WEBVTT - Mini Crush #67

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Miny Crush. Yeahow you go down the road

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<v Speaker 1>little doggies and gonna rustle us up so many crush.

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<v Speaker 1>All right, Cookie, why don't you rustle up some beans?

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<v Speaker 1>I did have beans last night. I made a vegan

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<v Speaker 1>grain bowl with black bean chili and kale. And sit

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<v Speaker 1>out right now. I know we are in like the

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<v Speaker 1>hot box, so be be afraid. I will do my

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<v Speaker 1>best to contain myself. Though. Uh Nol just said a

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<v Speaker 1>very distressing thing as he walked in the room. Everyone.

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<v Speaker 1>He said, I have wind beneath my wings stuck in

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<v Speaker 1>my head, and now I'm afraid I'm going to just

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<v Speaker 1>by virtue of the fact that I'm trying not to

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<v Speaker 1>think of it. Well, there's a fun game you can

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<v Speaker 1>play when it comes to getting things stuck in your head.

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<v Speaker 1>You can usually kick the things out of your head

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<v Speaker 1>by getting something else stuck in your head. Everyone's got

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<v Speaker 1>a trick song, but I've always heard ring of Fire

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<v Speaker 1>is a good one to sing in your head, which

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<v Speaker 1>is also like a pretty acceptable song that hasn't been

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<v Speaker 1>done quite to death, A little bit to death. I

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<v Speaker 1>had the X Files theme stuck in my head when

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<v Speaker 1>I woke up this morning, and then it got kicked

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<v Speaker 1>out by Oh, I like your simultaneous hum and whistles.

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<v Speaker 1>That wasn't a very good one. It was pretty good.

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<v Speaker 1>I'm usually that's one of my tricks that I just

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<v Speaker 1>decided to debut. I like it. How are you doing?

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<v Speaker 1>I'm great. Uh, well, by the time this is out,

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<v Speaker 1>this will already have been out. But Emily and I

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<v Speaker 1>just recorded starting our Alexander pain Filmmaker series. So oh nice.

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<v Speaker 1>I love that you're doing these little serious we just see. Yeah,

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<v Speaker 1>they're fun. Um hell no him, Maybe we could get

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<v Speaker 1>a series going to I mean they're good. I think

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<v Speaker 1>they're always really good conversations, and it also helps to

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<v Speaker 1>have something to go back to the people enjoy when

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<v Speaker 1>you can't find guests. I have I have a suggestion

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<v Speaker 1>what we should each watch the entire Harry Potter series

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<v Speaker 1>and then do an episode per film where we really

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<v Speaker 1>do our best, we really do our best. Yes, people

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<v Speaker 1>would love it. I would love it as part of

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<v Speaker 1>the thing, and it would force me to watch these

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<v Speaker 1>and forced you to watch them as long as it's

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<v Speaker 1>not Lord of the Rings. I would prefer to do

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<v Speaker 1>it with Harry Potter because I honestly no, I can't.

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<v Speaker 1>All right, let's do it, all right, let's do it. Yep,

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<v Speaker 1>that'll be fun. I think it would be fun. I'm

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<v Speaker 1>gonna watch those goddamn movies. Okay, let's do it, alright. No, alright,

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<v Speaker 1>it has been, it has been said. Um, husband said,

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<v Speaker 1>has been, says, so shall it be done? Um? Yes,

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<v Speaker 1>have you seen the New Adventures yet? Well, it's funny

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<v Speaker 1>you should mention al right, after we do a quick

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<v Speaker 1>corrections corner, we're gonna do a quick crutch to judgment

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<v Speaker 1>that all right, Yeah, so gonna start and just let

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<v Speaker 1>me start fresh. So as promised, Noel, we're gonna go

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<v Speaker 1>with corrections corner. Insert said trombone here, Ramsey pre nice.

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<v Speaker 1>Have you heard that yet? I have? It is delightful.

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<v Speaker 1>Big shout out to Ramsey for killing it with a sound. Yeah, man,

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<v Speaker 1>Ramsey didn't get his due and the clutch edits and

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<v Speaker 1>ram jam just being a good dude. So we're gonna

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<v Speaker 1>do corrections corner and read A couple of these are

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<v Speaker 1>starting to come in now, Joe Welsh says, And I

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<v Speaker 1>don't know if this is a correction so much as

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<v Speaker 1>you didn't couldn't think of the thing. But that counts

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<v Speaker 1>to Jake Busey. Remember when you mused on his film

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<v Speaker 1>said he was a creep. Apparently he was the eightning

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<v Speaker 1>Delica creep in Contact Contact, but someone else said the

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<v Speaker 1>frighten nurse. Yeah, he was also a weird. Uh so

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<v Speaker 1>that's his deal. And I actually listened back to that

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<v Speaker 1>episode the other night, and I was annoyed at myself

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<v Speaker 1>that I couldn't remember soon. I also feel like I

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<v Speaker 1>came off as being derisive towards albinos. That is not

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<v Speaker 1>my intention at all. Sure, uh yeah, I noticed that too.

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<v Speaker 1>I know. I think I called him like a weird

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<v Speaker 1>albino freak or something like that, and that's not nice.

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<v Speaker 1>And I'm sorry. I know albino is out there. Probably

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<v Speaker 1>actually people with albion is um is probably how they

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<v Speaker 1>refer to themselves, actually, as would be my guest. And

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<v Speaker 1>in fact, I bet you know all that you should

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<v Speaker 1>probably say people with albinism, because that's the thing these days. Man,

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<v Speaker 1>you don't title someone, am I canceled? No, you're not cancer?

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<v Speaker 1>Are you sure? It's okay? It was a slip of

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<v Speaker 1>the ton they were very inclusive in loving forgiving. I

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<v Speaker 1>said it about three times though at that point it's

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<v Speaker 1>no longer a slip of the ton. Yeah, but you know,

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<v Speaker 1>I have nothing but love in my heart though for

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<v Speaker 1>all people. Yeah, we're we're going forward, nol. We forgive you.

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<v Speaker 1>I appreciate it. Mike O'Donnell says, the I'm a peacock

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<v Speaker 1>line is from the Other Guys with Will Ferrell and

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<v Speaker 1>Mark Wahlberg. Not certain it was the final line. So

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<v Speaker 1>that was one in the best last lines that we

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<v Speaker 1>didn't know what that was from I'm a Peacock. I'm

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<v Speaker 1>a Peacock. I didn't see that movie. Didn't either, Now

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<v Speaker 1>I did not. And let's do one more. Uh. This

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<v Speaker 1>one's been lingering for a while from our old buddy

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<v Speaker 1>Jeff Noel. He said, you mentioned in uh when you

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<v Speaker 1>talked about Sky Captain in the World of Tomorrow, And

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<v Speaker 1>I think it was me actually that said it was

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<v Speaker 1>in black and white. He it is not, he said,

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<v Speaker 1>given how washed out the colors and focus were, may

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<v Speaker 1>have seemed that way, but it was actually in color.

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<v Speaker 1>And I went back and looked, and of course it

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<v Speaker 1>is just that very gray. Yeah, and I've read up

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<v Speaker 1>about that. It's really interesting. Man, those guys, these brothers,

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<v Speaker 1>they never made another movie. Am that crazy? I don't

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<v Speaker 1>know that it did real well, well it didn't. But

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<v Speaker 1>it was. Uh. I read a bunch of there are

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<v Speaker 1>a bunch of articles now retrospectively looking back and saying

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<v Speaker 1>like this was the first completely blue screen film. It

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<v Speaker 1>was revolutionary, like pre dark what's that? No, I'm sorry.

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<v Speaker 1>The Robert Reggie Guys comic book one, what's it called?

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<v Speaker 1>You know? There were two of them? Was My Kids? No, No,

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<v Speaker 1>before that, the one that the one that's very it

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<v Speaker 1>looks at in Tolroado. Oh my gosh, why am I

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<v Speaker 1>doing well? No? The one about the city, the creepy

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<v Speaker 1>mean city Dark. It's not dark city. No, that's a

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<v Speaker 1>creepy mean city what with the wood where he has

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<v Speaker 1>like the weird white eyes and he's like a serial killer.

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<v Speaker 1>And Merv with your fingers because people right now are

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<v Speaker 1>screaming at their screaming internally. Marv. It was sin city,

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<v Speaker 1>I said, the mean city, the creepy, mean bad city.

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<v Speaker 1>You know that. No, but Point is very similar aesthetic

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<v Speaker 1>in terms of like the it is more black and no,

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<v Speaker 1>it's not. It is black and White, I think is

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<v Speaker 1>but it has that same shadowy kind of vibe and

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<v Speaker 1>the use of the c G I and Sky Captain

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<v Speaker 1>was very much a predecessor. Yeah, I didn't think of

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<v Speaker 1>sort of super revolutionary. And these guys never made another movie.

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<v Speaker 1>And the articles I read, basically it sounds like they

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<v Speaker 1>just had no idea how to navigate Hollywood and how

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<v Speaker 1>to self promote, be comfortable working again. It was weird,

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<v Speaker 1>not weird, but just very interesting. That is interesting. It

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<v Speaker 1>was a big movie. I mean it didn't do great,

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<v Speaker 1>but I mean, hell, I had Jude Law, Angelina Jolie,

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<v Speaker 1>and Gwyneth Paltrow. I actually have not seen it. Um

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<v Speaker 1>should check it out. There's a there's an episode of

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<v Speaker 1>How Did This Get Made? About it. It's really cool

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<v Speaker 1>where they think it's not good, but they also understand

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<v Speaker 1>that it's remolute and that it had some interesting qualities

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<v Speaker 1>to it and it was a big swing man for

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<v Speaker 1>a first film. Like yeah, absolutely, I think they really

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<v Speaker 1>tried for something great. Alright, No, we're gonna move on

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<v Speaker 1>from Correcton's corner and let's do it. Let's do a

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<v Speaker 1>crush to judgment, a little mini crush on end game.

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<v Speaker 1>So if you haven't seen Endgame, everyone, there are gonna

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<v Speaker 1>be plenty of spoilers. So I would say, let's just

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<v Speaker 1>give ourselves a time limit and all of like, uh,

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<v Speaker 1>five or six minutes, five or six minutes, I discussed

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<v Speaker 1>a three hour culmination of about fifteen hours of cinema.

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<v Speaker 1>That's that. That's gonna be. Talk about a culmination. Man.

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<v Speaker 1>By the way, I don't know if you saw, but

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<v Speaker 1>there's this great YouTube video of the history of Marvel.

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<v Speaker 1>I need to see it though. It's like twenty five

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<v Speaker 1>minutes long, and it really just goes through everything, and

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<v Speaker 1>it dawns on you more than ever when you see that,

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<v Speaker 1>like just how expertly this thing has been plotted over

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<v Speaker 1>from the start. How many movies is it? I don't know.

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<v Speaker 1>I think it's like twenty two or it's really impressive.

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<v Speaker 1>They did something great, beyond great. I mean, it's just

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<v Speaker 1>so you know what, say what you will about the

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<v Speaker 1>movies themselves, or whether you're in the superhero genre type

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<v Speaker 1>movies nor what. This is a feat of organization, you know, craftsman,

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<v Speaker 1>the continuity keeping all of that ship together, like like

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<v Speaker 1>even in this one where they had scenes from the

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<v Speaker 1>other movies, because there's a time travel element and it

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<v Speaker 1>was so effective the Battle of New York. It was

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<v Speaker 1>so good and everyone looked the same. I mean, I

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<v Speaker 1>can only assume they actually pulled real foot from the

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<v Speaker 1>original movie and then interacted with it, and you know,

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<v Speaker 1>didn't imagine angle or whatever. Yeah, but I I thought

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<v Speaker 1>it was great. I thought I thought it it sagged

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<v Speaker 1>a little bit in the middle. Only I only say

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<v Speaker 1>that because that's when I sort of dozed off for

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<v Speaker 1>about five minutes. But when I was back, I was back.

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<v Speaker 1>I was back, buddy. I have an admission. I dozed off,

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<v Speaker 1>and I don't sleep in movies. I am fucking exhausted

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<v Speaker 1>because of this house move. And I fell asleep. God,

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<v Speaker 1>it's so weird to never do this in movies. I

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<v Speaker 1>felt it happening, and I fell asleep right at the

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<v Speaker 1>part where um, night hawk, uh night Hawk, night Hawk

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<v Speaker 1>Eye Hawk Eye Jesus, where Hawkeye goes and is like

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<v Speaker 1>on a killing spree in Japan, in Japan, And I

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<v Speaker 1>woke up at the end and just saw like a

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<v Speaker 1>guy with katanas on his back in the hood, and

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<v Speaker 1>I was like, what is Deadpool doing in this? And

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<v Speaker 1>I was like, was that Deadpool that I went home

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<v Speaker 1>later in Google Deadpool. In game it was like that

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<v Speaker 1>didn't happen, so I had to go read. I was like, oh,

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<v Speaker 1>that was Hawkeye. Well there was also reveal that it

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<v Speaker 1>was him, and then I believe his black widow walks

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<v Speaker 1>up to him and says like, hey, we need you

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<v Speaker 1>back or whatever, because the implication is that he's sort

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<v Speaker 1>of broken bad and it's just sling people because, like,

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<v Speaker 1>I mean, one of the most beautiful it was not beautiful,

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<v Speaker 1>is very sad. But the movie opens, it's a cold

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<v Speaker 1>open where it's him playing with his family and like

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<v Speaker 1>having you know, a picnic or whatever. And I mean,

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<v Speaker 1>as a dad, the notion that my kid just all

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<v Speaker 1>of a sudden isn't there anymore, and just the realization

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<v Speaker 1>of that and what that must entail, how must you

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<v Speaker 1>just dig because you know, spoiler alert again, Beginning the movie,

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<v Speaker 1>they evaporate as what happens at the end of the snap,

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<v Speaker 1>just to see it from his perspective, and then all

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<v Speaker 1>of a sudden they're just gone and you just barely

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<v Speaker 1>see him start to realize it, and then it moves on.

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<v Speaker 1>But can you imagine what that would be like for

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<v Speaker 1>like someone's there and there's not there, and you don't

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<v Speaker 1>even understand the context for what's happened like that was,

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<v Speaker 1>but to know enough that like that can happen in

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<v Speaker 1>his world. Yeah, exactly. Uh, just the Russo brothers, man,

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<v Speaker 1>I'm just so impressed with how these guys have have

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<v Speaker 1>layered this together, like some of the best some of

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<v Speaker 1>the best character arcs over a series of films that

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<v Speaker 1>have ever seen before. Well, and the fact that they

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<v Speaker 1>make these giant movies with these insane ensemble casts and

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<v Speaker 1>it never feels over stuffed. Now, it never feels like

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<v Speaker 1>any of your favorite characters get short shrimps. Everyone's got

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<v Speaker 1>their ship, like everyone's got their character arc and comes

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<v Speaker 1>full circle. I think, did you realize that there is

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<v Speaker 1>a bit of a backlash against Captain Marvel? A fan

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<v Speaker 1>kind of like backlash And when I say fan, I

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<v Speaker 1>think I largely mean toxically masculine neck beards, Like they

0:11:49.720 --> 0:11:52.360
<v Speaker 1>don't like they don't like Bree Bree Larson, and they

0:11:52.360 --> 0:11:54.360
<v Speaker 1>don't like the fact that she felt a little shoehorned

0:11:54.360 --> 0:11:57.360
<v Speaker 1>into the series because I think she's made her debut

0:11:57.720 --> 0:11:59.840
<v Speaker 1>in a post credit scene in one of the pre

0:12:00.000 --> 0:12:02.439
<v Speaker 1>be A movie and then she got her own movie,

0:12:02.760 --> 0:12:05.839
<v Speaker 1>and then she's in this one, and I don't think

0:12:05.840 --> 0:12:09.880
<v Speaker 1>she was she was in the post credit scene. They

0:12:09.880 --> 0:12:12.040
<v Speaker 1>didn't think she was around long enough. And and they

0:12:12.040 --> 0:12:13.640
<v Speaker 1>also think she's a bit of a day a sex

0:12:13.720 --> 0:12:16.720
<v Speaker 1>Macina because she's so godlike in her abilities that it

0:12:16.800 --> 0:12:19.920
<v Speaker 1>was almost like, you know, Okay, let's let's have this

0:12:20.040 --> 0:12:23.720
<v Speaker 1>just you know, overpowered godlike figure that can fight Thanos,

0:12:23.760 --> 0:12:27.040
<v Speaker 1>but then not really do anything because she kind of disappears,

0:12:27.040 --> 0:12:29.319
<v Speaker 1>she kind of pieces out in this one. Well she's

0:12:29.320 --> 0:12:31.920
<v Speaker 1>but she says she's been fighting in planets all over

0:12:31.960 --> 0:12:34.880
<v Speaker 1>the universe, and that's fair, but it's also kind of convenient,

0:12:35.000 --> 0:12:36.280
<v Speaker 1>isn't it. Like I don't know, it just it just

0:12:36.320 --> 0:12:39.920
<v Speaker 1>felt a little like, Okay, hi, bye, and then comes back,

0:12:40.040 --> 0:12:42.000
<v Speaker 1>does does a thing, and then she isn't even the

0:12:42.000 --> 0:12:43.800
<v Speaker 1>one that ultimately saves the day. I mean, it's a

0:12:43.840 --> 0:12:45.800
<v Speaker 1>little trophy. I guess that she came back like that.

0:12:45.840 --> 0:12:47.960
<v Speaker 1>But I loved it. I don't know, I loved it.

0:12:48.360 --> 0:12:50.120
<v Speaker 1>I was just really more or less bringing up the

0:12:50.120 --> 0:12:52.520
<v Speaker 1>fact that I did not realize there was such a

0:12:52.559 --> 0:12:56.080
<v Speaker 1>backlash against her because she's also she's not the best

0:12:56.120 --> 0:12:59.040
<v Speaker 1>on them on the what do you call it the junkets,

0:12:59.080 --> 0:13:01.960
<v Speaker 1>you know, in the she she comes off as at Yeah,

0:13:02.000 --> 0:13:04.280
<v Speaker 1>she comes off as a little entitled as far as

0:13:04.280 --> 0:13:06.600
<v Speaker 1>her character is concerned, and she's not very good at

0:13:06.640 --> 0:13:09.680
<v Speaker 1>like being likable, seeming really and yeah, there's some interviews

0:13:09.679 --> 0:13:13.800
<v Speaker 1>where it's her and four and uh don cheetle Thoris's name,

0:13:14.160 --> 0:13:18.040
<v Speaker 1>and they keep it feels like they keep trying to

0:13:18.080 --> 0:13:21.360
<v Speaker 1>save her from looking kind of like an asshole. Yeah,

0:13:21.400 --> 0:13:24.880
<v Speaker 1>because she she says stuff like because I love Bree Larson. Yeah,

0:13:25.120 --> 0:13:27.480
<v Speaker 1>I think someone said like I think um uh for

0:13:27.800 --> 0:13:30.679
<v Speaker 1>what's his name, Chris Evans Hem's worth. One of the

0:13:30.760 --> 0:13:33.480
<v Speaker 1>christ is he says something about he's trying to compliment her,

0:13:33.480 --> 0:13:35.559
<v Speaker 1>and he gives her a compliment about how she does

0:13:35.559 --> 0:13:37.560
<v Speaker 1>her own stunts, and he says something like like like

0:13:37.600 --> 0:13:40.480
<v Speaker 1>a Tom Cruise kind of thing, and she's like, excuse me,

0:13:40.880 --> 0:13:43.280
<v Speaker 1>I am myself, Like I am not, you know, Like

0:13:43.600 --> 0:13:47.080
<v Speaker 1>it's just very like he was obviously trying to give

0:13:47.080 --> 0:13:49.079
<v Speaker 1>her a compliment in a in terms of the fact

0:13:49.160 --> 0:13:51.839
<v Speaker 1>that he's known for doing all his own stuff, and

0:13:51.880 --> 0:13:54.079
<v Speaker 1>then she came off as very like bristly about it

0:13:54.120 --> 0:13:56.800
<v Speaker 1>and kind of like overly sensitive. I don't know, you

0:13:56.920 --> 0:13:59.160
<v Speaker 1>have to watch it. There's a whole clip show of

0:13:59.200 --> 0:14:02.120
<v Speaker 1>her kind of not doing the best job at being

0:14:02.320 --> 0:14:06.319
<v Speaker 1>Maybe she doesn't like terrible. I'm sure they're horrible. I'm

0:14:06.320 --> 0:14:08.800
<v Speaker 1>sure they're horrible. All I'm saying is that it kind

0:14:08.840 --> 0:14:11.800
<v Speaker 1>of became a thing um in the you know, fan community,

0:14:11.800 --> 0:14:16.280
<v Speaker 1>where it's like, we don't really like, uh like pretty Larson. Interesting. Yeah,

0:14:16.559 --> 0:14:18.560
<v Speaker 1>well I'm not on that team. I'm not either. I

0:14:18.600 --> 0:14:20.600
<v Speaker 1>loved Captain Marvel. I think we've talked about it on

0:14:20.600 --> 0:14:23.440
<v Speaker 1>the show. I thought it was very cool, very self contained,

0:14:23.680 --> 0:14:25.880
<v Speaker 1>very nostalgic, had all the hit all the buttons for me.

0:14:26.240 --> 0:14:28.360
<v Speaker 1>And by the way, everyone we're still talking that we've

0:14:28.400 --> 0:14:31.840
<v Speaker 1>been seven minutes and we're still talking spoilers, so give

0:14:31.920 --> 0:14:34.120
<v Speaker 1>us another four minutes. We haven't really spoiled anything yet

0:14:34.120 --> 0:14:37.360
<v Speaker 1>though at this point that we're about to move on.

0:14:37.360 --> 0:14:39.680
<v Speaker 1>One of the great moments of the movie for me

0:14:40.600 --> 0:14:43.880
<v Speaker 1>was the scene where all the fucking women band together

0:14:44.280 --> 0:14:48.440
<v Speaker 1>towards the end. That was so awesome. It was so

0:14:48.520 --> 0:14:51.440
<v Speaker 1>powerful and just like that was like a chill down

0:14:51.440 --> 0:14:55.240
<v Speaker 1>my spine moment. They're just like coming at you, coming

0:14:55.280 --> 0:14:59.320
<v Speaker 1>at fantas. Yeah, that was pretty fucking great. Um, and

0:14:59.320 --> 0:15:02.960
<v Speaker 1>then you know we it to to major major deaths.

0:15:04.600 --> 0:15:08.640
<v Speaker 1>I think I've felt in my bones that Tony Stark

0:15:08.680 --> 0:15:11.600
<v Speaker 1>would die because he makes the most sense he started

0:15:11.600 --> 0:15:15.360
<v Speaker 1>at all. He had the biggest character arc as far

0:15:15.400 --> 0:15:19.120
<v Speaker 1>as where he starts in Iron Man one as rich,

0:15:19.200 --> 0:15:23.440
<v Speaker 1>handsome playboy who only thinks of himself to the ultimate sacrifice,

0:15:23.520 --> 0:15:26.640
<v Speaker 1>you know, say, of his own life. And but Black

0:15:26.640 --> 0:15:29.560
<v Speaker 1>Widow caught me off, Guarden. I was actually in the

0:15:29.600 --> 0:15:33.560
<v Speaker 1>bathroom for that one. Oh no, because it was because

0:15:33.560 --> 0:15:35.840
<v Speaker 1>it was a stand in for what happened with Gomera,

0:15:36.040 --> 0:15:38.720
<v Speaker 1>like it flipped the script like kind of and I

0:15:38.720 --> 0:15:40.760
<v Speaker 1>was I actually didn't understand how they did that. Can

0:15:40.800 --> 0:15:45.320
<v Speaker 1>you explain? Well, I mean it was. It's really kind

0:15:45.320 --> 0:15:47.760
<v Speaker 1>of great because we know on the cliff there with

0:15:48.280 --> 0:15:50.720
<v Speaker 1>what's his face red skull that someone has to sacrifice

0:15:50.760 --> 0:15:54.120
<v Speaker 1>to get the I can't remember which stone it is.

0:15:54.120 --> 0:15:56.600
<v Speaker 1>Is it the soul stone? And I don't remember making it,

0:15:57.320 --> 0:16:00.160
<v Speaker 1>and uh, I get all my stones confused. Which one

0:16:00.200 --> 0:16:04.760
<v Speaker 1>was Mick Jagger? He was he was a singer. Uh.

0:16:04.840 --> 0:16:08.400
<v Speaker 1>And so there they have a battle. Hawkeye and Black

0:16:08.400 --> 0:16:11.280
<v Speaker 1>Widow have a battle to see who does it, like

0:16:11.680 --> 0:16:15.080
<v Speaker 1>literally a fight, and they're fighting each other towards the

0:16:15.080 --> 0:16:17.720
<v Speaker 1>cliff to see who's gonna jump in, and at the

0:16:17.760 --> 0:16:21.400
<v Speaker 1>last minute, Hawkeye. I mean you think that, uh, I

0:16:21.440 --> 0:16:24.160
<v Speaker 1>think you think Hawkeye is doing it. But it turns

0:16:24.200 --> 0:16:27.880
<v Speaker 1>out that he's saved her and he's holding onto her

0:16:28.440 --> 0:16:30.520
<v Speaker 1>and they've both gone over the edge, but he's holding

0:16:30.520 --> 0:16:33.040
<v Speaker 1>on and he's holding on to her, and then she

0:16:33.200 --> 0:16:35.680
<v Speaker 1>like causes him to lose the grip and they're both

0:16:35.720 --> 0:16:37.600
<v Speaker 1>arguing like, no, it's gonna be me, It's gotta be me,

0:16:38.200 --> 0:16:42.120
<v Speaker 1>and she like fucking yeah, hardcore man. Did she come

0:16:42.120 --> 0:16:45.280
<v Speaker 1>back though? When they did the old switchero at the

0:16:45.400 --> 0:16:48.800
<v Speaker 1>end the old time, I don't think I'm shuffle. I

0:16:48.800 --> 0:16:51.960
<v Speaker 1>don't think she was at the funeral Noah, which is interesting.

0:16:52.000 --> 0:16:56.200
<v Speaker 1>There's there there's some also some kind of go back

0:16:56.240 --> 0:16:58.320
<v Speaker 1>in time maybe, yeah, there there there are a couple

0:16:58.320 --> 0:17:00.440
<v Speaker 1>of little plot holy type questions like that where it's

0:17:00.480 --> 0:17:04.280
<v Speaker 1>like how come they brought back some characters but not

0:17:04.400 --> 0:17:07.000
<v Speaker 1>others and and things like that. But all in all,

0:17:07.440 --> 0:17:09.240
<v Speaker 1>I thought it was just yeah, it was like you said,

0:17:09.240 --> 0:17:13.080
<v Speaker 1>this culmination of this, you know, twenty plus movies characters

0:17:13.119 --> 0:17:19.040
<v Speaker 1>and everything felt satisfying and tiny gripes aside. I think

0:17:19.080 --> 0:17:23.399
<v Speaker 1>I cried four times. Geez, it's just great. Yeah, that

0:17:23.480 --> 0:17:26.120
<v Speaker 1>was a mess. How many thumbs? How many thumbs? Chuck

0:17:26.840 --> 0:17:32.480
<v Speaker 1>a bunch of big stone studded thumbs, big burly thumbs. Yeah,

0:17:32.560 --> 0:17:35.200
<v Speaker 1>oh I did. I found that. One thing, one plot

0:17:35.240 --> 0:17:37.960
<v Speaker 1>hoole question they had was how come they had to

0:17:38.000 --> 0:17:42.080
<v Speaker 1>get Peter Dinklage to for forge that uh you know, glove,

0:17:42.200 --> 0:17:45.600
<v Speaker 1>the Gauntlet so that Thanos could wield the stones in

0:17:45.640 --> 0:17:48.080
<v Speaker 1>the previous movie. Remember, Peter dinklad was like the he

0:17:48.160 --> 0:17:51.120
<v Speaker 1>forged the big Axe though, right, No, he forged the gauntlet,

0:17:51.400 --> 0:17:53.919
<v Speaker 1>oh well, and the and the ax, yes, yes, yes, yes,

0:17:53.960 --> 0:17:55.840
<v Speaker 1>he also forged I think of the hammer too. I

0:17:55.880 --> 0:17:58.040
<v Speaker 1>don't know. The point is he definitely forged the gauntlet

0:17:58.720 --> 0:18:00.720
<v Speaker 1>in order for Thanos to be able to wheel the stones.

0:18:00.720 --> 0:18:02.919
<v Speaker 1>And it was a big deal, a big process. He

0:18:02.960 --> 0:18:04.960
<v Speaker 1>had to like harness the energy of the sun and

0:18:05.000 --> 0:18:09.720
<v Speaker 1>all this magic. Sure, and Iron Man was just able

0:18:09.760 --> 0:18:13.720
<v Speaker 1>to magically assimilate the stones into his into his hand, glove,

0:18:14.000 --> 0:18:15.879
<v Speaker 1>into his suit. That was a nice moment too. It

0:18:15.920 --> 0:18:19.080
<v Speaker 1>was a nice moment, and I actually saw a thing

0:18:19.200 --> 0:18:23.120
<v Speaker 1>on on a YouTube video where they implied that because

0:18:23.520 --> 0:18:29.440
<v Speaker 1>Captain because um the Wacondas had shared their nanotechnology, that

0:18:29.560 --> 0:18:33.240
<v Speaker 1>he possibly could just kind of it just like figured

0:18:33.280 --> 0:18:35.880
<v Speaker 1>it out. The materials of the suit just kind of

0:18:35.920 --> 0:18:39.199
<v Speaker 1>molded to harness the stones. I can have never questioned

0:18:39.240 --> 0:18:40.760
<v Speaker 1>the Iron Man suit and what it can do. It

0:18:40.800 --> 0:18:42.960
<v Speaker 1>seems like it's it's pretty godlike. That's the whole point.

0:18:43.080 --> 0:18:45.560
<v Speaker 1>I think, so oh Man and all this stuff with

0:18:45.800 --> 0:18:49.359
<v Speaker 1>Howard Stark and God, it's just so rich in story

0:18:49.400 --> 0:18:51.840
<v Speaker 1>and character. Who was that? Who was the actor that was?

0:18:52.359 --> 0:18:54.720
<v Speaker 1>It's slattery from d flattery, But they young if I

0:18:54.760 --> 0:18:57.640
<v Speaker 1>had him, which is always sort of creepy a little bit.

0:18:57.960 --> 0:18:59.360
<v Speaker 1>They're good at it now, but it's still a little

0:18:59.359 --> 0:19:03.760
<v Speaker 1>bit like slightly uncanny. Wasn't pem in it? Yeah? There

0:19:03.760 --> 0:19:06.439
<v Speaker 1>was a very brief young Michael Douglas too that did

0:19:06.480 --> 0:19:09.200
<v Speaker 1>not look good though. That was two on Canny Vale.

0:19:09.240 --> 0:19:11.400
<v Speaker 1>He looked like a video game cut scene. I did

0:19:11.400 --> 0:19:14.800
<v Speaker 1>not care for that. But it's a little tough. But

0:19:14.920 --> 0:19:19.280
<v Speaker 1>like I said, with Sam Jackson in in uh Cap

0:19:19.440 --> 0:19:22.119
<v Speaker 1>Captain Marvel, it was the whole movie, so they obviously

0:19:22.160 --> 0:19:23.720
<v Speaker 1>had to be a little more subtle about it, I guess.

0:19:23.720 --> 0:19:25.440
<v Speaker 1>And they didn't take him back as far. And that's

0:19:25.480 --> 0:19:28.160
<v Speaker 1>also like Michael Douglas, he's looking pretty old these days,

0:19:28.359 --> 0:19:31.560
<v Speaker 1>that's true. Sam Jackson is still a spring chicken. I agree. Alright,

0:19:31.600 --> 0:19:34.160
<v Speaker 1>spoil we had a spoiler zone, I think, so let's

0:19:34.160 --> 0:19:36.440
<v Speaker 1>move on. You know, we might do but maybe even

0:19:36.480 --> 0:19:38.040
<v Speaker 1>put in the Maybe once we get the edit of this,

0:19:38.080 --> 0:19:39.920
<v Speaker 1>we can even put like a time code of like here,

0:19:40.000 --> 0:19:41.960
<v Speaker 1>spoilers exist from here to here. It's a good idea.

0:19:42.040 --> 0:19:44.000
<v Speaker 1>We might do that. All right, everyone, We're moving on

0:19:44.040 --> 0:19:52.360
<v Speaker 1>to social studies. Social studies, and I asked everyone on Facebook, noll,

0:19:52.400 --> 0:19:55.000
<v Speaker 1>what's your favorite war movie? And why? Because this is

0:19:55.040 --> 0:19:58.480
<v Speaker 1>an early promotion for another crossover episode with Friendly Fire.

0:19:59.080 --> 0:20:02.720
<v Speaker 1>My buddies Ben Harrison, Adam Pranica, and John Roderick at

0:20:02.720 --> 0:20:04.879
<v Speaker 1>max fon Con early June, we're gonna get together and

0:20:04.920 --> 0:20:07.879
<v Speaker 1>record another crossover up to be released as a co

0:20:08.040 --> 0:20:12.520
<v Speaker 1>friendly Fire Movie Crush release. So I dectarted to get

0:20:12.520 --> 0:20:14.280
<v Speaker 1>a little war movie talk going. Why do you invite

0:20:14.280 --> 0:20:16.200
<v Speaker 1>me to one of these things, chuck max fon Con

0:20:16.440 --> 0:20:19.359
<v Speaker 1>any of these I don't uh. I'm not in charge

0:20:19.359 --> 0:20:22.439
<v Speaker 1>of the invitations. It's it's fair check. It's like you

0:20:22.440 --> 0:20:24.480
<v Speaker 1>can't invite someone to someone else's party, you know how

0:20:24.520 --> 0:20:26.320
<v Speaker 1>that goes. I'm put in a good word for me,

0:20:26.440 --> 0:20:30.480
<v Speaker 1>all right, Sure, I know. Rodern Um, John millstupp Our

0:20:30.480 --> 0:20:35.200
<v Speaker 1>old pal says Wonder Woman. Yeah, great action film. War

0:20:35.320 --> 0:20:37.680
<v Speaker 1>movie though? Was the question? Though? Right? Yeah? But I

0:20:37.720 --> 0:20:39.480
<v Speaker 1>mean there's some war well that isn't that a It's

0:20:39.480 --> 0:20:41.840
<v Speaker 1>a w W one thing, right, isn't that? I think

0:20:41.880 --> 0:20:43.720
<v Speaker 1>it was War War one? Right, I think it was. Yeah,

0:20:44.600 --> 0:20:46.119
<v Speaker 1>what war is in the background, and then there is

0:20:46.160 --> 0:20:49.159
<v Speaker 1>war ring so and in fact on Friendly Fire, they

0:20:49.240 --> 0:20:51.600
<v Speaker 1>a lot of times have a big talk about like

0:20:51.720 --> 0:20:54.280
<v Speaker 1>is this a war movie or is it not interesting?

0:20:54.359 --> 0:21:00.040
<v Speaker 1>The criteria or influx. I think Becky Harris Trainer, the

0:21:00.119 --> 0:21:03.400
<v Speaker 1>Great Escape, Hell, yes, I have not seen them. It's

0:21:03.400 --> 0:21:06.119
<v Speaker 1>a whole so great, really really great. Who's in that?

0:21:07.240 --> 0:21:10.760
<v Speaker 1>Steve McQueen. I don't think I've ever seen a Steve

0:21:10.800 --> 0:21:15.560
<v Speaker 1>McQueen movie. Yeah, yeah, mm hmm, I know. Just see

0:21:15.560 --> 0:21:18.440
<v Speaker 1>Great Escape and Bullets Bullets the one everyone seems to

0:21:18.480 --> 0:21:21.919
<v Speaker 1>really like. They're both great. Okay, I'll do it, great, great, great? Uh.

0:21:22.280 --> 0:21:24.760
<v Speaker 1>John Manning says, three Kings agreed, I love that movie.

0:21:24.800 --> 0:21:27.280
<v Speaker 1>I really like that one a lot. Justin Wright says

0:21:27.320 --> 0:21:30.399
<v Speaker 1>black Hawk Down absolutely intriguing subject matter of great action.

0:21:30.800 --> 0:21:34.240
<v Speaker 1>The movie lived up to the book. I didn't see

0:21:34.280 --> 0:21:37.840
<v Speaker 1>it black Hawk Down good. Are you into warr movies?

0:21:38.320 --> 0:21:43.840
<v Speaker 1>I love Platoon, I love Apocalypse Now all right, so

0:21:44.000 --> 0:21:45.640
<v Speaker 1>you're not into warror movies? You just like a few

0:21:45.680 --> 0:21:49.800
<v Speaker 1>here and there. I love, um what's the Kubrick one?

0:21:50.160 --> 0:21:52.040
<v Speaker 1>And Pazic Glory. I love both of those. Those are

0:21:52.080 --> 0:21:54.840
<v Speaker 1>those are Yeah. I wouldn't say I'm a war movie buff,

0:21:54.880 --> 0:21:56.520
<v Speaker 1>but I like those four that I just named. Okay,

0:21:58.280 --> 0:22:00.960
<v Speaker 1>our old pal Louis Silva says, Saving Private Ryan. You

0:22:01.000 --> 0:22:02.880
<v Speaker 1>have seen that one? That one's good. Yeah, that's very

0:22:02.880 --> 0:22:05.880
<v Speaker 1>good film. Lose those book ends, I think, and it's

0:22:06.520 --> 0:22:11.040
<v Speaker 1>damn near perfect. What's wrong with wasn't a fan? Remind me? Um?

0:22:11.080 --> 0:22:15.000
<v Speaker 1>Old Matt Damon at the Cemetery American Flag earned this

0:22:15.800 --> 0:22:21.360
<v Speaker 1>didn't need it to me? Yeah? For me, just for me? Uh?

0:22:21.440 --> 0:22:25.360
<v Speaker 1>Nathan Shetley says The Thin Red Line, Terence Malleck. That's

0:22:25.359 --> 0:22:27.439
<v Speaker 1>one that I actually rented that one recently and I

0:22:27.440 --> 0:22:30.080
<v Speaker 1>just didn't get around to watching it. Um, So you

0:22:30.080 --> 0:22:32.520
<v Speaker 1>haven't seen I have not seen it. No, Terence Malleck, No,

0:22:32.720 --> 0:22:35.159
<v Speaker 1>that's right up your alley. So it's super slow and

0:22:35.200 --> 0:22:40.160
<v Speaker 1>contemplative and strange. Yeah, got a great movie. Has the

0:22:40.160 --> 0:22:43.760
<v Speaker 1>the opening sequence of that film, it's like, I don't know,

0:22:43.800 --> 0:22:45.400
<v Speaker 1>I feel like it's like six or seven minutes long.

0:22:45.400 --> 0:22:47.800
<v Speaker 1>As some of the most beautiful stuff I've ever seen

0:22:47.800 --> 0:22:50.560
<v Speaker 1>in Okay, I'll give these two soldiers on a wall

0:22:50.640 --> 0:22:54.520
<v Speaker 1>on an island, um, just enjoying life away from more.

0:22:54.760 --> 0:22:57.200
<v Speaker 1>There you go, it's really kind of cool. Our old

0:22:57.240 --> 0:23:03.400
<v Speaker 1>friend Jake Halee says Infinity War, Yeah, that's a war. Yeah,

0:23:03.400 --> 0:23:05.840
<v Speaker 1>and it's just two backtrack slightly on endgame. I did

0:23:05.920 --> 0:23:10.719
<v Speaker 1>think Infinity War was a overall more successful movie. Oh interesting,

0:23:10.800 --> 0:23:12.760
<v Speaker 1>I thought like it kept me. Like I said this one,

0:23:12.760 --> 0:23:14.760
<v Speaker 1>I felt like it it sagged a little bit at

0:23:14.800 --> 0:23:18.080
<v Speaker 1>certain points in Infinity War. For the length especially, it

0:23:18.200 --> 0:23:20.520
<v Speaker 1>just kept me on the edge of my seat. Well,

0:23:20.880 --> 0:23:23.679
<v Speaker 1>there's a lot of business for shying up blue ends

0:23:23.720 --> 0:23:26.200
<v Speaker 1>and stuff that makes get that a little bit. I

0:23:26.280 --> 0:23:30.000
<v Speaker 1>get that criticism. Our old friend Lisa to Sheriff's Glory,

0:23:30.359 --> 0:23:33.760
<v Speaker 1>first war movie I ever saw, and I first time

0:23:33.800 --> 0:23:36.159
<v Speaker 1>I truly grasped the brutality of war? Is that the

0:23:36.160 --> 0:23:39.240
<v Speaker 1>one about the Black Regimen, that's like the first Washington

0:23:39.400 --> 0:23:42.159
<v Speaker 1>Mathew Brodrict. I haven't seen that. I'd like to, so,

0:23:42.280 --> 0:23:47.320
<v Speaker 1>great man, that's a good one. Oh, Jennifer Fitzpee after

0:23:47.400 --> 0:23:50.800
<v Speaker 1>my own Heart. Here with a movie. Gallippoli, one of

0:23:50.800 --> 0:23:54.520
<v Speaker 1>the great great war movies, young young mel Gibson about

0:23:54.560 --> 0:23:57.639
<v Speaker 1>the Battle of Gallippoli. Is that a naval battle? No,

0:23:57.880 --> 0:24:02.320
<v Speaker 1>it was the wars. It's in Australia and Turkey, when

0:24:02.840 --> 0:24:05.200
<v Speaker 1>these Australian troops were just being sent into a meat

0:24:05.200 --> 0:24:07.639
<v Speaker 1>grinder of like it's one of those things like that

0:24:07.640 --> 0:24:10.679
<v Speaker 1>trench warfare. It's like, let's send a thousand guys at

0:24:10.680 --> 0:24:13.480
<v Speaker 1>a time out to get slaughtered by machine guns, wave

0:24:13.560 --> 0:24:15.639
<v Speaker 1>after wave to what end? To what end? And the

0:24:15.680 --> 0:24:18.280
<v Speaker 1>hopes that what a few of them don't It was

0:24:18.359 --> 0:24:22.639
<v Speaker 1>miscommunication in the higher ups. It was a brutal, really

0:24:22.640 --> 0:24:25.600
<v Speaker 1>really good film. Edward Hackett Bridge on the River Kuai,

0:24:27.440 --> 0:24:29.760
<v Speaker 1>maybe one of the best ever. I think that's Ron

0:24:29.800 --> 0:24:33.040
<v Speaker 1>Swanson's favorite film. That's one in Parks and Rack. Really,

0:24:33.119 --> 0:24:34.880
<v Speaker 1>I think that's He claims to have only ever seen

0:24:34.920 --> 0:24:40.240
<v Speaker 1>two films, one of them Quiet What the other one

0:24:40.320 --> 0:24:43.080
<v Speaker 1>is smoking in the band. It's probably like Butch Cassidy

0:24:43.080 --> 0:24:46.880
<v Speaker 1>in the s Our Old Friend Jeff Noel again. Um,

0:24:47.119 --> 0:24:51.359
<v Speaker 1>don't have a single favorite, but great Escape, Dirty dozen,

0:24:51.480 --> 0:24:53.440
<v Speaker 1>from Here to Eternity and Bridge on the River Kuai

0:24:54.480 --> 0:24:59.880
<v Speaker 1>Simon Black says, full Metal Jacket, uh Giarmo Flores Badios,

0:25:00.119 --> 0:25:03.879
<v Speaker 1>great name, says dune Kirk. Dun Kirk was good. I

0:25:03.920 --> 0:25:05.720
<v Speaker 1>never got to run seeing that one. I really wanted to.

0:25:06.119 --> 0:25:09.240
<v Speaker 1>Dun Kirk's good. You gotta there's a sort of Christopher

0:25:09.280 --> 0:25:11.600
<v Speaker 1>Know any time and things. Yeah, there was an unconventional

0:25:11.680 --> 0:25:13.679
<v Speaker 1>kind of Yeah, like once you wrap your head around that,

0:25:13.760 --> 0:25:15.760
<v Speaker 1>it's a little less confusing, but it can be a

0:25:15.800 --> 0:25:19.200
<v Speaker 1>little confusing and interesting. Yeah, basically, does a day of

0:25:20.720 --> 0:25:23.480
<v Speaker 1>an hour a day in a week like from one

0:25:23.680 --> 0:25:26.840
<v Speaker 1>one sub one plot is an hour of time, one

0:25:26.840 --> 0:25:28.480
<v Speaker 1>plot is a day, and one plot is a week,

0:25:28.520 --> 0:25:31.159
<v Speaker 1>all about the same event. Oh and it's a little

0:25:31.240 --> 0:25:33.440
<v Speaker 1>you don't if you don't quite get that, you're like, wait,

0:25:33.480 --> 0:25:35.280
<v Speaker 1>what's going on? They don't explain that in any way.

0:25:35.320 --> 0:25:38.600
<v Speaker 1>You kind of have to figure it out. Beautiful movie.

0:25:40.520 --> 0:25:42.160
<v Speaker 1>I really enjoyed dun Kirk. I thought it was good.

0:25:42.880 --> 0:25:46.720
<v Speaker 1>Our old pal Alec Glasnovitch says, The Life and Death

0:25:46.720 --> 0:25:51.520
<v Speaker 1>of Colonel Blimp. I haven't seen this because Powell and Pressburger.

0:25:51.760 --> 0:25:53.720
<v Speaker 1>It tell an amazing story about amazing love story of

0:25:53.800 --> 0:25:58.280
<v Speaker 1>some people caught between the two wars. I have not

0:25:58.440 --> 0:26:04.560
<v Speaker 1>seen that. Our old friend Melinda ba Lakalao says dun

0:26:04.600 --> 0:26:07.720
<v Speaker 1>Kirk as well, first war movie. I purposefully went to

0:26:07.760 --> 0:26:10.399
<v Speaker 1>the theater to watch because I wanted to see a

0:26:10.400 --> 0:26:13.639
<v Speaker 1>story I've read about. Was fascinated by some of these.

0:26:13.640 --> 0:26:16.240
<v Speaker 1>You gotta see on the big screen though, Oh for sure.

0:26:16.960 --> 0:26:19.520
<v Speaker 1>I mean a lot of the classics like they'll they'll

0:26:19.560 --> 0:26:23.800
<v Speaker 1>do you know, screenings, screenings and at the plaza and

0:26:23.800 --> 0:26:25.520
<v Speaker 1>stuff like that. I bet you catch Great Escape on

0:26:25.560 --> 0:26:29.359
<v Speaker 1>a big screen at some point. Um our oldest of pals,

0:26:29.440 --> 0:26:35.280
<v Speaker 1>Vanessa Lopez, says, Hero, Uh, most visually stunning film I've

0:26:35.320 --> 0:26:38.359
<v Speaker 1>ever seen. That's the I don't know this. Yeah, no, no,

0:26:38.440 --> 0:26:42.160
<v Speaker 1>it's that's Japanese. That's um oh, it's it's it's not

0:26:42.440 --> 0:26:45.320
<v Speaker 1>it's it's like the fighter. He's on a mission to

0:26:45.359 --> 0:26:48.320
<v Speaker 1>defeat three assassins. That's yeah, it's beautiful film. There's there's

0:26:48.320 --> 0:26:50.560
<v Speaker 1>a color palette thing to where there's like one assassin

0:26:50.680 --> 0:26:53.440
<v Speaker 1>is like red and then one is green. And I

0:26:53.520 --> 0:26:59.520
<v Speaker 1>want to say, it's not um Angley, it is Zang Yamel.

0:27:00.040 --> 0:27:02.880
<v Speaker 1>That's right, Zangmo. Yeah. And it's very much a lot

0:27:02.880 --> 0:27:05.760
<v Speaker 1>of the same cast members I believe as Crouching Tiger uh,

0:27:05.800 --> 0:27:08.040
<v Speaker 1>and it very much has that same why why are

0:27:08.119 --> 0:27:11.040
<v Speaker 1>Kung Fu kind of like man boreography? Check that out?

0:27:11.119 --> 0:27:13.880
<v Speaker 1>But this is just Jetly? Isn't Jetly in it? He's

0:27:15.080 --> 0:27:18.080
<v Speaker 1>the main guy? I think? So it's really really great.

0:27:18.119 --> 0:27:21.560
<v Speaker 1>It's really great. Alright, it's epic as I'll get out.

0:27:21.640 --> 0:27:27.200
<v Speaker 1>It's epic as fuck. Evan Gundy says, Saving Private Ryan,

0:27:27.240 --> 0:27:32.639
<v Speaker 1>of course. Alex Kavanaugh says apocalypse now. Monte Sardina says

0:27:32.680 --> 0:27:35.399
<v Speaker 1>Tiger Land. Yeah, that was a very undersung film. I

0:27:35.440 --> 0:27:38.760
<v Speaker 1>think I think it got overlooked in a lot of corners.

0:27:40.080 --> 0:27:44.040
<v Speaker 1>Let me see here. Paul Stanfield says, good Morning Vietnam,

0:27:44.080 --> 0:27:45.800
<v Speaker 1>as well as Enemy at the Gates and a couple

0:27:45.880 --> 0:27:49.359
<v Speaker 1>of others. Good Morning Vietnam. Was I really loved that movie.

0:27:50.520 --> 0:27:52.080
<v Speaker 1>I got a soft spot in my heart for that one.

0:27:52.760 --> 0:27:55.520
<v Speaker 1>Have you seen that boy? One of Robin Williams best

0:27:56.280 --> 0:27:59.600
<v Speaker 1>so sad he is a treasure man. I was reading

0:27:59.600 --> 0:28:02.200
<v Speaker 1>about him again the other day with the Louis body

0:28:02.240 --> 0:28:06.480
<v Speaker 1>dementia is just like so so sad. Mike Snelling Jr.

0:28:06.480 --> 0:28:10.680
<v Speaker 1>Says he's all Ridge. Another vote for Glippoli from Helen

0:28:10.760 --> 0:28:18.760
<v Speaker 1>high Water. Brian Thomas says, a mini series. Um, Actually

0:28:18.800 --> 0:28:20.919
<v Speaker 1>he doesn't say what it is. Band of Brothers just

0:28:20.920 --> 0:28:24.160
<v Speaker 1>one everyone what everyone always talks about. And I haven't

0:28:24.160 --> 0:28:26.080
<v Speaker 1>seen that. They broke a lot of stars in that

0:28:26.119 --> 0:28:28.479
<v Speaker 1>one too. I believe who was first, who was in

0:28:28.480 --> 0:28:30.400
<v Speaker 1>that and then went on to be in a bunch

0:28:30.400 --> 0:28:32.120
<v Speaker 1>of stuff. That's gotta be what he means. He didn't

0:28:32.119 --> 0:28:33.960
<v Speaker 1>even mention what it was called, but band of Brothers

0:28:33.960 --> 0:28:36.720
<v Speaker 1>said that is what he means. I think I don't.

0:28:36.760 --> 0:28:38.360
<v Speaker 1>I didn't see Band of Brothers, so I need to

0:28:38.440 --> 0:28:42.880
<v Speaker 1>check that out. It's always been on my list. Yeah,

0:28:43.600 --> 0:28:46.120
<v Speaker 1>but I'm trying to remember who it was that was

0:28:46.200 --> 0:28:48.400
<v Speaker 1>kind of appeared in that the first time. Who were

0:28:48.400 --> 0:28:50.360
<v Speaker 1>the brothers and then went on to do a whole

0:28:50.360 --> 0:28:56.080
<v Speaker 1>bunch of other stuff. Uh, let's see full casting crew. Oh,

0:28:56.160 --> 0:28:59.800
<v Speaker 1>Colin Hanks is in it? I want to say, Okay,

0:29:01.320 --> 0:29:05.120
<v Speaker 1>Ron Livingston, Donnie Wahlberg, Oh yeah, I love Ron Livingston now,

0:29:05.240 --> 0:29:09.760
<v Speaker 1>Colin Hanks isn't in it. Um, you're thinking of Tom

0:29:09.800 --> 0:29:12.440
<v Speaker 1>Hanks and saving Private right, No, no, no no, you're thinking

0:29:12.480 --> 0:29:15.720
<v Speaker 1>of Tom Hanks and Bachelor Party. Also true, I'm thinking

0:29:15.720 --> 0:29:20.320
<v Speaker 1>of Tom Hanks in big as in his child form. Oh,

0:29:20.440 --> 0:29:23.560
<v Speaker 1>I'm always thinking about that. All right, Well, let's finish

0:29:23.600 --> 0:29:26.080
<v Speaker 1>it up, Nolan. While you're looking that up, we'll go

0:29:26.200 --> 0:29:31.840
<v Speaker 1>with Juan Nieto with Inglorious Bastards. Wait for the crime.

0:29:32.440 --> 0:29:35.400
<v Speaker 1>That's what he says, is that with the what is

0:29:35.400 --> 0:29:40.160
<v Speaker 1>it um strudel? Yeah, it's a strudal. Such a great scene.

0:29:41.160 --> 0:29:43.920
<v Speaker 1>That is great. My Tarantino gripes, but boy, that's a

0:29:43.920 --> 0:29:46.840
<v Speaker 1>great scene. The first scene or the sequence with the

0:29:47.560 --> 0:29:49.600
<v Speaker 1>you know where there's they're hiding underneath the floor boars

0:29:49.600 --> 0:29:51.640
<v Speaker 1>and stuff, and just the is that that's not that? See,

0:29:51.680 --> 0:29:56.160
<v Speaker 1>that's a different sequence the strudal sequences? Is that that one? Uh? Yeah,

0:29:56.200 --> 0:29:57.840
<v Speaker 1>I think they're under the floorboards here. That's why it's

0:29:57.840 --> 0:29:59.880
<v Speaker 1>so tense, is it. Yeah? But I thought the strudal

0:30:00.040 --> 0:30:03.760
<v Speaker 1>thing was later at some kind of dinner. It's been

0:30:03.760 --> 0:30:06.160
<v Speaker 1>a while since I've seen it. Yeah, that is a

0:30:06.240 --> 0:30:08.520
<v Speaker 1>different That's when he says, wait for the Trim is

0:30:08.720 --> 0:30:11.200
<v Speaker 1>in the restaurant exactly right, right right. I was thinking

0:30:11.200 --> 0:30:13.760
<v Speaker 1>of the earlier scene though, when I think he asks

0:30:13.760 --> 0:30:17.880
<v Speaker 1>for a glass of milk or something. First. Yeah, so good,

0:30:18.000 --> 0:30:20.479
<v Speaker 1>so good. All right, everyone, we're going to finish with

0:30:20.720 --> 0:30:23.840
<v Speaker 1>We'll take a couple of questions. So light up the

0:30:23.840 --> 0:30:30.520
<v Speaker 1>phone lines, nol babe bo? Was that your phone line?

0:30:31.440 --> 0:30:41.040
<v Speaker 1>The sound of the switchboards lighting out? All right, now,

0:30:41.080 --> 0:30:42.560
<v Speaker 1>we're gonna finish, what, like I said, with a few

0:30:42.640 --> 0:30:45.880
<v Speaker 1>questions on the in our comic card, and let's go

0:30:45.960 --> 0:30:54.160
<v Speaker 1>with this. Um m hmm. I don't know. I don't

0:30:54.160 --> 0:30:55.600
<v Speaker 1>think I have an answer to this. No, but maybe

0:30:55.640 --> 0:30:58.960
<v Speaker 1>you do. Raymond J. Down Jr. Says what film do

0:30:59.000 --> 0:31:02.640
<v Speaker 1>you wish you could un earn? Uh something spoilery that

0:31:02.720 --> 0:31:05.680
<v Speaker 1>you knew about before seeing it? And he gives the

0:31:05.720 --> 0:31:09.800
<v Speaker 1>example like unknowing that Norman Bates as the killer in Psycho?

0:31:10.680 --> 0:31:11.920
<v Speaker 1>Do you have anything that you can do? That's an

0:31:11.960 --> 0:31:14.560
<v Speaker 1>interesting one because that's one where you just, you know,

0:31:14.600 --> 0:31:16.600
<v Speaker 1>even the first time I saw it, you you knew

0:31:16.640 --> 0:31:20.120
<v Speaker 1>that what in Psycho? Yeah, and so you it's like

0:31:20.200 --> 0:31:23.440
<v Speaker 1>tempered with that forever at all about learned you know.

0:31:23.840 --> 0:31:27.160
<v Speaker 1>It's not like the shock of that unless you back

0:31:27.200 --> 0:31:29.040
<v Speaker 1>in the when it first came out, that was certainly

0:31:29.080 --> 0:31:30.720
<v Speaker 1>a big twist. I think that's what he's saying though,

0:31:30.800 --> 0:31:33.240
<v Speaker 1>right like or evening even the idea or the fact

0:31:33.320 --> 0:31:37.560
<v Speaker 1>that what's her name the big star gets killed, you know,

0:31:38.480 --> 0:31:40.080
<v Speaker 1>like that that was that would have been a mind

0:31:40.160 --> 0:31:42.800
<v Speaker 1>blower at the time. Yeah, gently, something like that. I

0:31:42.880 --> 0:31:45.520
<v Speaker 1>think about like the impact of not knowing something that

0:31:45.600 --> 0:31:48.880
<v Speaker 1>maybe you just accept now, like I don't know, like

0:31:49.920 --> 0:31:51.600
<v Speaker 1>people give you you want to talk about those people

0:31:51.640 --> 0:31:53.120
<v Speaker 1>give the movie so much ship, But I thought the

0:31:53.200 --> 0:31:56.800
<v Speaker 1>fight Club twist at the time was super cool and

0:31:56.920 --> 0:31:59.480
<v Speaker 1>super mind blowing. And now you know, again, I haven't

0:31:59.480 --> 0:32:02.120
<v Speaker 1>seen the movie in years, but I remember that being

0:32:02.160 --> 0:32:05.720
<v Speaker 1>a very important movie for me and thinking that was

0:32:05.760 --> 0:32:08.440
<v Speaker 1>such a well executed twist that I would have liked

0:32:08.480 --> 0:32:10.640
<v Speaker 1>to experience that feeling again. It's sort of more like

0:32:10.720 --> 0:32:12.920
<v Speaker 1>a nostalgic feeling of like, what would it be like

0:32:13.040 --> 0:32:16.480
<v Speaker 1>to go back and feel that strongly about something again,

0:32:16.560 --> 0:32:22.680
<v Speaker 1>feels like the first time. Exactly. You're probably not a

0:32:22.720 --> 0:32:24.720
<v Speaker 1>big Foreigner fan or you know, I like Foreigner? Um,

0:32:24.800 --> 0:32:27.360
<v Speaker 1>what else did they do foreign or foreign? Or oh

0:32:27.480 --> 0:32:31.640
<v Speaker 1>did they did Urgent? Yeah? And they did, Uh, I

0:32:31.680 --> 0:32:33.080
<v Speaker 1>want to know what love is. I want to know

0:32:33.280 --> 0:32:36.400
<v Speaker 1>what that's the one because I actually I was talking

0:32:36.400 --> 0:32:37.680
<v Speaker 1>to my friend about the other day and I was like,

0:32:37.800 --> 0:32:40.760
<v Speaker 1>is that is that by Whitney Houston And he was like, no, dude,

0:32:40.800 --> 0:32:43.320
<v Speaker 1>it's Foreigner. But couldn't you a picture Whitney Houston saying

0:32:43.400 --> 0:32:47.480
<v Speaker 1>that picture picture Whitney Houston belting that jam out it

0:32:47.520 --> 0:32:51.000
<v Speaker 1>would totally happen. I did karaoke in Philadelphia one time

0:32:51.040 --> 0:32:54.080
<v Speaker 1>before my friend's wedding at a bar, and um, my

0:32:54.280 --> 0:32:56.880
<v Speaker 1>usual pick someone had done, so I switched it up

0:32:56.880 --> 0:32:59.600
<v Speaker 1>at the last minute and did Cold as Ice by Foreigner. Yeah,

0:32:59.640 --> 0:33:03.280
<v Speaker 1>it's as Ice right. When I went on is total

0:33:03.400 --> 0:33:07.880
<v Speaker 1>Philly karaoke guy went you better squeeze your balls for

0:33:07.960 --> 0:33:10.120
<v Speaker 1>this one, and I was like what. I was like,

0:33:10.240 --> 0:33:12.880
<v Speaker 1>oh right, this song is high Ship. Yeah. And it

0:33:13.000 --> 0:33:15.600
<v Speaker 1>was not my best performance. I'm sure it was delightful.

0:33:15.680 --> 0:33:21.320
<v Speaker 1>Chuck hot Blooded, Jukebox Hero, Dude Box, Dirty White Boy,

0:33:21.360 --> 0:33:22.840
<v Speaker 1>that's a good song. I don't know that one Long

0:33:22.920 --> 0:33:25.200
<v Speaker 1>Long Way from Home waiting for a girl like you. Man,

0:33:25.320 --> 0:33:28.280
<v Speaker 1>they have a head games, Jesus. No Foreigner had like

0:33:28.600 --> 0:33:30.360
<v Speaker 1>twelve big hits have you not seen that episode of

0:33:30.360 --> 0:33:33.200
<v Speaker 1>Aquitine Hunger for Us where they have the foreigner belt. No,

0:33:33.840 --> 0:33:35.600
<v Speaker 1>and it's like the Moon and Knights and they're like

0:33:36.000 --> 0:33:38.920
<v Speaker 1>they've got this like magical foreigner belt that they steal

0:33:39.000 --> 0:33:42.280
<v Speaker 1>from Carl or whatever. There's like, oh, no, you've become

0:33:42.720 --> 0:33:45.840
<v Speaker 1>hot blooded and then like it's all these like puns

0:33:45.960 --> 0:33:49.760
<v Speaker 1>and now you're called as eyes and then Carl starts

0:33:49.800 --> 0:33:51.920
<v Speaker 1>like freezing or whatever, and then he's like overheating. And

0:33:52.440 --> 0:33:54.520
<v Speaker 1>former guest Dave willis that's right, That's how I brought

0:33:54.560 --> 0:33:56.920
<v Speaker 1>it up. He's doing a show with us, as doing

0:33:57.000 --> 0:33:58.640
<v Speaker 1>voice work on a show with us? Is that right?

0:33:59.120 --> 0:34:00.720
<v Speaker 1>What is just something I don't know about this? Yeah?

0:34:01.000 --> 0:34:03.880
<v Speaker 1>Or my old buddy. Also, another former guest, Joe ran Dazzo,

0:34:04.560 --> 0:34:06.920
<v Speaker 1>is doing a scripted comedy and Dave is going to

0:34:07.000 --> 0:34:09.160
<v Speaker 1>be on the team. That's fantastic. You told me about

0:34:09.320 --> 0:34:11.399
<v Speaker 1>the idea of that. Yeah, that's great, that it's gonna

0:34:11.400 --> 0:34:14.280
<v Speaker 1>be really good, very cool. Can't wait. Uh let's finish

0:34:14.400 --> 0:34:17.480
<v Speaker 1>up with here. Let's do one more question. Nol our

0:34:17.520 --> 0:34:20.320
<v Speaker 1>old pal Kayla m h says, what movie do you

0:34:20.360 --> 0:34:24.400
<v Speaker 1>think would benefit from a gender swap remake or reimagining.

0:34:25.239 --> 0:34:29.080
<v Speaker 1>Uh yeah, that's something that's going on. Now. Let me see,

0:34:30.719 --> 0:34:33.680
<v Speaker 1>do you know what I would like to see Maybe

0:34:33.719 --> 0:34:35.799
<v Speaker 1>it's been done, but I don't think so. I would

0:34:35.840 --> 0:34:40.800
<v Speaker 1>like to see a female western, like a Young Guns,

0:34:41.440 --> 0:34:46.640
<v Speaker 1>but with like seven badass Annie Oakley's you know what

0:34:46.880 --> 0:34:50.840
<v Speaker 1>that's really ringing a bell? Is that? Well? There was

0:34:51.080 --> 0:34:54.680
<v Speaker 1>there was that movie The Quick and the Dead where

0:34:56.600 --> 0:34:57.839
<v Speaker 1>that was a good one. I really yeah, I mean

0:34:57.880 --> 0:35:00.680
<v Speaker 1>more more along the lines of a gang of they're

0:35:00.719 --> 0:35:05.200
<v Speaker 1>either you know, train robber marauders, which can be fun,

0:35:05.440 --> 0:35:08.719
<v Speaker 1>or they're on the other side of the law. Um,

0:35:09.160 --> 0:35:13.200
<v Speaker 1>like you know Texas Rangers, like female Texas Rangers. That's

0:35:13.320 --> 0:35:15.719
<v Speaker 1>why hasn't that been done? Though it does appear there's

0:35:15.760 --> 0:35:19.880
<v Speaker 1>a film called Last Stand to Nowhere that has something

0:35:19.960 --> 0:35:22.279
<v Speaker 1>of that kind of cast. I don't know if it's

0:35:22.320 --> 0:35:31.160
<v Speaker 1>any good um interesting, because see I'm thinking, well, yeah,

0:35:31.239 --> 0:35:35.839
<v Speaker 1>there's that's pretty low pro though, but we're talking about

0:35:35.880 --> 0:35:38.160
<v Speaker 1>like a straight up reboot, so like it would you know,

0:35:38.719 --> 0:35:40.520
<v Speaker 1>you don't need to be like a Young Guns, yeah,

0:35:41.320 --> 0:35:43.600
<v Speaker 1>except you know, they would probably try and put some

0:35:43.760 --> 0:35:46.120
<v Speaker 1>dumb spin on the title. What was the bon Jovi

0:35:46.280 --> 0:35:49.640
<v Speaker 1>song that was in Young guns, Blaze of Glory, No

0:35:50.280 --> 0:35:58.680
<v Speaker 1>Shout Glory. Oh bon Jovi. He was he was born

0:35:58.800 --> 0:36:01.120
<v Speaker 1>to write that song. He was born to be a

0:36:01.239 --> 0:36:05.239
<v Speaker 1>lovers true. Um, he's seen a million and he rocked

0:36:05.280 --> 0:36:07.200
<v Speaker 1>them on Did You Rock Your Face? I saw them

0:36:08.000 --> 0:36:11.799
<v Speaker 1>open up for thirty eight Special on their first album, yeah,

0:36:11.960 --> 0:36:14.400
<v Speaker 1>about years ago. Tables would have turned pretty quickly after that,

0:36:14.520 --> 0:36:19.480
<v Speaker 1>pretty quickly. Uh. And then I saw them uh in

0:36:19.760 --> 0:36:24.560
<v Speaker 1>in high school. Well, a person I knew in high

0:36:24.560 --> 0:36:27.480
<v Speaker 1>school had an extra ticket and I felt bad because

0:36:27.520 --> 0:36:30.600
<v Speaker 1>this person couldn't find anyone to go with them and

0:36:30.760 --> 0:36:32.279
<v Speaker 1>was asking, like all the girls in school to go

0:36:32.320 --> 0:36:35.800
<v Speaker 1>and they were all like, no, you're gross. Yeah, And

0:36:35.880 --> 0:36:37.839
<v Speaker 1>so I felt bad for this person and I went

0:36:37.920 --> 0:36:41.319
<v Speaker 1>to the bon Jovi concert with him. Was good. Yeah.

0:36:41.640 --> 0:36:45.399
<v Speaker 1>Was it awkward, yeah, okay, but the concert itself was good.

0:36:45.520 --> 0:36:49.759
<v Speaker 1>Yeah bon Jovi. That was when. Even after that it

0:36:49.920 --> 0:36:53.440
<v Speaker 1>was like Bad Medicine Tour, whatever album that was might

0:36:53.480 --> 0:36:56.560
<v Speaker 1>have been Bad Medicine or No New Jersey maybe, but

0:36:56.640 --> 0:37:00.520
<v Speaker 1>it was mega bon Jovi, like all the big songs.

0:37:01.040 --> 0:37:03.400
<v Speaker 1>Then it was fucking great. I bet it was. I

0:37:03.440 --> 0:37:06.520
<v Speaker 1>would love to see it. I saw Aerosmith a long time.

0:37:06.560 --> 0:37:09.399
<v Speaker 1>I've never seen Aerosta were great. Bet it was great,

0:37:09.600 --> 0:37:13.000
<v Speaker 1>really cool. I'm thinking that we missed the window on that. Yeah,

0:37:13.000 --> 0:37:14.400
<v Speaker 1>I don't know. I don't know that they'll they'll do

0:37:14.520 --> 0:37:16.759
<v Speaker 1>a big old giant tour. They might, but it's it's

0:37:16.800 --> 0:37:19.279
<v Speaker 1>been a minute though. I mean it's I feel like, yeah,

0:37:19.640 --> 0:37:22.160
<v Speaker 1>what happened to Aerosmith? Well, I mean, you know, they're

0:37:22.200 --> 0:37:24.160
<v Speaker 1>just comfortable being rich and old, being rich and old

0:37:24.239 --> 0:37:27.960
<v Speaker 1>and just doing like guests Judge spots on like you know,

0:37:28.080 --> 0:37:30.719
<v Speaker 1>talent shows on TV. That's right. Steven Tyler did think

0:37:30.760 --> 0:37:33.800
<v Speaker 1>there's a bit of that going around. Interesting, Well, what

0:37:33.960 --> 0:37:36.279
<v Speaker 1>a sad way to don't No, it's not. They had

0:37:36.320 --> 0:37:40.919
<v Speaker 1>their heyday and honestly they kind of kept Oh dude, yeah,

0:37:41.840 --> 0:37:44.080
<v Speaker 1>they've been the whole I heard a great interview with

0:37:44.160 --> 0:37:48.160
<v Speaker 1>Rick Rubin recently where he was talking about the reason

0:37:48.320 --> 0:37:52.040
<v Speaker 1>they did that run DMC Aerosmith pairing, and it was

0:37:52.120 --> 0:37:55.480
<v Speaker 1>because that beat at the beginning of walk this way

0:37:55.600 --> 0:38:00.080
<v Speaker 1>this don't but that was just the the beat, and

0:38:00.080 --> 0:38:01.480
<v Speaker 1>then they would they would just juggle it back and

0:38:01.520 --> 0:38:03.640
<v Speaker 1>forth between two turntables, where you'd have it on one

0:38:03.719 --> 0:38:05.840
<v Speaker 1>and have the same record on both turntables, and they

0:38:05.840 --> 0:38:08.640
<v Speaker 1>could keep it going forever. And so that was everybody

0:38:08.719 --> 0:38:11.000
<v Speaker 1>knew that, and so that was how they did that crossover,

0:38:11.080 --> 0:38:13.560
<v Speaker 1>because if everyone was already aware of that beat in

0:38:13.680 --> 0:38:15.960
<v Speaker 1>the kid Taylor made for a kind of call and

0:38:16.040 --> 0:38:19.160
<v Speaker 1>response hip hop thing. Yeah, and then just the whole

0:38:19.200 --> 0:38:21.840
<v Speaker 1>cadence of it. And even he made the point that

0:38:21.960 --> 0:38:24.359
<v Speaker 1>what Steven Tyler does that in that song is kind

0:38:24.400 --> 0:38:29.200
<v Speaker 1>of a rap, do you know? It's just the old

0:38:29.200 --> 0:38:32.719
<v Speaker 1>white boy blues of course, of course, but that really

0:38:32.880 --> 0:38:35.240
<v Speaker 1>was the very first because I mean hip hop culture

0:38:35.239 --> 0:38:38.319
<v Speaker 1>at that point was super underground, and it was very

0:38:38.400 --> 0:38:42.040
<v Speaker 1>neat and very likely and regionalized, you know, and that

0:38:42.239 --> 0:38:44.279
<v Speaker 1>is what sort of blew it up into the one

0:38:44.320 --> 0:38:47.400
<v Speaker 1>of the things that DMC certainly were the first to

0:38:47.480 --> 0:38:50.359
<v Speaker 1>kind of kick that door open to the mainstream good ship.

0:38:50.640 --> 0:38:53.759
<v Speaker 1>I remember that video like it was yesterday, Big big deal.

0:38:53.840 --> 0:38:55.520
<v Speaker 1>Is that a better note tend on? I think? So?

0:38:56.040 --> 0:39:12.600
<v Speaker 1>All right, thanks everybody, We'll see you next week. For

0:39:12.719 --> 0:39:15.080
<v Speaker 1>more podcasts for my Heart Radio, visit the I heart

0:39:15.160 --> 0:39:17.839
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

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<v Speaker 1>favorite shows.