1 00:00:01,320 --> 00:00:04,800 Speaker 1: Welcome to Truth Hounds, a production of My Heart Radio. 2 00:00:07,160 --> 00:00:11,000 Speaker 1: I'm Anna and I've been unemployed for two years now, 3 00:00:11,800 --> 00:00:15,320 Speaker 1: so i really have nothing going on. And I'm Kyle, 4 00:00:15,880 --> 00:00:19,360 Speaker 1: and in middle school I received the ward most Enthusiastic 5 00:00:19,440 --> 00:00:22,840 Speaker 1: to Learn. So that makes me pretty special. And that 6 00:00:23,000 --> 00:00:26,680 Speaker 1: is what makes us the perfect investigative duo. We are 7 00:00:26,760 --> 00:00:30,080 Speaker 1: two friends who love each other very much, but what 8 00:00:30,240 --> 00:00:33,440 Speaker 1: we love even more is getting to the bottom of mysteries. 9 00:00:33,840 --> 00:00:39,479 Speaker 1: All mystery, sure, but small mysteries specifically. Trust me, No 10 00:00:39,680 --> 00:00:42,360 Speaker 1: mystery is too small. No, no, no, Why don't you 11 00:00:42,400 --> 00:00:45,159 Speaker 1: trust me when I tell you we are ready to 12 00:00:45,159 --> 00:00:55,080 Speaker 1: sniff around. We are the the truth Hounds. Previously on 13 00:00:55,200 --> 00:01:02,200 Speaker 1: Truth Hounds, my literal worth a here is to be canceled. 14 00:01:03,560 --> 00:01:09,479 Speaker 1: We would help Kyle overcome her fear of getting canceled. 15 00:01:10,440 --> 00:01:12,959 Speaker 1: I've written to think pieces about the men that did 16 00:01:13,000 --> 00:01:16,440 Speaker 1: the thing. You know, after the cancelation you do a 17 00:01:16,480 --> 00:01:20,440 Speaker 1: hard pit a to, all right, and this is the 18 00:01:20,600 --> 00:01:24,880 Speaker 1: place that cancel make human detritus. That's what I feel like. 19 00:01:25,920 --> 00:01:29,679 Speaker 1: If you were getting canceled, chances are you were on Twitter. 20 00:01:30,240 --> 00:01:48,520 Speaker 1: But what would Kyle tweet about? And then something happened? Hello, Hey, Kyle, Hi, yeah, 21 00:01:48,760 --> 00:01:53,320 Speaker 1: are you Are you busy? Um? A little bit? Why 22 00:01:53,400 --> 00:02:00,640 Speaker 1: what's up? Okay? Something just went down at the Oscars. Okay, okay, 23 00:01:59,800 --> 00:02:04,000 Speaker 1: I have to tell you about it. Okay, Well I'll 24 00:02:04,040 --> 00:02:07,560 Speaker 1: be right there. No, no, no, actually we shouldn't. Um, 25 00:02:07,600 --> 00:02:11,680 Speaker 1: we should just probably lay low. Um, do you want 26 00:02:11,760 --> 00:02:20,119 Speaker 1: to I'll come to you. Okay, Well i'll see you'll 27 00:02:20,520 --> 00:02:23,160 Speaker 1: be ready, yeah, yeah, I'll come yeah yeah yeah. Right 28 00:02:27,480 --> 00:02:29,760 Speaker 1: when you last left us, we were trying to figure 29 00:02:29,760 --> 00:02:33,160 Speaker 1: out how to cancel me. We knew it should probably 30 00:02:33,200 --> 00:02:37,400 Speaker 1: be a series of tweets about something topical. We had 31 00:02:37,440 --> 00:02:40,799 Speaker 1: a really hard time coming up with something because our 32 00:02:40,840 --> 00:02:45,680 Speaker 1: brains just didn't really work like that. Anna insisted that 33 00:02:45,720 --> 00:02:48,880 Speaker 1: we skipped the beach this week and meet immediately at 34 00:02:48,919 --> 00:02:56,280 Speaker 1: her house. There. She told me the news. Will Smith 35 00:02:56,360 --> 00:02:58,920 Speaker 1: takes a swing at Chris Rock on stage at the Oscar. 36 00:02:59,320 --> 00:03:02,280 Speaker 1: It all went down after Chris made crack and Will's wife, 37 00:03:02,360 --> 00:03:06,200 Speaker 1: Will Smith, striking him in the face. Overnight, Chris Rock 38 00:03:06,320 --> 00:03:08,320 Speaker 1: breaking his silence. In the wake of the Will Smith 39 00:03:08,320 --> 00:03:25,920 Speaker 1: Oscar slap. Episode seven, Kyle gets canceled, Part two. The 40 00:03:26,040 --> 00:03:30,520 Speaker 1: news about the Will Smith slap broke the internet and 41 00:03:30,639 --> 00:03:35,280 Speaker 1: people were really upset about it. On both sides, it 42 00:03:35,360 --> 00:03:39,960 Speaker 1: seemed to be a truly divisive issue. It seemed like 43 00:03:40,000 --> 00:03:43,120 Speaker 1: to have any opinion about it was putting you at 44 00:03:43,200 --> 00:03:49,040 Speaker 1: risk of upsetting someone. And that's when we had an idea. 45 00:03:49,680 --> 00:03:52,800 Speaker 1: I would have a strong opinion about the slap, make 46 00:03:52,840 --> 00:03:57,040 Speaker 1: it known in tweet form, and that would for sure 47 00:03:58,200 --> 00:04:08,320 Speaker 1: get me canceled. So we finally had a plan. We 48 00:04:08,560 --> 00:04:11,280 Speaker 1: would get Kyle to fire off a few tweets about 49 00:04:11,320 --> 00:04:15,600 Speaker 1: the slab and that would for sure get her canceled. 50 00:04:17,080 --> 00:04:21,480 Speaker 1: But what kinds of things would she tweet? The truth was, 51 00:04:21,880 --> 00:04:25,520 Speaker 1: neither Kyle nor I were particularly skilled a topical humor. 52 00:04:26,720 --> 00:04:28,960 Speaker 1: I mean, if you needed a joke about a cute 53 00:04:28,960 --> 00:04:32,960 Speaker 1: pig getting kidnapped by a friendly family of crows, hey, 54 00:04:33,279 --> 00:04:35,600 Speaker 1: I'll have a packet written for you called murder. She 55 00:04:35,800 --> 00:04:40,919 Speaker 1: point by end of the day. But this was not 56 00:04:41,200 --> 00:04:45,840 Speaker 1: that we needed her to be thinking quick, mean and 57 00:04:45,920 --> 00:04:50,440 Speaker 1: current like a real stand up comic. Have you ever 58 00:04:50,480 --> 00:04:55,719 Speaker 1: seen those guys? Something will happen that day, and no lie, 59 00:04:56,320 --> 00:04:58,440 Speaker 1: by the time they hit the stage later that night, 60 00:04:59,440 --> 00:05:01,920 Speaker 1: they'll have a two to three minutes to say about it. 61 00:05:03,520 --> 00:05:11,560 Speaker 1: Damn they were good, these guys. I honestly didn't think 62 00:05:11,600 --> 00:05:15,040 Speaker 1: that I could do that. But maybe we could find someone, 63 00:05:16,080 --> 00:05:19,880 Speaker 1: you know, a real stand up comic, and maybe they 64 00:05:19,880 --> 00:05:24,080 Speaker 1: could help, you know, give me some pointers, or they 65 00:05:24,080 --> 00:05:26,920 Speaker 1: could write the jokes, or maybe they could do the tweeting, 66 00:05:27,200 --> 00:05:29,640 Speaker 1: or hey, maybe they could even use their own account 67 00:05:29,680 --> 00:05:33,000 Speaker 1: and tweet and they're the one that gets canceled. Kyle, 68 00:05:33,800 --> 00:05:36,800 Speaker 1: you are getting canceled. You're not getting out of this, 69 00:05:38,120 --> 00:05:42,080 Speaker 1: but you know what you are right? Maybe we should 70 00:05:42,200 --> 00:05:47,520 Speaker 1: hire someone to write the tweets? Fine, but Anna, can 71 00:05:47,600 --> 00:05:53,680 Speaker 1: I say something? Of course? What is it? Um? I 72 00:05:53,800 --> 00:05:57,360 Speaker 1: really don't want to do this, And onward we marched, 73 00:05:58,160 --> 00:06:01,279 Speaker 1: are you even listening to me? This was a great 74 00:06:01,640 --> 00:06:09,200 Speaker 1: starting point. The updated plan. We would find a real 75 00:06:09,360 --> 00:06:13,839 Speaker 1: stand up comedian who does topical material and hire them 76 00:06:13,880 --> 00:06:17,640 Speaker 1: to write us some tweets about the slap so that 77 00:06:17,760 --> 00:06:22,560 Speaker 1: Kyle would in turn get canceled. I spent the week 78 00:06:22,640 --> 00:06:28,039 Speaker 1: researching the local comedy scene. Who was performing where, who 79 00:06:28,120 --> 00:06:31,240 Speaker 1: was up and coming, who showed a lot of promise? 80 00:06:32,680 --> 00:06:38,800 Speaker 1: And I landed upon someone who would be perfect. I 81 00:06:38,880 --> 00:06:42,280 Speaker 1: saw that they were performing soon, so I called up 82 00:06:42,320 --> 00:06:46,040 Speaker 1: the theater gave them my credit card information over the phone, 83 00:06:47,000 --> 00:06:49,640 Speaker 1: and asked them to rope us off two of their 84 00:06:49,720 --> 00:06:55,679 Speaker 1: finest seats right there in the front, so that Kyle 85 00:06:55,720 --> 00:07:03,120 Speaker 1: and I wouldn't miss a thing. M And when that said, 86 00:07:03,160 --> 00:07:08,720 Speaker 1: are you ready to get the shot? Put your heads 87 00:07:08,760 --> 00:07:12,280 Speaker 1: together for your motherfucking horse now homed, motherfucking Windberg in 88 00:07:12,320 --> 00:07:27,040 Speaker 1: the house. Yeah, thank you. My grandma died. She did. 89 00:07:29,120 --> 00:07:33,880 Speaker 1: His name was a Hommed Winberg. And he was awesome, 90 00:07:34,840 --> 00:07:40,360 Speaker 1: and not that it was about this. And he was gorgeous, 91 00:07:42,920 --> 00:07:47,360 Speaker 1: fiery red hair, a shade of red that was so 92 00:07:47,440 --> 00:07:54,080 Speaker 1: bright that it could light up any night. Like if 93 00:07:54,120 --> 00:07:56,840 Speaker 1: you were on a quest where you had to travel 94 00:07:56,960 --> 00:08:00,240 Speaker 1: by foot by night, you could put him and to 95 00:08:00,360 --> 00:08:04,000 Speaker 1: the front of the quest. He would instantly provide light 96 00:08:04,240 --> 00:08:09,920 Speaker 1: for the rest of the pack following suit. But if 97 00:08:09,960 --> 00:08:13,560 Speaker 1: you caught wind of the enemy approaching, you would need 98 00:08:13,600 --> 00:08:16,960 Speaker 1: to immediately tackle him to the ground and cover him 99 00:08:17,080 --> 00:08:24,760 Speaker 1: with sheets of burlap lest the enemy see his light 100 00:08:25,200 --> 00:08:36,040 Speaker 1: and know your location. Worth beginning to show, my grandma 101 00:08:36,080 --> 00:08:39,200 Speaker 1: did die this year. It wasn't COVID. It wasn't COVID, 102 00:08:39,360 --> 00:08:44,960 Speaker 1: thank god, it was. It was a vaccine. This guy 103 00:08:45,679 --> 00:08:49,600 Speaker 1: was good. As soon as he was done, we left 104 00:08:49,600 --> 00:09:01,000 Speaker 1: our front row seats and rushed backstage to meet him. Hey, hey, 105 00:09:01,600 --> 00:09:11,200 Speaker 1: that was really good. Thanks, I'm Hannah, nice to meet you. Yeah, 106 00:09:11,240 --> 00:09:16,840 Speaker 1: you were great. And we actually we're wondering, Um, we're 107 00:09:16,840 --> 00:09:19,480 Speaker 1: looking for a very kind of specific type of comic 108 00:09:19,679 --> 00:09:23,560 Speaker 1: who is great at crafting jokes. We're kind of like 109 00:09:23,600 --> 00:09:27,400 Speaker 1: a job. I think we're looking for maybe like seven 110 00:09:27,480 --> 00:09:31,840 Speaker 1: tweets seven seven tweets to get canceled yet okay, and 111 00:09:31,920 --> 00:09:35,360 Speaker 1: like they can be offensive or like should be okay, 112 00:09:35,720 --> 00:09:38,200 Speaker 1: everything can maybe be good. I know, you tell us, 113 00:09:38,280 --> 00:09:40,880 Speaker 1: because that seems only the comedy works is that should 114 00:09:40,920 --> 00:09:43,040 Speaker 1: be about some type of card that if we're talking 115 00:09:43,080 --> 00:09:45,240 Speaker 1: about you want me to write seven tweets about the 116 00:09:45,320 --> 00:09:54,440 Speaker 1: Chris Rock thing for you for free? Yeah? Yeah. He 117 00:09:54,559 --> 00:09:58,560 Speaker 1: seemed to be on board, but before putting the keys 118 00:09:58,600 --> 00:10:02,200 Speaker 1: into the ignition room room, he had one more question 119 00:10:02,240 --> 00:10:05,520 Speaker 1: for us. Will this get back to me in any way? Like, 120 00:10:05,679 --> 00:10:08,920 Speaker 1: are you gonna credit me for the offensive? No? Not 121 00:10:09,000 --> 00:10:14,120 Speaker 1: at home. We could see it in his eyes, Ahamed, 122 00:10:15,040 --> 00:10:19,520 Speaker 1: just like the rest of us, was scared of getting canceled. 123 00:10:21,200 --> 00:10:24,000 Speaker 1: We assured him the only person here who would be 124 00:10:24,000 --> 00:10:29,120 Speaker 1: getting canceled it was going to be Kyle Um Hannah 125 00:10:29,440 --> 00:10:33,280 Speaker 1: and onward we marched. A couple of days went by 126 00:10:33,360 --> 00:10:40,280 Speaker 1: before a Hammed delivered the goods, well some of the goods. Honestly, 127 00:10:40,960 --> 00:10:44,960 Speaker 1: the process wasn't as seamless as one would hope. I 128 00:10:45,000 --> 00:10:47,360 Speaker 1: thought he would kind of deliver the tweets typed on 129 00:10:47,400 --> 00:10:50,680 Speaker 1: a master document sealed in a Manila envelope placed on 130 00:10:50,720 --> 00:10:54,640 Speaker 1: our desk by end of day Sunday, But it honestly 131 00:10:54,679 --> 00:10:57,040 Speaker 1: seemed like he forgot he had agreed to do this 132 00:10:58,160 --> 00:11:02,360 Speaker 1: and even meeting us in the first place. So after 133 00:11:02,520 --> 00:11:07,480 Speaker 1: much prodding via text, he finally started slowly texting as 134 00:11:07,520 --> 00:11:14,120 Speaker 1: the tweets one at a time, at really weird times too. 135 00:11:15,559 --> 00:11:17,480 Speaker 1: Sometimes I would be a target and I would get 136 00:11:17,520 --> 00:11:19,040 Speaker 1: one of his text and be like, oh my god, 137 00:11:19,080 --> 00:11:23,200 Speaker 1: Oh my god. I hope nobody saw that anyway. As 138 00:11:23,240 --> 00:11:26,560 Speaker 1: the text slowly started coming in, it was my job 139 00:11:26,600 --> 00:11:30,040 Speaker 1: to start tweeting from my account, and I got to 140 00:11:30,080 --> 00:11:38,880 Speaker 1: be honest, it was hard. Listen for yourself. I am 141 00:11:38,920 --> 00:11:46,320 Speaker 1: about to uh tweet out my first tweet. Um that 142 00:11:46,480 --> 00:11:50,760 Speaker 1: is going to get me canceled, and I'm really nervous. Um. 143 00:11:50,880 --> 00:11:55,679 Speaker 1: I believe my last tweet was in like two thousand seventeen, 144 00:11:56,000 --> 00:12:03,240 Speaker 1: so he yeah, and I'm also just scared about getting canceled. 145 00:12:03,880 --> 00:12:09,679 Speaker 1: So there's that. But before I could even get that 146 00:12:09,720 --> 00:12:17,600 Speaker 1: first tweet out, I immediately encountered a hurdle. I don't 147 00:12:17,640 --> 00:12:21,520 Speaker 1: even know how to send out this tweet. So I've 148 00:12:21,559 --> 00:12:23,760 Speaker 1: been on here just trying to figure it out. I 149 00:12:23,800 --> 00:12:32,199 Speaker 1: can't even figure out how to even tweet this. Shoot. 150 00:12:32,280 --> 00:12:44,440 Speaker 1: I might have to call Hannah. Okay, hello him. Sorry. 151 00:12:44,480 --> 00:12:46,720 Speaker 1: I know you think I'm probably going to be joking 152 00:12:46,840 --> 00:12:52,200 Speaker 1: right now, but I literally can't figure out how to tweak. Oh, 153 00:12:52,280 --> 00:12:54,880 Speaker 1: I just you know what. I'm so stutie. I see it. 154 00:12:54,960 --> 00:13:02,400 Speaker 1: Finally it's the big BLUs signac. Oh gosh, you're adding 155 00:13:03,040 --> 00:13:06,439 Speaker 1: looking and go adding something to the world. That's so 156 00:13:06,600 --> 00:13:09,640 Speaker 1: fun the world is. I guess we can tell me 157 00:13:09,760 --> 00:13:13,800 Speaker 1: the tweet. Yeah, hold on, let me just okay, So 158 00:13:13,920 --> 00:13:18,400 Speaker 1: here's the tweet. I said. I'm right, Will Smith could 159 00:13:18,440 --> 00:13:23,840 Speaker 1: smack me. I wouldn't mind winky phase hashtag the smack, 160 00:13:24,080 --> 00:13:26,760 Speaker 1: which is actually a hashtag that exists. So I'm not 161 00:13:26,880 --> 00:13:30,000 Speaker 1: the first one. They're not the first one. No, I 162 00:13:30,040 --> 00:13:32,440 Speaker 1: think there's no doubt in my mind that you're not 163 00:13:32,480 --> 00:13:36,520 Speaker 1: the free person to tweet about the smack. Okay, I 164 00:13:36,559 --> 00:13:42,480 Speaker 1: think you're adding to a very sizable pool of discourse. Okay, Um, 165 00:13:42,559 --> 00:13:47,640 Speaker 1: you are kind of cornering a pretty interesting um take 166 00:13:47,720 --> 00:13:52,600 Speaker 1: on it. I think you're I mean, I do think 167 00:13:52,600 --> 00:13:56,880 Speaker 1: you're in the right path. Um, how do you feel. 168 00:13:58,280 --> 00:14:02,000 Speaker 1: I'm definitely nervous. I'm wondering if I should add, like 169 00:14:02,040 --> 00:14:04,559 Speaker 1: a little bit of my own signature or no. I 170 00:14:04,640 --> 00:14:06,920 Speaker 1: guess not because it's not I don't think so. Yeah. 171 00:14:07,440 --> 00:14:10,720 Speaker 1: I think as little of your own signature as possible. Okay, 172 00:14:12,520 --> 00:14:22,520 Speaker 1: you know, no offense, but your signature wasn't really working. Yeah, yeah, okay, 173 00:14:22,520 --> 00:14:26,760 Speaker 1: I just tweeted it. God, keep in mind this is 174 00:14:26,800 --> 00:14:31,360 Speaker 1: just the first step and not home campaign. And yeah, 175 00:14:31,960 --> 00:14:48,400 Speaker 1: I'm right there with you, and it's okay. I know 176 00:14:48,560 --> 00:14:51,200 Speaker 1: things are getting really good, but we have to take 177 00:14:51,240 --> 00:14:55,800 Speaker 1: a break for some ads. And the ad break is over. 178 00:14:56,360 --> 00:15:05,120 Speaker 1: Back to it. Before I got off the phone with Anna, 179 00:15:05,480 --> 00:15:08,760 Speaker 1: she dropped one last bomb on me. I want you 180 00:15:08,800 --> 00:15:12,560 Speaker 1: to know that I might not like it, oh God, 181 00:15:13,600 --> 00:15:17,360 Speaker 1: but I will probably interact with it. Oh God. I 182 00:15:17,520 --> 00:15:19,800 Speaker 1: just don't be offended when I don't like it. Oh 183 00:15:19,880 --> 00:15:24,480 Speaker 1: my god, I'm gonna get canceled. Anna was talking about 184 00:15:24,600 --> 00:15:29,160 Speaker 1: not clicking like on my tweet. We all know that 185 00:15:29,200 --> 00:15:32,960 Speaker 1: when someone clicks like on your tweet, they're attaching an 186 00:15:33,040 --> 00:15:38,560 Speaker 1: endorsement to you. They're saying I'm with her. So this 187 00:15:38,680 --> 00:15:46,760 Speaker 1: was really hard to take. My tweet had been live 188 00:15:46,880 --> 00:15:50,760 Speaker 1: for less than a minute now, and Anna was already 189 00:15:50,840 --> 00:15:55,640 Speaker 1: distancing herself from me. I mean, this person was my rock. 190 00:15:58,360 --> 00:16:01,680 Speaker 1: If she wasn't going to stand beside me, who would. 191 00:16:04,120 --> 00:16:09,440 Speaker 1: She wished me luck and hung up. Okay, well, good luck, okay. 192 00:16:09,480 --> 00:16:18,200 Speaker 1: By my initial feeling was that this wasn't a good idea, 193 00:16:19,320 --> 00:16:24,200 Speaker 1: and my initial feeling was starting to feel right after 194 00:16:24,320 --> 00:16:31,640 Speaker 1: launching the first tweet, I was starting to spiral. Um. 195 00:16:31,880 --> 00:16:38,480 Speaker 1: I literally feel like I'm having an anxiety attack. Um 196 00:16:38,480 --> 00:16:46,440 Speaker 1: tweeting out that tweet. I just it's just crazy because 197 00:16:46,440 --> 00:16:54,080 Speaker 1: I haven't tweeted since two thousand four. Yeah, you really 198 00:16:54,120 --> 00:17:02,560 Speaker 1: are spiraling because you're lying. I corrected myself are two 199 00:17:02,560 --> 00:17:05,639 Speaker 1: thousand seventeen. And then all of a sudden, I come 200 00:17:05,640 --> 00:17:09,760 Speaker 1: out of the woodwork and I'm saying, um, my piece 201 00:17:09,840 --> 00:17:16,240 Speaker 1: about the Will Smith slap. I just I god, I wow, 202 00:17:16,800 --> 00:17:22,639 Speaker 1: I don't know what to say. Despite my feelings of anxiety, 203 00:17:23,520 --> 00:17:26,000 Speaker 1: I stuck to the plan and fired off a few 204 00:17:26,000 --> 00:17:36,000 Speaker 1: more tweets. They were he got into one little fight 205 00:17:36,440 --> 00:17:42,000 Speaker 1: in Hollywood, got scared dot dot dot, I am legend. 206 00:17:42,760 --> 00:17:48,000 Speaker 1: Yes you are, sir for smacking Chris Rock And finally 207 00:17:48,359 --> 00:17:56,520 Speaker 1: the last tweet more like the pursuit of slappiness. So 208 00:17:56,880 --> 00:18:03,359 Speaker 1: the tweets had been tweeted, and nightfall came. You know, 209 00:18:03,480 --> 00:18:08,440 Speaker 1: a lot of cancelations actually happen overnight. The person wakes 210 00:18:08,520 --> 00:18:13,080 Speaker 1: up in the morning. Their phone is set ablaze with notifications, 211 00:18:13,480 --> 00:18:22,439 Speaker 1: family members demanding answers, complete strangers threatening your life. Wait, 212 00:18:23,080 --> 00:18:30,280 Speaker 1: where are you recording this right now? Um? I am 213 00:18:30,400 --> 00:18:38,400 Speaker 1: just somewhere. Don't don't worry about him. Any night came 214 00:18:38,760 --> 00:18:42,560 Speaker 1: and it went and at last, oh it was morning. 215 00:18:45,600 --> 00:18:50,239 Speaker 1: Are you distancing yourself from me? Because it feels like 216 00:18:50,320 --> 00:18:55,680 Speaker 1: that's why you're not here recording this. No, no, no, 217 00:18:55,720 --> 00:19:10,920 Speaker 1: I'm cool anyway, so is written here it was morning. Um, 218 00:19:10,960 --> 00:19:13,800 Speaker 1: I woke up this morning and I think I got 219 00:19:14,560 --> 00:19:21,159 Speaker 1: gained two new followers. And weirdly, it seems like people 220 00:19:21,320 --> 00:19:27,240 Speaker 1: really like in the Pursuit of slappiness and just I 221 00:19:27,280 --> 00:19:34,760 Speaker 1: don't get it. Strangely, Kyle's tweets, we're actually generating a 222 00:19:34,880 --> 00:19:39,560 Speaker 1: positive response. Is this what Megan was warning us about 223 00:19:40,400 --> 00:19:44,560 Speaker 1: increased fanfare? But I thought that part was supposed to 224 00:19:44,600 --> 00:19:48,720 Speaker 1: happen after the cancelation, we decided it was too early 225 00:19:48,760 --> 00:19:51,359 Speaker 1: to make a call either way and to stick with 226 00:19:51,480 --> 00:19:55,080 Speaker 1: the plan for now. A couple of days went by, 227 00:19:56,280 --> 00:19:58,959 Speaker 1: and then Kyle was about to fire off a tweet 228 00:19:59,720 --> 00:20:08,760 Speaker 1: that felt too controversial for her. You're you're sitting, okay, 229 00:20:08,800 --> 00:20:13,320 Speaker 1: so tell me the tweet again. Okay. So the tweet is, um, 230 00:20:13,359 --> 00:20:19,520 Speaker 1: hold on. It says why didn't he slapped the rock instead? 231 00:20:19,720 --> 00:20:22,760 Speaker 1: Question mark? We could have finally smelled what he was cooking? 232 00:20:22,840 --> 00:20:26,399 Speaker 1: Dot dot dot A dead Will Smith. Yeah. I just 233 00:20:26,400 --> 00:20:30,680 Speaker 1: don't feel comfortable saying a dead Will Smith. I think 234 00:20:30,720 --> 00:20:35,000 Speaker 1: that that's actually that's messed up. Why do you think 235 00:20:35,000 --> 00:20:40,119 Speaker 1: it's messed up? Because you should never imply someone's dead. 236 00:20:41,040 --> 00:20:44,080 Speaker 1: I think if you apply someone's dead, it's like that's 237 00:20:44,160 --> 00:20:48,840 Speaker 1: just like really offensive. Like if someone if I saw 238 00:20:48,880 --> 00:20:52,160 Speaker 1: a tweet and it said, like, oh, what's in there? 239 00:20:52,600 --> 00:20:58,760 Speaker 1: A dead Kyle Mazzono, I would freak out. I think 240 00:20:58,800 --> 00:21:01,560 Speaker 1: that if someone were like it depends depends on the 241 00:21:01,560 --> 00:21:04,760 Speaker 1: context of the tweet. If the if it's like I 242 00:21:04,800 --> 00:21:08,639 Speaker 1: want you dead Kyle the Zone. Oh if that's kind 243 00:21:08,680 --> 00:21:13,480 Speaker 1: of the underlying message, then yes, Like to me, what 244 00:21:13,520 --> 00:21:16,320 Speaker 1: you're saying, a dead Will Smith seems like you know 245 00:21:16,400 --> 00:21:21,840 Speaker 1: when in Aaron Carter's Aaron's Party, come get It, the 246 00:21:21,960 --> 00:21:24,959 Speaker 1: parents find out that he had a party, and he's like, 247 00:21:25,040 --> 00:21:27,239 Speaker 1: I'll be dead if my parents find out I had 248 00:21:27,280 --> 00:21:29,879 Speaker 1: a party. You know what I'm saying, it's dead in 249 00:21:29,920 --> 00:21:32,320 Speaker 1: like that context more than it is like I will 250 00:21:32,320 --> 00:21:36,000 Speaker 1: physically kill Will Smith. Well, then I think it's a 251 00:21:35,600 --> 00:21:38,600 Speaker 1: figure of speech that's like I'm toast. The way that 252 00:21:38,640 --> 00:21:41,800 Speaker 1: I'm reading reading it is like you are literally putting 253 00:21:41,800 --> 00:21:44,840 Speaker 1: an emphasis on that in a way that's not what 254 00:21:44,880 --> 00:21:50,920 Speaker 1: the tweet says to me. Yeah, I just I don't know. Yeah, 255 00:21:51,000 --> 00:21:53,040 Speaker 1: it's just this one is like kind of stressing me out. 256 00:21:53,200 --> 00:21:55,440 Speaker 1: I don't really want to do it. Well, I think 257 00:21:55,480 --> 00:21:57,600 Speaker 1: that's the reason why you should do it, because the 258 00:21:57,640 --> 00:22:00,760 Speaker 1: other ones have not been effective. Frankly, I mean, I'm 259 00:22:00,800 --> 00:22:04,520 Speaker 1: sorry to be I don't want to be, but I 260 00:22:04,560 --> 00:22:06,240 Speaker 1: doesn't have a feeling I'm going to tweet it and 261 00:22:06,240 --> 00:22:08,439 Speaker 1: then behind my back you're going to respond to it 262 00:22:08,480 --> 00:22:11,200 Speaker 1: and be like I haven't done anything behind your back. 263 00:22:17,080 --> 00:22:21,120 Speaker 1: Anna just wasn't getting it. I mean, let's be honest, 264 00:22:22,480 --> 00:22:26,680 Speaker 1: she wasn't the one putting herself on the line. This 265 00:22:26,800 --> 00:22:30,119 Speaker 1: whole process of me getting canceled was really starting to 266 00:22:30,160 --> 00:22:33,960 Speaker 1: scare me. If people didn't like my latest take on 267 00:22:34,000 --> 00:22:37,520 Speaker 1: the Will Smith slap, my life could really be over. 268 00:22:38,960 --> 00:22:43,640 Speaker 1: Say goodbye to this podcast, to my friends, to my family, 269 00:22:44,280 --> 00:22:49,240 Speaker 1: but to my basketball team. Seriously, I might never dribble 270 00:22:49,240 --> 00:22:53,360 Speaker 1: on a court again. Despite wanting to quit this sick 271 00:22:53,440 --> 00:22:58,400 Speaker 1: little experiment right then and there, Anna wouldn't let me. 272 00:22:59,280 --> 00:23:03,240 Speaker 1: We had to finished this investigation, even if it meant 273 00:23:03,720 --> 00:23:06,920 Speaker 1: burning my life to the ground. Why are you giving 274 00:23:06,960 --> 00:23:09,400 Speaker 1: me attitude? I'm not giving you attitude. Give me attitude 275 00:23:09,520 --> 00:23:13,800 Speaker 1: right down, the one who's sucking putting themselves on the line. Okay, sorry, 276 00:23:13,920 --> 00:23:16,480 Speaker 1: I don't. It's not about us or whatever. I know. 277 00:23:16,600 --> 00:23:19,520 Speaker 1: So I feeling I'm really putting myself on the line here, 278 00:23:19,520 --> 00:23:24,440 Speaker 1: and I'm freaking out. I love you, but I just 279 00:23:24,480 --> 00:23:29,399 Speaker 1: said this is really it's it's I'm putting myself at risk. 280 00:23:29,560 --> 00:23:32,880 Speaker 1: So I just understand, like, shit, you know what, I'm 281 00:23:32,880 --> 00:23:36,480 Speaker 1: not in your shoes. I'm kind of I'm tweeting it 282 00:23:41,920 --> 00:23:47,040 Speaker 1: this was really starting to wear on us. Okay, but 283 00:23:47,680 --> 00:23:51,120 Speaker 1: where are you recording this? By the way, we had 284 00:23:51,160 --> 00:23:55,400 Speaker 1: to keep going. We still hadn't received the reaction we 285 00:23:55,400 --> 00:24:03,920 Speaker 1: were looking for. But honestly, this was tough because a 286 00:24:04,000 --> 00:24:12,000 Speaker 1: Hamed's tweets they ran out and now we were kind 287 00:24:12,000 --> 00:24:17,280 Speaker 1: of on our own. Um No, actually, Kyle, Kyle was 288 00:24:17,320 --> 00:24:21,439 Speaker 1: on her own. After that blowout in the car, I 289 00:24:21,520 --> 00:24:25,120 Speaker 1: just kind of backed off. I had a feeling if 290 00:24:25,200 --> 00:24:28,760 Speaker 1: she did it on her own, it would just kind 291 00:24:28,800 --> 00:24:33,240 Speaker 1: of work itself out. I took a step back and 292 00:24:33,280 --> 00:24:43,800 Speaker 1: thought about the other stuff. Deep macromy what's he doing anyway? Meanwhile, Kyle, 293 00:24:45,600 --> 00:24:56,520 Speaker 1: she continued to tweet into the void. It had been 294 00:24:56,600 --> 00:24:59,359 Speaker 1: six weeks since this process had started, and we had 295 00:24:59,440 --> 00:25:06,840 Speaker 1: launched I's cancelation campaign six weeks and who could forget 296 00:25:06,920 --> 00:25:13,120 Speaker 1: her first tweet tweeted by the way at PM, will 297 00:25:13,119 --> 00:25:19,520 Speaker 1: Smith get smacked me? I wouldn't mind winky phase hashtag 298 00:25:19,680 --> 00:25:26,600 Speaker 1: the smack. I really hope you understand the gravity of 299 00:25:26,600 --> 00:25:31,320 Speaker 1: how long we were doing this for. Remember, Kyle had 300 00:25:31,359 --> 00:25:35,040 Speaker 1: started tweeting about the infamous slap a week after it 301 00:25:35,080 --> 00:25:40,120 Speaker 1: had happened, and now it was six weeks after that 302 00:25:41,640 --> 00:25:44,720 Speaker 1: sort of bring you up to speed. It had been 303 00:25:44,920 --> 00:25:49,720 Speaker 1: seven weeks total since the slap had actually occurred, and 304 00:25:49,800 --> 00:25:54,280 Speaker 1: she was still tweeting about it even when I wasn't around. 305 00:25:56,840 --> 00:26:01,840 Speaker 1: Something occurred to me, I didn't need a Hammeds jokes. 306 00:26:03,600 --> 00:26:12,399 Speaker 1: I didn't even need Anna's support. Up until this point, 307 00:26:12,600 --> 00:26:16,199 Speaker 1: I'd been pouting in the corner. And what I didn't 308 00:26:16,240 --> 00:26:23,280 Speaker 1: realize was that that corner was on a stage and 309 00:26:23,359 --> 00:26:27,920 Speaker 1: there was a spotlight shining right on me, and all 310 00:26:28,040 --> 00:26:33,879 Speaker 1: I had to do was walk right into it. Continuously 311 00:26:34,000 --> 00:26:38,639 Speaker 1: tweeting about the Will Smith slap had people talking, and 312 00:26:38,720 --> 00:26:42,880 Speaker 1: there was no doubt about it that all eyes were 313 00:26:43,040 --> 00:26:47,960 Speaker 1: on me. There was no way I wasn't going to 314 00:26:48,080 --> 00:26:54,320 Speaker 1: take advantage of this moment. And plus I had an 315 00:26:54,400 --> 00:26:59,399 Speaker 1: amazing premise in mind. My last tweets weren't going to 316 00:26:59,480 --> 00:27:04,520 Speaker 1: get me and sold. They We're going to make me 317 00:27:04,600 --> 00:27:14,719 Speaker 1: go viral. People all around the world will be talking 318 00:27:14,760 --> 00:27:21,960 Speaker 1: about my tweet, liking my tweet, retweeting my tweet. Honestly, 319 00:27:22,840 --> 00:27:26,240 Speaker 1: at this point, the thing I could really imagine Kyle 320 00:27:26,320 --> 00:27:30,560 Speaker 1: getting canceled for was the inability to let it go. 321 00:27:32,359 --> 00:27:36,879 Speaker 1: In Layman's terms, Kyle, I think she was about to 322 00:27:36,880 --> 00:27:47,800 Speaker 1: get canceled for being thirsty and now an AD break. 323 00:27:49,119 --> 00:28:03,560 Speaker 1: The ad break is over. Mm. One day, Kyle finally 324 00:28:03,640 --> 00:28:07,359 Speaker 1: checked in with me. She assured me that this was it. 325 00:28:08,760 --> 00:28:12,720 Speaker 1: She was about to tweet her last tweet. I did 326 00:28:12,720 --> 00:28:18,080 Speaker 1: my nightskin routine and ran over to Twitter. What I 327 00:28:18,119 --> 00:28:25,159 Speaker 1: saw it was frankly unbelievable. What I saw was my 328 00:28:25,280 --> 00:28:29,560 Speaker 1: friend being so thirsty that she basically was at the 329 00:28:29,560 --> 00:28:32,320 Speaker 1: bottom of a well that had run dry on all fours, 330 00:28:32,560 --> 00:28:41,880 Speaker 1: linking the ground. M hmm, it's um gleven p M. 331 00:28:43,160 --> 00:28:47,719 Speaker 1: And I think this is the last thing that Kyle's 332 00:28:47,720 --> 00:28:53,520 Speaker 1: going to tweet on the subject. And I just what 333 00:28:53,720 --> 00:29:02,160 Speaker 1: I saw was Kyle posting a link to an Instagram video. Now, 334 00:29:02,320 --> 00:29:05,280 Speaker 1: let me be clear, it wasn't a tweet with an 335 00:29:05,280 --> 00:29:07,960 Speaker 1: embedded video in it, which you could view right there, 336 00:29:07,960 --> 00:29:13,360 Speaker 1: and then it was a tweet that was a link 337 00:29:13,560 --> 00:29:18,600 Speaker 1: to an Instagram post. When you click the link, it 338 00:29:18,640 --> 00:29:24,040 Speaker 1: wouldn't automatically open in the Instagram app. No, it would 339 00:29:24,040 --> 00:29:28,880 Speaker 1: instead open in a new Safari window. But even that 340 00:29:29,000 --> 00:29:33,440 Speaker 1: didn't take you to the Instagram post. It would take 341 00:29:33,520 --> 00:29:38,040 Speaker 1: you to the Instagram homepage, where you needed to re 342 00:29:38,400 --> 00:29:45,080 Speaker 1: enter your Instagram credentials. Hey, I'm not re entering my 343 00:29:45,200 --> 00:29:48,840 Speaker 1: Instagram credentials on some luc Safari window. This could be 344 00:29:48,880 --> 00:29:56,800 Speaker 1: a virus. I could get hacked, Kyle. This was a 345 00:29:56,880 --> 00:30:03,560 Speaker 1: bad look. But okay, putting all of that aside for 346 00:30:03,600 --> 00:30:09,440 Speaker 1: a second, this was what the video was. Some self 347 00:30:09,440 --> 00:30:12,520 Speaker 1: proclaimed DJ stood in front of his computer screen and 348 00:30:12,560 --> 00:30:15,560 Speaker 1: played a song mash up that he made of the 349 00:30:15,640 --> 00:30:19,560 Speaker 1: now famous Will Smith call to action keep my Wife's 350 00:30:19,640 --> 00:30:23,440 Speaker 1: Name out of your mouth, but the theme song of 351 00:30:23,520 --> 00:30:28,080 Speaker 1: the Fresh Prince of bel Air smashed into there, all 352 00:30:28,120 --> 00:30:32,800 Speaker 1: of that over a dub step beat. The whole thing 353 00:30:33,160 --> 00:30:39,480 Speaker 1: was um, you know fine. So that was what she 354 00:30:39,560 --> 00:30:46,600 Speaker 1: had posted, but it didn't stop there. No, remember how 355 00:30:46,640 --> 00:30:51,520 Speaker 1: I said that Kyle was frankly thirsty. Well, in true 356 00:30:51,560 --> 00:30:58,920 Speaker 1: thirsty fashion, she tweeted about this link three separate times, 357 00:31:00,200 --> 00:31:06,600 Speaker 1: three separate tweets. And before you say, oh, but Anna, 358 00:31:06,720 --> 00:31:10,000 Speaker 1: let's be fair. You know, maybe she accidentally hit send 359 00:31:10,040 --> 00:31:18,640 Speaker 1: tweet three times. No, you wish she tweeted slightly different 360 00:31:18,680 --> 00:31:25,640 Speaker 1: things alongside every blink. She definitely did this three times intentionally, 361 00:31:28,080 --> 00:31:36,920 Speaker 1: you know what. Don't help her. She needs to learn. Okay, 362 00:31:36,920 --> 00:31:41,880 Speaker 1: so she's posted this, what happened with the slab. She 363 00:31:42,000 --> 00:31:46,600 Speaker 1: posted it three separate times, three separate tweets, along with 364 00:31:46,600 --> 00:31:49,760 Speaker 1: the video link, which was the same. Every single time, 365 00:31:50,400 --> 00:31:56,680 Speaker 1: she added a slightly different tweet referencing the slab. The 366 00:31:56,760 --> 00:32:02,560 Speaker 1: first one said okay, one little fight dot dot dot. 367 00:32:03,000 --> 00:32:06,520 Speaker 1: I scrolled through the other two the fight heard across 368 00:32:06,560 --> 00:32:11,920 Speaker 1: the world dot dot dot, and finally, the pea stillar resistance. 369 00:32:13,320 --> 00:32:19,920 Speaker 1: She tweeted keep your name out of my mouth, which 370 00:32:20,000 --> 00:32:24,800 Speaker 1: is it's so unpredictable, frankly, because it's keep my my 371 00:32:24,840 --> 00:32:30,040 Speaker 1: wife's name out of your mouth. But she's going keep 372 00:32:30,200 --> 00:32:37,040 Speaker 1: your name out of my mouth. And she's tweeted this 373 00:32:38,240 --> 00:32:40,360 Speaker 1: because the first tweet was twenty three minutes ago, then 374 00:32:40,360 --> 00:32:46,520 Speaker 1: twenty minutes ago, and then seventeen minutes ago, and I 375 00:32:46,560 --> 00:32:49,160 Speaker 1: guess this is the note she's going out on, and 376 00:32:49,200 --> 00:32:57,680 Speaker 1: I just find it so interesting again, keep your name, 377 00:32:59,760 --> 00:33:07,320 Speaker 1: so she's she's positioning herself like she's like she's Will 378 00:33:07,320 --> 00:33:13,080 Speaker 1: Smith here, and she's going, okay, Chris Rock, keep your 379 00:33:13,200 --> 00:33:20,040 Speaker 1: name out of my mouth, which is such an interesting 380 00:33:20,200 --> 00:33:24,320 Speaker 1: twist on the premise. I don't know if this was 381 00:33:24,440 --> 00:33:28,040 Speaker 1: enough for a cancelation, but I'll tell you what it 382 00:33:28,120 --> 00:33:37,440 Speaker 1: was enough for the absolute rock bottom. I knew we 383 00:33:37,480 --> 00:33:40,680 Speaker 1: had to put her out of her misery quick. I 384 00:33:40,760 --> 00:33:43,920 Speaker 1: forced myself to go to sleep, woke up and got 385 00:33:43,920 --> 00:33:47,560 Speaker 1: in touch with Megan. After all of that was done, 386 00:33:48,440 --> 00:33:56,440 Speaker 1: I invited Kyle to come over. It's live. What's okay? 387 00:33:56,480 --> 00:34:07,240 Speaker 1: Go to your Twitter? All right? How are you? I 388 00:34:07,240 --> 00:34:13,719 Speaker 1: can't read Read this in the pocket? I can't do 389 00:34:13,760 --> 00:34:15,839 Speaker 1: you have it to read it for you? Read this 390 00:34:15,960 --> 00:34:18,759 Speaker 1: in the red Read this in the room with all 391 00:34:18,800 --> 00:34:21,839 Speaker 1: my staffed up writer friends. Consensus, this is the level 392 00:34:21,880 --> 00:34:25,680 Speaker 1: of desperate pandering. I'm going to be very clear about 393 00:34:25,680 --> 00:34:30,839 Speaker 1: what happened. Megan selected a tweet of mine, the one 394 00:34:30,920 --> 00:34:34,080 Speaker 1: you've already heard so much about keep your name out 395 00:34:34,080 --> 00:34:39,000 Speaker 1: of my mouth, and she quote retweeted it, adding a 396 00:34:39,040 --> 00:34:44,919 Speaker 1: note of cancelation, which read read this in the room 397 00:34:44,960 --> 00:34:50,560 Speaker 1: with all my staffed up writer friends. Consensus says this 398 00:34:50,680 --> 00:34:54,840 Speaker 1: level of desperate pandering play acting as comedy is simply pathetic. 399 00:34:56,360 --> 00:34:59,440 Speaker 1: I promised this young writer I would signal booster, but 400 00:34:59,600 --> 00:35:05,279 Speaker 1: bybe learn when to walk away from the quote unquote Joe. 401 00:35:08,760 --> 00:35:15,879 Speaker 1: I can't. I feel so overwhelmed. I can't. She has 402 00:35:15,960 --> 00:35:20,120 Speaker 1: to delete it. She has to delete the notes, She's 403 00:35:20,160 --> 00:35:24,640 Speaker 1: not deleting this. Now that the cancelation tweet was in 404 00:35:24,719 --> 00:35:28,480 Speaker 1: place and people were seeing it, it was my turn 405 00:35:28,640 --> 00:35:33,399 Speaker 1: to go live with my notes app apology. The one 406 00:35:33,440 --> 00:35:36,520 Speaker 1: thing we knew about cancelations for sure was that they 407 00:35:36,520 --> 00:35:41,080 Speaker 1: were immediately followed by a notes ap apology. Now, this 408 00:35:41,160 --> 00:35:44,239 Speaker 1: notes ap apology could come from the canceled person themselves, 409 00:35:44,960 --> 00:35:48,719 Speaker 1: but it could also come from someone close to them, 410 00:35:48,719 --> 00:35:52,920 Speaker 1: and if it's the latter, the apology would probably include 411 00:35:52,960 --> 00:35:58,200 Speaker 1: an attempt to distance themselves from the canceled person. So 412 00:35:59,560 --> 00:36:08,239 Speaker 1: I did at Here's what I wrote. I've seen the messages, 413 00:36:08,520 --> 00:36:12,759 Speaker 1: quote me, tweets, the lack of likes. I want to 414 00:36:12,760 --> 00:36:15,440 Speaker 1: get ahead of what's coming and voice my criticism of 415 00:36:15,520 --> 00:36:20,759 Speaker 1: what has been going on for years now. Kyle A 416 00:36:20,760 --> 00:36:26,640 Speaker 1: Mazono has been my frequent collaborator, but beyond that, I 417 00:36:26,760 --> 00:36:28,960 Speaker 1: honestly can't even say that I know her that well. 418 00:36:31,680 --> 00:36:33,960 Speaker 1: Certainly we've been on a couple of the same shows, 419 00:36:34,360 --> 00:36:37,160 Speaker 1: but I would hardly say that our names are synonymous 420 00:36:37,160 --> 00:36:42,319 Speaker 1: with one another's. Her actions do not in any way 421 00:36:42,440 --> 00:36:47,960 Speaker 1: reflect mine. I will say I have tried, as I 422 00:36:47,960 --> 00:36:50,600 Speaker 1: would with literally anyone in the way that if I 423 00:36:50,640 --> 00:36:52,879 Speaker 1: saw a complete stranger in the street fall down into 424 00:36:52,960 --> 00:36:54,839 Speaker 1: a puddle, I would try to pick them up, just 425 00:36:54,880 --> 00:37:00,400 Speaker 1: like any good person would in that exact way. I 426 00:37:00,480 --> 00:37:04,879 Speaker 1: have been there for her. But again, other than that, 427 00:37:05,200 --> 00:37:09,960 Speaker 1: I don't even know her. I'm happy to say I'm 428 00:37:10,000 --> 00:37:13,600 Speaker 1: working on tons of my own stuff and look out 429 00:37:13,680 --> 00:37:19,400 Speaker 1: for me because here I come solo style as I 430 00:37:19,480 --> 00:37:23,680 Speaker 1: have always been. So nothing new there, peace and love, 431 00:37:25,640 --> 00:37:35,920 Speaker 1: just anna. Okay, so my apology is live, and I 432 00:37:35,960 --> 00:37:39,080 Speaker 1: guess I'm just going to leave your house. Just where 433 00:37:39,080 --> 00:37:41,839 Speaker 1: are you gonna go? I've been canceled, so I'm gonna leave. 434 00:37:41,840 --> 00:37:43,680 Speaker 1: You know, I think you should stay because I don't 435 00:37:43,719 --> 00:37:46,200 Speaker 1: think you can go anywhere. I'm gonna go to my 436 00:37:46,239 --> 00:37:48,200 Speaker 1: house where I should stay by myself. I don't even 437 00:37:48,239 --> 00:37:49,880 Speaker 1: think he could be there right now. I think you 438 00:37:49,920 --> 00:37:59,440 Speaker 1: should let it cool off. Kyle was kind of been consolable, 439 00:38:00,360 --> 00:38:07,480 Speaker 1: kind of inconsolable. My whole life was ruined. Think about it. 440 00:38:08,680 --> 00:38:11,560 Speaker 1: People out there in the Twitter verse were actually thinking 441 00:38:11,600 --> 00:38:14,960 Speaker 1: that I Kyle was obsessed with the will Smith slap. 442 00:38:16,320 --> 00:38:20,279 Speaker 1: They were sitting at home thinking, Ah, Kyle really thinks 443 00:38:20,280 --> 00:38:23,560 Speaker 1: that the pursuit of slappiness is a funny joke. She 444 00:38:23,760 --> 00:38:29,000 Speaker 1: really can't let this thing go. Huh. Remember I hadn't 445 00:38:29,040 --> 00:38:33,640 Speaker 1: tweeted since two thousand and seventeen. People were thinking I 446 00:38:33,760 --> 00:38:37,040 Speaker 1: climbed out of my hole to talk about will Smith 447 00:38:37,640 --> 00:38:42,680 Speaker 1: weeks later after the actual event. Nothing could have prepared 448 00:38:42,719 --> 00:38:48,000 Speaker 1: me for being canceled, for being thirsty. I should have 449 00:38:48,040 --> 00:38:52,320 Speaker 1: seen it coming. I shouldn't have let those final tweets 450 00:38:52,719 --> 00:38:56,800 Speaker 1: get to my head. I honestly felt like a loser. 451 00:38:57,680 --> 00:39:04,680 Speaker 1: You guys, the listeners, I feel like a loser. Are 452 00:39:04,680 --> 00:39:09,640 Speaker 1: you guys turning your backs on me? As I speak? Figures? 453 00:39:11,400 --> 00:39:17,439 Speaker 1: This was definitely one of those investigations where it wasn't 454 00:39:17,480 --> 00:39:22,360 Speaker 1: about the destination at all. It was entirely about the journey, 455 00:39:23,840 --> 00:39:28,560 Speaker 1: because the fact of the matter was that this was 456 00:39:28,640 --> 00:39:36,240 Speaker 1: a journey. Sure, this was the death of Kyle's fear 457 00:39:36,280 --> 00:39:42,120 Speaker 1: of getting canceled. But remember, death is not the end. 458 00:39:43,880 --> 00:39:49,680 Speaker 1: Death is just the opportunity for rebirth. Wait, isn't that 459 00:39:49,719 --> 00:39:53,640 Speaker 1: exactly what Megan had said? A lot of people are 460 00:39:53,640 --> 00:39:55,279 Speaker 1: standing death, but I'm going to tell you death is 461 00:39:55,320 --> 00:40:01,120 Speaker 1: not yet. Death is just the opportunity of full rebirth. Wow, 462 00:40:01,800 --> 00:40:06,560 Speaker 1: now it was all starting to make sense. I don't 463 00:40:06,800 --> 00:40:12,600 Speaker 1: know if it's making sense. I feel horrible, Kyle, my friend. 464 00:40:13,440 --> 00:40:17,120 Speaker 1: What I'm saying is this was just a stepping stone 465 00:40:17,160 --> 00:40:22,120 Speaker 1: to something bigger. Don't you get it. We still have 466 00:40:22,280 --> 00:40:28,920 Speaker 1: a big fear to conquer beat macromy We feared him, 467 00:40:28,960 --> 00:40:32,920 Speaker 1: and yet we couldn't look away. We still need to 468 00:40:32,920 --> 00:40:38,120 Speaker 1: figure out why. So this is just one door in 469 00:40:38,160 --> 00:40:44,520 Speaker 1: a longer hallway, ultimately leading us to fear the capital 470 00:40:45,040 --> 00:40:48,360 Speaker 1: f Okay, but why did it have to involve me 471 00:40:48,360 --> 00:40:53,440 Speaker 1: getting canceled? Because, Kyle, when you're not bound down by fear, 472 00:40:54,520 --> 00:41:06,520 Speaker 1: you're weightless enough to fly. Ye. Hey, if you like 473 00:41:06,640 --> 00:41:09,520 Speaker 1: The Truth Hounds, please subscribe to us and leave us 474 00:41:09,560 --> 00:41:14,319 Speaker 1: a five star review. Seriously, it would really help us. 475 00:41:15,239 --> 00:41:18,600 Speaker 1: And honestly, you gotta start earning your keep around here, 476 00:41:19,680 --> 00:41:22,320 Speaker 1: and as soon as you're done earning your keep, follow 477 00:41:22,360 --> 00:41:26,080 Speaker 1: us on Instagram at truth Hounds and on Twitter at 478 00:41:26,440 --> 00:41:29,919 Speaker 1: the truth Hounds to participate in our investigations and see 479 00:41:29,960 --> 00:41:35,720 Speaker 1: behind the scenes footage and bonus juicy content. Truth Hounds 480 00:41:35,800 --> 00:41:39,200 Speaker 1: is a production of I Heart Radio. For more podcasts 481 00:41:39,200 --> 00:41:42,120 Speaker 1: from I Heart Radio, visit the i heart Radio app, 482 00:41:42,160 --> 00:41:45,240 Speaker 1: Apple podcast, or wherever you listen to your favorite shows.