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Speaker 1: He is drinks chests, motherfucking podcast make He's a legendary

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Speaker 1: queens rapper.

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Speaker 2: He ain't agree. That's your boy in O r E.

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Speaker 2: He's a Miami hip hop mioneer put up as d

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Speaker 2: J e f N. Together they drink it up with

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Speaker 2: some of the biggest players, you know what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk drinks.

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Speaker 4: Chants most every day is New Year's c Listen, It's

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Speaker 4: time for drink champions.

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Speaker 2: Drink up? Motherfuck? Would it good?

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Speaker 4: Be hoping these winner should be This your boy in

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Speaker 4: O R E. What up is d J e f N.

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Speaker 4: And it's gonna take me crazy? You were all drinking

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Speaker 4: champis champion.

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Speaker 2: I will make something.

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Speaker 4: And when I tell you, when me and e f

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Speaker 4: N starts this show, we wanted to uh in the

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Speaker 4: you are peers. We want to interview fellow legends, fellow icons.

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Speaker 4: When I tell you, I've seen this man come up

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Speaker 4: in the game. You know, from the beginning to where

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Speaker 4: he's at now. He is always his team has been

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Speaker 4: tight like virgin pussy. But nothing can break them. Nothing

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Speaker 4: could break them. I sweet of God from the very

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Speaker 4: day ones that I've seen him come in the game.

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Speaker 4: He's with the same exact people. When you speak about loyalty,

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Speaker 4: they picture comes up. We speak about this guy as

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Speaker 4: a character, this guy as a MC, this guy as

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Speaker 4: an actor, this guy has to producer. This guy's everything.

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Speaker 4: He's a renaissance man. He's a fellow virgo. I believe

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Speaker 4: he's married to like me, and we love hard and

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Speaker 4: we go on the mouth. These people's like ya, y'all

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Speaker 4: got the best vacation pictures ever. But this guy is

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Speaker 4: as an icon, He's a legend. He's a lyrical he

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Speaker 4: could go lyrically. We went through his pscography and we

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Speaker 4: realize that he can go lyrically with any body. Anybody

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Speaker 4: toe to toe and he might and he might put

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Speaker 4: on the.

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Speaker 2: Big a force one. We didn't want to go toe

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Speaker 2: to toe. He is the man, he is my friend.

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Speaker 2: He is a.

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Speaker 4: Legend of icon, a motherfucking tycoon. In case you don't

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Speaker 4: know what we're talking about, were talking about the one

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Speaker 4: and only impeccable Chris.

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Speaker 2: Love of love and I have you know, Luda.

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Speaker 4: I just want you to know. I have been drinking

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Speaker 4: twenty days.

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Speaker 2: I've been in the.

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Speaker 4: Gym every day, trying to get my shit on.

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Speaker 2: But when we locked you in, I said, breaking my flask. Yeah. Look,

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Speaker 2: I'm gonna be honest with you.

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Speaker 4: Man. I am really really really proud of you because

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Speaker 4: in certain ways, I kind of like feel like we

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Speaker 4: traded careers, like kind of like like you kind of

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Speaker 4: like started out like kind of like media even though

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Speaker 4: you have music, wait before that, right, and then you

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Speaker 4: transition as supposed to be where it's like kind of

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Speaker 4: like an artist, and now I'm having fun doing the media.

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Speaker 2: But a lot of people that's where.

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Speaker 4: They start your career, right, they start at the radio station.

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Speaker 4: But a lot of people don't know you have records

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Speaker 4: and you had things way before that.

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Speaker 2: Is that true? Okay, put it on.

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Speaker 5: I started rapping when I was nine years old. Yeah,

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Speaker 5: one hundred percent. My first record was called or Not Record.

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Speaker 5: My first song was called I'm Cool, I'm bad. I

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Speaker 5: might be ten, Wow, but I can't survive without my girlfriend.

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Speaker 2: Wow.

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Speaker 5: I show you nine and I was nine, So you

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Speaker 5: know I had to put the expects.

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Speaker 2: At nine years old. He was you're ready to go.

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Speaker 2: I'm ready to go. I'm ready to go. Limits, limits, limits,

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Speaker 2: So I had you're gonna get fucked up, you know,

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Speaker 2: drinking twenty day, Yes, twenty days. You about to get

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Speaker 2: fuck caving about these I'm sorry you should, but.

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Speaker 5: No, Like like I said, I started rapping when I

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Speaker 5: was nine.

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Speaker 2: So yeah, I.

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Speaker 5: Went through a good ten ten twelve years of doing

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Speaker 5: so many different you know, crazy contracts and being in

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Speaker 5: groups and going in and out of.

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Speaker 2: Just developing my style.

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Speaker 5: And so you know when I got to the radio station,

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Speaker 5: like you say, this was when I was eighteen years old.

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Speaker 5: And so this is right when wrap radio stations were

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Speaker 5: kind of card and where twenty four hours you playing

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Speaker 5: nothing but rap music.

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Speaker 2: Because radio college read Mercer Radio.

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Speaker 5: So it's now one oh seven point nine in Atlanta.

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Speaker 5: At the time it was called Hot ninety seven point five.

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Speaker 5: And so at this time I literally got a job

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Speaker 5: up there as an intern, and so I was just

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Speaker 5: trying to get put on. So it was strategic because

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Speaker 5: I was like, you got all these producers, you got

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Speaker 5: all these artists coming through to a radio station each

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Speaker 5: and every fucking day.

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Speaker 2: So I'm gonna go up here and.

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Speaker 5: Make these people think that I want a job at

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Speaker 5: this radio station.

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Speaker 2: But the real hustle is that.

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Speaker 5: Whoever come up here I'm about to give with my music.

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Speaker 5: I'm about to rap form and it's going to work.

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Speaker 5: And now, keep in mind, it took i'd say about

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Speaker 5: a good three or four years before it actually you know,

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Speaker 5: the plan worked, you meaning you at the radio station

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Speaker 5: three or four years being there before the whole Ludacris

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Speaker 5: came into play because I was there as an air personality.

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Speaker 2: I was hosting the clubs.

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Speaker 5: I was a local celebrity way before commercially successful as Ludacris.

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Speaker 5: But yeah, that's how it all started. Man, at that

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Speaker 5: radio station Atlanta, George.

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Speaker 4: I'm gonna be honest, man, and I don't think I've

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Speaker 4: ever said this, and you're gonna be You're gonna be happy.

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Speaker 2: You're gonna happy. Were about to get some shit. I'm

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Speaker 2: gonna be honest, bro.

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Speaker 4: It was at one point, if you had a number

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Speaker 4: one record in New York, you had a number one

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Speaker 4: record around the world. And I'm proud to kind of say,

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Speaker 4: not kind of, I'm proud to say that right now,

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Speaker 4: if you have a number one record in Atlanta, y'all, man.

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Speaker 4: But it's true though it's been like that for a while.

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Speaker 4: By the way, my New York is recognizing it right now.

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Speaker 4: I'm just being honest because we didn't want to let

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Speaker 4: it go.

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Speaker 2: But I see it now, like if you.

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Speaker 4: It brings me to change, right because I remember I

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Speaker 4: remember to change being down with you guys. And his

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Speaker 4: name wasn't too changed. It was Titty Bwockett's. My first

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Speaker 4: drinking in twenty days got Damini's Gold. But I remember

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Speaker 4: I remember him being known in like just that section,

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Speaker 4: like and it's just like I I remember, I remember,

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Speaker 4: I'm sorry, I'm all over the place, but I remember

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Speaker 4: me speaking with bum Bee and me almost saying to

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Speaker 4: them like, damn, y'all could actually go gold and just Texas,

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Speaker 4: like just Texas. And I remember saying that about Atlanta because.

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Speaker 2: Y'all had local heroes, like I'm sorry, I'm all over

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Speaker 2: the place. But I remember.

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Speaker 4: About to Troy, and I remember how huge pastor Troy was.

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Speaker 2: Right was I remember after meeting he was and I

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Speaker 2: was like.

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Speaker 4: We ran it looking at me like what the fuck

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Speaker 4: is you talking about?

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Speaker 2: Man?

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Speaker 4: And I would go just to New Orleans and I'd

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Speaker 4: be like, we read it and people didn't know.

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Speaker 2: That's when I knew Atlanta had the chance.

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Speaker 4: To kind of like dominate the whole business because y'all

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Speaker 4: had stars. That was just in Atlanta, And so how

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Speaker 4: how was that seeing that because it was almost like,

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Speaker 4: I don't want to say the back of the bus,

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Speaker 4: like it was like kind of like y'all went from

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Speaker 4: there to and I felt like, I'm sorry, I felt

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Speaker 4: like it's Andre three thousand that jigs the world.

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Speaker 2: I don't say that the world. He told us, I've

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Speaker 2: got something to say. Oh got you?

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Speaker 4: Because again, I'm sorry, I'm so all over the place.

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Speaker 4: But I remember coming to Atlanta. Man, stop apologizing. I

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Speaker 4: remember going to Atlanta. But I remember going to Atlanta

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Speaker 4: as a New York artist and New York was running.

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Speaker 4: I remember saying it it was Atlanta in the house,

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Speaker 4: and they're not saying nothing to me saying it was

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Speaker 4: Brooklyn in the house, and it would just it were

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Speaker 4: erupt and I knew these people weren't from Brooklyn, but

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Speaker 4: they didn't have no identity back then. But like, that's

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Speaker 4: that's my story. But how does it feel from seeing

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Speaker 4: like your city go from to where it's at now?

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Speaker 5: Absolutely fucking amazing. I feel like we've had the game

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Speaker 5: in a choke hold for.

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Speaker 2: Quite some time.

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Speaker 5: Like you say, I mean, you know, we can we

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Speaker 5: get we get debate about how long it's been, but

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Speaker 5: just it's it amazes me since I started it because

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Speaker 5: I come from the like you said, the goodie mobs

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Speaker 5: and the outcast. They paved the way from me. So

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Speaker 5: after all this time, in retrospect, you know, seeing what

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Speaker 5: has happened over all that time and just Atlanta artists

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Speaker 5: working together and it's just the camaraderie and everybody just

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Speaker 5: becoming a powerhouse. When when you do these records together

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Speaker 5: and you see that they continue to climb these charts

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Speaker 5: all this time later, Man, it feels fucking amazing, amazing,

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Speaker 5: and it's like I don't feel like it's going anywhere.

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Speaker 2: That's what it always seemed like.

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Speaker 6: It might be different being from the city, but from

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Speaker 6: the outside looking in, it looked like Atlanta always had

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Speaker 6: it together.

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Speaker 2: Like the artist does work together.

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Speaker 6: It didn't matter if they didn't sound the same, different

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Speaker 6: kind of genres within the genre, they all worked together.

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Speaker 2: They all were ripping for the city, southern hospitality, as

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Speaker 2: we say.

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Speaker 4: And that's why I had a hate up moment at

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Speaker 4: one point that was like I was kind of glad

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Speaker 4: when you and T I was beefing for like two weeks,

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Speaker 4: because two weeks at least the human you know what

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Speaker 4: I mean, Like the South didn't seem human at one point.

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Speaker 4: It seems like all of y'all beats, if you has

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Speaker 4: stripes or whatever, y'all kept it in between each other

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Speaker 4: and New York.

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Speaker 2: We couldn't do that, you know what I mean.

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Speaker 5: It was it was outer and you know what I'm saying,

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Speaker 5: like we didn't see it though, like you didn't see

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Speaker 5: a lot of I say with.

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Speaker 2: I didn't see like the Atlanta on Atlanta. That's a

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Speaker 2: good thing.

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Speaker 5: Then if you're saying, from your perspective you didn't see

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Speaker 5: it like that, then that's good.

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Speaker 2: So make.

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Speaker 5: We like to keep the reputation of keeping it, you know, together,

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Speaker 5: togetherness in that Southern hospitality for sure.

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Speaker 4: So what actually happened with you and t I at

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Speaker 4: that time?

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Speaker 5: It was from my perspective, it was always a little subliminals,

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Speaker 5: and I just heard subliminals. And I'm extremely competitive, so

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Speaker 5: I'm always with the subliminals. So when you know when

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Speaker 5: he was jab, I was just jab right back in records.

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Speaker 4: Did this happened to the like karate class.

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Speaker 5: Absolutely not, But no, just this competition, man. And you

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Speaker 5: know it's crazy because again in retrospect, we were actually

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Speaker 5: on a flight together, on a plane we went to

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Speaker 5: George Floyd's funeral services together. God bless Will Packer put

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Speaker 5: a bunch of people together on this plane and so

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Speaker 5: we literally were on there talking for two three hours

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Speaker 5: of everything, the whole history. And you know, I just

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Speaker 5: told him to his faces, like, brother, I never start.

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Speaker 2: Any fucking thing, you know what I'm saying.

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Speaker 5: I come from a world where I mind my own

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Speaker 5: fucking business.

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Speaker 2: This is what Ludacris does.

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Speaker 5: I hear people talk stuff, and people take jabs, and

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Speaker 5: people take shots, and then you know, I decide whether

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Speaker 5: or not I want to send the shots back. But

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Speaker 5: at the end of the day, I just I don't

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Speaker 5: start shit. I finished it.

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Speaker 2: That's what I do.

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Speaker 5: So we on this plane, man, talking about the history

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Speaker 5: of all the shit that we've been through, like and

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Speaker 5: it's like we sat back and laughed at the end

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Speaker 5: of that shit, you know what I'm saying.

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Speaker 2: And that's what.

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Speaker 5: Maturity and that's what stroke is all about. But we

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Speaker 5: gave the people what they wanted for a certain amount

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Speaker 5: of time, and that's what hip hop is. It starts

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Speaker 5: from competition, and we just gonna get We're gonna give

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Speaker 5: you that, you know what I'm saying.

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Speaker 4: So we're going through your discography, bro, the discogo. Yeah,

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Speaker 4: we're going through it.

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Speaker 6: Bro.

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Speaker 2: I ain't got a lot of you.

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Speaker 4: We got some records here. We know we've seen you

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Speaker 4: do versus with Nelly. Yeah, but y'all wasn't in the

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Speaker 4: same room. Correct, we were not.

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Speaker 5: I think we were the first rappers to do versus,

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Speaker 5: if I'm not mistaken. And this was at a time

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Speaker 5: where the everybody was still at home, like but nobody

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Speaker 5: was leaving this quarantine. So this is before people got

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Speaker 5: on the stages and was doing the whole performance and

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Speaker 5: ship Niggas.

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Speaker 4: Was at the crib. I'm gonna be honest with you.

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Speaker 4: I looked at your face when you walked up, and

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Speaker 4: I knew you was gonna win, just like you had

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Speaker 4: the eye the fucking I don't know what you was

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Speaker 4: doing push ups before that.

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Speaker 2: I looked at you.

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Speaker 4: I was like, no, you know how, you know how

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Speaker 4: you're in the zone like I looked. Was it because

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Speaker 4: you was bored?

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Speaker 2: Let me tell yourself, you're just starting this interview. That's

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Speaker 2: gonna be a common theme to competitive yess yeah, I

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Speaker 2: love competition. It's what we do this ship for.

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Speaker 5: So that's what you saw on my face, like subdleness,

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Speaker 5: just ready to fucking go.

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Speaker 2: Let's go, because you know what you look like.

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Speaker 4: You look like the fighter, right that's about to fight

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Speaker 4: his brother that don't want to hurt his brother's That's

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Speaker 4: what any opponent.

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Speaker 5: By the way, Okay, that's why I say I don't

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Speaker 5: start ship. I finished it. That's that's the other theme

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Speaker 5: of this interview. Well, go ahead. I'm sorry to interrupt you,

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Speaker 5: my brother.

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Speaker 2: No, no, no, I was so because I was looking

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Speaker 2: and I.

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Speaker 4: Know you personally and I know Nelly personally, right, so

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Speaker 4: I know both of you brothers, and I'm looking and

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Speaker 4: i'm you know, as everyone else, we all bored in

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Speaker 4: the crib and I'm just like this. But I knew

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Speaker 4: how I seen your face. I knew how serious you

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Speaker 4: took it. And I seen Nellie, that's my that's my

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Speaker 4: brother too.

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Speaker 2: Let me just big him up. But I seen him.

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Speaker 4: I seen him kind of like you know, not I

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Speaker 4: don't want to say not taking this serious, but just

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Speaker 4: like you know, I'm here and I phone with your face.

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Speaker 2: You have to face on your guy right now.

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Speaker 4: You you were zone then you were looking at your

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Speaker 4: DJ and I just knew it. And is that that

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Speaker 4: goes back to the competition thing. It does not matter, bro.

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Speaker 4: I love this shit.

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Speaker 2: Bro. I live for this shit.

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Speaker 5: I apologize for movies getting in the way of the

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Speaker 5: music people, but goddamn it, I'm coming.

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Speaker 2: I love this shit. I just love it.

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Speaker 5: You know what I'm saying. I made a living off

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Speaker 5: of it. My kids is straight off of it. My

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Speaker 5: whole team, we feed a lot of people, and that's

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Speaker 5: why we take it so serious.

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Speaker 2: I just love it. I love it. That's that face, man,

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Speaker 2: that's that game face.

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Speaker 4: And how happy are you that jar Ru turned down

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Speaker 4: that job?

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Speaker 2: Man?

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Speaker 5: I didn't believe it at first when I heard that rumor,

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00:13:35,240 --> 00:13:37,719
Speaker 5: And yeah, what is the rumor? Tell us what is

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Speaker 5: your party you heard? I don't want to speak for job,

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Speaker 5: but it was definitely something in the realm of John

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Speaker 5: Singleton went to him first for that role in Too Fast,

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Speaker 5: Too Furious because he was in the first Fast and

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Speaker 5: Furious and for whatever reason, that deal didn't work out.

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Speaker 5: So I don't know the specifics, and so that deal

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Speaker 5: not working out has had ludicris in two six seven

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Speaker 5: eight nine ten. Let me take a sip of my

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Speaker 5: motherfucker god, hey man sit two five six seven eight

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Speaker 5: nine ten.

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Speaker 2: And still fucking don't another rumor that I heard. Tell

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Speaker 2: me if this is true or not.

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Speaker 6: The contractually doing the movies, you weren't allowed to put

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Speaker 6: out music.

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Speaker 5: Contractually, I wasn't. I wasn't able to ride my motorcycles.

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Speaker 5: They got that ship in the contract. While we're shooting,

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Speaker 5: you cannot ride. I'm a motorcycle junkie. I'm an adrenaline junkie.

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Speaker 5: By the way, we'll get onto that. But no, nowhere

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Speaker 5: did they say we couldn't put out here. I actually

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Speaker 5: put out I want to say, a small project on

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00:14:37,400 --> 00:14:39,440
Speaker 5: the release of one of the movies or some shit

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Speaker 5: like that. But now I'm just saying it does take

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Speaker 5: a lot of time. And I'm the type of person

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Speaker 5: that I'm gonna put one hundred percent into whatever the

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Speaker 5: fuck I'm doing at the time. So I'm not the

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Speaker 5: nigga that's gonna be half assing an album in music

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Speaker 5: and shooting a role in a movie at the same time.

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Speaker 5: So it's like my management and my team, they love

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00:14:56,040 --> 00:14:57,600
Speaker 5: me for that, but they always hate they hate me

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00:14:57,600 --> 00:14:59,440
Speaker 5: for that shit. At the same time, I'm just full

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Speaker 5: throttle with it. So that was that your first acting gig.

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Speaker 5: My first acting gig was was Crash. That ship that

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Speaker 5: oneed God damn Academy award was right, No, no, no, no,

346
00:15:13,320 --> 00:15:17,000
Speaker 5: don Cheita, don Cheeto was in there, Sandra Bullock, Brendan Fraser,

347
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Speaker 5: my brother, Lawrence Tate was in there.

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Speaker 2: Terrence, it was in that. Yeah, that ship won won

349
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Speaker 2: the Academy Award.

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Speaker 4: I love how people just start dropping names, but in

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Speaker 4: a good movie.

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Speaker 2: I've never been in a good movie. I got dropped

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Speaker 2: because the classic playing you were in a class. Yeah,

354
00:15:30,720 --> 00:15:32,600
Speaker 2: but I don't know the names water.

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Speaker 4: But tell them about your zombie movie.

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Speaker 5: But so that you got, you gotta say. You got

357
00:15:40,440 --> 00:15:43,480
Speaker 5: to say that the classic that you come on Okay later,

358
00:15:43,760 --> 00:15:45,920
Speaker 5: But your first movie was in his Crash. That's the

359
00:15:45,920 --> 00:15:49,040
Speaker 5: first movie I had a I had a small part

360
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Speaker 5: in the Wash.

361
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Speaker 2: That was like the.

362
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Speaker 5: Snooping doctor Ship. That was like a cameo. But the

363
00:15:54,600 --> 00:15:57,880
Speaker 5: first movie movie Crash, then Too Fast, Too Furious, then

364
00:15:57,960 --> 00:16:03,360
Speaker 5: Hustling Flow, You Hustling Flow, John Singleton and Craig Brewer,

365
00:16:03,920 --> 00:16:06,480
Speaker 5: and man, it was just I mean, I remember Skinny Black.

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Speaker 2: Is that your favorite role you ever played?

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00:16:09,000 --> 00:16:11,760
Speaker 5: Noah, the rolling crash is the favorite role I've ever played,

368
00:16:11,760 --> 00:16:14,520
Speaker 5: to be completely honest with you, and it's uh, but

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00:16:14,640 --> 00:16:17,480
Speaker 5: the hustling flow shit. I remember John Singleton coming to

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Speaker 5: me saying he wanted me to play a rapper in

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Speaker 5: a movie. I was like, man, I'm not doing that.

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Speaker 5: I don't want to play a fucking rapper. I'm a rapper.

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Speaker 5: I'm like, if I'm gonna do these roles, I want

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Speaker 5: to do something outside of the realm of my own personality.

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Speaker 5: And then he sat me down and he was like, well,

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Speaker 5: you know, this isn't your personality. This is kind of

377
00:16:31,520 --> 00:16:33,120
Speaker 5: a little bit outside of And then I was like,

378
00:16:33,160 --> 00:16:35,480
Speaker 5: he convinced me to do it, and and the rest

379
00:16:35,560 --> 00:16:38,320
Speaker 5: is history. And and rest in peace to John Singleton

380
00:16:38,320 --> 00:16:39,840
Speaker 5: because he's the one who put me like we said

381
00:16:39,880 --> 00:16:43,200
Speaker 5: it too fast, too furious. He took ice Cube and

382
00:16:43,240 --> 00:16:46,200
Speaker 5: you know, you put them in and Boys in the Hoods.

383
00:16:46,240 --> 00:16:48,440
Speaker 5: He's taking ty Reese and put them in Baby Boy.

384
00:16:48,800 --> 00:16:51,720
Speaker 5: So he takes people from the music world, notices a

385
00:16:51,800 --> 00:16:54,600
Speaker 5: talent in them, and then literally puts them in movies.

386
00:16:54,680 --> 00:16:56,920
Speaker 5: Next thing, you know, catapult them to a whole other level.

387
00:16:57,240 --> 00:17:01,640
Speaker 5: Lives too iconic. So Man, he rest in peace. Man ever, grateful, forever,

388
00:17:01,720 --> 00:17:03,880
Speaker 5: thankful for ever, thankful. He lived down the block for

389
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Speaker 5: me before he passed away.

390
00:17:05,119 --> 00:17:06,520
Speaker 4: I used to hang out with him all the time,

391
00:17:06,560 --> 00:17:08,600
Speaker 4: and I told him, can you put me a Snowfall?

392
00:17:08,640 --> 00:17:09,560
Speaker 2: And he said never.

393
00:17:11,600 --> 00:17:13,520
Speaker 4: Because he said my New York accent is too foul.

394
00:17:13,680 --> 00:17:15,600
Speaker 4: He said, I can never go for a l a person.

395
00:17:15,640 --> 00:17:18,320
Speaker 4: And I was like, he's kind of right. I've been

396
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Speaker 4: living in the South for sixteen years.

397
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Speaker 2: I'm not laft your accent for that.

398
00:17:22,480 --> 00:17:22,640
Speaker 4: Ben.

399
00:17:23,119 --> 00:17:24,920
Speaker 2: No, I don't think I'm gonna try to just try it. No,

400
00:17:26,400 --> 00:17:33,359
Speaker 2: I'm just drinking up. Give me your best. But you

401
00:17:33,400 --> 00:17:38,600
Speaker 2: know what's dope on Snowfall? That dub C is Actually he's.

402
00:17:38,400 --> 00:17:44,520
Speaker 4: A dialect that Yeah, yeah, somebody told us on drink jams.

403
00:17:44,520 --> 00:17:47,919
Speaker 4: I'm I'm sort of the Bond scenes and then yeah,

404
00:17:47,920 --> 00:17:49,400
Speaker 4: I know that trained them.

405
00:17:49,880 --> 00:17:53,640
Speaker 2: So John singles in this l moving on, let's get

406
00:17:53,680 --> 00:17:58,439
Speaker 2: the stand up and that video stand up.

407
00:17:58,520 --> 00:18:01,360
Speaker 5: I remember, Man, we was all in the Death Jam offices. Man,

408
00:18:01,400 --> 00:18:03,960
Speaker 5: that ship right there deserves a show all within itself,

409
00:18:04,080 --> 00:18:06,800
Speaker 5: just being a depth jam in New York City and.

410
00:18:07,280 --> 00:18:12,640
Speaker 4: You're doing my interview. That's my next question. I'm trying

411
00:18:12,640 --> 00:18:14,720
Speaker 4: to like you notice good.

412
00:18:14,760 --> 00:18:16,960
Speaker 2: He's good. You got murder Inc.

413
00:18:17,000 --> 00:18:19,480
Speaker 5: You got Rockefeller, you got disturbing the peace, you got

414
00:18:19,520 --> 00:18:21,640
Speaker 5: all these I'm talking about craziness.

415
00:18:21,760 --> 00:18:24,720
Speaker 2: Exce up there one day, Jay there, one day, job

416
00:18:24,760 --> 00:18:25,040
Speaker 2: up there.

417
00:18:25,080 --> 00:18:27,240
Speaker 5: Another day you got red and meth coming to food,

418
00:18:27,320 --> 00:18:30,000
Speaker 5: smoking the place out. But all that being said, it's

419
00:18:30,040 --> 00:18:32,840
Speaker 5: just like, bro, I remember going up there and stand

420
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Speaker 5: Up coming out and this nigga.

421
00:18:34,119 --> 00:18:38,280
Speaker 2: Irv Gott he just bombarding me. Yo. What the That's

422
00:18:38,280 --> 00:18:40,800
Speaker 2: how you put out a fu fucking shine?

423
00:18:41,040 --> 00:18:41,439
Speaker 4: What's up?

424
00:18:41,560 --> 00:18:43,439
Speaker 2: Fuck? That's what I'm talking about.

425
00:18:48,359 --> 00:18:50,720
Speaker 5: It was like, I just that type of energy is crazy.

426
00:18:50,760 --> 00:18:53,960
Speaker 5: But I think as artists, we all have certain records

427
00:18:53,960 --> 00:18:54,920
Speaker 5: where we're kind of on.

428
00:18:54,840 --> 00:18:56,679
Speaker 2: The fence about if that ship is at hit. We

429
00:18:56,840 --> 00:18:57,719
Speaker 2: know it's a fucking hit.

430
00:18:57,800 --> 00:18:59,600
Speaker 5: In somewhere we're like, we think it's hit, and then

431
00:18:59,600 --> 00:19:02,200
Speaker 5: that ship is not a fucking When I heard Stand Up,

432
00:19:02,280 --> 00:19:05,320
Speaker 5: me and his nigga Kanye was in the studio in.

433
00:19:05,280 --> 00:19:06,960
Speaker 2: Atlanta, Georgia. He came down to Atlanta.

434
00:19:07,359 --> 00:19:08,879
Speaker 5: And this is a dope as story because it was

435
00:19:08,920 --> 00:19:11,679
Speaker 5: the engineer and it was Kanye and I know a

436
00:19:11,680 --> 00:19:13,760
Speaker 5: lot of people. You know, we talk about producers and

437
00:19:13,800 --> 00:19:15,479
Speaker 5: a lot of Kanye for being a producer.

438
00:19:15,560 --> 00:19:16,480
Speaker 2: It's early Kanye.

439
00:19:16,800 --> 00:19:20,399
Speaker 5: Listen, bro producers sometimes they don't you don't you know

440
00:19:20,480 --> 00:19:22,800
Speaker 5: their producer. You don't see these motherfuckers touching the button

441
00:19:23,320 --> 00:19:28,320
Speaker 5: electronic equipment in person. Literally just me, Kanye and the engineer.

442
00:19:28,359 --> 00:19:30,760
Speaker 5: That motherfucker made that beat in like five minutes on

443
00:19:30,800 --> 00:19:32,240
Speaker 5: the goddamn ASR.

444
00:19:31,880 --> 00:19:35,040
Speaker 2: T and keyboard by himself. It's literally just us three. Wow.

445
00:19:35,440 --> 00:19:36,760
Speaker 2: And I mean it was fucking amazing.

446
00:19:36,800 --> 00:19:40,000
Speaker 5: And if you listen to that song, there's probably like

447
00:19:40,119 --> 00:19:43,720
Speaker 5: five sounds in the song that's It's a simple. It's

448
00:19:43,840 --> 00:19:46,840
Speaker 5: very simple. So I call it dynamic simplicity. That motherfucker

449
00:19:46,880 --> 00:19:49,200
Speaker 5: did that. So all that being said, yes, stand up.

450
00:19:49,560 --> 00:19:50,920
Speaker 5: As soon as I heard that shit, I knew it

451
00:19:51,000 --> 00:19:51,320
Speaker 5: was a hit.

452
00:19:51,480 --> 00:19:52,840
Speaker 4: But how did you come up with the concept for

453
00:19:52,840 --> 00:19:53,240
Speaker 4: the video?

454
00:19:54,160 --> 00:19:56,800
Speaker 2: Man? That's just the way my mind. That was you

455
00:19:56,880 --> 00:19:57,800
Speaker 2: that came up with the concept.

456
00:19:58,440 --> 00:20:00,359
Speaker 4: A couple of things that I've never kind of that

457
00:20:00,600 --> 00:20:03,159
Speaker 4: I regret in life is that I wanted you to

458
00:20:03,440 --> 00:20:05,800
Speaker 4: direct one of my videos. We can still do that. Yeah,

459
00:20:05,920 --> 00:20:08,159
Speaker 4: I've got to make the records, I got you. I

460
00:20:08,200 --> 00:20:10,240
Speaker 4: ain't got the record, but hold.

461
00:20:10,040 --> 00:20:13,840
Speaker 5: You, man, the way my mind works, I wouldn't even

462
00:20:13,840 --> 00:20:15,480
Speaker 5: be able to answer that fucking question for you.

463
00:20:15,520 --> 00:20:17,480
Speaker 2: Bro. I just whatever, the.

464
00:20:17,359 --> 00:20:23,440
Speaker 5: Most ridiculous, ludicrous, out of this world wild shit is.

465
00:20:23,400 --> 00:20:25,040
Speaker 2: That's what I come up with. And I'm like, let's

466
00:20:25,080 --> 00:20:25,400
Speaker 2: do that.

467
00:20:25,640 --> 00:20:27,720
Speaker 5: And I definitely got to give Dave Meyers his credit

468
00:20:27,720 --> 00:20:29,480
Speaker 5: as well, because you know, he shot a lot of

469
00:20:29,480 --> 00:20:30,160
Speaker 5: my videos and.

470
00:20:30,119 --> 00:20:32,680
Speaker 2: He shot that one. But the big shoes, you know.

471
00:20:32,720 --> 00:20:34,720
Speaker 5: The babyhead on the I mean, the big head on

472
00:20:34,720 --> 00:20:40,400
Speaker 5: the on the baby's body, the little person hanging from

473
00:20:40,440 --> 00:20:42,199
Speaker 5: my neck, list, all of that. It's just I just

474
00:20:42,320 --> 00:20:46,400
Speaker 5: love the visual aspect and just showing people something outside

475
00:20:46,400 --> 00:20:48,640
Speaker 5: of the realm of what they normally see. I love

476
00:20:48,640 --> 00:20:51,960
Speaker 5: it and just create my own lane, that's you know

477
00:20:52,000 --> 00:20:52,280
Speaker 5: what I mean.

478
00:20:52,320 --> 00:20:53,360
Speaker 2: And and by the way.

479
00:20:53,200 --> 00:20:55,439
Speaker 5: Of course, I was one hundred percent inspired by the

480
00:20:55,480 --> 00:20:57,200
Speaker 5: Busters of the world and the Missis of the world,

481
00:20:57,240 --> 00:20:59,000
Speaker 5: but I had to make my own lane even in

482
00:20:59,040 --> 00:21:01,400
Speaker 5: that world phenomenal videos.

483
00:21:01,520 --> 00:21:03,960
Speaker 4: But because I mean, that's what kind of really really

484
00:21:04,320 --> 00:21:07,040
Speaker 4: what separates you, right. We know your lyrical we know

485
00:21:07,080 --> 00:21:08,880
Speaker 4: you could pick hits, we know you could do that

486
00:21:09,040 --> 00:21:12,040
Speaker 4: but it's really the I think that's something that me

487
00:21:12,040 --> 00:21:14,000
Speaker 4: and you share. It's like the comedic sense. It's the

488
00:21:14,040 --> 00:21:16,680
Speaker 4: big people want to be entertained and laugh, you know

489
00:21:16,720 --> 00:21:17,080
Speaker 4: what I mean.

490
00:21:17,320 --> 00:21:19,120
Speaker 5: That's a good ass question because a lot of people

491
00:21:19,160 --> 00:21:22,240
Speaker 5: don't know what I can attribute a lot of my

492
00:21:22,320 --> 00:21:25,240
Speaker 5: style and videos and all these crazy ideas too. I

493
00:21:25,320 --> 00:21:28,919
Speaker 5: literally was raised off of Richard Pryor and Eddie Murphy

494
00:21:28,960 --> 00:21:31,080
Speaker 5: and comedians like that's all I used to watch as

495
00:21:31,080 --> 00:21:32,639
Speaker 5: a kid. When you're young and you're not supposed to

496
00:21:32,680 --> 00:21:35,680
Speaker 5: be watching that shit. So I'm like, you know, seven, eight, nine,

497
00:21:35,680 --> 00:21:38,159
Speaker 5: ten years old, bis Markey, bis Markey.

498
00:21:37,960 --> 00:21:39,520
Speaker 2: Too, all of that shit I'm just I'm talking about.

499
00:21:39,520 --> 00:21:41,919
Speaker 5: I was raised off comedian Okay, So in terms of

500
00:21:41,920 --> 00:21:45,320
Speaker 5: me having this style where it's like there's comedic elements

501
00:21:45,320 --> 00:21:48,240
Speaker 5: and my videos being funny and me just always wanted

502
00:21:48,240 --> 00:21:50,199
Speaker 5: to have a good ass time and laugh and just

503
00:21:50,240 --> 00:21:53,440
Speaker 5: be lighthearted and just have fun. That shit comes from

504
00:21:53,480 --> 00:21:57,199
Speaker 5: just me loving comedy. I was a deaf comedy jam fiend.

505
00:21:57,240 --> 00:21:59,479
Speaker 5: Like I watched it over and over again, Eddie Murphy.

506
00:21:59,720 --> 00:22:02,639
Speaker 5: You know what you're probably now, Dave Chappelle Martin, Like

507
00:22:03,000 --> 00:22:03,880
Speaker 5: I love that ship.

508
00:22:03,960 --> 00:22:06,280
Speaker 4: I love it that one of the videos you made

509
00:22:07,359 --> 00:22:10,320
Speaker 4: was somebody bothering somebody in the stall while they in

510
00:22:10,359 --> 00:22:12,560
Speaker 4: the bathroom. You know you know that shit got worse.

511
00:22:13,400 --> 00:22:15,160
Speaker 4: You said it got worse. Yeah, like like you when

512
00:22:15,160 --> 00:22:18,240
Speaker 4: you go to take a piss, what are you talking to?

513
00:22:18,440 --> 00:22:20,240
Speaker 2: People? Take about?

514
00:22:21,160 --> 00:22:22,920
Speaker 4: I wouldn't take a Pisso the other day sometime taking

515
00:22:23,000 --> 00:22:23,840
Speaker 4: over lives.

516
00:22:23,600 --> 00:22:27,679
Speaker 2: In the southron I had to handle. Now, she's crazy

517
00:22:27,720 --> 00:22:30,240
Speaker 2: out here. You don't get they did it to you.

518
00:22:30,240 --> 00:22:31,520
Speaker 2: You don't go to the bathroom.

519
00:22:31,920 --> 00:22:34,000
Speaker 4: I don't go to the bathroom. You don't go to

520
00:22:34,600 --> 00:22:37,879
Speaker 4: the bathroom. Don't go to the bathrooms? What are some

521
00:22:37,960 --> 00:22:40,040
Speaker 4: crazy ship that stalker? Like?

522
00:22:40,040 --> 00:22:42,920
Speaker 2: Like ever did you? Is the craziest ship that ever happened? One?

523
00:22:43,240 --> 00:22:44,200
Speaker 2: Are you sure you want another?

524
00:22:44,240 --> 00:22:44,359
Speaker 4: One?

525
00:22:44,840 --> 00:22:49,760
Speaker 2: Like? We just Noah. We was on tour and.

526
00:22:50,160 --> 00:22:51,840
Speaker 5: I was on my tour bus and we noticed there

527
00:22:51,880 --> 00:22:54,000
Speaker 5: was a car following us from like one city to

528
00:22:54,040 --> 00:22:54,360
Speaker 5: the next.

529
00:22:54,359 --> 00:22:55,760
Speaker 2: So we're talking a three hour ride.

530
00:22:56,080 --> 00:22:58,640
Speaker 5: So after the first thirty forty five minutes, we're like, yo,

531
00:22:59,400 --> 00:23:01,600
Speaker 5: this fucking is one hundred percent following us. So we

532
00:23:01,680 --> 00:23:04,760
Speaker 5: pull over and it's a whole fucking family that gets

533
00:23:04,760 --> 00:23:08,679
Speaker 5: out talking about father, mother, and kids. They are the

534
00:23:08,800 --> 00:23:11,080
Speaker 5: ultimate lud Chris fans, and they're following us to the

535
00:23:11,119 --> 00:23:12,440
Speaker 5: next city, and we were like, what I.

536
00:23:12,359 --> 00:23:17,560
Speaker 2: Want, race, We're race. This is a game. Yes, from

537
00:23:17,600 --> 00:23:30,399
Speaker 2: the Mountains of Caucasian twenty million records. I love it,

538
00:23:30,680 --> 00:23:31,080
Speaker 2: I love you.

539
00:23:31,320 --> 00:23:33,920
Speaker 5: But yeah, that was probably the craziest ship that ever happened.

540
00:23:33,920 --> 00:23:36,000
Speaker 5: We had to make them stop following us. Where you

541
00:23:36,040 --> 00:23:38,719
Speaker 5: have a wrapped bus? Is this weather following the Well,

542
00:23:39,080 --> 00:23:40,840
Speaker 5: we have a bunch of buses. The wrapped one was

543
00:23:40,880 --> 00:23:42,320
Speaker 5: not the one that I was on. Put it that way,

544
00:23:42,320 --> 00:23:43,360
Speaker 5: but obviously they knew.

545
00:23:43,160 --> 00:23:45,560
Speaker 2: I figured out which buss, figured.

546
00:23:45,280 --> 00:23:46,920
Speaker 5: Out I was on that fucking bus.

547
00:23:48,080 --> 00:23:53,120
Speaker 4: So I mean, luder Man, your career is just phenomenal.

548
00:23:53,200 --> 00:23:55,880
Speaker 2: Right, thank you, bro? When is it? When is the time?

549
00:23:56,119 --> 00:24:01,000
Speaker 4: Because I know, for my own personal experience, sometimes I

550
00:24:01,040 --> 00:24:03,880
Speaker 4: still don't think I've made it right off field, don't

551
00:24:03,880 --> 00:24:04,840
Speaker 4: feel like I got to the.

552
00:24:04,880 --> 00:24:06,320
Speaker 2: Level where I want to get.

553
00:24:06,680 --> 00:24:09,440
Speaker 4: But there's so many people in this world that says, oh, man,

554
00:24:10,119 --> 00:24:12,920
Speaker 4: when was the time that you felt like, man, I'm here,

555
00:24:13,280 --> 00:24:14,720
Speaker 4: like I can't be man.

556
00:24:14,760 --> 00:24:16,040
Speaker 2: It was it was two different times.

557
00:24:16,040 --> 00:24:18,000
Speaker 5: So one, like I told you, I used to work

558
00:24:18,000 --> 00:24:20,520
Speaker 5: in that radio station, and they never had us on

559
00:24:20,600 --> 00:24:22,919
Speaker 5: contracts because I was myself and a guy by the

560
00:24:22,960 --> 00:24:25,760
Speaker 5: name of cun Daddy were the youngest, the youngest guys

561
00:24:25,800 --> 00:24:26,920
Speaker 5: at the radio station DC.

562
00:24:27,080 --> 00:24:28,719
Speaker 2: Now, no, no, not that, not that. OK.

563
00:24:29,480 --> 00:24:31,159
Speaker 5: So we were the youngest people at the station, so

564
00:24:31,200 --> 00:24:34,800
Speaker 5: basically everybody else had contracts at least year contracts. So

565
00:24:35,280 --> 00:24:37,160
Speaker 5: me and him, I'm like, again, I'm eighteen, so I'm

566
00:24:37,200 --> 00:24:38,840
Speaker 5: young as hell. I don't know shit. I'm just out

567
00:24:38,880 --> 00:24:41,120
Speaker 5: here having fun, making making more money than I've seen

568
00:24:41,160 --> 00:24:44,640
Speaker 5: hosting clubs. So since they didn't have us on a contract,

569
00:24:44,920 --> 00:24:47,760
Speaker 5: you know, we were in fear of losing our jobs

570
00:24:47,800 --> 00:24:50,120
Speaker 5: every day because we were live wise. We were doing

571
00:24:50,160 --> 00:24:52,320
Speaker 5: stupid shit at that radio station, things that you would

572
00:24:52,359 --> 00:24:54,159
Speaker 5: get fired for immediately.

573
00:24:54,440 --> 00:24:58,920
Speaker 2: Shock jock type shit. Well you're like, fine, shock jockshit.

574
00:24:59,080 --> 00:25:01,320
Speaker 4: Shock jock is like doing something that you know, oh you.

575
00:25:01,320 --> 00:25:03,760
Speaker 5: Talk about against the competitors. Suggest No, I'm talking about

576
00:25:03,800 --> 00:25:05,760
Speaker 5: just stupid young shit, like you.

577
00:25:05,720 --> 00:25:08,320
Speaker 2: Know, smoking weed and the limit, almost burning the goddamn

578
00:25:08,320 --> 00:25:09,640
Speaker 2: car down on top of shit.

579
00:25:10,160 --> 00:25:14,520
Speaker 5: So yeah, oh yeah, yeah. The crazy shit is that

580
00:25:14,600 --> 00:25:17,120
Speaker 5: at the end of the day when I was when

581
00:25:17,400 --> 00:25:20,560
Speaker 5: once your fantasy came out. So I had an independent Wait,

582
00:25:20,640 --> 00:25:22,679
Speaker 5: so what talking about? Talk about what's your fantasy? Came

583
00:25:22,720 --> 00:25:24,800
Speaker 5: up while you at the radio station.

584
00:25:24,880 --> 00:25:28,480
Speaker 2: That's Derry, I'll cut you.

585
00:25:29,720 --> 00:25:32,000
Speaker 5: So the whole story goes, I'm at this station and

586
00:25:32,080 --> 00:25:34,600
Speaker 5: I'm making these you know, little hundreds of dollars here

587
00:25:34,640 --> 00:25:36,840
Speaker 5: and there while I'm hosting these clubs. So I built

588
00:25:36,880 --> 00:25:39,240
Speaker 5: up enough money to where I had about five to

589
00:25:39,320 --> 00:25:42,040
Speaker 5: ten thousand dollars, where I put all that money back

590
00:25:42,080 --> 00:25:44,480
Speaker 5: into my own album. So I'm paying for all my

591
00:25:44,520 --> 00:25:46,679
Speaker 5: record and all my mix and all my mastering. And

592
00:25:46,720 --> 00:25:48,760
Speaker 5: this is a time when vinyl was still out, So

593
00:25:48,800 --> 00:25:51,760
Speaker 5: I pressed this whole fucking CD together and I had

594
00:25:51,760 --> 00:25:54,960
Speaker 5: the vinyl and everything, and then I distributed independently, even

595
00:25:54,960 --> 00:25:56,399
Speaker 5: though first you kind of sell the shit out to

596
00:25:56,440 --> 00:25:59,120
Speaker 5: trunk and there was an independent distributor in Atlanta.

597
00:25:59,600 --> 00:26:02,160
Speaker 2: So once I started put I put the shit out.

598
00:26:02,200 --> 00:26:06,120
Speaker 5: But the craziest, most dynamic, strategic part about this whole.

599
00:26:05,920 --> 00:26:07,000
Speaker 2: Plan is in radio.

600
00:26:07,119 --> 00:26:10,960
Speaker 5: As you know, as time goes on, everybody at radio

601
00:26:11,040 --> 00:26:13,160
Speaker 5: they moved a different city, so a lot of people

602
00:26:13,240 --> 00:26:15,959
Speaker 5: don't stay in one particular slot in one city at

603
00:26:15,960 --> 00:26:18,320
Speaker 5: the time. So during that three to four years that

604
00:26:18,359 --> 00:26:19,920
Speaker 5: I told you, I was up there trying to get

605
00:26:19,920 --> 00:26:22,040
Speaker 5: put on as ludicrous and then it eventually had to

606
00:26:22,080 --> 00:26:24,560
Speaker 5: invest in myself. I had a lot of friends in

607
00:26:24,600 --> 00:26:27,040
Speaker 5: different places that had dispersed all around the country, so

608
00:26:27,359 --> 00:26:29,479
Speaker 5: I literally told them, yo, I got this single.

609
00:26:29,680 --> 00:26:30,960
Speaker 2: It's called What's Your Fantasy?

610
00:26:31,440 --> 00:26:35,600
Speaker 5: Just give it a fucking try on your station, other stations,

611
00:26:36,080 --> 00:26:38,000
Speaker 5: my friend so I had a network, but it was

612
00:26:38,080 --> 00:26:40,760
Speaker 5: all it was all a plan, so they started playing it.

613
00:26:40,800 --> 00:26:44,840
Speaker 5: The ship gets instant reaction, obviously, instant reaction on there

614
00:26:45,200 --> 00:26:48,960
Speaker 5: on their channels. So once the shit started to blow up.

615
00:26:49,000 --> 00:26:51,199
Speaker 2: And yes, spins, which is what's giving me.

616
00:26:51,680 --> 00:26:54,359
Speaker 5: We had like eight hundred bdspins on our independent artists,

617
00:26:54,359 --> 00:26:57,440
Speaker 5: which was unfucking heard of. So this is when all

618
00:26:57,440 --> 00:26:59,600
Speaker 5: the labels started calling me. Before I get to that,

619
00:27:00,440 --> 00:27:03,520
Speaker 5: we motherfucker started calling my cell phone. Don't even know

620
00:27:03,520 --> 00:27:05,240
Speaker 5: how to fuck they got my cell phone. I'm talking

621
00:27:05,240 --> 00:27:09,480
Speaker 5: about CEO at every goddamn label, and you know, that's

622
00:27:09,480 --> 00:27:11,600
Speaker 5: another story for another day. But ended up signing with

623
00:27:11,680 --> 00:27:14,760
Speaker 5: Death Jam and they sent me my contract, and I

624
00:27:14,800 --> 00:27:17,800
Speaker 5: remember being on air and all those times that this

625
00:27:17,880 --> 00:27:20,080
Speaker 5: station made me feel like I could get fired every

626
00:27:20,080 --> 00:27:23,240
Speaker 5: fucking day. Signing my contract while I was still on

627
00:27:23,400 --> 00:27:25,680
Speaker 5: the air, and that being one of the best fucking

628
00:27:25,760 --> 00:27:27,960
Speaker 5: days of my life, knowing that I didn't tell them

629
00:27:27,960 --> 00:27:29,640
Speaker 5: to go fuck themselves and nothing the radio.

630
00:27:29,720 --> 00:27:30,200
Speaker 2: I love it.

631
00:27:30,240 --> 00:27:32,160
Speaker 5: I just literally after I signed that contract with him

632
00:27:32,200 --> 00:27:34,400
Speaker 5: and said, hey, I probably won't be.

633
00:27:34,320 --> 00:27:35,080
Speaker 2: Working here anymore.

634
00:27:35,840 --> 00:27:38,040
Speaker 4: I just letting y'all know, I'm gonna put my two

635
00:27:38,080 --> 00:27:41,120
Speaker 4: weeks in okay, in two weeks of life.

636
00:27:41,240 --> 00:27:41,640
Speaker 2: But how.

637
00:27:44,400 --> 00:27:46,879
Speaker 5: You no symbolic as fuck? So the crazy shit is,

638
00:27:46,920 --> 00:27:50,080
Speaker 5: you know DJ Gregg Street. Greg Street was my competitor,

639
00:27:50,440 --> 00:27:54,000
Speaker 5: So he's on this other station that you everything you

640
00:27:54,000 --> 00:27:55,719
Speaker 5: do is competing against the other station, and we were

641
00:27:55,760 --> 00:27:57,800
Speaker 5: on the same time slide, which is six to ten.

642
00:27:58,600 --> 00:28:01,919
Speaker 5: So the moment when us your fantasy started gaining traction

643
00:28:02,520 --> 00:28:04,240
Speaker 5: and I'm on the air the same as him, and

644
00:28:04,280 --> 00:28:07,600
Speaker 5: this motherfucker started playing What's your Fantasy? Somebody text me

645
00:28:07,680 --> 00:28:09,280
Speaker 5: and was like, yo, Greg Street is playing your song

646
00:28:09,359 --> 00:28:11,560
Speaker 5: right now. I said, I'm not I'm not believing that shit.

647
00:28:12,040 --> 00:28:14,480
Speaker 5: So were on commercial break. I turned to this motherfucker

648
00:28:14,480 --> 00:28:17,280
Speaker 5: station and I hear my song on the competitors station

649
00:28:17,760 --> 00:28:20,399
Speaker 5: and I was like, that's quick. I fucking made it

650
00:28:20,840 --> 00:28:22,119
Speaker 5: one of the best days of my life. So all

651
00:28:22,160 --> 00:28:28,080
Speaker 5: that in one you can it. That's the first time time. Okay,

652
00:28:28,840 --> 00:28:32,159
Speaker 5: number two is gonna be me winning that rap album

653
00:28:32,640 --> 00:28:36,160
Speaker 5: Best Rap Album at the Grammys. So this was probably

654
00:28:36,200 --> 00:28:38,400
Speaker 5: a good ten years later, every time I went to

655
00:28:38,400 --> 00:28:41,440
Speaker 5: the Grammys, I'm in the category with Eminem and Jah

656
00:28:41,520 --> 00:28:44,400
Speaker 5: Rule and these motherfuckers were killing this shit. Jay z

657
00:28:44,640 --> 00:28:48,760
Speaker 5: dmx Luda's huge artists. But when it comes to these motherfuckers,

658
00:28:48,760 --> 00:28:52,480
Speaker 5: I'm losing every motherfucking award right yet.

659
00:28:55,160 --> 00:28:57,120
Speaker 2: So yeah, it's all good.

660
00:28:57,120 --> 00:28:59,360
Speaker 5: So I come around and finally, man, I make this

661
00:28:59,440 --> 00:29:02,960
Speaker 5: album released Therapy Bro, and I went on there and

662
00:29:03,000 --> 00:29:05,840
Speaker 5: I was like, man, I'm making this fucking album and

663
00:29:05,880 --> 00:29:08,160
Speaker 5: I'm going to win Best Rap Album for this shit.

664
00:29:08,200 --> 00:29:09,080
Speaker 2: I don't care what happens.

665
00:29:09,120 --> 00:29:11,680
Speaker 5: I'm specifically going in writing this shit, making it the

666
00:29:11,680 --> 00:29:14,280
Speaker 5: way it needs to be. And when they called my

667
00:29:14,320 --> 00:29:17,160
Speaker 5: fucking name, Bro, I was like, that was that did

668
00:29:17,160 --> 00:29:19,560
Speaker 5: it for me? Because you know, all the years, it

669
00:29:19,600 --> 00:29:22,120
Speaker 5: was like over a decade of loss and then finally

670
00:29:22,120 --> 00:29:24,600
Speaker 5: getting that recognition and then Best Rap Album at that

671
00:29:24,680 --> 00:29:26,440
Speaker 5: which you already know as hard as fucking and they

672
00:29:26,440 --> 00:29:29,520
Speaker 5: weren't really giving the rap category what they needed and

673
00:29:29,520 --> 00:29:31,600
Speaker 5: then a funny story to that. I know Shaka gonna

674
00:29:31,640 --> 00:29:34,640
Speaker 5: laugh at this shit because I was so passionate. After

675
00:29:34,640 --> 00:29:38,280
Speaker 5: I got that award, I went backstage and at this time,

676
00:29:38,320 --> 00:29:40,800
Speaker 5: they had all the artists separated by curtains, so motherfuckers

677
00:29:40,840 --> 00:29:42,400
Speaker 5: weren't in specific rooms.

678
00:29:42,800 --> 00:29:44,840
Speaker 2: I say that to say, I get back and I'm like, yeah,

679
00:29:45,320 --> 00:29:47,760
Speaker 2: fuck yeah, I made it. I did it. I won.

680
00:29:47,840 --> 00:29:50,280
Speaker 5: I literally set out this album to make it get

681
00:29:50,280 --> 00:29:52,280
Speaker 5: a Grammy and I got it. And all of a sudden,

682
00:29:52,360 --> 00:29:53,800
Speaker 5: I hear this voice from the other room, on the

683
00:29:53,840 --> 00:29:56,640
Speaker 5: other side of the curtain, and the motherfucker's like, shut.

684
00:29:56,360 --> 00:30:01,080
Speaker 2: The fuck up, man, some of us didn't win any Like,

685
00:30:01,120 --> 00:30:04,560
Speaker 2: who the fuck is that I pulled the curtain back?

686
00:30:05,200 --> 00:30:07,400
Speaker 5: This nigga justin Timberlake is on the other side of

687
00:30:07,440 --> 00:30:10,000
Speaker 5: that motherfucker that niggas just.

688
00:30:09,960 --> 00:30:11,800
Speaker 2: Shut the fuck up. Some of us didn't win, and

689
00:30:11,800 --> 00:30:21,640
Speaker 2: he got the Grammed this year. What the fuck that

690
00:30:21,760 --> 00:30:27,560
Speaker 2: nigga justin Gangster bro Holy, that's crazy. And you know what,

691
00:30:27,720 --> 00:30:28,680
Speaker 2: I'm gonna say something else.

692
00:30:29,720 --> 00:30:31,880
Speaker 5: We talked about t I earlier, and like all the

693
00:30:31,880 --> 00:30:34,040
Speaker 5: ship that we've been through, something that I do respect

694
00:30:34,160 --> 00:30:37,040
Speaker 5: of all the ship that we've been through that same setting,

695
00:30:37,080 --> 00:30:39,240
Speaker 5: within that same timeframe as me winning because he was

696
00:30:39,280 --> 00:30:43,280
Speaker 5: in the same category. He came up to me and said, congratulate,

697
00:30:43,320 --> 00:30:45,520
Speaker 5: look me in my eye, gave his hand and said congratulations.

698
00:30:45,520 --> 00:30:48,480
Speaker 2: That's some hard ship for a nigga to do. So

699
00:30:48,520 --> 00:30:49,120
Speaker 2: you know what I'm saying.

700
00:30:49,160 --> 00:30:51,560
Speaker 5: We talked all the ship that we had that was negativity.

701
00:30:51,560 --> 00:30:54,040
Speaker 5: That's something I want everybody to know that was positive.

702
00:30:53,640 --> 00:30:59,760
Speaker 4: As fun and I respect that because we asked him

703
00:30:59,760 --> 00:31:02,880
Speaker 4: about you on the same show and he kind of

704
00:31:03,080 --> 00:31:05,760
Speaker 4: had the same sentiment. Let's give some flowers, get some flowers,

705
00:31:05,760 --> 00:31:08,720
Speaker 4: get some flowers, and be honest with you. From the

706
00:31:08,800 --> 00:31:13,320
Speaker 4: beginning of our show. We want to give you these flowers.

707
00:31:13,520 --> 00:31:15,280
Speaker 4: Who wanted to tell you how great you are?

708
00:31:16,120 --> 00:31:18,719
Speaker 2: You you he's been a year one request. We've been

709
00:31:18,840 --> 00:31:19,480
Speaker 2: year one.

710
00:31:19,360 --> 00:31:22,160
Speaker 6: Request in the quarantine episode, but that didn't count.

711
00:31:22,400 --> 00:31:24,160
Speaker 2: But let me just say that that means the world

712
00:31:24,200 --> 00:31:26,400
Speaker 2: you have you have. Let me tell you who you

713
00:31:26,440 --> 00:31:27,400
Speaker 2: are as an artist.

714
00:31:27,440 --> 00:31:29,000
Speaker 4: Right, I'm gonna tell you who I was, a person,

715
00:31:29,320 --> 00:31:29,800
Speaker 4: but who you.

716
00:31:29,800 --> 00:31:34,640
Speaker 2: Are as an artist? You have that unique of fitting.

717
00:31:35,000 --> 00:31:40,000
Speaker 2: Let's let's just make the lord to the flower lady

718
00:31:40,080 --> 00:31:40,280
Speaker 2: for you.

719
00:31:41,720 --> 00:31:44,080
Speaker 4: You're the first one to get the flowers in a

720
00:31:44,160 --> 00:31:48,880
Speaker 4: breech a new iteration casey.

721
00:31:50,640 --> 00:31:53,240
Speaker 2: Because there's people. But let me tell you who you are.

722
00:31:53,320 --> 00:31:55,360
Speaker 2: Let me tell you who you are. Tell me about myself. Mother,

723
00:31:55,680 --> 00:31:58,480
Speaker 2: let's go. I want to hear. There isn't There.

724
00:31:58,360 --> 00:32:02,480
Speaker 4: Isn't another artist who can fit in a gangster genre

725
00:32:03,480 --> 00:32:06,800
Speaker 4: and kind of like a backpack genre and kind of

726
00:32:06,840 --> 00:32:09,560
Speaker 4: like a top forty genre and kind of like any

727
00:32:09,640 --> 00:32:11,520
Speaker 4: genre and kind of fit there.

728
00:32:12,400 --> 00:32:14,280
Speaker 2: You know how you like? That's love?

729
00:32:14,680 --> 00:32:17,320
Speaker 4: He's You're a rappers, rapper, That's what it is. Really

730
00:32:17,920 --> 00:32:20,600
Speaker 4: a rest yes coming from that means the world.

731
00:32:22,320 --> 00:32:25,240
Speaker 5: Yeah, I'm just being honest with you.

732
00:32:24,960 --> 00:32:27,440
Speaker 2: You can more into anything you man.

733
00:32:27,920 --> 00:32:29,760
Speaker 4: And I don't know if I said this earlier, but

734
00:32:30,120 --> 00:32:33,640
Speaker 4: one of my biggest gripes with Pharrell was when I

735
00:32:33,640 --> 00:32:35,640
Speaker 4: first got in the studio Forarrell, he was like, you

736
00:32:35,720 --> 00:32:37,240
Speaker 4: have to embrace your character.

737
00:32:38,680 --> 00:32:45,960
Speaker 2: I'm sorry that leor was that Pharrell is Leo Farrell? No?

738
00:32:46,000 --> 00:32:48,440
Speaker 4: But Pharrell was like no, but he really was like,

739
00:32:49,040 --> 00:32:52,560
Speaker 4: you have to embrace your character. How buster embraces a character?

740
00:32:53,120 --> 00:32:55,080
Speaker 4: And I didn't understand because I was like, I'm not

741
00:32:55,120 --> 00:32:58,040
Speaker 4: a character, being who I am, and He's like it

742
00:32:58,040 --> 00:33:00,560
Speaker 4: doesn't matter who you think you are, how the people

743
00:33:00,640 --> 00:33:05,120
Speaker 4: perceive you, right, And I never embraced my character. And

744
00:33:05,160 --> 00:33:07,560
Speaker 4: I felt like, from the moment i've seen you from

745
00:33:07,960 --> 00:33:11,720
Speaker 4: what's your fantasy? I was like, this guy's embracing his character.

746
00:33:12,120 --> 00:33:14,320
Speaker 4: He's doing exactly what for real. And by the way,

747
00:33:14,320 --> 00:33:17,320
Speaker 4: throw them bows. I heard that beat, Ye, I heard

748
00:33:17,360 --> 00:33:20,440
Speaker 4: about this. You gotta tell you what happened. I think

749
00:33:21,400 --> 00:33:25,600
Speaker 4: the truth one year. For twenty one years, I've been

750
00:33:25,680 --> 00:33:29,880
Speaker 4: kicking my ass and kicking myself in the ass. It

751
00:33:29,920 --> 00:33:33,440
Speaker 4: was not for you, bro, crazy, it wasn't for you.

752
00:33:33,440 --> 00:33:35,920
Speaker 2: You knew that it wasn't for me. It wasn't for you.

753
00:33:36,000 --> 00:33:38,560
Speaker 4: It was I wouldn't have to go to the hospitality,

754
00:33:38,600 --> 00:33:41,120
Speaker 4: wouldn't have Yeah, that wasn't for you. It was every

755
00:33:41,160 --> 00:33:43,280
Speaker 4: time I see the video with you upside down, I was.

756
00:33:43,200 --> 00:33:45,200
Speaker 2: Like, that's how I've heard the beat. I was upside down.

757
00:33:45,280 --> 00:33:45,400
Speaker 4: Bro.

758
00:33:45,480 --> 00:33:47,840
Speaker 5: Let me say, as you're giving me my flowers, I'm

759
00:33:47,840 --> 00:33:50,400
Speaker 5: gonna tell you band from TV, that shit changed my life,

760
00:33:51,480 --> 00:33:51,880
Speaker 5: my life.

761
00:33:52,160 --> 00:33:56,120
Speaker 2: So anything, look, anything you're giving me right now. DNA

762
00:33:56,840 --> 00:33:58,040
Speaker 2: helped mold me. Hold on, hold on.

763
00:33:58,240 --> 00:34:04,680
Speaker 4: But let's talk about bowls. So the hospitality you in

764
00:34:04,680 --> 00:34:06,640
Speaker 4: the studio. That's just after my Fantasy.

765
00:34:07,040 --> 00:34:09,279
Speaker 5: Yeah, this is after and we had to literally turn

766
00:34:09,320 --> 00:34:11,800
Speaker 5: the fucking album in like the day after.

767
00:34:13,239 --> 00:34:15,480
Speaker 6: This is already Death, not the independent version of what

768
00:34:15,520 --> 00:34:16,440
Speaker 6: you were putting out already.

769
00:34:16,520 --> 00:34:19,920
Speaker 2: No, this is death version of Death. This is the

770
00:34:19,920 --> 00:34:20,680
Speaker 2: first album.

771
00:34:22,480 --> 00:34:24,640
Speaker 4: Fat Kevin, Fat Kevin.

772
00:34:24,680 --> 00:34:26,680
Speaker 2: Let's just be clear. It two different Kevin's. Yes, I Love,

773
00:34:26,719 --> 00:34:28,479
Speaker 2: I love all three.

774
00:34:29,960 --> 00:34:32,280
Speaker 6: Rob Love is doing the mark I had just started

775
00:34:32,760 --> 00:34:40,640
Speaker 6: started doing you just ca That's when I started doing

776
00:34:40,640 --> 00:34:43,280
Speaker 6: Street Team. This is my first project that I worked

777
00:34:43,280 --> 00:34:45,960
Speaker 6: as the regional form for South Florida Fantasy.

778
00:34:46,160 --> 00:34:48,680
Speaker 2: Yeah, this project, Lucas project. You don't put the f

779
00:34:48,719 --> 00:34:48,920
Speaker 2: N on.

780
00:34:49,000 --> 00:34:54,000
Speaker 4: Look at that Doc Fresher passages you.

781
00:34:55,440 --> 00:34:55,879
Speaker 2: Yes, So.

782
00:34:57,360 --> 00:34:59,480
Speaker 4: You go to the studio and then all got this

783
00:34:59,520 --> 00:35:00,279
Speaker 4: beat already playing.

784
00:35:00,320 --> 00:35:02,920
Speaker 5: Farrell got the beat Man, and I'm like, believe it

785
00:35:03,080 --> 00:35:05,080
Speaker 5: or not, Like I was saying earlier, sometimes you know

786
00:35:05,160 --> 00:35:05,600
Speaker 5: what's a hit.

787
00:35:05,800 --> 00:35:07,960
Speaker 2: Sometimes you were like, eh, I thought.

788
00:35:07,760 --> 00:35:09,719
Speaker 4: It was cool when I first heard it, Or did

789
00:35:09,760 --> 00:35:11,600
Speaker 4: he start doing like this? Yeah, of course you know

790
00:35:11,640 --> 00:35:11,960
Speaker 4: for real?

791
00:35:12,200 --> 00:35:16,360
Speaker 2: That shit. Sorry. So I go in the car, like

792
00:35:16,400 --> 00:35:18,880
Speaker 2: this is where I write all my music. It's my car.

793
00:35:19,040 --> 00:35:20,879
Speaker 5: I always I write all of my ship in a car.

794
00:35:20,920 --> 00:35:22,799
Speaker 5: I love the fucking car. You got the surround sound.

795
00:35:22,840 --> 00:35:25,880
Speaker 5: I get my own space, roll the window down. Producers

796
00:35:25,920 --> 00:35:27,399
Speaker 5: do that too, with the beats they go in the car.

797
00:35:28,440 --> 00:35:29,880
Speaker 2: Did they make it? Yeah, hundred percent.

798
00:35:29,920 --> 00:35:32,279
Speaker 5: So I think maybe it took maybe forty five minutes

799
00:35:32,320 --> 00:35:34,319
Speaker 5: to an hour. I had them verses. I went in there,

800
00:35:34,640 --> 00:35:37,920
Speaker 5: did the ship. Still thought the song was cool. And

801
00:35:37,920 --> 00:35:39,759
Speaker 5: then when everybody else heard that motherfucker, they was like.

802
00:35:39,760 --> 00:35:42,319
Speaker 2: Are you fucking crazy? This is out of here. It was,

803
00:35:43,040 --> 00:35:45,920
Speaker 2: And we was in Virginia, Virginia. We were in fucking book. Yeah.

804
00:35:45,920 --> 00:35:48,120
Speaker 2: We was in Virginia at for Real Studio. Okay, okay, okay,

805
00:35:48,120 --> 00:35:49,960
Speaker 2: I know this, yep. Hell yeah.

806
00:35:50,000 --> 00:35:51,719
Speaker 5: So that's how that shit came about, man, And that's

807
00:35:51,760 --> 00:35:54,000
Speaker 5: what that's what set it off, because what's your Fantasy

808
00:35:54,080 --> 00:35:56,040
Speaker 5: was for the ladies obviously, and then once throdn Bulls

809
00:35:56,080 --> 00:35:58,200
Speaker 5: came out, it was a rap that was like the

810
00:35:58,280 --> 00:36:01,080
Speaker 5: record is crazy. That rounded everything out in terms of

811
00:36:01,080 --> 00:36:03,840
Speaker 5: me being a new fucking artist, and it was it

812
00:36:03,920 --> 00:36:04,680
Speaker 5: was a game changing.

813
00:36:05,040 --> 00:36:08,840
Speaker 2: No you want you're a new artist, but you're on

814
00:36:08,960 --> 00:36:14,080
Speaker 2: death Jam. Yeah to me.

815
00:36:14,400 --> 00:36:17,160
Speaker 5: The first Southern artist signed to death Jam by the way,

816
00:36:17,239 --> 00:36:19,719
Speaker 5: no other Southern artist, So it was all New York roster.

817
00:36:19,880 --> 00:36:21,600
Speaker 2: Like you said, you read.

818
00:36:21,520 --> 00:36:23,480
Speaker 4: This is what this is, this is what I.

819
00:36:23,480 --> 00:36:25,120
Speaker 2: Want to I mean read from this.

820
00:36:25,400 --> 00:36:31,200
Speaker 4: But because what's Scarface already the President? Nod you was

821
00:36:31,239 --> 00:36:34,200
Speaker 4: already signed to death Jam, and then they made Scarface

822
00:36:34,239 --> 00:36:34,720
Speaker 4: the President.

823
00:36:34,880 --> 00:36:38,399
Speaker 5: I want to say it happened like signed damnit Okay, yeah,

824
00:36:39,160 --> 00:36:41,480
Speaker 5: because it was you first, and then that's when they

825
00:36:41,560 --> 00:36:44,640
Speaker 5: kind of like run in Scarface face. I think he

826
00:36:44,760 --> 00:36:48,640
Speaker 5: was president. Like right before I got signed CO signed yep,

827
00:36:48,640 --> 00:36:51,800
Speaker 5: so Kevin and Scarface. I was their first sign. Again,

828
00:36:51,840 --> 00:36:54,280
Speaker 5: you had you had jay Z had joh, you had DMX,

829
00:36:54,320 --> 00:36:57,040
Speaker 5: you got you, you got Meth, everybody whole roster New.

830
00:36:57,040 --> 00:36:58,839
Speaker 2: York and I was first Southern artist.

831
00:36:58,880 --> 00:37:01,560
Speaker 5: So we we was debate about, you know, whether this

832
00:37:01,680 --> 00:37:03,120
Speaker 5: was the right label for us, because we was like,

833
00:37:03,120 --> 00:37:04,000
Speaker 5: I don't know, if they don't.

834
00:37:03,920 --> 00:37:06,160
Speaker 2: Know what to do with the Southern arm.

835
00:37:06,440 --> 00:37:09,440
Speaker 6: You have felt dope because regardless any hip hop had,

836
00:37:09,480 --> 00:37:10,400
Speaker 6: Death Jam is the mecca.

837
00:37:10,680 --> 00:37:13,080
Speaker 5: Listen, man, cool Jay changed my life. You must have

838
00:37:13,120 --> 00:37:15,879
Speaker 5: been like, man, I'm bad. That's That's the reason I'm

839
00:37:15,880 --> 00:37:17,640
Speaker 5: here at this table today. That's the reason I wrap

840
00:37:17,680 --> 00:37:19,279
Speaker 5: and I've told this motherfucker. He was there when I

841
00:37:19,320 --> 00:37:22,239
Speaker 5: got the Hollywood Star. H just this this this year,

842
00:37:22,600 --> 00:37:28,719
Speaker 5: so man, yeah yeah now ll cool yeah so depth jam.

843
00:37:29,440 --> 00:37:31,520
Speaker 5: I was excited, but that was the only reservation as

844
00:37:31,560 --> 00:37:32,960
Speaker 5: I was, I was the only Southern artist on that.

845
00:37:33,080 --> 00:37:37,040
Speaker 2: But that ship worked out like a motherfucker. Hell yeah.

846
00:37:37,080 --> 00:37:38,400
Speaker 2: Would you ever do a residency?

847
00:37:39,120 --> 00:37:44,719
Speaker 5: Absolutely, we would love first presidency be in Vegas for sure.

848
00:37:44,960 --> 00:37:51,160
Speaker 2: Residencies just announce it. I know, Found Blue just opened U.

849
00:37:52,040 --> 00:37:55,040
Speaker 5: I currently have a deal in Vegas, So politically I'm

850
00:37:55,040 --> 00:37:55,920
Speaker 5: not going to be able to tell you.

851
00:37:55,960 --> 00:37:56,839
Speaker 2: That right now.

852
00:37:57,840 --> 00:38:01,120
Speaker 5: But next time I'm on I got this won't be

853
00:38:01,120 --> 00:38:01,439
Speaker 5: the last.

854
00:38:02,400 --> 00:38:05,080
Speaker 2: Wherever you're the dealer is let's go. Let's do that now,

855
00:38:05,120 --> 00:38:05,920
Speaker 2: lovers and friends.

856
00:38:05,920 --> 00:38:08,640
Speaker 4: When I was on here, we were on the way

857
00:38:08,760 --> 00:38:10,480
Speaker 4: coming here, a lot of people said they made a

858
00:38:10,520 --> 00:38:12,040
Speaker 4: lot of babies to lovers and friends.

859
00:38:13,080 --> 00:38:15,839
Speaker 5: That's a great thing. Ship Is that a great thing?

860
00:38:15,920 --> 00:38:17,720
Speaker 5: That's a great thing. A lot of people make babies

861
00:38:17,719 --> 00:38:20,680
Speaker 5: and what's your fantasy too? But y'all, no lovers and friends.

862
00:38:20,760 --> 00:38:23,440
Speaker 5: We never shot a video for that ship ever. And

863
00:38:23,480 --> 00:38:26,799
Speaker 5: this record is huge, But till this day, I just

864
00:38:26,800 --> 00:38:28,480
Speaker 5: had a show last night. I got a show tonight.

865
00:38:28,520 --> 00:38:30,480
Speaker 5: We always do Lovers and Friends and the whole crowd

866
00:38:30,520 --> 00:38:32,720
Speaker 5: sings the whole damn song. But that's that's a special

867
00:38:32,719 --> 00:38:33,480
Speaker 5: one right there.

868
00:38:33,560 --> 00:38:36,160
Speaker 2: For sure. So where was you at? And Usher called you?

869
00:38:36,280 --> 00:38:37,319
Speaker 2: And you called he called them.

870
00:38:37,480 --> 00:38:40,760
Speaker 5: It's crazy. We were in Miami. Usher had a fucking show.

871
00:38:41,040 --> 00:38:43,000
Speaker 5: It's funny. Tou shock the fuck with me about my memory,

872
00:38:43,000 --> 00:38:44,880
Speaker 5: But I have the most selective memory. When you asked me,

873
00:38:44,880 --> 00:38:48,440
Speaker 5: that ship came to me immediately. Me and John showed

874
00:38:48,520 --> 00:38:51,920
Speaker 5: up for Usher's show down here in Miami. John singles

875
00:38:51,960 --> 00:38:53,239
Speaker 5: Little John, Oh Little Johns.

876
00:38:53,440 --> 00:38:54,000
Speaker 2: John produced the.

877
00:38:53,960 --> 00:38:58,080
Speaker 5: Record John Recordkay's actually Little John's record. So we came

878
00:38:58,120 --> 00:39:00,120
Speaker 5: to his show and this Nigga ushers like, Nigga got

879
00:39:00,160 --> 00:39:02,200
Speaker 5: another one. I got another one for us. I was like, word,

880
00:39:02,280 --> 00:39:04,480
Speaker 5: let me hear the ship. So before he goes on stage,

881
00:39:04,480 --> 00:39:06,200
Speaker 5: they let me hear it. I'm like, we're out of

882
00:39:06,200 --> 00:39:09,440
Speaker 5: here again. On a whole other level, Yeah, fucking hunting

883
00:39:09,480 --> 00:39:14,359
Speaker 5: something VPRs and Friends sixty something VP We out of here, Yeah, nah,

884
00:39:14,440 --> 00:39:17,319
Speaker 5: man making history with them them too, man, some of

885
00:39:17,360 --> 00:39:18,439
Speaker 5: the greatest brothers on earth.

886
00:39:18,480 --> 00:39:22,399
Speaker 2: Bro for sure. God damn, this makes no noise. Listen,

887
00:39:23,200 --> 00:39:26,040
Speaker 2: Thomas long, are we ready? All right? Jamie, are you ready?

888
00:39:27,200 --> 00:39:35,080
Speaker 2: Quin Thomas? Everybody ready? Quick? Time of slide? You got it?

889
00:39:35,239 --> 00:39:36,520
Speaker 2: The second one all right.

890
00:39:36,560 --> 00:39:38,600
Speaker 4: By the way, could explain him the rules, and they

891
00:39:38,600 --> 00:39:40,400
Speaker 4: were gonna tell you the two evil motherfuckers will make

892
00:39:40,440 --> 00:39:41,160
Speaker 4: these quzzus.

893
00:39:41,400 --> 00:39:43,800
Speaker 6: All right, we're gonna yeah, We're gonna give you two choices.

894
00:39:44,040 --> 00:39:47,680
Speaker 6: You pick one, and then nobody drinks if you say

895
00:39:47,680 --> 00:39:51,920
Speaker 6: both or neither of them. We drinking, Okay, so picking

896
00:39:51,920 --> 00:39:54,160
Speaker 6: in that. I gotta drink too, Yeah, yeah, we drink. Yeah,

897
00:39:54,640 --> 00:39:56,640
Speaker 6: I'm with you. Yeah, we're not gonna let you drink.

898
00:39:57,320 --> 00:39:57,560
Speaker 2: All right.

899
00:39:57,760 --> 00:39:59,640
Speaker 4: Good and by the way, we've been excited to have

900
00:39:59,719 --> 00:40:03,920
Speaker 4: you here, brother appire. You can take a sip from

901
00:40:03,920 --> 00:40:05,680
Speaker 4: your drink or take a shot whatever you like. We're

902
00:40:05,719 --> 00:40:09,800
Speaker 4: gonna I'm gonna let me st okay, have shots okay, yeah, okay, No,

903
00:40:11,000 --> 00:40:12,680
Speaker 4: we got homegirls's.

904
00:40:13,520 --> 00:40:15,880
Speaker 2: That's Jamie. Yeah, yeah, that's Jamie. Yeah, I'm sorry. We

905
00:40:15,920 --> 00:40:22,799
Speaker 2: got one girl here. Let her do a girl, one

906
00:40:22,840 --> 00:40:25,239
Speaker 2: girl here, we do take a shot. Have income over

907
00:40:25,239 --> 00:40:26,040
Speaker 2: here and take a shot.

908
00:40:25,840 --> 00:40:29,840
Speaker 4: With Okay, we're gonna bring him in later. Yeah cool,

909
00:40:30,040 --> 00:40:32,120
Speaker 4: all right, So yeah, you want to set it off.

910
00:40:32,400 --> 00:40:33,040
Speaker 2: Let's go.

911
00:40:34,400 --> 00:40:38,040
Speaker 6: Gucci or Jeezy, and you could explain the stories to

912
00:40:38,080 --> 00:40:40,560
Speaker 6: go with anybody. We mentioned both names because we want

913
00:40:40,600 --> 00:40:42,840
Speaker 6: to just talk about different people, not in a batter

914
00:40:42,880 --> 00:40:43,719
Speaker 6: negative wage.

915
00:40:43,560 --> 00:40:47,640
Speaker 2: No to me, man, I love both of these guys.

916
00:40:47,640 --> 00:40:49,920
Speaker 5: Man, I'm talking about the history that they've made, what

917
00:40:49,960 --> 00:40:52,840
Speaker 5: they've done for the goddamn culture, but just personal on

918
00:40:52,880 --> 00:40:56,800
Speaker 5: a personal level. In terms of who I probably listened

919
00:40:56,840 --> 00:40:59,880
Speaker 5: to more, it would be Geezy.

920
00:40:58,840 --> 00:40:59,439
Speaker 2: That's my guy.

921
00:40:59,440 --> 00:41:03,200
Speaker 5: But man, Gucci, what that motherfucker has done for the man,

922
00:41:03,239 --> 00:41:06,480
Speaker 5: for the street culture, No one in the like we

923
00:41:06,560 --> 00:41:09,120
Speaker 5: talking about GZ and Gucci, But let's just say for Gucci,

924
00:41:09,480 --> 00:41:11,880
Speaker 5: I don't think anyone has done for street culture what

925
00:41:11,920 --> 00:41:14,080
Speaker 5: that motherfucker has done for street culture and hip hop

926
00:41:14,160 --> 00:41:19,080
Speaker 5: here and his transformation here. When we did the men's health,

927
00:41:19,840 --> 00:41:23,319
Speaker 5: they had me. I told I told them people they

928
00:41:23,360 --> 00:41:25,359
Speaker 5: need to get Gucci. How to fuck y'all not gonna

929
00:41:25,360 --> 00:41:27,520
Speaker 5: get Gucci. That motherfucker made the best transformation in.

930
00:41:27,520 --> 00:41:29,160
Speaker 2: Hip hop period. Crazy and they thought it was a

931
00:41:29,200 --> 00:41:32,879
Speaker 2: clone at one point, Yeah, yeah, yeah, it was clone.

932
00:41:32,920 --> 00:41:35,680
Speaker 4: I remember that I played Coy clisident. I'll say, wait

933
00:41:35,680 --> 00:41:42,399
Speaker 4: a minute, t I are two chains t I are

934
00:41:42,400 --> 00:41:43,400
Speaker 4: two chains.

935
00:41:44,200 --> 00:41:46,480
Speaker 5: You know, I would give credit where credit is due.

936
00:41:46,480 --> 00:41:49,920
Speaker 5: When it comes to to to Tit, I call him

937
00:41:49,920 --> 00:41:52,680
Speaker 5: Tit in terms of I think that something that people

938
00:41:52,680 --> 00:41:56,080
Speaker 5: don't give him credit for is how different he tried.

939
00:41:56,120 --> 00:41:58,239
Speaker 5: You know, he tries to be as opposed to doing

940
00:41:58,239 --> 00:42:00,399
Speaker 5: what everybody else is doing. I really think he texts

941
00:42:00,440 --> 00:42:03,960
Speaker 5: the time to make different caduses with his with his raps,

942
00:42:04,000 --> 00:42:06,240
Speaker 5: you know what I'm saying. And I, as a rapper,

943
00:42:06,239 --> 00:42:09,080
Speaker 5: you have to appreciate that. Not just going off from

944
00:42:09,120 --> 00:42:12,160
Speaker 5: the norm because that's risky, but in that particular battle,

945
00:42:12,160 --> 00:42:12,960
Speaker 5: I would I would go with.

946
00:42:13,000 --> 00:42:16,879
Speaker 4: T I Yeah, out castle U.

947
00:42:16,840 --> 00:42:19,040
Speaker 2: GK out castle U GK.

948
00:42:19,320 --> 00:42:21,719
Speaker 4: God damn, just take a shot for the So just

949
00:42:21,719 --> 00:42:22,759
Speaker 4: take a shot for the South.

950
00:42:22,840 --> 00:42:23,759
Speaker 2: You make me take us out?

951
00:42:23,760 --> 00:42:27,120
Speaker 4: I gotta answer, But I don't lead the witness.

952
00:42:27,239 --> 00:42:30,200
Speaker 2: I'm leading the witness. I'm sorry, don't lead the witness.

953
00:42:31,360 --> 00:42:33,920
Speaker 5: This is more a personal thing because both you GK

954
00:42:34,160 --> 00:42:36,279
Speaker 5: and Outcasts have done so much for me. People don't

955
00:42:36,280 --> 00:42:39,279
Speaker 5: realize the relationship that me and Pim C had. Man,

956
00:42:39,320 --> 00:42:41,680
Speaker 5: he really did a lot behind the scenes. When I

957
00:42:41,719 --> 00:42:43,520
Speaker 5: was first starting out, we had the song on my

958
00:42:43,600 --> 00:42:47,800
Speaker 5: first album, Stick them up and that motherfucker is amazing, amazing,

959
00:42:47,880 --> 00:42:51,480
Speaker 5: but outcast taking me on tour like with them and

960
00:42:51,880 --> 00:42:55,680
Speaker 5: just everything they did, I'm gonna have to go with outcasts.

961
00:42:55,719 --> 00:42:57,480
Speaker 5: And that's this is that. That was the hardest one

962
00:42:57,520 --> 00:42:59,120
Speaker 5: of all the questions y'all have given me so far.

963
00:42:59,200 --> 00:43:01,160
Speaker 5: I'm going I gotta go with you on your first tour.

964
00:43:01,520 --> 00:43:04,399
Speaker 5: No they is that what I said? I went on that,

965
00:43:05,200 --> 00:43:06,800
Speaker 5: you went on to them. I went on to it

966
00:43:06,840 --> 00:43:07,719
Speaker 5: with them. That's what I said.

967
00:43:08,400 --> 00:43:09,319
Speaker 2: That was your first tour?

968
00:43:09,440 --> 00:43:11,960
Speaker 5: No, no, no, no, wait, what's that our first tour

969
00:43:13,160 --> 00:43:16,080
Speaker 5: going on tour without cast? Yeah, my first time going

970
00:43:16,120 --> 00:43:17,520
Speaker 5: on to an outcast.

971
00:43:17,520 --> 00:43:18,840
Speaker 2: And this was the stink Oni intour.

972
00:43:22,920 --> 00:43:25,799
Speaker 4: I saw that its flaws and just trying to act

973
00:43:25,840 --> 00:43:26,480
Speaker 4: like it was nothing.

974
00:43:27,200 --> 00:43:32,279
Speaker 6: Yeah, we got history, fly your Holy Morning eight ball

975
00:43:32,400 --> 00:43:35,720
Speaker 6: m j G or three six mafia God damn.

976
00:43:35,800 --> 00:43:39,560
Speaker 2: Now we're taking a drink. Take finally sold. Yeah, silent

977
00:43:41,520 --> 00:43:41,879
Speaker 2: m hmm.

978
00:43:42,400 --> 00:43:44,640
Speaker 5: Man, I'm talking about those motherfuckers. Both of those were

979
00:43:44,719 --> 00:43:46,920
Speaker 5: the Bible, the Bible of life.

980
00:43:47,120 --> 00:43:51,200
Speaker 2: Yes, my life, ship, next money, hold on, I'm recovering

981
00:43:51,200 --> 00:43:52,800
Speaker 2: from that moment. That's what I wanted the verses to be.

982
00:43:52,960 --> 00:43:59,920
Speaker 4: Ship Jesus Christmas balling MJ and three six Shauna or Trina, Shawna.

983
00:43:59,719 --> 00:44:00,920
Speaker 2: Or know what I mean? You know, I'm gonna go

984
00:44:00,960 --> 00:44:03,560
Speaker 2: with the whole team. I gotta go with Shawna on that.

985
00:44:03,719 --> 00:44:07,080
Speaker 2: How'd y'all connect? Because she used to be in a

986
00:44:07,080 --> 00:44:10,080
Speaker 2: group called Infamous Syndicate out of Chicago. They were signed

987
00:44:10,120 --> 00:44:13,480
Speaker 2: to what was it Relativity? Yeah, they were signing to

988
00:44:13,560 --> 00:44:17,480
Speaker 2: Relativity Records. And forgetting that check from Relativity because you

989
00:44:17,480 --> 00:44:22,600
Speaker 2: don't w a nigga Relativity.

990
00:44:22,640 --> 00:44:25,520
Speaker 4: I said, damn your only two niggas this whole motherfucker

991
00:44:25,800 --> 00:44:27,279
Speaker 4: they got a Relativity.

992
00:44:26,880 --> 00:44:30,160
Speaker 2: Check at that time. I got yall respect that go ahead? Yeah,

993
00:44:31,160 --> 00:44:31,520
Speaker 2: so bad.

994
00:44:31,600 --> 00:44:34,799
Speaker 5: But now I was saying, I just Shauna in terms

995
00:44:34,840 --> 00:44:39,120
Speaker 5: of I think she's lyrically and just hadences and blows

996
00:44:39,200 --> 00:44:41,600
Speaker 5: and how she's able to do shit. She's fucking incredible

997
00:44:41,680 --> 00:44:43,520
Speaker 5: to me. And that's not to take away from any

998
00:44:43,640 --> 00:44:46,120
Speaker 5: of Trina's catalog and what she's done for the culture

999
00:44:46,160 --> 00:44:48,560
Speaker 5: as well, but just in terms of rapping, I gotta

1000
00:44:48,600 --> 00:44:51,240
Speaker 5: go with Shawna on that. And Shauna came from Infamous Syndicate,

1001
00:44:51,320 --> 00:44:53,560
Speaker 5: which we noticed her talent early on when she was

1002
00:44:53,600 --> 00:44:55,439
Speaker 5: in that group, and I was like, man, I gotta

1003
00:44:55,480 --> 00:44:57,880
Speaker 5: I gotta do something with that girl, crazy with it.

1004
00:44:58,040 --> 00:45:01,520
Speaker 4: Imagine how hot Chicago is se i'n you discover Shawna.

1005
00:45:01,320 --> 00:45:06,320
Speaker 2: Now right right? It almost like she was like ahead

1006
00:45:06,360 --> 00:45:08,759
Speaker 2: of her time. I'm gonna have to agree that's what.

1007
00:45:08,880 --> 00:45:10,680
Speaker 5: She's definitely ahead of her time, you know, And I

1008
00:45:10,719 --> 00:45:12,520
Speaker 5: don't think she really gets the respect she deserves. I

1009
00:45:12,600 --> 00:45:14,000
Speaker 5: got to go back and listen to that. Oh no, no, no,

1010
00:45:14,160 --> 00:45:16,800
Speaker 5: she's a beast, beast beast like going to play with

1011
00:45:17,560 --> 00:45:18,000
Speaker 5: drink champs.

1012
00:45:18,280 --> 00:45:20,439
Speaker 2: Yeah, yeah, yeah, definitely, I'll tell her that she would

1013
00:45:20,440 --> 00:45:24,839
Speaker 2: definitely come on all right. Fast and Furious are too

1014
00:45:24,960 --> 00:45:25,880
Speaker 2: fast too furious?

1015
00:45:26,880 --> 00:45:29,319
Speaker 5: Which there's two called fast and furious. Youre talking about

1016
00:45:29,320 --> 00:45:31,160
Speaker 5: the very first, first one, the very first one. I mean,

1017
00:45:31,360 --> 00:45:34,040
Speaker 5: these guys wrote I'm just reading, but that's what they meant.

1018
00:45:34,080 --> 00:45:36,400
Speaker 5: They meant the first one. No, no, no, next one.

1019
00:45:36,480 --> 00:45:38,239
Speaker 5: This will let you know that I that I'm not

1020
00:45:38,320 --> 00:45:40,239
Speaker 5: a biased person just because I'm in a fucking movie.

1021
00:45:40,280 --> 00:45:41,680
Speaker 5: I'm gonna go with the first one over the ship

1022
00:45:41,719 --> 00:45:45,000
Speaker 5: that I'm in one. Yeah, I mean, that's love you,

1023
00:45:45,120 --> 00:45:46,520
Speaker 5: but think you for not coming to work that day,

1024
00:45:49,040 --> 00:45:51,200
Speaker 5: that's it's set. It's set the tone for the whole

1025
00:45:51,480 --> 00:45:53,680
Speaker 5: for the rest of the first sequels. So it's like,

1026
00:45:53,760 --> 00:45:54,840
Speaker 5: you know, how can you be mad at that?

1027
00:45:55,120 --> 00:45:57,880
Speaker 2: That's crazy? How that that has endured that series.

1028
00:45:58,719 --> 00:46:00,640
Speaker 5: But it's the people that's making it endure. It's the

1029
00:46:00,680 --> 00:46:01,480
Speaker 5: whole world, don't know.

1030
00:46:01,560 --> 00:46:02,000
Speaker 2: They love it.

1031
00:46:02,120 --> 00:46:05,920
Speaker 4: Nuts, craps. It's a co following facts eminem or Buster.

1032
00:46:08,200 --> 00:46:09,680
Speaker 4: Why y'all put those two together?

1033
00:46:09,800 --> 00:46:10,520
Speaker 2: Man ship.

1034
00:46:11,520 --> 00:46:13,919
Speaker 5: If it wasn't for Bust, I wouldn't be here. God damn,

1035
00:46:13,920 --> 00:46:15,320
Speaker 5: I'm taking the shots that.

1036
00:46:16,960 --> 00:46:18,879
Speaker 2: Damn. These are some tiny ass shots. By the way,

1037
00:46:20,200 --> 00:46:20,640
Speaker 2: it's a lot of.

1038
00:46:20,800 --> 00:46:22,680
Speaker 6: It's a lot of questions, trust me, it's a lot

1039
00:46:22,920 --> 00:46:25,719
Speaker 6: by design. By design. Then later on you be like, damn, y'all,

1040
00:46:25,920 --> 00:46:26,680
Speaker 6: y'all funk me up.

1041
00:46:26,800 --> 00:46:28,800
Speaker 2: Okay, I got you. Yeah, y'a don't want no lawsuits.

1042
00:46:30,760 --> 00:46:32,359
Speaker 2: I get it. I wouldn't be the one to see

1043
00:46:33,400 --> 00:46:34,200
Speaker 2: so you're too rich for that.

1044
00:46:35,280 --> 00:46:40,040
Speaker 5: Not as a jadakiss, A jadakiss made you look remix

1045
00:46:40,120 --> 00:46:42,560
Speaker 5: that I'm on with both of these mother buckers. Yes, yes,

1046
00:46:44,880 --> 00:46:46,719
Speaker 5: I'm gonna have to go listen. I'm only I'm only

1047
00:46:46,800 --> 00:46:48,640
Speaker 5: doing this because we I got virgos in the house.

1048
00:46:48,680 --> 00:46:50,680
Speaker 5: I gotta go with my Virgo brother man.

1049
00:46:51,000 --> 00:46:51,400
Speaker 2: And you know what.

1050
00:46:51,640 --> 00:46:53,600
Speaker 5: You know why I say that because I'm on to

1051
00:46:53,640 --> 00:46:56,360
Speaker 5: knock yourself out remix And I'm mad at Jadakiss for never.

1052
00:46:56,239 --> 00:47:00,239
Speaker 2: Putting that ship out that goddamn song like that.

1053
00:47:02,080 --> 00:47:05,120
Speaker 4: Like that the only reason I'm saying Nas right now,

1054
00:47:05,400 --> 00:47:08,319
Speaker 4: Jaya put that ship out. Let me stop right now,

1055
00:47:08,400 --> 00:47:12,319
Speaker 4: because you also have a record with Nas and Jay and.

1056
00:47:13,000 --> 00:47:14,880
Speaker 2: Oh yeah, yeah, one of the only artists that got

1057
00:47:14,920 --> 00:47:21,040
Speaker 2: a record with NAS. Yeah, doesn't have to join two

1058
00:47:21,080 --> 00:47:21,359
Speaker 2: of them.

1059
00:47:21,920 --> 00:47:24,719
Speaker 4: Yeah, that was recent, right right right, I'm just saying

1060
00:47:24,960 --> 00:47:27,719
Speaker 4: it like that was like the Unicorn. Of course, how

1061
00:47:27,760 --> 00:47:28,600
Speaker 4: did you pull that off?

1062
00:47:29,239 --> 00:47:31,640
Speaker 2: Bro? I was literally, did you a lot of both

1063
00:47:31,640 --> 00:47:34,920
Speaker 2: of them? Absolutely not. I was cool with both of them.

1064
00:47:35,640 --> 00:47:37,880
Speaker 5: He's gonna be Yeah, that's like being at the right

1065
00:47:37,960 --> 00:47:39,960
Speaker 5: place at the right time and being cool with both

1066
00:47:40,000 --> 00:47:41,800
Speaker 5: of them one hundred percent.

1067
00:47:42,640 --> 00:47:42,839
Speaker 2: Yeah.

1068
00:47:42,960 --> 00:47:45,320
Speaker 5: Nas did his verse first and then Jay did his second,

1069
00:47:45,360 --> 00:47:46,920
Speaker 5: and I was like, and the song is called out

1070
00:47:46,960 --> 00:47:47,160
Speaker 5: do it.

1071
00:47:47,160 --> 00:47:49,080
Speaker 2: For hip hop? And if you ain't heard that ship incredible,

1072
00:47:49,080 --> 00:47:51,279
Speaker 2: you need to go stream this motherfucker right now. It's

1073
00:47:51,320 --> 00:47:52,160
Speaker 2: only on YouTube.

1074
00:47:52,360 --> 00:47:56,279
Speaker 5: Yeah, dj djh Guru helped make it happen, and then

1075
00:47:56,360 --> 00:48:00,360
Speaker 5: DJ Premiere did the beat DJ Premiere and Bobs and

1076
00:48:00,480 --> 00:48:02,640
Speaker 5: jay Z come on listen bring.

1077
00:48:03,040 --> 00:48:10,360
Speaker 2: Don't get enough love for that. Yo, You got NAEs

1078
00:48:10,440 --> 00:48:13,439
Speaker 2: and jay Z on a premo beat and people don't

1079
00:48:13,480 --> 00:48:15,920
Speaker 2: even know that a lot of people know it, just

1080
00:48:16,000 --> 00:48:17,840
Speaker 2: like he said, that's one of his favorite ships. But

1081
00:48:18,080 --> 00:48:19,320
Speaker 2: they did fly under the radar.

1082
00:48:19,440 --> 00:48:21,440
Speaker 5: But we're saying it now on Drink Champs and you'll,

1083
00:48:21,480 --> 00:48:23,400
Speaker 5: motherfucker's got a lot of followers. So something tells me

1084
00:48:23,760 --> 00:48:29,879
Speaker 5: people about to go listen to you said, young Guru

1085
00:48:29,960 --> 00:48:32,040
Speaker 5: has something to do with it too, right, Young girl.

1086
00:48:32,040 --> 00:48:33,800
Speaker 5: Shout out to young girl for making it happen. Thank you,

1087
00:48:33,880 --> 00:48:34,239
Speaker 5: my guy.

1088
00:48:34,719 --> 00:48:35,960
Speaker 2: Kendrick Lamar, J Cole.

1089
00:48:36,840 --> 00:48:39,279
Speaker 5: Oh yeah, listen, those are the two motherfuckers I love

1090
00:48:39,320 --> 00:48:41,879
Speaker 5: the most right now. They keep me inspired, They keep

1091
00:48:41,920 --> 00:48:45,120
Speaker 5: me inspired. Yeah, you can take that shot. I love

1092
00:48:45,200 --> 00:48:48,640
Speaker 5: both of them. So those are my picture.

1093
00:48:49,920 --> 00:48:50,440
Speaker 2: The class.

1094
00:48:50,800 --> 00:48:56,759
Speaker 4: Yeahs like Bulgarie put on a Bari lotion and I'm like,

1095
00:48:57,440 --> 00:48:59,279
Speaker 4: how are you doing right now with these drinks?

1096
00:49:02,840 --> 00:49:05,200
Speaker 2: You know when he stands up at any point, that's

1097
00:49:05,200 --> 00:49:07,080
Speaker 2: when you'll know. Listen, let me tell you something.

1098
00:49:08,000 --> 00:49:12,040
Speaker 4: You shaka your whole team, man, I'm sorry. I'm like, man,

1099
00:49:12,040 --> 00:49:14,640
Speaker 4: I really love you brothers. Man, you brothers are the same.

1100
00:49:15,400 --> 00:49:17,520
Speaker 2: You know you six six days older than me. You

1101
00:49:17,560 --> 00:49:22,000
Speaker 2: know that ship, so you'm a little homie. That's I

1102
00:49:22,200 --> 00:49:26,560
Speaker 2: like that Burgoh. I ain't gonna lie though.

1103
00:49:31,239 --> 00:49:37,879
Speaker 4: The unity that y'all show, uh, the longevity that ship

1104
00:49:38,000 --> 00:49:40,680
Speaker 4: is so beautiful. Man. Like when I seen because Shaka

1105
00:49:40,719 --> 00:49:43,560
Speaker 4: don't call nobody, you know. So when Shaka called me,

1106
00:49:43,600 --> 00:49:44,920
Speaker 4: I was like, holy ship.

1107
00:49:45,800 --> 00:49:47,200
Speaker 2: I don't know what I was doing. I was just

1108
00:49:47,320 --> 00:49:53,600
Speaker 2: like nigga. I was in the middle of something. I

1109
00:49:53,680 --> 00:49:55,160
Speaker 2: made sure I was sound this move.

1110
00:49:56,400 --> 00:50:00,160
Speaker 4: It's like, yo, we're pulling up. And it was so

1111
00:50:00,239 --> 00:50:03,080
Speaker 4: good to hear from him because he's such a good brother.

1112
00:50:03,200 --> 00:50:03,359
Speaker 2: Man.

1113
00:50:03,440 --> 00:50:08,400
Speaker 4: Absolutely, y'all team is like so solid, bro.

1114
00:50:08,600 --> 00:50:10,160
Speaker 5: Just in case you didn't know, and not to not

1115
00:50:10,280 --> 00:50:15,239
Speaker 5: to cut you off, but twenty four years, no contract,

1116
00:50:15,520 --> 00:50:16,480
Speaker 5: never needed one.

1117
00:50:16,800 --> 00:50:20,160
Speaker 2: Whatever, twenty four repushing.

1118
00:50:20,239 --> 00:50:23,040
Speaker 5: Man, my fucking handshake, look at each other's eyes.

1119
00:50:23,080 --> 00:50:24,640
Speaker 2: This is what it's going to be. And we're riding

1120
00:50:24,920 --> 00:50:25,360
Speaker 2: and that's it.

1121
00:50:26,040 --> 00:50:30,239
Speaker 4: Unheard of in the music industry because it wasn't industry. Yeah,

1122
00:50:30,640 --> 00:50:32,279
Speaker 4: you know what I'm saying exactly. By the way, I

1123
00:50:32,320 --> 00:50:34,239
Speaker 4: want the young artists. Can you say that one time?

1124
00:50:34,360 --> 00:50:34,680
Speaker 2: Please?

1125
00:50:34,880 --> 00:50:39,200
Speaker 5: Twenty four years, no contract, no management contract.

1126
00:50:38,880 --> 00:50:39,279
Speaker 2: I'm nothing.

1127
00:50:42,680 --> 00:50:48,560
Speaker 4: Yeah still okay, yeah, good, relaxed, having a sentiment to morrow.

1128
00:50:48,640 --> 00:50:53,360
Speaker 2: Yeah yeah, tchupocket DMX Oh come on, you can't the

1129
00:50:53,520 --> 00:50:55,840
Speaker 2: fuck man? Why would you do that? Man? Dj E,

1130
00:50:56,120 --> 00:50:58,960
Speaker 2: Come take a shot with me. God damn. Now, y'all, y'all,

1131
00:50:59,000 --> 00:51:01,160
Speaker 2: y'all getting dirty now, man, we've been.

1132
00:51:01,160 --> 00:51:09,879
Speaker 4: Dirty, that dirty, We've been dirty. Yeah, come on, m hmm,

1133
00:51:10,760 --> 00:51:16,680
Speaker 4: then help trust me at Aliens, a Crimini.

1134
00:51:17,560 --> 00:51:21,440
Speaker 5: At Aliens or a Crimini. I'm gonna go with a Cumini,

1135
00:51:22,840 --> 00:51:25,000
Speaker 5: just because I love at Aliens with a Cumini. There

1136
00:51:25,040 --> 00:51:27,719
Speaker 5: were some records on there that was just like, let's

1137
00:51:27,719 --> 00:51:29,560
Speaker 5: put it this way. I think Andre three thousand was

1138
00:51:29,560 --> 00:51:32,399
Speaker 5: spassing on at Alien, but he's spas on a whole

1139
00:51:32,440 --> 00:51:35,120
Speaker 5: other fucking level on a Quimini. Go back and listen

1140
00:51:35,160 --> 00:51:37,000
Speaker 5: to that ship. You'll see what I'm talking about. Hen

1141
00:51:37,040 --> 00:51:38,520
Speaker 5: did his thing on the Flu album too.

1142
00:51:38,560 --> 00:51:42,080
Speaker 2: I thought the Flu album was kind of album we

1143
00:51:42,200 --> 00:51:42,520
Speaker 2: need that.

1144
00:51:45,480 --> 00:51:47,200
Speaker 4: One of the beats and then Joe Butden just them.

1145
00:51:47,280 --> 00:51:48,600
Speaker 6: I was like, I wanted to rhyme on one of

1146
00:51:48,640 --> 00:51:50,839
Speaker 6: the beats, and I was like I said that though

1147
00:51:50,840 --> 00:51:54,200
Speaker 6: before said watched hip hop samples and make it more

1148
00:51:54,280 --> 00:51:55,160
Speaker 6: hip hop than anything else.

1149
00:51:55,360 --> 00:51:56,439
Speaker 2: Somebody already did that ship.

1150
00:51:56,719 --> 00:51:59,560
Speaker 4: Yeah yep, and they didn't. They didn't like Loupa.

1151
00:52:00,400 --> 00:52:02,360
Speaker 2: I didn't hear that according to Joe, Buten, this is

1152
00:52:02,400 --> 00:52:05,279
Speaker 2: what come on, man, I'm sorry, Damn, it's a lot

1153
00:52:05,320 --> 00:52:10,600
Speaker 2: for joking the podcast. I'm like Kanye Pharrell on a

1154
00:52:10,640 --> 00:52:15,400
Speaker 2: production tip on whatever tip. God Damn, that's.

1155
00:52:15,239 --> 00:52:19,160
Speaker 5: A hard one too, bro, two totally different styles in

1156
00:52:19,239 --> 00:52:19,760
Speaker 5: my opinion.

1157
00:52:22,960 --> 00:52:29,200
Speaker 2: Fuck Kanye or Pharrell. Come back to me on that

1158
00:52:29,239 --> 00:52:35,400
Speaker 2: one too. That's the best coming back to me.

1159
00:52:35,800 --> 00:52:35,960
Speaker 4: You know.

1160
00:52:36,680 --> 00:52:39,120
Speaker 2: You know what's crazy is like that the catalog that

1161
00:52:39,200 --> 00:52:42,360
Speaker 2: they have is it's so extensive.

1162
00:52:41,960 --> 00:52:43,560
Speaker 5: That you can't you can't like that. That ain't no

1163
00:52:43,640 --> 00:52:45,520
Speaker 5: ship that you need to hurry up it.

1164
00:52:45,640 --> 00:52:48,480
Speaker 6: But they are kind of totally different people, even though

1165
00:52:48,520 --> 00:52:51,360
Speaker 6: they have a lot of similarities. Yeah, let's go to

1166
00:52:51,400 --> 00:52:54,879
Speaker 6: the next one. Yeah, l COOJ or Big Daddy came

1167
00:52:55,280 --> 00:52:55,560
Speaker 6: I just.

1168
00:52:55,600 --> 00:52:58,200
Speaker 5: Told you ll cool J is like the holy Grail

1169
00:52:58,280 --> 00:52:59,960
Speaker 5: with it because if it wasn't for him, I wouldn't rap.

1170
00:53:00,080 --> 00:53:01,919
Speaker 5: And I've seen Big Daddy Camee a couple of times

1171
00:53:01,960 --> 00:53:05,160
Speaker 5: over this hip hop fifty year and I've told him how.

1172
00:53:05,120 --> 00:53:06,440
Speaker 2: Much he meant to me. But if I had to

1173
00:53:07,480 --> 00:53:11,160
Speaker 2: rock the bell, they're doing still smooth, too big daddy,

1174
00:53:11,960 --> 00:53:13,840
Speaker 2: So I'll be trying to get him out of characters.

1175
00:53:15,320 --> 00:53:16,000
Speaker 2: You can't because that.

1176
00:53:16,080 --> 00:53:19,480
Speaker 5: Is his character that's operated, that gets done.

1177
00:53:20,320 --> 00:53:25,960
Speaker 2: Yeah. Real, So Metro Booming or zatoven.

1178
00:53:27,239 --> 00:53:29,480
Speaker 5: Man they told in that motherfucker is a guru on

1179
00:53:29,560 --> 00:53:33,920
Speaker 5: that goddamn piano man. Both of them extremely talented. If

1180
00:53:33,960 --> 00:53:35,680
Speaker 5: I had to choose one, I'm gonna go with Metro

1181
00:53:35,880 --> 00:53:37,919
Speaker 5: Man On a production.

1182
00:53:37,680 --> 00:53:41,560
Speaker 2: Tip, Organized Noise or Beast by the Pound.

1183
00:53:41,600 --> 00:53:43,440
Speaker 5: I was about to say, you can stop there, organized

1184
00:53:43,480 --> 00:53:46,560
Speaker 5: noise once again, Like that's when it comes to production,

1185
00:53:47,680 --> 00:53:52,160
Speaker 5: organized fucking noise. They need more acclaim. They was, man,

1186
00:53:52,440 --> 00:53:54,640
Speaker 5: just go back and listen to any of that outcasts.

1187
00:53:54,800 --> 00:53:57,879
Speaker 5: You know, Goodie Mobs, Cool Breeze started a whole movie

1188
00:53:57,960 --> 00:54:00,080
Speaker 5: Dungeon Family. But when you listen to that production, it

1189
00:54:00,120 --> 00:54:03,279
Speaker 5: didn't sound like any fucking thing that was out and they.

1190
00:54:03,280 --> 00:54:05,839
Speaker 6: Changed it per artists, like it's like their their sound

1191
00:54:05,960 --> 00:54:07,799
Speaker 6: for each group and artists was different one.

1192
00:54:08,560 --> 00:54:10,239
Speaker 2: So I got to go with organized Noise on that

1193
00:54:10,400 --> 00:54:13,560
Speaker 2: for sure. Yes's how I thiggers get together real good.

1194
00:54:15,000 --> 00:54:18,719
Speaker 2: I see that, I see what's going on, what's going on?

1195
00:54:19,040 --> 00:54:19,520
Speaker 2: To watch it.

1196
00:54:19,600 --> 00:54:24,040
Speaker 4: I'm watching a little Baby or dub Baby, two different

1197
00:54:24,080 --> 00:54:25,239
Speaker 4: styles right there as well.

1198
00:54:25,600 --> 00:54:30,000
Speaker 2: Ship. A lot of people say dub Baby is the

1199
00:54:30,080 --> 00:54:30,640
Speaker 2: new Louda.

1200
00:54:31,560 --> 00:54:34,640
Speaker 5: No, I've heard those comparisons, and I've seen him in person, man,

1201
00:54:34,719 --> 00:54:37,560
Speaker 5: and he's such a talented dude. Man, motherfucker directing his

1202
00:54:37,640 --> 00:54:41,040
Speaker 5: own videos. And yeah, that's what we always thought you did. Yeah, yeah,

1203
00:54:41,120 --> 00:54:42,840
Speaker 5: I mean to a degree, I still do. But I

1204
00:54:43,000 --> 00:54:44,560
Speaker 5: just told him how proud I was of him. And

1205
00:54:44,680 --> 00:54:47,640
Speaker 5: when I look at what he's doing, you know, he

1206
00:54:47,719 --> 00:54:49,960
Speaker 5: did mention me before. He said that I inspired him

1207
00:54:49,960 --> 00:54:52,200
Speaker 5: to do some of the videos he's done. So just

1208
00:54:52,239 --> 00:54:53,920
Speaker 5: because of that, I love Little Baby. But let's go

1209
00:54:54,000 --> 00:55:01,160
Speaker 5: with the baby because hell yeah, they got on or

1210
00:55:01,320 --> 00:55:03,440
Speaker 5: Donald mar nigga, how many of these do we have?

1211
00:55:03,640 --> 00:55:07,880
Speaker 2: We shot? Oh gotcha? Okay, that's right. Entago and Donald

1212
00:55:07,920 --> 00:55:13,200
Speaker 2: Mars both in faster for Otago or Don Man. That's

1213
00:55:13,280 --> 00:55:16,520
Speaker 2: a take a shot. Yeah, we said shot, take a shot.

1214
00:55:16,560 --> 00:55:18,520
Speaker 2: This ship got yeah, but I don't have it. I

1215
00:55:18,560 --> 00:55:20,600
Speaker 2: ain't got a shot. Yeah, no, no, no, Jamie, Jamie

1216
00:55:20,640 --> 00:55:23,920
Speaker 2: got yours. Jamie. You know Jamie at l as well,

1217
00:55:24,239 --> 00:55:29,080
Speaker 2: she's atl atl. Yeah. Yeah, you're telling me that I'm

1218
00:55:29,080 --> 00:55:31,840
Speaker 2: gonna take a shot. Yeahs dam.

1219
00:55:34,400 --> 00:55:36,600
Speaker 4: Is that the difference between I know we in quick

1220
00:55:36,600 --> 00:55:40,720
Speaker 4: time with Slane, we're kind of like making music and movies.

1221
00:55:41,840 --> 00:55:43,719
Speaker 4: A lot of the times when I made a movie,

1222
00:55:43,800 --> 00:55:46,640
Speaker 4: I made bout seven to like nine to twelve something

1223
00:55:46,680 --> 00:55:49,560
Speaker 4: like that, throttle cameos, but.

1224
00:55:49,640 --> 00:55:51,360
Speaker 2: I had to do physicals. I had to do all that.

1225
00:55:51,520 --> 00:55:53,560
Speaker 4: Yeah, I don't have to do that when I make

1226
00:55:53,600 --> 00:55:55,000
Speaker 4: an album. Is that the difference.

1227
00:55:55,600 --> 00:55:57,879
Speaker 5: It's a lot of differences, but that's definitely one of them.

1228
00:55:57,920 --> 00:55:59,399
Speaker 5: We can do whatever the fuck we want. We don't

1229
00:55:59,400 --> 00:56:01,640
Speaker 5: take drugs and shit like that. As rappers, you know,

1230
00:56:01,680 --> 00:56:04,000
Speaker 5: it's the most freedom. And you know what, I'm glad

1231
00:56:04,080 --> 00:56:07,080
Speaker 5: you asked that because people would think, like, what's the

1232
00:56:07,239 --> 00:56:11,359
Speaker 5: better job to have? Sometimes when you a list movie star,

1233
00:56:12,160 --> 00:56:14,200
Speaker 5: you get the huge bucks and you get millions and

1234
00:56:14,239 --> 00:56:16,880
Speaker 5: millions of dollars, right, Some rappers don't necessarily make that

1235
00:56:17,520 --> 00:56:20,480
Speaker 5: in that short amount of time. But the crazy thing

1236
00:56:20,560 --> 00:56:24,680
Speaker 5: about what I see that movie stars envy about rappers

1237
00:56:24,719 --> 00:56:28,120
Speaker 5: and entertainers is the fucking freedom that comes along with

1238
00:56:28,239 --> 00:56:31,359
Speaker 5: what we do and that you can't put a price

1239
00:56:31,400 --> 00:56:34,399
Speaker 5: on that shit. So my number one job in the world,

1240
00:56:34,440 --> 00:56:37,160
Speaker 5: and I feel like everyone should aspire or what they

1241
00:56:37,239 --> 00:56:38,879
Speaker 5: aspire to if they want to be in the music

1242
00:56:38,920 --> 00:56:40,960
Speaker 5: industry is to be is to have that freedom.

1243
00:56:42,960 --> 00:56:45,120
Speaker 4: I can't tell you how many times, Lula, and I'm

1244
00:56:45,160 --> 00:56:47,000
Speaker 4: not I'm gonna be very careful of what I'm about

1245
00:56:47,000 --> 00:56:51,920
Speaker 4: to say. How many times I hung out with basketball players,

1246
00:56:52,719 --> 00:56:54,080
Speaker 4: football players.

1247
00:56:59,680 --> 00:57:01,600
Speaker 2: Those, for h.

1248
00:57:03,320 --> 00:57:08,160
Speaker 4: I don't hang out no soccer players, baseball players players,

1249
00:57:10,360 --> 00:57:16,680
Speaker 4: and these motherfuckers get high as fuck, and I'm really good, but.

1250
00:57:16,760 --> 00:57:20,480
Speaker 2: They they're hiding it. That's where he's going. Hold on,

1251
00:57:20,560 --> 00:57:22,480
Speaker 2: why the buck? Did I just have days out of

1252
00:57:22,480 --> 00:57:24,520
Speaker 2: wood right now? Like this is the first time on

1253
00:57:24,680 --> 00:57:27,320
Speaker 2: drink SAPs him just saying that to me about basketball

1254
00:57:27,320 --> 00:57:29,880
Speaker 2: players getting high as fuck? That moment I've seen and

1255
00:57:30,000 --> 00:57:33,120
Speaker 2: heard this ship before. This is the first. What the fuck?

1256
00:57:33,720 --> 00:57:34,040
Speaker 4: I'm just.

1257
00:57:35,560 --> 00:57:38,480
Speaker 2: I would be looking at you. It's true, though, I'll be.

1258
00:57:38,520 --> 00:57:40,600
Speaker 4: Looking at them like you know, I don't got to

1259
00:57:40,640 --> 00:57:41,919
Speaker 4: see Roger Goodell.

1260
00:57:43,760 --> 00:57:48,280
Speaker 2: Simmons is not coming to see me. Give a fuck. Damn.

1261
00:57:48,360 --> 00:57:50,600
Speaker 2: These guys will go in right.

1262
00:57:51,400 --> 00:57:54,480
Speaker 4: And then they got to play on Sunday and I

1263
00:57:54,680 --> 00:57:58,200
Speaker 4: watch and I said, he didn't make a sack at all.

1264
00:58:02,160 --> 00:58:05,800
Speaker 2: Why did he get hir with me? Yo was Yo,

1265
00:58:05,960 --> 00:58:06,880
Speaker 2: you're going a little too far.

1266
00:58:08,440 --> 00:58:18,320
Speaker 4: I go to the studio. My verse is still okay. Yo,

1267
00:58:19,040 --> 00:58:20,720
Speaker 4: He's gonna kill me for saying this story. I'm gonna

1268
00:58:20,720 --> 00:58:23,680
Speaker 4: say this, real fast hung out with one, real fast

1269
00:58:24,120 --> 00:58:29,880
Speaker 4: hung over a baseball player's chilling. This motherfucker gets bit

1270
00:58:32,200 --> 00:58:34,600
Speaker 4: and I'll get bit. But my crib is right there.

1271
00:58:35,360 --> 00:58:36,760
Speaker 4: I'm like, I know I could go to meet.

1272
00:58:38,040 --> 00:58:40,439
Speaker 2: I go to Stevie. He wakes up the next day.

1273
00:58:41,240 --> 00:58:52,600
Speaker 2: I turned on the vision. He strikes out everything yore like.

1274
00:58:55,760 --> 00:58:57,640
Speaker 2: So I'm sorry, athlete, you gotta relax.

1275
00:58:59,840 --> 00:59:02,480
Speaker 5: I had to me some similar experiences. So you're telling

1276
00:59:02,520 --> 00:59:05,160
Speaker 5: the truth, Like I said, Day's I bro, that's real okay.

1277
00:59:05,520 --> 00:59:07,400
Speaker 2: Next one, yeah, man, oh man.

1278
00:59:09,040 --> 00:59:12,400
Speaker 6: Hustling floor or what the fuck did y'all? Oh hustling

1279
00:59:12,440 --> 00:59:14,080
Speaker 6: flowing crash or crash.

1280
00:59:14,160 --> 00:59:18,200
Speaker 5: Crash man crash hustling flow? Is that both of those

1281
00:59:18,240 --> 00:59:18,760
Speaker 5: are classics.

1282
00:59:18,800 --> 00:59:19,160
Speaker 2: By the way.

1283
00:59:19,400 --> 00:59:22,080
Speaker 5: Just the experience that I had, thank you with going

1284
00:59:22,120 --> 00:59:25,760
Speaker 5: to the Academy Awards and that ship winning when nobody

1285
00:59:25,840 --> 00:59:27,160
Speaker 5: thought it was going to do that and it was

1286
00:59:27,200 --> 00:59:30,920
Speaker 5: an independent shot movie, and that that ship is everything

1287
00:59:30,960 --> 00:59:33,240
Speaker 5: to me. That damn Crash movie. To have that on

1288
00:59:33,320 --> 00:59:36,040
Speaker 5: my resume is that was first, right, Crash was the

1289
00:59:36,080 --> 00:59:37,560
Speaker 5: first crash all that.

1290
00:59:37,800 --> 00:59:40,560
Speaker 4: Yeah, I know you picked Crash, but Terrace Howard just

1291
00:59:40,640 --> 00:59:43,640
Speaker 4: did a interview, yeah, talking about how he didn't get

1292
00:59:43,680 --> 00:59:46,880
Speaker 4: paid for hustling Flow like you know, he said, got

1293
00:59:46,960 --> 00:59:51,920
Speaker 4: fifteen thousand, No fifteen, say four thousand.

1294
00:59:54,840 --> 00:59:57,400
Speaker 5: That's fucked up because you got got paid like a

1295
00:59:57,480 --> 01:00:02,600
Speaker 5: mother but s sorry, damn, that's my nigga.

1296
01:00:03,320 --> 01:00:07,000
Speaker 2: He's dealing with different He's getting four thousand dollars only.

1297
01:00:09,120 --> 01:00:09,959
Speaker 2: Oh my god.

1298
01:00:10,520 --> 01:00:12,920
Speaker 5: Yeah, yeah, oh yeah, yeah, I mean I don't know

1299
01:00:12,960 --> 01:00:14,520
Speaker 5: anything about that, but I heard it. I heard him

1300
01:00:14,520 --> 01:00:17,400
Speaker 5: say that that's crazy. That is crazy, one hundred percent.

1301
01:00:18,200 --> 01:00:21,800
Speaker 5: That's why you got shock on your time. Absolutely make

1302
01:00:21,840 --> 01:00:25,000
Speaker 5: that type of deal. Go ahead, right, the source or

1303
01:00:25,080 --> 01:00:29,360
Speaker 5: double XEL, the Source or double XCEL. I'm gonna have

1304
01:00:29,480 --> 01:00:30,840
Speaker 5: to go with the source just because I got a

1305
01:00:30,880 --> 01:00:32,720
Speaker 5: source award that my fucking career. I don't think I

1306
01:00:32,760 --> 01:00:33,840
Speaker 5: have a double XL award.

1307
01:00:34,000 --> 01:00:37,360
Speaker 2: It was the original. Yeah, I gotta go with gotta

1308
01:00:37,400 --> 01:00:41,560
Speaker 2: go with the sorce. Yeah. Now you're just making up

1309
01:00:41,600 --> 01:00:44,960
Speaker 2: ship now what you do, I'm not problem, It's all good.

1310
01:00:44,960 --> 01:00:48,320
Speaker 2: I'm fucking with you. Vin Diesel or the Rock. Vin

1311
01:00:48,360 --> 01:00:49,240
Speaker 2: Di's a little rock.

1312
01:00:49,440 --> 01:00:53,640
Speaker 5: I would only say Ben Ben started the franchise when

1313
01:00:53,680 --> 01:00:55,640
Speaker 5: it comes to fast, But man, both of them motherfuckers

1314
01:00:55,680 --> 01:00:58,640
Speaker 5: are some of the most disciplined individuals I know when

1315
01:00:58,680 --> 01:01:00,880
Speaker 5: it comes to whatever they put their mind to.

1316
01:01:01,560 --> 01:01:01,760
Speaker 2: Yeah.

1317
01:01:02,160 --> 01:01:04,280
Speaker 4: Yeah, and then ty Reese and the Rock worked the

1318
01:01:04,320 --> 01:01:04,720
Speaker 4: shout out.

1319
01:01:04,960 --> 01:01:09,720
Speaker 2: They did work that ship out. That's real, all right,

1320
01:01:10,200 --> 01:01:13,320
Speaker 2: go ahead, metha. Red Man.

1321
01:01:13,440 --> 01:01:15,600
Speaker 5: People used to say I was a down south red Man.

1322
01:01:17,280 --> 01:01:19,560
Speaker 5: I love Red and I just saw him recently at

1323
01:01:20,000 --> 01:01:22,880
Speaker 5: the same place I saw you at the Leo Corn event,

1324
01:01:23,040 --> 01:01:25,640
Speaker 5: and I was just giving them as praises. Man, and

1325
01:01:26,560 --> 01:01:28,560
Speaker 5: I've had moments and some history with both of them.

1326
01:01:28,600 --> 01:01:31,120
Speaker 5: But in terms of just who influenced me more, I

1327
01:01:31,120 --> 01:01:36,040
Speaker 5: would have to go with Redman, alright, Rick Ross and

1328
01:01:36,120 --> 01:01:40,240
Speaker 5: Trick Daddy Rick Ross. But I would say without Trick Daddy,

1329
01:01:40,360 --> 01:01:45,280
Speaker 5: Rick Ross wouldn't be here, which is very difficult to

1330
01:01:45,520 --> 01:01:47,000
Speaker 5: choose between those two.

1331
01:01:47,600 --> 01:01:48,360
Speaker 2: God damn.

1332
01:01:49,120 --> 01:01:51,560
Speaker 5: But I mean, just in terms of when I'm listening

1333
01:01:51,640 --> 01:01:54,200
Speaker 5: to all of the catalogs, I would go with Ross

1334
01:01:54,360 --> 01:01:57,640
Speaker 5: on that one. But thank you Trick for even allowing

1335
01:01:57,720 --> 01:01:58,120
Speaker 5: Ross to.

1336
01:01:58,240 --> 01:02:00,760
Speaker 2: You know, to do what he did. And in the beginning,

1337
01:02:00,840 --> 01:02:02,680
Speaker 2: he's the man. He put him on. I think he

1338
01:02:02,680 --> 01:02:03,640
Speaker 2: put him on the record.

1339
01:02:03,400 --> 01:02:05,000
Speaker 4: And Tuck got his teeth done to This makes no

1340
01:02:05,080 --> 01:02:05,440
Speaker 4: noise for that.

1341
01:02:06,920 --> 01:02:10,200
Speaker 2: Only you would do that, the nigga. They got his goal.

1342
01:02:11,000 --> 01:02:15,640
Speaker 4: Love go to the parents teaching night. Now, I'm not

1343
01:02:15,800 --> 01:02:23,240
Speaker 4: sure go to DJ Calendar, DJ Drama, DJ Kalid or

1344
01:02:23,280 --> 01:02:27,040
Speaker 4: DJ Drama both my niggas. Drama is looking at this

1345
01:02:27,440 --> 01:02:31,800
Speaker 4: very close. Oh no, for sure, he's gonna text you.

1346
01:02:31,920 --> 01:02:34,360
Speaker 5: I love drama, but I have this record that no

1347
01:02:34,480 --> 01:02:36,400
Speaker 5: matter where I go called, all I do is win,

1348
01:02:36,520 --> 01:02:38,880
Speaker 5: I do it every goddamn show. So as much as

1349
01:02:38,920 --> 01:02:41,440
Speaker 5: I love Drama, I gotta go to calid on this because.

1350
01:02:43,080 --> 01:02:48,280
Speaker 2: Real, yeah, this is a difficult one. Scarface of ice

1351
01:02:48,360 --> 01:02:50,680
Speaker 2: que fuck man. Shot.

1352
01:02:52,600 --> 01:02:55,320
Speaker 5: God Damn, that's a hard one. You know what, I'm

1353
01:02:55,320 --> 01:02:57,360
Speaker 5: gonna take the shot, but I am gonna say scar

1354
01:02:57,480 --> 01:03:00,120
Speaker 5: faced on that. I'm still I'm still telling I'm take

1355
01:03:00,160 --> 01:03:00,960
Speaker 5: the shot because.

1356
01:03:00,720 --> 01:03:03,680
Speaker 2: I want to take a shot. You want to explain

1357
01:03:03,720 --> 01:03:05,760
Speaker 2: why you why you went back on both of.

1358
01:03:05,800 --> 01:03:10,240
Speaker 5: Those man, both of those artists are so amazing. Both

1359
01:03:10,240 --> 01:03:11,720
Speaker 5: of those artists to me are like like you say,

1360
01:03:11,840 --> 01:03:15,440
Speaker 5: artist artists. Everybody has pretty much set their tone or

1361
01:03:15,520 --> 01:03:19,320
Speaker 5: been influenced by those two motherfuckers in some way, shape

1362
01:03:19,400 --> 01:03:22,640
Speaker 5: or form, iceq. What he did for the West Coast

1363
01:03:22,720 --> 01:03:24,920
Speaker 5: and all of the industry and what Scarface did for

1364
01:03:25,000 --> 01:03:26,840
Speaker 5: the South and all of the industry.

1365
01:03:26,600 --> 01:03:29,400
Speaker 2: Both being very lyrical, both being extremely lyrical.

1366
01:03:29,440 --> 01:03:32,480
Speaker 5: But I think my heart is closer to Scarface, which

1367
01:03:32,520 --> 01:03:35,680
Speaker 5: is why I chose got it face. You play golf, man,

1368
01:03:35,720 --> 01:03:37,120
Speaker 5: we were just talking about this ship. I don't have

1369
01:03:37,200 --> 01:03:39,680
Speaker 5: the patience yet. Man, I'm gonna get there.

1370
01:03:39,680 --> 01:03:39,960
Speaker 2: I want.

1371
01:03:42,120 --> 01:03:45,320
Speaker 5: I can't fuck y'all golf niggas. I don't have the

1372
01:03:45,400 --> 01:03:46,880
Speaker 5: patience yet. Man, I'm getting there though.

1373
01:03:47,320 --> 01:03:48,680
Speaker 2: His face that good at golf.

1374
01:03:49,000 --> 01:03:49,840
Speaker 4: Face is good again.

1375
01:03:50,320 --> 01:03:52,960
Speaker 2: Yeah, yeah, I didn't know. I have no idea the

1376
01:03:53,040 --> 01:03:57,640
Speaker 2: niggas that good. Yeah, he's seriously got Next.

1377
01:03:57,560 --> 01:04:02,240
Speaker 4: Night, Timberling and Swiss Beats, Oh fuck man, both my brothers.

1378
01:04:02,600 --> 01:04:03,560
Speaker 4: Those are both my brothers.

1379
01:04:03,640 --> 01:04:05,360
Speaker 5: If they are friends in the industry, and I have

1380
01:04:05,560 --> 01:04:07,640
Speaker 5: very few, like when you talk about real shit, those

1381
01:04:07,680 --> 01:04:10,880
Speaker 5: are both my friends. But uh, it was no secret

1382
01:04:11,000 --> 01:04:14,000
Speaker 5: when I had my verses I was given praises. I

1383
01:04:14,080 --> 01:04:16,840
Speaker 5: feel like, to me, Timberland is the best producer of

1384
01:04:16,960 --> 01:04:20,560
Speaker 5: our time. That's just my opinion, And I know people

1385
01:04:20,560 --> 01:04:22,600
Speaker 5: will beg to different, But when you go back and

1386
01:04:22,720 --> 01:04:27,200
Speaker 5: listen to his beats and you think about, like how

1387
01:04:27,320 --> 01:04:32,920
Speaker 5: he structured snares and kicks and eighto eights and the

1388
01:04:33,080 --> 01:04:37,320
Speaker 5: bounces and are peggiating, and it's completely out of the

1389
01:04:37,440 --> 01:04:39,840
Speaker 5: norm again of what anyone else is doing. And I

1390
01:04:40,000 --> 01:04:43,000
Speaker 5: just feel like he puts so much into it and

1391
01:04:43,120 --> 01:04:44,920
Speaker 5: Swiss making history on a whole.

1392
01:04:44,760 --> 01:04:45,800
Speaker 2: Other level for what he does.

1393
01:04:45,920 --> 01:04:49,600
Speaker 5: But personally, I gotta go with Timbling and you don't

1394
01:04:49,640 --> 01:04:51,840
Speaker 5: go back to the free as well, Like the fact

1395
01:04:51,880 --> 01:04:53,680
Speaker 5: that he can go between both is crazy.

1396
01:04:53,800 --> 01:04:54,520
Speaker 2: Yeah as well.

1397
01:04:54,640 --> 01:04:56,800
Speaker 5: And if we go back to the Pharal and Kanye joint,

1398
01:04:56,920 --> 01:04:59,600
Speaker 5: just based off the word influence, they both have major

1399
01:04:59,640 --> 01:05:02,360
Speaker 5: influence on a lot, but I feel like I'm gonna

1400
01:05:02,360 --> 01:05:05,480
Speaker 5: have to say, Kanye in terms of influencing, we're going

1401
01:05:05,520 --> 01:05:06,160
Speaker 5: back to the other one.

1402
01:05:07,040 --> 01:05:08,720
Speaker 2: Just came back to want to make sure that you're

1403
01:05:08,720 --> 01:05:13,480
Speaker 2: going back to be going back to nobody there. We're

1404
01:05:13,520 --> 01:05:15,720
Speaker 2: gonna regardless, Yeah, but go ahead, you good. It was

1405
01:05:15,800 --> 01:05:17,320
Speaker 2: Kunye for what happened when you say.

1406
01:05:17,240 --> 01:05:20,880
Speaker 5: No, yeah, I mean that's that's probably the hardest, the

1407
01:05:20,960 --> 01:05:21,880
Speaker 5: hardest fucking question.

1408
01:05:22,000 --> 01:05:24,240
Speaker 2: I love both of them, made records with both of them.

1409
01:05:25,640 --> 01:05:31,880
Speaker 5: In terms of influence of not only certain rappers and production,

1410
01:05:32,400 --> 01:05:35,800
Speaker 5: I would go with Kanye for Real mostly production, and

1411
01:05:35,880 --> 01:05:37,680
Speaker 5: by the way, for some of for Real's verses and

1412
01:05:37,760 --> 01:05:40,080
Speaker 5: some of the hardest fucking verses in hip ho. Make

1413
01:05:40,120 --> 01:05:42,280
Speaker 5: a mentioned to that, by the way, because do it

1414
01:05:42,320 --> 01:05:44,320
Speaker 5: every now and he's take a shot.

1415
01:05:44,880 --> 01:05:51,320
Speaker 2: It's all good. Everybody take a shot. He confused everybody.

1416
01:05:53,720 --> 01:05:55,640
Speaker 5: I think these are moments where it's like you talk

1417
01:05:55,680 --> 01:05:57,000
Speaker 5: about some ship that not a lot of people are

1418
01:05:57,000 --> 01:05:59,160
Speaker 5: talking about that. Nigga for real got some verses in

1419
01:05:59,280 --> 01:05:59,960
Speaker 5: this hip hop game.

1420
01:06:00,120 --> 01:06:03,200
Speaker 2: We've got some part ass versus like he against the rapper.

1421
01:06:03,040 --> 01:06:06,560
Speaker 5: On So I would say on that one, I would

1422
01:06:06,560 --> 01:06:09,960
Speaker 5: go with Kanye Cool analog or digital.

1423
01:06:10,240 --> 01:06:16,600
Speaker 2: Analog, Man, analog, I gotta go analog before he don't know,

1424
01:06:16,720 --> 01:06:19,680
Speaker 2: you don't, don't relax, you got you can't you know

1425
01:06:19,720 --> 01:06:22,600
Speaker 2: where you're gonna go. You let's go there? Why why

1426
01:06:22,680 --> 01:06:24,680
Speaker 2: analog before he says, because.

1427
01:06:26,320 --> 01:06:28,600
Speaker 6: I'm not even gonna make sure you're not wrong. But

1428
01:06:28,960 --> 01:06:32,360
Speaker 6: versus white. Analogue is weird, not weird, but it's not weird.

1429
01:06:33,280 --> 01:06:37,160
Speaker 6: It's no weird because it's just not analog.

1430
01:06:37,520 --> 01:06:41,120
Speaker 5: Digital is trying to emulate what analog does. Analog there's

1431
01:06:41,160 --> 01:06:46,600
Speaker 5: ones and twos, there's electricity flowing through analog, and there's separation. Now,

1432
01:06:46,680 --> 01:06:48,800
Speaker 5: not to say that digital is trying to do that,

1433
01:06:48,880 --> 01:06:51,040
Speaker 5: but it has not done that yet. Hasn't done that yet.

1434
01:06:51,360 --> 01:06:53,880
Speaker 5: You can't, there's not You cannot emulate analog. There's nothing

1435
01:06:53,880 --> 01:06:56,320
Speaker 5: you can do. There's circuitry, there's energy. It picks up

1436
01:06:56,360 --> 01:06:59,160
Speaker 5: the energy in the fucking room. Digital doesn't do that.

1437
01:07:00,080 --> 01:07:03,040
Speaker 2: No contact. You said you're gonna say that, Get the fuck.

1438
01:07:04,720 --> 01:07:08,280
Speaker 4: No. What I was gonna say was yes, it's actually

1439
01:07:08,640 --> 01:07:11,520
Speaker 4: he said, you're not gonna say the electricity.

1440
01:07:10,960 --> 01:07:20,640
Speaker 2: Of the monologue two point five. Say. What I'm trying to.

1441
01:07:20,640 --> 01:07:24,600
Speaker 4: Say is when you listen to music in the nineties

1442
01:07:24,600 --> 01:07:26,360
Speaker 4: where we couldn't send but.

1443
01:07:26,480 --> 01:07:29,080
Speaker 2: That's the email man. We had to be in a

1444
01:07:29,160 --> 01:07:33,840
Speaker 2: two inch rail. We had the little everything, little people

1445
01:07:33,880 --> 01:07:34,439
Speaker 2: with the rail.

1446
01:07:34,560 --> 01:07:37,400
Speaker 4: It's legit as a rail, little people as a rail

1447
01:07:38,080 --> 01:07:40,400
Speaker 4: to bring up to sound on sound to write track

1448
01:07:40,440 --> 01:07:42,959
Speaker 4: studio and Lula couldn't send me his verse.

1449
01:07:43,360 --> 01:07:46,320
Speaker 2: He had to be in the same exact studio with me.

1450
01:07:47,280 --> 01:07:50,280
Speaker 4: That's why analog is this ship is because I can

1451
01:07:51,080 --> 01:07:51,640
Speaker 4: he's saying.

1452
01:07:51,480 --> 01:07:53,959
Speaker 2: The person, the person, which is true. That's the same.

1453
01:07:54,240 --> 01:07:54,919
Speaker 2: It is the best.

1454
01:07:55,200 --> 01:07:57,040
Speaker 4: The reason why you said you look, you look look

1455
01:07:57,040 --> 01:07:59,680
Speaker 4: at some of these dude dues records. You're like, you

1456
01:07:59,760 --> 01:08:04,600
Speaker 4: could tell he was in Utah. This nigga, you got

1457
01:08:04,840 --> 01:08:09,680
Speaker 4: Utah and people in Utah right now he was one

1458
01:08:09,880 --> 01:08:13,320
Speaker 4: niggas in Utah and all the niggas in Kasstan bor

1459
01:08:14,880 --> 01:08:18,720
Speaker 4: Rack and this niggas he's being with the cow and

1460
01:08:18,880 --> 01:08:21,760
Speaker 4: bells and ship. You can hit the bells, the and

1461
01:08:21,840 --> 01:08:24,720
Speaker 4: the You're like, You're like, this is too fucking.

1462
01:08:26,240 --> 01:08:27,680
Speaker 2: I know I would have fun when I came. I

1463
01:08:27,760 --> 01:08:30,640
Speaker 2: know I have this much God damn. But this is.

1464
01:08:32,880 --> 01:08:35,400
Speaker 4: What I'm saying is analog. That's the reason why analog.

1465
01:08:35,760 --> 01:08:38,439
Speaker 4: I just want to help iterate what he was just saying.

1466
01:08:38,560 --> 01:08:41,599
Speaker 4: You're not iterating anything he said. You're giving your point,

1467
01:08:41,600 --> 01:08:44,920
Speaker 4: which is valid, one hundred mad valid.

1468
01:08:45,000 --> 01:08:46,880
Speaker 2: My point is fire. But I say this, he has

1469
01:08:46,920 --> 01:08:48,599
Speaker 2: nothing to do with analog.

1470
01:08:49,080 --> 01:08:51,120
Speaker 4: That's the reason why I felt like you analogue is

1471
01:08:51,160 --> 01:08:54,960
Speaker 4: because we had to be there like, Meier sending you

1472
01:08:55,040 --> 01:08:57,479
Speaker 4: a beat is totally different from for man making that.

1473
01:08:57,560 --> 01:08:58,320
Speaker 2: Big in your face.

1474
01:08:58,680 --> 01:09:01,760
Speaker 4: Absolutely, that's analog. That's the reason why I felt like

1475
01:09:01,800 --> 01:09:04,800
Speaker 4: you picked it. And this part of the just here

1476
01:09:05,560 --> 01:09:06,840
Speaker 4: part of the By the way.

1477
01:09:06,800 --> 01:09:08,639
Speaker 2: Ludacris is the only nigga to come here and pick

1478
01:09:08,720 --> 01:09:10,680
Speaker 2: his hair. Drink chat that.

1479
01:09:13,200 --> 01:09:16,600
Speaker 4: Jamie sitting around, and Jamie was like, listen, Jamie's a bartender.

1480
01:09:16,840 --> 01:09:18,920
Speaker 4: And Jamie said, you know what, I've been in Atlanta

1481
01:09:19,000 --> 01:09:19,479
Speaker 4: long enough.

1482
01:09:19,640 --> 01:09:20,160
Speaker 2: I can do this.

1483
01:09:20,320 --> 01:09:21,840
Speaker 4: He's like, I'm a hair tender too. She said, I

1484
01:09:21,880 --> 01:09:24,720
Speaker 4: could be a hair tender too. And guess what we had?

1485
01:09:26,240 --> 01:09:28,960
Speaker 4: Uh you MTV raps of Rap City.

1486
01:09:30,600 --> 01:09:33,120
Speaker 5: I'm gonna say, uh rap City because man, did you

1487
01:09:33,320 --> 01:09:35,160
Speaker 5: did you see them Ludacris in the booth?

1488
01:09:35,240 --> 01:09:40,240
Speaker 2: Rap City? B got we got it, we got you See,

1489
01:09:40,320 --> 01:09:41,960
Speaker 2: I could pull it up. This nigga been doing our

1490
01:09:41,960 --> 01:09:42,800
Speaker 2: interview the hold down.

1491
01:09:42,880 --> 01:09:43,280
Speaker 6: You got it?

1492
01:09:43,360 --> 01:09:43,800
Speaker 7: You got it.

1493
01:09:44,840 --> 01:09:47,400
Speaker 2: Yeah, it's in a good chat. Was eighteen the radio.

1494
01:09:48,720 --> 01:09:49,080
Speaker 4: You got it.

1495
01:09:50,400 --> 01:09:52,960
Speaker 2: It's in a good chat, good good dream cham sports.

1496
01:09:53,840 --> 01:09:56,439
Speaker 2: I see some pools ain't smart because they going against me.

1497
01:09:56,600 --> 01:10:01,519
Speaker 2: I've been rapping on a whole nothing level past the league.

1498
01:10:01,680 --> 01:10:04,120
Speaker 2: You could ask read enough I ripples.

1499
01:10:05,360 --> 01:10:07,719
Speaker 5: As long as my clicks fitted my Cadillac truck.

1500
01:10:07,800 --> 01:10:09,200
Speaker 2: It's lower than six mines.

1501
01:10:09,520 --> 01:10:12,920
Speaker 4: It's what it cost me six digits your eye out.

1502
01:10:12,800 --> 01:10:16,320
Speaker 5: And play football with it. Girls, see me the hall

1503
01:10:16,520 --> 01:10:19,240
Speaker 5: hard so much money. I'm trying to buy a college call.

1504
01:10:20,560 --> 01:10:22,560
Speaker 2: I don't need payola as long as my eyes that

1505
01:10:22,760 --> 01:10:24,160
Speaker 2: rather than crayola.

1506
01:10:29,240 --> 01:10:31,160
Speaker 4: Let me ask you something. We keep going with the

1507
01:10:31,240 --> 01:10:34,599
Speaker 4: quick Time, but have you ever felt nothing quick about

1508
01:10:34,640 --> 01:10:37,320
Speaker 4: quick Time? Hour?

1509
01:10:37,400 --> 01:10:39,200
Speaker 2: Doing quick Time? Y'all need to change the name of

1510
01:10:39,280 --> 01:10:42,120
Speaker 2: that ships.

1511
01:10:42,400 --> 01:10:44,840
Speaker 6: But have you ever felt that you never got your

1512
01:10:45,080 --> 01:10:47,120
Speaker 6: just due as a lyricist? Have you ever felt that way?

1513
01:10:48,560 --> 01:10:50,920
Speaker 5: I hear people say that, and to a degree, but

1514
01:10:51,040 --> 01:10:53,320
Speaker 5: when I said those moments like me winning best Rap

1515
01:10:53,400 --> 01:10:55,400
Speaker 5: album for you know what I mean, which doesn't happen often,

1516
01:10:55,479 --> 01:10:58,720
Speaker 5: you can, you feel like there's a certain amount of

1517
01:10:58,720 --> 01:11:00,439
Speaker 5: people that do feel that way. And I feel like

1518
01:11:00,520 --> 01:11:02,880
Speaker 5: the real Luda fans they you know, they do feel

1519
01:11:02,920 --> 01:11:03,280
Speaker 5: like I get.

1520
01:11:03,360 --> 01:11:05,920
Speaker 6: I get you could wing your best rap album, but

1521
01:11:06,400 --> 01:11:09,360
Speaker 6: you know, like being the lyricists like the Nazes and this,

1522
01:11:09,920 --> 01:11:11,800
Speaker 6: have you ever felt that you didn't get that from

1523
01:11:12,280 --> 01:11:12,840
Speaker 6: that world?

1524
01:11:12,960 --> 01:11:15,679
Speaker 2: Like the pure purest hip hop side to a degree.

1525
01:11:15,760 --> 01:11:18,200
Speaker 5: But I guess what I'm saying is as time passes

1526
01:11:18,400 --> 01:11:20,439
Speaker 5: and these things are standing the test of time and

1527
01:11:20,560 --> 01:11:22,600
Speaker 5: people are going back and listening to.

1528
01:11:22,600 --> 01:11:25,400
Speaker 2: Shit and the repetition of it, they're starting to say wow.

1529
01:11:25,680 --> 01:11:27,400
Speaker 5: Like so there have been times where people like, oh,

1530
01:11:27,439 --> 01:11:29,920
Speaker 5: he don't get the lyrical recognition he deserved. But these

1531
01:11:30,000 --> 01:11:33,000
Speaker 5: things keep circulating and getting the people's faces and all

1532
01:11:33,040 --> 01:11:35,160
Speaker 5: the shit different shit that I did. And so when

1533
01:11:35,160 --> 01:11:37,000
Speaker 5: people are reminded of that, then it kind of like

1534
01:11:38,000 --> 01:11:41,639
Speaker 5: it makes them remember what the fuck that we got

1535
01:11:41,720 --> 01:11:43,479
Speaker 5: going on and what we've done in the past and

1536
01:11:43,520 --> 01:11:46,360
Speaker 5: the whole you know, the catalog, the history everything.

1537
01:11:46,439 --> 01:11:48,479
Speaker 2: Because You've always been a pure lyricist as far as

1538
01:11:48,479 --> 01:11:50,360
Speaker 2: I'm concerned, Thank you, man, And that's what I set

1539
01:11:50,360 --> 01:11:53,680
Speaker 2: out to do for sure. And again we're gonna get

1540
01:11:53,680 --> 01:11:57,880
Speaker 2: back into quick time, slow time. But who were your

1541
01:11:58,240 --> 01:12:03,400
Speaker 2: inspiration's lyricists? Man? I had so many, but I think.

1542
01:12:04,880 --> 01:12:07,360
Speaker 5: Definitely, like red Man I said, ll cool J made

1543
01:12:07,400 --> 01:12:12,360
Speaker 5: me want to rap, definitely outcast. I definitely want to say.

1544
01:12:12,439 --> 01:12:15,759
Speaker 5: Common Sense is another motherfucker. I love that first Common

1545
01:12:15,800 --> 01:12:18,639
Speaker 5: Sense album absolutely. So that's just the name a few,

1546
01:12:20,520 --> 01:12:21,960
Speaker 5: A little one, that shaped and molded me.

1547
01:12:22,400 --> 01:12:25,200
Speaker 2: That's fine. The next one, Oh, you don't got no

1548
01:12:25,320 --> 01:12:28,760
Speaker 2: quick time of today is just me and my phone. Huh,

1549
01:12:29,720 --> 01:12:31,640
Speaker 2: I get, I get, It's okay. It's okay with me.

1550
01:12:31,800 --> 01:12:36,720
Speaker 2: It's okay. I told you a long time ago. Yeah,

1551
01:12:38,080 --> 01:12:46,839
Speaker 2: cash money or no limit. Damn fuck y'all cheers movements

1552
01:12:46,960 --> 01:12:50,400
Speaker 2: right there they are? Ship. Do you want to say

1553
01:12:50,400 --> 01:12:51,120
Speaker 2: anything about them?

1554
01:12:51,880 --> 01:12:54,000
Speaker 5: I mean, ship, I'll be talking for days about the

1555
01:12:54,080 --> 01:12:58,439
Speaker 5: impact that they made. Man, I've never been like at

1556
01:12:58,479 --> 01:12:59,960
Speaker 5: a loss for words because it's so much I want

1557
01:12:59,960 --> 01:13:01,479
Speaker 5: to say, But this will be the first time. It's

1558
01:13:01,520 --> 01:13:02,880
Speaker 5: so much I want to say about that. Like that's

1559
01:13:02,880 --> 01:13:04,360
Speaker 5: a whole other drink stand We're gonna need to hold

1560
01:13:04,360 --> 01:13:07,200
Speaker 5: another hour. But like just giving them praises on what

1561
01:13:07,320 --> 01:13:10,960
Speaker 5: they did, like from an independent standpoint, to independent labels

1562
01:13:11,000 --> 01:13:14,360
Speaker 5: that changed the whole fucking music industry peer.

1563
01:13:14,360 --> 01:13:18,160
Speaker 2: And for the South in general, like absolute landscape of

1564
01:13:18,240 --> 01:13:19,120
Speaker 2: the industry.

1565
01:13:18,920 --> 01:13:20,519
Speaker 5: Whole landscape of the industry. And I know I already

1566
01:13:20,520 --> 01:13:22,040
Speaker 5: took my shot that might be the only nigga to

1567
01:13:22,200 --> 01:13:25,040
Speaker 5: do this. Answer the question after, but let's go because

1568
01:13:25,040 --> 01:13:26,880
Speaker 5: of the longevity, I'm gonna go with cash money.

1569
01:13:27,160 --> 01:13:29,479
Speaker 2: But I'm cool. I already took the goddamn shot. All right,

1570
01:13:29,520 --> 01:13:31,080
Speaker 2: you gave them both props, and then.

1571
01:13:32,240 --> 01:13:36,800
Speaker 5: I'm just being just being real, just being truthful, even Missy,

1572
01:13:38,400 --> 01:13:42,320
Speaker 5: even Missy well only because earlier y'all heard me say

1573
01:13:42,360 --> 01:13:45,600
Speaker 5: there's definitely some Missy influence. Missy has had me on

1574
01:13:45,760 --> 01:13:50,519
Speaker 5: like four records. Just from a standpoint of working more

1575
01:13:50,600 --> 01:13:53,439
Speaker 5: with Missy because Eve has done some incredible things. I'm

1576
01:13:53,479 --> 01:13:54,559
Speaker 5: gonna go with Missy on this one.

1577
01:13:56,640 --> 01:13:56,760
Speaker 6: Yo.

1578
01:13:56,840 --> 01:14:02,559
Speaker 2: God your Juicy J. God to Juicy J. Why did

1579
01:14:02,600 --> 01:14:03,679
Speaker 2: y'all put those two together?

1580
01:14:04,120 --> 01:14:07,000
Speaker 4: Look at this because the Dominican over there, Yeah, they

1581
01:14:07,040 --> 01:14:09,280
Speaker 4: don't even know why they put it together just because

1582
01:14:09,280 --> 01:14:10,200
Speaker 4: they're both from Memphis.

1583
01:14:10,520 --> 01:14:11,360
Speaker 2: That's crazy, bro.

1584
01:14:11,479 --> 01:14:13,519
Speaker 4: I'm like, and they don't even know why because from

1585
01:14:13,560 --> 01:14:14,519
Speaker 4: medicine the correlation.

1586
01:14:15,479 --> 01:14:17,160
Speaker 5: So you said that, I mean, I love your guy.

1587
01:14:17,200 --> 01:14:19,320
Speaker 5: I think what that motherfucker is doing with his label

1588
01:14:19,439 --> 01:14:23,320
Speaker 5: is amazing. Man, he need to give you one of

1589
01:14:23,360 --> 01:14:26,360
Speaker 5: the best part of CEOs. But Juicy J was a

1590
01:14:26,439 --> 01:14:29,880
Speaker 5: part of my history and records that we've done together.

1591
01:14:30,880 --> 01:14:32,880
Speaker 5: One of my favorite verses of all time is that

1592
01:14:33,000 --> 01:14:36,160
Speaker 5: this bitch that hole with Project Pat and because of

1593
01:14:36,240 --> 01:14:38,360
Speaker 5: our history I'm gonna go with project with you.

1594
01:14:39,520 --> 01:14:41,880
Speaker 2: Before we go on to the next question. Is that

1595
01:14:42,000 --> 01:14:42,600
Speaker 2: something that you.

1596
01:14:44,160 --> 01:14:50,600
Speaker 4: Something that I received being an artist CEO, sometimes the

1597
01:14:50,640 --> 01:14:53,320
Speaker 4: opportunity to present itself, to present itself for the crew,

1598
01:14:53,600 --> 01:14:54,480
Speaker 4: present itself.

1599
01:14:54,240 --> 01:14:55,960
Speaker 2: For the individual, present itself for me.

1600
01:14:57,200 --> 01:15:03,960
Speaker 4: And it's always been kind of like, uh, turmoil because

1601
01:15:04,240 --> 01:15:07,160
Speaker 4: always when I've had the opportunity, it's always leaned towards

1602
01:15:07,240 --> 01:15:09,240
Speaker 4: me as the artist right to do that.

1603
01:15:09,640 --> 01:15:11,759
Speaker 2: Is that something that you ever endured?

1604
01:15:11,880 --> 01:15:14,080
Speaker 5: I think everybody that's a boss endures that. Like, think

1605
01:15:14,080 --> 01:15:16,920
Speaker 5: about it, no matter where you at, you've got a job,

1606
01:15:17,040 --> 01:15:19,080
Speaker 5: whoever your boss is, and how many times have you

1607
01:15:19,640 --> 01:15:23,519
Speaker 5: criticized your boss. Some bosses deserve to be criticized for

1608
01:15:23,600 --> 01:15:26,520
Speaker 5: the wrong shit, but a lot of them are criticized

1609
01:15:26,520 --> 01:15:27,559
Speaker 5: because they're just trying.

1610
01:15:27,400 --> 01:15:29,720
Speaker 2: To do what's best for the fucking company company in fact,

1611
01:15:29,800 --> 01:15:30,680
Speaker 2: so they're gonna be you know.

1612
01:15:30,840 --> 01:15:32,200
Speaker 5: But at the end of the day, no matter what

1613
01:15:32,400 --> 01:15:35,320
Speaker 5: I did, I guarantee you I gave everybody opportunity.

1614
01:15:35,400 --> 01:15:36,719
Speaker 2: I always stood on business.

1615
01:15:36,800 --> 01:15:38,519
Speaker 5: Nobody can say any of that shit when you talk

1616
01:15:38,520 --> 01:15:40,800
Speaker 5: about facts and doing the best that I could for

1617
01:15:40,880 --> 01:15:43,559
Speaker 5: every single person fighting at depth jam to get marketing,

1618
01:15:43,600 --> 01:15:44,519
Speaker 5: budgets and everything.

1619
01:15:44,640 --> 01:15:46,080
Speaker 2: Right, there was a time we had.

1620
01:15:46,040 --> 01:15:49,439
Speaker 5: Fifteen different fucking artists, and so I'm getting pulled left

1621
01:15:49,479 --> 01:15:51,680
Speaker 5: and right doing everything, get on niggas mixtapes when they

1622
01:15:51,720 --> 01:15:52,360
Speaker 5: asked me to do that.

1623
01:15:52,600 --> 01:15:55,040
Speaker 2: I'm charging two hundred and fifty thousand a fucking verse

1624
01:15:55,080 --> 01:15:55,599
Speaker 2: at this time.

1625
01:15:55,880 --> 01:15:57,960
Speaker 5: Of course, I'm gonna do this shit for free mixtapes.

1626
01:15:58,120 --> 01:16:01,000
Speaker 5: Whatever you need, what you need here doing everything. So, yes,

1627
01:16:01,520 --> 01:16:03,599
Speaker 5: I'm gonna get criticized, But like I said earlier, I'm

1628
01:16:03,640 --> 01:16:05,160
Speaker 5: okay with taking these jabs.

1629
01:16:05,600 --> 01:16:06,040
Speaker 2: You know what I mean.

1630
01:16:06,080 --> 01:16:08,320
Speaker 5: That's what we do as bosses. You're gonna get criticized.

1631
01:16:08,360 --> 01:16:10,920
Speaker 5: That's that comes with the fucking territory, you know what

1632
01:16:10,960 --> 01:16:13,599
Speaker 5: I mean. But listen, I can take it. I'm here,

1633
01:16:13,680 --> 01:16:16,080
Speaker 5: I'm good, don't worry about it. But when I decided

1634
01:16:16,080 --> 01:16:19,120
Speaker 5: the jab back, just don't get bad that Virgo.

1635
01:16:19,000 --> 01:16:24,960
Speaker 8: Ship right there, go ahead? Yeah or n w A man,

1636
01:16:25,080 --> 01:16:27,960
Speaker 8: y'all motherfuckers. Man, this is my favorite question of all time.

1637
01:16:28,080 --> 01:16:30,040
Speaker 8: I don't even think that question should be set up.

1638
01:16:30,600 --> 01:16:31,840
Speaker 8: You don't ask everybody this ship.

1639
01:16:32,040 --> 01:16:34,800
Speaker 2: Yeah, actually did that one? Yes, Yes, I actually loved that.

1640
01:16:34,840 --> 01:16:36,800
Speaker 2: And I never agree with that set up to be honest,

1641
01:16:37,240 --> 01:16:38,680
Speaker 2: I don't know. I don't either, but that's a good

1642
01:16:38,760 --> 01:16:42,360
Speaker 2: that's such a good ask question. That's such a good question.

1643
01:16:43,840 --> 01:16:46,120
Speaker 2: There's no way I can choose between those two, like

1644
01:16:46,240 --> 01:16:49,439
Speaker 2: two different coaches that like did the impact that both

1645
01:16:49,439 --> 01:16:53,439
Speaker 2: of the generation well this world, that impact of this

1646
01:16:53,560 --> 01:16:57,479
Speaker 2: world almost done.

1647
01:16:58,040 --> 01:17:00,559
Speaker 5: God damn shots out and took Just let y'all know, Yes,

1648
01:17:01,080 --> 01:17:04,920
Speaker 5: Nigga's over here stacking him up. Biz Marquis o dB.

1649
01:17:07,000 --> 01:17:11,280
Speaker 5: That's the most random fucking matchup in very similar you

1650
01:17:11,360 --> 01:17:15,679
Speaker 5: think about it. I thought about it, and I don't

1651
01:17:15,680 --> 01:17:19,920
Speaker 5: think that they love Bismarkey. I'm gonna go with od

1652
01:17:20,040 --> 01:17:23,240
Speaker 5: B on that one. Hell yeah, I did. I did

1653
01:17:23,320 --> 01:17:27,439
Speaker 5: a record for od BB. Was wold wild as fucked.

1654
01:17:27,439 --> 01:17:29,400
Speaker 5: I don't think there was. It didn't get wilder.

1655
01:17:30,920 --> 01:17:33,280
Speaker 2: OLDB definitely did up his nose and me a five.

1656
01:17:33,520 --> 01:17:35,840
Speaker 2: I was like, wait a minute, say it again again.

1657
01:17:35,880 --> 01:17:37,880
Speaker 2: He was like this, like, what's up? Like, damn nigga,

1658
01:17:37,960 --> 01:17:43,920
Speaker 2: od B. I think Mary had picking bookers, so he

1659
01:17:44,000 --> 01:17:46,599
Speaker 2: had a book. I'm saying you never picked his book

1660
01:17:46,640 --> 01:17:52,760
Speaker 2: and wow, I was like, damn nigga, hold up.

1661
01:17:53,439 --> 01:18:00,560
Speaker 4: Wow, best love damn death throat, bad Boy throw or

1662
01:18:00,720 --> 01:18:02,320
Speaker 4: bad Boy Damn.

1663
01:18:02,479 --> 01:18:06,919
Speaker 5: That's another hard one, man, those catalogs. But for me personally,

1664
01:18:07,439 --> 01:18:11,040
Speaker 5: I was a definitely notorious, big and everything bad boy fan.

1665
01:18:11,240 --> 01:18:15,960
Speaker 5: But it's something about Dre's production and the consistency of

1666
01:18:16,120 --> 01:18:19,560
Speaker 5: it with all of those artists and the sonics of

1667
01:18:19,720 --> 01:18:22,760
Speaker 5: what death Row did that I have to give the

1668
01:18:23,000 --> 01:18:26,679
Speaker 5: edge to death Row based on the production of Doctor

1669
01:18:26,840 --> 01:18:31,760
Speaker 5: motherfucking Dress. And so that's a hard one because there

1670
01:18:31,800 --> 01:18:33,160
Speaker 5: were different there was a hit man, you got a

1671
01:18:33,200 --> 01:18:35,120
Speaker 5: bunch of different productions way.

1672
01:18:36,160 --> 01:18:37,479
Speaker 2: But what I'm saying is, in terms of.

1673
01:18:37,479 --> 01:18:40,160
Speaker 5: Death Row, that was pretty much all over Doctor Dre's

1674
01:18:40,240 --> 01:18:43,080
Speaker 5: envelope in terms of what he did production wise and

1675
01:18:43,120 --> 01:18:48,880
Speaker 5: beat wise, I think that shit's unmatched. Dave Chappelle or

1676
01:18:48,960 --> 01:18:53,360
Speaker 5: Martin Lawrence A god damn love both of these guys. Man,

1677
01:18:54,400 --> 01:18:58,400
Speaker 5: Dave Chappelle or Martin Lawrence. Shit, shit, shit are we talking?

1678
01:18:58,479 --> 01:18:58,960
Speaker 2: Stand up?

1679
01:18:59,000 --> 01:19:01,760
Speaker 5: Are we talking? Are you talking about the television ship?

1680
01:19:01,840 --> 01:19:02,960
Speaker 5: We're talking about everything?

1681
01:19:03,080 --> 01:19:08,960
Speaker 2: Whatever? The fuck? Damn Chappelle, man, fuck, I tell you

1682
01:19:09,840 --> 01:19:16,559
Speaker 2: take a shot. I grew up on the Comedians. Man. Yes,

1683
01:19:17,760 --> 01:19:20,400
Speaker 2: we're almost done. Almost. That's all good, bro. I could

1684
01:19:20,439 --> 01:19:22,800
Speaker 2: take fifty more of these motherfuckers. We got fifty more.

1685
01:19:23,000 --> 01:19:26,080
Speaker 2: Let's got for sure.

1686
01:19:26,360 --> 01:19:29,000
Speaker 4: We actually got someone threw in another one in this one,

1687
01:19:30,200 --> 01:19:32,680
Speaker 4: Chila said to ask him that what I got?

1688
01:19:33,680 --> 01:19:34,040
Speaker 6: Go with it?

1689
01:19:35,040 --> 01:19:36,559
Speaker 2: But who's Chilah? You mean, Shaka?

1690
01:19:38,040 --> 01:19:43,360
Speaker 6: This guy's shot, He texted me, China, my aunt's name.

1691
01:19:44,000 --> 01:19:46,000
Speaker 4: Finish finished, creaky tiwn Slim bringing.

1692
01:19:46,080 --> 01:19:48,240
Speaker 2: About to say, Shaka, Jeff, what the are you about

1693
01:19:48,240 --> 01:19:50,640
Speaker 2: to do that? Fucked up? If you're about to do that, he.

1694
01:19:50,680 --> 01:19:52,479
Speaker 6: Find in a question. He said that Chaka, but he

1695
01:19:52,560 --> 01:19:56,000
Speaker 6: said Chi to the Cuban old lady man, that's not

1696
01:19:56,200 --> 01:20:01,439
Speaker 6: that's not Chaka bro. Podcast of radio. I came from radio, man,

1697
01:20:01,560 --> 01:20:02,040
Speaker 6: you know what I mean?

1698
01:20:03,200 --> 01:20:03,679
Speaker 2: From radio?

1699
01:20:04,080 --> 01:20:06,760
Speaker 5: I got no disrespect to drink Champs and y'all, y'all

1700
01:20:06,800 --> 01:20:07,479
Speaker 5: little podcast.

1701
01:20:13,680 --> 01:20:14,680
Speaker 4: Yeah, like.

1702
01:20:16,680 --> 01:20:18,320
Speaker 5: You know what ever somebody say little they hating like

1703
01:20:18,400 --> 01:20:22,120
Speaker 5: them up, shout the podcast out of the right there.

1704
01:20:22,120 --> 01:20:24,519
Speaker 4: Right for sure, No, no hold up, we're going to

1705
01:20:24,560 --> 01:20:27,679
Speaker 4: hold that because we got more questions that came after this. Okay,

1706
01:20:28,280 --> 01:20:34,240
Speaker 4: So Shaka asked Cameron Verse or Sierra over overse.

1707
01:20:34,080 --> 01:20:34,760
Speaker 2: I know what you mean.

1708
01:20:36,600 --> 01:20:38,680
Speaker 5: I was on what means the world to me? That

1709
01:20:38,880 --> 01:20:41,160
Speaker 5: that remix? I was on Cameron's remix. You're talking about

1710
01:20:41,160 --> 01:20:43,400
Speaker 5: the Sierra Verse. If I had to choose between knows,

1711
01:20:43,439 --> 01:20:45,240
Speaker 5: I gotta go with that Sierra Verse. That's somethings that

1712
01:20:45,240 --> 01:20:47,320
Speaker 5: I'll get wild. Those school's coming down in a different color.

1713
01:20:47,360 --> 01:20:50,120
Speaker 5: Whib wib wib picture of perfect.

1714
01:20:50,160 --> 01:20:51,880
Speaker 2: You might want to take a click click click click click.

1715
01:20:51,920 --> 01:20:56,320
Speaker 2: Call up Jazzy telling that ship right there. I gotta

1716
01:20:56,360 --> 01:20:59,880
Speaker 2: go with that. That what's the world to mes? Versus

1717
01:21:00,160 --> 01:21:00,599
Speaker 2: stupid too?

1718
01:21:00,760 --> 01:21:05,320
Speaker 4: But you recently picked up Camra Absolutely what was that complex?

1719
01:21:05,560 --> 01:21:08,000
Speaker 5: Yeah, the fire rock with that song right there, That

1720
01:21:08,120 --> 01:21:10,200
Speaker 5: verse he got on there one of my favorite verses

1721
01:21:10,240 --> 01:21:10,680
Speaker 5: in hip hop.

1722
01:21:10,760 --> 01:21:13,000
Speaker 2: Oh that was, Yeah, that was That was versus. That

1723
01:21:13,120 --> 01:21:13,599
Speaker 2: was so dope.

1724
01:21:13,840 --> 01:21:19,560
Speaker 4: You know, you know, a person of your stature to

1725
01:21:19,760 --> 01:21:22,760
Speaker 4: like say things like that, it's like, so dope. It

1726
01:21:22,920 --> 01:21:26,040
Speaker 4: makes you so much of a doper person to give

1727
01:21:26,120 --> 01:21:28,040
Speaker 4: your flowers to someone.

1728
01:21:27,800 --> 01:21:31,120
Speaker 2: Else and he's just being honest. That's the thing. That's

1729
01:21:31,160 --> 01:21:33,639
Speaker 2: one of my favorite fucking verses. Go back and listen

1730
01:21:33,720 --> 01:21:35,880
Speaker 2: to that verse. Now, the way you broke it down,

1731
01:21:36,040 --> 01:21:37,559
Speaker 2: I'm like, God damn that versus.

1732
01:21:37,680 --> 01:21:39,400
Speaker 5: And I'm glad that I did that because that verse

1733
01:21:39,520 --> 01:21:40,760
Speaker 5: go over a lot of people's heads.

1734
01:21:41,160 --> 01:21:43,560
Speaker 4: He killed that ship and shout out to Cam and

1735
01:21:43,600 --> 01:21:46,479
Speaker 4: Mace killed, got kill shut out.

1736
01:21:48,160 --> 01:21:50,960
Speaker 2: So all right, we got two more. It's all good.

1737
01:21:52,439 --> 01:21:55,559
Speaker 2: Future twenty one savage. Damn, that's a hard one.

1738
01:21:55,640 --> 01:21:59,599
Speaker 4: Too many hope for these motherfuckers letting this can't choose.

1739
01:22:00,120 --> 01:22:07,160
Speaker 4: You know, we stick together drinking, they stick together. It

1740
01:22:07,520 --> 01:22:09,559
Speaker 4: all good, all right, No, we'll do the last one,

1741
01:22:09,640 --> 01:22:12,720
Speaker 4: you know, the last one. This is the only time

1742
01:22:12,840 --> 01:22:13,320
Speaker 4: I feel like.

1743
01:22:15,640 --> 01:22:18,000
Speaker 2: It should. It's not a trick question. It's never been

1744
01:22:18,040 --> 01:22:21,839
Speaker 2: a trick. Trick TwixT never been. It's loyalty or respect.

1745
01:22:22,800 --> 01:22:23,400
Speaker 2: Oh man.

1746
01:22:25,280 --> 01:22:28,080
Speaker 5: I heard somebody say something real profound about that before

1747
01:22:28,240 --> 01:22:34,519
Speaker 5: loyalty and respect, because if you respect somebody, loyal shit,

1748
01:22:34,720 --> 01:22:36,040
Speaker 5: I'm gonna have to go with respect.

1749
01:22:36,120 --> 01:22:36,280
Speaker 6: Man.

1750
01:22:36,640 --> 01:22:38,920
Speaker 2: It's crazy as it sounds because most people would say loyalty,

1751
01:22:39,000 --> 01:22:41,360
Speaker 2: but you got to really go to the definition of

1752
01:22:41,520 --> 01:22:44,080
Speaker 2: loyalty and the real definition of respect.

1753
01:22:45,000 --> 01:22:47,720
Speaker 5: Because the ship that me and t I went through,

1754
01:22:47,760 --> 01:22:50,640
Speaker 5: there was no loyalty, but there was respect.

1755
01:22:51,280 --> 01:22:52,600
Speaker 2: That's real, and so.

1756
01:22:52,640 --> 01:22:54,640
Speaker 5: Everything that we talked about in this industry, there are

1757
01:22:54,640 --> 01:22:56,400
Speaker 5: certain people that I thought was loyal to me, and

1758
01:22:56,479 --> 01:22:58,439
Speaker 5: I thought I was loyal to them and continue to

1759
01:22:58,520 --> 01:23:01,680
Speaker 5: stay loyal to them, but obviously they weren't loyal to me,

1760
01:23:02,240 --> 01:23:05,120
Speaker 5: and there is no more respect. So it's just I'm

1761
01:23:05,160 --> 01:23:06,799
Speaker 5: gonna have to go with respect for loyalty.

1762
01:23:06,880 --> 01:23:08,320
Speaker 2: Believe it or not. That was hall.

1763
01:23:11,160 --> 01:23:11,320
Speaker 6: Real.

1764
01:23:11,600 --> 01:23:12,880
Speaker 2: Ain't'm gonna take the shot any.

1765
01:23:12,760 --> 01:23:20,639
Speaker 4: Fucking good, good good, just ask you, did the bitch

1766
01:23:20,760 --> 01:23:21,240
Speaker 4: ever move?

1767
01:23:25,000 --> 01:23:26,519
Speaker 2: Let me white, let me wipe the sweat from my

1768
01:23:26,560 --> 01:23:30,760
Speaker 2: poone head on that. What does the inspiration bere he's

1769
01:23:30,800 --> 01:23:33,880
Speaker 2: not moves my halffro goods, my rog good. Whether this

1770
01:23:34,040 --> 01:23:38,840
Speaker 2: bitch bitch did she ever move? That bitch never moved,

1771
01:23:39,520 --> 01:23:43,160
Speaker 2: never moved never. I'm taking a shot.

1772
01:23:43,280 --> 01:23:43,559
Speaker 6: Let's go.

1773
01:23:46,760 --> 01:23:49,920
Speaker 4: And me living from the South for sixteen years, I

1774
01:23:50,120 --> 01:23:53,160
Speaker 4: understand that I don't move. No, no, no, no, I

1775
01:23:53,280 --> 01:23:56,479
Speaker 4: understand that a bitch could be a guy or a woman.

1776
01:23:57,000 --> 01:23:58,080
Speaker 4: That's how y'all everything.

1777
01:23:58,360 --> 01:23:59,960
Speaker 2: Hell yeah, I hope he'll be a guy or a woman.

1778
01:24:00,080 --> 01:24:02,280
Speaker 4: Come on, yeah, yeah, I know that's different out here

1779
01:24:03,000 --> 01:24:08,000
Speaker 4: here so the bits, No, we're in the South.

1780
01:24:09,600 --> 01:24:11,400
Speaker 2: But I guess what, the comedian, how do you do

1781
01:24:11,520 --> 01:24:15,920
Speaker 2: this with this guy? Just be clean different?

1782
01:24:16,240 --> 01:24:20,240
Speaker 4: All these years you asked that bitch to move, I did,

1783
01:24:21,479 --> 01:24:23,280
Speaker 4: and that motherfucker never moved.

1784
01:24:23,600 --> 01:24:25,599
Speaker 5: Be honest, I don't want her to move. That ship

1785
01:24:25,720 --> 01:24:27,519
Speaker 5: is a fucking movement. As long as you don't move,

1786
01:24:27,560 --> 01:24:29,800
Speaker 5: people gonna continue to keep telling her to fucking move.

1787
01:24:30,840 --> 01:24:32,920
Speaker 2: The moment she moves, they might stop. We don't want

1788
01:24:32,920 --> 01:24:36,719
Speaker 2: to sing the song anymore. Come stay in her place?

1789
01:24:37,439 --> 01:24:37,639
Speaker 9: Shot?

1790
01:24:39,120 --> 01:24:42,559
Speaker 2: Watch me. I took my shot out, Jamie got down.

1791
01:24:42,600 --> 01:24:46,679
Speaker 2: Hold yeah ahead, take come on? How did you find

1792
01:24:46,720 --> 01:24:48,680
Speaker 2: that shot for him? Jamie? Double up for me? This

1793
01:24:48,800 --> 01:24:53,560
Speaker 2: mother got reserved shot, an extra clip of shots, and

1794
01:24:54,520 --> 01:24:57,800
Speaker 2: so she never moved. Now, she never moved, bro, But

1795
01:24:58,000 --> 01:24:59,320
Speaker 2: that is the.

1796
01:24:59,400 --> 01:25:03,080
Speaker 4: Most I don't want to say it like it's not

1797
01:25:03,160 --> 01:25:09,200
Speaker 4: angry song, but like if you need to pump yourself off,

1798
01:25:10,280 --> 01:25:11,800
Speaker 4: that's that started, marsh pits.

1799
01:25:11,880 --> 01:25:14,920
Speaker 2: Let's be honest. It was a still it's a month

1800
01:25:15,200 --> 01:25:16,000
Speaker 2: ship last night.

1801
01:25:16,080 --> 01:25:17,880
Speaker 5: I'm telling you we got to show in Miami, didn't

1802
01:25:17,880 --> 01:25:20,640
Speaker 5: that We had one in Tampa last night? That motherfucking song. Bro,

1803
01:25:20,720 --> 01:25:22,920
Speaker 5: I don't even have to say ship, you just hold

1804
01:25:22,960 --> 01:25:24,040
Speaker 5: the mic out to the crowd.

1805
01:25:24,360 --> 01:25:26,559
Speaker 2: How was that fair? If I'm the one getting paid

1806
01:25:26,640 --> 01:25:27,799
Speaker 2: and the crowd is the one.

1807
01:25:27,680 --> 01:25:30,479
Speaker 5: That paid, and these motherfuckers are saying to stand there,

1808
01:25:31,320 --> 01:25:32,120
Speaker 5: that's a beautiful thing.

1809
01:25:32,200 --> 01:25:33,920
Speaker 2: I just standing there is.

1810
01:25:37,280 --> 01:25:40,400
Speaker 5: Record of all time, create record of Okay, kel C

1811
01:25:40,600 --> 01:25:43,320
Speaker 5: made this right, yeah, yeah, yeah, back.

1812
01:25:44,160 --> 01:25:47,760
Speaker 2: It's Beats by the Pound right living Yeah. I didn't

1813
01:25:47,800 --> 01:25:50,000
Speaker 2: know that beat Spider hip hop too. I don't know

1814
01:25:50,000 --> 01:25:55,040
Speaker 2: if you know that. I did not know that. I

1815
01:25:55,080 --> 01:25:57,280
Speaker 2: ain't Google that or nothing. I bet you did google

1816
01:25:57,640 --> 01:25:59,960
Speaker 2: because google.

1817
01:26:03,840 --> 01:26:06,240
Speaker 9: Yeah no, no, no, because I couldn't get a kiss. No,

1818
01:26:06,400 --> 01:26:13,240
Speaker 9: that's amazing you wanted one at that time. I'm prior

1819
01:26:13,400 --> 01:26:14,080
Speaker 9: before now.

1820
01:26:14,360 --> 01:26:16,040
Speaker 2: He was early on it. You was early on all

1821
01:26:16,080 --> 01:26:17,160
Speaker 2: those joints. I'm be honest.

1822
01:26:19,920 --> 01:26:23,680
Speaker 4: Cash Money and No Limit was the hardest people to

1823
01:26:23,760 --> 01:26:29,280
Speaker 4: get at at one point, both of them. It was

1824
01:26:29,360 --> 01:26:33,160
Speaker 4: No Limit first, and then master p that he had

1825
01:26:33,240 --> 01:26:38,439
Speaker 4: one line. I'm be honest, what people who really know this?

1826
01:26:39,800 --> 01:26:43,080
Speaker 4: It was one line's No Limit records and the same

1827
01:26:43,200 --> 01:26:46,280
Speaker 4: person will answer the phone. They were like hello, They're

1828
01:26:46,320 --> 01:26:48,280
Speaker 4: like we're gonna connect you, and it'd be the same

1829
01:26:48,400 --> 01:26:51,680
Speaker 4: dude answering the phone like yeah, master Piece gonna come up,

1830
01:26:51,800 --> 01:26:56,519
Speaker 4: like nigga, I know your voice. I got thirty thousand,

1831
01:26:56,600 --> 01:26:59,360
Speaker 4: but you can because I do that. They wouldn't fuck

1832
01:26:59,400 --> 01:27:06,120
Speaker 4: with me. So, but I'm gonna be honest. When Cash

1833
01:27:06,200 --> 01:27:13,000
Speaker 4: Money came, they were they were different.

1834
01:27:14,320 --> 01:27:17,920
Speaker 5: Yeah, listen, I was at the radio station at this time.

1835
01:27:18,479 --> 01:27:21,200
Speaker 5: It was unheard of bro to be an independent, and

1836
01:27:21,240 --> 01:27:24,160
Speaker 5: the boxes jabowls and she was getting played on the

1837
01:27:24,240 --> 01:27:28,400
Speaker 5: radio independent. Yeah, and the units they moved, like you

1838
01:27:28,479 --> 01:27:32,559
Speaker 5: were saying, just in Texas and Louisiana alone, they didn't

1839
01:27:32,600 --> 01:27:33,360
Speaker 5: need nobody yet.

1840
01:27:33,360 --> 01:27:34,880
Speaker 2: I didn't need the same thing with No Limit.

1841
01:27:35,439 --> 01:27:37,479
Speaker 6: I'm saying, y'all saying, you're not saying that that No

1842
01:27:37,600 --> 01:27:39,160
Speaker 6: Limit didn't have that as well.

1843
01:27:39,200 --> 01:27:43,639
Speaker 2: I just but he I mean, okay, because No Limit

1844
01:27:43,760 --> 01:27:44,519
Speaker 2: was doing the same thing.

1845
01:27:46,120 --> 01:27:49,760
Speaker 4: But what I'm trying to say it was I guess

1846
01:27:50,200 --> 01:27:52,040
Speaker 4: they were ready for No Limit. They weren't ready for

1847
01:27:52,160 --> 01:27:55,800
Speaker 4: cash money. The cash money was a totally different type

1848
01:27:55,800 --> 01:27:58,120
Speaker 4: of thing. Like Puerto Ricans put me on the cash money,

1849
01:27:58,920 --> 01:28:02,479
Speaker 4: and that means that means that there's no Puerto Ricans

1850
01:28:02,520 --> 01:28:04,479
Speaker 4: would go fronts in the mouth. I know a lot

1851
01:28:04,520 --> 01:28:10,080
Speaker 4: of them now. No then, because it was out here.

1852
01:28:11,000 --> 01:28:13,519
Speaker 4: What the fuck I was in New York. There was

1853
01:28:13,600 --> 01:28:15,360
Speaker 4: no Porto Virican like we had frames.

1854
01:28:15,400 --> 01:28:17,280
Speaker 2: You're talking about people in New York telling you about

1855
01:28:17,320 --> 01:28:17,880
Speaker 2: cash money.

1856
01:28:18,320 --> 01:28:20,360
Speaker 4: No, I'm talking about cash money telling me about cash money.

1857
01:28:20,400 --> 01:28:22,680
Speaker 4: I'm talking about when I went to I Actually, this

1858
01:28:22,760 --> 01:28:24,479
Speaker 4: is how that's how I discover cash money.

1859
01:28:24,520 --> 01:28:26,080
Speaker 2: Okay, I mean just there was a.

1860
01:28:26,080 --> 01:28:29,960
Speaker 4: Person on our label called Skullduggery CALLEDUG Records.

1861
01:28:30,439 --> 01:28:31,240
Speaker 2: It was on Penalty.

1862
01:28:31,320 --> 01:28:36,600
Speaker 4: Yes, we went to see skull Doug with the intentions

1863
01:28:37,040 --> 01:28:37,720
Speaker 4: to meet me.

1864
01:28:37,880 --> 01:28:38,600
Speaker 2: A ex.

1865
01:28:40,120 --> 01:28:44,160
Speaker 4: Met Skilkod Shaka. So do to meet Oh yeah, see

1866
01:28:44,280 --> 01:28:46,759
Speaker 4: murder to meet these guys.

1867
01:28:47,160 --> 01:28:48,640
Speaker 2: We had no luck. They were so.

1868
01:28:50,880 --> 01:28:53,400
Speaker 4: It was a different type of thing. That's the first

1869
01:28:53,439 --> 01:29:00,000
Speaker 4: time I seen mausoleums, the funeral that shit called the Great.

1870
01:29:00,960 --> 01:29:01,200
Speaker 2: Yeah.

1871
01:29:01,320 --> 01:29:05,519
Speaker 4: These motherfuckers out boom. Yeah, they couldn't put it underground. Yeah,

1872
01:29:06,800 --> 01:29:10,599
Speaker 4: sat there and there's Puerto Rican girls. She had gold

1873
01:29:10,680 --> 01:29:11,439
Speaker 4: fronts in her mouth.

1874
01:29:12,280 --> 01:29:16,160
Speaker 2: You think that's novel? Oh, let me finish. He messaged

1875
01:29:16,160 --> 01:29:16,760
Speaker 2: with you all the time.

1876
01:29:18,280 --> 01:29:22,960
Speaker 4: It's beautiful. And she said to me, you know, no

1877
01:29:23,160 --> 01:29:26,080
Speaker 4: limit is one thing you need to get on that

1878
01:29:26,200 --> 01:29:32,160
Speaker 4: cash man. And I went and that's how I discovered.

1879
01:29:32,320 --> 01:29:33,479
Speaker 2: You want to be hung.

1880
01:29:34,439 --> 01:29:38,599
Speaker 4: And I went Juvenile Record and I went to Angie

1881
01:29:38,640 --> 01:29:42,120
Speaker 4: Martine that show and I kept singing that ship and

1882
01:29:42,240 --> 01:29:44,920
Speaker 4: that's how jay Z got on Juvenile's record.

1883
01:29:44,680 --> 01:29:46,479
Speaker 2: And Juvenile Minute. What are you saying because of you.

1884
01:29:47,200 --> 01:29:48,160
Speaker 2: Of course it's cussing me.

1885
01:29:49,240 --> 01:29:52,200
Speaker 10: No, I didn't know this just to me, of course,

1886
01:29:53,280 --> 01:29:57,800
Speaker 10: juvenile me, hold on, hold up, juvenile said that baby

1887
01:29:57,920 --> 01:29:59,600
Speaker 10: did not know who jay Z was.

1888
01:30:00,000 --> 01:30:02,759
Speaker 4: I wanted that local. Okay, we never had this story

1889
01:30:02,920 --> 01:30:10,240
Speaker 4: legitimately said what you never said this story fully through them.

1890
01:30:10,880 --> 01:30:12,880
Speaker 4: I don't know how you put him onto him. You

1891
01:30:13,040 --> 01:30:15,280
Speaker 4: never said this story fully through. And I put jay

1892
01:30:15,360 --> 01:30:17,760
Speaker 4: Z on no no, no, no, Jaz got call on

1893
01:30:17,880 --> 01:30:20,240
Speaker 4: put onto him that I kind of went too far with.

1894
01:30:22,720 --> 01:30:23,760
Speaker 2: Went too far with that part.

1895
01:30:24,000 --> 01:30:26,080
Speaker 4: But what I'm saying is, you know what I'm saying

1896
01:30:26,160 --> 01:30:27,640
Speaker 4: is I went to New Orleans.

1897
01:30:27,400 --> 01:30:29,320
Speaker 2: To meet no limit.

1898
01:30:30,520 --> 01:30:33,599
Speaker 4: This Portbacan girl told me about cash money, and that's

1899
01:30:33,640 --> 01:30:35,000
Speaker 4: how I got put him in the cash money.

1900
01:30:35,720 --> 01:30:38,360
Speaker 2: And and the moral of the story is.

1901
01:30:40,439 --> 01:30:45,040
Speaker 4: The more water story. Was the first New York person

1902
01:30:45,479 --> 01:30:49,840
Speaker 4: to accept the South. David Banner will say it, Ludicrisian.

1903
01:30:50,479 --> 01:30:54,640
Speaker 2: Never should say everybody. I was the first should say it.

1904
01:30:55,360 --> 01:30:58,040
Speaker 2: I should say, when you sign this contract, I'm gonna

1905
01:30:58,040 --> 01:31:01,400
Speaker 2: take take a job. Let me tell you something, just

1906
01:31:02,720 --> 01:31:04,320
Speaker 2: something I gotta get.

1907
01:31:04,320 --> 01:31:06,160
Speaker 5: You can feel it in his heart, even if it's

1908
01:31:06,200 --> 01:31:13,920
Speaker 5: not just, it's true. No matter, don't know look at

1909
01:31:14,680 --> 01:31:19,960
Speaker 5: look at this look discography. Lil Wayne's first feature with

1910
01:31:20,240 --> 01:31:25,120
Speaker 5: Little called called Douggary. Little Wayne's first feature with a

1911
01:31:25,240 --> 01:31:32,320
Speaker 5: New York Artist's fine, it's who yeah, Okay, thanks, thanks.

1912
01:31:32,040 --> 01:31:35,679
Speaker 2: Dominicans in the back. I'm gonna keep going shan the verse.

1913
01:31:36,360 --> 01:31:44,000
Speaker 2: I keep going three six mafia. Okay, are we good? Okay?

1914
01:31:44,040 --> 01:31:46,479
Speaker 2: That was why we drink jamps. Okay, it's actually why

1915
01:31:46,560 --> 01:31:49,360
Speaker 2: we have drinks. I was the New York Miami people.

1916
01:31:49,600 --> 01:31:52,040
Speaker 4: I was the first new nigga coming to the South,

1917
01:31:52,120 --> 01:31:54,479
Speaker 4: and I was like, Okay, these niggas just got an accent.

1918
01:31:59,640 --> 01:32:02,040
Speaker 2: They just the same exact people as us. It just

1919
01:32:02,200 --> 01:32:04,519
Speaker 2: got an accent. But guess what I got action to y'all.

1920
01:32:07,520 --> 01:32:13,720
Speaker 2: Y'all you jogging my memory to this day. Somebody I'll

1921
01:32:13,760 --> 01:32:19,479
Speaker 2: say something, they'd be like, you're from New York. I'm

1922
01:32:19,520 --> 01:32:22,840
Speaker 2: in Dubai drinking herbigie.

1923
01:32:24,400 --> 01:32:30,200
Speaker 4: Yep, Guys, the biggest real estate guy in the world turns.

1924
01:32:29,960 --> 01:32:34,960
Speaker 2: To me and says, you're from New York. Of course,

1925
01:32:35,360 --> 01:32:35,960
Speaker 2: from New York.

1926
01:32:36,040 --> 01:32:39,800
Speaker 4: My accent is not going nowhere. But let's reiterate to

1927
01:32:39,840 --> 01:32:41,920
Speaker 4: what I'm saying. Let's get back to make it make sense.

1928
01:32:42,960 --> 01:32:46,000
Speaker 4: I was the first person to accept the South from

1929
01:32:46,120 --> 01:32:48,280
Speaker 4: juvenile to Lil Wayne to.

1930
01:32:49,760 --> 01:32:50,000
Speaker 2: People.

1931
01:32:50,560 --> 01:32:53,559
Speaker 4: I actually was the first person to throw money from

1932
01:32:53,640 --> 01:32:56,559
Speaker 4: New York in a strip club that was corny to us,

1933
01:32:57,040 --> 01:33:00,479
Speaker 4: Gentlemen's Club, players Club, all that shit was corner to us.

1934
01:33:00,840 --> 01:33:02,840
Speaker 2: That was wack to us. Through the money, Let's go,

1935
01:33:03,240 --> 01:33:05,080
Speaker 2: it was whack to us. Let me just tell you something.

1936
01:33:06,080 --> 01:33:07,760
Speaker 2: It was a It was a rule in New York.

1937
01:33:08,120 --> 01:33:11,560
Speaker 4: You don't take a ship in the strip club, you

1938
01:33:11,640 --> 01:33:16,400
Speaker 4: don't eat in the strip club, lap dances, and you

1939
01:33:16,439 --> 01:33:18,680
Speaker 4: don't get lap dances in the strip club. New York

1940
01:33:18,880 --> 01:33:22,160
Speaker 4: was militant, motherfuckers. I moved to Miami.

1941
01:33:22,240 --> 01:33:23,760
Speaker 2: I broke all three of those rules in the first

1942
01:33:23,760 --> 01:33:24,200
Speaker 2: three days.

1943
01:33:24,320 --> 01:33:30,519
Speaker 4: You ship in the first three days, I hate ship it,

1944
01:33:30,840 --> 01:33:35,240
Speaker 4: and you threw money, and I threw motherfucking money. I

1945
01:33:35,320 --> 01:33:38,960
Speaker 4: was just like, okay, okay, Toronto, all right. So the

1946
01:33:39,000 --> 01:33:43,080
Speaker 4: bitch never moved. We established that. Let's talk about money

1947
01:33:43,120 --> 01:33:43,880
Speaker 4: Maker with Pharral.

1948
01:33:45,200 --> 01:33:46,839
Speaker 2: Yeah, money Maker.

1949
01:33:46,800 --> 01:33:48,840
Speaker 5: That's a strip that's a strip club. And I got

1950
01:33:49,720 --> 01:33:53,240
Speaker 5: a Grammy for that too, just just the single. But yeah, yeah,

1951
01:33:53,680 --> 01:33:56,240
Speaker 5: in the same year strip club Grammys.

1952
01:33:56,320 --> 01:33:56,479
Speaker 2: Yeah.

1953
01:33:56,520 --> 01:33:58,360
Speaker 5: No, I'm only saying that because, like all those years

1954
01:33:58,360 --> 01:34:01,479
Speaker 5: I was losing that yeared up you a thing. Yeah,

1955
01:34:01,880 --> 01:34:05,200
Speaker 5: but now again for real man, money maker. That ship

1956
01:34:05,280 --> 01:34:07,880
Speaker 5: right there went number one on the Billboard charts. It's still,

1957
01:34:08,160 --> 01:34:11,720
Speaker 5: you know, extremely relevant till this day. And man, I'm

1958
01:34:11,800 --> 01:34:14,320
Speaker 5: just thankful for Pharrell for giving me so many fucking

1959
01:34:14,439 --> 01:34:17,960
Speaker 5: hits and that's working together. And now I'm feeling bad

1960
01:34:18,000 --> 01:34:20,000
Speaker 5: that I chose Kanye over my brother Pharrell.

1961
01:34:20,120 --> 01:34:23,160
Speaker 2: God damn, like you want to reverse, I want to

1962
01:34:23,200 --> 01:34:24,960
Speaker 2: kind of ones who grab me with Kanye too. To

1963
01:34:25,040 --> 01:34:27,240
Speaker 2: be clear, you're not getting no more than Louis Exclusive.

1964
01:34:27,320 --> 01:34:31,040
Speaker 5: I know right, it's a rap. God damn, I'm fucking

1965
01:34:31,080 --> 01:34:34,800
Speaker 5: with you. No, but hold on, let's take a shot

1966
01:34:34,840 --> 01:34:36,760
Speaker 5: for fucking shot for something.

1967
01:34:37,160 --> 01:34:38,800
Speaker 2: I'm I'm over here drinking my drink.

1968
01:34:38,800 --> 01:34:42,479
Speaker 4: I don't even need the shott for sure.

1969
01:34:42,640 --> 01:34:42,880
Speaker 2: Cheers.

1970
01:34:42,960 --> 01:34:45,679
Speaker 4: Yeahs man, we got drinking over there. Bro, you want

1971
01:34:45,720 --> 01:34:47,360
Speaker 4: something of this, try it here.

1972
01:34:47,800 --> 01:34:50,760
Speaker 2: I don't mix my brother, not right now. That was

1973
01:34:50,800 --> 01:34:53,720
Speaker 2: a twenty year old luder. I'm drinking the same ship all.

1974
01:34:54,560 --> 01:34:59,400
Speaker 4: Thank you, Luda for being black black. Let me so

1975
01:34:59,520 --> 01:35:02,040
Speaker 4: many people come on this show and they'll they'll mix

1976
01:35:02,160 --> 01:35:05,280
Speaker 4: the drinks. I don't respect that fuck that I'm gonna

1977
01:35:05,280 --> 01:35:06,759
Speaker 4: stick to what the fuck I'm doing.

1978
01:35:08,040 --> 01:35:11,200
Speaker 5: Twenty days sober, and then this motherfucker is here, let's

1979
01:35:11,200 --> 01:35:11,719
Speaker 5: get right.

1980
01:35:13,680 --> 01:35:21,000
Speaker 2: Twenty days. So he's being funny, Okay, how Low? Yeah,

1981
01:35:21,080 --> 01:35:25,240
Speaker 2: I love I love holdok And he said say it

1982
01:35:25,280 --> 01:35:25,760
Speaker 2: one more time?

1983
01:35:27,520 --> 01:35:29,880
Speaker 5: T minus out in Toronto. He works with j Cole

1984
01:35:29,920 --> 01:35:30,160
Speaker 5: a lot.

1985
01:35:30,240 --> 01:35:30,360
Speaker 4: Now.

1986
01:35:30,439 --> 01:35:32,280
Speaker 2: He produced that how Low, And at.

1987
01:35:32,200 --> 01:35:34,640
Speaker 5: That stage in my career, to make a statement with

1988
01:35:34,760 --> 01:35:37,280
Speaker 5: a new producer and come out with a fucking hit,

1989
01:35:37,720 --> 01:35:39,519
Speaker 5: it means something because you constantly have.

1990
01:35:39,560 --> 01:35:41,280
Speaker 2: To prove yourself over and over again.

1991
01:35:41,680 --> 01:35:43,599
Speaker 5: So motherfuckers like it's like, okay, if you ain't got

1992
01:35:43,920 --> 01:35:45,880
Speaker 5: a rail beater, if you ain't got a Kanye beater,

1993
01:35:45,960 --> 01:35:47,680
Speaker 5: if you ain't got a Timblin beat, and it's just

1994
01:35:47,760 --> 01:35:50,360
Speaker 5: come out the gate like that. It meant everything. And

1995
01:35:50,439 --> 01:35:52,040
Speaker 5: that shit went to the top of the charge too.

1996
01:35:52,120 --> 01:35:54,960
Speaker 5: So that was a moment. To this day, the women

1997
01:35:55,080 --> 01:35:57,760
Speaker 5: go low whenever we got damn performed and we like.

1998
01:35:57,800 --> 01:36:02,120
Speaker 2: To see it. It's a beautiful thing, for real, for real.

1999
01:36:02,520 --> 01:36:04,920
Speaker 2: I think he was missed noise for that. Why not?

2000
01:36:05,640 --> 01:36:08,200
Speaker 2: Why are you picking these particular records.

2001
01:36:08,200 --> 01:36:10,160
Speaker 4: I'm curious because I'm just working with she's a very

2002
01:36:10,200 --> 01:36:12,639
Speaker 4: particular guy with these records. Yes, and now I want

2003
01:36:12,680 --> 01:36:15,960
Speaker 4: to I want to go because we talked about fantasy earlier.

2004
01:36:21,000 --> 01:36:23,639
Speaker 2: But here's where I want to go making the record.

2005
01:36:25,240 --> 01:36:27,920
Speaker 4: Is this a record that you said to yourself, this

2006
01:36:28,080 --> 01:36:30,120
Speaker 4: is going to break me out into the mainstream, or

2007
01:36:30,160 --> 01:36:32,200
Speaker 4: this is a record I'm just making for the strip club.

2008
01:36:32,320 --> 01:36:34,880
Speaker 5: No, it's crazy you asked that because Organized Noise did

2009
01:36:35,160 --> 01:36:37,519
Speaker 5: the flip side of that, which was game got switched,

2010
01:36:38,120 --> 01:36:40,479
Speaker 5: And so it was between what's your Fantasy and game

2011
01:36:40,560 --> 01:36:42,880
Speaker 5: Got Switched? And I like, it was hard for me

2012
01:36:42,960 --> 01:36:44,839
Speaker 5: to choose, but I just felt like, what's your Fantasy

2013
01:36:44,840 --> 01:36:47,479
Speaker 5: didn't sound like anything that was out at that time.

2014
01:36:47,800 --> 01:36:49,479
Speaker 4: We didn't know where he was from. Yeah, so I

2015
01:36:49,600 --> 01:36:54,840
Speaker 4: rolled the dice from Alaska. It didn't like let no, no, no,

2016
01:36:54,920 --> 01:36:57,920
Speaker 4: I'm just saying you sounded so everywhere.

2017
01:36:58,120 --> 01:36:58,559
Speaker 2: I appreciate.

2018
01:36:58,600 --> 01:37:00,439
Speaker 4: I don't want to use the word generic, but you

2019
01:37:00,560 --> 01:37:03,559
Speaker 4: sounded like you was from New York because of the lyrics,

2020
01:37:03,800 --> 01:37:06,480
Speaker 4: but then you was from Atlanta because of the vernacular,

2021
01:37:06,840 --> 01:37:09,280
Speaker 4: And then you was from kind of like the West

2022
01:37:09,320 --> 01:37:11,280
Speaker 4: Coast because she was making it all come together.

2023
01:37:11,360 --> 01:37:14,000
Speaker 2: But then you was from everywhere in vernacular. I like that.

2024
01:37:14,200 --> 01:37:17,960
Speaker 2: I like that you alien, it was like you was

2025
01:37:18,000 --> 01:37:20,120
Speaker 2: a al Now it comes to time's dope.

2026
01:37:20,560 --> 01:37:22,280
Speaker 5: It comes a time in every artist's life where you

2027
01:37:22,360 --> 01:37:25,839
Speaker 5: gotta it's risk risk, like you gotta just put everything

2028
01:37:25,920 --> 01:37:27,680
Speaker 5: on the fucking line. And that was that moment for

2029
01:37:27,800 --> 01:37:29,880
Speaker 5: me and that that record changed my fucking life.

2030
01:37:29,960 --> 01:37:30,120
Speaker 2: Man.

2031
01:37:30,640 --> 01:37:33,439
Speaker 5: Yeah, And we were this close to choosing game Got Switch,

2032
01:37:33,479 --> 01:37:35,639
Speaker 5: which is still on Back for the first Time album,

2033
01:37:36,120 --> 01:37:38,360
Speaker 5: but that particular song right there set it off. And

2034
01:37:38,479 --> 01:37:41,400
Speaker 5: like we talked about earlier, after that was fucking throwing

2035
01:37:41,520 --> 01:37:44,559
Speaker 5: Bowls and the rest is history. Those two records together

2036
01:37:44,720 --> 01:37:46,960
Speaker 5: just set the tone. And then you know, the sophomore

2037
01:37:47,040 --> 01:37:48,880
Speaker 5: Jinx came around. You gotta go to word of mouth

2038
01:37:49,400 --> 01:37:51,920
Speaker 5: and we passed that test like it okay.

2039
01:37:52,880 --> 01:37:54,599
Speaker 4: Because back for the first time, Why did you even

2040
01:37:54,640 --> 01:37:57,000
Speaker 4: pick that the name for the first time?

2041
01:37:57,240 --> 01:37:59,880
Speaker 5: Like, because I had already put the album out independently

2042
01:38:00,040 --> 01:38:01,840
Speaker 5: to a degree, so I did the ship on my own.

2043
01:38:02,439 --> 01:38:04,479
Speaker 5: So when we signed with Depth Jam, we kind of

2044
01:38:04,520 --> 01:38:06,720
Speaker 5: repackaged it. We took a couple of songs off and

2045
01:38:06,840 --> 01:38:08,880
Speaker 5: added the pharal that throw and bows and like two

2046
01:38:08,920 --> 01:38:11,400
Speaker 5: other songs. So basically I was back for the first

2047
01:38:11,439 --> 01:38:13,960
Speaker 5: fucking time, back for the people that knew the old

2048
01:38:14,040 --> 01:38:17,080
Speaker 5: record and new time, for all the new individuals around

2049
01:38:17,120 --> 01:38:24,120
Speaker 5: the world. That's just hearing it. Word of Mouth. Yeah,

2050
01:38:24,200 --> 01:38:26,960
Speaker 5: so man, pucking back for the first time. Three times platinum,

2051
01:38:26,960 --> 01:38:29,280
Speaker 5: word of Mouth almost four times platinum.

2052
01:38:28,960 --> 01:38:31,840
Speaker 2: Chicken and Bed three times. Just the list goes on

2053
01:38:31,880 --> 01:38:32,040
Speaker 2: and on.

2054
01:38:32,120 --> 01:38:34,640
Speaker 5: But word of Mouth is the biggest selling record of

2055
01:38:34,840 --> 01:38:37,040
Speaker 5: all of my albums. And I think we got nine

2056
01:38:37,160 --> 01:38:39,320
Speaker 5: or ten at this point, damned near lost count. But

2057
01:38:40,000 --> 01:38:42,559
Speaker 5: the word of Mouth, shit, move bitch was on there,

2058
01:38:42,600 --> 01:38:44,680
Speaker 5: and we just we just spoke about that. That's a

2059
01:38:44,800 --> 01:38:47,120
Speaker 5: movie and it's it's dirty, dirty with it.

2060
01:38:47,560 --> 01:38:51,960
Speaker 2: Yeah. Yo, this is beautiful man, it is.

2061
01:38:52,160 --> 01:38:52,320
Speaker 7: Man.

2062
01:38:52,400 --> 01:38:55,439
Speaker 5: Shit, I'm feeling great. If I didn't have a show

2063
01:38:55,520 --> 01:38:57,360
Speaker 5: to go to, I'd stay here all God damn night.

2064
01:38:57,840 --> 01:39:00,679
Speaker 5: I love you, No book next time. I ain't gonna

2065
01:39:00,720 --> 01:39:01,840
Speaker 5: have ship after I got you cut.

2066
01:39:02,280 --> 01:39:07,959
Speaker 4: But it's so beautiful because you deserve these flowers.

2067
01:39:08,439 --> 01:39:12,320
Speaker 2: Thank you, bro. You earned the thank you, thank you,

2068
01:39:12,439 --> 01:39:16,200
Speaker 2: thank you. And your story has to be told because.

2069
01:39:18,680 --> 01:39:21,880
Speaker 4: So many people think that it starts from being a

2070
01:39:22,000 --> 01:39:24,559
Speaker 4: drug dealer, It starts from be in a street dude,

2071
01:39:24,640 --> 01:39:27,720
Speaker 4: It starts from being a person that shoots somebody or

2072
01:39:27,800 --> 01:39:32,599
Speaker 4: person or whatever. Put you took the opportunity to work

2073
01:39:32,640 --> 01:39:39,080
Speaker 4: at a radio station, see exactly where you want to

2074
01:39:39,120 --> 01:39:43,240
Speaker 4: be and apply that. And a lot of people need

2075
01:39:43,320 --> 01:39:48,400
Speaker 4: to understand that. They need to understand because that's like

2076
01:39:48,560 --> 01:39:51,559
Speaker 4: we got three fucking occupations in the hood drug dealer,

2077
01:39:51,960 --> 01:39:55,960
Speaker 4: basketball player, rapper. But what I'm trying to say is

2078
01:39:57,240 --> 01:40:04,800
Speaker 4: our industry it has to be saluted more. We just

2079
01:40:04,880 --> 01:40:07,400
Speaker 4: recently seen each other. As you said in Leo Cohne,

2080
01:40:09,520 --> 01:40:12,760
Speaker 4: Leo Combs is one of the best CEOs who's ever

2081
01:40:12,960 --> 01:40:20,479
Speaker 4: helped me down. There's people who have their say about Leo.

2082
01:40:21,040 --> 01:40:21,960
Speaker 4: I'm not one of them.

2083
01:40:23,240 --> 01:40:23,799
Speaker 2: I see.

2084
01:40:26,320 --> 01:40:30,559
Speaker 4: Leo's life in my life being all positivity. How's Leo's

2085
01:40:30,600 --> 01:40:31,600
Speaker 4: life reflected you?

2086
01:40:32,720 --> 01:40:34,400
Speaker 5: He was the ceo, like you said, at the same time,

2087
01:40:34,479 --> 01:40:36,320
Speaker 5: we were both artists at the same time. And in

2088
01:40:36,479 --> 01:40:38,960
Speaker 5: terms of how he executed thought, he was one of

2089
01:40:39,000 --> 01:40:43,040
Speaker 5: the best to ever do it. Definitely, like his strategy,

2090
01:40:44,120 --> 01:40:46,240
Speaker 5: him putting together the team that he put together, how

2091
01:40:46,360 --> 01:40:51,479
Speaker 5: they maneuver the industry, just very intelligent in a very

2092
01:40:51,560 --> 01:40:52,360
Speaker 5: intelligent way.

2093
01:40:53,080 --> 01:40:55,639
Speaker 2: And that's definitely my experience.

2094
01:40:55,920 --> 01:40:58,639
Speaker 5: I loved what he did and in terms of deaf

2095
01:40:58,720 --> 01:41:00,599
Speaker 5: Jam and the history of death Jam, in the legacy

2096
01:41:00,640 --> 01:41:01,160
Speaker 5: of depth Jam.

2097
01:41:02,560 --> 01:41:11,080
Speaker 2: She was pretty amazing. This a moment in time. Got uh,

2098
01:41:11,520 --> 01:41:15,479
Speaker 2: do they you want me to I'm talking about for camera.

2099
01:41:15,560 --> 01:41:19,320
Speaker 2: Do one of them have to ask me? Ask you

2100
01:41:19,439 --> 01:41:26,519
Speaker 2: what I got you? The people in the back of

2101
01:41:26,560 --> 01:41:28,960
Speaker 2: the ass. Oh, they can't do that ship one more time.

2102
01:41:29,000 --> 01:41:33,280
Speaker 2: I'm bad. I was like, I got you, y'all to

2103
01:41:33,360 --> 01:41:38,280
Speaker 2: keep that. By the way, ahead, I got my name.

2104
01:41:38,400 --> 01:41:40,599
Speaker 2: Ludacris is just me being me, being creative.

2105
01:41:40,680 --> 01:41:42,960
Speaker 5: My first name is Chris, and like we spoke about,

2106
01:41:43,000 --> 01:41:46,400
Speaker 5: if you look up Ludacris in the dictionary, it means wild, ridiculous,

2107
01:41:46,560 --> 01:41:49,840
Speaker 5: beyond crazy. When you think about my lyricism, when you

2108
01:41:49,880 --> 01:41:52,120
Speaker 5: think about my videos, my visuals, all of that ship

2109
01:41:52,360 --> 01:41:54,320
Speaker 5: entails the word Ludacris And then I just spelled it

2110
01:41:54,360 --> 01:41:55,360
Speaker 5: the way I wanted to spell it.

2111
01:41:55,720 --> 01:41:59,479
Speaker 2: That's how I got the name. So just being created. Yeah, okay,

2112
01:41:59,560 --> 01:42:02,960
Speaker 2: let's talk vout my chick Bag my chick.

2113
01:42:02,840 --> 01:42:07,200
Speaker 5: Bat another time, same album as how Low and taking

2114
01:42:07,240 --> 01:42:10,480
Speaker 5: a producer that was definitely well known within the midwestern

2115
01:42:10,600 --> 01:42:14,680
Speaker 5: Chicago trackster but you know, in terms of putting him

2116
01:42:14,720 --> 01:42:17,120
Speaker 5: onto an even bigger audience and making a hit song

2117
01:42:17,200 --> 01:42:17,519
Speaker 5: with him.

2118
01:42:17,880 --> 01:42:21,479
Speaker 2: That was another moment with Niki. With Nikki absolutely, how

2119
01:42:21,520 --> 01:42:22,080
Speaker 2: did that happen?

2120
01:42:22,080 --> 01:42:24,439
Speaker 5: It was dope. She was in Atlanta at the time.

2121
01:42:24,760 --> 01:42:27,800
Speaker 5: I believe she was managed by Dead Deborah and yep

2122
01:42:27,920 --> 01:42:31,840
Speaker 5: saying as Gucci Mane, and somehow we got together and

2123
01:42:31,960 --> 01:42:33,640
Speaker 5: she was just like she loved the track and got

2124
01:42:33,720 --> 01:42:36,640
Speaker 5: on that motherfucker man. The rest is history. But she

2125
01:42:36,760 --> 01:42:38,640
Speaker 5: was living in Atlanta at that time. It's right right

2126
01:42:38,680 --> 01:42:41,479
Speaker 5: when she got started. Wow, hell yeah. Do you think

2127
01:42:41,560 --> 01:42:44,800
Speaker 5: that that's true? Like most New York artists have come

2128
01:42:44,880 --> 01:42:46,080
Speaker 5: to Atlanta to get on.

2129
01:42:47,200 --> 01:42:50,080
Speaker 2: I don't think that. Like I love what Thank you y'all.

2130
01:42:50,400 --> 01:42:53,559
Speaker 5: Y'all are counting Conway, the Machine and Bennie and all

2131
01:42:53,640 --> 01:42:57,040
Speaker 5: them as New York. That's New York, right, Yeah, that

2132
01:42:57,200 --> 01:43:00,479
Speaker 5: is New York. Conway, yeah, and Benny. I know they're

2133
01:43:00,479 --> 01:43:03,000
Speaker 5: from Buffalo. I'm just saying I don't think, No, they

2134
01:43:03,040 --> 01:43:06,240
Speaker 5: didn't have to come to Atlanta to do ships killing ship.

2135
01:43:06,320 --> 01:43:10,040
Speaker 2: I love them because it's like y'all saying that, who's

2136
01:43:10,080 --> 01:43:12,720
Speaker 2: saying that he the one that asked the listen. I

2137
01:43:12,760 --> 01:43:13,479
Speaker 2: didn't say the ship.

2138
01:43:13,920 --> 01:43:17,120
Speaker 4: I'm trying to clarify what he said what a lot

2139
01:43:17,160 --> 01:43:20,200
Speaker 4: of people said that. You know, for New York artists

2140
01:43:20,240 --> 01:43:22,760
Speaker 4: to get on sometimes they have to come outside of

2141
01:43:22,960 --> 01:43:24,400
Speaker 4: New York, go to Atlanta.

2142
01:43:24,880 --> 01:43:27,720
Speaker 6: Right, for any artists in their city, you might have

2143
01:43:27,800 --> 01:43:29,760
Speaker 6: to go outside your city to make things happen.

2144
01:43:29,920 --> 01:43:30,479
Speaker 2: Yeah, right.

2145
01:43:30,520 --> 01:43:33,200
Speaker 5: But my point is that fim niggas like Conway and

2146
01:43:33,280 --> 01:43:35,320
Speaker 5: Bennie and they didn't.

2147
01:43:35,080 --> 01:43:35,719
Speaker 2: Have to go nowhere.

2148
01:43:36,280 --> 01:43:41,240
Speaker 4: Why they've proven a lot of things connected with the Matary.

2149
01:43:41,760 --> 01:43:45,559
Speaker 5: I was on the record with Conway's Crazy Me, Conway

2150
01:43:45,600 --> 01:43:48,080
Speaker 5: the Machine and ji j I d oh Jesus ship

2151
01:43:48,200 --> 01:43:51,719
Speaker 5: stupid to Griselda Man Griselay, I'm a fan.

2152
01:43:51,960 --> 01:43:55,559
Speaker 2: I'm a fan of Grisella for sure. How my roll

2153
01:43:55,800 --> 01:43:57,280
Speaker 2: out rollout.

2154
01:43:56,960 --> 01:44:00,360
Speaker 5: Was that word of Outout that was the first so

2155
01:44:00,439 --> 01:44:02,519
Speaker 5: it goes into timbling and everything I was talking about,

2156
01:44:02,520 --> 01:44:04,560
Speaker 5: but that set it off. And then Move Bitch was

2157
01:44:04,600 --> 01:44:07,040
Speaker 5: the last single on there. But that video with the

2158
01:44:07,120 --> 01:44:10,639
Speaker 5: Big Ass Head. It's crazy because we did that video

2159
01:44:11,240 --> 01:44:13,400
Speaker 5: and the video didn't look good at all before we

2160
01:44:13,520 --> 01:44:15,200
Speaker 5: came up with the concept of trying to make a

2161
01:44:15,280 --> 01:44:17,400
Speaker 5: big a big ass head. Depth Jam was ready to

2162
01:44:17,479 --> 01:44:19,800
Speaker 5: scrap the whole video because what it looked like before

2163
01:44:19,880 --> 01:44:22,320
Speaker 5: we just didn't really get anything from it, and so

2164
01:44:23,080 --> 01:44:26,040
Speaker 5: me and Shaka had the idea of doing this, you know,

2165
01:44:26,400 --> 01:44:29,720
Speaker 5: this post effect and making out like a bibblehead. And

2166
01:44:29,880 --> 01:44:31,920
Speaker 5: literally every once everybody saw that shit, they was like,

2167
01:44:31,960 --> 01:44:34,479
Speaker 5: that's it good And the rest is.

2168
01:44:34,520 --> 01:44:37,000
Speaker 2: Fucking history because people love that video to this day.

2169
01:44:37,640 --> 01:44:39,439
Speaker 2: That's what a bibblehead gets. Dope.

2170
01:44:39,640 --> 01:44:43,360
Speaker 5: Yeah, and some other artists that have done the same

2171
01:44:43,439 --> 01:44:44,400
Speaker 5: thing in their videos.

2172
01:44:44,720 --> 01:44:46,559
Speaker 2: You should check that out. Just go do your research.

2173
01:44:46,640 --> 01:44:47,400
Speaker 2: The internet can check.

2174
01:44:47,600 --> 01:44:50,799
Speaker 4: You think you think you top five of the best videos,

2175
01:44:50,840 --> 01:44:51,919
Speaker 4: and hell.

2176
01:44:51,840 --> 01:44:55,400
Speaker 5: Yeah percent I'll give you that. Yeah, top five videos.

2177
01:44:55,439 --> 01:44:57,040
Speaker 5: You know you gotta put Missi in there. You gotta

2178
01:44:57,080 --> 01:44:59,479
Speaker 5: put Busts in there. Who the other two are I

2179
01:44:59,520 --> 01:45:01,960
Speaker 5: don't know, but I'm in that motherfucking top five.

2180
01:45:02,320 --> 01:45:05,680
Speaker 2: I have to say I top three three. I think

2181
01:45:05,760 --> 01:45:07,040
Speaker 2: I appreciate you.

2182
01:45:08,360 --> 01:45:13,120
Speaker 4: I really do too, Thank you man, because God bless me.

2183
01:45:14,280 --> 01:45:17,479
Speaker 4: There's other people who get in that category. But it's

2184
01:45:17,680 --> 01:45:20,400
Speaker 4: money wise, not create creativity wise.

2185
01:45:20,920 --> 01:45:21,880
Speaker 2: Do that make sense?

2186
01:45:22,280 --> 01:45:22,400
Speaker 6: You know?

2187
01:45:22,640 --> 01:45:25,240
Speaker 2: I'm saying like, you can see them be put in

2188
01:45:25,320 --> 01:45:28,400
Speaker 2: that space, but put the heads in it, put the

2189
01:45:28,479 --> 01:45:32,880
Speaker 2: funds in creativity. You could do a creative video for

2190
01:45:33,160 --> 01:45:38,160
Speaker 2: cheap and still be still be better money that you

2191
01:45:38,240 --> 01:45:40,640
Speaker 2: put into it. Yep, I killed that.

2192
01:45:40,960 --> 01:45:42,559
Speaker 4: I feel like I killed that. Let's make some nice.

2193
01:45:45,840 --> 01:45:47,680
Speaker 5: That's how this Gambino video is one of the best

2194
01:45:47,680 --> 01:45:50,200
Speaker 5: readers I've seen, like in the last five years.

2195
01:45:50,240 --> 01:45:54,479
Speaker 2: Though. That's the ship called this is America. This is America.

2196
01:45:54,520 --> 01:45:56,160
Speaker 2: I love to tell he ain't no do yoga.

2197
01:45:56,240 --> 01:46:01,280
Speaker 4: Man, Look at the know you're saying this nigga didn't

2198
01:46:01,320 --> 01:46:02,759
Speaker 4: wear no degree videos.

2199
01:46:02,920 --> 01:46:06,800
Speaker 2: He wasn't. He wasn't sure at all. I can look

2200
01:46:06,880 --> 01:46:11,679
Speaker 2: and say this this nay just here, but that nigga

2201
01:46:11,720 --> 01:46:15,080
Speaker 2: didn't wear no level. Bro, he really is. I love

2202
01:46:15,160 --> 01:46:18,040
Speaker 2: that video. I'm with you. I'm just saying he ain't win.

2203
01:46:18,760 --> 01:46:23,640
Speaker 2: He said that he's homiigg Charles. Yeah, yeah, I love that.

2204
01:46:24,240 --> 01:46:26,120
Speaker 2: I'm sorry I went too far. I don't think he's

2205
01:46:26,160 --> 01:46:30,080
Speaker 2: your friend at all. I know a lot of thinking

2206
01:46:30,240 --> 01:46:32,920
Speaker 2: you to say that ship, damn, he said. I know

2207
01:46:32,960 --> 01:46:33,960
Speaker 2: a lot of stinking niggas.

2208
01:46:34,160 --> 01:46:36,559
Speaker 4: It's a lot of thinking they're my friends. I don't

2209
01:46:36,560 --> 01:46:39,800
Speaker 4: think your friends at all, not even one point five

2210
01:46:39,840 --> 01:46:40,360
Speaker 4: percent of this.

2211
01:46:40,520 --> 01:46:42,360
Speaker 2: You could look at that video. You can't tell he

2212
01:46:42,360 --> 01:46:45,960
Speaker 2: ain't win. He was like that. I think you were

2213
01:46:46,000 --> 01:46:52,600
Speaker 2: a little bit he No, who with this ship to

2214
01:46:52,640 --> 01:46:55,120
Speaker 2: go to? I don't think we were.

2215
01:46:55,600 --> 01:46:59,000
Speaker 4: I'm not sure nobody wants to see this sure like

2216
01:47:00,040 --> 01:47:00,799
Speaker 4: this is America?

2217
01:47:01,000 --> 01:47:03,640
Speaker 2: No, I don't even know if this this is a

2218
01:47:03,720 --> 01:47:05,760
Speaker 2: live show, Bro, I gotta do this ship man.

2219
01:47:06,080 --> 01:47:10,360
Speaker 6: I went to you definitely wanted for what is the roster?

2220
01:47:10,840 --> 01:47:12,240
Speaker 6: We don't have a quick time with something one. What

2221
01:47:12,280 --> 01:47:16,920
Speaker 6: are you talking about? Jam vandea daft jam data was

2222
01:47:16,960 --> 01:47:19,639
Speaker 6: beating niggas up and we was beating niggas.

2223
01:47:20,360 --> 01:47:22,080
Speaker 5: I've been trying to work out my whole life to

2224
01:47:22,120 --> 01:47:23,600
Speaker 5: get my statue to the way it is.

2225
01:47:23,640 --> 01:47:27,639
Speaker 4: And put on the tight suit to get your ship together.

2226
01:47:28,760 --> 01:47:30,200
Speaker 2: Put them the lungs.

2227
01:47:30,240 --> 01:47:31,960
Speaker 4: Oh yeah, you're talking about for the Yeah, yeah, I

2228
01:47:32,000 --> 01:47:32,519
Speaker 4: don't remember.

2229
01:47:32,640 --> 01:47:34,479
Speaker 5: I truly don't remember that. That's not a cop. I

2230
01:47:34,520 --> 01:47:36,360
Speaker 5: don't remember putting on no tights. They made me put

2231
01:47:36,400 --> 01:47:39,479
Speaker 5: on a tight God damn, I made sure no more.

2232
01:47:39,560 --> 01:47:42,560
Speaker 5: Feel me too, make sure he had tights on. You know,

2233
01:47:42,680 --> 01:47:43,719
Speaker 5: I don't remember that ship.

2234
01:47:43,800 --> 01:47:46,840
Speaker 2: Bro? Are we going there and here like us cape?

2235
01:47:47,600 --> 01:47:53,439
Speaker 2: Remember you get your royalties? No, you got word? We

2236
01:47:53,560 --> 01:47:55,040
Speaker 2: all Yeah, we're supposed to get some money. You got

2237
01:47:55,080 --> 01:47:57,840
Speaker 2: some money. Oh to you, bro, I got some upfront.

2238
01:47:57,920 --> 01:48:01,360
Speaker 2: I was the upfront nigga. He's again to me right now,

2239
01:48:02,479 --> 01:48:03,160
Speaker 2: I'll see you late.

2240
01:48:03,200 --> 01:48:07,000
Speaker 4: I ain't gonna lie my brother, to be honest, it's

2241
01:48:07,000 --> 01:48:12,280
Speaker 4: like what you give me that. That's yeah, I've done

2242
01:48:13,200 --> 01:48:16,880
Speaker 4: in the face. I hate everybody. Yeah, I got you

2243
01:48:16,960 --> 01:48:18,400
Speaker 4: on both games one and two.

2244
01:48:19,000 --> 01:48:20,800
Speaker 2: I don't know. That's a good ass. I don't remember too.

2245
01:48:21,160 --> 01:48:24,920
Speaker 2: I remember being one and two. I think it was one.

2246
01:48:25,760 --> 01:48:29,120
Speaker 5: Yeah, when come out of jo the second one. The

2247
01:48:29,240 --> 01:48:31,200
Speaker 5: two come out not too long after one or that

2248
01:48:31,280 --> 01:48:31,840
Speaker 5: ship just came.

2249
01:48:31,880 --> 01:48:36,599
Speaker 2: Oh yeah, the same ship you did.

2250
01:48:36,840 --> 01:48:41,240
Speaker 4: Yoh, ruled with y'all, Past and furious. Jesus, he opted out,

2251
01:48:41,320 --> 01:48:45,680
Speaker 4: sucked up. I might have took that bagd.

2252
01:48:44,720 --> 01:48:51,160
Speaker 2: Took his bag, his bag. I took my bag because

2253
01:48:51,280 --> 01:48:55,400
Speaker 2: the Vendetta bag fight for New York, and I fought

2254
01:48:55,439 --> 01:48:57,439
Speaker 2: for Vandeta. Yeah, you fought for all that. I love.

2255
01:48:57,840 --> 01:48:58,800
Speaker 2: That's what she's supposed to do.

2256
01:48:59,120 --> 01:49:02,840
Speaker 4: Yeah, goddamn yeah, man, Fast and Furious is beautiful. It is.

2257
01:49:03,439 --> 01:49:03,880
Speaker 2: You get.

2258
01:49:05,360 --> 01:49:07,640
Speaker 5: Your trailers, the best fucking catering in the world. You

2259
01:49:07,640 --> 01:49:11,760
Speaker 5: would be surprised that ship your trailers. Describing trailer this

2260
01:49:11,800 --> 01:49:14,040
Speaker 5: ship is online, like, go go to my Instagram. But

2261
01:49:14,120 --> 01:49:17,680
Speaker 5: the trailer is fucking duplex. It's like duplex trailers and

2262
01:49:18,000 --> 01:49:20,080
Speaker 5: some ship that you didn't even know existed in the

2263
01:49:20,160 --> 01:49:23,599
Speaker 5: trailer world and it's just stupid. Yeah, they got duplex

2264
01:49:23,640 --> 01:49:28,200
Speaker 5: trailers out, bro, you come for what workout trailers?

2265
01:49:28,280 --> 01:49:30,320
Speaker 2: Because I went to hold.

2266
01:49:30,160 --> 01:49:34,559
Speaker 4: Look Cold time out again before Okay, there, I wasn't

2267
01:49:34,640 --> 01:49:37,000
Speaker 4: tour in Europe and I had the Ice Spice with

2268
01:49:37,160 --> 01:49:39,760
Speaker 4: none of the Ice Spice was it was nicely Wi Girls.

2269
01:49:39,800 --> 01:49:42,080
Speaker 4: I had the Spice Girls tour bus nicely and I

2270
01:49:42,160 --> 01:49:45,519
Speaker 4: had the spiral staircase in the bus.

2271
01:49:47,479 --> 01:49:51,599
Speaker 2: Come yeah, yeah, yeah, no ship like that. They got

2272
01:49:51,680 --> 01:49:52,040
Speaker 2: to listen.

2273
01:49:52,280 --> 01:49:55,599
Speaker 5: When you're dealing with a three hundred million dollar budget,

2274
01:49:55,680 --> 01:49:57,960
Speaker 5: they pull out all the stops when it comes to

2275
01:49:58,040 --> 01:49:58,519
Speaker 5: the trailers.

2276
01:50:00,400 --> 01:50:03,200
Speaker 2: When it comes to craft services, a whole different bus.

2277
01:50:03,960 --> 01:50:05,280
Speaker 2: I didn't have that three.

2278
01:50:05,160 --> 01:50:08,200
Speaker 5: Hundred million dollar budget on we that Okay, a lot

2279
01:50:08,240 --> 01:50:09,720
Speaker 5: of that go, you know, some of that ship goes

2280
01:50:09,760 --> 01:50:12,360
Speaker 5: to the craft services cater and all that ship. Now

2281
01:50:12,439 --> 01:50:15,519
Speaker 5: it's like, it's what's fucked up is going from fast

2282
01:50:15,560 --> 01:50:16,280
Speaker 5: and furious set.

2283
01:50:16,200 --> 01:50:19,280
Speaker 2: To an independent set after that. That's what's fun. What's

2284
01:50:19,320 --> 01:50:21,360
Speaker 2: the independence you went to just your mindset for that.

2285
01:50:21,800 --> 01:50:24,040
Speaker 2: What's the independence that you you don't That ship just happens.

2286
01:50:24,760 --> 01:50:27,840
Speaker 2: I'm adjusting. You went to adjust. I went from too

2287
01:50:27,920 --> 01:50:32,120
Speaker 2: fast and ferious to like not faster, totally different.

2288
01:50:32,520 --> 01:50:34,640
Speaker 5: You get spoiled as fun and then you got to

2289
01:50:34,640 --> 01:50:37,160
Speaker 5: go to something else and you're like, where's where's my ship?

2290
01:50:37,760 --> 01:50:39,560
Speaker 5: It's like you almost like how did I sign on

2291
01:50:39,640 --> 01:50:41,040
Speaker 5: to do this this independent movie?

2292
01:50:41,160 --> 01:50:43,920
Speaker 2: Like like, give me a girl. I just wanted to

2293
01:50:45,560 --> 01:50:50,840
Speaker 2: It's not she's our bartender. It's not faster, ready to help.

2294
01:50:51,040 --> 01:50:52,759
Speaker 5: This ship is like being at a five star resort

2295
01:50:53,120 --> 01:50:55,320
Speaker 5: set with fast and furious the most of it's the

2296
01:50:55,360 --> 01:50:57,880
Speaker 5: most amazing thing the ship.

2297
01:50:57,960 --> 01:51:08,320
Speaker 2: Yeah, she should have went to work there, Jo, what

2298
01:51:08,400 --> 01:51:11,600
Speaker 2: do you want me to do? I don't know. I

2299
01:51:11,680 --> 01:51:14,240
Speaker 2: mean I read it in Google. I feel like Jo

2300
01:51:14,800 --> 01:51:19,400
Speaker 2: than Google called Joe, called John. Give him. Let's just

2301
01:51:19,520 --> 01:51:21,320
Speaker 2: let's just let's just see how you talk about it.

2302
01:51:23,240 --> 01:51:26,200
Speaker 2: Give him? I see, tell me what do we do?

2303
01:51:26,320 --> 01:51:30,160
Speaker 2: What do you shot up? FaceTime? Record face time? FaceTime?

2304
01:51:30,360 --> 01:51:31,559
Speaker 2: Come on, you gotta go a hit him.

2305
01:51:32,040 --> 01:51:33,560
Speaker 5: Yo, This is great because I want to hear what

2306
01:51:33,600 --> 01:51:34,439
Speaker 5: this nigga has to say.

2307
01:51:34,560 --> 01:51:38,519
Speaker 4: Yeah, you have to say this is phenomenal right now.

2308
01:51:39,120 --> 01:51:41,800
Speaker 4: I mean it's it's only right. This guy knows him.

2309
01:51:41,800 --> 01:51:42,959
Speaker 2: Look, you gotta FaceTime.

2310
01:51:43,640 --> 01:51:47,240
Speaker 4: Let's see this before you Just tell him what you're doing.

2311
01:51:47,600 --> 01:51:49,640
Speaker 4: Don't be a don't tell him Ship, just ask that.

2312
01:51:50,400 --> 01:51:53,760
Speaker 2: Don't be a we want to real reaction, like let

2313
01:51:53,800 --> 01:51:58,360
Speaker 2: the cameras roll niggas like that. What is that nigga

2314
01:51:58,439 --> 01:52:01,200
Speaker 2: doing right now? Bro? Nigga he with Logan Paul right now?

2315
01:52:01,360 --> 01:52:03,640
Speaker 2: Now he probably knows you're calling him on the way

2316
01:52:03,680 --> 01:52:06,080
Speaker 2: he was Logan Paul. I don't know. I'm gonna take

2317
01:52:06,080 --> 01:52:08,960
Speaker 2: as because Logan Paul won last night. Right, he knocked

2318
01:52:08,960 --> 01:52:13,400
Speaker 2: a nigga out. That's not the same nigga. Yo. Did

2319
01:52:13,439 --> 01:52:15,600
Speaker 2: you ever want to box like your pops? No? No,

2320
01:52:16,280 --> 01:52:18,320
Speaker 2: he taught you at a box. No he never told

2321
01:52:18,320 --> 01:52:20,479
Speaker 2: me Ship what No, he told me how to hold

2322
01:52:20,479 --> 01:52:23,720
Speaker 2: a gun. My father is a foul nigga. But that

2323
01:52:23,800 --> 01:52:26,479
Speaker 2: nigga is a phenomenal boxer. He was a phenomenal bosser.

2324
01:52:26,520 --> 01:52:27,200
Speaker 2: But I was not.

2325
01:52:28,400 --> 01:52:32,400
Speaker 4: Okay, jar Rud didn't answer. We don't have no plan

2326
01:52:32,520 --> 01:52:34,720
Speaker 4: b right because the outtakes.

2327
01:52:34,320 --> 01:52:38,519
Speaker 2: Holy morning, he don't went to the bathroom. Yeah, keep

2328
01:52:38,560 --> 01:52:40,519
Speaker 2: the camera. That's all we do. That's all we do.

2329
01:52:40,720 --> 01:52:43,400
Speaker 2: That's all we do because you know, two hours, God, damn.

2330
01:52:45,920 --> 01:52:49,439
Speaker 4: God, damn it, Shaka. I just want to say something

2331
01:52:49,880 --> 01:52:53,160
Speaker 4: I knows. Shaka is one of the best people I've

2332
01:52:53,160 --> 01:52:56,160
Speaker 4: ever met. One of the best human beings on human feet,

2333
01:52:56,479 --> 01:52:59,320
Speaker 4: not one of the best managers or the best you know,

2334
01:52:59,360 --> 01:53:03,559
Speaker 4: people in history, best people period. It's a very straight

2335
01:53:03,680 --> 01:53:07,360
Speaker 4: up guy. It's very straightforward person.

2336
01:53:08,920 --> 01:53:09,120
Speaker 2: Yeah.

2337
01:53:10,120 --> 01:53:13,120
Speaker 4: Yeah, I wanted to give Shaka hit flower, you know

2338
01:53:13,160 --> 01:53:20,639
Speaker 4: what I mean, because I don't want to say something

2339
01:53:20,680 --> 01:53:25,360
Speaker 4: to all of us that's here. We live in a

2340
01:53:25,560 --> 01:53:27,519
Speaker 4: we live in a great society, we live in a

2341
01:53:27,600 --> 01:53:31,880
Speaker 4: great thing that we're we're all perishing from, we're all

2342
01:53:32,200 --> 01:53:36,200
Speaker 4: benefiting from. But the thing is everyone in this world

2343
01:53:36,240 --> 01:53:40,400
Speaker 4: has not been infinited from that same thing. So there's

2344
01:53:40,400 --> 01:53:42,720
Speaker 4: always gonna be votres and I you know, big up

2345
01:53:42,760 --> 01:53:47,839
Speaker 4: to Kanye and Tyler the Sounds for naming the album Vultures.

2346
01:53:48,920 --> 01:53:53,719
Speaker 4: But in real life, voltures is not something friendly. There's

2347
01:53:53,800 --> 01:53:57,960
Speaker 4: real voltures out here, real people that yeah, I don't

2348
01:53:57,960 --> 01:54:00,200
Speaker 4: want to work for what they can get and they

2349
01:54:00,240 --> 01:54:05,800
Speaker 4: want to just take and it's terrible because it's us

2350
01:54:05,920 --> 01:54:13,120
Speaker 4: taken from us and that just shouldn't exist. Like we

2351
01:54:13,240 --> 01:54:15,960
Speaker 4: worked so hard, you know what. DMX sat down with

2352
01:54:16,080 --> 01:54:19,519
Speaker 4: me one day and DMX said to me, nor way

2353
01:54:19,560 --> 01:54:21,439
Speaker 4: I stopped dissing whack rappers.

2354
01:54:22,760 --> 01:54:25,840
Speaker 2: I asked them. I said, well, that's kind of crazy,

2355
01:54:25,920 --> 01:54:27,120
Speaker 2: Like why would you just say that?

2356
01:54:27,560 --> 01:54:30,800
Speaker 4: And DMX said to me because every whack rapper who

2357
01:54:30,880 --> 01:54:35,080
Speaker 4: I think is whacked saves sixteen families. And that sixteen

2358
01:54:35,160 --> 01:54:37,440
Speaker 4: families says another sixteen facties.

2359
01:54:37,720 --> 01:54:39,400
Speaker 2: Wow, that's deep.

2360
01:54:41,040 --> 01:54:44,480
Speaker 4: This was on drink Champs and I was like, Holy

2361
01:54:44,680 --> 01:54:51,080
Speaker 4: moly moly, and that's what I kind of want to do, Luda.

2362
01:54:52,600 --> 01:54:52,640
Speaker 2: Is.

2363
01:54:53,720 --> 01:54:57,600
Speaker 4: It's about time we praise each other. It's about time

2364
01:54:57,680 --> 01:55:01,840
Speaker 4: we say to each other, yo, man, what we did

2365
01:55:02,400 --> 01:55:04,960
Speaker 4: and what we're doing and we'll continue to be successful.

2366
01:55:05,040 --> 01:55:09,400
Speaker 4: For should be saluted. Yeah, it should be recommended. It

2367
01:55:09,440 --> 01:55:13,240
Speaker 4: should be It should be in the forefront of what

2368
01:55:14,200 --> 01:55:18,760
Speaker 4: life is because no one else is going to give

2369
01:55:18,760 --> 01:55:20,600
Speaker 4: it to us. And I like to say, and I

2370
01:55:20,720 --> 01:55:22,600
Speaker 4: like to say I'm hip hop. And when I say

2371
01:55:22,640 --> 01:55:26,280
Speaker 4: I'm hip hop, what I mean is that's my religion,

2372
01:55:26,440 --> 01:55:27,320
Speaker 4: that's my race.

2373
01:55:27,680 --> 01:55:28,320
Speaker 2: Our religion.

2374
01:55:28,560 --> 01:55:31,400
Speaker 5: Yes, that's already because everything you're saying is the only

2375
01:55:31,440 --> 01:55:34,000
Speaker 5: reason I interrupted the natural flow of things with what

2376
01:55:34,080 --> 01:55:36,360
Speaker 5: I said earlier, because of what you're saying right now.

2377
01:55:37,240 --> 01:55:39,440
Speaker 5: Somebody got to be the bigger person than all that shit, like.

2378
01:55:40,040 --> 01:55:43,280
Speaker 4: Go ahead, yes, And that's why I'm so happy that

2379
01:55:43,400 --> 01:55:51,360
Speaker 4: you're here. It's because hip hop fifty is great. It is, yea,

2380
01:55:52,200 --> 01:55:56,040
Speaker 4: but hip hop one thousand is even better. I want

2381
01:55:56,120 --> 01:55:59,680
Speaker 4: I want your kids, kids, my kids kids, your kids

2382
01:55:59,800 --> 01:56:03,640
Speaker 4: kids is how kids kids, his kids kids. Everyoneted to

2383
01:56:03,760 --> 01:56:06,520
Speaker 4: grow up through that same sentiment. You couldn't have said

2384
01:56:06,520 --> 01:56:06,760
Speaker 4: it better.

2385
01:56:06,840 --> 01:56:09,280
Speaker 5: We're talking about kids, talking about family, were talking about

2386
01:56:09,360 --> 01:56:11,440
Speaker 5: hip hop and all this ship. I was with Rizza

2387
01:56:12,160 --> 01:56:13,760
Speaker 5: a couple of years back, and I don't know, we

2388
01:56:13,880 --> 01:56:15,520
Speaker 5: was just shooting the ship because I'm such a Wu

2389
01:56:15,640 --> 01:56:18,000
Speaker 5: Tang fan, and I was asking him a bunch of

2390
01:56:18,120 --> 01:56:21,200
Speaker 5: questions and along the line of questioning somehow, I asked

2391
01:56:21,280 --> 01:56:23,160
Speaker 5: him we were talking about families, and I was like,

2392
01:56:23,200 --> 01:56:26,720
Speaker 5: how many kids you got, and that nigga he looked

2393
01:56:26,760 --> 01:56:30,160
Speaker 5: like I asked him a crazy question. That nigga said, shit, man,

2394
01:56:30,240 --> 01:56:31,840
Speaker 5: you know hip hop.

2395
01:56:33,560 --> 01:56:36,920
Speaker 2: That was that Nigga's answer. That that's another the answer

2396
01:56:37,120 --> 01:56:41,760
Speaker 2: was hip hop his children. That nigga looked at me

2397
01:56:41,840 --> 01:56:43,480
Speaker 2: and that was it. I don't know what it meant.

2398
01:56:43,920 --> 01:56:46,600
Speaker 5: You never answered legitlemenly, I just said how many kids

2399
01:56:46,640 --> 01:56:48,520
Speaker 5: you got? That nigga looked at me and said, shit,

2400
01:56:48,680 --> 01:56:51,520
Speaker 5: you know hip hop? That could have meant Wu tang

2401
01:56:51,680 --> 01:56:53,840
Speaker 5: nine what it could have been?

2402
01:56:53,880 --> 01:56:58,600
Speaker 2: I don't know what it is. His children like everything

2403
01:56:58,640 --> 01:57:02,280
Speaker 2: that has been inspired by them, have y'all had? When

2404
01:57:02,320 --> 01:57:06,880
Speaker 2: you get him on here, please ask that we got

2405
01:57:07,000 --> 01:57:09,040
Speaker 2: by the way I we need.

2406
01:57:09,960 --> 01:57:13,560
Speaker 4: I've hang out with Rizza, and Rizza is probably he

2407
01:57:13,720 --> 01:57:15,640
Speaker 4: wants to come and drink with us so bad.

2408
01:57:15,880 --> 01:57:18,400
Speaker 2: He wants to drink us though we're not trying.

2409
01:57:18,560 --> 01:57:25,600
Speaker 5: Like I'm out drinking y'all right now? Recently, how many artists,

2410
01:57:25,640 --> 01:57:27,400
Speaker 5: let me ask my people of you, how many artists have.

2411
01:57:27,520 --> 01:57:32,400
Speaker 2: Out drink the drink champs hosts? How many like this?

2412
01:57:32,480 --> 01:57:35,560
Speaker 2: Who's one, who's one? Nobody. I'd like to go on

2413
01:57:35,680 --> 01:57:38,200
Speaker 2: the record as being the first artist to out drink

2414
01:57:40,000 --> 01:57:43,760
Speaker 2: lady and gentlemen, But I'm not gonna lie to you.

2415
01:57:44,680 --> 01:57:49,240
Speaker 2: We was on tour together, me and you. Old death

2416
01:57:49,280 --> 01:57:51,840
Speaker 2: jam stories are the greatest story. If you're like, please

2417
01:57:52,120 --> 01:57:56,680
Speaker 2: because I like some beautiful story and we're in Atlanta.

2418
01:57:59,000 --> 01:58:01,880
Speaker 2: This is This is docu documented on MTV.

2419
01:58:03,680 --> 01:58:06,360
Speaker 4: Luda Is, You're one of my favorite people. I just

2420
01:58:06,440 --> 01:58:07,960
Speaker 4: want to just come and just say hi to you.

2421
01:58:08,320 --> 01:58:12,879
Speaker 2: I have no idea. This guy's in there, he's from Queen's.

2422
01:58:13,560 --> 01:58:14,960
Speaker 2: Who is you?

2423
01:58:15,480 --> 01:58:19,000
Speaker 4: The guy that I slammed, He's he's supposed to lead

2424
01:58:19,080 --> 01:58:22,680
Speaker 4: up to that guy for that guy he's sitting there.

2425
01:58:22,720 --> 01:58:26,920
Speaker 4: He's like, little boys, don't show me no love. I

2426
01:58:27,000 --> 01:58:29,920
Speaker 4: can know you don't show me no love. Mam deep,

2427
01:58:30,000 --> 01:58:31,040
Speaker 4: don't show me no love.

2428
01:58:31,920 --> 01:58:34,880
Speaker 2: Someone telling you this. Yes, I don't know.

2429
01:58:35,080 --> 01:58:42,040
Speaker 4: Luda's swimming is fucking my diary. Somebody from Queens telling

2430
01:58:42,120 --> 01:58:44,080
Speaker 4: me that he doesn't get no love. But I'm near

2431
01:58:44,120 --> 01:58:47,920
Speaker 4: to see Luda and I'm just like, what's And this

2432
01:58:48,080 --> 01:58:51,160
Speaker 4: guy is like, I'm like, I'm gonna show him some love.

2433
01:58:53,240 --> 01:58:58,080
Speaker 2: Took care of every busy jewelry. That's why a box

2434
01:58:58,760 --> 01:59:03,440
Speaker 2: no mother, I know it was. That is a boxer.

2435
01:59:03,560 --> 01:59:03,720
Speaker 4: I know.

2436
01:59:03,920 --> 01:59:07,360
Speaker 2: That's what I'm saying here fighting motherfucker that I.

2437
01:59:07,480 --> 01:59:12,920
Speaker 4: Took it off and I had no idea. We him

2438
01:59:13,080 --> 01:59:22,000
Speaker 4: and said tell where you're from the assignment. The body

2439
01:59:22,080 --> 01:59:24,440
Speaker 4: slammed and power bottle. This nigga all in one. It

2440
01:59:24,560 --> 01:59:27,000
Speaker 4: was the craziest ship I've ever seen. Put some power

2441
01:59:27,040 --> 01:59:29,840
Speaker 4: behind that body. And by the way, he cannot be

2442
01:59:30,040 --> 01:59:32,760
Speaker 4: mad you. He out with us the whole night. So

2443
01:59:32,920 --> 01:59:38,160
Speaker 4: that's the party you see after his neck got fucked up. Yeah, yeah, yeah,

2444
01:59:38,520 --> 01:59:42,600
Speaker 4: I was like, yeah, we took some shots in Luda's room.

2445
01:59:43,000 --> 01:59:45,040
Speaker 2: We chilled the whole Did you wipe him off? Like

2446
01:59:45,200 --> 01:59:45,960
Speaker 2: you're good? You're good, bro.

2447
01:59:46,120 --> 01:59:50,560
Speaker 4: I don't white people wipe.

2448
01:59:48,760 --> 01:59:51,680
Speaker 2: Him off, wipe him down. I ain't wipe him down.

2449
01:59:52,960 --> 01:59:53,080
Speaker 10: Yo.

2450
01:59:53,600 --> 01:59:55,840
Speaker 4: Okay, okay, hold let me get back to the next one,

2451
01:59:56,000 --> 01:59:56,760
Speaker 4: because I got a lot.

2452
01:59:56,800 --> 02:00:01,760
Speaker 2: I got lued. Your discography is crazy. I appreciate loud.

2453
02:00:01,920 --> 02:00:02,440
Speaker 2: Let me ask you this.

2454
02:00:03,120 --> 02:00:08,560
Speaker 6: How was there no version of you signing to Jermaine

2455
02:00:08,640 --> 02:00:10,640
Speaker 6: Duprix or Dungeon family.

2456
02:00:11,480 --> 02:00:12,960
Speaker 2: That's a great fucking question.

2457
02:00:14,080 --> 02:00:15,480
Speaker 5: We kind of went through the history when I was

2458
02:00:15,520 --> 02:00:19,000
Speaker 5: at the radio station, so there's different things that happened

2459
02:00:19,040 --> 02:00:20,760
Speaker 5: with all of these different entities. I was the first

2460
02:00:20,880 --> 02:00:24,280
Speaker 5: rapper on John Madden two thousand. That's Jermaine Duprix. He

2461
02:00:24,400 --> 02:00:26,640
Speaker 5: did that for me, right, And I had the afro,

2462
02:00:26,760 --> 02:00:29,080
Speaker 5: so you remember the Socio Deaf mascot.

2463
02:00:28,760 --> 02:00:29,200
Speaker 2: The ship that.

2464
02:00:31,040 --> 02:00:33,240
Speaker 5: He was always joking like I'm the social death mascot.

2465
02:00:33,360 --> 02:00:39,840
Speaker 5: So there was a time, absolutely a twelve percent.

2466
02:00:39,960 --> 02:00:41,240
Speaker 2: Yeah. I say this story all the time.

2467
02:00:41,280 --> 02:00:44,320
Speaker 5: But he's one of the people that when I was before,

2468
02:00:44,320 --> 02:00:47,040
Speaker 5: I was at the radio station, just complete stranger, knew

2469
02:00:47,080 --> 02:00:49,160
Speaker 5: where he lived, went up to his house, tried to

2470
02:00:49,200 --> 02:00:51,840
Speaker 5: get this motherfucker a demo tape. And this nigga was

2471
02:00:51,880 --> 02:00:54,200
Speaker 5: outside one day when I drove up and actually by

2472
02:00:54,320 --> 02:00:57,200
Speaker 5: himself walked up and took the demo tape from me.

2473
02:00:57,480 --> 02:00:59,720
Speaker 2: That's how great of a person, Jermaine.

2474
02:01:02,640 --> 02:01:04,160
Speaker 5: He was outside and I was like, I want to

2475
02:01:04,200 --> 02:01:06,880
Speaker 5: give you something that Now, this is ridiculous, like for

2476
02:01:07,000 --> 02:01:09,320
Speaker 5: a motherfucker to be alone and actually like, you ain't

2477
02:01:09,320 --> 02:01:11,960
Speaker 5: got to do that shit, right. I only say that

2478
02:01:12,080 --> 02:01:14,880
Speaker 5: to say that I have my own extremely multi million

2479
02:01:14,920 --> 02:01:16,720
Speaker 5: dollar home now, and if a nigga comes to my

2480
02:01:16,840 --> 02:01:18,440
Speaker 5: gate and says, hey, come over here, I want to

2481
02:01:18,440 --> 02:01:19,360
Speaker 5: give you my demo tape.

2482
02:01:19,680 --> 02:01:21,280
Speaker 2: Fuck, no, I ain't going to go to get this

2483
02:01:21,320 --> 02:01:22,080
Speaker 2: ship problem, bro.

2484
02:01:22,880 --> 02:01:27,440
Speaker 5: So sometimes in retrospect you look like, damn, that motherfucker

2485
02:01:27,520 --> 02:01:30,480
Speaker 5: is a phenomenous humanizing bro. But all that being said,

2486
02:01:31,680 --> 02:01:33,840
Speaker 5: so so deaf. Definitely you know that there was a

2487
02:01:33,920 --> 02:01:36,760
Speaker 5: time where we work together, organized noise, like I said

2488
02:01:36,800 --> 02:01:39,360
Speaker 5: they did gang Got Switched, Got Switched. That was the

2489
02:01:39,400 --> 02:01:42,840
Speaker 5: flip side of What's Your Fantasy. So at the time,

2490
02:01:42,920 --> 02:01:44,040
Speaker 5: they had so much going on.

2491
02:01:44,280 --> 02:01:45,080
Speaker 2: They had you know, the.

2492
02:01:45,160 --> 02:01:49,480
Speaker 5: Cool Breeze, the Witch Doctor, Outcast, Goodie Mob, all these artists,

2493
02:01:49,520 --> 02:01:51,240
Speaker 5: and they were just trying to find and are you

2494
02:01:51,360 --> 02:01:55,160
Speaker 5: saying that you were associated to them? Not associated? But

2495
02:01:55,240 --> 02:01:57,000
Speaker 5: I was in there and I got records from them

2496
02:01:57,040 --> 02:01:58,880
Speaker 5: at the same time while they were feeding all of

2497
02:01:58,920 --> 02:02:01,760
Speaker 5: these other artists. So I was down there when Future

2498
02:02:01,840 --> 02:02:02,839
Speaker 5: used to be called Meathead.

2499
02:02:02,880 --> 02:02:03,680
Speaker 2: That used to be his name.

2500
02:02:03,920 --> 02:02:06,720
Speaker 5: Oh wow, So this motherfucker was down there as a kid.

2501
02:02:06,880 --> 02:02:10,200
Speaker 5: And it's just like his success is great because of

2502
02:02:10,280 --> 02:02:11,680
Speaker 5: what he's done, but he was a student.

2503
02:02:12,000 --> 02:02:15,280
Speaker 2: He'd be in there watching all the time. Still Ludacris

2504
02:02:15,600 --> 02:02:17,240
Speaker 2: but on the radio, you know, Chris Love of Love.

2505
02:02:17,360 --> 02:02:20,320
Speaker 5: But I say all that to say, I've had my

2506
02:02:20,760 --> 02:02:23,680
Speaker 5: moments with each of those entities, but I never signed

2507
02:02:23,800 --> 02:02:24,200
Speaker 5: with them.

2508
02:02:24,520 --> 02:02:26,480
Speaker 2: Even with Timbling. There was a time where I.

2509
02:02:26,520 --> 02:02:28,240
Speaker 5: Was about to get signed to Timbling because my first

2510
02:02:28,280 --> 02:02:30,000
Speaker 5: record before it was Your Fantasy. I was on his

2511
02:02:30,160 --> 02:02:32,360
Speaker 5: album and I had a song called Fat Rabbit, which

2512
02:02:32,480 --> 02:02:34,960
Speaker 5: ended up being on back for the first time. So

2513
02:02:35,120 --> 02:02:37,560
Speaker 5: again I went through all of these processes and nobody

2514
02:02:37,640 --> 02:02:40,240
Speaker 5: really stepped all the way up, which caused me to

2515
02:02:41,120 --> 02:02:44,240
Speaker 5: put my money into myself and invest and do the

2516
02:02:44,320 --> 02:02:45,920
Speaker 5: whole incog negro autu.

2517
02:02:45,920 --> 02:02:46,400
Speaker 2: And that's what it was.

2518
02:02:46,560 --> 02:02:48,560
Speaker 6: It was them though that didn't step all the way up.

2519
02:02:48,560 --> 02:02:51,840
Speaker 6: I'm just saying, for the person listening, tru, that's you

2520
02:02:52,320 --> 02:02:53,360
Speaker 6: right when you were that.

2521
02:02:54,480 --> 02:02:55,000
Speaker 2: It's when you.

2522
02:02:55,040 --> 02:02:56,840
Speaker 5: I don't want to put the blame on them specifically.

2523
02:02:56,960 --> 02:03:00,240
Speaker 5: It was like circumstances that they were dealing with at

2524
02:03:00,280 --> 02:03:03,400
Speaker 5: the time where I wasn't patient enough to just wait around.

2525
02:03:04,320 --> 02:03:08,240
Speaker 5: And thank God that those circumstances happened, because if they didn't,

2526
02:03:08,320 --> 02:03:10,240
Speaker 5: I would not have said, fuck it, I'm going to

2527
02:03:10,360 --> 02:03:12,680
Speaker 5: do this on my own. You know what I'm saying.

2528
02:03:12,920 --> 02:03:15,640
Speaker 5: That's how things work out. Shit don't work out for

2529
02:03:15,720 --> 02:03:17,480
Speaker 5: you to be able to do certain things and take

2530
02:03:18,160 --> 02:03:20,600
Speaker 5: fade into your own hands. That's literally how it works out.

2531
02:03:20,960 --> 02:03:24,040
Speaker 5: And so I went to an independent company. I remember

2532
02:03:24,120 --> 02:03:26,280
Speaker 5: that they gave me seven dollars an holbum. I sold

2533
02:03:26,360 --> 02:03:30,320
Speaker 5: fifty thousand records at seven dollars a pop. I got

2534
02:03:30,360 --> 02:03:32,560
Speaker 5: three hundred and fifty thousand dollars check when I was

2535
02:03:32,600 --> 02:03:35,240
Speaker 5: like twenty one biggest check I ever.

2536
02:03:35,160 --> 02:03:38,520
Speaker 2: Got, all put into myself. Yeah, and I made the

2537
02:03:38,560 --> 02:03:40,240
Speaker 2: whole album for like twenty thousand dollars.

2538
02:03:40,320 --> 02:03:42,880
Speaker 5: But again, that's all money I saved up from all

2539
02:03:42,960 --> 02:03:44,840
Speaker 5: the after parties and shit that I was doing when

2540
02:03:44,880 --> 02:03:47,560
Speaker 5: I was eighteen nineteen twenty from working at the radio statation.

2541
02:03:48,040 --> 02:03:49,640
Speaker 5: So it was all part of the plan. It was

2542
02:03:49,760 --> 02:03:52,560
Speaker 5: very strategic, and it took longer than I thought, but

2543
02:03:52,680 --> 02:03:55,120
Speaker 5: that shit worked out the way it needed to work out.

2544
02:03:55,680 --> 02:03:56,760
Speaker 5: I wouldn't be here if it wasn't.

2545
02:03:56,880 --> 02:03:59,720
Speaker 6: You think your process, the way that you did it

2546
02:04:00,360 --> 02:04:01,880
Speaker 6: would not be appreciated today.

2547
02:04:02,760 --> 02:04:04,600
Speaker 2: I think it would be very appreciated today.

2548
02:04:04,600 --> 02:04:06,280
Speaker 5: We're trying to put this bitch on film and on

2549
02:04:06,360 --> 02:04:08,760
Speaker 5: television the way that it happened, because there's so much

2550
02:04:08,800 --> 02:04:10,280
Speaker 5: more to it. I'm just trying to give you all

2551
02:04:10,320 --> 02:04:16,160
Speaker 5: the short the short version, right, let's took about Splash Waterfalls.

2552
02:04:17,000 --> 02:04:18,040
Speaker 2: Splash Waterfalls.

2553
02:04:18,640 --> 02:04:20,960
Speaker 5: This is That's a good question because it was Shawna's

2554
02:04:21,000 --> 02:04:28,200
Speaker 5: brother is a producer, really, and he produced Splash Waterfall. Yeah, Yeah,

2555
02:04:28,240 --> 02:04:31,760
Speaker 5: Shawna's fucking brother and Ice Drake so he produced that

2556
02:04:31,880 --> 02:04:38,080
Speaker 5: song Splash Waterfalls, so he put Drake on. I wouldn't

2557
02:04:38,120 --> 02:04:42,120
Speaker 5: say he's the first. That's rum the room now, but

2558
02:04:42,200 --> 02:04:44,960
Speaker 5: that's where that came from. And we did the remix

2559
02:04:45,040 --> 02:04:47,560
Speaker 5: with Tony Tony Tony Beat. So that ship is another

2560
02:04:47,720 --> 02:04:50,880
Speaker 5: another great one for the ladies whenever we do these shows. Yeah,

2561
02:04:50,960 --> 02:04:51,839
Speaker 5: Splash Waterfall.

2562
02:04:52,560 --> 02:04:55,240
Speaker 2: Before you got married, he was spinking pop a lot

2563
02:04:55,280 --> 02:05:00,120
Speaker 2: of things. No comment, get ready for this part? No,

2564
02:05:00,360 --> 02:05:02,680
Speaker 2: I mean I'm married like a motherfucker. I'm sixteen, So

2565
02:05:02,760 --> 02:05:05,760
Speaker 2: you're just going in there. How many kids you got here? Six?

2566
02:05:06,080 --> 02:05:08,040
Speaker 2: He's supposed to say, hip hop? Ma oh, hip hop?

2567
02:05:08,200 --> 02:05:10,840
Speaker 2: I'm back. Ask the question again, how many kids you got?

2568
02:05:12,200 --> 02:05:21,080
Speaker 2: Hip hop? Break it? Don't get outside, up and outside

2569
02:05:23,040 --> 02:05:25,600
Speaker 2: holy ship. Let's we wanted to ask me that again?

2570
02:05:25,920 --> 02:05:28,440
Speaker 2: Who got the best food? Dominican Republic or Puerto Rico?

2571
02:05:28,720 --> 02:05:33,040
Speaker 2: Don't do that, Cubans, I said it. I don't know

2572
02:05:33,200 --> 02:05:35,880
Speaker 2: if you understand the ward. He just that's why I

2573
02:05:35,920 --> 02:05:36,440
Speaker 2: asked the question.

2574
02:05:36,560 --> 02:05:40,560
Speaker 4: I'm hit me with all these questions, Cuban, Cuban, Let's

2575
02:05:40,600 --> 02:05:41,320
Speaker 4: reverse the role.

2576
02:05:41,400 --> 02:05:45,520
Speaker 2: Let me play slow and what's the ship called slow? Time?

2577
02:05:45,600 --> 02:05:45,760
Speaker 1: With you?

2578
02:05:46,160 --> 02:05:46,360
Speaker 4: Time?

2579
02:05:47,240 --> 02:05:50,360
Speaker 2: Slow time of slime. Who's got by the way, who's

2580
02:05:50,400 --> 02:05:53,480
Speaker 2: got the best Cuban? So he has no fight? Okay,

2581
02:05:53,520 --> 02:05:57,280
Speaker 2: I got okay, Cuban's got the best food? Who's got

2582
02:05:57,320 --> 02:06:01,560
Speaker 2: the best of Rolo? Best Cuban Cuban? Sorry, it's the best.

2583
02:06:03,640 --> 02:06:08,120
Speaker 2: We've got the best rose Dominicans, Puerto Rican? Why you asking?

2584
02:06:08,240 --> 02:06:11,280
Speaker 2: Its Cubans? Trying to I'm trying to stop this motherfucker

2585
02:06:11,320 --> 02:06:13,560
Speaker 2: out here. You You're ruining it right now. I can't

2586
02:06:13,640 --> 02:06:16,560
Speaker 2: let him answer any other than Cubans. Who's got the

2587
02:06:16,640 --> 02:06:22,640
Speaker 2: best food? Puerto Ricans or Dominicans? Who's got the best? Yeah?

2588
02:06:22,640 --> 02:06:24,040
Speaker 2: I want to know what that? What's the hard question

2589
02:06:24,120 --> 02:06:27,280
Speaker 2: when it comes to Dominicans? Point, what's the hardest food? Question?

2590
02:06:27,480 --> 02:06:32,840
Speaker 2: About my fungo? Who's got the Puerto Ricans win? We

2591
02:06:32,920 --> 02:06:35,880
Speaker 2: went am old fungo.

2592
02:06:39,000 --> 02:06:41,880
Speaker 4: But but I'm going to tell you this, tell us,

2593
02:06:42,760 --> 02:06:49,520
Speaker 4: tell us the best teacher I got is Puerto Ricans?

2594
02:06:49,560 --> 02:06:52,080
Speaker 2: Why you, guys? But what was about it?

2595
02:06:52,480 --> 02:06:57,720
Speaker 4: Is all the best teachers from Puerto Rico, it'd be

2596
02:06:57,880 --> 02:06:59,160
Speaker 4: the Dominican chefs.

2597
02:06:59,240 --> 02:06:59,680
Speaker 2: I hate it.

2598
02:06:59,840 --> 02:07:06,800
Speaker 7: I hated I can't I look up looking what the

2599
02:07:07,240 --> 02:07:09,720
Speaker 7: what the fuck is one he do? There for funny

2600
02:07:09,840 --> 02:07:14,400
Speaker 7: talking about it's not all the same ship.

2601
02:07:14,480 --> 02:07:19,920
Speaker 4: Broo, we don't like it, right, listen, bro we all

2602
02:07:19,960 --> 02:07:20,720
Speaker 4: the same people.

2603
02:07:22,600 --> 02:07:24,960
Speaker 5: You think you having a hard time. Michelle Rodriguez from

2604
02:07:24,960 --> 02:07:27,560
Speaker 5: The Fast and Furious. One of her parents is Dominican,

2605
02:07:28,200 --> 02:07:29,600
Speaker 5: one of her parents is Puerto Rico.

2606
02:07:31,720 --> 02:07:37,000
Speaker 2: Get back the dope ship about Let's wait for the sirens.

2607
02:07:37,040 --> 02:07:39,680
Speaker 2: That's the move, that's the movie. Sorries are part of

2608
02:07:39,760 --> 02:07:41,120
Speaker 2: the process. Dope.

2609
02:07:42,880 --> 02:07:45,120
Speaker 5: The dope shit about get back is Tom Cruise in

2610
02:07:45,240 --> 02:07:46,000
Speaker 5: the movie.

2611
02:07:47,840 --> 02:07:48,120
Speaker 2: Tropic.

2612
02:07:48,560 --> 02:07:51,040
Speaker 5: The dope shit about get Back is Tom Cruise in

2613
02:07:51,080 --> 02:07:53,080
Speaker 5: the movie Tropic. Thunder Dancing at the end of the

2614
02:07:53,160 --> 02:07:56,400
Speaker 5: fucking movie with the big ass Yeah, with the big

2615
02:07:56,560 --> 02:07:58,960
Speaker 5: arms and everything. He was less gross grossman in that movie.

2616
02:07:59,080 --> 02:08:02,280
Speaker 4: Okay, he played left Tom Cruise because Tom Cruise was

2617
02:08:02,360 --> 02:08:02,880
Speaker 4: the agent.

2618
02:08:03,400 --> 02:08:06,840
Speaker 2: He was a fat asient. Yeah, exactly. That was real.

2619
02:08:07,080 --> 02:08:09,040
Speaker 5: No, So what I was gonna say was the record

2620
02:08:09,200 --> 02:08:11,680
Speaker 5: was good, you know, like we're being honest with each other,

2621
02:08:11,760 --> 02:08:14,480
Speaker 5: like it wasn't my favorite of all of my records.

2622
02:08:14,560 --> 02:08:17,080
Speaker 5: But when that nigga did that at the end of

2623
02:08:17,200 --> 02:08:19,600
Speaker 5: the movie, Yeah, when Tom Crow.

2624
02:08:20,520 --> 02:08:23,640
Speaker 4: Tom Cruise can put on the fast suit, he put

2625
02:08:23,720 --> 02:08:26,120
Speaker 4: on the just for men that everybody's wearing right now.

2626
02:08:26,360 --> 02:08:26,480
Speaker 2: Right.

2627
02:08:27,000 --> 02:08:28,440
Speaker 5: So when Tom Cruise at the end of the movie

2628
02:08:28,480 --> 02:08:30,160
Speaker 5: put on the big suit and he danced to the

2629
02:08:30,240 --> 02:08:33,400
Speaker 5: song the entire time, it literally took the record to

2630
02:08:33,520 --> 02:08:36,000
Speaker 5: a whole other level and gave it a whole new

2631
02:08:36,120 --> 02:08:37,040
Speaker 5: culture to listen to.

2632
02:08:37,680 --> 02:08:40,120
Speaker 2: And so it was good record, but he made it great.

2633
02:08:40,720 --> 02:08:43,160
Speaker 5: And that's what's dope about it, because just because Tom

2634
02:08:43,200 --> 02:08:45,400
Speaker 5: Cruise would do that, and it wasn't like five ten

2635
02:08:45,440 --> 02:08:46,320
Speaker 5: seconds we're talking about.

2636
02:08:46,320 --> 02:08:46,960
Speaker 2: You watched this.

2637
02:08:47,000 --> 02:08:51,080
Speaker 4: Movie the whole song, Yeah, yeah, So did it give

2638
02:08:51,080 --> 02:08:54,280
Speaker 4: you a different idea of the power of that of the.

2639
02:08:54,640 --> 02:08:55,360
Speaker 2: No, not even that.

2640
02:08:55,560 --> 02:08:57,520
Speaker 5: So Ben Steeler is the one who produced and did

2641
02:08:57,600 --> 02:09:01,120
Speaker 5: the movie, and he called us to do a screening

2642
02:09:01,160 --> 02:09:03,440
Speaker 5: of the movie before it came out, and so a

2643
02:09:03,480 --> 02:09:05,400
Speaker 5: lot of people don't know this man, Tom Cruise is

2644
02:09:05,480 --> 02:09:08,000
Speaker 5: my guy. So we also talked to him about it.

2645
02:09:08,040 --> 02:09:10,000
Speaker 5: They asked my permission about the ship, and then we

2646
02:09:10,120 --> 02:09:12,560
Speaker 5: made it happen. And so I just saw Tom Cruise.

2647
02:09:12,560 --> 02:09:14,720
Speaker 5: I was on tour with Janet Uh. He came out

2648
02:09:14,760 --> 02:09:16,040
Speaker 5: to one of the shows. I saw him at the

2649
02:09:16,080 --> 02:09:17,880
Speaker 5: Damn F One, the F One here in Miami.

2650
02:09:18,400 --> 02:09:18,520
Speaker 6: Yo.

2651
02:09:18,720 --> 02:09:23,640
Speaker 2: Tom Cruises, man, that's my guy. Bro, Tom Cruise is wait,

2652
02:09:23,680 --> 02:09:25,120
Speaker 2: what are you? What's going on? I don't know, I

2653
02:09:25,160 --> 02:09:28,400
Speaker 2: don't know, I don't know. He just was flawsy. No Tom,

2654
02:09:28,680 --> 02:09:29,880
Speaker 2: at this moment, I ain't gonna lie.

2655
02:09:30,720 --> 02:09:32,560
Speaker 4: Yeah, he was spitting. He's been bombed.

2656
02:09:32,640 --> 02:09:34,080
Speaker 2: Now he's a He's an inspiration man.

2657
02:09:34,120 --> 02:09:36,000
Speaker 5: When he does all his own stunts and ship like that,

2658
02:09:36,440 --> 02:09:37,800
Speaker 5: that motherfucker is an inspiration.

2659
02:09:38,120 --> 02:09:40,760
Speaker 2: He plays no games, he does his own stunts. Bro.

2660
02:09:41,160 --> 02:09:42,520
Speaker 2: He has to insure himself.

2661
02:09:43,560 --> 02:09:45,840
Speaker 5: He has to put millions of dollars up because he

2662
02:09:45,920 --> 02:09:47,480
Speaker 5: wants to do his own study.

2663
02:09:47,480 --> 02:09:49,840
Speaker 2: He jumps from plane and all this crazy ship he does,

2664
02:09:49,880 --> 02:09:51,680
Speaker 2: all tried to do that. I didn't agree with him,

2665
02:09:52,080 --> 02:09:55,080
Speaker 2: come on, said big Pun did it. But it was

2666
02:09:55,120 --> 02:09:57,720
Speaker 2: a different level. It was foul it level I didn't want.

2667
02:09:57,880 --> 02:09:59,600
Speaker 2: I didn't want to sign it. No, but it was

2668
02:09:59,640 --> 02:10:01,720
Speaker 2: the whole the level he came up. He wants to

2669
02:10:01,800 --> 02:10:03,680
Speaker 2: jump off the nigga. I don't want nothing to do

2670
02:10:03,760 --> 02:10:06,040
Speaker 2: with this. I'm sorry, but can you imagine it?

2671
02:10:06,080 --> 02:10:08,200
Speaker 5: Can you imagine doing a movie and you are insured,

2672
02:10:08,200 --> 02:10:10,240
Speaker 5: You're putting up millions of dollars for your own insurance

2673
02:10:10,600 --> 02:10:13,560
Speaker 5: because you want to do all the stunts because the movie.

2674
02:10:13,440 --> 02:10:15,440
Speaker 2: Is not going to do that for you. So that's

2675
02:10:15,480 --> 02:10:16,880
Speaker 2: how I'm just saying. That's how much he.

2676
02:10:17,000 --> 02:10:20,560
Speaker 4: Believes you do a They say to you, Luda, if

2677
02:10:20,600 --> 02:10:21,600
Speaker 4: you want to do your own stunts.

2678
02:10:21,960 --> 02:10:23,240
Speaker 2: They don't even ask us if you want to do

2679
02:10:24,040 --> 02:10:27,560
Speaker 2: Tom Cruise goes the extra mile I'm talking about. I'm saying,

2680
02:10:27,680 --> 02:10:28,680
Speaker 2: they never gave you the option.

2681
02:10:29,000 --> 02:10:33,240
Speaker 4: Absolutely not, don't. I haven't got to that level yet.

2682
02:10:33,680 --> 02:10:36,680
Speaker 4: That's you wouldn't go there. You wouldn't go there.

2683
02:10:37,000 --> 02:10:38,840
Speaker 5: Did you just see me at the fucking Georgia Dome

2684
02:10:39,000 --> 02:10:41,520
Speaker 5: with the falcons? I just repelled from the goddamn ceilings.

2685
02:10:41,920 --> 02:10:44,600
Speaker 2: I want to do this? You want to do to ship? Hell?

2686
02:10:44,720 --> 02:10:47,160
Speaker 2: You know you trying to kill himself.

2687
02:10:47,160 --> 02:10:49,200
Speaker 5: I'm gonna take the money, the money I get from

2688
02:10:49,240 --> 02:10:51,840
Speaker 5: drink Champs and insure myself on the next goddamn we.

2689
02:10:51,880 --> 02:10:58,600
Speaker 2: Got no money. What are you talking about to come in?

2690
02:10:59,600 --> 02:11:02,280
Speaker 2: We wanted to get up. They didn't tell y'all they

2691
02:11:02,360 --> 02:11:05,560
Speaker 2: was paying me for this. Yeah, shock you for sure?

2692
02:11:06,120 --> 02:11:09,280
Speaker 2: That's being shot the old ship from back in the day. Bro,

2693
02:11:09,400 --> 02:11:09,840
Speaker 2: How you'm not.

2694
02:11:09,880 --> 02:11:14,160
Speaker 5: Gonna tell that's fucked up? I hope that it don't

2695
02:11:14,160 --> 02:11:14,920
Speaker 5: come out of y'all check.

2696
02:11:17,480 --> 02:11:22,400
Speaker 2: You know. It's funny because I saw him.

2697
02:11:22,320 --> 02:11:25,080
Speaker 5: Like a year ago. He was with Kanye. We was

2698
02:11:25,120 --> 02:11:28,240
Speaker 5: that made my bone big money, and the nigga was like,

2699
02:11:28,280 --> 02:11:29,920
Speaker 5: we got to get your on drink champs. I was like, man,

2700
02:11:29,920 --> 02:11:31,200
Speaker 5: I'm trying to you know, I'm gonna come up and

2701
02:11:31,200 --> 02:11:33,800
Speaker 5: when I got some ship to promote. The only reason

2702
02:11:33,880 --> 02:11:36,240
Speaker 5: I have not been here is you said you wanted

2703
02:11:36,280 --> 02:11:38,800
Speaker 5: me at the beginning because I needed I needed to check.

2704
02:11:40,320 --> 02:11:42,600
Speaker 5: And so the only reason I came here today is

2705
02:11:42,640 --> 02:11:44,680
Speaker 5: they finally told me that I could get the check

2706
02:11:44,720 --> 02:11:46,360
Speaker 5: that I've been looking for for eight years.

2707
02:11:48,440 --> 02:11:57,440
Speaker 2: That's true, he just paid it. Something moved some birds.

2708
02:11:58,120 --> 02:12:01,240
Speaker 2: Just look it up because every artist that comes out here,

2709
02:12:01,520 --> 02:12:09,200
Speaker 2: hey man, all that money on alcohol, guys, really, where's

2710
02:12:09,240 --> 02:12:10,840
Speaker 2: the check? Yeah? There is.

2711
02:12:12,400 --> 02:12:15,400
Speaker 5: I'm joking because motheruckers, I think I'm serious. I'm definitely joking, right,

2712
02:12:15,720 --> 02:12:16,840
Speaker 5: But I don't want to suck up.

2713
02:12:16,760 --> 02:12:22,880
Speaker 4: The whole your flowers though, bro, because like I said,

2714
02:12:23,000 --> 02:12:26,280
Speaker 4: like you're one of those guys that could could navigate

2715
02:12:26,760 --> 02:12:32,360
Speaker 4: through any genre. Meaning if Tyler and had a show tomorrow,

2716
02:12:32,600 --> 02:12:36,640
Speaker 4: you go in easy. If not, I had a show tomorrow.

2717
02:12:38,160 --> 02:12:44,200
Speaker 2: If jay Z had a drink, cham said easy easy,

2718
02:12:44,800 --> 02:12:47,440
Speaker 2: If my face had I got it easy. If for real,

2719
02:12:47,520 --> 02:12:51,680
Speaker 2: look Kanye, if y J and your guys, you're probably

2720
02:12:51,760 --> 02:12:59,080
Speaker 2: one of the only artists. Yeah that was like if

2721
02:12:59,200 --> 02:13:01,080
Speaker 2: n w A or Wu Tang out of show, I'll

2722
02:13:01,080 --> 02:13:02,160
Speaker 2: show up to either one of these.

2723
02:13:07,160 --> 02:13:12,880
Speaker 4: Chi Chill Chip Chill Red can certain night I show up,

2724
02:13:13,040 --> 02:13:14,680
Speaker 4: lutle can fucking go on?

2725
02:13:14,920 --> 02:13:20,440
Speaker 2: I show up? What's your fantasy? Man? Right with sexy Red.

2726
02:13:22,760 --> 02:13:24,160
Speaker 2: She's coming out with a red dog.

2727
02:13:24,720 --> 02:13:27,680
Speaker 4: And see right behind you like it's fucking bro for real,

2728
02:13:28,320 --> 02:13:30,880
Speaker 4: Like you can fit in every fucking jump.

2729
02:13:31,000 --> 02:13:31,440
Speaker 2: Thank you, bro.

2730
02:13:31,640 --> 02:13:36,560
Speaker 5: Cheers to that ship man, the one not your phone

2731
02:13:36,640 --> 02:13:37,480
Speaker 5: motherfucking your drink.

2732
02:13:37,520 --> 02:13:40,960
Speaker 2: Come on, man, it's not what I'm saying. Hold on,

2733
02:13:41,040 --> 02:13:47,400
Speaker 2: I'm drinking right. I'm double fishing, man, don't double fist.

2734
02:13:47,440 --> 02:13:47,560
Speaker 6: Bro.

2735
02:13:48,520 --> 02:13:52,200
Speaker 2: It runs nights going on. Too much going on right now,

2736
02:13:54,080 --> 02:13:55,840
Speaker 2: me and little battling. This is Vergo ship.

2737
02:13:56,840 --> 02:13:58,600
Speaker 5: Yeah, Bro, I gotta ask you how this ship. So

2738
02:13:59,440 --> 02:14:01,440
Speaker 5: we've been here and I'm I'm loving the ship and

2739
02:14:01,480 --> 02:14:04,000
Speaker 5: I want to stay. We've been here two hours when

2740
02:14:04,040 --> 02:14:05,760
Speaker 5: I when I looked most of the ships is like

2741
02:14:05,840 --> 02:14:11,080
Speaker 5: an hour whole don't drink ships.

2742
02:14:10,760 --> 02:14:14,200
Speaker 2: Are three hours? Oh like idiots? Oh this is great.

2743
02:14:14,240 --> 02:14:17,800
Speaker 2: I keep going. But you know what was your question though?

2744
02:14:18,120 --> 02:14:20,800
Speaker 5: No, I thought about the average time frame of all

2745
02:14:20,960 --> 02:14:24,280
Speaker 5: drink Champs interviews around keep it up.

2746
02:14:24,560 --> 02:14:27,960
Speaker 6: The TV version it's forty five minutes with commercials, but

2747
02:14:28,120 --> 02:14:30,200
Speaker 6: the real version is three plus.

2748
02:14:30,680 --> 02:14:33,120
Speaker 2: Got you okay, because I'm cool for a minute, But

2749
02:14:33,200 --> 02:14:35,320
Speaker 2: I do have to go to No. No, we don't

2750
02:14:35,360 --> 02:14:40,240
Speaker 2: expect yeah shot. Oh no, we ain't missing it. We

2751
02:14:40,240 --> 02:14:43,400
Speaker 2: ain't missing we gotta we got to perform coming to

2752
02:14:43,440 --> 02:14:45,600
Speaker 2: see you before. I'm coming to before. Now it's a

2753
02:14:45,640 --> 02:14:48,600
Speaker 2: part of jingle jam or some ship. Yeah.

2754
02:14:48,640 --> 02:14:50,560
Speaker 5: So it's like it's a bunch of artists, but that

2755
02:14:50,600 --> 02:14:51,840
Speaker 5: ship is in Fort Los.

2756
02:14:53,240 --> 02:14:54,840
Speaker 2: Nigga, I don't need a shot. I've been drinking my

2757
02:14:54,920 --> 02:15:00,600
Speaker 2: giant Yeah, I'm all the way. Good, come in, listen.

2758
02:15:00,680 --> 02:15:03,200
Speaker 2: We've been blessed to have Luther prisident. I appreciate it.

2759
02:15:03,240 --> 02:15:05,560
Speaker 4: I mean, you're about slashing on water falls already.

2760
02:15:05,640 --> 02:15:08,000
Speaker 2: I love it. I love it. Pipping holes all over

2761
02:15:08,080 --> 02:15:10,800
Speaker 2: the world, pipping all over the world. It was never

2762
02:15:10,880 --> 02:15:12,160
Speaker 2: pipping holes all over there.

2763
02:15:13,080 --> 02:15:15,640
Speaker 5: I did have a song called ho, but pimping all

2764
02:15:15,680 --> 02:15:17,800
Speaker 5: over the world, pipping all over the world. Yeah, shout

2765
02:15:17,800 --> 02:15:19,640
Speaker 5: out to Polo to Don on that one, and Carrie

2766
02:15:19,720 --> 02:15:20,800
Speaker 5: Hilson wrote that hook.

2767
02:15:21,080 --> 02:15:23,080
Speaker 2: When you hear a singing, I feel like Polo's down,

2768
02:15:23,200 --> 02:15:25,000
Speaker 2: had his braids on to the bit he did have

2769
02:15:25,080 --> 02:15:25,560
Speaker 2: his brads.

2770
02:15:26,840 --> 02:15:29,960
Speaker 5: Hey love Polo to Don Man. That was one of

2771
02:15:30,000 --> 02:15:32,800
Speaker 5: those records that he sent to me, and I was like,

2772
02:15:32,960 --> 02:15:35,000
Speaker 5: I already knew what it was. And by the way,

2773
02:15:35,680 --> 02:15:38,240
Speaker 5: since we're giving people their flowers, Man, Polo and his

2774
02:15:38,400 --> 02:15:43,440
Speaker 5: sonics and his production of what he's contributed to the game, go.

2775
02:15:43,560 --> 02:15:46,520
Speaker 2: Back and listen to his catalog. His sonics are out

2776
02:15:46,520 --> 02:15:47,920
Speaker 2: of this world. Need to give him.

2777
02:15:48,240 --> 02:15:50,840
Speaker 5: I remember Timbling, you know, leaning on him and kind

2778
02:15:50,880 --> 02:15:53,640
Speaker 5: of giving him some some advice. And those are two

2779
02:15:53,680 --> 02:15:55,560
Speaker 5: people that I respect when it comes to sonics in

2780
02:15:55,600 --> 02:15:56,840
Speaker 5: the game, Doctor.

2781
02:15:56,600 --> 02:16:00,880
Speaker 2: J Timbling, Polo, Wow, yep. Have you worked with Dre?

2782
02:16:01,680 --> 02:16:03,320
Speaker 5: I haven't that If that's what's gonna be one of

2783
02:16:03,360 --> 02:16:05,280
Speaker 5: the questions of who I haven't worked with Doctor Dre.

2784
02:16:05,920 --> 02:16:08,280
Speaker 5: When listening when we when we was on the watch set,

2785
02:16:09,000 --> 02:16:11,200
Speaker 5: he had like a kind of a studio off to

2786
02:16:11,280 --> 02:16:12,920
Speaker 5: the side, and I went and listened to a bunch

2787
02:16:12,960 --> 02:16:15,000
Speaker 5: of beasts, but we never were able to bring anything

2788
02:16:15,080 --> 02:16:15,560
Speaker 5: to fruition.

2789
02:16:16,240 --> 02:16:16,880
Speaker 2: But you know he was.

2790
02:16:17,000 --> 02:16:19,280
Speaker 5: He was multitasking, so he was doing two things at

2791
02:16:19,280 --> 02:16:22,360
Speaker 5: the same time. Man, it ain't too late. We can

2792
02:16:22,400 --> 02:16:24,000
Speaker 5: still make it out. No, it's never too late.

2793
02:16:25,040 --> 02:16:29,200
Speaker 2: I agree. Let's make it happen. Let's make me listening. Absolutely.

2794
02:16:30,200 --> 02:16:32,880
Speaker 4: Okay, Now this is the next question. It is the

2795
02:16:33,040 --> 02:16:34,080
Speaker 4: stumped joint.

2796
02:16:34,959 --> 02:16:39,039
Speaker 2: Young buck, young bunk? Your buck? Can your bunk?

2797
02:16:39,680 --> 02:16:43,360
Speaker 4: We kind of went, we kind of already with yeah,

2798
02:16:43,400 --> 02:16:44,720
Speaker 4: you kind kind of get out there.

2799
02:16:44,840 --> 02:16:49,560
Speaker 5: Let's go on Saturday. Then yep, Today's Saturdayday. Today's Friday. Nigga,

2800
02:16:49,600 --> 02:16:51,240
Speaker 5: you've been drinking way too much.

2801
02:16:51,160 --> 02:17:06,840
Speaker 2: Bro, today, I like that stick. That's how busy you

2802
02:17:07,480 --> 02:17:13,720
Speaker 2: gotta sit. That's how busy I am. You're right.

2803
02:17:14,600 --> 02:17:19,400
Speaker 5: Saturday Organized Noise did that ship again, so organized noise.

2804
02:17:19,480 --> 02:17:19,680
Speaker 10: Man.

2805
02:17:20,160 --> 02:17:22,240
Speaker 5: They also did Blueberry Yum Yum, which is one of

2806
02:17:22,280 --> 02:17:23,119
Speaker 5: my favorite records.

2807
02:17:23,120 --> 02:17:28,480
Speaker 2: But Saturday was on Word of Mouth album. Yo.

2808
02:17:28,600 --> 02:17:30,560
Speaker 5: You know you're blessed and you don't remember what song

2809
02:17:30,680 --> 02:17:32,480
Speaker 5: is on what album because you got that album.

2810
02:17:32,760 --> 02:17:33,160
Speaker 2: I love.

2811
02:17:36,760 --> 02:17:37,440
Speaker 4: No it was.

2812
02:17:37,840 --> 02:17:40,360
Speaker 5: That was one of those records that it's just stood

2813
02:17:40,400 --> 02:17:42,680
Speaker 5: the test of time and again in terms of trying

2814
02:17:42,720 --> 02:17:45,040
Speaker 5: to do something totally different than what was going on

2815
02:17:45,160 --> 02:17:47,640
Speaker 5: in the industry with the cadences of the verses and

2816
02:17:47,800 --> 02:17:49,440
Speaker 5: just trying to be different.

2817
02:17:49,600 --> 02:17:51,000
Speaker 2: That was one of those things where I set out

2818
02:17:51,040 --> 02:17:51,360
Speaker 2: to do that.

2819
02:17:52,320 --> 02:17:54,200
Speaker 5: And when you're coming out with your second album and

2820
02:17:54,240 --> 02:17:56,080
Speaker 5: the first one is successful, you know that you can

2821
02:17:56,120 --> 02:17:58,440
Speaker 5: take some risks and take some chances. And that's exactly

2822
02:17:58,480 --> 02:18:01,879
Speaker 5: what we did. So that what happened my class field.

2823
02:18:01,920 --> 02:18:03,920
Speaker 5: I believe produced or directed that video.

2824
02:18:04,840 --> 02:18:05,400
Speaker 2: I ain't gonna lie.

2825
02:18:05,440 --> 02:18:08,840
Speaker 4: Your memory is very goodly stops holding no marijuana.

2826
02:18:09,120 --> 02:18:10,920
Speaker 2: Yeah, oh yeah, no, I do all that.

2827
02:18:11,080 --> 02:18:15,360
Speaker 4: Okay, I did it. Who are the top five? Okay,

2828
02:18:15,400 --> 02:18:17,200
Speaker 4: I'm not gonna put five on it. We're the top

2829
02:18:17,320 --> 02:18:20,960
Speaker 4: mcs that influenced you. We talked about that when I

2830
02:18:21,000 --> 02:18:22,520
Speaker 4: said red and comment and but.

2831
02:18:22,560 --> 02:18:24,320
Speaker 2: I want you to go deeper. I know there's more

2832
02:18:24,400 --> 02:18:24,560
Speaker 2: than that.

2833
02:18:27,320 --> 02:18:30,320
Speaker 5: Okay, So I said ll cool J because if it

2834
02:18:30,400 --> 02:18:31,920
Speaker 5: wasn't for him coming out what I'm Bad, I was

2835
02:18:32,000 --> 02:18:34,879
Speaker 5: in the fourth grade. I did a talent showcase where

2836
02:18:34,920 --> 02:18:38,720
Speaker 5: I did that record, and I knew every word that

2837
02:18:38,920 --> 02:18:39,640
Speaker 5: that entire time.

2838
02:18:39,720 --> 02:18:40,199
Speaker 2: I'm bad.

2839
02:18:40,360 --> 02:18:43,960
Speaker 5: No rapper can rap quite like I can tell man

2840
02:18:44,160 --> 02:18:47,119
Speaker 5: to you, Pinnacle when I say that, he's the one

2841
02:18:47,160 --> 02:18:50,400
Speaker 5: who made me want to pursue this as a fucking

2842
02:18:50,520 --> 02:18:51,920
Speaker 5: career right to rap.

2843
02:18:52,240 --> 02:18:54,320
Speaker 2: And every time I see him myself, I saw yourself

2844
02:18:54,360 --> 02:18:56,360
Speaker 2: and him in a sense.

2845
02:18:57,000 --> 02:18:58,560
Speaker 5: You can say, yeah, I mean, you can say that,

2846
02:18:58,720 --> 02:19:00,400
Speaker 5: or you can say, you know when it once he

2847
02:19:00,480 --> 02:19:03,120
Speaker 5: saw me, he saw himself and me. It could be

2848
02:19:03,160 --> 02:19:05,240
Speaker 5: either way. But I guess what I'm saying is that

2849
02:19:05,360 --> 02:19:08,200
Speaker 5: he inspired me to want to to rap.

2850
02:19:08,400 --> 02:19:09,360
Speaker 2: Right, take a peep.

2851
02:19:10,600 --> 02:19:13,000
Speaker 5: That's all good. So I would say ll cool J

2852
02:19:14,480 --> 02:19:16,520
Speaker 5: just because he inspired me to want to rap. I said,

2853
02:19:16,680 --> 02:19:21,840
Speaker 5: I think Scarface he talked about that face being the

2854
02:19:21,920 --> 02:19:26,000
Speaker 5: phenomenal storyteller that he is talking about lyricism. His sonics

2855
02:19:26,040 --> 02:19:28,800
Speaker 5: were amazing as well and honorable mention to Mike Dean.

2856
02:19:28,840 --> 02:19:30,360
Speaker 5: And I know that was a part of that process.

2857
02:19:31,720 --> 02:19:35,680
Speaker 5: You discovered Face through Ghetto boys, assuming I was seeing

2858
02:19:35,680 --> 02:19:38,560
Speaker 5: ghetto boys. Yeah, I believe so ghetto boys first, because

2859
02:19:38,560 --> 02:19:40,160
Speaker 5: he was he was a lot of people don't know

2860
02:19:40,200 --> 02:19:42,520
Speaker 5: Scarface was a DJ before he was in the Ghetto Boys,

2861
02:19:42,680 --> 02:19:44,800
Speaker 5: and you knew him at that point. I didn't know

2862
02:19:44,879 --> 02:19:47,119
Speaker 5: him at I'm saying you knew about him. I knew

2863
02:19:47,120 --> 02:19:50,440
Speaker 5: about him. Yeah, before Ghetto Boys, I heard about that.

2864
02:19:51,320 --> 02:19:54,039
Speaker 5: I was engulfed in hip hop culture, everything that had

2865
02:19:54,120 --> 02:19:55,320
Speaker 5: anything to do with hip hop.

2866
02:19:55,400 --> 02:19:57,800
Speaker 2: I'm all about it. I'm researching it. I mean before that,

2867
02:19:58,400 --> 02:20:01,240
Speaker 2: you must have been like really deepen in the South.

2868
02:20:01,280 --> 02:20:04,440
Speaker 2: Though the South is well connected, man. I mean, I

2869
02:20:04,480 --> 02:20:06,040
Speaker 2: feel like I know ship, but I didn't know that

2870
02:20:06,200 --> 02:20:06,600
Speaker 2: part of it.

2871
02:20:08,120 --> 02:20:10,400
Speaker 5: So basically I would say scar Face, I would say LL.

2872
02:20:11,040 --> 02:20:14,440
Speaker 5: I said Common, Right, I feel like Common is underrated, man.

2873
02:20:14,520 --> 02:20:17,680
Speaker 2: That coming since that first album no Id, Yeah.

2874
02:20:18,200 --> 02:20:23,600
Speaker 5: Resurrection, Resurrection yep, red Man. I said that first love

2875
02:20:23,879 --> 02:20:26,080
Speaker 5: albums off the chain yep. And if I had the

2876
02:20:26,200 --> 02:20:28,240
Speaker 5: name a fifth one, it would be Outcast. If you

2877
02:20:28,320 --> 02:20:31,800
Speaker 5: can put those two together, Okay, that's one, you know,

2878
02:20:32,200 --> 02:20:34,519
Speaker 5: so you feel that creates ludicrous.

2879
02:20:36,040 --> 02:20:37,200
Speaker 2: There's a I was.

2880
02:20:37,560 --> 02:20:39,400
Speaker 5: I loved all of hip hop, but you asked off

2881
02:20:39,440 --> 02:20:41,119
Speaker 5: the top of my head, you asked me to name five.

2882
02:20:41,200 --> 02:20:44,320
Speaker 5: Those are the first five that I could name that

2883
02:20:44,480 --> 02:20:45,040
Speaker 5: helped shape me.

2884
02:20:45,400 --> 02:20:46,600
Speaker 2: Okay, yep.

2885
02:20:47,760 --> 02:20:49,440
Speaker 5: But then you got, you know, being in Atlanta, like

2886
02:20:49,520 --> 02:20:51,840
Speaker 5: the Kilo Ali's and the shy Ds and just the

2887
02:20:51,959 --> 02:20:55,080
Speaker 5: base heavy and us loving the ride around Gucci Crew.

2888
02:20:55,320 --> 02:20:58,120
Speaker 6: Bridgie from Atlanta or the Miami ghost Town detis. I

2889
02:20:58,120 --> 02:21:00,920
Speaker 6: always always represent Gucci Cris Miami, but I feel.

2890
02:21:00,720 --> 02:21:05,960
Speaker 5: Like ghost We had ghost Town DJs and DJ right, yeah,

2891
02:21:06,200 --> 02:21:09,760
Speaker 5: DJ DJ Smurt for ghost Town DJs that like set

2892
02:21:09,800 --> 02:21:11,800
Speaker 5: the tone, and you had ke Ali and you had

2893
02:21:12,240 --> 02:21:14,960
Speaker 5: all these bass artists and that's what Yeah, well we

2894
02:21:15,040 --> 02:21:18,640
Speaker 5: had that synergy with Miami and in Atlanta with the debate, right,

2895
02:21:18,879 --> 02:21:21,160
Speaker 5: and that's what helped shape the kind of tone of

2896
02:21:21,360 --> 02:21:22,480
Speaker 5: Atlanta music as well.

2897
02:21:23,120 --> 02:21:27,440
Speaker 2: So yeah, I would say that blow it out. You

2898
02:21:27,480 --> 02:21:36,119
Speaker 2: at he how we just paused, It's fantastic, it's the best.

2899
02:21:37,640 --> 02:21:39,800
Speaker 5: And I was dope because that was Chicken and Beer album.

2900
02:21:39,840 --> 02:21:43,360
Speaker 5: That was my third album, and I think my first

2901
02:21:43,480 --> 02:21:47,000
Speaker 5: week sales was the highest first week sales of my.

2902
02:21:47,240 --> 02:21:50,920
Speaker 2: Entire career on that album. And I remember he was

2903
02:21:50,920 --> 02:21:53,680
Speaker 2: getting eighty thousand verse back then. Let's make some noise

2904
02:21:53,720 --> 02:21:56,960
Speaker 2: of that. He said. What she said? He said more

2905
02:21:57,000 --> 02:21:59,400
Speaker 2: than that? Look look look at him. He said it

2906
02:21:59,520 --> 02:22:02,240
Speaker 2: was boring. Hold on getting bigger than that?

2907
02:22:02,600 --> 02:22:02,840
Speaker 7: Best?

2908
02:22:03,200 --> 02:22:07,160
Speaker 5: When did glamorous come out? What are don't worry about

2909
02:22:07,160 --> 02:22:07,440
Speaker 5: that's a lot.

2910
02:22:07,440 --> 02:22:09,879
Speaker 2: I don't worry. We got googlers. That's fine. But yeah,

2911
02:22:09,920 --> 02:22:12,920
Speaker 2: probably they paid the Google. Yeah, no, I don't know.

2912
02:22:13,040 --> 02:22:14,960
Speaker 5: I don't know what a year, but I was gonna say,

2913
02:22:16,000 --> 02:22:18,400
Speaker 5: what comes to mind with that particular song was us

2914
02:22:18,400 --> 02:22:20,600
Speaker 5: shooting this video, and you know how sometimes you would

2915
02:22:20,640 --> 02:22:23,320
Speaker 5: shoot two songs in one video. We had this Southern

2916
02:22:23,400 --> 02:22:27,920
Speaker 5: Hospitality intro to that album and I still use that

2917
02:22:28,080 --> 02:22:30,280
Speaker 5: intro to this day because they had an Isaac Hayes

2918
02:22:30,320 --> 02:22:33,640
Speaker 5: sample in it, and it was most amazing fucking intro ever.

2919
02:22:33,840 --> 02:22:38,000
Speaker 5: DJ Nasty from Ortlanta did that's called shout out the Nasty.

2920
02:22:38,000 --> 02:22:40,360
Speaker 5: It's called Southern Fried intro. So we did that and

2921
02:22:40,440 --> 02:22:42,880
Speaker 5: blow it out your ass all in one video. The

2922
02:22:43,000 --> 02:22:45,040
Speaker 5: whole crew is in there, you know what I mean,

2923
02:22:45,200 --> 02:22:48,720
Speaker 5: shawna shingy titty boy. This was when we had fifteen

2924
02:22:48,840 --> 02:22:51,119
Speaker 5: fucking artists, so everybody is in this video.

2925
02:22:51,959 --> 02:22:52,160
Speaker 2: Yeah.

2926
02:22:52,440 --> 02:22:55,920
Speaker 5: So it was amazing because that was just a moment

2927
02:22:55,959 --> 02:22:58,360
Speaker 5: in time where I was like, I was after word

2928
02:22:58,440 --> 02:23:00,920
Speaker 5: of Mouth did three point five million, and I'm going

2929
02:23:01,000 --> 02:23:03,200
Speaker 5: to the next album. So once a nigga crossed over

2930
02:23:03,280 --> 02:23:05,560
Speaker 5: that whole sophomore jink shit, it's just like, okay, Nigga,

2931
02:23:05,560 --> 02:23:08,120
Speaker 5: I'm here. Fuck y'all can't say shit else about me.

2932
02:23:08,200 --> 02:23:09,480
Speaker 5: Now I'm about to take this shit to a whole

2933
02:23:09,520 --> 02:23:12,000
Speaker 5: other level. So that timeframe was it was a beautiful

2934
02:23:12,040 --> 02:23:14,240
Speaker 5: time frame. It was a beautiful time frame. And I

2935
02:23:14,320 --> 02:23:18,200
Speaker 5: remember jay Z I believe what because I did, I

2936
02:23:18,280 --> 02:23:20,760
Speaker 5: want to say, like three hundred almost four hundred thousand

2937
02:23:20,879 --> 02:23:21,959
Speaker 5: records the first week.

2938
02:23:22,560 --> 02:23:29,640
Speaker 2: He always that's crazy.

2939
02:23:29,800 --> 02:23:31,400
Speaker 5: Now you always fuck with me like that was my

2940
02:23:31,480 --> 02:23:33,320
Speaker 5: guy because we was at the same label. We'll see

2941
02:23:33,360 --> 02:23:34,560
Speaker 5: each other a lot, and he would give me a

2942
02:23:34,600 --> 02:23:36,720
Speaker 5: lot of game. But after that first week, he came

2943
02:23:36,800 --> 02:23:37,360
Speaker 5: to me, he was.

2944
02:23:37,400 --> 02:23:41,640
Speaker 2: Like, Nigga, there you go. It's official. It's official.

2945
02:23:41,720 --> 02:23:44,680
Speaker 5: Now you know that motherfuckers the first week King, Yes,

2946
02:23:44,800 --> 02:23:47,400
Speaker 5: if you think about the history, that motherfucker's so like

2947
02:23:47,440 --> 02:23:49,720
Speaker 5: half a million first week, like three or four times

2948
02:23:50,400 --> 02:23:52,120
Speaker 5: if my mind serves me correct.

2949
02:23:52,400 --> 02:23:54,160
Speaker 2: So when I got close to that on his ass,

2950
02:23:54,440 --> 02:23:57,400
Speaker 2: he was like, yeah, man, this ship is official.

2951
02:23:58,520 --> 02:24:01,520
Speaker 4: So let me ask you again. Them bounced around you

2952
02:24:01,640 --> 02:24:03,280
Speaker 4: sign Chingy right, yep.

2953
02:24:03,840 --> 02:24:05,840
Speaker 5: I don't know mention the Shaka. Shaka was really the

2954
02:24:05,879 --> 02:24:11,400
Speaker 5: one that spearheaded that entire Chingy movement and situation. He

2955
02:24:11,760 --> 02:24:13,880
Speaker 5: kind of I went to an R but he was

2956
02:24:13,920 --> 02:24:16,440
Speaker 5: the one that noticed it and picked it up and

2957
02:24:16,520 --> 02:24:19,240
Speaker 5: brought it to brought it to the team. I don't

2958
02:24:19,280 --> 02:24:20,560
Speaker 5: want to take credit for that, basically.

2959
02:24:20,720 --> 02:24:21,560
Speaker 2: Okay, So.

2960
02:24:24,040 --> 02:24:31,080
Speaker 4: Basically Atlanta's a region that's hot. But we know this

2961
02:24:31,280 --> 02:24:35,000
Speaker 4: other artist here, Sat Louis is like kind of almost undiscovered.

2962
02:24:35,879 --> 02:24:37,360
Speaker 2: We got Nelly, and I wouldn't say that.

2963
02:24:37,520 --> 02:24:39,200
Speaker 5: I don't want to say undiscovered because you had you

2964
02:24:39,280 --> 02:24:41,400
Speaker 5: had Nelly and he had his team there and this

2965
02:24:41,600 --> 02:24:42,440
Speaker 5: was years before.

2966
02:24:42,720 --> 02:24:45,000
Speaker 4: Okay, yeah, but Nelly and his team is kind of

2967
02:24:45,080 --> 02:24:47,360
Speaker 4: like in that same category, right right.

2968
02:24:47,400 --> 02:24:49,600
Speaker 5: But I'm just saying I wouldn't use the word undiscovered

2969
02:24:49,600 --> 02:24:53,680
Speaker 5: because Saint Louis, from what from my perspective, in terms

2970
02:24:53,720 --> 02:24:57,040
Speaker 5: of rapping, in terms of that category, Nelly really, you know,

2971
02:24:57,360 --> 02:24:58,600
Speaker 5: capsulted it to a whole level.

2972
02:24:58,760 --> 02:25:02,360
Speaker 2: Yeah, absolutely, no, I agree with you. What made you

2973
02:25:02,560 --> 02:25:05,800
Speaker 2: sign a Chingy? Was it because of Nelly's success?

2974
02:25:06,480 --> 02:25:11,879
Speaker 5: So Chingy had the song right there, so you put

2975
02:25:11,879 --> 02:25:14,800
Speaker 5: it out independently. And that's why I'm saying Shaka flag

2976
02:25:14,920 --> 02:25:17,000
Speaker 5: that he noticed it and he was the one that

2977
02:25:17,080 --> 02:25:17,800
Speaker 5: brought it to the team.

2978
02:25:17,840 --> 02:25:18,800
Speaker 2: I can't take credit for this.

2979
02:25:18,840 --> 02:25:24,240
Speaker 5: I gotta give Shocka all the credit, right, Well, I

2980
02:25:24,440 --> 02:25:27,560
Speaker 5: never heard it, but you know, as a as a

2981
02:25:27,640 --> 02:25:32,080
Speaker 5: person who understands music and understands creative you know when

2982
02:25:32,160 --> 02:25:34,680
Speaker 5: something is popping, and if you're the first person before

2983
02:25:34,720 --> 02:25:36,960
Speaker 5: everybody else gets to it, and you go sit with

2984
02:25:37,040 --> 02:25:38,800
Speaker 5: that artist and you know, you tell them you believe

2985
02:25:38,800 --> 02:25:41,080
Speaker 5: in them, then that's what is the magic that can

2986
02:25:41,200 --> 02:25:45,440
Speaker 5: help you even further propel them to superstar status. When

2987
02:25:45,480 --> 02:25:47,440
Speaker 5: that song was out, we knew it was good and

2988
02:25:47,560 --> 02:25:49,039
Speaker 5: we just wanted to help try to fault it.

2989
02:25:49,040 --> 02:25:51,200
Speaker 4: To a whole other level. I apologize. So he came

2990
02:25:51,240 --> 02:25:52,600
Speaker 4: to you and he played you that record.

2991
02:25:52,879 --> 02:25:54,039
Speaker 2: How did this happen? He played?

2992
02:25:54,080 --> 02:25:55,760
Speaker 5: He played me the record, And I'm gonna be honest

2993
02:25:55,760 --> 02:25:58,440
Speaker 5: with y'all. When I first heard it, I didn't understand it.

2994
02:25:59,080 --> 02:26:01,680
Speaker 2: You know, yeah, it was right there. I'm sorry, I'm

2995
02:26:01,680 --> 02:26:02,720
Speaker 2: doing a dance. I'm sorry.

2996
02:26:02,800 --> 02:26:05,440
Speaker 4: Yeah, you're not really, you're not really doing to dance.

2997
02:26:05,640 --> 02:26:07,520
Speaker 4: I'm you almost had it.

2998
02:26:07,800 --> 02:26:09,560
Speaker 2: Yeah, I'm fucking it up, lutle.

2999
02:26:10,320 --> 02:26:13,080
Speaker 5: When he brought it to me, it was I heard it,

3000
02:26:13,200 --> 02:26:16,920
Speaker 5: and it's like I didn't fully understand it, but it didn't.

3001
02:26:17,000 --> 02:26:19,800
Speaker 5: It didn't when he believed in it so much. Man,

3002
02:26:20,320 --> 02:26:22,120
Speaker 5: you believe in it, there's much Let's roll with it.

3003
02:26:22,680 --> 02:26:25,480
Speaker 5: And the rest, As I keep saying, the rest is

3004
02:26:25,560 --> 02:26:29,199
Speaker 5: fucking history. When you believe in your brothers twenty four years,

3005
02:26:29,280 --> 02:26:32,360
Speaker 5: no contract, where you believe in your brothers, shit happens.

3006
02:26:32,800 --> 02:26:34,680
Speaker 2: God, good, shit happens. God damn.

3007
02:26:36,280 --> 02:26:39,800
Speaker 4: That was beautiful. Okay, damn damn, Rod still good on?

3008
02:26:40,640 --> 02:26:44,560
Speaker 4: Just to say it out loud, do you still have

3009
02:26:44,959 --> 02:26:46,240
Speaker 4: your three dollar.

3010
02:26:48,200 --> 02:26:48,600
Speaker 6: What is it?

3011
02:26:48,920 --> 02:26:49,520
Speaker 2: Ninety three?

3012
02:26:50,160 --> 02:26:53,640
Speaker 4: I can legend nineteen ninety What makes it so special

3013
02:26:53,680 --> 02:26:53,840
Speaker 4: to you?

3014
02:26:56,200 --> 02:26:57,680
Speaker 2: Do you need to say that the right way? Before

3015
02:26:57,680 --> 02:27:00,520
Speaker 2: I entered, everybody knew I can't read.

3016
02:27:00,959 --> 02:27:05,520
Speaker 5: Let's go, Yeah, my nineteen ninety three accurate legend. I

3017
02:27:05,680 --> 02:27:09,080
Speaker 5: absolutely still have that ship. And here's a great story

3018
02:27:09,120 --> 02:27:12,959
Speaker 5: about that. Well, first, let me answer what you said.

3019
02:27:13,520 --> 02:27:14,520
Speaker 5: What makes it so spaid?

3020
02:27:15,760 --> 02:27:17,000
Speaker 2: God bless you got that?

3021
02:27:17,360 --> 02:27:21,879
Speaker 5: That's COVID. What makes it so special to me? I'll

3022
02:27:21,879 --> 02:27:23,880
Speaker 5: give you a quick story about what makes it so special.

3023
02:27:24,560 --> 02:27:27,040
Speaker 5: I have had this car from from the beginning of time,

3024
02:27:27,160 --> 02:27:30,120
Speaker 5: before I became commercially successful, before I signed my.

3025
02:27:30,160 --> 02:27:30,880
Speaker 2: Def jam deal.

3026
02:27:32,560 --> 02:27:34,880
Speaker 5: That was the tour bus, and it was the accurate legend,

3027
02:27:35,360 --> 02:27:38,440
Speaker 5: riding the fucking Augusta everywhere in Georgia doing all these

3028
02:27:39,080 --> 02:27:42,480
Speaker 5: you know shows with like twenty motherfucking people showing up

3029
02:27:42,520 --> 02:27:45,080
Speaker 5: on the Chitlin Circuit because I had this independent album out.

3030
02:27:46,440 --> 02:27:48,440
Speaker 2: No I wasn't. It's just called the Chitpling Circuit. Do

3031
02:27:48,560 --> 02:27:53,400
Speaker 2: your research. I've been there, so I'm still there in

3032
02:27:53,520 --> 02:27:54,880
Speaker 2: my mind. Yeah, my bad.

3033
02:27:55,440 --> 02:27:58,120
Speaker 5: So what makes that car so specialist? I'm driving this

3034
02:27:58,200 --> 02:28:02,119
Speaker 5: car fifteen years plus one day, I'm on the goddamn

3035
02:28:02,200 --> 02:28:04,880
Speaker 5: highway and I'm driving my car. This s got over

3036
02:28:04,920 --> 02:28:08,080
Speaker 5: two hundred thousand miles on it, and so I'm driving.

3037
02:28:08,120 --> 02:28:10,039
Speaker 5: I'm in the left lane, I'm in the fast lane,

3038
02:28:10,080 --> 02:28:12,039
Speaker 5: and I see this motherfucking truck with a U haul

3039
02:28:12,160 --> 02:28:14,560
Speaker 5: hitch on it, and I'm just minding my business and

3040
02:28:14,600 --> 02:28:16,680
Speaker 5: all of a sudden, I see the hitch start to sway,

3041
02:28:17,360 --> 02:28:19,560
Speaker 5: and I'm like, in my mind, this is reaction time,

3042
02:28:19,600 --> 02:28:21,120
Speaker 5: because in a split second, this.

3043
02:28:21,240 --> 02:28:24,720
Speaker 2: Hitch came off of the fucking truck.

3044
02:28:24,920 --> 02:28:26,760
Speaker 5: And now I got to use all of my instinct

3045
02:28:26,800 --> 02:28:28,280
Speaker 5: to try and get as far away from this shit

3046
02:28:28,280 --> 02:28:31,520
Speaker 5: as possible because it's coming straight for the passenger side.

3047
02:28:31,360 --> 02:28:34,280
Speaker 2: Of my accurate legend. I tried my best to.

3048
02:28:34,280 --> 02:28:36,760
Speaker 5: Get away, but this shit battle round battle, round to

3049
02:28:36,800 --> 02:28:39,879
Speaker 5: living shit out of shit, right, So Luckily, I'm okay,

3050
02:28:39,959 --> 02:28:41,120
Speaker 5: I had the seat belt on, I.

3051
02:28:41,160 --> 02:28:43,959
Speaker 2: Could pull over to the side, but my car is total.

3052
02:28:45,280 --> 02:28:47,760
Speaker 5: So fast forward about two months later, I'm trying to

3053
02:28:47,760 --> 02:28:51,959
Speaker 5: get the shit fixed and Accurate. The company knows nothing

3054
02:28:52,040 --> 02:28:54,800
Speaker 5: about this crash, but they wanted to use Pimping all

3055
02:28:54,840 --> 02:28:57,240
Speaker 5: Over the World the song in one of their Accurate

3056
02:28:57,320 --> 02:28:58,640
Speaker 5: commercials to promote.

3057
02:28:58,320 --> 02:29:01,119
Speaker 2: A new movie. I'm sorry, No, I did you just crashed?

3058
02:29:01,240 --> 02:29:01,640
Speaker 2: I'm sorry.

3059
02:29:01,760 --> 02:29:03,520
Speaker 5: Accurate wanted to use the Pipping all Over the World

3060
02:29:03,560 --> 02:29:06,440
Speaker 5: song to promote one of their commercials. So they invite

3061
02:29:06,480 --> 02:29:08,880
Speaker 5: me out because we cleared the Pipping all Over the

3062
02:29:08,920 --> 02:29:10,920
Speaker 5: World song for their commercial, and they have an auto

3063
02:29:10,959 --> 02:29:13,160
Speaker 5: show in Detroit, and so I go to to the

3064
02:29:13,240 --> 02:29:17,280
Speaker 5: auto show and they're showing us the new for GT

3065
02:29:17,520 --> 02:29:19,760
Speaker 5: and all this other stuff. They know nothing about my crash.

3066
02:29:20,080 --> 02:29:22,320
Speaker 5: So at the end, the company goes upstairs and they're

3067
02:29:22,360 --> 02:29:24,600
Speaker 5: having a meeting, and they say, do you want to

3068
02:29:24,640 --> 02:29:26,240
Speaker 5: say something on the microphone? And I'm like, no, I

3069
02:29:26,280 --> 02:29:27,880
Speaker 5: don't know what I'm gonna say. I'm just happy to

3070
02:29:27,959 --> 02:29:30,080
Speaker 5: be here. So I go up on the mic and

3071
02:29:30,320 --> 02:29:32,119
Speaker 5: I don't have a speech prepared or nothing, and I'm

3072
02:29:32,120 --> 02:29:33,800
Speaker 5: talking to all the executives.

3073
02:29:33,280 --> 02:29:35,440
Speaker 2: And CEOs of the company Accurate.

3074
02:29:35,600 --> 02:29:38,000
Speaker 5: The only thing that came to my mind was this

3075
02:29:38,160 --> 02:29:40,680
Speaker 5: is how passionate I am about at my Accurate legend,

3076
02:29:40,720 --> 02:29:41,360
Speaker 5: and how much I love it.

3077
02:29:41,400 --> 02:29:42,440
Speaker 2: I just got an accident.

3078
02:29:43,040 --> 02:29:44,959
Speaker 5: You all hits, just a test from a fucking truck

3079
02:29:45,000 --> 02:29:47,400
Speaker 5: battle round my shit, and believe it or not, how

3080
02:29:47,480 --> 02:29:49,400
Speaker 5: much I have to pay for the damages.

3081
02:29:49,760 --> 02:29:52,640
Speaker 2: It's worth more than the actual car rig right now.

3082
02:29:53,440 --> 02:29:55,280
Speaker 5: So I just and then I came down from the

3083
02:29:55,360 --> 02:29:58,320
Speaker 5: podium and all the motherfucking top CEOs came up to

3084
02:29:58,400 --> 02:29:59,119
Speaker 5: me and said.

3085
02:29:59,440 --> 02:30:01,360
Speaker 2: We want to te take your car and redo the

3086
02:30:01,560 --> 02:30:03,119
Speaker 2: whole damn thing.

3087
02:30:03,760 --> 02:30:06,960
Speaker 5: We want to take that ship, redo the tires, the inside,

3088
02:30:07,040 --> 02:30:11,200
Speaker 5: the fucking the sound system, the engine, the every like

3089
02:30:11,320 --> 02:30:14,760
Speaker 5: the outside candy paint. They took my car and they

3090
02:30:14,879 --> 02:30:19,039
Speaker 5: redid everything, and I still drive that ship till this day.

3091
02:30:19,400 --> 02:30:25,560
Speaker 2: Let's make some noise for people to people are achrol.

3092
02:30:26,760 --> 02:30:29,000
Speaker 2: I ain't gonna lie. I met my wife, she had

3093
02:30:29,040 --> 02:30:39,200
Speaker 2: an achor. We gotta start showing love that that Japanese made.

3094
02:30:39,200 --> 02:30:39,840
Speaker 2: They take their time.

3095
02:30:39,959 --> 02:30:44,360
Speaker 4: Japanese say goal. That means they got a battery operated. Yeah,

3096
02:30:45,280 --> 02:30:46,560
Speaker 4: I'm sorry, that's a watch ship.

3097
02:30:46,680 --> 02:30:51,480
Speaker 5: They still Japanese made right. Yeah, Honda, Honda exactly, Honda accurate.

3098
02:30:51,560 --> 02:30:56,920
Speaker 5: Same same people, so same people, so fast and furious.

3099
02:31:00,640 --> 02:31:03,440
Speaker 2: Who gave you that call? It was John Singleton.

3100
02:31:03,720 --> 02:31:05,920
Speaker 5: Oh you said that, But you know what, I'm glad

3101
02:31:05,959 --> 02:31:07,760
Speaker 5: you asked that because I was on tour with Eminem

3102
02:31:07,840 --> 02:31:10,640
Speaker 5: at the time. This was after the Outcast tour. So

3103
02:31:10,720 --> 02:31:13,400
Speaker 5: I was on tour with Eminem and I got a flaw,

3104
02:31:13,400 --> 02:31:15,760
Speaker 5: a slight flaw. Yeah, So I got a call. I'm

3105
02:31:15,760 --> 02:31:18,200
Speaker 5: about to go on stage in twenty minutes. I get

3106
02:31:18,240 --> 02:31:20,400
Speaker 5: a call from my agent saying John Singleton wants you

3107
02:31:20,480 --> 02:31:23,720
Speaker 5: to put yourself on camera to try out and read

3108
02:31:23,800 --> 02:31:25,920
Speaker 5: these lines for too fast, too furious.

3109
02:31:26,480 --> 02:31:28,240
Speaker 2: I'm like, man, what the fuck is what?

3110
02:31:28,280 --> 02:31:30,120
Speaker 5: I'm about to go on stade Like, I'm concentrated on

3111
02:31:30,480 --> 02:31:34,080
Speaker 5: killing this crowd right now. So we get a camera together,

3112
02:31:34,120 --> 02:31:37,600
Speaker 5: because of course you got all type of production people backstage, no,

3113
02:31:37,640 --> 02:31:39,280
Speaker 5: none of that shit. I'm looking at the lines and

3114
02:31:39,320 --> 02:31:41,400
Speaker 5: I'm like, Okay, I gotta come up and try and

3115
02:31:41,520 --> 02:31:43,240
Speaker 5: make this care. Okay, let me get in character, let

3116
02:31:43,280 --> 02:31:45,120
Speaker 5: me read these lines, go through it a couple of times.

3117
02:31:45,200 --> 02:31:47,000
Speaker 5: Now we're like twelve minutes before show time.

3118
02:31:47,760 --> 02:31:49,360
Speaker 2: Fuck it. Just put me on camera.

3119
02:31:49,440 --> 02:31:50,760
Speaker 5: This is the best they gonna get right now, because

3120
02:31:50,800 --> 02:31:53,360
Speaker 5: the motherfuckers like we need the shit by tomorrow. So

3121
02:31:53,440 --> 02:31:56,039
Speaker 5: I put myself on camera, go out kill the stage.

3122
02:31:56,080 --> 02:31:58,080
Speaker 5: The next day, I'm not thinking I got the shit

3123
02:31:58,080 --> 02:31:59,920
Speaker 5: because I'm like, ain't no way ahead, Like I rushed

3124
02:32:00,080 --> 02:32:01,879
Speaker 5: the ship out of this putting.

3125
02:32:01,560 --> 02:32:03,920
Speaker 2: Myself on tape. Nigga called me. It was like, you

3126
02:32:04,040 --> 02:32:07,600
Speaker 2: got the part. The rest is history, ladies and gentlemen.

3127
02:32:12,879 --> 02:32:16,320
Speaker 4: Now I'm sitting in my crib one day. I don't

3128
02:32:16,360 --> 02:32:18,720
Speaker 4: know if it's Netflix or whatever, but you on a lot.

3129
02:32:18,640 --> 02:32:21,280
Speaker 2: Of teaper just come up end of the road. Yeah,

3130
02:32:22,600 --> 02:32:26,520
Speaker 2: click that ship. Your niggas had me crying. Really, yeah,

3131
02:32:26,640 --> 02:32:29,320
Speaker 2: I ain't like the white boys trying to get that

3132
02:32:29,480 --> 02:32:33,640
Speaker 2: jall the white boys trying to get that jall. You

3133
02:32:34,800 --> 02:32:37,280
Speaker 2: was like, get in the call. Yeah, yeah, you in

3134
02:32:37,400 --> 02:32:37,720
Speaker 2: the car.

3135
02:32:38,600 --> 02:32:40,720
Speaker 4: I'm trying to think it's that cry worthy though, I

3136
02:32:40,720 --> 02:32:42,040
Speaker 4: don't know if it was cry word?

3137
02:32:42,160 --> 02:32:43,800
Speaker 2: Can you let me sure? You can't let me cry?

3138
02:32:44,520 --> 02:32:45,040
Speaker 2: Let me cry?

3139
02:32:45,120 --> 02:32:45,200
Speaker 6: Bro?

3140
02:32:45,280 --> 02:32:46,480
Speaker 2: All right, Okay, I'm crying.

3141
02:32:46,600 --> 02:32:46,760
Speaker 6: Man.

3142
02:32:46,920 --> 02:32:52,680
Speaker 2: I've been ship spent some ship. I'm looking I've been

3143
02:32:52,720 --> 02:32:53,240
Speaker 2: through some ship.

3144
02:32:53,600 --> 02:32:58,439
Speaker 5: Hey, you know what I apologize Joey motion is validated,

3145
02:32:58,560 --> 02:33:00,600
Speaker 5: and uh, I can't believe that I tried to.

3146
02:33:01,200 --> 02:33:01,680
Speaker 2: Do that to you.

3147
02:33:02,320 --> 02:33:04,680
Speaker 4: Let me just tell you something. It's how good you

3148
02:33:04,800 --> 02:33:06,959
Speaker 4: and Latifa are actors.

3149
02:33:08,040 --> 02:33:10,880
Speaker 2: I didn't look at y'all like I knew y'all and

3150
02:33:10,959 --> 02:33:13,880
Speaker 2: I know both of y'all's dope, and I looked I

3151
02:33:14,560 --> 02:33:15,400
Speaker 2: felt so sorry.

3152
02:33:15,480 --> 02:33:18,360
Speaker 4: I was like, why is the white people bothering them?

3153
02:33:20,200 --> 02:33:22,800
Speaker 5: That means the world of me, just because that's our

3154
02:33:22,879 --> 02:33:25,560
Speaker 5: biggest goal. Is anyone in hip hop to not look

3155
02:33:25,640 --> 02:33:28,560
Speaker 5: at us hip hop artist in the movie period.

3156
02:33:28,680 --> 02:33:31,640
Speaker 2: That's that's the biggest thing. Goddamn the world. I mean

3157
02:33:33,959 --> 02:33:34,680
Speaker 2: that means the world.

3158
02:33:34,840 --> 02:33:37,600
Speaker 4: But watched that movie and I was like, holy Moly,

3159
02:33:37,760 --> 02:33:40,880
Speaker 4: brock of moly, But that's that's that's in me in

3160
02:33:40,959 --> 02:33:41,480
Speaker 4: my opinion.

3161
02:33:42,600 --> 02:33:43,480
Speaker 2: That's what I couldn't do.

3162
02:33:44,080 --> 02:33:47,680
Speaker 4: Was like I couldn't like identify those characters that I

3163
02:33:47,720 --> 02:33:48,400
Speaker 4: couldn't relate to.

3164
02:33:48,840 --> 02:33:54,720
Speaker 2: But for for me, for you, you're a real actor.

3165
02:33:54,800 --> 02:33:58,440
Speaker 2: To me, thank you man. You can actually do whatever

3166
02:33:58,520 --> 02:34:01,120
Speaker 2: the fuck you want to do. Bro that crash sh it.

3167
02:34:01,280 --> 02:34:03,280
Speaker 5: It fucked me up for that to be my first

3168
02:34:03,360 --> 02:34:06,920
Speaker 5: official movie and you in there with Don Cheetle like

3169
02:34:07,000 --> 02:34:11,480
Speaker 5: we said, Terrence Howard, Sandra Bullock, Brendan Fraser, Lorenz Tate,

3170
02:34:11,680 --> 02:34:13,920
Speaker 5: who out of Watchington, fucking minutes to Society and all

3171
02:34:13,959 --> 02:34:17,680
Speaker 5: these other things. It was nothing but a list extreme

3172
02:34:17,800 --> 02:34:18,760
Speaker 5: actors in that movie.

3173
02:34:19,120 --> 02:34:20,480
Speaker 2: And here I am, this nigga, you.

3174
02:34:20,520 --> 02:34:24,200
Speaker 5: Know, fresh off of Chicken and Beer album, and it

3175
02:34:24,320 --> 02:34:26,160
Speaker 5: was intimidating, but I knew I had to step up

3176
02:34:26,160 --> 02:34:27,040
Speaker 5: to the god damn play.

3177
02:34:27,560 --> 02:34:29,560
Speaker 2: So I think that changed things for me, man. And

3178
02:34:29,720 --> 02:34:31,280
Speaker 2: like I said, that's why I take it so serious.

3179
02:34:31,879 --> 02:34:34,240
Speaker 4: And you had a Chicken and Beer in the airport,

3180
02:34:34,320 --> 02:34:34,879
Speaker 4: Oh yeah, and.

3181
02:34:34,959 --> 02:34:36,520
Speaker 2: Bo, it's in Lax now too.

3182
02:34:36,560 --> 02:34:40,600
Speaker 5: So it's in Atlanta Hartsfield Jackson and in Lax Airports

3183
02:34:40,680 --> 02:34:42,200
Speaker 5: Chicken and Beer restaurant for Chuggle.

3184
02:34:42,320 --> 02:34:42,800
Speaker 2: Check that out.

3185
02:34:43,400 --> 02:34:49,039
Speaker 5: Than Jackson, you said, Jackson, Hartsfield Jackson. That's Atlanta Hartsfield

3186
02:34:49,080 --> 02:34:55,640
Speaker 5: Jackson Airport and jack Maynor Jackson. So it's Hartfield but shocking.

3187
02:34:55,720 --> 02:34:57,160
Speaker 4: We know you don't want to shine, but can you

3188
02:34:57,240 --> 02:34:58,920
Speaker 4: sit down for us for one second?

3189
02:34:58,959 --> 02:35:01,039
Speaker 2: Shot, Joco, please here, come.

3190
02:35:00,879 --> 02:35:03,200
Speaker 4: On, shot, please for one second. I mean for me,

3191
02:35:03,480 --> 02:35:06,640
Speaker 4: not not not not for the world, for you, for me,

3192
02:35:06,879 --> 02:35:18,119
Speaker 4: for me, you know, And you got young nigga mumas praid.

3193
02:35:19,760 --> 02:35:21,360
Speaker 2: For camera purposes. You're gonna have to go like this,

3194
02:35:21,480 --> 02:35:24,320
Speaker 2: my brother, but you gotta do that. You can't do that.

3195
02:35:24,560 --> 02:35:26,560
Speaker 2: There you go. Now, you just got to face this.

3196
02:35:28,440 --> 02:35:30,400
Speaker 2: Used to this, I'm used to this year. I know

3197
02:35:30,440 --> 02:35:31,360
Speaker 2: how it goes. Now.

3198
02:35:32,040 --> 02:35:36,600
Speaker 4: I just want to say something Shot, because you're one

3199
02:35:36,640 --> 02:35:38,480
Speaker 4: of the greatest people I ever met in life.

3200
02:35:41,720 --> 02:35:45,560
Speaker 1: And what I would say, what you kind of alluded to,

3201
02:35:45,800 --> 02:35:49,959
Speaker 1: is that there's energies in the world, and we come

3202
02:35:50,040 --> 02:35:54,600
Speaker 1: from a lot of different background and we have people

3203
02:35:54,680 --> 02:36:00,560
Speaker 1: that are intentional or we have intentional enemies that use

3204
02:36:00,640 --> 02:36:04,440
Speaker 1: our culture against us. Right they use what we've done,

3205
02:36:04,480 --> 02:36:07,160
Speaker 1: where we've come from, who we are, the neighborhoods, the

3206
02:36:07,240 --> 02:36:11,360
Speaker 1: people we associate with, against us. So we have to

3207
02:36:11,400 --> 02:36:15,840
Speaker 1: be very clear about who we are and whether that's

3208
02:36:15,879 --> 02:36:18,160
Speaker 1: our existence or our experience.

3209
02:36:18,959 --> 02:36:20,960
Speaker 2: I tell any young person what you're going through is

3210
02:36:21,040 --> 02:36:24,120
Speaker 2: not who you are. And so at that point, if you.

3211
02:36:24,160 --> 02:36:28,400
Speaker 1: Can have integrity in any situation when we talk in

3212
02:36:28,480 --> 02:36:31,040
Speaker 1: long term, we're watching a lot going on right now,

3213
02:36:31,840 --> 02:36:34,240
Speaker 1: and you can only give me the grace and the

3214
02:36:34,360 --> 02:36:38,040
Speaker 1: benefit of the belief in me based upon my integrity

3215
02:36:38,200 --> 02:36:40,400
Speaker 1: through the situations and the years we've known each other,

3216
02:36:40,879 --> 02:36:42,960
Speaker 1: because if I'd showed you another person, you'd have been like.

3217
02:36:45,200 --> 02:36:47,440
Speaker 1: So when we look at and we've talked about this

3218
02:36:47,560 --> 02:36:49,560
Speaker 1: a couple of times, and he's called me and just

3219
02:36:49,640 --> 02:36:50,920
Speaker 1: been like, thank you, And I'm like, what are you

3220
02:36:50,959 --> 02:36:53,720
Speaker 1: thinking me for? I thank him more than I'm a

3221
02:36:53,800 --> 02:36:57,040
Speaker 1: loan for the ride. Yeah, I can't do something if

3222
02:36:57,120 --> 02:36:59,879
Speaker 1: something is not there. I can't make something out of nothing.

3223
02:37:00,800 --> 02:37:01,160
Speaker 4: He's not.

3224
02:37:01,320 --> 02:37:04,080
Speaker 2: Just thank you for keeping me in the space and

3225
02:37:04,160 --> 02:37:05,360
Speaker 2: the mindset of which I am.

3226
02:37:06,040 --> 02:37:08,560
Speaker 1: He had to navigate trap music, he had to navigate

3227
02:37:09,120 --> 02:37:12,400
Speaker 1: all of the other stuff to just be who he was,

3228
02:37:12,840 --> 02:37:16,280
Speaker 1: and it wasn't always the cool thing. But his integrity now,

3229
02:37:17,520 --> 02:37:20,080
Speaker 1: even in that situation, it's paying off for him long term.

3230
02:37:21,040 --> 02:37:24,920
Speaker 2: So if I would tell anybody youth, even old.

3231
02:37:24,760 --> 02:37:28,240
Speaker 1: People, when we look at what we're dealing with and

3232
02:37:28,280 --> 02:37:31,320
Speaker 1: were getting and we're trying to age gracefully, our integrity

3233
02:37:31,400 --> 02:37:34,000
Speaker 1: comes in play when we start thinking about ten twenty

3234
02:37:34,120 --> 02:37:36,680
Speaker 1: thirty years later and we see a lot of people

3235
02:37:36,760 --> 02:37:41,640
Speaker 1: being attacked for what they did ten twenty thirty years

3236
02:37:41,640 --> 02:37:45,640
Speaker 1: ago earlier, right, and we know what's right even when

3237
02:37:45,680 --> 02:37:48,400
Speaker 1: it's cool hip hop we lived a life.

3238
02:37:48,760 --> 02:37:50,800
Speaker 2: You know what I'm saying, Drink the hood, travel the world,

3239
02:37:51,320 --> 02:37:55,600
Speaker 2: just do it. So I appreciate the grace that was

3240
02:37:55,680 --> 02:37:56,160
Speaker 2: given to me.

3241
02:38:00,520 --> 02:38:05,400
Speaker 5: Who I'm talking You're good, But you know, because I

3242
02:38:05,480 --> 02:38:07,560
Speaker 5: was gonna say that, let me just say what's so

3243
02:38:07,640 --> 02:38:10,400
Speaker 5: special about this podcast? And y'all are so used to

3244
02:38:10,480 --> 02:38:13,240
Speaker 5: it right now that you might be to a degree desensitized.

3245
02:38:13,280 --> 02:38:15,959
Speaker 5: But what I noticed is the passion that comes from

3246
02:38:16,000 --> 02:38:18,040
Speaker 5: both of y'all, man, Like you can't fake when you

3247
02:38:18,160 --> 02:38:20,880
Speaker 5: look at somebody's eyes when they're asking certain questions and

3248
02:38:21,520 --> 02:38:23,280
Speaker 5: all of this ship is just so much passion, and

3249
02:38:23,320 --> 02:38:26,520
Speaker 5: that it's very hard to be able to transfer that

3250
02:38:26,680 --> 02:38:30,640
Speaker 5: when someone is looking on a fucking screen as opposed

3251
02:38:30,640 --> 02:38:34,400
Speaker 5: to being here. What I'm saying is, you two motherfuckers

3252
02:38:34,520 --> 02:38:37,760
Speaker 5: do very well at letting that ship transfer through the

3253
02:38:37,920 --> 02:38:41,480
Speaker 5: fucking screen of the passion and the love that y'all have.

3254
02:38:42,000 --> 02:38:44,520
Speaker 5: And that's what makes Drinking Chaps so goddamn special.

3255
02:38:47,680 --> 02:38:48,320
Speaker 7: You say.

3256
02:38:50,440 --> 02:38:55,000
Speaker 4: From the beginning, him, Jeff, they had your fucking back, bro,

3257
02:38:55,320 --> 02:38:56,600
Speaker 4: Like I can't lie to you.

3258
02:38:58,000 --> 02:39:01,879
Speaker 2: I saw that shot from the beginning. Always, we always,

3259
02:39:01,879 --> 02:39:03,800
Speaker 2: we all got each other's back. Yeah, that's why it's

3260
02:39:03,840 --> 02:39:06,160
Speaker 2: so beautiful years and counting, baby, Yeah, that shit is

3261
02:39:06,200 --> 02:39:07,080
Speaker 2: so beautiful. Man.

3262
02:39:09,160 --> 02:39:11,040
Speaker 4: What is what is something that you regret it? What

3263
02:39:11,160 --> 02:39:13,680
Speaker 4: is what is somebody had the chance to work with

3264
02:39:13,840 --> 02:39:14,560
Speaker 4: and you didn't have.

3265
02:39:15,000 --> 02:39:16,480
Speaker 2: We were just talking about, like the whole Doctor Dre.

3266
02:39:16,560 --> 02:39:18,680
Speaker 5: I wouldn't even call it regret because there's still a

3267
02:39:18,760 --> 02:39:19,840
Speaker 5: chance for the ship to happen.

3268
02:39:20,120 --> 02:39:20,760
Speaker 2: It's gonna happen.

3269
02:39:20,840 --> 02:39:23,760
Speaker 5: Yeah, yeah, but I uh, that's somebody I definitely want

3270
02:39:23,800 --> 02:39:25,760
Speaker 5: to work with. When we were talking about the whole

3271
02:39:25,840 --> 02:39:28,360
Speaker 5: Death Row versus Bad Boy thing, which is the one

3272
02:39:28,400 --> 02:39:30,840
Speaker 5: of the hardest questions y'all asked me tonight, I love it,

3273
02:39:30,920 --> 02:39:32,960
Speaker 5: and I just talked to I just thought about like

3274
02:39:33,120 --> 02:39:38,240
Speaker 5: my experience as a kid growing up and me gravitating

3275
02:39:38,240 --> 02:39:40,760
Speaker 5: towards the sonics of what Doctor Dre does and going

3276
02:39:40,800 --> 02:39:42,920
Speaker 5: as far as wondering how this nigga got that ship

3277
02:39:42,959 --> 02:39:46,560
Speaker 5: to sound that amazing. But that's somebody I would love

3278
02:39:46,600 --> 02:39:48,720
Speaker 5: it to work with. And the hit Man and Bad

3279
02:39:48,800 --> 02:39:52,320
Speaker 5: Boy they sound amazing as well. Easy More be all

3280
02:39:52,360 --> 02:39:53,280
Speaker 5: of the ship that Biggie did.

3281
02:39:55,560 --> 02:39:55,960
Speaker 2: I haven't.

3282
02:39:56,280 --> 02:39:56,720
Speaker 4: I haven't.

3283
02:39:56,959 --> 02:39:59,600
Speaker 2: That's the SB twelve love right there. We're doing that.

3284
02:40:00,400 --> 02:40:03,680
Speaker 2: Come on, easy mob be let's get alog. Yeah, hell yeah,

3285
02:40:03,800 --> 02:40:04,160
Speaker 2: let's go.

3286
02:40:04,360 --> 02:40:08,520
Speaker 5: He's done a record with Biggie Posts Post and Tupac

3287
02:40:08,640 --> 02:40:13,440
Speaker 5: Post Yeah Post. Because I'm young, Jay, Hell.

3288
02:40:13,800 --> 02:40:14,480
Speaker 2: I ain't gonna lie.

3289
02:40:15,920 --> 02:40:21,040
Speaker 4: That's like rights to retirement, not not. You know, you

3290
02:40:21,120 --> 02:40:22,520
Speaker 4: know I'm trying to never retire.

3291
02:40:22,600 --> 02:40:22,960
Speaker 2: I got you.

3292
02:40:23,040 --> 02:40:25,560
Speaker 4: But what I'm trying to say is I don't have

3293
02:40:25,680 --> 02:40:28,960
Speaker 4: the accolades. And I've been in this game twenty six years.

3294
02:40:29,040 --> 02:40:31,720
Speaker 2: I'm saying that you got motherfucking drink chances, this ship.

3295
02:40:31,800 --> 02:40:34,160
Speaker 2: That's a whole nother life. But no, come on, bro,

3296
02:40:34,280 --> 02:40:34,680
Speaker 2: It's okay.

3297
02:40:34,840 --> 02:40:36,400
Speaker 4: But but what I'm trying to tell you is I

3298
02:40:36,480 --> 02:40:38,040
Speaker 4: want to give your flowers my brother.

3299
02:40:38,080 --> 02:40:43,440
Speaker 2: I got the mother you know I received. No, no, No,

3300
02:40:44,400 --> 02:40:45,160
Speaker 2: That's why you're here.

3301
02:40:46,800 --> 02:40:53,360
Speaker 4: You know, it's because because I'm being honest, Ludle, you're

3302
02:40:53,360 --> 02:40:54,840
Speaker 4: one of the greatest of our coach.

3303
02:40:54,959 --> 02:40:56,320
Speaker 2: Absolutely wow.

3304
02:40:56,440 --> 02:40:58,680
Speaker 4: And the fact that and the fact that it's known,

3305
02:41:01,080 --> 02:41:06,360
Speaker 4: the fact is that you can be into six seven

3306
02:41:06,560 --> 02:41:10,880
Speaker 4: different everyone respect you, from the gangs to us, to

3307
02:41:11,000 --> 02:41:15,800
Speaker 4: the people who wear backpacks, to the people who take shots,

3308
02:41:15,879 --> 02:41:20,240
Speaker 4: to people who shoot people, to people who look at

3309
02:41:20,280 --> 02:41:23,080
Speaker 4: people who's stealing, to people who actually steal.

3310
02:41:24,760 --> 02:41:26,560
Speaker 2: You respected in every genre.

3311
02:41:27,040 --> 02:41:30,160
Speaker 5: I'm a culmination of my environment, man, and it's all

3312
02:41:30,240 --> 02:41:30,879
Speaker 5: of those things.

3313
02:41:30,959 --> 02:41:33,000
Speaker 2: But thank you man. I'm telling you when you have

3314
02:41:33,160 --> 02:41:34,400
Speaker 2: to know that, you have.

3315
02:41:34,480 --> 02:41:38,800
Speaker 4: To know that that's what and hip hop, that's what

3316
02:41:38,959 --> 02:41:41,760
Speaker 4: the fuck we strive to be, is accepted in all

3317
02:41:41,920 --> 02:41:44,879
Speaker 4: genres because you know why, there's five elements of hip hop, right,

3318
02:41:45,040 --> 02:41:48,680
Speaker 4: so you could either breakdance, you either graffiti, you either rap,

3319
02:41:48,879 --> 02:41:54,039
Speaker 4: you either DJ. It's not people that's accepted in all

3320
02:41:54,120 --> 02:41:56,840
Speaker 4: those genres and that's what you're you are.

3321
02:41:57,840 --> 02:41:58,280
Speaker 2: Thank you, bro.

3322
02:42:00,160 --> 02:42:00,280
Speaker 6: Man.

3323
02:42:01,400 --> 02:42:05,640
Speaker 2: No like like, look, I'm not playing around. That's what

3324
02:42:05,800 --> 02:42:06,280
Speaker 2: you a hold on.

3325
02:42:06,360 --> 02:42:07,760
Speaker 4: You gotta sit, don't count.

3326
02:42:11,680 --> 02:42:13,360
Speaker 5: All the way believe And you said you wanted me

3327
02:42:13,440 --> 02:42:14,840
Speaker 5: to be one of the first motherfuckers on here.

3328
02:42:14,879 --> 02:42:15,959
Speaker 2: Now I don't.

3329
02:42:17,320 --> 02:42:19,480
Speaker 4: Because I know we're Virgo brothers.

3330
02:42:19,520 --> 02:42:19,840
Speaker 7: I know we.

3331
02:42:22,160 --> 02:42:26,120
Speaker 4: Were all that, but that that takes away everything from

3332
02:42:26,440 --> 02:42:30,080
Speaker 4: who you are a as a real like artist. Like

3333
02:42:34,600 --> 02:42:36,560
Speaker 4: I'm gonna say I said it, I said it earlier.

3334
02:42:36,959 --> 02:42:41,400
Speaker 4: Who the fuck was jogging me earlier? It was Jo

3335
02:42:41,879 --> 02:42:43,840
Speaker 4: That's why he said no. And I was like, that

3336
02:42:44,040 --> 02:42:49,120
Speaker 4: was the difference between the versus battle was Lula was

3337
02:42:49,320 --> 02:42:55,680
Speaker 4: seasoned you were seasoned with Kevin Lowns, seasoned with Leoll

3338
02:42:56,320 --> 02:42:57,600
Speaker 4: We were foul people.

3339
02:42:59,040 --> 02:43:00,280
Speaker 2: What I mean by that is.

3340
02:43:02,440 --> 02:43:05,600
Speaker 4: They sent you on a road that whole time, and

3341
02:43:05,720 --> 02:43:09,640
Speaker 4: they made you know how to fucking perform a show.

3342
02:43:10,160 --> 02:43:11,520
Speaker 2: Yeah, they did all of us.

3343
02:43:11,720 --> 02:43:15,280
Speaker 4: So again, I'm sorry, and Nei's my brother again. But

3344
02:43:15,400 --> 02:43:18,800
Speaker 4: when I seen because because versus we were just sitting

3345
02:43:18,920 --> 02:43:22,840
Speaker 4: back home and we were just watching everything, and I

3346
02:43:22,959 --> 02:43:25,520
Speaker 4: sat back as soon as I seen your face. You

3347
02:43:25,600 --> 02:43:28,880
Speaker 4: made that face earlier. God, we got it on a film.

3348
02:43:29,840 --> 02:43:33,279
Speaker 4: Now you made that face. I said, this, motherfucker christ.

3349
02:43:39,160 --> 02:43:43,560
Speaker 2: I know, like I know, and I seen him and he.

3350
02:43:45,120 --> 02:43:48,520
Speaker 5: Were playing, we was playing Nigga. Joe Budden said the

3351
02:43:48,600 --> 02:43:51,920
Speaker 5: same thing he did. I didn't know that to a degree.

3352
02:43:51,959 --> 02:43:52,920
Speaker 5: He said the same ship.

3353
02:43:53,000 --> 02:43:54,520
Speaker 2: What did he say? Come on? Please? Pretty much what

3354
02:43:54,640 --> 02:43:56,920
Speaker 2: you said? Yeah, I ain't gonna lie. I saw your face.

3355
02:43:57,480 --> 02:43:59,440
Speaker 5: I didn't even know I was making a face like

3356
02:43:59,560 --> 02:44:02,080
Speaker 5: this ship is. It's great to hear from a different perspective.

3357
02:44:03,400 --> 02:44:05,440
Speaker 2: S And that is my brother. To just just be clear,

3358
02:44:05,640 --> 02:44:07,000
Speaker 2: I love Nellie's my brother too.

3359
02:44:07,080 --> 02:44:07,240
Speaker 4: Man.

3360
02:44:07,879 --> 02:44:17,560
Speaker 2: I looked Louter's gonna snub somebody tonight. What you're gonna

3361
02:44:17,560 --> 02:44:20,080
Speaker 2: snuff your own crew. I don't even know. That's how

3362
02:44:20,160 --> 02:44:20,560
Speaker 2: crazy you.

3363
02:44:26,240 --> 02:44:28,560
Speaker 5: That's why I'm okay taking the jazz bro because none

3364
02:44:28,600 --> 02:44:32,360
Speaker 5: of them are death blows. They are It's okay. Somebody

3365
02:44:32,440 --> 02:44:35,120
Speaker 5: got to be the person that that takes the jazz. Now,

3366
02:44:35,160 --> 02:44:39,680
Speaker 5: when I decide to hit back, then it might be unfair.

3367
02:44:39,720 --> 02:44:41,400
Speaker 2: It just depends on hit back. You know why you

3368
02:44:41,480 --> 02:44:43,640
Speaker 2: can't back? Why can't I hit back? Nor?

3369
02:44:43,800 --> 02:44:46,560
Speaker 5: I need to hear this why it is good? I

3370
02:44:46,720 --> 02:44:50,920
Speaker 5: really need to hear. It's been like fifteen years inspiration.

3371
02:44:51,640 --> 02:44:54,440
Speaker 4: You know why you are inspiration to the people that

3372
02:44:55,879 --> 02:44:59,400
Speaker 4: we say, you know what, this guy said this, but

3373
02:44:59,520 --> 02:45:01,959
Speaker 4: we don't want respond because you know why I booted it.

3374
02:45:02,360 --> 02:45:03,440
Speaker 2: The you're the good guy.

3375
02:45:04,360 --> 02:45:06,560
Speaker 5: Now you understand why I try to take the high

3376
02:45:06,680 --> 02:45:09,720
Speaker 5: road and always I'm cool because my core is strong,

3377
02:45:09,800 --> 02:45:12,360
Speaker 5: and I'm okay with taking these jazz because at the

3378
02:45:12,480 --> 02:45:14,600
Speaker 5: end of the day, I hope whatever it is that

3379
02:45:14,680 --> 02:45:17,720
Speaker 5: these motherfuckers that take jabs at me are trying to accomplish,

3380
02:45:18,120 --> 02:45:20,680
Speaker 5: I hope that they've accomplished that shit. You know why,

3381
02:45:20,959 --> 02:45:23,080
Speaker 5: because it has not hurt or put a dent in

3382
02:45:23,200 --> 02:45:26,680
Speaker 5: my legacy or me in any fucking way. So I

3383
02:45:26,800 --> 02:45:28,440
Speaker 5: allow them to do that because at the end of

3384
02:45:28,480 --> 02:45:31,720
Speaker 5: the day, I still love these motherfuckers. There's still a

3385
02:45:31,840 --> 02:45:34,760
Speaker 5: certain amount of history that we have with each other

3386
02:45:35,200 --> 02:45:37,039
Speaker 5: that if I stand on a certain amount of morals

3387
02:45:37,040 --> 02:45:40,240
Speaker 5: and integrity and just love. I haven't come to a

3388
02:45:40,320 --> 02:45:43,280
Speaker 5: point where I'm wanting to do tit for tat and

3389
02:45:43,840 --> 02:45:46,720
Speaker 5: bicker and babbling, go back and forth with motherfuckers, because

3390
02:45:46,760 --> 02:45:49,480
Speaker 5: when I see you in person, it ain't shit like

3391
02:45:49,520 --> 02:45:51,320
Speaker 5: what the fuck you was just talking about on camera.

3392
02:45:51,440 --> 02:45:55,199
Speaker 5: It's totally different. Yes, it's a dichotomy that I haven't

3393
02:45:55,520 --> 02:45:58,880
Speaker 5: fully understood yet, and I don't think that I'm gonna

3394
02:45:58,959 --> 02:46:01,119
Speaker 5: understand it one hundred percent.

3395
02:46:01,240 --> 02:46:02,280
Speaker 2: You're talking about being real.

3396
02:46:02,800 --> 02:46:05,920
Speaker 5: This whole industry is built off motherfuckers saying shit on camera,

3397
02:46:06,800 --> 02:46:08,560
Speaker 5: but then when they see you in person, it's something

3398
02:46:08,920 --> 02:46:12,959
Speaker 5: totally different. And I can say that I either am

3399
02:46:13,040 --> 02:46:16,440
Speaker 5: immature or too mature because I haven't fully grasped and

3400
02:46:16,560 --> 02:46:19,039
Speaker 5: understood that yet. I'm still giving my fuckers the benefit

3401
02:46:19,200 --> 02:46:19,920
Speaker 5: of the doubt.

3402
02:46:20,640 --> 02:46:23,680
Speaker 2: That's my problem. That's either my gift or my curse.

3403
02:46:23,760 --> 02:46:28,280
Speaker 2: That's what I'm saying. God damn, I'm just being real.

3404
02:46:28,680 --> 02:46:32,240
Speaker 2: I'm smoking another blood sorry, I'm just being real. Let

3405
02:46:32,280 --> 02:46:32,879
Speaker 2: me expand on.

3406
02:46:32,959 --> 02:46:35,760
Speaker 6: Something that Nord was saying though, and just coming from

3407
02:46:36,680 --> 02:46:39,840
Speaker 6: the perspective of being from Miami, being a mixtape DJ

3408
02:46:39,920 --> 02:46:43,760
Speaker 6: out of Miami. One of the things that we was

3409
02:46:44,320 --> 02:46:47,200
Speaker 6: like from where I come from Miami, like the hip

3410
02:46:47,200 --> 02:46:49,480
Speaker 6: hop community I come from is like the early nineties,

3411
02:46:50,320 --> 02:46:56,280
Speaker 6: and we only wanted lyrical sensibility coming out of the South, right,

3412
02:46:57,120 --> 02:47:00,280
Speaker 6: That's what we strived for because everything was man in

3413
02:47:00,280 --> 02:47:03,480
Speaker 6: New York, right, and we were emulating that. But we

3414
02:47:03,600 --> 02:47:05,800
Speaker 6: wanted to be representative of the South.

3415
02:47:06,760 --> 02:47:10,600
Speaker 2: And you did that. Dungeon family did that. Outcast did that.

3416
02:47:10,800 --> 02:47:11,320
Speaker 2: You did that.

3417
02:47:12,560 --> 02:47:14,480
Speaker 4: That's what I want you to know that you were.

3418
02:47:14,879 --> 02:47:21,879
Speaker 4: You did that to the highest ability. That's huge. Thank you, bro, huge, huge,

3419
02:47:21,920 --> 02:47:22,880
Speaker 4: real thank you man.

3420
02:47:22,959 --> 02:47:25,640
Speaker 2: When I said it, hip hop so much, I'm just.

3421
02:47:25,680 --> 02:47:28,600
Speaker 5: As passionate with my answers and receiving this love as

3422
02:47:28,680 --> 02:47:30,240
Speaker 5: y'all are like saying it.

3423
02:47:30,320 --> 02:47:35,240
Speaker 2: I'm being real because you deserve it. I stayed moving, man, moving,

3424
02:47:36,800 --> 02:47:37,040
Speaker 2: Thank you.

3425
02:47:37,400 --> 02:47:42,560
Speaker 4: I just me and honest man, you your crew. I

3426
02:47:42,680 --> 02:47:46,760
Speaker 4: was saying this to everyone here. You know, pretty much

3427
02:47:46,800 --> 02:47:50,320
Speaker 4: everyone that was here. I spoke to them before you

3428
02:47:50,480 --> 02:47:53,560
Speaker 4: came in. I was just like, this is a person

3429
02:47:53,640 --> 02:47:58,160
Speaker 4: I wanted to like give the flowers tubes, y'all. It's

3430
02:47:58,240 --> 02:48:05,119
Speaker 4: because y'all, really, y'all, really, you really lived this ship

3431
02:48:05,560 --> 02:48:10,160
Speaker 4: really out, like not just because I drink on drink Champ.

3432
02:48:12,480 --> 02:48:18,080
Speaker 2: Drinks. Let's go, let's go, Let's let's go. Jamie shots Jamie. No, no, no,

3433
02:48:18,840 --> 02:48:19,120
Speaker 2: right here.

3434
02:48:20,400 --> 02:48:23,640
Speaker 4: That means you didn't take it because looks is done. Okay, okay,

3435
02:48:24,879 --> 02:48:25,240
Speaker 4: he's right.

3436
02:48:25,360 --> 02:48:27,600
Speaker 5: Her job is to refill my shots after I take him.

3437
02:48:27,760 --> 02:48:35,560
Speaker 2: I mean, I'm five, Let me drink and shot. Let

3438
02:48:35,600 --> 02:48:37,720
Speaker 2: me just say something. Everybody put that cups of their

3439
02:48:38,080 --> 02:48:41,959
Speaker 2: empty shots up. We can save the camera. Please, it's

3440
02:48:42,000 --> 02:48:44,800
Speaker 2: in the same shots. Watch this. You can't fake this ship.

3441
02:48:45,480 --> 02:48:46,840
Speaker 2: Go ahead, go ahead.

3442
02:48:50,320 --> 02:48:52,880
Speaker 3: He wins, he wins, he wins. You say that to

3443
02:48:52,920 --> 02:48:56,240
Speaker 3: the camera, please, yes, ludle wins. When's the camera? Yes,

3444
02:48:56,320 --> 02:49:02,080
Speaker 3: little winds. I guess what I win because Lud's win

3445
02:49:02,240 --> 02:49:04,400
Speaker 3: and blut the winds. That's the way it works.

3446
02:49:04,400 --> 02:49:06,600
Speaker 2: You remember when you told us about GK jops. Yes,

3447
02:49:07,200 --> 02:49:11,880
Speaker 2: it was in Toronto. I wanted to Yes, Yes, was

3448
02:49:11,879 --> 02:49:15,680
Speaker 2: that Soo soo this mother drink restaurant? Yeah, he's that

3449
02:49:15,760 --> 02:49:19,640
Speaker 2: Soto so drink restaurant. Drake, pull up. You likes giving

3450
02:49:20,160 --> 02:49:22,279
Speaker 2: food is amazing, Food is amazing.

3451
02:49:22,560 --> 02:49:25,280
Speaker 5: I love you drinks about drinks had he said, I'm

3452
02:49:25,280 --> 02:49:26,400
Speaker 5: sort I love food.

3453
02:49:26,200 --> 02:49:30,000
Speaker 2: At the bottle of red ones in the bottle of red, Nigga, cheers,

3454
02:49:30,520 --> 02:49:34,160
Speaker 2: I got classic. You get another shot? I am aoutright.

3455
02:49:34,280 --> 02:49:38,600
Speaker 2: He don't want me to? Yeah, yeah, yeah, yeah, yes, yes,

3456
02:49:39,000 --> 02:49:42,880
Speaker 2: I remember that give you don't got about that ship? No,

3457
02:49:43,040 --> 02:49:50,080
Speaker 2: no to your ship, to your ship she got come on,

3458
02:49:50,600 --> 02:49:56,920
Speaker 2: you got on braces. I don't drink that ship ship.

3459
02:50:02,640 --> 02:50:04,800
Speaker 5: Hey, I'm gonna need you to mold this and put

3460
02:50:04,840 --> 02:50:07,000
Speaker 5: it on a goddamn man somewhere. I want to compare

3461
02:50:07,120 --> 02:50:09,400
Speaker 5: myself to all other artists that come up here. I

3462
02:50:09,520 --> 02:50:13,840
Speaker 5: want to see how many shots motherfuckers take. Okay, so,

3463
02:50:14,040 --> 02:50:17,680
Speaker 5: so who drank the most? Yeah yo, yeah, yeah yeah,

3464
02:50:18,800 --> 02:50:22,640
Speaker 5: hey man hands down to Tony yea yea, all respect,

3465
02:50:23,280 --> 02:50:24,840
Speaker 5: all respect while.

3466
02:50:25,200 --> 02:50:29,520
Speaker 2: Went into respect. Hell yeah, that's what I'm talking about.

3467
02:50:29,879 --> 02:50:33,959
Speaker 2: That's crazy. But put me up there with the greats.

3468
02:50:34,360 --> 02:50:36,400
Speaker 2: Yeah that's all I have. Putting you up in New Grace,

3469
02:50:36,840 --> 02:50:39,160
Speaker 2: Holy morning, more than I got, Bigga. What time is

3470
02:50:39,200 --> 02:50:39,680
Speaker 2: it right now?

3471
02:50:39,760 --> 02:50:39,880
Speaker 8: Bro?

3472
02:50:40,320 --> 02:50:43,480
Speaker 2: You gotta go do it. I'm not not even I

3473
02:50:43,600 --> 02:50:43,920
Speaker 2: want to.

3474
02:50:43,920 --> 02:50:47,560
Speaker 4: Say, but I really have to show BROT I got

3475
02:50:47,640 --> 02:50:50,360
Speaker 4: one more question because the question is.

3476
02:50:54,879 --> 02:50:57,400
Speaker 2: One more drink or is it? Oh my drink? One more,

3477
02:50:57,840 --> 02:51:02,119
Speaker 2: one more drink, one more drink, one more drink. Ship

3478
02:51:02,240 --> 02:51:04,080
Speaker 2: that was with me and T t o.

3479
02:51:05,959 --> 02:51:06,000
Speaker 4: B.

3480
02:51:06,400 --> 02:51:08,600
Speaker 2: Yeah, one more drink. Tone and Polke produced that ship.

3481
02:51:08,680 --> 02:51:15,000
Speaker 2: Did you know that produce one more Drink? Yeah? That

3482
02:51:15,680 --> 02:51:17,760
Speaker 2: I don't even put that together with T paint.

3483
02:51:17,879 --> 02:51:20,080
Speaker 5: Paint I'm sure, I'm pretty sure he did. And then

3484
02:51:20,160 --> 02:51:21,920
Speaker 5: uh Kat Williams was in that video.

3485
02:51:22,200 --> 02:51:25,440
Speaker 2: That ship was just fun man. Yeah. I remember Kanye

3486
02:51:25,600 --> 02:51:26,480
Speaker 2: being in my home.

3487
02:51:26,360 --> 02:51:28,840
Speaker 5: Studio listening to that album because I'm sure we worked

3488
02:51:28,879 --> 02:51:31,200
Speaker 5: on something for it, and he heard that out of

3489
02:51:31,280 --> 02:51:32,960
Speaker 5: all this other stuff that I was going to put

3490
02:51:33,000 --> 02:51:35,160
Speaker 5: up for singles, he was like, that's it right there.

3491
02:51:35,560 --> 02:51:37,920
Speaker 5: That's the fucking one and one more Drink did what

3492
02:51:38,000 --> 02:51:41,200
Speaker 5: it had to do. That should be the Drink Champs

3493
02:51:41,400 --> 02:51:43,840
Speaker 5: theme song. What the Shire were talking about right now?

3494
02:51:45,200 --> 02:51:47,160
Speaker 2: Version of it. We can if they just give me

3495
02:51:47,560 --> 02:51:49,520
Speaker 2: a little bit to remix it for us. Yeah, you

3496
02:51:49,600 --> 02:51:51,120
Speaker 2: got to make the beat. We'll make it happen if

3497
02:51:51,160 --> 02:51:55,080
Speaker 2: they give me another check, like they gave me. Look

3498
02:51:55,120 --> 02:51:58,040
Speaker 2: at us up right now, man, okay, you gonna make

3499
02:51:58,120 --> 02:52:01,360
Speaker 2: us go what a good checks and we spoke about

3500
02:52:01,400 --> 02:52:05,199
Speaker 2: lovers and friends. That was my last question. But Luda.

3501
02:52:06,959 --> 02:52:10,680
Speaker 4: Shaka, I want to look at you brothers, face to face,

3502
02:52:10,800 --> 02:52:15,040
Speaker 4: man to man and tell y'all, thank y'all because not

3503
02:52:15,200 --> 02:52:18,360
Speaker 4: for what you did tonight. Tonight was it's beautiful right

3504
02:52:18,760 --> 02:52:24,680
Speaker 4: that has nothing to do it, but you did. And yeah,

3505
02:52:28,120 --> 02:52:32,879
Speaker 4: your journey to be here, it's so beautiful.

3506
02:52:33,000 --> 02:52:37,680
Speaker 2: Man. Every hip hop artist.

3507
02:52:39,879 --> 02:52:43,520
Speaker 4: Should be praised because you know what, God bless me

3508
02:52:43,600 --> 02:52:45,120
Speaker 4: for saying it like this, what I'm gonna say it.

3509
02:52:46,200 --> 02:52:52,360
Speaker 4: A McDonald's worker, after he finishes McDonald's shift, he takes

3510
02:52:52,400 --> 02:52:58,040
Speaker 4: off his m his yellow shit, and he can go

3511
02:52:58,560 --> 02:53:03,680
Speaker 4: return back to regular life. An artist who doesn't make it,

3512
02:53:05,200 --> 02:53:07,920
Speaker 4: or who makes it a little bit, can never turn

3513
02:53:08,000 --> 02:53:12,040
Speaker 4: back to regular life, even if he doesn't make it.

3514
02:53:12,160 --> 02:53:15,240
Speaker 4: You know what the people say to him, bitch ass nigga.

3515
02:53:16,720 --> 02:53:19,240
Speaker 4: You tried that, you tried to be better than us.

3516
02:53:20,440 --> 02:53:23,800
Speaker 4: But when an artist that makes it and tries to

3517
02:53:23,959 --> 02:53:30,160
Speaker 4: do that and then goes to that level, that hate

3518
02:53:30,280 --> 02:53:35,160
Speaker 4: is so crazy, that hate is so tremendous.

3519
02:53:38,360 --> 02:53:40,600
Speaker 2: You summing up. Every nigga that ever took a shot

3520
02:53:40,640 --> 02:53:44,800
Speaker 2: at Ludacris ever in life. You literally some of it up.

3521
02:53:44,800 --> 02:53:47,200
Speaker 5: I'm talking about motherfuckers that I fuck with people. I

3522
02:53:47,320 --> 02:53:51,200
Speaker 5: don't fuck with everything. I should have answered it that way.

3523
02:53:51,320 --> 02:53:52,720
Speaker 5: Let me put it in suppose I do it.

3524
02:53:52,840 --> 02:53:57,520
Speaker 2: What do you think the opposite of love is hate? No,

3525
02:53:58,080 --> 02:54:02,560
Speaker 2: not at all. The opposite of hate? Oh yeah, Love

3526
02:54:02,640 --> 02:54:05,240
Speaker 2: and hate is the same emotion from a different perspective.

3527
02:54:05,760 --> 02:54:09,080
Speaker 2: What's the opposite opp of love is indifference? When I

3528
02:54:09,120 --> 02:54:12,040
Speaker 2: don't give a fuck about you? Wow? Fact, I don't

3529
02:54:12,080 --> 02:54:16,040
Speaker 2: care when you mean nothing to me. People hate you.

3530
02:54:16,920 --> 02:54:19,039
Speaker 2: They love you so much they'd rather you argue with them.

3531
02:54:19,440 --> 02:54:22,800
Speaker 1: They rather engage them in negative action just so they

3532
02:54:22,840 --> 02:54:25,600
Speaker 1: could feel something right. When people don't give a fuck

3533
02:54:25,640 --> 02:54:29,200
Speaker 1: about you, when I don't care about you, that's the

3534
02:54:29,200 --> 02:54:29,879
Speaker 1: opposite of love.

3535
02:54:29,959 --> 02:54:34,360
Speaker 2: Indifference. Wow, that's some real shit. Take that with you.

3536
02:54:37,360 --> 02:54:39,119
Speaker 5: That's why I say most of the shit where niggas

3537
02:54:39,160 --> 02:54:41,200
Speaker 5: have issues with me, it's not what they're telling you

3538
02:54:41,400 --> 02:54:43,640
Speaker 5: on camera. It's something totally different.

3539
02:54:43,720 --> 02:54:46,200
Speaker 2: They love them. I wouldn't even go as far as

3540
02:54:46,240 --> 02:54:47,080
Speaker 2: to say that they love you.

3541
02:54:47,320 --> 02:54:49,520
Speaker 5: I would say that it's something totally different that they're

3542
02:54:49,520 --> 02:54:53,760
Speaker 5: not telling you and I have enough respect that we

3543
02:54:53,840 --> 02:54:55,160
Speaker 5: have if we have a history together.

3544
02:54:55,240 --> 02:54:57,440
Speaker 2: Fuck anybody I don't have a history with. We can

3545
02:54:57,480 --> 02:54:58,160
Speaker 2: go toe to toe.

3546
02:54:58,640 --> 02:55:00,680
Speaker 5: You say something about me on the record, I'm hitting back.

3547
02:55:00,840 --> 02:55:06,400
Speaker 5: But anybody that I have a respect for, I'm gonna

3548
02:55:06,680 --> 02:55:08,480
Speaker 5: I'm not gonna do the same ship that you're doing.

3549
02:55:08,480 --> 02:55:10,040
Speaker 5: I'm gonna try and take the higher road. I'm gonna

3550
02:55:10,120 --> 02:55:11,840
Speaker 5: let you try and get that ship off.

3551
02:55:12,000 --> 02:55:14,920
Speaker 4: Has there ever been a situation where that aspired where

3552
02:55:14,959 --> 02:55:17,360
Speaker 4: someone you feel like someone came at you and.

3553
02:55:17,400 --> 02:55:21,480
Speaker 2: You was like, let me relax. It happens all the time.

3554
02:55:21,560 --> 02:55:22,760
Speaker 2: That's what I'm saying. It happens.

3555
02:55:23,200 --> 02:55:25,640
Speaker 5: It's all towards what you just said, though you know

3556
02:55:25,680 --> 02:55:27,760
Speaker 5: what I'm saying, and it also happens in the same

3557
02:55:27,840 --> 02:55:28,720
Speaker 5: sense of what he said.

3558
02:55:28,800 --> 02:55:31,160
Speaker 2: The opposite of motherfucking love is indifference.

3559
02:55:31,840 --> 02:55:33,840
Speaker 5: So if you still got my name in your mouth

3560
02:55:34,200 --> 02:55:37,080
Speaker 5: and you're still coming up with ship that we know

3561
02:55:37,280 --> 02:55:43,160
Speaker 5: that's not the real answer. That's not indifference. That's a

3562
02:55:43,200 --> 02:55:47,200
Speaker 5: certain that's a that's a it's a section of love.

3563
02:55:47,680 --> 02:55:52,080
Speaker 5: It's basically in the love category. That's all I'm saying,

3564
02:55:52,920 --> 02:55:53,840
Speaker 5: because guess.

3565
02:55:53,640 --> 02:55:57,240
Speaker 4: What I love these niggas, man, falls, I love I

3566
02:55:57,360 --> 02:56:00,440
Speaker 4: love yeah, you know what I mean, the niggas.

3567
02:56:00,440 --> 02:56:01,320
Speaker 2: I love them, like.

3568
02:56:01,440 --> 02:56:05,640
Speaker 5: Wow, absolutely. Like I said, I pray for If that

3569
02:56:05,680 --> 02:56:06,480
Speaker 5: ain't love, I don't know what.

3570
02:56:06,720 --> 02:56:09,600
Speaker 4: I don't pray for my niggas though, you don't do that, no,

3571
02:56:09,879 --> 02:56:13,800
Speaker 4: fuck them, you got, I don't pray for him. I'll

3572
02:56:13,800 --> 02:56:18,960
Speaker 4: be like, all right, maybe me and you agreed, well,

3573
02:56:19,000 --> 02:56:19,560
Speaker 4: pray for him.

3574
02:56:19,640 --> 02:56:23,240
Speaker 2: Fuck him. I'm sorry. I'm sorry. I'm a different, very real.

3575
02:56:23,600 --> 02:56:25,920
Speaker 2: I'm a different Listen. I love yo.

3576
02:56:26,000 --> 02:56:32,000
Speaker 4: But Shaka, thank you man so much, Aluda, thank thank

3577
02:56:32,040 --> 02:56:39,120
Speaker 4: you so much man, because this is real man, this

3578
02:56:39,200 --> 02:56:40,840
Speaker 4: is beautiful, and I want you to know that this

3579
02:56:40,959 --> 02:56:44,520
Speaker 4: is your platform. Shaka, you can, you know, come over

3580
02:56:44,560 --> 02:56:51,119
Speaker 4: here and promote your yellow shoelaces, you know, anytime, like anytime,

3581
02:56:53,200 --> 02:56:58,640
Speaker 4: because you know what, what's crazy about it is there's

3582
02:56:58,680 --> 02:57:02,480
Speaker 4: so many people are tradition of how they start promoting things,

3583
02:57:03,160 --> 02:57:05,160
Speaker 4: and the thing about it is that's not what we are.

3584
02:57:05,440 --> 02:57:09,720
Speaker 2: We are just us us.

3585
02:57:10,400 --> 02:57:14,119
Speaker 4: Just come over here, get your briefcase, have some fun,

3586
02:57:15,320 --> 02:57:17,360
Speaker 4: let's have some let's let's let's just do what the

3587
02:57:17,440 --> 02:57:21,480
Speaker 4: fun we gotta do, because this is now hip hop journalism.

3588
02:57:23,040 --> 02:57:29,320
Speaker 4: I've just seen Elliott Wilson. Oh I've seen your eyes. Okay, Well,

3589
02:57:29,360 --> 02:57:35,440
Speaker 4: Elliot Wilson posted sexy rad no no no, what Nicki

3590
02:57:35,520 --> 02:57:38,640
Speaker 4: Minaj and then he said this hip hop journalism and.

3591
02:57:38,720 --> 02:57:42,480
Speaker 2: He was a hater. That was that was.

3592
02:57:44,440 --> 02:57:47,240
Speaker 4: I didn't see it, but I know Ni, that's not.

3593
02:57:48,680 --> 02:57:52,800
Speaker 4: It's dope to me too. But the point is, that's

3594
02:57:52,879 --> 02:57:55,840
Speaker 4: not what we're doing. What we're doing is we're alluding

3595
02:57:55,920 --> 02:57:59,200
Speaker 4: hip hop. That's what this is, what this is what

3596
02:57:59,320 --> 02:57:59,840
Speaker 4: we're about.

3597
02:58:00,040 --> 02:58:02,160
Speaker 2: I don't know what everyone else, it's only about saluting

3598
02:58:02,280 --> 02:58:05,920
Speaker 2: hip hop. We're about saluting hip hop.

3599
02:58:07,240 --> 02:58:11,080
Speaker 4: But continuing to make sure hip hop goes to that

3600
02:58:11,240 --> 02:58:12,400
Speaker 4: fucking next level.

3601
02:58:13,360 --> 02:58:14,199
Speaker 2: And Luda.

3602
02:58:15,600 --> 02:58:22,920
Speaker 11: Shaka, all you guys, Jeff, Jeff, Jeff, Jeff, all you guys, bro,

3603
02:58:24,360 --> 02:58:26,400
Speaker 11: you are the definition of loyalty.

3604
02:58:26,800 --> 02:58:30,080
Speaker 4: You're a definition and respect. You are a definition of

3605
02:58:31,040 --> 02:58:36,080
Speaker 4: what started follow us. It's what ended. And not to

3606
02:58:36,120 --> 02:58:38,960
Speaker 4: say y'all legacy is ended. I'm not saying that. But

3607
02:58:39,000 --> 02:58:42,600
Speaker 4: what I'm saying is so fared for y'all to still

3608
02:58:42,680 --> 02:58:45,840
Speaker 4: continue to be together. It's something that we all have

3609
02:58:46,000 --> 02:58:50,240
Speaker 4: to salute. Every man here I seem them forget it.

3610
02:58:53,120 --> 02:58:58,240
Speaker 2: And y'all continue to be here mm hmm.

3611
02:59:03,560 --> 02:59:09,000
Speaker 4: Here and by the way, I ain't gonna, I ain't gonna.

3612
02:59:09,720 --> 02:59:10,959
Speaker 4: I got on boo Gary.

3613
02:59:13,320 --> 02:59:15,040
Speaker 2: On that note, Nigga, what time is it?

3614
02:59:19,080 --> 02:59:22,160
Speaker 6: Drink Champs is a Drink Champs ll C production in

3615
02:59:22,280 --> 02:59:27,200
Speaker 6: association with Interval Presents. Hosts and executive producers n O

3616
02:59:27,360 --> 02:59:31,880
Speaker 6: r E and dj e FN from Interval Presents executive

3617
02:59:31,920 --> 02:59:34,520
Speaker 6: producers Alan Coy and Jake Kleinberg.

3618
02:59:35,240 --> 02:59:36,320
Speaker 2: Listen to Drink Champs on.

3619
02:59:36,360 --> 02:59:41,279
Speaker 6: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3620
02:59:42,400 --> 02:59:44,800
Speaker 6: Thanks for joining us for another episode of Drink Champs,

3621
02:59:44,879 --> 02:59:47,480
Speaker 6: hosted by Yours truly, dj e f N and n

3622
02:59:47,520 --> 02:59:49,600
Speaker 6: O r E. Please make sure to follow us on

3623
02:59:49,640 --> 02:59:52,760
Speaker 6: all our socials That's at drink Champs across all platforms,

3624
02:59:53,320 --> 02:59:56,800
Speaker 6: at the Real Noriagon, I g at Noriega on Twitter,

3625
02:59:57,240 --> 03:00:00,200
Speaker 6: mine is at Who's Crazy on I g at d

3626
03:00:00,360 --> 03:00:02,920
Speaker 6: j e f N on Twitter, and most importantly, stay

3627
03:00:03,000 --> 03:00:05,959
Speaker 6: up to date with the latest releases, news and merch

3628
03:00:06,160 --> 03:00:08,040
Speaker 6: by going to drink Champs dot com.