1 00:00:02,120 --> 00:00:06,400 Speaker 1: Previously on Miller High Life Presents The Heavyweight Diaries. The 2 00:00:06,480 --> 00:00:10,399 Speaker 1: new season of Heavyweight is progressing course Blossom Sauce I said, 3 00:00:10,680 --> 00:00:14,040 Speaker 1: very very poor, love your little skit. All I've got 4 00:00:14,080 --> 00:00:30,320 Speaker 1: is a big fat Canadian goose egg. I've just endured 5 00:00:30,680 --> 00:00:33,720 Speaker 1: one of the most humiliating meetings of my adult life, 6 00:00:34,040 --> 00:00:39,000 Speaker 1: I thunder, slamming the Heavyweight office door behind me. Worse 7 00:00:39,040 --> 00:00:41,600 Speaker 1: than the meeting where HR called you out for stealing 8 00:00:41,600 --> 00:00:44,560 Speaker 1: people's lunches from the fridge and you claimed you thought 9 00:00:44,600 --> 00:00:49,840 Speaker 1: they were provided by Gimlet, asks Heavyweight producer Stevie Lane. 10 00:00:49,960 --> 00:00:52,240 Speaker 1: I could have sworn that happened at my old job, 11 00:00:52,320 --> 00:00:57,200 Speaker 1: I say, and yes, worse worse than the meeting where 12 00:00:57,240 --> 00:00:59,720 Speaker 1: the marketing team informed you that you'd mistaken Twitter for 13 00:00:59,760 --> 00:01:03,960 Speaker 1: Google and we're accidentally tweeting out your search queries, asks 14 00:01:04,000 --> 00:01:09,039 Speaker 1: Heavyweight producer Khalila Holt. In my defense, the diarrhea hair 15 00:01:09,080 --> 00:01:13,360 Speaker 1: loss can't stop sneezing. Am I dying? Tweet performed very well, 16 00:01:13,440 --> 00:01:18,200 Speaker 1: I say, and yes, worse worse than the meeting where 17 00:01:18,240 --> 00:01:21,440 Speaker 1: the Gimblet concierge team walked you through a thirty slide 18 00:01:21,440 --> 00:01:24,399 Speaker 1: power point about what can and cannot be flushed and 19 00:01:24,480 --> 00:01:28,000 Speaker 1: a commode after monogrammed socks in your style and size 20 00:01:28,000 --> 00:01:32,279 Speaker 1: were found clogging three toilets, asks heavyweight producer Stevie Lane. 21 00:01:33,400 --> 00:01:36,440 Speaker 1: That was never proven. I say, and I'll ask the 22 00:01:36,520 --> 00:01:39,800 Speaker 1: questions around here. Why aren't the two of you doing 23 00:01:39,840 --> 00:01:44,520 Speaker 1: any work? Neither producer makes a peep. I want ten 24 00:01:44,560 --> 00:01:47,680 Speaker 1: heavyweight pitches on my desk by Monday morning. I bark 25 00:01:48,120 --> 00:01:51,760 Speaker 1: as a walk out the door, but it's Friday afternoon. 26 00:01:52,080 --> 00:01:56,640 Speaker 1: Both producers whimper and unison indeed it is, and it 27 00:01:56,720 --> 00:02:00,560 Speaker 1: won't help to whimper. I whimper as the door slams 28 00:02:00,560 --> 00:02:10,760 Speaker 1: behind me. The weekend is spent in a terrible funk. Where, 29 00:02:10,880 --> 00:02:14,240 Speaker 1: oh where would I find a juicy, nourishing heavyweight for 30 00:02:14,360 --> 00:02:18,600 Speaker 1: me to pluck and savor. I decide to spend Saturday 31 00:02:18,680 --> 00:02:22,799 Speaker 1: wandering with microphone down the rickety boardwalks of Brighton Beach, 32 00:02:23,200 --> 00:02:30,040 Speaker 1: Brooklyn's senior citizenist and Eastern European immigrantiist neighborhood. Care to 33 00:02:30,080 --> 00:02:34,160 Speaker 1: share a regret? I ask passers by. I spend the 34 00:02:34,240 --> 00:02:37,160 Speaker 1: day being showed away by shop keeps and told my 35 00:02:37,280 --> 00:02:40,840 Speaker 1: mothers to stop poking my microphone into their baby carriages. 36 00:02:41,639 --> 00:02:46,120 Speaker 1: Babies have regrets too, I say. As night begins to fall, 37 00:02:46,600 --> 00:02:48,960 Speaker 1: I count the number of languages I've been sworn at 38 00:02:48,960 --> 00:02:55,040 Speaker 1: in by my count two possibly three. Growing desperate, I 39 00:02:55,120 --> 00:02:58,639 Speaker 1: wander out to the beach, flinging myself onto the sands, 40 00:02:58,720 --> 00:03:02,640 Speaker 1: discarded diapers and needles. I beg the ocean's waves to 41 00:03:02,760 --> 00:03:06,480 Speaker 1: drag me down to my watery grave. But when the 42 00:03:06,520 --> 00:03:10,400 Speaker 1: waves creep too close to my penny loafers, I yip, squeal, 43 00:03:10,480 --> 00:03:14,440 Speaker 1: and prance backwards to safety. Has there ever lived a 44 00:03:14,480 --> 00:03:18,080 Speaker 1: more piteous creature? I howl at the heavens. I howl 45 00:03:18,160 --> 00:03:21,720 Speaker 1: so loudly that a diminutive woman selling minced meat dumplings 46 00:03:21,720 --> 00:03:24,960 Speaker 1: from a wooden cart sets down her ladle and asks 47 00:03:25,000 --> 00:03:30,399 Speaker 1: if I'm okay, Have you any regrets? I snivel, mucus 48 00:03:30,400 --> 00:03:33,640 Speaker 1: and tears streaming down my face as I clutch the 49 00:03:33,680 --> 00:03:37,640 Speaker 1: cuff of her thick woolen pant leg. Some small moment 50 00:03:38,080 --> 00:03:42,320 Speaker 1: from the past you wish to revisit with me on 51 00:03:42,400 --> 00:03:45,880 Speaker 1: my hands and knees, and with both hands trembling, I 52 00:03:46,040 --> 00:03:50,040 Speaker 1: raise my sand and cigarette butt covered microphone towards her face. 53 00:03:51,280 --> 00:03:55,480 Speaker 1: You must, I say, turning her cart around. She wheels 54 00:03:55,480 --> 00:04:06,880 Speaker 1: creakily back towards the boardwalk. I rise early the next morning, and, 55 00:04:06,960 --> 00:04:10,960 Speaker 1: after a hearty breakfast of breadsticks and untainted yogurt, set 56 00:04:11,040 --> 00:04:15,400 Speaker 1: off to the public library. The problem I've realized is 57 00:04:15,440 --> 00:04:18,560 Speaker 1: that my search hasn't been random enough. There's no element 58 00:04:18,600 --> 00:04:22,600 Speaker 1: of surprise. I'd like to check out a phone book, 59 00:04:22,640 --> 00:04:26,679 Speaker 1: I exclaim loudly to the librarian. She shushes me down 60 00:04:27,000 --> 00:04:31,200 Speaker 1: and tells me that phone books are now available online. Ah, 61 00:04:31,240 --> 00:04:35,279 Speaker 1: the Internet, I herrumph, it's got at all, hasn't it? 62 00:04:35,720 --> 00:04:41,080 Speaker 1: Everything from computer viruses to squared space? But no, What 63 00:04:41,160 --> 00:04:43,840 Speaker 1: I require is an actual book I could smell and 64 00:04:44,000 --> 00:04:47,720 Speaker 1: hold within my grasp that has actual pages I can 65 00:04:47,760 --> 00:04:52,279 Speaker 1: actually flip through. The librarian quietly leads me into a 66 00:04:52,279 --> 00:04:55,040 Speaker 1: boiler type room that looks as though it's not been 67 00:04:55,160 --> 00:04:59,919 Speaker 1: visited since nineteen oh three, that monumental year when Miller 68 00:05:00,120 --> 00:05:07,680 Speaker 1: High Life was born. The ceiling is leaking and oily 69 00:05:07,800 --> 00:05:11,039 Speaker 1: water is pooling on the floor. Pushed up against a 70 00:05:11,080 --> 00:05:14,599 Speaker 1: concrete wall is a card table stacked with phone books. 71 00:05:15,279 --> 00:05:18,840 Speaker 1: I get to work immediately. I flip open one of 72 00:05:18,839 --> 00:05:23,440 Speaker 1: the gargantuine volumes. May the fates guide my fingertip to 73 00:05:23,520 --> 00:05:26,479 Speaker 1: the one name and number that will preserve me and 74 00:05:26,560 --> 00:05:30,719 Speaker 1: my show. As I dial the number chosen at random, 75 00:05:30,960 --> 00:05:34,359 Speaker 1: my hand shakes violently. I hold my breath as the 76 00:05:34,400 --> 00:05:39,000 Speaker 1: phone rings. The first number is a mortuary. The second 77 00:05:39,120 --> 00:05:43,000 Speaker 1: number is someone who doesn't speak English, the third number 78 00:05:43,360 --> 00:05:48,000 Speaker 1: another mortuary. Finally, a man who sounds naked from the 79 00:05:48,040 --> 00:06:01,000 Speaker 1: waist down tells me to drop dead, leave the library, 80 00:06:01,279 --> 00:06:03,720 Speaker 1: and spend the rest of the day lying prone on 81 00:06:03,760 --> 00:06:07,960 Speaker 1: the couch, reading an old soap opera digest and flipping 82 00:06:08,000 --> 00:06:11,160 Speaker 1: Miller High Life bottle caps into an old timey hat. 83 00:06:12,200 --> 00:06:14,560 Speaker 1: Two more days had passed and all I had to 84 00:06:14,600 --> 00:06:17,480 Speaker 1: show for it was a half completed soap opera, digest, 85 00:06:17,520 --> 00:06:21,159 Speaker 1: crossroad puzzle, and an old timey hat filled with Miller 86 00:06:21,240 --> 00:06:25,719 Speaker 1: High Life bottle caps. Boy, all this bottle cap flipping 87 00:06:25,800 --> 00:06:38,920 Speaker 1: sure was making me thirsty for Miller High Life. This 88 00:06:38,960 --> 00:06:42,200 Speaker 1: has been Chapter four of the Heavyweight Diaries. The next 89 00:06:42,240 --> 00:06:45,560 Speaker 1: season of Heavyweight will begin in five weeks on September 90 00:06:45,600 --> 00:06:48,640 Speaker 1: twenty sixth. And remember, if you don't listen to Heavyweight 91 00:06:48,680 --> 00:06:52,800 Speaker 1: on Spotify, Alex tells me, I'll be deemed superfluous and 92 00:06:52,960 --> 00:06:57,200 Speaker 1: escorted out of the office. By Security. Heavyweight is Me 93 00:06:57,360 --> 00:07:01,520 Speaker 1: Jonathan Goldstein along with Jorge just Vy Lane, Khalila Holt, 94 00:07:01,560 --> 00:07:04,839 Speaker 1: and b A. Parker. This episode was mixed by Emamonger, 95 00:07:05,279 --> 00:07:08,880 Speaker 1: music by Bobby lord our ad music is Vivaldi Spring 96 00:07:09,040 --> 00:07:12,960 Speaker 1: performed by the Wichita State University Chamber Players. Will have 97 00:07:13,000 --> 00:07:16,040 Speaker 1: a new chapter of the Heavyweight Diaries next week