1 00:00:01,800 --> 00:00:04,479 Speaker 1: And That's what you Really missed with Jenna. 2 00:00:04,519 --> 00:00:08,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,560 --> 00:00:12,960 Speaker 1: Welcome to and That's what You Really miss podcast. It's 4 00:00:13,119 --> 00:00:16,880 Speaker 1: a musical week, well school musical week. 5 00:00:17,480 --> 00:00:23,280 Speaker 3: It's a week of first Oh, very good, very good, Kevin. 6 00:00:23,800 --> 00:00:28,680 Speaker 2: This episode, season three, episode five, the first time originally 7 00:00:28,760 --> 00:00:34,320 Speaker 2: aired November eighth, two thy eleven. This was a dense episode. 8 00:00:35,000 --> 00:00:36,839 Speaker 1: A lot a lot happened. 9 00:00:36,960 --> 00:00:39,320 Speaker 2: I stopped halfway through and I was like, this has 10 00:00:39,320 --> 00:00:41,640 Speaker 2: got to be almost over right, Not because I was bored. 11 00:00:42,360 --> 00:00:44,840 Speaker 2: I just meant I wasn't sure what because I thought 12 00:00:44,880 --> 00:00:47,479 Speaker 2: my side story number was in this and I was 13 00:00:47,520 --> 00:00:48,560 Speaker 2: on halfway through. 14 00:00:48,760 --> 00:00:51,600 Speaker 1: Yes, I I did the exact same thing. I had 15 00:00:51,600 --> 00:00:53,720 Speaker 1: to pause, and I was like, oh, there's a lot 16 00:00:55,360 --> 00:00:58,280 Speaker 1: a lot happens. Let's just get into it. There's okay, 17 00:00:58,280 --> 00:01:02,440 Speaker 1: So something's happening in the world before the number one song. 18 00:01:04,120 --> 00:01:07,120 Speaker 1: I feel like we're gonna see this a lot moving forward, 19 00:01:07,400 --> 00:01:09,840 Speaker 1: not that we haven't before, but like we're gonna do 20 00:01:09,880 --> 00:01:15,440 Speaker 1: the song. Five episodes later, we found Love is the 21 00:01:15,520 --> 00:01:18,920 Speaker 1: number one song Rihanna and Calvin Harris, and that's going 22 00:01:19,000 --> 00:01:23,800 Speaker 1: to be an iconic number for you. Kevin and the 23 00:01:23,880 --> 00:01:26,800 Speaker 1: number one movie is still pussing Boots. But more importantly, 24 00:01:26,840 --> 00:01:28,120 Speaker 1: there's a lot of Glee news this week. 25 00:01:28,440 --> 00:01:32,319 Speaker 2: Yeah. On November eleventh, Glee The Music the Christmas Album, 26 00:01:32,360 --> 00:01:40,240 Speaker 2: Volume two was released Shout Out Too. Yeah. The album 27 00:01:40,280 --> 00:01:43,880 Speaker 2: featured twelve fest tracks, including two original songs, eight of 28 00:01:43,920 --> 00:01:48,000 Speaker 2: which appear in episode nine of this third season. This 29 00:01:48,080 --> 00:01:52,440 Speaker 2: album was available on CD Ancient and for digital download 30 00:01:53,120 --> 00:01:56,240 Speaker 2: Get All in One for Christmas? Is You Extraordinary? Merry Christmas? 31 00:01:56,240 --> 00:01:59,640 Speaker 2: Santa Baby, let it snow Christmas Rapping? Do they know 32 00:01:59,720 --> 00:02:02,680 Speaker 2: it's Christmas? Oh? My god? Do they know it's Christmas? 33 00:02:02,480 --> 00:02:03,760 Speaker 1: Christmas? Wow? 34 00:02:04,000 --> 00:02:04,919 Speaker 2: There's a lot. 35 00:02:05,520 --> 00:02:07,760 Speaker 1: Yeah, we'll get into that with the next episode. 36 00:02:08,280 --> 00:02:14,799 Speaker 2: Yeah. So this episode was directed by our editor extraordinaire 37 00:02:14,840 --> 00:02:17,600 Speaker 2: and also now director Extraordinaire Brad Beaker. 38 00:02:17,680 --> 00:02:22,760 Speaker 1: M H and written by Roberto A Gear Sicassa who 39 00:02:23,480 --> 00:02:29,000 Speaker 1: is off to make it a very very large career 40 00:02:29,040 --> 00:02:30,079 Speaker 1: for himself after this. 41 00:02:32,639 --> 00:02:33,919 Speaker 2: A little show called Riverdale. 42 00:02:34,800 --> 00:02:38,079 Speaker 1: Have you heard of it? Okay? So, the songs in 43 00:02:38,120 --> 00:02:40,440 Speaker 1: the show tonight, we are doing school musical, so a 44 00:02:40,440 --> 00:02:42,200 Speaker 1: lot of them will be west Side Story, but some 45 00:02:42,240 --> 00:02:48,040 Speaker 1: of them won't Tonight west Side Story, Uptown Girl, Billy, Joel, interesting, 46 00:02:48,760 --> 00:02:52,880 Speaker 1: boy like that. I have a love west Side Story, America, 47 00:02:53,040 --> 00:02:56,240 Speaker 1: west Side Story and one hand, one heart. So this 48 00:02:56,320 --> 00:03:02,080 Speaker 1: is like the Brittany episode and then you get only exception. 49 00:03:02,600 --> 00:03:08,160 Speaker 2: Yeah, we also get our introduction to one Grant Gustin. 50 00:03:09,400 --> 00:03:11,000 Speaker 1: Welcome to the show. 51 00:03:11,160 --> 00:03:16,640 Speaker 2: Grant. We start that roller coaster pre him being the 52 00:03:16,680 --> 00:03:21,639 Speaker 2: flash m hm, and I didn't realize he came in, 53 00:03:22,400 --> 00:03:25,200 Speaker 2: so well we'll get there. But I was like, oh, 54 00:03:25,280 --> 00:03:26,600 Speaker 2: Grant's coming in hot. 55 00:03:26,720 --> 00:03:31,240 Speaker 1: Oh yeah, I know, okay. Grant also, fun fact, was 56 00:03:31,520 --> 00:03:33,880 Speaker 1: in the national tour of The West Side Story right 57 00:03:33,919 --> 00:03:39,080 Speaker 1: before this, right before he started Glee and now is 58 00:03:39,720 --> 00:03:40,720 Speaker 1: in Angle. 59 00:03:40,800 --> 00:03:42,920 Speaker 2: So he was being haunted by West Side Story. 60 00:03:43,160 --> 00:03:47,120 Speaker 1: Yeah, yeah, yeah, yeah, it's a great show. Okay, fun facts. 61 00:03:47,160 --> 00:03:49,560 Speaker 1: We've got some fun facts for this episode. So Kevin, 62 00:03:49,680 --> 00:03:53,240 Speaker 1: this is Artie's first voiceover of the series. 63 00:03:53,400 --> 00:03:56,160 Speaker 2: I could tell because someone wasn't very good at them. 64 00:03:56,760 --> 00:04:00,760 Speaker 1: So when you do the voiceovers for this, for any only, 65 00:04:01,440 --> 00:04:04,760 Speaker 1: usually it's like the end of the day. The mike, 66 00:04:05,200 --> 00:04:07,320 Speaker 1: like the boom operator, who is like one of our 67 00:04:07,360 --> 00:04:10,360 Speaker 1: main sound guys. They come over, you stand with the 68 00:04:10,400 --> 00:04:14,240 Speaker 1: director literally like holding your lines, and you read it 69 00:04:14,280 --> 00:04:18,360 Speaker 1: a few times. That's at least my experience. 70 00:04:18,040 --> 00:04:19,840 Speaker 2: On the soundstage, you're not in a recording shat or 71 00:04:19,839 --> 00:04:21,480 Speaker 2: anything like that. They just pull you aside and. 72 00:04:21,560 --> 00:04:25,440 Speaker 1: People are like finishing their day. It's so weird. You're 73 00:04:25,440 --> 00:04:28,200 Speaker 1: not in like a recording booth. You're not like doing 74 00:04:28,240 --> 00:04:30,440 Speaker 1: it a million times. You probably get two or three 75 00:04:30,480 --> 00:04:33,400 Speaker 1: and you're like, oh, right, got it. So that for 76 00:04:33,480 --> 00:04:36,560 Speaker 1: people who didn't know, this is the second episode to 77 00:04:36,560 --> 00:04:41,360 Speaker 1: not feature any solos, only duets or group numbers. Interesting. 78 00:04:41,440 --> 00:04:44,039 Speaker 2: Wow, the person was Vitamin D, which was so long ago. 79 00:04:44,320 --> 00:04:50,680 Speaker 1: Wow. West Side story performance shown in the episode was 80 00:04:50,720 --> 00:04:56,400 Speaker 1: actually strictly forbidden. So MTI, the company that licenses the show. 81 00:04:57,880 --> 00:05:00,599 Speaker 1: Every show has a licensing company they go it, so 82 00:05:00,640 --> 00:05:03,800 Speaker 1: this one's with MTI, and they strictly forbid any group 83 00:05:03,800 --> 00:05:06,760 Speaker 1: performing the musical for making changes to the original musicals, books, 84 00:05:06,800 --> 00:05:12,880 Speaker 1: song or story. Changing the dialogue of the musical to 85 00:05:12,960 --> 00:05:15,960 Speaker 1: match the nineteen sixty one film version is also forbidden, 86 00:05:16,000 --> 00:05:19,720 Speaker 1: which is also done. So we had a lot of penalties. 87 00:05:20,120 --> 00:05:23,080 Speaker 1: I don't know what happened, but we're really not supposed 88 00:05:23,080 --> 00:05:24,120 Speaker 1: to do a lot of this stuff. 89 00:05:24,160 --> 00:05:25,599 Speaker 2: Do you think we got in trouble or we asked 90 00:05:25,600 --> 00:05:26,240 Speaker 2: for permission? 91 00:05:26,600 --> 00:05:28,159 Speaker 1: No? I think we just did it, and then I 92 00:05:28,200 --> 00:05:30,120 Speaker 1: think we just then we just went with it. 93 00:05:30,600 --> 00:05:34,159 Speaker 2: Damn. This is the second episode to show a viewer 94 00:05:34,160 --> 00:05:37,880 Speaker 2: discretion advice content rating message right before the airing of 95 00:05:37,920 --> 00:05:42,839 Speaker 2: this episode, the first being sexy hmmm interesting. 96 00:05:45,120 --> 00:05:47,320 Speaker 1: Rachel also said she wasn't going to lose he virginity 97 00:05:47,400 --> 00:05:49,400 Speaker 1: until she turned twenty five and what had wanted Tony 98 00:05:49,680 --> 00:05:53,839 Speaker 1: and her Broadway career was established, which Finn does allude 99 00:05:53,880 --> 00:05:58,040 Speaker 1: to about winning our Tony, but that goes to crap. 100 00:05:58,400 --> 00:06:03,880 Speaker 2: Brittany had a very controversial line in this episode when 101 00:06:03,920 --> 00:06:07,120 Speaker 2: there are people were talking about their first times, she 102 00:06:07,240 --> 00:06:10,760 Speaker 2: says she just climbed into my tent alien invasion, and 103 00:06:10,800 --> 00:06:15,400 Speaker 2: that obviously led to people debating whether not Britney was 104 00:06:15,440 --> 00:06:20,960 Speaker 2: sexually assaulted during her first time. Although it's Brittany and 105 00:06:21,000 --> 00:06:25,560 Speaker 2: so maybe she was just confused about the situation and 106 00:06:25,640 --> 00:06:29,840 Speaker 2: making a joke that fascinating. I didn't even when she said, 107 00:06:29,880 --> 00:06:34,640 Speaker 2: I was like, oh that hmm. It did make me wonder, 108 00:06:35,000 --> 00:06:38,400 Speaker 2: you know, huh. Also in Latin America, the part where 109 00:06:38,400 --> 00:06:40,800 Speaker 2: Curtin and Blank kiss was cut when the episode was aired. 110 00:06:40,920 --> 00:06:43,560 Speaker 1: Oh no, yeah, no. 111 00:06:43,680 --> 00:06:44,160 Speaker 2: Hell no. 112 00:06:44,440 --> 00:06:46,360 Speaker 1: Screen copies of this episode was sent to a number 113 00:06:46,360 --> 00:06:50,880 Speaker 1: of critics before the show. My gloss Yellow shout out. 114 00:06:51,279 --> 00:06:53,560 Speaker 1: He from tv Line he called it stellar in a 115 00:06:53,640 --> 00:06:58,080 Speaker 1: standout episode, and Enter Team in Weekly's Tin Stack wrote 116 00:06:58,080 --> 00:07:00,800 Speaker 1: that it was one of Glee's best in stallments ever 117 00:07:00,880 --> 00:07:03,920 Speaker 1: and an exceptional episode. This is so interesting to me, 118 00:07:03,960 --> 00:07:08,800 Speaker 1: too fascinating. So prior to the broadcast, Chris anticipated that 119 00:07:08,920 --> 00:07:13,280 Speaker 1: the episode sexual themes a lah him and him and Darren, 120 00:07:13,440 --> 00:07:18,080 Speaker 1: you know, doing the deed and content would prove controversial 121 00:07:18,120 --> 00:07:22,240 Speaker 1: among television watchdog groups. He said, I absolutely expect to 122 00:07:22,240 --> 00:07:23,760 Speaker 1: hear from them, but I don't. But I think it's 123 00:07:23,760 --> 00:07:27,520 Speaker 1: handled very sweetly and very emotionally. They're expecting this big, raunchy, 124 00:07:27,560 --> 00:07:30,600 Speaker 1: suggestive brainwashing storyline when it's really very very sweet. 125 00:07:32,320 --> 00:07:36,600 Speaker 2: And before the episode aired, the Conservative Parents Television Council 126 00:07:36,760 --> 00:07:41,080 Speaker 2: called the show reprehensible and the Fox network reckless for 127 00:07:41,200 --> 00:07:44,760 Speaker 2: celebrating teen sex. Where had they been the past two seasons? 128 00:07:45,320 --> 00:07:50,400 Speaker 2: We literally did like a virgin montage, Like, you know, 129 00:07:50,800 --> 00:07:55,680 Speaker 2: people just want controversy and just want some free press. 130 00:07:56,000 --> 00:07:59,240 Speaker 2: That's not what was happening. But Jenna thoughts about this 131 00:07:59,360 --> 00:08:04,000 Speaker 2: episode because well hold on, so they summary of the 132 00:08:04,040 --> 00:08:07,680 Speaker 2: episode is under Artie's director or leadership. The kids prepare 133 00:08:07,720 --> 00:08:10,360 Speaker 2: to perform the school musical West Side Story, which leads 134 00:08:10,440 --> 00:08:13,680 Speaker 2: to two couples to take their next step in their 135 00:08:13,720 --> 00:08:18,520 Speaker 2: relationship Wanky. Meanwhile, Finn meets with a recruiter and Coach 136 00:08:18,680 --> 00:08:22,320 Speaker 2: Beast has an admirer. You and I were just talking 137 00:08:22,360 --> 00:08:25,880 Speaker 2: about how we feel about this episode before we started recording, Yeah, 138 00:08:26,520 --> 00:08:30,760 Speaker 2: because it felt like there was a lot of ground 139 00:08:30,760 --> 00:08:32,880 Speaker 2: to cover. It felt like there were about eighty storylines 140 00:08:32,880 --> 00:08:36,319 Speaker 2: happening in this right and also like the full length 141 00:08:36,440 --> 00:08:40,920 Speaker 2: version of America totally right, like there was a lot. 142 00:08:41,160 --> 00:08:41,960 Speaker 2: Well that's it. 143 00:08:41,960 --> 00:08:45,040 Speaker 1: It wasn't just the school musical, like, it wasn't like, oh, 144 00:08:45,040 --> 00:08:47,440 Speaker 1: it's all surrounding like some drama and we get it 145 00:08:47,480 --> 00:08:50,280 Speaker 1: done in time and something goes wrong, Like there were 146 00:08:50,320 --> 00:08:56,280 Speaker 1: like fifteen other important storylines happening alongside the musical, which 147 00:08:56,320 --> 00:08:57,920 Speaker 1: is why I think they wrote it that way. But 148 00:08:58,880 --> 00:09:01,200 Speaker 1: I was like, wow, are really stuffing it in. 149 00:09:02,360 --> 00:09:03,800 Speaker 2: It was serious stuff too. 150 00:09:03,920 --> 00:09:07,679 Speaker 1: And we don't usually see this right like a school 151 00:09:07,760 --> 00:09:11,440 Speaker 1: musical performance anyway, So for it to be weaved in 152 00:09:11,760 --> 00:09:17,800 Speaker 1: throughout these storylines without music that was quite applicable to 153 00:09:18,280 --> 00:09:21,800 Speaker 1: those storylines, like it felt a little like, Okay, so 154 00:09:21,840 --> 00:09:23,880 Speaker 1: we're gonna make this musical work, and we're gonna make 155 00:09:23,880 --> 00:09:26,079 Speaker 1: all these storylines the can we're try and intertwine them, 156 00:09:26,080 --> 00:09:28,600 Speaker 1: and it just felt like a lot of my brain 157 00:09:28,600 --> 00:09:29,920 Speaker 1: felt like a little stuffed. 158 00:09:31,520 --> 00:09:34,040 Speaker 2: I sort of I feel like that must be like 159 00:09:34,080 --> 00:09:37,679 Speaker 2: a maybe like a Beaker Brad Beaker idea m to 160 00:09:37,880 --> 00:09:39,439 Speaker 2: make all of it work so it's not just musical 161 00:09:39,520 --> 00:09:43,320 Speaker 2: number seeing musical number scene, because it did feel like 162 00:09:44,400 --> 00:09:48,520 Speaker 2: a real like musical movie to me in that way, 163 00:09:48,720 --> 00:09:50,480 Speaker 2: or especially the first time they start doing it where 164 00:09:50,480 --> 00:09:54,599 Speaker 2: they're talking about who's had sex and who hasn't, and 165 00:09:54,640 --> 00:09:58,400 Speaker 2: they're weaving it in with the actual number, it felt 166 00:09:59,200 --> 00:10:02,120 Speaker 2: I liked that a lot, but I wasn't really aware 167 00:10:02,120 --> 00:10:05,840 Speaker 2: of what was happening, Okay, like, oh, is this a rehearsal? 168 00:10:07,040 --> 00:10:11,680 Speaker 2: Is this right the actual show right? I don't know. 169 00:10:11,720 --> 00:10:13,360 Speaker 2: And then I think because there was so much to 170 00:10:13,400 --> 00:10:18,520 Speaker 2: cover than some storylines got lost and like Mike Chang 171 00:10:18,600 --> 00:10:21,400 Speaker 2: storyline had just like a couple of shots and a 172 00:10:21,600 --> 00:10:23,640 Speaker 2: scene that will. 173 00:10:23,440 --> 00:10:27,080 Speaker 1: Live on, that will live on. But yeah, agreed, agreed, 174 00:10:28,320 --> 00:10:30,640 Speaker 1: This is when I feel like they'll there's a lot 175 00:10:30,720 --> 00:10:33,240 Speaker 1: to cover because there's so many characters and so much 176 00:10:33,280 --> 00:10:36,600 Speaker 1: to write for that we'll see this trend throughout the 177 00:10:36,600 --> 00:10:39,600 Speaker 1: rest of the series because there's just so many people 178 00:10:40,080 --> 00:10:43,160 Speaker 1: and people that like fans care about, so they want 179 00:10:43,160 --> 00:10:46,800 Speaker 1: to write about everybody. That's true, and sometimes you get 180 00:10:46,840 --> 00:10:49,560 Speaker 1: lost in the abyss aka Teina Khan Cheg. But like 181 00:10:49,880 --> 00:10:52,840 Speaker 1: you know, it's just like there's just a lot of 182 00:10:52,880 --> 00:10:55,680 Speaker 1: characters to give time to. 183 00:10:57,160 --> 00:11:01,120 Speaker 2: I would like to start this off by saying, what 184 00:11:01,320 --> 00:11:04,880 Speaker 2: is Artie's problem? What do you mean when it comes 185 00:11:04,880 --> 00:11:12,440 Speaker 2: to relationship stuff women? Especially, He's so bad and like 186 00:11:12,559 --> 00:11:13,920 Speaker 2: weird because. 187 00:11:13,679 --> 00:11:16,280 Speaker 1: I think in real life a lot of guys are 188 00:11:16,320 --> 00:11:18,120 Speaker 1: bad at this. 189 00:11:18,640 --> 00:11:19,640 Speaker 2: It's hard to watch. 190 00:11:19,679 --> 00:11:22,199 Speaker 1: I'm sorry. I don't mean to generalize, not everybody. 191 00:11:23,000 --> 00:11:26,199 Speaker 2: I was shocked several times by his behavior in this episode, 192 00:11:27,440 --> 00:11:32,920 Speaker 2: where like making the students have. 193 00:11:32,880 --> 00:11:36,160 Speaker 1: Sex right like that I thought was interesting. 194 00:11:36,240 --> 00:11:38,440 Speaker 2: They don't have passion because they had never done it, 195 00:11:38,480 --> 00:11:41,400 Speaker 2: and like, as a friend, he respects their aversion to fun, 196 00:11:43,960 --> 00:11:47,120 Speaker 2: and then he meddles and coach beasts love life, which 197 00:11:47,280 --> 00:11:49,040 Speaker 2: was weird. 198 00:11:49,720 --> 00:11:53,480 Speaker 1: Interesting, why are you the one? 199 00:11:54,200 --> 00:11:57,680 Speaker 2: This is a grown ass person. Why are you coming 200 00:11:57,760 --> 00:12:01,760 Speaker 2: up on her and meddling asking why she walked out 201 00:12:01,760 --> 00:12:05,760 Speaker 2: when it's not your business, not your business. I don't know, 202 00:12:06,160 --> 00:12:09,480 Speaker 2: like sure, ultimately maybe it leads to a really nice 203 00:12:09,480 --> 00:12:12,120 Speaker 2: moment later on in the episode. 204 00:12:12,840 --> 00:12:16,200 Speaker 1: It was just interesting. It was you right, like you 205 00:12:16,240 --> 00:12:19,240 Speaker 1: didn't have to be me. I will say, though, you 206 00:12:19,280 --> 00:12:22,560 Speaker 1: have had a relationship with coach Beast amongst all of 207 00:12:22,600 --> 00:12:25,920 Speaker 1: all the characters, like your experience with like wanting to 208 00:12:25,920 --> 00:12:29,040 Speaker 1: be on the football team, and that whole storyline, like 209 00:12:29,679 --> 00:12:32,960 Speaker 1: it is the closest that's not Finn or Puck. 210 00:12:33,640 --> 00:12:34,840 Speaker 2: Was shooting this episode. 211 00:12:35,600 --> 00:12:38,520 Speaker 3: No, what. 212 00:12:40,720 --> 00:12:42,479 Speaker 2: Was he? 213 00:12:42,480 --> 00:12:45,040 Speaker 1: He was in the audience, Kevin, he was watching the show, 214 00:12:45,360 --> 00:12:48,160 Speaker 1: was in the audience, But that's it. He had a 215 00:12:48,240 --> 00:12:49,440 Speaker 1: nice he was busy. 216 00:12:49,520 --> 00:12:50,960 Speaker 2: He must have been doing something else. 217 00:12:51,120 --> 00:12:53,640 Speaker 1: And no su oh yeah yeah yeah yeah. 218 00:12:53,679 --> 00:12:56,360 Speaker 2: So that's why there was so much of using the 219 00:12:56,400 --> 00:12:56,960 Speaker 2: other people. 220 00:12:57,240 --> 00:13:01,480 Speaker 1: Yeah and everybody else. Okay, okay, okay. Already though, I 221 00:13:01,520 --> 00:13:03,600 Speaker 1: will say, has a really nice storyline with the whole 222 00:13:03,640 --> 00:13:07,600 Speaker 1: director his directorial debut and how he gets a panic 223 00:13:07,600 --> 00:13:10,559 Speaker 1: attack and everybody is actually just thinking him and how 224 00:13:10,600 --> 00:13:12,800 Speaker 1: you really helped us to open up. It was very sweet. 225 00:13:13,240 --> 00:13:17,840 Speaker 2: Do you remember filming that little scene? No, so this 226 00:13:18,000 --> 00:13:19,960 Speaker 2: was the first time for me. I'm sure they had 227 00:13:20,000 --> 00:13:24,760 Speaker 2: done it to other people, but I found out right 228 00:13:26,240 --> 00:13:28,440 Speaker 2: we were filming a scene earlier in the day and 229 00:13:28,520 --> 00:13:31,360 Speaker 2: right after that they said they are changing. So originally 230 00:13:31,440 --> 00:13:34,319 Speaker 2: I had like a two page like monologue. 231 00:13:34,520 --> 00:13:38,000 Speaker 1: Yes, Kevin, I remember this. I was quizzing you on it. 232 00:13:38,120 --> 00:13:39,839 Speaker 2: Yes, you were helping me work on it because it 233 00:13:39,880 --> 00:13:43,240 Speaker 2: was really long, and I wasn't someone like Sue or 234 00:13:43,320 --> 00:13:47,680 Speaker 2: Shoe or Santana who normally had a bunch of lines 235 00:13:48,120 --> 00:13:50,920 Speaker 2: like that, Oh my god. And so you were helping me. 236 00:13:51,480 --> 00:13:52,880 Speaker 2: And then they came up and like, oh, we're going 237 00:13:52,960 --> 00:13:54,600 Speaker 2: to get some edits, they're going to rewrite it, and 238 00:13:54,679 --> 00:13:58,480 Speaker 2: I started to panic, and then they gave me. You know, 239 00:13:58,679 --> 00:14:01,760 Speaker 2: normally the script you have set called sides. They're like 240 00:14:01,800 --> 00:14:05,480 Speaker 2: little versions of the script. They're like shrunken down and 241 00:14:05,520 --> 00:14:08,880 Speaker 2: they're just the pages you're shooting that day, and they're 242 00:14:08,920 --> 00:14:11,840 Speaker 2: white like a script. And then any change is a 243 00:14:11,840 --> 00:14:14,720 Speaker 2: different color paper, so you have a yellow, green, blue, 244 00:14:14,760 --> 00:14:17,480 Speaker 2: depending on what edit it is. And so they gave 245 00:14:17,520 --> 00:14:23,840 Speaker 2: me like these new green pages and it was longer 246 00:14:23,880 --> 00:14:26,040 Speaker 2: than I think that's than what was in the episode. 247 00:14:26,200 --> 00:14:28,200 Speaker 2: I think they chopped it down a bit, but I 248 00:14:28,320 --> 00:14:34,120 Speaker 2: was so panicked, and Brad Beeker is just the most 249 00:14:34,160 --> 00:14:38,120 Speaker 2: gentle soul and he would never let you freak out. 250 00:14:38,280 --> 00:14:41,000 Speaker 2: He's like, don't worry, it's gonna be fine. Because I 251 00:14:41,080 --> 00:14:43,440 Speaker 2: had everybody in the cast looking. 252 00:14:43,200 --> 00:14:45,480 Speaker 1: At me, staring at you, and you. 253 00:14:45,440 --> 00:14:48,160 Speaker 2: Don't want to like make the day longer for everybody. 254 00:14:49,440 --> 00:14:51,120 Speaker 2: And I believe it was the last scene of the day. 255 00:14:51,880 --> 00:14:55,040 Speaker 2: And so there we are and I'm looking at you. 256 00:14:55,600 --> 00:14:58,240 Speaker 2: I'm just like, stay in it, just get it together, 257 00:14:58,800 --> 00:15:01,200 Speaker 2: like we got it. And everyone was very supportive because 258 00:15:01,240 --> 00:15:04,040 Speaker 2: everybody knew, which was nice. 259 00:15:04,280 --> 00:15:07,240 Speaker 1: Yeah, okay, okay, thanks for the memory job, Kevin. 260 00:15:07,560 --> 00:15:09,640 Speaker 2: I forgot about it. I remember that happening, I just 261 00:15:09,680 --> 00:15:10,800 Speaker 2: didn't know when it happened. 262 00:15:11,360 --> 00:15:13,760 Speaker 1: And then when you saw the episode. 263 00:15:14,040 --> 00:15:17,040 Speaker 2: When I see myself wheeling up on the stage having 264 00:15:17,040 --> 00:15:21,680 Speaker 2: that panic attack, I'm like, this is it. And so 265 00:15:21,800 --> 00:15:24,000 Speaker 2: during all of that, like when we were shooting those 266 00:15:24,000 --> 00:15:27,440 Speaker 2: little things, that's when I was getting given the new pages. 267 00:15:27,680 --> 00:15:31,280 Speaker 2: Oh fun, Like while we're still like shooting something, right, 268 00:15:31,360 --> 00:15:35,320 Speaker 2: I'm like, cool, this is fun for me. It might 269 00:15:35,320 --> 00:15:37,640 Speaker 2: have been the day we did America, to be honest, 270 00:15:37,960 --> 00:15:40,480 Speaker 2: maybe maybe it was that, And it was at the 271 00:15:40,520 --> 00:15:41,040 Speaker 2: end of the day. 272 00:15:41,160 --> 00:15:43,480 Speaker 1: I think it was because I think you were sitting 273 00:15:43,480 --> 00:15:45,920 Speaker 1: in the back. We were doing America and you were 274 00:15:45,960 --> 00:15:48,640 Speaker 1: working on it, and then they gave you the new ones. 275 00:15:48,200 --> 00:15:51,200 Speaker 2: Because that's all day. Because I'm not yes, yes, So 276 00:15:51,240 --> 00:15:52,600 Speaker 2: I spent all day working on the wrong thing. 277 00:15:52,760 --> 00:15:54,560 Speaker 1: We've all been there. Don't worry, they'll be wanting me 278 00:15:54,680 --> 00:15:59,000 Speaker 1: like that. But I loved I liked your little storyline, 279 00:15:59,000 --> 00:16:01,160 Speaker 1: and I also liked your line about finding your new 280 00:16:01,160 --> 00:16:02,600 Speaker 1: purpose to boss people around. 281 00:16:04,000 --> 00:16:09,720 Speaker 2: Honestly, Artie storyline was very relatable for me in twenty 282 00:16:09,760 --> 00:16:13,440 Speaker 2: twenty three, mm hmm. It's still up performing, but I 283 00:16:13,480 --> 00:16:15,800 Speaker 2: have realized I like doing these other things too, behind 284 00:16:15,800 --> 00:16:19,280 Speaker 2: the scenes and bossing people around and making decisions about taste. 285 00:16:19,760 --> 00:16:22,280 Speaker 1: Yes, that's all it's about. 286 00:16:22,680 --> 00:16:24,480 Speaker 2: It was very fun, like when Leah was trying on 287 00:16:24,480 --> 00:16:26,840 Speaker 2: the stresses and things. Doing that whole stuff was very fun. 288 00:16:27,160 --> 00:16:30,560 Speaker 1: Oh that was really funny. Do you remember shooting that? Yeah, 289 00:16:30,840 --> 00:16:31,880 Speaker 1: really funny. 290 00:16:31,560 --> 00:16:33,440 Speaker 2: Because you know, it was like stuff we didn't normally 291 00:16:33,480 --> 00:16:37,120 Speaker 2: get to do. Right, we're usually doing our routine was 292 00:16:37,520 --> 00:16:39,480 Speaker 2: usually the same every day, like reading the Quire room. 293 00:16:39,520 --> 00:16:42,200 Speaker 1: We're doing a number, right, But when we each had 294 00:16:42,240 --> 00:16:46,520 Speaker 1: like a different storyline it was like, oh, memorable, Yeah, exactly, 295 00:16:46,560 --> 00:16:47,400 Speaker 1: We're very funny though. 296 00:16:56,800 --> 00:17:01,440 Speaker 2: So what happens during the top of Artie's storyline and 297 00:17:01,440 --> 00:17:05,960 Speaker 2: the west side storyline West side story storyline when Artie 298 00:17:06,119 --> 00:17:11,800 Speaker 2: talks about Blaine and Rachel not having passion because it 299 00:17:11,800 --> 00:17:16,000 Speaker 2: looks like they probably haven't had sex before, Coach Beast 300 00:17:16,560 --> 00:17:22,600 Speaker 2: and Emma Pillsbury get up and leave immediately, but Artie 301 00:17:22,600 --> 00:17:24,720 Speaker 2: doesn't let that go for some reason. So it's revealed 302 00:17:24,720 --> 00:17:27,000 Speaker 2: that Coach Beasts has also never been intimate with anyone. 303 00:17:27,040 --> 00:17:30,000 Speaker 2: Well yeh, she just had her first kiss. Everyone down. 304 00:17:30,400 --> 00:17:33,800 Speaker 2: But she does have a crush on Cooder Mankins, who's 305 00:17:33,800 --> 00:17:39,480 Speaker 2: the football recruiter from Ohio State, and so Artie sort 306 00:17:39,560 --> 00:17:45,000 Speaker 2: of finesses this date happening. He finds out from Beast. 307 00:17:45,400 --> 00:17:47,720 Speaker 2: Then he meets Cooter and is like, you need to 308 00:17:47,720 --> 00:17:50,240 Speaker 2: be straight up with her and ask her again, like 309 00:17:51,160 --> 00:17:55,480 Speaker 2: very clear yes, And then Beast opens up to him 310 00:17:55,960 --> 00:18:01,360 Speaker 2: and they have some great chemistry together. They together very. 311 00:18:01,200 --> 00:18:04,080 Speaker 1: Cute, and she's just cute. I mean, she's just the 312 00:18:04,119 --> 00:18:06,520 Speaker 1: sweetest little muffin. And so when you and when you 313 00:18:06,560 --> 00:18:10,800 Speaker 1: get vulnerable Beast versus like football coach funny chicken eating beast. 314 00:18:10,880 --> 00:18:14,160 Speaker 1: It's like, I just my heart breaks for her all 315 00:18:14,200 --> 00:18:16,760 Speaker 1: the time, and how honest she is and how vulnerable 316 00:18:16,840 --> 00:18:19,040 Speaker 1: she has to be about not wanting, you know, not 317 00:18:19,160 --> 00:18:23,679 Speaker 1: feeling like you know, she she deserves love. And so 318 00:18:24,080 --> 00:18:28,480 Speaker 1: I'm anytime you get Dot Dot Marie Jones getting some 319 00:18:28,840 --> 00:18:31,080 Speaker 1: you know, tears out, it's it's always a win for me. 320 00:18:31,280 --> 00:18:33,560 Speaker 2: It also makes you wonder if they just started, you know, 321 00:18:33,600 --> 00:18:35,760 Speaker 2: once you get to know Dot and they did know 322 00:18:35,880 --> 00:18:39,040 Speaker 2: Dot like Brad Ryan and Ian, if you know you 323 00:18:39,080 --> 00:18:41,720 Speaker 2: start writing to that because Dot is. 324 00:18:41,760 --> 00:18:45,199 Speaker 1: Just like that in life. Yes, yes, totally, they know 325 00:18:45,320 --> 00:18:46,000 Speaker 1: she can do it. 326 00:18:46,280 --> 00:18:47,000 Speaker 2: Yeah, exactly. 327 00:18:47,760 --> 00:18:52,080 Speaker 1: Okay, So Mike Chang, his dad is going to confront 328 00:18:52,160 --> 00:18:54,800 Speaker 1: him in this episode and this will continue on. But 329 00:18:54,840 --> 00:19:00,119 Speaker 1: obviously this this is continuing from Asian f where his 330 00:19:00,200 --> 00:19:02,880 Speaker 1: dad wants him to be have a real job, go 331 00:19:02,920 --> 00:19:05,440 Speaker 1: to school, go to an ivy league, and Mike Chang 332 00:19:05,440 --> 00:19:07,760 Speaker 1: has decided that he's going to audition and book the 333 00:19:07,840 --> 00:19:10,120 Speaker 1: part of ref and be in the school musical and 334 00:19:11,440 --> 00:19:14,280 Speaker 1: uh just kind of go against his father's wishes. But 335 00:19:14,480 --> 00:19:17,359 Speaker 1: this is the intense one where his dad confronts him 336 00:19:17,359 --> 00:19:18,960 Speaker 1: in the hallway when he finds out he's going to 337 00:19:18,960 --> 00:19:21,000 Speaker 1: be in a west Side story and says that he's 338 00:19:21,040 --> 00:19:24,840 Speaker 1: going to disown him as a son if he does this. 339 00:19:24,840 --> 00:19:29,000 Speaker 1: This is very dark, it's. 340 00:19:28,800 --> 00:19:32,240 Speaker 2: Very very intense, and nothing else in the episode is 341 00:19:32,240 --> 00:19:35,920 Speaker 2: happening like that, right, and all of a sudden, First 342 00:19:35,960 --> 00:19:37,560 Speaker 2: of all, why is he coming to school to do this? 343 00:19:37,640 --> 00:19:38,040 Speaker 2: Do you guys? 344 00:19:38,119 --> 00:19:39,640 Speaker 1: Not bad place, bad time? 345 00:19:39,840 --> 00:19:42,840 Speaker 2: Live in the same place, like not tech, what's at home? 346 00:19:43,280 --> 00:19:44,119 Speaker 1: Right? Right? 347 00:19:46,160 --> 00:19:50,119 Speaker 2: But so intense and like to disown him, to threaten him, 348 00:19:50,720 --> 00:19:54,360 Speaker 2: to disown him if he pursues his dancing professionally. 349 00:19:54,560 --> 00:19:57,679 Speaker 1: Is and he has the sport of his mother now, 350 00:19:57,720 --> 00:20:00,320 Speaker 1: which is good. But obviously he looks out to the 351 00:20:00,359 --> 00:20:06,879 Speaker 1: audience and he's not there, and it's not very heavy 352 00:20:07,119 --> 00:20:09,560 Speaker 1: to be doing in the school hallways and for them 353 00:20:09,560 --> 00:20:14,119 Speaker 1: to make those rash decisions very quickly. But I will say, 354 00:20:14,160 --> 00:20:17,119 Speaker 1: like a lot of kids deal with their parents not 355 00:20:17,160 --> 00:20:19,840 Speaker 1: wanting them to pursue the arts. So I'm glad this 356 00:20:20,080 --> 00:20:23,920 Speaker 1: was this. This topic is you. 357 00:20:23,880 --> 00:20:25,040 Speaker 2: Know, being addressed. 358 00:20:25,359 --> 00:20:29,320 Speaker 1: Yeah, being addressed. And obviously the stakes are a little 359 00:20:29,320 --> 00:20:31,200 Speaker 1: bit higher for this one. It's not like, oh, we're 360 00:20:31,240 --> 00:20:33,240 Speaker 1: not paying for your college. It's like, oh, you won't 361 00:20:33,240 --> 00:20:33,680 Speaker 1: have a dad. 362 00:20:33,760 --> 00:20:36,760 Speaker 2: But yeah, and I mean I think all of us 363 00:20:36,760 --> 00:20:41,840 Speaker 2: who have pursued the arts professionally luckily like you and I, 364 00:20:41,880 --> 00:20:47,520 Speaker 2: have very supportive parents. But I mean, how many people 365 00:20:47,640 --> 00:20:50,160 Speaker 2: every meetings that do not have that. I think it's 366 00:20:50,200 --> 00:20:53,560 Speaker 2: more common that parents are not so into the idea 367 00:20:53,640 --> 00:20:57,480 Speaker 2: because it's super unstable and always nobody wants. 368 00:20:57,320 --> 00:20:59,760 Speaker 1: To say their kids suffer. Look now, having a kid, 369 00:20:59,800 --> 00:21:01,680 Speaker 1: I'm like, I don't want I'm going to do this. Yeah, 370 00:21:01,720 --> 00:21:03,600 Speaker 1: but like, you know, what are you going to do 371 00:21:03,600 --> 00:21:05,280 Speaker 1: if she says she loves it? When am I say? No, 372 00:21:05,359 --> 00:21:07,560 Speaker 1: you can't live your life like it's not my job. 373 00:21:08,040 --> 00:21:13,199 Speaker 1: I'm looking forward to seeing how this all unfolds. I mean, 374 00:21:13,240 --> 00:21:15,680 Speaker 1: I can't remember, but it's also. 375 00:21:15,520 --> 00:21:18,480 Speaker 2: Just nice to see like Mike Chang, Yeah, step up 376 00:21:18,600 --> 00:21:20,760 Speaker 2: and just be like I'm doing this. I'm not going 377 00:21:20,840 --> 00:21:24,720 Speaker 2: to be a doctor, right, empowering. Yeah. 378 00:21:25,440 --> 00:21:28,159 Speaker 1: Should we talk about Blaine and Kurt or should we 379 00:21:28,160 --> 00:21:29,160 Speaker 1: talk about Rachel and Finn. 380 00:21:31,040 --> 00:21:31,880 Speaker 2: Let's talk about Rachel. 381 00:21:32,480 --> 00:21:34,440 Speaker 1: There's a couple of things happening here, So Rachel and Finn. 382 00:21:35,000 --> 00:21:40,560 Speaker 1: Rachel is encouraged by Artie to have sex to become 383 00:21:40,640 --> 00:21:46,840 Speaker 1: more passionate and understand, you know, intimate for their opening night, 384 00:21:47,320 --> 00:21:50,640 Speaker 1: so that they could take on the roles of Maria 385 00:21:50,680 --> 00:22:00,400 Speaker 1: and Tony having lived experience, and she basically, I don't 386 00:22:00,440 --> 00:22:02,520 Speaker 1: know tricks Finn, And I don't know if you would 387 00:22:02,560 --> 00:22:04,800 Speaker 1: say tricks, but I maybe kind of say tricks. Fin 388 00:22:04,880 --> 00:22:08,320 Speaker 1: into going to have sexual for the first time before 389 00:22:08,359 --> 00:22:12,560 Speaker 1: opening night, and she blorts out, I have to do 390 00:22:12,600 --> 00:22:14,960 Speaker 1: this before the show opens, and he's like, wait, hold 391 00:22:14,960 --> 00:22:18,480 Speaker 1: on a second, and so they have like this conflict 392 00:22:18,480 --> 00:22:21,560 Speaker 1: going on of he thought she wanted to wait. She 393 00:22:21,680 --> 00:22:25,720 Speaker 1: has ulterior motives obviously for her career, because that's Rachel Barry. 394 00:22:26,680 --> 00:22:30,960 Speaker 1: And then Finn is also dealing with Cooter being in town. 395 00:22:31,000 --> 00:22:33,200 Speaker 1: Who is the football. 396 00:22:32,800 --> 00:22:35,680 Speaker 2: Recruiter, Cooter the recruiter. 397 00:22:38,840 --> 00:22:41,520 Speaker 1: I had to say it, So they each have. 398 00:22:41,560 --> 00:22:45,520 Speaker 2: Their own emotional shit going on, right, It's very heavy, 399 00:22:45,760 --> 00:22:49,120 Speaker 2: and I also like going into this, Rachel is sort 400 00:22:49,160 --> 00:22:52,159 Speaker 2: of like Cheers into four months with no drama, and 401 00:22:52,200 --> 00:22:56,000 Speaker 2: then immediately here it starts drama by trying to basically 402 00:22:56,680 --> 00:22:59,679 Speaker 2: use the first time it's Finn has something for her 403 00:22:59,760 --> 00:23:03,199 Speaker 2: career here, like there we go, We're back to our 404 00:23:03,200 --> 00:23:05,600 Speaker 2: regularly scheduled program. 405 00:23:06,000 --> 00:23:09,119 Speaker 1: When we did this, I remember doing this the scene 406 00:23:09,119 --> 00:23:12,320 Speaker 1: where Rachel calls the emergency meeting and we're all talking 407 00:23:12,320 --> 00:23:14,240 Speaker 1: about our stuff, and. 408 00:23:14,240 --> 00:23:15,919 Speaker 2: I liked the scene a lot. By the way, you 409 00:23:15,960 --> 00:23:16,280 Speaker 2: were great. 410 00:23:16,359 --> 00:23:17,520 Speaker 1: Hated shooting this scene. 411 00:23:17,560 --> 00:23:18,880 Speaker 2: You were really great, though. 412 00:23:18,760 --> 00:23:20,280 Speaker 1: Oh thanks, I thought I was awful. 413 00:23:21,200 --> 00:23:21,680 Speaker 2: Disagree. 414 00:23:21,800 --> 00:23:24,520 Speaker 1: I also like it was like back cameras too close 415 00:23:24,520 --> 00:23:29,040 Speaker 1: to my face. Get out of there, you know season 416 00:23:29,080 --> 00:23:33,919 Speaker 1: three Jenna, ooh brutal, Okay, I just get out of 417 00:23:33,920 --> 00:23:37,359 Speaker 1: my face. Please. I hadn't. Gina hadn't figured out her 418 00:23:38,119 --> 00:23:41,040 Speaker 1: her jawline yet, she hadn't figured out her makeup like 419 00:23:41,119 --> 00:23:41,720 Speaker 1: it all could have. 420 00:23:41,800 --> 00:23:42,000 Speaker 4: You know. 421 00:23:42,040 --> 00:23:44,160 Speaker 1: We're just we were waiting to mature a little bit, 422 00:23:44,240 --> 00:23:46,480 Speaker 1: and I was like, please get out of my face. 423 00:23:47,080 --> 00:23:49,480 Speaker 1: That was hard to watch. I will be honest, but. 424 00:23:49,560 --> 00:23:53,560 Speaker 2: Also break this episode. I also even said that. 425 00:23:54,119 --> 00:23:57,920 Speaker 1: Oh thanks, that's nice of you. I actually was okay. 426 00:23:57,960 --> 00:24:01,040 Speaker 1: So for America, which we'll get too. I was preparing 427 00:24:01,160 --> 00:24:06,760 Speaker 1: for a photo shoot the next day and I was 428 00:24:06,800 --> 00:24:10,200 Speaker 1: doing the water diet. It's horrible and I never would 429 00:24:10,280 --> 00:24:12,000 Speaker 1: encourage anybody. I don't even want to tell you what 430 00:24:12,040 --> 00:24:14,000 Speaker 1: it is. But I was on some kind of crazy, 431 00:24:14,040 --> 00:24:17,720 Speaker 1: wild thing that people do, and I was I was like, 432 00:24:17,800 --> 00:24:19,560 Speaker 1: oh god, I hate how good. 433 00:24:19,440 --> 00:24:25,480 Speaker 2: I damn it because I wasn't drinking any water. That's 434 00:24:25,640 --> 00:24:26,240 Speaker 2: so bad. 435 00:24:27,320 --> 00:24:28,879 Speaker 1: I know, it's really horrible. I'm not going to tell 436 00:24:28,880 --> 00:24:32,679 Speaker 1: you what it was other than that anyway. But the 437 00:24:32,800 --> 00:24:34,960 Speaker 1: first time scene I remember, it was really quid and 438 00:24:35,000 --> 00:24:36,880 Speaker 1: you know, brad Bee Creek comes in. He's like, Okay, 439 00:24:36,960 --> 00:24:38,800 Speaker 1: let's do this and let's do that, and he's just 440 00:24:38,840 --> 00:24:43,600 Speaker 1: like so sweet about everything. But I don't I hated 441 00:24:43,640 --> 00:24:46,520 Speaker 1: that scene. I hated my work in that scene. 442 00:24:46,800 --> 00:24:47,640 Speaker 2: That's so funny. 443 00:24:47,720 --> 00:24:52,320 Speaker 1: I think it's funny. Thanks, But it was a fun 444 00:24:52,320 --> 00:24:54,159 Speaker 1: scene to shoot. Like all the girls don't get to 445 00:24:54,200 --> 00:24:56,800 Speaker 1: like hang out like that in the scene, So it 446 00:24:56,880 --> 00:24:59,560 Speaker 1: was like all these different This episode was kind of 447 00:24:59,600 --> 00:25:01,800 Speaker 1: like a lot of different groups of people. 448 00:25:02,160 --> 00:25:03,760 Speaker 2: I also do love It's one of my favorite things 449 00:25:03,760 --> 00:25:06,600 Speaker 2: of high school shows when they do this, when like 450 00:25:06,720 --> 00:25:11,960 Speaker 2: kids are having sort of these what would normally be again, 451 00:25:12,280 --> 00:25:14,840 Speaker 2: this would not be happening in school and like some 452 00:25:14,880 --> 00:25:19,000 Speaker 2: private classroom. These kids never go home. That's why their 453 00:25:19,040 --> 00:25:20,360 Speaker 2: parents have to come there to talk to them. 454 00:25:21,119 --> 00:25:21,280 Speaker 4: There. 455 00:25:21,640 --> 00:25:27,800 Speaker 2: Yeah, but you know, these conversations that are hard to address, 456 00:25:28,320 --> 00:25:31,199 Speaker 2: these topics that are hard to address, but Rachel just 457 00:25:31,280 --> 00:25:33,840 Speaker 2: on a Bachelor. They's asking about it, and then all 458 00:25:33,920 --> 00:25:38,000 Speaker 2: of you are giving it to her, you know, honestly 459 00:25:38,240 --> 00:25:41,919 Speaker 2: back whatever your experiences and not being embarrassed about what 460 00:25:41,960 --> 00:25:44,560 Speaker 2: anyone's going to think of you. And I always think 461 00:25:44,600 --> 00:25:49,600 Speaker 2: it's aspirational not necessarily realistic. But I do love when 462 00:25:49,800 --> 00:25:53,480 Speaker 2: teen shows do this sort of thing. It elevates so 463 00:25:53,520 --> 00:25:55,600 Speaker 2: it's like, yeah, it's what you want to see, it's 464 00:25:55,640 --> 00:25:58,720 Speaker 2: what you want you hope kids are talking like totally. 465 00:25:59,520 --> 00:26:01,560 Speaker 1: There's a lot going on with Rachel's kind of like 466 00:26:01,600 --> 00:26:04,560 Speaker 1: conflict of wanting to have sex. But I will talk. 467 00:26:04,560 --> 00:26:09,320 Speaker 1: I want to talk about Finn's recruiter thing because the 468 00:26:09,359 --> 00:26:14,240 Speaker 1: storyline is like it's minimal, it feels so small in 469 00:26:14,280 --> 00:26:17,399 Speaker 1: the scheme of what's happening in the episode, but the 470 00:26:17,440 --> 00:26:20,840 Speaker 1: scene with him like kind of recounting when when Cooter 471 00:26:20,960 --> 00:26:22,880 Speaker 1: comes in and he's like, oh, you're going after Shane, 472 00:26:22,960 --> 00:26:26,160 Speaker 1: and then his scene with Rachel when he's like revealing 473 00:26:26,200 --> 00:26:29,080 Speaker 1: that he didn't like he has to kind of rethink 474 00:26:29,119 --> 00:26:35,800 Speaker 1: his whole future. Corey at his finest coreyet is finest 475 00:26:35,840 --> 00:26:38,960 Speaker 1: acting wise. It just reminds you why you love Finn 476 00:26:39,000 --> 00:26:43,280 Speaker 1: so much. It's like the circumstances and the topics they 477 00:26:43,320 --> 00:26:46,919 Speaker 1: were talking about were really great. Now that I'm like 478 00:26:47,000 --> 00:26:49,879 Speaker 1: talking about it more, I'm understanding the importance of this 479 00:26:49,920 --> 00:26:54,560 Speaker 1: episode revelation in the middle of the. 480 00:26:56,760 --> 00:26:59,160 Speaker 2: Like I think you and I are just like shallow 481 00:26:59,480 --> 00:27:01,000 Speaker 2: and like we want fun. 482 00:27:01,200 --> 00:27:03,080 Speaker 1: Like whatever, teen sex, no problem? 483 00:27:03,160 --> 00:27:04,560 Speaker 2: Yeah, Like this is heavy. 484 00:27:05,080 --> 00:27:08,040 Speaker 1: No, No, it's important stuff. It's important topics for teenagers. 485 00:27:08,119 --> 00:27:09,720 Speaker 1: And the fact that people were talking about and we 486 00:27:09,720 --> 00:27:12,200 Speaker 1: were allowed to do it on broadcast television is actually 487 00:27:12,240 --> 00:27:15,959 Speaker 1: a really good up. I applaud Fox for like doing that. 488 00:27:16,480 --> 00:27:20,080 Speaker 2: I also think you know what you said or the 489 00:27:20,080 --> 00:27:23,400 Speaker 2: fence storyline wasn't a big thing. It was sort of minimized. 490 00:27:24,040 --> 00:27:28,000 Speaker 2: But I also feel like that's a great representation of 491 00:27:28,040 --> 00:27:34,200 Speaker 2: how he is in his career aspirations comparatively to Rachel, 492 00:27:34,760 --> 00:27:37,199 Speaker 2: where it is very much in the back seat, on 493 00:27:37,240 --> 00:27:41,080 Speaker 2: the back burner, a second thought or afterthought, you know, 494 00:27:41,800 --> 00:27:46,880 Speaker 2: because he doesn't have the Broadway dreams that Rachel has. 495 00:27:47,000 --> 00:27:49,080 Speaker 2: No one's really checking in with him being like, what 496 00:27:49,119 --> 00:27:52,199 Speaker 2: do you want to do after high school? He is 497 00:27:52,680 --> 00:27:55,080 Speaker 2: sort of the alpha, the pinnacle in high school right 498 00:27:55,880 --> 00:27:59,200 Speaker 2: and very clearly hasn't thought about like what's going to 499 00:27:59,240 --> 00:28:02,119 Speaker 2: happen as soon as that high school career is done? Right, 500 00:28:02,119 --> 00:28:03,920 Speaker 2: And so to see him finally and I think it's 501 00:28:03,960 --> 00:28:10,040 Speaker 2: like a very male reaction of I'm holding all of 502 00:28:10,040 --> 00:28:12,919 Speaker 2: this in, all this tension that's probably subconsciously been building 503 00:28:12,960 --> 00:28:15,480 Speaker 2: for a very long time, but didn't realize it until 504 00:28:15,480 --> 00:28:18,920 Speaker 2: he was faced with it with the Cooter situation, right, 505 00:28:19,200 --> 00:28:24,800 Speaker 2: And I yeah, it was like just like the Mike 506 00:28:24,880 --> 00:28:29,640 Speaker 2: Chang storyline, even though it was quick, these are very 507 00:28:29,680 --> 00:28:31,919 Speaker 2: I mean, they're obviously very well acted, very well written, 508 00:28:32,960 --> 00:28:35,879 Speaker 2: but they still stand out just as much as a 509 00:28:35,960 --> 00:28:37,320 Speaker 2: huge performance. 510 00:28:37,359 --> 00:28:42,000 Speaker 1: No, totally, and they're just important. Like I think a 511 00:28:42,000 --> 00:28:44,400 Speaker 1: lot of like think about like how I like football 512 00:28:44,440 --> 00:28:46,600 Speaker 1: for you probably also is huge in high school, but 513 00:28:46,680 --> 00:28:49,000 Speaker 1: oh no, well you went in California, but still I 514 00:28:49,360 --> 00:28:53,920 Speaker 1: feel like football. Like even where I went to school, 515 00:28:53,920 --> 00:28:55,080 Speaker 1: it was either football or theater. 516 00:28:55,440 --> 00:28:56,680 Speaker 2: It was like your way out. 517 00:28:56,840 --> 00:29:00,640 Speaker 1: Yes exactly, And a lot of these were looking for 518 00:29:00,680 --> 00:29:02,840 Speaker 1: that way out or not thinking about their futures at 519 00:29:02,840 --> 00:29:04,600 Speaker 1: all and going I'm the cream of a crop here 520 00:29:04,640 --> 00:29:08,440 Speaker 1: in school and then like don't really know what to 521 00:29:08,480 --> 00:29:12,920 Speaker 1: do afterwards. So just like to really approach these topics, 522 00:29:13,000 --> 00:29:17,240 Speaker 1: talk about them like I I get it now, my 523 00:29:17,320 --> 00:29:19,440 Speaker 1: glossy yellow and tim Stack, I could get it. 524 00:29:19,680 --> 00:29:23,520 Speaker 2: I mean, they're never wrong. We love them there, you 525 00:29:23,680 --> 00:29:26,160 Speaker 2: know it's I mean, it's also a testament to like 526 00:29:26,160 --> 00:29:29,240 Speaker 2: the high school trope of like people peaking in high school. 527 00:29:29,560 --> 00:29:29,840 Speaker 3: M h. 528 00:29:30,480 --> 00:29:32,600 Speaker 2: I mean I imagine it was because the kids who 529 00:29:32,600 --> 00:29:35,800 Speaker 2: weren't popular are considered hot and all that they were 530 00:29:35,920 --> 00:29:38,120 Speaker 2: dreaming of all the ways in which they could get 531 00:29:38,120 --> 00:29:39,560 Speaker 2: out of there and how they were going to do 532 00:29:39,600 --> 00:29:44,400 Speaker 2: it and building their dreams and aspirations and how they're going. 533 00:29:44,200 --> 00:29:49,800 Speaker 1: To show so focused on something like being so focused 534 00:29:49,800 --> 00:29:51,640 Speaker 1: on like I wish I could be that popular kid 535 00:29:51,680 --> 00:29:53,560 Speaker 1: in school. When it like it goes to show like 536 00:29:53,800 --> 00:29:58,280 Speaker 1: none of that matters, you know later in life. Okay, 537 00:30:00,000 --> 00:30:03,520 Speaker 1: it's that. Now we go to Blaine and Kurt, who 538 00:30:03,960 --> 00:30:08,200 Speaker 1: we have a love triangle. Well, I don't know if 539 00:30:08,200 --> 00:30:09,240 Speaker 1: I call it a love triangle. 540 00:30:09,240 --> 00:30:10,160 Speaker 2: I call it a villain. 541 00:30:10,320 --> 00:30:15,600 Speaker 1: A villain so much a villain. He came in grant. 542 00:30:17,040 --> 00:30:17,880 Speaker 2: I want that. 543 00:30:19,120 --> 00:30:20,840 Speaker 1: I won't care. It doesn't matter to me if if 544 00:30:20,880 --> 00:30:22,479 Speaker 1: you don't, if it doesn't bother you. 545 00:30:22,600 --> 00:30:27,320 Speaker 2: What what when he was talking about how he drinks, 546 00:30:27,560 --> 00:30:30,880 Speaker 2: what you said Cavassier in his coffee. I drank it 547 00:30:30,920 --> 00:30:33,880 Speaker 2: like mother's milk when I lived in Paris. I GA, 548 00:30:34,760 --> 00:30:38,440 Speaker 2: it's crazy because Grant Gustin is the sweetest human possible, 549 00:30:38,840 --> 00:30:43,000 Speaker 2: not the most adorable. I love him and then he 550 00:30:43,080 --> 00:30:47,720 Speaker 2: plays that range. 551 00:30:48,880 --> 00:30:52,000 Speaker 1: Mm hmm yes, and that's how we first met him, 552 00:30:52,000 --> 00:30:53,800 Speaker 1: and then we were like, oh, wait, this is Grant. 553 00:30:53,920 --> 00:30:57,640 Speaker 2: We love Grant like you're ours forever. 554 00:30:58,120 --> 00:31:09,680 Speaker 1: Oh we love Gramp. Yeah. So Blaine is also on 555 00:31:09,760 --> 00:31:13,920 Speaker 1: the same track as Rachel, thanks to already worried about 556 00:31:14,680 --> 00:31:20,280 Speaker 1: lacking life experience, starts hanging out with Sebastian but also Kurt, 557 00:31:20,360 --> 00:31:26,040 Speaker 1: then becomes jealous, but then Blaine brings Kurt into the 558 00:31:26,120 --> 00:31:30,560 Speaker 1: drama by them all going to scandals the bar. 559 00:31:32,160 --> 00:31:33,880 Speaker 2: This scandal. 560 00:31:35,120 --> 00:31:39,360 Speaker 1: Where we see one Max Adler, we see Krooski. It's 561 00:31:39,360 --> 00:31:40,200 Speaker 1: hanging at the. 562 00:31:40,120 --> 00:31:43,680 Speaker 2: Bar, all these high schoolers hanging out at that bar, 563 00:31:43,840 --> 00:31:47,520 Speaker 2: like he's had a couple of kids and yeah, been there, lives. 564 00:31:49,800 --> 00:31:52,600 Speaker 1: It's so funny. But I thought that their sweet little 565 00:31:54,520 --> 00:31:58,240 Speaker 1: side conversation at the bar was also really important, like 566 00:31:58,400 --> 00:32:02,800 Speaker 1: really great. But k is just talking about like getting 567 00:32:03,040 --> 00:32:09,360 Speaker 1: through high school, and it's like real foreshadowing for what's 568 00:32:09,400 --> 00:32:13,800 Speaker 1: to come for Krovski very sad, but I really liked 569 00:32:13,880 --> 00:32:17,080 Speaker 1: the little conversation and then him also just going and 570 00:32:17,080 --> 00:32:18,880 Speaker 1: like getting what he wants in the middle of Blaine. 571 00:32:18,960 --> 00:32:22,520 Speaker 1: And then they have this very heated scene in the 572 00:32:22,560 --> 00:32:25,040 Speaker 1: car where I was like, where is this going? 573 00:32:25,240 --> 00:32:28,080 Speaker 4: H Like, I was like, we can't make Blaine do that, right, 574 00:32:28,800 --> 00:32:32,040 Speaker 4: but it feels real. This episode, in so many ways, 575 00:32:32,080 --> 00:32:35,360 Speaker 4: feel so much more grounded than Glee normally. 576 00:32:35,440 --> 00:32:38,400 Speaker 1: Is that's why it's so different? 577 00:32:38,640 --> 00:32:41,960 Speaker 2: Yeah, because we were playing with heavy themes almost in 578 00:32:42,120 --> 00:32:47,720 Speaker 2: every single storyline, right, and not making jokes about them 579 00:32:48,080 --> 00:32:51,840 Speaker 2: like they just are. They're just existing as real and 580 00:32:51,880 --> 00:32:58,760 Speaker 2: heavy as they should be. And the k of it 581 00:32:58,800 --> 00:33:02,880 Speaker 2: all leading into that car scene, it's like you don't 582 00:33:03,000 --> 00:33:06,640 Speaker 2: really get a break, right, it's sort of relentless. And 583 00:33:06,640 --> 00:33:11,560 Speaker 2: then there's the tension of Sebastian just watching and stirring 584 00:33:11,600 --> 00:33:13,800 Speaker 2: the pot and dancing with Blaine. 585 00:33:15,160 --> 00:33:18,760 Speaker 1: There's a lot happened, also Blaine visiting the Warblers and 586 00:33:18,880 --> 00:33:22,240 Speaker 1: like them doing that hours so random, Like that teacher. 587 00:33:22,520 --> 00:33:24,800 Speaker 1: I was like, what is that is the teacher that 588 00:33:24,880 --> 00:33:27,040 Speaker 1: looks like at Dalton Academy? 589 00:33:27,080 --> 00:33:29,920 Speaker 2: Because I am confused? Yeah, And also like, and they're 590 00:33:30,040 --> 00:33:32,240 Speaker 2: just dancing with her. This feels inappropriate. 591 00:33:33,320 --> 00:33:35,920 Speaker 1: It was all that was really interesting to me. 592 00:33:36,160 --> 00:33:39,000 Speaker 2: It was weird because I just think the Warblers are 593 00:33:39,000 --> 00:33:42,400 Speaker 2: so popular that they kept having to find ways to involve. 594 00:33:42,040 --> 00:33:44,480 Speaker 1: Them, right, I mean, I didn't mind watching it. I 595 00:33:44,560 --> 00:33:47,040 Speaker 1: just was like, this is so strange. It doesn't really 596 00:33:47,040 --> 00:33:47,760 Speaker 1: make sense. 597 00:33:48,080 --> 00:33:50,920 Speaker 2: The only thing that's really happening outside of the school ever. 598 00:33:52,280 --> 00:33:56,760 Speaker 1: We needed to bring Sebastian. Yeah. I did like the 599 00:33:56,800 --> 00:34:02,440 Speaker 1: Sebastian girl like that, like montage, I guess we're like 600 00:34:02,480 --> 00:34:05,320 Speaker 1: the segue. I thought that was like probably the best 601 00:34:05,360 --> 00:34:07,080 Speaker 1: one that we had in the episode. 602 00:34:07,200 --> 00:34:11,920 Speaker 2: Yeah, and I also do like the Sebastian and Blaine 603 00:34:12,080 --> 00:34:18,440 Speaker 2: sort of back and forth, like them hanging out getting coffee, 604 00:34:20,080 --> 00:34:23,800 Speaker 2: keeps it fresh, it's fun. He's like a male Santana. 605 00:34:24,880 --> 00:34:28,440 Speaker 1: It's so true. And then we just we see the 606 00:34:28,560 --> 00:34:32,439 Speaker 1: least provocative sex scenes on television ever. So I don't 607 00:34:32,480 --> 00:34:35,160 Speaker 1: know what these people are talking about, but I. 608 00:34:35,160 --> 00:34:39,160 Speaker 2: Because I think the talking about it was the controversial thing. 609 00:34:40,000 --> 00:34:42,640 Speaker 2: The actual act of it was pretty. 610 00:34:42,400 --> 00:34:44,080 Speaker 1: Barely ms right. 611 00:34:44,120 --> 00:34:44,319 Speaker 2: Yeah. 612 00:34:45,200 --> 00:34:50,640 Speaker 1: Yeah, Well anyway, now now that we've talked through it, 613 00:34:50,680 --> 00:34:53,399 Speaker 1: I get it. I get it. It was important. 614 00:34:54,600 --> 00:34:55,080 Speaker 3: And like. 615 00:34:56,800 --> 00:35:03,000 Speaker 1: Maybe not my favorite episode to like watch, but well done, Glee. 616 00:35:03,080 --> 00:35:03,720 Speaker 1: Well done. 617 00:35:04,160 --> 00:35:15,200 Speaker 2: All that being said, America, okay, let's go Naya as 618 00:35:15,200 --> 00:35:18,000 Speaker 2: Santana as Anita is. 619 00:35:18,520 --> 00:35:21,120 Speaker 1: We need more what we need in. 620 00:35:21,040 --> 00:35:24,680 Speaker 2: The actual this number wasn't long enough. 621 00:35:25,239 --> 00:35:26,920 Speaker 1: Oh god, it wasn't And it was. 622 00:35:26,960 --> 00:35:29,880 Speaker 2: Long, like I needed to see. 623 00:35:29,800 --> 00:35:35,080 Speaker 1: It was long. It was so longbelievably, it took a 624 00:35:35,120 --> 00:35:39,440 Speaker 1: long time to shoot. I remember that it was really fun. 625 00:35:40,400 --> 00:35:42,160 Speaker 1: One of the best memories of Glue that I have 626 00:35:42,400 --> 00:35:46,319 Speaker 1: is shooting this number. We had so much fun. 627 00:35:46,080 --> 00:35:48,680 Speaker 2: Because all the dancers were there, like everybody. 628 00:35:49,440 --> 00:35:54,359 Speaker 1: There, and to watch Mark selling do that number was 629 00:35:54,480 --> 00:35:57,000 Speaker 1: actually something I'll hold. 630 00:35:58,560 --> 00:36:02,080 Speaker 2: You're all in it, everybody, Oh yeah. 631 00:36:02,360 --> 00:36:04,120 Speaker 1: Okay, So we got to talk about the accents for 632 00:36:04,160 --> 00:36:06,840 Speaker 1: a second because we were all instructed to do the accents. 633 00:36:07,120 --> 00:36:09,680 Speaker 1: No they were not right, No they were not correct. No, 634 00:36:09,719 --> 00:36:12,080 Speaker 1: we did not have a dialect coach. But I think 635 00:36:12,800 --> 00:36:15,920 Speaker 1: this is what happens in high school plays. We are 636 00:36:15,960 --> 00:36:20,040 Speaker 1: all directed to do something with very little help. 637 00:36:20,400 --> 00:36:21,920 Speaker 2: So you're saying it's already's fault, but. 638 00:36:21,880 --> 00:36:23,719 Speaker 1: It's the school's fault. There was no budget for that. 639 00:36:25,160 --> 00:36:30,000 Speaker 1: But also, like that's what happens in schools. They're offensive 640 00:36:30,080 --> 00:36:32,680 Speaker 1: but without trying to be offensive because they just don't 641 00:36:32,760 --> 00:36:34,440 Speaker 1: know and that's their impression of it. 642 00:36:34,719 --> 00:36:37,640 Speaker 2: Like that was like why playing this part? I was like, Oh, 643 00:36:37,719 --> 00:36:39,760 Speaker 2: it's a school. You pick from what you have. 644 00:36:40,000 --> 00:36:42,880 Speaker 1: No exactly, like or you just don't do the musical, 645 00:36:42,920 --> 00:36:49,560 Speaker 1: but like, who's who's doing that? It was so much fun. 646 00:36:50,680 --> 00:36:54,920 Speaker 1: I also was like doing that number like Damian mcinty, 647 00:36:57,400 --> 00:37:02,160 Speaker 1: but doing number You're like, who am I to be 648 00:37:02,200 --> 00:37:03,320 Speaker 1: dancing with these girls? 649 00:37:03,440 --> 00:37:03,680 Speaker 2: Good? 650 00:37:03,800 --> 00:37:06,440 Speaker 1: God, they're so good. All these dancers are so good, 651 00:37:06,480 --> 00:37:06,840 Speaker 1: and I was like. 652 00:37:06,880 --> 00:37:08,399 Speaker 2: I dancing together was so good. 653 00:37:08,760 --> 00:37:12,640 Speaker 1: But I was like, wow, already really brought in the best. 654 00:37:14,360 --> 00:37:14,839 Speaker 2: That's right. 655 00:37:16,360 --> 00:37:17,960 Speaker 1: It was really good. It was really really good. It 656 00:37:18,000 --> 00:37:20,400 Speaker 1: was really fun to dance that. It's such an iconic 657 00:37:20,480 --> 00:37:23,640 Speaker 1: number to do, and I'm so glad we did it. 658 00:37:23,640 --> 00:37:27,600 Speaker 2: It's just weirdly, I go back to many podcasts ago 659 00:37:29,280 --> 00:37:31,480 Speaker 2: when one of our guests was like I just think 660 00:37:31,520 --> 00:37:34,240 Speaker 2: about like this is what you hear walking through the halls, 661 00:37:34,239 --> 00:37:37,440 Speaker 2: Like it's setting up this unrealistic expectation that somebody is 662 00:37:37,480 --> 00:37:40,600 Speaker 2: going to be as good as Naya at being Anita 663 00:37:41,160 --> 00:37:46,719 Speaker 2: in high school. Like that was like an Oscar worthy performance, 664 00:37:48,000 --> 00:37:51,600 Speaker 2: like she is unreal and all of you when you 665 00:37:51,640 --> 00:37:55,480 Speaker 2: have like all these professional dancers, you who's actually been 666 00:37:55,520 --> 00:37:58,399 Speaker 2: on Broadway several times, Like these are all very very 667 00:38:00,320 --> 00:38:03,799 Speaker 2: skilled people doing this as high schoolers and it's hilarious. 668 00:38:04,000 --> 00:38:07,439 Speaker 1: Yeah, that's fair. It is an unrealistic expectation for what's 669 00:38:07,680 --> 00:38:08,840 Speaker 1: supposed to be because it's not. 670 00:38:09,080 --> 00:38:11,520 Speaker 2: But I wish we did an episode that was just 671 00:38:11,600 --> 00:38:16,360 Speaker 2: the West Side story performance all of them. Yeah, like 672 00:38:16,560 --> 00:38:19,080 Speaker 2: just somehow do like the TV versions of the entire 673 00:38:19,680 --> 00:38:22,240 Speaker 2: show so we can just see the show. 674 00:38:22,080 --> 00:38:24,880 Speaker 1: See the whole show. And it's maybe that's why we 675 00:38:24,880 --> 00:38:26,680 Speaker 1: were allowed to do it, because like we broke it up. 676 00:38:26,800 --> 00:38:28,960 Speaker 1: Maybe it's like you can't see it in sequence, and 677 00:38:29,000 --> 00:38:30,480 Speaker 1: that's why we were legally allowed to do it. 678 00:38:30,600 --> 00:38:30,960 Speaker 2: I don't know. 679 00:38:31,040 --> 00:38:32,800 Speaker 1: They must have found a loophole of some sort of 680 00:38:32,880 --> 00:38:34,480 Speaker 1: I don't know that Fox would have let us do it. 681 00:38:34,680 --> 00:38:34,919 Speaker 2: Yeah. 682 00:38:35,000 --> 00:38:37,800 Speaker 1: Well, anyway, America goes down as one of my favorites 683 00:38:37,840 --> 00:38:41,200 Speaker 1: of this season so far. And I don't really say 684 00:38:41,200 --> 00:38:43,040 Speaker 1: that because like I'm usually when I'm in it, I'm like, 685 00:38:43,080 --> 00:38:44,800 Speaker 1: I'm not going to count it. But it was really 686 00:38:44,840 --> 00:38:51,440 Speaker 1: good and I honestly forgot about it. Mmmmm, and that 687 00:38:51,560 --> 00:38:54,160 Speaker 1: is up there with some of the best performances ever 688 00:38:54,200 --> 00:38:54,720 Speaker 1: in the show. 689 00:38:54,880 --> 00:38:57,720 Speaker 2: Mm hmm. Agreed. It is just so good. 690 00:38:58,160 --> 00:39:01,319 Speaker 1: It's really good. It's a great number in general, like 691 00:39:01,360 --> 00:39:05,640 Speaker 1: it's iconic, and so you're like, and it lived up. 692 00:39:05,920 --> 00:39:06,600 Speaker 1: It lived up. 693 00:39:06,800 --> 00:39:09,600 Speaker 2: It doesn't feel you know, other times we're doing things 694 00:39:09,640 --> 00:39:11,960 Speaker 2: that they make it feel more amateur, like more high school. 695 00:39:12,040 --> 00:39:14,919 Speaker 2: That one just didn't feel like that, Like that felt 696 00:39:14,960 --> 00:39:20,040 Speaker 2: like a Tony Award, like a performance like opening. 697 00:39:22,000 --> 00:39:23,839 Speaker 1: I mean, you have all the performers who probably would 698 00:39:23,840 --> 00:39:26,280 Speaker 1: have done like the dancers who would have done that anyway. 699 00:39:26,880 --> 00:39:27,720 Speaker 2: An actual movie. 700 00:39:27,840 --> 00:39:32,239 Speaker 1: Yes, exactly, exactly. Okay, well there's your episode. You're very 701 00:39:32,239 --> 00:39:34,640 Speaker 1: important episode that we were wrong about. 702 00:39:34,920 --> 00:39:35,680 Speaker 2: We were wrong about. 703 00:39:35,719 --> 00:39:37,080 Speaker 1: It should wed some tarty takes. 704 00:39:37,280 --> 00:39:42,799 Speaker 2: Okay, already approaching beast, approaching beast, it's already in general. 705 00:39:42,880 --> 00:39:46,440 Speaker 1: Already already asking telling Blaine and Rachel they need to 706 00:39:46,480 --> 00:39:49,799 Speaker 1: do the deed. It was just I don't know Britney's 707 00:39:49,800 --> 00:39:53,080 Speaker 1: oh and Britney's only innovation, which is still questionable but 708 00:39:53,239 --> 00:39:56,359 Speaker 1: still unacceptable. So we just we'll put that in there. 709 00:39:56,719 --> 00:40:00,640 Speaker 2: Yeah, I think Britney's thing has to be has to be. 710 00:40:00,640 --> 00:40:03,440 Speaker 1: Contused by it. Okay, the best dance. 711 00:40:03,360 --> 00:40:08,960 Speaker 2: Move all of America. I mean, come on song, Zach 712 00:40:09,000 --> 00:40:14,120 Speaker 2: Woodley and Brook like fully out of themselves in that, Yeah, 713 00:40:14,760 --> 00:40:21,160 Speaker 2: best song America. I liked everything. I liked all the music. 714 00:40:21,239 --> 00:40:25,040 Speaker 2: I did like the music being woven in. Like I said, 715 00:40:25,080 --> 00:40:27,840 Speaker 2: I do wish there was more of a difference. I 716 00:40:27,880 --> 00:40:30,480 Speaker 2: wish the music was heightened, more agreed. 717 00:40:31,520 --> 00:40:33,360 Speaker 1: But it is a school musical, so I guess you 718 00:40:33,360 --> 00:40:35,279 Speaker 1: would kind of keep the integrityrounds. 719 00:40:35,600 --> 00:40:44,360 Speaker 3: Yeah, fair enough, prop uh the fake fake ideas. God, 720 00:40:44,640 --> 00:40:48,960 Speaker 3: that's a good one. Very funny shout out to props. 721 00:40:51,600 --> 00:40:54,640 Speaker 2: Best line I do have to I don't think this 722 00:40:54,680 --> 00:40:56,480 Speaker 2: is this is like an honorable mention. I just want 723 00:40:56,520 --> 00:41:00,440 Speaker 2: to say this is the already line. As you friend, 724 00:41:00,760 --> 00:41:05,040 Speaker 2: I support your strange aversion to fun. I really enjoyed 725 00:41:05,080 --> 00:41:07,200 Speaker 2: doing that, and that was a very Kevin thing to say. 726 00:41:07,440 --> 00:41:11,399 Speaker 1: Yeah, Curage had some really good ones in this. Oh yeah, 727 00:41:11,680 --> 00:41:14,040 Speaker 1: have relations on a doing matter of Lilac Taylor Lautner 728 00:41:14,080 --> 00:41:14,800 Speaker 1: before I gets. 729 00:41:15,840 --> 00:41:20,120 Speaker 2: Yeah, Cooter had one last week. I told her I 730 00:41:20,120 --> 00:41:22,880 Speaker 2: had a gift certificate to Applebee's. She totally fancy restaurants 731 00:41:22,920 --> 00:41:27,399 Speaker 2: to make her nervous, funny, so good. He's so good. 732 00:41:27,480 --> 00:41:28,400 Speaker 2: I really him. 733 00:41:28,680 --> 00:41:34,959 Speaker 1: Yeah, we'll see more of Cooter performance. MVP. Oh man, 734 00:41:36,920 --> 00:41:39,600 Speaker 1: that's really tough. I think I'm gonna go with Dot 735 00:41:39,719 --> 00:41:40,520 Speaker 1: Marie Jones. 736 00:41:41,120 --> 00:41:43,600 Speaker 2: I think Dot. I know Nya wasn't really in it, 737 00:41:43,640 --> 00:41:48,200 Speaker 2: but the way Anita just I can't get over it. 738 00:41:48,960 --> 00:41:50,200 Speaker 2: I cannot get over it. 739 00:41:50,480 --> 00:41:51,399 Speaker 1: I know it was good. 740 00:41:51,600 --> 00:41:53,759 Speaker 2: It was like everyone had a moment, so like, I 741 00:41:53,760 --> 00:41:55,480 Speaker 2: don't know if it's like an ensemble award. 742 00:41:55,920 --> 00:41:56,839 Speaker 1: Okay, we could do that? 743 00:41:58,040 --> 00:41:58,640 Speaker 2: Is that a thing? 744 00:41:58,920 --> 00:41:59,879 Speaker 1: You can do that? Yeah? 745 00:42:00,760 --> 00:42:04,440 Speaker 2: Because I feel like everyone has really given it. Okay, 746 00:42:04,719 --> 00:42:07,680 Speaker 2: that's fair, and there were no like leads this episode. 747 00:42:07,920 --> 00:42:13,439 Speaker 2: It's so true. People really showed up. Okay, be okay 748 00:42:13,480 --> 00:42:16,920 Speaker 2: with that an ensemble MVP. I am, I am okay great. 749 00:42:17,440 --> 00:42:22,400 Speaker 2: I mean, we make the rules. It's our show. Okay. Shit, 750 00:42:23,000 --> 00:42:26,760 Speaker 2: we found on the TikTok okay, okay, are you ready? 751 00:42:27,320 --> 00:42:28,000 Speaker 1: I'm ready. 752 00:42:28,200 --> 00:42:34,200 Speaker 2: It's great. It's a trend on TikTok and Heidi Puke 753 00:42:35,560 --> 00:42:38,600 Speaker 2: that can't be is that right? High Hide and Seek 754 00:42:41,440 --> 00:42:48,799 Speaker 2: it's talking about what music is your therapist? And it's 755 00:42:48,840 --> 00:42:52,440 Speaker 2: just the gleek cast, all of the Gleek Cast songs 756 00:42:52,840 --> 00:42:59,160 Speaker 2: and the gleek Cast artists, and she says, that's showbiz. 757 00:42:58,760 --> 00:43:04,760 Speaker 1: Baby, that's funny. The comment below. 758 00:43:05,960 --> 00:43:08,680 Speaker 2: When for Bray's Ponytail saved me on my darkest days. 759 00:43:09,760 --> 00:43:15,399 Speaker 2: It's very good and people are roasting her because she's 760 00:43:15,440 --> 00:43:18,319 Speaker 2: only liked seven songs. Oh oh my. 761 00:43:18,239 --> 00:43:23,719 Speaker 1: Gosh, you guys, let's just be kind. Uh oh man. 762 00:43:23,920 --> 00:43:25,879 Speaker 2: Someone said, I just cried to Finn's girls just want 763 00:43:25,920 --> 00:43:26,480 Speaker 2: to have fun. 764 00:43:26,320 --> 00:43:31,320 Speaker 1: Like five minutes ago. Very funny. Okay, well, next week 765 00:43:31,840 --> 00:43:34,640 Speaker 1: is oh I was wrong. I thought it was Christmas. 766 00:43:34,680 --> 00:43:38,000 Speaker 1: It's mash off and it has Glease three hundredth number 767 00:43:38,000 --> 00:43:40,879 Speaker 1: and one of our best numbers ever. Rumor has said 768 00:43:40,960 --> 00:43:45,239 Speaker 1: someone like you stay tuned, thanks for joining us. 769 00:43:45,440 --> 00:43:48,799 Speaker 2: I just between this, I know it's too much, and 770 00:43:48,920 --> 00:43:51,520 Speaker 2: next week it's too much all of a sudden the 771 00:43:51,600 --> 00:43:55,359 Speaker 2: Santana show. Wow, and I'm all about it rightfully so 772 00:43:56,360 --> 00:43:57,919 Speaker 2: and it's like she's just become a star. 773 00:43:58,480 --> 00:44:04,719 Speaker 1: Yeah exactly, Pam, Well that's what you really missed, and 774 00:44:04,760 --> 00:44:06,719 Speaker 1: it was a lot if you missed this episode, it 775 00:44:06,760 --> 00:44:07,160 Speaker 1: was a lot. 776 00:44:07,200 --> 00:44:08,200 Speaker 2: You really missed a lot. 777 00:44:08,480 --> 00:44:08,719 Speaker 1: Yeah. 778 00:44:08,800 --> 00:44:14,120 Speaker 2: Yeah, we'll see you next week for our three hundredth 779 00:44:14,719 --> 00:44:15,680 Speaker 2: musical performance. 780 00:44:16,200 --> 00:44:17,520 Speaker 1: Wow. 781 00:44:17,680 --> 00:44:21,360 Speaker 2: See you, thanks for listening, and follow us on Instagram 782 00:44:21,640 --> 00:44:24,040 Speaker 2: at and that's what you really miss pod. Make sure 783 00:44:24,080 --> 00:44:26,200 Speaker 2: to write us a review and leave us five stars. 784 00:44:26,360 --> 00:44:27,080 Speaker 2: See you next time.