1 00:00:01,120 --> 00:00:07,720 Speaker 1: Real Key for Real Celebrity Real joined the Breakfast Morning 2 00:00:07,760 --> 00:00:10,960 Speaker 1: everybody is DJ Envy Angela Ye, Charlomne the guy we 3 00:00:11,000 --> 00:00:13,280 Speaker 1: are the Breakfast Club got a special guest in the building, 4 00:00:13,280 --> 00:00:18,080 Speaker 1: Miss Bridget. How you been, man, I've been. I've been around, 5 00:00:18,120 --> 00:00:19,520 Speaker 1: but I missed you guys. I don't like that I 6 00:00:19,560 --> 00:00:21,400 Speaker 1: haven't been around. This is this has been a long time, 7 00:00:21,960 --> 00:00:23,840 Speaker 1: Briget Kelly all the time. For some reason, I know 8 00:00:23,920 --> 00:00:25,479 Speaker 1: we'd be out and about in the same in the 9 00:00:25,520 --> 00:00:27,680 Speaker 1: same scene. So what you're going through on Twitter? And 10 00:00:27,680 --> 00:00:29,720 Speaker 1: now I've be seeing you tweet stuff about like what 11 00:00:29,840 --> 00:00:32,440 Speaker 1: you tweet you said, Um, just know these streets to 12 00:00:32,520 --> 00:00:36,760 Speaker 1: Stone love you. Oh it's Drake, It's Rake, right yeah, 13 00:00:36,120 --> 00:00:43,840 Speaker 1: ok yeah, no, yes, nowadays we're all writing for Drake apparently. No, 14 00:00:43,880 --> 00:00:47,199 Speaker 1: it's lyrics, Joe, it's um no, it's it's lyrics from 15 00:00:47,280 --> 00:00:50,519 Speaker 1: right hand. Oh, I thought you was going through something subliminal. No, 16 00:00:50,520 --> 00:00:52,279 Speaker 1: no, no no, no, it was Drake lyrics. That's just that's 17 00:00:52,360 --> 00:00:55,760 Speaker 1: you know, Okay, these streets don't love you. These streets 18 00:00:55,760 --> 00:00:59,320 Speaker 1: don't love you. Imagine the next two and they never will. 19 00:00:59,440 --> 00:01:02,800 Speaker 1: That's so you know what I think it is when 20 00:01:02,800 --> 00:01:05,040 Speaker 1: you teach the man looks way more dramatic. It looks 21 00:01:05,640 --> 00:01:07,200 Speaker 1: like no, I was just listening to the song and 22 00:01:07,200 --> 00:01:09,920 Speaker 1: that's the words of the words that stuck out. So 23 00:01:09,959 --> 00:01:12,080 Speaker 1: you're not on rock Nation no more. No, I'm gone. 24 00:01:11,760 --> 00:01:15,679 Speaker 1: I made my departure. Um, honestly, we just we weren't. 25 00:01:15,680 --> 00:01:17,280 Speaker 1: We weren't on the same page. We didn't have the 26 00:01:17,280 --> 00:01:20,400 Speaker 1: same vision, and you were used to your Spotify account 27 00:01:20,400 --> 00:01:24,800 Speaker 1: for titles. It wasn't happening. Um no, I really honestly, 28 00:01:24,800 --> 00:01:26,200 Speaker 1: I was on the label for six years. It was 29 00:01:26,200 --> 00:01:28,360 Speaker 1: an incredible experience. But it's just you know, we we 30 00:01:28,440 --> 00:01:30,760 Speaker 1: reached the plateaum. There was there was there was no further, 31 00:01:30,959 --> 00:01:32,880 Speaker 1: no further room for me to grow. I remember when 32 00:01:32,920 --> 00:01:35,520 Speaker 1: I first saw you performed a long time ago at Soobs. 33 00:01:35,520 --> 00:01:37,200 Speaker 1: When you learn roack Nation, that's like she's gonna be 34 00:01:37,240 --> 00:01:39,840 Speaker 1: a star. Listen, man, I'm still on my way. It's 35 00:01:39,840 --> 00:01:42,600 Speaker 1: still gonna happen. It's just you know, different team, different circumstances. 36 00:01:42,600 --> 00:01:44,280 Speaker 1: Does Jay Z still call you to do impire state 37 00:01:44,280 --> 00:01:48,640 Speaker 1: of Mind? No? No, No, I'm actually really happy because 38 00:01:48,680 --> 00:01:50,480 Speaker 1: now it's still I mean, if I'm out somewhere and 39 00:01:50,480 --> 00:01:52,280 Speaker 1: I get recognized, the song comes on and people kind 40 00:01:52,320 --> 00:01:53,640 Speaker 1: of look at me like you're gonna take the mic 41 00:01:54,040 --> 00:01:58,680 Speaker 1: and no, no, um no, I mean but I mean 42 00:01:58,720 --> 00:02:00,800 Speaker 1: all the relationships are still in tact, thank god. Like 43 00:02:00,800 --> 00:02:03,400 Speaker 1: it wasn't like a bad you know. Yeah, when you 44 00:02:03,440 --> 00:02:05,040 Speaker 1: think about it, artists leaving a lbel it's kind of 45 00:02:05,080 --> 00:02:07,080 Speaker 1: like a divorce, but nobody was really you know, I'm 46 00:02:07,080 --> 00:02:09,560 Speaker 1: sad we wouldn't ever hear anything bad about Bridget Kelly, 47 00:02:09,720 --> 00:02:12,200 Speaker 1: thank god, you know. I don't know, how do you 48 00:02:12,320 --> 00:02:13,720 Speaker 1: I feel like I don't know, but I feel like 49 00:02:13,760 --> 00:02:18,720 Speaker 1: y'all be I feel like you'll be looking just in case. Okay, great, 50 00:02:18,919 --> 00:02:22,120 Speaker 1: excellent reported, but we'll give you a nice twist to it. 51 00:02:22,240 --> 00:02:25,359 Speaker 1: Good when it happens you like, oh wow, oh look 52 00:02:25,600 --> 00:02:27,560 Speaker 1: that happened with Bridget Kelly. I would definitely be like, 53 00:02:27,680 --> 00:02:29,440 Speaker 1: I don't know if this sounds right, but no, I 54 00:02:29,440 --> 00:02:31,480 Speaker 1: feel like I would a text like what did you 55 00:02:31,480 --> 00:02:33,640 Speaker 1: really hit this girl in the club? Like I would. 56 00:02:33,639 --> 00:02:37,760 Speaker 1: I feel like I would get something that you know why. 57 00:02:37,840 --> 00:02:39,640 Speaker 1: I actually I got into a fight in the club 58 00:02:39,840 --> 00:02:41,679 Speaker 1: and nothing. Well, no, it was a few years ago. 59 00:02:41,960 --> 00:02:44,760 Speaker 1: A few years ago. Yeah, some random drunk girl and 60 00:02:44,800 --> 00:02:46,520 Speaker 1: her friend was pushing me and I was like, she 61 00:02:46,600 --> 00:02:48,240 Speaker 1: was really drunk and it was really bad, and so 62 00:02:48,280 --> 00:02:49,800 Speaker 1: I had to mush her to get her to leave 63 00:02:49,800 --> 00:02:52,240 Speaker 1: me alone. Her friend. He and her friend like kind 64 00:02:52,240 --> 00:02:55,000 Speaker 1: of came down the stairs like barreling down. It's always 65 00:02:55,040 --> 00:02:56,520 Speaker 1: the you know, the big friend that has to come 66 00:02:56,560 --> 00:02:59,680 Speaker 1: and save the friend. So she came down and you know, 67 00:03:00,000 --> 00:03:01,440 Speaker 1: you sucker punched me. So I hit a little two 68 00:03:01,440 --> 00:03:03,440 Speaker 1: piece in the face and then I got bodied by security. 69 00:03:03,480 --> 00:03:07,320 Speaker 1: So that was the end of that wolting grand closing. 70 00:03:07,480 --> 00:03:09,800 Speaker 1: So you have a new EPL. I do love the title, 71 00:03:09,840 --> 00:03:12,280 Speaker 1: by the way, do you Yes, it's really um it's 72 00:03:12,360 --> 00:03:15,240 Speaker 1: nostalgic for me, it's a really nostalgic. Yeah. It's a 73 00:03:15,240 --> 00:03:22,400 Speaker 1: good Oh my god. Oh man, I should have just 74 00:03:22,440 --> 00:03:24,160 Speaker 1: called it Summer of Kylie would have gotten so much 75 00:03:24,680 --> 00:03:27,880 Speaker 1: h pam um. No. Well, basically, I mean, I feel 76 00:03:27,880 --> 00:03:29,960 Speaker 1: like I'm seventeen all over again. I don't know what 77 00:03:30,000 --> 00:03:32,160 Speaker 1: it is. I'm twenty nine now, but I feel like I'm, 78 00:03:32,200 --> 00:03:34,280 Speaker 1: you know, living my seventeenth year. I was seventeen and 79 00:03:34,280 --> 00:03:36,520 Speaker 1: everybody was prepping for college and trying to be an adult. 80 00:03:36,600 --> 00:03:39,040 Speaker 1: And everybody's like sat prep and we gotta be adults. 81 00:03:39,040 --> 00:03:41,520 Speaker 1: We gotta be responsible now in twenty nine, and everybody's like, 82 00:03:41,600 --> 00:03:43,320 Speaker 1: we have to get married, we have to have babies. 83 00:03:43,320 --> 00:03:45,000 Speaker 1: We got to freeze our eggs in case we're not 84 00:03:45,080 --> 00:03:47,400 Speaker 1: there yet. And it's like I'm still just trying to 85 00:03:47,400 --> 00:03:50,120 Speaker 1: make them make a lot of money and and pop bottles. 86 00:03:50,120 --> 00:03:52,800 Speaker 1: I'm not trying to pop out babies through midlife price. 87 00:03:53,120 --> 00:04:01,480 Speaker 1: I'm not having seventeen, yeah, seventeen, seventeen. What was the 88 00:04:01,520 --> 00:04:05,200 Speaker 1: oldest guy you dated? Would you twenty twenty one you 89 00:04:05,240 --> 00:04:10,400 Speaker 1: have a sex or seventeen? Yeah, yeah, yeah, yeah, yeah, 90 00:04:10,520 --> 00:04:15,200 Speaker 1: that's really no different Kylie seventeen Tiger twenty four. I'm 91 00:04:15,240 --> 00:04:17,240 Speaker 1: not listening. I know it's not they're not Their business 92 00:04:17,320 --> 00:04:19,240 Speaker 1: is not my business. If they not cutting me a 93 00:04:19,320 --> 00:04:22,080 Speaker 1: check or asking me to be somewhere, I don't care. 94 00:04:22,240 --> 00:04:25,359 Speaker 1: Why seventeen were you dating the older miss um? This 95 00:04:25,440 --> 00:04:27,680 Speaker 1: was better than the seventeen years. No, he was just 96 00:04:27,760 --> 00:04:30,200 Speaker 1: he was taller than everybody else. I'm like, he was 97 00:04:30,240 --> 00:04:32,359 Speaker 1: like six three six four, and he just was you know, 98 00:04:32,400 --> 00:04:34,080 Speaker 1: he had a deeper voice, he was more manly. All 99 00:04:34,080 --> 00:04:35,719 Speaker 1: the guys I knew in seventeen were like, you know, 100 00:04:35,920 --> 00:04:38,320 Speaker 1: parents did have a problem with that though older dude, No, 101 00:04:38,720 --> 00:04:40,760 Speaker 1: I didn't know. Did they know? My mom knew? She didn't. 102 00:04:40,760 --> 00:04:43,520 Speaker 1: She wasn't that considering twenty one. I was seventeen, he 103 00:04:43,560 --> 00:04:46,159 Speaker 1: was twenty one. Girls were your fast and guy. Yeah, 104 00:04:46,200 --> 00:04:48,320 Speaker 1: it wasn't. She didn't really care in high school he 105 00:04:48,360 --> 00:04:53,640 Speaker 1: was graduate college. Yeah, he made mine? Did you? I mean, 106 00:04:53,760 --> 00:04:55,479 Speaker 1: here's the thing. I was not trying to be in 107 00:04:55,480 --> 00:04:57,280 Speaker 1: a serious relationship. I was just trying to have a 108 00:04:57,320 --> 00:04:59,160 Speaker 1: good time. And I'm like, if I'm gonna wear heels 109 00:04:59,160 --> 00:05:00,720 Speaker 1: and try to act like I'm a grown up, at 110 00:05:00,760 --> 00:05:01,760 Speaker 1: least I can do it with a man, it's a 111 00:05:01,800 --> 00:05:03,760 Speaker 1: little toe than me. And you knew you were pursuing 112 00:05:03,760 --> 00:05:07,240 Speaker 1: your music career. Oh yeah, I wasn't. Yes, and I wasn't. 113 00:05:07,240 --> 00:05:09,080 Speaker 1: I wasn't pressed. I really just wanted to make music 114 00:05:09,120 --> 00:05:12,320 Speaker 1: and have fun. Did he blowing you? But no, But 115 00:05:12,440 --> 00:05:14,200 Speaker 1: most other guys did like to turn young girls out 116 00:05:14,200 --> 00:05:15,960 Speaker 1: by doing things that has never happened. If you feel 117 00:05:16,000 --> 00:05:17,560 Speaker 1: like you were good in bed at that age, no, 118 00:05:17,600 --> 00:05:18,800 Speaker 1: I didn't know what the hell I was doing at 119 00:05:18,800 --> 00:05:20,600 Speaker 1: that age, just had no idea to do it, had 120 00:05:20,640 --> 00:05:23,840 Speaker 1: no clue. I listen, did you blow? It had to 121 00:05:23,839 --> 00:05:27,120 Speaker 1: be a memorable No, actually I didn't. I didn't even 122 00:05:27,480 --> 00:05:31,120 Speaker 1: occurred to me to do that at seventeen. Imagine, listen, 123 00:05:31,200 --> 00:05:32,800 Speaker 1: imagine imagine what I would have been like if I 124 00:05:32,880 --> 00:05:36,080 Speaker 1: knew to do that at seventeen. Must have been rememorable. 125 00:05:36,120 --> 00:05:38,360 Speaker 1: Someone that you named the whole ep after it. I did. 126 00:05:38,400 --> 00:05:40,640 Speaker 1: I had a really great time between junior and senior year. 127 00:05:40,640 --> 00:05:42,840 Speaker 1: It was a blast. It was a blast. How did 128 00:05:42,839 --> 00:05:44,279 Speaker 1: it feel when you turned to eighteen? Did you feel 129 00:05:44,279 --> 00:05:46,800 Speaker 1: like your poom poom was legal or now? Um? I 130 00:05:46,839 --> 00:05:50,280 Speaker 1: didn't feel that different than eighteen honestly illegal. But it's right. 131 00:05:50,320 --> 00:05:52,080 Speaker 1: I was already kind of I was already out here, 132 00:05:52,080 --> 00:05:54,720 Speaker 1: so I wasn't thinking about it that way, you know 133 00:05:54,720 --> 00:05:56,640 Speaker 1: what I mean. At eighteen, it was just kind of like, okay, 134 00:05:56,720 --> 00:05:59,080 Speaker 1: sick now, I can you know, get a little wristbanded 135 00:05:59,160 --> 00:06:01,159 Speaker 1: club exit now. It wasn't that back a good deal 136 00:06:02,000 --> 00:06:04,680 Speaker 1: you're spoking about? How with women, especially with you going 137 00:06:04,760 --> 00:06:07,680 Speaker 1: to this performing arts high school, it was very competitive? Yeah, 138 00:06:07,680 --> 00:06:11,240 Speaker 1: because you guys were all you know, yeah, so it 139 00:06:11,279 --> 00:06:14,080 Speaker 1: was like bringing on the musical version like yeah that 140 00:06:14,720 --> 00:06:16,560 Speaker 1: I mean, it wasn't that bad, but I think it was, 141 00:06:16,720 --> 00:06:19,160 Speaker 1: you know, when you when you are trying to get 142 00:06:19,200 --> 00:06:22,599 Speaker 1: a solo or you're trying to you know, audition orland 143 00:06:22,600 --> 00:06:25,440 Speaker 1: a gig. Outside of school, people are paying attention, you 144 00:06:25,440 --> 00:06:27,160 Speaker 1: know what I mean. And it's still I mean, you're 145 00:06:27,160 --> 00:06:30,120 Speaker 1: in high school, so everybody's insecure. Everybody's patty, everybody's petty, 146 00:06:30,279 --> 00:06:32,520 Speaker 1: and so you know, sometimes people support you and sometimes 147 00:06:32,520 --> 00:06:34,599 Speaker 1: they don't. Sometimes they're talking behind your back. And you 148 00:06:34,640 --> 00:06:37,120 Speaker 1: know a lot of famous people went there, So just 149 00:06:37,200 --> 00:06:38,640 Speaker 1: run it down so we know some people are there, 150 00:06:38,640 --> 00:06:41,640 Speaker 1: went to Laguardias, so we know what type of talent. Yeah, 151 00:06:41,680 --> 00:06:45,479 Speaker 1: Nikki went there, um A, Zilia Banks, calise Um, to 152 00:06:45,560 --> 00:06:47,600 Speaker 1: name a few New York music people. Friends with any 153 00:06:47,640 --> 00:06:49,479 Speaker 1: Yeah you friends with anybody? No, I don't really know 154 00:06:49,520 --> 00:06:54,400 Speaker 1: anybody like that. No, she graduated before I got there. Yeah, 155 00:06:54,440 --> 00:06:56,040 Speaker 1: I think she graduate the year before I got there. 156 00:06:56,040 --> 00:06:57,880 Speaker 1: You guys don't have like an alumni program where you 157 00:06:57,880 --> 00:07:00,159 Speaker 1: can reach out to people who graduated. You know what. No, 158 00:07:00,200 --> 00:07:01,760 Speaker 1: I didn't even go to my high school reunion. I 159 00:07:01,760 --> 00:07:03,559 Speaker 1: had no interest in even going on my high school union. 160 00:07:03,680 --> 00:07:05,760 Speaker 1: I don't know. I think it was just she was 161 00:07:05,839 --> 00:07:09,720 Speaker 1: dating all the guys. I wasn't checking for anybody anymore. No, 162 00:07:09,800 --> 00:07:12,120 Speaker 1: it was you trying to get back to that high 163 00:07:12,120 --> 00:07:15,880 Speaker 1: school reunion. Oh that's what it is. Um No, I 164 00:07:15,920 --> 00:07:17,360 Speaker 1: just it was it was last year. I didn't I 165 00:07:17,360 --> 00:07:19,080 Speaker 1: didn't go. I decided to feel I don't know. Last 166 00:07:19,160 --> 00:07:20,640 Speaker 1: year was a last year, was a weird year for me. 167 00:07:20,720 --> 00:07:23,240 Speaker 1: I've left the label. I got a whole new management team. 168 00:07:23,280 --> 00:07:26,600 Speaker 1: I just I started from the bottom. So, um, we 169 00:07:26,680 --> 00:07:29,000 Speaker 1: just we plateau too. We just didn't have the same 170 00:07:29,200 --> 00:07:30,880 Speaker 1: We didn't we didn't see that we didn't see eye 171 00:07:30,920 --> 00:07:32,360 Speaker 1: to eye on what was what the next step was 172 00:07:32,400 --> 00:07:33,760 Speaker 1: supposed to be. What do you think the next step 173 00:07:33,880 --> 00:07:35,800 Speaker 1: is supposed to be that people aren't seeing eye to 174 00:07:35,840 --> 00:07:38,160 Speaker 1: eye with um? I'm really I didn't want to be 175 00:07:38,240 --> 00:07:42,280 Speaker 1: put in the like quintessential classic R and B box. 176 00:07:42,480 --> 00:07:44,320 Speaker 1: I never felt like that was who I was. I've 177 00:07:44,360 --> 00:07:46,680 Speaker 1: definitely wanted to be sort of in that middle lane 178 00:07:46,680 --> 00:07:49,440 Speaker 1: where it was more musical and more about the content 179 00:07:49,600 --> 00:07:52,400 Speaker 1: rather than Okay, well she's gonna open for Mary J. Blige, 180 00:07:52,440 --> 00:07:53,760 Speaker 1: so this is what it's going to be like. It 181 00:07:53,800 --> 00:07:56,200 Speaker 1: was very much like, Okay, this is this is your lane, 182 00:07:56,200 --> 00:07:57,600 Speaker 1: this is your box. You only have this amount of 183 00:07:57,680 --> 00:07:59,920 Speaker 1: room to room to move in and I just felt like, 184 00:08:00,040 --> 00:08:01,440 Speaker 1: you know, it was silly. I wanted to branch out 185 00:08:01,440 --> 00:08:03,440 Speaker 1: and do television. I want to, you know. And I 186 00:08:03,480 --> 00:08:05,160 Speaker 1: was able to do it the last last year or so, 187 00:08:05,240 --> 00:08:07,240 Speaker 1: hosting on Fusing on VH one. So it's been a 188 00:08:07,240 --> 00:08:09,400 Speaker 1: good They were trying to make Bridgie Kelly an artist 189 00:08:09,440 --> 00:08:13,120 Speaker 1: that she wasn't. I always appreciated how raw and edge 190 00:08:13,120 --> 00:08:16,320 Speaker 1: of your music was. It wasn't like typical, you know, 191 00:08:16,600 --> 00:08:19,000 Speaker 1: R and B was very I don't even know how 192 00:08:19,040 --> 00:08:22,760 Speaker 1: to say it, just blunt. Yeah. I think because I'm 193 00:08:22,760 --> 00:08:24,840 Speaker 1: from New York, the assumption is just automatically like, oh, 194 00:08:24,920 --> 00:08:26,840 Speaker 1: she's got to do R and B. She's from New York. 195 00:08:26,880 --> 00:08:31,240 Speaker 1: She's got a raspy voice. And what you're saying, like, Mary, yeah, 196 00:08:31,280 --> 00:08:33,760 Speaker 1: with the you know what I mean, I wasn't. I 197 00:08:33,880 --> 00:08:41,040 Speaker 1: wasn't really, I wasn't there. I did, Marry that is 198 00:08:41,040 --> 00:08:42,920 Speaker 1: that the dance? Is that the dance that gets the 199 00:08:42,920 --> 00:08:45,880 Speaker 1: girls to go on your But that's the dance, that's 200 00:08:45,920 --> 00:08:48,040 Speaker 1: the dance, that's how that's how he gets. That's not 201 00:08:48,080 --> 00:08:52,280 Speaker 1: what she'd be doing. Never does that. Don't do that. 202 00:08:53,000 --> 00:08:58,160 Speaker 1: Don't do that, Mary. I think that's so far out 203 00:08:58,440 --> 00:09:01,600 Speaker 1: from the essence fest or something you looked like that. 204 00:09:02,160 --> 00:09:05,760 Speaker 1: She never seen her rhythm. Come on, man, Marry got rhythm. 205 00:09:06,080 --> 00:09:12,760 Speaker 1: Hold on, He's gonna just show her. Hey, all right, 206 00:09:12,760 --> 00:09:17,040 Speaker 1: all right, the one move, the one lose her head 207 00:09:18,480 --> 00:09:22,200 Speaker 1: really wasted it. She definitely gave you like a full 208 00:09:22,200 --> 00:09:24,480 Speaker 1: side kick though with that Harry move, go ahead married 209 00:09:24,640 --> 00:09:27,360 Speaker 1: drunk at the party now that No, she's the one 210 00:09:27,440 --> 00:09:29,280 Speaker 1: every all the young girls want to be like maybe 211 00:09:29,360 --> 00:09:31,200 Speaker 1: like I'm trying to get like her, I'm to be 212 00:09:31,240 --> 00:09:37,480 Speaker 1: like her drunk. She's had a nice long career that 213 00:09:37,520 --> 00:09:40,760 Speaker 1: really evolved and when she was she is now Oh yeah, 214 00:09:40,760 --> 00:09:42,920 Speaker 1: for sure. She's always remained true to her audience too, 215 00:09:42,920 --> 00:09:45,120 Speaker 1: which I think is really important. It's it's tough. I 216 00:09:45,120 --> 00:09:47,040 Speaker 1: feel like I didn't have the chance to really do that. 217 00:09:47,080 --> 00:09:49,079 Speaker 1: I got thrown on such a grand stage so early 218 00:09:49,520 --> 00:09:52,040 Speaker 1: in place of somebody else. So it wasn't like, you know, 219 00:09:52,200 --> 00:09:54,040 Speaker 1: it wasn't like my intro to the world was here's 220 00:09:54,080 --> 00:09:55,959 Speaker 1: my music, listen to this. It was like, hey, sing 221 00:09:55,960 --> 00:09:59,560 Speaker 1: this other girl's back the real quick and mar audience 222 00:09:59,559 --> 00:10:02,320 Speaker 1: has grown there like they yeah, from like the Apollo 223 00:10:03,120 --> 00:10:06,240 Speaker 1: wherever she's at now that at the festival, like, I 224 00:10:06,320 --> 00:10:07,880 Speaker 1: love it. It seems like you got a whole new 225 00:10:07,960 --> 00:10:10,240 Speaker 1: LUK too. I do I have blonde hair? Crazy? Is 226 00:10:10,240 --> 00:10:12,280 Speaker 1: that I chopped it? I was like, no more bangs? 227 00:10:12,960 --> 00:10:16,640 Speaker 1: I yeah, you'd be working out though if you finally 228 00:10:16,640 --> 00:10:20,120 Speaker 1: I'm going hard. I'm going really hard. I'd just wanting 229 00:10:20,160 --> 00:10:23,600 Speaker 1: to roll up on you underneath the bridge and where 230 00:10:23,600 --> 00:10:25,200 Speaker 1: are you going? You running? Let me run with you? 231 00:10:25,360 --> 00:10:27,160 Speaker 1: What else happening to you when you were seventeen that 232 00:10:27,200 --> 00:10:29,600 Speaker 1: you decided to make a whole ep about it? Um? 233 00:10:29,640 --> 00:10:32,880 Speaker 1: I felt like I didn't want to be I didn't 234 00:10:32,920 --> 00:10:34,480 Speaker 1: I didn't want to have to succumb to all the 235 00:10:34,840 --> 00:10:37,080 Speaker 1: standards of what everybody else thought I should be doing. 236 00:10:37,160 --> 00:10:38,600 Speaker 1: I didn't know if I wanted to go to college. 237 00:10:38,640 --> 00:10:40,560 Speaker 1: I didn't know, you know, if I you know, what 238 00:10:40,679 --> 00:10:42,360 Speaker 1: kind of necessarily what kind of music At the time 239 00:10:42,400 --> 00:10:44,000 Speaker 1: I really wanted to do, I didn't really know who 240 00:10:44,000 --> 00:10:45,640 Speaker 1: I was, And I felt like that that should have 241 00:10:45,640 --> 00:10:47,760 Speaker 1: been acceptable, Like that should have been okay at seventeen. 242 00:10:47,960 --> 00:10:49,680 Speaker 1: I feel like kids now have it even harder because 243 00:10:49,679 --> 00:10:52,160 Speaker 1: it's like social media is, you know, portraying all these 244 00:10:52,160 --> 00:10:55,240 Speaker 1: images constantly. It's over saturation and it's like that's all 245 00:10:55,280 --> 00:10:57,480 Speaker 1: they have to look to. For us. In my generation, 246 00:10:57,520 --> 00:10:59,319 Speaker 1: at least, it was like, you know, all we kind 247 00:10:59,320 --> 00:11:01,320 Speaker 1: of have was each other and no one really knew 248 00:11:01,320 --> 00:11:03,040 Speaker 1: their ass from their own bow. So everybody's just trying 249 00:11:03,040 --> 00:11:04,480 Speaker 1: to figure it out, you know what I mean, crashing 250 00:11:04,480 --> 00:11:06,440 Speaker 1: and burning, and I felt like, you know, I want to. 251 00:11:06,480 --> 00:11:07,719 Speaker 1: I want to do that on my on my own 252 00:11:07,760 --> 00:11:08,839 Speaker 1: I want to. I want to dance it to be 253 00:11:08,880 --> 00:11:10,920 Speaker 1: to my own drum. So even if it's off for them, 254 00:11:12,840 --> 00:11:15,720 Speaker 1: Mary just feels good. So who's the CD catering to it? 255 00:11:15,760 --> 00:11:18,920 Speaker 1: Because it was seventeen for you was what twelve years ago? Yeah, 256 00:11:19,240 --> 00:11:22,839 Speaker 1: that's the whole different. I mean, it's different from seventeen now. 257 00:11:22,920 --> 00:11:26,080 Speaker 1: It's not really catering to necessarily seventeen year olds. It's 258 00:11:26,080 --> 00:11:29,200 Speaker 1: just it's more so the state of minds. I really, 259 00:11:29,240 --> 00:11:31,840 Speaker 1: I'm not taking myself that seriously. I don't think it's 260 00:11:31,880 --> 00:11:33,840 Speaker 1: if I don't get married at thirty, I'm not upset, 261 00:11:33,880 --> 00:11:36,040 Speaker 1: you know what I'm saying. I'll be okay, Um, you know, 262 00:11:36,080 --> 00:11:39,079 Speaker 1: I just it's more so about, you know, exploring the 263 00:11:39,120 --> 00:11:40,960 Speaker 1: possibilities of love. Some of the songs on here are 264 00:11:40,960 --> 00:11:42,840 Speaker 1: about love, and it's about falling head over heels and 265 00:11:42,840 --> 00:11:44,640 Speaker 1: what that feels like for the first time, it's like 266 00:11:44,679 --> 00:11:46,680 Speaker 1: to fall in love again. Is you know, it's a 267 00:11:46,679 --> 00:11:48,839 Speaker 1: beautiful to beautiful thing. Do you even know what love is? 268 00:11:48,880 --> 00:11:50,599 Speaker 1: That's seventeen though, I'm sure you know what you know. 269 00:11:50,920 --> 00:11:53,559 Speaker 1: I think I think, I think what you feel is 270 00:11:53,720 --> 00:11:56,120 Speaker 1: so strong though, that you that you that you think 271 00:11:56,120 --> 00:11:57,839 Speaker 1: it is love, right, and so something. I mean, I 272 00:11:57,920 --> 00:11:59,720 Speaker 1: think that even as an adult, that happens to you. You 273 00:11:59,640 --> 00:12:01,480 Speaker 1: You get you get wrapped up in a situation and 274 00:12:01,600 --> 00:12:03,079 Speaker 1: before you know it, you're like, oh my god, this 275 00:12:03,160 --> 00:12:05,200 Speaker 1: is amazing. And then it happens and it doesn't go 276 00:12:05,240 --> 00:12:09,079 Speaker 1: work your way, and you're like, damn, what's this? You're 277 00:12:09,080 --> 00:12:11,959 Speaker 1: having sex with the twenty one year Yeah, tall, penis 278 00:12:12,000 --> 00:12:16,600 Speaker 1: bigger cause it's gonna feel scrong. We're talking about love, 279 00:12:16,679 --> 00:12:19,680 Speaker 1: not penis though, And and you know, admittedly she said 280 00:12:19,800 --> 00:12:21,520 Speaker 1: when she was seventeen she didn't know what she was doing. 281 00:12:21,880 --> 00:12:24,760 Speaker 1: I honestly, twenty one year old guys don't know what 282 00:12:24,800 --> 00:12:27,160 Speaker 1: they're doing. They sure don't. But here's the thing. I'm 283 00:12:27,200 --> 00:12:29,160 Speaker 1: twenty nine, right, I'm twenty nine, and I feel like 284 00:12:29,200 --> 00:12:31,000 Speaker 1: in certain aspects of life, not that I definitely know 285 00:12:31,000 --> 00:12:32,360 Speaker 1: what I'm doing in the bedroom now at twenty nine, 286 00:12:32,440 --> 00:12:35,480 Speaker 1: but um, outside of that, like there's two things I 287 00:12:35,480 --> 00:12:38,439 Speaker 1: don't have a clue about, Like I still don't know relationships. 288 00:12:38,480 --> 00:12:40,719 Speaker 1: I suck at relationships, like I either give too much 289 00:12:40,760 --> 00:12:44,320 Speaker 1: or give too little, like it's a weird. I was, oh, yeah, 290 00:12:44,320 --> 00:12:51,280 Speaker 1: he's gone, yeah, um for the free workouts, she's in great. 291 00:12:51,400 --> 00:12:53,160 Speaker 1: I used him. I used him for the washboard and 292 00:12:53,160 --> 00:12:56,800 Speaker 1: had to call it. Um. No, honestly, we went on 293 00:12:56,800 --> 00:13:00,600 Speaker 1: a break and then I was just I was over it. 294 00:13:00,840 --> 00:13:03,079 Speaker 1: I was over to break whose that there was there? Um, 295 00:13:03,080 --> 00:13:05,120 Speaker 1: it was mine. I wasn't happy with it was actually 296 00:13:05,160 --> 00:13:06,760 Speaker 1: last year. It was right after I left the label. 297 00:13:06,800 --> 00:13:09,800 Speaker 1: I was like, all right, I need to rough it. 298 00:13:10,160 --> 00:13:12,240 Speaker 1: I got into everything. I really I went through it. 299 00:13:12,240 --> 00:13:14,199 Speaker 1: So I was like, I gotta just clean slate. But 300 00:13:14,320 --> 00:13:16,720 Speaker 1: you know, and then that was sometimes it is too 301 00:13:16,800 --> 00:13:18,680 Speaker 1: It's hard when if you're not happy with your career, 302 00:13:18,720 --> 00:13:20,840 Speaker 1: you're not happy your management, you're not it makes you 303 00:13:20,960 --> 00:13:23,679 Speaker 1: not happy with it's this clean house, let's start all 304 00:13:23,679 --> 00:13:25,200 Speaker 1: over it. But then it's also I knew I wanted 305 00:13:25,200 --> 00:13:26,640 Speaker 1: to date other people because I was kind of like 306 00:13:26,679 --> 00:13:28,400 Speaker 1: I was looking to feel anything that was going to 307 00:13:28,480 --> 00:13:31,160 Speaker 1: give me positive feedback and validation and attention. And I 308 00:13:31,200 --> 00:13:33,040 Speaker 1: knew that. So it was like, if I'm gonna do that, 309 00:13:33,080 --> 00:13:36,319 Speaker 1: I can't be in this relationship with pushing away to 310 00:13:36,400 --> 00:13:39,400 Speaker 1: positive feedback. No, I was saying, I'm saying that when 311 00:13:39,400 --> 00:13:41,640 Speaker 1: you're going through all that and everything is kind of 312 00:13:41,679 --> 00:13:44,120 Speaker 1: like buckling down on you at once, you're searching. You're 313 00:13:44,120 --> 00:13:47,040 Speaker 1: searching to feel any kind of like good attention anything. 314 00:13:47,080 --> 00:13:49,080 Speaker 1: So to me, it was like I could already feel 315 00:13:49,120 --> 00:13:51,000 Speaker 1: myself drifting out of the relationship because it was like 316 00:13:51,000 --> 00:13:52,640 Speaker 1: when nothing else was going on for me and I'm 317 00:13:52,679 --> 00:13:54,640 Speaker 1: not I'm not like the stay at home girl that's 318 00:13:54,679 --> 00:13:56,720 Speaker 1: going to be happy just with her man on the 319 00:13:56,720 --> 00:13:58,520 Speaker 1: couch every night. It's like, I want to be working, 320 00:13:58,559 --> 00:13:59,880 Speaker 1: I want to be doing stuff. So was it this 321 00:14:00,040 --> 00:14:01,959 Speaker 1: situation where he was telling you things like, yo, that's 322 00:14:01,960 --> 00:14:03,560 Speaker 1: good you're not with them where you can stay home 323 00:14:03,600 --> 00:14:06,480 Speaker 1: down and cooking and clean. No, it was just No, 324 00:14:06,520 --> 00:14:08,679 Speaker 1: it was he was really supportive. He was actually he's 325 00:14:08,720 --> 00:14:10,800 Speaker 1: actually to be really fair to him, he was probably 326 00:14:10,840 --> 00:14:13,800 Speaker 1: the greatest man that I've ever met, hands down, But 327 00:14:13,840 --> 00:14:15,880 Speaker 1: I just it wasn't the right time for me. My 328 00:14:15,920 --> 00:14:20,760 Speaker 1: brain I checked out. My brain checked out. He is amazing. 329 00:14:21,520 --> 00:14:24,560 Speaker 1: It wasn't the time. I mean, why should she stay 330 00:14:24,680 --> 00:14:28,240 Speaker 1: in a relationship if she's not. Yeah, but you know what, thought, 331 00:14:28,240 --> 00:14:31,280 Speaker 1: I can admit that I felt myself drifting drifting off, 332 00:14:31,320 --> 00:14:33,280 Speaker 1: drifting away. There was already somebody else that had caught 333 00:14:33,320 --> 00:14:35,160 Speaker 1: my attention, that was giving me the kind of attention 334 00:14:35,160 --> 00:14:37,080 Speaker 1: that I wanted and needed. So the right thing to 335 00:14:37,080 --> 00:14:39,120 Speaker 1: do is to break up. Yeah, I feel like this 336 00:14:39,200 --> 00:14:41,240 Speaker 1: isn't it. Maybe he could be a great guy, but 337 00:14:41,320 --> 00:14:44,400 Speaker 1: it just wasn't the timing. The timing wasn't right. No, 338 00:14:44,440 --> 00:14:46,520 Speaker 1: I didn't break up with him for another guy. I 339 00:14:46,680 --> 00:14:48,880 Speaker 1: when we broke up, we were on a break and 340 00:14:48,920 --> 00:14:50,640 Speaker 1: it was like, you know what I'm gonna I'm going 341 00:14:50,680 --> 00:14:56,560 Speaker 1: to test the waters out and then it's over. Because 342 00:14:56,560 --> 00:14:58,960 Speaker 1: that's exactly what happens. I mean, that happens. It happens 343 00:14:59,000 --> 00:15:01,320 Speaker 1: all the time. Do it all up about it now? 344 00:15:01,320 --> 00:15:02,760 Speaker 1: She wanted to have sex with another guy that she 345 00:15:02,800 --> 00:15:05,200 Speaker 1: went on a break to go have sex with other 346 00:15:05,360 --> 00:15:08,200 Speaker 1: he did exactly. It's better than cheating, right, and instead 347 00:15:08,240 --> 00:15:10,840 Speaker 1: of cheating, it's better than cheating. Take you out, you're 348 00:15:10,840 --> 00:15:14,120 Speaker 1: all in love and then hurt behind this kind of 349 00:15:14,400 --> 00:15:19,120 Speaker 1: you're acting like a seventeen year old be kid. Here 350 00:15:19,120 --> 00:15:22,480 Speaker 1: we are seventeen, summer of seventeen, and you have only 351 00:15:22,520 --> 00:15:25,640 Speaker 1: one guest appearance, Mac Wilds is on the eed. Yes, yes, 352 00:15:25,680 --> 00:15:28,000 Speaker 1: I like that sounds super cute. I like the whole album. 353 00:15:28,040 --> 00:15:30,280 Speaker 1: I really like Bridget Kelly's music. I remember, like I 354 00:15:30,320 --> 00:15:31,920 Speaker 1: told you before, the first time I saw you perform, 355 00:15:31,920 --> 00:15:33,880 Speaker 1: I sa, I'm gonna go download this when I get home. No, 356 00:15:33,920 --> 00:15:35,440 Speaker 1: I was Angela came up to me at some point 357 00:15:35,440 --> 00:15:38,480 Speaker 1: with some party and might actually been in Charlotte during 358 00:15:38,600 --> 00:15:40,320 Speaker 1: c I doublea like two or three years ago, and 359 00:15:40,400 --> 00:15:42,280 Speaker 1: y'all were hosting a party. Yeah, we do that every year, 360 00:15:44,440 --> 00:15:47,760 Speaker 1: the greatest day party ever. By the way, Um, it's 361 00:15:47,800 --> 00:15:49,440 Speaker 1: the most turn you can be in a short amount 362 00:15:49,440 --> 00:15:52,760 Speaker 1: of time. It is really during the day. But no, 363 00:15:52,800 --> 00:15:54,400 Speaker 1: I remember you like you came up to it. You 364 00:15:54,440 --> 00:15:56,200 Speaker 1: were like, I'm really excited for your project. Whenever you 365 00:15:56,240 --> 00:15:57,440 Speaker 1: put it out, let me know, like I want to 366 00:15:57,440 --> 00:16:00,120 Speaker 1: show love, and I always remember that, so I appreciate it. Well, 367 00:16:00,160 --> 00:16:03,960 Speaker 1: now you're showing love you absolutely. It's not no, it's 368 00:16:04,080 --> 00:16:05,600 Speaker 1: not take that. It was that was like that was 369 00:16:05,600 --> 00:16:07,800 Speaker 1: like a year after all the time, but I had 370 00:16:07,840 --> 00:16:10,400 Speaker 1: been following her career everywhere in the beginning now, so 371 00:16:10,440 --> 00:16:11,960 Speaker 1: I was excited for this ap to come out. I 372 00:16:12,000 --> 00:16:16,000 Speaker 1: already heard it and everything. You are independent independence, Oh yeah, 373 00:16:17,680 --> 00:16:19,880 Speaker 1: I'm sure they are. But here's the thing. I've made 374 00:16:19,920 --> 00:16:22,760 Speaker 1: more money and more connections and gained more confidence in 375 00:16:22,840 --> 00:16:25,000 Speaker 1: all of that in the last like ten months that 376 00:16:25,080 --> 00:16:27,320 Speaker 1: I than I had in like six years. So to me, 377 00:16:27,400 --> 00:16:29,440 Speaker 1: it's incredible, Like and it's not to say that I'm 378 00:16:29,440 --> 00:16:32,320 Speaker 1: anti labeled, but I champion now being an independent artist 379 00:16:32,360 --> 00:16:34,360 Speaker 1: and finding yourself in that whirlwind and trying to make 380 00:16:34,480 --> 00:16:36,080 Speaker 1: make moves on your own. And if you do decide 381 00:16:36,080 --> 00:16:37,600 Speaker 1: to make that decision, I think it's great to be 382 00:16:37,640 --> 00:16:39,800 Speaker 1: independent and prove what you can do yourself. You get 383 00:16:39,840 --> 00:16:41,800 Speaker 1: a lot more, yeah, when you bring more to the table, 384 00:16:42,040 --> 00:16:43,840 Speaker 1: but you also know yourself as an artist. I think 385 00:16:43,840 --> 00:16:46,440 Speaker 1: that's the biggest problem now is nobody gets developed. Everybody 386 00:16:46,480 --> 00:16:48,560 Speaker 1: gets it has to be a full package deal when 387 00:16:48,560 --> 00:16:50,040 Speaker 1: they get signed, and then if they're not, and they 388 00:16:50,040 --> 00:16:51,720 Speaker 1: get lost, and then they get lost in the shuffle. 389 00:16:52,440 --> 00:16:55,080 Speaker 1: Music be available on title I think it already is 390 00:16:55,240 --> 00:16:57,120 Speaker 1: somebody somebody tagging me in it, and then they said 391 00:16:57,120 --> 00:16:59,240 Speaker 1: it was on title that's trying to be cute. Okay, 392 00:16:59,280 --> 00:17:02,280 Speaker 1: of listen, of course, listen of course by all means 393 00:17:02,360 --> 00:17:06,680 Speaker 1: ask ask away absolutely, So do you like TV better? Then? No, 394 00:17:06,880 --> 00:17:08,239 Speaker 1: I know you don't like it better than music, but 395 00:17:08,320 --> 00:17:11,399 Speaker 1: do you like TV? I love hosting. I didn't think 396 00:17:11,400 --> 00:17:12,600 Speaker 1: I would. I thought I was. I thought it was 397 00:17:12,600 --> 00:17:14,480 Speaker 1: going to come off a little corny. But honestly, the 398 00:17:14,640 --> 00:17:16,679 Speaker 1: all the attributes to my personality that I used to 399 00:17:16,680 --> 00:17:19,119 Speaker 1: get like carasped for and made fun of about, actually 400 00:17:19,119 --> 00:17:24,000 Speaker 1: turned out to my advantage or TV they love that girl. 401 00:17:24,200 --> 00:17:25,960 Speaker 1: Well I am. But it's but it's like I talk 402 00:17:26,000 --> 00:17:27,879 Speaker 1: a lot. I'm almost too nice to people. It's like, 403 00:17:28,000 --> 00:17:29,880 Speaker 1: initially when I got signed, it was like, yo, keep 404 00:17:29,920 --> 00:17:31,960 Speaker 1: you have to keep this mystique about you. You're an 405 00:17:32,040 --> 00:17:34,119 Speaker 1: artist and you have to have this hair. And I 406 00:17:34,200 --> 00:17:36,119 Speaker 1: was like that personal, I want to go sit down 407 00:17:36,119 --> 00:17:38,480 Speaker 1: and talk. Let's take shy, let's let's kick it. And 408 00:17:40,720 --> 00:17:42,600 Speaker 1: but it's just it's about what's about the energy you 409 00:17:42,640 --> 00:17:45,200 Speaker 1: give off. I'm more approachable and so for me that 410 00:17:45,200 --> 00:17:47,520 Speaker 1: that works in my favor. When I'm doing interviews with artists, 411 00:17:47,560 --> 00:17:49,760 Speaker 1: that I've that I knew off to off of television, 412 00:17:49,840 --> 00:17:52,040 Speaker 1: so then to interview them then it's it's more conversational. 413 00:17:52,080 --> 00:17:53,800 Speaker 1: So it's great instead of trying to be somebody you're 414 00:17:53,800 --> 00:17:56,159 Speaker 1: not happy yourself. Instead of like being robotic and asking 415 00:17:56,160 --> 00:17:58,280 Speaker 1: the typical questions, it's like, well, okay, well what's going on? 416 00:17:58,400 --> 00:17:59,960 Speaker 1: How you been and how's everything going? How's your get? 417 00:18:00,280 --> 00:18:03,919 Speaker 1: You can break them more uncomfortable because artists are uncomfortable. Like, 418 00:18:04,000 --> 00:18:06,800 Speaker 1: for the most part, most artists are socially awkward. We 419 00:18:06,840 --> 00:18:09,159 Speaker 1: don't have a clue how to like really interact and 420 00:18:09,280 --> 00:18:12,199 Speaker 1: be on a personal person I think because there's so 421 00:18:12,200 --> 00:18:16,040 Speaker 1: many people not speaking to artists like they're regular people, right, 422 00:18:16,080 --> 00:18:17,920 Speaker 1: you know what I mean? They did talk artists the 423 00:18:17,960 --> 00:18:19,919 Speaker 1: instead of just having a conversation with It's like we 424 00:18:19,920 --> 00:18:21,920 Speaker 1: can take a picture, but you can totally be like, hey, 425 00:18:21,920 --> 00:18:23,720 Speaker 1: how's your thing going, what's going on? How are you doing? 426 00:18:23,800 --> 00:18:25,800 Speaker 1: Like you can you can keep it casual without it 427 00:18:25,840 --> 00:18:28,560 Speaker 1: being like, dude, you mind if we with you in 428 00:18:28,600 --> 00:18:31,880 Speaker 1: the corner out of a butt every now and then, 429 00:18:31,960 --> 00:18:34,520 Speaker 1: I wouldn't do that. I wouldn't do that. I don't 430 00:18:34,560 --> 00:18:36,359 Speaker 1: want to do this. I also don't want to put 431 00:18:36,400 --> 00:18:38,800 Speaker 1: anybody else in that. That's an awkward question. I wouldn't 432 00:18:38,800 --> 00:18:41,159 Speaker 1: start the conversation that way. You don't start it. But 433 00:18:41,240 --> 00:18:44,200 Speaker 1: somewhere along the line, you just just to break the ice. Okay, 434 00:18:44,320 --> 00:18:46,760 Speaker 1: throw that in there. Okay, I'll keep that. It's popular 435 00:18:46,800 --> 00:18:49,639 Speaker 1: now with the whole eating booty like groceries thing. But 436 00:18:49,760 --> 00:18:52,240 Speaker 1: you know what, I feel like, that's a front. Definitely, 437 00:18:52,640 --> 00:18:55,919 Speaker 1: that's a front. I ain't nobody really, No, I believe 438 00:18:55,920 --> 00:18:57,840 Speaker 1: people are doing it. I don't. I don't think that's 439 00:18:57,880 --> 00:19:00,119 Speaker 1: like maker. That's a deal breaker if you don't, so 440 00:19:00,160 --> 00:19:02,199 Speaker 1: I'm not with you. No, No girl feels like No 441 00:19:02,240 --> 00:19:03,919 Speaker 1: girl feels like that in her right mind, that's not 442 00:19:03,960 --> 00:19:05,600 Speaker 1: the deal breaker. Cut it out. So you don't feel 443 00:19:05,600 --> 00:19:08,880 Speaker 1: special when the guy I feel special. But here's the thing. 444 00:19:09,640 --> 00:19:13,080 Speaker 1: It's not a prerequisite. It doesn't. It's not a mandatory criteria. 445 00:19:13,160 --> 00:19:15,600 Speaker 1: Like it's not girl, I can't be with him, right, 446 00:19:18,080 --> 00:19:23,840 Speaker 1: absolutely not? Come on, man, No, do you kiss the 447 00:19:23,880 --> 00:19:32,040 Speaker 1: girl after she swallows? No? No, I'm done? Okay, all right? 448 00:19:33,240 --> 00:19:36,119 Speaker 1: Oh you just you asleep where you give her a 449 00:19:36,200 --> 00:19:45,640 Speaker 1: high five? You're not gonna get her, that's right. Kept 450 00:19:45,640 --> 00:19:48,200 Speaker 1: calling you carry Hilson too. When you walked in. Really, 451 00:19:49,440 --> 00:19:52,760 Speaker 1: that's a little it's a little disrespectful. Disrespectful because I 452 00:19:52,800 --> 00:19:54,960 Speaker 1: like cr and Beyonce, so I would rather not be 453 00:19:54,960 --> 00:19:59,400 Speaker 1: put in that folder. I don't want to be. I'm 454 00:19:59,440 --> 00:20:01,639 Speaker 1: not a hater, like I'm not a Charlomagne. Set you up. 455 00:20:01,800 --> 00:20:07,879 Speaker 1: You know what I'm saying. Don't do that. Wait, hold on, wait, Book, Seriously, 456 00:20:07,880 --> 00:20:09,320 Speaker 1: this is the first time I've come in here and 457 00:20:09,320 --> 00:20:11,680 Speaker 1: you have not offered me a drink. I'm so surprised. 458 00:20:12,280 --> 00:20:20,440 Speaker 1: Why somebody get Bridge, Please, somebody give me a cup. 459 00:20:20,720 --> 00:20:23,200 Speaker 1: It's gonna be a long day. But yes, but I 460 00:20:23,320 --> 00:20:26,000 Speaker 1: have a show at s webs again on the thirteen. 461 00:20:26,640 --> 00:20:28,479 Speaker 1: Really we need to get We need to just have 462 00:20:28,520 --> 00:20:30,399 Speaker 1: a whole like family reunion kind of thing. I need 463 00:20:30,440 --> 00:20:33,000 Speaker 1: all of y'all to be to be in the midst coffee. 464 00:20:33,040 --> 00:20:36,480 Speaker 1: I'll drink this fast and then coffee. Remy is not 465 00:20:36,560 --> 00:20:38,720 Speaker 1: the move, all right, Well, it's the breakfast club. Is 466 00:20:38,720 --> 00:20:44,199 Speaker 1: miss bridget coming out? It's out, damn it, Charlomagne. Uncommon sense? Right, 467 00:20:44,920 --> 00:20:46,879 Speaker 1: Bridge is gonna be on common sense. Yeah, we have 468 00:20:46,920 --> 00:20:49,479 Speaker 1: to figure that out. It's the breakfast club going