1 00:00:00,120 --> 00:00:02,480 Speaker 1: Hey Disco's You can listen to an extended version of 2 00:00:02,520 --> 00:00:06,240 Speaker 1: this after party episode by becoming a member of Disgraceland 3 00:00:06,440 --> 00:00:11,360 Speaker 1: All Access. Just go to disgracelandpod dot com slash membership 4 00:00:11,400 --> 00:00:15,320 Speaker 1: for more details and to sign up. Hey, what's up, everybody? 5 00:00:15,360 --> 00:00:18,400 Speaker 1: Welcome to Disgraceland, which is brought to you by Double Elvis. 6 00:00:18,720 --> 00:00:21,080 Speaker 1: This week, we have a brand new episode on jose 7 00:00:21,200 --> 00:00:24,400 Speaker 1: Canseco that's in our Disgraceland feed and for our all 8 00:00:24,440 --> 00:00:28,440 Speaker 1: Access members in our Patreon and Apple subscription feeds. If 9 00:00:28,480 --> 00:00:30,440 Speaker 1: you haven't heard our recent episode on Chris Cornell, you 10 00:00:30,440 --> 00:00:33,000 Speaker 1: can check that out now over there. Make sure you're 11 00:00:33,040 --> 00:00:35,760 Speaker 1: all signed up for our all Access content either on 12 00:00:35,840 --> 00:00:38,680 Speaker 1: Apple Podcasts or on Patreon to hear that Chris Cornell 13 00:00:38,720 --> 00:00:41,640 Speaker 1: episode along with any other exclusive episodes and content that 14 00:00:41,640 --> 00:00:43,920 Speaker 1: we have over there. Got a new exclusive episode on 15 00:00:43,920 --> 00:00:46,760 Speaker 1: Waylon Jennings coming in just a few weeks, and over 16 00:00:46,840 --> 00:00:49,680 Speaker 1: in the feed for the Singer's Talk. That's the show 17 00:00:49,720 --> 00:00:52,440 Speaker 1: from my company Double Elvis in partnership with Volume dot 18 00:00:52,479 --> 00:00:55,680 Speaker 1: Com and which host Jason Thomas Gordon talks with some 19 00:00:55,720 --> 00:00:58,760 Speaker 1: of the most iconic singers about their voices. We have 20 00:00:58,800 --> 00:01:01,680 Speaker 1: a brand new episode this week with Belinda Carlisle of 21 00:01:01,760 --> 00:01:03,920 Speaker 1: the Go gos So Go. Check that out. All right, 22 00:01:03,960 --> 00:01:09,720 Speaker 1: that's the singer's talk. Hey discos, need a little more 23 00:01:09,720 --> 00:01:13,880 Speaker 1: Disgraceland in your life, just to touch to get you through. Yeah, 24 00:01:13,959 --> 00:01:17,440 Speaker 1: me too. This is the podcast that comes after the podcast. 25 00:01:17,880 --> 00:01:36,440 Speaker 1: Welcome to Disgraceland, the after party. Welcome to the Disgraceland 26 00:01:36,480 --> 00:01:39,160 Speaker 1: bonus episode, a little thing we like to call the 27 00:01:39,240 --> 00:01:42,120 Speaker 1: after party. This is the show after the show, the 28 00:01:42,120 --> 00:01:44,360 Speaker 1: party after the party, the bridge to get you from 29 00:01:44,360 --> 00:01:47,520 Speaker 1: one full episode of Disgraceland to the other, the backyard 30 00:01:47,560 --> 00:01:50,480 Speaker 1: to dig into the dirt. On this bonus episode, we 31 00:01:50,600 --> 00:01:53,440 Speaker 1: are talking about this week's brand new full episode on 32 00:01:53,560 --> 00:01:56,680 Speaker 1: jose Canseco, the sources that we used which helped us 33 00:01:56,760 --> 00:01:59,680 Speaker 1: uncover many wild stories that we weren't able to fit 34 00:02:00,040 --> 00:02:03,559 Speaker 1: the actual episode. We're talking about Doc Ellis is no hitter. 35 00:02:03,640 --> 00:02:06,280 Speaker 1: We're talking about athletes that could have been rock stars, 36 00:02:06,280 --> 00:02:09,440 Speaker 1: and of course we've got your voicemails and texts and 37 00:02:09,600 --> 00:02:12,960 Speaker 1: as always, a whole lot of rosy. All right, just goes, 38 00:02:13,320 --> 00:02:29,359 Speaker 1: let's get into it. Jose Canseco was more like a 39 00:02:29,440 --> 00:02:32,160 Speaker 1: superhero cartoon character to me growing up that he was 40 00:02:32,200 --> 00:02:34,880 Speaker 1: a baseball player. We didn't know it then, but we 41 00:02:35,000 --> 00:02:38,960 Speaker 1: know now that he was the avatar for steroid abuse 42 00:02:39,560 --> 00:02:44,600 Speaker 1: in the MLB, and that, of course is mightily disgraceful, 43 00:02:44,680 --> 00:02:48,639 Speaker 1: but selfishly speaking from where I sit now. From here, 44 00:02:49,080 --> 00:02:51,720 Speaker 1: Jose Cantaco's antics, which we detail in this week's full 45 00:02:51,720 --> 00:02:54,880 Speaker 1: episode of Disgrace and gave us one of the greatest 46 00:02:54,919 --> 00:02:58,760 Speaker 1: characters in sports history. So for that, I'm thankful. I'm 47 00:02:58,760 --> 00:03:02,639 Speaker 1: thankful for the steroids. But with Jose, you got the steroids, 48 00:03:02,680 --> 00:03:06,160 Speaker 1: the body, the looks madonna, baseball's bouncing off of his 49 00:03:06,240 --> 00:03:09,480 Speaker 1: head in the outfield, forty homers, forty stolen bases, all 50 00:03:09,480 --> 00:03:11,760 Speaker 1: in the same season, and then you got all the 51 00:03:11,760 --> 00:03:15,760 Speaker 1: public relations drama ratting out other ballplayers. If you wrote 52 00:03:15,760 --> 00:03:18,239 Speaker 1: about the character Jose can Teco in the screenplay, you'd 53 00:03:18,280 --> 00:03:21,880 Speaker 1: likely never sell it because it's all just too unbelievable, 54 00:03:22,480 --> 00:03:25,840 Speaker 1: And there are many, many, many unbelievable characters in stories 55 00:03:25,880 --> 00:03:29,200 Speaker 1: from baseball's history and just sports history in general. I 56 00:03:29,280 --> 00:03:32,040 Speaker 1: was thinking about the Jose this week, of course, and 57 00:03:32,160 --> 00:03:36,320 Speaker 1: that got me into a wormhole on strange and dark 58 00:03:36,360 --> 00:03:39,840 Speaker 1: stories from baseball history, and I came upon the story 59 00:03:39,840 --> 00:03:43,000 Speaker 1: a story i'd heard, I'd heard before mentioned. I'd never 60 00:03:43,040 --> 00:03:45,160 Speaker 1: really read about it, something that had come up at 61 00:03:45,160 --> 00:03:49,240 Speaker 1: parties before, way before my time. But I'd heard mention 62 00:03:49,400 --> 00:03:52,200 Speaker 1: of this story before. The story of Doc Ellis from 63 00:03:52,240 --> 00:03:55,600 Speaker 1: the Pittsburgh Pirates who threw a no hitter fifty four 64 00:03:55,680 --> 00:03:58,040 Speaker 1: years ago just happens to be fifty four years ago 65 00:03:58,160 --> 00:04:02,480 Speaker 1: this week, on June twelfth, nineteen sev Now, lots of 66 00:04:02,480 --> 00:04:05,720 Speaker 1: pictures have thrown no hitters, but Doc Ellis threw his 67 00:04:06,000 --> 00:04:09,440 Speaker 1: no hitter in nineteen seventy while tripping his brains out 68 00:04:09,560 --> 00:04:14,040 Speaker 1: on LSD. I'm sorry, it just sounds funny coming out 69 00:04:14,080 --> 00:04:18,039 Speaker 1: of my mouth. As the story goes, Doc was hanging 70 00:04:18,080 --> 00:04:20,520 Speaker 1: out with a friend in Los Angeles while the Pirates 71 00:04:20,520 --> 00:04:23,120 Speaker 1: were in Southern California to take on the Padres in 72 00:04:23,240 --> 00:04:26,000 Speaker 1: San Diego. So Doc wakes up in his friend's apartment 73 00:04:26,080 --> 00:04:29,960 Speaker 1: after a day of tripping on LSD, and he found 74 00:04:29,960 --> 00:04:32,760 Speaker 1: the stash, and he decided to drop another hit. Now 75 00:04:32,760 --> 00:04:37,279 Speaker 1: this is before he realized, apparently that he was that 76 00:04:37,480 --> 00:04:41,440 Speaker 1: day's starter for the Pittsburgh Pirates versus the San Diego Padres. 77 00:04:41,520 --> 00:04:44,600 Speaker 1: So he drops the acid unwittingly knowing that he's pitching 78 00:04:44,640 --> 00:04:47,120 Speaker 1: that day. But then he finds out, I guess, and 79 00:04:47,160 --> 00:04:49,120 Speaker 1: he high tails it down to San Diego. He barely 80 00:04:49,160 --> 00:04:51,280 Speaker 1: makes it in time to the game. I mean, honestly, 81 00:04:51,279 --> 00:04:52,719 Speaker 1: it's a miracle that he even made it to the 82 00:04:52,760 --> 00:04:56,919 Speaker 1: stadium while tripping. You know, it's just it's impossible to 83 00:04:56,960 --> 00:05:01,320 Speaker 1: do anything. Anyway, he made it, and he made his 84 00:05:01,360 --> 00:05:04,600 Speaker 1: way into the starting lineup on the mound for the Pirates. 85 00:05:05,200 --> 00:05:10,320 Speaker 1: And that day his pitching was erratic but effective. Okay, 86 00:05:10,400 --> 00:05:14,360 Speaker 1: he walked eight through nine innings. Ok he walked eight batters, 87 00:05:14,760 --> 00:05:17,720 Speaker 1: he struck out six. He dodged balls that were put 88 00:05:17,800 --> 00:05:20,200 Speaker 1: into play that were nowhere near him. He claims that 89 00:05:20,240 --> 00:05:22,640 Speaker 1: he saw Jimmy Hendrick step into the batter's box wielding 90 00:05:22,640 --> 00:05:25,560 Speaker 1: a stratocaster for a bat and that he struck him out. 91 00:05:26,120 --> 00:05:28,680 Speaker 1: Doc hit a batter, but he did not give up 92 00:05:28,720 --> 00:05:33,440 Speaker 1: a hit remarkably. After all this, of course, doc ellis 93 00:05:33,920 --> 00:05:36,760 Speaker 1: possibly more famous for going on a year later to 94 00:05:36,800 --> 00:05:39,960 Speaker 1: win the World Series with the Pirates in nineteen seventy one. 95 00:05:40,520 --> 00:05:42,760 Speaker 1: He then retired in the early eighties, and he told 96 00:05:42,800 --> 00:05:45,599 Speaker 1: this story about pitching the no hitter on acid. This 97 00:05:45,720 --> 00:05:52,360 Speaker 1: remarkable story, of course, Doc has his detractors, those who 98 00:05:52,400 --> 00:05:55,080 Speaker 1: claim that he's full of shit, that this never happened, 99 00:05:55,080 --> 00:05:57,400 Speaker 1: that he made it all up. But if you listen 100 00:05:57,480 --> 00:05:59,640 Speaker 1: to Doc's depiction of how he felt that day on 101 00:05:59,680 --> 00:06:03,039 Speaker 1: the mound, and if you yourself have ever taken LSD, 102 00:06:03,320 --> 00:06:05,159 Speaker 1: you can't help but come away from his story with 103 00:06:05,200 --> 00:06:08,799 Speaker 1: a feeling of familiality and a belief that Doc's story 104 00:06:09,000 --> 00:06:14,200 Speaker 1: is true. I'm all for keeping baseball and sports in general, 105 00:06:14,360 --> 00:06:18,159 Speaker 1: just keeping it pure, keeping a level playing field. You know, 106 00:06:18,279 --> 00:06:21,400 Speaker 1: long before Doc Ellis and his LSD and Jose Canseco 107 00:06:21,440 --> 00:06:27,160 Speaker 1: and his steroids, drugs and or illicit substances, They've always 108 00:06:27,160 --> 00:06:30,359 Speaker 1: been part of the game and as such have given 109 00:06:30,440 --> 00:06:33,880 Speaker 1: us great stories. Now, Doc and Jose being of course, 110 00:06:33,920 --> 00:06:36,719 Speaker 1: exhibits A and B. Jose was a punk in a 111 00:06:36,720 --> 00:06:38,719 Speaker 1: lot of ways, like I said before, and like I 112 00:06:38,760 --> 00:06:41,560 Speaker 1: mentioned in the full episode, the ratting out of other players. 113 00:06:41,800 --> 00:06:44,720 Speaker 1: It's this brutal, you know. And Doc, on the other hand, 114 00:06:44,880 --> 00:06:47,080 Speaker 1: was punk rock. He was righteous, He was a true 115 00:06:47,160 --> 00:06:49,760 Speaker 1: rack on tour, you know, before punk Rock even existed. 116 00:06:50,040 --> 00:06:52,479 Speaker 1: He challenged the powers that be in baseball in the 117 00:06:52,480 --> 00:06:55,360 Speaker 1: best possible way, calling out the league for its then 118 00:06:55,400 --> 00:06:59,279 Speaker 1: systemic racism, refusing to conform as a player. Doc was 119 00:06:59,320 --> 00:07:01,880 Speaker 1: pretty punk rock, okay, again before we even had a 120 00:07:01,920 --> 00:07:04,600 Speaker 1: name for it, before punk existed, and he was definitely, 121 00:07:04,640 --> 00:07:07,200 Speaker 1: in his way a rock star. And it got me 122 00:07:07,240 --> 00:07:11,000 Speaker 1: thinking this obvious question, and I love this question, and 123 00:07:11,080 --> 00:07:13,640 Speaker 1: again it's it's an obvious thing to ask, but what 124 00:07:13,920 --> 00:07:18,880 Speaker 1: athletes would have made the best rock stars? What athletes 125 00:07:19,160 --> 00:07:21,640 Speaker 1: had that rock star vibe or have it can be 126 00:07:21,680 --> 00:07:23,640 Speaker 1: a current athlete as well. I can be any jock 127 00:07:23,680 --> 00:07:29,040 Speaker 1: from any era, Doc Ellis, Dennis Rodman, Patrick Mahomes, Deon Sanders, 128 00:07:29,080 --> 00:07:32,120 Speaker 1: of course, I mean Michael Jordan. Come on. I heard 129 00:07:32,120 --> 00:07:34,440 Speaker 1: someone in our Patreon chat today I asked this question 130 00:07:35,280 --> 00:07:38,440 Speaker 1: and someone remarked that Peyton and Eli Manning are the 131 00:07:38,560 --> 00:07:42,560 Speaker 1: Eddie and Alex van Halen of football, which I think 132 00:07:42,720 --> 00:07:44,640 Speaker 1: is a stretch, but I can kind of if I 133 00:07:44,800 --> 00:07:47,440 Speaker 1: bend my brain just right, I can kind of see 134 00:07:47,440 --> 00:07:49,720 Speaker 1: what they mean. But I want to know what you 135 00:07:49,760 --> 00:07:52,640 Speaker 1: guys think. Which athletes, let me know, six one seven 136 00:07:52,720 --> 00:07:56,040 Speaker 1: nine oh six six six three eight, which athletes do 137 00:07:56,120 --> 00:07:58,440 Speaker 1: you think could have been rock stars? Or just which 138 00:07:58,480 --> 00:08:01,840 Speaker 1: athletes embodied that or embody that rock star vibe? Six 139 00:08:01,960 --> 00:08:05,760 Speaker 1: one seven nine oh six six six three eight voicemail 140 00:08:05,760 --> 00:08:27,640 Speaker 1: and text I'll be back in a flash. So part 141 00:08:27,680 --> 00:08:29,880 Speaker 1: of the doc Ellis story that I uncovered today is 142 00:08:29,880 --> 00:08:32,960 Speaker 1: the story of how he gave back after he left baseball. 143 00:08:33,400 --> 00:08:36,080 Speaker 1: Doc Ellis was an addict, and he went through recovery 144 00:08:36,120 --> 00:08:38,760 Speaker 1: after retiring, and he started his second career as a 145 00:08:38,800 --> 00:08:41,520 Speaker 1: drug counselor with a focus on helping prisoners get clean. 146 00:08:42,120 --> 00:08:45,160 Speaker 1: I found the story to be super comforting, to be inspiring. 147 00:08:45,920 --> 00:08:47,160 Speaker 1: I don't know if you guys have heard me talking 148 00:08:47,200 --> 00:08:50,560 Speaker 1: about this lately, but it's something that's really occupying my brain. 149 00:08:50,920 --> 00:08:54,600 Speaker 1: I find myself seeking out these charitable stories of goodwill 150 00:08:55,480 --> 00:08:57,440 Speaker 1: when I'm in these dark story or coming out of 151 00:08:57,480 --> 00:09:01,679 Speaker 1: these dark story wormholes from listening to disgrace slam. More 152 00:09:01,720 --> 00:09:04,160 Speaker 1: often than not we hit a note of redemption and 153 00:09:04,200 --> 00:09:06,560 Speaker 1: the conclusion of our stories, but we seldom go deep 154 00:09:06,640 --> 00:09:09,560 Speaker 1: into the acts of grace demonstrated by these subjects, instead 155 00:09:09,559 --> 00:09:12,280 Speaker 1: of course focusing on the disgrace, but on my own 156 00:09:12,360 --> 00:09:14,720 Speaker 1: late at night, with the glow of the monitor, the 157 00:09:14,760 --> 00:09:17,840 Speaker 1: phone giving me a headache sort of, you know, just 158 00:09:17,960 --> 00:09:21,280 Speaker 1: fucking wrapped in the darkness of researching or writing another 159 00:09:21,280 --> 00:09:24,400 Speaker 1: episode about a disgraced figure from the dark side of entertainment. 160 00:09:24,760 --> 00:09:28,160 Speaker 1: I find myself, like I said, seeking these stories of 161 00:09:28,200 --> 00:09:32,680 Speaker 1: grace out. It's a salve, it's a cleanse. It's a 162 00:09:32,720 --> 00:09:35,920 Speaker 1: reminder that there is a lot of good in the world, 163 00:09:35,960 --> 00:09:39,360 Speaker 1: and the good goes unrecognized, the good goes unmentioned more 164 00:09:39,400 --> 00:09:42,160 Speaker 1: often than not. And I do believe, even though the 165 00:09:42,320 --> 00:09:45,800 Speaker 1: bad is being shouted at us by the loudest voices 166 00:09:45,840 --> 00:09:48,600 Speaker 1: in the room, I do truly believe that the good 167 00:09:49,040 --> 00:09:52,559 Speaker 1: outweighs the bad in this world. And when it came 168 00:09:52,600 --> 00:09:54,520 Speaker 1: to Doc Ellis, I was happy that I didn't even 169 00:09:54,600 --> 00:09:57,079 Speaker 1: have to dig too deep to find to find that good. 170 00:09:57,559 --> 00:09:59,640 Speaker 1: He's a fascinating guy and I encourage you to check 171 00:09:59,720 --> 00:10:01,920 Speaker 1: him out. Pretty sure I'll be doing an episode on 172 00:10:01,960 --> 00:10:05,800 Speaker 1: Doc at some point. Story is just too damn good now. 173 00:10:06,160 --> 00:10:09,920 Speaker 1: As for other stories beyond baseball, last week, we dealt 174 00:10:09,920 --> 00:10:12,480 Speaker 1: with the story of Tom Ripley in our first meeting 175 00:10:12,520 --> 00:10:16,400 Speaker 1: of the Disgraceland book Club. Okay, this thing's sprung up 176 00:10:16,440 --> 00:10:20,280 Speaker 1: on our Patreon chat and we all jumped on a 177 00:10:20,400 --> 00:10:22,880 Speaker 1: zoom last week and we had a great conversation about 178 00:10:23,000 --> 00:10:27,360 Speaker 1: Patricia high Smith and her novel, The Talented Mister Ripley. 179 00:10:27,440 --> 00:10:30,280 Speaker 1: We obviously got into the film with Jude Law and 180 00:10:30,280 --> 00:10:33,040 Speaker 1: Matt Damon, and we even talked about the Netflix series Ripley. 181 00:10:33,240 --> 00:10:36,480 Speaker 1: We're kind of in the Ripley universe. Great stories, great 182 00:10:36,520 --> 00:10:38,800 Speaker 1: stories there. I had a lot of fun doing this, guys, 183 00:10:39,160 --> 00:10:42,760 Speaker 1: if you're listening, thanks again. It was a blast to 184 00:10:42,800 --> 00:10:45,319 Speaker 1: get to get to meet some of you guys, even 185 00:10:45,360 --> 00:10:47,280 Speaker 1: though virtually get to get to put a face to 186 00:10:47,320 --> 00:10:50,800 Speaker 1: the name, face to the avatar that I see on Instagram, 187 00:10:50,840 --> 00:10:52,600 Speaker 1: and then see you guys in the community chat. Like 188 00:10:52,600 --> 00:10:56,200 Speaker 1: I said on Patreon, just great to connect. We have 189 00:10:56,679 --> 00:10:58,400 Speaker 1: a second book club. We're gonna do it in July. 190 00:10:58,480 --> 00:10:59,920 Speaker 1: We don't have a day picked out yet, but we'll 191 00:11:00,040 --> 00:11:01,800 Speaker 1: well zero in on that date in the next couple 192 00:11:01,760 --> 00:11:04,040 Speaker 1: of days if you want to get ahead. The book 193 00:11:04,080 --> 00:11:07,079 Speaker 1: that we're reading is Tell No. One by Harlan Coben. 194 00:11:07,600 --> 00:11:11,720 Speaker 1: That is a fantastic page turner. It is the definition 195 00:11:11,880 --> 00:11:14,679 Speaker 1: of a page turner. You're gonna want to read this book. 196 00:11:14,720 --> 00:11:16,920 Speaker 1: If you have read the book already, read it again. 197 00:11:17,240 --> 00:11:20,120 Speaker 1: It's worth it. It's that good. It's that fucking good. 198 00:11:20,120 --> 00:11:22,840 Speaker 1: Trust me, you know you've read it. Anyways, will be 199 00:11:23,080 --> 00:11:26,640 Speaker 1: Anaska date for the second meeting of the Disgrace lad 200 00:11:26,679 --> 00:11:30,720 Speaker 1: Book Club very shortly. All right, this week, we of 201 00:11:30,800 --> 00:11:34,880 Speaker 1: course launched this episode on Jose Canseco. Let's talk about 202 00:11:34,880 --> 00:11:37,959 Speaker 1: the sources that we use for this episode. Articles, newspaper articles, 203 00:11:38,000 --> 00:11:42,800 Speaker 1: magazine articles, so many articles, lots of sports writing. Fascinating figure. 204 00:11:42,880 --> 00:11:45,520 Speaker 1: Lots of people wanted to write Jose Canseco. This is 205 00:11:45,559 --> 00:11:48,640 Speaker 1: the late nineteen eighties, early nineteen nineties, and Jose was 206 00:11:48,640 --> 00:11:50,720 Speaker 1: a fixture in the news. Now, if you're not old 207 00:11:50,800 --> 00:11:52,720 Speaker 1: enough to remember firsthand, this is the age of the 208 00:11:52,720 --> 00:11:56,920 Speaker 1: baseball player as an undeniable cultural icon. It's sad that 209 00:11:56,960 --> 00:11:59,000 Speaker 1: it's not that way anymore, but just trust me, that's 210 00:11:59,040 --> 00:12:01,240 Speaker 1: what it was like. Not that we hadn't had iconic 211 00:12:01,280 --> 00:12:03,840 Speaker 1: baseball players in the past. Before the eighties. Of course, 212 00:12:03,880 --> 00:12:06,839 Speaker 1: we did Babe Ruth, Jodomaggio, Hank Aaron, Ted Williams, the 213 00:12:06,880 --> 00:12:10,280 Speaker 1: list goes on, Willie Mays, Reggie Jackson. But in the 214 00:12:10,320 --> 00:12:12,920 Speaker 1: eighties and the nineties you had Bo Jackson. Okay, who 215 00:12:12,960 --> 00:12:16,079 Speaker 1: was in these ubiquitous Nike commercials that were awesome. Bob 216 00:12:16,280 --> 00:12:18,640 Speaker 1: Jackson and Bo Diddley. I mean, come on. You had 217 00:12:18,640 --> 00:12:22,319 Speaker 1: Mark Maguire, you had Sammy Sosa, you had Jose Canseco. Again, 218 00:12:22,480 --> 00:12:26,160 Speaker 1: these sort of like superhero characters, guys who are mashing 219 00:12:26,240 --> 00:12:28,640 Speaker 1: taters like we've never seen before. These guys turned baseball 220 00:12:28,679 --> 00:12:31,080 Speaker 1: into such a spectacle that people who didn't even like 221 00:12:31,160 --> 00:12:34,040 Speaker 1: baseball were watching baseball. Okay, it was like a reality 222 00:12:34,080 --> 00:12:37,600 Speaker 1: show before reality shows. Audiences tuned in to see who 223 00:12:37,600 --> 00:12:39,800 Speaker 1: would take the lead in the home run race every night. 224 00:12:39,800 --> 00:12:43,280 Speaker 1: It was awesome. It was awesome. The players did this 225 00:12:43,400 --> 00:12:48,120 Speaker 1: largely though, with the help of steroids, which is not awesome, 226 00:12:48,280 --> 00:12:49,680 Speaker 1: but we didn't know it at the time, so you 227 00:12:49,679 --> 00:12:52,320 Speaker 1: can't blame us, right Anyways, go listen to our Jose 228 00:12:52,400 --> 00:12:54,240 Speaker 1: Can Seco episode. You're gonna hear more about that the 229 00:12:54,240 --> 00:12:59,480 Speaker 1: steroid era, specifically Jose's relationship with steroids. And my point 230 00:12:59,480 --> 00:13:02,160 Speaker 1: here is that and Seco, for one, was incredible fodder 231 00:13:02,160 --> 00:13:05,360 Speaker 1: for newspapers and magazines, and not just because he was 232 00:13:05,400 --> 00:13:08,160 Speaker 1: a great player, but because also because he had this 233 00:13:08,280 --> 00:13:11,320 Speaker 1: sort of thing going on with Madonna. Uh later got 234 00:13:11,320 --> 00:13:14,160 Speaker 1: trolled by fans and this amazing incident that I'm not 235 00:13:14,200 --> 00:13:16,080 Speaker 1: going to rehash here, but it's in the episode You 236 00:13:16,080 --> 00:13:19,040 Speaker 1: got to check it out. He was unapologetic about his 237 00:13:19,120 --> 00:13:22,040 Speaker 1: steroid use, which you know, I go both ways on 238 00:13:22,120 --> 00:13:28,000 Speaker 1: It's a very complicated issue here with Jose. But Jose Canseco, 239 00:13:28,360 --> 00:13:30,880 Speaker 1: you know, he was in, as they say, the show, 240 00:13:31,040 --> 00:13:34,920 Speaker 1: and Jose himself also was the show in a lot 241 00:13:34,920 --> 00:13:36,959 Speaker 1: of ways. That's I guess the point I'm trying to make. 242 00:13:37,520 --> 00:13:41,520 Speaker 1: So we didn't have to go far to find great articles, 243 00:13:41,559 --> 00:13:46,079 Speaker 1: great sports writing on Jose Canseco. Sports Illustrated there's a 244 00:13:46,120 --> 00:13:49,319 Speaker 1: great article titled The Summer of His Discontent written by 245 00:13:49,400 --> 00:13:54,480 Speaker 1: longtime Boston journalist Peter Gammon's great baseball writer. Boston journalist 246 00:13:54,480 --> 00:13:57,240 Speaker 1: doesn't do Peter credit. He's he's like the one of 247 00:13:57,280 --> 00:13:59,160 Speaker 1: the greatest baseball writers of all time. Pretty sure he's 248 00:13:59,160 --> 00:14:00,400 Speaker 1: in the Hall of Fame. Yeah, he's definitely in the 249 00:14:00,400 --> 00:14:02,640 Speaker 1: Hall of it where he should be if he's not. Anyways, 250 00:14:02,679 --> 00:14:04,600 Speaker 1: you get an up close and personal look at how 251 00:14:04,679 --> 00:14:09,000 Speaker 1: Jose felt, in his words, as a gorilla in a 252 00:14:09,120 --> 00:14:11,920 Speaker 1: zoo with all the fans and haters, mainly in the 253 00:14:11,960 --> 00:14:14,240 Speaker 1: cops who are clocking as every move. I mean, Jose 254 00:14:14,320 --> 00:14:15,800 Speaker 1: got into a lot of trouble. As you're going to 255 00:14:15,840 --> 00:14:18,280 Speaker 1: hear in this art in this episode. Excuse me now, 256 00:14:18,360 --> 00:14:21,920 Speaker 1: when it comes to books, Jose Canseco did write a 257 00:14:21,920 --> 00:14:24,320 Speaker 1: book or he got some help writing a book called Juiced, 258 00:14:24,480 --> 00:14:29,360 Speaker 1: Wild Times, Rampant Roods, Smash Hits and how Baseball got big, 259 00:14:29,560 --> 00:14:33,920 Speaker 1: keyword there big. We approached this cautiously. This book. We 260 00:14:34,000 --> 00:14:36,200 Speaker 1: did not take it all as gospel because while was 261 00:14:36,240 --> 00:14:40,360 Speaker 1: written by an unreliable narrator, Jose Canseco. But the whole 262 00:14:40,360 --> 00:14:42,680 Speaker 1: story about what happened ins that Madonna's place that came 263 00:14:42,680 --> 00:14:44,880 Speaker 1: directly from Jose and not in the book. In an 264 00:14:44,920 --> 00:14:47,280 Speaker 1: online interview, you got to take some of this stuff, 265 00:14:47,280 --> 00:14:48,920 Speaker 1: like I said, with a grain of salt, compare it 266 00:14:48,960 --> 00:14:50,920 Speaker 1: and contrast it with what's been written out there by 267 00:14:50,960 --> 00:14:54,880 Speaker 1: other reputable authors and publications. But what do you think 268 00:14:55,040 --> 00:14:57,640 Speaker 1: was Jose Canseco a rock star? You know who was 269 00:14:57,680 --> 00:15:01,320 Speaker 1: from that era? Bo Jackson? Definitely rockstar. Like I said before, 270 00:15:01,680 --> 00:15:05,200 Speaker 1: Dion Sanders six one seven nine oh six six six 271 00:15:05,320 --> 00:15:07,840 Speaker 1: three eight, doesn't have to just be baseball guys, Give 272 00:15:07,880 --> 00:15:10,400 Speaker 1: me a call, leave me a voicemail, send me a text, 273 00:15:10,680 --> 00:15:14,480 Speaker 1: Let me know who you think, which athletes you think best? 274 00:15:14,520 --> 00:15:17,640 Speaker 1: Embody that rock star vibe? Who could have been rock 275 00:15:17,640 --> 00:15:19,600 Speaker 1: stars had they been given a different set of talents. 276 00:15:20,040 --> 00:15:20,120 Speaker 2: Uh. 277 00:15:20,280 --> 00:15:22,600 Speaker 1: Like I said, I'm leaning into this. Deon Sanders take 278 00:15:22,680 --> 00:15:24,680 Speaker 1: that's an obvious one. But bo Jackson was just a 279 00:15:24,720 --> 00:15:27,680 Speaker 1: phenomena when he came out. He was phenomenon. Excuse me 280 00:15:27,720 --> 00:15:30,320 Speaker 1: when he came out unlike anyone else. And I think, yeah, 281 00:15:30,320 --> 00:15:32,640 Speaker 1: I think Jose as dopey as he was, and for 282 00:15:32,720 --> 00:15:36,280 Speaker 1: all the blunders he made, uh, he was in his 283 00:15:36,320 --> 00:15:38,480 Speaker 1: way a rockstar. Six one seven, nine oh six, six 284 00:15:38,600 --> 00:15:40,480 Speaker 1: six three eight. Let me know what you think. You 285 00:15:40,560 --> 00:15:42,320 Speaker 1: can send me a text at that number, or you 286 00:15:42,320 --> 00:15:45,560 Speaker 1: can leave me a voicemail, just like Barry in the 287 00:15:45,640 --> 00:15:46,320 Speaker 1: nine oh four. 288 00:15:47,240 --> 00:15:50,640 Speaker 3: Hey, Jake Barry from the nineho four, I really appreciate 289 00:15:51,320 --> 00:15:54,280 Speaker 3: take a episode, man. Gives me a chance to saw 290 00:15:54,400 --> 00:15:57,920 Speaker 3: some baseball. Do this real quick. So the steroids are 291 00:15:58,000 --> 00:16:00,840 Speaker 3: for bulking up, true, But also when you're going through 292 00:16:00,840 --> 00:16:02,680 Speaker 3: the grind of one hundred and sixty two game season, 293 00:16:02,720 --> 00:16:05,440 Speaker 3: including the playoffs, you don't have time to hit the 294 00:16:05,480 --> 00:16:08,480 Speaker 3: gym every day. You don't have time or the ability 295 00:16:08,520 --> 00:16:11,080 Speaker 3: to recover as quickly from your workouts and stay big 296 00:16:11,200 --> 00:16:14,680 Speaker 3: like that. So that's what the steroids did for the guys, 297 00:16:14,720 --> 00:16:17,320 Speaker 3: not necessarily making them big, but recovering from injury and 298 00:16:17,320 --> 00:16:21,240 Speaker 3: then recovering from their workouts. Now, you can't, no matter 299 00:16:21,280 --> 00:16:25,680 Speaker 3: what you do, steroids or fucking X ray vision or whatever, 300 00:16:26,160 --> 00:16:27,880 Speaker 3: being able to turn around on a ninety five mile 301 00:16:27,920 --> 00:16:30,480 Speaker 3: an hour fastball and hit that bitch four hundred and 302 00:16:30,480 --> 00:16:33,320 Speaker 3: fifty feet is not something that you get from a drug. 303 00:16:33,520 --> 00:16:36,400 Speaker 3: It's not something that you get from you know, you 304 00:16:36,440 --> 00:16:38,320 Speaker 3: can't just say I'm a teacher how to turn on 305 00:16:38,400 --> 00:16:41,760 Speaker 3: a fastball as God given or whatever you believe in, 306 00:16:42,360 --> 00:16:45,280 Speaker 3: and it requires hours and hours and hours and hours 307 00:16:45,280 --> 00:16:47,280 Speaker 3: of practice. So this guy, actually, you know, he put 308 00:16:47,320 --> 00:16:50,119 Speaker 3: in the Times. 309 00:16:48,840 --> 00:16:49,920 Speaker 4: A phenomenal player. 310 00:16:50,120 --> 00:16:52,880 Speaker 3: It's a shame that his legacy was tainted with you know, 311 00:16:53,120 --> 00:16:55,720 Speaker 3: some of his actions within Again, how much of that 312 00:16:55,800 --> 00:16:58,680 Speaker 3: actually played into the kind of player he was on 313 00:16:58,720 --> 00:17:02,200 Speaker 3: the field, you know, helping him to achieve that forty 314 00:17:02,240 --> 00:17:05,080 Speaker 3: forty season. But anyway, man, just like I said, I 315 00:17:05,119 --> 00:17:07,440 Speaker 3: appreciate the episode. Give me a chance to rap about 316 00:17:07,440 --> 00:17:10,040 Speaker 3: a little bit of baseball. Thanks. 317 00:17:10,040 --> 00:17:14,480 Speaker 1: Shake later, Yeah, man, Arry I hear you. You Steroids 318 00:17:14,480 --> 00:17:15,880 Speaker 1: are not gonna help you turn on a ninety mile 319 00:17:15,840 --> 00:17:17,840 Speaker 1: an hour fastball, that's for sure. And I think hitting 320 00:17:17,880 --> 00:17:21,320 Speaker 1: a fastball, uh in the in the major leagues is 321 00:17:21,359 --> 00:17:24,960 Speaker 1: probably the hardest thing to do in sports. But steroids 322 00:17:25,040 --> 00:17:29,080 Speaker 1: are gonna help you mash that baseball over the mass frickin' pike. 323 00:17:29,600 --> 00:17:32,800 Speaker 1: Uh if you're at Fenway Park and you're juiced on 324 00:17:32,840 --> 00:17:35,159 Speaker 1: the rhids. So you got a point, and then I 325 00:17:35,400 --> 00:17:38,199 Speaker 1: kind of like where you're going there with. You know, 326 00:17:38,240 --> 00:17:41,520 Speaker 1: it's all is Jose's behavior is disgraceful as it is. 327 00:17:41,560 --> 00:17:44,679 Speaker 1: How much of that was responsible for the player that 328 00:17:44,760 --> 00:17:48,000 Speaker 1: he became, that sort of animal attitude that he brought 329 00:17:48,040 --> 00:17:50,120 Speaker 1: to the field. It's a good question. Six point seven 330 00:17:50,200 --> 00:17:52,640 Speaker 1: nine oh six six six three eight. I don't think 331 00:17:52,680 --> 00:17:55,239 Speaker 1: you get the one without the other. I hope that, uh, 332 00:17:55,720 --> 00:17:58,280 Speaker 1: that answers you question. Nine oh nine. Let's hear from 333 00:17:58,280 --> 00:18:00,520 Speaker 1: the nine o nine, the one, nine. 334 00:18:00,359 --> 00:18:04,960 Speaker 4: O nine, Jake, you magnificent bastard. It's Scott from the 335 00:18:05,040 --> 00:18:09,880 Speaker 4: nine oh nine. I'm seeing Dylan in concerts. I did 336 00:18:09,960 --> 00:18:14,119 Speaker 4: so in nineteen ninety one. I was working for a 337 00:18:14,200 --> 00:18:18,479 Speaker 4: country radio station and Dylan was doing a series of 338 00:18:18,520 --> 00:18:22,560 Speaker 4: shows with the Kentucky Headhunters as his opening act, which 339 00:18:23,160 --> 00:18:27,120 Speaker 4: weird bill and look up the Kentucky Headhunters. We won't 340 00:18:27,119 --> 00:18:32,359 Speaker 4: go into it here, but when Dylan comes out, he 341 00:18:32,680 --> 00:18:38,960 Speaker 4: is backlit the entire show, so his face is completely dark. 342 00:18:39,480 --> 00:18:42,480 Speaker 4: You can't see him. You can hear him, you see 343 00:18:42,520 --> 00:18:46,840 Speaker 4: the band playing, but you cannot see Dylan. And to 344 00:18:46,920 --> 00:18:49,080 Speaker 4: this day, I still don't know if it was him. 345 00:18:49,640 --> 00:18:53,919 Speaker 4: So that's my Dylan story. Love you stuff. I'll be 346 00:18:54,000 --> 00:18:55,640 Speaker 4: listening to you on the pod. Thanks, Jake. 347 00:18:56,280 --> 00:18:59,480 Speaker 1: You know I see where you go with this. Nine 348 00:18:59,520 --> 00:19:04,160 Speaker 1: O nine Scott. Wow, you're kind of blowing my mind. 349 00:19:04,200 --> 00:19:04,400 Speaker 3: Man. 350 00:19:04,840 --> 00:19:09,440 Speaker 1: This Dylan is just the guy to do what you're suggesting, 351 00:19:09,480 --> 00:19:13,040 Speaker 1: which is actually put on a concert, but not actually 352 00:19:13,080 --> 00:19:16,439 Speaker 1: put on a concert, and how somebody stand in for him. 353 00:19:16,720 --> 00:19:19,080 Speaker 1: I'm gonna look this up. I don't believe it to 354 00:19:19,119 --> 00:19:22,840 Speaker 1: be true, of course, but I don't I'm not totally 355 00:19:22,880 --> 00:19:26,720 Speaker 1: writing it off. And there's a precedent here from music history. 356 00:19:28,080 --> 00:19:30,320 Speaker 1: If you know the story of the Zombies and zz 357 00:19:30,560 --> 00:19:33,800 Speaker 1: Top check that out, Scott. I'm not gonna burn it 358 00:19:33,840 --> 00:19:35,600 Speaker 1: here because eventually I want to do an episode on it. 359 00:19:36,320 --> 00:19:39,680 Speaker 1: But there's a very very close comp to your your 360 00:19:39,760 --> 00:19:43,119 Speaker 1: Dylan theory. All right, all right, let's let's do some 361 00:19:43,280 --> 00:19:47,480 Speaker 1: tech six one seven, nine six, six, six three eight 362 00:19:48,359 --> 00:19:51,760 Speaker 1: four one two. Uh is writing in and apologizing in 363 00:19:51,800 --> 00:19:54,120 Speaker 1: four one two. I'm not sure what you're apologizing for 364 00:19:54,119 --> 00:19:55,520 Speaker 1: for being so harsh. She sent me a bunch of 365 00:19:55,560 --> 00:19:59,720 Speaker 1: voice memos, not voice mails, audio clips which I have 366 00:19:59,800 --> 00:20:02,600 Speaker 1: not listen to. And I think if I upset you, 367 00:20:02,680 --> 00:20:05,200 Speaker 1: I apologize for that. Not my intent. Send me a 368 00:20:05,280 --> 00:20:07,440 Speaker 1: voicemail six one seven nine oh six six six three 369 00:20:07,440 --> 00:20:09,680 Speaker 1: eight Just call and just leave a message man three 370 00:20:09,680 --> 00:20:13,000 Speaker 1: one seven right saying Hey. For biggest villains and music industry, 371 00:20:13,000 --> 00:20:14,960 Speaker 1: I think we need to add Phil Spector to that list. 372 00:20:15,040 --> 00:20:17,879 Speaker 1: Love your podcast and always keeping me entertained. This is 373 00:20:17,960 --> 00:20:20,440 Speaker 1: Lauren who lives in the two eight but still has 374 00:20:20,480 --> 00:20:23,480 Speaker 1: a three one seven area code. I hear you, Lauren. 375 00:20:23,520 --> 00:20:25,200 Speaker 1: I still have my six one seven area code and 376 00:20:25,240 --> 00:20:26,800 Speaker 1: I don't live in the six one seven anymore. And 377 00:20:26,840 --> 00:20:29,439 Speaker 1: I hear you about Phil Spector as well. Check Out 378 00:20:29,440 --> 00:20:31,200 Speaker 1: the series we produced a couple of years back called 379 00:20:31,200 --> 00:20:33,840 Speaker 1: Blood on the Tracks. We did ten episodes on Phil 380 00:20:34,119 --> 00:20:36,520 Speaker 1: and you're right, one of the biggest villains ever. Also 381 00:20:36,800 --> 00:20:39,760 Speaker 1: chapter on on Phil in my book Disgrace Lam Musicians 382 00:20:39,760 --> 00:20:43,520 Speaker 1: getting away with murder and behaving very badly. Speaking of 383 00:20:43,560 --> 00:20:46,480 Speaker 1: books nine four nine texts in Hey, I want to 384 00:20:46,520 --> 00:20:48,120 Speaker 1: send you a copy of my book. I think it'll 385 00:20:48,119 --> 00:20:50,080 Speaker 1: be run up your rally. It's a compilation of tours 386 00:20:50,200 --> 00:20:55,960 Speaker 1: stories from some great bands Damned X, Crass, Generation X, Bronx, Tsol, 387 00:20:56,200 --> 00:20:58,040 Speaker 1: and about fifty more. Can I send you one? Where 388 00:20:58,040 --> 00:21:00,480 Speaker 1: can I set it? Thanks? Greg? Greg SAIDs picture of 389 00:21:00,520 --> 00:21:04,600 Speaker 1: his book with this awesome cover. Book is entitled Hell 390 00:21:04,720 --> 00:21:08,720 Speaker 1: on Wheels by Greg Jacobs. Greg Jacobs sounds very familiar, Greg, 391 00:21:08,760 --> 00:21:10,239 Speaker 1: I will be in touch and I will give you 392 00:21:10,280 --> 00:21:12,760 Speaker 1: an address to send the book to. Thanks very much everyone. 393 00:21:12,840 --> 00:21:15,600 Speaker 1: Check out Greg's book Hell on Wheels. Hey, Jake, it's 394 00:21:15,680 --> 00:21:17,720 Speaker 1: kel from seven to eight to one. You read my 395 00:21:17,760 --> 00:21:19,639 Speaker 1: text last week on the podcast, and I was like, 396 00:21:19,680 --> 00:21:22,480 Speaker 1: oh shit, that's so fucking cool. I think Jerry Lewis 397 00:21:22,520 --> 00:21:25,280 Speaker 1: is right up there, are Kelly, possibly worse. Of course, 398 00:21:25,320 --> 00:21:27,920 Speaker 1: I learned this from your podcast. I've learned so much 399 00:21:27,960 --> 00:21:30,760 Speaker 1: from listening to your podcast. Anyways, this ties with what 400 00:21:30,800 --> 00:21:33,119 Speaker 1: you were talking about with Chaos and Charles Manson, ETCETERA 401 00:21:33,160 --> 00:21:35,560 Speaker 1: awesome book. When I told my mom, who was born 402 00:21:35,600 --> 00:21:38,119 Speaker 1: in nineteen fifty two, about Jerry Lee Lewis and the 403 00:21:38,160 --> 00:21:40,760 Speaker 1: thing he did. She had never heard that, and I 404 00:21:40,800 --> 00:21:43,240 Speaker 1: feel like she didn't really believe me. She's from that 405 00:21:43,320 --> 00:21:47,160 Speaker 1: boomer era where they ignore bad shit like that. It's 406 00:21:47,160 --> 00:21:49,959 Speaker 1: so fucking crazy. I did not put anything past this government. 407 00:21:50,000 --> 00:21:53,560 Speaker 1: I love my country, distress the government or any of Hollywood, etc. 408 00:21:54,040 --> 00:21:55,919 Speaker 1: As a country, we really need to wake the fuck up. 409 00:21:56,040 --> 00:21:59,160 Speaker 1: Keep spitting that truth, Jake. I love you, Disgraceland rocket 410 00:21:59,280 --> 00:22:03,240 Speaker 1: rolla thank you, Hey, thanks, Kel, appreciate that. Give your 411 00:22:03,240 --> 00:22:05,840 Speaker 1: mom a hug. You know we got I've been harsh 412 00:22:05,920 --> 00:22:09,720 Speaker 1: to the boomers here in the past, and unnecessarily, I 413 00:22:09,760 --> 00:22:12,000 Speaker 1: think on my own. I want to just say that 414 00:22:12,119 --> 00:22:15,320 Speaker 1: right now. And you know your mom, yeay, you know. 415 00:22:16,320 --> 00:22:17,840 Speaker 1: I don't know your mom, But give her a hug. Right, 416 00:22:17,840 --> 00:22:19,439 Speaker 1: you can't go wrong. All right, we're gonna get out 417 00:22:19,440 --> 00:22:19,720 Speaker 1: of this block. 418 00:22:19,720 --> 00:22:21,119 Speaker 2: We're gonna take a quick break, and we're gonna be 419 00:22:21,200 --> 00:22:37,000 Speaker 2: back in a flash. 420 00:22:37,080 --> 00:22:38,879 Speaker 1: All right, we are back. And as I mentioned at 421 00:22:38,880 --> 00:22:41,400 Speaker 1: the top of the show, it seems like everywhere you look, 422 00:22:41,520 --> 00:22:46,679 Speaker 1: there are insane stories about jose Conseko, so many that 423 00:22:46,720 --> 00:22:49,440 Speaker 1: we weren't able to fit them all into this week's episode, 424 00:22:49,520 --> 00:22:51,960 Speaker 1: and we want to get into them now. But you 425 00:22:52,000 --> 00:22:54,040 Speaker 1: know the drill, there's a caveat, and this is all 426 00:22:54,080 --> 00:22:56,840 Speaker 1: happening over in the disgrace Land All Access version of 427 00:22:56,880 --> 00:22:59,080 Speaker 1: this year after Party bonus episode. If you haven't signed 428 00:22:59,160 --> 00:23:01,040 Speaker 1: up for all access, here's the deal. Just go to 429 00:23:01,040 --> 00:23:05,120 Speaker 1: disgrace lampod dot com slash membership and for just five 430 00:23:05,200 --> 00:23:07,199 Speaker 1: dollars a month, even less, if you sign up for 431 00:23:07,240 --> 00:23:11,040 Speaker 1: an annual membership, you will get exclusive weekly bonus content 432 00:23:11,160 --> 00:23:13,160 Speaker 1: like the extended version of the After Party that we're 433 00:23:13,160 --> 00:23:16,080 Speaker 1: talking about right now. Plus you're gonna get exclusive scripted 434 00:23:16,119 --> 00:23:19,720 Speaker 1: episodes every month, like our episodes on Hunter, s Thompson, Lane, 435 00:23:19,720 --> 00:23:22,840 Speaker 1: Stalely of Alice and Chains, Basqueyach, Chris Cornell, Got a 436 00:23:22,880 --> 00:23:25,640 Speaker 1: Waylan Jennings One coming next, all right, And you can 437 00:23:25,680 --> 00:23:29,920 Speaker 1: also listen to every single episode of Disgraceland in our archive, 438 00:23:30,080 --> 00:23:33,119 Speaker 1: absolutely ad free. You can sign up either using Apple 439 00:23:33,119 --> 00:23:36,400 Speaker 1: Podcasts or Patreon, and if you choose Patreon, you're gonna 440 00:23:36,400 --> 00:23:38,680 Speaker 1: get immediate access to our members only chat, which is 441 00:23:38,720 --> 00:23:41,800 Speaker 1: always on, which includes not just your fellow disco's in 442 00:23:41,800 --> 00:23:45,280 Speaker 1: there talking about movies and music and television and books, 443 00:23:45,280 --> 00:23:48,359 Speaker 1: but also myself. I'm in there pretty much daily, and 444 00:23:48,400 --> 00:23:51,399 Speaker 1: I'm talking with everybody as well. We get four different 445 00:23:51,440 --> 00:23:54,480 Speaker 1: threads going on at all times at least. Disgrace lampod 446 00:23:54,480 --> 00:23:58,320 Speaker 1: dot Com Slash Membership, get in here with us this 447 00:23:58,560 --> 00:24:03,399 Speaker 1: week end of this week Friday in our Patreon All 448 00:24:03,440 --> 00:24:07,400 Speaker 1: Access Membership club. In the chat, we're gonna be revealing 449 00:24:07,400 --> 00:24:09,800 Speaker 1: some new merch that we have and we're gonna give 450 00:24:09,840 --> 00:24:13,159 Speaker 1: the All Access members. We're gonna give them a first 451 00:24:13,200 --> 00:24:17,159 Speaker 1: swing at buying this merch before anyone else, so that 452 00:24:17,280 --> 00:24:20,879 Speaker 1: in case it sells out. Are All Access members you 453 00:24:20,880 --> 00:24:24,080 Speaker 1: know they're getting that first bite at the apple. So again, 454 00:24:24,320 --> 00:24:26,880 Speaker 1: you want in on that Disgrace Land All Access Okay, 455 00:24:27,000 --> 00:24:43,280 Speaker 1: Disgrace lampod dot Com Slash Membership back in the flash. 456 00:24:43,600 --> 00:24:46,119 Speaker 1: All right, let's recap, shall we? Number one? There is 457 00:24:46,200 --> 00:24:48,119 Speaker 1: more after party to listen to right now. All you 458 00:24:48,160 --> 00:24:50,080 Speaker 1: got to do is go to Disgrace lampod dot Com 459 00:24:50,119 --> 00:24:53,240 Speaker 1: Slash Membership sign up to become an All Access member. 460 00:24:53,480 --> 00:24:55,920 Speaker 1: But if that ain't your bag, the number two right 461 00:24:55,960 --> 00:24:58,560 Speaker 1: now in your feed. This week's brand new episode on 462 00:24:58,600 --> 00:25:01,679 Speaker 1: Jose Cansako number three come tomorrow. A rewind episode on 463 00:25:01,960 --> 00:25:05,720 Speaker 1: XXX ten Tasion number four next week. In the Disgrace 464 00:25:05,760 --> 00:25:08,360 Speaker 1: sand Feed an episode on O. J. Simpson. We're coming 465 00:25:08,440 --> 00:25:10,399 Speaker 1: up on the fourth of July. What's more American than O? J. 466 00:25:10,520 --> 00:25:13,520 Speaker 1: Simpson Number five? My number is six one seven nine 467 00:25:13,560 --> 00:25:15,840 Speaker 1: oh six six six three eight. Call me on the 468 00:25:15,840 --> 00:25:18,040 Speaker 1: telephone or text me Tom six. Remember, no one cares 469 00:25:18,040 --> 00:25:20,040 Speaker 1: about these stories more than you do. And well that's 470 00:25:20,040 --> 00:25:22,879 Speaker 1: a disgrace. And now my moment of bliss in honor 471 00:25:22,880 --> 00:25:26,159 Speaker 1: of this week's episode on Jose Canseco me reading you 472 00:25:26,400 --> 00:25:33,840 Speaker 1: the phone book from Oakland, California circa nineteen sixty. Richardson L. 473 00:25:34,640 --> 00:25:41,679 Speaker 1: West Almeta three four one six seven ninety Richards p. 474 00:25:42,760 --> 00:25:49,800 Speaker 1: Twenty two elm three six seven nine, Richards Paul fifty 475 00:25:49,840 --> 00:25:55,359 Speaker 1: four Main three six seven eight nine Richards Ricardo p. 476 00:25:56,359 --> 00:26:02,119 Speaker 1: Twenty two fourth six Dash seven nine one Riginal rego bono, 477 00:26:02,520 --> 00:26:05,760 Speaker 1: misd to Paul three four six four one, It's Dash 478 00:26:05,880 --> 00:26:10,520 Speaker 1: nine two recurry go bono p. Twenty two, twenty two 479 00:26:10,880 --> 00:26:13,119 Speaker 1: six Dash one nine seven. 480 00:26:12,920 --> 00:26:16,520 Speaker 2: Ninety five riche go boell el Paul Paul. 481 00:26:16,400 --> 00:26:27,240 Speaker 1: West of Copina four three three six seven ninety Quit 482 00:26:27,480 --> 00:26:29,520 Speaker 1: talking and start mixing. 483 00:26:29,720 --> 00:26:29,960 Speaker 3: Could