1 00:00:02,000 --> 00:00:07,080 Speaker 1: Well, come back to Alchemy. Is I'm your host? Kevin 2 00:00:07,080 --> 00:00:09,760 Speaker 1: Pollock guessed that Kevin Pollock was that this Thursday. No, 3 00:00:09,960 --> 00:00:14,000 Speaker 1: I'm sorry, I got yeah. I mean if you're if 4 00:00:14,000 --> 00:00:17,079 Speaker 1: you're moving to a new place on the weekend, you know, no, no, 5 00:00:17,280 --> 00:00:20,200 Speaker 1: sorry to Kenny this week come on putty a little notice. 6 00:00:20,560 --> 00:00:23,319 Speaker 1: No not next weekend? Dude, Why are you being get dicked? 7 00:00:23,520 --> 00:00:25,720 Speaker 1: But I digress. Let's meet o Calchemy shown me in 8 00:00:25,720 --> 00:00:28,280 Speaker 1: no particular order. Let's quickly check on the Craig at 9 00:00:28,320 --> 00:00:32,800 Speaker 1: Cows for his fall movie preview. Coo coow, Kevin. So 10 00:00:32,880 --> 00:00:37,400 Speaker 1: many movies coming out this fall this autumn. Uh, We've 11 00:00:37,479 --> 00:00:42,360 Speaker 1: got uh, We've got m c U, We've got uh Fast, 12 00:00:42,640 --> 00:00:48,080 Speaker 1: We've got Furious, We've got new Wes Anderson was all 13 00:00:48,120 --> 00:00:50,680 Speaker 1: shot at a small town in France. It is all 14 00:00:51,479 --> 00:00:57,640 Speaker 1: uh centered. Uh, it's very if, it's very balanced. Um, 15 00:00:57,680 --> 00:01:00,600 Speaker 1: I am not going to see anything in the movie theater. 16 00:01:00,720 --> 00:01:03,480 Speaker 1: I'm not paying for it on my fucking TV. I 17 00:01:03,520 --> 00:01:05,880 Speaker 1: already paid too much for all these streaming platforms, so 18 00:01:05,920 --> 00:01:11,199 Speaker 1: I'm gonna wait several months until they're free. I would 19 00:01:11,280 --> 00:01:15,440 Speaker 1: encourage Fox to go to the movies that you you 20 00:01:15,520 --> 00:01:20,360 Speaker 1: asked me from my preview. Thank you for your preview, 21 00:01:20,440 --> 00:01:23,960 Speaker 1: and now it's all greet Chris Aperado, the pie guy. 22 00:01:24,400 --> 00:01:27,440 Speaker 1: I'm guessing zero regrets for meeting half Acasco Pie live 23 00:01:27,480 --> 00:01:31,319 Speaker 1: on Instagram. But were there any after effects? There were 24 00:01:31,400 --> 00:01:34,160 Speaker 1: um as. I think I've made it clear. I'm I'm sober. 25 00:01:34,200 --> 00:01:38,720 Speaker 1: I don't I don't drink booze or do drugs um 26 00:01:38,760 --> 00:01:41,720 Speaker 1: and going to bed that night, I felt this kind 27 00:01:41,720 --> 00:01:44,399 Speaker 1: of like uh rush and my eyes are getting read. 28 00:01:44,440 --> 00:01:46,600 Speaker 1: It felt like a like a blood sugar issue, or 29 00:01:46,640 --> 00:01:49,360 Speaker 1: like a blood pressure issue, I should say. And in 30 00:01:49,400 --> 00:01:52,640 Speaker 1: the morning, listen, I've had headaches and stuff are been sick. 31 00:01:52,680 --> 00:01:55,000 Speaker 1: In the morning, my mouth was dry and my head hurt, 32 00:01:56,160 --> 00:01:59,120 Speaker 1: very reminiscent of a hangover. And I've been told, I've 33 00:01:59,160 --> 00:02:02,080 Speaker 1: been told that when people stop drinking beer, specifically, there's 34 00:02:02,080 --> 00:02:03,840 Speaker 1: a lot of sugar and beer that they like, they 35 00:02:03,840 --> 00:02:05,520 Speaker 1: tend to eat a lot of they tend to eat 36 00:02:05,520 --> 00:02:08,600 Speaker 1: more sugar. And I think that's that was it I felt. 37 00:02:08,639 --> 00:02:12,240 Speaker 1: And it was for about two full days, a lingering 38 00:02:12,560 --> 00:02:14,919 Speaker 1: hangover headache. I think it was all the sugar. It 39 00:02:15,000 --> 00:02:19,840 Speaker 1: wasn't enough to slow you down. That night I feared 40 00:02:19,880 --> 00:02:21,440 Speaker 1: I was like this is it? But I picked one 41 00:02:21,520 --> 00:02:26,760 Speaker 1: up yesterday and it's funny those of you wondering the 42 00:02:26,760 --> 00:02:32,600 Speaker 1: Costco pie almost, if not arguably, twice as big as 43 00:02:32,600 --> 00:02:34,880 Speaker 1: a regular part. Thank you for clarifying that. I feel 44 00:02:34,880 --> 00:02:37,960 Speaker 1: like people don't understand that thing. I don't think they did. Know. Hey, 45 00:02:38,000 --> 00:02:43,360 Speaker 1: there's Gary Anthony Wayne boy about Costco pies. That's they 46 00:02:43,400 --> 00:02:47,360 Speaker 1: call They called me that seriously from the uh, from 47 00:02:47,520 --> 00:02:50,000 Speaker 1: when I was thirty five to thirty nine, that's the 48 00:02:50,040 --> 00:02:54,560 Speaker 1: only name I went by speaking of food at Costco. 49 00:02:54,760 --> 00:03:00,320 Speaker 1: There's a lost leader on the outer outer opportunity for 50 00:03:00,360 --> 00:03:03,480 Speaker 1: a hot dog or pizza. But it leads me to 51 00:03:03,520 --> 00:03:05,840 Speaker 1: my question. I've written down for you, how many hot 52 00:03:05,880 --> 00:03:08,800 Speaker 1: dogs have you eaten this year? Give or takes three, 53 00:03:09,080 --> 00:03:12,680 Speaker 1: that would be zero? That's correct. I am a worldwide 54 00:03:12,800 --> 00:03:16,200 Speaker 1: vegan uh, and I haven't even had a vegan vegan 55 00:03:16,240 --> 00:03:19,440 Speaker 1: hot dog this year. I did have a vegan sausage 56 00:03:19,480 --> 00:03:21,519 Speaker 1: with a friend of mine. I don't know if if 57 00:03:21,560 --> 00:03:25,640 Speaker 1: that counts, I'll say too okay, but so a hot dog. 58 00:03:26,320 --> 00:03:28,880 Speaker 1: I haven't had a good hot dog inside my mouth. 59 00:03:28,960 --> 00:03:38,440 Speaker 1: And uh, I'm on my way since before hot dogs 60 00:03:38,560 --> 00:03:44,520 Speaker 1: with them bringing you dogs. I don't care which way, 61 00:03:44,680 --> 00:03:46,839 Speaker 1: I don't know. I don't care. If it's a it's 62 00:03:46,840 --> 00:03:48,760 Speaker 1: a If it's a pant dog, are a bun? And 63 00:03:48,800 --> 00:03:51,280 Speaker 1: then I don't care if you bring anyone bringing that's right, 64 00:03:51,320 --> 00:03:54,120 Speaker 1: that's right. I would love to bite into a vegan 65 00:03:55,200 --> 00:03:57,880 Speaker 1: sausage and have it tastes like a carrot. That would 66 00:03:57,920 --> 00:04:01,080 Speaker 1: be there. Now care a lot of you know how 67 00:04:01,080 --> 00:04:03,840 Speaker 1: they're making vestiable stuff that tastes like meats and now 68 00:04:03,960 --> 00:04:06,640 Speaker 1: making a lot of meat stuff that tastes like vegetables. 69 00:04:06,680 --> 00:04:09,320 Speaker 1: This is what I want, Yeah, this is what I want. Yeah, 70 00:04:09,600 --> 00:04:14,720 Speaker 1: look out, it's James anytime, Jennifer Love he need Uh 71 00:04:14,880 --> 00:04:20,479 Speaker 1: your your your favorite? What Kevin? Write what you think, 72 00:04:20,560 --> 00:04:27,159 Speaker 1: not what you know? Um? Oh, what was your favorite 73 00:04:27,160 --> 00:04:32,559 Speaker 1: class in high school? And why? Um? Wow? That's uh, 74 00:04:32,760 --> 00:04:37,479 Speaker 1: let's see. I guess that are to go. That's tough. 75 00:04:37,880 --> 00:04:41,320 Speaker 1: I didn't really like the classes. I really enjoyed the 76 00:04:41,360 --> 00:04:44,840 Speaker 1: in between stuff like all like, uh, I guess it 77 00:04:44,880 --> 00:04:48,479 Speaker 1: would be creative writing. I enjoyed creative writing. Yes, if 78 00:04:48,520 --> 00:04:50,719 Speaker 1: I could go back to high school now, I would 79 00:04:50,720 --> 00:04:53,680 Speaker 1: probably stick out, But I think I would enjoy history 80 00:04:53,720 --> 00:04:56,120 Speaker 1: class a lot more because as an adult, I've really 81 00:04:56,120 --> 00:04:59,160 Speaker 1: gotten into history. But as a high schooler, I just 82 00:04:59,320 --> 00:05:03,159 Speaker 1: tuned out and I didn't relate to it. Yep. I 83 00:05:03,200 --> 00:05:06,640 Speaker 1: think a lot of your creative, if not comedy people 84 00:05:07,080 --> 00:05:11,279 Speaker 1: would agree. That was certainly my experience. And when a 85 00:05:11,360 --> 00:05:14,719 Speaker 1: teacher really gave a ship and taught creative writing, I 86 00:05:14,800 --> 00:05:18,880 Speaker 1: was also dialed in. Taught Mark Twain, specifically the Samuel 87 00:05:18,920 --> 00:05:22,680 Speaker 1: Clemens Years, the entire semester that's always there, and that 88 00:05:22,920 --> 00:05:31,680 Speaker 1: changed my my brain. Uh. And last, but only one 89 00:05:31,760 --> 00:05:33,400 Speaker 1: chopstick for you if you think at least it's Joey 90 00:05:33,440 --> 00:05:36,600 Speaker 1: care come drunk love. How do you imagine your first 91 00:05:36,680 --> 00:05:42,080 Speaker 1: day and or night in federal prison? Uh? Well, pretty good, 92 00:05:42,640 --> 00:05:45,560 Speaker 1: because I'm I'm the dean. I'm gonna be the dean 93 00:05:46,080 --> 00:05:48,839 Speaker 1: and let me running it. You know it's gonna be chill. 94 00:05:48,920 --> 00:05:50,800 Speaker 1: And I this is the thing people always get federal 95 00:05:50,839 --> 00:05:52,760 Speaker 1: prison to beat rap, all right, And I want to 96 00:05:52,920 --> 00:05:59,560 Speaker 1: change the tone, right, So change the conversation exactly. So 97 00:05:59,800 --> 00:06:03,720 Speaker 1: in stead of stairs, we're gonna have slides. And uh 98 00:06:03,839 --> 00:06:05,479 Speaker 1: the way you how do I get back up? Oh? 99 00:06:05,520 --> 00:06:06,920 Speaker 1: How do I get back up? I'll just slid down? 100 00:06:07,040 --> 00:06:08,960 Speaker 1: How do I get back up? You already thought about 101 00:06:08,960 --> 00:06:13,040 Speaker 1: your dumbass. All right, Christ, what does the prison dean's 102 00:06:13,080 --> 00:06:18,359 Speaker 1: responsibilities as opposed to awarden? Uh? Keep all the frats 103 00:06:18,600 --> 00:06:24,920 Speaker 1: in line, all right? Keeps on Peture Creek, We goes on. 104 00:06:25,400 --> 00:06:28,320 Speaker 1: All of our scene suggestions are gathered from your listening 105 00:06:28,520 --> 00:06:32,800 Speaker 1: emails or from our patron VIPs. To become a patron 106 00:06:32,800 --> 00:06:38,400 Speaker 1: sup part of the show and enjoy exclusive content like upcoming, upcoming, 107 00:06:38,760 --> 00:06:43,080 Speaker 1: not tomorrow, upcoming opportunities to join us in this very 108 00:06:43,200 --> 00:06:48,320 Speaker 1: zoom gathering. Uh. If you're at the alcamaniac status or 109 00:06:48,920 --> 00:06:51,520 Speaker 1: enjoyed the bonus scenes, people really seem to love these 110 00:06:51,720 --> 00:06:55,480 Speaker 1: new bonus scenes that have been dropping on Patreon. The 111 00:06:55,560 --> 00:06:57,000 Speaker 1: v I P s are welcome to them as well, 112 00:06:57,800 --> 00:07:01,640 Speaker 1: and we're gonna keep them going. Um yeah, head on 113 00:07:01,720 --> 00:07:03,600 Speaker 1: over to Patreon dot com slash alchemy this If you'd 114 00:07:03,640 --> 00:07:07,560 Speaker 1: like to suggest a scene via email, I welcome you 115 00:07:07,640 --> 00:07:10,080 Speaker 1: to do so. I enjoy reading them and writing you 116 00:07:10,160 --> 00:07:13,440 Speaker 1: back as soon as I can write to us at Alchemy. 117 00:07:13,480 --> 00:07:19,560 Speaker 1: There's email at gmail dot com. That's Alchemy. See when 118 00:07:19,640 --> 00:07:24,400 Speaker 1: comes just from a Patreon v I P supporter who's 119 00:07:24,440 --> 00:07:28,040 Speaker 1: listed here as unknown. Because when I did the copy 120 00:07:28,280 --> 00:07:32,920 Speaker 1: and paste, I did not include that. So if you're 121 00:07:32,960 --> 00:07:35,160 Speaker 1: out there and I'm reading this now that you're you're 122 00:07:35,160 --> 00:07:37,960 Speaker 1: suggested right to me again, call me it whatever names 123 00:07:37,960 --> 00:07:40,040 Speaker 1: you'd like, just to remind me so I can drop 124 00:07:40,080 --> 00:07:44,200 Speaker 1: your name in later and thank you properly. He wrote, 125 00:07:44,840 --> 00:07:49,520 Speaker 1: or they wrote fucking old of me. They wrote, you 126 00:07:49,600 --> 00:07:52,800 Speaker 1: guys are awesome, thank you for all this podcast that 127 00:07:52,920 --> 00:07:56,240 Speaker 1: you do in keeping it alive. Except Joey, he's really 128 00:07:56,280 --> 00:08:01,120 Speaker 1: holding you back. So the truth, I think it's I'll 129 00:08:01,160 --> 00:08:06,440 Speaker 1: just take my leave. Yeah, show yourself out. Here's this 130 00:08:06,840 --> 00:08:18,880 Speaker 1: person's suggestion. I'm anticipating, Chris is ire. A person's farts 131 00:08:19,280 --> 00:08:23,760 Speaker 1: smell exactly like different fast food, so no one knows 132 00:08:23,840 --> 00:08:31,240 Speaker 1: why they keep smelling Subway or taco bell randomly. Well, 133 00:08:31,280 --> 00:08:35,480 Speaker 1: I was, I was over there. Sorry, no time? What time? Sorry? 134 00:08:35,520 --> 00:08:37,880 Speaker 1: What time do they do? Uh? So we could stop 135 00:08:38,080 --> 00:08:40,040 Speaker 1: talking at that. That's exactly what I was about to 136 00:08:40,080 --> 00:08:41,719 Speaker 1: say that. I was also going to get in there. 137 00:08:41,840 --> 00:08:49,360 Speaker 1: I was, and so, um, do we want complete silence 138 00:08:49,440 --> 00:08:52,120 Speaker 1: among us in the backyard here so they don't or 139 00:08:52,160 --> 00:08:54,000 Speaker 1: do we want them to sort of sense something? And 140 00:08:54,040 --> 00:08:56,640 Speaker 1: that's why did you order Subway? And then we yell surprised? 141 00:08:56,760 --> 00:08:59,400 Speaker 1: I didn't know. I didn't notice. It doesn't even be 142 00:08:59,480 --> 00:09:02,160 Speaker 1: here to left. Did they get here in the surprise party? Stuff? 143 00:09:02,200 --> 00:09:05,319 Speaker 1: That's exacting, because that's going to ruin the party. There's 144 00:09:05,520 --> 00:09:10,079 Speaker 1: I'm gonna check the front. I'm gonna check the front, Tim, Tim, 145 00:09:10,640 --> 00:09:13,840 Speaker 1: are you checking the front for subway? Yeah, I'm gonna 146 00:09:13,840 --> 00:09:15,920 Speaker 1: go to the front to see either the subway. Okay, 147 00:09:17,160 --> 00:09:20,079 Speaker 1: he's a fast food fan. I I saw he. I 148 00:09:20,200 --> 00:09:23,679 Speaker 1: think he's just a phantom thing. No, no, thinks he smells. 149 00:09:23,960 --> 00:09:25,679 Speaker 1: I smell. But you know, I'm gonna go check the 150 00:09:25,760 --> 00:09:28,800 Speaker 1: side and see if this subway over there. Okay, Well, 151 00:09:28,960 --> 00:09:31,880 Speaker 1: I know we watched the movie, but maybe we can 152 00:09:31,960 --> 00:09:34,360 Speaker 1: hang out in the car for like fifteen minutes and 153 00:09:34,480 --> 00:09:37,360 Speaker 1: just like chat. It's your birthday, so let's have like 154 00:09:37,360 --> 00:09:40,040 Speaker 1: a birthday chat in my car. Well yeah, where we're 155 00:09:40,120 --> 00:09:42,199 Speaker 1: right here at my place though, Yeah, but let's just 156 00:09:42,360 --> 00:09:47,480 Speaker 1: talk like we never get to talk. Yeah, yeah, you're right. 157 00:09:47,480 --> 00:09:49,079 Speaker 1: And we kind of sat there in silence, you know, 158 00:09:49,280 --> 00:09:52,199 Speaker 1: for two hours at that movie. And I was double 159 00:09:52,280 --> 00:09:54,240 Speaker 1: mass too, because I'm so paranoid. Am I going to 160 00:09:54,280 --> 00:09:55,920 Speaker 1: the movies? You know? Which is I think it's good? 161 00:09:55,960 --> 00:09:58,640 Speaker 1: I think it's good. I just hope we didn't get 162 00:09:58,679 --> 00:10:03,240 Speaker 1: COVID at the movies. No, no, no, I feel like 163 00:10:03,320 --> 00:10:08,040 Speaker 1: that concessions guy was safe. That's a good question. Now 164 00:10:08,040 --> 00:10:10,199 Speaker 1: I feel like he's probably already had it once or twice. 165 00:10:10,760 --> 00:10:12,600 Speaker 1: It looks like he's had it. Yeah, he's got jumped. 166 00:10:14,000 --> 00:10:19,079 Speaker 1: One second, Hey, what's up here? Are you guys just 167 00:10:19,200 --> 00:10:24,360 Speaker 1: in the movies? Were we in them? Yeah? Are you 168 00:10:24,440 --> 00:10:27,720 Speaker 1: guys just in the movies? But we went we were 169 00:10:27,760 --> 00:10:29,920 Speaker 1: like forty five minutes away. We went to a movie 170 00:10:29,960 --> 00:10:32,360 Speaker 1: for five minutes away. How would you know that? Oh? 171 00:10:32,440 --> 00:10:34,959 Speaker 1: What do you think of it? You don't even know 172 00:10:35,000 --> 00:10:41,120 Speaker 1: what we saw? Okay, okay, we definitely got COVID from 173 00:10:41,160 --> 00:10:45,520 Speaker 1: that guy. Okay. Did she ask him if they want 174 00:10:45,600 --> 00:10:56,640 Speaker 1: to do her movie podcast? Yeah? Okay, let's record it 175 00:10:56,679 --> 00:10:58,520 Speaker 1: in the car. We followed them all the way here. 176 00:10:58,559 --> 00:11:01,280 Speaker 1: They're not gonna come back to our least. They said that, 177 00:11:01,400 --> 00:11:12,160 Speaker 1: you need to ask Hold on, Jesus, there, we're not. 178 00:11:12,320 --> 00:11:16,480 Speaker 1: We're not rolling down the window. We hear you. I 179 00:11:16,640 --> 00:11:19,880 Speaker 1: need to talk to you. Rule out the window. I 180 00:11:19,960 --> 00:11:22,280 Speaker 1: can hear you find can you can you can hear us? Right? 181 00:11:23,360 --> 00:11:28,600 Speaker 1: Apparently barely we do we do a movie podcast where 182 00:11:28,640 --> 00:11:31,760 Speaker 1: we find strangers to saw movies with us, we find 183 00:11:32,240 --> 00:11:36,040 Speaker 1: unrelated perspectives on it. That's kind of a good way. 184 00:11:36,080 --> 00:11:43,760 Speaker 1: Are you. Are you too, sick guys? Yeah? Shit, I'm 185 00:11:43,840 --> 00:11:47,559 Speaker 1: a Patreon subscribertor just who's sick guys? Oh, it's great, 186 00:11:48,679 --> 00:11:51,360 Speaker 1: all right, Franklin, So you met the two sick guys 187 00:11:51,400 --> 00:11:53,600 Speaker 1: and you're gonna bring him into the office today, Is there? 188 00:11:53,600 --> 00:12:00,559 Speaker 1: It right? Yep? Yeah, I'm glad you're talking Franklin to 189 00:12:00,640 --> 00:12:02,840 Speaker 1: day because that's sound of a bit. Promised me last 190 00:12:02,920 --> 00:12:05,280 Speaker 1: year that he knew some other guys that was gonna 191 00:12:05,320 --> 00:12:08,720 Speaker 1: make this broadcast go through the roof, and he's shown me. Well, 192 00:12:10,320 --> 00:12:12,760 Speaker 1: before you open that trap of yours, didn't I tell 193 00:12:12,800 --> 00:12:15,360 Speaker 1: you there's no eating in this office? I told you that, right? 194 00:12:17,040 --> 00:12:20,199 Speaker 1: Can I speak now? I'm just saying, who's got you 195 00:12:20,320 --> 00:12:26,160 Speaker 1: tootle in their pockets? Who's got you potle in their pockets? Oh? Everybody, everybody, 196 00:12:26,240 --> 00:12:28,080 Speaker 1: let's do what we always have to do. Take your 197 00:12:28,640 --> 00:12:30,920 Speaker 1: turn him in sid as we're doing. This is the 198 00:12:30,920 --> 00:12:33,120 Speaker 1: point of clarification. The reason why I'm speaking for Franklin 199 00:12:33,240 --> 00:12:37,320 Speaker 1: is because after we met the two sick guys, well, 200 00:12:38,160 --> 00:12:40,559 Speaker 1: let's just say we had a time, okay, at a 201 00:12:40,640 --> 00:12:43,680 Speaker 1: time he lost his voice. I'm gonna pat you down now, 202 00:12:43,760 --> 00:12:46,319 Speaker 1: there's nothing in your pockets. Could you get Franklin to 203 00:12:46,440 --> 00:12:49,120 Speaker 1: also turn his pockets and shut out because he doesn't 204 00:12:49,160 --> 00:12:52,920 Speaker 1: do shit. I tell him, Jim, Just so I'm on 205 00:12:53,040 --> 00:12:56,439 Speaker 1: the same page, I think, I like what your head's 206 00:12:56,480 --> 00:12:59,559 Speaker 1: at here. What exactly is a a new item of 207 00:12:59,640 --> 00:13:02,800 Speaker 1: chapot called the pocket Chipotle? What what is it will 208 00:13:02,800 --> 00:13:07,400 Speaker 1: be selling? Well, it's pretty simple. It's like a burrito. 209 00:13:08,000 --> 00:13:11,439 Speaker 1: Actually it is a burrito, but the tortillas shell is 210 00:13:11,520 --> 00:13:16,240 Speaker 1: really thick, and it's the tutilla shell is really thick. 211 00:13:17,200 --> 00:13:19,800 Speaker 1: It's thick enough that it's gonna be able to survive 212 00:13:19,960 --> 00:13:23,640 Speaker 1: the random things in the person's pocket without being punctured. 213 00:13:24,040 --> 00:13:27,520 Speaker 1: And you don't have to worry about beans or anything 214 00:13:27,559 --> 00:13:31,120 Speaker 1: getting in your pockets because it's a thick tortilla shell. Right. 215 00:13:31,240 --> 00:13:33,880 Speaker 1: But the sales point, we're telling people take it with 216 00:13:34,120 --> 00:13:38,559 Speaker 1: you in your pocket. Yeah, that's what here here, I've 217 00:13:38,600 --> 00:13:40,839 Speaker 1: got one in my pocket and actually, believe it or not, 218 00:13:41,120 --> 00:13:44,120 Speaker 1: it keeps pretty warm. It's not hot. But okay, I 219 00:13:44,200 --> 00:13:46,360 Speaker 1: know you're a big fan of the thirties and baggy 220 00:13:46,440 --> 00:13:49,280 Speaker 1: pants in general, but the kids aren't really doing the 221 00:13:49,720 --> 00:13:52,920 Speaker 1: kind of a tight pant. Look, Franklin, you can't go. 222 00:13:53,320 --> 00:13:55,800 Speaker 1: You can't go to the podcast right now. Schedule for later. 223 00:13:55,880 --> 00:13:58,080 Speaker 1: We got a head into your place in about thirty seconds. 224 00:13:58,160 --> 00:14:02,880 Speaker 1: I can't believe we just met sick guys. I should 225 00:14:02,920 --> 00:14:04,800 Speaker 1: get them the hook up because I know a guy 226 00:14:05,320 --> 00:14:10,720 Speaker 1: who who produces podcast. Oh yeah, maybe he's very particular 227 00:14:10,760 --> 00:14:12,160 Speaker 1: about what kind of food you can bring into the 228 00:14:12,240 --> 00:14:16,319 Speaker 1: office because they're they're awork. I'm so sorry to interrupted. 229 00:14:16,400 --> 00:14:20,000 Speaker 1: I'm just at the house to two doors down and 230 00:14:20,360 --> 00:14:23,120 Speaker 1: uh didn't mean they interrupt. Did you did you drop up? 231 00:14:24,000 --> 00:14:27,240 Speaker 1: Do do do do? Don't do? Do do do do 232 00:14:27,360 --> 00:14:30,520 Speaker 1: do do do do don't don't do did you did 233 00:14:30,560 --> 00:14:34,720 Speaker 1: you drug do do do? Do? I know you, I 234 00:14:34,840 --> 00:14:41,800 Speaker 1: know that guy. Franklin. Yeah, it's holy shit, you know 235 00:14:41,960 --> 00:14:45,760 Speaker 1: it's it's it's Josh Colonel. How are you by? Josh Colonel? 236 00:14:47,280 --> 00:14:49,920 Speaker 1: Are you been? Man? That's great to see you. I 237 00:14:50,040 --> 00:14:53,440 Speaker 1: was just it was literally just thinking about you. Did 238 00:14:53,480 --> 00:14:57,600 Speaker 1: you make me appear? Okay? I guess I manifested you. 239 00:14:58,520 --> 00:15:02,160 Speaker 1: We get Josh, Colonel. Josh has been gone for a 240 00:15:02,280 --> 00:15:05,120 Speaker 1: while now, this this surprise party should be starting, and 241 00:15:05,160 --> 00:15:07,080 Speaker 1: I don't know where the funk is. I went around front. 242 00:15:07,480 --> 00:15:09,880 Speaker 1: I didn't find any subway around there, and I certainly 243 00:15:09,920 --> 00:15:12,680 Speaker 1: didn't see Josh anywhere. He's just it's like he's gone. 244 00:15:13,800 --> 00:15:16,200 Speaker 1: Well he can't just be gone, so he's here somewhere. 245 00:15:16,240 --> 00:15:18,720 Speaker 1: Did you check both shitters? Yeah? Of course I checked 246 00:15:18,720 --> 00:15:20,560 Speaker 1: the ship? Is this number one on me? Do you 247 00:15:20,640 --> 00:15:22,840 Speaker 1: know that? Remember that Bible thing where there's two sets 248 00:15:22,880 --> 00:15:25,880 Speaker 1: of footprints in the sand and then there's only whether. 249 00:15:25,920 --> 00:15:28,800 Speaker 1: I followed his footprints, and suddenly his footprints weren't there anymore, 250 00:15:28,840 --> 00:15:31,280 Speaker 1: so either Jesus picked him up and floated away with him. 251 00:15:31,880 --> 00:15:40,040 Speaker 1: I don't even do you know you can change that ringer? 252 00:15:40,840 --> 00:15:44,880 Speaker 1: You can't. I can't. I have to do. It's me, Hey, 253 00:15:45,160 --> 00:15:51,000 Speaker 1: it's me. Are you ready? I'm sorry? This is me. Hello? 254 00:15:52,920 --> 00:15:58,120 Speaker 1: Are you talking to I? Just? Are we ready? Oh? 255 00:15:58,320 --> 00:16:03,320 Speaker 1: Oh oh oh? Are we ready for? What? Ye colonel 256 00:16:03,360 --> 00:16:07,080 Speaker 1: getting the car man? No? No? What am I am? 257 00:16:07,120 --> 00:16:11,800 Speaker 1: I real? Are we ready? Are we ready? That? Did I? 258 00:16:12,880 --> 00:16:15,920 Speaker 1: Did I hear Josh? Colonel with you? Yeah? I've got 259 00:16:16,040 --> 00:16:18,480 Speaker 1: Josh and Franklin. I just want to know if we are, 260 00:16:18,800 --> 00:16:22,760 Speaker 1: If you're ready, Josh, did you eat Arthur Treatur's fish 261 00:16:22,760 --> 00:16:27,840 Speaker 1: and Chip? And that has seen one. Chris's character ended 262 00:16:27,920 --> 00:16:32,040 Speaker 1: up being the single worst person to organize getting the 263 00:16:32,160 --> 00:16:36,960 Speaker 1: person there for their surprise party. Are we ready? Everyone 264 00:16:37,040 --> 00:16:39,840 Speaker 1: else is playing playing Billy Daly over here, and I'm 265 00:16:39,840 --> 00:16:41,480 Speaker 1: trying to get the guy the man to his party. 266 00:16:41,960 --> 00:16:49,240 Speaker 1: That I appreciate it. Uh seemed to come from listener 267 00:16:50,080 --> 00:16:56,000 Speaker 1: Charlie m th h u e n t e, Greg 268 00:16:56,600 --> 00:16:59,840 Speaker 1: th h u e n t ea one more time 269 00:17:00,400 --> 00:17:08,440 Speaker 1: th u e n t e. There we go. It's 270 00:17:08,520 --> 00:17:12,280 Speaker 1: one day to block who wrote I just started to listen. 271 00:17:12,480 --> 00:17:16,159 Speaker 1: I was definite not fun or maybe tuned. I like 272 00:17:16,320 --> 00:17:22,200 Speaker 1: to let's go with Charlie tune. I've just to listen 273 00:17:22,280 --> 00:17:26,440 Speaker 1: to these podcasts and now you've just finished while I'm 274 00:17:26,480 --> 00:17:28,480 Speaker 1: at work, and I love them so much. I would 275 00:17:28,560 --> 00:17:33,040 Speaker 1: enjoy a scene about how Blimpo the Clown will will 276 00:17:33,400 --> 00:17:35,800 Speaker 1: join the m c U in phase seven if this 277 00:17:35,920 --> 00:17:42,119 Speaker 1: hasn't already been done. Love your podcast, Charlie. Uh So, 278 00:17:42,440 --> 00:17:45,440 Speaker 1: let's see if everybody signed in? Has everyone signed in? 279 00:17:46,680 --> 00:17:48,880 Speaker 1: If you haven't signed in, there's a sheet up front 280 00:17:48,920 --> 00:17:52,200 Speaker 1: you've got we're supposed to respond, or if you haven't 281 00:17:52,320 --> 00:17:55,080 Speaker 1: signed in. There's a shade up front. I need your name, 282 00:17:55,680 --> 00:17:59,080 Speaker 1: the time of your appointment, and your agents name if 283 00:17:59,119 --> 00:18:02,240 Speaker 1: you have one. So if we if we signed in, 284 00:18:02,520 --> 00:18:06,399 Speaker 1: do we say anything or not? Have you signed in, sir? Yeah? Okay, 285 00:18:06,680 --> 00:18:11,840 Speaker 1: thank you? If you have. Aren't you a cop? Were 286 00:18:11,840 --> 00:18:14,359 Speaker 1: talking to No? This this guy I'm sitting next to this. 287 00:18:17,359 --> 00:18:19,399 Speaker 1: You have to tell him. If you are, it's you. 288 00:18:19,680 --> 00:18:22,840 Speaker 1: You're the cop. You're the cop. It's you. I know, 289 00:18:23,240 --> 00:18:25,560 Speaker 1: you know the guy who just said I reckon. Dude, 290 00:18:26,119 --> 00:18:29,760 Speaker 1: you brought me in downtown. Once you're interrogated me, you're 291 00:18:29,800 --> 00:18:33,760 Speaker 1: blimple right, Yeah, yeah, it's probably not coming back to you, 292 00:18:33,840 --> 00:18:36,760 Speaker 1: but it's coming back to me real hard. Yep. You 293 00:18:36,840 --> 00:18:38,879 Speaker 1: had There was two other cops in that interrogation room, 294 00:18:38,880 --> 00:18:43,480 Speaker 1: and then you came in. Yeah, are you talking to me? 295 00:18:43,600 --> 00:18:47,200 Speaker 1: Are you talking to you? Are talking to No? Stay 296 00:18:47,240 --> 00:18:51,879 Speaker 1: out of this cloud. You're a cop. Now, I'm a cloud. 297 00:18:52,000 --> 00:18:55,359 Speaker 1: I mean an audition for a cloud. I don't mean 298 00:18:55,480 --> 00:18:57,520 Speaker 1: to eavesdrop, but I got into a little bit of 299 00:18:57,560 --> 00:19:01,520 Speaker 1: trouble a few years back, and you interrogated me. Also, 300 00:19:01,600 --> 00:19:03,720 Speaker 1: there was a good cop, there was a bad cop, 301 00:19:04,840 --> 00:19:07,080 Speaker 1: and then there was a clown cop and I gotta 302 00:19:07,080 --> 00:19:10,600 Speaker 1: be I'm gonna Actually, you made the interrogation a lot better. 303 00:19:10,760 --> 00:19:14,240 Speaker 1: I I felt like I felt like it was easier 304 00:19:14,280 --> 00:19:16,159 Speaker 1: to talk to you. Guys. I'm sorry, but I just 305 00:19:16,280 --> 00:19:19,280 Speaker 1: walked in. Have you asked for the signings yet? I 306 00:19:19,359 --> 00:19:23,200 Speaker 1: have a signed in? Yet? They did it? They didn't you? 307 00:19:24,480 --> 00:19:27,200 Speaker 1: I am not. I am auditioning for a part a 308 00:19:27,240 --> 00:19:32,040 Speaker 1: couple of years ago. Now, let's we just need something real. Okay, 309 00:19:32,200 --> 00:19:34,400 Speaker 1: I get it. These are characters in the comic book, 310 00:19:34,520 --> 00:19:37,600 Speaker 1: but can we for once get an actual hero and 311 00:19:37,680 --> 00:19:40,600 Speaker 1: put them on slow down? What's your idea of real? 312 00:19:42,520 --> 00:19:46,240 Speaker 1: I don't know. I don't know. Maybe uh, someone with 313 00:19:46,440 --> 00:19:50,240 Speaker 1: swords or that's just stupid. Um. And I know y'all 314 00:19:50,280 --> 00:19:52,800 Speaker 1: in the middle of a big movie uh conversation because 315 00:19:52,840 --> 00:19:54,960 Speaker 1: I overheard you when I was on table seven. Can 316 00:19:55,000 --> 00:19:58,000 Speaker 1: I get you either a sweet tea or a tea 317 00:19:58,119 --> 00:20:01,800 Speaker 1: with sweetener? A note tea at all? Just some water 318 00:20:01,920 --> 00:20:03,680 Speaker 1: with some lemon on the side. That was your three 319 00:20:03,760 --> 00:20:09,600 Speaker 1: chart switch one with what do you having? Mr? Real? Uh? Shit? 320 00:20:10,160 --> 00:20:12,199 Speaker 1: Do you don't have any soda or anything? Okay, I'm 321 00:20:12,240 --> 00:20:15,879 Speaker 1: gonna go with it again. Sweet tea tea with sweetener 322 00:20:16,680 --> 00:20:19,520 Speaker 1: water with some lemon on the side. It's okay. I 323 00:20:19,560 --> 00:20:22,240 Speaker 1: guess just the tea, the sweet tea, sweet tea. Okay, 324 00:20:22,440 --> 00:20:26,480 Speaker 1: and you well you said tea with sweetness, so I 325 00:20:26,520 --> 00:20:30,320 Speaker 1: could also have that tea without sweetener. It's got I'm 326 00:20:30,320 --> 00:20:32,080 Speaker 1: gonna bring it with the sweeten on the side. It's 327 00:20:32,080 --> 00:20:35,040 Speaker 1: gonna have sweeten on the side. Yeah, all right, I'll 328 00:20:35,080 --> 00:20:39,480 Speaker 1: have that. Okay, enjoy your movie. Talk. Thank you? What 329 00:20:40,440 --> 00:20:45,800 Speaker 1: about that? He's real? He's real? Movie? Yeah? Mr Sword? Bullshit? 330 00:20:46,080 --> 00:20:49,000 Speaker 1: Was I'm just spitballing. Okay, I'm just trying to think 331 00:20:49,040 --> 00:20:52,760 Speaker 1: of something here. Okay, Now, you're very passionate, which I appreciate, 332 00:20:52,880 --> 00:20:55,600 Speaker 1: and will you keep driving home this real word? So 333 00:20:55,760 --> 00:21:01,080 Speaker 1: give me what's real? Paul. What's gonna happen after for seven? Well, 334 00:21:01,200 --> 00:21:03,320 Speaker 1: we're gonna do phase eight, nine and ten. What do 335 00:21:03,400 --> 00:21:05,399 Speaker 1: you think? Look at that? Look at that. There's no 336 00:21:05,560 --> 00:21:09,320 Speaker 1: passionate on fire. But if we give people reason to watch, 337 00:21:10,119 --> 00:21:12,399 Speaker 1: so we picked one of them to be in the movie, 338 00:21:12,440 --> 00:21:14,320 Speaker 1: and then everyone goes, oh shit, I could do this. 339 00:21:14,720 --> 00:21:16,920 Speaker 1: That's what I'm saying. Why not is that what you're saying, 340 00:21:16,920 --> 00:21:20,119 Speaker 1: Because that's what I'm saying. Alright, that's never worked like 341 00:21:20,160 --> 00:21:23,320 Speaker 1: an idea. Why don't we make that server a villain? 342 00:21:23,920 --> 00:21:26,360 Speaker 1: All right, here you go, guys, Here is your sweet tea. 343 00:21:26,800 --> 00:21:33,040 Speaker 1: And have you ever acted before? Yes? I have fantastic 344 00:21:33,320 --> 00:21:36,600 Speaker 1: Do you have like I do? I have representation, I 345 00:21:36,680 --> 00:21:38,359 Speaker 1: have a hit shot and a resume, and I have 346 00:21:38,480 --> 00:21:41,159 Speaker 1: two scripts I have written. Okay, you have those already 347 00:21:41,160 --> 00:21:44,119 Speaker 1: on you. Okay, look, friends, I don't know what to 348 00:21:44,200 --> 00:21:47,879 Speaker 1: tell you. I just get audition. I'm blimp of the 349 00:21:48,000 --> 00:21:51,680 Speaker 1: clown and you know, uh, I notice went out there 350 00:21:51,720 --> 00:21:55,840 Speaker 1: looking for Alright, alright, alright, I just I recognize you. 351 00:21:55,920 --> 00:21:58,440 Speaker 1: What I'm I mean one of the odds three actors 352 00:21:58,520 --> 00:22:01,119 Speaker 1: would have been committed or have been accused of committing 353 00:22:01,119 --> 00:22:03,840 Speaker 1: a crime. And we're all interrogated by a clown. And 354 00:22:03,960 --> 00:22:06,840 Speaker 1: then part is I did some violent ship too. When 355 00:22:06,880 --> 00:22:10,600 Speaker 1: you interrogate me real violence ship? Well we're are you 356 00:22:10,720 --> 00:22:13,280 Speaker 1: here for who me? No? I'm just here to watch 357 00:22:13,320 --> 00:22:16,159 Speaker 1: the audience. Are you talking to me? I'm talking a 358 00:22:16,240 --> 00:22:20,080 Speaker 1: blimpo for the clown. Do you want to run some 359 00:22:20,160 --> 00:22:22,800 Speaker 1: you want to run some lines? All right, I'm a 360 00:22:23,680 --> 00:22:26,080 Speaker 1: I'm also going off for the clown, but I'll read. Well, 361 00:22:26,119 --> 00:22:28,840 Speaker 1: we can we can switch. We'll switch so you'll read 362 00:22:28,920 --> 00:22:32,120 Speaker 1: the the FBI director first and I'll read the sounds good, 363 00:22:32,160 --> 00:22:37,560 Speaker 1: all right. If you weren't there, then where were you? 364 00:22:39,840 --> 00:22:44,919 Speaker 1: I was in my car with a bunch of other clowns. Damn, damn. 365 00:22:46,119 --> 00:22:51,960 Speaker 1: It's not a lot in that scene. I mean, I 366 00:22:52,080 --> 00:22:56,159 Speaker 1: think sometimes the mock I just can I just I 367 00:22:56,200 --> 00:22:58,879 Speaker 1: mean I was innocent and I didn't get charged. What 368 00:22:59,119 --> 00:23:02,800 Speaker 1: violent stuff? Did you? Who me? Talking about me? Yeah? 369 00:23:03,200 --> 00:23:11,400 Speaker 1: Several things? Man, that skin stuff? Can I oh my god, 370 00:23:12,640 --> 00:23:17,080 Speaker 1: boom boom did this guy do to jail? Let's write it, 371 00:23:17,160 --> 00:23:20,440 Speaker 1: let's rite it. I might par I might paraphrise, paraphrase 372 00:23:20,520 --> 00:23:22,440 Speaker 1: that FBI line, just to make in my own, just 373 00:23:22,520 --> 00:23:28,320 Speaker 1: to make okay, okay, So if you weren't there, where 374 00:23:28,400 --> 00:23:33,880 Speaker 1: were you? I was, well, I was in the car 375 00:23:34,920 --> 00:23:38,440 Speaker 1: with a bunch of other clowns. That's good. You do 376 00:23:38,520 --> 00:23:44,199 Speaker 1: a paraphrase too, can do well done. It looks like it's, uh, 377 00:23:44,640 --> 00:23:48,199 Speaker 1: you know, been fifteen months, your parole is over. Uh. 378 00:23:48,480 --> 00:23:50,320 Speaker 1: I know you were going out to some auditions and 379 00:23:50,359 --> 00:23:53,600 Speaker 1: all that stuff, and uh, I was wondering if maybe 380 00:23:53,680 --> 00:23:57,720 Speaker 1: before you know, we end our parole paroly relationship. We 381 00:23:57,960 --> 00:24:06,520 Speaker 1: could run a a couple of scenes. I'm you know, man, Yeah, great, great? So, um, 382 00:24:07,920 --> 00:24:12,560 Speaker 1: I'm just so nervous. God, oh god, there's a there's 383 00:24:12,600 --> 00:24:16,200 Speaker 1: a deer out here, there's no skin on it. Oh, 384 00:24:16,560 --> 00:24:20,760 Speaker 1: this was just what the fund is that? That's crazy? Alright, 385 00:24:20,840 --> 00:24:24,560 Speaker 1: So let's uh, I'm gonna be honest with you. Yeah, 386 00:24:24,560 --> 00:24:26,359 Speaker 1: I told you this whole time that I want to 387 00:24:26,440 --> 00:24:28,800 Speaker 1: go be inactive. But I really want to do is 388 00:24:28,840 --> 00:24:32,359 Speaker 1: tracked down that motherfucking cop that questioned me and killed 389 00:24:32,400 --> 00:24:35,720 Speaker 1: that motherfucker. Just come on down, Jesus. Mean, you can't 390 00:24:35,760 --> 00:24:38,239 Speaker 1: tell me that thing. Man, you can't tell me. I'm 391 00:24:38,280 --> 00:24:49,280 Speaker 1: just fucking lines. Oh okay, okay, okay, what is that 392 00:24:49,480 --> 00:24:53,800 Speaker 1: Dawn that confuses me? Dawn? Hey? Alright, So who's who's 393 00:24:53,840 --> 00:24:59,199 Speaker 1: up next? Who signed it next? That's me? Blimpo's are 394 00:24:59,240 --> 00:25:01,640 Speaker 1: you talking to me? No? Okay, all right, Blimpo. Listen. 395 00:25:01,840 --> 00:25:04,000 Speaker 1: Um a couple of notes before we head in there. Uh, 396 00:25:04,240 --> 00:25:10,720 Speaker 1: the director is looking for real okay, like mumble core, 397 00:25:10,920 --> 00:25:14,919 Speaker 1: like do early do plos stuff. This is a Marvel movie, right, 398 00:25:18,200 --> 00:25:20,720 Speaker 1: He's taken it in a new direction. Okay, you know what, 399 00:25:20,760 --> 00:25:22,240 Speaker 1: I'm not gonna give you too much but that's just 400 00:25:22,400 --> 00:25:24,720 Speaker 1: just that's the tone of it. There's also there's not 401 00:25:24,800 --> 00:25:27,119 Speaker 1: a lot to this scene, right, there's not a lot 402 00:25:27,200 --> 00:25:31,600 Speaker 1: to chew on it. It's in exchange. Come on in, Hi, everybody, 403 00:25:31,640 --> 00:25:36,280 Speaker 1: I have blimpo here. That's hi everyone, Blimpo. Not a cop. 404 00:25:36,359 --> 00:25:40,800 Speaker 1: I'm a cloud, not a cop. Okay, alright, I'll be 405 00:25:40,840 --> 00:25:43,040 Speaker 1: reading the scene unless director, do you have any thoughts 406 00:25:43,119 --> 00:25:46,119 Speaker 1: before we get started? But I tell you what I 407 00:25:46,440 --> 00:25:52,320 Speaker 1: what I wanted under the little very realistic and yeah, 408 00:25:52,760 --> 00:25:55,240 Speaker 1: give me deep. I'm gonna close my eyes and I 409 00:25:55,280 --> 00:25:58,960 Speaker 1: want to be there all right, here we go, Okay, 410 00:25:59,040 --> 00:26:01,800 Speaker 1: get the director is asking me to be real, but 411 00:26:01,920 --> 00:26:05,720 Speaker 1: I stopped here for one second. Yes, okay, what I say, 412 00:26:05,800 --> 00:26:08,639 Speaker 1: I want you to be real. I am saying I 413 00:26:08,680 --> 00:26:15,480 Speaker 1: don't want to see or hear a performance. Okay, but 414 00:26:15,560 --> 00:26:20,480 Speaker 1: you're you're a talking pug. So it's just it's hard 415 00:26:20,520 --> 00:26:24,080 Speaker 1: to reconcile be real with a little dog who can 416 00:26:24,160 --> 00:26:27,760 Speaker 1: talk and telling me that the size is relevant. Hi. Um, 417 00:26:27,960 --> 00:26:30,639 Speaker 1: I saw that the clown went in before me. I 418 00:26:30,720 --> 00:26:33,720 Speaker 1: had signed in before the clown. So I don't know 419 00:26:33,840 --> 00:26:36,879 Speaker 1: if there was like if there was something maybe scheduling. 420 00:26:38,160 --> 00:26:39,520 Speaker 1: You were a guy in the back that was asking 421 00:26:39,560 --> 00:26:43,640 Speaker 1: the question. Uh huh yeah, so maybe that slowed down 422 00:26:43,840 --> 00:26:47,200 Speaker 1: things a little bit for you. About that. Oh okay, yeah, 423 00:26:48,600 --> 00:26:51,840 Speaker 1: your name is written down. What how was your appointment? Um? 424 00:26:52,080 --> 00:26:54,159 Speaker 1: My appointment was for about forty five minutes ago. Is 425 00:26:54,160 --> 00:26:57,040 Speaker 1: at eleven o'clock. We're running about forty eight minutes behind, 426 00:26:57,080 --> 00:27:00,720 Speaker 1: so we're close. Okay, so about three minute I think, 427 00:27:01,359 --> 00:27:04,080 Speaker 1: let's say, okay, okay, great, I'll just take a seat 428 00:27:04,359 --> 00:27:10,199 Speaker 1: and seen. Um all right, maybe I threw you off 429 00:27:10,200 --> 00:27:14,520 Speaker 1: a little when they said down here, hey, down here, yeah, sorry, sorry, yeah, 430 00:27:14,600 --> 00:27:19,920 Speaker 1: I see you. God hard to miss me. Ah, what 431 00:27:20,080 --> 00:27:21,719 Speaker 1: I what I said, I want to I don't want 432 00:27:21,760 --> 00:27:23,760 Speaker 1: to see or hear of performance. What I really meant 433 00:27:23,920 --> 00:27:28,560 Speaker 1: was I want to believe what you say. Okay, because 434 00:27:28,640 --> 00:27:30,760 Speaker 1: last time I said and did nothing, I just stood 435 00:27:30,800 --> 00:27:33,200 Speaker 1: there still. That's that's how I interpreted. I don't want 436 00:27:33,200 --> 00:27:35,840 Speaker 1: to see a performance at all. Right, And I didn't 437 00:27:35,880 --> 00:27:40,359 Speaker 1: really believe that, okay. I felt you were all right? Good? No, good? No? 438 00:27:42,040 --> 00:27:46,200 Speaker 1: Why are you sharpening that knife? There's no knife prop 439 00:27:46,440 --> 00:27:49,600 Speaker 1: in that? Should I have brought a knife? Quote? You 440 00:27:49,600 --> 00:27:54,240 Speaker 1: should have brought a knife. Man carry a knife? Were 441 00:27:54,280 --> 00:28:00,520 Speaker 1: you not in the scout. No, yeah, need do you 442 00:28:00,560 --> 00:28:03,560 Speaker 1: think I could use your knife during my audition? If 443 00:28:03,600 --> 00:28:06,800 Speaker 1: a man doesn't give another man is a knife, then 444 00:28:06,800 --> 00:28:11,000 Speaker 1: a man doesn't truly trust another man. That's that's a 445 00:28:11,200 --> 00:28:13,240 Speaker 1: long way to say, of course you could use my knife, right, 446 00:28:13,280 --> 00:28:16,520 Speaker 1: I should have just said, of course, let's try it again. 447 00:28:16,560 --> 00:28:18,359 Speaker 1: Let's try that again. Shi just asked me again, Just 448 00:28:18,440 --> 00:28:21,400 Speaker 1: ask me. Part of me, everybody, part of me. Everybody's 449 00:28:21,400 --> 00:28:25,280 Speaker 1: sorry to interrupt. Um, it's been a new development. Um 450 00:28:25,440 --> 00:28:28,800 Speaker 1: we've had this is unusual. We've had a booking in 451 00:28:29,040 --> 00:28:37,280 Speaker 1: the room. Looking in the room. Uh blimpo. The clown 452 00:28:37,600 --> 00:28:40,960 Speaker 1: just got the part in the room. So those of 453 00:28:41,040 --> 00:28:45,240 Speaker 1: you that are just hanging out here, um, no need. 454 00:28:45,840 --> 00:28:51,560 Speaker 1: Can we auditioned to be the director or producers who 455 00:28:51,680 --> 00:28:57,760 Speaker 1: hung this man up by his arms? There's skin missing missing, sir, 456 00:28:58,560 --> 00:29:06,320 Speaker 1: method or not? The has been the role has been cast. Look, Sorge, 457 00:29:06,360 --> 00:29:08,920 Speaker 1: I I went in undercover and they booked me for 458 00:29:08,960 --> 00:29:13,400 Speaker 1: the movie. I don't I don't know what to tell you. Look, Sorge, Sorge, 459 00:29:13,440 --> 00:29:15,760 Speaker 1: We're gonna find this deer skin killer at some point, 460 00:29:15,880 --> 00:29:18,320 Speaker 1: Like I know he was close. I just don't know 461 00:29:18,400 --> 00:29:21,120 Speaker 1: where your head chat Okay, Blimpo, I felt like you 462 00:29:21,240 --> 00:29:24,280 Speaker 1: were supposed to go and call me Carl. I don't. 463 00:29:24,360 --> 00:29:27,120 Speaker 1: I don't want to call your Carl, Blimpo. You're a 464 00:29:27,240 --> 00:29:30,920 Speaker 1: hero to something. I'm not in the makeup right now, Sorgein. 465 00:29:31,600 --> 00:29:33,640 Speaker 1: But I gotta go to Atlanta for nine months. They 466 00:29:33,680 --> 00:29:35,600 Speaker 1: also got me a personal trainer. I gotta get ripped. 467 00:29:35,760 --> 00:29:38,880 Speaker 1: I gotta get ripped. Well, you gotta just shide for 468 00:29:38,960 --> 00:29:41,520 Speaker 1: yourself right here and right now. Do you want to 469 00:29:41,600 --> 00:29:46,160 Speaker 1: be at MC you actor or you want to be 470 00:29:46,280 --> 00:29:52,440 Speaker 1: a hero MC? You act? Don I think this is exciting. 471 00:29:52,640 --> 00:29:55,040 Speaker 1: I mean, I am totally down. Just go to Atlanta. 472 00:29:55,360 --> 00:29:57,160 Speaker 1: Let's let's take that by storm. You know, I think 473 00:29:57,200 --> 00:30:00,800 Speaker 1: Hollywood too saturated, right, I mean, this is it. Listen it, 474 00:30:00,960 --> 00:30:04,520 Speaker 1: don I'm with it. Let's let's do let's let's do this. Huh. 475 00:30:04,840 --> 00:30:07,280 Speaker 1: Oh my god, I feel juice, you know, bringing theater 476 00:30:07,720 --> 00:30:10,760 Speaker 1: back into the onto onto the screen, and the screen 477 00:30:10,840 --> 00:30:15,280 Speaker 1: back into theater. Oh god, oh are you sleep on? 478 00:30:17,520 --> 00:30:21,400 Speaker 1: Let's just turn the music. No, no, no, I'm sorry, man, 479 00:30:21,480 --> 00:30:23,240 Speaker 1: I didn't hear you. I didn't hear you first. Yeah 480 00:30:23,520 --> 00:30:28,800 Speaker 1: you want to go to Atlanta? Yeah your idea? Yeah? Yeah, yeah, yeah, yeah, 481 00:30:29,480 --> 00:30:32,320 Speaker 1: what's up? What's up? A great idea. I just added 482 00:30:32,320 --> 00:30:34,240 Speaker 1: a lot of changes of hearts. Man, my heart has 483 00:30:34,280 --> 00:30:42,280 Speaker 1: been changed. Well what happened? Had an event? I don't 484 00:30:42,280 --> 00:30:44,440 Speaker 1: know if I could say more than that, and an 485 00:30:44,520 --> 00:30:54,440 Speaker 1: event event horizon events like gala, all of those Jesus. Yeah. 486 00:30:54,680 --> 00:30:59,600 Speaker 1: So my father owns acres in Atlanta. If you want 487 00:30:59,600 --> 00:31:06,080 Speaker 1: to go there, you can have all of them. Come on, 488 00:31:06,320 --> 00:31:09,160 Speaker 1: and you can't take a couple of radio down there, 489 00:31:09,240 --> 00:31:11,360 Speaker 1: start your own studio, whatever you need to do. I'm 490 00:31:11,400 --> 00:31:15,280 Speaker 1: just handing a vent. I'm out. I'm tapping out of 491 00:31:15,320 --> 00:31:17,200 Speaker 1: the business and tapping out them out. None of the 492 00:31:17,640 --> 00:31:19,360 Speaker 1: doors are locked. Do not roll out of the car. Okay, 493 00:31:19,480 --> 00:31:22,600 Speaker 1: just why don't Why don't we just just maybe talk 494 00:31:22,640 --> 00:31:24,240 Speaker 1: about it on the drive. Maybe you'll have it, maybe 495 00:31:24,280 --> 00:31:25,640 Speaker 1: you'll have another change of heart, or maybe we can 496 00:31:25,720 --> 00:31:29,000 Speaker 1: have a new event now. Huh sure, Yeah that makes 497 00:31:29,000 --> 00:31:31,360 Speaker 1: you feel better. Yeah, let's pretend. Let's pretend I'll change 498 00:31:31,400 --> 00:31:33,680 Speaker 1: Let's why why don't we just stop at that subway 499 00:31:34,320 --> 00:31:37,080 Speaker 1: have have a couple of foot long talking over. That's great, 500 00:31:37,160 --> 00:31:40,160 Speaker 1: let's do that. Let's stop in the subway. Blimpo, blimpo 501 00:31:40,240 --> 00:31:46,920 Speaker 1: over here, Blimpo over here Weekly Talent, Hi, Blimpo, I 502 00:31:46,960 --> 00:31:50,880 Speaker 1: just want to say, why are you asking? Huge fan, 503 00:31:51,120 --> 00:31:55,520 Speaker 1: huge fan now, juge fan of Talent Weekly? Thank you, 504 00:31:55,720 --> 00:31:58,520 Speaker 1: thank you? Now. How do you feel about the correlation 505 00:31:58,600 --> 00:32:04,840 Speaker 1: between your riseing face and rising crime? Well, there's a 506 00:32:04,920 --> 00:32:10,800 Speaker 1: correlation that does not imply a causation. I'm booking, I'm 507 00:32:10,840 --> 00:32:12,640 Speaker 1: booking more work as an actor. I don't know what 508 00:32:12,760 --> 00:32:21,280 Speaker 1: I would have to do with the rising crime. Yeah yeah. 509 00:32:21,600 --> 00:32:27,200 Speaker 1: How do you feel about the name Carl Carl? Yeah? 510 00:32:27,520 --> 00:32:30,520 Speaker 1: Blimp Oh? How do you feel about the name Carl 511 00:32:31,520 --> 00:32:35,160 Speaker 1: for like a clown or like, I don't know, somebody 512 00:32:35,240 --> 00:32:41,240 Speaker 1: going to undercover trying to trick the world face? Well, 513 00:32:41,320 --> 00:32:43,760 Speaker 1: I wouldn't know anything about that. I'm merely a clown 514 00:32:44,080 --> 00:32:47,520 Speaker 1: who is now the lead in a huge Marvel tent 515 00:32:47,640 --> 00:32:51,320 Speaker 1: pole movie. I really should not be having a press converence. 516 00:32:51,320 --> 00:32:53,400 Speaker 1: I've got ten hours of motion capture that I gotta 517 00:32:53,440 --> 00:33:00,200 Speaker 1: do later today, have you, Mr Blimple? Right, Yeah, I'm 518 00:33:00,480 --> 00:33:02,920 Speaker 1: just I'm your training. We're gonna do it, but at 519 00:33:03,000 --> 00:33:05,160 Speaker 1: least two hours in the morning, two hours in the 520 00:33:05,320 --> 00:33:08,920 Speaker 1: f a oon not so. We're gonna start off with 521 00:33:09,120 --> 00:33:12,040 Speaker 1: some light stuff all right, give me like sixty push ups. 522 00:33:12,440 --> 00:33:16,520 Speaker 1: I've been I've been stress eating. Uh, it's been. It's 523 00:33:16,600 --> 00:33:18,640 Speaker 1: really tough. Like this is more than I could handle. 524 00:33:18,920 --> 00:33:22,080 Speaker 1: I did a two hour press conference today for no reason. 525 00:33:22,640 --> 00:33:24,520 Speaker 1: I would say, for no reason. It's true. Let's we're 526 00:33:24,520 --> 00:33:26,840 Speaker 1: gonna start you on a strictly cam boot your diet. 527 00:33:27,040 --> 00:33:31,480 Speaker 1: You're isn't that a little sugary? Yeah, you'd be surprised. 528 00:33:31,960 --> 00:33:36,000 Speaker 1: We've got different flavors. They're all unsweetened. No sugar. Oh 529 00:33:36,160 --> 00:33:38,720 Speaker 1: so not GT S Huh No, No, you're gonna love 530 00:33:38,800 --> 00:33:41,160 Speaker 1: the natural time blamp. I don't know what's going on, 531 00:33:41,480 --> 00:33:43,840 Speaker 1: but some of these articles are coming out are really 532 00:33:43,840 --> 00:33:47,640 Speaker 1: gonna really gonna hurt the franchise. Okay, so we're gonna 533 00:33:47,680 --> 00:33:49,520 Speaker 1: need you to go out there and do some public PR, 534 00:33:49,720 --> 00:33:57,640 Speaker 1: all right, public public relations, public public relations, because I 535 00:33:57,760 --> 00:34:00,200 Speaker 1: was I was doing private PR for a while, and 536 00:34:00,280 --> 00:34:02,200 Speaker 1: that's how you're saying. You're saying, I gotta take that 537 00:34:02,280 --> 00:34:05,280 Speaker 1: PR public. Look. Mr Fake does not like the idea 538 00:34:05,800 --> 00:34:08,480 Speaker 1: that one of his actors is causing crimes. What did 539 00:34:08,520 --> 00:34:13,360 Speaker 1: you call him? Paul Fake? Oh, Paul Fake is directing 540 00:34:13,640 --> 00:34:15,759 Speaker 1: its directing the Marvel movie. I did not I did 541 00:34:15,840 --> 00:34:20,000 Speaker 1: I realize that. Okay, yes, yes, so he's Mr Fake. 542 00:34:20,200 --> 00:34:28,720 Speaker 1: Sit sit, sit, go boy, go boy, Scotch you scotch Ally. 543 00:34:29,160 --> 00:34:36,000 Speaker 1: You're so funny, so fun he's so talented. So that 544 00:34:36,160 --> 00:34:38,520 Speaker 1: little pug with the designer suit in the boat, I 545 00:34:38,719 --> 00:34:43,960 Speaker 1: was Paul fake. I'll tell you who's gonna be in 546 00:34:44,040 --> 00:34:46,279 Speaker 1: the room at all. It's not like the police, So 547 00:34:46,360 --> 00:34:48,680 Speaker 1: they don't have to do that. They don't, I describe. 548 00:34:49,239 --> 00:34:54,480 Speaker 1: That's a myth to hey, sarge. Yeah, I know things 549 00:34:54,520 --> 00:34:57,200 Speaker 1: have been tough arongd here lately. He ye, they've been tough. 550 00:34:57,880 --> 00:35:01,560 Speaker 1: I was wondering if maybe, um, maybe I got audition 551 00:35:02,200 --> 00:35:05,200 Speaker 1: for the role of clown in the interrogation room, since 552 00:35:05,239 --> 00:35:08,480 Speaker 1: I know that's been lacking around here lately. Do you 553 00:35:08,600 --> 00:35:11,520 Speaker 1: think we have an audition process? Come here, come here, 554 00:35:11,600 --> 00:35:18,680 Speaker 1: my boy. Yeah, I have white cream makeup. Give me, 555 00:35:20,360 --> 00:35:22,800 Speaker 1: what are you gonna do? Oh? What do you do 556 00:35:22,920 --> 00:35:26,040 Speaker 1: with that white cream? Yeah? That magup is not gonna stay. 557 00:35:26,080 --> 00:35:31,319 Speaker 1: It's just cream. Look, look, okay, I got the part. 558 00:35:31,360 --> 00:35:33,920 Speaker 1: You didn't. I'm just saying it's melting on your body. Here. 559 00:35:34,320 --> 00:35:36,279 Speaker 1: You're good. You're a good cop. Who's bad cop today? 560 00:35:36,280 --> 00:35:41,680 Speaker 1: Because I'm clown cop. God, we've got a return clients. 561 00:35:43,160 --> 00:35:46,920 Speaker 1: I believe he's we need somebody to interrogate him. Um, 562 00:35:47,200 --> 00:35:51,200 Speaker 1: he's got a knife, flat blood. He's in the interrogation 563 00:35:51,320 --> 00:35:56,440 Speaker 1: room now, return client. I'm just good cops, so I'm 564 00:35:56,440 --> 00:35:58,480 Speaker 1: trying to be friendly about it. He's a bad guy. 565 00:35:58,920 --> 00:36:03,880 Speaker 1: He's a bad guy. Folk. Oh, what's happening? All right? 566 00:36:04,760 --> 00:36:10,719 Speaker 1: Clown copple? All right? Jergens in the face, it's in 567 00:36:10,800 --> 00:36:21,960 Speaker 1: your eyes? Is that a scene too? Oh? Man? Patron 568 00:36:22,080 --> 00:36:24,760 Speaker 1: v I P. Jared Lewis gives us this next scene, 569 00:36:24,800 --> 00:36:27,920 Speaker 1: He wrote, I continue to love the show. How about that? 570 00:36:28,520 --> 00:36:32,720 Speaker 1: It continues for Jared. His scene suggestion is the uncle 571 00:36:33,360 --> 00:36:37,040 Speaker 1: hotline and follow up comment whatever came out of the 572 00:36:37,200 --> 00:36:41,399 Speaker 1: review corner. Kevin asked Craig about whatever whenever came out 573 00:36:41,440 --> 00:36:44,320 Speaker 1: of that that we keep doing it because it's funny. 574 00:36:44,360 --> 00:36:52,800 Speaker 1: It makes me laugh. The uncle hot line, look us 575 00:36:52,960 --> 00:36:58,680 Speaker 1: uncle hot line. Hi, I'm looking for some uncle the advice. Yeah, 576 00:36:58,800 --> 00:37:00,360 Speaker 1: of course this is the uncle hot line. But you 577 00:37:00,440 --> 00:37:06,080 Speaker 1: got handle advice we give. My parents just keep arguing 578 00:37:06,480 --> 00:37:09,920 Speaker 1: and I'm wondering if there's something I can do, And 579 00:37:10,000 --> 00:37:13,000 Speaker 1: I'm thinking, are you a nephew? Or a niece. I'm 580 00:37:13,080 --> 00:37:15,759 Speaker 1: a I'm a son. Okay, I need you to hang 581 00:37:15,840 --> 00:37:17,440 Speaker 1: up this phone. If you're not an uncle, this is 582 00:37:17,640 --> 00:37:20,760 Speaker 1: exclusively for uncle. You need to call some of the hotline. 583 00:37:21,320 --> 00:37:24,000 Speaker 1: I was trying to get out of advice. Hold on, 584 00:37:24,520 --> 00:37:26,000 Speaker 1: you stay on the line. I'm going to answer this. 585 00:37:26,239 --> 00:37:29,400 Speaker 1: Do you just listen to this? Yes? Hello, uncle, hotline. Hi, 586 00:37:29,920 --> 00:37:33,759 Speaker 1: I'm looking for some funcal advice a phone uncle, your 587 00:37:33,840 --> 00:37:38,279 Speaker 1: uncle or your fune uncle. Uh no, I'm a nephew. Okay, look, look, 588 00:37:38,640 --> 00:37:41,000 Speaker 1: get off this. Both of you get on the line 589 00:37:41,000 --> 00:37:44,400 Speaker 1: at the same time. This is a line exclusively for 590 00:37:44,760 --> 00:37:48,720 Speaker 1: uncle's calling in who need advice or just emotional support 591 00:37:48,840 --> 00:37:52,120 Speaker 1: or have advice to get to others, nephews and kids 592 00:37:52,200 --> 00:37:58,879 Speaker 1: and sons. It's not for you guys. Okay, say hello, hey, yeah, 593 00:37:59,040 --> 00:38:00,920 Speaker 1: give me a cup of coffee. Man, this is killing 594 00:38:01,000 --> 00:38:05,319 Speaker 1: me today. What's going on? The kids are calling in? Man, 595 00:38:05,440 --> 00:38:07,440 Speaker 1: then I don't these kids are calling in. We need 596 00:38:07,520 --> 00:38:09,640 Speaker 1: to do some kind of better advertising. But what we're 597 00:38:09,640 --> 00:38:13,160 Speaker 1: doing here, yeah, I don't know. I mean everyone, all 598 00:38:13,160 --> 00:38:15,719 Speaker 1: the people haven't getting the same thing. It's just not uncle. 599 00:38:15,760 --> 00:38:18,399 Speaker 1: People wanting to connect with the brother of their father 600 00:38:18,520 --> 00:38:24,800 Speaker 1: and it's we haven't gotten a single uncle one none. Alright, everybody, 601 00:38:24,880 --> 00:38:28,240 Speaker 1: thanks for meeting up. So there's been some concerns raised 602 00:38:28,320 --> 00:38:36,520 Speaker 1: recently about the clients. They repeat, customers, repeat customers. Yeah, yes, 603 00:38:36,960 --> 00:38:39,320 Speaker 1: so um um, I understand here, I'm looking at the 604 00:38:39,440 --> 00:38:43,000 Speaker 1: common cards that have been uh pulled out of the box. 605 00:38:43,120 --> 00:38:48,640 Speaker 1: What did they say? You know? You can move up? 606 00:38:48,840 --> 00:38:52,920 Speaker 1: Terry got back here. There's also there's like a hundred 607 00:38:52,960 --> 00:38:55,120 Speaker 1: empty seats between you and the back of the room. 608 00:38:55,320 --> 00:38:58,879 Speaker 1: And that's something else. Look how many uncles we've been dropping? Huh? 609 00:38:59,080 --> 00:39:01,279 Speaker 1: I mean this pleasures to be filled with uncle was 610 00:39:01,920 --> 00:39:05,080 Speaker 1: only five of us? All. You could not swing an 611 00:39:05,080 --> 00:39:07,200 Speaker 1: aunt without hitting an uncle. And now I didn't get 612 00:39:07,200 --> 00:39:10,160 Speaker 1: a single uncle. Call all right then, and are you 613 00:39:10,280 --> 00:39:12,719 Speaker 1: a uncle? Are you and uncle lou I own the 614 00:39:12,800 --> 00:39:19,520 Speaker 1: business an uncle? Simple question, Louke. I'm working on it. 615 00:39:19,640 --> 00:39:22,920 Speaker 1: My sisters, my sisters. My sister is trying to have 616 00:39:23,000 --> 00:39:25,600 Speaker 1: a baby, okay, And you're not working on and you're 617 00:39:25,640 --> 00:39:28,480 Speaker 1: just patiently waiting for your sister to get knocked up. Look, 618 00:39:28,520 --> 00:39:31,320 Speaker 1: all I'm saying is I hear you letting clear? What 619 00:39:31,360 --> 00:39:35,680 Speaker 1: do you when you're working on it? Are you fix 620 00:39:35,800 --> 00:39:38,759 Speaker 1: and watching them, what the hell's going on? I'm not 621 00:39:38,960 --> 00:39:43,440 Speaker 1: forcing them, but I'm watching. I didn't expect you to 622 00:39:43,520 --> 00:39:48,239 Speaker 1: come over today. One's happening. Jerry Louse here, my brother. 623 00:39:48,320 --> 00:39:52,840 Speaker 1: We we come inside. Let's dinner together. Okay, great, thanks? Thanks? 624 00:39:52,920 --> 00:39:59,320 Speaker 1: Wow you look pretty today? Thank you? Scared? Where's where's 625 00:39:59,360 --> 00:40:02,399 Speaker 1: your Jerry's setting the table and we were just about 626 00:40:02,440 --> 00:40:09,839 Speaker 1: to eat his perfect timing. Well, Jerry lose here, brother 627 00:40:09,840 --> 00:40:12,840 Speaker 1: in law. Hello, all right, I'm just gonna come into you. 628 00:40:12,960 --> 00:40:15,920 Speaker 1: Hey man, good to see you. What's going on? Nothing? 629 00:40:16,000 --> 00:40:17,759 Speaker 1: I just want to see what's up. Hey? You ever? 630 00:40:17,920 --> 00:40:20,840 Speaker 1: Um if you go to a gas station? Sure? What 631 00:40:21,160 --> 00:40:24,279 Speaker 1: kind of question is that? I guess a dumb one? 632 00:40:25,000 --> 00:40:28,160 Speaker 1: You ever? Um? You ever try any of these white 633 00:40:28,520 --> 00:40:35,360 Speaker 1: Rhino pills? White Rhino by your your sponsor guessing? No, dude, 634 00:40:35,719 --> 00:40:39,919 Speaker 1: take one of these fucking things gonna happen. Well, LOUI, 635 00:40:39,960 --> 00:40:42,200 Speaker 1: I wanted to contact you first before I had uh 636 00:40:42,880 --> 00:40:46,040 Speaker 1: respond to your sister. But Terry's not doing well? What 637 00:40:46,120 --> 00:40:50,040 Speaker 1: do you mean, Jerry? You can sit back least. Yeah, 638 00:40:50,120 --> 00:40:53,880 Speaker 1: let's let's get some dude. Terry's not doing well. They 639 00:40:53,880 --> 00:40:56,600 Speaker 1: don't know what toxicology is running right now, they're not sure, 640 00:40:57,680 --> 00:41:03,560 Speaker 1: but the psychology reporting. Oh thank you, okay, thank you 641 00:41:03,760 --> 00:41:06,279 Speaker 1: so much. All these just these just a whole bunch 642 00:41:06,320 --> 00:41:08,600 Speaker 1: of circles. You just drew a whole bunch of circles. Okay, 643 00:41:09,080 --> 00:41:12,560 Speaker 1: this isn't good. This isn't good. Is it because he 644 00:41:12,719 --> 00:41:18,680 Speaker 1: was um? He was sex and too hard? I would 645 00:41:18,680 --> 00:41:21,479 Speaker 1: be a hard thing. But is that there's that dude? 646 00:41:21,719 --> 00:41:32,520 Speaker 1: Is interesting? Bumping or rhino pip? What is this generic 647 00:41:32,600 --> 00:41:35,920 Speaker 1: farm of the white rhino pills that you can look? Doctor? Doctor? 648 00:41:36,000 --> 00:41:40,560 Speaker 1: Can I ask you a really difficult question? Okay, are 649 00:41:40,560 --> 00:41:45,319 Speaker 1: you an uncle? I am? Yeah, Holy sh it, um? 650 00:41:45,920 --> 00:41:47,719 Speaker 1: And now a personal question? How much money do you 651 00:41:47,800 --> 00:41:54,160 Speaker 1: make being a doctor? Seven eight million dollars a day? So, Lou, 652 00:41:54,239 --> 00:41:57,160 Speaker 1: I'm supposed to take advice from you, a non uncle, 653 00:41:57,360 --> 00:42:00,080 Speaker 1: to tell me and uncle how to give advice to 654 00:42:00,160 --> 00:42:03,520 Speaker 1: other uncles. No, we're calling in. No, we're saying, man, 655 00:42:03,600 --> 00:42:06,480 Speaker 1: it's just nuts. Come on, I was okay, I'm going 656 00:42:06,560 --> 00:42:09,400 Speaker 1: to fix it right now. Now. How did you let 657 00:42:09,480 --> 00:42:12,480 Speaker 1: me read the comment cards two weeks ago when this 658 00:42:12,600 --> 00:42:14,960 Speaker 1: all started, you would know that I have a little 659 00:42:15,000 --> 00:42:16,920 Speaker 1: bit of a budget, and that budget is going to 660 00:42:16,960 --> 00:42:19,879 Speaker 1: go to new advertising, and I'm giving you good, good, good. 661 00:42:20,000 --> 00:42:23,480 Speaker 1: I'm giving you six seven hundred bucks to make a 662 00:42:23,560 --> 00:42:26,920 Speaker 1: new commercial to get two things. We need more in 663 00:42:27,000 --> 00:42:30,399 Speaker 1: this room, well for the production and we need people 664 00:42:30,440 --> 00:42:32,920 Speaker 1: to know only uncles can call. Yeah, but we get 665 00:42:32,920 --> 00:42:34,320 Speaker 1: that kind of money or is it all go to 666 00:42:34,400 --> 00:42:40,279 Speaker 1: pool the whole production to six or seven hundred bucks? Yeah? 667 00:42:42,120 --> 00:42:45,560 Speaker 1: Dr Murphy, which you step into my office place. Yes, 668 00:42:46,040 --> 00:42:49,080 Speaker 1: I know you are, by the way, thanks for singing. 669 00:42:49,160 --> 00:42:51,520 Speaker 1: There's just too much sadness in this hospital. I feel 670 00:42:51,560 --> 00:42:54,040 Speaker 1: the same way. I know you are up for a 671 00:42:54,239 --> 00:42:56,560 Speaker 1: raise this year, So we would like to go ahead 672 00:42:56,560 --> 00:42:59,160 Speaker 1: and just have a quick talk a quickly because we 673 00:42:59,280 --> 00:43:04,160 Speaker 1: like to say around and then sure and then just 674 00:43:04,320 --> 00:43:08,120 Speaker 1: let's discuss. Let's discussing a raise. You've been doing a 675 00:43:08,200 --> 00:43:13,320 Speaker 1: fantastic job here at the hospital. Now in informs of 676 00:43:13,719 --> 00:43:17,120 Speaker 1: financial payment, you have a family that you're supporting. Yeah, 677 00:43:17,360 --> 00:43:19,279 Speaker 1: I'm gonna slide a piece of paper over with a 678 00:43:19,360 --> 00:43:21,399 Speaker 1: number that we'd like to offer you in a raise, 679 00:43:21,480 --> 00:43:24,400 Speaker 1: and then you just not or not or nay as 680 00:43:24,480 --> 00:43:32,359 Speaker 1: we say again, slide Okay, let's you can look at this. Hello, Uh, 681 00:43:32,960 --> 00:43:35,719 Speaker 1: you know six million more dollars? Do I want that? 682 00:43:35,800 --> 00:43:38,799 Speaker 1: A day? You look at you. You want to get 683 00:43:38,840 --> 00:43:43,759 Speaker 1: paid seven to eight million, then yes, but I would 684 00:43:43,800 --> 00:43:45,279 Speaker 1: also like if you want to bump it up in 685 00:43:45,320 --> 00:43:48,439 Speaker 1: a couple of mill I'll take that a little oil spill, 686 00:43:49,280 --> 00:43:53,440 Speaker 1: take it up. Hey, sis, Um, sorry to hear about Jerry. 687 00:43:55,200 --> 00:43:57,760 Speaker 1: I just don't know what happened. He never did drugs before. 688 00:43:58,000 --> 00:44:00,279 Speaker 1: I'll be at the funeral for sure, but I wanted 689 00:44:00,320 --> 00:44:04,759 Speaker 1: to I want to introduce you to my buddy. This 690 00:44:04,920 --> 00:44:11,120 Speaker 1: is Jake, Jake. This my sister, Jakes six pack Jake choke. 691 00:44:11,239 --> 00:44:16,480 Speaker 1: Sure your stomach it looks like this. We got two 692 00:44:16,560 --> 00:44:19,360 Speaker 1: hours in the morning, two hours at night. Thank you 693 00:44:19,440 --> 00:44:23,759 Speaker 1: guys coming over. I'm sorry. I just wanted to know 694 00:44:23,880 --> 00:44:25,120 Speaker 1: that I want to let you know that I'm there 695 00:44:25,200 --> 00:44:29,319 Speaker 1: for you. He brought your favorite rosetne. Oh wow. Yeah, 696 00:44:29,400 --> 00:44:32,279 Speaker 1: So I'm gonna step out for a sec and let 697 00:44:32,360 --> 00:44:39,440 Speaker 1: you too, just you know, grieve together. Thanks Jake. Your 698 00:44:39,520 --> 00:44:42,239 Speaker 1: muscles are probably pretty sore because your husband just died. 699 00:44:43,040 --> 00:44:46,800 Speaker 1: That feels nice. Yeah, I loved my husband. He was 700 00:44:46,920 --> 00:44:50,360 Speaker 1: just something special, you know. Uh, we were trying. Not 701 00:44:50,480 --> 00:44:53,560 Speaker 1: in your right shoulder. Oh, I don't know if that's 702 00:44:53,760 --> 00:44:56,960 Speaker 1: not that hurts. When doctor we have a patient just 703 00:44:57,080 --> 00:45:02,560 Speaker 1: came in her right shoulder as exploded something about it immediately. Yes, yes, 704 00:45:02,640 --> 00:45:04,440 Speaker 1: of course, of course, all right. I put her in 705 00:45:04,440 --> 00:45:06,720 Speaker 1: an emergency room right now. We're gonna do emergency surgery 706 00:45:07,000 --> 00:45:11,680 Speaker 1: probably on the never mind doctor if she she didn't 707 00:45:11,680 --> 00:45:18,239 Speaker 1: make it, alright, Uncle's um so are you an uncle? Yeah, 708 00:45:18,360 --> 00:45:21,319 Speaker 1: lou are you? Uh? What's the deal here, buddy? What's 709 00:45:21,360 --> 00:45:24,120 Speaker 1: going on? And we finished that commercial? That's what I 710 00:45:24,200 --> 00:45:26,719 Speaker 1: want to that's what I want to see. Um, let's see. 711 00:45:26,800 --> 00:45:28,200 Speaker 1: Let's let's see what you can. You can see all 712 00:45:28,280 --> 00:45:31,600 Speaker 1: six under bucks right up there on that screen. I'll 713 00:45:31,640 --> 00:45:38,000 Speaker 1: press play. Then good graphics, good graphics. There's no sound. 714 00:45:38,640 --> 00:45:50,080 Speaker 1: Damn got that shit. All's back like he's doing insane 715 00:45:50,160 --> 00:45:57,880 Speaker 1: good things would have been subtitles or something. Mhmm. You 716 00:45:57,920 --> 00:46:00,360 Speaker 1: can see we're all dressed as famous uncles. There's a 717 00:46:00,480 --> 00:46:09,640 Speaker 1: Sam Wiggly Buck Tom guys. No, it's the phone. It's 718 00:46:09,680 --> 00:46:15,359 Speaker 1: the hot line. Yeah, uncle, hot line. Can I help you? Yeah? 719 00:46:15,440 --> 00:46:20,080 Speaker 1: You killed my brother Jerry. I'm sorry you and uncle? Yeah. 720 00:46:20,360 --> 00:46:23,359 Speaker 1: Oh yeah, go ahead, talk on, talk on. Yes, yeah, 721 00:46:24,000 --> 00:46:28,200 Speaker 1: fuckers killed my brother Ja Terry for the back of 722 00:46:28,239 --> 00:46:36,640 Speaker 1: the room. That's our show for today. Oh, uncle Ken 723 00:46:38,520 --> 00:46:48,560 Speaker 1: Kevin just answers what's up? Ye, yep, what's up? Lame 724 00:46:48,680 --> 00:46:51,120 Speaker 1: ist shit ever, I want to thank you to every 725 00:46:51,160 --> 00:46:54,120 Speaker 1: one of you for not being as lame James he 726 00:46:54,239 --> 00:46:57,520 Speaker 1: need thank you so much, my brother, thank you for 727 00:46:57,680 --> 00:47:00,840 Speaker 1: thanking me. It's been a pleasure. And as an uncle, 728 00:47:01,040 --> 00:47:06,120 Speaker 1: I found that that was a really relatable last scene. Yeah, 729 00:47:07,000 --> 00:47:11,319 Speaker 1: and thank you for that. Christo Varado, thank you, Thank 730 00:47:11,360 --> 00:47:13,919 Speaker 1: you man. I was just thinking how funny that video 731 00:47:14,080 --> 00:47:16,840 Speaker 1: was that we posted with the with the bus exploding. 732 00:47:18,360 --> 00:47:25,279 Speaker 1: That was incredible. Incredible. Yeah, and by funny you mean 733 00:47:25,400 --> 00:47:30,560 Speaker 1: messed up. Oh, come on, it's all. That was the 734 00:47:30,640 --> 00:47:34,359 Speaker 1: hardest I had left in months, if not yours. That's 735 00:47:34,400 --> 00:47:36,560 Speaker 1: good for something, That's good for a lot of things. 736 00:47:36,680 --> 00:47:40,520 Speaker 1: Creig Atkowski, I am an uncle five times over and 737 00:47:40,600 --> 00:47:42,440 Speaker 1: the amount of work that I had to do to 738 00:47:42,680 --> 00:47:45,719 Speaker 1: ensure that I become an uncle, Like, let's just say that, 739 00:47:46,160 --> 00:47:49,600 Speaker 1: I'm I'm glad that I've moved on from that. Yes. Yeah. 740 00:47:49,719 --> 00:47:55,440 Speaker 1: For each of the kids, which of the nieces and 741 00:47:55,520 --> 00:48:07,759 Speaker 1: Nevil named Joey Griman, thank you as well. Thank you 742 00:48:07,880 --> 00:48:09,880 Speaker 1: for having me. You know, if there's one thing I 743 00:48:09,960 --> 00:48:14,000 Speaker 1: want everyone to do, especially during these times. Check this, 744 00:48:14,160 --> 00:48:16,959 Speaker 1: check out out Chemy, this Instagram, you know maybe maybe 745 00:48:17,040 --> 00:48:20,359 Speaker 1: the maybe the reddit. Alright, Alchemy, this pod fair enough 746 00:48:20,400 --> 00:48:24,520 Speaker 1: and definitely definitely join up. You know on the patroon 747 00:48:24,520 --> 00:48:26,800 Speaker 1: you're gonna get a bonus in. There's all kinds of 748 00:48:26,840 --> 00:48:31,840 Speaker 1: bonus crap. I mean, why not, Gary, Hi man, my 749 00:48:32,040 --> 00:48:38,800 Speaker 1: regards to the state of Michigan. Yeah, I'm in Michigan 750 00:48:38,920 --> 00:48:42,680 Speaker 1: right now. It is let me tell you, and and 751 00:48:42,800 --> 00:48:45,359 Speaker 1: you probably know this because you do the road a lot. 752 00:48:45,960 --> 00:48:48,960 Speaker 1: Anything you want in Michigan they hand it to you. 753 00:48:49,239 --> 00:48:52,880 Speaker 1: Like it's like literally given whatever you need. What's that 754 00:48:53,000 --> 00:48:54,640 Speaker 1: song with a If you go down to the river 755 00:48:54,800 --> 00:48:57,839 Speaker 1: that you're gonna find some people who whatever, I got 756 00:48:57,920 --> 00:49:00,040 Speaker 1: no money, people on the river happy. That's how it 757 00:49:00,200 --> 00:49:03,480 Speaker 1: is in Michigan, Like seriously, like rolling on something. They're 758 00:49:03,520 --> 00:49:09,439 Speaker 1: here for you. Where are you on the state. You're 759 00:49:09,560 --> 00:49:15,800 Speaker 1: the elbow. You're the asy ash elbow of Michigan. Love it, 760 00:49:16,440 --> 00:49:19,440 Speaker 1: Love you all, And to our wonderful producer and engineer 761 00:49:19,520 --> 00:49:23,239 Speaker 1: to the stars, Mr Doug Bain. Find folks that I 762 00:49:23,320 --> 00:49:28,000 Speaker 1: heart media from I'm your host, Kevin Pollock, thanking each 763 00:49:28,040 --> 00:49:30,560 Speaker 1: and every damn one of you for checking us out. 764 00:49:30,640 --> 00:49:33,880 Speaker 1: Telling everyone you've ever met all about us and for 765 00:49:33,960 --> 00:49:36,320 Speaker 1: your support. Please be kind to each other, so until 766 00:49:36,400 --> 00:49:36,919 Speaker 1: next time,