1 00:00:00,320 --> 00:00:02,880 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,240 --> 00:00:08,920 Speaker 1: It's ready. Are you get in touch with technology with 3 00:00:09,039 --> 00:00:17,840 Speaker 1: tech Stuff from how stuff works dot com. Hello again, everyone, 4 00:00:17,880 --> 00:00:20,520 Speaker 1: and welcome to tech Stuff. My name is Chris Poulett, 5 00:00:20,560 --> 00:00:22,560 Speaker 1: and I am the tech editor here at how stuff 6 00:00:22,560 --> 00:00:25,320 Speaker 1: works dot Com. Sitting across from me, as he always does, 7 00:00:25,480 --> 00:00:30,600 Speaker 1: is senior writer Jonathan Strickland. Hey there, all right, Well, 8 00:00:30,640 --> 00:00:32,879 Speaker 1: why don't we just go ahead, get the formalities out 9 00:00:32,880 --> 00:00:34,560 Speaker 1: of the way and start this off with a little 10 00:00:34,640 --> 00:00:41,479 Speaker 1: listener mail. This listener mail comes from Justin. He says, Hi, guys, 11 00:00:41,760 --> 00:00:44,320 Speaker 1: I'm fourteen and love the show. Don't worry, I'm making 12 00:00:44,320 --> 00:00:46,839 Speaker 1: sure this isn't long like some of your others. So 13 00:00:46,880 --> 00:00:49,720 Speaker 1: how does Pandora Internet radio work like with the amount 14 00:00:49,760 --> 00:00:53,840 Speaker 1: of skips and stuff? Thanks for the show, it's awesome, Justin, Well, 15 00:00:53,840 --> 00:00:56,120 Speaker 1: thank you, Justin. We decided we're going to talk about 16 00:00:56,160 --> 00:01:00,000 Speaker 1: Pandora Radio and the underlying structure behind it, the Music 17 00:01:00,280 --> 00:01:04,160 Speaker 1: Genome Project, because it's pretty cool. Yeah, the Music Genome 18 00:01:04,200 --> 00:01:07,320 Speaker 1: Project is pretty key to this whole thing. Um. Because 19 00:01:07,319 --> 00:01:09,559 Speaker 1: there are a number of different kinds of internet radio 20 00:01:09,640 --> 00:01:12,240 Speaker 1: stations out there. Pandora is just one of them. Uh, 21 00:01:12,280 --> 00:01:15,400 Speaker 1: some of the other's famous ones that people are probably 22 00:01:15,560 --> 00:01:19,440 Speaker 1: pretty familiar with. Our last dot FM or group, shark 23 00:01:20,360 --> 00:01:24,640 Speaker 1: Um Radio one Lama maybe that one is not familiar 24 00:01:24,680 --> 00:01:28,600 Speaker 1: to me, Fine Tune, and of course Spotify, which we 25 00:01:28,640 --> 00:01:31,120 Speaker 1: have yet to see in the United States. And then 26 00:01:31,160 --> 00:01:34,760 Speaker 1: there's some others that are not internet radio stations but 27 00:01:34,880 --> 00:01:38,160 Speaker 1: also will deliver music to you via the web, things 28 00:01:38,200 --> 00:01:42,120 Speaker 1: like La La oh wait, that's gone well La La 29 00:01:42,240 --> 00:01:45,000 Speaker 1: went bye bye and went to La La Land. I 30 00:01:45,040 --> 00:01:46,959 Speaker 1: went to apple Land is what I went to. Well, 31 00:01:47,000 --> 00:01:50,720 Speaker 1: that's true at any rate, So internet radio. The interesting 32 00:01:50,720 --> 00:01:54,280 Speaker 1: thing about Pandora is that it kind of sprung out 33 00:01:54,280 --> 00:01:56,920 Speaker 1: of the idea of how do you find new music 34 00:01:57,400 --> 00:01:59,840 Speaker 1: that you're going to like? You know, not just not 35 00:02:00,040 --> 00:02:03,040 Speaker 1: just finding new music, because that's that in itself is 36 00:02:03,080 --> 00:02:06,320 Speaker 1: not necessarily that hard, but finding new music that kind 37 00:02:06,360 --> 00:02:08,960 Speaker 1: of appeals to you based upon what you already like. 38 00:02:09,400 --> 00:02:10,840 Speaker 1: That can be kind of a challenge. I mean, you 39 00:02:10,840 --> 00:02:13,320 Speaker 1: walk into a music store and you look at the 40 00:02:13,360 --> 00:02:17,440 Speaker 1: categories and they're pretty broad, right, like rock or rap 41 00:02:17,800 --> 00:02:21,239 Speaker 1: or blues or whatever. That's These genres are huge, I mean, 42 00:02:21,240 --> 00:02:24,079 Speaker 1: they're there are sub genres in every single one of these. Yes, 43 00:02:24,560 --> 00:02:27,440 Speaker 1: And just because you happen to like someone who has 44 00:02:27,560 --> 00:02:29,919 Speaker 1: a great record in one genre doesn't mean that you're 45 00:02:29,919 --> 00:02:32,440 Speaker 1: going to pick up any other record in that genre 46 00:02:32,520 --> 00:02:36,720 Speaker 1: and be equally as enamored. So Pandora Radio kind of 47 00:02:36,800 --> 00:02:39,480 Speaker 1: grew out of this idea of the Music Genome Project, 48 00:02:40,320 --> 00:02:44,440 Speaker 1: which uh uh is fascinating to me. The idea is 49 00:02:44,440 --> 00:02:50,280 Speaker 1: that analysts break down a song by describing it through 50 00:02:50,600 --> 00:02:56,040 Speaker 1: one of several hundred musical attributes, and the collection of 51 00:02:56,080 --> 00:02:58,920 Speaker 1: attributes are kind of what give the song it's character, 52 00:02:59,400 --> 00:03:02,959 Speaker 1: and that by breaking down other songs and getting their attributes, 53 00:03:03,000 --> 00:03:05,160 Speaker 1: you can compare one against the other and see how 54 00:03:05,200 --> 00:03:08,160 Speaker 1: similar they are, Like how many of the qualities does 55 00:03:08,200 --> 00:03:11,680 Speaker 1: one song share with another? And if there are several 56 00:03:11,760 --> 00:03:15,160 Speaker 1: qualities that are shared, you could leap to the conclusion 57 00:03:15,240 --> 00:03:17,200 Speaker 1: that hey, you know, if you really like, if you 58 00:03:17,320 --> 00:03:20,200 Speaker 1: really dig this one song, then this other song that's 59 00:03:20,240 --> 00:03:22,720 Speaker 1: kind of similar to it, you'll probably also like. There's 60 00:03:22,720 --> 00:03:25,760 Speaker 1: a good chance. So uh, that's kind of how Pandora 61 00:03:25,840 --> 00:03:29,200 Speaker 1: that's the basis of Pandora Radio. Yeah, I can actually 62 00:03:29,200 --> 00:03:32,480 Speaker 1: get pretty messy these uh. The songs are are picked 63 00:03:32,480 --> 00:03:37,160 Speaker 1: apart by essentially by hand. Um, so of course there 64 00:03:37,240 --> 00:03:40,520 Speaker 1: is a human being sitting somewhere in a room full 65 00:03:40,560 --> 00:03:43,360 Speaker 1: of little bits of music all over the floor, or 66 00:03:43,560 --> 00:03:47,680 Speaker 1: maybe not now. Um. It does take human beings, however, 67 00:03:47,760 --> 00:03:50,920 Speaker 1: to uh who are working at Pandora to listen to 68 00:03:50,960 --> 00:03:54,240 Speaker 1: a song and and basically they're they're dissecting it. They're 69 00:03:54,240 --> 00:03:58,200 Speaker 1: listening to it for different things, UM, different styles of music. 70 00:03:58,200 --> 00:04:02,640 Speaker 1: They're listening for the different instrumentation. Perhaps you like piano jazz, 71 00:04:03,240 --> 00:04:07,440 Speaker 1: but you you can't stand saxophones, so I mean you can. 72 00:04:08,000 --> 00:04:13,040 Speaker 1: They're identifying traits like that, Um, different kinds of of singing, vocalization, 73 00:04:13,160 --> 00:04:17,240 Speaker 1: maybe all instrumentals. These are all kinds of of attributes 74 00:04:17,400 --> 00:04:19,760 Speaker 1: or uh facets as they like to describe them in 75 00:04:20,279 --> 00:04:23,440 Speaker 1: library school, Um, of a song that they'll use to 76 00:04:23,560 --> 00:04:29,040 Speaker 1: record and Um. Once you get started with Pandora, simply 77 00:04:29,080 --> 00:04:33,320 Speaker 1: by putting in, say a favorite artist or a favorite song. UM, 78 00:04:33,360 --> 00:04:36,040 Speaker 1: that's really when the music genome project kicks in, because 79 00:04:37,120 --> 00:04:39,440 Speaker 1: you know, it's going to try to play another song 80 00:04:39,480 --> 00:04:44,440 Speaker 1: in your station based on the traits that are available 81 00:04:44,680 --> 00:04:46,960 Speaker 1: for that particular song or that particular artist that you 82 00:04:47,000 --> 00:04:49,840 Speaker 1: put in. Sure. Yeah, So for example, if I wanted 83 00:04:49,880 --> 00:04:54,080 Speaker 1: to put in um uh say the Ramones, and I did, uh, 84 00:04:54,120 --> 00:04:56,040 Speaker 1: I want to be sedated? Okay, because you know I'm 85 00:04:56,080 --> 00:04:58,520 Speaker 1: a punk rock fan. Yes you are, so if I 86 00:04:58,600 --> 00:05:02,600 Speaker 1: put that in, it would the Pandora Radio would would 87 00:05:02,600 --> 00:05:06,880 Speaker 1: consult the Genome project essentially the database, and say, all right, well, 88 00:05:06,920 --> 00:05:09,240 Speaker 1: this guy wants he likes I want to be sedated. 89 00:05:09,360 --> 00:05:12,160 Speaker 1: What qualities does that song have? You know, what kind 90 00:05:12,200 --> 00:05:14,680 Speaker 1: of rhythm does it follow? Is it a male vocalist 91 00:05:14,720 --> 00:05:16,840 Speaker 1: or a female vocalist? Of course in this case it's 92 00:05:16,880 --> 00:05:19,719 Speaker 1: a male vocalist. Um is it a band? Is it? 93 00:05:19,760 --> 00:05:22,640 Speaker 1: Is it acoustic? Is it rock? It looks at all 94 00:05:22,680 --> 00:05:24,599 Speaker 1: these different qualities and then says, all right, well, what 95 00:05:24,720 --> 00:05:27,400 Speaker 1: else is in the library that kind of has this 96 00:05:27,560 --> 00:05:30,960 Speaker 1: similar uh structure? And it might pull something from the 97 00:05:31,000 --> 00:05:33,520 Speaker 1: clash and then play the clash and say, hey, do 98 00:05:33,600 --> 00:05:36,479 Speaker 1: you like this? And then it's your choice to either 99 00:05:36,600 --> 00:05:38,880 Speaker 1: give it a thumbs up or a thumbs down or 100 00:05:38,920 --> 00:05:40,360 Speaker 1: you know, you don't have to do anything at all 101 00:05:40,360 --> 00:05:42,760 Speaker 1: if you don't want to. If you do a thumbs up, generally, 102 00:05:42,760 --> 00:05:44,880 Speaker 1: what that's telling Pandora is that not only do you 103 00:05:44,880 --> 00:05:47,200 Speaker 1: like the song, but it will start to play that 104 00:05:47,320 --> 00:05:50,359 Speaker 1: heavier in rotations in the future. Now. Granted, when you 105 00:05:50,400 --> 00:05:52,640 Speaker 1: first get started, it's not going to do that that 106 00:05:52,760 --> 00:05:56,239 Speaker 1: often because you haven't built up your own station yet. 107 00:05:56,520 --> 00:06:00,240 Speaker 1: But over time, as you thumb up or thumbdown songs, UH, 108 00:06:00,360 --> 00:06:03,920 Speaker 1: certain songs will get played more often than others. Now, 109 00:06:04,960 --> 00:06:07,760 Speaker 1: one of the nice things about Pandora is that you're 110 00:06:07,800 --> 00:06:11,720 Speaker 1: not limited to a particular station. So, say you have 111 00:06:11,760 --> 00:06:14,280 Speaker 1: a remoone station, but you say, you know what today, 112 00:06:14,440 --> 00:06:17,720 Speaker 1: I'm I really want to you know, I'm thinking back 113 00:06:17,800 --> 00:06:19,280 Speaker 1: to the days when I was in high school band. 114 00:06:19,279 --> 00:06:21,320 Speaker 1: I really want to listen to something symphonic. Well, you can. 115 00:06:21,680 --> 00:06:25,400 Speaker 1: You can put in a favorite UH composer, say Aaron Copeland, 116 00:06:25,640 --> 00:06:28,160 Speaker 1: or maybe you want to listen to music from the 117 00:06:28,279 --> 00:06:30,440 Speaker 1: romantic period, you can put that in. You don't have 118 00:06:30,480 --> 00:06:32,080 Speaker 1: to put your you don't have to throw away what 119 00:06:32,160 --> 00:06:34,440 Speaker 1: you've done on your remone station. You can actually create 120 00:06:34,520 --> 00:06:37,200 Speaker 1: up to a hundred stations of your own. So if 121 00:06:37,279 --> 00:06:40,280 Speaker 1: you have your you know, rainy day station for a 122 00:06:40,320 --> 00:06:43,279 Speaker 1: mood music while you're working, or you really want something 123 00:06:43,480 --> 00:06:47,880 Speaker 1: UH like industrial or hip hop, you can go ahead 124 00:06:47,920 --> 00:06:49,719 Speaker 1: and switch from one to the other. And if you 125 00:06:49,720 --> 00:06:51,800 Speaker 1: really want to you can mix some of them together 126 00:06:51,839 --> 00:06:54,400 Speaker 1: in their quick Mix feature, which is a fairly new 127 00:06:54,440 --> 00:06:57,120 Speaker 1: feature on the site. Has been around for probably more 128 00:06:57,160 --> 00:06:58,840 Speaker 1: than a year now now that I think about it, 129 00:06:59,279 --> 00:07:01,039 Speaker 1: um but it was there when it started. And it's 130 00:07:01,080 --> 00:07:04,560 Speaker 1: an opportunity to mash up different stations, so you can 131 00:07:05,000 --> 00:07:08,400 Speaker 1: uh combine different different stations that you've already set up 132 00:07:08,440 --> 00:07:10,600 Speaker 1: and it will give you a mix. So you really 133 00:07:10,640 --> 00:07:13,320 Speaker 1: have a lot of options as far as customizing, and 134 00:07:13,400 --> 00:07:15,080 Speaker 1: it's not it's going to keep in mind what your 135 00:07:15,080 --> 00:07:19,120 Speaker 1: preferences are for a particular station, So you're starting with 136 00:07:19,160 --> 00:07:21,440 Speaker 1: a blank slate each time. Yeah, but you have the 137 00:07:21,440 --> 00:07:23,680 Speaker 1: opportunity to customize and and if you want to, you 138 00:07:23,680 --> 00:07:26,720 Speaker 1: can change uh your station around too, because you can 139 00:07:26,800 --> 00:07:28,720 Speaker 1: edit the page for that station and if you say, 140 00:07:29,520 --> 00:07:32,440 Speaker 1: come a song down that you didn't mean to, you 141 00:07:32,480 --> 00:07:35,440 Speaker 1: can go, oh geez and go back to edit your page. 142 00:07:35,880 --> 00:07:37,440 Speaker 1: You have to say, oh gees. By the way, that's 143 00:07:37,760 --> 00:07:43,880 Speaker 1: that's part of you wouldn't have thought. So yeah, you know, 144 00:07:43,920 --> 00:07:47,200 Speaker 1: we're just going to go ahead and do that email us, 145 00:07:47,240 --> 00:07:48,960 Speaker 1: but no, you can go back and edit it and say, 146 00:07:49,160 --> 00:07:51,080 Speaker 1: you know, and check this one, I actually like this 147 00:07:51,200 --> 00:07:54,040 Speaker 1: and um, so it's pretty nice that you can you 148 00:07:54,040 --> 00:07:55,920 Speaker 1: can customize this and you don't have This is what 149 00:07:56,080 --> 00:07:59,080 Speaker 1: sets Pandora apart from a lot of the other um 150 00:07:59,400 --> 00:08:02,480 Speaker 1: Internet ready stations is you have this customized ability to 151 00:08:03,560 --> 00:08:07,440 Speaker 1: really make the station yours. Yeah, and and beyond that, 152 00:08:07,560 --> 00:08:09,120 Speaker 1: just to kind of build on what you were saying, 153 00:08:09,120 --> 00:08:11,440 Speaker 1: they're put uh, it has a couple of other options 154 00:08:11,440 --> 00:08:13,400 Speaker 1: that are kind of cool to One of which is 155 00:08:13,440 --> 00:08:16,600 Speaker 1: that let's say that you have maybe a dozen radio 156 00:08:16,680 --> 00:08:19,760 Speaker 1: stations that you've created, and you've got them in different 157 00:08:19,840 --> 00:08:23,400 Speaker 1: genres or just uh, you know, kind of for different moods, 158 00:08:23,560 --> 00:08:26,480 Speaker 1: and say that you have one station open and a 159 00:08:26,560 --> 00:08:29,640 Speaker 1: song starts playing, and you think, I like this song, 160 00:08:29,720 --> 00:08:32,320 Speaker 1: but it doesn't really belong in the station. It really 161 00:08:32,360 --> 00:08:35,400 Speaker 1: could go in my other station, like you know, station 162 00:08:35,480 --> 00:08:38,280 Speaker 1: number three. You can actually go through the menu system 163 00:08:38,320 --> 00:08:43,360 Speaker 1: and port that song over into your other station. So 164 00:08:43,920 --> 00:08:46,240 Speaker 1: that way, what it does is it automatically gives that 165 00:08:46,360 --> 00:08:49,560 Speaker 1: song that thumbs down for the station it's currently playing in, 166 00:08:49,640 --> 00:08:52,400 Speaker 1: so it won't play it again there, but it will 167 00:08:52,480 --> 00:08:57,640 Speaker 1: play in your in whatever station you designated as the recipient, 168 00:08:58,559 --> 00:09:00,160 Speaker 1: which is really neat because I mean, I have that 169 00:09:00,160 --> 00:09:02,480 Speaker 1: happen all the time. I've one of the stations I 170 00:09:02,520 --> 00:09:08,640 Speaker 1: have is for musicals, uh hardcore punk rock rock. Okay, 171 00:09:08,679 --> 00:09:12,240 Speaker 1: I like musicals actually, Frankly, he has stations for both. 172 00:09:12,280 --> 00:09:14,680 Speaker 1: I'm pretty sure I do have stations for both. I 173 00:09:14,720 --> 00:09:17,280 Speaker 1: have a station called I Want to be Sedated. I 174 00:09:17,360 --> 00:09:20,160 Speaker 1: have a station called Broadway. I have a station called 175 00:09:20,240 --> 00:09:27,679 Speaker 1: Avenue Que, which is slowly, slowly taking over Broadway. I could, 176 00:09:27,760 --> 00:09:31,120 Speaker 1: I could, but at any rate, sometimes the Broadway thing, like, 177 00:09:31,320 --> 00:09:34,160 Speaker 1: I haven't told Pandora specifically or there's no you know, 178 00:09:34,200 --> 00:09:36,120 Speaker 1: I haven't gone through the genre system, which you can 179 00:09:36,160 --> 00:09:38,400 Speaker 1: also do. They have a thing where you can select 180 00:09:38,480 --> 00:09:41,440 Speaker 1: music by genre if you want to just leave it 181 00:09:41,480 --> 00:09:46,120 Speaker 1: more as a more broad uh spectrum. But I haven't 182 00:09:46,120 --> 00:09:48,280 Speaker 1: told Pandora of course that, you know, I just want 183 00:09:48,360 --> 00:09:51,560 Speaker 1: music that it's from musicals, so occasionally. You know, there 184 00:09:51,559 --> 00:09:53,600 Speaker 1: are a lot of different styles of musicals out there, right, 185 00:09:53,920 --> 00:09:56,280 Speaker 1: I mean, some of them are, you know, the kind 186 00:09:56,280 --> 00:09:59,920 Speaker 1: of big melodramatic stuff like the Android Weber stuff with 187 00:10:00,040 --> 00:10:01,520 Speaker 1: Fantom of the Opera and all that kind of thing, 188 00:10:01,880 --> 00:10:04,400 Speaker 1: and then some of them are more rock and roll based. 189 00:10:04,400 --> 00:10:06,760 Speaker 1: I mean, even sticking with Andrew laid whatever you go 190 00:10:06,800 --> 00:10:10,840 Speaker 1: with Jesus Christ Superstar and you've got like that seventies rock. Well, 191 00:10:10,880 --> 00:10:13,640 Speaker 1: occasionally a seventies rock song will come in because it's 192 00:10:13,720 --> 00:10:16,600 Speaker 1: very similar to music that's in that play. But I 193 00:10:16,640 --> 00:10:19,920 Speaker 1: don't want it there because that's my musical station. This 194 00:10:19,960 --> 00:10:21,760 Speaker 1: is not a musical song. It blongs somewhere else, So 195 00:10:21,800 --> 00:10:23,400 Speaker 1: I'll just move it over to one of the stations 196 00:10:23,400 --> 00:10:25,400 Speaker 1: it does belong in, or if I hate the song, 197 00:10:25,400 --> 00:10:29,480 Speaker 1: I'll just give it the thumbs down. Now, we were 198 00:10:29,480 --> 00:10:33,680 Speaker 1: asked specifically about skipping songs and thumbs down songs and 199 00:10:33,720 --> 00:10:36,160 Speaker 1: things like that, and why you're limited and what's the 200 00:10:36,160 --> 00:10:39,240 Speaker 1: deal behind that. I kind of wanted to talk about 201 00:10:39,320 --> 00:10:44,760 Speaker 1: one other thing first, just and and it's related. It's transitions, um, 202 00:10:44,800 --> 00:10:48,240 Speaker 1: because that that is the thing I mean. Um. Actually, 203 00:10:48,240 --> 00:10:50,080 Speaker 1: when I was doing a little extra research, of course, 204 00:10:50,080 --> 00:10:52,400 Speaker 1: I've been using Pandora for years. I'm pretty familiar with it, 205 00:10:52,800 --> 00:10:54,600 Speaker 1: but I was trying to look for the answers to 206 00:10:54,640 --> 00:10:57,040 Speaker 1: specific questions. And one of the things I kept seeing 207 00:10:57,320 --> 00:11:03,640 Speaker 1: seeing on on the Pandora blow Dog was people asking why, uh, 208 00:11:03,800 --> 00:11:06,600 Speaker 1: someone might upgrade. There's a paid version of Pandora called 209 00:11:06,600 --> 00:11:08,439 Speaker 1: Pandora One which we could talk about in a minute. 210 00:11:08,440 --> 00:11:10,920 Speaker 1: But people keep its thirty six dollars a year, and 211 00:11:10,920 --> 00:11:13,600 Speaker 1: people say, why I want to pay thirty six dollars 212 00:11:13,600 --> 00:11:16,120 Speaker 1: a year? You know that's ridiculous. Well, the thing is, 213 00:11:16,200 --> 00:11:19,679 Speaker 1: this music has to be licensed, um, because the artists 214 00:11:19,720 --> 00:11:24,200 Speaker 1: are supposedly getting paid for songs that are getting played 215 00:11:24,240 --> 00:11:26,440 Speaker 1: on internet radio stations as well as satellite radio as 216 00:11:26,480 --> 00:11:30,199 Speaker 1: well as terrestrial radio. Um. The internet radio in particular 217 00:11:30,240 --> 00:11:34,000 Speaker 1: has been an issue, right, internet radio royalties. It's a 218 00:11:34,040 --> 00:11:38,080 Speaker 1: performance piece. I mean, you are whereas the band itself 219 00:11:38,160 --> 00:11:42,560 Speaker 1: is not performing the song, your service is performing the 220 00:11:42,640 --> 00:11:45,080 Speaker 1: song in lieu of the band, and and therefore the 221 00:11:45,120 --> 00:11:48,080 Speaker 1: band should be able to be compensated for that performance. Right. 222 00:11:48,160 --> 00:11:49,600 Speaker 1: And it's not just the band, it's also the music 223 00:11:49,679 --> 00:11:51,760 Speaker 1: label all that kind of stuff too. Studio write, the 224 00:11:51,800 --> 00:11:55,880 Speaker 1: writers and the performers, and uh, as somebody registered with 225 00:11:55,920 --> 00:11:58,920 Speaker 1: one of the music performance services, you know, I'm happy 226 00:11:59,000 --> 00:12:02,840 Speaker 1: to see that they're you know, paying attention to that. However, 227 00:12:03,240 --> 00:12:05,719 Speaker 1: they have to license this stuff, and as part of 228 00:12:05,760 --> 00:12:10,160 Speaker 1: their license there are certain terms and conditions, uh that 229 00:12:10,320 --> 00:12:13,040 Speaker 1: they have to meet. One of those big ones is 230 00:12:13,080 --> 00:12:16,600 Speaker 1: that you are not allowed to play a song on demand, Like, 231 00:12:16,679 --> 00:12:19,040 Speaker 1: you can't just pick a song and say I want 232 00:12:19,080 --> 00:12:22,200 Speaker 1: to hear this right now on Pandora, and that's what 233 00:12:22,240 --> 00:12:24,360 Speaker 1: I want to hear, and that's all that I'm interested in. 234 00:12:24,679 --> 00:12:27,959 Speaker 1: Pandora's not a play for on demand service like that, 235 00:12:28,360 --> 00:12:31,600 Speaker 1: So you couldn't say I want to hear meat loafs. 236 00:12:31,679 --> 00:12:33,480 Speaker 1: I will do anything for love, but I won't do 237 00:12:33,520 --> 00:12:35,839 Speaker 1: that because I've got twenty seven minutes to kill and 238 00:12:35,920 --> 00:12:38,600 Speaker 1: I'd really like to hear some melodramatic music. Um. I mean, 239 00:12:38,679 --> 00:12:40,840 Speaker 1: you could say it, but it's not gonna happen because 240 00:12:40,920 --> 00:12:44,679 Speaker 1: Pandora doesn't work that way. Uh. And you also can't 241 00:12:44,720 --> 00:12:47,760 Speaker 1: rewind and listen to something that you just listen to. Uh. 242 00:12:47,840 --> 00:12:50,800 Speaker 1: That that's also part of the part of the agreement 243 00:12:51,000 --> 00:12:55,640 Speaker 1: with You can pause it, you just can't rewind. Um. 244 00:12:55,679 --> 00:12:58,560 Speaker 1: I mean, now, if you did accidentally thumbs down a song, 245 00:12:58,679 --> 00:13:00,679 Speaker 1: you can go back and give the thumbs up, but 246 00:13:00,720 --> 00:13:03,040 Speaker 1: it's not gonna play it again. It's just gonna switch 247 00:13:03,120 --> 00:13:05,720 Speaker 1: it in the database so that so that it will 248 00:13:05,760 --> 00:13:10,559 Speaker 1: eventually play it further down. But um, yeah, these are 249 00:13:10,880 --> 00:13:14,120 Speaker 1: terms that Pandora had to agree to in order to 250 00:13:14,200 --> 00:13:16,520 Speaker 1: get a deal to be able to to present this 251 00:13:16,600 --> 00:13:20,200 Speaker 1: music in the first place. And for a while things 252 00:13:20,200 --> 00:13:22,920 Speaker 1: were actually looking pretty grim for Pandora and other internet 253 00:13:23,000 --> 00:13:28,439 Speaker 1: radio stations because they were being held to pretty extreme 254 00:13:29,240 --> 00:13:32,160 Speaker 1: um conditions as far as you know how much money 255 00:13:32,200 --> 00:13:35,760 Speaker 1: they had to pay uh to be able to play music. 256 00:13:36,000 --> 00:13:37,320 Speaker 1: For a while, it looked like it was going to 257 00:13:37,360 --> 00:13:42,000 Speaker 1: be a per performance, per person model, which means that 258 00:13:42,080 --> 00:13:45,640 Speaker 1: every time someone listens to a certain song on Pandora, 259 00:13:46,000 --> 00:13:47,920 Speaker 1: Pandora would have to pay for that. Now it's more 260 00:13:47,960 --> 00:13:52,439 Speaker 1: of a kind of more like a very broad spectrum 261 00:13:52,440 --> 00:13:55,920 Speaker 1: where you're you're paying a lump sum in order to 262 00:13:56,000 --> 00:13:58,480 Speaker 1: have the right to play certain kinds of music. So 263 00:13:58,520 --> 00:14:00,880 Speaker 1: it's no longer every single time I'm the song place 264 00:14:00,960 --> 00:14:03,520 Speaker 1: you pay up. It's you pay this lump sum to 265 00:14:03,640 --> 00:14:06,880 Speaker 1: the industry and then you're allowed to play the music. Yes, 266 00:14:07,520 --> 00:14:09,360 Speaker 1: which is great because if it had been the other way, 267 00:14:09,360 --> 00:14:13,760 Speaker 1: Pandora might not even be around anymore currently as far 268 00:14:13,840 --> 00:14:19,040 Speaker 1: as the royalties situation goes, um, you can be a 269 00:14:19,040 --> 00:14:22,480 Speaker 1: Pandora account holder and listen for up to forty hours 270 00:14:22,480 --> 00:14:25,440 Speaker 1: a month for free, right um. If you go over that, 271 00:14:25,800 --> 00:14:28,480 Speaker 1: then they'll charge you a month if you want to 272 00:14:28,560 --> 00:14:29,720 Speaker 1: and for the rest of the month if you want 273 00:14:29,720 --> 00:14:32,520 Speaker 1: to keep listening. UM, or you can pay for Pandora one, 274 00:14:32,560 --> 00:14:34,320 Speaker 1: which is the service I was telling you about a 275 00:14:34,320 --> 00:14:37,960 Speaker 1: moment ago um which uh it's thirty six dollars a year. 276 00:14:38,000 --> 00:14:40,640 Speaker 1: Gives you also some other perks. Uh. You don't see 277 00:14:40,640 --> 00:14:43,520 Speaker 1: any ads on the page anymore. Um. Also you get 278 00:14:43,960 --> 00:14:46,160 Speaker 1: a higher quality of audio. The normal bit rate I 279 00:14:46,160 --> 00:14:50,320 Speaker 1: believe is kvps and um that goes up to one 280 00:14:50,960 --> 00:14:54,320 Speaker 1: for for the higher quality, and you get um. You 281 00:14:54,360 --> 00:14:56,760 Speaker 1: know that you don't have to to deal with so 282 00:14:56,800 --> 00:15:00,400 Speaker 1: many Hey what do you do? And are you still listening? Um? 283 00:15:00,440 --> 00:15:03,520 Speaker 1: Hey excuse me little alerts? Yeah, where just the music 284 00:15:03,600 --> 00:15:05,240 Speaker 1: just suddenly stops and then you have to go over 285 00:15:05,320 --> 00:15:08,840 Speaker 1: and actively click on something so that Pandora will keep playing. Well, 286 00:15:08,840 --> 00:15:11,400 Speaker 1: they don't want to be paying royalties for songs if 287 00:15:11,440 --> 00:15:13,800 Speaker 1: no one is. Actually are they still doing that? Yes, 288 00:15:13,800 --> 00:15:15,720 Speaker 1: they are still doing I wasn't sure I have that 289 00:15:16,000 --> 00:15:17,600 Speaker 1: I have that thing going on. I haven't had I 290 00:15:17,640 --> 00:15:20,600 Speaker 1: haven't had Pandora play for that long a time, and 291 00:15:20,680 --> 00:15:22,720 Speaker 1: so such a long time that I haven't and I 292 00:15:22,760 --> 00:15:25,880 Speaker 1: haven't noticed it recently. And I'll listen to Pandora, but 293 00:15:25,920 --> 00:15:30,040 Speaker 1: I usually end up listening, you know, in half hour stints, 294 00:15:30,040 --> 00:15:34,200 Speaker 1: so I don't tend to encounter that very much. Well. Um, 295 00:15:34,360 --> 00:15:37,320 Speaker 1: so as far as the skipping goes, you can skip 296 00:15:37,400 --> 00:15:40,080 Speaker 1: up to I believe ten times an hour. No, six 297 00:15:40,240 --> 00:15:43,520 Speaker 1: six skips per hour, twelve per day if you're a 298 00:15:43,560 --> 00:15:46,480 Speaker 1: free user. If you if you're not in a particular station, 299 00:15:46,520 --> 00:15:50,720 Speaker 1: now yes, uh, twelve per day, no across all stations. 300 00:15:50,920 --> 00:15:53,280 Speaker 1: If you're a free list, if you're if you have 301 00:15:53,360 --> 00:15:56,160 Speaker 1: the free account. Um, yeah, because I actually went to 302 00:15:56,160 --> 00:15:58,080 Speaker 1: the fact to look this up. If you're if you 303 00:15:58,120 --> 00:16:00,840 Speaker 1: have a free Pandora account, you are limited to six 304 00:16:00,920 --> 00:16:04,000 Speaker 1: skips per hour per station, so that that might be 305 00:16:04,040 --> 00:16:06,680 Speaker 1: what you're thinking of, that six per hour per station, 306 00:16:06,760 --> 00:16:11,760 Speaker 1: but total if you're a free user, now only partially wrong, right. 307 00:16:12,240 --> 00:16:14,720 Speaker 1: If you're a Pandora one user, so you're paying the 308 00:16:14,760 --> 00:16:19,000 Speaker 1: three six dollars a year, Uh, you don't have a 309 00:16:19,080 --> 00:16:21,960 Speaker 1: maximum number of skips that you per day. You can 310 00:16:22,000 --> 00:16:23,920 Speaker 1: skip as many times as you want, but you're still 311 00:16:24,000 --> 00:16:27,280 Speaker 1: limited to six per hour per station, So you can't. 312 00:16:27,480 --> 00:16:31,080 Speaker 1: You can't just keep on skipping songs, you know forever. 313 00:16:31,280 --> 00:16:33,520 Speaker 1: You you do run out? Now, if you have a 314 00:16:33,560 --> 00:16:36,800 Speaker 1: hundred stations, and you know, you know, if you make 315 00:16:36,840 --> 00:16:39,640 Speaker 1: a hundred of the same station, then you theoretically will 316 00:16:39,680 --> 00:16:41,480 Speaker 1: eventually hear the songs you want to hear just by 317 00:16:41,600 --> 00:16:43,240 Speaker 1: keep on skipping and then go to the next station 318 00:16:43,280 --> 00:16:49,360 Speaker 1: and continue skipping. So uh but yeah, again that's part 319 00:16:49,360 --> 00:16:53,520 Speaker 1: of the licensing agreement um with the music industry. I mean, 320 00:16:53,720 --> 00:16:56,400 Speaker 1: Pandora Radio has to play ball. If it doesn't, then 321 00:16:56,440 --> 00:16:59,400 Speaker 1: they don't have any content. And as for content, actually 322 00:16:59,440 --> 00:17:02,000 Speaker 1: I looked up again in their fact and it says 323 00:17:02,120 --> 00:17:05,280 Speaker 1: currently they have around three quarters of a million songs 324 00:17:05,280 --> 00:17:08,280 Speaker 1: in their database, so seven fifty thousand songs. And that's 325 00:17:08,280 --> 00:17:11,040 Speaker 1: of course across multiple genres. Oh and you know, we 326 00:17:11,040 --> 00:17:14,119 Speaker 1: were talking about the whole the different qualities that songs have. 327 00:17:14,760 --> 00:17:16,560 Speaker 1: I meant to mention this too. I thought it was 328 00:17:16,640 --> 00:17:21,120 Speaker 1: really interesting that they don't use the full set of 329 00:17:21,119 --> 00:17:24,600 Speaker 1: of of attributes for every single song, you know, they don't. 330 00:17:24,880 --> 00:17:28,520 Speaker 1: They don't break it down to four categories or whatever. Uh. 331 00:17:28,640 --> 00:17:34,400 Speaker 1: Certain genres have their own um attributes. So for example, 332 00:17:34,840 --> 00:17:39,480 Speaker 1: rap might have East Coast versus West Coast inspired rap. 333 00:17:40,240 --> 00:17:44,480 Speaker 1: The rap songs tend to have more lyrically based criteria 334 00:17:44,560 --> 00:17:47,520 Speaker 1: than you would see in other songs, because rap is 335 00:17:48,200 --> 00:17:52,920 Speaker 1: very much focused on the lyrics. Yes, so depending upon 336 00:17:52,920 --> 00:17:56,200 Speaker 1: the genre that you're listening to, you'll have a different 337 00:17:56,200 --> 00:17:58,679 Speaker 1: set of criteria that that song is going to be 338 00:17:58,880 --> 00:18:01,600 Speaker 1: uh classified us and then or you know that they 339 00:18:01,680 --> 00:18:05,240 Speaker 1: used to classify that song rather and uh so that 340 00:18:05,240 --> 00:18:06,840 Speaker 1: that's what they're looking at when they're going to be 341 00:18:06,840 --> 00:18:11,040 Speaker 1: pulling up the next one on the list. Uh. I 342 00:18:11,640 --> 00:18:13,960 Speaker 1: I found Pandora to be pretty much the one of 343 00:18:14,000 --> 00:18:16,919 Speaker 1: the coolest sites on the net. I mean, it's one 344 00:18:16,920 --> 00:18:20,439 Speaker 1: of the ones that I tend to rely on whenever, 345 00:18:20,800 --> 00:18:23,160 Speaker 1: you know, especially if I'm working from home. I've got 346 00:18:23,160 --> 00:18:26,840 Speaker 1: Pandora on my this is like plug Orama, but I've 347 00:18:26,840 --> 00:18:30,000 Speaker 1: got to Pandora Radio on my Roku and so I'll 348 00:18:30,040 --> 00:18:32,679 Speaker 1: just switch it over to my Avenue Q station so 349 00:18:32,720 --> 00:18:35,760 Speaker 1: I can, you know, do jazz hands between writing articles. 350 00:18:36,080 --> 00:18:43,840 Speaker 1: This is almost almost not a lie. Um, So I 351 00:18:43,920 --> 00:18:46,840 Speaker 1: didn't need to know that. Um. Actually that brings up 352 00:18:46,840 --> 00:18:51,040 Speaker 1: a good point. One thing that's uh. One thing they're 353 00:18:51,040 --> 00:18:54,520 Speaker 1: playing ball especially has allowed Pandora to do is they've 354 00:18:54,560 --> 00:19:00,320 Speaker 1: gotten themselves into a number of pretty cool partnerships. Um. 355 00:19:00,400 --> 00:19:02,840 Speaker 1: Not only with with Roku, but um, of course there 356 00:19:02,880 --> 00:19:06,679 Speaker 1: are applications for Android and the iPhone OS. I was 357 00:19:06,800 --> 00:19:10,120 Speaker 1: so happy when they finally got the Android app out there. 358 00:19:10,160 --> 00:19:12,479 Speaker 1: That the iPhone app had been out for several months 359 00:19:12,600 --> 00:19:16,040 Speaker 1: before it finally came to Android, but that I thought 360 00:19:16,680 --> 00:19:18,800 Speaker 1: that was where I said, you know, these guys not 361 00:19:18,800 --> 00:19:22,320 Speaker 1: only get the music classification game, they get the app 362 00:19:22,359 --> 00:19:24,760 Speaker 1: game because they understand that this is where the futures 363 00:19:24,800 --> 00:19:27,080 Speaker 1: headed and they got on board as fast as they 364 00:19:27,119 --> 00:19:29,760 Speaker 1: possibly could, which I mean that that's shows a very 365 00:19:29,760 --> 00:19:33,000 Speaker 1: forward thinking company too. Yep, yep. And there you know, 366 00:19:33,040 --> 00:19:35,400 Speaker 1: it's not limited to uh to the mobile devices either. 367 00:19:35,440 --> 00:19:39,040 Speaker 1: They've got a lot of home based while Roku, but 368 00:19:39,040 --> 00:19:42,679 Speaker 1: they've also got other home based appliances as well, some 369 00:19:42,720 --> 00:19:45,639 Speaker 1: of the internet radio tuners that are out there in 370 00:19:45,720 --> 00:19:49,480 Speaker 1: stereo systems um plus. I believe the new tvo UM 371 00:19:49,720 --> 00:19:54,359 Speaker 1: is going to have Pandora capability embedded into it. And 372 00:19:54,520 --> 00:19:56,560 Speaker 1: they you know, they've done a lot to to try 373 00:19:56,640 --> 00:19:59,080 Speaker 1: to reach out to different kinds of outlets, so it's 374 00:19:59,080 --> 00:20:02,280 Speaker 1: not just the desktop computer um where you're going to 375 00:20:02,280 --> 00:20:04,520 Speaker 1: see that, and I think they've been more successful at 376 00:20:04,520 --> 00:20:06,680 Speaker 1: that than a lot of the other Internet radio stations, 377 00:20:06,720 --> 00:20:09,800 Speaker 1: although um, there are others who have their own apps 378 00:20:09,960 --> 00:20:13,000 Speaker 1: out and uh, you know, but they're they're not quite 379 00:20:13,000 --> 00:20:17,560 Speaker 1: as as adept at making those connections, those business connections released. 380 00:20:17,760 --> 00:20:21,879 Speaker 1: They may have gotten beaten to it if Pandora's gotten exclusive, 381 00:20:22,480 --> 00:20:28,000 Speaker 1: right And uh uh have you discovered any cool new 382 00:20:28,119 --> 00:20:32,840 Speaker 1: artists or people you were not familiar with through pandora UM? 383 00:20:32,920 --> 00:20:36,080 Speaker 1: In In some cases yes, especially as I started to 384 00:20:36,160 --> 00:20:40,440 Speaker 1: explore UM jazz because it's something I've gradually been getting 385 00:20:40,440 --> 00:20:43,159 Speaker 1: into over the past couple of years. And um, so 386 00:20:43,200 --> 00:20:45,880 Speaker 1: I started a couple of different jazz stations in UM 387 00:20:46,240 --> 00:20:50,680 Speaker 1: Symphonic Music Stations UM and gradually have made notes of 388 00:20:50,880 --> 00:20:54,960 Speaker 1: different composers and artists that that I like, um, you know, 389 00:20:55,000 --> 00:20:57,560 Speaker 1: over the past couple of years, just doing that because 390 00:20:58,080 --> 00:21:00,760 Speaker 1: I don't know about about you, But speaking for myself, 391 00:21:00,760 --> 00:21:03,080 Speaker 1: when I'm editing articles, I find it difficult to listen 392 00:21:03,119 --> 00:21:06,240 Speaker 1: to a lot of music with lyrics in it, although 393 00:21:06,240 --> 00:21:07,800 Speaker 1: I can listen to music, so if I can listen 394 00:21:07,800 --> 00:21:10,040 Speaker 1: to instrumental stuff, UM, I sort of gave me an 395 00:21:10,040 --> 00:21:13,560 Speaker 1: opportunity to explore those genres and you know, every once, 396 00:21:13,840 --> 00:21:16,119 Speaker 1: but the problem is, uh, you can find out exactly 397 00:21:16,119 --> 00:21:19,720 Speaker 1: who it is, so uh, suddenly I'll have to stop 398 00:21:19,760 --> 00:21:22,600 Speaker 1: what I'm doing and go, you know, bookmark the artist, 399 00:21:22,640 --> 00:21:24,879 Speaker 1: which is kind of cool. They've got you know, Facebook integration. 400 00:21:25,280 --> 00:21:28,960 Speaker 1: You could share that with your your friends on Facebook. Um, 401 00:21:29,000 --> 00:21:31,200 Speaker 1: and you can even purchase songs, and you can purchase 402 00:21:31,280 --> 00:21:34,840 Speaker 1: songs too, which is good because you know, it's an 403 00:21:34,880 --> 00:21:38,960 Speaker 1: opportunity to learn more about music. It's not just entertainment. Yeah, 404 00:21:39,800 --> 00:21:42,639 Speaker 1: there's one artist in particular that I wanted to quickly 405 00:21:42,720 --> 00:21:45,640 Speaker 1: mention and this was This was from it was off 406 00:21:45,720 --> 00:21:48,240 Speaker 1: my my radio station that was based off Jonathan Colton, 407 00:21:48,840 --> 00:21:52,720 Speaker 1: who of course is the the Internet geek music god 408 00:21:53,600 --> 00:21:57,440 Speaker 1: code Monkey himself or r E or Brains or skull 409 00:21:57,480 --> 00:21:59,960 Speaker 1: Crusher Mountain, one of those three tends to be most 410 00:22:00,000 --> 00:22:03,520 Speaker 1: people's favorites. Um. I was listening to the station and 411 00:22:03,560 --> 00:22:06,120 Speaker 1: there was a an artist who came up named Mark 412 00:22:06,160 --> 00:22:10,520 Speaker 1: Aaron James, and uh, if you haven't heard him, I 413 00:22:10,600 --> 00:22:13,320 Speaker 1: recommend checking it out if you like geeky type stuff. 414 00:22:13,359 --> 00:22:16,280 Speaker 1: He has a great song called Aqua Aqua Man's Lament, 415 00:22:17,119 --> 00:22:20,480 Speaker 1: which is Aqua Man singing to Vicky vale A k a, 416 00:22:20,800 --> 00:22:25,240 Speaker 1: one of Batman's love interests. And uh, that song pretty 417 00:22:25,320 --> 00:22:27,400 Speaker 1: much convinced me that Pandora was the greatest thing ever, 418 00:22:27,440 --> 00:22:30,560 Speaker 1: because I would have never come across this guy on 419 00:22:30,640 --> 00:22:32,199 Speaker 1: my own, you know, it would have just been a 420 00:22:32,240 --> 00:22:36,320 Speaker 1: you know, incredible happy accident otherwise. So, uh, and that's 421 00:22:36,359 --> 00:22:38,639 Speaker 1: just one example. I mean, granted, I've heard tons and 422 00:22:38,680 --> 00:22:40,720 Speaker 1: tons of different stuff. I've been introduced to shows I 423 00:22:40,720 --> 00:22:44,479 Speaker 1: didn't know about through my punk rock station, I mean 424 00:22:44,600 --> 00:22:48,960 Speaker 1: avenue queue. And that's one of the benefits of doing 425 00:22:49,000 --> 00:22:52,520 Speaker 1: this and and listening to stations like or you know, 426 00:22:52,560 --> 00:22:54,800 Speaker 1: different internet radio stations. And I found the same kind 427 00:22:54,880 --> 00:22:57,760 Speaker 1: of thing with satellite radio many years ago, is that 428 00:22:57,840 --> 00:23:00,400 Speaker 1: they're you know, because they're not driven by the same 429 00:23:00,440 --> 00:23:03,840 Speaker 1: interests that terrestrial radio is. You know, the standard, uh, 430 00:23:04,040 --> 00:23:06,840 Speaker 1: turn on your radio and that's what you get, hundred 431 00:23:06,960 --> 00:23:09,360 Speaker 1: song playlist and they're just gonna keep on shuffling through 432 00:23:09,400 --> 00:23:11,159 Speaker 1: it over and over and over again. Yeah, you just 433 00:23:11,240 --> 00:23:14,160 Speaker 1: you just don't find it with those those types of stations, 434 00:23:14,160 --> 00:23:17,800 Speaker 1: at least not in in this part of uh the century. 435 00:23:18,480 --> 00:23:20,760 Speaker 1: It wasn't it wasn't always that way, but um so 436 00:23:20,840 --> 00:23:22,679 Speaker 1: I think internet radio is really good for that, and 437 00:23:22,720 --> 00:23:26,359 Speaker 1: specifically Pandora and the ability to bookmark artists and and 438 00:23:26,400 --> 00:23:28,320 Speaker 1: the fact that they've got the information about them, they 439 00:23:28,640 --> 00:23:31,840 Speaker 1: carry a lot of biographical information about them. Um, you 440 00:23:31,920 --> 00:23:33,920 Speaker 1: might be able to find out other artists who influenced 441 00:23:33,920 --> 00:23:36,000 Speaker 1: them and explore them as well, which I think is 442 00:23:36,000 --> 00:23:39,160 Speaker 1: a boon to people who really like music, especially different 443 00:23:39,240 --> 00:23:41,719 Speaker 1: kinds of music, because you might find that there are 444 00:23:41,720 --> 00:23:46,000 Speaker 1: connections between musicians that you would not necessarily expect. Yeah, 445 00:23:46,000 --> 00:23:48,320 Speaker 1: it's a good way of discovering all those bands that 446 00:23:48,440 --> 00:23:54,080 Speaker 1: bands other bands, uh site as as big influencers that 447 00:23:54,480 --> 00:23:57,719 Speaker 1: never seemed to get any real attention outside of the 448 00:23:57,760 --> 00:24:02,240 Speaker 1: immediate music industry. So I mean there are hundreds of 449 00:24:02,280 --> 00:24:05,600 Speaker 1: those like came to mind. The first one I think 450 00:24:05,600 --> 00:24:08,080 Speaker 1: of as the Band, which you know a lot of 451 00:24:08,080 --> 00:24:10,480 Speaker 1: people know about the band now, especially if you listen 452 00:24:10,560 --> 00:24:12,200 Speaker 1: to stuff from the B side because they talked about 453 00:24:12,240 --> 00:24:16,239 Speaker 1: them all the time. But the band, that's that's one 454 00:24:16,280 --> 00:24:19,080 Speaker 1: of those groups that all these different musicians cite as 455 00:24:19,119 --> 00:24:23,600 Speaker 1: a big influence on their music. But um, in general 456 00:24:24,040 --> 00:24:26,480 Speaker 1: you might say that that you know, their fame was 457 00:24:26,560 --> 00:24:29,640 Speaker 1: mostly contained in the music industry. I mean, they they 458 00:24:29,680 --> 00:24:33,000 Speaker 1: had more success than just that obviously, but it's a 459 00:24:33,000 --> 00:24:36,960 Speaker 1: good example. Well, I guess that wraps up the discussion 460 00:24:36,960 --> 00:24:39,719 Speaker 1: on Pandora Radio. Justin thanks a lot for writing in. 461 00:24:40,119 --> 00:24:41,480 Speaker 1: That was a fun one for us to talk about 462 00:24:41,520 --> 00:24:44,919 Speaker 1: because we both really do like the website. And if 463 00:24:44,960 --> 00:24:48,560 Speaker 1: any of you guys heard that wasn't clear, uh so, 464 00:24:48,720 --> 00:24:52,400 Speaker 1: rush out and make an account now. Um, if any 465 00:24:52,440 --> 00:24:56,440 Speaker 1: of you have any questions about websites technology you know 466 00:24:56,680 --> 00:24:59,359 Speaker 1: that thing that's making that weird noise in your computer? Okay, 467 00:24:59,440 --> 00:25:01,920 Speaker 1: not the last, but if you have general questions about 468 00:25:01,920 --> 00:25:06,439 Speaker 1: technology and computers, website second thing, write us. Our email 469 00:25:06,440 --> 00:25:09,399 Speaker 1: adjust is tech Stuff at how supports dot com and 470 00:25:09,480 --> 00:25:11,600 Speaker 1: Chris and I will talk to you again really soon 471 00:25:15,400 --> 00:25:17,240 Speaker 1: if you're a tech stuff and be sure to check 472 00:25:17,280 --> 00:25:21,000 Speaker 1: us out on Twitter Text Stuff hs ws r handle 473 00:25:21,040 --> 00:25:23,560 Speaker 1: and you can also find us on Facebook at Facebook 474 00:25:23,600 --> 00:25:28,000 Speaker 1: dot com slash tech Stuff h s W for more 475 00:25:28,000 --> 00:25:30,320 Speaker 1: on this and thousands of other topics because it how 476 00:25:30,359 --> 00:25:32,760 Speaker 1: stuff works dot com. And be sure to check out 477 00:25:32,800 --> 00:25:34,920 Speaker 1: the new tech stuff blog now on the how Stuff 478 00:25:34,960 --> 00:25:42,560 Speaker 1: Works homepage. Brought to you by the reinvented two thousand 479 00:25:42,560 --> 00:25:44,760 Speaker 1: twelve camera. 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