WEBVTT - Our Cross to Bear

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV, in association with Wolf at the Door.

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<v Speaker 1>I'm not afraid of dying, but death something that unprotectable, unfeeling, unstoppable.

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<v Speaker 1>I don't know a worse thing to fear. This is mardo. Yeah, okay, no,

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<v Speaker 1>how did I get back home? Fire? That was burning,

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<v Speaker 1>not blessterings gross as hell, but it's healing at least

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<v Speaker 1>I think I remember that from field training. Okay, you're alive.

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<v Speaker 1>Stop right, there's close enough for now. I thought you

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<v Speaker 1>were dead, says the fried corpse. What the hell happened

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<v Speaker 1>to you? I should be dead unless No, no, that's

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<v Speaker 1>not possible. Whoa hey, where are you going? Hi? Say

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<v Speaker 1>I have to be able to kill it, and you're

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<v Speaker 1>gonna stap it out of you? You're right, maybe, said

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<v Speaker 1>I can't kill it from the outside. Maybe I have

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<v Speaker 1>to kill it from the inside. Have you completely snapped?

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<v Speaker 1>Put the bleach down? Jesus, are you kidding me? I

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<v Speaker 1>have to die. It has to die right, good? Slow

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<v Speaker 1>the boat forward, the rifles live now, which means it's lethal.

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<v Speaker 1>It should be treated as such at all times. Don't

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<v Speaker 1>patronize me, Michelle I'm trying to help you, Ashley. You

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<v Speaker 1>must be loving this. I told you you don't need

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<v Speaker 1>to do this part. I'm fully capable of handling heart

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<v Speaker 1>of the ward, now, aren't I. I got a brand

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<v Speaker 1>that says so anyway, keep your voice down. This is

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<v Speaker 1>my fight even more than it is yours. We're not

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<v Speaker 1>a team, Michelle, We're allies of circumstance at Mrs Mother

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<v Speaker 1>Marshall says, we only have a few seconds to take

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<v Speaker 1>a more dale out as they transition. If that's the

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<v Speaker 1>only window they can be killed, we need to make

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<v Speaker 1>those seconds count. So what's next? You want to stand

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<v Speaker 1>with your feet apart? Good? Now, put the end of

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<v Speaker 1>the stock tight against your shoulder here to absorb the kickback.

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<v Speaker 1>Now hold up, put these on. Now turn the safety off,

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<v Speaker 1>but don't put your hand on the trigger until you're ready. Okay.

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<v Speaker 1>Sometimes it helps to breathe through the shop. Deep breath,

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<v Speaker 1>then lock onto your target. Then room good. Now damn

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<v Speaker 1>I suck loaded again? Gold, damn it, But of sleeping

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<v Speaker 1>pills would have probably hurt less. How long was out?

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<v Speaker 1>A couple of hours? Tops? I can't even die. I'm

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<v Speaker 1>glad you think it's funny because it scares the ship

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<v Speaker 1>out of me. Ms Burns. You did that to yourself,

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<v Speaker 1>didn't You tried to do the right thing? Where were

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<v Speaker 1>you all that time? I looked everywhere? Where were you?

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<v Speaker 1>I took off and spare me. I know I'm not

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<v Speaker 1>going down in any Guinness Book of Best Friends. But

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<v Speaker 1>this is too much for me, Isaiah. It's been too

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<v Speaker 1>much the whole time. But I thought, I don't know,

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<v Speaker 1>maybe I was better than I was braver. And why

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<v Speaker 1>are you here now? I guess I didn't have it

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<v Speaker 1>in me to leave a man behind. You need me.

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<v Speaker 1>You should turn me into the police. Tell them about

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<v Speaker 1>Paul Douglas. I want to criminate you. I'll be locked

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<v Speaker 1>up and you'll be free of all of this. You

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<v Speaker 1>know when you'd have weird experiments done on you once

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<v Speaker 1>they see what you are. No. I watched enough X

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<v Speaker 1>files to know that doesn't end well. Give me that, Mova. Look,

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<v Speaker 1>we need to find some way to contain you when

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<v Speaker 1>you turn like what. I don't know, something strong enough

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<v Speaker 1>to keep everyone you love safe and maybe keep you

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<v Speaker 1>safe from everyone else too. But I have no idea

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<v Speaker 1>what that might be. I think I might here. It

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<v Speaker 1>is the Bennett model. Ninety eight bolt action fifty cow

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<v Speaker 1>k mr riffle. This beast is military grade fifty caliber.

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<v Speaker 1>That's a big bullet. Yes, that's a big gas bullet, ma'am.

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<v Speaker 1>I don't suggest this type of machinery for a beginner.

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<v Speaker 1>Something small i'm more manageable, like the Reddington seven might

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<v Speaker 1>be a little more your size. Nope, I'll take this one.

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<v Speaker 1>Five rounds, Just five rounds. Well, that's what it holds, right, Yeah,

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<v Speaker 1>Hell out this paperwork to authorise of background check as

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<v Speaker 1>a forty eight hour hold. Or you can take the

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<v Speaker 1>extra five d from the top of the stack and

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<v Speaker 1>let me leave with this now, courtesy of my late

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<v Speaker 1>husband's insurance policy. He was a real supporter of his

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<v Speaker 1>Second Amendment rights. I'll get you those rounds. He's right,

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<v Speaker 1>that thing can do some damage. You better be careful.

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<v Speaker 1>Thanks for the unsolicited advice. I'll be sure to ask

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<v Speaker 1>for it next time. I know it's none of my business.

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<v Speaker 1>I'm just thinking a gun may not be the best

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<v Speaker 1>solution to your problem. Please don't lecture me. If you'd

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<v Speaker 1>have asked me a few weeks ago, if i'd be here,

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<v Speaker 1>of all places. Let's see somebody scare you or somebody

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<v Speaker 1>hurt you, you don't have to tell me. Sometimes it's

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<v Speaker 1>liberating to unload on a complete stranger, so you scared

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<v Speaker 1>or hurt both. In that case, I suggest looking him

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<v Speaker 1>straight in the eye before you pull the trigger. It'll

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<v Speaker 1>let him know exactly who you are. Five rounds as requested. Thanks?

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<v Speaker 1>Do you know who that was? The other customer that

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<v Speaker 1>just left didn't know. Anyone else came in. I think

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<v Speaker 1>it's time for you to get out of my store, right,

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<v Speaker 1>fair enough? Jesus, this is freaking heavy Last America. Now,

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<v Speaker 1>don't come back. You're here, Jocelyn, Come on, sleepy hand,

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<v Speaker 1>it's fast new Hey, you're up. I found these pictures

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<v Speaker 1>in the closet. It's my dad when he was a kid. Yeah, yeah,

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<v Speaker 1>that's him. What's he doing? He tied that sheet around

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<v Speaker 1>his neck as a cake, you know, like Superman. Do

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<v Speaker 1>you have any more? I'm sure I do. You're not

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<v Speaker 1>gona took photos of everything when those boys were younger?

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<v Speaker 1>Can I see him? Hold that thought? I said, what

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<v Speaker 1>are you doing here? Give your son a second? He

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<v Speaker 1>stood over knocking for like ten minutes. It's been very

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<v Speaker 1>cats in the cradle. You can't be here. I wouldn't

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<v Speaker 1>have come unless I needed to. Believe me, I can't

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<v Speaker 1>for Grandpa's tools, what are you need them for. I'm

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<v Speaker 1>not letting you leave with them until I know how

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<v Speaker 1>father leave here. We need them to build something continent,

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<v Speaker 1>not to build something to reinforce, something to sell At

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<v Speaker 1>the old jail house, I do on rudate. That place

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<v Speaker 1>has been vacant for years. What could you possibly want

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<v Speaker 1>to do all the way out there? Don't look at me.

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<v Speaker 1>I've been sworn to askin in secrecy. You too, learn

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<v Speaker 1>how to weld in the core or something. No, we're

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<v Speaker 1>both combat trained, so you need more than Grandpa's tools.

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<v Speaker 1>You need someone who knows how to use them. You're

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<v Speaker 1>that's someone that knows how to use them might take it.

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<v Speaker 1>My father, Isaiah's grandfather was hard to construct what's now

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<v Speaker 1>the old Town jail back in the sixties. I helped

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<v Speaker 1>him work that summer. So you've literally done it before,

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<v Speaker 1>I guess, but I still don't understand why you need it.

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<v Speaker 1>I say it. Please tell me what's going on. This

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<v Speaker 1>was a mistake. We should go, I say, I forget

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<v Speaker 1>we were here. This is bigger than whatever ship you're

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<v Speaker 1>holding onto. Please, if you want to help me, Pop, fine,

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<v Speaker 1>but I don't owe you any answers. What I tell

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<v Speaker 1>you it's on my terms. Is it illegal. Let's just

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<v Speaker 1>say it's not what you think, not even close. I'll

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<v Speaker 1>do it. I'll help you. I just I can't right now. Surprise, surprise.

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<v Speaker 1>I can't leave Joscelyn. Oh. I didn't know she was here.

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<v Speaker 1>Astley doesn't want to want her to be alone. I know.

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<v Speaker 1>I'm the one who suggested that Cat can stay with me.

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<v Speaker 1>If she stays, I won't be alone. I don't think

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<v Speaker 1>that's a good idea. You're right, it's a terrible idea.

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<v Speaker 1>If I said a trust her, I trust her. Right now,

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<v Speaker 1>I say I need your help. Not gonna happen. I

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<v Speaker 1>hate kids, no offense. This is your plan, Cat, and

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<v Speaker 1>I can't do it without him. Please keep us safe

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<v Speaker 1>for me. One of us is going to regret this.

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<v Speaker 1>Thank you, Come on the wealth and gears and storage.

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<v Speaker 1>Sorry for putting an extra lock on the gate. Miss

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<v Speaker 1>reed falls when kids get the idea to smoke joints

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<v Speaker 1>and tell ghost stories in these maus Liam's that's all right.

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<v Speaker 1>I guess I don't visit as much as I planned to.

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<v Speaker 1>No one ever. Take your time. Hi Graham, I remember

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<v Speaker 1>you like lilies or he hated them. I guess you're

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<v Speaker 1>not gonna nag me either way, you being dead, and

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<v Speaker 1>now I've been thinking about you lately. I guess when

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<v Speaker 1>other people visit family graves, it's to bring them some

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<v Speaker 1>sort of solace, make them feel like it's okay. They've

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<v Speaker 1>moved on, but not me. I'm still here trying to

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<v Speaker 1>prove I'm worth something to a dead woman. You never

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<v Speaker 1>believed in me, and it wasn't tough love, not like that.

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<v Speaker 1>It was like you saw me for what I would

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<v Speaker 1>never be. I wasn't talented enough, wasn't strong or smart enough.

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<v Speaker 1>I wasn't cutthroat enough to survive this world. And no

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<v Speaker 1>matter how many nights I stayed awake trying to convince myself,

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<v Speaker 1>you're just a mean old bitch. I knew you were right.

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<v Speaker 1>I understand that now, but I'm here to tell you

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<v Speaker 1>you are wrong. I know exactly what I have to do.

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<v Speaker 1>And it's just like you said, not even dead can

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<v Speaker 1>stop a true read. It's funny to think of you

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<v Speaker 1>in here now, Even this place, with all it's grandeer,

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<v Speaker 1>it couldn't stop your bones. From turning to the dust.

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<v Speaker 1>M maybe that warmer, cold dead heart, you bitch. I

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<v Speaker 1>should be able to buy these with the reek of bars,

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<v Speaker 1>especially when the cell may have rusted, and they'll be

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<v Speaker 1>strong enough. That's the idea, strong enough to hold something

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<v Speaker 1>that can break through change? What kind of thing can

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<v Speaker 1>break through change? All right, Isaiah, if we worked through

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<v Speaker 1>the night, we should finish in time and time for what? Right?

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<v Speaker 1>No questions, no answers, unlet's keep going, keep you right? Seriously,

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<v Speaker 1>who doesn't have Netflix? People like books or online poker? Well,

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<v Speaker 1>a missile doesn't strike me as the reading type. Probably

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<v Speaker 1>likes crime novels, romance novels when he's lonely. See that

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<v Speaker 1>is why I'm never having children. You always know exactly

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<v Speaker 1>what we wish. You didn't like little covert cocka roaches.

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<v Speaker 1>I take it it means there's no chance you're gonna

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<v Speaker 1>tell me what's going on with Isaiah zero? Like you're marine.

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<v Speaker 1>Like Isaiah. We were stationed in Afghanistan together. We became

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<v Speaker 1>really close over there. Did you like hook up or something? No,

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<v Speaker 1>we didn't like hook up or something. God, aren't you

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<v Speaker 1>like ten twelve? Same thing? Isaiah is basically my brother. Besides,

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<v Speaker 1>women are far more fascinating to me than some Harry

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<v Speaker 1>dood trying to poke me with this. Sorry, it's okay,

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<v Speaker 1>I know what a penis is. Stupid. I'm not sure

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<v Speaker 1>your mom would approve of my influence. Yeah, well, my

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<v Speaker 1>mom's not one a Mother of the Year or anything

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<v Speaker 1>compared to any mom I've had. She seems pretty great.

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<v Speaker 1>She abandoned me here with Poppy. I haven't seen her

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<v Speaker 1>in days, Is that true? Yeah? Uh, well, your grandpa

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<v Speaker 1>was a cop. She probably thinks you're pretty safe with him.

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<v Speaker 1>Can you at least tell me it's my uncle? Okay?

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<v Speaker 1>What makes you think he's not everything? He's been different

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<v Speaker 1>ever since he came back from the woods. Yeah, God,

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<v Speaker 1>camping trip turned out to be a raw deal for you,

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<v Speaker 1>didn't it. I know a lot of people don't think

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<v Speaker 1>so all the time, But I say he's a good person.

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<v Speaker 1>He has a good heart, and I think people with

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<v Speaker 1>good hearts and will even if what they do is wrong.

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<v Speaker 1>Sometimes that's a nice sentiment, kid, but life isn't that simple.

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<v Speaker 1>Sometimes good hearts do bad things just like bad hearts

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<v Speaker 1>do good things. It's better to go through life thinking

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<v Speaker 1>everyone's gonna screw you over. Sometime you can't trust the anybody.

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<v Speaker 1>So you're saying I shouldn't trust you. No, you shouldn't.

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<v Speaker 1>Ship that's me. I have to go what you can't

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<v Speaker 1>leave me alone. Now that I know that you're twelve,

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<v Speaker 1>I feel way less guilty about this. I was home

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<v Speaker 1>by myself way before that. But as I said, you

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<v Speaker 1>need to stay here and keep me safe. I really

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<v Speaker 1>don't have a choice. Look, your grandpa will be back soon.

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<v Speaker 1>In the meantime, if you get scared, hide in the closet.

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<v Speaker 1>The way back always worked for me. You'll be fine,

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<v Speaker 1>I promise. Almost there. Ah, there she is? Are you

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<v Speaker 1>holding up down there? Isaiah? How much longer? Just the

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<v Speaker 1>last coper there? As good as this? Your grandfather always

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<v Speaker 1>said I had him back for it. Why didn't you

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<v Speaker 1>keep his business? Well, it was because of that summer

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<v Speaker 1>actually working on this jail house. There was some protests

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<v Speaker 1>a few counties over. I wasn't allowed to go, but

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<v Speaker 1>a bunch of my friends did, got themselves arrested. Some

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<v Speaker 1>of them trickled back the next day or so. Others

0:17:18.880 --> 0:17:22.119
<v Speaker 1>we didn't see for weeks, And when they came back,

0:17:22.560 --> 0:17:24.760
<v Speaker 1>it was like the fight was beating out of them.

0:17:24.800 --> 0:17:28.000
<v Speaker 1>They weren't ever the same. Really, I couldn't get what

0:17:28.200 --> 0:17:31.040
<v Speaker 1>happened to them out of my mind. But I still

0:17:31.080 --> 0:17:33.680
<v Speaker 1>had to come back here, and as we put up

0:17:33.720 --> 0:17:36.679
<v Speaker 1>sell after sell, I decided I wanted to be the

0:17:36.680 --> 0:17:38.480
<v Speaker 1>one on the outside of the bars instead of the

0:17:38.520 --> 0:17:42.600
<v Speaker 1>one behind them. Sure, that's why I was such a disappointment. No, no,

0:17:42.880 --> 0:17:46.040
<v Speaker 1>it's why I envied you. You don't let fair rule.

0:17:46.119 --> 0:17:49.840
<v Speaker 1>You never have. It's what I admired about your mother too.

0:17:50.400 --> 0:17:52.840
<v Speaker 1>I might not always understand you, but I admire you.

0:17:53.000 --> 0:18:05.600
<v Speaker 1>Y Saia Ready, yeah, wait, browt up a minute? What

0:18:05.800 --> 0:18:13.359
<v Speaker 1>is it? Listen? Do you hear that character here? Hard? No?

0:18:13.600 --> 0:18:26.400
<v Speaker 1>Can I? Yeah? Yeah? H it's up? Wrong's hard? I think?

0:18:26.520 --> 0:18:33.600
<v Speaker 1>Can I keep going down? Fresh? No? What are we're doing?

0:18:34.480 --> 0:18:36.840
<v Speaker 1>Get out of there? And it's it? It beat time

0:18:36.920 --> 0:18:51.320
<v Speaker 1>to that finish it dead now Fresh? It's hard, all right, hard,

0:18:53.840 --> 0:19:02.520
<v Speaker 1>sw It's done. I say, are you all right? I'm

0:19:02.560 --> 0:19:08.000
<v Speaker 1>coming into step back? What are you doing here? Get

0:19:08.000 --> 0:19:10.520
<v Speaker 1>away from the law. He looks sick. I think it's

0:19:10.520 --> 0:19:13.400
<v Speaker 1>going to go back to your place. Jocelyn needs you

0:19:14.760 --> 0:19:18.119
<v Speaker 1>that nesto. I got it from here, but I'm not

0:19:18.160 --> 0:19:20.640
<v Speaker 1>going to let you open that cage. Now go Now

0:19:21.240 --> 0:19:28.560
<v Speaker 1>they go to Joshly. I'll be fine. Take care of him.

0:19:28.640 --> 0:19:30.800
<v Speaker 1>You were supposed to leave him, leave a twelve year

0:19:30.800 --> 0:19:33.960
<v Speaker 1>old alone, or let you go your dad. Pretty shitty options, Isaiah.

0:19:34.600 --> 0:19:41.120
<v Speaker 1>Are you turning? No? Not yet? Looks Turnny feels sturdy too.

0:19:41.280 --> 0:19:43.680
<v Speaker 1>You shouldn't stay in case they don't all. I won't

0:19:43.880 --> 0:20:09.720
<v Speaker 1>leave me the flashlight. Then it'll be pitch black out here. Goodbye, Isaiah. Okay, okay, yes,

0:20:10.000 --> 0:20:13.320
<v Speaker 1>Ms Morales, it's done. I did what you asked the ward.

0:20:13.400 --> 0:20:16.240
<v Speaker 1>Thanks you for your service, he said, this was the

0:20:16.240 --> 0:20:21.200
<v Speaker 1>only way. Yes, it is, I must admit. And all

0:20:21.200 --> 0:20:24.600
<v Speaker 1>the time we've been watching you, I never suspected you'd

0:20:24.600 --> 0:20:29.639
<v Speaker 1>be of use to us, not willingly anyway. Fuck you, lady.

0:20:30.080 --> 0:20:32.720
<v Speaker 1>I'm doing this for Isaiah. He doesn't want to live

0:20:32.760 --> 0:20:35.600
<v Speaker 1>like this. He did himself if he could. I wonder

0:20:36.359 --> 0:20:38.480
<v Speaker 1>would he have tried to take his own life if

0:20:38.480 --> 0:20:42.480
<v Speaker 1>he didn't know somewhere deep inside he would survive. I

0:20:42.520 --> 0:20:45.840
<v Speaker 1>suppose we won't ever really know. Now, you said, when

0:20:45.880 --> 0:20:49.560
<v Speaker 1>this is over, I'll be washed clean of everything. I

0:20:49.600 --> 0:20:52.520
<v Speaker 1>can go back to my life and leave all this behind.

0:20:53.200 --> 0:20:57.000
<v Speaker 1>We keep our promises. As long as you keep yours,

0:20:58.240 --> 0:21:00.919
<v Speaker 1>will it hurt when you kill him? When he suffer,

0:21:01.600 --> 0:21:05.399
<v Speaker 1>He's already suffering, and he'll only cause others to suffer

0:21:05.480 --> 0:21:09.320
<v Speaker 1>with him. You've done the right thing and it'll all

0:21:09.440 --> 0:21:13.760
<v Speaker 1>be over soon enough. And when it is, we'll set

0:21:13.800 --> 0:21:19.159
<v Speaker 1>you both free. You understand what I mean. We'll be

0:21:19.200 --> 0:21:44.920
<v Speaker 1>in touch. M hmm happy. The Closet cast said that

0:21:45.080 --> 0:21:59.919
<v Speaker 1>in the Closet Past, remember me from the Green Pimo

0:22:00.080 --> 0:22:03.280
<v Speaker 1>tell you were looking for your uncle when we agreed

0:22:03.320 --> 0:22:08.560
<v Speaker 1>to be strangers. Look, I'm sure I'm scaring the but

0:22:08.720 --> 0:22:12.280
<v Speaker 1>Jesus out of you, but your family is in grave danger,

0:22:13.680 --> 0:22:18.399
<v Speaker 1>and I think you know that. Your grandpa, your uncle,

0:22:19.240 --> 0:22:26.080
<v Speaker 1>your mother, they're in trouble. But we can help. I

0:22:26.200 --> 0:22:31.080
<v Speaker 1>just need you to trust me. Can you do that?

0:22:33.440 --> 0:22:41.680
<v Speaker 1>Will you come out here and trust me? What kind

0:22:41.720 --> 0:23:00.720
<v Speaker 1>of danger? Hello? Who's there? Ashley? Hello? Isaiah? No, no,

0:23:01.080 --> 0:23:04.080
<v Speaker 1>don't don't, don't unlock it. I've been looking for you.

0:23:04.720 --> 0:23:09.040
<v Speaker 1>How did you find me? Your cell phone? Family plan? Remember,

0:23:12.280 --> 0:23:18.240
<v Speaker 1>don't call to me closer. I'm sorry as I am,

0:23:18.240 --> 0:23:24.480
<v Speaker 1>but I can't let them kill you, not yet. Mm

0:23:24.560 --> 0:23:43.959
<v Speaker 1>hmmm hm ah. Dying is easy, but facing death facing

0:23:43.960 --> 0:23:48.600
<v Speaker 1>a lifetime of while you fell to atone for that's

0:23:48.600 --> 0:24:06.160
<v Speaker 1>the cross we all must bear in the end. Next

0:24:06.200 --> 0:24:11.119
<v Speaker 1>time on More Day Home, where are you? I can't

0:24:11.119 --> 0:24:17.320
<v Speaker 1>tell you, God damn it, are like that useless shit.

0:24:18.119 --> 0:24:24.120
<v Speaker 1>You're one of them. Let's go. I can't hold now.

0:24:38.800 --> 0:24:44.159
<v Speaker 1>I Heart Radio. Blom House Television and Crypt TV in

0:24:44.240 --> 0:24:51.000
<v Speaker 1>association with Wolf at the Door Present Mordo. Executive produced

0:24:51.080 --> 0:24:57.480
<v Speaker 1>by Jack Davis, Kate Krantz, Darren Brandle, Jason Blom, Chris Dickey,

0:24:58.160 --> 0:25:04.560
<v Speaker 1>Matt Frederick and Alex Williams. Written by Caitlin Crab, directed

0:25:04.560 --> 0:25:11.200
<v Speaker 1>by Alex Kemp, Produced by Toby Lawless, Winnie Kemp, Daniel

0:25:11.200 --> 0:25:18.680
<v Speaker 1>Pearson's co producers ben So Tack, Anthony Magnolo, Associate producer

0:25:19.119 --> 0:25:26.240
<v Speaker 1>Fererico Torrado. Starring j L Faons, Nicholson as Isaiah, Ashley

0:25:26.280 --> 0:25:34.359
<v Speaker 1>Platts as Ashley, Olivia Lott as Jocelyn, Yvonne Al as Michelle,

0:25:35.600 --> 0:25:43.760
<v Speaker 1>with performances by Tacy Adams, Ariella amar Jamie, Joseph kim Estes,

0:25:44.560 --> 0:25:51.320
<v Speaker 1>Patty Wilkins, Butch Klein. Sound designed by Dean Hovey. Original

0:25:51.400 --> 0:25:57.240
<v Speaker 1>score by Christopher Kemp, Mixing by Mark Scarce, edited by

0:25:57.280 --> 0:26:03.800
<v Speaker 1>Fernando Diaz, assist and engineer Noah's Sour, Recorded at Wolf

0:26:03.840 --> 0:26:10.720
<v Speaker 1>at the Door Studios. Casting consultant Michelle LeWitt, Production assistants

0:26:11.000 --> 0:26:17.840
<v Speaker 1>Hayley mckeckney and Sophia Guilberto, studio teacher Pearl Hika, Writing

0:26:17.880 --> 0:26:23.800
<v Speaker 1>assistant Bill Hanson. This podcast was recorded under a SAG

0:26:23.960 --> 0:26:28.879
<v Speaker 1>after collective bargaining agreement. Mordeo is a production of I

0:26:29.000 --> 0:26:34.720
<v Speaker 1>Heart Radio Blumhouse Television, Crypt TV. For more podcasts from

0:26:34.720 --> 0:26:39.360
<v Speaker 1>I heart Radio, visit the I heart Radio app, Apple Podcasts,

0:26:40.280 --> 0:26:42.679
<v Speaker 1>or wherever you listen to your favorite shows.