1 00:00:00,120 --> 00:00:06,680 Speaker 1: This Day in History Class is a production of iHeartRadio. Hello, 2 00:00:06,960 --> 00:00:10,959 Speaker 1: and welcome to This Day in History Class, a show 3 00:00:11,000 --> 00:00:14,440 Speaker 1: that raises the curtain on everyday history and lets it 4 00:00:14,560 --> 00:00:19,040 Speaker 1: take a bat. I'm Gabe Lucier and today we're talking 5 00:00:19,040 --> 00:00:22,400 Speaker 1: about the debut of Daffy Duck, the off the wall 6 00:00:22,520 --> 00:00:26,000 Speaker 1: character who gave cartoon studios the courage to break from 7 00:00:26,040 --> 00:00:35,640 Speaker 1: the stuffy Disney mold in favor of pure mad cap comedy. 8 00:00:38,120 --> 00:00:43,800 Speaker 1: The day was April seventeenth, nineteen thirty seven. Cartoon icon 9 00:00:44,000 --> 00:00:46,880 Speaker 1: Daffy Duck appeared for the first time in the Warner 10 00:00:46,880 --> 00:00:51,440 Speaker 1: Brothers animated short Porky's Duck Hunt. The black and white 11 00:00:51,479 --> 00:00:55,880 Speaker 1: cartoon was directed by legendary animator Tex Avery and featured 12 00:00:55,920 --> 00:00:59,520 Speaker 1: Porky Pig as a frustrated hunter trying to bag a 13 00:00:59,680 --> 00:01:04,560 Speaker 1: most peculiar duck. As the shorts title suggests, Porky was 14 00:01:04,600 --> 00:01:08,200 Speaker 1: the star character, and indeed, the little black duck who 15 00:01:08,280 --> 00:01:11,040 Speaker 1: taunts him is only on screen for a minute or 16 00:01:11,120 --> 00:01:14,760 Speaker 1: two of the short's nearly nine minute run time. However, 17 00:01:15,040 --> 00:01:18,720 Speaker 1: his brief appearance got a big reaction from viewers, and 18 00:01:18,760 --> 00:01:22,360 Speaker 1: based on that popularity, the studio started adding the Daffy 19 00:01:22,360 --> 00:01:25,679 Speaker 1: Little Duck to some of their other cartoons. The character 20 00:01:25,959 --> 00:01:30,679 Speaker 1: wasn't formally named until the nineteen forty short Elmer's Candid Camera, 21 00:01:31,000 --> 00:01:33,880 Speaker 1: and his early appearance looks a little more generic too. 22 00:01:34,360 --> 00:01:37,319 Speaker 1: He's got the familiar white collar, but his size and 23 00:01:37,400 --> 00:01:40,840 Speaker 1: proportions are much closer to a real life duck than 24 00:01:40,840 --> 00:01:44,959 Speaker 1: to the lankier character we're used to today. Still, there's no 25 00:01:45,120 --> 00:01:49,840 Speaker 1: denying it's Daffy. The character's familiar voice, big personality, and 26 00:01:50,040 --> 00:01:54,040 Speaker 1: unhinged laugh were in place from the very beginning. At 27 00:01:54,040 --> 00:01:57,400 Speaker 1: one point in the nineteen thirty seven short, Porky sends 28 00:01:57,400 --> 00:02:01,040 Speaker 1: his hunting dog to retrieve the seemingly wounded Daffy, only 29 00:02:01,080 --> 00:02:05,160 Speaker 1: for the duck to return carrying the dog instead. Porky's 30 00:02:05,160 --> 00:02:08,560 Speaker 1: stunned reaction sets up a breakout moment for his new 31 00:02:08,600 --> 00:02:15,280 Speaker 1: co star. Take a listen, Hey, that wasn't script. Oh 32 00:02:15,360 --> 00:02:15,760 Speaker 1: don't matter. 33 00:02:15,760 --> 00:02:23,800 Speaker 2: Worry a skipper, I'm just a crazy don't pull dun. 34 00:02:26,800 --> 00:02:30,040 Speaker 1: The duck later known as Daffy, was created by tex 35 00:02:30,160 --> 00:02:34,640 Speaker 1: Avery and fellow animator Bob Clampitt specifically for Porky's duck hunt. 36 00:02:34,840 --> 00:02:37,880 Speaker 1: He was intended as a one time foil for Porky, 37 00:02:38,000 --> 00:02:40,680 Speaker 1: who had become the first breakout star of the Looney 38 00:02:40,680 --> 00:02:43,800 Speaker 1: Tune series. But in the end, the Duck stole the 39 00:02:43,840 --> 00:02:47,200 Speaker 1: show by giving moviegoers something they hadn't seen in other 40 00:02:47,240 --> 00:02:51,760 Speaker 1: cartoons of the era, a character who was unhinged, combative, 41 00:02:52,040 --> 00:02:57,000 Speaker 1: and completely unpredictable. As Bob Clampitt once recalled quote, at 42 00:02:57,000 --> 00:03:00,360 Speaker 1: that time, audiences weren't accustomed to seeing a car cartune 43 00:03:00,480 --> 00:03:04,239 Speaker 1: character do these things, and so when it hit the theaters, 44 00:03:04,360 --> 00:03:07,400 Speaker 1: it was an explosion. People would leave the theaters talking 45 00:03:07,440 --> 00:03:12,239 Speaker 1: about this Daffy Duck. That warm reception convinced the animators 46 00:03:12,240 --> 00:03:15,520 Speaker 1: to continue developing the character, which they did little by 47 00:03:15,560 --> 00:03:19,639 Speaker 1: little over the next two decades. Celebrated voice actor Mel 48 00:03:19,760 --> 00:03:23,200 Speaker 1: Blank provided the voice of Daffy from his very first appearance, 49 00:03:23,440 --> 00:03:27,359 Speaker 1: but his performance changed along with the character. For example, 50 00:03:27,600 --> 00:03:31,320 Speaker 1: Daffy's trademark lisp was a later addition, one that was 51 00:03:31,360 --> 00:03:34,640 Speaker 1: allegedly based on the voice of a producer at Warner Brothers. 52 00:03:35,320 --> 00:03:39,120 Speaker 1: Blank never confirmed that rumor, though, and claimed instead that 53 00:03:39,200 --> 00:03:42,440 Speaker 1: he added the lisp to account for Daffy's bill. It 54 00:03:42,560 --> 00:03:46,000 Speaker 1: seemed to me, he wrote in his autobiography, that such 55 00:03:46,000 --> 00:03:50,360 Speaker 1: an extended mandible would hinder his speech, particularly on words 56 00:03:50,440 --> 00:03:56,839 Speaker 1: containing an S sound. Thus, Despicable became despicable he did 57 00:03:56,840 --> 00:04:01,800 Speaker 1: it better. Director's Robert McKimson, Free Freeling, and Chuck Jones 58 00:04:01,960 --> 00:04:05,760 Speaker 1: all had a major influence on Daffy's design and personality, 59 00:04:05,960 --> 00:04:08,680 Speaker 1: but they didn't always agree on the latter. In his 60 00:04:08,760 --> 00:04:12,560 Speaker 1: early appearances, the character was pretty much just a wild screwball, 61 00:04:12,800 --> 00:04:15,720 Speaker 1: bouncing around the screen and mugging for the camera, but 62 00:04:15,800 --> 00:04:19,240 Speaker 1: by the late nineteen forties, Daffy was often portrayed either 63 00:04:19,279 --> 00:04:22,400 Speaker 1: as a subversive agent of chaos or as a greedy 64 00:04:22,440 --> 00:04:26,240 Speaker 1: attention seeker. Sometimes Daffy appeared on his own or as 65 00:04:26,279 --> 00:04:29,680 Speaker 1: the foil for another Looney Tunes hunter, Elmer Fudd, but 66 00:04:29,760 --> 00:04:32,800 Speaker 1: during his early years of stardom, he was mostly paired 67 00:04:32,839 --> 00:04:36,600 Speaker 1: with Porky Pig. They started out as adversaries and Porky's 68 00:04:36,640 --> 00:04:39,720 Speaker 1: duck hunt, but the animators quickly realized they worked better 69 00:04:39,800 --> 00:04:44,280 Speaker 1: as a classic comedy duo. Daffy's aggressive personality and general 70 00:04:44,320 --> 00:04:48,680 Speaker 1: wackiness were the perfect compliment to Porky's timid, straight laced demeanor. 71 00:04:49,279 --> 00:04:52,880 Speaker 1: That odd couple dynamic proved a hit with audiences, but 72 00:04:52,960 --> 00:04:56,560 Speaker 1: in the early nineteen fifties, the producers began experimenting with 73 00:04:56,640 --> 00:05:01,400 Speaker 1: a much more volatile pairing Daffy Duck and Bugs Bunny. 74 00:05:02,040 --> 00:05:05,919 Speaker 1: Daffy's first appearance predated Bugs by a little over a year, 75 00:05:06,160 --> 00:05:09,680 Speaker 1: but the cool headed rabbit eventually eclipsed him in popularity. 76 00:05:09,960 --> 00:05:13,440 Speaker 1: By the nineteen fifties, Bugs had become the undisputed star 77 00:05:13,640 --> 00:05:17,080 Speaker 1: of the Looney Tune series, and other characters received less 78 00:05:17,120 --> 00:05:20,760 Speaker 1: and less of the spotlight. Chuck Jones decided to address 79 00:05:20,800 --> 00:05:24,600 Speaker 1: that trend in the shorts themselves by recasting Daffy as 80 00:05:24,680 --> 00:05:27,800 Speaker 1: Bug's jealous rival. To make him a better match for 81 00:05:27,880 --> 00:05:31,760 Speaker 1: the rascally rabbit, Daffy became less manic and more cunning. 82 00:05:32,160 --> 00:05:34,880 Speaker 1: Of course, he still rarely got the best of Bugs, 83 00:05:34,880 --> 00:05:38,320 Speaker 1: and often had his own pride and impatience used against him. 84 00:05:38,640 --> 00:05:41,640 Speaker 1: That new dynamic was on full display in the beloved 85 00:05:41,760 --> 00:05:45,240 Speaker 1: Hunting Trilogy of the nineteen fifties, a series of three 86 00:05:45,279 --> 00:05:49,000 Speaker 1: cartoons directed by Jones, in which Bugs and Daffy tried 87 00:05:49,040 --> 00:05:53,040 Speaker 1: to alternately persuade Elmer Fudd that its duck season or 88 00:05:53,240 --> 00:05:57,080 Speaker 1: rabbit season. In an early example of their frenemy status, 89 00:05:57,200 --> 00:06:01,600 Speaker 1: the duo eventually call a truce and declare it Elmer season. Instead, 90 00:06:02,120 --> 00:06:07,280 Speaker 1: here's a clip. Okay, Wabbit, I see who had disguise? 91 00:06:07,720 --> 00:06:10,880 Speaker 1: Say a players, you too. 92 00:06:11,240 --> 00:06:19,200 Speaker 3: Duck Webbason Duck Season, Webbitason Duck Season, Leason Duck Season. 93 00:06:25,120 --> 00:06:37,440 Speaker 3: Oh the newy newy Qwiant, we are hunting Elma's. 94 00:06:40,640 --> 00:06:44,880 Speaker 1: Bugs and Daffy's love hate relationship became a defining feature 95 00:06:44,960 --> 00:06:47,919 Speaker 1: of the characters, but Daffy also re teemed with his 96 00:06:47,960 --> 00:06:51,839 Speaker 1: original co star Porky throughout the nineteen fifties and sixties. 97 00:06:52,279 --> 00:06:55,839 Speaker 1: During this era, they often appeared together in parody versions 98 00:06:55,880 --> 00:06:59,440 Speaker 1: of popular movies and TV shows. There was nineteen fifty 99 00:06:59,480 --> 00:07:03,240 Speaker 1: one's Rip Along Daffy, a parody of Hopolong Cassidy and 100 00:07:03,360 --> 00:07:06,960 Speaker 1: Westerns in general. Then there was nineteen fifty eight's Robin 101 00:07:06,960 --> 00:07:09,560 Speaker 1: Hood Daffy. You can probably figure that one out on 102 00:07:09,600 --> 00:07:13,200 Speaker 1: your own, and of course nineteen sixty one's Duck Dodgers 103 00:07:13,280 --> 00:07:16,160 Speaker 1: in the twenty fourth and a half century, a parody 104 00:07:16,240 --> 00:07:20,240 Speaker 1: of sci fi hero Buck Rogers. No matter which role 105 00:07:20,440 --> 00:07:23,360 Speaker 1: Daffy took on, and no matter who he was paired with, 106 00:07:23,800 --> 00:07:28,080 Speaker 1: Jones's darker take continued to inform the character. After a 107 00:07:28,120 --> 00:07:32,239 Speaker 1: long developmental journey, Daffy had finally settled into the wise, cracking, 108 00:07:32,400 --> 00:07:37,240 Speaker 1: self glorifying, and easily outraged persona that audiences know and love. 109 00:07:37,680 --> 00:07:40,840 Speaker 1: It's a formula that's since been repeated in dozens of 110 00:07:40,880 --> 00:07:45,080 Speaker 1: Looney Tunes animated TV shows, movies, and video games. But 111 00:07:45,160 --> 00:07:48,080 Speaker 1: in recent years, Warner Brothers chose to go back to 112 00:07:48,120 --> 00:07:51,480 Speaker 1: the character's wackier roots in a series of brand new 113 00:07:51,520 --> 00:07:56,280 Speaker 1: shorts simply called Looney Tunes Cartoons. The series style and 114 00:07:56,360 --> 00:07:59,400 Speaker 1: tone pays loving homage to the look and feel of 115 00:07:59,440 --> 00:08:02,560 Speaker 1: the original, complete with a version of Daffy who feels 116 00:08:02,640 --> 00:08:05,680 Speaker 1: a lot less, beholden to bugs and acts a lot 117 00:08:05,800 --> 00:08:09,040 Speaker 1: more like his old screwball self. And I guess that's 118 00:08:09,080 --> 00:08:12,000 Speaker 1: one of the benefits of having characters as long running 119 00:08:12,040 --> 00:08:15,600 Speaker 1: and adaptable as the Looney Tunes. They can be reinvented 120 00:08:15,680 --> 00:08:19,320 Speaker 1: again and again for new audiences, sometimes with a modern 121 00:08:19,400 --> 00:08:23,880 Speaker 1: spin and sometimes as a classic throwback. Every incarnation has 122 00:08:23,920 --> 00:08:27,239 Speaker 1: its fans and detractors, but with a nearly century long 123 00:08:27,320 --> 00:08:30,040 Speaker 1: body of work to choose from, the series really has 124 00:08:30,080 --> 00:08:33,480 Speaker 1: something for everyone, provided, of course, that you're willing to 125 00:08:33,520 --> 00:08:41,000 Speaker 1: get a little loony. I'm Gabe Lucier and hopefully you 126 00:08:41,080 --> 00:08:43,760 Speaker 1: now know a little more about history today than you 127 00:08:43,800 --> 00:08:47,200 Speaker 1: did yesterday. If you enjoyed today's show, consider keeping up 128 00:08:47,240 --> 00:08:50,440 Speaker 1: with us on Twitter, Facebook, and Instagram. You can find 129 00:08:50,520 --> 00:08:54,480 Speaker 1: us the TDI HC Show. You can also rate and 130 00:08:54,520 --> 00:08:57,400 Speaker 1: review the show on Apple Podcasts, or you can write 131 00:08:57,400 --> 00:09:02,000 Speaker 1: to us directly at this day at iHeartMedia dot com. 132 00:09:02,000 --> 00:09:05,000 Speaker 1: Thanks to Chandler Mays and Ben Hackett for producing the show, 133 00:09:05,200 --> 00:09:07,640 Speaker 1: and thanks to you for listening. I'll see you back 134 00:09:07,679 --> 00:09:11,640 Speaker 1: here again tomorrow for another day in History class. 135 00:09:22,600 --> 00:09:25,680 Speaker 2: My name is Daffy Duck. I worked on America Round 136 00:09:26,120 --> 00:09:29,200 Speaker 2: the Jumbles. Well, I did quite well. To America rout brodown. 137 00:09:32,480 --> 00:09:35,520 Speaker 2: Guys haven't work with me. Was a hospital lavender eye, 138 00:09:35,920 --> 00:09:41,479 Speaker 2: a round the world with wicked girls. Tell America round Broaddown, 139 00:09:43,200 --> 00:09:47,880 Speaker 2: down and rounded. We smid that he taste sooner to 140 00:09:48,120 --> 00:09:51,199 Speaker 2: my head. Now you know why I'm diving and to 141 00:09:51,400 --> 00:09:53,880 Speaker 2: these things I do. I am a stum when you 142 00:09:54,040 --> 00:09:58,240 Speaker 2: take toll of American round Broaddown