1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV, in association with Wolf at the Door. 3 00:00:13,280 --> 00:00:22,239 Speaker 1: I'm not afraid of dying, but death something that unprotectable, unfeeling, unstoppable. 4 00:00:23,480 --> 00:01:09,520 Speaker 1: I don't know a worse thing to fear. This is mardo. Yeah, okay, no, 5 00:01:09,800 --> 00:01:14,760 Speaker 1: how did I get back home? Fire? That was burning, 6 00:01:15,600 --> 00:01:19,640 Speaker 1: not blessterings gross as hell, but it's healing at least 7 00:01:19,640 --> 00:01:24,200 Speaker 1: I think I remember that from field training. Okay, you're alive. 8 00:01:24,640 --> 00:01:27,760 Speaker 1: Stop right, there's close enough for now. I thought you 9 00:01:27,800 --> 00:01:31,240 Speaker 1: were dead, says the fried corpse. What the hell happened 10 00:01:31,240 --> 00:01:35,200 Speaker 1: to you? I should be dead unless No, no, that's 11 00:01:35,240 --> 00:01:42,280 Speaker 1: not possible. Whoa hey, where are you going? Hi? Say 12 00:01:42,640 --> 00:01:44,319 Speaker 1: I have to be able to kill it, and you're 13 00:01:44,319 --> 00:01:49,360 Speaker 1: gonna stap it out of you? You're right, maybe, said 14 00:01:49,400 --> 00:01:51,040 Speaker 1: I can't kill it from the outside. Maybe I have 15 00:01:51,080 --> 00:01:56,240 Speaker 1: to kill it from the inside. Have you completely snapped? 16 00:01:56,480 --> 00:02:06,160 Speaker 1: Put the bleach down? Jesus, are you kidding me? I 17 00:02:06,240 --> 00:02:27,079 Speaker 1: have to die. It has to die right, good? Slow 18 00:02:27,160 --> 00:02:31,840 Speaker 1: the boat forward, the rifles live now, which means it's lethal. 19 00:02:32,240 --> 00:02:35,400 Speaker 1: It should be treated as such at all times. Don't 20 00:02:35,480 --> 00:02:39,400 Speaker 1: patronize me, Michelle I'm trying to help you, Ashley. You 21 00:02:39,520 --> 00:02:42,080 Speaker 1: must be loving this. I told you you don't need 22 00:02:42,160 --> 00:02:45,079 Speaker 1: to do this part. I'm fully capable of handling heart 23 00:02:45,160 --> 00:02:47,840 Speaker 1: of the ward, now, aren't I. I got a brand 24 00:02:47,919 --> 00:02:51,440 Speaker 1: that says so anyway, keep your voice down. This is 25 00:02:51,520 --> 00:02:55,600 Speaker 1: my fight even more than it is yours. We're not 26 00:02:55,680 --> 00:03:03,080 Speaker 1: a team, Michelle, We're allies of circumstance at Mrs Mother 27 00:03:03,360 --> 00:03:06,359 Speaker 1: Marshall says, we only have a few seconds to take 28 00:03:06,360 --> 00:03:09,360 Speaker 1: a more dale out as they transition. If that's the 29 00:03:09,440 --> 00:03:11,480 Speaker 1: only window they can be killed, we need to make 30 00:03:11,520 --> 00:03:15,639 Speaker 1: those seconds count. So what's next? You want to stand 31 00:03:15,639 --> 00:03:19,800 Speaker 1: with your feet apart? Good? Now, put the end of 32 00:03:19,840 --> 00:03:23,520 Speaker 1: the stock tight against your shoulder here to absorb the kickback. 33 00:03:24,160 --> 00:03:33,640 Speaker 1: Now hold up, put these on. Now turn the safety off, 34 00:03:33,840 --> 00:03:38,440 Speaker 1: but don't put your hand on the trigger until you're ready. Okay. 35 00:03:39,520 --> 00:03:43,400 Speaker 1: Sometimes it helps to breathe through the shop. Deep breath, 36 00:03:43,440 --> 00:03:56,360 Speaker 1: then lock onto your target. Then room good. Now damn 37 00:03:57,640 --> 00:04:15,400 Speaker 1: I suck loaded again? Gold, damn it, But of sleeping 38 00:04:15,440 --> 00:04:18,560 Speaker 1: pills would have probably hurt less. How long was out? 39 00:04:18,839 --> 00:04:26,560 Speaker 1: A couple of hours? Tops? I can't even die. I'm 40 00:04:26,560 --> 00:04:29,000 Speaker 1: glad you think it's funny because it scares the ship 41 00:04:29,120 --> 00:04:34,760 Speaker 1: out of me. Ms Burns. You did that to yourself, 42 00:04:34,800 --> 00:04:38,240 Speaker 1: didn't You tried to do the right thing? Where were 43 00:04:38,240 --> 00:04:41,599 Speaker 1: you all that time? I looked everywhere? Where were you? 44 00:04:42,400 --> 00:04:45,719 Speaker 1: I took off and spare me. I know I'm not 45 00:04:45,760 --> 00:04:47,760 Speaker 1: going down in any Guinness Book of Best Friends. But 46 00:04:48,480 --> 00:04:51,080 Speaker 1: this is too much for me, Isaiah. It's been too 47 00:04:51,160 --> 00:04:54,120 Speaker 1: much the whole time. But I thought, I don't know, 48 00:04:54,920 --> 00:04:58,640 Speaker 1: maybe I was better than I was braver. And why 49 00:04:58,640 --> 00:05:00,839 Speaker 1: are you here now? I guess I didn't have it 50 00:05:00,880 --> 00:05:03,880 Speaker 1: in me to leave a man behind. You need me. 51 00:05:05,600 --> 00:05:08,200 Speaker 1: You should turn me into the police. Tell them about 52 00:05:08,240 --> 00:05:10,880 Speaker 1: Paul Douglas. I want to criminate you. I'll be locked 53 00:05:10,920 --> 00:05:12,600 Speaker 1: up and you'll be free of all of this. You 54 00:05:12,680 --> 00:05:14,839 Speaker 1: know when you'd have weird experiments done on you once 55 00:05:14,880 --> 00:05:17,760 Speaker 1: they see what you are. No. I watched enough X 56 00:05:17,760 --> 00:05:23,880 Speaker 1: files to know that doesn't end well. Give me that, Mova. Look, 57 00:05:23,920 --> 00:05:25,600 Speaker 1: we need to find some way to contain you when 58 00:05:25,600 --> 00:05:29,760 Speaker 1: you turn like what. I don't know, something strong enough 59 00:05:29,760 --> 00:05:32,520 Speaker 1: to keep everyone you love safe and maybe keep you 60 00:05:32,600 --> 00:05:36,080 Speaker 1: safe from everyone else too. But I have no idea 61 00:05:36,120 --> 00:05:51,120 Speaker 1: what that might be. I think I might here. It 62 00:05:51,240 --> 00:05:55,279 Speaker 1: is the Bennett model. Ninety eight bolt action fifty cow 63 00:05:55,440 --> 00:06:00,880 Speaker 1: k mr riffle. This beast is military grade fifty caliber. 64 00:06:01,360 --> 00:06:06,320 Speaker 1: That's a big bullet. Yes, that's a big gas bullet, ma'am. 65 00:06:06,360 --> 00:06:08,919 Speaker 1: I don't suggest this type of machinery for a beginner. 66 00:06:09,240 --> 00:06:12,720 Speaker 1: Something small i'm more manageable, like the Reddington seven might 67 00:06:12,760 --> 00:06:16,560 Speaker 1: be a little more your size. Nope, I'll take this one. 68 00:06:17,279 --> 00:06:23,719 Speaker 1: Five rounds, Just five rounds. Well, that's what it holds, right, Yeah, 69 00:06:24,120 --> 00:06:27,200 Speaker 1: Hell out this paperwork to authorise of background check as 70 00:06:27,240 --> 00:06:31,320 Speaker 1: a forty eight hour hold. Or you can take the 71 00:06:31,360 --> 00:06:33,479 Speaker 1: extra five d from the top of the stack and 72 00:06:33,560 --> 00:06:36,520 Speaker 1: let me leave with this now, courtesy of my late 73 00:06:36,600 --> 00:06:40,480 Speaker 1: husband's insurance policy. He was a real supporter of his 74 00:06:40,560 --> 00:06:49,040 Speaker 1: Second Amendment rights. I'll get you those rounds. He's right, 75 00:06:49,920 --> 00:06:53,200 Speaker 1: that thing can do some damage. You better be careful. 76 00:06:53,920 --> 00:06:58,040 Speaker 1: Thanks for the unsolicited advice. I'll be sure to ask 77 00:06:58,080 --> 00:07:01,320 Speaker 1: for it next time. I know it's none of my business. 78 00:07:01,640 --> 00:07:03,719 Speaker 1: I'm just thinking a gun may not be the best 79 00:07:03,720 --> 00:07:08,760 Speaker 1: solution to your problem. Please don't lecture me. If you'd 80 00:07:08,800 --> 00:07:11,080 Speaker 1: have asked me a few weeks ago, if i'd be here, 81 00:07:11,200 --> 00:07:15,640 Speaker 1: of all places. Let's see somebody scare you or somebody 82 00:07:15,720 --> 00:07:20,040 Speaker 1: hurt you, you don't have to tell me. Sometimes it's 83 00:07:20,080 --> 00:07:24,800 Speaker 1: liberating to unload on a complete stranger, so you scared 84 00:07:25,240 --> 00:07:29,520 Speaker 1: or hurt both. In that case, I suggest looking him 85 00:07:29,560 --> 00:07:32,280 Speaker 1: straight in the eye before you pull the trigger. It'll 86 00:07:32,320 --> 00:07:40,320 Speaker 1: let him know exactly who you are. Five rounds as requested. Thanks? 87 00:07:42,360 --> 00:07:45,600 Speaker 1: Do you know who that was? The other customer that 88 00:07:45,760 --> 00:07:50,320 Speaker 1: just left didn't know. Anyone else came in. I think 89 00:07:50,360 --> 00:07:53,400 Speaker 1: it's time for you to get out of my store, right, 90 00:07:53,480 --> 00:08:02,200 Speaker 1: fair enough? Jesus, this is freaking heavy Last America. Now, 91 00:08:02,240 --> 00:08:14,560 Speaker 1: don't come back. You're here, Jocelyn, Come on, sleepy hand, 92 00:08:14,960 --> 00:08:21,320 Speaker 1: it's fast new Hey, you're up. I found these pictures 93 00:08:21,360 --> 00:08:26,720 Speaker 1: in the closet. It's my dad when he was a kid. Yeah, yeah, 94 00:08:26,760 --> 00:08:30,360 Speaker 1: that's him. What's he doing? He tied that sheet around 95 00:08:30,360 --> 00:08:33,440 Speaker 1: his neck as a cake, you know, like Superman. Do 96 00:08:33,480 --> 00:08:36,880 Speaker 1: you have any more? I'm sure I do. You're not 97 00:08:36,880 --> 00:08:39,280 Speaker 1: gona took photos of everything when those boys were younger? 98 00:08:39,559 --> 00:08:47,280 Speaker 1: Can I see him? Hold that thought? I said, what 99 00:08:47,360 --> 00:08:50,040 Speaker 1: are you doing here? Give your son a second? He 100 00:08:50,160 --> 00:08:52,800 Speaker 1: stood over knocking for like ten minutes. It's been very 101 00:08:52,840 --> 00:08:55,800 Speaker 1: cats in the cradle. You can't be here. I wouldn't 102 00:08:55,800 --> 00:08:58,360 Speaker 1: have come unless I needed to. Believe me, I can't 103 00:08:58,360 --> 00:09:01,760 Speaker 1: for Grandpa's tools, what are you need them for. I'm 104 00:09:01,800 --> 00:09:04,439 Speaker 1: not letting you leave with them until I know how 105 00:09:04,559 --> 00:09:08,280 Speaker 1: father leave here. We need them to build something continent, 106 00:09:08,440 --> 00:09:11,200 Speaker 1: not to build something to reinforce, something to sell At 107 00:09:11,240 --> 00:09:13,400 Speaker 1: the old jail house, I do on rudate. That place 108 00:09:13,440 --> 00:09:16,120 Speaker 1: has been vacant for years. What could you possibly want 109 00:09:16,160 --> 00:09:18,560 Speaker 1: to do all the way out there? Don't look at me. 110 00:09:18,760 --> 00:09:21,800 Speaker 1: I've been sworn to askin in secrecy. You too, learn 111 00:09:21,840 --> 00:09:24,600 Speaker 1: how to weld in the core or something. No, we're 112 00:09:24,600 --> 00:09:27,400 Speaker 1: both combat trained, so you need more than Grandpa's tools. 113 00:09:27,440 --> 00:09:29,800 Speaker 1: You need someone who knows how to use them. You're 114 00:09:29,840 --> 00:09:31,640 Speaker 1: that's someone that knows how to use them might take it. 115 00:09:32,240 --> 00:09:35,319 Speaker 1: My father, Isaiah's grandfather was hard to construct what's now 116 00:09:35,440 --> 00:09:38,120 Speaker 1: the old Town jail back in the sixties. I helped 117 00:09:38,160 --> 00:09:41,480 Speaker 1: him work that summer. So you've literally done it before, 118 00:09:41,720 --> 00:09:44,600 Speaker 1: I guess, but I still don't understand why you need it. 119 00:09:45,600 --> 00:09:50,959 Speaker 1: I say it. Please tell me what's going on. This 120 00:09:51,000 --> 00:09:52,920 Speaker 1: was a mistake. We should go, I say, I forget 121 00:09:53,000 --> 00:09:56,559 Speaker 1: we were here. This is bigger than whatever ship you're 122 00:09:56,559 --> 00:10:00,600 Speaker 1: holding onto. Please, if you want to help me, Pop, fine, 123 00:10:01,320 --> 00:10:03,200 Speaker 1: but I don't owe you any answers. What I tell 124 00:10:03,200 --> 00:10:06,080 Speaker 1: you it's on my terms. Is it illegal. Let's just 125 00:10:06,120 --> 00:10:09,960 Speaker 1: say it's not what you think, not even close. I'll 126 00:10:09,960 --> 00:10:15,720 Speaker 1: do it. I'll help you. I just I can't right now. Surprise, surprise. 127 00:10:15,960 --> 00:10:18,600 Speaker 1: I can't leave Joscelyn. Oh. I didn't know she was here. 128 00:10:18,840 --> 00:10:21,240 Speaker 1: Astley doesn't want to want her to be alone. I know. 129 00:10:21,280 --> 00:10:24,520 Speaker 1: I'm the one who suggested that Cat can stay with me. 130 00:10:26,080 --> 00:10:28,920 Speaker 1: If she stays, I won't be alone. I don't think 131 00:10:28,920 --> 00:10:31,640 Speaker 1: that's a good idea. You're right, it's a terrible idea. 132 00:10:32,400 --> 00:10:35,960 Speaker 1: If I said a trust her, I trust her. Right now, 133 00:10:36,040 --> 00:10:39,040 Speaker 1: I say I need your help. Not gonna happen. I 134 00:10:39,080 --> 00:10:42,440 Speaker 1: hate kids, no offense. This is your plan, Cat, and 135 00:10:42,480 --> 00:10:45,040 Speaker 1: I can't do it without him. Please keep us safe 136 00:10:45,080 --> 00:10:47,920 Speaker 1: for me. One of us is going to regret this. 137 00:10:49,040 --> 00:10:59,719 Speaker 1: Thank you, Come on the wealth and gears and storage. 138 00:11:01,679 --> 00:11:04,400 Speaker 1: Sorry for putting an extra lock on the gate. Miss 139 00:11:04,400 --> 00:11:08,600 Speaker 1: reed falls when kids get the idea to smoke joints 140 00:11:08,600 --> 00:11:12,280 Speaker 1: and tell ghost stories in these maus Liam's that's all right. 141 00:11:13,080 --> 00:11:15,360 Speaker 1: I guess I don't visit as much as I planned to. 142 00:11:16,160 --> 00:11:27,880 Speaker 1: No one ever. Take your time. Hi Graham, I remember 143 00:11:27,920 --> 00:11:32,319 Speaker 1: you like lilies or he hated them. I guess you're 144 00:11:32,320 --> 00:11:35,120 Speaker 1: not gonna nag me either way, you being dead, and 145 00:11:35,200 --> 00:11:40,400 Speaker 1: now I've been thinking about you lately. I guess when 146 00:11:40,800 --> 00:11:44,320 Speaker 1: other people visit family graves, it's to bring them some 147 00:11:44,400 --> 00:11:48,520 Speaker 1: sort of solace, make them feel like it's okay. They've 148 00:11:48,720 --> 00:11:54,440 Speaker 1: moved on, but not me. I'm still here trying to 149 00:11:54,520 --> 00:11:59,880 Speaker 1: prove I'm worth something to a dead woman. You never 150 00:12:00,040 --> 00:12:03,480 Speaker 1: believed in me, and it wasn't tough love, not like that. 151 00:12:04,320 --> 00:12:07,319 Speaker 1: It was like you saw me for what I would 152 00:12:07,360 --> 00:12:12,520 Speaker 1: never be. I wasn't talented enough, wasn't strong or smart enough. 153 00:12:12,679 --> 00:12:16,920 Speaker 1: I wasn't cutthroat enough to survive this world. And no 154 00:12:17,000 --> 00:12:21,240 Speaker 1: matter how many nights I stayed awake trying to convince myself, 155 00:12:21,240 --> 00:12:25,840 Speaker 1: you're just a mean old bitch. I knew you were right. 156 00:12:26,920 --> 00:12:32,920 Speaker 1: I understand that now, but I'm here to tell you 157 00:12:32,920 --> 00:12:38,960 Speaker 1: you are wrong. I know exactly what I have to do. 158 00:12:39,600 --> 00:12:43,760 Speaker 1: And it's just like you said, not even dead can 159 00:12:43,840 --> 00:12:51,720 Speaker 1: stop a true read. It's funny to think of you 160 00:12:51,840 --> 00:12:56,559 Speaker 1: in here now, Even this place, with all it's grandeer, 161 00:12:56,960 --> 00:12:59,800 Speaker 1: it couldn't stop your bones. From turning to the dust. 162 00:13:00,080 --> 00:13:17,240 Speaker 1: M maybe that warmer, cold dead heart, you bitch. I 163 00:13:17,240 --> 00:13:19,600 Speaker 1: should be able to buy these with the reek of bars, 164 00:13:19,679 --> 00:13:21,760 Speaker 1: especially when the cell may have rusted, and they'll be 165 00:13:21,800 --> 00:13:25,520 Speaker 1: strong enough. That's the idea, strong enough to hold something 166 00:13:25,520 --> 00:13:27,560 Speaker 1: that can break through change? What kind of thing can 167 00:13:27,559 --> 00:13:36,320 Speaker 1: break through change? All right, Isaiah, if we worked through 168 00:13:36,360 --> 00:13:40,000 Speaker 1: the night, we should finish in time and time for what? Right? 169 00:13:40,640 --> 00:13:53,079 Speaker 1: No questions, no answers, unlet's keep going, keep you right? Seriously, 170 00:13:53,520 --> 00:13:58,680 Speaker 1: who doesn't have Netflix? People like books or online poker? Well, 171 00:13:58,920 --> 00:14:02,400 Speaker 1: a missile doesn't strike me as the reading type. Probably 172 00:14:02,440 --> 00:14:08,840 Speaker 1: likes crime novels, romance novels when he's lonely. See that 173 00:14:09,000 --> 00:14:12,280 Speaker 1: is why I'm never having children. You always know exactly 174 00:14:12,320 --> 00:14:15,160 Speaker 1: what we wish. You didn't like little covert cocka roaches. 175 00:14:15,720 --> 00:14:17,840 Speaker 1: I take it it means there's no chance you're gonna 176 00:14:17,840 --> 00:14:24,280 Speaker 1: tell me what's going on with Isaiah zero? Like you're marine. 177 00:14:24,960 --> 00:14:29,160 Speaker 1: Like Isaiah. We were stationed in Afghanistan together. We became 178 00:14:30,000 --> 00:14:35,280 Speaker 1: really close over there. Did you like hook up or something? No, 179 00:14:35,760 --> 00:14:40,240 Speaker 1: we didn't like hook up or something. God, aren't you 180 00:14:40,360 --> 00:14:46,280 Speaker 1: like ten twelve? Same thing? Isaiah is basically my brother. Besides, 181 00:14:47,080 --> 00:14:49,560 Speaker 1: women are far more fascinating to me than some Harry 182 00:14:49,600 --> 00:14:52,880 Speaker 1: dood trying to poke me with this. Sorry, it's okay, 183 00:14:53,000 --> 00:14:56,400 Speaker 1: I know what a penis is. Stupid. I'm not sure 184 00:14:56,440 --> 00:15:00,120 Speaker 1: your mom would approve of my influence. Yeah, well, my 185 00:15:00,200 --> 00:15:02,400 Speaker 1: mom's not one a Mother of the Year or anything 186 00:15:03,080 --> 00:15:06,640 Speaker 1: compared to any mom I've had. She seems pretty great. 187 00:15:07,000 --> 00:15:09,800 Speaker 1: She abandoned me here with Poppy. I haven't seen her 188 00:15:09,840 --> 00:15:15,880 Speaker 1: in days, Is that true? Yeah? Uh, well, your grandpa 189 00:15:15,960 --> 00:15:18,640 Speaker 1: was a cop. She probably thinks you're pretty safe with him. 190 00:15:18,880 --> 00:15:21,680 Speaker 1: Can you at least tell me it's my uncle? Okay? 191 00:15:22,440 --> 00:15:26,400 Speaker 1: What makes you think he's not everything? He's been different 192 00:15:26,440 --> 00:15:30,040 Speaker 1: ever since he came back from the woods. Yeah, God, 193 00:15:31,760 --> 00:15:34,120 Speaker 1: camping trip turned out to be a raw deal for you, 194 00:15:34,160 --> 00:15:36,600 Speaker 1: didn't it. I know a lot of people don't think 195 00:15:36,600 --> 00:15:39,480 Speaker 1: so all the time, But I say he's a good person. 196 00:15:40,080 --> 00:15:42,320 Speaker 1: He has a good heart, and I think people with 197 00:15:42,400 --> 00:15:45,800 Speaker 1: good hearts and will even if what they do is wrong. 198 00:15:45,920 --> 00:15:50,720 Speaker 1: Sometimes that's a nice sentiment, kid, but life isn't that simple. 199 00:15:51,280 --> 00:15:54,400 Speaker 1: Sometimes good hearts do bad things just like bad hearts 200 00:15:54,440 --> 00:15:56,960 Speaker 1: do good things. It's better to go through life thinking 201 00:15:56,960 --> 00:16:00,480 Speaker 1: everyone's gonna screw you over. Sometime you can't trust the anybody. 202 00:16:00,920 --> 00:16:04,480 Speaker 1: So you're saying I shouldn't trust you. No, you shouldn't. 203 00:16:05,520 --> 00:16:10,000 Speaker 1: Ship that's me. I have to go what you can't 204 00:16:10,040 --> 00:16:12,280 Speaker 1: leave me alone. Now that I know that you're twelve, 205 00:16:12,320 --> 00:16:14,840 Speaker 1: I feel way less guilty about this. I was home 206 00:16:14,920 --> 00:16:17,160 Speaker 1: by myself way before that. But as I said, you 207 00:16:17,160 --> 00:16:19,080 Speaker 1: need to stay here and keep me safe. I really 208 00:16:19,120 --> 00:16:23,360 Speaker 1: don't have a choice. Look, your grandpa will be back soon. 209 00:16:23,720 --> 00:16:26,200 Speaker 1: In the meantime, if you get scared, hide in the closet. 210 00:16:26,440 --> 00:16:30,560 Speaker 1: The way back always worked for me. You'll be fine, 211 00:16:30,800 --> 00:16:50,480 Speaker 1: I promise. Almost there. Ah, there she is? Are you 212 00:16:50,480 --> 00:16:55,880 Speaker 1: holding up down there? Isaiah? How much longer? Just the 213 00:16:56,000 --> 00:17:02,400 Speaker 1: last coper there? As good as this? Your grandfather always 214 00:17:02,400 --> 00:17:04,560 Speaker 1: said I had him back for it. Why didn't you 215 00:17:04,680 --> 00:17:07,280 Speaker 1: keep his business? Well, it was because of that summer 216 00:17:07,320 --> 00:17:10,760 Speaker 1: actually working on this jail house. There was some protests 217 00:17:10,760 --> 00:17:12,960 Speaker 1: a few counties over. I wasn't allowed to go, but 218 00:17:13,040 --> 00:17:16,439 Speaker 1: a bunch of my friends did, got themselves arrested. Some 219 00:17:16,520 --> 00:17:18,800 Speaker 1: of them trickled back the next day or so. Others 220 00:17:18,880 --> 00:17:22,119 Speaker 1: we didn't see for weeks, And when they came back, 221 00:17:22,560 --> 00:17:24,760 Speaker 1: it was like the fight was beating out of them. 222 00:17:24,800 --> 00:17:28,000 Speaker 1: They weren't ever the same. Really, I couldn't get what 223 00:17:28,200 --> 00:17:31,040 Speaker 1: happened to them out of my mind. But I still 224 00:17:31,080 --> 00:17:33,680 Speaker 1: had to come back here, and as we put up 225 00:17:33,720 --> 00:17:36,679 Speaker 1: sell after sell, I decided I wanted to be the 226 00:17:36,680 --> 00:17:38,480 Speaker 1: one on the outside of the bars instead of the 227 00:17:38,520 --> 00:17:42,600 Speaker 1: one behind them. Sure, that's why I was such a disappointment. No, no, 228 00:17:42,880 --> 00:17:46,040 Speaker 1: it's why I envied you. You don't let fair rule. 229 00:17:46,119 --> 00:17:49,840 Speaker 1: You never have. It's what I admired about your mother too. 230 00:17:50,400 --> 00:17:52,840 Speaker 1: I might not always understand you, but I admire you. 231 00:17:53,000 --> 00:18:05,600 Speaker 1: Y Saia Ready, yeah, wait, browt up a minute? What 232 00:18:05,800 --> 00:18:13,359 Speaker 1: is it? Listen? Do you hear that character here? Hard? No? 233 00:18:13,600 --> 00:18:26,400 Speaker 1: Can I? Yeah? Yeah? H it's up? Wrong's hard? I think? 234 00:18:26,520 --> 00:18:33,600 Speaker 1: Can I keep going down? Fresh? No? What are we're doing? 235 00:18:34,480 --> 00:18:36,840 Speaker 1: Get out of there? And it's it? It beat time 236 00:18:36,920 --> 00:18:51,320 Speaker 1: to that finish it dead now Fresh? It's hard, all right, hard, 237 00:18:53,840 --> 00:19:02,520 Speaker 1: sw It's done. I say, are you all right? I'm 238 00:19:02,560 --> 00:19:08,000 Speaker 1: coming into step back? What are you doing here? Get 239 00:19:08,000 --> 00:19:10,520 Speaker 1: away from the law. He looks sick. I think it's 240 00:19:10,520 --> 00:19:13,400 Speaker 1: going to go back to your place. Jocelyn needs you 241 00:19:14,760 --> 00:19:18,119 Speaker 1: that nesto. I got it from here, but I'm not 242 00:19:18,160 --> 00:19:20,640 Speaker 1: going to let you open that cage. Now go Now 243 00:19:21,240 --> 00:19:28,560 Speaker 1: they go to Joshly. I'll be fine. Take care of him. 244 00:19:28,640 --> 00:19:30,800 Speaker 1: You were supposed to leave him, leave a twelve year 245 00:19:30,800 --> 00:19:33,960 Speaker 1: old alone, or let you go your dad. Pretty shitty options, Isaiah. 246 00:19:34,600 --> 00:19:41,120 Speaker 1: Are you turning? No? Not yet? Looks Turnny feels sturdy too. 247 00:19:41,280 --> 00:19:43,680 Speaker 1: You shouldn't stay in case they don't all. I won't 248 00:19:43,880 --> 00:20:09,720 Speaker 1: leave me the flashlight. Then it'll be pitch black out here. Goodbye, Isaiah. Okay, okay, yes, 249 00:20:10,000 --> 00:20:13,320 Speaker 1: Ms Morales, it's done. I did what you asked the ward. 250 00:20:13,400 --> 00:20:16,240 Speaker 1: Thanks you for your service, he said, this was the 251 00:20:16,240 --> 00:20:21,200 Speaker 1: only way. Yes, it is, I must admit. And all 252 00:20:21,200 --> 00:20:24,600 Speaker 1: the time we've been watching you, I never suspected you'd 253 00:20:24,600 --> 00:20:29,639 Speaker 1: be of use to us, not willingly anyway. Fuck you, lady. 254 00:20:30,080 --> 00:20:32,720 Speaker 1: I'm doing this for Isaiah. He doesn't want to live 255 00:20:32,760 --> 00:20:35,600 Speaker 1: like this. He did himself if he could. I wonder 256 00:20:36,359 --> 00:20:38,480 Speaker 1: would he have tried to take his own life if 257 00:20:38,480 --> 00:20:42,480 Speaker 1: he didn't know somewhere deep inside he would survive. I 258 00:20:42,520 --> 00:20:45,840 Speaker 1: suppose we won't ever really know. Now, you said, when 259 00:20:45,880 --> 00:20:49,560 Speaker 1: this is over, I'll be washed clean of everything. I 260 00:20:49,600 --> 00:20:52,520 Speaker 1: can go back to my life and leave all this behind. 261 00:20:53,200 --> 00:20:57,000 Speaker 1: We keep our promises. As long as you keep yours, 262 00:20:58,240 --> 00:21:00,919 Speaker 1: will it hurt when you kill him? When he suffer, 263 00:21:01,600 --> 00:21:05,399 Speaker 1: He's already suffering, and he'll only cause others to suffer 264 00:21:05,480 --> 00:21:09,320 Speaker 1: with him. You've done the right thing and it'll all 265 00:21:09,440 --> 00:21:13,760 Speaker 1: be over soon enough. And when it is, we'll set 266 00:21:13,800 --> 00:21:19,159 Speaker 1: you both free. You understand what I mean. We'll be 267 00:21:19,200 --> 00:21:44,920 Speaker 1: in touch. M hmm happy. The Closet cast said that 268 00:21:45,080 --> 00:21:59,919 Speaker 1: in the Closet Past, remember me from the Green Pimo 269 00:22:00,080 --> 00:22:03,280 Speaker 1: tell you were looking for your uncle when we agreed 270 00:22:03,320 --> 00:22:08,560 Speaker 1: to be strangers. Look, I'm sure I'm scaring the but 271 00:22:08,720 --> 00:22:12,280 Speaker 1: Jesus out of you, but your family is in grave danger, 272 00:22:13,680 --> 00:22:18,399 Speaker 1: and I think you know that. Your grandpa, your uncle, 273 00:22:19,240 --> 00:22:26,080 Speaker 1: your mother, they're in trouble. But we can help. I 274 00:22:26,200 --> 00:22:31,080 Speaker 1: just need you to trust me. Can you do that? 275 00:22:33,440 --> 00:22:41,680 Speaker 1: Will you come out here and trust me? What kind 276 00:22:41,720 --> 00:23:00,720 Speaker 1: of danger? Hello? Who's there? Ashley? Hello? Isaiah? No, no, 277 00:23:01,080 --> 00:23:04,080 Speaker 1: don't don't, don't unlock it. I've been looking for you. 278 00:23:04,720 --> 00:23:09,040 Speaker 1: How did you find me? Your cell phone? Family plan? Remember, 279 00:23:12,280 --> 00:23:18,240 Speaker 1: don't call to me closer. I'm sorry as I am, 280 00:23:18,240 --> 00:23:24,480 Speaker 1: but I can't let them kill you, not yet. Mm 281 00:23:24,560 --> 00:23:43,959 Speaker 1: hmmm hm ah. Dying is easy, but facing death facing 282 00:23:43,960 --> 00:23:48,600 Speaker 1: a lifetime of while you fell to atone for that's 283 00:23:48,600 --> 00:24:06,160 Speaker 1: the cross we all must bear in the end. Next 284 00:24:06,200 --> 00:24:11,119 Speaker 1: time on More Day Home, where are you? I can't 285 00:24:11,119 --> 00:24:17,320 Speaker 1: tell you, God damn it, are like that useless shit. 286 00:24:18,119 --> 00:24:24,120 Speaker 1: You're one of them. Let's go. I can't hold now. 287 00:24:38,800 --> 00:24:44,159 Speaker 1: I Heart Radio. Blom House Television and Crypt TV in 288 00:24:44,240 --> 00:24:51,000 Speaker 1: association with Wolf at the Door Present Mordo. Executive produced 289 00:24:51,080 --> 00:24:57,480 Speaker 1: by Jack Davis, Kate Krantz, Darren Brandle, Jason Blom, Chris Dickey, 290 00:24:58,160 --> 00:25:04,560 Speaker 1: Matt Frederick and Alex Williams. Written by Caitlin Crab, directed 291 00:25:04,560 --> 00:25:11,200 Speaker 1: by Alex Kemp, Produced by Toby Lawless, Winnie Kemp, Daniel 292 00:25:11,200 --> 00:25:18,680 Speaker 1: Pearson's co producers ben So Tack, Anthony Magnolo, Associate producer 293 00:25:19,119 --> 00:25:26,240 Speaker 1: Fererico Torrado. Starring j L Faons, Nicholson as Isaiah, Ashley 294 00:25:26,280 --> 00:25:34,359 Speaker 1: Platts as Ashley, Olivia Lott as Jocelyn, Yvonne Al as Michelle, 295 00:25:35,600 --> 00:25:43,760 Speaker 1: with performances by Tacy Adams, Ariella amar Jamie, Joseph kim Estes, 296 00:25:44,560 --> 00:25:51,320 Speaker 1: Patty Wilkins, Butch Klein. Sound designed by Dean Hovey. Original 297 00:25:51,400 --> 00:25:57,240 Speaker 1: score by Christopher Kemp, Mixing by Mark Scarce, edited by 298 00:25:57,280 --> 00:26:03,800 Speaker 1: Fernando Diaz, assist and engineer Noah's Sour, Recorded at Wolf 299 00:26:03,840 --> 00:26:10,720 Speaker 1: at the Door Studios. Casting consultant Michelle LeWitt, Production assistants 300 00:26:11,000 --> 00:26:17,840 Speaker 1: Hayley mckeckney and Sophia Guilberto, studio teacher Pearl Hika, Writing 301 00:26:17,880 --> 00:26:23,800 Speaker 1: assistant Bill Hanson. This podcast was recorded under a SAG 302 00:26:23,960 --> 00:26:28,879 Speaker 1: after collective bargaining agreement. Mordeo is a production of I 303 00:26:29,000 --> 00:26:34,720 Speaker 1: Heart Radio Blumhouse Television, Crypt TV. For more podcasts from 304 00:26:34,720 --> 00:26:39,360 Speaker 1: I heart Radio, visit the I heart Radio app, Apple Podcasts, 305 00:26:40,280 --> 00:26:42,679 Speaker 1: or wherever you listen to your favorite shows.