WEBVTT - Chapter 6: The Crossing

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<v Speaker 1>Hey, lethal listeners, tig Torres here stay tuned for the

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<v Speaker 1>next episode of Lethal Lit. But first, a quick word

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<v Speaker 1>from today's sponsor. Why is Tares? I think it's high

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<v Speaker 1>time you and I had words, don't you? What did

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<v Speaker 1>my aunt Beth feel like ten years ago when she

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<v Speaker 1>was backed into this exact same corner. This is my

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<v Speaker 1>last recording, This is how my story. I'm tig Torres

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<v Speaker 1>and this is Lethal Lit. The lip killer stands revealed.

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<v Speaker 1>Hollow Falls High history teacher and talent newspaper advisor Harry

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<v Speaker 1>Levinson is the maniac behind the murders that rock this

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<v Speaker 1>town a decade ago, as well as the new wave

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<v Speaker 1>that hit just as I arrived. Who killed and framed

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<v Speaker 1>my aunt Beth Torres the one person who got close

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<v Speaker 1>to cracking the case. Good news, right, Not exactly, Sam Steiner,

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<v Speaker 1>my aunt's partner, and I trekked out to this desolate

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<v Speaker 1>cabin in the hopes of rescuing the mayor's daughter, Ella

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<v Speaker 1>high Smith. Instead, we're trapped with Levinson and his creepy

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<v Speaker 1>old bird mausoleum. From what little I can see in

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<v Speaker 1>the dark, we're surrounded by stuffed birds and avian skulls.

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<v Speaker 1>It's horrible. So this is how it ends for me

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<v Speaker 1>and Ella? While Sam, poor Sam is bleeding out on

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<v Speaker 1>the floor. It's over, Levinson. Don't you realize that this

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<v Speaker 1>is the final act? We are aware we were meant

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<v Speaker 1>to be a trres You're better for me as the

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<v Speaker 1>original lid killer, and now you frame as the new legier.

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<v Speaker 1>Poor young girl so tormented by her aunt's tragic fault

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<v Speaker 1>that she's driven to madness. Sam, just stay put, I'll

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<v Speaker 1>get us out of this. How sweet Death's old, spineless

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<v Speaker 1>partner finally sheds his cowardly skin to be reborn a hero,

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<v Speaker 1>dead hero Still, Sam, I thought I've been fairly clear

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<v Speaker 1>in my note tig no sidekicks, Sam, I'm so sorry.

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<v Speaker 1>Steiner is dead. Ella's fever is ramping up. The convulsion

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<v Speaker 1>should start soon, and then well it'll just be the

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<v Speaker 1>two of us. So why just the one live bird?

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<v Speaker 1>What is that a pigeon? That's clearly a dove. I'm

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<v Speaker 1>thinking of naming her tat Over there, that's Anthony the Falcon.

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<v Speaker 1>Next to him is Jake the Sparrow. And that porcelain

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<v Speaker 1>owl over there that's my favorite of the entire collection.

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<v Speaker 1>That's you named your dead birds after your victims. Of

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<v Speaker 1>course I did. We're all one big, happy family. Here

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<v Speaker 1>a collection of my greatest stories. But alas, it's time

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<v Speaker 1>for this sequel to conclude. Just one bird left to go.

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<v Speaker 1>You tried your best kick, but there can be only

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<v Speaker 1>one Beth, and you, my dear, are not her? How's

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<v Speaker 1>your Shakespeare? Kill me tomorrow, let me live tonight? It's

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<v Speaker 1>a fellow, right, good, good, that's right, my young faces Temona,

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<v Speaker 1>What do you, tig? Really? If you got the quote,

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<v Speaker 1>you don't need me to explain further. It's time for

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<v Speaker 1>the curtain to fall. What did you mean that there

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<v Speaker 1>can only be one best? How well did you know her?

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<v Speaker 1>Of course I knew her well. I had to put

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<v Speaker 1>on the act when we spoke, didn't I the helpful,

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<v Speaker 1>kind hearted teacher? But it was all smoking mirrors. You

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<v Speaker 1>remember the mirrors, don't you take it? She still figured

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<v Speaker 1>it out, she knew it was you. Let's not give

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<v Speaker 1>her too much credit. She got as close as I

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<v Speaker 1>wanted her to get, even if she disrupted my plan.

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<v Speaker 1>I had my own contingencies, hence the romance. Oh, Tig,

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<v Speaker 1>didn't you know I wasn't just your aunt Beth's occasional confidante. No, no,

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<v Speaker 1>we were much more than that. If things went over differently,

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<v Speaker 1>you might even be calling me Uncle Harry right now.

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<v Speaker 1>Romance connects us all my day. Why, Vincent? Why kill

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<v Speaker 1>all these people who cares about the white tig? You,

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<v Speaker 1>of all people should know the world is full of

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<v Speaker 1>dark and explicable things. It's time to end this, and

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<v Speaker 1>I need to pose you just right. These presentations can

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<v Speaker 1>be so time consuming. I thought you'd at least have

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<v Speaker 1>some grandiose reason behind all of this. If not, what's

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<v Speaker 1>the point? Killing for nothing just puts you on the

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<v Speaker 1>same level with all the other aesthetic They were fools,

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<v Speaker 1>each and every victim, from Mary Wazni after Sam Steiner,

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<v Speaker 1>who's still inching towards Rigamortis right over there. They were

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<v Speaker 1>all fools. I've spent years as a thankless teacher at

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<v Speaker 1>that god forsaken school. My first few semesters they even

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<v Speaker 1>had you teach remedial English. Can you believe it? Me?

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<v Speaker 1>I have master's degrees in eighteenth century British literature and

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<v Speaker 1>European history. Sure I had blemishes on my record, But

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<v Speaker 1>had they bothered to ask I explain the new here

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<v Speaker 1>I was forced to perform for kids who were guaranteed

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<v Speaker 1>to flunk out anyway. Well, Leanderthals couldn't care less about

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<v Speaker 1>the significance of the Count Shell and Lord of the Flies,

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<v Speaker 1>or the dramatic differences between Shakespeare's tragedies and histories. No,

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<v Speaker 1>they just wanted to have sex, get high, and skip class.

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<v Speaker 1>But they were pawns in my own grand story. I

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<v Speaker 1>gave their insipid lives meaning purpose. They weren't just zombies

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<v Speaker 1>shambling through life anymore. They were people, characters with beginnings,

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<v Speaker 1>middles and brutal, memorable endings and mean I was the writer.

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<v Speaker 1>So what they didn't care about the work I was

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<v Speaker 1>trying to teach them. That's fine. They had no choice

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<v Speaker 1>in the matter. And you know what, my dear take

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<v Speaker 1>there was a hello story, bloody, gruesome, full of twists

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<v Speaker 1>and double crosses. Beggins would have been proud you are thick?

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<v Speaker 1>Am I sick? Or am I the cure? I took

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<v Speaker 1>out each and every one of those super rats, one

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<v Speaker 1>by one, and all the while, no one except Beth

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<v Speaker 1>came even close to finding out what I was up to.

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<v Speaker 1>But even she was so, so very easy to manipulate

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<v Speaker 1>a little Sherlocke and crusade trude quite acic. I could

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<v Speaker 1>appreciate her romantic gesture at the very end if she

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<v Speaker 1>could change me, But that didn't dampen the wave of pleasure.

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<v Speaker 1>I felt well shooting them without her take, really throwing

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<v Speaker 1>things around like some irate oddler in here. Sometimes, despite

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<v Speaker 1>your best intentions, you turn into the teen scream queen,

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<v Speaker 1>especially when you think someone's about to drag you to

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<v Speaker 1>the trash. What get away from her? Loving Oliver? How

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<v Speaker 1>nice to see you get a knife? No, no, you

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<v Speaker 1>caught me, you little ingreat. What were you thinking? This

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<v Speaker 1>is one of your comic books, Oliver? You're not there?

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<v Speaker 1>Oh no, just your dumb owl statue. Beware, for I

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<v Speaker 1>am fearless and therefore powerful. How's that for a literary reference, Harry,

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<v Speaker 1>way to come to my rescue? Well, I didn't really

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<v Speaker 1>get to save the day. Are you okay? I don't

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<v Speaker 1>think I'll ever be okay again, But in that moment,

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<v Speaker 1>there was hope, hope that this was all over. Carver

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<v Speaker 1>and the cops stormed in a few seconds later, paramedics

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<v Speaker 1>right behind. They took Ali and La to get some

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<v Speaker 1>much needed medical attention. It was too late for Sam

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<v Speaker 1>Ali showing up when he did really made for the

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<v Speaker 1>perfect distraction. And now, at last it felt like we

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<v Speaker 1>were getting to the end of this whole mess. The

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<v Speaker 1>men who killed my aunt Beth was now finally going

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<v Speaker 1>to jail. The news of Levinson's capture spread fast. The

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<v Speaker 1>lip killer had been revealed and it wasn't Beth Torres.

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<v Speaker 1>The haters got quiet, the conspiracy freaks felt validated, and I, well,

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<v Speaker 1>I don't know how. I felt tired, unsure, but hopeful.

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<v Speaker 1>This is Sarah Parks w h f Z News reporting live.

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<v Speaker 1>Police have confirmed that Hollow Falls High teacher Harry Levinson

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<v Speaker 1>has been arrested and will be charged in the recent

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<v Speaker 1>lit killer murders, including that of former Ledger reporter Sam Steiner.

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<v Speaker 1>Local teens tig Dores and Ella high Smith, daughter of

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<v Speaker 1>Mayor Highsmith, were found alive at the scene. Authorities the

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<v Speaker 1>loss of Sam that was a tough one. I didn't

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<v Speaker 1>get to know the guy all that well, but he

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<v Speaker 1>risked his life to save me. His death felt like

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<v Speaker 1>like another piece of my aunt Beth was now lost

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<v Speaker 1>to me. But I did what I set out to do.

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<v Speaker 1>I think Aunt Beth would be proud and well, she

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<v Speaker 1>can rest easy now you know I did this for her,

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<v Speaker 1>for my family. The Tora's name has been cleared. After

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<v Speaker 1>all the post arrest insanity and after Ali got out

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<v Speaker 1>of the hospital with his knife wound bandaged up, we

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<v Speaker 1>all reconvened at a Boila's house. This murder game is

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<v Speaker 1>officially over. I still can't believe it was Levinson all along.

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<v Speaker 1>How are you guys taking it? You knew him way

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<v Speaker 1>better than I did. I am all about that rear

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<v Speaker 1>view mirror and putting his toxic acid in it. He

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<v Speaker 1>just I mean, I thought we knew the guy. You know.

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<v Speaker 1>For now, I'm all about repressing the negative and celebrating

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<v Speaker 1>with my awesome. I was so focused on catching the

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<v Speaker 1>lick Killer that I didn't think about what we'd do after,

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<v Speaker 1>or if there'd even be an after. Skip this moby track,

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<v Speaker 1>tig For the love of God, everyone, we beat the

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<v Speaker 1>lick Killer. Damn straight, we did, and we'll also you know,

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<v Speaker 1>class over that hole me having a crush on to Okay,

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<v Speaker 1>here's to Tick, who made it all happy. Yeah, cheers

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<v Speaker 1>take Here's to you guys for being there when I

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<v Speaker 1>really needed you. We did this together. No, no, no,

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<v Speaker 1>of all of us, tig you are allowed to take

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<v Speaker 1>the most credit, Drew. We all risked life and limb

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<v Speaker 1>some of us more than others. But because of you,

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<v Speaker 1>we brought down a mass murderer. Yeah, and you get

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<v Speaker 1>to have the biggest I told you so. He rolled

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<v Speaker 1>into the talent office and told us what you were

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<v Speaker 1>gonna do, and you did it. Proved your aunt's innocence.

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<v Speaker 1>That's so sick tick. He's right, TI did it. Thanks guys,

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<v Speaker 1>it go ahead and order the pizza. I'll be back

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<v Speaker 1>in a few I really wanted to celebrate with them,

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<v Speaker 1>but I just couldn't, not yet, not while something was

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<v Speaker 1>still missing. That new tape that Sam gave me saved

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<v Speaker 1>us in more ways than one. But there are some

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<v Speaker 1>things that are still bugging me. I think it's time

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<v Speaker 1>we talked about the victim that brought us here in

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<v Speaker 1>the first place. Beth torres here. She is on that

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<v Speaker 1>final tape, just a few hours before her death. I'm

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<v Speaker 1>about to head out to the crossing, but wanted to

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<v Speaker 1>record this before I hit the road. I'm not sure

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<v Speaker 1>I can handle driving and talking at the same time. Honestly,

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<v Speaker 1>the lead killing referenced fahrenheit in that first note, So

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<v Speaker 1>if this is his last kill all involved some serious flames.

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<v Speaker 1>That dystopian novel features a lot of burning books, and

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<v Speaker 1>the Crossing seems ripe for a forest fire. Mr bothered

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<v Speaker 1>by that call from Anna Killdean calling for help, afraid

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<v Speaker 1>for her wife, I have to go. I have to

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<v Speaker 1>save her if I can. That night, Anna kill Dean

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<v Speaker 1>had managed to briefly escape Levinson and get word to

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<v Speaker 1>my aunt Beth that she was being held somewhere near

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<v Speaker 1>a super creepy place called the Crossing. Aunt Beth didn't

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<v Speaker 1>hesitate to try and rescue her, and that was what

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<v Speaker 1>led to her death that night. That's the last recording

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<v Speaker 1>I have of her. So I'm we're done. We've listened

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<v Speaker 1>to everything. What are you still recording for? Hey? Come

0:14:44.200 --> 0:14:48.960
<v Speaker 1>celebrate with us. I can't yet. I feel like I'm

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<v Speaker 1>missing something like this woman who called my aunt on

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<v Speaker 1>the night she died. Who was she? She was important

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<v Speaker 1>enough for Steiner to mention her, and on this tape,

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<v Speaker 1>my aunt Beth said, person, take not your aunt, tag,

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<v Speaker 1>I got you the pineapple pizza, Travis. Do you wanted?

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<v Speaker 1>How's it going in here? Trying to get her out

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<v Speaker 1>of podcast mode. I have to make peace with my

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<v Speaker 1>aunt in my own way. Okay, okay, in taken, I'm

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<v Speaker 1>supposed to check in with the nurse about my stitches. Anyway,

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<v Speaker 1>I'll catch up with you later. Sure, what's still bugging

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<v Speaker 1>you about this? Do you remember the name Anna killed Dean?

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<v Speaker 1>What my aunt said on Sam's tape? Who was she?

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<v Speaker 1>I don't know. What do you want to do? I'm

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<v Speaker 1>not sure. I don't want to be a drain on

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<v Speaker 1>everyone's fun, but this is really important to me. You know,

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<v Speaker 1>I'll know when it's done. After destroying a few pizzas,

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<v Speaker 1>we decided to reconvene at the Star Diner for some

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<v Speaker 1>caffeine and evidence analysis. Just take an Okay. I didn't

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<v Speaker 1>piece all this together until I real listened to my

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<v Speaker 1>aunt Beth's final recording for the hundredth time. Just give

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<v Speaker 1>us the bad already. I'm having major caffeine withdrawal, all right.

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<v Speaker 1>My aunt Beth name dropping Fahrenheit for one stuck with me.

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<v Speaker 1>So I compared the evidence from her death to the others.

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<v Speaker 1>The sense I got was that Levinson was in a hurry.

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<v Speaker 1>He hadn't fully planned for Beth to show the handwritten

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<v Speaker 1>note versus a typed one. The evidence of her being

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<v Speaker 1>killed at the scene as opposed to being moved the

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<v Speaker 1>Shakespeare reference instead of Bradberry. M hmm. The lig Hiler

0:16:39.040 --> 0:16:45.000
<v Speaker 1>was usually so meticulous. This felt rushed and random. Then

0:16:45.560 --> 0:16:48.560
<v Speaker 1>I pulled up a police report about a burn Jane Doe.

0:16:50.160 --> 0:16:54.080
<v Speaker 1>Now I know I was right about what Anna Killed Dean.

0:16:54.680 --> 0:16:56.760
<v Speaker 1>I feel like that name should mean something to me?

0:16:57.520 --> 0:17:00.600
<v Speaker 1>And yet, yes, can I get an ice soy latte

0:17:00.720 --> 0:17:03.640
<v Speaker 1>with two splendors? Sorry to continue? Anna Killdean was the

0:17:03.680 --> 0:17:06.280
<v Speaker 1>woman my aunt Beth tried to save the night she died.

0:17:07.119 --> 0:17:10.440
<v Speaker 1>Turns out they knew each other. Anna called Aunt Beeth

0:17:10.480 --> 0:17:13.360
<v Speaker 1>while she was running from the lid killer from Levinson

0:17:13.640 --> 0:17:17.080
<v Speaker 1>to ask her for help. Jesus. Obviously she didn't make

0:17:17.119 --> 0:17:21.120
<v Speaker 1>it in time. But unlike all the other victims, Anna

0:17:21.200 --> 0:17:25.359
<v Speaker 1>Killdean is still technically missing. But I dug around, and

0:17:25.600 --> 0:17:28.359
<v Speaker 1>about six months after my aunt Beth's murder, there are

0:17:28.440 --> 0:17:31.520
<v Speaker 1>police records that point to an unidentified woman who was

0:17:31.640 --> 0:17:34.160
<v Speaker 1>found dead in the school library of a town about

0:17:34.200 --> 0:17:39.640
<v Speaker 1>two miles from here. A tiny bird called gray Malkin. Anyway,

0:17:39.960 --> 0:17:44.359
<v Speaker 1>the woman's body was burnt beyond recognition, So she that

0:17:44.680 --> 0:17:49.400
<v Speaker 1>body must have been Levinson's Fahrenheit four. Still you think

0:17:49.440 --> 0:17:52.639
<v Speaker 1>that's a little bit of a stretch. I did until

0:17:52.680 --> 0:17:58.520
<v Speaker 1>I read the report Black Covee. Okay, so what I

0:17:58.720 --> 0:18:01.639
<v Speaker 1>really asked for was crema package around the table by

0:18:01.640 --> 0:18:04.159
<v Speaker 1>the ketchup if you want to get fancy yolo and

0:18:04.240 --> 0:18:09.320
<v Speaker 1>all that. Oh God, this place is the best. So

0:18:09.440 --> 0:18:13.840
<v Speaker 1>the report, what did it say? The here? Check out

0:18:14.760 --> 0:18:19.159
<v Speaker 1>this part. The victim appears to have died from self immolation,

0:18:19.480 --> 0:18:22.520
<v Speaker 1>Forensic evidence around the body suggesting she poured a nearby

0:18:22.640 --> 0:18:26.200
<v Speaker 1>canister of gasoline over Did they really think someone would

0:18:26.240 --> 0:18:30.960
<v Speaker 1>do that to themselves to keep reading? Also found near

0:18:31.000 --> 0:18:34.160
<v Speaker 1>the body, it was a charred paperback book, badly damaged.

0:18:34.359 --> 0:18:37.639
<v Speaker 1>A few interior pages remained legible despite the fire damage.

0:18:38.200 --> 0:18:43.120
<v Speaker 1>The book was a copy of Rape Bradberry shaheits with one.

0:18:43.960 --> 0:18:47.120
<v Speaker 1>In the novel, the old Woman sets herself on fire. Wait? Wait?

0:18:47.240 --> 0:18:49.400
<v Speaker 1>What so the cops just thought this woman was having

0:18:49.400 --> 0:18:52.520
<v Speaker 1>a little speculative fiction binge before setting herself on fire?

0:18:52.920 --> 0:18:55.680
<v Speaker 1>Didn't they watch the news? The detective on the case,

0:18:56.040 --> 0:18:59.960
<v Speaker 1>guy named Murray Lambsman, was a few weeks from retire

0:19:00.040 --> 0:19:02.840
<v Speaker 1>meant he did the bare minimum and walked away. So

0:19:03.080 --> 0:19:07.560
<v Speaker 1>Levinson burned her to death. Horrible. Okay, so it's another

0:19:07.680 --> 0:19:10.680
<v Speaker 1>disgusting murder, which apparently is just another day around here.

0:19:11.160 --> 0:19:14.439
<v Speaker 1>I mean, it totally sucks. But why should we care

0:19:14.480 --> 0:19:17.240
<v Speaker 1>about her? She was debate. The lip killer used to

0:19:17.320 --> 0:19:20.800
<v Speaker 1>drain my aunt, just like he used ella debate me.

0:19:21.880 --> 0:19:25.119
<v Speaker 1>And after my aunt died the lip killer stopped. He

0:19:25.200 --> 0:19:30.119
<v Speaker 1>went underground for a decade. So she's the Kaiser says that,

0:19:31.000 --> 0:19:35.080
<v Speaker 1>like we know what that? Yes, exactly, she's the missing link.

0:19:36.160 --> 0:19:40.200
<v Speaker 1>But it's not just that she was different. She wasn't

0:19:40.200 --> 0:19:44.160
<v Speaker 1>a remedial student. She was a grown woman, divorced, lived

0:19:44.200 --> 0:19:47.359
<v Speaker 1>a rough life on the fringes of society. She didn't

0:19:47.400 --> 0:19:50.000
<v Speaker 1>grow up in Hollow Falls, meaning she didn't go to

0:19:50.040 --> 0:19:54.520
<v Speaker 1>Hollow Falls high not your typical lit killer victim. What

0:19:54.720 --> 0:19:59.440
<v Speaker 1>made Levinson veer off course to killer? And why? So?

0:20:00.080 --> 0:20:03.240
<v Speaker 1>Not done? Damn it? I knew that celebration pizzas too hasty,

0:20:04.080 --> 0:20:08.800
<v Speaker 1>So then what's our plan? Honestly there is no plan,

0:20:10.160 --> 0:20:11.600
<v Speaker 1>But I know what I need to do right now

0:20:11.680 --> 0:20:14.320
<v Speaker 1>to put this case to bed. I need to go

0:20:14.400 --> 0:20:17.800
<v Speaker 1>to the crossing and say goodbye to my aunt. Beth alone.

0:20:19.080 --> 0:20:22.240
<v Speaker 1>Uh is this really the best time? How old? She

0:20:22.359 --> 0:20:25.879
<v Speaker 1>needs closures? She needs closure? All right, you're right, you're right.

0:20:26.359 --> 0:20:28.120
<v Speaker 1>Do what you gotta do for you, and then we'll

0:20:28.800 --> 0:20:33.080
<v Speaker 1>reconvene to tackle our next nightmare problem. I left Maximum

0:20:33.080 --> 0:20:36.720
<v Speaker 1>Win with a few cleanup tasks, and then it was

0:20:36.760 --> 0:20:41.320
<v Speaker 1>off to say my advice. Okay, so when I said

0:20:41.359 --> 0:20:45.520
<v Speaker 1>I was going alone to the crossing, that wasn't exactly

0:20:45.600 --> 0:20:51.199
<v Speaker 1>the truth. Wow, you were kid. This place is beyond creeping.

0:20:51.640 --> 0:20:53.119
<v Speaker 1>I'm not sure how it stacks up next to the

0:20:53.200 --> 0:20:59.800
<v Speaker 1>old amusement park, But Hollow Falls that's where the lip

0:21:00.040 --> 0:21:02.760
<v Speaker 1>Hler left his mark. He kind of passed through this

0:21:02.920 --> 0:21:07.240
<v Speaker 1>tiny town and changed it forever. Hollow Falls is the

0:21:07.320 --> 0:21:15.000
<v Speaker 1>big picture. But the Crossing, it's the boiling point. The

0:21:15.119 --> 0:21:17.720
<v Speaker 1>cops found my aunt's body on the shore of this brook,

0:21:18.680 --> 0:21:23.280
<v Speaker 1>under the branches of that willow tree. Her neck was snapped,

0:21:24.200 --> 0:21:26.720
<v Speaker 1>but Levinson had clearly taken a time to dress her

0:21:26.800 --> 0:21:30.439
<v Speaker 1>up in some vintage white dress. Staged like the others.

0:21:33.440 --> 0:21:37.879
<v Speaker 1>I am incapable of my own distress. There is a

0:21:38.040 --> 0:21:42.480
<v Speaker 1>willow grows aslant the brook. That's what the note they

0:21:42.560 --> 0:21:46.400
<v Speaker 1>found with her body said. The cops never released it publicly,

0:21:46.520 --> 0:21:49.560
<v Speaker 1>but we got to see it. They claimed it was

0:21:49.640 --> 0:21:55.119
<v Speaker 1>their suicide. Note, Hey, that's right. Maybe this town is

0:21:55.240 --> 0:21:58.399
<v Speaker 1>the problem, she said. He's going on about the birds

0:21:58.480 --> 0:22:02.879
<v Speaker 1>above and the hole that runs underneath. Maybe this is

0:22:02.960 --> 0:22:08.560
<v Speaker 1>just a pleading ground for killers. I don't know which

0:22:09.280 --> 0:22:13.879
<v Speaker 1>which book was a mental look like Hamlet? Levinson saved

0:22:13.920 --> 0:22:17.159
<v Speaker 1>one of the Shakespeare classics for my Aunt Beth, and

0:22:17.320 --> 0:22:20.200
<v Speaker 1>it a girl named Ophelia goes mad and kills herself,

0:22:20.520 --> 0:22:23.919
<v Speaker 1>allegedly by dropping from a willow tree into a waiting

0:22:23.960 --> 0:22:28.600
<v Speaker 1>body of water. Jesus, he was planning a similar fate

0:22:28.680 --> 0:22:32.480
<v Speaker 1>for me if you hadn't. What did he say to you?

0:22:33.320 --> 0:22:37.240
<v Speaker 1>He called me his Desdemona. She was a character and Othello,

0:22:38.400 --> 0:22:42.600
<v Speaker 1>she's strong, She pisss off her dad, but she's independent

0:22:42.760 --> 0:22:48.280
<v Speaker 1>and fierce and like my aunt, like your aunt. What

0:22:50.480 --> 0:22:55.600
<v Speaker 1>she's murdered by her lover. Oh sake, that's horrible. You

0:22:55.720 --> 0:22:59.760
<v Speaker 1>sound almost surprised. What do you mean? Is this the

0:22:59.800 --> 0:23:02.600
<v Speaker 1>part where you pretend to have no idea? Tig is

0:23:02.680 --> 0:23:05.399
<v Speaker 1>that hit Ali? I fall for you and then you

0:23:05.600 --> 0:23:08.360
<v Speaker 1>kill me the same way Levinson killed my heart. Levenson

0:23:08.520 --> 0:23:12.480
<v Speaker 1>was so right. His literary theatrics are way too on

0:23:12.600 --> 0:23:14.119
<v Speaker 1>the nose. I mean, if it were up to me,

0:23:15.119 --> 0:23:17.560
<v Speaker 1>I would have killed you in a much more interesting way.

0:23:17.840 --> 0:23:21.720
<v Speaker 1>So you were what his serial killer sidekick he wishes

0:23:22.280 --> 0:23:26.480
<v Speaker 1>he's the past, I'm the future. My plans for you

0:23:26.520 --> 0:23:29.000
<v Speaker 1>are better than anything that old hack could cook up.

0:23:29.720 --> 0:23:32.560
<v Speaker 1>I'm still impressed you figured it out. I underestimated you,

0:23:32.680 --> 0:23:35.680
<v Speaker 1>tig torres. That doesn't change how the story will play out.

0:23:36.000 --> 0:23:39.840
<v Speaker 1>Hapless teen reporter dies in same tragic spot. Is her

0:23:39.920 --> 0:23:46.199
<v Speaker 1>aunt hear that? That's your destiny? Calling, tig you've read

0:23:46.200 --> 0:23:49.760
<v Speaker 1>Anna Karna right? Yes, she dies jumping in front of

0:23:49.800 --> 0:23:54.520
<v Speaker 1>a train, Confused, angry, and betrayed. Sound like anyone we know.

0:23:55.840 --> 0:23:58.720
<v Speaker 1>I can't believe Levinson was gonna kill you using a

0:23:58.880 --> 0:24:02.800
<v Speaker 1>Shakespeare reference. My version will be so much more poetic. Holly,

0:24:02.920 --> 0:24:05.080
<v Speaker 1>you don't mean this. You don't know anything about me.

0:24:05.440 --> 0:24:08.119
<v Speaker 1>You breathe into this town thinking you understand us in

0:24:08.200 --> 0:24:10.719
<v Speaker 1>our history, but you just bailed when things got too

0:24:10.800 --> 0:24:12.600
<v Speaker 1>tough for you and your family. You know what happens

0:24:12.640 --> 0:24:15.120
<v Speaker 1>to people like that, take leave when things get told,

0:24:15.160 --> 0:24:18.600
<v Speaker 1>like what happened to Anna Kildean? What did you just say?

0:24:18.880 --> 0:24:22.320
<v Speaker 1>I know she meant something to you. Know. This is

0:24:22.680 --> 0:24:26.000
<v Speaker 1>I still know the fruit Levinson killed her for you,

0:24:26.200 --> 0:24:28.960
<v Speaker 1>didn't he even though she wasn't one of his students,

0:24:29.160 --> 0:24:32.359
<v Speaker 1>even though he had no reason to. I knew it

0:24:32.480 --> 0:24:35.480
<v Speaker 1>was you, aally. It broke my heart over and over

0:24:35.600 --> 0:24:37.760
<v Speaker 1>to think so, but I knew it was you. You

0:24:37.840 --> 0:24:40.960
<v Speaker 1>didn't suspect anything. If you had, you wouldn't have climbed

0:24:40.960 --> 0:24:43.960
<v Speaker 1>into my room that night begging to have sex. Get

0:24:44.040 --> 0:24:48.200
<v Speaker 1>over yourself, boy, wonder that doubt was already there. You

0:24:48.359 --> 0:24:52.280
<v Speaker 1>left clues all over the place. You just happened to

0:24:52.359 --> 0:24:55.280
<v Speaker 1>be around when we discovered Tony's body. In the first clue,

0:24:55.640 --> 0:24:58.600
<v Speaker 1>how you found that book so fast in the principal's office.

0:24:58.800 --> 0:25:01.280
<v Speaker 1>How you let Ella get hit napps from the hospital.

0:25:01.520 --> 0:25:07.560
<v Speaker 1>I wanted to believe it couldn't be you, but mhm,

0:25:08.680 --> 0:25:12.720
<v Speaker 1>here we are. The evidence is the evidence. When I

0:25:12.880 --> 0:25:15.840
<v Speaker 1>listened to that clip again, that's when I knew your plan,

0:25:16.680 --> 0:25:18.840
<v Speaker 1>that you were going to try and recreate how my

0:25:18.960 --> 0:25:22.520
<v Speaker 1>aunt died. I told when to tell you I was

0:25:22.600 --> 0:25:25.720
<v Speaker 1>going to the crossing to get closure. So when you

0:25:25.840 --> 0:25:29.679
<v Speaker 1>showed up here, all wide eyed and eager to be supportive,

0:25:32.160 --> 0:25:35.040
<v Speaker 1>that's when I knew for sure you were going to

0:25:35.119 --> 0:25:37.920
<v Speaker 1>try to kill me. You know what else is good

0:25:37.960 --> 0:25:42.520
<v Speaker 1>about Anna, Karenina take It's simple. All it takes is

0:25:42.600 --> 0:25:50.040
<v Speaker 1>a train and you if you broke open my stitches,

0:25:51.000 --> 0:25:55.199
<v Speaker 1>m we're the same, you and I. You're still too

0:25:55.280 --> 0:25:57.920
<v Speaker 1>busy chasing after order in a world that's just chaos

0:25:58.280 --> 0:26:02.400
<v Speaker 1>and death. Life. That's not part of the game, though,

0:26:02.560 --> 0:26:04.600
<v Speaker 1>is it? All? The game is what I make of it.

0:26:05.280 --> 0:26:09.440
<v Speaker 1>Levinson Want You is disciple to cheat in the final round.

0:26:09.480 --> 0:26:12.920
<v Speaker 1>Don't pretend to be in my head. Levinson saved me.

0:26:13.320 --> 0:26:15.920
<v Speaker 1>He took me in when your stupid aunt tried to

0:26:16.000 --> 0:26:19.120
<v Speaker 1>stop him, tried to save my That and a woman.

0:26:19.400 --> 0:26:21.919
<v Speaker 1>She got what she deserved. They both did, and then

0:26:22.000 --> 0:26:24.240
<v Speaker 1>I really got to learn from him. I was just

0:26:24.400 --> 0:26:27.639
<v Speaker 1>waiting for the perfect moment, and it appeared like a

0:26:27.800 --> 0:26:30.520
<v Speaker 1>gift when you came back to town. Tag. It was

0:26:30.720 --> 0:26:34.480
<v Speaker 1>my time to shine, and I would have if he

0:26:34.520 --> 0:26:37.080
<v Speaker 1>had hadn't kidnapped me. That wasn't his place. It was

0:26:37.359 --> 0:26:41.359
<v Speaker 1>my turn, and you were mine. Sure Levinson helped a bit,

0:26:41.600 --> 0:26:46.080
<v Speaker 1>but it was my chance to prove myself. But then you,

0:26:48.080 --> 0:26:50.320
<v Speaker 1>you and I you and I want it was gonna

0:26:50.359 --> 0:26:53.720
<v Speaker 1>be your turn eventually take You know how drama works,

0:26:54.040 --> 0:26:57.480
<v Speaker 1>there needs to be a climax in epic conclusion. I

0:26:57.600 --> 0:27:00.119
<v Speaker 1>needed to work myself up to it. If I was

0:27:00.160 --> 0:27:02.640
<v Speaker 1>just another victim to you, Why did you risk yourself

0:27:02.720 --> 0:27:06.639
<v Speaker 1>to save me from Levinston. Maybe it's because of the

0:27:06.680 --> 0:27:09.399
<v Speaker 1>way you feel about No. I can do it. I

0:27:09.480 --> 0:27:11.840
<v Speaker 1>can go through with it. You can't, though, can you? Allly?

0:27:12.680 --> 0:27:15.720
<v Speaker 1>This isn't who you are. You're not Levinson, You're not

0:27:15.840 --> 0:27:19.480
<v Speaker 1>a kill. Just shut up. You have no idea, there's

0:27:19.560 --> 0:27:21.600
<v Speaker 1>no coming back. From the places I've been to, I

0:27:21.760 --> 0:27:25.879
<v Speaker 1>figured you out. You're just a lost little boy, and

0:27:26.000 --> 0:27:28.640
<v Speaker 1>you're not as strong or as smart as you thought

0:27:28.720 --> 0:27:32.680
<v Speaker 1>you were. That now, what the hell I trust a

0:27:32.760 --> 0:27:36.159
<v Speaker 1>love interest when you've got real friends. Paydacks starts now.

0:27:36.280 --> 0:27:39.520
<v Speaker 1>You psychopath got you on tay he believe we ever

0:27:39.600 --> 0:27:41.720
<v Speaker 1>considered you one of all. I had them record you

0:27:41.840 --> 0:27:45.359
<v Speaker 1>while you admitted everything. Sure they were surprised, But like

0:27:45.480 --> 0:27:48.720
<v Speaker 1>I told you, Ali, you're so damned lost, you just

0:27:48.840 --> 0:27:51.640
<v Speaker 1>don't get it. There are still so many pieces lust

0:27:51.680 --> 0:27:56.359
<v Speaker 1>on the board. Sh he's getting on the tracks because

0:27:56.359 --> 0:28:24.960
<v Speaker 1>he's that crazy. I lolling. The police found no trace

0:28:25.040 --> 0:28:28.000
<v Speaker 1>of Ali Price on the tracks, and there was no

0:28:28.119 --> 0:28:30.400
<v Speaker 1>real evidence that he got out of the crossing either.

0:28:31.560 --> 0:28:35.840
<v Speaker 1>But I know he's gone for now. That Ali had

0:28:35.880 --> 0:28:38.920
<v Speaker 1>not only assisted Levinson and carrying out the second wave

0:28:39.000 --> 0:28:42.040
<v Speaker 1>of lit killer murders, but had taken over the role

0:28:43.200 --> 0:28:46.160
<v Speaker 1>was the kind of mystery you don't want to unravel.

0:28:48.600 --> 0:28:53.160
<v Speaker 1>But now it's over, over right, and only a matter

0:28:53.240 --> 0:28:57.480
<v Speaker 1>of time before the cops find him. You should know better.

0:28:58.840 --> 0:29:04.480
<v Speaker 1>This is hollow fall, Listeners, Alie hurt me, He hurt

0:29:04.560 --> 0:29:09.240
<v Speaker 1>people I cared about. It's only over when I find him,

0:29:10.240 --> 0:29:14.840
<v Speaker 1>and when I do, he's gonna hurt. If this game

0:29:15.000 --> 0:29:20.960
<v Speaker 1>is just starting, you better believe I'm gonna win that

0:29:21.680 --> 0:29:23.600
<v Speaker 1>before I shut this off and stuff it in the

0:29:23.680 --> 0:29:27.880
<v Speaker 1>mail too, Sam Babby, Mommy was right. Maybe it's not

0:29:28.080 --> 0:29:31.600
<v Speaker 1>just about stopping the lick Killer. Maybe this Ton is

0:29:31.680 --> 0:29:37.240
<v Speaker 1>the problem. He was my best student, my brightest, smartest boy.

0:29:37.720 --> 0:29:42.400
<v Speaker 1>When the Iron Works closed, the jobs went away, and

0:29:42.800 --> 0:29:45.840
<v Speaker 1>the town it got different. Seems you're not a nubie

0:29:45.880 --> 0:29:48.080
<v Speaker 1>when it comes to the world of true crime, Tig Torres.

0:29:48.400 --> 0:29:51.960
<v Speaker 1>I'm not your aunt, Tig. I'm not made up of

0:29:52.000 --> 0:29:57.200
<v Speaker 1>the same stuff as she was. But you people are

0:29:57.280 --> 0:30:02.040
<v Speaker 1>already listening to you anyway in case something happened to me.

0:30:03.200 --> 0:30:08.239
<v Speaker 1>I love you, thanks for everything. Tell mommy I love

0:30:08.320 --> 0:30:13.080
<v Speaker 1>her too, my brother, and oh that's worth so much.

0:30:14.440 --> 0:30:18.800
<v Speaker 1>Kiss taking on the forehead and she'll do. Okay, get

0:30:18.840 --> 0:30:35.000
<v Speaker 1>a spot sharp, Okay, day find out a week's past,

0:30:35.120 --> 0:30:38.240
<v Speaker 1>and Hollow Falls is starting to creak back toward normalcy.

0:30:38.640 --> 0:30:41.080
<v Speaker 1>When in Max are back working at the Talent I

0:30:41.240 --> 0:30:44.080
<v Speaker 1>work there too. Now the new advisor seems nice enough.

0:30:44.720 --> 0:30:47.920
<v Speaker 1>Levinson's heading to trial in a few months, and there's

0:30:47.960 --> 0:30:53.880
<v Speaker 1>been no sign of Alley. So mission accomplished. Listeners, my

0:30:53.960 --> 0:30:58.720
<v Speaker 1>aunt path was exonerated, so you could say I did

0:30:58.800 --> 0:31:01.320
<v Speaker 1>what I set out to do. But too many more

0:31:01.400 --> 0:31:05.960
<v Speaker 1>bodies have dropped, too much blood has spilled. The lid

0:31:06.040 --> 0:31:10.360
<v Speaker 1>Killer turned into a story of two obsessed murderers, and

0:31:10.520 --> 0:31:15.520
<v Speaker 1>only one of them is behind bars. Speaking of which, Hey, Ally,

0:31:16.760 --> 0:31:21.080
<v Speaker 1>I know you're out there listening. Sometimes when I lay

0:31:21.120 --> 0:31:23.880
<v Speaker 1>in bed in the dark, staring up at the ceiling,

0:31:24.920 --> 0:31:26.920
<v Speaker 1>I think of that look I saw in your eyes

0:31:27.040 --> 0:31:33.480
<v Speaker 1>that night at the crossing, that flicker of humanity. You

0:31:33.600 --> 0:31:37.880
<v Speaker 1>might try to deny it, but it was there. It

0:31:38.040 --> 0:31:43.680
<v Speaker 1>tells me I wasn't crazy to like you two fall

0:31:43.840 --> 0:31:48.560
<v Speaker 1>for you. You were the first person I let get

0:31:48.680 --> 0:31:58.160
<v Speaker 1>close that close. You remember the obsessive, manic attention to detail,

0:31:58.880 --> 0:32:04.600
<v Speaker 1>the extreme fixation I had on saving Aunt Beth's reputation. Well,

0:32:05.720 --> 0:32:08.600
<v Speaker 1>all that energy is pointed at you right now, Buddy.

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<v Speaker 1>I'll find you soon, and in the meantime, I know

0:32:16.160 --> 0:32:22.000
<v Speaker 1>you will be thinking about me too. I'm ting Taurus

0:32:23.400 --> 0:32:50.720
<v Speaker 1>and this is Lethal Lit. Iron Horn's Epic Productions and

0:32:50.880 --> 0:32:55.200
<v Speaker 1>I Heart Radio present Legal Lit. A tig Torres Mystery

0:32:55.880 --> 0:33:00.640
<v Speaker 1>created and executive produced by Heather Ironhorn and Adam Stafferone written,

0:33:00.720 --> 0:33:04.840
<v Speaker 1>created and executive produced by Alex Sigura and Monica Gallagher.

0:33:05.200 --> 0:33:09.240
<v Speaker 1>Was directed by J. B. Block, produced via Rupe, Senna, Kayla,

0:33:09.520 --> 0:33:14.520
<v Speaker 1>Chris Peterson and Sanny Smallen. Art by Rebecca Mock. Creative

0:33:14.560 --> 0:33:19.160
<v Speaker 1>direction and design by Ryan mccam, with performances by Rebecca Silaire,

0:33:19.600 --> 0:33:24.800
<v Speaker 1>J B. Block, Matt Gumley, Paul Guide, Jennifer Giles, Rachel

0:33:24.960 --> 0:33:30.040
<v Speaker 1>orum Land, Alba ponste Leone, Shelley Shnoy, Luke Slattery and

0:33:30.240 --> 0:33:36.120
<v Speaker 1>Keel Artino. Post production supervisor Michael Sinterer, Nicholas recording engineer

0:33:36.160 --> 0:33:41.680
<v Speaker 1>and dialog editor Michael Schneider, mixer Michael Sintter Nicholas, sound

0:33:41.760 --> 0:33:48.480
<v Speaker 1>designer Justin Hohler, composer Jared Faber, Creative consultant Monique Chavez,

0:33:48.960 --> 0:33:55.000
<v Speaker 1>studio manager Clark Chang, Production coordination Gail Artina and Laura Martin,

0:33:55.600 --> 0:34:00.920
<v Speaker 1>Production assistant Rachel Slotsky and Francesca Collo. Recorded at ny

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<v Speaker 1>V Post in New York City, featuring the song's Jupiter

0:34:05.040 --> 0:34:09.000
<v Speaker 1>performed by Donna Missile courtesy of Harvest Records under license

0:34:09.040 --> 0:34:14.080
<v Speaker 1>from Universal Music Enterprises. And Guardian Alien performed by Dana Williams,

0:34:14.320 --> 0:34:17.440
<v Speaker 1>written by Dana Williams s C. S A C and

0:34:17.560 --> 0:34:21.040
<v Speaker 1>Aaron Fenning s E S A C courtesy of The

0:34:21.160 --> 0:34:25.240
<v Speaker 1>Royalty Network, Inc. On behalf of smig's songs as Caps

0:34:25.640 --> 0:34:29.240
<v Speaker 1>Captus Palace s E S A C and Dana Williams

0:34:30.000 --> 0:34:33.719
<v Speaker 1>Letha litt A. Take Torres Mystery is a production by

0:34:33.760 --> 0:34:38.120
<v Speaker 1>Ironhorn's Epic Productions for I Heart Radio Had to Take

0:34:38.200 --> 0:34:42.040
<v Speaker 1>Torrest dot com to share theories, discover new evidence, and

0:34:42.239 --> 0:34:47.520
<v Speaker 1>follow case updates. For more information, visit Einhorn's Epic Productions

0:34:47.600 --> 0:34:48.040
<v Speaker 1>dot com