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Speaker 1: Okay, so Engineer Brett, this is Seawan and Hayes. Sean

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Speaker 1: and Hayes to Engineer Brett, go song. So now the

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Speaker 1: song should be playing, and as always, you'll mute our

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Speaker 1: microphones during the song so that we can't be heard.

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Speaker 1: And then when the song ends, we're going to start

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Speaker 1: the show. So it should be going over us.

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Speaker 2: Now. This is episode sixteen of Hollywood Handbook. The song

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Speaker 2: is ending in three two one, and it's over.

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Speaker 3: Hey, what up?

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Speaker 2: Welcome to Hollywood Handbook and Insider's Guide to kicking button

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Speaker 2: dropping names in the red carpet lineback hallways of this

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Speaker 2: industry we call showbiz. Sean and I recording this segment anyway,

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Speaker 2: took a little field trip that we take every year

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Speaker 2: to one of our favorite film festivals, which is the

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Speaker 2: Sundance Film Festival.

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Speaker 3: Yes, Sundance, I call it for sure.

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Speaker 2: So this episode might sound a little different because, unlike

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Speaker 2: past years when we have done our shows from sun Dance,

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Speaker 2: this year we decided not to bring any engineer.

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Speaker 1: We usually normally we get a luxury suite just for

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Speaker 1: the engineers and we set up four engineers in there,

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Speaker 1: make them share a bed. That's kind of a little

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Speaker 1: joke that we have and which is the tub. Yes,

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Speaker 1: they have to sleep in the tub. No showerheads, So

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Speaker 1: if you want to take a bath, it has to

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Speaker 1: be a real bath, and we do it that way

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Speaker 1: this year. Because the engineers have been so naughty, we

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Speaker 1: did have to pull back, scale back, and not use

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Speaker 1: any engineers. An engineer, Brett, I know you're listening to

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Speaker 1: this right now. You're the best of a rotten bunch,

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Speaker 1: so we're trusting you to splice in some good sound

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Speaker 1: effects and songs and things for us.

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Speaker 2: So he's should be. I'm sure he's probably back, Brian.

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Speaker 2: We had him fly out here to set this stuff up,

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Speaker 2: and he's gonna come back, I guess when it's all over,

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Speaker 2: and he'll.

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Speaker 1: Come back to get the hard copy after we've checked out.

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Speaker 1: We're gonna have the hotel call him because.

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Speaker 3: It's nice for us.

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Speaker 1: We thought, well, if we're not bringing them, let's not

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Speaker 1: be in the same room as an engineer at all

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Speaker 1: if we don't have to, because it does start to

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Speaker 1: wear on you. But I love Sundance Film Festival. I

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Speaker 1: love discovering the unknowns.

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Speaker 2: Yes, it's actually kind of a fucking shame. What's happened

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Speaker 2: to this festival where it's all now about like parties

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Speaker 2: and like everyone's doing each other and like, yeah, sipping champagne,

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Speaker 2: everyone's fancy wine.

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Speaker 1: They're sucky fucking and they're and they're dipping strawberries and

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Speaker 1: their champagne wines and they're all just sucky fucking one

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Speaker 1: another all day and night long, and no one actually

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Speaker 1: watches the movies.

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Speaker 2: And no one It's like people have forgotten what the

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Speaker 2: festival is called, which is the Sundance Film Festival, not

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Speaker 2: the Sundance Fuck Festival.

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Speaker 3: That's right, that's true.

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Speaker 2: And what the other thing that people have forgotten about

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Speaker 2: that's important about this festival is it's a great opportunity

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Speaker 2: to shred some pow on this on these beautiful slopes

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Speaker 2: of the Sundance Resort.

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Speaker 1: We're gonna stick around to shred powder. I got my

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Speaker 1: board strapped to my boots at all times, and Hayes

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Speaker 1: and I built the sickest fucking halfpipe and we actually

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Speaker 1: kept building it out until it was more of a

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Speaker 1: three quarters pipe and ultimately became a full pipe, and

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Speaker 1: we just did fucking loop to loops all day, like shit,

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Speaker 1: fucking anti gravity.

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Speaker 2: Shit the way I like to do it is go

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Speaker 2: to the top and just go all the way down,

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Speaker 2: you know what I mean, like without even stopping to

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Speaker 2: take a break.

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Speaker 1: And that fast and the furious movie is actually the

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Speaker 1: title was supposed to be talking about our snowboarding and

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Speaker 1: they couldn't afford us, so they made some fucking car bullshit.

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Speaker 1: But that's how we do it, and that's how we

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Speaker 1: fucking shred the pal And I don't care if I

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Speaker 1: get snow in my eyes.

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Speaker 2: I'll even wear like the helmet I wear is usually

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Speaker 2: like a really small one.

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Speaker 1: I wear a small helmet, I wear pretty thin goggles,

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Speaker 1: and I don't give an f But anyway, enough about shredding,

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Speaker 1: because I could talk about it all day because I'm

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Speaker 1: so fucking awesome at it and it's and I go

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Speaker 1: so fast.

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Speaker 3: Fucking people think it rules. Let's talk about let's talk

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Speaker 3: about something some discoveries, something else.

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Speaker 2: That rules, which is independent film. Sean, and I like

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Speaker 2: to go to these movies so we can see who's

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Speaker 2: on the Hollywood horizon, as they say, uh, and who

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Speaker 2: has a chance to be the real breakout actor of

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Speaker 2: this festival, because a lot these are independent movies.

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Speaker 1: Every year somebody comes out of nowhere. They live in

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Speaker 1: some fucking jerk off fucking Tennessee bullshit spot and they

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Speaker 1: have somehow made a movie. Somebody gave him a camera,

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Speaker 1: and nobody's heard of them before. We hear about them,

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Speaker 1: we see them in the movie, and we make them famous.

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Speaker 2: They make these movies by like breaking into the local

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Speaker 2: news station or something and doing setting up a living

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Speaker 2: room set there and they just kind of scrambling any

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Speaker 2: way they can. And we have a lot of respect

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Speaker 2: for him. Most of them are not good, these movies

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Speaker 2: in large part they don't have the proper training. They

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Speaker 2: don't deserve really to be seen by anyone. But every

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Speaker 2: once in a while somebody breaks through and you and

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Speaker 2: you say, this is some undiscovered talent that's really gonna

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Speaker 2: make waves in the city of industry, which is Los Angeles.

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Speaker 1: Yeah, and so our top picks this year because I

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Speaker 1: and we usually say leave the movie, leave movies to professionals.

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Speaker 1: But the people who proved us wrong this year are

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Speaker 1: top picks for breakout artists are number one, Zaff Brath.

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Speaker 1: Who are you, Zaff Braf? And where did you come from?

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Speaker 1: And how did you get that movie?

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Speaker 2: This kid? Zaff Braf did a movie about himself and

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Speaker 2: his life that was so funny and so smart and

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Speaker 2: so moving and so sad and so scary that we

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Speaker 2: didn't watch it, that we couldn't actually get all the

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Speaker 2: way through. But a lot of the chatter about this

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Speaker 2: guy that we've heard, you know, when we're like covering

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Speaker 2: our eyes, all we can really hear is the positive chatter,

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Speaker 2: and it's been very good.

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Speaker 1: As always, we pick both a male and a female

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Speaker 1: breakout artists, so here's a good time to point out

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Speaker 1: sisters is doing it for themselves and this young lady

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Speaker 1: we're about to mention is really doing that.

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Speaker 2: A lot of the movies we saw at Sun Dancers

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Speaker 2: this year had sisters in them, and they were all

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Speaker 2: they're like, they're acting in them, they're playing all kinds

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Speaker 2: of parts. They're they're singing in some of the movies.

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Speaker 2: Like it's a really refreshing change of pace, which is

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Speaker 2: what sometimes you need independent film for us to kind

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Speaker 2: of shock the system and like, have women be in

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Speaker 2: these movies?

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Speaker 3: Yes, And so this film filmmaker.

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Speaker 2: Is a woman.

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Speaker 1: Her name is Cameron Crow. We all know Cameron Diaz.

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Speaker 1: That's a famous woman named Cameron.

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Speaker 2: This is not the same one, and they're actually not

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Speaker 2: even related.

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Speaker 1: Not even related. I asked their publicists. But I saw

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Speaker 1: a movie and I said, I have to know who

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Speaker 1: made this. I didn't see the whole thing. It got

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Speaker 1: a little scary, It got a little scary for me,

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Speaker 1: but I saw part of it and I said who

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Speaker 1: made this? And someone said Cameron Crowe, and I said, oh, my,

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Speaker 1: good for sisters.

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Speaker 3: And it really felt good to.

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Speaker 2: Say that and to genuinely think it was good, because

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Speaker 2: a lot of the times you'll see something that a

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Speaker 2: woman has done and you'll say, like, well, I can

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Speaker 2: sort of tell that it was was good for a woman,

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Speaker 2: or like I can sort of tell they were doing this,

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Speaker 2: but you like like Kathy cartoons, Yes, like Kathy cartoons.

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Speaker 2: That's a great example. You could tell reading a Kathy cartoon,

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Speaker 2: this is good for like the cartoons that women are doing.

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Speaker 2: But it's not like a Curtis, a Mallard Fillmore, an

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Speaker 2: Adam at Home, a zits zits. It's not one of

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Speaker 2: your classic male strips. And so seeing this movie and

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Speaker 2: really loving it as hard as we did, and then

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Speaker 2: finding out that it was made by a woman, What

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Speaker 2: a great experience to have.

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Speaker 1: Yes, And so those are the two movies that we

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Speaker 1: left our hotel to see. But the great thing going

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Speaker 1: on at Sundance this year was Hayes and I found

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Speaker 1: that in our hotel room we were able to order

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Speaker 1: most of the movies and avoid the mobs.

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Speaker 2: Yes, you go to a place like a movie Central,

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Speaker 2: like a place like Park City, Utah, they have these

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Speaker 2: movies playing right in your hotel room a lot of

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Speaker 2: the time for certain clientele, so they can see him

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Speaker 2: ahead of time, not wait in line, not have to

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Speaker 2: like sit in the seats, and like watch the whole thing.

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Speaker 1: They want us to watch the movies. They want to

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Speaker 1: make it easy for us. It's to their advantage and

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Speaker 1: we love it because we just order in a room

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Speaker 1: service and we ordered a bunch of movies. And I'll

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Speaker 1: say this, the uh direction of the festival. We said before,

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Speaker 1: it's getting into a little bit of sucky fucking everybody. Yeah,

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Speaker 1: it's reflected a bit in the movies that were there

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Speaker 1: this year, because I thought they were pretty racy.

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Speaker 2: Yeah.

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Speaker 1: The movies available to order in our room were King

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Speaker 1: Black Butts, Slurpy Come Queen, The Secret Life of Walter Mitty,

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Speaker 1: Ding Dong, Challengers.

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Speaker 4: And Creamy, Creamy Oo Creamy, And so those are the

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Speaker 4: movies that we watched, and they didn't seem like standard

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Speaker 4: Sundance Family Fair.

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Speaker 2: But I will say with all these movies, you're looking

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Speaker 2: for sort of a relatability, something that you can latch

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Speaker 2: onto from your own experience, and it was very refreshing

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Speaker 2: to see realistic male characters with a certain a certain

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Speaker 2: attribute that Sewn and I both share, Uh, how to say,

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Speaker 2: how to put this.

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Speaker 3: So hard to it's a.

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Speaker 1: Physical area of the male body that you don't always

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Speaker 1: see portrayed realistically, blessed with a certain yes, a certain endowment,

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Speaker 1: and so it was really nice to see guys like us,

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Speaker 1: normal guys like us, hanging out with their girls doing

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Speaker 1: the things that we do. And so that aspect of

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Speaker 1: it was really cool, and I think that made it

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Speaker 1: a good sun dance, fun dance.

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Speaker 2: We'll be right back our guest, Dominic Dierkis. He's a

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Speaker 2: sort of a protege of Sean's in the writing world,

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Speaker 2: and we will talk about his experience really learning from

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Speaker 2: one of the masters when we come back on Hollywood Handbook.

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Speaker 2: Hollywood Handbook.

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Speaker 1: So anyway, I'm wiping my hand off on my pants

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Speaker 1: and this kid's tugging.

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Speaker 2: At my shorts.

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Speaker 3: Hey, mister, show me how to do that? And I go,

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Speaker 3: what throw a PUNCHA.

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Speaker 1: Yeah, my name is Mike Tyson, and I want to

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Speaker 1: learn to throw a punch?

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Speaker 2: You wearing pants and shorts.

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Speaker 3: At the same time?

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Speaker 4: Yeah?

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Speaker 1: And I go, uh, hey, if you didn't learn from

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Speaker 1: seeing it once, you're never going to be able to

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Speaker 1: do it.

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Speaker 3: And I think I was right.

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Speaker 2: Hey, everybody, welcome to Hollywood Handbook, an Insider's guy to

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Speaker 2: kicking button dropping names in the red carpet line back

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Speaker 2: hallways of this industry we call showbiz. We got a guess,

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Speaker 2: We got a guest. We have a good guest. Why

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Speaker 2: don't you Why don't you so?

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Speaker 1: So this kid, this is a kid who caught my

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Speaker 1: eye and I think he could make something of himself.

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Speaker 1: I've sort of taken him under my wing. I've never

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Speaker 1: done this before. Normally all our listeners are obviously our proteges.

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Speaker 1: But I specifically found this guy, Dominic Dirkiss, And when

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Speaker 1: I met him, he was doing some jerk off sketch

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Speaker 1: thing at some fucking jerkof theater. And since I met him,

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Speaker 1: he's been able to see me up close working on

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Speaker 1: TV shows and films, and it's pretty exciting for him.

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Speaker 1: Go ahead, Dominic, say thank you to me and introduce yourself.

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Speaker 3: Well, oh yeah, thank you obviously, thank you, sir, sir, Yes,

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Speaker 3: thank you, sir. I mean writing partner. The fact that

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Speaker 3: where credit is writing partner is like so generous. Yeah,

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Speaker 3: because I view it. I view it not just as

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Speaker 3: a partnership, but is like a mentorship. Yes, and that's

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Speaker 3: a good way to view it. And well, it's interesting.

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Speaker 3: People should know how this is a good lesson. Normally

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Speaker 3: in the industry, the way the Writer's Guild has it

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Speaker 3: spaced out is if you are a writing partner, you're

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Speaker 3: each getting fifty percent of a paycheck. But Dominic and

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Speaker 3: I have worked it out that he gets whatever he

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Speaker 3: contributes to a script. That percentage of the money goes

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Speaker 3: to him, and I am and I and I try

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Speaker 3: to contribute a lot, which I think is the lesson,

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Speaker 3: you know, because and I think I'm gonna get something

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Speaker 3: in one of our scripts. He's gonna He's taken a

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Speaker 3: lot of shots on goal and I can't wait to

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Speaker 3: cut him his first check.

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Speaker 2: My only advice for you, dom is I know in

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Speaker 2: some of these cases, it can be easy to get

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Speaker 2: a little too close and sort of think sometimes that

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Speaker 2: Sean is your friend, you know, and like you sort

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Speaker 2: of get your hend the clouds, and you sort of

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Speaker 2: convince yourself that because you guys spend a lot of

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Speaker 2: time together in a professional work setting, that you guys

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Speaker 2: are friends even though you never hang out outside of work,

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Speaker 2: and like you don't play sports together like anything like that.

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Speaker 3: Yeah, yeah, no, I mean trust me, that boundary has

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Speaker 3: been made clear to me for sure. I mean I thought, yeah,

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Speaker 3: I got the I got the same thought that I

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Speaker 3: was like, oh, we're friends, we see you, and then

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Speaker 3: you were quick to point out we don't play a

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Speaker 3: single sport together, Sean.

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Speaker 1: I mean, we don't really hang out outside. Sometimes we

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Speaker 1: do have to take meals together. But when you forget

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Speaker 1: yourself and you speak to me a little too yummy

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Speaker 1: in front of company, yeah, I think you found that

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Speaker 1: punishment is swift and fair.

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Speaker 4: Yeah.

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Speaker 3: Yeah, very But Hayes, I'm also excited to get I

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Speaker 3: feel like I've emailed you a bunch and and and

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Speaker 3: you know, just looking for advice and a lot of

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Speaker 3: scripts and stuff like that.

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Speaker 1: So I mean, do you feel that Hayes, do you

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Speaker 1: feel that he's emailed you a bunch?

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Speaker 2: I mean, to me, you're sort of a guy who

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Speaker 2: I will call Sean and you'll answer the phone and

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Speaker 2: it's like, well, obviously I want to talk the shot.

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Speaker 2: I have to go through you every single time, so

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Speaker 2: we get I have that time with you, which is fine,

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Speaker 2: and I get the emails and things like that. I

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Speaker 2: get a lot of emails, you know what I mean?

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Speaker 3: Yeah, yeah, no, that's uh. But anyway, I mean you

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Speaker 3: were mentioning, uh, Mike, because when you said the thing

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Speaker 3: I was doing when you met me, it was an

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Speaker 3: internet sketch comedy group. Sure, yeah, we wire thing. Yeah

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Speaker 3: we were. We were putting sketch comedy videos online.

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Speaker 2: And yes, been the only one to ever do those.

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Speaker 3: Well no, no, no, we weren't the only one to

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Speaker 3: ever do those. I wouldn't I wouldn't say that.

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Speaker 1: No, but they stood out from the crowd. There was

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Speaker 1: a lot of crap on there, and he'd made a

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Speaker 1: lot of dumb ones, but there.

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Speaker 3: Was one several dumb ones.

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Speaker 1: Sketch in particular, that really had something. You know, it

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Speaker 1: was really a smart, original twist on something I hadn't

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Speaker 1: seen before and tell them about Dominic the fart gun sketch.

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Speaker 3: Okay, yeah, sure we have a sketch if you. We

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Speaker 3: didn't call it the far gun sketch on YouTube because

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Speaker 3: obviously that's gonna that's gonna wag tip it. You know

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Speaker 3: you're gonna mist mistake. Wait tip and well, and that's

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Speaker 3: a mistake I've made in our writing on television where

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Speaker 3: I tip the whole joke of the episode, sometimes just

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Speaker 3: by making the whole title of the episode one of

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Speaker 3: my favorite jokes, and you've told me not to do that.

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Speaker 3: I'm sorry.

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Speaker 1: I'm saying it was a mistake not to call it

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Speaker 1: the fart gun sketch. Yes, because when I go to

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Speaker 1: long for it, I can't find it.

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Speaker 3: Oh okay, yeah, it's just called guns because we wanted

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Speaker 3: you to have the experience. But anyway, when you go on.

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Speaker 1: Not a funny title, and if you'd been working actually

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Speaker 1: at that time, you'd be much more successful.

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Speaker 2: I actually think that title is a little bit scary.

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Speaker 3: The title guns or the far I'm not asking you

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Speaker 3: to say it again, scary.

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Speaker 2: That's not a cueue for you to just throw it

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Speaker 2: right back in my face.

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Speaker 3: That makes it really does. It really does. It makes

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Speaker 3: total sense.

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Speaker 2: That's what I thought.

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Speaker 3: Yeah. Anyway, so that that video, the far Gun sketches,

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Speaker 3: as it became to be known, obviously, I mean we didn't,

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Speaker 3: but that became the thing that we really were proud of,

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Speaker 3: and that really I feel like got us. I mean,

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Speaker 3: it's what it's what kind of led me to meet

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Speaker 3: you because I was, well, I got a good laugh

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Speaker 3: out of the gun sounding sounding like a fart. Yeah,

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Speaker 3: And so I uh, I turned to.

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Speaker 1: Bortolstein, my my assistant at the time, and I said,

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Speaker 1: get me this kid on on a phone or him

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Speaker 1: on a plane or something. I want to talk about

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Speaker 1: how he made that gun sound like that fart like that.

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Speaker 3: Yeah. I mean what we were going for comedically is

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Speaker 3: when I mean, because we love movies with with firearms,

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Speaker 3: and then we see them all the time in films,

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Speaker 3: and we've come to expect a certain sound from these guns,

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Speaker 3: like when you shoot a gun off, you come to

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Speaker 3: expect the kind of like bang pow that goes with

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Speaker 3: a firearm, you know, and so what we.

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Speaker 1: I'd never thought of this, I mean, Hayesan, you ever

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Speaker 1: ever thought of that?

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Speaker 2: I Mean, I feel like I've seen it, Like, are

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Speaker 2: you serious? Like I've seen it so many times?

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Speaker 3: A gun sounding like a gun is the joke?

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Speaker 2: Like, how are written? No, the gun like a fart

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Speaker 2: gun thing?

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Speaker 3: Really is the joke?

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Speaker 2: How one original it is?

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Speaker 1: Well, we did this, and you have to remember this

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Speaker 1: is like two thousand and six maybe at the latest.

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Speaker 1: I mean, well, let's stop down. Let's stop down, and

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Speaker 1: that's good to keep the era in mind. Let's a

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Speaker 1: moment from the sketch and Engineer Brett later on, you're

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Speaker 1: gonna splice in. Hi, Brett, we know you can hear us.

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Speaker 1: You're gonna splice in a moment from the sketch, and

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Speaker 1: we're going to react as.

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Speaker 3: If we've just heard it, and that's gonna be right here.

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Speaker 3: We're gonna do it now.

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Speaker 2: Okay, So Brett, we're we're assuming that you played the

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Speaker 2: sketch and that you played the right one.

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Speaker 1: That everyone listening at home is now listened to what

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Speaker 1: you put in later and we already knew what it

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Speaker 1: was gonna be because we'd discussed it.

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Speaker 2: So we'll react to it like we just like we

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Speaker 2: just heard it.

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Speaker 3: In a world where guns don't sound like they normally do.

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Speaker 3: Bully Ah there she was.

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Speaker 2: No.

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Speaker 3: Yeah, that that sketch as you could. I mean you heard,

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Speaker 3: you know, especially from the get go, you kind of

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Speaker 3: expect the guns have, you know, bang sounds and all

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Speaker 3: sorts of sounds. But the most prominent that people really

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Speaker 3: got psyched about was the fart. So it came to

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Speaker 3: be known as the farking sketch, and that's what really

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Speaker 3: got us going, even.

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Speaker 2: In the sketch world. I feel like this is like

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Speaker 2: like when Renner hosted SML, he did this. I mean,

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Speaker 2: like I listen, people like it. You know. I'm not

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Speaker 2: trying to say that like people shouldn't like something. I'm

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Speaker 2: just saying it's like it's it's nothing really new, you

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Speaker 2: know what I mean. If you're gonna choose an apprentice,

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Speaker 2: I think it should be for someone who actually did

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Speaker 2: something like special and interesting, and you guys seem to

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Speaker 2: have like a great relationship. I'm not trying to get

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Speaker 2: in the way of that. And like I'm not you know,

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Speaker 2: Sean is welcome to spend time with whoever he wants.

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Speaker 2: Like that's obviously not my decision. Could he ask me?

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Speaker 2: Of course you could. I'm not saying you should or.

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Speaker 3: You have to let me say this what that's what

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Speaker 3: I'm saying.

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Speaker 2: You say whatever you want.

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Speaker 3: I'm and I'm about and.

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Speaker 2: You say, let me say this, but you don't even

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Speaker 2: have to ask me.

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Speaker 1: But I want to hear your own But I want

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Speaker 1: you to be comfortable. But this is something I really believe.

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Speaker 1: What a great comedian does, a great comic mind, they

403
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Speaker 1: look at the world. We know, they take something we've

404
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Speaker 1: all accepted. Guns go kapang and they say, what if

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Speaker 1: the gun farted? And that fart noise coming out of

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Speaker 1: that gun, to me is great comedy. And if you

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Speaker 1: don't see that or you don't agree with that, and

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Speaker 1: that's what this is about. And it's not about a

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Speaker 1: jealousy thing.

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00:21:36,800 --> 00:21:42,840
Speaker 2: It's not about it's just my sensibility. Where like, look

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Speaker 2: like give me the example, don like to hell, do

412
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Speaker 2: like a joke, Do a joke, Yeah, like, do a joke.

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Speaker 3: Make this will be good, make us laugh, just make

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Speaker 3: me laugh.

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00:21:51,320 --> 00:21:52,040
Speaker 2: This will be fun.

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Speaker 3: And if you can make me laugh, yeah, he's so funny.

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00:21:57,240 --> 00:21:58,960
Speaker 3: This is so much pressure. This is you guys are

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00:21:59,040 --> 00:22:02,800
Speaker 3: in comedy just like so much. What you do, we've

419
00:22:02,800 --> 00:22:05,240
Speaker 3: all had to do it. We've all had to we've

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00:22:05,240 --> 00:22:08,400
Speaker 3: all had to uh, just tell a joke. Huh, just just.

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Speaker 2: Like make me laugh, Like, do something funny, just do

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00:22:11,720 --> 00:22:14,600
Speaker 2: comic because you're like this comic genius and so like

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Speaker 2: if that's something that you can.

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Speaker 3: Do that I think the least you should be able

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00:22:18,119 --> 00:22:20,360
Speaker 3: to do is make me laugh. Okay, all right, all right,

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Speaker 3: uh okay.

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Speaker 1: And domb was pointing a gun is a finger gun?

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Speaker 3: A finger gun? It yeah at Hayes and that was

429
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Speaker 3: that was so uh. I mean and I know you

430
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Speaker 3: uh and that's the kind.

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Speaker 1: Of thing that really busts me up, and and it

432
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Speaker 1: busts up a lot of people in a good way.

433
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Speaker 2: I I have an apology to make. I I was

434
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Speaker 2: wrong about you.

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Speaker 3: You see. Oh wow, thank you.

436
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Speaker 2: I see it. I totally get it.

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00:22:58,280 --> 00:23:00,840
Speaker 3: Yeah, And a lot of people didn't tell experience it,

438
00:23:01,040 --> 00:23:03,800
Speaker 3: you know, and I think live that's because it started

439
00:23:03,800 --> 00:23:06,000
Speaker 3: off as a live bear. I mean, the real the

440
00:23:06,040 --> 00:23:08,119
Speaker 3: reason people I think latched onto it so much is

441
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Speaker 3: the technical achievement of making that gun fart of like

442
00:23:11,560 --> 00:23:14,000
Speaker 3: may actually figuring out how to do that, and it's

443
00:23:14,119 --> 00:23:14,800
Speaker 3: just the noise.

444
00:23:16,800 --> 00:23:24,280
Speaker 1: But I think, but I think one thing that may

445
00:23:24,280 --> 00:23:28,000
Speaker 1: have been wrong and the reason that you that you

446
00:23:28,119 --> 00:23:32,359
Speaker 1: didn't find it funny before is that you hadn't actually

447
00:23:32,400 --> 00:23:35,480
Speaker 1: seen it and you were just reacting to engineer bread

448
00:23:35,560 --> 00:23:38,040
Speaker 1: splicing it in later, which is not the same as

449
00:23:38,080 --> 00:23:38,600
Speaker 1: watching it.

450
00:23:38,680 --> 00:23:41,360
Speaker 2: Well, when you send it to I'm sometimes I'm at

451
00:23:41,400 --> 00:23:45,040
Speaker 2: work and I can't watch these things with the sound on.

452
00:23:46,800 --> 00:23:48,760
Speaker 3: Yeah, and I relate to that.

453
00:23:48,880 --> 00:23:50,879
Speaker 2: So you send me a sketch like this and say, like,

454
00:23:50,880 --> 00:23:52,920
Speaker 2: this is the funniest thing I've ever seen.

455
00:23:53,440 --> 00:23:56,760
Speaker 1: You said warning not safe for not safe for pants

456
00:23:56,800 --> 00:23:59,240
Speaker 1: because you'll pee your pants NSFP.

457
00:24:00,320 --> 00:24:03,120
Speaker 2: And so I watched something like that with the sound off,

458
00:24:03,119 --> 00:24:04,200
Speaker 2: and I don't really like.

459
00:24:04,480 --> 00:24:07,560
Speaker 3: Oh God, what a sketch with the sound off? What

460
00:24:07,640 --> 00:24:09,560
Speaker 3: a bad sketch. You must have hated it. I have

461
00:24:09,640 --> 00:24:11,159
Speaker 3: really apologized for that version.

462
00:24:11,200 --> 00:24:13,920
Speaker 2: That's with some of that that's way, and I think

463
00:24:13,920 --> 00:24:16,280
Speaker 2: it is actually, you know, I think it's very impressive

464
00:24:16,320 --> 00:24:19,120
Speaker 2: if you can make me laugh with a sketch without

465
00:24:19,240 --> 00:24:21,880
Speaker 2: me being able to hear the essential sound effect of it.

466
00:24:22,000 --> 00:24:25,919
Speaker 2: But in some cases you do sort of need to

467
00:24:25,920 --> 00:24:27,840
Speaker 2: hear the sound. And now that I've seen it all together,

468
00:24:28,040 --> 00:24:32,720
Speaker 2: I understand what John's on. It makes me remember when

469
00:24:32,760 --> 00:24:34,560
Speaker 2: I was sort of in that same place.

470
00:24:35,280 --> 00:24:38,920
Speaker 1: Yeah, And that's sort of it's fun to remember when

471
00:24:38,960 --> 00:24:42,600
Speaker 1: you were in that place because seeing dumb sort of

472
00:24:42,680 --> 00:24:45,400
Speaker 1: fumble around and try to figure out how to write

473
00:24:45,400 --> 00:24:49,600
Speaker 1: a script or do anything reminds me of when I

474
00:24:49,680 --> 00:24:52,480
Speaker 1: was younger and some of my early shit before I

475
00:24:52,560 --> 00:24:53,439
Speaker 1: found my voice.

476
00:24:54,040 --> 00:24:55,760
Speaker 3: I remember seeing some of that. It was really good.

477
00:24:56,400 --> 00:24:59,479
Speaker 1: Yeah, And the idea that you could someday be as

478
00:24:59,520 --> 00:25:02,080
Speaker 1: good as some my really early shit when I was

479
00:25:02,119 --> 00:25:05,320
Speaker 1: really just fucking off and not even really giving a shit,

480
00:25:07,359 --> 00:25:09,520
Speaker 1: that is what keeps me going and keeps me plugging

481
00:25:09,520 --> 00:25:10,480
Speaker 1: away working with you.

482
00:25:11,560 --> 00:25:13,879
Speaker 3: Yeah, I mean, I appreciate that. I'm really I'm excited

483
00:25:13,880 --> 00:25:15,120
Speaker 3: to hey, is that you're on board for the sketch

484
00:25:15,119 --> 00:25:18,399
Speaker 3: because we're actually I mean people sometimes people email like, oh,

485
00:25:18,400 --> 00:25:20,040
Speaker 3: when are you guys gonna do a sketch again or whatever,

486
00:25:20,080 --> 00:25:23,080
Speaker 3: and like we are wanting to. We're putting together now

487
00:25:23,119 --> 00:25:25,359
Speaker 3: in the idea phase of doing a sequel to that sketch,

488
00:25:25,520 --> 00:25:27,720
Speaker 3: to the far gun skin. And this is what's really

489
00:25:27,760 --> 00:25:28,480
Speaker 3: exciting to you.

490
00:25:28,960 --> 00:25:31,520
Speaker 1: That the idea that he's going to follow up a

491
00:25:31,640 --> 00:25:37,040
Speaker 1: smash hit with an even bigger, hopefully more successful, farting

492
00:25:37,080 --> 00:25:38,040
Speaker 1: gun of some kind.

493
00:25:38,160 --> 00:25:39,960
Speaker 3: Well, I mean that's why I wanted to actually open

494
00:25:40,000 --> 00:25:41,440
Speaker 3: it up a little bit to you guys, because we're,

495
00:25:41,520 --> 00:25:42,960
Speaker 3: like I said, we're still in the idea phase and

496
00:25:43,000 --> 00:25:44,880
Speaker 3: we're just kind of kicking around. We're like, okay, well,

497
00:25:44,880 --> 00:25:46,399
Speaker 3: there's two ways we can go with this. We can

498
00:25:46,480 --> 00:25:51,680
Speaker 3: have like other things that guns sound like, or we could.

499
00:25:51,600 --> 00:25:53,760
Speaker 2: Get the get the whiteboard out and we can just

500
00:25:53,760 --> 00:25:54,120
Speaker 2: do it.

501
00:25:54,280 --> 00:25:56,320
Speaker 3: Okay, great, yeah, yeah, just crack through it.

502
00:25:56,440 --> 00:25:57,680
Speaker 2: Start so like.

503
00:25:57,640 --> 00:26:00,240
Speaker 3: Other other sounds that can come out of a gun,

504
00:26:01,000 --> 00:26:05,400
Speaker 3: or like a bang or a booman, or other objects

505
00:26:05,800 --> 00:26:11,520
Speaker 3: that fart that shouldn't fart, like a duck or an animal. Right,

506
00:26:12,600 --> 00:26:20,560
Speaker 3: So right now we're leaning towards uh.

507
00:26:18,680 --> 00:26:21,240
Speaker 2: Right, hang on duck animal.

508
00:26:21,320 --> 00:26:25,080
Speaker 3: Okay, right now we're leaning towards uh, just subbing out

509
00:26:25,080 --> 00:26:27,520
Speaker 3: the object because it feels like it'll be easier to

510
00:26:27,560 --> 00:26:30,240
Speaker 3: find a new the far gun sketch, a new the

511
00:26:30,280 --> 00:26:32,440
Speaker 3: fart whatever. So I have I have it. There's a few.

512
00:26:32,640 --> 00:26:34,400
Speaker 3: I mean, what if it's a big old fat guy.

513
00:26:35,240 --> 00:26:37,080
Speaker 2: Hm hmm, yeah, that'd be funny.

514
00:26:37,520 --> 00:26:39,320
Speaker 3: It might be that could be good if a big

515
00:26:39,359 --> 00:26:41,840
Speaker 3: old fat guy farts and it's like a movie trailer. Yeah,

516
00:26:41,840 --> 00:26:43,879
Speaker 3: Because you're expected to what you expect him to I

517
00:26:43,920 --> 00:26:51,400
Speaker 3: guess ship all over or something or please please don't

518
00:26:51,400 --> 00:26:57,080
Speaker 3: be vulgar? Is it what you said? I could go

519
00:26:57,080 --> 00:26:59,200
Speaker 3: blues sometimes if I felt it?

520
00:26:59,240 --> 00:27:02,800
Speaker 2: Is it that the fat guy m bends over and

521
00:27:03,000 --> 00:27:07,160
Speaker 2: is like clenching his butt to fart. What you hear

522
00:27:07,400 --> 00:27:09,320
Speaker 2: is a machine gun? Sound?

523
00:27:10,800 --> 00:27:12,760
Speaker 3: Oh that's good?

524
00:27:13,200 --> 00:27:19,800
Speaker 2: Why because then you could still call it fart gun?

525
00:27:20,720 --> 00:27:23,240
Speaker 1: Okay, because that's I think the title is what a

526
00:27:23,240 --> 00:27:26,280
Speaker 1: lot of us reacted to, right, Okay, Okay, so.

527
00:27:26,200 --> 00:27:26,680
Speaker 3: You got yeah.

528
00:27:26,680 --> 00:27:28,240
Speaker 2: I mean because we don't want to do the same

529
00:27:28,280 --> 00:27:30,560
Speaker 2: thing again except for the title, right.

530
00:27:30,560 --> 00:27:32,879
Speaker 1: And you said no, and you've said and we and

531
00:27:32,920 --> 00:27:35,600
Speaker 1: Hayes and I live by this philosophy. You're not going

532
00:27:35,680 --> 00:27:38,640
Speaker 1: to do a sequel unless there's a really great idea.

533
00:27:38,960 --> 00:27:41,040
Speaker 3: That's right, That's right. Yeah, We're not just going to

534
00:27:41,080 --> 00:27:43,359
Speaker 3: do a sequel because we just want to like like,

535
00:27:43,480 --> 00:27:46,040
Speaker 3: oh it's time. We're not doing anything right now. It's like, no,

536
00:27:46,080 --> 00:27:48,160
Speaker 3: We're going to want to let the idea drive us through,

537
00:27:48,520 --> 00:27:50,520
Speaker 3: which is why, you know. So we're sitting down trying

538
00:27:50,520 --> 00:27:52,439
Speaker 3: to figure out which ideas are excited about. We have

539
00:27:52,760 --> 00:27:56,880
Speaker 3: fart Knife, the fart Knife sketch, which we actually as

540
00:27:57,000 --> 00:27:58,920
Speaker 3: when we were actually kind of going through, it feels

541
00:27:58,960 --> 00:28:02,120
Speaker 3: like it might be less like because gun is more

542
00:28:02,240 --> 00:28:05,800
Speaker 3: violent than knife, you know, so we might have paint

543
00:28:05,840 --> 00:28:08,440
Speaker 3: ourselves into a corner. D heightening, that's it. I was

544
00:28:08,480 --> 00:28:10,119
Speaker 3: there was a word you would use for it earlier

545
00:28:10,160 --> 00:28:13,120
Speaker 3: in a session, and I couldn't remember. Sometimes d heightening

546
00:28:13,200 --> 00:28:15,800
Speaker 3: is heightening, that's right. Yeah, making small.

547
00:28:15,600 --> 00:28:17,479
Speaker 2: Miss most of the time is not.

548
00:28:17,640 --> 00:28:21,960
Speaker 1: Yeah, And knives can kind of sound like farts when

549
00:28:22,000 --> 00:28:24,280
Speaker 1: you're cutting through like a picnic table at a park,

550
00:28:24,640 --> 00:28:26,119
Speaker 1: Like if you take a steak knife and you just

551
00:28:26,119 --> 00:28:27,800
Speaker 1: start sawing into a picnic table.

552
00:28:28,080 --> 00:28:30,760
Speaker 3: Yeah, okay, so fart knife I think is gone for sure.

553
00:28:30,800 --> 00:28:34,800
Speaker 3: If that that that makes sense? Uh, fart this one

554
00:28:34,880 --> 00:28:38,160
Speaker 3: fart dick, fart dick sketch. Just because you're like, they

555
00:28:38,160 --> 00:28:39,720
Speaker 3: don't come out. I mean, you know you're not you're

556
00:28:39,760 --> 00:28:42,880
Speaker 3: expecting the fart to come out of We talked to

557
00:28:42,880 --> 00:28:47,120
Speaker 3: you about working blue dick is a gun. The guy's

558
00:28:47,160 --> 00:28:47,840
Speaker 3: dick is a gun.

559
00:28:48,240 --> 00:28:49,920
Speaker 2: Well, I'm just is that what you're pitching?

560
00:28:50,600 --> 00:28:54,360
Speaker 3: Uh No, No guy farts out of his dick in

561
00:28:54,400 --> 00:28:57,640
Speaker 3: the world where dick's it's in part when they shouldn't.

562
00:28:57,920 --> 00:29:00,120
Speaker 3: Maybe I don't know him. I've been asking for some

563
00:29:00,120 --> 00:29:01,080
Speaker 3: celebrity connections.

564
00:29:01,120 --> 00:29:05,840
Speaker 2: Sorry, go back the guy. His dick is farting.

565
00:29:07,120 --> 00:29:09,080
Speaker 3: We're we're still at the title, so it could be

566
00:29:09,080 --> 00:29:12,360
Speaker 3: anything gun, So his his dick would have to be

567
00:29:12,400 --> 00:29:15,040
Speaker 3: a gun. It's the fart dick sketch. Like gun, we're saying,

568
00:29:15,040 --> 00:29:18,000
Speaker 3: we're subbing dick in for gun. But like what I'm saying,

569
00:29:18,480 --> 00:29:23,000
Speaker 3: so his dick is a gun. Okay, yeah, well his

570
00:29:23,040 --> 00:29:25,080
Speaker 3: dick will be a gun then am I am I crazy?

571
00:29:25,160 --> 00:29:28,680
Speaker 3: It's like, okay, no, I might watch that what Hayes said. Okay,

572
00:29:29,240 --> 00:29:30,920
Speaker 3: all right, so I'll put it maybe next time when

573
00:29:30,960 --> 00:29:33,640
Speaker 3: we have fart dart the fart dart sketch. But I

574
00:29:33,680 --> 00:29:36,080
Speaker 3: think we just thought that was funny to say like

575
00:29:36,120 --> 00:29:39,880
Speaker 3: that it rhymed rhyme yeah and then uh and then

576
00:29:39,920 --> 00:29:42,280
Speaker 3: actually fart butt sketch. We had the fart butt sketch,

577
00:29:42,600 --> 00:29:43,920
Speaker 3: so that you guys actually.

578
00:29:43,680 --> 00:29:44,480
Speaker 2: Kind of covered that one.

579
00:29:45,440 --> 00:29:45,800
Speaker 1: Mmmm.

580
00:29:47,600 --> 00:29:50,440
Speaker 3: But Hayes, I'm sorry. I feel like I feel like

581
00:29:50,840 --> 00:29:53,080
Speaker 3: I didn't mean to disagree with you, because Shawn has

582
00:29:53,080 --> 00:29:54,440
Speaker 3: talked to me about this, like when I get a

583
00:29:54,440 --> 00:29:57,480
Speaker 3: note sometimes I just wanted I'm just trying to clarify it.

584
00:29:57,560 --> 00:29:58,760
Speaker 3: But it sounds like I'm arguing.

585
00:29:58,960 --> 00:30:01,120
Speaker 2: I understand that, but it's it's like this isn't for me,

586
00:30:01,880 --> 00:30:04,280
Speaker 2: do you know what I mean? Like, I'm not giving advice

587
00:30:04,360 --> 00:30:07,520
Speaker 2: for myself. It's for you. Yeah, so if you don't listen,

588
00:30:08,040 --> 00:30:09,960
Speaker 2: it's no skin off my rear.

589
00:30:10,240 --> 00:30:12,440
Speaker 3: D you know what I'm saying, for sure, and I

590
00:30:12,480 --> 00:30:13,000
Speaker 3: want to listen.

591
00:30:13,120 --> 00:30:15,760
Speaker 2: I'm going to go off and just do my own thing.

592
00:30:15,800 --> 00:30:17,760
Speaker 2: But like, if you want this thing to be successful,

593
00:30:17,800 --> 00:30:21,960
Speaker 2: maybe actually listen to the people you are asking advice. Bro,

594
00:30:22,120 --> 00:30:23,480
Speaker 2: So just you know what I mean. Now, that's just

595
00:30:23,520 --> 00:30:25,960
Speaker 2: for the future for me, I don't care. You know,

596
00:30:26,000 --> 00:30:26,840
Speaker 2: you can do whatever for that.

597
00:30:26,960 --> 00:30:29,440
Speaker 3: It doesn't matter for you. But some people really piss.

598
00:30:29,280 --> 00:30:32,200
Speaker 2: Them off that you like ask for their advice and

599
00:30:32,200 --> 00:30:34,400
Speaker 2: then they try to give it to you. But you're

600
00:30:34,400 --> 00:30:36,160
Speaker 2: not one of those people. You actually don't give a shit.

601
00:30:36,280 --> 00:30:38,440
Speaker 3: I don't care. Yeah, okay, you know, I have my

602
00:30:38,480 --> 00:30:39,200
Speaker 3: own thing going.

603
00:30:39,280 --> 00:30:41,320
Speaker 1: Like That's a good lesson for the audience is that

604
00:30:41,400 --> 00:30:43,640
Speaker 1: if somebody like a Hayes is giving you some really

605
00:30:43,680 --> 00:30:46,400
Speaker 1: helpful advice and you start spouting a bunch of bullshit

606
00:30:47,040 --> 00:30:49,720
Speaker 1: and really taking a hard line like some kind of

607
00:30:49,760 --> 00:30:55,800
Speaker 1: fucking asshole like what dom was doing. It could potentially

608
00:30:55,880 --> 00:30:58,600
Speaker 1: rub them the wrong way and you might find yourself

609
00:30:58,640 --> 00:31:00,000
Speaker 1: on the wrong end of an ass kicking.

610
00:31:03,320 --> 00:31:07,400
Speaker 2: Should we reach into the popcorn into the popcorn gallery? Yes,

611
00:31:07,520 --> 00:31:12,280
Speaker 2: do it so, I guess Brett. We'll just address Brett though. Yeah,

612
00:31:12,320 --> 00:31:13,640
Speaker 2: this is where you would cut in.

613
00:31:14,080 --> 00:31:17,520
Speaker 3: You're gonna plug in some of the popcorn gallery sound effects.

614
00:31:17,600 --> 00:31:20,720
Speaker 2: Yes, you're gonna do the theme for the popcorn gallery.

615
00:31:20,760 --> 00:31:24,840
Speaker 2: And before each time we reach into the bag, you

616
00:31:24,960 --> 00:31:29,520
Speaker 2: have to do the sound effect of the of the

617
00:31:29,520 --> 00:31:33,080
Speaker 2: popcorn wrestling and the voice. So that's for you, Brett.

618
00:31:33,080 --> 00:31:35,200
Speaker 2: That's a message for you as the engineer, not as

619
00:31:35,240 --> 00:31:37,800
Speaker 2: a listener to the show. This is like you, guys,

620
00:31:37,920 --> 00:31:39,280
Speaker 2: f on your engineering hat.

621
00:31:39,480 --> 00:31:42,480
Speaker 1: If you guys don't hear that when you're listening, then

622
00:31:43,200 --> 00:31:47,760
Speaker 1: go ahead and send your unhappiness to engineer Brett at

623
00:31:47,800 --> 00:31:49,000
Speaker 1: email dot Brett.

624
00:31:50,160 --> 00:31:53,760
Speaker 2: Okay, so let's reach into the popcorn bag with a

625
00:31:53,840 --> 00:32:02,440
Speaker 2: question for Dominic. Dearkis Okay, here's a question from Papa

626
00:32:02,480 --> 00:32:07,480
Speaker 2: John Leguizamo. Dominic, Why is there no White History Month?

627
00:32:10,760 --> 00:32:14,080
Speaker 3: Wow? I actually get this question a lot, because there

628
00:32:14,160 --> 00:32:16,080
Speaker 3: is a Black History Month. February.

629
00:32:16,040 --> 00:32:20,640
Speaker 2: Yeah, it's February. And it seems like, is it racist

630
00:32:21,000 --> 00:32:25,400
Speaker 2: to only represent, to only give black people their own month?

631
00:32:25,600 --> 00:32:27,840
Speaker 2: Is I think what is being alluded?

632
00:32:27,840 --> 00:32:30,200
Speaker 1: It seems that even to me a sort of an

633
00:32:30,200 --> 00:32:32,560
Speaker 1: outsider on the whole conversation because I am one it's

634
00:32:32,640 --> 00:32:37,760
Speaker 1: Native American, it does it does seem a little unfair.

635
00:32:39,160 --> 00:32:42,240
Speaker 3: But you know, dumb, let's get your feedback, Okay, Yeah,

636
00:32:42,280 --> 00:32:45,480
Speaker 3: I mean from where I'm standing, it's absolutely unfair. But

637
00:32:46,200 --> 00:32:48,040
Speaker 3: you know, I get why it's not there, Like I

638
00:32:48,040 --> 00:32:51,000
Speaker 3: get the politics of it, but it's one hundred percent unfair.

639
00:32:52,960 --> 00:32:55,680
Speaker 2: And speak on what you mean by by the politics

640
00:32:55,680 --> 00:32:55,920
Speaker 2: of it.

641
00:32:56,920 --> 00:32:59,320
Speaker 3: The politics of it. Just I get why there can't

642
00:32:59,320 --> 00:33:02,320
Speaker 3: be a month called White History Month. You know, I

643
00:33:02,360 --> 00:33:04,640
Speaker 3: feel like I feel like they're kind of because you know,

644
00:33:04,720 --> 00:33:06,880
Speaker 3: if they like labeled it that there'd be a real

645
00:33:07,040 --> 00:33:08,760
Speaker 3: outcry against it.

646
00:33:08,920 --> 00:33:11,400
Speaker 2: Now, So why is it wrong?

647
00:33:11,440 --> 00:33:11,640
Speaker 4: Though?

648
00:33:11,680 --> 00:33:14,320
Speaker 1: And when you say politics, I think there's a specific

649
00:33:14,440 --> 00:33:17,480
Speaker 1: politician you're referring to, and maybe you can speak on that.

650
00:33:19,800 --> 00:33:22,600
Speaker 3: Yeah. Well, look, I mean I think every every branch

651
00:33:22,640 --> 00:33:24,840
Speaker 3: of government comes from you know, like every facet of

652
00:33:24,920 --> 00:33:26,760
Speaker 3: government is working in some way on the directive of

653
00:33:26,800 --> 00:33:29,720
Speaker 3: the president, and you know, I think if he wanted

654
00:33:29,720 --> 00:33:31,560
Speaker 3: there to be a White History Month, there absolutely would be.

655
00:33:31,600 --> 00:33:33,240
Speaker 2: But why doesn't he want there to be one?

656
00:33:33,400 --> 00:33:35,800
Speaker 3: Well, I see, that's the thing. I think it's I

657
00:33:35,800 --> 00:33:37,840
Speaker 3: think it's just like I said, the politics of it,

658
00:33:37,880 --> 00:33:40,640
Speaker 3: you know, like that gets bartered for something else in

659
00:33:40,680 --> 00:33:44,400
Speaker 3: another area and speak on that specifically. Yeah, okay, Like

660
00:33:44,400 --> 00:33:46,760
Speaker 3: like highway repairs in some state might be like, okay,

661
00:33:46,760 --> 00:33:48,680
Speaker 3: well we're not going to repair your highway unless you

662
00:33:48,760 --> 00:33:50,640
Speaker 3: vote against White History Month. And then they're like okay

663
00:33:50,640 --> 00:33:53,440
Speaker 3: and they back off. And but I mean, I'm a

664
00:33:53,440 --> 00:33:54,840
Speaker 3: part of a community of people who we do have

665
00:33:54,880 --> 00:33:56,959
Speaker 3: a White History Month. We don't say what it did,

666
00:33:57,000 --> 00:33:59,120
Speaker 3: we don't label it. There's just a month where a

667
00:33:59,120 --> 00:34:00,800
Speaker 3: lot of us walk around. We kind of nod and

668
00:34:00,840 --> 00:34:03,440
Speaker 3: we know that it's our month. And you feel pretty

669
00:34:03,440 --> 00:34:04,120
Speaker 3: good when you do that.

670
00:34:04,240 --> 00:34:04,520
Speaker 4: Huh.

671
00:34:04,840 --> 00:34:05,200
Speaker 3: Yeah.

672
00:34:05,960 --> 00:34:08,080
Speaker 1: It's like how I you know, when I'm out at

673
00:34:08,120 --> 00:34:12,600
Speaker 1: my totem pole. You have your own totem pole, I do.

674
00:34:12,800 --> 00:34:13,280
Speaker 2: Yeah.

675
00:34:13,719 --> 00:34:15,759
Speaker 1: I live on a nice piece of property and so

676
00:34:15,800 --> 00:34:19,680
Speaker 1: there's room for that kind of thing. But I feel

677
00:34:19,719 --> 00:34:23,640
Speaker 1: so connected to my ancestors, and I think that that

678
00:34:23,840 --> 00:34:25,560
Speaker 1: is a very nice positive thing.

679
00:34:26,160 --> 00:34:30,319
Speaker 2: I would love to participate as as a white guy.

680
00:34:30,880 --> 00:34:33,319
Speaker 2: Would be great to have my own month. I've heard

681
00:34:33,320 --> 00:34:34,600
Speaker 2: that yours is also February.

682
00:34:34,760 --> 00:34:37,799
Speaker 3: Yeah, yeah, yeah, our secret White History Month is also February.

683
00:34:39,320 --> 00:34:46,120
Speaker 2: Let's reach back into the popcorn bag. Okay, Dominic, here's

684
00:34:46,120 --> 00:34:51,760
Speaker 2: a question from Bird Rules. Birds Rules asks Dominic, vacation

685
00:34:52,160 --> 00:34:52,960
Speaker 2: or stay cation.

686
00:34:55,800 --> 00:34:59,320
Speaker 3: I've always said it depends on where you live, because

687
00:34:59,360 --> 00:35:02,160
Speaker 3: if you live in a spot that is a vacation spot,

688
00:35:02,320 --> 00:35:04,480
Speaker 3: I think a staycation makes a ton of sense, like

689
00:35:04,520 --> 00:35:06,840
Speaker 3: a resort, like if yeah, if you live at a resort,

690
00:35:06,960 --> 00:35:09,880
Speaker 3: if you live in yeah, like your dad lives at

691
00:35:09,920 --> 00:35:11,719
Speaker 3: Club Met. My dad lives at Club Met, and my

692
00:35:11,760 --> 00:35:15,680
Speaker 3: mom lives at Universal Studios Florida and uh on like

693
00:35:15,760 --> 00:35:18,920
Speaker 3: most of them, like in the Nickelodeon area, and so

694
00:35:19,640 --> 00:35:21,040
Speaker 3: I have a lot of experience with this actually, and

695
00:35:21,040 --> 00:35:22,799
Speaker 3: they would all we would always do staycations, and people

696
00:35:22,800 --> 00:35:24,120
Speaker 3: were like, let's lame, You're not going out of town.

697
00:35:24,160 --> 00:35:26,640
Speaker 3: It's like, well, we live, you know. But if yeah,

698
00:35:26,680 --> 00:35:29,319
Speaker 3: if you lived in like Tulsa, Oklahoma, I don't think

699
00:35:29,360 --> 00:35:31,760
Speaker 3: you would necessarily want to like stay cation, no offense

700
00:35:31,800 --> 00:35:34,640
Speaker 3: to anyone. I don't know if many people listen in Tulsa.

701
00:35:34,760 --> 00:35:37,439
Speaker 2: Right, But but it's a bad place to live.

702
00:35:37,760 --> 00:35:39,279
Speaker 3: I mean yeah, well it's just you don't want a

703
00:35:39,320 --> 00:35:41,000
Speaker 3: vacation there because you don't want to live that. You

704
00:35:41,000 --> 00:35:43,640
Speaker 3: don't want to be there, like in that at all. Yeah,

705
00:35:43,760 --> 00:35:45,279
Speaker 3: and in no offense if you live there and you

706
00:35:45,360 --> 00:35:47,600
Speaker 3: like it, like I get it, I just don't. I

707
00:35:47,640 --> 00:35:49,279
Speaker 3: just don't get why anyone would spend time there.

708
00:35:49,360 --> 00:35:50,399
Speaker 2: What do you get about it?

709
00:35:50,960 --> 00:35:52,839
Speaker 3: What do I get about what they like? I mean,

710
00:35:52,920 --> 00:35:54,399
Speaker 3: you know, I don't know. I'd have to meet them,

711
00:35:54,400 --> 00:35:56,080
Speaker 3: but I mean I get it, Like I get how

712
00:35:56,120 --> 00:35:58,720
Speaker 3: you would be wrong about like I felt ways about

713
00:35:58,760 --> 00:36:01,080
Speaker 3: things and then found out later I was just like.

714
00:36:01,160 --> 00:36:05,479
Speaker 1: Well, no one chooses to live there, right, so it's right,

715
00:36:05,880 --> 00:36:07,879
Speaker 1: So why are they there?

716
00:36:08,520 --> 00:36:15,160
Speaker 3: You're asking me? Yes, I mean I assume their families

717
00:36:15,200 --> 00:36:21,240
Speaker 3: are there or they just like, yeah, yeah, they should

718
00:36:21,239 --> 00:36:21,920
Speaker 3: all go on a vacation.

719
00:36:21,920 --> 00:36:24,120
Speaker 1: If it's in prison, I get it. If you're in prison,

720
00:36:25,320 --> 00:36:28,080
Speaker 1: because it's because that you're not supposed to be allowed

721
00:36:28,080 --> 00:36:28,479
Speaker 1: to leave.

722
00:36:29,800 --> 00:36:32,319
Speaker 3: Could you speak on that, dumb? Yeah, Well, I mean

723
00:36:32,520 --> 00:36:34,600
Speaker 3: they can't let you leave prison. I mean because you

724
00:36:34,680 --> 00:36:38,000
Speaker 3: would if if they brought you to prison and then

725
00:36:38,000 --> 00:36:40,200
Speaker 3: you could just leave. It would there would be everyone,

726
00:36:40,680 --> 00:36:42,520
Speaker 3: there would be no yeah, everyone would be in trouble

727
00:36:42,520 --> 00:36:44,319
Speaker 3: and they'd throw you right back in. You'd walk right out,

728
00:36:44,360 --> 00:36:46,280
Speaker 3: and there would just just I mean, that just sounds

729
00:36:46,280 --> 00:36:48,359
Speaker 3: like a waste of money, if you're asking me, like,

730
00:36:48,440 --> 00:36:50,720
Speaker 3: we lose so much money per prisoner anyway.

731
00:36:51,160 --> 00:36:51,600
Speaker 2: I know.

732
00:36:54,239 --> 00:36:57,800
Speaker 1: What a frustrating system. Do you know that it costs

733
00:36:58,080 --> 00:37:02,960
Speaker 1: more money to feed one prisoner for a month than

734
00:37:03,000 --> 00:37:04,520
Speaker 1: it does to build a school?

735
00:37:05,239 --> 00:37:05,520
Speaker 4: Yeah?

736
00:37:05,680 --> 00:37:07,840
Speaker 3: I did? I read? I read. I read with the

737
00:37:07,880 --> 00:37:13,359
Speaker 3: amount of gasoline that it requires to run an aircraft carrier. Yes,

738
00:37:13,640 --> 00:37:18,520
Speaker 3: you could feed a whole village in Africa for ten years. Hey,

739
00:37:18,640 --> 00:37:19,520
Speaker 3: want to feel old?

740
00:37:21,040 --> 00:37:21,239
Speaker 4: Yeah?

741
00:37:21,280 --> 00:37:23,360
Speaker 3: What's up? Yeah? I like feeling old.

742
00:37:23,719 --> 00:37:27,960
Speaker 1: Right at this moment. You're older than Zach Morris was

743
00:37:28,000 --> 00:37:29,719
Speaker 1: when he graduated from Bayside.

744
00:37:30,000 --> 00:37:32,960
Speaker 3: You're kidding me, that's there's no way that's true. Is

745
00:37:32,960 --> 00:37:36,080
Speaker 3: that seriously true? Well, I have to think about it.

746
00:37:36,719 --> 00:37:39,719
Speaker 3: I'm twenty nine. Yeah, yeah, he would have been what

747
00:37:39,840 --> 00:37:45,200
Speaker 3: like eighteen? Jeez? Now, okay, okay, I get these sentimes

748
00:37:45,200 --> 00:37:49,160
Speaker 3: sometimes online. They're really I like, really it's scary almost Heyes,

749
00:37:49,200 --> 00:37:50,080
Speaker 3: want to feel old?

750
00:37:50,640 --> 00:37:52,520
Speaker 2: I guess the.

751
00:37:52,440 --> 00:37:56,200
Speaker 1: First Beatles album came out over thirty years ago.

752
00:37:57,800 --> 00:37:59,399
Speaker 3: Heyes, you want to feel old?

753
00:38:02,640 --> 00:38:04,680
Speaker 2: I already feel pretty old, but I guess I could

754
00:38:04,680 --> 00:38:05,760
Speaker 2: feel older.

755
00:38:05,640 --> 00:38:09,160
Speaker 3: If that show, uh, that show Family Matters was real,

756
00:38:09,600 --> 00:38:13,680
Speaker 3: Erkle would be seventy five. He would be seventy five

757
00:38:13,760 --> 00:38:15,320
Speaker 3: years old today.

758
00:38:15,480 --> 00:38:17,680
Speaker 2: God, I am old, dumb?

759
00:38:17,760 --> 00:38:20,120
Speaker 3: You want to feel old? H yeah?

760
00:38:20,360 --> 00:38:26,800
Speaker 1: Okay, if if dinosaurs were around today, they'd be twice

761
00:38:26,840 --> 00:38:28,200
Speaker 1: as old as Jurassic Park.

762
00:38:29,680 --> 00:38:34,520
Speaker 3: Wow, man, God, I mean that is that dom?

763
00:38:34,600 --> 00:38:37,520
Speaker 2: Can you make me feel old younger? Please? Yeah?

764
00:38:37,600 --> 00:38:41,000
Speaker 3: Yeah, yeah, you want to feel uh let's see okay,

765
00:38:41,080 --> 00:38:42,879
Speaker 3: yeah you want to feel young?

766
00:38:43,120 --> 00:38:43,359
Speaker 2: Yes?

767
00:38:44,800 --> 00:38:47,800
Speaker 3: Movie Avatar just came out in like the last five years.

768
00:38:48,840 --> 00:38:50,040
Speaker 2: Ah, that feels great.

769
00:38:50,880 --> 00:38:54,359
Speaker 3: Yeah, so it's recent. Hey do you want to feel young?

770
00:38:55,280 --> 00:38:55,640
Speaker 2: Please?

771
00:38:56,080 --> 00:38:58,520
Speaker 3: The artist won Best Picture a couple of years ago.

772
00:38:58,960 --> 00:39:00,439
Speaker 2: Oh man, I'm real young.

773
00:39:02,120 --> 00:39:03,960
Speaker 3: Hey's you want to you want to feel young?

774
00:39:04,120 --> 00:39:04,600
Speaker 2: Yeah?

775
00:39:04,880 --> 00:39:10,279
Speaker 3: Okay? The first iPhone it was it was like not

776
00:39:10,360 --> 00:39:14,239
Speaker 3: even ten years ago, right, like five?

777
00:39:14,960 --> 00:39:15,279
Speaker 2: You know what?

778
00:39:15,320 --> 00:39:17,839
Speaker 3: I actually don't. I don't know. I didn't I didn't

779
00:39:17,880 --> 00:39:20,359
Speaker 3: have that one in front of me. I think it's

780
00:39:20,480 --> 00:39:23,319
Speaker 3: less than ten yeah, less than ten years ago, which

781
00:39:23,360 --> 00:39:25,400
Speaker 3: is like just because it feels it feels really.

782
00:39:25,239 --> 00:39:29,600
Speaker 1: Recent, Dominic, you want to feel young, Yeah, freaking car

783
00:39:29,800 --> 00:39:34,239
Speaker 1: hybrid cars, you know, like yeah, those are starting to

784
00:39:34,280 --> 00:39:34,880
Speaker 1: really catch on.

785
00:39:36,560 --> 00:39:36,840
Speaker 4: Sean.

786
00:39:36,880 --> 00:39:41,680
Speaker 3: You want to feel young. Please eat the Gojiberries. Eat Gojiberries.

787
00:39:42,719 --> 00:39:45,760
Speaker 3: They're so good for you. They're really good for you.

788
00:39:45,960 --> 00:39:50,720
Speaker 3: Not too much, but enough. Well, too much of anything,

789
00:39:50,760 --> 00:39:52,280
Speaker 3: you know they give that. They say that with everything,

790
00:39:52,320 --> 00:39:54,839
Speaker 3: like don't take too much. It's like, yeah, well too

791
00:39:54,920 --> 00:39:55,480
Speaker 3: much of the best.

792
00:39:55,520 --> 00:40:00,319
Speaker 2: It's because like it's if you can't afford it, spend

793
00:40:00,400 --> 00:40:02,400
Speaker 2: all your money on whatever. But it's like what if

794
00:40:02,440 --> 00:40:03,440
Speaker 2: you have more?

795
00:40:04,360 --> 00:40:04,480
Speaker 4: Uh?

796
00:40:04,560 --> 00:40:06,640
Speaker 3: We had one more question in the popcorn gallery.

797
00:40:06,719 --> 00:40:09,000
Speaker 2: Yeah, let's reach back into the bag.

798
00:40:09,280 --> 00:40:11,480
Speaker 1: And Brett and Jenier Brett go ahead and throw in

799
00:40:11,520 --> 00:40:12,440
Speaker 1: the sound Remember to.

800
00:40:12,400 --> 00:40:18,880
Speaker 2: Please throw in the sound effect. Thank you, okay, Dominic.

801
00:40:19,400 --> 00:40:22,880
Speaker 2: This is a question from Bill Russell Crowe. He asks

802
00:40:23,400 --> 00:40:26,719
Speaker 2: dom I was recently apprehended at LAX for yelling out

803
00:40:26,800 --> 00:40:29,320
Speaker 2: dom when I saw you moon walking across the baggage

804
00:40:29,320 --> 00:40:32,000
Speaker 2: claim conveyor belt. You ever think of changing your name

805
00:40:32,040 --> 00:40:34,040
Speaker 2: to something that doesn't sound so much like bomb?

806
00:40:36,480 --> 00:40:38,040
Speaker 3: I feel like there's two things I have to answer

807
00:40:38,120 --> 00:40:40,960
Speaker 3: for there. You must get this question a lot.

808
00:40:41,040 --> 00:40:41,480
Speaker 2: I get this.

809
00:40:41,480 --> 00:40:42,080
Speaker 3: Question a lot.

810
00:40:42,200 --> 00:40:43,800
Speaker 2: Yeah, start with the actual question.

811
00:40:43,960 --> 00:40:47,279
Speaker 3: Okay, So have I ever Have I ever thought about

812
00:40:47,320 --> 00:40:53,239
Speaker 3: changing my name to Bomb? That's his question. Sure, Yeah, no,

813
00:40:53,680 --> 00:40:57,040
Speaker 3: I actually haven't. I haven't thought about that. Yeah, but

814
00:40:57,360 --> 00:40:59,920
Speaker 3: you know I would. It's something. Yeah, I don't know.

815
00:41:00,239 --> 00:41:01,840
Speaker 3: It's a good to feel like you've really earned it

816
00:41:01,920 --> 00:41:03,800
Speaker 3: yet No I don't. I don't feel like i've earned it.

817
00:41:03,840 --> 00:41:06,279
Speaker 3: I feel like, well, because Sean, you told me that

818
00:41:06,440 --> 00:41:08,399
Speaker 3: I'll get to change my name with something cooler once

819
00:41:08,440 --> 00:41:13,120
Speaker 3: I've kind of achieved a writing you know, threshold that

820
00:41:13,200 --> 00:41:14,359
Speaker 3: you've established for me.

821
00:41:14,480 --> 00:41:17,560
Speaker 1: When you officially crack my shit up and really do

822
00:41:17,680 --> 00:41:19,839
Speaker 1: something that makes me laugh my whole butt off, and

823
00:41:19,880 --> 00:41:23,319
Speaker 1: if you do it in front of anyone and they

824
00:41:23,360 --> 00:41:25,000
Speaker 1: see me crack my shit up and I have to

825
00:41:25,040 --> 00:41:27,160
Speaker 1: answer for it, I'm going to give you a cool

826
00:41:27,280 --> 00:41:33,240
Speaker 1: nickname like Razor Blade or Spanish Harlem or yeah something.

827
00:41:34,040 --> 00:41:37,879
Speaker 1: But until that comes, I would say the best thing

828
00:41:37,960 --> 00:41:41,080
Speaker 1: for you to do keep your head down.

829
00:41:41,120 --> 00:41:45,400
Speaker 2: Or even change your name to something more appropriate to

830
00:41:45,480 --> 00:41:46,840
Speaker 2: where you are now.

831
00:41:47,840 --> 00:41:48,839
Speaker 3: That'll make more sense.

832
00:41:49,040 --> 00:41:51,560
Speaker 1: If you do get to Bomb, people will go like yes, now,

833
00:41:51,560 --> 00:41:53,040
Speaker 1: he's bombed, because now you can.

834
00:41:52,920 --> 00:41:57,719
Speaker 2: Be like plastic fork, right, yeah, that's right, okay, or

835
00:41:57,760 --> 00:41:58,760
Speaker 2: like shammy cloth.

836
00:41:59,120 --> 00:42:02,839
Speaker 1: Yeah, like eggs like on the bottom of a pant

837
00:42:02,920 --> 00:42:04,919
Speaker 1: if you made scrambled egg, likedried.

838
00:42:04,600 --> 00:42:07,920
Speaker 3: Eggs, tried eggs. Okay, yeah, so I guess answers. No,

839
00:42:07,960 --> 00:42:10,040
Speaker 3: I can't. I don't not worthy of bomb yet.

840
00:42:10,080 --> 00:42:11,960
Speaker 2: And then windowsill seed garden.

841
00:42:12,920 --> 00:42:15,799
Speaker 3: M yeah, like a microgreen sort of set up like

842
00:42:15,840 --> 00:42:18,280
Speaker 3: some Oh yeah, like you're growing like herbs or something.

843
00:42:18,680 --> 00:42:19,120
Speaker 3: Mm hmm.

844
00:42:19,680 --> 00:42:22,960
Speaker 1: Maybe not herbs, people really like herbs, but maybe like

845
00:42:23,160 --> 00:42:23,959
Speaker 1: moss or a.

846
00:42:23,840 --> 00:42:27,600
Speaker 2: Weed, or like a pillow, but one that just goes

847
00:42:27,640 --> 00:42:28,360
Speaker 2: on like a chair.

848
00:42:29,480 --> 00:42:34,000
Speaker 3: Oh chare pillow, Yeah right, it's all mushed pretty flat.

849
00:42:35,040 --> 00:42:38,880
Speaker 2: And then bed pillow next someday.

850
00:42:39,320 --> 00:42:42,040
Speaker 3: Yeah, no, I want it. I mean we really.

851
00:42:42,719 --> 00:42:45,640
Speaker 1: Could use that and ultimately airplane neck pillow and then

852
00:42:45,719 --> 00:42:46,560
Speaker 1: possibly bomb.

853
00:42:49,080 --> 00:42:50,880
Speaker 3: As far as the other part of the question goes,

854
00:42:53,239 --> 00:42:55,239
Speaker 3: is it l A X He said you saw me

855
00:42:55,719 --> 00:43:00,680
Speaker 3: at the baggage clan convey or apprehended moonwalk across the

856
00:43:00,680 --> 00:43:05,080
Speaker 3: conveyor belt. I'm genuinely trying to realize if this is me,

857
00:43:05,760 --> 00:43:08,960
Speaker 3: because I don't I don't think I can moonwalk is

858
00:43:09,000 --> 00:43:11,200
Speaker 3: the thing, but I have idly try.

859
00:43:11,320 --> 00:43:13,239
Speaker 2: But that's where you would do it, because all you

860
00:43:13,320 --> 00:43:15,440
Speaker 2: have to do to moonwalk on a conveyor belt is

861
00:43:15,480 --> 00:43:16,400
Speaker 2: turned backwards.

862
00:43:18,239 --> 00:43:21,879
Speaker 3: Oh god, you're right. Yeah, oh on a moving conveyor belt.

863
00:43:22,360 --> 00:43:25,120
Speaker 3: Oh yeah, okay, yeah, got it?

864
00:43:25,160 --> 00:43:26,000
Speaker 2: Does that ring a bell?

865
00:43:26,840 --> 00:43:29,440
Speaker 3: That does ring a bell? I was standing on a

866
00:43:29,480 --> 00:43:32,320
Speaker 3: moving conveyor belt, and I was like, and when I stand,

867
00:43:32,320 --> 00:43:33,879
Speaker 3: I tend to like do a thing with my feet

868
00:43:33,880 --> 00:43:36,440
Speaker 3: that makes it look like I'm walking forward. Yeah, so

869
00:43:36,520 --> 00:43:38,800
Speaker 3: I think I think it. I think I was just

870
00:43:38,840 --> 00:43:40,400
Speaker 3: waiting for my bags. I think this guy saw me

871
00:43:40,440 --> 00:43:42,520
Speaker 3: waiting for my bags doing my little idol thing with

872
00:43:42,560 --> 00:43:44,960
Speaker 3: my feet, and then he went, oh, that guy's moon

873
00:43:45,000 --> 00:43:48,960
Speaker 3: walking around in a circle. And I have one white

874
00:43:49,000 --> 00:43:52,000
Speaker 3: glove on. Sure because I because that's what I used

875
00:43:52,000 --> 00:43:55,480
Speaker 3: to carry my heavy bag. But that's all. So yeah,

876
00:43:55,480 --> 00:43:58,640
Speaker 3: I think that's probably what he saw. Something was I sing?

877
00:43:58,680 --> 00:44:00,680
Speaker 3: I mean yeah yeah, because like I said, I was

878
00:44:00,719 --> 00:44:03,760
Speaker 3: waiting your headphones on and you were maybe singing along.

879
00:44:03,920 --> 00:44:06,560
Speaker 3: Yeah yeah, it was just I was just singing. Uh.

880
00:44:06,640 --> 00:44:08,759
Speaker 3: It was just this like mash up that I made

881
00:44:09,239 --> 00:44:12,600
Speaker 3: a lot of different you know, just Michael Jackson songs.

882
00:44:12,600 --> 00:44:14,080
Speaker 3: It's a lot of different Michael Jackson songs.

883
00:44:14,320 --> 00:44:18,240
Speaker 2: So and did you grab your yeah feature?

884
00:44:18,880 --> 00:44:19,080
Speaker 4: Yeah?

885
00:44:19,120 --> 00:44:20,520
Speaker 3: And I paid the guy a hundred bucks to turn

886
00:44:20,560 --> 00:44:23,560
Speaker 3: the thing on so that it would spin me around. Yeah,

887
00:44:23,600 --> 00:44:24,960
Speaker 3: so it was, it was. It was a fun day.

888
00:44:25,360 --> 00:44:27,600
Speaker 2: And I said, maybe it wasn't clear when I said,

889
00:44:27,600 --> 00:44:30,920
Speaker 2: did you grab your feature? Like, did you grab it

890
00:44:31,040 --> 00:44:33,040
Speaker 2: your my yeah, my.

891
00:44:33,080 --> 00:44:35,560
Speaker 3: Dick, And yes, and you did, I got yeah, I

892
00:44:35,560 --> 00:44:37,839
Speaker 3: did the Michael Jackson noise. Yeah, yeah, yeah, I went

893
00:44:37,880 --> 00:44:38,440
Speaker 3: I went here.

894
00:44:38,560 --> 00:44:40,960
Speaker 1: He lucky as Dick wasn't a gun like in that

895
00:44:41,000 --> 00:44:43,720
Speaker 1: funny punch up you made to that schedule earlier.

896
00:44:44,200 --> 00:44:45,839
Speaker 2: That's exactly you get it.

897
00:44:46,160 --> 00:44:49,760
Speaker 1: You see what when it comes back up, you see

898
00:44:49,760 --> 00:44:51,520
Speaker 1: how much how helpful it would have been to take

899
00:44:51,600 --> 00:44:54,520
Speaker 1: cases no and not risk winding up on the wrung.

900
00:44:54,560 --> 00:44:58,160
Speaker 2: And and that was off the table obviously now because

901
00:44:58,400 --> 00:45:00,960
Speaker 2: you didn't pick it up into that can be something

902
00:45:00,960 --> 00:45:01,719
Speaker 2: else now, but.

903
00:45:01,960 --> 00:45:05,880
Speaker 3: Well, of course time of course. Now I'm like, I'm like,

904
00:45:06,120 --> 00:45:08,560
Speaker 3: it is great because when I heard it earlier, I

905
00:45:08,600 --> 00:45:10,879
Speaker 3: heard it in the lab. Yeah, this time I heard

906
00:45:10,880 --> 00:45:12,719
Speaker 3: it in like the streets. You see how true it is?

907
00:45:14,040 --> 00:45:15,759
Speaker 3: Are you sick a little bit?

908
00:45:15,840 --> 00:45:16,040
Speaker 2: Yeah?

909
00:45:16,080 --> 00:45:18,080
Speaker 3: No, I just a little sneeze, just allergies, you know.

910
00:45:18,640 --> 00:45:21,919
Speaker 2: But you would come and do the show and be sick?

911
00:45:23,080 --> 00:45:25,799
Speaker 3: Yeah? Yeah, I mean I had I spit all over

912
00:45:25,840 --> 00:45:27,799
Speaker 3: the mic and I I tried to turn away, but

913
00:45:27,880 --> 00:45:29,680
Speaker 3: I did you know he was sick? I'd spit and

914
00:45:29,719 --> 00:45:31,800
Speaker 3: piss on the mic. Did you know he didn't kiss

915
00:45:31,800 --> 00:45:32,800
Speaker 3: both of our cheeks?

916
00:45:33,760 --> 00:45:34,719
Speaker 2: Did you know he was sick?

917
00:45:35,680 --> 00:45:40,920
Speaker 1: I had I swear to God, Hayes, I swear to God.

918
00:45:41,000 --> 00:45:44,239
Speaker 3: You have to believe me. I really didn't know you

919
00:45:44,280 --> 00:45:45,080
Speaker 3: told him that.

920
00:45:46,040 --> 00:45:46,279
Speaker 2: Look.

921
00:45:46,320 --> 00:45:48,799
Speaker 3: Look, I had emailed trying to schedule this for so long,

922
00:45:48,840 --> 00:45:50,120
Speaker 3: and you guys kept kicking it down the road and

923
00:45:50,200 --> 00:45:51,560
Speaker 3: kicking down the road and then this and then he

924
00:45:51,680 --> 00:45:53,439
Speaker 3: and then when he email back and said this date's firm,

925
00:45:53,480 --> 00:45:56,080
Speaker 3: we're actually gonna we actually need somebody because everyone we

926
00:45:56,160 --> 00:45:57,880
Speaker 3: know has dropped out, like every because I think this

927
00:45:58,000 --> 00:46:00,000
Speaker 3: was like everyone you guys know is that's what you'll

928
00:46:00,040 --> 00:46:01,480
Speaker 3: and said said no to this one.

929
00:46:01,520 --> 00:46:04,960
Speaker 1: But well nobody do no, no, no, nobody, no, nobody

930
00:46:05,080 --> 00:46:06,399
Speaker 1: dropped out on us.

931
00:46:06,960 --> 00:46:09,279
Speaker 3: Oh I well or whatever, I'm sorry. I didn't mean

932
00:46:09,280 --> 00:46:09,560
Speaker 3: it like that.

933
00:46:10,000 --> 00:46:12,200
Speaker 2: Dom. Do you know who's using that microphone?

934
00:46:12,200 --> 00:46:19,080
Speaker 3: After this, huh, Andrew t Okay, yeah, no, and I

935
00:46:19,200 --> 00:46:23,480
Speaker 3: apologize to I'll apologize, Yo, is this germs?

936
00:46:24,440 --> 00:46:30,799
Speaker 2: He could go to the hospital because you were selfish

937
00:46:31,080 --> 00:46:33,520
Speaker 2: I and then no one would know if this was racist.

938
00:46:34,680 --> 00:46:37,920
Speaker 3: I just thought I actually just wanted to do it

939
00:46:37,960 --> 00:46:39,919
Speaker 3: so bad that I just thought I could push through.

940
00:46:39,960 --> 00:46:41,839
Speaker 3: And then and I thought, honestly, I thought you guys

941
00:46:41,840 --> 00:46:42,359
Speaker 3: wouldn't notice.

942
00:46:42,360 --> 00:46:42,960
Speaker 2: I thought you guys.

943
00:46:42,800 --> 00:46:46,759
Speaker 3: Wouldn't notice it. I was a little bit sick. I mean,

944
00:46:46,760 --> 00:46:47,600
Speaker 3: we'll still use it.

945
00:46:47,600 --> 00:46:50,080
Speaker 2: I guess then you will host the show instead of him,

946
00:46:50,120 --> 00:46:52,279
Speaker 2: as if yeah.

947
00:46:52,000 --> 00:46:56,560
Speaker 1: Please don't make us laugh with that funny joke. They'll

948
00:46:56,600 --> 00:47:00,319
Speaker 1: make us laugh with that funny joke you hosting? Is

949
00:47:00,360 --> 00:47:03,200
Speaker 1: this racist? As if you even could tell if it

950
00:47:03,280 --> 00:47:08,480
Speaker 1: is racist? Now, now rate us on iTunes, like us

951
00:47:08,520 --> 00:47:12,920
Speaker 1: on Facebook, buy the pro version of our podcast and

952
00:47:12,960 --> 00:47:14,000
Speaker 1: make that investment.

953
00:47:14,960 --> 00:47:16,440
Speaker 3: It's an investment in yourself.

954
00:47:16,760 --> 00:47:20,319
Speaker 2: That the prize in the pro version this week, Uh

955
00:47:20,800 --> 00:47:25,600
Speaker 2: Andy nice bought the pro version and what's.

956
00:47:25,120 --> 00:47:28,719
Speaker 1: His well, uh, he gets and this is unfortunate, but

957
00:47:28,800 --> 00:47:34,400
Speaker 1: he gets a foam mic cover. Now I don't want

958
00:47:35,080 --> 00:47:40,240
Speaker 1: to send him one. That's sick making. But it's also

959
00:47:40,600 --> 00:47:43,560
Speaker 1: like we can't give it one of ours just for

960
00:47:43,640 --> 00:47:44,360
Speaker 1: the pro version.

961
00:47:45,080 --> 00:47:47,960
Speaker 2: No one of ours is worth a lot more. So.

962
00:47:48,000 --> 00:47:54,840
Speaker 2: You get the unused microphone cover from this the fourth

963
00:47:54,920 --> 00:47:57,440
Speaker 2: mic cover from this session, and there are no germs

964
00:47:57,480 --> 00:47:57,879
Speaker 2: on end.

965
00:47:57,840 --> 00:48:01,520
Speaker 1: The one that nobody used in mm hmm, You're gonna

966
00:48:01,520 --> 00:48:06,319
Speaker 1: love it. Bye Bye.

967
00:48:09,520 --> 00:48:12,520
Speaker 3: This has been an Earwolf Media production, Executive producers Jeff

968
00:48:12,560 --> 00:48:15,480
Speaker 3: Ulrick and Scott Ackerman. For more information, visit earwolf dot.

969
00:48:15,360 --> 00:48:23,000
Speaker 2: Com, ear Warf Radio Boom dot

970
00:48:23,080 --> 00:48:31,000
Speaker 3: Com, The WORF Dead