1 00:00:00,960 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,800 Speaker 1: at Total Wine and More. Everybody who loves honey glaze 3 00:00:06,800 --> 00:00:09,399 Speaker 1: carrots a great side dish for your springtime celebration and 4 00:00:09,440 --> 00:00:12,200 Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is 5 00:00:12,240 --> 00:00:14,360 Speaker 1: made in virtually every country in the world, and I'm 6 00:00:14,360 --> 00:00:16,080 Speaker 1: ready to give you a tour to find the right 7 00:00:16,120 --> 00:00:18,520 Speaker 1: one serving lamb this season. Try it with a bold 8 00:00:18,600 --> 00:00:21,800 Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting 9 00:00:21,920 --> 00:00:24,239 Speaker 1: or just bring the wine we love to share are 10 00:00:24,280 --> 00:00:27,880 Speaker 1: always low prices and ridiculous selection this spring at Total 11 00:00:27,880 --> 00:00:38,360 Speaker 1: Wine and More. Cheers y'all. He's a legendary queen's rapper, 12 00:00:38,479 --> 00:00:41,639 Speaker 1: Hang Segre is your boy in. He's a Miami hip 13 00:00:41,720 --> 00:00:44,080 Speaker 1: hop pioneer. What Up is d J E f N. 14 00:00:44,240 --> 00:00:46,640 Speaker 1: Together they drink it up with some of the biggest 15 00:00:46,640 --> 00:00:49,280 Speaker 1: players in music and sport. You know, I mean the 16 00:00:49,360 --> 00:00:53,720 Speaker 1: most professional, unprofessional podcast and your number one source for 17 00:00:53,840 --> 00:00:56,480 Speaker 1: drunk facts. This is Drinks chap Radi wh every Day 18 00:00:56,560 --> 00:01:03,520 Speaker 1: is New Year's e Just ron he he says j 19 00:01:03,680 --> 00:01:07,080 Speaker 1: E f And this is militating Crazy podcast Slash Streak 20 00:01:07,120 --> 00:01:14,520 Speaker 1: Chest and right now I would like to introduce I'm 21 00:01:14,560 --> 00:01:18,040 Speaker 1: about to introduce, and before I introduced them, I would 22 00:01:18,040 --> 00:01:21,240 Speaker 1: like to say that when I hear the best labels 23 00:01:21,240 --> 00:01:23,880 Speaker 1: of all times, when I hear the best cruise of 24 00:01:23,920 --> 00:01:27,120 Speaker 1: all times, and when I hear the best anything of 25 00:01:27,200 --> 00:01:29,760 Speaker 1: all times, and these people don't involve these people that 26 00:01:29,800 --> 00:01:33,560 Speaker 1: as here with us right now, it actually makes me 27 00:01:33,720 --> 00:01:37,240 Speaker 1: mad because duck Down has been here just as long 28 00:01:37,280 --> 00:01:39,959 Speaker 1: as Bad Boy. Duck Down has been here, just as 29 00:01:39,959 --> 00:01:43,720 Speaker 1: long as death Row dumbed down, and in certain instances 30 00:01:43,880 --> 00:01:48,440 Speaker 1: has outlasted death Row and bad But a lot of 31 00:01:48,440 --> 00:01:51,360 Speaker 1: people don't just say that. A lot of people don't 32 00:01:51,360 --> 00:01:54,160 Speaker 1: just give them props like we're not. Just seen the 33 00:01:54,200 --> 00:01:56,760 Speaker 1: emergence of Young m A and a lot of people 34 00:01:56,800 --> 00:01:59,400 Speaker 1: didn't know that they he was she was ducked down 35 00:01:59,720 --> 00:02:03,080 Speaker 1: of affiliated, I realized that a lot of people just 36 00:02:03,120 --> 00:02:06,440 Speaker 1: don't understand the genius a Buckshot, Evil d and Drew 37 00:02:06,520 --> 00:02:09,799 Speaker 1: Hall and Joy Badass. You'll have something to do with 38 00:02:09,880 --> 00:02:12,240 Speaker 1: Joy Badass A little bit that you don't say nothing 39 00:02:13,919 --> 00:02:23,400 Speaker 1: you want, Charlie, I'm gonna guy yours folded like with 40 00:02:23,919 --> 00:02:28,240 Speaker 1: you know how you gonna start your middle there? Relax 41 00:02:31,880 --> 00:02:38,560 Speaker 1: somebody funny in your pillow, So somebody's funny. Not in case, 42 00:02:43,560 --> 00:02:49,119 Speaker 1: most of my faith far relax. So we got the 43 00:02:49,160 --> 00:02:54,239 Speaker 1: most luxurious the label that stuck together. You have problems, 44 00:02:54,280 --> 00:02:58,520 Speaker 1: but you're stuck together at the end. And tonight we're 45 00:02:58,520 --> 00:03:00,880 Speaker 1: going to beat this up. We are and we ship 46 00:03:00,960 --> 00:03:04,960 Speaker 1: introduced our guests, but let our guests introduce theirself first. 47 00:03:04,960 --> 00:03:09,040 Speaker 1: We're gonna start with the White Man. He ran a marathon, 48 00:03:10,160 --> 00:03:20,560 Speaker 1: drew high up in there. Let's make h yeah, Tex 49 00:03:20,639 --> 00:03:27,440 Speaker 1: Smith and Western was yeah yeah, General still Smith and 50 00:03:27,480 --> 00:03:43,080 Speaker 1: Western DJ Evil d burning that Price Sean Price White. 51 00:03:43,160 --> 00:03:48,480 Speaker 1: So being that you started as the last last year, 52 00:03:48,560 --> 00:03:50,800 Speaker 1: the first, So I'm gonna start with you, and I'm 53 00:03:50,800 --> 00:03:57,600 Speaker 1: gonna say what when you heard that, um, Sean Price 54 00:03:57,800 --> 00:04:01,120 Speaker 1: was what ducked down? What was your first in the 55 00:04:01,240 --> 00:04:04,680 Speaker 1: field reaction? I was like, wow, are you sure you 56 00:04:04,720 --> 00:04:09,080 Speaker 1: want to do this? All right? Cool? I don't know 57 00:04:09,120 --> 00:04:12,360 Speaker 1: if that was good or back that was good actually 58 00:04:12,600 --> 00:04:16,360 Speaker 1: because I've known him since I was thirteen, so he yeah, 59 00:04:16,360 --> 00:04:22,680 Speaker 1: Sean So you know he would um, you know, say 60 00:04:22,720 --> 00:04:25,160 Speaker 1: as little raps and be like, oh you're still gonna 61 00:04:25,160 --> 00:04:28,040 Speaker 1: be around and listen, and I'd be like, yeah, when 62 00:04:28,080 --> 00:04:30,640 Speaker 1: I'm going you don't want going somewhere, you know what 63 00:04:30,680 --> 00:04:33,039 Speaker 1: I mean. And he'd be like, nah, I'm gonna do this, 64 00:04:33,120 --> 00:04:34,919 Speaker 1: and he would rap to me and I'd be like, 65 00:04:35,000 --> 00:04:36,800 Speaker 1: you're pretty good. You should get you know what I mean? 66 00:04:37,000 --> 00:04:42,120 Speaker 1: Pretty good? And basically, you know, it was the starting 67 00:04:42,279 --> 00:04:45,640 Speaker 1: and so so what's the sean price? You like more? 68 00:04:45,760 --> 00:04:47,640 Speaker 1: When he was in a coup on when he went solo, 69 00:04:48,320 --> 00:04:52,039 Speaker 1: When he went solo, I ain't gonnallow me too, because 70 00:04:52,120 --> 00:04:54,839 Speaker 1: I felt like I felt like I felt like he 71 00:04:55,040 --> 00:04:59,280 Speaker 1: felt like I don't. I don't feel like I feel 72 00:04:59,279 --> 00:05:03,039 Speaker 1: like as as are all fair. I felt like he 73 00:05:03,160 --> 00:05:05,480 Speaker 1: felt like he was held back in a certain way. 74 00:05:05,920 --> 00:05:09,640 Speaker 1: So everything he did as a solo artist was like rebellious. 75 00:05:10,200 --> 00:05:15,720 Speaker 1: It was rebellious and the most like respectful disrespect. I agree, 76 00:05:16,080 --> 00:05:19,400 Speaker 1: you agree? You know, um you know, when you you're 77 00:05:19,440 --> 00:05:32,680 Speaker 1: in a group, um Nigga's hand this, um ways you 78 00:05:32,760 --> 00:05:37,200 Speaker 1: carry yourself. You know, you're carrying your team, you know, 79 00:05:37,400 --> 00:05:40,440 Speaker 1: and then when you become a solo artist, it's just 80 00:05:40,480 --> 00:05:43,600 Speaker 1: like me, you know what I'm saying. You don't have 81 00:05:43,680 --> 00:05:48,039 Speaker 1: to worry about, you know, exposing anything or whatever the 82 00:05:48,080 --> 00:05:56,560 Speaker 1: case is, because it's you so you know, um rock 83 00:05:57,400 --> 00:06:02,920 Speaker 1: rock is different from Sean pri well, so so deep. 84 00:06:03,000 --> 00:06:05,920 Speaker 1: I ain't go front. I didn't even look at that 85 00:06:06,080 --> 00:06:12,880 Speaker 1: like that. So now I want to take it to 86 00:06:12,880 --> 00:06:20,960 Speaker 1: the beginning of Duckdown too Hot. Buckshot came to you 87 00:06:21,279 --> 00:06:23,400 Speaker 1: or you came to Buckshot? How does this? How did 88 00:06:23,440 --> 00:06:26,800 Speaker 1: this conversation start? I was working, I was an intern 89 00:06:27,080 --> 00:06:30,800 Speaker 1: at a at an independent label, Nervous Records, Nervous, and 90 00:06:31,240 --> 00:06:34,240 Speaker 1: but I sort of nervous own duck Down. I was wrong, 91 00:06:34,400 --> 00:06:41,640 Speaker 1: not for a minute the way they they literally on this, 92 00:06:41,720 --> 00:06:44,440 Speaker 1: but they had us in a situation for a minute. 93 00:06:44,839 --> 00:06:47,440 Speaker 1: But yeah, Buck Buck was a newly signed artist. Chuck 94 00:06:47,520 --> 00:06:50,240 Speaker 1: chill Out brought him to the label to Nervous to Nervous, 95 00:06:50,920 --> 00:06:54,320 Speaker 1: and I literally was like I was right out of college. 96 00:06:54,480 --> 00:06:57,120 Speaker 1: There was a small independent label, like three or four 97 00:06:57,160 --> 00:06:59,960 Speaker 1: people up there, and I just started doing a little 98 00:07:00,000 --> 00:07:01,800 Speaker 1: of everything. And Buck will come up to the label 99 00:07:01,920 --> 00:07:05,680 Speaker 1: every day. He would like literally come in to try to, 100 00:07:06,160 --> 00:07:07,640 Speaker 1: you know, see how he was going to advance his 101 00:07:07,760 --> 00:07:10,320 Speaker 1: career up, and he's putting the pressure on the on 102 00:07:10,440 --> 00:07:13,200 Speaker 1: the label and eating five would be there. But Buck 103 00:07:13,320 --> 00:07:15,360 Speaker 1: was there pretty much like a few times a week 104 00:07:15,680 --> 00:07:19,600 Speaker 1: and we just developed a friendship. I was an aspiring rapper, right, 105 00:07:19,720 --> 00:07:31,240 Speaker 1: so what was your only was I wrapper up? But 106 00:07:31,360 --> 00:07:35,400 Speaker 1: look the verse? You could go look it up on 107 00:07:35,480 --> 00:07:43,920 Speaker 1: a song called Many Moons. Yes, I have a song 108 00:07:44,200 --> 00:07:46,720 Speaker 1: on the Black Moon album on Into the Stage called 109 00:07:46,760 --> 00:07:49,360 Speaker 1: You the Man With with Mobb Deep Smith and Wesson 110 00:07:49,560 --> 00:07:52,320 Speaker 1: and Black Moon, so you can it's the ill Caucasian 111 00:07:52,400 --> 00:07:56,960 Speaker 1: to that album. Back the check the Invasion. All right, 112 00:07:57,040 --> 00:08:03,640 Speaker 1: So look look I never really you were saying, like 113 00:08:03,720 --> 00:08:14,040 Speaker 1: you said, right now, he picked the verse. We know 114 00:08:14,160 --> 00:08:20,840 Speaker 1: the verse chill out. I know, ut right, people that 115 00:08:22,320 --> 00:08:24,800 Speaker 1: it was a classic DJ still is a classic DJ. 116 00:08:25,000 --> 00:08:27,160 Speaker 1: But even at the time he was an influential DJ 117 00:08:27,360 --> 00:08:30,040 Speaker 1: on I think it was the seven point five and yeah, 118 00:08:30,320 --> 00:08:40,360 Speaker 1: he's gonna he's gonna check chill Out. Yeah, that's right right. Anyway, long, 119 00:08:40,480 --> 00:08:43,439 Speaker 1: long short, I've quickly learned my calling wasn't to be 120 00:08:43,559 --> 00:08:46,240 Speaker 1: an m C. You know, being around professionals, you know, 121 00:08:46,360 --> 00:08:48,520 Speaker 1: being around certain rights. We could joke around about it, 122 00:08:48,600 --> 00:08:52,160 Speaker 1: but I often say, like, you know, m seeing a 123 00:08:52,240 --> 00:08:54,760 Speaker 1: lot of people like to do it. It's like baseball 124 00:08:54,800 --> 00:08:56,480 Speaker 1: on the way, like you could have a rect league, 125 00:08:56,480 --> 00:08:58,760 Speaker 1: you could play Little league, you could play even high school, 126 00:08:58,800 --> 00:09:00,079 Speaker 1: but that doesn't mean that you should be in the 127 00:09:00,160 --> 00:09:04,000 Speaker 1: pros and being around professional m c s. I learned 128 00:09:04,040 --> 00:09:06,599 Speaker 1: quickly the difference of like what I was doing and 129 00:09:06,679 --> 00:09:08,680 Speaker 1: what was being done, and just for me, it didn't 130 00:09:08,720 --> 00:09:10,839 Speaker 1: seem the route that I was gonna go. So so 131 00:09:11,000 --> 00:09:13,280 Speaker 1: you started out trying to be an m C I 132 00:09:13,360 --> 00:09:15,439 Speaker 1: was working. I had, but that was on the side. 133 00:09:15,720 --> 00:09:18,440 Speaker 1: And then so what initially made you say I'm gonna 134 00:09:18,440 --> 00:09:22,200 Speaker 1: get down with you Buck to make this, I mean, 135 00:09:22,520 --> 00:09:24,960 Speaker 1: just just the circumstances like we would just it wasn't 136 00:09:25,040 --> 00:09:26,719 Speaker 1: like it was a grand plan. It was just more 137 00:09:26,800 --> 00:09:29,000 Speaker 1: we were going through the motions and it was it 138 00:09:29,120 --> 00:09:32,319 Speaker 1: was really when Buck, when Buckshot introduced me to these 139 00:09:32,360 --> 00:09:34,560 Speaker 1: two right here, it was underny because that was your 140 00:09:34,679 --> 00:09:37,920 Speaker 1: first artist. That was that was the first time that 141 00:09:37,960 --> 00:09:40,200 Speaker 1: we looked at it and said we could take another 142 00:09:40,320 --> 00:09:42,960 Speaker 1: group and kind of do what we're doing with black 143 00:09:43,040 --> 00:09:45,000 Speaker 1: Moon a little bit. And it wasn't even official right 144 00:09:45,040 --> 00:09:47,040 Speaker 1: at that point. It was more like filling in and 145 00:09:47,280 --> 00:09:51,640 Speaker 1: doing certain things because black Moon was because essentially it 146 00:09:51,720 --> 00:09:56,120 Speaker 1: seemed like black Moon was like the new Arab b 147 00:09:56,240 --> 00:09:58,959 Speaker 1: and rock Camp because they had had had a DJ 148 00:10:00,240 --> 00:10:03,079 Speaker 1: and then it had you know the artist, but so 149 00:10:03,280 --> 00:10:07,600 Speaker 1: actually it's two buck at five. Yeah yeah, so far 150 00:10:08,120 --> 00:10:13,160 Speaker 1: so he fathers chowing, he's home. I'm saying, okay, so 151 00:10:13,559 --> 00:10:17,839 Speaker 1: let's subscribe. Let's let's let's suscribe your story. Oh man, 152 00:10:18,000 --> 00:10:23,120 Speaker 1: listen the black Moon. Um well, first of all, beat minors. 153 00:10:23,640 --> 00:10:26,559 Speaker 1: Beat minor started day I was born. Because that's my 154 00:10:26,760 --> 00:10:30,720 Speaker 1: that's my brother, Mr Walker. You know, that's my older brother. 155 00:10:31,080 --> 00:10:34,079 Speaker 1: And I kind of got into what I'm doing. What 156 00:10:34,160 --> 00:10:36,760 Speaker 1: I you know, we save you know, we're gonna save it. 157 00:10:36,840 --> 00:10:41,800 Speaker 1: You let graduate that hell yeah, we gotta graduate. But 158 00:10:42,200 --> 00:10:44,200 Speaker 1: I don't know why. He's just he knows we gotta 159 00:10:44,200 --> 00:10:53,240 Speaker 1: graduate on the day every day over yeah yeah, continue 160 00:10:53,360 --> 00:10:56,280 Speaker 1: all right. So, um, you know my brother Mr Walker, 161 00:10:56,920 --> 00:10:59,719 Speaker 1: you know I've seen him DJ and you know it's 162 00:10:59,760 --> 00:11:02,280 Speaker 1: like see your big brother do something, you get jealous. 163 00:11:03,080 --> 00:11:05,880 Speaker 1: That's how I got into music because I was jealous. 164 00:11:05,960 --> 00:11:08,640 Speaker 1: He's getting all the attention and anybody was like, yo, yo, 165 00:11:09,000 --> 00:11:14,679 Speaker 1: your brother's nice. I'm like, I'm nicer than him, three 166 00:11:14,760 --> 00:11:17,760 Speaker 1: years older than you know, and he um, you know, 167 00:11:18,080 --> 00:11:21,000 Speaker 1: so everything he did I did. My brother worked. He 168 00:11:21,080 --> 00:11:24,360 Speaker 1: used to work at the music factory on jamaka ab 169 00:11:24,440 --> 00:11:29,240 Speaker 1: Crost from Carlos and everybody in Queens when everybody in 170 00:11:29,280 --> 00:11:31,360 Speaker 1: hip popping Queen's winning that store one time or another. 171 00:11:32,240 --> 00:11:36,640 Speaker 1: And he knew everybody. So when he started, um, produce 172 00:11:36,679 --> 00:11:40,520 Speaker 1: some music. I started producing music. I started when when 173 00:11:40,600 --> 00:11:42,760 Speaker 1: I'm sorry to cut you off, but when was the 174 00:11:43,200 --> 00:11:45,400 Speaker 1: when was the time that you said this is for real? 175 00:11:46,320 --> 00:11:49,280 Speaker 1: Well music as of making records and everything, like like 176 00:11:49,440 --> 00:11:52,160 Speaker 1: women's that moment that hits you and said this is real. 177 00:11:53,679 --> 00:11:58,480 Speaker 1: Once we once we actually went into the studio, a 178 00:11:58,559 --> 00:12:01,800 Speaker 1: studio before we got you, you had a head. Yeah, 179 00:12:02,200 --> 00:12:04,959 Speaker 1: we got the deal and you know, we had a 180 00:12:05,040 --> 00:12:08,760 Speaker 1: deal before and it fell through, and um we got 181 00:12:08,800 --> 00:12:12,439 Speaker 1: the second deal, which was nervous rackets, and you know 182 00:12:12,640 --> 00:12:15,080 Speaker 1: I still was like, Yo, whatever, man, I'm still gonna hustle, 183 00:12:15,160 --> 00:12:19,040 Speaker 1: sell these tapes, do these parties. I'm sorry Tom. The 184 00:12:19,120 --> 00:12:20,840 Speaker 1: first drink, you're taking this tag of bone and now 185 00:12:20,880 --> 00:12:25,400 Speaker 1: I was drinking some of this because I just I 186 00:12:25,440 --> 00:12:30,000 Speaker 1: didn't even know what it is like. Now, don't stop 187 00:12:30,080 --> 00:12:37,679 Speaker 1: your draw I just wanted you're gonna start with tages a. 188 00:12:37,760 --> 00:12:42,360 Speaker 1: Just if you're gonna start with it, you're gonna start 189 00:12:42,360 --> 00:12:45,000 Speaker 1: with it. I had some of this, he started with 190 00:12:45,120 --> 00:12:50,240 Speaker 1: the road who but you haven't finished your roles because 191 00:12:50,240 --> 00:12:51,800 Speaker 1: it's still in your hand. We're gonna make this court. 192 00:12:51,840 --> 00:12:55,240 Speaker 1: You're gonna make this clip. You cannot drink t bone Wabby, 193 00:12:55,320 --> 00:13:04,240 Speaker 1: I'll be rapping somebody cat because I so so I 194 00:13:04,559 --> 00:13:09,439 Speaker 1: need to understand that because you guys, you worked that 195 00:13:09,559 --> 00:13:13,600 Speaker 1: nervous You worked that nervous intern. Buck is an artist, 196 00:13:13,679 --> 00:13:20,000 Speaker 1: that nervous you are. That's the artist. When Buck got signed, 197 00:13:20,040 --> 00:13:22,640 Speaker 1: we all got signed. But was it already black Moon 198 00:13:22,720 --> 00:13:26,480 Speaker 1: the group? Already black Moon's nervous? And you know, we 199 00:13:26,559 --> 00:13:29,600 Speaker 1: go up a nervous druids in there holding it down. 200 00:13:30,480 --> 00:13:31,920 Speaker 1: I don't know. I didn't know what the funk I 201 00:13:32,000 --> 00:13:34,400 Speaker 1: was doing. But you're not. You don't know. I'm like, 202 00:13:35,400 --> 00:13:37,640 Speaker 1: but you know what it was we came into the label. 203 00:13:37,840 --> 00:13:40,240 Speaker 1: It was it was a factor of we came into 204 00:13:40,240 --> 00:13:53,719 Speaker 1: the label that there was working but nervous record. You 205 00:13:53,840 --> 00:13:55,599 Speaker 1: just look around and look at a everybody and you 206 00:13:55,679 --> 00:13:58,240 Speaker 1: just see that one person that you know, yo, that's 207 00:13:58,320 --> 00:14:00,520 Speaker 1: that's get it. That's my nigga right there. Get it. 208 00:14:00,600 --> 00:14:03,319 Speaker 1: Drew was that dude Like when we walked in and 209 00:14:03,400 --> 00:14:05,520 Speaker 1: we gave anybody, yo, what's up? Ya, what's up? We've 210 00:14:05,559 --> 00:14:09,800 Speaker 1: seen Drew was like what Drew? You good? And what 211 00:14:10,000 --> 00:14:15,120 Speaker 1: happened was, um, a situation happened and Drew actually jumped in. 212 00:14:15,160 --> 00:14:17,600 Speaker 1: He's from into action. Okay, you know what I'm saying. 213 00:14:17,640 --> 00:14:19,360 Speaker 1: He went from being Drew to do it with the 214 00:14:19,440 --> 00:14:24,360 Speaker 1: label to Drew of duckdown without even knowing it. You 215 00:14:24,400 --> 00:14:27,200 Speaker 1: know what I'm saying. And that's what happened, Like YO, 216 00:14:27,320 --> 00:14:29,680 Speaker 1: believe it or not. I literally put my head down. 217 00:14:30,240 --> 00:14:33,800 Speaker 1: I looked up Drew a book like, yeah, duckdown. That's 218 00:14:33,840 --> 00:14:37,480 Speaker 1: exactly how duckdown happened to me. Let's make that sounds 219 00:14:41,360 --> 00:14:44,720 Speaker 1: The name was down was always the name. How did 220 00:14:44,760 --> 00:14:48,080 Speaker 1: it happen to you? Because then I'm I mean that 221 00:14:48,640 --> 00:14:52,120 Speaker 1: that was essentially it was like over time they had 222 00:14:52,200 --> 00:14:56,040 Speaker 1: the management, some management situations were going on. We were 223 00:14:56,200 --> 00:14:58,680 Speaker 1: we were acting and serving in that role. We started 224 00:14:58,720 --> 00:15:00,720 Speaker 1: doing a lot over when who got of props came out? 225 00:15:01,480 --> 00:15:11,720 Speaker 1: The props start making the record start going on. It's 226 00:15:11,880 --> 00:15:14,560 Speaker 1: five ft evil being buck shot. Everybody does never know 227 00:15:14,680 --> 00:15:19,640 Speaker 1: what everybody does like that right over that for everybody? 228 00:15:21,560 --> 00:15:30,360 Speaker 1: Five now make sense? Nothing? Who the problem? Who the problem? 229 00:15:39,560 --> 00:15:42,880 Speaker 1: We're running around buckers at this point, he's looking for 230 00:15:42,920 --> 00:15:45,280 Speaker 1: a new monagement, right, and so we're running around, we're 231 00:15:45,280 --> 00:15:47,240 Speaker 1: doing a lot of things. I actually set up a 232 00:15:47,280 --> 00:15:50,040 Speaker 1: whole bunch of meetings for Buck with different managers that 233 00:15:50,120 --> 00:15:52,000 Speaker 1: I knew or that was coming across in Like, I 234 00:15:52,080 --> 00:15:55,040 Speaker 1: wasn't even seeing myself in that role yet. I'm still young, 235 00:15:55,120 --> 00:15:57,000 Speaker 1: I'm still I just I just didn't picture like that. 236 00:15:57,520 --> 00:15:59,320 Speaker 1: We did a few meetings and Buck will come out. 237 00:15:59,840 --> 00:16:01,280 Speaker 1: And at the end he said, you know what, and 238 00:16:01,360 --> 00:16:03,600 Speaker 1: I give Buck all the credit because he said, we 239 00:16:03,680 --> 00:16:05,520 Speaker 1: could just do this ourselves, like the way we're doing 240 00:16:05,560 --> 00:16:07,200 Speaker 1: it right now. Let's just keep doing it like this 241 00:16:07,400 --> 00:16:10,000 Speaker 1: until you know, we see if we need more help. 242 00:16:10,640 --> 00:16:13,360 Speaker 1: So I didn't argue with that. And you know, at 243 00:16:13,400 --> 00:16:15,400 Speaker 1: that point, like I said, I was, I was speaking 244 00:16:15,440 --> 00:16:18,160 Speaker 1: on it earlier, but he introduced me to to Smith 245 00:16:18,200 --> 00:16:21,440 Speaker 1: and Wesson, so exactly where I was going. And that's 246 00:16:21,600 --> 00:16:24,600 Speaker 1: that's all it took. Now, that's what it was, let's 247 00:16:24,600 --> 00:16:27,640 Speaker 1: do it. So after he said let's do it ourselves, 248 00:16:27,760 --> 00:16:29,520 Speaker 1: I said, in my mind, well, we're gonna this is 249 00:16:29,560 --> 00:16:32,880 Speaker 1: at the time, right bad boy, and um, you're starting 250 00:16:32,920 --> 00:16:34,920 Speaker 1: to get a little bit of no limit. All these 251 00:16:34,960 --> 00:16:37,880 Speaker 1: things are starting to pop up these these labels, right, 252 00:16:42,640 --> 00:16:50,000 Speaker 1: maybe it's kind of they just started. So I said 253 00:16:50,040 --> 00:16:51,920 Speaker 1: the book. If we're gonna do this, then we obviously 254 00:16:52,000 --> 00:16:54,320 Speaker 1: need the next group. And he he I think he 255 00:16:54,440 --> 00:16:56,440 Speaker 1: was testing me early because he brought me a few 256 00:16:56,520 --> 00:16:58,920 Speaker 1: things that were just the noodles, and I told him, 257 00:16:58,920 --> 00:17:01,360 Speaker 1: I was like, no, not like artist. Yeah, he brought 258 00:17:01,400 --> 00:17:02,960 Speaker 1: He brought a couple of things, and I was like, 259 00:17:03,080 --> 00:17:10,119 Speaker 1: I don't know, he just brought me some desert s 260 00:17:10,920 --> 00:17:12,720 Speaker 1: called him out on it, and he said, all right, 261 00:17:12,760 --> 00:17:14,959 Speaker 1: all right, I got I got two guys you need 262 00:17:15,040 --> 00:17:16,600 Speaker 1: to meet. And he started gonna bring him to an 263 00:17:16,640 --> 00:17:19,320 Speaker 1: in store in New Jersey. And the next in store 264 00:17:19,400 --> 00:17:23,200 Speaker 1: we went to, he brings Smith and Western and I'm videotaping. 265 00:17:23,240 --> 00:17:25,600 Speaker 1: You can look this up on YouTube, but I'm videotaping them. 266 00:17:25,680 --> 00:17:29,520 Speaker 1: Take a microphone. Evil puts on deep cover and needs 267 00:17:29,560 --> 00:17:32,080 Speaker 1: to step up to the microphone in this. And remember, 268 00:17:32,119 --> 00:17:34,040 Speaker 1: if you got to know what the in store is like, 269 00:17:34,119 --> 00:17:37,240 Speaker 1: these youngs won't know what the in store right. But 270 00:17:37,359 --> 00:17:39,520 Speaker 1: it was packed and they're ready to take their heads 271 00:17:39,560 --> 00:17:41,320 Speaker 1: off in the in store if they don't represent. And 272 00:17:41,400 --> 00:17:44,440 Speaker 1: he was up above the store. It was a black 273 00:17:44,520 --> 00:17:46,680 Speaker 1: moon in store. So now I gotta ask y'all, where 274 00:17:46,760 --> 00:17:50,440 Speaker 1: was y'all in life when y'all met them? Like what 275 00:17:50,840 --> 00:17:54,240 Speaker 1: was this the focus to meet them, get signed or 276 00:17:54,359 --> 00:17:56,920 Speaker 1: this was just like I'm nice to live, you know. 277 00:17:57,840 --> 00:18:00,639 Speaker 1: For me, I wouldn't even around. I was hissing. I 278 00:18:00,760 --> 00:18:09,640 Speaker 1: love security. I was still security and fresh were fresh 279 00:18:09,720 --> 00:18:12,000 Speaker 1: out of high school in the streets, not even one 280 00:18:12,040 --> 00:18:14,680 Speaker 1: fot in high school about to get thrown out the 281 00:18:14,800 --> 00:18:17,159 Speaker 1: other foot in the streets in the hood. I'm from 282 00:18:17,240 --> 00:18:20,320 Speaker 1: bed Style, he from the veil, so it's already tension 283 00:18:20,600 --> 00:18:25,480 Speaker 1: in the hood. But some was doing mad talent shows 284 00:18:25,520 --> 00:18:28,840 Speaker 1: and winning. For me, I always wanted to be behind 285 00:18:28,880 --> 00:18:35,240 Speaker 1: the boards like an engineer, produce from very very very 286 00:18:35,320 --> 00:18:39,320 Speaker 1: killer is places after Hill down the Hill, and like 287 00:18:39,480 --> 00:18:41,800 Speaker 1: he was doing just talent shows and ship and um 288 00:18:42,960 --> 00:18:45,199 Speaker 1: he had another partner that was rocking with the man 289 00:18:45,280 --> 00:18:47,119 Speaker 1: last said, all I was doing was just security, just 290 00:18:47,280 --> 00:18:52,000 Speaker 1: keeping the niggers in the bitches away. So um after that, 291 00:18:52,600 --> 00:18:54,920 Speaker 1: after we met him riding around and it was the 292 00:18:55,000 --> 00:18:58,480 Speaker 1: super ruter there. But because he said he said in 293 00:18:58,520 --> 00:19:02,520 Speaker 1: New Jersey, is that actually meeting happened or a thing 294 00:19:02,640 --> 00:19:09,400 Speaker 1: that wasn't the very first time. What I'm asking, did 295 00:19:09,480 --> 00:19:12,359 Speaker 1: you know that when you met him? And this was 296 00:19:14,000 --> 00:19:15,639 Speaker 1: like for me, I wasn't on it like that. That 297 00:19:15,760 --> 00:19:22,200 Speaker 1: was that we used to like before, I guess before 298 00:19:22,240 --> 00:19:25,480 Speaker 1: we before we actually met Drew High. Like me and Buck, 299 00:19:25,600 --> 00:19:27,639 Speaker 1: you spent a lot of time together on Franklin Avenue, 300 00:19:27,920 --> 00:19:31,040 Speaker 1: Franklin Union and just standing outside talking like Buck is 301 00:19:31,080 --> 00:19:33,639 Speaker 1: a visionary, you know what I mean, So he he 302 00:19:33,800 --> 00:19:37,960 Speaker 1: sees he sees the future, this guy, you know. But yeah, 303 00:19:38,000 --> 00:19:41,159 Speaker 1: I was. I was aspiring to be on you know. 304 00:19:41,240 --> 00:19:43,120 Speaker 1: And at that point it's just like, all right, these 305 00:19:43,160 --> 00:19:45,119 Speaker 1: guys got to deal, so we're just gonna ride with them. 306 00:19:45,880 --> 00:19:47,680 Speaker 1: You know. We were just shodowing these guys and we 307 00:19:47,800 --> 00:19:50,480 Speaker 1: was learning everything that they was doing from the interviews, 308 00:19:51,040 --> 00:19:53,720 Speaker 1: from the end stores, the studio work, and we should 309 00:19:53,720 --> 00:19:55,840 Speaker 1: we shadowed them so from there yet we just picked 310 00:19:55,880 --> 00:19:58,960 Speaker 1: up everything. Man, we knew he was next up. I 311 00:19:59,000 --> 00:20:03,760 Speaker 1: won't say this um. When we was working on like me, 312 00:20:03,960 --> 00:20:08,760 Speaker 1: I'm about first off, working used to always go just 313 00:20:09,320 --> 00:20:12,600 Speaker 1: my man still, my man, still, my man still, And 314 00:20:12,680 --> 00:20:15,480 Speaker 1: I was like, yo, at the end of the day, 315 00:20:16,359 --> 00:20:18,320 Speaker 1: let us do it we gotta do first, then you 316 00:20:18,359 --> 00:20:21,240 Speaker 1: can bring your man still on you know what I'm saying. 317 00:20:21,400 --> 00:20:24,000 Speaker 1: And it was funny because it would be Still I 318 00:20:24,000 --> 00:20:27,680 Speaker 1: always knew it still and his man because Tech didn't 319 00:20:27,720 --> 00:20:41,639 Speaker 1: say anything. So to see that what I'm still what 320 00:20:41,800 --> 00:20:46,560 Speaker 1: I what I'm Tech, I had a something like and 321 00:20:46,720 --> 00:20:49,840 Speaker 1: when he started rum and I was like, could talk. 322 00:21:01,480 --> 00:21:05,000 Speaker 1: Welcome to play a new podcast network featuring radio and 323 00:21:05,080 --> 00:21:09,680 Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play 324 00:21:09,720 --> 00:21:14,159 Speaker 1: it at play dot it We're back to Drink Champs 325 00:21:14,280 --> 00:21:20,200 Speaker 1: Radio with Rapper and R and d Jes. Then, so 326 00:21:20,480 --> 00:21:26,119 Speaker 1: now you guys come together now Immediately, Drew, did you 327 00:21:26,320 --> 00:21:29,760 Speaker 1: did it? Did it dawn on you that you we 328 00:21:29,840 --> 00:21:33,280 Speaker 1: gotta form this full fledged label or was you more 329 00:21:33,320 --> 00:21:36,960 Speaker 1: and let's let's just let's just get the production company 330 00:21:37,600 --> 00:21:40,240 Speaker 1: logo on there and not really be a label. We 331 00:21:40,400 --> 00:21:42,960 Speaker 1: still would be happy. Honestly, we still weren't even really 332 00:21:43,040 --> 00:21:45,119 Speaker 1: thinking that far ahead. I wouldn't. I could tell you 333 00:21:45,200 --> 00:21:47,480 Speaker 1: it was this grand plan, but at that point it 334 00:21:47,600 --> 00:21:50,920 Speaker 1: was we We brought them into nervous, introduced them to 335 00:21:51,040 --> 00:21:53,280 Speaker 1: the same place we were. It wasn't until we went 336 00:21:53,600 --> 00:21:56,399 Speaker 1: got the first round of, you know, royalty statements, that 337 00:21:56,480 --> 00:21:59,920 Speaker 1: we were figuring maybe something wasn't wasn't matching up to 338 00:22:00,000 --> 00:22:06,399 Speaker 1: the work bad? What was every first artist like Rember 339 00:22:06,760 --> 00:22:11,640 Speaker 1: distributed Nervous. Nervous was independent, dependent distributed. It was bad. 340 00:22:12,240 --> 00:22:21,800 Speaker 1: We negotiating that between seven groups. And that's when we 341 00:22:21,960 --> 00:22:23,880 Speaker 1: you know, and now at this point we are seeing 342 00:22:23,960 --> 00:22:27,000 Speaker 1: other we are seeing other entity pop up, and we said, 343 00:22:27,040 --> 00:22:29,119 Speaker 1: you know what, let's go, let's go shop this. Right 344 00:22:29,280 --> 00:22:32,040 Speaker 1: as soon as they came through the door, Um, it wasn't. 345 00:22:32,119 --> 00:22:35,480 Speaker 1: It wasn't long before they introduced us to Um Steele's 346 00:22:35,520 --> 00:22:39,800 Speaker 1: brother um Sean Ruck and Rock and String and Louisville 347 00:22:40,119 --> 00:22:42,719 Speaker 1: as the Fab five. So it didn't take long. Now, 348 00:22:42,880 --> 00:22:46,160 Speaker 1: now all of a sudden being a look, it wasn't 349 00:22:46,200 --> 00:22:48,960 Speaker 1: hard to tell when you have eight mcs that rhyme 350 00:22:49,040 --> 00:22:51,160 Speaker 1: the way they rhyme, and everyone had a unique style 351 00:22:51,240 --> 00:22:54,080 Speaker 1: and a unique look and came together to form like 352 00:22:54,119 --> 00:22:56,760 Speaker 1: a voltron. Like you know, you just knew there was 353 00:22:56,840 --> 00:22:58,800 Speaker 1: something special there. Even at that point, I think that's 354 00:22:58,800 --> 00:23:01,520 Speaker 1: when we saw we could take the outside of Nervous 355 00:23:01,600 --> 00:23:03,920 Speaker 1: and do our own things. But the first album was 356 00:23:04,040 --> 00:23:06,320 Speaker 1: into the stage. The first one was on into the stage. 357 00:23:07,000 --> 00:23:13,800 Speaker 1: Then the Shining. It calls so much disruption in jail, jail. 358 00:23:14,600 --> 00:23:18,640 Speaker 1: I was in jail. They called so much disruption. Did 359 00:23:18,760 --> 00:23:23,160 Speaker 1: y'all know? I can't speak on that because jail park? 360 00:23:29,960 --> 00:23:34,040 Speaker 1: But did you know? Like, because I always asked people 361 00:23:34,080 --> 00:23:36,720 Speaker 1: when they come on this show, did you know you 362 00:23:36,800 --> 00:23:40,280 Speaker 1: were making a classic? No? Because we didn't even know 363 00:23:40,440 --> 00:23:43,320 Speaker 1: what we were doing. We didn't know what Still and 364 00:23:43,480 --> 00:23:48,240 Speaker 1: Buck was. The professionals in rhyming and wrapping, I didn't 365 00:23:48,840 --> 00:23:51,240 Speaker 1: they knew what Bars was. I didn't know what Bars was. 366 00:23:51,359 --> 00:23:54,000 Speaker 1: I didn't know how to put together a song. You 367 00:23:54,119 --> 00:23:57,400 Speaker 1: do eight sixteen in the chorus and this and come back. 368 00:23:57,600 --> 00:23:59,440 Speaker 1: I didn't know none of that ship there. But you 369 00:23:59,520 --> 00:24:01,560 Speaker 1: were nice still as soon as you as soon as 370 00:24:01,600 --> 00:24:10,879 Speaker 1: you let versus that even be evil. You see this 371 00:24:11,600 --> 00:24:15,680 Speaker 1: empire taking off, But for some reason we heard that 372 00:24:15,840 --> 00:24:28,400 Speaker 1: evil the just disappeared at one. That's funny as a fan. 373 00:24:29,440 --> 00:24:34,120 Speaker 1: As a fan, we loved Buck Shot, we loved Duck Down, 374 00:24:34,240 --> 00:24:38,720 Speaker 1: but we missed you, like we we wondered where were 375 00:24:38,840 --> 00:24:40,920 Speaker 1: you at? I'm talking about this is not Nori. I'm 376 00:24:40,920 --> 00:24:44,080 Speaker 1: not talking about Nori. This is fan as hip hop. 377 00:24:44,160 --> 00:24:48,240 Speaker 1: Because I missed a guy with the ship like this, 378 00:24:49,040 --> 00:24:51,639 Speaker 1: and I'm like, where did he go? So so it 379 00:24:51,720 --> 00:24:54,440 Speaker 1: is the explanation because I really don't know. This is um. 380 00:24:54,840 --> 00:24:59,720 Speaker 1: You know, we went to go DJ. This is DJ girl. 381 00:25:00,160 --> 00:25:03,040 Speaker 1: You know, I went on my DJ tour. I had 382 00:25:03,680 --> 00:25:07,720 Speaker 1: had my Hot ninety seven show from ninety four to 383 00:25:08,000 --> 00:25:15,480 Speaker 1: ninety seven. Flex flexile um, Actually, um, how do we um? Yeah, say, 384 00:25:16,240 --> 00:25:22,119 Speaker 1: that's another duckdown thing. It calls the duckdown. And it 385 00:25:22,320 --> 00:25:24,680 Speaker 1: was like, you know, I come straight on my on 386 00:25:24,760 --> 00:25:28,240 Speaker 1: my DJ and then beat Minus you know, like me 387 00:25:28,359 --> 00:25:32,840 Speaker 1: and me, me Buck and five was going through the 388 00:25:32,960 --> 00:25:37,840 Speaker 1: whole nervous records thing and you know, like that whole 389 00:25:37,920 --> 00:25:39,720 Speaker 1: thing kind of left for solid takes and you guys 390 00:25:39,760 --> 00:25:42,040 Speaker 1: sort of blaming each other instead of looking at the 391 00:25:42,040 --> 00:25:45,000 Speaker 1: bigger picture. He had kind of like it wasn't like that. 392 00:25:45,160 --> 00:25:46,919 Speaker 1: It just we just felt it just we just got 393 00:25:47,040 --> 00:25:49,280 Speaker 1: jaded by the whole business thing like that. And plus 394 00:25:49,359 --> 00:25:52,160 Speaker 1: Buck wanted to build ducktown. You know what I'm saying. 395 00:25:52,200 --> 00:25:58,280 Speaker 1: Five was locked up and you wanted to and I 396 00:25:58,440 --> 00:25:59,720 Speaker 1: just you know, I got on I got on my 397 00:25:59,800 --> 00:26:03,000 Speaker 1: d E ship. But we were running around with boot camp. 398 00:26:03,200 --> 00:26:05,719 Speaker 1: Yeah yeah, I was at the same time. They they 399 00:26:05,800 --> 00:26:07,640 Speaker 1: was running around. They do they'll do the boot camp 400 00:26:07,720 --> 00:26:10,480 Speaker 1: on the stuff. But do you look at that Ian Walk. 401 00:26:10,960 --> 00:26:13,480 Speaker 1: I mean, we're instrumental in those first four albums from 402 00:26:13,840 --> 00:26:15,639 Speaker 1: from Into the Stage of the Shining to help the 403 00:26:15,640 --> 00:26:18,440 Speaker 1: Skelpton's nine turnover to O G. Sesar Storm. I think 404 00:26:18,680 --> 00:26:20,960 Speaker 1: when you look back on it in a in a 405 00:26:21,400 --> 00:26:23,000 Speaker 1: you know, a piece of time, it's easy to say 406 00:26:23,040 --> 00:26:25,240 Speaker 1: where they go, But it wasn't really like that. It 407 00:26:25,359 --> 00:26:28,200 Speaker 1: was you know, you're talking about from nine three to 408 00:26:28,400 --> 00:26:31,119 Speaker 1: ninety seven at that time of making records. And then 409 00:26:31,160 --> 00:26:34,439 Speaker 1: to his point to clarify, like the nervous situation when 410 00:26:34,480 --> 00:26:36,600 Speaker 1: we when we did our deal with Priority Records, which 411 00:26:36,680 --> 00:26:39,560 Speaker 1: was a West Coast based label. Part of what was 412 00:26:39,600 --> 00:26:43,080 Speaker 1: still going on was the first it was like Brian 413 00:26:43,160 --> 00:26:45,560 Speaker 1: Turner all the dudes you saw in the con Movi 414 00:26:51,800 --> 00:26:55,280 Speaker 1: but but he but Black Woman was having that priority 415 00:26:55,280 --> 00:26:57,880 Speaker 1: they try to we was held up in contract, held 416 00:26:57,960 --> 00:27:00,480 Speaker 1: up in contract. So we were moving forward with Duck down, 417 00:27:00,560 --> 00:27:02,639 Speaker 1: with health of Skelter and o GC. That's like a 418 00:27:02,760 --> 00:27:04,320 Speaker 1: year and a half, two years a time in the 419 00:27:04,400 --> 00:27:06,359 Speaker 1: making right there in Black Moon and Smith and Western 420 00:27:06,400 --> 00:27:08,679 Speaker 1: were kind of they were in this legal battle, were 421 00:27:08,720 --> 00:27:11,400 Speaker 1: nervous and they were frozen for my thing is I'm 422 00:27:11,440 --> 00:27:13,240 Speaker 1: not because I'm not just gonna sit down like I 423 00:27:13,400 --> 00:27:16,439 Speaker 1: was producing other other people. So it was no termoire. 424 00:27:16,520 --> 00:27:18,919 Speaker 1: It was just like you just won. This is my family, 425 00:27:18,960 --> 00:27:21,199 Speaker 1: and we go through a little family stuff. But at 426 00:27:21,240 --> 00:27:23,159 Speaker 1: the end of the day, these are the dudes I 427 00:27:23,240 --> 00:27:25,520 Speaker 1: came in to do it with, and I'll never front 428 00:27:25,600 --> 00:27:28,159 Speaker 1: on them, you know, and I'm loyal to that what 429 00:27:28,240 --> 00:27:36,439 Speaker 1: I'm saying. Italy a lot of a lot of cats. 430 00:27:37,080 --> 00:27:39,680 Speaker 1: I thought it was some bullshit whatever. Not. The whole 431 00:27:39,720 --> 00:27:42,639 Speaker 1: thing is basically we had we was going through the 432 00:27:42,680 --> 00:27:46,440 Speaker 1: bullshit of the lord of the label ship and you know, 433 00:27:46,760 --> 00:27:50,080 Speaker 1: and also catch was building their own entities, you know, 434 00:27:50,560 --> 00:27:53,080 Speaker 1: because because if it was it was some bullshit, trust me, 435 00:27:53,320 --> 00:27:56,520 Speaker 1: it would have came out. I'm saying. But that's the 436 00:27:56,520 --> 00:27:59,000 Speaker 1: only thing. It was just you know, family do another thing. 437 00:27:59,040 --> 00:28:03,200 Speaker 1: So now now buck this is bucks Idea or this 438 00:28:03,359 --> 00:28:06,280 Speaker 1: is you and Bucks. No, it was it was bucks Idea, 439 00:28:06,760 --> 00:28:11,360 Speaker 1: but now Wuchanger had already came out. Just yeah, Wu 440 00:28:11,440 --> 00:28:13,680 Speaker 1: Tang was we were black Moon was that was ahead 441 00:28:13,720 --> 00:28:16,159 Speaker 1: of Wuchang because I remember, oh dirty Bastard came to 442 00:28:16,160 --> 00:28:20,440 Speaker 1: a couple of show. We went camp came after not 443 00:28:20,600 --> 00:28:23,840 Speaker 1: not not really because it mix of everything bubbling up. 444 00:28:23,920 --> 00:28:26,879 Speaker 1: We came and right in a minute. The idea was 445 00:28:26,960 --> 00:28:29,920 Speaker 1: invented before, Wuchange saying, but I don't think we looked 446 00:28:29,920 --> 00:28:32,240 Speaker 1: at it like a supergroup, even though because they already 447 00:28:32,280 --> 00:28:36,080 Speaker 1: had it was just Smith and Wesson, black Moon, there 448 00:28:36,119 --> 00:28:39,959 Speaker 1: were one. They came out with the protection that as 449 00:28:40,000 --> 00:28:43,880 Speaker 1: a whole, we came out Smith and Wesson. What actually 450 00:28:43,960 --> 00:28:47,720 Speaker 1: happened with that lawsuit? Smith and Wesson try to see you? Yeah, 451 00:28:47,880 --> 00:28:50,239 Speaker 1: the gun company I changed the name is a gun 452 00:28:50,360 --> 00:28:54,720 Speaker 1: company who kills me? Super fucking you making us to 453 00:28:54,800 --> 00:28:58,960 Speaker 1: post the boys they like it was was he was 454 00:28:59,000 --> 00:29:03,160 Speaker 1: in a consumer one sales music one, sobody see these 455 00:29:03,480 --> 00:29:07,160 Speaker 1: gun that sells dead? Right? Let me find that musically 456 00:29:07,240 --> 00:29:12,840 Speaker 1: all the cellsasically. They sent us a season desist a 457 00:29:13,040 --> 00:29:16,480 Speaker 1: stack of paper as a latal turn. Yes, ceason desists 458 00:29:16,480 --> 00:29:18,719 Speaker 1: ain't good? Yea the stop. We're going after the souls. 459 00:29:18,760 --> 00:29:22,600 Speaker 1: We're going after anybody that prints you'll We're going k yeah, 460 00:29:23,160 --> 00:29:29,480 Speaker 1: black straight blacklist. Now drew as you being executive, what 461 00:29:29,640 --> 00:29:33,080 Speaker 1: did you feel with Smith and Western the gun company 462 00:29:33,280 --> 00:29:36,480 Speaker 1: is sending your emails? There wasn't even emails back then. 463 00:29:36,920 --> 00:29:54,880 Speaker 1: It wasn't paper contract super you like we are. When 464 00:29:54,960 --> 00:30:01,400 Speaker 1: you get that, you can't serve. Do I do pluck? 465 00:30:01,480 --> 00:30:08,880 Speaker 1: In my mind? What I do play? I don't play 466 00:30:08,880 --> 00:30:16,520 Speaker 1: a cross see playing tennis God comes up again. At 467 00:30:16,560 --> 00:30:18,720 Speaker 1: that point, it was still nervous to put the album out, 468 00:30:18,760 --> 00:30:21,400 Speaker 1: so they're looking for the label boss. So they got it. 469 00:30:21,680 --> 00:30:23,360 Speaker 1: They didn't want to put the money up to fight 470 00:30:23,560 --> 00:30:26,240 Speaker 1: what what they knew was going to be a super 471 00:30:26,320 --> 00:30:29,040 Speaker 1: loan of a lawsuit. We are caught in the middle 472 00:30:29,040 --> 00:30:31,480 Speaker 1: of putting out a new a new album, and we 473 00:30:31,520 --> 00:30:34,040 Speaker 1: don't want to get held up any further. So you know, 474 00:30:34,280 --> 00:30:37,080 Speaker 1: they decided. We all decided jointly. We know that's how 475 00:30:37,160 --> 00:30:39,240 Speaker 1: we make decisions. Like we sat down and chopped it up, 476 00:30:39,640 --> 00:30:41,440 Speaker 1: and we said we're not going to stop the music 477 00:30:41,520 --> 00:30:43,640 Speaker 1: over a name. And they came up with the name 478 00:30:43,720 --> 00:30:45,600 Speaker 1: and how they wanted to move forward. And the hood 479 00:30:45,720 --> 00:30:47,760 Speaker 1: was mad at Coco brother somebod just strow that up playing. 480 00:30:47,800 --> 00:30:54,840 Speaker 1: I don't know if anybody we love Swipper Western so 481 00:30:55,000 --> 00:31:01,720 Speaker 1: much that when yes were the Koco Brothers, He's like, no, ye, like, 482 00:31:01,800 --> 00:31:08,840 Speaker 1: who is that playing? I never said I never said it. 483 00:31:08,880 --> 00:31:10,880 Speaker 1: I ain't gonna lie. That was I was like that 484 00:31:11,000 --> 00:31:13,680 Speaker 1: was always something we used anyway, because during the whole 485 00:31:13,800 --> 00:31:17,000 Speaker 1: time when when these guys was working on into the stage, 486 00:31:17,040 --> 00:31:19,360 Speaker 1: we was we was bringing the weed to you know me. 487 00:31:19,920 --> 00:31:22,840 Speaker 1: We were bringing the choo cho. You know, we just 488 00:31:22,880 --> 00:31:28,800 Speaker 1: make some figure the funny flaws when they got just 489 00:31:28,840 --> 00:31:33,840 Speaker 1: sitting come home. What so y'all not to cut you off, 490 00:31:34,400 --> 00:31:38,720 Speaker 1: miss y'all, miss y'all like, um, it was a wood 491 00:31:38,840 --> 00:31:51,160 Speaker 1: sign your mother, that's all. Look some most distract we 492 00:31:51,240 --> 00:31:56,880 Speaker 1: getting quick. How you got was rapping and we all 493 00:31:56,920 --> 00:32:08,120 Speaker 1: want to be like that's we don't want to from 494 00:32:08,240 --> 00:32:21,480 Speaker 1: roers Hirsch. We all followed suit. We all don't general 495 00:32:21,640 --> 00:32:29,239 Speaker 1: still juster still even you were rhyming before you met 496 00:32:29,320 --> 00:32:33,440 Speaker 1: buck show actual fact. Yeah, so alright now, describe was 497 00:32:33,520 --> 00:32:35,800 Speaker 1: the situation where you met buck shot? Where was your lack? 498 00:32:36,560 --> 00:32:38,080 Speaker 1: I feel like ya was in mass he somewhere. I 499 00:32:38,120 --> 00:32:42,120 Speaker 1: don't know, no buckets are you know? He eat eat 500 00:32:42,200 --> 00:32:47,800 Speaker 1: pretty much? Did you change your light? I've crime it 501 00:32:47,920 --> 00:32:51,000 Speaker 1: was sister Tracy figure, Tracy Figure. I went to school, Um, 502 00:32:51,640 --> 00:32:55,400 Speaker 1: nice school, you know, I was a nice school, Westerhouse, 503 00:32:57,560 --> 00:33:00,120 Speaker 1: and um I had to show at the Apollo. I 504 00:33:00,160 --> 00:33:02,760 Speaker 1: mean she I had I did a couple of you know, 505 00:33:02,920 --> 00:33:06,680 Speaker 1: with a variety shows Lawn Alexander, Brooklyn, Niggas Matt in 506 00:33:06,720 --> 00:33:10,440 Speaker 1: Hollow Um not well, now we would meet up in 507 00:33:10,520 --> 00:33:15,600 Speaker 1: Brooklyn and shoot up. The first the first we actually 508 00:33:15,760 --> 00:33:34,560 Speaker 1: met super new or at the handle, so you bet 509 00:33:34,640 --> 00:33:36,680 Speaker 1: them in all at the follow we had to show 510 00:33:36,720 --> 00:33:39,720 Speaker 1: at the Hollow. Okay, you before you knew before a 511 00:33:39,760 --> 00:33:43,880 Speaker 1: new brother was the first time we actually really you know, 512 00:33:44,160 --> 00:33:46,840 Speaker 1: met but but before then it was just I just 513 00:33:46,880 --> 00:33:48,480 Speaker 1: I knew it assist. I was in class with her. 514 00:33:48,720 --> 00:33:51,400 Speaker 1: But you know, but that was we had no no, no, 515 00:33:51,720 --> 00:33:56,200 Speaker 1: no building, no nothing before that saying we was on 516 00:33:56,280 --> 00:33:58,600 Speaker 1: our own twist. So he seed you at the Apollo 517 00:33:58,720 --> 00:34:01,280 Speaker 1: and he performed with us he whether it wasn't him 518 00:34:01,320 --> 00:34:11,320 Speaker 1: and five after was dancing music the fucking five Houston 519 00:34:12,000 --> 00:34:15,960 Speaker 1: also dance for m os t. Most old than I 520 00:34:16,160 --> 00:34:18,480 Speaker 1: sound Trooper was with steal Me and a couple of 521 00:34:18,719 --> 00:34:22,759 Speaker 1: people right that was the name before Sniff and wady R. 522 00:34:23,480 --> 00:34:29,160 Speaker 1: I ain't learned already. Hold on, hold on, let you 523 00:34:29,160 --> 00:34:32,560 Speaker 1: get some clarification. Before it was clear everybody was there 524 00:34:33,239 --> 00:34:38,520 Speaker 1: was a dance used to dance too, but Sean used 525 00:34:39,480 --> 00:34:47,360 Speaker 1: Sean used to dance to the Yeah what what was? 526 00:34:47,760 --> 00:34:52,279 Speaker 1: What was for ship? Lay ship? That was his favorite ship. 527 00:34:56,280 --> 00:35:05,279 Speaker 1: I'm gonna go here, let me get yea no, but 528 00:35:05,440 --> 00:35:08,239 Speaker 1: you had a show in Tompolo, which is a very 529 00:35:08,440 --> 00:35:11,360 Speaker 1: big thing. Like Norlan. People don't get shows at Apollo. 530 00:35:13,040 --> 00:35:17,719 Speaker 1: The common denominated between his Buck's sister Tracy, they went 531 00:35:17,840 --> 00:35:22,160 Speaker 1: to night school and she was dancing lived in Queens. 532 00:35:22,239 --> 00:35:24,960 Speaker 1: For some reason. She might live and Queens my mom, 533 00:35:25,120 --> 00:35:29,360 Speaker 1: she might and my mom. But that was a common 534 00:35:29,440 --> 00:35:35,839 Speaker 1: denominator to that was the link between still and from there. 535 00:35:37,719 --> 00:35:41,040 Speaker 1: From then, that's when, because then if Buck was still 536 00:35:41,160 --> 00:35:43,080 Speaker 1: on his grind doing what he was doing, but it 537 00:35:43,200 --> 00:35:45,520 Speaker 1: just happened. She was like, yeah, my sip, my brother 538 00:35:45,680 --> 00:35:49,839 Speaker 1: rat and he dances so at the Apollo. That's when 539 00:35:50,239 --> 00:35:55,680 Speaker 1: you know, right there, Yeah, it up back in the 540 00:35:55,840 --> 00:35:59,239 Speaker 1: days we were dancing in the club, standing on the 541 00:35:59,320 --> 00:36:07,000 Speaker 1: wall looking, let's make looks. One thing and one thing 542 00:36:07,040 --> 00:36:14,040 Speaker 1: I should notice about everybody. You guys are getting loose. 543 00:36:14,080 --> 00:36:19,000 Speaker 1: I'm gonna have to ask you to leave, so listen. 544 00:36:19,600 --> 00:36:23,680 Speaker 1: One thing I've noticed about Price was when he was 545 00:36:23,960 --> 00:36:28,480 Speaker 1: in the Google, I felt like he was held. Now. 546 00:36:28,480 --> 00:36:30,439 Speaker 1: I don't want to say hell back, but it felt 547 00:36:30,480 --> 00:36:34,440 Speaker 1: like he was contained the minute he became Sean Price. 548 00:36:34,719 --> 00:36:37,840 Speaker 1: And I remember he took on the our narchy, the 549 00:36:37,960 --> 00:36:43,560 Speaker 1: Focused Rapper. It was that ship was true man, he 550 00:36:43,719 --> 00:36:48,440 Speaker 1: said the movie disrespectful balls. Ever, while he was claiming 551 00:36:48,480 --> 00:36:51,120 Speaker 1: the Focus Rapper a lot, I mean, I was just like, 552 00:36:51,560 --> 00:36:52,880 Speaker 1: you know, you know, I don't know if you know, 553 00:36:53,120 --> 00:36:59,919 Speaker 1: that was my favorite rapper, Like I said, character mode. 554 00:37:00,239 --> 00:37:02,600 Speaker 1: When he changed his name, he changed name from rough 555 00:37:02,680 --> 00:37:05,960 Speaker 1: to his real name, Price, and people still thought that 556 00:37:06,200 --> 00:37:16,920 Speaker 1: was rapp when let we's see you know, people running 557 00:37:16,960 --> 00:37:21,279 Speaker 1: to yo, tell Sean Price. You know, I mean that 558 00:37:21,440 --> 00:37:24,200 Speaker 1: rock is you know what I'm saying, that Sean Price 559 00:37:24,280 --> 00:37:26,839 Speaker 1: and he's the same person. You know what I'm saying 560 00:37:26,920 --> 00:37:30,960 Speaker 1: that he know what? Did you notice that once he 561 00:37:31,760 --> 00:37:34,239 Speaker 1: it felt like he was liberated, not in a where 562 00:37:34,360 --> 00:37:37,440 Speaker 1: like like he was bad, but it felt like he 563 00:37:37,560 --> 00:37:40,840 Speaker 1: was able to beat himself. When you have a partner, 564 00:37:41,560 --> 00:37:45,319 Speaker 1: y'all work together. You understand what I'm saying. You can't 565 00:37:45,560 --> 00:37:48,240 Speaker 1: direct the attention that just you. You gotta think about 566 00:37:48,280 --> 00:37:52,960 Speaker 1: your partner, the team right, team player all the way. 567 00:37:53,840 --> 00:37:59,120 Speaker 1: So when you become so low, it's all you, but 568 00:37:59,280 --> 00:38:01,040 Speaker 1: you don't have I'm gonna stop him for a second 569 00:38:01,120 --> 00:38:04,359 Speaker 1: six because some people go so low and they don't 570 00:38:04,440 --> 00:38:08,759 Speaker 1: embrace the character that he embraced. He went solow and 571 00:38:08,960 --> 00:38:17,600 Speaker 1: he was the exact itself everything around that funny ship 572 00:38:17,800 --> 00:38:28,800 Speaker 1: and all that. I writed Sean, if he to a 573 00:38:28,920 --> 00:38:33,959 Speaker 1: barbecue and left front video left, he came through, he said, 574 00:38:34,320 --> 00:38:41,040 Speaker 1: he said, ship, it's probably dog I can't. Yeah, I 575 00:38:41,120 --> 00:38:47,360 Speaker 1: saw your video. I was like, this is nigga motherfucker's 576 00:38:47,360 --> 00:38:50,600 Speaker 1: now he's on no idea, Yeah, I had no idea 577 00:38:50,680 --> 00:38:52,719 Speaker 1: what I was doing because when he said that, he 578 00:38:52,800 --> 00:38:55,200 Speaker 1: had a gatorad in this hand, and I just really 579 00:38:55,320 --> 00:39:04,440 Speaker 1: did like this, Yeah, and funnies. It's like a natural 580 00:39:04,600 --> 00:39:08,160 Speaker 1: comedian funny, but at the same time it's being hands 581 00:39:08,200 --> 00:39:12,640 Speaker 1: would slap the ship out, like where it's just something 582 00:39:12,880 --> 00:39:15,320 Speaker 1: you either accept it and you rapped with it or 583 00:39:15,360 --> 00:39:18,000 Speaker 1: you don't funk with him on him with you. So, 584 00:39:18,440 --> 00:39:20,680 Speaker 1: I mean, I'm so sorry to go in this dark place, 585 00:39:20,760 --> 00:39:22,520 Speaker 1: but I just have to be in that. We're here. 586 00:39:23,239 --> 00:39:26,840 Speaker 1: So how hard was it? Because the hip about community 587 00:39:27,200 --> 00:39:30,680 Speaker 1: sat back and we heard that, you know, Sean passed away, 588 00:39:31,440 --> 00:39:38,880 Speaker 1: and me personally, I was fucked up because me and 589 00:39:39,160 --> 00:39:42,040 Speaker 1: me and Sean have been great forever, but we were 590 00:39:42,080 --> 00:39:45,680 Speaker 1: getting closer and closer and closer, and it was getting 591 00:39:45,680 --> 00:39:47,880 Speaker 1: closer to the point where I just we're call him 592 00:39:47,920 --> 00:39:53,520 Speaker 1: and be like, your foul nigger what I did, because 593 00:39:54,040 --> 00:39:57,799 Speaker 1: that's just like him to be curious. He was one 594 00:39:57,840 --> 00:40:02,040 Speaker 1: of them. I remember old Boss up about you know, price, 595 00:40:02,520 --> 00:40:05,399 Speaker 1: and he was like, welcome, yeah, and I was like yeah. 596 00:40:06,160 --> 00:40:09,239 Speaker 1: He was like sure, he's hill And I said, you 597 00:40:09,360 --> 00:40:12,000 Speaker 1: never listened to his lyrics because I said, you never 598 00:40:14,120 --> 00:40:16,680 Speaker 1: told me, and was like, I think I gotta signed 599 00:40:16,760 --> 00:40:19,439 Speaker 1: this guy. I think I gotta sign. And the week 600 00:40:19,520 --> 00:40:23,080 Speaker 1: after he passed away and bus kept hitting me, and 601 00:40:23,200 --> 00:40:25,640 Speaker 1: I didn't ask the bus calls for that week, not 602 00:40:25,719 --> 00:40:28,239 Speaker 1: because I don't respect the bus, because I absolutely do, 603 00:40:28,760 --> 00:40:30,759 Speaker 1: but it was just like, I just wanted to deal 604 00:40:30,840 --> 00:40:34,200 Speaker 1: with the morning as opposed to what was going on. 605 00:40:34,320 --> 00:40:37,160 Speaker 1: And then and then afterwards, I'm gonna be honest, Sis, 606 00:40:38,920 --> 00:40:44,200 Speaker 1: everybody seeing how great Sean was. After hold on one second, Sis, 607 00:40:44,320 --> 00:40:46,759 Speaker 1: one second, how many times did I was trying to 608 00:40:46,840 --> 00:40:48,440 Speaker 1: call you? I was like, you tell Sean to come 609 00:40:48,480 --> 00:40:52,240 Speaker 1: funk with me? Right, Because I really knew how special 610 00:40:52,440 --> 00:40:55,000 Speaker 1: this kid was. I didn't know what to do with it. 611 00:40:55,960 --> 00:40:57,560 Speaker 1: I didn't know what to do with it. I know 612 00:40:57,600 --> 00:40:59,399 Speaker 1: what to do with it now, but it's so many years. 613 00:40:59,440 --> 00:41:02,000 Speaker 1: But but a lot of people have a lot of 614 00:41:02,080 --> 00:41:05,560 Speaker 1: people did yes, So I'm just a lot of people did. 615 00:41:05,600 --> 00:41:07,960 Speaker 1: You have to understand he had put out three solo 616 00:41:08,080 --> 00:41:11,440 Speaker 1: albums and those ships. For an artist to reinvent himself, right, 617 00:41:11,520 --> 00:41:14,200 Speaker 1: that's a very difficult thing to do, especially for what 618 00:41:14,320 --> 00:41:17,520 Speaker 1: you call an old school artist or um you know 619 00:41:17,600 --> 00:41:21,200 Speaker 1: whatever the whatever the phrases artists from following. He recreated 620 00:41:21,280 --> 00:41:23,680 Speaker 1: himself where he was touring, where he was selling albums, 621 00:41:23,680 --> 00:41:26,319 Speaker 1: where he was he was making a good as living 622 00:41:26,480 --> 00:41:38,560 Speaker 1: stuff and be reinventing himself. Safrans fans and they kept 623 00:41:38,600 --> 00:41:48,080 Speaker 1: doing it, and they kept show me when them and when. 624 00:41:50,560 --> 00:41:52,600 Speaker 1: It was a lot of labels at that time and 625 00:41:52,719 --> 00:41:55,000 Speaker 1: point that we're recognizing what was going on. I saw 626 00:41:55,040 --> 00:41:57,920 Speaker 1: a buster one day in front of Transit on Broadway. 627 00:41:57,960 --> 00:42:00,759 Speaker 1: I remember he pulled me and sick stickers all. Yeah, 628 00:42:01,200 --> 00:42:02,640 Speaker 1: him outside trans and you know how a bust of 629 00:42:02,640 --> 00:42:05,120 Speaker 1: grabbing when you went to Yo and he this is 630 00:42:05,360 --> 00:42:07,120 Speaker 1: a couple and this is probably like a year before 631 00:42:07,360 --> 00:42:09,440 Speaker 1: year maybe two before he passed, and he was like 632 00:42:09,880 --> 00:42:12,560 Speaker 1: you know I'm gonna work with Sean. I want to like, 633 00:42:12,719 --> 00:42:15,279 Speaker 1: all right, well we already moved him, but everything would 634 00:42:15,360 --> 00:42:17,320 Speaker 1: would always come back to Sean. But one thing with 635 00:42:17,360 --> 00:42:21,000 Speaker 1: Shan is and he had the choice. He never switched teams. 636 00:42:21,800 --> 00:42:24,880 Speaker 1: Said that don't matter, no matter that he never switched teams. 637 00:42:25,440 --> 00:42:30,400 Speaker 1: So you've seen you've seen him in the group, and 638 00:42:30,480 --> 00:42:33,880 Speaker 1: then you've seen him as a solo artist. Where did 639 00:42:33,960 --> 00:42:37,560 Speaker 1: you think his space was more comfortable as as when 640 00:42:37,600 --> 00:42:41,200 Speaker 1: he became Sean Price? Okay, explain he was able, you know, 641 00:42:42,160 --> 00:42:45,520 Speaker 1: um because he wasn't funny at all as a group, 642 00:42:46,640 --> 00:42:50,000 Speaker 1: Like I never laughed at rocking rock at all. It 643 00:42:50,160 --> 00:42:59,239 Speaker 1: was like now Price comes, I'm like, that was the Brooky. Yeah, 644 00:43:00,120 --> 00:43:02,400 Speaker 1: that's all I want. I always looked at myself like 645 00:43:02,480 --> 00:43:09,760 Speaker 1: bis Markey with a gun. You see that. That's always 646 00:43:09,920 --> 00:43:12,759 Speaker 1: I looked at myself and I said, damn this thick. 647 00:43:12,800 --> 00:43:19,120 Speaker 1: It doesn't turn into Bismarke with two guys. He's got 648 00:43:20,000 --> 00:43:31,240 Speaker 1: now Sean, Sean, I'm happy. It's like big but actually 649 00:43:31,280 --> 00:43:33,840 Speaker 1: a lot of sense. That's always looked at myself because 650 00:43:34,680 --> 00:43:38,239 Speaker 1: you know, picking bugers, picking buggers made me laugh and 651 00:43:38,320 --> 00:43:42,200 Speaker 1: that and that was the police is that's something like 652 00:43:42,280 --> 00:43:51,719 Speaker 1: the police your pride, you know, for that. So but 653 00:43:51,920 --> 00:43:55,920 Speaker 1: that's how I always looked at Sean because Bis Markey 654 00:43:57,080 --> 00:44:01,120 Speaker 1: was my idol and everybody hate it Bis and I 655 00:44:01,239 --> 00:44:04,239 Speaker 1: hate it, and they just didn't, I mean from from 656 00:44:04,280 --> 00:44:08,080 Speaker 1: my era, they didn't. You know what I'm saying. I'm 657 00:44:08,120 --> 00:44:10,759 Speaker 1: just saying my people didn't take Bis as serious as 658 00:44:10,920 --> 00:44:15,520 Speaker 1: pain as Brock came or whatever. But this made me 659 00:44:15,840 --> 00:44:19,680 Speaker 1: laugh and I always wanted to be entertained and laugh 660 00:44:19,920 --> 00:44:23,560 Speaker 1: at the same time. And that's what you show. When 661 00:44:23,680 --> 00:44:27,399 Speaker 1: BIS came, it was like, oh, that was the ultimate show. 662 00:44:28,239 --> 00:44:31,400 Speaker 1: And then I'm not gonna lie. I felt like I 663 00:44:31,560 --> 00:44:35,239 Speaker 1: took on that on our key. I don't know that word. 664 00:44:35,280 --> 00:44:45,680 Speaker 1: I'm sorry, excuse his homework. So um, I took on 665 00:44:45,880 --> 00:44:50,120 Speaker 1: that and then I left it alone. And I left 666 00:44:50,160 --> 00:44:52,200 Speaker 1: it alone and I tried to make club records and 667 00:44:52,400 --> 00:44:59,160 Speaker 1: party records and all that. John reminded that you like, 668 00:44:59,239 --> 00:45:02,320 Speaker 1: I'm being this when you know that, and he did that. 669 00:45:02,760 --> 00:45:05,759 Speaker 1: So do you think because me personally, and this is 670 00:45:05,840 --> 00:45:07,680 Speaker 1: some fun to say what, I'm gonna keep it real, 671 00:45:07,960 --> 00:45:12,839 Speaker 1: keep I developed this perfect personality when I gained weight. 672 00:45:14,320 --> 00:45:17,320 Speaker 1: After I gain weight, I was three d and fifty pounds. 673 00:45:17,400 --> 00:45:21,040 Speaker 1: I didn't want people to look at my stomach became 674 00:45:21,320 --> 00:45:30,600 Speaker 1: so I became funny. Concentrate That's how you can't concentrate 675 00:45:30,680 --> 00:45:33,719 Speaker 1: on what I'm saying. Come train on everything else but me. 676 00:45:34,680 --> 00:45:38,840 Speaker 1: But Sean never got big as me. So how does Sean, 677 00:45:39,040 --> 00:45:43,799 Speaker 1: in your opinion, develop that that that you know personality? 678 00:45:45,160 --> 00:45:49,040 Speaker 1: I would say, you know the struggle it takes you there. 679 00:45:50,400 --> 00:45:55,480 Speaker 1: You know the ups the downs. You got personal problems, 680 00:45:56,040 --> 00:46:00,480 Speaker 1: you got real problems. You understand what I'm saying. Um. 681 00:46:01,600 --> 00:46:05,399 Speaker 1: You know, as artists, and I say this a lot um, 682 00:46:06,760 --> 00:46:11,160 Speaker 1: we have to deal with the world, what the fans want, 683 00:46:11,520 --> 00:46:14,080 Speaker 1: how people are gonna look at us, how to perceive us. 684 00:46:14,719 --> 00:46:19,000 Speaker 1: At the same time, you're dealing with personal issues from 685 00:46:19,080 --> 00:46:22,440 Speaker 1: your family. You want to help everybody, You want to 686 00:46:22,520 --> 00:46:27,719 Speaker 1: make everybody happy, and all that ship just builds up 687 00:46:29,120 --> 00:46:34,880 Speaker 1: you you try to direct your attention elsewhere. I'm saying, Um, 688 00:46:36,360 --> 00:46:39,800 Speaker 1: you know, it's it's hard. Like he lost his mom's 689 00:46:40,280 --> 00:46:43,040 Speaker 1: and then he had to get out there and do 690 00:46:43,160 --> 00:46:47,840 Speaker 1: a show. You know what I'm saying. His mom you 691 00:46:47,960 --> 00:46:55,320 Speaker 1: know she didn't raise them. But Sean Price, I'm not 692 00:46:55,400 --> 00:46:58,480 Speaker 1: gonna lie when she got on stage. It's so beautiful, 693 00:46:59,080 --> 00:47:04,080 Speaker 1: makes a little off right. I don't know if y'all understand. 694 00:47:04,320 --> 00:47:06,080 Speaker 1: I don't know if y'all know what we do here 695 00:47:06,400 --> 00:47:09,640 Speaker 1: at this show, but I'm gonna show the Price at 696 00:47:09,680 --> 00:47:21,880 Speaker 1: the stage. Yes, talk about it. She was, Yeah, he 697 00:47:22,000 --> 00:47:25,560 Speaker 1: brought it out, prope that prospect cart that was what 698 00:47:26,000 --> 00:47:28,520 Speaker 1: what was that show called? That was with us? The 699 00:47:28,640 --> 00:47:32,839 Speaker 1: stage of them and he from now the first time 700 00:47:32,960 --> 00:47:41,920 Speaker 1: from but now she doing photography versus everything. You can't 701 00:47:41,960 --> 00:47:45,200 Speaker 1: stop it with her now, Drew, I got a question 702 00:47:45,239 --> 00:47:47,480 Speaker 1: for you, and this has to do with Sean Price. 703 00:47:48,080 --> 00:47:50,080 Speaker 1: And this might be kind of wrong in a sense, 704 00:47:50,719 --> 00:47:52,400 Speaker 1: and I'm gonna tell you why. This is one of 705 00:47:52,560 --> 00:47:55,400 Speaker 1: the most depressing times I had in hip hop. I 706 00:47:55,480 --> 00:47:58,120 Speaker 1: went to Shady Records, I don't know, I remember the 707 00:47:58,160 --> 00:48:02,719 Speaker 1: year exactly, and I went to visit Riggs Morales and 708 00:48:02,840 --> 00:48:09,000 Speaker 1: you walked in and you was pitching Sean to them. 709 00:48:10,480 --> 00:48:12,480 Speaker 1: He was like yo, and he was giving the illest 710 00:48:12,520 --> 00:48:14,640 Speaker 1: pitch to them. And I remember Riggs just like not 711 00:48:15,880 --> 00:48:19,040 Speaker 1: not being sure of what you were saying. And I'm like, 712 00:48:19,640 --> 00:48:23,600 Speaker 1: because I already know, I'm I know what what he 713 00:48:23,680 --> 00:48:26,920 Speaker 1: meant to the movement, Like how could why would you 714 00:48:27,040 --> 00:48:30,600 Speaker 1: question this? So I walked away from from that office 715 00:48:30,760 --> 00:48:34,319 Speaker 1: like disheartened the hip hop, like why the funk were 716 00:48:34,360 --> 00:48:37,520 Speaker 1: they not understand? This is a legend already. Why would 717 00:48:37,520 --> 00:48:39,640 Speaker 1: you not pick this up? But and then you had 718 00:48:39,680 --> 00:48:42,319 Speaker 1: to pitch it? I mean I probably went up there 719 00:48:42,440 --> 00:48:44,799 Speaker 1: for for Paul because we were already cool. We first 720 00:48:44,840 --> 00:48:47,880 Speaker 1: of all, we have yeah, we have history with them, right, 721 00:48:47,960 --> 00:48:50,200 Speaker 1: that goes back to a whole other story that we 722 00:48:50,760 --> 00:48:53,520 Speaker 1: we have at one to remember. I do remember that day. 723 00:48:54,320 --> 00:48:56,480 Speaker 1: You also have to remember at a certain point right 724 00:48:56,520 --> 00:48:57,920 Speaker 1: that we're talking about, like it is a lot of 725 00:48:57,960 --> 00:49:00,160 Speaker 1: comedy to it, but they're like two burns point. There 726 00:49:00,200 --> 00:49:03,680 Speaker 1: was a lot of struggle. Also around nine we've lost 727 00:49:03,760 --> 00:49:08,000 Speaker 1: that glorious production deal that Priority Records, Smith and Western 728 00:49:08,040 --> 00:49:10,759 Speaker 1: signed to raucous right with me and were sitting back 729 00:49:10,800 --> 00:49:13,760 Speaker 1: going we gotta regroup and we gotta find new funding. 730 00:49:13,840 --> 00:49:16,440 Speaker 1: We gotta find We went back to my apartment, like 731 00:49:16,520 --> 00:49:19,719 Speaker 1: we went from offices on on in the penthouse with 732 00:49:20,040 --> 00:49:22,840 Speaker 1: copy machines and all types of crazy ship to the 733 00:49:22,920 --> 00:49:26,080 Speaker 1: copy machine being in my kitchen. So at the same 734 00:49:26,160 --> 00:49:28,320 Speaker 1: time we're looking at we got artists that are active 735 00:49:28,360 --> 00:49:30,440 Speaker 1: and we're saying we gotta we gotta do something for 736 00:49:30,520 --> 00:49:32,400 Speaker 1: them as well. And we started making deals that that 737 00:49:32,560 --> 00:49:36,520 Speaker 1: killed us, like we were dismantling the roster. Like literally 738 00:49:36,680 --> 00:49:39,680 Speaker 1: at Smith and Western was signed to raucous records. But 739 00:49:39,800 --> 00:49:42,320 Speaker 1: at the same time that that, I think that was 740 00:49:42,440 --> 00:49:45,600 Speaker 1: like something that hurts and the beginning when he didn't 741 00:49:46,200 --> 00:49:50,399 Speaker 1: ran out because you're saying that sign is hurt and hurt. 742 00:49:50,480 --> 00:49:53,640 Speaker 1: It hurt us because we couldn't provide the home anymore. 743 00:49:53,680 --> 00:49:56,839 Speaker 1: We couldn't provide that kind of wasn't just us no more, 744 00:49:57,520 --> 00:50:00,919 Speaker 1: it was outside the outside entity. We made a new deal. 745 00:50:01,000 --> 00:50:03,760 Speaker 1: We signed, you know, we signed a group like everybody said, alright, 746 00:50:03,800 --> 00:50:08,960 Speaker 1: they was our deal. So so Sean was also without 747 00:50:09,040 --> 00:50:12,600 Speaker 1: a deal. And so at this time, like Rock the 748 00:50:12,680 --> 00:50:15,080 Speaker 1: partner and held the Skelter Rock, he had a deal 749 00:50:16,560 --> 00:50:19,279 Speaker 1: with with Priority. They kept him through that deal. So 750 00:50:20,000 --> 00:50:23,800 Speaker 1: they were allowed, right they were, but it was it 751 00:50:23,920 --> 00:50:25,719 Speaker 1: was through that contract. But they were allowed to keep 752 00:50:25,760 --> 00:50:27,880 Speaker 1: one artist from our roster, and that's what they chose. 753 00:50:28,400 --> 00:50:30,920 Speaker 1: They chose it, that's what they chose. They were in 754 00:50:31,000 --> 00:50:33,279 Speaker 1: our contract. They were allowed to keep one act and 755 00:50:33,360 --> 00:50:36,439 Speaker 1: they chose Rock, And I think that put a huge 756 00:50:36,560 --> 00:50:40,200 Speaker 1: chip on Sean's shoulder, you know. And so we we 757 00:50:40,320 --> 00:50:43,960 Speaker 1: went back to finance, we went back to a We 758 00:50:44,040 --> 00:50:47,640 Speaker 1: went we went back to putting out in singles. And 759 00:50:47,920 --> 00:50:49,600 Speaker 1: at that time, there were a lot of like, you know, 760 00:50:49,760 --> 00:50:53,880 Speaker 1: different different labels were called Steve Rifkin called um, you know, 761 00:50:54,000 --> 00:50:55,920 Speaker 1: Paul called. So we were taking a couple of these 762 00:50:56,000 --> 00:50:58,719 Speaker 1: exploratory meetings, like I thought that might be a good 763 00:50:58,760 --> 00:51:00,759 Speaker 1: fit for him, like if m if he did a 764 00:51:00,840 --> 00:51:04,760 Speaker 1: deal with him, that was something he would have happened, 765 00:51:04,760 --> 00:51:06,640 Speaker 1: I swear, But I don't know how hard I was, like, 766 00:51:06,680 --> 00:51:09,120 Speaker 1: I don't know if I walked away from that so hard. 767 00:51:09,920 --> 00:51:12,000 Speaker 1: I was like, how could this not work? But I 768 00:51:12,120 --> 00:51:14,640 Speaker 1: never felt like saying like because I like not makes sense, 769 00:51:14,760 --> 00:51:16,960 Speaker 1: like why why you have to pitch that now? But 770 00:51:17,040 --> 00:51:19,640 Speaker 1: I never no, bringer, I never felt like that. That's 771 00:51:19,680 --> 00:51:24,240 Speaker 1: why I guess the independent spirit damn. But when I'm siding, 772 00:51:24,280 --> 00:51:27,040 Speaker 1: I didn't leave that meaning to him anyway, I'm doing 773 00:51:27,120 --> 00:51:29,000 Speaker 1: the game at that point on so I'm even like 774 00:51:29,680 --> 00:51:33,600 Speaker 1: like felt in the are just rap, just can't get 775 00:51:33,640 --> 00:51:37,319 Speaker 1: it already. Family, So you know what I'm saying, You're 776 00:51:37,320 --> 00:51:43,440 Speaker 1: going to take a drink another one? You are you 777 00:51:43,480 --> 00:51:48,360 Speaker 1: are you sprossed to be drinks before? Are your bills? Matt? No, no, 778 00:51:48,760 --> 00:51:54,080 Speaker 1: you ain't. Who's got the hook? He done? No, No, 779 00:51:54,200 --> 00:51:56,560 Speaker 1: give us the one. We're gonna gonna talk about the 780 00:51:56,600 --> 00:52:01,520 Speaker 1: bell their hook next there you go. No, I'm just 781 00:52:02,760 --> 00:52:06,200 Speaker 1: right over here. We wont sold on, hold on because 782 00:52:06,239 --> 00:52:08,200 Speaker 1: all the shot. So this is this is where I 783 00:52:08,280 --> 00:52:18,839 Speaker 1: want to go to. You know how many chishi? Man? 784 00:52:21,040 --> 00:52:25,960 Speaker 1: Do you know how many people have got shot? Man? 785 00:52:26,040 --> 00:52:27,640 Speaker 1: That was I think that was got a lot of 786 00:52:27,719 --> 00:52:30,840 Speaker 1: nigga shot that was. That was in the forefront. I 787 00:52:30,880 --> 00:52:34,440 Speaker 1: think Nigga's hand right now, shot Nigga's and we're go 788 00:52:34,600 --> 00:52:40,080 Speaker 1: please and we just shooting Nigga. We're fun the vision 789 00:52:40,120 --> 00:52:47,360 Speaker 1: gun class yo. Still you're sucking that tanger nobody, Joe R. 790 00:52:50,000 --> 00:52:56,040 Speaker 1: They didn't shoot y'all did actually wait, yeah, I'm a 791 00:52:56,160 --> 00:53:07,080 Speaker 1: right more shot. Yeah, I can't still can't. Can't say it, 792 00:53:07,200 --> 00:53:08,800 Speaker 1: just say it's always having this out here as you go. 793 00:53:10,440 --> 00:53:12,040 Speaker 1: So I want to help, I said, No, they did 794 00:53:12,160 --> 00:53:13,920 Speaker 1: show it was actually it was actually a black moon 795 00:53:14,840 --> 00:53:17,720 Speaker 1: and they did the joint Actually it was actually they 796 00:53:17,760 --> 00:53:21,040 Speaker 1: didn't who got the problems? But put up what up? Yo? 797 00:53:21,400 --> 00:53:23,799 Speaker 1: And then the shots went out. Shot Wait a minute, yeah, 798 00:53:23,840 --> 00:53:28,160 Speaker 1: you canna interrupt when you stopped and you see this shot, friend, 799 00:53:28,400 --> 00:53:30,759 Speaker 1: this is not a shot. This is guy's the worst 800 00:53:31,040 --> 00:53:35,600 Speaker 1: same shot. But this shot, this is a shot like 801 00:53:36,440 --> 00:53:47,120 Speaker 1: put on your drink. This good cheating. Still that's light 802 00:53:48,560 --> 00:53:54,120 Speaker 1: we're doing. Give go them talking about my shot to 803 00:53:54,280 --> 00:53:57,520 Speaker 1: Russ and I talk to table about it. We turn. 804 00:53:58,040 --> 00:54:06,680 Speaker 1: We gonna tell Sad for me. Hold everybody, Russ, Russ you. 805 00:54:08,120 --> 00:54:11,279 Speaker 1: I don't know if y'all understand what we do here 806 00:54:11,880 --> 00:54:15,040 Speaker 1: drink Champs. What we do our drink Champs is we 807 00:54:15,160 --> 00:54:19,120 Speaker 1: support shot legends. And I don't know why phone has 808 00:54:19,200 --> 00:54:23,160 Speaker 1: any more shots of anything. I'm good. This is like 809 00:54:24,680 --> 00:54:29,080 Speaker 1: because the phone's gonna sleep on the terrorists. You don't 810 00:54:29,120 --> 00:54:33,840 Speaker 1: see any any rich I don't seen. I see the 811 00:54:33,960 --> 00:54:38,600 Speaker 1: last war report. Check coming. It's very good. So he's good, 812 00:54:38,640 --> 00:54:41,879 Speaker 1: a good deal and he's supreme, check too, I see 813 00:54:41,920 --> 00:54:46,600 Speaker 1: this very hard. He's by far. He's now we're here 814 00:54:46,640 --> 00:54:49,640 Speaker 1: to take from Murden where he's still like the father's 815 00:54:49,680 --> 00:54:51,880 Speaker 1: guy in the world. But that's my brother. And you 816 00:54:51,920 --> 00:55:06,120 Speaker 1: know what, we celebrate your birthday too, nice right, my 817 00:55:06,280 --> 00:55:12,239 Speaker 1: brother kam Vic the Norway Santiago represents for you. I 818 00:55:12,400 --> 00:55:15,280 Speaker 1: love you since I met you, and we stayed together 819 00:55:15,400 --> 00:55:17,080 Speaker 1: and we're gonna be together. And I want you to 820 00:55:17,200 --> 00:55:18,759 Speaker 1: keep doing what you gotta do because gotta does what 821 00:55:18,800 --> 00:55:35,200 Speaker 1: you gotta do. You gotta stop wearing rabbits. If I 822 00:55:35,200 --> 00:55:48,880 Speaker 1: don't make it home, you don't know what happened. Welcome 823 00:55:49,000 --> 00:55:52,239 Speaker 1: to play a new podcast network featuring radio and TV 824 00:55:52,400 --> 00:55:56,719 Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it 825 00:55:56,960 --> 00:56:01,680 Speaker 1: at play dot It. We're back to Drink Champs Radio 826 00:56:01,880 --> 00:56:06,960 Speaker 1: with Rapper and R and d J. Then, now let 827 00:56:07,000 --> 00:56:10,759 Speaker 1: me ask you'll something that's collective. As a collective, to me, 828 00:56:11,000 --> 00:56:14,719 Speaker 1: you changed the face of hip hop because y'all was 829 00:56:14,800 --> 00:56:19,759 Speaker 1: the first. People like Wutan came after y'all. Even Master 830 00:56:19,880 --> 00:56:22,280 Speaker 1: B came after y'all. I said, they want to contain 831 00:56:22,600 --> 00:56:27,520 Speaker 1: their music and keep it together, But in my opinion, 832 00:56:27,880 --> 00:56:30,040 Speaker 1: y'all was the first people to do it. That was 833 00:56:30,080 --> 00:56:33,520 Speaker 1: the first people to say I'm gonna maintain and stick 834 00:56:33,640 --> 00:56:36,759 Speaker 1: together and do what they do. Now. Was that was 835 00:56:36,840 --> 00:56:39,960 Speaker 1: that attitude that all of y'all. Brother Oh, that was 836 00:56:40,040 --> 00:56:42,920 Speaker 1: just your ball. I think that that that was everybody. 837 00:56:43,120 --> 00:56:48,440 Speaker 1: That's why after one group, we always went back and 838 00:56:48,520 --> 00:56:51,160 Speaker 1: got the next group, but got on. He came back, 839 00:56:51,200 --> 00:56:53,879 Speaker 1: Dot Smith for Western Western got on. We went back 840 00:56:53,920 --> 00:56:56,320 Speaker 1: and got help the scale to the scaleter got on. 841 00:56:56,440 --> 00:56:59,440 Speaker 1: They came back and they we O G C. That's 842 00:56:59,480 --> 00:57:02,920 Speaker 1: why I was the great, That's why they was that fast. Five. 843 00:57:03,000 --> 00:57:07,239 Speaker 1: It was that was that was we was used to 844 00:57:08,640 --> 00:57:12,120 Speaker 1: being around up, being around each other, like we didn't 845 00:57:12,160 --> 00:57:14,440 Speaker 1: have we didn't have the support of of like we 846 00:57:14,520 --> 00:57:17,880 Speaker 1: didn't have the O G s in the industry giving 847 00:57:17,880 --> 00:57:20,120 Speaker 1: that Jews. So everything we did we learned. We was 848 00:57:20,200 --> 00:57:22,960 Speaker 1: like on the job training like buck was is it 849 00:57:23,040 --> 00:57:26,000 Speaker 1: extremely smart doing the job training? We don't know nothing 850 00:57:26,040 --> 00:57:32,920 Speaker 1: about me lea. We learned everything we learned we was doing. 851 00:57:33,000 --> 00:57:34,720 Speaker 1: Internet was like yo, we we had to come up 852 00:57:34,760 --> 00:57:37,080 Speaker 1: to the priority to to to get on the internet 853 00:57:37,120 --> 00:57:38,800 Speaker 1: and talk to the fans. Nobody wanted to do that, 854 00:57:39,400 --> 00:57:41,080 Speaker 1: you know, I mean not everybody is on the phone 855 00:57:41,160 --> 00:57:43,840 Speaker 1: like tweeting and text in every five seconds. And so 856 00:57:43,920 --> 00:57:45,920 Speaker 1: it's like we learned from each other. So we was 857 00:57:46,080 --> 00:57:49,120 Speaker 1: used to that. And when we wasn't on the road, 858 00:57:49,200 --> 00:57:50,560 Speaker 1: we was at we was at home, you know what 859 00:57:50,600 --> 00:57:52,600 Speaker 1: I mean. He was trying to find the best weed 860 00:57:52,640 --> 00:57:59,440 Speaker 1: spots in Brooklyn and Hall. I was like, yeah, it was. 861 00:57:59,680 --> 00:58:10,680 Speaker 1: It was Les name games to Wilson, head out, every 862 00:58:13,040 --> 00:58:17,400 Speaker 1: Queen's niggers waiting broking for the best weeds going on. 863 00:58:17,560 --> 00:58:24,320 Speaker 1: Lewis Lois like seven. That's how I caught a lot 864 00:58:24,320 --> 00:58:27,520 Speaker 1: of queen's doing. I'm like, y'all, we we're on the 865 00:58:27,560 --> 00:58:31,040 Speaker 1: corner of my house. School drop. It was at least 866 00:58:31,080 --> 00:58:33,000 Speaker 1: two times a week I was bump into you and 867 00:58:33,200 --> 00:58:37,160 Speaker 1: ray at body bag you take? So let me take 868 00:58:37,240 --> 00:58:40,080 Speaker 1: something this. I see this again every weeks while New 869 00:58:40,200 --> 00:58:45,760 Speaker 1: York and were just look at it. What you what 870 00:58:45,920 --> 00:58:48,960 Speaker 1: you're doing here? Damn Hi, I'm gonna see your name. 871 00:58:50,720 --> 00:58:53,760 Speaker 1: Were both there for the same reason, but I just 872 00:58:53,840 --> 00:58:56,440 Speaker 1: want to keep the team big enough. Duck down because 873 00:58:56,720 --> 00:58:59,400 Speaker 1: it was something that that really bothered me. The other day. 874 00:58:59,840 --> 00:59:02,880 Speaker 1: I believe the guy that was here earlier, I think 875 00:59:02,920 --> 00:59:06,120 Speaker 1: he tweeted me and said when is guy No, no, no, no, 876 00:59:07,960 --> 00:59:14,360 Speaker 1: the guy he said, you know the god that guy 877 00:59:15,800 --> 00:59:22,920 Speaker 1: other now white, that's your right guy I did. It 878 00:59:23,080 --> 00:59:26,480 Speaker 1: was Henry who tweeted me and they said we aren't 879 00:59:26,520 --> 00:59:28,240 Speaker 1: going to have him dunk down on and you know 880 00:59:28,320 --> 00:59:30,240 Speaker 1: what I said, were ready to get Buckshot. I think 881 00:59:30,240 --> 00:59:34,040 Speaker 1: it was time for buck Shot. Where's the guy? I said, 882 00:59:34,960 --> 00:59:39,760 Speaker 1: he's gonna think the guy. I not only wanted to 883 00:59:39,960 --> 00:59:42,640 Speaker 1: get dun in don't protect him right now, but I 884 00:59:42,760 --> 00:59:45,919 Speaker 1: wanted all of you. I want to hold on the phone. 885 00:59:46,200 --> 00:59:51,000 Speaker 1: I got past. I wanted all of y'all together. And 886 00:59:51,080 --> 00:59:57,040 Speaker 1: not only did I wanted only y'all together, because I 887 00:59:57,200 --> 01:00:01,080 Speaker 1: get mad when people mentioned the greatest labels all time, 888 01:00:01,160 --> 01:00:04,880 Speaker 1: and people Richard mentioned the greatest independent people of all time, 889 01:00:05,360 --> 01:00:08,120 Speaker 1: and then they don't mention y'all, Like I personally get 890 01:00:08,240 --> 01:00:11,320 Speaker 1: mad at that. I appreciate that because it's like I 891 01:00:11,560 --> 01:00:17,600 Speaker 1: survived it. I lived it, and they're still here. How 892 01:00:17,680 --> 01:00:21,520 Speaker 1: can you fucking not include them? I mean, we came 893 01:00:21,600 --> 01:00:25,160 Speaker 1: from we came from We came from a place that 894 01:00:25,400 --> 01:00:28,360 Speaker 1: that that raised us as warrious man, like you know, 895 01:00:28,520 --> 01:00:32,240 Speaker 1: going through going through the older labeled drama and you know, 896 01:00:33,280 --> 01:00:36,640 Speaker 1: um losing people caluties of war. You know, I don't 897 01:00:36,880 --> 01:00:40,280 Speaker 1: rock open on contracts and stuff like I guess we 898 01:00:40,440 --> 01:00:42,960 Speaker 1: developed hard skin man. And it's like we've always been 899 01:00:43,040 --> 01:00:46,280 Speaker 1: underdogs and we never looked for anything. We always did 900 01:00:46,320 --> 01:00:50,080 Speaker 1: it ourselves. Like it started as duck down management and 901 01:00:50,200 --> 01:00:53,160 Speaker 1: went to duck down records when we was when we 902 01:00:53,320 --> 01:00:55,240 Speaker 1: was down, like any other team, when we was down, 903 01:00:55,800 --> 01:00:58,280 Speaker 1: fat fire was up. You know when we when we 904 01:00:58,400 --> 01:01:00,560 Speaker 1: got back up, we got back with the fat five. 905 01:01:00,640 --> 01:01:02,200 Speaker 1: So it was just us through the whole, through the 906 01:01:02,240 --> 01:01:05,000 Speaker 1: whole thing that we never looked for. We never looked 907 01:01:05,000 --> 01:01:08,200 Speaker 1: for anything. Man. I think Drew and and Buck was 908 01:01:08,400 --> 01:01:10,840 Speaker 1: genius is in the sense that they got it after 909 01:01:10,880 --> 01:01:13,560 Speaker 1: a while and said we can do this ourselves. Once 910 01:01:13,640 --> 01:01:16,320 Speaker 1: y'all got popping. Was there other labels that came into 911 01:01:16,440 --> 01:01:20,880 Speaker 1: play and said up, down, come with us, let's talk 912 01:01:20,920 --> 01:01:22,960 Speaker 1: about it. Let's talk about it because Drew needs to 913 01:01:23,120 --> 01:01:30,360 Speaker 1: feel good. Don't know about it? I got said, Man, 914 01:01:30,440 --> 01:01:33,120 Speaker 1: we was already groomed, man like we was not. It 915 01:01:33,280 --> 01:01:36,720 Speaker 1: wasn't You couldn't. You couldn't take from you. Gonna make 916 01:01:36,800 --> 01:01:39,600 Speaker 1: joke because even Sean Prank made jokes. Sean Press said 917 01:01:39,600 --> 01:01:41,480 Speaker 1: I would have left for nobody wore from me a deal. 918 01:01:43,160 --> 01:01:44,560 Speaker 1: He told me you would take me with him though 919 01:01:44,560 --> 01:01:48,720 Speaker 1: he said he always you like with that big check, 920 01:01:48,760 --> 01:01:53,720 Speaker 1: you want to deal with him? Right? He wasn't. I 921 01:01:53,800 --> 01:01:56,720 Speaker 1: did him. You know, what's the relationship for me? When 922 01:01:56,760 --> 01:01:59,840 Speaker 1: I did my bid? Right, it was. It was. It was. 923 01:02:00,160 --> 01:02:01,720 Speaker 1: It was not a lot of it was not a 924 01:02:01,840 --> 01:02:05,040 Speaker 1: lot of people I could count on, but it was. 925 01:02:05,240 --> 01:02:07,600 Speaker 1: I was getting fan mail. I was getting bags of 926 01:02:07,720 --> 01:02:11,400 Speaker 1: fan mail. I was getting a lot of fucking fan man. 927 01:02:12,040 --> 01:02:16,640 Speaker 1: But I got one letter dud. I was like, I 928 01:02:16,800 --> 01:02:18,720 Speaker 1: loved that. I was like, no, this can't be real. 929 01:02:20,560 --> 01:02:24,560 Speaker 1: It was for fucking rock. And I looked at that 930 01:02:24,640 --> 01:02:28,240 Speaker 1: ship said death and he spoke on behalf all y'all 931 01:02:28,320 --> 01:02:33,080 Speaker 1: niggas like yo, I'm speaking on behalf down, like my nigga, 932 01:02:33,120 --> 01:02:37,120 Speaker 1: We're riding for you. And I came home and I 933 01:02:37,240 --> 01:02:41,520 Speaker 1: sucked you separate. I sucked you separate. I spoke to 934 01:02:41,560 --> 01:02:45,560 Speaker 1: you separate. That was the really ship, Yoda. It was not. 935 01:02:45,680 --> 01:02:48,439 Speaker 1: I didn't get no male from no limit. I didn't 936 01:02:48,440 --> 01:02:50,000 Speaker 1: get a man from den. I didn't get the mail 937 01:02:50,040 --> 01:02:59,120 Speaker 1: from fucking I got mail from y'all niggas. Man put 938 01:02:59,440 --> 01:03:03,200 Speaker 1: on home and make millions, and did get a male 939 01:03:03,480 --> 01:03:07,960 Speaker 1: from millionaires. There's really ship of my life. Now we 940 01:03:08,280 --> 01:03:09,920 Speaker 1: know that we know the better shit of that man. 941 01:03:10,280 --> 01:03:12,520 Speaker 1: That's what we came from us. We was raised in 942 01:03:12,640 --> 01:03:17,960 Speaker 1: the hood. I even gave me loving jam like that's 943 01:03:17,960 --> 01:03:21,760 Speaker 1: how we hooked up with pops like baby, that's real 944 01:03:21,800 --> 01:03:24,320 Speaker 1: because y'all was fucking possible for anybody. That's what the 945 01:03:25,480 --> 01:03:29,920 Speaker 1: baby brown baby. They don't got baby. I don't don't 946 01:03:29,960 --> 01:03:33,760 Speaker 1: got baby powder in Miami. You know, I got the 947 01:03:33,800 --> 01:03:37,920 Speaker 1: fake Motimorial niggers. They don't gotta. They don't got they 948 01:03:38,000 --> 01:03:40,640 Speaker 1: got Egyptian and ship like that, like you gotta get 949 01:03:40,760 --> 01:03:44,400 Speaker 1: right of it like fake. You gotta have fake coloonna 950 01:03:44,480 --> 01:03:47,560 Speaker 1: every day. Everybody not gonna do like the Polis. I 951 01:03:47,600 --> 01:03:58,280 Speaker 1: don't know that once besil starters like a motherfucker. What else? 952 01:03:58,800 --> 01:04:02,240 Speaker 1: How to day? How is how is that? Because it 953 01:04:02,360 --> 01:04:05,120 Speaker 1: feels like all right, now you know what all that 954 01:04:05,240 --> 01:04:10,040 Speaker 1: other ship. But we gotta make you know what we 955 01:04:10,120 --> 01:04:12,400 Speaker 1: gotta make this is the distinction clear right, because we're 956 01:04:12,400 --> 01:04:15,280 Speaker 1: going through a couple of decades of what we've done, 957 01:04:15,920 --> 01:04:19,280 Speaker 1: and so along the way we evolved and we understood 958 01:04:19,320 --> 01:04:21,200 Speaker 1: that we had I have to make the distinction too, 959 01:04:21,240 --> 01:04:26,120 Speaker 1: between between boot Camp Click and Duckdown. Right we can't 960 01:04:26,120 --> 01:04:29,080 Speaker 1: Click is a supergroup comprised of all the artists that 961 01:04:29,120 --> 01:04:31,040 Speaker 1: we're talking to right Down. But then Duckdown is a 962 01:04:31,120 --> 01:04:33,560 Speaker 1: label still would go on and we distributed a lot 963 01:04:33,600 --> 01:04:35,600 Speaker 1: of records for some artists that you may not even 964 01:04:35,680 --> 01:04:39,080 Speaker 1: think that were the distribution company for We put our 965 01:04:39,120 --> 01:04:41,360 Speaker 1: records from Cares One. We put our records from be Real, 966 01:04:41,440 --> 01:04:44,840 Speaker 1: from Pharremont, from Black Rob. We've done four records for 967 01:04:44,880 --> 01:04:50,520 Speaker 1: Statics selected with ninth one with Pete Robe and we 968 01:04:50,680 --> 01:04:53,760 Speaker 1: we we evolved into a into a label, a consultant 969 01:04:53,760 --> 01:04:56,080 Speaker 1: company in the distribution company because we had to. We 970 01:04:56,160 --> 01:04:57,840 Speaker 1: had to move with the times. It wasn't just gonna 971 01:04:57,880 --> 01:05:00,720 Speaker 1: be about but see, I'm a be this real careful 972 01:05:00,720 --> 01:05:03,280 Speaker 1: because you're gonna get me in trouble. You see the videos. 973 01:05:04,120 --> 01:05:07,560 Speaker 1: Just see the videos. Young and May runs through a 974 01:05:07,720 --> 01:05:10,760 Speaker 1: partnership that we have when we handle her distribution of marketing. 975 01:05:11,080 --> 01:05:14,000 Speaker 1: But she's got right now, but she has her own 976 01:05:14,160 --> 01:05:17,320 Speaker 1: entity and we're very careful and respectful of how we 977 01:05:17,440 --> 01:05:21,760 Speaker 1: presented because she's not technically on duckdown. But what is 978 01:05:21,840 --> 01:05:33,800 Speaker 1: well we work for her people out again. Look and 979 01:05:33,880 --> 01:05:36,080 Speaker 1: you have asked, she just went three times platinum on 980 01:05:36,280 --> 01:05:50,480 Speaker 1: on them. Gonna throw up you trying to say, be 981 01:05:50,520 --> 01:05:55,120 Speaker 1: like so anyway, we don't down. We do that to 982 01:05:55,600 --> 01:05:58,480 Speaker 1: a subsidiary company called three D and that that's just 983 01:05:59,240 --> 01:06:02,040 Speaker 1: so so now explain that to upcoming artists who would 984 01:06:02,080 --> 01:06:04,600 Speaker 1: like to be downright we meet. We made a lot 985 01:06:04,640 --> 01:06:06,520 Speaker 1: what you're doing for these new artist because people don't 986 01:06:06,600 --> 01:06:10,520 Speaker 1: understand that new artists have old school people behind them. 987 01:06:10,560 --> 01:06:13,320 Speaker 1: And I don't mean you put a good team, you 988 01:06:13,400 --> 01:06:15,720 Speaker 1: put a good team together. Getting up on iTunes is 989 01:06:15,760 --> 01:06:17,040 Speaker 1: not going to do it for you. A lot of 990 01:06:17,080 --> 01:06:18,920 Speaker 1: people can go to tune Core or whatever and think 991 01:06:18,920 --> 01:06:21,400 Speaker 1: the records up on iTunes and they're good. You still 992 01:06:21,440 --> 01:06:24,480 Speaker 1: need a good network of people, experienced people that can 993 01:06:24,920 --> 01:06:27,040 Speaker 1: go and talk to these people and get you positioning 994 01:06:27,120 --> 01:06:30,400 Speaker 1: and get you marketing things and brands and different deals 995 01:06:30,480 --> 01:06:34,360 Speaker 1: and bunch of strategy together. So that that became our 996 01:06:34,480 --> 01:06:37,320 Speaker 1: role with with with m A. And we have incredible 997 01:06:37,360 --> 01:06:39,400 Speaker 1: success with her and big up to her. She you 998 01:06:39,480 --> 01:06:43,960 Speaker 1: know she's doing her thing like she's fully independent. She's 999 01:06:44,000 --> 01:06:47,400 Speaker 1: fully independent. We handle her distribution and her marketing. So, um, 1000 01:06:47,960 --> 01:06:51,160 Speaker 1: what did you do? What did you do? Because I 1001 01:06:51,320 --> 01:06:53,640 Speaker 1: soaked to a couple of radio people, and a couple 1002 01:06:53,640 --> 01:06:56,320 Speaker 1: of radio people told me you do your A couple 1003 01:06:56,320 --> 01:06:59,360 Speaker 1: of radio people told me that you called them and said, 1004 01:06:59,600 --> 01:07:02,960 Speaker 1: how do I moved this record right? Right? So we 1005 01:07:03,080 --> 01:07:06,120 Speaker 1: dropped the record. She got the viewers that everything was 1006 01:07:06,200 --> 01:07:09,480 Speaker 1: starting to move, you know, but on radio wasn't only 1007 01:07:09,800 --> 01:07:13,040 Speaker 1: Flex went on it early and we had brought her around. 1008 01:07:13,040 --> 01:07:19,840 Speaker 1: We made many rounds with way before she dropped. She 1009 01:07:20,120 --> 01:07:22,760 Speaker 1: she had a several videos. Static can tell you. We 1010 01:07:22,880 --> 01:07:25,040 Speaker 1: brought in the Statics house. We were making our rounds 1011 01:07:25,320 --> 01:07:27,760 Speaker 1: and introducing them to the DJ's, bringing her everywhere she 1012 01:07:27,800 --> 01:07:30,280 Speaker 1: had to go. And when she caught the record, Flex 1013 01:07:30,320 --> 01:07:32,320 Speaker 1: had already seen it, you know. He went in on 1014 01:07:32,360 --> 01:07:34,640 Speaker 1: the record. He believed in it, and he started to 1015 01:07:34,720 --> 01:07:37,360 Speaker 1: go on it and and literally from Flex supporting it 1016 01:07:37,440 --> 01:07:39,840 Speaker 1: spread to the other DJs and a good records. A 1017 01:07:39,920 --> 01:07:42,280 Speaker 1: good record, man, it's not I wish we could take 1018 01:07:42,360 --> 01:07:44,160 Speaker 1: more credit for it. And a lot of times even 1019 01:07:44,240 --> 01:07:46,040 Speaker 1: some of our artists around us going it. What did 1020 01:07:46,080 --> 01:07:49,080 Speaker 1: you do? Who'd you pay? What? You know? Like good 1021 01:07:49,200 --> 01:07:52,000 Speaker 1: music sells itself, It really does. When your new artis, 1022 01:07:52,800 --> 01:07:56,480 Speaker 1: when you're legend, you have a great record, you're right 1023 01:07:56,720 --> 01:08:01,880 Speaker 1: and still times right now people she's she's shot. I'm sorry. 1024 01:08:01,880 --> 01:08:03,160 Speaker 1: I'm sorry to cut you because I want you to 1025 01:08:03,240 --> 01:08:08,240 Speaker 1: don't continue ship um, but when you are legend, you 1026 01:08:08,360 --> 01:08:10,760 Speaker 1: have a great record, and they'll just be looked over. 1027 01:08:11,360 --> 01:08:14,480 Speaker 1: But if you have the new artist hype, and I 1028 01:08:14,600 --> 01:08:16,599 Speaker 1: believe she had the new artist hype. I'm not saying 1029 01:08:16,680 --> 01:08:24,240 Speaker 1: she created that hype. It she did a thing with it. 1030 01:08:25,400 --> 01:08:31,400 Speaker 1: Definitely etatic static. You always come on making this ship. 1031 01:08:33,760 --> 01:08:38,320 Speaker 1: I mean that's always happening, right like like generically about 1032 01:08:38,320 --> 01:08:41,920 Speaker 1: the caller right now, but generically like calling we buckshot 1033 01:08:42,680 --> 01:08:45,639 Speaker 1: what cold? We were coming from a place where when 1034 01:08:45,920 --> 01:08:49,280 Speaker 1: we like like we shot baby mass from my hood, 1035 01:08:49,320 --> 01:08:55,479 Speaker 1: was it say, you know what, fact where we brought 1036 01:08:55,520 --> 01:08:57,840 Speaker 1: the life, We brought life to the music, Like we 1037 01:08:57,960 --> 01:09:00,800 Speaker 1: wasn't imitating life that we brought the real life to 1038 01:09:01,200 --> 01:09:03,360 Speaker 1: to the to the beats, you know what I'm saying. 1039 01:09:03,479 --> 01:09:06,720 Speaker 1: So it's like, um, what the fun little guys, you're 1040 01:09:06,720 --> 01:09:08,880 Speaker 1: about to get kicked out. Throw it out there. I 1041 01:09:09,000 --> 01:09:12,280 Speaker 1: biggest fans was due from Brownsville du dudes, from dudes 1042 01:09:12,360 --> 01:09:15,040 Speaker 1: from best star dudes that knew the story. So it 1043 01:09:15,160 --> 01:09:19,040 Speaker 1: wasn't it wasn't. It was not from Brownsville buckets, from Crownhimes, 1044 01:09:19,760 --> 01:09:27,360 Speaker 1: Um East East. They thought the Brownsville Um white plane Bush. 1045 01:09:31,640 --> 01:09:36,439 Speaker 1: I used to be flat Bush, always be straight, jamaking queens, 1046 01:09:38,280 --> 01:09:46,360 Speaker 1: jamaking about all shut up man, you know you get 1047 01:09:46,400 --> 01:09:57,759 Speaker 1: off the brown did you're making about while the clocks 1048 01:09:58,280 --> 01:10:02,479 Speaker 1: clocks on? Listen dating this right, this is where she 1049 01:10:02,640 --> 01:10:06,720 Speaker 1: used to go, making me spec that's he had, you know, 1050 01:10:11,800 --> 01:10:20,280 Speaker 1: quez to get a He asked so much and all that. 1051 01:10:21,680 --> 01:10:24,080 Speaker 1: Come on. That's where we are right now. They got 1052 01:10:24,080 --> 01:10:27,840 Speaker 1: to my man saw all the south side south side 1053 01:10:27,840 --> 01:10:38,280 Speaker 1: of wings has to bring bucks back and hold that 1054 01:10:41,560 --> 01:10:45,240 Speaker 1: so they can put in the mic in the front 1055 01:10:45,280 --> 01:10:49,920 Speaker 1: front of Mike. You hit me you want you want? 1056 01:10:49,960 --> 01:10:59,800 Speaker 1: You want a baby with the drink? Drink your bucks. 1057 01:11:00,040 --> 01:11:04,479 Speaker 1: Can you hear me? Bos? You know? Can you hear me? 1058 01:11:04,560 --> 01:11:13,360 Speaker 1: Boks out? You just your boy and a learning we're 1059 01:11:13,439 --> 01:11:16,880 Speaker 1: learning it after finally, that's right. That's what's going on 1060 01:11:16,960 --> 01:11:20,320 Speaker 1: with my brother. How you doing my brother? It's I've 1061 01:11:20,360 --> 01:11:23,040 Speaker 1: been good man, I'm gonna man, I'm I'm back into 1062 01:11:23,080 --> 01:11:25,679 Speaker 1: saying I'm just don't get him covering it. I'm kind. 1063 01:11:26,479 --> 01:11:29,720 Speaker 1: So we heard the thing everything horn and you know 1064 01:11:30,200 --> 01:11:33,400 Speaker 1: we heard that you're fighting a certain thing. That's the 1065 01:11:33,479 --> 01:11:35,240 Speaker 1: reason why you couldn't come out tonight. Do you do 1066 01:11:35,320 --> 01:11:37,360 Speaker 1: you want to share with the people or you don't 1067 01:11:37,360 --> 01:11:41,520 Speaker 1: have to if you don't want to. I mean, it's 1068 01:11:41,840 --> 01:11:45,000 Speaker 1: it's a good conviction. You know a lot of people. 1069 01:11:45,280 --> 01:11:49,479 Speaker 1: People know that the whole even seeing me staying up 1070 01:11:49,520 --> 01:11:52,560 Speaker 1: for like the medical marijuana and stuff. And then you know, 1071 01:11:52,760 --> 01:11:55,680 Speaker 1: like Visi Pele thought that was a joke. And then 1072 01:11:56,040 --> 01:11:58,479 Speaker 1: because I started doing like a lot of restas into 1073 01:11:58,560 --> 01:12:02,720 Speaker 1: that because of know, I heard that it helps with epilepsy, right, 1074 01:12:03,040 --> 01:12:05,680 Speaker 1: and you know what I'm saying, uh, just you know me, 1075 01:12:06,040 --> 01:12:09,439 Speaker 1: you know that's something that I was diagnosed with, you know, 1076 01:12:09,640 --> 01:12:14,640 Speaker 1: early two dollars, and you know, and and and and 1077 01:12:14,920 --> 01:12:17,320 Speaker 1: and it's not you know, it's a real situation. There's 1078 01:12:17,400 --> 01:12:19,800 Speaker 1: millions of people out there that's that's that has the 1079 01:12:19,920 --> 01:12:23,200 Speaker 1: same situation that I know can think you benefit from 1080 01:12:23,240 --> 01:12:26,120 Speaker 1: a from a voice like me, you know saying educating 1081 01:12:26,200 --> 01:12:30,519 Speaker 1: people on in recently to maintain you also down when 1082 01:12:30,600 --> 01:12:33,799 Speaker 1: the in situations where they may not have a consistent 1083 01:12:33,840 --> 01:12:36,640 Speaker 1: inal situation and not only is but a lot of 1084 01:12:36,680 --> 01:12:40,560 Speaker 1: other physical conditions that people suffer from. You know, it 1085 01:12:40,680 --> 01:12:44,160 Speaker 1: becomes a mentor I provide when you you you see 1086 01:12:44,240 --> 01:12:47,920 Speaker 1: other I guess quote unquote really a normal wish quote 1087 01:12:47,960 --> 01:12:51,920 Speaker 1: normal resident. But sometimes you don't know what every individual 1088 01:12:52,000 --> 01:12:56,120 Speaker 1: omselves is dealing about. Our culte through. So sometimes you know, 1089 01:12:56,400 --> 01:12:59,360 Speaker 1: extra voice on the side to tell you, YOI everything's 1090 01:12:59,360 --> 01:13:02,439 Speaker 1: gonna be cool. Everybody dealing with something, but no matter 1091 01:13:02,560 --> 01:13:06,360 Speaker 1: what it is, you know, he pushing forward. Maintain hold 1092 01:13:06,400 --> 01:13:11,680 Speaker 1: your head, maintain your health. You know, don't stress, you know, 1093 01:13:11,840 --> 01:13:17,160 Speaker 1: saying staying your regiment things that makes to study, study yourself, 1094 01:13:17,880 --> 01:13:20,479 Speaker 1: make sure you know, because ain't nobody gonna do it 1095 01:13:20,600 --> 01:13:22,800 Speaker 1: like you for you, you know, saying, no matter what, 1096 01:13:23,360 --> 01:13:24,960 Speaker 1: you always got to be the one that staying on 1097 01:13:25,000 --> 01:13:29,840 Speaker 1: the top of yourself. Like the entertainment industry is a real, real, 1098 01:13:29,960 --> 01:13:33,439 Speaker 1: real stressful industry. And I know every artist who did 1099 01:13:33,520 --> 01:13:35,599 Speaker 1: in this game knowing you know what I'm saying, There's 1100 01:13:35,640 --> 01:13:37,400 Speaker 1: time when I've done the road and I was like, man, 1101 01:13:37,439 --> 01:13:41,360 Speaker 1: I wouldn't wish this one more work anything but what 1102 01:13:41,880 --> 01:13:44,839 Speaker 1: but the love of getting on stage. It's the places 1103 01:13:44,920 --> 01:13:48,000 Speaker 1: at all, you know what I'm saying. So so that 1104 01:13:48,200 --> 01:13:53,360 Speaker 1: combination right there together can become, you know, a rush 1105 01:13:53,479 --> 01:13:57,080 Speaker 1: for some people and a heavy load for others. Let 1106 01:13:57,120 --> 01:13:59,639 Speaker 1: me ask you something. Let me ask you something before 1107 01:13:59,680 --> 01:14:03,360 Speaker 1: you were you get about it, Describe what epilessy, what 1108 01:14:03,400 --> 01:14:06,880 Speaker 1: does the epilepsy? To describe what that is? Like, what 1109 01:14:07,000 --> 01:14:08,679 Speaker 1: does it do to you? It makes you feel weak. 1110 01:14:09,720 --> 01:14:15,760 Speaker 1: Epilepsy is uh, it's a neurological uh disorder. Basically, um, 1111 01:14:16,720 --> 01:14:20,320 Speaker 1: every everything that we do in our body daily focus 1112 01:14:20,880 --> 01:14:23,080 Speaker 1: actually comes from my brain. You know what I'm saying now, 1113 01:14:23,160 --> 01:14:27,599 Speaker 1: I'm sorry. And sometimes the average person is just say, 1114 01:14:27,640 --> 01:14:31,759 Speaker 1: you're not that active. People with epilepsy gett nervous firing 1115 01:14:32,000 --> 01:14:34,840 Speaker 1: extra extrass so that it's like a motherfucker that's just 1116 01:14:35,439 --> 01:14:38,920 Speaker 1: stribling on on actual speed, you know what I'm saying. 1117 01:14:39,640 --> 01:14:44,880 Speaker 1: And and that being the case, sometimes when the body 1118 01:14:45,000 --> 01:14:47,880 Speaker 1: stretches out, when it takes on too much, you can 1119 01:14:47,960 --> 01:14:49,760 Speaker 1: know you knock up, you do what they call have 1120 01:14:49,920 --> 01:14:52,600 Speaker 1: what they call ethesure, or you lock up or you know. 1121 01:14:52,760 --> 01:14:55,960 Speaker 1: People have different forms it. Some people look, some people steer, 1122 01:14:56,120 --> 01:14:58,880 Speaker 1: some people some people may just you know, lock on 1123 01:14:59,040 --> 01:15:02,240 Speaker 1: the way up from who just you know, some people 1124 01:15:02,600 --> 01:15:06,160 Speaker 1: want is out of the different forms of an out there, 1125 01:15:06,640 --> 01:15:11,719 Speaker 1: but basically all expense from the same hyperactive another cells 1126 01:15:11,760 --> 01:15:15,680 Speaker 1: in the claim. So it foundations out there a lot 1127 01:15:15,760 --> 01:15:18,040 Speaker 1: of you know people, I'm pretty sure y'all thought me 1128 01:15:18,120 --> 01:15:20,800 Speaker 1: seeing them and probably walk right by them because people 1129 01:15:20,800 --> 01:15:24,040 Speaker 1: didn't know what that disorder was or a lot relegant 1130 01:15:24,040 --> 01:15:26,560 Speaker 1: it was or whatever. But it doesn't ressert you that 1131 01:15:26,760 --> 01:15:31,040 Speaker 1: when you don't clive ten cents came twenty ft a 1132 01:15:31,160 --> 01:15:34,559 Speaker 1: dollar or whatever actually goes a long way, man, because 1133 01:15:34,920 --> 01:15:37,560 Speaker 1: I started doing a lot of research in the foundations 1134 01:15:38,320 --> 01:15:41,200 Speaker 1: did that and they help you know what I'm saying 1135 01:15:41,240 --> 01:15:44,800 Speaker 1: that help well? Buck yo, man. Yeah, I don't know 1136 01:15:44,880 --> 01:15:47,200 Speaker 1: if you know what's going on right now. Right now, 1137 01:15:47,280 --> 01:15:50,639 Speaker 1: we're saluting the whole duck down legacy. Right now, we're 1138 01:15:50,680 --> 01:15:54,120 Speaker 1: here with Drew, We're here with Miss Sean Price, We're 1139 01:15:54,160 --> 01:15:57,840 Speaker 1: here with when you could do that, We're here with 1140 01:15:58,240 --> 01:16:00,840 Speaker 1: tech and still and then a poem wants you to 1141 01:16:01,479 --> 01:16:03,960 Speaker 1: you I would turn you were at than me. You 1142 01:16:04,240 --> 01:16:07,600 Speaker 1: you forgot about okay. It was the time with me, 1143 01:16:07,840 --> 01:16:15,320 Speaker 1: you and the young okay, okay, and we were shunking brock. 1144 01:16:15,560 --> 01:16:17,519 Speaker 1: I think at the time, me and my dude you 1145 01:16:17,640 --> 01:16:19,600 Speaker 1: want Juls like it was due. I think it was 1146 01:16:19,680 --> 01:16:22,200 Speaker 1: like you know that this is the first time, like 1147 01:16:22,320 --> 01:16:24,160 Speaker 1: you were okay, and I think it was sticky. It 1148 01:16:24,280 --> 01:16:27,280 Speaker 1: was something she said blacks, right, you just say cracks 1149 01:16:27,520 --> 01:16:34,800 Speaker 1: like yeah, someone over the third also get the black 1150 01:16:34,920 --> 01:16:39,000 Speaker 1: subs out and if you fell sleep. Uh huh you 1151 01:16:39,400 --> 01:16:43,759 Speaker 1: did something. Jimmy did something to me. I fell asleep. 1152 01:16:43,800 --> 01:16:51,160 Speaker 1: Buck is this is going one? My bad? Buck. I'm sorry, 1153 01:16:51,280 --> 01:16:56,080 Speaker 1: but you know y'all, but your baby malls in my hood, 1154 01:16:56,640 --> 01:17:04,240 Speaker 1: your baby Mamo from left Frank a little bit. Then 1155 01:17:05,520 --> 01:17:08,640 Speaker 1: you have left Frank Yo want to say something to you. 1156 01:17:08,760 --> 01:17:11,280 Speaker 1: Hold on, no, no, no this Paul, what's up? Baby? 1157 01:17:13,439 --> 01:17:15,479 Speaker 1: What I heard up? He said? You know, I just 1158 01:17:15,680 --> 01:17:17,080 Speaker 1: I just want you to like to know the people 1159 01:17:17,120 --> 01:17:21,000 Speaker 1: where they can donate that, you know, to epilepsy in orlands. Right, 1160 01:17:21,640 --> 01:17:24,000 Speaker 1: I think if you can't share it shoe because you 1161 01:17:24,120 --> 01:17:31,480 Speaker 1: can't share shoe. Um um, it's shot the uh Epileptic Foundation. 1162 01:17:32,120 --> 01:17:38,080 Speaker 1: Actually it too, but uh I gotta I gotta go 1163 01:17:38,240 --> 01:17:47,120 Speaker 1: your ever foundation, uh Google, Google and your friends getting 1164 01:17:51,800 --> 01:17:59,040 Speaker 1: I'm trying something. Story story Okay, I like, have you 1165 01:17:59,120 --> 01:18:01,679 Speaker 1: go to truck with store, be with Boogoo telling Boogoo 1166 01:18:01,760 --> 01:18:05,760 Speaker 1: love company. Study. It's a little young lady who she's 1167 01:18:05,760 --> 01:18:12,120 Speaker 1: about She's right, she should be about ten years ago 1168 01:18:12,360 --> 01:18:17,760 Speaker 1: right now. She sat the whole with the research and 1169 01:18:17,800 --> 01:18:19,840 Speaker 1: the stuff that they get to her and all the 1170 01:18:20,280 --> 01:18:23,519 Speaker 1: like the opportunity to dad to be so bad and 1171 01:18:23,600 --> 01:18:25,639 Speaker 1: everything that they came for her. She has been good 1172 01:18:26,160 --> 01:18:30,760 Speaker 1: for like a couple of years now, so you know, um, 1173 01:18:31,800 --> 01:18:34,760 Speaker 1: you know, and and just you know, just it don't 1174 01:18:34,760 --> 01:18:38,080 Speaker 1: even have to be this because any any other foundation 1175 01:18:38,200 --> 01:18:41,840 Speaker 1: that because again we're different beating in this situation where 1176 01:18:41,920 --> 01:18:44,240 Speaker 1: you just super beating a high food man for broke 1177 01:18:44,320 --> 01:18:46,960 Speaker 1: leg and you see all the even you you just 1178 01:18:47,080 --> 01:18:49,680 Speaker 1: see all the misfortunate and stuff like on you. You 1179 01:18:49,720 --> 01:18:53,240 Speaker 1: know what, your life is a precious thing man. You 1180 01:18:53,320 --> 01:18:56,599 Speaker 1: know he appreciated. Love it and live it or live 1181 01:18:56,640 --> 01:18:58,519 Speaker 1: it out. Man. That's what I did. Made you see, 1182 01:18:59,000 --> 01:19:04,880 Speaker 1: look man, work down for life, duck down down for life. 1183 01:19:04,920 --> 01:19:07,120 Speaker 1: You see when the man coming Nash, we wanted the 1184 01:19:07,240 --> 01:19:10,880 Speaker 1: last moke that very much of crushed down from many 1185 01:19:10,960 --> 01:19:15,080 Speaker 1: of the rains, right right. That's what that's that's what 1186 01:19:15,400 --> 01:19:17,840 Speaker 1: that's what we're get into tonight. Yeah, y'all, we're bigging 1187 01:19:17,920 --> 01:19:21,679 Speaker 1: y'all up, y'all, y'all Nicks originated fucking pop Pope gave 1188 01:19:21,720 --> 01:19:26,439 Speaker 1: y'all the most love y'all, the original bad boy, the 1189 01:19:26,520 --> 01:19:31,720 Speaker 1: original death roll hold on which one of y'all had 1190 01:19:31,800 --> 01:19:35,600 Speaker 1: to let them road the pock hold on. Hold on, 1191 01:19:35,920 --> 01:19:39,479 Speaker 1: Let's press the buck and let me coming back. You 1192 01:19:40,160 --> 01:19:48,040 Speaker 1: just don't even know he would, yo, Buck. I just 1193 01:19:48,080 --> 01:19:50,280 Speaker 1: want to thank you so much, my brother who wants 1194 01:19:50,280 --> 01:19:53,599 Speaker 1: you to get you get well soon and you already 1195 01:19:53,640 --> 01:19:56,559 Speaker 1: know drink chance. We're all about bigging up our legends. 1196 01:19:56,640 --> 01:19:58,840 Speaker 1: If we need you on here that someday once you 1197 01:19:58,920 --> 01:20:01,479 Speaker 1: get well, we want you back. We want you on here, 1198 01:20:01,760 --> 01:20:10,519 Speaker 1: and we want to say thank you so much my brother. Yes, 1199 01:20:10,840 --> 01:20:15,000 Speaker 1: Recipe shaw Price, that's right for one love my brother big. 1200 01:20:16,840 --> 01:20:20,040 Speaker 1: So now I hate to go to this so I 1201 01:20:20,120 --> 01:20:23,200 Speaker 1: hate to after this great call, after we have the 1202 01:20:23,240 --> 01:20:26,240 Speaker 1: beautiful miss shaw Price here, after we have all this, 1203 01:20:26,439 --> 01:20:28,720 Speaker 1: I hate to go to this question, but I have 1204 01:20:28,920 --> 01:20:32,080 Speaker 1: to ask this question. Go forward. How the fund did 1205 01:20:32,160 --> 01:20:34,479 Speaker 1: y'all cash be for Biggie Small. I was waiting for 1206 01:20:34,520 --> 01:20:41,000 Speaker 1: that one. I wasn't there. I was seven. Got your 1207 01:20:41,040 --> 01:20:46,280 Speaker 1: way a getting out of this one. I know I 1208 01:20:46,400 --> 01:20:57,479 Speaker 1: didn't make somebody like you in the video opposite. Nobody, 1209 01:20:58,800 --> 01:21:01,400 Speaker 1: nobody ever asked y'all all the time, and ain't about 1210 01:21:01,760 --> 01:21:05,040 Speaker 1: then is asking about it. That's just that was my 1211 01:21:05,160 --> 01:21:09,360 Speaker 1: nigger from long time, like big from the stone, from 1212 01:21:09,400 --> 01:21:14,040 Speaker 1: the stars, my brother and um. It was just a 1213 01:21:14,160 --> 01:21:18,320 Speaker 1: miscommunication and misunderstanding what happened. And you know what I mean, 1214 01:21:18,520 --> 01:21:22,840 Speaker 1: it's it was over get Money. No, it wasn't. It 1215 01:21:23,040 --> 01:21:27,320 Speaker 1: wasn't was it was dean that it was just a 1216 01:21:27,560 --> 01:21:29,800 Speaker 1: was just it was just son that even wasn't this 1217 01:21:29,920 --> 01:21:32,400 Speaker 1: po go down away it went down? It was it 1218 01:21:32,520 --> 01:21:36,040 Speaker 1: was just hotheads against hotheads, youngest against youngest and then 1219 01:21:36,640 --> 01:21:40,360 Speaker 1: the way it got niggets through water runner and the 1220 01:21:40,479 --> 01:21:43,360 Speaker 1: fire was put out and that was it me what 1221 01:21:44,000 --> 01:21:47,840 Speaker 1: actually mean a video dudes had we can't forget that's 1222 01:21:47,880 --> 01:21:51,639 Speaker 1: had that core red that get Money core dudes recorded 1223 01:21:51,680 --> 01:21:56,439 Speaker 1: that song. Dudes recorded that song, so we had that 1224 01:21:56,560 --> 01:22:00,439 Speaker 1: so O g C had that song already original class 1225 01:22:00,520 --> 01:22:03,800 Speaker 1: right now. We went to Palladium that night we saw 1226 01:22:04,240 --> 01:22:08,040 Speaker 1: Biggie performing it, so it auto magically. The youngest was like, 1227 01:22:08,160 --> 01:22:11,200 Speaker 1: oh they you know, stole my joint, you know what 1228 01:22:11,240 --> 01:22:13,640 Speaker 1: I mean? So because they had a song called get Money. No, 1229 01:22:13,800 --> 01:22:15,640 Speaker 1: they had a song with that. With that, course I 1230 01:22:15,680 --> 01:22:20,040 Speaker 1: could be asked which nobody owned that? That's somebody else's 1231 01:22:20,040 --> 01:22:24,040 Speaker 1: super rics really, but in that climate, you know what 1232 01:22:24,080 --> 01:22:27,080 Speaker 1: I mean, that climate, that Palladium climate, and then you 1233 01:22:27,200 --> 01:22:29,639 Speaker 1: got then you got the then you got the label. 1234 01:22:30,040 --> 01:22:33,000 Speaker 1: The label was always looking for the juice where they 1235 01:22:33,040 --> 01:22:35,800 Speaker 1: can find the juice act and you know, let's let's 1236 01:22:36,080 --> 01:22:38,320 Speaker 1: let's the label. The label fed the fuel to that 1237 01:22:39,360 --> 01:22:43,240 Speaker 1: was j Clark Kent and Easy LP LP. It was 1238 01:22:43,520 --> 01:22:50,479 Speaker 1: y'all producer and LP was Bigg East producer Eloy Like, 1239 01:22:54,960 --> 01:23:03,120 Speaker 1: you know, you told us a story. You know, the 1240 01:23:06,920 --> 01:23:13,519 Speaker 1: nothing about Yo, it's not nothing to talk about Like yes, 1241 01:23:13,920 --> 01:23:17,880 Speaker 1: Ututa yo, chill out he want, Here's not nothing to 1242 01:23:17,920 --> 01:23:20,719 Speaker 1: talk about it. Like I said, Big was my nigga 1243 01:23:21,120 --> 01:23:23,559 Speaker 1: and these are my family. These are my niggas. I'm 1244 01:23:23,560 --> 01:23:25,920 Speaker 1: a bad start nigger from birth to the death and 1245 01:23:26,080 --> 01:23:28,880 Speaker 1: Big was my nigger for life. It's still Junior Mafia 1246 01:23:28,960 --> 01:23:36,240 Speaker 1: Ski all of me. So it don't have to be 1247 01:23:36,520 --> 01:23:38,720 Speaker 1: coming up for that ship that is don't know about it. 1248 01:23:38,760 --> 01:23:40,439 Speaker 1: If you don't know about it, then it's not you 1249 01:23:40,560 --> 01:23:42,960 Speaker 1: wasn't dead. You don't need to know about it. Yeah, 1250 01:23:42,960 --> 01:23:45,679 Speaker 1: I understand that, and I respect that to one percent. 1251 01:23:45,960 --> 01:23:47,840 Speaker 1: But you know what we do is we just we 1252 01:23:48,000 --> 01:23:51,519 Speaker 1: just Yeah, respect to what you do, man, but certain 1253 01:23:51,600 --> 01:23:54,560 Speaker 1: ship and certain things my niggas don't know. I'm not 1254 01:23:54,960 --> 01:23:57,880 Speaker 1: talking about nigga. At the end of the day, this 1255 01:23:57,960 --> 01:24:00,280 Speaker 1: is hip hop his too true. So sometimes we have 1256 01:24:00,439 --> 01:24:03,800 Speaker 1: to talk about but things that the wound is already held, 1257 01:24:04,120 --> 01:24:09,720 Speaker 1: and this is the wound right here. See that everybody 1258 01:24:11,880 --> 01:24:15,760 Speaker 1: think it's bigger. Ain't here to clarify, ain't no, I would, 1259 01:24:15,920 --> 01:24:19,320 Speaker 1: I would if I would prefer y'all clarified, even if 1260 01:24:19,800 --> 01:24:24,400 Speaker 1: even if y'all were then, But the thing is, the 1261 01:24:24,479 --> 01:24:27,720 Speaker 1: thing is we have to address this because we were 1262 01:24:27,880 --> 01:24:31,400 Speaker 1: I was in D and D when I felt the pressure. 1263 01:24:31,600 --> 01:24:34,400 Speaker 1: I felt the pressure where I'm like, they're like, yo, 1264 01:24:34,720 --> 01:24:37,519 Speaker 1: you can't go there, Like why, like he goes, you know, 1265 01:24:37,640 --> 01:24:40,120 Speaker 1: biggest on my side. I'm like okay, and they're like 1266 01:24:40,479 --> 01:24:45,240 Speaker 1: I didn't sunk down on the other side, and I'm 1267 01:24:45,280 --> 01:24:47,920 Speaker 1: in the middle. I'm in the middle and we're premo. 1268 01:24:48,360 --> 01:24:52,040 Speaker 1: We're doing primo. And then we heard some ship. And 1269 01:24:52,120 --> 01:24:53,960 Speaker 1: the thing about it is, I ain't trying to general 1270 01:24:53,960 --> 01:24:58,080 Speaker 1: on the negativity in case you thought in case because 1271 01:24:58,160 --> 01:25:02,040 Speaker 1: we think about no, but think about it is this 1272 01:25:02,200 --> 01:25:05,600 Speaker 1: is for the fast. Sometimes the fast. No, sometimes they 1273 01:25:05,640 --> 01:25:11,599 Speaker 1: don't know. Sometimes they do. Sometimes they don't need Yeah, 1274 01:25:11,640 --> 01:25:13,479 Speaker 1: but you know why they don't need it. You ain't 1275 01:25:13,560 --> 01:25:16,960 Speaker 1: killed big, You ain't killed big. You know what I'm saying, 1276 01:25:17,080 --> 01:25:21,120 Speaker 1: So that's what they need to hear. So so, so 1277 01:25:21,720 --> 01:25:30,600 Speaker 1: what they needed is you say that misunderstanding like I 1278 01:25:30,640 --> 01:25:36,120 Speaker 1: would be my motor my motorbike, my motorbike, pedal bike 1279 01:25:36,200 --> 01:25:38,479 Speaker 1: or whatever. By even driving through the hood of my car. 1280 01:25:38,600 --> 01:25:40,439 Speaker 1: Big would pull up on your part and get in 1281 01:25:40,520 --> 01:25:43,719 Speaker 1: my car. We would go uptown to every week spot 1282 01:25:43,880 --> 01:25:47,280 Speaker 1: that's the weed spot that for at least two hours. No, no, 1283 01:25:47,600 --> 01:25:52,160 Speaker 1: we've been sold and it drugs because me Big Money 1284 01:25:52,240 --> 01:25:54,559 Speaker 1: all is up in there or de rockets in there 1285 01:25:54,640 --> 01:25:57,120 Speaker 1: for literally an hour and change didn't come back to 1286 01:25:57,200 --> 01:25:59,680 Speaker 1: the block. So are you saying are you saying and 1287 01:25:59,760 --> 01:26:02,320 Speaker 1: I'm sorry, I'm gonna get a little deep. So all 1288 01:26:02,360 --> 01:26:05,599 Speaker 1: you saying when when the beef actually did happen with Big, 1289 01:26:05,840 --> 01:26:09,160 Speaker 1: you was in like damn, what was going on? Because 1290 01:26:09,280 --> 01:26:12,160 Speaker 1: describe that moment. That's what I'm asking. Subscribed that moment 1291 01:26:12,520 --> 01:26:15,439 Speaker 1: because because I heard this is what I heard from 1292 01:26:15,479 --> 01:26:20,679 Speaker 1: the streets that Get Money was a duck down Wreckord 1293 01:26:21,760 --> 01:26:24,760 Speaker 1: Big came into the studio. He heard it and he 1294 01:26:24,960 --> 01:26:28,120 Speaker 1: just like, fuck it, I'm gonna just do But he 1295 01:26:28,200 --> 01:26:31,639 Speaker 1: did a different version of it. It wasn't y'all version, 1296 01:26:31,840 --> 01:26:35,680 Speaker 1: but it was the same basis, and he felt like 1297 01:26:36,560 --> 01:26:38,800 Speaker 1: he didn't even like talk to y'all. So and and 1298 01:26:39,080 --> 01:26:41,680 Speaker 1: is that with the beef started from I'm sorry, I mean, 1299 01:26:42,000 --> 01:26:44,600 Speaker 1: I love it, be man, it wasn't. I mean just 1300 01:26:44,720 --> 01:26:47,559 Speaker 1: just you know the problem through all that. I think 1301 01:26:47,960 --> 01:26:52,560 Speaker 1: what what caused the escalation of the ship was the 1302 01:26:52,720 --> 01:26:57,760 Speaker 1: videos because there was no communication. Because when you love communication, 1303 01:26:57,880 --> 01:27:00,400 Speaker 1: you like understanding. That didn't do a video when y'all 1304 01:27:00,479 --> 01:27:03,520 Speaker 1: was beaten up? And when you went there's no communication, 1305 01:27:04,000 --> 01:27:07,200 Speaker 1: you have three parts and three entities thing, Oh well, 1306 01:27:08,280 --> 01:27:11,920 Speaker 1: well why something? But but Big, that's your man. But 1307 01:27:13,439 --> 01:27:18,519 Speaker 1: is that when Pop? Because then Pop, no, I wouldn't 1308 01:27:18,600 --> 01:27:23,600 Speaker 1: having that word pocket braced y'all because I wasn't. I 1309 01:27:23,640 --> 01:27:25,560 Speaker 1: don't think that really had nothing to do with it 1310 01:27:25,760 --> 01:27:28,280 Speaker 1: because Park was down with y'all anyway. Yeah, when when 1311 01:27:28,360 --> 01:27:31,040 Speaker 1: we see when party was locked up, Me, Big and Pop, 1312 01:27:31,200 --> 01:27:33,439 Speaker 1: we all all three of us as geminis. So that 1313 01:27:33,640 --> 01:27:47,320 Speaker 1: was our bond we had anywhere June and many strology, 1314 01:27:48,240 --> 01:27:58,040 Speaker 1: but it was that was always but now that was 1315 01:27:58,160 --> 01:28:01,360 Speaker 1: always our bond at we had. Pop wasn't even in 1316 01:28:01,439 --> 01:28:03,080 Speaker 1: the picture. Pop had nothing to do with it that. 1317 01:28:03,120 --> 01:28:05,320 Speaker 1: I was not nothing to do that it was. But 1318 01:28:05,800 --> 01:28:07,960 Speaker 1: the thing is, I just want to and look, look, 1319 01:28:08,000 --> 01:28:10,800 Speaker 1: you know, you name, you know, but I just want 1320 01:28:10,840 --> 01:28:13,200 Speaker 1: to address it for hip hop history, because at the 1321 01:28:13,320 --> 01:28:16,120 Speaker 1: end of the day, I'm not coming at this as Nori. 1322 01:28:16,800 --> 01:28:19,120 Speaker 1: I'm coming at this as a fan. Your guys came 1323 01:28:19,160 --> 01:28:22,760 Speaker 1: in the game before me, digging and outside looking, and 1324 01:28:23,000 --> 01:28:26,479 Speaker 1: that's how it looked. It looked like Big and y'all 1325 01:28:26,560 --> 01:28:29,759 Speaker 1: have problems. It looked like, y'all you did a video. 1326 01:28:30,200 --> 01:28:36,000 Speaker 1: But when I investigated, it look like that me and 1327 01:28:36,120 --> 01:28:38,840 Speaker 1: Big was steal in the hood, fucking with each other. 1328 01:28:39,080 --> 01:28:41,280 Speaker 1: That's the people. Don't rob him, that's what we need. 1329 01:28:42,160 --> 01:28:43,760 Speaker 1: And all of them, you know, they all know that. 1330 01:28:43,880 --> 01:28:47,760 Speaker 1: They know it's to this day bang season all me like, Yo, 1331 01:28:47,880 --> 01:28:51,240 Speaker 1: Tech that nigga Big really loved you, and it was 1332 01:28:51,600 --> 01:28:56,400 Speaker 1: the feeling was mutual friend be addressed. The situation wasn't 1333 01:28:56,400 --> 01:28:59,840 Speaker 1: because I think you used about explaining it. Did y'all 1334 01:29:00,040 --> 01:29:04,240 Speaker 1: they getting money record? No? No, the record was the 1335 01:29:04,320 --> 01:29:07,720 Speaker 1: o GC record, and it's like, that's not that's our 1336 01:29:07,760 --> 01:29:11,120 Speaker 1: little brothers. So you know they told you that Big 1337 01:29:11,320 --> 01:29:14,760 Speaker 1: herd this hook. I don't I don't know how he 1338 01:29:14,880 --> 01:29:17,120 Speaker 1: got to how did they start taking personal with the 1339 01:29:17,439 --> 01:29:21,400 Speaker 1: Why like I said, it was a lack of communication 1340 01:29:21,720 --> 01:29:25,320 Speaker 1: that was there. The video was mad. Nobody until that 1341 01:29:25,560 --> 01:29:28,160 Speaker 1: day came up when it was happening and we got 1342 01:29:28,240 --> 01:29:30,599 Speaker 1: the call I was on. I was in the same studio. 1343 01:29:30,760 --> 01:29:33,400 Speaker 1: Now you told him about Big, like your call tech 1344 01:29:33,479 --> 01:29:36,120 Speaker 1: to the phone. They call me and Big is on 1345 01:29:36,240 --> 01:29:40,080 Speaker 1: the phone like a TEMs on my hands. I'm like, 1346 01:29:40,160 --> 01:29:42,639 Speaker 1: your Big, We ain't never it was supposed to kick 1347 01:29:42,720 --> 01:29:45,200 Speaker 1: this as man and man and dude like, yeah, you're right, 1348 01:29:45,320 --> 01:29:50,960 Speaker 1: but look who were at Now that's why down let 1349 01:29:51,000 --> 01:29:55,800 Speaker 1: me say, let me this is this is just my opinion. 1350 01:29:56,160 --> 01:29:58,479 Speaker 1: I could be super fucking wrong with this one, right, 1351 01:29:58,960 --> 01:30:01,799 Speaker 1: Like you got these young kids that's on the label, 1352 01:30:02,479 --> 01:30:05,679 Speaker 1: right and when you get like you have the backing 1353 01:30:05,760 --> 01:30:09,240 Speaker 1: of these these industry people, like the industry knows that 1354 01:30:09,320 --> 01:30:11,920 Speaker 1: the bleeds it leads. They want you to have trauma. 1355 01:30:12,240 --> 01:30:14,559 Speaker 1: They think if they think, if we can show this image, 1356 01:30:14,760 --> 01:30:16,840 Speaker 1: it may look good for your for your for your 1357 01:30:16,880 --> 01:30:19,400 Speaker 1: track record. So you goddamn right that ship paid a 1358 01:30:19,479 --> 01:30:21,439 Speaker 1: part of it. These these kids wasn't going. You know, 1359 01:30:21,520 --> 01:30:23,080 Speaker 1: we got beef with Big. We want to set it 1360 01:30:23,120 --> 01:30:26,280 Speaker 1: with that was nobody was talking about that ship. It's 1361 01:30:26,320 --> 01:30:29,200 Speaker 1: like yeah. So it's like, okay, how can we uh 1362 01:30:31,160 --> 01:30:32,760 Speaker 1: this ship? So this is where the industry comes and 1363 01:30:32,840 --> 01:30:35,360 Speaker 1: it swoops down and take your babies. And they said, no, 1364 01:30:35,560 --> 01:30:37,560 Speaker 1: you can't even walk up the block because you you 1365 01:30:37,640 --> 01:30:39,760 Speaker 1: said a rat and all that. So that's where the 1366 01:30:39,800 --> 01:30:42,800 Speaker 1: miscommunication is at because we should have talked to the 1367 01:30:42,840 --> 01:30:45,120 Speaker 1: homie that wasn't. It was like none of us felt 1368 01:30:45,280 --> 01:30:47,160 Speaker 1: like that, you know what I mean. It's all of 1369 01:30:47,240 --> 01:30:50,400 Speaker 1: the hold on, hold on, hold on. This is what 1370 01:30:50,479 --> 01:30:52,680 Speaker 1: all the directors and the producers come in and they 1371 01:30:52,680 --> 01:30:54,600 Speaker 1: start giving a little two cents. They say, well, what 1372 01:30:54,680 --> 01:30:57,400 Speaker 1: if that's bringing this guy's bringing a look alike of 1373 01:30:57,800 --> 01:31:00,960 Speaker 1: of this guy, Let's bring in mont Jordan guy. Like 1374 01:31:01,080 --> 01:31:02,840 Speaker 1: you know what I mean, Like, we're not thinking, yo, 1375 01:31:02,920 --> 01:31:04,880 Speaker 1: we're gonna do this in the video. And when we 1376 01:31:04,920 --> 01:31:06,800 Speaker 1: saw the video, when we saw it going down, I 1377 01:31:06,800 --> 01:31:08,960 Speaker 1: don't think nobody felt comfortable with I'm not gonna lie 1378 01:31:09,000 --> 01:31:11,559 Speaker 1: a queen's guy as a queen's guy, and I'm gonna 1379 01:31:11,600 --> 01:31:14,479 Speaker 1: be honest this is that's the worst thing that we 1380 01:31:14,600 --> 01:31:17,200 Speaker 1: did in our career. I was the biggest choice. I 1381 01:31:17,320 --> 01:31:20,960 Speaker 1: was the biggest super duck down. I was the biggest happen. 1382 01:31:21,080 --> 01:31:22,920 Speaker 1: Like you know, I had fights for y'all in jail. 1383 01:31:22,920 --> 01:31:25,599 Speaker 1: I just you know, like I had fights for y'all. 1384 01:31:25,640 --> 01:31:28,080 Speaker 1: Like niggas was like, yo, what some things are? I'm like, what, 1385 01:31:28,640 --> 01:31:33,639 Speaker 1: I fights real fights, And when I see the big 1386 01:31:34,160 --> 01:31:37,720 Speaker 1: like you know, like video was just done? Does that? 1387 01:31:38,080 --> 01:31:42,320 Speaker 1: Because like, and I'm a queen's nigger and I only 1388 01:31:42,400 --> 01:31:45,840 Speaker 1: fought for y'all. It's a big that's it in jail 1389 01:31:46,200 --> 01:31:48,719 Speaker 1: and I fought for older And then when y'all started beefing, 1390 01:31:49,080 --> 01:31:51,360 Speaker 1: I was like, Damn, I didn't. I didn't understand it 1391 01:31:51,560 --> 01:31:53,719 Speaker 1: makes sense that wasn't It wasn't no, it was nothing. 1392 01:31:53,960 --> 01:31:56,280 Speaker 1: So part of the reason why I'm asking ain't even 1393 01:31:56,720 --> 01:32:02,599 Speaker 1: ain't even a journalist, fake man, yo, you know, want 1394 01:32:02,640 --> 01:32:06,360 Speaker 1: to know for yourself. I don't even I don't know where. 1395 01:32:07,000 --> 01:32:09,320 Speaker 1: You don't know about bee. It's never been wins. We 1396 01:32:09,479 --> 01:32:13,360 Speaker 1: need say the communication. Hold on, Hold on hold, you're 1397 01:32:13,840 --> 01:32:17,040 Speaker 1: live on the podcast, nigga. We got eight million people listening. 1398 01:32:17,120 --> 01:32:19,920 Speaker 1: Save what's up? Brother? Yo? What up? What up? What's up? 1399 01:32:22,200 --> 01:32:30,439 Speaker 1: It's my brother? Do not excuse me? No, you wanta edit? 1400 01:32:30,760 --> 01:32:33,479 Speaker 1: You wanta editing? Yo? People know I love you, my brother, 1401 01:32:35,200 --> 01:32:37,360 Speaker 1: Yo Yo, nigga, I've been writing you since she was 1402 01:32:37,800 --> 01:32:41,439 Speaker 1: eight years old in the pen. He was eight years old. 1403 01:32:41,520 --> 01:32:44,639 Speaker 1: I don't used to go damn righting you God damn 1404 01:32:45,040 --> 01:32:47,519 Speaker 1: and you still you ustill got the iPhones ephones got 1405 01:32:47,600 --> 01:32:54,040 Speaker 1: damn it, God damn. This makes much. I love your nigga. 1406 01:32:55,720 --> 01:33:08,160 Speaker 1: This hold Ship got shot Judd little section, Thank you, 1407 01:33:08,800 --> 01:33:12,559 Speaker 1: thank you, yo yo yo. You know we love your nigga. 1408 01:33:12,840 --> 01:33:15,320 Speaker 1: When you come home, you're good. We're gonna get you 1409 01:33:15,360 --> 01:33:21,479 Speaker 1: an executive job. You're okay, that's doing time like that, 1410 01:33:22,320 --> 01:33:24,280 Speaker 1: yo yo yo, rich rich rich, Come on, come on, sir, 1411 01:33:24,800 --> 01:33:27,000 Speaker 1: come on, hold on, hold on. The camera's not on you. Relax, 1412 01:33:27,640 --> 01:33:29,800 Speaker 1: Let's get them. Let's get them now. The camera's on you. 1413 01:33:30,800 --> 01:33:33,920 Speaker 1: Look at that. You got them. You gotta he's home. 1414 01:33:34,400 --> 01:33:37,320 Speaker 1: Look look, bitches, you gotta give me your pussy some musy, 1415 01:33:37,360 --> 01:33:47,360 Speaker 1: come on your pussy. That's my nigga. That's my nigga. Room. 1416 01:33:47,760 --> 01:33:51,479 Speaker 1: I grew up with him. Mr. Up raised me. You 1417 01:33:51,520 --> 01:33:55,439 Speaker 1: know what I'm saying. It's box and now oh I 1418 01:33:55,600 --> 01:34:10,160 Speaker 1: haven't seen woo oh Ship and your wife texts you together. Yeah, listen, listen, 1419 01:34:10,720 --> 01:34:16,479 Speaker 1: so you got a little but listen The bottom line 1420 01:34:16,520 --> 01:34:20,760 Speaker 1: of the story is this that don't say the relationship. 1421 01:34:23,880 --> 01:34:27,639 Speaker 1: It couldn't because embled people on the other side from Browns. 1422 01:34:27,680 --> 01:34:33,599 Speaker 1: The MLP was the thing from the hill. Everybody else right, 1423 01:34:33,840 --> 01:34:40,880 Speaker 1: Rich it was Brooklyn listen on a little till sun, Brooklyn, 1424 01:34:41,840 --> 01:34:47,160 Speaker 1: because you have a Brooklyn Nick. So you just one 1425 01:34:47,160 --> 01:34:49,840 Speaker 1: of the worst things you ever did was that, you 1426 01:34:49,880 --> 01:34:52,240 Speaker 1: know what that was? You said that. Why do you 1427 01:34:52,320 --> 01:34:54,000 Speaker 1: feel like it was one of the worst things you 1428 01:34:54,200 --> 01:34:55,600 Speaker 1: did because you felt like you're gonna let it go. 1429 01:34:56,040 --> 01:35:01,840 Speaker 1: I don't think it was. It was. I think we 1430 01:35:01,880 --> 01:35:05,040 Speaker 1: should as as as for me, like I look at 1431 01:35:05,080 --> 01:35:06,720 Speaker 1: my little homies and I'm like, all right, I'm gonna 1432 01:35:06,760 --> 01:35:08,960 Speaker 1: ride with my little homies. You know what I'm saying. 1433 01:35:09,000 --> 01:35:12,160 Speaker 1: And you can give done with so much information. I'm 1434 01:35:12,200 --> 01:35:14,439 Speaker 1: sorry to accident deep at that. What did your little 1435 01:35:14,479 --> 01:35:19,320 Speaker 1: homies tell? What did they say? It's there, it's there, 1436 01:35:19,439 --> 01:35:23,240 Speaker 1: This is their project, this is their thing. I can't 1437 01:35:23,439 --> 01:35:26,599 Speaker 1: felt like big heard their ship and bid it. I mean, 1438 01:35:26,720 --> 01:35:30,120 Speaker 1: I mean I would just say this. They expressed some 1439 01:35:30,560 --> 01:35:34,519 Speaker 1: dissatisfaction with that this is being their first time out. 1440 01:35:35,200 --> 01:35:36,960 Speaker 1: You know, this is their thing. They want to come 1441 01:35:36,960 --> 01:35:38,640 Speaker 1: out and want to you know, they want to make 1442 01:35:38,960 --> 01:35:42,680 Speaker 1: a little splash, So if they hear somebody performing the 1443 01:35:42,760 --> 01:35:45,080 Speaker 1: song that they know they just finished creating in the studio, 1444 01:35:46,240 --> 01:35:48,559 Speaker 1: you know obviously didn't want to be a little bit 1445 01:35:48,840 --> 01:35:52,000 Speaker 1: uncomfortable about that, because that's exactly how I heard. I'm 1446 01:35:52,040 --> 01:35:54,160 Speaker 1: just saying as an industry perposon, I don't know if 1447 01:35:54,280 --> 01:35:56,800 Speaker 1: these guys heard the song there, but you already know 1448 01:35:56,960 --> 01:36:01,280 Speaker 1: Dand was a hub man. Everybody was anybody on. Everybody 1449 01:36:01,360 --> 01:36:04,280 Speaker 1: was in different sessions, different people's sessions. How I heard 1450 01:36:04,320 --> 01:36:08,320 Speaker 1: it was somebody said Big walked into one of your sessions. 1451 01:36:08,840 --> 01:36:11,280 Speaker 1: They heard it. He heard the record, and then all 1452 01:36:11,320 --> 01:36:14,599 Speaker 1: of a sudden he had Easy LP, who was also 1453 01:36:14,680 --> 01:36:20,479 Speaker 1: my producer, and pull it up. And I almost want 1454 01:36:20,479 --> 01:36:23,040 Speaker 1: to say I asked Easy Lp that he said, it's 1455 01:36:23,080 --> 01:36:26,880 Speaker 1: exactly how because he was he was almost it was. 1456 01:36:27,000 --> 01:36:29,240 Speaker 1: It was that almost to a point where this was 1457 01:36:29,320 --> 01:36:33,120 Speaker 1: dug in under the controls booths. So that's how it 1458 01:36:33,240 --> 01:36:37,280 Speaker 1: was going down like that. But it didn't escalate to 1459 01:36:37,520 --> 01:36:40,400 Speaker 1: that because at that moment it was like, ye let 1460 01:36:40,439 --> 01:36:42,360 Speaker 1: me talk to it, let me talk to So did 1461 01:36:42,479 --> 01:36:45,680 Speaker 1: y'all actually work out the beat before he died? I 1462 01:36:45,720 --> 01:36:47,920 Speaker 1: think I like to think that. Yeah, I like that, 1463 01:36:48,120 --> 01:36:52,960 Speaker 1: that last little phone call. Yeah, because if it's times that, 1464 01:36:54,560 --> 01:36:56,160 Speaker 1: like I said, I'm from the stock, so I would 1465 01:36:56,160 --> 01:37:01,599 Speaker 1: be right there on the block and New York from 1466 01:37:01,640 --> 01:37:05,519 Speaker 1: the stop right. So it was when Big was out 1467 01:37:05,560 --> 01:37:07,880 Speaker 1: of town and men season on with me right there, 1468 01:37:08,080 --> 01:37:10,479 Speaker 1: Big cooler like yo, Tack. It was like your work, 1469 01:37:10,840 --> 01:37:15,000 Speaker 1: like I'm meeting the families of all of them, and 1470 01:37:15,160 --> 01:37:18,680 Speaker 1: Will were not like yeah, like I know what, I 1471 01:37:18,840 --> 01:37:21,439 Speaker 1: know what what could happen, What's gonna happen? But I'm 1472 01:37:21,600 --> 01:37:23,680 Speaker 1: you know what I mean. So it's still there with 1473 01:37:24,880 --> 01:37:27,920 Speaker 1: our relationship as far as me and Big relationship is cool, 1474 01:37:28,280 --> 01:37:31,040 Speaker 1: and me and my family relationship is still cool. But 1475 01:37:31,160 --> 01:37:33,400 Speaker 1: like I said, it was, it was it felt like 1476 01:37:33,479 --> 01:37:36,320 Speaker 1: it fucked up Brooklyn because it was Brooklyn niggas going 1477 01:37:36,360 --> 01:37:40,439 Speaker 1: against other Brooklyn niggas. It was stop and it was 1478 01:37:40,560 --> 01:37:46,679 Speaker 1: there's always a beat between the veil and the stop. Yeah, 1479 01:37:46,920 --> 01:37:49,200 Speaker 1: that's why you got the Mike Tyson tattoo. You wanted 1480 01:37:49,240 --> 01:37:56,040 Speaker 1: to tell like together now, this is just this is 1481 01:37:56,120 --> 01:37:59,080 Speaker 1: just my warriors ship. This is is my warriorship. Like 1482 01:37:59,120 --> 01:38:01,639 Speaker 1: you ever seen Preda to him once, that's not Tyson 1483 01:38:01,720 --> 01:38:05,519 Speaker 1: brother ship. I was not. You have to say, like 1484 01:38:06,160 --> 01:38:11,680 Speaker 1: it's Tyson esque. But now is this sort of like 1485 01:38:12,200 --> 01:38:15,880 Speaker 1: maybe like a you know, like you said, we're gonna 1486 01:38:16,479 --> 01:38:20,200 Speaker 1: the game. Never said to Tyson like I used to 1487 01:38:20,240 --> 01:38:22,240 Speaker 1: bump into Mike, like when I was a real, real 1488 01:38:22,320 --> 01:38:25,439 Speaker 1: little nigga where he was shut down the stores on 1489 01:38:25,600 --> 01:38:31,760 Speaker 1: Belmont going and everybody get a v goose bomb or leather. Yeah. Yeah, 1490 01:38:35,360 --> 01:38:37,639 Speaker 1: that was the only time I was bump into Tyson 1491 01:38:37,720 --> 01:38:40,479 Speaker 1: and he'd be like, yeah, yeah, a little nigga is 1492 01:38:40,640 --> 01:38:46,120 Speaker 1: like he was he was because I always now always 1493 01:38:46,280 --> 01:38:50,240 Speaker 1: was told I had the Tyson voice. That's what That's 1494 01:38:50,240 --> 01:38:53,840 Speaker 1: where I never e to just used to be because 1495 01:38:53,840 --> 01:38:59,559 Speaker 1: I used to. That's why I was security. I'm sorry, 1496 01:38:59,560 --> 01:39:03,840 Speaker 1: I'm sorry, but what was it? What was we talking about? 1497 01:39:11,400 --> 01:39:13,720 Speaker 1: The actual first time I bumped into Tyson was when 1498 01:39:13,760 --> 01:39:18,080 Speaker 1: I used to train and Um and Martha's golfy boxing gym. 1499 01:39:18,560 --> 01:39:20,720 Speaker 1: Tyson and Riddick Bowl used to come through there. We 1500 01:39:20,840 --> 01:39:24,200 Speaker 1: had the champion, Mark Brelan Um Sweetie used to come 1501 01:39:24,280 --> 01:39:27,479 Speaker 1: through there and I met Tyson and this is way, 1502 01:39:27,960 --> 01:39:31,040 Speaker 1: this is right before, right during the time he was 1503 01:39:31,160 --> 01:39:34,320 Speaker 1: training in the cat skills. So let me ask thank 1504 01:39:34,360 --> 01:39:39,040 Speaker 1: you so much relax, relaxing. You take one of these 1505 01:39:40,479 --> 01:39:54,800 Speaker 1: much that's very like it's your birthday, right shot. Ever, 1506 01:39:56,439 --> 01:40:11,360 Speaker 1: we still have a book you got make life right 1507 01:40:11,400 --> 01:40:14,960 Speaker 1: here in New Life, and he's still gone. Gentlemen, cheers, 1508 01:40:15,080 --> 01:40:19,160 Speaker 1: cheers to life to the us. Bring it in home. No, no, no, 1509 01:40:19,479 --> 01:40:23,120 Speaker 1: this is this is, this is, this is Doug, this 1510 01:40:23,240 --> 01:40:45,280 Speaker 1: is no. Welcome to play a new podcast network featuring 1511 01:40:45,400 --> 01:40:49,800 Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more. 1512 01:40:50,120 --> 01:40:54,360 Speaker 1: Play it at play dot it. We're back to drink 1513 01:40:54,479 --> 01:40:57,680 Speaker 1: Champs Radio with Rapper and R and d j E. 1514 01:40:58,040 --> 01:41:01,760 Speaker 1: Then I sing some two much the north Way he's 1515 01:41:01,800 --> 01:41:10,400 Speaker 1: doing right here, that thing up take a poll happy thing? Yeah, 1516 01:41:10,400 --> 01:41:13,080 Speaker 1: I feel like correct, you need to talk. Let the 1517 01:41:13,120 --> 01:41:14,640 Speaker 1: talk you about set for one second. Hold up, we 1518 01:41:14,680 --> 01:41:19,240 Speaker 1: spoke about big you gotta talk about to put an 1519 01:41:19,360 --> 01:41:21,960 Speaker 1: y you talk about sucking Mike away speak. He keeps saying, 1520 01:41:22,120 --> 01:41:28,599 Speaker 1: yeah you you No, I can't tell you, please guy, 1521 01:41:29,560 --> 01:41:45,240 Speaker 1: all my side safe teemsto which one I'm saying that 1522 01:41:51,400 --> 01:42:02,920 Speaker 1: like I'm just watching shuk things that came close. Okay 1523 01:42:03,000 --> 01:42:05,799 Speaker 1: yo yo yo know me. Well, let me ask a questions. 1524 01:42:07,080 --> 01:42:14,320 Speaker 1: I'm just saying going, just going I was because you're 1525 01:42:14,400 --> 01:42:23,800 Speaker 1: gonna do it here. It's okay, I'm gonna get him. Hey, 1526 01:42:26,520 --> 01:42:34,360 Speaker 1: ever you did that show once, I'll howl tonight that's 1527 01:42:34,400 --> 01:42:40,559 Speaker 1: hot on. I'm okay. You gotta didn't ask the question 1528 01:42:40,600 --> 01:42:45,560 Speaker 1: what you gotta How did you gotta do? When what 1529 01:42:45,720 --> 01:42:49,679 Speaker 1: he was on the hot wind wings? Yeah, and after 1530 01:42:49,760 --> 01:42:55,720 Speaker 1: every wing they were taking shots too quick. See um. Now, 1531 01:42:55,800 --> 01:42:59,080 Speaker 1: the thing about it was the thing about it was 1532 01:42:59,200 --> 01:43:04,040 Speaker 1: I watched hot Hot ones for two years straight, so 1533 01:43:04,800 --> 01:43:06,720 Speaker 1: I knew exactly what it was gonna do when it 1534 01:43:06,800 --> 01:43:10,679 Speaker 1: was gonna do it. So I tried to bring tager 1535 01:43:10,720 --> 01:43:18,560 Speaker 1: bone to offset it, but I was wrong about that 1536 01:43:18,640 --> 01:43:23,360 Speaker 1: only made it work. And the highest high Scoville was 1537 01:43:23,479 --> 01:43:26,760 Speaker 1: like you you know, when we was in Miami, I 1538 01:43:26,840 --> 01:43:29,599 Speaker 1: told him I putting norry onto the tagle box. Yeah. 1539 01:43:29,640 --> 01:43:35,280 Speaker 1: He did tell me that it's at that's not a lot. 1540 01:43:35,720 --> 01:43:40,880 Speaker 1: Put me on that's at story and I mean jus 1541 01:43:41,080 --> 01:43:44,880 Speaker 1: for life. We was going to Judien's for life, and 1542 01:43:45,320 --> 01:43:47,519 Speaker 1: you know he was coming through your right and listen, 1543 01:43:47,560 --> 01:43:50,519 Speaker 1: I know where you're going. You're right. But the problem 1544 01:43:50,720 --> 01:43:56,680 Speaker 1: was I was from Hunt Madison. That's what I'm saying. No, No, 1545 01:43:56,840 --> 01:43:59,960 Speaker 1: that like the problem. That's just like you too, my 1546 01:44:00,160 --> 01:44:02,639 Speaker 1: d the twenty four in Madison. But I stually drinking 1547 01:44:02,680 --> 01:44:05,240 Speaker 1: tyg of mom around the corner for a hundred twenty. 1548 01:44:05,360 --> 01:44:08,880 Speaker 1: You're talking about around around the corner side I already drinking. 1549 01:44:10,760 --> 01:44:13,880 Speaker 1: But you're right. You did tell me you did. You're right, 1550 01:44:14,160 --> 01:44:16,240 Speaker 1: you did tell me. You know you funk with this, 1551 01:44:16,640 --> 01:44:18,280 Speaker 1: But I had a ready he was used to it. 1552 01:44:18,880 --> 01:44:21,640 Speaker 1: But I never I never said I've been funking with 1553 01:44:21,880 --> 01:44:30,559 Speaker 1: something different times. Because you want, man, this credit, yea, 1554 01:44:30,920 --> 01:44:38,360 Speaker 1: get it to mend. Yeah, yeah, my explanations remember that 1555 01:44:39,560 --> 01:44:43,760 Speaker 1: it was. It was just bring back yard. He had 1556 01:44:43,840 --> 01:44:50,400 Speaker 1: the Newport piece on it. Yeah, what the yeah? And 1557 01:44:50,560 --> 01:44:57,240 Speaker 1: you was about trade and change its drink this ship. Man, 1558 01:44:59,360 --> 01:45:02,439 Speaker 1: he's not lying. It's not lying now at one point 1559 01:45:02,600 --> 01:45:08,840 Speaker 1: it's a lie. He's not like night. But now let's 1560 01:45:08,880 --> 01:45:15,600 Speaker 1: go back. Let's go back to Sean Price White nonsense. 1561 01:45:16,040 --> 01:45:20,960 Speaker 1: Wait wait, wait a minute, we're gonna go serious right now. 1562 01:45:21,200 --> 01:45:25,480 Speaker 1: We're going serious right now, So Sean other than smoking cigarettes, 1563 01:45:25,680 --> 01:45:30,760 Speaker 1: we don't know why it's Sean. Come on, I'm sorry, 1564 01:45:30,800 --> 01:45:33,160 Speaker 1: he says, but I don't know why Sean are going 1565 01:45:33,200 --> 01:45:35,800 Speaker 1: to either. But there's nobody here answer this question. We'll 1566 01:45:35,880 --> 01:45:40,080 Speaker 1: tell you that Sean sfort wait um sleep apnea and 1567 01:45:40,160 --> 01:45:43,880 Speaker 1: I want to sleep at sleep apnea is when you 1568 01:45:44,120 --> 01:45:53,320 Speaker 1: snore and your heart stop stop. Yeah, while you're sleep sleeping. 1569 01:45:54,000 --> 01:45:56,400 Speaker 1: I who want to splause? I think all of us 1570 01:45:56,400 --> 01:45:59,760 Speaker 1: have sleep his life, I've had it and I never 1571 01:46:00,280 --> 01:46:03,160 Speaker 1: I mean maybe not everybody, but a lot of talking 1572 01:46:03,160 --> 01:46:05,680 Speaker 1: about it. You know, I talked about it back. I 1573 01:46:05,840 --> 01:46:08,720 Speaker 1: talked about it because like it was one day. I 1574 01:46:08,840 --> 01:46:12,960 Speaker 1: was just talking the punch and the punches. That's was notcleptic. 1575 01:46:13,439 --> 01:46:17,080 Speaker 1: That's not coleptic, which is different. That's what I mean. 1576 01:46:19,439 --> 01:46:24,080 Speaker 1: The too think that I believe I have. I can 1577 01:46:24,160 --> 01:46:30,639 Speaker 1: say it because you it's when your heart stops beating 1578 01:46:32,120 --> 01:46:39,080 Speaker 1: for thirties time. Yeah, it can't kill you. There's three stages. 1579 01:46:39,160 --> 01:46:45,840 Speaker 1: So what you don't know I'm talking about saying it 1580 01:46:45,920 --> 01:46:59,960 Speaker 1: talks into the brain that's set me basically, yeah, tells 1581 01:47:00,040 --> 01:47:07,479 Speaker 1: me to relax. There's two shows. You got Watermaz White. 1582 01:47:10,280 --> 01:47:24,120 Speaker 1: Let's know, I came from tin backwards her talk that 1583 01:47:24,520 --> 01:47:33,680 Speaker 1: since five four. I'm that's okay what you do and 1584 01:47:33,800 --> 01:47:36,680 Speaker 1: you're with me absolutely that I feel like they say 1585 01:47:36,680 --> 01:47:40,639 Speaker 1: it what toning like that right there? I'm gonna say this, man, 1586 01:47:40,840 --> 01:47:43,800 Speaker 1: when when Sean passed, I know, he was the first 1587 01:47:43,840 --> 01:47:45,920 Speaker 1: person to call that I talked to, like right after 1588 01:47:46,040 --> 01:47:49,639 Speaker 1: you write, like immediately, I was so hurt. She's one 1589 01:47:49,640 --> 01:47:51,560 Speaker 1: of the first ones. And I was so hurt. And 1590 01:47:51,600 --> 01:47:53,720 Speaker 1: let me tell you something about let me tell you 1591 01:47:53,800 --> 01:47:57,760 Speaker 1: something about Sean Price. I get cut the time I 1592 01:47:57,920 --> 01:48:02,280 Speaker 1: met Sean Price. I no, he was. I definitely did. 1593 01:48:03,000 --> 01:48:06,439 Speaker 1: But then he gave me a certain amount of love 1594 01:48:06,520 --> 01:48:09,000 Speaker 1: and he just he had hit me and he was 1595 01:48:09,120 --> 01:48:15,240 Speaker 1: like nigging like you're funny, you would he would swim. 1596 01:48:16,439 --> 01:48:25,520 Speaker 1: I was relationship slim Lloyd. He called all the motherfucker's 1597 01:48:25,520 --> 01:48:29,000 Speaker 1: slim Lloyd has a whole new meaning. And I will 1598 01:48:29,120 --> 01:48:33,960 Speaker 1: explain that after the album driving So he hit me 1599 01:48:34,040 --> 01:48:37,680 Speaker 1: and I was just like, damn, and I love this 1600 01:48:37,800 --> 01:48:41,080 Speaker 1: nigga so much, but I wanted to spread it to 1601 01:48:41,200 --> 01:48:44,000 Speaker 1: the industry because I knew that he would suffering the 1602 01:48:44,080 --> 01:48:47,520 Speaker 1: same thing that I was suffering. During the CNN as 1603 01:48:47,560 --> 01:48:51,800 Speaker 1: far creation you mean, I just felt like like listen, listen, 1604 01:48:52,040 --> 01:48:54,880 Speaker 1: and he's right here. I'm glad. I'm glad he's right here. 1605 01:48:55,760 --> 01:48:58,880 Speaker 1: I remember sample something called don't let It come to 1606 01:48:58,960 --> 01:49:05,600 Speaker 1: Your head brand brand new. I had sampled it on 1607 01:49:05,720 --> 01:49:09,160 Speaker 1: the War We've called album. That poem came to the 1608 01:49:09,240 --> 01:49:13,080 Speaker 1: studio and set, that's hard. It's like I'm laying verse 1609 01:49:13,200 --> 01:49:16,679 Speaker 1: right now. Trash came to studio and said that's whack. 1610 01:49:17,720 --> 01:49:28,280 Speaker 1: Poem said, it's right, it's why. Yeah. I could be no, 1611 01:49:28,600 --> 01:49:33,600 Speaker 1: but he was right. Trash was right. Was soon No, 1612 01:49:33,920 --> 01:49:35,599 Speaker 1: he was right there. It didn't fit with the war 1613 01:49:36,400 --> 01:49:42,120 Speaker 1: because ba his word, his wording was wrong, right, and 1614 01:49:42,600 --> 01:49:45,960 Speaker 1: said look when he expressed it, he could have said 1615 01:49:45,960 --> 01:49:49,439 Speaker 1: it don't fit what you're not doing at the moment, right, 1616 01:49:49,520 --> 01:49:51,640 Speaker 1: but he didn't. He just said it was whack. And 1617 01:49:51,720 --> 01:49:57,560 Speaker 1: then when poem came, poem said whatever, Trash sets and 1618 01:49:57,720 --> 01:50:00,160 Speaker 1: it was like alright, cool, alright, cool, that's to what 1619 01:50:00,640 --> 01:50:04,600 Speaker 1: would lead me to I gotta go. So once he 1620 01:50:04,720 --> 01:50:10,439 Speaker 1: go to jail, I knew he was ready to. I 1621 01:50:10,520 --> 01:50:16,200 Speaker 1: knew he was look for the record. Look, look we 1622 01:50:17,200 --> 01:50:20,200 Speaker 1: want to go back. I want to stay in front 1623 01:50:20,200 --> 01:50:27,000 Speaker 1: of we're talking. No, I'm not no, no, we are 1624 01:50:27,200 --> 01:50:31,640 Speaker 1: Look at one time, look at one time system, At 1625 01:50:31,680 --> 01:50:35,080 Speaker 1: one time I heard stop talking to about at one 1626 01:50:35,120 --> 01:50:40,160 Speaker 1: time I heard trag world chap verse for uh right 1627 01:50:40,200 --> 01:50:47,640 Speaker 1: to one he spent in your down money. Try let 1628 01:50:47,680 --> 01:50:57,040 Speaker 1: me tell you something that's got knock, shut up, start off, 1629 01:50:57,720 --> 01:50:59,840 Speaker 1: let me tell you. Let me tell you that was 1630 01:51:00,320 --> 01:51:05,639 Speaker 1: hold on. We can't. Were not talking about tragedy because 1631 01:51:06,160 --> 01:51:14,639 Speaker 1: hold no cool with him. No nobody an about about damn. 1632 01:51:14,680 --> 01:51:16,920 Speaker 1: You don't keep it a dah. Hold hold on, hold 1633 01:51:17,479 --> 01:51:20,880 Speaker 1: one thing about Norway that people always got died there 1634 01:51:21,000 --> 01:51:23,639 Speaker 1: like somebody wrote this same time. They might have done 1635 01:51:24,000 --> 01:51:28,600 Speaker 1: about you. Just never I can it's not right for that. 1636 01:51:28,960 --> 01:51:33,280 Speaker 1: Hold on, hold on, hold on, hold on, staying got 1637 01:51:33,360 --> 01:51:40,679 Speaker 1: that I don't know. But listen, I can't. I can't 1638 01:51:40,720 --> 01:51:45,280 Speaker 1: even father to write some ship that he writes like 1639 01:51:45,720 --> 01:51:51,760 Speaker 1: I can't. I can't even begin to think about you 1640 01:51:51,800 --> 01:51:54,639 Speaker 1: know what I'm saying. That ship is not gonna happen. 1641 01:51:55,200 --> 01:51:58,320 Speaker 1: So I'm never gonna think that I ever wrote trag 1642 01:51:58,439 --> 01:52:00,600 Speaker 1: ever wrote or he wrote some ship from me. He 1643 01:52:00,760 --> 01:52:04,479 Speaker 1: can't rap like me. I can't rap like him. That's 1644 01:52:04,520 --> 01:52:08,200 Speaker 1: what makes us special. Like it's certain groups like I'm 1645 01:52:08,240 --> 01:52:12,479 Speaker 1: not taking nothing away from kiss and and the locks 1646 01:52:12,720 --> 01:52:17,320 Speaker 1: and and just the chemistry him and styles put. But 1647 01:52:18,000 --> 01:52:20,960 Speaker 1: you can put a book down sometimes and say I 1648 01:52:21,000 --> 01:52:24,200 Speaker 1: don't know what funk? Who wrote it, it sounds the same, 1649 01:52:24,680 --> 01:52:29,240 Speaker 1: like it's no differential. But that don't take nothing away 1650 01:52:29,320 --> 01:52:33,200 Speaker 1: from the styles and Jada. But with men this nigga, 1651 01:52:33,640 --> 01:52:37,680 Speaker 1: come on, that's not gonna happen like for I'm never 1652 01:52:37,680 --> 01:52:43,760 Speaker 1: gonna think that. Gonna think that, but it's not that, 1653 01:52:43,960 --> 01:52:53,479 Speaker 1: it's not that's the talk. Let me just let me. 1654 01:52:54,200 --> 01:52:57,040 Speaker 1: Let me say, I'm gonna get ship. That's how that 1655 01:52:57,160 --> 01:53:02,839 Speaker 1: rooman started. When this album came up, the war reports, 1656 01:53:03,680 --> 01:53:07,960 Speaker 1: I had no idea what publishing. So when I signed 1657 01:53:08,400 --> 01:53:12,680 Speaker 1: for five thousand dollars, both signed five flax, not you, 1658 01:53:12,840 --> 01:53:28,559 Speaker 1: I got you little got going sing everyway everywher, four week, 1659 01:53:30,520 --> 01:53:39,599 Speaker 1: every Browns. Before a week I was going to separate 1660 01:53:39,680 --> 01:53:56,479 Speaker 1: the back, Azy called me magazine dollars do you have? 1661 01:53:57,360 --> 01:54:00,599 Speaker 1: That's being in the group. You're gonna do you ever 1662 01:54:00,840 --> 01:54:03,679 Speaker 1: get you that for you to be like, I can't 1663 01:54:03,680 --> 01:54:08,000 Speaker 1: say ship, just talk every day every day scared here listen, 1664 01:54:08,360 --> 01:54:13,560 Speaker 1: that's here's what happened, And here's what happened. Me and 1665 01:54:13,680 --> 01:54:19,599 Speaker 1: this thing. This nigger had a deal already when before 1666 01:54:19,920 --> 01:54:23,840 Speaker 1: reported I'm not I'm in jail still he me and 1667 01:54:24,000 --> 01:54:26,680 Speaker 1: him at each other in jail, right, So when I 1668 01:54:26,800 --> 01:54:30,880 Speaker 1: came home. He said, fuck it, let's do it together. 1669 01:54:31,640 --> 01:54:38,760 Speaker 1: We did it together. Like, what are you doing? That's 1670 01:54:38,760 --> 01:54:49,560 Speaker 1: going on? Old me? So what happened is this? I 1671 01:54:49,680 --> 01:54:52,080 Speaker 1: had nothing, I had nothing to go. I don't know 1672 01:54:52,200 --> 01:54:58,440 Speaker 1: what I like. But tragic stole off. He didn't tell 1673 01:54:58,520 --> 01:55:09,560 Speaker 1: us that's what. But already knew trash. Hood say trash. Wait, Gloria, 1674 01:55:13,240 --> 01:55:20,040 Speaker 1: say trash before. Listen trash every time we got t 1675 01:55:20,800 --> 01:55:25,080 Speaker 1: hollars for events. I'm learning. Wait wait wait wait wait 1676 01:55:25,160 --> 01:55:27,920 Speaker 1: wait wait wait wait wait wait wait wait wait wait 1677 01:55:27,920 --> 01:55:33,560 Speaker 1: whoa wait? Did you know trag before? Of course you 1678 01:55:33,680 --> 01:55:39,320 Speaker 1: know life. Okay, let me let me tell you something. 1679 01:55:39,360 --> 01:55:42,400 Speaker 1: The reason why we even got in a situation was 1680 01:55:42,520 --> 01:55:45,720 Speaker 1: because of me. I was a norf. I was getting money. 1681 01:55:46,320 --> 01:55:51,000 Speaker 1: My man wonderful, was trying to wrap. He sucked. I'm 1682 01:55:51,000 --> 01:55:53,400 Speaker 1: gonna nick this in the boat. He sucked. He was 1683 01:55:53,480 --> 01:55:56,600 Speaker 1: one of them, fuck you bitch ass niggers. Motherfucker. I 1684 01:55:56,800 --> 01:56:01,240 Speaker 1: changed the mother your motherfucking serio. He was wond he 1685 01:56:01,360 --> 01:56:04,000 Speaker 1: was dope. He thought he was dope, but he had 1686 01:56:04,040 --> 01:56:08,000 Speaker 1: that guapo Lena. I was hustling with him. He said, yo, poem, 1687 01:56:08,240 --> 01:56:11,080 Speaker 1: I'm going to the studio. I said, word but mine 1688 01:56:11,120 --> 01:56:13,480 Speaker 1: new leaders in Troy, New yok. So he gets to 1689 01:56:13,560 --> 01:56:16,960 Speaker 1: the studio, so rest in peace, jam Mr Jay, then 1690 01:56:17,200 --> 01:56:21,280 Speaker 1: Joe Felony, everybody you know listen to New York. This 1691 01:56:21,440 --> 01:56:27,160 Speaker 1: is listen. This is the same studio with jam Mster 1692 01:56:27,240 --> 01:56:30,440 Speaker 1: Jake got killed that. So jam Mr Ja like, um, 1693 01:56:30,840 --> 01:56:34,480 Speaker 1: trash like, oh my man wonderful like yo, my man said, 1694 01:56:37,200 --> 01:56:40,480 Speaker 1: jam Master Jay like Yo, trash like, Yo, my man 1695 01:56:40,560 --> 01:56:43,120 Speaker 1: wonderful like yo. I funk with capone So trash like, 1696 01:56:43,160 --> 01:56:45,800 Speaker 1: oh I know caymn he for the hoody buzz is 1697 01:56:45,840 --> 01:56:48,760 Speaker 1: gun whateverever. So my man wonderful like yeah, yeah here 1698 01:56:48,800 --> 01:56:50,600 Speaker 1: on top of me. So he put me in trash 1699 01:56:50,680 --> 01:56:52,920 Speaker 1: on the phone. I'm gonna lift the center, but real quick, 1700 01:56:53,560 --> 01:56:56,720 Speaker 1: trash close me, Yo, what do you do? I'm up 1701 01:56:56,760 --> 01:56:59,640 Speaker 1: norf I'm getting money? Who come down? I said, I 1702 01:57:00,200 --> 01:57:03,120 Speaker 1: fuck it, I can't do it. Maybe can whatever? I 1703 01:57:03,240 --> 01:57:06,640 Speaker 1: call them crackhead. Crackhead brings me down. I get to 1704 01:57:06,760 --> 01:57:16,960 Speaker 1: the studio. We all freestyled me. Jail fellone, trash jail Ja, 1705 01:57:17,880 --> 01:57:21,040 Speaker 1: jail Mster Jay doing the cuts. He's doing the cuts 1706 01:57:21,040 --> 01:57:24,200 Speaker 1: in the move. So I'm trash like I don't even 1707 01:57:24,240 --> 01:57:26,680 Speaker 1: know your round. I'm like, I didn't knock around like 1708 01:57:28,800 --> 01:57:31,440 Speaker 1: put enough for you to see, Like I don't know. 1709 01:57:31,960 --> 01:57:37,080 Speaker 1: So hey, sorry, short trash, Like, yo, I want to 1710 01:57:37,160 --> 01:57:38,840 Speaker 1: funk with you. I'm like, I bet he, like, you 1711 01:57:38,920 --> 01:57:42,280 Speaker 1: gotta stop selling drugs. That's not gonna happen. You give 1712 01:57:42,360 --> 01:57:44,520 Speaker 1: me something, well, I can have someelling drugs and that's 1713 01:57:44,560 --> 01:57:48,440 Speaker 1: gonna happen. So a few weeks, a few months after that, 1714 01:57:49,000 --> 01:57:54,440 Speaker 1: this nigger comes home trash and something drugs. I said, 1715 01:57:54,480 --> 01:57:56,680 Speaker 1: that's what you get me something? Who I can stop 1716 01:57:56,760 --> 01:57:59,280 Speaker 1: some of the drugs, so then you don't bring nothing 1717 01:57:59,280 --> 01:58:03,360 Speaker 1: to the table then, and and all that process. I'm 1718 01:58:03,480 --> 01:58:06,440 Speaker 1: skipped a whole way. I'm gonna skip to man him 1719 01:58:06,480 --> 01:58:12,280 Speaker 1: because you know, I meant Faith Newman. You know signed 1720 01:58:12,320 --> 01:58:14,680 Speaker 1: Eves who signed the food. Jeez, we're living with her. 1721 01:58:15,120 --> 01:58:17,400 Speaker 1: She got the house in Midtown with the pool and 1722 01:58:17,440 --> 01:58:20,160 Speaker 1: the basement and all we'd be doing it up. So 1723 01:58:20,360 --> 01:58:23,080 Speaker 1: now he comes home now, Faith, like I got you 1724 01:58:23,200 --> 01:58:26,680 Speaker 1: to deal with with with Columbia, just chill is me 1725 01:58:27,040 --> 01:58:30,560 Speaker 1: and um and uh my man big l Man big 1726 01:58:30,760 --> 01:58:33,320 Speaker 1: l at the same time we roll dog in. So 1727 01:58:33,360 --> 01:58:35,040 Speaker 1: I'm like, alright, Ben, She's like, I'm gonna get you 1728 01:58:35,120 --> 01:58:37,320 Speaker 1: a big Al tight so man, Big Hel like yeah, 1729 01:58:37,360 --> 01:58:41,400 Speaker 1: we god big so. So now we're like, yeah we 1730 01:58:42,200 --> 01:58:44,800 Speaker 1: get nigga. So me and big Al like we roll 1731 01:58:44,880 --> 01:58:47,000 Speaker 1: and we rolled dogs. We're like, yo, nigga, we we 1732 01:58:47,120 --> 01:58:49,160 Speaker 1: got a faith Norman got us and we're fucking with 1733 01:58:49,280 --> 01:59:01,840 Speaker 1: butt naked tin dog. This is not to the town 1734 01:59:06,520 --> 01:59:13,600 Speaker 1: to come on this butt naked tend to funk with 1735 01:59:13,720 --> 01:59:16,720 Speaker 1: Joe to see and last boys ain't got them. That 1736 01:59:16,840 --> 01:59:18,880 Speaker 1: what they said, y'all suiting them, you know what I mean. 1737 01:59:19,280 --> 01:59:21,680 Speaker 1: So now they're like, oh, ship, they like my ship, right, 1738 01:59:22,120 --> 01:59:25,160 Speaker 1: So I do a song called get the Cream, so 1739 01:59:25,320 --> 01:59:29,120 Speaker 1: it's get the Cream. It's only right. So now they're like, 1740 01:59:29,280 --> 01:59:34,880 Speaker 1: we got ahead, my dumbass. I let Elias Harry that 1741 01:59:35,000 --> 01:59:38,080 Speaker 1: funk with nice from my projects. He gives it d 1742 01:59:38,080 --> 01:59:45,800 Speaker 1: Hazy Hazy makes shoot ship. I'm like, because I want 1743 01:59:45,800 --> 01:59:48,280 Speaker 1: to shoot at the time, still thing like he's not 1744 01:59:48,400 --> 01:59:51,720 Speaker 1: a rapper, he's a shooter. So now we're going to studio. 1745 01:59:52,400 --> 01:59:54,280 Speaker 1: So now we're going to the studio. So we're like, 1746 01:59:54,320 --> 01:59:56,760 Speaker 1: we're gonna come up with another record. Like so I'm 1747 01:59:56,800 --> 01:59:59,040 Speaker 1: like a fucking whatever, make a long story short. This 1748 01:59:59,240 --> 02:00:03,600 Speaker 1: navy comes home. So now I'm telling trash like, you're 1749 02:00:03,640 --> 02:00:06,160 Speaker 1: fucking my man is home. But mind you, we're out 1750 02:00:06,200 --> 02:00:09,280 Speaker 1: on the lamp ship. We're just in the studio. He 1751 02:00:09,440 --> 02:00:13,120 Speaker 1: comes to my session. We're in my session, and I'm 1752 02:00:13,600 --> 02:00:15,560 Speaker 1: he's like, yo, you know, I get busy, right, I'm 1753 02:00:15,600 --> 02:00:18,520 Speaker 1: like what He's like, I let it. Let's go rocket there. 1754 02:00:18,680 --> 02:00:22,400 Speaker 1: That's my brother. That's what we let me go around. 1755 02:00:22,600 --> 02:00:24,520 Speaker 1: Were never around together, but I skipped the point. I 1756 02:00:24,560 --> 02:00:27,560 Speaker 1: took the same together. I took him shopping for the 1757 02:00:27,640 --> 02:00:30,160 Speaker 1: man time to n't figure ship. Definitely don't remember that part. 1758 02:00:32,600 --> 02:00:36,800 Speaker 1: You know, you gotta stand up. That's when niggas got 1759 02:00:36,960 --> 02:00:40,200 Speaker 1: droned and niggas got thrown in the pool when you 1760 02:00:40,400 --> 02:00:44,800 Speaker 1: was he shodow when he came through the house that 1761 02:00:44,960 --> 02:00:48,120 Speaker 1: you was in together. Yeah yeah, yeah. So I'm look, look, 1762 02:00:48,200 --> 02:00:52,320 Speaker 1: look I'm going back. So now, so we're in the studio, 1763 02:00:52,920 --> 02:00:55,480 Speaker 1: so now I'm like, fucking, let's do so together. This 1764 02:00:55,720 --> 02:00:58,720 Speaker 1: was our first song, Pandama Canal My team puts keystro 1765 02:00:58,840 --> 02:01:03,720 Speaker 1: Padama pussing out, Pistol Simp Chris Stas. That's why Jaden 1766 02:01:03,880 --> 02:01:07,440 Speaker 1: Jade with Jade s has that record. I don't even 1767 02:01:07,480 --> 02:01:10,240 Speaker 1: know how you got that. I don't even know. Jada 1768 02:01:10,320 --> 02:01:12,560 Speaker 1: stepped us like my team puss keys through them. I'm 1769 02:01:12,600 --> 02:01:27,760 Speaker 1: like that America, we're gonna skip, We're gonna skip over. 1770 02:01:28,320 --> 02:01:30,840 Speaker 1: So now trays like yo yah. Nickas is like like 1771 02:01:31,360 --> 02:01:34,480 Speaker 1: like brought and toast your night and day. So we're 1772 02:01:34,480 --> 02:01:36,800 Speaker 1: like we're gonna do it together. And then from there 1773 02:01:37,360 --> 02:01:43,920 Speaker 1: we signed our Solder the Devil. You did trash and 1774 02:01:44,040 --> 02:01:51,680 Speaker 1: then we didn't stretch. Stretch, I'm strong made us. L 1775 02:01:51,720 --> 02:01:57,560 Speaker 1: A l A don't want to use it. She stretch. 1776 02:01:58,360 --> 02:02:01,280 Speaker 1: We're doing ourselves. He went to his father and got 1777 02:02:01,360 --> 02:02:04,760 Speaker 1: twenty thousand dollars, shot the video and put the record 1778 02:02:04,800 --> 02:02:10,360 Speaker 1: out of itself and you know what, his father. But 1779 02:02:10,520 --> 02:02:13,560 Speaker 1: that's what made us and traged. We got to deal 1780 02:02:13,840 --> 02:02:23,120 Speaker 1: and tried to go off for the party. You say that, 1781 02:02:23,640 --> 02:02:30,120 Speaker 1: say that L l A came out. Cash was mad 1782 02:02:30,240 --> 02:02:32,240 Speaker 1: at me. I was on hot at the time. It 1783 02:02:32,440 --> 02:02:34,840 Speaker 1: was like, yo, you know what I'm saying. Yo, the 1784 02:02:34,960 --> 02:02:36,720 Speaker 1: Knicks had to pay you on to the table or something. 1785 02:02:37,080 --> 02:02:39,560 Speaker 1: I'm like, no, this is a good record. Yeah, this 1786 02:02:39,720 --> 02:02:41,640 Speaker 1: was a good record. And that's one thing I will say, like, 1787 02:02:42,120 --> 02:02:44,080 Speaker 1: because he was playing it, they thought, yeah, because I 1788 02:02:44,120 --> 02:02:46,320 Speaker 1: was playing a lot. I think the first time I 1789 02:02:46,400 --> 02:02:48,600 Speaker 1: got I played it twice on the show New York 1790 02:02:48,680 --> 02:02:56,440 Speaker 1: was being played. But yeah, I took I took New York, 1791 02:02:56,520 --> 02:02:58,880 Speaker 1: New York off. And that's what I'm playing in L 1792 02:02:58,920 --> 02:03:02,160 Speaker 1: A l A because I'm New York and you know 1793 02:03:02,760 --> 02:03:05,120 Speaker 1: one thing about me, like I represent I represent New York. 1794 02:03:05,120 --> 02:03:07,800 Speaker 1: You know, I don't have nothing against nobody, but you didn't. 1795 02:03:07,840 --> 02:03:12,440 Speaker 1: It was at the time, West coast. It was quietly. 1796 02:03:12,440 --> 02:03:15,160 Speaker 1: It was East coast, West coast people. It was just 1797 02:03:15,320 --> 02:03:18,240 Speaker 1: you know, it wasn't really just enough when we didn't Yeah, 1798 02:03:18,360 --> 02:03:20,960 Speaker 1: we can't tell or didn't know, so we just see that. 1799 02:03:21,680 --> 02:03:27,920 Speaker 1: Remember that. Absolutely, That's that's what it was. That's the 1800 02:03:28,080 --> 02:03:31,720 Speaker 1: only reason why Prodigy took its first off. Yeah, if 1801 02:03:31,720 --> 02:03:40,040 Speaker 1: you don't, I'm not dissing nobody. When you said, n 1802 02:03:40,200 --> 02:03:46,040 Speaker 1: y C you want to birth Supremecy so seen to 1803 02:03:46,120 --> 02:03:50,600 Speaker 1: be mega, I got word back from Noria I left 1804 02:03:50,680 --> 02:03:57,400 Speaker 1: that I got. That's why didn't he take it? Verst 1805 02:03:57,920 --> 02:04:00,440 Speaker 1: that's the person nice playing I got. Let me know 1806 02:04:00,520 --> 02:04:02,480 Speaker 1: why I didn't take it verse off. Yeah, let me 1807 02:04:02,560 --> 02:04:12,840 Speaker 1: trying wait wait for a second, you go now, let 1808 02:04:12,920 --> 02:04:24,440 Speaker 1: me talking about Yeah, yeah, yeah, yeah, we're all chance. 1809 02:04:25,080 --> 02:04:30,080 Speaker 1: So what happened? All we got what are you drinking? 1810 02:04:33,640 --> 02:04:38,640 Speaker 1: So you happen was after every verse that we spc 1811 02:04:40,280 --> 02:04:43,360 Speaker 1: he was the only verse that actually felt like it 1812 02:04:43,400 --> 02:04:45,480 Speaker 1: went at l A. Now I was the only verse 1813 02:04:45,600 --> 02:04:47,600 Speaker 1: that actually went to l A. It didn't feel like 1814 02:04:47,680 --> 02:04:50,920 Speaker 1: it was. It was it was mixed down to set 1815 02:04:51,000 --> 02:04:56,120 Speaker 1: the party. You l a story. We dinna take it, 1816 02:04:57,680 --> 02:05:09,440 Speaker 1: no guy. So last we said, we don't know. If 1817 02:05:09,480 --> 02:05:13,800 Speaker 1: they don't tell me, that's just respawn and let's just 1818 02:05:13,880 --> 02:05:18,200 Speaker 1: see what happens. You just keep them doing. This is 1819 02:05:18,360 --> 02:05:23,320 Speaker 1: before the buildings done that. The builders came after we 1820 02:05:23,520 --> 02:05:29,880 Speaker 1: drove the record. Hey man, they keep They kicked the 1821 02:05:30,080 --> 02:05:35,360 Speaker 1: builders over to be man's actually skipping over two weeks, 1822 02:05:38,240 --> 02:05:41,800 Speaker 1: skipping over two weeks. It was different. What happened was 1823 02:05:42,520 --> 02:05:50,280 Speaker 1: they did they too actually were lying hold hold on, 1824 02:05:50,440 --> 02:05:57,160 Speaker 1: hold on wait wait wait wat laying wait wait wait 1825 02:05:57,200 --> 02:06:01,000 Speaker 1: a minute, wait wait wait wait a minute, wait wait 1826 02:06:01,360 --> 02:06:05,040 Speaker 1: wait wait wait he said Smith and wasn't is on 1827 02:06:05,120 --> 02:06:11,640 Speaker 1: a New Center CNN album. Absolutely, here's what happened. When 1828 02:06:11,680 --> 02:06:15,000 Speaker 1: I say me lying, I mean this not lying though, 1829 02:06:15,120 --> 02:06:23,560 Speaker 1: no were lying lying. There was a something called the 1830 02:06:23,720 --> 02:06:28,240 Speaker 1: DJ list Biggs back in the days used to be 1831 02:06:28,360 --> 02:06:31,160 Speaker 1: on a DJ list and your album will come out 1832 02:06:31,280 --> 02:06:36,320 Speaker 1: two months in advance, absolutely, and depending on what DJ 1833 02:06:36,560 --> 02:06:40,360 Speaker 1: you fucked with, you would send the DJ this album 1834 02:06:41,120 --> 02:06:45,640 Speaker 1: too months prior to it coming out. The Door Pound 1835 02:06:45,800 --> 02:06:49,680 Speaker 1: dropped the album two months prior. I had a dude 1836 02:06:49,840 --> 02:06:51,680 Speaker 1: us from my hood. His name is Chas. I will 1837 02:06:51,720 --> 02:06:57,400 Speaker 1: never forget him. I love you, Chad Sex with don't 1838 02:06:57,440 --> 02:07:02,880 Speaker 1: got glass. He just wis, but you don't the Chass 1839 02:07:03,360 --> 02:07:05,800 Speaker 1: and Chazz came but to me and said yo, and 1840 02:07:05,880 --> 02:07:08,400 Speaker 1: he had a Panasonic radio. It was forty dollar supple time. 1841 02:07:09,120 --> 02:07:10,800 Speaker 1: That was the black ship. You put on the game 1842 02:07:10,880 --> 02:07:13,640 Speaker 1: and Chass in front of section to right right coach 1843 02:07:13,640 --> 02:07:15,800 Speaker 1: streeper stop one left for city ship. Because I'm a 1844 02:07:15,960 --> 02:07:22,720 Speaker 1: left right nigger to die che come on, so hold on, 1845 02:07:22,920 --> 02:07:25,000 Speaker 1: let me finish to Chats put the ship in the 1846 02:07:25,080 --> 02:07:28,240 Speaker 1: front of the joint and said Chat said your nas, 1847 02:07:29,840 --> 02:07:38,840 Speaker 1: But Chat was the dust had all right? It was 1848 02:07:39,080 --> 02:07:44,040 Speaker 1: this one. Why why do you think I'm trying to 1849 02:07:44,080 --> 02:07:51,000 Speaker 1: be funny? Chass from Section too for this one? Nigger? 1850 02:07:51,320 --> 02:07:54,560 Speaker 1: So Chass, you talk to me, just wait, wait, wait wait. 1851 02:07:56,640 --> 02:08:00,600 Speaker 1: I had to do it, bro. It was didn't belong 1852 02:08:02,960 --> 02:08:05,560 Speaker 1: some I need one of those in my career. So 1853 02:08:05,600 --> 02:08:12,600 Speaker 1: as you talk the jazz jazz, I'm listening to ya. Listen, 1854 02:08:14,680 --> 02:08:18,800 Speaker 1: I'm listening to Jass to say to me, Chad is 1855 02:08:18,840 --> 02:08:22,080 Speaker 1: written to me. God damn it. Whoever these people are, 1856 02:08:22,240 --> 02:08:26,920 Speaker 1: they gotta go. So now this time Chadd says, Yo, 1857 02:08:28,520 --> 02:08:32,800 Speaker 1: did you hear the new dog Pound? Right? Chasses never 1858 02:08:32,880 --> 02:08:35,280 Speaker 1: took spoke to me about music before in his life. 1859 02:08:36,760 --> 02:08:38,880 Speaker 1: He always talked to me about other ships. He talked 1860 02:08:38,920 --> 02:08:43,160 Speaker 1: to me about sea saws. You know, I should take 1861 02:08:43,240 --> 02:08:56,840 Speaker 1: mescaline friends, I should take ship like that. Yo, I'm looking. 1862 02:08:57,040 --> 02:09:00,760 Speaker 1: I got you stay over my phone, so got you 1863 02:09:02,800 --> 02:09:13,840 Speaker 1: for from Japan. So I did that. I did. I 1864 02:09:13,880 --> 02:09:17,920 Speaker 1: started the brother, I said when Chads came back, because 1865 02:09:18,000 --> 02:09:21,360 Speaker 1: Chad was crazy the Chads one street and they came back. 1866 02:09:21,440 --> 02:09:25,560 Speaker 1: He said, I think them niggas is killing us. It's 1867 02:09:25,840 --> 02:09:28,440 Speaker 1: for the video or nothing. That that's the record. So 1868 02:09:28,520 --> 02:09:32,160 Speaker 1: I was like ship, but now mind you stretch all 1869 02:09:32,240 --> 02:09:34,440 Speaker 1: strong text, all of us. It's not a text and 1870 02:09:34,520 --> 02:09:39,560 Speaker 1: it is a two way correct, so we all mind you. 1871 02:09:40,320 --> 02:09:44,400 Speaker 1: Just I had just did what about I don't want 1872 02:09:44,440 --> 02:09:46,000 Speaker 1: I don't want them. I don't want to claim it. 1873 02:09:46,560 --> 02:09:48,720 Speaker 1: So whatever I did the Queensbridge, I didn't want to 1874 02:09:48,760 --> 02:09:52,440 Speaker 1: go back to Queensbridge, so I went back because they 1875 02:09:52,480 --> 02:09:55,000 Speaker 1: told me to come, so I went back. Then we 1876 02:09:55,040 --> 02:09:59,480 Speaker 1: went to stretch off stronger. So we're stilling boy throwing 1877 02:09:59,520 --> 02:10:02,360 Speaker 1: stretched man. So we're staying there for two hours. We 1878 02:10:02,640 --> 02:10:06,200 Speaker 1: went through that. We don't know what to do, so 1879 02:10:06,320 --> 02:10:10,200 Speaker 1: I said, you pull up the dog pound now, and 1880 02:10:10,240 --> 02:10:15,040 Speaker 1: they say why and I say because mondayga chash from 1881 02:10:15,080 --> 02:10:20,560 Speaker 1: section to the Panama building and I just Saidama, Panama 1882 02:10:22,080 --> 02:10:24,360 Speaker 1: had played me. He played me this record, and I 1883 02:10:24,920 --> 02:10:28,520 Speaker 1: distinguished it was just this or not. But when we inherited, 1884 02:10:29,760 --> 02:10:35,720 Speaker 1: everybody relax, who's that rob relaxed? So they said to me, 1885 02:10:36,440 --> 02:10:39,160 Speaker 1: are you sure it's at this? And we couldn't. I 1886 02:10:39,240 --> 02:10:42,720 Speaker 1: couldn't distinguish. It wasn't this coupone did this thing? Was 1887 02:10:42,920 --> 02:10:47,760 Speaker 1: this prodigy canting? Was this happy? This was this tragedy. 1888 02:10:48,160 --> 02:10:51,560 Speaker 1: It's five of us, right? Only you heard said that 1889 02:10:51,680 --> 02:10:54,680 Speaker 1: one hand? What's proud of you? What's prod of you? 1890 02:10:54,760 --> 02:11:01,920 Speaker 1: He said? Jfk on soon as soon the niggas kicked 1891 02:11:01,960 --> 02:11:05,080 Speaker 1: over the buildings and he told them was taking hold 1892 02:11:05,120 --> 02:11:11,440 Speaker 1: on shot in Brooklyn y'all shot a shot, shot up 1893 02:11:11,560 --> 02:11:20,160 Speaker 1: you bad guy. Your niggas left queens, the niggas from 1894 02:11:20,200 --> 02:11:27,680 Speaker 1: Brooklyn was like, bad guy, hold on, I'm I'm gonna 1895 02:11:27,680 --> 02:11:35,440 Speaker 1: pass it off to you. You know. So when when 1896 02:11:37,640 --> 02:11:42,160 Speaker 1: when Prodig said or anybody says, we sent them niggas 1897 02:11:42,320 --> 02:11:45,760 Speaker 1: versus and we didn't want to deal do business with 1898 02:11:45,920 --> 02:11:53,920 Speaker 1: them and anybody person they're lives. Because no, it's true. 1899 02:11:54,800 --> 02:11:57,160 Speaker 1: I'm not saying that, my brother. I'm saying that yours 1900 02:11:57,280 --> 02:12:01,080 Speaker 1: my brothers here. But I'm putting this great better. But 1901 02:12:01,440 --> 02:12:06,320 Speaker 1: but I got you. But come on, come on, he says, 1902 02:12:06,760 --> 02:12:11,760 Speaker 1: people said something that's said equipment to we sent them 1903 02:12:11,800 --> 02:12:16,040 Speaker 1: their versus. Hell, that is a lie. First off, we 1904 02:12:16,160 --> 02:12:20,240 Speaker 1: wanted to kill him when he took the pot verse off, 1905 02:12:20,920 --> 02:12:24,920 Speaker 1: but all of us so back because the only person 1906 02:12:25,040 --> 02:12:29,480 Speaker 1: pocket with this was him. This is all brother right here. 1907 02:12:30,000 --> 02:12:33,120 Speaker 1: We never we never did that. The whole ship was manipulated. 1908 02:12:35,640 --> 02:12:38,600 Speaker 1: What's your part? Like you? Because he definitely don't make sense, 1909 02:12:38,640 --> 02:12:43,080 Speaker 1: but I like, what what what are you telling about? 1910 02:12:43,160 --> 02:12:45,880 Speaker 1: Was manipulated the whole track. Look, look, the whole track 1911 02:12:46,000 --> 02:12:50,480 Speaker 1: is manipulate. We didn't get what was supposed to happen 1912 02:12:53,640 --> 02:12:57,480 Speaker 1: at your reality. We got the original, no way. He 1913 02:12:57,640 --> 02:13:06,400 Speaker 1: explained that some versions out there we got I got, 1914 02:13:09,080 --> 02:13:16,800 Speaker 1: I got the one talking about this yo. I FaceTime 1915 02:13:16,840 --> 02:13:19,200 Speaker 1: Glory last week about it and he looked at the 1916 02:13:19,400 --> 02:13:21,960 Speaker 1: screen and turned around and I didn't hear from them again. 1917 02:13:22,000 --> 02:13:26,480 Speaker 1: But anyway, listening this one with the dog poumpy, which 1918 02:13:26,560 --> 02:13:31,880 Speaker 1: is the lit y'all remade the dog pump because clear 1919 02:13:32,120 --> 02:13:40,000 Speaker 1: I got that. There is a Molly I second one. 1920 02:13:41,160 --> 02:13:43,760 Speaker 1: I'm not. I'm not talking about three versions of the beat. 1921 02:13:43,800 --> 02:13:51,960 Speaker 1: What we're talking about, no less bring it up versions 1922 02:13:52,400 --> 02:13:57,520 Speaker 1: one because came out on one because Prodigy was the 1923 02:13:57,600 --> 02:14:00,680 Speaker 1: only one took his verse all and guess what it was, 1924 02:14:01,440 --> 02:14:05,440 Speaker 1: pooto right, because he knows not it was. It was 1925 02:14:05,560 --> 02:14:07,720 Speaker 1: the only one that Park went that. If you think 1926 02:14:07,720 --> 02:14:10,480 Speaker 1: about it, Park never said he didn't want that sho 1927 02:14:10,800 --> 02:14:14,200 Speaker 1: he was when that shot back Google and you know 1928 02:14:14,560 --> 02:14:19,240 Speaker 1: we don't close that door. You know when Google box 1929 02:14:19,280 --> 02:14:23,880 Speaker 1: said fuck bone or no yet never remember it doesn't exist, 1930 02:14:23,880 --> 02:14:25,720 Speaker 1: and then think about it. Even if he wanted to 1931 02:14:25,800 --> 02:14:29,240 Speaker 1: say us, he said, mom did and a mother niggas. 1932 02:14:30,880 --> 02:14:33,160 Speaker 1: I think your fist you could have been another niggas, 1933 02:14:33,520 --> 02:14:37,440 Speaker 1: But so what you say that's time. I'm gonna say 1934 02:14:37,480 --> 02:14:39,520 Speaker 1: this and I'm out. I'm not. I'm a chill right here. 1935 02:14:39,520 --> 02:14:43,040 Speaker 1: But yo, Vibe Magazine did that whole ship bro East 1936 02:14:43,360 --> 02:14:50,640 Speaker 1: West Coast. They created that. No, that would never never happened. 1937 02:14:50,720 --> 02:14:52,720 Speaker 1: Let me tell you something, let me tell you something 1938 02:14:52,800 --> 02:14:57,760 Speaker 1: that was. That's that's what a Vibe magazine like. So 1939 02:14:58,000 --> 02:15:02,120 Speaker 1: ruin Ever though it was a get him and they killed. 1940 02:15:02,440 --> 02:15:05,080 Speaker 1: That was the fall of Vibe Magazine as a print 1941 02:15:05,280 --> 02:15:08,720 Speaker 1: because you gotta you gotta realize right when you that 1942 02:15:08,960 --> 02:15:13,880 Speaker 1: right now, that ship brought federal investigations. That ship brought indictments. 1943 02:15:13,960 --> 02:15:21,920 Speaker 1: That ship brother cool whatever cure. That's Coachurabo. That dumb 1944 02:15:23,320 --> 02:15:25,960 Speaker 1: they go and died with that dumb YEA magazine never 1945 02:15:26,000 --> 02:15:30,200 Speaker 1: been to say he has a new he's gone pretty much. 1946 02:15:30,240 --> 02:15:40,560 Speaker 1: You're gonna got leave to that. He've been drinking, tagging 1947 02:15:40,640 --> 02:15:55,120 Speaker 1: bony time drew. It's a bunch of mount like mushrooms. 1948 02:15:55,160 --> 02:15:57,480 Speaker 1: If you have a good like a bunch of black 1949 02:15:57,600 --> 02:16:04,480 Speaker 1: man speak big drinking. Let him say right there, you 1950 02:16:04,720 --> 02:16:09,520 Speaker 1: know what I'm seeing? You are you shot? He cannot 1951 02:16:09,600 --> 02:16:12,800 Speaker 1: make a chance. Seat with static, you better not she 1952 02:16:13,080 --> 02:16:20,480 Speaker 1: with statics, really static, hold on static you better not. 1953 02:16:20,600 --> 02:16:26,480 Speaker 1: She seat with him. The fun is going to when 1954 02:16:26,560 --> 02:16:28,600 Speaker 1: he none to hold on, hold up, hold up too, 1955 02:16:28,760 --> 02:16:32,000 Speaker 1: He was not hold up once ever really come back swimming. 1956 02:16:32,200 --> 02:16:35,400 Speaker 1: Were going back to dat chap right now listen, you'll 1957 02:16:35,480 --> 02:16:41,880 Speaker 1: see any holy fun boys. So girl, he's all the 1958 02:16:41,959 --> 02:16:46,879 Speaker 1: flying player to the brother that he really can do whatever. 1959 02:16:46,920 --> 02:16:53,800 Speaker 1: My brother now please rely right now. Please, That's what friends, 1960 02:16:53,840 --> 02:17:02,840 Speaker 1: that's what happened. To come down, give me my brothers, 1961 02:17:02,920 --> 02:17:07,160 Speaker 1: my brothers, my brothers. He said, I'm yeah, I'm gonna 1962 02:17:07,160 --> 02:17:11,960 Speaker 1: have your person. Let me live, let me live, mother, 1963 02:17:12,840 --> 02:17:18,640 Speaker 1: my mother. Y'all were the last dudes that hung out 1964 02:17:18,680 --> 02:17:23,160 Speaker 1: with Park. Yes, tell us that like like the like 1965 02:17:23,360 --> 02:17:33,360 Speaker 1: recording as we're recording, brother, what do the microphone when 1966 02:17:33,440 --> 02:17:49,560 Speaker 1: you add your thousand microphone? Was my bast sham question, 1967 02:17:49,640 --> 02:17:54,680 Speaker 1: asked the boy to question. Yeah, I don't be a 1968 02:17:55,400 --> 02:17:58,640 Speaker 1: ducan and I am dunking the view right now. There 1969 02:17:58,720 --> 02:18:02,680 Speaker 1: you go, my brother. You know, I wish we had 1970 02:18:02,720 --> 02:18:04,960 Speaker 1: stuff like this back when album Listen to me and 1971 02:18:05,000 --> 02:18:10,400 Speaker 1: listen to me, everybody. If you've ever been at collecting, pull, 1972 02:18:10,959 --> 02:18:14,680 Speaker 1: let you stop. It looks pretty much like this. Stop 1973 02:18:15,720 --> 02:18:24,879 Speaker 1: like that. I'm not dogs like without Cuban being with Cuban. 1974 02:18:27,720 --> 02:18:31,080 Speaker 1: Let him go, he's Cuban beat What rock you just say? 1975 02:18:31,120 --> 02:18:36,000 Speaker 1: Oh he's cute, yo show he was on my album. 1976 02:18:36,120 --> 02:18:44,040 Speaker 1: Brother Pea, you gotta have thank you if you don't 1977 02:18:44,040 --> 02:18:47,400 Speaker 1: trust in God trusting everything? No, guy, what the fun 1978 02:18:47,480 --> 02:18:53,400 Speaker 1: you think? That's it? Just done? Draped the stuff? I'm 1979 02:18:54,120 --> 02:18:59,800 Speaker 1: watch price? No, No, we're talking about pop. Yes, Puck 1980 02:18:59,879 --> 02:19:05,640 Speaker 1: was mom? Thank you capone? Now you want mother fun? 1981 02:19:05,800 --> 02:19:13,040 Speaker 1: Jump off? Listen, real talk, real talk, not something I 1982 02:19:13,120 --> 02:19:18,640 Speaker 1: can fun with you? Real talk. One thing. Y'all were 1983 02:19:18,720 --> 02:19:20,880 Speaker 1: the last one of the last people to fun you 1984 02:19:21,000 --> 02:19:26,840 Speaker 1: with park. You can y'all stop with me? You too, 1985 02:19:27,120 --> 02:19:30,480 Speaker 1: I'm gonna sunk with you. Hey, Buddy ro dumb buddy 1986 02:19:30,560 --> 02:19:37,160 Speaker 1: bro calling Buddy Rodn't crazy with chi? Get right at you? 1987 02:19:37,320 --> 02:19:39,400 Speaker 1: Oh my god, mother for with me here with me? 1988 02:19:39,640 --> 02:19:42,840 Speaker 1: I'm just asking, hey, with me, dare you didn't have 1989 02:19:42,959 --> 02:19:47,400 Speaker 1: to do that one brother? Let's how you have the same. 1990 02:19:48,959 --> 02:19:59,880 Speaker 1: I'm just that's why you as you were. I'm sorry. 1991 02:20:06,240 --> 02:20:09,600 Speaker 1: You know man, that here doesn't help me. Man, really, 1992 02:20:09,800 --> 02:20:12,200 Speaker 1: but you can't. I know, I know, I know I 1993 02:20:12,280 --> 02:20:19,160 Speaker 1: know what I know. You Please respect us now? You 1994 02:20:19,240 --> 02:20:22,800 Speaker 1: want me to respect absolutely absolutely. I want your inspect 1995 02:20:23,800 --> 02:20:26,200 Speaker 1: Let's go, Let's go, let's go, let's go. We're talking 1996 02:20:26,200 --> 02:20:28,560 Speaker 1: about Park right now, Park and y know it, let's 1997 02:20:28,600 --> 02:20:31,440 Speaker 1: do it some about the relationship with Park and y'all 1998 02:20:33,240 --> 02:20:39,760 Speaker 1: see foods because what I mean for me, I don't. 1999 02:20:39,959 --> 02:20:42,440 Speaker 1: For me, I don't, I'm not when it comes to 2000 02:20:42,640 --> 02:20:44,520 Speaker 1: y'all will see a lot of slap. When it comes 2001 02:20:44,560 --> 02:20:48,640 Speaker 1: to interviews. I mean, I don't know. You don't check 2002 02:20:48,840 --> 02:20:52,039 Speaker 1: because y'all will see a lot of slab. Check check. 2003 02:20:52,160 --> 02:20:53,959 Speaker 1: Let me just say this, y'all will see a lot 2004 02:20:54,000 --> 02:21:01,680 Speaker 1: of slack. At one point, I said, buck, everybody, many 2005 02:21:01,720 --> 02:21:14,640 Speaker 1: police over what they're asking for? Yeah, call me, yes, 2006 02:21:15,600 --> 02:21:18,959 Speaker 1: two hours, bro, he said, call me in an hour. 2007 02:21:20,640 --> 02:21:23,720 Speaker 1: So y'all, yeah, hold on, you guys will see the 2008 02:21:23,840 --> 02:21:31,360 Speaker 1: lot of slap. Once pot what happened? Let me let me, 2009 02:21:31,400 --> 02:21:34,720 Speaker 1: let me describe the situation. Fox shooting on the East coast. 2010 02:21:35,120 --> 02:21:38,560 Speaker 1: Fox did it and the only people he claimed, what's you? Guys? 2011 02:21:39,080 --> 02:21:42,240 Speaker 1: He was like, swifts, my nigs. There must have been there, 2012 02:21:43,680 --> 02:21:46,920 Speaker 1: y'all done, but you know what happened? Explained that happened. 2013 02:21:47,000 --> 02:21:48,840 Speaker 1: That didn't know what happened was I don't know if 2014 02:21:48,879 --> 02:21:52,400 Speaker 1: they caught. What we were just talking about in the 2015 02:21:52,520 --> 02:21:56,119 Speaker 1: midst of the rock is but the Let's Play magazine 2016 02:21:56,160 --> 02:22:01,280 Speaker 1: and everything will happen because when we first got like 2017 02:22:01,720 --> 02:22:06,240 Speaker 1: you got Smith and Weston, we was We was not 2018 02:22:06,480 --> 02:22:10,760 Speaker 1: discredited in Black Moon or Ill, but we Smith and Weston. 2019 02:22:10,840 --> 02:22:14,560 Speaker 1: We was all street niggas were on streeting like I'm 2020 02:22:14,640 --> 02:22:16,680 Speaker 1: coming from the style, like I bring my motor bike 2021 02:22:16,800 --> 02:22:18,720 Speaker 1: up to the this one we was just killing ben 2022 02:22:19,200 --> 02:22:21,920 Speaker 1: four Green niggas was this was this one I was. 2023 02:22:22,040 --> 02:22:26,160 Speaker 1: I was in in four Green with resting ju Ju 2024 02:22:26,280 --> 02:22:34,200 Speaker 1: and niggas. This is I was trying. Yeah, I'm just 2025 02:22:34,320 --> 02:22:38,720 Speaker 1: saying I was a younger who got the glocks when 2026 02:22:38,840 --> 02:22:51,720 Speaker 1: we came on, it was it was for me. For 2027 02:22:51,879 --> 02:22:54,680 Speaker 1: me coming from the stock, I can't I live in 2028 02:22:54,720 --> 02:22:58,560 Speaker 1: a brown Stone. On my brown stone, my family has 2029 02:22:58,640 --> 02:23:01,960 Speaker 1: generations in the Brownston. So coming from the stole to 2030 02:23:02,080 --> 02:23:05,960 Speaker 1: the veil, going to the projects, you always gotta be 2031 02:23:06,080 --> 02:23:08,760 Speaker 1: gripped up. We're coming from We're coming from. I'm coming 2032 02:23:08,800 --> 02:23:12,160 Speaker 1: from a tree line block. If I'm on a motorbike 2033 02:23:12,320 --> 02:23:14,520 Speaker 1: or a pedal bike, I'm coming up the hill to 2034 02:23:14,600 --> 02:23:16,920 Speaker 1: see my brother Big up the shot Town Chicago, coming 2035 02:23:16,959 --> 02:23:21,560 Speaker 1: to see mountain. We got killer better in this over here. 2036 02:23:21,879 --> 02:23:25,640 Speaker 1: We're coming and I'm coming. Were like, son, what's happening? 2037 02:23:25,840 --> 02:23:28,600 Speaker 1: So when I get to the villa, it's like a 2038 02:23:28,760 --> 02:23:31,800 Speaker 1: change of weather coming because I'm leaving the stop. I'm 2039 02:23:31,840 --> 02:23:34,720 Speaker 1: trying to get from my hood to experience something different. 2040 02:23:34,920 --> 02:23:36,760 Speaker 1: So when I leave the stot and get to the building, 2041 02:23:36,800 --> 02:23:40,320 Speaker 1: it's like, oh, son, your man over it is. We 2042 02:23:40,440 --> 02:23:44,040 Speaker 1: got it's about to go crazy. We got everything. We 2043 02:23:44,120 --> 02:23:47,160 Speaker 1: got this building that it's only we got four builders 2044 02:23:47,160 --> 02:23:49,600 Speaker 1: and seth flow projects. You know what I'm saying. We 2045 02:23:49,680 --> 02:23:52,320 Speaker 1: got niggas in all the buildings. But when he come 2046 02:23:52,400 --> 02:23:54,800 Speaker 1: through as a best stock cat, they ain't ever seen 2047 02:23:54,840 --> 02:23:57,440 Speaker 1: the best stock cat. He got love, he got, well 2048 02:23:57,879 --> 02:23:59,960 Speaker 1: he's coming doing the dirt bikes with no himing or 2049 02:24:00,760 --> 02:24:03,240 Speaker 1: she got gets your ripped off and everything he coming 2050 02:24:03,240 --> 02:24:06,480 Speaker 1: to like like that's your man, Like yeah, how you 2051 02:24:06,640 --> 02:24:09,440 Speaker 1: know saying we like from up there hill, we like 2052 02:24:09,920 --> 02:24:12,760 Speaker 1: from up the hill, you know. But so we're proud 2053 02:24:13,879 --> 02:24:16,520 Speaker 1: talking about up the hill, down the hill. That's the same. No, no, 2054 02:24:17,080 --> 02:24:20,320 Speaker 1: because MP is from the ville. So they're talking about 2055 02:24:20,400 --> 02:24:24,880 Speaker 1: up the hill fill and downhill in the field. When 2056 02:24:24,959 --> 02:24:27,600 Speaker 1: I say down to him, I'm talking about cross Atlantic 2057 02:24:28,200 --> 02:24:32,760 Speaker 1: to the style like yeah you with fat school, we're 2058 02:24:32,800 --> 02:24:34,960 Speaker 1: talking about right now when y'all give us all that, 2059 02:24:35,200 --> 02:24:38,840 Speaker 1: but give us the park side. This the park side, Tupac. 2060 02:24:39,120 --> 02:24:47,880 Speaker 1: We that's what side. I'm like, tart side with a 2061 02:24:47,920 --> 02:24:53,760 Speaker 1: lot of people, A lot of people happened with a 2062 02:24:53,800 --> 02:24:57,920 Speaker 1: lot of people with a lot of people. Um they 2063 02:24:58,040 --> 02:25:01,320 Speaker 1: leave out in his tupoc. My animation is, um the 2064 02:25:01,440 --> 02:25:05,280 Speaker 1: outlaws Like outlaws is from Jersey. It's from Jersey. You 2065 02:25:05,320 --> 02:25:10,480 Speaker 1: know what I'm saying. Yeah, well we say that all 2066 02:25:10,520 --> 02:25:13,480 Speaker 1: of them is from Jersey, and we write and if 2067 02:25:13,520 --> 02:25:15,520 Speaker 1: you and if you ever if you're a New York 2068 02:25:16,040 --> 02:25:17,840 Speaker 1: you've ever been in New or if you ever been 2069 02:25:17,879 --> 02:25:21,120 Speaker 1: a trending you ever stepping them dirty swamps, you already 2070 02:25:21,200 --> 02:25:25,040 Speaker 1: know what it is. So where we you know what 2071 02:25:25,080 --> 02:25:27,160 Speaker 1: I mean? Like, dudes get money out there and you 2072 02:25:27,240 --> 02:25:29,040 Speaker 1: know you got you got family members out there, So 2073 02:25:30,080 --> 02:25:32,760 Speaker 1: I think they spawned the whole thing. And then you know, 2074 02:25:32,840 --> 02:25:36,080 Speaker 1: when Tech put that that real kite out two dudes, 2075 02:25:36,120 --> 02:25:38,879 Speaker 1: you know it was so real, Like I don't think 2076 02:25:39,160 --> 02:25:42,000 Speaker 1: motherfuckering understand what we talked about when you said that kite, 2077 02:25:42,400 --> 02:25:50,800 Speaker 1: When Pot got that letter from here, I think, because 2078 02:25:50,800 --> 02:25:52,800 Speaker 1: I think I think I'm the one that brought that 2079 02:25:52,920 --> 02:25:57,960 Speaker 1: kite up, like like like I'm the one that recognized 2080 02:25:58,040 --> 02:26:05,360 Speaker 1: like flip it, flip it trading yea dream chance logan. 2081 02:26:05,879 --> 02:26:09,600 Speaker 1: But listen, like that kite was so real like and 2082 02:26:09,680 --> 02:26:13,440 Speaker 1: it was like not too many motherfucker's sent kites to 2083 02:26:13,600 --> 02:26:18,320 Speaker 1: pop and got responses back from Pock and for y'all 2084 02:26:19,080 --> 02:26:22,920 Speaker 1: to be one of the few people who had correspondence 2085 02:26:22,959 --> 02:26:28,480 Speaker 1: with independ like that ship. What I want to know 2086 02:26:29,360 --> 02:26:31,520 Speaker 1: is when he came out and he was on his 2087 02:26:31,680 --> 02:26:36,039 Speaker 1: like street like funck, bad Boy, funck, this nigga funk 2088 02:26:36,080 --> 02:26:40,160 Speaker 1: that nigga ship. You didn't give me a chance come 2089 02:26:40,200 --> 02:26:49,120 Speaker 1: out there. Relax, Relax, Relax, Relax, relax, relax. When he 2090 02:26:49,320 --> 02:26:54,240 Speaker 1: came out, did he ever say y'all my brothers, y'all 2091 02:26:54,320 --> 02:26:58,560 Speaker 1: legs in nah so y'all. So when he when it 2092 02:26:58,680 --> 02:27:01,440 Speaker 1: was fun bad boy, he said bad boy and did 2093 02:27:01,480 --> 02:27:05,920 Speaker 1: a record with him at the same time, conversations whenever 2094 02:27:08,600 --> 02:27:17,520 Speaker 1: you're just you just ain't get between CNN right. This 2095 02:27:17,680 --> 02:27:24,240 Speaker 1: is what absolutely let me out of his face. At 2096 02:27:24,280 --> 02:27:27,960 Speaker 1: the same time when he said fuck New York. He 2097 02:27:28,200 --> 02:27:32,000 Speaker 1: actually had a record of Smith Voice. That's because it 2098 02:27:32,160 --> 02:27:35,440 Speaker 1: wasn't just a record that he was trying to do 2099 02:27:35,600 --> 02:27:40,240 Speaker 1: with Smith and West New York. It was an album 2100 02:27:40,520 --> 02:27:44,800 Speaker 1: that was in projects that it was a one nation project. 2101 02:27:45,520 --> 02:27:47,520 Speaker 1: It was a one nation project. It wasn't just as 2102 02:27:47,600 --> 02:27:55,039 Speaker 1: it was bug. It was it was Greg nice wait 2103 02:27:55,120 --> 02:27:59,240 Speaker 1: wait right, wait wait wait, question all that your kids 2104 02:28:00,080 --> 02:28:04,720 Speaker 1: wasn't got here. It was never screaming because we were 2105 02:28:06,959 --> 02:28:09,760 Speaker 1: We was in the crib at the height when it 2106 02:28:09,879 --> 02:28:12,320 Speaker 1: was supposed to be the East Coast West Coast battle 2107 02:28:12,600 --> 02:28:14,680 Speaker 1: like niggas would come up from death row and drop 2108 02:28:16,120 --> 02:28:19,640 Speaker 1: literally paper bag money on the tail and be like, yo, Sunset, 2109 02:28:19,800 --> 02:28:21,400 Speaker 1: meet him here, and meet him here, and meet him here. 2110 02:28:21,720 --> 02:28:23,840 Speaker 1: We get to the airport and probably be like, yo, 2111 02:28:23,920 --> 02:28:26,840 Speaker 1: we ain't all on the same plane. Ripped the tickets 2112 02:28:26,879 --> 02:28:28,600 Speaker 1: that get the funk out of here? Did he bop 2113 02:28:28,680 --> 02:28:32,120 Speaker 1: right out of the airport? We ain't going. So it 2114 02:28:32,280 --> 02:28:35,280 Speaker 1: was never a time where he felt like he was 2115 02:28:35,360 --> 02:28:38,200 Speaker 1: bigger than us or he was more than us, where 2116 02:28:38,200 --> 02:28:41,440 Speaker 1: he would leave us behind because we would we would 2117 02:28:41,480 --> 02:28:43,320 Speaker 1: pull up into a gas station in l A and 2118 02:28:43,400 --> 02:28:45,400 Speaker 1: everybody be shrouding, and it ain't just be like yo, 2119 02:28:45,440 --> 02:28:48,480 Speaker 1: what the fun what's happen? Why pulling that nigga could 2120 02:28:48,480 --> 02:28:50,600 Speaker 1: be in a coma sleep just coming off the set 2121 02:28:50,760 --> 02:28:54,480 Speaker 1: of two movies. Shoot as the van stopped, he waking up. 2122 02:28:54,520 --> 02:28:55,880 Speaker 1: You know what's happening? When we at where we at, 2123 02:28:56,720 --> 02:28:59,080 Speaker 1: like we're just coming to get gas and they could 2124 02:28:59,120 --> 02:29:01,920 Speaker 1: do a quick three extep bank bank bank, all right, yo, 2125 02:29:02,200 --> 02:29:05,400 Speaker 1: you know what, let's go. We can't stop here, But 2126 02:29:05,560 --> 02:29:10,160 Speaker 1: nobody understand why doesn'taken mentality is like that. But if 2127 02:29:10,160 --> 02:29:14,520 Speaker 1: you've been hit up five, six, seven, eight times and 2128 02:29:14,640 --> 02:29:17,440 Speaker 1: you automatically stopping it and they just saying, we just 2129 02:29:18,160 --> 02:29:21,280 Speaker 1: what I mean, we're getting gas? We don't get fucking yeah. 2130 02:29:21,560 --> 02:29:25,560 Speaker 1: We never stopped. Why we got Yeah, why all of 2131 02:29:25,600 --> 02:29:27,680 Speaker 1: a sudden we started to get gas? Supposed to get 2132 02:29:27,720 --> 02:29:30,440 Speaker 1: gas before you got so the mentality be different. But 2133 02:29:30,520 --> 02:29:32,840 Speaker 1: it was never when we was with Pop. It was 2134 02:29:33,000 --> 02:29:36,720 Speaker 1: never a fun New York for big the East Coast. 2135 02:29:36,959 --> 02:29:40,520 Speaker 1: It was never. But it was never during the time. 2136 02:29:41,240 --> 02:29:46,360 Speaker 1: There was like there was before I hit them all. 2137 02:29:47,080 --> 02:29:56,400 Speaker 1: It was actually a record where it was like uh no, no, 2138 02:29:56,959 --> 02:30:03,800 Speaker 1: that's no, yeah, that's prior to that, and it was 2139 02:30:04,360 --> 02:30:10,199 Speaker 1: it was a record uh uh you it was you guys, 2140 02:30:12,280 --> 02:30:14,280 Speaker 1: I think he was on it. Nah. Now it's like 2141 02:30:14,480 --> 02:30:19,160 Speaker 1: I couldn't have been a year with us because before 2142 02:30:19,400 --> 02:30:24,680 Speaker 1: before that we haven't even recorded with pop, right, but 2143 02:30:24,879 --> 02:30:29,880 Speaker 1: we only got it was red Man that record regular him. 2144 02:30:31,480 --> 02:30:33,800 Speaker 1: I got my mom made up made up. Yeah, we 2145 02:30:33,959 --> 02:30:39,880 Speaker 1: wasn't was it that was your record record? You know 2146 02:30:40,000 --> 02:30:43,160 Speaker 1: what the fucking crazy? What's the rumor is? I was 2147 02:30:43,240 --> 02:30:49,040 Speaker 1: on uh Hail Mary? That was me supposedly been doing 2148 02:30:49,080 --> 02:31:01,560 Speaker 1: the chorus on Hell Mary, No chill out. It would 2149 02:31:01,600 --> 02:31:05,039 Speaker 1: have been that. That was the room we was here 2150 02:31:06,400 --> 02:31:11,040 Speaker 1: be because music is so broad and the room was 2151 02:31:11,200 --> 02:31:13,160 Speaker 1: make a lot of the music and a lot of 2152 02:31:13,240 --> 02:31:19,320 Speaker 1: the artists, Like I remember when we first dropped, not 2153 02:31:19,520 --> 02:31:24,320 Speaker 1: to say it was a bunch of funny different people. 2154 02:31:24,360 --> 02:31:28,160 Speaker 1: Nigg has been getting robbed in the industry, but we 2155 02:31:28,240 --> 02:31:30,560 Speaker 1: didn't know about it because we wasn't in the industry. 2156 02:31:31,280 --> 02:31:33,600 Speaker 1: But when we got on the street, yeah we was 2157 02:31:33,760 --> 02:31:36,320 Speaker 1: robbing it. But when we got in the industry, I 2158 02:31:36,440 --> 02:31:39,119 Speaker 1: was able to go back, right when he was able 2159 02:31:39,160 --> 02:31:41,720 Speaker 1: to go back to the hood and tell niggas house 2160 02:31:42,280 --> 02:31:46,160 Speaker 1: other nig was and they was getting robbed, it was different. 2161 02:31:47,720 --> 02:31:51,800 Speaker 1: So when niggas was was was doing them type of records. 2162 02:31:52,560 --> 02:31:56,760 Speaker 1: He was like, no, that's not It wasn't understandable to 2163 02:31:57,400 --> 02:32:00,320 Speaker 1: to to the people outside, But we understood because we 2164 02:32:00,520 --> 02:32:03,040 Speaker 1: was the people that was making the records and bringing 2165 02:32:03,080 --> 02:32:07,360 Speaker 1: it back. Can I at your question, when when the 2166 02:32:07,400 --> 02:32:12,520 Speaker 1: whole absolutely when when when the whole Asian Jack and 2167 02:32:12,640 --> 02:32:15,119 Speaker 1: all that ship was going on, did you ever get 2168 02:32:15,200 --> 02:32:17,240 Speaker 1: caught up in the mixing? And then then we never 2169 02:32:17,320 --> 02:32:19,720 Speaker 1: got caught up in none of that. We never none 2170 02:32:19,760 --> 02:32:21,600 Speaker 1: of that. That was like, that was like real for 2171 02:32:21,760 --> 02:32:26,280 Speaker 1: Brooklyn because that was real for we are Brooklyn niggers. Yeah, yeah, 2172 02:32:26,360 --> 02:32:28,720 Speaker 1: that's right. I'm not gonna say the names that was there, 2173 02:32:28,800 --> 02:32:31,800 Speaker 1: but we we those were niggas that was over us. 2174 02:32:32,200 --> 02:32:35,640 Speaker 1: We came up. We came up and gang like Decepticons. Yeah, 2175 02:32:35,720 --> 02:32:39,000 Speaker 1: we came up, and I was we came up in 2176 02:32:39,080 --> 02:32:41,560 Speaker 1: niggas game popped in the stomach or popping niggas at 2177 02:32:41,600 --> 02:32:44,440 Speaker 1: fifty nine shoot train stations. See a nigger on the 2178 02:32:44,640 --> 02:32:46,720 Speaker 1: on the steps with a three fifty seven hole in 2179 02:32:46,760 --> 02:32:52,000 Speaker 1: the stomach even hard like a nigg can't breathe. And 2180 02:32:52,080 --> 02:32:54,880 Speaker 1: when a nigga said you your waves ain't better than mine, 2181 02:32:54,879 --> 02:32:56,560 Speaker 1: I got a touch of that in his mouth, just 2182 02:32:56,760 --> 02:32:58,440 Speaker 1: to prove to him. You know, I'm not a printing 2183 02:32:58,480 --> 02:33:02,400 Speaker 1: at all nigger Like my son was wrong. I wasn't 2184 02:33:02,400 --> 02:33:06,680 Speaker 1: at the rapper. He was the rapper. Anything that he did, 2185 02:33:06,840 --> 02:33:10,160 Speaker 1: I was riding with him. That's what Sun. You can't 2186 02:33:10,240 --> 02:33:12,840 Speaker 1: touch him, you can't do nothing to him. He was 2187 02:33:13,720 --> 02:33:17,680 Speaker 1: also he was also like a stunt guy. What the 2188 02:33:17,720 --> 02:33:21,959 Speaker 1: fun is that? YO? Do? Ship that nobody? I looked 2189 02:33:22,000 --> 02:33:30,720 Speaker 1: like my body matrix was built. Different matrix, different ship 2190 02:33:32,440 --> 02:33:34,840 Speaker 1: like I would for me, I would hide at the 2191 02:33:34,959 --> 02:33:43,560 Speaker 1: rolling cars and me like called like little brother, Yeah 2192 02:33:45,959 --> 02:33:49,440 Speaker 1: we're in the tournal guard to Jersey. Oh you that guy? 2193 02:33:49,480 --> 02:33:53,680 Speaker 1: All right? Not we I don't have about the car 2194 02:33:53,920 --> 02:33:59,800 Speaker 1: ros window shot like YO had a shot that times 2195 02:34:00,000 --> 02:34:05,080 Speaker 1: a movie to a not a video around shot. Look, 2196 02:34:05,360 --> 02:34:09,680 Speaker 1: let went through the PREJD. For me, I was how 2197 02:34:09,800 --> 02:34:13,520 Speaker 1: was the sea? That was a game? I was Look, 2198 02:34:13,560 --> 02:34:19,040 Speaker 1: look what our hero. Because we all grew up in 2199 02:34:19,080 --> 02:34:26,519 Speaker 1: the tunnel we were going. I would come through my wildness. 2200 02:34:28,400 --> 02:34:32,440 Speaker 1: I had some funny. Let me let me try make us, 2201 02:34:32,560 --> 02:34:34,880 Speaker 1: Let me let me just eNTRI Let me just tell 2202 02:34:34,959 --> 02:34:39,640 Speaker 1: you what run down for the tun of was just 2203 02:34:40,720 --> 02:34:43,960 Speaker 1: coming from Brooklyn to go to the tunnel. Every Sunday night. 2204 02:34:44,080 --> 02:34:46,480 Speaker 1: First of all, if you didn't leave with a bitch 2205 02:34:46,560 --> 02:34:48,959 Speaker 1: to fuck Sunday night, so it was wrong with you. Yeah, 2206 02:34:49,920 --> 02:34:53,760 Speaker 1: all right, So from Brooklyn, this is what we been doing. Boom, 2207 02:34:54,080 --> 02:34:57,480 Speaker 1: wake up, hit the gym, workout, boom, get a swollen boom, 2208 02:34:59,440 --> 02:35:03,560 Speaker 1: boom the gym. We go to the barbershop. Line fresh 2209 02:35:03,680 --> 02:35:09,680 Speaker 1: crisp from the barbershop. We're shooting uptown. One. I would 2210 02:35:09,720 --> 02:35:14,160 Speaker 1: seeing when we would see Moga Brassie selling T shirts 2211 02:35:14,320 --> 02:35:17,800 Speaker 1: and they can even buy a solo vascos, some Tim's 2212 02:35:18,080 --> 02:35:21,400 Speaker 1: or some Iceberg right into Iceberg, see my nigger. Yeah, 2213 02:35:21,400 --> 02:35:24,000 Speaker 1: what's up? So? Oh something? We got the new shoopy. 2214 02:35:24,560 --> 02:35:27,080 Speaker 1: Now I don't want to shop? Yeah, I don't want 2215 02:35:27,080 --> 02:35:31,640 Speaker 1: to Oh we got this boom? I right, match me up. 2216 02:35:32,640 --> 02:35:36,080 Speaker 1: We go, I get the outfit from one five. By 2217 02:35:36,120 --> 02:35:39,080 Speaker 1: the time we even getting nothing to chop up or 2218 02:35:39,160 --> 02:35:41,240 Speaker 1: do nothing. As long as we come out of the 2219 02:35:41,280 --> 02:35:47,920 Speaker 1: store from one police pulling the sofa, whoo whoop. As 2220 02:35:47,920 --> 02:35:50,520 Speaker 1: sure as we come out of one five police pulling 2221 02:35:50,560 --> 02:35:53,280 Speaker 1: us up. What y'all got? But we even got nothing. 2222 02:35:53,320 --> 02:35:56,680 Speaker 1: We weve in cotton. We came to get close. We 2223 02:35:56,800 --> 02:35:59,119 Speaker 1: came to get close. When the dome bags of haze 2224 02:35:59,320 --> 02:36:03,560 Speaker 1: was like that. Yeah, so I'm buying ten dim bags 2225 02:36:03,600 --> 02:36:05,680 Speaker 1: of hayes this when I was smoking, buying ten dimon 2226 02:36:05,720 --> 02:36:08,959 Speaker 1: bags of haye. Then we go into the other store 2227 02:36:08,959 --> 02:36:12,760 Speaker 1: in the corner on one five by another outfit from there, 2228 02:36:12,959 --> 02:36:15,800 Speaker 1: take it back to Brooklyn, start to see ole game 2229 02:36:15,879 --> 02:36:18,760 Speaker 1: went bout fifteen Hunting Park on the corner of Myrtle 2230 02:36:18,800 --> 02:36:21,960 Speaker 1: Win Clinton And then now we're going on seven eight 2231 02:36:22,040 --> 02:36:24,520 Speaker 1: to nine, ten o'clock. Get a bottle of handing some 2232 02:36:24,600 --> 02:36:26,520 Speaker 1: bottles and handing boom, boom boom. I think it's just 2233 02:36:26,640 --> 02:36:28,080 Speaker 1: coming out of the hood. Now you know what's up? 2234 02:36:28,080 --> 02:36:29,600 Speaker 1: What's up? You know what time of sunny is? Go 2235 02:36:29,680 --> 02:36:32,800 Speaker 1: to towne. Now we're rolling out four or five cards 2236 02:36:32,920 --> 02:36:35,400 Speaker 1: d to the tunnel. Then we get to the tunnel. 2237 02:36:35,720 --> 02:36:37,640 Speaker 1: As soon as we pull up board the Kabbo block, 2238 02:36:37,720 --> 02:36:40,320 Speaker 1: it's a line around the corner and it's like you 2239 02:36:40,400 --> 02:36:43,280 Speaker 1: know what, something pull up around this way. It used 2240 02:36:43,320 --> 02:36:45,760 Speaker 1: to be a partner lot. We had to go up 2241 02:36:45,800 --> 02:36:51,040 Speaker 1: the hill into the talk about I was driving the 2242 02:36:51,240 --> 02:36:53,680 Speaker 1: SC four hunt to put the pearl white up in 2243 02:36:53,760 --> 02:36:57,600 Speaker 1: their fat come back down. How many of you ways, 2244 02:36:57,600 --> 02:37:02,120 Speaker 1: it's only about fifteen, ten of us ten fifteen like yeah, 2245 02:37:02,240 --> 02:37:05,440 Speaker 1: ten fifteen of us the big game even Son, that 2246 02:37:05,600 --> 02:37:08,360 Speaker 1: dude you know my nigger with Son, that dude the 2247 02:37:08,440 --> 02:37:11,920 Speaker 1: dog training now the King Corsos or the big big 2248 02:37:12,040 --> 02:37:21,280 Speaker 1: dude of a father Alpha out there with the who 2249 02:37:21,400 --> 02:37:25,160 Speaker 1: you literally I'm likes ten of us, fifteen of us 2250 02:37:25,680 --> 02:37:30,080 Speaker 1: boom now my first best ship of the tunnel Alpha 2251 02:37:30,360 --> 02:37:36,360 Speaker 1: that I remember. I remember one day we was one 2252 02:37:36,440 --> 02:37:41,320 Speaker 1: night we was in the tunnel. Who the fund was performed? 2253 02:37:41,320 --> 02:37:45,119 Speaker 1: I'm not saying on I want to say was performing job. 2254 02:37:46,160 --> 02:37:49,440 Speaker 1: But John Rood was walking on the ball a little 2255 02:37:49,520 --> 02:37:52,560 Speaker 1: that was on the floor on the fleet, you know 2256 02:37:52,600 --> 02:37:56,000 Speaker 1: how the ball was set up. John was walking on 2257 02:37:56,160 --> 02:38:02,240 Speaker 1: the ball with no shirt on. Like it's just like, 2258 02:38:02,760 --> 02:38:07,960 Speaker 1: who the fuck? But this is what this was tune 2259 02:38:09,920 --> 02:38:11,680 Speaker 1: And then we were looking at a Bailly were like, 2260 02:38:11,840 --> 02:38:14,680 Speaker 1: damn you run up to the bathroom being being fund man. 2261 02:38:14,760 --> 02:38:20,560 Speaker 1: Women got assaulted in the tunnel and it was different. 2262 02:38:21,760 --> 02:38:24,720 Speaker 1: It was different, so little was ball. It was different 2263 02:38:24,879 --> 02:38:27,440 Speaker 1: and it would never be another spot like the tunnel. 2264 02:38:27,640 --> 02:38:30,560 Speaker 1: I don't even what city is in what it would 2265 02:38:30,640 --> 02:38:34,880 Speaker 1: never be another spot like the baby moms would beating 2266 02:38:34,920 --> 02:38:40,960 Speaker 1: that all I remember cast to get it popper before 2267 02:38:41,640 --> 02:38:47,879 Speaker 1: it comes just right now, your mom's had you let 2268 02:38:47,920 --> 02:38:51,880 Speaker 1: me take yourself. Don't at us at the tunnel. And 2269 02:38:51,879 --> 02:38:58,120 Speaker 1: I'm gonna say this lib on air. I'm sorry. I'm sorry, 2270 02:39:01,720 --> 02:39:06,039 Speaker 1: but this was like the time Tom or the tunnel 2271 02:39:07,440 --> 02:39:11,280 Speaker 1: and I had just uh it was a sauce of 2272 02:39:11,400 --> 02:39:15,560 Speaker 1: Wards CALLI and this is the saucer Wards who everybody 2273 02:39:15,600 --> 02:39:19,280 Speaker 1: got robbed and it wasn't sure that if you ain't 2274 02:39:19,440 --> 02:39:24,720 Speaker 1: used to the niggas I was after that. That was 2275 02:39:26,600 --> 02:39:34,960 Speaker 1: when I first came out worser. Okay, when I first 2276 02:39:35,000 --> 02:39:38,240 Speaker 1: got bust around on the floor, I was out that 2277 02:39:38,360 --> 02:39:46,520 Speaker 1: way when the speaking right, so please, I saw it. 2278 02:39:49,640 --> 02:39:57,320 Speaker 1: I saw exactly everything you guys said. And then moving 2279 02:39:57,400 --> 02:40:05,960 Speaker 1: on from there, when we moved on from there, I've 2280 02:40:06,000 --> 02:40:13,200 Speaker 1: never seen nothing on. All I saw was we were 2281 02:40:13,320 --> 02:40:21,600 Speaker 1: trying to add one. But that what those days. That 2282 02:40:22,000 --> 02:40:34,720 Speaker 1: that's pretty much it. Trying to try I was. I 2283 02:40:37,879 --> 02:40:43,879 Speaker 1: don't trying to I don't try to say. I was like, okay, 2284 02:40:44,040 --> 02:41:17,039 Speaker 1: I trying to do as a foot of fo