1 00:00:01,040 --> 00:00:04,640 Speaker 1: Hi, and it's Matt too. And this is a really 2 00:00:04,680 --> 00:00:07,280 Speaker 1: fun episode. We're about to get into it, but wanted 3 00:00:07,320 --> 00:00:09,920 Speaker 1: to just say up top, this is with Tyler Henry Hollywood. 4 00:00:09,480 --> 00:00:13,520 Speaker 2: Medium, and we had such a great time with him. 5 00:00:13,560 --> 00:00:16,520 Speaker 2: And part of the setup for the episode is that 6 00:00:16,600 --> 00:00:20,480 Speaker 2: he gave us a reading that was captured on audio 7 00:00:20,640 --> 00:00:24,159 Speaker 2: and video. So once the YouTube comes out, check that 8 00:00:24,239 --> 00:00:27,040 Speaker 2: out on video. But we're going to put that audio 9 00:00:27,120 --> 00:00:29,400 Speaker 2: portion at the beginning of this episode. 10 00:00:29,600 --> 00:00:31,680 Speaker 1: Yeah, and then we start the episode with Tyler. So 11 00:00:31,800 --> 00:00:34,959 Speaker 1: we walked in, we really didn't like say much to him. 12 00:00:35,000 --> 00:00:36,760 Speaker 1: We sat down, we started the reading. That's what we 13 00:00:36,760 --> 00:00:39,920 Speaker 1: were told to do. And here are our readings followed 14 00:00:39,960 --> 00:00:41,080 Speaker 1: by the episode with Tyler. 15 00:00:41,280 --> 00:00:44,080 Speaker 3: Enjoy Now, the less I know, the better generally going 16 00:00:44,080 --> 00:00:45,920 Speaker 3: into all of these things because I never want to 17 00:00:45,920 --> 00:00:48,920 Speaker 3: have bias kind of impede what I do. So with 18 00:00:49,040 --> 00:00:51,320 Speaker 3: two people, kind of go back and forth, scribbling just 19 00:00:51,360 --> 00:00:54,240 Speaker 3: kind of my way of turning on and I aim 20 00:00:54,280 --> 00:00:55,960 Speaker 3: for about eighty percent to connect, but there might be 21 00:00:56,000 --> 00:00:58,280 Speaker 3: a twenty percent portion we check with other friends or family. 22 00:00:59,000 --> 00:01:01,560 Speaker 4: I want to go I'm going to go back and forth. 23 00:01:02,200 --> 00:01:04,479 Speaker 4: I gotta highlight this guy that's coming through. I'm already 24 00:01:04,520 --> 00:01:06,640 Speaker 4: starting to smith. That's good. I'm going to start with you, 25 00:01:06,720 --> 00:01:08,160 Speaker 4: and then I'll kind of jump back and forth. 26 00:01:08,200 --> 00:01:11,400 Speaker 3: So when we talk with you, I want to kind of, 27 00:01:11,440 --> 00:01:15,520 Speaker 3: oddly enough, go back decades. I want to bring up 28 00:01:15,560 --> 00:01:17,520 Speaker 3: this guy that's coming through who's hitting me on a 29 00:01:17,560 --> 00:01:20,040 Speaker 3: grandfather level. And this guy is coming in and I 30 00:01:20,080 --> 00:01:22,440 Speaker 3: can tell it he would have been passed four decades. 31 00:01:22,520 --> 00:01:24,880 Speaker 3: This is not a recent passing, something that would have 32 00:01:24,880 --> 00:01:27,600 Speaker 3: been kind of long ago. They showed me this dichotomy 33 00:01:27,600 --> 00:01:30,319 Speaker 3: between a death and then shortly thereafter like a birth. 34 00:01:30,600 --> 00:01:34,160 Speaker 3: So if somebody wasn't able to meet a grandparent or 35 00:01:34,319 --> 00:01:38,000 Speaker 3: meet grandpa within family, it kind of reminds me of 36 00:01:38,080 --> 00:01:39,959 Speaker 3: what I myself went through with my own grandfather. He 37 00:01:40,040 --> 00:01:42,160 Speaker 3: died in the eighties and I was born in the nineties, 38 00:01:42,640 --> 00:01:46,040 Speaker 3: and we were never able to meet in a physical sense. 39 00:01:47,040 --> 00:01:49,880 Speaker 3: There is an aspect there that does come through within family, 40 00:01:49,960 --> 00:01:52,120 Speaker 3: and it would have been quite some time ago. Without 41 00:01:52,120 --> 00:01:55,040 Speaker 3: giving anything away, do you know of any men on 42 00:01:55,240 --> 00:01:57,520 Speaker 3: like Mom's side of family who would have gone kind 43 00:01:57,520 --> 00:02:00,480 Speaker 3: of prematurely. The way I would describe this this guy 44 00:02:00,600 --> 00:02:03,600 Speaker 3: is he gives me this feeling of working, working, working, 45 00:02:03,680 --> 00:02:06,360 Speaker 3: and then I stop working and then I die. And 46 00:02:06,440 --> 00:02:08,160 Speaker 3: I don't mean to laugh, but there's kind of a 47 00:02:08,240 --> 00:02:10,760 Speaker 3: joke about this in family of people either saying like, yeah, 48 00:02:10,760 --> 00:02:13,280 Speaker 3: you work your whole life only to just pass away, 49 00:02:14,400 --> 00:02:16,600 Speaker 3: and that comes in over and over again. This guy 50 00:02:16,680 --> 00:02:19,400 Speaker 3: comes across and is striking me with this feeling of 51 00:02:19,480 --> 00:02:22,000 Speaker 3: feeling a lot older than I actually was when I passed. 52 00:02:22,680 --> 00:02:27,120 Speaker 3: That basically indicates that someone's physicality felt older than they 53 00:02:27,160 --> 00:02:29,680 Speaker 3: actually were when they went. This guy strikes me as 54 00:02:29,840 --> 00:02:30,240 Speaker 3: kind of. 55 00:02:30,880 --> 00:02:33,440 Speaker 4: A little past middle age. If I had to say. 56 00:02:33,320 --> 00:02:34,760 Speaker 3: Just in the realm that it's kind of hitting me, 57 00:02:35,040 --> 00:02:37,120 Speaker 3: but physically I feel kind of yucky. I feel like, 58 00:02:37,680 --> 00:02:39,320 Speaker 3: even if I'm in my fifties, I feel like I'm 59 00:02:39,320 --> 00:02:41,000 Speaker 3: in my seventies. Is kind of the only way to 60 00:02:41,000 --> 00:02:44,600 Speaker 3: describe it, in the sense of just not wanting to complain, 61 00:02:44,760 --> 00:02:46,919 Speaker 3: but feeling ran down in some kind of larger way. 62 00:02:47,720 --> 00:02:50,240 Speaker 4: So that guy pops in really really clearly. 63 00:02:50,280 --> 00:02:53,359 Speaker 3: There's a funniness around a confusion of you know, when 64 00:02:53,400 --> 00:02:56,160 Speaker 3: you list everybody's name in the family except the person 65 00:02:56,200 --> 00:02:59,560 Speaker 3: you're intending to say, so it would be like Carol Kristen, 66 00:03:00,639 --> 00:03:02,400 Speaker 3: and then I end up saying the person's name, and 67 00:03:02,400 --> 00:03:04,280 Speaker 3: I'm like, whichever when I go down the whole list 68 00:03:04,280 --> 00:03:06,079 Speaker 3: of family members until I get to the one they're 69 00:03:06,080 --> 00:03:08,520 Speaker 3: wanting me to joke about that in some capacity in 70 00:03:08,560 --> 00:03:12,160 Speaker 3: some way, I have to highlight two similar one different. 71 00:03:12,240 --> 00:03:14,520 Speaker 3: They're bringing up mom Mom's side, and I have to 72 00:03:14,600 --> 00:03:17,079 Speaker 3: highlight they're gonna get into a specific so here and 73 00:03:17,080 --> 00:03:18,359 Speaker 3: that I'm gonna jump back and forth. 74 00:03:18,919 --> 00:03:20,720 Speaker 4: I have to bring up a. 75 00:03:20,720 --> 00:03:23,080 Speaker 3: Situation for some reason on Mom's side of family, and 76 00:03:23,120 --> 00:03:25,000 Speaker 3: this is good to look into where someone would have 77 00:03:25,040 --> 00:03:27,480 Speaker 3: dealt with a cancer that kind of started lower and 78 00:03:27,520 --> 00:03:30,320 Speaker 3: then went higher. So if we talk about something that 79 00:03:30,400 --> 00:03:32,720 Speaker 3: starts kind of in our physical body in a lower 80 00:03:32,760 --> 00:03:35,880 Speaker 3: area and then spreads and essentially causes me to become 81 00:03:35,920 --> 00:03:39,600 Speaker 3: overwhelmed with cancer and goes into a secondary about they're 82 00:03:39,640 --> 00:03:40,360 Speaker 3: kind of having. 83 00:03:40,120 --> 00:03:40,880 Speaker 4: Me bring up that. 84 00:03:41,080 --> 00:03:44,480 Speaker 3: But then they're also having me highlight an acknowledgment around 85 00:03:44,640 --> 00:03:46,600 Speaker 3: your mother's sister. 86 00:03:46,880 --> 00:03:48,120 Speaker 4: I think, does your mother have a sister? 87 00:03:48,280 --> 00:03:56,760 Speaker 3: Yeah, okay, at the time that Grandpa passed, you have 88 00:03:56,800 --> 00:03:57,360 Speaker 3: an uncle. 89 00:03:58,360 --> 00:04:00,000 Speaker 4: You have an uncle on mom side of family. 90 00:04:01,400 --> 00:04:03,839 Speaker 3: Yes, don't give away too much atose one. But there's 91 00:04:03,840 --> 00:04:06,160 Speaker 3: an interesting thing in the way this comes across at 92 00:04:06,160 --> 00:04:09,000 Speaker 3: the time in which Grandpa passed, there's this feeling of 93 00:04:09,280 --> 00:04:12,520 Speaker 3: not being resolved with my son. And the way that 94 00:04:12,520 --> 00:04:14,480 Speaker 3: I would word this is they're having a highlight Grandpa's 95 00:04:14,560 --> 00:04:19,039 Speaker 3: namesake and his name being passed on. But this feeling 96 00:04:19,240 --> 00:04:23,600 Speaker 3: of the girls have a different interpretation of father relationship 97 00:04:23,760 --> 00:04:25,159 Speaker 3: than the son in this equation. 98 00:04:25,320 --> 00:04:27,880 Speaker 4: So if like the. 99 00:04:27,320 --> 00:04:30,000 Speaker 3: Mom and sister feel a certain way, it's different than 100 00:04:30,040 --> 00:04:34,000 Speaker 3: perhaps how their brother had initially felt. They're kind of 101 00:04:34,000 --> 00:04:37,560 Speaker 3: separating this into a bit of a dichotomy. All of 102 00:04:37,600 --> 00:04:40,520 Speaker 3: that to say, there's this feeling that comes through related 103 00:04:40,520 --> 00:04:42,960 Speaker 3: to this older woman who would be like a grandmother 104 00:04:43,040 --> 00:04:44,560 Speaker 3: that I wanted to bring up, and she's just kind 105 00:04:44,560 --> 00:04:46,599 Speaker 3: of on the sidelines the way this comes through. But 106 00:04:46,880 --> 00:04:49,360 Speaker 3: grandchildren would not have been able to fully say goodbye 107 00:04:49,480 --> 00:04:51,400 Speaker 3: or have the sendoff, And that's kind of what's interesting 108 00:04:51,400 --> 00:04:55,159 Speaker 3: for me around her situation is if if she wasn't 109 00:04:55,160 --> 00:04:57,480 Speaker 3: able to have her grandkids by her side when she passed, 110 00:04:57,600 --> 00:04:59,320 Speaker 3: it's kind of a feeling like it's all good. I 111 00:04:59,320 --> 00:05:01,920 Speaker 3: don't need people to see me or be there physically. 112 00:05:01,760 --> 00:05:02,520 Speaker 4: To kind of do that. 113 00:05:03,440 --> 00:05:06,559 Speaker 3: But it definitely comes in as a feeling of wanting 114 00:05:06,560 --> 00:05:10,160 Speaker 3: to bring up both of them. I need to highlight 115 00:05:10,960 --> 00:05:12,960 Speaker 3: this is good to keep in mind for you, Bowen. 116 00:05:14,640 --> 00:05:16,840 Speaker 3: Within family, keep in mind they do put an emphasis 117 00:05:16,920 --> 00:05:21,839 Speaker 3: on living people, which is it's a mixed bag. Remember 118 00:05:21,839 --> 00:05:24,440 Speaker 3: that I'm saying this with older family members. I have 119 00:05:24,520 --> 00:05:26,640 Speaker 3: older parents myself. I'm an only child and my parents 120 00:05:26,680 --> 00:05:29,440 Speaker 3: are kind of closer to over sixty now, and they're 121 00:05:29,440 --> 00:05:32,640 Speaker 3: having me talk about conversations around parents getting older and 122 00:05:32,760 --> 00:05:37,760 Speaker 3: health and well being. And in the way this comes across, 123 00:05:37,960 --> 00:05:40,800 Speaker 3: just remember that I'm saying, if anyone in your family, 124 00:05:41,240 --> 00:05:44,120 Speaker 3: particularly on dad's side, runs the risk of any filtration 125 00:05:44,240 --> 00:05:49,000 Speaker 3: related problems that to me usually goes like liver, kidney, pancreous, 126 00:05:49,080 --> 00:05:51,919 Speaker 3: and it's more digestive. Remember that I'm saying that I 127 00:05:52,040 --> 00:05:54,640 Speaker 3: kind of feel like there's going to be a situation 128 00:05:54,800 --> 00:05:57,560 Speaker 3: there nothing related to you directly, but I'm kind of 129 00:05:57,600 --> 00:05:59,960 Speaker 3: going back more. There's an acknowledgement of a guy who's 130 00:06:00,080 --> 00:06:03,160 Speaker 3: born with something on his face or a distinct birthmark. 131 00:06:03,480 --> 00:06:05,839 Speaker 3: There's an acknowledgment of a baby that was born with 132 00:06:05,880 --> 00:06:07,600 Speaker 3: a full head of hair that I have. 133 00:06:07,560 --> 00:06:08,919 Speaker 4: To joke about or talk about. 134 00:06:10,160 --> 00:06:12,520 Speaker 3: And some of these things might like immediately connect. Some 135 00:06:12,720 --> 00:06:15,560 Speaker 3: might not and they're worth looking into. But they're having 136 00:06:15,560 --> 00:06:19,359 Speaker 3: me bring up just overall health cognizance awareness. It wouldn't 137 00:06:19,360 --> 00:06:21,839 Speaker 3: surprise me within your family if we see any living 138 00:06:21,839 --> 00:06:27,120 Speaker 3: family members kind of start going through some changes, particularly 139 00:06:27,120 --> 00:06:30,240 Speaker 3: one family member that might cognitively. 140 00:06:31,120 --> 00:06:33,719 Speaker 4: Just start going through some shifts. 141 00:06:34,080 --> 00:06:36,800 Speaker 3: The way I would word this is it doesn't seem 142 00:06:36,839 --> 00:06:39,280 Speaker 3: like a large concern, but it's just kind of almost. 143 00:06:38,960 --> 00:06:42,360 Speaker 4: Like keep an eye on this, keep an eye on this, because. 144 00:06:41,960 --> 00:06:45,560 Speaker 3: There is this dynamic people coming together. There's acknowledgement of 145 00:06:45,600 --> 00:06:50,000 Speaker 3: geographical travel I have to talk about like trips. They're 146 00:06:50,080 --> 00:06:54,960 Speaker 3: bringing up like heavy conversations that there's a lot here. 147 00:06:55,640 --> 00:06:57,320 Speaker 3: One thing to keep in mind for the next two 148 00:06:57,400 --> 00:07:00,359 Speaker 3: years for you, if you have any opportunities regarding plishing 149 00:07:00,480 --> 00:07:03,479 Speaker 3: a book, writing a book, and any collaborative way. 150 00:07:03,560 --> 00:07:06,559 Speaker 4: They're bringing that up in a very very positive, hopeful sense. 151 00:07:07,000 --> 00:07:09,160 Speaker 3: There is kind of an odd element that comes through 152 00:07:09,320 --> 00:07:11,840 Speaker 3: in the long run which might be interesting of you. 153 00:07:12,240 --> 00:07:15,040 Speaker 3: And then I'm seeing funny but history. So if there's 154 00:07:15,080 --> 00:07:17,560 Speaker 3: any historical figures that you end up being able to 155 00:07:17,760 --> 00:07:20,240 Speaker 3: like cover in a funny way, historical events in a 156 00:07:20,240 --> 00:07:22,800 Speaker 3: funny way, I'm putting like teaching tool history but funny 157 00:07:23,000 --> 00:07:25,760 Speaker 3: and designing it to say I know, so a lot 158 00:07:25,800 --> 00:07:28,720 Speaker 3: of the kind of process, but that part does come in. 159 00:07:28,840 --> 00:07:29,880 Speaker 4: There is an acknowledgment. 160 00:07:30,360 --> 00:07:32,320 Speaker 3: Do you have a sister, I do, okay, So just 161 00:07:32,400 --> 00:07:34,800 Speaker 3: keeping in mind fertility based stuff for her, there might 162 00:07:34,800 --> 00:07:36,880 Speaker 3: be a decision of stop having babies. 163 00:07:36,920 --> 00:07:39,320 Speaker 4: Or I'm slowing it down. I'm slowing the roll. I 164 00:07:39,360 --> 00:07:42,360 Speaker 4: don't know if I can handle. So, regardless of the 165 00:07:42,360 --> 00:07:46,320 Speaker 4: decision that is made there as far as logistically future children, 166 00:07:46,360 --> 00:07:49,840 Speaker 4: they're just kind of putting an emphasis on fertility stuff, 167 00:07:49,880 --> 00:07:52,200 Speaker 4: pregnancy stuff, and just kind of as I get older 168 00:07:52,440 --> 00:07:54,760 Speaker 4: some of the natural changes that happen in that system. 169 00:07:54,880 --> 00:07:56,920 Speaker 4: But just keeping that in mind for her, she might 170 00:07:57,040 --> 00:08:00,240 Speaker 4: run the risk of, like O very insists, insists, kind 171 00:08:00,240 --> 00:08:01,880 Speaker 4: of good to keep that in mind in the long run, 172 00:08:02,440 --> 00:08:04,960 Speaker 4: particularly if there's any interest in having more babies. I'm 173 00:08:05,040 --> 00:08:06,840 Speaker 4: just kind of going to just keep that in mind. 174 00:08:07,160 --> 00:08:09,679 Speaker 3: I do want to bring up also an acknowledgement around 175 00:08:10,200 --> 00:08:13,680 Speaker 3: this is kind of I can draw parallel with myself here. 176 00:08:14,000 --> 00:08:18,600 Speaker 3: If there are any conversations recently around obsessive compulsive disorder OCD. 177 00:08:18,960 --> 00:08:22,320 Speaker 3: It keeps coming through Wow and I'm somebody who's diagnosed 178 00:08:22,320 --> 00:08:24,840 Speaker 3: with this myself, so it's a pretty clear symbol. I 179 00:08:24,880 --> 00:08:26,520 Speaker 3: find things I can relate to or come through a 180 00:08:26,520 --> 00:08:29,320 Speaker 3: little bit more clearly. They're putting an emphasis on that 181 00:08:29,360 --> 00:08:32,760 Speaker 3: almost as something to consider if it comes up in conversation. 182 00:08:33,000 --> 00:08:38,000 Speaker 3: As far as our proclivities to obsessive, compulsive, cyclical thinking, 183 00:08:38,280 --> 00:08:40,600 Speaker 3: that kind of are acknowledging that, and sometimes that can 184 00:08:40,640 --> 00:08:44,080 Speaker 3: help provide an answer to a question, sometimes can provide clarification. 185 00:08:44,160 --> 00:08:45,960 Speaker 3: But it's just good to keep in mind that that 186 00:08:46,080 --> 00:08:48,000 Speaker 3: kind of is around in the way this comes through, 187 00:08:48,720 --> 00:08:52,560 Speaker 3: and that would pop in there for you. I have 188 00:08:52,640 --> 00:08:55,000 Speaker 3: to talk about your grandpa's namesake and how his name 189 00:08:55,120 --> 00:09:01,600 Speaker 3: was continued on. This is weird there there, Wow, that 190 00:09:01,679 --> 00:09:02,520 Speaker 3: was continued on. 191 00:09:05,080 --> 00:09:06,080 Speaker 1: This is so crazy. 192 00:09:07,360 --> 00:09:16,000 Speaker 4: Oh good, these two come through together, and it's interesting 193 00:09:16,000 --> 00:09:19,080 Speaker 4: when we talk about, like Grandpa a long time ago, 194 00:09:19,480 --> 00:09:23,040 Speaker 4: did grandma pass more recently? More recently, more recently. I 195 00:09:23,080 --> 00:09:24,400 Speaker 4: want to highlight that situation. 196 00:09:24,559 --> 00:09:27,400 Speaker 3: She has me feeling thin, like I got thin and 197 00:09:27,440 --> 00:09:30,040 Speaker 3: thin and thin where I'm feeling talking about wave fluctuation 198 00:09:30,120 --> 00:09:33,120 Speaker 3: and my ability to basically take nutrients from my food. 199 00:09:34,040 --> 00:09:36,160 Speaker 3: She needed it to be known that she was not starving. 200 00:09:36,320 --> 00:09:38,840 Speaker 3: At the end, there's this feeling of kind of like 201 00:09:38,880 --> 00:09:41,000 Speaker 3: I no longer wanted. 202 00:09:40,760 --> 00:09:42,079 Speaker 4: To eat, I don't feel hungry. 203 00:09:42,120 --> 00:09:44,600 Speaker 3: It's very much that this would be something that would 204 00:09:44,600 --> 00:09:47,440 Speaker 3: be more gradual or progressive. This is not instant with Grandma, 205 00:09:47,600 --> 00:09:49,559 Speaker 3: but it would have been something that would have essentially 206 00:09:49,600 --> 00:09:53,520 Speaker 3: informed how this happened. There is an acknowledgment of favoring 207 00:09:53,800 --> 00:09:55,360 Speaker 3: one sister more than the others. 208 00:09:55,520 --> 00:09:56,560 Speaker 4: I was bringing one up. 209 00:09:58,640 --> 00:10:00,720 Speaker 3: And the way I would word this is there just 210 00:10:00,760 --> 00:10:03,839 Speaker 3: acknowledging equity equality. It's usually their way of trying to 211 00:10:03,840 --> 00:10:08,199 Speaker 3: say like, hey, there was not a favorite. There might 212 00:10:08,200 --> 00:10:09,680 Speaker 3: have been a favorite, but it's more of them on 213 00:10:09,679 --> 00:10:12,600 Speaker 3: the other side saying, look, in hindsight, I love. 214 00:10:12,440 --> 00:10:13,680 Speaker 4: You both in different ways. 215 00:10:13,760 --> 00:10:16,319 Speaker 3: Okay, and that's important, but it's like something that's pre 216 00:10:16,440 --> 00:10:17,400 Speaker 3: established when. 217 00:10:17,280 --> 00:10:20,160 Speaker 4: It came to these two, and there's like kind of 218 00:10:20,200 --> 00:10:23,040 Speaker 4: cute rivalry or I wanting to talk about it, kind 219 00:10:23,040 --> 00:10:24,280 Speaker 4: of like if you do what I can do, and 220 00:10:24,320 --> 00:10:25,640 Speaker 4: if you do it, I can do it, and it's 221 00:10:25,720 --> 00:10:27,160 Speaker 4: kind of cute in the way it comes across. 222 00:10:27,200 --> 00:10:31,800 Speaker 3: So every sibling family stuff has different dynamics, but it 223 00:10:31,800 --> 00:10:33,960 Speaker 3: comes through as a sense of peace I very much 224 00:10:34,000 --> 00:10:37,280 Speaker 3: feel a feeling of with this this grandmother figure. It's 225 00:10:37,280 --> 00:10:40,800 Speaker 3: actually interesting she brings up this feeling of passing and 226 00:10:40,840 --> 00:10:44,320 Speaker 3: then thereafter kind of everything taking off in a big way. 227 00:10:44,640 --> 00:10:47,800 Speaker 3: So if someone noticed that the timing was a little serendipitous, 228 00:10:47,840 --> 00:10:51,360 Speaker 3: where like she passed right as someone's life is just 229 00:10:51,440 --> 00:10:53,800 Speaker 3: taken off in a big way. There's a feeling of 230 00:10:54,080 --> 00:10:56,720 Speaker 3: I see it, I see it from where I'm at now, 231 00:10:56,800 --> 00:10:59,200 Speaker 3: and an awareness in the way this comes through kind 232 00:10:59,240 --> 00:11:04,720 Speaker 3: of the far reaching aspect there is Bowen, there's a 233 00:11:04,840 --> 00:11:06,480 Speaker 3: very strong emphasis. 234 00:11:07,880 --> 00:11:11,360 Speaker 4: That's really really interesting when we look into family lore 235 00:11:11,720 --> 00:11:14,360 Speaker 4: in your family, as far as history goes, details might 236 00:11:14,400 --> 00:11:16,120 Speaker 4: be a little back and forth. 237 00:11:17,040 --> 00:11:19,400 Speaker 3: One interesting thing that comes through for you is actually 238 00:11:19,440 --> 00:11:22,800 Speaker 3: discovering a lot about family later on in life than 239 00:11:22,840 --> 00:11:25,800 Speaker 3: we were ever actually able to access earlier on, and 240 00:11:25,840 --> 00:11:29,080 Speaker 3: so that may provide an opportunity to kind of fill 241 00:11:29,120 --> 00:11:32,800 Speaker 3: in the blanks with parents, their history, family, what happened, 242 00:11:32,840 --> 00:11:36,520 Speaker 3: what informed getting people here to there. But there's very 243 00:11:36,600 --> 00:11:39,679 Speaker 3: much this feeling of going back to move forward and 244 00:11:39,880 --> 00:11:42,600 Speaker 3: being able to own truths and own things that happened 245 00:11:42,640 --> 00:11:45,880 Speaker 3: that might have been to be honest traumatic in kind 246 00:11:45,880 --> 00:11:48,000 Speaker 3: a larger way and being able to kind of reframe 247 00:11:48,040 --> 00:11:51,559 Speaker 3: that through the power of owning our story and communication 248 00:11:51,800 --> 00:11:55,000 Speaker 3: and transparency. I know it might sound a little odd, 249 00:11:55,000 --> 00:11:57,079 Speaker 3: but in doing such, it feels like you heal previous 250 00:11:57,120 --> 00:11:59,920 Speaker 3: generations of family that were silent, that weren't able to 251 00:12:00,040 --> 00:12:04,000 Speaker 3: express themselves. There's some kind of tragic ladies in your family, 252 00:12:04,040 --> 00:12:06,240 Speaker 3: and this is just going to keep in mind situations 253 00:12:06,280 --> 00:12:08,480 Speaker 3: involving women who just did not get a fair shot, 254 00:12:09,640 --> 00:12:14,680 Speaker 3: and you know, culturally sometimes that that can contribute. But 255 00:12:14,800 --> 00:12:18,720 Speaker 3: there's definitely this feeling of you do not walk alone. 256 00:12:19,040 --> 00:12:21,480 Speaker 4: You might also, funny enough, find that you have a 257 00:12:21,520 --> 00:12:27,960 Speaker 4: gay relative, so that's kind of funny. Again, it just 258 00:12:28,000 --> 00:12:32,320 Speaker 4: comes in as things to be aware of. And then yeah, 259 00:12:32,360 --> 00:12:34,679 Speaker 4: that history thing keeps coming through in a very like 260 00:12:35,200 --> 00:12:38,200 Speaker 4: comedic way history comedy and crossover with that. 261 00:12:38,320 --> 00:12:41,680 Speaker 3: So I can apply and I'm sure several different arenas ultimately, 262 00:12:41,760 --> 00:12:44,520 Speaker 3: but for you buy and large, I'm really excited. 263 00:12:44,760 --> 00:12:47,000 Speaker 4: Wow, it feels really, really really positive. 264 00:12:48,559 --> 00:12:50,480 Speaker 3: Give me one second, I'm just going to scribble really 265 00:12:50,520 --> 00:12:54,040 Speaker 3: fast just to make sure I've got that just there. 266 00:12:56,600 --> 00:12:57,080 Speaker 4: For you. 267 00:12:57,240 --> 00:13:01,600 Speaker 3: Just keep in mind tummy health to stomach digestive kind 268 00:13:01,600 --> 00:13:04,160 Speaker 3: of that arena. Just remember that I'm saying that there 269 00:13:04,240 --> 00:13:07,600 Speaker 3: is a little bit of an emphasis on inflammatory stuff. 270 00:13:07,679 --> 00:13:09,840 Speaker 3: So not a problem unless you end up noticing it, 271 00:13:10,720 --> 00:13:12,560 Speaker 3: in which case, you know, we go to a doctor. 272 00:13:12,720 --> 00:13:16,880 Speaker 3: No big deal. But like stomach might respond to stress 273 00:13:16,920 --> 00:13:18,280 Speaker 3: as far as like when we're going about a day 274 00:13:18,320 --> 00:13:20,520 Speaker 3: to day life, just remember that that might be kind 275 00:13:20,520 --> 00:13:22,199 Speaker 3: of a litmus test for overall health. 276 00:13:23,200 --> 00:13:25,560 Speaker 4: And that's kind of good to consider for you. 277 00:13:25,640 --> 00:13:27,520 Speaker 3: It's good to keep in mind any air travel that 278 00:13:27,559 --> 00:13:29,600 Speaker 3: you do, like getting on a plane, whatever they're bringing 279 00:13:29,640 --> 00:13:32,120 Speaker 3: up ear nose and throat and that comes through very strongly. 280 00:13:32,679 --> 00:13:35,320 Speaker 3: That runs the risk every single time you fly of 281 00:13:35,400 --> 00:13:38,240 Speaker 3: in some capacity kind of going south or dealing with 282 00:13:38,360 --> 00:13:40,200 Speaker 3: congestion in the long term. 283 00:13:40,480 --> 00:13:41,920 Speaker 4: So just being mindful of that. 284 00:13:41,960 --> 00:13:45,240 Speaker 3: It's almost like if you plan these long, you know, flights, 285 00:13:45,240 --> 00:13:46,560 Speaker 3: there's this feeling of, well, we're going to have to 286 00:13:46,559 --> 00:13:48,760 Speaker 3: prepare and kind of put in our calendar some time 287 00:13:48,760 --> 00:13:51,160 Speaker 3: to heal and kind of just deal with inevitable like 288 00:13:52,160 --> 00:13:54,080 Speaker 3: that comes from this in a way that would be 289 00:13:54,080 --> 00:13:55,160 Speaker 3: more than your average person. 290 00:13:55,280 --> 00:13:58,240 Speaker 4: So just being mindful of that is good. I feel 291 00:13:58,320 --> 00:14:02,360 Speaker 4: really really positive buy and large with that. It'd be 292 00:14:02,400 --> 00:14:03,160 Speaker 4: that aspect. 293 00:14:05,600 --> 00:14:08,200 Speaker 3: Okay, cool, and just remember that I'm saying this because 294 00:14:08,200 --> 00:14:10,800 Speaker 3: he's sayings sometimes will just pop in randomly. Your mom 295 00:14:10,840 --> 00:14:13,439 Speaker 3: is still alive. Yes, keep in mind they bring me 296 00:14:13,480 --> 00:14:16,040 Speaker 3: to one of her eyes and this is kind of strange, 297 00:14:16,040 --> 00:14:18,720 Speaker 3: but they are bringing me to eye health clarity. And 298 00:14:19,080 --> 00:14:21,760 Speaker 3: sometimes if people get to be discharging the eye, we're 299 00:14:21,760 --> 00:14:22,800 Speaker 3: dealing with an eye problem. 300 00:14:22,800 --> 00:14:24,720 Speaker 4: I'm kind of putting that around her. So it's just 301 00:14:24,720 --> 00:14:25,360 Speaker 4: something to keep in. 302 00:14:25,400 --> 00:14:29,000 Speaker 3: Mind, and just if we notice, you know, it's just 303 00:14:29,080 --> 00:14:30,640 Speaker 3: kind of further validates in the long run. 304 00:14:31,080 --> 00:14:32,720 Speaker 4: But for the. 305 00:14:32,600 --> 00:14:34,640 Speaker 3: Most part, a lot of your stuff seems to be 306 00:14:34,640 --> 00:14:39,400 Speaker 3: about like taking family history and coming to certain conclusions 307 00:14:39,440 --> 00:14:41,440 Speaker 3: and talking about things that people would not be willing 308 00:14:41,480 --> 00:14:44,040 Speaker 3: to talk about owning them, and then kind of reframing 309 00:14:44,160 --> 00:14:48,560 Speaker 3: certain things in a way that actually is empowering versus discouraging. 310 00:14:49,360 --> 00:14:51,560 Speaker 3: Shame is a very powerful emotion, and I think in 311 00:14:51,640 --> 00:14:54,680 Speaker 3: so many ways in this lifetime there's the sense of 312 00:14:54,680 --> 00:14:57,640 Speaker 3: you being able to kind of the buck stops with you, 313 00:14:57,960 --> 00:15:00,600 Speaker 3: end it with you in a big way. And as 314 00:15:00,600 --> 00:15:02,360 Speaker 3: you do that, I feel like those who came before 315 00:15:02,400 --> 00:15:06,120 Speaker 3: you also heal through your openness, through your vulnerability and 316 00:15:06,160 --> 00:15:07,280 Speaker 3: the courage that that takes. 317 00:15:07,840 --> 00:15:11,160 Speaker 4: Wow, that was very resident. Thank you. There's a lot there. 318 00:15:11,160 --> 00:15:12,840 Speaker 4: I know it's kind of all across the board. 319 00:15:12,880 --> 00:15:15,080 Speaker 3: But what I want to do is I want to 320 00:15:15,120 --> 00:15:17,560 Speaker 3: make sure that we each I'll have time one on 321 00:15:17,560 --> 00:15:19,240 Speaker 3: one in the long run. And so I'm going to 322 00:15:19,280 --> 00:15:21,800 Speaker 3: give you guys the Scribble and I will give you 323 00:15:21,840 --> 00:15:22,520 Speaker 3: my contact. 324 00:15:22,720 --> 00:15:26,320 Speaker 4: With scribble, yes God, and then you and your your 325 00:15:26,320 --> 00:15:30,200 Speaker 4: friends or your friend and you as well, please contact 326 00:15:30,200 --> 00:15:32,200 Speaker 4: Heather and we will set up a private one on 327 00:15:32,200 --> 00:15:34,320 Speaker 4: one reading and we will do it. 328 00:15:34,400 --> 00:15:36,800 Speaker 3: We'll do with you, you and then the friend, and we 329 00:15:36,840 --> 00:15:40,440 Speaker 3: can delve in get specifics all of the goods. But 330 00:15:40,520 --> 00:15:42,200 Speaker 3: I like to just kind of demonstrate, and as I'm 331 00:15:42,240 --> 00:15:42,920 Speaker 3: a sweating. 332 00:15:44,280 --> 00:15:46,680 Speaker 4: So much, yes, of course, so I just kind of like, 333 00:15:46,720 --> 00:15:49,400 Speaker 4: I don't know how much their lands, how much doesn't 334 00:15:49,400 --> 00:15:49,800 Speaker 4: But what. 335 00:15:49,760 --> 00:15:51,240 Speaker 3: I can say is, you know, I always kind of 336 00:15:51,240 --> 00:15:53,160 Speaker 3: go in skeptically. I think it's important to never lose 337 00:15:53,200 --> 00:15:56,360 Speaker 3: sight of critical thinking and common sense. But my goal 338 00:15:56,440 --> 00:16:00,120 Speaker 3: when I meet with people is really just to relay 339 00:16:00,880 --> 00:16:03,840 Speaker 3: actual information details that can kind of help people make 340 00:16:03,840 --> 00:16:06,920 Speaker 3: connections that they wouldn't ordinarily and as a result kind 341 00:16:06,920 --> 00:16:09,400 Speaker 3: of move forward a little bit lighter, you might be 342 00:16:09,440 --> 00:16:12,400 Speaker 3: able to deliver some meshes to mom. There's this sense of, 343 00:16:12,920 --> 00:16:15,080 Speaker 3: you know, dealing with that brother situation at the time 344 00:16:15,280 --> 00:16:19,200 Speaker 3: that Grandpa passed did not look easy and kind of 345 00:16:19,200 --> 00:16:21,440 Speaker 3: added more pain to an already situation. 346 00:16:22,240 --> 00:16:25,760 Speaker 1: Okay, so if you feel good, yeah we can. We 347 00:16:25,840 --> 00:16:27,840 Speaker 1: can start and bring you in and talk about this 348 00:16:27,880 --> 00:16:28,920 Speaker 1: because there's so much to talk. 349 00:16:28,920 --> 00:16:33,520 Speaker 4: Okay, look, may oh, I see you. 350 00:16:34,120 --> 00:16:35,880 Speaker 5: Look over there is that culture. 351 00:16:36,040 --> 00:16:38,520 Speaker 4: Yes, wow, lost culture. 352 00:16:39,800 --> 00:16:43,760 Speaker 1: Dang du lost Cultursa's calling breathless vibes. 353 00:16:43,800 --> 00:16:46,280 Speaker 4: We just had a moment, Yeah, we did. 354 00:16:46,360 --> 00:16:47,400 Speaker 5: We just had an experience. 355 00:16:47,480 --> 00:16:50,240 Speaker 4: And I'm not terribly shocked either me. 356 00:16:50,320 --> 00:16:52,640 Speaker 1: Neither, but I am surprised by what came through. I 357 00:16:52,680 --> 00:16:57,000 Speaker 1: was really manifesting something else too, very pleasantly surprised. 358 00:16:57,000 --> 00:16:57,520 Speaker 4: Me as well. 359 00:16:57,560 --> 00:17:01,160 Speaker 2: And it's even there's something very I would say healing 360 00:17:01,280 --> 00:17:04,399 Speaker 2: about our guests. I've always thought this, I've always thought, wow, 361 00:17:04,560 --> 00:17:07,639 Speaker 2: he seems really like when he's with these people, at 362 00:17:07,720 --> 00:17:10,040 Speaker 2: least the people we've seen on TV, there is such 363 00:17:10,080 --> 00:17:13,119 Speaker 2: a he has like an asmr tone to his timber. 364 00:17:13,280 --> 00:17:14,159 Speaker 4: Yeah, a little bit, you know. 365 00:17:14,359 --> 00:17:16,840 Speaker 1: I mean like, first of all, I could sit and 366 00:17:16,920 --> 00:17:19,640 Speaker 1: luckily e exclamation point makes it very available. 367 00:17:19,680 --> 00:17:21,760 Speaker 5: I could sit and watch YouTube videos of our goal. 368 00:17:23,000 --> 00:17:23,800 Speaker 1: We've got it for years. 369 00:17:23,800 --> 00:17:26,080 Speaker 2: At this point, I remember you introduced me to our 370 00:17:26,080 --> 00:17:28,920 Speaker 2: guest knows like this guy is special. 371 00:17:29,040 --> 00:17:31,800 Speaker 1: Well, just watching a series of people in a moment 372 00:17:31,960 --> 00:17:35,320 Speaker 1: realize that what's happening is really happening, and we just 373 00:17:35,400 --> 00:17:38,159 Speaker 1: had that experience. I mean there, this gets said a 374 00:17:38,160 --> 00:17:40,560 Speaker 1: lot on the show and in various YouTube clips that 375 00:17:40,600 --> 00:17:42,760 Speaker 1: you can again can watch and the show on Netflix, 376 00:17:42,760 --> 00:17:45,000 Speaker 1: et cetera. There's so much to consume about our guests, 377 00:17:45,119 --> 00:17:48,160 Speaker 1: including a tour, but I just want to say everyone 378 00:17:48,200 --> 00:17:50,240 Speaker 1: always has that thing of like where you start to 379 00:17:50,280 --> 00:17:52,200 Speaker 1: realize that it's real. 380 00:17:52,400 --> 00:17:54,240 Speaker 4: And like how could it have been known before? 381 00:17:54,400 --> 00:17:56,600 Speaker 1: And yeah, that sounds like there's no way he could 382 00:17:56,640 --> 00:17:59,240 Speaker 1: have known that there was a few things in there. Yeah, 383 00:17:59,280 --> 00:18:02,159 Speaker 1: and I'm really shook by yours because I feel like 384 00:18:02,720 --> 00:18:04,679 Speaker 1: what was said to you is very poignant, was. 385 00:18:04,760 --> 00:18:06,960 Speaker 4: Very poignant, very resonant. As of late. 386 00:18:07,240 --> 00:18:10,480 Speaker 2: Yeah, just the words family lore were brought up. Family 387 00:18:10,600 --> 00:18:13,760 Speaker 2: lore and about how that's been a little I've sort 388 00:18:13,760 --> 00:18:15,719 Speaker 2: of missed the lined it and when I tell her 389 00:18:15,720 --> 00:18:17,960 Speaker 2: to people about it, this story kind of is amorphous 390 00:18:17,960 --> 00:18:20,679 Speaker 2: and unwieldy, and like this is an opportunity to really 391 00:18:21,720 --> 00:18:24,479 Speaker 2: get down to the anchor points of what this story 392 00:18:24,600 --> 00:18:26,679 Speaker 2: is and to own it and to move forward. And 393 00:18:26,720 --> 00:18:29,920 Speaker 2: that's been a lifelong thing, a narrative for me. Talk 394 00:18:29,920 --> 00:18:32,080 Speaker 2: about how you're feeling, because I could feel the impact. 395 00:18:32,640 --> 00:18:35,200 Speaker 1: Well, to be honest with you, like it's a little 396 00:18:35,200 --> 00:18:38,120 Speaker 1: bit of a blur because there was so much there 397 00:18:38,200 --> 00:18:41,080 Speaker 1: in terms of specificity, and I want to get into 398 00:18:41,119 --> 00:18:44,240 Speaker 1: it because like there was a lot of acknowledgments. Yeah, 399 00:18:44,280 --> 00:18:46,320 Speaker 1: and I think that acknowledgment will really help members of 400 00:18:46,320 --> 00:18:49,240 Speaker 1: my family. And also he said something health wise about 401 00:18:49,240 --> 00:18:51,440 Speaker 1: really both of us. But I'll be watching. I'll be 402 00:18:51,480 --> 00:18:54,960 Speaker 1: watching going forward. And that's why you need this experience. 403 00:18:55,320 --> 00:18:57,760 Speaker 1: Get on the thousands of people along way in the 404 00:18:57,760 --> 00:18:59,960 Speaker 1: list maybe a million at this point, or just tune 405 00:19:00,119 --> 00:19:03,960 Speaker 1: into everything and get this experience. When Tyler Henry hits 406 00:19:04,000 --> 00:19:07,240 Speaker 1: the road, because this is very special. He's an author, 407 00:19:07,720 --> 00:19:10,800 Speaker 1: he's a television star, he's incredible at what he does. 408 00:19:10,840 --> 00:19:11,800 Speaker 1: We're going to get into it. 409 00:19:11,960 --> 00:19:14,840 Speaker 2: Yeah, he's just launched the collective, he's going on tour. Yes, 410 00:19:14,840 --> 00:19:16,520 Speaker 2: we're going to talk about all of it. Everyone, Please 411 00:19:16,560 --> 00:19:18,200 Speaker 2: welcome Tyler. 412 00:19:17,960 --> 00:19:21,399 Speaker 3: Henry, Oh my goodness, I saw this coming. 413 00:19:23,920 --> 00:19:24,760 Speaker 1: How was that for you? 414 00:19:24,880 --> 00:19:25,040 Speaker 5: Oh? 415 00:19:25,160 --> 00:19:25,760 Speaker 4: Fascinating. 416 00:19:25,800 --> 00:19:27,680 Speaker 3: It's so interesting going into because you never know what's 417 00:19:27,720 --> 00:19:30,080 Speaker 3: going to come through, you know. I aim when I 418 00:19:30,119 --> 00:19:32,280 Speaker 3: do a reading to be able to connect to timely information, 419 00:19:32,400 --> 00:19:34,040 Speaker 3: stuff that's going on either in the here and the 420 00:19:34,080 --> 00:19:36,800 Speaker 3: now or never got dealt with, and just those moments 421 00:19:36,800 --> 00:19:39,760 Speaker 3: of affirmation, as you said, acknowledgment I find can really 422 00:19:39,760 --> 00:19:41,920 Speaker 3: act as a catalyst in a person's life and that 423 00:19:42,000 --> 00:19:42,959 Speaker 3: transcends belief. 424 00:19:43,200 --> 00:19:43,520 Speaker 1: Yeah. 425 00:19:43,600 --> 00:19:46,600 Speaker 2: Yes, you were saying that you view what you do 426 00:19:46,680 --> 00:19:50,159 Speaker 2: as coincidence making. Yes, am I phrasing that correctly? And 427 00:19:50,200 --> 00:19:52,040 Speaker 2: I feel like I completely understand that. 428 00:19:52,240 --> 00:19:54,520 Speaker 3: Yeah, you know, there's something a phrase that was coined 429 00:19:54,560 --> 00:19:57,520 Speaker 3: by one of the leading psychotherapists, Carl Jung, and he 430 00:19:57,600 --> 00:20:01,880 Speaker 3: referred to meaningful coincidences as synchronicity, moments in which life 431 00:20:01,880 --> 00:20:04,760 Speaker 3: seems to synchronize. And those moments I find are a 432 00:20:04,800 --> 00:20:06,920 Speaker 3: huge part of this work. You're bringing certain things to 433 00:20:06,920 --> 00:20:09,080 Speaker 3: people's attention as a way for them to kind of 434 00:20:09,119 --> 00:20:11,200 Speaker 3: make connections or have a sense of affirmation. 435 00:20:11,520 --> 00:20:15,400 Speaker 2: I mean, I'm kind of struck by like as it's 436 00:20:15,400 --> 00:20:17,879 Speaker 2: coming to you. I mean, it was very surreal to 437 00:20:17,920 --> 00:20:21,360 Speaker 2: see the scribbles in real life and you are so 438 00:20:21,359 --> 00:20:25,240 Speaker 2: somatically like engaged, and I wonder, obviously it's visual with 439 00:20:25,240 --> 00:20:27,760 Speaker 2: the scribbles, but like, what are you seeing? Can you 440 00:20:27,800 --> 00:20:31,720 Speaker 2: describe in whatever terms you want, Like what that is 441 00:20:31,880 --> 00:20:33,680 Speaker 2: like for you to sort of go there? 442 00:20:33,760 --> 00:20:35,120 Speaker 1: Yeah, like what happens? Yeah? 443 00:20:35,119 --> 00:20:36,600 Speaker 3: Well, you know, it's not like Oda Mae Brown. My 444 00:20:36,640 --> 00:20:38,880 Speaker 3: head doesn't spin around and the spirits are in my ear. 445 00:20:38,960 --> 00:20:40,719 Speaker 3: But it is one of those things where I get 446 00:20:40,760 --> 00:20:43,439 Speaker 3: into an altered state of consciousness where I basically just 447 00:20:43,520 --> 00:20:45,800 Speaker 3: actively daydream and it's what a lot of people do 448 00:20:45,840 --> 00:20:48,120 Speaker 3: in high school and they're sitting there and the teachers 449 00:20:48,119 --> 00:20:50,200 Speaker 3: more I want. Yeah, But in my case, I've learned 450 00:20:50,240 --> 00:20:52,719 Speaker 3: how to kind of refine it paired with scribbling, and 451 00:20:52,760 --> 00:20:55,159 Speaker 3: that allows me to kind of pick up on subtle nuances, 452 00:20:55,560 --> 00:20:58,159 Speaker 3: things that I think we all are exposed to but 453 00:20:58,240 --> 00:21:01,440 Speaker 3: often miss because of our own implice biases. So when 454 00:21:01,480 --> 00:21:03,720 Speaker 3: I get in that state, I oftentimes will get parallels 455 00:21:03,760 --> 00:21:06,760 Speaker 3: between my own life and the person I'm reading. Then if, 456 00:21:06,800 --> 00:21:08,879 Speaker 3: for example, someone has a Henry and my name is 457 00:21:08,880 --> 00:21:11,040 Speaker 3: Tyler Henry, sometimes I'll see myself as an image. 458 00:21:11,119 --> 00:21:13,040 Speaker 1: Did you just see that that's weird. O. 459 00:21:13,320 --> 00:21:16,119 Speaker 2: Mind, God, I've got I've got a Henry. 460 00:21:16,280 --> 00:21:17,080 Speaker 1: That's important. 461 00:21:17,600 --> 00:21:19,639 Speaker 4: It's funny because of that name and the way it 462 00:21:19,640 --> 00:21:21,960 Speaker 4: comes through. It's just like right there. 463 00:21:22,080 --> 00:21:24,000 Speaker 3: But they use me as a way to kind of 464 00:21:24,080 --> 00:21:27,440 Speaker 3: communicate their message. So my own lived experiences, things have 465 00:21:27,560 --> 00:21:30,880 Speaker 3: gone through, they draw parallels and it reflects that consciousness 466 00:21:30,920 --> 00:21:32,920 Speaker 3: is so much more than just one thing. 467 00:21:33,240 --> 00:21:36,200 Speaker 1: Yeah, I have to say, like just to speak about 468 00:21:36,280 --> 00:21:39,000 Speaker 1: the reading right now, Like I don't know if this 469 00:21:39,160 --> 00:21:41,200 Speaker 1: is something that you like to have after the reading, 470 00:21:41,200 --> 00:21:43,439 Speaker 1: but I do want to let you know that my 471 00:21:43,520 --> 00:21:46,199 Speaker 1: grandfather's name was John. So was his son. So was 472 00:21:46,200 --> 00:21:48,280 Speaker 1: his son. So when you talked about the namesake being 473 00:21:48,320 --> 00:21:53,360 Speaker 1: passed down, that really resonated. And also my grandfather did 474 00:21:53,400 --> 00:21:55,560 Speaker 1: pass away of a heart attack when my mother was 475 00:21:55,600 --> 00:21:58,439 Speaker 1: twenty seven, the year before I was born. And actually 476 00:21:58,440 --> 00:22:01,640 Speaker 1: as a result of that tragic happening, it was actually 477 00:22:01,840 --> 00:22:04,520 Speaker 1: my parents had broken up and they got back together 478 00:22:04,600 --> 00:22:06,560 Speaker 1: because I think they realized that like life was too 479 00:22:06,640 --> 00:22:09,760 Speaker 1: short and they were in love. And so you spoke 480 00:22:09,800 --> 00:22:12,919 Speaker 1: a little bit about the grandmother. They were divorced, and 481 00:22:12,960 --> 00:22:16,800 Speaker 1: it was like a tougher family situation because my uncle was, 482 00:22:17,800 --> 00:22:20,760 Speaker 1: he had many problems. He's also deceased, and it was 483 00:22:20,800 --> 00:22:23,560 Speaker 1: a tough relationship with my grandfather, who I didn't know. 484 00:22:23,920 --> 00:22:25,600 Speaker 1: But when you talk about the passing down of the 485 00:22:25,720 --> 00:22:29,520 Speaker 1: name and that toughness down the patriarchal line and on 486 00:22:29,560 --> 00:22:32,639 Speaker 1: my mother's side of the family, it is really really hard. 487 00:22:33,040 --> 00:22:37,280 Speaker 1: And my mother has a sister, Katrina and Christina, you know, like, 488 00:22:37,320 --> 00:22:39,280 Speaker 1: so I think that the du out like like kind 489 00:22:39,280 --> 00:22:41,840 Speaker 1: of a thing, and that rang true as well. And 490 00:22:41,960 --> 00:22:44,600 Speaker 1: to hear that she's on the other side feeling chill 491 00:22:45,200 --> 00:22:47,760 Speaker 1: and especially wanting them to know that she was not 492 00:22:47,800 --> 00:22:49,280 Speaker 1: in pain at the end of her life, because she 493 00:22:49,320 --> 00:22:50,840 Speaker 1: did kind of waste away, I mean. 494 00:22:51,320 --> 00:22:53,359 Speaker 5: Dementure got very very bad for her. 495 00:22:54,160 --> 00:22:57,600 Speaker 1: So to hear that she wasn't hungry and suffering is 496 00:22:57,640 --> 00:22:59,919 Speaker 1: really going to help because I think that obviously she 497 00:23:00,000 --> 00:23:03,200 Speaker 1: couldn't communicate what she was feeling. Right, So that's all 498 00:23:03,440 --> 00:23:08,159 Speaker 1: really really interesting. And you also said I'll watch my stomach, 499 00:23:08,200 --> 00:23:10,240 Speaker 1: and I will watch that, yes, but I have to 500 00:23:10,320 --> 00:23:13,760 Speaker 1: say I was really struck by what you received. 501 00:23:14,040 --> 00:23:18,080 Speaker 2: Yeah, I got some pretty pretty poignant stuff, are you. 502 00:23:18,160 --> 00:23:20,600 Speaker 2: I mean, as it's coming to you, I think extemporaneously 503 00:23:20,680 --> 00:23:24,600 Speaker 2: you are saying very sophisticated You're expressing very sophisticated ideas, 504 00:23:24,800 --> 00:23:27,199 Speaker 2: and I wonder if there is a lag between what 505 00:23:27,200 --> 00:23:28,879 Speaker 2: you're receiving and how you put it into words. 506 00:23:29,119 --> 00:23:30,679 Speaker 3: Do you feel that, Yeah, I kind of like in 507 00:23:30,720 --> 00:23:32,320 Speaker 3: my job to that of like a mailman in the 508 00:23:32,359 --> 00:23:33,520 Speaker 3: sense that I don't write the letters. 509 00:23:33,520 --> 00:23:34,840 Speaker 4: I just kind of deliver the message. 510 00:23:35,200 --> 00:23:37,960 Speaker 3: I also drop parallels kind of between asl interpreters, right, 511 00:23:38,040 --> 00:23:41,199 Speaker 3: So there's an interpretive element for sure, And when I 512 00:23:41,280 --> 00:23:44,440 Speaker 3: do my job correctly, the message gets delivered, but there 513 00:23:44,560 --> 00:23:47,359 Speaker 3: is a period of kind of having to assess, you know, 514 00:23:47,440 --> 00:23:49,320 Speaker 3: do I deliver it exactly as I'm receiving it? 515 00:23:49,920 --> 00:23:52,439 Speaker 4: Do I keep in mind a bedside manner? You know? 516 00:23:52,520 --> 00:23:56,480 Speaker 3: And this job has made me very diplomatic in my 517 00:23:56,560 --> 00:23:59,720 Speaker 3: ability to relay sometimes really tough things in ways where 518 00:23:59,840 --> 00:24:02,120 Speaker 3: I understand what's being said, the person I'm reading understands 519 00:24:02,160 --> 00:24:05,280 Speaker 3: what's being said, but maybe everyone else watching doesn't. 520 00:24:06,240 --> 00:24:09,080 Speaker 2: How is it to like, I feel like people direct 521 00:24:09,080 --> 00:24:13,359 Speaker 2: a lot of emotion at you. Yes, in the physical world, 522 00:24:13,920 --> 00:24:16,119 Speaker 2: not to mention, you know, everything beyond that, but like, 523 00:24:17,040 --> 00:24:19,040 Speaker 2: is that a little is there a stress test that 524 00:24:19,080 --> 00:24:22,360 Speaker 2: you've sort of like familiarized yourself with, like, there has 525 00:24:22,400 --> 00:24:24,320 Speaker 2: to be a point where that kind of buckles a bit. 526 00:24:24,440 --> 00:24:25,280 Speaker 4: It's intense, you know. 527 00:24:25,440 --> 00:24:28,280 Speaker 3: I think by nature what I do is pretty ambiguous, right. 528 00:24:28,320 --> 00:24:32,879 Speaker 3: It exists out of really this quantifiable thing. It's not 529 00:24:32,920 --> 00:24:35,800 Speaker 3: scientifically proven as of yet, and I don't even think 530 00:24:35,800 --> 00:24:39,239 Speaker 3: it's necessarily a scientific claim for me. This exists more 531 00:24:39,280 --> 00:24:42,880 Speaker 3: in the realm of creativity than it does science. 532 00:24:42,960 --> 00:24:43,160 Speaker 1: Now. 533 00:24:43,280 --> 00:24:45,800 Speaker 3: I have had my brain scan during a reading by 534 00:24:45,920 --> 00:24:48,879 Speaker 3: scientists who have acknowledged that there's something weird going on 535 00:24:48,960 --> 00:24:52,159 Speaker 3: in this noggin as I scribble and essence to go 536 00:24:52,240 --> 00:24:54,439 Speaker 3: into a sleep state, and it was covered in the 537 00:24:54,480 --> 00:24:56,600 Speaker 3: actual last episode of my show Hollywood Medium. 538 00:24:56,840 --> 00:24:57,720 Speaker 4: So I've been kind of. 539 00:24:57,680 --> 00:24:59,639 Speaker 3: Put to the test in essence, I've shown a willingness 540 00:24:59,800 --> 00:25:02,000 Speaker 3: to to go to a laboratory get hooked up see 541 00:25:02,000 --> 00:25:02,879 Speaker 3: if anything's happening. 542 00:25:03,200 --> 00:25:04,720 Speaker 4: But I really view it more subjective. 543 00:25:04,800 --> 00:25:06,359 Speaker 3: It's like a piece of art in that if I 544 00:25:06,400 --> 00:25:08,560 Speaker 3: paint you a picture, it's going to have more meaning 545 00:25:08,600 --> 00:25:09,480 Speaker 3: because it's for you. 546 00:25:09,800 --> 00:25:10,920 Speaker 4: And if someone else sees. 547 00:25:10,760 --> 00:25:13,080 Speaker 3: That picture, they might go, oh I could paint that, 548 00:25:13,200 --> 00:25:15,320 Speaker 3: or oh that's not a very great picture. But if 549 00:25:15,320 --> 00:25:17,439 Speaker 3: it means something the person I'm reading, then that for 550 00:25:17,520 --> 00:25:20,120 Speaker 3: me is the point implicitly, would. 551 00:25:19,920 --> 00:25:24,880 Speaker 1: Do you remember the first time that you felt something 552 00:25:25,080 --> 00:25:27,679 Speaker 1: was different about the way you were perceiving the world 553 00:25:27,720 --> 00:25:29,920 Speaker 1: and the beyond, Like, do you remember the first time 554 00:25:29,920 --> 00:25:30,680 Speaker 1: that that happened? 555 00:25:30,800 --> 00:25:30,960 Speaker 4: You know? 556 00:25:31,040 --> 00:25:33,480 Speaker 3: I found that when I really was ten years old, 557 00:25:33,480 --> 00:25:35,280 Speaker 3: in April of two thousand and six, I had my 558 00:25:35,320 --> 00:25:38,520 Speaker 3: first premonition of my grandmother's death. But there were so 559 00:25:38,560 --> 00:25:40,400 Speaker 3: many moments as a kid, as an only child who 560 00:25:40,560 --> 00:25:42,720 Speaker 3: very much was a loner and very much kept to myself, 561 00:25:43,560 --> 00:25:45,600 Speaker 3: that I found that I would just so often see 562 00:25:45,640 --> 00:25:48,720 Speaker 3: myself and other people. And it's kind of a hard 563 00:25:48,720 --> 00:25:51,479 Speaker 3: thing to explain, but I never truly felt alone, despite 564 00:25:51,560 --> 00:25:53,560 Speaker 3: spending a lot of time alone. And when I would 565 00:25:53,560 --> 00:25:56,920 Speaker 3: say with people, we'd oftentimes go into these really deep conversations. 566 00:25:56,920 --> 00:25:58,720 Speaker 3: Even when I was a kid, and even when talking 567 00:25:58,720 --> 00:26:01,479 Speaker 3: to adults, I could just tell was not normal. And 568 00:26:01,520 --> 00:26:03,280 Speaker 3: so I found that often what I was guided to 569 00:26:03,280 --> 00:26:06,200 Speaker 3: discuss with people, they would acknowledge as being timely or 570 00:26:06,240 --> 00:26:08,120 Speaker 3: maybe important, or maybe something on their heart. 571 00:26:08,160 --> 00:26:10,639 Speaker 4: And then I kind of learned, Okay, there's something to this. 572 00:26:10,760 --> 00:26:13,320 Speaker 3: There's an intuition behind why I'm bringing up the things 573 00:26:13,400 --> 00:26:13,840 Speaker 3: I bring up. 574 00:26:14,040 --> 00:26:17,840 Speaker 2: Yes, now on that topic of like guidance or being guided, 575 00:26:18,720 --> 00:26:22,000 Speaker 2: how much of what your reception is is like your 576 00:26:22,040 --> 00:26:25,840 Speaker 2: own intuition, something in the form of a guide, something 577 00:26:25,880 --> 00:26:29,120 Speaker 2: in the form of what is kind of like kinetically 578 00:26:29,160 --> 00:26:31,400 Speaker 2: happening through the scribbles, Like how does that all come 579 00:26:31,440 --> 00:26:33,200 Speaker 2: together for you on sure Cauria, Well. 580 00:26:33,040 --> 00:26:35,280 Speaker 3: The scribbles just kind of act as a process that 581 00:26:35,359 --> 00:26:37,040 Speaker 3: allows me to open up and kind of turn on, 582 00:26:37,240 --> 00:26:38,919 Speaker 3: so that when I'm not scribbling, I can kind of 583 00:26:38,920 --> 00:26:40,639 Speaker 3: turn off and maintain a conversation. 584 00:26:41,119 --> 00:26:42,200 Speaker 4: But when I open. 585 00:26:42,040 --> 00:26:45,280 Speaker 3: Up, you know, it's basically a process in which there 586 00:26:45,280 --> 00:26:47,280 Speaker 3: are a lot of impressions that I have to navigate 587 00:26:47,680 --> 00:26:50,760 Speaker 3: and then deliver and very oftentimes you know, it'll be 588 00:26:50,880 --> 00:26:52,680 Speaker 3: very clear, and then other times I have to make 589 00:26:52,720 --> 00:26:56,000 Speaker 3: inferences based off of the symbology that comes through, so 590 00:26:56,280 --> 00:26:59,919 Speaker 3: it gets kind of convoluted sometimes in an in certain explanations. 591 00:27:00,040 --> 00:27:02,800 Speaker 3: I think there's an aspect of intuitive poll that one 592 00:27:02,840 --> 00:27:05,280 Speaker 3: might have sometimes just to say things, and even if 593 00:27:05,320 --> 00:27:07,399 Speaker 3: you don't know where it's coming from, if it makes sense, 594 00:27:07,960 --> 00:27:08,520 Speaker 3: you know it has. 595 00:27:09,000 --> 00:27:11,080 Speaker 1: I wonder too, like so when this is when you 596 00:27:11,080 --> 00:27:12,920 Speaker 1: were very young that you first realized is what. 597 00:27:13,000 --> 00:27:14,000 Speaker 4: Nine ten years old? 598 00:27:14,119 --> 00:27:16,720 Speaker 1: Yes, So that's usually the age too when you start 599 00:27:16,760 --> 00:27:18,840 Speaker 1: realizing a lot of things about yourself. So there's a 600 00:27:18,880 --> 00:27:22,200 Speaker 1: lot to reconcile. You're becoming yourself and you're stepping into 601 00:27:22,200 --> 00:27:26,280 Speaker 1: your identity. And also there's this other thing. I wonder like, 602 00:27:26,359 --> 00:27:30,000 Speaker 1: when you were younger, did you experience like overwhelm and 603 00:27:30,040 --> 00:27:33,640 Speaker 1: anxiety about this stuff and like your mother figures into 604 00:27:33,680 --> 00:27:37,960 Speaker 1: your show, Yes, but I wonder like, how difficult was 605 00:27:38,040 --> 00:27:40,679 Speaker 1: that to have not only the burden of growing up 606 00:27:40,760 --> 00:27:43,720 Speaker 1: and everything that comes with that no matter who you are, 607 00:27:44,000 --> 00:27:47,240 Speaker 1: but also this other thing and how did that manifest 608 00:27:47,240 --> 00:27:48,040 Speaker 1: itself in your life? 609 00:27:48,160 --> 00:27:48,400 Speaker 4: Yeah? 610 00:27:48,480 --> 00:27:50,080 Speaker 3: You know, I think in many ways I'm thankful for 611 00:27:50,119 --> 00:27:52,719 Speaker 3: being gay, Yeah, because I feel like it helped me, 612 00:27:52,920 --> 00:27:55,560 Speaker 3: from a very early age understand that there are going 613 00:27:55,600 --> 00:27:58,399 Speaker 3: to be people who inherently don't like you for being different, 614 00:27:58,880 --> 00:28:01,200 Speaker 3: and coming to that conclude vision was tough pill to swallow, 615 00:28:01,280 --> 00:28:04,080 Speaker 3: especially if someone was sensitive and still very sensitive. 616 00:28:04,200 --> 00:28:06,760 Speaker 4: Yeah, but I learned to kind of reframe it. 617 00:28:06,760 --> 00:28:09,720 Speaker 3: To view it as something that was worth having courage for, 618 00:28:10,680 --> 00:28:15,399 Speaker 3: and that individuality and that self sacrifice ultimately was worth it, 619 00:28:15,440 --> 00:28:17,560 Speaker 3: and I think is worth it for anybody who can 620 00:28:17,600 --> 00:28:19,199 Speaker 3: live and be true to who they are, you know, 621 00:28:19,359 --> 00:28:22,400 Speaker 3: the world responds. But it was a challenge a group 622 00:28:22,400 --> 00:28:25,240 Speaker 3: in a very conservative household who a lot of Christians, 623 00:28:25,480 --> 00:28:28,000 Speaker 3: in particular of the denomination I came from, you know, 624 00:28:28,080 --> 00:28:30,879 Speaker 3: were not into mediums, felt that it was the devil 625 00:28:31,560 --> 00:28:33,840 Speaker 3: and being villainized in that way. I think a lot 626 00:28:33,880 --> 00:28:36,520 Speaker 3: of gay people can't relate to being told there's. 627 00:28:36,280 --> 00:28:37,080 Speaker 4: Something wrong with you. 628 00:28:37,440 --> 00:28:39,200 Speaker 3: But to be able to then take a step back 629 00:28:39,240 --> 00:28:42,120 Speaker 3: and realize that what makes us unique is our superpower, 630 00:28:42,280 --> 00:28:44,240 Speaker 3: that it's one of the greatest gifts we can give 631 00:28:44,280 --> 00:28:46,360 Speaker 3: to the world, is that courage to be true to 632 00:28:46,400 --> 00:28:49,440 Speaker 3: who we are and what makes us different. And that's 633 00:28:49,480 --> 00:28:51,800 Speaker 3: the lesson I learned in California. 634 00:28:51,960 --> 00:28:54,200 Speaker 4: I did Central California. It's a lot of agriculture. 635 00:28:54,200 --> 00:28:57,680 Speaker 3: We got cows, we got prisons, we got we got 636 00:28:57,760 --> 00:28:59,680 Speaker 3: colcim persons. If you get in trouble, you just walk 637 00:28:59,680 --> 00:29:01,240 Speaker 3: across the street and they just put you in the 638 00:29:01,840 --> 00:29:03,560 Speaker 3: Oh my god. 639 00:29:03,360 --> 00:29:04,800 Speaker 1: I mean, like growing up there, do. 640 00:29:04,720 --> 00:29:07,920 Speaker 2: You feel this like directional poll to the cities in 641 00:29:07,960 --> 00:29:11,160 Speaker 2: the state, Like right, Like was that always like a 642 00:29:11,240 --> 00:29:13,440 Speaker 2: target you were calling? Like if I had my brothers. 643 00:29:13,480 --> 00:29:15,360 Speaker 2: Once I get them, I'm gonna I'm gonna skip up town. 644 00:29:15,480 --> 00:29:17,040 Speaker 3: Yes, well, you know I was looking if Hanford had 645 00:29:17,040 --> 00:29:19,320 Speaker 3: a train station and they would take us to LA. 646 00:29:19,400 --> 00:29:21,040 Speaker 4: When I was but a munchkin. I was a I 647 00:29:21,040 --> 00:29:22,240 Speaker 4: don't know that's politically correct. 648 00:29:22,240 --> 00:29:22,640 Speaker 5: I was little. 649 00:29:22,680 --> 00:29:27,440 Speaker 4: I was I was under eighteen, I was around sixteen seventeen. 650 00:29:27,480 --> 00:29:29,080 Speaker 3: I would hop on the train and go to LA 651 00:29:29,280 --> 00:29:31,440 Speaker 3: and sometimes I'd tell my parents sometimes I wouldn't be 652 00:29:31,480 --> 00:29:33,760 Speaker 3: like later. And you know, that allowed me to both 653 00:29:33,920 --> 00:29:37,160 Speaker 3: have an identity, have some individuality, have some freedom, never 654 00:29:37,200 --> 00:29:38,560 Speaker 3: got in any trouble short. 655 00:29:38,360 --> 00:29:40,400 Speaker 4: Of a couple of things. Yeah, but that allowed me 656 00:29:40,400 --> 00:29:42,040 Speaker 4: to really put it to the test and be able 657 00:29:42,080 --> 00:29:44,240 Speaker 4: to see that I can rely on myself, that there 658 00:29:44,320 --> 00:29:46,480 Speaker 4: is hope, and that if you stick around, you know, 659 00:29:46,560 --> 00:29:47,960 Speaker 4: life generally does get better. 660 00:29:48,320 --> 00:29:50,560 Speaker 1: Yeah. And so at what point, like you talk about 661 00:29:50,560 --> 00:29:53,200 Speaker 1: growing up in California, you know you're drawn to LA. 662 00:29:53,320 --> 00:29:55,720 Speaker 1: Eventually you do move there. And we have Tyler Henry 663 00:29:55,760 --> 00:29:57,640 Speaker 1: Hollywood Medium, which is really the show that puts you 664 00:29:57,720 --> 00:30:00,080 Speaker 1: on the map. So the conceit of that show is 665 00:30:00,120 --> 00:30:02,959 Speaker 1: Tyler doesn't know celebrities, like he doesn't know who these 666 00:30:03,000 --> 00:30:06,560 Speaker 1: people are. He's coming in blind. I wonder, like, now 667 00:30:06,640 --> 00:30:10,000 Speaker 1: clear of that show, like how true was that? And 668 00:30:10,080 --> 00:30:12,600 Speaker 1: also when someone walked in and you did know them, 669 00:30:12,640 --> 00:30:14,480 Speaker 1: does that change your process totally? 670 00:30:14,600 --> 00:30:16,760 Speaker 3: So when it came to that, I genuinely was never 671 00:30:16,760 --> 00:30:18,560 Speaker 3: told where I was going or who I was reading, 672 00:30:18,840 --> 00:30:21,200 Speaker 3: And especially in season one, I was a baby. I 673 00:30:21,240 --> 00:30:23,400 Speaker 3: came in this little town that it really just wasn't 674 00:30:23,480 --> 00:30:26,800 Speaker 3: very interested in pop culture or even really television. And 675 00:30:26,840 --> 00:30:29,800 Speaker 3: so naturally, as my career started being warrented around celebrities, 676 00:30:30,120 --> 00:30:32,560 Speaker 3: it became one of the more frustrating aspects of my 677 00:30:32,680 --> 00:30:35,840 Speaker 3: job reading people who have everything about them on the 678 00:30:35,880 --> 00:30:39,640 Speaker 3: internet and even fans of them who oftentimes know their 679 00:30:39,800 --> 00:30:42,760 Speaker 3: entire history, and then by genuinely not knowing who they were, 680 00:30:42,800 --> 00:30:45,200 Speaker 3: I wouldn't know what they discussed in an interview or 681 00:30:45,240 --> 00:30:48,120 Speaker 3: what was public or what was even obvious sometimes and 682 00:30:48,160 --> 00:30:50,000 Speaker 3: that was one of the downsides of actually not knowing 683 00:30:50,000 --> 00:30:50,800 Speaker 3: what I was going into. 684 00:30:51,080 --> 00:30:53,080 Speaker 1: And I guess that would feed like a skepticism on 685 00:30:53,120 --> 00:30:55,960 Speaker 1: the audience's part, where you know, Khlae Kardashkian comes in 686 00:30:56,000 --> 00:30:58,280 Speaker 1: and sits down and then there's you like and the 687 00:30:58,320 --> 00:31:00,920 Speaker 1: conceit is he doesn't know who that is, but I 688 00:31:00,960 --> 00:31:02,040 Speaker 1: believe that, yeah. 689 00:31:01,920 --> 00:31:04,440 Speaker 4: Well there was one of you recognizing Megan Fox though. 690 00:31:04,520 --> 00:31:06,880 Speaker 4: That was very horrible and totally and I love you. 691 00:31:07,000 --> 00:31:09,040 Speaker 3: And to be fair too, I came on, you know, 692 00:31:09,040 --> 00:31:11,440 Speaker 3: the Kardashians as one of my first gigs ever, and. 693 00:31:11,400 --> 00:31:14,040 Speaker 4: So I definitely knew them, knew Chloe, you know, and 694 00:31:14,280 --> 00:31:14,720 Speaker 4: all of that. 695 00:31:14,760 --> 00:31:16,280 Speaker 3: But by and large, I mean, there were a lot 696 00:31:16,280 --> 00:31:18,240 Speaker 3: of instances where people would come and answer the door 697 00:31:18,480 --> 00:31:20,120 Speaker 3: and they look like an older version of themselves. 698 00:31:20,240 --> 00:31:21,960 Speaker 4: I remember Bobby Brown answered the. 699 00:31:21,880 --> 00:31:24,720 Speaker 3: Door when he was dressed in like sweatpants and like 700 00:31:24,760 --> 00:31:26,960 Speaker 3: a T shirt, and like the Bobby Brown of the 701 00:31:26,960 --> 00:31:28,720 Speaker 3: eighties is very different in appearance than. 702 00:31:28,600 --> 00:31:31,640 Speaker 4: The Bobby Brown and Whitney came through, and Whitney came through. 703 00:31:31,840 --> 00:31:34,800 Speaker 3: So it just reflects to me this idea that we're 704 00:31:34,800 --> 00:31:36,920 Speaker 3: all human, we're all looking for the same things. And 705 00:31:36,960 --> 00:31:39,280 Speaker 3: what I always found so substantiating in those readings was 706 00:31:39,320 --> 00:31:42,240 Speaker 3: the things that couldn't be googled, couldn't have been told 707 00:31:42,240 --> 00:31:44,640 Speaker 3: from an interview that someone gave, and that you know, 708 00:31:44,680 --> 00:31:47,080 Speaker 3: they know celebrities are oftentimes the first to look themselves 709 00:31:47,120 --> 00:31:49,320 Speaker 3: up and see what was out there. So I always 710 00:31:49,400 --> 00:31:50,960 Speaker 3: had to kind of go for those things that were 711 00:31:51,160 --> 00:31:52,000 Speaker 3: largely unknown. 712 00:31:52,360 --> 00:31:55,560 Speaker 2: What happened in the space between you moving to LA 713 00:31:55,760 --> 00:31:57,440 Speaker 2: and I might be getting the order of events wrong, 714 00:31:57,520 --> 00:32:01,800 Speaker 2: but you make a name for yourself as medium, how 715 00:32:01,840 --> 00:32:03,960 Speaker 2: does that turn into the show? 716 00:32:04,560 --> 00:32:05,760 Speaker 4: It was a work in progress, you know. 717 00:32:06,000 --> 00:32:08,239 Speaker 3: My first celebrity client was with Sarah Paulson and I 718 00:32:08,240 --> 00:32:10,720 Speaker 3: I read her and that came through a phone call. 719 00:32:10,760 --> 00:32:12,600 Speaker 4: One day. She called me up and said, hey, I 720 00:32:12,600 --> 00:32:15,120 Speaker 4: heard that you're a medium. Wow, I like reading, and 721 00:32:15,160 --> 00:32:15,800 Speaker 4: so I gave her one. 722 00:32:15,880 --> 00:32:18,120 Speaker 3: My hand was shaking, and she has had any love 723 00:32:18,160 --> 00:32:20,160 Speaker 3: life advice for Jessica Lang And then I about poot 724 00:32:20,200 --> 00:32:20,560 Speaker 3: my pants. 725 00:32:20,600 --> 00:32:23,640 Speaker 4: Oh my god, Oh my god, I'm going into gay purgatory. 726 00:32:23,640 --> 00:32:25,400 Speaker 4: This is amazing. I was like transitioning. 727 00:32:25,800 --> 00:32:29,760 Speaker 5: That was the first celebrity event was about Jessica. 728 00:32:29,840 --> 00:32:33,360 Speaker 4: I was so iconic. And then from there, you know, 729 00:32:33,520 --> 00:32:34,240 Speaker 4: just kind of evolved. 730 00:32:34,280 --> 00:32:36,959 Speaker 3: I ended up getting interest from the network, which being 731 00:32:37,000 --> 00:32:39,800 Speaker 3: a celebrity based platform, they only wanted to show about 732 00:32:39,800 --> 00:32:42,720 Speaker 3: me reading celebrity, which for me wasn't really my passion 733 00:32:42,800 --> 00:32:43,840 Speaker 3: or my goal at the beginning, of. 734 00:32:43,840 --> 00:32:45,680 Speaker 4: Course, but it allowed for good exposure. 735 00:32:45,720 --> 00:32:47,920 Speaker 3: It allowed me to ultimately connect with demographics of people 736 00:32:47,960 --> 00:32:49,800 Speaker 3: that would have never even known what a medium was. 737 00:32:49,960 --> 00:32:50,160 Speaker 1: Yeah. 738 00:32:50,200 --> 00:32:51,600 Speaker 3: I mean I was so proud to be able to 739 00:32:51,880 --> 00:32:55,320 Speaker 3: sit with Little Kim Yeah, and Biggie Yes, and Biggie 740 00:32:55,360 --> 00:32:57,200 Speaker 3: and you know, little John, And there were just so 741 00:32:57,240 --> 00:33:00,959 Speaker 3: many different groups of people that we were able to 742 00:33:01,120 --> 00:33:03,800 Speaker 3: tap into, but in a way that reflected a universal need. 743 00:33:04,160 --> 00:33:05,680 Speaker 3: Everybody has these questions. 744 00:33:05,960 --> 00:33:08,240 Speaker 1: I remember watching that Little Kim interview and I was like, 745 00:33:08,360 --> 00:33:10,040 Speaker 1: is Tyler Henry gonna. 746 00:33:09,720 --> 00:33:14,000 Speaker 5: Solve Biggie's murder right now? I say, cuts a commercial on. 747 00:33:13,960 --> 00:33:16,120 Speaker 1: Her being like, well, I think everyone will want to 748 00:33:16,160 --> 00:33:23,200 Speaker 1: know who killed him, honestly. But then you did say 749 00:33:23,200 --> 00:33:25,440 Speaker 1: a lot of things like it was definitely somebody he knew, 750 00:33:26,720 --> 00:33:29,360 Speaker 1: and that is you know, I think as time goes by, 751 00:33:29,680 --> 00:33:31,719 Speaker 1: I'm not gonna say anything, but it becomes clearer that 752 00:33:31,720 --> 00:33:34,080 Speaker 1: that may have been the case. I feel like it's 753 00:33:34,240 --> 00:33:37,040 Speaker 1: gotta be kind of surreal when it becomes like a 754 00:33:37,120 --> 00:33:41,840 Speaker 1: really big question or when it comes to fruition and 755 00:33:41,960 --> 00:33:45,280 Speaker 1: you were correct in such an alarming way, like, for example, 756 00:33:45,840 --> 00:33:48,680 Speaker 1: when you mentioned to Alan Thick that he needed to 757 00:33:48,720 --> 00:33:52,280 Speaker 1: watch his heart. That was that had to be very 758 00:33:52,440 --> 00:33:54,600 Speaker 1: like sobering to realize what had happened for you, And 759 00:33:54,640 --> 00:33:59,440 Speaker 1: I wonder, do you ever hedge when you're telling someone 760 00:33:59,680 --> 00:34:01,560 Speaker 1: what is really going on, Like you don't want to 761 00:34:01,560 --> 00:34:03,600 Speaker 1: tell Alan think that you see a massive heart attack 762 00:34:03,640 --> 00:34:04,280 Speaker 1: coming his way. 763 00:34:04,480 --> 00:34:07,120 Speaker 4: Right. All I can really do is deliver the information. 764 00:34:07,240 --> 00:34:09,080 Speaker 3: And it's been one of the most challenging parts of 765 00:34:09,120 --> 00:34:11,040 Speaker 3: my job because there'sn't a school you can go to 766 00:34:11,040 --> 00:34:13,480 Speaker 3: to like become a medium writer or read a book 767 00:34:13,520 --> 00:34:16,000 Speaker 3: and understand the ins and outs of the complexities of 768 00:34:16,000 --> 00:34:17,759 Speaker 3: that job. So when I say it with someone, I 769 00:34:17,840 --> 00:34:21,400 Speaker 3: viewed as a responsibility to impart with them something valuable, 770 00:34:21,400 --> 00:34:23,440 Speaker 3: something they can take and apply in a practical way 771 00:34:23,440 --> 00:34:25,360 Speaker 3: in their life. And in that case with Alan, it 772 00:34:25,440 --> 00:34:27,359 Speaker 3: was you go get your heart checked. But I went 773 00:34:27,400 --> 00:34:29,600 Speaker 3: on about it for about two or three minutes, and 774 00:34:30,160 --> 00:34:32,600 Speaker 3: even I saw the unedited clip thereafter they had sent it, 775 00:34:32,640 --> 00:34:34,960 Speaker 3: and I just was railing on him about going and 776 00:34:35,000 --> 00:34:37,600 Speaker 3: doing this, and he just laughed it off and said, oh, thanks, 777 00:34:37,640 --> 00:34:38,360 Speaker 3: doctor Tyler. 778 00:34:38,640 --> 00:34:39,640 Speaker 4: Yeah he was. 779 00:34:39,719 --> 00:34:41,200 Speaker 1: He did not take it serious. 780 00:34:40,960 --> 00:34:43,320 Speaker 3: And you know, and and it was frustrating because the 781 00:34:43,320 --> 00:34:45,480 Speaker 3: bottom line is all older men should keep in mind 782 00:34:45,520 --> 00:34:47,480 Speaker 3: their heart. Everyone at the bottom line should get a 783 00:34:47,560 --> 00:34:49,360 Speaker 3: check up if you have health insurance, like, could you know, 784 00:34:49,440 --> 00:34:50,360 Speaker 3: be on top of your. 785 00:34:50,200 --> 00:34:52,279 Speaker 2: Health if you can, and you need to book the 786 00:34:52,320 --> 00:34:54,960 Speaker 2: ET So I need to book the NT. I literally 787 00:34:54,960 --> 00:34:56,680 Speaker 2: got off a plane the other day and I am 788 00:34:56,719 --> 00:34:57,160 Speaker 2: my throat. 789 00:34:57,800 --> 00:35:00,040 Speaker 1: Well, it's so funny and like you know, he he 790 00:35:00,160 --> 00:35:02,680 Speaker 1: often does need more rest after Oh my god, you do. 791 00:35:02,800 --> 00:35:05,759 Speaker 1: He flies a lot and he travels a lot. I'm 792 00:35:05,800 --> 00:35:07,000 Speaker 1: saying that is the thing. 793 00:35:07,040 --> 00:35:09,480 Speaker 5: Like him mentioning air travel and needing to rest. 794 00:35:10,440 --> 00:35:12,960 Speaker 4: My god, you're mister worldwide. You're all over. 795 00:35:15,000 --> 00:35:16,640 Speaker 1: Trying to make it so that he can be. 796 00:35:18,560 --> 00:35:20,239 Speaker 5: That was crazy. I mean like, and I will be 797 00:35:20,280 --> 00:35:22,920 Speaker 5: watching my stomach now because my stomach has changed. I 798 00:35:22,920 --> 00:35:24,239 Speaker 5: mean I'm a thirty four year old man. 799 00:35:24,440 --> 00:35:25,680 Speaker 1: Yes, but like it is. 800 00:35:26,160 --> 00:35:28,239 Speaker 5: I will say, like, if you see something really dark 801 00:35:28,239 --> 00:35:29,520 Speaker 5: with my stomach, you can tell me. 802 00:35:29,520 --> 00:35:31,680 Speaker 4: Oh yeah, no nothing there, just you know, just to 803 00:35:31,840 --> 00:35:32,600 Speaker 4: watch the inflammation. 804 00:35:32,800 --> 00:35:34,919 Speaker 1: That's not what you want to be the thing that's wrong. 805 00:35:35,040 --> 00:35:37,200 Speaker 1: No stomach, that is so, that is true. 806 00:35:37,200 --> 00:35:38,440 Speaker 4: No no hemorrhoids here. 807 00:35:38,520 --> 00:35:41,120 Speaker 1: Yeah, no thing, no, No. Do you ever see this 808 00:35:41,160 --> 00:35:42,040 Speaker 1: stuff for yourself? 809 00:35:42,200 --> 00:35:42,680 Speaker 4: Sometimes? 810 00:35:42,880 --> 00:35:44,719 Speaker 3: Yeah, yeah, there has been times that actually life or 811 00:35:44,760 --> 00:35:47,080 Speaker 3: death situations I find are able to kind of bypass 812 00:35:47,200 --> 00:35:49,839 Speaker 3: that inherent bias that I have about myself. So I'm 813 00:35:49,840 --> 00:35:52,319 Speaker 3: a bit of like a hypochondriac. I'm always worried that 814 00:35:52,360 --> 00:35:55,359 Speaker 3: something's wrong with me. But there have been times where 815 00:35:55,440 --> 00:35:58,000 Speaker 3: my intuition superseded that. I remember I was in the 816 00:35:58,040 --> 00:35:59,560 Speaker 3: car with my mom one day and it was like, Mom, 817 00:35:59,600 --> 00:36:02,439 Speaker 3: I think my brain swelling, I have water on the brain, 818 00:36:02,560 --> 00:36:04,520 Speaker 3: and she was like, okay, drama queen, whatever. 819 00:36:05,040 --> 00:36:05,920 Speaker 4: And I ended up. 820 00:36:05,880 --> 00:36:09,000 Speaker 3: Actually a couple of weeks later, getting hospitalized with hydrocephalus, 821 00:36:09,040 --> 00:36:11,520 Speaker 3: which is water on the brain, and I'd had a 822 00:36:11,520 --> 00:36:13,960 Speaker 3: brain cyst near my brain stem that was cutting off 823 00:36:14,000 --> 00:36:17,840 Speaker 3: cerebral spinal fluid from flowing when new emergency brain surgery. 824 00:36:17,920 --> 00:36:19,399 Speaker 4: Still have the scar, and. 825 00:36:19,400 --> 00:36:22,839 Speaker 3: Still actually have the cyst, which has grown a little 826 00:36:22,880 --> 00:36:26,960 Speaker 3: bit since. But Yeah, that awareness was bizarre and clearly 827 00:36:27,080 --> 00:36:28,759 Speaker 3: something else was looking out for me at a very 828 00:36:28,760 --> 00:36:29,960 Speaker 3: integral time. 829 00:36:30,040 --> 00:36:33,360 Speaker 1: Yeah, is anyone else in your family touched with this gift? 830 00:36:33,520 --> 00:36:35,239 Speaker 1: How do you explain it? Like when you say touched 831 00:36:35,280 --> 00:36:36,359 Speaker 1: with the gift, Like, what do you say? 832 00:36:36,480 --> 00:36:37,279 Speaker 5: Just like, you know, I. 833 00:36:37,280 --> 00:36:39,680 Speaker 3: Consider it an ability, just like anything else, right, And 834 00:36:39,719 --> 00:36:42,480 Speaker 3: we all have instincts, right, we all can shake someone's 835 00:36:42,480 --> 00:36:44,400 Speaker 3: hand and get a feeling, or you give someone a 836 00:36:44,480 --> 00:36:45,879 Speaker 3: hug and you kind of pull back and you get 837 00:36:45,880 --> 00:36:48,120 Speaker 3: a fleeting moment of a sense of something, and I 838 00:36:48,120 --> 00:36:50,400 Speaker 3: think people just don't really take it beyond that. 839 00:36:50,680 --> 00:36:52,840 Speaker 4: I think we all could, oh, interesting. 840 00:36:53,000 --> 00:36:53,480 Speaker 1: Interesting. 841 00:36:53,640 --> 00:36:57,319 Speaker 2: Yeah, you were so attuned to this moment with your 842 00:36:57,360 --> 00:37:01,440 Speaker 2: grandmother as a child that kind of was undeniable. 843 00:37:01,600 --> 00:37:03,800 Speaker 3: Yeah, And being an only child and being a loner 844 00:37:03,840 --> 00:37:05,560 Speaker 3: actually helped me. I think in some ways it allowed 845 00:37:05,600 --> 00:37:08,319 Speaker 3: me to not be influenced by other people's ideas of 846 00:37:08,360 --> 00:37:11,680 Speaker 3: what is okay and what's not okay, and what's appropriate 847 00:37:11,719 --> 00:37:13,640 Speaker 3: and what's inappropriate. And so I would, you know, sometimes 848 00:37:13,680 --> 00:37:18,080 Speaker 3: tell my teachers things about themselves. My algebra teacher in 849 00:37:18,200 --> 00:37:21,120 Speaker 3: ninth grade, I shared with her message from her former 850 00:37:21,520 --> 00:37:24,279 Speaker 3: mother in law and got into descriptions of what led 851 00:37:24,280 --> 00:37:27,840 Speaker 3: to her divorce and various things. And it was very humbling, because, 852 00:37:27,880 --> 00:37:29,520 Speaker 3: you know, in a certain way, she had tears in 853 00:37:29,520 --> 00:37:31,239 Speaker 3: her eyes, and the tables kind of turned from a 854 00:37:31,320 --> 00:37:33,160 Speaker 3: kind of power dynamic of you know, you're there with 855 00:37:33,200 --> 00:37:35,520 Speaker 3: your teacher. But I realized in that moment that it 856 00:37:35,560 --> 00:37:37,959 Speaker 3: was something that, when applied in the right way, could 857 00:37:37,960 --> 00:37:39,920 Speaker 3: really have an impact on someone's life. And this was 858 00:37:39,960 --> 00:37:42,359 Speaker 3: someone who did not have a biological mother of her 859 00:37:42,400 --> 00:37:44,719 Speaker 3: own who really loved her. So when she got into 860 00:37:44,760 --> 00:37:46,600 Speaker 3: this family and got into this marriage, you know, she 861 00:37:46,680 --> 00:37:49,680 Speaker 3: thought she'd finally got that mom that she always wanted, 862 00:37:49,719 --> 00:37:50,160 Speaker 3: and she did. 863 00:37:50,400 --> 00:37:52,800 Speaker 4: That didn't end just because the divorce. 864 00:37:52,520 --> 00:37:55,399 Speaker 2: Right, I mean, this is the thing that I think 865 00:37:55,480 --> 00:38:02,120 Speaker 2: kind of transcends any skepticism around this idea of clairvoyance. Right, 866 00:38:02,160 --> 00:38:04,920 Speaker 2: It's like, well, not to make this comparison. It's such 867 00:38:04,920 --> 00:38:07,600 Speaker 2: a gross comparison. But like like with astrology, it's like 868 00:38:07,880 --> 00:38:10,640 Speaker 2: it is in ways pseudo scientific, but it is giving 869 00:38:10,680 --> 00:38:13,160 Speaker 2: meaning to people. It's giving people a way to model 870 00:38:13,200 --> 00:38:16,200 Speaker 2: themselves and their behavior and examine. 871 00:38:15,680 --> 00:38:16,520 Speaker 4: Parts of their life. 872 00:38:16,600 --> 00:38:20,239 Speaker 2: I feel like you having this impact on people the 873 00:38:20,280 --> 00:38:23,800 Speaker 2: world over and on such a large scale is so meaningful. 874 00:38:33,120 --> 00:38:35,399 Speaker 2: Talk about what you're excited about with this four what's 875 00:38:35,440 --> 00:38:36,799 Speaker 2: the run of show going to be? What's that going 876 00:38:36,840 --> 00:38:37,440 Speaker 2: to want to look like? 877 00:38:37,520 --> 00:38:39,880 Speaker 3: Absolutely, well, there's a lot, we have thirty two cities 878 00:38:39,880 --> 00:38:43,600 Speaker 3: across the US. Busy, yes, But basically it's it's a 879 00:38:43,640 --> 00:38:45,759 Speaker 3: show generally goes ninety to an hour and a half. 880 00:38:46,000 --> 00:38:47,920 Speaker 4: Let's see how I'm bad with math, yeah, but you 881 00:38:48,320 --> 00:38:50,080 Speaker 4: know an hour and a half to two hours. 882 00:38:49,520 --> 00:38:53,399 Speaker 3: Yes, gifts, math is not one of them all day, 883 00:38:54,600 --> 00:38:57,320 Speaker 3: but I get to travel and basically read audience members 884 00:38:57,440 --> 00:38:59,399 Speaker 3: and you know, sometimes there's two thousand people, sims, there's 885 00:38:59,400 --> 00:39:02,480 Speaker 3: five thousand, and the big crux of that is going 886 00:39:02,480 --> 00:39:05,080 Speaker 3: and figuring out where I'm at in the audience, delivering 887 00:39:05,120 --> 00:39:06,960 Speaker 3: the message in a timely way, and then moving on. 888 00:39:07,400 --> 00:39:09,560 Speaker 3: You know, it's almost like the clock is ticking when 889 00:39:09,600 --> 00:39:11,960 Speaker 3: you're on stage. For any performer, you know you can relate. 890 00:39:12,280 --> 00:39:13,799 Speaker 3: And so with my job, I have to be able 891 00:39:13,840 --> 00:39:16,120 Speaker 3: to kind of go to the clearest line of connection, 892 00:39:16,320 --> 00:39:19,080 Speaker 3: generally the path of least resistance. Yes, and I have 893 00:39:19,080 --> 00:39:20,480 Speaker 3: a whole bunch of ways that I kind of do 894 00:39:20,520 --> 00:39:23,480 Speaker 3: that mentally. But it ultimately allows us to have a 895 00:39:23,520 --> 00:39:26,319 Speaker 3: shared experience where, whether you're read or not, seeing the 896 00:39:26,320 --> 00:39:30,440 Speaker 3: process live unedited can be really cathartic and really interesting 897 00:39:30,480 --> 00:39:33,120 Speaker 3: because you see how many similarities people have, both with 898 00:39:33,160 --> 00:39:35,960 Speaker 3: the people being read and oftentimes the experiences that are 899 00:39:35,960 --> 00:39:39,239 Speaker 3: informing it. The amount of people who have had an 900 00:39:39,280 --> 00:39:42,080 Speaker 3: experience with a ghost but don't believe in ghosts, it 901 00:39:42,200 --> 00:39:44,480 Speaker 3: is huge, Right, There's a famous quote of everybody has 902 00:39:44,520 --> 00:39:47,120 Speaker 3: a ghost story, not everybody believes in ghosts. Yeah, and 903 00:39:47,160 --> 00:39:48,879 Speaker 3: you find that to kind of be exemplified in these 904 00:39:48,880 --> 00:39:52,520 Speaker 3: readings that people just don't feel comfortable talking about sometimes 905 00:39:52,560 --> 00:39:55,799 Speaker 3: these anomalous things, but you realize they are universal and 906 00:39:55,840 --> 00:39:57,760 Speaker 3: they do apply and can be comforting. 907 00:39:58,280 --> 00:39:58,520 Speaker 4: Well. 908 00:39:58,560 --> 00:40:01,799 Speaker 1: On that so, like you describe the way that you're 909 00:40:01,840 --> 00:40:07,160 Speaker 1: communicating as sensory, but do you believe in the type 910 00:40:07,160 --> 00:40:10,640 Speaker 1: of ghost that people talk about seeing, Like, do you 911 00:40:10,719 --> 00:40:14,719 Speaker 1: think that like it's possible or have you experienced these 912 00:40:14,760 --> 00:40:17,920 Speaker 1: things that you sense like physicalizing in the world. 913 00:40:18,400 --> 00:40:19,960 Speaker 4: I think it's certainly possible. You know. 914 00:40:20,000 --> 00:40:22,840 Speaker 3: There's those kind of ideas of hauntings and ghosts and 915 00:40:22,880 --> 00:40:24,719 Speaker 3: things that go bump in the night, And for me, 916 00:40:24,960 --> 00:40:26,880 Speaker 3: I take a more human approach in the sense that 917 00:40:26,920 --> 00:40:29,400 Speaker 3: when I connect with an individual or I have someone 918 00:40:29,560 --> 00:40:31,440 Speaker 3: you know come through and say, I try to communicate 919 00:40:31,480 --> 00:40:33,680 Speaker 3: with my loved one, I tell people to remember these 920 00:40:33,840 --> 00:40:37,680 Speaker 3: departed people are our brothers, our sisters, our family, our grandparents. 921 00:40:38,200 --> 00:40:40,080 Speaker 3: They're not things that go bump in the night. And 922 00:40:40,160 --> 00:40:42,800 Speaker 3: so we have an experience, as far as our inclination 923 00:40:42,880 --> 00:40:45,239 Speaker 3: may be to be afraid, you know, I encourage people 924 00:40:45,320 --> 00:40:48,400 Speaker 3: to appreciate the ambiguity. We don't have to understand something 925 00:40:48,719 --> 00:40:51,359 Speaker 3: for hit to have meaning, and that's been a big 926 00:40:51,440 --> 00:40:54,000 Speaker 3: lesson to your point about astrology too. I think there's 927 00:40:54,040 --> 00:40:57,840 Speaker 3: this idea of you know, causal versus correlative, and I 928 00:40:57,880 --> 00:41:00,319 Speaker 3: do not believe that the stars, you know, cause things 929 00:41:00,360 --> 00:41:02,719 Speaker 3: to happen here. What I do think is that there 930 00:41:02,760 --> 00:41:06,040 Speaker 3: are certain correlations that have been made archetypally, the way 931 00:41:06,040 --> 00:41:09,560 Speaker 3: that things are seemed often reflected a deeper pattern, and 932 00:41:09,600 --> 00:41:11,560 Speaker 3: for me, that's what a lot of metaphysics kind of 933 00:41:11,560 --> 00:41:14,920 Speaker 3: revolves around, is the underlying patterns of reality, but not in. 934 00:41:14,840 --> 00:41:17,200 Speaker 4: A causal sense, more of a correlative sense. 935 00:41:17,280 --> 00:41:19,560 Speaker 1: Sure, I have to say, like a recent theme on 936 00:41:19,600 --> 00:41:23,239 Speaker 1: this podcast is we went to a psychic in New 937 00:41:23,320 --> 00:41:28,120 Speaker 1: York and the experience ended up being one where I'm 938 00:41:28,239 --> 00:41:31,520 Speaker 1: very sensitive and susceptible as well. Bowen is more discerning 939 00:41:31,560 --> 00:41:34,400 Speaker 1: than me, especially in this situation, but I ended up 940 00:41:34,400 --> 00:41:37,080 Speaker 1: losing a lot of money because someone kind of ran 941 00:41:37,160 --> 00:41:40,360 Speaker 1: me around. And I think that what I so appreciate 942 00:41:40,360 --> 00:41:42,359 Speaker 1: about what you do and what you've done for us, 943 00:41:42,880 --> 00:41:47,600 Speaker 1: is that you've given us helpful healing information and you've 944 00:41:47,640 --> 00:41:50,799 Speaker 1: sort of pointed us. But you're not scaring us, you know. 945 00:41:50,880 --> 00:41:54,200 Speaker 1: I think that's what I was dealing with is I 946 00:41:54,239 --> 00:41:57,000 Speaker 1: was kind of put in a position where essentially I 947 00:41:57,080 --> 00:41:59,520 Speaker 1: had to pay this person in order for her to 948 00:41:59,560 --> 00:42:01,040 Speaker 1: do spiritual work. 949 00:42:01,360 --> 00:42:03,759 Speaker 5: And I would say, I guess my question was predictive. 950 00:42:04,400 --> 00:42:05,160 Speaker 1: It was predictive. 951 00:42:05,360 --> 00:42:06,920 Speaker 2: I feel like he's going to do that, this person's 952 00:42:06,920 --> 00:42:08,920 Speaker 2: going to do this, and like that leaves you in 953 00:42:08,960 --> 00:42:11,520 Speaker 2: a terrible position of waiting for that thing to happen, right. 954 00:42:11,600 --> 00:42:13,680 Speaker 1: I mean I was basically told I would get back 955 00:42:13,680 --> 00:42:16,600 Speaker 1: together with my ex boyfriend if I allowed her to 956 00:42:16,640 --> 00:42:18,400 Speaker 1: do what she was going to do, and there was 957 00:42:18,440 --> 00:42:20,480 Speaker 1: a price tag on it, Yes, and I fell for that, 958 00:42:20,600 --> 00:42:22,880 Speaker 1: And so there's a lot of people that are falling 959 00:42:22,920 --> 00:42:25,040 Speaker 1: for that. Yeah, And so I guess what would you 960 00:42:25,160 --> 00:42:28,920 Speaker 1: say are the warning signs or things to avoid holistically 961 00:42:29,360 --> 00:42:33,200 Speaker 1: when it comes to people who, yes, may experience things 962 00:42:33,239 --> 00:42:35,120 Speaker 1: like you would have a gift similar to yours, but 963 00:42:35,200 --> 00:42:37,200 Speaker 1: are going about it in like a nefarious Sure. 964 00:42:37,680 --> 00:42:39,759 Speaker 3: Well, I think by and large, there should never be 965 00:42:39,840 --> 00:42:41,719 Speaker 3: a hook right when you sit with someone. And it's 966 00:42:41,760 --> 00:42:43,400 Speaker 3: true whether we are going to a doctor or a 967 00:42:43,440 --> 00:42:45,560 Speaker 3: therapist or a psychic or any practitioner. 968 00:42:45,760 --> 00:42:47,879 Speaker 4: You know, it's important that there not be a hook 969 00:42:48,160 --> 00:42:52,640 Speaker 4: like a chiropractor. You know, oh you need ten more, right, 970 00:42:53,200 --> 00:42:56,600 Speaker 4: I'm just like and to be fair, you know, it 971 00:42:56,680 --> 00:42:57,920 Speaker 4: is such a subjective field. 972 00:42:57,960 --> 00:43:00,279 Speaker 3: Anybody can claim to be a psychic, right, there is 973 00:43:00,280 --> 00:43:03,319 Speaker 3: no better business bureau for psychics. And because of that, 974 00:43:03,440 --> 00:43:06,799 Speaker 3: it leads to a whole menagerie of different personalities. But 975 00:43:06,840 --> 00:43:09,840 Speaker 3: I find with people, generally, good advice is to go 976 00:43:09,920 --> 00:43:12,799 Speaker 3: through a recommendation of someone that has been seen by 977 00:43:12,800 --> 00:43:13,480 Speaker 3: someone that you know. 978 00:43:13,640 --> 00:43:15,400 Speaker 4: That's usually a good angle to go. 979 00:43:15,840 --> 00:43:17,560 Speaker 3: And then also, and this is gonna be funny, because 980 00:43:17,560 --> 00:43:19,200 Speaker 3: my name is Tyler Henry and so what is technically 981 00:43:19,200 --> 00:43:22,439 Speaker 3: a stage name, but actually avoiding people who you can't 982 00:43:22,440 --> 00:43:25,640 Speaker 3: figure out their last name, Oh that's a bad sign 983 00:43:25,840 --> 00:43:28,319 Speaker 3: in the psychic industry. So if it's like if it's 984 00:43:28,360 --> 00:43:32,360 Speaker 3: if I'm Maria Jade, well, Maria jd can't be googled, 985 00:43:32,400 --> 00:43:35,080 Speaker 3: and we can't look at Maria Jade's you know, criminal history. 986 00:43:35,600 --> 00:43:37,480 Speaker 3: So generally go with people who are at the very 987 00:43:37,600 --> 00:43:40,239 Speaker 3: least aren't concealing their real name. My last name is 988 00:43:40,320 --> 00:43:45,200 Speaker 3: cool Wine, but that's on Wikipedia, so you can cool 989 00:43:45,239 --> 00:43:46,960 Speaker 3: on too many valves. It's k O E l E 990 00:43:47,160 --> 00:43:47,600 Speaker 3: w wyan. 991 00:43:47,840 --> 00:43:51,280 Speaker 4: So I love that it looks nice on the page, 992 00:43:52,160 --> 00:43:52,839 Speaker 4: feels really good. 993 00:43:52,880 --> 00:43:56,719 Speaker 1: Look, I'm saying right now, this psychic had one name, 994 00:43:56,719 --> 00:43:58,160 Speaker 1: and it was a very psychic y name. 995 00:43:58,680 --> 00:44:01,120 Speaker 4: Yeah, what was it again? Oh, we can't pick this out. 996 00:44:03,840 --> 00:44:07,319 Speaker 4: That is the most psychic name, most psychic name. 997 00:44:07,440 --> 00:44:10,600 Speaker 1: Yes, that is so funny, leading into the question that's 998 00:44:10,640 --> 00:44:13,200 Speaker 1: like the central question of this podcast. There's so much 999 00:44:13,280 --> 00:44:16,839 Speaker 1: media about psychics, like we have medium which started putri 1000 00:44:17,080 --> 00:44:19,600 Speaker 1: Ar Cat, which was based on Alison Dubois. Yes, we've 1001 00:44:19,640 --> 00:44:21,400 Speaker 1: got you know, lots of things out there, such as 1002 00:44:21,440 --> 00:44:24,400 Speaker 1: the sixth Sense. Yes, obviously by my trembla on that 1003 00:44:24,520 --> 00:44:27,560 Speaker 1: was kind of like a huge pop culture moment. I wonder, 1004 00:44:27,880 --> 00:44:30,799 Speaker 1: is there a piece of media that is related to 1005 00:44:30,840 --> 00:44:35,200 Speaker 1: what you do that you feel you really identify with. 1006 00:44:35,760 --> 00:44:37,520 Speaker 3: Or Oh god, I have a horrible answer for this. 1007 00:44:38,400 --> 00:44:39,839 Speaker 3: I don't know if I identify with it. But I 1008 00:44:39,880 --> 00:44:45,120 Speaker 3: think that the dinner party from hell. 1009 00:44:45,040 --> 00:44:47,080 Speaker 4: Alis did you both with the cigarette? 1010 00:44:48,320 --> 00:44:49,120 Speaker 1: You recognize? 1011 00:44:49,200 --> 00:44:50,319 Speaker 4: That fascinating. 1012 00:44:50,480 --> 00:44:52,520 Speaker 3: I think that's such a good demonstration that conveys the 1013 00:44:52,520 --> 00:44:55,520 Speaker 3: fact that mediums are people and they can get drunk, 1014 00:44:55,680 --> 00:44:58,720 Speaker 3: just like everybody else, and they aren't these infalliable creatures 1015 00:44:58,760 --> 00:45:02,200 Speaker 3: who are like these mythical that deserve to be revered mediums. 1016 00:45:02,200 --> 00:45:04,520 Speaker 3: And the people who have this ability genuinely are usually 1017 00:45:04,560 --> 00:45:08,200 Speaker 3: tortured people. And Alison herself in her books has talked 1018 00:45:08,239 --> 00:45:10,960 Speaker 3: about alcohol and how it as a medium. 1019 00:45:10,680 --> 00:45:12,640 Speaker 4: It's very easy to self medicate. 1020 00:45:12,960 --> 00:45:14,880 Speaker 3: And so I felt that despite the fact that it 1021 00:45:14,920 --> 00:45:17,959 Speaker 3: was handled all wrong, years later, you know, we find 1022 00:45:18,000 --> 00:45:20,000 Speaker 3: that the message that she had did indeed in the 1023 00:45:20,120 --> 00:45:23,399 Speaker 3: being true. It was not done in the right way, 1024 00:45:23,600 --> 00:45:25,239 Speaker 3: nor at the right time or place, but they also 1025 00:45:25,320 --> 00:45:28,360 Speaker 3: pushed her, and so I think it was so interesting 1026 00:45:28,440 --> 00:45:30,759 Speaker 3: just to see that, almost like a cornered animal, what 1027 00:45:30,800 --> 00:45:34,239 Speaker 3: they do, how they respond, and she responded, and I 1028 00:45:34,280 --> 00:45:37,040 Speaker 3: think it really created a broader conversation about ethics, what's 1029 00:45:37,120 --> 00:45:38,400 Speaker 3: right what's wrong in that setting. 1030 00:45:39,000 --> 00:45:41,200 Speaker 4: But it was just a fascinating piece of entertainment right there. 1031 00:45:42,080 --> 00:45:43,800 Speaker 2: There is a danger to it, I'm sure you felt, 1032 00:45:43,800 --> 00:45:45,120 Speaker 2: and you don't have to bring it up an example, 1033 00:45:45,120 --> 00:45:49,200 Speaker 2: but like I'm sure you have felt somewhat endangered in 1034 00:45:49,239 --> 00:45:51,080 Speaker 2: that situation where what I was saying earlier, people are 1035 00:45:51,080 --> 00:45:54,640 Speaker 2: coming at you with so much expectation, baggage, and they 1036 00:45:54,680 --> 00:45:57,080 Speaker 2: want you to beat this infallible person, right. 1037 00:45:56,960 --> 00:45:58,880 Speaker 3: And I think it's so important to remind people this 1038 00:45:58,920 --> 00:46:01,759 Speaker 3: work is humbling. Every single day I'm reminded of any 1039 00:46:01,800 --> 00:46:04,200 Speaker 3: inclination of an answer that I seem to get only 1040 00:46:04,239 --> 00:46:06,600 Speaker 3: brings up a million more questions. And it's just so 1041 00:46:06,719 --> 00:46:08,759 Speaker 3: humbling to realize that I don't have to have all 1042 00:46:08,760 --> 00:46:10,480 Speaker 3: the answers, that I don't even have to have a 1043 00:46:10,560 --> 00:46:13,759 Speaker 3: semblance of them, to feel that joy that is brought through, 1044 00:46:13,840 --> 00:46:15,400 Speaker 3: you know, from those on the other side, and to 1045 00:46:15,480 --> 00:46:17,080 Speaker 3: know that there's more to life than what we see, 1046 00:46:17,120 --> 00:46:18,000 Speaker 3: and there's a. 1047 00:46:17,920 --> 00:46:19,399 Speaker 4: Certain self assuredness there. 1048 00:46:19,600 --> 00:46:22,680 Speaker 3: I'm willing to deal with being criticized and deal with 1049 00:46:22,680 --> 00:46:25,440 Speaker 3: skepticism of the kazusin so I as a teenager because 1050 00:46:25,480 --> 00:46:25,839 Speaker 3: I know. 1051 00:46:25,920 --> 00:46:27,640 Speaker 4: That inherently what I'm doing is real. 1052 00:46:28,120 --> 00:46:28,440 Speaker 1: Yeah. 1053 00:46:28,480 --> 00:46:30,080 Speaker 3: And when you know that, when you close your eyes 1054 00:46:30,080 --> 00:46:31,640 Speaker 3: and I can go to bed and you're like, I 1055 00:46:31,719 --> 00:46:33,640 Speaker 3: know that was real even though no one else believed 1056 00:46:33,680 --> 00:46:36,120 Speaker 3: in it. There's a certain confidence that comes from that 1057 00:46:36,120 --> 00:46:37,759 Speaker 3: that has allowed me to keep going. 1058 00:46:38,160 --> 00:46:41,680 Speaker 2: Yeah, that's real self knowledge, That is self knowledge that 1059 00:46:41,880 --> 00:46:44,480 Speaker 2: is not defined by other people. 1060 00:46:44,640 --> 00:46:46,839 Speaker 1: Yes, and pretty amazing that you were able to have 1061 00:46:46,840 --> 00:46:49,440 Speaker 1: that self knowledge and be confident at a young age 1062 00:46:49,680 --> 00:46:52,799 Speaker 1: because it was something like I said, you know, when 1063 00:46:52,880 --> 00:46:56,640 Speaker 1: you are so convinced you're a freaking no matter who 1064 00:46:56,680 --> 00:46:59,880 Speaker 1: you are, when you're ten eleven years old, it's really 1065 00:47:00,120 --> 00:47:02,480 Speaker 1: kind of impressive that you were able to be like, no, 1066 00:47:02,640 --> 00:47:04,799 Speaker 1: I'm standing here with my own two feet. This is 1067 00:47:05,000 --> 00:47:07,759 Speaker 1: my truth, and not that I can prove it, but 1068 00:47:07,920 --> 00:47:08,880 Speaker 1: I will prove it. 1069 00:47:09,080 --> 00:47:11,520 Speaker 5: Yeah, and you have obviously, And. 1070 00:47:11,719 --> 00:47:13,399 Speaker 4: That's a fork in the road. It's an inflection point. 1071 00:47:13,400 --> 00:47:16,320 Speaker 2: Why either you go full tell some to being whatever 1072 00:47:16,360 --> 00:47:18,960 Speaker 2: a freaky think you are, or you start to correct 1073 00:47:19,040 --> 00:47:21,720 Speaker 2: quote unquote that thing, and that is kind. 1074 00:47:21,760 --> 00:47:25,200 Speaker 1: Yeah, which would be a total shame, right, you know, absolutely. 1075 00:47:25,280 --> 00:47:28,600 Speaker 1: So the central question of our podcast is, Tyler Henry, 1076 00:47:28,680 --> 00:47:32,440 Speaker 1: what was the culture that made you say culture was 1077 00:47:32,560 --> 00:47:35,520 Speaker 1: for you? So this is basically that formative pop culture 1078 00:47:35,600 --> 00:47:37,879 Speaker 1: that now Tyler Now knows. 1079 00:47:38,000 --> 00:47:40,680 Speaker 5: That's how Tyler Now started from Tyler then. 1080 00:47:40,840 --> 00:47:44,000 Speaker 3: Yeah, you know, I will actually say the Amanda Show 1081 00:47:44,280 --> 00:47:48,640 Speaker 3: Nickelod Amanda Bins, Oh my god, extraordinarily timely. 1082 00:47:48,480 --> 00:47:49,640 Speaker 1: And we're natural gift over there. 1083 00:47:50,000 --> 00:47:53,160 Speaker 3: You know. I think it's actually extremely timely because it 1084 00:47:53,200 --> 00:47:55,840 Speaker 3: shows how she was able to both go through so 1085 00:47:56,040 --> 00:47:59,120 Speaker 3: much as a child star, as so many do, but 1086 00:47:59,160 --> 00:48:01,200 Speaker 3: also to be able to carry a show on her own, 1087 00:48:01,560 --> 00:48:04,760 Speaker 3: to show and to give access from a larger audience 1088 00:48:04,760 --> 00:48:07,200 Speaker 3: that that kids are multifaceted, that they're not just these 1089 00:48:07,200 --> 00:48:10,520 Speaker 3: little things that you know, need tell tuppies. She was 1090 00:48:10,560 --> 00:48:12,279 Speaker 3: able through that show to be able to in a 1091 00:48:12,280 --> 00:48:16,480 Speaker 3: big way, treat children as human beings, yeah, worthy of 1092 00:48:16,520 --> 00:48:20,200 Speaker 3: being entertained, worthy of having, you know, intellectual jokes. And 1093 00:48:20,440 --> 00:48:22,960 Speaker 3: I felt that that was really a big pop culture 1094 00:48:23,000 --> 00:48:26,439 Speaker 3: shift where we started empowering younger people to be able 1095 00:48:26,440 --> 00:48:27,919 Speaker 3: to carry shows on their own. And if we could 1096 00:48:27,920 --> 00:48:29,480 Speaker 3: get her on SML, can you imagine the. 1097 00:48:30,960 --> 00:48:31,680 Speaker 4: Absolutely? 1098 00:48:31,880 --> 00:48:35,480 Speaker 1: And I think I think in another world like she 1099 00:48:35,560 --> 00:48:37,360 Speaker 1: could have taken over them, could have taken over the 1100 00:48:37,440 --> 00:48:38,080 Speaker 1: entire industry. 1101 00:48:38,080 --> 00:48:40,839 Speaker 2: Absolutely, You're so right, she was able to. I think 1102 00:48:40,880 --> 00:48:45,120 Speaker 2: watching her as kids, my thought was like, how is 1103 00:48:45,320 --> 00:48:47,880 Speaker 2: someone my age doing this in a way that was 1104 00:48:47,920 --> 00:48:51,000 Speaker 2: like just totally literally incredible, Like I don't believe this. 1105 00:48:51,280 --> 00:48:53,319 Speaker 1: Yeah, yeah, there was something too about like the way 1106 00:48:54,160 --> 00:48:56,600 Speaker 1: I remember the adults in my life reacting to her 1107 00:48:56,920 --> 00:48:59,399 Speaker 1: like she was John Belushi, Right. I remember my dad 1108 00:48:59,440 --> 00:49:02,920 Speaker 1: being like this girl is the sketch where she was 1109 00:49:03,280 --> 00:49:05,040 Speaker 1: on the pillows. I think it was all that this 1110 00:49:05,120 --> 00:49:06,680 Speaker 1: wasn't the amounta show. It was like she was like 1111 00:49:06,880 --> 00:49:09,080 Speaker 1: a little girl at a sleepover or something, hosting some 1112 00:49:09,160 --> 00:49:13,439 Speaker 1: show from her bedroom and she was just crushing it. Yeah, 1113 00:49:13,480 --> 00:49:16,280 Speaker 1: and my dad was like, this girl is so funny. 1114 00:49:16,320 --> 00:49:18,480 Speaker 1: My dad was in love with, not in love with. 1115 00:49:18,560 --> 00:49:22,399 Speaker 1: My dad loved Amanda Mines and Raven Stimo. Great talk 1116 00:49:22,440 --> 00:49:25,160 Speaker 1: about having the gift. There you go, But there was 1117 00:49:25,239 --> 00:49:29,759 Speaker 1: this ability she had to ground herself in character that 1118 00:49:30,040 --> 00:49:33,000 Speaker 1: again I make a joke about her having like a gift, 1119 00:49:33,040 --> 00:49:36,319 Speaker 1: like a supernatural gift. But there is something so intuitive 1120 00:49:36,960 --> 00:49:40,080 Speaker 1: about anyone that does like really good character work or 1121 00:49:40,120 --> 00:49:43,400 Speaker 1: sketch comedy. And she was doing it at nine. 1122 00:49:43,640 --> 00:49:44,279 Speaker 4: Insane. 1123 00:49:44,680 --> 00:49:47,240 Speaker 3: Yeahsane, And it's so funny to your note about charisma. 1124 00:49:47,320 --> 00:49:49,680 Speaker 3: You know, historically charisma used to be viewed as a 1125 00:49:49,680 --> 00:49:54,160 Speaker 3: psychic ability. Oh, chrisma, Charisma the ability for people to 1126 00:49:54,200 --> 00:49:56,960 Speaker 3: speak and people to listen. In the early nineteen hundreds 1127 00:49:57,200 --> 00:49:59,200 Speaker 3: was viewed more as a psychic ability than just a 1128 00:49:59,239 --> 00:50:02,520 Speaker 3: personality eight. And so it even relates to psychic. 1129 00:50:02,200 --> 00:50:04,640 Speaker 5: Stuff like people wondering why am I drawn to this person. 1130 00:50:04,760 --> 00:50:07,160 Speaker 3: Yes, that's and and why is it that when some 1131 00:50:07,200 --> 00:50:09,600 Speaker 3: people speak, we listen, and then other times some people 1132 00:50:09,640 --> 00:50:11,640 Speaker 3: speak and they could have a perfectly great message, but 1133 00:50:12,080 --> 00:50:14,480 Speaker 3: they just don't have that connective factor. 1134 00:50:14,640 --> 00:50:17,960 Speaker 2: It's fascinating, it's energetic, it is energetic. Yeah, there was 1135 00:50:18,040 --> 00:50:20,319 Speaker 2: cable in the house, even in this highly conservative house. 1136 00:50:20,320 --> 00:50:22,040 Speaker 4: Oh yes, we didn't have a TV. We weren't just 1137 00:50:22,040 --> 00:50:23,799 Speaker 4: a massaging the cows. 1138 00:50:22,880 --> 00:50:26,320 Speaker 5: A title. 1139 00:50:29,560 --> 00:50:31,680 Speaker 3: Had a bowl and actually and it used to chase 1140 00:50:31,760 --> 00:50:34,600 Speaker 3: me and it was yeah, no, it it was not great. 1141 00:50:35,080 --> 00:50:36,480 Speaker 1: The bull would chase the bull. 1142 00:50:36,280 --> 00:50:36,840 Speaker 4: Would chase me. 1143 00:50:36,880 --> 00:50:39,680 Speaker 3: He ended up I think his name was t bone Bone, 1144 00:50:39,680 --> 00:50:40,520 Speaker 3: which was very apt. 1145 00:50:40,600 --> 00:50:42,400 Speaker 4: Yeah, and then he ended up getting turned into a 1146 00:50:42,400 --> 00:50:43,839 Speaker 4: t bone. But I'm a vegetarian, so. 1147 00:50:43,800 --> 00:50:47,879 Speaker 1: I worked this is going to be a bizarre question. 1148 00:50:47,920 --> 00:50:51,200 Speaker 1: But do you believe that your ability to connect informs 1149 00:50:51,239 --> 00:50:52,560 Speaker 1: your your vegetarianism? 1150 00:50:53,120 --> 00:50:54,879 Speaker 4: Somewhat somewhat there? 1151 00:50:54,920 --> 00:50:56,560 Speaker 3: I mean, look, I try not overthink it when i'm 1152 00:50:56,560 --> 00:50:57,960 Speaker 3: meet and like, you know, if I'm well not so 1153 00:50:58,080 --> 00:50:58,880 Speaker 3: it might be not trick ful. 1154 00:50:59,000 --> 00:51:00,960 Speaker 4: But for me, they know, I know, I try. 1155 00:51:00,760 --> 00:51:03,760 Speaker 3: To like I'm selectively of course to be honest, sharing 1156 00:51:03,800 --> 00:51:04,360 Speaker 3: but got it. 1157 00:51:04,480 --> 00:51:06,040 Speaker 4: Yeah, no, that has to. 1158 00:51:06,080 --> 00:51:07,600 Speaker 2: I guess what we're asking is, do you think there 1159 00:51:07,640 --> 00:51:09,120 Speaker 2: is a connection there with your ability? 1160 00:51:09,280 --> 00:51:09,480 Speaker 5: Yeah? 1161 00:51:09,520 --> 00:51:10,399 Speaker 4: I think for sure. 1162 00:51:10,440 --> 00:51:12,719 Speaker 3: I think when it comes to just like putting things 1163 00:51:12,719 --> 00:51:14,360 Speaker 3: in your body generally, like if there's a lot of 1164 00:51:14,400 --> 00:51:17,680 Speaker 3: trauma behind that, which behind that the organism went through 1165 00:51:17,719 --> 00:51:20,160 Speaker 3: to get into your body. Like, I don't know how 1166 00:51:20,200 --> 00:51:21,880 Speaker 3: I feel as far as a consensus goes, but I 1167 00:51:21,960 --> 00:51:24,239 Speaker 3: try to avoid just like choun down them too much. 1168 00:51:24,320 --> 00:51:26,799 Speaker 2: Of course, I feel like the hypochondria that you are 1169 00:51:27,360 --> 00:51:33,120 Speaker 2: diagnosing yourself with is mostly you being extremely thoughtful about 1170 00:51:33,360 --> 00:51:35,239 Speaker 2: just bodies and health, because it seems like that is 1171 00:51:35,280 --> 00:51:36,640 Speaker 2: an anchor for a lot of your reading. 1172 00:51:36,760 --> 00:51:38,759 Speaker 3: It is, and it just kind of speaks the fact 1173 00:51:38,760 --> 00:51:41,440 Speaker 3: that we all have a physicality, we all have susceptibilities, 1174 00:51:41,440 --> 00:51:43,920 Speaker 3: but knowledge is power, and you know we can avoid things. 1175 00:51:44,000 --> 00:51:47,200 Speaker 4: Yeah, exactly would you have been like in the medical profession. 1176 00:51:47,320 --> 00:51:49,200 Speaker 3: So I graduated high school when I was sixteen to 1177 00:51:49,200 --> 00:51:50,520 Speaker 3: try to become a hospice nurse. 1178 00:51:50,640 --> 00:51:51,719 Speaker 4: Wow. 1179 00:51:51,000 --> 00:51:54,000 Speaker 3: Wow, the phrase to kill two birds with one stone 1180 00:51:54,080 --> 00:51:59,000 Speaker 3: comes to mind. You know, I thought to do medium 1181 00:51:59,040 --> 00:52:01,080 Speaker 3: readings and then perhaps you know, go down that route. 1182 00:52:01,120 --> 00:52:03,919 Speaker 4: But I read the dean of my College of all things. Wow. 1183 00:52:03,960 --> 00:52:05,760 Speaker 3: And I know it doesn't sound real, it sounds insane, 1184 00:52:06,120 --> 00:52:08,279 Speaker 3: but he indeed he told me, he was like, you know, 1185 00:52:08,560 --> 00:52:10,600 Speaker 3: we did this for me, this is very powerful. Maybe 1186 00:52:10,600 --> 00:52:11,160 Speaker 3: you should. 1187 00:52:10,920 --> 00:52:12,200 Speaker 4: Consider doing it for other people. 1188 00:52:12,239 --> 00:52:12,640 Speaker 1: Wow. 1189 00:52:12,680 --> 00:52:14,279 Speaker 3: And so I kind of had to at that point 1190 00:52:14,400 --> 00:52:16,640 Speaker 3: in life, between Sarah Paulson calling me within a very 1191 00:52:16,640 --> 00:52:19,120 Speaker 3: short proximity and being like, Okay, am I going to 1192 00:52:19,160 --> 00:52:21,160 Speaker 3: be there for the elderly and the dying? 1193 00:52:21,280 --> 00:52:23,680 Speaker 4: Or am I going to like go to Hollywood. It 1194 00:52:23,719 --> 00:52:25,520 Speaker 4: was a very very weird position. 1195 00:52:25,640 --> 00:52:28,200 Speaker 3: But I ultimately was able to achieve through this work 1196 00:52:28,200 --> 00:52:30,040 Speaker 3: what I always wanted to do, which was just to 1197 00:52:30,560 --> 00:52:31,640 Speaker 3: validate that there's more. 1198 00:52:32,000 --> 00:52:32,520 Speaker 1: How do you. 1199 00:52:32,440 --> 00:52:33,480 Speaker 5: Release this stuff? 1200 00:52:33,680 --> 00:52:36,160 Speaker 1: Because I would imagine that carrying all of this is 1201 00:52:36,239 --> 00:52:40,440 Speaker 1: incredibly taxing and ken in its own way, be traumatic. 1202 00:52:40,719 --> 00:52:42,440 Speaker 1: If you were to read someone who has been through 1203 00:52:42,520 --> 00:52:46,040 Speaker 1: something traumatic, like I wonder what you experienced when you 1204 00:52:46,120 --> 00:52:51,760 Speaker 1: were telling me that you were feeling someone was alive, alive, alive, 1205 00:52:51,880 --> 00:52:54,920 Speaker 1: felt very old, and then died? Like how do you 1206 00:52:55,400 --> 00:52:56,920 Speaker 1: experience that and then release that? 1207 00:52:57,480 --> 00:52:59,800 Speaker 3: I find that the release comes from delivering the message, 1208 00:53:00,040 --> 00:53:02,160 Speaker 3: so very often when I say it, it will kind 1209 00:53:02,160 --> 00:53:05,040 Speaker 3: of get alleviated in some way. If I don't say something, though, 1210 00:53:05,080 --> 00:53:07,759 Speaker 3: it oftentimes will feel like it's building up. And that's 1211 00:53:07,800 --> 00:53:09,719 Speaker 3: one of the most frustrating things is when I leave 1212 00:53:09,800 --> 00:53:11,960 Speaker 3: and if something was still coming through and I couldn't 1213 00:53:11,960 --> 00:53:14,319 Speaker 3: say it, it'll just kind of sit with me. So 1214 00:53:14,760 --> 00:53:16,719 Speaker 3: you kind of learn how to blow off that necessary 1215 00:53:16,719 --> 00:53:18,960 Speaker 3: steam and then you know, reallocate one's. 1216 00:53:18,760 --> 00:53:21,120 Speaker 2: Energy, right, and once you're done scribbling, that is kind 1217 00:53:21,120 --> 00:53:24,040 Speaker 2: of your parameter of like Okay, we're done, yes, which 1218 00:53:24,080 --> 00:53:26,080 Speaker 2: is not a release necessary, but it is a demarcation 1219 00:53:26,200 --> 00:53:27,800 Speaker 2: of yeah, it's finished exactly. 1220 00:53:27,840 --> 00:53:28,600 Speaker 4: It's a demarcation. 1221 00:53:28,800 --> 00:53:31,160 Speaker 3: It's a excellent way of kind of bifurcating and saying 1222 00:53:31,160 --> 00:53:32,520 Speaker 3: I'm on and now I'm on yeh. 1223 00:53:32,719 --> 00:53:35,000 Speaker 1: Now is that your choice or when you say it? 1224 00:53:35,040 --> 00:53:37,840 Speaker 1: Because we probably did that for about fifteen twenty minutes, 1225 00:53:37,880 --> 00:53:42,400 Speaker 1: But I would imagine that like if there were spirits 1226 00:53:42,560 --> 00:53:46,680 Speaker 1: that really needed to keep talking, would you still do 1227 00:53:46,760 --> 00:53:48,239 Speaker 1: that or do you end it? You know? 1228 00:53:48,360 --> 00:53:50,680 Speaker 3: I used to just kind of go for as long 1229 00:53:50,719 --> 00:53:52,120 Speaker 3: as I could, and I always have to be mindful 1230 00:53:52,160 --> 00:53:53,880 Speaker 3: of time in other people's time. But I remember with 1231 00:53:53,920 --> 00:53:56,520 Speaker 3: Carmen Electra, I read her on Hollywood Medium and we 1232 00:53:56,600 --> 00:53:58,879 Speaker 3: sat for I want to say, like close to six 1233 00:53:58,920 --> 00:53:59,880 Speaker 3: to eight hours to get well. 1234 00:54:00,360 --> 00:54:00,440 Speaker 1: Like. 1235 00:54:00,520 --> 00:54:02,600 Speaker 3: It was one of the longest readings we've ever done 1236 00:54:02,920 --> 00:54:05,000 Speaker 3: on Hollywood Medium. And and it wasn't because she had 1237 00:54:05,040 --> 00:54:06,959 Speaker 3: an exceptional amount of people coming through. 1238 00:54:07,239 --> 00:54:08,200 Speaker 4: It was just there was a lot to. 1239 00:54:08,160 --> 00:54:11,040 Speaker 3: Work with in her personal life, and it all, you know, 1240 00:54:11,160 --> 00:54:13,840 Speaker 3: kind of led to further questions and then further answers, 1241 00:54:13,840 --> 00:54:16,399 Speaker 3: and then of course more questions, and six hours later 1242 00:54:16,440 --> 00:54:18,560 Speaker 3: we were like, all right, I'm moving in Carmen. 1243 00:54:18,880 --> 00:54:20,719 Speaker 5: Yeah, like I'm sweating a lot. 1244 00:54:20,840 --> 00:54:24,080 Speaker 3: Yeah, yeah, I'm completely drained, Like I'm like a potato chip. 1245 00:54:24,120 --> 00:54:35,279 Speaker 4: Potato chip. Yes, favorite house that you went to and 1246 00:54:35,360 --> 00:54:37,400 Speaker 4: your favorite favorite house. You know. 1247 00:54:37,520 --> 00:54:39,560 Speaker 3: Boy George funny enough, and he was one of the 1248 00:54:39,600 --> 00:54:41,840 Speaker 3: hardest clients of the two hundred that I read, just 1249 00:54:41,880 --> 00:54:44,040 Speaker 3: because you know, he came, he was wearing his makeup, 1250 00:54:44,360 --> 00:54:46,759 Speaker 3: he very skeptical to yes, and he had what I 1251 00:54:46,800 --> 00:54:49,319 Speaker 3: call his war paint on. You know, he very much 1252 00:54:49,560 --> 00:54:52,080 Speaker 3: was Boy George of the persona. And so trying to 1253 00:54:52,080 --> 00:54:54,680 Speaker 3: get past that was a challenge with a lot of celebrities, 1254 00:54:54,719 --> 00:54:57,719 Speaker 3: trying to kind of penetrate your public image right and 1255 00:54:58,120 --> 00:55:00,799 Speaker 3: get into the human side and Willie was able to 1256 00:55:00,880 --> 00:55:03,239 Speaker 3: but that that house was fascinating. I mean, it's very 1257 00:55:03,239 --> 00:55:04,960 Speaker 3: clear how hard of a worker he was. 1258 00:55:05,040 --> 00:55:06,799 Speaker 4: His manager was. There might have been his manager's house, 1259 00:55:06,880 --> 00:55:08,319 Speaker 4: So managers are hard work. 1260 00:55:09,800 --> 00:55:12,000 Speaker 1: PK. He interrupted the. 1261 00:55:11,960 --> 00:55:14,799 Speaker 3: Reading and actually validated a bunch on camera. If you 1262 00:55:14,800 --> 00:55:19,520 Speaker 3: haven't seen it, you should check it out. Interrupts is like. 1263 00:55:19,520 --> 00:55:22,400 Speaker 4: No, no, now, George, why aren't you validating? You know 1264 00:55:22,440 --> 00:55:24,640 Speaker 4: who this is? Who he's talking about it? Wait? 1265 00:55:24,719 --> 00:55:28,560 Speaker 1: I think I remember that episode. Maybe it was like 1266 00:55:28,640 --> 00:55:32,560 Speaker 1: right when yes, So do you watch the House? 1267 00:55:32,600 --> 00:55:32,759 Speaker 4: Wow? 1268 00:55:32,840 --> 00:55:37,040 Speaker 1: Oh you know, do you ever feel like you so 1269 00:55:37,120 --> 00:55:39,040 Speaker 1: when you were watching the Kyle Richards thing happen where 1270 00:55:39,080 --> 00:55:40,759 Speaker 1: you like, oh my god, Alison, did you text her? 1271 00:55:41,160 --> 00:55:41,359 Speaker 4: Yeah? 1272 00:55:41,719 --> 00:55:42,239 Speaker 1: You know what. 1273 00:55:42,400 --> 00:55:44,080 Speaker 4: A lot of the mediums don't really care for each other. 1274 00:55:44,280 --> 00:55:46,319 Speaker 4: That's a funny thing to wonder. 1275 00:55:46,520 --> 00:55:48,440 Speaker 3: I will tell you because I think it's a career 1276 00:55:48,480 --> 00:55:50,799 Speaker 3: that requires for one, it's more than a career. It's 1277 00:55:50,800 --> 00:55:52,680 Speaker 3: a calling, and it's a calling that requires people to 1278 00:55:52,680 --> 00:55:54,640 Speaker 3: have confidence in who they are and what they feel, 1279 00:55:55,560 --> 00:55:59,440 Speaker 3: and like performers, that can sometimes lead to personalities that 1280 00:56:00,280 --> 00:56:04,319 Speaker 3: are very intense, very centered around themselves, and that you know, 1281 00:56:04,320 --> 00:56:06,280 Speaker 3: doesn't always love people to play well with others. 1282 00:56:06,440 --> 00:56:11,080 Speaker 2: Yeah, there are these emotional barriers where someone might feel 1283 00:56:11,400 --> 00:56:14,320 Speaker 2: perturbed or destabilized by being in the presence of another 1284 00:56:15,040 --> 00:56:17,759 Speaker 2: another medium, where they're like, oh, I you know, like 1285 00:56:18,000 --> 00:56:20,600 Speaker 2: I imagine insecurity comes into play. 1286 00:56:20,760 --> 00:56:22,880 Speaker 4: Yeah, I definitely can. But I feel like you seem 1287 00:56:22,920 --> 00:56:25,799 Speaker 4: so secure in what you do. Thank you. I try 1288 00:56:25,800 --> 00:56:26,160 Speaker 4: my best. 1289 00:56:26,200 --> 00:56:28,120 Speaker 3: You know, we all have our stuff, but I just 1290 00:56:28,160 --> 00:56:29,920 Speaker 3: try to kind of own the vulnerability. 1291 00:56:30,120 --> 00:56:30,359 Speaker 4: You know. 1292 00:56:30,560 --> 00:56:32,840 Speaker 1: Is there a medium that you looked up to. 1293 00:56:33,160 --> 00:56:36,080 Speaker 3: Yeah, there's a British medium named Lisa Williams. She's not 1294 00:56:36,160 --> 00:56:37,400 Speaker 3: as well known, but she sid have a show on 1295 00:56:37,440 --> 00:56:39,400 Speaker 3: Lifetime and I really liked her approach. She would sit 1296 00:56:39,440 --> 00:56:41,200 Speaker 3: with people and just kind of ramble and I love that. 1297 00:56:41,360 --> 00:56:44,160 Speaker 3: It wasn't you know, a thousand questions. It was very 1298 00:56:44,239 --> 00:56:45,759 Speaker 3: much just let me sit and let me talk and 1299 00:56:46,040 --> 00:56:48,520 Speaker 3: get it all out, and you would have very powerful 1300 00:56:48,520 --> 00:56:51,200 Speaker 3: effects on people. So I find that the less the 1301 00:56:51,239 --> 00:56:53,920 Speaker 3: person has to say, the better as far as the 1302 00:56:53,960 --> 00:56:56,160 Speaker 3: client being read. You want the medium to do the 1303 00:56:56,200 --> 00:56:57,120 Speaker 3: majority of the talking. 1304 00:56:57,560 --> 00:56:59,720 Speaker 1: Well, some people that's not a problem, like Teresa Capuda 1305 00:56:59,760 --> 00:57:00,319 Speaker 1: will just go. 1306 00:57:00,320 --> 00:57:04,560 Speaker 4: Off, Oh yeah, she'll bulldoze'll bulldoze you, absolutely, But you know, 1307 00:57:04,800 --> 00:57:07,359 Speaker 4: different people resonate with different mediums yea. And so some 1308 00:57:07,400 --> 00:57:08,239 Speaker 4: people need, you. 1309 00:57:08,160 --> 00:57:11,160 Speaker 3: Know, the East Coast ante with the big hair, right, 1310 00:57:11,160 --> 00:57:13,720 Speaker 3: and some people want the you know, quieter gay brother, 1311 00:57:14,719 --> 00:57:18,720 Speaker 3: and that's okay, therapist, because everyone resonates with different sources. 1312 00:57:19,440 --> 00:57:21,360 Speaker 1: Does this make dating difficult for you? 1313 00:57:21,560 --> 00:57:24,720 Speaker 3: I've been with my partner for going on eight years now, yes, 1314 00:57:24,800 --> 00:57:27,080 Speaker 3: and I'm twenty eight myself, so it's been since then, 1315 00:57:27,440 --> 00:57:30,360 Speaker 3: and if anything, it really helped me. I think something 1316 00:57:30,400 --> 00:57:33,320 Speaker 3: we all can do with intuition is really to go 1317 00:57:33,360 --> 00:57:37,760 Speaker 3: with those first impressions. So often we are inclined and 1318 00:57:37,880 --> 00:57:39,600 Speaker 3: I am. I want to say this. It's important that 1319 00:57:39,600 --> 00:57:42,480 Speaker 3: we give people the benefit of the doubt, right, But 1320 00:57:42,960 --> 00:57:45,000 Speaker 3: there are times when we know better when we meet 1321 00:57:45,000 --> 00:57:49,920 Speaker 3: someone and we know this person, and then we kick 1322 00:57:49,960 --> 00:57:52,000 Speaker 3: ourselves later on, going, geehy din't I just listen to 1323 00:57:52,080 --> 00:57:54,800 Speaker 3: that gut feeling, right? And that's something that helped me 1324 00:57:54,840 --> 00:57:56,640 Speaker 3: in my love life. It allowed me to meet someone 1325 00:57:56,680 --> 00:57:59,560 Speaker 3: who I immediately knew the second I saw his photo 1326 00:58:00,040 --> 00:58:03,480 Speaker 3: said out loud, oh, I'm going to marry this person. 1327 00:58:04,120 --> 00:58:06,120 Speaker 1: I have to tell you, I think this is I 1328 00:58:06,120 --> 00:58:08,880 Speaker 1: have the gift too. I have had three boyfriends, have 1329 00:58:08,960 --> 00:58:12,320 Speaker 1: you The first time I saw a picture of each 1330 00:58:12,360 --> 00:58:15,840 Speaker 1: one of them, I said, that's my boyfriend. What I 1331 00:58:16,000 --> 00:58:19,800 Speaker 1: swear to God. Like three months before each of them 1332 00:58:19,960 --> 00:58:21,840 Speaker 1: I met each of them, I had seen a picture 1333 00:58:21,880 --> 00:58:24,040 Speaker 1: of them, And the second I saw a picture of them, 1334 00:58:24,040 --> 00:58:26,280 Speaker 1: I was like, I know that's going to be Wow. 1335 00:58:27,040 --> 00:58:29,120 Speaker 4: That's powerful because it just goes to show you know, 1336 00:58:29,160 --> 00:58:30,680 Speaker 4: you know what's for you. 1337 00:58:31,000 --> 00:58:32,680 Speaker 1: And with two of them I was friends with for 1338 00:58:32,720 --> 00:58:35,160 Speaker 1: a while before we started dating, and I kind of 1339 00:58:35,240 --> 00:58:37,160 Speaker 1: knew the whole time that it was going to become that. 1340 00:58:37,520 --> 00:58:39,600 Speaker 1: And I don't know if I was talking myself into it, 1341 00:58:39,680 --> 00:58:41,720 Speaker 1: but you have competitions. 1342 00:58:41,720 --> 00:58:42,600 Speaker 5: All I'm saying we. 1343 00:58:45,480 --> 00:58:51,280 Speaker 4: Could take it together would fill out to see me 1344 00:58:51,360 --> 00:58:54,600 Speaker 4: be like I felt that too. Yeah, you stepped back. Same. 1345 00:58:55,600 --> 00:58:57,439 Speaker 1: I just want to say same. I was one undred 1346 00:58:57,440 --> 00:59:00,880 Speaker 1: percent on board with this the whole time that now 1347 00:59:00,960 --> 00:59:03,880 Speaker 1: you see the photo of your partner, the intuition floods 1348 00:59:03,920 --> 00:59:06,240 Speaker 1: in this extends into you meeting him in person. 1349 00:59:06,040 --> 00:59:07,000 Speaker 4: That's right. Yeah. 1350 00:59:07,040 --> 00:59:08,040 Speaker 3: So it was one of those things where I was 1351 00:59:08,040 --> 00:59:10,320 Speaker 3: already in a relationship with someone who was much older 1352 00:59:10,320 --> 00:59:12,360 Speaker 3: than me when I was nineteen, and yeah, it was 1353 00:59:12,360 --> 00:59:14,320 Speaker 3: one of those things, and I had it, gotten a 1354 00:59:14,320 --> 00:59:16,000 Speaker 3: dog with him, and you know, we were like, oh, 1355 00:59:16,120 --> 00:59:18,640 Speaker 3: living a little gay life. And then I see this 1356 00:59:18,760 --> 00:59:21,880 Speaker 3: picture of Clan too is my age, and just the 1357 00:59:21,880 --> 00:59:23,960 Speaker 3: moment I saw that, I knew, Okay, my life's going 1358 00:59:23,960 --> 00:59:27,040 Speaker 3: to change radically. This relationship isn't right for me. I'm 1359 00:59:27,040 --> 00:59:28,840 Speaker 3: going to have to give up the dog. I'm going 1360 00:59:28,840 --> 00:59:30,920 Speaker 3: to have to end up living somewhere else. But it's 1361 00:59:30,960 --> 00:59:33,080 Speaker 3: all worth it for this person. And that might sound 1362 00:59:33,120 --> 00:59:36,600 Speaker 3: completely illogical and irrational, but it was a knowingness that 1363 00:59:36,920 --> 00:59:39,080 Speaker 3: ultimately proved to be true. I was able to get 1364 00:59:39,080 --> 00:59:41,680 Speaker 3: out of that situation that didn't work for me, and 1365 00:59:41,920 --> 00:59:42,520 Speaker 3: you know, happily. 1366 00:59:42,560 --> 00:59:45,240 Speaker 4: Ever, Wow, a third of your life almost Yeah, with 1367 00:59:45,320 --> 00:59:47,440 Speaker 4: the clin it's been amazing. What I love about him 1368 00:59:47,440 --> 00:59:49,400 Speaker 4: so much is you know, even as interesting as the 1369 00:59:49,400 --> 00:59:52,760 Speaker 4: medium stuff is, it's really more just two human beings 1370 00:59:52,800 --> 00:59:55,800 Speaker 4: who really love each other. Oh so beautiful, really lucky 1371 00:59:55,880 --> 00:59:56,640 Speaker 4: to be able to have him. 1372 00:59:56,720 --> 00:59:59,280 Speaker 1: Yeah, that's amazing and it also must be quite grounding. 1373 01:00:00,280 --> 01:00:02,840 Speaker 1: But I would imagine that you probably hedge with like 1374 01:00:02,880 --> 01:00:05,200 Speaker 1: how much you put on his plate too? Yeah, because 1375 01:00:05,200 --> 01:00:07,720 Speaker 1: that's gotta be really that's an interesting walk. It's like, 1376 01:00:07,760 --> 01:00:09,120 Speaker 1: you want to be able to talk about your day 1377 01:00:09,120 --> 01:00:12,200 Speaker 1: at the office, but oftentimes that's obviously extremely personal. You 1378 01:00:12,320 --> 01:00:14,640 Speaker 1: must operate in some way like a therapist where there 1379 01:00:14,720 --> 01:00:15,840 Speaker 1: is some like you. 1380 01:00:15,800 --> 01:00:19,720 Speaker 4: Know, political distance or medium client like privilege. 1381 01:00:19,840 --> 01:00:21,560 Speaker 3: Yeah, and you know, there's something to be said about 1382 01:00:21,600 --> 01:00:24,560 Speaker 3: compassion fatigue too, which a lot of practitioners of both 1383 01:00:24,600 --> 01:00:26,760 Speaker 3: therapy and I think even just interviewing people, you can 1384 01:00:26,800 --> 01:00:30,920 Speaker 3: get compassion fatigue, and so something that definitely applies, you know, 1385 01:00:30,960 --> 01:00:32,880 Speaker 3: and as a part of it. But I remember I 1386 01:00:32,960 --> 01:00:36,200 Speaker 3: unloaded on my boyfriend one day about my work, my dad. 1387 01:00:36,800 --> 01:00:39,520 Speaker 4: I unloaded all these oh g. 1388 01:00:43,280 --> 01:00:44,080 Speaker 1: You are the daughter. 1389 01:00:45,520 --> 01:00:46,520 Speaker 4: The daughter is coming through that. 1390 01:00:48,680 --> 01:00:49,120 Speaker 1: Loaded. 1391 01:00:49,280 --> 01:00:52,240 Speaker 3: I mean, that's title about a message that I had 1392 01:00:52,280 --> 01:00:55,160 Speaker 3: given to someone that day, and it was really heavy. 1393 01:00:55,200 --> 01:00:57,560 Speaker 3: And Clint went to his therapist and told his therapist 1394 01:00:57,960 --> 01:00:59,560 Speaker 3: told me about you know, his workday. 1395 01:01:00,040 --> 01:01:01,760 Speaker 4: Therapist said, well, tell him to stop. 1396 01:01:02,000 --> 01:01:04,720 Speaker 5: No, that's interesting, yeah, interesting. 1397 01:01:04,800 --> 01:01:07,160 Speaker 3: So I had to learn boundaries and kind of barriers 1398 01:01:07,160 --> 01:01:09,840 Speaker 3: and understanding that you know, I don't want to put 1399 01:01:10,040 --> 01:01:11,400 Speaker 3: other people's stuff on him. 1400 01:01:11,720 --> 01:01:13,680 Speaker 4: For me, you know, it's just my day to day job. 1401 01:01:13,680 --> 01:01:15,560 Speaker 4: I'm able to let it go. But it's not always 1402 01:01:15,560 --> 01:01:16,920 Speaker 4: the same for those around them. 1403 01:01:16,960 --> 01:01:17,520 Speaker 1: What did you do? 1404 01:01:17,800 --> 01:01:21,480 Speaker 3: He basically is my assistant photographer, Jack of all trades, 1405 01:01:21,560 --> 01:01:24,120 Speaker 3: so he's a I don't drive, so he drives me everywhere. 1406 01:01:24,400 --> 01:01:27,560 Speaker 3: Still still twenty eight years old, I know, but hey, 1407 01:01:27,560 --> 01:01:29,480 Speaker 3: it's scary those highways. 1408 01:01:29,040 --> 01:01:30,840 Speaker 1: You know, they are scary. 1409 01:01:31,400 --> 01:01:33,360 Speaker 2: Look, I get there are a lot of people around 1410 01:01:33,360 --> 01:01:35,680 Speaker 2: our age who just never never. 1411 01:01:35,520 --> 01:01:37,640 Speaker 1: Happened caught on. Yeah, with them. It's one of those 1412 01:01:37,640 --> 01:01:41,720 Speaker 1: things too. It's like I ain't never going skiing, So same, 1413 01:01:42,000 --> 01:01:44,520 Speaker 1: I'm never going skiing because I know what will happen. 1414 01:01:44,640 --> 01:01:45,840 Speaker 1: I know what spirits are telling me. 1415 01:01:45,960 --> 01:01:48,600 Speaker 4: Don't Yeah, Sonny bono, don't do that. 1416 01:01:48,760 --> 01:01:50,200 Speaker 5: Just one. 1417 01:01:50,320 --> 01:01:52,880 Speaker 1: That's just like, that's just one of many. If you 1418 01:01:52,920 --> 01:01:55,600 Speaker 1: don't want to drive, don't drive. Exactly, your boyfriend driving 1419 01:01:55,680 --> 01:01:58,360 Speaker 1: you if he's busy. You know, your mom famously. 1420 01:01:58,040 --> 01:01:58,960 Speaker 4: Drove you exactly. 1421 01:01:59,000 --> 01:02:01,920 Speaker 3: She still she's outside down the street. Actually she's actually 1422 01:02:02,000 --> 01:02:08,560 Speaker 3: down the street. She loves you, Honestly that I'm hit 1423 01:02:08,600 --> 01:02:09,000 Speaker 3: with the mom. 1424 01:02:09,200 --> 01:02:13,720 Speaker 1: Yes, four quadron over here. Wait that that's incredible, Like 1425 01:02:13,920 --> 01:02:16,760 Speaker 1: I have to say, it's just like I wonder how 1426 01:02:16,840 --> 01:02:18,800 Speaker 1: much of me was skeptical coming in. I will say. 1427 01:02:18,800 --> 01:02:21,000 Speaker 1: I was on the phone my mother before this, and 1428 01:02:21,080 --> 01:02:23,520 Speaker 1: she goes, well, you know, like you guys are on 1429 01:02:23,560 --> 01:02:25,680 Speaker 1: Instagram and I'm sure you've talked about things. And I 1430 01:02:25,720 --> 01:02:27,600 Speaker 1: was like, I mean, look in a world where this 1431 01:02:27,720 --> 01:02:29,400 Speaker 1: is the way it works, because we didn't know you. 1432 01:02:29,680 --> 01:02:31,480 Speaker 1: We know that you're on television where a lot of 1433 01:02:31,520 --> 01:02:34,360 Speaker 1: shit is fake. Yes, and so I was prepared for 1434 01:02:34,400 --> 01:02:38,720 Speaker 1: honestly either thing. But you brought things up and I'm 1435 01:02:38,760 --> 01:02:43,640 Speaker 1: sure for you too. Yes, that was very personal and specific. 1436 01:02:44,400 --> 01:02:47,720 Speaker 1: Literally the side of my family I wasn't even thinking about. 1437 01:02:48,240 --> 01:02:50,200 Speaker 1: I actually was. I have a friend from high school 1438 01:02:50,200 --> 01:02:53,080 Speaker 1: I was hoping would come through, But like this side 1439 01:02:53,080 --> 01:02:55,440 Speaker 1: of my family, I think is what needed to come through. 1440 01:02:55,800 --> 01:02:58,560 Speaker 1: And I think it's the things that I literally had 1441 01:02:58,600 --> 01:03:01,800 Speaker 1: probably more questions about with weren't top of mind, just 1442 01:03:01,840 --> 01:03:05,800 Speaker 1: because my mother is very she's very private. She doesn't 1443 01:03:05,800 --> 01:03:09,040 Speaker 1: share a lot about her history. She very much wanted 1444 01:03:09,080 --> 01:03:11,200 Speaker 1: to be like my mom and she didn't want really 1445 01:03:11,240 --> 01:03:14,080 Speaker 1: me to know much about like her growing up. But 1446 01:03:14,120 --> 01:03:17,000 Speaker 1: I always knew it was tough, like she describes her life, 1447 01:03:17,040 --> 01:03:18,680 Speaker 1: and I'm like, on paper, that sounds like that would 1448 01:03:18,680 --> 01:03:21,200 Speaker 1: have been really hard. So that's what I mean when 1449 01:03:21,200 --> 01:03:22,960 Speaker 1: I say I think what needed to come through from 1450 01:03:23,000 --> 01:03:24,800 Speaker 1: me did and I feel like, I don't know if 1451 01:03:24,800 --> 01:03:25,240 Speaker 1: you feel like. 1452 01:03:25,200 --> 01:03:26,640 Speaker 4: I felt that way. Definitely, thank you. 1453 01:03:26,720 --> 01:03:28,600 Speaker 3: I'm excited to talk one on one more in depth. 1454 01:03:28,600 --> 01:03:31,040 Speaker 3: But we really do find that very often the person 1455 01:03:31,080 --> 01:03:33,280 Speaker 3: being redd ends up kind of being a medium themselves 1456 01:03:33,280 --> 01:03:35,400 Speaker 3: in the session because they go and tell family members. 1457 01:03:35,440 --> 01:03:38,720 Speaker 3: So yeah, information that can also kind of secondarily help them. 1458 01:03:38,800 --> 01:03:41,760 Speaker 2: Yes, talk about the Collective is how is this working? 1459 01:03:41,840 --> 01:03:43,320 Speaker 2: How do people find out about it? 1460 01:03:43,360 --> 01:03:45,600 Speaker 3: So? The Collective is basically a live show but virtual, 1461 01:03:45,720 --> 01:03:47,360 Speaker 3: and I paired with Mark Cuban's company. 1462 01:03:47,680 --> 01:03:51,840 Speaker 4: Oh so you know I'm going to get some free medication. 1463 01:03:52,400 --> 01:03:54,640 Speaker 3: But no, he created this platform. It's basically like a 1464 01:03:54,640 --> 01:03:58,120 Speaker 3: podcast basically also though very ikin to kind of like 1465 01:03:58,160 --> 01:04:00,000 Speaker 3: a live show where you can bring people up virtually. 1466 01:04:00,080 --> 01:04:03,320 Speaker 3: They can be in Oshkosh or South Africa and they 1467 01:04:03,320 --> 01:04:05,840 Speaker 3: get to interact and everyone gets to watch and have 1468 01:04:05,880 --> 01:04:08,720 Speaker 3: an experience. And I basically do readings on that platform. 1469 01:04:08,800 --> 01:04:11,080 Speaker 3: So I do reading giveaways every week, I do group 1470 01:04:11,120 --> 01:04:13,640 Speaker 3: readings twice a month, and it's just a really great 1471 01:04:13,680 --> 01:04:15,520 Speaker 3: opportunity if people can't come to a live show to 1472 01:04:15,560 --> 01:04:18,800 Speaker 3: get to see that process, and people can unsubscribe anytime. 1473 01:04:18,960 --> 01:04:21,440 Speaker 3: So whether there for twelve months or a month, it's 1474 01:04:21,480 --> 01:04:23,360 Speaker 3: just an opportunity to be able to connect and really 1475 01:04:23,640 --> 01:04:25,560 Speaker 3: see the essence of what I do see. 1476 01:04:25,600 --> 01:04:26,400 Speaker 4: There's no hook. 1477 01:04:26,200 --> 01:04:30,880 Speaker 1: There exactly subscribe, you can unsubscribe, you can suck off 1478 01:04:31,400 --> 01:04:32,760 Speaker 1: as far as you know. 1479 01:04:33,040 --> 01:04:35,959 Speaker 3: And the interesting thing too, sometimes people will leave, come back, leave, 1480 01:04:36,040 --> 01:04:38,240 Speaker 3: come back. And people don't always need to tune in 1481 01:04:38,240 --> 01:04:40,200 Speaker 3: every single group reading, but we have people leave some 1482 01:04:40,280 --> 01:04:42,080 Speaker 3: ust for six months and say, hey, I need little 1483 01:04:42,120 --> 01:04:44,320 Speaker 3: Tyler time. I'd just like to maybe see what happens, 1484 01:04:44,360 --> 01:04:45,600 Speaker 3: and then they get something out of it. 1485 01:04:45,680 --> 01:04:48,320 Speaker 1: Yeah, Because I can imagine that this is also something 1486 01:04:48,360 --> 01:04:51,640 Speaker 1: that would really scare people Like I feel like we 1487 01:04:51,720 --> 01:04:53,640 Speaker 1: both came in and we were like, we'll see what happens. 1488 01:04:54,440 --> 01:04:57,080 Speaker 1: But if you have someone that is really close to 1489 01:04:57,120 --> 01:04:59,240 Speaker 1: you that you've lost, or if you're in a really 1490 01:04:59,360 --> 01:05:02,480 Speaker 1: difficult situation, or you were in a very confusing situation, 1491 01:05:02,560 --> 01:05:05,440 Speaker 1: I can imagine that interacting with someone like you can 1492 01:05:05,520 --> 01:05:07,840 Speaker 1: feel very vulnerable and revealing. 1493 01:05:08,000 --> 01:05:10,120 Speaker 3: Yes, and it's intense. You never know what the medium 1494 01:05:10,160 --> 01:05:12,560 Speaker 3: is going to say. There's an element of ambiguity. 1495 01:05:12,600 --> 01:05:15,360 Speaker 4: Is it real? Is it fake? Is it objective? Is subjective? 1496 01:05:15,680 --> 01:05:17,960 Speaker 3: And that creates a very liminal space for the person 1497 01:05:18,000 --> 01:05:19,800 Speaker 3: being read. The person being read kind of gets into 1498 01:05:19,800 --> 01:05:23,360 Speaker 3: a state of transition internally where you know, things have 1499 01:05:23,400 --> 01:05:25,680 Speaker 3: melted away previously and they don't know where things are 1500 01:05:25,720 --> 01:05:28,800 Speaker 3: going to go. And that's a very almost perfect place 1501 01:05:28,800 --> 01:05:30,360 Speaker 3: for a person to be in when they're getting read. 1502 01:05:30,520 --> 01:05:32,920 Speaker 3: That liminality actually helps the process. 1503 01:05:33,000 --> 01:05:35,680 Speaker 2: Or what's the count on the number of readings you 1504 01:05:35,720 --> 01:05:37,880 Speaker 2: do in a week and a month in a year, Like, 1505 01:05:37,880 --> 01:05:38,760 Speaker 2: do you have that number? 1506 01:05:39,120 --> 01:05:41,120 Speaker 4: It's hard to say, cause it fluctuates, but I do. 1507 01:05:41,280 --> 01:05:45,240 Speaker 3: I mean countless giveaways as far as usually six private 1508 01:05:45,240 --> 01:05:47,840 Speaker 3: one on ones virtually in a week a week, and 1509 01:05:47,920 --> 01:05:50,880 Speaker 3: then I have group readings, both in person virtual group 1510 01:05:50,880 --> 01:05:52,880 Speaker 3: readings every two weeks, which sometimes they'll go up to 1511 01:05:52,960 --> 01:05:55,000 Speaker 3: like ten to fifteen people. So it's a lot, but 1512 01:05:55,040 --> 01:05:57,560 Speaker 3: it's like a muscle and one I constantly, you know, 1513 01:05:57,680 --> 01:05:59,880 Speaker 3: kind of have to refine and work on or else 1514 01:06:00,080 --> 01:06:02,200 Speaker 3: get kind of constipated. 1515 01:06:01,800 --> 01:06:09,280 Speaker 1: Spirit constipated spiritually. Maybe that's that's that's constipated comma spiritually 1516 01:06:09,720 --> 01:06:12,800 Speaker 1: pretty good? Is that would that be right? Grammar? Sure? 1517 01:06:12,880 --> 01:06:15,160 Speaker 4: Or you don't even need the comma necessarily. 1518 01:06:15,040 --> 01:06:20,760 Speaker 1: Spiritual, constipated spiritually with the comma kind of like feels. 1519 01:06:20,360 --> 01:06:23,400 Speaker 2: Like, oh, if the adverb is coming, is coming after 1520 01:06:23,560 --> 01:06:24,600 Speaker 2: the adjective. 1521 01:06:25,080 --> 01:06:26,600 Speaker 1: He's been very on his grammar ship. 1522 01:06:26,800 --> 01:06:30,800 Speaker 4: Well, this is gonna be a Gwyneth Paltrow candle what definitely? 1523 01:06:32,360 --> 01:06:35,400 Speaker 1: Oh my gosh, what do you see for Taylor Swift. 1524 01:06:36,000 --> 01:06:40,440 Speaker 4: Oh my god, She's everywhere. He's everywhere. I see her 1525 01:06:40,520 --> 01:06:42,440 Speaker 4: constantly come. 1526 01:06:42,280 --> 01:06:44,520 Speaker 1: Through and someone's reading and she's like, Hey, my fortune 1527 01:06:44,640 --> 01:06:45,439 Speaker 1: drops at a PM. 1528 01:06:45,840 --> 01:06:46,760 Speaker 4: Can't you imagine. 1529 01:06:46,960 --> 01:06:51,800 Speaker 3: I'm like, I'm seeing friendship bracelets. She's everywhere. It would 1530 01:06:51,800 --> 01:06:53,479 Speaker 3: be very interesting to see if she ends up marrying 1531 01:06:53,520 --> 01:06:54,240 Speaker 3: Drivis Kelsey. 1532 01:06:54,680 --> 01:06:55,520 Speaker 1: Do you see that first? 1533 01:06:55,680 --> 01:07:01,080 Speaker 4: Very possible. I think there stand up people. 1534 01:07:01,000 --> 01:07:06,040 Speaker 1: I mean where they ignore the alchemy but don't get 1535 01:07:06,080 --> 01:07:16,680 Speaker 1: mad at me swifties. I feel like it's time for 1536 01:07:16,680 --> 01:07:19,280 Speaker 1: I don't think so, honey. Yes, this is our segment 1537 01:07:19,280 --> 01:07:23,040 Speaker 1: on this podcast that we do every single god d week. 1538 01:07:23,680 --> 01:07:25,720 Speaker 5: So I have something I actually don't. 1539 01:07:25,560 --> 01:07:27,600 Speaker 1: Know if it exists in the world, but if it does, 1540 01:07:27,640 --> 01:07:30,880 Speaker 1: it shouldn't okay, And this just came up today and 1541 01:07:31,080 --> 01:07:32,160 Speaker 1: I need to talk about it. 1542 01:07:32,240 --> 01:07:32,800 Speaker 4: Theoretical. 1543 01:07:32,840 --> 01:07:34,400 Speaker 2: I don't think so, honey, christ Matt Rodgers, I don't 1544 01:07:34,400 --> 01:07:36,360 Speaker 2: think so many as time starts, I don't think so, honey. 1545 01:07:36,440 --> 01:07:40,520 Speaker 1: Meth gators Apparently, like the Cocaine Bear, gators can get 1546 01:07:40,520 --> 01:07:43,200 Speaker 1: into meth and become a meth gat Again. I don't 1547 01:07:43,240 --> 01:07:45,600 Speaker 1: know if I read this on a website that's not true, 1548 01:07:45,720 --> 01:07:48,600 Speaker 1: but apparently in Florida, if you flush your drugs down 1549 01:07:48,600 --> 01:07:51,280 Speaker 1: the toilet so the cops don't find them, where they're 1550 01:07:51,320 --> 01:07:53,520 Speaker 1: going is the swamps, and the math gets to eat 1551 01:07:53,560 --> 01:07:55,640 Speaker 1: and buy the gators. And can I just tell you 1552 01:07:55,840 --> 01:07:58,240 Speaker 1: think in your mind's I what a meth gater is. 1553 01:07:58,320 --> 01:08:00,200 Speaker 1: And if you're not saying I don't think so, honey, 1554 01:08:00,480 --> 01:08:03,120 Speaker 1: I don't think so, honey. We have to we have 1555 01:08:03,160 --> 01:08:05,760 Speaker 1: a problem with drugs in the track, we really do. 1556 01:08:05,840 --> 01:08:07,960 Speaker 1: We have to get into Florida, get the drugs out 1557 01:08:07,960 --> 01:08:10,880 Speaker 1: of the home gators, and get the drugs out the gators. 1558 01:08:11,120 --> 01:08:14,800 Speaker 1: Because unless it's a film directed by Elizabeth Banks, I 1559 01:08:14,880 --> 01:08:17,360 Speaker 1: do not want to see meth Gator. Did I see 1560 01:08:17,400 --> 01:08:20,800 Speaker 1: Cocaine Bear? Not yet. I thought maybe it wasn't a 1561 01:08:20,840 --> 01:08:22,479 Speaker 1: good thing for the theaters because I thought it would 1562 01:08:22,479 --> 01:08:25,240 Speaker 1: be really loud, and I don't know cocaine bearish and 1563 01:08:25,320 --> 01:08:29,120 Speaker 1: I can't really bearish that type of film. But at home, 1564 01:08:29,160 --> 01:08:33,320 Speaker 1: I'm doing Elizabeth. I'm gonna rent it meth Gator, Elizabeth Banks, 1565 01:08:33,320 --> 01:08:35,799 Speaker 1: Come on, I do think so, honey, that's one minute. 1566 01:08:36,280 --> 01:08:39,120 Speaker 1: Where did you find out about this Patrick House? Our 1567 01:08:39,160 --> 01:08:41,840 Speaker 1: friend house. We have a best friend. We have a 1568 01:08:41,880 --> 01:08:43,880 Speaker 1: matching tattoo. That's a house. We have the same last name, 1569 01:08:43,920 --> 01:08:46,840 Speaker 1: so we call a house of Rogers. So he sent 1570 01:08:47,000 --> 01:08:49,599 Speaker 1: us a because Florida is on mind right now, because 1571 01:08:49,760 --> 01:08:51,920 Speaker 1: Taylor Swift is a song called Florida. And so we 1572 01:08:52,000 --> 01:08:54,280 Speaker 1: sent us a screenshot of an article and it said 1573 01:08:54,600 --> 01:08:56,840 Speaker 1: meth gator is becoming a problem. And he said, what 1574 01:08:56,880 --> 01:08:59,920 Speaker 1: did Taylor? No Florida a drug? 1575 01:09:00,280 --> 01:09:02,160 Speaker 4: I just found it out about Sheep's heeadfish. 1576 01:09:02,400 --> 01:09:02,920 Speaker 1: What's that? 1577 01:09:03,400 --> 01:09:05,799 Speaker 4: It is a fish with human teeth? 1578 01:09:07,760 --> 01:09:09,200 Speaker 1: How did they get that teeth? 1579 01:09:09,320 --> 01:09:11,960 Speaker 4: That's that's my look at that. 1580 01:09:12,760 --> 01:09:17,799 Speaker 1: No horrid, isn't that awful? 1581 01:09:18,240 --> 01:09:20,719 Speaker 5: That's one of the worst things I've ever seen? 1582 01:09:21,040 --> 01:09:22,240 Speaker 1: How how you know? 1583 01:09:22,400 --> 01:09:24,720 Speaker 4: Furthermore, I think that's where my copper wire went. Was 1584 01:09:24,720 --> 01:09:25,920 Speaker 4: that alligator. 1585 01:09:27,640 --> 01:09:30,320 Speaker 1: Not the meth gator? Can you imagine? 1586 01:09:30,320 --> 01:09:32,520 Speaker 5: And now I kind of love it as a film. 1587 01:09:32,760 --> 01:09:32,960 Speaker 1: I do. 1588 01:09:33,240 --> 01:09:36,040 Speaker 2: Yeah, Well, talk to Elizabeth means might I might set 1589 01:09:36,080 --> 01:09:37,960 Speaker 2: a meeting a meeting, like I might set a meeting 1590 01:09:37,960 --> 01:09:38,400 Speaker 2: with Elizabeth. 1591 01:09:38,439 --> 01:09:41,200 Speaker 1: Here's a big she's a big production company, huge director. 1592 01:09:41,280 --> 01:09:43,080 Speaker 1: You know, she produces all the pitch perfect. So there 1593 01:09:43,120 --> 01:09:44,760 Speaker 1: you go, and I believe she directs them. 1594 01:09:44,960 --> 01:09:45,720 Speaker 5: So to think she. 1595 01:09:45,680 --> 01:09:48,360 Speaker 4: Couldn't get no, absolutely meth Gator off the ground. 1596 01:09:49,160 --> 01:09:50,479 Speaker 1: I think Cocaine Bear was a hit. 1597 01:09:50,760 --> 01:09:54,400 Speaker 4: Was it was? It has some choreography, the Alligator. 1598 01:09:55,240 --> 01:09:56,280 Speaker 5: I think it could be good. 1599 01:09:56,400 --> 01:10:00,360 Speaker 2: Yes, the Taylor Swift of movies. It's everywhere. Yeah, there 1600 01:10:00,400 --> 01:10:02,240 Speaker 2: you go. Okay, Okay, So now it's going to be 1601 01:10:02,240 --> 01:10:03,800 Speaker 2: Bowen's turn. I have something and. 1602 01:10:03,720 --> 01:10:05,519 Speaker 1: It's Is it spicy? 1603 01:10:05,680 --> 01:10:06,440 Speaker 4: It's spicy. 1604 01:10:06,479 --> 01:10:09,000 Speaker 2: It might it might rub people the wrong way, that's okay, 1605 01:10:09,280 --> 01:10:10,160 Speaker 2: but it's okay. 1606 01:10:10,000 --> 01:10:12,080 Speaker 1: All right, Well this is Bowen yangs. I don't think so, honey. 1607 01:10:12,120 --> 01:10:12,960 Speaker 1: As time starts now, I. 1608 01:10:12,920 --> 01:10:15,479 Speaker 4: Don't think so, honey. Santa Monica, I just came from you. 1609 01:10:15,800 --> 01:10:16,439 Speaker 1: Do you live there? 1610 01:10:17,000 --> 01:10:17,439 Speaker 4: Malibu? 1611 01:10:17,560 --> 01:10:18,960 Speaker 1: Malibu? Oh? Good for you? 1612 01:10:19,200 --> 01:10:19,880 Speaker 4: It's happy for you. 1613 01:10:19,920 --> 01:10:23,320 Speaker 2: Tyler again, Santa Monica, what are you even still doing? 1614 01:10:23,400 --> 01:10:24,800 Speaker 2: I hadn't been to you in over a decade, and 1615 01:10:24,800 --> 01:10:26,519 Speaker 2: I had to go there for a work event today 1616 01:10:26,520 --> 01:10:29,560 Speaker 2: and I thought, there's nothing here. Fucking freaks are on 1617 01:10:29,640 --> 01:10:33,960 Speaker 2: the boardwalk every day, streaming yelling the rollercoaster. Eight shit, 1618 01:10:34,200 --> 01:10:36,960 Speaker 2: I don't think so, honey, there's nothing there. Why would 1619 01:10:37,000 --> 01:10:39,040 Speaker 2: I ever go to the west side. I'm sorry. Since 1620 01:10:39,080 --> 01:10:41,439 Speaker 2: private practice, you have not had a moment Santa Monica. 1621 01:10:41,680 --> 01:10:43,479 Speaker 2: You've not had a culturally significant moment. 1622 01:10:43,760 --> 01:10:44,680 Speaker 4: And I don't know. 1623 01:10:44,760 --> 01:10:47,479 Speaker 2: I think for the Olympics in La in twenty twenty eight, 1624 01:10:48,080 --> 01:10:51,240 Speaker 2: we better be doing something with that area where knock 1625 01:10:51,280 --> 01:10:51,800 Speaker 2: it down, put. 1626 01:10:51,720 --> 01:10:53,760 Speaker 1: Them a parking lot. It's already mostly parking lot. 1627 01:10:53,800 --> 01:10:54,080 Speaker 4: Girl. 1628 01:10:54,120 --> 01:10:54,479 Speaker 1: Period. 1629 01:10:54,760 --> 01:10:57,439 Speaker 2: I think you, I think you really build a lot 1630 01:10:57,439 --> 01:11:00,519 Speaker 2: of housing there for people, because there's no one cool 1631 01:11:00,600 --> 01:11:02,280 Speaker 2: is living there. I'm sorry if you live in Santa Monica, 1632 01:11:02,760 --> 01:11:05,160 Speaker 2: but this is my opinion, and I think we build 1633 01:11:05,160 --> 01:11:06,760 Speaker 2: a lot of affordable housing in Santa Monica and then 1634 01:11:06,920 --> 01:11:08,320 Speaker 2: that'll actually make it a worthwhile place. 1635 01:11:08,400 --> 01:11:09,160 Speaker 1: That's one minute. 1636 01:11:09,520 --> 01:11:11,760 Speaker 5: I think that you've never been so dead on. 1637 01:11:11,840 --> 01:11:14,320 Speaker 1: It's almost like you have the guys, because you know, 1638 01:11:14,360 --> 01:11:17,080 Speaker 1: what we need to do is knock down Santa Monica. 1639 01:11:16,760 --> 01:11:19,240 Speaker 2: And put up apartments. But it may it maybe a 1640 01:11:19,280 --> 01:11:21,559 Speaker 2: couple of sports venues for the Olympics. If it adds 1641 01:11:21,600 --> 01:11:22,400 Speaker 2: to the community one. 1642 01:11:22,400 --> 01:11:24,720 Speaker 4: Hundred per If it outs to the community, there's only 1643 01:11:24,760 --> 01:11:25,400 Speaker 4: a chance at one. 1644 01:11:25,439 --> 01:11:27,679 Speaker 5: I'll tell you what Santa Monica is. It's a good picture. 1645 01:11:28,040 --> 01:11:31,880 Speaker 1: It's a postcard one picture, one picture down, and you're right, 1646 01:11:32,080 --> 01:11:33,639 Speaker 1: that rollercoaster, eight. 1647 01:11:33,600 --> 01:11:36,840 Speaker 4: Ship, that Ferris wheel. I've seen bigger. 1648 01:11:37,040 --> 01:11:39,679 Speaker 1: One thousand percent. First of all, let me tell you something. 1649 01:11:39,760 --> 01:11:44,040 Speaker 1: It goes Malibu, Venice. Yes, because I'm a ven now 1650 01:11:44,120 --> 01:11:46,720 Speaker 1: in Milana day, I'm in delight Era. 1651 01:11:47,160 --> 01:11:48,040 Speaker 5: What do you see for her. 1652 01:11:49,640 --> 01:11:50,040 Speaker 4: Tunnels? 1653 01:11:50,080 --> 01:11:53,240 Speaker 5: Understand, you're right, You're right right now. 1654 01:11:53,280 --> 01:11:56,680 Speaker 1: She be like, no one could have known that. But 1655 01:11:56,920 --> 01:12:01,639 Speaker 1: then yeah, down there, down there Malibu. 1656 01:12:02,200 --> 01:12:04,960 Speaker 3: Oh well, it's kind of going down Centa. But I 1657 01:12:04,960 --> 01:12:08,240 Speaker 3: have a rant against Prius. Prius drivers just no, yeah, 1658 01:12:08,240 --> 01:12:08,719 Speaker 3: I'm here today. 1659 01:12:08,720 --> 01:12:09,120 Speaker 1: I'm right. 1660 01:12:09,320 --> 01:12:11,920 Speaker 4: We're going to schedule somebody, Yes, tight schedule and we 1661 01:12:11,960 --> 01:12:13,800 Speaker 4: got it. We got it. Now, let's do it. Okay, 1662 01:12:13,840 --> 01:12:15,200 Speaker 4: this is Tyler Harris. I don't think so many his 1663 01:12:15,240 --> 01:12:18,320 Speaker 4: time starts new I don't think so. Prius drivers are 1664 01:12:18,479 --> 01:12:20,840 Speaker 4: the absolute worst. I'm calling out every single listener who 1665 01:12:20,840 --> 01:12:23,200 Speaker 4: has a Prius, particularly a gray Prius. I'm gonna throw 1666 01:12:23,200 --> 01:12:23,599 Speaker 4: that out there. 1667 01:12:24,600 --> 01:12:28,840 Speaker 3: Is driven by cranberry juice and a dream. It is 1668 01:12:29,040 --> 01:12:32,680 Speaker 3: motivated down that little highway by the farts of environmentalists. 1669 01:12:33,760 --> 01:12:38,760 Speaker 3: It is powered by pure carbon emissions in a great 1670 01:12:38,800 --> 01:12:41,400 Speaker 3: feet of irony. And this only goes thirty seconds. Prius 1671 01:12:41,439 --> 01:12:42,679 Speaker 3: drivers are on. 1672 01:12:45,600 --> 01:12:47,800 Speaker 4: Thirty seconds. He got it out, got it out right. 1673 01:12:47,840 --> 01:12:48,439 Speaker 4: That wasnise. 1674 01:12:48,520 --> 01:12:50,519 Speaker 1: Can I tell you I think that a lot of 1675 01:12:50,520 --> 01:12:52,880 Speaker 1: the readers, Katie's publicist and finalists might be driving a 1676 01:12:52,920 --> 01:12:55,200 Speaker 1: Prius and they're going to drive off the road. And 1677 01:12:55,320 --> 01:12:57,200 Speaker 1: I would just say, if you've driven off the road, 1678 01:12:57,280 --> 01:13:00,160 Speaker 1: call for help. Now hit the star. We're sorry to 1679 01:13:00,200 --> 01:13:00,760 Speaker 1: have shaken you. 1680 01:13:00,840 --> 01:13:03,000 Speaker 4: So they don't go fast enough to go over a cliff, 1681 01:13:03,240 --> 01:13:06,479 Speaker 4: Oh my, they really, They're just gonna come to a 1682 01:13:06,560 --> 01:13:09,160 Speaker 4: very gentle stop in the middle of the road. 1683 01:13:09,240 --> 01:13:11,200 Speaker 1: So you're saying, Prius is they are a thing of 1684 01:13:11,240 --> 01:13:12,639 Speaker 1: the past and should remain in the past. 1685 01:13:12,680 --> 01:13:15,280 Speaker 3: Oh, absolutely, we need to quit making them just walk, Yes, 1686 01:13:15,360 --> 01:13:16,360 Speaker 3: just walk, just walk. 1687 01:13:16,400 --> 01:13:18,960 Speaker 2: We're thankful for Prius, this for everything they've done to 1688 01:13:19,000 --> 01:13:21,120 Speaker 2: create the model for a hybrid car. 1689 01:13:21,560 --> 01:13:22,200 Speaker 1: Yeah. 1690 01:13:22,240 --> 01:13:24,360 Speaker 2: But I had a mean dean in high school who 1691 01:13:24,439 --> 01:13:27,479 Speaker 2: drove a Prius. She was out to get me. 1692 01:13:27,800 --> 01:13:29,760 Speaker 5: Yeah, well, there was a lot of adults, a lot. 1693 01:13:29,720 --> 01:13:31,400 Speaker 4: Of adults in my high school who really did not 1694 01:13:31,479 --> 01:13:32,320 Speaker 4: know what to do with did you. 1695 01:13:32,520 --> 01:13:34,200 Speaker 1: I mean, this is true, Like he had a theater 1696 01:13:34,320 --> 01:13:38,280 Speaker 1: teacher who refused to acknowledge his star quality. And here's 1697 01:13:38,280 --> 01:13:41,360 Speaker 1: the thing is like, when you meet Bowen, it's immediately evident, 1698 01:13:41,400 --> 01:13:42,439 Speaker 1: and so she was jealous. 1699 01:13:43,120 --> 01:13:44,960 Speaker 5: I think a lot of the adults were jealous of you. 1700 01:13:45,000 --> 01:13:47,920 Speaker 2: I will shout out one adult who was amazing, Adrian 1701 01:13:48,000 --> 01:13:50,719 Speaker 2: hol Dean. He's retiring after years and years of working 1702 01:13:50,760 --> 01:13:52,760 Speaker 2: as a one of the best math teachers in the 1703 01:13:52,760 --> 01:13:54,519 Speaker 2: country and he was my improv coach. 1704 01:13:54,640 --> 01:13:56,120 Speaker 1: There you go, and he gave me. 1705 01:13:56,120 --> 01:13:59,679 Speaker 4: My path, which was to do frivolous comedy on stage. 1706 01:14:00,000 --> 01:14:01,519 Speaker 1: And while we're doing this, I want to shout out 1707 01:14:01,560 --> 01:14:04,040 Speaker 1: my fourth grade teacher, Ted Dumaguard. At the end of 1708 01:14:04,080 --> 01:14:05,599 Speaker 1: the year, he looked at me in the eyes and 1709 01:14:05,680 --> 01:14:09,040 Speaker 1: he said, you need to take life less seriously because 1710 01:14:09,160 --> 01:14:11,839 Speaker 1: your essence is fun and you take yourself too seriously. 1711 01:14:12,040 --> 01:14:14,320 Speaker 1: And then I never took myself seriously a single day 1712 01:14:14,320 --> 01:14:18,160 Speaker 1: in my life ever, Beautiful, I don't take myself seriously. 1713 01:14:18,400 --> 01:14:20,320 Speaker 4: And that is why we love you Tyler. Adults you 1714 01:14:20,320 --> 01:14:21,160 Speaker 4: want to shout out, oh, you. 1715 01:14:21,160 --> 01:14:25,040 Speaker 3: Know what, shots my mom and dad he exists. 1716 01:14:26,200 --> 01:14:28,000 Speaker 1: People are like, where's your dad? Is he just? Is 1717 01:14:28,040 --> 01:14:28,400 Speaker 1: he gone? 1718 01:14:28,439 --> 01:14:31,600 Speaker 4: Is he in the ether? No, he's just shy. 1719 01:14:31,640 --> 01:14:31,800 Speaker 1: You know. 1720 01:14:31,840 --> 01:14:33,640 Speaker 3: The greatest gift you can give your child is to 1721 01:14:33,680 --> 01:14:36,400 Speaker 3: love them unconditionally, and when you do so, you become 1722 01:14:36,479 --> 01:14:39,240 Speaker 3: foundational to their self esteem. And that's the gift that 1723 01:14:39,280 --> 01:14:43,040 Speaker 3: my parents gave me. So beautiful, word up, word up, beautifully. 1724 01:14:43,040 --> 01:14:46,519 Speaker 1: Put. This has been such a great experience and what 1725 01:14:46,640 --> 01:14:48,680 Speaker 1: an amazing time getting to know you and get to 1726 01:14:48,680 --> 01:14:50,439 Speaker 1: talk to you. I can't wait to follow up. I 1727 01:14:50,520 --> 01:14:53,599 Speaker 1: know we both can. And you have to go see 1728 01:14:53,760 --> 01:14:55,320 Speaker 1: Tyler on tour. Is there a website where they can 1729 01:14:55,360 --> 01:14:55,799 Speaker 1: get tickets? 1730 01:14:55,880 --> 01:14:59,439 Speaker 4: Yeah, Tyler Henry Hollywood medium dot com. There you go, yep, 1731 01:15:00,000 --> 01:15:01,320 Speaker 4: Hollywood medium dot com. 1732 01:15:01,840 --> 01:15:04,320 Speaker 3: Very un brand right, the other domain was taken, Tyler, 1733 01:15:04,840 --> 01:15:06,640 Speaker 3: don't go to that one. That one's a little is it. 1734 01:15:07,280 --> 01:15:08,479 Speaker 3: That's a little bit more CD. 1735 01:15:09,320 --> 01:15:10,200 Speaker 4: Henry after Dark. 1736 01:15:11,080 --> 01:15:12,960 Speaker 5: Here's the thing about Tyler Henry is that's a kind 1737 01:15:13,000 --> 01:15:14,200 Speaker 5: of iconic porn name. 1738 01:15:14,360 --> 01:15:16,120 Speaker 4: It's a great it's a great porn name. It is 1739 01:15:16,240 --> 01:15:19,440 Speaker 4: it is a great medium name. Thank you, Thank you medium, 1740 01:15:19,560 --> 01:15:26,040 Speaker 4: you could do both. Medium A T I U M. 1741 01:15:26,080 --> 01:15:28,960 Speaker 4: He's a big medium. Meet you very good at that. 1742 01:15:29,040 --> 01:15:30,479 Speaker 4: The word play, thank you, very good. 1743 01:15:30,520 --> 01:15:36,200 Speaker 1: That see the joke coming. The word episode of every 1744 01:15:36,240 --> 01:15:36,920 Speaker 1: episode with the. 1745 01:15:36,840 --> 01:15:42,360 Speaker 4: Song yes I can see, I can see. 1746 01:15:43,840 --> 01:15:44,880 Speaker 1: What are the words to about? 1747 01:15:45,200 --> 01:15:45,960 Speaker 4: I just know the chorus? 1748 01:15:46,080 --> 01:15:48,920 Speaker 1: Well, now we're all tortured poets, pilled, so we don't know. 1749 01:15:48,960 --> 01:15:52,680 Speaker 1: We totally forgot to speak now. Sorry, sorry Taylor. Bye,