaker 1>part of it now. Yeah, but that's what I mean

0:44:31.760 --> 0:44:34.239
<v Speaker 1>they're not having a wedding for of you two. If

0:44:34.239 --> 0:44:36.839
<v Speaker 1>it's not that people care so much, they would they

0:44:36.960 --> 0:44:39.840
<v Speaker 1>that's it's and that speaks to what YouTube brought to

0:44:39.920 --> 0:44:42.960
<v Speaker 1>the table and to the characters, because it could have

0:44:43.000 --> 0:44:45.920
<v Speaker 1>easily been where you were, you know, just in the

0:44:46.120 --> 0:44:49.640
<v Speaker 1>you know, in Blair's home and um the housekeeper there

0:44:49.640 --> 0:44:51.440
<v Speaker 1>and you're the dormant, and that could be really it.

0:44:51.560 --> 0:44:53.879
<v Speaker 1>There's certain shows where that's all you see. You never

0:44:53.920 --> 0:44:56.200
<v Speaker 1>get more with you guys, you become such a part.

0:44:56.239 --> 0:44:58.200
<v Speaker 1>You have, you get you have a wedding, you have

0:44:58.320 --> 0:45:01.400
<v Speaker 1>babies that you have a proposed like you are fully

0:45:01.480 --> 0:45:05.360
<v Speaker 1>a part of this whole world. And a lot of

0:45:05.400 --> 0:45:08.080
<v Speaker 1>fan favorites of you two people, you two are a

0:45:08.080 --> 0:45:09.960
<v Speaker 1>lot of fan favorites. We get people writing in all

0:45:09.960 --> 0:45:12.120
<v Speaker 1>the time about your relationship and what you guys have done.

0:45:12.160 --> 0:45:14.840
<v Speaker 1>So that just also speaks to how well and amazing

0:45:15.000 --> 0:45:18.640
<v Speaker 1>so you guys were with with what was written for you.

0:45:18.640 --> 0:45:21.279
<v Speaker 1>You know, coming on the show as a get as

0:45:21.400 --> 0:45:23.600
<v Speaker 1>when you and a lot of actors know when you're

0:45:23.640 --> 0:45:26.440
<v Speaker 1>a guest on a show or people are characters throughout

0:45:26.440 --> 0:45:29.440
<v Speaker 1>the show and you come in mid second third season,

0:45:30.239 --> 0:45:32.640
<v Speaker 1>you don't feel like you're part of it. You kind

0:45:32.640 --> 0:45:35.360
<v Speaker 1>of feel like there's almost like everybody's eyes on you.

0:45:35.400 --> 0:45:37.000
<v Speaker 1>In the beginning, they're like, all right, what does he got?

0:45:37.239 --> 0:45:39.239
<v Speaker 1>What does he got? That's what they always like. Do

0:45:40.120 --> 0:45:42.640
<v Speaker 1>that You're just like, don't mess up, don't mess up. Yeah,

0:45:42.719 --> 0:45:44.520
<v Speaker 1>well there was one scene I felt that, but that's

0:45:44.560 --> 0:45:47.640
<v Speaker 1>because I had this big monologue in front of everybody

0:45:47.760 --> 0:45:51.920
<v Speaker 1>with you, like the wedding with the accident, huge monologue.

0:45:51.920 --> 0:45:55.839
<v Speaker 1>I remember the director put down like little like cards,

0:45:56.239 --> 0:45:58.920
<v Speaker 1>who's going to be standing where? And it's the whole cast,

0:45:59.000 --> 0:46:00.799
<v Speaker 1>and I was like, god, yeah, oh my god, let

0:46:00.800 --> 0:46:03.400
<v Speaker 1>me get back into my room and remember the blind

0:46:04.040 --> 0:46:08.040
<v Speaker 1>because this is that was Besides that, I always felt

0:46:08.680 --> 0:46:12.960
<v Speaker 1>like nobody everybody wanted everybody to do well everybody. It

0:46:13.080 --> 0:46:16.319
<v Speaker 1>was a big family. Everyone was really really yeah. And

0:46:16.400 --> 0:46:19.040
<v Speaker 1>our wedding really felt like that because it was like

0:46:19.360 --> 0:46:22.800
<v Speaker 1>for Deroda and Vanya. The fact that that world that

0:46:22.920 --> 0:46:26.479
<v Speaker 1>the Waldorf's and the vander Woodson's and everybody um came

0:46:26.520 --> 0:46:29.680
<v Speaker 1>together to celebrate them and like hold them up, that

0:46:29.760 --> 0:46:31.200
<v Speaker 1>was like a big deal. And it spoke to how

0:46:31.239 --> 0:46:34.759
<v Speaker 1>cute they were and how um you know, how how

0:46:34.840 --> 0:46:36.799
<v Speaker 1>much they cared for those famils that they worked for,

0:46:36.880 --> 0:46:39.080
<v Speaker 1>and so it was a very sweet thing. And then

0:46:39.080 --> 0:46:41.440
<v Speaker 1>for Aaron and I it felt the same ways. That

0:46:41.520 --> 0:46:44.560
<v Speaker 1>was like really double because I Dorota felt it, so

0:46:44.640 --> 0:46:46.839
<v Speaker 1>did Susanna. Because for us, I think it felt like,

0:46:47.080 --> 0:46:49.960
<v Speaker 1>you know, because we were guests, you know, guest stars

0:46:50.000 --> 0:46:52.319
<v Speaker 1>that were in the house that were um, you know,

0:46:53.520 --> 0:46:56.520
<v Speaker 1>dynamical as it had the same vibe which I felt

0:46:56.560 --> 0:46:59.919
<v Speaker 1>like this bigger family had absorbed us and was celebrating

0:47:00.440 --> 0:47:02.640
<v Speaker 1>us and it made us feel special, you know, for

0:47:02.719 --> 0:47:05.520
<v Speaker 1>having So it was like I really felt that storyline

0:47:05.520 --> 0:47:08.560
<v Speaker 1>personally because it was like kind of meta, you know,

0:47:08.640 --> 0:47:10.959
<v Speaker 1>because it was so nice that, you know that Layton

0:47:11.440 --> 0:47:13.440
<v Speaker 1>and everyone were so happy for us as actors that

0:47:13.480 --> 0:47:16.279
<v Speaker 1>we got to have that are you know, So it

0:47:16.320 --> 0:47:19.880
<v Speaker 1>was cool. I love that. Yeah, I love that. It

0:47:19.920 --> 0:47:23.440
<v Speaker 1>was really good. Speaking of weddings, how about yeah, Lily's

0:47:23.719 --> 0:47:26.359
<v Speaker 1>like getting cold feet. Did you did you feel that

0:47:26.440 --> 0:47:29.000
<v Speaker 1>was going to happen? I felt like it happened maybe

0:47:29.000 --> 0:47:32.359
<v Speaker 1>one too many times almost, But then in the end

0:47:32.400 --> 0:47:34.799
<v Speaker 1>I saw why. I saw why, you know, because there

0:47:34.800 --> 0:47:36.080
<v Speaker 1>was a moment where I was like, come on, now,

0:47:36.200 --> 0:47:38.640
<v Speaker 1>just do the valves already. But I do think that

0:47:39.000 --> 0:47:41.480
<v Speaker 1>they had to get to that moment with Scott, you know,

0:47:41.520 --> 0:47:43.640
<v Speaker 1>for it to really all kind of come together. So

0:47:44.200 --> 0:47:46.680
<v Speaker 1>I feel like the it was kind of organic, and

0:47:46.920 --> 0:47:49.480
<v Speaker 1>the fact that the wedding, the you know, the botanical

0:47:49.520 --> 0:47:51.840
<v Speaker 1>garden wedding fell apart and I ended up in the loft,

0:47:51.880 --> 0:47:54.360
<v Speaker 1>it all made more sense in the end. So I

0:47:54.400 --> 0:47:57.279
<v Speaker 1>found this slightly frustrating when watching, but then I was like, yeah,

0:47:57.320 --> 0:48:00.680
<v Speaker 1>they're just such a cute couple, those two, right, um,

0:48:00.760 --> 0:48:03.440
<v Speaker 1>And and the whole part with when Carter, which by

0:48:03.480 --> 0:48:05.440
<v Speaker 1>the way, Sebastian too, when he plays this and he's

0:48:05.560 --> 0:48:09.000
<v Speaker 1>got tears in his eyes and you're like feeling for

0:48:09.480 --> 0:48:11.600
<v Speaker 1>because he really does a great job with that too.

0:48:11.600 --> 0:48:14.080
<v Speaker 1>Where he were do you believe that he's actually this

0:48:14.160 --> 0:48:15.880
<v Speaker 1>changed guy or is he really going to be the

0:48:15.880 --> 0:48:18.080
<v Speaker 1>guy that's going to pull some ship again? And because

0:48:18.120 --> 0:48:20.880
<v Speaker 1>he really loves Serena or so when he explains to

0:48:21.000 --> 0:48:24.879
<v Speaker 1>Serena that he was somewhere and he needed money and

0:48:25.000 --> 0:48:28.080
<v Speaker 1>he you know, did this proposal and met the family

0:48:28.120 --> 0:48:31.160
<v Speaker 1>and then we as he's telling Serena this, Serena has

0:48:31.200 --> 0:48:33.840
<v Speaker 1>no idea that it was Bree. She's just like, okay,

0:48:33.840 --> 0:48:35.960
<v Speaker 1>but you did that to someone. And meanwhile, I'm like,

0:48:36.200 --> 0:48:38.640
<v Speaker 1>are you going to leave out that it was Nate's girlfriend?

0:48:39.360 --> 0:48:42.239
<v Speaker 1>But was it Bree or was it another Buckley? Oh?

0:48:42.280 --> 0:48:49.800
<v Speaker 1>I thought it was Brie. Missed that, Yeah, maybe it's not. Okay,

0:48:49.800 --> 0:48:52.879
<v Speaker 1>that's what I picked up from it. Oh yeah, because

0:48:52.880 --> 0:48:54.920
<v Speaker 1>I think Serena the one, so it was a Buckley

0:48:54.960 --> 0:48:56.680
<v Speaker 1>but maybe you know, Wow, that makes it even so

0:48:56.760 --> 0:49:06.040
<v Speaker 1>much worse. Exactly, Holy god? Yeah whoa, yeah, okay, and

0:49:06.080 --> 0:49:09.719
<v Speaker 1>then Rufus and Lily with Scott. I know we talked

0:49:09.760 --> 0:49:11.680
<v Speaker 1>about this earlier, but when this all comes up and

0:49:11.719 --> 0:49:13.960
<v Speaker 1>everyone runs over and then we have to explain, and

0:49:14.000 --> 0:49:16.400
<v Speaker 1>they're like, you know, everyone's kind of dropping things like

0:49:16.480 --> 0:49:18.960
<v Speaker 1>they do in the show, which I always love how

0:49:19.000 --> 0:49:21.440
<v Speaker 1>every time they do this, you're still like getting so

0:49:21.520 --> 0:49:24.360
<v Speaker 1>much information and liking it and somewhere glamorous like a

0:49:24.400 --> 0:49:27.880
<v Speaker 1>wedding or a you know what was the other one,

0:49:28.000 --> 0:49:30.439
<v Speaker 1>the auction or the the you know, the fashion show

0:49:30.440 --> 0:49:33.080
<v Speaker 1>they always like have really good moments and that everyone's

0:49:33.120 --> 0:49:38.600
<v Speaker 1>like super decked out, and the opera fashion week, fashion week,

0:49:39.840 --> 0:49:42.880
<v Speaker 1>So they go through all of this, then they're like

0:49:42.920 --> 0:49:46.759
<v Speaker 1>they gotta run and find him, and then we get

0:49:46.800 --> 0:49:51.480
<v Speaker 1>back to the wedding and does Chuck say something to Blare,

0:49:51.640 --> 0:49:54.719
<v Speaker 1>like how do we then look over and we pan

0:49:54.840 --> 0:49:57.440
<v Speaker 1>to Georgina and then we pan over and it's it's Vania,

0:49:57.960 --> 0:50:00.279
<v Speaker 1>who who like tells us it's at the end of

0:50:00.280 --> 0:50:03.080
<v Speaker 1>the wedding and he said something like, uh, so what

0:50:03.200 --> 0:50:05.960
<v Speaker 1>about like so what about Georgina. I think it was

0:50:06.000 --> 0:50:07.200
<v Speaker 1>some sort of like so what are we going to

0:50:07.280 --> 0:50:11.000
<v Speaker 1>do about Georgina? Right right? And I feel like blairs

0:50:11.080 --> 0:50:13.680
<v Speaker 1>like not so fast or hold on or something. Yeah,

0:50:13.680 --> 0:50:15.960
<v Speaker 1>I think so. Yeah. I watched it actually twice because

0:50:15.960 --> 0:50:17.480
<v Speaker 1>I wanted to see how cute I looked in the

0:50:17.560 --> 0:50:23.280
<v Speaker 1>last scene. So I forgot. I forgot what I forgot?

0:50:23.280 --> 0:50:26.080
<v Speaker 1>What throws it over there? But yeah, essentially they're like,

0:50:26.320 --> 0:50:29.960
<v Speaker 1>oh no, somebody says, I'm I'm just mad that Georgina

0:50:30.000 --> 0:50:32.600
<v Speaker 1>is getting away scott free, and they're like, not so fast.

0:50:32.680 --> 0:50:34.879
<v Speaker 1>And then we go to the bar and then we're

0:50:34.920 --> 0:50:37.920
<v Speaker 1>in this dark bar and Georgina is drinking her cocktail

0:50:38.000 --> 0:50:43.440
<v Speaker 1>and Vanya, in It's by you know, secret character mode

0:50:43.480 --> 0:50:45.719
<v Speaker 1>comes over and says he's a Russian prince and this

0:50:45.800 --> 0:50:48.160
<v Speaker 1>is not my first time working with Michelle. Did you

0:50:48.160 --> 0:50:51.440
<v Speaker 1>all know that. No, really, I did a show on

0:50:51.560 --> 0:50:57.560
<v Speaker 1>Nickelodeon called Pete and Pete. I remember that. I was

0:50:57.800 --> 0:51:01.440
<v Speaker 1>this character called Clemlinel Little Mutton Shops. He would grow

0:51:01.480 --> 0:51:07.040
<v Speaker 1>you were like a really huge child stars like but

0:51:07.080 --> 0:51:09.960
<v Speaker 1>I but she was one of the one of Pete's

0:51:10.000 --> 0:51:12.880
<v Speaker 1>friends and Pete actually the kid who plays Pete, Danny Tamparelli,

0:51:13.040 --> 0:51:15.520
<v Speaker 1>was in the ducks with me, and so it's all

0:51:15.560 --> 0:51:18.360
<v Speaker 1>this like encompassing things. So when I saw Michelle and

0:51:18.440 --> 0:51:21.120
<v Speaker 1>the makeup trailer, I was like, hey, Michelle, and she's like,

0:51:21.400 --> 0:51:23.440
<v Speaker 1>who's this guy's agreement at me? And I was like,

0:51:23.480 --> 0:51:25.680
<v Speaker 1>it's Aaron. I played in Pete Pete. She was like,

0:51:25.760 --> 0:51:29.200
<v Speaker 1>get out of here. And it was this big reunion

0:51:29.280 --> 0:51:32.360
<v Speaker 1>where we got to act again. It was very cute. Yeah,

0:51:32.560 --> 0:51:34.640
<v Speaker 1>that's so cute, and it was such a cute scene.

0:51:34.640 --> 0:51:36.920
<v Speaker 1>And also she's looking at you so like that. You

0:51:36.920 --> 0:51:39.480
<v Speaker 1>guys have some good chemistry in that scene. Actually excuse

0:51:39.560 --> 0:51:44.359
<v Speaker 1>like it was yeah, okay, Russian prince or Belarussian, right,

0:51:44.400 --> 0:51:46.799
<v Speaker 1>So you easily convinced her to go with you, and

0:51:46.840 --> 0:51:49.359
<v Speaker 1>then you reveal that it's de Roda behind the menu, right,

0:51:49.800 --> 0:51:53.680
<v Speaker 1>revealing it that's the last that Deroda is like um

0:51:53.840 --> 0:51:56.319
<v Speaker 1>pulling the strings here or or yeah, is there to

0:51:56.320 --> 0:51:58.279
<v Speaker 1>make sure everything went down correctly when I love that

0:51:58.360 --> 0:52:02.839
<v Speaker 1>little um sneak over the menu peak that she has

0:52:02.840 --> 0:52:05.800
<v Speaker 1>her little head scarf on, and so it's a really

0:52:05.880 --> 0:52:08.719
<v Speaker 1>high glam episode for Groda. She's really just out in

0:52:08.719 --> 0:52:13.000
<v Speaker 1>the world. So I us, how about how about two

0:52:13.000 --> 0:52:15.760
<v Speaker 1>when you go up to Blair and Saerna You're like, uh,

0:52:15.800 --> 0:52:18.200
<v Speaker 1>what do you say the bands they're they're stuck in

0:52:18.239 --> 0:52:20.640
<v Speaker 1>traffic and she's like, well, Chuck does have a helicopter,

0:52:20.960 --> 0:52:25.080
<v Speaker 1>Like yeah, yeah, she calls Mr Chuck, which is great, Yeah,

0:52:25.239 --> 0:52:27.680
<v Speaker 1>Mr Chuck has a helicopter. But it's when when when

0:52:27.680 --> 0:52:30.520
<v Speaker 1>there's like one liners like that and like that is

0:52:30.600 --> 0:52:33.400
<v Speaker 1>like wild that that's like a true statement for I mean,

0:52:33.440 --> 0:52:35.840
<v Speaker 1>I know it's a television show. Can I give a

0:52:35.840 --> 0:52:38.520
<v Speaker 1>shout out to Ron who directed it, because this guy

0:52:39.000 --> 0:52:41.200
<v Speaker 1>was actually a DP on the show for a really

0:52:41.200 --> 0:52:45.520
<v Speaker 1>long time, right Dave. That was his first episode directing,

0:52:45.960 --> 0:52:48.799
<v Speaker 1>and you could see, I mean, the the videography and

0:52:48.840 --> 0:52:50.879
<v Speaker 1>all of the filming and the angles were always good

0:52:50.880 --> 0:52:55.600
<v Speaker 1>in the show, but that this episode particularly was really beautiful.

0:52:55.719 --> 0:52:58.319
<v Speaker 1>Do you know it was it's so funny you say that.

0:52:58.360 --> 0:53:00.360
<v Speaker 1>And I did know that it was run and should

0:53:00.360 --> 0:53:02.719
<v Speaker 1>be giving him a shout out because I love it

0:53:02.800 --> 0:53:06.320
<v Speaker 1>was excellent all the time. But at one point I'm like, okay,

0:53:06.360 --> 0:53:08.279
<v Speaker 1>is this maybe did we have a little break and

0:53:08.320 --> 0:53:11.600
<v Speaker 1>people had like went on vacation. It was that one

0:53:11.600 --> 0:53:14.160
<v Speaker 1>time when Norman did the roof deck. Remember it was

0:53:14.239 --> 0:53:16.440
<v Speaker 1>like the lighting. There was like a moment where I'm

0:53:16.480 --> 0:53:19.880
<v Speaker 1>just like pen looks like a little bit more chiseled

0:53:19.880 --> 0:53:23.040
<v Speaker 1>and something. Serena. Everyone else's great, like we get that,

0:53:23.120 --> 0:53:26.799
<v Speaker 1>but there was definitely sometimes specially Yeah, I think Ron

0:53:26.960 --> 0:53:29.640
<v Speaker 1>was whoever the DP was for this one. Ron was

0:53:29.719 --> 0:53:34.880
<v Speaker 1>doing a little like a little extra hints extra Yeah. Yeah,

0:53:35.080 --> 0:53:37.279
<v Speaker 1>you know they always say, I remember one of my

0:53:37.280 --> 0:53:39.279
<v Speaker 1>first jobs, my friend goes always get to know the

0:53:39.280 --> 0:53:41.840
<v Speaker 1>casting directors in town and when you're on set, become

0:53:41.960 --> 0:53:43.880
<v Speaker 1>very close with the dps. I'm like, wine, They're like,

0:53:43.920 --> 0:53:46.160
<v Speaker 1>because they can make you look good or real bad.

0:53:46.239 --> 0:53:49.560
<v Speaker 1>I'm like, okay, yeah, they know how that lighting was.

0:53:49.840 --> 0:53:54.160
<v Speaker 1>I'm like, okay, so anyways, good shout out. That was great.

0:53:54.560 --> 0:53:59.239
<v Speaker 1>Ron did a good job for Groda's self esteem. Um,

0:54:00.000 --> 0:54:01.239
<v Speaker 1>I feel like we could talk to you for a

0:54:01.280 --> 0:54:04.960
<v Speaker 1>million years are and so we'll have to have more conversations,

0:54:05.280 --> 0:54:07.239
<v Speaker 1>you know, especially well you have to come back to

0:54:07.320 --> 0:54:11.080
<v Speaker 1>the wedding. Big wedding is coming up. Yeah yeah, yeah, yeah,

0:54:11.120 --> 0:54:13.640
<v Speaker 1>I love it. Um. It's been so fun though to

0:54:13.800 --> 0:54:15.759
<v Speaker 1>have you here, and you've been such an important part

0:54:15.760 --> 0:54:18.280
<v Speaker 1>of my life since we got to uh work together.

0:54:18.320 --> 0:54:22.120
<v Speaker 1>I'm so grateful to Gossip Girl that such a tremendous

0:54:22.200 --> 0:54:25.439
<v Speaker 1>actor with so much charisma and also such a turned

0:54:25.440 --> 0:54:28.480
<v Speaker 1>into such a good friend for me. So I'm grateful

0:54:29.280 --> 0:54:31.480
<v Speaker 1>to you know. I'm always grateful to the show for

0:54:31.719 --> 0:54:33.719
<v Speaker 1>all of the sort of friendships and relationships that I have.

0:54:33.800 --> 0:54:35.960
<v Speaker 1>But I also feel like Groda wouldn't have been Deroda

0:54:35.960 --> 0:54:38.520
<v Speaker 1>without Vanya and vice versa. So I think we had

0:54:38.560 --> 0:54:41.279
<v Speaker 1>like a good thing going. So I always love to

0:54:41.280 --> 0:54:44.000
<v Speaker 1>see your face. It brings me joy, and I'm grateful

0:54:44.040 --> 0:54:48.680
<v Speaker 1>for that signing I got to hang out yes together.

0:54:49.440 --> 0:54:50.920
<v Speaker 1>I know, I was like the three of us in

0:54:51.040 --> 0:54:53.440
<v Speaker 1>Chase and and and it was just like a really sweet,

0:54:53.560 --> 0:54:57.239
<v Speaker 1>wonderful thing. Um. But that being said, when you just

0:54:57.280 --> 0:55:00.080
<v Speaker 1>said like Zuzana and Aaron, like the Groda and an

0:55:00.160 --> 0:55:01.560
<v Speaker 1>you of it all, it just reminded me of like

0:55:01.600 --> 0:55:04.800
<v Speaker 1>the heart, like the best friend little like you two together,

0:55:04.840 --> 0:55:06.800
<v Speaker 1>like they're so cute together on the show, like a

0:55:06.840 --> 0:55:09.839
<v Speaker 1>little right, Um, can I just ask one more thing

0:55:09.880 --> 0:55:13.400
<v Speaker 1>before we go? Did you did you guys see that

0:55:13.560 --> 0:55:15.000
<v Speaker 1>this is where it was going to go with them

0:55:15.000 --> 0:55:19.000
<v Speaker 1>at all? Like ever with Vonia and Dorota, Like when when?

0:55:19.239 --> 0:55:21.360
<v Speaker 1>Or was it just bits and pieces? And then finally

0:55:21.400 --> 0:55:24.280
<v Speaker 1>it was like whoa okay for me? I think after

0:55:24.320 --> 0:55:27.600
<v Speaker 1>that wedding episode, I kind of got that it was

0:55:27.719 --> 0:55:30.680
<v Speaker 1>kind of going in that direction. Before the wedding, I

0:55:30.680 --> 0:55:32.880
<v Speaker 1>didn't see I thought it was just going to be

0:55:32.920 --> 0:55:35.880
<v Speaker 1>a little like here's the normal couple in the middle

0:55:35.880 --> 0:55:43.080
<v Speaker 1>of this craziness and then we disappear, right yeah, Because

0:55:43.080 --> 0:55:44.920
<v Speaker 1>it's like, rather than just being on the sideline kind

0:55:44.920 --> 0:55:48.320
<v Speaker 1>of judging or reacting to the drama, it's like occasionally

0:55:48.320 --> 0:55:50.840
<v Speaker 1>they'd give us a little drama of our not drama,

0:55:50.880 --> 0:55:54.000
<v Speaker 1>but a little romance of our own. I guess. So yeah, yeah,

0:55:54.120 --> 0:55:56.799
<v Speaker 1>so I think that, Um it makes sense because like

0:55:57.120 --> 0:56:01.400
<v Speaker 1>Doroda deserves a nice boyfriend to Rota. I'm grateful I

0:56:01.440 --> 0:56:04.200
<v Speaker 1>got to be to Rota's boyfriend slash husband. No, it's

0:56:04.200 --> 0:56:06.720
<v Speaker 1>amazing and you guys, and then you both took these

0:56:07.440 --> 0:56:09.520
<v Speaker 1>parts and roles and went and did it in the reboat,

0:56:09.680 --> 0:56:12.920
<v Speaker 1>which is awesome. Yeah, that was interesting. You enjoy that reunion.

0:56:13.080 --> 0:56:17.239
<v Speaker 1>So it was almost like we never left, right felt Yeah,

0:56:17.280 --> 0:56:20.080
<v Speaker 1>it felt Yeah, it was pretty cool. I mean a

0:56:20.080 --> 0:56:24.239
<v Speaker 1>lot of the crew was the same too, So yeah,

0:56:24.880 --> 0:56:27.160
<v Speaker 1>we just had to we had to um get the

0:56:27.200 --> 0:56:31.719
<v Speaker 1>dust off of our old You were fine. There were

0:56:31.760 --> 0:56:34.520
<v Speaker 1>moments I watched that and I was like, I really

0:56:34.680 --> 0:56:36.799
<v Speaker 1>like I remember like doing a take and being like,

0:56:36.840 --> 0:56:41.279
<v Speaker 1>please don't use that take because I think I want

0:56:41.280 --> 0:56:48.200
<v Speaker 1>a little amazing. Is there anything that you want to

0:56:48.200 --> 0:56:50.200
<v Speaker 1>tell us to look out for charities that you like

0:56:50.360 --> 0:56:53.960
<v Speaker 1>or anything you want to let us know. Sometimes people

0:56:54.000 --> 0:56:57.560
<v Speaker 1>can't talk about projects, sometimes they want to. The project

0:56:57.640 --> 0:57:00.000
<v Speaker 1>that I'm in the middle of doing is I'm still

0:57:00.000 --> 0:57:02.160
<v Speaker 1>of filming. I probably have a couple of months and

0:57:02.200 --> 0:57:05.040
<v Speaker 1>then post is going to be hopefully within the next

0:57:05.120 --> 0:57:08.960
<v Speaker 1>year and a half. Uh. Is my documentary A Stigma

0:57:09.080 --> 0:57:13.400
<v Speaker 1>Raised in Hollywood? Yeah, And it's about the stigma attached

0:57:13.480 --> 0:57:16.600
<v Speaker 1>child actors. And I talked to a bunch of fellow

0:57:17.200 --> 0:57:19.880
<v Speaker 1>child stars, people who are A listers all the way

0:57:19.880 --> 0:57:22.160
<v Speaker 1>down to people who are now lawyers, are doing something

0:57:22.200 --> 0:57:24.760
<v Speaker 1>else with their lives and kind of find the connective

0:57:24.960 --> 0:57:28.080
<v Speaker 1>tissue of it all and see what's behind the curtain,

0:57:28.360 --> 0:57:31.160
<v Speaker 1>so to speak. So that's amazing. And when do we

0:57:31.200 --> 0:57:33.760
<v Speaker 1>know when it's coming out or have specific day yet?

0:57:34.520 --> 0:57:38.720
<v Speaker 1>Literally in mid production? Yeah, yeah, but I'm hoping within

0:57:38.760 --> 0:57:41.080
<v Speaker 1>a year and a half or so. I saw some clips.

0:57:41.080 --> 0:57:44.560
<v Speaker 1>It looks really promising. I'm excited. Yeah. Yeah, and he does.

0:57:45.120 --> 0:57:47.480
<v Speaker 1>He gets people to be really vulnerable. Yeah, and then

0:57:47.480 --> 0:57:50.320
<v Speaker 1>I get put into armed Bars by Jonathan lip Nikki,

0:57:50.440 --> 0:57:54.440
<v Speaker 1>which is but it's also it's like it's a world

0:57:54.440 --> 0:57:56.760
<v Speaker 1>two in which where people can are going to be

0:57:56.800 --> 0:57:59.200
<v Speaker 1>interested in it because it's either movies or shows they watch,

0:57:59.280 --> 0:58:02.280
<v Speaker 1>so you kind of nostalgic for the audience to be like,

0:58:02.560 --> 0:58:05.240
<v Speaker 1>oh I remember this person or that or wow, that

0:58:05.280 --> 0:58:08.040
<v Speaker 1>person started there and they're here, or there's an a

0:58:08.160 --> 0:58:11.240
<v Speaker 1>list or now that was a child actor that talks about,

0:58:11.720 --> 0:58:14.120
<v Speaker 1>you know, all the stuffing through and like the stuff

0:58:14.120 --> 0:58:16.280
<v Speaker 1>people don't really know about. And that's what I mean

0:58:16.520 --> 0:58:19.120
<v Speaker 1>from the perspective of a former child actor. I think

0:58:19.120 --> 0:58:21.640
<v Speaker 1>it's going to be a little different avenue to go to.

0:58:21.840 --> 0:58:26.120
<v Speaker 1>So I love that I well break a leg with

0:58:26.160 --> 0:58:29.640
<v Speaker 1>that project and thank you you're looking for it. Do

0:58:29.680 --> 0:58:32.400
<v Speaker 1>you want to do the gossip grol closing quote? Do

0:58:32.400 --> 0:58:33.320
<v Speaker 1>you want to do it? Or you want to do

0:58:33.360 --> 0:58:41.360
<v Speaker 1>it Susan, don't you know what? I can do it? Sammy, Okay,

0:58:44.040 --> 0:58:49.120
<v Speaker 1>I'll read it and I'll read it. We'll pretend, Sammy, Okay,

0:58:48.680 --> 0:58:51.280
<v Speaker 1>here it goes, here it goes. We're pretending it's coming

0:58:51.280 --> 0:58:55.280
<v Speaker 1>from say. There are songs that make us want to dance,

0:58:55.640 --> 0:58:57.480
<v Speaker 1>songs that make us want to sing along, But the

0:58:57.480 --> 0:58:59.120
<v Speaker 1>best songs are the ones that bring you back to

0:58:59.120 --> 0:59:01.960
<v Speaker 1>the moment you first heard them and once again break

0:59:02.000 --> 0:59:07.520
<v Speaker 1>your heart. X O x O. Oh my god, that's

0:59:07.600 --> 0:59:10.840
<v Speaker 1>so good. They're they're really good. We go back and

0:59:10.880 --> 0:59:15.640
<v Speaker 1>we're like, wait, they're witty and wise and true and

0:59:15.720 --> 0:59:20.080
<v Speaker 1>so writing. The writing on that show really was phenomenal.

0:59:20.440 --> 0:59:23.600
<v Speaker 1>It was really good. Well, we're bringing you back when

0:59:23.600 --> 0:59:26.160
<v Speaker 1>we do the wedding episode or another episode. For sure.

0:59:26.240 --> 0:59:29.160
<v Speaker 1>This was lovely. I'm so excited we all got to

0:59:29.200 --> 0:59:41.680
<v Speaker 1>do this. Thanks for having me, Thank you, Thanks Sammy.

0:59:46.800 --> 0:59:50.280
<v Speaker 1>XO XO is produced by Propagate Content and Met Jessica's Our.

0:59:50.400 --> 0:59:53.360
<v Speaker 1>Our show is executive produced by Linkley. Our senior producer

0:59:53.400 --> 0:59:56.760
<v Speaker 1>is Diego Tapia. Our producers are Hannah Harris, Emily Carr

0:59:56.800 --> 1:00:00.480
<v Speaker 1>and Kristin Vermlia, and our intern is Sammy Cats. Original

1:00:00.560 --> 1:00:04.160
<v Speaker 1>music by Maxie and Luke m