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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You're really missed podcast.

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Speaker 3: We Are, We Are, We are beginning and ending in

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Speaker 3: season six. You're gonna hear that a lot from me.

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Speaker 3: We are a jagged little tapestry. Kevin, Hello, Hello, episode three.

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Speaker 2: We're already on episode three.

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Speaker 3: Yeah, and it's not that no slow pumped the flow

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Speaker 3: your role, flow, your role.

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Speaker 1: Okay.

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Speaker 3: This aired January sixteenth, twenty fifteen.

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Speaker 1: So we are just about to be filming the end

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Speaker 1: of the series. We're on our.

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Speaker 2: Way because we wrapped like what a month from this.

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Speaker 1: Day, basically February exact.

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Speaker 2: Yeah, a little after this. So in the news this week,

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Speaker 2: the number one song and it will be the number

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Speaker 2: one song I think for a very long time. Yes,

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Speaker 2: probably for the rest of the show. Actually this may be.

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Speaker 2: It is Uptown Funk by Mark Ronson and Bruno Wars.

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Speaker 3: Okay, and the number one movie is American Sniper. It

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Speaker 3: was directed by Clint Eastwood, starring Bradley Cooper.

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Speaker 1: I did not see it.

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Speaker 2: Glee News this week on January thirteenth, Glee the music

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Speaker 2: Jag a little Tapestry EP was released. It featured five

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Speaker 2: tracks from the episode and was released for digital download only.

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Speaker 3: And on January seventeen, members of the cast attended the

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Speaker 3: twenty fifteen Fox Winter All Star Party.

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Speaker 1: It was all the newbies, so this.

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Speaker 2: Was the hell we were going to show up. They

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Speaker 2: didn't even ask, and.

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Speaker 1: They knew the newbies. What that's the thing. They're like,

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Speaker 1: you guys have to go to this thing. And they're like, okay,

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Speaker 1: all right. So this is Alanis and Carol King.

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Speaker 3: I know we had said, like, ah, Carol King tribute,

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Speaker 3: but it's actually a dual tribute.

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Speaker 2: Yeah, it's a mashup.

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Speaker 1: Paul mccrane was the director of this episode.

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Speaker 2: He's back, Okay, We've got.

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Speaker 3: It's too late by Carol King, performed by Blaine and Kurt.

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Speaker 2: Hand in My Pocket mashed up with I Feel the

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Speaker 2: Earth Move by Brittany and Santana.

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Speaker 1: Will You Love Me Tomorrow? Head Over Feet by Jane

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Speaker 1: and Mason.

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Speaker 2: So Far Away performed by Quinn and Tinta.

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Speaker 1: Another Tinta song that got cut short.

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Speaker 2: I'm over it.

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Speaker 1: I kind of am too.

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Speaker 2: I'm over especially with that because it was so good.

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Speaker 3: I listened to the whole version of this one because

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Speaker 3: Andrew told us that it was a bob yeah, and

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Speaker 3: I listened to it. I was like, number one, I

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Speaker 3: don't remember recording this. Number two I soundedly cuds yeah.

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Speaker 2: I don't say that ever. I don't know ever.

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Speaker 1: I was like, Wow, she suits her. This is a

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Speaker 1: good this suits her. This song.

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Speaker 2: It's funny when it's like an emotional thing and you're

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Speaker 2: crying and like they cut you off and I go,

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Speaker 2: there goes Tina again. But you guys sound so good

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Speaker 2: on this. It's such a good cover and there's like

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Speaker 2: nothing going on, and you still don't get to finish it,

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Speaker 2: and like the bit's done, the bit's dead.

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Speaker 1: It wasn't even my bit this time though.

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Speaker 3: It wasn't even exactly because of Lauren Oh and Becky, sorry.

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Speaker 2: You're catching strays, Like this wasn't even about you.

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Speaker 1: I am catching.

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Speaker 2: I was pissed, I literally because I forgot this one.

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Speaker 2: I know we talked about it with Andrew that you

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Speaker 2: don't even finish it, but I out loud, I go,

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Speaker 2: oh no, because like what are we doing? No really

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Speaker 2: long numbers in this, like the Santana and Brittany number.

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Speaker 1: It is so long.

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Speaker 2: I could have watched them perform all day. However, that

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Speaker 2: didn't feel like it's TV at it.

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Speaker 3: Okay, And we've got You Learn, You've Got a Friend,

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Speaker 3: the alum and the new new directions essentially, So this

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Speaker 3: is the third episode to be a tribute to an album,

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Speaker 3: the first being Rumors Second Meeting Saturday Night Leaver.

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Speaker 2: This episode, however, is a tribute to two albums. So

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Speaker 2: that's the first.

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Speaker 3: Okay, So Teena is Alvin drinkhand in my Pocket, Feel

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Speaker 3: the Earth Move is the one she wore for the

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Speaker 3: season six photo shoot.

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Speaker 2: Oh, there's a lot of that in this episode. M

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Speaker 2: h Brattany's outfit during You Learn sa She've Got a Friend.

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Speaker 2: It's the one she wore for her season six photo shoot.

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Speaker 1: As we said, yes, and this marks the last appearance.

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Speaker 3: Oh no, this marks the last appearance of Roz Washington

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Speaker 3: on the show.

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Speaker 2: And it's a good one, to be.

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Speaker 3: Fair, it's a really good one. I was so happy

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Speaker 3: to be there for it.

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Speaker 2: Can we just talk about it while we're here, because

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Speaker 2: it felt like, you know, she naturally said down syndrume

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Speaker 2: how she says down syndrome and that, and then Jane

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Speaker 2: clocked it and then the whole scene turned into a

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Speaker 2: thing between how she pronounced down syndrome.

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Speaker 3: It's so I was like, I it brought me back

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Speaker 3: to the scene, like I was like, I was watching

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Speaker 3: and I was like, oh my god, I forgot about this.

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Speaker 1: Sitting on that couch trying to hold it.

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Speaker 3: Together while she gave that speech, her saying it the

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Speaker 3: way she said it, I was like, I am not.

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Speaker 2: Well, right, shout out to We had a guest star

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Speaker 2: this week was Justin Prentiss, who was on thirteen Reasons

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Speaker 2: Why and he's in this episode a lot. And he

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Speaker 2: had to be in there with those powerhouses and had

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Speaker 2: to stand up and then also say down syndrome. And

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Speaker 2: I continue on with to see it. I was like,

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Speaker 2: do you know what, Yeah, you know what? Yeah?

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Speaker 1: He was sweet. All right, give me the give me the.

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Speaker 2: Little summary. Rachel and Kurt struggle as they try to

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Speaker 2: rebuild and co direct the glee club at McKinley. Meanwhile,

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Speaker 2: Sue is concerned when Becky brings her new boyfriend to town.

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Speaker 1: Okay, Becky loved the storyline.

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Speaker 2: Yeah, really, this is a good, juicy, meaningful and funny storyline.

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Speaker 1: I loved it. I loved being part of it. I

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Speaker 1: loved watching it.

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Speaker 3: I thought, Lauren, kudos, Lauren Potter, it was all real good.

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Speaker 3: That was definitely my favorite storyline of the episode. And

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Speaker 3: also just In Prentice so sweet, adorable and really funny.

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Speaker 2: Did you watch Thirteen Reasons? Why? Yes, it was start

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Speaker 2: because he plays not a great person in that.

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Speaker 1: Show, right and nice nice.

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Speaker 2: Yes, it was really hard for me to watch him

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Speaker 2: in this episode. I know, I know, I know, and

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Speaker 2: he's so sweet and so I kept waiting for there

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Speaker 2: to be the shoe to drop because of how he

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Speaker 2: was on thirteen.

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Speaker 3: Well, he does play really good villains in that way,

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Speaker 3: right or like and then you're like.

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Speaker 1: Oh, well, where it is? Where is it?

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Speaker 3: Yeah, we're doing well today. Neither of us are making sense.

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Speaker 2: You know what if people are still listening to us

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Speaker 2: after this many episodes, they know they know.

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Speaker 3: Kevin and I have both have half a brain, and

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Speaker 3: so we make one full brain.

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Speaker 2: I think we make one half a brain. Actually I

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Speaker 2: don't know how that math works, but.

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Speaker 1: Well, we're a quarter man. We work in quarters, all right.

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Speaker 3: Kurt sees Kowsky and Blaine in the record shop cross.

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Speaker 2: He's real handsy. Why does he like does he have

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Speaker 2: to have his hands all over brain every single scene.

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Speaker 1: I don't like it. I don't like it at all.

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Speaker 2: Because it feels conniving.

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Speaker 3: It is conniving yet and yet maybe his love language

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Speaker 3: is touch, you know, like it's just who he is.

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Speaker 3: We just don't We're not used to seeing Krofsky in

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Speaker 3: this light. We're not used to seeing asking a romantic relationship.

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Speaker 2: He's happy, but out of respect for his boyfriend's ex,

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Speaker 2: who you also bullied, don't you help you? And like

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Speaker 2: the whole respect. Yeah, yeah, like you do that at home.

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Speaker 1: I know. And poor Kurt well Kirk.

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Speaker 3: Says that he has a a dream sequence.

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Speaker 1: Of like watching himself before, which I loved. I loved

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Speaker 1: that he said that.

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Speaker 2: I really enjoyed that dream sequence.

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Speaker 1: Love it.

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Speaker 2: I was also startled how quickly a song happened in

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Speaker 2: this episode. There was literally like two lines and then

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Speaker 2: we're into a song.

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Speaker 1: These songs are long, except for Tina's song. These songs

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Speaker 1: are long.

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Speaker 2: As they should be because they're incredible songs.

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Speaker 1: No, I know, I'm like, give me the whole thing.

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Speaker 2: That dream sequence it looks like aged.

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Speaker 1: Backwards, I mean likes age backwards.

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Speaker 2: It was so strange. I really liked how it was.

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Speaker 2: I just I really liked it.

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Speaker 1: I really enjoyed it as well.

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Speaker 3: Hurt and Rachel are now like kind of in the

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Speaker 3: throes of like starting this glee club up again. They're

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Speaker 3: recruiting members, try and make a lot of plan they're

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Speaker 3: having trouble.

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Speaker 2: This scene has written so well. I really like their

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Speaker 2: back and forth.

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Speaker 3: Yeah, I like this whole like like kind of one

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Speaker 3: upping each other the whole episode.

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Speaker 2: It's very funny, it is. And they're both great physical

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Speaker 2: comedic actors. Yes, yeah, And so there's so much going

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Speaker 2: on between them and every scene and they're really hidden it.

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Speaker 3: And it's just so character driven, like the both of them.

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Speaker 3: This makes total sense for like I'm I'm in you know, Rachel.

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Speaker 3: Kurt is saying he thinks that it should be a

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Speaker 3: breakup album, and it should be Tapestry obviously, and it's

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Speaker 3: going to be Carol King and Rachel's like, well, if

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Speaker 3: we're going to do a breakup album, it should.

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Speaker 1: Be Jaggue Little Pill, both of which I agree with.

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Speaker 1: I agree.

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Speaker 3: They are both excellent, excellent albums, if not some of

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Speaker 3: the best albums out there.

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Speaker 1: Kurt says, let's do a mashup.

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Speaker 3: I will say throughout the episode, I love both albums separately.

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Speaker 3: I'm not the biggest fan of these together.

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Speaker 2: I had Adamanda's voice in my head whilst watching this.

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Speaker 2: Yeah yeah, yeah, like you know, sometimes they just don't work.

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Speaker 2: Yeah yeah. I I liked when people had like just

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Speaker 2: the solo songs.

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Speaker 1: Agreed, agreed, agreed.

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Speaker 2: Two rights don't make another, right, right, that's the same, right.

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Speaker 3: Well, so Kurt and Rachel in there, I'm actually giving

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Speaker 3: the lesson plan to the new directions and asking the

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Speaker 3: alum to come back.

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Speaker 1: They're having trouble. It's just so weird, the two of them.

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Speaker 2: All the alumnis sitting.

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Speaker 1: There there, like, how are you doing this? Right?

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Speaker 3: I love how like self aware this episode was, you know,

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Speaker 3: like Kurt saying like dreams twins or whatever he dreamed

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Speaker 3: about watching them sing a song and like us being

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Speaker 3: like here we are and Brittany's bending space and time.

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Speaker 1: I don't know. It was sad. I was said that

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Speaker 1: I was there for another episode, that you were not

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Speaker 1: there for what back? Do you know why you weren't there?

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Speaker 2: I don't know. I honestly, I think I so for

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Speaker 2: this season, like we were only signed up for certain

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Speaker 2: I was regular for a certain amount of episodes. Oh

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Speaker 2: and so I think they were.

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Speaker 1: Just actually waiting to hold the.

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Speaker 2: End because I did. They didn't need me in this episode.

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Speaker 3: No totally, which I like rightful to, like, yeah, not

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Speaker 3: be sitting there the old Yeah. Britt In Santana, Kurt

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Speaker 3: and Rachel are having a hard time love that love

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Speaker 3: this dynamic for them. They can't figure out all song

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Speaker 3: di stinc together. So Brittany and Santana of Cour's offer

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Speaker 3: that they'll go first, they do Hand in my Pocket.

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Speaker 1: I feel the Earth Move again, I will say. I

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Speaker 1: was like.

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Speaker 3: Well, this is an interesting song choice, and then earth

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Speaker 3: Move came in and I was like, just we should

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Speaker 3: have just done this.

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Speaker 1: I feel the Earth Move. Oh God, watch them.

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Speaker 2: All day long.

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Speaker 1: Do this.

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Speaker 2: Heather sounds great.

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Speaker 1: She does really good.

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Speaker 2: There's something about it. I don't know what it is.

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Speaker 2: I don't know. Maybe it's the key it's in like

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Speaker 2: she sounds like better than ever.

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Speaker 3: No, I know it's really good. I love this and

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Speaker 3: I love Earth Move obviously. Like I feel the Eric

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Speaker 3: Move was like, you.

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Speaker 2: Know what's weird about this mashup? For me was the

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Speaker 2: tempo of Hand in my Pocket was like bumped up

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Speaker 2: for I Feel the Earth movie.

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Speaker 3: I think that's why I didn't like it as much,

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Speaker 3: because I'm like a Lenis, like leave it as it is,

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Speaker 3: like it's perfect, that is not Alanis's tempo.

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Speaker 2: The structuring of it and everything was really good and

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Speaker 2: the performance was incredible and they sounded so good together. Yeah,

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Speaker 2: but it was a strange mashup, you.

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Speaker 3: Know, like while I'm grateful that we were doing a

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Speaker 3: jagged and a tapestry episode, I wish they could have

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Speaker 3: been separate because it could have really been We could

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Speaker 3: have leaned into both of them a little bit more,

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Speaker 3: I think, but grateful for it, yes, So.

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Speaker 2: It's also it reminded me of you know, Carol King

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Speaker 2: has so many big songs covered by other people, and

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Speaker 2: that hearing different people do Carol King songs in this

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Speaker 2: episode just reminded me like, like like I said with

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Speaker 2: Dolly Parton and I Will Always Love You, these songs

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Speaker 2: are written so incredibly well yea, that they can be

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Speaker 2: taken to other genres with different styles of singers and

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Speaker 2: still sound incredible or even better. And like it's those

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Speaker 2: artist songs like this song could have been Naya's.

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Speaker 1: Song totally totally like and it just.

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Speaker 2: Felt fresh and new, and it's it's like so far away.

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Speaker 2: That felt like if you and Diana were in a

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Speaker 2: girl group or something, are you gonna do it? Like

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Speaker 2: it sounded like that could have been your record, right right,

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Speaker 2: right right, Well the songs version, these songs are just good.

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Speaker 3: Well, we'll be on from the music for a second

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Speaker 3: because we're going to sorry, no, no, no, moving back

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Speaker 3: to it. I forgot that this was a proposal. We

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Speaker 3: were just there for a proposal and it was kind

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Speaker 3: of blackluster. I'm not gonna lie right, super excited for it,

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Speaker 3: but like these are kids who don't know them at

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Speaker 3: all in a place where like like mister Tree's not there,

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Speaker 3: nobody's there, like and we're literally handclapping for that matter,

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Speaker 3: hand clapping.

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Speaker 1: I was like, this is so weird. I was so sad.

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Speaker 3: I was like, and I don't remember if I think,

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Speaker 3: like while we were shooting it also like.

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Speaker 1: We were like, okay, we're just this is a proposal,

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Speaker 1: but more importantly, we're so happy Britannas together and that

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Speaker 1: they're engaged.

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Speaker 2: Uh, Kurt is this one makes sense?

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Speaker 1: Feeling better.

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Speaker 3: Kurt is feeling better because obviously of his breakup and

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Speaker 3: so he's like, we're too young and we're not ready

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Speaker 3: and blah blah blah.

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Speaker 1: And you know what, Tina came through.

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Speaker 2: She really did coming through.

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Speaker 1: Uh. She says some stupid this season, but like, you

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Speaker 1: know what she came.

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Speaker 3: Through, And uh, I just think the whole thing felt

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Speaker 3: a little lackluster.

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Speaker 2: You know what I wish honestly, like their proposal, I

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Speaker 2: wish you just stayed with them, yea once it gets

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Speaker 2: broken up by and I get it the new kids

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Speaker 2: being like, wait, is this right? Because that's what it

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00:16:15,280 --> 00:16:19,800
Speaker 2: feels like and it shouldn't feel like that, Like how

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00:16:19,800 --> 00:16:21,520
Speaker 2: to just stayed on them in like an intimate moment

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Speaker 2: and it didn't even matter about how all of you reacted.

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Speaker 1: They're just in a good place, you know.

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Speaker 2: Yeah. And then Kurt still could have had his you know,

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Speaker 2: like lash out, but like the break and the momentum of.

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Speaker 3: The y yeah yeah, because like I'd be curious how

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Speaker 3: the the Britannic shippers felt like about it, like to

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Speaker 3: care just because it's what it, you know what I mean,

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Speaker 3: Like they're they're together or is it like give them more?

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Speaker 1: You know, give me more?

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00:16:52,120 --> 00:16:58,520
Speaker 2: So Kurt lashes out and then that leads to god,

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Speaker 2: we have to maybe the most infamous monologue in Glee

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Speaker 2: her history. So our podcast before this podcast called show Manz,

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Speaker 2: we had Heather and Nya on, and Nya said that

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Speaker 2: she we asked them about sort of their most uncomfortable

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Speaker 2: things they did on the show, or something like, oh so,

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Speaker 2: so I'm butchering this now, what was it.

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Speaker 3: Their least one of the least favorite or unhinged things

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Speaker 3: that they had to shoot or say on the show.

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Speaker 1: And Nya had said this model.

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Speaker 3: And I think because if I am correct, and obviously.

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Speaker 1: We could go back and listen to that episode, but

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Speaker 1: like it's because.

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Speaker 3: Santana has come like a really long way right in general,

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Speaker 3: and I feel like she this is not who she

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Speaker 3: is anymore or what she's doing. But she was wronged

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Speaker 3: by Kurt, so obviously this is the fuel that set

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Speaker 3: her off. But she said Nya said that this really

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Speaker 3: told the line of being like let's be comedic and

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Speaker 3: and let's kind of like play with the insults versus

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Speaker 3: like just being like flat out mean.

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Speaker 2: You know, it felt like when you see, like you

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Speaker 2: watch somebody do a roast or like a bad best

335
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Speaker 2: man speech. Yeah, yeah, yeah, And it's like, oh no,

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Speaker 2: this isn't funny, this is just mean. Yeah, it felt

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Speaker 2: a little too like personal, and I think Nya alluded

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Speaker 2: to that too, where like she felt uncomfortable doing it,

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00:18:40,240 --> 00:18:44,840
Speaker 2: Chris felt uncomfortable doing it because it it didn't feel

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00:18:44,880 --> 00:18:47,440
Speaker 2: like in character for either of them, where it felt

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Speaker 2: like a real attack in some ways.

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Speaker 3: Right, It's kind of like it reminds me of right now,

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Speaker 3: what happened with the Amy Lou Wood and SNL when

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Speaker 3: they did a parody on White Lotus and uh, they

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00:19:01,040 --> 00:19:04,320
Speaker 3: they kind of like created this caricature for her on

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Speaker 3: the show on US So now, and she came out

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Speaker 3: and said it was just kind of like mean and

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Speaker 3: mean spirited.

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Speaker 1: And I think that's like kind of along the lines

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Speaker 1: of like we can we can play with like.

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Speaker 3: I remember saying, I think once it's like, oh yeah,

352
00:19:22,920 --> 00:19:27,159
Speaker 3: we kind of get like chat on a lot in

353
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Speaker 3: this show, like throughout it. And I remember somebody saying like, oh,

354
00:19:35,320 --> 00:19:37,719
Speaker 3: it's kind of like flattery on the show, which is

355
00:19:37,880 --> 00:19:40,159
Speaker 3: kind of up in its own right, but like it

356
00:19:40,240 --> 00:19:42,919
Speaker 3: is kind of like we're taking you.

357
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Speaker 2: How do I Well, no, I think it's correct me

358
00:19:46,800 --> 00:19:50,280
Speaker 2: if I'm wrong, but it's all in fun when it's like,

359
00:19:50,359 --> 00:19:52,840
Speaker 2: you know, I was called a muppet because of how

360
00:19:52,880 --> 00:19:55,040
Speaker 2: my voice sounds, and like they would pick on some

361
00:19:55,080 --> 00:19:57,919
Speaker 2: of our physical attributes, things that aren't a really big

362
00:19:57,960 --> 00:20:00,760
Speaker 2: deal most of the time. A couple of times it

363
00:20:00,920 --> 00:20:01,640
Speaker 2: crossed the line.

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00:20:02,000 --> 00:20:03,480
Speaker 1: Yeah, yeah, because it's.

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00:20:03,320 --> 00:20:05,720
Speaker 2: Sort of like, as I always say, like lose the friend,

366
00:20:05,760 --> 00:20:08,480
Speaker 2: don't lose the joke. As long as it is funny,

367
00:20:08,480 --> 00:20:11,240
Speaker 2: you can get away with it. Yeah, the moment it

368
00:20:11,320 --> 00:20:12,680
Speaker 2: is not funny.

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Speaker 3: Right, it goes like a step too far and more

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00:20:15,400 --> 00:20:17,040
Speaker 3: of a dig than a joke.

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Speaker 2: Yeah.

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00:20:18,960 --> 00:20:19,120
Speaker 1: Yeah.

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Speaker 2: And it's sort of like the whole thing with we

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00:20:21,840 --> 00:20:26,040
Speaker 2: have six seasons of evidence of like those Santana monologues

375
00:20:26,600 --> 00:20:32,000
Speaker 2: being they work because they're so witty, they're mean and cunning,

376
00:20:32,720 --> 00:20:35,399
Speaker 2: but she also like says things, and like same thing

377
00:20:35,480 --> 00:20:38,760
Speaker 2: with Kitties monologues. Yes, yes, say things in like a

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00:20:38,840 --> 00:20:41,360
Speaker 2: really horrible way, but they would still be funny how

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00:20:41,400 --> 00:20:42,040
Speaker 2: they were worded.

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Speaker 1: Yes, yes, for sure.

381
00:20:44,400 --> 00:20:46,800
Speaker 2: And so like that. Yeah, this just felt like and

382
00:20:46,840 --> 00:20:52,879
Speaker 2: it went on and on and on. Yep, yep, I

383
00:20:52,920 --> 00:20:53,880
Speaker 2: felt bad for that greed.

384
00:20:54,160 --> 00:21:00,440
Speaker 3: Yeah, this doesn't didn't say it right, so I anyway,

385
00:21:00,520 --> 00:21:01,960
Speaker 3: we addressed it now we're moving on.

386
00:21:07,240 --> 00:21:09,160
Speaker 2: Were you trying to skip over it? And I brought

387
00:21:09,160 --> 00:21:09,479
Speaker 2: it up?

388
00:21:09,840 --> 00:21:12,280
Speaker 1: No, no, no, I walked definitely had to bring it out.

389
00:21:12,320 --> 00:21:24,960
Speaker 1: I'm just glad it's hell her now. Kurt then apologizes

390
00:21:25,200 --> 00:21:25,760
Speaker 1: to Brittany.

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Speaker 2: It's such a good scene.

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00:21:28,640 --> 00:21:29,399
Speaker 1: It's really good.

393
00:21:29,520 --> 00:21:31,600
Speaker 3: I really like these two together, And I don't think

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00:21:31,800 --> 00:21:35,080
Speaker 3: we seek a lot of Kurt Brittany together like they

395
00:21:35,160 --> 00:21:35,480
Speaker 3: used to it.

396
00:21:35,560 --> 00:21:37,520
Speaker 1: We used to obviously when they were.

397
00:21:37,400 --> 00:21:39,640
Speaker 3: Like, you know, she was his beard, but like it's

398
00:21:39,680 --> 00:21:42,400
Speaker 3: been years since we've seen that, So to see them

399
00:21:42,400 --> 00:21:44,720
Speaker 3: connecting was like really sweet. I really loved it.

400
00:21:45,080 --> 00:21:50,760
Speaker 2: You know what's nice is the trajectory of Brittany. Yes,

401
00:21:51,480 --> 00:21:55,080
Speaker 2: it's since you know, her getting into Mit thing was

402
00:21:55,119 --> 00:22:01,000
Speaker 2: a little cuckoo mm hmm. But but there's something about

403
00:22:01,000 --> 00:22:08,040
Speaker 2: how they've allowed that to like open Brittany's like self

404
00:22:08,080 --> 00:22:10,560
Speaker 2: assuredness or confidence in a different way because she was

405
00:22:10,560 --> 00:22:15,560
Speaker 2: always confident mm hmm. But knowing that she's also smart

406
00:22:15,840 --> 00:22:20,760
Speaker 2: and she believes that she's like almost like the zen person.

407
00:22:20,840 --> 00:22:23,199
Speaker 3: Now she's coming to her own and I think the

408
00:22:23,240 --> 00:22:28,280
Speaker 3: writers and Heather simultaneously found their rhythm and so I

409
00:22:28,320 --> 00:22:31,160
Speaker 3: think like she felt more confident because they were writing

410
00:22:31,200 --> 00:22:33,560
Speaker 3: more for her and like gave her more to work with.

411
00:22:34,160 --> 00:22:36,359
Speaker 3: And I was tastally like we saw how they kind

412
00:22:36,400 --> 00:22:38,080
Speaker 3: of come out of her shell in a different way,

413
00:22:38,200 --> 00:22:40,960
Speaker 3: like you know, moving from like dancer to actress and

414
00:22:41,080 --> 00:22:44,119
Speaker 3: to all these other things. And so I think it

415
00:22:44,200 --> 00:22:46,800
Speaker 3: was like a perfect Yeah, it was like very synergistic.

416
00:22:46,920 --> 00:22:50,359
Speaker 3: But I act one hundred percent right.

417
00:22:50,560 --> 00:22:54,119
Speaker 2: You see the difference between her and Santana, which is

418
00:22:54,240 --> 00:22:58,360
Speaker 2: how they react as the exact same thing happening to them.

419
00:22:58,400 --> 00:23:01,320
Speaker 2: And I just thought it was really nice to have

420
00:23:01,359 --> 00:23:04,199
Speaker 2: like the hot head, fiery Santana.

421
00:23:04,000 --> 00:23:05,440
Speaker 1: Of course more sound.

422
00:23:05,920 --> 00:23:09,399
Speaker 3: Yeah, and then you just have like, yeah, brilliant, brilliant

423
00:23:09,400 --> 00:23:10,640
Speaker 3: Brittany who knew.

424
00:23:12,160 --> 00:23:12,880
Speaker 1: Yeah for sure.

425
00:23:13,160 --> 00:23:17,680
Speaker 2: And I heard the mounds and oh so funny lesbian.

426
00:23:19,640 --> 00:23:21,760
Speaker 1: I love a mound, by the way, So what does

427
00:23:21,800 --> 00:23:22,520
Speaker 1: that say?

428
00:23:22,800 --> 00:23:23,840
Speaker 2: I love an almond? Joy?

429
00:23:24,760 --> 00:23:25,720
Speaker 1: Well, I love both?

430
00:23:25,800 --> 00:23:28,120
Speaker 2: Actually Oh yeah, I mean yeah.

431
00:23:27,840 --> 00:23:30,399
Speaker 1: Those are those? Are it? Somebody should make those with

432
00:23:30,440 --> 00:23:30,880
Speaker 1: peanut butter.

433
00:23:31,760 --> 00:23:35,480
Speaker 2: Where would the peanut butter go or on top?

434
00:23:35,560 --> 00:23:37,440
Speaker 1: I don't know either.

435
00:23:37,520 --> 00:23:43,080
Speaker 3: Inside Okay, here's my pitch.

436
00:23:43,280 --> 00:23:46,560
Speaker 2: This has turned into like porn for me. Okay, Jenna,

437
00:23:46,640 --> 00:23:47,080
Speaker 2: keep going.

438
00:23:48,280 --> 00:23:51,480
Speaker 3: Okay, I think with the almond joy, you wrap it in,

439
00:23:51,640 --> 00:23:56,360
Speaker 3: you dip it in peanut butter below, the chocolate above

440
00:23:57,000 --> 00:24:02,240
Speaker 3: above the other stuff and the mound oh hold on inside,

441
00:24:02,480 --> 00:24:04,600
Speaker 3: but like wrapped in it, so like.

442
00:24:04,680 --> 00:24:07,360
Speaker 2: Chocolate is the chocolate on the outside still Yeah? Yeah, yeah,

443
00:24:07,480 --> 00:24:10,400
Speaker 2: So it's chocolate and then almond and then peanut butter

444
00:24:10,480 --> 00:24:11,280
Speaker 2: and then coconut.

445
00:24:11,480 --> 00:24:14,639
Speaker 1: Have it your way eat his snickers.

446
00:24:15,160 --> 00:24:22,560
Speaker 3: Yeah, I was thinking chocolate, peanut butter, almond, coconut, oh love.

447
00:24:23,200 --> 00:24:24,440
Speaker 1: Yeah.

448
00:24:24,480 --> 00:24:29,119
Speaker 3: And with the mound, maybe just dipping it all in

449
00:24:29,160 --> 00:24:31,879
Speaker 3: it like peanut bur on the outside.

450
00:24:32,200 --> 00:24:34,480
Speaker 2: You can't bring up candy or music around me because

451
00:24:34,480 --> 00:24:37,640
Speaker 2: then I really just I'm a dog and the dog.

452
00:24:37,960 --> 00:24:41,399
Speaker 1: Would you have eaten all those candies if you were

453
00:24:41,400 --> 00:24:43,480
Speaker 1: shooting that, oh you know, I would eat.

454
00:24:45,800 --> 00:24:46,960
Speaker 2: Like dozens.

455
00:24:47,640 --> 00:24:51,119
Speaker 3: And that's the problem with shooting with food. I'm reading

456
00:24:51,160 --> 00:24:53,560
Speaker 3: a bag of chips in the cafeteria once. It was

457
00:24:53,600 --> 00:24:58,440
Speaker 3: like a Valentine's episode and I just ripped the room.

458
00:24:58,480 --> 00:25:01,560
Speaker 2: Putting that hot, that frozen hot chocolate in front of

459
00:25:01,560 --> 00:25:03,240
Speaker 2: me at serendipity is the same thing as.

460
00:25:03,200 --> 00:25:05,640
Speaker 1: Putting in in front of me. Yeah, exactly.

461
00:25:05,920 --> 00:25:07,600
Speaker 2: We cannot do it.

462
00:25:07,800 --> 00:25:08,760
Speaker 1: Can't control myself.

463
00:25:08,920 --> 00:25:13,040
Speaker 2: No, and Jenna like unhinges her jaw like a cartoon

464
00:25:13,800 --> 00:25:15,680
Speaker 2: and like.

465
00:25:14,840 --> 00:25:16,200
Speaker 1: Like a bag is gone.

466
00:25:16,320 --> 00:25:18,040
Speaker 2: He is completely gone.

467
00:25:18,280 --> 00:25:20,240
Speaker 3: I was out to dinner with a bunch of people

468
00:25:20,320 --> 00:25:22,040
Speaker 3: last night, and I was like, you know, and like

469
00:25:22,080 --> 00:25:23,800
Speaker 3: you share a bunch, but like you don't want to

470
00:25:23,800 --> 00:25:26,719
Speaker 3: be the one who eats too much. Well, I was starving,

471
00:25:26,960 --> 00:25:29,000
Speaker 3: but I was like staring at food trying to like

472
00:25:29,080 --> 00:25:29,919
Speaker 3: pick at.

473
00:25:29,800 --> 00:25:32,720
Speaker 1: Like little pieces because I was like, oh my.

474
00:25:32,680 --> 00:25:37,439
Speaker 3: God, why doesn't anybody eat? I am starving?

475
00:25:37,720 --> 00:25:41,199
Speaker 2: Oh I don't, I don't care anymore. I have fully

476
00:25:41,320 --> 00:25:43,560
Speaker 2: just I'm like, you know what, I'm done being polite

477
00:25:44,560 --> 00:25:47,800
Speaker 2: like there was still okay, and I eat like we're

478
00:25:47,800 --> 00:25:48,480
Speaker 2: six feet tall.

479
00:25:48,720 --> 00:25:52,520
Speaker 1: That's what I'm saying, Like give me more, okay, all right?

480
00:25:52,600 --> 00:26:03,400
Speaker 3: Moving on, we have Becky and Becky reveals that well,

481
00:26:03,400 --> 00:26:05,760
Speaker 3: first of all, Tina come out.

482
00:26:05,640 --> 00:26:07,399
Speaker 1: Of the choir room chasing Quinton.

483
00:26:07,680 --> 00:26:12,960
Speaker 3: It was crazy, crazy, team's crazy.

484
00:26:14,320 --> 00:26:16,160
Speaker 1: But then she's like, Becky, where are you doing in college?

485
00:26:16,160 --> 00:26:17,119
Speaker 1: Wheren't you in college?

486
00:26:17,160 --> 00:26:22,439
Speaker 3: And Becky Becky in this scene also was I cannot

487
00:26:22,440 --> 00:26:23,479
Speaker 3: believe we got away with this.

488
00:26:24,240 --> 00:26:26,320
Speaker 2: How is she allowed to say what she says?

489
00:26:26,760 --> 00:26:28,880
Speaker 1: I don't know, I.

490
00:26:28,960 --> 00:26:30,959
Speaker 3: Was I think when we were shooting this too, I

491
00:26:31,000 --> 00:26:41,360
Speaker 3: was like, my jaw was like, ah.

492
00:26:38,600 --> 00:26:40,560
Speaker 2: You guys like whores and bitches.

493
00:26:41,600 --> 00:26:44,240
Speaker 1: I'm like, oh my god, this is horrible.

494
00:26:44,680 --> 00:26:45,560
Speaker 2: It was so funny.

495
00:26:45,560 --> 00:26:46,720
Speaker 1: Though it was really funny.

496
00:26:47,359 --> 00:26:49,760
Speaker 2: I also liked that neither of you are reacting to it.

497
00:26:50,680 --> 00:26:52,520
Speaker 3: I mean, I think you were trying not to laugh,

498
00:26:52,600 --> 00:26:54,919
Speaker 3: to be honest, like I was really having to like

499
00:26:55,280 --> 00:26:58,760
Speaker 3: hold it together in these scenes with they're so funny,

500
00:26:58,840 --> 00:27:00,560
Speaker 3: and you could hear Ian like snickering.

501
00:27:00,560 --> 00:27:03,359
Speaker 1: Mind then monitoly stop laughing or make me break.

502
00:27:03,680 --> 00:27:06,120
Speaker 2: It looked like both of you left your bodies.

503
00:27:06,560 --> 00:27:08,600
Speaker 3: Yeah, I think we had to a little bit number

504
00:27:08,600 --> 00:27:10,680
Speaker 3: one because we were like is this actually being said

505
00:27:10,760 --> 00:27:11,160
Speaker 3: right now?

506
00:27:11,200 --> 00:27:13,320
Speaker 1: And then also, don't laugh.

507
00:27:14,200 --> 00:27:16,640
Speaker 2: I don't know like how Laren Potter could get through all.

508
00:27:16,560 --> 00:27:18,920
Speaker 1: Of that so good. She was so good in the sound.

509
00:27:20,000 --> 00:27:22,520
Speaker 3: So she has a boyfriend, but she lied to him

510
00:27:22,800 --> 00:27:25,639
Speaker 3: and said she was the president of every club in

511
00:27:25,680 --> 00:27:29,359
Speaker 3: the school, which, by the way, that montage was comedical.

512
00:27:29,680 --> 00:27:31,480
Speaker 2: That montage is one of the best things the show's

513
00:27:31,480 --> 00:27:34,280
Speaker 2: ever done. And I also love that everybody on the

514
00:27:34,280 --> 00:27:38,399
Speaker 2: show was like, well, yeah, like that's fine. Everyone. She

515
00:27:38,520 --> 00:27:41,320
Speaker 2: was like, wait, I did something really stupid and everything.

516
00:27:41,760 --> 00:27:45,040
Speaker 2: Everyone it's like, no, no, no, no, that's fine. You

517
00:27:45,160 --> 00:27:50,040
Speaker 2: gotta line relationships. It's like, if you've learned anything on

518
00:27:50,080 --> 00:27:53,760
Speaker 2: the show, it's do not take relationship advice from Glee.

519
00:27:55,240 --> 00:27:57,480
Speaker 1: No no, no, that's not. That's not what we're here for.

520
00:27:57,800 --> 00:28:03,639
Speaker 2: No no, no, that's not. We're teaching about equality, sure, but like, yeah,

521
00:28:03,760 --> 00:28:08,800
Speaker 2: not about how lessons in how relationship?

522
00:28:09,880 --> 00:28:13,840
Speaker 3: Uh we it's revealed that obviously we've talked about Darryl,

523
00:28:14,880 --> 00:28:19,159
Speaker 3: Becky's boyfriend, and it's revealed that he does not have

524
00:28:19,200 --> 00:28:24,480
Speaker 3: down syndrome, and Justin is a very good looking, charming

525
00:28:24,640 --> 00:28:29,680
Speaker 3: sweet man, and everybody is now trying to sniff out

526
00:28:30,200 --> 00:28:34,200
Speaker 3: the rat and figuring out what's what he wants, what's in.

527
00:28:34,160 --> 00:28:38,720
Speaker 2: It for him? He has to ulterior motives.

528
00:28:38,640 --> 00:28:41,080
Speaker 3: Right, And in some way it's like I think when

529
00:28:41,080 --> 00:28:43,640
Speaker 3: we were shooting it, I was like, we're protecting Becky.

530
00:28:44,000 --> 00:28:50,680
Speaker 2: Well, everybody, especially Sue has created this environment where everybody's

531
00:28:50,720 --> 00:28:53,080
Speaker 2: looking out for Becky. Yeah yeah, yeah, a way to

532
00:28:53,200 --> 00:28:57,880
Speaker 2: like baby her or comment we're very honest with her, yes,

533
00:28:58,000 --> 00:28:59,920
Speaker 2: but also like boosted her up to be like this

534
00:29:00,800 --> 00:29:06,480
Speaker 2: h independent person. And then she comes back after having

535
00:29:06,480 --> 00:29:12,120
Speaker 2: created this web of lies, and it's that thing where

536
00:29:12,200 --> 00:29:16,160
Speaker 2: like you all can say things to Becky, but then

537
00:29:16,200 --> 00:29:19,040
Speaker 2: this new person comes in You're like, whoa.

538
00:29:19,000 --> 00:29:20,480
Speaker 1: Yeah, what is what's? What's this about?

539
00:29:20,560 --> 00:29:25,360
Speaker 2: What's because historically we know how people can treat we

540
00:29:25,520 --> 00:29:29,000
Speaker 2: treat other people like that with down syndrome and how like,

541
00:29:29,040 --> 00:29:31,320
Speaker 2: it's a hard world out there and you just don't

542
00:29:31,840 --> 00:29:32,560
Speaker 2: trust anyone.

543
00:29:32,840 --> 00:29:35,040
Speaker 3: And Becky's got a good crew looking out for her.

544
00:29:35,160 --> 00:29:37,840
Speaker 3: So we've got Sue, Tina coyn.

545
00:29:37,720 --> 00:29:39,080
Speaker 1: All looking out for her.

546
00:29:39,120 --> 00:29:41,800
Speaker 3: And then obviously we get that wonderful scene from Neini

547
00:29:41,880 --> 00:29:43,440
Speaker 3: Leaks when Ras and.

548
00:29:44,880 --> 00:29:46,680
Speaker 1: Sweet Sweet Darryl.

549
00:29:47,960 --> 00:29:51,920
Speaker 2: Darryl gives a great monologue. Justin is a great monologue.

550
00:29:52,360 --> 00:29:53,640
Speaker 1: It's really good in this episode.

551
00:29:53,960 --> 00:29:55,920
Speaker 2: He's very good, and it felt like he'd been on

552
00:29:55,920 --> 00:29:56,640
Speaker 2: the show for forever.

553
00:29:57,400 --> 00:29:59,560
Speaker 1: Yes, right, the in.

554
00:30:01,520 --> 00:30:06,160
Speaker 2: I don't think you've ever said on the show this episode.

555
00:30:08,240 --> 00:30:10,520
Speaker 1: All Right almost said it on this episode. No, he does.

556
00:30:10,560 --> 00:30:12,320
Speaker 1: He really he fits.

557
00:30:12,200 --> 00:30:15,160
Speaker 2: Right, and Sue addresses it. Sue's like, I don't think

558
00:30:15,160 --> 00:30:16,240
Speaker 2: I've ever been beaten like that.

559
00:30:17,400 --> 00:30:18,240
Speaker 1: Yeah, exactly.

560
00:30:19,080 --> 00:30:22,200
Speaker 3: I also really like the scene that we did where

561
00:30:22,240 --> 00:30:24,960
Speaker 3: Becky runs out of the room after so far Away,

562
00:30:25,000 --> 00:30:27,920
Speaker 3: after sadly our song. Well, we tried it. Sorry, I'm

563
00:30:27,920 --> 00:30:30,240
Speaker 3: gonna get ahead of myself. We try to help Becky.

564
00:30:30,440 --> 00:30:33,720
Speaker 3: We teach her like the glee club way. We get

565
00:30:33,880 --> 00:30:37,680
Speaker 3: justin in the room to she's gonna perform for him.

566
00:30:38,680 --> 00:30:42,160
Speaker 3: We're singing, We're trying to coax her. She gets scared

567
00:30:42,600 --> 00:30:45,200
Speaker 3: and upset and she leads and we kind of chase her,

568
00:30:45,200 --> 00:30:47,560
Speaker 3: and so Britney, Santana, Tina, and Quinn chase her into

569
00:30:47,760 --> 00:30:50,160
Speaker 3: the other room and we're like what's going on and

570
00:30:50,200 --> 00:30:52,880
Speaker 3: she feels like she's stuck in these blubblah flies. And

571
00:30:53,280 --> 00:30:55,800
Speaker 3: that's the scene where like I feel like when Santana's like,

572
00:30:55,880 --> 00:30:57,560
Speaker 3: let me just give you the truth because coach she

573
00:30:57,600 --> 00:31:01,040
Speaker 3: always said like don't babies, don't baby, like give it

574
00:31:01,120 --> 00:31:01,760
Speaker 3: to her straight.

575
00:31:01,920 --> 00:31:03,520
Speaker 1: I really appreciated that.

576
00:31:03,360 --> 00:31:07,400
Speaker 3: Scene, and Lauren Potter did a wonderful job. I remember

577
00:31:07,440 --> 00:31:13,560
Speaker 3: she was like nervous about shooting that scene and right, yeah.

578
00:31:12,240 --> 00:31:16,360
Speaker 2: I thought it was like beautifully written and performed by everyone,

579
00:31:16,640 --> 00:31:20,720
Speaker 2: and I was nervous, like you know, Santana starts talking

580
00:31:20,840 --> 00:31:28,360
Speaker 2: like and you know, like echoing of like this all

581
00:31:28,400 --> 00:31:31,800
Speaker 2: comes from a place of love. I think the thing

582
00:31:31,840 --> 00:31:35,560
Speaker 2: about Becky too is that like she dishes it, but

583
00:31:35,600 --> 00:31:40,600
Speaker 2: she can't take it like Santana can't, and so they

584
00:31:40,600 --> 00:31:43,240
Speaker 2: speak the same language in that way, and like she

585
00:31:43,400 --> 00:31:48,480
Speaker 2: was the right person to deliver that message, and you guys,

586
00:31:48,640 --> 00:31:51,800
Speaker 2: you and Quinton needed to hear that message from Darryl

587
00:31:52,080 --> 00:31:54,040
Speaker 2: for this scene to work. Like it all was just

588
00:31:54,080 --> 00:31:58,120
Speaker 2: like really well done. Nice because the storyline, I think

589
00:31:58,160 --> 00:32:00,640
Speaker 2: it also, like, you know, the magic of this show

590
00:32:01,480 --> 00:32:04,960
Speaker 2: is like learning more about people who we may not

591
00:32:05,000 --> 00:32:07,920
Speaker 2: interact with every day, like a person with down syndrome,

592
00:32:07,960 --> 00:32:11,640
Speaker 2: And the thing that all of you guys were concerned about,

593
00:32:12,240 --> 00:32:15,360
Speaker 2: Becky was also having those concerns in her own head

594
00:32:16,560 --> 00:32:19,680
Speaker 2: and then she voiced him to all of you, and

595
00:32:19,760 --> 00:32:24,840
Speaker 2: so that level of support for her was just like

596
00:32:24,880 --> 00:32:28,600
Speaker 2: a really beautiful thing, yeah to see. And then also like,

597
00:32:28,640 --> 00:32:32,240
Speaker 2: you know, the honesty from her character was like the

598
00:32:32,280 --> 00:32:34,560
Speaker 2: best thing in this episode.

599
00:32:34,800 --> 00:32:37,880
Speaker 3: When her and Daryl end up having that really honest

600
00:32:37,880 --> 00:32:40,800
Speaker 3: conversation at read six and I have something to tell you.

601
00:32:40,920 --> 00:32:48,600
Speaker 3: First of all, I have down sysdroom.

602
00:32:45,880 --> 00:33:01,680
Speaker 1: Hi gaggle so loudly. It's so good.

603
00:33:01,760 --> 00:33:05,800
Speaker 3: This whole scene, it's so good, justin plays with beautifully.

604
00:33:06,720 --> 00:33:11,720
Speaker 1: Lauren is just delivering, like just NonStop. It is so good.

605
00:33:11,800 --> 00:33:14,520
Speaker 3: I love seeing how sweeto it is a perfect eye up.

606
00:33:14,880 --> 00:33:19,280
Speaker 2: But geez, how was Lauren Potter not ever nominated for

607
00:33:19,400 --> 00:33:19,880
Speaker 2: an Emmy?

608
00:33:20,200 --> 00:33:20,440
Speaker 3: Yeah?

609
00:33:20,440 --> 00:33:24,920
Speaker 2: I don't know, because she's unbelievable in this episode.

610
00:33:25,200 --> 00:33:28,800
Speaker 1: Yeah, No, she's amazing. It's it's sometimes it's just a

611
00:33:29,040 --> 00:33:36,040
Speaker 1: little that's sometimes, Like, uh, is this okay?

612
00:33:37,720 --> 00:33:39,480
Speaker 2: I do have a question about the use of the

613
00:33:39,520 --> 00:33:43,120
Speaker 2: word whore because it's used in this episode and it's

614
00:33:43,160 --> 00:33:46,040
Speaker 2: also used in the next episode, And I'm like, is

615
00:33:46,080 --> 00:33:49,920
Speaker 2: it because we've been like banished to Friday nights that

616
00:33:49,960 --> 00:33:52,120
Speaker 2: we can sort of get away with saying whatever because

617
00:33:52,160 --> 00:33:53,000
Speaker 2: nobody's checking.

618
00:33:53,480 --> 00:33:58,640
Speaker 3: I guess so, because I was shocked, truly shocked. I

619
00:33:59,200 --> 00:34:01,160
Speaker 3: really didn't think that stuff was going to make it

620
00:34:01,200 --> 00:34:03,520
Speaker 3: into the episode.

621
00:34:03,720 --> 00:34:05,960
Speaker 1: I don't know. The good question you had to ask

622
00:34:06,000 --> 00:34:06,760
Speaker 1: the ratings people.

623
00:34:07,800 --> 00:34:14,280
Speaker 2: So the other thing going on this episode is Coach Beast.

624
00:34:14,680 --> 00:34:19,080
Speaker 2: Sam has been filling in for Coach Beast because she's

625
00:34:19,120 --> 00:34:26,040
Speaker 2: been missing out on some practices. Spencer, you know, wants

626
00:34:26,239 --> 00:34:30,560
Speaker 2: to become starting quarterback. If I remember the last episode,

627
00:34:30,640 --> 00:34:34,839
Speaker 2: Sue was trying to offer him something enticing to take

628
00:34:34,880 --> 00:34:40,120
Speaker 2: down the glee club, and he's like, well, I want

629
00:34:40,160 --> 00:34:43,680
Speaker 2: to be starting QB. Can you fire coach Beast because

630
00:34:43,680 --> 00:34:47,120
Speaker 2: she's missing a lot of practice and she won't make

631
00:34:47,200 --> 00:34:52,160
Speaker 2: him starting QB. Come to find out, Sue confronts Beast

632
00:34:52,719 --> 00:34:56,319
Speaker 2: after rifling through her things and says she founds steroids

633
00:34:56,320 --> 00:34:58,480
Speaker 2: and all this medicine and says, do you have cancer?

634
00:34:59,480 --> 00:35:01,279
Speaker 1: It's not what I I was expecting to come out.

635
00:35:01,760 --> 00:35:07,360
Speaker 2: No, And then Beast says yes, and then Sue, you know,

636
00:35:07,520 --> 00:35:09,920
Speaker 2: when she shows up, she really does, and she says,

637
00:35:10,120 --> 00:35:11,719
Speaker 2: I'm gonna help you however I can.

638
00:35:12,160 --> 00:35:15,160
Speaker 1: So No, No, Beast visited web Live.

639
00:35:15,640 --> 00:35:19,359
Speaker 2: Yes kind of, and then there's another meeting because Sam

640
00:35:19,400 --> 00:35:22,160
Speaker 2: gets pulled into the principal's office with Sue and Beast.

641
00:35:25,200 --> 00:35:30,520
Speaker 2: I shouldn't laugh, I know, but it's just Sue says, well,

642
00:35:31,400 --> 00:35:34,040
Speaker 2: Beast has cancer and he's like, no, I don't, and

643
00:35:34,080 --> 00:35:38,920
Speaker 2: then this whole thing riding Yeah. But what starts off

644
00:35:39,000 --> 00:35:42,880
Speaker 2: sort of as hilarity turns into a really sort of

645
00:35:42,960 --> 00:35:50,279
Speaker 2: groundbreaking conversation where Beast says that she has been diagnosed

646
00:35:50,360 --> 00:35:59,439
Speaker 2: with gender dysphoria and she's sort of coming out this is.

647
00:35:59,480 --> 00:36:01,200
Speaker 1: Not what I thought was happening going to happen.

648
00:36:01,760 --> 00:36:05,640
Speaker 3: Obviously we know this is coming, like we knew as

649
00:36:05,640 --> 00:36:09,279
Speaker 3: but I don't know that anybody watching could have seen

650
00:36:09,280 --> 00:36:11,640
Speaker 3: this coming, especially.

651
00:36:11,200 --> 00:36:12,120
Speaker 1: With the state of.

652
00:36:12,120 --> 00:36:17,280
Speaker 3: The world right now and the safety by which our trands,

653
00:36:17,800 --> 00:36:23,200
Speaker 3: our trans friends and family are being.

654
00:36:24,840 --> 00:36:25,360
Speaker 1: Attacked.

655
00:36:25,640 --> 00:36:30,920
Speaker 3: Like in this way, I feel very grateful that.

656
00:36:30,840 --> 00:36:38,360
Speaker 1: The show was able to kind of bring this.

657
00:36:40,640 --> 00:36:47,280
Speaker 3: To national television in this way and represent in this way.

658
00:36:48,080 --> 00:36:49,440
Speaker 1: I don't know now, I don't know.

659
00:36:49,600 --> 00:36:53,000
Speaker 3: I would like to hear from our trans friends, like

660
00:36:53,120 --> 00:36:57,640
Speaker 3: how they felt about watching this transpire and what this

661
00:36:58,080 --> 00:37:01,600
Speaker 3: how the storyline transpires, it's coming episodes.

662
00:37:03,640 --> 00:37:05,040
Speaker 1: I pray that it's.

663
00:37:04,920 --> 00:37:06,880
Speaker 3: Not washed over in any way and that we do

664
00:37:06,960 --> 00:37:10,400
Speaker 3: it justice. I do because I know what they were trying.

665
00:37:10,400 --> 00:37:13,680
Speaker 3: I know what the writers were trying to do, you know, yeah.

666
00:37:13,719 --> 00:37:15,399
Speaker 3: And I know that what Dot was trying to do

667
00:37:16,120 --> 00:37:19,799
Speaker 3: with care and love, yeah.

668
00:37:19,040 --> 00:37:21,160
Speaker 1: And I know that the response.

669
00:37:21,239 --> 00:37:25,880
Speaker 3: What resonated with me because I cannot speak for anybody

670
00:37:25,880 --> 00:37:31,120
Speaker 3: else right is like the way in which they responded

671
00:37:31,239 --> 00:37:34,040
Speaker 3: to Dot or to Beast in that office in that.

672
00:37:34,000 --> 00:37:39,279
Speaker 1: Moment was so beautiful. It resonated because I was like, well,

673
00:37:39,280 --> 00:37:40,800
Speaker 1: that's how exactly how I would.

674
00:37:40,560 --> 00:37:44,520
Speaker 2: Have responded, and how you'd hope anybody would respond.

675
00:37:44,520 --> 00:37:47,560
Speaker 3: Right, And I know that there's not not everybody would

676
00:37:47,560 --> 00:37:50,000
Speaker 3: have responded that way. But to see the support and

677
00:37:50,040 --> 00:37:53,480
Speaker 3: to see the positive and to see that response in

678
00:37:53,520 --> 00:37:57,400
Speaker 3: the way that it can be handled was actually really important.

679
00:37:58,360 --> 00:38:02,920
Speaker 2: I think having Suit specifically responded that way, where two

680
00:38:02,960 --> 00:38:08,000
Speaker 2: episodes ago she was saying all kinds of crazy like

681
00:38:08,200 --> 00:38:14,640
Speaker 2: trans slurs, and how she immediately got up and voiced

682
00:38:14,880 --> 00:38:21,960
Speaker 2: her support and then physically showed her support. And Sue

683
00:38:22,040 --> 00:38:26,560
Speaker 2: is someone who we said, you know, I had a

684
00:38:26,600 --> 00:38:33,759
Speaker 2: lot of Maga leanings and for her too when it

685
00:38:33,800 --> 00:38:38,640
Speaker 2: comes to the real things, the serious things, she gets

686
00:38:39,120 --> 00:38:45,720
Speaker 2: and she shows up and yeah, And the point wasn't

687
00:38:45,800 --> 00:38:51,319
Speaker 2: also like belabored, Sue didn't have to look inward to

688
00:38:51,440 --> 00:38:56,439
Speaker 2: think of how she felt and like is this right?

689
00:38:57,040 --> 00:39:01,280
Speaker 2: You can't do this you were born a biological woman.

690
00:39:01,719 --> 00:39:03,600
Speaker 2: She didn't do any of that. She never questioned it.

691
00:39:03,640 --> 00:39:06,800
Speaker 2: She got up and just showed her support, no questions asked. Yeah,

692
00:39:07,320 --> 00:39:14,320
Speaker 2: and that is how you do it, preach and having

693
00:39:15,920 --> 00:39:19,000
Speaker 2: Sam there in the same way, think about where like

694
00:39:19,120 --> 00:39:22,080
Speaker 2: Sam came from when he came on the show, and

695
00:39:22,160 --> 00:39:27,080
Speaker 2: you have different generations and they're supporting her or supporting

696
00:39:27,120 --> 00:39:31,479
Speaker 2: them in the best way possible. And yeah, I thought

697
00:39:31,480 --> 00:39:35,120
Speaker 2: that was just really beautiful. And of course Dot is

698
00:39:35,320 --> 00:39:41,560
Speaker 2: just like the most like heart outside of her chest.

699
00:39:42,520 --> 00:39:46,840
Speaker 2: You know what's scary. I know this is sort of

700
00:39:46,880 --> 00:39:51,560
Speaker 2: beside the point, but yesterday I saw I'm in London

701
00:39:51,640 --> 00:39:56,080
Speaker 2: right now. Yesterday the Supreme Court of the UK had

702
00:39:56,280 --> 00:40:04,239
Speaker 2: a big ruling of finding what a woman is and

703
00:40:04,280 --> 00:40:09,799
Speaker 2: it's quite harmful to trans people like JK. Rowling was

704
00:40:09,880 --> 00:40:12,680
Speaker 2: very happy about it. Wow, to give you some context.

705
00:40:12,920 --> 00:40:13,400
Speaker 1: Wow.

706
00:40:14,480 --> 00:40:19,839
Speaker 2: And you know, also just having left the US where

707
00:40:19,960 --> 00:40:25,400
Speaker 2: sort of like the authoritarian playbook is to go after

708
00:40:26,880 --> 00:40:30,920
Speaker 2: people like that, right, and to go after media and

709
00:40:31,239 --> 00:40:35,759
Speaker 2: education in these sorts of ways, were like Glee. Could

710
00:40:35,840 --> 00:40:43,120
Speaker 2: Glee exist under this current administration where they're going after

711
00:40:43,200 --> 00:40:44,000
Speaker 2: people who dissent?

712
00:40:44,960 --> 00:40:46,640
Speaker 1: Honestly think we would have been a really big target.

713
00:40:47,560 --> 00:40:53,560
Speaker 2: And so it's this week has made me more grateful

714
00:40:53,600 --> 00:40:58,239
Speaker 2: than ever that Glee exists, It still exists, It is

715
00:40:58,280 --> 00:40:59,320
Speaker 2: still out there.

716
00:41:00,040 --> 00:41:03,360
Speaker 3: These for administrations like Obama while he was a noviluce

717
00:41:03,400 --> 00:41:05,360
Speaker 3: that we were able to be in a time where

718
00:41:05,400 --> 00:41:07,920
Speaker 3: we felt like we were making progress and.

719
00:41:08,719 --> 00:41:12,800
Speaker 1: There was celebration versus repression.

720
00:41:12,239 --> 00:41:16,760
Speaker 2: And humanizing people that we may not have a personal

721
00:41:16,880 --> 00:41:21,840
Speaker 2: relationship too. You know, like the trans population in the

722
00:41:21,960 --> 00:41:27,400
Speaker 2: US is between zero point five and one percent. It

723
00:41:27,480 --> 00:41:30,560
Speaker 2: is a very small percentage of the population. So the

724
00:41:30,680 --> 00:41:33,840
Speaker 2: likelihood that people don't have never met a trans person

725
00:41:34,239 --> 00:41:38,399
Speaker 2: or aren't close with a transperson is very possible. And

726
00:41:40,840 --> 00:41:46,359
Speaker 2: people currently empower prey upon that and try to make

727
00:41:46,400 --> 00:41:49,759
Speaker 2: you fearful when all, like everyone just wants to be

728
00:41:49,800 --> 00:41:54,839
Speaker 2: treated equally, just respected of human kindness. And so it's

729
00:41:57,280 --> 00:42:01,120
Speaker 2: and to have someone like you said, like Dot play

730
00:42:01,160 --> 00:42:03,120
Speaker 2: this part, and to have a show that was not

731
00:42:03,280 --> 00:42:07,200
Speaker 2: scared of going down this road, and I do to

732
00:42:07,239 --> 00:42:10,800
Speaker 2: echo you hope we don't remember. I hope the storyline

733
00:42:10,840 --> 00:42:15,920
Speaker 2: plays out in a really positive way. Yeah, it was.

734
00:42:16,080 --> 00:42:19,719
Speaker 2: It was interesting watching that. I watched it yesterday when

735
00:42:19,719 --> 00:42:23,560
Speaker 2: that ruling came out, and it was you know, I

736
00:42:24,120 --> 00:42:27,760
Speaker 2: have quite a few transfriends. I'm working with some trans

737
00:42:27,800 --> 00:42:32,200
Speaker 2: people in this production I'm doing now, and so it's

738
00:42:32,840 --> 00:42:35,719
Speaker 2: it's hard. I can't imagine how hard it is for

739
00:42:35,719 --> 00:42:40,200
Speaker 2: them right now. And so I am to remind people

740
00:42:41,640 --> 00:42:46,280
Speaker 2: of their humanity or to find it is really important.

741
00:42:46,400 --> 00:42:51,040
Speaker 2: And that's why. I know Glee's silly and can be fun,

742
00:42:52,080 --> 00:42:59,040
Speaker 2: but that's why representation is more than just I don't know,

743
00:42:59,080 --> 00:43:02,720
Speaker 2: a joke on screen. To be able to have characters

744
00:43:02,800 --> 00:43:06,640
Speaker 2: respond to trans characters in a positive way, it's just

745
00:43:06,719 --> 00:43:09,440
Speaker 2: very important. Anyway, there's my piece.

746
00:43:09,840 --> 00:43:15,840
Speaker 1: Well, Ken, all right, Well did we miss any songs.

747
00:43:18,120 --> 00:43:18,880
Speaker 2: Right now? Anyway?

748
00:43:19,080 --> 00:43:23,439
Speaker 1: So let's do all right, Uh, it's too late.

749
00:43:24,040 --> 00:43:24,920
Speaker 2: I really like this.

750
00:43:25,239 --> 00:43:28,359
Speaker 3: I did too. I'll give it an A. Yeah, hand

751
00:43:28,360 --> 00:43:29,600
Speaker 3: in my pocket to the earth.

752
00:43:29,440 --> 00:43:33,840
Speaker 2: Move the performance, love the performance. I'll give it an

753
00:43:33,880 --> 00:43:34,399
Speaker 2: A as well.

754
00:43:34,640 --> 00:43:39,839
Speaker 1: Yeah, will you love me tomorrow? Head over feet?

755
00:43:40,280 --> 00:43:48,319
Speaker 2: I'm glad Billy is singing yes, because boy, that boy

756
00:43:48,360 --> 00:43:52,839
Speaker 2: can sing yes. He can beautiful voice. They sound so

757
00:43:52,880 --> 00:43:55,279
Speaker 2: beautiful together. I know they cut away from most of

758
00:43:55,320 --> 00:43:56,080
Speaker 2: their number.

759
00:43:56,160 --> 00:43:57,719
Speaker 3: I know, with a lot of Curt and Blaine, which

760
00:43:57,719 --> 00:44:01,040
Speaker 3: I'm sure a lot of people didn't were like, well

761
00:44:01,040 --> 00:44:02,840
Speaker 3: where's the new kids, But then also like Curt and

762
00:44:02,840 --> 00:44:05,600
Speaker 3: Blaine being like, yeah, this is this is about curtain Blade.

763
00:44:05,640 --> 00:44:05,960
Speaker 3: It was.

764
00:44:06,040 --> 00:44:09,120
Speaker 2: It was a really beautiful song for that montage. It was,

765
00:44:09,360 --> 00:44:13,399
Speaker 2: and they sounded so good, so good fan. I'm giving

766
00:44:13,400 --> 00:44:14,640
Speaker 2: that an a plus to be honest.

767
00:44:15,600 --> 00:44:19,480
Speaker 3: Yeah, Okay, so Far half of So Far Away.

768
00:44:20,160 --> 00:44:20,239
Speaker 1: He.

769
00:44:22,840 --> 00:44:26,200
Speaker 2: Well, the performance itself because they cut it short. I'm

770
00:44:26,239 --> 00:44:27,160
Speaker 2: giving that an F.

771
00:44:27,880 --> 00:44:35,000
Speaker 3: Yeah you learn you've got a friend a B B.

772
00:44:35,120 --> 00:44:41,560
Speaker 1: Plus it just was like no gay at a little

773
00:44:41,560 --> 00:44:44,320
Speaker 1: closer of the episode, Yeah, let's.

774
00:44:44,120 --> 00:44:49,520
Speaker 3: See some tarty takes h cringe moments. Well, obviously Santana's rant.

775
00:44:50,200 --> 00:44:54,040
Speaker 2: Yeah, I think that's uh.

776
00:44:52,800 --> 00:44:59,839
Speaker 1: Yeah yeah yeah, okay uh. And also this was not good.

777
00:45:00,800 --> 00:45:04,920
Speaker 1: Roz's whole thing was really funny, but Ro's thinking it

778
00:45:04,960 --> 00:45:10,200
Speaker 1: was Robin Sue's daughter. I was like, please don't go there,

779
00:45:10,320 --> 00:45:13,680
Speaker 1: Please don't go there. Oh they went there?

780
00:45:14,920 --> 00:45:24,080
Speaker 3: Yeah, moving on, that's dance, moved.

781
00:45:21,640 --> 00:45:25,360
Speaker 1: Earth Move, I'll give the other and Miami.

782
00:45:25,960 --> 00:45:30,240
Speaker 2: Yeah that song, I'm going will you Love Me Tomorrow?

783
00:45:30,320 --> 00:45:30,959
Speaker 2: Head over feet?

784
00:45:31,080 --> 00:45:33,879
Speaker 1: Yeah yeah, I feel But.

785
00:45:35,680 --> 00:45:39,360
Speaker 2: Had they used a full version of So Far Away,

786
00:45:41,360 --> 00:45:44,080
Speaker 2: go listen to that, everyone.

787
00:45:43,440 --> 00:45:45,600
Speaker 3: I mean I still I think will You Love Me Tomorrow?

788
00:45:45,640 --> 00:45:48,800
Speaker 3: If he was excellent, could have could still be the

789
00:45:48,880 --> 00:45:50,480
Speaker 3: number one over So Far Away?

790
00:45:50,760 --> 00:45:52,359
Speaker 1: Okay uh.

791
00:45:53,040 --> 00:45:58,160
Speaker 2: Prop the jockstrap that Sam is sniffing and ironing.

792
00:45:59,000 --> 00:46:03,839
Speaker 1: Becky's president club photo shoots.

793
00:46:05,280 --> 00:46:07,680
Speaker 2: You know, this is why people online think Sam is

794
00:46:07,719 --> 00:46:11,080
Speaker 2: by because Cord would just do like that.

795
00:46:11,560 --> 00:46:13,640
Speaker 1: Yeah, for sure, it's for fun.

796
00:46:13,760 --> 00:46:20,239
Speaker 3: Yeah yeah, yeah, best lying anything. Becky said this this

797
00:46:20,400 --> 00:46:24,600
Speaker 3: episode she said, I'm not lying Tanya, and oh my god,

798
00:46:24,920 --> 00:46:25,840
Speaker 3: I had to rewind.

799
00:46:25,960 --> 00:46:27,800
Speaker 1: I was like, what did she say.

800
00:46:28,600 --> 00:46:32,760
Speaker 2: Her whole bit calling you guys when she called Quinn Kitty?

801
00:46:33,719 --> 00:46:36,080
Speaker 2: I lost it.

802
00:46:36,080 --> 00:46:36,960
Speaker 1: It's really funny.

803
00:46:37,040 --> 00:46:42,520
Speaker 2: I lost it. It's really funny performance MVP Lauren Potter.

804
00:46:42,840 --> 00:46:48,080
Speaker 1: Lauren Potter, Lauren Potter, absolutely.

805
00:46:48,960 --> 00:46:51,560
Speaker 2: All right. So should we find on TikTok this week?

806
00:46:53,000 --> 00:47:00,319
Speaker 2: It's Martha a video of them and looks like class

807
00:47:00,120 --> 00:47:04,920
Speaker 2: US and says conservatism becoming the dominant force of society,

808
00:47:05,200 --> 00:47:08,280
Speaker 2: the beginning of a recession, and pop music making a comeback.

809
00:47:08,320 --> 00:47:10,319
Speaker 2: It only makes sense for a Glee boot to make

810
00:47:10,360 --> 00:47:13,160
Speaker 2: its return, only this time the formula would have to

811
00:47:13,200 --> 00:47:16,600
Speaker 2: remain the same for it to work. Newcast, unknown actors

812
00:47:16,600 --> 00:47:19,960
Speaker 2: picked off the street, and a satirical script full of

813
00:47:20,040 --> 00:47:24,960
Speaker 2: plot holes and inconsistencies. I agree, hmm. I said it before,

814
00:47:25,040 --> 00:47:27,759
Speaker 2: I'll say it again. I sort of think.

815
00:47:27,800 --> 00:47:29,240
Speaker 1: So that's funny.

816
00:47:30,000 --> 00:47:31,320
Speaker 2: Well we got through with Jenna.

817
00:47:31,560 --> 00:47:34,560
Speaker 1: We did all right? Well you guys, I hope you

818
00:47:34,760 --> 00:47:40,760
Speaker 1: enjoyed Episode three. Recap joined us next week for.

819
00:47:41,000 --> 00:47:44,600
Speaker 3: A very unhinged episode that I would love to hear.

820
00:47:44,880 --> 00:47:48,560
Speaker 3: What you guys thought of this upcoming well also what

821
00:47:48,680 --> 00:47:52,600
Speaker 3: you thought a jagular tapestry but really can't wait for

822
00:47:52,680 --> 00:47:56,560
Speaker 3: next week? You please write in and let us know

823
00:47:57,080 --> 00:48:00,720
Speaker 3: what you think of her Locker Okay.

824
00:48:00,800 --> 00:48:04,120
Speaker 2: Oh boy, and that's what you really missed. Thanks for listening,

825
00:48:04,440 --> 00:48:06,960
Speaker 2: and follow us on Instagram at and that's what you

826
00:48:07,040 --> 00:48:08,920
Speaker 2: really miss pod and make sure to write us a

827
00:48:08,960 --> 00:48:11,480
Speaker 2: review and leave us five stars. See you next time.