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Speaker 1: So it was me and Vince Carthizer. No it wasn't,

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Speaker 1: and we're just let me do that.

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Speaker 2: No it wasn't. Can we take it?

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Speaker 1: Okay, we have to take it one more time. Stop

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Speaker 1: stop the song. Last time you said this is like

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Speaker 1: the third take. And every time you say no it wasn't,

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Speaker 1: that ruins the idea.

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Speaker 2: It ruins it. It ruins it.

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Speaker 1: Well, every time you promise and you say you won't,

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Speaker 1: say no, it wasn't it this time? Okay, good Sam, Ready,

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Speaker 1: I'm sorry to keep making you do this since he

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Speaker 1: doesn't know it.

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Speaker 2: Was me and Vince carth was it? Turn it off? What?

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Speaker 2: I would never do that to you.

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Speaker 3: The reason that this show works is that I'm an

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Speaker 3: encouragible scamp and that is what makes the dynamic work.

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Speaker 2: And you are.

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Speaker 1: Obviously I know that, I know you're incorrigible, but usually

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Speaker 1: I still like I still get to like usually tell

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Speaker 1: story daddy.

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Speaker 3: Yes, you get to draw the boundaries.

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Speaker 2: Yes, hands off.

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Speaker 3: Well, I think that this is adding an element of

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Speaker 3: danger then for the audience where they don't know where

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Speaker 3: I'm going to pop up and do my nasty business.

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Speaker 3: So I think your story now, it's what about for you, Hayes.

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Speaker 3: I mean, if the audience is having a good time,

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Speaker 3: that's good for you.

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Speaker 1: But if I'm not having a good time, then the

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Speaker 1: audience isn't having a good time. And if I'm in danger,

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Speaker 1: then I'm not having a good time.

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Speaker 3: Okay, well tell the story. It's you in Vincent karthiser.

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Speaker 1: Yes, And we were freezing our heads before our ice

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Speaker 1: skating routine because so.

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Speaker 2: Ruper crimp.

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Speaker 1: We're freezing our heads, our hair so that it wouldn't

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Speaker 1: freeze while we were out there, so it would be

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Speaker 1: pre frozen.

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Speaker 2: But I've.

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Speaker 1: Like dozed off while I was had my head in

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Speaker 1: the water, you know you didn't, and it froze the

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Speaker 1: whole thing. All the water froze around my head. I

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Speaker 1: pull my head out and there's a big ice on

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Speaker 1: my head. The other skaters see it and they say like, oh,

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Speaker 1: a big ice.

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Speaker 2: I should skate on that skate on your head. Okay.

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Speaker 1: It's one thing to say that it didn't happen. It's

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Speaker 1: another to say what happened right before I said it.

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Speaker 1: And you know what I'm gonna say, because I've done

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Speaker 1: this this is out the fourth time.

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Speaker 3: So okay, so you think that I listened to the

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Speaker 3: story all the way through, ruined it yes, and then

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Speaker 3: stole the sting from you yes.

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Speaker 2: And then waited until I did it again so you

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Speaker 2: can steal it.

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Speaker 3: And then I get the fucking hammer. Yes, I get

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Speaker 3: to drop the killer line that they skated on your head.

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Speaker 2: They were skating on my head.

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Speaker 3: Oh I've never been accused of such a thing, mister Davenport.

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Speaker 1: And I please, I'm looking at the officials like is

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Speaker 1: this allowed you?

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Speaker 2: Is this allowed? So? Like? Is can I get a

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Speaker 2: ruling on? Is this allowed? To do? Bull honky over here?

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Speaker 2: What you guys are letting? This happening on my head? Spinning?

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Speaker 1: Hey, welcome to Hollywood, hamble kicking and dropping names of

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Speaker 1: the red carpet lineback always of the industry.

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Speaker 2: We all show what claud Welcome to Claudia, thanks for.

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Speaker 3: Being here, Thanks for having me.

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Speaker 4: It's so good to see you.

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Speaker 1: Guys our old partner and yes, yes, and we used

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Speaker 1: to play music together.

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Speaker 5: Played music, we dad, We were craftsmen together.

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Speaker 3: And Claudia, your stardom has gone from unlikely to undeniable dying.

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Speaker 1: A lot of people.

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Speaker 2: Will ask you how did you get here?

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Speaker 3: But I have a better question is what could have

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Speaker 3: stopped you exactly what possibly could have stopped you and

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Speaker 3: what took.

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Speaker 2: You so long?

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Speaker 4: Well, the thing is this is this is what people

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Speaker 4: always say there, They're like, you just came out of nowhere.

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Speaker 2: But often that person me the overnight sensation wood Shed.

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Speaker 4: Yeah, they didn't see me working in Australia honing my craft.

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Speaker 4: What I really wanted to do is just get here

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Speaker 4: and be fully formed. Yeah, and that's what I did.

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Speaker 4: I worked in Australia since since childhood in.

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Speaker 2: Anonymity, the Incomplete the Birth of Venus.

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Speaker 3: Yeah, m from the out of the Head to Venus's birth.

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Speaker 4: Yeah, that's exactly, yes, And I mean it's so amazing

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Speaker 4: to be here with you.

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Speaker 5: Sewan.

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Speaker 3: Oh no stop, I can't know.

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Speaker 1: Please.

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Speaker 4: We've worked together in many scenarios, but you and I.

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Speaker 3: We have Actually the history is thick.

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Speaker 4: It's thick. And now most recent.

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Speaker 3: Endeavor was Love. Yes, we acted.

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Speaker 4: Together in Love.

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Speaker 6: Yeah.

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Speaker 2: Wow, the show and.

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Speaker 4: I when we did that scene together, I was like,

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Speaker 4: I don't think we should do any more of this show.

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Speaker 4: I think we've like.

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Speaker 3: Reached well that yes, the show had reached its zenith.

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Speaker 3: And the scene in fact that you and I were

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Speaker 3: in together. Was of course cut.

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Speaker 5: Well, yes, it was cut, which was a shame, so.

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Speaker 2: People will not see that people.

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Speaker 3: But I think in a way to have the rest

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Speaker 3: of the show compared to that scene would have been

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Speaker 3: would have been.

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Speaker 4: Unfavorable, Yes, because it would have been some of the

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Speaker 4: bigger stars.

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Speaker 2: Were you guys boyfriend's girlfriends on it? We were No,

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Speaker 2: we were strangers walking by each other whole Yeah, it

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Speaker 2: seems like a role for you.

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Speaker 3: I can see you crushing dude, and I was so

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Speaker 3: in it, yeah that it was almost as if I

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Speaker 3: didn't know Claudia and hadn't met her when I was Wow, it.

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Speaker 5: Was true, I didn't recognize you.

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Speaker 4: It's so transformed in your costume. I can see your

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Speaker 4: character was cool guy in hallway okay, And I was like,

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Speaker 4: I mean.

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Speaker 2: A cigarette or no?

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Speaker 5: Yes, cigarette smoking guy.

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Speaker 3: You hate having smoker names for your characters. I do

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Speaker 3: always get into this battle where a lot of times

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Speaker 3: when a casting comes across my desk, it will say, uh,

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Speaker 3: John or Darius or one of these names, and I'll go,

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Speaker 3: can I possibly be chef number two? Stranger in hall

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Speaker 3: What you need is a location, please. Names are distraction.

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Speaker 3: You need to know where your character is. I'm an

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Speaker 3: outside in actor. Some actors take their own personality and

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Speaker 3: try to mold it to whatever's going on, but they're

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Speaker 3: actually more versatile if you can just take the scenario. Okay,

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Speaker 3: I'm in this hallway all right, there are people there. Okay,

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Speaker 3: I'm holding a cigarette. Okay, my costume, I've got these clothes.

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Speaker 2: Let me pull that in.

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Speaker 3: Let's internalize that hact jeans I have you remember?

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Speaker 2: Yeah, Gene, this shirt.

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Speaker 3: I've got that.

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Speaker 5: I had the patent on it, and then the jacket.

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Speaker 1: Yes, normal guy in shirt, but you had.

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Speaker 5: A little swagger and that wasn't in the script.

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Speaker 4: That was you.

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Speaker 3: Yes, Yes, in fact brought that. Yes, I brought that.

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Speaker 3: And I was asked to, you know, bring it back

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Speaker 3: wherever I got it from and just do it the

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Speaker 3: way they want it.

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Speaker 5: Yes, and you took that so well.

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Speaker 2: Yeah.

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Speaker 3: Yeah, And I.

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Speaker 4: Thought this guy, he he gets it and he has it.

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Speaker 2: And and what I was thinking was, hey, there's Claudia.

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Speaker 5: Yes, but I didn't recognize it.

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Speaker 1: Was spot allowed to eat the bones? Yeah, it's not

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Speaker 1: for Choo's only spoones. He can eat the whole thing.

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Speaker 2: Have the bones.

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Speaker 5: He's eating it?

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Speaker 1: That's what we were speaking of the wood shed, Claudia.

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Speaker 2: Uh.

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Speaker 1: And one thing we do on every episode of the

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Speaker 1: show is we read the bones episode of a scram.

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Speaker 3: Can you go back and put in I ate the

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Speaker 3: bones earlier?

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Speaker 1: Remember that was it seems like I was kind of

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Speaker 1: referencing that just what I said almost that a complete thing. Well,

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Speaker 1: but it's a sort of more of a you repeating

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Speaker 1: what I said that.

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Speaker 3: Intermedia, have me sand instead of and forget all about

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Speaker 3: I just have me say I wish didn't have to

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Speaker 3: do that, by the law.

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Speaker 2: Okay, you were getting into something.

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Speaker 1: Every episode we read a script of a movie that

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Speaker 1: we wrote.

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Speaker 2: Oh wow, that's every show. Yeah, every single episode.

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Speaker 3: Sometimes it makes the cut, sometimes it doesn't.

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Speaker 1: This time we're trying something a little different, which is

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Speaker 1: Sam wrote this one.

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Speaker 2: Wow, I congratulations. Do you guys get it? Where do

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Speaker 2: you find out what?

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Speaker 1: Yeah, let's wait until we read it and then we'll

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Speaker 1: find out.

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Speaker 2: Uh, and what this is?

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Speaker 1: When we assigned the topic, we have been looking for

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Speaker 1: a surf movie so hot, all these surf movies, every.

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Speaker 5: Other produce it or act in it. What are you thinking?

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Speaker 1: We have produced it by asking Sam to write it

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Speaker 1: and we will also be writing it at the end

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Speaker 1: of this processing.

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Speaker 3: Names across the top. Yeah, oh I see.

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Speaker 1: So the producing is saying, Sam, you write this, and

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Speaker 1: the writing aspect is saying, wet.

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Speaker 2: I get it because we wait, we wrote this. We

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Speaker 2: don't know yet, okay, but it was we wrote it.

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Speaker 3: Maybe and every time you see a movie at surfing

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Speaker 3: and we thought you want some of that, and who

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Speaker 3: better than the person from the birthplace.

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Speaker 5: Of surfing, which what place is that?

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Speaker 2: London? London? Yes, London. So do we just read it?

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Speaker 2: Do we just freaking read it? Huh? Okay? And then

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Speaker 2: do you want to say what it's called?

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Speaker 3: I know that the original title was smash Wave.

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Speaker 2: This what I have?

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Speaker 3: Okay, Operation Waves Smasher.

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Speaker 2: Okay.

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Speaker 1: I wasn't sure if you were going to finish it. Yes,

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Speaker 1: smash wave colon operation Waves Smasher.

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Speaker 2: That was our title that we.

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Speaker 5: Said, yes, yes, is that part of the story.

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Speaker 1: Yes, there is a colon operation after a smash waves.

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Speaker 5: Smash wave colon operations, there's an urgent.

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Speaker 3: Con operation smash wave Comma colon operation, Comma operation Wave

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Speaker 3: smash right, okay.

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Speaker 1: So let's play. Oh and we have a band that's

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Speaker 1: scoring the entire movie. It's our favorite band, Royalty Free.

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Speaker 3: Oh wow, I love that these guys are so hot.

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Speaker 5: They're really good.

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Speaker 1: And it's you also as like the Queen's friend, Yes,

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Speaker 1: saying like what if one day we were like finally

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Speaker 1: free of the Queen's exactly rip on us.

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Speaker 4: Yes, so I am the Queen's friend, but I want

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Speaker 4: us to be free.

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Speaker 2: You want her to just have a normal life.

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Speaker 5: Yes, it's the glare.

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Speaker 2: You want to free her as well. She's in danger.

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Speaker 4: Well, she's in danger, and she's also very bores. I'm

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Speaker 4: busy from being.

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Speaker 2: The She's in a prison and its name is Buckethead.

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Speaker 4: Palace and it's a it's a glass house, the palace.

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Speaker 5: Oh please, and everyone's looking in mm.

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Speaker 4: And that's why I want to smash the palace with

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Speaker 4: the smash wave.

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00:12:09,679 --> 00:12:14,800
Speaker 2: Yes, yeah, that's why we chose this band.

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Speaker 1: So okay, so we'll play some just the music that's

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Speaker 1: listed on the script.

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Speaker 3: His music cues, No, we won't, sure.

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Speaker 2: Not for the script, and we can't. We never do

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Speaker 2: it on the script.

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Speaker 1: Okay, it's too dangerous, it's too crazy, it's too crazy

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Speaker 1: to say.

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00:12:37,880 --> 00:12:38,800
Speaker 2: No, it won't.

243
00:12:39,280 --> 00:12:40,200
Speaker 4: It's funny.

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Speaker 2: Then there might be ads on these songs. But that's

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Speaker 2: part of it.

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Speaker 4: If that happens, I know that sounds like a commentary. Yes,

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Speaker 4: that was the idea, especially for a band called Royalty Freak.

248
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Speaker 3: The Queen's so corporate exactly.

249
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Speaker 5: She's a corporate entity.

250
00:13:00,520 --> 00:13:02,120
Speaker 2: So then they're going, now we're corporate.

251
00:13:02,160 --> 00:13:04,400
Speaker 3: We got ads and also no more, let's smash the

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Speaker 3: freaking palace.

253
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Speaker 2: And that we get paid for.

254
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Speaker 1: The ads is commentary as well on this system.

255
00:13:13,120 --> 00:13:14,000
Speaker 4: So that's good.

256
00:13:14,320 --> 00:13:17,240
Speaker 2: Yeah, it's good. Oh you kidding me? Good?

257
00:13:17,720 --> 00:13:19,040
Speaker 5: So how much of your money?

258
00:13:19,280 --> 00:13:26,120
Speaker 1: Exterior surfboard beach. A wave is flying in front of

259
00:13:26,160 --> 00:13:29,400
Speaker 1: the camera and then it goes away and you see

260
00:13:29,920 --> 00:13:31,760
Speaker 1: the wave smasher.

261
00:13:32,920 --> 00:13:34,960
Speaker 2: Our crab.

262
00:13:35,400 --> 00:13:41,040
Speaker 7: Crab, Oh a crab's got my pinky toew ow's.

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00:13:41,480 --> 00:13:45,400
Speaker 1: He's coasting on the wave and he's doing the he's

264
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Speaker 1: surfing in a safe way, sitting down on the surfboard.

265
00:13:49,440 --> 00:13:50,920
Speaker 2: And then the audience goes.

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Speaker 1: No, he's standing up on the surfboards.

267
00:13:56,360 --> 00:13:58,000
Speaker 2: See you it a crab.

268
00:13:59,760 --> 00:14:05,040
Speaker 1: A rival surfer comes up along his board.

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Speaker 5: Get off, get out of my beach.

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Speaker 4: This is my test.

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Speaker 2: No one owns the beach.

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00:14:11,679 --> 00:14:15,600
Speaker 3: Nature is created by God and there's only one true God,

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Speaker 3: who I call yahweh?

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Speaker 4: Is that a shock?

275
00:14:21,160 --> 00:14:22,120
Speaker 2: It better not be.

276
00:14:23,760 --> 00:14:26,360
Speaker 3: God didn't make sharks. It's the one thing in nature

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Speaker 3: that's unnatural. And I will smash the shark.

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00:14:29,200 --> 00:14:30,600
Speaker 4: There's a shock behind you.

279
00:14:31,160 --> 00:14:34,160
Speaker 3: Oh right, I'm gonna fall for that. I'll just turn

280
00:14:34,200 --> 00:14:35,320
Speaker 3: around and look at the shark.

281
00:14:35,360 --> 00:14:38,160
Speaker 5: Then, yeah, right, honestly, there is a shock behind you.

282
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Speaker 4: You show.

283
00:14:38,520 --> 00:14:39,400
Speaker 2: Oh I'm so sure.

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00:14:39,520 --> 00:14:42,000
Speaker 3: First you want me off your beach, right, that's the

285
00:14:42,040 --> 00:14:43,760
Speaker 3: first thing, and then all of a.

286
00:14:43,720 --> 00:14:45,440
Speaker 2: Sudden it's like, oh, there's a shark behind you.

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00:14:45,360 --> 00:14:47,480
Speaker 3: You better get out of here. So then you are mad.

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00:14:47,520 --> 00:14:50,000
Speaker 3: Your first thing didn't work, and now you're trying something.

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00:14:50,400 --> 00:14:52,440
Speaker 4: No enemies on the beach. But I don't want to

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Speaker 4: what you get eaten by a shock?

291
00:14:54,480 --> 00:14:56,880
Speaker 3: Okay, yeah, because you want to eat me yourself.

292
00:14:57,200 --> 00:15:01,120
Speaker 4: No, honestly, please look out the shop getting really close.

293
00:15:01,160 --> 00:15:02,840
Speaker 2: Okay, So here's what's gonna happen.

294
00:15:02,920 --> 00:15:05,160
Speaker 3: So I'm gonna turn around, but not because you said

295
00:15:05,160 --> 00:15:08,360
Speaker 3: there's a shark, because I was thinking about turning around anyway.

296
00:15:08,760 --> 00:15:12,040
Speaker 2: Okay, Oh my god, it's a crocodile.

297
00:15:12,280 --> 00:15:17,600
Speaker 1: Androd and the rival surfer wins the surf race that

298
00:15:17,640 --> 00:15:21,320
Speaker 1: they were having this whole time, and she he speeds ahead.

299
00:15:21,840 --> 00:15:26,840
Speaker 1: But then but then across the finish line, he takes

300
00:15:26,840 --> 00:15:31,360
Speaker 1: off his surf helmet and long hair crubs flowing out

301
00:15:31,440 --> 00:15:33,000
Speaker 1: of the helmet, and it's a girl.

302
00:15:33,120 --> 00:15:40,520
Speaker 4: That's right, I'm a girl. Hey, brow, my name's brun.

303
00:15:40,200 --> 00:15:42,160
Speaker 2: Wynn run Win.

304
00:15:44,680 --> 00:15:48,040
Speaker 3: God, nobody's ever surf faster than me before. That was

305
00:15:48,080 --> 00:15:50,680
Speaker 3: a dirty trick. You're telling me that that crocodile was

306
00:15:50,720 --> 00:15:51,200
Speaker 3: a shark.

307
00:15:51,400 --> 00:15:53,680
Speaker 4: I know it confused you. You were bamboozled.

308
00:15:54,720 --> 00:15:59,120
Speaker 2: I sure was. Hey, do you want to get a

309
00:15:59,120 --> 00:15:59,560
Speaker 2: slush here?

310
00:15:59,640 --> 00:16:00,720
Speaker 4: So I would love that?

311
00:16:00,840 --> 00:16:03,239
Speaker 5: Oh my god, I think that would be really nice.

312
00:16:03,280 --> 00:16:07,520
Speaker 1: Interior slushy store. Two of them are in a very

313
00:16:07,600 --> 00:16:09,720
Speaker 1: long line for the slushies.

314
00:16:10,240 --> 00:16:12,520
Speaker 6: Oh my god, I never see thet this log.

315
00:16:12,840 --> 00:16:15,120
Speaker 5: So what kind of slushy are you going to get to?

316
00:16:15,480 --> 00:16:17,280
Speaker 6: Sorry, I'm just going to count how many people in

317
00:16:17,320 --> 00:16:19,640
Speaker 6: this line because I want to tell my friends later, like,

318
00:16:19,920 --> 00:16:22,640
Speaker 6: because I'm like, when you go, it's the longest line

319
00:16:22,640 --> 00:16:23,920
Speaker 6: I've ever seen at the slushi store.

320
00:16:23,960 --> 00:16:25,240
Speaker 3: I don't know if they could picture it, but if

321
00:16:25,240 --> 00:16:25,920
Speaker 3: you actually can.

322
00:16:25,800 --> 00:16:33,960
Speaker 6: See that, there's oh my god, there's twenty two. Okay,

323
00:16:35,000 --> 00:16:37,080
Speaker 6: is there a day together, and do you count if.

324
00:16:37,000 --> 00:16:39,200
Speaker 5: There's a couple, Yeah, because they'll play two.

325
00:16:39,880 --> 00:16:42,280
Speaker 2: Yeah, that's right, in order together. They'll pay once. But

326
00:16:42,320 --> 00:16:43,080
Speaker 2: they're still going to make.

327
00:16:43,000 --> 00:16:45,960
Speaker 5: Two slash Yeah, so it's gonna still be the same time.

328
00:16:45,800 --> 00:16:50,600
Speaker 6: As six people in the slushy line. Okay, I gotta

329
00:16:50,640 --> 00:16:51,760
Speaker 6: text my friend.

330
00:16:52,400 --> 00:16:55,200
Speaker 1: Yeah, they get to the front of the line.

331
00:16:56,160 --> 00:16:59,160
Speaker 4: I'll have one regular slushy Classic Flavor place.

332
00:16:59,480 --> 00:17:02,760
Speaker 2: Okay, I'll have one large regular Slushy Original?

333
00:17:03,600 --> 00:17:07,880
Speaker 4: Could you pay for both of them?

334
00:17:07,920 --> 00:17:10,480
Speaker 6: Is that an accent I detect?

335
00:17:10,040 --> 00:17:13,800
Speaker 4: I'm Australian. That's why I'm such a good surfer.

336
00:17:14,480 --> 00:17:16,880
Speaker 3: No kidding, mate, am Australia.

337
00:17:17,680 --> 00:17:18,600
Speaker 2: I've been hiding it.

338
00:17:18,800 --> 00:17:21,600
Speaker 4: Oh my god. We must know so many people in commons.

339
00:17:21,640 --> 00:17:25,440
Speaker 3: Oh yeah, you must know Logan Yep.

340
00:17:25,720 --> 00:17:27,240
Speaker 2: Do you know Rogan?

341
00:17:27,880 --> 00:17:28,760
Speaker 4: Yep? His brother?

342
00:17:29,480 --> 00:17:33,440
Speaker 2: Do you know Brogan? Yep. Your name's Bronze Wi.

343
00:17:33,640 --> 00:17:35,040
Speaker 4: Yep, that is my name.

344
00:17:35,320 --> 00:17:40,080
Speaker 1: Bronze Wei starts eating the slushy. Oh it's still too cold.

345
00:17:40,320 --> 00:17:42,240
Speaker 4: Oh oh oh.

346
00:17:42,760 --> 00:17:48,920
Speaker 1: She keeps going well owy, and whole pieces of eyes

347
00:17:49,520 --> 00:17:52,680
Speaker 1: are She's swallowing them and they're going straight into her

348
00:17:52,720 --> 00:17:54,200
Speaker 1: colon like diamonds.

349
00:17:54,440 --> 00:17:58,480
Speaker 4: Ow ow, I really do feel like my colon is hardening.

350
00:17:59,280 --> 00:17:59,480
Speaker 8: Ow.

351
00:18:00,160 --> 00:18:04,120
Speaker 3: Well, I used to be a surgeon's assistant, did you Yeah?

352
00:18:04,160 --> 00:18:06,680
Speaker 3: You want me to dig in there, cut out whatever's

353
00:18:07,640 --> 00:18:10,320
Speaker 3: hurting your bum boom right here.

354
00:18:10,119 --> 00:18:13,520
Speaker 5: On the slushy, slushy store stop floor.

355
00:18:13,840 --> 00:18:15,440
Speaker 2: Well, i'd need to shop in the straw a bit.

356
00:18:16,240 --> 00:18:19,120
Speaker 4: Right, you're going to use the straw, but I feel

357
00:18:19,200 --> 00:18:20,960
Speaker 4: confident that you're going to be good at this.

358
00:18:21,280 --> 00:18:25,359
Speaker 1: The wave smasher lifts the sharp straw Interior Hospital.

359
00:18:26,880 --> 00:18:30,400
Speaker 2: Sorry about that, I guess I made it worse. Bronwen

360
00:18:30,520 --> 00:18:31,879
Speaker 2: is unable to respond.

361
00:18:33,840 --> 00:18:40,000
Speaker 1: Bronwen's Bronswie's sister looks at the wave smasher accusingly.

362
00:18:39,600 --> 00:18:41,840
Speaker 4: Why why did you do that to my sister?

363
00:18:42,520 --> 00:18:43,760
Speaker 3: I have to tell you why they called me the

364
00:18:43,760 --> 00:18:44,520
Speaker 3: wave smasher?

365
00:18:44,960 --> 00:18:46,040
Speaker 5: Okay why?

366
00:18:47,160 --> 00:18:50,040
Speaker 2: Uh? From my surfing right?

367
00:18:50,560 --> 00:18:53,400
Speaker 5: So not for your operating skills?

368
00:18:54,359 --> 00:18:55,840
Speaker 2: Yeah?

369
00:18:55,320 --> 00:18:57,960
Speaker 5: Yeah, So why did you do the operation.

370
00:18:57,720 --> 00:18:58,280
Speaker 2: Of my sister?

371
00:18:58,840 --> 00:19:01,119
Speaker 3: I guess I was trying to impress, wasn't I right?

372
00:19:01,720 --> 00:19:03,560
Speaker 5: Because were you involved romantically?

373
00:19:04,119 --> 00:19:04,840
Speaker 1: Ah?

374
00:19:04,880 --> 00:19:08,040
Speaker 2: That was the seemed to be the direction.

375
00:19:08,480 --> 00:19:09,520
Speaker 4: Because she's married.

376
00:19:14,359 --> 00:19:16,480
Speaker 5: I think she's gonna I don't know if she's gonna

377
00:19:16,480 --> 00:19:16,800
Speaker 5: make it.

378
00:19:17,560 --> 00:19:20,040
Speaker 2: What are you single?

379
00:19:20,640 --> 00:19:20,880
Speaker 1: Yeah?

380
00:19:21,560 --> 00:19:24,400
Speaker 2: Actually I am inside Bronzeweed's head.

381
00:19:25,840 --> 00:19:30,000
Speaker 4: I hope I survived this time.

382
00:19:30,920 --> 00:19:34,600
Speaker 1: She has is having a dream where she's at a

383
00:19:34,640 --> 00:19:37,280
Speaker 1: buckethead palace with her husband, the queen.

384
00:19:38,840 --> 00:19:42,760
Speaker 4: I am in love with you. You are my husband.

385
00:19:43,119 --> 00:19:45,240
Speaker 2: Well, I was like, that's so kind.

386
00:19:46,440 --> 00:19:49,240
Speaker 4: I wish you didn't have so many duties as a queen.

387
00:19:49,560 --> 00:19:53,240
Speaker 9: Oh well, if only someone would smash this oppressive palace

388
00:19:53,880 --> 00:19:56,600
Speaker 9: then finally free me to just be a regular citizen.

389
00:19:56,760 --> 00:19:58,919
Speaker 4: I'm going to try and do that for you. Okay,

390
00:19:59,040 --> 00:19:59,680
Speaker 4: I love you.

391
00:19:59,760 --> 00:20:02,560
Speaker 9: Oh I.

392
00:20:01,680 --> 00:20:05,360
Speaker 2: Think I could see myself falling in love with you.

393
00:20:05,359 --> 00:20:08,080
Speaker 7: You know, it's just I don't throw that word around

394
00:20:08,560 --> 00:20:09,720
Speaker 7: before bite.

395
00:20:09,480 --> 00:20:15,080
Speaker 1: The key and yeah, and Prince Charles comes in wearing a.

396
00:20:15,119 --> 00:20:20,359
Speaker 2: To too Mallorina practice. Oh my, I didn't know this

397
00:20:20,440 --> 00:20:21,480
Speaker 2: room and was occupied.

398
00:20:21,920 --> 00:20:23,760
Speaker 1: Now I want to stop this dad for a second

399
00:20:24,359 --> 00:20:28,040
Speaker 1: and just talk about sort of the stuff that we've heard. Yeah,

400
00:20:28,320 --> 00:20:31,800
Speaker 1: I want uh Sam, this is you know, this is

401
00:20:31,840 --> 00:20:32,359
Speaker 1: your script.

402
00:20:32,359 --> 00:20:33,360
Speaker 2: You may want to look up.

403
00:20:33,560 --> 00:20:35,800
Speaker 1: I did say. We did say we wanted some social

404
00:20:35,840 --> 00:20:39,760
Speaker 1: commentary in this. There's some like python esque satire. We're

405
00:20:39,760 --> 00:20:47,240
Speaker 1: getting it too near the It's very quist with Prince Charles. I.

406
00:20:46,040 --> 00:20:48,560
Speaker 2: I like it. That's a kind of stuff. Iye like,

407
00:20:48,760 --> 00:20:49,600
Speaker 2: I think it's funny.

408
00:20:49,760 --> 00:20:53,119
Speaker 3: But for a commercial film, yes, I worry about.

409
00:20:52,880 --> 00:20:55,760
Speaker 5: That may be too surreal? Is that the concern?

410
00:20:55,920 --> 00:20:57,920
Speaker 1: Yes, well, and so that's why I get why he's

411
00:20:57,920 --> 00:21:00,199
Speaker 1: having it happen in a dream, and that makes all

412
00:21:00,359 --> 00:21:03,080
Speaker 1: effort to make it ticket to being surreal.

413
00:21:03,160 --> 00:21:05,720
Speaker 5: And everyone gets why because it can all be a dream.

414
00:21:05,840 --> 00:21:08,400
Speaker 3: But I'm not like it's reminding me of all that.

415
00:21:08,800 --> 00:21:13,280
Speaker 1: Sure, sure, but I'm not liking Bronzewi. I'm like losing

416
00:21:13,320 --> 00:21:16,520
Speaker 1: my connection to Bronswie if she's having a dream about that.

417
00:21:17,200 --> 00:21:19,040
Speaker 2: Yes, uh, Sam, I once.

418
00:21:18,840 --> 00:21:22,359
Speaker 8: She reveals her secret, you guys are gonna really enjoy

419
00:21:22,440 --> 00:21:22,879
Speaker 8: this character.

420
00:21:22,920 --> 00:21:25,320
Speaker 3: Well, I hope so, because I think we talked about

421
00:21:25,359 --> 00:21:26,840
Speaker 3: protecting our characters.

422
00:21:27,520 --> 00:21:30,040
Speaker 2: Is the queen actually her husband? Keep reading?

423
00:21:30,960 --> 00:21:36,240
Speaker 4: Oh okay, let's say yes, okay, okay she is.

424
00:21:37,400 --> 00:21:39,560
Speaker 1: So that's the message of the movie, and it's it

425
00:21:40,400 --> 00:21:43,040
Speaker 1: says the quote. There's like a quote at the beginning

426
00:21:43,080 --> 00:21:46,320
Speaker 1: of the like before credits that says queens should be

427
00:21:46,440 --> 00:21:50,760
Speaker 1: husbands and it says and it's attributed to Sam, so confusing,

428
00:21:51,640 --> 00:21:52,440
Speaker 1: it is confused.

429
00:21:54,080 --> 00:21:58,080
Speaker 3: The opening set the sort of mission statement of the film. Sure,

430
00:21:58,440 --> 00:22:01,240
Speaker 3: and so if you're trying to make a big social

431
00:22:01,359 --> 00:22:05,320
Speaker 3: change like that an idea that's pretty radical. My husband's

432
00:22:05,840 --> 00:22:10,639
Speaker 3: I think you do need to be that direct. I

433
00:22:10,720 --> 00:22:13,760
Speaker 3: wish the quote was attributed to, even in a lie,

434
00:22:14,359 --> 00:22:15,960
Speaker 3: someone other than saying.

435
00:22:15,800 --> 00:22:17,840
Speaker 1: That's what I'm more used to sing a quote from

436
00:22:17,880 --> 00:22:23,080
Speaker 1: like Gandhi or Voltaire, not the one who wrote it.

437
00:22:23,119 --> 00:22:25,840
Speaker 8: If you say something out loud, that's a quote. No,

438
00:22:26,040 --> 00:22:27,719
Speaker 8: I know, I understand that.

439
00:22:27,800 --> 00:22:32,200
Speaker 4: Now that's not as Sam, no last name, So you're

440
00:22:32,320 --> 00:22:33,600
Speaker 4: like the only said.

441
00:22:33,400 --> 00:22:36,520
Speaker 1: And it says, actually, this is Sam. There's a dash, Yeah,

442
00:22:37,680 --> 00:22:40,760
Speaker 1: this is Sam. Should have said Sam, I am, oh,

443
00:22:40,800 --> 00:22:44,679
Speaker 1: that's for you. That's a note to me. Yeah, okay, okay.

444
00:22:45,400 --> 00:22:50,160
Speaker 3: Mostly when you're watching to your notes, yeah, and then

445
00:22:50,359 --> 00:22:51,280
Speaker 3: when you leave one.

446
00:22:51,200 --> 00:22:54,120
Speaker 2: To yourself, you say, this is Sam.

447
00:22:54,320 --> 00:22:58,320
Speaker 1: Okay, okay. Do we want to jump to a certain

448
00:22:58,400 --> 00:22:58,960
Speaker 1: scene in.

449
00:22:58,920 --> 00:23:05,240
Speaker 8: This I would recommend the battle the battle right, yeah, okay,

450
00:23:05,440 --> 00:23:09,400
Speaker 8: the battle between within Yeah, either one.

451
00:23:09,680 --> 00:23:17,240
Speaker 1: Okay, let's go to the battle interior the comedy store.

452
00:23:18,080 --> 00:23:25,399
Speaker 1: It's time for a roast battle. Big Jay Oakerson is

453
00:23:25,440 --> 00:23:27,720
Speaker 1: on stage moderating the rope battle.

454
00:23:28,480 --> 00:23:29,840
Speaker 2: Al Right, everybody.

455
00:23:29,880 --> 00:23:33,960
Speaker 3: Hey, we've heard some pretty nasty birds and there's.

456
00:23:33,840 --> 00:23:36,040
Speaker 2: No sav that's gonna heal these ones.

457
00:23:36,119 --> 00:23:40,119
Speaker 3: But uh, next up, we got two newcomers to the stage,

458
00:23:40,160 --> 00:23:42,320
Speaker 3: and I can't wait to see them just rip into

459
00:23:42,359 --> 00:23:47,320
Speaker 3: each other with some schoolyard bully and saults. And they

460
00:23:47,480 --> 00:23:50,160
Speaker 3: are not known for pulling their punches. The first one guy,

461
00:23:50,240 --> 00:23:53,640
Speaker 3: he's known as the waves Smasher and then his mortal

462
00:23:53,800 --> 00:23:56,720
Speaker 3: enemy based on some events that have happened over the

463
00:23:56,760 --> 00:23:59,040
Speaker 3: past week, Bronze.

464
00:23:58,480 --> 00:24:06,520
Speaker 4: We and she's fine now yeah.

465
00:24:04,119 --> 00:24:08,600
Speaker 1: And the wave Smasher steps up to the mic and

466
00:24:08,640 --> 00:24:09,400
Speaker 1: he's holding a.

467
00:24:09,680 --> 00:24:12,000
Speaker 5: Beer tread lightly Waves Smasher.

468
00:24:13,520 --> 00:24:15,600
Speaker 3: This is a falsest.

469
00:24:17,320 --> 00:24:19,480
Speaker 4: Oh that's a joke about my accent.

470
00:24:20,440 --> 00:24:22,920
Speaker 2: Okay, yeah, I wasn't really Australian.

471
00:24:23,440 --> 00:24:27,800
Speaker 4: Oh yeah you are, yeah, okay.

472
00:24:28,119 --> 00:24:35,080
Speaker 1: And the time starts in three two one.

473
00:24:33,640 --> 00:24:36,320
Speaker 3: So you know, I know you guys are always throwing

474
00:24:36,359 --> 00:24:39,720
Speaker 3: a shrimp on the barbie. Well you look like a

475
00:24:39,800 --> 00:24:43,240
Speaker 3: barbie that got thrown on the barbie because you got

476
00:24:43,280 --> 00:24:46,159
Speaker 3: such bad burns.

477
00:24:46,320 --> 00:24:48,119
Speaker 4: Okay, can I rebut.

478
00:24:47,880 --> 00:24:50,479
Speaker 1: Now and that happens to him? I just want to like,

479
00:24:50,520 --> 00:24:52,800
Speaker 1: she got burned? Is she burned from what happened in

480
00:24:52,840 --> 00:24:53,520
Speaker 1: the past week.

481
00:24:54,520 --> 00:24:58,080
Speaker 5: Was that during the operation or was that off the operation.

482
00:24:59,119 --> 00:25:01,320
Speaker 1: When she goes to the Yes, because she goes to

483
00:25:01,400 --> 00:25:01,840
Speaker 1: the hospital.

484
00:25:01,840 --> 00:25:02,600
Speaker 2: She's not burned.

485
00:25:02,640 --> 00:25:07,040
Speaker 8: She gets burned before the operation and almost immediately after Okay.

486
00:25:06,760 --> 00:25:09,680
Speaker 4: Okay, like in the hospital or on the way in.

487
00:25:09,800 --> 00:25:10,000
Speaker 2: Or a.

488
00:25:11,480 --> 00:25:15,359
Speaker 8: Pre roast battle in the hospital hospital fire, leading to

489
00:25:15,400 --> 00:25:17,800
Speaker 8: her deciding to get She runs out from the file

490
00:25:18,160 --> 00:25:20,680
Speaker 8: the fire to find a dance battle in the parking lot.

491
00:25:20,960 --> 00:25:24,960
Speaker 3: Okay, but this is after the board, which is fire.

492
00:25:25,440 --> 00:25:27,800
Speaker 4: Oh, okay, So that's why she's so burned.

493
00:25:28,080 --> 00:25:30,560
Speaker 2: In the middle of a big spin. Yeah, oh no,

494
00:25:30,840 --> 00:25:32,280
Speaker 2: that's brutal. Okay.

495
00:25:33,520 --> 00:25:36,119
Speaker 8: Also, keep in mind, this music is designed to be

496
00:25:36,440 --> 00:25:37,880
Speaker 8: you can sing along if you want.

497
00:25:39,359 --> 00:25:39,679
Speaker 2: Okay.

498
00:25:39,880 --> 00:25:42,920
Speaker 8: When Claris ten things I hit about, you can see

499
00:25:42,960 --> 00:25:44,919
Speaker 8: the band in the they're in the shot.

500
00:25:45,280 --> 00:25:47,560
Speaker 5: Okay, so we should sing we should see.

501
00:25:47,400 --> 00:25:49,800
Speaker 8: You can acknowledge them, you cannot. It's designed to be.

502
00:25:50,000 --> 00:25:53,960
Speaker 1: They're on stage. Yeah, Royalty Free is on stage.

503
00:25:53,600 --> 00:25:56,080
Speaker 8: In every any time you hear music, they're in the shot.

504
00:25:56,480 --> 00:25:58,800
Speaker 4: I love when a cool band is in a movie.

505
00:25:58,960 --> 00:26:01,679
Speaker 8: Yeah, that's that was my So well.

506
00:26:01,520 --> 00:26:02,480
Speaker 5: That's all pretty clear.

507
00:26:02,760 --> 00:26:08,679
Speaker 1: Yeah, Well, let's get into uh, bronze wee, I.

508
00:26:08,680 --> 00:26:09,600
Speaker 2: Can take it anywhere.

509
00:26:09,640 --> 00:26:10,760
Speaker 4: And this is one of those guys.

510
00:26:11,200 --> 00:26:14,480
Speaker 3: This is for icebreakers, really good ads that make the

511
00:26:14,560 --> 00:26:15,200
Speaker 3: music better.

512
00:26:15,720 --> 00:26:19,200
Speaker 1: So bronzewiy is reeling from the Barbie roast.

513
00:26:19,359 --> 00:26:22,400
Speaker 4: Yeah, and her wounds are weeping.

514
00:26:22,400 --> 00:26:25,880
Speaker 1: Yes, as well from being her feelings are hurt.

515
00:26:26,040 --> 00:26:30,560
Speaker 4: Yes. And then she steps up to the microphone. Yes,

516
00:26:30,680 --> 00:26:36,000
Speaker 4: and she sort of like tentatively adjusts her outfit and

517
00:26:36,040 --> 00:26:37,480
Speaker 4: like touches the microphone.

518
00:26:37,680 --> 00:26:38,840
Speaker 2: Yeah.

519
00:26:38,880 --> 00:26:40,160
Speaker 4: And then she starts.

520
00:26:39,880 --> 00:26:42,879
Speaker 2: Singing, singing, singing a roast.

521
00:26:43,040 --> 00:26:45,520
Speaker 4: He's like, yeah, she starts singing.

522
00:26:45,960 --> 00:26:54,800
Speaker 1: Okay, says the judge, because I'll allow it.

523
00:26:55,000 --> 00:26:59,280
Speaker 4: Burns fine, I've got burns and then used.

524
00:26:59,119 --> 00:27:02,760
Speaker 3: To smashing way saves not getting smashed by a sung roast.

525
00:27:03,440 --> 00:27:08,199
Speaker 1: The era the sung roast forms arrows that are like

526
00:27:08,600 --> 00:27:12,560
Speaker 1: flying toward the waves smasher. He's about to be pierced

527
00:27:12,560 --> 00:27:16,040
Speaker 1: by the arrows, but like, isn't quite yet. And then

528
00:27:16,240 --> 00:27:19,280
Speaker 1: Chef Kevin jumps in front of the arrows.

529
00:27:19,840 --> 00:27:21,439
Speaker 2: Hey, guys, Chef Kevin here.

530
00:27:21,480 --> 00:27:21,960
Speaker 4: Oh.

531
00:27:23,280 --> 00:27:27,320
Speaker 2: Thank you, Chef Kevin. Oh my goodness, what are we doing?

532
00:27:27,560 --> 00:27:27,720
Speaker 4: Is he?

533
00:27:28,440 --> 00:27:30,960
Speaker 3: Will you look at us? This is insane. We were

534
00:27:31,000 --> 00:27:32,720
Speaker 3: in love almost I know.

535
00:27:32,640 --> 00:27:33,880
Speaker 5: It, then you did an operation.

536
00:27:34,040 --> 00:27:35,120
Speaker 4: I mean I got into.

537
00:27:34,960 --> 00:27:36,359
Speaker 3: A lot of why the fun did you eat the

538
00:27:36,400 --> 00:27:37,360
Speaker 3: slushie like that?

539
00:27:37,520 --> 00:27:41,280
Speaker 5: Like you knew that?

540
00:27:41,359 --> 00:27:45,200
Speaker 1: And so was and the band, Royalty Free isn't ready

541
00:27:45,240 --> 00:27:49,040
Speaker 1: to do like the the love song yet? Uh and

542
00:27:49,080 --> 00:27:53,720
Speaker 1: so then so they say, please start over, okay, okay, wait,

543
00:27:53,760 --> 00:27:55,440
Speaker 1: wait wait, and they have to find the right start

544
00:27:55,480 --> 00:27:57,480
Speaker 1: over with a roast, you know, start over with the

545
00:27:57,600 --> 00:28:01,400
Speaker 1: love one about being from with the love conversation, Royalty

546
00:28:01,400 --> 00:28:03,919
Speaker 1: Free says, why is there an argument in the stage direction?

547
00:28:04,080 --> 00:28:06,879
Speaker 3: Something about like going down under on your dad or something?

548
00:28:07,480 --> 00:28:08,959
Speaker 2: Sam wrote it. I don't know what it.

549
00:28:09,359 --> 00:28:12,040
Speaker 1: Okay, So now Rosy Free is playing the song for

550
00:28:12,200 --> 00:28:13,280
Speaker 1: the love conversations?

551
00:28:13,400 --> 00:28:15,280
Speaker 2: Okay, I are we doing.

552
00:28:15,119 --> 00:28:17,320
Speaker 5: What I was trying to impress you?

553
00:28:18,800 --> 00:28:21,560
Speaker 2: That's funny. I was trying to impress you.

554
00:28:21,560 --> 00:28:22,639
Speaker 5: You were trying to impress me.

555
00:28:23,040 --> 00:28:26,600
Speaker 3: Yeah, by by removing part of your colin with a straw.

556
00:28:26,880 --> 00:28:30,479
Speaker 4: Do you think you could kiss someone who has burns

557
00:28:30,520 --> 00:28:33,320
Speaker 4: all over their body and no colon anymore?

558
00:28:33,800 --> 00:28:35,760
Speaker 2: No? But I think they could kiss me.

559
00:28:36,880 --> 00:28:38,480
Speaker 4: Oh, I see what you'd be great?

560
00:28:38,600 --> 00:28:41,720
Speaker 3: Okay, Now I had imagined what they'd have to ask first.

561
00:28:41,840 --> 00:28:44,280
Speaker 2: Oh may I engineer. Sam enters the scene.

562
00:28:44,520 --> 00:28:52,280
Speaker 8: Yeah, uh, hey, hi, I just wanted to stop by.

563
00:28:52,320 --> 00:28:55,200
Speaker 8: I wanted to thank the band. I want to thank

564
00:28:55,280 --> 00:28:59,040
Speaker 8: everyone you know that's been in it. Oh, I want

565
00:28:59,200 --> 00:29:02,640
Speaker 8: you know and think buck it had palace and yahweh.

566
00:29:03,840 --> 00:29:04,680
Speaker 2: Good day mate.

567
00:29:05,160 --> 00:29:14,000
Speaker 1: So sorry, my queen was about to enter. The queen

568
00:29:14,120 --> 00:29:18,280
Speaker 1: enters for her wedding. Her it says her gay marriage

569
00:29:18,320 --> 00:29:18,920
Speaker 1: to Sam.

570
00:29:19,360 --> 00:29:26,920
Speaker 10: Yeah, the first let me make bronze we wanted to

571
00:29:27,080 --> 00:29:31,600
Speaker 10: will be, to my knowledge, the first female night.

572
00:29:32,720 --> 00:29:34,520
Speaker 4: Thank you. This is a true honna.

573
00:29:36,040 --> 00:29:39,080
Speaker 3: It's literally is yeah, yeah, it is.

574
00:29:41,600 --> 00:29:44,040
Speaker 4: Okay, genuine all right, thank you.

575
00:29:44,600 --> 00:29:49,200
Speaker 2: It's your tone, my lady. Okay, yeah, you're welcome.

576
00:29:49,320 --> 00:29:52,600
Speaker 3: But can I hear the freaking my sword?

577
00:29:54,000 --> 00:29:56,840
Speaker 2: It's sorry, I've got the sword there for me.

578
00:29:57,560 --> 00:30:02,440
Speaker 1: And Prince Charles comes in doing a purowet.

579
00:30:01,920 --> 00:30:09,640
Speaker 7: Will hi yah, oh thank you for the sword. Oh

580
00:30:09,760 --> 00:30:12,720
Speaker 7: I hope I don't chump anything, little queen joke.

581
00:30:13,280 --> 00:30:14,560
Speaker 2: They're like, god, w.

582
00:30:16,760 --> 00:30:19,520
Speaker 3: So lady bruns, Oh sorry get you?

583
00:30:19,880 --> 00:30:20,120
Speaker 9: Yeah?

584
00:30:20,200 --> 00:30:22,040
Speaker 2: Did they get you? Yeah? It's a sharp.

585
00:30:22,600 --> 00:30:24,720
Speaker 4: Yeah, it's a load of blood on my shoulder.

586
00:30:24,880 --> 00:30:33,360
Speaker 9: Okay, and now let's do the marriage. Sam, do you

587
00:30:33,400 --> 00:30:36,680
Speaker 9: take me to be your freaking husband.

588
00:30:37,000 --> 00:30:44,440
Speaker 11: Yes, yes, father, Yes you have what Okay, sorry, what

589
00:30:44,520 --> 00:30:46,920
Speaker 11: you guys couldn't see is physically I was doing like

590
00:30:46,960 --> 00:30:47,640
Speaker 11: a mister Bean.

591
00:30:49,400 --> 00:30:51,640
Speaker 2: But physically I was doing like a mister No.

592
00:30:51,760 --> 00:30:53,960
Speaker 1: I know that I saw that at the stage dresses,

593
00:30:54,000 --> 00:30:55,000
Speaker 1: that you're doing a mister Bean thing.

594
00:30:55,040 --> 00:30:56,160
Speaker 2: First of all, he doesn't talk.

595
00:30:56,520 --> 00:30:59,440
Speaker 1: Second of all, the idea is that you're that you're

596
00:30:59,440 --> 00:31:02,640
Speaker 1: marrying the queen and she's your The queen's gonna be

597
00:31:02,640 --> 00:31:04,200
Speaker 1: your husband and she's your dad.

598
00:31:04,560 --> 00:31:06,000
Speaker 8: Yeah, queens can be kings.

599
00:31:06,120 --> 00:31:06,400
Speaker 2: Kings.

600
00:31:07,040 --> 00:31:10,120
Speaker 3: Come on, this is sort of a play on the

601
00:31:10,200 --> 00:31:11,680
Speaker 3: John Mayor Daughter's song.

602
00:31:12,320 --> 00:31:17,160
Speaker 1: Yes, yes, okay, I didn't get that, so now I

603
00:31:17,160 --> 00:31:18,000
Speaker 1: guess what he said.

604
00:31:18,000 --> 00:31:20,560
Speaker 2: Do you get it at the beginning? Now it's kind

605
00:31:20,560 --> 00:31:22,560
Speaker 2: of all falling and just clicked for me.

606
00:31:22,880 --> 00:31:24,800
Speaker 4: You really need to pay attention to that quote at

607
00:31:24,840 --> 00:31:27,480
Speaker 4: the beginning to truly appreciate the modea.

608
00:31:27,600 --> 00:31:30,000
Speaker 2: Yeah, I guess. So. It does kind of end up

609
00:31:30,040 --> 00:31:31,280
Speaker 2: coming back a few times.

610
00:31:31,560 --> 00:31:33,080
Speaker 5: It's really a big kind of it.

611
00:31:33,200 --> 00:31:36,080
Speaker 3: Girls become lovers that turn into mothers, So mothers be

612
00:31:36,120 --> 00:31:39,320
Speaker 3: good to your daughters too. Daughters or queens and queens

613
00:31:39,320 --> 00:31:44,800
Speaker 3: can be kings. Fathers are mothers. And daughters are wings?

614
00:31:45,080 --> 00:31:49,040
Speaker 3: Can we do that? Is that allowed? Can Sean do that?

615
00:31:49,600 --> 00:31:50,480
Speaker 3: Or is that a song?

616
00:31:50,640 --> 00:31:52,600
Speaker 2: Is that a song that I've said all the word?

617
00:31:52,680 --> 00:31:54,400
Speaker 8: If he can do it over a beat, I don't

618
00:31:54,920 --> 00:31:55,920
Speaker 8: have a problem with it.

619
00:31:56,040 --> 00:31:57,880
Speaker 2: Well, somebody woud have to drop the beat.

620
00:31:57,840 --> 00:32:10,959
Speaker 1: Okay, John Mayor featuring Michelle Branch.

621
00:32:12,480 --> 00:32:18,160
Speaker 3: Here we go gonna wrap it now, go on, come

622
00:32:18,240 --> 00:32:23,800
Speaker 3: in in on the it's now I'm to start, take

623
00:32:23,800 --> 00:32:28,959
Speaker 3: it down, bring it back a round again? Too fast?

624
00:32:29,000 --> 00:32:29,760
Speaker 3: Too fast?

625
00:32:30,600 --> 00:32:32,080
Speaker 2: Enter Michelle Bridge.

626
00:32:35,720 --> 00:32:45,840
Speaker 3: You can't quite find it. Where's my end? So that

627
00:32:46,200 --> 00:32:47,440
Speaker 3: I feel like that was pretty good.

628
00:32:47,520 --> 00:32:51,520
Speaker 2: That's allowed. It's allowed because we do that. I love that.

629
00:32:51,640 --> 00:32:53,920
Speaker 1: I like when Michelle Branch said, how are you there?

630
00:32:55,800 --> 00:32:59,160
Speaker 3: That's another you think she just want to talk about herself.

631
00:33:00,120 --> 00:33:02,600
Speaker 4: She wants she's interested in you, and she's such a

632
00:33:02,640 --> 00:33:05,160
Speaker 4: good thing as she can sing anything. Yeah, it sounds

633
00:33:05,160 --> 00:33:06,880
Speaker 4: good and you want to listen to it.

634
00:33:08,440 --> 00:33:10,720
Speaker 1: I want to get back to the script a little bit.

635
00:33:10,840 --> 00:33:12,680
Speaker 1: Just yea, Chef Kevin is in it?

636
00:33:12,800 --> 00:33:13,280
Speaker 4: Okay?

637
00:33:13,960 --> 00:33:15,440
Speaker 2: That I thought was weird that.

638
00:33:15,440 --> 00:33:18,120
Speaker 1: Jeff Kevin shows up for one second, just sit to

639
00:33:18,240 --> 00:33:21,520
Speaker 1: save the wave smasher. Yeah, and the same you are

640
00:33:21,560 --> 00:33:23,320
Speaker 1: in it. I will say one thing that I thought

641
00:33:23,360 --> 00:33:26,240
Speaker 1: was nice is Sam thanking everyone.

642
00:33:26,520 --> 00:33:28,560
Speaker 8: Why I was trying to do like an You don't

643
00:33:28,600 --> 00:33:30,720
Speaker 8: see that in moviel.

644
00:33:31,120 --> 00:33:34,560
Speaker 2: Yes, SNL is the only nice show. Yeah, literally the

645
00:33:34,560 --> 00:33:35,440
Speaker 2: only show where they're.

646
00:33:35,760 --> 00:33:38,920
Speaker 1: And can I notice something about Love that it was

647
00:33:39,000 --> 00:33:43,280
Speaker 1: one reason that I I didn't like the show, and

648
00:33:43,320 --> 00:33:46,880
Speaker 1: I actually hated it right fair enough, which was at.

649
00:33:46,800 --> 00:33:50,240
Speaker 4: The end of the show, it just ends thank you.

650
00:33:50,000 --> 00:33:53,360
Speaker 3: To any No one thanks me for watching, anyone to

651
00:33:53,440 --> 00:33:54,240
Speaker 3: guiding it.

652
00:33:54,440 --> 00:33:56,400
Speaker 2: No one thanks you for being the guy. That was

653
00:33:56,480 --> 00:33:57,200
Speaker 2: very frustrating.

654
00:33:57,280 --> 00:33:58,320
Speaker 4: No one even say.

655
00:34:00,040 --> 00:34:01,040
Speaker 2: Even says goodbye.

656
00:34:01,960 --> 00:34:06,960
Speaker 4: They just just I noticed that it was an incredibly

657
00:34:06,960 --> 00:34:10,520
Speaker 4: hostile environment. I was frankly relieved when it.

658
00:34:10,400 --> 00:34:13,239
Speaker 1: Was the end. And this is like the Michelle Branch thing,

659
00:34:13,280 --> 00:34:17,000
Speaker 1: the niceness of that of actually asking how I am

660
00:34:17,520 --> 00:34:21,560
Speaker 1: in the song Love has no interest in anything going

661
00:34:21,560 --> 00:34:22,040
Speaker 1: on with me.

662
00:34:22,239 --> 00:34:24,719
Speaker 4: No they I know, not a single question asked down

663
00:34:24,719 --> 00:34:25,480
Speaker 4: the barrel of camera.

664
00:34:25,520 --> 00:34:27,200
Speaker 5: I would often suggest that.

665
00:34:27,320 --> 00:34:32,120
Speaker 3: It's beating me these stories of these characters who ever.

666
00:34:32,000 --> 00:34:33,080
Speaker 5: Met, you've never met.

667
00:34:33,120 --> 00:34:34,680
Speaker 4: You don't know them, They're not interested.

668
00:34:34,760 --> 00:34:37,560
Speaker 2: I do not know these I have no idea who

669
00:34:37,560 --> 00:34:38,000
Speaker 2: these people.

670
00:34:38,040 --> 00:34:40,360
Speaker 3: For me. I was ashamed to be on it because

671
00:34:40,400 --> 00:34:42,640
Speaker 3: I was going, like, everyone's going to be watching me

672
00:34:42,680 --> 00:34:46,680
Speaker 3: in this hallway. You know, I'm this cool stranger with

673
00:34:46,719 --> 00:34:48,920
Speaker 3: the little swagger or not in the final edit, but

674
00:34:49,680 --> 00:34:54,040
Speaker 3: and and I'm not asking them what's going on?

675
00:34:54,120 --> 00:34:55,040
Speaker 2: How was your day?

676
00:34:55,400 --> 00:34:59,640
Speaker 3: Is like very I know, I know, but I you know,

677
00:35:00,160 --> 00:35:02,799
Speaker 3: that's the job sometimes. Yeah, but I did not feel

678
00:35:02,840 --> 00:35:06,440
Speaker 3: good about it. And I'm going to probably start only

679
00:35:06,480 --> 00:35:08,880
Speaker 3: taking acting jobs where I can be very polite and

680
00:35:08,920 --> 00:35:11,080
Speaker 3: if you see me in less stuff, that's why.

681
00:35:11,239 --> 00:35:14,680
Speaker 4: Oh that explains it, because I have been looking out

682
00:35:14,719 --> 00:35:18,680
Speaker 4: for you and stuff lately, and you in anything.

683
00:35:18,200 --> 00:35:21,080
Speaker 3: Because I have to be true to my principles financially.

684
00:35:21,080 --> 00:35:22,400
Speaker 2: Am I taking a hit? Yeah?

685
00:35:22,480 --> 00:35:24,520
Speaker 1: It would make sense if if in the credits what

686
00:35:24,600 --> 00:35:26,920
Speaker 1: the character's names are and stuff, what's your guy's name

687
00:35:27,000 --> 00:35:27,279
Speaker 1: on that?

688
00:35:27,600 --> 00:35:31,920
Speaker 4: My my guy? My character? Yeah, Bertie Okay, Yes.

689
00:35:31,880 --> 00:35:36,239
Speaker 1: If it was like there's like Claudia is rude Birdie exactly,

690
00:35:36,320 --> 00:35:39,560
Speaker 1: you know, and if everyone is like rude friend, yeah.

691
00:35:39,360 --> 00:35:41,600
Speaker 5: And then you would get it somewhat. But they don't

692
00:35:41,680 --> 00:35:42,400
Speaker 5: do that.

693
00:35:42,120 --> 00:35:43,640
Speaker 2: That this show is about rude people.

694
00:35:43,920 --> 00:35:46,200
Speaker 5: Yeah, it's like Seinfeldt.

695
00:35:45,640 --> 00:35:49,480
Speaker 1: Who deserve each other frankly, yeah, and are honestly watching

696
00:35:49,520 --> 00:35:52,360
Speaker 1: the show the only people who could actually like fix

697
00:35:52,400 --> 00:35:52,799
Speaker 1: each other.

698
00:35:53,160 --> 00:35:56,560
Speaker 4: Yeah, and then they get fixed by the end and

699
00:35:56,600 --> 00:35:59,319
Speaker 4: that's it. Okay, that's a bit of a spoiler because

700
00:35:59,320 --> 00:36:01,120
Speaker 4: the season hasn't come out yet, but there is Hi

701
00:36:01,200 --> 00:36:04,839
Speaker 4: fixing whatever. Well, yeah, fair enough.

702
00:36:04,960 --> 00:36:09,640
Speaker 2: Is that saxophone? Yeah it was. It sounds like Lenny Pickett.

703
00:36:09,640 --> 00:36:10,880
Speaker 8: I was gonna fade in there.

704
00:36:10,800 --> 00:36:12,480
Speaker 2: Just from the just from like how this.

705
00:36:12,520 --> 00:36:15,400
Speaker 3: Acphone was plunging ear for sax tone, I will I

706
00:36:15,600 --> 00:36:16,160
Speaker 3: know who.

707
00:36:16,040 --> 00:36:20,319
Speaker 1: Was playing, and that is Lenny Len. Okay, so let's

708
00:36:20,320 --> 00:36:21,920
Speaker 1: do let's end the show how we normally do.

709
00:36:22,760 --> 00:36:25,319
Speaker 8: I want to thank Sean, and I want to thank

710
00:36:25,360 --> 00:36:27,799
Speaker 8: Hayes and Bobby moynihan.

711
00:36:28,840 --> 00:36:32,040
Speaker 2: And thanks for watching everybody.

712
00:36:33,719 --> 00:36:38,800
Speaker 1: And I'm hugging I'm hugging Alex, the new guy's patting

713
00:36:38,880 --> 00:36:40,880
Speaker 1: him on the back. Yes, and I'm giving him a

714
00:36:40,920 --> 00:36:43,279
Speaker 1: little at time, like showing like he did not get

715
00:36:43,320 --> 00:36:43,799
Speaker 1: in the show.

716
00:36:44,080 --> 00:36:44,279
Speaker 4: Yeah.

717
00:36:44,520 --> 00:36:48,800
Speaker 3: I'm mouthing high mom like they like in the front,

718
00:36:49,000 --> 00:36:50,600
Speaker 3: like like waving.

719
00:36:50,480 --> 00:36:53,439
Speaker 1: And now I'm jumping on your shoulders like ah yeah,

720
00:36:53,520 --> 00:36:54,120
Speaker 1: I'm breaking.

721
00:36:54,960 --> 00:36:58,760
Speaker 4: Yeah, I'm whispering something to someone and then we're both Yeah.

722
00:36:58,600 --> 00:37:00,279
Speaker 2: And I'm consoling Bobby a.

723
00:37:00,320 --> 00:37:05,600
Speaker 4: Hand m hmm, yeah, toweling off. But he wasn't in

724
00:37:05,680 --> 00:37:06,320
Speaker 4: the show tonight.

725
00:37:06,600 --> 00:37:07,960
Speaker 2: No, he's not in the show ever.

726
00:37:08,239 --> 00:37:09,279
Speaker 4: He never is in the show.

727
00:37:09,520 --> 00:37:10,440
Speaker 2: Just happens, you know.

728
00:37:10,840 --> 00:37:11,759
Speaker 4: Yeah, he was just there.

729
00:37:13,120 --> 00:37:14,320
Speaker 8: I think Adam Sacks.

730
00:37:15,760 --> 00:37:18,200
Speaker 2: Okay, what for?

731
00:37:19,280 --> 00:37:20,319
Speaker 8: Just everything he did here?

732
00:37:21,000 --> 00:37:24,000
Speaker 3: Okay, And now I'm stealing the guitar from one of

733
00:37:24,040 --> 00:37:26,920
Speaker 3: the Strokes that I'm pretending I'm playing on it, and

734
00:37:27,040 --> 00:37:29,040
Speaker 3: they're kind of laughing, but they're kind of nervous.

735
00:37:29,440 --> 00:37:31,400
Speaker 4: And I'm talking to one of the Strokes for the

736
00:37:31,440 --> 00:37:35,160
Speaker 4: first time a week and I'm like, hey, that was me. Yeah,

737
00:37:35,600 --> 00:37:37,480
Speaker 4: that was great. I loved what you like. You can

738
00:37:37,520 --> 00:37:39,760
Speaker 4: tell I loved your albums.

739
00:37:39,840 --> 00:37:42,240
Speaker 8: Yeah. Oh that ends quick.

740
00:37:43,600 --> 00:37:48,200
Speaker 2: Yeah that was Usually it's a lot longer. So what

741
00:37:48,800 --> 00:37:54,520
Speaker 2: are you going to do? Okay? No, sorry, okay, uh.

742
00:37:57,200 --> 00:38:04,160
Speaker 4: Today today I'm gonna be focusing on sports. No you won't, sure,

743
00:38:05,239 --> 00:38:08,719
Speaker 4: I mean, I do love it, see, but isn't it bad?

744
00:38:09,000 --> 00:38:09,279
Speaker 1: It is?

745
00:38:09,600 --> 00:38:12,160
Speaker 5: I Mean it's like, I really feel like I'm getting ribbed.

746
00:38:13,360 --> 00:38:16,080
Speaker 1: It's so cheeky, and I felt safe the whole like

747
00:38:16,239 --> 00:38:18,880
Speaker 1: he just waited until I wasn't worried anymore, and I

748
00:38:18,920 --> 00:38:20,440
Speaker 1: thought I was out of danger, and.

749
00:38:20,480 --> 00:38:25,080
Speaker 4: The stinker gets in here. Yeah, you are the cheekiest

750
00:38:25,160 --> 00:38:26,120
Speaker 4: man I've ever met.

751
00:38:27,160 --> 00:38:29,080
Speaker 2: Oopsie cheeky man in.

752
00:38:30,640 --> 00:38:35,799
Speaker 1: Recording studio, the cheeky man, Yeah, Dutch cheeky man, Yeah,

753
00:38:36,600 --> 00:38:37,160
Speaker 1: cheeky man.

754
00:38:37,239 --> 00:38:38,160
Speaker 2: It's all one word.

755
00:38:39,320 --> 00:38:45,520
Speaker 1: Every other letter is capitalized except for no, I'm saying

756
00:38:45,600 --> 00:38:54,000
Speaker 1: every other articulate this. The D is capitalized, the A

757
00:38:54,160 --> 00:38:56,520
Speaker 1: is lowercase, the C is capitalized, the age is lower case,

758
00:38:56,840 --> 00:38:58,279
Speaker 1: is capitalized, the E is lowercase.

759
00:38:58,400 --> 00:38:58,640
Speaker 2: Thank you.

760
00:38:58,680 --> 00:38:59,239
Speaker 4: I get it now.

761
00:38:59,480 --> 00:39:01,600
Speaker 6: If you want to by my SoundCloud, that's the only way.

762
00:39:01,760 --> 00:39:06,719
Speaker 1: And there are lowercase xes on either side of the

763
00:39:07,080 --> 00:39:10,120
Speaker 1: of the word the cheeky man that are not pronounced right.

764
00:39:11,400 --> 00:39:14,000
Speaker 4: Three And what's on your SoundCloud?

765
00:39:15,239 --> 00:39:18,960
Speaker 3: Well, it's a lot of sneaky giggles. Sometimes it is

766
00:39:19,280 --> 00:39:23,800
Speaker 3: some sort of audio prank where maybe somebody is like

767
00:39:24,640 --> 00:39:27,960
Speaker 3: calling someone and then I sort of sneak in.

768
00:39:28,000 --> 00:39:32,719
Speaker 1: There and I go like, no, can we play just

769
00:39:33,360 --> 00:39:35,720
Speaker 1: one clip from sam SoundCloud?

770
00:39:35,760 --> 00:39:36,640
Speaker 2: Can you pull it up? Sam?

771
00:39:36,880 --> 00:39:37,080
Speaker 6: Sure?

772
00:39:37,200 --> 00:39:39,240
Speaker 1: Not from sam SoundCloud? I mean it's on Sam's computer,

773
00:39:39,360 --> 00:39:40,520
Speaker 1: so I guess it technically.

774
00:39:40,280 --> 00:39:41,360
Speaker 2: Is I give you permission?

775
00:39:41,440 --> 00:39:47,480
Speaker 1: But yeah, go ahead, we play Sean's song on Sam's okay,

776
00:39:48,400 --> 00:39:55,919
Speaker 1: please please don't do this. Okay, wait, Sam, turn that off,

777
00:39:56,200 --> 00:39:59,919
Speaker 1: and now we'll play the song with the track from Sean.

778
00:40:00,640 --> 00:40:01,520
Speaker 2: Which one should we play?

779
00:40:04,800 --> 00:40:07,040
Speaker 3: I guess why don't we play the one with the

780
00:40:07,120 --> 00:40:07,920
Speaker 3: most listens.

781
00:40:08,640 --> 00:40:09,480
Speaker 2: It's called.

782
00:40:10,760 --> 00:40:13,799
Speaker 3: Be home in fifteen minutes and all his mom?

783
00:40:14,120 --> 00:40:15,720
Speaker 2: Okay, how many listens?

784
00:40:15,760 --> 00:40:16,000
Speaker 9: Has it?

785
00:40:16,800 --> 00:40:17,359
Speaker 2: Twenty ticks?

786
00:40:18,920 --> 00:40:24,000
Speaker 5: Twenty sixs Okay, Hey mom, Hi, so good to hear

787
00:40:24,040 --> 00:40:24,279
Speaker 5: from you.

788
00:40:25,520 --> 00:40:30,080
Speaker 2: I was wondering. I'm out now. I brought the oranges.

789
00:40:30,600 --> 00:40:33,800
Speaker 5: Fantastic. We'll have everything we need to make the mam alaid?

790
00:40:34,280 --> 00:40:34,440
Speaker 3: Is it?

791
00:40:35,400 --> 00:40:39,480
Speaker 2: Should I go home? You should come straight here?

792
00:40:39,600 --> 00:40:40,000
Speaker 10: I think?

793
00:40:40,239 --> 00:40:42,000
Speaker 2: Okay? And how long?

794
00:40:43,120 --> 00:40:46,320
Speaker 4: And I think you should get here in fifteen minutes?

795
00:40:46,560 --> 00:40:49,080
Speaker 2: Okay, I'm getting ready to hang up now.

796
00:40:49,480 --> 00:40:50,960
Speaker 4: I can't wait to see you.

797
00:40:51,480 --> 00:40:53,439
Speaker 1: Okay, bye, okay, bye.

798
00:40:54,080 --> 00:40:58,360
Speaker 3: So that one, I don't know why it's the most popular,

799
00:40:58,480 --> 00:41:01,239
Speaker 3: because that one you forgot something about the exchange that

800
00:41:01,400 --> 00:41:01,960
Speaker 3: was so sweet.

801
00:41:02,000 --> 00:41:04,600
Speaker 2: I just didn't want to And I guess.

802
00:41:04,440 --> 00:41:07,160
Speaker 1: That maybe that you had messed up the like your

803
00:41:07,239 --> 00:41:09,040
Speaker 1: thing wasn't plugged in or something, so maybe you were

804
00:41:09,160 --> 00:41:11,719
Speaker 1: talking over it. No, they couldn't hear you.

805
00:41:11,920 --> 00:41:14,880
Speaker 3: No, I made the choice because it went smoothly.

806
00:41:15,120 --> 00:41:15,719
Speaker 2: I got to say.

807
00:41:15,800 --> 00:41:19,160
Speaker 3: What I thought when I started hearing the call initially

808
00:41:19,520 --> 00:41:22,279
Speaker 3: was that the gentleman was going to say, I'll be

809
00:41:22,360 --> 00:41:25,440
Speaker 3: home in about fifteen minutes, and then I would say, no,

810
00:41:25,600 --> 00:41:26,040
Speaker 3: you won't.

811
00:41:26,560 --> 00:41:29,719
Speaker 1: Okay, the track was because the track was called be

812
00:41:29,920 --> 00:41:33,040
Speaker 1: home in fifteen minutes, that seemed to me more of

813
00:41:33,239 --> 00:41:36,040
Speaker 1: like that the mom was saying. And ultimately she did.

814
00:41:37,600 --> 00:41:39,600
Speaker 1: And I wonder why you listening to the phone call

815
00:41:40,160 --> 00:41:42,040
Speaker 1: thought that the man was going to see did she

816
00:41:42,120 --> 00:41:42,840
Speaker 1: say be home.

817
00:41:42,719 --> 00:41:44,520
Speaker 2: In fifteen minutes if we play it back? I don't

818
00:41:44,520 --> 00:41:46,800
Speaker 2: think she did. Okay, I guess if we could play it,

819
00:41:46,880 --> 00:41:52,200
Speaker 2: let's play it back. So should I come home?

820
00:41:53,239 --> 00:41:56,120
Speaker 4: Yeah? Fo yeah, try to be home in fifteen minutes?

821
00:41:56,280 --> 00:41:58,560
Speaker 1: Okay, Wow, she did say that. It was faster than

822
00:41:58,600 --> 00:42:01,719
Speaker 1: I remember. I remembered the guy saying, I guess this

823
00:42:01,880 --> 00:42:02,600
Speaker 1: was my saying.

824
00:42:03,000 --> 00:42:03,680
Speaker 2: She's saying yes.

825
00:42:03,760 --> 00:42:05,560
Speaker 1: I remember her saying yes, I think you should come

826
00:42:05,560 --> 00:42:08,280
Speaker 1: straight home. And then the guy said, okay, but how long?

827
00:42:08,960 --> 00:42:10,600
Speaker 1: And then she said I think you should be home

828
00:42:10,680 --> 00:42:12,879
Speaker 1: in fifteen minutes. Yeah, it doesn't really matter. So that's

829
00:42:12,880 --> 00:42:13,719
Speaker 1: the most popular track.

830
00:42:13,760 --> 00:42:16,080
Speaker 3: On my SoundCloud. I mean, maybe it was an odd

831
00:42:16,120 --> 00:42:17,840
Speaker 3: one for me to pick to play just because.

832
00:42:17,640 --> 00:42:18,279
Speaker 2: I'm not in it.

833
00:42:18,560 --> 00:42:23,680
Speaker 3: It's cranking it just the no, yeah, there's no Cheeky Man.

834
00:42:24,120 --> 00:42:28,640
Speaker 3: Nocheky Man doesn't appear in that one, So it is

835
00:42:28,719 --> 00:42:31,279
Speaker 3: odd that that's gotten so much buzz for the Cheeky Man.

836
00:42:32,080 --> 00:42:35,439
Speaker 3: But there are some But I think that has led

837
00:42:35,440 --> 00:42:36,840
Speaker 3: people to a lot of the other tracks, and some

838
00:42:36,920 --> 00:42:40,120
Speaker 3: of them are really good, uh, and have some really

839
00:42:40,280 --> 00:42:46,120
Speaker 3: devastating pranks. Or I'll give Sam permission to play another one?

840
00:42:46,239 --> 00:42:49,480
Speaker 1: Sure, Okay, what's that like, the second most popular one?

841
00:42:49,560 --> 00:42:51,000
Speaker 1: Or is there one you have in mind?

842
00:42:51,760 --> 00:42:53,720
Speaker 3: I mean I have a personal favorite that hasn't gotten

843
00:42:53,760 --> 00:42:54,359
Speaker 3: a lot of buzz.

844
00:42:54,440 --> 00:42:56,120
Speaker 2: Oh, that's great. What's that one called?

845
00:42:57,960 --> 00:43:03,560
Speaker 3: Well, the Cheeky Man, it's it it okay? And then

846
00:43:04,440 --> 00:43:09,200
Speaker 3: I mean, I hope so. And then there's a gentleman

847
00:43:09,320 --> 00:43:14,320
Speaker 3: and a lady. Yeah, and they're having a conversation and

848
00:43:15,880 --> 00:43:20,720
Speaker 3: they're basically trying to decide where to go for dinner.

849
00:43:20,840 --> 00:43:22,040
Speaker 2: Okay, well let's just hear it.

850
00:43:23,000 --> 00:43:26,200
Speaker 4: Hey, Hi, I think we should have dinner at eight,

851
00:43:26,320 --> 00:43:27,600
Speaker 4: but I just don't know where.

852
00:43:27,920 --> 00:43:31,239
Speaker 2: Where to go. Okay, we could go to Chinese. No,

853
00:43:31,400 --> 00:43:31,680
Speaker 2: you don't.

854
00:43:34,239 --> 00:43:35,160
Speaker 4: The hell is going on?

855
00:43:37,160 --> 00:43:37,759
Speaker 2: Who is that?

856
00:43:38,680 --> 00:43:38,919
Speaker 1: Shit?

857
00:43:40,000 --> 00:43:40,880
Speaker 2: Is there someone with you?

858
00:43:41,320 --> 00:43:42,880
Speaker 4: There's no one with me? Is there someone with you?

859
00:43:43,760 --> 00:43:44,360
Speaker 4: A day alone?

860
00:43:45,200 --> 00:43:45,640
Speaker 1: I hear it?

861
00:43:46,640 --> 00:43:48,480
Speaker 2: I am, I am alone?

862
00:43:48,560 --> 00:43:49,600
Speaker 3: I promise scared.

863
00:43:49,719 --> 00:43:52,600
Speaker 4: I'm going to be assaulted because it seems to be someone.

864
00:43:52,440 --> 00:43:55,040
Speaker 1: On there a delay or something, someone in the rooms.

865
00:43:55,080 --> 00:44:00,719
Speaker 2: There's like a delay. Damn it. I shouldn't even put

866
00:44:00,719 --> 00:44:02,239
Speaker 2: this up on the Cheeky Man sound glad.

867
00:44:02,840 --> 00:44:04,120
Speaker 4: I'm really frising.

868
00:44:03,800 --> 00:44:10,759
Speaker 2: Automatically loading onto the sound rock fu abort. Yeah, that's

869
00:44:10,840 --> 00:44:11,239
Speaker 2: up there now.

870
00:44:13,200 --> 00:44:16,759
Speaker 3: So that one, to me is interesting because you get

871
00:44:16,760 --> 00:44:18,480
Speaker 3: a little bit of a window into the process.

872
00:44:18,719 --> 00:44:19,879
Speaker 4: Was sunking that one?

873
00:44:19,960 --> 00:44:24,560
Speaker 1: I thought, and that that it plays I guess onto

874
00:44:24,640 --> 00:44:28,320
Speaker 1: the into the broadcast when it automatically uploads.

875
00:44:28,440 --> 00:44:30,600
Speaker 2: Yeah, that's just the way my computer set up.

876
00:44:30,680 --> 00:44:33,000
Speaker 3: Sam set it up for me. And basically, once I

877
00:44:33,080 --> 00:44:35,319
Speaker 3: start recording, it's going that explains why.

878
00:44:37,960 --> 00:44:42,440
Speaker 2: Yes, and that is yeah, and it doesn't feel good.

879
00:44:42,600 --> 00:44:45,960
Speaker 6: You know necessarily that the most popular one is the

880
00:44:46,000 --> 00:44:47,239
Speaker 6: one that Cheeky Man's not it.

881
00:44:48,200 --> 00:44:49,719
Speaker 4: But that yeah, that must be that.

882
00:44:49,920 --> 00:44:51,960
Speaker 3: This one I think is an effective prank because the

883
00:44:51,960 --> 00:44:56,600
Speaker 3: people are even more scared they're very scared. Yeah, even

884
00:44:56,640 --> 00:45:01,160
Speaker 3: though the timing of the cheeky man coming in not ideal.

885
00:45:05,160 --> 00:45:08,680
Speaker 1: Uh, cloudy of good luck with sports, Oh my god,

886
00:45:08,719 --> 00:45:12,200
Speaker 1: I help you with. Thank you to Sam and to

887
00:45:12,320 --> 00:45:14,640
Speaker 1: everyone for the stuff that happened after we did the

888
00:45:14,719 --> 00:45:17,480
Speaker 1: thank you the first time, which was a natural ending,

889
00:45:17,560 --> 00:45:19,759
Speaker 1: but we did all this other stuff and thank you

890
00:45:20,360 --> 00:45:24,759
Speaker 1: for that. Thank you, Thank you, Chef Kevin h Thank

891
00:45:24,840 --> 00:45:26,560
Speaker 1: you to our fans for listening.

892
00:45:27,040 --> 00:45:30,359
Speaker 3: Pan takes to the Bones, I hit the bones bye.

893
00:45:35,840 --> 00:45:39,400
Speaker 7: This has been an Earwolf production executive produced by Scott Ackerman,

894
00:45:39,640 --> 00:45:41,480
Speaker 7: Chris Bannon, and Colin Anderson.

895
00:45:41,760 --> 00:45:44,759
Speaker 1: For more information and content, visit earwolf dot com