WEBVTT - Nerdificent Best of 2019 Part 2

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<v Speaker 1>Hey, Hey, Hey, how's it going. I haven't seen you

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<v Speaker 1>all since the last decade. I know that's a bad joke,

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<v Speaker 1>but I'm gonna say it anyway. It is January seven,

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<v Speaker 1>and it's time for another bit of the best of Nerdificent.

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<v Speaker 1>We'll be back next week, but for right now, why

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<v Speaker 1>don't you listen to these hits? Yeah, so we are

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<v Speaker 1>talking about the Bechdel Test. Why why did y all

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<v Speaker 1>decide that you wanted to make a podcast about this? Caitlin? Well,

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<v Speaker 1>I suppose it was my idea Bragg, But basically, I

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<v Speaker 1>am a huge film buff, to the extent that I

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<v Speaker 1>stupidly got two different degrees in film and spent you know,

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<v Speaker 1>tens of thousands of dollars on an education and film

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<v Speaker 1>and uh yeah, I mean movies. Movies are life for me. Um,

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<v Speaker 1>honestly crazy, I mean brave, really really yeah. Everyone started

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<v Speaker 1>hashtaging that Caitlin brave. Um. So I love movies and

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<v Speaker 1>I wanted to talk about them and kind of reconcile

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<v Speaker 1>the fact that a lot of my favorite movies treat

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<v Speaker 1>women horribly, or at least the movies that I grew

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<v Speaker 1>up with and just had become accustomed to watch some

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<v Speaker 1>of those that you discovered like, oh crap, I love

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<v Speaker 1>me awful, but I didn't didn't have the representation of

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<v Speaker 1>women yet, right, Um, the Big three were like for me,

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<v Speaker 1>it was like the like trilogies of Back to the Future,

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<v Speaker 1>Indiana Jones, and Star Wars like those were like the

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<v Speaker 1>crux of my childhood movie development. Uh. And then just

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<v Speaker 1>any I mean most movies since and before those also

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<v Speaker 1>not great to women. So I just I wanted to

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<v Speaker 1>kind of examine these movies more closely, just any movie

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<v Speaker 1>that has had like a big cultural impact and uh,

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<v Speaker 1>you know, take a look at them and figure out,

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<v Speaker 1>you know, maybe how much media is responsible for the

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<v Speaker 1>patriarchy still being a thing. Um. And so yeah, we

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<v Speaker 1>just I asked Jamie if she wanted to collaborate with

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<v Speaker 1>me on this idea, and she was very down. And

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<v Speaker 1>two and a half years later, here we are, Oh

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<v Speaker 1>my gosh, it sounds about the same as krilling it

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<v Speaker 1>and eventually nerdifficent. I was like, hey, you want to

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<v Speaker 1>do this. I was like, yeah, yeah, good idea. And

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<v Speaker 1>I had seen like I have not seen a lot

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<v Speaker 1>of well now I have when the podcast started, I

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<v Speaker 1>had not seen like most of I had also technically

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<v Speaker 1>onto film school, but technically I went, but I've majored

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<v Speaker 1>in radio, so I had also had to use medium

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<v Speaker 1>radio worth it thousands in debt. Uh but yeah, and

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<v Speaker 1>I hadn't seen most of the movies that we covered,

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<v Speaker 1>and so it was like an uh in real time education.

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<v Speaker 1>But I think it helps to get those two different

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<v Speaker 1>perspectives from like me, who like is apologetic to a

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<v Speaker 1>lot of these movies, and then you're like, oh, I'm

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<v Speaker 1>just seeing them for the first time and wow, they're

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<v Speaker 1>not good. Yeah that makes sense, Yeah, because you're watching

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<v Speaker 1>them with like an air of nostalgia too. Yeah. So

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<v Speaker 1>for people that don't know what is the Bechtel test, Oh,

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<v Speaker 1>this is our favorite thing to explain to the Bechtel test.

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<v Speaker 1>We can get into the history of it, but just

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<v Speaker 1>like the version and the way that we use it,

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<v Speaker 1>because there's a few different like permutations of it. But

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<v Speaker 1>it's a test that is applied to media, usually movies

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<v Speaker 1>and TV, in which a movie that passes the Becktel

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<v Speaker 1>test has a scene with two female identifying characters who

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<v Speaker 1>have names, who talk to each other about something other

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<v Speaker 1>than a man for at least two lines of dialogue.

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<v Speaker 1>That's our d's our version. There's a bunch of different versions.

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<v Speaker 1>They're simpler ones, there's more demanding ones, but that's the

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<v Speaker 1>one we use, Okay. Yeah, And it originally started from

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<v Speaker 1>Alison Bechdel, right, who wrote in a comic strip that

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<v Speaker 1>was Dikes to Watch out for that appeared in nine

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<v Speaker 1>and we'll have a link to the actual comics so

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<v Speaker 1>y'all can see it. But it was essentially two women

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<v Speaker 1>that were trying to go see a movie and had

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<v Speaker 1>that same thing where they were saying, I only go

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<v Speaker 1>to see a movie if it satisfies three basic requirements,

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<v Speaker 1>when it has to have at least two women in

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<v Speaker 1>it who talked to each other and about something other

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<v Speaker 1>than a man. And then it ends with saying, the

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<v Speaker 1>last movie I saw was Alien. Yes, that was like that,

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<v Speaker 1>which is funny because that movie barely passes because they're

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<v Speaker 1>talking about the alien protocol on the ship or Gina

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<v Speaker 1>Monster as very like major sci fi movie as a

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<v Speaker 1>vaginal monster because Agina's are scared must but against even

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<v Speaker 1>more insulting when you see, like how often people pluck

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<v Speaker 1>from black Twitter memes and pluck from the things that

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<v Speaker 1>we are saying and use it in their bs and

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<v Speaker 1>then uh, and then still have the goal to not

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<v Speaker 1>want to hire black people for some BS bar that

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<v Speaker 1>we can't reach because even then, ivye have a hard

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<v Speaker 1>time letting in black people. And I and when I

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<v Speaker 1>say black people mean black people, Africans get in higher

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<v Speaker 1>on average, just so they can say they're letting in

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<v Speaker 1>black people, but they're letting in Africans. And there goes

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<v Speaker 1>a whole another baggage that I can but anyway to

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<v Speaker 1>reel it all in that is that I don't barely

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<v Speaker 1>scratch the surface of the baggage. But that's what is

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<v Speaker 1>up against all of people of color and women, and

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<v Speaker 1>that type of stuff isn't carried. And that's generally what

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<v Speaker 1>people talk about, just in case someone needs to hear this,

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<v Speaker 1>When they mean privilege, that doesn't mean that you didn't

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<v Speaker 1>have a hard life. That doesn't mean that you may

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<v Speaker 1>not have been poor. But if you were poorn white,

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<v Speaker 1>you still have a better chance of getting it Harvard

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<v Speaker 1>than a poor and black person. It's just simple facts,

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<v Speaker 1>and there's data to back that up. Affirmative action help

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<v Speaker 1>no one but white women, straight up. And it's and

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<v Speaker 1>it's and that's just why let's just stick to the back.

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<v Speaker 1>But I would say to go to end that point

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<v Speaker 1>is essentially that is what studios are more willing to

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<v Speaker 1>take a risk on, their less willing to take a

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<v Speaker 1>risk on filmmakers color of color, and they're less willing

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<v Speaker 1>to take a risk on stories from people of color.

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<v Speaker 1>And that has been shown throughout these decades and even now,

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<v Speaker 1>which is a conversation that we've had in the last

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<v Speaker 1>couple of podcasts, we're still dealing with that. I wanted

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<v Speaker 1>to ask y'all about some of the films that were

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<v Speaker 1>surprising that didn't pass the Bechdel test. Okay, let me

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<v Speaker 1>pull up our list. There's I'm never surprised when a

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<v Speaker 1>movie does not pass the Bechdel times. I mean sometimes

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<v Speaker 1>they like seem to be marketed specifically for women, right,

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<v Speaker 1>and there're even some of those don't pass sit. I

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<v Speaker 1>think the most famous example of that that we get.

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<v Speaker 1>We haven't covered it on the show, but it comes

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<v Speaker 1>up all the time is I think it's like a

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<v Speaker 1>nine late nineteen thirties movie called The Women and all

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<v Speaker 1>female casts. It's like ten women you do not like

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<v Speaker 1>your famously, and the way it was market is like

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<v Speaker 1>it was like you don't see a man on screen

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<v Speaker 1>the whole time, and that is true. It does not

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<v Speaker 1>pass the back because they're only talking to talk to

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<v Speaker 1>each other. But it's always about it's always about a gotten,

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<v Speaker 1>It's always about a man named Steve. They're talking about

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<v Speaker 1>Steve the whole movie. It's you know who wrote that?

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<v Speaker 1>Let the women? Okay? Written by? Oh, it was written

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<v Speaker 1>by It was written by two women. So really uh

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<v Speaker 1>really ah job, no no way to no way around it. No,

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<v Speaker 1>the thing is for me. I tend to not remember

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<v Speaker 1>unless it's like it very handily passes, or it is

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<v Speaker 1>very clear that the movie would not pass because it

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<v Speaker 1>only has one woman in the entire movie See Raiders

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<v Speaker 1>in the Lost Arc, see you Know a New Hope,

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<v Speaker 1>that kind of thing. Um. I tend not to really

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<v Speaker 1>remember if the movie passes the Bechtel test or not,

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<v Speaker 1>just because it's a metric that is useful metric first

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<v Speaker 1>starting off point to talk about representation of women in movies.

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<v Speaker 1>But that's pretty much all we use it for, is

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<v Speaker 1>just like okay, this initiates a larger conversation that we

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<v Speaker 1>can talk about a wholesoe of other things. So whether

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<v Speaker 1>or not a movie passes Jamie, as you said, like

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<v Speaker 1>like The Room, that famously horrible, horrible movie pas Becktel tests,

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<v Speaker 1>but like it's still such a piece of and you

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<v Speaker 1>know it's fun to watch, but you know, it doesn't

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<v Speaker 1>mean anything that that movie passes. And then I think,

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<v Speaker 1>like we determine chart here, our our friends are very

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<v Speaker 1>studious and update their chart. I would say one that

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<v Speaker 1>I found surprising was You've Got Mail because it's a

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<v Speaker 1>rom com. Yeah. I didn't think like movies that are

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<v Speaker 1>like may right, four Women in theory, and that was

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<v Speaker 1>came out like what two decades ago, So yeah, you

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<v Speaker 1>think they talked about you know, well, I think, well, no,

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<v Speaker 1>I think I think it's probably in her book in

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<v Speaker 1>the scenes in the bookstore, you know, because she's talking

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<v Speaker 1>about her mom and she's talking about you know what

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<v Speaker 1>I mean, Like, I think that's probably how it passed. It.

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<v Speaker 1>The whole order of the Rings trilogy does not pass

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<v Speaker 1>the Bechtel test, not one of it. It's a ten

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<v Speaker 1>hour it doesn't pass. It's crazy. It has every opportunity

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<v Speaker 1>and it doesn't. Uh. And then another one we did

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<v Speaker 1>recently that I thought, I guess sort of for the

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<v Speaker 1>same reason you were saying, Danny about You've Got Mail?

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<v Speaker 1>Is five d days of Summer doesn't pass the Bechtel test? Um? Wait,

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<v Speaker 1>were you saying that it does pass? It does pass? Yeah,

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<v Speaker 1>it does pass. That's why I'm saying I find that

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<v Speaker 1>surprising because it's a rom com. You think, like, you know,

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<v Speaker 1>because she has that she was yeah, okay, yeah, I

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<v Speaker 1>mean rom coms often don't pass. I think we did.

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<v Speaker 1>We did an episode about we haven't done, um, you've

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<v Speaker 1>got mail yet? But would you do? When Harry met

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<v Speaker 1>Sally and sleepless in Seattle, And there are most of those,

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<v Speaker 1>there might be like a very quick conversation that just

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<v Speaker 1>happens to not be about men. But often in rom coms,

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<v Speaker 1>I mean, there's it's it's it's interesting because like, there

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<v Speaker 1>are certain genres that almost never pass, like action movies

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<v Speaker 1>like often do not pass because there's usually one woman

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<v Speaker 1>and she's the love interest. She gets captured, she has

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<v Speaker 1>to be saved, like she's everyone's like, oh my god,

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<v Speaker 1>she can kick. I mean even if she's allowed to fight.

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<v Speaker 1>Usually women aren't allowed to fight. Usually they just or

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<v Speaker 1>if you're in Raiders of the Locks arc, your only

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<v Speaker 1>weapon can be like a domestic item, like a frying

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<v Speaker 1>pan or in Halloween, it's like all domestic items that

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<v Speaker 1>that are weapons and oh boy, another one I like this.

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<v Speaker 1>This is like a more specific version of the behind

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<v Speaker 1>the camera stuff is the Riese Davies test by Katerie Davies.

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<v Speaker 1>A movie passes if every department has two or more women, uh,

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<v Speaker 1>which is not which which is something that doesn't happen

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<v Speaker 1>very much. Only about a third of movies pass this

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<v Speaker 1>test because there is such a disproportionate representation behind the

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<v Speaker 1>camera as well, which is something that I want to

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<v Speaker 1>be better on our show about like paying attention to

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<v Speaker 1>of Like it's so rare to see female composers, female editors, photographers, um,

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<v Speaker 1>where it's usually where I we're talking about directors, writers

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<v Speaker 1>and talent. But there's like, there's so many things that

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<v Speaker 1>like when a movie is edited by a woman, they're

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<v Speaker 1>probably going to edit out the shot where you know,

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<v Speaker 1>probably the male cinematographers a lingering, male gay shot of

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<v Speaker 1>a woman in a swimsuit exactly Like yeah, um, there's

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<v Speaker 1>another one that is uh, I think lesser known because

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<v Speaker 1>it's it's newer, but it's called the Kent Test. It's

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<v Speaker 1>from um Clarkesha Kent, and it's there are many different

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<v Speaker 1>components to it, so I'll just named kind of the

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<v Speaker 1>main one. But it determines whether a film or other

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<v Speaker 1>piece of media has provided the audience with adequate representation

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<v Speaker 1>of women or feans of color. And then it has

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<v Speaker 1>all these different like criteria by which you can like basically,

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<v Speaker 1>it's like, I think twelve different things, and if it

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<v Speaker 1>scores higher than like a six or an eight or

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<v Speaker 1>some number, then it's like, oh, it's doing pretty well.

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<v Speaker 1>A lot of movies don't fare very well on this test.

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<v Speaker 1>I was gonna say, for if he for your episode

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<v Speaker 1>of Black Panther, I'm assuming that that passed the Bechdel test, right,

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<v Speaker 1>And I love the fact that Ryan Coogler had Rachel Morrison,

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<v Speaker 1>who's his DP and has worked with him on Fruitvale

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<v Speaker 1>Station and on Black Panther, So that was that was

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<v Speaker 1>a huge thing. That that was pretty cool that he

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<v Speaker 1>had a woman behind the scenes um as one of

0:12:43.440 --> 0:12:46.600
<v Speaker 1>the head people of his crew. Yeah, yeah, yeah. And

0:12:46.600 --> 0:12:48.640
<v Speaker 1>then I was pointing, I was pointing this out to

0:12:48.679 --> 0:12:51.640
<v Speaker 1>you the other day that George Miller, who made Mad Max,

0:12:52.040 --> 0:12:55.959
<v Speaker 1>his wife edited it and he there's this quote where

0:12:56.000 --> 0:12:57.440
<v Speaker 1>his wife was like, why do you want me to

0:12:57.600 --> 0:12:59.280
<v Speaker 1>edit this movie? Was like, because if I have a

0:12:59.320 --> 0:13:02.640
<v Speaker 1>man at did it's gonna look like every other action movie.

0:13:03.120 --> 0:13:06.320
<v Speaker 1>And that that's true. Like one of the benefits you

0:13:06.360 --> 0:13:10.840
<v Speaker 1>get from having an underrepresented piece to your film is

0:13:10.880 --> 0:13:14.040
<v Speaker 1>you're getting a different perspective. I mean, in a good

0:13:14.240 --> 0:13:17.080
<v Speaker 1>writer's room, that's why you want different perspective. I was

0:13:17.440 --> 0:13:20.560
<v Speaker 1>and probably one of the most diverse writing room a

0:13:20.559 --> 0:13:22.920
<v Speaker 1>few weeks ago. And you know we had you know

0:13:23.160 --> 0:13:26.440
<v Speaker 1>me uh, you know, the show runner was Indian. You

0:13:26.600 --> 0:13:31.040
<v Speaker 1>had uh, we had like two women to two men

0:13:31.160 --> 0:13:34.720
<v Speaker 1>who were writing. Uh, and and it was just interesting

0:13:34.760 --> 0:13:40.040
<v Speaker 1>to like, you know, have you just hear different things

0:13:40.080 --> 0:13:42.600
<v Speaker 1>to the way people say, like, you know, it's it's all.

0:13:42.720 --> 0:13:47.400
<v Speaker 1>It's very interesting too to have just the one line

0:13:47.400 --> 0:13:51.000
<v Speaker 1>that I always liked to hear in those situations. Uh.

0:13:51.080 --> 0:13:54.440
<v Speaker 1>You know when someone speak up and goes, oh, a

0:13:54.520 --> 0:13:57.319
<v Speaker 1>woman wouldn't say that, you know, like his because because

0:13:57.520 --> 0:14:00.640
<v Speaker 1>I just even from my perspective, whenever you see like

0:14:00.800 --> 0:14:03.280
<v Speaker 1>a black person written by a white person, you're like,

0:14:03.559 --> 0:14:06.920
<v Speaker 1>no black person in their life would ever say that

0:14:08.280 --> 0:14:12.920
<v Speaker 1>today we are covering teen Titans. Actually you are an

0:14:12.960 --> 0:14:18.280
<v Speaker 1>expert in these in these kiddos. They're my favorite super team.

0:14:18.360 --> 0:14:21.000
<v Speaker 1>When Danny asked me if this was a subject that

0:14:21.040 --> 0:14:23.920
<v Speaker 1>I knew anything about or liked, I was super thrilled,

0:14:23.960 --> 0:14:27.000
<v Speaker 1>and I was like, how nerdy can I get? Because

0:14:27.080 --> 0:14:29.920
<v Speaker 1>they're the best. They were the top selling DC title

0:14:30.000 --> 0:14:34.920
<v Speaker 1>for twelve years. What years were those? Uh? Eighty two?

0:14:35.040 --> 0:14:37.880
<v Speaker 1>Nine two? It was between them and then the Uncanny

0:14:38.120 --> 0:14:41.040
<v Speaker 1>X Men or the top two best selling comics. That's

0:14:41.360 --> 0:14:44.840
<v Speaker 1>the New Teen Titans, the Wolfman Perez era that affected

0:14:44.920 --> 0:14:47.200
<v Speaker 1>and inspired the TV shows that I think we're gonna

0:14:47.200 --> 0:14:49.440
<v Speaker 1>be talking a lot about today. Yeah, but yeah, they're

0:14:49.560 --> 0:14:53.760
<v Speaker 1>very important, and they're actually in terms of profitability, DC's

0:14:53.880 --> 0:14:57.880
<v Speaker 1>most profitable franchise really, So we like to think about

0:14:57.880 --> 0:15:01.840
<v Speaker 1>the Justice League, but to the Justice League have comics, Uh,

0:15:02.000 --> 0:15:05.400
<v Speaker 1>Teen Titans have comics as well. There's also Titans Young Justice.

0:15:05.840 --> 0:15:08.440
<v Speaker 1>All fall under that same banner. It's all the same

0:15:08.480 --> 0:15:11.440
<v Speaker 1>creative teams and all the same characters. So they have

0:15:11.600 --> 0:15:14.960
<v Speaker 1>more titles consistently that sell better than Justice League, although

0:15:14.960 --> 0:15:17.800
<v Speaker 1>Justice League has more issues. So if you did I

0:15:17.840 --> 0:15:21.080
<v Speaker 1>can't do math, and I certainly can't do math for inflation.

0:15:21.200 --> 0:15:24.800
<v Speaker 1>Justice League probably wins in the comics. However, we've only

0:15:24.800 --> 0:15:28.160
<v Speaker 1>had one Justice League movie and it's arguably a whiff.

0:15:28.160 --> 0:15:32.840
<v Speaker 1>It's controversial at best. We've had one animated television show

0:15:33.600 --> 0:15:36.880
<v Speaker 1>that's over a decade old. Teen Titans had the original

0:15:36.920 --> 0:15:40.640
<v Speaker 1>animated television show Teen Titans Go, which is DC Warner

0:15:40.680 --> 0:15:44.440
<v Speaker 1>Animations most successful DC property show that also spun out

0:15:44.560 --> 0:15:47.280
<v Speaker 1>on an animal there. Even though I know you're on

0:15:47.320 --> 0:15:51.160
<v Speaker 1>this okay trend because this is gonna be my one

0:15:51.600 --> 0:15:53.960
<v Speaker 1>like rant and I'm gonna try and keep it at that.

0:15:54.320 --> 0:15:56.680
<v Speaker 1>But the reason I stopped you at Teen Titans Go

0:15:57.040 --> 0:15:59.440
<v Speaker 1>is a lot of people grew up on the Teen

0:15:59.480 --> 0:16:02.280
<v Speaker 1>Titans before that, me included, and loved it. And I

0:16:02.320 --> 0:16:05.160
<v Speaker 1>feel like Teen Titans Go got so much hate online

0:16:05.240 --> 0:16:07.920
<v Speaker 1>from people out of the age range, like so many

0:16:07.960 --> 0:16:09.880
<v Speaker 1>people who grew up on the first team titles like

0:16:09.880 --> 0:16:11.720
<v Speaker 1>not my teen Ties, not my teen Titans. And I

0:16:11.760 --> 0:16:15.800
<v Speaker 1>get that you want something for you, but just go

0:16:15.840 --> 0:16:18.280
<v Speaker 1>ahead and repeat what you just said about Teen Titans Go.

0:16:20.200 --> 0:16:23.240
<v Speaker 1>That is the most successful animated show and it's fun

0:16:23.280 --> 0:16:25.760
<v Speaker 1>out its own animated movie. So many people try and

0:16:25.800 --> 0:16:28.600
<v Speaker 1>push this idea online that they keep pushing this bad

0:16:28.680 --> 0:16:31.760
<v Speaker 1>teen Titans go. But if it's it's most profitable, it

0:16:31.840 --> 0:16:33.840
<v Speaker 1>seems like it's not as bad as we want to

0:16:33.920 --> 0:16:36.800
<v Speaker 1>believe it is. I get you want the serious, you know,

0:16:37.240 --> 0:16:40.600
<v Speaker 1>dark teen titans uh that we have, but that time's over.

0:16:40.760 --> 0:16:43.720
<v Speaker 1>We had it and we enjoyed it. Now the kids

0:16:43.760 --> 0:16:46.360
<v Speaker 1>that the demo that is watching that time slot is

0:16:46.400 --> 0:16:50.960
<v Speaker 1>getting something they enjoyed, so layoff. Also what's funny is like,

0:16:51.080 --> 0:16:53.520
<v Speaker 1>as much as people hate it that there were some

0:16:53.600 --> 0:16:56.400
<v Speaker 1>people online who U saw I was like, yeah, that's good.

0:16:56.800 --> 0:17:01.120
<v Speaker 1>That was probably me. I love it, but I'm I'm

0:17:01.200 --> 0:17:02.960
<v Speaker 1>not trying to be a trolled. I just like whenever

0:17:03.120 --> 0:17:05.480
<v Speaker 1>people people are going to get upset, whenever people take

0:17:05.560 --> 0:17:08.760
<v Speaker 1>risks and do like a different take. But I understand

0:17:09.440 --> 0:17:11.359
<v Speaker 1>I understand why that doesn't always work to me. I

0:17:11.440 --> 0:17:14.439
<v Speaker 1>just like when we're super I like seeing the bizarro world.

0:17:15.119 --> 0:17:16.800
<v Speaker 1>I like the opposite, Like I don't always want the

0:17:16.840 --> 0:17:18.840
<v Speaker 1>same thing. I like seeing like what if this person

0:17:18.880 --> 0:17:20.520
<v Speaker 1>did go off the deep end? And he was like, yes,

0:17:20.640 --> 0:17:22.720
<v Speaker 1>go off the deep end. But honestly, that's the true

0:17:22.720 --> 0:17:24.960
<v Speaker 1>heart of comics because that's how you get things like

0:17:25.080 --> 0:17:28.119
<v Speaker 1>Red Sun, and you get things like you know, old

0:17:28.160 --> 0:17:32.679
<v Speaker 1>Man logan like, that's the there. Someone pointed this out

0:17:32.720 --> 0:17:34.760
<v Speaker 1>to me a while ago, when I really were it

0:17:34.840 --> 0:17:38.160
<v Speaker 1>was reading capes and they're saying they stopped reading capes

0:17:38.240 --> 0:17:41.320
<v Speaker 1>because they got too obsessed with cannon and we stopped

0:17:41.320 --> 0:17:44.879
<v Speaker 1>doing these one off fun things like All Star Superman

0:17:45.080 --> 0:17:48.720
<v Speaker 1>and Superman. Is fun. I mean it's fun in the

0:17:48.760 --> 0:17:51.280
<v Speaker 1>sense All Star Superman made me like Superman because I

0:17:51.280 --> 0:17:57.680
<v Speaker 1>would Superman and then when I saw it, yeah, yeah, down,

0:17:58.840 --> 0:18:01.560
<v Speaker 1>Wait how did you not like Superman? He was doing perfect?

0:18:01.840 --> 0:18:05.919
<v Speaker 1>But you like Goku? He's dumb. Goku's dumb, you know

0:18:05.960 --> 0:18:08.320
<v Speaker 1>what I'm saying. His flaw is that he has this

0:18:08.520 --> 0:18:11.240
<v Speaker 1>childishness about him and that he does put people in

0:18:11.320 --> 0:18:14.680
<v Speaker 1>danger because he wants to challenge himself. Superman is just perfect.

0:18:14.720 --> 0:18:18.640
<v Speaker 1>He's smart, he's handsome, he is the top of his job,

0:18:18.680 --> 0:18:22.120
<v Speaker 1>he gets the girl. He can't do anything wrong. He's

0:18:22.160 --> 0:18:25.520
<v Speaker 1>not dumb, you know. Like so he is too perfect.

0:18:25.600 --> 0:18:28.199
<v Speaker 1>But I could see where you would think, oh with Goku.

0:18:28.240 --> 0:18:31.040
<v Speaker 1>But Goku does have so many flaws that I'm constantly

0:18:31.080 --> 0:18:35.840
<v Speaker 1>debating against online. Also, we're not here to talk about Superman,

0:18:36.000 --> 0:18:38.639
<v Speaker 1>but when you were, Um, I'm originally from Canada, so

0:18:38.720 --> 0:18:41.959
<v Speaker 1>when you're not American, Yeah, Superman is sort of held up.

0:18:41.960 --> 0:18:43.960
<v Speaker 1>It's Superman and Captain America held up as like these

0:18:44.000 --> 0:18:48.080
<v Speaker 1>bastions of American identity. So for me growing up, I

0:18:48.080 --> 0:18:51.640
<v Speaker 1>was like, you can't like Superman. I'm not American, which

0:18:51.640 --> 0:18:55.119
<v Speaker 1>is funny because he's like an immigrant. But yeah, but

0:18:55.800 --> 0:18:58.880
<v Speaker 1>I hadn't thought about that as a a I mean,

0:18:58.920 --> 0:19:00.920
<v Speaker 1>I married a white guy from a farm in Kansas,

0:19:00.920 --> 0:19:04.399
<v Speaker 1>so clearly I've come around. But I remember when I

0:19:04.440 --> 0:19:06.679
<v Speaker 1>was in the university. I went to the University of Ottawa,

0:19:06.720 --> 0:19:09.399
<v Speaker 1>which is Canada's capital city. UM had a really good friend.

0:19:10.520 --> 0:19:12.960
<v Speaker 1>He's actually on that YouTube show Wayne now is one

0:19:13.000 --> 0:19:15.040
<v Speaker 1>of the twins. I haven't seen it. That's just the

0:19:15.040 --> 0:19:17.200
<v Speaker 1>thing that people might know. He had a Superman belt buckle,

0:19:17.240 --> 0:19:18.920
<v Speaker 1>and I was like, you're Canadian, you cannot wear that.

0:19:19.680 --> 0:19:22.359
<v Speaker 1>We were like getting vites about that. But Superman is

0:19:22.400 --> 0:19:25.720
<v Speaker 1>a difficult character for people to come around on, which

0:19:25.760 --> 0:19:28.120
<v Speaker 1>is why I think Teen Titans, like I was saying,

0:19:28.200 --> 0:19:32.840
<v Speaker 1>was so successful, because they are deeply flawed. Um, Robin

0:19:33.000 --> 0:19:36.400
<v Speaker 1>is the best among them, and Dick Grayson as the best.

0:19:36.520 --> 0:19:38.760
<v Speaker 1>Robin is a deeply flawed leader, but he grows up

0:19:38.800 --> 0:19:41.679
<v Speaker 1>to lead the Justice League. So I know you have

0:19:41.760 --> 0:19:44.080
<v Speaker 1>a moment that you talked about on the Daily Zeite guys,

0:19:44.280 --> 0:19:47.520
<v Speaker 1>which is really funny. It's so funny because like it

0:19:47.600 --> 0:19:50.560
<v Speaker 1>was a moment I totally forgot about but then remembered

0:19:50.600 --> 0:19:52.840
<v Speaker 1>when I saw it, and it was it was actually

0:19:52.880 --> 0:19:55.240
<v Speaker 1>a pretty cool episode where like, you know, it kind

0:19:55.240 --> 0:19:58.639
<v Speaker 1>of uh try to deal with the racism because it

0:19:58.680 --> 0:20:03.000
<v Speaker 1>was talking about racism and Starfire's family and he was like, oh,

0:20:03.080 --> 0:20:05.560
<v Speaker 1>I definitely know about that. And he was like, oh,

0:20:05.680 --> 0:20:09.359
<v Speaker 1>you you know about being judged because of the color

0:20:09.600 --> 0:20:12.960
<v Speaker 1>of your skin or because of how you look, and

0:20:12.960 --> 0:20:17.879
<v Speaker 1>he was like, yeah, I'm a robot. It's so great

0:20:19.000 --> 0:20:23.120
<v Speaker 1>because because it definitely gets so close and I could

0:20:23.160 --> 0:20:26.320
<v Speaker 1>definitely be just see the network notek of being like

0:20:26.400 --> 0:20:28.280
<v Speaker 1>now I pull that back, just say it's because he's

0:20:28.320 --> 0:20:31.720
<v Speaker 1>a robot. Can I ask you, um, what is potentially

0:20:31.760 --> 0:20:35.200
<v Speaker 1>an ignorant white person question that you're under no real

0:20:35.640 --> 0:20:38.120
<v Speaker 1>otis to answer, But I'd like to ask you, as

0:20:38.119 --> 0:20:40.560
<v Speaker 1>an African American person, how do you feel about booya

0:20:40.800 --> 0:20:45.800
<v Speaker 1>as a catchphrase? Oh? You know, I didn't care. It

0:20:45.920 --> 0:20:49.159
<v Speaker 1>seemed like yeah, yeah, because it seemed like one of

0:20:49.200 --> 0:20:51.760
<v Speaker 1>those things like he's saying something cool, but we don't

0:20:51.800 --> 0:20:55.320
<v Speaker 1>want to make anything like you know, seems like it's

0:20:55.400 --> 0:20:58.159
<v Speaker 1>because he's black, you know, because when he said it

0:20:58.200 --> 0:21:01.679
<v Speaker 1>in Justice League, like I was really excited, and then

0:21:01.680 --> 0:21:04.080
<v Speaker 1>I saw a bunch of people who I respect and

0:21:04.080 --> 0:21:06.040
<v Speaker 1>who I look to for guidance because I was not

0:21:06.080 --> 0:21:08.400
<v Speaker 1>a person of color. I don't know, Um, I got

0:21:08.440 --> 0:21:10.879
<v Speaker 1>really mad about it, and I was like, oh, I

0:21:11.000 --> 0:21:12.840
<v Speaker 1>just thought it was really cool that he said the

0:21:12.840 --> 0:21:16.320
<v Speaker 1>cotch for you. Yeah, I think, yeah, I think some

0:21:17.000 --> 0:21:19.080
<v Speaker 1>you know, not a diss on them, but some people

0:21:19.200 --> 0:21:24.000
<v Speaker 1>are just like hyper sensitive of what one way would

0:21:24.040 --> 0:21:26.560
<v Speaker 1>be taken. But I feel like the only way to

0:21:26.640 --> 0:21:29.080
<v Speaker 1>have taken that was that it was a call back

0:21:29.119 --> 0:21:32.320
<v Speaker 1>to something he always said in Teen Titans, just like

0:21:32.440 --> 0:21:35.040
<v Speaker 1>an X Men when he says I'm the Juggernaut bitch,

0:21:35.359 --> 0:21:39.800
<v Speaker 1>you know, like it's like I don't to like across

0:21:39.840 --> 0:21:43.600
<v Speaker 1>the world, yeah, like to like, you know, take that

0:21:43.760 --> 0:21:47.040
<v Speaker 1>in any other way. I you know, I think there's

0:21:47.080 --> 0:21:50.520
<v Speaker 1>more to unpass, you know. It's just I don't know,

0:21:50.760 --> 0:21:53.440
<v Speaker 1>I don't agree. I don't even agree that you could

0:21:53.560 --> 0:21:56.160
<v Speaker 1>really take issue. I don't want to control how anybody

0:21:56.160 --> 0:21:58.399
<v Speaker 1>feels about anything. But there I feel like there's a

0:21:58.480 --> 0:22:01.560
<v Speaker 1>level too. Now there's there's this social currency to find

0:22:01.600 --> 0:22:05.280
<v Speaker 1>the things wrong that are not woke, and it leads

0:22:05.320 --> 0:22:08.520
<v Speaker 1>to people just jumping to stuff when they might have like,

0:22:08.760 --> 0:22:10.439
<v Speaker 1>even if they didn't like it, be like all right,

0:22:10.440 --> 0:22:12.479
<v Speaker 1>that's kind of whack and move on. But now that

0:22:12.520 --> 0:22:16.159
<v Speaker 1>you can get likes, retweets and clicks, it kind of

0:22:16.240 --> 0:22:18.720
<v Speaker 1>encourages more to kind of lean into something you might

0:22:18.760 --> 0:22:21.720
<v Speaker 1>have just let go. Okay, so I'm allowed to like

0:22:21.760 --> 0:22:26.360
<v Speaker 1>it good, That's all I care about. So so it's

0:22:26.440 --> 0:22:30.720
<v Speaker 1>Jason Todd not as red uh red Hood, but he's

0:22:30.720 --> 0:22:32.639
<v Speaker 1>not red Hood right until after the joker beats him

0:22:32.640 --> 0:22:34.280
<v Speaker 1>to death of the crowbar and then he gets thrown

0:22:34.280 --> 0:22:38.680
<v Speaker 1>on last. So this all takes place before that, I guess,

0:22:38.680 --> 0:22:42.199
<v Speaker 1>because because my only gripe with Jason Todd would have

0:22:42.240 --> 0:22:44.919
<v Speaker 1>been like if we got f Batman Robin, that kind

0:22:44.960 --> 0:22:48.080
<v Speaker 1>of takes the wind out of red Hood sales, right um.

0:22:48.160 --> 0:22:50.320
<v Speaker 1>And I like I like it to Grayson, who's like

0:22:50.600 --> 0:22:54.960
<v Speaker 1>not as much of a Gali g but also degreason

0:22:55.000 --> 0:22:56.800
<v Speaker 1>in my opinion, because it's only just my opinion. I

0:22:56.840 --> 0:22:58.479
<v Speaker 1>don't want take anything away from him and likes it.

0:22:58.760 --> 0:23:01.399
<v Speaker 1>Um would never say a f Batman. Well, that's the

0:23:01.400 --> 0:23:04.960
<v Speaker 1>one Robin who would never like that's adjacent Todd moved

0:23:05.600 --> 0:23:07.840
<v Speaker 1>and that was my gright with that. So me and

0:23:07.880 --> 0:23:09.920
<v Speaker 1>you are back, even though you want to get rim

0:23:10.960 --> 0:23:15.120
<v Speaker 1>because because because I love I love that's your thing.

0:23:15.160 --> 0:23:16.720
<v Speaker 1>It's like, you don't like it more for me. I

0:23:16.720 --> 0:23:21.320
<v Speaker 1>don't like it more for you. But like Dick Grayson

0:23:21.560 --> 0:23:24.560
<v Speaker 1>worships Batman. So when I heard that line, I already

0:23:24.600 --> 0:23:26.439
<v Speaker 1>noped out and I was like, and once again, I'm

0:23:26.480 --> 0:23:28.800
<v Speaker 1>the same way. I have no qualms with anyone who's

0:23:28.840 --> 0:23:31.320
<v Speaker 1>like jamming on it. I will never say not like

0:23:31.440 --> 0:23:34.480
<v Speaker 1>the thing you like that. Those words will never come

0:23:34.520 --> 0:23:36.720
<v Speaker 1>out of my mouth. And don't take it that way

0:23:36.720 --> 0:23:39.920
<v Speaker 1>if you're like liking it and it's like, hey, should

0:23:39.960 --> 0:23:42.720
<v Speaker 1>I not like this because it no? Enjoy it? Enjoy

0:23:42.760 --> 0:23:44.960
<v Speaker 1>good things. I think Pacific Rim is one of the

0:23:45.000 --> 0:23:49.560
<v Speaker 1>most perfect movies ever made, the best. It's It's sorry

0:23:49.800 --> 0:23:52.520
<v Speaker 1>it promised me a robot, I mean a monster getting

0:23:52.560 --> 0:23:56.200
<v Speaker 1>beat up by a giant robot with a freightership as

0:23:56.200 --> 0:23:58.119
<v Speaker 1>a bat And what did I get when I went

0:23:58.160 --> 0:24:01.440
<v Speaker 1>in a giant robot b being the monster with the Freightership.

0:24:01.520 --> 0:24:04.320
<v Speaker 1>You barely get your promises keptain movies these days, and

0:24:04.359 --> 0:24:07.119
<v Speaker 1>I was happy with it. I honestly didn't know that

0:24:07.160 --> 0:24:10.280
<v Speaker 1>people didn't like Batman and Robin. I think I've said

0:24:10.280 --> 0:24:15.480
<v Speaker 1>that before on this podcast. Yeah, yeah, and I didn't

0:24:15.480 --> 0:24:17.360
<v Speaker 1>because I saw it when I was little, and I'm like, oh,

0:24:17.440 --> 0:24:19.720
<v Speaker 1>this is it. Literally was like if you're watching as

0:24:19.760 --> 0:24:22.160
<v Speaker 1>a kid, It's like a comic book come to life.

0:24:22.280 --> 0:24:29.639
<v Speaker 1>It's so colorful, stunt, dumb stunt. You have Uma Thurman

0:24:29.720 --> 0:24:32.920
<v Speaker 1>as like may West. You know what you have like Arnold.

0:24:33.119 --> 0:24:35.520
<v Speaker 1>I was like, this is so we have um, you know,

0:24:35.560 --> 0:24:38.399
<v Speaker 1>Alicia Silverstone who was coming off clueless like I was,

0:24:38.440 --> 0:24:41.040
<v Speaker 1>Oh my gosh, it was my jam. I didn't realize

0:24:41.080 --> 0:24:43.720
<v Speaker 1>that that was not a good movie. Okay, we're gonna

0:24:43.760 --> 0:24:46.399
<v Speaker 1>take a quick break, but I'm hoping you're enjoying the

0:24:46.480 --> 0:24:49.000
<v Speaker 1>best of Hopefully you're remembering the things you did last

0:24:49.080 --> 0:24:52.200
<v Speaker 1>year while you were listening to these episodes. But let's

0:24:52.280 --> 0:25:00.040
<v Speaker 1>take a quick break and then come back to it,

0:25:00.280 --> 0:25:04.040
<v Speaker 1>and we're back, y'all. It's almost time for this episode

0:25:04.040 --> 0:25:06.320
<v Speaker 1>to end, which means it's almost time for next week,

0:25:06.359 --> 0:25:09.159
<v Speaker 1>which means it's almost time for a brand new Neurodificent.

0:25:09.520 --> 0:25:12.119
<v Speaker 1>But now let's get back to the hits are Woman

0:25:12.240 --> 0:25:15.760
<v Speaker 1>of the Hour, the wonder Woman, the wonder the Woman,

0:25:15.840 --> 0:25:18.440
<v Speaker 1>the Myth, the legend, wondrous and a woman. Yeah, she's

0:25:18.680 --> 0:25:23.360
<v Speaker 1>um super dope. She is one of the first superheroes

0:25:23.400 --> 0:25:26.680
<v Speaker 1>just period, especially the ones that still exists and right now.

0:25:27.200 --> 0:25:29.960
<v Speaker 1>Um she She and Captain America debut in the same year,

0:25:30.040 --> 0:25:34.119
<v Speaker 1>so about ten ments of parts. So she was and

0:25:34.640 --> 0:25:38.720
<v Speaker 1>um also interesting because their colors are the same, yeah,

0:25:38.960 --> 0:25:43.440
<v Speaker 1>and there the same pretty similar and then American flag essentially. Yeah,

0:25:43.560 --> 0:25:46.160
<v Speaker 1>And it's interesting because they kind of both did come

0:25:46.160 --> 0:25:50.200
<v Speaker 1>from a place of challenging society at the moment because

0:25:50.280 --> 0:25:53.440
<v Speaker 1>you know, Captain America is very much hate punch Nazi

0:25:53.920 --> 0:25:57.040
<v Speaker 1>to yeah, so, and then she also punches Nazis because

0:25:57.080 --> 0:26:00.399
<v Speaker 1>that's also a thing that you're supposed to do. But like, um,

0:26:00.440 --> 0:26:06.479
<v Speaker 1>you know, Kevin America was very much about, um, you know,

0:26:07.240 --> 0:26:09.800
<v Speaker 1>kind of like an immigrant ideal, like rising up for

0:26:09.800 --> 0:26:14.000
<v Speaker 1>your country kind of situation. And Wonder Woman is a

0:26:14.040 --> 0:26:17.960
<v Speaker 1>feminist ideal, which when you say feminism, you don't think

0:26:18.119 --> 0:26:22.399
<v Speaker 1>nineteen forties, but hey, that stuff existed. Then yeah, you

0:26:22.520 --> 0:26:24.399
<v Speaker 1>say what I said. So you posted a picture of

0:26:24.400 --> 0:26:27.200
<v Speaker 1>the DC Archives and my first thought was like, these

0:26:27.200 --> 0:26:30.359
<v Speaker 1>are sex toys because it was a whip. It was

0:26:30.480 --> 0:26:34.760
<v Speaker 1>like it that looked like something else, and there was

0:26:34.800 --> 0:26:38.560
<v Speaker 1>like but it's so funny because relating back to Professor Marston,

0:26:38.960 --> 0:26:42.359
<v Speaker 1>he was that he was into S and M and

0:26:42.400 --> 0:26:44.879
<v Speaker 1>they and it was interesting that they had like that.

0:26:45.040 --> 0:26:47.360
<v Speaker 1>This was actually brought up that people were accusing him

0:26:47.359 --> 0:26:51.560
<v Speaker 1>of having bondage spanking homosexuality like in his comics, which

0:26:51.560 --> 0:26:54.639
<v Speaker 1>again this was in the forties, so it's like to me,

0:26:54.720 --> 0:26:59.360
<v Speaker 1>it's super dope and like slid that in there. But anyway,

0:26:59.359 --> 0:27:04.200
<v Speaker 1>it definitely some of those the original DC Archive like stuff.

0:27:04.240 --> 0:27:06.159
<v Speaker 1>I'm like, yeah, I could I see what they were

0:27:06.160 --> 0:27:09.199
<v Speaker 1>doing well. And also I think that it seems like

0:27:09.240 --> 0:27:12.720
<v Speaker 1>it's really like out of ordinary for that kind of

0:27:12.720 --> 0:27:15.439
<v Speaker 1>delicious stuff to be in the books. But if you

0:27:15.480 --> 0:27:18.720
<v Speaker 1>actually look at the comics from back then, like the thirties,

0:27:18.760 --> 0:27:22.080
<v Speaker 1>even they've got crazy stuff going on. There's a lot

0:27:22.080 --> 0:27:25.480
<v Speaker 1>of like female vigilantes that like merk dudes left and right,

0:27:26.040 --> 0:27:30.879
<v Speaker 1>and like like we had wor up, we had water propaganda.

0:27:30.920 --> 0:27:34.840
<v Speaker 1>But also these men were reading these during like that

0:27:34.880 --> 0:27:36.760
<v Speaker 1>we're going to war, you know what I mean. They

0:27:36.760 --> 0:27:40.440
<v Speaker 1>were like so in the same way that early pornography,

0:27:40.480 --> 0:27:42.960
<v Speaker 1>you know, like they had pen of those magas the

0:27:43.080 --> 0:27:45.080
<v Speaker 1>pin up and she looks like a you know to

0:27:45.119 --> 0:27:48.159
<v Speaker 1>some extent. Although he definitely kept her, she was definitely

0:27:48.160 --> 0:27:52.240
<v Speaker 1>sexualized later. I think her early stages were not as much.

0:27:53.160 --> 0:27:55.720
<v Speaker 1>And you can and those and also heard that skirt

0:27:55.760 --> 0:27:57.480
<v Speaker 1>in that first episode of that first issue is not

0:27:57.480 --> 0:28:01.240
<v Speaker 1>actually skirts pant coats. You can actually clearly seep. Isn't

0:28:01.280 --> 0:28:07.080
<v Speaker 1>that funny? They're just flowing breathe. Um, we have I

0:28:07.119 --> 0:28:09.640
<v Speaker 1>know this is gonna this is gonna be a three hours.

0:28:09.680 --> 0:28:13.800
<v Speaker 1>There's so much uh so. She her official title is

0:28:13.840 --> 0:28:18.200
<v Speaker 1>Princess Diana of Themiscira, also known as Paradise Island. Um,

0:28:18.240 --> 0:28:21.080
<v Speaker 1>that's what I called it forever because my first comic

0:28:21.480 --> 0:28:25.320
<v Speaker 1>was of her, was her original run from Marston and

0:28:25.359 --> 0:28:30.360
<v Speaker 1>they called it Paradise Island. Yeah yeah, And that's also why.

0:28:30.400 --> 0:28:33.200
<v Speaker 1>And she's a daughter of Apolita. That is also why

0:28:33.560 --> 0:28:36.680
<v Speaker 1>I'm a hardcore old school o g that she came

0:28:36.720 --> 0:28:40.120
<v Speaker 1>from Clay because that was her original that has been

0:28:40.240 --> 0:28:43.080
<v Speaker 1>changed a couple of times. So the nineties are really

0:28:43.120 --> 0:28:46.040
<v Speaker 1>weird because there's a lot of like really awesome stories

0:28:46.080 --> 0:28:48.680
<v Speaker 1>that were happening during that period with a lot of

0:28:48.680 --> 0:28:53.240
<v Speaker 1>off putting art for me, So I know what you mean. Yes,

0:28:53.320 --> 0:28:57.000
<v Speaker 1>so we're going to talk about Yeah, we're gonna talk

0:28:57.040 --> 0:29:01.600
<v Speaker 1>about Artemis real quick. Um. So, this modern contemporary age,

0:29:02.200 --> 0:29:04.920
<v Speaker 1>especially in the nineties this kicks off. The eighties in particular,

0:29:05.520 --> 0:29:08.320
<v Speaker 1>was an era of I think a lot of people

0:29:08.320 --> 0:29:11.120
<v Speaker 1>will call it more adult storytelling. This is where the

0:29:11.200 --> 0:29:13.440
<v Speaker 1>Dark Knight gets that gets to be the Dark Knight,

0:29:13.520 --> 0:29:16.040
<v Speaker 1>you know. This is where a lot of comics that

0:29:16.080 --> 0:29:18.040
<v Speaker 1>people are saying are the best comics ever made they

0:29:18.040 --> 0:29:21.760
<v Speaker 1>get made during this period. Um. And so they're experimenting

0:29:21.760 --> 0:29:24.520
<v Speaker 1>more with this stuff. This Jason Todd gets killed, uh

0:29:24.560 --> 0:29:27.920
<v Speaker 1>you know, like Superman, Like they actually Superman, Batman, and

0:29:27.960 --> 0:29:31.320
<v Speaker 1>Wonder Woman all lose their mantles, all within like two

0:29:31.400 --> 0:29:33.880
<v Speaker 1>years of each other. Like this period of like five years.

0:29:33.880 --> 0:29:37.560
<v Speaker 1>Everybody gets there, their titles usurped from them for various reasons,

0:29:37.840 --> 0:29:41.000
<v Speaker 1>and Wonder Woman is no uh, no exception to this.

0:29:41.080 --> 0:29:44.800
<v Speaker 1>So they find this lost tribe of amazons um called

0:29:44.840 --> 0:29:49.120
<v Speaker 1>the Bonna mcdal and they are real hardcore and they're

0:29:49.200 --> 0:29:50.960
<v Speaker 1>like and so the when they come back to the island,

0:29:51.000 --> 0:29:53.959
<v Speaker 1>they're like, Okay, well we weren't here during the contest

0:29:54.000 --> 0:29:55.680
<v Speaker 1>of Champions, so we should be able to do the

0:29:55.680 --> 0:29:58.840
<v Speaker 1>contes as the champions too. So they take their best

0:29:58.880 --> 0:30:01.880
<v Speaker 1>warrior artemis In she actually wins. So Diana is no

0:30:01.920 --> 0:30:05.240
<v Speaker 1>longer technically a wonder Woman. This is where if you've

0:30:05.240 --> 0:30:09.560
<v Speaker 1>ever seen a picture of her wearing bicycle shorts, this

0:30:09.600 --> 0:30:13.640
<v Speaker 1>is where that comes from. All of her iterations are

0:30:13.760 --> 0:30:16.600
<v Speaker 1>so like her eighties. There was one in the eighties

0:30:16.640 --> 0:30:19.560
<v Speaker 1>and she just looked like she was like in Madonna's

0:30:19.640 --> 0:30:21.520
<v Speaker 1>music video or something, you know what I'm talking like.

0:30:21.560 --> 0:30:23.640
<v Speaker 1>I think she had a leather jacket. Yeah, that's that's

0:30:23.680 --> 0:30:25.520
<v Speaker 1>that's the same one. It's a leather jacket with the

0:30:25.520 --> 0:30:28.920
<v Speaker 1>bicycle shorts the top. Yeah, she looks like she's in

0:30:28.960 --> 0:30:32.800
<v Speaker 1>a music factor. But specifically, I'm not gonna lie because

0:30:32.840 --> 0:30:37.000
<v Speaker 1>the new Wonder Woman that's dropping. Um, I believe we're

0:30:37.000 --> 0:30:38.640
<v Speaker 1>not going to get it in twenty nineteen yet, now,

0:30:38.640 --> 0:30:42.400
<v Speaker 1>are we? Okay you think? Yeah, Wonder Woman eight four

0:30:42.640 --> 0:30:45.120
<v Speaker 1>literally takes place in eighty four, as it says, Um,

0:30:45.200 --> 0:30:47.200
<v Speaker 1>So I'm kind of curious if they're going to put

0:30:47.200 --> 0:30:51.840
<v Speaker 1>her in. I would love to see Diana in eighties

0:30:51.880 --> 0:30:54.600
<v Speaker 1>where yes, she has to be to blend in. I've

0:30:54.640 --> 0:30:58.920
<v Speaker 1>seen a couple of like photos from like you know,

0:30:58.960 --> 0:31:00.520
<v Speaker 1>the shoot or whatever, and I try not to look

0:31:00.560 --> 0:31:02.480
<v Speaker 1>at them very much because I don't like being spoiled

0:31:02.520 --> 0:31:04.280
<v Speaker 1>ahead of things too hard, because you already guess what

0:31:04.320 --> 0:31:06.600
<v Speaker 1>happens in movies without it. But I just was so

0:31:06.640 --> 0:31:09.640
<v Speaker 1>curious about her clothes. There is some shoulder pads happening

0:31:09.760 --> 0:31:12.520
<v Speaker 1>in one of the outfits, so yeah, definitely. And I

0:31:12.560 --> 0:31:16.000
<v Speaker 1>saw one picture of another person and in the most

0:31:16.040 --> 0:31:19.040
<v Speaker 1>eighties track suit, and I can't wait to see it.

0:31:19.160 --> 0:31:23.040
<v Speaker 1>So let's talk about the movie. Um, if you can't remember,

0:31:23.080 --> 0:31:26.240
<v Speaker 1>did you did we see it together? I don't think

0:31:26.240 --> 0:31:29.520
<v Speaker 1>we saw it together because I saw it in a plane. Okay,

0:31:30.960 --> 0:31:34.440
<v Speaker 1>never mind, I don't think you're on the theater. Yeah,

0:31:34.720 --> 0:31:37.480
<v Speaker 1>if you, what do you What was your takeaway from

0:31:37.800 --> 0:31:41.040
<v Speaker 1>seeing her brought to life on in film? Oh? I

0:31:41.080 --> 0:31:44.160
<v Speaker 1>loved it, and it was you know, it was so

0:31:45.360 --> 0:31:49.480
<v Speaker 1>obvious what the solution was too. And I've talked about

0:31:49.520 --> 0:31:52.080
<v Speaker 1>this many times anytime I talked about like what d

0:31:52.240 --> 0:31:55.560
<v Speaker 1>C needs to do to blah blah, blah, it's always this,

0:31:55.840 --> 0:31:59.400
<v Speaker 1>which is simply like get new voices in there, getting

0:31:59.400 --> 0:32:02.080
<v Speaker 1>new director was in there, and like I think Patty

0:32:02.440 --> 0:32:07.600
<v Speaker 1>just really just brought a whole new like perspective to

0:32:07.680 --> 0:32:10.400
<v Speaker 1>the series. And what she did was she made it

0:32:10.440 --> 0:32:13.960
<v Speaker 1>a war story. Like, it wasn't a story about you know,

0:32:14.600 --> 0:32:18.240
<v Speaker 1>is she going to like be like being a superhero

0:32:18.360 --> 0:32:21.400
<v Speaker 1>or you know, any other like superhero story. It was

0:32:21.440 --> 0:32:25.480
<v Speaker 1>a story about like this person dealing with the war

0:32:25.680 --> 0:32:27.920
<v Speaker 1>and how that how that treats them and then being

0:32:27.960 --> 0:32:32.160
<v Speaker 1>an outsider. So yeah, she was a fish out of water. Um,

0:32:32.480 --> 0:32:34.400
<v Speaker 1>that was very well done. One of the things there

0:32:34.440 --> 0:32:38.480
<v Speaker 1>were a couple of complaints that people had that I

0:32:38.520 --> 0:32:42.240
<v Speaker 1>want to address. Uh. One was this idea that she's

0:32:42.280 --> 0:32:44.960
<v Speaker 1>not a feminist because she fell in love with Steve Trevor,

0:32:45.040 --> 0:32:50.280
<v Speaker 1>that it's literally not what feminism mean, and that to

0:32:50.320 --> 0:32:54.000
<v Speaker 1>me is it's it's such a It just shows how

0:32:54.120 --> 0:32:58.600
<v Speaker 1>outdated and singular that those people's view. You know that

0:32:58.760 --> 0:33:01.080
<v Speaker 1>she can you can be a mean, you can be

0:33:01.120 --> 0:33:03.800
<v Speaker 1>a fully fledged you know. Another thing was that she

0:33:03.960 --> 0:33:07.160
<v Speaker 1>wasn't They were like, well, she's clearly not queer. Then

0:33:07.560 --> 0:33:10.800
<v Speaker 1>I'm like, but you know, queer, you can sleep with

0:33:11.440 --> 0:33:14.400
<v Speaker 1>you can you can do both. So there's a reason

0:33:14.440 --> 0:33:17.520
<v Speaker 1>it's called by like you can do both. And it

0:33:17.640 --> 0:33:20.600
<v Speaker 1>just so happened that this particular one, you know, and

0:33:20.680 --> 0:33:23.040
<v Speaker 1>she fell in love with Steve Trevor. But I I

0:33:23.160 --> 0:33:26.400
<v Speaker 1>find it hard pressed to believe that someone that looks

0:33:26.440 --> 0:33:30.080
<v Speaker 1>like that would not be exploring on an island where

0:33:30.080 --> 0:33:34.920
<v Speaker 1>other women are also equally as hot. It just like listen,

0:33:35.400 --> 0:33:39.960
<v Speaker 1>I mean, that's just a woman myself. Listen. And also again,

0:33:40.000 --> 0:33:43.000
<v Speaker 1>like if we're talking about like I, I very much

0:33:43.040 --> 0:33:45.200
<v Speaker 1>want to loop a lot of what she does into

0:33:45.240 --> 0:33:50.000
<v Speaker 1>actual Greek mythology because I do think mostly the better

0:33:50.640 --> 0:33:53.440
<v Speaker 1>or the more impactful writers tap into it in the

0:33:53.560 --> 0:33:57.480
<v Speaker 1>right way. And if you think about ancient Greece, they

0:33:57.480 --> 0:34:01.840
<v Speaker 1>didn't care. Yeah, they were tapping everything you pretty. I've

0:34:01.880 --> 0:34:07.360
<v Speaker 1>seen the I've seen the porcelain, I've seen the plates

0:34:07.440 --> 0:34:14.200
<v Speaker 1>in the and then with the very detailed tapestries they

0:34:14.280 --> 0:34:16.960
<v Speaker 1>are and they there, it's it's part of their thing,

0:34:17.040 --> 0:34:18.440
<v Speaker 1>that's what they did. But yeah, the one of a

0:34:18.520 --> 0:34:21.320
<v Speaker 1>movie I'm really looking forward to eight four. We somehow

0:34:21.600 --> 0:34:25.080
<v Speaker 1>have Steve Trevor back. Yeah, there's would you like to

0:34:25.080 --> 0:34:28.600
<v Speaker 1>hear my theories? UM, sure, I guess we're just saying

0:34:28.640 --> 0:34:31.760
<v Speaker 1>that this is everybody listening. This is a theory obviously

0:34:32.400 --> 0:34:36.200
<v Speaker 1>isn't privy to the script, has not seen it. It

0:34:36.239 --> 0:34:43.000
<v Speaker 1>isn't even finished yet. Just somebody that knows wonder woman

0:34:43.040 --> 0:34:46.239
<v Speaker 1>that is thinking that this might be how he's there. Yeah,

0:34:46.320 --> 0:34:51.120
<v Speaker 1>so I have too. Well, three there's three things. Two

0:34:51.120 --> 0:34:53.680
<v Speaker 1>of them are kind of related. So number one, remember

0:34:53.680 --> 0:34:57.600
<v Speaker 1>when he was bathing in that pool, that healing pool, girl,

0:34:57.680 --> 0:35:01.560
<v Speaker 1>I didn't even remember that. So what was that water?

0:35:01.800 --> 0:35:03.640
<v Speaker 1>What did it do? What's going on with that? He

0:35:03.640 --> 0:35:05.719
<v Speaker 1>could have survived this whole time. You know he blew

0:35:05.800 --> 0:35:08.759
<v Speaker 1>up in an airplane. We don't know what that water

0:35:08.840 --> 0:35:11.440
<v Speaker 1>that was like to Smithery. Okay, so that would be

0:35:11.480 --> 0:35:14.160
<v Speaker 1>like in Terminator with like the do like all of

0:35:14.160 --> 0:35:16.680
<v Speaker 1>the little metal pieces coming back together. That leads to

0:35:16.719 --> 0:35:20.560
<v Speaker 1>me my second theory, which is, uh, we were told

0:35:20.719 --> 0:35:26.040
<v Speaker 1>all the gods are gone? Are they? Somebody could have

0:35:26.040 --> 0:35:28.320
<v Speaker 1>plucked him out of that plane right before it it's floated,

0:35:28.600 --> 0:35:32.080
<v Speaker 1>and that he's been off somewhere else in another dimension,

0:35:32.600 --> 0:35:36.840
<v Speaker 1>in stasis something something for a very long time. That

0:35:36.880 --> 0:35:39.040
<v Speaker 1>could be a thing, right because he still kind of

0:35:39.040 --> 0:35:42.000
<v Speaker 1>looks the same and it's the eighties, so and it

0:35:42.080 --> 0:35:44.560
<v Speaker 1>seems to me I haven't read a lot of stuff

0:35:44.640 --> 0:35:48.040
<v Speaker 1>or whatever. The I think the most the least likely

0:35:48.080 --> 0:35:51.160
<v Speaker 1>of the three theories is that he is somehow Steve's

0:35:51.320 --> 0:35:54.120
<v Speaker 1>like Great Ransom or whatever. But I think that's not

0:35:54.280 --> 0:35:56.200
<v Speaker 1>that doesn't make sense to me because there's nothing that

0:35:56.200 --> 0:36:00.200
<v Speaker 1>they set up that just looks exactly just exactly like him, um,

0:36:00.239 --> 0:36:01.960
<v Speaker 1>which they do in movies all the time. So whatever.

0:36:02.280 --> 0:36:04.759
<v Speaker 1>But like so, so that third theory is like the

0:36:05.480 --> 0:36:07.880
<v Speaker 1>least likely one where I'm like, you can kind of

0:36:07.880 --> 0:36:09.960
<v Speaker 1>throw that out there and be fine, But it's that

0:36:10.040 --> 0:36:13.400
<v Speaker 1>blue glowing water, what does it do? And um, we

0:36:13.440 --> 0:36:16.520
<v Speaker 1>already know that Apocalypse has beef with the Amazons and

0:36:16.560 --> 0:36:19.399
<v Speaker 1>the gods of old, so it's possible that it wasn't

0:36:19.440 --> 0:36:20.640
<v Speaker 1>even a Greek god. It could be one of the

0:36:20.640 --> 0:36:23.160
<v Speaker 1>other gods that did it. So like that, like that

0:36:23.200 --> 0:36:25.080
<v Speaker 1>could have plucked him out, or that they're still hanging

0:36:25.120 --> 0:36:27.600
<v Speaker 1>around because the dark sides will exist, then why doesn't

0:36:27.880 --> 0:36:31.120
<v Speaker 1>the other ones have to be there somewhere? Um, And

0:36:31.160 --> 0:36:32.799
<v Speaker 1>it could have been interesting if that was like a

0:36:32.880 --> 0:36:34.879
<v Speaker 1>last pull of their power at that time. And then

0:36:34.880 --> 0:36:37.440
<v Speaker 1>it takes sixty you know, a hundred years or whatever

0:36:38.160 --> 0:36:40.080
<v Speaker 1>that for them to like be able to pull him

0:36:40.120 --> 0:36:43.080
<v Speaker 1>back into this dimension because nobody's worshiping them except for

0:36:43.160 --> 0:36:46.919
<v Speaker 1>like Amazons, so they kind of have to recharge. Maybe

0:36:47.000 --> 0:36:52.480
<v Speaker 1>I don't know those are I want to know who

0:36:52.520 --> 0:36:54.839
<v Speaker 1>came up with all of these? Did you all just

0:36:54.880 --> 0:36:59.680
<v Speaker 1>call you called it real monsters? So that yeah, because

0:36:59.680 --> 0:37:01.839
<v Speaker 1>it's like or we just called monsters or whatever like that.

0:37:01.880 --> 0:37:05.359
<v Speaker 1>You know, you always you always show folk come from

0:37:05.360 --> 0:37:07.520
<v Speaker 1>the theater originally, so in the theater you sort of

0:37:07.600 --> 0:37:12.600
<v Speaker 1>just it's not Sweeney Todd, it's Sweeney or whatever. You know,

0:37:12.640 --> 0:37:16.920
<v Speaker 1>it's not Oklahoma, it's Holma, or it's not that or

0:37:17.640 --> 0:37:20.759
<v Speaker 1>the one that the one theater speak out with here

0:37:20.800 --> 0:37:23.480
<v Speaker 1>because you have to say it this way is Scottish Plow.

0:37:23.560 --> 0:37:27.000
<v Speaker 1>That's a whole different thing. Scot the Scottish the Scottish play.

0:37:27.200 --> 0:37:29.120
<v Speaker 1>When I asked you to be on it, though, I

0:37:29.280 --> 0:37:31.440
<v Speaker 1>made sure I didn't want to be disrespectful, so I

0:37:31.680 --> 0:37:33.719
<v Speaker 1>made sure I like got all the a's and all

0:37:33.760 --> 0:37:36.680
<v Speaker 1>of the exclamation call. I think it's three as two ages.

0:37:37.120 --> 0:37:40.359
<v Speaker 1>I think it is still got it. Yeah, with these

0:37:40.400 --> 0:37:43.160
<v Speaker 1>amazing actors, I mean the people who started the show

0:37:43.160 --> 0:37:46.600
<v Speaker 1>were great uh, um, Charlie Adler, who's one of the

0:37:46.640 --> 0:37:51.399
<v Speaker 1>great voice over people of all time. Um, and then uh,

0:37:51.960 --> 0:37:55.200
<v Speaker 1>I don't have her name from Christine Christine Kavanaugh. She's

0:37:55.360 --> 0:37:58.239
<v Speaker 1>the late Christine Kavanaugh. She was wonderful. A guy named

0:37:58.280 --> 0:38:00.560
<v Speaker 1>David eccles, who it was a sound guy at cross

0:38:00.640 --> 0:38:02.960
<v Speaker 1>Key Chupa had a really interesting funny voice, so he

0:38:03.000 --> 0:38:06.360
<v Speaker 1>was became Crumb, the guy with the eyeballs out. And

0:38:06.400 --> 0:38:09.240
<v Speaker 1>but then the guest actors would come in. The casting

0:38:09.239 --> 0:38:11.239
<v Speaker 1>director was a woman named Barbara Wright who would just

0:38:11.239 --> 0:38:13.719
<v Speaker 1>cast these amazing actors so like people like you would

0:38:13.760 --> 0:38:17.400
<v Speaker 1>never expect to show up, like Tim Curry and uh

0:38:17.440 --> 0:38:20.359
<v Speaker 1>and people who now like have had big careers later like, um,

0:38:20.360 --> 0:38:23.400
<v Speaker 1>this Guyamexander Berkeley. You know Xander Berkeley. He's in the

0:38:23.440 --> 0:38:26.719
<v Speaker 1>original term. He's a terminator too. He's the guy who

0:38:27.840 --> 0:38:33.160
<v Speaker 1>who was um, John Connor's like step stepfather gets killed

0:38:33.239 --> 0:38:37.080
<v Speaker 1>with the like the thing through the face. Yeah, Uh,

0:38:37.640 --> 0:38:39.640
<v Speaker 1>that's Sander Berkeley has been in a million things. This

0:38:39.640 --> 0:38:41.839
<v Speaker 1>guy named Toby Hass who has been in a million things.

0:38:42.200 --> 0:38:45.000
<v Speaker 1>But like big Margot Kidder, the late Margot kid Like,

0:38:45.040 --> 0:38:47.400
<v Speaker 1>these people just come through just doing like one voice,

0:38:47.719 --> 0:38:49.960
<v Speaker 1>you know, because this woman was a great woman who

0:38:50.040 --> 0:38:51.680
<v Speaker 1>like like these people. So I get to sit in

0:38:51.719 --> 0:38:54.960
<v Speaker 1>and watch these amazing voice sessions and and the animators

0:38:54.960 --> 0:38:58.520
<v Speaker 1>were great. It was just just a really fun experience. Yeah.

0:38:58.560 --> 0:39:01.160
<v Speaker 1>So for people that don't, oh, I haven't heard of it.

0:39:01.239 --> 0:39:05.320
<v Speaker 1>I don't know how. But the show focuses on three

0:39:05.560 --> 0:39:09.160
<v Speaker 1>young monsters. It's its Obelina and Crumb, who attend a

0:39:09.200 --> 0:39:12.279
<v Speaker 1>school for monsters under a city dump and learned to

0:39:12.320 --> 0:39:15.759
<v Speaker 1>frighten humans. Uh. Many of the episodes revolve around them

0:39:15.760 --> 0:39:18.080
<v Speaker 1>making it to the surface in order to perform scares

0:39:18.200 --> 0:39:24.040
<v Speaker 1>as class assignments. The series premiered October at eleven am

0:39:24.080 --> 0:39:26.920
<v Speaker 1>on Nickelodeon. That's cute. That was a good slot, running

0:39:26.960 --> 0:39:29.840
<v Speaker 1>a total of fifty two episodes over four seasons. The

0:39:29.880 --> 0:39:34.200
<v Speaker 1>final episode air December six. So, like you were saying,

0:39:34.239 --> 0:39:38.400
<v Speaker 1>Charlie Adler voiced it is do you hate do you

0:39:38.400 --> 0:39:41.120
<v Speaker 1>have a favorite or like one that I'm like, I

0:39:41.120 --> 0:39:44.520
<v Speaker 1>hate to ask this good to ask your favorite monster?

0:39:45.520 --> 0:39:48.520
<v Speaker 1>For sure? I mean he was so he was because

0:39:48.520 --> 0:39:50.160
<v Speaker 1>he was he was a little bit me too, because

0:39:50.160 --> 0:39:52.960
<v Speaker 1>he was like very nervous and anxious and always worried.

0:39:53.000 --> 0:39:55.359
<v Speaker 1>And you know, Crumb was the cool one who liked

0:39:55.440 --> 0:39:59.920
<v Speaker 1>nothing bothered him, and Obelina was super cool and stylish,

0:40:00.120 --> 0:40:04.279
<v Speaker 1>which I wasn't, so uh yeah, definitely. Yeah. I liked

0:40:04.280 --> 0:40:06.000
<v Speaker 1>writing for him too. He was fun to write for.

0:40:06.320 --> 0:40:08.399
<v Speaker 1>But my first episode, I'm trying to remember. I don't

0:40:08.400 --> 0:40:10.520
<v Speaker 1>think I pitched the story. It couldn't have been because

0:40:10.640 --> 0:40:13.239
<v Speaker 1>I didn't know anything about it. But it's the one

0:40:13.280 --> 0:40:16.239
<v Speaker 1>that people seem to remember the most. Was my first one,

0:40:16.280 --> 0:40:19.600
<v Speaker 1>which is where Crumb got a pimple that that came

0:40:19.640 --> 0:40:21.759
<v Speaker 1>alive and started talking to him and it was voiced

0:40:21.800 --> 0:40:25.880
<v Speaker 1>by Jim Belushi. But I remember writing that having a

0:40:25.960 --> 0:40:28.920
<v Speaker 1>good time and that the pimple became more popular than

0:40:29.040 --> 0:40:32.600
<v Speaker 1>him and he sang a song, and um yeah, it

0:40:32.760 --> 0:40:34.840
<v Speaker 1>was just I was like, oh, I can I can't believe.

0:40:34.880 --> 0:40:37.360
<v Speaker 1>Because I grew up as a kid just loving cartoons,

0:40:38.160 --> 0:40:42.400
<v Speaker 1>uh specifically Bugs Bunny cartoons. So I would come home

0:40:42.400 --> 0:40:44.520
<v Speaker 1>from school every day, and where I lived in New York,

0:40:44.640 --> 0:40:46.600
<v Speaker 1>there was a Channel five in New York, which is

0:40:46.640 --> 0:40:48.680
<v Speaker 1>show Bugs Bunny from half an hour from like three

0:40:48.719 --> 0:40:50.560
<v Speaker 1>o'clock to three thirty. So I come home from school,

0:40:50.880 --> 0:40:53.280
<v Speaker 1>turn on the TV half an hour of Bugs Bunny.

0:40:53.560 --> 0:40:55.879
<v Speaker 1>But I came became so obsessed about it, Like that's

0:40:56.000 --> 0:40:57.879
<v Speaker 1>if if I was doing that show all these years

0:40:57.880 --> 0:40:59.080
<v Speaker 1>ago when I was a kid, I'd say I was

0:40:59.120 --> 0:41:01.799
<v Speaker 1>nerding out about Chuck Jones because I knew the names

0:41:01.840 --> 0:41:04.920
<v Speaker 1>of all that I could recognize the director's style, tell

0:41:04.920 --> 0:41:07.839
<v Speaker 1>it Chuck Jones from Frizz Feeling from a Bob Mackimson

0:41:08.160 --> 0:41:13.239
<v Speaker 1>from a Frank tash Lyn. Uh, you know, and and

0:41:13.280 --> 0:41:15.960
<v Speaker 1>I so so have a chance to work in animation.

0:41:16.120 --> 0:41:18.399
<v Speaker 1>Was just im planned on it, but it just really

0:41:18.440 --> 0:41:20.279
<v Speaker 1>because of that guy, David Litson, you want to try

0:41:20.320 --> 0:41:22.759
<v Speaker 1>and write on this cartoon, and I just ended up

0:41:22.840 --> 0:41:25.520
<v Speaker 1>just loving it. I couldn't believe here I was this

0:41:25.600 --> 0:41:28.800
<v Speaker 1>kid from Jersey, like you know, in Hollywood, like working

0:41:28.880 --> 0:41:31.160
<v Speaker 1>for a cartoon show. It just was a thrill. I

0:41:31.200 --> 0:41:32.560
<v Speaker 1>do have to say from it. I think I've told

0:41:32.560 --> 0:41:34.640
<v Speaker 1>this story in here. But my mom used to be

0:41:34.680 --> 0:41:37.919
<v Speaker 1>teased for her lips. She had big, full lips, and

0:41:38.000 --> 0:41:40.360
<v Speaker 1>she they would call her Sandy big lips. Also like

0:41:40.480 --> 0:41:44.400
<v Speaker 1>kids were like, couldn't think of a better Yeah, like

0:41:44.680 --> 0:41:50.719
<v Speaker 1>you old Sandy big lips. But that was one of

0:41:50.719 --> 0:41:52.399
<v Speaker 1>the things because the women in my family have really

0:41:52.400 --> 0:41:54.960
<v Speaker 1>full lips, and I remembered that about Oblina, like it

0:41:55.040 --> 0:41:58.200
<v Speaker 1>was just so, well, look, we'll take representation wherever we

0:41:58.239 --> 0:42:00.959
<v Speaker 1>can get it. And was the thing that I loved

0:42:01.000 --> 0:42:04.520
<v Speaker 1>about her having these big, full lips. It just like

0:42:04.600 --> 0:42:06.319
<v Speaker 1>reminded me of the women in my family and I

0:42:06.360 --> 0:42:10.000
<v Speaker 1>loved that so much. Um. And then when my mom

0:42:10.040 --> 0:42:12.520
<v Speaker 1>grew up, everybody was getting them injected to get their

0:42:12.600 --> 0:42:15.239
<v Speaker 1>lips like her. So there you go. And then I

0:42:15.800 --> 0:42:21.520
<v Speaker 1>was a good representation for people who are growers not showers. Wow,

0:42:21.560 --> 0:42:24.840
<v Speaker 1>the joke was right there. I couldn't leave it sitting.

0:42:25.480 --> 0:42:29.720
<v Speaker 1>It was right there. David eccles, was the voice of Crumb,

0:42:29.960 --> 0:42:32.440
<v Speaker 1>said okay, yeah, I did not know that he voiced

0:42:32.480 --> 0:42:36.440
<v Speaker 1>the monster under Chucky's bed in the rug Rats, So

0:42:36.480 --> 0:42:40.080
<v Speaker 1>that comes full circle. He was a monster in that world,

0:42:40.200 --> 0:42:43.279
<v Speaker 1>and then a monster he was, I'm pretty sure a

0:42:43.320 --> 0:42:45.880
<v Speaker 1>guy who just worked in the sound department at class

0:42:45.920 --> 0:42:47.719
<v Speaker 1>Key Chupo, and he had a really it was a

0:42:47.719 --> 0:42:50.440
<v Speaker 1>funny guy, had interesting voice, and I think maybe he

0:42:50.480 --> 0:42:52.040
<v Speaker 1>did that thing in rug Rats. And then when they

0:42:52.080 --> 0:42:53.480
<v Speaker 1>came up with the monsters, they said, for you want

0:42:53.520 --> 0:42:56.239
<v Speaker 1>to do this too? Yeah, all right, Yeah, I love

0:42:56.440 --> 0:43:01.400
<v Speaker 1>just have a weird voice. Yeah. And they did actually

0:43:01.400 --> 0:43:03.759
<v Speaker 1>have an official crossover. So in the sixth season of

0:43:03.800 --> 0:43:08.799
<v Speaker 1>Rugrats Akasblina and Crumb Crashed, Tommy Chucky, Phil Lill Dill

0:43:08.960 --> 0:43:13.280
<v Speaker 1>and Angelica's Spooky Slumber Party, it was called ghost Story

0:43:13.400 --> 0:43:17.520
<v Speaker 1>and uh iconic crossover. Yeah them. So we were talking

0:43:17.560 --> 0:43:20.080
<v Speaker 1>about at the break, we were talking about the fact

0:43:20.120 --> 0:43:23.160
<v Speaker 1>that Nickelodeon is rebooting a bunch of these shows apparently

0:43:23.280 --> 0:43:26.239
<v Speaker 1>right there. I think they're do new Rugrats. They're doing

0:43:26.280 --> 0:43:29.640
<v Speaker 1>new Hey Arnold. They had a movie for Hey Arnold,

0:43:30.280 --> 0:43:32.959
<v Speaker 1>uh that came out last year, and then they also

0:43:33.000 --> 0:43:36.040
<v Speaker 1>had Rocko's movie came out Rocko. That's right, So why

0:43:36.040 --> 0:43:40.680
<v Speaker 1>not monsters give me a call, call me up, get

0:43:40.719 --> 0:43:44.080
<v Speaker 1>the gang back together. There were the writers on that

0:43:44.080 --> 0:43:46.760
<v Speaker 1>show were one. I mentioned some of the other guys already,

0:43:46.800 --> 0:43:49.040
<v Speaker 1>but Mark Stein was the guy who ran it most

0:43:49.040 --> 0:43:50.360
<v Speaker 1>of the time that I was there, and was a

0:43:50.360 --> 0:43:54.640
<v Speaker 1>guy named Mark Palmer, Uh, Spencer Greene, Mary Elizabeth Williams.

0:43:54.760 --> 0:43:58.800
<v Speaker 1>Just we were the main staff. They're just great, great

0:43:58.840 --> 0:44:01.879
<v Speaker 1>people to work with, and we're talented and funny people. Yeah.

0:44:01.920 --> 0:44:04.920
<v Speaker 1>And also it was just like such weird. I love

0:44:04.960 --> 0:44:09.359
<v Speaker 1>that it embraced the weird grossness, you know, especially because

0:44:09.440 --> 0:44:11.880
<v Speaker 1>children love that. But also I think that that might

0:44:12.239 --> 0:44:16.680
<v Speaker 1>be why all of these iconic writers that came together

0:44:16.760 --> 0:44:18.480
<v Speaker 1>to kind of start in this room. I think that

0:44:18.480 --> 0:44:21.880
<v Speaker 1>that's why it resonated with us even now decades later,

0:44:22.320 --> 0:44:24.399
<v Speaker 1>that it was just such a it was just doing

0:44:24.440 --> 0:44:26.040
<v Speaker 1>something different that I feel like a lot of the

0:44:26.040 --> 0:44:29.200
<v Speaker 1>other shows weren't. Let's take a quick break and then

0:44:29.239 --> 0:44:38.359
<v Speaker 1>come back to it, and we're back. Let's get back

0:44:38.360 --> 0:44:42.000
<v Speaker 1>to the hits. Today we're talking about the Man the Mystery,

0:44:42.480 --> 0:44:47.800
<v Speaker 1>James Vond. James Um, so you know, we're going to

0:44:47.920 --> 0:44:50.480
<v Speaker 1>do the nitty gritty that I always start with. This

0:44:50.560 --> 0:44:53.800
<v Speaker 1>is the first time the nitty gritty is very chunky,

0:44:54.000 --> 0:44:56.120
<v Speaker 1>like usually, you know, the nitty grete. We just take

0:44:56.200 --> 0:44:58.879
<v Speaker 1>the kind of synopsis of the subject that kind of

0:44:59.040 --> 0:45:03.600
<v Speaker 1>launches us in at the discussion. But James Bond isof

0:45:04.080 --> 0:45:08.600
<v Speaker 1>it's yeah, yeah, so Phil free to jump in. Commander

0:45:08.680 --> 0:45:12.840
<v Speaker 1>James Bond cmg R n VR is a fictional character

0:45:13.239 --> 0:45:16.520
<v Speaker 1>created by the British journalist and novelist Ian Fleming in

0:45:16.640 --> 0:45:21.040
<v Speaker 1>N three. So I guess I was not aware that

0:45:21.080 --> 0:45:24.719
<v Speaker 1>he was first in novels before the films. Yeah, now

0:45:24.840 --> 0:45:27.840
<v Speaker 1>he was. He he wrote like Ian Fleming wrote like

0:45:27.840 --> 0:45:30.640
<v Speaker 1>two or three books that he wrote. Um, I think

0:45:30.680 --> 0:45:33.839
<v Speaker 1>Casino Royale and like On Her Majesty's Secret Service and

0:45:34.080 --> 0:45:37.759
<v Speaker 1>Dr No in some version of that order, and and

0:45:37.800 --> 0:45:39.520
<v Speaker 1>they were kind of like they didn't go anywhere, like

0:45:39.560 --> 0:45:41.120
<v Speaker 1>they're just gonna hit the marketplace, and they just kind

0:45:41.160 --> 0:45:47.160
<v Speaker 1>of died. And then um, it became like I think

0:45:47.200 --> 0:45:50.160
<v Speaker 1>it was John F. Kenny did an interview with Playboy

0:45:50.200 --> 0:45:52.680
<v Speaker 1>magazine back in the day, and John F. Kenny was like,

0:45:52.760 --> 0:45:56.160
<v Speaker 1>my favorite books are James Bond books. And suddenly became,

0:45:56.440 --> 0:46:00.000
<v Speaker 1>oh well, if President screws a Lot really likes these books,

0:46:00.320 --> 0:46:02.960
<v Speaker 1>then there must be something going on in there. And

0:46:03.040 --> 0:46:06.160
<v Speaker 1>then suddenly, like boom, they became best sellers. Mark, are

0:46:06.160 --> 0:46:09.839
<v Speaker 1>you telling me that John F. Kennedy was the first influencer.

0:46:12.840 --> 0:46:15.160
<v Speaker 1>I think so. I think I think he tagged up

0:46:15.280 --> 0:46:18.960
<v Speaker 1>like this this is a paid post. So have you

0:46:19.080 --> 0:46:22.640
<v Speaker 1>read any of the original novel Um, I've read like

0:46:23.120 --> 0:46:26.080
<v Speaker 1>five or six of them. Um, they're shorter than the movies.

0:46:26.760 --> 0:46:33.080
<v Speaker 1>They are like crazy misogynist, I mean, like that's that

0:46:33.239 --> 0:46:36.239
<v Speaker 1>is that is They're very much a product of their

0:46:36.280 --> 0:46:41.120
<v Speaker 1>time in that like James Bond loved Jamaica because Ian

0:46:41.160 --> 0:46:44.240
<v Speaker 1>Fleming loved Jamaica like he would like he would summer

0:46:44.320 --> 0:46:46.439
<v Speaker 1>there or winter there or whenever he can go there.

0:46:47.160 --> 0:46:51.120
<v Speaker 1>And so like reading like gold Finger, which is all

0:46:51.120 --> 0:46:56.760
<v Speaker 1>set in Jamaica, you're like, oh, like it's kind of yeah.

0:46:56.840 --> 0:46:58.200
<v Speaker 1>I mean like you're like that we'll go to the

0:46:58.200 --> 0:47:01.520
<v Speaker 1>Bahamas and that's gonna be different. But you know, it's

0:47:01.560 --> 0:47:04.760
<v Speaker 1>just like it becomes he's got like a black buddy

0:47:04.800 --> 0:47:06.680
<v Speaker 1>who's not really a buddy. He's more like a waiter

0:47:06.719 --> 0:47:09.920
<v Speaker 1>slash show for a slash valet, and and every woman

0:47:10.040 --> 0:47:14.360
<v Speaker 1>is kind of disposable, you know, and it's it is, uh,

0:47:14.520 --> 0:47:17.960
<v Speaker 1>bringing that to the modern era is a challenge, I

0:47:17.960 --> 0:47:20.080
<v Speaker 1>think is the And and you see these James Bond

0:47:20.120 --> 0:47:21.640
<v Speaker 1>movies as you go, you go back and look at

0:47:21.640 --> 0:47:25.400
<v Speaker 1>the Sean Connerys, and they still retain that vestige of

0:47:25.400 --> 0:47:28.839
<v Speaker 1>of old school feelings about masculinity and femininity. And then

0:47:28.880 --> 0:47:30.680
<v Speaker 1>you get to Daniel Craig and it's like, listen, you're

0:47:30.680 --> 0:47:32.960
<v Speaker 1>gonna like have sex with a lady, but it's not

0:47:33.000 --> 0:47:37.319
<v Speaker 1>going to be as unfortunate as it had. Yeah, it

0:47:37.400 --> 0:47:40.120
<v Speaker 1>seems like as it moved forward in time, it went

0:47:40.160 --> 0:47:44.239
<v Speaker 1>from the Bond Girls to the Bond Girl, right, you know,

0:47:44.719 --> 0:47:46.600
<v Speaker 1>I mean there there would still be the like does

0:47:46.640 --> 0:47:50.640
<v Speaker 1>he have to like sleep with like three women? Like

0:47:50.840 --> 0:47:53.560
<v Speaker 1>and there's always like the Bond girl who dies early

0:47:53.719 --> 0:47:58.680
<v Speaker 1>to his you know, adventure. I'm really motivated now that

0:47:59.719 --> 0:48:01.680
<v Speaker 1>now that I can't even remember who she was, but

0:48:01.800 --> 0:48:04.640
<v Speaker 1>she's dead and now revenge must happen. Yeah, And like

0:48:04.680 --> 0:48:07.919
<v Speaker 1>the Bond novels especially and then the movies sort of

0:48:08.320 --> 0:48:12.360
<v Speaker 1>after the fashion were aspirational. I think to like a

0:48:12.400 --> 0:48:15.120
<v Speaker 1>generation of men um for good and for ill, and

0:48:15.160 --> 0:48:17.200
<v Speaker 1>like the good of it is like James Bond really

0:48:17.239 --> 0:48:19.680
<v Speaker 1>like dressed well and he lived well, and he liked

0:48:19.719 --> 0:48:23.200
<v Speaker 1>good food and like it's a weird like Samelier's Guide

0:48:23.239 --> 0:48:25.279
<v Speaker 1>to Wine and stuff, like those books are all like

0:48:25.320 --> 0:48:28.680
<v Speaker 1>he's super refined and super defeat and super like you know, well,

0:48:28.680 --> 0:48:31.279
<v Speaker 1>you wouldn't have the fifty four rothchild before a steake.

0:48:31.400 --> 0:48:33.680
<v Speaker 1>My god, what kind of barbarian are you? It was like, dude,

0:48:33.760 --> 0:48:38.160
<v Speaker 1>like you're a killer. But but and that's that's sort

0:48:38.200 --> 0:48:40.240
<v Speaker 1>of how it helped tie into the Playboy, because Playboy

0:48:40.280 --> 0:48:43.279
<v Speaker 1>was also very much like, here's here's the guy that

0:48:43.360 --> 0:48:44.920
<v Speaker 1>you kind of want to be, Like, here's how you

0:48:44.920 --> 0:48:47.680
<v Speaker 1>should dress, Here's the party you should go to. Here's

0:48:47.680 --> 0:48:49.360
<v Speaker 1>the music you should listen to. Here's the books you

0:48:49.360 --> 0:48:52.920
<v Speaker 1>should read. Um, here's the women you should want to

0:48:53.719 --> 0:48:56.640
<v Speaker 1>consort with. And James Bond fit right into there. It

0:48:56.760 --> 0:49:00.799
<v Speaker 1>was like he he was the guy you wanted to be. Um.

0:49:00.920 --> 0:49:04.359
<v Speaker 1>That changes over time, you know, and especially the as

0:49:04.960 --> 0:49:08.600
<v Speaker 1>the more diverse a audience gets, the less they might

0:49:08.640 --> 0:49:11.600
<v Speaker 1>want to just be that guy, you know. And and

0:49:11.719 --> 0:49:15.720
<v Speaker 1>James Bond may or may not eventually change with those times,

0:49:15.760 --> 0:49:19.040
<v Speaker 1>because there is no good reason why James Bond, if

0:49:19.080 --> 0:49:21.319
<v Speaker 1>it's going to be played by a bunch of different actors, yeah,

0:49:21.400 --> 0:49:24.280
<v Speaker 1>couldn't also be played by a person of color. Yeah.

0:49:24.320 --> 0:49:26.759
<v Speaker 1>I have one quote that I wanted to say. It's

0:49:26.800 --> 0:49:29.520
<v Speaker 1>exactly what you said about him being a blunt instrument.

0:49:29.600 --> 0:49:31.640
<v Speaker 1>This is from Ian Fleming in The New Yorker from

0:49:31.719 --> 0:49:34.480
<v Speaker 1>nineteen sixty two. He said, when I wrote the first

0:49:34.520 --> 0:49:37.240
<v Speaker 1>one in nineteen fifty three, I wanted Bond to be

0:49:37.360 --> 0:49:41.600
<v Speaker 1>an extremely dull, uninteresting man to whom things happen. I

0:49:41.640 --> 0:49:43.960
<v Speaker 1>wanted him to be a blunt instrument. When I was

0:49:44.080 --> 0:49:47.280
<v Speaker 1>casting around for a name for my protagonists, I thought,

0:49:47.400 --> 0:49:51.000
<v Speaker 1>by god, James Bond is the dullest name I've ever heard.

0:49:52.440 --> 0:49:55.640
<v Speaker 1>Funny because now when you hear Bond, James Bond, it's

0:49:55.680 --> 0:49:58.920
<v Speaker 1>like a man of mystery, and he's sexy debonair and

0:49:58.960 --> 0:50:02.080
<v Speaker 1>it's just like, oh no, this like dole office worker. Yeah,

0:50:02.160 --> 0:50:05.759
<v Speaker 1>like he I think that he was in his Jamaica estate,

0:50:05.880 --> 0:50:07.880
<v Speaker 1>which is also named Golden Eye because of course it

0:50:07.960 --> 0:50:10.680
<v Speaker 1>is um and he had a wall full of books

0:50:10.680 --> 0:50:12.799
<v Speaker 1>and one of them was a book on birds, like

0:50:12.840 --> 0:50:15.400
<v Speaker 1>bird watching and stuff, written by a guy named James Bond,

0:50:15.640 --> 0:50:17.279
<v Speaker 1>and I was like, oh god, if that's not the

0:50:17.320 --> 0:50:19.759
<v Speaker 1>most boring person and the most boring man, so boring

0:50:19.840 --> 0:50:24.000
<v Speaker 1>dude that's ever been here's my spy. Well, it transforms

0:50:24.040 --> 0:50:26.000
<v Speaker 1>so much, it's so interesting that it was like, oh,

0:50:26.120 --> 0:50:28.799
<v Speaker 1>just this man that things happened to happen to him,

0:50:29.320 --> 0:50:34.600
<v Speaker 1>to him being this force of nature essentially wrecking. He's

0:50:34.640 --> 0:50:37.120
<v Speaker 1>a wrecking ball in my opinion, very much so. And

0:50:37.120 --> 0:50:40.000
<v Speaker 1>and like those movies and even the stories, there's the

0:50:40.080 --> 0:50:42.600
<v Speaker 1>version of those that are very reactionary, right, because like

0:50:42.800 --> 0:50:45.239
<v Speaker 1>James Bond is kind of like this global cup who like,

0:50:45.280 --> 0:50:47.560
<v Speaker 1>I'm gonna go right or wrong, but the wrong has

0:50:47.560 --> 0:50:49.839
<v Speaker 1>to happen before he gets called off his game. So

0:50:49.880 --> 0:50:53.080
<v Speaker 1>it's very much like we said, it's like, here's your mission, James,

0:50:53.360 --> 0:50:55.279
<v Speaker 1>go do the thing. And then he goes and does

0:50:55.320 --> 0:50:58.480
<v Speaker 1>the thing. But it would take a while before the

0:50:58.480 --> 0:51:00.960
<v Speaker 1>movies began to make him proactive, before they gave him

0:51:01.520 --> 0:51:05.160
<v Speaker 1>missions and drives and revenge and all that stuff that

0:51:05.200 --> 0:51:07.000
<v Speaker 1>actually makes for here that you want to be tuning

0:51:07.040 --> 0:51:09.160
<v Speaker 1>into over and over again, as opposed to just a

0:51:09.160 --> 0:51:11.279
<v Speaker 1>guy waiting for like a case file to fall on

0:51:11.320 --> 0:51:14.560
<v Speaker 1>his desk. I guess I gotta go get that bad

0:51:14.600 --> 0:51:20.800
<v Speaker 1>guy again, little fail. I'm gonna come and get you.

0:51:20.840 --> 0:51:23.440
<v Speaker 1>I'm coming and get you. It's so funny because I

0:51:23.520 --> 0:51:29.040
<v Speaker 1>have never seen a single James Bond film Wow, but

0:51:29.239 --> 0:51:31.960
<v Speaker 1>I have played many a Golden Eye. And Golden Eye

0:51:31.960 --> 0:51:35.440
<v Speaker 1>is special in the sense that it had it normalized

0:51:35.560 --> 0:51:40.680
<v Speaker 1>first person shooters. It changed the game literally, and so

0:51:41.120 --> 0:51:44.520
<v Speaker 1>you know, it got people well aware of of crappy

0:51:44.640 --> 0:51:48.279
<v Speaker 1>hit boxes with odd job. If you chose odd job,

0:51:48.360 --> 0:51:52.160
<v Speaker 1>you were a horrible human being. And so like everything

0:51:52.200 --> 0:51:55.520
<v Speaker 1>about Golden Eye is so fun and they recently did

0:51:55.560 --> 0:51:58.480
<v Speaker 1>a source remaster for PC, so you can grab that

0:51:58.560 --> 0:52:02.560
<v Speaker 1>if you're on the PC man Aster race. But you know,

0:52:03.280 --> 0:52:06.000
<v Speaker 1>it's super. It was fun. And what kind of sucked

0:52:06.120 --> 0:52:08.640
<v Speaker 1>was it was so good, so nostalgic that a Bond

0:52:08.719 --> 0:52:11.680
<v Speaker 1>game never was able to survive around there. I think

0:52:11.719 --> 0:52:14.719
<v Speaker 1>there was like was it a die? It was either

0:52:14.800 --> 0:52:17.279
<v Speaker 1>die another day or um, what is the one that

0:52:17.360 --> 0:52:22.560
<v Speaker 1>came out for PS two or PS one Night Fire? Nightfire?

0:52:22.760 --> 0:52:25.200
<v Speaker 1>That's what it's saying, James Bond double O seven Night

0:52:25.239 --> 0:52:28.640
<v Speaker 1>Fire for PS two. Okay, I think that's what it was.

0:52:28.680 --> 0:52:31.760
<v Speaker 1>Then it was it was not great. I just remember

0:52:31.760 --> 0:52:34.239
<v Speaker 1>that Golden I was the first party game I'd ever

0:52:34.280 --> 0:52:36.920
<v Speaker 1>really played. It was, you know, like it was. It

0:52:36.960 --> 0:52:39.240
<v Speaker 1>was a game where somebody had an N sixt before

0:52:39.280 --> 0:52:40.799
<v Speaker 1>you go over and always be like five or six

0:52:40.800 --> 0:52:42.920
<v Speaker 1>people in that house and for them would be playing

0:52:42.920 --> 0:52:45.239
<v Speaker 1>Golden at any given time, and there was and it

0:52:45.280 --> 0:52:47.279
<v Speaker 1>was It became a social event in a way that

0:52:47.360 --> 0:52:50.799
<v Speaker 1>video games hadn't been for me and before. And there

0:52:50.840 --> 0:52:52.680
<v Speaker 1>was always like it. And the screen was divided into

0:52:52.680 --> 0:52:54.680
<v Speaker 1>those four boxes, right, and so four people were playing

0:52:54.680 --> 0:52:56.759
<v Speaker 1>at once. I'm on a giant screen. There's always one

0:52:56.800 --> 0:53:04.000
<v Speaker 1>screen where some person could not figure out how to focus,

0:53:04.040 --> 0:53:08.279
<v Speaker 1>like just look straight ahead, Man, I can't do it. Yeah,

0:53:08.400 --> 0:53:10.480
<v Speaker 1>that was that was next level. And you know, just

0:53:10.520 --> 0:53:12.320
<v Speaker 1>talking about Golden Night, it's crazy to think that in

0:53:12.440 --> 0:53:15.880
<v Speaker 1>sixty four launched two of the biggest like multiplayer party games.

0:53:16.200 --> 0:53:19.120
<v Speaker 1>Uh not counting Mario Party. But you have Smash Bros.

0:53:19.200 --> 0:53:22.400
<v Speaker 1>And you have Golden It's it's crazy to know that

0:53:22.440 --> 0:53:25.520
<v Speaker 1>all that came from the n sixty four totally. The

0:53:25.560 --> 0:53:28.160
<v Speaker 1>actors that have played James Bond. To me, Pierce Brosnan

0:53:28.320 --> 0:53:30.200
<v Speaker 1>was my James Bond because he was who I was

0:53:30.239 --> 0:53:32.640
<v Speaker 1>first introduced to and who I grew up with until

0:53:32.719 --> 0:53:34.840
<v Speaker 1>Daniel Craig came into the picture. Who do you consider

0:53:34.880 --> 0:53:39.279
<v Speaker 1>your James Bond? Good? Um? The first Bond movie I

0:53:39.360 --> 0:53:44.520
<v Speaker 1>ever saw was Never Say Never Again. Um, So Sean

0:53:44.560 --> 0:53:48.520
<v Speaker 1>Connery is my Bond. Um. I think I've seen more

0:53:48.719 --> 0:53:51.279
<v Speaker 1>Roger Moore James Bond movies and seen anybody else, and

0:53:51.280 --> 0:53:53.040
<v Speaker 1>that was more contemporary for me, Like I was a

0:53:53.120 --> 0:53:54.880
<v Speaker 1>kid of the eighties and he was. He was a

0:53:54.920 --> 0:53:57.879
<v Speaker 1>late seventies into like eighty five, eighties six, I think.

0:53:58.560 --> 0:54:00.400
<v Speaker 1>But it's kind of always going to be Sean Connery

0:54:00.400 --> 0:54:02.560
<v Speaker 1>for me, and even like Never Never Again is when

0:54:02.560 --> 0:54:04.960
<v Speaker 1>he's the old Bond, he's war like to pay Bond,

0:54:05.960 --> 0:54:08.520
<v Speaker 1>like it's just and it's a remake of another Bond

0:54:08.560 --> 0:54:11.799
<v Speaker 1>movie because they're like MGM has the like the lock

0:54:12.200 --> 0:54:14.239
<v Speaker 1>on James Bond movies and I have for since the

0:54:14.320 --> 0:54:17.840
<v Speaker 1>very beginning. But there was some weird dispute with the

0:54:17.880 --> 0:54:21.640
<v Speaker 1>screenwriter of Thunderball and he claimed some rights to it,

0:54:21.719 --> 0:54:23.879
<v Speaker 1>and so that's the one movie that if any other

0:54:23.920 --> 0:54:27.680
<v Speaker 1>company wants to make, they can remake Thunderball. And so

0:54:28.120 --> 0:54:30.080
<v Speaker 1>it was Thunderball and then Never Seen Ever Again, which

0:54:30.080 --> 0:54:33.600
<v Speaker 1>is just a remake of Thunderball again. Um. And so

0:54:34.120 --> 0:54:37.080
<v Speaker 1>I remember that that was a summer and I was

0:54:37.120 --> 0:54:40.319
<v Speaker 1>a bad boy at school and it was just coming

0:54:40.320 --> 0:54:43.120
<v Speaker 1>out on HBO, and like I had forged my report card,

0:54:44.520 --> 0:54:46.880
<v Speaker 1>like I like the kind of forgery that in junior

0:54:46.920 --> 0:54:49.239
<v Speaker 1>high school you're really really good at. So it was like, oh,

0:54:49.280 --> 0:54:51.960
<v Speaker 1>I'm gonna make these fs a's because nobody will notice that,

0:54:52.000 --> 0:54:54.360
<v Speaker 1>and these ds are gonna be bees because that totally works.

0:54:54.880 --> 0:54:57.600
<v Speaker 1>And uh. And I had told my parents like at

0:54:57.719 --> 0:55:00.200
<v Speaker 1>length that I really wanted to see this movie movie.

0:55:00.560 --> 0:55:02.920
<v Speaker 1>And then when I they caught me in my master forgery.

0:55:02.960 --> 0:55:05.040
<v Speaker 1>They were like, you can't do anything for a summer.

0:55:05.840 --> 0:55:08.479
<v Speaker 1>So you know Caribbean parents, that's how that goes. Oh yeah,

0:55:08.600 --> 0:55:12.520
<v Speaker 1>so so from like June through September, I was locked

0:55:12.520 --> 0:55:15.480
<v Speaker 1>in my room. But then like once once I got paroled,

0:55:16.040 --> 0:55:18.920
<v Speaker 1>like my dad had videotaped never Say Never again for me,

0:55:19.320 --> 0:55:22.320
<v Speaker 1>Like that was his present for me as I completed

0:55:22.360 --> 0:55:25.360
<v Speaker 1>my my rounds in in the Big House. And I

0:55:25.400 --> 0:55:27.440
<v Speaker 1>remember watching that movie and loving it to death even

0:55:27.480 --> 0:55:30.600
<v Speaker 1>though it's not great, Um, but it didn't matter, yeah,

0:55:30.640 --> 0:55:33.360
<v Speaker 1>because like this was this was the price. Yeah, that

0:55:33.440 --> 0:55:35.600
<v Speaker 1>was your freedom. This is my freedom for like I'm

0:55:35.640 --> 0:55:41.319
<v Speaker 1>free given up. The new one, No Time to Die,

0:55:41.760 --> 0:55:47.040
<v Speaker 1>is dropping April eight. Um. It's directed by Karrie Fukanaga

0:55:47.360 --> 0:55:49.719
<v Speaker 1>and that he co wrote with Scott z Burns and

0:55:50.160 --> 0:55:56.120
<v Speaker 1>Phoebe waller Bridge What Flee Bag Herself Indeed, which like

0:55:56.760 --> 0:55:59.680
<v Speaker 1>that that in and of itself between Kari Fukanagen and

0:55:59.719 --> 0:56:02.480
<v Speaker 1>Phoebe waller Bridge. I'm more excited for this Bond movie

0:56:02.480 --> 0:56:05.319
<v Speaker 1>than I've been for a while, because you know, you

0:56:05.360 --> 0:56:08.640
<v Speaker 1>can eat as I think you find with like sort

0:56:08.640 --> 0:56:11.879
<v Speaker 1>of Black Panther is a different Marvel movie than every

0:56:11.920 --> 0:56:14.279
<v Speaker 1>other Marvel movie because the perspective of the people who

0:56:14.280 --> 0:56:17.200
<v Speaker 1>get to tell that movie, like Patty Jenkins is wonder Woman.

0:56:17.239 --> 0:56:19.760
<v Speaker 1>It's a different superhero movie than every other DC superhero

0:56:19.760 --> 0:56:21.960
<v Speaker 1>movie because the lens through which you're telling that story

0:56:22.440 --> 0:56:25.360
<v Speaker 1>is different. And so to look at this now fifty

0:56:25.440 --> 0:56:28.240
<v Speaker 1>year old franchise and look at it through a lens

0:56:28.280 --> 0:56:30.600
<v Speaker 1>through which we've never seen it before, because every other

0:56:30.719 --> 0:56:33.560
<v Speaker 1>director of a Bond movie has been a white British dude.

0:56:34.320 --> 0:56:37.160
<v Speaker 1>And so now you get a sort of you know,

0:56:37.480 --> 0:56:42.160
<v Speaker 1>multi racial you know, like American with a crazy eye,

0:56:42.160 --> 0:56:44.680
<v Speaker 1>and it's a crazy flair for this sort of thing.

0:56:45.120 --> 0:56:46.920
<v Speaker 1>And then you get a script that's that's co written

0:56:46.920 --> 0:56:49.239
<v Speaker 1>by one of these smartest women on the planet, Like

0:56:49.440 --> 0:56:52.600
<v Speaker 1>what does what does a James Bond movie from those

0:56:52.640 --> 0:56:54.480
<v Speaker 1>people look like? You know, what does it keep? What

0:56:54.560 --> 0:56:57.000
<v Speaker 1>does it retain? And how does it innovate and how

0:56:57.040 --> 0:56:59.920
<v Speaker 1>does it propel the story forward in a in a

0:57:00.000 --> 0:57:01.680
<v Speaker 1>way that we've never seen before to an audience that

0:57:01.760 --> 0:57:04.239
<v Speaker 1>might not have responded to Bond before this, you know,

0:57:04.360 --> 0:57:07.200
<v Speaker 1>because it is it's an archaic idea, you know, it

0:57:07.280 --> 0:57:09.960
<v Speaker 1>is something of it of its own cinematic dinosaur, and

0:57:10.040 --> 0:57:12.480
<v Speaker 1>to find a way to put a fresh coat of

0:57:12.480 --> 0:57:14.279
<v Speaker 1>paint on it, and to and to roll it off

0:57:14.320 --> 0:57:17.160
<v Speaker 1>the assembly line looking like something brand new while still

0:57:17.160 --> 0:57:20.240
<v Speaker 1>feeling like something old. I'm all here for that. Yeah,

0:57:20.280 --> 0:57:22.720
<v Speaker 1>So we have Lashawna Lynch. She will be playing double

0:57:22.720 --> 0:57:25.520
<v Speaker 1>O seven. You will have recognized her from a bunch

0:57:25.560 --> 0:57:30.439
<v Speaker 1>of things, but most recently Captain Marvel cannot wait, cannot wait,

0:57:30.480 --> 0:57:32.920
<v Speaker 1>I mean, And it's like even even if you've been

0:57:32.920 --> 0:57:37.200
<v Speaker 1>burned before, and you know Bond has burned before, it's

0:57:37.240 --> 0:57:40.040
<v Speaker 1>clearly it retains. It's its capacity to be like what

0:57:40.120 --> 0:57:43.320
<v Speaker 1>was that all about? You know? There are enough pieces

0:57:43.360 --> 0:57:46.640
<v Speaker 1>to it. You know. It's like it's like if you

0:57:46.680 --> 0:57:48.960
<v Speaker 1>look at at at a car manufacturer that's been making

0:57:48.960 --> 0:57:52.080
<v Speaker 1>cars forever, like you know, BMW, Mercedes or whatever. If

0:57:52.080 --> 0:57:53.760
<v Speaker 1>you look at like a modern day Mercedes and then

0:57:53.760 --> 0:57:56.360
<v Speaker 1>a Mercedes from fifty years ago, they look like cousins.

0:57:56.400 --> 0:57:58.800
<v Speaker 1>You know, like there's enough elements to it. There's enough

0:57:58.840 --> 0:58:00.480
<v Speaker 1>kind of curves in the bodyline. It's all kind of

0:58:00.520 --> 0:58:04.000
<v Speaker 1>work the same, but you've now brought it into You've innovated,

0:58:04.040 --> 0:58:05.720
<v Speaker 1>and you've put all kinds of bells and whistles on it,

0:58:05.760 --> 0:58:07.680
<v Speaker 1>but it's still that car. And if you can do

0:58:07.680 --> 0:58:09.200
<v Speaker 1>that with James Bond and like you know what, like

0:58:09.240 --> 0:58:11.920
<v Speaker 1>this was a Rolls Royce from like Night, but like

0:58:12.000 --> 0:58:13.840
<v Speaker 1>look at a Rolls Royce today, Like you can still

0:58:13.880 --> 0:58:16.120
<v Speaker 1>kind of tell this faster and it's leaner and it

0:58:16.160 --> 0:58:19.640
<v Speaker 1>does things better, but it's still it's still a Bond movie. Yeah,

0:58:19.840 --> 0:58:22.080
<v Speaker 1>And like, give me that travelog, give me that hero

0:58:22.280 --> 0:58:24.840
<v Speaker 1>who does the impossible when nobody else could pull it off.

0:58:24.880 --> 0:58:27.760
<v Speaker 1>Like give me these women who now have agency in

0:58:27.800 --> 0:58:30.000
<v Speaker 1>a way they've never had before. And give me, you know,

0:58:30.160 --> 0:58:33.200
<v Speaker 1>gadgets I've never seen, like just push it and that's it.

0:58:34.200 --> 0:58:36.840
<v Speaker 1>Thank you for listening to the best of Nerdificent Part two.

0:58:37.640 --> 0:58:39.720
<v Speaker 1>We missed you and I can't wait to see you

0:58:39.720 --> 0:58:44.320
<v Speaker 1>all next week. All right, y'all, stay nerdy,