WEBVTT - TechStuff Goes Transmitter Hunting - Part One

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<v Speaker 1>Get in text with technology with tex Stuff from how

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<v Speaker 1>stuff Works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I'm your host, Jonathan Strickland, senior writer for how stuff

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<v Speaker 1>Works dot com and today in the studio, I am

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<v Speaker 1>not by myself. It is so amazingly awesome. Only am

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<v Speaker 1>I not by myself? But I didn't even have to

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<v Speaker 1>pick the topic. My guest did it for me. And

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<v Speaker 1>my guest, of course, is someone you all know and love,

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<v Speaker 1>Joe McCormick. Beloved in our office. We sing his phrases

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<v Speaker 1>when he's not around. Joe. Welcome back to the show.

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<v Speaker 1>Thank you for having me. Jonathan, You're welcome, Joe. It's

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<v Speaker 1>like a little it's like a two thirds forward thinking

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<v Speaker 1>reunion right now. So I wanted to talk today a

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<v Speaker 1>little bit about a subject that is recently near and

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<v Speaker 1>dear to my heart. Not a long time fascination, a

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<v Speaker 1>recent obsession, and that is the idea of radio direction finding. Yeah,

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<v Speaker 1>this was something I knew. I mean really, I knew

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<v Speaker 1>nothing about it when you brought this to my attention.

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<v Speaker 1>And the more I learned about it, the more I realized,

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<v Speaker 1>not only is it a fascinating subject, but it also

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<v Speaker 1>in many ways. It's kind of a spiritual cousin to

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<v Speaker 1>some other topics I've covered, like geo cashing. Just for

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<v Speaker 1>one specific part of radio direction finding that we'll get

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<v Speaker 1>into in this episode. Okay, so, uh to introduce you here,

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<v Speaker 1>I want you to imagine you have a favorite radio station.

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<v Speaker 1>You don't have to imagine, you really do it. What

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<v Speaker 1>do they play on Power nine. Well, they don't play

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<v Speaker 1>anything anymore because now it's but back in the nineties,

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<v Speaker 1>Power ninety nine was the station that slowly introduced Atlanta

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<v Speaker 1>to the wonderful world of alternative music. Okay, so R

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<v Speaker 1>e M got a lot of play. In fact, the

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<v Speaker 1>very first time I ever heard R e M Losing

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<v Speaker 1>my religion was on Power ninety nine. Yeah. Do you

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<v Speaker 1>listen now to point one the River? You know what?

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<v Speaker 1>Not a big not a big fan of the River,

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<v Speaker 1>but I do still listen to ninety nine X, which

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<v Speaker 1>is not one seven anymore. I can't remember which station

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<v Speaker 1>it's on, but I still listen to that. Okay, Well

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<v Speaker 1>take yourself back in time, Jonathan, go back to the

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<v Speaker 1>days of power and imagine. You know, Power ninety nine.

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<v Speaker 1>It just gets you through the morning. You wake up

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<v Speaker 1>every day, you know. Uh, it gets you through the

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<v Speaker 1>t d M of peeling those thirty seven hard boiled

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<v Speaker 1>eggs you're gonna eat for breakfast and accurate so far,

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<v Speaker 1>and it's just it's your favorite part of the day.

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<v Speaker 1>But one morning you switch on your radio to Power

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<v Speaker 1>ninety nine. You think you're gonna hear some great new

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<v Speaker 1>R E M singles, But instead, something is wrong. Instead

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<v Speaker 1>of the regular programming of your of your regular favorite

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<v Speaker 1>radio station, you are treated to an unending loop of

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<v Speaker 1>Mick Jaggers solo love ballad hard Woman. Is this the

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<v Speaker 1>one that has the terrible music video? Yeah, that was

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<v Speaker 1>put together by a Ray supercomputer. Yeah, now I remember this.

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<v Speaker 1>I remember you showing me that music video. And and

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<v Speaker 1>the only thing worse than the music video was, in fact,

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<v Speaker 1>the song itself. It's it's hard to know which is worse,

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<v Speaker 1>but yeah, so it's looping. In fact, they don't even

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<v Speaker 1>let the song finish. Each time it plays, the loop

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<v Speaker 1>begins about ten to fifteen seconds before the song's over. Maddening. Yeah. Uh,

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<v Speaker 1>so you call up the station, You call up Power

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<v Speaker 1>nine and nine, say hey, what's up with hard Woman

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<v Speaker 1>all the time? Where's my R E M? And they say,

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<v Speaker 1>I don't know what you're talking about. We're running our

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<v Speaker 1>regular programming. Somebody is jamming you. So what they're doing

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<v Speaker 1>is they're using a transmitter, presumably one much closer to

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<v Speaker 1>you than the radio station's transmitter, and had a power

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<v Speaker 1>that overpowers the incoming signal for that radio station. Right,

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<v Speaker 1>because they're closer to you than the radio station is.

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<v Speaker 1>They can do this because the only other way they

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<v Speaker 1>could do that is if they were actually putting in

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<v Speaker 1>more power in their transmitter than the radio station is,

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<v Speaker 1>which is not likely. But somebody in your neighborhood, somebody

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<v Speaker 1>near your house with a with a vendetta against R. E.

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<v Speaker 1>M or maybe just an unending, powerful, overflowing love for

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<v Speaker 1>Mick Jagger's hard woman, or some sort of curmudgeon in between,

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<v Speaker 1>is broadcasting this malicious interference on the same frequency as

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<v Speaker 1>your beloved station. Now, obviously this is intolerable, but the

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<v Speaker 1>station themselves, well, they probably can't do anything about it.

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<v Speaker 1>So you contact the FCC. Right, this should be their

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<v Speaker 1>job to deal with here in the US. That's exactly

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<v Speaker 1>who I would have got them on speed dial. Right,

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<v Speaker 1>Signal intrusion. Right, you're supposed to regulate the airwaves. So

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<v Speaker 1>you call up the FCC, but they tell you to

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<v Speaker 1>take a hike. They're busy undoing net neutrality too, So

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<v Speaker 1>what are you gonna do? Are you just going to

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<v Speaker 1>allow this radio freak to jagger up your mornings for

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<v Speaker 1>the rest of your life. That doesn't sound like me, Joe. Uh,

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<v Speaker 1>if you're If that's not your style, One thing you

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<v Speaker 1>could do is try to take matters into your own hands. Now,

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<v Speaker 1>how would you do that? You would have to track

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<v Speaker 1>down the jagger jammer yourself and give this creep a

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<v Speaker 1>piece of your mind. But how could you do that?

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<v Speaker 1>Like the song loop doesn't say, hey, by the way,

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<v Speaker 1>here's the address of my secret jamming transmitter, at least

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<v Speaker 1>not explicitly, So then I'd have to figure out some

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<v Speaker 1>way independent of the content of the signal to track

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<v Speaker 1>the location of the transmitter. Yeah, and that's what today's

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<v Speaker 1>episode is going to be about. If you know a

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<v Speaker 1>few techniques, and if you have some special equipment on hand,

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<v Speaker 1>you actually should be able to locate this jammer through

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<v Speaker 1>the art of radio direction finding or r DF as

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<v Speaker 1>I'm sure we'll refer to it throughout this episode. It's

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<v Speaker 1>the act of hunting a radio broadcast to its physical source.

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<v Speaker 1>UM So today we're gonna talk a little bit about

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<v Speaker 1>r DF in general, a little bit about the history,

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<v Speaker 1>about the science behind it. But we also wanted to

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<v Speaker 1>focus somewhat on the sport of transmitter hunting, also known

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<v Speaker 1>as t hunting or fox hunting, which turns this activity

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<v Speaker 1>of radio direction finding into a recreational activity. And this

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<v Speaker 1>this ties into a lot of those other subjects I

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<v Speaker 1>was talking about, like from the aspect of geocashing, where

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<v Speaker 1>we're using technology for some sort of recreational activity that

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<v Speaker 1>it wasn't necessarily intended to be when we first started

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<v Speaker 1>developing that tech, all the way to the story Chuck

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<v Speaker 1>and I did about the infamous Max Headroom incident right

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<v Speaker 1>where somebody another case of signal intrigues exactly, someone was

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<v Speaker 1>able to do signal intrusion in the Chicago market and

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<v Speaker 1>uh overpower television signals and present a an absurd, slightly

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<v Speaker 1>disturbing and very surreal Max Headroom type of intrusion. Well,

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<v Speaker 1>those those things, I mean, that's that's kind of why

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<v Speaker 1>we're talking about this, is like, how would you detect

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<v Speaker 1>where such an intrusion is coming from if you had

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<v Speaker 1>enough time to do so. In the case of the

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<v Speaker 1>Max Headgroom incident. Yeah, by the time anyone knew what

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<v Speaker 1>was happening, it was too late to really figure out

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<v Speaker 1>where's the signal coming from. They had general ideas just

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<v Speaker 1>based upon the architecture of the city, because things like

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<v Speaker 1>buildings and stuff can get in the way of radio signals,

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<v Speaker 1>so that that limits where a signal can come from.

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<v Speaker 1>But you need something more sophisticated in order to narrow

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<v Speaker 1>down the actual direction and specifically the locality of a transmitter.

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<v Speaker 1>So this has a really long history. It dates back

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<v Speaker 1>pretty much shortly after we started sending radio signals. Uh.

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<v Speaker 1>In fact, the very first person to kind of associate

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<v Speaker 1>directionality with radio signals was Heinrich Hurts. And that name

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<v Speaker 1>Hurts probably rings some bells. We're gonna be talking about

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<v Speaker 1>a lot about Hurts, the unit of measurement, and not Hurts,

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<v Speaker 1>the person in this episode. He discovered with an open

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<v Speaker 1>loop of wire which was acting like an antenna, or

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<v Speaker 1>it really wasn't antenna wasn't acting like one. Yeah, but

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<v Speaker 1>this was a loop of wire that had a gap

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<v Speaker 1>between the two ends of the loop. So it's not

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<v Speaker 1>a closed loop. It's an open loop, it had some

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<v Speaker 1>direction finding properties to it. He found that if he

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<v Speaker 1>used this loop near a transmitter, and if the looper

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<v Speaker 1>position so that it's ends faced the transmitter. In other words,

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<v Speaker 1>if you're looking at the face of a transmitter and

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<v Speaker 1>you're looking at a loop, the loop is at a

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<v Speaker 1>ninety degree angle, it's it's the wire part is facing

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<v Speaker 1>the ends of the wire parts facing the transmitter as

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<v Speaker 1>opposed to the open face. UH, it would create a

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<v Speaker 1>real big spark between those two ends. If he started

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<v Speaker 1>to rotate the loop of wire so that the open

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<v Speaker 1>face the o if you will, of the loop faced

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<v Speaker 1>the transmitter, it didn't create that spark. So rotating it

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<v Speaker 1>would create sparks. And the biggest spark would be if

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<v Speaker 1>it was in this ninety degree alignment with the transmitter.

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<v Speaker 1>And that showed that there was some directionality with radio

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<v Speaker 1>waves and antenna Yeah, and that specifically you could put

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<v Speaker 1>together an antenna receiver in certain ways that it would

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<v Speaker 1>respond differently depending on how it's oriented exactly with respect

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<v Speaker 1>to the source of transmission exactly. So the next one

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<v Speaker 1>you would talk about the actual One of the earliest

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<v Speaker 1>successful UH implementations of this idea would be the Balini

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<v Speaker 1>Tosy apparatus. Uh not the only early direction finding antenna.

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<v Speaker 1>Why am I imagining some kind of dessert making machine

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<v Speaker 1>the Bellini tocy apparatus. Like it's like a large box

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<v Speaker 1>out of which comes big blobs of icing, right, or

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<v Speaker 1>gelato or something. I'm on a diet, Dude, you are

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<v Speaker 1>killing me on diesel. I would eat diesel powered gelato

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<v Speaker 1>right now in a heartbeat, but instead I'm going to

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<v Speaker 1>stick to my Brussels sprouts. Uh So, two Italian officers

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<v Speaker 1>named a Torre Bellini and Alessandro Tosi came up with this.

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<v Speaker 1>Sometimes it's actually called the Marconi Balini Tosi because Marconi's

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<v Speaker 1>name gets attached to everything that might be a little

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<v Speaker 1>bitter tesla left over issues that I have about Marconi's

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<v Speaker 1>name getting associated with stuff that certainly he was instrumental

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<v Speaker 1>in the development of, but perhaps not the primary source

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<v Speaker 1>of that technology the way his name would indicate. Yeah,

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<v Speaker 1>the wireless telegraph. You'd want his name all over everything. Yeah, yeah,

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<v Speaker 1>don't worry about people who worked on that stuff, you know,

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<v Speaker 1>before him, or or had originally secured a patent before

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<v Speaker 1>he had and then had their patents overturned. That's another episode.

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<v Speaker 1>In fact, I've talked about it in previous episodes. So

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<v Speaker 1>the way this worked is that they actually created uh,

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<v Speaker 1>two loops of wire arranged at right angles with respect

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<v Speaker 1>to one another. So you can think of these as

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<v Speaker 1>kind of like a casing, these two big loops of

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<v Speaker 1>wire at right angles in the middle of which they

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<v Speaker 1>put a third coil of wire, but this one could

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<v Speaker 1>rotate freely within those two fixed ninety degree angle loops. Okay,

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<v Speaker 1>so it's like a wire globe and then another loop inside. Yeah,

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<v Speaker 1>and that wire loop inside can freely rotate, and that's

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<v Speaker 1>where they were able to create this directional antenna, this

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<v Speaker 1>direction finding antenna. They the the rotating element is called

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<v Speaker 1>a rotor or sense coil, and then the other two

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<v Speaker 1>are called stators or field coils. And folks, I apologize,

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<v Speaker 1>I'm still over getting over at cold, So you're gonna

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<v Speaker 1>hear me be raspy throughout this episode, just like last time. Yea.

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<v Speaker 1>So these original ones were big, big devices. Yeah. The

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<v Speaker 1>first picture I saw it showed the operator sitting at

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<v Speaker 1>a desk, and the actual TENNA was about twice the

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<v Speaker 1>height of the desk he was sitting at. Now, what

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<v Speaker 1>was this used for At the time, these were used

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<v Speaker 1>as land stations around primarily Europe, and we're used mainly

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<v Speaker 1>to help with navigation. So so how would that work.

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<v Speaker 1>You would have this enormous UH antenna that was detecting

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<v Speaker 1>transmissions coming from other vessels, let's say navy vessels or

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<v Speaker 1>or maritime vessels, and they would be able to detect

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<v Speaker 1>what direction the that transmissions coming from and send information

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<v Speaker 1>back out via radio vessel. So the lost ship says

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<v Speaker 1>where am I sends a transmission saying where am I southwest?

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<v Speaker 1>It knows where it is, and if it knows the

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<v Speaker 1>direction your transmission is coming from, then it can tell

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<v Speaker 1>you where you are in general. Yes, And then eventually

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<v Speaker 1>you actually saw these devices being placed on the craft themselves.

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<v Speaker 1>So then you could have a stationary radio transmission center

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<v Speaker 1>sending out a basic signal sometimes and frequently having the

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<v Speaker 1>the location for that that transmission center encoded in the

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<v Speaker 1>signal itself sent out to sea, and then the the

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<v Speaker 1>vessels would have these type of antenna aboard them. They

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<v Speaker 1>could then use the antenna to figure out what direction

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<v Speaker 1>the transmissions coming from because they know the specific location

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<v Speaker 1>of that center because it's in the signal itself, but

0:13:31.040 --> 0:13:35.120
<v Speaker 1>inverse exactly. So early ones were land based, then later

0:13:35.160 --> 0:13:38.400
<v Speaker 1>on they were actually based on the vehicles themselves, whether

0:13:38.440 --> 0:13:41.520
<v Speaker 1>it was it started off with shops and eventually also

0:13:41.559 --> 0:13:46.720
<v Speaker 1>incorporated aircraft. Now I know that the idea of finding

0:13:46.760 --> 0:13:50.240
<v Speaker 1>the physical location of a radio transmitter, whether it's a

0:13:50.360 --> 0:13:53.760
<v Speaker 1>vehicle or a station of some kind, must have played

0:13:53.840 --> 0:13:57.720
<v Speaker 1>a big role once radio was used in warfare. Absolutely

0:13:58.040 --> 0:14:02.880
<v Speaker 1>there were some instrumental battle in which UH one side

0:14:02.960 --> 0:14:06.560
<v Speaker 1>or the other frequently actually was the Allies had determined

0:14:06.840 --> 0:14:12.080
<v Speaker 1>the that a certain German group of units, typically U boats,

0:14:12.480 --> 0:14:15.480
<v Speaker 1>was really effective naval warfare in World War One, world

0:14:15.480 --> 0:14:18.320
<v Speaker 1>War two. Actually world War One there was some, but

0:14:18.400 --> 0:14:21.160
<v Speaker 1>world War two it really came into play. World War One,

0:14:21.480 --> 0:14:25.000
<v Speaker 1>certainly the U boat communications, which were using very low

0:14:25.040 --> 0:14:29.160
<v Speaker 1>frequency radio waves, it was very important. By the World

0:14:29.160 --> 0:14:32.520
<v Speaker 1>War Two you're talking about more high frequency and radio

0:14:32.560 --> 0:14:35.040
<v Speaker 1>waves being put into use. It's where we get the

0:14:35.120 --> 0:14:39.640
<v Speaker 1>huff duff because it's high frequency direction finder antenna's hf

0:14:39.720 --> 0:14:42.600
<v Speaker 1>DFS or huff duff was the nickname. You get the

0:14:42.640 --> 0:14:47.600
<v Speaker 1>huff duff antennas that would indicate the direction of a

0:14:47.640 --> 0:14:51.520
<v Speaker 1>transmission and that would help be able to track like

0:14:51.680 --> 0:14:55.840
<v Speaker 1>enemy movements, enemy troop movements, particularly in the in the Navy.

0:14:56.000 --> 0:14:59.560
<v Speaker 1>And it can you imagine how disappointed these antennas are

0:14:59.640 --> 0:15:03.200
<v Speaker 1>when they get sorted. Yeah, now right, like you know,

0:15:03.280 --> 0:15:05.640
<v Speaker 1>they all want to be slythering because that's my house.

0:15:06.360 --> 0:15:08.560
<v Speaker 1>I don't know what the house you belong to. I

0:15:09.360 --> 0:15:11.400
<v Speaker 1>that's not for me to say. I've never been sorted.

0:15:11.560 --> 0:15:14.040
<v Speaker 1>I got sorted into slythering. I mean, I'm just saying

0:15:14.120 --> 0:15:17.600
<v Speaker 1>I didn't try to. It just happened. Um, you just

0:15:17.640 --> 0:15:19.920
<v Speaker 1>put on the hat. I do what the hat tells me. Man,

0:15:20.240 --> 0:15:30.520
<v Speaker 1>I live my life that way. So this type of

0:15:30.520 --> 0:15:33.880
<v Speaker 1>antenna was originally meant not for military purposes. It was

0:15:33.920 --> 0:15:38.440
<v Speaker 1>actually meant to help meteorologists learn more about lightning. Was

0:15:38.480 --> 0:15:43.040
<v Speaker 1>developed by Robert Watson Watt back in nineteen six, and

0:15:43.160 --> 0:15:47.120
<v Speaker 1>it was to help locate where a lightning strike occurs,

0:15:47.240 --> 0:15:50.440
<v Speaker 1>because you know, lightning, it gives off electromagnetic rays just

0:15:50.680 --> 0:15:53.760
<v Speaker 1>or waves, I should say, not raised, but waves, just

0:15:53.840 --> 0:15:57.280
<v Speaker 1>as a radio antenna would. And so you would use

0:15:57.320 --> 0:16:00.800
<v Speaker 1>these antenna to detect the location of lightning strikes. That

0:16:00.840 --> 0:16:05.000
<v Speaker 1>also helped you track the pathway of electrical storms. So

0:16:05.080 --> 0:16:07.640
<v Speaker 1>that's what it was intended for, but in World War

0:16:07.680 --> 0:16:09.920
<v Speaker 1>Two it got put to other uses to try and

0:16:09.960 --> 0:16:16.160
<v Speaker 1>track movements of enemy troops. Very important now. Uh. After

0:16:16.240 --> 0:16:20.240
<v Speaker 1>World War Two, we started seeing more development in radio

0:16:20.280 --> 0:16:25.520
<v Speaker 1>direction finding technology, not just in military but also commercial applications. Uh.

0:16:25.560 --> 0:16:28.040
<v Speaker 1>In fact, we also saw a lot of amateur radio

0:16:28.320 --> 0:16:33.400
<v Speaker 1>operators get interested in it, and particularly once ham radio

0:16:33.600 --> 0:16:37.760
<v Speaker 1>in the United States was really starting to take off. Yeah,

0:16:37.800 --> 0:16:40.640
<v Speaker 1>forties and fifties really were really post world War two,

0:16:40.640 --> 0:16:43.920
<v Speaker 1>because during World War Two they were very very picky

0:16:44.000 --> 0:16:48.280
<v Speaker 1>about who got a chance to actually broadcast radio. They

0:16:48.280 --> 0:16:50.680
<v Speaker 1>were like, you know, guys, we need you, guys to

0:16:50.680 --> 0:16:53.760
<v Speaker 1>to unless we're telling you to do it, don't do

0:16:53.800 --> 0:16:58.760
<v Speaker 1>that thing, right. So, but once World War two was over,

0:16:58.960 --> 0:17:00.760
<v Speaker 1>we saw a lot more develop them and go into

0:17:00.800 --> 0:17:03.360
<v Speaker 1>that and there are a lot of a lot of

0:17:03.800 --> 0:17:06.840
<v Speaker 1>purposes for our DF. We talked about navigation, it's not

0:17:07.000 --> 0:17:09.679
<v Speaker 1>really used for navigation that much anymore because we have

0:17:09.840 --> 0:17:15.080
<v Speaker 1>more sophisticated methods for navigation. Yeah, we've got we've got

0:17:15.119 --> 0:17:20.159
<v Speaker 1>stuff beyond like a radio transmitter and a receiver. That

0:17:20.240 --> 0:17:24.840
<v Speaker 1>being said, there's still some places that use radio beacons

0:17:24.920 --> 0:17:29.240
<v Speaker 1>as a means for emergency backup, uh some around the UK,

0:17:29.440 --> 0:17:31.919
<v Speaker 1>not really any in the United States at this point,

0:17:32.359 --> 0:17:36.440
<v Speaker 1>um maritime vehicles held onto it longer than aircraft did.

0:17:36.920 --> 0:17:41.399
<v Speaker 1>But even today you don't really see that as a

0:17:41.400 --> 0:17:45.480
<v Speaker 1>as a even a tertiary method for navigation because we

0:17:45.520 --> 0:17:49.600
<v Speaker 1>have so many other more sophisticated systems at play. But

0:17:49.800 --> 0:17:52.480
<v Speaker 1>there are other reasons that we do still use them.

0:17:52.480 --> 0:17:55.000
<v Speaker 1>I mean, well, one would be like the example hunting

0:17:55.040 --> 0:17:58.879
<v Speaker 1>down illicit broadcasts and jammers. Absolutely, yeah, Now this was

0:17:59.000 --> 0:18:01.600
<v Speaker 1>huge and World War two as well. The UK actually

0:18:02.400 --> 0:18:06.840
<v Speaker 1>ended up getting a big volunteer force of interceptors about

0:18:07.480 --> 0:18:11.160
<v Speaker 1>folks in the UK who were amateur radio operators and

0:18:11.400 --> 0:18:15.120
<v Speaker 1>use them to help suss out any uh enemy transmissions

0:18:15.160 --> 0:18:18.240
<v Speaker 1>that were coming from the UK. Because there a period

0:18:18.240 --> 0:18:21.200
<v Speaker 1>piece movie about this year there should be, although it'd

0:18:21.200 --> 0:18:24.000
<v Speaker 1>be kind of boring because I think they only found

0:18:24.280 --> 0:18:27.040
<v Speaker 1>they found like two and one of them was one

0:18:27.119 --> 0:18:29.639
<v Speaker 1>that they were doing on purpose. Well, that could be

0:18:29.680 --> 0:18:31.840
<v Speaker 1>the angle. Maybe maybe there was a cover up, there's

0:18:31.880 --> 0:18:35.800
<v Speaker 1>some big secret or like like there's the crowd of

0:18:35.840 --> 0:18:41.480
<v Speaker 1>ham operators carrying pitchforks storming the transmitter room of this

0:18:41.600 --> 0:18:45.200
<v Speaker 1>one perceived enemy of the state and it turns out

0:18:45.200 --> 0:18:48.040
<v Speaker 1>that they're just following orders from the UK government to

0:18:48.200 --> 0:18:53.160
<v Speaker 1>send out false UH commands, because that was a thing, right, Like,

0:18:53.200 --> 0:18:56.480
<v Speaker 1>it wasn't just secret information, it was disinformation. There were

0:18:56.480 --> 0:18:59.280
<v Speaker 1>a lot of different campaigns going on in the information

0:18:59.320 --> 0:19:02.920
<v Speaker 1>and intelligence worlds in World War Two. So, but that's

0:19:02.920 --> 0:19:07.159
<v Speaker 1>glorious the image of an army of hams radio hams

0:19:07.200 --> 0:19:10.600
<v Speaker 1>coming at you to to VHF you up, yep, that's right.

0:19:10.760 --> 0:19:14.479
<v Speaker 1>There's there's so much opportunity there for UH edge of

0:19:14.520 --> 0:19:19.520
<v Speaker 1>your seat drama. But the the interesting thing to me

0:19:19.600 --> 0:19:22.320
<v Speaker 1>was that the UK, they were using m I five

0:19:22.560 --> 0:19:27.280
<v Speaker 1>to head this operation because that's their domestic intelligence agency,

0:19:27.320 --> 0:19:30.399
<v Speaker 1>but they determined that really this was a bigger problem

0:19:30.400 --> 0:19:34.800
<v Speaker 1>in Europe. They had a lot more clandestine operators in

0:19:34.840 --> 0:19:40.280
<v Speaker 1>Europe on both sides, really sending out messages via radio transmission,

0:19:40.800 --> 0:19:44.439
<v Speaker 1>and so they switched this operation over to m I six,

0:19:45.000 --> 0:19:49.560
<v Speaker 1>which looked at UH intelligence coming from outside the UK

0:19:49.800 --> 0:19:52.159
<v Speaker 1>rather than from within it. So it's kind of in

0:19:52.160 --> 0:19:54.760
<v Speaker 1>the United States, the difference between our FBI and our

0:19:54.800 --> 0:19:58.439
<v Speaker 1>c I a same sort of thing, and UH in

0:19:58.480 --> 0:20:00.439
<v Speaker 1>Europe was a much different story. Like the r d

0:20:00.560 --> 0:20:03.600
<v Speaker 1>F was incredibly important during World War Two, because there

0:20:03.600 --> 0:20:07.679
<v Speaker 1>were so many different operators using radio transmission as a

0:20:07.680 --> 0:20:13.320
<v Speaker 1>way of getting either spy reports or orders across various borders.

0:20:13.520 --> 0:20:16.960
<v Speaker 1>It eventually got to the point actually where the access

0:20:17.000 --> 0:20:24.480
<v Speaker 1>powers were, um, really shy about transmitting any information because

0:20:24.880 --> 0:20:27.119
<v Speaker 1>they were still worried about it getting intercepted and caught.

0:20:27.400 --> 0:20:30.560
<v Speaker 1>And this is the same era as the Enigma machine, right,

0:20:30.880 --> 0:20:34.679
<v Speaker 1>and once the Allies were able to crack some of

0:20:34.680 --> 0:20:39.280
<v Speaker 1>the Enigma codes, it was a it really became apparent

0:20:39.359 --> 0:20:42.240
<v Speaker 1>that you had to be super careful with your intelligence

0:20:42.600 --> 0:20:47.440
<v Speaker 1>otherwise you were handing the enemy all of your game plans.

0:20:47.640 --> 0:20:53.400
<v Speaker 1>So really interesting story though. Um, then there's other methods,

0:20:53.520 --> 0:20:55.600
<v Speaker 1>are other reasons to use r d F. There's search

0:20:55.640 --> 0:20:59.080
<v Speaker 1>and rescue, Yeah, how about that, so coast guard or

0:20:59.280 --> 0:21:01.760
<v Speaker 1>rescuing it down on plane. Either one. You might have

0:21:01.800 --> 0:21:05.359
<v Speaker 1>a vehicle that is equipped with radio transmission capability, but

0:21:05.520 --> 0:21:08.480
<v Speaker 1>is itself stranded. Yeah, there's a lot of civil aircraft

0:21:08.560 --> 0:21:10.120
<v Speaker 1>that have this. There are a lot of like if

0:21:10.160 --> 0:21:13.399
<v Speaker 1>you are if you're hiking in an area that is

0:21:14.680 --> 0:21:17.680
<v Speaker 1>prone for two avalanches, you may even have a transmitter

0:21:17.880 --> 0:21:22.359
<v Speaker 1>on you as a means for emergency signaling. In the

0:21:22.400 --> 0:21:25.720
<v Speaker 1>case of an avalanche. So this is still a thing, right.

0:21:25.720 --> 0:21:29.240
<v Speaker 1>It's it's something that can send out a steady signal

0:21:29.720 --> 0:21:33.720
<v Speaker 1>with perhaps an encoded message, usually a unique identifier to

0:21:33.800 --> 0:21:37.600
<v Speaker 1>whatever the transmitter is, so that once you tune into it,

0:21:37.680 --> 0:21:40.280
<v Speaker 1>you know that you're actually listening for the right signal.

0:21:40.320 --> 0:21:42.600
<v Speaker 1>You're not going to get distracted by a signal on

0:21:42.680 --> 0:21:46.160
<v Speaker 1>a similar frequency that is not what you're looking for,

0:21:46.400 --> 0:21:48.840
<v Speaker 1>and you can try and narrow down your search to

0:21:49.320 --> 0:21:51.879
<v Speaker 1>find whatever it is that's lost. Now, one thing we

0:21:51.920 --> 0:21:55.560
<v Speaker 1>mentioned earlier is hunting malicious interference, people who are intentionally

0:21:55.680 --> 0:21:59.480
<v Speaker 1>jamming a radio station or broadcasting propaganda or something like that.

0:21:59.520 --> 0:22:03.199
<v Speaker 1>But there's also unintentional interference, and this could be useful

0:22:03.200 --> 0:22:06.840
<v Speaker 1>too for tracking down you know, uh something maybe uh

0:22:07.200 --> 0:22:10.240
<v Speaker 1>radio frequencies are leaking out of some sort of device

0:22:10.400 --> 0:22:14.560
<v Speaker 1>and they're interfering with the broadcast band around there. Yeah,

0:22:14.640 --> 0:22:17.880
<v Speaker 1>I mean, it's uh, it's not necessarily something that's done

0:22:17.880 --> 0:22:21.080
<v Speaker 1>with malicious intent. Really, anything that creates an electrical field

0:22:21.160 --> 0:22:24.679
<v Speaker 1>is creating electromagnetic radiation, and that some form of that

0:22:24.800 --> 0:22:27.480
<v Speaker 1>is in radio waves, and depending upon the power of

0:22:27.520 --> 0:22:30.400
<v Speaker 1>the the device in question, it could be putting out

0:22:30.480 --> 0:22:34.400
<v Speaker 1>radio waves strong enough to interfere with transmission of normal signals.

0:22:34.760 --> 0:22:37.520
<v Speaker 1>You'll hear about this also, Like I remember hearing about

0:22:37.600 --> 0:22:41.360
<v Speaker 1>this with um uh theaters, in fact, theaters that we're

0:22:41.480 --> 0:22:45.040
<v Speaker 1>using wireless radios in order to have back of house

0:22:45.640 --> 0:22:49.040
<v Speaker 1>talk to front of house for stuff like like stage

0:22:49.040 --> 0:22:51.320
<v Speaker 1>managing and lighting changes and stuff, and then you would

0:22:51.359 --> 0:22:55.320
<v Speaker 1>end up getting truckers talking over your system and it

0:22:55.320 --> 0:22:58.679
<v Speaker 1>would just Peter Pan became an entirely different show at

0:22:58.760 --> 0:23:01.439
<v Speaker 1>that point. Like, but but this is the sort of

0:23:01.440 --> 0:23:04.639
<v Speaker 1>thing about the speed trap up there. Yeah, And it

0:23:04.680 --> 0:23:07.280
<v Speaker 1>all has to do with with the frequency you're using

0:23:07.280 --> 0:23:09.640
<v Speaker 1>in the power of the radios in question, right, or

0:23:10.080 --> 0:23:15.040
<v Speaker 1>perhaps more problematically, having that transmission of a high school

0:23:15.040 --> 0:23:18.160
<v Speaker 1>production of Peter Pan being transmitted out to people who

0:23:18.160 --> 0:23:22.520
<v Speaker 1>are using radio for really important reasons. Uh. This is

0:23:22.560 --> 0:23:25.960
<v Speaker 1>one of the reasons why most places around the world

0:23:26.000 --> 0:23:29.760
<v Speaker 1>have very strict rules of what types of equipment can

0:23:29.880 --> 0:23:33.840
<v Speaker 1>use which frequency bands so that it avoids that kind

0:23:33.840 --> 0:23:36.720
<v Speaker 1>of cross contemning. You don't have the problem where officer

0:23:37.119 --> 0:23:40.000
<v Speaker 1>Officer hurts tries to radio in for backup, but instead

0:23:40.040 --> 0:23:42.919
<v Speaker 1>he's being jammed by Peter Pan, right, or suddenly Captain

0:23:42.960 --> 0:23:45.040
<v Speaker 1>hook and a bunch of pirates show up, like, this

0:23:45.119 --> 0:23:48.040
<v Speaker 1>is not the backup I was hoping for. That wasn't

0:23:48.040 --> 0:23:50.760
<v Speaker 1>hoping for a chorus line, I really need physical people

0:23:50.920 --> 0:23:54.480
<v Speaker 1>to help back me up for this dangerous situation. Another

0:23:54.640 --> 0:23:56.879
<v Speaker 1>use that you have here that I didn't even think of,

0:23:57.000 --> 0:24:01.000
<v Speaker 1>but very smart wildlife tracking. Yeah, yeah, and I get

0:24:01.000 --> 0:24:04.760
<v Speaker 1>tagged exactly. These are transmitters that send out a study

0:24:04.800 --> 0:24:08.760
<v Speaker 1>signal so that scientists can continue to monitor the movement

0:24:08.880 --> 0:24:12.399
<v Speaker 1>of various wildlife. Usually you do this to track migration

0:24:12.440 --> 0:24:15.720
<v Speaker 1>patterns and how those might change, particularly in light of

0:24:15.760 --> 0:24:22.160
<v Speaker 1>things like human uh enter like humans moving into what

0:24:22.480 --> 0:24:26.680
<v Speaker 1>used to be territory. For animals, how do their migration

0:24:26.760 --> 0:24:31.360
<v Speaker 1>patterns change, or in the face of changing weather patterns,

0:24:31.400 --> 0:24:35.440
<v Speaker 1>that kind of thing. And you need obviously to have

0:24:35.520 --> 0:24:38.880
<v Speaker 1>a direction finder in order to know where the animals

0:24:38.880 --> 0:24:41.040
<v Speaker 1>are actually going. Plus, if you ever want to go

0:24:41.080 --> 0:24:43.959
<v Speaker 1>into a physical check, let's say that you are doing

0:24:44.000 --> 0:24:49.240
<v Speaker 1>like a drawing blood from a specific animal every few months,

0:24:49.440 --> 0:24:50.919
<v Speaker 1>then you need to be able to track where that

0:24:50.960 --> 0:24:54.159
<v Speaker 1>animal is and and narrow down its range so that

0:24:54.280 --> 0:24:56.720
<v Speaker 1>you can actually get to it and do that. So

0:24:57.160 --> 0:24:59.520
<v Speaker 1>that is another use. And of course we've already kind

0:24:59.520 --> 0:25:02.400
<v Speaker 1>of talked about. But spies, I mean not not just

0:25:02.600 --> 0:25:07.639
<v Speaker 1>not just someone trying to transmit something. Sometimes it's like

0:25:08.600 --> 0:25:11.760
<v Speaker 1>trying to find a bug. Like bugs that have been

0:25:11.760 --> 0:25:15.880
<v Speaker 1>planted in places they're they're sending out little radio transmission. Typically, Uh,

0:25:15.960 --> 0:25:18.680
<v Speaker 1>I mean, you could have one that's just recording natively

0:25:18.760 --> 0:25:20.560
<v Speaker 1>to a device, but that means you have to go

0:25:20.680 --> 0:25:23.960
<v Speaker 1>back into that place and retrieve the device in order

0:25:24.040 --> 0:25:28.040
<v Speaker 1>to hear what's been recorded on it. Most bugs are transmitters,

0:25:28.840 --> 0:25:30.680
<v Speaker 1>so that means that you have to have a radio

0:25:30.720 --> 0:25:35.360
<v Speaker 1>direction finder to figure out where a transmission is coming from.

0:25:35.440 --> 0:25:37.800
<v Speaker 1>Let's say it's a nice big embassy building. You might

0:25:37.880 --> 0:25:42.280
<v Speaker 1>need to narrow down exactly where is this thing? Um

0:25:42.320 --> 0:25:44.560
<v Speaker 1>and that. You know, we see those in spy movies,

0:25:44.600 --> 0:25:47.639
<v Speaker 1>but it really does happen. At the Spy Museum in Washington,

0:25:47.760 --> 0:25:49.919
<v Speaker 1>d C. Fascinating you can actually see some of the

0:25:49.920 --> 0:25:53.399
<v Speaker 1>devices that were used to both plant bugs and to

0:25:53.520 --> 0:25:56.439
<v Speaker 1>detect them. I want to go to that sometime. I've

0:25:56.440 --> 0:25:59.040
<v Speaker 1>read a little bit about I remember seeing online a

0:25:59.119 --> 0:26:02.120
<v Speaker 1>thing about their ex a bit on spy pigeons. Yeah,

0:26:02.359 --> 0:26:06.000
<v Speaker 1>it's fun, it's it's weird in that I don't mean

0:26:06.000 --> 0:26:08.600
<v Speaker 1>this to become like an ad for the Spy Museum

0:26:08.600 --> 0:26:11.800
<v Speaker 1>in d C. It's weird because I feel like the

0:26:11.840 --> 0:26:17.000
<v Speaker 1>presentation is really perfectly geared towards kids, but there's so

0:26:17.119 --> 0:26:22.160
<v Speaker 1>much text involved in in the exhibits that I don't

0:26:22.160 --> 0:26:25.920
<v Speaker 1>know that your average kid has the the tension span

0:26:26.040 --> 0:26:29.520
<v Speaker 1>or desire to read that much while going through a museum.

0:26:29.520 --> 0:26:32.280
<v Speaker 1>So my experience was that I was trying to read

0:26:32.320 --> 0:26:35.000
<v Speaker 1>the same paragraph fifteen times while kids were running all

0:26:35.000 --> 0:26:37.879
<v Speaker 1>over the place trying to play with stuff. So it's

0:26:37.880 --> 0:26:42.240
<v Speaker 1>a little frustrating for me, but fascinating exhibits, really well

0:26:42.280 --> 0:26:45.040
<v Speaker 1>laid out, and lots of fun stuff. They incorporate both

0:26:45.119 --> 0:26:48.600
<v Speaker 1>real world spy gadgets and also movie stuff, so they

0:26:48.640 --> 0:26:50.880
<v Speaker 1>had like an entire James Bond section that was really

0:26:50.920 --> 0:26:54.239
<v Speaker 1>a lot of fun. Yeah, yeah, so that's cool. And

0:26:54.280 --> 0:26:59.040
<v Speaker 1>then one of their modern use for radio direction finding

0:26:59.160 --> 0:27:00.760
<v Speaker 1>is what we're really going to focus on towards the

0:27:00.840 --> 0:27:04.359
<v Speaker 1>end of the show, which is using it recreationally for sport.

0:27:04.720 --> 0:27:08.960
<v Speaker 1>So this idea of fox hunting trying to you know, competitively,

0:27:09.960 --> 0:27:12.560
<v Speaker 1>you mean the sport itself, not like using radio direction

0:27:12.640 --> 0:27:15.720
<v Speaker 1>finding to find a lost ball in golf. I mean,

0:27:16.359 --> 0:27:18.480
<v Speaker 1>there's no reason you couldn't do that other than the

0:27:18.480 --> 0:27:20.080
<v Speaker 1>fact that you would have to have a golf ball

0:27:20.080 --> 0:27:22.840
<v Speaker 1>with a transmitter and have to build it in such

0:27:22.880 --> 0:27:25.840
<v Speaker 1>a way that it could withstand enormous force being placed

0:27:25.880 --> 0:27:28.440
<v Speaker 1>upon the ball and still not, you know, still continue

0:27:28.440 --> 0:27:33.120
<v Speaker 1>to transmit. Probably would have keep going. Yeah, No, I'm

0:27:33.119 --> 0:27:35.680
<v Speaker 1>thinking about all the this is the thing you're gonna

0:27:36.000 --> 0:27:38.240
<v Speaker 1>put out a joking hypothetical, and I'm going to go

0:27:38.320 --> 0:27:41.320
<v Speaker 1>through why it's going to be difficult to implement. Well, impossible,

0:27:41.359 --> 0:27:43.640
<v Speaker 1>but difficult. Maybe we should stop you there and take

0:27:43.680 --> 0:27:45.840
<v Speaker 1>a break. Yeah, let's do that. Let's take a quick

0:27:45.880 --> 0:27:56.680
<v Speaker 1>break to thank our sponsor. All right, we're back now.

0:27:56.800 --> 0:28:00.640
<v Speaker 1>Before we dive into the wonderful world of fox hunting, Uh,

0:28:00.880 --> 0:28:02.920
<v Speaker 1>it would probably behoove us to understand a little bit

0:28:02.920 --> 0:28:07.240
<v Speaker 1>more about radio waves, how they work, transmitters and antenna

0:28:07.680 --> 0:28:11.600
<v Speaker 1>in order to get at what transmitter hunting is all about.

0:28:12.080 --> 0:28:18.440
<v Speaker 1>So we're gonna start at basic like elementary level radio physics.

0:28:19.200 --> 0:28:22.399
<v Speaker 1>We're gonna build from there. So radio waves are a

0:28:22.440 --> 0:28:25.639
<v Speaker 1>subset of electromagnetic waves, so are also called E M

0:28:25.680 --> 0:28:28.560
<v Speaker 1>waves or N waves. You have to put your finger

0:28:28.680 --> 0:28:32.800
<v Speaker 1>up to your chin like you're thinking in waves now,

0:28:32.800 --> 0:28:35.639
<v Speaker 1>e M. Waves come from stuff that generates an electric field.

0:28:36.240 --> 0:28:39.000
<v Speaker 1>Doesn't have to be a particularly sophisticated setup. You can

0:28:39.040 --> 0:28:41.800
<v Speaker 1>actually do this with something as simple as a nine

0:28:41.880 --> 0:28:44.960
<v Speaker 1>volt battery and a coin. Yeah, if you put a

0:28:45.000 --> 0:28:47.920
<v Speaker 1>coin across the the terminals of a nine volt battery,

0:28:47.920 --> 0:28:50.360
<v Speaker 1>you are generating an electric field, because all you're doing

0:28:50.440 --> 0:28:54.680
<v Speaker 1>is closing the circuit from the negative and positive terminals

0:28:55.000 --> 0:28:58.080
<v Speaker 1>and allowing electricity to flow through. That creates an electric field, right,

0:28:58.120 --> 0:29:00.600
<v Speaker 1>But I'm assuming you're saying this because doing that would

0:29:00.600 --> 0:29:03.440
<v Speaker 1>generate some kind of radio signal that can be detected. Yes,

0:29:03.480 --> 0:29:06.320
<v Speaker 1>it's a very weak radio signal. But if you were

0:29:06.360 --> 0:29:09.240
<v Speaker 1>to do this very close to an AM radio first,

0:29:09.240 --> 0:29:11.600
<v Speaker 1>you would you would want to tune the AM radio

0:29:11.680 --> 0:29:14.800
<v Speaker 1>to uh something that's just static. You're not actually getting

0:29:15.200 --> 0:29:17.960
<v Speaker 1>a signal like a strong signal in And if you

0:29:18.000 --> 0:29:21.680
<v Speaker 1>were to place the coin against the terminals and listen

0:29:21.760 --> 0:29:24.640
<v Speaker 1>closely to the radio, you should hear a crackle as

0:29:24.720 --> 0:29:28.320
<v Speaker 1>the coin makes contact with those terminals because you're sending

0:29:28.320 --> 0:29:31.240
<v Speaker 1>out this little radio signal and the radio is detecting it. Now,

0:29:31.240 --> 0:29:34.400
<v Speaker 1>you're not sending out anything meaningful. You're just it's just noise.

0:29:34.440 --> 0:29:37.920
<v Speaker 1>That's why you're just getting a crackle. You could send

0:29:38.360 --> 0:29:41.040
<v Speaker 1>a signal in Morse code, so you could encode a

0:29:41.080 --> 0:29:44.840
<v Speaker 1>signal by the sound and absence of sound of this crackle,

0:29:44.840 --> 0:29:48.960
<v Speaker 1>but there's nothing meaningful in the crackle itself. Right. But

0:29:49.520 --> 0:29:51.680
<v Speaker 1>that does show you that doesn't take very much for

0:29:51.720 --> 0:29:57.080
<v Speaker 1>you to generate radio waves. Uh. The the electromagnetic waves

0:29:57.080 --> 0:29:59.440
<v Speaker 1>that we talk about all have kind of common features,

0:29:59.520 --> 0:30:02.080
<v Speaker 1>even though they may do very different things. There's certain

0:30:02.160 --> 0:30:04.320
<v Speaker 1>things that we can use to describe them that's common

0:30:04.360 --> 0:30:07.400
<v Speaker 1>across all of them. So when we plut those waves

0:30:07.400 --> 0:30:09.120
<v Speaker 1>on a graph, you know it's a little up and

0:30:09.200 --> 0:30:12.320
<v Speaker 1>down the crests and troughs that you would see usually

0:30:12.360 --> 0:30:15.880
<v Speaker 1>across X and y axis. Uh. We would call the

0:30:15.920 --> 0:30:20.040
<v Speaker 1>height of those waves the amplitude. This typically like in

0:30:20.120 --> 0:30:23.080
<v Speaker 1>sound waves, this would be the volume of sound. Right.

0:30:23.240 --> 0:30:26.920
<v Speaker 1>The higher the amplitude, the louder the sound is. The

0:30:27.040 --> 0:30:31.520
<v Speaker 1>length of the wave is the wave length. That's really

0:30:31.840 --> 0:30:34.520
<v Speaker 1>kind of tricky, right, Um, And the number of waves

0:30:34.520 --> 0:30:36.800
<v Speaker 1>that pass through any given point on that graph within

0:30:36.840 --> 0:30:40.920
<v Speaker 1>a second, that's the frequency. But because these waves always

0:30:40.960 --> 0:30:44.200
<v Speaker 1>move at the same speed, which is the speed of light. Yes,

0:30:44.840 --> 0:30:47.440
<v Speaker 1>if you know one, or if you know the wavelength

0:30:47.600 --> 0:30:50.120
<v Speaker 1>or the frequency, you know the other exactly. You know

0:30:50.160 --> 0:30:52.880
<v Speaker 1>how fast it's going, right, right, So when we talk

0:30:52.920 --> 0:30:58.760
<v Speaker 1>about different frequencies, we're not talking about speed of the signal,

0:30:58.840 --> 0:31:00.840
<v Speaker 1>because the signals still try like at the speed of light.

0:31:00.880 --> 0:31:03.800
<v Speaker 1>No matter what. We're talking about the number of times

0:31:03.840 --> 0:31:07.960
<v Speaker 1>a wave passes any given point within a second. Typically

0:31:07.960 --> 0:31:10.080
<v Speaker 1>it's within a second. It's really any unit of time,

0:31:10.120 --> 0:31:13.360
<v Speaker 1>but for the purposes of measurement, we talk about hurts

0:31:13.880 --> 0:31:17.080
<v Speaker 1>and it hurts talks about the number of uh times

0:31:17.080 --> 0:31:19.720
<v Speaker 1>a wave passes a point in a second. So one

0:31:19.760 --> 0:31:22.360
<v Speaker 1>hurts would be once a second. That would need to

0:31:22.360 --> 0:31:26.720
<v Speaker 1>be an extremely long wave because for it to take

0:31:26.720 --> 0:31:29.600
<v Speaker 1>a full second for the wave to pass that point,

0:31:30.240 --> 0:31:33.640
<v Speaker 1>and it's traveling at a speed of light, that's incredibly long. Right,

0:31:34.640 --> 0:31:37.120
<v Speaker 1>So how far does light go in a second. Let's see,

0:31:37.520 --> 0:31:40.520
<v Speaker 1>I don't know, like further than I've ever been. I

0:31:40.560 --> 0:31:43.920
<v Speaker 1>can tell you that, Okay, Well, so how do you

0:31:43.960 --> 0:31:47.200
<v Speaker 1>get to using radio though? Because we so, yes, we

0:31:47.280 --> 0:31:51.560
<v Speaker 1>live in a universe of radio signals. They're they're electromagnetic

0:31:51.560 --> 0:31:54.600
<v Speaker 1>waves all over the place around us, but that's humans

0:31:54.800 --> 0:31:58.120
<v Speaker 1>use radio for specific purposes. They can take these waves

0:31:58.160 --> 0:32:02.640
<v Speaker 1>and incode information with Yeah, and this this comes from

0:32:02.720 --> 0:32:07.680
<v Speaker 1>manipulating either the amplitude or the frequency of those waves,

0:32:07.720 --> 0:32:11.320
<v Speaker 1>modulating them in some way. Typically that's how we can

0:32:11.440 --> 0:32:14.880
<v Speaker 1>encode information into them. So, uh, let's say that you

0:32:14.920 --> 0:32:17.880
<v Speaker 1>build a circuit containing a capacitor and an inductor. These

0:32:17.880 --> 0:32:21.680
<v Speaker 1>are two very basic circuit components. So you build your circuit,

0:32:21.720 --> 0:32:24.080
<v Speaker 1>You've got a capacitor and an inductor involved in this

0:32:24.360 --> 0:32:26.560
<v Speaker 1>that this will allow you to create a sign wave

0:32:27.080 --> 0:32:31.280
<v Speaker 1>that's just a very smooth, continuously varying wave. It's you

0:32:31.320 --> 0:32:34.400
<v Speaker 1>know that kind of smooth up and down like like

0:32:34.520 --> 0:32:39.640
<v Speaker 1>your typical let's show, uh, ocean waves kind of viewpoint

0:32:39.840 --> 0:32:44.880
<v Speaker 1>and just nice little hills and valleys. This saltwater crocodile

0:32:46.120 --> 0:32:49.400
<v Speaker 1>and the saltwater crocodile would be carrying information. So without

0:32:49.480 --> 0:32:53.480
<v Speaker 1>any saltwater crocodiles, you're still not you're still not transmitting

0:32:53.480 --> 0:32:56.400
<v Speaker 1>anything meaningful. Right, It's just a sign wave. There's no

0:32:56.520 --> 0:33:01.120
<v Speaker 1>information there. But if you modulate it, then you can

0:33:01.280 --> 0:33:03.480
<v Speaker 1>encode information in it. One way to do that is

0:33:03.520 --> 0:33:05.640
<v Speaker 1>with pulse modification. This is similar to what I was

0:33:05.680 --> 0:33:08.479
<v Speaker 1>talking about with that nine volt mattery. This just involves

0:33:08.520 --> 0:33:11.080
<v Speaker 1>turning a signal on and off so that when the

0:33:11.120 --> 0:33:13.920
<v Speaker 1>signals on it might indicate a dot or dash in

0:33:14.000 --> 0:33:18.000
<v Speaker 1>morse code, so you're not Again, nothing within the signal

0:33:18.040 --> 0:33:21.400
<v Speaker 1>itself is necessarily meaningful. It's when you detect it versus

0:33:21.440 --> 0:33:25.080
<v Speaker 1>when you don't detect it that gives you information. Then

0:33:25.160 --> 0:33:29.120
<v Speaker 1>you have amplitude modification or our modulation I should say,

0:33:29.240 --> 0:33:32.040
<v Speaker 1>or a M that's changes the peak to peak voltage

0:33:32.040 --> 0:33:34.640
<v Speaker 1>of the sine wave UM And the way you do

0:33:34.760 --> 0:33:37.400
<v Speaker 1>this with a M radio as you start with a

0:33:37.400 --> 0:33:41.200
<v Speaker 1>basic SiGe wave. That's your that's your baseline. You take

0:33:41.240 --> 0:33:43.800
<v Speaker 1>whatever you want to transmit, whether it's you know, the

0:33:43.840 --> 0:33:48.160
<v Speaker 1>cool hits of the seventies or some talk show hosts

0:33:48.200 --> 0:33:51.040
<v Speaker 1>or whatever. You take that that yeah, it could be

0:33:51.080 --> 0:33:54.400
<v Speaker 1>hard woman. You take that signal and you overlay that

0:33:54.440 --> 0:33:58.640
<v Speaker 1>signal on top of the baseline sine wave to modulate it.

0:33:58.720 --> 0:34:01.400
<v Speaker 1>This changes the amplitude of that sign wave. You get

0:34:01.480 --> 0:34:05.320
<v Speaker 1>kind of a uh, you know, a product from the

0:34:05.360 --> 0:34:08.080
<v Speaker 1>modulation of these two. Like by adding the two together,

0:34:08.120 --> 0:34:11.680
<v Speaker 1>you get a new frequency, a new wave. It's not

0:34:11.800 --> 0:34:14.359
<v Speaker 1>really the same frequency, it's different amplitude, but you get

0:34:14.400 --> 0:34:16.799
<v Speaker 1>a new wave with a different amplitude than both of

0:34:16.840 --> 0:34:20.280
<v Speaker 1>your basic ones. This is what you transmit to a

0:34:20.280 --> 0:34:23.960
<v Speaker 1>a radio tower. You actually have to amplify it by

0:34:24.040 --> 0:34:26.960
<v Speaker 1>quite a lot. Obviously, the further you want this signal

0:34:27.000 --> 0:34:28.960
<v Speaker 1>to go, the more you have to amplify it, the

0:34:29.040 --> 0:34:32.680
<v Speaker 1>larger your antenna tends to be. And then the signal

0:34:32.760 --> 0:34:35.160
<v Speaker 1>goes out over the air and then people with receivers

0:34:35.200 --> 0:34:37.960
<v Speaker 1>tuned to that frequency can pick it up, and the

0:34:38.000 --> 0:34:42.240
<v Speaker 1>signal gets converted uh, back into something that a radio

0:34:42.320 --> 0:34:47.040
<v Speaker 1>can play, amplified again so that you can hear hard Woman. Uh.

0:34:47.239 --> 0:34:51.480
<v Speaker 1>Frequency frequency modulation is similar, except instead of changing the

0:34:51.520 --> 0:34:54.799
<v Speaker 1>amplitude like modulting the amplitude, you're moduling the frequency of

0:34:54.840 --> 0:34:56.840
<v Speaker 1>the signal. So you again you start with a base

0:34:57.120 --> 0:35:00.719
<v Speaker 1>sine wave for the radio station. This is what transmitting,

0:35:00.719 --> 0:35:02.920
<v Speaker 1>whether any noise is coming out of it or not,

0:35:03.360 --> 0:35:06.600
<v Speaker 1>it's just this base sine wave. Then you take on

0:35:06.680 --> 0:35:10.239
<v Speaker 1>the the the wave created from whatever you're trying to

0:35:10.280 --> 0:35:14.760
<v Speaker 1>transmit hard Woman, and it changes the frequency. Now, Jonathan,

0:35:14.800 --> 0:35:20.759
<v Speaker 1>I wonder how exactly, if if you're not a radio expert, um,

0:35:20.800 --> 0:35:26.040
<v Speaker 1>how does modulating the frequency not affect the uh you know,

0:35:26.239 --> 0:35:29.319
<v Speaker 1>the station you're listening to, because the station you listen

0:35:29.400 --> 0:35:32.480
<v Speaker 1>to the radio on is the frequency. When there's a

0:35:32.560 --> 0:35:37.160
<v Speaker 1>number in front of a radio station power that's mega

0:35:37.200 --> 0:35:40.560
<v Speaker 1>hurts right nine seven. Yeah. Well, part of it is

0:35:40.600 --> 0:35:44.680
<v Speaker 1>that each radio station really has a range like there's

0:35:44.760 --> 0:35:47.960
<v Speaker 1>it's you get a number that's the base frequency, but

0:35:48.400 --> 0:35:52.719
<v Speaker 1>there's a range within o our surrounding that frequency that

0:35:53.200 --> 0:35:57.400
<v Speaker 1>allows for this modulation. The modulation doesn't change the frequency

0:35:57.480 --> 0:36:01.279
<v Speaker 1>so dramatically that it will bleed into another station. That's

0:36:01.320 --> 0:36:07.000
<v Speaker 1>why we have stations that have very defined um uh frequencies,

0:36:07.040 --> 0:36:09.600
<v Speaker 1>because if you didn't have that, if they were too

0:36:09.640 --> 0:36:12.759
<v Speaker 1>close together, they would bleed over. Occasionally. You might have

0:36:12.800 --> 0:36:16.080
<v Speaker 1>actually experienced this if you're listening, particularly to AM radio,

0:36:16.120 --> 0:36:19.400
<v Speaker 1>because it travels much further. If you start traveling around,

0:36:20.000 --> 0:36:23.520
<v Speaker 1>you might get two stations coming in simultaneously because you

0:36:23.600 --> 0:36:27.080
<v Speaker 1>might you might move from the broadcast area of one

0:36:27.120 --> 0:36:30.879
<v Speaker 1>station into the broadcast range of a station that's got

0:36:30.960 --> 0:36:35.719
<v Speaker 1>a similar though not necessarily identical frequency, and then you're

0:36:35.760 --> 0:36:39.200
<v Speaker 1>hearing both at the same time. That's really uh disconcerting.

0:36:39.640 --> 0:36:43.880
<v Speaker 1>Um if you it could be like if you're if

0:36:43.880 --> 0:36:46.080
<v Speaker 1>you're hearing r E M and hard woman, you might

0:36:46.120 --> 0:36:49.200
<v Speaker 1>discover something interesting about yourself. I don't know, fire and

0:36:49.200 --> 0:36:52.919
<v Speaker 1>brimstone sermon, and uh, I don't know some some good

0:36:53.120 --> 0:36:55.880
<v Speaker 1>something about college sports here in the Southeast to be

0:36:55.960 --> 0:36:59.640
<v Speaker 1>college sports and sermons. Yeah, But from my experience of

0:36:59.680 --> 0:37:04.120
<v Speaker 1>listening to a M radio um SO receiving antenna, what

0:37:04.160 --> 0:37:06.439
<v Speaker 1>they do, Like we just talked about you, you take

0:37:06.480 --> 0:37:09.640
<v Speaker 1>your transmitter, you send a signality. It gets amplified a

0:37:09.640 --> 0:37:13.360
<v Speaker 1>couple of times, usually before it hits the broadcast antenna

0:37:13.680 --> 0:37:17.160
<v Speaker 1>and sends out over the airwaves. A receiver does the

0:37:17.200 --> 0:37:19.120
<v Speaker 1>same sort of thing, but it does this in reverse.

0:37:19.520 --> 0:37:27.600
<v Speaker 1>So antenna's are tuned to specific electromagnetic frequencies. Usually they

0:37:27.640 --> 0:37:32.440
<v Speaker 1>have elements that are a certain size specified yep. And

0:37:32.480 --> 0:37:37.480
<v Speaker 1>so what will happen is, uh, they resonate with a

0:37:37.520 --> 0:37:40.680
<v Speaker 1>certain range of frequencies and if those frequencies are present,

0:37:41.520 --> 0:37:43.200
<v Speaker 1>like if the antenna is present in the in the

0:37:43.520 --> 0:37:46.960
<v Speaker 1>within those frequencies, then it can send it this get

0:37:47.040 --> 0:37:50.719
<v Speaker 1>This creates an electrical current that it can then amplify

0:37:51.000 --> 0:37:53.799
<v Speaker 1>and convert into sound so that we can hear it

0:37:53.880 --> 0:37:58.440
<v Speaker 1>on our radios. Um the you know the purpose of

0:37:58.440 --> 0:38:02.120
<v Speaker 1>the amplifiers just really to boost thatsnal. You're typically using

0:38:02.160 --> 0:38:04.560
<v Speaker 1>like something along the lines of a transformer to do that,

0:38:05.560 --> 0:38:08.080
<v Speaker 1>and I've talked about that in the past. So that

0:38:08.120 --> 0:38:10.200
<v Speaker 1>means you can get your talk radio or your greatest

0:38:10.280 --> 0:38:13.200
<v Speaker 1>Hits of the Ramones, which lasts twelve minutes, not because

0:38:13.200 --> 0:38:16.840
<v Speaker 1>they're so few, but because Ramones songs are so short. Guys,

0:38:16.880 --> 0:38:19.120
<v Speaker 1>we had a lot more to talk about when it

0:38:19.160 --> 0:38:22.759
<v Speaker 1>comes to transmitter hunting. This is always the case Joe

0:38:22.800 --> 0:38:26.120
<v Speaker 1>and I will end up having a conversation and we

0:38:26.239 --> 0:38:28.760
<v Speaker 1>think at the beginning it's gonna take maybe forty minutes,

0:38:28.800 --> 0:38:30.879
<v Speaker 1>and at the end it takes longer than an hour

0:38:30.920 --> 0:38:33.080
<v Speaker 1>and a half. That's what happened this time. So we're

0:38:33.080 --> 0:38:36.200
<v Speaker 1>splitting this episode up. That means next week you get

0:38:36.239 --> 0:38:39.360
<v Speaker 1>to hear part two about transmitter hunting, where we really

0:38:39.400 --> 0:38:43.839
<v Speaker 1>focus on the core aspects of the sport. So join

0:38:43.960 --> 0:38:47.280
<v Speaker 1>us next week for the exciting conclusion. Remember, you can

0:38:47.320 --> 0:38:50.200
<v Speaker 1>listen to Joe on Stuff to Blow your mind, and

0:38:50.239 --> 0:38:51.960
<v Speaker 1>you can see a lot of his work at how

0:38:52.000 --> 0:38:54.120
<v Speaker 1>stuff works dot com. And if you want to get

0:38:54.120 --> 0:38:56.239
<v Speaker 1>in touch with me, maybe you've got a suggestion for

0:38:56.400 --> 0:38:59.080
<v Speaker 1>an episode topic or someone I should have on the show.

0:38:59.320 --> 0:39:02.640
<v Speaker 1>You can always write me The email address is tech

0:39:02.760 --> 0:39:05.960
<v Speaker 1>stuff at how stuff works dot com, or drop me

0:39:06.000 --> 0:39:08.960
<v Speaker 1>a line on Facebook or Twitter. To handle at both

0:39:08.960 --> 0:39:12.399
<v Speaker 1>of those is text stuff hs W and I'll talk

0:39:12.440 --> 0:39:20.719
<v Speaker 1>to you again really soon. For more on this and

0:39:20.800 --> 0:39:33.320
<v Speaker 1>thousands of other topics, is it how stuff works dot com.