WEBVTT - 50: 'Hamilton' -- From Smash Musical to Economics Syllabus

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<v Speaker 1>Brought to you by stage Summit Live, the virtual conference

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<v Speaker 1>Register at stage summit livestream dot com. So, Dan, are

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<v Speaker 1>you ready to go out and see Hamilton's yet? If

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<v Speaker 1>I could afford it? But you know, if I were

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<v Speaker 1>a Richmond, But I think I might enroll in your class.

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<v Speaker 1>How about that? Hey, the more of the merrier. Hello,

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<v Speaker 1>and welcome back to the Bloomberg Benchmark Podcast. It's Thursday,

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<v Speaker 1>August eleven. I'm Scott landman and Economics editor at Bloomberg

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<v Speaker 1>News in Washington, and I'm Daniel Moss, Executive editor for

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<v Speaker 1>Global Economics it Bloomberg in New York. Now, Dan, I've

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<v Speaker 1>been away from the show for the last couple of weeks,

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<v Speaker 1>and I just I was listening to them and they

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<v Speaker 1>were practically downers talking about how useless sports stadiums are

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<v Speaker 1>for economic development, the legacy of slavery in Brazil. What

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<v Speaker 1>was going on? Yeah, you'd think we've never heard of

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<v Speaker 1>Michael Phelps. I thought that the pace on slavery in Brazil,

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<v Speaker 1>given the Olympics and given the swings and roundabouts of

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<v Speaker 1>Brazilian economics and politics, might have resonated. I guess I

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<v Speaker 1>was wrong. Anyway, I did think they were really interesting,

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<v Speaker 1>but today we're going to go for something lighter. Hamilton's

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<v Speaker 1>has become a massive smash hit on Broadway since it

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<v Speaker 1>opened just about a year ago, and it recently won

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<v Speaker 1>eleven Tony Awards, including Best Musical. There was something that

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<v Speaker 1>it was nominated twice in the same category for like

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<v Speaker 1>the actors and things like that, but it couldn't even

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<v Speaker 1>win those twice obviously. Anyway, now it's about to make

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<v Speaker 1>waves across the rest of the country. In late September,

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<v Speaker 1>premiers in Chicago for an open ended run. Then in

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<v Speaker 1>sen it'll start showing in London, and also began a

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<v Speaker 1>tour around the United States. Right here in d C.

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<v Speaker 1>They're doing their best to squeeze the most demand out

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<v Speaker 1>of a limited supply of tickets. Uh, if you want

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<v Speaker 1>to be guaranteed to see Hamilton's at the Kennedy Center

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<v Speaker 1>in you actually need to buy two full seasons worth

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<v Speaker 1>of subscriptions to see the other shows there. And there

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<v Speaker 1>are people who are going to do that. Plenty of

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<v Speaker 1>people personally, I haven't seen the show yet, but I've

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<v Speaker 1>listened to the soundtrack many times. Dan, have you? I

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<v Speaker 1>was just confessing with Matt earlier, I have not seen it. Well.

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<v Speaker 1>Even my two daughters, who are two and four years old,

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<v Speaker 1>asked to hear the songs in the car and can

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<v Speaker 1>even recite some of the lyrics. But what makes it

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<v Speaker 1>so great It takes the biography of the first Treasury

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<v Speaker 1>Secretary and sets it to hip hop. The songs are

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<v Speaker 1>not only catchy, but they sometimes take fairly complicated economic

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<v Speaker 1>and financial concepts and boil them down to really creative songs.

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<v Speaker 1>And joining us today to talk about it is Matt Rosy,

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<v Speaker 1>and economics professor at Susquehanna Universe City in central Pennsylvania.

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<v Speaker 1>Matt made the track all the way to New York

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<v Speaker 1>to be on our podcast and see some Broadway shows

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<v Speaker 1>with his family. So Matt, thanks so much for being

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<v Speaker 1>with us today. Now, thank you for having me. Matt.

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<v Speaker 1>How many of your students had actually heard of Alexander

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<v Speaker 1>Hamilton's prior to this buzzy eruption with the Broadway show. Well,

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<v Speaker 1>I didn't do a poll, but I suspect most of

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<v Speaker 1>them had heard the name. Now, how many knew what

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<v Speaker 1>he did? That would have been a much smaller number.

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<v Speaker 1>So how are you incorporating Hamilton's into your lessons and

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<v Speaker 1>using a Broadway production to, you know, teach people about

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<v Speaker 1>his role in the country and the structure of the place. Sure, what,

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<v Speaker 1>I love to use songs usually before class, sometimes during

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<v Speaker 1>class as a break to help illustrate economic concepts in general.

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<v Speaker 1>And for Hamilton's the musical, it has it has to

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<v Speaker 1>have about a dozen songs that when you listen to

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<v Speaker 1>the songs illustrate economic concepts incredibly well. And of course,

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<v Speaker 1>I mean it's become a number one you know, it's

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<v Speaker 1>coome a best selling album. So it's the kind of

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<v Speaker 1>thing when students here economics within Hamilton's right, they want

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<v Speaker 1>to keep singing. These are the types of songs where

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<v Speaker 1>people will sing over and over. And my hope with

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<v Speaker 1>introducing songs to help teach economics and Hamilton's included, is

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<v Speaker 1>that they're singing over and over, then all of a

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<v Speaker 1>sudden they start to get the economic concept over and

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<v Speaker 1>over and it helps the students learn economics easier, better

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<v Speaker 1>and make it more fun. All right, let's hold that

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<v Speaker 1>thought for a moment and listen to some music. What

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<v Speaker 1>we're about to hear is one of my favorite songs

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<v Speaker 1>from Hamilton's and probably the one with the most specific

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<v Speaker 1>lyrics about finance and economics. It's called Cabinet Battle number one.

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<v Speaker 1>So let's hear a little clip. This is actually going

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<v Speaker 1>to be uh, the actor playing Thomas Jefferson rapping. Oh,

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<v Speaker 1>but Hamilton's forgets. This plan would have the government assume

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<v Speaker 1>state debts. Now place your bets as to who that

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<v Speaker 1>benefits the very seat of government where Hamilton, So, Matt,

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<v Speaker 1>let's break that down. What is he talking about. It's

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<v Speaker 1>discussing the federal government assuming the state's debts, uh, and

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<v Speaker 1>really establishing the what was kind of the precursor to

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<v Speaker 1>the Federal Reserve at the time, establishing a national bank

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<v Speaker 1>for the first time in this country. And that was

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<v Speaker 1>of course very controversial as you had at that time.

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<v Speaker 1>You have individuals and states that really wanted to be

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<v Speaker 1>the United States, but it's the state governments that are

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<v Speaker 1>the primary drivers of the economy. Whereas you have others

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<v Speaker 1>like Hamilton's, um, you know, Jefferson's on the state government side.

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<v Speaker 1>You have others like Alexander Hamilton's who wanted more a

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<v Speaker 1>stronger national government, and we're, you know, in the process,

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<v Speaker 1>we're thinking, in order to do this, let's, uh, you know,

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<v Speaker 1>let's form the national bank. Let's let's actually run a

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<v Speaker 1>national debt, and which today, you know, the national debt

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<v Speaker 1>they were talking about running pales compared to the date

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<v Speaker 1>days that. But at the time, of course, it was

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<v Speaker 1>very controversial to run some national debt as the idea

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<v Speaker 1>that it would make, you know, would make America seem

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<v Speaker 1>more credible on the national stage and would actually encourage

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<v Speaker 1>international trade. From this perspective, the development of a national

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<v Speaker 1>economy looks like it was inevitable. But what you're saying,

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<v Speaker 1>and what the song's implying is it wasn't necessarily so sure,

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<v Speaker 1>there were plenty of people who did not want who

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<v Speaker 1>would have rather had it be. Each individual state kind

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<v Speaker 1>of controls their own destiny or controls their own economy

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<v Speaker 1>more than a nationally controlled economy. And in post two

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<v Speaker 1>thousand a night, the term bailout is a toxic term,

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<v Speaker 1>is the song. And as I said, I haven't seen

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<v Speaker 1>the music, but does the song kind of imply bail

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<v Speaker 1>out of the state's probably not a good thing. One

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<v Speaker 1>so forth, and so I think there, I certainly think

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<v Speaker 1>there's some implications for there. There's also the line, um,

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<v Speaker 1>you know, the this plan as an outrageous demand and

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<v Speaker 1>it's too many damn pages for any man to understand.

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<v Speaker 1>And the moment I heard that line, the first thing

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<v Speaker 1>I thought of was that we have people in Congress

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<v Speaker 1>and the Senate who have passed you know, who have

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<v Speaker 1>passed the stimulus bills or paths, who are who voted

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<v Speaker 1>for the Affordable Care Act or you know, Obamacare as

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<v Speaker 1>it's known. Without well admitting I didn't read the plan,

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<v Speaker 1>and so when I saw that, I thought the lyrics

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<v Speaker 1>were incredibly relevant to a lot of the problems that

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<v Speaker 1>we do see today, or at least a lot of

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<v Speaker 1>the issues that are coming up today. How would you

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<v Speaker 1>work this specifically into your class lessons? And what specific

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<v Speaker 1>concepts which would you use for this? So for this one,

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<v Speaker 1>if I'm teaching, um so for monetary you know, if

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<v Speaker 1>I'm teaching about the Federal Reserve, often I'll put this

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<v Speaker 1>song in ahead of time, and largely for this particular song,

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<v Speaker 1>and I'll have to um admit I have not taught

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<v Speaker 1>macro economics since I have had this song at my disposal.

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<v Speaker 1>What I would probably do is I don't know how

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<v Speaker 1>much I would integrate it in and of itself. Now

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<v Speaker 1>I do have discussion questions on my on the website

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<v Speaker 1>I helped create Broadway Economics dot Com that professors could

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<v Speaker 1>use towards this. But what where I really like to

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<v Speaker 1>use the music is kind of do the lesson, but

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<v Speaker 1>then either play the songs before or after to have

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<v Speaker 1>people realize, you know, these these are issues. These these

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<v Speaker 1>issues don't have to be dry and dullsues are exciting, right.

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<v Speaker 1>I mean, if you listen to Cabinet Battle number one,

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<v Speaker 1>it's like it's a party, you know, ladies and gentlemen.

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<v Speaker 1>You could have been anywhere in the whole world, but

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<v Speaker 1>you're in New York and we're gonna have a cabinet meeting,

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<v Speaker 1>and you know, it's as riot as event. It's all.

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<v Speaker 1>It's exciting and everybody's thrilled to be there, and it's

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<v Speaker 1>a rap battle. And usually for music, I'll play pre

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<v Speaker 1>class music, Um before the students will show up, I'll

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<v Speaker 1>cue the music to start. Let's say Cabinet Battles about

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<v Speaker 1>a three minute song about three minutes before class starts.

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<v Speaker 1>I will begin the music. So the downside some students

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<v Speaker 1>don't see that, But the upside is it doesn't actually

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<v Speaker 1>take any class time. And then we asked discussion questions, Okay,

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<v Speaker 1>we just heard this great song, Where where where? What

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<v Speaker 1>are the economic ideas we just saw in this song?

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<v Speaker 1>So how many of your students and how much of

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<v Speaker 1>the audience actually knows what the Federals of is? For example,

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<v Speaker 1>if they're taking the class, they've they've certainly heard it

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<v Speaker 1>by the time I get to them. It's a good question.

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<v Speaker 1>As far as I pull them ahead of time, I

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<v Speaker 1>think most of the students will have at least heard

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<v Speaker 1>of the Federal Reserve. Well, they know what their roles

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<v Speaker 1>are coming in as eighteen and nineteen year old. Probably

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<v Speaker 1>less than a quarter kind of know what the Federal

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<v Speaker 1>Reserve is doing prior to taking Principles of macro Economics class.

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<v Speaker 1>So really, what you're trying to do here is convey

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<v Speaker 1>to your students that an economy and the development of

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<v Speaker 1>economic policy it's a living, breathing thing. It's not preordained.

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<v Speaker 1>There are people making these decisions. They're bringing their own perspective,

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<v Speaker 1>they're shaped by their own histories. That that would be

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<v Speaker 1>histories with a small age. Uh, And it's not some

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<v Speaker 1>giant preordained, very sort of dry conspiracy. If I get

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<v Speaker 1>nothing else out of doing the songs, I really want

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<v Speaker 1>my students to think economics is fun. If students come

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<v Speaker 1>out of economics thinking this was a great subject, this

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<v Speaker 1>is entertaining. And yes, you know the whole idea of

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<v Speaker 1>the history. Maybe I thought that we just evolved and

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<v Speaker 1>it was just preordained we would be here, as you mentioned, No,

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<v Speaker 1>this wasn't preordained, right, these were There were pretty epic

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<v Speaker 1>battles between Jefferson and Hamilton's and throughout the you know,

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<v Speaker 1>and if when once you start to think about that,

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<v Speaker 1>you can realize, okay, maybe we're hearing about this one,

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<v Speaker 1>but what other battles happened throughout our history that caused

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<v Speaker 1>us to be the way? I mean, the Federal Reserve

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<v Speaker 1>didn't start until the early twentieth century, right, This central

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<v Speaker 1>bank actually existed for a while, and then it's time expired,

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<v Speaker 1>and it wasn't renewed for a period of time, and

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<v Speaker 1>then it was renewed again. And it wasn't until the

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<v Speaker 1>Federal Reserve that we've had one that's now stuck for

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<v Speaker 1>for about a hundred years, like I'm trying to I

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<v Speaker 1>think it was nine. But there's still but there's popular

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<v Speaker 1>opposition or maybe skepticism or at least or some movement

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<v Speaker 1>to change the structure of the Federal Reserve system. It's

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<v Speaker 1>been been kind of ossified the way it is for

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<v Speaker 1>for for its hundred year history. And you do here

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<v Speaker 1>skepticism on both sides of the political I think it's

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<v Speaker 1>structure is also fought. Are you saying that's just the

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<v Speaker 1>way it's characterized, characterized in some way but but in

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<v Speaker 1>some ways that but the geographic regions of the FED

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<v Speaker 1>are certainly ossified. And even Janet Yelling herself said, if

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<v Speaker 1>it were created today, you probably have different regional boundaries

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<v Speaker 1>form for the FED districts. And you know there is

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<v Speaker 1>that skepticism of of central money creation that continues in

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<v Speaker 1>certain political corners to this day, right, Yeah, I mean

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<v Speaker 1>major presidential candidate. I believe it's Rand Paul who you

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<v Speaker 1>know his book was? Was it? It was either Rand

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<v Speaker 1>or Ron Paul? I can't remember. At the top, my

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<v Speaker 1>dad wrote the book. His dad the son and his

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<v Speaker 1>son continued the tradition. The book's titled End the fed right, Yeah,

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<v Speaker 1>And I mean it's an issue there, you know, it's

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<v Speaker 1>it's an issue where you actually get some in the

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<v Speaker 1>Republican Party and some in the Democratic Party who would

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<v Speaker 1>like to see the Federal Reserve either eliminated or modified,

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<v Speaker 1>or maybe they just don't understand. It's a big entity

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<v Speaker 1>and they don't understand what it's doing. And you know,

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<v Speaker 1>because of that, there's a skepticism for it. All right,

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<v Speaker 1>let's hold this thought as we pause for a break

0:12:02.280 --> 0:12:12.560
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0:12:27.040 --> 0:12:28.640
<v Speaker 1>Let's go back to the music for a minute and

0:12:29.000 --> 0:12:32.120
<v Speaker 1>play another song. This is a clip from a song

0:12:32.200 --> 0:12:36.040
<v Speaker 1>called Satisfied and what You're what you'll hear singing or

0:12:36.160 --> 0:12:39.320
<v Speaker 1>rapping if you will, is is the woman who plays

0:12:39.440 --> 0:12:45.880
<v Speaker 1>Angelica Skyler singing. She's the sister of Hamilton's love interest Eliza.

0:12:46.640 --> 0:12:49.959
<v Speaker 1>So here we go. I'm gonna grow in the world

0:12:50.000 --> 0:12:52.559
<v Speaker 1>in which my only job is the very rich. My

0:12:52.760 --> 0:12:54.840
<v Speaker 1>father has no son, so I'm a one who has

0:12:54.880 --> 0:12:57.480
<v Speaker 1>the social fly. I'm the oldest and the widdy in

0:12:57.760 --> 0:13:00.000
<v Speaker 1>the gap has been to New York City, is Andy

0:13:00.440 --> 0:13:08.960
<v Speaker 1>and Alexander. So, Matt, you say that this actually illustrates

0:13:08.960 --> 0:13:12.920
<v Speaker 1>a key concept in economics, what would you say? Yeah,

0:13:12.920 --> 0:13:15.200
<v Speaker 1>I actually think this is there's kind of two concepts

0:13:15.240 --> 0:13:18.079
<v Speaker 1>that this song illustrates incredibly well. And that's the idea

0:13:18.080 --> 0:13:20.960
<v Speaker 1>of tradeoffs and the idea of an opportunity costs, which

0:13:20.960 --> 0:13:24.800
<v Speaker 1>are two of the more central ideas trying to teach

0:13:24.920 --> 0:13:29.000
<v Speaker 1>right at the beginning of well an economics education, right

0:13:29.040 --> 0:13:31.920
<v Speaker 1>and when I teach principles of macroeconomics, really in the

0:13:31.960 --> 0:13:34.640
<v Speaker 1>first week, we're hammering on you know what what what

0:13:34.640 --> 0:13:37.000
<v Speaker 1>what does it mean to have trade offs for for

0:13:37.040 --> 0:13:40.439
<v Speaker 1>an introductory you know, for an incoming first year, second

0:13:40.480 --> 0:13:42.520
<v Speaker 1>year or a second year student. Often they haven't thought

0:13:42.559 --> 0:13:46.079
<v Speaker 1>about this um the trade offs in this song, naturally,

0:13:46.360 --> 0:13:50.439
<v Speaker 1>Angelica Skyler is thinking through Well, she sees Alexander Hamilton's

0:13:50.440 --> 0:13:52.840
<v Speaker 1>and instantly there's an attraction and likes him and talks

0:13:52.880 --> 0:13:55.680
<v Speaker 1>to him and thinks this guy is amazing and is

0:13:55.720 --> 0:14:00.840
<v Speaker 1>fascinated by him, but realizes he's poor and she's mentioning

0:14:00.840 --> 0:14:04.920
<v Speaker 1>in the song her job is to marry rich, and

0:14:04.960 --> 0:14:08.520
<v Speaker 1>there's also that Alexander might want. Part of what might

0:14:08.520 --> 0:14:12.160
<v Speaker 1>be attractive about her. You know why she might be

0:14:12.280 --> 0:14:15.800
<v Speaker 1>attractive to Alexander is that she has a lot of money.

0:14:15.880 --> 0:14:19.080
<v Speaker 1>And there's a third The third line mentions how her

0:14:19.120 --> 0:14:22.680
<v Speaker 1>sister also likes Alexander, and her sister would say it's okay,

0:14:22.720 --> 0:14:25.520
<v Speaker 1>but you know, Angelica says what she'd be lying when

0:14:25.560 --> 0:14:28.000
<v Speaker 1>she says that her sister would be happy if she

0:14:28.200 --> 0:14:30.560
<v Speaker 1>was with Alexander. And at the end of the song,

0:14:30.640 --> 0:14:33.240
<v Speaker 1>it seems pretty clear she thinks she made the right decision,

0:14:33.560 --> 0:14:36.760
<v Speaker 1>but it really really pains her. And that's a great idea.

0:14:36.840 --> 0:14:41.440
<v Speaker 1>The opportunity cost of choosing to be with Alexander would

0:14:41.480 --> 0:14:46.040
<v Speaker 1>have been not marrying Rich right and hurting her sister marriage.

0:14:46.040 --> 0:14:49.720
<v Speaker 1>The ultimate economic institution. Ultimate economic instituall I mean in

0:14:49.800 --> 0:14:53.600
<v Speaker 1>family that's coming right. Offs to come in, and certainly

0:14:53.600 --> 0:14:58.200
<v Speaker 1>the trade off you're trading off your happiness in one way,

0:14:58.480 --> 0:15:03.240
<v Speaker 1>um for money. You're trading off your sister's happiness for money. UM.

0:15:03.480 --> 0:15:06.960
<v Speaker 1>It's just a fantastic song that shows tradeoffs on a

0:15:07.000 --> 0:15:09.400
<v Speaker 1>on a high stakes decision that's not monetary, and a

0:15:09.440 --> 0:15:12.920
<v Speaker 1>lot of the tradeoffs in life are high stakes, right,

0:15:12.960 --> 0:15:14.280
<v Speaker 1>I mean, do you get a cancer, you know, if

0:15:14.320 --> 0:15:17.000
<v Speaker 1>you're diagnosed with a disease, do you go get cancer treatment? Right?

0:15:17.040 --> 0:15:19.040
<v Speaker 1>I mean these are there are high stakes tradeoff decisions

0:15:19.040 --> 0:15:22.240
<v Speaker 1>people have on a daily basis. And this song, with

0:15:22.280 --> 0:15:25.680
<v Speaker 1>a lot of emotion and power, I think, really captures

0:15:25.960 --> 0:15:28.720
<v Speaker 1>trade offs and opportunity costs. You address this a little

0:15:28.720 --> 0:15:31.640
<v Speaker 1>bit a few minutes ago. Is the concept of a

0:15:31.800 --> 0:15:36.280
<v Speaker 1>trade off in economics and the development of economic policy

0:15:36.880 --> 0:15:39.600
<v Speaker 1>something that's alien to your students when they first come

0:15:39.600 --> 0:15:43.440
<v Speaker 1>to you. Certainly all students have experienced tradeoffs, but I

0:15:43.480 --> 0:15:46.440
<v Speaker 1>think a lot of them will miss the idea that

0:15:46.480 --> 0:15:50.160
<v Speaker 1>there are tradeoffs when they're thinking about various policies. They

0:15:50.240 --> 0:15:53.360
<v Speaker 1>might not realize. And you'll see this both on like

0:15:53.400 --> 0:15:56.320
<v Speaker 1>the political spectrum. It's inevitable that politics comes up now

0:15:56.360 --> 0:15:59.040
<v Speaker 1>and you teach the introductory level economics, it's more what

0:15:59.120 --> 0:16:02.200
<v Speaker 1>we call positive and analysis. It really doesn't delve into

0:16:02.200 --> 0:16:06.080
<v Speaker 1>the political um, the normative what should we do? But

0:16:06.120 --> 0:16:07.880
<v Speaker 1>it's kind of natural. I mean, you're starting to talk

0:16:07.920 --> 0:16:11.240
<v Speaker 1>about the ideas of you know, minimum wages or tax

0:16:11.360 --> 0:16:14.640
<v Speaker 1>increases or tax cuts, the tradeoffs come in, and a

0:16:14.680 --> 0:16:18.360
<v Speaker 1>lot of individuals will come in with their political ideas thinking, well,

0:16:18.400 --> 0:16:21.000
<v Speaker 1>whatever side i've heard, there must be no downside to

0:16:21.080 --> 0:16:23.320
<v Speaker 1>this particular policy, and we'll never have to cut a

0:16:23.320 --> 0:16:25.000
<v Speaker 1>deal to get it. I ever have to cut a

0:16:25.040 --> 0:16:26.720
<v Speaker 1>deal to get a cuff, of course. Yeah, and so

0:16:26.800 --> 0:16:30.520
<v Speaker 1>there's well, I think they've all experienced that, the idea

0:16:30.600 --> 0:16:32.840
<v Speaker 1>that it happens in politics. I do agree to summits

0:16:32.880 --> 0:16:34.920
<v Speaker 1>foreign and so I think part of the job is

0:16:35.520 --> 0:16:39.200
<v Speaker 1>that I have when teaching economics is to help make

0:16:39.200 --> 0:16:42.080
<v Speaker 1>the student understand. Look, these are everywhere. You've experienced them

0:16:42.080 --> 0:16:44.080
<v Speaker 1>your whole life, Right, You've had to figure out what

0:16:44.160 --> 0:16:45.680
<v Speaker 1>you wanted to do for the afternoon. Do you want

0:16:45.680 --> 0:16:47.960
<v Speaker 1>to go work perhaps and earn a few dollars, or

0:16:47.960 --> 0:16:49.160
<v Speaker 1>do you want to go out and have fun and

0:16:49.160 --> 0:16:51.720
<v Speaker 1>you'll spend money and have less money the next day?

0:16:52.080 --> 0:16:54.360
<v Speaker 1>Or you know what particular class do you want to take?

0:16:54.400 --> 0:16:56.120
<v Speaker 1>There's trade offs for that or I mean all of

0:16:56.160 --> 0:16:59.160
<v Speaker 1>the decisions in life, there's particular trade offs. They've they've

0:16:59.200 --> 0:17:02.320
<v Speaker 1>experienced them. The ideas then okay, let's carry that over.

0:17:02.360 --> 0:17:04.879
<v Speaker 1>Those those don't just magically go away in the world

0:17:04.920 --> 0:17:08.360
<v Speaker 1>of politics and the world of economic decision making. Does

0:17:08.400 --> 0:17:10.600
<v Speaker 1>it trouble you that they come to you without this

0:17:11.600 --> 0:17:15.720
<v Speaker 1>saints that they're compromises to be made to get your policy,

0:17:15.920 --> 0:17:18.720
<v Speaker 1>whatever it is, enacted, and that they have to do

0:17:18.800 --> 0:17:23.719
<v Speaker 1>try it off. Does that say something, say something you

0:17:23.720 --> 0:17:29.000
<v Speaker 1>know troubling about society today. I don't know that I'd

0:17:29.040 --> 0:17:31.439
<v Speaker 1>go quite that far. I do. I mean, would I

0:17:31.480 --> 0:17:33.560
<v Speaker 1>love if everybody had that? Yeah? I would. I would

0:17:33.560 --> 0:17:36.280
<v Speaker 1>like if they had that they're taking you know, I

0:17:36.320 --> 0:17:38.719
<v Speaker 1>look back at myself and would I at eighteen have

0:17:38.720 --> 0:17:42.320
<v Speaker 1>have of course, yeah, yeah, But I really don't think

0:17:42.320 --> 0:17:44.520
<v Speaker 1>I would have. It's part of the learning process. So

0:17:44.560 --> 0:17:46.760
<v Speaker 1>I don't find it troubling. And what I tell the

0:17:46.760 --> 0:17:49.360
<v Speaker 1>students when they struggle with any particular topic, if if

0:17:49.359 --> 0:17:52.560
<v Speaker 1>they understood everything in the book already, there's no need

0:17:52.600 --> 0:17:54.639
<v Speaker 1>for the class, right. Part of my job is to

0:17:54.720 --> 0:17:58.960
<v Speaker 1>help to help them understand. And so I don't know

0:17:59.000 --> 0:18:01.440
<v Speaker 1>that I find it as as troubling as some others

0:18:01.520 --> 0:18:04.400
<v Speaker 1>might find it. My hope is as far as having

0:18:04.480 --> 0:18:06.639
<v Speaker 1>maximum impact. If we have individuals who come in and

0:18:06.680 --> 0:18:09.520
<v Speaker 1>don't understand trade offs, and I'm able to help some

0:18:09.560 --> 0:18:11.360
<v Speaker 1>people get oh yeah, there are trade offs. There's trade

0:18:11.400 --> 0:18:13.960
<v Speaker 1>offs everywhere, and they come out of the class thinking

0:18:14.000 --> 0:18:16.200
<v Speaker 1>that I'll think I did a pretty good job. Matt.

0:18:16.240 --> 0:18:19.280
<v Speaker 1>Can you tell us anymore about your Broadway Economics website

0:18:19.280 --> 0:18:22.040
<v Speaker 1>and which other songs or shows outside of Hamilton's you

0:18:22.440 --> 0:18:25.359
<v Speaker 1>liked for a teaching economics. Oh? Absolutely, So it's on

0:18:25.440 --> 0:18:28.800
<v Speaker 1>Broadway Economics dot com. I think it's about forty five

0:18:28.880 --> 0:18:32.440
<v Speaker 1>or so songs from different shows and you could see

0:18:32.480 --> 0:18:34.280
<v Speaker 1>the songs that's got the links to the lyrics, and

0:18:34.280 --> 0:18:36.800
<v Speaker 1>it also has discussion questions if educators want to use

0:18:36.840 --> 0:18:41.359
<v Speaker 1>these in their classes. The Broadway songs are fantastic for

0:18:41.400 --> 0:18:44.760
<v Speaker 1>teaching economic concept because Broadway musicals tell stories, and a

0:18:44.800 --> 0:18:46.680
<v Speaker 1>lot of the a lot of the stories are about

0:18:46.720 --> 0:18:49.000
<v Speaker 1>economic issues. So, for example, one of the shows I'm

0:18:49.000 --> 0:18:51.679
<v Speaker 1>seeing this afternoon is Fiddler on the Roof If I

0:18:51.720 --> 0:18:53.840
<v Speaker 1>were a rich man, I think is a fantastic song

0:18:53.960 --> 0:18:57.119
<v Speaker 1>as far as teaching economic concepts. The initial you know,

0:18:57.160 --> 0:18:58.560
<v Speaker 1>you hear the title and you think, oh, yeah, that

0:18:58.600 --> 0:19:00.840
<v Speaker 1>has to deal with economy. Mix of course he's talking

0:19:00.840 --> 0:19:03.560
<v Speaker 1>about what happens if he's rich, But there's actually this

0:19:03.640 --> 0:19:06.040
<v Speaker 1>is one of my favorite songs to use because if

0:19:06.080 --> 0:19:09.520
<v Speaker 1>you peel it back a layer, there's much more to it. Uh,

0:19:09.560 --> 0:19:12.880
<v Speaker 1>Teva is singing um about I think it's Teva. It's

0:19:12.920 --> 0:19:17.159
<v Speaker 1>the character's name, is singing about being rich from his

0:19:17.240 --> 0:19:20.719
<v Speaker 1>perspective in I believe it's nineteen o five Russia, and

0:19:20.800 --> 0:19:24.520
<v Speaker 1>to Teva, being rich would mean having lots of farm animals,

0:19:25.240 --> 0:19:30.159
<v Speaker 1>having two sets of stairs, and having a wife with

0:19:30.200 --> 0:19:32.359
<v Speaker 1>a proper double chin. As he's saying, you know, a

0:19:32.359 --> 0:19:35.640
<v Speaker 1>well fed wife, that's being rich. You know, that's that's

0:19:35.680 --> 0:19:38.880
<v Speaker 1>a rich person in Teva's world. So, I mean, I'm

0:19:38.920 --> 0:19:41.320
<v Speaker 1>going to Fiddler today and I'm thinking to myself, I mean,

0:19:42.000 --> 0:19:45.200
<v Speaker 1>we are beyond anything Teva could have imagined in terms

0:19:45.200 --> 0:19:47.120
<v Speaker 1>of rich And I think there's a powerful message about

0:19:47.119 --> 0:19:51.280
<v Speaker 1>economic growth there in the economic growth that's occurred in

0:19:51.359 --> 0:19:54.960
<v Speaker 1>the past hundred years or hundred and fifty years. In

0:19:55.000 --> 0:19:58.600
<v Speaker 1>many countries we all lived like Teva to three four

0:19:59.080 --> 0:20:02.720
<v Speaker 1>years ago, not all, but of the world's population, there's

0:20:02.760 --> 0:20:06.760
<v Speaker 1>still many parts of the world today that are incredibly poor.

0:20:07.080 --> 0:20:11.000
<v Speaker 1>What is brought parts of the world to live so

0:20:11.160 --> 0:20:14.200
<v Speaker 1>to be so incredibly wealthy, And that there's a story

0:20:14.240 --> 0:20:17.360
<v Speaker 1>there that helps illustrate, helps kind of prime students for

0:20:17.640 --> 0:20:20.240
<v Speaker 1>a lesson on economic growth. So that's one of my

0:20:20.280 --> 0:20:22.600
<v Speaker 1>favorite songs. And some of the same concepts are in

0:20:22.640 --> 0:20:25.520
<v Speaker 1>Hamilton's Who Came From you know, as an immigrant from

0:20:25.560 --> 0:20:27.680
<v Speaker 1>the Caribbean, and you get a lot of that kind

0:20:27.720 --> 0:20:29.920
<v Speaker 1>of stuff. Oh yeah, yeah, and that show as well. Yeah.

0:20:29.920 --> 0:20:32.720
<v Speaker 1>The first line from the song, right, um, how does

0:20:32.720 --> 0:20:35.960
<v Speaker 1>the bastard, orphan son of a whore, um, you know,

0:20:36.560 --> 0:20:40.240
<v Speaker 1>become a hero and a scholar? Right? That's fantastic ten

0:20:41.160 --> 0:20:45.960
<v Speaker 1>dollar founding father without a father. I really like using

0:20:46.000 --> 0:20:49.320
<v Speaker 1>that song in terms of kind of making students think, um,

0:20:49.400 --> 0:20:52.320
<v Speaker 1>I think through various issues. There's a number of songs

0:20:52.320 --> 0:20:56.560
<v Speaker 1>that would illustrate ideas of economic competition. Another show that's

0:20:56.680 --> 0:20:59.840
<v Speaker 1>on UM that's on Broadway right now is Something Rotten

0:21:00.600 --> 0:21:02.880
<v Speaker 1>and that show has a song called a Musical, which

0:21:02.880 --> 0:21:05.800
<v Speaker 1>is kind of a big show stopping number, but it's

0:21:05.800 --> 0:21:08.280
<v Speaker 1>a nice idea. It's a nice introduction to kind of

0:21:08.320 --> 0:21:11.440
<v Speaker 1>innovation and how firms might innovate because they are trying

0:21:11.480 --> 0:21:13.760
<v Speaker 1>to figure out what the next best thing when theater

0:21:13.840 --> 0:21:17.119
<v Speaker 1>should be and this is in UM around six hundred

0:21:17.160 --> 0:21:19.120
<v Speaker 1>in England, and they come up with the idea of well,

0:21:19.160 --> 0:21:21.159
<v Speaker 1>let's do a musical and all of the ideas and

0:21:21.160 --> 0:21:24.560
<v Speaker 1>why this would be an innovative, innovative process, and it's

0:21:24.560 --> 0:21:26.840
<v Speaker 1>a it's a great song in terms of illustrating the

0:21:26.880 --> 0:21:29.520
<v Speaker 1>idea that the way that people become better off, A

0:21:29.760 --> 0:21:31.919
<v Speaker 1>big chunk of it is when entrepreneurs come up with

0:21:31.960 --> 0:21:34.800
<v Speaker 1>these ideas for a product we didn't know would make

0:21:34.800 --> 0:21:37.880
<v Speaker 1>our lives better off, but they make our lives better off.

0:21:38.400 --> 0:21:40.720
<v Speaker 1>And so that's a very it's a fun song. You know.

0:21:41.080 --> 0:21:44.000
<v Speaker 1>Once again, part of what makes this work so well

0:21:44.080 --> 0:21:46.280
<v Speaker 1>is the songs are fun, and the students enjoy them

0:21:46.320 --> 0:21:48.320
<v Speaker 1>and they want to listen to them over and over.

0:21:48.320 --> 0:21:51.359
<v Speaker 1>And while they do that, hopefully they the songs, you know,

0:21:51.400 --> 0:21:55.120
<v Speaker 1>the economic concepts resonate with them. Well, maybe I'll look

0:21:55.160 --> 0:21:59.720
<v Speaker 1>into spinning off a separate Benchmark podcast on Broadway musicals

0:21:59.760 --> 0:22:03.440
<v Speaker 1>and and economics because it's Matt. You make it sound

0:22:03.440 --> 0:22:06.560
<v Speaker 1>like a really fascinating subject and and I really appreciate

0:22:06.600 --> 0:22:08.680
<v Speaker 1>you coming in to talk with us about it today. Now,

0:22:08.720 --> 0:22:10.680
<v Speaker 1>thanks for thanks for having me. This has been a blast.

0:22:11.400 --> 0:22:13.480
<v Speaker 1>So Dan, are you ready to go out and see

0:22:13.480 --> 0:22:16.679
<v Speaker 1>Hamilton's yet? If I could afford it? But you know,

0:22:16.880 --> 0:22:19.200
<v Speaker 1>if I were a rich Man, but I think I

0:22:19.280 --> 0:22:21.879
<v Speaker 1>might enroll in your class. How about that? Hey, the

0:22:21.920 --> 0:22:25.080
<v Speaker 1>more of the merrier, All right, well, thanks again, Matt.

0:22:25.119 --> 0:22:27.879
<v Speaker 1>Benchmark will be back next week and until then you

0:22:27.920 --> 0:22:30.800
<v Speaker 1>can find us on the Bloomberg terminal and Bloomberg dot com,

0:22:30.840 --> 0:22:34.159
<v Speaker 1>as well as on iTunes, hocket casts, and Stitcher. And

0:22:34.400 --> 0:22:36.479
<v Speaker 1>while you're there, take a minute to rate and review

0:22:36.520 --> 0:22:39.040
<v Speaker 1>the show so more listeners can find us and let

0:22:39.119 --> 0:22:40.760
<v Speaker 1>us know what you thought of the show. You can

0:22:40.760 --> 0:22:43.760
<v Speaker 1>talk to and follow us on Twitter at Daniel Moss

0:22:43.840 --> 0:22:47.480
<v Speaker 1>DC and at Scott Landon and our guest is at

0:22:47.520 --> 0:22:55.840
<v Speaker 1>at Matthew Rosy and at Broadway eCOM. See you next week.

0:23:00.680 --> 0:23:03.640
<v Speaker 1>Brought to you by Sage Summit Live, the virtual conference

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