WEBVTT - How Comic Books: Live from SXSW

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<v Speaker 1>Brought to you by the reinvented two thousand twelve Camray.

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<v Speaker 1>It's ready. Are you welcome to stuff you should know

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<v Speaker 1>from house stuff Works dot com. Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark with me as always as

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<v Speaker 1>Charles W. Chuckers Bryant, and I would say about a

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<v Speaker 1>hundred people here in Austin, Texas at south By Southwest say,

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<v Speaker 1>hey people, I think uh, we figured the solution was

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<v Speaker 1>we were in a bigger room across the way last year.

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<v Speaker 1>Smaller room seems fuller. Yes, I think there are probably

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<v Speaker 1>a few more people here, but just make the room smaller. Yeah,

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<v Speaker 1>that's the easiest way to go about things. So for

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<v Speaker 1>those of you who are just coming in on the recording,

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<v Speaker 1>we've already done the bantering, so we're gonna get to it,

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<v Speaker 1>I think, yes, Chuck, And we'll have questions at the end,

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<v Speaker 1>by the way, so yeah, we may replace the listener

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<v Speaker 1>mail with the questions if they're good questions. Right, Okay,

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<v Speaker 1>we probably should have included that before we started recording.

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<v Speaker 1>I don't have a listener mail, so we better have questions, Chuck.

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<v Speaker 1>Have you ever heard of an actor named Nicolas Cage? Yeah?

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<v Speaker 1>So do you have so, Nick Cage, um suffered some

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<v Speaker 1>misfortune in two thousand, the beginning of two thousand. It

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<v Speaker 1>was a rough time for him. He suffered misfortune long

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<v Speaker 1>before that. No, this is this is I think the

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<v Speaker 1>start of it. This is before. Um, I know what

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<v Speaker 1>you're gonna say. Okay, all right, Um, well, just indulgement. Um,

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<v Speaker 1>So Nick Cage On January twenty one, two thousand, followed

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<v Speaker 1>the police report because somebody broke into his house and

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<v Speaker 1>stole his Action Comics number one. That's not what I

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<v Speaker 1>thought you were gonna say, What did you think of?

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<v Speaker 1>I thought that was the release date of ghost Ghostwriter.

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<v Speaker 1>That's what I thought you were gonna say. It's funny

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<v Speaker 1>you bring that up, though, because he did Ghostwriter because

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<v Speaker 1>he's a big comic book guy, and he would probably

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<v Speaker 1>do any comic book movie that you asked him too,

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<v Speaker 1>because he's big into it. He had an Action Comics

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<v Speaker 1>Number one, which is the debut of Superman. Right. It

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<v Speaker 1>was worth like one point one million dollars and it

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<v Speaker 1>just vanished. And ten years later there was a guy

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<v Speaker 1>on the case. There's a detective who's working the case

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<v Speaker 1>the whole time, and um, he got a tip finally

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<v Speaker 1>from a comic book stealer that this one issue of

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<v Speaker 1>Action Comics number one had turned up, and they were

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<v Speaker 1>pretty sure that it was the issue, like Nicholas Cage's

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<v Speaker 1>issue that had been stolen, and they they check all

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<v Speaker 1>the identifying marks, the scratches, you know, like them the

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<v Speaker 1>fold from like the mom who's like yelling at her

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<v Speaker 1>kid that she she's going to throw this out. Yeah, um,

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<v Speaker 1>Elizabeth Shoo's lipstick. So they identify it as Nicholas Cages

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<v Speaker 1>actually Comics number one. He gets it back. Um, they

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<v Speaker 1>found it in a guy who bought a trunk from

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<v Speaker 1>auction from one of those places that um that that

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<v Speaker 1>that sells stuff found in storage sheds, you know or

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<v Speaker 1>storage you store it places. So I guess the moral

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<v Speaker 1>of the story is just go to those auctions because

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<v Speaker 1>he bought one of the full bins and this comic

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<v Speaker 1>in it. So he's just feeling loaded and then all

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<v Speaker 1>of a sudden, Nicholas Cage comes along. It's like that

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<v Speaker 1>is mine, right, and he was very ecstatic to get

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<v Speaker 1>it back. This was apriloven. He turns around and sells

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<v Speaker 1>it for two point one million dollars. Makes a million

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<v Speaker 1>just sitting there after he already collected insurance money. Yes,

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<v Speaker 1>so it wasn't that special to him, No, and he

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<v Speaker 1>he pretended it was. But the point is that if

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<v Speaker 1>if this story fascinated you, as I hope it did,

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<v Speaker 1>it's coming out as a movie. But from the guys

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<v Speaker 1>who created Reno n One, who played a Danglar in Junior,

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<v Speaker 1>you get familiar with three and nine one one. Uh,

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<v Speaker 1>they're making a movie about this whole thing, of the

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<v Speaker 1>whole incident. Yeah, with Nick Cage as a character and everything.

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<v Speaker 1>It's very like Sandberg and plan him. They don't know

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<v Speaker 1>who's going to play me. Yeah he does. I don't know.

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<v Speaker 1>If you've seen the SNL Sandberg it's pretty great, right, Yeah,

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<v Speaker 1>it's really good. So you know it'd be great, would

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<v Speaker 1>be to see Andy Sandberg doing Nick Cage doing Elvis, Yeah,

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<v Speaker 1>doing Tiny, Yeah, exactly tiny. So I say all that

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<v Speaker 1>to ask you, Chuck, if you've ever read a comic book. Wow,

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<v Speaker 1>that was a good one. You know I have because

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<v Speaker 1>we have talked on the show. I can't remember which one.

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<v Speaker 1>I was searching my brain when we were prepping for this.

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<v Speaker 1>We talked about our love or my love of Archie

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<v Speaker 1>comics growing up because I was a good little Baptist

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<v Speaker 1>boy and I wasn't into like, you know, all the

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<v Speaker 1>action heroes, although I guess there was really no conflict

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<v Speaker 1>there now to think about it. Um, but I had

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<v Speaker 1>well we'll talk about the spire Christian comics, and um,

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<v Speaker 1>I was into Archie and the Archie people were kind

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<v Speaker 1>enough to send us a bunch of swag after we

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<v Speaker 1>recorded that. I didn't get any of that. I did.

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<v Speaker 1>I kept because you said that Archie was like wossy stuff.

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<v Speaker 1>I remember, So I took my little Archie boxer shorts

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<v Speaker 1>and I went home. Yeah, but yeah, they did listen.

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<v Speaker 1>That was very cool to know that they're still out

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<v Speaker 1>there pumping amount. And I was into like Archie and

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<v Speaker 1>Ritchie Rich a little bit of superhero stuff. But this

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<v Speaker 1>is the big, big disclaimer. I know we're gonna get

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<v Speaker 1>murdered on this one because anytime we do a topic

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<v Speaker 1>that is like religion to people like comic books artists

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<v Speaker 1>on people, uh, we're gonna get killed for it because

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<v Speaker 1>we are definitely not experts in comic books. That is

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<v Speaker 1>a live version of c o A. That is that's

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<v Speaker 1>very good stuff to cover our beat. So um, I'm

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<v Speaker 1>talking about comic books today. Uh, are you guys fans

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<v Speaker 1>any really? They somewhat? I like that with spots. That's

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<v Speaker 1>good because you're you'll you you'll be like that was okay.

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<v Speaker 1>The people who clapped, I'm sorry. Are there any huge,

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<v Speaker 1>huge comic book fans like that really know a lot

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<v Speaker 1>about it? Because we'll probably ask you to come sort of? Okay,

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<v Speaker 1>that's good. I was hoping for nobody. Let's get one

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<v Speaker 1>guy is fine? I want like Kevin Smith in the background.

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<v Speaker 1>I'm like, no, and I know I look like you,

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<v Speaker 1>but stay away. So we're gonna talk a little bit

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<v Speaker 1>about comic books, about the history, how they're made famous,

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<v Speaker 1>comic books, not Richie Richmond. That's it. That's the only

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<v Speaker 1>mention of Ritchie rich Uh. I mean this is the

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<v Speaker 1>time of like occupy. You realize you can't talk about

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<v Speaker 1>Richie rich without people tearing you to stray. You're right.

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<v Speaker 1>I will say that we can probably skip most of

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<v Speaker 1>the beginning because they in this article from how Stuffworks

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<v Speaker 1>dot com is very thorough. So they whoever who wrote this,

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<v Speaker 1>you know a guy named Nathan Chandler who I've never

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<v Speaker 1>met or heard of, but he did do a bang

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<v Speaker 1>up job. He did a bang up job. But he

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<v Speaker 1>spends a full page talking about defining what a comic

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<v Speaker 1>book is. And I can assume we all know what

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<v Speaker 1>a comic book is, but I will say that I

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<v Speaker 1>did learn that the little uh, the gutters. I never

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<v Speaker 1>knew that the blank panels. They have blank panels to

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<v Speaker 1>fill in spaces, and they're called gutters. And I also

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<v Speaker 1>always kind of took for granted the the the flow

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<v Speaker 1>of the comic book. Yeah, a lot goes into um,

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<v Speaker 1>the way your eye follows the comic book, you know.

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<v Speaker 1>And if you ever look at a comic book, you know,

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<v Speaker 1>sometimes the dialogues appear some of them's down here. Sometimes

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<v Speaker 1>it's just action and the dialogues over here. But they

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<v Speaker 1>put a lot of forethought into the layout of the

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<v Speaker 1>comic book. I thought was gonna cool. And um, that's

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<v Speaker 1>why it's called sequential art. That's another name for a

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<v Speaker 1>comic book. Um. And speaking of art, comic books are

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<v Speaker 1>usually um lumped in together with jazz and the mystery

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<v Speaker 1>novel as like a pure American art form. You oh yeah,

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<v Speaker 1>I I kid you not. I believe it. Um. So

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<v Speaker 1>I think that was a great explanation of the comic

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<v Speaker 1>book gutters, and I think I think it's a good assumption.

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<v Speaker 1>Everybody knows what a comic book is, generally, right, Um,

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<v Speaker 1>but I think that the history is kind of something.

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<v Speaker 1>This fascinated me, and like, man, I went to town

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<v Speaker 1>doing like supplemental research on this. So just if I

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<v Speaker 1>get a little off at any point to be like no, no, no,

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<v Speaker 1>I love it. Okay, So do you do you know

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<v Speaker 1>what the first one was? Well? I do. Um, it's

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<v Speaker 1>right here in front of me. Two um. Generally credited

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<v Speaker 1>as the first comic book is The Adventures of Obadiah

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<v Speaker 1>old Buck. Have you seen it? Did you look it up?

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<v Speaker 1>I did? And the first thing I wondered, what is

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<v Speaker 1>whether or not Obadiah? Wasn't it Obadiah staining from Iron

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<v Speaker 1>Man Jeff Bridges in the movie answer him yes? Is

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<v Speaker 1>that right? I just always I wondered if that was

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<v Speaker 1>just a nod to that first comic Bookbaiah is not

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<v Speaker 1>the most common name, so, um, but you did see it,

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<v Speaker 1>It's just like panel after panel of action and there's

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<v Speaker 1>like narration, like I don't think he actually talked in

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<v Speaker 1>any at any point that I saw, So it's kind

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<v Speaker 1>of like a silent movie almost two. Um. And then

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<v Speaker 1>it was just basically action if you can call like

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<v Speaker 1>rowing down the river with your hat action. I mean

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<v Speaker 1>like that was of like four panels, I think. Um.

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<v Speaker 1>But it was the first time anybody ever put like,

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<v Speaker 1>you know, sequential art and text together, and this was,

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<v Speaker 1>you know, ostensibly the first comic book anyone's ever created. Yeah,

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<v Speaker 1>and it was eighteen forty two. I know I said that,

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<v Speaker 1>but let that sink in a minute and think about

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<v Speaker 1>eighteen forty two. What's going on? So it was a

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<v Speaker 1>pretty modern thing for the time. I guess when you

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<v Speaker 1>think it's pretty Swiss, well it was Swiss. He wrote

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<v Speaker 1>Rodolpha top four. That's very nice. I was gonna say,

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<v Speaker 1>Rudolph Tofer, I think that was nice too. Into that trouble. Yeah,

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<v Speaker 1>he was a teacher and an artist in Switzerland. Uh

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<v Speaker 1>was did he do this in Switzerland? I think so?

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<v Speaker 1>Because he's were translated, I don't know. It says I

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<v Speaker 1>made its first appearance in America. So and it's a

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<v Speaker 1>truly American art form in my own fact against me. Um, okay,

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<v Speaker 1>well then yes it was American in origin. It was. Um,

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<v Speaker 1>so fast forward from tofer right, um to with the

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<v Speaker 1>appearance of a kid with what I did you see

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<v Speaker 1>this guy, the Yellow Kid some sort of developmental problem

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<v Speaker 1>or something like. He was also the predecessor of the

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<v Speaker 1>shirt tails, apparently because a lot of the action and

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<v Speaker 1>narration appeared on his shirt and it would change from

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<v Speaker 1>time to time. But um, the Yellow Kid was, um

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<v Speaker 1>the first humorous comic strip, and UM, I use humorous

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<v Speaker 1>like really really like liberally um because it wasn't funny

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<v Speaker 1>at all. Comedy in eight was like if you weren't

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<v Speaker 1>dying that day, then it was pretty funny. We don't

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<v Speaker 1>have the play exactly. And so the Yellow Kid comes

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<v Speaker 1>along and he's the first one where it's like, okay,

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<v Speaker 1>you can pick up a newspaper and find something that

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<v Speaker 1>I'll just take your mind off of everybody dying and

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<v Speaker 1>give you something to laugh about for a second. And

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<v Speaker 1>it happens sequentially too, and there's speech bubbles or else

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<v Speaker 1>he says something on his shirt and speech balloons that

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<v Speaker 1>was They had used them in political cartoons before, but

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<v Speaker 1>this was like where the speech balloon really like took

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<v Speaker 1>hold as a comic. Well, they remember, they just like

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<v Speaker 1>wrote everywhere in political card too. Yeah. Yeah, um, I

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<v Speaker 1>got a little nugget for you too. I don't know

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<v Speaker 1>if Yellow the Yellow Kid, that the comic of the

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<v Speaker 1>Yellow Kid was inspiration for the term yellow journalism evidently,

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<v Speaker 1>is that right? Yeah, because it was first used by

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<v Speaker 1>someone I think from the New York Times said this

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<v Speaker 1>yellow Kid journalism, uh, because he was in a Hearst

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<v Speaker 1>newspaper I think, and they were mocking Hearst, and that

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<v Speaker 1>eventually came yellow journalism. Nice. Yeah, that's a good one,

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<v Speaker 1>thank you. So the ill Kid runs around doing this

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<v Speaker 1>thing for another maybe like thirty five forty years, and

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<v Speaker 1>then all of a sudden, the boring part of this

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<v Speaker 1>podcast is over. People start figuring out that they uh

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<v Speaker 1>that the people think the Yellow Kids funny. They took

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<v Speaker 1>about forty years to like test the water, right, and

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<v Speaker 1>then find their like, people actually like this guy. So

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<v Speaker 1>let's start making new characters, and all of a sudden

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<v Speaker 1>you have like Dick Tracy, Popeye, um, who else was

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<v Speaker 1>in the Little or Fanny And these are all like

0:11:56.120 --> 0:11:59.080
<v Speaker 1>characters that are still resonating today obviously, right, And then

0:11:59.520 --> 0:12:03.679
<v Speaker 1>right after that a little company named Eastern Color who um,

0:12:03.720 --> 0:12:07.640
<v Speaker 1>eventually did you realize this Eastern Color became ec comics

0:12:08.400 --> 0:12:13.280
<v Speaker 1>entertaining comics, which gave rise to Mad Magazine, which is

0:12:13.320 --> 0:12:15.720
<v Speaker 1>like end of story right there. Ec Comics is the

0:12:15.760 --> 0:12:20.559
<v Speaker 1>most important thing that's ever happened to humanity. Yeah, right,

0:12:20.600 --> 0:12:24.000
<v Speaker 1>So Eastern Eastern Color UM starts printing like all these

0:12:24.040 --> 0:12:26.840
<v Speaker 1>comics that are appearing in newspapers, puts them together. You know,

0:12:26.880 --> 0:12:29.439
<v Speaker 1>what's the first comic book? And they're all reprints, and

0:12:29.480 --> 0:12:32.120
<v Speaker 1>Procter and Gamble pays for this and starts giving them

0:12:32.120 --> 0:12:34.600
<v Speaker 1>away with I guess like toothpaste or some sort of

0:12:34.679 --> 0:12:36.920
<v Speaker 1>weird toilet trees from the thirties, you know what were

0:12:36.920 --> 0:12:40.600
<v Speaker 1>they using back then? Um? And uh, that kind of

0:12:40.640 --> 0:12:42.959
<v Speaker 1>gave rise to the idea that you don't just get

0:12:43.000 --> 0:12:45.040
<v Speaker 1>your comics out of the newspaper. And you can kind

0:12:45.040 --> 0:12:47.800
<v Speaker 1>of see like these things are like starting to these steps,

0:12:47.880 --> 0:12:50.920
<v Speaker 1>these huge monumental steps are taking place, like closer and

0:12:50.920 --> 0:12:54.520
<v Speaker 1>closer together. Because that was nine thirty three. I think

0:12:54.559 --> 0:12:57.320
<v Speaker 1>it was five that somebody said, you know what, I'm

0:12:57.320 --> 0:13:00.280
<v Speaker 1>tired of paying all these fees to reprint and all

0:13:00.280 --> 0:13:02.920
<v Speaker 1>this stuff. I can just find some guys it's the

0:13:02.960 --> 0:13:07.000
<v Speaker 1>depression and pay them like next to nothing. Maybe assigned

0:13:07.000 --> 0:13:08.840
<v Speaker 1>some arm guards to make sure they worked twenty four

0:13:08.880 --> 0:13:12.200
<v Speaker 1>hours a day and just published like all new material. Yeah,

0:13:12.280 --> 0:13:16.720
<v Speaker 1>they the East Eastern had given these away through Procter

0:13:16.800 --> 0:13:18.520
<v Speaker 1>and Gamble, and they actually sold a few after that

0:13:18.520 --> 0:13:21.280
<v Speaker 1>because they thought, hey, these are really popular. And then

0:13:21.360 --> 0:13:23.800
<v Speaker 1>that's when they started saying, you know what, these reprints

0:13:23.800 --> 0:13:27.080
<v Speaker 1>are getting old, let's come up with original material. And

0:13:27.240 --> 0:13:32.120
<v Speaker 1>uh in d C Comics, Uh, they were formed. Actually

0:13:32.160 --> 0:13:34.800
<v Speaker 1>Detective Comics is what it stood for and stands for

0:13:35.520 --> 0:13:39.680
<v Speaker 1>unless they changed that without my it's still And they

0:13:39.840 --> 0:13:42.320
<v Speaker 1>were the first ones to put out something called New

0:13:42.360 --> 0:13:46.160
<v Speaker 1>Fun Comics number one, and that was the it sounds

0:13:46.200 --> 0:13:51.080
<v Speaker 1>like a Chinese restaurant or something, and um, should I

0:13:51.120 --> 0:13:53.680
<v Speaker 1>not have said that? Is that? Okay, it's all right,

0:13:53.840 --> 0:13:57.320
<v Speaker 1>this is live, but it's not going out. Um. And

0:13:57.360 --> 0:13:59.040
<v Speaker 1>that was the first time that there was a full

0:13:59.120 --> 0:14:01.679
<v Speaker 1>comic book of new stuff as part of a sequential

0:14:01.720 --> 0:14:05.199
<v Speaker 1>series that people could follow. That was ostensibly the first

0:14:05.240 --> 0:14:10.000
<v Speaker 1>real like comic book was born. And um, the sixth issue.

0:14:10.559 --> 0:14:16.120
<v Speaker 1>This the sixth issue, I'm very determined, Um of that

0:14:16.240 --> 0:14:19.600
<v Speaker 1>comic book. What was a New Fund Comics number one? Okay,

0:14:19.600 --> 0:14:22.920
<v Speaker 1>so number six put together two guys named Jerry Siegel

0:14:23.400 --> 0:14:26.760
<v Speaker 1>and uh, what was the other guy's first name? Joe

0:14:26.840 --> 0:14:30.160
<v Speaker 1>Schuster and um. Within a couple of years, those guys

0:14:30.480 --> 0:14:33.200
<v Speaker 1>put out the first superhero ever. His name is Superman.

0:14:33.560 --> 0:14:40.680
<v Speaker 1>Let's get around with a plus exact. Superman changed everything.

0:14:40.680 --> 0:14:44.280
<v Speaker 1>He was the first superhero, he was the first costumed one.

0:14:44.320 --> 0:14:46.400
<v Speaker 1>So he said it's all right to wear tights if

0:14:46.440 --> 0:14:50.640
<v Speaker 1>you can throw a car, right, um, and uh, he

0:14:50.920 --> 0:14:54.120
<v Speaker 1>gave rise to basically comic books as we know today.

0:14:54.280 --> 0:14:56.880
<v Speaker 1>You know everything you think about with with comic books

0:14:57.120 --> 0:14:59.840
<v Speaker 1>and superheroes and um being able to take a bullet

0:14:59.840 --> 0:15:02.120
<v Speaker 1>in the chest and have it just ricochet, which, by

0:15:02.120 --> 0:15:05.720
<v Speaker 1>the way, are you familiar with the George what was

0:15:05.760 --> 0:15:11.280
<v Speaker 1>the guy who played Superman? George Reeves and then Christopher Reeves?

0:15:11.560 --> 0:15:14.880
<v Speaker 1>It was plural. No, you have it right if you

0:15:14.880 --> 0:15:16.720
<v Speaker 1>ever heard the story when a kid came to one

0:15:16.760 --> 0:15:20.160
<v Speaker 1>of his appearances, because George Reefs played Superman on TV

0:15:20.360 --> 0:15:23.240
<v Speaker 1>in the fifties and some kids showed up with his

0:15:23.320 --> 0:15:27.320
<v Speaker 1>dad's gun to shoot Superman. Right, because in the opening

0:15:27.320 --> 0:15:31.160
<v Speaker 1>credits of Superman, um, he like, some bad guys are

0:15:31.160 --> 0:15:33.040
<v Speaker 1>shooting him and he's just standing there with his chest

0:15:33.040 --> 0:15:35.080
<v Speaker 1>out in bullets of rickey. Then one of him throws

0:15:35.080 --> 0:15:41.560
<v Speaker 1>his gun and he ducks. But but a kids showed

0:15:41.640 --> 0:15:44.120
<v Speaker 1>up after seeing all these, you know, many episodes of

0:15:44.160 --> 0:15:46.720
<v Speaker 1>this and uh to like some publicity appearance, and um

0:15:47.320 --> 0:15:50.280
<v Speaker 1>uh it was going to shoot George Reeves, and George

0:15:50.320 --> 0:15:54.200
<v Speaker 1>Reeves or George Reeves said, um, kid, it would work

0:15:54.320 --> 0:15:57.040
<v Speaker 1>if you shot me, but that bulletard ricochet off and

0:15:57.120 --> 0:15:58.520
<v Speaker 1>hit somebody in the crowd and you kill him, and

0:15:58.560 --> 0:15:59.920
<v Speaker 1>you don't want to do that. So the kid like

0:16:00.280 --> 0:16:07.240
<v Speaker 1>the gun and then he went exactly yeah. Yeah, So

0:16:07.320 --> 0:16:10.240
<v Speaker 1>that that was a Superman aside. But Ben Affleck played

0:16:10.280 --> 0:16:14.680
<v Speaker 1>him in a movie. Uh, George Reeve, h right, yeah,

0:16:14.720 --> 0:16:17.040
<v Speaker 1>Hollywood Land. There you go. He was a pretty messed

0:16:17.080 --> 0:16:19.840
<v Speaker 1>up guy. You no, you're thinking of a Bob Crane

0:16:19.840 --> 0:16:23.600
<v Speaker 1>and auto focus. No, No, you really are. No, No,

0:16:23.880 --> 0:16:27.960
<v Speaker 1>they were. They were messed up in two entirely different ways. Uh.

0:16:28.040 --> 0:16:30.560
<v Speaker 1>So d C also gave rise to uh one Superman

0:16:30.600 --> 0:16:33.080
<v Speaker 1>came out or Soup as we like to call him. Uh.

0:16:33.120 --> 0:16:36.080
<v Speaker 1>They also gave birth to Batman and the whole Detective

0:16:36.120 --> 0:16:40.280
<v Speaker 1>comic series. In the Detective series is still going today

0:16:40.360 --> 0:16:43.600
<v Speaker 1>eight hundred issues. Well by the time this was written,

0:16:43.920 --> 0:16:46.160
<v Speaker 1>I'm sure it's way more than that. A hundred plus

0:16:46.240 --> 0:16:49.880
<v Speaker 1>eight plus issues still going strong today, longest running comic

0:16:49.920 --> 0:16:53.760
<v Speaker 1>title ever the d C series. Right, so there was

0:16:54.840 --> 0:16:58.440
<v Speaker 1>nine that Batman came out. Um was a big year too,

0:16:58.520 --> 0:17:01.640
<v Speaker 1>Wonder Woman came out and All Star Comics number eight,

0:17:02.280 --> 0:17:05.680
<v Speaker 1>And anybody who listened to the Lie Detector podcast will

0:17:05.720 --> 0:17:09.199
<v Speaker 1>know that the guy who invented the lie Detector a

0:17:09.240 --> 0:17:15.040
<v Speaker 1>psychologist was William Marston. I believe that sounds right. He

0:17:15.600 --> 0:17:19.679
<v Speaker 1>also created Wonder Woman and really yes he did you

0:17:19.800 --> 0:17:23.679
<v Speaker 1>know this? You know this? Um? And he uh he

0:17:23.800 --> 0:17:27.879
<v Speaker 1>was a psychologist who lived with two wives and the

0:17:27.960 --> 0:17:30.000
<v Speaker 1>children he had with all of them under the same roof,

0:17:30.359 --> 0:17:33.879
<v Speaker 1>supposedly happily. But he was huge into women's live and

0:17:33.920 --> 0:17:36.560
<v Speaker 1>truth telling, which is why one woman has that lass

0:17:36.600 --> 0:17:39.600
<v Speaker 1>of truth. He created a lie of detects. Yes, you know,

0:17:40.200 --> 0:17:42.480
<v Speaker 1>I don't think I remember that, Okay, I was like

0:17:42.600 --> 0:17:46.640
<v Speaker 1>zoning out on Linda Carter at time. I'm sure. Uh So,

0:17:46.760 --> 0:17:49.760
<v Speaker 1>World War two came along, as we all know, unfortunately,

0:17:49.840 --> 0:17:53.879
<v Speaker 1>and uh that was when superhero comics were really big.

0:17:54.240 --> 0:17:56.880
<v Speaker 1>And not only that, but Walt Disney comics were really

0:17:56.960 --> 0:18:01.160
<v Speaker 1>huge and they mentioned, um, Donald Duck and Mickey Mouse obviously,

0:18:01.200 --> 0:18:04.880
<v Speaker 1>but the most popular of the Disney comics, and actually

0:18:04.920 --> 0:18:08.879
<v Speaker 1>the most popular comics during the most popular period of

0:18:08.920 --> 0:18:12.439
<v Speaker 1>comic books, was Uncle Scrooge McDuck. Yeah, he was like

0:18:12.480 --> 0:18:15.240
<v Speaker 1>the biggest. Yeah, but I remember I had a few

0:18:15.280 --> 0:18:17.920
<v Speaker 1>of those as a kid. Yeah, I'd like the duck tails.

0:18:17.960 --> 0:18:21.400
<v Speaker 1>That was a good show. Yeah, equally figured big into

0:18:21.400 --> 0:18:23.880
<v Speaker 1>that one. It was. It was great. Um. But World

0:18:23.920 --> 0:18:27.400
<v Speaker 1>War two, speaking of that was huge for comics because

0:18:27.440 --> 0:18:31.719
<v Speaker 1>even before the US entered into the war, UM, comic

0:18:31.760 --> 0:18:35.160
<v Speaker 1>book characters were beating the tar out of Adolph Hitler

0:18:35.440 --> 0:18:39.520
<v Speaker 1>like on a monthly basis. Like Captain America he debuted

0:18:39.880 --> 0:18:43.879
<v Speaker 1>his number one edition comic book had him like Sack

0:18:43.960 --> 0:18:46.919
<v Speaker 1>and Hitler in the face. It's a pretty awesome picture

0:18:46.960 --> 0:18:48.479
<v Speaker 1>if you ever want to check it out, especially if

0:18:48.480 --> 0:18:52.840
<v Speaker 1>you hate Hitler, you know. Um. But it's so that

0:18:52.960 --> 0:18:56.000
<v Speaker 1>was that was par for the course for comics at

0:18:56.000 --> 0:18:57.800
<v Speaker 1>the time. Like they just beat up on Hitler and

0:18:57.840 --> 0:19:01.240
<v Speaker 1>the Germans or the Japanese every month or um. So

0:19:01.320 --> 0:19:04.120
<v Speaker 1>that was kind of a big deal. Um. And speaking

0:19:04.119 --> 0:19:09.280
<v Speaker 1>of Nazis and comics, do you want to mention HANSI, Yeah,

0:19:09.440 --> 0:19:11.800
<v Speaker 1>did anyone grow up here in the seventies and read

0:19:11.840 --> 0:19:15.600
<v Speaker 1>any of the Spire Christian comics at all? You did? Alright?

0:19:15.600 --> 0:19:18.080
<v Speaker 1>One other person? That's how popular they were. Uh. My

0:19:18.200 --> 0:19:21.199
<v Speaker 1>grandmother god rest her soul. Grandmother Mills worked at a

0:19:21.200 --> 0:19:24.720
<v Speaker 1>Baptist bookstore in Tennessee, and whenever I would go to

0:19:24.800 --> 0:19:27.159
<v Speaker 1>this bookstore, she would tell me to pick out some

0:19:27.200 --> 0:19:30.720
<v Speaker 1>comic books, which I thought was really cool, like free comics. However,

0:19:30.800 --> 0:19:33.480
<v Speaker 1>being compapted this bookstore, the only thing they had was

0:19:33.560 --> 0:19:36.280
<v Speaker 1>Spire Christian comics and they didn't have any superheroes or

0:19:36.280 --> 0:19:38.840
<v Speaker 1>anything like that. They didn't even have Archie at the

0:19:38.840 --> 0:19:42.120
<v Speaker 1>Baptist bookstore, and Spire was really big at the time.

0:19:42.400 --> 0:19:45.560
<v Speaker 1>Man named Al Hartley, he was a cartoonist converted to

0:19:45.640 --> 0:19:48.600
<v Speaker 1>Christianity in the late sixties and converted like twenty five

0:19:48.680 --> 0:19:51.119
<v Speaker 1>family members, right did he really? Yeah, Like he just

0:19:51.119 --> 0:19:52.960
<v Speaker 1>went to town, he went to a prayer meeting, came home.

0:19:53.000 --> 0:19:56.120
<v Speaker 1>I was like, that's it, We're all Christian. I don't

0:19:56.160 --> 0:19:58.520
<v Speaker 1>care what you have to say. You're Christian now. And

0:19:58.640 --> 0:20:01.200
<v Speaker 1>uh he uh worked for Archie Comics and try to

0:20:01.200 --> 0:20:04.359
<v Speaker 1>work in some of the Christian storylines through Archie, and

0:20:04.400 --> 0:20:07.359
<v Speaker 1>then the publishers were like, you know, Archie's as clean

0:20:07.400 --> 0:20:09.040
<v Speaker 1>as it can be, but we really need to tone

0:20:09.080 --> 0:20:12.440
<v Speaker 1>this down on the religion thing. So like, wait, that's

0:20:12.440 --> 0:20:15.879
<v Speaker 1>simmer In the publishers of the Archie Comics told this

0:20:15.880 --> 0:20:19.760
<v Speaker 1>guy to tone it down. Yeah, that is significant. It

0:20:19.800 --> 0:20:23.320
<v Speaker 1>was pretty significant, and uh Lucky for him, a publisher

0:20:23.320 --> 0:20:26.359
<v Speaker 1>called Fleming H. Revel came along and said, you know what,

0:20:26.400 --> 0:20:29.240
<v Speaker 1>I want to start a full line of Christian comics.

0:20:29.440 --> 0:20:31.600
<v Speaker 1>I will call it Inspire Christian Comics. And you can

0:20:31.640 --> 0:20:33.439
<v Speaker 1>go to town, dude, as much as you want on

0:20:33.480 --> 0:20:37.480
<v Speaker 1>whatever you want. And he did. He with Hans, who

0:20:37.520 --> 0:20:39.560
<v Speaker 1>I will show this little picture that I wish we

0:20:39.640 --> 0:20:42.159
<v Speaker 1>had that up on the h That's okay, this this

0:20:42.240 --> 0:20:45.760
<v Speaker 1>is low fi. That is Hans the Girl who Loved

0:20:45.760 --> 0:20:49.760
<v Speaker 1>the Swastika. That's the subtitle. Yes, from ninety three, and

0:20:49.840 --> 0:20:51.680
<v Speaker 1>I actually did not have this one, but I did

0:20:51.720 --> 0:20:55.000
<v Speaker 1>have no but I had the Johnny Cash Christian comic,

0:20:55.359 --> 0:20:59.399
<v Speaker 1>the Tom Landry Christian comic, and the very awesome story

0:20:59.440 --> 0:21:02.080
<v Speaker 1>The Cross and the switch Blade, in which a thug

0:21:03.440 --> 0:21:06.800
<v Speaker 1>mugger is uh turned you know by the guy he

0:21:06.880 --> 0:21:09.760
<v Speaker 1>mug He mugs a pastor, and the pastors like, come, come,

0:21:09.840 --> 0:21:11.920
<v Speaker 1>come with me. Let me tell you a few things

0:21:12.040 --> 0:21:16.280
<v Speaker 1>that happens a lot. Yeah, but Hans was huge. She

0:21:16.359 --> 0:21:18.600
<v Speaker 1>was a young girl in Uh Sue Sue dead in

0:21:18.760 --> 0:21:22.119
<v Speaker 1>Land and the Germans invaded, and she was very glad

0:21:22.119 --> 0:21:24.359
<v Speaker 1>the Germans invaded because they brought books for her to read.

0:21:25.040 --> 0:21:28.280
<v Speaker 1>They took her to a Russian prison camp, and Uh

0:21:29.119 --> 0:21:31.720
<v Speaker 1>they raped all of the women except Hans because she

0:21:31.800 --> 0:21:35.200
<v Speaker 1>was too skinny, which I don't even know what to

0:21:35.240 --> 0:21:38.400
<v Speaker 1>say about that. I don't know, but she was very

0:21:38.440 --> 0:21:41.000
<v Speaker 1>fortunate to get out of that obviously. Eventually she finds

0:21:41.000 --> 0:21:44.000
<v Speaker 1>her way to an American camp. She's very pleased because

0:21:44.040 --> 0:21:47.679
<v Speaker 1>the soldiers there treat her well, and uh moves back

0:21:47.760 --> 0:21:51.719
<v Speaker 1>to America, finds a husband who introduces her to the Bible, right,

0:21:51.960 --> 0:21:53.840
<v Speaker 1>and then it was all over. After that, she opens

0:21:53.880 --> 0:21:57.760
<v Speaker 1>up halfway houses in California and doesn't age over the

0:21:57.800 --> 0:22:00.359
<v Speaker 1>period of like sixty years. Now, that was the critics

0:22:00.359 --> 0:22:03.200
<v Speaker 1>big problem with this one was that she doesn't ever age.

0:22:03.640 --> 0:22:06.000
<v Speaker 1>That was the problem with this comboy. But time still

0:22:06.040 --> 0:22:08.200
<v Speaker 1>went on, so like sixty years later in the book,

0:22:08.280 --> 0:22:11.159
<v Speaker 1>she's talking to people about where she started out and

0:22:11.200 --> 0:22:13.600
<v Speaker 1>she's still teenage, Hauncy. So do you want to drop

0:22:13.600 --> 0:22:16.480
<v Speaker 1>the bomb on the Uh? I'm not sure what you mean.

0:22:16.680 --> 0:22:19.720
<v Speaker 1>It is based on a real story, Yeah, is it

0:22:19.800 --> 0:22:22.280
<v Speaker 1>the bomb? I thought it would have a much bigger

0:22:22.320 --> 0:22:24.040
<v Speaker 1>impact than that. That's why I called it the bomb.

0:22:24.119 --> 0:22:25.359
<v Speaker 1>I would have been like, do you want to mention

0:22:25.400 --> 0:22:29.439
<v Speaker 1>that last thing to him? Yeah? Thank you? Yeah. What

0:22:29.520 --> 0:22:33.560
<v Speaker 1>was her name? I can't find it? Oh yeah, Maria

0:22:33.640 --> 0:22:37.360
<v Speaker 1>Anne Hirshman, like Hansi Moore. Yeah, hunt it's a very

0:22:37.680 --> 0:22:41.600
<v Speaker 1>remarkable name. So world War two it was big for comics,

0:22:41.680 --> 0:22:45.400
<v Speaker 1>whether you were beating up Hitler or publishing Christian comics

0:22:45.400 --> 0:22:48.040
<v Speaker 1>about girls who loves swasticas it was, it was huge. Yeah,

0:22:48.040 --> 0:22:50.280
<v Speaker 1>there were There were also some propaganda comics in the

0:22:50.320 --> 0:22:54.480
<v Speaker 1>in the forties about communism. Um is this tomorrow America

0:22:54.560 --> 0:22:58.080
<v Speaker 1>under Communism? In which the Speaker of the House was

0:22:58.119 --> 0:23:01.680
<v Speaker 1>subverted before assassinated, being the president and the vice president

0:23:02.200 --> 0:23:05.960
<v Speaker 1>and smashing a statue of the Virgin Mary. So that's

0:23:06.040 --> 0:23:08.399
<v Speaker 1>some serious propaganda going. I've got one for you, speaking

0:23:08.440 --> 0:23:11.160
<v Speaker 1>of propagandas so um. Jerry Siegel, one of the guys

0:23:11.200 --> 0:23:15.840
<v Speaker 1>who created Superman, um, because Superman beat up Hitler on

0:23:15.920 --> 0:23:21.680
<v Speaker 1>such a regular basis. Joseph Gebbels himself called Jerry Siegel

0:23:22.119 --> 0:23:26.600
<v Speaker 1>uh circumcised physically and intellectually a beatle. So, man, if

0:23:26.640 --> 0:23:29.960
<v Speaker 1>you take off Joseph Gebbels enough to say something publicly

0:23:30.000 --> 0:23:33.440
<v Speaker 1>about you, you're doing something right. And I think they were.

0:23:33.760 --> 0:23:37.720
<v Speaker 1>But so, the big thing besides beating up Hitler and

0:23:37.760 --> 0:23:40.400
<v Speaker 1>coming up with HANSI that World War Two um did

0:23:40.400 --> 0:23:42.640
<v Speaker 1>the comics was that it created like a whole new

0:23:42.640 --> 0:23:46.240
<v Speaker 1>readership in g I's like the American government actually sent

0:23:46.560 --> 0:23:49.040
<v Speaker 1>comic books out to the front, so you had a

0:23:49.119 --> 0:23:51.199
<v Speaker 1>whole new group of grown up guys who are like,

0:23:51.440 --> 0:23:53.879
<v Speaker 1>this is pretty cool. I like beating up Hitler, but

0:23:54.040 --> 0:23:56.960
<v Speaker 1>I'm also into like questerns and science fiction and horror

0:23:56.960 --> 0:23:59.639
<v Speaker 1>and crime and just like more adult theme stuff. And

0:23:59.680 --> 0:24:02.200
<v Speaker 1>I'll I want to see like some more nakedness that

0:24:02.320 --> 0:24:04.680
<v Speaker 1>I'm seeing in comics, and like, I want to see

0:24:04.720 --> 0:24:06.679
<v Speaker 1>the F word, not just like some you know, the

0:24:06.720 --> 0:24:10.119
<v Speaker 1>dollar sign and an asterisk or something like that. So, um,

0:24:10.400 --> 0:24:14.560
<v Speaker 1>it changed the readership of comics. So when everybody gets

0:24:14.600 --> 0:24:17.640
<v Speaker 1>back from the war, uh, comics themselves changed to from

0:24:17.640 --> 0:24:21.520
<v Speaker 1>that demand. So you have horror comics you have Western comics,

0:24:21.520 --> 0:24:24.440
<v Speaker 1>you have crime comics, and comics get like way more hardcore,

0:24:24.640 --> 0:24:27.800
<v Speaker 1>way cooler than they were before. Right, agreed, But they

0:24:27.840 --> 0:24:31.600
<v Speaker 1>actually step over the over this line supposedly. Yeah, because

0:24:31.960 --> 0:24:36.480
<v Speaker 1>a man named Frederick Wortham, a psychiatrist in UM, wrote

0:24:36.480 --> 0:24:38.600
<v Speaker 1>a book called The Seduction of the Innocent, and he

0:24:39.359 --> 0:24:41.040
<v Speaker 1>kind of threw it out there that these comic books

0:24:41.040 --> 0:24:43.760
<v Speaker 1>are what are leading our kids down this awful path

0:24:43.840 --> 0:24:47.440
<v Speaker 1>of destruction, and parents, of course bought into it big time. Yeah. Well,

0:24:47.480 --> 0:24:49.879
<v Speaker 1>basically he was saying, like this is comic books are

0:24:49.880 --> 0:24:52.000
<v Speaker 1>going to turn are all of our kids into serial

0:24:52.080 --> 0:24:54.119
<v Speaker 1>killers like they're were, They're all doom, some are probably

0:24:54.160 --> 0:24:56.200
<v Speaker 1>already killing, and you don't know what in your parents,

0:24:56.920 --> 0:24:58.520
<v Speaker 1>So just pay attention to your kids and get rid

0:24:58.560 --> 0:25:00.280
<v Speaker 1>of the comic books and actually bring him in New

0:25:00.359 --> 0:25:04.159
<v Speaker 1>York had had a comic book burning based because of

0:25:04.160 --> 0:25:05.760
<v Speaker 1>this book. I got a friend from there. He never

0:25:05.800 --> 0:25:08.080
<v Speaker 1>told me about that. It's a dirty secret among the

0:25:08.160 --> 0:25:13.040
<v Speaker 1>hounds folk. Uh So the comic book um industry decided,

0:25:13.080 --> 0:25:14.840
<v Speaker 1>you know what, we're gonna take a big financial hit

0:25:14.840 --> 0:25:16.960
<v Speaker 1>here if we don't do something, so maybe we should

0:25:17.000 --> 0:25:21.399
<v Speaker 1>self censor. Uh because censorship is illegal, right, and that

0:25:21.480 --> 0:25:23.800
<v Speaker 1>what they say, And so they came up with what

0:25:23.840 --> 0:25:28.280
<v Speaker 1>they called the UH, the Code Comic Code Authority, the

0:25:28.320 --> 0:25:31.080
<v Speaker 1>c c A, and it was all self imposed, and

0:25:31.160 --> 0:25:34.160
<v Speaker 1>up until I think last year, d C comics still

0:25:34.160 --> 0:25:37.439
<v Speaker 1>subscribe to this. Right, it's crazy Marvel stopped in like

0:25:37.520 --> 0:25:40.040
<v Speaker 1>the seventies, I think. So this is way too long,

0:25:40.040 --> 0:25:43.040
<v Speaker 1>but I'm just gonna red a few highlights. UM General

0:25:43.119 --> 0:25:45.600
<v Speaker 1>standards Part A. The big thing was to not um

0:25:45.760 --> 0:25:48.760
<v Speaker 1>endorse crime or to uh to make crimes seem like

0:25:48.800 --> 0:25:52.200
<v Speaker 1>something kids would want to do. So you couldn't explicitly

0:25:52.240 --> 0:25:55.120
<v Speaker 1>present unique details or methods of a crime. You didn't

0:25:55.119 --> 0:25:59.000
<v Speaker 1>want copycatting going on. You could never show kidnapping whatsoever.

0:25:59.320 --> 0:26:01.840
<v Speaker 1>The actual word crime could not be any larger and

0:26:01.920 --> 0:26:06.800
<v Speaker 1>font than any other word. UM General standards be no

0:26:07.000 --> 0:26:11.320
<v Speaker 1>walking dead, no torture vampires. I don't even know what

0:26:11.359 --> 0:26:14.879
<v Speaker 1>that is because they also include regular vampire is M

0:26:15.000 --> 0:26:17.239
<v Speaker 1>so I guess torture vampires ismo are the worse kind

0:26:17.240 --> 0:26:21.639
<v Speaker 1>of vampis. Those are not twilight, no ghoules, no cannibalism,

0:26:21.720 --> 0:26:26.200
<v Speaker 1>no werewolf is um obviously not even a word yes

0:26:27.200 --> 0:26:32.919
<v Speaker 1>under dialogue, no profanity, smut, no vulgarity, um precautions to

0:26:32.960 --> 0:26:36.920
<v Speaker 1>avoid references to physical afflictions or deformities. Didn't want to

0:26:36.920 --> 0:26:40.520
<v Speaker 1>make anyone feel bad about themselves. Can Yeah, wherever possible

0:26:40.600 --> 0:26:45.080
<v Speaker 1>good grammar shall be employed. Is that in there? Yeah?

0:26:45.200 --> 0:26:48.000
<v Speaker 1>And did you see that religion? There's only one rule.

0:26:48.200 --> 0:26:50.639
<v Speaker 1>Ridicule or attack on any religious or racial group is

0:26:50.680 --> 0:26:55.679
<v Speaker 1>never permissible. Nudity is prohibited. And this one is what

0:26:55.760 --> 0:26:58.840
<v Speaker 1>I think personally inspired ar Crum to take up a pen.

0:26:59.240 --> 0:27:03.879
<v Speaker 1>Females shall be drawn realistically, without exaggeration of any physical qualities.

0:27:05.160 --> 0:27:09.679
<v Speaker 1>So our chrome was like what oh really? Yeah, and

0:27:10.040 --> 0:27:15.159
<v Speaker 1>we mentioned that because uh, joking aside, this is what

0:27:15.280 --> 0:27:19.560
<v Speaker 1>actually gave rise to underground comics, because comics from that

0:27:19.600 --> 0:27:25.159
<v Speaker 1>point on sucked yea And actually, um, I think sales

0:27:25.240 --> 0:27:29.560
<v Speaker 1>dropped between nineteen fifty four and ninety six. Yeah, And

0:27:29.560 --> 0:27:32.239
<v Speaker 1>this is the comic book publishers doing it themselves. They

0:27:32.280 --> 0:27:34.240
<v Speaker 1>came up with this code, they established this authority, and

0:27:34.280 --> 0:27:36.000
<v Speaker 1>anytime you finish a comic book you had to send

0:27:36.000 --> 0:27:38.560
<v Speaker 1>it in. The CCA would be like change this, change that,

0:27:38.880 --> 0:27:40.960
<v Speaker 1>and then we'll approve it. Um. So then yeah, it

0:27:41.040 --> 0:27:44.600
<v Speaker 1>drove everything undergund because it's like uh, sordidness can neither

0:27:44.640 --> 0:27:47.080
<v Speaker 1>be created nor destroyed. So I have to go somewhere.

0:27:47.440 --> 0:27:49.960
<v Speaker 1>And it went, like you said, like into our chrome, right,

0:27:50.200 --> 0:27:53.119
<v Speaker 1>it went into underground comics and comics is spelled with

0:27:53.160 --> 0:27:57.480
<v Speaker 1>an X just to kind of separate it from other comics,

0:27:57.520 --> 0:27:59.800
<v Speaker 1>and you know, because they're X rated, which they were

0:28:00.119 --> 0:28:02.879
<v Speaker 1>proud of. Uh. This was the nineteen sixties, um, and

0:28:02.920 --> 0:28:05.240
<v Speaker 1>so all of a sudden they were tackling with underground comics,

0:28:05.240 --> 0:28:10.240
<v Speaker 1>the really good stuff, sex, drugs, politics with cats though yeah,

0:28:10.600 --> 0:28:12.760
<v Speaker 1>well Fritz Catt was one of the big ones. Um.

0:28:12.800 --> 0:28:16.040
<v Speaker 1>But along with all these sordid tales, UM comic books

0:28:16.160 --> 0:28:20.840
<v Speaker 1>that also grew in respectability because they started, you know,

0:28:21.000 --> 0:28:23.800
<v Speaker 1>like real literary works. All of a sudden, we're being created.

0:28:24.680 --> 0:28:28.119
<v Speaker 1>Like the arc got better them, the storylines got a

0:28:28.119 --> 0:28:30.199
<v Speaker 1>lot better, yeah, the writing got better. Yeah, because it

0:28:30.240 --> 0:28:32.080
<v Speaker 1>was like, hey, we were back from World War two,

0:28:32.119 --> 0:28:35.320
<v Speaker 1>we want mature comics, and here they are another band.

0:28:35.400 --> 0:28:39.479
<v Speaker 1>So it's people wanted that and if there's demand with anything, like,

0:28:39.600 --> 0:28:42.240
<v Speaker 1>you're gonna get it. So. Um. The other thing that

0:28:42.320 --> 0:28:47.720
<v Speaker 1>underground comics created besides um our crumb stuff, Harvey P.

0:28:47.840 --> 0:28:50.520
<v Speaker 1>Carr was another big one that was a great movie,

0:28:50.600 --> 0:28:56.200
<v Speaker 1>wasn't that? Um? Was? It kind of proved that you

0:28:56.280 --> 0:28:59.200
<v Speaker 1>can take something like in comic book form and add

0:28:59.320 --> 0:29:02.280
<v Speaker 1>like real literature to a real art to it, and

0:29:02.320 --> 0:29:05.520
<v Speaker 1>that eventually gave rise to the graphic novel thanks to

0:29:05.520 --> 0:29:09.520
<v Speaker 1>a guy named Will Eisner. A Contract with God is

0:29:09.600 --> 0:29:13.000
<v Speaker 1>generally considered even though they had used words like graphic before,

0:29:13.080 --> 0:29:15.240
<v Speaker 1>which they don't like. By the way, they don't like

0:29:15.280 --> 0:29:18.080
<v Speaker 1>graphic novel because it sounds a dirty you know what

0:29:18.080 --> 0:29:20.680
<v Speaker 1>I'm who doesn't like that. The comic book people apparently

0:29:20.720 --> 0:29:23.360
<v Speaker 1>never liked the term graphically. Yeah, that's what I hear.

0:29:23.880 --> 0:29:27.360
<v Speaker 1>Um and a novel like a drawn novel had been used,

0:29:27.360 --> 0:29:29.920
<v Speaker 1>but Will Eisner actually printed on the front cover a

0:29:30.000 --> 0:29:33.240
<v Speaker 1>graphic novel by Will Eisner, and he thought he coined

0:29:33.240 --> 0:29:35.680
<v Speaker 1>the term, but apparently it was some fan who had

0:29:35.720 --> 0:29:38.960
<v Speaker 1>like years before. Yeah, but everyone says Will Eisner, we'll

0:29:38.960 --> 0:29:43.280
<v Speaker 1>go with that, so that that gives rise to um

0:29:43.320 --> 0:29:46.120
<v Speaker 1>this whole idea that like you can create something that's

0:29:46.160 --> 0:29:48.600
<v Speaker 1>longer than twenty to thirty pages and it has like

0:29:48.680 --> 0:29:50.920
<v Speaker 1>real meaning to it, where like the characters are just

0:29:51.200 --> 0:29:54.520
<v Speaker 1>messed up, including these people who are supposed to be heroes,

0:29:54.920 --> 0:29:58.960
<v Speaker 1>because that's something that's been simultaneously evolving to Will Eisner

0:29:59.040 --> 0:30:03.120
<v Speaker 1>was the first person to create a superhero, the Spirit, Yes,

0:30:04.400 --> 0:30:07.200
<v Speaker 1>who was just deeply flawed, like he didn't always he

0:30:07.200 --> 0:30:10.560
<v Speaker 1>wasn't always successful at fighting crime, like he failed, he

0:30:10.640 --> 0:30:14.200
<v Speaker 1>had problems. Um, So him coming back and creating the

0:30:14.240 --> 0:30:16.560
<v Speaker 1>graphic novel is not really surprising. It was almost like

0:30:16.600 --> 0:30:19.320
<v Speaker 1>he was sending a precedent for years later. But it

0:30:19.360 --> 0:30:24.400
<v Speaker 1>gave rise to like Art Spiegelman's Mouse, um, the Alan

0:30:24.440 --> 0:30:27.400
<v Speaker 1>Moore's Watchman, which is the only graphic novel I've read.

0:30:27.760 --> 0:30:29.960
<v Speaker 1>Is it good? Is awesome? I've not read it. Yeah,

0:30:29.960 --> 0:30:34.400
<v Speaker 1>it's way awesome. Uh did something just gasp? It is

0:30:34.480 --> 0:30:37.080
<v Speaker 1>gasp worthy? I think. Uh. And then Frank Miller, I

0:30:37.120 --> 0:30:39.000
<v Speaker 1>have not read any of his stuff, but I have

0:30:39.080 --> 0:30:42.080
<v Speaker 1>seen Since City. Yeah. I enjoyed that, and he did

0:30:42.560 --> 0:30:46.440
<v Speaker 1>he did three hundred two right, Yeah, it looks like it. Yeah.

0:30:47.080 --> 0:30:53.240
<v Speaker 1>And then in that movie Man he did he did

0:30:53.280 --> 0:30:55.440
<v Speaker 1>the Uh for those of you who aren't here, Chuck

0:30:55.520 --> 0:30:58.800
<v Speaker 1>just waved the sweat off. He did the Dark Knight

0:30:58.840 --> 0:31:01.360
<v Speaker 1>returns to which gave to like all the Batman movies

0:31:01.400 --> 0:31:04.120
<v Speaker 1>that we know and love now because Batman also originally

0:31:04.200 --> 0:31:08.280
<v Speaker 1>kind of started out flawed after the Spirit and then

0:31:08.280 --> 0:31:10.400
<v Speaker 1>he turned into like just this, um well, he turned

0:31:10.440 --> 0:31:13.600
<v Speaker 1>into the sixties TV show Batman, which was awesome in

0:31:13.760 --> 0:31:16.280
<v Speaker 1>its own right. But if you were in the comic

0:31:16.360 --> 0:31:18.640
<v Speaker 1>book industry and you're trying to prove that comics are

0:31:18.720 --> 0:31:22.040
<v Speaker 1>legitimate art forms and Adam West is doing his thing

0:31:22.080 --> 0:31:24.840
<v Speaker 1>on TV every week, like, it's really kind of undermining

0:31:24.880 --> 0:31:28.560
<v Speaker 1>your case, right, So there were no as you know,

0:31:28.680 --> 0:31:33.760
<v Speaker 1>it was flab Oh and speaking of so we talked

0:31:33.760 --> 0:31:35.719
<v Speaker 1>about the guy who wrote The Seduction of the Innocent.

0:31:36.080 --> 0:31:39.480
<v Speaker 1>One of his big problems with comics was that UM

0:31:39.600 --> 0:31:44.200
<v Speaker 1>Robin and Batman were clearly homosexual. Robin was drawn often

0:31:44.200 --> 0:31:48.080
<v Speaker 1>with bare legs, frequently spread apart while he was standing,

0:31:48.280 --> 0:31:52.000
<v Speaker 1>and he was I think clearly only attached to Batman

0:31:52.080 --> 0:31:53.960
<v Speaker 1>or something like that. That was one of his big problems. Well,

0:31:53.960 --> 0:31:59.720
<v Speaker 1>I think they were the inspiration for the Smigels. Yeah, yeah,

0:32:00.000 --> 0:32:01.760
<v Speaker 1>and he started It's one of my favorite things ever.

0:32:03.040 --> 0:32:06.440
<v Speaker 1>He talks about it all the time. Um stan Lee

0:32:06.560 --> 0:32:08.520
<v Speaker 1>was actually one of the one of the first people

0:32:08.760 --> 0:32:13.080
<v Speaker 1>UM to start having flawed superheroes as well, but they

0:32:13.120 --> 0:32:17.120
<v Speaker 1>weren't like completely messed up like uh in The Watchman now.

0:32:17.160 --> 0:32:19.800
<v Speaker 1>But he was stan Lee, who was like one of

0:32:19.840 --> 0:32:22.920
<v Speaker 1>the founding guys at Marvel, as everyone knows, I'm sure, um,

0:32:22.960 --> 0:32:26.440
<v Speaker 1>he was working within the structure. Like the underground comics guys,

0:32:26.440 --> 0:32:28.160
<v Speaker 1>they didn't have anybody to answer to. They could do

0:32:28.280 --> 0:32:30.600
<v Speaker 1>or say whatever they wanted to. But stan Lee, you know,

0:32:30.680 --> 0:32:32.760
<v Speaker 1>he was working for Marvel. It was a major publisher,

0:32:32.760 --> 0:32:35.160
<v Speaker 1>and he had confines to work with him. But he

0:32:35.200 --> 0:32:37.160
<v Speaker 1>was trying to kind of push the boundaries here there,

0:32:37.160 --> 0:32:39.680
<v Speaker 1>and he was doing it with Flood like um, Spider Man,

0:32:40.520 --> 0:32:43.520
<v Speaker 1>like he's he's just a total screw up. Well, he

0:32:43.560 --> 0:32:47.080
<v Speaker 1>was the first guy to kind of um introduce characters

0:32:47.120 --> 0:32:49.760
<v Speaker 1>that uh, their their powers were a curse and not

0:32:49.800 --> 0:32:52.080
<v Speaker 1>so much a blessing like he had the Fantastic Four,

0:32:52.440 --> 0:32:54.600
<v Speaker 1>who three of them, it was a big blessing. But

0:32:54.640 --> 0:32:57.200
<v Speaker 1>of course the thing I always want to be human. Um,

0:32:57.240 --> 0:32:59.520
<v Speaker 1>But you know, Tony Stark was a big jerk, as

0:32:59.520 --> 0:33:01.360
<v Speaker 1>everyone's scene in the Iron Man movie if you're not

0:33:01.400 --> 0:33:04.040
<v Speaker 1>a fan of the comic book, and he was forced

0:33:04.080 --> 0:33:06.400
<v Speaker 1>to become Iron Man to live, you know, to keep

0:33:06.440 --> 0:33:08.880
<v Speaker 1>living with that punishment. That thing, I don't know what's

0:33:08.880 --> 0:33:15.040
<v Speaker 1>called the Yeah, the flex capacitor and his chest and uh,

0:33:15.160 --> 0:33:17.040
<v Speaker 1>of course Spider Man. He didn't choose that. And he

0:33:17.120 --> 0:33:18.800
<v Speaker 1>was a little nerdy kid who got beat up and

0:33:18.840 --> 0:33:21.800
<v Speaker 1>got bit by a Spider The Hulk very tortured character.

0:33:21.840 --> 0:33:23.320
<v Speaker 1>He didn't want to be the Hulk. He hated be

0:33:23.360 --> 0:33:26.720
<v Speaker 1>in the Hulk. He hated being lu Fregno, yeah, he

0:33:26.840 --> 0:33:30.320
<v Speaker 1>certainly did. But it's it's pretty cool that stan Lieber

0:33:30.360 --> 0:33:32.960
<v Speaker 1>actually was his original name and Stanley was his what

0:33:33.120 --> 0:33:35.640
<v Speaker 1>he became. But um, he kind of took it to

0:33:35.640 --> 0:33:37.960
<v Speaker 1>a different level, even further than Eisner, I think from

0:33:37.960 --> 0:33:40.840
<v Speaker 1>what I interested. He Um, he also helped create the

0:33:41.520 --> 0:33:44.400
<v Speaker 1>like the shared universe, like all Marvel characters live in

0:33:44.400 --> 0:33:46.480
<v Speaker 1>the same universe that cross over a lot, and that

0:33:46.640 --> 0:33:49.200
<v Speaker 1>was like groundbreaking when he came out with that, Like

0:33:49.200 --> 0:33:52.120
<v Speaker 1>everybody takes it for granted now, Um, but does a

0:33:52.120 --> 0:33:54.480
<v Speaker 1>big deal. Yeah, and it's the guy. I can't remember

0:33:54.600 --> 0:33:57.160
<v Speaker 1>the article that I read, but um, the guy um

0:33:57.200 --> 0:33:59.920
<v Speaker 1>that I read talked about, uh, the sharing of character,

0:34:00.120 --> 0:34:02.520
<v Speaker 1>and he said other people had had people appear as

0:34:02.560 --> 0:34:05.120
<v Speaker 1>guests and other comics, but um, they were the first

0:34:05.160 --> 0:34:08.600
<v Speaker 1>people to really build this universe and have this carefully

0:34:08.640 --> 0:34:12.480
<v Speaker 1>constructed forethought to where you felt like, at any given moment,

0:34:13.080 --> 0:34:15.319
<v Speaker 1>a different person could show up and it wouldn't be like,

0:34:15.480 --> 0:34:17.200
<v Speaker 1>oh wait a minute, there's whole call of a sudden,

0:34:17.440 --> 0:34:19.960
<v Speaker 1>it would like make sense exactly. So I thought it

0:34:20.000 --> 0:34:21.960
<v Speaker 1>was pretty cool. Um, and I think it was Comic

0:34:22.040 --> 0:34:25.840
<v Speaker 1>Cube that you got that one from. Yes, so Marvel

0:34:26.200 --> 0:34:29.120
<v Speaker 1>household name obviously, so DC comics they account for eight

0:34:29.160 --> 0:34:35.760
<v Speaker 1>out of every ten uh yeah, yeah yeah, which uh total,

0:34:35.880 --> 0:34:39.600
<v Speaker 1>that whole ten accounts accounted for four and seventeen million

0:34:39.640 --> 0:34:42.759
<v Speaker 1>dollars in sales in two thousand and eleven, which is

0:34:42.760 --> 0:34:49.120
<v Speaker 1>substantial if you ask me, Um, that ain't nothing on manga, manga, manga,

0:34:49.520 --> 0:34:54.800
<v Speaker 1>mangame whatever. These are comics in Japan, and we're covering

0:34:54.920 --> 0:34:58.000
<v Speaker 1>the United States pretty much exclusively, but they are huge

0:34:58.080 --> 0:35:02.320
<v Speaker 1>in Japan, and uh in two thousand seven, they total

0:35:02.320 --> 0:35:07.160
<v Speaker 1>sales were three point six billion dollars in Japan alone,

0:35:07.320 --> 0:35:09.800
<v Speaker 1>you know, and that same year a hundred and seventy

0:35:09.800 --> 0:35:12.839
<v Speaker 1>five million of Japanese comics in US and Canada. So

0:35:13.160 --> 0:35:15.520
<v Speaker 1>they're popular over here as well. Yeah, you mean, I

0:35:15.560 --> 0:35:19.120
<v Speaker 1>went to Japan and everywhere you go where there's manga

0:35:19.160 --> 0:35:23.280
<v Speaker 1>being sold. There are eighteen kids just standing there reading.

0:35:23.320 --> 0:35:26.719
<v Speaker 1>I'm like, totally cigarettes. No, no, they're all wearing like school. Now,

0:35:26.760 --> 0:35:28.839
<v Speaker 1>this is like a whole country of good kids. They

0:35:28.840 --> 0:35:32.240
<v Speaker 1>don't smoke cigarettes yet, um, Like they wait till adults

0:35:32.239 --> 0:35:35.400
<v Speaker 1>and then everybody smoked. Um. But you know they're all

0:35:35.400 --> 0:35:37.920
<v Speaker 1>wearing like their little shorts and their blazers and everything,

0:35:38.040 --> 0:35:40.680
<v Speaker 1>reading manga like this crazy stuff. Yeah, and those are

0:35:40.680 --> 0:35:43.160
<v Speaker 1>generally black and white, is that right? Yeah? Okay, yeah,

0:35:43.560 --> 0:35:45.919
<v Speaker 1>I'm not the manga expert. I've just been to Japan once,

0:35:45.920 --> 0:35:50.080
<v Speaker 1>so that's more than me. My friends. Um so, uh,

0:35:50.320 --> 0:35:54.480
<v Speaker 1>we've talked about the history of comics, we've talked about manga.

0:35:54.920 --> 0:35:56.880
<v Speaker 1>What else is there to cover. Let's talk about some

0:35:56.920 --> 0:35:59.400
<v Speaker 1>of these uh, some of the top artists in and

0:36:00.000 --> 0:36:02.480
<v Speaker 1>because the part on how they're done is really not

0:36:02.560 --> 0:36:05.600
<v Speaker 1>super interesting, No, no, I think I think it bears

0:36:05.600 --> 0:36:08.680
<v Speaker 1>mentioning that it's not one person isn't creating a comic.

0:36:08.719 --> 0:36:13.319
<v Speaker 1>There's um, there's the writer, there's the the penciler Joe's

0:36:13.360 --> 0:36:15.680
<v Speaker 1>Russ sketches, the anchor who comes in behind and like

0:36:16.200 --> 0:36:21.920
<v Speaker 1>substantializes everything, the person who does shading, the the well,

0:36:21.960 --> 0:36:25.879
<v Speaker 1>there's a colorist yes, uh and then the letter yeah,

0:36:25.880 --> 0:36:28.399
<v Speaker 1>and the letterer. I thought that was kind of cool. Actually, yeah,

0:36:28.440 --> 0:36:30.239
<v Speaker 1>you know think about the font that much if it

0:36:30.280 --> 0:36:32.520
<v Speaker 1>really matters if it's bold or something. You know, they

0:36:33.000 --> 0:36:35.200
<v Speaker 1>make these decisions of these choices, but really it's like,

0:36:35.600 --> 0:36:38.680
<v Speaker 1>is it bold, not bold? Or squiggly? It's kind of

0:36:38.680 --> 0:36:41.120
<v Speaker 1>what the That's what the letter is coming up. Squiggly

0:36:41.200 --> 0:36:46.879
<v Speaker 1>means fear, right pretty much, or or intrepidation. Trepidation, Yeah,

0:36:47.600 --> 0:36:51.080
<v Speaker 1>I think it's the word. Uh. Yeah, so we did.

0:36:51.200 --> 0:36:55.359
<v Speaker 1>We searched a comic cube and um, I'm not sure

0:36:55.360 --> 0:36:57.960
<v Speaker 1>what this other one was, but because I didn't know

0:36:58.000 --> 0:37:00.719
<v Speaker 1>who people generally considered the top artist and writers of

0:37:00.800 --> 0:37:04.080
<v Speaker 1>comic books. But this dude has stan Lee in the

0:37:04.120 --> 0:37:07.640
<v Speaker 1>Marvel Gang, including Jack Kirby and Steve Ditko, the people

0:37:07.640 --> 0:37:12.560
<v Speaker 1>who created Spider Man, Fantastic four, Hulk for Iron Man

0:37:12.920 --> 0:37:17.439
<v Speaker 1>Silver Surfer number five. Yeah. Yeah, this guy's I don't

0:37:17.440 --> 0:37:19.400
<v Speaker 1>know much, but I thought, come on, dude, he was

0:37:19.440 --> 0:37:23.120
<v Speaker 1>clearly drunk when he made this list. Well he has

0:37:23.400 --> 0:37:27.840
<v Speaker 1>Harvey Kurtzman is number one, and Kurtzman was famous for

0:37:27.840 --> 0:37:31.839
<v Speaker 1>for his military comics, and they were not very pro

0:37:31.960 --> 0:37:34.160
<v Speaker 1>military at all. They were very much that showed the

0:37:34.200 --> 0:37:36.879
<v Speaker 1>downside of war and showed the ugly brutality of war.

0:37:37.320 --> 0:37:39.200
<v Speaker 1>But he is the man who went on to later

0:37:39.400 --> 0:37:43.719
<v Speaker 1>create Tales Calculated to Drive You Mad, which became Mad Magazine,

0:37:44.440 --> 0:37:46.880
<v Speaker 1>which Josh and I had were, you know, huge fans of.

0:37:48.000 --> 0:37:51.560
<v Speaker 1>He also oversaw Tales from the Crypt because that really

0:37:51.680 --> 0:37:54.120
<v Speaker 1>that was East that was Eastern color. I thought I

0:37:54.160 --> 0:37:58.600
<v Speaker 1>heard a gasp about Tales was that you gasps and

0:37:58.760 --> 0:38:04.480
<v Speaker 1>one podcast that is uh gas than we used. It's

0:38:04.520 --> 0:38:08.840
<v Speaker 1>actually uh goodead. You know, I don't know where you

0:38:08.880 --> 0:38:10.680
<v Speaker 1>were going. Well. I thought i'd covered some of the

0:38:10.760 --> 0:38:13.319
<v Speaker 1>artists too, because the writers get a lot of do

0:38:13.840 --> 0:38:15.759
<v Speaker 1>but you never hear a lot about the artist. And

0:38:15.920 --> 0:38:19.040
<v Speaker 1>um Lou Fine one of the first big stars in

0:38:19.080 --> 0:38:22.879
<v Speaker 1>the nineteen forties. They got him at number ten, not bad.

0:38:23.760 --> 0:38:26.600
<v Speaker 1>And Frank Frazetta, who I didn't think I knew until

0:38:26.640 --> 0:38:29.799
<v Speaker 1>I looked him up. He was a comic book artist

0:38:29.840 --> 0:38:31.680
<v Speaker 1>for a very short time and then was one of

0:38:31.680 --> 0:38:34.000
<v Speaker 1>the few guys to go onto mainstream art. And I

0:38:34.000 --> 0:38:35.399
<v Speaker 1>was like, I still haven't heard of this guy until

0:38:35.400 --> 0:38:38.000
<v Speaker 1>I clicked on Google images, and then I went, oh,

0:38:38.080 --> 0:38:41.080
<v Speaker 1>the guy who did the Molly Hatchett album covers and

0:38:41.160 --> 0:38:45.120
<v Speaker 1>he did all those awesome fantasy uh fantasy paintings. It

0:38:45.239 --> 0:38:47.799
<v Speaker 1>was really cool stuff. I'm a fan of Yes and

0:38:47.920 --> 0:38:51.000
<v Speaker 1>Ages album covers and Iron Maidens. I think Iron Maiden

0:38:51.040 --> 0:38:53.560
<v Speaker 1>has the best album covers. Who did those? I don't know.

0:38:53.680 --> 0:38:56.040
<v Speaker 1>There was a sol okay a small clapp for Iron Maiden.

0:38:56.640 --> 0:39:00.239
<v Speaker 1>Uh Neil Adams they have listed at number three. He

0:39:01.120 --> 0:39:05.719
<v Speaker 1>was the guy who brought along um modern techniques, like

0:39:06.239 --> 0:39:08.920
<v Speaker 1>from the commercial art world, and he applied it and

0:39:08.920 --> 0:39:11.120
<v Speaker 1>he's sort of revolutionized. And people generally say that as

0:39:11.120 --> 0:39:14.120
<v Speaker 1>far as arts concerned, you have the Kirby Area era

0:39:14.200 --> 0:39:16.239
<v Speaker 1>and then you have the Adams era. So he was.

0:39:16.440 --> 0:39:20.400
<v Speaker 1>He was that important. And Kirby is number one Captain America,

0:39:20.680 --> 0:39:24.239
<v Speaker 1>X Men, Hulk, Fantastic four, forget about it. What about

0:39:24.239 --> 0:39:29.120
<v Speaker 1>Steve Bilko? Who Steve Bilko? That's be confused, Steve Ko, Dicko.

0:39:30.680 --> 0:39:33.480
<v Speaker 1>You're thinking Sergeant Billko the Steve Martin movie. No, I

0:39:33.560 --> 0:39:36.799
<v Speaker 1>was thinking of Steve Ko, Steve Dio, Yeah, Dicko, he

0:39:36.840 --> 0:39:40.360
<v Speaker 1>could be confused. I think he he co created Spider

0:39:40.400 --> 0:39:41.960
<v Speaker 1>Man and I think was the first guy to draw

0:39:42.000 --> 0:39:44.520
<v Speaker 1>Spider Man. Yeah, like the comics we drew we grew

0:39:44.600 --> 0:39:48.680
<v Speaker 1>up with. It was um Steve Dickko and Jack Kirby. Yeah, like,

0:39:49.480 --> 0:39:52.879
<v Speaker 1>I'm sorry the comics I grew up with where Jack

0:39:52.960 --> 0:39:58.239
<v Speaker 1>Kirby and Steve dick everyone else in this movie said

0:39:58.239 --> 0:40:03.160
<v Speaker 1>to you, Uh, you got anything else? We should talk

0:40:03.200 --> 0:40:05.200
<v Speaker 1>about mouse maybe for a second. Yeah, that was a

0:40:05.200 --> 0:40:08.759
<v Speaker 1>big deal. That was Art Spiegelman, and he was He

0:40:08.800 --> 0:40:12.640
<v Speaker 1>won a special pullitzerprise for his comic book Mouse m

0:40:12.680 --> 0:40:15.279
<v Speaker 1>A U S. And it told the story of he

0:40:15.320 --> 0:40:19.160
<v Speaker 1>and his father in uh Nazi occupied Germany. And he

0:40:19.280 --> 0:40:23.000
<v Speaker 1>used a very tried and true technique of uh using

0:40:23.360 --> 0:40:27.280
<v Speaker 1>animals as people. So the Jews were mice, Germans were cats,

0:40:27.360 --> 0:40:31.680
<v Speaker 1>of course, and uh poles poles were pigs. And I

0:40:31.719 --> 0:40:33.279
<v Speaker 1>did I thought, what was that? Tried and true? And

0:40:33.360 --> 0:40:36.359
<v Speaker 1>I thought, oh no, every Disney movie you I've ever

0:40:36.400 --> 0:40:40.719
<v Speaker 1>seen has animals not as people. And again shirt tails, Yeah,

0:40:41.480 --> 0:40:44.040
<v Speaker 1>duck tails, short tales? That was it. I don't know

0:40:44.080 --> 0:40:47.080
<v Speaker 1>short tails, you don't remember short tales? No, we got

0:40:47.080 --> 0:40:50.839
<v Speaker 1>three gasts. What was shirt tails? Oh? Was a like

0:40:51.400 --> 0:40:56.319
<v Speaker 1>some crime fighting um menagerie of like a panda and

0:40:56.400 --> 0:41:00.560
<v Speaker 1>like a fox and like moose. All they all they

0:41:00.600 --> 0:41:02.600
<v Speaker 1>lived in this tree and then they all jump into

0:41:02.680 --> 0:41:05.080
<v Speaker 1>like a like something akin to the Great Space Coaster,

0:41:05.520 --> 0:41:08.080
<v Speaker 1>fly off to like handle the problem, solve the mystery.

0:41:08.239 --> 0:41:10.600
<v Speaker 1>But they would like whatever emotion they were feeling with

0:41:10.680 --> 0:41:13.640
<v Speaker 1>like flash on their shirts. That was their game. And

0:41:13.680 --> 0:41:15.560
<v Speaker 1>this is a cartoon. Yeah, it was a great cartoon.

0:41:15.680 --> 0:41:18.080
<v Speaker 1>I don't know how I missed this. I was in

0:41:18.120 --> 0:41:21.960
<v Speaker 1>the Baptist bookstore. I think I think your your grandmother

0:41:22.000 --> 0:41:24.759
<v Speaker 1>would have been okay with shirt tails. You never know,

0:41:24.920 --> 0:41:27.160
<v Speaker 1>it was not where the shirt tails tucked or untucked.

0:41:28.640 --> 0:41:31.960
<v Speaker 1>They weren't even wearing pants. Now they forget about it.

0:41:32.000 --> 0:41:36.480
<v Speaker 1>Maybe not. It's all over. Yeah, I got nothing else. Actually, Watchman,

0:41:37.239 --> 0:41:40.000
<v Speaker 1>uh you keep you keep saying that, and then following Dome,

0:41:40.800 --> 0:41:42.759
<v Speaker 1>there's but we should say. Watch Me was so great.

0:41:42.760 --> 0:41:45.160
<v Speaker 1>It was named one of the one hundred best English

0:41:45.280 --> 0:41:49.000
<v Speaker 1>Language novels in Time magazine in two thousand FIBs. I

0:41:49.000 --> 0:41:51.280
<v Speaker 1>should say it all, even though the movie I liked

0:41:51.480 --> 0:41:54.160
<v Speaker 1>because I like the book so much, wasn't so great.

0:41:55.120 --> 0:41:58.440
<v Speaker 1>Did you watch it the movie? The Watchman movie? No, No,

0:41:59.239 --> 0:42:02.240
<v Speaker 1>it was good. It was faithful. Well, I just remember

0:42:02.280 --> 0:42:07.000
<v Speaker 1>like just a big sense of depression just kind of

0:42:07.040 --> 0:42:10.040
<v Speaker 1>settled over America for like two weeks after that movie came.

0:42:10.840 --> 0:42:13.239
<v Speaker 1>So I'm definitely not an uplifting story. But no, no,

0:42:13.280 --> 0:42:16.960
<v Speaker 1>I meant because it like wasn't as good as everybody. Yeah, yeah, yeah,

0:42:17.239 --> 0:42:20.279
<v Speaker 1>I think you're right. Uh So let's see if you

0:42:20.280 --> 0:42:23.200
<v Speaker 1>guys want to learn anything more about comic books, we

0:42:23.239 --> 0:42:25.720
<v Speaker 1>actually have a bunch of comic books stuff on the site.

0:42:25.760 --> 0:42:29.440
<v Speaker 1>You can type in comic books C O, M, I

0:42:29.560 --> 0:42:34.319
<v Speaker 1>C space bookay s in the handy search bar how

0:42:34.360 --> 0:42:36.560
<v Speaker 1>stuff works dot com, and that will bring up this article.

0:42:36.680 --> 0:42:39.440
<v Speaker 1>And I said handy search bar. I didn't even just

0:42:39.480 --> 0:42:42.120
<v Speaker 1>say search bar, said handy search bar, which means it's

0:42:42.160 --> 0:42:46.440
<v Speaker 1>time for Q and ah. Yeah, unless no one has

0:42:46.480 --> 0:42:56.520
<v Speaker 1>any questions, thank you learning it? So does anyone have

0:42:56.560 --> 0:42:59.240
<v Speaker 1>any questions that have nothing to do with comic books?

0:43:00.160 --> 0:43:05.160
<v Speaker 1>I'm just kidding. Okay, Hi, what's your name? Oh wait,

0:43:05.200 --> 0:43:08.719
<v Speaker 1>we got a mike. Yeah, we can hear you. Well,

0:43:08.760 --> 0:43:13.040
<v Speaker 1>now we're recording for the recording. Also, by standing up,

0:43:13.120 --> 0:43:15.959
<v Speaker 1>you releases from any kind of liabilities for using your voice.

0:43:16.760 --> 0:43:21.200
<v Speaker 1>What if it's too late now, pal Um, what type

0:43:21.239 --> 0:43:25.239
<v Speaker 1>of screen process did uh you Josh go through when

0:43:25.239 --> 0:43:27.839
<v Speaker 1>you were kind of picking out your co host because

0:43:27.880 --> 0:43:30.799
<v Speaker 1>before you had podcast for five minutes long, you had

0:43:30.840 --> 0:43:33.120
<v Speaker 1>different few people that went to house uf works dot com.

0:43:33.120 --> 0:43:35.879
<v Speaker 1>I mean, Chuck just start working here and like, hey,

0:43:36.000 --> 0:43:38.040
<v Speaker 1>let's do a podcast or I need somebody to do

0:43:38.160 --> 0:43:41.600
<v Speaker 1>thirty minutes of podcasting with me. How that work? So

0:43:42.640 --> 0:43:44.440
<v Speaker 1>we For those of you who don't know, Chuck and

0:43:44.480 --> 0:43:48.080
<v Speaker 1>I haven't always been together. Um there was a there.

0:43:48.120 --> 0:43:51.319
<v Speaker 1>I know there's a dark time pre Chuck. It's just

0:43:51.520 --> 0:43:55.520
<v Speaker 1>it's crazy. I want to forget about it. But um,

0:43:55.560 --> 0:43:59.600
<v Speaker 1>but no, so uh it very much came about the

0:43:59.640 --> 0:44:01.600
<v Speaker 1>way that the podcast came about, where I have a

0:44:01.680 --> 0:44:04.440
<v Speaker 1>boss who came along and said, hey, why don't you

0:44:04.600 --> 0:44:07.759
<v Speaker 1>get together with Jerry and um make a podcast. It

0:44:07.800 --> 0:44:09.560
<v Speaker 1>doesn't matter that you don't know what a podcast, which

0:44:09.600 --> 0:44:10.920
<v Speaker 1>is that you've never heard one, just good to it.

0:44:11.320 --> 0:44:15.000
<v Speaker 1>So we did. We tried a few people, Um they

0:44:15.040 --> 0:44:17.200
<v Speaker 1>were editors at the time, that's how they were picked.

0:44:17.400 --> 0:44:21.080
<v Speaker 1>And then um, all of a sudden, Uh, I think

0:44:21.120 --> 0:44:23.399
<v Speaker 1>you went to Connal, didn't you, And you're like, dude,

0:44:23.400 --> 0:44:26.080
<v Speaker 1>I want to know. Well then just out of the blue,

0:44:26.280 --> 0:44:28.759
<v Speaker 1>Connor was like, hey, let's do this with Chuck, and

0:44:28.760 --> 0:44:32.200
<v Speaker 1>we tried it with Chuck, and man, it was like

0:44:32.440 --> 0:44:34.560
<v Speaker 1>the first moment he sat down, I was like, this

0:44:34.600 --> 0:44:40.279
<v Speaker 1>guy smells good. Like things just seem like different now

0:44:40.320 --> 0:44:43.440
<v Speaker 1>that this recording is like, I'm not sad, Like everything

0:44:43.560 --> 0:44:47.200
<v Speaker 1>seems cool. And then he opened his mouth and it

0:44:47.280 --> 0:44:53.319
<v Speaker 1>was like, why it works, dude, I can I don't

0:44:53.320 --> 0:44:59.200
<v Speaker 1>even know how to interpret that. That's how it started. Yeah,

0:44:59.360 --> 0:45:02.560
<v Speaker 1>that's pretty much it. I mean we were we were

0:45:02.560 --> 0:45:05.440
<v Speaker 1>buddies at work and had similar sensibilities and it just

0:45:05.480 --> 0:45:08.840
<v Speaker 1>sort of made sense. I'm frankly a little shocked that

0:45:08.880 --> 0:45:10.320
<v Speaker 1>they didn't pick me to begin with, to be I

0:45:10.600 --> 0:45:13.359
<v Speaker 1>am as well. I mean we're buddies already at work.

0:45:13.480 --> 0:45:15.440
<v Speaker 1>We knew each other to work, and we like piled

0:45:15.440 --> 0:45:18.560
<v Speaker 1>around and everything. But um, yeah, it was I think

0:45:18.600 --> 0:45:20.720
<v Speaker 1>it was just kind of like a baptism by fire

0:45:20.800 --> 0:45:24.319
<v Speaker 1>and then they're like, it's Chuck time. Uh we got

0:45:24.719 --> 0:45:30.360
<v Speaker 1>number two? Yes, Hi? Hello. Um So I'm curious what

0:45:30.440 --> 0:45:32.520
<v Speaker 1>a topic is that. Maybe you guys keep saying, oh,

0:45:32.560 --> 0:45:33.960
<v Speaker 1>we need to do this, we should do this, we

0:45:33.960 --> 0:45:35.640
<v Speaker 1>should do this, and you just never get around doing

0:45:35.680 --> 0:45:38.560
<v Speaker 1>It's something that you'll probably say the same thing I

0:45:38.600 --> 0:45:42.640
<v Speaker 1>would say is scientology. Sorry, was that what you're gonna say,

0:45:43.880 --> 0:45:46.480
<v Speaker 1>I mean that scientology is one that we have been

0:45:46.520 --> 0:45:49.600
<v Speaker 1>asked to do many many times that we want to do. Um,

0:45:49.640 --> 0:45:53.520
<v Speaker 1>but they are very litigious group, and um, we don't

0:45:53.520 --> 0:45:56.319
<v Speaker 1>have that much money. Yeah, I think we're scared to

0:45:56.360 --> 0:45:59.640
<v Speaker 1>do one. Yeah I am. I mean John Travolta is

0:45:59.640 --> 0:46:02.239
<v Speaker 1>in George right now shooting a movie, so they could

0:46:02.280 --> 0:46:06.239
<v Speaker 1>just send him over to our house. Yeah. So yeah,

0:46:06.320 --> 0:46:08.359
<v Speaker 1>I mean there was a there was a moment where

0:46:08.360 --> 0:46:10.400
<v Speaker 1>it was like, may maybe we will do scientology because

0:46:10.440 --> 0:46:12.799
<v Speaker 1>the FBI was investigating him. There's all this stuff on

0:46:12.840 --> 0:46:15.319
<v Speaker 1>public record, which is the big the big problem is

0:46:15.360 --> 0:46:18.600
<v Speaker 1>like every every source that we would come across would

0:46:18.600 --> 0:46:23.960
<v Speaker 1>be um, just about hearsay from disgrunt old people, ex members, whatever,

0:46:24.440 --> 0:46:27.480
<v Speaker 1>and it's very very one sided. Um. So, all of

0:46:27.520 --> 0:46:29.360
<v Speaker 1>a sudden, like there was a possibility that we were

0:46:29.360 --> 0:46:32.000
<v Speaker 1>gonna have all these sources from like FBI investigations, and

0:46:32.040 --> 0:46:34.360
<v Speaker 1>then it just stopped and we're like, well, if the

0:46:34.400 --> 0:46:36.759
<v Speaker 1>FBI is not doing it, we're certainly not gonna do

0:46:36.800 --> 0:46:43.200
<v Speaker 1>it either. They have guns. Yes, over there in the glasses.

0:46:43.440 --> 0:46:46.200
<v Speaker 1>I think actually, if yeah, this person over here is

0:46:46.280 --> 0:46:52.040
<v Speaker 1>your next started ten minutes Greg Hi UM, my name

0:46:52.080 --> 0:46:54.200
<v Speaker 1>is his Car and I live in Guatemala with my

0:46:54.280 --> 0:46:56.839
<v Speaker 1>husband and we're big fans of your country. We've been

0:46:56.880 --> 0:47:00.360
<v Speaker 1>we loved your podcast. Those two pods cash you did

0:47:00.400 --> 0:47:03.000
<v Speaker 1>in Guatemala were awesome. For those of you don't know,

0:47:03.040 --> 0:47:05.360
<v Speaker 1>we went to Guatemala with Jerry Um. We were invited

0:47:05.360 --> 0:47:08.000
<v Speaker 1>by a group called co ed Uh. It's a nonprofit

0:47:08.000 --> 0:47:10.520
<v Speaker 1>you does great work down there, and they paid for

0:47:10.560 --> 0:47:12.320
<v Speaker 1>us to go down there and it changed our lives

0:47:12.320 --> 0:47:14.600
<v Speaker 1>in some a lot of ways. And you know, I

0:47:14.680 --> 0:47:17.040
<v Speaker 1>want to compliment you on it because you you did

0:47:17.040 --> 0:47:21.280
<v Speaker 1>the history section really well, which most people don't do UM.

0:47:21.400 --> 0:47:24.200
<v Speaker 1>And one thing that I want and actually Brad was like, man,

0:47:24.239 --> 0:47:26.320
<v Speaker 1>I wish I'd gotten this before I went to Guanamala,

0:47:26.480 --> 0:47:29.080
<v Speaker 1>you know, because it really served as kind of like

0:47:28.840 --> 0:47:34.839
<v Speaker 1>a like a dummies on Guingamala. It was really great. Well,

0:47:34.880 --> 0:47:36.600
<v Speaker 1>you know, one thing that I wanted to ask you,

0:47:36.760 --> 0:47:40.560
<v Speaker 1>UM is you know if were there some stories or

0:47:40.640 --> 0:47:42.600
<v Speaker 1>some other things that you left out, like how you

0:47:42.640 --> 0:47:45.120
<v Speaker 1>went about I mean, you know you talked a lot

0:47:45.160 --> 0:47:47.920
<v Speaker 1>of them your second Guatemala podcast about how there was

0:47:47.960 --> 0:47:51.279
<v Speaker 1>all this material that you didn't include UM or things

0:47:51.320 --> 0:47:53.160
<v Speaker 1>that you could have included, but you didn't. And I

0:47:53.160 --> 0:47:55.520
<v Speaker 1>guess I'm wondering, like, was there like one thing in

0:47:55.520 --> 0:47:57.920
<v Speaker 1>particular you didn't include that podcast, like maybe you could

0:47:57.960 --> 0:48:01.520
<v Speaker 1>talk about probably had to do with Ronza Copa Rama,

0:48:01.800 --> 0:48:08.600
<v Speaker 1>probably the Nectar of Guatemala. It's good stuff. Um. I

0:48:08.640 --> 0:48:10.239
<v Speaker 1>think there was just so much that went on. There

0:48:10.280 --> 0:48:13.279
<v Speaker 1>wasn't anything in particular. But when you're there for how

0:48:13.280 --> 0:48:15.360
<v Speaker 1>long were you there? Like four or five days? I

0:48:15.400 --> 0:48:18.040
<v Speaker 1>think five days? Five? Yeah, it's five days and six nights.

0:48:18.040 --> 0:48:20.480
<v Speaker 1>I think. Yeah, it's hard to encapsulate that in two hours.

0:48:20.800 --> 0:48:26.880
<v Speaker 1>There was definitely nothing we were covering up. No beautiful

0:48:26.920 --> 0:48:32.560
<v Speaker 1>country though, do you know? Do you know I went,

0:48:32.760 --> 0:48:36.920
<v Speaker 1>I gave a sacrifice to mashamon Um with a cigarette

0:48:37.640 --> 0:48:41.680
<v Speaker 1>and some some cane liquor, and um, I quit smoking

0:48:41.760 --> 0:48:47.000
<v Speaker 1>like two years this may so that's fine, but definitely

0:48:47.080 --> 0:48:56.040
<v Speaker 1>how so it works? I guess that's to answer your question. Yeah,

0:48:56.760 --> 0:48:59.440
<v Speaker 1>over there, I think she had a question and she's like, no,

0:48:59.560 --> 0:49:09.200
<v Speaker 1>not anymore. She's She's like, it was about Guatemala. Yeah, so,

0:49:09.520 --> 0:49:13.360
<v Speaker 1>um my question is related to research. So, um, we

0:49:13.440 --> 0:49:16.320
<v Speaker 1>pretty much live in a world now where most people,

0:49:16.920 --> 0:49:20.000
<v Speaker 1>including like if you're in school will do research, I

0:49:20.040 --> 0:49:22.960
<v Speaker 1>guess on the internet. So I was wondering for each topic,

0:49:23.120 --> 0:49:26.239
<v Speaker 1>like a, if you're doing research online, how do you

0:49:26.640 --> 0:49:29.719
<v Speaker 1>try to validate a particular fact? And then also do

0:49:29.840 --> 0:49:32.799
<v Speaker 1>you ever go outside of the internet for I don't know,

0:49:32.920 --> 0:49:38.240
<v Speaker 1>validation or more research, and if so, what are your sources?

0:49:39.480 --> 0:49:44.360
<v Speaker 1>It's almost all internet research, which is kind of the

0:49:44.360 --> 0:49:48.040
<v Speaker 1>way it is these days. It is. Um. I've written

0:49:48.080 --> 0:49:51.520
<v Speaker 1>one article where I went to the library, and I've

0:49:51.520 --> 0:49:53.880
<v Speaker 1>written a few hundred articles for House of Works, and

0:49:53.920 --> 0:49:56.120
<v Speaker 1>I actually had to go to this rare books library

0:49:56.400 --> 0:49:58.680
<v Speaker 1>to find the one book in print as I was

0:49:58.680 --> 0:50:02.120
<v Speaker 1>writing about Liz with bath rooms, this Hungarian countess's like

0:50:02.160 --> 0:50:05.879
<v Speaker 1>the world's most prolific serial killer. Um, And it was

0:50:06.080 --> 0:50:08.440
<v Speaker 1>it was really hard to find like any good stuff,

0:50:08.440 --> 0:50:10.319
<v Speaker 1>like decent sources on her. But I knew that there's

0:50:10.320 --> 0:50:12.600
<v Speaker 1>this one book either. So I've been to library one

0:50:12.640 --> 0:50:17.880
<v Speaker 1>time and I'm like, not right exactly. I was like,

0:50:17.960 --> 0:50:21.520
<v Speaker 1>what is this all these weird books? Um? And it

0:50:21.640 --> 0:50:26.239
<v Speaker 1>smells there's pencils, um. But that was pretty much the

0:50:26.239 --> 0:50:30.240
<v Speaker 1>extent of it. Um. There's so much good stuff online.

0:50:30.400 --> 0:50:35.279
<v Speaker 1>I think it's five, six, seven years ago. You could

0:50:35.480 --> 0:50:37.920
<v Speaker 1>really put somebody down and said that they just do

0:50:38.040 --> 0:50:41.560
<v Speaker 1>their research on online. There's so much good stuff, especially

0:50:41.640 --> 0:50:44.560
<v Speaker 1>if you know what you're looking for, what you're looking at.

0:50:44.840 --> 0:50:49.160
<v Speaker 1>If the fact you're kind of looking up appears in

0:50:49.239 --> 0:50:51.560
<v Speaker 1>almost the same wording and source after source stuff your source,

0:50:51.560 --> 0:50:53.560
<v Speaker 1>well then you need to go find something else. And yeah,

0:50:53.560 --> 0:50:57.759
<v Speaker 1>that's actually it's always very good to just find a

0:50:57.800 --> 0:51:00.640
<v Speaker 1>couple of sources for a fact, especially something that's just

0:51:00.719 --> 0:51:03.360
<v Speaker 1>kind of outlandish. It's a lot of common sense and

0:51:03.360 --> 0:51:05.319
<v Speaker 1>then it's a lot of like knowing who you're who

0:51:05.360 --> 0:51:10.000
<v Speaker 1>you're getting your sources from. UM, we have since virtually

0:51:10.080 --> 0:51:13.000
<v Speaker 1>stopped writing UM since we've been working on the TV

0:51:13.120 --> 0:51:16.440
<v Speaker 1>pilot and since we've been UM podcasting so much lately.

0:51:16.960 --> 0:51:22.279
<v Speaker 1>UM that we rely on how Stuff Works articles and

0:51:22.480 --> 0:51:26.799
<v Speaker 1>UM that so well, like all of our articles are

0:51:26.800 --> 0:51:28.600
<v Speaker 1>based on just the house Stuffs article and then we

0:51:28.640 --> 0:51:33.480
<v Speaker 1>do supplementary research and UM, I guess all that's all

0:51:33.520 --> 0:51:36.880
<v Speaker 1>we need, like is the house Stuff Works basis because

0:51:36.920 --> 0:51:40.319
<v Speaker 1>we know that there's the same amount of attention and

0:51:40.360 --> 0:51:43.000
<v Speaker 1>dedication has kind of gone into the research to write

0:51:43.000 --> 0:51:46.000
<v Speaker 1>that article. That very rarely do we run across one

0:51:46.120 --> 0:51:51.000
<v Speaker 1>where we're like this is just flagrantly wrong party. And

0:51:51.000 --> 0:51:53.360
<v Speaker 1>when we do check out the dinner party, when we

0:51:53.440 --> 0:51:56.520
<v Speaker 1>tear that poor kid apart, I remember, But when we do,

0:51:56.600 --> 0:51:58.640
<v Speaker 1>we call them out like because it's bad research, and

0:51:58.680 --> 0:52:00.799
<v Speaker 1>we hate bad research because it makes us look like

0:52:00.920 --> 0:52:04.680
<v Speaker 1>jackasses and we hate looking like jackasses. So um, but

0:52:04.760 --> 0:52:11.239
<v Speaker 1>it's almost all online. Thanks were more perfect. Man, this

0:52:11.320 --> 0:52:15.960
<v Speaker 1>is petering out nicely. I love your podcast. I listen

0:52:16.000 --> 0:52:17.640
<v Speaker 1>to it all the time. Um, I was just wondering

0:52:17.680 --> 0:52:20.399
<v Speaker 1>what a day in the life Josh and Chuck looks

0:52:20.440 --> 0:52:23.360
<v Speaker 1>like you said, you don't write as much anymore, but um,

0:52:23.440 --> 0:52:25.920
<v Speaker 1>how many podcasts you do per week? Um? You know,

0:52:26.000 --> 0:52:28.600
<v Speaker 1>what's the pilot gonna be like on your schedule? And

0:52:28.719 --> 0:52:30.800
<v Speaker 1>what's funny you should ask? This is not a plant,

0:52:30.800 --> 0:52:37.200
<v Speaker 1>by the way, great question than uh we I mean

0:52:38.280 --> 0:52:42.080
<v Speaker 1>yeah we Um. We record uh between two and four

0:52:42.120 --> 0:52:44.120
<v Speaker 1>a week, and we released two a week. So we

0:52:44.200 --> 0:52:46.520
<v Speaker 1>tried to build up what we call a kitty like

0:52:46.640 --> 0:52:48.680
<v Speaker 1>Jerry likes to call it. So like when we go

0:52:48.719 --> 0:52:50.920
<v Speaker 1>out of town or when we're shooting TV stuff, you know,

0:52:51.000 --> 0:52:53.600
<v Speaker 1>we can still release on a regular basis. Because if

0:52:53.600 --> 0:52:56.520
<v Speaker 1>anyone wants to start a podcast, everyone always asked for advice.

0:52:56.840 --> 0:53:00.320
<v Speaker 1>You always have to release it very regularly. The biggest

0:53:00.320 --> 0:53:03.960
<v Speaker 1>mistake podcast make starting out as they'll release one and

0:53:04.000 --> 0:53:06.200
<v Speaker 1>they'll wait a few weeks and release another one. But

0:53:06.360 --> 0:53:08.719
<v Speaker 1>that Tuesday, Thursday, man, people count on it coming out.

0:53:09.320 --> 0:53:12.160
<v Speaker 1>And um, so we record two to four we do.

0:53:12.200 --> 0:53:15.200
<v Speaker 1>We have a little video podcast now, Uh this kind

0:53:15.200 --> 0:53:18.080
<v Speaker 1>of fun and we record twelve of those a month,

0:53:18.640 --> 0:53:21.759
<v Speaker 1>um that we alternate every other week. So generally a

0:53:21.840 --> 0:53:25.120
<v Speaker 1>day in the life is us uh you know, researching

0:53:25.400 --> 0:53:28.640
<v Speaker 1>and uh studying. We call it studying. It's it's a

0:53:28.640 --> 0:53:31.600
<v Speaker 1>lot of a lot of reading and Josh memorizes way

0:53:31.640 --> 0:53:34.040
<v Speaker 1>more than I do. But um, we take a nap

0:53:34.040 --> 0:53:36.640
<v Speaker 1>on carpet scores a two pm show two pm every day,

0:53:37.120 --> 0:53:41.319
<v Speaker 1>butter cookies and juice the martini time after that. But

0:53:41.440 --> 0:53:43.640
<v Speaker 1>since you did mention the TV thing, we would like

0:53:43.680 --> 0:53:48.200
<v Speaker 1>to invite everyone here tomorrow to uh fidox Irish Pub

0:53:48.400 --> 0:53:51.400
<v Speaker 1>on Fourth Street and we are having a variety show

0:53:51.560 --> 0:53:55.440
<v Speaker 1>slash premiere party for the TV pilot that Science Channel

0:53:55.440 --> 0:53:58.000
<v Speaker 1>has gone out on them and been really awesome to

0:53:58.080 --> 0:54:01.840
<v Speaker 1>let us do. And uh it is at five o'clock.

0:54:01.880 --> 0:54:06.759
<v Speaker 1>It starts goes till nine and um we have John

0:54:06.800 --> 0:54:10.319
<v Speaker 1>Hodgment will be there, our old Budden and uh I

0:54:10.360 --> 0:54:13.799
<v Speaker 1>guess for John or just a clus Okay, John will

0:54:13.800 --> 0:54:16.640
<v Speaker 1>be there, and comedy from a Eugene Merman who's very

0:54:16.760 --> 0:54:20.160
<v Speaker 1>hysterical stand up and our buddies, the Henry Clay people

0:54:20.200 --> 0:54:23.160
<v Speaker 1>will be playing music and local band Crooks will be

0:54:23.160 --> 0:54:26.880
<v Speaker 1>playing music. And Lucy waynewright Roach who plays Jerry on

0:54:26.880 --> 0:54:29.120
<v Speaker 1>the show, will be playing music because she is also

0:54:29.200 --> 0:54:33.560
<v Speaker 1>a very talented singer, songwriter, guitar player, and uh, it's

0:54:33.560 --> 0:54:35.600
<v Speaker 1>gonna be fun. First hundred people get a free drink,

0:54:35.960 --> 0:54:40.319
<v Speaker 1>which is always nice and out right and gotten lighted.

0:54:40.360 --> 0:54:42.320
<v Speaker 1>But oh so yeah, it's gonna be a good party.

0:54:42.400 --> 0:54:45.240
<v Speaker 1>And we thank Science Channel because they are super awesome

0:54:45.880 --> 0:54:47.960
<v Speaker 1>and have really stuck their necks out to give us

0:54:47.960 --> 0:54:50.480
<v Speaker 1>a shot at a TV pilot, which hopefully we'll see

0:54:50.560 --> 0:54:54.360
<v Speaker 1>later on this year. And uh, it's good at that,

0:54:54.560 --> 0:54:57.719
<v Speaker 1>thanks man, getting better at it? Yeah, anything else, I'm good?

0:54:57.760 --> 0:55:00.719
<v Speaker 1>Did anybody else have any questions? We have one minute? Man,

0:55:01.000 --> 0:55:03.719
<v Speaker 1>this was perfect. As a matter of fact, everybody, give

0:55:03.760 --> 0:55:08.960
<v Speaker 1>yourself around. Thank you for coming, very much for coming.

0:55:10.719 --> 0:55:14.600
<v Speaker 1>Uh let's see if you want to contact us, you

0:55:14.640 --> 0:55:17.240
<v Speaker 1>can reach us on Twitter at s y s K podcast.

0:55:17.280 --> 0:55:20.040
<v Speaker 1>If you don't follow us, it is a jam uh

0:55:20.160 --> 0:55:23.239
<v Speaker 1>Facebook dot com slash stuff you should know. Also quite

0:55:23.280 --> 0:55:25.320
<v Speaker 1>the party. They could have gone and seen William Defoe

0:55:25.360 --> 0:55:29.080
<v Speaker 1>right now, by the way. Thank you, everybody, Thank you.

0:55:29.520 --> 0:55:31.080
<v Speaker 1>I wish you had a five dollar bill to give

0:55:31.080 --> 0:55:34.880
<v Speaker 1>to everybody. Um or you can email us at Stuff

0:55:34.960 --> 0:55:49.680
<v Speaker 1>Podcast at Discovery dot com. Be sure to check out

0:55:49.719 --> 0:55:52.880
<v Speaker 1>our new video podcast, Stuff from the Future. Join how

0:55:52.960 --> 0:55:55.480
<v Speaker 1>Stuff Work staff as we explore the most promising and

0:55:55.520 --> 0:56:01.160
<v Speaker 1>perplexing possibilities of tomorrow. Brought to you by the re

0:56:01.239 --> 0:56:04.319
<v Speaker 1>invented two thousand twelve Camri. It's ready, are you