WEBVTT - Episode 395 w/ Ludacris

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<v Speaker 1>He is drinks chests, motherfucking podcast make He's a legendary

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<v Speaker 1>queens rapper.

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<v Speaker 2>He ain't agree. That's your boy in O r E.

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<v Speaker 2>He's a Miami hip hop mioneer put up as d

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<v Speaker 2>J e f N. Together they drink it up with

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<v Speaker 2>some of the biggest players, you know what I mean.

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk drinks.

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<v Speaker 4>Chants most every day is New Year's c Listen, It's

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<v Speaker 4>time for drink champions.

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<v Speaker 2>Drink up? Motherfuck? Would it good?

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<v Speaker 4>Be hoping these winner should be This your boy in

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<v Speaker 4>O R E. What up is d J e f N.

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<v Speaker 4>And it's gonna take me crazy? You were all drinking

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<v Speaker 4>champis champion.

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<v Speaker 2>I will make something.

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<v Speaker 4>And when I tell you, when me and e f

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<v Speaker 4>N starts this show, we wanted to uh in the

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<v Speaker 4>you are peers. We want to interview fellow legends, fellow icons.

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<v Speaker 4>When I tell you, I've seen this man come up

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<v Speaker 4>in the game. You know, from the beginning to where

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<v Speaker 4>he's at now. He is always his team has been

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<v Speaker 4>tight like virgin pussy. But nothing can break them. Nothing

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<v Speaker 4>could break them. I sweet of God from the very

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<v Speaker 4>day ones that I've seen him come in the game.

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<v Speaker 4>He's with the same exact people. When you speak about loyalty,

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<v Speaker 4>they picture comes up. We speak about this guy as

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<v Speaker 4>a character, this guy as a MC, this guy as

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<v Speaker 4>an actor, this guy has to producer. This guy's everything.

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<v Speaker 4>He's a renaissance man. He's a fellow virgo. I believe

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<v Speaker 4>he's married to like me, and we love hard and

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<v Speaker 4>we go on the mouth. These people's like ya, y'all

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<v Speaker 4>got the best vacation pictures ever. But this guy is

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<v Speaker 4>as an icon, He's a legend. He's a lyrical he

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<v Speaker 4>could go lyrically. We went through his pscography and we

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<v Speaker 4>realize that he can go lyrically with any body. Anybody

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<v Speaker 4>toe to toe and he might and he might put

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<v Speaker 4>on the.

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<v Speaker 2>Big a force one. We didn't want to go toe

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<v Speaker 2>to toe. He is the man, he is my friend.

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<v Speaker 2>He is a.

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<v Speaker 4>Legend of icon, a motherfucking tycoon. In case you don't

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<v Speaker 4>know what we're talking about, were talking about the one

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<v Speaker 4>and only impeccable Chris.

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<v Speaker 2>Love of love and I have you know, Luda.

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<v Speaker 4>I just want you to know. I have been drinking

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<v Speaker 4>twenty days.

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<v Speaker 2>I've been in the.

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<v Speaker 4>Gym every day, trying to get my shit on.

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<v Speaker 2>But when we locked you in, I said, breaking my flask. Yeah. Look,

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<v Speaker 2>I'm gonna be honest with you.

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<v Speaker 4>Man. I am really really really proud of you because

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<v Speaker 4>in certain ways, I kind of like feel like we

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<v Speaker 4>traded careers, like kind of like like you kind of

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<v Speaker 4>like started out like kind of like media even though

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<v Speaker 4>you have music, wait before that, right, and then you

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<v Speaker 4>transition as supposed to be where it's like kind of

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<v Speaker 4>like an artist, and now I'm having fun doing the media.

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<v Speaker 2>But a lot of people that's where.

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<v Speaker 4>They start your career, right, they start at the radio station.

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<v Speaker 4>But a lot of people don't know you have records

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<v Speaker 4>and you had things way before that.

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<v Speaker 2>Is that true? Okay, put it on.

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<v Speaker 5>I started rapping when I was nine years old. Yeah,

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<v Speaker 5>one hundred percent. My first record was called or Not Record.

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<v Speaker 5>My first song was called I'm Cool, I'm bad. I

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<v Speaker 5>might be ten, Wow, but I can't survive without my girlfriend.

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<v Speaker 2>Wow.

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<v Speaker 5>I show you nine and I was nine, So you

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<v Speaker 5>know I had to put the expects.

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<v Speaker 2>At nine years old. He was you're ready to go.

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<v Speaker 2>I'm ready to go. I'm ready to go. Limits, limits, limits,

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<v Speaker 2>So I had you're gonna get fucked up, you know,

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<v Speaker 2>drinking twenty day, Yes, twenty days. You about to get

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<v Speaker 2>fuck caving about these I'm sorry you should, but.

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<v Speaker 5>No, Like like I said, I started rapping when I

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<v Speaker 5>was nine.

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<v Speaker 2>So yeah, I.

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<v Speaker 5>Went through a good ten ten twelve years of doing

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<v Speaker 5>so many different you know, crazy contracts and being in

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<v Speaker 5>groups and going in and out of.

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<v Speaker 2>Just developing my style.

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<v Speaker 5>And so you know when I got to the radio station,

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<v Speaker 5>like you say, this was when I was eighteen years old.

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<v Speaker 5>And so this is right when wrap radio stations were

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<v Speaker 5>kind of card and where twenty four hours you playing

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<v Speaker 5>nothing but rap music.

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<v Speaker 2>Because radio college read Mercer Radio.

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<v Speaker 5>So it's now one oh seven point nine in Atlanta.

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<v Speaker 5>At the time it was called Hot ninety seven point five.

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<v Speaker 5>And so at this time I literally got a job

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<v Speaker 5>up there as an intern, and so I was just

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<v Speaker 5>trying to get put on. So it was strategic because

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<v Speaker 5>I was like, you got all these producers, you got

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<v Speaker 5>all these artists coming through to a radio station each

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<v Speaker 5>and every fucking day.

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<v Speaker 2>So I'm gonna go up here and.

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<v Speaker 5>Make these people think that I want a job at

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<v Speaker 5>this radio station.

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<v Speaker 2>But the real hustle is that.

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<v Speaker 5>Whoever come up here I'm about to give with my music.

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<v Speaker 5>I'm about to rap form and it's going to work.

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<v Speaker 5>And now, keep in mind, it took i'd say about

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<v Speaker 5>a good three or four years before it actually you know,

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<v Speaker 5>the plan worked, you meaning you at the radio station

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<v Speaker 5>three or four years being there before the whole Ludacris

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<v Speaker 5>came into play because I was there as an air personality.

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<v Speaker 2>I was hosting the clubs.

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<v Speaker 5>I was a local celebrity way before commercially successful as Ludacris.

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<v Speaker 5>But yeah, that's how it all started. Man, at that

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<v Speaker 5>radio station Atlanta, George.

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<v Speaker 4>I'm gonna be honest, man, and I don't think I've

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<v Speaker 4>ever said this, and you're gonna be You're gonna be happy.

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<v Speaker 2>You're gonna happy. Were about to get some shit. I'm

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<v Speaker 2>gonna be honest, bro.

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<v Speaker 4>It was at one point, if you had a number

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<v Speaker 4>one record in New York, you had a number one

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<v Speaker 4>record around the world. And I'm proud to kind of say,

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<v Speaker 4>not kind of, I'm proud to say that right now,

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<v Speaker 4>if you have a number one record in Atlanta, y'all, man.

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<v Speaker 4>But it's true though it's been like that for a while.

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<v Speaker 4>By the way, my New York is recognizing it right now.

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<v Speaker 4>I'm just being honest because we didn't want to let

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<v Speaker 4>it go.

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<v Speaker 2>But I see it now, like if you.

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<v Speaker 4>It brings me to change, right because I remember I

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<v Speaker 4>remember to change being down with you guys. And his

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<v Speaker 4>name wasn't too changed. It was Titty Bwockett's. My first

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<v Speaker 4>drinking in twenty days got Damini's Gold. But I remember

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<v Speaker 4>I remember him being known in like just that section,

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<v Speaker 4>like and it's just like I I remember, I remember,

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<v Speaker 4>I'm sorry, I'm all over the place, but I remember

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<v Speaker 4>me speaking with bum Bee and me almost saying to

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<v Speaker 4>them like, damn, y'all could actually go gold and just Texas,

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<v Speaker 4>like just Texas. And I remember saying that about Atlanta because.

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<v Speaker 2>Y'all had local heroes, like I'm sorry, I'm all over

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<v Speaker 2>the place. But I remember.

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<v Speaker 4>About to Troy, and I remember how huge pastor Troy was.

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<v Speaker 2>Right was I remember after meeting he was and I

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<v Speaker 2>was like.

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<v Speaker 4>We ran it looking at me like what the fuck

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<v Speaker 4>is you talking about?

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<v Speaker 2>Man?

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<v Speaker 4>And I would go just to New Orleans and I'd

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<v Speaker 4>be like, we read it and people didn't know.

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<v Speaker 2>That's when I knew Atlanta had the chance.

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<v Speaker 4>To kind of like dominate the whole business because y'all

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<v Speaker 4>had stars. That was just in Atlanta, And so how

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<v Speaker 4>how was that seeing that because it was almost like,

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<v Speaker 4>I don't want to say the back of the bus,

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<v Speaker 4>like it was like kind of like y'all went from

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<v Speaker 4>there to and I felt like, I'm sorry, I felt

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<v Speaker 4>like it's Andre three thousand that jigs the world.

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<v Speaker 2>I don't say that the world. He told us, I've

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<v Speaker 2>got something to say. Oh got you?

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<v Speaker 4>Because again, I'm sorry, I'm so all over the place.

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<v Speaker 4>But I remember coming to Atlanta. Man, stop apologizing. I

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<v Speaker 4>remember going to Atlanta. But I remember going to Atlanta

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<v Speaker 4>as a New York artist and New York was running.

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<v Speaker 4>I remember saying it it was Atlanta in the house,

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<v Speaker 4>and they're not saying nothing to me saying it was

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<v Speaker 4>Brooklyn in the house, and it would just it were

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<v Speaker 4>erupt and I knew these people weren't from Brooklyn, but

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<v Speaker 4>they didn't have no identity back then. But like, that's

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<v Speaker 4>that's my story. But how does it feel from seeing

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<v Speaker 4>like your city go from to where it's at now?

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<v Speaker 5>Absolutely fucking amazing. I feel like we've had the game

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<v Speaker 5>in a choke hold for.

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<v Speaker 2>Quite some time.

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<v Speaker 5>Like you say, I mean, you know, we can we

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<v Speaker 5>get we get debate about how long it's been, but

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<v Speaker 5>just it's it amazes me since I started it because

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<v Speaker 5>I come from the like you said, the goodie mobs

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<v Speaker 5>and the outcast. They paved the way from me. So

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<v Speaker 5>after all this time, in retrospect, you know, seeing what

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<v Speaker 5>has happened over all that time and just Atlanta artists

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<v Speaker 5>working together and it's just the camaraderie and everybody just

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<v Speaker 5>becoming a powerhouse. When when you do these records together

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<v Speaker 5>and you see that they continue to climb these charts

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<v Speaker 5>all this time later, Man, it feels fucking amazing, amazing,

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<v Speaker 5>and it's like I don't feel like it's going anywhere.

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<v Speaker 2>That's what it always seemed like.

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<v Speaker 6>It might be different being from the city, but from

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<v Speaker 6>the outside looking in, it looked like Atlanta always had

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<v Speaker 6>it together.

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<v Speaker 2>Like the artist does work together.

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<v Speaker 6>It didn't matter if they didn't sound the same, different

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<v Speaker 6>kind of genres within the genre, they all worked together.

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<v Speaker 2>They all were ripping for the city, southern hospitality, as

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<v Speaker 2>we say.

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<v Speaker 4>And that's why I had a hate up moment at

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<v Speaker 4>one point that was like I was kind of glad

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<v Speaker 4>when you and T I was beefing for like two weeks,

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<v Speaker 4>because two weeks at least the human you know what

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<v Speaker 4>I mean, Like the South didn't seem human at one point.

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<v Speaker 4>It seems like all of y'all beats, if you has

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<v Speaker 4>stripes or whatever, y'all kept it in between each other

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<v Speaker 4>and New York.

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<v Speaker 2>We couldn't do that, you know what I mean.

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<v Speaker 5>It was it was outer and you know what I'm saying,

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<v Speaker 5>like we didn't see it though, like you didn't see

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<v Speaker 5>a lot of I say with.

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<v Speaker 2>I didn't see like the Atlanta on Atlanta. That's a

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<v Speaker 2>good thing.

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<v Speaker 5>Then if you're saying, from your perspective you didn't see

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<v Speaker 5>it like that, then that's good.

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<v Speaker 2>So make.

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<v Speaker 5>We like to keep the reputation of keeping it, you know, together,

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<v Speaker 5>togetherness in that Southern hospitality for sure.

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<v Speaker 4>So what actually happened with you and t I at

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<v Speaker 4>that time?

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<v Speaker 5>It was from my perspective, it was always a little subliminals,

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<v Speaker 5>and I just heard subliminals. And I'm extremely competitive, so

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<v Speaker 5>I'm always with the subliminals. So when you know when

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<v Speaker 5>he was jab, I was just jab right back in records.

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<v Speaker 4>Did this happened to the like karate class.

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<v Speaker 5>Absolutely not, But no, just this competition, man. And you

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<v Speaker 5>know it's crazy because again in retrospect, we were actually

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<v Speaker 5>on a flight together, on a plane we went to

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<v Speaker 5>George Floyd's funeral services together. God bless Will Packer put

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<v Speaker 5>a bunch of people together on this plane and so

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<v Speaker 5>we literally were on there talking for two three hours

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<v Speaker 5>of everything, the whole history. And you know, I just

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<v Speaker 5>told him to his faces, like, brother, I never start.

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<v Speaker 2>Any fucking thing, you know what I'm saying.

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<v Speaker 5>I come from a world where I mind my own

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<v Speaker 5>fucking business.

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<v Speaker 2>This is what Ludacris does.

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<v Speaker 5>I hear people talk stuff, and people take jabs, and

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<v Speaker 5>people take shots, and then you know, I decide whether

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<v Speaker 5>or not I want to send the shots back. But

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<v Speaker 5>at the end of the day, I just I don't

0:10:36.120 --> 0:10:38.000
<v Speaker 5>start shit. I finished it.

0:10:38.440 --> 0:10:39.000
<v Speaker 2>That's what I do.

0:10:39.760 --> 0:10:42.480
<v Speaker 5>So we on this plane, man, talking about the history

0:10:42.559 --> 0:10:45.400
<v Speaker 5>of all the shit that we've been through, like and

0:10:45.440 --> 0:10:47.200
<v Speaker 5>it's like we sat back and laughed at the end

0:10:47.200 --> 0:10:48.360
<v Speaker 5>of that shit, you know what I'm saying.

0:10:48.520 --> 0:10:49.080
<v Speaker 2>And that's what.

0:10:49.000 --> 0:10:51.400
<v Speaker 5>Maturity and that's what stroke is all about. But we

0:10:51.440 --> 0:10:53.360
<v Speaker 5>gave the people what they wanted for a certain amount

0:10:53.400 --> 0:10:55.360
<v Speaker 5>of time, and that's what hip hop is. It starts

0:10:55.360 --> 0:10:58.000
<v Speaker 5>from competition, and we just gonna get We're gonna give

0:10:58.040 --> 0:10:59.320
<v Speaker 5>you that, you know what I'm saying.

0:11:04.200 --> 0:11:08.760
<v Speaker 4>So we're going through your discography, bro, the discogo. Yeah,

0:11:08.760 --> 0:11:09.400
<v Speaker 4>we're going through it.

0:11:09.440 --> 0:11:09.560
<v Speaker 6>Bro.

0:11:09.679 --> 0:11:10.560
<v Speaker 2>I ain't got a lot of you.

0:11:11.120 --> 0:11:13.000
<v Speaker 4>We got some records here. We know we've seen you

0:11:13.120 --> 0:11:15.840
<v Speaker 4>do versus with Nelly. Yeah, but y'all wasn't in the

0:11:15.840 --> 0:11:17.280
<v Speaker 4>same room. Correct, we were not.

0:11:17.760 --> 0:11:19.720
<v Speaker 5>I think we were the first rappers to do versus,

0:11:19.960 --> 0:11:21.680
<v Speaker 5>if I'm not mistaken. And this was at a time

0:11:21.720 --> 0:11:25.000
<v Speaker 5>where the everybody was still at home, like but nobody

0:11:25.080 --> 0:11:27.680
<v Speaker 5>was leaving this quarantine. So this is before people got

0:11:27.720 --> 0:11:29.760
<v Speaker 5>on the stages and was doing the whole performance and

0:11:29.760 --> 0:11:31.120
<v Speaker 5>ship Niggas.

0:11:30.760 --> 0:11:32.920
<v Speaker 4>Was at the crib. I'm gonna be honest with you.

0:11:33.400 --> 0:11:36.160
<v Speaker 4>I looked at your face when you walked up, and

0:11:36.240 --> 0:11:39.040
<v Speaker 4>I knew you was gonna win, just like you had

0:11:39.040 --> 0:11:41.200
<v Speaker 4>the eye the fucking I don't know what you was

0:11:41.200 --> 0:11:42.280
<v Speaker 4>doing push ups before that.

0:11:44.800 --> 0:11:45.520
<v Speaker 2>I looked at you.

0:11:45.640 --> 0:11:49.040
<v Speaker 4>I was like, no, you know how, you know how

0:11:49.040 --> 0:11:51.800
<v Speaker 4>you're in the zone like I looked. Was it because

0:11:51.800 --> 0:11:52.440
<v Speaker 4>you was bored?

0:11:53.360 --> 0:11:56.079
<v Speaker 2>Let me tell yourself, you're just starting this interview. That's

0:11:56.120 --> 0:12:01.000
<v Speaker 2>gonna be a common theme to competitive yess yeah, I

0:12:01.080 --> 0:12:03.480
<v Speaker 2>love competition. It's what we do this ship for.

0:12:04.120 --> 0:12:06.480
<v Speaker 5>So that's what you saw on my face, like subdleness,

0:12:06.600 --> 0:12:07.920
<v Speaker 5>just ready to fucking go.

0:12:08.120 --> 0:12:09.760
<v Speaker 2>Let's go, because you know what you look like.

0:12:09.800 --> 0:12:12.320
<v Speaker 4>You look like the fighter, right that's about to fight

0:12:12.400 --> 0:12:15.199
<v Speaker 4>his brother that don't want to hurt his brother's That's

0:12:15.200 --> 0:12:15.959
<v Speaker 4>what any opponent.

0:12:16.000 --> 0:12:17.560
<v Speaker 5>By the way, Okay, that's why I say I don't

0:12:17.600 --> 0:12:20.520
<v Speaker 5>start ship. I finished it. That's that's the other theme

0:12:20.600 --> 0:12:22.840
<v Speaker 5>of this interview. Well, go ahead. I'm sorry to interrupt you,

0:12:22.840 --> 0:12:23.079
<v Speaker 5>my brother.

0:12:23.640 --> 0:12:25.560
<v Speaker 2>No, no, no, I was so because I was looking

0:12:26.160 --> 0:12:26.680
<v Speaker 2>and I.

0:12:26.600 --> 0:12:29.480
<v Speaker 4>Know you personally and I know Nelly personally, right, so

0:12:29.600 --> 0:12:31.480
<v Speaker 4>I know both of you brothers, and I'm looking and

0:12:31.520 --> 0:12:33.560
<v Speaker 4>i'm you know, as everyone else, we all bored in

0:12:33.559 --> 0:12:36.120
<v Speaker 4>the crib and I'm just like this. But I knew

0:12:36.160 --> 0:12:38.720
<v Speaker 4>how I seen your face. I knew how serious you

0:12:38.760 --> 0:12:41.000
<v Speaker 4>took it. And I seen Nellie, that's my that's my

0:12:41.000 --> 0:12:41.439
<v Speaker 4>brother too.

0:12:41.480 --> 0:12:43.959
<v Speaker 2>Let me just big him up. But I seen him.

0:12:44.000 --> 0:12:46.120
<v Speaker 4>I seen him kind of like you know, not I

0:12:46.400 --> 0:12:48.640
<v Speaker 4>don't want to say not taking this serious, but just

0:12:48.640 --> 0:12:51.240
<v Speaker 4>like you know, I'm here and I phone with your face.

0:12:51.480 --> 0:12:52.880
<v Speaker 2>You have to face on your guy right now.

0:12:54.440 --> 0:12:56.640
<v Speaker 4>You you were zone then you were looking at your

0:12:56.720 --> 0:13:00.200
<v Speaker 4>DJ and I just knew it. And is that that

0:13:00.280 --> 0:13:03.160
<v Speaker 4>goes back to the competition thing. It does not matter, bro.

0:13:03.400 --> 0:13:04.920
<v Speaker 4>I love this shit.

0:13:05.160 --> 0:13:07.240
<v Speaker 2>Bro. I live for this shit.

0:13:08.000 --> 0:13:10.120
<v Speaker 5>I apologize for movies getting in the way of the

0:13:10.240 --> 0:13:12.120
<v Speaker 5>music people, but goddamn it, I'm coming.

0:13:12.520 --> 0:13:14.040
<v Speaker 2>I love this shit. I just love it.

0:13:15.120 --> 0:13:17.079
<v Speaker 5>You know what I'm saying. I made a living off

0:13:17.120 --> 0:13:19.320
<v Speaker 5>of it. My kids is straight off of it. My

0:13:19.400 --> 0:13:22.280
<v Speaker 5>whole team, we feed a lot of people, and that's

0:13:22.320 --> 0:13:23.360
<v Speaker 5>why we take it so serious.

0:13:23.400 --> 0:13:25.360
<v Speaker 2>I just love it. I love it. That's that face, man,

0:13:25.400 --> 0:13:26.360
<v Speaker 2>that's that game face.

0:13:27.400 --> 0:13:30.600
<v Speaker 4>And how happy are you that jar Ru turned down

0:13:30.640 --> 0:13:31.000
<v Speaker 4>that job?

0:13:32.880 --> 0:13:33.080
<v Speaker 2>Man?

0:13:33.120 --> 0:13:35.120
<v Speaker 5>I didn't believe it at first when I heard that rumor,

0:13:35.240 --> 0:13:37.719
<v Speaker 5>And yeah, what is the rumor? Tell us what is

0:13:37.760 --> 0:13:39.680
<v Speaker 5>your party you heard? I don't want to speak for job,

0:13:39.720 --> 0:13:43.040
<v Speaker 5>but it was definitely something in the realm of John

0:13:43.120 --> 0:13:46.600
<v Speaker 5>Singleton went to him first for that role in Too Fast,

0:13:46.640 --> 0:13:49.120
<v Speaker 5>Too Furious because he was in the first Fast and

0:13:49.160 --> 0:13:53.880
<v Speaker 5>Furious and for whatever reason, that deal didn't work out.

0:13:53.920 --> 0:13:56.720
<v Speaker 5>So I don't know the specifics, and so that deal

0:13:56.800 --> 0:14:01.360
<v Speaker 5>not working out has had ludicris in two six seven

0:14:01.600 --> 0:14:06.240
<v Speaker 5>eight nine ten. Let me take a sip of my

0:14:06.280 --> 0:14:10.480
<v Speaker 5>motherfucker god, hey man sit two five six seven eight

0:14:10.559 --> 0:14:11.000
<v Speaker 5>nine ten.

0:14:11.080 --> 0:14:14.520
<v Speaker 2>And still fucking don't another rumor that I heard. Tell

0:14:14.520 --> 0:14:15.440
<v Speaker 2>me if this is true or not.

0:14:15.920 --> 0:14:18.760
<v Speaker 6>The contractually doing the movies, you weren't allowed to put

0:14:18.760 --> 0:14:19.280
<v Speaker 6>out music.

0:14:21.960 --> 0:14:24.640
<v Speaker 5>Contractually, I wasn't. I wasn't able to ride my motorcycles.

0:14:24.680 --> 0:14:26.840
<v Speaker 5>They got that ship in the contract. While we're shooting,

0:14:26.880 --> 0:14:30.040
<v Speaker 5>you cannot ride. I'm a motorcycle junkie. I'm an adrenaline junkie.

0:14:30.080 --> 0:14:32.200
<v Speaker 5>By the way, we'll get onto that. But no, nowhere

0:14:32.200 --> 0:14:34.320
<v Speaker 5>did they say we couldn't put out here. I actually

0:14:34.320 --> 0:14:37.360
<v Speaker 5>put out I want to say, a small project on

0:14:37.400 --> 0:14:39.440
<v Speaker 5>the release of one of the movies or some shit

0:14:39.560 --> 0:14:41.480
<v Speaker 5>like that. But now I'm just saying it does take

0:14:41.560 --> 0:14:43.200
<v Speaker 5>a lot of time. And I'm the type of person

0:14:43.240 --> 0:14:46.240
<v Speaker 5>that I'm gonna put one hundred percent into whatever the

0:14:46.240 --> 0:14:48.080
<v Speaker 5>fuck I'm doing at the time. So I'm not the

0:14:48.160 --> 0:14:51.040
<v Speaker 5>nigga that's gonna be half assing an album in music

0:14:51.080 --> 0:14:53.520
<v Speaker 5>and shooting a role in a movie at the same time.

0:14:53.680 --> 0:14:55.960
<v Speaker 5>So it's like my management and my team, they love

0:14:56.040 --> 0:14:57.600
<v Speaker 5>me for that, but they always hate they hate me

0:14:57.600 --> 0:14:59.440
<v Speaker 5>for that shit. At the same time, I'm just full

0:14:59.480 --> 0:15:02.680
<v Speaker 5>throttle with it. So that was that your first acting gig.

0:15:03.880 --> 0:15:06.600
<v Speaker 5>My first acting gig was was Crash. That ship that

0:15:06.640 --> 0:15:11.680
<v Speaker 5>oneed God damn Academy award was right, No, no, no, no,

0:15:13.320 --> 0:15:17.000
<v Speaker 5>don Cheita, don Cheeto was in there, Sandra Bullock, Brendan Fraser,

0:15:17.040 --> 0:15:18.680
<v Speaker 5>my brother, Lawrence Tate was in there.

0:15:19.240 --> 0:15:22.120
<v Speaker 2>Terrence, it was in that. Yeah, that ship won won

0:15:22.160 --> 0:15:23.080
<v Speaker 2>the Academy Award.

0:15:23.200 --> 0:15:25.720
<v Speaker 4>I love how people just start dropping names, but in

0:15:25.760 --> 0:15:26.320
<v Speaker 4>a good movie.

0:15:26.400 --> 0:15:27.960
<v Speaker 2>I've never been in a good movie. I got dropped

0:15:28.000 --> 0:15:30.720
<v Speaker 2>because the classic playing you were in a class. Yeah,

0:15:30.720 --> 0:15:32.600
<v Speaker 2>but I don't know the names water.

0:15:33.920 --> 0:15:36.640
<v Speaker 4>But tell them about your zombie movie.

0:15:37.920 --> 0:15:40.360
<v Speaker 5>But so that you got, you gotta say. You got

0:15:40.440 --> 0:15:43.480
<v Speaker 5>to say that the classic that you come on Okay later,

0:15:43.760 --> 0:15:45.920
<v Speaker 5>But your first movie was in his Crash. That's the

0:15:45.920 --> 0:15:49.040
<v Speaker 5>first movie I had a I had a small part

0:15:49.080 --> 0:15:49.560
<v Speaker 5>in the Wash.

0:15:49.680 --> 0:15:50.320
<v Speaker 2>That was like the.

0:15:51.880 --> 0:15:54.560
<v Speaker 5>Snooping doctor Ship. That was like a cameo. But the

0:15:54.600 --> 0:15:57.880
<v Speaker 5>first movie movie Crash, then Too Fast, Too Furious, then

0:15:57.960 --> 0:16:03.360
<v Speaker 5>Hustling Flow, You Hustling Flow, John Singleton and Craig Brewer,

0:16:03.920 --> 0:16:06.480
<v Speaker 5>and man, it was just I mean, I remember Skinny Black.

0:16:07.440 --> 0:16:08.800
<v Speaker 2>Is that your favorite role you ever played?

0:16:09.000 --> 0:16:11.760
<v Speaker 5>Noah, the rolling crash is the favorite role I've ever played,

0:16:11.760 --> 0:16:14.520
<v Speaker 5>to be completely honest with you, and it's uh, but

0:16:14.640 --> 0:16:17.480
<v Speaker 5>the hustling flow shit. I remember John Singleton coming to

0:16:17.520 --> 0:16:19.080
<v Speaker 5>me saying he wanted me to play a rapper in

0:16:19.080 --> 0:16:20.600
<v Speaker 5>a movie. I was like, man, I'm not doing that.

0:16:20.840 --> 0:16:22.600
<v Speaker 5>I don't want to play a fucking rapper. I'm a rapper.

0:16:22.640 --> 0:16:23.960
<v Speaker 5>I'm like, if I'm gonna do these roles, I want

0:16:24.000 --> 0:16:27.040
<v Speaker 5>to do something outside of the realm of my own personality.

0:16:27.640 --> 0:16:29.600
<v Speaker 5>And then he sat me down and he was like, well,

0:16:29.640 --> 0:16:31.480
<v Speaker 5>you know, this isn't your personality. This is kind of

0:16:31.520 --> 0:16:33.120
<v Speaker 5>a little bit outside of And then I was like,

0:16:33.160 --> 0:16:35.480
<v Speaker 5>he convinced me to do it, and and the rest

0:16:35.560 --> 0:16:38.320
<v Speaker 5>is history. And and rest in peace to John Singleton

0:16:38.320 --> 0:16:39.840
<v Speaker 5>because he's the one who put me like we said

0:16:39.880 --> 0:16:43.200
<v Speaker 5>it too fast, too furious. He took ice Cube and

0:16:43.240 --> 0:16:46.200
<v Speaker 5>you know, you put them in and Boys in the Hoods.

0:16:46.240 --> 0:16:48.440
<v Speaker 5>He's taking ty Reese and put them in Baby Boy.

0:16:48.800 --> 0:16:51.720
<v Speaker 5>So he takes people from the music world, notices a

0:16:51.800 --> 0:16:54.600
<v Speaker 5>talent in them, and then literally puts them in movies.

0:16:54.680 --> 0:16:56.920
<v Speaker 5>Next thing, you know, catapult them to a whole other level.

0:16:57.240 --> 0:17:01.640
<v Speaker 5>Lives too iconic. So Man, he rest in peace. Man ever, grateful, forever,

0:17:01.720 --> 0:17:03.880
<v Speaker 5>thankful for ever, thankful. He lived down the block for

0:17:03.920 --> 0:17:04.960
<v Speaker 5>me before he passed away.

0:17:05.119 --> 0:17:06.520
<v Speaker 4>I used to hang out with him all the time,

0:17:06.560 --> 0:17:08.600
<v Speaker 4>and I told him, can you put me a Snowfall?

0:17:08.640 --> 0:17:09.560
<v Speaker 2>And he said never.

0:17:11.600 --> 0:17:13.520
<v Speaker 4>Because he said my New York accent is too foul.

0:17:13.680 --> 0:17:15.600
<v Speaker 4>He said, I can never go for a l a person.

0:17:15.640 --> 0:17:18.320
<v Speaker 4>And I was like, he's kind of right. I've been

0:17:18.359 --> 0:17:19.840
<v Speaker 4>living in the South for sixteen years.

0:17:19.920 --> 0:17:22.359
<v Speaker 2>I'm not laft your accent for that.

0:17:22.480 --> 0:17:22.640
<v Speaker 4>Ben.

0:17:23.119 --> 0:17:24.920
<v Speaker 2>No, I don't think I'm gonna try to just try it. No,

0:17:26.400 --> 0:17:33.359
<v Speaker 2>I'm just drinking up. Give me your best. But you

0:17:33.400 --> 0:17:38.600
<v Speaker 2>know what's dope on Snowfall? That dub C is Actually he's.

0:17:38.400 --> 0:17:44.520
<v Speaker 4>A dialect that Yeah, yeah, somebody told us on drink jams.

0:17:44.520 --> 0:17:47.919
<v Speaker 4>I'm I'm sort of the Bond scenes and then yeah,

0:17:47.920 --> 0:17:49.400
<v Speaker 4>I know that trained them.

0:17:49.880 --> 0:17:53.640
<v Speaker 2>So John singles in this l moving on, let's get

0:17:53.680 --> 0:17:58.439
<v Speaker 2>the stand up and that video stand up.

0:17:58.520 --> 0:18:01.360
<v Speaker 5>I remember, Man, we was all in the Death Jam offices. Man,

0:18:01.400 --> 0:18:03.960
<v Speaker 5>that ship right there deserves a show all within itself,

0:18:04.080 --> 0:18:06.800
<v Speaker 5>just being a depth jam in New York City and.

0:18:07.280 --> 0:18:12.640
<v Speaker 4>You're doing my interview. That's my next question. I'm trying

0:18:12.640 --> 0:18:14.720
<v Speaker 4>to like you notice good.

0:18:14.760 --> 0:18:16.960
<v Speaker 2>He's good. You got murder Inc.

0:18:17.000 --> 0:18:19.480
<v Speaker 5>You got Rockefeller, you got disturbing the peace, you got

0:18:19.520 --> 0:18:21.640
<v Speaker 5>all these I'm talking about craziness.

0:18:21.760 --> 0:18:24.720
<v Speaker 2>Exce up there one day, Jay there, one day, job

0:18:24.760 --> 0:18:25.040
<v Speaker 2>up there.

0:18:25.080 --> 0:18:27.240
<v Speaker 5>Another day you got red and meth coming to food,

0:18:27.320 --> 0:18:30.000
<v Speaker 5>smoking the place out. But all that being said, it's

0:18:30.040 --> 0:18:32.840
<v Speaker 5>just like, bro, I remember going up there and stand

0:18:32.920 --> 0:18:34.400
<v Speaker 5>Up coming out and this nigga.

0:18:34.119 --> 0:18:38.280
<v Speaker 2>Irv Gott he just bombarding me. Yo. What the That's

0:18:38.280 --> 0:18:40.800
<v Speaker 2>how you put out a fu fucking shine?

0:18:41.040 --> 0:18:41.439
<v Speaker 4>What's up?

0:18:41.560 --> 0:18:43.439
<v Speaker 2>Fuck? That's what I'm talking about.

0:18:48.359 --> 0:18:50.720
<v Speaker 5>It was like, I just that type of energy is crazy.

0:18:50.760 --> 0:18:53.960
<v Speaker 5>But I think as artists, we all have certain records

0:18:53.960 --> 0:18:54.920
<v Speaker 5>where we're kind of on.

0:18:54.840 --> 0:18:56.679
<v Speaker 2>The fence about if that ship is at hit. We

0:18:56.840 --> 0:18:57.719
<v Speaker 2>know it's a fucking hit.

0:18:57.800 --> 0:18:59.600
<v Speaker 5>In somewhere we're like, we think it's hit, and then

0:18:59.600 --> 0:19:02.200
<v Speaker 5>that ship is not a fucking When I heard Stand Up,

0:19:02.280 --> 0:19:05.320
<v Speaker 5>me and his nigga Kanye was in the studio in.

0:19:05.280 --> 0:19:06.960
<v Speaker 2>Atlanta, Georgia. He came down to Atlanta.

0:19:07.359 --> 0:19:08.879
<v Speaker 5>And this is a dope as story because it was

0:19:08.920 --> 0:19:11.679
<v Speaker 5>the engineer and it was Kanye and I know a

0:19:11.680 --> 0:19:13.760
<v Speaker 5>lot of people. You know, we talk about producers and

0:19:13.800 --> 0:19:15.479
<v Speaker 5>a lot of Kanye for being a producer.

0:19:15.560 --> 0:19:16.480
<v Speaker 2>It's early Kanye.

0:19:16.800 --> 0:19:20.399
<v Speaker 5>Listen, bro producers sometimes they don't you don't you know

0:19:20.480 --> 0:19:22.800
<v Speaker 5>their producer. You don't see these motherfuckers touching the button

0:19:23.320 --> 0:19:28.320
<v Speaker 5>electronic equipment in person. Literally just me, Kanye and the engineer.

0:19:28.359 --> 0:19:30.760
<v Speaker 5>That motherfucker made that beat in like five minutes on

0:19:30.800 --> 0:19:32.240
<v Speaker 5>the goddamn ASR.

0:19:31.880 --> 0:19:35.040
<v Speaker 2>T and keyboard by himself. It's literally just us three. Wow.

0:19:35.440 --> 0:19:36.760
<v Speaker 2>And I mean it was fucking amazing.

0:19:36.800 --> 0:19:40.000
<v Speaker 5>And if you listen to that song, there's probably like

0:19:40.119 --> 0:19:43.720
<v Speaker 5>five sounds in the song that's It's a simple. It's

0:19:43.840 --> 0:19:46.840
<v Speaker 5>very simple. So I call it dynamic simplicity. That motherfucker

0:19:46.880 --> 0:19:49.200
<v Speaker 5>did that. So all that being said, yes, stand up.

0:19:49.560 --> 0:19:50.920
<v Speaker 5>As soon as I heard that shit, I knew it

0:19:51.000 --> 0:19:51.320
<v Speaker 5>was a hit.

0:19:51.480 --> 0:19:52.840
<v Speaker 4>But how did you come up with the concept for

0:19:52.840 --> 0:19:53.240
<v Speaker 4>the video?

0:19:54.160 --> 0:19:56.800
<v Speaker 2>Man? That's just the way my mind. That was you

0:19:56.880 --> 0:19:57.800
<v Speaker 2>that came up with the concept.

0:19:58.440 --> 0:20:00.359
<v Speaker 4>A couple of things that I've never kind of that

0:20:00.600 --> 0:20:03.159
<v Speaker 4>I regret in life is that I wanted you to

0:20:03.440 --> 0:20:05.800
<v Speaker 4>direct one of my videos. We can still do that. Yeah,

0:20:05.920 --> 0:20:08.159
<v Speaker 4>I've got to make the records, I got you. I

0:20:08.200 --> 0:20:10.240
<v Speaker 4>ain't got the record, but hold.

0:20:10.040 --> 0:20:13.840
<v Speaker 5>You, man, the way my mind works, I wouldn't even

0:20:13.840 --> 0:20:15.480
<v Speaker 5>be able to answer that fucking question for you.

0:20:15.520 --> 0:20:17.480
<v Speaker 2>Bro. I just whatever, the.

0:20:17.359 --> 0:20:23.440
<v Speaker 5>Most ridiculous, ludicrous, out of this world wild shit is.

0:20:23.400 --> 0:20:25.040
<v Speaker 2>That's what I come up with. And I'm like, let's

0:20:25.080 --> 0:20:25.400
<v Speaker 2>do that.

0:20:25.640 --> 0:20:27.720
<v Speaker 5>And I definitely got to give Dave Meyers his credit

0:20:27.720 --> 0:20:29.480
<v Speaker 5>as well, because you know, he shot a lot of

0:20:29.480 --> 0:20:30.160
<v Speaker 5>my videos and.

0:20:30.119 --> 0:20:32.680
<v Speaker 2>He shot that one. But the big shoes, you know.

0:20:32.720 --> 0:20:34.720
<v Speaker 5>The babyhead on the I mean, the big head on

0:20:34.720 --> 0:20:40.400
<v Speaker 5>the on the baby's body, the little person hanging from

0:20:40.440 --> 0:20:42.199
<v Speaker 5>my neck, list, all of that. It's just I just

0:20:42.320 --> 0:20:46.400
<v Speaker 5>love the visual aspect and just showing people something outside

0:20:46.400 --> 0:20:48.640
<v Speaker 5>of the realm of what they normally see. I love

0:20:48.640 --> 0:20:51.960
<v Speaker 5>it and just create my own lane, that's you know

0:20:52.000 --> 0:20:52.280
<v Speaker 5>what I mean.

0:20:52.320 --> 0:20:53.360
<v Speaker 2>And and by the way.

0:20:53.200 --> 0:20:55.439
<v Speaker 5>Of course, I was one hundred percent inspired by the

0:20:55.480 --> 0:20:57.200
<v Speaker 5>Busters of the world and the Missis of the world,

0:20:57.240 --> 0:20:59.000
<v Speaker 5>but I had to make my own lane even in

0:20:59.040 --> 0:21:01.400
<v Speaker 5>that world phenomenal videos.

0:21:01.520 --> 0:21:03.960
<v Speaker 4>But because I mean, that's what kind of really really

0:21:04.320 --> 0:21:07.040
<v Speaker 4>what separates you, right. We know your lyrical we know

0:21:07.080 --> 0:21:08.880
<v Speaker 4>you could pick hits, we know you could do that

0:21:09.040 --> 0:21:12.040
<v Speaker 4>but it's really the I think that's something that me

0:21:12.040 --> 0:21:14.000
<v Speaker 4>and you share. It's like the comedic sense. It's the

0:21:14.040 --> 0:21:16.680
<v Speaker 4>big people want to be entertained and laugh, you know

0:21:16.720 --> 0:21:17.080
<v Speaker 4>what I mean.

0:21:17.320 --> 0:21:19.120
<v Speaker 5>That's a good ass question because a lot of people

0:21:19.160 --> 0:21:22.240
<v Speaker 5>don't know what I can attribute a lot of my

0:21:22.320 --> 0:21:25.240
<v Speaker 5>style and videos and all these crazy ideas too. I

0:21:25.320 --> 0:21:28.919
<v Speaker 5>literally was raised off of Richard Pryor and Eddie Murphy

0:21:28.960 --> 0:21:31.080
<v Speaker 5>and comedians like that's all I used to watch as

0:21:31.080 --> 0:21:32.639
<v Speaker 5>a kid. When you're young and you're not supposed to

0:21:32.680 --> 0:21:35.680
<v Speaker 5>be watching that shit. So I'm like, you know, seven, eight, nine,

0:21:35.680 --> 0:21:38.159
<v Speaker 5>ten years old, bis Markey, bis Markey.

0:21:37.960 --> 0:21:39.520
<v Speaker 2>Too, all of that shit I'm just I'm talking about.

0:21:39.520 --> 0:21:41.919
<v Speaker 5>I was raised off comedian Okay, So in terms of

0:21:41.920 --> 0:21:45.320
<v Speaker 5>me having this style where it's like there's comedic elements

0:21:45.320 --> 0:21:48.240
<v Speaker 5>and my videos being funny and me just always wanted

0:21:48.240 --> 0:21:50.199
<v Speaker 5>to have a good ass time and laugh and just

0:21:50.240 --> 0:21:53.440
<v Speaker 5>be lighthearted and just have fun. That shit comes from

0:21:53.480 --> 0:21:57.199
<v Speaker 5>just me loving comedy. I was a deaf comedy jam fiend.

0:21:57.240 --> 0:21:59.479
<v Speaker 5>Like I watched it over and over again, Eddie Murphy.

0:21:59.720 --> 0:22:02.639
<v Speaker 5>You know what you're probably now, Dave Chappelle Martin, Like

0:22:03.000 --> 0:22:03.880
<v Speaker 5>I love that ship.

0:22:03.960 --> 0:22:06.280
<v Speaker 4>I love it that one of the videos you made

0:22:07.359 --> 0:22:10.320
<v Speaker 4>was somebody bothering somebody in the stall while they in

0:22:10.359 --> 0:22:12.560
<v Speaker 4>the bathroom. You know you know that shit got worse.

0:22:13.400 --> 0:22:15.160
<v Speaker 4>You said it got worse. Yeah, like like you when

0:22:15.160 --> 0:22:18.240
<v Speaker 4>you go to take a piss, what are you talking to?

0:22:18.440 --> 0:22:20.240
<v Speaker 2>People? Take about?

0:22:21.160 --> 0:22:22.920
<v Speaker 4>I wouldn't take a Pisso the other day sometime taking

0:22:23.000 --> 0:22:23.840
<v Speaker 4>over lives.

0:22:23.600 --> 0:22:27.679
<v Speaker 2>In the southron I had to handle. Now, she's crazy

0:22:27.720 --> 0:22:30.240
<v Speaker 2>out here. You don't get they did it to you.

0:22:30.240 --> 0:22:31.520
<v Speaker 2>You don't go to the bathroom.

0:22:31.920 --> 0:22:34.000
<v Speaker 4>I don't go to the bathroom. You don't go to

0:22:34.600 --> 0:22:37.879
<v Speaker 4>the bathroom. Don't go to the bathrooms? What are some

0:22:37.960 --> 0:22:40.040
<v Speaker 4>crazy ship that stalker? Like?

0:22:40.040 --> 0:22:42.920
<v Speaker 2>Like ever did you? Is the craziest ship that ever happened? One?

0:22:43.240 --> 0:22:44.200
<v Speaker 2>Are you sure you want another?

0:22:44.240 --> 0:22:44.359
<v Speaker 4>One?

0:22:44.840 --> 0:22:49.760
<v Speaker 2>Like? We just Noah. We was on tour and.

0:22:50.160 --> 0:22:51.840
<v Speaker 5>I was on my tour bus and we noticed there

0:22:51.880 --> 0:22:54.000
<v Speaker 5>was a car following us from like one city to

0:22:54.040 --> 0:22:54.360
<v Speaker 5>the next.

0:22:54.359 --> 0:22:55.760
<v Speaker 2>So we're talking a three hour ride.

0:22:56.080 --> 0:22:58.640
<v Speaker 5>So after the first thirty forty five minutes, we're like, yo,

0:22:59.400 --> 0:23:01.600
<v Speaker 5>this fucking is one hundred percent following us. So we

0:23:01.680 --> 0:23:04.760
<v Speaker 5>pull over and it's a whole fucking family that gets

0:23:04.760 --> 0:23:08.679
<v Speaker 5>out talking about father, mother, and kids. They are the

0:23:08.800 --> 0:23:11.080
<v Speaker 5>ultimate lud Chris fans, and they're following us to the

0:23:11.119 --> 0:23:12.440
<v Speaker 5>next city, and we were like, what I.

0:23:12.359 --> 0:23:17.560
<v Speaker 2>Want, race, We're race. This is a game. Yes, from

0:23:17.600 --> 0:23:30.399
<v Speaker 2>the Mountains of Caucasian twenty million records. I love it,

0:23:30.680 --> 0:23:31.080
<v Speaker 2>I love you.

0:23:31.320 --> 0:23:33.920
<v Speaker 5>But yeah, that was probably the craziest ship that ever happened.

0:23:33.920 --> 0:23:36.000
<v Speaker 5>We had to make them stop following us. Where you

0:23:36.040 --> 0:23:38.719
<v Speaker 5>have a wrapped bus? Is this weather following the Well,

0:23:39.080 --> 0:23:40.840
<v Speaker 5>we have a bunch of buses. The wrapped one was

0:23:40.880 --> 0:23:42.320
<v Speaker 5>not the one that I was on. Put it that way,

0:23:42.320 --> 0:23:43.360
<v Speaker 5>but obviously they knew.

0:23:43.160 --> 0:23:45.560
<v Speaker 2>I figured out which buss, figured.

0:23:45.280 --> 0:23:46.920
<v Speaker 5>Out I was on that fucking bus.

0:23:48.080 --> 0:23:53.120
<v Speaker 4>So I mean, luder Man, your career is just phenomenal.

0:23:53.200 --> 0:23:55.880
<v Speaker 2>Right, thank you, bro? When is it? When is the time?

0:23:56.119 --> 0:24:01.000
<v Speaker 4>Because I know, for my own personal experience, sometimes I

0:24:01.040 --> 0:24:03.880
<v Speaker 4>still don't think I've made it right off field, don't

0:24:03.880 --> 0:24:04.840
<v Speaker 4>feel like I got to the.

0:24:04.880 --> 0:24:06.320
<v Speaker 2>Level where I want to get.

0:24:06.680 --> 0:24:09.440
<v Speaker 4>But there's so many people in this world that says, oh, man,

0:24:10.119 --> 0:24:12.920
<v Speaker 4>when was the time that you felt like, man, I'm here,

0:24:13.280 --> 0:24:14.720
<v Speaker 4>like I can't be man.

0:24:14.760 --> 0:24:16.040
<v Speaker 2>It was it was two different times.

0:24:16.040 --> 0:24:18.000
<v Speaker 5>So one, like I told you, I used to work

0:24:18.000 --> 0:24:20.520
<v Speaker 5>in that radio station, and they never had us on

0:24:20.600 --> 0:24:22.919
<v Speaker 5>contracts because I was myself and a guy by the

0:24:22.960 --> 0:24:25.760
<v Speaker 5>name of cun Daddy were the youngest, the youngest guys

0:24:25.800 --> 0:24:26.920
<v Speaker 5>at the radio station DC.

0:24:27.080 --> 0:24:28.719
<v Speaker 2>Now, no, no, not that, not that. OK.

0:24:29.480 --> 0:24:31.159
<v Speaker 5>So we were the youngest people at the station, so

0:24:31.200 --> 0:24:34.800
<v Speaker 5>basically everybody else had contracts at least year contracts. So

0:24:35.280 --> 0:24:37.160
<v Speaker 5>me and him, I'm like, again, I'm eighteen, so I'm

0:24:37.200 --> 0:24:38.840
<v Speaker 5>young as hell. I don't know shit. I'm just out

0:24:38.880 --> 0:24:41.120
<v Speaker 5>here having fun, making making more money than I've seen

0:24:41.160 --> 0:24:44.640
<v Speaker 5>hosting clubs. So since they didn't have us on a contract,

0:24:44.920 --> 0:24:47.760
<v Speaker 5>you know, we were in fear of losing our jobs

0:24:47.800 --> 0:24:50.120
<v Speaker 5>every day because we were live wise. We were doing

0:24:50.160 --> 0:24:52.320
<v Speaker 5>stupid shit at that radio station, things that you would

0:24:52.359 --> 0:24:54.159
<v Speaker 5>get fired for immediately.

0:24:54.440 --> 0:24:58.920
<v Speaker 2>Shock jock type shit. Well you're like, fine, shock jockshit.

0:24:59.080 --> 0:25:01.320
<v Speaker 4>Shock jock is like doing something that you know, oh you.

0:25:01.320 --> 0:25:03.760
<v Speaker 5>Talk about against the competitors. Suggest No, I'm talking about

0:25:03.800 --> 0:25:05.760
<v Speaker 5>just stupid young shit, like you.

0:25:05.720 --> 0:25:08.320
<v Speaker 2>Know, smoking weed and the limit, almost burning the goddamn

0:25:08.320 --> 0:25:09.640
<v Speaker 2>car down on top of shit.

0:25:10.160 --> 0:25:14.520
<v Speaker 5>So yeah, oh yeah, yeah. The crazy shit is that

0:25:14.600 --> 0:25:17.120
<v Speaker 5>at the end of the day when I was when

0:25:17.400 --> 0:25:20.560
<v Speaker 5>once your fantasy came out. So I had an independent Wait,

0:25:20.640 --> 0:25:22.679
<v Speaker 5>so what talking about? Talk about what's your fantasy? Came

0:25:22.720 --> 0:25:24.800
<v Speaker 5>up while you at the radio station.

0:25:24.880 --> 0:25:28.480
<v Speaker 2>That's Derry, I'll cut you.

0:25:29.720 --> 0:25:32.000
<v Speaker 5>So the whole story goes, I'm at this station and

0:25:32.080 --> 0:25:34.600
<v Speaker 5>I'm making these you know, little hundreds of dollars here

0:25:34.640 --> 0:25:36.840
<v Speaker 5>and there while I'm hosting these clubs. So I built

0:25:36.880 --> 0:25:39.240
<v Speaker 5>up enough money to where I had about five to

0:25:39.320 --> 0:25:42.040
<v Speaker 5>ten thousand dollars, where I put all that money back

0:25:42.080 --> 0:25:44.480
<v Speaker 5>into my own album. So I'm paying for all my

0:25:44.520 --> 0:25:46.679
<v Speaker 5>record and all my mix and all my mastering. And

0:25:46.720 --> 0:25:48.760
<v Speaker 5>this is a time when vinyl was still out, So

0:25:48.800 --> 0:25:51.760
<v Speaker 5>I pressed this whole fucking CD together and I had

0:25:51.760 --> 0:25:54.960
<v Speaker 5>the vinyl and everything, and then I distributed independently, even

0:25:54.960 --> 0:25:56.399
<v Speaker 5>though first you kind of sell the shit out to

0:25:56.440 --> 0:25:59.120
<v Speaker 5>trunk and there was an independent distributor in Atlanta.

0:25:59.600 --> 0:26:02.160
<v Speaker 2>So once I started put I put the shit out.

0:26:02.200 --> 0:26:06.120
<v Speaker 5>But the craziest, most dynamic, strategic part about this whole.

0:26:05.920 --> 0:26:07.000
<v Speaker 2>Plan is in radio.

0:26:07.119 --> 0:26:10.960
<v Speaker 5>As you know, as time goes on, everybody at radio

0:26:11.040 --> 0:26:13.160
<v Speaker 5>they moved a different city, so a lot of people

0:26:13.240 --> 0:26:15.959
<v Speaker 5>don't stay in one particular slot in one city at

0:26:15.960 --> 0:26:18.320
<v Speaker 5>the time. So during that three to four years that

0:26:18.359 --> 0:26:19.920
<v Speaker 5>I told you, I was up there trying to get

0:26:19.920 --> 0:26:22.040
<v Speaker 5>put on as ludicrous and then it eventually had to

0:26:22.080 --> 0:26:24.560
<v Speaker 5>invest in myself. I had a lot of friends in

0:26:24.600 --> 0:26:27.040
<v Speaker 5>different places that had dispersed all around the country, so

0:26:27.359 --> 0:26:29.479
<v Speaker 5>I literally told them, yo, I got this single.

0:26:29.680 --> 0:26:30.960
<v Speaker 2>It's called What's Your Fantasy?

0:26:31.440 --> 0:26:35.600
<v Speaker 5>Just give it a fucking try on your station, other stations,

0:26:36.080 --> 0:26:38.000
<v Speaker 5>my friend so I had a network, but it was

0:26:38.080 --> 0:26:40.760
<v Speaker 5>all it was all a plan, so they started playing it.

0:26:40.800 --> 0:26:44.840
<v Speaker 5>The ship gets instant reaction, obviously, instant reaction on there

0:26:45.200 --> 0:26:48.960
<v Speaker 5>on their channels. So once the shit started to blow up.

0:26:49.000 --> 0:26:51.199
<v Speaker 2>And yes, spins, which is what's giving me.

0:26:51.680 --> 0:26:54.359
<v Speaker 5>We had like eight hundred bdspins on our independent artists,

0:26:54.359 --> 0:26:57.440
<v Speaker 5>which was unfucking heard of. So this is when all

0:26:57.440 --> 0:26:59.600
<v Speaker 5>the labels started calling me. Before I get to that,

0:27:00.440 --> 0:27:03.520
<v Speaker 5>we motherfucker started calling my cell phone. Don't even know

0:27:03.520 --> 0:27:05.240
<v Speaker 5>how to fuck they got my cell phone. I'm talking

0:27:05.240 --> 0:27:09.480
<v Speaker 5>about CEO at every goddamn label, and you know, that's

0:27:09.480 --> 0:27:11.600
<v Speaker 5>another story for another day. But ended up signing with

0:27:11.680 --> 0:27:14.760
<v Speaker 5>Death Jam and they sent me my contract, and I

0:27:14.800 --> 0:27:17.800
<v Speaker 5>remember being on air and all those times that this

0:27:17.880 --> 0:27:20.080
<v Speaker 5>station made me feel like I could get fired every

0:27:20.080 --> 0:27:23.240
<v Speaker 5>fucking day. Signing my contract while I was still on

0:27:23.400 --> 0:27:25.680
<v Speaker 5>the air, and that being one of the best fucking

0:27:25.760 --> 0:27:27.960
<v Speaker 5>days of my life, knowing that I didn't tell them

0:27:27.960 --> 0:27:29.640
<v Speaker 5>to go fuck themselves and nothing the radio.

0:27:29.720 --> 0:27:30.200
<v Speaker 2>I love it.

0:27:30.240 --> 0:27:32.160
<v Speaker 5>I just literally after I signed that contract with him

0:27:32.200 --> 0:27:34.400
<v Speaker 5>and said, hey, I probably won't be.

0:27:34.320 --> 0:27:35.080
<v Speaker 2>Working here anymore.

0:27:35.840 --> 0:27:38.040
<v Speaker 4>I just letting y'all know, I'm gonna put my two

0:27:38.080 --> 0:27:41.120
<v Speaker 4>weeks in okay, in two weeks of life.

0:27:41.240 --> 0:27:41.640
<v Speaker 2>But how.

0:27:44.400 --> 0:27:46.879
<v Speaker 5>You no symbolic as fuck? So the crazy shit is,

0:27:46.920 --> 0:27:50.080
<v Speaker 5>you know DJ Gregg Street. Greg Street was my competitor,

0:27:50.440 --> 0:27:54.000
<v Speaker 5>So he's on this other station that you everything you

0:27:54.000 --> 0:27:55.719
<v Speaker 5>do is competing against the other station, and we were

0:27:55.760 --> 0:27:57.800
<v Speaker 5>on the same time slide, which is six to ten.

0:27:58.600 --> 0:28:01.919
<v Speaker 5>So the moment when us your fantasy started gaining traction

0:28:02.520 --> 0:28:04.240
<v Speaker 5>and I'm on the air the same as him, and

0:28:04.280 --> 0:28:07.600
<v Speaker 5>this motherfucker started playing What's your Fantasy? Somebody text me

0:28:07.680 --> 0:28:09.280
<v Speaker 5>and was like, yo, Greg Street is playing your song

0:28:09.359 --> 0:28:11.560
<v Speaker 5>right now. I said, I'm not I'm not believing that shit.

0:28:12.040 --> 0:28:14.480
<v Speaker 5>So were on commercial break. I turned to this motherfucker

0:28:14.480 --> 0:28:17.280
<v Speaker 5>station and I hear my song on the competitors station

0:28:17.760 --> 0:28:20.399
<v Speaker 5>and I was like, that's quick. I fucking made it

0:28:20.840 --> 0:28:22.119
<v Speaker 5>one of the best days of my life. So all

0:28:22.160 --> 0:28:28.080
<v Speaker 5>that in one you can it. That's the first time time. Okay,

0:28:28.840 --> 0:28:32.159
<v Speaker 5>number two is gonna be me winning that rap album

0:28:32.640 --> 0:28:36.160
<v Speaker 5>Best Rap Album at the Grammys. So this was probably

0:28:36.200 --> 0:28:38.400
<v Speaker 5>a good ten years later, every time I went to

0:28:38.400 --> 0:28:41.440
<v Speaker 5>the Grammys, I'm in the category with Eminem and Jah

0:28:41.520 --> 0:28:44.400
<v Speaker 5>Rule and these motherfuckers were killing this shit. Jay z

0:28:44.640 --> 0:28:48.760
<v Speaker 5>dmx Luda's huge artists. But when it comes to these motherfuckers,

0:28:48.760 --> 0:28:52.480
<v Speaker 5>I'm losing every motherfucking award right yet.

0:28:55.160 --> 0:28:57.120
<v Speaker 2>So yeah, it's all good.

0:28:57.120 --> 0:28:59.360
<v Speaker 5>So I come around and finally, man, I make this

0:28:59.440 --> 0:29:02.960
<v Speaker 5>album released Therapy Bro, and I went on there and

0:29:03.000 --> 0:29:05.840
<v Speaker 5>I was like, man, I'm making this fucking album and

0:29:05.880 --> 0:29:08.160
<v Speaker 5>I'm going to win Best Rap Album for this shit.

0:29:08.200 --> 0:29:09.080
<v Speaker 2>I don't care what happens.

0:29:09.120 --> 0:29:11.680
<v Speaker 5>I'm specifically going in writing this shit, making it the

0:29:11.680 --> 0:29:14.280
<v Speaker 5>way it needs to be. And when they called my

0:29:14.320 --> 0:29:17.160
<v Speaker 5>fucking name, Bro, I was like, that was that did

0:29:17.160 --> 0:29:19.560
<v Speaker 5>it for me? Because you know, all the years, it

0:29:19.600 --> 0:29:22.120
<v Speaker 5>was like over a decade of loss and then finally

0:29:22.120 --> 0:29:24.600
<v Speaker 5>getting that recognition and then Best Rap Album at that

0:29:24.680 --> 0:29:26.440
<v Speaker 5>which you already know as hard as fucking and they

0:29:26.440 --> 0:29:29.520
<v Speaker 5>weren't really giving the rap category what they needed and

0:29:29.520 --> 0:29:31.600
<v Speaker 5>then a funny story to that. I know Shaka gonna

0:29:31.640 --> 0:29:34.640
<v Speaker 5>laugh at this shit because I was so passionate. After

0:29:34.640 --> 0:29:38.280
<v Speaker 5>I got that award, I went backstage and at this time,

0:29:38.320 --> 0:29:40.800
<v Speaker 5>they had all the artists separated by curtains, so motherfuckers

0:29:40.840 --> 0:29:42.400
<v Speaker 5>weren't in specific rooms.

0:29:42.800 --> 0:29:44.840
<v Speaker 2>I say that to say, I get back and I'm like, yeah,

0:29:45.320 --> 0:29:47.760
<v Speaker 2>fuck yeah, I made it. I did it. I won.

0:29:47.840 --> 0:29:50.280
<v Speaker 5>I literally set out this album to make it get

0:29:50.280 --> 0:29:52.280
<v Speaker 5>a Grammy and I got it. And all of a sudden,

0:29:52.360 --> 0:29:53.800
<v Speaker 5>I hear this voice from the other room, on the

0:29:53.840 --> 0:29:56.640
<v Speaker 5>other side of the curtain, and the motherfucker's like, shut.

0:29:56.360 --> 0:30:01.080
<v Speaker 2>The fuck up, man, some of us didn't win any Like,

0:30:01.120 --> 0:30:04.560
<v Speaker 2>who the fuck is that I pulled the curtain back?

0:30:05.200 --> 0:30:07.400
<v Speaker 5>This nigga justin Timberlake is on the other side of

0:30:07.440 --> 0:30:10.000
<v Speaker 5>that motherfucker that niggas just.

0:30:09.960 --> 0:30:11.800
<v Speaker 2>Shut the fuck up. Some of us didn't win, and

0:30:11.800 --> 0:30:21.640
<v Speaker 2>he got the Grammed this year. What the fuck that

0:30:21.760 --> 0:30:27.560
<v Speaker 2>nigga justin Gangster bro Holy, that's crazy. And you know what,

0:30:27.720 --> 0:30:28.680
<v Speaker 2>I'm gonna say something else.

0:30:29.720 --> 0:30:31.880
<v Speaker 5>We talked about t I earlier, and like all the

0:30:31.880 --> 0:30:34.040
<v Speaker 5>ship that we've been through, something that I do respect

0:30:34.160 --> 0:30:37.040
<v Speaker 5>of all the ship that we've been through that same setting,

0:30:37.080 --> 0:30:39.240
<v Speaker 5>within that same timeframe as me winning because he was

0:30:39.280 --> 0:30:43.280
<v Speaker 5>in the same category. He came up to me and said, congratulate,

0:30:43.320 --> 0:30:45.520
<v Speaker 5>look me in my eye, gave his hand and said congratulations.

0:30:45.520 --> 0:30:48.480
<v Speaker 2>That's some hard ship for a nigga to do. So

0:30:48.520 --> 0:30:49.120
<v Speaker 2>you know what I'm saying.

0:30:49.160 --> 0:30:51.560
<v Speaker 5>We talked all the ship that we had that was negativity.

0:30:51.560 --> 0:30:54.040
<v Speaker 5>That's something I want everybody to know that was positive.

0:30:53.640 --> 0:30:59.760
<v Speaker 4>As fun and I respect that because we asked him

0:30:59.760 --> 0:31:02.880
<v Speaker 4>about you on the same show and he kind of

0:31:03.080 --> 0:31:05.760
<v Speaker 4>had the same sentiment. Let's give some flowers, get some flowers,

0:31:05.760 --> 0:31:08.720
<v Speaker 4>get some flowers, and be honest with you. From the

0:31:08.800 --> 0:31:13.320
<v Speaker 4>beginning of our show. We want to give you these flowers.

0:31:13.520 --> 0:31:15.280
<v Speaker 4>Who wanted to tell you how great you are?

0:31:16.120 --> 0:31:18.719
<v Speaker 2>You you he's been a year one request. We've been

0:31:18.840 --> 0:31:19.480
<v Speaker 2>year one.

0:31:19.360 --> 0:31:22.160
<v Speaker 6>Request in the quarantine episode, but that didn't count.

0:31:22.400 --> 0:31:24.160
<v Speaker 2>But let me just say that that means the world

0:31:24.200 --> 0:31:26.400
<v Speaker 2>you have you have. Let me tell you who you

0:31:26.440 --> 0:31:27.400
<v Speaker 2>are as an artist.

0:31:27.440 --> 0:31:29.000
<v Speaker 4>Right, I'm gonna tell you who I was, a person,

0:31:29.320 --> 0:31:29.800
<v Speaker 4>but who you.

0:31:29.800 --> 0:31:34.640
<v Speaker 2>Are as an artist? You have that unique of fitting.

0:31:35.000 --> 0:31:40.000
<v Speaker 2>Let's let's just make the lord to the flower lady

0:31:40.080 --> 0:31:40.280
<v Speaker 2>for you.

0:31:41.720 --> 0:31:44.080
<v Speaker 4>You're the first one to get the flowers in a

0:31:44.160 --> 0:31:48.880
<v Speaker 4>breech a new iteration casey.

0:31:50.640 --> 0:31:53.240
<v Speaker 2>Because there's people. But let me tell you who you are.

0:31:53.320 --> 0:31:55.360
<v Speaker 2>Let me tell you who you are. Tell me about myself. Mother,

0:31:55.680 --> 0:31:58.480
<v Speaker 2>let's go. I want to hear. There isn't There.

0:31:58.360 --> 0:32:02.480
<v Speaker 4>Isn't another artist who can fit in a gangster genre

0:32:03.480 --> 0:32:06.800
<v Speaker 4>and kind of like a backpack genre and kind of

0:32:06.840 --> 0:32:09.560
<v Speaker 4>like a top forty genre and kind of like any

0:32:09.640 --> 0:32:11.520
<v Speaker 4>genre and kind of fit there.

0:32:12.400 --> 0:32:14.280
<v Speaker 2>You know how you like? That's love?

0:32:14.680 --> 0:32:17.320
<v Speaker 4>He's You're a rappers, rapper, That's what it is. Really

0:32:17.920 --> 0:32:20.600
<v Speaker 4>a rest yes coming from that means the world.

0:32:22.320 --> 0:32:25.240
<v Speaker 5>Yeah, I'm just being honest with you.

0:32:24.960 --> 0:32:27.440
<v Speaker 2>You can more into anything you man.

0:32:27.920 --> 0:32:29.760
<v Speaker 4>And I don't know if I said this earlier, but

0:32:30.120 --> 0:32:33.640
<v Speaker 4>one of my biggest gripes with Pharrell was when I

0:32:33.640 --> 0:32:35.640
<v Speaker 4>first got in the studio Forarrell, he was like, you

0:32:35.720 --> 0:32:37.240
<v Speaker 4>have to embrace your character.

0:32:38.680 --> 0:32:45.960
<v Speaker 2>I'm sorry that leor was that Pharrell is Leo Farrell? No?

0:32:46.000 --> 0:32:48.440
<v Speaker 4>But Pharrell was like no, but he really was like,

0:32:49.040 --> 0:32:52.560
<v Speaker 4>you have to embrace your character. How buster embraces a character?

0:32:53.120 --> 0:32:55.080
<v Speaker 4>And I didn't understand because I was like, I'm not

0:32:55.120 --> 0:32:58.040
<v Speaker 4>a character, being who I am, and He's like it

0:32:58.040 --> 0:33:00.560
<v Speaker 4>doesn't matter who you think you are, how the people

0:33:00.640 --> 0:33:05.120
<v Speaker 4>perceive you, right, And I never embraced my character. And

0:33:05.160 --> 0:33:07.560
<v Speaker 4>I felt like, from the moment i've seen you from

0:33:07.960 --> 0:33:11.720
<v Speaker 4>what's your fantasy? I was like, this guy's embracing his character.

0:33:12.120 --> 0:33:14.320
<v Speaker 4>He's doing exactly what for real. And by the way,

0:33:14.320 --> 0:33:17.320
<v Speaker 4>throw them bows. I heard that beat, Ye, I heard

0:33:17.360 --> 0:33:20.440
<v Speaker 4>about this. You gotta tell you what happened. I think

0:33:21.400 --> 0:33:25.600
<v Speaker 4>the truth one year. For twenty one years, I've been

0:33:25.680 --> 0:33:29.880
<v Speaker 4>kicking my ass and kicking myself in the ass. It

0:33:29.920 --> 0:33:33.440
<v Speaker 4>was not for you, bro, crazy, it wasn't for you.

0:33:33.440 --> 0:33:35.920
<v Speaker 2>You knew that it wasn't for me. It wasn't for you.

0:33:36.000 --> 0:33:38.560
<v Speaker 4>It was I wouldn't have to go to the hospitality,

0:33:38.600 --> 0:33:41.120
<v Speaker 4>wouldn't have Yeah, that wasn't for you. It was every

0:33:41.160 --> 0:33:43.280
<v Speaker 4>time I see the video with you upside down, I was.

0:33:43.200 --> 0:33:45.200
<v Speaker 2>Like, that's how I've heard the beat. I was upside down.

0:33:45.280 --> 0:33:45.400
<v Speaker 4>Bro.

0:33:45.480 --> 0:33:47.840
<v Speaker 5>Let me say, as you're giving me my flowers, I'm

0:33:47.840 --> 0:33:50.400
<v Speaker 5>gonna tell you band from TV, that shit changed my life,

0:33:51.480 --> 0:33:51.880
<v Speaker 5>my life.

0:33:52.160 --> 0:33:56.120
<v Speaker 2>So anything, look, anything you're giving me right now. DNA

0:33:56.840 --> 0:33:58.040
<v Speaker 2>helped mold me. Hold on, hold on.

0:33:58.240 --> 0:34:04.680
<v Speaker 4>But let's talk about bowls. So the hospitality you in

0:34:04.680 --> 0:34:06.640
<v Speaker 4>the studio. That's just after my Fantasy.

0:34:07.040 --> 0:34:09.279
<v Speaker 5>Yeah, this is after and we had to literally turn

0:34:09.320 --> 0:34:11.800
<v Speaker 5>the fucking album in like the day after.

0:34:13.239 --> 0:34:15.480
<v Speaker 6>This is already Death, not the independent version of what

0:34:15.520 --> 0:34:16.440
<v Speaker 6>you were putting out already.

0:34:16.520 --> 0:34:19.920
<v Speaker 2>No, this is death version of Death. This is the

0:34:19.920 --> 0:34:20.680
<v Speaker 2>first album.

0:34:22.480 --> 0:34:24.640
<v Speaker 4>Fat Kevin, Fat Kevin.

0:34:24.680 --> 0:34:26.680
<v Speaker 2>Let's just be clear. It two different Kevin's. Yes, I Love,

0:34:26.719 --> 0:34:28.479
<v Speaker 2>I love all three.

0:34:29.960 --> 0:34:32.280
<v Speaker 6>Rob Love is doing the mark I had just started

0:34:32.760 --> 0:34:40.640
<v Speaker 6>started doing you just ca That's when I started doing

0:34:40.640 --> 0:34:43.280
<v Speaker 6>Street Team. This is my first project that I worked

0:34:43.280 --> 0:34:45.960
<v Speaker 6>as the regional form for South Florida Fantasy.

0:34:46.160 --> 0:34:48.680
<v Speaker 2>Yeah, this project, Lucas project. You don't put the f

0:34:48.719 --> 0:34:48.920
<v Speaker 2>N on.

0:34:49.000 --> 0:34:54.000
<v Speaker 4>Look at that Doc Fresher passages you.

0:34:55.440 --> 0:34:55.879
<v Speaker 2>Yes, So.

0:34:57.360 --> 0:34:59.480
<v Speaker 4>You go to the studio and then all got this

0:34:59.520 --> 0:35:00.279
<v Speaker 4>beat already playing.

0:35:00.320 --> 0:35:02.920
<v Speaker 5>Farrell got the beat Man, and I'm like, believe it

0:35:03.080 --> 0:35:05.080
<v Speaker 5>or not, Like I was saying earlier, sometimes you know

0:35:05.160 --> 0:35:05.600
<v Speaker 5>what's a hit.

0:35:05.800 --> 0:35:07.960
<v Speaker 2>Sometimes you were like, eh, I thought.

0:35:07.760 --> 0:35:09.719
<v Speaker 4>It was cool when I first heard it, Or did

0:35:09.760 --> 0:35:11.600
<v Speaker 4>he start doing like this? Yeah, of course you know

0:35:11.640 --> 0:35:11.960
<v Speaker 4>for real?

0:35:12.200 --> 0:35:16.360
<v Speaker 2>That shit. Sorry. So I go in the car, like

0:35:16.400 --> 0:35:18.880
<v Speaker 2>this is where I write all my music. It's my car.

0:35:19.040 --> 0:35:20.879
<v Speaker 5>I always I write all of my ship in a car.

0:35:20.920 --> 0:35:22.799
<v Speaker 5>I love the fucking car. You got the surround sound.

0:35:22.840 --> 0:35:25.880
<v Speaker 5>I get my own space, roll the window down. Producers

0:35:25.920 --> 0:35:27.399
<v Speaker 5>do that too, with the beats they go in the car.

0:35:28.440 --> 0:35:29.880
<v Speaker 2>Did they make it? Yeah, hundred percent.

0:35:29.920 --> 0:35:32.279
<v Speaker 5>So I think maybe it took maybe forty five minutes

0:35:32.320 --> 0:35:34.319
<v Speaker 5>to an hour. I had them verses. I went in there,

0:35:34.640 --> 0:35:37.920
<v Speaker 5>did the ship. Still thought the song was cool. And

0:35:37.920 --> 0:35:39.759
<v Speaker 5>then when everybody else heard that motherfucker, they was like.

0:35:39.760 --> 0:35:42.319
<v Speaker 2>Are you fucking crazy? This is out of here. It was,

0:35:43.040 --> 0:35:45.920
<v Speaker 2>And we was in Virginia, Virginia. We were in fucking book. Yeah.

0:35:45.920 --> 0:35:48.120
<v Speaker 2>We was in Virginia at for Real Studio. Okay, okay, okay,

0:35:48.120 --> 0:35:49.960
<v Speaker 2>I know this, yep. Hell yeah.

0:35:50.000 --> 0:35:51.719
<v Speaker 5>So that's how that shit came about, man, And that's

0:35:51.760 --> 0:35:54.000
<v Speaker 5>what that's what set it off, because what's your Fantasy

0:35:54.080 --> 0:35:56.040
<v Speaker 5>was for the ladies obviously, and then once throdn Bulls

0:35:56.080 --> 0:35:58.200
<v Speaker 5>came out, it was a rap that was like the

0:35:58.280 --> 0:36:01.080
<v Speaker 5>record is crazy. That rounded everything out in terms of

0:36:01.080 --> 0:36:03.840
<v Speaker 5>me being a new fucking artist, and it was it

0:36:03.920 --> 0:36:04.680
<v Speaker 5>was a game changing.

0:36:05.040 --> 0:36:08.840
<v Speaker 2>No you want you're a new artist, but you're on

0:36:08.960 --> 0:36:14.080
<v Speaker 2>death Jam. Yeah to me.

0:36:14.400 --> 0:36:17.160
<v Speaker 5>The first Southern artist signed to death Jam by the way,

0:36:17.239 --> 0:36:19.719
<v Speaker 5>no other Southern artist, So it was all New York roster.

0:36:19.880 --> 0:36:21.600
<v Speaker 2>Like you said, you read.

0:36:21.520 --> 0:36:23.480
<v Speaker 4>This is what this is, this is what I.

0:36:23.480 --> 0:36:25.120
<v Speaker 2>Want to I mean read from this.

0:36:25.400 --> 0:36:31.200
<v Speaker 4>But because what's Scarface already the President? Nod you was

0:36:31.239 --> 0:36:34.200
<v Speaker 4>already signed to death Jam, and then they made Scarface

0:36:34.239 --> 0:36:34.720
<v Speaker 4>the President.

0:36:34.880 --> 0:36:38.399
<v Speaker 5>I want to say it happened like signed damnit Okay, yeah,

0:36:39.160 --> 0:36:41.480
<v Speaker 5>because it was you first, and then that's when they

0:36:41.560 --> 0:36:44.640
<v Speaker 5>kind of like run in Scarface face. I think he

0:36:44.760 --> 0:36:48.640
<v Speaker 5>was president. Like right before I got signed CO signed yep,

0:36:48.640 --> 0:36:51.800
<v Speaker 5>so Kevin and Scarface. I was their first sign. Again,

0:36:51.840 --> 0:36:54.280
<v Speaker 5>you had you had jay Z had joh, you had DMX,

0:36:54.320 --> 0:36:57.040
<v Speaker 5>you got you, you got Meth, everybody whole roster New.

0:36:57.040 --> 0:36:58.839
<v Speaker 2>York and I was first Southern artist.

0:36:58.880 --> 0:37:01.560
<v Speaker 5>So we we was debate about, you know, whether this

0:37:01.680 --> 0:37:03.120
<v Speaker 5>was the right label for us, because we was like,

0:37:03.120 --> 0:37:04.000
<v Speaker 5>I don't know, if they don't.

0:37:03.920 --> 0:37:06.160
<v Speaker 2>Know what to do with the Southern arm.

0:37:06.440 --> 0:37:09.440
<v Speaker 6>You have felt dope because regardless any hip hop had,

0:37:09.480 --> 0:37:10.400
<v Speaker 6>Death Jam is the mecca.

0:37:10.680 --> 0:37:13.080
<v Speaker 5>Listen, man, cool Jay changed my life. You must have

0:37:13.120 --> 0:37:15.879
<v Speaker 5>been like, man, I'm bad. That's That's the reason I'm

0:37:15.880 --> 0:37:17.640
<v Speaker 5>here at this table today. That's the reason I wrap

0:37:17.680 --> 0:37:19.279
<v Speaker 5>and I've told this motherfucker. He was there when I

0:37:19.320 --> 0:37:22.239
<v Speaker 5>got the Hollywood Star. H just this this this year,

0:37:22.600 --> 0:37:28.719
<v Speaker 5>so man, yeah yeah now ll cool yeah so depth jam.

0:37:29.440 --> 0:37:31.520
<v Speaker 5>I was excited, but that was the only reservation as

0:37:31.560 --> 0:37:32.960
<v Speaker 5>I was, I was the only Southern artist on that.

0:37:33.080 --> 0:37:37.040
<v Speaker 2>But that ship worked out like a motherfucker. Hell yeah.

0:37:37.080 --> 0:37:38.400
<v Speaker 2>Would you ever do a residency?

0:37:39.120 --> 0:37:44.719
<v Speaker 5>Absolutely, we would love first presidency be in Vegas for sure.

0:37:44.960 --> 0:37:51.160
<v Speaker 2>Residencies just announce it. I know, Found Blue just opened U.

0:37:52.040 --> 0:37:55.040
<v Speaker 5>I currently have a deal in Vegas, So politically I'm

0:37:55.040 --> 0:37:55.920
<v Speaker 5>not going to be able to tell you.

0:37:55.960 --> 0:37:56.839
<v Speaker 2>That right now.

0:37:57.840 --> 0:38:01.120
<v Speaker 5>But next time I'm on I got this won't be

0:38:01.120 --> 0:38:01.439
<v Speaker 5>the last.

0:38:02.400 --> 0:38:05.080
<v Speaker 2>Wherever you're the dealer is let's go. Let's do that now,

0:38:05.120 --> 0:38:05.920
<v Speaker 2>lovers and friends.

0:38:05.920 --> 0:38:08.640
<v Speaker 4>When I was on here, we were on the way

0:38:08.760 --> 0:38:10.480
<v Speaker 4>coming here, a lot of people said they made a

0:38:10.520 --> 0:38:12.040
<v Speaker 4>lot of babies to lovers and friends.

0:38:13.080 --> 0:38:15.839
<v Speaker 5>That's a great thing. Ship Is that a great thing?

0:38:15.920 --> 0:38:17.720
<v Speaker 5>That's a great thing. A lot of people make babies

0:38:17.719 --> 0:38:20.680
<v Speaker 5>and what's your fantasy too? But y'all, no lovers and friends.

0:38:20.760 --> 0:38:23.440
<v Speaker 5>We never shot a video for that ship ever. And

0:38:23.480 --> 0:38:26.799
<v Speaker 5>this record is huge, But till this day, I just

0:38:26.800 --> 0:38:28.480
<v Speaker 5>had a show last night. I got a show tonight.

0:38:28.520 --> 0:38:30.480
<v Speaker 5>We always do Lovers and Friends and the whole crowd

0:38:30.520 --> 0:38:32.720
<v Speaker 5>sings the whole damn song. But that's that's a special

0:38:32.719 --> 0:38:33.480
<v Speaker 5>one right there.

0:38:33.560 --> 0:38:36.160
<v Speaker 2>For sure. So where was you at? And Usher called you?

0:38:36.280 --> 0:38:37.319
<v Speaker 2>And you called he called them.

0:38:37.480 --> 0:38:40.760
<v Speaker 5>It's crazy. We were in Miami. Usher had a fucking show.

0:38:41.040 --> 0:38:43.000
<v Speaker 5>It's funny. Tou shock the fuck with me about my memory,

0:38:43.000 --> 0:38:44.880
<v Speaker 5>But I have the most selective memory. When you asked me,

0:38:44.880 --> 0:38:48.440
<v Speaker 5>that ship came to me immediately. Me and John showed

0:38:48.520 --> 0:38:51.920
<v Speaker 5>up for Usher's show down here in Miami. John singles

0:38:51.960 --> 0:38:53.239
<v Speaker 5>Little John, Oh Little Johns.

0:38:53.440 --> 0:38:54.000
<v Speaker 2>John produced the.

0:38:53.960 --> 0:38:58.080
<v Speaker 5>Record John Recordkay's actually Little John's record. So we came

0:38:58.120 --> 0:39:00.120
<v Speaker 5>to his show and this Nigga ushers like, Nigga got

0:39:00.160 --> 0:39:02.200
<v Speaker 5>another one. I got another one for us. I was like, word,

0:39:02.280 --> 0:39:04.480
<v Speaker 5>let me hear the ship. So before he goes on stage,

0:39:04.480 --> 0:39:06.200
<v Speaker 5>they let me hear it. I'm like, we're out of

0:39:06.200 --> 0:39:09.440
<v Speaker 5>here again. On a whole other level, Yeah, fucking hunting

0:39:09.480 --> 0:39:14.359
<v Speaker 5>something VPRs and Friends sixty something VP We out of here, Yeah, nah,

0:39:14.440 --> 0:39:17.319
<v Speaker 5>man making history with them them too, man, some of

0:39:17.360 --> 0:39:18.439
<v Speaker 5>the greatest brothers on earth.

0:39:18.480 --> 0:39:22.399
<v Speaker 2>Bro for sure. God damn, this makes no noise. Listen,

0:39:23.200 --> 0:39:26.040
<v Speaker 2>Thomas long, are we ready? All right? Jamie, are you ready?

0:39:27.200 --> 0:39:35.080
<v Speaker 2>Quin Thomas? Everybody ready? Quick? Time of slide? You got it?

0:39:35.239 --> 0:39:36.520
<v Speaker 2>The second one all right.

0:39:36.560 --> 0:39:38.600
<v Speaker 4>By the way, could explain him the rules, and they

0:39:38.600 --> 0:39:40.400
<v Speaker 4>were gonna tell you the two evil motherfuckers will make

0:39:40.440 --> 0:39:41.160
<v Speaker 4>these quzzus.

0:39:41.400 --> 0:39:43.800
<v Speaker 6>All right, we're gonna yeah, We're gonna give you two choices.

0:39:44.040 --> 0:39:47.680
<v Speaker 6>You pick one, and then nobody drinks if you say

0:39:47.680 --> 0:39:51.920
<v Speaker 6>both or neither of them. We drinking, Okay, so picking

0:39:51.920 --> 0:39:54.160
<v Speaker 6>in that. I gotta drink too, Yeah, yeah, we drink. Yeah,

0:39:54.640 --> 0:39:56.640
<v Speaker 6>I'm with you. Yeah, we're not gonna let you drink.

0:39:57.320 --> 0:39:57.560
<v Speaker 2>All right.

0:39:57.760 --> 0:39:59.640
<v Speaker 4>Good and by the way, we've been excited to have

0:39:59.719 --> 0:40:03.920
<v Speaker 4>you here, brother appire. You can take a sip from

0:40:03.920 --> 0:40:05.680
<v Speaker 4>your drink or take a shot whatever you like. We're

0:40:05.719 --> 0:40:09.800
<v Speaker 4>gonna I'm gonna let me st okay, have shots okay, yeah, okay, No,

0:40:11.000 --> 0:40:12.680
<v Speaker 4>we got homegirls's.

0:40:13.520 --> 0:40:15.880
<v Speaker 2>That's Jamie. Yeah, yeah, that's Jamie. Yeah, I'm sorry. We

0:40:15.920 --> 0:40:22.799
<v Speaker 2>got one girl here. Let her do a girl, one

0:40:22.840 --> 0:40:25.239
<v Speaker 2>girl here, we do take a shot. Have income over

0:40:25.239 --> 0:40:26.040
<v Speaker 2>here and take a shot.

0:40:25.840 --> 0:40:29.840
<v Speaker 4>With Okay, we're gonna bring him in later. Yeah cool,

0:40:30.040 --> 0:40:32.120
<v Speaker 4>all right, So yeah, you want to set it off.

0:40:32.400 --> 0:40:33.040
<v Speaker 2>Let's go.

0:40:34.400 --> 0:40:38.040
<v Speaker 6>Gucci or Jeezy, and you could explain the stories to

0:40:38.080 --> 0:40:40.560
<v Speaker 6>go with anybody. We mentioned both names because we want

0:40:40.600 --> 0:40:42.840
<v Speaker 6>to just talk about different people, not in a batter

0:40:42.880 --> 0:40:43.719
<v Speaker 6>negative wage.

0:40:43.560 --> 0:40:47.640
<v Speaker 2>No to me, man, I love both of these guys.

0:40:47.640 --> 0:40:49.920
<v Speaker 5>Man, I'm talking about the history that they've made, what

0:40:49.960 --> 0:40:52.840
<v Speaker 5>they've done for the goddamn culture, but just personal on

0:40:52.880 --> 0:40:56.800
<v Speaker 5>a personal level. In terms of who I probably listened

0:40:56.840 --> 0:40:59.880
<v Speaker 5>to more, it would be Geezy.

0:40:58.840 --> 0:40:59.439
<v Speaker 2>That's my guy.

0:40:59.440 --> 0:41:03.200
<v Speaker 5>But man, Gucci, what that motherfucker has done for the man,

0:41:03.239 --> 0:41:06.480
<v Speaker 5>for the street culture, No one in the like we

0:41:06.560 --> 0:41:09.120
<v Speaker 5>talking about GZ and Gucci, But let's just say for Gucci,

0:41:09.480 --> 0:41:11.880
<v Speaker 5>I don't think anyone has done for street culture what

0:41:11.920 --> 0:41:14.080
<v Speaker 5>that motherfucker has done for street culture and hip hop

0:41:14.160 --> 0:41:19.080
<v Speaker 5>here and his transformation here. When we did the men's health,

0:41:19.840 --> 0:41:23.319
<v Speaker 5>they had me. I told I told them people they

0:41:23.360 --> 0:41:25.359
<v Speaker 5>need to get Gucci. How to fuck y'all not gonna

0:41:25.360 --> 0:41:27.520
<v Speaker 5>get Gucci. That motherfucker made the best transformation in.

0:41:27.520 --> 0:41:29.160
<v Speaker 2>Hip hop period. Crazy and they thought it was a

0:41:29.200 --> 0:41:32.879
<v Speaker 2>clone at one point, Yeah, yeah, yeah, it was clone.

0:41:32.920 --> 0:41:35.680
<v Speaker 4>I remember that I played Coy clisident. I'll say, wait

0:41:35.680 --> 0:41:42.399
<v Speaker 4>a minute, t I are two chains t I are

0:41:42.400 --> 0:41:43.400
<v Speaker 4>two chains.

0:41:44.200 --> 0:41:46.480
<v Speaker 5>You know, I would give credit where credit is due.

0:41:46.480 --> 0:41:49.920
<v Speaker 5>When it comes to to to Tit, I call him

0:41:49.920 --> 0:41:52.680
<v Speaker 5>Tit in terms of I think that something that people

0:41:52.680 --> 0:41:56.080
<v Speaker 5>don't give him credit for is how different he tried.

0:41:56.120 --> 0:41:58.239
<v Speaker 5>You know, he tries to be as opposed to doing

0:41:58.239 --> 0:42:00.399
<v Speaker 5>what everybody else is doing. I really think he texts

0:42:00.440 --> 0:42:03.960
<v Speaker 5>the time to make different caduses with his with his raps,

0:42:04.000 --> 0:42:06.240
<v Speaker 5>you know what I'm saying. And I, as a rapper,

0:42:06.239 --> 0:42:09.080
<v Speaker 5>you have to appreciate that. Not just going off from

0:42:09.120 --> 0:42:12.160
<v Speaker 5>the norm because that's risky, but in that particular battle,

0:42:12.160 --> 0:42:12.960
<v Speaker 5>I would I would go with.

0:42:13.000 --> 0:42:16.879
<v Speaker 4>T I Yeah, out castle U.

0:42:16.840 --> 0:42:19.040
<v Speaker 2>GK out castle U GK.

0:42:19.320 --> 0:42:21.719
<v Speaker 4>God damn, just take a shot for the So just

0:42:21.719 --> 0:42:22.759
<v Speaker 4>take a shot for the South.

0:42:22.840 --> 0:42:23.759
<v Speaker 2>You make me take us out?

0:42:23.760 --> 0:42:27.120
<v Speaker 4>I gotta answer, But I don't lead the witness.

0:42:27.239 --> 0:42:30.200
<v Speaker 2>I'm leading the witness. I'm sorry, don't lead the witness.

0:42:31.360 --> 0:42:33.920
<v Speaker 5>This is more a personal thing because both you GK

0:42:34.160 --> 0:42:36.279
<v Speaker 5>and Outcasts have done so much for me. People don't

0:42:36.280 --> 0:42:39.279
<v Speaker 5>realize the relationship that me and Pim C had. Man,

0:42:39.320 --> 0:42:41.680
<v Speaker 5>he really did a lot behind the scenes. When I

0:42:41.719 --> 0:42:43.520
<v Speaker 5>was first starting out, we had the song on my

0:42:43.600 --> 0:42:47.800
<v Speaker 5>first album, Stick them up and that motherfucker is amazing, amazing,

0:42:47.880 --> 0:42:51.480
<v Speaker 5>but outcast taking me on tour like with them and

0:42:51.880 --> 0:42:55.680
<v Speaker 5>just everything they did, I'm gonna have to go with outcasts.

0:42:55.719 --> 0:42:57.480
<v Speaker 5>And that's this is that. That was the hardest one

0:42:57.520 --> 0:42:59.120
<v Speaker 5>of all the questions y'all have given me so far.

0:42:59.200 --> 0:43:01.160
<v Speaker 5>I'm going I gotta go with you on your first tour.

0:43:01.520 --> 0:43:04.399
<v Speaker 5>No they is that what I said? I went on that,

0:43:05.200 --> 0:43:06.800
<v Speaker 5>you went on to them. I went on to it

0:43:06.840 --> 0:43:07.719
<v Speaker 5>with them. That's what I said.

0:43:08.400 --> 0:43:09.319
<v Speaker 2>That was your first tour?

0:43:09.440 --> 0:43:11.960
<v Speaker 5>No, no, no, no, wait, what's that our first tour

0:43:13.160 --> 0:43:16.080
<v Speaker 5>going on tour without cast? Yeah, my first time going

0:43:16.120 --> 0:43:17.520
<v Speaker 5>on to an outcast.

0:43:17.520 --> 0:43:18.840
<v Speaker 2>And this was the stink Oni intour.

0:43:22.920 --> 0:43:25.799
<v Speaker 4>I saw that its flaws and just trying to act

0:43:25.840 --> 0:43:26.480
<v Speaker 4>like it was nothing.

0:43:27.200 --> 0:43:32.279
<v Speaker 6>Yeah, we got history, fly your Holy Morning eight ball

0:43:32.400 --> 0:43:35.720
<v Speaker 6>m j G or three six mafia God damn.

0:43:35.800 --> 0:43:39.560
<v Speaker 2>Now we're taking a drink. Take finally sold. Yeah, silent

0:43:41.520 --> 0:43:41.879
<v Speaker 2>m hmm.

0:43:42.400 --> 0:43:44.640
<v Speaker 5>Man, I'm talking about those motherfuckers. Both of those were

0:43:44.719 --> 0:43:46.920
<v Speaker 5>the Bible, the Bible of life.

0:43:47.120 --> 0:43:51.200
<v Speaker 2>Yes, my life, ship, next money, hold on, I'm recovering

0:43:51.200 --> 0:43:52.800
<v Speaker 2>from that moment. That's what I wanted the verses to be.

0:43:52.960 --> 0:43:59.920
<v Speaker 4>Ship Jesus Christmas balling MJ and three six Shauna or Trina, Shawna.

0:43:59.719 --> 0:44:00.920
<v Speaker 2>Or know what I mean? You know, I'm gonna go

0:44:00.960 --> 0:44:03.560
<v Speaker 2>with the whole team. I gotta go with Shawna on that.

0:44:03.719 --> 0:44:07.080
<v Speaker 2>How'd y'all connect? Because she used to be in a

0:44:07.080 --> 0:44:10.080
<v Speaker 2>group called Infamous Syndicate out of Chicago. They were signed

0:44:10.120 --> 0:44:13.480
<v Speaker 2>to what was it Relativity? Yeah, they were signing to

0:44:13.560 --> 0:44:17.480
<v Speaker 2>Relativity Records. And forgetting that check from Relativity because you

0:44:17.480 --> 0:44:22.600
<v Speaker 2>don't w a nigga Relativity.

0:44:22.640 --> 0:44:25.520
<v Speaker 4>I said, damn your only two niggas this whole motherfucker

0:44:25.800 --> 0:44:27.279
<v Speaker 4>they got a Relativity.

0:44:26.880 --> 0:44:30.160
<v Speaker 2>Check at that time. I got yall respect that go ahead? Yeah,

0:44:31.160 --> 0:44:31.520
<v Speaker 2>so bad.

0:44:31.600 --> 0:44:34.799
<v Speaker 5>But now I was saying, I just Shauna in terms

0:44:34.840 --> 0:44:39.120
<v Speaker 5>of I think she's lyrically and just hadences and blows

0:44:39.200 --> 0:44:41.600
<v Speaker 5>and how she's able to do shit. She's fucking incredible

0:44:41.680 --> 0:44:43.520
<v Speaker 5>to me. And that's not to take away from any

0:44:43.640 --> 0:44:46.120
<v Speaker 5>of Trina's catalog and what she's done for the culture

0:44:46.160 --> 0:44:48.560
<v Speaker 5>as well, but just in terms of rapping, I gotta

0:44:48.600 --> 0:44:51.240
<v Speaker 5>go with Shawna on that. And Shauna came from Infamous Syndicate,

0:44:51.320 --> 0:44:53.560
<v Speaker 5>which we noticed her talent early on when she was

0:44:53.600 --> 0:44:55.439
<v Speaker 5>in that group, and I was like, man, I gotta

0:44:55.480 --> 0:44:57.880
<v Speaker 5>I gotta do something with that girl, crazy with it.

0:44:58.040 --> 0:45:01.520
<v Speaker 4>Imagine how hot Chicago is se i'n you discover Shawna.

0:45:01.320 --> 0:45:06.320
<v Speaker 2>Now right right? It almost like she was like ahead

0:45:06.360 --> 0:45:08.759
<v Speaker 2>of her time. I'm gonna have to agree that's what.

0:45:08.880 --> 0:45:10.680
<v Speaker 5>She's definitely ahead of her time, you know, And I

0:45:10.719 --> 0:45:12.520
<v Speaker 5>don't think she really gets the respect she deserves. I

0:45:12.600 --> 0:45:14.000
<v Speaker 5>got to go back and listen to that. Oh no, no, no,

0:45:14.160 --> 0:45:16.800
<v Speaker 5>she's a beast, beast beast like going to play with

0:45:17.560 --> 0:45:18.000
<v Speaker 5>drink champs.

0:45:18.280 --> 0:45:20.439
<v Speaker 2>Yeah, yeah, yeah, definitely, I'll tell her that she would

0:45:20.440 --> 0:45:24.839
<v Speaker 2>definitely come on all right. Fast and Furious are too

0:45:24.960 --> 0:45:25.880
<v Speaker 2>fast too furious?

0:45:26.880 --> 0:45:29.319
<v Speaker 5>Which there's two called fast and furious. Youre talking about

0:45:29.320 --> 0:45:31.160
<v Speaker 5>the very first, first one, the very first one. I mean,

0:45:31.360 --> 0:45:34.040
<v Speaker 5>these guys wrote I'm just reading, but that's what they meant.

0:45:34.080 --> 0:45:36.400
<v Speaker 5>They meant the first one. No, no, no, next one.

0:45:36.480 --> 0:45:38.239
<v Speaker 5>This will let you know that I that I'm not

0:45:38.320 --> 0:45:40.239
<v Speaker 5>a biased person just because I'm in a fucking movie.

0:45:40.280 --> 0:45:41.680
<v Speaker 5>I'm gonna go with the first one over the ship

0:45:41.719 --> 0:45:45.000
<v Speaker 5>that I'm in one. Yeah, I mean, that's love you,

0:45:45.120 --> 0:45:46.520
<v Speaker 5>but think you for not coming to work that day,

0:45:49.040 --> 0:45:51.200
<v Speaker 5>that's it's set. It's set the tone for the whole

0:45:51.480 --> 0:45:53.680
<v Speaker 5>for the rest of the first sequels. So it's like,

0:45:53.760 --> 0:45:54.840
<v Speaker 5>you know, how can you be mad at that?

0:45:55.120 --> 0:45:57.880
<v Speaker 2>That's crazy? How that that has endured that series.

0:45:58.719 --> 0:46:00.640
<v Speaker 5>But it's the people that's making it endure. It's the

0:46:00.680 --> 0:46:01.480
<v Speaker 5>whole world, don't know.

0:46:01.560 --> 0:46:02.000
<v Speaker 2>They love it.

0:46:02.120 --> 0:46:05.920
<v Speaker 4>Nuts, craps. It's a co following facts eminem or Buster.

0:46:08.200 --> 0:46:09.680
<v Speaker 4>Why y'all put those two together?

0:46:09.800 --> 0:46:10.520
<v Speaker 2>Man ship.

0:46:11.520 --> 0:46:13.919
<v Speaker 5>If it wasn't for Bust, I wouldn't be here. God damn,

0:46:13.920 --> 0:46:15.320
<v Speaker 5>I'm taking the shots that.

0:46:16.960 --> 0:46:18.879
<v Speaker 2>Damn. These are some tiny ass shots. By the way,

0:46:20.200 --> 0:46:20.640
<v Speaker 2>it's a lot of.

0:46:20.800 --> 0:46:22.680
<v Speaker 6>It's a lot of questions, trust me, it's a lot

0:46:22.920 --> 0:46:25.719
<v Speaker 6>by design. By design. Then later on you be like, damn, y'all,

0:46:25.920 --> 0:46:26.680
<v Speaker 6>y'all funk me up.

0:46:26.800 --> 0:46:28.800
<v Speaker 2>Okay, I got you. Yeah, y'a don't want no lawsuits.

0:46:30.760 --> 0:46:32.359
<v Speaker 2>I get it. I wouldn't be the one to see

0:46:33.400 --> 0:46:34.200
<v Speaker 2>so you're too rich for that.

0:46:35.280 --> 0:46:40.040
<v Speaker 5>Not as a jadakiss, A jadakiss made you look remix

0:46:40.120 --> 0:46:42.560
<v Speaker 5>that I'm on with both of these mother buckers. Yes, yes,

0:46:44.880 --> 0:46:46.719
<v Speaker 5>I'm gonna have to go listen. I'm only I'm only

0:46:46.800 --> 0:46:48.640
<v Speaker 5>doing this because we I got virgos in the house.

0:46:48.680 --> 0:46:50.680
<v Speaker 5>I gotta go with my Virgo brother man.

0:46:51.000 --> 0:46:51.400
<v Speaker 2>And you know what.

0:46:51.640 --> 0:46:53.600
<v Speaker 5>You know why I say that because I'm on to

0:46:53.640 --> 0:46:56.360
<v Speaker 5>knock yourself out remix And I'm mad at Jadakiss for never.

0:46:56.239 --> 0:47:00.239
<v Speaker 2>Putting that ship out that goddamn song like that.

0:47:02.080 --> 0:47:05.120
<v Speaker 4>Like that the only reason I'm saying Nas right now,

0:47:05.400 --> 0:47:08.319
<v Speaker 4>Jaya put that ship out. Let me stop right now,

0:47:08.400 --> 0:47:12.319
<v Speaker 4>because you also have a record with Nas and Jay and.

0:47:13.000 --> 0:47:14.880
<v Speaker 2>Oh yeah, yeah, one of the only artists that got

0:47:14.920 --> 0:47:21.040
<v Speaker 2>a record with NAS. Yeah, doesn't have to join two

0:47:21.080 --> 0:47:21.359
<v Speaker 2>of them.

0:47:21.920 --> 0:47:24.719
<v Speaker 4>Yeah, that was recent, right right right, I'm just saying

0:47:24.960 --> 0:47:27.719
<v Speaker 4>it like that was like the Unicorn. Of course, how

0:47:27.760 --> 0:47:28.600
<v Speaker 4>did you pull that off?

0:47:29.239 --> 0:47:31.640
<v Speaker 2>Bro? I was literally, did you a lot of both

0:47:31.640 --> 0:47:34.920
<v Speaker 2>of them? Absolutely not. I was cool with both of them.

0:47:35.640 --> 0:47:37.880
<v Speaker 5>He's gonna be Yeah, that's like being at the right

0:47:37.960 --> 0:47:39.960
<v Speaker 5>place at the right time and being cool with both

0:47:40.000 --> 0:47:41.800
<v Speaker 5>of them one hundred percent.

0:47:42.640 --> 0:47:42.839
<v Speaker 2>Yeah.

0:47:42.960 --> 0:47:45.320
<v Speaker 5>Nas did his verse first and then Jay did his second,

0:47:45.360 --> 0:47:46.920
<v Speaker 5>and I was like, and the song is called out

0:47:46.960 --> 0:47:47.160
<v Speaker 5>do it.

0:47:47.160 --> 0:47:49.080
<v Speaker 2>For hip hop? And if you ain't heard that ship incredible,

0:47:49.080 --> 0:47:51.279
<v Speaker 2>you need to go stream this motherfucker right now. It's

0:47:51.320 --> 0:47:52.160
<v Speaker 2>only on YouTube.

0:47:52.360 --> 0:47:56.279
<v Speaker 5>Yeah, dj djh Guru helped make it happen, and then

0:47:56.360 --> 0:48:00.360
<v Speaker 5>DJ Premiere did the beat DJ Premiere and Bobs and

0:48:00.480 --> 0:48:02.640
<v Speaker 5>jay Z come on listen bring.

0:48:03.040 --> 0:48:10.360
<v Speaker 2>Don't get enough love for that. Yo, You got NAEs

0:48:10.440 --> 0:48:13.439
<v Speaker 2>and jay Z on a premo beat and people don't

0:48:13.480 --> 0:48:15.920
<v Speaker 2>even know that a lot of people know it, just

0:48:16.000 --> 0:48:17.840
<v Speaker 2>like he said, that's one of his favorite ships. But

0:48:18.080 --> 0:48:19.320
<v Speaker 2>they did fly under the radar.

0:48:19.440 --> 0:48:21.440
<v Speaker 5>But we're saying it now on Drink Champs and you'll,

0:48:21.480 --> 0:48:23.400
<v Speaker 5>motherfucker's got a lot of followers. So something tells me

0:48:23.760 --> 0:48:29.879
<v Speaker 5>people about to go listen to you said, young Guru

0:48:29.960 --> 0:48:32.040
<v Speaker 5>has something to do with it too, right, Young girl.

0:48:32.040 --> 0:48:33.800
<v Speaker 5>Shout out to young girl for making it happen. Thank you,

0:48:33.880 --> 0:48:34.239
<v Speaker 5>my guy.

0:48:34.719 --> 0:48:35.960
<v Speaker 2>Kendrick Lamar, J Cole.

0:48:36.840 --> 0:48:39.279
<v Speaker 5>Oh yeah, listen, those are the two motherfuckers I love

0:48:39.320 --> 0:48:41.879
<v Speaker 5>the most right now. They keep me inspired, They keep

0:48:41.920 --> 0:48:45.120
<v Speaker 5>me inspired. Yeah, you can take that shot. I love

0:48:45.200 --> 0:48:48.640
<v Speaker 5>both of them. So those are my picture.

0:48:49.920 --> 0:48:50.440
<v Speaker 2>The class.

0:48:50.800 --> 0:48:56.759
<v Speaker 4>Yeahs like Bulgarie put on a Bari lotion and I'm like,

0:48:57.440 --> 0:48:59.279
<v Speaker 4>how are you doing right now with these drinks?

0:49:02.840 --> 0:49:05.200
<v Speaker 2>You know when he stands up at any point, that's

0:49:05.200 --> 0:49:07.080
<v Speaker 2>when you'll know. Listen, let me tell you something.

0:49:08.000 --> 0:49:12.040
<v Speaker 4>You shaka your whole team, man, I'm sorry. I'm like, man,

0:49:12.040 --> 0:49:14.640
<v Speaker 4>I really love you brothers. Man, you brothers are the same.

0:49:15.400 --> 0:49:17.520
<v Speaker 2>You know you six six days older than me. You

0:49:17.560 --> 0:49:22.000
<v Speaker 2>know that ship, so you'm a little homie. That's I

0:49:22.200 --> 0:49:26.560
<v Speaker 2>like that Burgoh. I ain't gonna lie though.

0:49:31.239 --> 0:49:37.879
<v Speaker 4>The unity that y'all show, uh, the longevity that ship

0:49:38.000 --> 0:49:40.680
<v Speaker 4>is so beautiful. Man. Like when I seen because Shaka

0:49:40.719 --> 0:49:43.560
<v Speaker 4>don't call nobody, you know. So when Shaka called me,

0:49:43.600 --> 0:49:44.920
<v Speaker 4>I was like, holy ship.

0:49:45.800 --> 0:49:47.200
<v Speaker 2>I don't know what I was doing. I was just

0:49:47.320 --> 0:49:53.600
<v Speaker 2>like nigga. I was in the middle of something. I

0:49:53.680 --> 0:49:55.160
<v Speaker 2>made sure I was sound this move.

0:49:56.400 --> 0:50:00.160
<v Speaker 4>It's like, yo, we're pulling up. And it was so

0:50:00.239 --> 0:50:03.080
<v Speaker 4>good to hear from him because he's such a good brother.

0:50:03.200 --> 0:50:03.359
<v Speaker 2>Man.

0:50:03.440 --> 0:50:08.400
<v Speaker 4>Absolutely, y'all team is like so solid, bro.

0:50:08.600 --> 0:50:10.160
<v Speaker 5>Just in case you didn't know, and not to not

0:50:10.280 --> 0:50:15.239
<v Speaker 5>to cut you off, but twenty four years, no contract,

0:50:15.520 --> 0:50:16.480
<v Speaker 5>never needed one.

0:50:16.800 --> 0:50:20.160
<v Speaker 2>Whatever, twenty four repushing.

0:50:20.239 --> 0:50:23.040
<v Speaker 5>Man, my fucking handshake, look at each other's eyes.

0:50:23.080 --> 0:50:24.640
<v Speaker 2>This is what it's going to be. And we're riding

0:50:24.920 --> 0:50:25.360
<v Speaker 2>and that's it.

0:50:26.040 --> 0:50:30.239
<v Speaker 4>Unheard of in the music industry because it wasn't industry. Yeah,

0:50:30.640 --> 0:50:32.279
<v Speaker 4>you know what I'm saying exactly. By the way, I

0:50:32.320 --> 0:50:34.239
<v Speaker 4>want the young artists. Can you say that one time?

0:50:34.360 --> 0:50:34.680
<v Speaker 2>Please?

0:50:34.880 --> 0:50:39.200
<v Speaker 5>Twenty four years, no contract, no management contract.

0:50:38.880 --> 0:50:39.279
<v Speaker 2>I'm nothing.

0:50:42.680 --> 0:50:48.560
<v Speaker 4>Yeah still okay, yeah, good, relaxed, having a sentiment to morrow.

0:50:48.640 --> 0:50:53.360
<v Speaker 2>Yeah yeah, tchupocket DMX Oh come on, you can't the

0:50:53.520 --> 0:50:55.840
<v Speaker 2>fuck man? Why would you do that? Man? Dj E,

0:50:56.120 --> 0:50:58.960
<v Speaker 2>Come take a shot with me. God damn. Now, y'all, y'all,

0:50:59.000 --> 0:51:01.160
<v Speaker 2>y'all getting dirty now, man, we've been.

0:51:01.160 --> 0:51:09.879
<v Speaker 4>Dirty, that dirty, We've been dirty. Yeah, come on, m hmm,

0:51:10.760 --> 0:51:16.680
<v Speaker 4>then help trust me at Aliens, a Crimini.

0:51:17.560 --> 0:51:21.440
<v Speaker 5>At Aliens or a Crimini. I'm gonna go with a Cumini,

0:51:22.840 --> 0:51:25.000
<v Speaker 5>just because I love at Aliens with a Cumini. There

0:51:25.040 --> 0:51:27.719
<v Speaker 5>were some records on there that was just like, let's

0:51:27.719 --> 0:51:29.560
<v Speaker 5>put it this way. I think Andre three thousand was

0:51:29.560 --> 0:51:32.399
<v Speaker 5>spassing on at Alien, but he's spas on a whole

0:51:32.440 --> 0:51:35.120
<v Speaker 5>other fucking level on a Quimini. Go back and listen

0:51:35.160 --> 0:51:37.000
<v Speaker 5>to that ship. You'll see what I'm talking about. Hen

0:51:37.040 --> 0:51:38.520
<v Speaker 5>did his thing on the Flu album too.

0:51:38.560 --> 0:51:42.080
<v Speaker 2>I thought the Flu album was kind of album we

0:51:42.200 --> 0:51:42.520
<v Speaker 2>need that.

0:51:45.480 --> 0:51:47.200
<v Speaker 4>One of the beats and then Joe Butden just them.

0:51:47.280 --> 0:51:48.600
<v Speaker 6>I was like, I wanted to rhyme on one of

0:51:48.640 --> 0:51:50.839
<v Speaker 6>the beats, and I was like I said that though

0:51:50.840 --> 0:51:54.200
<v Speaker 6>before said watched hip hop samples and make it more

0:51:54.280 --> 0:51:55.160
<v Speaker 6>hip hop than anything else.

0:51:55.360 --> 0:51:56.439
<v Speaker 2>Somebody already did that ship.

0:51:56.719 --> 0:51:59.560
<v Speaker 4>Yeah yep, and they didn't. They didn't like Loupa.

0:52:00.400 --> 0:52:02.360
<v Speaker 2>I didn't hear that according to Joe, Buten, this is

0:52:02.400 --> 0:52:05.279
<v Speaker 2>what come on, man, I'm sorry, Damn, it's a lot

0:52:05.320 --> 0:52:10.600
<v Speaker 2>for joking the podcast. I'm like Kanye Pharrell on a

0:52:10.640 --> 0:52:15.400
<v Speaker 2>production tip on whatever tip. God Damn, that's.

0:52:15.239 --> 0:52:19.160
<v Speaker 5>A hard one too, bro, two totally different styles in

0:52:19.239 --> 0:52:19.760
<v Speaker 5>my opinion.

0:52:22.960 --> 0:52:29.200
<v Speaker 2>Fuck Kanye or Pharrell. Come back to me on that

0:52:29.239 --> 0:52:35.400
<v Speaker 2>one too. That's the best coming back to me.

0:52:35.800 --> 0:52:35.960
<v Speaker 4>You know.

0:52:36.680 --> 0:52:39.120
<v Speaker 2>You know what's crazy is like that the catalog that

0:52:39.200 --> 0:52:42.360
<v Speaker 2>they have is it's so extensive.

0:52:41.960 --> 0:52:43.560
<v Speaker 5>That you can't you can't like that. That ain't no

0:52:43.640 --> 0:52:45.520
<v Speaker 5>ship that you need to hurry up it.

0:52:45.640 --> 0:52:48.480
<v Speaker 6>But they are kind of totally different people, even though

0:52:48.520 --> 0:52:51.360
<v Speaker 6>they have a lot of similarities. Yeah, let's go to

0:52:51.400 --> 0:52:54.879
<v Speaker 6>the next one. Yeah, l COOJ or Big Daddy came

0:52:55.280 --> 0:52:55.560
<v Speaker 6>I just.

0:52:55.600 --> 0:52:58.200
<v Speaker 5>Told you ll cool J is like the holy Grail

0:52:58.280 --> 0:52:59.960
<v Speaker 5>with it because if it wasn't for him, I wouldn't rap.

0:53:00.080 --> 0:53:01.919
<v Speaker 5>And I've seen Big Daddy Camee a couple of times

0:53:01.960 --> 0:53:05.160
<v Speaker 5>over this hip hop fifty year and I've told him how.

0:53:05.120 --> 0:53:06.440
<v Speaker 2>Much he meant to me. But if I had to

0:53:07.480 --> 0:53:11.160
<v Speaker 2>rock the bell, they're doing still smooth, too big daddy,

0:53:11.960 --> 0:53:13.840
<v Speaker 2>So I'll be trying to get him out of characters.

0:53:15.320 --> 0:53:16.000
<v Speaker 2>You can't because that.

0:53:16.080 --> 0:53:19.480
<v Speaker 5>Is his character that's operated, that gets done.

0:53:20.320 --> 0:53:25.960
<v Speaker 2>Yeah. Real, So Metro Booming or zatoven.

0:53:27.239 --> 0:53:29.480
<v Speaker 5>Man they told in that motherfucker is a guru on

0:53:29.560 --> 0:53:33.920
<v Speaker 5>that goddamn piano man. Both of them extremely talented. If

0:53:33.960 --> 0:53:35.680
<v Speaker 5>I had to choose one, I'm gonna go with Metro

0:53:35.880 --> 0:53:37.919
<v Speaker 5>Man On a production.

0:53:37.680 --> 0:53:41.560
<v Speaker 2>Tip, Organized Noise or Beast by the Pound.

0:53:41.600 --> 0:53:43.440
<v Speaker 5>I was about to say, you can stop there, organized

0:53:43.480 --> 0:53:46.560
<v Speaker 5>noise once again, Like that's when it comes to production,

0:53:47.680 --> 0:53:52.160
<v Speaker 5>organized fucking noise. They need more acclaim. They was, man,

0:53:52.440 --> 0:53:54.640
<v Speaker 5>just go back and listen to any of that outcasts.

0:53:54.800 --> 0:53:57.879
<v Speaker 5>You know, Goodie Mobs, Cool Breeze started a whole movie

0:53:57.960 --> 0:54:00.080
<v Speaker 5>Dungeon Family. But when you listen to that production, it

0:54:00.120 --> 0:54:03.279
<v Speaker 5>didn't sound like any fucking thing that was out and they.

0:54:03.280 --> 0:54:05.839
<v Speaker 6>Changed it per artists, like it's like their their sound

0:54:05.960 --> 0:54:07.799
<v Speaker 6>for each group and artists was different one.

0:54:08.560 --> 0:54:10.239
<v Speaker 2>So I got to go with organized Noise on that

0:54:10.400 --> 0:54:13.560
<v Speaker 2>for sure. Yes's how I thiggers get together real good.

0:54:15.000 --> 0:54:18.719
<v Speaker 2>I see that, I see what's going on, what's going on?

0:54:19.040 --> 0:54:19.520
<v Speaker 2>To watch it.

0:54:19.600 --> 0:54:24.040
<v Speaker 4>I'm watching a little Baby or dub Baby, two different

0:54:24.080 --> 0:54:25.239
<v Speaker 4>styles right there as well.

0:54:25.600 --> 0:54:30.000
<v Speaker 2>Ship. A lot of people say dub Baby is the

0:54:30.080 --> 0:54:30.640
<v Speaker 2>new Louda.

0:54:31.560 --> 0:54:34.640
<v Speaker 5>No, I've heard those comparisons, and I've seen him in person, man,

0:54:34.719 --> 0:54:37.560
<v Speaker 5>and he's such a talented dude. Man, motherfucker directing his

0:54:37.640 --> 0:54:41.040
<v Speaker 5>own videos. And yeah, that's what we always thought you did. Yeah, yeah,

0:54:41.120 --> 0:54:42.840
<v Speaker 5>I mean to a degree, I still do. But I

0:54:43.000 --> 0:54:44.560
<v Speaker 5>just told him how proud I was of him. And

0:54:44.680 --> 0:54:47.640
<v Speaker 5>when I look at what he's doing, you know, he

0:54:47.719 --> 0:54:49.960
<v Speaker 5>did mention me before. He said that I inspired him

0:54:49.960 --> 0:54:52.200
<v Speaker 5>to do some of the videos he's done. So just

0:54:52.239 --> 0:54:53.920
<v Speaker 5>because of that, I love Little Baby. But let's go

0:54:54.000 --> 0:55:01.160
<v Speaker 5>with the baby because hell yeah, they got on or

0:55:01.320 --> 0:55:03.440
<v Speaker 5>Donald mar nigga, how many of these do we have?

0:55:03.640 --> 0:55:07.880
<v Speaker 2>We shot? Oh gotcha? Okay, that's right. Entago and Donald

0:55:07.920 --> 0:55:13.200
<v Speaker 2>Mars both in faster for Otago or Don Man. That's

0:55:13.280 --> 0:55:16.520
<v Speaker 2>a take a shot. Yeah, we said shot, take a shot.

0:55:16.560 --> 0:55:18.520
<v Speaker 2>This ship got yeah, but I don't have it. I

0:55:18.560 --> 0:55:20.600
<v Speaker 2>ain't got a shot. Yeah, no, no, no, Jamie, Jamie

0:55:20.640 --> 0:55:23.920
<v Speaker 2>got yours. Jamie. You know Jamie at l as well,

0:55:24.239 --> 0:55:29.080
<v Speaker 2>she's atl atl. Yeah. Yeah, you're telling me that I'm

0:55:29.080 --> 0:55:31.840
<v Speaker 2>gonna take a shot. Yeahs dam.

0:55:34.400 --> 0:55:36.600
<v Speaker 4>Is that the difference between I know we in quick

0:55:36.600 --> 0:55:40.720
<v Speaker 4>time with Slane, we're kind of like making music and movies.

0:55:41.840 --> 0:55:43.719
<v Speaker 4>A lot of the times when I made a movie,

0:55:43.800 --> 0:55:46.640
<v Speaker 4>I made bout seven to like nine to twelve something

0:55:46.680 --> 0:55:49.560
<v Speaker 4>like that, throttle cameos, but.

0:55:49.640 --> 0:55:51.360
<v Speaker 2>I had to do physicals. I had to do all that.

0:55:51.520 --> 0:55:53.560
<v Speaker 4>Yeah, I don't have to do that when I make

0:55:53.600 --> 0:55:55.000
<v Speaker 4>an album. Is that the difference.

0:55:55.600 --> 0:55:57.879
<v Speaker 5>It's a lot of differences, but that's definitely one of them.

0:55:57.920 --> 0:55:59.399
<v Speaker 5>We can do whatever the fuck we want. We don't

0:55:59.400 --> 0:56:01.640
<v Speaker 5>take drugs and shit like that. As rappers, you know,

0:56:01.680 --> 0:56:04.000
<v Speaker 5>it's the most freedom. And you know what, I'm glad

0:56:04.080 --> 0:56:07.080
<v Speaker 5>you asked that because people would think, like, what's the

0:56:07.239 --> 0:56:11.359
<v Speaker 5>better job to have? Sometimes when you a list movie star,

0:56:12.160 --> 0:56:14.200
<v Speaker 5>you get the huge bucks and you get millions and

0:56:14.239 --> 0:56:16.880
<v Speaker 5>millions of dollars, right, Some rappers don't necessarily make that

0:56:17.520 --> 0:56:20.480
<v Speaker 5>in that short amount of time. But the crazy thing

0:56:20.560 --> 0:56:24.680
<v Speaker 5>about what I see that movie stars envy about rappers

0:56:24.719 --> 0:56:28.120
<v Speaker 5>and entertainers is the fucking freedom that comes along with

0:56:28.239 --> 0:56:31.359
<v Speaker 5>what we do and that you can't put a price

0:56:31.400 --> 0:56:34.399
<v Speaker 5>on that shit. So my number one job in the world,

0:56:34.440 --> 0:56:37.160
<v Speaker 5>and I feel like everyone should aspire or what they

0:56:37.239 --> 0:56:38.879
<v Speaker 5>aspire to if they want to be in the music

0:56:38.920 --> 0:56:40.960
<v Speaker 5>industry is to be is to have that freedom.

0:56:42.960 --> 0:56:45.120
<v Speaker 4>I can't tell you how many times, Lula, and I'm

0:56:45.160 --> 0:56:47.000
<v Speaker 4>not I'm gonna be very careful of what I'm about

0:56:47.000 --> 0:56:51.920
<v Speaker 4>to say. How many times I hung out with basketball players,

0:56:52.719 --> 0:56:54.080
<v Speaker 4>football players.

0:56:59.680 --> 0:57:01.600
<v Speaker 2>Those, for h.

0:57:03.320 --> 0:57:08.160
<v Speaker 4>I don't hang out no soccer players, baseball players players,

0:57:10.360 --> 0:57:16.680
<v Speaker 4>and these motherfuckers get high as fuck, and I'm really good, but.

0:57:16.760 --> 0:57:20.480
<v Speaker 2>They they're hiding it. That's where he's going. Hold on,

0:57:20.560 --> 0:57:22.480
<v Speaker 2>why the buck? Did I just have days out of

0:57:22.480 --> 0:57:24.520
<v Speaker 2>wood right now? Like this is the first time on

0:57:24.680 --> 0:57:27.320
<v Speaker 2>drink SAPs him just saying that to me about basketball

0:57:27.320 --> 0:57:29.880
<v Speaker 2>players getting high as fuck? That moment I've seen and

0:57:30.000 --> 0:57:33.120
<v Speaker 2>heard this ship before. This is the first. What the fuck?

0:57:33.720 --> 0:57:34.040
<v Speaker 4>I'm just.

0:57:35.560 --> 0:57:38.480
<v Speaker 2>I would be looking at you. It's true, though, I'll be.

0:57:38.520 --> 0:57:40.600
<v Speaker 4>Looking at them like you know, I don't got to

0:57:40.640 --> 0:57:41.919
<v Speaker 4>see Roger Goodell.

0:57:43.760 --> 0:57:48.280
<v Speaker 2>Simmons is not coming to see me. Give a fuck. Damn.

0:57:48.360 --> 0:57:50.600
<v Speaker 2>These guys will go in right.

0:57:51.400 --> 0:57:54.480
<v Speaker 4>And then they got to play on Sunday and I

0:57:54.680 --> 0:57:58.200
<v Speaker 4>watch and I said, he didn't make a sack at all.

0:58:02.160 --> 0:58:05.800
<v Speaker 2>Why did he get hir with me? Yo was Yo,

0:58:05.960 --> 0:58:06.880
<v Speaker 2>you're going a little too far.

0:58:08.440 --> 0:58:18.320
<v Speaker 4>I go to the studio. My verse is still okay. Yo,

0:58:19.040 --> 0:58:20.720
<v Speaker 4>He's gonna kill me for saying this story. I'm gonna

0:58:20.720 --> 0:58:23.680
<v Speaker 4>say this, real fast hung out with one, real fast

0:58:24.120 --> 0:58:29.880
<v Speaker 4>hung over a baseball player's chilling. This motherfucker gets bit

0:58:32.200 --> 0:58:34.600
<v Speaker 4>and I'll get bit. But my crib is right there.

0:58:35.360 --> 0:58:36.760
<v Speaker 4>I'm like, I know I could go to meet.

0:58:38.040 --> 0:58:40.439
<v Speaker 2>I go to Stevie. He wakes up the next day.

0:58:41.240 --> 0:58:52.600
<v Speaker 2>I turned on the vision. He strikes out everything yore like.

0:58:55.760 --> 0:58:57.640
<v Speaker 2>So I'm sorry, athlete, you gotta relax.

0:58:59.840 --> 0:59:02.480
<v Speaker 5>I had to me some similar experiences. So you're telling

0:59:02.520 --> 0:59:05.160
<v Speaker 5>the truth, Like I said, Day's I bro, that's real okay.

0:59:05.520 --> 0:59:07.400
<v Speaker 2>Next one, yeah, man, oh man.

0:59:09.040 --> 0:59:12.400
<v Speaker 6>Hustling floor or what the fuck did y'all? Oh hustling

0:59:12.440 --> 0:59:14.080
<v Speaker 6>flowing crash or crash.

0:59:14.160 --> 0:59:18.200
<v Speaker 5>Crash man crash hustling flow? Is that both of those

0:59:18.240 --> 0:59:18.760
<v Speaker 5>are classics.

0:59:18.800 --> 0:59:19.160
<v Speaker 2>By the way.

0:59:19.400 --> 0:59:22.080
<v Speaker 5>Just the experience that I had, thank you with going

0:59:22.120 --> 0:59:25.760
<v Speaker 5>to the Academy Awards and that ship winning when nobody

0:59:25.840 --> 0:59:27.160
<v Speaker 5>thought it was going to do that and it was

0:59:27.200 --> 0:59:30.920
<v Speaker 5>an independent shot movie, and that that ship is everything

0:59:30.960 --> 0:59:33.240
<v Speaker 5>to me. That damn Crash movie. To have that on

0:59:33.320 --> 0:59:36.040
<v Speaker 5>my resume is that was first, right, Crash was the

0:59:36.080 --> 0:59:37.560
<v Speaker 5>first crash all that.

0:59:37.800 --> 0:59:40.560
<v Speaker 4>Yeah, I know you picked Crash, but Terrace Howard just

0:59:40.640 --> 0:59:43.640
<v Speaker 4>did a interview, yeah, talking about how he didn't get

0:59:43.680 --> 0:59:46.880
<v Speaker 4>paid for hustling Flow like you know, he said, got

0:59:46.960 --> 0:59:51.920
<v Speaker 4>fifteen thousand, No fifteen, say four thousand.

0:59:54.840 --> 0:59:57.400
<v Speaker 5>That's fucked up because you got got paid like a

0:59:57.480 --> 1:00:02.600
<v Speaker 5>mother but s sorry, damn, that's my nigga.

1:00:03.320 --> 1:00:07.000
<v Speaker 2>He's dealing with different He's getting four thousand dollars only.

1:00:09.120 --> 1:00:09.959
<v Speaker 2>Oh my god.

1:00:10.520 --> 1:00:12.920
<v Speaker 5>Yeah, yeah, oh yeah, yeah, I mean I don't know

1:00:12.960 --> 1:00:14.520
<v Speaker 5>anything about that, but I heard it. I heard him

1:00:14.520 --> 1:00:17.400
<v Speaker 5>say that that's crazy. That is crazy, one hundred percent.

1:00:18.200 --> 1:00:21.800
<v Speaker 5>That's why you got shock on your time. Absolutely make

1:00:21.840 --> 1:00:25.000
<v Speaker 5>that type of deal. Go ahead, right, the source or

1:00:25.080 --> 1:00:29.360
<v Speaker 5>double XEL, the Source or double XCEL. I'm gonna have

1:00:29.480 --> 1:00:30.840
<v Speaker 5>to go with the source just because I got a

1:00:30.880 --> 1:00:32.720
<v Speaker 5>source award that my fucking career. I don't think I

1:00:32.760 --> 1:00:33.840
<v Speaker 5>have a double XL award.

1:00:34.000 --> 1:00:37.360
<v Speaker 2>It was the original. Yeah, I gotta go with gotta

1:00:37.400 --> 1:00:41.560
<v Speaker 2>go with the sorce. Yeah. Now you're just making up

1:00:41.600 --> 1:00:44.960
<v Speaker 2>ship now what you do, I'm not problem, It's all good.

1:00:44.960 --> 1:00:48.320
<v Speaker 2>I'm fucking with you. Vin Diesel or the Rock. Vin

1:00:48.360 --> 1:00:49.240
<v Speaker 2>Di's a little rock.

1:00:49.440 --> 1:00:53.640
<v Speaker 5>I would only say Ben Ben started the franchise when

1:00:53.680 --> 1:00:55.640
<v Speaker 5>it comes to fast, But man, both of them motherfuckers

1:00:55.680 --> 1:00:58.640
<v Speaker 5>are some of the most disciplined individuals I know when

1:00:58.680 --> 1:01:00.880
<v Speaker 5>it comes to whatever they put their mind to.

1:01:01.560 --> 1:01:01.760
<v Speaker 2>Yeah.

1:01:02.160 --> 1:01:04.280
<v Speaker 4>Yeah, and then ty Reese and the Rock worked the

1:01:04.320 --> 1:01:04.720
<v Speaker 4>shout out.

1:01:04.960 --> 1:01:09.720
<v Speaker 2>They did work that ship out. That's real, all right,

1:01:10.200 --> 1:01:13.320
<v Speaker 2>go ahead, metha. Red Man.

1:01:13.440 --> 1:01:15.600
<v Speaker 5>People used to say I was a down south red Man.

1:01:17.280 --> 1:01:19.560
<v Speaker 5>I love Red and I just saw him recently at

1:01:20.000 --> 1:01:22.880
<v Speaker 5>the same place I saw you at the Leo Corn event,

1:01:23.040 --> 1:01:25.640
<v Speaker 5>and I was just giving them as praises. Man, and

1:01:26.560 --> 1:01:28.560
<v Speaker 5>I've had moments and some history with both of them.

1:01:28.600 --> 1:01:31.120
<v Speaker 5>But in terms of just who influenced me more, I

1:01:31.120 --> 1:01:36.040
<v Speaker 5>would have to go with Redman, alright, Rick Ross and

1:01:36.120 --> 1:01:40.240
<v Speaker 5>Trick Daddy Rick Ross. But I would say without Trick Daddy,

1:01:40.360 --> 1:01:45.280
<v Speaker 5>Rick Ross wouldn't be here, which is very difficult to

1:01:45.520 --> 1:01:47.000
<v Speaker 5>choose between those two.

1:01:47.600 --> 1:01:48.360
<v Speaker 2>God damn.

1:01:49.120 --> 1:01:51.560
<v Speaker 5>But I mean, just in terms of when I'm listening

1:01:51.640 --> 1:01:54.200
<v Speaker 5>to all of the catalogs, I would go with Ross

1:01:54.360 --> 1:01:57.640
<v Speaker 5>on that one. But thank you Trick for even allowing

1:01:57.720 --> 1:01:58.120
<v Speaker 5>Ross to.

1:01:58.240 --> 1:02:00.760
<v Speaker 2>You know, to do what he did. And in the beginning,

1:02:00.840 --> 1:02:02.680
<v Speaker 2>he's the man. He put him on. I think he

1:02:02.680 --> 1:02:03.640
<v Speaker 2>put him on the record.

1:02:03.400 --> 1:02:05.000
<v Speaker 4>And Tuck got his teeth done to This makes no

1:02:05.080 --> 1:02:05.440
<v Speaker 4>noise for that.

1:02:06.920 --> 1:02:10.200
<v Speaker 2>Only you would do that, the nigga. They got his goal.

1:02:11.000 --> 1:02:15.640
<v Speaker 4>Love go to the parents teaching night. Now, I'm not

1:02:15.800 --> 1:02:23.240
<v Speaker 4>sure go to DJ Calendar, DJ Drama, DJ Kalid or

1:02:23.280 --> 1:02:27.040
<v Speaker 4>DJ Drama both my niggas. Drama is looking at this

1:02:27.440 --> 1:02:31.800
<v Speaker 4>very close. Oh no, for sure, he's gonna text you.

1:02:31.920 --> 1:02:34.360
<v Speaker 5>I love drama, but I have this record that no

1:02:34.480 --> 1:02:36.400
<v Speaker 5>matter where I go called, all I do is win,

1:02:36.520 --> 1:02:38.880
<v Speaker 5>I do it every goddamn show. So as much as

1:02:38.920 --> 1:02:41.440
<v Speaker 5>I love Drama, I gotta go to calid on this because.

1:02:43.080 --> 1:02:48.280
<v Speaker 2>Real, yeah, this is a difficult one. Scarface of ice

1:02:48.360 --> 1:02:50.680
<v Speaker 2>que fuck man. Shot.

1:02:52.600 --> 1:02:55.320
<v Speaker 5>God Damn, that's a hard one. You know what, I'm

1:02:55.320 --> 1:02:57.360
<v Speaker 5>gonna take the shot, but I am gonna say scar

1:02:57.480 --> 1:03:00.120
<v Speaker 5>faced on that. I'm still I'm still telling I'm take

1:03:00.160 --> 1:03:00.960
<v Speaker 5>the shot because.

1:03:00.720 --> 1:03:03.680
<v Speaker 2>I want to take a shot. You want to explain

1:03:03.720 --> 1:03:05.760
<v Speaker 2>why you why you went back on both of.

1:03:05.800 --> 1:03:10.240
<v Speaker 5>Those man, both of those artists are so amazing. Both

1:03:10.240 --> 1:03:11.720
<v Speaker 5>of those artists to me are like like you say,

1:03:11.840 --> 1:03:15.440
<v Speaker 5>artist artists. Everybody has pretty much set their tone or

1:03:15.520 --> 1:03:19.320
<v Speaker 5>been influenced by those two motherfuckers in some way, shape

1:03:19.400 --> 1:03:22.640
<v Speaker 5>or form, iceq. What he did for the West Coast

1:03:22.720 --> 1:03:24.920
<v Speaker 5>and all of the industry and what Scarface did for

1:03:25.000 --> 1:03:26.840
<v Speaker 5>the South and all of the industry.

1:03:26.600 --> 1:03:29.400
<v Speaker 2>Both being very lyrical, both being extremely lyrical.

1:03:29.440 --> 1:03:32.480
<v Speaker 5>But I think my heart is closer to Scarface, which

1:03:32.520 --> 1:03:35.680
<v Speaker 5>is why I chose got it face. You play golf, man,

1:03:35.720 --> 1:03:37.120
<v Speaker 5>we were just talking about this ship. I don't have

1:03:37.200 --> 1:03:39.680
<v Speaker 5>the patience yet. Man, I'm gonna get there.

1:03:39.680 --> 1:03:39.960
<v Speaker 2>I want.

1:03:42.120 --> 1:03:45.320
<v Speaker 5>I can't fuck y'all golf niggas. I don't have the

1:03:45.400 --> 1:03:46.880
<v Speaker 5>patience yet. Man, I'm getting there though.

1:03:47.320 --> 1:03:48.680
<v Speaker 2>His face that good at golf.

1:03:49.000 --> 1:03:49.840
<v Speaker 4>Face is good again.

1:03:50.320 --> 1:03:52.960
<v Speaker 2>Yeah, yeah, I didn't know. I have no idea the

1:03:53.040 --> 1:03:57.640
<v Speaker 2>niggas that good. Yeah, he's seriously got Next.

1:03:57.560 --> 1:04:02.240
<v Speaker 4>Night, Timberling and Swiss Beats, Oh fuck man, both my brothers.

1:04:02.600 --> 1:04:03.560
<v Speaker 4>Those are both my brothers.

1:04:03.640 --> 1:04:05.360
<v Speaker 5>If they are friends in the industry, and I have

1:04:05.560 --> 1:04:07.640
<v Speaker 5>very few, like when you talk about real shit, those

1:04:07.680 --> 1:04:10.880
<v Speaker 5>are both my friends. But uh, it was no secret

1:04:11.000 --> 1:04:14.000
<v Speaker 5>when I had my verses I was given praises. I

1:04:14.080 --> 1:04:16.840
<v Speaker 5>feel like, to me, Timberland is the best producer of

1:04:16.960 --> 1:04:20.560
<v Speaker 5>our time. That's just my opinion, And I know people

1:04:20.560 --> 1:04:22.600
<v Speaker 5>will beg to different, But when you go back and

1:04:22.720 --> 1:04:27.200
<v Speaker 5>listen to his beats and you think about, like how

1:04:27.320 --> 1:04:32.920
<v Speaker 5>he structured snares and kicks and eighto eights and the

1:04:33.080 --> 1:04:37.320
<v Speaker 5>bounces and are peggiating, and it's completely out of the

1:04:37.440 --> 1:04:39.840
<v Speaker 5>norm again of what anyone else is doing. And I

1:04:40.000 --> 1:04:43.000
<v Speaker 5>just feel like he puts so much into it and

1:04:43.120 --> 1:04:44.920
<v Speaker 5>Swiss making history on a whole.

1:04:44.760 --> 1:04:45.800
<v Speaker 2>Other level for what he does.

1:04:45.920 --> 1:04:49.600
<v Speaker 5>But personally, I gotta go with Timbling and you don't

1:04:49.640 --> 1:04:51.840
<v Speaker 5>go back to the free as well, Like the fact

1:04:51.880 --> 1:04:53.680
<v Speaker 5>that he can go between both is crazy.

1:04:53.800 --> 1:04:54.520
<v Speaker 2>Yeah as well.

1:04:54.640 --> 1:04:56.800
<v Speaker 5>And if we go back to the Pharal and Kanye joint,

1:04:56.920 --> 1:04:59.600
<v Speaker 5>just based off the word influence, they both have major

1:04:59.640 --> 1:05:02.360
<v Speaker 5>influence on a lot, but I feel like I'm gonna

1:05:02.360 --> 1:05:05.480
<v Speaker 5>have to say, Kanye in terms of influencing, we're going

1:05:05.520 --> 1:05:06.160
<v Speaker 5>back to the other one.

1:05:07.040 --> 1:05:08.720
<v Speaker 2>Just came back to want to make sure that you're

1:05:08.720 --> 1:05:13.480
<v Speaker 2>going back to be going back to nobody there. We're

1:05:13.520 --> 1:05:15.720
<v Speaker 2>gonna regardless, Yeah, but go ahead, you good. It was

1:05:15.800 --> 1:05:17.320
<v Speaker 2>Kunye for what happened when you say.

1:05:17.240 --> 1:05:20.880
<v Speaker 5>No, yeah, I mean that's that's probably the hardest, the

1:05:20.960 --> 1:05:21.880
<v Speaker 5>hardest fucking question.

1:05:22.000 --> 1:05:24.240
<v Speaker 2>I love both of them, made records with both of them.

1:05:25.640 --> 1:05:31.880
<v Speaker 5>In terms of influence of not only certain rappers and production,

1:05:32.400 --> 1:05:35.800
<v Speaker 5>I would go with Kanye for Real mostly production, and

1:05:35.880 --> 1:05:37.680
<v Speaker 5>by the way, for some of for Real's verses and

1:05:37.760 --> 1:05:40.080
<v Speaker 5>some of the hardest fucking verses in hip ho. Make

1:05:40.120 --> 1:05:42.280
<v Speaker 5>a mentioned to that, by the way, because do it

1:05:42.320 --> 1:05:44.320
<v Speaker 5>every now and he's take a shot.

1:05:44.880 --> 1:05:51.320
<v Speaker 2>It's all good. Everybody take a shot. He confused everybody.

1:05:53.720 --> 1:05:55.640
<v Speaker 5>I think these are moments where it's like you talk

1:05:55.680 --> 1:05:57.000
<v Speaker 5>about some ship that not a lot of people are

1:05:57.000 --> 1:05:59.160
<v Speaker 5>talking about that. Nigga for real got some verses in

1:05:59.280 --> 1:05:59.960
<v Speaker 5>this hip hop game.

1:06:00.120 --> 1:06:03.200
<v Speaker 2>We've got some part ass versus like he against the rapper.

1:06:03.040 --> 1:06:06.560
<v Speaker 5>On So I would say on that one, I would

1:06:06.560 --> 1:06:09.960
<v Speaker 5>go with Kanye Cool analog or digital.

1:06:10.240 --> 1:06:16.600
<v Speaker 2>Analog, Man, analog, I gotta go analog before he don't know,

1:06:16.720 --> 1:06:19.680
<v Speaker 2>you don't, don't relax, you got you can't you know

1:06:19.720 --> 1:06:22.600
<v Speaker 2>where you're gonna go. You let's go there? Why why

1:06:22.680 --> 1:06:24.680
<v Speaker 2>analog before he says, because.

1:06:26.320 --> 1:06:28.600
<v Speaker 6>I'm not even gonna make sure you're not wrong. But

1:06:28.960 --> 1:06:32.360
<v Speaker 6>versus white. Analogue is weird, not weird, but it's not weird.

1:06:33.280 --> 1:06:37.160
<v Speaker 6>It's no weird because it's just not analog.

1:06:37.520 --> 1:06:41.120
<v Speaker 5>Digital is trying to emulate what analog does. Analog there's

1:06:41.160 --> 1:06:46.600
<v Speaker 5>ones and twos, there's electricity flowing through analog, and there's separation. Now,

1:06:46.680 --> 1:06:48.800
<v Speaker 5>not to say that digital is trying to do that,

1:06:48.880 --> 1:06:51.040
<v Speaker 5>but it has not done that yet. Hasn't done that yet.

1:06:51.360 --> 1:06:53.880
<v Speaker 5>You can't, there's not You cannot emulate analog. There's nothing

1:06:53.880 --> 1:06:56.320
<v Speaker 5>you can do. There's circuitry, there's energy. It picks up

1:06:56.360 --> 1:06:59.160
<v Speaker 5>the energy in the fucking room. Digital doesn't do that.

1:07:00.080 --> 1:07:03.040
<v Speaker 2>No contact. You said you're gonna say that, Get the fuck.

1:07:04.720 --> 1:07:08.280
<v Speaker 4>No. What I was gonna say was yes, it's actually

1:07:08.640 --> 1:07:11.520
<v Speaker 4>he said, you're not gonna say the electricity.

1:07:10.960 --> 1:07:20.640
<v Speaker 2>Of the monologue two point five. Say. What I'm trying to.

1:07:20.640 --> 1:07:24.600
<v Speaker 4>Say is when you listen to music in the nineties

1:07:24.600 --> 1:07:26.360
<v Speaker 4>where we couldn't send but.

1:07:26.480 --> 1:07:29.080
<v Speaker 2>That's the email man. We had to be in a

1:07:29.160 --> 1:07:33.840
<v Speaker 2>two inch rail. We had the little everything, little people

1:07:33.880 --> 1:07:34.439
<v Speaker 2>with the rail.

1:07:34.560 --> 1:07:37.400
<v Speaker 4>It's legit as a rail, little people as a rail

1:07:38.080 --> 1:07:40.400
<v Speaker 4>to bring up to sound on sound to write track

1:07:40.440 --> 1:07:42.959
<v Speaker 4>studio and Lula couldn't send me his verse.

1:07:43.360 --> 1:07:46.320
<v Speaker 2>He had to be in the same exact studio with me.

1:07:47.280 --> 1:07:50.280
<v Speaker 4>That's why analog is this ship is because I can

1:07:51.080 --> 1:07:51.640
<v Speaker 4>he's saying.

1:07:51.480 --> 1:07:53.959
<v Speaker 2>The person, the person, which is true. That's the same.

1:07:54.240 --> 1:07:54.919
<v Speaker 2>It is the best.

1:07:55.200 --> 1:07:57.040
<v Speaker 4>The reason why you said you look, you look look

1:07:57.040 --> 1:07:59.680
<v Speaker 4>at some of these dude dues records. You're like, you

1:07:59.760 --> 1:08:04.600
<v Speaker 4>could tell he was in Utah. This nigga, you got

1:08:04.840 --> 1:08:09.680
<v Speaker 4>Utah and people in Utah right now he was one

1:08:09.880 --> 1:08:13.320
<v Speaker 4>niggas in Utah and all the niggas in Kasstan bor

1:08:14.880 --> 1:08:18.720
<v Speaker 4>Rack and this niggas he's being with the cow and

1:08:18.880 --> 1:08:21.760
<v Speaker 4>bells and ship. You can hit the bells, the and

1:08:21.840 --> 1:08:24.720
<v Speaker 4>the You're like, You're like, this is too fucking.

1:08:26.240 --> 1:08:27.680
<v Speaker 2>I know I would have fun when I came. I

1:08:27.760 --> 1:08:30.640
<v Speaker 2>know I have this much God damn. But this is.

1:08:32.880 --> 1:08:35.400
<v Speaker 4>What I'm saying is analog. That's the reason why analog.

1:08:35.760 --> 1:08:38.439
<v Speaker 4>I just want to help iterate what he was just saying.

1:08:38.560 --> 1:08:41.599
<v Speaker 4>You're not iterating anything he said. You're giving your point,

1:08:41.600 --> 1:08:44.920
<v Speaker 4>which is valid, one hundred mad valid.

1:08:45.000 --> 1:08:46.880
<v Speaker 2>My point is fire. But I say this, he has

1:08:46.920 --> 1:08:48.599
<v Speaker 2>nothing to do with analog.

1:08:49.080 --> 1:08:51.120
<v Speaker 4>That's the reason why I felt like you analogue is

1:08:51.160 --> 1:08:54.960
<v Speaker 4>because we had to be there like, Meier sending you

1:08:55.040 --> 1:08:57.479
<v Speaker 4>a beat is totally different from for man making that.

1:08:57.560 --> 1:08:58.320
<v Speaker 2>Big in your face.

1:08:58.680 --> 1:09:01.760
<v Speaker 4>Absolutely, that's analog. That's the reason why I felt like

1:09:01.800 --> 1:09:04.800
<v Speaker 4>you picked it. And this part of the just here

1:09:05.560 --> 1:09:06.840
<v Speaker 4>part of the By the way.

1:09:06.800 --> 1:09:08.639
<v Speaker 2>Ludacris is the only nigga to come here and pick

1:09:08.720 --> 1:09:10.680
<v Speaker 2>his hair. Drink chat that.

1:09:13.200 --> 1:09:16.600
<v Speaker 4>Jamie sitting around, and Jamie was like, listen, Jamie's a bartender.

1:09:16.840 --> 1:09:18.920
<v Speaker 4>And Jamie said, you know what, I've been in Atlanta

1:09:19.000 --> 1:09:19.479
<v Speaker 4>long enough.

1:09:19.640 --> 1:09:20.160
<v Speaker 2>I can do this.

1:09:20.320 --> 1:09:21.840
<v Speaker 4>He's like, I'm a hair tender too. She said, I

1:09:21.880 --> 1:09:24.720
<v Speaker 4>could be a hair tender too. And guess what we had?

1:09:26.240 --> 1:09:28.960
<v Speaker 4>Uh you MTV raps of Rap City.

1:09:30.600 --> 1:09:33.120
<v Speaker 5>I'm gonna say, uh rap City because man, did you

1:09:33.320 --> 1:09:35.160
<v Speaker 5>did you see them Ludacris in the booth?

1:09:35.240 --> 1:09:40.240
<v Speaker 2>Rap City? B got we got it, we got you See,

1:09:40.320 --> 1:09:41.960
<v Speaker 2>I could pull it up. This nigga been doing our

1:09:41.960 --> 1:09:42.800
<v Speaker 2>interview the hold down.

1:09:42.880 --> 1:09:43.280
<v Speaker 6>You got it?

1:09:43.360 --> 1:09:43.800
<v Speaker 7>You got it.

1:09:44.840 --> 1:09:47.400
<v Speaker 2>Yeah, it's in a good chat. Was eighteen the radio.

1:09:48.720 --> 1:09:49.080
<v Speaker 4>You got it.

1:09:50.400 --> 1:09:52.960
<v Speaker 2>It's in a good chat, good good dream cham sports.

1:09:53.840 --> 1:09:56.439
<v Speaker 2>I see some pools ain't smart because they going against me.

1:09:56.600 --> 1:10:01.519
<v Speaker 2>I've been rapping on a whole nothing level past the league.

1:10:01.680 --> 1:10:04.120
<v Speaker 2>You could ask read enough I ripples.

1:10:05.360 --> 1:10:07.719
<v Speaker 5>As long as my clicks fitted my Cadillac truck.

1:10:07.800 --> 1:10:09.200
<v Speaker 2>It's lower than six mines.

1:10:09.520 --> 1:10:12.920
<v Speaker 4>It's what it cost me six digits your eye out.

1:10:12.800 --> 1:10:16.320
<v Speaker 5>And play football with it. Girls, see me the hall

1:10:16.520 --> 1:10:19.240
<v Speaker 5>hard so much money. I'm trying to buy a college call.

1:10:20.560 --> 1:10:22.560
<v Speaker 2>I don't need payola as long as my eyes that

1:10:22.760 --> 1:10:24.160
<v Speaker 2>rather than crayola.

1:10:29.240 --> 1:10:31.160
<v Speaker 4>Let me ask you something. We keep going with the

1:10:31.240 --> 1:10:34.599
<v Speaker 4>quick Time, but have you ever felt nothing quick about

1:10:34.640 --> 1:10:37.320
<v Speaker 4>quick Time? Hour?

1:10:37.400 --> 1:10:39.200
<v Speaker 2>Doing quick Time? Y'all need to change the name of

1:10:39.280 --> 1:10:42.120
<v Speaker 2>that ships.

1:10:42.400 --> 1:10:44.840
<v Speaker 6>But have you ever felt that you never got your

1:10:45.080 --> 1:10:47.120
<v Speaker 6>just due as a lyricist? Have you ever felt that way?

1:10:48.560 --> 1:10:50.920
<v Speaker 5>I hear people say that, and to a degree, but

1:10:51.040 --> 1:10:53.320
<v Speaker 5>when I said those moments like me winning best Rap

1:10:53.400 --> 1:10:55.400
<v Speaker 5>album for you know what I mean, which doesn't happen often,

1:10:55.479 --> 1:10:58.720
<v Speaker 5>you can, you feel like there's a certain amount of

1:10:58.720 --> 1:11:00.439
<v Speaker 5>people that do feel that way. And I feel like

1:11:00.520 --> 1:11:02.880
<v Speaker 5>the real Luda fans they you know, they do feel

1:11:02.920 --> 1:11:03.280
<v Speaker 5>like I get.

1:11:03.360 --> 1:11:05.920
<v Speaker 6>I get you could wing your best rap album, but

1:11:06.400 --> 1:11:09.360
<v Speaker 6>you know, like being the lyricists like the Nazes and this,

1:11:09.920 --> 1:11:11.800
<v Speaker 6>have you ever felt that you didn't get that from

1:11:12.280 --> 1:11:12.840
<v Speaker 6>that world?

1:11:12.960 --> 1:11:15.679
<v Speaker 2>Like the pure purest hip hop side to a degree.

1:11:15.760 --> 1:11:18.200
<v Speaker 5>But I guess what I'm saying is as time passes

1:11:18.400 --> 1:11:20.439
<v Speaker 5>and these things are standing the test of time and

1:11:20.560 --> 1:11:22.600
<v Speaker 5>people are going back and listening to.

1:11:22.600 --> 1:11:25.400
<v Speaker 2>Shit and the repetition of it, they're starting to say wow.

1:11:25.680 --> 1:11:27.400
<v Speaker 5>Like so there have been times where people like, oh,

1:11:27.439 --> 1:11:29.920
<v Speaker 5>he don't get the lyrical recognition he deserved. But these

1:11:30.000 --> 1:11:33.000
<v Speaker 5>things keep circulating and getting the people's faces and all

1:11:33.040 --> 1:11:35.160
<v Speaker 5>the shit different shit that I did. And so when

1:11:35.160 --> 1:11:37.000
<v Speaker 5>people are reminded of that, then it kind of like

1:11:38.000 --> 1:11:41.639
<v Speaker 5>it makes them remember what the fuck that we got

1:11:41.720 --> 1:11:43.479
<v Speaker 5>going on and what we've done in the past and

1:11:43.520 --> 1:11:46.360
<v Speaker 5>the whole you know, the catalog, the history everything.

1:11:46.439 --> 1:11:48.479
<v Speaker 2>Because You've always been a pure lyricist as far as

1:11:48.479 --> 1:11:50.360
<v Speaker 2>I'm concerned, Thank you, man, And that's what I set

1:11:50.360 --> 1:11:53.680
<v Speaker 2>out to do for sure. And again we're gonna get

1:11:53.680 --> 1:11:57.880
<v Speaker 2>back into quick time, slow time. But who were your

1:11:58.240 --> 1:12:03.400
<v Speaker 2>inspiration's lyricists? Man? I had so many, but I think.

1:12:04.880 --> 1:12:07.360
<v Speaker 5>Definitely, like red Man I said, ll cool J made

1:12:07.400 --> 1:12:12.360
<v Speaker 5>me want to rap, definitely outcast. I definitely want to say.

1:12:12.439 --> 1:12:15.759
<v Speaker 5>Common Sense is another motherfucker. I love that first Common

1:12:15.800 --> 1:12:18.639
<v Speaker 5>Sense album absolutely. So that's just the name a few,

1:12:20.520 --> 1:12:21.960
<v Speaker 5>A little one, that shaped and molded me.

1:12:22.400 --> 1:12:25.200
<v Speaker 2>That's fine. The next one, Oh, you don't got no

1:12:25.320 --> 1:12:28.760
<v Speaker 2>quick time of today is just me and my phone. Huh,

1:12:29.720 --> 1:12:31.640
<v Speaker 2>I get, I get, It's okay. It's okay with me.

1:12:31.800 --> 1:12:36.720
<v Speaker 2>It's okay. I told you a long time ago. Yeah,

1:12:38.080 --> 1:12:46.839
<v Speaker 2>cash money or no limit. Damn fuck y'all cheers movements

1:12:46.960 --> 1:12:50.400
<v Speaker 2>right there they are? Ship. Do you want to say

1:12:50.400 --> 1:12:51.120
<v Speaker 2>anything about them?

1:12:51.880 --> 1:12:54.000
<v Speaker 5>I mean, ship, I'll be talking for days about the

1:12:54.080 --> 1:12:58.439
<v Speaker 5>impact that they made. Man, I've never been like at

1:12:58.479 --> 1:12:59.960
<v Speaker 5>a loss for words because it's so much I want

1:12:59.960 --> 1:13:01.479
<v Speaker 5>to say, But this will be the first time. It's

1:13:01.520 --> 1:13:02.880
<v Speaker 5>so much I want to say about that. Like that's

1:13:02.880 --> 1:13:04.360
<v Speaker 5>a whole other drink stand We're gonna need to hold

1:13:04.360 --> 1:13:07.200
<v Speaker 5>another hour. But like just giving them praises on what

1:13:07.320 --> 1:13:10.960
<v Speaker 5>they did, like from an independent standpoint, to independent labels

1:13:11.000 --> 1:13:14.360
<v Speaker 5>that changed the whole fucking music industry peer.

1:13:14.360 --> 1:13:18.160
<v Speaker 2>And for the South in general, like absolute landscape of

1:13:18.240 --> 1:13:19.120
<v Speaker 2>the industry.

1:13:18.920 --> 1:13:20.519
<v Speaker 5>Whole landscape of the industry. And I know I already

1:13:20.520 --> 1:13:22.040
<v Speaker 5>took my shot that might be the only nigga to

1:13:22.200 --> 1:13:25.040
<v Speaker 5>do this. Answer the question after, but let's go because

1:13:25.040 --> 1:13:26.880
<v Speaker 5>of the longevity, I'm gonna go with cash money.

1:13:27.160 --> 1:13:29.479
<v Speaker 2>But I'm cool. I already took the goddamn shot. All right,

1:13:29.520 --> 1:13:31.080
<v Speaker 2>you gave them both props, and then.

1:13:32.240 --> 1:13:36.800
<v Speaker 5>I'm just being just being real, just being truthful, even Missy,

1:13:38.400 --> 1:13:42.320
<v Speaker 5>even Missy well only because earlier y'all heard me say

1:13:42.360 --> 1:13:45.600
<v Speaker 5>there's definitely some Missy influence. Missy has had me on

1:13:45.760 --> 1:13:50.519
<v Speaker 5>like four records. Just from a standpoint of working more

1:13:50.600 --> 1:13:53.439
<v Speaker 5>with Missy because Eve has done some incredible things. I'm

1:13:53.479 --> 1:13:54.559
<v Speaker 5>gonna go with Missy on this one.

1:13:56.640 --> 1:13:56.760
<v Speaker 6>Yo.

1:13:56.840 --> 1:14:02.559
<v Speaker 2>God your Juicy J. God to Juicy J. Why did

1:14:02.600 --> 1:14:03.679
<v Speaker 2>y'all put those two together?

1:14:04.120 --> 1:14:07.000
<v Speaker 4>Look at this because the Dominican over there, Yeah, they

1:14:07.040 --> 1:14:09.280
<v Speaker 4>don't even know why they put it together just because

1:14:09.280 --> 1:14:10.200
<v Speaker 4>they're both from Memphis.

1:14:10.520 --> 1:14:11.360
<v Speaker 2>That's crazy, bro.

1:14:11.479 --> 1:14:13.519
<v Speaker 4>I'm like, and they don't even know why because from

1:14:13.560 --> 1:14:14.519
<v Speaker 4>medicine the correlation.

1:14:15.479 --> 1:14:17.160
<v Speaker 5>So you said that, I mean, I love your guy.

1:14:17.200 --> 1:14:19.320
<v Speaker 5>I think what that motherfucker is doing with his label

1:14:19.439 --> 1:14:23.320
<v Speaker 5>is amazing. Man, he need to give you one of

1:14:23.360 --> 1:14:26.360
<v Speaker 5>the best part of CEOs. But Juicy J was a

1:14:26.439 --> 1:14:29.880
<v Speaker 5>part of my history and records that we've done together.

1:14:30.880 --> 1:14:32.880
<v Speaker 5>One of my favorite verses of all time is that

1:14:33.000 --> 1:14:36.160
<v Speaker 5>this bitch that hole with Project Pat and because of

1:14:36.240 --> 1:14:38.360
<v Speaker 5>our history I'm gonna go with project with you.

1:14:39.520 --> 1:14:41.880
<v Speaker 2>Before we go on to the next question. Is that

1:14:42.000 --> 1:14:42.600
<v Speaker 2>something that you.

1:14:44.160 --> 1:14:50.600
<v Speaker 4>Something that I received being an artist CEO, sometimes the

1:14:50.640 --> 1:14:53.320
<v Speaker 4>opportunity to present itself, to present itself for the crew,

1:14:53.600 --> 1:14:54.480
<v Speaker 4>present itself.

1:14:54.240 --> 1:14:55.960
<v Speaker 2>For the individual, present itself for me.

1:14:57.200 --> 1:15:03.960
<v Speaker 4>And it's always been kind of like, uh, turmoil because

1:15:04.240 --> 1:15:07.160
<v Speaker 4>always when I've had the opportunity, it's always leaned towards

1:15:07.240 --> 1:15:09.240
<v Speaker 4>me as the artist right to do that.

1:15:09.640 --> 1:15:11.759
<v Speaker 2>Is that something that you ever endured?

1:15:11.880 --> 1:15:14.080
<v Speaker 5>I think everybody that's a boss endures that. Like, think

1:15:14.080 --> 1:15:16.920
<v Speaker 5>about it, no matter where you at, you've got a job,

1:15:17.040 --> 1:15:19.080
<v Speaker 5>whoever your boss is, and how many times have you

1:15:19.640 --> 1:15:23.519
<v Speaker 5>criticized your boss. Some bosses deserve to be criticized for

1:15:23.600 --> 1:15:26.520
<v Speaker 5>the wrong shit, but a lot of them are criticized

1:15:26.520 --> 1:15:27.559
<v Speaker 5>because they're just trying.

1:15:27.400 --> 1:15:29.720
<v Speaker 2>To do what's best for the fucking company company in fact,

1:15:29.800 --> 1:15:30.680
<v Speaker 2>so they're gonna be you know.

1:15:30.840 --> 1:15:32.200
<v Speaker 5>But at the end of the day, no matter what

1:15:32.400 --> 1:15:35.320
<v Speaker 5>I did, I guarantee you I gave everybody opportunity.

1:15:35.400 --> 1:15:36.719
<v Speaker 2>I always stood on business.

1:15:36.800 --> 1:15:38.519
<v Speaker 5>Nobody can say any of that shit when you talk

1:15:38.520 --> 1:15:40.800
<v Speaker 5>about facts and doing the best that I could for

1:15:40.880 --> 1:15:43.559
<v Speaker 5>every single person fighting at depth jam to get marketing,

1:15:43.600 --> 1:15:44.519
<v Speaker 5>budgets and everything.

1:15:44.640 --> 1:15:46.080
<v Speaker 2>Right, there was a time we had.

1:15:46.040 --> 1:15:49.439
<v Speaker 5>Fifteen different fucking artists, and so I'm getting pulled left

1:15:49.479 --> 1:15:51.680
<v Speaker 5>and right doing everything, get on niggas mixtapes when they

1:15:51.720 --> 1:15:52.360
<v Speaker 5>asked me to do that.

1:15:52.600 --> 1:15:55.040
<v Speaker 2>I'm charging two hundred and fifty thousand a fucking verse

1:15:55.080 --> 1:15:55.599
<v Speaker 2>at this time.

1:15:55.880 --> 1:15:57.960
<v Speaker 5>Of course, I'm gonna do this shit for free mixtapes.

1:15:58.120 --> 1:16:01.000
<v Speaker 5>Whatever you need, what you need here doing everything. So, yes,

1:16:01.520 --> 1:16:03.599
<v Speaker 5>I'm gonna get criticized, But like I said earlier, I'm

1:16:03.640 --> 1:16:05.160
<v Speaker 5>okay with taking these jabs.

1:16:05.600 --> 1:16:06.040
<v Speaker 2>You know what I mean.

1:16:06.080 --> 1:16:08.320
<v Speaker 5>That's what we do as bosses. You're gonna get criticized.

1:16:08.360 --> 1:16:10.920
<v Speaker 5>That's that comes with the fucking territory, you know what

1:16:10.960 --> 1:16:13.599
<v Speaker 5>I mean. But listen, I can take it. I'm here,

1:16:13.680 --> 1:16:16.080
<v Speaker 5>I'm good, don't worry about it. But when I decided

1:16:16.080 --> 1:16:19.120
<v Speaker 5>the jab back, just don't get bad that Virgo.

1:16:19.000 --> 1:16:24.960
<v Speaker 8>Ship right there, go ahead? Yeah or n w A man,

1:16:25.080 --> 1:16:27.960
<v Speaker 8>y'all motherfuckers. Man, this is my favorite question of all time.

1:16:28.080 --> 1:16:30.040
<v Speaker 8>I don't even think that question should be set up.

1:16:30.600 --> 1:16:31.840
<v Speaker 8>You don't ask everybody this ship.

1:16:32.040 --> 1:16:34.800
<v Speaker 2>Yeah, actually did that one? Yes, Yes, I actually loved that.

1:16:34.840 --> 1:16:36.800
<v Speaker 2>And I never agree with that set up to be honest,

1:16:37.240 --> 1:16:38.680
<v Speaker 2>I don't know. I don't either, but that's a good

1:16:38.760 --> 1:16:42.360
<v Speaker 2>that's such a good ask question. That's such a good question.

1:16:43.840 --> 1:16:46.120
<v Speaker 2>There's no way I can choose between those two, like

1:16:46.240 --> 1:16:49.439
<v Speaker 2>two different coaches that like did the impact that both

1:16:49.439 --> 1:16:53.439
<v Speaker 2>of the generation well this world, that impact of this

1:16:53.560 --> 1:16:57.479
<v Speaker 2>world almost done.

1:16:58.040 --> 1:17:00.559
<v Speaker 5>God damn shots out and took Just let y'all know, Yes,

1:17:01.080 --> 1:17:04.920
<v Speaker 5>Nigga's over here stacking him up. Biz Marquis o dB.

1:17:07.000 --> 1:17:11.280
<v Speaker 5>That's the most random fucking matchup in very similar you

1:17:11.360 --> 1:17:15.679
<v Speaker 5>think about it. I thought about it, and I don't

1:17:15.680 --> 1:17:19.920
<v Speaker 5>think that they love Bismarkey. I'm gonna go with od

1:17:20.040 --> 1:17:23.240
<v Speaker 5>B on that one. Hell yeah, I did. I did

1:17:23.320 --> 1:17:27.439
<v Speaker 5>a record for od BB. Was wold wild as fucked.

1:17:27.439 --> 1:17:29.400
<v Speaker 5>I don't think there was. It didn't get wilder.

1:17:30.920 --> 1:17:33.280
<v Speaker 2>OLDB definitely did up his nose and me a five.

1:17:33.520 --> 1:17:35.840
<v Speaker 2>I was like, wait a minute, say it again again.

1:17:35.880 --> 1:17:37.880
<v Speaker 2>He was like this, like, what's up? Like, damn nigga,

1:17:37.960 --> 1:17:43.920
<v Speaker 2>od B. I think Mary had picking bookers, so he

1:17:44.000 --> 1:17:46.599
<v Speaker 2>had a book. I'm saying you never picked his book

1:17:46.640 --> 1:17:52.760
<v Speaker 2>and wow, I was like, damn nigga, hold up.

1:17:53.439 --> 1:18:00.560
<v Speaker 4>Wow, best love damn death throat, bad Boy throw or

1:18:00.720 --> 1:18:02.320
<v Speaker 4>bad Boy Damn.

1:18:02.479 --> 1:18:06.919
<v Speaker 5>That's another hard one, man, those catalogs. But for me personally,

1:18:07.439 --> 1:18:11.040
<v Speaker 5>I was a definitely notorious, big and everything bad boy fan.

1:18:11.240 --> 1:18:15.960
<v Speaker 5>But it's something about Dre's production and the consistency of

1:18:16.120 --> 1:18:19.560
<v Speaker 5>it with all of those artists and the sonics of

1:18:19.720 --> 1:18:22.760
<v Speaker 5>what death Row did that I have to give the

1:18:23.000 --> 1:18:26.679
<v Speaker 5>edge to death Row based on the production of Doctor

1:18:26.840 --> 1:18:31.760
<v Speaker 5>motherfucking Dress. And so that's a hard one because there

1:18:31.800 --> 1:18:33.160
<v Speaker 5>were different there was a hit man, you got a

1:18:33.200 --> 1:18:35.120
<v Speaker 5>bunch of different productions way.

1:18:36.160 --> 1:18:37.479
<v Speaker 2>But what I'm saying is, in terms of.

1:18:37.479 --> 1:18:40.160
<v Speaker 5>Death Row, that was pretty much all over Doctor Dre's

1:18:40.240 --> 1:18:43.080
<v Speaker 5>envelope in terms of what he did production wise and

1:18:43.120 --> 1:18:48.880
<v Speaker 5>beat wise, I think that shit's unmatched. Dave Chappelle or

1:18:48.960 --> 1:18:53.360
<v Speaker 5>Martin Lawrence A god damn love both of these guys. Man,

1:18:54.400 --> 1:18:58.400
<v Speaker 5>Dave Chappelle or Martin Lawrence. Shit, shit, shit are we talking?

1:18:58.479 --> 1:18:58.960
<v Speaker 2>Stand up?

1:18:59.000 --> 1:19:01.760
<v Speaker 5>Are we talking? Are you talking about the television ship?

1:19:01.840 --> 1:19:02.960
<v Speaker 5>We're talking about everything?

1:19:03.080 --> 1:19:08.960
<v Speaker 2>Whatever? The fuck? Damn Chappelle, man, fuck, I tell you

1:19:09.840 --> 1:19:16.559
<v Speaker 2>take a shot. I grew up on the Comedians. Man. Yes,

1:19:17.760 --> 1:19:20.400
<v Speaker 2>we're almost done. Almost. That's all good, bro. I could

1:19:20.439 --> 1:19:22.800
<v Speaker 2>take fifty more of these motherfuckers. We got fifty more.

1:19:23.000 --> 1:19:26.080
<v Speaker 2>Let's got for sure.

1:19:26.360 --> 1:19:29.000
<v Speaker 4>We actually got someone threw in another one in this one,

1:19:30.200 --> 1:19:32.680
<v Speaker 4>Chila said to ask him that what I got?

1:19:33.680 --> 1:19:34.040
<v Speaker 6>Go with it?

1:19:35.040 --> 1:19:36.559
<v Speaker 2>But who's Chilah? You mean, Shaka?

1:19:38.040 --> 1:19:43.360
<v Speaker 6>This guy's shot, He texted me, China, my aunt's name.

1:19:44.000 --> 1:19:46.000
<v Speaker 4>Finish finished, creaky tiwn Slim bringing.

1:19:46.080 --> 1:19:48.240
<v Speaker 2>About to say, Shaka, Jeff, what the are you about

1:19:48.240 --> 1:19:50.640
<v Speaker 2>to do that? Fucked up? If you're about to do that, he.

1:19:50.680 --> 1:19:52.479
<v Speaker 6>Find in a question. He said that Chaka, but he

1:19:52.560 --> 1:19:56.000
<v Speaker 6>said Chi to the Cuban old lady man, that's not

1:19:56.200 --> 1:20:01.439
<v Speaker 6>that's not Chaka bro. Podcast of radio. I came from radio, man,

1:20:01.560 --> 1:20:02.040
<v Speaker 6>you know what I mean?

1:20:03.200 --> 1:20:03.679
<v Speaker 2>From radio?

1:20:04.080 --> 1:20:06.760
<v Speaker 5>I got no disrespect to drink Champs and y'all, y'all

1:20:06.800 --> 1:20:07.479
<v Speaker 5>little podcast.

1:20:13.680 --> 1:20:14.680
<v Speaker 4>Yeah, like.

1:20:16.680 --> 1:20:18.320
<v Speaker 5>You know what ever somebody say little they hating like

1:20:18.400 --> 1:20:22.120
<v Speaker 5>them up, shout the podcast out of the right there.

1:20:22.120 --> 1:20:24.519
<v Speaker 4>Right for sure, No, no hold up, we're going to

1:20:24.560 --> 1:20:27.679
<v Speaker 4>hold that because we got more questions that came after this. Okay,

1:20:28.280 --> 1:20:34.240
<v Speaker 4>So Shaka asked Cameron Verse or Sierra over overse.

1:20:34.080 --> 1:20:34.760
<v Speaker 2>I know what you mean.

1:20:36.600 --> 1:20:38.680
<v Speaker 5>I was on what means the world to me? That

1:20:38.880 --> 1:20:41.160
<v Speaker 5>that remix? I was on Cameron's remix. You're talking about

1:20:41.160 --> 1:20:43.400
<v Speaker 5>the Sierra Verse. If I had to choose between knows,

1:20:43.439 --> 1:20:45.240
<v Speaker 5>I gotta go with that Sierra Verse. That's somethings that

1:20:45.240 --> 1:20:47.320
<v Speaker 5>I'll get wild. Those school's coming down in a different color.

1:20:47.360 --> 1:20:50.120
<v Speaker 5>Whib wib wib picture of perfect.

1:20:50.160 --> 1:20:51.880
<v Speaker 2>You might want to take a click click click click click.

1:20:51.920 --> 1:20:56.320
<v Speaker 2>Call up Jazzy telling that ship right there. I gotta

1:20:56.360 --> 1:20:59.880
<v Speaker 2>go with that. That what's the world to mes? Versus

1:21:00.160 --> 1:21:00.599
<v Speaker 2>stupid too?

1:21:00.760 --> 1:21:05.320
<v Speaker 4>But you recently picked up Camra Absolutely what was that complex?

1:21:05.560 --> 1:21:08.000
<v Speaker 5>Yeah, the fire rock with that song right there, That

1:21:08.120 --> 1:21:10.200
<v Speaker 5>verse he got on there one of my favorite verses

1:21:10.240 --> 1:21:10.680
<v Speaker 5>in hip hop.

1:21:10.760 --> 1:21:13.000
<v Speaker 2>Oh that was, Yeah, that was That was versus. That

1:21:13.120 --> 1:21:13.599
<v Speaker 2>was so dope.

1:21:13.840 --> 1:21:19.560
<v Speaker 4>You know, you know, a person of your stature to

1:21:19.760 --> 1:21:22.760
<v Speaker 4>like say things like that, it's like, so dope. It

1:21:22.920 --> 1:21:26.040
<v Speaker 4>makes you so much of a doper person to give

1:21:26.120 --> 1:21:28.040
<v Speaker 4>your flowers to someone.

1:21:27.800 --> 1:21:31.120
<v Speaker 2>Else and he's just being honest. That's the thing. That's

1:21:31.160 --> 1:21:33.639
<v Speaker 2>one of my favorite fucking verses. Go back and listen

1:21:33.720 --> 1:21:35.880
<v Speaker 2>to that verse. Now, the way you broke it down,

1:21:36.040 --> 1:21:37.559
<v Speaker 2>I'm like, God damn that versus.

1:21:37.680 --> 1:21:39.400
<v Speaker 5>And I'm glad that I did that because that verse

1:21:39.520 --> 1:21:40.760
<v Speaker 5>go over a lot of people's heads.

1:21:41.160 --> 1:21:43.560
<v Speaker 4>He killed that ship and shout out to Cam and

1:21:43.600 --> 1:21:46.479
<v Speaker 4>Mace killed, got kill shut out.

1:21:48.160 --> 1:21:50.960
<v Speaker 2>So all right, we got two more. It's all good.

1:21:52.439 --> 1:21:55.559
<v Speaker 2>Future twenty one savage. Damn, that's a hard one.

1:21:55.640 --> 1:21:59.599
<v Speaker 4>Too many hope for these motherfuckers letting this can't choose.

1:22:00.120 --> 1:22:07.160
<v Speaker 4>You know, we stick together drinking, they stick together. It

1:22:07.520 --> 1:22:09.559
<v Speaker 4>all good, all right, No, we'll do the last one,

1:22:09.640 --> 1:22:12.720
<v Speaker 4>you know, the last one. This is the only time

1:22:12.840 --> 1:22:13.320
<v Speaker 4>I feel like.

1:22:15.640 --> 1:22:18.000
<v Speaker 2>It should. It's not a trick question. It's never been

1:22:18.040 --> 1:22:21.839
<v Speaker 2>a trick. Trick TwixT never been. It's loyalty or respect.

1:22:22.800 --> 1:22:23.400
<v Speaker 2>Oh man.

1:22:25.280 --> 1:22:28.080
<v Speaker 5>I heard somebody say something real profound about that before

1:22:28.240 --> 1:22:34.519
<v Speaker 5>loyalty and respect, because if you respect somebody, loyal shit,

1:22:34.720 --> 1:22:36.040
<v Speaker 5>I'm gonna have to go with respect.

1:22:36.120 --> 1:22:36.280
<v Speaker 6>Man.

1:22:36.640 --> 1:22:38.920
<v Speaker 2>It's crazy as it sounds because most people would say loyalty,

1:22:39.000 --> 1:22:41.360
<v Speaker 2>but you got to really go to the definition of

1:22:41.520 --> 1:22:44.080
<v Speaker 2>loyalty and the real definition of respect.

1:22:45.000 --> 1:22:47.720
<v Speaker 5>Because the ship that me and t I went through,

1:22:47.760 --> 1:22:50.640
<v Speaker 5>there was no loyalty, but there was respect.

1:22:51.280 --> 1:22:52.600
<v Speaker 2>That's real, and so.

1:22:52.640 --> 1:22:54.640
<v Speaker 5>Everything that we talked about in this industry, there are

1:22:54.640 --> 1:22:56.400
<v Speaker 5>certain people that I thought was loyal to me, and

1:22:56.479 --> 1:22:58.439
<v Speaker 5>I thought I was loyal to them and continue to

1:22:58.520 --> 1:23:01.680
<v Speaker 5>stay loyal to them, but obviously they weren't loyal to me,

1:23:02.240 --> 1:23:05.120
<v Speaker 5>and there is no more respect. So it's just I'm

1:23:05.160 --> 1:23:06.799
<v Speaker 5>gonna have to go with respect for loyalty.

1:23:06.880 --> 1:23:08.320
<v Speaker 2>Believe it or not. That was hall.

1:23:11.160 --> 1:23:11.320
<v Speaker 6>Real.

1:23:11.600 --> 1:23:12.880
<v Speaker 2>Ain't'm gonna take the shot any.

1:23:12.760 --> 1:23:20.639
<v Speaker 4>Fucking good, good good, just ask you, did the bitch

1:23:20.760 --> 1:23:21.240
<v Speaker 4>ever move?

1:23:25.000 --> 1:23:26.519
<v Speaker 2>Let me white, let me wipe the sweat from my

1:23:26.560 --> 1:23:30.760
<v Speaker 2>poone head on that. What does the inspiration bere he's

1:23:30.800 --> 1:23:33.880
<v Speaker 2>not moves my halffro goods, my rog good. Whether this

1:23:34.040 --> 1:23:38.840
<v Speaker 2>bitch bitch did she ever move? That bitch never moved,

1:23:39.520 --> 1:23:43.160
<v Speaker 2>never moved never. I'm taking a shot.

1:23:43.280 --> 1:23:43.559
<v Speaker 6>Let's go.

1:23:46.760 --> 1:23:49.920
<v Speaker 4>And me living from the South for sixteen years, I

1:23:50.120 --> 1:23:53.160
<v Speaker 4>understand that I don't move. No, no, no, no, I

1:23:53.280 --> 1:23:56.479
<v Speaker 4>understand that a bitch could be a guy or a woman.

1:23:57.000 --> 1:23:58.080
<v Speaker 4>That's how y'all everything.

1:23:58.360 --> 1:23:59.960
<v Speaker 2>Hell yeah, I hope he'll be a guy or a woman.

1:24:00.080 --> 1:24:02.280
<v Speaker 4>Come on, yeah, yeah, I know that's different out here

1:24:03.000 --> 1:24:08.000
<v Speaker 4>here so the bits, No, we're in the South.

1:24:09.600 --> 1:24:11.400
<v Speaker 2>But I guess what, the comedian, how do you do

1:24:11.520 --> 1:24:15.920
<v Speaker 2>this with this guy? Just be clean different?

1:24:16.240 --> 1:24:20.240
<v Speaker 4>All these years you asked that bitch to move, I did,

1:24:21.479 --> 1:24:23.280
<v Speaker 4>and that motherfucker never moved.

1:24:23.600 --> 1:24:25.599
<v Speaker 5>Be honest, I don't want her to move. That ship

1:24:25.720 --> 1:24:27.519
<v Speaker 5>is a fucking movement. As long as you don't move,

1:24:27.560 --> 1:24:29.800
<v Speaker 5>people gonna continue to keep telling her to fucking move.

1:24:30.840 --> 1:24:32.920
<v Speaker 2>The moment she moves, they might stop. We don't want

1:24:32.920 --> 1:24:36.719
<v Speaker 2>to sing the song anymore. Come stay in her place?

1:24:37.439 --> 1:24:37.639
<v Speaker 9>Shot?

1:24:39.120 --> 1:24:42.559
<v Speaker 2>Watch me. I took my shot out, Jamie got down.

1:24:42.600 --> 1:24:46.679
<v Speaker 2>Hold yeah ahead, take come on? How did you find

1:24:46.720 --> 1:24:48.680
<v Speaker 2>that shot for him? Jamie? Double up for me? This

1:24:48.800 --> 1:24:53.560
<v Speaker 2>mother got reserved shot, an extra clip of shots, and

1:24:54.520 --> 1:24:57.800
<v Speaker 2>so she never moved. Now, she never moved, bro, But

1:24:58.000 --> 1:24:59.320
<v Speaker 2>that is the.

1:24:59.400 --> 1:25:03.080
<v Speaker 4>Most I don't want to say it like it's not

1:25:03.160 --> 1:25:09.200
<v Speaker 4>angry song, but like if you need to pump yourself off,

1:25:10.280 --> 1:25:11.800
<v Speaker 4>that's that started, marsh pits.

1:25:11.880 --> 1:25:14.920
<v Speaker 2>Let's be honest. It was a still it's a month

1:25:15.200 --> 1:25:16.000
<v Speaker 2>ship last night.

1:25:16.080 --> 1:25:17.880
<v Speaker 5>I'm telling you we got to show in Miami, didn't

1:25:17.880 --> 1:25:20.640
<v Speaker 5>that We had one in Tampa last night? That motherfucking song. Bro,

1:25:20.720 --> 1:25:22.920
<v Speaker 5>I don't even have to say ship, you just hold

1:25:22.960 --> 1:25:24.040
<v Speaker 5>the mic out to the crowd.

1:25:24.360 --> 1:25:26.559
<v Speaker 2>How was that fair? If I'm the one getting paid

1:25:26.640 --> 1:25:27.799
<v Speaker 2>and the crowd is the one.

1:25:27.680 --> 1:25:30.479
<v Speaker 5>That paid, and these motherfuckers are saying to stand there,

1:25:31.320 --> 1:25:32.120
<v Speaker 5>that's a beautiful thing.

1:25:32.200 --> 1:25:33.920
<v Speaker 2>I just standing there is.

1:25:37.280 --> 1:25:40.400
<v Speaker 5>Record of all time, create record of Okay, kel C

1:25:40.600 --> 1:25:43.320
<v Speaker 5>made this right, yeah, yeah, yeah, back.

1:25:44.160 --> 1:25:47.760
<v Speaker 2>It's Beats by the Pound right living Yeah. I didn't

1:25:47.800 --> 1:25:50.000
<v Speaker 2>know that beat Spider hip hop too. I don't know

1:25:50.000 --> 1:25:55.040
<v Speaker 2>if you know that. I did not know that. I

1:25:55.080 --> 1:25:57.280
<v Speaker 2>ain't Google that or nothing. I bet you did google

1:25:57.640 --> 1:25:59.960
<v Speaker 2>because google.

1:26:03.840 --> 1:26:06.240
<v Speaker 9>Yeah no, no, no, because I couldn't get a kiss. No,

1:26:06.400 --> 1:26:13.240
<v Speaker 9>that's amazing you wanted one at that time. I'm prior

1:26:13.400 --> 1:26:14.080
<v Speaker 9>before now.

1:26:14.360 --> 1:26:16.040
<v Speaker 2>He was early on it. You was early on all

1:26:16.080 --> 1:26:17.160
<v Speaker 2>those joints. I'm be honest.

1:26:19.920 --> 1:26:23.680
<v Speaker 4>Cash Money and No Limit was the hardest people to

1:26:23.760 --> 1:26:29.280
<v Speaker 4>get at at one point, both of them. It was

1:26:29.360 --> 1:26:33.160
<v Speaker 4>No Limit first, and then master p that he had

1:26:33.240 --> 1:26:38.439
<v Speaker 4>one line. I'm be honest, what people who really know this?

1:26:39.800 --> 1:26:43.080
<v Speaker 4>It was one line's No Limit records and the same

1:26:43.200 --> 1:26:46.280
<v Speaker 4>person will answer the phone. They were like hello, They're

1:26:46.320 --> 1:26:48.280
<v Speaker 4>like we're gonna connect you, and it'd be the same

1:26:48.400 --> 1:26:51.680
<v Speaker 4>dude answering the phone like yeah, master Piece gonna come up,

1:26:51.800 --> 1:26:56.519
<v Speaker 4>like nigga, I know your voice. I got thirty thousand,

1:26:56.600 --> 1:26:59.360
<v Speaker 4>but you can because I do that. They wouldn't fuck

1:26:59.400 --> 1:27:06.120
<v Speaker 4>with me. So, but I'm gonna be honest. When Cash

1:27:06.200 --> 1:27:13.000
<v Speaker 4>Money came, they were they were different.

1:27:14.320 --> 1:27:17.920
<v Speaker 5>Yeah, listen, I was at the radio station at this time.

1:27:18.479 --> 1:27:21.200
<v Speaker 5>It was unheard of bro to be an independent, and

1:27:21.240 --> 1:27:24.160
<v Speaker 5>the boxes jabowls and she was getting played on the

1:27:24.240 --> 1:27:28.400
<v Speaker 5>radio independent. Yeah, and the units they moved, like you

1:27:28.479 --> 1:27:32.559
<v Speaker 5>were saying, just in Texas and Louisiana alone, they didn't

1:27:32.600 --> 1:27:33.360
<v Speaker 5>need nobody yet.

1:27:33.360 --> 1:27:34.880
<v Speaker 2>I didn't need the same thing with No Limit.

1:27:35.439 --> 1:27:37.479
<v Speaker 6>I'm saying, y'all saying, you're not saying that that No

1:27:37.600 --> 1:27:39.160
<v Speaker 6>Limit didn't have that as well.

1:27:39.200 --> 1:27:43.639
<v Speaker 2>I just but he I mean, okay, because No Limit

1:27:43.760 --> 1:27:44.519
<v Speaker 2>was doing the same thing.

1:27:46.120 --> 1:27:49.760
<v Speaker 4>But what I'm trying to say it was I guess

1:27:50.200 --> 1:27:52.040
<v Speaker 4>they were ready for No Limit. They weren't ready for

1:27:52.160 --> 1:27:55.800
<v Speaker 4>cash money. The cash money was a totally different type

1:27:55.800 --> 1:27:58.120
<v Speaker 4>of thing. Like Puerto Ricans put me on the cash money,

1:27:58.920 --> 1:28:02.479
<v Speaker 4>and that means that means that there's no Puerto Ricans

1:28:02.520 --> 1:28:04.479
<v Speaker 4>would go fronts in the mouth. I know a lot

1:28:04.520 --> 1:28:10.080
<v Speaker 4>of them now. No then, because it was out here.

1:28:11.000 --> 1:28:13.519
<v Speaker 4>What the fuck I was in New York. There was

1:28:13.600 --> 1:28:15.360
<v Speaker 4>no Porto Virican like we had frames.

1:28:15.400 --> 1:28:17.280
<v Speaker 2>You're talking about people in New York telling you about

1:28:17.320 --> 1:28:17.880
<v Speaker 2>cash money.

1:28:18.320 --> 1:28:20.360
<v Speaker 4>No, I'm talking about cash money telling me about cash money.

1:28:20.400 --> 1:28:22.680
<v Speaker 4>I'm talking about when I went to I Actually, this

1:28:22.760 --> 1:28:24.479
<v Speaker 4>is how that's how I discover cash money.

1:28:24.520 --> 1:28:26.080
<v Speaker 2>Okay, I mean just there was a.

1:28:26.080 --> 1:28:29.960
<v Speaker 4>Person on our label called Skullduggery CALLEDUG Records.

1:28:30.439 --> 1:28:31.240
<v Speaker 2>It was on Penalty.

1:28:31.320 --> 1:28:36.600
<v Speaker 4>Yes, we went to see skull Doug with the intentions

1:28:37.040 --> 1:28:37.720
<v Speaker 4>to meet me.

1:28:37.880 --> 1:28:38.600
<v Speaker 2>A ex.

1:28:40.120 --> 1:28:44.160
<v Speaker 4>Met Skilkod Shaka. So do to meet Oh yeah, see

1:28:44.280 --> 1:28:46.759
<v Speaker 4>murder to meet these guys.

1:28:47.160 --> 1:28:48.640
<v Speaker 2>We had no luck. They were so.

1:28:50.880 --> 1:28:53.400
<v Speaker 4>It was a different type of thing. That's the first

1:28:53.439 --> 1:29:00.000
<v Speaker 4>time I seen mausoleums, the funeral that shit called the Great.

1:29:00.960 --> 1:29:01.200
<v Speaker 2>Yeah.

1:29:01.320 --> 1:29:05.519
<v Speaker 4>These motherfuckers out boom. Yeah, they couldn't put it underground. Yeah,

1:29:06.800 --> 1:29:10.599
<v Speaker 4>sat there and there's Puerto Rican girls. She had gold

1:29:10.680 --> 1:29:11.439
<v Speaker 4>fronts in her mouth.

1:29:12.280 --> 1:29:16.160
<v Speaker 2>You think that's novel? Oh, let me finish. He messaged

1:29:16.160 --> 1:29:16.760
<v Speaker 2>with you all the time.

1:29:18.280 --> 1:29:22.960
<v Speaker 4>It's beautiful. And she said to me, you know, no

1:29:23.160 --> 1:29:26.080
<v Speaker 4>limit is one thing you need to get on that

1:29:26.200 --> 1:29:32.160
<v Speaker 4>cash man. And I went and that's how I discovered.

1:29:32.320 --> 1:29:33.479
<v Speaker 2>You want to be hung.

1:29:34.439 --> 1:29:38.599
<v Speaker 4>And I went Juvenile Record and I went to Angie

1:29:38.640 --> 1:29:42.120
<v Speaker 4>Martine that show and I kept singing that ship and

1:29:42.240 --> 1:29:44.920
<v Speaker 4>that's how jay Z got on Juvenile's record.

1:29:44.680 --> 1:29:46.479
<v Speaker 2>And Juvenile Minute. What are you saying because of you.

1:29:47.200 --> 1:29:48.160
<v Speaker 2>Of course it's cussing me.

1:29:49.240 --> 1:29:52.200
<v Speaker 10>No, I didn't know this just to me, of course,

1:29:53.280 --> 1:29:57.800
<v Speaker 10>juvenile me, hold on, hold up, juvenile said that baby

1:29:57.920 --> 1:29:59.600
<v Speaker 10>did not know who jay Z was.

1:30:00.000 --> 1:30:02.759
<v Speaker 4>I wanted that local. Okay, we never had this story

1:30:02.920 --> 1:30:10.240
<v Speaker 4>legitimately said what you never said this story fully through them.

1:30:10.880 --> 1:30:12.880
<v Speaker 4>I don't know how you put him onto him. You

1:30:13.040 --> 1:30:15.280
<v Speaker 4>never said this story fully through. And I put jay

1:30:15.360 --> 1:30:17.760
<v Speaker 4>Z on no no, no, no, Jaz got call on

1:30:17.880 --> 1:30:20.240
<v Speaker 4>put onto him that I kind of went too far with.

1:30:22.720 --> 1:30:23.760
<v Speaker 2>Went too far with that part.

1:30:24.000 --> 1:30:26.080
<v Speaker 4>But what I'm saying is, you know what I'm saying

1:30:26.160 --> 1:30:27.640
<v Speaker 4>is I went to New Orleans.

1:30:27.400 --> 1:30:29.320
<v Speaker 2>To meet no limit.

1:30:30.520 --> 1:30:33.599
<v Speaker 4>This Portbacan girl told me about cash money, and that's

1:30:33.640 --> 1:30:35.000
<v Speaker 4>how I got put him in the cash money.

1:30:35.720 --> 1:30:38.360
<v Speaker 2>And and the moral of the story is.

1:30:40.439 --> 1:30:45.040
<v Speaker 4>The more water story. Was the first New York person

1:30:45.479 --> 1:30:49.840
<v Speaker 4>to accept the South. David Banner will say it, Ludicrisian.

1:30:50.479 --> 1:30:54.640
<v Speaker 2>Never should say everybody. I was the first should say it.

1:30:55.360 --> 1:30:58.040
<v Speaker 2>I should say, when you sign this contract, I'm gonna

1:30:58.040 --> 1:31:01.400
<v Speaker 2>take take a job. Let me tell you something, just

1:31:02.720 --> 1:31:04.320
<v Speaker 2>something I gotta get.

1:31:04.320 --> 1:31:06.160
<v Speaker 5>You can feel it in his heart, even if it's

1:31:06.200 --> 1:31:13.920
<v Speaker 5>not just, it's true. No matter, don't know look at

1:31:14.680 --> 1:31:19.960
<v Speaker 5>look at this look discography. Lil Wayne's first feature with

1:31:20.240 --> 1:31:25.120
<v Speaker 5>Little called called Douggary. Little Wayne's first feature with a

1:31:25.240 --> 1:31:32.320
<v Speaker 5>New York Artist's fine, it's who yeah, Okay, thanks, thanks.

1:31:32.040 --> 1:31:35.679
<v Speaker 2>Dominicans in the back. I'm gonna keep going shan the verse.

1:31:36.360 --> 1:31:44.000
<v Speaker 2>I keep going three six mafia. Okay, are we good? Okay?

1:31:44.040 --> 1:31:46.479
<v Speaker 2>That was why we drink jamps. Okay, it's actually why

1:31:46.560 --> 1:31:49.360
<v Speaker 2>we have drinks. I was the New York Miami people.

1:31:49.600 --> 1:31:52.040
<v Speaker 4>I was the first new nigga coming to the South,

1:31:52.120 --> 1:31:54.479
<v Speaker 4>and I was like, Okay, these niggas just got an accent.

1:31:59.640 --> 1:32:02.040
<v Speaker 2>They just the same exact people as us. It just

1:32:02.200 --> 1:32:04.519
<v Speaker 2>got an accent. But guess what I got action to y'all.

1:32:07.520 --> 1:32:13.720
<v Speaker 2>Y'all you jogging my memory to this day. Somebody I'll

1:32:13.760 --> 1:32:19.479
<v Speaker 2>say something, they'd be like, you're from New York. I'm

1:32:19.520 --> 1:32:22.840
<v Speaker 2>in Dubai drinking herbigie.

1:32:24.400 --> 1:32:30.200
<v Speaker 4>Yep, Guys, the biggest real estate guy in the world turns.

1:32:29.960 --> 1:32:34.960
<v Speaker 2>To me and says, you're from New York. Of course,

1:32:35.360 --> 1:32:35.960
<v Speaker 2>from New York.

1:32:36.040 --> 1:32:39.800
<v Speaker 4>My accent is not going nowhere. But let's reiterate to

1:32:39.840 --> 1:32:41.920
<v Speaker 4>what I'm saying. Let's get back to make it make sense.

1:32:42.960 --> 1:32:46.000
<v Speaker 4>I was the first person to accept the South from

1:32:46.120 --> 1:32:48.280
<v Speaker 4>juvenile to Lil Wayne to.

1:32:49.760 --> 1:32:50.000
<v Speaker 2>People.

1:32:50.560 --> 1:32:53.559
<v Speaker 4>I actually was the first person to throw money from

1:32:53.640 --> 1:32:56.559
<v Speaker 4>New York in a strip club that was corny to us,

1:32:57.040 --> 1:33:00.479
<v Speaker 4>Gentlemen's Club, players Club, all that shit was corner to us.

1:33:00.840 --> 1:33:02.840
<v Speaker 2>That was wack to us. Through the money, Let's go,

1:33:03.240 --> 1:33:05.080
<v Speaker 2>it was whack to us. Let me just tell you something.

1:33:06.080 --> 1:33:07.760
<v Speaker 2>It was a It was a rule in New York.

1:33:08.120 --> 1:33:11.560
<v Speaker 4>You don't take a ship in the strip club, you

1:33:11.640 --> 1:33:16.400
<v Speaker 4>don't eat in the strip club, lap dances, and you

1:33:16.439 --> 1:33:18.680
<v Speaker 4>don't get lap dances in the strip club. New York

1:33:18.880 --> 1:33:22.160
<v Speaker 4>was militant, motherfuckers. I moved to Miami.

1:33:22.240 --> 1:33:23.760
<v Speaker 2>I broke all three of those rules in the first

1:33:23.760 --> 1:33:24.200
<v Speaker 2>three days.

1:33:24.320 --> 1:33:30.519
<v Speaker 4>You ship in the first three days, I hate ship it,

1:33:30.840 --> 1:33:35.240
<v Speaker 4>and you threw money, and I threw motherfucking money. I

1:33:35.320 --> 1:33:38.960
<v Speaker 4>was just like, okay, okay, Toronto, all right. So the

1:33:39.000 --> 1:33:43.080
<v Speaker 4>bitch never moved. We established that. Let's talk about money

1:33:43.120 --> 1:33:43.880
<v Speaker 4>Maker with Pharral.

1:33:45.200 --> 1:33:46.839
<v Speaker 2>Yeah, money Maker.

1:33:46.800 --> 1:33:48.840
<v Speaker 5>That's a strip that's a strip club. And I got

1:33:49.720 --> 1:33:53.240
<v Speaker 5>a Grammy for that too, just just the single. But yeah, yeah,

1:33:53.680 --> 1:33:56.240
<v Speaker 5>in the same year strip club Grammys.

1:33:56.320 --> 1:33:56.479
<v Speaker 2>Yeah.

1:33:56.520 --> 1:33:58.360
<v Speaker 5>No, I'm only saying that because, like all those years

1:33:58.360 --> 1:34:01.479
<v Speaker 5>I was losing that yeared up you a thing. Yeah,

1:34:01.880 --> 1:34:05.200
<v Speaker 5>but now again for real man, money maker. That ship

1:34:05.280 --> 1:34:07.880
<v Speaker 5>right there went number one on the Billboard charts. It's still,

1:34:08.160 --> 1:34:11.720
<v Speaker 5>you know, extremely relevant till this day. And man, I'm

1:34:11.800 --> 1:34:14.320
<v Speaker 5>just thankful for Pharrell for giving me so many fucking

1:34:14.439 --> 1:34:17.960
<v Speaker 5>hits and that's working together. And now I'm feeling bad

1:34:18.000 --> 1:34:20.000
<v Speaker 5>that I chose Kanye over my brother Pharrell.

1:34:20.120 --> 1:34:23.160
<v Speaker 2>God damn, like you want to reverse, I want to

1:34:23.200 --> 1:34:24.960
<v Speaker 2>kind of ones who grab me with Kanye too. To

1:34:25.040 --> 1:34:27.240
<v Speaker 2>be clear, you're not getting no more than Louis Exclusive.

1:34:27.320 --> 1:34:31.040
<v Speaker 5>I know right, it's a rap. God damn, I'm fucking

1:34:31.080 --> 1:34:34.800
<v Speaker 5>with you. No, but hold on, let's take a shot

1:34:34.840 --> 1:34:36.760
<v Speaker 5>for fucking shot for something.

1:34:37.160 --> 1:34:38.800
<v Speaker 2>I'm I'm over here drinking my drink.

1:34:38.800 --> 1:34:42.479
<v Speaker 4>I don't even need the shott for sure.

1:34:42.640 --> 1:34:42.880
<v Speaker 2>Cheers.

1:34:42.960 --> 1:34:45.679
<v Speaker 4>Yeahs man, we got drinking over there. Bro, you want

1:34:45.720 --> 1:34:47.360
<v Speaker 4>something of this, try it here.

1:34:47.800 --> 1:34:50.760
<v Speaker 2>I don't mix my brother, not right now. That was

1:34:50.800 --> 1:34:53.720
<v Speaker 2>a twenty year old luder. I'm drinking the same ship all.

1:34:54.560 --> 1:34:59.400
<v Speaker 4>Thank you, Luda for being black black. Let me so

1:34:59.520 --> 1:35:02.040
<v Speaker 4>many people come on this show and they'll they'll mix

1:35:02.160 --> 1:35:05.280
<v Speaker 4>the drinks. I don't respect that fuck that I'm gonna

1:35:05.280 --> 1:35:06.759
<v Speaker 4>stick to what the fuck I'm doing.

1:35:08.040 --> 1:35:11.200
<v Speaker 5>Twenty days sober, and then this motherfucker is here, let's

1:35:11.200 --> 1:35:11.719
<v Speaker 5>get right.

1:35:13.680 --> 1:35:21.000
<v Speaker 2>Twenty days. So he's being funny, Okay, how Low? Yeah,

1:35:21.080 --> 1:35:25.240
<v Speaker 2>I love I love holdok And he said say it

1:35:25.280 --> 1:35:25.760
<v Speaker 2>one more time?

1:35:27.520 --> 1:35:29.880
<v Speaker 5>T minus out in Toronto. He works with j Cole

1:35:29.920 --> 1:35:30.160
<v Speaker 5>a lot.

1:35:30.240 --> 1:35:30.360
<v Speaker 4>Now.

1:35:30.439 --> 1:35:32.280
<v Speaker 2>He produced that how Low, And at.

1:35:32.200 --> 1:35:34.640
<v Speaker 5>That stage in my career, to make a statement with

1:35:34.760 --> 1:35:37.280
<v Speaker 5>a new producer and come out with a fucking hit,

1:35:37.720 --> 1:35:39.519
<v Speaker 5>it means something because you constantly have.

1:35:39.560 --> 1:35:41.280
<v Speaker 2>To prove yourself over and over again.

1:35:41.680 --> 1:35:43.599
<v Speaker 5>So motherfuckers like it's like, okay, if you ain't got

1:35:43.920 --> 1:35:45.880
<v Speaker 5>a rail beater, if you ain't got a Kanye beater,

1:35:45.960 --> 1:35:47.680
<v Speaker 5>if you ain't got a Timblin beat, and it's just

1:35:47.760 --> 1:35:50.360
<v Speaker 5>come out the gate like that. It meant everything. And

1:35:50.439 --> 1:35:52.040
<v Speaker 5>that shit went to the top of the charge too.

1:35:52.120 --> 1:35:54.960
<v Speaker 5>So that was a moment. To this day, the women

1:35:55.080 --> 1:35:57.760
<v Speaker 5>go low whenever we got damn performed and we like.

1:35:57.800 --> 1:36:02.120
<v Speaker 2>To see it. It's a beautiful thing, for real, for real.

1:36:02.520 --> 1:36:04.920
<v Speaker 2>I think he was missed noise for that. Why not?

1:36:05.640 --> 1:36:08.200
<v Speaker 2>Why are you picking these particular records.

1:36:08.200 --> 1:36:10.160
<v Speaker 4>I'm curious because I'm just working with she's a very

1:36:10.200 --> 1:36:12.639
<v Speaker 4>particular guy with these records. Yes, and now I want

1:36:12.680 --> 1:36:15.960
<v Speaker 4>to I want to go because we talked about fantasy earlier.

1:36:21.000 --> 1:36:23.639
<v Speaker 2>But here's where I want to go making the record.

1:36:25.240 --> 1:36:27.920
<v Speaker 4>Is this a record that you said to yourself, this

1:36:28.080 --> 1:36:30.120
<v Speaker 4>is going to break me out into the mainstream, or

1:36:30.160 --> 1:36:32.200
<v Speaker 4>this is a record I'm just making for the strip club.

1:36:32.320 --> 1:36:34.880
<v Speaker 5>No, it's crazy you asked that because Organized Noise did

1:36:35.160 --> 1:36:37.519
<v Speaker 5>the flip side of that, which was game got switched,

1:36:38.120 --> 1:36:40.479
<v Speaker 5>And so it was between what's your Fantasy and game

1:36:40.560 --> 1:36:42.880
<v Speaker 5>Got Switched? And I like, it was hard for me

1:36:42.960 --> 1:36:44.839
<v Speaker 5>to choose, but I just felt like, what's your Fantasy

1:36:44.840 --> 1:36:47.479
<v Speaker 5>didn't sound like anything that was out at that time.

1:36:47.800 --> 1:36:49.479
<v Speaker 4>We didn't know where he was from. Yeah, so I

1:36:49.600 --> 1:36:54.840
<v Speaker 4>rolled the dice from Alaska. It didn't like let no, no, no,

1:36:54.920 --> 1:36:57.920
<v Speaker 4>I'm just saying you sounded so everywhere.

1:36:58.120 --> 1:36:58.559
<v Speaker 2>I appreciate.

1:36:58.600 --> 1:37:00.439
<v Speaker 4>I don't want to use the word generic, but you

1:37:00.560 --> 1:37:03.559
<v Speaker 4>sounded like you was from New York because of the lyrics,

1:37:03.800 --> 1:37:06.480
<v Speaker 4>but then you was from Atlanta because of the vernacular,

1:37:06.840 --> 1:37:09.280
<v Speaker 4>And then you was from kind of like the West

1:37:09.320 --> 1:37:11.280
<v Speaker 4>Coast because she was making it all come together.

1:37:11.360 --> 1:37:14.000
<v Speaker 2>But then you was from everywhere in vernacular. I like that.

1:37:14.200 --> 1:37:17.960
<v Speaker 2>I like that you alien, it was like you was

1:37:18.000 --> 1:37:20.120
<v Speaker 2>a al Now it comes to time's dope.

1:37:20.560 --> 1:37:22.280
<v Speaker 5>It comes a time in every artist's life where you

1:37:22.360 --> 1:37:25.839
<v Speaker 5>gotta it's risk risk, like you gotta just put everything

1:37:25.920 --> 1:37:27.680
<v Speaker 5>on the fucking line. And that was that moment for

1:37:27.800 --> 1:37:29.880
<v Speaker 5>me and that that record changed my fucking life.

1:37:29.960 --> 1:37:30.120
<v Speaker 2>Man.

1:37:30.640 --> 1:37:33.439
<v Speaker 5>Yeah, And we were this close to choosing game Got Switch,

1:37:33.479 --> 1:37:35.639
<v Speaker 5>which is still on Back for the first Time album,

1:37:36.120 --> 1:37:38.360
<v Speaker 5>but that particular song right there set it off. And

1:37:38.479 --> 1:37:41.400
<v Speaker 5>like we talked about earlier, after that was fucking throwing

1:37:41.520 --> 1:37:44.559
<v Speaker 5>Bowls and the rest is history. Those two records together

1:37:44.720 --> 1:37:46.960
<v Speaker 5>just set the tone. And then you know, the sophomore

1:37:47.040 --> 1:37:48.880
<v Speaker 5>Jinx came around. You gotta go to word of mouth

1:37:49.400 --> 1:37:51.920
<v Speaker 5>and we passed that test like it okay.

1:37:52.880 --> 1:37:54.599
<v Speaker 4>Because back for the first time, Why did you even

1:37:54.640 --> 1:37:57.000
<v Speaker 4>pick that the name for the first time?

1:37:57.240 --> 1:37:59.880
<v Speaker 5>Like, because I had already put the album out independently

1:38:00.040 --> 1:38:01.840
<v Speaker 5>to a degree, so I did the ship on my own.

1:38:02.439 --> 1:38:04.479
<v Speaker 5>So when we signed with Depth Jam, we kind of

1:38:04.520 --> 1:38:06.720
<v Speaker 5>repackaged it. We took a couple of songs off and

1:38:06.840 --> 1:38:08.880
<v Speaker 5>added the pharal that throw and bows and like two

1:38:08.920 --> 1:38:11.400
<v Speaker 5>other songs. So basically I was back for the first

1:38:11.439 --> 1:38:13.960
<v Speaker 5>fucking time, back for the people that knew the old

1:38:14.040 --> 1:38:17.080
<v Speaker 5>record and new time, for all the new individuals around

1:38:17.120 --> 1:38:24.120
<v Speaker 5>the world. That's just hearing it. Word of Mouth. Yeah,

1:38:24.200 --> 1:38:26.960
<v Speaker 5>so man, pucking back for the first time. Three times platinum,

1:38:26.960 --> 1:38:29.280
<v Speaker 5>word of Mouth almost four times platinum.

1:38:28.960 --> 1:38:31.840
<v Speaker 2>Chicken and Bed three times. Just the list goes on

1:38:31.880 --> 1:38:32.040
<v Speaker 2>and on.

1:38:32.120 --> 1:38:34.640
<v Speaker 5>But word of Mouth is the biggest selling record of

1:38:34.840 --> 1:38:37.040
<v Speaker 5>all of my albums. And I think we got nine

1:38:37.160 --> 1:38:39.320
<v Speaker 5>or ten at this point, damned near lost count. But

1:38:40.000 --> 1:38:42.559
<v Speaker 5>the word of Mouth, shit, move bitch was on there,

1:38:42.600 --> 1:38:44.680
<v Speaker 5>and we just we just spoke about that. That's a

1:38:44.800 --> 1:38:47.120
<v Speaker 5>movie and it's it's dirty, dirty with it.

1:38:47.560 --> 1:38:51.960
<v Speaker 2>Yeah. Yo, this is beautiful man, it is.

1:38:52.160 --> 1:38:52.320
<v Speaker 7>Man.

1:38:52.400 --> 1:38:55.439
<v Speaker 5>Shit, I'm feeling great. If I didn't have a show

1:38:55.520 --> 1:38:57.360
<v Speaker 5>to go to, I'd stay here all God damn night.

1:38:57.840 --> 1:39:00.679
<v Speaker 5>I love you, No book next time. I ain't gonna

1:39:00.720 --> 1:39:01.840
<v Speaker 5>have ship after I got you cut.

1:39:02.280 --> 1:39:07.959
<v Speaker 4>But it's so beautiful because you deserve these flowers.

1:39:08.439 --> 1:39:12.320
<v Speaker 2>Thank you, bro. You earned the thank you, thank you,

1:39:12.439 --> 1:39:16.200
<v Speaker 2>thank you. And your story has to be told because.

1:39:18.680 --> 1:39:21.880
<v Speaker 4>So many people think that it starts from being a

1:39:22.000 --> 1:39:24.559
<v Speaker 4>drug dealer, It starts from be in a street dude,

1:39:24.640 --> 1:39:27.720
<v Speaker 4>It starts from being a person that shoots somebody or

1:39:27.800 --> 1:39:32.599
<v Speaker 4>person or whatever. Put you took the opportunity to work

1:39:32.640 --> 1:39:39.080
<v Speaker 4>at a radio station, see exactly where you want to

1:39:39.120 --> 1:39:43.240
<v Speaker 4>be and apply that. And a lot of people need

1:39:43.320 --> 1:39:48.400
<v Speaker 4>to understand that. They need to understand because that's like

1:39:48.560 --> 1:39:51.559
<v Speaker 4>we got three fucking occupations in the hood drug dealer,

1:39:51.960 --> 1:39:55.960
<v Speaker 4>basketball player, rapper. But what I'm trying to say is

1:39:57.240 --> 1:40:04.800
<v Speaker 4>our industry it has to be saluted more. We just

1:40:04.880 --> 1:40:07.400
<v Speaker 4>recently seen each other. As you said in Leo Cohne,

1:40:09.520 --> 1:40:12.760
<v Speaker 4>Leo Combs is one of the best CEOs who's ever

1:40:12.960 --> 1:40:20.479
<v Speaker 4>helped me down. There's people who have their say about Leo.

1:40:21.040 --> 1:40:21.960
<v Speaker 4>I'm not one of them.

1:40:23.240 --> 1:40:23.799
<v Speaker 2>I see.

1:40:26.320 --> 1:40:30.559
<v Speaker 4>Leo's life in my life being all positivity. How's Leo's

1:40:30.600 --> 1:40:31.600
<v Speaker 4>life reflected you?

1:40:32.720 --> 1:40:34.400
<v Speaker 5>He was the ceo, like you said, at the same time,

1:40:34.479 --> 1:40:36.320
<v Speaker 5>we were both artists at the same time. And in

1:40:36.479 --> 1:40:38.960
<v Speaker 5>terms of how he executed thought, he was one of

1:40:39.000 --> 1:40:43.040
<v Speaker 5>the best to ever do it. Definitely, like his strategy,

1:40:44.120 --> 1:40:46.240
<v Speaker 5>him putting together the team that he put together, how

1:40:46.360 --> 1:40:51.479
<v Speaker 5>they maneuver the industry, just very intelligent in a very

1:40:51.560 --> 1:40:52.360
<v Speaker 5>intelligent way.

1:40:53.080 --> 1:40:55.639
<v Speaker 2>And that's definitely my experience.

1:40:55.920 --> 1:40:58.639
<v Speaker 5>I loved what he did and in terms of deaf

1:40:58.720 --> 1:41:00.599
<v Speaker 5>Jam and the history of death Jam, in the legacy

1:41:00.640 --> 1:41:01.160
<v Speaker 5>of depth Jam.

1:41:02.560 --> 1:41:11.080
<v Speaker 2>She was pretty amazing. This a moment in time. Got uh,

1:41:11.520 --> 1:41:15.479
<v Speaker 2>do they you want me to I'm talking about for camera.

1:41:15.560 --> 1:41:19.320
<v Speaker 2>Do one of them have to ask me? Ask you

1:41:19.439 --> 1:41:26.519
<v Speaker 2>what I got you? The people in the back of

1:41:26.560 --> 1:41:28.960
<v Speaker 2>the ass. Oh, they can't do that ship one more time.

1:41:29.000 --> 1:41:33.280
<v Speaker 2>I'm bad. I was like, I got you, y'all to

1:41:33.360 --> 1:41:38.280
<v Speaker 2>keep that. By the way, ahead, I got my name.

1:41:38.400 --> 1:41:40.599
<v Speaker 2>Ludacris is just me being me, being creative.

1:41:40.680 --> 1:41:42.960
<v Speaker 5>My first name is Chris, and like we spoke about,

1:41:43.000 --> 1:41:46.400
<v Speaker 5>if you look up Ludacris in the dictionary, it means wild, ridiculous,

1:41:46.560 --> 1:41:49.840
<v Speaker 5>beyond crazy. When you think about my lyricism, when you

1:41:49.880 --> 1:41:52.120
<v Speaker 5>think about my videos, my visuals, all of that ship

1:41:52.360 --> 1:41:54.320
<v Speaker 5>entails the word Ludacris And then I just spelled it

1:41:54.360 --> 1:41:55.360
<v Speaker 5>the way I wanted to spell it.

1:41:55.720 --> 1:41:59.479
<v Speaker 2>That's how I got the name. So just being created. Yeah, okay,

1:41:59.560 --> 1:42:02.960
<v Speaker 2>let's talk vout my chick Bag my chick.

1:42:02.840 --> 1:42:07.200
<v Speaker 5>Bat another time, same album as how Low and taking

1:42:07.240 --> 1:42:10.480
<v Speaker 5>a producer that was definitely well known within the midwestern

1:42:10.600 --> 1:42:14.680
<v Speaker 5>Chicago trackster but you know, in terms of putting him

1:42:14.720 --> 1:42:17.120
<v Speaker 5>onto an even bigger audience and making a hit song

1:42:17.200 --> 1:42:17.519
<v Speaker 5>with him.

1:42:17.880 --> 1:42:21.479
<v Speaker 2>That was another moment with Niki. With Nikki absolutely, how

1:42:21.520 --> 1:42:22.080
<v Speaker 2>did that happen?

1:42:22.080 --> 1:42:24.439
<v Speaker 5>It was dope. She was in Atlanta at the time.

1:42:24.760 --> 1:42:27.800
<v Speaker 5>I believe she was managed by Dead Deborah and yep

1:42:27.920 --> 1:42:31.840
<v Speaker 5>saying as Gucci Mane, and somehow we got together and

1:42:31.960 --> 1:42:33.640
<v Speaker 5>she was just like she loved the track and got

1:42:33.720 --> 1:42:36.640
<v Speaker 5>on that motherfucker man. The rest is history. But she

1:42:36.760 --> 1:42:38.640
<v Speaker 5>was living in Atlanta at that time. It's right right

1:42:38.680 --> 1:42:41.479
<v Speaker 5>when she got started. Wow, hell yeah. Do you think

1:42:41.560 --> 1:42:44.800
<v Speaker 5>that that's true? Like most New York artists have come

1:42:44.880 --> 1:42:46.080
<v Speaker 5>to Atlanta to get on.

1:42:47.200 --> 1:42:50.080
<v Speaker 2>I don't think that. Like I love what Thank you y'all.

1:42:50.400 --> 1:42:53.559
<v Speaker 5>Y'all are counting Conway, the Machine and Bennie and all

1:42:53.640 --> 1:42:57.040
<v Speaker 5>them as New York. That's New York, right, Yeah, that

1:42:57.200 --> 1:43:00.479
<v Speaker 5>is New York. Conway, yeah, and Benny. I know they're

1:43:00.479 --> 1:43:03.000
<v Speaker 5>from Buffalo. I'm just saying I don't think, No, they

1:43:03.040 --> 1:43:06.240
<v Speaker 5>didn't have to come to Atlanta to do ships killing ship.

1:43:06.320 --> 1:43:10.040
<v Speaker 2>I love them because it's like y'all saying that, who's

1:43:10.080 --> 1:43:12.720
<v Speaker 2>saying that he the one that asked the listen. I

1:43:12.760 --> 1:43:13.479
<v Speaker 2>didn't say the ship.

1:43:13.920 --> 1:43:17.120
<v Speaker 4>I'm trying to clarify what he said what a lot

1:43:17.160 --> 1:43:20.200
<v Speaker 4>of people said that. You know, for New York artists

1:43:20.240 --> 1:43:22.760
<v Speaker 4>to get on sometimes they have to come outside of

1:43:22.960 --> 1:43:24.400
<v Speaker 4>New York, go to Atlanta.

1:43:24.880 --> 1:43:27.720
<v Speaker 6>Right, for any artists in their city, you might have

1:43:27.800 --> 1:43:29.760
<v Speaker 6>to go outside your city to make things happen.

1:43:29.920 --> 1:43:30.479
<v Speaker 2>Yeah, right.

1:43:30.520 --> 1:43:33.200
<v Speaker 5>But my point is that fim niggas like Conway and

1:43:33.280 --> 1:43:35.320
<v Speaker 5>Bennie and they didn't.

1:43:35.080 --> 1:43:35.719
<v Speaker 2>Have to go nowhere.

1:43:36.280 --> 1:43:41.240
<v Speaker 4>Why they've proven a lot of things connected with the Matary.

1:43:41.760 --> 1:43:45.559
<v Speaker 5>I was on the record with Conway's Crazy Me, Conway

1:43:45.600 --> 1:43:48.080
<v Speaker 5>the Machine and ji j I d oh Jesus ship

1:43:48.200 --> 1:43:51.719
<v Speaker 5>stupid to Griselda Man Griselay, I'm a fan.

1:43:51.960 --> 1:43:55.559
<v Speaker 2>I'm a fan of Grisella for sure. How my roll

1:43:55.800 --> 1:43:57.280
<v Speaker 2>out rollout.

1:43:56.960 --> 1:44:00.360
<v Speaker 5>Was that word of Outout that was the first so

1:44:00.439 --> 1:44:02.519
<v Speaker 5>it goes into timbling and everything I was talking about,

1:44:02.520 --> 1:44:04.560
<v Speaker 5>but that set it off. And then Move Bitch was

1:44:04.600 --> 1:44:07.040
<v Speaker 5>the last single on there. But that video with the

1:44:07.120 --> 1:44:10.639
<v Speaker 5>Big Ass Head. It's crazy because we did that video

1:44:11.240 --> 1:44:13.400
<v Speaker 5>and the video didn't look good at all before we

1:44:13.520 --> 1:44:15.200
<v Speaker 5>came up with the concept of trying to make a

1:44:15.280 --> 1:44:17.400
<v Speaker 5>big a big ass head. Depth Jam was ready to

1:44:17.479 --> 1:44:19.800
<v Speaker 5>scrap the whole video because what it looked like before

1:44:19.880 --> 1:44:22.320
<v Speaker 5>we just didn't really get anything from it, and so

1:44:23.080 --> 1:44:26.040
<v Speaker 5>me and Shaka had the idea of doing this, you know,

1:44:26.400 --> 1:44:29.720
<v Speaker 5>this post effect and making out like a bibblehead. And

1:44:29.880 --> 1:44:31.920
<v Speaker 5>literally every once everybody saw that shit, they was like,

1:44:31.960 --> 1:44:34.479
<v Speaker 5>that's it good And the rest is.

1:44:34.520 --> 1:44:37.000
<v Speaker 2>Fucking history because people love that video to this day.

1:44:37.640 --> 1:44:39.439
<v Speaker 2>That's what a bibblehead gets. Dope.

1:44:39.640 --> 1:44:43.360
<v Speaker 5>Yeah, and some other artists that have done the same

1:44:43.439 --> 1:44:44.400
<v Speaker 5>thing in their videos.

1:44:44.720 --> 1:44:46.559
<v Speaker 2>You should check that out. Just go do your research.

1:44:46.640 --> 1:44:47.400
<v Speaker 2>The internet can check.

1:44:47.600 --> 1:44:50.799
<v Speaker 4>You think you think you top five of the best videos,

1:44:50.840 --> 1:44:51.919
<v Speaker 4>and hell.

1:44:51.840 --> 1:44:55.400
<v Speaker 5>Yeah percent I'll give you that. Yeah, top five videos.

1:44:55.439 --> 1:44:57.040
<v Speaker 5>You know you gotta put Missi in there. You gotta

1:44:57.080 --> 1:44:59.479
<v Speaker 5>put Busts in there. Who the other two are I

1:44:59.520 --> 1:45:01.960
<v Speaker 5>don't know, but I'm in that motherfucking top five.

1:45:02.320 --> 1:45:05.680
<v Speaker 2>I have to say I top three three. I think

1:45:05.760 --> 1:45:07.040
<v Speaker 2>I appreciate you.

1:45:08.360 --> 1:45:13.120
<v Speaker 4>I really do too, Thank you man, because God bless me.

1:45:14.280 --> 1:45:17.479
<v Speaker 4>There's other people who get in that category. But it's

1:45:17.680 --> 1:45:20.400
<v Speaker 4>money wise, not create creativity wise.

1:45:20.920 --> 1:45:21.880
<v Speaker 2>Do that make sense?

1:45:22.280 --> 1:45:22.400
<v Speaker 6>You know?

1:45:22.640 --> 1:45:25.240
<v Speaker 2>I'm saying like, you can see them be put in

1:45:25.320 --> 1:45:28.400
<v Speaker 2>that space, but put the heads in it, put the

1:45:28.479 --> 1:45:32.880
<v Speaker 2>funds in creativity. You could do a creative video for

1:45:33.160 --> 1:45:38.160
<v Speaker 2>cheap and still be still be better money that you

1:45:38.240 --> 1:45:40.640
<v Speaker 2>put into it. Yep, I killed that.

1:45:40.960 --> 1:45:42.559
<v Speaker 4>I feel like I killed that. Let's make some nice.

1:45:45.840 --> 1:45:47.680
<v Speaker 5>That's how this Gambino video is one of the best

1:45:47.680 --> 1:45:50.200
<v Speaker 5>readers I've seen, like in the last five years.

1:45:50.240 --> 1:45:54.479
<v Speaker 2>Though. That's the ship called this is America. This is America.

1:45:54.520 --> 1:45:56.160
<v Speaker 2>I love to tell he ain't no do yoga.

1:45:56.240 --> 1:46:01.280
<v Speaker 4>Man, Look at the know you're saying this nigga didn't

1:46:01.320 --> 1:46:02.759
<v Speaker 4>wear no degree videos.

1:46:02.920 --> 1:46:06.800
<v Speaker 2>He wasn't. He wasn't sure at all. I can look

1:46:06.880 --> 1:46:11.679
<v Speaker 2>and say this this nay just here, but that nigga

1:46:11.720 --> 1:46:15.080
<v Speaker 2>didn't wear no level. Bro, he really is. I love

1:46:15.160 --> 1:46:18.040
<v Speaker 2>that video. I'm with you. I'm just saying he ain't win.

1:46:18.760 --> 1:46:23.640
<v Speaker 2>He said that he's homiigg Charles. Yeah, yeah, I love that.

1:46:24.240 --> 1:46:26.120
<v Speaker 2>I'm sorry I went too far. I don't think he's

1:46:26.160 --> 1:46:30.080
<v Speaker 2>your friend at all. I know a lot of thinking

1:46:30.240 --> 1:46:32.920
<v Speaker 2>you to say that ship, damn, he said. I know

1:46:32.960 --> 1:46:33.960
<v Speaker 2>a lot of stinking niggas.

1:46:34.160 --> 1:46:36.559
<v Speaker 4>It's a lot of thinking they're my friends. I don't

1:46:36.560 --> 1:46:39.800
<v Speaker 4>think your friends at all, not even one point five

1:46:39.840 --> 1:46:40.360
<v Speaker 4>percent of this.

1:46:40.520 --> 1:46:42.360
<v Speaker 2>You could look at that video. You can't tell he

1:46:42.360 --> 1:46:45.960
<v Speaker 2>ain't win. He was like that. I think you were

1:46:46.000 --> 1:46:52.600
<v Speaker 2>a little bit he No, who with this ship to

1:46:52.640 --> 1:46:55.120
<v Speaker 2>go to? I don't think we were.

1:46:55.600 --> 1:46:59.000
<v Speaker 4>I'm not sure nobody wants to see this sure like

1:47:00.040 --> 1:47:00.799
<v Speaker 4>this is America?

1:47:01.000 --> 1:47:03.640
<v Speaker 2>No, I don't even know if this this is a

1:47:03.720 --> 1:47:05.760
<v Speaker 2>live show, Bro, I gotta do this ship man.

1:47:06.080 --> 1:47:10.360
<v Speaker 6>I went to you definitely wanted for what is the roster?

1:47:10.840 --> 1:47:12.240
<v Speaker 6>We don't have a quick time with something one. What

1:47:12.280 --> 1:47:16.920
<v Speaker 6>are you talking about? Jam vandea daft jam data was

1:47:16.960 --> 1:47:19.639
<v Speaker 6>beating niggas up and we was beating niggas.

1:47:20.360 --> 1:47:22.080
<v Speaker 5>I've been trying to work out my whole life to

1:47:22.120 --> 1:47:23.600
<v Speaker 5>get my statue to the way it is.

1:47:23.640 --> 1:47:27.639
<v Speaker 4>And put on the tight suit to get your ship together.

1:47:28.760 --> 1:47:30.200
<v Speaker 2>Put them the lungs.

1:47:30.240 --> 1:47:31.960
<v Speaker 4>Oh yeah, you're talking about for the Yeah, yeah, I

1:47:32.000 --> 1:47:32.519
<v Speaker 4>don't remember.

1:47:32.640 --> 1:47:34.479
<v Speaker 5>I truly don't remember that. That's not a cop. I

1:47:34.520 --> 1:47:36.360
<v Speaker 5>don't remember putting on no tights. They made me put

1:47:36.400 --> 1:47:39.479
<v Speaker 5>on a tight God damn, I made sure no more.

1:47:39.560 --> 1:47:42.560
<v Speaker 5>Feel me too, make sure he had tights on. You know,

1:47:42.680 --> 1:47:43.719
<v Speaker 5>I don't remember that ship.

1:47:43.800 --> 1:47:46.840
<v Speaker 2>Bro? Are we going there and here like us cape?

1:47:47.600 --> 1:47:53.439
<v Speaker 2>Remember you get your royalties? No, you got word? We

1:47:53.560 --> 1:47:55.040
<v Speaker 2>all Yeah, we're supposed to get some money. You got

1:47:55.080 --> 1:47:57.840
<v Speaker 2>some money. Oh to you, bro, I got some upfront.

1:47:57.920 --> 1:48:01.360
<v Speaker 2>I was the upfront nigga. He's again to me right now,

1:48:02.479 --> 1:48:03.160
<v Speaker 2>I'll see you late.

1:48:03.200 --> 1:48:07.000
<v Speaker 4>I ain't gonna lie my brother, to be honest, it's

1:48:07.000 --> 1:48:12.280
<v Speaker 4>like what you give me that. That's yeah, I've done

1:48:13.200 --> 1:48:16.880
<v Speaker 4>in the face. I hate everybody. Yeah, I got you

1:48:16.960 --> 1:48:18.400
<v Speaker 4>on both games one and two.

1:48:19.000 --> 1:48:20.800
<v Speaker 2>I don't know. That's a good ass. I don't remember too.

1:48:21.160 --> 1:48:24.920
<v Speaker 2>I remember being one and two. I think it was one.

1:48:25.760 --> 1:48:29.120
<v Speaker 5>Yeah, when come out of jo the second one. The

1:48:29.240 --> 1:48:31.200
<v Speaker 5>two come out not too long after one or that

1:48:31.280 --> 1:48:31.840
<v Speaker 5>ship just came.

1:48:31.880 --> 1:48:36.599
<v Speaker 2>Oh yeah, the same ship you did.

1:48:36.840 --> 1:48:41.240
<v Speaker 4>Yoh, ruled with y'all, Past and furious. Jesus, he opted out,

1:48:41.320 --> 1:48:45.680
<v Speaker 4>sucked up. I might have took that bagd.

1:48:44.720 --> 1:48:51.160
<v Speaker 2>Took his bag, his bag. I took my bag because

1:48:51.280 --> 1:48:55.400
<v Speaker 2>the Vendetta bag fight for New York, and I fought

1:48:55.439 --> 1:48:57.439
<v Speaker 2>for Vandeta. Yeah, you fought for all that. I love.

1:48:57.840 --> 1:48:58.800
<v Speaker 2>That's what she's supposed to do.

1:48:59.120 --> 1:49:02.840
<v Speaker 4>Yeah, goddamn yeah, man, Fast and Furious is beautiful. It is.

1:49:03.439 --> 1:49:03.880
<v Speaker 2>You get.

1:49:05.360 --> 1:49:07.640
<v Speaker 5>Your trailers, the best fucking catering in the world. You

1:49:07.640 --> 1:49:11.760
<v Speaker 5>would be surprised that ship your trailers. Describing trailer this

1:49:11.800 --> 1:49:14.040
<v Speaker 5>ship is online, like, go go to my Instagram. But

1:49:14.120 --> 1:49:17.680
<v Speaker 5>the trailer is fucking duplex. It's like duplex trailers and

1:49:18.000 --> 1:49:20.080
<v Speaker 5>some ship that you didn't even know existed in the

1:49:20.160 --> 1:49:23.599
<v Speaker 5>trailer world and it's just stupid. Yeah, they got duplex

1:49:23.640 --> 1:49:28.200
<v Speaker 5>trailers out, bro, you come for what workout trailers?

1:49:28.280 --> 1:49:30.320
<v Speaker 2>Because I went to hold.

1:49:30.160 --> 1:49:34.559
<v Speaker 4>Look Cold time out again before Okay, there, I wasn't

1:49:34.640 --> 1:49:37.000
<v Speaker 4>tour in Europe and I had the Ice Spice with

1:49:37.160 --> 1:49:39.760
<v Speaker 4>none of the Ice Spice was it was nicely Wi Girls.

1:49:39.800 --> 1:49:42.080
<v Speaker 4>I had the Spice Girls tour bus nicely and I

1:49:42.160 --> 1:49:45.519
<v Speaker 4>had the spiral staircase in the bus.

1:49:47.479 --> 1:49:51.599
<v Speaker 2>Come yeah, yeah, yeah, no ship like that. They got

1:49:51.680 --> 1:49:52.040
<v Speaker 2>to listen.

1:49:52.280 --> 1:49:55.599
<v Speaker 5>When you're dealing with a three hundred million dollar budget,

1:49:55.680 --> 1:49:57.960
<v Speaker 5>they pull out all the stops when it comes to

1:49:58.040 --> 1:49:58.519
<v Speaker 5>the trailers.

1:50:00.400 --> 1:50:03.200
<v Speaker 2>When it comes to craft services, a whole different bus.

1:50:03.960 --> 1:50:05.280
<v Speaker 2>I didn't have that three.

1:50:05.160 --> 1:50:08.200
<v Speaker 5>Hundred million dollar budget on we that Okay, a lot

1:50:08.240 --> 1:50:09.720
<v Speaker 5>of that go, you know, some of that ship goes

1:50:09.760 --> 1:50:12.360
<v Speaker 5>to the craft services cater and all that ship. Now

1:50:12.439 --> 1:50:15.519
<v Speaker 5>it's like, it's what's fucked up is going from fast

1:50:15.560 --> 1:50:16.280
<v Speaker 5>and furious set.

1:50:16.200 --> 1:50:19.280
<v Speaker 2>To an independent set after that. That's what's fun. What's

1:50:19.320 --> 1:50:21.360
<v Speaker 2>the independence you went to just your mindset for that.

1:50:21.800 --> 1:50:24.040
<v Speaker 2>What's the independence that you you don't That ship just happens.

1:50:24.760 --> 1:50:27.840
<v Speaker 2>I'm adjusting. You went to adjust. I went from too

1:50:27.920 --> 1:50:32.120
<v Speaker 2>fast and ferious to like not faster, totally different.

1:50:32.520 --> 1:50:34.640
<v Speaker 5>You get spoiled as fun and then you got to

1:50:34.640 --> 1:50:37.160
<v Speaker 5>go to something else and you're like, where's where's my ship?

1:50:37.760 --> 1:50:39.560
<v Speaker 5>It's like you almost like how did I sign on

1:50:39.640 --> 1:50:41.040
<v Speaker 5>to do this this independent movie?

1:50:41.160 --> 1:50:43.920
<v Speaker 2>Like like, give me a girl. I just wanted to

1:50:45.560 --> 1:50:50.840
<v Speaker 2>It's not she's our bartender. It's not faster, ready to help.

1:50:51.040 --> 1:50:52.759
<v Speaker 5>This ship is like being at a five star resort

1:50:53.120 --> 1:50:55.320
<v Speaker 5>set with fast and furious the most of it's the

1:50:55.360 --> 1:50:57.880
<v Speaker 5>most amazing thing the ship.

1:50:57.960 --> 1:51:08.320
<v Speaker 2>Yeah, she should have went to work there, Jo, what

1:51:08.400 --> 1:51:11.600
<v Speaker 2>do you want me to do? I don't know. I

1:51:11.680 --> 1:51:14.240
<v Speaker 2>mean I read it in Google. I feel like Jo

1:51:14.800 --> 1:51:19.400
<v Speaker 2>than Google called Joe, called John. Give him. Let's just

1:51:19.520 --> 1:51:21.320
<v Speaker 2>let's just let's just see how you talk about it.

1:51:23.240 --> 1:51:26.200
<v Speaker 2>Give him? I see, tell me what do we do?

1:51:26.320 --> 1:51:30.160
<v Speaker 2>What do you shot up? FaceTime? Record face time? FaceTime?

1:51:30.360 --> 1:51:31.559
<v Speaker 2>Come on, you gotta go a hit him.

1:51:32.040 --> 1:51:33.560
<v Speaker 5>Yo, This is great because I want to hear what

1:51:33.600 --> 1:51:34.439
<v Speaker 5>this nigga has to say.

1:51:34.560 --> 1:51:38.519
<v Speaker 4>Yeah, you have to say this is phenomenal right now.

1:51:39.120 --> 1:51:41.800
<v Speaker 4>I mean it's it's only right. This guy knows him.

1:51:41.800 --> 1:51:42.959
<v Speaker 2>Look, you gotta FaceTime.

1:51:43.640 --> 1:51:47.240
<v Speaker 4>Let's see this before you Just tell him what you're doing.

1:51:47.600 --> 1:51:49.640
<v Speaker 4>Don't be a don't tell him Ship, just ask that.

1:51:50.400 --> 1:51:53.760
<v Speaker 2>Don't be a we want to real reaction, like let

1:51:53.800 --> 1:51:58.360
<v Speaker 2>the cameras roll niggas like that. What is that nigga

1:51:58.439 --> 1:52:01.200
<v Speaker 2>doing right now? Bro? Nigga he with Logan Paul right now?

1:52:01.360 --> 1:52:03.640
<v Speaker 2>Now he probably knows you're calling him on the way

1:52:03.680 --> 1:52:06.080
<v Speaker 2>he was Logan Paul. I don't know. I'm gonna take

1:52:06.080 --> 1:52:08.960
<v Speaker 2>as because Logan Paul won last night. Right, he knocked

1:52:08.960 --> 1:52:13.400
<v Speaker 2>a nigga out. That's not the same nigga. Yo. Did

1:52:13.439 --> 1:52:15.600
<v Speaker 2>you ever want to box like your pops? No? No,

1:52:16.280 --> 1:52:18.320
<v Speaker 2>he taught you at a box. No he never told

1:52:18.320 --> 1:52:20.479
<v Speaker 2>me Ship what No, he told me how to hold

1:52:20.479 --> 1:52:23.720
<v Speaker 2>a gun. My father is a foul nigga. But that

1:52:23.800 --> 1:52:26.479
<v Speaker 2>nigga is a phenomenal boxer. He was a phenomenal bosser.

1:52:26.520 --> 1:52:27.200
<v Speaker 2>But I was not.

1:52:28.400 --> 1:52:32.400
<v Speaker 4>Okay, jar Rud didn't answer. We don't have no plan

1:52:32.520 --> 1:52:34.720
<v Speaker 4>b right because the outtakes.

1:52:34.320 --> 1:52:38.519
<v Speaker 2>Holy morning, he don't went to the bathroom. Yeah, keep

1:52:38.560 --> 1:52:40.519
<v Speaker 2>the camera. That's all we do. That's all we do.

1:52:40.720 --> 1:52:43.400
<v Speaker 2>That's all we do because you know, two hours, God, damn.

1:52:45.920 --> 1:52:49.439
<v Speaker 4>God, damn it, Shaka. I just want to say something

1:52:49.880 --> 1:52:53.160
<v Speaker 4>I knows. Shaka is one of the best people I've

1:52:53.160 --> 1:52:56.160
<v Speaker 4>ever met. One of the best human beings on human feet,

1:52:56.479 --> 1:52:59.320
<v Speaker 4>not one of the best managers or the best you know,

1:52:59.360 --> 1:53:03.559
<v Speaker 4>people in history, best people period. It's a very straight

1:53:03.680 --> 1:53:07.360
<v Speaker 4>up guy. It's very straightforward person.

1:53:08.920 --> 1:53:09.120
<v Speaker 2>Yeah.

1:53:10.120 --> 1:53:13.120
<v Speaker 4>Yeah, I wanted to give Shaka hit flower, you know

1:53:13.160 --> 1:53:20.639
<v Speaker 4>what I mean, because I don't want to say something

1:53:20.680 --> 1:53:25.360
<v Speaker 4>to all of us that's here. We live in a

1:53:25.560 --> 1:53:27.519
<v Speaker 4>we live in a great society, we live in a

1:53:27.600 --> 1:53:31.880
<v Speaker 4>great thing that we're we're all perishing from, we're all

1:53:32.200 --> 1:53:36.200
<v Speaker 4>benefiting from. But the thing is everyone in this world

1:53:36.240 --> 1:53:40.400
<v Speaker 4>has not been infinited from that same thing. So there's

1:53:40.400 --> 1:53:42.720
<v Speaker 4>always gonna be votres and I you know, big up

1:53:42.760 --> 1:53:47.839
<v Speaker 4>to Kanye and Tyler the Sounds for naming the album Vultures.

1:53:48.920 --> 1:53:53.719
<v Speaker 4>But in real life, voltures is not something friendly. There's

1:53:53.800 --> 1:53:57.960
<v Speaker 4>real voltures out here, real people that yeah, I don't

1:53:57.960 --> 1:54:00.200
<v Speaker 4>want to work for what they can get and they

1:54:00.240 --> 1:54:05.800
<v Speaker 4>want to just take and it's terrible because it's us

1:54:05.920 --> 1:54:13.120
<v Speaker 4>taken from us and that just shouldn't exist. Like we

1:54:13.240 --> 1:54:15.960
<v Speaker 4>worked so hard, you know what. DMX sat down with

1:54:16.080 --> 1:54:19.519
<v Speaker 4>me one day and DMX said to me, nor way

1:54:19.560 --> 1:54:21.439
<v Speaker 4>I stopped dissing whack rappers.

1:54:22.760 --> 1:54:25.840
<v Speaker 2>I asked them. I said, well, that's kind of crazy,

1:54:25.920 --> 1:54:27.120
<v Speaker 2>Like why would you just say that?

1:54:27.560 --> 1:54:30.800
<v Speaker 4>And DMX said to me because every whack rapper who

1:54:30.880 --> 1:54:35.080
<v Speaker 4>I think is whacked saves sixteen families. And that sixteen

1:54:35.160 --> 1:54:37.440
<v Speaker 4>families says another sixteen facties.

1:54:37.720 --> 1:54:39.400
<v Speaker 2>Wow, that's deep.

1:54:41.040 --> 1:54:44.480
<v Speaker 4>This was on drink Champs and I was like, Holy

1:54:44.680 --> 1:54:51.080
<v Speaker 4>moly moly, and that's what I kind of want to do, Luda.

1:54:52.600 --> 1:54:52.640
<v Speaker 2>Is.

1:54:53.720 --> 1:54:57.600
<v Speaker 4>It's about time we praise each other. It's about time

1:54:57.680 --> 1:55:01.840
<v Speaker 4>we say to each other, yo, man, what we did

1:55:02.400 --> 1:55:04.960
<v Speaker 4>and what we're doing and we'll continue to be successful.

1:55:05.040 --> 1:55:09.400
<v Speaker 4>For should be saluted. Yeah, it should be recommended. It

1:55:09.440 --> 1:55:13.240
<v Speaker 4>should be It should be in the forefront of what

1:55:14.200 --> 1:55:18.760
<v Speaker 4>life is because no one else is going to give

1:55:18.760 --> 1:55:20.600
<v Speaker 4>it to us. And I like to say, and I

1:55:20.720 --> 1:55:22.600
<v Speaker 4>like to say I'm hip hop. And when I say

1:55:22.640 --> 1:55:26.280
<v Speaker 4>I'm hip hop, what I mean is that's my religion,

1:55:26.440 --> 1:55:27.320
<v Speaker 4>that's my race.

1:55:27.680 --> 1:55:28.320
<v Speaker 2>Our religion.

1:55:28.560 --> 1:55:31.400
<v Speaker 5>Yes, that's already because everything you're saying is the only

1:55:31.440 --> 1:55:34.000
<v Speaker 5>reason I interrupted the natural flow of things with what

1:55:34.080 --> 1:55:36.360
<v Speaker 5>I said earlier, because of what you're saying right now.

1:55:37.240 --> 1:55:39.440
<v Speaker 5>Somebody got to be the bigger person than all that shit, like.

1:55:40.040 --> 1:55:43.280
<v Speaker 4>Go ahead, yes, And that's why I'm so happy that

1:55:43.400 --> 1:55:51.360
<v Speaker 4>you're here. It's because hip hop fifty is great. It is, yea,

1:55:52.200 --> 1:55:56.040
<v Speaker 4>but hip hop one thousand is even better. I want

1:55:56.120 --> 1:55:59.680
<v Speaker 4>I want your kids, kids, my kids kids, your kids

1:55:59.800 --> 1:56:03.640
<v Speaker 4>kids is how kids kids, his kids kids. Everyoneted to

1:56:03.760 --> 1:56:06.520
<v Speaker 4>grow up through that same sentiment. You couldn't have said

1:56:06.520 --> 1:56:06.760
<v Speaker 4>it better.

1:56:06.840 --> 1:56:09.280
<v Speaker 5>We're talking about kids, talking about family, were talking about

1:56:09.360 --> 1:56:11.440
<v Speaker 5>hip hop and all this ship. I was with Rizza

1:56:12.160 --> 1:56:13.760
<v Speaker 5>a couple of years back, and I don't know, we

1:56:13.880 --> 1:56:15.520
<v Speaker 5>was just shooting the ship because I'm such a Wu

1:56:15.640 --> 1:56:18.000
<v Speaker 5>Tang fan, and I was asking him a bunch of

1:56:18.120 --> 1:56:21.200
<v Speaker 5>questions and along the line of questioning somehow, I asked

1:56:21.280 --> 1:56:23.160
<v Speaker 5>him we were talking about families, and I was like,

1:56:23.200 --> 1:56:26.720
<v Speaker 5>how many kids you got, and that nigga he looked

1:56:26.760 --> 1:56:30.160
<v Speaker 5>like I asked him a crazy question. That nigga said, shit, man,

1:56:30.240 --> 1:56:31.840
<v Speaker 5>you know hip hop.

1:56:33.560 --> 1:56:36.920
<v Speaker 2>That was that Nigga's answer. That that's another the answer

1:56:37.120 --> 1:56:41.760
<v Speaker 2>was hip hop his children. That nigga looked at me

1:56:41.840 --> 1:56:43.480
<v Speaker 2>and that was it. I don't know what it meant.

1:56:43.920 --> 1:56:46.600
<v Speaker 5>You never answered legitlemenly, I just said how many kids

1:56:46.640 --> 1:56:48.520
<v Speaker 5>you got? That nigga looked at me and said, shit,

1:56:48.680 --> 1:56:51.520
<v Speaker 5>you know hip hop? That could have meant Wu tang

1:56:51.680 --> 1:56:53.840
<v Speaker 5>nine what it could have been?

1:56:53.880 --> 1:56:58.600
<v Speaker 2>I don't know what it is. His children like everything

1:56:58.640 --> 1:57:02.280
<v Speaker 2>that has been inspired by them, have y'all had? When

1:57:02.320 --> 1:57:06.880
<v Speaker 2>you get him on here, please ask that we got

1:57:07.000 --> 1:57:09.040
<v Speaker 2>by the way I we need.

1:57:09.960 --> 1:57:13.560
<v Speaker 4>I've hang out with Rizza, and Rizza is probably he

1:57:13.720 --> 1:57:15.640
<v Speaker 4>wants to come and drink with us so bad.

1:57:15.880 --> 1:57:18.400
<v Speaker 2>He wants to drink us though we're not trying.

1:57:18.560 --> 1:57:25.600
<v Speaker 5>Like I'm out drinking y'all right now? Recently, how many artists,

1:57:25.640 --> 1:57:27.400
<v Speaker 5>let me ask my people of you, how many artists have.

1:57:27.520 --> 1:57:32.400
<v Speaker 2>Out drink the drink champs hosts? How many like this?

1:57:32.480 --> 1:57:35.560
<v Speaker 2>Who's one, who's one? Nobody. I'd like to go on

1:57:35.680 --> 1:57:38.200
<v Speaker 2>the record as being the first artist to out drink

1:57:40.000 --> 1:57:43.760
<v Speaker 2>lady and gentlemen, But I'm not gonna lie to you.

1:57:44.680 --> 1:57:49.240
<v Speaker 2>We was on tour together, me and you. Old death

1:57:49.280 --> 1:57:51.840
<v Speaker 2>jam stories are the greatest story. If you're like, please

1:57:52.120 --> 1:57:56.680
<v Speaker 2>because I like some beautiful story and we're in Atlanta.

1:57:59.000 --> 1:58:01.880
<v Speaker 2>This is This is docu documented on MTV.

1:58:03.680 --> 1:58:06.360
<v Speaker 4>Luda Is, You're one of my favorite people. I just

1:58:06.440 --> 1:58:07.960
<v Speaker 4>want to just come and just say hi to you.

1:58:08.320 --> 1:58:12.879
<v Speaker 2>I have no idea. This guy's in there, he's from Queen's.

1:58:13.560 --> 1:58:14.960
<v Speaker 2>Who is you?

1:58:15.480 --> 1:58:19.000
<v Speaker 4>The guy that I slammed, He's he's supposed to lead

1:58:19.080 --> 1:58:22.680
<v Speaker 4>up to that guy for that guy he's sitting there.

1:58:22.720 --> 1:58:26.920
<v Speaker 4>He's like, little boys, don't show me no love. I

1:58:27.000 --> 1:58:29.920
<v Speaker 4>can know you don't show me no love. Mam deep,

1:58:30.000 --> 1:58:31.040
<v Speaker 4>don't show me no love.

1:58:31.920 --> 1:58:34.880
<v Speaker 2>Someone telling you this. Yes, I don't know.

1:58:35.080 --> 1:58:42.040
<v Speaker 4>Luda's swimming is fucking my diary. Somebody from Queens telling

1:58:42.120 --> 1:58:44.080
<v Speaker 4>me that he doesn't get no love. But I'm near

1:58:44.120 --> 1:58:47.920
<v Speaker 4>to see Luda and I'm just like, what's And this

1:58:48.080 --> 1:58:51.160
<v Speaker 4>guy is like, I'm like, I'm gonna show him some love.

1:58:53.240 --> 1:58:58.080
<v Speaker 2>Took care of every busy jewelry. That's why a box

1:58:58.760 --> 1:59:03.440
<v Speaker 2>no mother, I know it was. That is a boxer.

1:59:03.560 --> 1:59:03.720
<v Speaker 4>I know.

1:59:03.920 --> 1:59:07.360
<v Speaker 2>That's what I'm saying here fighting motherfucker that I.

1:59:07.480 --> 1:59:12.920
<v Speaker 4>Took it off and I had no idea. We him

1:59:13.080 --> 1:59:22.000
<v Speaker 4>and said tell where you're from the assignment. The body

1:59:22.080 --> 1:59:24.440
<v Speaker 4>slammed and power bottle. This nigga all in one. It

1:59:24.560 --> 1:59:27.000
<v Speaker 4>was the craziest ship I've ever seen. Put some power

1:59:27.040 --> 1:59:29.840
<v Speaker 4>behind that body. And by the way, he cannot be

1:59:30.040 --> 1:59:32.760
<v Speaker 4>mad you. He out with us the whole night. So

1:59:32.920 --> 1:59:38.160
<v Speaker 4>that's the party you see after his neck got fucked up. Yeah, yeah, yeah,

1:59:38.520 --> 1:59:42.600
<v Speaker 4>I was like, yeah, we took some shots in Luda's room.

1:59:43.000 --> 1:59:45.040
<v Speaker 2>We chilled the whole Did you wipe him off? Like

1:59:45.200 --> 1:59:45.960
<v Speaker 2>you're good? You're good, bro.

1:59:46.120 --> 1:59:50.560
<v Speaker 4>I don't white people wipe.

1:59:48.760 --> 1:59:51.680
<v Speaker 2>Him off, wipe him down. I ain't wipe him down.

1:59:52.960 --> 1:59:53.080
<v Speaker 10>Yo.

1:59:53.600 --> 1:59:55.840
<v Speaker 4>Okay, okay, hold let me get back to the next one,

1:59:56.000 --> 1:59:56.760
<v Speaker 4>because I got a lot.

1:59:56.800 --> 2:00:01.760
<v Speaker 2>I got lued. Your discography is crazy. I appreciate loud.

2:00:01.920 --> 2:00:02.440
<v Speaker 2>Let me ask you this.

2:00:03.120 --> 2:00:08.560
<v Speaker 6>How was there no version of you signing to Jermaine

2:00:08.640 --> 2:00:10.640
<v Speaker 6>Duprix or Dungeon family.

2:00:11.480 --> 2:00:12.960
<v Speaker 2>That's a great fucking question.

2:00:14.080 --> 2:00:15.480
<v Speaker 5>We kind of went through the history when I was

2:00:15.520 --> 2:00:19.000
<v Speaker 5>at the radio station, so there's different things that happened

2:00:19.040 --> 2:00:20.760
<v Speaker 5>with all of these different entities. I was the first

2:00:20.880 --> 2:00:24.280
<v Speaker 5>rapper on John Madden two thousand. That's Jermaine Duprix. He

2:00:24.400 --> 2:00:26.640
<v Speaker 5>did that for me, right, And I had the afro,

2:00:26.760 --> 2:00:29.080
<v Speaker 5>so you remember the Socio Deaf mascot.

2:00:28.760 --> 2:00:29.200
<v Speaker 2>The ship that.

2:00:31.040 --> 2:00:33.240
<v Speaker 5>He was always joking like I'm the social death mascot.

2:00:33.360 --> 2:00:39.840
<v Speaker 5>So there was a time, absolutely a twelve percent.

2:00:39.960 --> 2:00:41.240
<v Speaker 2>Yeah. I say this story all the time.

2:00:41.280 --> 2:00:44.320
<v Speaker 5>But he's one of the people that when I was before,

2:00:44.320 --> 2:00:47.040
<v Speaker 5>I was at the radio station, just complete stranger, knew

2:00:47.080 --> 2:00:49.160
<v Speaker 5>where he lived, went up to his house, tried to

2:00:49.200 --> 2:00:51.840
<v Speaker 5>get this motherfucker a demo tape. And this nigga was

2:00:51.880 --> 2:00:54.200
<v Speaker 5>outside one day when I drove up and actually by

2:00:54.320 --> 2:00:57.200
<v Speaker 5>himself walked up and took the demo tape from me.

2:00:57.480 --> 2:00:59.720
<v Speaker 2>That's how great of a person, Jermaine.

2:01:02.640 --> 2:01:04.160
<v Speaker 5>He was outside and I was like, I want to

2:01:04.200 --> 2:01:06.880
<v Speaker 5>give you something that Now, this is ridiculous, like for

2:01:07.000 --> 2:01:09.320
<v Speaker 5>a motherfucker to be alone and actually like, you ain't

2:01:09.320 --> 2:01:11.960
<v Speaker 5>got to do that shit, right. I only say that

2:01:12.080 --> 2:01:14.880
<v Speaker 5>to say that I have my own extremely multi million

2:01:14.920 --> 2:01:16.720
<v Speaker 5>dollar home now, and if a nigga comes to my

2:01:16.840 --> 2:01:18.440
<v Speaker 5>gate and says, hey, come over here, I want to

2:01:18.440 --> 2:01:19.360
<v Speaker 5>give you my demo tape.

2:01:19.680 --> 2:01:21.280
<v Speaker 2>Fuck, no, I ain't going to go to get this

2:01:21.320 --> 2:01:22.080
<v Speaker 2>ship problem, bro.

2:01:22.880 --> 2:01:27.440
<v Speaker 5>So sometimes in retrospect you look like, damn, that motherfucker

2:01:27.520 --> 2:01:30.480
<v Speaker 5>is a phenomenous humanizing bro. But all that being said,

2:01:31.680 --> 2:01:33.840
<v Speaker 5>so so deaf. Definitely you know that there was a

2:01:33.920 --> 2:01:36.760
<v Speaker 5>time where we work together, organized noise, like I said

2:01:36.800 --> 2:01:39.360
<v Speaker 5>they did gang Got Switched, Got Switched. That was the

2:01:39.400 --> 2:01:42.840
<v Speaker 5>flip side of What's Your Fantasy. So at the time,

2:01:42.920 --> 2:01:44.040
<v Speaker 5>they had so much going on.

2:01:44.280 --> 2:01:45.080
<v Speaker 2>They had you know, the.

2:01:45.160 --> 2:01:49.480
<v Speaker 5>Cool Breeze, the Witch Doctor, Outcast, Goodie Mob, all these artists,

2:01:49.520 --> 2:01:51.240
<v Speaker 5>and they were just trying to find and are you

2:01:51.360 --> 2:01:55.160
<v Speaker 5>saying that you were associated to them? Not associated? But

2:01:55.240 --> 2:01:57.000
<v Speaker 5>I was in there and I got records from them

2:01:57.040 --> 2:01:58.880
<v Speaker 5>at the same time while they were feeding all of

2:01:58.920 --> 2:02:01.760
<v Speaker 5>these other artists. So I was down there when Future

2:02:01.840 --> 2:02:02.839
<v Speaker 5>used to be called Meathead.

2:02:02.880 --> 2:02:03.680
<v Speaker 2>That used to be his name.

2:02:03.920 --> 2:02:06.720
<v Speaker 5>Oh wow, So this motherfucker was down there as a kid.

2:02:06.880 --> 2:02:10.200
<v Speaker 5>And it's just like his success is great because of

2:02:10.280 --> 2:02:11.680
<v Speaker 5>what he's done, but he was a student.

2:02:12.000 --> 2:02:15.280
<v Speaker 2>He'd be in there watching all the time. Still Ludacris

2:02:15.600 --> 2:02:17.240
<v Speaker 2>but on the radio, you know, Chris Love of Love.

2:02:17.360 --> 2:02:20.320
<v Speaker 5>But I say all that to say, I've had my

2:02:20.760 --> 2:02:23.680
<v Speaker 5>moments with each of those entities, but I never signed

2:02:23.800 --> 2:02:24.200
<v Speaker 5>with them.

2:02:24.520 --> 2:02:26.480
<v Speaker 2>Even with Timbling. There was a time where I.

2:02:26.520 --> 2:02:28.240
<v Speaker 5>Was about to get signed to Timbling because my first

2:02:28.280 --> 2:02:30.000
<v Speaker 5>record before it was Your Fantasy. I was on his

2:02:30.160 --> 2:02:32.360
<v Speaker 5>album and I had a song called Fat Rabbit, which

2:02:32.480 --> 2:02:34.960
<v Speaker 5>ended up being on back for the first time. So

2:02:35.120 --> 2:02:37.560
<v Speaker 5>again I went through all of these processes and nobody

2:02:37.640 --> 2:02:40.240
<v Speaker 5>really stepped all the way up, which caused me to

2:02:41.120 --> 2:02:44.240
<v Speaker 5>put my money into myself and invest and do the

2:02:44.320 --> 2:02:45.920
<v Speaker 5>whole incog negro autu.

2:02:45.920 --> 2:02:46.400
<v Speaker 2>And that's what it was.

2:02:46.560 --> 2:02:48.560
<v Speaker 6>It was them though that didn't step all the way up.

2:02:48.560 --> 2:02:51.840
<v Speaker 6>I'm just saying, for the person listening, tru, that's you

2:02:52.320 --> 2:02:53.360
<v Speaker 6>right when you were that.

2:02:54.480 --> 2:02:55.000
<v Speaker 2>It's when you.

2:02:55.040 --> 2:02:56.840
<v Speaker 5>I don't want to put the blame on them specifically.

2:02:56.960 --> 2:03:00.240
<v Speaker 5>It was like circumstances that they were dealing with at

2:03:00.280 --> 2:03:03.400
<v Speaker 5>the time where I wasn't patient enough to just wait around.

2:03:04.320 --> 2:03:08.240
<v Speaker 5>And thank God that those circumstances happened, because if they didn't,

2:03:08.320 --> 2:03:10.240
<v Speaker 5>I would not have said, fuck it, I'm going to

2:03:10.360 --> 2:03:12.680
<v Speaker 5>do this on my own. You know what I'm saying.

2:03:12.920 --> 2:03:15.640
<v Speaker 5>That's how things work out. Shit don't work out for

2:03:15.720 --> 2:03:17.480
<v Speaker 5>you to be able to do certain things and take

2:03:18.160 --> 2:03:20.600
<v Speaker 5>fade into your own hands. That's literally how it works out.

2:03:20.960 --> 2:03:24.040
<v Speaker 5>And so I went to an independent company. I remember

2:03:24.120 --> 2:03:26.280
<v Speaker 5>that they gave me seven dollars an holbum. I sold

2:03:26.360 --> 2:03:30.320
<v Speaker 5>fifty thousand records at seven dollars a pop. I got

2:03:30.360 --> 2:03:32.560
<v Speaker 5>three hundred and fifty thousand dollars check when I was

2:03:32.600 --> 2:03:35.240
<v Speaker 5>like twenty one biggest check I ever.

2:03:35.160 --> 2:03:38.520
<v Speaker 2>Got, all put into myself. Yeah, and I made the

2:03:38.560 --> 2:03:40.240
<v Speaker 2>whole album for like twenty thousand dollars.

2:03:40.320 --> 2:03:42.880
<v Speaker 5>But again, that's all money I saved up from all

2:03:42.960 --> 2:03:44.840
<v Speaker 5>the after parties and shit that I was doing when

2:03:44.880 --> 2:03:47.560
<v Speaker 5>I was eighteen nineteen twenty from working at the radio statation.

2:03:48.040 --> 2:03:49.640
<v Speaker 5>So it was all part of the plan. It was

2:03:49.760 --> 2:03:52.560
<v Speaker 5>very strategic, and it took longer than I thought, but

2:03:52.680 --> 2:03:55.120
<v Speaker 5>that shit worked out the way it needed to work out.

2:03:55.680 --> 2:03:56.760
<v Speaker 5>I wouldn't be here if it wasn't.

2:03:56.880 --> 2:03:59.720
<v Speaker 6>You think your process, the way that you did it

2:04:00.360 --> 2:04:01.880
<v Speaker 6>would not be appreciated today.

2:04:02.760 --> 2:04:04.600
<v Speaker 2>I think it would be very appreciated today.

2:04:04.600 --> 2:04:06.280
<v Speaker 5>We're trying to put this bitch on film and on

2:04:06.360 --> 2:04:08.760
<v Speaker 5>television the way that it happened, because there's so much

2:04:08.800 --> 2:04:10.280
<v Speaker 5>more to it. I'm just trying to give you all

2:04:10.320 --> 2:04:16.160
<v Speaker 5>the short the short version, right, let's took about Splash Waterfalls.

2:04:17.000 --> 2:04:18.040
<v Speaker 2>Splash Waterfalls.

2:04:18.640 --> 2:04:20.960
<v Speaker 5>This is That's a good question because it was Shawna's

2:04:21.000 --> 2:04:28.200
<v Speaker 5>brother is a producer, really, and he produced Splash Waterfall. Yeah, Yeah,

2:04:28.240 --> 2:04:31.760
<v Speaker 5>Shawna's fucking brother and Ice Drake so he produced that

2:04:31.880 --> 2:04:38.080
<v Speaker 5>song Splash Waterfalls, so he put Drake on. I wouldn't

2:04:38.120 --> 2:04:42.120
<v Speaker 5>say he's the first. That's rum the room now, but

2:04:42.200 --> 2:04:44.960
<v Speaker 5>that's where that came from. And we did the remix

2:04:45.040 --> 2:04:47.560
<v Speaker 5>with Tony Tony Tony Beat. So that ship is another

2:04:47.720 --> 2:04:50.880
<v Speaker 5>another great one for the ladies whenever we do these shows. Yeah,

2:04:50.960 --> 2:04:51.839
<v Speaker 5>Splash Waterfall.

2:04:52.560 --> 2:04:55.240
<v Speaker 2>Before you got married, he was spinking pop a lot

2:04:55.280 --> 2:05:00.120
<v Speaker 2>of things. No comment, get ready for this part? No,

2:05:00.360 --> 2:05:02.680
<v Speaker 2>I mean I'm married like a motherfucker. I'm sixteen, So

2:05:02.760 --> 2:05:05.760
<v Speaker 2>you're just going in there. How many kids you got here? Six?

2:05:06.080 --> 2:05:08.040
<v Speaker 2>He's supposed to say, hip hop? Ma oh, hip hop?

2:05:08.200 --> 2:05:10.840
<v Speaker 2>I'm back. Ask the question again, how many kids you got?

2:05:12.200 --> 2:05:21.080
<v Speaker 2>Hip hop? Break it? Don't get outside, up and outside

2:05:23.040 --> 2:05:25.600
<v Speaker 2>holy ship. Let's we wanted to ask me that again?

2:05:25.920 --> 2:05:28.440
<v Speaker 2>Who got the best food? Dominican Republic or Puerto Rico?

2:05:28.720 --> 2:05:33.040
<v Speaker 2>Don't do that, Cubans, I said it. I don't know

2:05:33.200 --> 2:05:35.880
<v Speaker 2>if you understand the ward. He just that's why I

2:05:35.920 --> 2:05:36.440
<v Speaker 2>asked the question.

2:05:36.560 --> 2:05:40.560
<v Speaker 4>I'm hit me with all these questions, Cuban, Cuban, Let's

2:05:40.600 --> 2:05:41.320
<v Speaker 4>reverse the role.

2:05:41.400 --> 2:05:45.520
<v Speaker 2>Let me play slow and what's the ship called slow? Time?

2:05:45.600 --> 2:05:45.760
<v Speaker 1>With you?

2:05:46.160 --> 2:05:46.360
<v Speaker 4>Time?

2:05:47.240 --> 2:05:50.360
<v Speaker 2>Slow time of slime. Who's got by the way, who's

2:05:50.400 --> 2:05:53.480
<v Speaker 2>got the best Cuban? So he has no fight? Okay,

2:05:53.520 --> 2:05:57.280
<v Speaker 2>I got okay, Cuban's got the best food? Who's got

2:05:57.320 --> 2:06:01.560
<v Speaker 2>the best of Rolo? Best Cuban Cuban? Sorry, it's the best.

2:06:03.640 --> 2:06:08.120
<v Speaker 2>We've got the best rose Dominicans, Puerto Rican? Why you asking?

2:06:08.240 --> 2:06:11.280
<v Speaker 2>Its Cubans? Trying to I'm trying to stop this motherfucker

2:06:11.320 --> 2:06:13.560
<v Speaker 2>out here. You You're ruining it right now. I can't

2:06:13.640 --> 2:06:16.560
<v Speaker 2>let him answer any other than Cubans. Who's got the

2:06:16.640 --> 2:06:22.640
<v Speaker 2>best food? Puerto Ricans or Dominicans? Who's got the best? Yeah?

2:06:22.640 --> 2:06:24.040
<v Speaker 2>I want to know what that? What's the hard question

2:06:24.120 --> 2:06:27.280
<v Speaker 2>when it comes to Dominicans? Point, what's the hardest food? Question?

2:06:27.480 --> 2:06:32.840
<v Speaker 2>About my fungo? Who's got the Puerto Ricans win? We

2:06:32.920 --> 2:06:35.880
<v Speaker 2>went am old fungo.

2:06:39.000 --> 2:06:41.880
<v Speaker 4>But but I'm going to tell you this, tell us,

2:06:42.760 --> 2:06:49.520
<v Speaker 4>tell us the best teacher I got is Puerto Ricans?

2:06:49.560 --> 2:06:52.080
<v Speaker 2>Why you, guys? But what was about it?

2:06:52.480 --> 2:06:57.720
<v Speaker 4>Is all the best teachers from Puerto Rico, it'd be

2:06:57.880 --> 2:06:59.160
<v Speaker 4>the Dominican chefs.

2:06:59.240 --> 2:06:59.680
<v Speaker 2>I hate it.

2:06:59.840 --> 2:07:06.800
<v Speaker 7>I hated I can't I look up looking what the

2:07:07.240 --> 2:07:09.720
<v Speaker 7>what the fuck is one he do? There for funny

2:07:09.840 --> 2:07:14.400
<v Speaker 7>talking about it's not all the same ship.

2:07:14.480 --> 2:07:19.920
<v Speaker 4>Broo, we don't like it, right, listen, bro we all

2:07:19.960 --> 2:07:20.720
<v Speaker 4>the same people.

2:07:22.600 --> 2:07:24.960
<v Speaker 5>You think you having a hard time. Michelle Rodriguez from

2:07:24.960 --> 2:07:27.560
<v Speaker 5>The Fast and Furious. One of her parents is Dominican,

2:07:28.200 --> 2:07:29.600
<v Speaker 5>one of her parents is Puerto Rico.

2:07:31.720 --> 2:07:37.000
<v Speaker 2>Get back the dope ship about Let's wait for the sirens.

2:07:37.040 --> 2:07:39.680
<v Speaker 2>That's the move, that's the movie. Sorries are part of

2:07:39.760 --> 2:07:41.120
<v Speaker 2>the process. Dope.

2:07:42.880 --> 2:07:45.120
<v Speaker 5>The dope shit about get back is Tom Cruise in

2:07:45.240 --> 2:07:46.000
<v Speaker 5>the movie.

2:07:47.840 --> 2:07:48.120
<v Speaker 2>Tropic.

2:07:48.560 --> 2:07:51.040
<v Speaker 5>The dope shit about get Back is Tom Cruise in

2:07:51.080 --> 2:07:53.080
<v Speaker 5>the movie Tropic. Thunder Dancing at the end of the

2:07:53.160 --> 2:07:56.400
<v Speaker 5>fucking movie with the big ass Yeah, with the big

2:07:56.560 --> 2:07:58.960
<v Speaker 5>arms and everything. He was less gross grossman in that movie.

2:07:59.080 --> 2:08:02.280
<v Speaker 4>Okay, he played left Tom Cruise because Tom Cruise was

2:08:02.360 --> 2:08:02.880
<v Speaker 4>the agent.

2:08:03.400 --> 2:08:06.840
<v Speaker 2>He was a fat asient. Yeah, exactly. That was real.

2:08:07.080 --> 2:08:09.040
<v Speaker 5>No, So what I was gonna say was the record

2:08:09.200 --> 2:08:11.680
<v Speaker 5>was good, you know, like we're being honest with each other,

2:08:11.760 --> 2:08:14.480
<v Speaker 5>like it wasn't my favorite of all of my records.

2:08:14.560 --> 2:08:17.080
<v Speaker 5>But when that nigga did that at the end of

2:08:17.200 --> 2:08:19.600
<v Speaker 5>the movie, Yeah, when Tom Crow.

2:08:20.520 --> 2:08:23.640
<v Speaker 4>Tom Cruise can put on the fast suit, he put

2:08:23.720 --> 2:08:26.120
<v Speaker 4>on the just for men that everybody's wearing right now.

2:08:26.360 --> 2:08:26.480
<v Speaker 2>Right.

2:08:27.000 --> 2:08:28.440
<v Speaker 5>So when Tom Cruise at the end of the movie

2:08:28.480 --> 2:08:30.160
<v Speaker 5>put on the big suit and he danced to the

2:08:30.240 --> 2:08:33.400
<v Speaker 5>song the entire time, it literally took the record to

2:08:33.520 --> 2:08:36.000
<v Speaker 5>a whole other level and gave it a whole new

2:08:36.120 --> 2:08:37.040
<v Speaker 5>culture to listen to.

2:08:37.680 --> 2:08:40.120
<v Speaker 2>And so it was good record, but he made it great.

2:08:40.720 --> 2:08:43.160
<v Speaker 5>And that's what's dope about it, because just because Tom

2:08:43.200 --> 2:08:45.400
<v Speaker 5>Cruise would do that, and it wasn't like five ten

2:08:45.440 --> 2:08:46.320
<v Speaker 5>seconds we're talking about.

2:08:46.320 --> 2:08:46.960
<v Speaker 2>You watched this.

2:08:47.000 --> 2:08:51.080
<v Speaker 4>Movie the whole song, Yeah, yeah, So did it give

2:08:51.080 --> 2:08:54.280
<v Speaker 4>you a different idea of the power of that of the.

2:08:54.640 --> 2:08:55.360
<v Speaker 2>No, not even that.

2:08:55.560 --> 2:08:57.520
<v Speaker 5>So Ben Steeler is the one who produced and did

2:08:57.600 --> 2:09:01.120
<v Speaker 5>the movie, and he called us to do a screening

2:09:01.160 --> 2:09:03.440
<v Speaker 5>of the movie before it came out, and so a

2:09:03.480 --> 2:09:05.400
<v Speaker 5>lot of people don't know this man, Tom Cruise is

2:09:05.480 --> 2:09:08.000
<v Speaker 5>my guy. So we also talked to him about it.

2:09:08.040 --> 2:09:10.000
<v Speaker 5>They asked my permission about the ship, and then we

2:09:10.120 --> 2:09:12.560
<v Speaker 5>made it happen. And so I just saw Tom Cruise.

2:09:12.560 --> 2:09:14.720
<v Speaker 5>I was on tour with Janet Uh. He came out

2:09:14.760 --> 2:09:16.040
<v Speaker 5>to one of the shows. I saw him at the

2:09:16.080 --> 2:09:17.880
<v Speaker 5>Damn F One, the F One here in Miami.

2:09:18.400 --> 2:09:18.520
<v Speaker 6>Yo.

2:09:18.720 --> 2:09:23.640
<v Speaker 2>Tom Cruises, man, that's my guy. Bro, Tom Cruise is wait,

2:09:23.680 --> 2:09:25.120
<v Speaker 2>what are you? What's going on? I don't know, I

2:09:25.160 --> 2:09:28.400
<v Speaker 2>don't know, I don't know. He just was flawsy. No Tom,

2:09:28.680 --> 2:09:29.880
<v Speaker 2>at this moment, I ain't gonna lie.

2:09:30.720 --> 2:09:32.560
<v Speaker 4>Yeah, he was spitting. He's been bombed.

2:09:32.640 --> 2:09:34.080
<v Speaker 2>Now he's a He's an inspiration man.

2:09:34.120 --> 2:09:36.000
<v Speaker 5>When he does all his own stunts and ship like that,

2:09:36.440 --> 2:09:37.800
<v Speaker 5>that motherfucker is an inspiration.

2:09:38.120 --> 2:09:40.760
<v Speaker 2>He plays no games, he does his own stunts. Bro.

2:09:41.160 --> 2:09:42.520
<v Speaker 2>He has to insure himself.

2:09:43.560 --> 2:09:45.840
<v Speaker 5>He has to put millions of dollars up because he

2:09:45.920 --> 2:09:47.480
<v Speaker 5>wants to do his own study.

2:09:47.480 --> 2:09:49.840
<v Speaker 2>He jumps from plane and all this crazy ship he does,

2:09:49.880 --> 2:09:51.680
<v Speaker 2>all tried to do that. I didn't agree with him,

2:09:52.080 --> 2:09:55.080
<v Speaker 2>come on, said big Pun did it. But it was

2:09:55.120 --> 2:09:57.720
<v Speaker 2>a different level. It was foul it level I didn't want.

2:09:57.880 --> 2:09:59.600
<v Speaker 2>I didn't want to sign it. No, but it was

2:09:59.640 --> 2:10:01.720
<v Speaker 2>the whole the level he came up. He wants to

2:10:01.800 --> 2:10:03.680
<v Speaker 2>jump off the nigga. I don't want nothing to do

2:10:03.760 --> 2:10:06.040
<v Speaker 2>with this. I'm sorry, but can you imagine it?

2:10:06.080 --> 2:10:08.200
<v Speaker 5>Can you imagine doing a movie and you are insured,

2:10:08.200 --> 2:10:10.240
<v Speaker 5>You're putting up millions of dollars for your own insurance

2:10:10.600 --> 2:10:13.560
<v Speaker 5>because you want to do all the stunts because the movie.

2:10:13.440 --> 2:10:15.440
<v Speaker 2>Is not going to do that for you. So that's

2:10:15.480 --> 2:10:16.880
<v Speaker 2>how I'm just saying. That's how much he.

2:10:17.000 --> 2:10:20.560
<v Speaker 4>Believes you do a They say to you, Luda, if

2:10:20.600 --> 2:10:21.600
<v Speaker 4>you want to do your own stunts.

2:10:21.960 --> 2:10:23.240
<v Speaker 2>They don't even ask us if you want to do

2:10:24.040 --> 2:10:27.560
<v Speaker 2>Tom Cruise goes the extra mile I'm talking about. I'm saying,

2:10:27.680 --> 2:10:28.680
<v Speaker 2>they never gave you the option.

2:10:29.000 --> 2:10:33.240
<v Speaker 4>Absolutely not, don't. I haven't got to that level yet.

2:10:33.680 --> 2:10:36.680
<v Speaker 4>That's you wouldn't go there. You wouldn't go there.

2:10:37.000 --> 2:10:38.840
<v Speaker 5>Did you just see me at the fucking Georgia Dome

2:10:39.000 --> 2:10:41.520
<v Speaker 5>with the falcons? I just repelled from the goddamn ceilings.

2:10:41.920 --> 2:10:44.600
<v Speaker 2>I want to do this? You want to do to ship? Hell?

2:10:44.720 --> 2:10:47.160
<v Speaker 2>You know you trying to kill himself.

2:10:47.160 --> 2:10:49.200
<v Speaker 5>I'm gonna take the money, the money I get from

2:10:49.240 --> 2:10:51.840
<v Speaker 5>drink Champs and insure myself on the next goddamn we.

2:10:51.880 --> 2:10:58.600
<v Speaker 2>Got no money. What are you talking about to come in?

2:10:59.600 --> 2:11:02.280
<v Speaker 2>We wanted to get up. They didn't tell y'all they

2:11:02.360 --> 2:11:05.560
<v Speaker 2>was paying me for this. Yeah, shock you for sure?

2:11:06.120 --> 2:11:09.280
<v Speaker 2>That's being shot the old ship from back in the day. Bro,

2:11:09.400 --> 2:11:09.840
<v Speaker 2>How you'm not.

2:11:09.880 --> 2:11:14.160
<v Speaker 5>Gonna tell that's fucked up? I hope that it don't

2:11:14.160 --> 2:11:14.920
<v Speaker 5>come out of y'all check.

2:11:17.480 --> 2:11:22.400
<v Speaker 2>You know. It's funny because I saw him.

2:11:22.320 --> 2:11:25.080
<v Speaker 5>Like a year ago. He was with Kanye. We was

2:11:25.120 --> 2:11:28.240
<v Speaker 5>that made my bone big money, and the nigga was like,

2:11:28.280 --> 2:11:29.920
<v Speaker 5>we got to get your on drink champs. I was like, man,

2:11:29.920 --> 2:11:31.200
<v Speaker 5>I'm trying to you know, I'm gonna come up and

2:11:31.200 --> 2:11:33.800
<v Speaker 5>when I got some ship to promote. The only reason

2:11:33.880 --> 2:11:36.240
<v Speaker 5>I have not been here is you said you wanted

2:11:36.280 --> 2:11:38.800
<v Speaker 5>me at the beginning because I needed I needed to check.

2:11:40.320 --> 2:11:42.600
<v Speaker 5>And so the only reason I came here today is

2:11:42.640 --> 2:11:44.680
<v Speaker 5>they finally told me that I could get the check

2:11:44.720 --> 2:11:46.360
<v Speaker 5>that I've been looking for for eight years.

2:11:48.440 --> 2:11:57.440
<v Speaker 2>That's true, he just paid it. Something moved some birds.

2:11:58.120 --> 2:12:01.240
<v Speaker 2>Just look it up because every artist that comes out here,

2:12:01.520 --> 2:12:09.200
<v Speaker 2>hey man, all that money on alcohol, guys, really, where's

2:12:09.240 --> 2:12:10.840
<v Speaker 2>the check? Yeah? There is.

2:12:12.400 --> 2:12:15.400
<v Speaker 5>I'm joking because motheruckers, I think I'm serious. I'm definitely joking, right,

2:12:15.720 --> 2:12:16.840
<v Speaker 5>But I don't want to suck up.

2:12:16.760 --> 2:12:22.880
<v Speaker 4>The whole your flowers though, bro, because like I said,

2:12:23.000 --> 2:12:26.280
<v Speaker 4>like you're one of those guys that could could navigate

2:12:26.760 --> 2:12:32.360
<v Speaker 4>through any genre. Meaning if Tyler and had a show tomorrow,

2:12:32.600 --> 2:12:36.640
<v Speaker 4>you go in easy. If not, I had a show tomorrow.

2:12:38.160 --> 2:12:44.200
<v Speaker 2>If jay Z had a drink, cham said easy easy,

2:12:44.800 --> 2:12:47.440
<v Speaker 2>If my face had I got it easy. If for real,

2:12:47.520 --> 2:12:51.680
<v Speaker 2>look Kanye, if y J and your guys, you're probably

2:12:51.760 --> 2:12:59.080
<v Speaker 2>one of the only artists. Yeah that was like if

2:12:59.200 --> 2:13:01.080
<v Speaker 2>n w A or Wu Tang out of show, I'll

2:13:01.080 --> 2:13:02.160
<v Speaker 2>show up to either one of these.

2:13:07.160 --> 2:13:12.880
<v Speaker 4>Chi Chill Chip Chill Red can certain night I show up,

2:13:13.040 --> 2:13:14.680
<v Speaker 4>lutle can fucking go on?

2:13:14.920 --> 2:13:20.440
<v Speaker 2>I show up? What's your fantasy? Man? Right with sexy Red.

2:13:22.760 --> 2:13:24.160
<v Speaker 2>She's coming out with a red dog.

2:13:24.720 --> 2:13:27.680
<v Speaker 4>And see right behind you like it's fucking bro for real,

2:13:28.320 --> 2:13:30.880
<v Speaker 4>Like you can fit in every fucking jump.

2:13:31.000 --> 2:13:31.440
<v Speaker 2>Thank you, bro.

2:13:31.640 --> 2:13:36.560
<v Speaker 5>Cheers to that ship man, the one not your phone

2:13:36.640 --> 2:13:37.480
<v Speaker 5>motherfucking your drink.

2:13:37.520 --> 2:13:40.960
<v Speaker 2>Come on, man, it's not what I'm saying. Hold on,

2:13:41.040 --> 2:13:47.400
<v Speaker 2>I'm drinking right. I'm double fishing, man, don't double fist.

2:13:47.440 --> 2:13:47.560
<v Speaker 6>Bro.

2:13:48.520 --> 2:13:52.200
<v Speaker 2>It runs nights going on. Too much going on right now,

2:13:54.080 --> 2:13:55.840
<v Speaker 2>me and little battling. This is Vergo ship.

2:13:56.840 --> 2:13:58.600
<v Speaker 5>Yeah, Bro, I gotta ask you how this ship. So

2:13:59.440 --> 2:14:01.440
<v Speaker 5>we've been here and I'm I'm loving the ship and

2:14:01.480 --> 2:14:04.000
<v Speaker 5>I want to stay. We've been here two hours when

2:14:04.040 --> 2:14:05.760
<v Speaker 5>I when I looked most of the ships is like

2:14:05.840 --> 2:14:11.080
<v Speaker 5>an hour whole don't drink ships.

2:14:10.760 --> 2:14:14.200
<v Speaker 2>Are three hours? Oh like idiots? Oh this is great.

2:14:14.240 --> 2:14:17.800
<v Speaker 2>I keep going. But you know what was your question though?

2:14:18.120 --> 2:14:20.800
<v Speaker 5>No, I thought about the average time frame of all

2:14:20.960 --> 2:14:24.280
<v Speaker 5>drink Champs interviews around keep it up.

2:14:24.560 --> 2:14:27.960
<v Speaker 6>The TV version it's forty five minutes with commercials, but

2:14:28.120 --> 2:14:30.200
<v Speaker 6>the real version is three plus.

2:14:30.680 --> 2:14:33.120
<v Speaker 2>Got you okay, because I'm cool for a minute, But

2:14:33.200 --> 2:14:35.320
<v Speaker 2>I do have to go to No. No, we don't

2:14:35.360 --> 2:14:40.240
<v Speaker 2>expect yeah shot. Oh no, we ain't missing it. We

2:14:40.240 --> 2:14:43.400
<v Speaker 2>ain't missing we gotta we got to perform coming to

2:14:43.440 --> 2:14:45.600
<v Speaker 2>see you before. I'm coming to before. Now it's a

2:14:45.640 --> 2:14:48.600
<v Speaker 2>part of jingle jam or some ship. Yeah.

2:14:48.640 --> 2:14:50.560
<v Speaker 5>So it's like it's a bunch of artists, but that

2:14:50.600 --> 2:14:51.840
<v Speaker 5>ship is in Fort Los.

2:14:53.240 --> 2:14:54.840
<v Speaker 2>Nigga, I don't need a shot. I've been drinking my

2:14:54.920 --> 2:15:00.600
<v Speaker 2>giant Yeah, I'm all the way. Good, come in, listen.

2:15:00.680 --> 2:15:03.200
<v Speaker 2>We've been blessed to have Luther prisident. I appreciate it.

2:15:03.240 --> 2:15:05.560
<v Speaker 4>I mean, you're about slashing on water falls already.

2:15:05.640 --> 2:15:08.000
<v Speaker 2>I love it. I love it. Pipping holes all over

2:15:08.080 --> 2:15:10.800
<v Speaker 2>the world, pipping all over the world. It was never

2:15:10.880 --> 2:15:12.160
<v Speaker 2>pipping holes all over there.

2:15:13.080 --> 2:15:15.640
<v Speaker 5>I did have a song called ho, but pimping all

2:15:15.680 --> 2:15:17.800
<v Speaker 5>over the world, pipping all over the world. Yeah, shout

2:15:17.800 --> 2:15:19.640
<v Speaker 5>out to Polo to Don on that one, and Carrie

2:15:19.720 --> 2:15:20.800
<v Speaker 5>Hilson wrote that hook.

2:15:21.080 --> 2:15:23.080
<v Speaker 2>When you hear a singing, I feel like Polo's down,

2:15:23.200 --> 2:15:25.000
<v Speaker 2>had his braids on to the bit he did have

2:15:25.080 --> 2:15:25.560
<v Speaker 2>his brads.

2:15:26.840 --> 2:15:29.960
<v Speaker 5>Hey love Polo to Don Man. That was one of

2:15:30.000 --> 2:15:32.800
<v Speaker 5>those records that he sent to me, and I was like,

2:15:32.960 --> 2:15:35.000
<v Speaker 5>I already knew what it was. And by the way,

2:15:35.680 --> 2:15:38.240
<v Speaker 5>since we're giving people their flowers, Man, Polo and his

2:15:38.400 --> 2:15:43.440
<v Speaker 5>sonics and his production of what he's contributed to the game, go.

2:15:43.560 --> 2:15:46.520
<v Speaker 2>Back and listen to his catalog. His sonics are out

2:15:46.520 --> 2:15:47.920
<v Speaker 2>of this world. Need to give him.

2:15:48.240 --> 2:15:50.840
<v Speaker 5>I remember Timbling, you know, leaning on him and kind

2:15:50.880 --> 2:15:53.640
<v Speaker 5>of giving him some some advice. And those are two

2:15:53.680 --> 2:15:55.560
<v Speaker 5>people that I respect when it comes to sonics in

2:15:55.600 --> 2:15:56.840
<v Speaker 5>the game, Doctor.

2:15:56.600 --> 2:16:00.880
<v Speaker 2>J Timbling, Polo, Wow, yep. Have you worked with Dre?

2:16:01.680 --> 2:16:03.320
<v Speaker 5>I haven't that If that's what's gonna be one of

2:16:03.360 --> 2:16:05.280
<v Speaker 5>the questions of who I haven't worked with Doctor Dre.

2:16:05.920 --> 2:16:08.280
<v Speaker 5>When listening when we when we was on the watch set,

2:16:09.000 --> 2:16:11.200
<v Speaker 5>he had like a kind of a studio off to

2:16:11.280 --> 2:16:12.920
<v Speaker 5>the side, and I went and listened to a bunch

2:16:12.960 --> 2:16:15.000
<v Speaker 5>of beasts, but we never were able to bring anything

2:16:15.080 --> 2:16:15.560
<v Speaker 5>to fruition.

2:16:16.240 --> 2:16:16.880
<v Speaker 2>But you know he was.

2:16:17.000 --> 2:16:19.280
<v Speaker 5>He was multitasking, so he was doing two things at

2:16:19.280 --> 2:16:22.360
<v Speaker 5>the same time. Man, it ain't too late. We can

2:16:22.400 --> 2:16:24.000
<v Speaker 5>still make it out. No, it's never too late.

2:16:25.040 --> 2:16:29.200
<v Speaker 2>I agree. Let's make it happen. Let's make me listening. Absolutely.

2:16:30.200 --> 2:16:32.880
<v Speaker 4>Okay, Now this is the next question. It is the

2:16:33.040 --> 2:16:34.080
<v Speaker 4>stumped joint.

2:16:34.959 --> 2:16:39.039
<v Speaker 2>Young buck, young bunk? Your buck? Can your bunk?

2:16:39.680 --> 2:16:43.360
<v Speaker 4>We kind of went, we kind of already with yeah,

2:16:43.400 --> 2:16:44.720
<v Speaker 4>you kind kind of get out there.

2:16:44.840 --> 2:16:49.560
<v Speaker 5>Let's go on Saturday. Then yep, Today's Saturdayday. Today's Friday. Nigga,

2:16:49.600 --> 2:16:51.240
<v Speaker 5>you've been drinking way too much.

2:16:51.160 --> 2:17:06.840
<v Speaker 2>Bro, today, I like that stick. That's how busy you

2:17:07.480 --> 2:17:13.720
<v Speaker 2>gotta sit. That's how busy I am. You're right.

2:17:14.600 --> 2:17:19.400
<v Speaker 5>Saturday Organized Noise did that ship again, so organized noise.

2:17:19.480 --> 2:17:19.680
<v Speaker 10>Man.

2:17:20.160 --> 2:17:22.240
<v Speaker 5>They also did Blueberry Yum Yum, which is one of

2:17:22.280 --> 2:17:23.119
<v Speaker 5>my favorite records.

2:17:23.120 --> 2:17:28.480
<v Speaker 2>But Saturday was on Word of Mouth album. Yo.

2:17:28.600 --> 2:17:30.560
<v Speaker 5>You know you're blessed and you don't remember what song

2:17:30.680 --> 2:17:32.480
<v Speaker 5>is on what album because you got that album.

2:17:32.760 --> 2:17:33.160
<v Speaker 2>I love.

2:17:36.760 --> 2:17:37.440
<v Speaker 4>No it was.

2:17:37.840 --> 2:17:40.360
<v Speaker 5>That was one of those records that it's just stood

2:17:40.400 --> 2:17:42.680
<v Speaker 5>the test of time and again in terms of trying

2:17:42.720 --> 2:17:45.040
<v Speaker 5>to do something totally different than what was going on

2:17:45.160 --> 2:17:47.640
<v Speaker 5>in the industry with the cadences of the verses and

2:17:47.800 --> 2:17:49.440
<v Speaker 5>just trying to be different.

2:17:49.600 --> 2:17:51.000
<v Speaker 2>That was one of those things where I set out

2:17:51.040 --> 2:17:51.360
<v Speaker 2>to do that.

2:17:52.320 --> 2:17:54.200
<v Speaker 5>And when you're coming out with your second album and

2:17:54.240 --> 2:17:56.080
<v Speaker 5>the first one is successful, you know that you can

2:17:56.120 --> 2:17:58.440
<v Speaker 5>take some risks and take some chances. And that's exactly

2:17:58.480 --> 2:18:01.879
<v Speaker 5>what we did. So that what happened my class field.

2:18:01.920 --> 2:18:03.920
<v Speaker 5>I believe produced or directed that video.

2:18:04.840 --> 2:18:05.400
<v Speaker 2>I ain't gonna lie.

2:18:05.440 --> 2:18:08.840
<v Speaker 4>Your memory is very goodly stops holding no marijuana.

2:18:09.120 --> 2:18:10.920
<v Speaker 2>Yeah, oh yeah, no, I do all that.

2:18:11.080 --> 2:18:15.360
<v Speaker 4>Okay, I did it. Who are the top five? Okay,

2:18:15.400 --> 2:18:17.200
<v Speaker 4>I'm not gonna put five on it. We're the top

2:18:17.320 --> 2:18:20.960
<v Speaker 4>mcs that influenced you. We talked about that when I

2:18:21.000 --> 2:18:22.520
<v Speaker 4>said red and comment and but.

2:18:22.560 --> 2:18:24.320
<v Speaker 2>I want you to go deeper. I know there's more

2:18:24.400 --> 2:18:24.560
<v Speaker 2>than that.

2:18:27.320 --> 2:18:30.320
<v Speaker 5>Okay, So I said ll cool J because if it

2:18:30.400 --> 2:18:31.920
<v Speaker 5>wasn't for him coming out what I'm Bad, I was

2:18:32.000 --> 2:18:34.879
<v Speaker 5>in the fourth grade. I did a talent showcase where

2:18:34.920 --> 2:18:38.720
<v Speaker 5>I did that record, and I knew every word that

2:18:38.920 --> 2:18:39.640
<v Speaker 5>that entire time.

2:18:39.720 --> 2:18:40.199
<v Speaker 2>I'm bad.

2:18:40.360 --> 2:18:43.960
<v Speaker 5>No rapper can rap quite like I can tell man

2:18:44.160 --> 2:18:47.119
<v Speaker 5>to you, Pinnacle when I say that, he's the one

2:18:47.160 --> 2:18:50.400
<v Speaker 5>who made me want to pursue this as a fucking

2:18:50.520 --> 2:18:51.920
<v Speaker 5>career right to rap.

2:18:52.240 --> 2:18:54.320
<v Speaker 2>And every time I see him myself, I saw yourself

2:18:54.360 --> 2:18:56.360
<v Speaker 2>and him in a sense.

2:18:57.000 --> 2:18:58.560
<v Speaker 5>You can say, yeah, I mean, you can say that,

2:18:58.720 --> 2:19:00.400
<v Speaker 5>or you can say, you know when it once he

2:19:00.480 --> 2:19:03.120
<v Speaker 5>saw me, he saw himself and me. It could be

2:19:03.160 --> 2:19:05.240
<v Speaker 5>either way. But I guess what I'm saying is that

2:19:05.360 --> 2:19:08.200
<v Speaker 5>he inspired me to want to to rap.

2:19:08.400 --> 2:19:09.360
<v Speaker 2>Right, take a peep.

2:19:10.600 --> 2:19:13.000
<v Speaker 5>That's all good. So I would say ll cool J

2:19:14.480 --> 2:19:16.520
<v Speaker 5>just because he inspired me to want to rap. I said,

2:19:16.680 --> 2:19:21.840
<v Speaker 5>I think Scarface he talked about that face being the

2:19:21.920 --> 2:19:26.000
<v Speaker 5>phenomenal storyteller that he is talking about lyricism. His sonics

2:19:26.040 --> 2:19:28.800
<v Speaker 5>were amazing as well and honorable mention to Mike Dean.

2:19:28.840 --> 2:19:30.360
<v Speaker 5>And I know that was a part of that process.

2:19:31.720 --> 2:19:35.680
<v Speaker 5>You discovered Face through Ghetto boys, assuming I was seeing

2:19:35.680 --> 2:19:38.560
<v Speaker 5>ghetto boys. Yeah, I believe so ghetto boys first, because

2:19:38.560 --> 2:19:40.160
<v Speaker 5>he was he was a lot of people don't know

2:19:40.200 --> 2:19:42.520
<v Speaker 5>Scarface was a DJ before he was in the Ghetto Boys,

2:19:42.680 --> 2:19:44.800
<v Speaker 5>and you knew him at that point. I didn't know

2:19:44.879 --> 2:19:47.119
<v Speaker 5>him at I'm saying you knew about him. I knew

2:19:47.120 --> 2:19:50.440
<v Speaker 5>about him. Yeah, before Ghetto Boys, I heard about that.

2:19:51.320 --> 2:19:54.039
<v Speaker 5>I was engulfed in hip hop culture, everything that had

2:19:54.120 --> 2:19:55.320
<v Speaker 5>anything to do with hip hop.

2:19:55.400 --> 2:19:57.800
<v Speaker 2>I'm all about it. I'm researching it. I mean before that,

2:19:58.400 --> 2:20:01.240
<v Speaker 2>you must have been like really deepen in the South.

2:20:01.280 --> 2:20:04.440
<v Speaker 2>Though the South is well connected, man. I mean, I

2:20:04.480 --> 2:20:06.040
<v Speaker 2>feel like I know ship, but I didn't know that

2:20:06.200 --> 2:20:06.600
<v Speaker 2>part of it.

2:20:08.120 --> 2:20:10.400
<v Speaker 5>So basically I would say scar Face, I would say LL.

2:20:11.040 --> 2:20:14.440
<v Speaker 5>I said Common, Right, I feel like Common is underrated, man.

2:20:14.520 --> 2:20:17.680
<v Speaker 2>That coming since that first album no Id, Yeah.

2:20:18.200 --> 2:20:23.600
<v Speaker 5>Resurrection, Resurrection yep, red Man. I said that first love

2:20:23.879 --> 2:20:26.080
<v Speaker 5>albums off the chain yep. And if I had the

2:20:26.200 --> 2:20:28.240
<v Speaker 5>name a fifth one, it would be Outcast. If you

2:20:28.320 --> 2:20:31.800
<v Speaker 5>can put those two together, Okay, that's one, you know,

2:20:32.200 --> 2:20:34.519
<v Speaker 5>so you feel that creates ludicrous.

2:20:36.040 --> 2:20:37.200
<v Speaker 2>There's a I was.

2:20:37.560 --> 2:20:39.400
<v Speaker 5>I loved all of hip hop, but you asked off

2:20:39.440 --> 2:20:41.119
<v Speaker 5>the top of my head, you asked me to name five.

2:20:41.200 --> 2:20:44.320
<v Speaker 5>Those are the first five that I could name that

2:20:44.480 --> 2:20:45.040
<v Speaker 5>helped shape me.

2:20:45.400 --> 2:20:46.600
<v Speaker 2>Okay, yep.

2:20:47.760 --> 2:20:49.440
<v Speaker 5>But then you got, you know, being in Atlanta, like

2:20:49.520 --> 2:20:51.840
<v Speaker 5>the Kilo Ali's and the shy Ds and just the

2:20:51.959 --> 2:20:55.080
<v Speaker 5>base heavy and us loving the ride around Gucci Crew.

2:20:55.320 --> 2:20:58.120
<v Speaker 6>Bridgie from Atlanta or the Miami ghost Town detis. I

2:20:58.120 --> 2:21:00.920
<v Speaker 6>always always represent Gucci Cris Miami, but I feel.

2:21:00.720 --> 2:21:05.960
<v Speaker 5>Like ghost We had ghost Town DJs and DJ right, yeah,

2:21:06.200 --> 2:21:09.760
<v Speaker 5>DJ DJ Smurt for ghost Town DJs that like set

2:21:09.800 --> 2:21:11.800
<v Speaker 5>the tone, and you had ke Ali and you had

2:21:12.240 --> 2:21:14.960
<v Speaker 5>all these bass artists and that's what Yeah, well we

2:21:15.040 --> 2:21:18.640
<v Speaker 5>had that synergy with Miami and in Atlanta with the debate, right,

2:21:18.879 --> 2:21:21.160
<v Speaker 5>and that's what helped shape the kind of tone of

2:21:21.360 --> 2:21:22.480
<v Speaker 5>Atlanta music as well.

2:21:23.120 --> 2:21:27.440
<v Speaker 2>So yeah, I would say that blow it out. You

2:21:27.480 --> 2:21:36.119
<v Speaker 2>at he how we just paused, It's fantastic, it's the best.

2:21:37.640 --> 2:21:39.800
<v Speaker 5>And I was dope because that was Chicken and Beer album.

2:21:39.840 --> 2:21:43.360
<v Speaker 5>That was my third album, and I think my first

2:21:43.480 --> 2:21:47.000
<v Speaker 5>week sales was the highest first week sales of my.

2:21:47.240 --> 2:21:50.920
<v Speaker 2>Entire career on that album. And I remember he was

2:21:50.920 --> 2:21:53.680
<v Speaker 2>getting eighty thousand verse back then. Let's make some noise

2:21:53.720 --> 2:21:56.960
<v Speaker 2>of that. He said. What she said? He said more

2:21:57.000 --> 2:21:59.400
<v Speaker 2>than that? Look look look at him. He said it

2:21:59.520 --> 2:22:02.240
<v Speaker 2>was boring. Hold on getting bigger than that?

2:22:02.600 --> 2:22:02.840
<v Speaker 7>Best?

2:22:03.200 --> 2:22:07.160
<v Speaker 5>When did glamorous come out? What are don't worry about

2:22:07.160 --> 2:22:07.440
<v Speaker 5>that's a lot.

2:22:07.440 --> 2:22:09.879
<v Speaker 2>I don't worry. We got googlers. That's fine. But yeah,

2:22:09.920 --> 2:22:12.920
<v Speaker 2>probably they paid the Google. Yeah, no, I don't know.

2:22:13.040 --> 2:22:14.960
<v Speaker 5>I don't know what a year, but I was gonna say,

2:22:16.000 --> 2:22:18.400
<v Speaker 5>what comes to mind with that particular song was us

2:22:18.400 --> 2:22:20.600
<v Speaker 5>shooting this video, and you know how sometimes you would

2:22:20.640 --> 2:22:23.320
<v Speaker 5>shoot two songs in one video. We had this Southern

2:22:23.400 --> 2:22:27.920
<v Speaker 5>Hospitality intro to that album and I still use that

2:22:28.080 --> 2:22:30.280
<v Speaker 5>intro to this day because they had an Isaac Hayes

2:22:30.320 --> 2:22:33.640
<v Speaker 5>sample in it, and it was most amazing fucking intro ever.

2:22:33.840 --> 2:22:38.000
<v Speaker 5>DJ Nasty from Ortlanta did that's called shout out the Nasty.

2:22:38.000 --> 2:22:40.360
<v Speaker 5>It's called Southern Fried intro. So we did that and

2:22:40.440 --> 2:22:42.880
<v Speaker 5>blow it out your ass all in one video. The

2:22:43.000 --> 2:22:45.040
<v Speaker 5>whole crew is in there, you know what I mean,

2:22:45.200 --> 2:22:48.720
<v Speaker 5>shawna shingy titty boy. This was when we had fifteen

2:22:48.840 --> 2:22:51.119
<v Speaker 5>fucking artists, so everybody is in this video.

2:22:51.959 --> 2:22:52.160
<v Speaker 2>Yeah.

2:22:52.440 --> 2:22:55.920
<v Speaker 5>So it was amazing because that was just a moment

2:22:55.959 --> 2:22:58.360
<v Speaker 5>in time where I was like, I was after word

2:22:58.440 --> 2:23:00.920
<v Speaker 5>of Mouth did three point five million, and I'm going

2:23:01.000 --> 2:23:03.200
<v Speaker 5>to the next album. So once a nigga crossed over

2:23:03.280 --> 2:23:05.560
<v Speaker 5>that whole sophomore jink shit, it's just like, okay, Nigga,

2:23:05.560 --> 2:23:08.120
<v Speaker 5>I'm here. Fuck y'all can't say shit else about me.

2:23:08.200 --> 2:23:09.480
<v Speaker 5>Now I'm about to take this shit to a whole

2:23:09.520 --> 2:23:12.000
<v Speaker 5>other level. So that timeframe was it was a beautiful

2:23:12.040 --> 2:23:14.240
<v Speaker 5>time frame. It was a beautiful time frame. And I

2:23:14.320 --> 2:23:18.200
<v Speaker 5>remember jay Z I believe what because I did, I

2:23:18.280 --> 2:23:20.760
<v Speaker 5>want to say, like three hundred almost four hundred thousand

2:23:20.879 --> 2:23:21.959
<v Speaker 5>records the first week.

2:23:22.560 --> 2:23:29.640
<v Speaker 2>He always that's crazy.

2:23:29.800 --> 2:23:31.400
<v Speaker 5>Now you always fuck with me like that was my

2:23:31.480 --> 2:23:33.320
<v Speaker 5>guy because we was at the same label. We'll see

2:23:33.360 --> 2:23:34.560
<v Speaker 5>each other a lot, and he would give me a

2:23:34.600 --> 2:23:36.720
<v Speaker 5>lot of game. But after that first week, he came

2:23:36.800 --> 2:23:37.360
<v Speaker 5>to me, he was.

2:23:37.400 --> 2:23:41.640
<v Speaker 2>Like, Nigga, there you go. It's official. It's official.

2:23:41.720 --> 2:23:44.680
<v Speaker 5>Now you know that motherfuckers the first week King, Yes,

2:23:44.800 --> 2:23:47.400
<v Speaker 5>if you think about the history, that motherfucker's so like

2:23:47.440 --> 2:23:49.720
<v Speaker 5>half a million first week, like three or four times

2:23:50.400 --> 2:23:52.120
<v Speaker 5>if my mind serves me correct.

2:23:52.400 --> 2:23:54.160
<v Speaker 2>So when I got close to that on his ass,

2:23:54.440 --> 2:23:57.400
<v Speaker 2>he was like, yeah, man, this ship is official.

2:23:58.520 --> 2:24:01.520
<v Speaker 4>So let me ask you again. Them bounced around you

2:24:01.640 --> 2:24:03.280
<v Speaker 4>sign Chingy right, yep.

2:24:03.840 --> 2:24:05.840
<v Speaker 5>I don't know mention the Shaka. Shaka was really the

2:24:05.879 --> 2:24:11.400
<v Speaker 5>one that spearheaded that entire Chingy movement and situation. He

2:24:11.760 --> 2:24:13.880
<v Speaker 5>kind of I went to an R but he was

2:24:13.920 --> 2:24:16.440
<v Speaker 5>the one that noticed it and picked it up and

2:24:16.520 --> 2:24:19.240
<v Speaker 5>brought it to brought it to the team. I don't

2:24:19.280 --> 2:24:20.560
<v Speaker 5>want to take credit for that, basically.

2:24:20.720 --> 2:24:21.560
<v Speaker 2>Okay, So.

2:24:24.040 --> 2:24:31.080
<v Speaker 4>Basically Atlanta's a region that's hot. But we know this

2:24:31.280 --> 2:24:35.000
<v Speaker 4>other artist here, Sat Louis is like kind of almost undiscovered.

2:24:35.879 --> 2:24:37.360
<v Speaker 2>We got Nelly, and I wouldn't say that.

2:24:37.520 --> 2:24:39.200
<v Speaker 5>I don't want to say undiscovered because you had you

2:24:39.280 --> 2:24:41.400
<v Speaker 5>had Nelly and he had his team there and this

2:24:41.600 --> 2:24:42.440
<v Speaker 5>was years before.

2:24:42.720 --> 2:24:45.000
<v Speaker 4>Okay, yeah, but Nelly and his team is kind of

2:24:45.080 --> 2:24:47.360
<v Speaker 4>like in that same category, right right.

2:24:47.400 --> 2:24:49.600
<v Speaker 5>But I'm just saying I wouldn't use the word undiscovered

2:24:49.600 --> 2:24:53.680
<v Speaker 5>because Saint Louis, from what from my perspective, in terms

2:24:53.720 --> 2:24:57.040
<v Speaker 5>of rapping, in terms of that category, Nelly really, you know,

2:24:57.360 --> 2:24:58.600
<v Speaker 5>capsulted it to a whole level.

2:24:58.760 --> 2:25:02.360
<v Speaker 2>Yeah, absolutely, no, I agree with you. What made you

2:25:02.560 --> 2:25:05.800
<v Speaker 2>sign a Chingy? Was it because of Nelly's success?

2:25:06.480 --> 2:25:11.879
<v Speaker 5>So Chingy had the song right there, so you put

2:25:11.879 --> 2:25:14.800
<v Speaker 5>it out independently. And that's why I'm saying Shaka flag

2:25:14.920 --> 2:25:17.000
<v Speaker 5>that he noticed it and he was the one that

2:25:17.080 --> 2:25:17.800
<v Speaker 5>brought it to the team.

2:25:17.840 --> 2:25:18.800
<v Speaker 2>I can't take credit for this.

2:25:18.840 --> 2:25:24.240
<v Speaker 5>I gotta give Shocka all the credit, right, Well, I

2:25:24.440 --> 2:25:27.560
<v Speaker 5>never heard it, but you know, as a as a

2:25:27.640 --> 2:25:32.080
<v Speaker 5>person who understands music and understands creative you know when

2:25:32.160 --> 2:25:34.680
<v Speaker 5>something is popping, and if you're the first person before

2:25:34.720 --> 2:25:36.960
<v Speaker 5>everybody else gets to it, and you go sit with

2:25:37.040 --> 2:25:38.800
<v Speaker 5>that artist and you know, you tell them you believe

2:25:38.800 --> 2:25:41.080
<v Speaker 5>in them, then that's what is the magic that can

2:25:41.200 --> 2:25:45.440
<v Speaker 5>help you even further propel them to superstar status. When

2:25:45.480 --> 2:25:47.440
<v Speaker 5>that song was out, we knew it was good and

2:25:47.560 --> 2:25:49.039
<v Speaker 5>we just wanted to help try to fault it.

2:25:49.040 --> 2:25:51.200
<v Speaker 4>To a whole other level. I apologize. So he came

2:25:51.240 --> 2:25:52.600
<v Speaker 4>to you and he played you that record.

2:25:52.879 --> 2:25:54.039
<v Speaker 2>How did this happen? He played?

2:25:54.080 --> 2:25:55.760
<v Speaker 5>He played me the record, And I'm gonna be honest

2:25:55.760 --> 2:25:58.440
<v Speaker 5>with y'all. When I first heard it, I didn't understand it.

2:25:59.080 --> 2:26:01.680
<v Speaker 2>You know, yeah, it was right there. I'm sorry, I'm

2:26:01.680 --> 2:26:02.720
<v Speaker 2>doing a dance. I'm sorry.

2:26:02.800 --> 2:26:05.440
<v Speaker 4>Yeah, you're not really, you're not really doing to dance.

2:26:05.640 --> 2:26:07.520
<v Speaker 4>I'm you almost had it.

2:26:07.800 --> 2:26:09.560
<v Speaker 2>Yeah, I'm fucking it up, lutle.

2:26:10.320 --> 2:26:13.080
<v Speaker 5>When he brought it to me, it was I heard it,

2:26:13.200 --> 2:26:16.920
<v Speaker 5>and it's like I didn't fully understand it, but it didn't.

2:26:17.000 --> 2:26:19.800
<v Speaker 5>It didn't when he believed in it so much. Man,

2:26:20.320 --> 2:26:22.120
<v Speaker 5>you believe in it, there's much Let's roll with it.

2:26:22.680 --> 2:26:25.480
<v Speaker 5>And the rest, As I keep saying, the rest is

2:26:25.560 --> 2:26:29.199
<v Speaker 5>fucking history. When you believe in your brothers twenty four years,

2:26:29.280 --> 2:26:32.360
<v Speaker 5>no contract, where you believe in your brothers, shit happens.

2:26:32.800 --> 2:26:34.680
<v Speaker 2>God, good, shit happens. God damn.

2:26:36.280 --> 2:26:39.800
<v Speaker 4>That was beautiful. Okay, damn damn, Rod still good on?

2:26:40.640 --> 2:26:44.560
<v Speaker 4>Just to say it out loud, do you still have

2:26:44.959 --> 2:26:46.240
<v Speaker 4>your three dollar.

2:26:48.200 --> 2:26:48.600
<v Speaker 6>What is it?

2:26:48.920 --> 2:26:49.520
<v Speaker 2>Ninety three?

2:26:50.160 --> 2:26:53.640
<v Speaker 4>I can legend nineteen ninety What makes it so special

2:26:53.680 --> 2:26:53.840
<v Speaker 4>to you?

2:26:56.200 --> 2:26:57.680
<v Speaker 2>Do you need to say that the right way? Before

2:26:57.680 --> 2:27:00.520
<v Speaker 2>I entered, everybody knew I can't read.

2:27:00.959 --> 2:27:05.520
<v Speaker 5>Let's go, Yeah, my nineteen ninety three accurate legend. I

2:27:05.680 --> 2:27:09.080
<v Speaker 5>absolutely still have that ship. And here's a great story

2:27:09.120 --> 2:27:12.959
<v Speaker 5>about that. Well, first, let me answer what you said.

2:27:13.520 --> 2:27:14.520
<v Speaker 5>What makes it so spaid?

2:27:15.760 --> 2:27:17.000
<v Speaker 2>God bless you got that?

2:27:17.360 --> 2:27:21.879
<v Speaker 5>That's COVID. What makes it so special to me? I'll

2:27:21.879 --> 2:27:23.880
<v Speaker 5>give you a quick story about what makes it so special.

2:27:24.560 --> 2:27:27.040
<v Speaker 5>I have had this car from from the beginning of time,

2:27:27.160 --> 2:27:30.120
<v Speaker 5>before I became commercially successful, before I signed my.

2:27:30.160 --> 2:27:30.880
<v Speaker 2>Def jam deal.

2:27:32.560 --> 2:27:34.880
<v Speaker 5>That was the tour bus, and it was the accurate legend,

2:27:35.360 --> 2:27:38.440
<v Speaker 5>riding the fucking Augusta everywhere in Georgia doing all these

2:27:39.080 --> 2:27:42.480
<v Speaker 5>you know shows with like twenty motherfucking people showing up

2:27:42.520 --> 2:27:45.080
<v Speaker 5>on the Chitlin Circuit because I had this independent album out.

2:27:46.440 --> 2:27:48.440
<v Speaker 2>No I wasn't. It's just called the Chitpling Circuit. Do

2:27:48.560 --> 2:27:53.400
<v Speaker 2>your research. I've been there, so I'm still there in

2:27:53.520 --> 2:27:54.880
<v Speaker 2>my mind. Yeah, my bad.

2:27:55.440 --> 2:27:58.120
<v Speaker 5>So what makes that car so specialist? I'm driving this

2:27:58.200 --> 2:28:02.119
<v Speaker 5>car fifteen years plus one day, I'm on the goddamn

2:28:02.200 --> 2:28:04.880
<v Speaker 5>highway and I'm driving my car. This s got over

2:28:04.920 --> 2:28:08.080
<v Speaker 5>two hundred thousand miles on it, and so I'm driving.

2:28:08.120 --> 2:28:10.039
<v Speaker 5>I'm in the left lane, I'm in the fast lane,

2:28:10.080 --> 2:28:12.039
<v Speaker 5>and I see this motherfucking truck with a U haul

2:28:12.160 --> 2:28:14.560
<v Speaker 5>hitch on it, and I'm just minding my business and

2:28:14.600 --> 2:28:16.680
<v Speaker 5>all of a sudden, I see the hitch start to sway,

2:28:17.360 --> 2:28:19.560
<v Speaker 5>and I'm like, in my mind, this is reaction time,

2:28:19.600 --> 2:28:21.120
<v Speaker 5>because in a split second, this.

2:28:21.240 --> 2:28:24.720
<v Speaker 2>Hitch came off of the fucking truck.

2:28:24.920 --> 2:28:26.760
<v Speaker 5>And now I got to use all of my instinct

2:28:26.800 --> 2:28:28.280
<v Speaker 5>to try and get as far away from this shit

2:28:28.280 --> 2:28:31.520
<v Speaker 5>as possible because it's coming straight for the passenger side.

2:28:31.360 --> 2:28:34.280
<v Speaker 2>Of my accurate legend. I tried my best to.

2:28:34.280 --> 2:28:36.760
<v Speaker 5>Get away, but this shit battle round battle, round to

2:28:36.800 --> 2:28:39.879
<v Speaker 5>living shit out of shit, right, So Luckily, I'm okay,

2:28:39.959 --> 2:28:41.120
<v Speaker 5>I had the seat belt on, I.

2:28:41.160 --> 2:28:43.959
<v Speaker 2>Could pull over to the side, but my car is total.

2:28:45.280 --> 2:28:47.760
<v Speaker 5>So fast forward about two months later, I'm trying to

2:28:47.760 --> 2:28:51.959
<v Speaker 5>get the shit fixed and Accurate. The company knows nothing

2:28:52.040 --> 2:28:54.800
<v Speaker 5>about this crash, but they wanted to use Pimping all

2:28:54.840 --> 2:28:57.240
<v Speaker 5>Over the World the song in one of their Accurate

2:28:57.320 --> 2:28:58.640
<v Speaker 5>commercials to promote.

2:28:58.320 --> 2:29:01.119
<v Speaker 2>A new movie. I'm sorry, No, I did you just crashed?

2:29:01.240 --> 2:29:01.640
<v Speaker 2>I'm sorry.

2:29:01.760 --> 2:29:03.520
<v Speaker 5>Accurate wanted to use the Pipping all Over the World

2:29:03.560 --> 2:29:06.440
<v Speaker 5>song to promote one of their commercials. So they invite

2:29:06.480 --> 2:29:08.880
<v Speaker 5>me out because we cleared the Pipping all Over the

2:29:08.920 --> 2:29:10.920
<v Speaker 5>World song for their commercial, and they have an auto

2:29:10.959 --> 2:29:13.160
<v Speaker 5>show in Detroit, and so I go to to the

2:29:13.240 --> 2:29:17.280
<v Speaker 5>auto show and they're showing us the new for GT

2:29:17.520 --> 2:29:19.760
<v Speaker 5>and all this other stuff. They know nothing about my crash.

2:29:20.080 --> 2:29:22.320
<v Speaker 5>So at the end, the company goes upstairs and they're

2:29:22.360 --> 2:29:24.600
<v Speaker 5>having a meeting, and they say, do you want to

2:29:24.640 --> 2:29:26.240
<v Speaker 5>say something on the microphone? And I'm like, no, I

2:29:26.280 --> 2:29:27.880
<v Speaker 5>don't know what I'm gonna say. I'm just happy to

2:29:27.959 --> 2:29:30.080
<v Speaker 5>be here. So I go up on the mic and

2:29:30.320 --> 2:29:32.119
<v Speaker 5>I don't have a speech prepared or nothing, and I'm

2:29:32.120 --> 2:29:33.800
<v Speaker 5>talking to all the executives.

2:29:33.280 --> 2:29:35.440
<v Speaker 2>And CEOs of the company Accurate.

2:29:35.600 --> 2:29:38.000
<v Speaker 5>The only thing that came to my mind was this

2:29:38.160 --> 2:29:40.680
<v Speaker 5>is how passionate I am about at my Accurate legend,

2:29:40.720 --> 2:29:41.360
<v Speaker 5>and how much I love it.

2:29:41.400 --> 2:29:42.440
<v Speaker 2>I just got an accident.

2:29:43.040 --> 2:29:44.959
<v Speaker 5>You all hits, just a test from a fucking truck

2:29:45.000 --> 2:29:47.400
<v Speaker 5>battle round my shit, and believe it or not, how

2:29:47.480 --> 2:29:49.400
<v Speaker 5>much I have to pay for the damages.

2:29:49.760 --> 2:29:52.640
<v Speaker 2>It's worth more than the actual car rig right now.

2:29:53.440 --> 2:29:55.280
<v Speaker 5>So I just and then I came down from the

2:29:55.360 --> 2:29:58.320
<v Speaker 5>podium and all the motherfucking top CEOs came up to

2:29:58.400 --> 2:29:59.119
<v Speaker 5>me and said.

2:29:59.440 --> 2:30:01.360
<v Speaker 2>We want to te take your car and redo the

2:30:01.560 --> 2:30:03.119
<v Speaker 2>whole damn thing.

2:30:03.760 --> 2:30:06.960
<v Speaker 5>We want to take that ship, redo the tires, the inside,

2:30:07.040 --> 2:30:11.200
<v Speaker 5>the fucking the sound system, the engine, the every like

2:30:11.320 --> 2:30:14.760
<v Speaker 5>the outside candy paint. They took my car and they

2:30:14.879 --> 2:30:19.039
<v Speaker 5>redid everything, and I still drive that ship till this day.

2:30:19.400 --> 2:30:25.560
<v Speaker 2>Let's make some noise for people to people are achrol.

2:30:26.760 --> 2:30:29.000
<v Speaker 2>I ain't gonna lie. I met my wife, she had

2:30:29.040 --> 2:30:39.200
<v Speaker 2>an achor. We gotta start showing love that that Japanese made.

2:30:39.200 --> 2:30:39.840
<v Speaker 2>They take their time.

2:30:39.959 --> 2:30:44.360
<v Speaker 4>Japanese say goal. That means they got a battery operated. Yeah,

2:30:45.280 --> 2:30:46.560
<v Speaker 4>I'm sorry, that's a watch ship.

2:30:46.680 --> 2:30:51.480
<v Speaker 5>They still Japanese made right. Yeah, Honda, Honda exactly, Honda accurate.

2:30:51.560 --> 2:30:56.920
<v Speaker 5>Same same people, so same people, so fast and furious.

2:31:00.640 --> 2:31:03.440
<v Speaker 2>Who gave you that call? It was John Singleton.

2:31:03.720 --> 2:31:05.920
<v Speaker 5>Oh you said that, But you know what, I'm glad

2:31:05.959 --> 2:31:07.760
<v Speaker 5>you asked that because I was on tour with Eminem

2:31:07.840 --> 2:31:10.640
<v Speaker 5>at the time. This was after the Outcast tour. So

2:31:10.720 --> 2:31:13.400
<v Speaker 5>I was on tour with Eminem and I got a flaw,

2:31:13.400 --> 2:31:15.760
<v Speaker 5>a slight flaw. Yeah, So I got a call. I'm

2:31:15.760 --> 2:31:18.200
<v Speaker 5>about to go on stage in twenty minutes. I get

2:31:18.240 --> 2:31:20.400
<v Speaker 5>a call from my agent saying John Singleton wants you

2:31:20.480 --> 2:31:23.720
<v Speaker 5>to put yourself on camera to try out and read

2:31:23.800 --> 2:31:25.920
<v Speaker 5>these lines for too fast, too furious.

2:31:26.480 --> 2:31:28.240
<v Speaker 2>I'm like, man, what the fuck is what?

2:31:28.280 --> 2:31:30.120
<v Speaker 5>I'm about to go on stade Like, I'm concentrated on

2:31:30.480 --> 2:31:34.080
<v Speaker 5>killing this crowd right now. So we get a camera together,

2:31:34.120 --> 2:31:37.600
<v Speaker 5>because of course you got all type of production people backstage, no,

2:31:37.640 --> 2:31:39.280
<v Speaker 5>none of that shit. I'm looking at the lines and

2:31:39.320 --> 2:31:41.400
<v Speaker 5>I'm like, Okay, I gotta come up and try and

2:31:41.520 --> 2:31:43.240
<v Speaker 5>make this care. Okay, let me get in character, let

2:31:43.280 --> 2:31:45.120
<v Speaker 5>me read these lines, go through it a couple of times.

2:31:45.200 --> 2:31:47.000
<v Speaker 5>Now we're like twelve minutes before show time.

2:31:47.760 --> 2:31:49.360
<v Speaker 2>Fuck it. Just put me on camera.

2:31:49.440 --> 2:31:50.760
<v Speaker 5>This is the best they gonna get right now, because

2:31:50.800 --> 2:31:53.360
<v Speaker 5>the motherfuckers like we need the shit by tomorrow. So

2:31:53.440 --> 2:31:56.039
<v Speaker 5>I put myself on camera, go out kill the stage.

2:31:56.080 --> 2:31:58.080
<v Speaker 5>The next day, I'm not thinking I got the shit

2:31:58.080 --> 2:31:59.920
<v Speaker 5>because I'm like, ain't no way ahead, Like I rushed

2:32:00.080 --> 2:32:01.879
<v Speaker 5>the ship out of this putting.

2:32:01.560 --> 2:32:03.920
<v Speaker 2>Myself on tape. Nigga called me. It was like, you

2:32:04.040 --> 2:32:07.600
<v Speaker 2>got the part. The rest is history, ladies and gentlemen.

2:32:12.879 --> 2:32:16.320
<v Speaker 4>Now I'm sitting in my crib one day. I don't

2:32:16.360 --> 2:32:18.720
<v Speaker 4>know if it's Netflix or whatever, but you on a lot.

2:32:18.640 --> 2:32:21.280
<v Speaker 2>Of teaper just come up end of the road. Yeah,

2:32:22.600 --> 2:32:26.520
<v Speaker 2>click that ship. Your niggas had me crying. Really, yeah,

2:32:26.640 --> 2:32:29.320
<v Speaker 2>I ain't like the white boys trying to get that

2:32:29.480 --> 2:32:33.640
<v Speaker 2>jall the white boys trying to get that jall. You

2:32:34.800 --> 2:32:37.280
<v Speaker 2>was like, get in the call. Yeah, yeah, you in

2:32:37.400 --> 2:32:37.720
<v Speaker 2>the car.

2:32:38.600 --> 2:32:40.720
<v Speaker 4>I'm trying to think it's that cry worthy though, I

2:32:40.720 --> 2:32:42.040
<v Speaker 4>don't know if it was cry word?

2:32:42.160 --> 2:32:43.800
<v Speaker 2>Can you let me sure? You can't let me cry?

2:32:44.520 --> 2:32:45.040
<v Speaker 2>Let me cry?

2:32:45.120 --> 2:32:45.200
<v Speaker 6>Bro?

2:32:45.280 --> 2:32:46.480
<v Speaker 2>All right, Okay, I'm crying.

2:32:46.600 --> 2:32:46.760
<v Speaker 6>Man.

2:32:46.920 --> 2:32:52.680
<v Speaker 2>I've been ship spent some ship. I'm looking I've been

2:32:52.720 --> 2:32:53.240
<v Speaker 2>through some ship.

2:32:53.600 --> 2:32:58.439
<v Speaker 5>Hey, you know what I apologize Joey motion is validated,

2:32:58.560 --> 2:33:00.600
<v Speaker 5>and uh, I can't believe that I tried to.

2:33:01.200 --> 2:33:01.680
<v Speaker 2>Do that to you.

2:33:02.320 --> 2:33:04.680
<v Speaker 4>Let me just tell you something. It's how good you

2:33:04.800 --> 2:33:06.959
<v Speaker 4>and Latifa are actors.

2:33:08.040 --> 2:33:10.880
<v Speaker 2>I didn't look at y'all like I knew y'all and

2:33:10.959 --> 2:33:13.880
<v Speaker 2>I know both of y'all's dope, and I looked I

2:33:14.560 --> 2:33:15.400
<v Speaker 2>felt so sorry.

2:33:15.480 --> 2:33:18.360
<v Speaker 4>I was like, why is the white people bothering them?

2:33:20.200 --> 2:33:22.800
<v Speaker 5>That means the world of me, just because that's our

2:33:22.879 --> 2:33:25.560
<v Speaker 5>biggest goal. Is anyone in hip hop to not look

2:33:25.640 --> 2:33:28.560
<v Speaker 5>at us hip hop artist in the movie period.

2:33:28.680 --> 2:33:31.640
<v Speaker 2>That's that's the biggest thing. Goddamn the world. I mean

2:33:33.959 --> 2:33:34.680
<v Speaker 2>that means the world.

2:33:34.840 --> 2:33:37.600
<v Speaker 4>But watched that movie and I was like, holy Moly,

2:33:37.760 --> 2:33:40.880
<v Speaker 4>brock of moly, But that's that's that's in me in

2:33:40.959 --> 2:33:41.480
<v Speaker 4>my opinion.

2:33:42.600 --> 2:33:43.480
<v Speaker 2>That's what I couldn't do.

2:33:44.080 --> 2:33:47.680
<v Speaker 4>Was like I couldn't like identify those characters that I

2:33:47.720 --> 2:33:48.400
<v Speaker 4>couldn't relate to.

2:33:48.840 --> 2:33:54.720
<v Speaker 2>But for for me, for you, you're a real actor.

2:33:54.800 --> 2:33:58.440
<v Speaker 2>To me, thank you man. You can actually do whatever

2:33:58.520 --> 2:34:01.120
<v Speaker 2>the fuck you want to do. Bro that crash sh it.

2:34:01.280 --> 2:34:03.280
<v Speaker 5>It fucked me up for that to be my first

2:34:03.360 --> 2:34:06.920
<v Speaker 5>official movie and you in there with Don Cheetle like

2:34:07.000 --> 2:34:11.480
<v Speaker 5>we said, Terrence Howard, Sandra Bullock, Brendan Fraser, Lorenz Tate,

2:34:11.680 --> 2:34:13.920
<v Speaker 5>who out of Watchington, fucking minutes to Society and all

2:34:13.959 --> 2:34:17.680
<v Speaker 5>these other things. It was nothing but a list extreme

2:34:17.800 --> 2:34:18.760
<v Speaker 5>actors in that movie.

2:34:19.120 --> 2:34:20.480
<v Speaker 2>And here I am, this nigga, you.

2:34:20.520 --> 2:34:24.200
<v Speaker 5>Know, fresh off of Chicken and Beer album, and it

2:34:24.320 --> 2:34:26.160
<v Speaker 5>was intimidating, but I knew I had to step up

2:34:26.160 --> 2:34:27.040
<v Speaker 5>to the god damn play.

2:34:27.560 --> 2:34:29.560
<v Speaker 2>So I think that changed things for me, man. And

2:34:29.720 --> 2:34:31.280
<v Speaker 2>like I said, that's why I take it so serious.

2:34:31.879 --> 2:34:34.240
<v Speaker 4>And you had a Chicken and Beer in the airport,

2:34:34.320 --> 2:34:34.879
<v Speaker 4>Oh yeah, and.

2:34:34.959 --> 2:34:36.520
<v Speaker 2>Bo, it's in Lax now too.

2:34:36.560 --> 2:34:40.600
<v Speaker 5>So it's in Atlanta Hartsfield Jackson and in Lax Airports

2:34:40.680 --> 2:34:42.200
<v Speaker 5>Chicken and Beer restaurant for Chuggle.

2:34:42.320 --> 2:34:42.800
<v Speaker 2>Check that out.

2:34:43.400 --> 2:34:49.039
<v Speaker 5>Than Jackson, you said, Jackson, Hartsfield Jackson. That's Atlanta Hartsfield

2:34:49.080 --> 2:34:55.640
<v Speaker 5>Jackson Airport and jack Maynor Jackson. So it's Hartfield but shocking.

2:34:55.720 --> 2:34:57.160
<v Speaker 4>We know you don't want to shine, but can you

2:34:57.240 --> 2:34:58.920
<v Speaker 4>sit down for us for one second?

2:34:58.959 --> 2:35:01.039
<v Speaker 2>Shot, Joco, please here, come.

2:35:00.879 --> 2:35:03.200
<v Speaker 4>On, shot, please for one second. I mean for me,

2:35:03.480 --> 2:35:06.640
<v Speaker 4>not not not not for the world, for you, for me,

2:35:06.879 --> 2:35:18.119
<v Speaker 4>for me, you know, And you got young nigga mumas praid.

2:35:19.760 --> 2:35:21.360
<v Speaker 2>For camera purposes. You're gonna have to go like this,

2:35:21.480 --> 2:35:24.320
<v Speaker 2>my brother, but you gotta do that. You can't do that.

2:35:24.560 --> 2:35:26.560
<v Speaker 2>There you go. Now, you just got to face this.

2:35:28.440 --> 2:35:30.400
<v Speaker 2>Used to this, I'm used to this year. I know

2:35:30.440 --> 2:35:31.360
<v Speaker 2>how it goes. Now.

2:35:32.040 --> 2:35:36.600
<v Speaker 4>I just want to say something Shot, because you're one

2:35:36.640 --> 2:35:38.480
<v Speaker 4>of the greatest people I ever met in life.

2:35:41.720 --> 2:35:45.560
<v Speaker 1>And what I would say, what you kind of alluded to,

2:35:45.800 --> 2:35:49.959
<v Speaker 1>is that there's energies in the world, and we come

2:35:50.040 --> 2:35:54.600
<v Speaker 1>from a lot of different background and we have people

2:35:54.680 --> 2:36:00.560
<v Speaker 1>that are intentional or we have intentional enemies that use

2:36:00.640 --> 2:36:04.440
<v Speaker 1>our culture against us. Right they use what we've done,

2:36:04.480 --> 2:36:07.160
<v Speaker 1>where we've come from, who we are, the neighborhoods, the

2:36:07.240 --> 2:36:11.360
<v Speaker 1>people we associate with, against us. So we have to

2:36:11.400 --> 2:36:15.840
<v Speaker 1>be very clear about who we are and whether that's

2:36:15.879 --> 2:36:18.160
<v Speaker 1>our existence or our experience.

2:36:18.959 --> 2:36:20.960
<v Speaker 2>I tell any young person what you're going through is

2:36:21.040 --> 2:36:24.120
<v Speaker 2>not who you are. And so at that point, if you.

2:36:24.160 --> 2:36:28.400
<v Speaker 1>Can have integrity in any situation when we talk in

2:36:28.480 --> 2:36:31.040
<v Speaker 1>long term, we're watching a lot going on right now,

2:36:31.840 --> 2:36:34.240
<v Speaker 1>and you can only give me the grace and the

2:36:34.360 --> 2:36:38.040
<v Speaker 1>benefit of the belief in me based upon my integrity

2:36:38.200 --> 2:36:40.400
<v Speaker 1>through the situations and the years we've known each other,

2:36:40.879 --> 2:36:42.960
<v Speaker 1>because if I'd showed you another person, you'd have been like.

2:36:45.200 --> 2:36:47.440
<v Speaker 1>So when we look at and we've talked about this

2:36:47.560 --> 2:36:49.560
<v Speaker 1>a couple of times, and he's called me and just

2:36:49.640 --> 2:36:50.920
<v Speaker 1>been like, thank you, And I'm like, what are you

2:36:50.959 --> 2:36:53.720
<v Speaker 1>thinking me for? I thank him more than I'm a

2:36:53.800 --> 2:36:57.040
<v Speaker 1>loan for the ride. Yeah, I can't do something if

2:36:57.120 --> 2:36:59.879
<v Speaker 1>something is not there. I can't make something out of nothing.

2:37:00.800 --> 2:37:01.160
<v Speaker 4>He's not.

2:37:01.320 --> 2:37:04.080
<v Speaker 2>Just thank you for keeping me in the space and

2:37:04.160 --> 2:37:05.360
<v Speaker 2>the mindset of which I am.

2:37:06.040 --> 2:37:08.560
<v Speaker 1>He had to navigate trap music, he had to navigate

2:37:09.120 --> 2:37:12.400
<v Speaker 1>all of the other stuff to just be who he was,

2:37:12.840 --> 2:37:16.280
<v Speaker 1>and it wasn't always the cool thing. But his integrity now,

2:37:17.520 --> 2:37:20.080
<v Speaker 1>even in that situation, it's paying off for him long term.

2:37:21.040 --> 2:37:24.920
<v Speaker 2>So if I would tell anybody youth, even old.

2:37:24.760 --> 2:37:28.240
<v Speaker 1>People, when we look at what we're dealing with and

2:37:28.280 --> 2:37:31.320
<v Speaker 1>were getting and we're trying to age gracefully, our integrity

2:37:31.400 --> 2:37:34.000
<v Speaker 1>comes in play when we start thinking about ten twenty

2:37:34.120 --> 2:37:36.680
<v Speaker 1>thirty years later and we see a lot of people

2:37:36.760 --> 2:37:41.640
<v Speaker 1>being attacked for what they did ten twenty thirty years

2:37:41.640 --> 2:37:45.640
<v Speaker 1>ago earlier, right, and we know what's right even when

2:37:45.680 --> 2:37:48.400
<v Speaker 1>it's cool hip hop we lived a life.

2:37:48.760 --> 2:37:50.800
<v Speaker 2>You know what I'm saying, Drink the hood, travel the world,

2:37:51.320 --> 2:37:55.600
<v Speaker 2>just do it. So I appreciate the grace that was

2:37:55.680 --> 2:37:56.160
<v Speaker 2>given to me.

2:38:00.520 --> 2:38:05.400
<v Speaker 5>Who I'm talking You're good, But you know, because I

2:38:05.480 --> 2:38:07.560
<v Speaker 5>was gonna say that, let me just say what's so

2:38:07.640 --> 2:38:10.400
<v Speaker 5>special about this podcast? And y'all are so used to

2:38:10.480 --> 2:38:13.240
<v Speaker 5>it right now that you might be to a degree desensitized.

2:38:13.280 --> 2:38:15.959
<v Speaker 5>But what I noticed is the passion that comes from

2:38:16.000 --> 2:38:18.040
<v Speaker 5>both of y'all, man, Like you can't fake when you

2:38:18.160 --> 2:38:20.880
<v Speaker 5>look at somebody's eyes when they're asking certain questions and

2:38:21.520 --> 2:38:23.280
<v Speaker 5>all of this ship is just so much passion, and

2:38:23.320 --> 2:38:26.520
<v Speaker 5>that it's very hard to be able to transfer that

2:38:26.680 --> 2:38:30.640
<v Speaker 5>when someone is looking on a fucking screen as opposed

2:38:30.640 --> 2:38:34.400
<v Speaker 5>to being here. What I'm saying is, you two motherfuckers

2:38:34.520 --> 2:38:37.760
<v Speaker 5>do very well at letting that ship transfer through the

2:38:37.920 --> 2:38:41.480
<v Speaker 5>fucking screen of the passion and the love that y'all have.

2:38:42.000 --> 2:38:44.520
<v Speaker 5>And that's what makes Drinking Chaps so goddamn special.

2:38:47.680 --> 2:38:48.320
<v Speaker 7>You say.

2:38:50.440 --> 2:38:55.000
<v Speaker 4>From the beginning, him, Jeff, they had your fucking back, bro,

2:38:55.320 --> 2:38:56.600
<v Speaker 4>Like I can't lie to you.

2:38:58.000 --> 2:39:01.879
<v Speaker 2>I saw that shot from the beginning. Always, we always,

2:39:01.879 --> 2:39:03.800
<v Speaker 2>we all got each other's back. Yeah, that's why it's

2:39:03.840 --> 2:39:06.160
<v Speaker 2>so beautiful years and counting, baby, Yeah, that shit is

2:39:06.200 --> 2:39:07.080
<v Speaker 2>so beautiful. Man.

2:39:09.160 --> 2:39:11.040
<v Speaker 4>What is what is something that you regret it? What

2:39:11.160 --> 2:39:13.680
<v Speaker 4>is what is somebody had the chance to work with

2:39:13.840 --> 2:39:14.560
<v Speaker 4>and you didn't have.

2:39:15.000 --> 2:39:16.480
<v Speaker 2>We were just talking about, like the whole Doctor Dre.

2:39:16.560 --> 2:39:18.680
<v Speaker 5>I wouldn't even call it regret because there's still a

2:39:18.760 --> 2:39:19.840
<v Speaker 5>chance for the ship to happen.

2:39:20.120 --> 2:39:20.760
<v Speaker 2>It's gonna happen.

2:39:20.840 --> 2:39:23.760
<v Speaker 5>Yeah, yeah, but I uh, that's somebody I definitely want

2:39:23.800 --> 2:39:25.760
<v Speaker 5>to work with. When we were talking about the whole

2:39:25.840 --> 2:39:28.360
<v Speaker 5>Death Row versus Bad Boy thing, which is the one

2:39:28.400 --> 2:39:30.840
<v Speaker 5>of the hardest questions y'all asked me tonight, I love it,

2:39:30.920 --> 2:39:32.960
<v Speaker 5>and I just talked to I just thought about like

2:39:33.120 --> 2:39:38.240
<v Speaker 5>my experience as a kid growing up and me gravitating

2:39:38.240 --> 2:39:40.760
<v Speaker 5>towards the sonics of what Doctor Dre does and going

2:39:40.800 --> 2:39:42.920
<v Speaker 5>as far as wondering how this nigga got that ship

2:39:42.959 --> 2:39:46.560
<v Speaker 5>to sound that amazing. But that's somebody I would love

2:39:46.600 --> 2:39:48.720
<v Speaker 5>it to work with. And the hit Man and Bad

2:39:48.800 --> 2:39:52.320
<v Speaker 5>Boy they sound amazing as well. Easy More be all

2:39:52.360 --> 2:39:53.280
<v Speaker 5>of the ship that Biggie did.

2:39:55.560 --> 2:39:55.960
<v Speaker 2>I haven't.

2:39:56.280 --> 2:39:56.720
<v Speaker 4>I haven't.

2:39:56.959 --> 2:39:59.600
<v Speaker 2>That's the SB twelve love right there. We're doing that.

2:40:00.400 --> 2:40:03.680
<v Speaker 2>Come on, easy mob be let's get alog. Yeah, hell yeah,

2:40:03.800 --> 2:40:04.160
<v Speaker 2>let's go.

2:40:04.360 --> 2:40:08.520
<v Speaker 5>He's done a record with Biggie Posts Post and Tupac

2:40:08.640 --> 2:40:13.440
<v Speaker 5>Post Yeah Post. Because I'm young, Jay, Hell.

2:40:13.800 --> 2:40:14.480
<v Speaker 2>I ain't gonna lie.

2:40:15.920 --> 2:40:21.040
<v Speaker 4>That's like rights to retirement, not not. You know, you

2:40:21.120 --> 2:40:22.520
<v Speaker 4>know I'm trying to never retire.

2:40:22.600 --> 2:40:22.960
<v Speaker 2>I got you.

2:40:23.040 --> 2:40:25.560
<v Speaker 4>But what I'm trying to say is I don't have

2:40:25.680 --> 2:40:28.960
<v Speaker 4>the accolades. And I've been in this game twenty six years.

2:40:29.040 --> 2:40:31.720
<v Speaker 2>I'm saying that you got motherfucking drink chances, this ship.

2:40:31.800 --> 2:40:34.160
<v Speaker 2>That's a whole nother life. But no, come on, bro,

2:40:34.280 --> 2:40:34.680
<v Speaker 2>It's okay.

2:40:34.840 --> 2:40:36.400
<v Speaker 4>But but what I'm trying to tell you is I

2:40:36.480 --> 2:40:38.040
<v Speaker 4>want to give your flowers my brother.

2:40:38.080 --> 2:40:43.440
<v Speaker 2>I got the mother you know I received. No, no, No,

2:40:44.400 --> 2:40:45.160
<v Speaker 2>That's why you're here.

2:40:46.800 --> 2:40:53.360
<v Speaker 4>You know, it's because because I'm being honest, Ludle, you're

2:40:53.360 --> 2:40:54.840
<v Speaker 4>one of the greatest of our coach.

2:40:54.959 --> 2:40:56.320
<v Speaker 2>Absolutely wow.

2:40:56.440 --> 2:40:58.680
<v Speaker 4>And the fact that and the fact that it's known,

2:41:01.080 --> 2:41:06.360
<v Speaker 4>the fact is that you can be into six seven

2:41:06.560 --> 2:41:10.880
<v Speaker 4>different everyone respect you, from the gangs to us, to

2:41:11.000 --> 2:41:15.800
<v Speaker 4>the people who wear backpacks, to the people who take shots,

2:41:15.879 --> 2:41:20.240
<v Speaker 4>to people who shoot people, to people who look at

2:41:20.280 --> 2:41:23.080
<v Speaker 4>people who's stealing, to people who actually steal.

2:41:24.760 --> 2:41:26.560
<v Speaker 2>You respected in every genre.

2:41:27.040 --> 2:41:30.160
<v Speaker 5>I'm a culmination of my environment, man, and it's all

2:41:30.240 --> 2:41:30.879
<v Speaker 5>of those things.

2:41:30.959 --> 2:41:33.000
<v Speaker 2>But thank you man. I'm telling you when you have

2:41:33.160 --> 2:41:34.400
<v Speaker 2>to know that, you have.

2:41:34.480 --> 2:41:38.800
<v Speaker 4>To know that that's what and hip hop, that's what

2:41:38.959 --> 2:41:41.760
<v Speaker 4>the fuck we strive to be, is accepted in all

2:41:41.920 --> 2:41:44.879
<v Speaker 4>genres because you know why, there's five elements of hip hop, right,

2:41:45.040 --> 2:41:48.680
<v Speaker 4>so you could either breakdance, you either graffiti, you either rap,

2:41:48.879 --> 2:41:54.039
<v Speaker 4>you either DJ. It's not people that's accepted in all

2:41:54.120 --> 2:41:56.840
<v Speaker 4>those genres and that's what you're you are.

2:41:57.840 --> 2:41:58.280
<v Speaker 2>Thank you, bro.

2:42:00.160 --> 2:42:00.280
<v Speaker 6>Man.

2:42:01.400 --> 2:42:05.640
<v Speaker 2>No like like, look, I'm not playing around. That's what

2:42:05.800 --> 2:42:06.280
<v Speaker 2>you a hold on.

2:42:06.360 --> 2:42:07.760
<v Speaker 4>You gotta sit, don't count.

2:42:11.680 --> 2:42:13.360
<v Speaker 5>All the way believe And you said you wanted me

2:42:13.440 --> 2:42:14.840
<v Speaker 5>to be one of the first motherfuckers on here.

2:42:14.879 --> 2:42:15.959
<v Speaker 2>Now I don't.

2:42:17.320 --> 2:42:19.480
<v Speaker 4>Because I know we're Virgo brothers.

2:42:19.520 --> 2:42:19.840
<v Speaker 7>I know we.

2:42:22.160 --> 2:42:26.120
<v Speaker 4>Were all that, but that that takes away everything from

2:42:26.440 --> 2:42:30.080
<v Speaker 4>who you are a as a real like artist. Like

2:42:34.600 --> 2:42:36.560
<v Speaker 4>I'm gonna say I said it, I said it earlier.

2:42:36.959 --> 2:42:41.400
<v Speaker 4>Who the fuck was jogging me earlier? It was Jo

2:42:41.879 --> 2:42:43.840
<v Speaker 4>That's why he said no. And I was like, that

2:42:44.040 --> 2:42:49.120
<v Speaker 4>was the difference between the versus battle was Lula was

2:42:49.320 --> 2:42:55.680
<v Speaker 4>seasoned you were seasoned with Kevin Lowns, seasoned with Leoll

2:42:56.320 --> 2:42:57.600
<v Speaker 4>We were foul people.

2:42:59.040 --> 2:43:00.280
<v Speaker 2>What I mean by that is.

2:43:02.440 --> 2:43:05.600
<v Speaker 4>They sent you on a road that whole time, and

2:43:05.720 --> 2:43:09.640
<v Speaker 4>they made you know how to fucking perform a show.

2:43:10.160 --> 2:43:11.520
<v Speaker 2>Yeah, they did all of us.

2:43:11.720 --> 2:43:15.280
<v Speaker 4>So again, I'm sorry, and Nei's my brother again. But

2:43:15.400 --> 2:43:18.800
<v Speaker 4>when I seen because because versus we were just sitting

2:43:18.920 --> 2:43:22.840
<v Speaker 4>back home and we were just watching everything, and I

2:43:22.959 --> 2:43:25.520
<v Speaker 4>sat back as soon as I seen your face. You

2:43:25.600 --> 2:43:28.880
<v Speaker 4>made that face earlier. God, we got it on a film.

2:43:29.840 --> 2:43:33.279
<v Speaker 4>Now you made that face. I said, this, motherfucker christ.

2:43:39.160 --> 2:43:43.560
<v Speaker 2>I know, like I know, and I seen him and he.

2:43:45.120 --> 2:43:48.520
<v Speaker 5>Were playing, we was playing Nigga. Joe Budden said the

2:43:48.600 --> 2:43:51.920
<v Speaker 5>same thing he did. I didn't know that to a degree.

2:43:51.959 --> 2:43:52.920
<v Speaker 5>He said the same ship.

2:43:53.000 --> 2:43:54.520
<v Speaker 2>What did he say? Come on? Please? Pretty much what

2:43:54.640 --> 2:43:56.920
<v Speaker 2>you said? Yeah, I ain't gonna lie. I saw your face.

2:43:57.480 --> 2:43:59.440
<v Speaker 5>I didn't even know I was making a face like

2:43:59.560 --> 2:44:02.080
<v Speaker 5>this ship is. It's great to hear from a different perspective.

2:44:03.400 --> 2:44:05.440
<v Speaker 2>S And that is my brother. To just just be clear,

2:44:05.640 --> 2:44:07.000
<v Speaker 2>I love Nellie's my brother too.

2:44:07.080 --> 2:44:07.240
<v Speaker 4>Man.

2:44:07.879 --> 2:44:17.560
<v Speaker 2>I looked Louter's gonna snub somebody tonight. What you're gonna

2:44:17.560 --> 2:44:20.080
<v Speaker 2>snuff your own crew. I don't even know. That's how

2:44:20.160 --> 2:44:20.560
<v Speaker 2>crazy you.

2:44:26.240 --> 2:44:28.560
<v Speaker 5>That's why I'm okay taking the jazz bro because none

2:44:28.600 --> 2:44:32.360
<v Speaker 5>of them are death blows. They are It's okay. Somebody

2:44:32.440 --> 2:44:35.120
<v Speaker 5>got to be the person that that takes the jazz. Now,

2:44:35.160 --> 2:44:39.680
<v Speaker 5>when I decide to hit back, then it might be unfair.

2:44:39.720 --> 2:44:41.400
<v Speaker 2>It just depends on hit back. You know why you

2:44:41.480 --> 2:44:43.640
<v Speaker 2>can't back? Why can't I hit back? Nor?

2:44:43.800 --> 2:44:46.560
<v Speaker 5>I need to hear this why it is good? I

2:44:46.720 --> 2:44:50.920
<v Speaker 5>really need to hear. It's been like fifteen years inspiration.

2:44:51.640 --> 2:44:54.440
<v Speaker 4>You know why you are inspiration to the people that

2:44:55.879 --> 2:44:59.400
<v Speaker 4>we say, you know what, this guy said this, but

2:44:59.520 --> 2:45:01.959
<v Speaker 4>we don't want respond because you know why I booted it.

2:45:02.360 --> 2:45:03.440
<v Speaker 2>The you're the good guy.

2:45:04.360 --> 2:45:06.560
<v Speaker 5>Now you understand why I try to take the high

2:45:06.680 --> 2:45:09.720
<v Speaker 5>road and always I'm cool because my core is strong,

2:45:09.800 --> 2:45:12.360
<v Speaker 5>and I'm okay with taking these jazz because at the

2:45:12.480 --> 2:45:14.600
<v Speaker 5>end of the day, I hope whatever it is that

2:45:14.680 --> 2:45:17.720
<v Speaker 5>these motherfuckers that take jabs at me are trying to accomplish,

2:45:18.120 --> 2:45:20.680
<v Speaker 5>I hope that they've accomplished that shit. You know why,

2:45:20.959 --> 2:45:23.080
<v Speaker 5>because it has not hurt or put a dent in

2:45:23.200 --> 2:45:26.680
<v Speaker 5>my legacy or me in any fucking way. So I

2:45:26.800 --> 2:45:28.440
<v Speaker 5>allow them to do that because at the end of

2:45:28.480 --> 2:45:31.720
<v Speaker 5>the day, I still love these motherfuckers. There's still a

2:45:31.840 --> 2:45:34.760
<v Speaker 5>certain amount of history that we have with each other

2:45:35.200 --> 2:45:37.039
<v Speaker 5>that if I stand on a certain amount of morals

2:45:37.040 --> 2:45:40.240
<v Speaker 5>and integrity and just love. I haven't come to a

2:45:40.320 --> 2:45:43.280
<v Speaker 5>point where I'm wanting to do tit for tat and

2:45:43.840 --> 2:45:46.720
<v Speaker 5>bicker and babbling, go back and forth with motherfuckers, because

2:45:46.760 --> 2:45:49.480
<v Speaker 5>when I see you in person, it ain't shit like

2:45:49.520 --> 2:45:51.320
<v Speaker 5>what the fuck you was just talking about on camera.

2:45:51.440 --> 2:45:55.199
<v Speaker 5>It's totally different. Yes, it's a dichotomy that I haven't

2:45:55.520 --> 2:45:58.880
<v Speaker 5>fully understood yet, and I don't think that I'm gonna

2:45:58.959 --> 2:46:01.119
<v Speaker 5>understand it one hundred percent.

2:46:01.240 --> 2:46:02.280
<v Speaker 2>You're talking about being real.

2:46:02.800 --> 2:46:05.920
<v Speaker 5>This whole industry is built off motherfuckers saying shit on camera,

2:46:06.800 --> 2:46:08.560
<v Speaker 5>but then when they see you in person, it's something

2:46:08.920 --> 2:46:12.959
<v Speaker 5>totally different. And I can say that I either am

2:46:13.040 --> 2:46:16.440
<v Speaker 5>immature or too mature because I haven't fully grasped and

2:46:16.560 --> 2:46:19.039
<v Speaker 5>understood that yet. I'm still giving my fuckers the benefit

2:46:19.200 --> 2:46:19.920
<v Speaker 5>of the doubt.

2:46:20.640 --> 2:46:23.680
<v Speaker 2>That's my problem. That's either my gift or my curse.

2:46:23.760 --> 2:46:28.280
<v Speaker 2>That's what I'm saying. God damn, I'm just being real.

2:46:28.680 --> 2:46:32.240
<v Speaker 2>I'm smoking another blood sorry, I'm just being real. Let

2:46:32.280 --> 2:46:32.879
<v Speaker 2>me expand on.

2:46:32.959 --> 2:46:35.760
<v Speaker 6>Something that Nord was saying though, and just coming from

2:46:36.680 --> 2:46:39.840
<v Speaker 6>the perspective of being from Miami, being a mixtape DJ

2:46:39.920 --> 2:46:43.760
<v Speaker 6>out of Miami. One of the things that we was

2:46:44.320 --> 2:46:47.200
<v Speaker 6>like from where I come from Miami, like the hip

2:46:47.200 --> 2:46:49.480
<v Speaker 6>hop community I come from is like the early nineties,

2:46:50.320 --> 2:46:56.280
<v Speaker 6>and we only wanted lyrical sensibility coming out of the South, right,

2:46:57.120 --> 2:47:00.280
<v Speaker 6>That's what we strived for because everything was man in

2:47:00.280 --> 2:47:03.480
<v Speaker 6>New York, right, and we were emulating that. But we

2:47:03.600 --> 2:47:05.800
<v Speaker 6>wanted to be representative of the South.

2:47:06.760 --> 2:47:10.600
<v Speaker 2>And you did that. Dungeon family did that. Outcast did that.

2:47:10.800 --> 2:47:11.320
<v Speaker 2>You did that.

2:47:12.560 --> 2:47:14.480
<v Speaker 4>That's what I want you to know that you were.

2:47:14.879 --> 2:47:21.879
<v Speaker 4>You did that to the highest ability. That's huge. Thank you, bro, huge, huge,

2:47:21.920 --> 2:47:22.880
<v Speaker 4>real thank you man.

2:47:22.959 --> 2:47:25.640
<v Speaker 2>When I said it, hip hop so much, I'm just.

2:47:25.680 --> 2:47:28.600
<v Speaker 5>As passionate with my answers and receiving this love as

2:47:28.680 --> 2:47:30.240
<v Speaker 5>y'all are like saying it.

2:47:30.320 --> 2:47:35.240
<v Speaker 2>I'm being real because you deserve it. I stayed moving, man, moving,

2:47:36.800 --> 2:47:37.040
<v Speaker 2>Thank you.

2:47:37.400 --> 2:47:42.560
<v Speaker 4>I just me and honest man, you your crew. I

2:47:42.680 --> 2:47:46.760
<v Speaker 4>was saying this to everyone here. You know, pretty much

2:47:46.800 --> 2:47:50.320
<v Speaker 4>everyone that was here. I spoke to them before you

2:47:50.480 --> 2:47:53.560
<v Speaker 4>came in. I was just like, this is a person

2:47:53.640 --> 2:47:58.160
<v Speaker 4>I wanted to like give the flowers tubes, y'all. It's

2:47:58.240 --> 2:48:05.119
<v Speaker 4>because y'all, really, y'all, really, you really lived this ship

2:48:05.560 --> 2:48:10.160
<v Speaker 4>really out, like not just because I drink on drink Champ.

2:48:12.480 --> 2:48:18.080
<v Speaker 2>Drinks. Let's go, let's go, Let's let's go. Jamie shots Jamie. No, no, no,

2:48:18.840 --> 2:48:19.120
<v Speaker 2>right here.

2:48:20.400 --> 2:48:23.640
<v Speaker 4>That means you didn't take it because looks is done. Okay, okay,

2:48:24.879 --> 2:48:25.240
<v Speaker 4>he's right.

2:48:25.360 --> 2:48:27.600
<v Speaker 5>Her job is to refill my shots after I take him.

2:48:27.760 --> 2:48:35.560
<v Speaker 2>I mean, I'm five, Let me drink and shot. Let

2:48:35.600 --> 2:48:37.720
<v Speaker 2>me just say something. Everybody put that cups of their

2:48:38.080 --> 2:48:41.959
<v Speaker 2>empty shots up. We can save the camera. Please, it's

2:48:42.000 --> 2:48:44.800
<v Speaker 2>in the same shots. Watch this. You can't fake this ship.

2:48:45.480 --> 2:48:46.840
<v Speaker 2>Go ahead, go ahead.

2:48:50.320 --> 2:48:52.880
<v Speaker 3>He wins, he wins, he wins. You say that to

2:48:52.920 --> 2:48:56.240
<v Speaker 3>the camera, please, yes, ludle wins. When's the camera? Yes,

2:48:56.320 --> 2:49:02.080
<v Speaker 3>little winds. I guess what I win because Lud's win

2:49:02.240 --> 2:49:04.400
<v Speaker 3>and blut the winds. That's the way it works.

2:49:04.400 --> 2:49:06.600
<v Speaker 2>You remember when you told us about GK jops. Yes,

2:49:07.200 --> 2:49:11.880
<v Speaker 2>it was in Toronto. I wanted to Yes, Yes, was

2:49:11.879 --> 2:49:15.680
<v Speaker 2>that Soo soo this mother drink restaurant? Yeah, he's that

2:49:15.760 --> 2:49:19.640
<v Speaker 2>Soto so drink restaurant. Drake, pull up. You likes giving

2:49:20.160 --> 2:49:22.279
<v Speaker 2>food is amazing, Food is amazing.

2:49:22.560 --> 2:49:25.280
<v Speaker 5>I love you drinks about drinks had he said, I'm

2:49:25.280 --> 2:49:26.400
<v Speaker 5>sort I love food.

2:49:26.200 --> 2:49:30.000
<v Speaker 2>At the bottle of red ones in the bottle of red, Nigga, cheers,

2:49:30.520 --> 2:49:34.160
<v Speaker 2>I got classic. You get another shot? I am aoutright.

2:49:34.280 --> 2:49:38.600
<v Speaker 2>He don't want me to? Yeah, yeah, yeah, yeah, yes, yes,

2:49:39.000 --> 2:49:42.880
<v Speaker 2>I remember that give you don't got about that ship? No,

2:49:43.040 --> 2:49:50.080
<v Speaker 2>no to your ship, to your ship she got come on,

2:49:50.600 --> 2:49:56.920
<v Speaker 2>you got on braces. I don't drink that ship ship.

2:50:02.640 --> 2:50:04.800
<v Speaker 5>Hey, I'm gonna need you to mold this and put

2:50:04.840 --> 2:50:07.000
<v Speaker 5>it on a goddamn man somewhere. I want to compare

2:50:07.120 --> 2:50:09.400
<v Speaker 5>myself to all other artists that come up here. I

2:50:09.520 --> 2:50:13.840
<v Speaker 5>want to see how many shots motherfuckers take. Okay, so,

2:50:14.040 --> 2:50:17.680
<v Speaker 5>so who drank the most? Yeah yo, yeah, yeah yeah,

2:50:18.800 --> 2:50:22.640
<v Speaker 5>hey man hands down to Tony yea yea, all respect,

2:50:23.280 --> 2:50:24.840
<v Speaker 5>all respect while.

2:50:25.200 --> 2:50:29.520
<v Speaker 2>Went into respect. Hell yeah, that's what I'm talking about.

2:50:29.879 --> 2:50:33.959
<v Speaker 2>That's crazy. But put me up there with the greats.

2:50:34.360 --> 2:50:36.400
<v Speaker 2>Yeah that's all I have. Putting you up in New Grace,

2:50:36.840 --> 2:50:39.160
<v Speaker 2>Holy morning, more than I got, Bigga. What time is

2:50:39.200 --> 2:50:39.680
<v Speaker 2>it right now?

2:50:39.760 --> 2:50:39.880
<v Speaker 8>Bro?

2:50:40.320 --> 2:50:43.480
<v Speaker 2>You gotta go do it. I'm not not even I

2:50:43.600 --> 2:50:43.920
<v Speaker 2>want to.

2:50:43.920 --> 2:50:47.560
<v Speaker 4>Say, but I really have to show BROT I got

2:50:47.640 --> 2:50:50.360
<v Speaker 4>one more question because the question is.

2:50:54.879 --> 2:50:57.400
<v Speaker 2>One more drink or is it? Oh my drink? One more,

2:50:57.840 --> 2:51:02.119
<v Speaker 2>one more drink, one more drink, one more drink. Ship

2:51:02.240 --> 2:51:04.080
<v Speaker 2>that was with me and T t o.

2:51:05.959 --> 2:51:06.000
<v Speaker 4>B.

2:51:06.400 --> 2:51:08.600
<v Speaker 2>Yeah, one more drink. Tone and Polke produced that ship.

2:51:08.680 --> 2:51:15.000
<v Speaker 2>Did you know that produce one more Drink? Yeah? That

2:51:15.680 --> 2:51:17.760
<v Speaker 2>I don't even put that together with T paint.

2:51:17.879 --> 2:51:20.080
<v Speaker 5>Paint I'm sure, I'm pretty sure he did. And then

2:51:20.160 --> 2:51:21.920
<v Speaker 5>uh Kat Williams was in that video.

2:51:22.200 --> 2:51:25.440
<v Speaker 2>That ship was just fun man. Yeah. I remember Kanye

2:51:25.600 --> 2:51:26.480
<v Speaker 2>being in my home.

2:51:26.360 --> 2:51:28.840
<v Speaker 5>Studio listening to that album because I'm sure we worked

2:51:28.879 --> 2:51:31.200
<v Speaker 5>on something for it, and he heard that out of

2:51:31.280 --> 2:51:32.960
<v Speaker 5>all this other stuff that I was going to put

2:51:33.000 --> 2:51:35.160
<v Speaker 5>up for singles, he was like, that's it right there.

2:51:35.560 --> 2:51:37.920
<v Speaker 5>That's the fucking one and one more Drink did what

2:51:38.000 --> 2:51:41.200
<v Speaker 5>it had to do. That should be the Drink Champs

2:51:41.400 --> 2:51:43.840
<v Speaker 5>theme song. What the Shire were talking about right now?

2:51:45.200 --> 2:51:47.160
<v Speaker 2>Version of it. We can if they just give me

2:51:47.560 --> 2:51:49.520
<v Speaker 2>a little bit to remix it for us. Yeah, you

2:51:49.600 --> 2:51:51.120
<v Speaker 2>got to make the beat. We'll make it happen if

2:51:51.160 --> 2:51:55.080
<v Speaker 2>they give me another check, like they gave me. Look

2:51:55.120 --> 2:51:58.040
<v Speaker 2>at us up right now, man, okay, you gonna make

2:51:58.120 --> 2:52:01.360
<v Speaker 2>us go what a good checks and we spoke about

2:52:01.400 --> 2:52:05.199
<v Speaker 2>lovers and friends. That was my last question. But Luda.

2:52:06.959 --> 2:52:10.680
<v Speaker 4>Shaka, I want to look at you brothers, face to face,

2:52:10.800 --> 2:52:15.040
<v Speaker 4>man to man and tell y'all, thank y'all because not

2:52:15.200 --> 2:52:18.360
<v Speaker 4>for what you did tonight. Tonight was it's beautiful right

2:52:18.760 --> 2:52:24.680
<v Speaker 4>that has nothing to do it, but you did. And yeah,

2:52:28.120 --> 2:52:32.879
<v Speaker 4>your journey to be here, it's so beautiful.

2:52:33.000 --> 2:52:37.680
<v Speaker 2>Man. Every hip hop artist.

2:52:39.879 --> 2:52:43.520
<v Speaker 4>Should be praised because you know what, God bless me

2:52:43.600 --> 2:52:45.120
<v Speaker 4>for saying it like this, what I'm gonna say it.

2:52:46.200 --> 2:52:52.360
<v Speaker 4>A McDonald's worker, after he finishes McDonald's shift, he takes

2:52:52.400 --> 2:52:58.040
<v Speaker 4>off his m his yellow shit, and he can go

2:52:58.560 --> 2:53:03.680
<v Speaker 4>return back to regular life. An artist who doesn't make it,

2:53:05.200 --> 2:53:07.920
<v Speaker 4>or who makes it a little bit, can never turn

2:53:08.000 --> 2:53:12.040
<v Speaker 4>back to regular life, even if he doesn't make it.

2:53:12.160 --> 2:53:15.240
<v Speaker 4>You know what the people say to him, bitch ass nigga.

2:53:16.720 --> 2:53:19.240
<v Speaker 4>You tried that, you tried to be better than us.

2:53:20.440 --> 2:53:23.800
<v Speaker 4>But when an artist that makes it and tries to

2:53:23.959 --> 2:53:30.160
<v Speaker 4>do that and then goes to that level, that hate

2:53:30.280 --> 2:53:35.160
<v Speaker 4>is so crazy, that hate is so tremendous.

2:53:38.360 --> 2:53:40.600
<v Speaker 2>You summing up. Every nigga that ever took a shot

2:53:40.640 --> 2:53:44.800
<v Speaker 2>at Ludacris ever in life. You literally some of it up.

2:53:44.800 --> 2:53:47.200
<v Speaker 5>I'm talking about motherfuckers that I fuck with people. I

2:53:47.320 --> 2:53:51.200
<v Speaker 5>don't fuck with everything. I should have answered it that way.

2:53:51.320 --> 2:53:52.720
<v Speaker 5>Let me put it in suppose I do it.

2:53:52.840 --> 2:53:57.520
<v Speaker 2>What do you think the opposite of love is hate? No,

2:53:58.080 --> 2:54:02.560
<v Speaker 2>not at all. The opposite of hate? Oh yeah, Love

2:54:02.640 --> 2:54:05.240
<v Speaker 2>and hate is the same emotion from a different perspective.

2:54:05.760 --> 2:54:09.080
<v Speaker 2>What's the opposite opp of love is indifference? When I

2:54:09.120 --> 2:54:12.040
<v Speaker 2>don't give a fuck about you? Wow? Fact, I don't

2:54:12.080 --> 2:54:16.040
<v Speaker 2>care when you mean nothing to me. People hate you.

2:54:16.920 --> 2:54:19.039
<v Speaker 2>They love you so much they'd rather you argue with them.

2:54:19.440 --> 2:54:22.800
<v Speaker 1>They rather engage them in negative action just so they

2:54:22.840 --> 2:54:25.600
<v Speaker 1>could feel something right. When people don't give a fuck

2:54:25.640 --> 2:54:29.200
<v Speaker 1>about you, when I don't care about you, that's the

2:54:29.200 --> 2:54:29.879
<v Speaker 1>opposite of love.

2:54:29.959 --> 2:54:34.360
<v Speaker 2>Indifference. Wow, that's some real shit. Take that with you.

2:54:37.360 --> 2:54:39.119
<v Speaker 5>That's why I say most of the shit where niggas

2:54:39.160 --> 2:54:41.200
<v Speaker 5>have issues with me, it's not what they're telling you

2:54:41.400 --> 2:54:43.640
<v Speaker 5>on camera. It's something totally different.

2:54:43.720 --> 2:54:46.200
<v Speaker 2>They love them. I wouldn't even go as far as

2:54:46.240 --> 2:54:47.080
<v Speaker 2>to say that they love you.

2:54:47.320 --> 2:54:49.520
<v Speaker 5>I would say that it's something totally different that they're

2:54:49.520 --> 2:54:53.760
<v Speaker 5>not telling you and I have enough respect that we

2:54:53.840 --> 2:54:55.160
<v Speaker 5>have if we have a history together.

2:54:55.240 --> 2:54:57.440
<v Speaker 2>Fuck anybody I don't have a history with. We can

2:54:57.480 --> 2:54:58.160
<v Speaker 2>go toe to toe.

2:54:58.640 --> 2:55:00.680
<v Speaker 5>You say something about me on the record, I'm hitting back.

2:55:00.840 --> 2:55:06.400
<v Speaker 5>But anybody that I have a respect for, I'm gonna

2:55:06.680 --> 2:55:08.480
<v Speaker 5>I'm not gonna do the same ship that you're doing.

2:55:08.480 --> 2:55:10.040
<v Speaker 5>I'm gonna try and take the higher road. I'm gonna

2:55:10.120 --> 2:55:11.840
<v Speaker 5>let you try and get that ship off.

2:55:12.000 --> 2:55:14.920
<v Speaker 4>Has there ever been a situation where that aspired where

2:55:14.959 --> 2:55:17.360
<v Speaker 4>someone you feel like someone came at you and.

2:55:17.400 --> 2:55:21.480
<v Speaker 2>You was like, let me relax. It happens all the time.

2:55:21.560 --> 2:55:22.760
<v Speaker 2>That's what I'm saying. It happens.

2:55:23.200 --> 2:55:25.640
<v Speaker 5>It's all towards what you just said, though you know

2:55:25.680 --> 2:55:27.760
<v Speaker 5>what I'm saying, and it also happens in the same

2:55:27.840 --> 2:55:28.720
<v Speaker 5>sense of what he said.

2:55:28.800 --> 2:55:31.160
<v Speaker 2>The opposite of motherfucking love is indifference.

2:55:31.840 --> 2:55:33.840
<v Speaker 5>So if you still got my name in your mouth

2:55:34.200 --> 2:55:37.080
<v Speaker 5>and you're still coming up with ship that we know

2:55:37.280 --> 2:55:43.160
<v Speaker 5>that's not the real answer. That's not indifference. That's a

2:55:43.200 --> 2:55:47.200
<v Speaker 5>certain that's a that's a it's a section of love.

2:55:47.680 --> 2:55:52.080
<v Speaker 5>It's basically in the love category. That's all I'm saying,

2:55:52.920 --> 2:55:53.840
<v Speaker 5>because guess.

2:55:53.640 --> 2:55:57.240
<v Speaker 4>What I love these niggas, man, falls, I love I

2:55:57.360 --> 2:56:00.440
<v Speaker 4>love yeah, you know what I mean, the niggas.

2:56:00.440 --> 2:56:01.320
<v Speaker 2>I love them, like.

2:56:01.440 --> 2:56:05.640
<v Speaker 5>Wow, absolutely. Like I said, I pray for If that

2:56:05.680 --> 2:56:06.480
<v Speaker 5>ain't love, I don't know what.

2:56:06.720 --> 2:56:09.600
<v Speaker 4>I don't pray for my niggas though, you don't do that, no,

2:56:09.879 --> 2:56:13.800
<v Speaker 4>fuck them, you got, I don't pray for him. I'll

2:56:13.800 --> 2:56:18.960
<v Speaker 4>be like, all right, maybe me and you agreed, well,

2:56:19.000 --> 2:56:19.560
<v Speaker 4>pray for him.

2:56:19.640 --> 2:56:23.240
<v Speaker 2>Fuck him. I'm sorry. I'm sorry. I'm a different, very real.

2:56:23.600 --> 2:56:25.920
<v Speaker 2>I'm a different Listen. I love yo.

2:56:26.000 --> 2:56:32.000
<v Speaker 4>But Shaka, thank you man so much, Aluda, thank thank

2:56:32.040 --> 2:56:39.120
<v Speaker 4>you so much man, because this is real man, this

2:56:39.200 --> 2:56:40.840
<v Speaker 4>is beautiful, and I want you to know that this

2:56:40.959 --> 2:56:44.520
<v Speaker 4>is your platform. Shaka, you can, you know, come over

2:56:44.560 --> 2:56:51.119
<v Speaker 4>here and promote your yellow shoelaces, you know, anytime, like anytime,

2:56:53.200 --> 2:56:58.640
<v Speaker 4>because you know what, what's crazy about it is there's

2:56:58.680 --> 2:57:02.480
<v Speaker 4>so many people are tradition of how they start promoting things,

2:57:03.160 --> 2:57:05.160
<v Speaker 4>and the thing about it is that's not what we are.

2:57:05.440 --> 2:57:09.720
<v Speaker 2>We are just us us.

2:57:10.400 --> 2:57:14.119
<v Speaker 4>Just come over here, get your briefcase, have some fun,

2:57:15.320 --> 2:57:17.360
<v Speaker 4>let's have some let's let's let's just do what the

2:57:17.440 --> 2:57:21.480
<v Speaker 4>fun we gotta do, because this is now hip hop journalism.

2:57:23.040 --> 2:57:29.320
<v Speaker 4>I've just seen Elliott Wilson. Oh I've seen your eyes. Okay, Well,

2:57:29.360 --> 2:57:35.440
<v Speaker 4>Elliot Wilson posted sexy rad no no no, what Nicki

2:57:35.520 --> 2:57:38.640
<v Speaker 4>Minaj and then he said this hip hop journalism and.

2:57:38.720 --> 2:57:42.480
<v Speaker 2>He was a hater. That was that was.

2:57:44.440 --> 2:57:47.240
<v Speaker 4>I didn't see it, but I know Ni, that's not.

2:57:48.680 --> 2:57:52.800
<v Speaker 4>It's dope to me too. But the point is, that's

2:57:52.879 --> 2:57:55.840
<v Speaker 4>not what we're doing. What we're doing is we're alluding

2:57:55.920 --> 2:57:59.200
<v Speaker 4>hip hop. That's what this is, what this is what

2:57:59.320 --> 2:57:59.840
<v Speaker 4>we're about.

2:58:00.040 --> 2:58:02.160
<v Speaker 2>I don't know what everyone else, it's only about saluting

2:58:02.280 --> 2:58:05.920
<v Speaker 2>hip hop. We're about saluting hip hop.

2:58:07.240 --> 2:58:11.080
<v Speaker 4>But continuing to make sure hip hop goes to that

2:58:11.240 --> 2:58:12.400
<v Speaker 4>fucking next level.

2:58:13.360 --> 2:58:14.199
<v Speaker 2>And Luda.

2:58:15.600 --> 2:58:22.920
<v Speaker 11>Shaka, all you guys, Jeff, Jeff, Jeff, Jeff, all you guys, bro,

2:58:24.360 --> 2:58:26.400
<v Speaker 11>you are the definition of loyalty.

2:58:26.800 --> 2:58:30.080
<v Speaker 4>You're a definition and respect. You are a definition of

2:58:31.040 --> 2:58:36.080
<v Speaker 4>what started follow us. It's what ended. And not to

2:58:36.120 --> 2:58:38.960
<v Speaker 4>say y'all legacy is ended. I'm not saying that. But

2:58:39.000 --> 2:58:42.600
<v Speaker 4>what I'm saying is so fared for y'all to still

2:58:42.680 --> 2:58:45.840
<v Speaker 4>continue to be together. It's something that we all have

2:58:46.000 --> 2:58:50.240
<v Speaker 4>to salute. Every man here I seem them forget it.

2:58:53.120 --> 2:58:58.240
<v Speaker 2>And y'all continue to be here mm hmm.

2:59:03.560 --> 2:59:09.000
<v Speaker 4>Here and by the way, I ain't gonna, I ain't gonna.

2:59:09.720 --> 2:59:10.959
<v Speaker 4>I got on boo Gary.

2:59:13.320 --> 2:59:15.040
<v Speaker 2>On that note, Nigga, what time is it?

2:59:19.080 --> 2:59:22.160
<v Speaker 6>Drink Champs is a Drink Champs ll C production in

2:59:22.280 --> 2:59:27.200
<v Speaker 6>association with Interval Presents. Hosts and executive producers n O

2:59:27.360 --> 2:59:31.880
<v Speaker 6>r E and dj e FN from Interval Presents executive

2:59:31.920 --> 2:59:34.520
<v Speaker 6>producers Alan Coy and Jake Kleinberg.

2:59:35.240 --> 2:59:36.320
<v Speaker 2>Listen to Drink Champs on.

2:59:36.360 --> 2:59:41.279
<v Speaker 6>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

2:59:42.400 --> 2:59:44.800
<v Speaker 6>Thanks for joining us for another episode of Drink Champs,

2:59:44.879 --> 2:59:47.480
<v Speaker 6>hosted by Yours truly, dj e f N and n

2:59:47.520 --> 2:59:49.600
<v Speaker 6>O r E. Please make sure to follow us on

2:59:49.640 --> 2:59:52.760
<v Speaker 6>all our socials That's at drink Champs across all platforms,

2:59:53.320 --> 2:59:56.800
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2:59:57.240 --> 3:00:00.200
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3:00:00.360 --> 3:00:02.920
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3:00:03.000 --> 3:00:05.959
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3:00:06.160 --> 3:00:08.040
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