WEBVTT - Next Level ("The First Time" S3 EP 5)

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<v Speaker 1>And That's what you Really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You Really miss podcast. It's

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<v Speaker 1>a musical week, well school musical week.

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<v Speaker 3>It's a week of first Oh, very good, very good, Kevin.

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<v Speaker 2>This episode, season three, episode five, the first time originally

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<v Speaker 2>aired November eighth, two thy eleven. This was a dense episode.

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<v Speaker 1>A lot a lot happened.

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<v Speaker 2>I stopped halfway through and I was like, this has

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<v Speaker 2>got to be almost over right, Not because I was bored.

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<v Speaker 2>I just meant I wasn't sure what because I thought

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<v Speaker 2>my side story number was in this and I was

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<v Speaker 2>on halfway through.

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<v Speaker 1>Yes, I I did the exact same thing. I had

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<v Speaker 1>to pause, and I was like, oh, there's a lot

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<v Speaker 1>a lot happens. Let's just get into it. There's okay,

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<v Speaker 1>So something's happening in the world before the number one song.

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<v Speaker 1>I feel like we're gonna see this a lot moving forward,

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<v Speaker 1>not that we haven't before, but like we're gonna do

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<v Speaker 1>the song. Five episodes later, we found Love is the

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<v Speaker 1>number one song Rihanna and Calvin Harris, and that's going

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<v Speaker 1>to be an iconic number for you. Kevin and the

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<v Speaker 1>number one movie is still pussing Boots. But more importantly,

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<v Speaker 1>there's a lot of Glee news this week.

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<v Speaker 2>Yeah. On November eleventh, Glee The Music the Christmas Album,

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<v Speaker 2>Volume two was released Shout Out Too. Yeah. The album

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<v Speaker 2>featured twelve fest tracks, including two original songs, eight of

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<v Speaker 2>which appear in episode nine of this third season. This

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<v Speaker 2>album was available on CD Ancient and for digital download

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<v Speaker 2>Get All in One for Christmas? Is You Extraordinary? Merry Christmas?

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<v Speaker 2>Santa Baby, let it snow Christmas Rapping? Do they know

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<v Speaker 2>it's Christmas? Oh? My god? Do they know it's Christmas?

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<v Speaker 1>Christmas? Wow?

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<v Speaker 2>There's a lot.

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<v Speaker 1>Yeah, we'll get into that with the next episode.

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<v Speaker 2>Yeah. So this episode was directed by our editor extraordinaire

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<v Speaker 2>and also now director Extraordinaire Brad Beaker.

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<v Speaker 1>M H and written by Roberto A Gear Sicassa who

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<v Speaker 1>is off to make it a very very large career

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<v Speaker 1>for himself after this.

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<v Speaker 2>A little show called Riverdale.

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<v Speaker 1>Have you heard of it? Okay? So, the songs in

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<v Speaker 1>the show tonight, we are doing school musical, so a

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<v Speaker 1>lot of them will be west Side Story, but some

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<v Speaker 1>of them won't Tonight west Side Story, Uptown Girl, Billy, Joel, interesting,

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<v Speaker 1>boy like that. I have a love west Side Story, America,

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<v Speaker 1>west Side Story and one hand, one heart. So this

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<v Speaker 1>is like the Brittany episode and then you get only exception.

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<v Speaker 2>Yeah, we also get our introduction to one Grant Gustin.

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<v Speaker 1>Welcome to the show.

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<v Speaker 2>Grant. We start that roller coaster pre him being the

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<v Speaker 2>flash m hm, and I didn't realize he came in,

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<v Speaker 2>so well we'll get there. But I was like, oh,

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<v Speaker 2>Grant's coming in hot.

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<v Speaker 1>Oh yeah, I know, okay. Grant also, fun fact, was

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<v Speaker 1>in the national tour of The West Side Story right

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<v Speaker 1>before this, right before he started Glee and now is

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<v Speaker 1>in Angle.

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<v Speaker 2>So he was being haunted by West Side Story.

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<v Speaker 1>Yeah, yeah, yeah, yeah, it's a great show. Okay, fun facts.

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<v Speaker 1>We've got some fun facts for this episode. So Kevin,

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<v Speaker 1>this is Artie's first voiceover of the series.

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<v Speaker 2>I could tell because someone wasn't very good at them.

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<v Speaker 1>So when you do the voiceovers for this, for any only,

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<v Speaker 1>usually it's like the end of the day. The mike,

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<v Speaker 1>like the boom operator, who is like one of our

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<v Speaker 1>main sound guys. They come over, you stand with the

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<v Speaker 1>director literally like holding your lines, and you read it

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<v Speaker 1>a few times. That's at least my experience.

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<v Speaker 2>On the soundstage, you're not in a recording shat or

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<v Speaker 2>anything like that. They just pull you aside and.

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<v Speaker 1>People are like finishing their day. It's so weird. You're

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<v Speaker 1>not in like a recording booth. You're not like doing

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<v Speaker 1>it a million times. You probably get two or three

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<v Speaker 1>and you're like, oh, right, got it. So that for

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<v Speaker 1>people who didn't know, this is the second episode to

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<v Speaker 1>not feature any solos, only duets or group numbers. Interesting.

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<v Speaker 2>Wow, the person was Vitamin D, which was so long ago.

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<v Speaker 1>Wow. West Side story performance shown in the episode was

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<v Speaker 1>actually strictly forbidden. So MTI, the company that licenses the show.

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<v Speaker 1>Every show has a licensing company they go it, so

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<v Speaker 1>this one's with MTI, and they strictly forbid any group

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<v Speaker 1>performing the musical for making changes to the original musicals, books,

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<v Speaker 1>song or story. Changing the dialogue of the musical to

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<v Speaker 1>match the nineteen sixty one film version is also forbidden,

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<v Speaker 1>which is also done. So we had a lot of penalties.

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<v Speaker 1>I don't know what happened, but we're really not supposed

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<v Speaker 1>to do a lot of this stuff.

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<v Speaker 2>Do you think we got in trouble or we asked

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<v Speaker 2>for permission?

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<v Speaker 1>No? I think we just did it, and then I

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<v Speaker 1>think we just then we just went with it.

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<v Speaker 2>Damn. This is the second episode to show a viewer

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<v Speaker 2>discretion advice content rating message right before the airing of

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<v Speaker 2>this episode, the first being sexy hmmm interesting.

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<v Speaker 1>Rachel also said she wasn't going to lose he virginity

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<v Speaker 1>until she turned twenty five and what had wanted Tony

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<v Speaker 1>and her Broadway career was established, which Finn does allude

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<v Speaker 1>to about winning our Tony, but that goes to crap.

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<v Speaker 2>Brittany had a very controversial line in this episode when

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<v Speaker 2>there are people were talking about their first times, she

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<v Speaker 2>says she just climbed into my tent alien invasion, and

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<v Speaker 2>that obviously led to people debating whether not Britney was

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<v Speaker 2>sexually assaulted during her first time. Although it's Brittany and

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<v Speaker 2>so maybe she was just confused about the situation and

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<v Speaker 2>making a joke that fascinating. I didn't even when she said,

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<v Speaker 2>I was like, oh that hmm. It did make me wonder,

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<v Speaker 2>you know, huh. Also in Latin America, the part where

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<v Speaker 2>Curtin and Blank kiss was cut when the episode was aired.

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<v Speaker 1>Oh no, yeah, no.

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<v Speaker 2>Hell no.

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<v Speaker 1>Screen copies of this episode was sent to a number

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<v Speaker 1>of critics before the show. My gloss Yellow shout out.

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<v Speaker 1>He from tv Line he called it stellar in a

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<v Speaker 1>standout episode, and Enter Team in Weekly's Tin Stack wrote

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<v Speaker 1>that it was one of Glee's best in stallments ever

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<v Speaker 1>and an exceptional episode. This is so interesting to me,

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<v Speaker 1>too fascinating. So prior to the broadcast, Chris anticipated that

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<v Speaker 1>the episode sexual themes a lah him and him and Darren,

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<v Speaker 1>you know, doing the deed and content would prove controversial

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<v Speaker 1>among television watchdog groups. He said, I absolutely expect to

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<v Speaker 1>hear from them, but I don't. But I think it's

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<v Speaker 1>handled very sweetly and very emotionally. They're expecting this big, raunchy,

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<v Speaker 1>suggestive brainwashing storyline when it's really very very sweet.

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<v Speaker 2>And before the episode aired, the Conservative Parents Television Council

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<v Speaker 2>called the show reprehensible and the Fox network reckless for

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<v Speaker 2>celebrating teen sex. Where had they been the past two seasons?

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<v Speaker 2>We literally did like a virgin montage, Like, you know,

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<v Speaker 2>people just want controversy and just want some free press.

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<v Speaker 2>That's not what was happening. But Jenna thoughts about this

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<v Speaker 2>episode because well hold on, so they summary of the

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<v Speaker 2>episode is under Artie's director or leadership. The kids prepare

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<v Speaker 2>to perform the school musical West Side Story, which leads

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<v Speaker 2>to two couples to take their next step in their

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<v Speaker 2>relationship Wanky. Meanwhile, Finn meets with a recruiter and Coach

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<v Speaker 2>Beast has an admirer. You and I were just talking

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<v Speaker 2>about how we feel about this episode before we started recording, Yeah,

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<v Speaker 2>because it felt like there was a lot of ground

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<v Speaker 2>to cover. It felt like there were about eighty storylines

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<v Speaker 2>happening in this right and also like the full length

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<v Speaker 2>version of America totally right, like there was a lot.

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<v Speaker 2>Well that's it.

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<v Speaker 1>It wasn't just the school musical, like, it wasn't like, oh,

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<v Speaker 1>it's all surrounding like some drama and we get it

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<v Speaker 1>done in time and something goes wrong, Like there were

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<v Speaker 1>like fifteen other important storylines happening alongside the musical, which

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<v Speaker 1>is why I think they wrote it that way. But

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<v Speaker 1>I was like, wow, are really stuffing it in.

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<v Speaker 2>It was serious stuff too.

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<v Speaker 1>And we don't usually see this right like a school

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<v Speaker 1>musical performance anyway, So for it to be weaved in

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<v Speaker 1>throughout these storylines without music that was quite applicable to

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<v Speaker 1>those storylines, like it felt a little like, Okay, so

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<v Speaker 1>we're gonna make this musical work, and we're gonna make

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<v Speaker 1>all these storylines the can we're try and intertwine them,

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<v Speaker 1>and it just felt like a lot of my brain

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<v Speaker 1>felt like a little stuffed.

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<v Speaker 2>I sort of I feel like that must be like

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<v Speaker 2>a maybe like a Beaker Brad Beaker idea m to

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<v Speaker 2>make all of it work so it's not just musical

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<v Speaker 2>number seeing musical number scene, because it did feel like

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<v Speaker 2>a real like musical movie to me in that way,

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<v Speaker 2>or especially the first time they start doing it where

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<v Speaker 2>they're talking about who's had sex and who hasn't, and

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<v Speaker 2>they're weaving it in with the actual number, it felt

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<v Speaker 2>I liked that a lot, but I wasn't really aware

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<v Speaker 2>of what was happening, Okay, like, oh, is this a rehearsal?

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<v Speaker 2>Is this right the actual show right? I don't know.

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<v Speaker 2>And then I think because there was so much to

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<v Speaker 2>cover than some storylines got lost and like Mike Chang

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<v Speaker 2>storyline had just like a couple of shots and a

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<v Speaker 2>scene that will.

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<v Speaker 1>Live on, that will live on. But yeah, agreed, agreed,

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<v Speaker 1>This is when I feel like they'll there's a lot

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<v Speaker 1>to cover because there's so many characters and so much

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<v Speaker 1>to write for that we'll see this trend throughout the

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<v Speaker 1>rest of the series because there's just so many people

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<v Speaker 1>and people that like fans care about, so they want

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<v Speaker 1>to write about everybody. That's true, and sometimes you get

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<v Speaker 1>lost in the abyss aka Teina Khan Cheg. But like

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<v Speaker 1>you know, it's just like there's just a lot of

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<v Speaker 1>characters to give time to.

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<v Speaker 2>I would like to start this off by saying, what

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<v Speaker 2>is Artie's problem? What do you mean when it comes

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<v Speaker 2>to relationship stuff women? Especially, He's so bad and like

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<v Speaker 2>weird because.

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<v Speaker 1>I think in real life a lot of guys are

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<v Speaker 1>bad at this.

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<v Speaker 2>It's hard to watch.

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<v Speaker 1>I'm sorry. I don't mean to generalize, not everybody.

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<v Speaker 2>I was shocked several times by his behavior in this episode,

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<v Speaker 2>where like making the students have.

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<v Speaker 1>Sex right like that I thought was interesting.

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<v Speaker 2>They don't have passion because they had never done it,

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<v Speaker 2>and like, as a friend, he respects their aversion to fun,

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<v Speaker 2>and then he meddles and coach beasts love life, which

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<v Speaker 2>was weird.

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<v Speaker 1>Interesting, why are you the one?

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<v Speaker 2>This is a grown ass person. Why are you coming

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<v Speaker 2>up on her and meddling asking why she walked out

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<v Speaker 2>when it's not your business, not your business. I don't know,

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<v Speaker 2>like sure, ultimately maybe it leads to a really nice

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<v Speaker 2>moment later on in the episode.

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<v Speaker 1>It was just interesting. It was you right, like you

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<v Speaker 1>didn't have to be me. I will say, though, you

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<v Speaker 1>have had a relationship with coach Beast amongst all of

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<v Speaker 1>all the characters, like your experience with like wanting to

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<v Speaker 1>be on the football team, and that whole storyline, like

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<v Speaker 1>it is the closest that's not Finn or Puck.

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<v Speaker 2>Was shooting this episode.

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<v Speaker 3>No, what.

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<v Speaker 2>Was he?

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<v Speaker 1>He was in the audience, Kevin, he was watching the show,

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<v Speaker 1>was in the audience, But that's it. He had a

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<v Speaker 1>nice he was busy.

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<v Speaker 2>He must have been doing something else.

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<v Speaker 1>And no su oh yeah yeah yeah yeah.

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<v Speaker 2>So that's why there was so much of using the

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<v Speaker 2>other people.

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<v Speaker 1>Yeah and everybody else. Okay, okay, okay. Already though, I

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<v Speaker 1>will say, has a really nice storyline with the whole

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<v Speaker 1>director his directorial debut and how he gets a panic

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<v Speaker 1>attack and everybody is actually just thinking him and how

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<v Speaker 1>you really helped us to open up. It was very sweet.

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<v Speaker 2>Do you remember filming that little scene? No, so this

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<v Speaker 2>was the first time for me. I'm sure they had

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<v Speaker 2>done it to other people, but I found out right

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<v Speaker 2>we were filming a scene earlier in the day and

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<v Speaker 2>right after that they said they are changing. So originally

0:13:31.440 --> 0:13:34.319
<v Speaker 2>I had like a two page like monologue.

0:13:34.520 --> 0:13:38.000
<v Speaker 1>Yes, Kevin, I remember this. I was quizzing you on it.

0:13:38.120 --> 0:13:39.839
<v Speaker 2>Yes, you were helping me work on it because it

0:13:39.880 --> 0:13:43.240
<v Speaker 2>was really long, and I wasn't someone like Sue or

0:13:43.320 --> 0:13:47.680
<v Speaker 2>Shoe or Santana who normally had a bunch of lines

0:13:48.120 --> 0:13:50.920
<v Speaker 2>like that, Oh my god. And so you were helping me.

0:13:51.480 --> 0:13:52.880
<v Speaker 2>And then they came up and like, oh, we're going

0:13:52.960 --> 0:13:54.600
<v Speaker 2>to get some edits, they're going to rewrite it, and

0:13:54.679 --> 0:13:58.480
<v Speaker 2>I started to panic, and then they gave me. You know,

0:13:58.679 --> 0:14:01.760
<v Speaker 2>normally the script you have set called sides. They're like

0:14:01.800 --> 0:14:05.480
<v Speaker 2>little versions of the script. They're like shrunken down and

0:14:05.520 --> 0:14:08.880
<v Speaker 2>they're just the pages you're shooting that day, and they're

0:14:08.920 --> 0:14:11.840
<v Speaker 2>white like a script. And then any change is a

0:14:11.840 --> 0:14:14.720
<v Speaker 2>different color paper, so you have a yellow, green, blue,

0:14:14.760 --> 0:14:17.480
<v Speaker 2>depending on what edit it is. And so they gave

0:14:17.520 --> 0:14:23.840
<v Speaker 2>me like these new green pages and it was longer

0:14:23.880 --> 0:14:26.040
<v Speaker 2>than I think that's than what was in the episode.

0:14:26.200 --> 0:14:28.200
<v Speaker 2>I think they chopped it down a bit, but I

0:14:28.320 --> 0:14:34.120
<v Speaker 2>was so panicked, and Brad Beeker is just the most

0:14:34.160 --> 0:14:38.120
<v Speaker 2>gentle soul and he would never let you freak out.

0:14:38.280 --> 0:14:41.000
<v Speaker 2>He's like, don't worry, it's gonna be fine. Because I

0:14:41.080 --> 0:14:43.440
<v Speaker 2>had everybody in the cast looking.

0:14:43.200 --> 0:14:45.480
<v Speaker 1>At me, staring at you, and you.

0:14:45.440 --> 0:14:48.160
<v Speaker 2>Don't want to like make the day longer for everybody.

0:14:49.440 --> 0:14:51.120
<v Speaker 2>And I believe it was the last scene of the day.

0:14:51.880 --> 0:14:55.040
<v Speaker 2>And so there we are and I'm looking at you.

0:14:55.600 --> 0:14:58.240
<v Speaker 2>I'm just like, stay in it, just get it together,

0:14:58.800 --> 0:15:01.200
<v Speaker 2>like we got it. And everyone was very supportive because

0:15:01.240 --> 0:15:04.040
<v Speaker 2>everybody knew, which was nice.

0:15:04.280 --> 0:15:07.240
<v Speaker 1>Yeah, okay, okay, thanks for the memory job, Kevin.

0:15:07.560 --> 0:15:09.640
<v Speaker 2>I forgot about it. I remember that happening, I just

0:15:09.680 --> 0:15:10.800
<v Speaker 2>didn't know when it happened.

0:15:11.360 --> 0:15:13.760
<v Speaker 1>And then when you saw the episode.

0:15:14.040 --> 0:15:17.040
<v Speaker 2>When I see myself wheeling up on the stage having

0:15:17.040 --> 0:15:21.680
<v Speaker 2>that panic attack, I'm like, this is it. And so

0:15:21.800 --> 0:15:24.000
<v Speaker 2>during all of that, like when we were shooting those

0:15:24.000 --> 0:15:27.440
<v Speaker 2>little things, that's when I was getting given the new pages.

0:15:27.680 --> 0:15:31.280
<v Speaker 2>Oh fun, Like while we're still like shooting something, right,

0:15:31.360 --> 0:15:35.320
<v Speaker 2>I'm like, cool, this is fun for me. It might

0:15:35.320 --> 0:15:37.640
<v Speaker 2>have been the day we did America, to be honest,

0:15:37.960 --> 0:15:40.480
<v Speaker 2>maybe maybe it was that, And it was at the

0:15:40.520 --> 0:15:41.040
<v Speaker 2>end of the day.

0:15:41.160 --> 0:15:43.480
<v Speaker 1>I think it was because I think you were sitting

0:15:43.480 --> 0:15:45.920
<v Speaker 1>in the back. We were doing America and you were

0:15:45.960 --> 0:15:48.640
<v Speaker 1>working on it, and then they gave you the new ones.

0:15:48.200 --> 0:15:51.200
<v Speaker 2>Because that's all day. Because I'm not yes, yes, So

0:15:51.240 --> 0:15:52.600
<v Speaker 2>I spent all day working on the wrong thing.

0:15:52.760 --> 0:15:54.560
<v Speaker 1>We've all been there. Don't worry, they'll be wanting me

0:15:54.680 --> 0:15:59.000
<v Speaker 1>like that. But I loved I liked your little storyline,

0:15:59.000 --> 0:16:01.160
<v Speaker 1>and I also liked your line about finding your new

0:16:01.160 --> 0:16:02.600
<v Speaker 1>purpose to boss people around.

0:16:04.000 --> 0:16:09.720
<v Speaker 2>Honestly, Artie storyline was very relatable for me in twenty

0:16:09.760 --> 0:16:13.440
<v Speaker 2>twenty three, mm hmm. It's still up performing, but I

0:16:13.480 --> 0:16:15.800
<v Speaker 2>have realized I like doing these other things too, behind

0:16:15.800 --> 0:16:19.280
<v Speaker 2>the scenes and bossing people around and making decisions about taste.

0:16:19.760 --> 0:16:22.280
<v Speaker 1>Yes, that's all it's about.

0:16:22.680 --> 0:16:24.480
<v Speaker 2>It was very fun, like when Leah was trying on

0:16:24.480 --> 0:16:26.840
<v Speaker 2>the stresses and things. Doing that whole stuff was very fun.

0:16:27.160 --> 0:16:30.560
<v Speaker 1>Oh that was really funny. Do you remember shooting that? Yeah,

0:16:30.840 --> 0:16:31.880
<v Speaker 1>really funny.

0:16:31.560 --> 0:16:33.440
<v Speaker 2>Because you know, it was like stuff we didn't normally

0:16:33.480 --> 0:16:37.120
<v Speaker 2>get to do. Right, we're usually doing our routine was

0:16:37.520 --> 0:16:39.480
<v Speaker 2>usually the same every day, like reading the Quire room.

0:16:39.520 --> 0:16:42.200
<v Speaker 1>We're doing a number, right, But when we each had

0:16:42.240 --> 0:16:46.520
<v Speaker 1>like a different storyline it was like, oh, memorable, Yeah, exactly,

0:16:46.560 --> 0:16:47.400
<v Speaker 1>We're very funny though.

0:16:56.800 --> 0:17:01.440
<v Speaker 2>So what happens during the top of Artie's storyline and

0:17:01.440 --> 0:17:05.960
<v Speaker 2>the west side storyline West side story storyline when Artie

0:17:06.119 --> 0:17:11.800
<v Speaker 2>talks about Blaine and Rachel not having passion because it

0:17:11.800 --> 0:17:16.000
<v Speaker 2>looks like they probably haven't had sex before, Coach Beast

0:17:16.560 --> 0:17:22.600
<v Speaker 2>and Emma Pillsbury get up and leave immediately, but Artie

0:17:22.600 --> 0:17:24.720
<v Speaker 2>doesn't let that go for some reason. So it's revealed

0:17:24.720 --> 0:17:27.000
<v Speaker 2>that Coach Beasts has also never been intimate with anyone.

0:17:27.040 --> 0:17:30.000
<v Speaker 2>Well yeh, she just had her first kiss. Everyone down.

0:17:30.400 --> 0:17:33.800
<v Speaker 2>But she does have a crush on Cooder Mankins, who's

0:17:33.800 --> 0:17:39.480
<v Speaker 2>the football recruiter from Ohio State, and so Artie sort

0:17:39.560 --> 0:17:45.000
<v Speaker 2>of finesses this date happening. He finds out from Beast.

0:17:45.400 --> 0:17:47.720
<v Speaker 2>Then he meets Cooter and is like, you need to

0:17:47.720 --> 0:17:50.240
<v Speaker 2>be straight up with her and ask her again, like

0:17:51.160 --> 0:17:55.480
<v Speaker 2>very clear yes, And then Beast opens up to him

0:17:55.960 --> 0:18:01.360
<v Speaker 2>and they have some great chemistry together. They together very.

0:18:01.200 --> 0:18:04.080
<v Speaker 1>Cute, and she's just cute. I mean, she's just the

0:18:04.119 --> 0:18:06.520
<v Speaker 1>sweetest little muffin. And so when you and when you

0:18:06.560 --> 0:18:10.800
<v Speaker 1>get vulnerable Beast versus like football coach funny chicken eating beast.

0:18:10.880 --> 0:18:14.160
<v Speaker 1>It's like, I just my heart breaks for her all

0:18:14.200 --> 0:18:16.760
<v Speaker 1>the time, and how honest she is and how vulnerable

0:18:16.840 --> 0:18:19.040
<v Speaker 1>she has to be about not wanting, you know, not

0:18:19.160 --> 0:18:23.679
<v Speaker 1>feeling like you know, she she deserves love. And so

0:18:24.080 --> 0:18:28.480
<v Speaker 1>I'm anytime you get Dot Dot Marie Jones getting some

0:18:28.840 --> 0:18:31.080
<v Speaker 1>you know, tears out, it's it's always a win for me.

0:18:31.280 --> 0:18:33.560
<v Speaker 2>It also makes you wonder if they just started, you know,

0:18:33.600 --> 0:18:35.760
<v Speaker 2>once you get to know Dot and they did know

0:18:35.880 --> 0:18:39.040
<v Speaker 2>Dot like Brad Ryan and Ian, if you know you

0:18:39.080 --> 0:18:41.720
<v Speaker 2>start writing to that because Dot is.

0:18:41.760 --> 0:18:45.199
<v Speaker 1>Just like that in life. Yes, yes, totally, they know

0:18:45.320 --> 0:18:46.000
<v Speaker 1>she can do it.

0:18:46.280 --> 0:18:47.000
<v Speaker 2>Yeah, exactly.

0:18:47.760 --> 0:18:52.080
<v Speaker 1>Okay, So Mike Chang, his dad is going to confront

0:18:52.160 --> 0:18:54.800
<v Speaker 1>him in this episode and this will continue on. But

0:18:54.840 --> 0:19:00.119
<v Speaker 1>obviously this this is continuing from Asian f where his

0:19:00.200 --> 0:19:02.880
<v Speaker 1>dad wants him to be have a real job, go

0:19:02.920 --> 0:19:05.440
<v Speaker 1>to school, go to an ivy league, and Mike Chang

0:19:05.440 --> 0:19:07.760
<v Speaker 1>has decided that he's going to audition and book the

0:19:07.840 --> 0:19:10.120
<v Speaker 1>part of ref and be in the school musical and

0:19:11.440 --> 0:19:14.280
<v Speaker 1>uh just kind of go against his father's wishes. But

0:19:14.480 --> 0:19:17.359
<v Speaker 1>this is the intense one where his dad confronts him

0:19:17.359 --> 0:19:18.960
<v Speaker 1>in the hallway when he finds out he's going to

0:19:18.960 --> 0:19:21.000
<v Speaker 1>be in a west Side story and says that he's

0:19:21.040 --> 0:19:24.840
<v Speaker 1>going to disown him as a son if he does this.

0:19:24.840 --> 0:19:29.000
<v Speaker 1>This is very dark, it's.

0:19:28.800 --> 0:19:32.240
<v Speaker 2>Very very intense, and nothing else in the episode is

0:19:32.240 --> 0:19:35.920
<v Speaker 2>happening like that, right, and all of a sudden, First

0:19:35.960 --> 0:19:37.560
<v Speaker 2>of all, why is he coming to school to do this?

0:19:37.640 --> 0:19:38.040
<v Speaker 2>Do you guys?

0:19:38.119 --> 0:19:39.640
<v Speaker 1>Not bad place, bad time?

0:19:39.840 --> 0:19:42.840
<v Speaker 2>Live in the same place, like not tech, what's at home?

0:19:43.280 --> 0:19:44.119
<v Speaker 1>Right? Right?

0:19:46.160 --> 0:19:50.119
<v Speaker 2>But so intense and like to disown him, to threaten him,

0:19:50.720 --> 0:19:54.360
<v Speaker 2>to disown him if he pursues his dancing professionally.

0:19:54.560 --> 0:19:57.679
<v Speaker 1>Is and he has the sport of his mother now,

0:19:57.720 --> 0:20:00.320
<v Speaker 1>which is good. But obviously he looks out to the

0:20:00.359 --> 0:20:06.879
<v Speaker 1>audience and he's not there, and it's not very heavy

0:20:07.119 --> 0:20:09.560
<v Speaker 1>to be doing in the school hallways and for them

0:20:09.560 --> 0:20:14.119
<v Speaker 1>to make those rash decisions very quickly. But I will say,

0:20:14.160 --> 0:20:17.119
<v Speaker 1>like a lot of kids deal with their parents not

0:20:17.160 --> 0:20:19.840
<v Speaker 1>wanting them to pursue the arts. So I'm glad this

0:20:20.080 --> 0:20:23.920
<v Speaker 1>was this. This topic is you.

0:20:23.880 --> 0:20:25.040
<v Speaker 2>Know, being addressed.

0:20:25.359 --> 0:20:29.320
<v Speaker 1>Yeah, being addressed. And obviously the stakes are a little

0:20:29.320 --> 0:20:31.200
<v Speaker 1>bit higher for this one. It's not like, oh, we're

0:20:31.240 --> 0:20:33.240
<v Speaker 1>not paying for your college. It's like, oh, you won't

0:20:33.240 --> 0:20:33.680
<v Speaker 1>have a dad.

0:20:33.760 --> 0:20:36.760
<v Speaker 2>But yeah, and I mean I think all of us

0:20:36.760 --> 0:20:41.840
<v Speaker 2>who have pursued the arts professionally luckily like you and I,

0:20:41.880 --> 0:20:47.520
<v Speaker 2>have very supportive parents. But I mean, how many people

0:20:47.640 --> 0:20:50.160
<v Speaker 2>every meetings that do not have that. I think it's

0:20:50.200 --> 0:20:53.560
<v Speaker 2>more common that parents are not so into the idea

0:20:53.640 --> 0:20:57.480
<v Speaker 2>because it's super unstable and always nobody wants.

0:20:57.320 --> 0:20:59.760
<v Speaker 1>To say their kids suffer. Look now, having a kid,

0:20:59.800 --> 0:21:01.680
<v Speaker 1>I'm like, I don't want I'm going to do this. Yeah,

0:21:01.720 --> 0:21:03.600
<v Speaker 1>but like, you know, what are you going to do

0:21:03.600 --> 0:21:05.280
<v Speaker 1>if she says she loves it? When am I say? No,

0:21:05.359 --> 0:21:07.560
<v Speaker 1>you can't live your life like it's not my job.

0:21:08.040 --> 0:21:13.199
<v Speaker 1>I'm looking forward to seeing how this all unfolds. I mean,

0:21:13.240 --> 0:21:15.680
<v Speaker 1>I can't remember, but it's also.

0:21:15.520 --> 0:21:18.480
<v Speaker 2>Just nice to see like Mike Chang, Yeah, step up

0:21:18.600 --> 0:21:20.760
<v Speaker 2>and just be like I'm doing this. I'm not going

0:21:20.840 --> 0:21:24.720
<v Speaker 2>to be a doctor, right, empowering. Yeah.

0:21:25.440 --> 0:21:28.159
<v Speaker 1>Should we talk about Blaine and Kurt or should we

0:21:28.160 --> 0:21:29.160
<v Speaker 1>talk about Rachel and Finn.

0:21:31.040 --> 0:21:31.880
<v Speaker 2>Let's talk about Rachel.

0:21:32.480 --> 0:21:34.440
<v Speaker 1>There's a couple of things happening here, So Rachel and Finn.

0:21:35.000 --> 0:21:40.560
<v Speaker 1>Rachel is encouraged by Artie to have sex to become

0:21:40.640 --> 0:21:46.840
<v Speaker 1>more passionate and understand, you know, intimate for their opening night,

0:21:47.320 --> 0:21:50.640
<v Speaker 1>so that they could take on the roles of Maria

0:21:50.680 --> 0:22:00.400
<v Speaker 1>and Tony having lived experience, and she basically, I don't

0:22:00.440 --> 0:22:02.520
<v Speaker 1>know tricks Finn, And I don't know if you would

0:22:02.560 --> 0:22:04.800
<v Speaker 1>say tricks, but I maybe kind of say tricks. Fin

0:22:04.880 --> 0:22:08.320
<v Speaker 1>into going to have sexual for the first time before

0:22:08.359 --> 0:22:12.560
<v Speaker 1>opening night, and she blorts out, I have to do

0:22:12.600 --> 0:22:14.960
<v Speaker 1>this before the show opens, and he's like, wait, hold

0:22:14.960 --> 0:22:18.480
<v Speaker 1>on a second, and so they have like this conflict

0:22:18.480 --> 0:22:21.560
<v Speaker 1>going on of he thought she wanted to wait. She

0:22:21.680 --> 0:22:25.720
<v Speaker 1>has ulterior motives obviously for her career, because that's Rachel Barry.

0:22:26.680 --> 0:22:30.960
<v Speaker 1>And then Finn is also dealing with Cooter being in town.

0:22:31.000 --> 0:22:33.200
<v Speaker 1>Who is the football.

0:22:32.800 --> 0:22:35.680
<v Speaker 2>Recruiter, Cooter the recruiter.

0:22:38.840 --> 0:22:41.520
<v Speaker 1>I had to say it, So they each have.

0:22:41.560 --> 0:22:45.520
<v Speaker 2>Their own emotional shit going on, right, It's very heavy,

0:22:45.760 --> 0:22:49.120
<v Speaker 2>and I also like going into this, Rachel is sort

0:22:49.160 --> 0:22:52.159
<v Speaker 2>of like Cheers into four months with no drama, and

0:22:52.200 --> 0:22:56.000
<v Speaker 2>then immediately here it starts drama by trying to basically

0:22:56.680 --> 0:22:59.679
<v Speaker 2>use the first time it's Finn has something for her

0:22:59.760 --> 0:23:03.199
<v Speaker 2>career here, like there we go, We're back to our

0:23:03.200 --> 0:23:05.600
<v Speaker 2>regularly scheduled program.

0:23:06.000 --> 0:23:09.119
<v Speaker 1>When we did this, I remember doing this the scene

0:23:09.119 --> 0:23:12.320
<v Speaker 1>where Rachel calls the emergency meeting and we're all talking

0:23:12.320 --> 0:23:14.240
<v Speaker 1>about our stuff, and.

0:23:14.240 --> 0:23:15.919
<v Speaker 2>I liked the scene a lot. By the way, you

0:23:15.960 --> 0:23:16.280
<v Speaker 2>were great.

0:23:16.359 --> 0:23:17.520
<v Speaker 1>Hated shooting this scene.

0:23:17.560 --> 0:23:18.880
<v Speaker 2>You were really great, though.

0:23:18.760 --> 0:23:20.280
<v Speaker 1>Oh thanks, I thought I was awful.

0:23:21.200 --> 0:23:21.680
<v Speaker 2>Disagree.

0:23:21.800 --> 0:23:24.520
<v Speaker 1>I also like it was like back cameras too close

0:23:24.520 --> 0:23:29.040
<v Speaker 1>to my face. Get out of there, you know season

0:23:29.080 --> 0:23:33.919
<v Speaker 1>three Jenna, ooh brutal, Okay, I just get out of

0:23:33.920 --> 0:23:37.359
<v Speaker 1>my face. Please. I hadn't. Gina hadn't figured out her

0:23:38.119 --> 0:23:41.040
<v Speaker 1>her jawline yet, she hadn't figured out her makeup like

0:23:41.119 --> 0:23:41.720
<v Speaker 1>it all could have.

0:23:41.800 --> 0:23:42.000
<v Speaker 4>You know.

0:23:42.040 --> 0:23:44.160
<v Speaker 1>We're just we were waiting to mature a little bit,

0:23:44.240 --> 0:23:46.480
<v Speaker 1>and I was like, please get out of my face.

0:23:47.080 --> 0:23:49.480
<v Speaker 1>That was hard to watch. I will be honest, but.

0:23:49.560 --> 0:23:53.560
<v Speaker 2>Also break this episode. I also even said that.

0:23:54.119 --> 0:23:57.920
<v Speaker 1>Oh thanks, that's nice of you. I actually was okay.

0:23:57.960 --> 0:24:01.040
<v Speaker 1>So for America, which we'll get too. I was preparing

0:24:01.160 --> 0:24:06.760
<v Speaker 1>for a photo shoot the next day and I was

0:24:06.800 --> 0:24:10.200
<v Speaker 1>doing the water diet. It's horrible and I never would

0:24:10.280 --> 0:24:12.000
<v Speaker 1>encourage anybody. I don't even want to tell you what

0:24:12.040 --> 0:24:14.000
<v Speaker 1>it is. But I was on some kind of crazy,

0:24:14.040 --> 0:24:17.720
<v Speaker 1>wild thing that people do, and I was I was like,

0:24:17.800 --> 0:24:19.560
<v Speaker 1>oh god, I hate how good.

0:24:19.440 --> 0:24:25.480
<v Speaker 2>I damn it because I wasn't drinking any water. That's

0:24:25.640 --> 0:24:26.240
<v Speaker 2>so bad.

0:24:27.320 --> 0:24:28.879
<v Speaker 1>I know, it's really horrible. I'm not going to tell

0:24:28.880 --> 0:24:32.679
<v Speaker 1>you what it was other than that anyway. But the

0:24:32.800 --> 0:24:34.960
<v Speaker 1>first time scene I remember, it was really quid and

0:24:35.000 --> 0:24:36.880
<v Speaker 1>you know, brad Bee Creek comes in. He's like, Okay,

0:24:36.960 --> 0:24:38.800
<v Speaker 1>let's do this and let's do that, and he's just

0:24:38.840 --> 0:24:43.600
<v Speaker 1>like so sweet about everything. But I don't I hated

0:24:43.640 --> 0:24:46.520
<v Speaker 1>that scene. I hated my work in that scene.

0:24:46.800 --> 0:24:47.640
<v Speaker 2>That's so funny.

0:24:47.720 --> 0:24:52.320
<v Speaker 1>I think it's funny. Thanks, But it was a fun

0:24:52.320 --> 0:24:54.159
<v Speaker 1>scene to shoot. Like all the girls don't get to

0:24:54.200 --> 0:24:56.800
<v Speaker 1>like hang out like that in the scene, So it

0:24:56.880 --> 0:24:59.560
<v Speaker 1>was like all these different This episode was kind of

0:24:59.600 --> 0:25:01.800
<v Speaker 1>like a lot of different groups of people.

0:25:02.160 --> 0:25:03.760
<v Speaker 2>I also do love It's one of my favorite things

0:25:03.760 --> 0:25:06.600
<v Speaker 2>of high school shows when they do this, when like

0:25:06.720 --> 0:25:11.960
<v Speaker 2>kids are having sort of these what would normally be again,

0:25:12.280 --> 0:25:14.840
<v Speaker 2>this would not be happening in school and like some

0:25:14.880 --> 0:25:19.000
<v Speaker 2>private classroom. These kids never go home. That's why their

0:25:19.040 --> 0:25:20.360
<v Speaker 2>parents have to come there to talk to them.

0:25:21.119 --> 0:25:21.280
<v Speaker 4>There.

0:25:21.640 --> 0:25:27.800
<v Speaker 2>Yeah, but you know, these conversations that are hard to address,

0:25:28.320 --> 0:25:31.199
<v Speaker 2>these topics that are hard to address, but Rachel just

0:25:31.280 --> 0:25:33.840
<v Speaker 2>on a Bachelor. They's asking about it, and then all

0:25:33.920 --> 0:25:38.000
<v Speaker 2>of you are giving it to her, you know, honestly

0:25:38.240 --> 0:25:41.919
<v Speaker 2>back whatever your experiences and not being embarrassed about what

0:25:41.960 --> 0:25:44.560
<v Speaker 2>anyone's going to think of you. And I always think

0:25:44.600 --> 0:25:49.600
<v Speaker 2>it's aspirational not necessarily realistic. But I do love when

0:25:49.800 --> 0:25:53.480
<v Speaker 2>teen shows do this sort of thing. It elevates so

0:25:53.520 --> 0:25:55.600
<v Speaker 2>it's like, yeah, it's what you want to see, it's

0:25:55.640 --> 0:25:58.720
<v Speaker 2>what you want you hope kids are talking like totally.

0:25:59.520 --> 0:26:01.560
<v Speaker 1>There's a lot going on with Rachel's kind of like

0:26:01.600 --> 0:26:04.560
<v Speaker 1>conflict of wanting to have sex. But I will talk.

0:26:04.560 --> 0:26:09.320
<v Speaker 1>I want to talk about Finn's recruiter thing because the

0:26:09.359 --> 0:26:14.240
<v Speaker 1>storyline is like it's minimal, it feels so small in

0:26:14.280 --> 0:26:17.399
<v Speaker 1>the scheme of what's happening in the episode, but the

0:26:17.440 --> 0:26:20.840
<v Speaker 1>scene with him like kind of recounting when when Cooter

0:26:20.960 --> 0:26:22.880
<v Speaker 1>comes in and he's like, oh, you're going after Shane,

0:26:22.960 --> 0:26:26.160
<v Speaker 1>and then his scene with Rachel when he's like revealing

0:26:26.200 --> 0:26:29.080
<v Speaker 1>that he didn't like he has to kind of rethink

0:26:29.119 --> 0:26:35.800
<v Speaker 1>his whole future. Corey at his finest coreyet is finest

0:26:35.840 --> 0:26:38.960
<v Speaker 1>acting wise. It just reminds you why you love Finn

0:26:39.000 --> 0:26:43.280
<v Speaker 1>so much. It's like the circumstances and the topics they

0:26:43.320 --> 0:26:46.919
<v Speaker 1>were talking about were really great. Now that I'm like

0:26:47.000 --> 0:26:49.879
<v Speaker 1>talking about it more, I'm understanding the importance of this

0:26:49.920 --> 0:26:54.560
<v Speaker 1>episode revelation in the middle of the.

0:26:56.760 --> 0:26:59.160
<v Speaker 2>Like I think you and I are just like shallow

0:26:59.480 --> 0:27:01.000
<v Speaker 2>and like we want fun.

0:27:01.200 --> 0:27:03.080
<v Speaker 1>Like whatever, teen sex, no problem?

0:27:03.160 --> 0:27:04.560
<v Speaker 2>Yeah, Like this is heavy.

0:27:05.080 --> 0:27:08.040
<v Speaker 1>No, No, it's important stuff. It's important topics for teenagers.

0:27:08.119 --> 0:27:09.720
<v Speaker 1>And the fact that people were talking about and we

0:27:09.720 --> 0:27:12.200
<v Speaker 1>were allowed to do it on broadcast television is actually

0:27:12.240 --> 0:27:15.959
<v Speaker 1>a really good up. I applaud Fox for like doing that.

0:27:16.480 --> 0:27:20.080
<v Speaker 2>I also think you know what you said or the

0:27:20.080 --> 0:27:23.400
<v Speaker 2>fence storyline wasn't a big thing. It was sort of minimized.

0:27:24.040 --> 0:27:28.000
<v Speaker 2>But I also feel like that's a great representation of

0:27:28.040 --> 0:27:34.200
<v Speaker 2>how he is in his career aspirations comparatively to Rachel,

0:27:34.760 --> 0:27:37.199
<v Speaker 2>where it is very much in the back seat, on

0:27:37.240 --> 0:27:41.080
<v Speaker 2>the back burner, a second thought or afterthought, you know,

0:27:41.800 --> 0:27:46.880
<v Speaker 2>because he doesn't have the Broadway dreams that Rachel has.

0:27:47.000 --> 0:27:49.080
<v Speaker 2>No one's really checking in with him being like, what

0:27:49.119 --> 0:27:52.199
<v Speaker 2>do you want to do after high school? He is

0:27:52.680 --> 0:27:55.080
<v Speaker 2>sort of the alpha, the pinnacle in high school right

0:27:55.880 --> 0:27:59.200
<v Speaker 2>and very clearly hasn't thought about like what's going to

0:27:59.240 --> 0:28:02.119
<v Speaker 2>happen as soon as that high school career is done? Right,

0:28:02.119 --> 0:28:03.920
<v Speaker 2>And so to see him finally and I think it's

0:28:03.960 --> 0:28:10.040
<v Speaker 2>like a very male reaction of I'm holding all of

0:28:10.040 --> 0:28:12.919
<v Speaker 2>this in, all this tension that's probably subconsciously been building

0:28:12.960 --> 0:28:15.480
<v Speaker 2>for a very long time, but didn't realize it until

0:28:15.480 --> 0:28:18.920
<v Speaker 2>he was faced with it with the Cooter situation, right,

0:28:19.200 --> 0:28:24.800
<v Speaker 2>And I yeah, it was like just like the Mike

0:28:24.880 --> 0:28:29.640
<v Speaker 2>Chang storyline, even though it was quick, these are very

0:28:29.680 --> 0:28:31.919
<v Speaker 2>I mean, they're obviously very well acted, very well written,

0:28:32.960 --> 0:28:35.879
<v Speaker 2>but they still stand out just as much as a

0:28:35.960 --> 0:28:37.320
<v Speaker 2>huge performance.

0:28:37.359 --> 0:28:42.000
<v Speaker 1>No, totally, and they're just important. Like I think a

0:28:42.000 --> 0:28:44.400
<v Speaker 1>lot of like think about like how I like football

0:28:44.440 --> 0:28:46.600
<v Speaker 1>for you probably also is huge in high school, but

0:28:46.680 --> 0:28:49.000
<v Speaker 1>oh no, well you went in California, but still I

0:28:49.360 --> 0:28:53.920
<v Speaker 1>feel like football. Like even where I went to school,

0:28:53.920 --> 0:28:55.080
<v Speaker 1>it was either football or theater.

0:28:55.440 --> 0:28:56.680
<v Speaker 2>It was like your way out.

0:28:56.840 --> 0:29:00.640
<v Speaker 1>Yes exactly, And a lot of these were looking for

0:29:00.680 --> 0:29:02.840
<v Speaker 1>that way out or not thinking about their futures at

0:29:02.840 --> 0:29:04.600
<v Speaker 1>all and going I'm the cream of a crop here

0:29:04.640 --> 0:29:08.440
<v Speaker 1>in school and then like don't really know what to

0:29:08.480 --> 0:29:12.920
<v Speaker 1>do afterwards. So just like to really approach these topics,

0:29:13.000 --> 0:29:17.240
<v Speaker 1>talk about them like I I get it now, my

0:29:17.320 --> 0:29:19.440
<v Speaker 1>glossy yellow and tim Stack, I could get it.

0:29:19.680 --> 0:29:23.520
<v Speaker 2>I mean, they're never wrong. We love them there, you

0:29:23.680 --> 0:29:26.160
<v Speaker 2>know it's I mean, it's also a testament to like

0:29:26.160 --> 0:29:29.240
<v Speaker 2>the high school trope of like people peaking in high school.

0:29:29.560 --> 0:29:29.840
<v Speaker 3>M h.

0:29:30.480 --> 0:29:32.600
<v Speaker 2>I mean I imagine it was because the kids who

0:29:32.600 --> 0:29:35.800
<v Speaker 2>weren't popular are considered hot and all that they were

0:29:35.920 --> 0:29:38.120
<v Speaker 2>dreaming of all the ways in which they could get

0:29:38.120 --> 0:29:39.560
<v Speaker 2>out of there and how they were going to do

0:29:39.600 --> 0:29:44.400
<v Speaker 2>it and building their dreams and aspirations and how they're going.

0:29:44.200 --> 0:29:49.800
<v Speaker 1>To show so focused on something like being so focused

0:29:49.800 --> 0:29:51.640
<v Speaker 1>on like I wish I could be that popular kid

0:29:51.680 --> 0:29:53.560
<v Speaker 1>in school. When it like it goes to show like

0:29:53.800 --> 0:29:58.280
<v Speaker 1>none of that matters, you know later in life. Okay,

0:30:00.000 --> 0:30:03.520
<v Speaker 1>it's that. Now we go to Blaine and Kurt, who

0:30:03.960 --> 0:30:08.200
<v Speaker 1>we have a love triangle. Well, I don't know if

0:30:08.200 --> 0:30:09.240
<v Speaker 1>I call it a love triangle.

0:30:09.240 --> 0:30:10.160
<v Speaker 2>I call it a villain.

0:30:10.320 --> 0:30:15.600
<v Speaker 1>A villain so much a villain. He came in grant.

0:30:17.040 --> 0:30:17.880
<v Speaker 2>I want that.

0:30:19.120 --> 0:30:20.840
<v Speaker 1>I won't care. It doesn't matter to me if if

0:30:20.880 --> 0:30:22.479
<v Speaker 1>you don't, if it doesn't bother you.

0:30:22.600 --> 0:30:27.320
<v Speaker 2>What what when he was talking about how he drinks,

0:30:27.560 --> 0:30:30.880
<v Speaker 2>what you said Cavassier in his coffee. I drank it

0:30:30.920 --> 0:30:33.880
<v Speaker 2>like mother's milk when I lived in Paris. I GA,

0:30:34.760 --> 0:30:38.440
<v Speaker 2>it's crazy because Grant Gustin is the sweetest human possible,

0:30:38.840 --> 0:30:43.000
<v Speaker 2>not the most adorable. I love him and then he

0:30:43.080 --> 0:30:47.720
<v Speaker 2>plays that range.

0:30:48.880 --> 0:30:52.000
<v Speaker 1>Mm hmm yes, and that's how we first met him,

0:30:52.000 --> 0:30:53.800
<v Speaker 1>and then we were like, oh, wait, this is Grant.

0:30:53.920 --> 0:30:57.640
<v Speaker 2>We love Grant like you're ours forever.

0:30:58.120 --> 0:31:09.680
<v Speaker 1>Oh we love Gramp. Yeah. So Blaine is also on

0:31:09.760 --> 0:31:13.920
<v Speaker 1>the same track as Rachel, thanks to already worried about

0:31:14.680 --> 0:31:20.280
<v Speaker 1>lacking life experience, starts hanging out with Sebastian but also Kurt,

0:31:20.360 --> 0:31:26.040
<v Speaker 1>then becomes jealous, but then Blaine brings Kurt into the

0:31:26.120 --> 0:31:30.560
<v Speaker 1>drama by them all going to scandals the bar.

0:31:32.160 --> 0:31:33.880
<v Speaker 2>This scandal.

0:31:35.120 --> 0:31:39.360
<v Speaker 1>Where we see one Max Adler, we see Krooski. It's

0:31:39.360 --> 0:31:40.200
<v Speaker 1>hanging at the.

0:31:40.120 --> 0:31:43.680
<v Speaker 2>Bar, all these high schoolers hanging out at that bar,

0:31:43.840 --> 0:31:47.520
<v Speaker 2>like he's had a couple of kids and yeah, been there, lives.

0:31:49.800 --> 0:31:52.600
<v Speaker 1>It's so funny. But I thought that their sweet little

0:31:54.520 --> 0:31:58.240
<v Speaker 1>side conversation at the bar was also really important, like

0:31:58.400 --> 0:32:02.800
<v Speaker 1>really great. But k is just talking about like getting

0:32:03.040 --> 0:32:09.360
<v Speaker 1>through high school, and it's like real foreshadowing for what's

0:32:09.400 --> 0:32:13.800
<v Speaker 1>to come for Krovski very sad, but I really liked

0:32:13.880 --> 0:32:17.080
<v Speaker 1>the little conversation and then him also just going and

0:32:17.080 --> 0:32:18.880
<v Speaker 1>like getting what he wants in the middle of Blaine.

0:32:18.960 --> 0:32:22.520
<v Speaker 1>And then they have this very heated scene in the

0:32:22.560 --> 0:32:25.040
<v Speaker 1>car where I was like, where is this going?

0:32:25.240 --> 0:32:28.080
<v Speaker 4>H Like, I was like, we can't make Blaine do that, right,

0:32:28.800 --> 0:32:32.040
<v Speaker 4>but it feels real. This episode, in so many ways,

0:32:32.080 --> 0:32:35.360
<v Speaker 4>feel so much more grounded than Glee normally.

0:32:35.440 --> 0:32:38.400
<v Speaker 1>Is that's why it's so different?

0:32:38.640 --> 0:32:41.960
<v Speaker 2>Yeah, because we were playing with heavy themes almost in

0:32:42.120 --> 0:32:47.720
<v Speaker 2>every single storyline, right, and not making jokes about them

0:32:48.080 --> 0:32:51.840
<v Speaker 2>like they just are. They're just existing as real and

0:32:51.880 --> 0:32:58.760
<v Speaker 2>heavy as they should be. And the k of it

0:32:58.800 --> 0:33:02.880
<v Speaker 2>all leading into that car scene, it's like you don't

0:33:03.000 --> 0:33:06.640
<v Speaker 2>really get a break, right, it's sort of relentless. And

0:33:06.640 --> 0:33:11.560
<v Speaker 2>then there's the tension of Sebastian just watching and stirring

0:33:11.600 --> 0:33:13.800
<v Speaker 2>the pot and dancing with Blaine.

0:33:15.160 --> 0:33:18.760
<v Speaker 1>There's a lot happened, also Blaine visiting the Warblers and

0:33:18.880 --> 0:33:22.240
<v Speaker 1>like them doing that hours so random, Like that teacher.

0:33:22.520 --> 0:33:24.800
<v Speaker 1>I was like, what is that is the teacher that

0:33:24.880 --> 0:33:27.040
<v Speaker 1>looks like at Dalton Academy?

0:33:27.080 --> 0:33:29.920
<v Speaker 2>Because I am confused? Yeah, And also like, and they're

0:33:30.040 --> 0:33:32.240
<v Speaker 2>just dancing with her. This feels inappropriate.

0:33:33.320 --> 0:33:35.920
<v Speaker 1>It was all that was really interesting to me.

0:33:36.160 --> 0:33:39.000
<v Speaker 2>It was weird because I just think the Warblers are

0:33:39.000 --> 0:33:42.400
<v Speaker 2>so popular that they kept having to find ways to involve.

0:33:42.040 --> 0:33:44.480
<v Speaker 1>Them, right, I mean, I didn't mind watching it. I

0:33:44.560 --> 0:33:47.040
<v Speaker 1>just was like, this is so strange. It doesn't really

0:33:47.040 --> 0:33:47.760
<v Speaker 1>make sense.

0:33:48.080 --> 0:33:50.920
<v Speaker 2>The only thing that's really happening outside of the school ever.

0:33:52.280 --> 0:33:56.760
<v Speaker 1>We needed to bring Sebastian. Yeah. I did like the

0:33:56.800 --> 0:34:02.440
<v Speaker 1>Sebastian girl like that, like montage, I guess we're like

0:34:02.480 --> 0:34:05.320
<v Speaker 1>the segue. I thought that was like probably the best

0:34:05.360 --> 0:34:07.080
<v Speaker 1>one that we had in the episode.

0:34:07.200 --> 0:34:11.920
<v Speaker 2>Yeah, and I also do like the Sebastian and Blaine

0:34:12.080 --> 0:34:18.440
<v Speaker 2>sort of back and forth, like them hanging out getting coffee,

0:34:20.080 --> 0:34:23.800
<v Speaker 2>keeps it fresh, it's fun. He's like a male Santana.

0:34:24.880 --> 0:34:28.440
<v Speaker 1>It's so true. And then we just we see the

0:34:28.560 --> 0:34:32.439
<v Speaker 1>least provocative sex scenes on television ever. So I don't

0:34:32.480 --> 0:34:35.160
<v Speaker 1>know what these people are talking about, but I.

0:34:35.160 --> 0:34:39.160
<v Speaker 2>Because I think the talking about it was the controversial thing.

0:34:40.000 --> 0:34:42.640
<v Speaker 2>The actual act of it was pretty.

0:34:42.400 --> 0:34:44.080
<v Speaker 1>Barely ms right.

0:34:44.120 --> 0:34:44.319
<v Speaker 2>Yeah.

0:34:45.200 --> 0:34:50.640
<v Speaker 1>Yeah, Well anyway, now now that we've talked through it,

0:34:50.680 --> 0:34:53.399
<v Speaker 1>I get it. I get it. It was important.

0:34:54.600 --> 0:34:55.080
<v Speaker 3>And like.

0:34:56.800 --> 0:35:03.000
<v Speaker 1>Maybe not my favorite episode to like watch, but well done, Glee.

0:35:03.080 --> 0:35:03.720
<v Speaker 1>Well done.

0:35:04.160 --> 0:35:15.200
<v Speaker 2>All that being said, America, okay, let's go Naya as

0:35:15.200 --> 0:35:18.000
<v Speaker 2>Santana as Anita is.

0:35:18.520 --> 0:35:21.120
<v Speaker 1>We need more what we need in.

0:35:21.040 --> 0:35:24.680
<v Speaker 2>The actual this number wasn't long enough.

0:35:25.239 --> 0:35:26.920
<v Speaker 1>Oh god, it wasn't And it was.

0:35:26.960 --> 0:35:29.880
<v Speaker 2>Long, like I needed to see.

0:35:29.800 --> 0:35:35.080
<v Speaker 1>It was long. It was so longbelievably, it took a

0:35:35.120 --> 0:35:39.440
<v Speaker 1>long time to shoot. I remember that it was really fun.

0:35:40.400 --> 0:35:42.160
<v Speaker 1>One of the best memories of Glue that I have

0:35:42.400 --> 0:35:46.319
<v Speaker 1>is shooting this number. We had so much fun.

0:35:46.080 --> 0:35:48.680
<v Speaker 2>Because all the dancers were there, like everybody.

0:35:49.440 --> 0:35:54.359
<v Speaker 1>There, and to watch Mark selling do that number was

0:35:54.480 --> 0:35:57.000
<v Speaker 1>actually something I'll hold.

0:35:58.560 --> 0:36:02.080
<v Speaker 2>You're all in it, everybody, Oh yeah.

0:36:02.360 --> 0:36:04.120
<v Speaker 1>Okay, So we got to talk about the accents for

0:36:04.160 --> 0:36:06.840
<v Speaker 1>a second because we were all instructed to do the accents.

0:36:07.120 --> 0:36:09.680
<v Speaker 1>No they were not right, No they were not correct. No,

0:36:09.719 --> 0:36:12.080
<v Speaker 1>we did not have a dialect coach. But I think

0:36:12.800 --> 0:36:15.920
<v Speaker 1>this is what happens in high school plays. We are

0:36:15.960 --> 0:36:20.040
<v Speaker 1>all directed to do something with very little help.

0:36:20.400 --> 0:36:21.920
<v Speaker 2>So you're saying it's already's fault, but.

0:36:21.880 --> 0:36:23.719
<v Speaker 1>It's the school's fault. There was no budget for that.

0:36:25.160 --> 0:36:30.000
<v Speaker 1>But also, like that's what happens in schools. They're offensive

0:36:30.080 --> 0:36:32.680
<v Speaker 1>but without trying to be offensive because they just don't

0:36:32.760 --> 0:36:34.440
<v Speaker 1>know and that's their impression of it.

0:36:34.719 --> 0:36:37.640
<v Speaker 2>Like that was like why playing this part? I was like, Oh,

0:36:37.719 --> 0:36:39.760
<v Speaker 2>it's a school. You pick from what you have.

0:36:40.000 --> 0:36:42.880
<v Speaker 1>No exactly, like or you just don't do the musical,

0:36:42.920 --> 0:36:49.560
<v Speaker 1>but like, who's who's doing that? It was so much fun.

0:36:50.680 --> 0:36:54.920
<v Speaker 1>I also was like doing that number like Damian mcinty,

0:36:57.400 --> 0:37:02.160
<v Speaker 1>but doing number You're like, who am I to be

0:37:02.200 --> 0:37:03.320
<v Speaker 1>dancing with these girls?

0:37:03.440 --> 0:37:03.680
<v Speaker 2>Good?

0:37:03.800 --> 0:37:06.440
<v Speaker 1>God, they're so good. All these dancers are so good,

0:37:06.480 --> 0:37:06.840
<v Speaker 1>and I was like.

0:37:06.880 --> 0:37:08.399
<v Speaker 2>I dancing together was so good.

0:37:08.760 --> 0:37:12.640
<v Speaker 1>But I was like, wow, already really brought in the best.

0:37:14.360 --> 0:37:14.839
<v Speaker 2>That's right.

0:37:16.360 --> 0:37:17.960
<v Speaker 1>It was really good. It was really really good. It

0:37:18.000 --> 0:37:20.400
<v Speaker 1>was really fun to dance that. It's such an iconic

0:37:20.480 --> 0:37:23.640
<v Speaker 1>number to do, and I'm so glad we did it.

0:37:23.640 --> 0:37:27.600
<v Speaker 2>It's just weirdly, I go back to many podcasts ago

0:37:29.280 --> 0:37:31.480
<v Speaker 2>when one of our guests was like I just think

0:37:31.520 --> 0:37:34.240
<v Speaker 2>about like this is what you hear walking through the halls,

0:37:34.239 --> 0:37:37.440
<v Speaker 2>Like it's setting up this unrealistic expectation that somebody is

0:37:37.480 --> 0:37:40.600
<v Speaker 2>going to be as good as Naya at being Anita

0:37:41.160 --> 0:37:46.719
<v Speaker 2>in high school. Like that was like an Oscar worthy performance,

0:37:48.000 --> 0:37:51.600
<v Speaker 2>like she is unreal and all of you when you

0:37:51.640 --> 0:37:55.480
<v Speaker 2>have like all these professional dancers, you who's actually been

0:37:55.520 --> 0:37:58.399
<v Speaker 2>on Broadway several times, Like these are all very very

0:38:00.320 --> 0:38:03.799
<v Speaker 2>skilled people doing this as high schoolers and it's hilarious.

0:38:04.000 --> 0:38:07.439
<v Speaker 1>Yeah, that's fair. It is an unrealistic expectation for what's

0:38:07.680 --> 0:38:08.840
<v Speaker 1>supposed to be because it's not.

0:38:09.080 --> 0:38:11.520
<v Speaker 2>But I wish we did an episode that was just

0:38:11.600 --> 0:38:16.360
<v Speaker 2>the West Side story performance all of them. Yeah, like

0:38:16.560 --> 0:38:19.080
<v Speaker 2>just somehow do like the TV versions of the entire

0:38:19.680 --> 0:38:22.240
<v Speaker 2>show so we can just see the show.

0:38:22.080 --> 0:38:24.880
<v Speaker 1>See the whole show. And it's maybe that's why we

0:38:24.880 --> 0:38:26.680
<v Speaker 1>were allowed to do it, because like we broke it up.

0:38:26.800 --> 0:38:28.960
<v Speaker 1>Maybe it's like you can't see it in sequence, and

0:38:29.000 --> 0:38:30.480
<v Speaker 1>that's why we were legally allowed to do it.

0:38:30.600 --> 0:38:30.960
<v Speaker 2>I don't know.

0:38:31.040 --> 0:38:32.800
<v Speaker 1>They must have found a loophole of some sort of

0:38:32.880 --> 0:38:34.480
<v Speaker 1>I don't know that Fox would have let us do it.

0:38:34.680 --> 0:38:34.919
<v Speaker 2>Yeah.

0:38:35.000 --> 0:38:37.800
<v Speaker 1>Well, anyway, America goes down as one of my favorites

0:38:37.840 --> 0:38:41.200
<v Speaker 1>of this season so far. And I don't really say

0:38:41.200 --> 0:38:43.040
<v Speaker 1>that because like I'm usually when I'm in it, I'm like,

0:38:43.080 --> 0:38:44.800
<v Speaker 1>I'm not going to count it. But it was really

0:38:44.840 --> 0:38:51.440
<v Speaker 1>good and I honestly forgot about it. Mmmmm, and that

0:38:51.560 --> 0:38:54.160
<v Speaker 1>is up there with some of the best performances ever

0:38:54.200 --> 0:38:54.720
<v Speaker 1>in the show.

0:38:54.880 --> 0:38:57.720
<v Speaker 2>Mm hmm. Agreed. It is just so good.

0:38:58.160 --> 0:39:01.319
<v Speaker 1>It's really good. It's a great number in general, like

0:39:01.360 --> 0:39:05.640
<v Speaker 1>it's iconic, and so you're like, and it lived up.

0:39:05.920 --> 0:39:06.600
<v Speaker 1>It lived up.

0:39:06.800 --> 0:39:09.600
<v Speaker 2>It doesn't feel you know, other times we're doing things

0:39:09.640 --> 0:39:11.960
<v Speaker 2>that they make it feel more amateur, like more high school.

0:39:12.040 --> 0:39:14.919
<v Speaker 2>That one just didn't feel like that, Like that felt

0:39:14.960 --> 0:39:20.040
<v Speaker 2>like a Tony Award, like a performance like opening.

0:39:22.000 --> 0:39:23.839
<v Speaker 1>I mean, you have all the performers who probably would

0:39:23.840 --> 0:39:26.280
<v Speaker 1>have done like the dancers who would have done that anyway.

0:39:26.880 --> 0:39:27.720
<v Speaker 2>An actual movie.

0:39:27.840 --> 0:39:32.239
<v Speaker 1>Yes, exactly, exactly. Okay, well there's your episode. You're very

0:39:32.239 --> 0:39:34.640
<v Speaker 1>important episode that we were wrong about.

0:39:34.920 --> 0:39:35.680
<v Speaker 2>We were wrong about.

0:39:35.719 --> 0:39:37.080
<v Speaker 1>It should wed some tarty takes.

0:39:37.280 --> 0:39:42.799
<v Speaker 2>Okay, already approaching beast, approaching beast, it's already in general.

0:39:42.880 --> 0:39:46.440
<v Speaker 1>Already already asking telling Blaine and Rachel they need to

0:39:46.480 --> 0:39:49.799
<v Speaker 1>do the deed. It was just I don't know Britney's

0:39:49.800 --> 0:39:53.080
<v Speaker 1>oh and Britney's only innovation, which is still questionable but

0:39:53.239 --> 0:39:56.359
<v Speaker 1>still unacceptable. So we just we'll put that in there.

0:39:56.719 --> 0:40:00.640
<v Speaker 2>Yeah, I think Britney's thing has to be has to be.

0:40:00.640 --> 0:40:03.440
<v Speaker 1>Contused by it. Okay, the best dance.

0:40:03.360 --> 0:40:08.960
<v Speaker 2>Move all of America. I mean, come on song, Zach

0:40:09.000 --> 0:40:14.120
<v Speaker 2>Woodley and Brook like fully out of themselves in that, Yeah,

0:40:14.760 --> 0:40:21.160
<v Speaker 2>best song America. I liked everything. I liked all the music.

0:40:21.239 --> 0:40:25.040
<v Speaker 2>I did like the music being woven in. Like I said,

0:40:25.080 --> 0:40:27.840
<v Speaker 2>I do wish there was more of a difference. I

0:40:27.880 --> 0:40:30.480
<v Speaker 2>wish the music was heightened, more agreed.

0:40:31.520 --> 0:40:33.360
<v Speaker 1>But it is a school musical, so I guess you

0:40:33.360 --> 0:40:35.279
<v Speaker 1>would kind of keep the integrityrounds.

0:40:35.600 --> 0:40:44.360
<v Speaker 3>Yeah, fair enough, prop uh the fake fake ideas. God,

0:40:44.640 --> 0:40:48.960
<v Speaker 3>that's a good one. Very funny shout out to props.

0:40:51.600 --> 0:40:54.640
<v Speaker 2>Best line I do have to I don't think this

0:40:54.680 --> 0:40:56.480
<v Speaker 2>is this is like an honorable mention. I just want

0:40:56.520 --> 0:41:00.440
<v Speaker 2>to say this is the already line. As you friend,

0:41:00.760 --> 0:41:05.040
<v Speaker 2>I support your strange aversion to fun. I really enjoyed

0:41:05.080 --> 0:41:07.200
<v Speaker 2>doing that, and that was a very Kevin thing to say.

0:41:07.440 --> 0:41:11.399
<v Speaker 1>Yeah, Curage had some really good ones in this. Oh yeah,

0:41:11.680 --> 0:41:14.040
<v Speaker 1>have relations on a doing matter of Lilac Taylor Lautner

0:41:14.080 --> 0:41:14.800
<v Speaker 1>before I gets.

0:41:15.840 --> 0:41:20.120
<v Speaker 2>Yeah, Cooter had one last week. I told her I

0:41:20.120 --> 0:41:22.880
<v Speaker 2>had a gift certificate to Applebee's. She totally fancy restaurants

0:41:22.920 --> 0:41:27.399
<v Speaker 2>to make her nervous, funny, so good. He's so good.

0:41:27.480 --> 0:41:28.400
<v Speaker 2>I really him.

0:41:28.680 --> 0:41:34.959
<v Speaker 1>Yeah, we'll see more of Cooter performance. MVP. Oh man,

0:41:36.920 --> 0:41:39.600
<v Speaker 1>that's really tough. I think I'm gonna go with Dot

0:41:39.719 --> 0:41:40.520
<v Speaker 1>Marie Jones.

0:41:41.120 --> 0:41:43.600
<v Speaker 2>I think Dot. I know Nya wasn't really in it,

0:41:43.640 --> 0:41:48.200
<v Speaker 2>but the way Anita just I can't get over it.

0:41:48.960 --> 0:41:50.200
<v Speaker 2>I cannot get over it.

0:41:50.480 --> 0:41:51.399
<v Speaker 1>I know it was good.

0:41:51.600 --> 0:41:53.759
<v Speaker 2>It was like everyone had a moment, so like, I

0:41:53.760 --> 0:41:55.480
<v Speaker 2>don't know if it's like an ensemble award.

0:41:55.920 --> 0:41:56.839
<v Speaker 1>Okay, we could do that?

0:41:58.040 --> 0:41:58.640
<v Speaker 2>Is that a thing?

0:41:58.920 --> 0:41:59.879
<v Speaker 1>You can do that? Yeah?

0:42:00.760 --> 0:42:04.440
<v Speaker 2>Because I feel like everyone has really given it. Okay,

0:42:04.719 --> 0:42:07.680
<v Speaker 2>that's fair, and there were no like leads this episode.

0:42:07.920 --> 0:42:13.439
<v Speaker 2>It's so true. People really showed up. Okay, be okay

0:42:13.480 --> 0:42:16.920
<v Speaker 2>with that an ensemble MVP. I am, I am okay great.

0:42:17.440 --> 0:42:22.400
<v Speaker 2>I mean, we make the rules. It's our show. Okay. Shit,

0:42:23.000 --> 0:42:26.760
<v Speaker 2>we found on the TikTok okay, okay, are you ready?

0:42:27.320 --> 0:42:28.000
<v Speaker 1>I'm ready.

0:42:28.200 --> 0:42:34.200
<v Speaker 2>It's great. It's a trend on TikTok and Heidi Puke

0:42:35.560 --> 0:42:38.600
<v Speaker 2>that can't be is that right? High Hide and Seek

0:42:41.440 --> 0:42:48.799
<v Speaker 2>it's talking about what music is your therapist? And it's

0:42:48.840 --> 0:42:52.440
<v Speaker 2>just the gleek cast, all of the Gleek Cast songs

0:42:52.840 --> 0:42:59.160
<v Speaker 2>and the gleek Cast artists, and she says, that's showbiz.

0:42:58.760 --> 0:43:04.760
<v Speaker 1>Baby, that's funny. The comment below.

0:43:05.960 --> 0:43:08.680
<v Speaker 2>When for Bray's Ponytail saved me on my darkest days.

0:43:09.760 --> 0:43:15.399
<v Speaker 2>It's very good and people are roasting her because she's

0:43:15.440 --> 0:43:18.319
<v Speaker 2>only liked seven songs. Oh oh my.

0:43:18.239 --> 0:43:23.719
<v Speaker 1>Gosh, you guys, let's just be kind. Uh oh man.

0:43:23.920 --> 0:43:25.879
<v Speaker 2>Someone said, I just cried to Finn's girls just want

0:43:25.920 --> 0:43:26.480
<v Speaker 2>to have fun.

0:43:26.320 --> 0:43:31.320
<v Speaker 1>Like five minutes ago. Very funny. Okay, well, next week

0:43:31.840 --> 0:43:34.640
<v Speaker 1>is oh I was wrong. I thought it was Christmas.

0:43:34.680 --> 0:43:38.000
<v Speaker 1>It's mash off and it has Glease three hundredth number

0:43:38.000 --> 0:43:40.879
<v Speaker 1>and one of our best numbers ever. Rumor has said

0:43:40.960 --> 0:43:45.239
<v Speaker 1>someone like you stay tuned, thanks for joining us.

0:43:45.440 --> 0:43:48.799
<v Speaker 2>I just between this, I know it's too much, and

0:43:48.920 --> 0:43:51.520
<v Speaker 2>next week it's too much all of a sudden the

0:43:51.600 --> 0:43:55.359
<v Speaker 2>Santana show. Wow, and I'm all about it rightfully so

0:43:56.360 --> 0:43:57.919
<v Speaker 2>and it's like she's just become a star.

0:43:58.480 --> 0:44:04.719
<v Speaker 1>Yeah exactly, Pam, Well that's what you really missed, and

0:44:04.760 --> 0:44:06.719
<v Speaker 1>it was a lot if you missed this episode, it

0:44:06.760 --> 0:44:07.160
<v Speaker 1>was a lot.

0:44:07.200 --> 0:44:08.200
<v Speaker 2>You really missed a lot.

0:44:08.480 --> 0:44:08.719
<v Speaker 1>Yeah.

0:44:08.800 --> 0:44:14.120
<v Speaker 2>Yeah, we'll see you next week for our three hundredth

0:44:14.719 --> 0:44:15.680
<v Speaker 2>musical performance.

0:44:16.200 --> 0:44:17.520
<v Speaker 1>Wow.

0:44:17.680 --> 0:44:21.360
<v Speaker 2>See you, thanks for listening, and follow us on Instagram

0:44:21.640 --> 0:44:24.040
<v Speaker 2>at and that's what you really miss pod. Make sure

0:44:24.080 --> 0:44:26.200
<v Speaker 2>to write us a review and leave us five stars.

0:44:26.360 --> 0:44:27.080
<v Speaker 2>See you next time.