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Speaker 1: Hey, lethal listeners, tig Torres here stay tuned for the

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Speaker 1: next episode of Lethal Lit. But first, a quick word

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Speaker 1: from today's sponsor. Why is Tares? I think it's high

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Speaker 1: time you and I had words, don't you? What did

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Speaker 1: my aunt Beth feel like ten years ago when she

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Speaker 1: was backed into this exact same corner. This is my

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Speaker 1: last recording, This is how my story. I'm tig Torres

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Speaker 1: and this is Lethal Lit. The lip killer stands revealed.

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Speaker 1: Hollow Falls High history teacher and talent newspaper advisor Harry

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Speaker 1: Levinson is the maniac behind the murders that rock this

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Speaker 1: town a decade ago, as well as the new wave

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Speaker 1: that hit just as I arrived. Who killed and framed

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Speaker 1: my aunt Beth Torres the one person who got close

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Speaker 1: to cracking the case. Good news, right, Not exactly, Sam Steiner,

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Speaker 1: my aunt's partner, and I trekked out to this desolate

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Speaker 1: cabin in the hopes of rescuing the mayor's daughter, Ella

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Speaker 1: high Smith. Instead, we're trapped with Levinson and his creepy

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Speaker 1: old bird mausoleum. From what little I can see in

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Speaker 1: the dark, we're surrounded by stuffed birds and avian skulls.

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Speaker 1: It's horrible. So this is how it ends for me

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Speaker 1: and Ella? While Sam, poor Sam is bleeding out on

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Speaker 1: the floor. It's over, Levinson. Don't you realize that this

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Speaker 1: is the final act? We are aware we were meant

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Speaker 1: to be a trres You're better for me as the

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Speaker 1: original lid killer, and now you frame as the new legier.

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Speaker 1: Poor young girl so tormented by her aunt's tragic fault

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Speaker 1: that she's driven to madness. Sam, just stay put, I'll

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Speaker 1: get us out of this. How sweet Death's old, spineless

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Speaker 1: partner finally sheds his cowardly skin to be reborn a hero,

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Speaker 1: dead hero Still, Sam, I thought I've been fairly clear

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Speaker 1: in my note tig no sidekicks, Sam, I'm so sorry.

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Speaker 1: Steiner is dead. Ella's fever is ramping up. The convulsion

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Speaker 1: should start soon, and then well it'll just be the

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Speaker 1: two of us. So why just the one live bird?

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Speaker 1: What is that a pigeon? That's clearly a dove. I'm

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Speaker 1: thinking of naming her tat Over there, that's Anthony the Falcon.

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Speaker 1: Next to him is Jake the Sparrow. And that porcelain

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Speaker 1: owl over there that's my favorite of the entire collection.

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Speaker 1: That's you named your dead birds after your victims. Of

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Speaker 1: course I did. We're all one big, happy family. Here

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Speaker 1: a collection of my greatest stories. But alas, it's time

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Speaker 1: for this sequel to conclude. Just one bird left to go.

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Speaker 1: You tried your best kick, but there can be only

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Speaker 1: one Beth, and you, my dear, are not her? How's

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Speaker 1: your Shakespeare? Kill me tomorrow, let me live tonight? It's

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Speaker 1: a fellow, right, good, good, that's right, my young faces Temona,

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Speaker 1: What do you, tig? Really? If you got the quote,

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Speaker 1: you don't need me to explain further. It's time for

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Speaker 1: the curtain to fall. What did you mean that there

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Speaker 1: can only be one best? How well did you know her?

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Speaker 1: Of course I knew her well. I had to put

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Speaker 1: on the act when we spoke, didn't I the helpful,

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Speaker 1: kind hearted teacher? But it was all smoking mirrors. You

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Speaker 1: remember the mirrors, don't you take it? She still figured

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Speaker 1: it out, she knew it was you. Let's not give

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Speaker 1: her too much credit. She got as close as I

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Speaker 1: wanted her to get, even if she disrupted my plan.

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Speaker 1: I had my own contingencies, hence the romance. Oh, Tig,

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Speaker 1: didn't you know I wasn't just your aunt Beth's occasional confidante. No, no,

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Speaker 1: we were much more than that. If things went over differently,

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Speaker 1: you might even be calling me Uncle Harry right now.

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Speaker 1: Romance connects us all my day. Why, Vincent? Why kill

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Speaker 1: all these people who cares about the white tig? You,

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Speaker 1: of all people should know the world is full of

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Speaker 1: dark and explicable things. It's time to end this, and

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Speaker 1: I need to pose you just right. These presentations can

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Speaker 1: be so time consuming. I thought you'd at least have

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Speaker 1: some grandiose reason behind all of this. If not, what's

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Speaker 1: the point? Killing for nothing just puts you on the

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Speaker 1: same level with all the other aesthetic They were fools,

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Speaker 1: each and every victim, from Mary Wazni after Sam Steiner,

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Speaker 1: who's still inching towards Rigamortis right over there. They were

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Speaker 1: all fools. I've spent years as a thankless teacher at

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Speaker 1: that god forsaken school. My first few semesters they even

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Speaker 1: had you teach remedial English. Can you believe it? Me?

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Speaker 1: I have master's degrees in eighteenth century British literature and

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Speaker 1: European history. Sure I had blemishes on my record, But

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Speaker 1: had they bothered to ask I explain the new here

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Speaker 1: I was forced to perform for kids who were guaranteed

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Speaker 1: to flunk out anyway. Well, Leanderthals couldn't care less about

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Speaker 1: the significance of the Count Shell and Lord of the Flies,

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Speaker 1: or the dramatic differences between Shakespeare's tragedies and histories. No,

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Speaker 1: they just wanted to have sex, get high, and skip class.

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Speaker 1: But they were pawns in my own grand story. I

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Speaker 1: gave their insipid lives meaning purpose. They weren't just zombies

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Speaker 1: shambling through life anymore. They were people, characters with beginnings,

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Speaker 1: middles and brutal, memorable endings and mean I was the writer.

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Speaker 1: So what they didn't care about the work I was

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Speaker 1: trying to teach them. That's fine. They had no choice

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Speaker 1: in the matter. And you know what, my dear take

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Speaker 1: there was a hello story, bloody, gruesome, full of twists

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Speaker 1: and double crosses. Beggins would have been proud you are thick?

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Speaker 1: Am I sick? Or am I the cure? I took

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Speaker 1: out each and every one of those super rats, one

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Speaker 1: by one, and all the while, no one except Beth

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Speaker 1: came even close to finding out what I was up to.

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Speaker 1: But even she was so, so very easy to manipulate

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Speaker 1: a little Sherlocke and crusade trude quite acic. I could

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Speaker 1: appreciate her romantic gesture at the very end if she

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Speaker 1: could change me, But that didn't dampen the wave of pleasure.

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Speaker 1: I felt well shooting them without her take, really throwing

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Speaker 1: things around like some irate oddler in here. Sometimes, despite

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Speaker 1: your best intentions, you turn into the teen scream queen,

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Speaker 1: especially when you think someone's about to drag you to

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Speaker 1: the trash. What get away from her? Loving Oliver? How

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Speaker 1: nice to see you get a knife? No, no, you

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Speaker 1: caught me, you little ingreat. What were you thinking? This

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Speaker 1: is one of your comic books, Oliver? You're not there?

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Speaker 1: Oh no, just your dumb owl statue. Beware, for I

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Speaker 1: am fearless and therefore powerful. How's that for a literary reference, Harry,

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Speaker 1: way to come to my rescue? Well, I didn't really

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Speaker 1: get to save the day. Are you okay? I don't

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Speaker 1: think I'll ever be okay again, But in that moment,

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Speaker 1: there was hope, hope that this was all over. Carver

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Speaker 1: and the cops stormed in a few seconds later, paramedics

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Speaker 1: right behind. They took Ali and La to get some

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Speaker 1: much needed medical attention. It was too late for Sam

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Speaker 1: Ali showing up when he did really made for the

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Speaker 1: perfect distraction. And now, at last it felt like we

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Speaker 1: were getting to the end of this whole mess. The

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Speaker 1: men who killed my aunt Beth was now finally going

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Speaker 1: to jail. The news of Levinson's capture spread fast. The

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Speaker 1: lip killer had been revealed and it wasn't Beth Torres.

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Speaker 1: The haters got quiet, the conspiracy freaks felt validated, and I, well,

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Speaker 1: I don't know how. I felt tired, unsure, but hopeful.

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Speaker 1: This is Sarah Parks w h f Z News reporting live.

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Speaker 1: Police have confirmed that Hollow Falls High teacher Harry Levinson

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Speaker 1: has been arrested and will be charged in the recent

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Speaker 1: lit killer murders, including that of former Ledger reporter Sam Steiner.

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Speaker 1: Local teens tig Dores and Ella high Smith, daughter of

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Speaker 1: Mayor Highsmith, were found alive at the scene. Authorities the

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Speaker 1: loss of Sam that was a tough one. I didn't

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Speaker 1: get to know the guy all that well, but he

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Speaker 1: risked his life to save me. His death felt like

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Speaker 1: like another piece of my aunt Beth was now lost

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Speaker 1: to me. But I did what I set out to do.

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Speaker 1: I think Aunt Beth would be proud and well, she

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Speaker 1: can rest easy now you know I did this for her,

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Speaker 1: for my family. The Tora's name has been cleared. After

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Speaker 1: all the post arrest insanity and after Ali got out

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Speaker 1: of the hospital with his knife wound bandaged up, we

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Speaker 1: all reconvened at a Boila's house. This murder game is

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Speaker 1: officially over. I still can't believe it was Levinson all along.

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Speaker 1: How are you guys taking it? You knew him way

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Speaker 1: better than I did. I am all about that rear

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Speaker 1: view mirror and putting his toxic acid in it. He

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Speaker 1: just I mean, I thought we knew the guy. You know.

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Speaker 1: For now, I'm all about repressing the negative and celebrating

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Speaker 1: with my awesome. I was so focused on catching the

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Speaker 1: lick Killer that I didn't think about what we'd do after,

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Speaker 1: or if there'd even be an after. Skip this moby track,

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Speaker 1: tig For the love of God, everyone, we beat the

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Speaker 1: lick Killer. Damn straight, we did, and we'll also you know,

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Speaker 1: class over that hole me having a crush on to Okay,

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Speaker 1: here's to Tick, who made it all happy. Yeah, cheers

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Speaker 1: take Here's to you guys for being there when I

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Speaker 1: really needed you. We did this together. No, no, no,

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Speaker 1: of all of us, tig you are allowed to take

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Speaker 1: the most credit, Drew. We all risked life and limb

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Speaker 1: some of us more than others. But because of you,

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Speaker 1: we brought down a mass murderer. Yeah, and you get

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Speaker 1: to have the biggest I told you so. He rolled

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Speaker 1: into the talent office and told us what you were

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Speaker 1: gonna do, and you did it. Proved your aunt's innocence.

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Speaker 1: That's so sick tick. He's right, TI did it. Thanks guys,

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Speaker 1: it go ahead and order the pizza. I'll be back

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Speaker 1: in a few I really wanted to celebrate with them,

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Speaker 1: but I just couldn't, not yet, not while something was

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Speaker 1: still missing. That new tape that Sam gave me saved

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Speaker 1: us in more ways than one. But there are some

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Speaker 1: things that are still bugging me. I think it's time

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Speaker 1: we talked about the victim that brought us here in

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Speaker 1: the first place. Beth torres here. She is on that

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Speaker 1: final tape, just a few hours before her death. I'm

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Speaker 1: about to head out to the crossing, but wanted to

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Speaker 1: record this before I hit the road. I'm not sure

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Speaker 1: I can handle driving and talking at the same time. Honestly,

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Speaker 1: the lead killing referenced fahrenheit in that first note, So

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Speaker 1: if this is his last kill all involved some serious flames.

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Speaker 1: That dystopian novel features a lot of burning books, and

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Speaker 1: the Crossing seems ripe for a forest fire. Mr bothered

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Speaker 1: by that call from Anna Killdean calling for help, afraid

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Speaker 1: for her wife, I have to go. I have to

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Speaker 1: save her if I can. That night, Anna kill Dean

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Speaker 1: had managed to briefly escape Levinson and get word to

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Speaker 1: my aunt Beth that she was being held somewhere near

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Speaker 1: a super creepy place called the Crossing. Aunt Beth didn't

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Speaker 1: hesitate to try and rescue her, and that was what

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Speaker 1: led to her death that night. That's the last recording

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Speaker 1: I have of her. So I'm we're done. We've listened

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Speaker 1: to everything. What are you still recording for? Hey? Come

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Speaker 1: celebrate with us. I can't yet. I feel like I'm

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Speaker 1: missing something like this woman who called my aunt on

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Speaker 1: the night she died. Who was she? She was important

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Speaker 1: enough for Steiner to mention her, and on this tape,

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Speaker 1: my aunt Beth said, person, take not your aunt, tag,

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Speaker 1: I got you the pineapple pizza, Travis. Do you wanted?

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Speaker 1: How's it going in here? Trying to get her out

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Speaker 1: of podcast mode. I have to make peace with my

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Speaker 1: aunt in my own way. Okay, okay, in taken, I'm

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Speaker 1: supposed to check in with the nurse about my stitches. Anyway,

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Speaker 1: I'll catch up with you later. Sure, what's still bugging

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Speaker 1: you about this? Do you remember the name Anna killed Dean?

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Speaker 1: What my aunt said on Sam's tape? Who was she?

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Speaker 1: I don't know. What do you want to do? I'm

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Speaker 1: not sure. I don't want to be a drain on

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Speaker 1: everyone's fun, but this is really important to me. You know,

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Speaker 1: I'll know when it's done. After destroying a few pizzas,

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Speaker 1: we decided to reconvene at the Star Diner for some

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Speaker 1: caffeine and evidence analysis. Just take an Okay. I didn't

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Speaker 1: piece all this together until I real listened to my

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Speaker 1: aunt Beth's final recording for the hundredth time. Just give

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Speaker 1: us the bad already. I'm having major caffeine withdrawal, all right.

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Speaker 1: My aunt Beth name dropping Fahrenheit for one stuck with me.

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Speaker 1: So I compared the evidence from her death to the others.

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Speaker 1: The sense I got was that Levinson was in a hurry.

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Speaker 1: He hadn't fully planned for Beth to show the handwritten

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Speaker 1: note versus a typed one. The evidence of her being

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Speaker 1: killed at the scene as opposed to being moved the

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Speaker 1: Shakespeare reference instead of Bradberry. M hmm. The lig Hiler

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Speaker 1: was usually so meticulous. This felt rushed and random. Then

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Speaker 1: I pulled up a police report about a burn Jane Doe.

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Speaker 1: Now I know I was right about what Anna Killed Dean.

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Speaker 1: I feel like that name should mean something to me?

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Speaker 1: And yet, yes, can I get an ice soy latte

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Speaker 1: with two splendors? Sorry to continue? Anna Killdean was the

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Speaker 1: woman my aunt Beth tried to save the night she died.

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Speaker 1: Turns out they knew each other. Anna called Aunt Beeth

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Speaker 1: while she was running from the lid killer from Levinson

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Speaker 1: to ask her for help. Jesus. Obviously she didn't make

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Speaker 1: it in time. But unlike all the other victims, Anna

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Speaker 1: Killdean is still technically missing. But I dug around, and

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Speaker 1: about six months after my aunt Beth's murder, there are

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Speaker 1: police records that point to an unidentified woman who was

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Speaker 1: found dead in the school library of a town about

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Speaker 1: two miles from here. A tiny bird called gray Malkin. Anyway,

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Speaker 1: the woman's body was burnt beyond recognition, So she that

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Speaker 1: body must have been Levinson's Fahrenheit four. Still you think

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Speaker 1: that's a little bit of a stretch. I did until

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Speaker 1: I read the report Black Covee. Okay, so what I

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Speaker 1: really asked for was crema package around the table by

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Speaker 1: the ketchup if you want to get fancy yolo and

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Speaker 1: all that. Oh God, this place is the best. So

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Speaker 1: the report, what did it say? The here? Check out

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00:18:14,760 --> 00:18:19,159
Speaker 1: this part. The victim appears to have died from self immolation,

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Speaker 1: Forensic evidence around the body suggesting she poured a nearby

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Speaker 1: canister of gasoline over Did they really think someone would

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Speaker 1: do that to themselves to keep reading? Also found near

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Speaker 1: the body, it was a charred paperback book, badly damaged.

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00:18:34,359 --> 00:18:37,639
Speaker 1: A few interior pages remained legible despite the fire damage.

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00:18:38,200 --> 00:18:43,120
Speaker 1: The book was a copy of Rape Bradberry shaheits with one.

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Speaker 1: In the novel, the old Woman sets herself on fire. Wait? Wait?

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Speaker 1: What so the cops just thought this woman was having

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Speaker 1: a little speculative fiction binge before setting herself on fire?

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Speaker 1: Didn't they watch the news? The detective on the case,

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Speaker 1: guy named Murray Lambsman, was a few weeks from retire

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Speaker 1: meant he did the bare minimum and walked away. So

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Speaker 1: Levinson burned her to death. Horrible. Okay, so it's another

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Speaker 1: disgusting murder, which apparently is just another day around here.

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Speaker 1: I mean, it totally sucks. But why should we care

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Speaker 1: about her? She was debate. The lip killer used to

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Speaker 1: drain my aunt, just like he used ella debate me.

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Speaker 1: And after my aunt died the lip killer stopped. He

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Speaker 1: went underground for a decade. So she's the Kaiser says that,

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00:19:31,000 --> 00:19:35,080
Speaker 1: like we know what that? Yes, exactly, she's the missing link.

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Speaker 1: But it's not just that she was different. She wasn't

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Speaker 1: a remedial student. She was a grown woman, divorced, lived

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Speaker 1: a rough life on the fringes of society. She didn't

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Speaker 1: grow up in Hollow Falls, meaning she didn't go to

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Speaker 1: Hollow Falls high not your typical lit killer victim. What

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Speaker 1: made Levinson veer off course to killer? And why? So?

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Speaker 1: Not done? Damn it? I knew that celebration pizzas too hasty,

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Speaker 1: So then what's our plan? Honestly there is no plan,

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Speaker 1: But I know what I need to do right now

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00:20:11,680 --> 00:20:14,320
Speaker 1: to put this case to bed. I need to go

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Speaker 1: to the crossing and say goodbye to my aunt. Beth alone.

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Speaker 1: Uh is this really the best time? How old? She

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Speaker 1: needs closures? She needs closure? All right, you're right, you're right.

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Speaker 1: Do what you gotta do for you, and then we'll

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Speaker 1: reconvene to tackle our next nightmare problem. I left Maximum

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Speaker 1: Win with a few cleanup tasks, and then it was

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Speaker 1: off to say my advice. Okay, so when I said

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Speaker 1: I was going alone to the crossing, that wasn't exactly

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Speaker 1: the truth. Wow, you were kid. This place is beyond creeping.

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00:20:51,640 --> 00:20:53,119
Speaker 1: I'm not sure how it stacks up next to the

286
00:20:53,200 --> 00:20:59,800
Speaker 1: old amusement park, But Hollow Falls that's where the lip

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00:21:00,040 --> 00:21:02,760
Speaker 1: Hler left his mark. He kind of passed through this

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Speaker 1: tiny town and changed it forever. Hollow Falls is the

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00:21:07,320 --> 00:21:15,000
Speaker 1: big picture. But the Crossing, it's the boiling point. The

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00:21:15,119 --> 00:21:17,720
Speaker 1: cops found my aunt's body on the shore of this brook,

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Speaker 1: under the branches of that willow tree. Her neck was snapped,

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00:21:24,200 --> 00:21:26,720
Speaker 1: but Levinson had clearly taken a time to dress her

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00:21:26,800 --> 00:21:30,439
Speaker 1: up in some vintage white dress. Staged like the others.

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Speaker 1: I am incapable of my own distress. There is a

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Speaker 1: willow grows aslant the brook. That's what the note they

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00:21:42,560 --> 00:21:46,400
Speaker 1: found with her body said. The cops never released it publicly,

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Speaker 1: but we got to see it. They claimed it was

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00:21:49,640 --> 00:21:55,119
Speaker 1: their suicide. Note, Hey, that's right. Maybe this town is

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00:21:55,240 --> 00:21:58,399
Speaker 1: the problem, she said. He's going on about the birds

300
00:21:58,480 --> 00:22:02,879
Speaker 1: above and the hole that runs underneath. Maybe this is

301
00:22:02,960 --> 00:22:08,560
Speaker 1: just a pleading ground for killers. I don't know which

302
00:22:09,280 --> 00:22:13,879
Speaker 1: which book was a mental look like Hamlet? Levinson saved

303
00:22:13,920 --> 00:22:17,159
Speaker 1: one of the Shakespeare classics for my Aunt Beth, and

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00:22:17,320 --> 00:22:20,200
Speaker 1: it a girl named Ophelia goes mad and kills herself,

305
00:22:20,520 --> 00:22:23,919
Speaker 1: allegedly by dropping from a willow tree into a waiting

306
00:22:23,960 --> 00:22:28,600
Speaker 1: body of water. Jesus, he was planning a similar fate

307
00:22:28,680 --> 00:22:32,480
Speaker 1: for me if you hadn't. What did he say to you?

308
00:22:33,320 --> 00:22:37,240
Speaker 1: He called me his Desdemona. She was a character and Othello,

309
00:22:38,400 --> 00:22:42,600
Speaker 1: she's strong, She pisss off her dad, but she's independent

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00:22:42,760 --> 00:22:48,280
Speaker 1: and fierce and like my aunt, like your aunt. What

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00:22:50,480 --> 00:22:55,600
Speaker 1: she's murdered by her lover. Oh sake, that's horrible. You

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00:22:55,720 --> 00:22:59,760
Speaker 1: sound almost surprised. What do you mean? Is this the

313
00:22:59,800 --> 00:23:02,600
Speaker 1: part where you pretend to have no idea? Tig is

314
00:23:02,680 --> 00:23:05,399
Speaker 1: that hit Ali? I fall for you and then you

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00:23:05,600 --> 00:23:08,360
Speaker 1: kill me the same way Levinson killed my heart. Levenson

316
00:23:08,520 --> 00:23:12,480
Speaker 1: was so right. His literary theatrics are way too on

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Speaker 1: the nose. I mean, if it were up to me,

318
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Speaker 1: I would have killed you in a much more interesting way.

319
00:23:17,840 --> 00:23:21,720
Speaker 1: So you were what his serial killer sidekick he wishes

320
00:23:22,280 --> 00:23:26,480
Speaker 1: he's the past, I'm the future. My plans for you

321
00:23:26,520 --> 00:23:29,000
Speaker 1: are better than anything that old hack could cook up.

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00:23:29,720 --> 00:23:32,560
Speaker 1: I'm still impressed you figured it out. I underestimated you,

323
00:23:32,680 --> 00:23:35,680
Speaker 1: tig torres. That doesn't change how the story will play out.

324
00:23:36,000 --> 00:23:39,840
Speaker 1: Hapless teen reporter dies in same tragic spot. Is her

325
00:23:39,920 --> 00:23:46,199
Speaker 1: aunt hear that? That's your destiny? Calling, tig you've read

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Speaker 1: Anna Karna right? Yes, she dies jumping in front of

327
00:23:49,800 --> 00:23:54,520
Speaker 1: a train, Confused, angry, and betrayed. Sound like anyone we know.

328
00:23:55,840 --> 00:23:58,720
Speaker 1: I can't believe Levinson was gonna kill you using a

329
00:23:58,880 --> 00:24:02,800
Speaker 1: Shakespeare reference. My version will be so much more poetic. Holly,

330
00:24:02,920 --> 00:24:05,080
Speaker 1: you don't mean this. You don't know anything about me.

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00:24:05,440 --> 00:24:08,119
Speaker 1: You breathe into this town thinking you understand us in

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00:24:08,200 --> 00:24:10,719
Speaker 1: our history, but you just bailed when things got too

333
00:24:10,800 --> 00:24:12,600
Speaker 1: tough for you and your family. You know what happens

334
00:24:12,640 --> 00:24:15,120
Speaker 1: to people like that, take leave when things get told,

335
00:24:15,160 --> 00:24:18,600
Speaker 1: like what happened to Anna Kildean? What did you just say?

336
00:24:18,880 --> 00:24:22,320
Speaker 1: I know she meant something to you. Know. This is

337
00:24:22,680 --> 00:24:26,000
Speaker 1: I still know the fruit Levinson killed her for you,

338
00:24:26,200 --> 00:24:28,960
Speaker 1: didn't he even though she wasn't one of his students,

339
00:24:29,160 --> 00:24:32,359
Speaker 1: even though he had no reason to. I knew it

340
00:24:32,480 --> 00:24:35,480
Speaker 1: was you, aally. It broke my heart over and over

341
00:24:35,600 --> 00:24:37,760
Speaker 1: to think so, but I knew it was you. You

342
00:24:37,840 --> 00:24:40,960
Speaker 1: didn't suspect anything. If you had, you wouldn't have climbed

343
00:24:40,960 --> 00:24:43,960
Speaker 1: into my room that night begging to have sex. Get

344
00:24:44,040 --> 00:24:48,200
Speaker 1: over yourself, boy, wonder that doubt was already there. You

345
00:24:48,359 --> 00:24:52,280
Speaker 1: left clues all over the place. You just happened to

346
00:24:52,359 --> 00:24:55,280
Speaker 1: be around when we discovered Tony's body. In the first clue,

347
00:24:55,640 --> 00:24:58,600
Speaker 1: how you found that book so fast in the principal's office.

348
00:24:58,800 --> 00:25:01,280
Speaker 1: How you let Ella get hit napps from the hospital.

349
00:25:01,520 --> 00:25:07,560
Speaker 1: I wanted to believe it couldn't be you, but mhm,

350
00:25:08,680 --> 00:25:12,720
Speaker 1: here we are. The evidence is the evidence. When I

351
00:25:12,880 --> 00:25:15,840
Speaker 1: listened to that clip again, that's when I knew your plan,

352
00:25:16,680 --> 00:25:18,840
Speaker 1: that you were going to try and recreate how my

353
00:25:18,960 --> 00:25:22,520
Speaker 1: aunt died. I told when to tell you I was

354
00:25:22,600 --> 00:25:25,720
Speaker 1: going to the crossing to get closure. So when you

355
00:25:25,840 --> 00:25:29,679
Speaker 1: showed up here, all wide eyed and eager to be supportive,

356
00:25:32,160 --> 00:25:35,040
Speaker 1: that's when I knew for sure you were going to

357
00:25:35,119 --> 00:25:37,920
Speaker 1: try to kill me. You know what else is good

358
00:25:37,960 --> 00:25:42,520
Speaker 1: about Anna, Karenina take It's simple. All it takes is

359
00:25:42,600 --> 00:25:50,040
Speaker 1: a train and you if you broke open my stitches,

360
00:25:51,000 --> 00:25:55,199
Speaker 1: m we're the same, you and I. You're still too

361
00:25:55,280 --> 00:25:57,920
Speaker 1: busy chasing after order in a world that's just chaos

362
00:25:58,280 --> 00:26:02,400
Speaker 1: and death. Life. That's not part of the game, though,

363
00:26:02,560 --> 00:26:04,600
Speaker 1: is it? All? The game is what I make of it.

364
00:26:05,280 --> 00:26:09,440
Speaker 1: Levinson Want You is disciple to cheat in the final round.

365
00:26:09,480 --> 00:26:12,920
Speaker 1: Don't pretend to be in my head. Levinson saved me.

366
00:26:13,320 --> 00:26:15,920
Speaker 1: He took me in when your stupid aunt tried to

367
00:26:16,000 --> 00:26:19,120
Speaker 1: stop him, tried to save my That and a woman.

368
00:26:19,400 --> 00:26:21,919
Speaker 1: She got what she deserved. They both did, and then

369
00:26:22,000 --> 00:26:24,240
Speaker 1: I really got to learn from him. I was just

370
00:26:24,400 --> 00:26:27,639
Speaker 1: waiting for the perfect moment, and it appeared like a

371
00:26:27,800 --> 00:26:30,520
Speaker 1: gift when you came back to town. Tag. It was

372
00:26:30,720 --> 00:26:34,480
Speaker 1: my time to shine, and I would have if he

373
00:26:34,520 --> 00:26:37,080
Speaker 1: had hadn't kidnapped me. That wasn't his place. It was

374
00:26:37,359 --> 00:26:41,359
Speaker 1: my turn, and you were mine. Sure Levinson helped a bit,

375
00:26:41,600 --> 00:26:46,080
Speaker 1: but it was my chance to prove myself. But then you,

376
00:26:48,080 --> 00:26:50,320
Speaker 1: you and I you and I want it was gonna

377
00:26:50,359 --> 00:26:53,720
Speaker 1: be your turn eventually take You know how drama works,

378
00:26:54,040 --> 00:26:57,480
Speaker 1: there needs to be a climax in epic conclusion. I

379
00:26:57,600 --> 00:27:00,119
Speaker 1: needed to work myself up to it. If I was

380
00:27:00,160 --> 00:27:02,640
Speaker 1: just another victim to you, Why did you risk yourself

381
00:27:02,720 --> 00:27:06,639
Speaker 1: to save me from Levinston. Maybe it's because of the

382
00:27:06,680 --> 00:27:09,399
Speaker 1: way you feel about No. I can do it. I

383
00:27:09,480 --> 00:27:11,840
Speaker 1: can go through with it. You can't, though, can you? Allly?

384
00:27:12,680 --> 00:27:15,720
Speaker 1: This isn't who you are. You're not Levinson, You're not

385
00:27:15,840 --> 00:27:19,480
Speaker 1: a kill. Just shut up. You have no idea, there's

386
00:27:19,560 --> 00:27:21,600
Speaker 1: no coming back. From the places I've been to, I

387
00:27:21,760 --> 00:27:25,879
Speaker 1: figured you out. You're just a lost little boy, and

388
00:27:26,000 --> 00:27:28,640
Speaker 1: you're not as strong or as smart as you thought

389
00:27:28,720 --> 00:27:32,680
Speaker 1: you were. That now, what the hell I trust a

390
00:27:32,760 --> 00:27:36,159
Speaker 1: love interest when you've got real friends. Paydacks starts now.

391
00:27:36,280 --> 00:27:39,520
Speaker 1: You psychopath got you on tay he believe we ever

392
00:27:39,600 --> 00:27:41,720
Speaker 1: considered you one of all. I had them record you

393
00:27:41,840 --> 00:27:45,359
Speaker 1: while you admitted everything. Sure they were surprised, But like

394
00:27:45,480 --> 00:27:48,720
Speaker 1: I told you, Ali, you're so damned lost, you just

395
00:27:48,840 --> 00:27:51,640
Speaker 1: don't get it. There are still so many pieces lust

396
00:27:51,680 --> 00:27:56,359
Speaker 1: on the board. Sh he's getting on the tracks because

397
00:27:56,359 --> 00:28:24,960
Speaker 1: he's that crazy. I lolling. The police found no trace

398
00:28:25,040 --> 00:28:28,000
Speaker 1: of Ali Price on the tracks, and there was no

399
00:28:28,119 --> 00:28:30,400
Speaker 1: real evidence that he got out of the crossing either.

400
00:28:31,560 --> 00:28:35,840
Speaker 1: But I know he's gone for now. That Ali had

401
00:28:35,880 --> 00:28:38,920
Speaker 1: not only assisted Levinson and carrying out the second wave

402
00:28:39,000 --> 00:28:42,040
Speaker 1: of lit killer murders, but had taken over the role

403
00:28:43,200 --> 00:28:46,160
Speaker 1: was the kind of mystery you don't want to unravel.

404
00:28:48,600 --> 00:28:53,160
Speaker 1: But now it's over, over right, and only a matter

405
00:28:53,240 --> 00:28:57,480
Speaker 1: of time before the cops find him. You should know better.

406
00:28:58,840 --> 00:29:04,480
Speaker 1: This is hollow fall, Listeners, Alie hurt me, He hurt

407
00:29:04,560 --> 00:29:09,240
Speaker 1: people I cared about. It's only over when I find him,

408
00:29:10,240 --> 00:29:14,840
Speaker 1: and when I do, he's gonna hurt. If this game

409
00:29:15,000 --> 00:29:20,960
Speaker 1: is just starting, you better believe I'm gonna win that

410
00:29:21,680 --> 00:29:23,600
Speaker 1: before I shut this off and stuff it in the

411
00:29:23,680 --> 00:29:27,880
Speaker 1: mail too, Sam Babby, Mommy was right. Maybe it's not

412
00:29:28,080 --> 00:29:31,600
Speaker 1: just about stopping the lick Killer. Maybe this Ton is

413
00:29:31,680 --> 00:29:37,240
Speaker 1: the problem. He was my best student, my brightest, smartest boy.

414
00:29:37,720 --> 00:29:42,400
Speaker 1: When the Iron Works closed, the jobs went away, and

415
00:29:42,800 --> 00:29:45,840
Speaker 1: the town it got different. Seems you're not a nubie

416
00:29:45,880 --> 00:29:48,080
Speaker 1: when it comes to the world of true crime, Tig Torres.

417
00:29:48,400 --> 00:29:51,960
Speaker 1: I'm not your aunt, Tig. I'm not made up of

418
00:29:52,000 --> 00:29:57,200
Speaker 1: the same stuff as she was. But you people are

419
00:29:57,280 --> 00:30:02,040
Speaker 1: already listening to you anyway in case something happened to me.

420
00:30:03,200 --> 00:30:08,239
Speaker 1: I love you, thanks for everything. Tell mommy I love

421
00:30:08,320 --> 00:30:13,080
Speaker 1: her too, my brother, and oh that's worth so much.

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00:30:14,440 --> 00:30:18,800
Speaker 1: Kiss taking on the forehead and she'll do. Okay, get

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00:30:18,840 --> 00:30:35,000
Speaker 1: a spot sharp, Okay, day find out a week's past,

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00:30:35,120 --> 00:30:38,240
Speaker 1: and Hollow Falls is starting to creak back toward normalcy.

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00:30:38,640 --> 00:30:41,080
Speaker 1: When in Max are back working at the Talent I

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00:30:41,240 --> 00:30:44,080
Speaker 1: work there too. Now the new advisor seems nice enough.

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00:30:44,720 --> 00:30:47,920
Speaker 1: Levinson's heading to trial in a few months, and there's

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00:30:47,960 --> 00:30:53,880
Speaker 1: been no sign of Alley. So mission accomplished. Listeners, my

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00:30:53,960 --> 00:30:58,720
Speaker 1: aunt path was exonerated, so you could say I did

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00:30:58,800 --> 00:31:01,320
Speaker 1: what I set out to do. But too many more

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00:31:01,400 --> 00:31:05,960
Speaker 1: bodies have dropped, too much blood has spilled. The lid

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00:31:06,040 --> 00:31:10,360
Speaker 1: Killer turned into a story of two obsessed murderers, and

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00:31:10,520 --> 00:31:15,520
Speaker 1: only one of them is behind bars. Speaking of which, Hey, Ally,

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00:31:16,760 --> 00:31:21,080
Speaker 1: I know you're out there listening. Sometimes when I lay

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00:31:21,120 --> 00:31:23,880
Speaker 1: in bed in the dark, staring up at the ceiling,

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00:31:24,920 --> 00:31:26,920
Speaker 1: I think of that look I saw in your eyes

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00:31:27,040 --> 00:31:33,480
Speaker 1: that night at the crossing, that flicker of humanity. You

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00:31:33,600 --> 00:31:37,880
Speaker 1: might try to deny it, but it was there. It

439
00:31:38,040 --> 00:31:43,680
Speaker 1: tells me I wasn't crazy to like you two fall

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00:31:43,840 --> 00:31:48,560
Speaker 1: for you. You were the first person I let get

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00:31:48,680 --> 00:31:58,160
Speaker 1: close that close. You remember the obsessive, manic attention to detail,

442
00:31:58,880 --> 00:32:04,600
Speaker 1: the extreme fixation I had on saving Aunt Beth's reputation. Well,

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00:32:05,720 --> 00:32:08,600
Speaker 1: all that energy is pointed at you right now, Buddy.

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00:32:10,200 --> 00:32:16,000
Speaker 1: I'll find you soon, and in the meantime, I know

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00:32:16,160 --> 00:32:22,000
Speaker 1: you will be thinking about me too. I'm ting Taurus

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00:32:23,400 --> 00:32:50,720
Speaker 1: and this is Lethal Lit. Iron Horn's Epic Productions and

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00:32:50,880 --> 00:32:55,200
Speaker 1: I Heart Radio present Legal Lit. A tig Torres Mystery

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00:32:55,880 --> 00:33:00,640
Speaker 1: created and executive produced by Heather Ironhorn and Adam Stafferone written,

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00:33:00,720 --> 00:33:04,840
Speaker 1: created and executive produced by Alex Sigura and Monica Gallagher.

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00:33:05,200 --> 00:33:09,240
Speaker 1: Was directed by J. B. Block, produced via Rupe, Senna, Kayla,

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00:33:09,520 --> 00:33:14,520
Speaker 1: Chris Peterson and Sanny Smallen. Art by Rebecca Mock. Creative

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00:33:14,560 --> 00:33:19,160
Speaker 1: direction and design by Ryan mccam, with performances by Rebecca Silaire,

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00:33:19,600 --> 00:33:24,800
Speaker 1: J B. Block, Matt Gumley, Paul Guide, Jennifer Giles, Rachel

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00:33:24,960 --> 00:33:30,040
Speaker 1: orum Land, Alba ponste Leone, Shelley Shnoy, Luke Slattery and

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00:33:30,240 --> 00:33:36,120
Speaker 1: Keel Artino. Post production supervisor Michael Sinterer, Nicholas recording engineer

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00:33:36,160 --> 00:33:41,680
Speaker 1: and dialog editor Michael Schneider, mixer Michael Sintter Nicholas, sound

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00:33:41,760 --> 00:33:48,480
Speaker 1: designer Justin Hohler, composer Jared Faber, Creative consultant Monique Chavez,

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00:33:48,960 --> 00:33:55,000
Speaker 1: studio manager Clark Chang, Production coordination Gail Artina and Laura Martin,

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00:33:55,600 --> 00:34:00,920
Speaker 1: Production assistant Rachel Slotsky and Francesca Collo. Recorded at ny

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00:34:01,040 --> 00:34:04,680
Speaker 1: V Post in New York City, featuring the song's Jupiter

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00:34:05,040 --> 00:34:09,000
Speaker 1: performed by Donna Missile courtesy of Harvest Records under license

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00:34:09,040 --> 00:34:14,080
Speaker 1: from Universal Music Enterprises. And Guardian Alien performed by Dana Williams,

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00:34:14,320 --> 00:34:17,440
Speaker 1: written by Dana Williams s C. S A C and

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00:34:17,560 --> 00:34:21,040
Speaker 1: Aaron Fenning s E S A C courtesy of The

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00:34:21,160 --> 00:34:25,240
Speaker 1: Royalty Network, Inc. On behalf of smig's songs as Caps

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00:34:25,640 --> 00:34:29,240
Speaker 1: Captus Palace s E S A C and Dana Williams

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00:34:30,000 --> 00:34:33,719
Speaker 1: Letha litt A. Take Torres Mystery is a production by

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00:34:33,760 --> 00:34:38,120
Speaker 1: Ironhorn's Epic Productions for I Heart Radio Had to Take

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00:34:38,200 --> 00:34:42,040
Speaker 1: Torrest dot com to share theories, discover new evidence, and

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00:34:42,239 --> 00:34:47,520
Speaker 1: follow case updates. For more information, visit Einhorn's Epic Productions

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00:34:47,600 --> 00:34:48,040
Speaker 1: dot com