WEBVTT - The Shakurs

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<v Speaker 1>You're listening, waiting on reparations production of our Heart radio.

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<v Speaker 1>Uh huh uh huh check check yeah, I love you all, man,

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<v Speaker 1>I'm lying. I smoke a ball while the planet is dying.

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<v Speaker 1>Man of buying with a flow that expand horizons if

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<v Speaker 1>you lame them, we beef like the vamis and likings.

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<v Speaker 1>It's the feeling with somebody swear you bottom lip, fight

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<v Speaker 1>for freedom. So you gotta dip like a side of dip.

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<v Speaker 1>Waiting on reparations that hip hop politics and my homie

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<v Speaker 1>Joela is on the mix. That's a hot assist. They

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<v Speaker 1>call me dope because when I spent that you gotta

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<v Speaker 1>fix since the psychedelics and legal now that I gotta trip,

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<v Speaker 1>what's the side? Is this a lot messed up? All right?

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<v Speaker 1>What's going on? What's good? People? Dope knife? We are

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<v Speaker 1>waiting on reparations. Hurry it up. So today we have

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<v Speaker 1>a statue for you another one. We are going to

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<v Speaker 1>be talking about civil rights activists Assada Shakur, getting to

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<v Speaker 1>her activism, her story if you haven't heard it, and

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<v Speaker 1>we're also going to talk about her connection to hip

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<v Speaker 1>hop and the legendary Tupac Shakur of whom she's the

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<v Speaker 1>godmother too. Interestingly, very little can we found online about

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<v Speaker 1>the relationship of Tupac to his step on and godmother Asada,

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<v Speaker 1>but um she was very much um a part of

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<v Speaker 1>just like black revolutionary struggle in the nineteen sixties and

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<v Speaker 1>nineteen seventies. As we're Afenni Shakur, Mutula Shakur um Tupac's parents,

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<v Speaker 1>we're gonna talk about how this sort of permeated the

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<v Speaker 1>life of Tupac and sort of set him up for

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<v Speaker 1>the person that he was. In addition to detailing, you know,

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<v Speaker 1>in specifics a lot about whose Asada was as this

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<v Speaker 1>notorious figure that today is still being persecuted by the

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<v Speaker 1>United States government. When did you first like become aware

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<v Speaker 1>of Assata Shakur in your activism. I think around the

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<v Speaker 1>time I started studying like abolition, Like when I first

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<v Speaker 1>started like reading the work of ANGELA Davis and like realized,

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<v Speaker 1>you know, like we in school get this very sanitized

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<v Speaker 1>version of what the civil rights movement was. We don't

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<v Speaker 1>learn about the Black Panthers. You don't learn about people

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<v Speaker 1>like angel Davis because they were doing crimes like they

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<v Speaker 1>were they were breaking people out of jail, they were

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<v Speaker 1>robbing Briggs trucks and like Pilofolice office and like crazy

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<v Speaker 1>ship that you know, as like like genuine, genuine revolutionary activity.

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<v Speaker 1>And so around that time is what, you know, what

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<v Speaker 1>I learned about Angela Davis and her advocacy for UM

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<v Speaker 1>political prisoners. And that's what I learned about Asata and

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<v Speaker 1>her advocacy for Asada. When Asada was imprisoned for a

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<v Speaker 1>killing cholice officer. I think I first became aware of

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<v Speaker 1>Assata Shakur, probably with the common song. I mean, we're

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<v Speaker 1>gonna get into that later on in the episode, but

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<v Speaker 1>I would have to say it was a common song

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<v Speaker 1>for as Sata. I think I was watching a hip

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<v Speaker 1>hop documentary years ago and then I saw come and

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<v Speaker 1>make note of it, and then I was remembered, Oh, yeah,

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<v Speaker 1>that song was on that like Water for Chocolate album.

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<v Speaker 1>So that was my introduction into her. I mean, like

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<v Speaker 1>a lot of other you know people, I guess I

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<v Speaker 1>kind of just assumed, oh, a side of Shakur, that's

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<v Speaker 1>Tupac's mom, you know. So I kind of just had

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<v Speaker 1>that idea in my head and ran with it until

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<v Speaker 1>I found out more about who she was. So yeah,

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<v Speaker 1>We're gonna get get into that, but before we do,

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<v Speaker 1>How's how's your week been? You know, she has been crazy.

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<v Speaker 1>We've had like five, I guess now six shootings here

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<v Speaker 1>in the last week or so. Last Saturday, like all

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<v Speaker 1>police shootings or just shooting. Oh, just people just killing

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<v Speaker 1>each other, Just people just killing each other. We had

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<v Speaker 1>a twenty year old kid shot and killed last Saturday.

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<v Speaker 1>This Saturday, there was a man who lost his life.

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<v Speaker 1>The suspect in that shooting was fifteen years old. And uh,

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<v Speaker 1>surprisingly a few leaders are speaking out about it. I

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<v Speaker 1>think because many folks kind of take it for granted,

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<v Speaker 1>this assume that this is what life can be. But

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<v Speaker 1>like in the last couple of days, I've been very

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<v Speaker 1>involved in like reaching out to the families and the

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<v Speaker 1>victims of the shootings. Um. I attended the funeral of

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<v Speaker 1>the of E. B. Montana, who was killed last Saturday,

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<v Speaker 1>twenty year old rapper in town. And uh, it's interesting

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<v Speaker 1>to me and speaking with these families what they think

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<v Speaker 1>the solutions are. Like I gathered with them, I like

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<v Speaker 1>helped you know, of Montana's family organized a candelie vigil

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<v Speaker 1>and one of our community centers on Friday and speaking

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<v Speaker 1>with people out there, they were like, we need to

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<v Speaker 1>be investing in these young people. We need to be

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<v Speaker 1>you know, these people don't internal jobs, ain't got no

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<v Speaker 1>programs to be involved in. And so it's interesting, like

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<v Speaker 1>I think that like people in this discourse around policing recently,

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<v Speaker 1>people like who aren't involved, who aren't impacted, who aren't

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<v Speaker 1>who never lost anyone, are prescribing all these solutions like, oh,

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<v Speaker 1>we need you know, uh more policing, We need all

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<v Speaker 1>these things. You go talk to the people who lose

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<v Speaker 1>family members that that's not even something that comes to

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<v Speaker 1>their mind. That's not even something that's a part of

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<v Speaker 1>the conversation for them, And no one is and I

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<v Speaker 1>don't think anyone is asking them what their opinion is.

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<v Speaker 1>And so it's just been like as we also approached

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<v Speaker 1>like budget season, you know, it was like this time

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<v Speaker 1>last year that like the fund, the police became a

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<v Speaker 1>thing just thinking about just trying to show up for

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<v Speaker 1>these families that are in a lot of pain right

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<v Speaker 1>now and also think about like centering them and how

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<v Speaker 1>we go about creating policy, but particularly for you know, Montana,

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<v Speaker 1>Rest in peace, um beloved Young Rapper um here in

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<v Speaker 1>Athens um who you know himself, had came out had

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<v Speaker 1>some gun charges and had warned out for his arrests,

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<v Speaker 1>and so there's you know, in the media like kind

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<v Speaker 1>of painting him as like, well he was no angel.

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<v Speaker 1>But it's like, what do you do you think these

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<v Speaker 1>kids are gonna do if you don't give them anything

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<v Speaker 1>to believe in in this world? And so that's just

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<v Speaker 1>been my world for the last like week or so.

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<v Speaker 1>But then there's crazy ship happening everywhere. I mean, I mean,

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<v Speaker 1>i've gun violences. I don't know for certain that it's

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<v Speaker 1>like on any sort of record pace, but it seems

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<v Speaker 1>like shit is getting out of control. I mean, it's

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<v Speaker 1>not just the mass shooting statistics, but like you have

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<v Speaker 1>you know, individual every day like of occurrences of of

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<v Speaker 1>gun violence that doesn't even get national coverage because not

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<v Speaker 1>only is it just like part of the like ubiquitous cycle,

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<v Speaker 1>but then it's like only two people died, so it's

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<v Speaker 1>not a big story, or it's only a person here,

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<v Speaker 1>or just somebody got injured. All the all the shootings

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<v Speaker 1>that happened, when people get injured that you never hear of.

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<v Speaker 1>Remember the rapper Pop Smoke who died last year. Recently,

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<v Speaker 1>it came out that the killer of him was a

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<v Speaker 1>fifteen year old who saw him on Instagram and tried

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<v Speaker 1>to get his watch and it's not And it's like, oh,

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<v Speaker 1>you know, uh, like if we don't right, I think

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<v Speaker 1>maybe a Frederick Douglas quote like it's easier to build

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<v Speaker 1>strong children than repair broken men. But like it's I mean,

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<v Speaker 1>we're like the children are broken. Yeah, Like it's not

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<v Speaker 1>even like oh and then they grow up and become

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<v Speaker 1>adults and started doing crazy like the kids, and you

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<v Speaker 1>fail to invest in them. That return in the lack

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<v Speaker 1>of investment manifestly. It's just like these times that we

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<v Speaker 1>live in, everything is just accelerated as well. So you know, well,

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<v Speaker 1>we're gonna we're gonna switch, We're gonna switch gears, and

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<v Speaker 1>we're gonna get into this whole thing with a Sada

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<v Speaker 1>Shakur and the amazing at times story of her life

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<v Speaker 1>will be back with all of that and more after

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<v Speaker 1>the jump. Let's talk a little bit about what I

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<v Speaker 1>saw him was from her early life. Sada Aliba Shakur

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<v Speaker 1>was born Joanne Debara Byron and Queens, New York in

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<v Speaker 1>nineteen and grew up in Walmington North Carolina UM. She

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<v Speaker 1>began her involvement in political activism while attending Manhattan Community

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<v Speaker 1>College and City College of New York UM and she

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<v Speaker 1>recalled a conversation about communism with the African students at

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<v Speaker 1>the spark of some of her revolutionary leanings. She said,

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<v Speaker 1>I never forget. I've never forgot that day. We were

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<v Speaker 1>taught at such an early age to be against communists,

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<v Speaker 1>yet most of us don't have the famous idea of

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<v Speaker 1>what communism is, only a pool at somebody else tell

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<v Speaker 1>them who his enemy, And I think it's a good point.

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<v Speaker 1>She of course spent a short period of time with

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<v Speaker 1>the Black Panther Party, organizing protests and community education programs.

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<v Speaker 1>She even was leading the Black Panther Party chapter in

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<v Speaker 1>Harlem for a while, coordinating with the free breakfast program

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<v Speaker 1>for children, free clinics, community outreach. She would eventually join

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<v Speaker 1>the Black Liberation Army due to some dissolution and meant

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<v Speaker 1>with what was going on in the Black Panther Party

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<v Speaker 1>at the time, she said, with a few exceptions, be

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<v Speaker 1>political education classes for party members turned out to be

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<v Speaker 1>just the opposite. The basic problem stemmed from the fact

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<v Speaker 1>that BPP had no systematic approach to political education. They

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<v Speaker 1>were reading from the Red Book, where they didn't know

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<v Speaker 1>who Harry Tupman, Marcus Garvey or not Turner work. A

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<v Speaker 1>whole lot of them barely understood any kind of history Black,

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<v Speaker 1>African or otherwise. So that's something that I never really

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<v Speaker 1>thought about in detail much. Is like that not everybody

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<v Speaker 1>was on the same page with everything. Yeah, I mean

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<v Speaker 1>looking at the modern left like and like it, it's

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<v Speaker 1>almost heartening to know that there were these schisms always

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<v Speaker 1>of like people who found the organization's lacking and would

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<v Speaker 1>move on to others. Or you know that there were

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<v Speaker 1>these like like like even these figures and even these

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<v Speaker 1>institutions that our memorialized so notoriously. It's just like just

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<v Speaker 1>mind blowing legendary work that they did. Like it, We're

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<v Speaker 1>not perfect, and that it's almost it's almost hardening. It's like, oh, nope,

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<v Speaker 1>you can make a lasting impact in history even if

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<v Speaker 1>you don't have your ship. Tell me together some other

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<v Speaker 1>stuff that I kind of found about this, but I

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<v Speaker 1>never I didn't really find anything that she says specifically,

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<v Speaker 1>but um, apparently there was some feeling on her part

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<v Speaker 1>that there was a lot of macho ship going on

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<v Speaker 1>in the Black Panther Party at the time. Yeah. So

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<v Speaker 1>then so she joined the Black Liberation Army or b

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<v Speaker 1>l A, which was an underground revolutionary organization from nineteen seventy.

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<v Speaker 1>It was kind of like the Black Panthers. It's composed

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<v Speaker 1>to former members and also former members of another organization,

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<v Speaker 1>the Republic of New Africa. But the group's mission statement

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<v Speaker 1>was to take up arms for the liberation and self

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<v Speaker 1>determination of black people in the United States, not fucking around.

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<v Speaker 1>So they had some principles that they kind of went by.

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<v Speaker 1>So one that we are anti capitalist, anti imperialist, anti racist,

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<v Speaker 1>and anti sexists too, that we must of necessity strive

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<v Speaker 1>for the abolishment of these systems and for the institution

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<v Speaker 1>of socialistic relationships in which black people have total and

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<v Speaker 1>absolute control over their own destiny as a people. And

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<v Speaker 1>then three that in order to abolish our systems of oppression,

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<v Speaker 1>we must utilize the science of class struggle, develop the

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<v Speaker 1>science as it relates to our unique national condition. In

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<v Speaker 1>our opening statement in court in nineteen SATA would say,

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<v Speaker 1>the Black Liberation Army is not an organization. It goes

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<v Speaker 1>beyond that. It is a concept, a people's movement and idea.

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<v Speaker 1>The concept of the b l A arose because of

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<v Speaker 1>the political, social, and economic oppression of black people in

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<v Speaker 1>this country, and where there is oppression, there will be resistance.

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<v Speaker 1>The b l A is part of that resistance movement.

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<v Speaker 1>The Black Liberation Army stands for freedom and justice for

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<v Speaker 1>all people. In nineteen seventy, she was a doctor's assistant

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<v Speaker 1>volunteering at Alcatraz Prison. At the time, there was a

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<v Speaker 1>protest going on with some Native Americans about broken treaties

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<v Speaker 1>and expectation by the U. S. Government. She went on

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<v Speaker 1>to say, I will never forget the quiet confidence as

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<v Speaker 1>they went about their lives calmly, even though they were

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<v Speaker 1>under the constant threat of invasion by the FBI in U. S. Military.

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<v Speaker 1>They had many of the same problems we had, and

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<v Speaker 1>for damn sure the same enemy. They were doing as

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<v Speaker 1>bad as we were, if not worse. I didn't save

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<v Speaker 1>any one was when she changed her name to Asada

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<v Speaker 1>ballow skor. Asada is a West African name derived from

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<v Speaker 1>the Arabic name Aisha said to me and he she

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<v Speaker 1>who struggles Alshakerman thankful one in Arabic, all the following

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<v Speaker 1>savior and your bum She said, the name Joanne began

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<v Speaker 1>to irk my nerves in her autobiography, had changed a

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<v Speaker 1>lot and moved to a different beat. I didn't feel

0:12:57.640 --> 0:13:01.120
<v Speaker 1>like no Joanne or no Negro in norma. I felt

0:13:01.120 --> 0:13:03.560
<v Speaker 1>like an African woman my mind, heart, and soul. I'd

0:13:03.600 --> 0:13:05.600
<v Speaker 1>gone back to Africa, but my name was still stranded

0:13:05.920 --> 0:13:09.040
<v Speaker 1>in Europe somewhere, which then prompted her change. Over the

0:13:09.160 --> 0:13:11.120
<v Speaker 1>next few years, she would be charged with a slew

0:13:11.160 --> 0:13:14.839
<v Speaker 1>of crimes, including two bank robberies in New York, the

0:13:15.000 --> 0:13:18.160
<v Speaker 1>kidnap and murder of a drug dealer, an armed robbery

0:13:18.280 --> 0:13:21.199
<v Speaker 1>during which she was shot in the attempted murder of

0:13:21.280 --> 0:13:24.439
<v Speaker 1>a police officer in an ambush she was convicted of.

0:13:24.600 --> 0:13:28.000
<v Speaker 1>None of these is all either acquittals or case dismissals,

0:13:28.880 --> 0:13:33.559
<v Speaker 1>which is interesting because that she is. But like the

0:13:33.679 --> 0:13:37.880
<v Speaker 1>memory of her being charged with these crimes outlives the

0:13:38.120 --> 0:13:40.680
<v Speaker 1>reality of her acquittals or case dismissals, like we will

0:13:40.720 --> 0:13:44.080
<v Speaker 1>remember her. It's just like bad as like fucking crazy,

0:13:44.679 --> 0:13:49.000
<v Speaker 1>you know, doing crimes. Yeah, like outlaw, but like most

0:13:49.000 --> 0:13:51.199
<v Speaker 1>of the ships she was you know, got dismissed, so

0:13:51.360 --> 0:13:53.959
<v Speaker 1>she was acquitted for but anyway, and then also it's

0:13:54.000 --> 0:13:56.240
<v Speaker 1>like the other thing too, is just like you know,

0:13:56.320 --> 0:14:00.640
<v Speaker 1>if you just do a casual just casual little research,

0:14:00.720 --> 0:14:02.679
<v Speaker 1>if you're like, you know, wanting to know who she is,

0:14:02.840 --> 0:14:04.880
<v Speaker 1>that you know, most of what you're gonna find is

0:14:04.960 --> 0:14:08.400
<v Speaker 1>about like this sort of stuff, you know what I mean.

0:14:08.880 --> 0:14:10.599
<v Speaker 1>She was involved in this, and she was involved in that.

0:14:10.720 --> 0:14:12.280
<v Speaker 1>There was a shootout with this, and a shoot out

0:14:12.320 --> 0:14:14.760
<v Speaker 1>with that, and it's like you have to dig like

0:14:14.880 --> 0:14:19.160
<v Speaker 1>a lot harder to like actually find what it was.

0:14:19.320 --> 0:14:22.560
<v Speaker 1>Obviously most of her life, you know, which was activism

0:14:22.760 --> 0:14:25.360
<v Speaker 1>in in you know, I mean community service and stuff

0:14:25.360 --> 0:14:27.520
<v Speaker 1>like that. Yeah, which then recalls for me, I mean,

0:14:27.600 --> 0:14:30.560
<v Speaker 1>like I was talking about at the top the recent um,

0:14:31.280 --> 0:14:34.680
<v Speaker 1>you know tragedy with this kid Montana where uh he

0:14:35.200 --> 0:14:38.440
<v Speaker 1>you know, was allegedly involved in a shootout like a

0:14:38.520 --> 0:14:41.640
<v Speaker 1>week prior. He may have been in the car the car,

0:14:42.120 --> 0:14:45.080
<v Speaker 1>may have been shooting in self defense in any regard,

0:14:45.280 --> 0:14:48.119
<v Speaker 1>like he had warrants out because they thought he'd suspected

0:14:48.240 --> 0:14:52.480
<v Speaker 1>his involvement. And so the front page of the newspaper

0:14:52.720 --> 0:14:56.400
<v Speaker 1>on Sunday was you know, like slay and Rapper had

0:14:56.520 --> 0:14:59.520
<v Speaker 1>Gonne warrant and you know charges warrant out for gun

0:14:59.640 --> 0:15:03.240
<v Speaker 1>charges is um, despite the fact that, like it's not

0:15:03.400 --> 0:15:05.880
<v Speaker 1>clear if he was involved in the crime. He may

0:15:06.120 --> 0:15:07.800
<v Speaker 1>even if he was in the car. He when i've

0:15:07.800 --> 0:15:10.000
<v Speaker 1>been personal shooting, even in the person in the car

0:15:10.000 --> 0:15:12.240
<v Speaker 1>had been shooting, it may have been self defense. But

0:15:12.600 --> 0:15:14.760
<v Speaker 1>the story that gets told is that he had warrants

0:15:14.800 --> 0:15:17.720
<v Speaker 1>out for his arrest, which is very much un contrasted

0:15:17.760 --> 0:15:19.360
<v Speaker 1>when we speak to his family or like when I

0:15:19.400 --> 0:15:22.880
<v Speaker 1>attended his service yesterday, people talking about how he made

0:15:22.960 --> 0:15:26.720
<v Speaker 1>TikTok challenges for kids, and he you know, would take

0:15:26.760 --> 0:15:29.120
<v Speaker 1>out his neighbor's trash, and he would waived all the

0:15:29.160 --> 0:15:31.480
<v Speaker 1>city bus drivers and all of these other things that

0:15:31.640 --> 0:15:34.880
<v Speaker 1>like aren't his splashy and so don't get picked up,

0:15:34.960 --> 0:15:38.280
<v Speaker 1>and like the are collected, you know, and imprinted in

0:15:38.320 --> 0:15:40.360
<v Speaker 1>our collective memory of who these people are. And then

0:15:40.440 --> 0:15:43.400
<v Speaker 1>when those things do come to light, they don't really

0:15:43.480 --> 0:15:46.600
<v Speaker 1>have to go back and correct both headlines because and

0:15:46.680 --> 0:15:49.640
<v Speaker 1>then yeah, and then like yeah, nothing ever happens, and

0:15:49.760 --> 0:15:53.600
<v Speaker 1>that's just like that what the memory remains. The FBI

0:15:53.680 --> 0:15:57.120
<v Speaker 1>has Joint Terrorism Task Force was issuing nearly daily briefing

0:15:57.200 --> 0:16:01.080
<v Speaker 1>sashakur status and allegations against her. Years later, some police

0:16:01.120 --> 0:16:03.520
<v Speaker 1>officers argued that her importance in the deal that had

0:16:03.560 --> 0:16:06.280
<v Speaker 1>been exaggerated by the police, with one saying that they

0:16:06.360 --> 0:16:09.000
<v Speaker 1>themselves had created a myth to DEMONI Schaker because she

0:16:09.120 --> 0:16:16.080
<v Speaker 1>was educated, young, and pretty. Doc documentary evidence suggests that

0:16:16.120 --> 0:16:21.320
<v Speaker 1>Shakur was targeted by the investigation named Chez Rob, which

0:16:21.520 --> 0:16:25.760
<v Speaker 1>was attempted to hook Asada Shakur to virtually every bank

0:16:25.920 --> 0:16:28.760
<v Speaker 1>robbery or violent crime involving a black woman on the

0:16:28.800 --> 0:16:34.800
<v Speaker 1>East Coast God Damn. Although named after Shakur, Chez Rob,

0:16:35.240 --> 0:16:38.960
<v Speaker 1>like its predecessor Nu Kill, was not limited to her.

0:16:40.840 --> 0:16:44.360
<v Speaker 1>So they were just like just coming for her regardless.

0:16:44.520 --> 0:16:47.760
<v Speaker 1>I mean, it's almost like a parody of what you

0:16:47.880 --> 0:16:50.240
<v Speaker 1>would have, you know what I mean, Like it almost

0:16:50.280 --> 0:16:53.720
<v Speaker 1>like if somebody just told you it, it would sound like, no,

0:16:53.880 --> 0:16:55.920
<v Speaker 1>that's like a movie, you know, But it's like, no,

0:16:56.280 --> 0:16:58.680
<v Speaker 1>that sounds like some conspiracytion. I mean, a lot of

0:16:58.720 --> 0:17:02.200
<v Speaker 1>the stuff of the FBI do that is true, Like

0:17:02.280 --> 0:17:05.200
<v Speaker 1>when in hindsight, like a lot of that Jagger Hoover

0:17:05.480 --> 0:17:09.159
<v Speaker 1>FBI stuff is literally the plots of movies that have

0:17:09.320 --> 0:17:15.800
<v Speaker 1>been made. So then came the infamous shootout at the

0:17:15.840 --> 0:17:18.800
<v Speaker 1>New Jersey Terrified. According to the official New Jersey Police

0:17:19.400 --> 0:17:23.000
<v Speaker 1>UH spokespersonan Asada was on our way to a new

0:17:23.119 --> 0:17:27.800
<v Speaker 1>hideout in Philadelphia and heading ultimately for Washington, and a

0:17:27.880 --> 0:17:30.440
<v Speaker 1>book in the vehicle contained a list of potential b

0:17:30.600 --> 0:17:33.040
<v Speaker 1>l A targets. She testified the heading to Maryland for

0:17:33.040 --> 0:17:35.879
<v Speaker 1>a waitress drop skor and her two associates were stopped

0:17:35.920 --> 0:17:39.000
<v Speaker 1>by state trooper for a broken tail light. Haven't we

0:17:39.080 --> 0:17:42.760
<v Speaker 1>heard that before many many times? And the result was

0:17:42.840 --> 0:17:47.159
<v Speaker 1>a shooting that left the trooper, Werner Forster, dead and

0:17:47.280 --> 0:17:50.720
<v Speaker 1>one of the men that Asada was with, Zaid Malik Shakore.

0:17:51.359 --> 0:17:53.520
<v Speaker 1>He was killed and inside of herself was shot in

0:17:53.640 --> 0:17:58.760
<v Speaker 1>both arms and her shoulder. For The Guardian, it was

0:17:58.840 --> 0:18:01.639
<v Speaker 1>in hospital that she first met Letics Hines, the National

0:18:01.760 --> 0:18:04.840
<v Speaker 1>director of the National Conference of Black Lawyers. In the

0:18:04.920 --> 0:18:08.560
<v Speaker 1>history of New Jersey, no woman, pretrial, detainee or prisoner

0:18:08.920 --> 0:18:11.879
<v Speaker 1>has ever been treated as she was continuously confined in

0:18:12.040 --> 0:18:16.399
<v Speaker 1>men's prison under twenty four hour surveillance, without adequate medical

0:18:16.400 --> 0:18:20.240
<v Speaker 1>attention and exercise, he said. Cursed Defense team filed a

0:18:20.280 --> 0:18:23.560
<v Speaker 1>civil suit against the state, charging that her condition for

0:18:23.640 --> 0:18:26.320
<v Speaker 1>cruel and inhumane. She was held for more than a

0:18:26.480 --> 0:18:29.359
<v Speaker 1>year in solitary confinement in the basement of Middlesex County

0:18:29.400 --> 0:18:33.560
<v Speaker 1>stale that they held there. In the men's present, oh yeah,

0:18:33.800 --> 0:18:36.760
<v Speaker 1>oh oh yeah, oh yeah, she ascribed to all her

0:18:36.760 --> 0:18:41.040
<v Speaker 1>conditions a unifying fame. Oh god, the smell. I don't

0:18:41.080 --> 0:18:42.840
<v Speaker 1>care what jail had been in. They all stink. They

0:18:42.920 --> 0:18:44.760
<v Speaker 1>all have a smell on like any smell on earth,

0:18:44.880 --> 0:18:48.119
<v Speaker 1>like blood and sweat and feet and open sores. And

0:18:48.359 --> 0:18:54.040
<v Speaker 1>if misery had a smell like she was in carded

0:18:54.040 --> 0:18:56.439
<v Speaker 1>into nine seven when she finally got to have her

0:18:56.560 --> 0:19:00.080
<v Speaker 1>case in court for The Guardian, there's much evidence to

0:19:00.160 --> 0:19:04.240
<v Speaker 1>suggest the trial wasn't fair. Transcripts in the jury selection

0:19:04.280 --> 0:19:07.399
<v Speaker 1>show that at least two jurors expressed prejudice before the

0:19:07.440 --> 0:19:10.440
<v Speaker 1>start of the trial. There's evidence of the offices of

0:19:10.480 --> 0:19:13.440
<v Speaker 1>the defense team were being bugged, and materials relating to

0:19:13.520 --> 0:19:16.320
<v Speaker 1>her case went missing from the home of the lawyer

0:19:16.440 --> 0:19:20.040
<v Speaker 1>Stanley Cohen, were later found with New York City police.

0:19:20.880 --> 0:19:23.320
<v Speaker 1>They're not even like they weren't even trying, you know.

0:19:23.560 --> 0:19:28.879
<v Speaker 1>Ship um Hines called the trial allegal lynching in a

0:19:29.000 --> 0:19:32.479
<v Speaker 1>kangaroo court. The defense could not get an expert witness

0:19:32.560 --> 0:19:36.040
<v Speaker 1>to testify. The Core noted it was obvious I didn't

0:19:36.080 --> 0:19:38.520
<v Speaker 1>have one chance in a million of receiving any kind

0:19:38.560 --> 0:19:42.520
<v Speaker 1>of justice. She testified, holding onto a photo of her daughter,

0:19:42.920 --> 0:19:46.280
<v Speaker 1>conceived with fellow b l A member Kamayu Sadiki while

0:19:46.320 --> 0:19:49.280
<v Speaker 1>they were both in jail and born in nineteen seventy four.

0:19:50.040 --> 0:19:52.439
<v Speaker 1>The jury reached a verdict out of twenty four hours.

0:19:52.600 --> 0:19:56.880
<v Speaker 1>She was found guilty on all seven counts. As Haines explained,

0:19:57.000 --> 0:19:59.440
<v Speaker 1>under New Jersey law, if a person's presence at the

0:19:59.480 --> 0:20:01.760
<v Speaker 1>scene of a crime can be construed as aiding or

0:20:01.840 --> 0:20:04.359
<v Speaker 1>betting the crime, that person can be convicted of the

0:20:04.400 --> 0:20:08.560
<v Speaker 1>substantive crime itself. Shakur was handed a mandatory life sentence.

0:20:10.560 --> 0:20:14.760
<v Speaker 1>So while in president Shakura was introduced liberation theology, which

0:20:14.800 --> 0:20:18.920
<v Speaker 1>is a synthesis of Christian theology and socioeconomic analyzes that

0:20:19.000 --> 0:20:22.280
<v Speaker 1>emphasize the social concern for the poor and political liberation

0:20:22.359 --> 0:20:27.120
<v Speaker 1>for a press people's actual like Jesus type stuff. Yeah,

0:20:27.160 --> 0:20:30.680
<v Speaker 1>it's like Jesus, but like real Jesus was like, yeah,

0:20:30.800 --> 0:20:34.240
<v Speaker 1>Homie was hanging out with the homeless and prostitutes and

0:20:34.480 --> 0:20:37.360
<v Speaker 1>was like murdered by the state, And like, what does

0:20:37.440 --> 0:20:39.280
<v Speaker 1>this mean for us today in terms of how we

0:20:39.880 --> 0:20:43.840
<v Speaker 1>enact you know, a good life as a Christian, to

0:20:44.880 --> 0:20:48.520
<v Speaker 1>upend and disrupt oppression of various kinds. Here's something interesting

0:20:48.600 --> 0:20:51.880
<v Speaker 1>I found on Wikipedia. Shakur was identified as a political

0:20:51.960 --> 0:20:56.000
<v Speaker 1>prisoner as early as October eighth, nineteen seventy three, by

0:20:56.040 --> 0:20:59.480
<v Speaker 1>Angela Davis and in April third, nineteen seventy seven the

0:20:59.520 --> 0:21:02.600
<v Speaker 1>New York Times advertisement purchased by the Eastern Coalition of

0:21:02.680 --> 0:21:06.600
<v Speaker 1>Human Rights. An international panel of seven jurist was invited

0:21:06.640 --> 0:21:09.000
<v Speaker 1>by Hines to tour a number of US prisons and

0:21:09.080 --> 0:21:12.400
<v Speaker 1>concluded in a report filed with the United Nations Commission

0:21:12.480 --> 0:21:15.679
<v Speaker 1>for Human Rights that the conditions of her solitary confinement

0:21:15.760 --> 0:21:20.640
<v Speaker 1>were totally unbefitting of any prisoner. Their investigation, which focused

0:21:20.680 --> 0:21:23.920
<v Speaker 1>on alleged human rights abuses of political prisoners, sided Shakur

0:21:24.040 --> 0:21:27.639
<v Speaker 1>is one of the worst cases of such abuses. So

0:21:27.760 --> 0:21:32.240
<v Speaker 1>it's interesting that her particular predicament then led to this

0:21:32.480 --> 0:21:35.440
<v Speaker 1>larger indictment of the prison system and the practice of

0:21:35.480 --> 0:21:38.920
<v Speaker 1>solitary confronement in the United States, which is totally boring

0:21:39.040 --> 0:21:43.360
<v Speaker 1>if you ask me, but so nineteen seventy nine, three

0:21:43.520 --> 0:21:47.000
<v Speaker 1>members of the b l A walked into the Clinton

0:21:47.080 --> 0:21:50.400
<v Speaker 1>Correctional Facility for women with guns and stick of dynamite,

0:21:50.680 --> 0:21:55.440
<v Speaker 1>took two guards hostage, commandeered two vans, and broke Asada

0:21:55.440 --> 0:22:00.480
<v Speaker 1>out of prison and what coopering? Well escape the guards.

0:22:00.960 --> 0:22:02.480
<v Speaker 1>To be clear, we're left in the parking lot and

0:22:02.480 --> 0:22:06.520
<v Speaker 1>no I was injured, but they just broke her ass out.

0:22:06.560 --> 0:22:08.520
<v Speaker 1>They were like, y'all keeping my girl, and Saul say,

0:22:09.400 --> 0:22:12.720
<v Speaker 1>pretty daring, you know what I think? Do you think

0:22:12.800 --> 0:22:17.400
<v Speaker 1>that like with this um new surgeons of like black cinema,

0:22:17.440 --> 0:22:19.440
<v Speaker 1>do you think we're gonna get like a definitive of

0:22:19.520 --> 0:22:22.840
<v Speaker 1>Satisha core movie? Do we not have one yet? I

0:22:22.880 --> 0:22:25.400
<v Speaker 1>don't think we do. I can't recall one at least

0:22:25.480 --> 0:22:29.000
<v Speaker 1>nothing that's that you know that's like popping the mind

0:22:29.080 --> 0:22:31.200
<v Speaker 1>that's like worth noting right now. I can't really think

0:22:31.240 --> 0:22:33.760
<v Speaker 1>of one, but just just you know, getting to this

0:22:33.960 --> 0:22:36.240
<v Speaker 1>part of the story, it's like, oh, yeah, now I

0:22:36.320 --> 0:22:38.440
<v Speaker 1>need to see this filmed. Like what what was the

0:22:38.480 --> 0:22:42.240
<v Speaker 1>stick of dynamite for? What? Do we Apparently there was

0:22:42.359 --> 0:22:49.359
<v Speaker 1>a there was a documentary Joannes that came out and

0:22:51.560 --> 0:22:56.000
<v Speaker 1>came out in two nine. Uh. I don't know a

0:22:56.040 --> 0:22:58.440
<v Speaker 1>lot about it, but but I think more of what

0:22:58.520 --> 0:23:01.600
<v Speaker 1>we're talking about in the line of like, yeah, exactly

0:23:01.720 --> 0:23:09.639
<v Speaker 1>like or like you know, Denzel cast like you know,

0:23:10.880 --> 0:23:13.000
<v Speaker 1>a little bit of a little bit of you know,

0:23:13.160 --> 0:23:15.199
<v Speaker 1>fiction and a little bit of historical, you know, one

0:23:15.200 --> 0:23:17.600
<v Speaker 1>of those blurring the line sort of, you know. So

0:23:17.760 --> 0:23:20.760
<v Speaker 1>she was at large fugitive for years after that. In

0:23:20.880 --> 0:23:23.480
<v Speaker 1>New York, three days after her escape, more than five

0:23:23.560 --> 0:23:27.159
<v Speaker 1>thousand demonstrates more than five thousand demonstrators organized by the

0:23:27.280 --> 0:23:31.000
<v Speaker 1>National Black Human Rights Coalition carried signs with slip with

0:23:31.040 --> 0:23:34.800
<v Speaker 1>her name on the slogan. At that rally, a statement

0:23:34.880 --> 0:23:38.960
<v Speaker 1>from Shakur was was circulating, condemning the U s prison

0:23:39.040 --> 0:23:44.200
<v Speaker 1>conditions and calling for an independent New African state. She

0:23:44.320 --> 0:23:47.840
<v Speaker 1>was granted political asylum in Cuba, and it's been living

0:23:47.840 --> 0:23:50.720
<v Speaker 1>in exile there ever since. Over the decades, there have

0:23:50.800 --> 0:23:53.119
<v Speaker 1>been four or five attempts to try to extradite her

0:23:53.200 --> 0:23:55.560
<v Speaker 1>back to the United States, with the last being in

0:23:55.640 --> 0:23:58.280
<v Speaker 1>June two thousand seventeen, when President Donald Trump gave a

0:23:58.320 --> 0:24:02.720
<v Speaker 1>speech canceling the Cuba the Cuban Thaw policies of its predecessor,

0:24:02.800 --> 0:24:06.000
<v Speaker 1>Barack Obama. A condition of making a new deal between

0:24:06.000 --> 0:24:08.679
<v Speaker 1>the United States and Cuba was the release of priltical

0:24:08.840 --> 0:24:12.720
<v Speaker 1>political prisoners and the return of fugitives from justice, Trumps

0:24:12.720 --> 0:24:15.560
<v Speaker 1>specifically calling for the return of cop killer Joe and

0:24:15.640 --> 0:24:18.760
<v Speaker 1>Chest But I remember when that all went down, and

0:24:18.840 --> 0:24:21.760
<v Speaker 1>that's cool because it kind of let's just transition into

0:24:21.880 --> 0:24:24.360
<v Speaker 1>our music discussion a little bit. But I remember when

0:24:24.440 --> 0:24:26.720
<v Speaker 1>that all went down. There was like a brief period

0:24:26.760 --> 0:24:32.320
<v Speaker 1>of time where a bunch of outlets were like posting

0:24:32.440 --> 0:24:38.520
<v Speaker 1>it as Trump goes after Tupac's mother, and that that's

0:24:38.520 --> 0:24:40.959
<v Speaker 1>all they were saying. People don't even like that. They

0:24:41.000 --> 0:24:43.760
<v Speaker 1>were really like like digging in it like that. I

0:24:43.800 --> 0:24:46.840
<v Speaker 1>guess they were just hearing Shakur and then I guess

0:24:46.840 --> 0:24:49.200
<v Speaker 1>seeing that there was a connection with between the two

0:24:49.359 --> 0:24:51.040
<v Speaker 1>and there was like a slue a headlines that was

0:24:51.119 --> 0:24:53.800
<v Speaker 1>like Trump going after Tupac's mother. I remember waking up

0:24:53.880 --> 0:24:56.280
<v Speaker 1>that day and looking on Twitter. It's like wait, wait

0:24:56.359 --> 0:25:09.520
<v Speaker 1>what huh. But now it's transition to talking a little

0:25:09.520 --> 0:25:16.520
<v Speaker 1>bit about Tupac and the revolutionary uh. Just like bedrock

0:25:16.840 --> 0:25:20.080
<v Speaker 1>of who he became. That echo is very much a

0:25:20.119 --> 0:25:22.520
<v Speaker 1>lot of what we have learned about Asada to this point.

0:25:22.640 --> 0:25:27.800
<v Speaker 1>So Asada was tupac step on and godmother. Not much

0:25:28.080 --> 0:25:30.959
<v Speaker 1>is known publicly about their relationship, and though they were

0:25:31.000 --> 0:25:34.320
<v Speaker 1>not related by blood, much of her revolutionary activity in

0:25:34.400 --> 0:25:37.400
<v Speaker 1>Stance can commonly be found in the Hikert family bloodline.

0:25:38.200 --> 0:25:41.440
<v Speaker 1>Tupac's birth mother, if Finney, was also an active member

0:25:41.520 --> 0:25:44.600
<v Speaker 1>in the Black Panther Party. She wrote the Black Panther

0:25:44.760 --> 0:25:48.879
<v Speaker 1>Party newsletter Panther Post, and led a successful campaign that

0:25:49.000 --> 0:25:52.159
<v Speaker 1>tricked the FBI to believe the party was fading. In

0:25:52.280 --> 0:25:55.400
<v Speaker 1>April nineteen sixty nine, she and a number of other

0:25:55.480 --> 0:25:59.160
<v Speaker 1>Black Panthers were arrested and charged several counts of conspiracy

0:25:59.240 --> 0:26:02.560
<v Speaker 1>to bomb police stations and other public places in New York.

0:26:03.040 --> 0:26:07.040
<v Speaker 1>Sure those were real charges. When the trial came, A Finny,

0:26:07.080 --> 0:26:09.840
<v Speaker 1>who was pregnant with Tupac at the time, who had

0:26:09.880 --> 0:26:12.800
<v Speaker 1>not attended law school, and who was facing down a

0:26:12.960 --> 0:26:16.600
<v Speaker 1>three hundred year prison sentence, chose to represent herself in court.

0:26:18.119 --> 0:26:20.880
<v Speaker 1>One month before giving birth to Poc. She was acquitted

0:26:20.920 --> 0:26:23.600
<v Speaker 1>of all charges. Pap was very close to his mother,

0:26:23.680 --> 0:26:26.760
<v Speaker 1>who sometimes also served as his publicist, and he famously

0:26:26.800 --> 0:26:30.240
<v Speaker 1>dedicated his song Dear momitor A Finny and her children

0:26:30.320 --> 0:26:34.600
<v Speaker 1>moved to Baltimore, Maryland during his time at the Baltimore

0:26:34.680 --> 0:26:37.760
<v Speaker 1>School for the Arts in the late eighties, Tupac became

0:26:37.880 --> 0:26:40.720
<v Speaker 1>attending meetings in the Baltimore branch of the Young Communist

0:26:40.840 --> 0:26:45.720
<v Speaker 1>League USA, which he had since renamed itself too, which

0:26:45.720 --> 0:26:49.840
<v Speaker 1>has since renamed itself the TUPACSA Corp Club in his honor. Unfortunately,

0:26:49.880 --> 0:26:51.600
<v Speaker 1>we could find little about his time with a Young

0:26:51.640 --> 0:26:55.200
<v Speaker 1>Communist League and the research, but I think the influence

0:26:55.200 --> 0:26:57.159
<v Speaker 1>as well as his time with the Black Panther had

0:26:57.160 --> 0:27:02.520
<v Speaker 1>been heard in his anti imperialist class. Consciously so. If

0:27:02.560 --> 0:27:05.920
<v Speaker 1>Any's first Hump husband, La Mumba, was a leader of

0:27:05.960 --> 0:27:08.679
<v Speaker 1>the Black Panthers in Harlem and married if Any nine.

0:27:09.920 --> 0:27:13.440
<v Speaker 1>Their marriage unraveled after the revolution. Their marriage unraveled after

0:27:13.480 --> 0:27:16.040
<v Speaker 1>the revelation came forth that La Mumba was not Tupac's

0:27:16.040 --> 0:27:20.720
<v Speaker 1>biological father. In the aftermath, if Any married Mutula Shakurry,

0:27:21.280 --> 0:27:26.160
<v Speaker 1>Lamumba's adopted stepbrother. Mutula was politically active with the Revolutionary

0:27:26.240 --> 0:27:29.680
<v Speaker 1>Action Movement, a US based revolutionary black nationalist group that

0:27:29.760 --> 0:27:32.680
<v Speaker 1>applied the philosophy of Maoism to conditions of black people

0:27:32.680 --> 0:27:35.560
<v Speaker 1>in the United States. He later joined the new the

0:27:35.840 --> 0:27:39.159
<v Speaker 1>Republic of New Africa that we referenced earlier to the

0:27:39.200 --> 0:27:42.119
<v Speaker 1>Black Nationalists and separatist group that sought reparations as well

0:27:42.160 --> 0:27:45.159
<v Speaker 1>as to establish an independent black majority nation in the

0:27:45.240 --> 0:27:48.840
<v Speaker 1>southern United States. Mutula shared a close bond with Cock,

0:27:48.920 --> 0:27:51.000
<v Speaker 1>and together they wrote the famous Code of Thug Life,

0:27:51.040 --> 0:27:55.439
<v Speaker 1>a set of rules discouraging unprovoked violence between gangs. Mutula

0:27:55.640 --> 0:27:58.720
<v Speaker 1>was currently serving a sixty year prison sentence for his

0:27:58.840 --> 0:28:01.200
<v Speaker 1>involvement in the ninety and eighty one robbery of a

0:28:01.240 --> 0:28:04.800
<v Speaker 1>Brinks armor truck, in which Matulu several other members of

0:28:04.840 --> 0:28:07.560
<v Speaker 1>the Black Liberation Army, in coalition with four members of

0:28:07.600 --> 0:28:10.879
<v Speaker 1>the radical left organization of the Weather Underground, stole one

0:28:10.920 --> 0:28:13.520
<v Speaker 1>point six million dollars, killing a guard and two police

0:28:13.560 --> 0:28:17.119
<v Speaker 1>officers in the act. Interesting fun fact, another conspirator in

0:28:17.160 --> 0:28:21.040
<v Speaker 1>the robberty another conspirator in the robbery, Kathy Buddin, is

0:28:21.200 --> 0:28:24.639
<v Speaker 1>mother of Chess Budden, who was in two thousand nineteen

0:28:24.720 --> 0:28:29.359
<v Speaker 1>elected the District Attorney of San Francisco. Damn, it's a

0:28:30.480 --> 0:28:39.920
<v Speaker 1>fucking small world when you're robbing Brace trucks. Damn. Yeah,

0:28:40.080 --> 0:28:45.440
<v Speaker 1>that's I mean, that's a crazy story. Yeah, I mean,

0:28:45.560 --> 0:28:47.880
<v Speaker 1>and so I think and I think it it speaks

0:28:47.920 --> 0:28:52.560
<v Speaker 1>to the fact that like under like you know, neoliberal

0:28:52.640 --> 0:28:56.920
<v Speaker 1>and the conservative policies of the you know, seventies and eighties,

0:28:57.600 --> 0:28:59.680
<v Speaker 1>a lot of people, you know, you either became a

0:28:59.760 --> 0:29:02.560
<v Speaker 1>revel luctionary or you became a criminal, or the line

0:29:02.600 --> 0:29:05.520
<v Speaker 1>between you know, you became a song or the line

0:29:05.560 --> 0:29:07.840
<v Speaker 1>between them was very blurred. Like what was the difference

0:29:07.840 --> 0:29:09.960
<v Speaker 1>between being a revolutionary and be a thug? If this is,

0:29:10.080 --> 0:29:13.400
<v Speaker 1>like if undermining the state is what its mean? You know,

0:29:13.520 --> 0:29:15.800
<v Speaker 1>if if this is, you know that they're engaging in

0:29:15.960 --> 0:29:19.360
<v Speaker 1>very similar activities, arguably to different ends. With when on

0:29:19.440 --> 0:29:21.320
<v Speaker 1>the one end, if you're like you know, song life

0:29:21.760 --> 0:29:24.320
<v Speaker 1>for the accumulation of capital for you know, getting yourself

0:29:24.320 --> 0:29:27.080
<v Speaker 1>out of poverty, for life refuse set versus like the

0:29:27.280 --> 0:29:29.840
<v Speaker 1>other group of folks that we're shooting police officers in

0:29:29.880 --> 0:29:32.840
<v Speaker 1>crazy ship like that, but with the aims of like

0:29:33.120 --> 0:29:36.360
<v Speaker 1>establishing a separatist black state and like things is. And

0:29:36.440 --> 0:29:40.080
<v Speaker 1>so I think, like in the larger conversation that we

0:29:40.160 --> 0:29:42.240
<v Speaker 1>have on the show about the relationship between hip hop

0:29:42.280 --> 0:29:46.400
<v Speaker 1>and politics, like I think studying the lives of if

0:29:46.440 --> 0:29:49.480
<v Speaker 1>Any in Utulou and the Sada show us like the

0:29:49.840 --> 0:29:53.920
<v Speaker 1>many ways that the activity of both hip hop and

0:29:54.760 --> 0:29:59.160
<v Speaker 1>revolution um overlap. And yeah, and I think that it's

0:29:59.160 --> 0:30:04.320
<v Speaker 1>also good just in a historical context to not not

0:30:04.600 --> 0:30:08.800
<v Speaker 1>whitewash events or eras and things like that. It's like

0:30:08.880 --> 0:30:11.840
<v Speaker 1>the Civil rights movement as we know it to be

0:30:12.240 --> 0:30:15.760
<v Speaker 1>wasn't like every day was that I have a dream speech.

0:30:16.040 --> 0:30:21.560
<v Speaker 1>You know what I'm saying. It's like like it involved

0:30:21.680 --> 0:30:25.640
<v Speaker 1>like thousands of people like with you know, hundreds of

0:30:25.720 --> 0:30:30.480
<v Speaker 1>individual stories of how people were like contributing to that

0:30:30.560 --> 0:30:32.520
<v Speaker 1>whole fight, and not all of it was pretty you

0:30:32.560 --> 0:30:36.240
<v Speaker 1>know what I'm saying, like obviously, And that's that's another

0:30:36.360 --> 0:30:39.600
<v Speaker 1>theme that I think we're going to continue to explore. Um,

0:30:39.880 --> 0:30:43.760
<v Speaker 1>but let's get into like the direct music discussion. Oh,

0:30:43.840 --> 0:30:46.640
<v Speaker 1>you know, just talking about that whole thing with Tupac.

0:30:46.760 --> 0:30:51.160
<v Speaker 1>Fun fact about me. My godmother is May Jamison, who

0:30:51.280 --> 0:30:54.080
<v Speaker 1>was the first black woman in space the more you know,

0:30:54.920 --> 0:30:57.680
<v Speaker 1>also on Star Trek. Yeah, she was also the first

0:30:57.760 --> 0:31:00.800
<v Speaker 1>real life astronaut on Star Trek. I think that's the trivia.

0:31:02.320 --> 0:31:04.480
<v Speaker 1>I love that in my response, like, oh, it's not

0:31:04.560 --> 0:31:07.240
<v Speaker 1>impressive enough to me that she went to motherfucking space.

0:31:07.320 --> 0:31:11.160
<v Speaker 1>I'm like, but whatna starting? Alright, so I don't have

0:31:11.240 --> 0:31:14.040
<v Speaker 1>a cool godmother story. I'm sorry, but you have so

0:31:14.160 --> 0:31:18.680
<v Speaker 1>many cool stories about I just got that one. Yeah, yeah,

0:31:18.720 --> 0:31:21.200
<v Speaker 1>that's pretty. It's pretty. But yeah, let's turn to look

0:31:21.200 --> 0:31:24.880
<v Speaker 1>a little bit about look at some of ASADA's impact

0:31:24.960 --> 0:31:29.320
<v Speaker 1>on hip hop music as well as the revolutionary ideology

0:31:29.360 --> 0:31:32.400
<v Speaker 1>so that she, if Annie and others shared trickled into

0:31:32.440 --> 0:31:35.479
<v Speaker 1>the music of Tupacs. So the first song that we're

0:31:35.480 --> 0:31:39.000
<v Speaker 1>going to talk about is the two thousand. I guess

0:31:39.040 --> 0:31:41.880
<v Speaker 1>the only way to describe it as an epic. It's

0:31:41.920 --> 0:31:45.560
<v Speaker 1>a six minute long epic song by Common called Song

0:31:45.720 --> 0:31:49.200
<v Speaker 1>for Asada. It's off of his album Like Water for Chocolate,

0:31:49.360 --> 0:31:52.800
<v Speaker 1>produced by James Posner. Let's check that out real quick.

0:31:54.360 --> 0:31:57.960
<v Speaker 1>Put Mason, the eyes threaten, the blast, my race still

0:31:58.080 --> 0:32:01.440
<v Speaker 1>things got still open. As for you last season next

0:32:01.480 --> 0:32:05.000
<v Speaker 1>to a best friend who got killed, commons words about it.

0:32:05.080 --> 0:32:08.400
<v Speaker 1>He said it stemmed from me just reading her autobiography.

0:32:08.920 --> 0:32:11.040
<v Speaker 1>I read the book two or three times. I went

0:32:11.120 --> 0:32:14.360
<v Speaker 1>down to Cuba. I had to feel every element I

0:32:14.480 --> 0:32:19.040
<v Speaker 1>could to get so I could write that story. Yeah,

0:32:19.120 --> 0:32:21.360
<v Speaker 1>he talked about making this move until it's freedom for

0:32:21.480 --> 0:32:24.920
<v Speaker 1>all those who are oppressed, all those in struggle, and

0:32:25.000 --> 0:32:29.640
<v Speaker 1>then gets into like in very very graphic detail, you know,

0:32:29.920 --> 0:32:33.600
<v Speaker 1>the gunshots firing, laying in a puddle of blood and

0:32:33.720 --> 0:32:37.280
<v Speaker 1>blood bubbling from her chest, and you know the feel

0:32:37.400 --> 0:32:41.640
<v Speaker 1>of like the gunshot, like the open wound of the gunshot, um,

0:32:42.400 --> 0:32:45.640
<v Speaker 1>you know, before she was later questioned by the police.

0:32:46.440 --> 0:32:49.480
<v Speaker 1>Like it's very you know, it's like very viscerally first person,

0:32:49.680 --> 0:32:54.240
<v Speaker 1>not vivot. Like the thing that it's stands out to

0:32:54.320 --> 0:32:57.000
<v Speaker 1>me is obviously like the length of it, because you know,

0:32:57.880 --> 0:33:00.800
<v Speaker 1>you don't really see too many six minute long rap songs,

0:33:01.080 --> 0:33:04.480
<v Speaker 1>even when it's about something serious, you know, and we

0:33:05.400 --> 0:33:08.960
<v Speaker 1>there's decades and decades to discuss what we were just

0:33:09.080 --> 0:33:12.560
<v Speaker 1>talking about. How oh that story is so wild that

0:33:13.600 --> 0:33:15.920
<v Speaker 1>somebody should make a movie of it, you know, or

0:33:16.280 --> 0:33:19.000
<v Speaker 1>is there a movie of it? And this is kind

0:33:19.040 --> 0:33:21.360
<v Speaker 1>of the hip hop version of that, you know. It's

0:33:21.480 --> 0:33:27.120
<v Speaker 1>it's a very vivid, very detailed and visually so recounting

0:33:27.200 --> 0:33:29.720
<v Speaker 1>of the story that we just told you guys all

0:33:30.040 --> 0:33:33.400
<v Speaker 1>in um the course of this episode. It's kind of

0:33:33.480 --> 0:33:37.040
<v Speaker 1>like I did this Ted talk thing not too long ago,

0:33:37.120 --> 0:33:41.680
<v Speaker 1>and it was like about how when you rap lyrics

0:33:42.320 --> 0:33:47.240
<v Speaker 1>seep in more in in information when presented as rap,

0:33:47.480 --> 0:33:51.040
<v Speaker 1>can you know, be retained easier and be ingrained in

0:33:51.080 --> 0:33:53.000
<v Speaker 1>the mind more. And I think the song kind of

0:33:53.560 --> 0:33:55.880
<v Speaker 1>you know, proves that because like this is like a

0:33:55.960 --> 0:33:58.959
<v Speaker 1>summary of our whole episode just now in the six minutes,

0:33:59.480 --> 0:34:01.959
<v Speaker 1>but it's like a dope to it. Yeah, you can

0:34:02.120 --> 0:34:04.640
<v Speaker 1>listen to this. You all should have just gone listen

0:34:04.680 --> 0:34:09.200
<v Speaker 1>to songs for Rosada to completely honest our apologies for

0:34:09.320 --> 0:34:13.400
<v Speaker 1>listing your time. So what you got next? So you know,

0:34:13.520 --> 0:34:15.799
<v Speaker 1>she gets a shout out on public enemies rubble without

0:34:15.840 --> 0:34:18.600
<v Speaker 1>a pause. But I think that turning to look at

0:34:18.800 --> 0:34:21.640
<v Speaker 1>some of the influence of Black Panther and other black

0:34:21.760 --> 0:34:26.080
<v Speaker 1>radical ideology and the music of Tupac is it's really

0:34:26.120 --> 0:34:29.960
<v Speaker 1>interesting regularly if you look at keep your head up,

0:34:30.160 --> 0:34:32.759
<v Speaker 1>you know, which we all know, but then sort of

0:34:32.960 --> 0:34:34.800
<v Speaker 1>looking at it through the lens of the influence of

0:34:34.800 --> 0:34:38.279
<v Speaker 1>strong black female leaders in Tupac's life and then sort

0:34:38.320 --> 0:34:40.560
<v Speaker 1>of gives more context to like when he says some

0:34:40.719 --> 0:34:42.319
<v Speaker 1>say the black of the barrils, we have the juice

0:34:42.360 --> 0:34:43.640
<v Speaker 1>to say, the dark of the flesh, of deep of

0:34:43.680 --> 0:34:45.640
<v Speaker 1>the roots. I gave holl it to my sisters on

0:34:45.719 --> 0:34:49.279
<v Speaker 1>well payer Tupac hairs if don't nobody else care, you know,

0:34:49.760 --> 0:34:52.920
<v Speaker 1>you know, encouraging women to dry your eyes, never let up,

0:34:53.080 --> 0:34:56.800
<v Speaker 1>keep your head up, and not accept the disrespect of

0:34:57.080 --> 0:34:59.680
<v Speaker 1>black men in our community who may not have seen

0:35:00.680 --> 0:35:05.960
<v Speaker 1>like the what's how much I say, man, I've exposed

0:35:06.040 --> 0:35:09.959
<v Speaker 1>to like the power of like, you know, truly strong

0:35:10.000 --> 0:35:11.520
<v Speaker 1>black leaders in the way that he was in his

0:35:11.640 --> 0:35:15.200
<v Speaker 1>young life. I think it's one of those interesting things

0:35:15.239 --> 0:35:20.480
<v Speaker 1>about Tupac that unfortunately, just like a lot of things

0:35:20.520 --> 0:35:24.239
<v Speaker 1>in history, gets lost because when people pass away, it's

0:35:24.280 --> 0:35:28.640
<v Speaker 1>like the lot of the imagery of him that people

0:35:28.760 --> 0:35:31.200
<v Speaker 1>that sticks with people is like the wild like the

0:35:31.560 --> 0:35:36.360
<v Speaker 1>dude getting in trouble that people don't realize the Tupac

0:35:36.480 --> 0:35:38.560
<v Speaker 1>is a guy that was raised by women, that like

0:35:38.840 --> 0:35:41.880
<v Speaker 1>cared very much about his sister and was like really,

0:35:42.680 --> 0:35:46.759
<v Speaker 1>you know, for for all the contradictions that rappers have,

0:35:47.840 --> 0:35:51.279
<v Speaker 1>I don't think I don't think that there was like

0:35:51.440 --> 0:35:54.920
<v Speaker 1>any like uh. I mean, I guess there's there's definitely

0:35:55.080 --> 0:36:00.319
<v Speaker 1>misogynistic Tupac lyrics, but not like de human I seeing

0:36:01.200 --> 0:36:03.960
<v Speaker 1>like misogynistic Tupac lyrics that makes sense. I mean, we

0:36:04.040 --> 0:36:07.960
<v Speaker 1>could definitely find worst examples. Yes, we could definitely find

0:36:08.040 --> 0:36:15.440
<v Speaker 1>like the worst examples. So White Man's World was a

0:36:15.760 --> 0:36:24.360
<v Speaker 1>ninety kid came out September. Um, it's it's a Outlaws

0:36:24.440 --> 0:36:27.320
<v Speaker 1>number e D. I mean provided some background in permation

0:36:27.360 --> 0:36:29.319
<v Speaker 1>on the song. And so it's a personal record. It's

0:36:29.320 --> 0:36:31.279
<v Speaker 1>like an open letter to his mother and his sister.

0:36:31.480 --> 0:36:34.360
<v Speaker 1>It's like he's writing from jail and just apologizing for

0:36:34.400 --> 0:36:37.080
<v Speaker 1>a lot of ship at we're all trying to grow

0:36:37.160 --> 0:36:39.799
<v Speaker 1>up and change figures out. A lot of people don't

0:36:39.800 --> 0:36:41.880
<v Speaker 1>remember that he you know, he's only twenty five. At

0:36:41.920 --> 0:36:46.239
<v Speaker 1>the time, he was still a kid. Um and so um,

0:36:47.320 --> 0:36:50.360
<v Speaker 1>this is sort of like a letter to his family

0:36:50.719 --> 0:36:54.520
<v Speaker 1>of like, YO, apologize, but in it it's got an

0:36:54.560 --> 0:36:59.360
<v Speaker 1>interesting couple of lines um about like one of the

0:36:59.480 --> 0:37:06.040
<v Speaker 1>lessons of never falling for riches, apologizing to his true sisters. Um,

0:37:06.200 --> 0:37:09.359
<v Speaker 1>far from bitches. Um that they helped, you know, help

0:37:09.440 --> 0:37:13.520
<v Speaker 1>me raise my black nation. Reparations are due, and that

0:37:13.640 --> 0:37:15.279
<v Speaker 1>it's so true caught up in this world, I took

0:37:15.280 --> 0:37:19.319
<v Speaker 1>advantage of you. But tell them babies how I love them,

0:37:19.400 --> 0:37:22.320
<v Speaker 1>precious boys and girls born black and most white man's world.

0:37:22.840 --> 0:37:26.640
<v Speaker 1>So there's like hinting at like the ways that underlike

0:37:27.000 --> 0:37:31.320
<v Speaker 1>hint under the boot of like racial capitalism, like we

0:37:31.719 --> 0:37:34.279
<v Speaker 1>get pitted against each other, like the black men versus

0:37:34.360 --> 0:37:37.799
<v Speaker 1>black women. Um, you know, black men versus black men,

0:37:38.960 --> 0:37:42.880
<v Speaker 1>lower class wicks versus the you know, lower class blacks

0:37:43.239 --> 0:37:45.480
<v Speaker 1>when you know, and we're falling for the riches we're

0:37:45.840 --> 0:37:50.040
<v Speaker 1>when really, uh, we're all valuable and really if we

0:37:50.120 --> 0:37:52.759
<v Speaker 1>got our fair share, you know, we could rise up.

0:37:52.840 --> 0:37:57.880
<v Speaker 1>And not dealing was one of those uh posts songs

0:37:57.920 --> 0:38:01.719
<v Speaker 1>after he died. It's one of the earlie songs. I

0:38:02.120 --> 0:38:04.960
<v Speaker 1>always wonder um because a lot of the thing with

0:38:05.080 --> 0:38:06.880
<v Speaker 1>like a lot of those songs to me that's always

0:38:06.920 --> 0:38:11.560
<v Speaker 1>stuck out is like none of that stuff feels like rushed.

0:38:11.640 --> 0:38:13.480
<v Speaker 1>It's usually like a lot of it is the type

0:38:13.520 --> 0:38:15.440
<v Speaker 1>of songs that you have to think about, you know

0:38:15.480 --> 0:38:17.160
<v Speaker 1>what I'm saying, Like as far as like that, you

0:38:17.160 --> 0:38:20.080
<v Speaker 1>would imagine somebody who's writing it has to think about.

0:38:20.120 --> 0:38:22.680
<v Speaker 1>It doesn't feel like, oh, this is just some bullshit

0:38:22.800 --> 0:38:26.200
<v Speaker 1>that I'm doing in the studio. It's like really still

0:38:26.520 --> 0:38:30.480
<v Speaker 1>like politically charged or very emotional songs and stuff like

0:38:30.560 --> 0:38:34.000
<v Speaker 1>that that he did at some point when he was

0:38:34.080 --> 0:38:38.400
<v Speaker 1>still alive by like the tens, just he just did

0:38:38.520 --> 0:38:41.040
<v Speaker 1>like albums and the album's worth of songs like these

0:38:41.520 --> 0:38:43.719
<v Speaker 1>that are hidden gems throughout because I have never even

0:38:44.400 --> 0:38:47.000
<v Speaker 1>like thought about this ship. I've heard this album a

0:38:47.120 --> 0:38:49.080
<v Speaker 1>couple of times back in the day, but I've never

0:38:49.200 --> 0:38:52.400
<v Speaker 1>even recalled this song. And this is like kind of

0:38:52.600 --> 0:38:55.359
<v Speaker 1>following on the same themes that he was going when

0:38:55.400 --> 0:38:57.960
<v Speaker 1>he was making Dear Mama. It's like that same sort

0:38:58.000 --> 0:39:04.120
<v Speaker 1>of uplifting like, you know, like uplifting black women in

0:39:04.200 --> 0:39:08.120
<v Speaker 1>the community even though they're not getting their proper due

0:39:08.160 --> 0:39:10.759
<v Speaker 1>respect from everybody else. Sort of vibe that that song

0:39:10.880 --> 0:39:15.480
<v Speaker 1>had to it. And then our last uh, especially on

0:39:15.520 --> 0:39:19.280
<v Speaker 1>a song it's a poem. I didn't know that Tupac

0:39:19.400 --> 0:39:22.279
<v Speaker 1>released a book of poetry that poems that he wrote

0:39:22.960 --> 0:39:25.640
<v Speaker 1>between Nights and nine and Night to any One Um

0:39:26.680 --> 0:39:29.800
<v Speaker 1>published by It's like through MTV Books. I don't know

0:39:29.960 --> 0:39:32.560
<v Speaker 1>MTV printed. Didn't about that. I mean, I remember that,

0:39:32.640 --> 0:39:34.920
<v Speaker 1>I remember that book The Rose that Grew from Concrete,

0:39:34.960 --> 0:39:37.880
<v Speaker 1>but I didn't I didn't know published by MTV Books.

0:39:39.160 --> 0:39:42.279
<v Speaker 1>And so I guess most Death did an interpretation of

0:39:42.880 --> 0:39:47.360
<v Speaker 1>a Tupac poem that in the original evokes Black Panther

0:39:47.520 --> 0:39:50.920
<v Speaker 1>Party for self Defense Etho and the pad and the

0:39:51.040 --> 0:39:57.440
<v Speaker 1>Panther is she just own um? When they talk about

0:39:57.560 --> 0:40:00.120
<v Speaker 1>can you see the Pride of the Black Panther as

0:40:00.160 --> 0:40:02.919
<v Speaker 1>he grows in splendor, and Gray's top one obstacles placed

0:40:02.960 --> 0:40:05.680
<v Speaker 1>in the way of the regression of I don't think

0:40:05.800 --> 0:40:09.319
<v Speaker 1>I ever heard that ship before. Again, like I knew

0:40:09.320 --> 0:40:11.000
<v Speaker 1>about this book, I didn't know that they put out

0:40:11.000 --> 0:40:15.200
<v Speaker 1>a whole album where different artists were doing interpretations of

0:40:15.280 --> 0:40:17.440
<v Speaker 1>it though. But that's something that I've kind of always

0:40:17.520 --> 0:40:21.560
<v Speaker 1>wanted them to just rappers to start doing in general.

0:40:21.640 --> 0:40:25.360
<v Speaker 1>It's like, I think cats should not be afraid to

0:40:25.440 --> 0:40:28.400
<v Speaker 1>do covers in hip hop the way they do another

0:40:28.680 --> 0:40:31.440
<v Speaker 1>forms of music, because you know, like a rock band

0:40:31.520 --> 0:40:33.200
<v Speaker 1>can be like, hey, we want to give a shout

0:40:33.239 --> 0:40:36.840
<v Speaker 1>out to Smashing Pumpkins and then do their interpretation of

0:40:36.920 --> 0:40:40.320
<v Speaker 1>a Smashing Pumpkin song. But how come, you know, like,

0:40:41.120 --> 0:40:43.160
<v Speaker 1>how come you can't get like me Gooes doing their

0:40:43.360 --> 0:40:46.040
<v Speaker 1>version of a Ludicrous song or something like that. Like

0:40:46.320 --> 0:40:47.680
<v Speaker 1>I would want to see that. I would want to

0:40:47.719 --> 0:40:50.120
<v Speaker 1>see one of these new rappers like give a shout

0:40:50.160 --> 0:40:54.480
<v Speaker 1>out to DMX and do their version of rough Rider's

0:40:54.520 --> 0:40:56.239
<v Speaker 1>Anthem or something like that. So this is fresh. I

0:40:56.320 --> 0:41:01.440
<v Speaker 1>gotta check this out. That's no learn something today. Yeah,

0:41:02.120 --> 0:41:04.680
<v Speaker 1>we are going to be back with you next week.

0:41:04.719 --> 0:41:06.680
<v Speaker 1>What are we gonna do next week? Do we know yet?

0:41:07.840 --> 0:41:09.799
<v Speaker 1>I don't know. It's gonna be a mystery. It's gonna

0:41:09.800 --> 0:41:12.200
<v Speaker 1>be a mystery. But whatever it is, it's gonna be dope.

0:41:12.719 --> 0:41:14.480
<v Speaker 1>But you know how we always close it off. We

0:41:14.600 --> 0:41:18.160
<v Speaker 1>gotta get that beat so that we can spit some rhymes.

0:41:18.560 --> 0:41:24.919
<v Speaker 1>Joe my good man. Can we get a instrumental? Oh?

0:41:25.480 --> 0:41:36.200
<v Speaker 1>Oh wait, no reparations, Wait, no reparation. Got it? I

0:41:36.320 --> 0:41:39.640
<v Speaker 1>thought the market in me would be that simple, that single.

0:41:39.760 --> 0:41:42.560
<v Speaker 1>Let's get linked. What to be a sex symbol? I said,

0:41:42.600 --> 0:41:46.160
<v Speaker 1>I got it's actually I'm delectable, but intellectually on my

0:41:46.280 --> 0:41:50.400
<v Speaker 1>Jetta cheese for cholesterol. Hella, hella elevated. You are lowell

0:41:50.440 --> 0:41:53.000
<v Speaker 1>and I look well. I bet you seven cents to

0:41:53.080 --> 0:41:55.640
<v Speaker 1>be there this later. I bet your thirty seventh cents.

0:41:55.680 --> 0:41:58.400
<v Speaker 1>A thorny feminists about the time that we will recoint

0:41:58.440 --> 0:42:03.759
<v Speaker 1>it femininity. That's funny. Enemies from the sender ravenus to

0:42:03.880 --> 0:42:07.160
<v Speaker 1>do what the tendency? If you're looking for honey, lovench,

0:42:07.280 --> 0:42:11.680
<v Speaker 1>tenderly and the sheets, Yes again, mother fuck, I'm frenzied indusprit.

0:42:12.000 --> 0:42:14.320
<v Speaker 1>Not a lot of mcs to try to rock to this.

0:42:14.760 --> 0:42:17.800
<v Speaker 1>I say I'm dope. You perceive that as confidence. I

0:42:17.960 --> 0:42:21.560
<v Speaker 1>got green plant seeds like a botanist, and I got speed.

0:42:21.680 --> 0:42:25.040
<v Speaker 1>You're gonna need that rabotan Nick the rocial Concrete. I

0:42:25.120 --> 0:42:27.520
<v Speaker 1>do it like to Pocalypse and neat these rappers like

0:42:27.600 --> 0:42:30.720
<v Speaker 1>the chocolate Chip. I could not resist hit the pressure

0:42:30.760 --> 0:42:33.719
<v Speaker 1>points until you call me spotting ship waiting a reparation

0:42:33.880 --> 0:42:40.000
<v Speaker 1>certified to be rocking there. Yeah, yeah, it's like dope dope,

0:42:40.360 --> 0:42:47.240
<v Speaker 1>dope dope. Hey, my name's Dope Knife. You are waiting

0:42:47.320 --> 0:42:53.600
<v Speaker 1>on reparations next week. Listen to Waiting on Reparations on

0:42:53.719 --> 0:42:56.680
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:42:56.760 --> 0:42:57.600
<v Speaker 1>get your podcasts