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Speaker 1: And welcome to the show morn studio morning. Let's go

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Speaker 1: to Clint in Mississippi. Who's on the phone, Clint, Yes,

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Speaker 1: you're on here about what's happening? Hey, morning studio morning. Hey,

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Speaker 1: I just wanted to stand on how much I appreciate

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Speaker 1: Joe so my daughter and fun like to hear y'all

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Speaker 1: and the morning corny, and when lunch foights goes out,

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Speaker 1: I really think y'are doing a good thing. And keep

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Speaker 1: up the good work. I appreciate that. It's nothing like

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Speaker 1: a at a boy call to get the right The

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Speaker 1: day started like that. Hey, Clint, have a good day today.

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Speaker 1: All is there any way I can get a shout

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Speaker 1: out to my daughter? Ay? And all? You just did it?

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Speaker 1: Do it again? Do it? Do it official? Though? And

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Speaker 1: now where do you live in Mississippi? And now from

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Speaker 1: the summer here okay, and now from Brookhaven, Mississippi. Clint,

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Speaker 1: go ahead, Clint, shout out stake here all right there

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Speaker 1: there is love it All right, Clint, thanks for lessening

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Speaker 1: bout talk to you soon. Alright, all right, let's see

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Speaker 1: what's happening in everybody's lives in a segment we call

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Speaker 1: what's the HAPs Hey, what's that hat? I have a

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Speaker 1: new favorite show. It's watching my dog on this camera

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Speaker 1: that I have. Is it funny? Well, I just can't

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Speaker 1: stop watching it. And you know, he has his own room.

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Speaker 1: He doesn't have to stay there all the time anymore.

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Speaker 1: I've really integrated him into just chilling in the house

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Speaker 1: most of the time. He'll sleep in his bed at

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Speaker 1: night in his room, but most but he has this camera.

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Speaker 1: But I can watch the camera and it has a

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Speaker 1: night vision on it, so I can also watch him

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Speaker 1: at night. Oh yeah, wow. But I've been binge watching

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Speaker 1: the Stanley the Dog Show like crazy. I just he

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Speaker 1: does nothing. He'll just lay in the bed and I'll

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Speaker 1: just watch him. Maybe it's the whole boyor type thing,

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Speaker 1: like you're not supposed to like you don't you're not

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Speaker 1: supposed to be looking at it. I don't know. He

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Speaker 1: doesn't know I'm watching him. Yeah. And also I can

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Speaker 1: kind of I'm always wonder what he's doing, like when

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Speaker 1: the door is closed. Yeah, and sometimes he'll be in

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Speaker 1: there if I come home, and he'll want to come

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Speaker 1: out and be like oh and I just picture him

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Speaker 1: standing by the door like begging to get out. He

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Speaker 1: doesn't he lays in better plays with a toy and

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Speaker 1: then goes oh, then gets back to playing with a

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Speaker 1: toy again. Yeah. And then it has this speaker on it.

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Speaker 1: You can push a button and you can talk to

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Speaker 1: him through the speaker, And so I'll be like Stanley,

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Speaker 1: what's up, dude, because they're like, comfort your dog with

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Speaker 1: a warm message from their owner. They're like Stanley, what's up, dude.

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Speaker 1: But when you hear it in person, it like this whatsoup, Dude.

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Speaker 1: It's all muffled, so it sounds like Satan's in the box,

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Speaker 1: so it's not warm and comforting to him. If anything,

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Speaker 1: it freaks him out. And then it has this treat

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Speaker 1: button to where you push it and it goes and

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Speaker 1: it shoots a treat out and the treat ends up

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Speaker 1: going into some doesn't even shoot a treat out, And

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Speaker 1: he's used to treats coming out, so who'll be like

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Speaker 1: looking for it when there's no treat that came out. Yeah,

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Speaker 1: and then eventually he just gets irritated and knocks it

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Speaker 1: off the wall and just swipe it and knock it off.

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Speaker 1: But it's a pretty cool little camera. What's that amy?

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Speaker 1: So I go over curbs a lot and like, nothing

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Speaker 1: happens and it's fine. And for whatever reason, when I'm

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Speaker 1: in my husband's truck sometimes that's when things go wrong

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Speaker 1: and I go over curb. I'm at my dad's place,

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Speaker 1: and I guess I hit the curb wrong and it

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Speaker 1: sliced the tire and all of a sudden, I just

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Speaker 1: hear and so how to call Triple A And they

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Speaker 1: came and put the spar on. And it's just one

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Speaker 1: of those things where I'm like, why why does this

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Speaker 1: have to happen? Because this isn't the first one happen

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Speaker 1: do it? It's not random? But I think it's in

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Speaker 1: this part. I'm not used to like his big truck,

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Speaker 1: and he's out of town, so I haven't really even

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Speaker 1: told him yet. So maybe he's listening now and this

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Speaker 1: hype finds out. But I love when he das situation

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Speaker 1: is handled. What's that lunchbox man? I had my mind

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Speaker 1: blown the other day. I found out you could post

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Speaker 1: multiple pictures in one post to Twitter. I would see

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Speaker 1: people do it and I was like, I wonder what

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Speaker 1: special app they have? So I always downloaded apps where

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Speaker 1: you can make a little collage of pictures, but no,

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Speaker 1: you can just click on two pictures and upload them

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Speaker 1: at one time to Twitter. Unbelievable. I've been on Twitter

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Speaker 1: for what ten years? Mind blown? You still don't have

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Speaker 1: your email on your phone? Do you? No? Do not

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Speaker 1: have that? Do not know how to do that? He

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Speaker 1: sounds like a grandparent. He does do not not what

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Speaker 1: he's how the words like he literally doesn't have his

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Speaker 1: email on his phone? Or now I have to open

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Speaker 1: up the web browser and type in the email address

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Speaker 1: and it goes there to the website and then I

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Speaker 1: have to log in. Yeah, don't have email on the phone.

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Speaker 1: They can say that up for you here in the building.

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Speaker 1: Scuba Steve set it up in one second. Morgan number

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Speaker 1: two can set it up. Yeah. But I mean it

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Speaker 1: was amazing. I mean, just so you guys know if

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Speaker 1: you did not know you can post two pictures. Because

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Speaker 1: I always see people picture put side by side. I'm like,

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Speaker 1: how do they do that? Or actually, which I do

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Speaker 1: a lot? All Right, It's so awesome. What's the hat

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Speaker 1: A man who owned these kinds of cars with the

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Speaker 1: biggest jerks and he guesses of Corvette. Writer Fox doesn't

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Speaker 1: even have a Corvette. It's offended to that because he

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Speaker 1: wants one. I don't know. I'm thinking like really expensive

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Speaker 1: cars that they like to drive around a show off,

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Speaker 1: like a Ferrari or are they more normal? Men who

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Speaker 1: own blank and blank are most likely to be jerks.

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Speaker 1: You guess Corvette Morgan number two? What do you think?

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Speaker 1: A Jeep? Why? A jeep? Wow? Ok, I have one

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Speaker 1: and I love my Jeep. I just feel like maybe

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Speaker 1: to other people who don't have a Jeep, they may

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Speaker 1: feel that way. I don't know, jerks. Mercedes and BMW's

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Speaker 1: are the biggest cherokes. Now, no guys on the show

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Speaker 1: I have either one of these. But Hillary, somehow, Hillary,

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Speaker 1: who's like does a little bit of every job but

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Speaker 1: isn't one of the newer ones on the show, has

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Speaker 1: a Mercedes. How does she afford a Mercedes? Ain't try

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Speaker 1: to get in her business about her money. But really,

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Speaker 1: but really, though she had another car, I think she

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Speaker 1: traded it in. She said she she lives her like

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Speaker 1: where she lives. I think she said she'd rather invest

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Speaker 1: and put more money in a car where she lives.

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Speaker 1: Utility is coming to the microphone. She sits in the

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Speaker 1: glass room and we call her Utility Hillary because she

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Speaker 1: does a little bit of everything kind of the utility

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Speaker 1: player here on the show. And you have a Mercedes, right, yes,

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Speaker 1: I do. How in the world your business? But how

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Speaker 1: in the world do you afford a Mercedes? I don't know.

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Speaker 1: I make my payments every month. I can afford it.

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Speaker 1: Do you have like a trust fund? No? No, And

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Speaker 1: I pay for it all myself, not my parents, don't

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Speaker 1: pay for it at all. Wow, dang, that's pretty cool.

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Speaker 1: How much your payments? Jesus just ask him. You don't

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Speaker 1: have to answer that, but you can't if you want.

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Speaker 1: I'm good, okay, m you are the only what do

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Speaker 1: you How do you feel about that? They say people

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Speaker 1: who own Mercedes and BMW's are jerks. I don't feel

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Speaker 1: that way. I have other friends who have Mercedes and

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Speaker 1: they're all really great people, so I don't. I don't

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Speaker 1: believe in that. And you rule the Mercedes club or one.

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Speaker 1: You have a Mercedes SUV? Yes, let me look, that's cool.

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Speaker 1: How does it feel that like over like a lot

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Speaker 1: of people on that you have like one of the

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Speaker 1: nicer cars of the whole show. Yeah, I don't know.

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Speaker 1: I love it. It's a great car. You have a house,

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Speaker 1: are you paying off a mortgage? No, I don't have

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Speaker 1: a house. So you have an expensive car, but you're

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Speaker 1: not paying anything off. You're just renting an apartment. Yeah,

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Speaker 1: it's gonna have a weird thing. Huh, that's what she

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Speaker 1: said she wanted to do. Yeah, do you ever sleep

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Speaker 1: in your car? Why? Because I'm feel off my car.

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Speaker 1: We're nicely than my house. In my apartment, I just

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Speaker 1: stay in it. I think her apartment is nice, but

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Speaker 1: she's just not. She has a nice apartment too, Hilary.

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Speaker 1: Do you have roommates? I have one roommate. Yah? What's

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Speaker 1: that rent we're trying to get into? I mean, what

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Speaker 1: if she wants that car? Like that's something that she wanted.

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Speaker 1: So she she said one time when we brought originally

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Speaker 1: when you first realized she was driving and were saving,

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Speaker 1: you brought her and she said she wanted to treat

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Speaker 1: herself and that she works hard. Right, that's right, So

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Speaker 1: that's cool. How often do you eat out a week?

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Speaker 1: How many times a week? Um? A few times a week?

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Speaker 1: But like where she eats out a Chick fil a? Stop?

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Speaker 1: What it is? Okay out? I'm just jealous. How old

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Speaker 1: are you? Twenty seven? Wow? Man? When I was twenty

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Speaker 1: seven I wasn't living that life, and I like was starting.

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Speaker 1: But Hilary, do you do other things too, because for

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Speaker 1: a while you had a couple of jobs. Oh you

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Speaker 1: have another job. Tell us about your other jobs? Only

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Speaker 1: maybe she sit? Is it one of those when we

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Speaker 1: got to go back and ask for money back. We're

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Speaker 1: paying her too much and she would babysit my kids.

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Speaker 1: It's a hard worker you're talking about past. But maybe

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Speaker 1: she puts some that money aside. Did you a lot

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Speaker 1: of that money aside? I had a lot of savings

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Speaker 1: and I put some down. Yea. How much? And how

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Speaker 1: much are you paying her to babysitter? She? Yeah? Wow, Hillary,

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Speaker 1: we're just messing with you. I know we're very jealous.

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Speaker 1: We like Bobby drives Mercedes or BMW's being a jerk.

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Speaker 1: I don't though, Holy moley. All right, Hillary, thank you

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Speaker 1: for letting us give you a hard time. Okay, Hey,

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Speaker 1: one final question. What's it like being rich? I'm definitely

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Speaker 1: not rich at all? All right, there she is? Anything

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Speaker 1: you like to say? Boys, that was pretty awesome, know someday? Yeah,

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Speaker 1: I don't even know where Mercedes bought No, y'all both

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Speaker 1: have bought the cars the way she buy it? Oh,

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Speaker 1: good question, ask her Raymond. I dang, she bought it. Wow?

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Speaker 1: How much does that down payment stop? She had? I

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Speaker 1: think she remembered the car she had before. I think

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Speaker 1: she traded it in. It was nice. She was broke

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Speaker 1: with Alexis what's happening? I think that a body sunfire.

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Speaker 1: I'm struggling. How much was that traded? I did give

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Speaker 1: them money? Take it off my hands? You paid that.

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Speaker 1: I was like, here's a car in twenty bucks. Can

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Speaker 1: I just go again before you guys start texting me?

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Speaker 1: But we're just just messing with her. You mess with

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Speaker 1: the people you care about. Okay, thank you, but dang.

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Speaker 1: All right over to Katie right now. Who's on the phone, Katie?

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Speaker 1: Good morning, what's happening with you? Good morning, Bobby morning,

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Speaker 1: studio morning. Oh that's so cool. Okay. So I was

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Speaker 1: just calling to see if you have any interview advice

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Speaker 1: because I started a three day long PhD interview today.

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Speaker 1: You know, one of the most commonly asked questions is

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Speaker 1: what do I do during an interview? And in an interview,

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Speaker 1: the person wants to know that you are qualified, obviously,

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Speaker 1: but also educated on what you're going to have to

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Speaker 1: do in the and the best way to show I

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Speaker 1: don't care what you're doing, if you're a school teacher

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Speaker 1: or a PhD, or you're working an enterprise, run a car,

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Speaker 1: whatever the case is, if you go in asking a

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Speaker 1: lot of questions, it's like you're already on level two.

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Speaker 1: You're going in, You're you're talking to the person. You're going, hey,

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Speaker 1: I already know what's up. Let me ask some questions

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Speaker 1: because they expect you to come in and sit there

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Speaker 1: and just be asked too. I gave me if I

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Speaker 1: was interviewing you, and I went, I'm just you know,

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Speaker 1: you're just gonna come in and be like, well, I'm

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Speaker 1: gonna get a lot of questions. But if you come

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Speaker 1: in and take control and be like, hey, I have

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Speaker 1: a lot of questions about this job, it's just gonna

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Speaker 1: seem like you are more comfortable, more confident, and that

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Speaker 1: you already or that it's second part of the interview,

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Speaker 1: which is you having questions. So the best advice I

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Speaker 1: can give is to go in and ask a lot

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Speaker 1: of questions because you're not gonna seem dumb. They're not

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Speaker 1: gonna go, oh, this person's uneducated. They're gonna go Wow,

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Speaker 1: they are so into it. They have a lot of

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Speaker 1: questions too, and maybe they have options. Maybe they're as

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Speaker 1: the questions and then of a sudden they're like, wow,

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Speaker 1: they have options, but I want them more because you

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Speaker 1: know that the human part of it is you want

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Speaker 1: somebody who maybe doesn't want you as much. Oh right, yeah,

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Speaker 1: So that would be my advice for in the interview situation.

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Speaker 1: Does that make sense? It does? Well, you think about that.

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Speaker 1: What are you nervous about? Well, mostly it's like a

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Speaker 1: three day long thing, so it's like constant interviews. Well,

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Speaker 1: here's the second tip. Second level of this is smile

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Speaker 1: because people always want to be around people that make

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Speaker 1: them feel better. And if you go and you're just

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Speaker 1: a generally happy person, you have to be goofy. But

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Speaker 1: if you're pleasant to be around, it makes people want

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Speaker 1: to be around you in any way possible. I mean,

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Speaker 1: think about the people that are around you that you

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Speaker 1: like to just be around. It's those that are happy,

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Speaker 1: pleasant that when times get tough, they're still up. So

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Speaker 1: I would also encourage you to smile as much as

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Speaker 1: you can when it's not awkward. You don't want to

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Speaker 1: go on like the joker and he but ask questions

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Speaker 1: and smile. It is so basic and elementary that a

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Speaker 1: lot of times people forget to do it. When I

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Speaker 1: work with these singers on American Idol, I often have

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Speaker 1: to go back because they are at this point in

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Speaker 1: their career. They're a bit mature as far as getting

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Speaker 1: on stage and performing. But what happens is they start

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Speaker 1: to go wanted to be even further up. I need

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Speaker 1: to do these little things different and have to remind

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Speaker 1: them to breathe. Have to remind them that don't forget

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Speaker 1: the most basic things, because if you don't remember doing

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Speaker 1: the most basic things, you're gonna forget the seventh eight

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Speaker 1: thing you're supposed to do, right. So I have to

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Speaker 1: remind them, just like I'm saying, smile and ask questions

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Speaker 1: that before they go on the stage, I'm like, Okay,

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Speaker 1: I know you want to hit these notes. I know

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Speaker 1: maybe you're gonna play guitar and it's a pretty tough part.

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Speaker 1: I know you want, but if you don't remember to breathe,

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Speaker 1: because as soon as the lights come on, as soon

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Speaker 1: as you walk into this interview and you go and

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Speaker 1: you're not even breathing, right, nothing else matters. So that's

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Speaker 1: when I'm going to reset you with thro all the basics, right,

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Speaker 1: You wouldn't be there if you didn't deserve to be there.

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Speaker 1: Get your breathe. Breathe and smile and ask questions. Okay, Katie, Okay, great,

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Speaker 1: thank you. Guys. You've just been mentored. Need to clip

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Speaker 1: you know, like that dude you mentor? No, that's good,

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Speaker 1: all right, all right, Katie, have a good morning. It's

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Speaker 1: time for the good news. So this guy, Robert Smith,

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Speaker 1: was driving to work and he saw this apartment building

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Speaker 1: on fire, so he decided to pull in and see

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Speaker 1: if anybody was in there. He broke a window. Sure enough,

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Speaker 1: there was a woman asleep inside. So he went through

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Speaker 1: the window and brought her to safety, saved her life.

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Speaker 1: And she must have been sleeping hard and she's conked out. Yeah, well,

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Speaker 1: good friend. He risked his own life too, even just

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Speaker 1: to go up and check out what's going on. I know,

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Speaker 1: I don't know that everyone would have done that. I

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Speaker 1: don't know that I would have done that, right, I mean,

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Speaker 1: it's you could just call nine one one and say, hey,

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Speaker 1: I see an apartment on fire. Don't know that I'm

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Speaker 1: a hero. So good for this guy. He's a hero

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Speaker 1: Robert Smith. There you go, that's what's all about. That

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Speaker 1: was tell me something good, Bob show downhead Sorry up

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Speaker 1: to day. This story comes to us from Vancouver. A

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Speaker 1: man thought it'd be a great idea to break into

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Speaker 1: a cell phone store steal all the expensive cell phone.

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Speaker 1: So he breaks the front window and they have those

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Speaker 1: gates that come down and he's able to bend them

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Speaker 1: back and he slides underneath, gets in. They realize I'm

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Speaker 1: not gonna be able to get out. He's trying to

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Speaker 1: bend it back and he can't. He stuck in the store,

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Speaker 1: bent it in and they couldn't get through the hole

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Speaker 1: that he created. Yeah, so he was just stuck in

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Speaker 1: the store and you see him on the camera just

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Speaker 1: shaking it, going let me out. He put himself in

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Speaker 1: jail and so police arrive and the arrested him. There

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Speaker 1: you go, I'm munchboxed at your bone head store of

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Speaker 1: the day. Go to Brittany in Florida. Brittany, you are

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Speaker 1: on the air. What's happening with you the morning studio?

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Speaker 1: So I have two young kids, four and two. I

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Speaker 1: just reasoning how to take in my cousin who is

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Speaker 1: thirteen years old to try to take care of her.

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Speaker 1: And I'm based off of a really bad situation that

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Speaker 1: she's going through with her family. But I'm having an

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Speaker 1: issue where when we're trying to have family time, she

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Speaker 1: wants to be on her cell phone. Claim And I

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Speaker 1: didn't know anybody had any advice to try to get

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Speaker 1: her more involved in the families. Well, to just separate

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Speaker 1: someone from their cell phones tough, because if you're a

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Speaker 1: cell phone person, you're on it all the time. But

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Speaker 1: for me, I love my cell phone. It's an extension

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Speaker 1: to actually have conversations and connect in ways and that

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Speaker 1: I never would without it. I think as a thirteen

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Speaker 1: year old, and I know your daughter is as is

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Speaker 1: issue with this, right, I would think that it's not hey,

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Speaker 1: we need to get off our phone. It's hey, let's

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Speaker 1: compromise in some way between this time and this time.

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Speaker 1: If you'll stay off your phone, you can also do X.

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Speaker 1: At this point, I just they're a thirteen year old.

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Speaker 1: To have your phone all the time is just natural.

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Speaker 1: It's really a thirteen year old that's coming into a

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Speaker 1: situation where she's already things are like it's it's delicate,

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Speaker 1: and that may have been her comfort in the bad

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Speaker 1: situation at home, and it could be her comfort, her

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Speaker 1: familiar already in a new situation with you. So I'll

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Speaker 1: give my piece first. It's that I just don't think

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Speaker 1: you take it away and go we're not using our

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Speaker 1: phone right now. You could say, hey, it'd be awesome

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Speaker 1: if we didn't use our phone right now in exchange

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Speaker 1: for that, you know, you can use it for thirty

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Speaker 1: more minutes before you go to bed, or there's just

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Speaker 1: something you can add to it. If you're going to

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Speaker 1: take away, I think you have to stay on this

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Speaker 1: even line, and if you're gonna take something away, you

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Speaker 1: have to kind of give something back, especially because she's

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Speaker 1: not your kid, right you are taking her in and

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Speaker 1: if it was your kid a little more you can

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Speaker 1: be like, these are the rules, abide by it, and

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Speaker 1: you can do that with her, but it's she's gonna

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Speaker 1: make it that much harder to connect on a deeper level.

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Speaker 1: That would be what I would say is if you're

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Speaker 1: going to pull something back from her, allow her to

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Speaker 1: actually go in on something else. Don't know what that is,

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Speaker 1: don't know her amy, what are your thoughts? Yeah, I

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Speaker 1: agree with that too, and just make sure she knows

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Speaker 1: she's super welcome during family time because she also might

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Speaker 1: be like, oh, this is y'all's family time. I'm kind

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Speaker 1: of just the cousin that's here, and create like what

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Speaker 1: are her what would be interesting to her? Like what

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Speaker 1: does she like to do but sides being on her phone?

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Speaker 1: And y'all can all try to do that as a

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Speaker 1: family with her so she feels included, and then she

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Speaker 1: might get more used to spending family time and she'll

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Speaker 1: start to do what y'all do. And then, like Bobby said,

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Speaker 1: with the compromise, I think it'll start to just become

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Speaker 1: a flow and she'll want to put down her phone.

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Speaker 1: It's hard to slam a new rule on someone in

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Speaker 1: an uncomfortable, unfamiliar situation, especially at an age like thirteen.

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Speaker 1: That's about as tough as it gets. What do you

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Speaker 1: think about that, Brittany to stay away from this. I've

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Speaker 1: been trying not to address it with her at all,

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Speaker 1: so I've just wanted like a second opinion, you know.

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Speaker 1: It kind of it makes me feel I know that

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Speaker 1: she's had a really rough time, and I know that

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Speaker 1: she's going to probably be living with us permanently, and

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Speaker 1: at thirty years old, I'm not really equipped for a

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Speaker 1: thirteen year old just yet, but I'm trying so, but

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Speaker 1: I really appreciate the advice. We'll also know that there's

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Speaker 1: not a wrong way. There are ways that you're learning,

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Speaker 1: and you may do it wrong for a second, but

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Speaker 1: every time you do something wrong, you actually learned a

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Speaker 1: little bit from it, and that kind makes it right.

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Speaker 1: So what I would say is, she's thirteen, so she's

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Speaker 1: older than your other kids or out. You're having to

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Speaker 1: communicate differently to someone who's just new inside the house too,

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Speaker 1: and you're never equipped, like unless you're like an expert

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Speaker 1: studies like kids. I think with each new age, every

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Speaker 1: year they turn and each new thing and then each

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Speaker 1: new kid is a new thing that you're learning, like

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Speaker 1: no parents ever equipped until they go through it. But

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Speaker 1: then each kid is totally different. So I think, take

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Speaker 1: the if you haven't addressed the phone, take the time

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Speaker 1: to really invite her into the family time, make sure

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Speaker 1: she knows she's included, and just yeah, I think between

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Speaker 1: and she's still not gonna on the phone, by the way, No,

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Speaker 1: it's gonna be hard and she might be mad at you,

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Speaker 1: but if she's gonna probably be living with you permanently,

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Speaker 1: and then I mean, yeah, rules are gonna have to

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Speaker 1: start get enforced because she's I mean, if it's permanent,

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Speaker 1: you need to make sure she knows that you are

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Speaker 1: the authority. Figure. Okay, we're gonna end on this. Have

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Speaker 1: the conversation with her. It'd be awesome during family time

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Speaker 1: if she wasn't on her phone as much, if she

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Speaker 1: could a bit, you know, be a little more invested,

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Speaker 1: and if she'll put her phone away for half an hour,

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Speaker 1: figure out something you can do for her. On the

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Speaker 1: other side, because to pull back, you also need to

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Speaker 1: give a little as well, especially with the new edition

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Speaker 1: Who's thirteen. A lot of variables here that make the

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Speaker 1: whole situation uncomfortable, but that doesn't mean it won't end

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Speaker 1: up awesome. Thank you guys so much. Okay, we feel

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Speaker 1: good about this. Yep, all right, Brittany, have a great day.

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Speaker 1: We should have a disclaimer too that we should have

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Speaker 1: a disclaimer too that we have we're talking about it.

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Speaker 1: But if there's anyone that you don't feel equipped, and

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Speaker 1: I was like, oh my gosh when I first got

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Speaker 1: my kids, like I did not feel equipped, and I

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Speaker 1: still don't, you just go You just go with the flow.

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Speaker 1: I'll read you a quote from a very famous movie.

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Speaker 1: Just name the movie, so i'll read the quote, you answer,

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Speaker 1: and then i'll play the clip. Okay. For example, if

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Speaker 1: I were to say my mom always said life was

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Speaker 1: like a box of chocolates, you never know what you're

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Speaker 1: gonna get, that would be right. My mom always said

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00:21:05,000 --> 00:21:08,840
Speaker 1: life was like a box of chocolates, you never know

424
00:21:09,000 --> 00:21:12,240
Speaker 1: what you're going to get. So what I'll do, I'll

425
00:21:12,280 --> 00:21:13,920
Speaker 1: read you a quote. You get it right, you stay

426
00:21:13,920 --> 00:21:16,760
Speaker 1: in the game. All right, These are all pretty easy.

427
00:21:17,200 --> 00:21:18,480
Speaker 1: I got a lot of them. They're all kind of

428
00:21:18,520 --> 00:21:23,760
Speaker 1: like this, like Forrest Gump. They're all from Forrest Gump perfectly.

429
00:21:23,800 --> 00:21:27,639
Speaker 1: The answer to every one of them is Forrest Gump. Amy. Ready, ready,

430
00:21:29,760 --> 00:21:31,359
Speaker 1: I'm not gonna do the impression. I'm just gonna read

431
00:21:31,359 --> 00:21:33,320
Speaker 1: the quote. Oh good, I'm the king of the world.

432
00:21:35,080 --> 00:21:38,159
Speaker 1: I'm the king of the world. I'm the king of

433
00:21:38,240 --> 00:21:41,119
Speaker 1: the world. I mean, I know what it is. What

434
00:21:41,320 --> 00:21:44,680
Speaker 1: movie is that it? I know I'm thinking it, but

435
00:21:44,840 --> 00:21:47,560
Speaker 1: that's right. It's like I'm the king of the world.

436
00:21:47,680 --> 00:21:50,040
Speaker 1: You think I should acted out micro No, no, okay,

437
00:21:50,240 --> 00:21:51,840
Speaker 1: you just say it. But I mean, I know that

438
00:21:51,960 --> 00:21:54,280
Speaker 1: that's what it is. I'm the king of the world.

439
00:21:55,920 --> 00:21:58,280
Speaker 1: I'm the king of the world. I don't my brain

440
00:21:58,440 --> 00:22:03,840
Speaker 1: is lion King, Iron King. No, the answer is Titanic.

441
00:22:08,800 --> 00:22:12,159
Speaker 1: It's basically how I said it. You said it right,

442
00:22:12,200 --> 00:22:15,480
Speaker 1: but you didn't get the movie. You didn't think. I

443
00:22:15,600 --> 00:22:18,560
Speaker 1: just was saying something that came to been eliminated. I know,

444
00:22:18,840 --> 00:22:23,879
Speaker 1: which is so sad. Lunchbox named this movie. You was kind,

445
00:22:24,080 --> 00:22:30,200
Speaker 1: You was smart. You was important. The only thing on Nico,

446
00:22:30,320 --> 00:22:34,560
Speaker 1: what's eating Gilbert grape? That is incorrect? Amy will help

447
00:22:34,640 --> 00:22:39,080
Speaker 1: him to help the help he was come. He was smart.

448
00:22:40,160 --> 00:22:44,280
Speaker 1: You is important, Eddie. If you missed this, everybody's back camp. Okay, yes,

449
00:22:44,400 --> 00:22:45,959
Speaker 1: miss it. But if I get it right, you get

450
00:22:45,960 --> 00:22:49,920
Speaker 1: it right? You in Yeah? Oh great iconing movie quotes, Eddie.

451
00:22:50,480 --> 00:22:58,760
Speaker 1: I'll have what she's having. Huh, I'll have what she's having.

452
00:23:00,040 --> 00:23:08,359
Speaker 1: All here, I'll have what she's having. Oh, I'll have

453
00:23:08,600 --> 00:23:17,040
Speaker 1: what she's having spaceballs. Ah, well, let's eating spaceballs. No,

454
00:23:18,000 --> 00:23:22,240
Speaker 1: when Harry met Sally, oh god, because she's at the

455
00:23:22,280 --> 00:23:26,960
Speaker 1: table and the person across her, guys, she's having Okay, well,

456
00:23:27,160 --> 00:23:30,640
Speaker 1: you're all are losers. You're welcome, guys, all right, We'll

457
00:23:30,640 --> 00:23:35,920
Speaker 1: see you next time on another round. M Well you

458
00:23:36,000 --> 00:23:38,119
Speaker 1: want to go another round? Yes, let's do write it

459
00:23:38,200 --> 00:23:42,200
Speaker 1: down though. Okay, everybody's in here, we go write the

460
00:23:42,200 --> 00:23:51,760
Speaker 1: answer down. Next up. I'm your father, I am your father.

461
00:23:53,080 --> 00:23:56,520
Speaker 1: I'm I'm not giving it. It's justice at all, makes

462
00:23:56,560 --> 00:24:00,600
Speaker 1: the game harder, all right, I'm in Amy, Star Wars,

463
00:24:02,200 --> 00:24:10,399
Speaker 1: Star Wars, Star Wars. There you go. How about this one?

464
00:24:11,480 --> 00:24:14,920
Speaker 1: Wax on wax off for the wind? Yeah, man, Amy,

465
00:24:15,000 --> 00:24:20,320
Speaker 1: karate kid, karate kiddy, karate kid. Nice wax on wax

466
00:24:20,400 --> 00:24:25,000
Speaker 1: So there you go, good paint offense. How about this one.

467
00:24:27,800 --> 00:24:34,040
Speaker 1: I'm gonna make him an offer he can't refuse. Say

468
00:24:34,080 --> 00:24:36,960
Speaker 1: it again, I'm gonna make him an offer he can refuse.

469
00:24:39,119 --> 00:24:42,920
Speaker 1: Shoot what Listen to his voice? Amy, I know I am.

470
00:24:43,440 --> 00:24:46,440
Speaker 1: Do you have it? Yeah? You do? Yeah? For sure?

471
00:24:46,600 --> 00:24:50,280
Speaker 1: For sure. Listen to his voice. Yeah, listen to his voice.

472
00:24:50,320 --> 00:24:57,159
Speaker 1: Dude again, Bunes'm making a little kid. It's perfect. Now,

473
00:24:57,280 --> 00:25:01,399
Speaker 1: You're right. The gonna make him an offer he can't refuse.

474
00:25:01,800 --> 00:25:05,479
Speaker 1: I'm gonna make him an offer he can't refuse. I mean,

475
00:25:05,560 --> 00:25:07,240
Speaker 1: I feel like I know this movie inside now, but

476
00:25:07,320 --> 00:25:11,000
Speaker 1: I'm just guessing. Amy. I don't remember this scene, pretty woman,

477
00:25:12,920 --> 00:25:15,560
Speaker 1: you just skipped out on the I'm like, I know

478
00:25:15,640 --> 00:25:18,400
Speaker 1: every line. It's one of two movies, and I don't

479
00:25:18,400 --> 00:25:21,480
Speaker 1: know which one it is. I guess Scarface incorrect. Eddie

480
00:25:23,480 --> 00:25:30,719
Speaker 1: Eddie the Godfather there is. If I'm gonna make him

481
00:25:30,760 --> 00:25:46,200
Speaker 1: another that's crazy wowsy production. A woman in South Carolina

482
00:25:46,280 --> 00:25:49,959
Speaker 1: managed to dial nine one with her toes after her

483
00:25:50,080 --> 00:25:55,520
Speaker 1: hands were crushed by her car. Oh my, she was

484
00:25:55,680 --> 00:25:58,960
Speaker 1: changing her tire on the side of the interstate she

485
00:25:59,119 --> 00:26:03,359
Speaker 1: got a flat on I ninety five. Jack holding up

486
00:26:03,400 --> 00:26:05,960
Speaker 1: the car slipped while she was putting on the spare tire,

487
00:26:06,400 --> 00:26:08,280
Speaker 1: causing the woman's hands to get stuck between the tire

488
00:26:08,320 --> 00:26:11,879
Speaker 1: and the fender. Over the next thirty five minutes, the

489
00:26:12,000 --> 00:26:15,320
Speaker 1: woman was able to slide off her shoe and call

490
00:26:15,480 --> 00:26:20,080
Speaker 1: nine one one with her phone. Fire rescue crews were nearby.

491
00:26:20,600 --> 00:26:23,360
Speaker 1: They got there quickly. She suffered injuries to both hands

492
00:26:23,400 --> 00:26:25,960
Speaker 1: and all of her fingers. She was treated for injuries,

493
00:26:26,000 --> 00:26:28,200
Speaker 1: given pain medication, and got to the hospital. She's gonna

494
00:26:28,200 --> 00:26:31,040
Speaker 1: be okay, but her hands were so When I read this,

495
00:26:31,200 --> 00:26:34,119
Speaker 1: I go, are you good with your feet? A yes? Okay,

496
00:26:34,200 --> 00:26:35,760
Speaker 1: pinch with my toes let's see if you can call

497
00:26:35,840 --> 00:26:37,960
Speaker 1: nine one. Let's put her have youright phone on you Yeah,

498
00:26:38,520 --> 00:26:41,600
Speaker 1: this is great. Yeah yeah, So let's get Amy over

499
00:26:41,720 --> 00:26:45,000
Speaker 1: the stage. Wow, because we have a we have a

500
00:26:45,119 --> 00:26:50,320
Speaker 1: performance stage here. Okay, So Amy's gonna take the her

501
00:26:50,400 --> 00:26:54,320
Speaker 1: cell phone. Now, don't don't dial in the code yet. Yeah,

502
00:26:54,480 --> 00:26:57,120
Speaker 1: she'd be locked. She didn't have all this advantage. Yeah. Yeah,

503
00:26:57,119 --> 00:27:01,200
Speaker 1: you have to do all with your feet. She well, yeah,

504
00:27:01,280 --> 00:27:03,159
Speaker 1: probably if she had a phone that's been put out

505
00:27:03,160 --> 00:27:06,920
Speaker 1: in the last fifteen years. She was on. Amy's trying

506
00:27:06,920 --> 00:27:10,200
Speaker 1: to get all these advantages. No, no, can we get

507
00:27:10,240 --> 00:27:12,320
Speaker 1: a timer down? Do you want to put in the garage?

508
00:27:12,880 --> 00:27:18,000
Speaker 1: Her car out there? Okay? So ready, raimondo, here we go.

509
00:27:18,119 --> 00:27:22,080
Speaker 1: Amy is on the stage and go. Amy's pulling off

510
00:27:22,119 --> 00:27:27,160
Speaker 1: her shoe. Do not use your hands. She's not taking

511
00:27:27,200 --> 00:27:31,639
Speaker 1: off her sock. Nice. Now she's not touched her phone

512
00:27:31,760 --> 00:27:35,280
Speaker 1: with her foot. She's trying to swipe up. Now she

513
00:27:35,440 --> 00:27:37,520
Speaker 1: is swiping her passco don't put on my camera ready,

514
00:27:37,600 --> 00:27:43,760
Speaker 1: I'm not okay, sixty nine sixteen, she's in. She's in. Now.

515
00:27:43,880 --> 00:27:46,720
Speaker 1: All I want you to do is dial three one one,

516
00:27:46,760 --> 00:27:48,680
Speaker 1: that's nine, because we'll get the cops. In here and

517
00:27:48,760 --> 00:27:53,119
Speaker 1: we'll be in trouble. Okay, three one one? Can you do?

518
00:27:53,160 --> 00:27:58,040
Speaker 1: You know my number? Okay? Do that? Amy's now scrolling

519
00:27:58,080 --> 00:28:00,680
Speaker 1: her context list with her phone because actually really good

520
00:28:00,760 --> 00:28:04,800
Speaker 1: with her toes. That's crazy, she's quite advanced. Yes, now

521
00:28:04,880 --> 00:28:07,119
Speaker 1: she's looking to say who she'd like to call. Just

522
00:28:08,080 --> 00:28:12,920
Speaker 1: she's on Instagram right now. She's not doing a TikTok

523
00:28:13,000 --> 00:28:16,520
Speaker 1: with her. What are you calling? Look, I'm she's not dialing,

524
00:28:17,280 --> 00:28:22,760
Speaker 1: so you need help? You're I need help? Oh my gosh, clarify,

525
00:28:22,880 --> 00:28:25,560
Speaker 1: I mean I need help. I'm trapped. Can you call

526
00:28:25,720 --> 00:28:29,360
Speaker 1: nine one one? Well, don't do that, Amy, don't kid

527
00:28:29,400 --> 00:28:31,440
Speaker 1: her like that. Is that your sister. That's not a

528
00:28:31,480 --> 00:28:35,840
Speaker 1: funny joke. It's a radio Tell her don't to call

529
00:28:35,960 --> 00:28:40,640
Speaker 1: nine will But now she thinks you're being kidnapped if

530
00:28:40,720 --> 00:28:45,840
Speaker 1: someone okay, all right, by bye? No, no, why would

531
00:28:45,880 --> 00:28:47,920
Speaker 1: you lead with I need help call nine one one?

532
00:28:48,280 --> 00:28:52,720
Speaker 1: You scare someone? Amy doing that? Okay? Our point is Amy,

533
00:28:52,800 --> 00:28:55,080
Speaker 1: did it nice? There you go, there you go. There's

534
00:28:55,720 --> 00:28:59,320
Speaker 1: quickly too well, shout out to this. The unnamed woman

535
00:28:59,400 --> 00:29:02,160
Speaker 1: fifty four got a flat tire crushed her hands, and

536
00:29:02,200 --> 00:29:04,200
Speaker 1: then she called nine one with her feet. Also, how

537
00:29:04,240 --> 00:29:05,960
Speaker 1: do you get your phone ot of your pocket? Oh? God?

538
00:29:06,800 --> 00:29:10,360
Speaker 1: That okay, let's do it again. It's time for the

539
00:29:10,440 --> 00:29:18,200
Speaker 1: good news. Good Old man Jean is eighty one years

540
00:29:18,240 --> 00:29:20,560
Speaker 1: old and he's driving down the highway in Florida, and

541
00:29:20,640 --> 00:29:22,680
Speaker 1: all of a sudden he starts having a stroke and

542
00:29:22,760 --> 00:29:25,320
Speaker 1: he starts swerving, hitting the medium and he's just you know,

543
00:29:25,480 --> 00:29:28,200
Speaker 1: going out of control. Another driver sees is like someone

544
00:29:28,280 --> 00:29:30,920
Speaker 1: has to be going wrong, pulls in front of old

545
00:29:31,000 --> 00:29:33,840
Speaker 1: Jean and runs Jean's car into the medium so it

546
00:29:33,960 --> 00:29:38,480
Speaker 1: stops and causes no more accidents. Wow, saves his life.

547
00:29:38,520 --> 00:29:41,720
Speaker 1: Really well, you know that's a bold move at risky

548
00:29:42,240 --> 00:29:46,520
Speaker 1: on off fronts, but and love it. But you're talking

549
00:29:46,520 --> 00:29:49,480
Speaker 1: about you're risking your car. It takes you to look

550
00:29:49,480 --> 00:29:50,760
Speaker 1: in that car and go I need to do something

551
00:29:50,880 --> 00:29:55,040
Speaker 1: and risk and drive your car. And that's crazy. Wow,

552
00:29:55,400 --> 00:29:57,000
Speaker 1: good for that. Do you know the person who didn't

553
00:29:57,000 --> 00:29:58,360
Speaker 1: say I was gonna give him a shout out for

554
00:29:58,400 --> 00:30:01,800
Speaker 1: being a hero, Jose Cloud or Jose Clatter saved old

555
00:30:01,840 --> 00:30:06,720
Speaker 1: man Jean. That is that's cool. Wow. I hope that

556
00:30:06,880 --> 00:30:08,400
Speaker 1: I would do that. I don't know that I would.

557
00:30:08,640 --> 00:30:10,880
Speaker 1: I don't know either. I hope I would do that.

558
00:30:11,000 --> 00:30:13,760
Speaker 1: I hope. I don't know. I never like to give

559
00:30:13,800 --> 00:30:17,880
Speaker 1: myself too much credit. I am oh, I appreciate that

560
00:30:18,240 --> 00:30:22,440
Speaker 1: old man Jean shout out, but really, Jose clatter clatter,

561
00:30:22,720 --> 00:30:24,160
Speaker 1: that's a big one. There you go us what it's

562
00:30:24,160 --> 00:30:28,640
Speaker 1: all about? That was tell me something good? All right

563
00:30:28,640 --> 00:30:35,600
Speaker 1: over to Amy, Let's get the morning Corny here, Morning Corny.

564
00:30:35,960 --> 00:30:38,720
Speaker 1: Why do owls always get invited to the party? Why

565
00:30:38,760 --> 00:30:40,960
Speaker 1: do owls always get invited to the party? Because they're

566
00:30:41,000 --> 00:30:48,719
Speaker 1: such a hoot? Right there? That was the morning Corny.

567
00:30:50,560 --> 00:30:53,720
Speaker 1: Denise in Chicago is on the phone. Hey, Denise, what's

568
00:30:53,720 --> 00:30:55,600
Speaker 1: happening with you? I just want to give you, guys

569
00:30:55,720 --> 00:30:58,400
Speaker 1: a quick shout out to always think if you're thinking

570
00:30:58,480 --> 00:31:02,640
Speaker 1: of the military, sounds only nineteen and using for its deployment.

571
00:31:03,560 --> 00:31:06,320
Speaker 1: So as as they thank you for doing it, because

572
00:31:06,360 --> 00:31:09,160
Speaker 1: not a lot of radio stations do. When is he leaving?

573
00:31:11,000 --> 00:31:13,959
Speaker 1: He's going to South Korea. He's going to training right

574
00:31:14,040 --> 00:31:17,400
Speaker 1: now and they're getting prepared to you, guys, Bradley's tinkers.

575
00:31:18,000 --> 00:31:21,000
Speaker 1: So he left me right there after high school? Are

576
00:31:21,040 --> 00:31:24,200
Speaker 1: you very proud of a very he's been gone to

577
00:31:24,240 --> 00:31:27,560
Speaker 1: eat monkey? Wow? Well, would you tell him that we're

578
00:31:27,600 --> 00:31:29,479
Speaker 1: proud of him too, and then we appreciate what he's doing.

579
00:31:29,640 --> 00:31:32,200
Speaker 1: I will, but thank you again. Well, thanks for that

580
00:31:32,280 --> 00:31:35,760
Speaker 1: called Denise. We feel like sometimes we can't can't possibly

581
00:31:35,840 --> 00:31:39,920
Speaker 1: thank our military, service members, police officers enough, but we

582
00:31:39,960 --> 00:31:41,960
Speaker 1: appreciate that call. I hope, hope you have an awesome day.

583
00:31:43,120 --> 00:31:45,480
Speaker 1: I appreciate thank you so much. All right, bye, Denise,

584
00:31:45,920 --> 00:31:49,360
Speaker 1: Let's do one more. Amy, you are on the phone

585
00:31:49,400 --> 00:31:53,400
Speaker 1: in North Carolina. What's happening with you? Good morning studio morning. Um.

586
00:31:53,480 --> 00:31:56,200
Speaker 1: I just had a question for Bobby. UM. Do you

587
00:31:56,360 --> 00:31:59,200
Speaker 1: think the reason that you love and admire Amy so

588
00:31:59,360 --> 00:32:01,960
Speaker 1: much it's because she's such a great mother and she

589
00:32:02,120 --> 00:32:04,560
Speaker 1: shows you that type of love that you like growing up.

590
00:32:05,240 --> 00:32:07,480
Speaker 1: Let me let me think about this. Do you show

591
00:32:07,600 --> 00:32:09,920
Speaker 1: that kind of love that I lacked growing up? No?

592
00:32:10,320 --> 00:32:15,160
Speaker 1: But well you asking me a question here. I think

593
00:32:15,440 --> 00:32:21,000
Speaker 1: I admire Amy because Amy is very consistent with who

594
00:32:21,080 --> 00:32:24,040
Speaker 1: she is all the time. One, she's a very kind person,

595
00:32:25,400 --> 00:32:27,560
Speaker 1: but she I don't ever have to worry that she's

596
00:32:27,560 --> 00:32:31,200
Speaker 1: going to come in and have to guess worse like

597
00:32:31,280 --> 00:32:35,080
Speaker 1: emotionally sometimes, but you're you're consistently turns. I'm a hot mess.

598
00:32:35,200 --> 00:32:38,680
Speaker 1: But but that's that's normal. I just I admire you're consistent.

599
00:32:38,720 --> 00:32:41,640
Speaker 1: You're just consistently a good person, and like you look

600
00:32:41,680 --> 00:32:43,520
Speaker 1: out for others a lot, which inspires me to do

601
00:32:43,560 --> 00:32:44,840
Speaker 1: the same. And I think sometimes we keep each other

602
00:32:44,880 --> 00:32:47,520
Speaker 1: on try doing that sometimes, you know as well. Yeah,

603
00:32:47,560 --> 00:32:50,360
Speaker 1: I would agree, I think your heart. Yeah, I'm figuring

604
00:32:50,400 --> 00:32:51,760
Speaker 1: this out as I'm going here, because I didn't know

605
00:32:51,800 --> 00:32:53,600
Speaker 1: this no yet. I think I agree that about me,

606
00:32:53,720 --> 00:32:56,280
Speaker 1: But I agree we'd do like um compliment each other

607
00:32:56,360 --> 00:32:58,560
Speaker 1: in that way. I would say, your heart is the

608
00:32:58,680 --> 00:33:02,800
Speaker 1: reason that I had. Are you so much? I thank

609
00:33:02,800 --> 00:33:05,280
Speaker 1: you very much. But I don't know that it's about

610
00:33:06,280 --> 00:33:08,600
Speaker 1: motherly stuff like I'm a mother that yeah, I don't

611
00:33:09,160 --> 00:33:11,040
Speaker 1: me neither, because I've only been a mom for two years,

612
00:33:11,080 --> 00:33:13,400
Speaker 1: and honestly, I know that I'm very good at it.

613
00:33:14,560 --> 00:33:17,240
Speaker 1: I'm still trying to figure that out. So I don't

614
00:33:17,280 --> 00:33:21,120
Speaker 1: know that I have I have like really big motherly tendencies.

615
00:33:21,520 --> 00:33:23,560
Speaker 1: And probably I think that we've just been to a

616
00:33:23,600 --> 00:33:25,440
Speaker 1: lot of friends stuff together. Oh yeah, I mean you

617
00:33:25,520 --> 00:33:27,160
Speaker 1: put together all the years. I feel like if you

618
00:33:27,320 --> 00:33:29,200
Speaker 1: make it, like with certain friends, if you make it

619
00:33:29,240 --> 00:33:33,400
Speaker 1: through certain seasons like it's friends for life. And you've

620
00:33:33,440 --> 00:33:35,400
Speaker 1: been to a couple of rights back football seasons, which again,

621
00:33:35,480 --> 00:33:38,160
Speaker 1: have I gone that well? And you stood? Imit more

622
00:33:38,320 --> 00:33:42,280
Speaker 1: like big life events that are hard. Yeah, we've been

623
00:33:42,320 --> 00:33:44,800
Speaker 1: through both highs and lows, most of our moms dying. Yes,

624
00:33:44,960 --> 00:33:49,080
Speaker 1: we're both there for each other for that. UM, a

625
00:33:49,200 --> 00:33:52,200
Speaker 1: lot of your adoption stuff which did not go well

626
00:33:52,240 --> 00:33:56,000
Speaker 1: for a long time. No, not at all. But it's

627
00:33:56,040 --> 00:33:57,360
Speaker 1: funny to be on the other side of that, Like,

628
00:33:57,400 --> 00:33:59,880
Speaker 1: I don't even you know, people always say just takes

629
00:34:00,040 --> 00:34:02,440
Speaker 1: time or you won't even remember, but when you're going

630
00:34:02,520 --> 00:34:04,400
Speaker 1: through it, it just seems like how how how, But

631
00:34:04,800 --> 00:34:06,280
Speaker 1: once you get to the other side, Yeah, it's just

632
00:34:06,320 --> 00:34:08,320
Speaker 1: a reminder that it's IM glad. I went through some

633
00:34:08,400 --> 00:34:10,520
Speaker 1: of it because I grew and it tests tested me

634
00:34:10,560 --> 00:34:12,040
Speaker 1: as a person to figure out where I could go.

635
00:34:12,800 --> 00:34:15,680
Speaker 1: But it does seem like a distant memory now, Amy,

636
00:34:15,719 --> 00:34:17,560
Speaker 1: I don't have a good answer. I just think we've

637
00:34:17,640 --> 00:34:21,200
Speaker 1: just been through a lot together and now it's um.

638
00:34:21,840 --> 00:34:23,480
Speaker 1: You know, if she if she needed an organ, I

639
00:34:23,520 --> 00:34:24,759
Speaker 1: would give it to her, even if you needed In

640
00:34:24,840 --> 00:34:26,520
Speaker 1: my heart, i'd die. I don't know that you've ever

641
00:34:26,640 --> 00:34:29,319
Speaker 1: been able to really say that I give him my heart.

642
00:34:29,400 --> 00:34:32,359
Speaker 1: I die for you. Wait, did you say if you die,

643
00:34:32,400 --> 00:34:33,880
Speaker 1: you give me an organ? No, I'll give you an

644
00:34:33,960 --> 00:34:37,480
Speaker 1: organ alive. Okay, if you need a kid no doubt.

645
00:34:38,520 --> 00:34:40,320
Speaker 1: I don't think you're not even thinking about it. No,

646
00:34:40,560 --> 00:34:42,800
Speaker 1: this is a new revelationship because you didn't think. You

647
00:34:43,200 --> 00:34:46,480
Speaker 1: never know. It has been like, oh you know, I

648
00:34:46,480 --> 00:34:48,000
Speaker 1: don't know. I mean you would be like, I need

649
00:34:48,120 --> 00:34:51,879
Speaker 1: three kidneys. He said nice things to me, like if if, if,

650
00:34:52,239 --> 00:34:53,960
Speaker 1: if you had to throw somebody off the boat, like

651
00:34:54,000 --> 00:35:00,040
Speaker 1: it would never be me. But you said that you

652
00:35:00,040 --> 00:35:05,440
Speaker 1: would give me a kidney. Yeah, this is it's really big.

653
00:35:06,640 --> 00:35:09,960
Speaker 1: Amy starts to blow all right, Amy, thank you in

654
00:35:10,040 --> 00:35:13,120
Speaker 1: North Carolina. Thank you for calling. I appreciate you. I

655
00:35:13,120 --> 00:35:16,600
Speaker 1: hope you have a great morning. A new study finds

656
00:35:16,840 --> 00:35:20,200
Speaker 1: that the topics married couples choose to argue about make

657
00:35:20,239 --> 00:35:23,240
Speaker 1: all the difference in the world. So the happy couples

658
00:35:23,239 --> 00:35:27,080
Speaker 1: almost never chose to discuss problems that were harder to

659
00:35:27,239 --> 00:35:31,600
Speaker 1: resolve or would take months to sort out. What is that?

660
00:35:31,760 --> 00:35:33,239
Speaker 1: What are you fighting about that woul take months to

661
00:35:33,239 --> 00:35:36,160
Speaker 1: sort out? Like some sort of fundamental money issue? Right,

662
00:35:36,360 --> 00:35:38,439
Speaker 1: religious issue? Mike? So what do you just keep putting

663
00:35:38,480 --> 00:35:40,080
Speaker 1: it under the rug? You know, it's all like I say,

664
00:35:40,120 --> 00:35:43,880
Speaker 1: stay service, Yeah, don't go deep. This was a critical

665
00:35:43,960 --> 00:35:46,920
Speaker 1: factor that researchers believed has been very important to marital happiness.

666
00:35:47,600 --> 00:35:50,920
Speaker 1: Experts say that unhappy couples focused on the more difficult

667
00:35:50,920 --> 00:35:54,160
Speaker 1: to solve problems, that really they were fighting and regardless

668
00:35:54,160 --> 00:35:56,360
Speaker 1: of the fight, would never come to a conclusion. Okay,

669
00:35:57,760 --> 00:36:00,320
Speaker 1: all right, so you just go round and round and

670
00:36:00,440 --> 00:36:02,920
Speaker 1: there's not an ending. It's almost like you're fighting just

671
00:36:03,040 --> 00:36:06,560
Speaker 1: to fight. You find a reason to fight. Yeah, lots

672
00:36:06,600 --> 00:36:09,960
Speaker 1: of miserable. I think some people are in that. Yeah,

673
00:36:10,040 --> 00:36:12,000
Speaker 1: oh I could see. I've been in that right now.

674
00:36:12,040 --> 00:36:13,799
Speaker 1: That's what I say. I think some people, even happy,

675
00:36:13,880 --> 00:36:18,720
Speaker 1: get into that spot. Yeah. Well, I was in therapy

676
00:36:18,840 --> 00:36:23,120
Speaker 1: yesterday and I was talking about not having an argument,

677
00:36:23,200 --> 00:36:27,160
Speaker 1: but just how I unfairly feel certain things in relationships.

678
00:36:27,200 --> 00:36:28,920
Speaker 1: And she says, and I think this is a pretty

679
00:36:28,920 --> 00:36:31,319
Speaker 1: common thing in therapy. And she told me, she goes, Hey,

680
00:36:31,400 --> 00:36:33,200
Speaker 1: what you need to do when you bring up something

681
00:36:33,680 --> 00:36:36,239
Speaker 1: and this isn't just about my current relationship, even pass relationships.

682
00:36:36,719 --> 00:36:39,040
Speaker 1: She goes, what you need to say is Hey, the

683
00:36:39,120 --> 00:36:43,080
Speaker 1: story I tell myself is blank. And then that's the

684
00:36:43,120 --> 00:36:45,839
Speaker 1: best way to talk about something if you're irritated with something,

685
00:36:46,160 --> 00:36:48,839
Speaker 1: because it doesn't mean it's the universal truth. It means

686
00:36:48,880 --> 00:36:51,560
Speaker 1: the story I'm telling myself is, well, I'm that I'm

687
00:36:51,560 --> 00:36:55,560
Speaker 1: irritated because of X. And then it's not, hey, this

688
00:36:55,640 --> 00:36:58,279
Speaker 1: is what's happening, right, it's unfairly or not. That's what

689
00:36:58,320 --> 00:36:59,920
Speaker 1: I'm telling myself and we can try to work from it.

690
00:37:00,600 --> 00:37:02,040
Speaker 1: And she was like, it's the greatest tool whenever you

691
00:37:02,120 --> 00:37:04,120
Speaker 1: get into a fight. That is it's on people that

692
00:37:04,120 --> 00:37:05,520
Speaker 1: have for like ten years. Yeah, and she's like, just

693
00:37:05,600 --> 00:37:08,279
Speaker 1: say this, or whenever you want to bring up something

694
00:37:08,320 --> 00:37:10,960
Speaker 1: that's uncomfortable, you say, hey, this story I'm telling myself

695
00:37:11,120 --> 00:37:14,240
Speaker 1: is and then you say it because again, it doesn't

696
00:37:14,239 --> 00:37:16,880
Speaker 1: a sign that it's the truth. It says that fairly

697
00:37:16,920 --> 00:37:18,640
Speaker 1: are not. This is what's going through my head. So

698
00:37:18,680 --> 00:37:20,520
Speaker 1: I want to share it with you. Oh yeah, And

699
00:37:21,160 --> 00:37:23,480
Speaker 1: I mean, guys, I don't know that y'all are as

700
00:37:23,560 --> 00:37:26,000
Speaker 1: bad at it as females. I mean, you're admitting that

701
00:37:26,080 --> 00:37:28,879
Speaker 1: you struggle with it, but like we girls, we can

702
00:37:29,239 --> 00:37:32,400
Speaker 1: create this entire narrative to where now you like, for

703
00:37:32,600 --> 00:37:34,920
Speaker 1: my husband, it could be like, oh, yeah, now are

704
00:37:35,840 --> 00:37:37,640
Speaker 1: you don't love me anymore? Our marriage is over? You

705
00:37:37,719 --> 00:37:39,239
Speaker 1: hate me? And it all has to do with like

706
00:37:39,400 --> 00:37:42,000
Speaker 1: that he kind of maybe ignored me for a second

707
00:37:42,560 --> 00:37:44,359
Speaker 1: earlier in the day, and all of a sudden, I've

708
00:37:44,400 --> 00:37:46,920
Speaker 1: built it up to that it's like this, So you

709
00:37:46,960 --> 00:37:49,360
Speaker 1: would say the whole thing I would say, So the

710
00:37:49,480 --> 00:37:53,839
Speaker 1: lie that I'm telling myself, Yeah, but a lie, well

711
00:37:53,880 --> 00:37:56,880
Speaker 1: I'm telling me. Well, okay, the potential lie that I'm

712
00:37:56,920 --> 00:37:58,920
Speaker 1: telling myself. You can correct me if I'm wrong, but

713
00:37:59,160 --> 00:38:00,919
Speaker 1: I guess the story you could use it that way,

714
00:38:01,400 --> 00:38:04,520
Speaker 1: But is that you ignore me because you don't love

715
00:38:04,560 --> 00:38:07,040
Speaker 1: me anymore, and now I'm undesirable to you, and now

716
00:38:07,120 --> 00:38:10,759
Speaker 1: we're probably going to get divorced. And He'll be like, right,

717
00:38:10,880 --> 00:38:12,839
Speaker 1: I know, that's what I mean. Like sometimes we can

718
00:38:12,880 --> 00:38:16,160
Speaker 1: go zero to sixty super fast, and then my husband

719
00:38:16,160 --> 00:38:18,040
Speaker 1: would be like what I was on the phone, like

720
00:38:18,160 --> 00:38:21,759
Speaker 1: it literally was nothing, And I'm obviously I'm exaggerating the story,

721
00:38:21,840 --> 00:38:24,000
Speaker 1: but it literally could be nothing, And I've told myself

722
00:38:24,080 --> 00:38:26,799
Speaker 1: it's like this horrible thing. Yeah, I do the same

723
00:38:26,840 --> 00:38:31,040
Speaker 1: thing with you two. That applies to any relationship. Like

724
00:38:31,160 --> 00:38:34,680
Speaker 1: sometimes I'll be like, oh, he's not what did I do?

725
00:38:34,800 --> 00:38:37,280
Speaker 1: What did I say wrong? Are we did I do something?

726
00:38:37,480 --> 00:38:39,600
Speaker 1: Am I not doing a job? Good? Like? What's wrong?

727
00:38:39,719 --> 00:38:42,400
Speaker 1: And really you're just busy or something like? It doesn't

728
00:38:42,719 --> 00:38:44,160
Speaker 1: I can do it with lots of people. It's not

729
00:38:44,280 --> 00:38:47,440
Speaker 1: just my spouse. Well, apparently the key is it's according

730
00:38:47,480 --> 00:38:48,880
Speaker 1: to mine. Is this go? Hey? Listen? The story I

731
00:38:48,920 --> 00:38:51,279
Speaker 1: tell myself is that you're really upset with me and

732
00:38:51,400 --> 00:38:53,720
Speaker 1: you hate me because of the way you acted today,

733
00:38:53,800 --> 00:38:56,279
Speaker 1: And I'd be like, no, I didn't get enough sleep

734
00:38:56,360 --> 00:38:58,920
Speaker 1: last night. Sorry, perfect, So I could be like, the

735
00:38:59,040 --> 00:39:02,000
Speaker 1: story telling myself is I'm about to lose my job,

736
00:39:02,200 --> 00:39:04,200
Speaker 1: and I would say never, I would fire me before

737
00:39:04,280 --> 00:39:08,080
Speaker 1: you okay, yeah, okay, that's nice. You would run the

738
00:39:08,080 --> 00:39:12,000
Speaker 1: Bibybone show before I would lett me. Go okay, I'll

739
00:39:12,040 --> 00:39:14,680
Speaker 1: play you at TV theme song from the two thousands.

740
00:39:15,400 --> 00:39:18,200
Speaker 1: Just name the show you guys? Ready Amy, Ready, Ready,

741
00:39:18,320 --> 00:39:21,279
Speaker 1: lunchbox our video producer, Ready, come on? Are you ready?

742
00:39:21,320 --> 00:39:24,719
Speaker 1: Here we go? Name this TV show from the two thousands,

743
00:39:25,080 --> 00:39:42,719
Speaker 1: number one styles, every shoe, every yeah, and began It's

744
00:39:42,760 --> 00:39:46,279
Speaker 1: really you, but no you go? Can you name that

745
00:39:46,400 --> 00:39:51,879
Speaker 1: TV show? Amy Struggling? She's written nothing down you can't

746
00:39:51,920 --> 00:39:56,799
Speaker 1: tell by that song that is, I don't remembered. Then

747
00:39:56,880 --> 00:39:58,359
Speaker 1: you don't know what it is, right, Yeah, I went

748
00:39:58,480 --> 00:40:00,680
Speaker 1: ray hit it again? Amy, the tough one. I'm not

749
00:40:01,640 --> 00:40:03,360
Speaker 1: when I tell you we're gonna go. Oh my goodness,

750
00:40:07,680 --> 00:40:15,040
Speaker 1: her every shoe I mean, I know, yeah, bring things. Yeah,

751
00:40:15,080 --> 00:40:20,439
Speaker 1: Oh oh my gosh, it's she's never said she's in yet. Okay,

752
00:40:21,000 --> 00:40:26,719
Speaker 1: watch until you have Nashville Amy, Hannah Montana. Yeah, that's

753
00:40:26,800 --> 00:40:30,040
Speaker 1: Miley Hannah Montana it is. I was like, oh, the

754
00:40:30,080 --> 00:40:33,080
Speaker 1: show's not called Miley Cyrus. That's true. Yeah, Amy and

755
00:40:33,200 --> 00:40:54,759
Speaker 1: Eddie are still in? Name this TV show from two

756
00:40:54,840 --> 00:40:56,839
Speaker 1: thousand and one. I don't know. I wouldn't have known

757
00:40:56,880 --> 00:41:04,960
Speaker 1: that one. You don't. Well, no, I'm not okaymn Eddie in.

758
00:41:05,320 --> 00:41:11,560
Speaker 1: I'm in Amy Fear Factor Eddie lost. It's twenty four

759
00:41:12,120 --> 00:41:15,640
Speaker 1: if you're both still in dang, Yeah I didn't watch

760
00:41:15,680 --> 00:41:17,560
Speaker 1: twenty four. All right? Next one up? Can you name

761
00:41:17,640 --> 00:41:22,839
Speaker 1: this TV show theme song? This one? I do now,

762
00:41:24,000 --> 00:41:26,359
Speaker 1: just to give you guys a hint. Let's the show

763
00:41:26,360 --> 00:41:29,120
Speaker 1: how to watch or not? I have watched and watch

764
00:41:29,200 --> 00:41:43,319
Speaker 1: this one? Can you name that TV theme song? Amy?

765
00:41:44,280 --> 00:41:47,680
Speaker 1: Right now? Well, I know you're writing it down. How

766
00:41:47,680 --> 00:41:50,560
Speaker 1: are we doing in? Oh? Man? All right? Amy go

767
00:41:50,760 --> 00:41:58,520
Speaker 1: more girls. Yes, no, I've never seen young Sheldon. Oh

768
00:42:00,040 --> 00:42:03,560
Speaker 1: well that's two thousands that now, that's Parks and rec.

769
00:42:05,200 --> 00:42:08,640
Speaker 1: You're both still in it though. Okay, let's knit number four.

770
00:42:08,680 --> 00:42:23,279
Speaker 1: Here we go. I'm in, I'm in. Oh they both

771
00:42:23,320 --> 00:42:30,640
Speaker 1: think c S I csie. You're both stilling. Okay. I

772
00:42:30,640 --> 00:42:31,759
Speaker 1: don't know if we had to say this thing. I

773
00:42:31,960 --> 00:42:35,680
Speaker 1: didn't know either. I was like, that's Mimi c S.

774
00:42:35,719 --> 00:42:52,319
Speaker 1: I works right next up, go ahead? Can you name

775
00:42:53,840 --> 00:42:59,640
Speaker 1: that theme song? It's also a real song. I'm pretty

776
00:42:59,680 --> 00:43:04,600
Speaker 1: sure he's saying this with her. Maybe one day, one time. Um,

777
00:43:06,719 --> 00:43:10,399
Speaker 1: I'm in hold please, okay, I'm in. I'm in One

778
00:43:10,440 --> 00:43:19,319
Speaker 1: Tree Hill, Eddie Gilmore Girls the Hills. Oh yeah, dah,

779
00:43:19,400 --> 00:43:22,399
Speaker 1: I knew that. Okay, let's try one more. We'll see

780
00:43:22,400 --> 00:43:23,600
Speaker 1: if we get a winner here. If not, we'll go

781
00:43:23,640 --> 00:43:43,520
Speaker 1: to sudden death. Here we go. Can you name that

782
00:43:45,920 --> 00:43:50,040
Speaker 1: maybe I'm in? I don't know if I have this

783
00:43:50,360 --> 00:43:54,360
Speaker 1: for the wind that show for the wind. You're on

784
00:43:54,440 --> 00:44:03,520
Speaker 1: the clock, CALLI man, have the nit punked? It's it's

785
00:44:03,600 --> 00:44:05,520
Speaker 1: not that, but it's the other one. Oh, it's Jack.

786
00:44:06,800 --> 00:44:18,520
Speaker 1: I have family guy's Jack, but I've never heard of it. Okay,

787
00:44:18,560 --> 00:44:21,360
Speaker 1: we're now, we're gonna again. I knew that we're gonna go.

788
00:44:21,880 --> 00:44:23,840
Speaker 1: We're gonna go sudden death. All right, there we go.

789
00:44:24,200 --> 00:44:26,839
Speaker 1: So this one will be a buzzing with your name

790
00:44:38,280 --> 00:44:49,080
Speaker 1: Nobody three? Two desperent housewives. Okay, let's let's do this one.

791
00:44:49,120 --> 00:44:56,400
Speaker 1: Sudden death. Yes, no, maybe, I don't know. Can you

792
00:44:56,640 --> 00:45:06,080
Speaker 1: repeat the question? H Eddie in the middle, He does

793
00:45:06,120 --> 00:45:12,320
Speaker 1: it again? Was a hard one. We just sitting and

794
00:45:12,520 --> 00:45:14,440
Speaker 1: watch TV like we used to in the two thousand.

795
00:45:16,160 --> 00:45:20,799
Speaker 1: The music was different like nineties. We would nail it well.

796
00:45:20,840 --> 00:45:29,279
Speaker 1: And congratulations Eddie, It's time for the good news. A

797
00:45:29,480 --> 00:45:33,320
Speaker 1: stranger risks his life to save a lost dog in traffic.

798
00:45:34,000 --> 00:45:37,319
Speaker 1: The dude stopping traffic in the middle of FDR Drive

799
00:45:37,360 --> 00:45:39,400
Speaker 1: in New York City to save a lost dog. The

800
00:45:39,520 --> 00:45:41,840
Speaker 1: anonymous strangers being called a hero for risk in his

801
00:45:41,920 --> 00:45:46,160
Speaker 1: life to walk over and grab she but E knew

802
00:45:46,600 --> 00:45:49,239
Speaker 1: she but e knew the name of the dog. The

803
00:45:49,400 --> 00:45:51,640
Speaker 1: unnamed man is called a hero because the road was

804
00:45:51,680 --> 00:45:54,600
Speaker 1: so busy. A cell phone video shows traffic at a

805
00:45:54,719 --> 00:45:57,719
Speaker 1: standstill as the good Samaritan kneels next to the dog

806
00:45:57,840 --> 00:46:01,000
Speaker 1: on the road. The ny PDE sergeant reports at the

807
00:46:01,080 --> 00:46:04,520
Speaker 1: dog a four year old sheba. He knew ever heard

808
00:46:04,520 --> 00:46:07,640
Speaker 1: of that kind of dog. Must be expensive. Yeah, has

809
00:46:07,680 --> 00:46:09,719
Speaker 1: been safely reunited with his owners. He also is the

810
00:46:09,719 --> 00:46:11,719
Speaker 1: man who saved him wouldn't give his name. And the

811
00:46:11,760 --> 00:46:13,600
Speaker 1: guy who saved the dog also admit he's very fraid

812
00:46:13,600 --> 00:46:15,879
Speaker 1: to dogs, but that he just saw the dog out

813
00:46:15,920 --> 00:46:17,960
Speaker 1: there and was like, it doesn't matter how freight am,

814
00:46:18,000 --> 00:46:19,600
Speaker 1: I gotta go save this dog because he didn't want

815
00:46:19,600 --> 00:46:22,239
Speaker 1: it to get hit by a car. They're cute, pretty dog,

816
00:46:22,640 --> 00:46:24,200
Speaker 1: but he knew. I thought that was the name of

817
00:46:24,239 --> 00:46:26,799
Speaker 1: the dog. It's a Japanese breed of a hunting dog.

818
00:46:26,840 --> 00:46:28,279
Speaker 1: I know when you first said it, I was like, Oh,

819
00:46:28,360 --> 00:46:30,520
Speaker 1: that's interesting. But yeah, now looks like a fox. It's

820
00:46:30,560 --> 00:46:32,840
Speaker 1: a small to medium breed, one of the six original

821
00:46:33,520 --> 00:46:37,560
Speaker 1: natives to Japan. Wow sheba. He knew. Anyway, this dude

822
00:46:37,600 --> 00:46:39,440
Speaker 1: scared the dogs and got out of the middle of

823
00:46:39,440 --> 00:46:41,040
Speaker 1: traffic and saved the dog. And I think that deserves

824
00:46:41,040 --> 00:46:42,759
Speaker 1: a shout out. And he wanted to stay anonymous. That's

825
00:46:42,760 --> 00:46:47,319
Speaker 1: what it's all about. That was tell me something good, Amy,

826
00:46:47,320 --> 00:46:51,560
Speaker 1: who would you say the best looking celebrity guy is Wow,

827
00:46:51,719 --> 00:46:58,640
Speaker 1: probably Ryan Gosling. I like him a lot. He comes

828
00:46:58,680 --> 00:47:01,600
Speaker 1: in at number ten on the list. Never did well.

829
00:47:01,640 --> 00:47:05,480
Speaker 1: It's called the Golden ratio. Okay, according to a scientific

830
00:47:05,640 --> 00:47:10,719
Speaker 1: formula that determines beauty. This golden ratio has determined that

831
00:47:10,800 --> 00:47:14,400
Speaker 1: Ryan Gosling is at number ten, So apparently use it.

832
00:47:14,719 --> 00:47:17,520
Speaker 1: Someone's always putting it on celebrity faces. And it's a

833
00:47:17,560 --> 00:47:21,080
Speaker 1: lot of different things. But Kanye's at nine, and he's

834
00:47:21,080 --> 00:47:22,520
Speaker 1: really the only guy in this list that I would

835
00:47:22,680 --> 00:47:26,319
Speaker 1: consider really attractive. That Idris Elba is at eight. That's

836
00:47:26,320 --> 00:47:30,600
Speaker 1: a good looking guy. David Beckham's at seven, Oh, good

837
00:47:30,640 --> 00:47:35,360
Speaker 1: looking good at seven, he's like number two behind Ryan Gosling,

838
00:47:36,080 --> 00:47:40,240
Speaker 1: Hugh Jackman at six, George Clooney at five. The age

839
00:47:40,960 --> 00:47:43,880
Speaker 1: eventually has to creep up on Clooney and go, all right,

840
00:47:43,920 --> 00:47:46,640
Speaker 1: he used to be real hot and he's still a

841
00:47:46,719 --> 00:47:49,400
Speaker 1: good looking older guy. But is he in the top

842
00:47:49,920 --> 00:47:53,479
Speaker 1: tier of good looking guys? Yes? Still though, yes, still

843
00:47:54,360 --> 00:47:57,680
Speaker 1: brad Pitt at four, Yes, Bradley Cooper at three. Yeah,

844
00:47:58,440 --> 00:48:02,200
Speaker 1: it's happening right now. Okay, I'll have what she's having. Wait, Okay,

845
00:48:02,239 --> 00:48:04,879
Speaker 1: these are good though, but but still I can't believe

846
00:48:04,920 --> 00:48:07,880
Speaker 1: Ryan Gossling's tim keep going. Henry Cavill's at two, and

847
00:48:08,000 --> 00:48:12,359
Speaker 1: that's super Superman Man with all the abs. And then

848
00:48:12,480 --> 00:48:16,799
Speaker 1: number one according to the Golden Ratio, by the way, Morgan,

849
00:48:16,880 --> 00:48:18,760
Speaker 1: number two. Who's the hot celebrity guy in your opinion

850
00:48:18,880 --> 00:48:25,439
Speaker 1: right now? It could be any celebrity maybe Sam No, sorry,

851
00:48:25,440 --> 00:48:29,399
Speaker 1: sorry I didn't even say that by chrisms. Oh didn't

852
00:48:29,400 --> 00:48:32,839
Speaker 1: make the less great looking guy? Yeah? Really good? Who

853
00:48:32,960 --> 00:48:35,120
Speaker 1: is so strikingly good looking to me that I'm like,

854
00:48:35,840 --> 00:48:38,160
Speaker 1: that's tough? Well for a long time, Ryan Reynolds was

855
00:48:38,200 --> 00:48:41,200
Speaker 1: your was your dude? You're done with that one? Yeah,

856
00:48:42,000 --> 00:48:45,200
Speaker 1: we mature sometimes, Yeah, I get that. Who mine will

857
00:48:45,280 --> 00:48:51,040
Speaker 1: be like just strikingly good looking. I don't think it's him.

858
00:48:51,520 --> 00:48:54,160
Speaker 1: He's getting a little too many muscles, Like he's like

859
00:48:54,320 --> 00:48:56,719
Speaker 1: extra ripped. I don't know if he's Oh so you

860
00:48:56,840 --> 00:49:00,759
Speaker 1: want like, you know, like thin and lean but with

861
00:49:01,160 --> 00:49:06,319
Speaker 1: good muscles. I don't like that. The Australian Brothers Emsworth, Yeah,

862
00:49:06,480 --> 00:49:10,320
Speaker 1: I like maybe not that Thor is really big. The

863
00:49:10,360 --> 00:49:17,040
Speaker 1: other one I mean maybe, um for you, it's more like, uh, oh,

864
00:49:17,360 --> 00:49:21,600
Speaker 1: who's that guy? What about Captain America? You like him dreamy,

865
00:49:23,040 --> 00:49:26,560
Speaker 1: he's lean. You know that that the guy from you

866
00:49:26,840 --> 00:49:31,000
Speaker 1: is pretty good looking? He scares me. Maybe it's yeah,

867
00:49:31,840 --> 00:49:37,200
Speaker 1: what's that guy's name, Penny pen Magically, he's a pretty

868
00:49:37,200 --> 00:49:39,080
Speaker 1: good looking guy. I'll go with him right now? Is

869
00:49:39,080 --> 00:49:41,560
Speaker 1: my favorite good looking guy? Interesting? But number one on

870
00:49:41,640 --> 00:49:45,640
Speaker 1: the list is Robert Pattinson from Twilight. He's about to

871
00:49:45,640 --> 00:49:47,600
Speaker 1: be the new Batman. Oh wow, isn't he bad? You're

872
00:49:47,600 --> 00:49:51,160
Speaker 1: gonna be Batman? Yeah? Wow? Yeah, parts is a good

873
00:49:51,160 --> 00:49:52,480
Speaker 1: looking guy. I guess there's a lot of symmetry in

874
00:49:52,520 --> 00:49:58,319
Speaker 1: his face, but he go number one Twilight. I think

875
00:49:58,400 --> 00:49:59,960
Speaker 1: you are a hater a little bit, non on purpose

876
00:50:00,320 --> 00:50:03,400
Speaker 1: because you don't like vampires. I'm not hating on no, no,

877
00:50:03,600 --> 00:50:05,359
Speaker 1: but I saw your face a little bit because Ryan

878
00:50:05,440 --> 00:50:08,120
Speaker 1: Gosling is a ten and Robert of Hatton's one. But

879
00:50:08,200 --> 00:50:11,440
Speaker 1: then looks are relative. But this is scientific. Maybe I

880
00:50:11,480 --> 00:50:14,279
Speaker 1: don't see what the science sees. You know who's really

881
00:50:14,320 --> 00:50:15,719
Speaker 1: good looking? Who I've been able to spend you a

882
00:50:15,760 --> 00:50:19,680
Speaker 1: little bit of time with Orlando Bloom Oh yeah, because

883
00:50:19,680 --> 00:50:22,320
Speaker 1: that's Katie Perry's fiance went to dinner last year. You

884
00:50:22,440 --> 00:50:25,359
Speaker 1: just you look at him and you go, God, made

885
00:50:25,400 --> 00:50:28,600
Speaker 1: you this pretty because he's really that pretty in person.

886
00:50:28,719 --> 00:50:31,480
Speaker 1: It's crazy sometimes how different people can look in the

887
00:50:31,600 --> 00:50:35,040
Speaker 1: celebrities can look in person, because yeah, he's one where

888
00:50:35,040 --> 00:50:36,600
Speaker 1: I'd be like, yeah, he's good looking, but I wouldn't

889
00:50:36,600 --> 00:50:39,560
Speaker 1: describe him as like but you're you're saying it's I

890
00:50:39,640 --> 00:50:41,640
Speaker 1: just stared at him and he's eating and he would

891
00:50:41,680 --> 00:50:44,840
Speaker 1: eat it, and I'd be like, dang, dang, how do

892
00:50:44,880 --> 00:50:47,520
Speaker 1: you do that? It was just like a congratulations, I thought,

893
00:50:47,520 --> 00:50:51,279
Speaker 1: I feel like Santo, Yeah, good thing you didn't. God

894
00:50:51,440 --> 00:50:57,640
Speaker 1: must have spent a little more time on you. Yeah. Man,

895
00:50:58,080 --> 00:51:01,520
Speaker 1: do you want to play what's happening in this viral video? Sure? Okay,

896
00:51:02,239 --> 00:51:05,279
Speaker 1: here's another round of what's happening in this viral video?

897
00:51:05,600 --> 00:51:07,399
Speaker 1: You have to guess the sound from a funny video.

898
00:51:07,840 --> 00:51:10,359
Speaker 1: I'll play it. I'll give you options. First of all,

899
00:51:10,480 --> 00:51:13,160
Speaker 1: this video on TikTok has over a million views. I'm

900
00:51:13,200 --> 00:51:14,680
Speaker 1: going to tell you the three things and you listen

901
00:51:14,719 --> 00:51:18,520
Speaker 1: to seven. Guess it? Is it a flooding boat motor,

902
00:51:19,320 --> 00:51:23,240
Speaker 1: a koala at the zoo, or a woman making sounds

903
00:51:23,320 --> 00:51:35,600
Speaker 1: on her husband's belly. Okay, here is the clip. All right,

904
00:51:38,400 --> 00:51:42,160
Speaker 1: what is that a flooding boat motor, a koala at

905
00:51:42,239 --> 00:51:45,919
Speaker 1: the zoo, or a woman making sounds on her husband's belly.

906
00:51:46,000 --> 00:51:53,840
Speaker 1: Let's do it again, right there you go. I know

907
00:51:53,960 --> 00:51:59,080
Speaker 1: what it is. Okay, you guys want to guess it's

908
00:51:59,120 --> 00:52:02,040
Speaker 1: a koala at the zoo. Okay, lunchbox, I have the

909
00:52:02,120 --> 00:52:05,279
Speaker 1: koala at the zoo, Eddie, I'm gonna go. Woman making

910
00:52:05,320 --> 00:52:08,399
Speaker 1: money on her husband's making noises in her huband's belly. Okay,

911
00:52:08,680 --> 00:52:09,840
Speaker 1: just give me a little a little bit of that,

912
00:52:10,080 --> 00:52:12,120
Speaker 1: A little bit of that clip one more time, Raymond,

913
00:52:12,200 --> 00:52:13,400
Speaker 1: if you can hit me with some of that. Here

914
00:52:13,440 --> 00:52:20,440
Speaker 1: you go, there you go. All right. So here's the

915
00:52:20,520 --> 00:52:27,440
Speaker 1: sound from a viral video. Is that a flooding boat motor,

916
00:52:28,160 --> 00:52:32,520
Speaker 1: a koala at the zoo, or a woman making sounds

917
00:52:32,600 --> 00:52:34,920
Speaker 1: on her husband's belly. Let's go to Kelly in Minnesota,

918
00:52:34,960 --> 00:52:38,359
Speaker 1: who's on the phone. Give her a chance here, Hey, Kelly,

919
00:52:38,440 --> 00:52:41,359
Speaker 1: how are you? I'm good? How are you? Guys? I'm

920
00:52:41,400 --> 00:52:43,120
Speaker 1: really good? Have you heard of the sounds? What do

921
00:52:43,200 --> 00:52:48,960
Speaker 1: you think? I did? Think it's a woman on a husband.

922
00:52:49,520 --> 00:52:51,600
Speaker 1: Eddie thinks on the belly. Eddie thinks the same thing.

923
00:52:51,719 --> 00:52:56,920
Speaker 1: That's right? What wrong? Wow? A koala at the zoo

924
00:52:57,320 --> 00:52:59,279
Speaker 1: is Amy and Lunchbox stands, Yeah, it has to be.

925
00:52:59,520 --> 00:53:02,880
Speaker 1: That is right there. It is that as a kuala

926
00:53:02,920 --> 00:53:05,040
Speaker 1: at the zoo. A girl named Stephanie Jane who went

927
00:53:05,080 --> 00:53:07,320
Speaker 1: to the zoo in Australia, took this video and the

928
00:53:07,440 --> 00:53:09,680
Speaker 1: kuala is looking right up at her and making this

929
00:53:09,840 --> 00:53:14,680
Speaker 1: sound right here, pig. There you go. You guys win

930
00:53:14,760 --> 00:53:16,239
Speaker 1: no prize, but in your heart. I hope it's a

931
00:53:16,280 --> 00:53:19,719
Speaker 1: little more full today. Kelly, thank you for listening. Sorry

932
00:53:19,760 --> 00:53:21,840
Speaker 1: you didn't win. No, that's okay. You guys have a

933
00:53:21,920 --> 00:53:24,080
Speaker 1: wonderful day. Thank you very much. Hope your day is

934
00:53:24,080 --> 00:53:30,560
Speaker 1: good too, Bobbies, Good morning studio. Have a twenty seven

935
00:53:30,640 --> 00:53:32,960
Speaker 1: year old brother who's getting married in April. I'm twenty two.

936
00:53:33,800 --> 00:53:35,120
Speaker 1: A couple of months ago he asked me to be

937
00:53:35,200 --> 00:53:37,759
Speaker 1: one of his groomsmen, but to my surprise, I am

938
00:53:37,800 --> 00:53:40,920
Speaker 1: not the best man. Me and my brother have been

939
00:53:40,960 --> 00:53:43,160
Speaker 1: close growing up. We have our fights, as any siblings do.

940
00:53:43,200 --> 00:53:45,279
Speaker 1: I'm just surprised I was not chosen as the best man,

941
00:53:45,600 --> 00:53:48,040
Speaker 1: being his only brother. As his best man, he chose

942
00:53:48,080 --> 00:53:50,680
Speaker 1: a college friend, which feels like a slap in the face.

943
00:53:51,360 --> 00:53:53,600
Speaker 1: I'm not sure if I should address the situation with

944
00:53:53,760 --> 00:53:56,080
Speaker 1: him and his future wife or just leave it be.

945
00:53:57,239 --> 00:53:59,760
Speaker 1: This hurts. I don't know if I should even participate

946
00:53:59,760 --> 00:54:03,000
Speaker 1: in the way wedding. Any helper advice has greatly participated.

947
00:54:03,080 --> 00:54:07,440
Speaker 1: Thank you guys, Roger in Texas, Raymond, you're dealing with

948
00:54:07,560 --> 00:54:09,279
Speaker 1: this right now. You give me your thoughts to pass

949
00:54:09,400 --> 00:54:11,799
Speaker 1: up with Roger. Just go to the wedding and have fun.

950
00:54:12,640 --> 00:54:15,479
Speaker 1: Don't act but hurt. Then everybody's gonna know. Just act

951
00:54:15,600 --> 00:54:17,239
Speaker 1: better than it. Oh. I didn't even want to get

952
00:54:17,239 --> 00:54:19,239
Speaker 1: the tux, so it's way too expensive. Man, he's gonna

953
00:54:19,239 --> 00:54:21,000
Speaker 1: be in the wedding. He just isn't the best man.

954
00:54:21,239 --> 00:54:23,800
Speaker 1: Oh okay, so right. I think he's gonna be a groomsman,

955
00:54:23,880 --> 00:54:26,000
Speaker 1: just not the best man. And there's a lot less obligations.

956
00:54:26,080 --> 00:54:27,960
Speaker 1: You don't have to plan stuff. I think maybe the

957
00:54:28,360 --> 00:54:30,480
Speaker 1: bachelor party that's planned by the best man. You have.

958
00:54:30,600 --> 00:54:32,120
Speaker 1: It's easier. You just get to go to the wedding.

959
00:54:32,120 --> 00:54:33,920
Speaker 1: You have fun. You don't have to make a speech.

960
00:54:34,200 --> 00:54:36,759
Speaker 1: It's awesome. My advice would be is, hey, dude, the

961
00:54:36,800 --> 00:54:40,080
Speaker 1: wedding is not about you. This is about your brother. Now,

962
00:54:40,719 --> 00:54:42,920
Speaker 1: if you're feeling something, it's okay to share it with them,

963
00:54:43,000 --> 00:54:44,400
Speaker 1: be like, wow, I really thought I'd be best man.

964
00:54:45,200 --> 00:54:47,839
Speaker 1: Why wasn't I the best man? There's never anything wrong

965
00:54:47,880 --> 00:54:51,880
Speaker 1: with the conversation, ever with any situation. But it's not

966
00:54:52,000 --> 00:54:56,680
Speaker 1: about you. Don't bring drama to a wedding that's not

967
00:54:56,840 --> 00:55:01,840
Speaker 1: your wedding. So I'm gonna say you can have the conversation,

968
00:55:02,080 --> 00:55:05,239
Speaker 1: that's fine and find out for your own sake, but

969
00:55:05,400 --> 00:55:07,960
Speaker 1: the wedding's not about you. You need to just check

970
00:55:08,000 --> 00:55:10,120
Speaker 1: yourself and be in the wedding. And also it's you

971
00:55:10,120 --> 00:55:12,279
Speaker 1: don't have to put your brothers your best man. You

972
00:55:12,400 --> 00:55:14,279
Speaker 1: put your best friend as your best man. You do

973
00:55:14,360 --> 00:55:17,480
Speaker 1: whatever you want. You can put puppy is your best man. Amy, Yeah,

974
00:55:17,719 --> 00:55:20,000
Speaker 1: I think you just you have to go do the

975
00:55:20,160 --> 00:55:23,080
Speaker 1: role that you were given, whatever that is. You just

976
00:55:23,200 --> 00:55:27,640
Speaker 1: show up, you support and sure a conversation might be fine,

977
00:55:27,800 --> 00:55:30,200
Speaker 1: but really will that do anything like it? Is you

978
00:55:30,280 --> 00:55:32,680
Speaker 1: gonna change it? It might be some stuff you just

979
00:55:32,800 --> 00:55:34,480
Speaker 1: need to work through. I this happened to me as

980
00:55:34,480 --> 00:55:39,000
Speaker 1: a bridesmaid. But get this, the bride had two maids

981
00:55:39,080 --> 00:55:41,080
Speaker 1: of honor and I didn't even make the cut for

982
00:55:41,120 --> 00:55:43,360
Speaker 1: the top two. And I thought I would have so

983
00:55:43,480 --> 00:55:45,600
Speaker 1: then I was a bridesmaid, so I didn't even make

984
00:55:45,960 --> 00:55:50,399
Speaker 1: she had no no. But still it was one where

985
00:55:50,400 --> 00:55:52,200
Speaker 1: I thought I was going to be a maid of

986
00:55:52,280 --> 00:55:54,440
Speaker 1: honor and then I wasn't, And I was like, not

987
00:55:54,560 --> 00:55:56,160
Speaker 1: only was I not the first one, I wasn't the

988
00:55:56,239 --> 00:55:58,800
Speaker 1: second one. But I still showed up as a bridesmaid

989
00:55:58,840 --> 00:56:00,080
Speaker 1: and did my thing and it was fine. And I

990
00:56:00,200 --> 00:56:03,280
Speaker 1: never had a conversation about it because it wasn't my wedding.

991
00:56:03,320 --> 00:56:05,160
Speaker 1: It's her wedding. And you go with who you want

992
00:56:05,200 --> 00:56:08,160
Speaker 1: to represent you in that role. If you have a

993
00:56:08,280 --> 00:56:10,080
Speaker 1: question or a comment you want to throw it in

994
00:56:10,120 --> 00:56:11,880
Speaker 1: the mailbag, you can Morgan number two, What do you

995
00:56:11,920 --> 00:56:13,160
Speaker 1: got over there? How do they get a hold of us?

996
00:56:13,480 --> 00:56:16,120
Speaker 1: Mailbag at Bobbybones dot com. We can also put this

997
00:56:16,200 --> 00:56:18,080
Speaker 1: up on our Facebook page and you can give your opinion.

998
00:56:18,719 --> 00:56:22,080
Speaker 1: There's a lot of it. But I think universally we

999
00:56:22,160 --> 00:56:25,160
Speaker 1: all go, hey, dude, it's not about you. It's not

1000
00:56:25,360 --> 00:56:27,040
Speaker 1: If you want to have a conversation, that's good, your brother,

1001
00:56:27,080 --> 00:56:30,480
Speaker 1: you should, but it's not about you. Check yourself before

1002
00:56:30,560 --> 00:56:38,440
Speaker 1: you recollect yourself. That was Bobbies mailbag. Joe is on

1003
00:56:38,480 --> 00:56:40,600
Speaker 1: the phone, Hey Joe, what's happening. Thanks for calling the

1004
00:56:40,640 --> 00:56:46,040
Speaker 1: show morning studio. So I have a question for you, Bobby.

1005
00:56:46,080 --> 00:56:49,239
Speaker 1: I recently started dating someone. It's not exclusive and we

1006
00:56:49,320 --> 00:56:52,200
Speaker 1: are long distance, and I wanted to know about face timing.

1007
00:56:52,320 --> 00:56:55,160
Speaker 1: So Wendy started, how do you start it? Um, I

1008
00:56:55,200 --> 00:56:58,680
Speaker 1: don't want to be a creeper or anything. Well, I

1009
00:56:58,719 --> 00:57:01,759
Speaker 1: say the first rule on facetiming if you haven't established

1010
00:57:02,400 --> 00:57:05,440
Speaker 1: a definite FaceTime relationship, as you can't just FaceTime them

1011
00:57:05,440 --> 00:57:07,239
Speaker 1: out of the blue. You can't just hit and go

1012
00:57:07,320 --> 00:57:09,640
Speaker 1: straight to FaceTime. You'd be like, hey, do you want

1013
00:57:09,640 --> 00:57:11,160
Speaker 1: a FaceTime? There By the way, there's nothing wrong with

1014
00:57:11,239 --> 00:57:13,919
Speaker 1: asking someone to FaceTime. I don't think there's any rule.

1015
00:57:14,160 --> 00:57:15,759
Speaker 1: I think you just kind of have to wade into

1016
00:57:15,880 --> 00:57:18,960
Speaker 1: it slowly. So if you want to FaceTime, I'd be like, hey,

1017
00:57:18,960 --> 00:57:21,320
Speaker 1: do you want a FaceTime tonight? Or Hey, you available

1018
00:57:21,320 --> 00:57:24,919
Speaker 1: for FaceTime? So you do that again, you're not exclusive,

1019
00:57:25,880 --> 00:57:27,680
Speaker 1: but I think it's a good way. Back in the day,

1020
00:57:27,760 --> 00:57:31,360
Speaker 1: long distance relationships were just letters. In long distance phone calls,

1021
00:57:31,600 --> 00:57:34,680
Speaker 1: they had to pay extra four Can you imagine? Can

1022
00:57:34,720 --> 00:57:36,720
Speaker 1: you imagine? How are you mail a cassette tape back

1023
00:57:36,760 --> 00:57:39,720
Speaker 1: and forth? Crazy? So how long you've been dating this person,

1024
00:57:39,840 --> 00:57:42,919
Speaker 1: Joe just a couple of months, okay, and you want

1025
00:57:42,920 --> 00:57:47,040
Speaker 1: to be exclusive whatever that means, hopefully. I don't know

1026
00:57:47,120 --> 00:57:49,440
Speaker 1: that I'm that either of us already for it yet.

1027
00:57:49,640 --> 00:57:53,400
Speaker 1: Are you facetiming already at all? No? Okay, well easy,

1028
00:57:53,720 --> 00:57:55,520
Speaker 1: just be like, Hey, I'm gonna be around later. Do

1029
00:57:55,600 --> 00:57:59,640
Speaker 1: you want a FaceTime nothing too amy? Okay, Yeah, I

1030
00:57:59,680 --> 00:58:01,720
Speaker 1: mean I would definitely set it up. You have to.

1031
00:58:01,800 --> 00:58:05,920
Speaker 1: You should ask, like, there's it'll naturally if it evolves

1032
00:58:05,960 --> 00:58:09,240
Speaker 1: into more free flowing FaceTime, but you're definitely still at it.

1033
00:58:09,360 --> 00:58:11,560
Speaker 1: You got a planet, my girlfriend, Now FaceTime me out

1034
00:58:11,600 --> 00:58:13,160
Speaker 1: of the blue. Yeah. I was like on my phone

1035
00:58:13,200 --> 00:58:16,120
Speaker 1: and it's like, you know, but there's only a small

1036
00:58:16,200 --> 00:58:18,040
Speaker 1: percentage of people in your life, so you can FaceTime

1037
00:58:18,040 --> 00:58:23,720
Speaker 1: out of the blue? Um three? Yeah, her, You and Eddie. Yeah,

1038
00:58:24,480 --> 00:58:26,320
Speaker 1: that would be the only people that I would just

1039
00:58:26,440 --> 00:58:29,960
Speaker 1: blindly hit on FaceTime, right, So it's great. Yeah? Yeah,

1040
00:58:30,040 --> 00:58:31,680
Speaker 1: and you slow down on the FaceTime a little bit,

1041
00:58:31,680 --> 00:58:34,120
Speaker 1: you do more of the audio text now. Yeah. Well,

1042
00:58:34,120 --> 00:58:36,000
Speaker 1: I don't like Eddie anthem the phone on the toilet,

1043
00:58:37,400 --> 00:58:39,840
Speaker 1: because he will he'll just be on the toilet name

1044
00:58:39,880 --> 00:58:41,480
Speaker 1: and be like figure. If you're FaceTime with me, it's

1045
00:58:41,520 --> 00:58:45,160
Speaker 1: important wherever I am. What's up? Like, well, not this? Yeah,

1046
00:58:45,280 --> 00:58:48,360
Speaker 1: you can wait? Interested in this? Yeah? Right? My girlfriend

1047
00:58:48,400 --> 00:58:49,720
Speaker 1: name is Caitlin, but I had her on my phone

1048
00:58:49,800 --> 00:58:52,480
Speaker 1: is Caitlyn La for a long time because she lived

1049
00:58:52,520 --> 00:58:54,240
Speaker 1: in LA. She's from Oklahoma, but she's lived in a

1050
00:58:54,280 --> 00:58:56,840
Speaker 1: life for about a year. Thereah, Kaitlyn eiscs. There wasn't.

1051
00:58:56,960 --> 00:59:00,320
Speaker 1: My tour manager's name is Caitlin. It's true, but it's

1052
00:59:00,320 --> 00:59:02,240
Speaker 1: spelled different. She's with a sea with a K, and

1053
00:59:02,840 --> 00:59:06,480
Speaker 1: like Caitlin was like, hey, would you mind um taking La?

1054
00:59:06,560 --> 00:59:08,080
Speaker 1: And I never thought much about it. I don't think

1055
00:59:08,080 --> 00:59:13,640
Speaker 1: it was a big deal. But when I met her,

1056
00:59:14,160 --> 00:59:16,520
Speaker 1: I didn't know her, right obviously met he didn't know

1057
00:59:16,520 --> 00:59:19,840
Speaker 1: her Caitlin, and then she lived in LA. It wasn't

1058
00:59:19,880 --> 00:59:22,760
Speaker 1: that there were nine Caitlin's. But I can see where

1059
00:59:22,800 --> 00:59:25,080
Speaker 1: she thought that well yeah, and I was like, well,

1060
00:59:25,160 --> 00:59:29,680
Speaker 1: get over it, you know, I was like relaxed Chicago caitlinos, Well,

1061
00:59:29,720 --> 00:59:31,760
Speaker 1: I didn't. I really didn't realize that that was bothered.

1062
00:59:31,800 --> 00:59:33,760
Speaker 1: I've changed it now? What is it now? I don't

1063
00:59:33,800 --> 00:59:39,720
Speaker 1: want to tell you. Oh no, yes, I don't want yeah,

1064
00:59:40,160 --> 00:59:45,240
Speaker 1: my main squeeze, what is it? Do you want to?

1065
00:59:45,440 --> 00:59:46,800
Speaker 1: She just text me you want to see it? Sure?

1066
00:59:48,160 --> 00:59:52,520
Speaker 1: I changed it because it doesn't well, I'm embarrassed by it.

1067
00:59:53,160 --> 00:59:55,240
Speaker 1: We'll hold on. I'm embarrassed by it. And she was

1068
00:59:55,280 --> 00:59:57,960
Speaker 1: like every news updating of man, yeah I do. But

1069
00:59:58,080 --> 00:59:59,400
Speaker 1: she was like, hey, if you don't mind, would you

1070
00:59:59,400 --> 01:00:01,600
Speaker 1: take the la off? And one of my friends, Kelly

1071
01:00:01,680 --> 01:00:04,040
Speaker 1: who from Velvet's Edge side sake, you should take her

1072
01:00:04,280 --> 01:00:06,480
Speaker 1: take lay off there. That's like that's not cool. And

1073
01:00:06,520 --> 01:00:08,880
Speaker 1: I was like, I didn't get it. That's not cool. Okay,

1074
01:00:08,960 --> 01:00:15,800
Speaker 1: here you go, hold on, that's her name. Cute? Well,

1075
01:00:15,840 --> 01:00:20,800
Speaker 1: what is it, mim? That's cute, my heart, I'm happy

1076
01:00:20,880 --> 01:00:23,520
Speaker 1: for you. That makes me smile, like I'm not. I'm

1077
01:00:23,560 --> 01:00:25,360
Speaker 1: not even gonna make fun of you for that because

1078
01:00:25,400 --> 01:00:27,080
Speaker 1: it's but you would though, right if you if it

1079
01:00:27,200 --> 01:00:30,080
Speaker 1: wasn't safe zone. Yeah, but it's safe zone and it's

1080
01:00:30,840 --> 01:00:32,800
Speaker 1: I'm happy for you. Well if it's safe zone saying no,

1081
01:00:33,000 --> 01:00:34,919
Speaker 1: not say he does. I don't know if he wants

1082
01:00:34,960 --> 01:00:37,000
Speaker 1: y'all to know, but just know that it's cute. Baby.

1083
01:00:37,120 --> 01:00:40,880
Speaker 1: Thank you? All right, hey, thank you, thank you for calling.

1084
01:00:42,600 --> 01:00:45,680
Speaker 1: There's something you aren't doing on your way to work

1085
01:00:46,120 --> 01:00:48,640
Speaker 1: and home that will help you live longer? And what

1086
01:00:48,720 --> 01:00:52,160
Speaker 1: do you think that is? Um, you could do it,

1087
01:00:52,200 --> 01:00:55,160
Speaker 1: but it would take you a minute. Like what are

1088
01:00:55,200 --> 01:00:58,240
Speaker 1: you driving riding your bike? Oh yeah, that would take

1089
01:00:58,240 --> 01:01:00,680
Speaker 1: a minute. But I could do it. You could, you'd

1090
01:01:00,720 --> 01:01:03,920
Speaker 1: take you longer. Yeah, to be okay, though, I have

1091
01:01:04,000 --> 01:01:06,520
Speaker 1: a bike in my garage that is still wrapped, like

1092
01:01:06,640 --> 01:01:09,000
Speaker 1: I used to ride it to do traath lines. But

1093
01:01:09,120 --> 01:01:11,720
Speaker 1: then I was when I moved, I wrapped it. Oh

1094
01:01:11,880 --> 01:01:13,680
Speaker 1: now I just sits there. But now now some of

1095
01:01:13,720 --> 01:01:16,000
Speaker 1: these bikes have computers on them where to switch you gear,

1096
01:01:16,040 --> 01:01:18,200
Speaker 1: you just push a button. Do you ever see those? No?

1097
01:01:18,400 --> 01:01:19,880
Speaker 1: I haven't. I'm all embarrassed. I go out to my

1098
01:01:19,960 --> 01:01:24,160
Speaker 1: old bike. You gotta use your hand, And I'm like, researchers,

1099
01:01:24,200 --> 01:01:25,560
Speaker 1: just go with the People who rode their bikes had

1100
01:01:25,600 --> 01:01:30,200
Speaker 1: a significant reduction in mortality. Yeah, probably just because you're exercising.

1101
01:01:30,280 --> 01:01:32,240
Speaker 1: What when I used to ride bikes on the street

1102
01:01:32,280 --> 01:01:36,240
Speaker 1: of standards? All right, we're gonna go. Let's see you

1103
01:01:36,320 --> 01:01:37,560
Speaker 1: tomorrow by everybody