1
00:00:00,240 --> 00:00:03,320
Speaker 1: It's devastating to see what the people of Louisiana and

2
00:00:03,440 --> 00:00:06,200
Speaker 1: surrounding areas are dealing with right now in the wake

3
00:00:06,240 --> 00:00:09,159
Speaker 1: of Hurricane Laura. It's Amy from the Bobbybones Show here

4
00:00:09,200 --> 00:00:10,520
Speaker 1: and just wanted to let you know that you can

5
00:00:10,560 --> 00:00:13,399
Speaker 1: help out by going to Bobbybones dot com and if

6
00:00:13,440 --> 00:00:16,759
Speaker 1: you want to purchase a Pimp and Joy item from

7
00:00:16,920 --> 00:00:20,240
Speaker 1: there or a Louisiana Strong shirt that the Shot Forward

8
00:00:20,280 --> 00:00:23,079
Speaker 1: put up, we have those linked again at Bobby Bones

9
00:00:23,160 --> 00:00:25,720
Speaker 1: dot com. And if you're curious about what Pimp and

10
00:00:25,800 --> 00:00:28,520
Speaker 1: Joy is, maybe you're a new listener. It started years

11
00:00:28,520 --> 00:00:31,600
Speaker 1: ago as a movement when my mom was battling cancer

12
00:00:31,760 --> 00:00:35,880
Speaker 1: and it's definitely based on a positive message of choosing

13
00:00:35,960 --> 00:00:38,240
Speaker 1: joy when you're going through a hard time and spreading

14
00:00:38,320 --> 00:00:41,560
Speaker 1: joy to others. So anytime you buy a Pimp and

15
00:00:41,640 --> 00:00:45,240
Speaker 1: Joy item, it goes directly to spreading joy to those

16
00:00:45,320 --> 00:00:48,920
Speaker 1: that need it. And right now Louisiana needs our help,

17
00:00:49,000 --> 00:00:53,560
Speaker 1: so Bobbybones dot com for that. So Bobby Bones post

18
00:00:53,600 --> 00:00:56,160
Speaker 1: show pre show like to say thank you everybody that

19
00:00:56,760 --> 00:00:59,480
Speaker 1: has put up with my scratchy voice in the the past

20
00:00:59,480 --> 00:01:01,960
Speaker 1: few days, like it done a good job making sure

21
00:01:02,000 --> 00:01:04,280
Speaker 1: that it stays, Okay, not the best. But you know,

22
00:01:04,280 --> 00:01:05,800
Speaker 1: we didn't do a post show yesterday at all. I'm

23
00:01:05,800 --> 00:01:06,960
Speaker 1: just trying to save it so I can get onto

24
00:01:06,959 --> 00:01:09,440
Speaker 1: the radio show. So I just appreciate you guys. I'm

25
00:01:09,480 --> 00:01:12,120
Speaker 1: not pushing myself too hard. You know. Um, I got

26
00:01:12,160 --> 00:01:13,560
Speaker 1: a couple of things we're gonna do in the post show.

27
00:01:13,560 --> 00:01:16,080
Speaker 1: We'll keep it short today just because I'm gonna blow

28
00:01:16,080 --> 00:01:18,959
Speaker 1: this voice out from Monday. But why don't we do

29
00:01:19,120 --> 00:01:23,880
Speaker 1: Flashback Friday two thousand and three. Here we go, Flashback

30
00:01:24,080 --> 00:01:27,319
Speaker 1: Friday in two thousand and three, on this day, thousand

31
00:01:27,360 --> 00:01:29,760
Speaker 1: three is twenty three. Who was just I was just

32
00:01:29,880 --> 00:01:33,760
Speaker 1: in Austin. I was a young unorthodox night guy. No.

33
00:01:34,200 --> 00:01:35,520
Speaker 1: Dousand and three. I was doing the morning for the

34
00:01:35,560 --> 00:01:39,400
Speaker 1: first time. Yeah, I was a young orthodox morning guy

35
00:01:39,440 --> 00:01:40,640
Speaker 1: who they were like, what the crap are they doing

36
00:01:40,640 --> 00:01:45,080
Speaker 1: giving this guy radio show? Was that two thousand and three? Yes, yeah, boy,

37
00:01:45,400 --> 00:01:47,520
Speaker 1: that's dramatic. That was a dramatic year when they gave

38
00:01:47,560 --> 00:01:50,520
Speaker 1: me that show. They were like, he's twenty two. I

39
00:01:50,640 --> 00:01:53,280
Speaker 1: turned twenty three that year. But it's like, you can't

40
00:01:53,320 --> 00:01:56,200
Speaker 1: give him morning. He just never done mornings. And I

41
00:01:56,320 --> 00:01:59,720
Speaker 1: was like, inside, I was like all right. Outside, I

42
00:01:59,760 --> 00:02:01,600
Speaker 1: was like, so stupid. I can do it, I can

43
00:02:01,640 --> 00:02:05,040
Speaker 1: do anything. But uh yeah, Inside I was like, yeah,

44
00:02:05,040 --> 00:02:07,680
Speaker 1: they shouldn't give a multimillion dollars station into some idiot

45
00:02:07,680 --> 00:02:10,160
Speaker 1: who's never done mornings. But here we are. The biggest

46
00:02:10,160 --> 00:02:12,079
Speaker 1: country song that year is Brooks and Done Red Dirt

47
00:02:12,160 --> 00:02:20,200
Speaker 1: Road Jam. The biggest pop song is in the Club

48
00:02:20,240 --> 00:02:25,600
Speaker 1: Its Descent. We played this every ten seconds in your show. Yeah,

49
00:02:27,880 --> 00:02:30,200
Speaker 1: and the biggest thing in pop culture. And Madonna shared

50
00:02:30,200 --> 00:02:33,840
Speaker 1: a kiss with Britney Spears and Christina Aguilera, and so

51
00:02:33,919 --> 00:02:36,040
Speaker 1: in the middle of that, Madonna brushed a piece of

52
00:02:36,040 --> 00:02:38,760
Speaker 1: hair from Britney's face and kissed her. Right after the kiss,

53
00:02:38,800 --> 00:02:41,919
Speaker 1: the camera immediately panted, justin Timberlake. But what people forget

54
00:02:41,919 --> 00:02:43,840
Speaker 1: is she didn't Christina aguilaight too. And that wasn't the

55
00:02:43,919 --> 00:02:45,560
Speaker 1: news story. It was just herming Britney because Britney was

56
00:02:45,600 --> 00:02:49,280
Speaker 1: a bigger deal then, right, Number one Award shows were cool.

57
00:02:49,400 --> 00:02:51,400
Speaker 1: We wait for him, watch them all the time. Now

58
00:02:51,440 --> 00:02:54,480
Speaker 1: we don't give buck cr ap. Oh one other thing

59
00:02:54,520 --> 00:02:56,639
Speaker 1: I wanted to play And I haven't heard this. I

60
00:02:56,760 --> 00:02:59,359
Speaker 1: purposely not listening because I know I'll cringe. This could

61
00:02:59,440 --> 00:03:03,280
Speaker 1: be cringe. Mike is a cringeworthy What is it? So?

62
00:03:03,560 --> 00:03:05,600
Speaker 1: Mike d found an old clip of me from ten

63
00:03:05,680 --> 00:03:10,840
Speaker 1: years ago. Oh boy, so a flashback Friday personal me

64
00:03:11,040 --> 00:03:15,480
Speaker 1: singing Billionaire with Bruno Mars. So a Billionaire Travie McCoy

65
00:03:15,520 --> 00:03:19,359
Speaker 1: featuring Bruno marsum I was going through an old hard

66
00:03:19,400 --> 00:03:21,680
Speaker 1: drive Mic wrote and found some old interviews and performances

67
00:03:21,760 --> 00:03:23,760
Speaker 1: from back in the day. This one was pretty cool.

68
00:03:24,000 --> 00:03:27,720
Speaker 1: Twenty ten, Bruno Mars had stopped by. He was Stole,

69
00:03:27,760 --> 00:03:29,800
Speaker 1: a new artist who was mostly known for his features

70
00:03:30,120 --> 00:03:32,919
Speaker 1: on Nothing On You by Bob and Billionaire with Trivy McCoy.

71
00:03:33,360 --> 00:03:37,760
Speaker 1: Here's Bruno Mars. Oh god, come on, I want to

72
00:03:37,800 --> 00:03:41,520
Speaker 1: hear this. Here's Bruno Mars doing the singing part and

73
00:03:41,520 --> 00:03:43,040
Speaker 1: I come in on the rap. Don't want to play.

74
00:03:43,480 --> 00:03:47,880
Speaker 1: I know I remember this, just really I just went

75
00:03:48,000 --> 00:03:49,720
Speaker 1: with something so I don't know how bad I'm already

76
00:03:49,760 --> 00:03:51,600
Speaker 1: sticking up for myself ten years ago because I know

77
00:03:51,720 --> 00:03:53,960
Speaker 1: this is gonna be terrible. Do I want the whole

78
00:03:54,000 --> 00:03:56,240
Speaker 1: minute twenty kind of play that? Okay, here we go.

79
00:03:57,280 --> 00:04:02,640
Speaker 1: I want to be a billionaire so freaking bad by

80
00:04:03,080 --> 00:04:08,640
Speaker 1: love the things I never had. I want to be

81
00:04:08,800 --> 00:04:15,200
Speaker 1: on the cover of Falls magazine smiling next time Oprah

82
00:04:15,480 --> 00:04:24,080
Speaker 1: and Queen, or every time I close my eyes I

83
00:04:24,360 --> 00:04:31,520
Speaker 1: see my name in shiny that Yeah, a different city

84
00:04:31,880 --> 00:04:38,159
Speaker 1: every night. Oh why I swear the world bets April

85
00:04:39,080 --> 00:04:43,440
Speaker 1: when now I'm a feeling. Now I would have a

86
00:04:43,520 --> 00:04:47,400
Speaker 1: show like Oprah. I would beat the host every day Christmas.

87
00:04:47,520 --> 00:04:50,000
Speaker 1: Give Bobby a wish list, I probably pull it out

88
00:04:50,000 --> 00:04:52,560
Speaker 1: Angelina and wrap it, adopt a bunch of babies that

89
00:04:52,760 --> 00:04:56,000
Speaker 1: they never had, giveaway of Mercedes, like, hey, lady, have

90
00:04:56,200 --> 00:04:59,040
Speaker 1: this and last, but my least, grab somebody they last wish.

91
00:04:59,120 --> 00:05:01,440
Speaker 1: It's been a couple once since I've been single, so

92
00:05:01,839 --> 00:05:04,000
Speaker 1: you can call me Bobby Cloth minus the ho ho

93
00:05:04,320 --> 00:05:07,520
Speaker 1: get it. I probably visited with I'm training him. Damn sure.

94
00:05:07,560 --> 00:05:10,800
Speaker 1: I do more than FEMA did. Can't forget about me,

95
00:05:10,920 --> 00:05:16,280
Speaker 1: stupid everywhere. Okay, take it, Bruno, thank you. Hey, that

96
00:05:16,440 --> 00:05:21,440
Speaker 1: was awesome, so good. The things are stuck out to me. One.

97
00:05:21,880 --> 00:05:23,840
Speaker 1: I was really trying to mimic Traviy McCoy with my

98
00:05:24,320 --> 00:05:28,880
Speaker 1: my ya that thing too. I said the D word.

99
00:05:28,880 --> 00:05:30,600
Speaker 1: I don't haven't cursed in years. It's always weird to

100
00:05:30,600 --> 00:05:32,640
Speaker 1: hear me curse back in the day man in old days.

101
00:05:33,200 --> 00:05:35,200
Speaker 1: And also the big thing is Bruno Mars is so good,

102
00:05:35,400 --> 00:05:38,640
Speaker 1: so god amazing, it's so good. Huh when's he gonna

103
00:05:38,680 --> 00:05:41,240
Speaker 1: come on this show? I don't know, Maybe recreate it

104
00:05:41,279 --> 00:05:42,640
Speaker 1: he probably thinks about all the time. Yeah, I'm like,

105
00:05:42,680 --> 00:05:44,920
Speaker 1: how can your Bobby to recreate that moment? All right,

106
00:05:44,960 --> 00:05:47,000
Speaker 1: you're gonna love today's show. I'm gonna shut up and

107
00:05:47,080 --> 00:05:49,320
Speaker 1: let's get to it. Thank you guys. By the way, Monday,

108
00:05:49,880 --> 00:05:52,520
Speaker 1: Brandley Gilbert will be on. There's a new Bobby cast up.

109
00:05:52,560 --> 00:05:54,200
Speaker 1: I talked to Tracy Lawrence. If you want to check

110
00:05:54,200 --> 00:05:56,960
Speaker 1: out my music podcast. Um four Things, Amy, what's going

111
00:05:56,960 --> 00:06:01,440
Speaker 1: on yours? Oh? I have continuing conversation about feelings on

112
00:06:01,560 --> 00:06:05,400
Speaker 1: mine interview with a guy that runs foster homes in Haiti,

113
00:06:05,680 --> 00:06:08,600
Speaker 1: which is awesome. And then I also give you a

114
00:06:08,680 --> 00:06:11,239
Speaker 1: list of things that you should not feel guilty about,

115
00:06:11,279 --> 00:06:14,520
Speaker 1: but sometimes we often do. So it's a real diverse episode.

116
00:06:14,600 --> 00:06:16,720
Speaker 1: All right, check out Four Things with Amy Brown. You

117
00:06:16,800 --> 00:06:19,000
Speaker 1: guys have the Sore Loser Sports show. We'll see you guys.

118
00:06:19,279 --> 00:06:21,560
Speaker 1: Mike d has Movie Mike's Movie Podcast. We'll see you guys.

119
00:06:21,640 --> 00:06:25,960
Speaker 1: Letter by everybody, Here we go what's up, studio, Good morning, studio,

120
00:06:26,600 --> 00:06:29,760
Speaker 1: Thank you. I stayed up all night last night just

121
00:06:29,800 --> 00:06:31,240
Speaker 1: dealing with this sinus thing. But I feel like I

122
00:06:31,279 --> 00:06:32,960
Speaker 1: want to I'm on the track back. I want to

123
00:06:33,000 --> 00:06:36,040
Speaker 1: track back. Baby good. Also, I talk like this round

124
00:06:36,080 --> 00:06:38,800
Speaker 1: the house and I'm not sick at all. It's just

125
00:06:38,880 --> 00:06:41,360
Speaker 1: once a year this thing gets me. And I take

126
00:06:41,400 --> 00:06:44,800
Speaker 1: every medicine in the world. I wake up, take three

127
00:06:45,000 --> 00:06:47,919
Speaker 1: allergy pills and take just non stuff like a medicine

128
00:06:47,920 --> 00:06:51,080
Speaker 1: cabin every day. But um, yeah, hopefully I got a

129
00:06:51,120 --> 00:06:54,360
Speaker 1: steroid shot. Maybe that helped you. When you have a

130
00:06:54,360 --> 00:06:57,479
Speaker 1: friend who's a nurse that helps Yeah, I was like, hey, dude,

131
00:06:57,520 --> 00:06:59,719
Speaker 1: and he got a little IV got a steroid shot.

132
00:07:00,640 --> 00:07:02,760
Speaker 1: I know. I'm pretty lucky to have a friend that's

133
00:07:02,760 --> 00:07:04,520
Speaker 1: a nurse that can do that. Not everybody does, but

134
00:07:04,920 --> 00:07:07,480
Speaker 1: definitely count them blessing on that one. But if I'm

135
00:07:07,480 --> 00:07:09,200
Speaker 1: performing in the city, if I'm doing stand up and

136
00:07:09,520 --> 00:07:12,120
Speaker 1: I have this, I'll find like a minute clinic. They'll

137
00:07:12,160 --> 00:07:14,360
Speaker 1: pop you with the steroid shot. You feel great for

138
00:07:14,400 --> 00:07:16,760
Speaker 1: about four hours, and then you just want to rip

139
00:07:16,800 --> 00:07:18,560
Speaker 1: your guts out the rest of the night because it's

140
00:07:18,640 --> 00:07:21,760
Speaker 1: such a sinker. So yeah, that's me. Last night I

141
00:07:21,840 --> 00:07:25,040
Speaker 1: watched the final night of the Republican National Convention. I

142
00:07:25,120 --> 00:07:29,760
Speaker 1: watched every night of both of them. I feel about that.

143
00:07:30,200 --> 00:07:35,679
Speaker 1: That's pretty Awesome's takeaway. That's a great question. What's my takeaway?

144
00:07:36,120 --> 00:07:39,640
Speaker 1: I feel like I'm suffering an existential crisis with myself

145
00:07:39,760 --> 00:07:43,120
Speaker 1: right now that I don't. I watch them both and

146
00:07:43,200 --> 00:07:48,559
Speaker 1: I'm like, yeah, to some of it, that's it. I can't.

147
00:07:48,600 --> 00:07:51,440
Speaker 1: I'm just not what I guess everybody is where you

148
00:07:51,560 --> 00:07:53,800
Speaker 1: just take yourself and firmly put yourself in aside and

149
00:07:53,880 --> 00:07:59,160
Speaker 1: dig in and go, we're here, you're not, you suck. Yeah,

150
00:08:00,360 --> 00:08:04,120
Speaker 1: it drives me crazy. So but that's what I found

151
00:08:04,160 --> 00:08:07,080
Speaker 1: that I'm not normal because I watch and there things. Listen,

152
00:08:07,120 --> 00:08:09,960
Speaker 1: I'm I'm for a smaller government, but then again, I

153
00:08:10,080 --> 00:08:14,440
Speaker 1: was on food stamps and welfare as a kid. You know. Um,

154
00:08:14,640 --> 00:08:18,360
Speaker 1: I am for guns Second Amendment, got guns at my house. However,

155
00:08:18,480 --> 00:08:20,120
Speaker 1: I think it should be a little harder to get one,

156
00:08:20,760 --> 00:08:23,880
Speaker 1: and so I just kind of walked down these I

157
00:08:24,040 --> 00:08:25,600
Speaker 1: love our law enforcement, but if you don't think there

158
00:08:25,600 --> 00:08:30,000
Speaker 1: are problems right now, you're out of your freaking mind. So,

159
00:08:30,880 --> 00:08:33,400
Speaker 1: but you almost can't have that opinion, because when you

160
00:08:33,480 --> 00:08:35,760
Speaker 1: get yelled at by both sides and that sucks, well,

161
00:08:35,800 --> 00:08:38,040
Speaker 1: that's what people spend the majority of their time doing

162
00:08:38,320 --> 00:08:42,079
Speaker 1: and then it just the bashing and the not. Just

163
00:08:42,280 --> 00:08:45,160
Speaker 1: feel like it would be so much more productive if

164
00:08:45,600 --> 00:08:49,960
Speaker 1: people thought that way. And trust me, I I for years,

165
00:08:50,200 --> 00:08:52,480
Speaker 1: just because it's how I grew up. I was a

166
00:08:52,600 --> 00:08:57,160
Speaker 1: very very narrow minded voter just because this was the

167
00:08:57,240 --> 00:08:59,880
Speaker 1: party I registered as, and so that's what I had

168
00:09:00,040 --> 00:09:01,880
Speaker 1: to vote for. You can say which one I don't think. Oh,

169
00:09:01,880 --> 00:09:05,280
Speaker 1: I'm a registered Republican, right, but I don't feel that

170
00:09:05,760 --> 00:09:08,960
Speaker 1: attached to it that it defines me as a person

171
00:09:09,080 --> 00:09:12,160
Speaker 1: and that means I have to agree with every single person,

172
00:09:12,600 --> 00:09:15,840
Speaker 1: or that I have to support candidates on the Republican ballot.

173
00:09:15,960 --> 00:09:19,599
Speaker 1: Like that just doesn't have to happen. And once you

174
00:09:19,760 --> 00:09:25,040
Speaker 1: give yourself that permission to like think other things, then

175
00:09:25,720 --> 00:09:28,200
Speaker 1: I mean, you just feel better. And I just feel

176
00:09:28,240 --> 00:09:30,440
Speaker 1: like sometimes people are just so stuck in their party

177
00:09:30,520 --> 00:09:33,360
Speaker 1: lane that they have blinders on. And I've been there

178
00:09:34,400 --> 00:09:37,400
Speaker 1: so just and I'm talking to all the politicians right now,

179
00:09:37,520 --> 00:09:39,840
Speaker 1: all the ones that are listening because they're all up early.

180
00:09:40,840 --> 00:09:43,599
Speaker 1: You know, take your blinders off. Well, they have to

181
00:09:43,840 --> 00:09:46,000
Speaker 1: act away to get the money they need. I know,

182
00:09:46,160 --> 00:09:48,480
Speaker 1: because they're getting money from people with blinders on. So

183
00:09:48,520 --> 00:09:50,920
Speaker 1: I'm also talking to people with money. Yeah, you'ah, good

184
00:09:50,960 --> 00:09:52,480
Speaker 1: luck with that. And people with money just want their

185
00:09:52,600 --> 00:09:55,560
Speaker 1: ideas pushed along. They're basically paying the ideas pushed. Yeah.

186
00:09:56,120 --> 00:09:57,920
Speaker 1: So there's just a lot. But I watch both both

187
00:09:58,040 --> 00:09:59,960
Speaker 1: and then I was like, let me draw my conclusion

188
00:10:00,040 --> 00:10:02,360
Speaker 1: and as to where I feel. And I just feel

189
00:10:02,400 --> 00:10:04,480
Speaker 1: like I'm not like everybody else. I just feel like

190
00:10:04,559 --> 00:10:06,880
Speaker 1: everybody most folks are on a side and they hate

191
00:10:06,920 --> 00:10:09,199
Speaker 1: the other side. And I can't make myself do that.

192
00:10:09,920 --> 00:10:13,319
Speaker 1: There are crazy racial issues in this country. Again, I

193
00:10:13,360 --> 00:10:15,400
Speaker 1: don't take the show and go down this road a lot,

194
00:10:15,440 --> 00:10:16,920
Speaker 1: but that's why. That's why I did. I got at

195
00:10:16,960 --> 00:10:19,960
Speaker 1: a cold and I watched both conventions and I finished

196
00:10:20,040 --> 00:10:21,400
Speaker 1: going I don't know what. I don't know what the

197
00:10:21,400 --> 00:10:24,160
Speaker 1: crabs going on with me, And when I run in Arkansas,

198
00:10:24,679 --> 00:10:26,760
Speaker 1: I don't know what I'm gonna do. I can literally

199
00:10:26,840 --> 00:10:30,360
Speaker 1: go one of three ways. I could be a progressive,

200
00:10:30,400 --> 00:10:34,800
Speaker 1: Republican conservative, moderate Democrat, or an independent. But you have

201
00:10:34,880 --> 00:10:37,199
Speaker 1: no money there, it's hard to get somebody to back you.

202
00:10:37,520 --> 00:10:41,240
Speaker 1: So if any of the Waltons are listening, any of them,

203
00:10:42,840 --> 00:10:44,840
Speaker 1: maybe you have someone Can I start to go fund

204
00:10:44,920 --> 00:10:48,880
Speaker 1: me now for my campaign if I do run. That's

205
00:10:48,880 --> 00:10:52,000
Speaker 1: getting a little testy around work too incorporate. Well, so

206
00:10:52,080 --> 00:10:55,120
Speaker 1: where are you with that? We're gonna see what happens

207
00:10:55,120 --> 00:10:58,959
Speaker 1: a selection. You know, I think how this maybe not

208
00:10:59,080 --> 00:11:01,040
Speaker 1: so much who wins, but I think how this election

209
00:11:01,880 --> 00:11:04,560
Speaker 1: happens from what happens in it, because this is something

210
00:11:04,600 --> 00:11:08,320
Speaker 1: we've never seen before. We're about to have mail and ballots,

211
00:11:08,360 --> 00:11:12,920
Speaker 1: which there's our completely legit. We're gonna have people not

212
00:11:13,000 --> 00:11:15,319
Speaker 1: wanting to vote because of the pandemic. We're gonna have

213
00:11:16,160 --> 00:11:18,640
Speaker 1: who knows what's gonna happen with the results afterward. So

214
00:11:18,800 --> 00:11:20,640
Speaker 1: I think a lot of that will depend on that

215
00:11:21,480 --> 00:11:24,400
Speaker 1: you're running. Yeah, you're running for in leaving this show

216
00:11:24,480 --> 00:11:27,079
Speaker 1: in twenty twenty one to go run. Okay, but I'm

217
00:11:27,120 --> 00:11:28,959
Speaker 1: thirty percent. So people ask me all the time for

218
00:11:29,120 --> 00:11:32,079
Speaker 1: me to check the temperature with an Instagram poll. No,

219
00:11:32,840 --> 00:11:35,719
Speaker 1: see who would get out and vote? Well, it's only

220
00:11:35,760 --> 00:11:39,280
Speaker 1: people in Arkansas. You know. I have followers from Arkansas.

221
00:11:39,960 --> 00:11:43,079
Speaker 1: We have we do have followers. But so that's what

222
00:11:43,160 --> 00:11:45,160
Speaker 1: I did we did that. I went to Amy's house though,

223
00:11:45,920 --> 00:11:49,760
Speaker 1: dropped her son's birthday gift off, took him a PlayStation four,

224
00:11:50,240 --> 00:11:52,599
Speaker 1: gave him one for his birthday. Oh yeah, is he is?

225
00:11:52,600 --> 00:11:54,240
Speaker 1: He gonna play with us now? Yeah? But he didn't

226
00:11:54,240 --> 00:11:56,600
Speaker 1: really care. Okay, no he did. He told me when

227
00:11:56,600 --> 00:11:58,679
Speaker 1: you care, That's what I told Ben, your husband. I

228
00:11:58,760 --> 00:12:02,160
Speaker 1: was like, he wasn't appreach it then, Yeah, but once

229
00:12:02,200 --> 00:12:04,280
Speaker 1: he plays, he's gonna be like, this is the greatest

230
00:12:04,320 --> 00:12:07,800
Speaker 1: thing ever. Yeah he didn't. I said, what I know?

231
00:12:07,960 --> 00:12:10,080
Speaker 1: He was so excited to get a gaming console because

232
00:12:10,080 --> 00:12:12,360
Speaker 1: that's what he wanted. And I asked him when you left,

233
00:12:12,480 --> 00:12:14,480
Speaker 1: I was like, why were you more excited? He goes,

234
00:12:14,800 --> 00:12:18,800
Speaker 1: it's embarrassing. Something about him is like shifting to where

235
00:12:18,880 --> 00:12:22,640
Speaker 1: he feels like how used to act is embarrassing. And

236
00:12:22,720 --> 00:12:26,520
Speaker 1: I'm like, that's not embarrassing to be excited because someone

237
00:12:26,559 --> 00:12:29,760
Speaker 1: bought you an amazing gift. But he does love it. Yeah,

238
00:12:29,840 --> 00:12:31,240
Speaker 1: he'll love it. I didn't have to love it now,

239
00:12:31,280 --> 00:12:36,959
Speaker 1: but he will love it. So the song that's the

240
00:12:37,040 --> 00:12:39,400
Speaker 1: all time worst again stuck in your head. I have

241
00:12:39,520 --> 00:12:44,160
Speaker 1: a list here four, three, two, one, Freddie and number five.

242
00:12:44,320 --> 00:12:45,760
Speaker 1: On the song that gets stuck in my head all

243
00:12:45,800 --> 00:12:48,079
Speaker 1: the time. If I hear it once, I can't stop

244
00:12:48,120 --> 00:12:51,000
Speaker 1: singing it. It's a newer one fgl meant to be

245
00:12:51,160 --> 00:13:02,880
Speaker 1: Oh yeah, just can't shake it. It takes something to

246
00:13:03,000 --> 00:13:05,160
Speaker 1: knock that one out. Some other ones will just go away,

247
00:13:05,440 --> 00:13:07,720
Speaker 1: but I need something to knock meant to be out

248
00:13:07,760 --> 00:13:09,960
Speaker 1: because it just stays in the good one that's at

249
00:13:10,000 --> 00:13:12,680
Speaker 1: my number five on Songs in my Head, number four,

250
00:13:13,400 --> 00:13:14,959
Speaker 1: and I don't hear a lot, but when I do,

251
00:13:15,080 --> 00:13:20,439
Speaker 1: I don't lose it. It's Wilson Phillips, hold on to

252
00:13:20,520 --> 00:13:28,160
Speaker 1: turn around and say goodbye. Can't shake that one at

253
00:13:28,280 --> 00:13:32,640
Speaker 1: number three. It's what they call Rick rolling, Rick Astley,

254
00:13:32,760 --> 00:13:41,840
Speaker 1: never gonna give you up. Number two in the songs

255
00:13:41,880 --> 00:13:44,000
Speaker 1: that stay on my head the longest that I can't shake,

256
00:13:44,880 --> 00:13:51,880
Speaker 1: The Lion Sleeps Tonight, Jule the Mighty Jungle Sleep. Do

257
00:13:53,160 --> 00:13:58,520
Speaker 1: you know the song in the the Mighty Chile? Once

258
00:13:58,600 --> 00:14:00,679
Speaker 1: I hear it, I just listen on Cool ninety five,

259
00:14:00,679 --> 00:14:02,400
Speaker 1: Good Times, great Old He's Cool ninety five. Here we're

260
00:14:02,400 --> 00:14:06,839
Speaker 1: gonna play the Lion Sleeps Tonight. There's like four different

261
00:14:06,920 --> 00:14:08,319
Speaker 1: parts of this song that can just stay in your

262
00:14:08,360 --> 00:14:11,760
Speaker 1: head all and then finally then and you guys may

263
00:14:11,800 --> 00:14:14,839
Speaker 1: have this on your list, um my number one song

264
00:14:14,960 --> 00:14:16,559
Speaker 1: that if I hear it, it's it's so hard to

265
00:14:16,600 --> 00:14:20,640
Speaker 1: get it out? Is this one right here? Because because

266
00:14:20,760 --> 00:14:28,280
Speaker 1: up town Funk? Because I don't believe it? Just watch

267
00:14:30,680 --> 00:14:33,360
Speaker 1: did anyone have that on theirs? The main one? Amy?

268
00:14:33,400 --> 00:14:44,200
Speaker 1: What do you have? A justin Bieber? Baby baby Eddie? What?

269
00:14:44,480 --> 00:14:45,960
Speaker 1: What is it for you? I don't know why I

270
00:14:46,000 --> 00:14:48,400
Speaker 1: get stuck in my head? But and I hate this song.

271
00:14:48,480 --> 00:14:59,840
Speaker 1: It's watched Me, Whip, watched Me name name? I hate?

272
00:15:00,000 --> 00:15:03,760
Speaker 1: It's lunch bikes. Oh, it's easy, Chumbo one book tough

273
00:15:03,840 --> 00:15:12,360
Speaker 1: pumping almost at my left, two boy number two minds

274
00:15:12,400 --> 00:15:15,200
Speaker 1: an old song, It's Vanessa Carlton's A Thousand Miles. That's

275
00:15:15,200 --> 00:15:23,880
Speaker 1: so good. Findal one Ray Boondo. What song gets suck

276
00:15:23,920 --> 00:15:26,240
Speaker 1: in your head? Yeah? Anytime I'm at the I guess

277
00:15:26,320 --> 00:15:28,560
Speaker 1: not at the bar nowadays, but whenever I'm about to

278
00:15:28,600 --> 00:15:30,320
Speaker 1: get a beer, a nice cold beer, I mean, the

279
00:15:30,400 --> 00:15:35,120
Speaker 1: only thing I think of Luke Combs really catchy hook. Yeah,

280
00:15:41,480 --> 00:15:43,080
Speaker 1: we'll put it up on our Facebook page. Tell us

281
00:15:43,080 --> 00:15:45,040
Speaker 1: what song stays in your head the longest? Like you

282
00:15:45,200 --> 00:15:47,760
Speaker 1: just you just can't get it. I wake up. There's

283
00:15:48,400 --> 00:15:49,760
Speaker 1: all the time. There's a song on my head at

284
00:15:49,800 --> 00:15:52,400
Speaker 1: some point too. It's like I go from one. My

285
00:15:52,480 --> 00:15:54,440
Speaker 1: head's like a jukebox. It's just one song to another,

286
00:15:54,520 --> 00:15:59,120
Speaker 1: one song to another, constantly. Brand next song comes up.

287
00:16:00,200 --> 00:16:03,120
Speaker 1: Thank and it's free too. Huh. Yeah. The words are

288
00:16:03,200 --> 00:16:05,800
Speaker 1: never the same as a real version, but yeah, yeah.

289
00:16:09,840 --> 00:16:11,880
Speaker 1: One of the best parts about Friday's shows. Here we go.

290
00:16:12,560 --> 00:16:17,000
Speaker 1: Number five, So Jackie Chan personally trains his stuntmen and

291
00:16:17,160 --> 00:16:20,040
Speaker 1: then he also pays for their medical bills out of

292
00:16:20,080 --> 00:16:27,480
Speaker 1: his pocket. Wow. That's very nice. Wow, pretty cool. Number four. Eddie,

293
00:16:27,560 --> 00:16:31,560
Speaker 1: who's the dog on Frasier, made ten thousand dollars per episode.

294
00:16:31,800 --> 00:16:33,920
Speaker 1: His real name was Moose, and he passed away in

295
00:16:33,960 --> 00:16:36,320
Speaker 1: two thousand and six after making more than three point

296
00:16:36,360 --> 00:16:39,840
Speaker 1: two million dollars on the show. Was that dog? Really?

297
00:16:39,880 --> 00:16:42,160
Speaker 1: I never watched Frasier? Was part of the show, Yeah, okay,

298
00:16:42,720 --> 00:16:46,320
Speaker 1: was always there, Dan, that's they took care of that

299
00:16:46,360 --> 00:16:48,440
Speaker 1: dog like crazy. I won if they had other ones

300
00:16:49,320 --> 00:16:54,800
Speaker 1: bapt Eddie's Wow. Number three. Speaking of money and shows,

301
00:16:55,040 --> 00:16:58,240
Speaker 1: the Breaking Bad Team was offered seventy five million dollars

302
00:16:58,360 --> 00:17:01,840
Speaker 1: to produce three more episodes after the final season, which

303
00:17:02,000 --> 00:17:05,880
Speaker 1: was estivated to be more than their earnings in five

304
00:17:06,000 --> 00:17:08,720
Speaker 1: whole years, but the team refused, saying that the final

305
00:17:08,800 --> 00:17:12,160
Speaker 1: episodes didn't accommodate additional installments. Did you guys ever watched

306
00:17:12,200 --> 00:17:16,760
Speaker 1: the movie Yo on Netflix? Yeah? The one with pink? Yeah?

307
00:17:17,000 --> 00:17:19,320
Speaker 1: I did. I did watch that one. Good is okay? Yes?

308
00:17:19,400 --> 00:17:22,920
Speaker 1: All right? MENTO was never super inspired to get into it.

309
00:17:22,960 --> 00:17:24,399
Speaker 1: It was cool to see some of the old characters

310
00:17:24,440 --> 00:17:26,480
Speaker 1: come back, but I don't really remember the storylines. I

311
00:17:26,520 --> 00:17:31,240
Speaker 1: guess one that memorable. Better call Saul No. No. Number two.

312
00:17:31,840 --> 00:17:36,080
Speaker 1: When Facebook was developing the like button, the engineers all

313
00:17:36,200 --> 00:17:39,720
Speaker 1: wanted to call it the Awesome Button, but Mark Zuckerberd

314
00:17:39,840 --> 00:17:43,320
Speaker 1: betoed it number one. And in two thousand and one,

315
00:17:43,480 --> 00:17:46,080
Speaker 1: a Florida man wrestled a shark out of the water

316
00:17:46,200 --> 00:17:49,120
Speaker 1: to recover his nephew's arm that had been bitten off,

317
00:17:49,640 --> 00:17:52,840
Speaker 1: and doctors managed to successfully reattach it dank. He went

318
00:17:52,880 --> 00:17:56,840
Speaker 1: it for the nephew. That's pretty amazing, son. For sure,

319
00:17:57,560 --> 00:18:00,480
Speaker 1: I would think, Okay, nephew, you go figure about it

320
00:18:00,480 --> 00:18:04,840
Speaker 1: for a little bit. Which is any arm, son or nephew.

321
00:18:04,880 --> 00:18:07,080
Speaker 1: I'd be like, oh man, that's too bad. The shark

322
00:18:07,160 --> 00:18:12,520
Speaker 1: got it. What about Stranger? That's awesome and that they

323
00:18:12,520 --> 00:18:14,800
Speaker 1: can reattach It's crazy. Yeah, that's the best part, all right.

324
00:18:14,840 --> 00:18:23,440
Speaker 1: That was fun fun. The latest from Nashville and Tullywood

325
00:18:23,680 --> 00:18:27,720
Speaker 1: Morgan number two, thirty second Skinny. Carrie Underwood shared the

326
00:18:27,840 --> 00:18:31,400
Speaker 1: track listing for her Christmas album, coming out September twenty fifth.

327
00:18:31,720 --> 00:18:34,840
Speaker 1: She will have a collaboration with John Legend called Hallelujah,

328
00:18:35,160 --> 00:18:37,920
Speaker 1: and her son Isaiah will be featured on her version

329
00:18:38,000 --> 00:18:40,800
Speaker 1: of the classic song Little Drummer Boy. And lots of

330
00:18:40,840 --> 00:18:43,640
Speaker 1: new music out today. Chris Stapleton shared a new song

331
00:18:43,800 --> 00:18:54,560
Speaker 1: called starting Over, Keith Urban released a new song called Tumblewheat,

332
00:19:01,440 --> 00:19:15,119
Speaker 1: Everybody Breeze, and Granger Smith announced a new album and

333
00:19:15,240 --> 00:19:17,879
Speaker 1: dropped two new songs today called Hate You Like I

334
00:19:18,000 --> 00:19:20,879
Speaker 1: Love You in Country Things. Here's his song, hate You

335
00:19:20,960 --> 00:19:27,440
Speaker 1: Like I Love You. I'm just trying to get you

336
00:19:35,720 --> 00:19:43,240
Speaker 1: whatever you like. I love You. I'm Morgan number two.

337
00:19:43,359 --> 00:19:46,840
Speaker 1: That's your skinny hat. It's time for the good news lunchbox.

338
00:19:51,040 --> 00:19:53,080
Speaker 1: There was a woman in Utah. She was doing some

339
00:19:53,240 --> 00:19:55,919
Speaker 1: repelling down a mountain when all of a sudden, her

340
00:19:56,000 --> 00:19:59,440
Speaker 1: hair got tangled in her gear. So she's just hanging

341
00:19:59,480 --> 00:20:03,359
Speaker 1: there from the gate like the ropes with their hair. Luckily,

342
00:20:03,440 --> 00:20:06,560
Speaker 1: the football team from Dixie State University was there repelling

343
00:20:06,720 --> 00:20:09,280
Speaker 1: also and the football players. Some went down to the

344
00:20:09,320 --> 00:20:11,480
Speaker 1: bottom of the cliff just in case she fell. Other

345
00:20:11,560 --> 00:20:14,000
Speaker 1: ones grabbed her rope and for forty five minutes pulled

346
00:20:14,000 --> 00:20:16,280
Speaker 1: her up by their hands. By their hands, hold the

347
00:20:16,359 --> 00:20:19,760
Speaker 1: rope up. Wow, I thought she was scared to death.

348
00:20:21,359 --> 00:20:24,120
Speaker 1: Great story, that's what it's all about. That was tell

349
00:20:24,200 --> 00:20:29,879
Speaker 1: me something good. Sorry, yep. Today this story comes up

350
00:20:29,960 --> 00:20:33,800
Speaker 1: from Marathon, Iowa. A thirty two year old man stole

351
00:20:33,840 --> 00:20:36,120
Speaker 1: a pickup truck and police were trying to figure out

352
00:20:36,160 --> 00:20:38,560
Speaker 1: where he was and they checked GPS on Star and

353
00:20:38,640 --> 00:20:41,919
Speaker 1: they locate him. As they're approaching the suspect, they hit

354
00:20:42,000 --> 00:20:44,560
Speaker 1: the button to shut down the car, just like bait car.

355
00:20:44,960 --> 00:20:46,560
Speaker 1: And he's like, oh no, I gotta get out of

356
00:20:46,600 --> 00:20:49,520
Speaker 1: here because the door won't unlock. So he jumps out

357
00:20:49,680 --> 00:20:52,080
Speaker 1: of the window of the moving truck and he runs

358
00:20:52,119 --> 00:20:56,640
Speaker 1: over his own legs. Oh, he didn't jump far enough

359
00:20:56,680 --> 00:20:58,680
Speaker 1: out He landed in the truck was still moving, and

360
00:20:59,640 --> 00:21:01,960
Speaker 1: so happened to him. He went to the hospital. No,

361
00:21:02,119 --> 00:21:05,439
Speaker 1: no broken bones, but he was arrested. I'm lunchboxed at

362
00:21:05,480 --> 00:21:08,600
Speaker 1: your bone head store of the day. All right, my

363
00:21:08,800 --> 00:21:15,040
Speaker 1: former stepdad Arkansas Keith is Oh, he's hey, we're doing

364
00:21:15,200 --> 00:21:19,399
Speaker 1: you ordering food? Yeah? This is Bobby. What did you

365
00:21:19,440 --> 00:21:27,360
Speaker 1: just order? Yeah? What's up? Many'll do it. We're doing

366
00:21:27,400 --> 00:21:29,320
Speaker 1: pretty good. I actually got him all for a couple

367
00:21:29,320 --> 00:21:32,399
Speaker 1: of reasons. First, he texted me during the show and

368
00:21:32,560 --> 00:21:35,280
Speaker 1: was like, hey, I heard Eddie talk about that pink tricycle.

369
00:21:35,400 --> 00:21:36,840
Speaker 1: Oh yeah, what do you think? What do you think

370
00:21:36,840 --> 00:21:39,720
Speaker 1: about that? Keith? If they had one tricycle and it

371
00:21:39,840 --> 00:21:41,359
Speaker 1: was pink but for a little boy, what would you

372
00:21:41,400 --> 00:21:46,919
Speaker 1: have done? Well? I would have probably got the pink cycle,

373
00:21:47,160 --> 00:21:49,360
Speaker 1: took it home, and cameled it out with a camel take.

374
00:21:51,280 --> 00:21:54,879
Speaker 1: Here you go. Camel goes for every time. That's true,

375
00:21:55,280 --> 00:21:57,360
Speaker 1: So I'm just playing. It would have works fine that way.

376
00:21:57,400 --> 00:21:58,639
Speaker 1: If that's the only one to hand, I would have

377
00:21:58,640 --> 00:22:01,000
Speaker 1: probably gotten it. What'd you think about that girl? What

378
00:22:01,080 --> 00:22:02,640
Speaker 1: do you think about that woman? Given Eddie a hard

379
00:22:02,680 --> 00:22:04,560
Speaker 1: time though that, Hey, you should buy this one. Don't

380
00:22:04,800 --> 00:22:07,440
Speaker 1: don't worry about it. It's blue or pink. She should

381
00:22:07,480 --> 00:22:14,200
Speaker 1: have been doing that. She should have been thrown but personally,

382
00:22:14,200 --> 00:22:16,320
Speaker 1: I wouldn't be trying to fill any pink to anybody

383
00:22:16,520 --> 00:22:19,879
Speaker 1: want the boys back. That's just me though. Yeah, all right.

384
00:22:20,400 --> 00:22:24,159
Speaker 1: The other thing is and and Keith and Caitlyn and

385
00:22:24,240 --> 00:22:27,400
Speaker 1: myself were um at my place in Arkansas. We're having

386
00:22:27,440 --> 00:22:30,320
Speaker 1: dinner and we were talking about antlers or like a rack,

387
00:22:30,640 --> 00:22:33,359
Speaker 1: like like a buck rack in the house, and she

388
00:22:33,560 --> 00:22:35,000
Speaker 1: wants one, and I was like, you know, I just

389
00:22:35,080 --> 00:22:38,920
Speaker 1: feel bad that we're gonna have one if if it

390
00:22:39,080 --> 00:22:41,760
Speaker 1: we didn't kill it, and so we I said, O,

391
00:22:41,960 --> 00:22:44,119
Speaker 1: I'm not going to kill it when I was younger,

392
00:22:44,200 --> 00:22:46,399
Speaker 1: but I'm not killing anything now. And then she's not

393
00:22:46,440 --> 00:22:47,959
Speaker 1: gonna kill it because she's not a hunter at all.

394
00:22:48,000 --> 00:22:50,480
Speaker 1: But I said, okay, or your dad or Arkansas Keith

395
00:22:50,760 --> 00:22:54,000
Speaker 1: can provide us with one and that would also work. Now,

396
00:22:54,040 --> 00:22:56,960
Speaker 1: how do you feel about, first of all, my reasoning

397
00:22:57,080 --> 00:23:00,720
Speaker 1: on that, do you feel like that's legitimate? Well, you know,

398
00:23:00,840 --> 00:23:03,720
Speaker 1: everybody's not not a hunter. They're not a hunter. But

399
00:23:03,840 --> 00:23:06,040
Speaker 1: you know, I get your place look great with a

400
00:23:06,080 --> 00:23:08,720
Speaker 1: mound up there, So I'm just saying I have one

401
00:23:08,840 --> 00:23:10,760
Speaker 1: argue you, and then let's great. It's gonna look great

402
00:23:10,800 --> 00:23:13,040
Speaker 1: up there. I'll see it already. Okay, So when we

403
00:23:13,080 --> 00:23:14,600
Speaker 1: come back dark it's on a few weeks, you'll bring

404
00:23:14,720 --> 00:23:19,240
Speaker 1: us one. We'll bring you one. Keith's the only guy savent.

405
00:23:20,160 --> 00:23:22,480
Speaker 1: But it's real matic. It's gonna look beautiful there. Wait,

406
00:23:22,560 --> 00:23:25,680
Speaker 1: what what is it? Exactly? It's a mule dear book

407
00:23:27,280 --> 00:23:31,000
Speaker 1: nineteen seventy four. Have you cleaned that thing? Sending fords anybody?

408
00:23:31,000 --> 00:23:33,400
Speaker 1: It's just a it's a it's a mount. Yeah, it's

409
00:23:33,480 --> 00:23:35,840
Speaker 1: it's an amounted head. Didn't look good there, so like

410
00:23:35,920 --> 00:23:38,480
Speaker 1: it has like the like if the full head with

411
00:23:38,680 --> 00:23:43,280
Speaker 1: like you competit. It's yeah, well yeah they don't. They

412
00:23:43,320 --> 00:23:45,560
Speaker 1: don't know it's getting hit it. Well yeah, I know.

413
00:23:45,800 --> 00:23:48,680
Speaker 1: But I guess to Bobby's point, how do you clean that?

414
00:23:48,920 --> 00:23:51,840
Speaker 1: Do you dust them off or what you vacuum on him?

415
00:23:51,880 --> 00:23:54,480
Speaker 1: And you can just wind deck that's what I claim

416
00:23:54,520 --> 00:23:59,680
Speaker 1: the wind decks, Yeah, them off from wind And so

417
00:24:00,040 --> 00:24:03,760
Speaker 1: why this particular buck for Bobby? Is it's special or

418
00:24:04,240 --> 00:24:06,920
Speaker 1: not as visual? It's just it's just kind of special.

419
00:24:07,080 --> 00:24:10,000
Speaker 1: And you know my dad actually shot it. Oh that's cool.

420
00:24:10,200 --> 00:24:11,960
Speaker 1: So and it was scarling on me. So it's it's

421
00:24:12,240 --> 00:24:15,760
Speaker 1: you know, it's a meaning to me. Plus I'll pass

422
00:24:15,800 --> 00:24:18,760
Speaker 1: her out on. Yeah, you know, all right, well accept it.

423
00:24:19,359 --> 00:24:21,600
Speaker 1: It's just majestical looking. So it looked great. I promise

424
00:24:21,680 --> 00:24:24,320
Speaker 1: you can you text me a picture of it later today?

425
00:24:24,720 --> 00:24:27,200
Speaker 1: I will? All right, what else happened to about? I

426
00:24:27,200 --> 00:24:28,960
Speaker 1: have it. I have a video of my little choker

427
00:24:29,000 --> 00:24:30,680
Speaker 1: and I'll send it to you. He'll be the middle

428
00:24:30,680 --> 00:24:33,000
Speaker 1: of one. All right, it's a video. I'm walking around

429
00:24:33,000 --> 00:24:34,359
Speaker 1: the room and he'll be the middle one of the

430
00:24:34,400 --> 00:24:37,960
Speaker 1: deer of the deerhead. I'll send you the video. You'll

431
00:24:38,000 --> 00:24:39,879
Speaker 1: you'll like it. Man, have you've been fishing it all?

432
00:24:40,720 --> 00:24:43,280
Speaker 1: It's raining and he hadn't been out a couple of weeks,

433
00:24:43,520 --> 00:24:45,800
Speaker 1: all right, Well, was getting ready to produce. Season is

434
00:24:45,840 --> 00:24:48,359
Speaker 1: coming in and first, so it's be hunting from here on.

435
00:24:48,480 --> 00:24:51,680
Speaker 1: What's first head of deer season? Uh? No room toil?

436
00:24:51,880 --> 00:24:54,280
Speaker 1: You're going out with the musloader first? Or no? Yeah,

437
00:24:54,400 --> 00:24:58,600
Speaker 1: musloming be in October archery season like fifty or September.

438
00:24:58,680 --> 00:25:01,040
Speaker 1: So it's it's scared enough for that abody. It's all

439
00:25:01,080 --> 00:25:03,000
Speaker 1: the talk, you know, So what is all the what's

440
00:25:03,000 --> 00:25:05,280
Speaker 1: the hubbub? What's the hubbub around? Dear? Season coming up

441
00:25:05,280 --> 00:25:06,520
Speaker 1: all the time? Where do you talk to people at

442
00:25:06,520 --> 00:25:09,960
Speaker 1: the gas station. Yeah, normal, buddy. You know they're showing

443
00:25:09,960 --> 00:25:11,879
Speaker 1: you pictures on the game cameras. Hey, look what's on

444
00:25:11,960 --> 00:25:14,720
Speaker 1: my game camera? Look what's on everybody got photos off

445
00:25:14,760 --> 00:25:17,960
Speaker 1: the game cameras, you know, Yeah, okay, and just that

446
00:25:18,119 --> 00:25:20,040
Speaker 1: kind of stuff, you know, everybody. I can't wait, man,

447
00:25:20,080 --> 00:25:21,600
Speaker 1: how about you? That's the same where I am. I

448
00:25:21,760 --> 00:25:24,120
Speaker 1: like Kaitlyn, No that we have a had amount coming

449
00:25:24,160 --> 00:25:28,800
Speaker 1: to us, a majestic around from. It's gonna look great, man,

450
00:25:28,880 --> 00:25:32,920
Speaker 1: I promise you. But it's great. There is. We always

451
00:25:33,000 --> 00:25:35,480
Speaker 1: value his opinion, Arkansas, Keith, all right, we'll talk to

452
00:25:35,520 --> 00:25:38,400
Speaker 1: you soon. Right, all right, take care, man, see see

453
00:25:38,400 --> 00:25:43,000
Speaker 1: you later. There is this is Lee from Manhattan, Kansas,

454
00:25:43,040 --> 00:25:46,359
Speaker 1: and he's talking about Amy wrecking that car that our client,

455
00:25:46,520 --> 00:25:48,960
Speaker 1: Mazda gave her to drive around. I'm an auto adjuster

456
00:25:49,119 --> 00:25:52,000
Speaker 1: for an instance company, so I write estimate on vehicles

457
00:25:52,040 --> 00:25:53,960
Speaker 1: every day. I saw a picture of the damage on

458
00:25:54,040 --> 00:25:56,760
Speaker 1: the Masa that Amy was rest and I wrote an

459
00:25:56,840 --> 00:25:59,639
Speaker 1: estimate for damage around thirty one hundred dollars from what

460
00:25:59,640 --> 00:26:01,639
Speaker 1: I could. The thought that might be fun to know,

461
00:26:02,640 --> 00:26:05,800
Speaker 1: so fun. But I'll say you've given them well of

462
00:26:05,840 --> 00:26:08,840
Speaker 1: our thirty one hundred and advertising. This may be the

463
00:26:08,880 --> 00:26:11,760
Speaker 1: best thing ever. I liked to Maza stock yesterday. Spiked

464
00:26:11,840 --> 00:26:15,800
Speaker 1: hard because no, I am serious. If you're gotta the

465
00:26:15,920 --> 00:26:22,639
Speaker 1: one to suv, the Masa c X nine is amazing, Scooba,

466
00:26:22,640 --> 00:26:25,200
Speaker 1: Steve has one too, Like for real, Yeah, my wife

467
00:26:25,240 --> 00:26:27,000
Speaker 1: has a c x nine. They are awesome. He's like,

468
00:26:27,160 --> 00:26:30,000
Speaker 1: I don't my wife does. Scooba has a big truck.

469
00:26:30,080 --> 00:26:31,560
Speaker 1: Oh yeah, that's right, he has a big truck. It's

470
00:26:31,560 --> 00:26:34,080
Speaker 1: a little bit too big, Scooba. Let's be honest. Really,

471
00:26:34,160 --> 00:26:37,520
Speaker 1: it's not that big. Up and say four a lot,

472
00:26:37,760 --> 00:26:42,240
Speaker 1: but it's not coming here taking clothes off. No, thank you.

473
00:26:42,600 --> 00:26:44,960
Speaker 1: It's really not that big. It's it's it's standard tires.

474
00:26:45,040 --> 00:26:46,919
Speaker 1: It's not like it's like a forty and super swamper

475
00:26:47,000 --> 00:26:50,120
Speaker 1: or anything. I think it's okay, your truck is huge, Well,

476
00:26:50,160 --> 00:26:56,000
Speaker 1: thank you, I appreciate it. No, it's big. Big Truck's fine.

477
00:26:56,119 --> 00:27:00,920
Speaker 1: Your truck is purposefully larger than other trucks, which means

478
00:27:00,960 --> 00:27:03,560
Speaker 1: there's a reason. Why are you trying to show that

479
00:27:03,720 --> 00:27:06,840
Speaker 1: you love big trucks? Now? Honestly, I very similar to you.

480
00:27:06,880 --> 00:27:09,520
Speaker 1: I grew up super poor, always had crappy cars growing up,

481
00:27:09,680 --> 00:27:11,000
Speaker 1: and this is the first car that I was ever

482
00:27:11,160 --> 00:27:12,960
Speaker 1: able to buy that was really nice. And I've always

483
00:27:13,000 --> 00:27:15,520
Speaker 1: wanted a cool, nice truck. And you went hard. I

484
00:27:15,600 --> 00:27:18,439
Speaker 1: went super hard. Yeah, it went hard. It's awesome. Okay,

485
00:27:21,200 --> 00:27:24,280
Speaker 1: you're Samy's pile of stories. So this couple in Michigan,

486
00:27:24,359 --> 00:27:28,879
Speaker 1: they had a coronavirus friendly wedding. It was outdoors on

487
00:27:29,000 --> 00:27:31,680
Speaker 1: a Saturday. Everything was going great, people were having fun

488
00:27:32,080 --> 00:27:35,040
Speaker 1: until someone stole all the gifts and wedding money. Here's

489
00:27:35,040 --> 00:27:37,159
Speaker 1: the briding room talking about it. This day really admit

490
00:27:37,800 --> 00:27:40,359
Speaker 1: a lot to me. And it was beautiful. It was

491
00:27:40,440 --> 00:27:43,360
Speaker 1: our day, like to make her a trailer, to give

492
00:27:43,400 --> 00:27:45,520
Speaker 1: her my last name. After the way, we couldn't even

493
00:27:45,560 --> 00:27:47,280
Speaker 1: go to a honeymoon. Nothing. We just went home. We

494
00:27:47,359 --> 00:27:50,440
Speaker 1: went home. It killed the whole up. Everybody was upset.

495
00:27:50,560 --> 00:27:53,280
Speaker 1: Those gifts was given to us from our family and

496
00:27:53,440 --> 00:27:56,280
Speaker 1: our friends. And for somebody to take the time out

497
00:27:56,440 --> 00:27:59,639
Speaker 1: and to mess up my special moment. That hurts me.

498
00:28:00,080 --> 00:28:02,640
Speaker 1: That stinks to hear hers. That's sad. They had come

499
00:28:02,720 --> 00:28:05,560
Speaker 1: in a side gate, right, and then when they were

500
00:28:05,560 --> 00:28:06,960
Speaker 1: like we're taking them all inside because it was like

501
00:28:06,960 --> 00:28:08,480
Speaker 1: in a storm, or something. Yeah, well they were going

502
00:28:08,520 --> 00:28:10,600
Speaker 1: to put the cake out or something, and they said,

503
00:28:10,640 --> 00:28:12,679
Speaker 1: oh no, the groom's mom told us to move this stuff,

504
00:28:13,040 --> 00:28:14,720
Speaker 1: which was not the case. They were just stealing it.

505
00:28:14,760 --> 00:28:16,480
Speaker 1: But did the grooms mom tell them to steal this stuff?

506
00:28:18,000 --> 00:28:21,920
Speaker 1: That's a stinky story. Police are investigating. What's wrong with people?

507
00:28:21,960 --> 00:28:24,159
Speaker 1: What's wrong with people? All right? What else? I got

508
00:28:24,200 --> 00:28:27,000
Speaker 1: some good news for you. Costco is rolling out samples

509
00:28:27,119 --> 00:28:35,159
Speaker 1: at stores again. Costco is all of them everything. This

510
00:28:35,320 --> 00:28:37,639
Speaker 1: Coronavite is going to be popcorn tramp. Would you like

511
00:28:37,720 --> 00:28:41,840
Speaker 1: to try coronavirting? So, Eddie, is it your dad? He

512
00:28:41,920 --> 00:28:44,479
Speaker 1: used to see lunch my parents? Okay, yeah, a lot

513
00:28:44,520 --> 00:28:47,560
Speaker 1: of people would rely on Costco for some good sampling.

514
00:28:48,280 --> 00:28:51,240
Speaker 1: But if you're excited about the samples, don't get too excited.

515
00:28:51,360 --> 00:28:53,080
Speaker 1: They're limited on what they can put out. They will

516
00:28:53,080 --> 00:28:57,000
Speaker 1: be featuring dry, prepackaged goods only and one a day.

517
00:28:58,000 --> 00:29:00,720
Speaker 1: Get there hurly? All right? What else? And then Carrie

518
00:29:00,800 --> 00:29:04,640
Speaker 1: Underwood will once again open NBC's Sunday Night football broadcast

519
00:29:04,840 --> 00:29:08,200
Speaker 1: during the twenty twenty one NFL season. Who knows what

520
00:29:08,320 --> 00:29:11,520
Speaker 1: this season is really gonna look like? But the video

521
00:29:11,640 --> 00:29:14,760
Speaker 1: was put together virtually. So fit's the thing. It would

522
00:29:14,800 --> 00:29:17,680
Speaker 1: be weird if she wasn't. Yeah, honestly, Yeah, I mean

523
00:29:17,760 --> 00:29:23,240
Speaker 1: I just associated now carry with that NFL football of

524
00:29:23,480 --> 00:29:30,280
Speaker 1: finishing the season college what do you think? Fifty? A

525
00:29:30,320 --> 00:29:33,840
Speaker 1: little higher than I thought, but fifty it's gonna be tough.

526
00:29:34,080 --> 00:29:36,600
Speaker 1: Can there be some teams that bow out? But others say,

527
00:29:37,760 --> 00:29:41,200
Speaker 1: but just because the entire conference is out? Yeah, Ohio

528
00:29:41,320 --> 00:29:44,840
Speaker 1: State within a conference like there's I'm sure that everything's

529
00:29:44,840 --> 00:29:46,600
Speaker 1: going to be different. You can kind of come and

530
00:29:46,680 --> 00:29:49,120
Speaker 1: go as you please without any penalty. But I did

531
00:29:49,160 --> 00:29:50,680
Speaker 1: see that Arkansas, who, by the way, we haven't won

532
00:29:50,680 --> 00:29:53,440
Speaker 1: an SEC game and like years, but still that we're

533
00:29:53,520 --> 00:29:55,239
Speaker 1: now projected for a ball game because there's aren't enough

534
00:29:55,240 --> 00:30:03,640
Speaker 1: teams surviving Corona, every college team it's college football survivor

535
00:30:03,840 --> 00:30:06,000
Speaker 1: Oh god, come on, it's all you could do? A baby?

536
00:30:06,240 --> 00:30:09,600
Speaker 1: All right? Amy is at it? Yep? That was Amy's

537
00:30:09,640 --> 00:30:13,400
Speaker 1: pile of stories. Hey, it's Amy here from the Bobby

538
00:30:13,440 --> 00:30:17,480
Speaker 1: Bones Show. Our hearts are with those affected by Hurricane Laura.

539
00:30:17,920 --> 00:30:20,240
Speaker 1: If you are looking to help out and support those

540
00:30:20,320 --> 00:30:22,280
Speaker 1: in need right now, just wanted to let you know

541
00:30:22,480 --> 00:30:24,840
Speaker 1: that we have all pimp and joy items going to

542
00:30:25,520 --> 00:30:29,480
Speaker 1: Hurricane Laura relief along with Louisiana Strong shirts. The Shot

543
00:30:29,560 --> 00:30:32,000
Speaker 1: Forward has up. Just go to Bobby bones dot com

544
00:30:32,120 --> 00:30:34,520
Speaker 1: for links to all of that. Anne is always one

545
00:30:34,600 --> 00:30:38,240
Speaker 1: hundred percent of the money made goes to assist in

546
00:30:38,400 --> 00:30:41,680
Speaker 1: relief efforts. All the info again is up at Bobby

547
00:30:41,760 --> 00:30:44,640
Speaker 1: bones dot com. Thanks for helping us spread joy right

548
00:30:44,720 --> 00:30:47,440
Speaker 1: now to those that need it. It's time for the

549
00:30:47,520 --> 00:30:54,320
Speaker 1: good news with Amy. So this woman, Brianna, she was

550
00:30:54,400 --> 00:30:56,959
Speaker 1: on a break from work and taking a drive somewhere,

551
00:30:57,080 --> 00:30:59,280
Speaker 1: but she was speeding. She got pulled over and as

552
00:30:59,400 --> 00:31:01,760
Speaker 1: she was pulling over, she hit a curb and it

553
00:31:01,880 --> 00:31:05,560
Speaker 1: popped her tire. So then the officer comes to the window.

554
00:31:05,600 --> 00:31:08,400
Speaker 1: He realizes what has happened and decides to rip up

555
00:31:08,480 --> 00:31:12,800
Speaker 1: her ticket, and then called a tow truck and then

556
00:31:12,880 --> 00:31:15,600
Speaker 1: he drove her back to work. Then when she went

557
00:31:15,640 --> 00:31:18,640
Speaker 1: to go pick up her fixed car, the officer shout out,

558
00:31:18,720 --> 00:31:24,560
Speaker 1: officer paradise. He had paid for the tire and repairs. Wow. Wow. Yeah,

559
00:31:24,720 --> 00:31:27,360
Speaker 1: he probably felt like, oh dang it, enough, she wouldn't

560
00:31:27,360 --> 00:31:29,840
Speaker 1: have gotten a flat dire. But she posted on Facebook

561
00:31:29,920 --> 00:31:32,280
Speaker 1: that the officer has no clue what he did for her.

562
00:31:32,360 --> 00:31:35,160
Speaker 1: That day, and she's super thankful and he has restored

563
00:31:35,160 --> 00:31:38,120
Speaker 1: her faith in mankind during these hard times. Nice. That's

564
00:31:38,160 --> 00:31:39,800
Speaker 1: a great It is a really a wild story that

565
00:31:39,880 --> 00:31:41,840
Speaker 1: he did all that. That's awesome. That's what it's all about.

566
00:31:42,600 --> 00:31:47,000
Speaker 1: That was tell me something good. In the next twenty minutes,

567
00:31:47,080 --> 00:31:49,240
Speaker 1: Colin Ray will be in and he has agreed to

568
00:31:49,240 --> 00:31:50,840
Speaker 1: play whatever we asked him to play. So I'm gone

569
00:31:50,840 --> 00:31:54,760
Speaker 1: ask him play let rock, love Me, one boy, one girl,

570
00:31:55,640 --> 00:31:57,760
Speaker 1: all of them. Colin Ray coming in and it's just

571
00:31:57,800 --> 00:32:04,959
Speaker 1: a second over to Amy. Now with the morning Corny.

572
00:32:05,320 --> 00:32:08,320
Speaker 1: Why are elevator jokes so classic and good? Why are

573
00:32:08,440 --> 00:32:11,000
Speaker 1: elevator jokes so classic and good? Could just work on

574
00:32:11,120 --> 00:32:20,160
Speaker 1: many levels? That was the morning Corny. Here is voicemail

575
00:32:20,240 --> 00:32:23,880
Speaker 1: number one. This is Jessica from Hawaii. Hi, Bobby, I

576
00:32:24,000 --> 00:32:26,680
Speaker 1: have a debate to settle. You talk a lot about

577
00:32:26,680 --> 00:32:29,560
Speaker 1: your Bobby water from Sonic and you call it a

578
00:32:29,720 --> 00:32:32,880
Speaker 1: root forty four. I call it a route forty four.

579
00:32:33,360 --> 00:32:36,000
Speaker 1: Do you know the correct answer? I assume both the right.

580
00:32:36,360 --> 00:32:38,320
Speaker 1: I assume just whatever part of the country that you

581
00:32:38,400 --> 00:32:40,600
Speaker 1: were born and trained to say the word actually have

582
00:32:40,720 --> 00:32:44,040
Speaker 1: one with me right now? You can hear it it's

583
00:32:44,080 --> 00:32:48,280
Speaker 1: like pican and pecan. Yeah. A Bobby water is a

584
00:32:48,400 --> 00:32:55,280
Speaker 1: root forty four extra ice, real fruit, strawberry and cherry nerds. Nice.

585
00:32:55,440 --> 00:32:58,160
Speaker 1: You get extremely hydrated. He just get a little bit

586
00:32:58,400 --> 00:33:00,640
Speaker 1: a little taste in there too. So I drink a lot.

587
00:33:00,640 --> 00:33:03,680
Speaker 1: I pee all the time. Now here is no name

588
00:33:03,920 --> 00:33:08,160
Speaker 1: from Bakersfield, California. Hi, Bobby Morning Studio. My daughter eaton

589
00:33:08,200 --> 00:33:11,520
Speaker 1: the Nihilist Near show every day and we absolutely love

590
00:33:11,600 --> 00:33:14,760
Speaker 1: you guys. Her favorite segments are the Morning Corny and

591
00:33:14,880 --> 00:33:17,479
Speaker 1: tell Me something Good. The number one thing on her

592
00:33:17,520 --> 00:33:21,840
Speaker 1: birthday wish list is Bobby Bones wishing her a happy birthday.

593
00:33:22,320 --> 00:33:26,840
Speaker 1: Thank you so much. Eden. Happy birthday, kid. Today is

594
00:33:26,840 --> 00:33:28,960
Speaker 1: gonna be an awesome day. I hope it's the best

595
00:33:29,040 --> 00:33:32,000
Speaker 1: birthday ever. Tell me something good for you. You're a

596
00:33:32,120 --> 00:33:35,600
Speaker 1: good kid. The end. That's what it's all about right there.

597
00:33:36,760 --> 00:33:39,560
Speaker 1: And one more voicemail. Hi Brabby, I absolutely love your

598
00:33:39,600 --> 00:33:41,160
Speaker 1: show and I just want to say thank you to

599
00:33:41,240 --> 00:33:43,720
Speaker 1: all the very nice people of Nashville. I own an

600
00:33:43,760 --> 00:33:47,440
Speaker 1: expediting company and I had a band breakdown over by Brentwood,

601
00:33:47,640 --> 00:33:49,840
Speaker 1: and I found a church that left me donate it

602
00:33:49,880 --> 00:33:52,560
Speaker 1: and they were the nicest people ever. And just want

603
00:33:52,560 --> 00:33:54,120
Speaker 1: to say thank you to all the people in Nashville

604
00:33:54,200 --> 00:33:56,000
Speaker 1: that sat by to make sure that we were okay

605
00:33:56,040 --> 00:33:58,920
Speaker 1: when we were starting on Nightway. They go listen, we agree.

606
00:33:59,320 --> 00:34:02,600
Speaker 1: None of us their natural Nashvillian. Nope, we're from all

607
00:34:02,680 --> 00:34:05,640
Speaker 1: over the place. If you don't know our show, we're

608
00:34:05,720 --> 00:34:07,000
Speaker 1: not supposed to be a show we want to put

609
00:34:07,000 --> 00:34:09,359
Speaker 1: together by some big corporation like most other shows are.

610
00:34:09,680 --> 00:34:11,520
Speaker 1: I was just kind of rolling by myself, and I

611
00:34:11,680 --> 00:34:16,120
Speaker 1: was in Austin, Texas, but I'm from Arkansas. But in Austin, Texas,

612
00:34:16,440 --> 00:34:18,680
Speaker 1: I started to make friends. I met Amy at a

613
00:34:18,719 --> 00:34:23,120
Speaker 1: Culver's restaurant. I met Lunchbox at a bar. I met

614
00:34:23,239 --> 00:34:27,560
Speaker 1: Eddie at a TV station. I met Raymundo as an intern,

615
00:34:28,680 --> 00:34:33,040
Speaker 1: Mike da as an intern. So you know, it's just

616
00:34:33,200 --> 00:34:35,080
Speaker 1: kind of organically come together. And I can say this

617
00:34:35,160 --> 00:34:37,040
Speaker 1: too that people in Nashville are great. I feel like,

618
00:34:37,840 --> 00:34:40,319
Speaker 1: you know, it's home now. I have three I feel

619
00:34:40,320 --> 00:34:42,840
Speaker 1: like I have three homes, Nashville, Austin, Arkansas, all of Arkansas,

620
00:34:42,880 --> 00:34:46,200
Speaker 1: the whole state, though, the whole state, the whole lunch Bucks.

621
00:34:46,239 --> 00:34:47,880
Speaker 1: I was thinking about you last night. I found a

622
00:34:47,960 --> 00:34:49,800
Speaker 1: story that I wanted to read to you today. Okay.

623
00:34:50,800 --> 00:34:54,640
Speaker 1: A study by researchers found that those who have had

624
00:34:54,719 --> 00:35:01,400
Speaker 1: divine encounter experiences encounters with ghosts, spirits, the sensation of

625
00:35:01,440 --> 00:35:04,760
Speaker 1: seeing a figure not from this world, reap lasting mental

626
00:35:04,840 --> 00:35:08,399
Speaker 1: benefits in a super positive way. What it's positive about

627
00:35:08,440 --> 00:35:11,840
Speaker 1: seeing a ghost. Many have reported experiencing deeply moving visions.

628
00:35:12,280 --> 00:35:15,280
Speaker 1: Visions they were just discussed about, how you know, bright

629
00:35:15,400 --> 00:35:17,600
Speaker 1: or into the tunnel, that kind of stuff, But they've

630
00:35:17,719 --> 00:35:19,960
Speaker 1: led to improvements in their overall mental health. To like

631
00:35:20,040 --> 00:35:21,800
Speaker 1: open them up a bit. I bring this up to

632
00:35:21,880 --> 00:35:24,160
Speaker 1: you because raymondoken, you play that place? How many days?

633
00:35:25,760 --> 00:35:30,800
Speaker 1: Fifty three days until Lunchbox goes to the Axe Murderer

634
00:35:30,960 --> 00:35:35,520
Speaker 1: ghost House? Fifty three days? We couldn't. We had to

635
00:35:35,600 --> 00:35:37,200
Speaker 1: edit that together. He can't just say that every time,

636
00:35:38,160 --> 00:35:41,279
Speaker 1: like it takes him. He's just gonna change the number

637
00:35:41,320 --> 00:35:43,520
Speaker 1: every day. Play that again. It's like it takes him

638
00:35:43,600 --> 00:35:45,320
Speaker 1: just as long to do the whole thing as it

639
00:35:45,400 --> 00:35:47,120
Speaker 1: really would to go fifty three days and edit it.

640
00:35:47,400 --> 00:35:52,320
Speaker 1: Play it again, ray fifty three days until Lunchbox goes

641
00:35:52,440 --> 00:35:55,200
Speaker 1: to the Axe Murderer ghost House. So he is gonna

642
00:35:55,200 --> 00:35:58,279
Speaker 1: go to Iowa or the ax murderers. Can we beef

643
00:35:58,360 --> 00:35:59,960
Speaker 1: that up a little bit. It just sounds like, right, yell,

644
00:36:00,640 --> 00:36:02,040
Speaker 1: we come back. We'll check it with it again on

645
00:36:02,080 --> 00:36:05,320
Speaker 1: Monday or Tuesday. But yeah, fifty three days Lunchbox. Any

646
00:36:05,400 --> 00:36:07,759
Speaker 1: update from your wife? Uh No. I was talking to

647
00:36:07,840 --> 00:36:09,759
Speaker 1: her and I was wondering if it would be okay

648
00:36:09,800 --> 00:36:13,080
Speaker 1: if I took the wife and kids, because I need

649
00:36:13,160 --> 00:36:14,960
Speaker 1: someone to go with me. I don't think the white

650
00:36:14,960 --> 00:36:17,680
Speaker 1: it's not something a family trip. We'll find someone for you.

651
00:36:18,120 --> 00:36:24,160
Speaker 1: Call or ten right now. Fifty three days until Lunchbox goes.

652
00:36:24,200 --> 00:36:25,920
Speaker 1: I live in the house where all those people were murdered.

653
00:36:26,400 --> 00:36:30,360
Speaker 1: The Friday morning conversation with Cohen Ray Colin, I tell you,

654
00:36:30,480 --> 00:36:33,680
Speaker 1: I'm so excited that you you came up here today, Bobby.

655
00:36:33,760 --> 00:36:35,839
Speaker 1: Thank you mean I was. I was blown away when

656
00:36:35,880 --> 00:36:38,200
Speaker 1: I got the email that you wanted me up here.

657
00:36:38,200 --> 00:36:40,640
Speaker 1: I was like, man, this is cool. Don't get to

658
00:36:40,719 --> 00:36:42,840
Speaker 1: do stuff like this that often, and this show is

659
00:36:43,000 --> 00:36:45,360
Speaker 1: the show. Well you were demand, so so thank you

660
00:36:45,400 --> 00:36:47,680
Speaker 1: so much for having me. Just first of all, let

661
00:36:47,760 --> 00:36:49,239
Speaker 1: me just geek. I think all of us will geek

662
00:36:49,239 --> 00:36:51,840
Speaker 1: out for a second. Ago we were just Matt. We

663
00:36:52,000 --> 00:36:54,040
Speaker 1: grew up in the nineties, you know, I was, and

664
00:36:54,280 --> 00:36:56,640
Speaker 1: we're just massive fans of you and your music, and

665
00:36:56,760 --> 00:37:01,040
Speaker 1: when we hear these songs, it reminds us of you know,

666
00:37:01,200 --> 00:37:03,000
Speaker 1: what we were doing when we were twelve or thirteen

667
00:37:03,080 --> 00:37:06,400
Speaker 1: or fourteen years old, right, were totally were all big fans,

668
00:37:06,480 --> 00:37:09,120
Speaker 1: like the universally were all a big fan. Thank you guys.

669
00:37:09,160 --> 00:37:11,160
Speaker 1: And that's the thing about music, I mean, because I mean,

670
00:37:11,200 --> 00:37:13,360
Speaker 1: I wouldn't have ever wanted to do this had I

671
00:37:13,440 --> 00:37:15,400
Speaker 1: not been a fan of it. And and I loved

672
00:37:15,760 --> 00:37:17,960
Speaker 1: the music that I grew up on and the greats

673
00:37:18,080 --> 00:37:19,759
Speaker 1: of country music and rock and roll and stuff and

674
00:37:20,280 --> 00:37:23,000
Speaker 1: and so but so I but you still, when when

675
00:37:23,040 --> 00:37:24,879
Speaker 1: it's beginning and you have that first hit or two

676
00:37:24,920 --> 00:37:26,600
Speaker 1: on the radio, you still don't think that that's ever

677
00:37:26,680 --> 00:37:29,120
Speaker 1: going to happen to you yourself, to where somebody might

678
00:37:29,600 --> 00:37:32,759
Speaker 1: twenty thirty years down the road would have that kind

679
00:37:32,800 --> 00:37:34,719
Speaker 1: of a feeling and you know, to make up give

680
00:37:34,800 --> 00:37:37,080
Speaker 1: him a warm and fuzzy so to speak, because of

681
00:37:37,160 --> 00:37:38,880
Speaker 1: something that I that I was a part of, you know,

682
00:37:38,960 --> 00:37:41,160
Speaker 1: So that's I could get through experience that all the

683
00:37:41,239 --> 00:37:43,440
Speaker 1: time now, which is cool. Well, I was on I

684
00:37:43,520 --> 00:37:45,319
Speaker 1: was looking through I was I was having a Calling

685
00:37:45,400 --> 00:37:46,680
Speaker 1: Ray nine at the house and I was just playing

686
00:37:46,680 --> 00:37:49,880
Speaker 1: a bunch of songs and like, my jam is little Rock,

687
00:37:49,920 --> 00:37:50,920
Speaker 1: and I was like, let me say, it's got to

688
00:37:50,960 --> 00:37:52,399
Speaker 1: be in his number one or number two much stra

689
00:37:52,440 --> 00:37:54,279
Speaker 1: and I couldn't believe it was like number five on

690
00:37:54,360 --> 00:37:58,799
Speaker 1: the street. Little rock? To me? Is that the definition

691
00:37:58,960 --> 00:38:00,920
Speaker 1: of a Calling Ray song? Now, thank you? I want

692
00:38:00,920 --> 00:38:02,400
Speaker 1: to ask you, though, what is this song the most

693
00:38:02,440 --> 00:38:04,360
Speaker 1: people know you for? Is it not little Rock? That

694
00:38:04,440 --> 00:38:07,880
Speaker 1: would be probably third? Wow? Yeah, I think love Me

695
00:38:08,280 --> 00:38:10,480
Speaker 1: was the first one, and that's that that that when

696
00:38:10,600 --> 00:38:13,080
Speaker 1: everybody knows, you know, everybody knows that one and that's

697
00:38:13,160 --> 00:38:15,080
Speaker 1: my story would be the other one, because it's funny

698
00:38:15,160 --> 00:38:20,040
Speaker 1: about that's my story. Is it's like I played worldwide internationally,

699
00:38:20,120 --> 00:38:22,560
Speaker 1: it would be that's my story because they could call,

700
00:38:22,640 --> 00:38:25,840
Speaker 1: you know, I've played in places in Europe, in different places, Singapore,

701
00:38:26,320 --> 00:38:28,680
Speaker 1: you know, and they're like, they're going, you know, Colin Ray,

702
00:38:28,840 --> 00:38:30,719
Speaker 1: Colin Ray, You're going to that's my story. And even

703
00:38:30,760 --> 00:38:33,160
Speaker 1: if it's not an English speaking country, they all know

704
00:38:33,239 --> 00:38:36,359
Speaker 1: the chorus, is that right? Yeah? Well maybe little Rock though,

705
00:38:36,400 --> 00:38:38,960
Speaker 1: because I'm from Arkansas, well, and I think we'll meet

706
00:38:39,000 --> 00:38:42,200
Speaker 1: me and I as am I UM and that's my

707
00:38:42,360 --> 00:38:44,719
Speaker 1: favorite of personal favorite of all the hits would be

708
00:38:44,800 --> 00:38:47,000
Speaker 1: Little Rock because I just think it's it's just such

709
00:38:47,040 --> 00:38:52,400
Speaker 1: a incredibly written song of one of the first country

710
00:38:52,719 --> 00:38:54,680
Speaker 1: songs of the nineties that had that kind of a

711
00:38:54,760 --> 00:38:58,840
Speaker 1: social message to it but was able to be a

712
00:38:58,960 --> 00:39:01,400
Speaker 1: hit because prior to that, it was tough to get

713
00:39:01,440 --> 00:39:04,880
Speaker 1: a song that that said something that deep to you know,

714
00:39:05,040 --> 00:39:06,839
Speaker 1: to shoot up the chart, you know, And so when

715
00:39:06,880 --> 00:39:08,680
Speaker 1: that did, I felt like we kind of broke some ground.

716
00:39:08,800 --> 00:39:11,360
Speaker 1: And so to me, that one will always be my favorite.

717
00:39:11,400 --> 00:39:14,680
Speaker 1: And because it's such a a well constructed song and

718
00:39:14,760 --> 00:39:18,560
Speaker 1: it's so picturesque and uh so vivid, it's still my

719
00:39:18,600 --> 00:39:20,359
Speaker 1: favorite one to sing too, because always feel like I'm

720
00:39:20,360 --> 00:39:24,200
Speaker 1: singing it for the first time, just the details, because

721
00:39:24,280 --> 00:39:28,480
Speaker 1: because there's no like washing it. It's like the Church

722
00:39:28,560 --> 00:39:31,840
Speaker 1: of Christ app selling VCRs a Walmart like it is.

723
00:39:32,280 --> 00:39:35,439
Speaker 1: You're very much in the exact place of this guy. Yeah,

724
00:39:35,640 --> 00:39:37,920
Speaker 1: that true, And so I know you have your guitar.

725
00:39:37,960 --> 00:39:39,920
Speaker 1: We're gonna spend some time together. Can you give us

726
00:39:39,920 --> 00:39:41,520
Speaker 1: a little bit a little rock right now? Why not?

727
00:39:43,719 --> 00:39:46,520
Speaker 1: If we're talking about it, let's go. Version of course, churse, okay,

728
00:39:47,040 --> 00:39:57,200
Speaker 1: willing no beauty time or two hand along way lost me.

729
00:40:01,280 --> 00:40:09,320
Speaker 1: I needed a new town from my new start selling

730
00:40:09,440 --> 00:40:16,920
Speaker 1: BCRs in Arkansa at a warm I haven't had a

731
00:40:17,040 --> 00:40:24,520
Speaker 1: drink in nineteen days. My eyes are clear and bright

732
00:40:24,719 --> 00:40:32,280
Speaker 1: without that haste, I like the preacher from the Church

733
00:40:32,480 --> 00:40:40,239
Speaker 1: of Christ. Sorry that I cried when I talked to

734
00:40:40,440 --> 00:40:46,560
Speaker 1: you last night, but I think I'm motal here in

735
00:40:46,719 --> 00:40:54,360
Speaker 1: a little rock. I'm sorry as a stone baby waiting. See,

736
00:40:57,160 --> 00:41:03,280
Speaker 1: I got just one small problem. You're a little grow

737
00:41:03,560 --> 00:41:14,000
Speaker 1: with that, you baby. I'm not mean without you, baby,

738
00:41:14,280 --> 00:41:19,160
Speaker 1: I'm not come on, I'm all smiling. This is the

739
00:41:19,239 --> 00:41:23,759
Speaker 1: greatest thank you, Holy that's my morning voice, by the way,

740
00:41:23,800 --> 00:41:26,239
Speaker 1: So I just can I sigh Let me say this too.

741
00:41:26,280 --> 00:41:28,279
Speaker 1: I know you just celebrate your sixtieth birthday. Thank you.

742
00:41:28,560 --> 00:41:31,279
Speaker 1: You can you can still well? Thank you, brother in

743
00:41:31,440 --> 00:41:33,680
Speaker 1: the high. Thank you. So I still hit pretty much

744
00:41:33,680 --> 00:41:35,160
Speaker 1: every note that I hit back in the day. Once

745
00:41:35,160 --> 00:41:37,000
Speaker 1: in a while, I'll tell you what since this whole

746
00:41:37,280 --> 00:41:39,920
Speaker 1: lockdown thing, we've caught obviously, like everybody got so many

747
00:41:40,000 --> 00:41:43,360
Speaker 1: dates canceled and been home just being a couch potato

748
00:41:43,480 --> 00:41:46,319
Speaker 1: so much. Your voice really is like a bice at

749
00:41:46,400 --> 00:41:47,879
Speaker 1: the old thing they say if you if you don't

750
00:41:47,960 --> 00:41:49,640
Speaker 1: use it, you lose it kind of thing. And it's

751
00:41:49,760 --> 00:41:51,799
Speaker 1: it's so when I do get a chance to sing,

752
00:41:51,840 --> 00:41:53,920
Speaker 1: it's like whoa, it's kind of it takes me a

753
00:41:53,960 --> 00:41:56,799
Speaker 1: little time to get it, get it open. You know. Man,

754
00:41:56,960 --> 00:42:00,160
Speaker 1: that was a lot of fun. Huh, that's awesome. Oh,

755
00:42:00,320 --> 00:42:03,040
Speaker 1: thank you so much? Wow? Wow, Okay, Colin Ray is here.

756
00:42:03,520 --> 00:42:06,160
Speaker 1: Uh so that that's nineteen ninety four letter I came out.

757
00:42:06,200 --> 00:42:08,520
Speaker 1: So you'd had, you know, a few hits by then

758
00:42:08,960 --> 00:42:12,240
Speaker 1: when that song starts to first picked as a single,

759
00:42:12,320 --> 00:42:14,200
Speaker 1: And did you feel like there's a there was a

760
00:42:14,280 --> 00:42:16,040
Speaker 1: real shot with that thing early or did it take

761
00:42:16,080 --> 00:42:18,160
Speaker 1: a minute to burn? Well, Paul Whorley and I found

762
00:42:18,239 --> 00:42:21,080
Speaker 1: the song. Uh. Tom Douglas of course wrote it. Who who?

763
00:42:21,160 --> 00:42:23,160
Speaker 1: That was his first cut as a writer. Of course,

764
00:42:23,200 --> 00:42:25,320
Speaker 1: he went on to write so many great songs for

765
00:42:25,440 --> 00:42:29,879
Speaker 1: Martina and timcbrawl for Randy. I mean, it's just great writer,

766
00:42:30,000 --> 00:42:32,240
Speaker 1: one of the best we have, and so I'm thankful

767
00:42:32,280 --> 00:42:33,759
Speaker 1: that we got to cut his first one. You know.

768
00:42:34,200 --> 00:42:36,040
Speaker 1: But and honestly, because of the hits that I had

769
00:42:36,080 --> 00:42:38,040
Speaker 1: had leading up to that, they'd either been kind of

770
00:42:38,120 --> 00:42:41,520
Speaker 1: rockers or straight up love songs, and so I was

771
00:42:41,560 --> 00:42:44,720
Speaker 1: a little leary. I loved it, and I thought, I'm

772
00:42:44,760 --> 00:42:46,719
Speaker 1: so proud of this record, but I thought, can we really,

773
00:42:46,840 --> 00:42:49,040
Speaker 1: can we really make this a hit? You know? So

774
00:42:49,120 --> 00:42:51,360
Speaker 1: I had I was a little apprehensive about it, but

775
00:42:51,400 --> 00:42:52,960
Speaker 1: I believed, and we had a good team over the

776
00:42:53,000 --> 00:42:55,200
Speaker 1: Empick and good radio team, and I thought, you know,

777
00:42:55,280 --> 00:42:57,360
Speaker 1: if you guys are into this, then then I'm into it.

778
00:42:57,520 --> 00:42:59,920
Speaker 1: And and the rest is history. I'm always curious to

779
00:43:00,040 --> 00:43:02,920
Speaker 1: about how songs find people because that the Tom Douglas,

780
00:43:03,160 --> 00:43:04,920
Speaker 1: you know, he's one of the writers of this song

781
00:43:05,000 --> 00:43:06,640
Speaker 1: and this story because I know Tom a little bit.

782
00:43:06,680 --> 00:43:09,040
Speaker 1: And this story is that he had moved to Nashville,

783
00:43:09,200 --> 00:43:11,920
Speaker 1: failed moved to Texas with selling real estate, but he

784
00:43:12,000 --> 00:43:13,319
Speaker 1: was living with his dad and they didn't they'd never

785
00:43:13,400 --> 00:43:15,800
Speaker 1: had a super close relationship. But he came home and

786
00:43:15,880 --> 00:43:18,080
Speaker 1: his dad had this one song that he loved and

787
00:43:18,120 --> 00:43:21,160
Speaker 1: it was little Rock, and Tom Douglas was like wow,

788
00:43:21,280 --> 00:43:24,040
Speaker 1: and that's what got him back into Nashville writing more songs. Again,

789
00:43:24,560 --> 00:43:26,640
Speaker 1: was your was your hit with a Little Rock? Well?

790
00:43:26,640 --> 00:43:28,799
Speaker 1: I knew, I knew part of this story. I didn't

791
00:43:28,800 --> 00:43:30,800
Speaker 1: know the part about his dad. He never told me that,

792
00:43:30,880 --> 00:43:32,920
Speaker 1: but but I knew that that song had got Okay,

793
00:43:33,000 --> 00:43:35,040
Speaker 1: I guess I can do this, and it's like, yes, sir,

794
00:43:35,200 --> 00:43:37,640
Speaker 1: you can, and that you're you're very good at this

795
00:43:37,719 --> 00:43:39,440
Speaker 1: oppin and then you just kill it because he a

796
00:43:39,520 --> 00:43:41,280
Speaker 1: song could be well written, but if you don't perform

797
00:43:41,360 --> 00:43:44,080
Speaker 1: and deliver it, yeah, it isn't. It's it's just a

798
00:43:44,200 --> 00:43:47,480
Speaker 1: greatly written thank you man. Well, I've always my my

799
00:43:47,640 --> 00:43:50,799
Speaker 1: theory was always, um, I'm not I'm not smart enough

800
00:43:50,880 --> 00:43:53,719
Speaker 1: to try to act anything. It's kind of like, look,

801
00:43:53,760 --> 00:43:55,600
Speaker 1: if if it's a song, if it's a song I'm

802
00:43:55,640 --> 00:43:57,560
Speaker 1: into and I love what it says, then I feel

803
00:43:57,600 --> 00:43:59,320
Speaker 1: like I can deliver it well if it's something that

804
00:43:59,400 --> 00:44:01,799
Speaker 1: I just and I've passed on hits that are songs

805
00:44:01,840 --> 00:44:03,040
Speaker 1: that went on to be his for other people, just

806
00:44:03,080 --> 00:44:05,080
Speaker 1: because it didn't I thought, I just don't think I'm

807
00:44:05,120 --> 00:44:06,719
Speaker 1: the one the guy to do that, you know, And

808
00:44:06,760 --> 00:44:08,239
Speaker 1: then somebody else would have a hit on it, and

809
00:44:08,520 --> 00:44:10,040
Speaker 1: they said, well, don't you wish you had that back?

810
00:44:10,080 --> 00:44:11,760
Speaker 1: And I go on them not really because they needed

811
00:44:11,800 --> 00:44:13,880
Speaker 1: that song. They that they were this person who was

812
00:44:13,880 --> 00:44:17,440
Speaker 1: supposed to sing that you know. But Little Rock was

813
00:44:17,520 --> 00:44:21,600
Speaker 1: one that I just felt so close to the minute

814
00:44:21,640 --> 00:44:23,879
Speaker 1: we heard it. And the original demo was just Tom

815
00:44:24,080 --> 00:44:28,280
Speaker 1: playing on like an old Attitude Wall Baldwin piano, singing

816
00:44:28,320 --> 00:44:30,640
Speaker 1: into a cassette recorder. So it was not a good

817
00:44:30,719 --> 00:44:33,680
Speaker 1: quality at all, and but there was like fourteen songs

818
00:44:33,719 --> 00:44:36,480
Speaker 1: on it. Love Remains was another one that was on there,

819
00:44:36,600 --> 00:44:38,440
Speaker 1: and but I think Little Rock was like number eight.

820
00:44:39,160 --> 00:44:40,759
Speaker 1: And we heard that and we looked at it, say wow,

821
00:44:41,120 --> 00:44:43,520
Speaker 1: did that just do something to you? You know? And

822
00:44:43,760 --> 00:44:46,319
Speaker 1: so like I said, the rest is history, and Tom

823
00:44:46,400 --> 00:44:49,480
Speaker 1: has done quite well since then. For sure. Let's go

824
00:44:49,560 --> 00:44:53,239
Speaker 1: back to the beginning nineteen ninety one Love Me, I

825
00:44:53,360 --> 00:44:56,360
Speaker 1: mean I did finally succumb to the pressure of the

826
00:44:56,480 --> 00:44:58,160
Speaker 1: room to go. Love Me as probably in my mind

827
00:44:58,160 --> 00:44:59,680
Speaker 1: as big as Little Rock Club, because I was like,

828
00:44:59,719 --> 00:45:02,040
Speaker 1: there's no song that should be ranked buab blah. But

829
00:45:02,200 --> 00:45:04,960
Speaker 1: so this song, like tell me is this was this

830
00:45:05,080 --> 00:45:06,640
Speaker 1: the first single you put out of the first hit

831
00:45:06,680 --> 00:45:09,239
Speaker 1: you had. Well, the first single was All that Can

832
00:45:09,320 --> 00:45:11,839
Speaker 1: Be Is a Sweet Memory, which which God Blessing Vince

833
00:45:11,880 --> 00:45:13,960
Speaker 1: Kiel sang Harmony with Me on, which really helped that

834
00:45:14,440 --> 00:45:17,560
Speaker 1: break that loose and that went to like number twenty

835
00:45:17,600 --> 00:45:21,399
Speaker 1: two on the chart, and but the video went number one,

836
00:45:22,040 --> 00:45:24,440
Speaker 1: and so it was like, okay, well that wasn't technically

837
00:45:24,480 --> 00:45:26,000
Speaker 1: what you'd call a big hit, but it did get

838
00:45:26,040 --> 00:45:27,759
Speaker 1: to twenty two and the video went number one, so

839
00:45:27,800 --> 00:45:29,920
Speaker 1: we're onto something here, you know. And then love Me

840
00:45:30,160 --> 00:45:33,879
Speaker 1: was the second single and it flew up the chart

841
00:45:34,320 --> 00:45:36,600
Speaker 1: and that and again for a for a kid I was.

842
00:45:36,719 --> 00:45:39,920
Speaker 1: I was thirty, which but when that was happening, I

843
00:45:39,920 --> 00:45:41,839
Speaker 1: couldn't believe it because the other song had been such

844
00:45:41,840 --> 00:45:43,920
Speaker 1: a struggle. You'd be like, okay, we're at ninety six,

845
00:45:44,040 --> 00:45:45,560
Speaker 1: or the next one, Okay, we still got our bullet.

846
00:45:45,600 --> 00:45:48,800
Speaker 1: We're ninety five now, you know, and you think this

847
00:45:48,960 --> 00:45:50,800
Speaker 1: is this is gonna be now, it's always going to be,

848
00:45:50,960 --> 00:45:52,920
Speaker 1: you know. And then love Me came out and it

849
00:45:52,960 --> 00:45:56,920
Speaker 1: was jumping like twelve spots, fifteen spots, you know, eight twelve,

850
00:45:57,200 --> 00:46:00,320
Speaker 1: and I mean it was a kind of a giddy

851
00:46:00,400 --> 00:46:02,720
Speaker 1: feeling when I was because I had the radio and constantly,

852
00:46:03,000 --> 00:46:05,360
Speaker 1: you know, and it was just getting played every thirty minutes,

853
00:46:05,400 --> 00:46:08,680
Speaker 1: it seemed like, you know, and uh so that that

854
00:46:08,880 --> 00:46:10,680
Speaker 1: was that's the one that I guess will always be

855
00:46:10,760 --> 00:46:12,960
Speaker 1: my my you know, calling cards, so to speak. I

856
00:46:13,000 --> 00:46:14,960
Speaker 1: guess you have a flip stations and you're on one

857
00:46:15,000 --> 00:46:16,399
Speaker 1: station and you flipped the other one in the town

858
00:46:16,440 --> 00:46:18,120
Speaker 1: and you're like, come on both stations at the same time.

859
00:46:18,400 --> 00:46:20,239
Speaker 1: Oh yeah, back in the day, it happened, you know,

860
00:46:20,719 --> 00:46:22,640
Speaker 1: because I lived in the Dallas area at the time,

861
00:46:23,440 --> 00:46:25,960
Speaker 1: and you had a big station in Fort Worth, you

862
00:46:26,040 --> 00:46:28,000
Speaker 1: had Kplex in Dallas, and then there was one other

863
00:46:28,160 --> 00:46:31,400
Speaker 1: in Young Country, and so I just I had them one.

864
00:46:31,560 --> 00:46:33,279
Speaker 1: I was just one after another, going back and forth,

865
00:46:33,320 --> 00:46:34,759
Speaker 1: back and forth, back, and so you want to hear

866
00:46:34,960 --> 00:46:38,160
Speaker 1: when that was no I was living in Texas. Wow. Well,

867
00:46:38,200 --> 00:46:39,680
Speaker 1: and so we're people like, hey, calling you gotta get

868
00:46:39,680 --> 00:46:41,440
Speaker 1: to you gotta get to Nashville if you're gonna Well

869
00:46:41,560 --> 00:46:44,120
Speaker 1: it was weird because I had been divorced and my

870
00:46:44,480 --> 00:46:48,480
Speaker 1: uh ex wife and my kids were living in Greenville, Texas,

871
00:46:48,560 --> 00:46:50,920
Speaker 1: and so and and prior to getting my record deal,

872
00:46:50,960 --> 00:46:53,800
Speaker 1: I was working at Reno, working casinos and stuff, and

873
00:46:53,800 --> 00:46:56,640
Speaker 1: I couldn't afford to leave because we were making really

874
00:46:56,719 --> 00:46:59,160
Speaker 1: good money for for a you know, for the level

875
00:46:59,200 --> 00:47:01,120
Speaker 1: we were at, making good money, and I thought, well,

876
00:47:01,120 --> 00:47:02,520
Speaker 1: I can't afford to leave here because I was taking

877
00:47:02,560 --> 00:47:05,960
Speaker 1: care of them and whatnot. And so when when the

878
00:47:06,080 --> 00:47:09,279
Speaker 1: record deal happened and love Me happened, I thought, okay,

879
00:47:09,280 --> 00:47:11,520
Speaker 1: I can afford now to leave here and go be

880
00:47:11,640 --> 00:47:13,920
Speaker 1: where they are. So I wound up moving there and

881
00:47:14,040 --> 00:47:16,400
Speaker 1: spent pretty much all the nineties. I didn't move to

882
00:47:16,520 --> 00:47:20,640
Speaker 1: Nashville until I think ninety nine. From nineteen ninety one.

883
00:47:20,880 --> 00:47:23,880
Speaker 1: Here's Colin Ray. He's like, oh, that's my cute. All right,

884
00:47:23,960 --> 00:47:29,200
Speaker 1: I just kill here we go? Here is I love me? Oh?

885
00:47:30,400 --> 00:47:34,239
Speaker 1: I read a note in my grandma wrote back in

886
00:47:34,560 --> 00:47:42,680
Speaker 1: nineteen twenty three. Grandpa kept it in his coat and

887
00:47:42,760 --> 00:47:47,800
Speaker 1: he showed it once to me. He said, boy, you

888
00:47:48,080 --> 00:47:57,000
Speaker 1: might not understand, but a long long time ago Grandma's dad.

889
00:47:57,239 --> 00:48:01,560
Speaker 1: He didn't like me none, but I love your grandma.

890
00:48:01,800 --> 00:48:09,520
Speaker 1: So we had this crazy plan to meet and run

891
00:48:09,680 --> 00:48:16,879
Speaker 1: away together, getting married in the first town we came

892
00:48:17,080 --> 00:48:24,840
Speaker 1: to leave forever, but nail to the tree when we

893
00:48:25,080 --> 00:48:34,640
Speaker 1: were supposed to meet. Instead, I found this letter, and

894
00:48:34,920 --> 00:48:40,600
Speaker 1: this is ward. It said, if you get there before

895
00:48:40,800 --> 00:48:48,400
Speaker 1: I do, don't give up on me. I'll meet you

896
00:48:48,640 --> 00:48:53,399
Speaker 1: in My chores are through. Oh I don't know how

897
00:48:53,520 --> 00:49:02,080
Speaker 1: long I'll be here, but I'm not gonna let you down, darling,

898
00:49:02,360 --> 00:49:08,160
Speaker 1: waiting see and between now and then till I see

899
00:49:08,239 --> 00:49:19,400
Speaker 1: you again, I'll be loving you, love me big. Come on,

900
00:49:21,600 --> 00:49:25,520
Speaker 1: that's crazy. Thank you so much, guys. Colin Rays, I'm here.

901
00:49:25,680 --> 00:49:27,359
Speaker 1: We're we're gonna take a little break in a second.

902
00:49:27,960 --> 00:49:29,640
Speaker 1: Let's get drinking water. We'll come back. He's got some

903
00:49:29,880 --> 00:49:32,160
Speaker 1: some more songs up a sleeve back a sleeve songs

904
00:49:32,200 --> 00:49:34,520
Speaker 1: that I asked them. That's what I mean about to sleep.

905
00:49:37,080 --> 00:49:42,520
Speaker 1: The Friday morning conversation with Colin Ray. This Fruit of

906
00:49:42,560 --> 00:49:46,600
Speaker 1: the Loom song, I remember it, Colin this commercial here,

907
00:49:47,000 --> 00:49:49,000
Speaker 1: It was from a Fruit of the Loom underwork commercial.

908
00:49:49,520 --> 00:49:51,040
Speaker 1: It's from two thousand and five. I'm gonna play a

909
00:49:51,040 --> 00:49:58,759
Speaker 1: little clip of this here. Here you go. How the

910
00:49:58,880 --> 00:50:01,960
Speaker 1: world did they approach you? Well? How did you do

911
00:50:02,080 --> 00:50:04,000
Speaker 1: audition for that? You go? I have it? Or do

912
00:50:04,040 --> 00:50:06,399
Speaker 1: they go? With the producer, Chris Farren, as a friend

913
00:50:06,440 --> 00:50:08,799
Speaker 1: of mine, you know, had had this had the end

914
00:50:08,960 --> 00:50:11,359
Speaker 1: to Fruit of the Loom at that time, and had

915
00:50:11,480 --> 00:50:14,279
Speaker 1: he had found this song or had I think I

916
00:50:14,320 --> 00:50:16,319
Speaker 1: think it way. I'm sorry. He co wrote this song

917
00:50:16,960 --> 00:50:18,800
Speaker 1: for the jingle and Fruit of the Loom thought it

918
00:50:18,880 --> 00:50:21,200
Speaker 1: was great for the kind of the commercial they were

919
00:50:21,239 --> 00:50:22,239
Speaker 1: going for, and it was going to be a super

920
00:50:22,280 --> 00:50:26,759
Speaker 1: Bowl commercial, and and so he blessed his heart. He thought, well,

921
00:50:27,120 --> 00:50:29,520
Speaker 1: I need somebody this This song is really tongue in cheek.

922
00:50:29,560 --> 00:50:32,160
Speaker 1: It's about over, it's about being in love with your underwear.

923
00:50:32,760 --> 00:50:35,359
Speaker 1: So but it needs to sound really dramatic. Now, who

924
00:50:35,400 --> 00:50:38,040
Speaker 1: can I get that? We can make it that, We'll

925
00:50:38,080 --> 00:50:40,160
Speaker 1: get it, you know. And so I went down to

926
00:50:40,440 --> 00:50:42,560
Speaker 1: the studio and he played the song for him, and

927
00:50:42,560 --> 00:50:44,000
Speaker 1: I was cracking up, you know, and I said, are

928
00:50:44,040 --> 00:50:45,640
Speaker 1: you are you sure you want me to do? He goes,

929
00:50:45,680 --> 00:50:47,880
Speaker 1: oh yeah, and just sing it like it's sing it

930
00:50:47,960 --> 00:50:50,160
Speaker 1: like it's little rock. Just pour your heart out into it.

931
00:50:50,320 --> 00:50:52,600
Speaker 1: And so I did it, you know, thinking well, this

932
00:50:52,680 --> 00:50:54,120
Speaker 1: can't If it's gonna be on the super Bowl, this

933
00:50:54,239 --> 00:50:57,839
Speaker 1: can't be a bad thing, right, And uh it became Man.

934
00:50:57,960 --> 00:51:00,440
Speaker 1: People talked about that for years and years and years,

935
00:51:00,640 --> 00:51:03,200
Speaker 1: and it was it was a nice check I would

936
00:51:03,200 --> 00:51:05,799
Speaker 1: get ever so often too, just residuals that kept coming

937
00:51:05,800 --> 00:51:07,359
Speaker 1: in from it. Yeah, I mean, you'd rob a tough

938
00:51:07,400 --> 00:51:09,239
Speaker 1: time he's out. You could use little extra money, I mean,

939
00:51:09,480 --> 00:51:11,400
Speaker 1: had you know, if it was a down year or whatever,

940
00:51:11,680 --> 00:51:13,360
Speaker 1: All of a sudden there'd be a twenty five hundred

941
00:51:13,400 --> 00:51:15,279
Speaker 1: n't check in the mail for from Fruit to the

942
00:51:15,520 --> 00:51:17,279
Speaker 1: you know. So yeah, so it was a it was

943
00:51:17,320 --> 00:51:18,719
Speaker 1: a cool deal. I mean, I wish I could do

944
00:51:18,760 --> 00:51:22,680
Speaker 1: about one of those a year. Yeah, right, all right,

945
00:51:23,040 --> 00:51:25,560
Speaker 1: Colin Ray is here, we're we're kind of rolling through

946
00:51:25,600 --> 00:51:29,399
Speaker 1: some of the catalog here. So let's go nineteen ninety two.

947
00:51:30,000 --> 00:51:32,040
Speaker 1: Like when I bring up In This Life, what's that

948
00:51:32,120 --> 00:51:35,279
Speaker 1: make you think about? Man? I? Mike Read makes me

949
00:51:35,360 --> 00:51:37,600
Speaker 1: think of Mic Read, the writer who you know was uh,

950
00:51:37,960 --> 00:51:40,480
Speaker 1: you know Mike's story. He was a football player, played

951
00:51:40,520 --> 00:51:43,880
Speaker 1: for the Cincinnati Bengals, All Pro defensive tackle, but a

952
00:51:43,960 --> 00:51:47,000
Speaker 1: concert pianist too, which is with such an odd pairing.

953
00:51:47,760 --> 00:51:50,279
Speaker 1: And when he retired from football, he wanted to come

954
00:51:50,320 --> 00:51:52,520
Speaker 1: down here and be in rot country songs and he

955
00:51:52,680 --> 00:51:56,520
Speaker 1: and I think Alan Shamblin uh wrote in This Life

956
00:51:56,920 --> 00:52:00,120
Speaker 1: and so in the Garth fund Is actually produced that

957
00:52:00,160 --> 00:52:02,759
Speaker 1: album on me, the second album, and we were ready

958
00:52:02,800 --> 00:52:05,040
Speaker 1: to go. We had our I forgot how many twelve

959
00:52:05,120 --> 00:52:06,520
Speaker 1: songs or whatever we were going to do. We had

960
00:52:06,560 --> 00:52:09,759
Speaker 1: them ready to go, and uh, but we didn't have

961
00:52:09,920 --> 00:52:13,360
Speaker 1: that one. And the night before we actually was going

962
00:52:13,440 --> 00:52:16,600
Speaker 1: to track. The next day, somebody from that publishing company

963
00:52:16,680 --> 00:52:18,360
Speaker 1: brought the song over and it was Mike singing it,

964
00:52:18,480 --> 00:52:21,480
Speaker 1: you know, and he's a great singer, and we thought, man,

965
00:52:21,560 --> 00:52:24,040
Speaker 1: there's our there's our first single off this album. You know,

966
00:52:24,080 --> 00:52:26,200
Speaker 1: if we can hook it tomorrow, you know. And so

967
00:52:26,280 --> 00:52:28,320
Speaker 1: it was a very like a last minute thing that

968
00:52:28,680 --> 00:52:31,200
Speaker 1: came our way. And I loved it because it was

969
00:52:31,239 --> 00:52:34,000
Speaker 1: a love song, which at that time Sony was really

970
00:52:34,040 --> 00:52:35,680
Speaker 1: trying to push me as sort of about you know,

971
00:52:35,960 --> 00:52:39,800
Speaker 1: a love song guy, you know, and uh, And I

972
00:52:39,920 --> 00:52:43,080
Speaker 1: like it because it could be about anybody. It could

973
00:52:43,080 --> 00:52:44,320
Speaker 1: be a you know, it could be by anyone in

974
00:52:44,360 --> 00:52:46,880
Speaker 1: your life, you know, a child, you're one of your children,

975
00:52:46,920 --> 00:52:50,200
Speaker 1: a parent, um, anything. It was just a kind of

976
00:52:50,239 --> 00:52:53,200
Speaker 1: a universal kind of message about just loving somebody that

977
00:52:53,360 --> 00:52:55,800
Speaker 1: much and being loved by that person so much. So

978
00:52:55,880 --> 00:52:57,480
Speaker 1: I thought, this is this has got to be a winner.

979
00:52:57,840 --> 00:52:59,800
Speaker 1: So before you played this, I guess listen to you

980
00:53:00,160 --> 00:53:04,799
Speaker 1: about how they were kind of personifying you. Did they

981
00:53:04,840 --> 00:53:07,120
Speaker 1: ever go, hey, we love slow songs. I'm gonna work

982
00:53:07,160 --> 00:53:09,160
Speaker 1: on the radio back then? Oh yeah, see. And I

983
00:53:09,320 --> 00:53:11,920
Speaker 1: was more concerned about it than they were, actually because

984
00:53:12,239 --> 00:53:15,640
Speaker 1: because that's why I jump. The next single, I think

985
00:53:15,640 --> 00:53:17,560
Speaker 1: it was his next single after in This Life was

986
00:53:17,600 --> 00:53:19,239
Speaker 1: a song called I Want You Bad and that Ain't Good,

987
00:53:19,719 --> 00:53:22,680
Speaker 1: which was this rocker thing, and I pushed for that

988
00:53:22,800 --> 00:53:25,160
Speaker 1: because I said, guys, I don't want to be Perry Como.

989
00:53:25,680 --> 00:53:27,279
Speaker 1: You know, I don't want you. I want I do

990
00:53:27,600 --> 00:53:30,160
Speaker 1: because my live show was I was chasing Garth, you know,

991
00:53:30,200 --> 00:53:31,840
Speaker 1: I was trying to I was trying to do that,

992
00:53:33,120 --> 00:53:35,280
Speaker 1: but I was having to do a bunch of covers

993
00:53:35,880 --> 00:53:38,160
Speaker 1: to keep my show that exciting because so many of

994
00:53:38,200 --> 00:53:41,920
Speaker 1: the hits were ballots, you know, and so um in

995
00:53:42,000 --> 00:53:44,000
Speaker 1: this So I was working. So they I think they

996
00:53:44,040 --> 00:53:46,839
Speaker 1: were comfortable and just letting me be that for a while,

997
00:53:46,880 --> 00:53:49,040
Speaker 1: and then I just sort of forced the issue over

998
00:53:49,080 --> 00:53:50,799
Speaker 1: the next few albums and said, no, man, I got

999
00:53:50,840 --> 00:53:52,520
Speaker 1: I want a long career. I want this to last

1000
00:53:52,600 --> 00:53:55,200
Speaker 1: a while, and we can't just keep giving them, can't

1001
00:53:55,200 --> 00:53:57,480
Speaker 1: giving them ballot, can't keep giving your radio ballots. It's

1002
00:53:57,520 --> 00:53:59,239
Speaker 1: time after time, you know, why don't we give them

1003
00:53:59,280 --> 00:54:02,520
Speaker 1: a ballot? Right now? But I'm glad for the one

1004
00:54:02,560 --> 00:54:06,359
Speaker 1: that did nineteen ninety two. By the way, Colin Ray

1005
00:54:06,480 --> 00:54:13,319
Speaker 1: is here. Here is in this life. For all I've

1006
00:54:13,360 --> 00:54:22,000
Speaker 1: been blessed with in his life, there was an emptyness

1007
00:54:22,320 --> 00:54:32,040
Speaker 1: in me. I was imprisoned by the power world gone.

1008
00:54:34,320 --> 00:54:41,360
Speaker 1: With one honest touch, you set me free. Let the

1009
00:54:41,560 --> 00:54:48,640
Speaker 1: world stop turning, let the sun stop burning. Let them

1010
00:54:48,880 --> 00:54:56,600
Speaker 1: tell me love's not worth going through. If it all

1011
00:54:57,000 --> 00:55:03,560
Speaker 1: falls apart, I will no deep in my heart the

1012
00:55:03,840 --> 00:55:11,320
Speaker 1: only dream that mattered had come true in this life.

1013
00:55:12,280 --> 00:55:22,480
Speaker 1: I was loved by you. I feel that hairs in

1014
00:55:22,520 --> 00:55:25,160
Speaker 1: the back of my necks. We've been hanging out with

1015
00:55:25,239 --> 00:55:27,840
Speaker 1: like half an hour. By now, hair back of my

1016
00:55:27,960 --> 00:55:29,960
Speaker 1: neck is still standing out long. Do you feel like

1017
00:55:30,040 --> 00:55:35,000
Speaker 1: a reappreciation of your songs like that maybe fell off

1018
00:55:35,040 --> 00:55:37,399
Speaker 1: for a bit, but now it's just back full force. Yeah.

1019
00:55:37,640 --> 00:55:40,200
Speaker 1: And again that's something and a lot of my friends

1020
00:55:40,280 --> 00:55:43,920
Speaker 1: from the nineties, my compatriots, you know that, uh, that

1021
00:55:44,000 --> 00:55:45,960
Speaker 1: we're out at the same time basically, you know, we

1022
00:55:46,320 --> 00:55:48,040
Speaker 1: all talk about it all the time when it was Tuesday,

1023
00:55:48,080 --> 00:55:49,680
Speaker 1: is kind of It's kind of cool that and you

1024
00:55:49,760 --> 00:55:51,640
Speaker 1: just you just didn't expect that. I almost kind of

1025
00:55:51,680 --> 00:55:55,879
Speaker 1: feel like nineties country is kind of the new classic rock.

1026
00:55:56,320 --> 00:55:58,279
Speaker 1: And by that I mean, you know, because I mean

1027
00:55:58,600 --> 00:56:00,680
Speaker 1: I grew up on the classic rock and roll of

1028
00:56:00,719 --> 00:56:05,200
Speaker 1: the seventies and stuff, and he had such a resurgence,

1029
00:56:05,239 --> 00:56:07,759
Speaker 1: say in the nineties where you wanted to hear Grand Funk,

1030
00:56:07,800 --> 00:56:10,120
Speaker 1: you wanted to hear fog Hat, you wanted to hear Seeger,

1031
00:56:10,560 --> 00:56:15,239
Speaker 1: you know. And and their touring just exploded. And I'm

1032
00:56:15,320 --> 00:56:17,400
Speaker 1: you know, making more money on the road than they

1033
00:56:17,480 --> 00:56:20,160
Speaker 1: did back in the day because people wanted to relive

1034
00:56:20,239 --> 00:56:23,160
Speaker 1: that music so much. And I think nineties country was

1035
00:56:23,239 --> 00:56:25,320
Speaker 1: so big, and I give Garths so much credit for

1036
00:56:25,400 --> 00:56:27,360
Speaker 1: that because he busted down a lot of walls and

1037
00:56:28,040 --> 00:56:31,560
Speaker 1: opened up a made that narrow two lane road into

1038
00:56:31,640 --> 00:56:35,840
Speaker 1: this big super highway. And uh, I think it touched

1039
00:56:36,120 --> 00:56:38,479
Speaker 1: the music we did back then touched so many people.

1040
00:56:38,680 --> 00:56:41,000
Speaker 1: Now they are at that age where where they want

1041
00:56:41,040 --> 00:56:43,120
Speaker 1: to relive it, you know. And uh and they have

1042
00:56:43,160 --> 00:56:45,520
Speaker 1: a little more money because they have careers and tickets

1043
00:56:45,520 --> 00:56:47,879
Speaker 1: on the money, you know, and the touring is big.

1044
00:56:48,320 --> 00:56:50,880
Speaker 1: You know. Well, up until this that's all this nonsense.

1045
00:56:51,239 --> 00:56:53,040
Speaker 1: But but prior to that, I mean, we were it

1046
00:56:53,200 --> 00:56:55,239
Speaker 1: was just it was amazing. And you and I would

1047
00:56:55,239 --> 00:56:58,080
Speaker 1: see young people, I mean very young people twenty twenty

1048
00:56:58,160 --> 00:57:01,560
Speaker 1: years old, twenty four years old, you know, seventeen years

1049
00:57:01,640 --> 00:57:05,759
Speaker 1: old girls singing along to these songs, you know, and

1050
00:57:05,880 --> 00:57:08,080
Speaker 1: they go, well, that means their parents raised him listening

1051
00:57:08,120 --> 00:57:10,399
Speaker 1: to it. I was talking to Tracy Lawrence pretty recently.

1052
00:57:10,440 --> 00:57:13,160
Speaker 1: He said the same thing about classic rock, exact same analogy.

1053
00:57:13,360 --> 00:57:14,759
Speaker 1: It was like, it feels like it's a classic rock.

1054
00:57:15,200 --> 00:57:16,680
Speaker 1: So we got to the point one er to hear

1055
00:57:16,760 --> 00:57:19,160
Speaker 1: the old CCR stuff exactly, and so he's like, people

1056
00:57:19,200 --> 00:57:21,640
Speaker 1: don't like that one music. Pay me at Birmingham because

1057
00:57:21,680 --> 00:57:25,560
Speaker 1: I think that music for my generation, Tracy's generation, that

1058
00:57:25,760 --> 00:57:28,080
Speaker 1: music was the biggest thing. There was the rock and

1059
00:57:28,240 --> 00:57:30,600
Speaker 1: roll of that time, and you know, pop pop, slash

1060
00:57:30,720 --> 00:57:32,960
Speaker 1: rock and roll at that time was the biggest thing

1061
00:57:33,000 --> 00:57:34,680
Speaker 1: in the world, and so it had the biggest impact

1062
00:57:34,760 --> 00:57:36,880
Speaker 1: on us, you know, as far as you know, told

1063
00:57:36,880 --> 00:57:39,400
Speaker 1: on a lot of people, you know, because even country music,

1064
00:57:39,440 --> 00:57:41,560
Speaker 1: I mean, I grew up on Merle Haggard and Buck

1065
00:57:41,600 --> 00:57:45,680
Speaker 1: Owen's and Cash and Whylan and Johnny Horton and Jim Reeves.

1066
00:57:46,280 --> 00:57:49,200
Speaker 1: But it was always kind of a exclusive kind of

1067
00:57:49,240 --> 00:57:51,560
Speaker 1: club because you know, I remember being in high school,

1068
00:57:51,600 --> 00:57:54,560
Speaker 1: even in the South, in middle school and high school

1069
00:57:54,560 --> 00:57:56,360
Speaker 1: and stuff, and if you like country music, that really

1070
00:57:56,720 --> 00:57:59,040
Speaker 1: they just didn't get it. They didn't under a lot

1071
00:57:59,040 --> 00:58:01,160
Speaker 1: of kids just didn't understand. While we like it, you know,

1072
00:58:01,840 --> 00:58:04,120
Speaker 1: but but rock and roll everybody like that, and so

1073
00:58:04,240 --> 00:58:05,920
Speaker 1: I think it had that, you know, more of a

1074
00:58:06,040 --> 00:58:08,880
Speaker 1: universal impact. And I agree with Tracy. I feel like

1075
00:58:08,960 --> 00:58:11,000
Speaker 1: now as our time, it says like nineties country was

1076
00:58:11,080 --> 00:58:14,240
Speaker 1: that big. Well, One Boy, One Girl? Where do you

1077
00:58:14,280 --> 00:58:15,600
Speaker 1: put that in your set when you play it? Because

1078
00:58:15,600 --> 00:58:17,919
Speaker 1: that's just smashed too, oh man, usually in the middle,

1079
00:58:18,000 --> 00:58:20,840
Speaker 1: and that is that maybe, um one of the most

1080
00:58:20,880 --> 00:58:24,320
Speaker 1: requested songs we get, because sometimes I'll not do that one,

1081
00:58:24,400 --> 00:58:25,880
Speaker 1: or I'll not planned to do that one. If I

1082
00:58:26,000 --> 00:58:27,880
Speaker 1: go to a calling ratio and you don't play One Boy,

1083
00:58:27,960 --> 00:58:30,160
Speaker 1: One Girl, You're gonna find me getting a rEFInd a

1084
00:58:30,240 --> 00:58:33,800
Speaker 1: real quick, you know what. I have heard that, And

1085
00:58:33,880 --> 00:58:36,720
Speaker 1: because you know, there's certain ones, uh that you just

1086
00:58:36,840 --> 00:58:38,960
Speaker 1: know you always need to do, and then others I

1087
00:58:39,040 --> 00:58:40,760
Speaker 1: try to switch out, you know, because we had quite

1088
00:58:40,760 --> 00:58:42,680
Speaker 1: a few, and you think, well, and there's new stuff

1089
00:58:42,760 --> 00:58:44,400
Speaker 1: you want to do and stuff you know, and and

1090
00:58:44,760 --> 00:58:48,080
Speaker 1: it's very hard for me to sometimes a lot of artists,

1091
00:58:48,080 --> 00:58:49,720
Speaker 1: I think go through this. You think, well, well, I

1092
00:58:50,040 --> 00:58:51,720
Speaker 1: want to play this because this means a lot to me.

1093
00:58:51,960 --> 00:58:53,840
Speaker 1: But then I'll go see someone else and I do

1094
00:58:53,960 --> 00:58:56,800
Speaker 1: the same thing. If they don't play two or three

1095
00:58:56,840 --> 00:58:58,560
Speaker 1: of the ones, I get like, I get a little

1096
00:58:58,600 --> 00:59:00,280
Speaker 1: mad about it. You, I can't believe they didn't do this,

1097
00:59:00,360 --> 00:59:02,360
Speaker 1: So then I have to remember. Now they're saying the

1098
00:59:02,400 --> 00:59:05,280
Speaker 1: same thing about me if I leave certain songs out.

1099
00:59:05,480 --> 00:59:08,560
Speaker 1: So now I'm doing it all the time. Well, I'm

1100
00:59:08,560 --> 00:59:10,080
Speaker 1: not gonna let you escape here without playing me a

1101
00:59:10,120 --> 00:59:12,120
Speaker 1: little bit of One Boy, One Girl. I'd want to refund,

1102
00:59:14,200 --> 00:59:16,400
Speaker 1: all right, Colin Rays, here, here we go. And I

1103
00:59:16,520 --> 00:59:19,320
Speaker 1: never realized how many twins there were in America until

1104
00:59:19,360 --> 00:59:22,200
Speaker 1: we put this song out, and apparently it was. There's

1105
00:59:22,200 --> 00:59:24,480
Speaker 1: a lot of lots of families that have twins that

1106
00:59:24,960 --> 00:59:28,959
Speaker 1: could relate to this story. And so he finally gave

1107
00:59:29,080 --> 00:59:33,080
Speaker 1: in news friends girl friend when she said there's someone

1108
00:59:33,400 --> 00:59:39,160
Speaker 1: you shouldn't meet in a crowded restaurant way a crosstown.

1109
00:59:39,720 --> 00:59:49,080
Speaker 1: He waited impatiently when she walked in therizement and they

1110
00:59:49,240 --> 00:59:55,920
Speaker 1: both stared, they're right there, and then everyone else disappeared,

1111
00:59:59,000 --> 01:00:06,960
Speaker 1: but one boy, one girl, two hearts beating wildly to

1112
01:00:07,160 --> 01:00:15,760
Speaker 1: put in mild lyad was love at first side. He smiled,

1113
01:00:17,040 --> 01:00:24,760
Speaker 1: she smiled, and they knew, right this was the David

1114
01:00:25,200 --> 01:00:32,240
Speaker 1: waited for all their lives, and for a moment, the

1115
01:00:32,600 --> 01:00:43,640
Speaker 1: whole revolved around one boy and one girl happening right now. Dang, dang, dang,

1116
01:00:44,200 --> 01:00:46,840
Speaker 1: thank you so much. So you got a new albums

1117
01:00:47,360 --> 01:00:49,760
Speaker 1: that's coming out called Scars. The whole album's out out.

1118
01:00:49,760 --> 01:00:51,600
Speaker 1: It's gonna be on in October, right, yeah, Now, did

1119
01:00:51,640 --> 01:00:54,040
Speaker 1: you record this in the last few months or ye?

1120
01:00:54,600 --> 01:00:57,560
Speaker 1: We actually were wrapping it up when the whole Corona

1121
01:00:57,640 --> 01:00:59,760
Speaker 1: thing started, and so I'm lucky we got it in

1122
01:00:59,800 --> 01:01:02,760
Speaker 1: there when we did, and got named David Fergus and

1123
01:01:02,800 --> 01:01:07,200
Speaker 1: Fergie uh produces. He's very acclaimed producer. And they what

1124
01:01:08,000 --> 01:01:09,800
Speaker 1: the record Labe was audio and they kind of wanted

1125
01:01:09,840 --> 01:01:12,880
Speaker 1: an Americana kind of record, and so I thought, okay,

1126
01:01:12,920 --> 01:01:16,720
Speaker 1: well cool, I'm still sure what the definition of that is.

1127
01:01:16,800 --> 01:01:20,000
Speaker 1: It kind of there kind of is no definition. It's

1128
01:01:20,040 --> 01:01:21,440
Speaker 1: the way I took it. It's like, well, this can

1129
01:01:21,480 --> 01:01:25,760
Speaker 1: be as as as edgy, a little bit dark, a

1130
01:01:25,760 --> 01:01:28,240
Speaker 1: little bit happy, can be a little bit folky. It

1131
01:01:28,280 --> 01:01:29,720
Speaker 1: can be whatever you want it to be. And that

1132
01:01:29,800 --> 01:01:31,920
Speaker 1: seems to be the what they wanted. And so so

1133
01:01:32,000 --> 01:01:33,720
Speaker 1: it was a really fun record to make. And I

1134
01:01:33,800 --> 01:01:37,080
Speaker 1: wrote every song on it except for wrote or co

1135
01:01:37,200 --> 01:01:39,000
Speaker 1: wrote every song on it except for a couple that

1136
01:01:39,120 --> 01:01:43,760
Speaker 1: my brother wrote and if in bringing. He's played with

1137
01:01:43,840 --> 01:01:46,800
Speaker 1: Miranda Lambert for since she began. He introduced me to

1138
01:01:46,880 --> 01:01:49,320
Speaker 1: Miranda when she was seventeen years old, and so I've

1139
01:01:49,360 --> 01:01:52,200
Speaker 1: known her a long time, and uh, he was sort

1140
01:01:52,200 --> 01:01:54,480
Speaker 1: of her only band when she was playing around Dallas

1141
01:01:54,560 --> 01:01:57,560
Speaker 1: and Austin and stuff and playing the little just acoustic

1142
01:01:57,640 --> 01:02:01,160
Speaker 1: things and stuff. And he always believed in her, of course,

1143
01:02:01,320 --> 01:02:03,160
Speaker 1: as did. I had no idea it was going to

1144
01:02:03,200 --> 01:02:05,640
Speaker 1: go where it went, you know, But she's just awesome

1145
01:02:05,680 --> 01:02:08,640
Speaker 1: and he's played with her up until recently. He's had

1146
01:02:08,680 --> 01:02:10,960
Speaker 1: some health issues with his heart and whatnot, had a

1147
01:02:11,000 --> 01:02:13,880
Speaker 1: really bad year last year, and he's probably done touring

1148
01:02:14,080 --> 01:02:17,360
Speaker 1: at this point. And so anyway, this record was kind

1149
01:02:17,360 --> 01:02:19,080
Speaker 1: of a full circle moment for us because he and

1150
01:02:19,120 --> 01:02:22,720
Speaker 1: I started this together when we were you know, fifteen,

1151
01:02:22,760 --> 01:02:26,360
Speaker 1: sixteen years old, and we got separated and went different ways.

1152
01:02:26,400 --> 01:02:28,320
Speaker 1: We're very very different and a lot of a lot

1153
01:02:28,360 --> 01:02:31,000
Speaker 1: of ways things things we wanted to do and whatnot.

1154
01:02:31,400 --> 01:02:34,760
Speaker 1: But we've always been close. But it was so cool

1155
01:02:34,840 --> 01:02:36,280
Speaker 1: to get to work with him on this record. He

1156
01:02:36,360 --> 01:02:39,280
Speaker 1: plays on it, he sings on it, and the title

1157
01:02:39,360 --> 01:02:43,920
Speaker 1: song Scars that Miranda sings with me on h Scott

1158
01:02:43,920 --> 01:02:45,720
Speaker 1: he wrote that like twenty years ago, and I've been

1159
01:02:45,800 --> 01:02:48,200
Speaker 1: holding onto that song for the right for the right time.

1160
01:02:48,280 --> 01:02:49,640
Speaker 1: You know, I'm gonna play some of that right now.

1161
01:02:49,800 --> 01:03:09,600
Speaker 1: Let's listen to some Scars here from Colin Red. Gotta

1162
01:03:09,600 --> 01:03:11,920
Speaker 1: be a pretty cool that Randon was gonna sing with

1163
01:03:11,960 --> 01:03:14,000
Speaker 1: you too. I mean, we're hearing you guys sing right there.

1164
01:03:14,320 --> 01:03:16,680
Speaker 1: That's pretty cool. Huh yeah. And she, I mean she

1165
01:03:16,840 --> 01:03:18,720
Speaker 1: she'd been threatening to do it for for a while,

1166
01:03:18,880 --> 01:03:22,040
Speaker 1: you know, and I was like, yeah, and so because

1167
01:03:22,080 --> 01:03:24,720
Speaker 1: he's again like we known each other really really long time.

1168
01:03:24,800 --> 01:03:27,920
Speaker 1: And in her early early days, I would do things

1169
01:03:27,960 --> 01:03:31,000
Speaker 1: where I'd show up and play on a bill that

1170
01:03:31,080 --> 01:03:33,840
Speaker 1: she was on and whatnot, which she repeat appreciated that

1171
01:03:33,880 --> 01:03:36,920
Speaker 1: when people when she was just getting started. Um, and

1172
01:03:37,000 --> 01:03:39,360
Speaker 1: I guess this was her little favor to me and

1173
01:03:39,440 --> 01:03:41,560
Speaker 1: to Scotty to get to do this, and of course

1174
01:03:41,600 --> 01:03:43,760
Speaker 1: she killed it. She's a great singer in the studio

1175
01:03:43,920 --> 01:03:46,960
Speaker 1: and uh went in there run. She knew the song too,

1176
01:03:46,960 --> 01:03:50,280
Speaker 1: because she had done it, had played it live before.

1177
01:03:50,320 --> 01:03:52,040
Speaker 1: Over the last few years. Whenever they would do like

1178
01:03:52,080 --> 01:03:53,960
Speaker 1: an acoustic thing where it was just her and Scotty

1179
01:03:54,040 --> 01:03:55,880
Speaker 1: and maybe you know, writers in the round kind of thing,

1180
01:03:56,360 --> 01:03:59,120
Speaker 1: she would always do scars and just sang the paint

1181
01:03:59,160 --> 01:04:01,439
Speaker 1: off of it, you know. And so Scotty was hoping

1182
01:04:01,520 --> 01:04:03,640
Speaker 1: she'd cut it, and then she's, well, I'm I've been

1183
01:04:03,760 --> 01:04:05,400
Speaker 1: thinking about it, I'm thinking about I'm thinking about it.

1184
01:04:05,960 --> 01:04:07,360
Speaker 1: And so I said, well, hey, if she's not going

1185
01:04:07,400 --> 01:04:09,000
Speaker 1: to do it, then I'm I'm cutting it, you know,

1186
01:04:09,640 --> 01:04:12,280
Speaker 1: and then to bring her in on it. So obviously

1187
01:04:12,360 --> 01:04:14,360
Speaker 1: she knew the song so well. She wasn't. She was

1188
01:04:14,400 --> 01:04:17,760
Speaker 1: in the studio fifteen minutes and just killed it, you know,

1189
01:04:17,880 --> 01:04:20,160
Speaker 1: And it really kind of anointed this record having her

1190
01:04:20,200 --> 01:04:23,800
Speaker 1: on there. All right, the full album out in October. Um, well,

1191
01:04:24,160 --> 01:04:25,760
Speaker 1: why don't we end on this, the song that you

1192
01:04:25,960 --> 01:04:29,280
Speaker 1: say all over the world people know your most for this,

1193
01:04:29,680 --> 01:04:31,440
Speaker 1: I wouldn't have picked up I know it, and it's

1194
01:04:31,440 --> 01:04:33,640
Speaker 1: one of my favorites. I liked the group vocals, and

1195
01:04:33,920 --> 01:04:37,800
Speaker 1: I rarely let the show do gang vocals. But I

1196
01:04:37,920 --> 01:04:40,600
Speaker 1: was gonna ask you, how do we have permission? You need.

1197
01:04:41,840 --> 01:04:45,720
Speaker 1: That's my story. That's my story. Oh, that's my It's

1198
01:04:45,760 --> 01:04:47,840
Speaker 1: like you can't really do it without it. Yes, so

1199
01:04:48,000 --> 01:04:52,600
Speaker 1: we're gonna be here for you on the gang vocals.

1200
01:04:52,640 --> 01:04:54,920
Speaker 1: And that's my story. Okay, I would be honored the

1201
01:04:55,040 --> 01:05:04,400
Speaker 1: last way, Colin Ray, here we go. Well, I came

1202
01:05:04,480 --> 01:05:08,320
Speaker 1: in as the sun came up. She renting me over

1203
01:05:08,560 --> 01:05:11,680
Speaker 1: her coffee. Come, She said, where you've been? So I

1204
01:05:11,840 --> 01:05:15,080
Speaker 1: thought real hard and said I fell asleep and then

1205
01:05:15,320 --> 01:05:18,200
Speaker 1: hammock in the yard. She said, you don't know it, Bubba,

1206
01:05:18,280 --> 01:05:20,640
Speaker 1: but you just blew it. And I said, well, that's

1207
01:05:20,760 --> 01:05:24,800
Speaker 1: my story and I'm sticking to it. That's my story.

1208
01:05:25,360 --> 01:05:30,080
Speaker 1: That's my story. That's my story. Come on, that's my story. Well,

1209
01:05:30,120 --> 01:05:33,000
Speaker 1: I ain't got a witness and I can't prove it.

1210
01:05:33,080 --> 01:05:36,120
Speaker 1: You got it, but that's my story and I'm sticking

1211
01:05:36,200 --> 01:05:45,000
Speaker 1: to nice. Well color herd a couple of things before

1212
01:05:45,000 --> 01:05:47,880
Speaker 1: we get Thing Number one is we're all such big fans.

1213
01:05:48,000 --> 01:05:50,440
Speaker 1: This has been such a joy for me personally. You know,

1214
01:05:51,040 --> 01:05:53,040
Speaker 1: I got to be a bit jaded because I get

1215
01:05:53,080 --> 01:05:54,520
Speaker 1: to do a lot of cool things now on my job.

1216
01:05:54,600 --> 01:05:57,040
Speaker 1: But occasionally something he sets me. It's like, this is

1217
01:05:57,160 --> 01:05:59,360
Speaker 1: what makes me happy and this, this whole thing made

1218
01:05:59,400 --> 01:06:01,440
Speaker 1: me happy today. Thank you, So that means a lot

1219
01:06:01,480 --> 01:06:03,320
Speaker 1: to me. And just again, thank you for having me

1220
01:06:03,360 --> 01:06:05,280
Speaker 1: come in. It's been a it's an honor, big fan

1221
01:06:05,400 --> 01:06:08,080
Speaker 1: and just love the show and you're on a roll

1222
01:06:08,280 --> 01:06:10,400
Speaker 1: and it's just it's just it's really cool to get

1223
01:06:10,440 --> 01:06:12,160
Speaker 1: to be a part of it. My final question, I

1224
01:06:12,240 --> 01:06:14,400
Speaker 1: saved this for the very end. Do you remember our

1225
01:06:14,680 --> 01:06:18,000
Speaker 1: great Twitter feud of twenty fourteen and you were going

1226
01:06:18,080 --> 01:06:21,200
Speaker 1: to Can I explain that ahead? I'm ready, okay, Because

1227
01:06:21,200 --> 01:06:23,000
Speaker 1: I wrote a book, yeah, okay. It was my life

1228
01:06:23,080 --> 01:06:26,480
Speaker 1: story in the manner the management team I had at

1229
01:06:26,520 --> 01:06:29,920
Speaker 1: the time, the story had really was it was basically

1230
01:06:29,960 --> 01:06:32,560
Speaker 1: about my my life story. You know, um, some a

1231
01:06:32,600 --> 01:06:35,040
Speaker 1: lot of tragedy in my life over the years and whatnot,

1232
01:06:35,240 --> 01:06:38,560
Speaker 1: family stuff and it was basically was more about, uh,

1233
01:06:39,000 --> 01:06:42,640
Speaker 1: my faith journey and the family situation. But yet there

1234
01:06:42,720 --> 01:06:46,120
Speaker 1: was some music business stuff in it, and uh because

1235
01:06:46,120 --> 01:06:48,320
Speaker 1: I knew, well, if it's a calling Ray autobiography, they're

1236
01:06:48,320 --> 01:06:51,080
Speaker 1: gonna want to hear some stuff about the music stories too,

1237
01:06:51,120 --> 01:06:52,800
Speaker 1: So we had a lot of some anecdotes in different

1238
01:06:52,840 --> 01:06:55,880
Speaker 1: stories there. But my manager at the time was really

1239
01:06:55,960 --> 01:06:59,000
Speaker 1: looking for a hook that he could for pr hook,

1240
01:06:59,080 --> 01:07:02,280
Speaker 1: you know, and so and so we I'd made some comments,

1241
01:07:02,320 --> 01:07:04,600
Speaker 1: I'd made some comments about the modern country music at

1242
01:07:04,600 --> 01:07:08,200
Speaker 1: the time, and and uh, we got seriously taken out

1243
01:07:08,280 --> 01:07:10,640
Speaker 1: of context, and he forced it, and so he was

1244
01:07:10,680 --> 01:07:12,000
Speaker 1: the one trying to push that, and I was like,

1245
01:07:12,800 --> 01:07:15,840
Speaker 1: I didn't mean that. So he kept trying to draw

1246
01:07:15,960 --> 01:07:18,920
Speaker 1: me into this, to this thing because he thought it

1247
01:07:18,960 --> 01:07:21,800
Speaker 1: would did sell, you know, And I've never been I've

1248
01:07:21,840 --> 01:07:23,880
Speaker 1: never been a big fan of that, you know. And

1249
01:07:24,040 --> 01:07:27,440
Speaker 1: so I a real quick story, but but I love

1250
01:07:27,520 --> 01:07:29,960
Speaker 1: Travis Tritt, love him. He was one of my favorite

1251
01:07:30,040 --> 01:07:32,840
Speaker 1: artists of the nineties. And there was a comment in there.

1252
01:07:32,840 --> 01:07:36,000
Speaker 1: I was talking about certain records in the nineties that

1253
01:07:36,080 --> 01:07:38,560
Speaker 1: I thought were just rocking. They were just like moments

1254
01:07:38,600 --> 01:07:41,480
Speaker 1: where you just, you know, think that that's really good.

1255
01:07:41,640 --> 01:07:44,640
Speaker 1: That's really good. And I always loved his cover of

1256
01:07:44,840 --> 01:07:46,840
Speaker 1: t r o U b l E. The Oil Elvi song,

1257
01:07:47,080 --> 01:07:49,640
Speaker 1: because it just was he slayed it, you know, the bands.

1258
01:07:49,720 --> 01:07:52,760
Speaker 1: It was just a really great, great cover. And so

1259
01:07:53,400 --> 01:07:56,320
Speaker 1: I mentioned that in the book. Okay, well the just

1260
01:07:56,440 --> 01:07:58,840
Speaker 1: so you know, the way you write these books, generally,

1261
01:07:59,720 --> 01:08:02,360
Speaker 1: none of us our authors where we sit down at

1262
01:08:02,400 --> 01:08:04,959
Speaker 1: a typewriter. I basically sat in front of a video

1263
01:08:05,040 --> 01:08:08,880
Speaker 1: camera an hour a night for like three months and

1264
01:08:09,040 --> 01:08:11,520
Speaker 1: just would tell telling my story and then A go

1265
01:08:11,720 --> 01:08:13,280
Speaker 1: ghost writer, I guess if you want to call him,

1266
01:08:13,280 --> 01:08:15,360
Speaker 1: that would try to put it into manuscript, you know.

1267
01:08:16,040 --> 01:08:17,880
Speaker 1: And so there were a lot of things that he

1268
01:08:18,080 --> 01:08:19,960
Speaker 1: wrote differently than what I said, So I would go

1269
01:08:20,040 --> 01:08:21,639
Speaker 1: back and try to ed I said, hey, I didn't

1270
01:08:21,680 --> 01:08:23,640
Speaker 1: I didn't say that. I did say it's gonna be

1271
01:08:23,640 --> 01:08:25,800
Speaker 1: taking the wrong way. So anyway, I fought with him

1272
01:08:26,160 --> 01:08:28,400
Speaker 1: with a publisher throughout the whole process. I'll never write

1273
01:08:28,400 --> 01:08:32,400
Speaker 1: another book again as long I live. And so, but

1274
01:08:32,520 --> 01:08:34,280
Speaker 1: one of the things he said in there, he talks

1275
01:08:34,320 --> 01:08:38,640
Speaker 1: about my comment about to trouble and he kind of

1276
01:08:38,680 --> 01:08:41,080
Speaker 1: made it sound like I was this in the song.

1277
01:08:42,479 --> 01:08:45,200
Speaker 1: And I was like, that's not what I said. And so,

1278
01:08:45,520 --> 01:08:47,599
Speaker 1: and I thought, and I would say, take that out,

1279
01:08:47,680 --> 01:08:49,840
Speaker 1: take that out, and final manuscript comes out. It's in there.

1280
01:08:51,479 --> 01:08:54,360
Speaker 1: So so I thought, well, I hope Travis doesn't read

1281
01:08:54,400 --> 01:08:56,680
Speaker 1: this book because he'll take it the wrong way. So

1282
01:08:56,760 --> 01:08:59,280
Speaker 1: we're at the Randy Travis tribute that he had had

1283
01:08:59,280 --> 01:09:00,880
Speaker 1: a couple of years back at Bridge Stone, you know.

1284
01:09:01,600 --> 01:09:03,800
Speaker 1: And I'm back there and Travis hadn't seen anyone a while.

1285
01:09:03,840 --> 01:09:05,599
Speaker 1: He comes up me, Oh, Colin, I read your book.

1286
01:09:07,720 --> 01:09:09,560
Speaker 1: I got this look a panic on my face. I

1287
01:09:09,680 --> 01:09:11,640
Speaker 1: was like, oh, hey, man goes, Oh I loved it,

1288
01:09:12,160 --> 01:09:13,800
Speaker 1: so I don't. I guess it didn't. He didn't take

1289
01:09:13,800 --> 01:09:15,360
Speaker 1: it as right. But I was afraid of that, I thought,

1290
01:09:15,400 --> 01:09:17,519
Speaker 1: because I love the record. It sounded like I was

1291
01:09:17,720 --> 01:09:22,320
Speaker 1: well like, not like didn't didn't dig that song, you know?

1292
01:09:22,800 --> 01:09:24,559
Speaker 1: But no, he took it really well. But I'll never

1293
01:09:24,640 --> 01:09:26,559
Speaker 1: forget that. I just got this. I was just broke

1294
01:09:26,600 --> 01:09:28,800
Speaker 1: out into a cold sweat, you know. He goes, yet

1295
01:09:28,800 --> 01:09:32,120
Speaker 1: I read your book. I'm like, oh no, well so anyway,

1296
01:09:32,160 --> 01:09:35,719
Speaker 1: but so I didn't want to. My manager was going, Bobby,

1297
01:09:36,000 --> 01:09:37,880
Speaker 1: Bobby wants to do this, and I was like, oh,

1298
01:09:37,920 --> 01:09:39,479
Speaker 1: I don't want because I don't want to be known

1299
01:09:39,680 --> 01:09:42,680
Speaker 1: for a guy that's this and the guys that are

1300
01:09:42,720 --> 01:09:44,840
Speaker 1: out there now, and that's what he was trying to

1301
01:09:45,120 --> 01:09:47,200
Speaker 1: get me to be. And I was like, I'm not

1302
01:09:47,280 --> 01:09:50,240
Speaker 1: comfortable with that. So thank you for her. And I

1303
01:09:50,320 --> 01:09:52,040
Speaker 1: saved for putting up with it. I saved it for

1304
01:09:52,120 --> 01:09:53,840
Speaker 1: the very end in case it got off to a

1305
01:09:53,880 --> 01:09:56,000
Speaker 1: fist fight or something. We got all the songs and

1306
01:09:56,080 --> 01:09:58,559
Speaker 1: then the fist fight. But no, I think all I said.

1307
01:09:58,600 --> 01:10:01,479
Speaker 1: I think I said something about the lyric. I felt

1308
01:10:01,520 --> 01:10:03,760
Speaker 1: like the lyrics were kind of a lot of them

1309
01:10:03,800 --> 01:10:06,360
Speaker 1: were kind of the same story, same message, dirt road,

1310
01:10:06,400 --> 01:10:08,680
Speaker 1: et cetera. And I made some kind of comment about that,

1311
01:10:08,880 --> 01:10:12,360
Speaker 1: and boy, he just ran with it. So this is good,

1312
01:10:12,439 --> 01:10:14,400
Speaker 1: this is good. It's like, that's not what I meant.

1313
01:10:14,840 --> 01:10:17,000
Speaker 1: Did you when you were coming up? Where there ever

1314
01:10:17,080 --> 01:10:18,960
Speaker 1: folks that were like, ah, Colin Rad, That's like, hey,

1315
01:10:19,000 --> 01:10:21,240
Speaker 1: it's that country. Oh yeah, I used to get that

1316
01:10:21,320 --> 01:10:24,160
Speaker 1: all the time, and uh, you know, we would. I remember,

1317
01:10:24,560 --> 01:10:26,640
Speaker 1: you know, Chestnut came came out to radio by the

1318
01:10:26,680 --> 01:10:28,479
Speaker 1: same time I did. If he God Brest his soul,

1319
01:10:28,880 --> 01:10:31,479
Speaker 1: and you had some really good country voices that were

1320
01:10:31,760 --> 01:10:34,960
Speaker 1: out at that time. And because I sounded a little more,

1321
01:10:35,320 --> 01:10:38,760
Speaker 1: you know, Don Henley as kind of um, people are like, well,

1322
01:10:38,840 --> 01:10:41,120
Speaker 1: he's a he's a he's really a rocker and he's

1323
01:10:41,160 --> 01:10:44,559
Speaker 1: just down here, you know. And if they only knew,

1324
01:10:44,880 --> 01:10:47,280
Speaker 1: you know, I mean obviously with this guitar right now,

1325
01:10:47,320 --> 01:10:49,240
Speaker 1: if you had if you had about six days, I

1326
01:10:49,280 --> 01:10:52,000
Speaker 1: could sit here and sing sing classic country songs and

1327
01:10:52,120 --> 01:10:54,679
Speaker 1: not not miss a word and never repeat the same song.

1328
01:10:55,240 --> 01:10:58,080
Speaker 1: But because that was my specialty, so to speak, and

1329
01:10:58,200 --> 01:11:00,360
Speaker 1: my early producer said, no, this is your thing. You

1330
01:11:00,400 --> 01:11:03,400
Speaker 1: don't need to be doing too cold at home. You

1331
01:11:03,479 --> 01:11:05,519
Speaker 1: need to be doing this. It's gonna make you stick out,

1332
01:11:05,520 --> 01:11:08,880
Speaker 1: it's gonna make you sound different than everybody else. There

1333
01:11:09,000 --> 01:11:10,360
Speaker 1: was a lot of people that thought, I just don't

1334
01:11:10,360 --> 01:11:12,760
Speaker 1: know if he's really country or not. You know, so

1335
01:11:12,840 --> 01:11:14,240
Speaker 1: I get that. I mean I've been on the other

1336
01:11:14,400 --> 01:11:17,479
Speaker 1: the receiving side of that, where where it kind of

1337
01:11:17,560 --> 01:11:19,120
Speaker 1: hurts your feelings a little bit you and go, yeah,

1338
01:11:19,120 --> 01:11:20,880
Speaker 1: I am man, because I would sit there and name

1339
01:11:21,880 --> 01:11:25,240
Speaker 1: you know, Glynn Campbell, Ray Price, who sometimes sounded his

1340
01:11:25,479 --> 01:11:27,920
Speaker 1: country's cornbread. Other times he shouted like a pop singer.

1341
01:11:28,080 --> 01:11:31,280
Speaker 1: You know, there's many of the Jim Reeves, There's many

1342
01:11:31,320 --> 01:11:35,040
Speaker 1: of the greats that we all admire and idolize that

1343
01:11:35,200 --> 01:11:38,240
Speaker 1: didn't all sound like Merle. You know, that's just one

1344
01:11:38,360 --> 01:11:40,800
Speaker 1: style that Merles is just and then Merle is still

1345
01:11:40,800 --> 01:11:43,040
Speaker 1: the king of that. But that Lefty for Zell kind

1346
01:11:43,080 --> 01:11:45,400
Speaker 1: of thing that there's more than just that one style

1347
01:11:45,560 --> 01:11:47,439
Speaker 1: of country music, you know, Hank didn't sing like that,

1348
01:11:48,080 --> 01:11:50,200
Speaker 1: you know. But but I think there was a time

1349
01:11:50,240 --> 01:11:53,800
Speaker 1: where if you didn't, if you didn't right, right, right,

1350
01:11:53,920 --> 01:11:56,479
Speaker 1: if you didn't do that, oh he's not country, right

1351
01:11:56,840 --> 01:11:59,040
Speaker 1: you know? So I so I get That's why I

1352
01:11:59,080 --> 01:12:00,760
Speaker 1: didn't want to get into that whole thing, because like, man,

1353
01:12:00,800 --> 01:12:03,320
Speaker 1: I'm not knocking this. This is a whole different generation.

1354
01:12:03,400 --> 01:12:06,800
Speaker 1: It's a whole different time. Times change, music changes, and

1355
01:12:07,080 --> 01:12:10,760
Speaker 1: everybody's doing their thing and they're successful because they're doing

1356
01:12:10,880 --> 01:12:16,400
Speaker 1: their thing really well. And so anyway, I've I've but

1357
01:12:16,800 --> 01:12:21,679
Speaker 1: I'm sorry. I'm sorry. You remember that, all right, you'd forgotten.

1358
01:12:21,800 --> 01:12:24,559
Speaker 1: We have had a great time. Colin's been great san yea,

1359
01:12:24,600 --> 01:12:28,040
Speaker 1: thank you, Bobby, I speak for everybody in the room. Yes, yes, absolutely,

1360
01:12:28,280 --> 01:12:30,439
Speaker 1: thank you guys so much. It's great pleasure. You can

1361
01:12:30,439 --> 01:12:33,280
Speaker 1: follow call on Instagram Colin Ray Official and on Twitter

1362
01:12:33,439 --> 01:12:35,559
Speaker 1: at Colin Ray. Thank you very much. Hopefully I'll see

1363
01:12:35,560 --> 01:12:39,280
Speaker 1: around right there has Colin Ray. Thank y'all so much.

1364
01:12:39,840 --> 01:12:46,559
Speaker 1: It's time for the good news. You know a lot

1365
01:12:46,600 --> 01:12:48,360
Speaker 1: of teachers are going back to school right now. Big

1366
01:12:48,400 --> 01:12:50,000
Speaker 1: shout out to all you guys if you're listening again,

1367
01:12:50,040 --> 01:12:51,800
Speaker 1: so thank you for being here. And thanks for doing

1368
01:12:51,880 --> 01:12:53,960
Speaker 1: what you do. The crazy thing about teachers, and you

1369
01:12:54,040 --> 01:12:55,640
Speaker 1: know this like I do, Amy, is that a lot

1370
01:12:55,680 --> 01:12:58,320
Speaker 1: of these teachers have to pay for school supplies themself, oh,

1371
01:12:58,439 --> 01:13:01,479
Speaker 1: totally out of their own pocket. Yeah. So in sarah Sota, Florida,

1372
01:13:01,560 --> 01:13:04,719
Speaker 1: there is a Facebook group Adopt a sarah Sota County Teacher,

1373
01:13:05,040 --> 01:13:06,600
Speaker 1: where educators are going, hey, we need this if you

1374
01:13:06,600 --> 01:13:09,000
Speaker 1: can help, and the communities basically sepped in and bought everything.

1375
01:13:09,520 --> 01:13:11,599
Speaker 1: Stuffs still going up, and it's not all the way

1376
01:13:11,680 --> 01:13:13,280
Speaker 1: done now, but as soon as it goes up, people

1377
01:13:13,280 --> 01:13:15,800
Speaker 1: are hopping into help. So there's a teacher that's like, hey,

1378
01:13:16,280 --> 01:13:19,879
Speaker 1: our need is even greater this year because of the pandemic,

1379
01:13:19,960 --> 01:13:22,560
Speaker 1: and so people are reaching out helping teachers. Love that.

1380
01:13:22,680 --> 01:13:25,560
Speaker 1: We love teachers and so not only I mean, I

1381
01:13:25,600 --> 01:13:28,080
Speaker 1: guess you could search for adopt a sarah Sota County Teacher,

1382
01:13:28,120 --> 01:13:29,639
Speaker 1: but you could also set up one for your own town.

1383
01:13:30,080 --> 01:13:32,680
Speaker 1: Oh yeah, which I think teachers would really appreciate you.

1384
01:13:32,840 --> 01:13:34,760
Speaker 1: Yeah there you go. All right, there, you guys, that's

1385
01:13:34,800 --> 01:13:37,320
Speaker 1: what it's all about, right there. That was tell me

1386
01:13:37,439 --> 01:13:41,000
Speaker 1: something good. I want to play this for you because

1387
01:13:41,000 --> 01:13:43,320
Speaker 1: it went up this morning. It's me. Talking with Tracy

1388
01:13:43,439 --> 01:13:47,000
Speaker 1: Lawrence on my music podcast, The Bobbycast. We talked about

1389
01:13:47,000 --> 01:13:48,880
Speaker 1: how pay Me at Birmingham was never at number one

1390
01:13:48,960 --> 01:13:50,720
Speaker 1: and all of us hits from the nineties. But I

1391
01:13:50,760 --> 01:13:53,840
Speaker 1: asked him why the nineties are such a beloved decade

1392
01:13:53,840 --> 01:13:55,760
Speaker 1: for country music. I think it was just such a

1393
01:13:55,840 --> 01:13:58,439
Speaker 1: great It was really a magical time for country music.

1394
01:13:58,560 --> 01:14:02,360
Speaker 1: All started in eighty nine with Guard Brooks and Clint Black,

1395
01:14:02,680 --> 01:14:06,200
Speaker 1: Travis Tritt and Alan Jackson and Mark Chestnut. That was

1396
01:14:06,280 --> 01:14:09,760
Speaker 1: the beginning of it, and that explosion drove so many

1397
01:14:09,800 --> 01:14:12,080
Speaker 1: of us to come to mashful. I mean because of

1398
01:14:12,240 --> 01:14:14,280
Speaker 1: by the time we got into the early nineties, it

1399
01:14:14,479 --> 01:14:17,240
Speaker 1: was it was traditional country with an edge to it.

1400
01:14:17,439 --> 01:14:19,600
Speaker 1: I really think that we're going to look back on

1401
01:14:19,760 --> 01:14:22,200
Speaker 1: the nineties. It's kind of like what classic rock is

1402
01:14:22,280 --> 01:14:24,120
Speaker 1: to the country these days. It's going to be that

1403
01:14:24,240 --> 01:14:26,960
Speaker 1: music that sustains for a long long time. There was

1404
01:14:27,000 --> 01:14:29,559
Speaker 1: just something really special about it. Colin Ray had mentioned

1405
01:14:29,600 --> 01:14:33,040
Speaker 1: that earlier about the classic rock analogy, so check it out.

1406
01:14:33,080 --> 01:14:34,680
Speaker 1: I talk with them for like twenty minutes. If you

1407
01:14:34,760 --> 01:14:37,080
Speaker 1: love nineties country like I do, I mean, how can

1408
01:14:37,120 --> 01:14:39,840
Speaker 1: you not love Paint me a Birmingham two thousand and three.

1409
01:14:39,920 --> 01:14:43,040
Speaker 1: If we talked about that, you know it wasn't a

1410
01:14:43,160 --> 01:14:45,519
Speaker 1: number one, but he was like, man, maybe the biggest

1411
01:14:45,520 --> 01:14:48,200
Speaker 1: song of my career that or Time marches On nineteen

1412
01:14:48,280 --> 01:14:57,639
Speaker 1: ninety six or Alibis nineteen ninety three, this first said

1413
01:14:57,720 --> 01:15:03,400
Speaker 1: nineteen ninety one, six and stones. So we talked about

1414
01:15:03,439 --> 01:15:05,160
Speaker 1: new music on the Bobby Cast that comes out every

1415
01:15:05,160 --> 01:15:06,960
Speaker 1: week and then we have an artist on to talk

1416
01:15:06,960 --> 01:15:09,719
Speaker 1: about and Tracy Lawrences this week. So search Bobby Cast

1417
01:15:09,840 --> 01:15:12,639
Speaker 1: after the show's over on iHeartRadio or wherever you listen

1418
01:15:12,640 --> 01:15:13,960
Speaker 1: to your podcast. It's up to it. I'd love for

1419
01:15:14,000 --> 01:15:15,880
Speaker 1: you to hear it. I see your dad's coming over

1420
01:15:15,880 --> 01:15:17,960
Speaker 1: to your house this weekend. He is on Sunday. First.

1421
01:15:18,120 --> 01:15:21,280
Speaker 1: We're excited. He's been in a nursing Oh. He lives

1422
01:15:21,280 --> 01:15:23,040
Speaker 1: in an assistant living home, but since they went on

1423
01:15:23,160 --> 01:15:28,960
Speaker 1: lockdown mid March, he hasn't left so which was really

1424
01:15:29,000 --> 01:15:31,120
Speaker 1: hard for him. He's very social and he would come

1425
01:15:31,160 --> 01:15:33,920
Speaker 1: over to our house every week and we just haven't

1426
01:15:33,960 --> 01:15:35,679
Speaker 1: been able to spend time with him in that way.

1427
01:15:36,439 --> 01:15:38,559
Speaker 1: But they're allowing him to come over because we don't

1428
01:15:38,600 --> 01:15:41,439
Speaker 1: live too far from him and we have to follow

1429
01:15:41,520 --> 01:15:45,160
Speaker 1: social distancing rules and masks and the whole thing. But

1430
01:15:45,479 --> 01:15:47,400
Speaker 1: at least he'll get to come over for a few hours.

1431
01:15:47,479 --> 01:15:50,920
Speaker 1: And can you touch him? No, no, really, we have

1432
01:15:51,040 --> 01:15:53,519
Speaker 1: someone watch you to make sure you don't touch him. No.

1433
01:15:53,680 --> 01:15:58,800
Speaker 1: They said they trust us. They've they've watched us, you know, interact.

1434
01:15:59,200 --> 01:16:02,360
Speaker 1: He said he will follow the rules. We've committed to

1435
01:16:02,400 --> 01:16:06,360
Speaker 1: following the rules. So really they're just you know, hoping

1436
01:16:06,439 --> 01:16:08,519
Speaker 1: that everyone does their part to keep I want to

1437
01:16:08,600 --> 01:16:11,160
Speaker 1: keep him safe. So no, we're gonna do everything by

1438
01:16:11,200 --> 01:16:15,200
Speaker 1: the books and then return him safely. We'll see how

1439
01:16:15,200 --> 01:16:19,120
Speaker 1: it goes. Well, exciting it is, Yeah, he's I mean,

1440
01:16:19,200 --> 01:16:21,600
Speaker 1: I think it's boosted his morale even just knowing that

1441
01:16:21,680 --> 01:16:27,320
Speaker 1: he's coming already. By well, let's go to another good thing.

1442
01:16:27,720 --> 01:16:30,080
Speaker 1: It is time for our final first round food feud.

1443
01:16:30,120 --> 01:16:35,880
Speaker 1: After this we go to the next round. All right,

1444
01:16:35,920 --> 01:16:38,679
Speaker 1: we have two food items here. They're going to battle

1445
01:16:38,720 --> 01:16:40,160
Speaker 1: it out against each other. Now, I have a little

1446
01:16:40,640 --> 01:16:42,439
Speaker 1: little voice thing going here, so I can't really give

1447
01:16:42,520 --> 01:16:46,040
Speaker 1: him all today. But we've been putting two food rivals

1448
01:16:46,040 --> 01:16:49,559
Speaker 1: against each other over the last week's and eventually we'll

1449
01:16:49,600 --> 01:16:53,439
Speaker 1: see which one ranks at number one. This week Week eight,

1450
01:16:54,000 --> 01:16:57,880
Speaker 1: it's Battle of the kids cereals in the red corner.

1451
01:16:57,920 --> 01:16:59,680
Speaker 1: They come with hearts and stars and horse shoes and

1452
01:16:59,760 --> 01:17:02,400
Speaker 1: Chloe for some blue moons and unic corns and rainbows

1453
01:17:02,439 --> 01:17:05,960
Speaker 1: and tasty red balloons, plus crunchy bluten free yots. But

1454
01:17:06,960 --> 01:17:10,280
Speaker 1: that part of don't like it. They are a serving

1455
01:17:10,479 --> 01:17:13,240
Speaker 1: will run you one hundred thirty three calories ten grams

1456
01:17:13,280 --> 01:17:19,120
Speaker 1: of sugar. They're magically delicious. Luck at you we are

1457
01:17:19,400 --> 01:17:25,680
Speaker 1: look at John's right here and facing off. In the

1458
01:17:25,720 --> 01:17:29,240
Speaker 1: blue corner, it's the cereal that consists of small squares

1459
01:17:29,400 --> 01:17:33,360
Speaker 1: or rectangles of wheat and rice covered with cinnamon and sugar.

1460
01:17:33,600 --> 01:17:36,040
Speaker 1: They're one hundred and sixty eight calories per serving, twelve

1461
01:17:36,080 --> 01:17:39,240
Speaker 1: grams of sugar. The taste you can see, the crazy

1462
01:17:39,320 --> 01:17:50,679
Speaker 1: squares you crave it is cinnamon toast cram. All right, Amy,

1463
01:17:50,720 --> 01:17:53,920
Speaker 1: are make me a bowl over here? Okay both, I

1464
01:17:54,000 --> 01:17:56,400
Speaker 1: mean you have the milk and everything. Yeah, yeah, this

1465
01:17:56,520 --> 01:17:58,080
Speaker 1: is I do this bit only for free food, now,

1466
01:17:58,479 --> 01:18:01,439
Speaker 1: I know. I'm my gram is you have to pick

1467
01:18:01,520 --> 01:18:06,040
Speaker 1: one for it. I can't really decide. I initially was

1468
01:18:06,240 --> 01:18:09,200
Speaker 1: going Lucky Charms, but I it's been so long since

1469
01:18:09,240 --> 01:18:11,479
Speaker 1: I had cinnamon toast crunch. I feel like I just

1470
01:18:11,600 --> 01:18:15,200
Speaker 1: don't know. I'm gonna go with Lucky Charms, since I

1471
01:18:15,800 --> 01:18:17,479
Speaker 1: I know that as long as you have the perfect

1472
01:18:17,520 --> 01:18:21,400
Speaker 1: spoonful of the marshmallow and the whatever, I don't do it.

1473
01:18:21,400 --> 01:18:22,800
Speaker 1: Like yeah, I go all outs first so I can

1474
01:18:22,840 --> 01:18:24,320
Speaker 1: celebrate at the end of the all my marshal I

1475
01:18:24,400 --> 01:18:26,400
Speaker 1: know you do, but I like to make I do

1476
01:18:26,479 --> 01:18:29,200
Speaker 1: my life. So Lucky Charms for me like Johns metaphor

1477
01:18:29,240 --> 01:18:32,160
Speaker 1: for life, Eddie Man, there's a no brainer for me.

1478
01:18:32,520 --> 01:18:36,800
Speaker 1: In my pantry lives one cereal consistently all the time,

1479
01:18:37,360 --> 01:18:42,240
Speaker 1: and that's cinnamon toast crunch always. My kids love it.

1480
01:18:42,400 --> 01:18:44,400
Speaker 1: I love it. It's my favorite. I'm pouring my second

1481
01:18:44,439 --> 01:18:46,760
Speaker 1: bowl here. I've got one bowl of Lucky, one bowl

1482
01:18:46,800 --> 01:18:49,120
Speaker 1: of cinnamon. Morgan, what do you got while I have

1483
01:18:49,200 --> 01:18:53,040
Speaker 1: a bite. Oh, this is so hard. They're both so good.

1484
01:18:53,320 --> 01:18:56,080
Speaker 1: But I think when I go to the store, I

1485
01:18:56,320 --> 01:18:59,439
Speaker 1: always would buy Lucky Charms, So Lucky Charms is fine.

1486
01:19:00,560 --> 01:19:03,680
Speaker 1: Oh man, these are both mouthwatering good. I love me

1487
01:19:03,840 --> 01:19:07,000
Speaker 1: some Lucky Charms the marshmallows, but then you realize those

1488
01:19:07,040 --> 01:19:09,200
Speaker 1: oats are just a waste of space. So half the

1489
01:19:09,280 --> 01:19:13,040
Speaker 1: bowl is being wasted. So my vote is for cinnamon toast. Yeah.

1490
01:19:17,360 --> 01:19:21,439
Speaker 1: Well yeah, and you're over there eating them yet. Like

1491
01:19:21,560 --> 01:19:24,639
Speaker 1: if it wasn't we were in a pandemic, I would

1492
01:19:24,640 --> 01:19:27,559
Speaker 1: be eating after you right now because it looks so good.

1493
01:19:27,840 --> 01:19:30,400
Speaker 1: But you have milk and here, it's all here. How

1494
01:19:30,400 --> 01:19:37,080
Speaker 1: about it? Um, it's easy Cinamon TOAs srunchy c favor totally. Yeah,

1495
01:19:37,120 --> 01:19:39,200
Speaker 1: Lucky Charms is great. It's a really great cereal. I

1496
01:19:39,280 --> 01:19:42,160
Speaker 1: love it, one of my tops. But cinnamon toast every bite.

1497
01:19:43,479 --> 01:19:45,360
Speaker 1: I'm excited about eating this right now, Somebody get the

1498
01:19:45,360 --> 01:19:48,000
Speaker 1: crap off the air and eat some cereal. Okay, there's

1499
01:19:48,000 --> 01:19:50,280
Speaker 1: our winner, cinnamon toast crunch. We feel get about that. Yeah.

1500
01:19:51,280 --> 01:19:54,280
Speaker 1: Next week we start knocking things out though against each

1501
01:19:54,280 --> 01:19:57,559
Speaker 1: other that aren't the same, like what I will see okay, yeah,

1502
01:19:58,320 --> 01:20:02,240
Speaker 1: like yeah, we're building a bracket for everybody. Our buddy

1503
01:20:02,360 --> 01:20:05,080
Speaker 1: Jaco and turns thirty nine years old today. I've said before,

1504
01:20:05,160 --> 01:20:06,760
Speaker 1: pound per pound, I think Jake's the best guest on

1505
01:20:06,840 --> 01:20:09,680
Speaker 1: our show. I tweeted that the other day and he

1506
01:20:09,920 --> 01:20:12,439
Speaker 1: texted me, and then he replied on Twitter and he said,

1507
01:20:12,439 --> 01:20:13,760
Speaker 1: I try to give you a one hundred and eighty

1508
01:20:13,760 --> 01:20:15,200
Speaker 1: four pounds of me every time I come and see

1509
01:20:15,240 --> 01:20:18,240
Speaker 1: you guys. So I don't know if that's a flex

1510
01:20:18,439 --> 01:20:19,920
Speaker 1: and he's in good shape, I don't know what one

1511
01:20:20,000 --> 01:20:22,880
Speaker 1: eighty four is for him. Usually he's tall, right, yeah,

1512
01:20:22,920 --> 01:20:26,519
Speaker 1: pretty tall, and he Jake was. I'm gonna go the

1513
01:20:26,640 --> 01:20:28,360
Speaker 1: first one that I knew, the first guy that I

1514
01:20:28,439 --> 01:20:30,080
Speaker 1: knew in a couple of ways, but the first like

1515
01:20:30,280 --> 01:20:33,479
Speaker 1: really great athlete that turned into a music star. Yeah.

1516
01:20:33,680 --> 01:20:35,320
Speaker 1: I think Garth did that obviously, he was on a

1517
01:20:35,360 --> 01:20:38,680
Speaker 1: track scholarship to Oklahoma State. But like within me and

1518
01:20:39,160 --> 01:20:41,040
Speaker 1: who I know around town, the first one was Jake,

1519
01:20:41,280 --> 01:20:46,080
Speaker 1: and then came Sam Hunt, and then came Riley Greene

1520
01:20:46,160 --> 01:20:47,479
Speaker 1: played football, you know if he had a lot of

1521
01:20:47,520 --> 01:20:49,680
Speaker 1: those guys now, Oh yeah, and what about Dustin Lunch

1522
01:20:49,720 --> 01:20:52,799
Speaker 1: didn't he played golf? Yeah, and Jake was a great golfer,

1523
01:20:53,400 --> 01:20:56,720
Speaker 1: you know. So all that but Jake's birthday today, I

1524
01:20:56,760 --> 01:20:58,639
Speaker 1: have a top five list. I'm my favorite Jake songs

1525
01:20:59,120 --> 01:21:03,400
Speaker 1: at number five on the jacoing list Barefoot, Blue g Night,

1526
01:21:05,000 --> 01:21:09,479
Speaker 1: Never Gonna, Never Gonna. The song reminds me of moving

1527
01:21:09,479 --> 01:21:12,400
Speaker 1: to Nashville, had me too, for sure. This is one

1528
01:21:12,439 --> 01:21:14,160
Speaker 1: if I had to make a top five of songs

1529
01:21:14,200 --> 01:21:17,720
Speaker 1: that remind me in Nashville. This one and who Randy

1530
01:21:17,760 --> 01:21:24,680
Speaker 1: how new line? Yeah Yeah. Number four favorite Jaco went

1531
01:21:24,760 --> 01:21:30,560
Speaker 1: song down to the honky tonk Night, the whole Fame Stars,

1532
01:21:30,880 --> 01:21:35,320
Speaker 1: I walked my name or statue in my hometown when

1533
01:21:35,439 --> 01:21:41,640
Speaker 1: I'm gone body Name Babies after number three and now

1534
01:21:41,680 --> 01:21:43,920
Speaker 1: we get into the ones that they separate, because my

1535
01:21:43,960 --> 01:21:46,680
Speaker 1: top three are just my biggest top three alone with you.

1536
01:21:47,000 --> 01:21:52,360
Speaker 1: I love this song long Live. You've got me out

1537
01:21:52,479 --> 01:21:56,840
Speaker 1: on the jay time you call and I knew it

1538
01:21:57,040 --> 01:22:05,400
Speaker 1: would kill me if fall I can't be Oh isn't

1539
01:22:05,439 --> 01:22:08,559
Speaker 1: that a jam? We don't hear that enough anymore? Number

1540
01:22:08,560 --> 01:22:14,360
Speaker 1: two anywhere with you come on Anywhere, West Virginia, Baby

1541
01:22:14,479 --> 01:22:25,120
Speaker 1: out of care? Have you ever seen jam? Huh good?

1542
01:22:25,200 --> 01:22:27,439
Speaker 1: Dude like I do this? And I gotta go back

1543
01:22:27,439 --> 01:22:30,479
Speaker 1: and listen to my Jaco and playlist. Number one My

1544
01:22:30,560 --> 01:22:32,560
Speaker 1: favorite Jaco And song is a new one made for

1545
01:22:32,640 --> 01:22:39,360
Speaker 1: you say I'm a sucker for these day like for you, Yeah,

1546
01:22:42,320 --> 01:22:45,360
Speaker 1: for you have a birthday Jaco and thirty nine years old.

1547
01:22:45,360 --> 01:22:46,560
Speaker 1: I feel like we're going to honor it like he

1548
01:22:46,640 --> 01:22:49,640
Speaker 1: died or something. That birthday you know when when when

1549
01:22:49,640 --> 01:22:51,560
Speaker 1: I moved to town, at this big press conference, and

1550
01:22:52,280 --> 01:22:54,519
Speaker 1: you know, a bunch of industry like folks in the

1551
01:22:54,560 --> 01:22:57,200
Speaker 1: business came and they all sit around this this little room.

1552
01:22:57,640 --> 01:22:59,800
Speaker 1: It was little theater room, and Jaco On was one

1553
01:22:59,800 --> 01:23:01,160
Speaker 1: of the guys. I was there. He was one of

1554
01:23:01,200 --> 01:23:02,800
Speaker 1: the artists that came. There weren't a lot that came

1555
01:23:02,840 --> 01:23:05,360
Speaker 1: because they were like, what is this show? But Jaco

1556
01:23:05,520 --> 01:23:10,519
Speaker 1: and came. That's my first memory when we first moved

1557
01:23:10,520 --> 01:23:13,120
Speaker 1: in and we had what was Jerry House's old studio

1558
01:23:13,280 --> 01:23:15,519
Speaker 1: and there was a bunch of like weird things written

1559
01:23:15,560 --> 01:23:17,799
Speaker 1: on the wall, and you know, it was like whiskey.

1560
01:23:17,880 --> 01:23:19,880
Speaker 1: You know, it just wasn't our vibe. But I was

1561
01:23:19,960 --> 01:23:21,280
Speaker 1: in a new place and always going to be made

1562
01:23:21,280 --> 01:23:23,240
Speaker 1: a bunch of changes yet. But so I have a

1563
01:23:23,320 --> 01:23:25,880
Speaker 1: picture of me in that room, maybe the first or

1564
01:23:25,880 --> 01:23:28,680
Speaker 1: second appearance Jake Everarden on the show. His hobby was photography,

1565
01:23:29,000 --> 01:23:31,679
Speaker 1: so he brought this humongous camera. He took a picture

1566
01:23:31,680 --> 01:23:33,479
Speaker 1: and I didn't think much about it. And about a

1567
01:23:33,560 --> 01:23:34,680
Speaker 1: year and a half later, it came over to the

1568
01:23:34,760 --> 01:23:36,519
Speaker 1: house and goes, hey, man, I had this made for you,

1569
01:23:36,680 --> 01:23:38,160
Speaker 1: And it was a picture of that from like our

1570
01:23:38,200 --> 01:23:40,080
Speaker 1: first year and he wrote a big note on the

1571
01:23:40,120 --> 01:23:41,600
Speaker 1: bottom of it, and I have enough my office at

1572
01:23:41,640 --> 01:23:45,320
Speaker 1: home now. And then finally, as we celebrate Jake on

1573
01:23:45,400 --> 01:23:48,679
Speaker 1: his death, on his birth, I know what it feels

1574
01:23:48,680 --> 01:23:52,960
Speaker 1: like we're doing. Someone's just turning on the radio. They're like,

1575
01:23:53,120 --> 01:23:59,400
Speaker 1: what Jake Owen died? Jake Owen has the most listened

1576
01:23:59,439 --> 01:24:02,720
Speaker 1: to Bobby Cast that we've ever done, which is my

1577
01:24:02,840 --> 01:24:04,920
Speaker 1: music podcast. He came over for when we did for

1578
01:24:04,960 --> 01:24:06,519
Speaker 1: an hour we talked, he's done a couple of them,

1579
01:24:06,560 --> 01:24:09,280
Speaker 1: but if you go back to the first one, we've

1580
01:24:09,360 --> 01:24:12,840
Speaker 1: been so close and then fought so hard, and haven't

1581
01:24:13,080 --> 01:24:16,120
Speaker 1: We've been on both sides for my almost eight years here.

1582
01:24:16,479 --> 01:24:18,080
Speaker 1: We got into a real life fight on the air

1583
01:24:18,760 --> 01:24:20,840
Speaker 1: and Mike d was producing it, sitting there going should

1584
01:24:20,840 --> 01:24:23,080
Speaker 1: I turn this off? Should I leave? And we let

1585
01:24:23,160 --> 01:24:27,320
Speaker 1: the Mike's roll and you got to hear us, Hey, buddy,

1586
01:24:27,360 --> 01:24:31,559
Speaker 1: hadn't seen you in a while, real ugly. By the end,

1587
01:24:31,600 --> 01:24:33,519
Speaker 1: we're like, you know what, we're both a little wrong.

1588
01:24:33,800 --> 01:24:36,639
Speaker 1: Hey buddy, it's a good one, it is, but that yeah,

1589
01:24:36,920 --> 01:24:41,759
Speaker 1: it's Episode fifty three, April seventeenth, twenty seventeen, ninety one minutes.

1590
01:24:42,280 --> 01:24:43,840
Speaker 1: If you search for the Bobby Cast, you can hear this.

1591
01:24:44,000 --> 01:24:46,479
Speaker 1: Jake is joined Bobby is joined by Jake Owen. This

1592
01:24:46,600 --> 01:24:48,160
Speaker 1: one gets real right off the start is Bobby and

1593
01:24:48,240 --> 01:24:51,760
Speaker 1: Jake talked about friendship, Jake's divorce, and his daughter. This

1594
01:24:51,920 --> 01:24:55,360
Speaker 1: one gets real. It's basically a ninety minute therapy session.

1595
01:24:56,080 --> 01:24:58,280
Speaker 1: That's episode fifty three the Bobby Cast. What did you say?

1596
01:24:58,320 --> 01:25:03,360
Speaker 1: Because you're weird, dude, because you're ere dude? So good anyway,

1597
01:25:03,560 --> 01:25:08,479
Speaker 1: Love you dude. H Jaco and thirty nine years old. Today, Amy,

1598
01:25:08,520 --> 01:25:10,640
Speaker 1: I'm going to you what's happened this weekend. I'm just

1599
01:25:10,720 --> 01:25:13,080
Speaker 1: going to be at home with family, but my dad

1600
01:25:13,120 --> 01:25:17,320
Speaker 1: will be coming over just amazing and then probably just

1601
01:25:17,640 --> 01:25:20,599
Speaker 1: playing with the kids somehow, getting them active. I feel

1602
01:25:20,640 --> 01:25:23,439
Speaker 1: like we see potential with Stevenson in sports, so we

1603
01:25:23,560 --> 01:25:27,200
Speaker 1: need to get him moving somehow. It's really great hand

1604
01:25:27,240 --> 01:25:32,519
Speaker 1: eye coordination. What about you. I'm off to Idaho. I

1605
01:25:32,640 --> 01:25:36,840
Speaker 1: am going to the name of the town is Payette River,

1606
01:25:37,000 --> 01:25:39,760
Speaker 1: Idaho rab It's just the Payette River. It's like an

1607
01:25:39,800 --> 01:25:42,040
Speaker 1: hour out of Boise. So I'm going to shoot an

1608
01:25:42,040 --> 01:25:44,200
Speaker 1: episode of my nat GEO show. Hopefully I'll be back Monday.

1609
01:25:44,240 --> 01:25:45,920
Speaker 1: You know you never know my dol right every time

1610
01:25:45,960 --> 01:25:49,519
Speaker 1: you go gosh, fingers by my die. Did they break

1611
01:25:49,600 --> 01:25:52,240
Speaker 1: him or not? They broke me. I ain't getting put

1612
01:25:52,320 --> 01:25:55,280
Speaker 1: back together. That's it. We'll see you guys Monday. By everybody,

1613
01:25:58,240 --> 01:26:01,920
Speaker 1: Bobby Bulls hey say from the Bobbybones Show. Our thoughts

1614
01:26:01,960 --> 01:26:04,240
Speaker 1: and prayers are with the communities they're dealing with the

1615
01:26:04,400 --> 01:26:07,920
Speaker 1: devastating effects of Hurricane Laura. If you're able to help

1616
01:26:08,000 --> 01:26:10,800
Speaker 1: out those that have been impacted, you can check out

1617
01:26:10,920 --> 01:26:13,559
Speaker 1: bobbybones dot com where we have all of our pimp

1618
01:26:13,640 --> 01:26:17,240
Speaker 1: and Joy items going to support them, along with Iowa

1619
01:26:17,320 --> 01:26:20,160
Speaker 1: Strong shirts from the Shot Forward. One hundred percent of

1620
01:26:20,200 --> 01:26:23,080
Speaker 1: the proceeds made from these shirts and items will go

1621
01:26:23,360 --> 01:26:26,680
Speaker 1: to help with relief efforts. Can't thank you enough in

1622
01:26:26,800 --> 01:26:31,439
Speaker 1: advance for helping us spread joy during these crazy times.