1 00:00:00,840 --> 00:00:08,239 Speaker 1: Ladies and gentlemen. Time to play kayk Carol Day on 2 00:00:08,440 --> 00:00:14,600 Speaker 1: the Fred Show, Friend Show, Spread Show, Fred Show. Uh wow, 3 00:00:14,640 --> 00:00:18,439 Speaker 1: the first song is really ambitious of us, really, I 4 00:00:18,520 --> 00:00:21,600 Speaker 1: have to say, but we gotta welcome our player today. 5 00:00:22,320 --> 00:00:24,880 Speaker 2: Kina. How you doing? Kena? Hi? What's up? 6 00:00:25,920 --> 00:00:26,160 Speaker 1: Hi? 7 00:00:27,120 --> 00:00:30,320 Speaker 2: How you doing? Tell us about you? Keina? Oh awesome? 8 00:00:30,880 --> 00:00:34,600 Speaker 2: Well I'm America almost nine years. We have six kids. 9 00:00:35,280 --> 00:00:44,680 Speaker 2: You damn girl, you're busy. What are all their names? Tyler, Kylie, Madison, Davia, 10 00:00:44,800 --> 00:00:46,240 Speaker 2: Eva and Eva? 11 00:00:47,479 --> 00:00:52,440 Speaker 1: Is one of them gonna wind up in jail? Do you? 12 00:00:52,920 --> 00:00:54,800 Speaker 1: Is one of them gonna wind up being a brain surgeon? 13 00:00:54,840 --> 00:00:56,960 Speaker 1: And one of them not? Like, do you know which one? 14 00:00:57,000 --> 00:00:58,880 Speaker 1: This is gonna be the overachiever and this one we're 15 00:00:58,920 --> 00:01:01,880 Speaker 1: gonna have to Probably he's going to live in the 16 00:01:01,880 --> 00:01:02,520 Speaker 1: house for a while. 17 00:01:03,840 --> 00:01:05,839 Speaker 2: Probably want of the twins would be the brain surgeon 18 00:01:05,959 --> 00:01:08,399 Speaker 2: and my son might live in the house. So I no, 19 00:01:08,480 --> 00:01:09,920 Speaker 2: I mean he said that you'd love them any less. 20 00:01:09,959 --> 00:01:11,240 Speaker 1: But you got to look at when you have a 21 00:01:11,240 --> 00:01:14,200 Speaker 1: cross section like that, when you have six kids, you 22 00:01:14,319 --> 00:01:16,640 Speaker 1: got to look at it and say, these ones here, 23 00:01:16,680 --> 00:01:18,640 Speaker 1: we don't have to worry about these ones over here. 24 00:01:19,480 --> 00:01:22,959 Speaker 1: We were concerned like this one here may wind up 25 00:01:23,000 --> 00:01:25,360 Speaker 1: on Live PD and we don't want or on patrol 26 00:01:25,440 --> 00:01:26,960 Speaker 1: live or whatever it's called now, like you know, we 27 00:01:27,000 --> 00:01:31,120 Speaker 1: don't want that. Yeah, okay, well good, let's play the 28 00:01:31,120 --> 00:01:34,959 Speaker 1: game here. Three songs. These are songs about X's. I 29 00:01:35,000 --> 00:01:37,400 Speaker 1: didn't come up with all of them. It's fact I 30 00:01:37,440 --> 00:01:39,520 Speaker 1: didn't come up with any of them. But well, this 31 00:01:39,680 --> 00:01:42,440 Speaker 1: is really ambitious, so I Number one is by Adele. 32 00:01:43,240 --> 00:01:45,840 Speaker 2: Okay, we're gonna do Adele? Okay. How do you feel 33 00:01:45,880 --> 00:01:46,240 Speaker 2: about that? 34 00:01:46,680 --> 00:01:47,000 Speaker 1: A deal? 35 00:01:47,200 --> 00:01:51,600 Speaker 2: Okay? Someone like you? Okay? Is the song? What an emotional? 36 00:01:51,640 --> 00:01:53,160 Speaker 2: What an emotional song? That is? 37 00:01:53,280 --> 00:01:55,280 Speaker 1: Yes, I'm gonna kind of fast forward a little bit here, 38 00:01:55,320 --> 00:01:57,000 Speaker 1: just pick it up. We're just gonna pick it up 39 00:01:57,480 --> 00:02:00,600 Speaker 1: as it's going, as the emotions are flowing. Do you 40 00:02:00,600 --> 00:02:02,080 Speaker 1: think that she will get this right or wrong? 41 00:02:03,160 --> 00:02:07,320 Speaker 2: I love Adele Tiki, my nickname is also Kiki. I 42 00:02:07,480 --> 00:02:07,920 Speaker 2: trust you. 43 00:02:08,000 --> 00:02:08,400 Speaker 1: I believe. 44 00:02:08,480 --> 00:02:11,040 Speaker 2: I believe you got this. Okay, I'm gonna try. 45 00:02:12,320 --> 00:02:12,560 Speaker 1: Boy. 46 00:02:12,840 --> 00:02:13,800 Speaker 2: I'm scared, all right. 47 00:02:14,639 --> 00:02:29,000 Speaker 1: That's so down that you found a girl marrying. That's 48 00:02:29,080 --> 00:02:35,480 Speaker 1: your dreams came true yesterday when I called you. 49 00:02:36,840 --> 00:02:39,440 Speaker 2: I hate to turn up out of the blue. I decided, 50 00:02:39,520 --> 00:02:42,799 Speaker 2: but I couldn't stay away. I couldn't fight it out. 51 00:02:42,800 --> 00:02:45,480 Speaker 2: I hope you see my face and remember that today 52 00:02:45,680 --> 00:02:47,600 Speaker 2: is for me. It isn't. 53 00:02:47,680 --> 00:02:51,000 Speaker 1: Oh, I gotta see this part here or hear it? 54 00:02:51,120 --> 00:02:59,280 Speaker 2: Yeah, never mind out fine, someone like you know nothing but. 55 00:03:01,600 --> 00:03:01,799 Speaker 1: You. 56 00:03:02,080 --> 00:03:05,280 Speaker 2: I close my eyes, I see it. Don't forget me 57 00:03:05,880 --> 00:03:09,919 Speaker 2: out there by you. 58 00:03:10,880 --> 00:03:15,240 Speaker 1: Sometimes we laugh and love, but sometimes it you know, 59 00:03:16,080 --> 00:03:18,960 Speaker 1: the confidence, the confidence gives that you were right, But 60 00:03:19,000 --> 00:03:19,720 Speaker 1: I know you weren't. 61 00:03:19,720 --> 00:03:20,760 Speaker 2: But are we giving it to her? 62 00:03:21,000 --> 00:03:27,440 Speaker 1: No? No, I don't think it's even remotely close. Just here, 63 00:03:27,800 --> 00:03:30,480 Speaker 1: just like with Pauline, games begin to wonder what the 64 00:03:30,520 --> 00:03:31,320 Speaker 1: real answers are. 65 00:03:31,400 --> 00:03:34,320 Speaker 2: I don't know. I don't know the words. Believer, you did? 66 00:03:35,280 --> 00:03:38,880 Speaker 2: Why I didn't hear any of this? 67 00:03:39,120 --> 00:03:50,120 Speaker 1: So important? Turn out that the blue I decided, but 68 00:03:50,240 --> 00:03:51,920 Speaker 1: I couldn't stay away. 69 00:03:52,320 --> 00:03:57,119 Speaker 2: I couldn't cut it up. Oh now we freestylent ok 70 00:03:57,400 --> 00:04:02,440 Speaker 2: for me? I can't. No, I didn't know. That's a no. 71 00:04:02,560 --> 00:04:03,320 Speaker 2: That's a no for me. 72 00:04:03,440 --> 00:04:07,560 Speaker 1: Jog Keina song number two in h in Breakup Songs 73 00:04:07,800 --> 00:04:15,080 Speaker 1: X Songs Unbreak my Heart Tony Braxton, Tony Braxton, Okay, sure, 74 00:04:15,120 --> 00:04:17,400 Speaker 1: why not? Do you think that she will get this 75 00:04:17,600 --> 00:04:20,919 Speaker 1: right or wrong? Unbreak my heart scared. 76 00:04:23,000 --> 00:04:24,560 Speaker 2: I got you, I got you. 77 00:04:24,720 --> 00:04:27,000 Speaker 1: I'm extremely worried about this. Now here's the question. Do 78 00:04:27,080 --> 00:04:29,680 Speaker 1: we not have this? They'll come on, I'm not going 79 00:04:29,680 --> 00:04:33,640 Speaker 1: to run it. Do we not know this is impossible? Oh, 80 00:04:33,680 --> 00:04:34,680 Speaker 1: I'm familiar with it. 81 00:04:34,720 --> 00:04:38,640 Speaker 2: Come on, all right, I'm ready. I love we of 82 00:04:38,640 --> 00:04:39,080 Speaker 2: course we do. 83 00:04:39,160 --> 00:04:41,640 Speaker 1: I'm like, what kind of we have a we have 84 00:04:41,720 --> 00:04:45,520 Speaker 1: a classic urban station here. If we don't have this song, 85 00:04:45,960 --> 00:04:48,760 Speaker 1: then somebody talks to me, someone Derek and you have 86 00:04:48,760 --> 00:04:51,800 Speaker 1: a conversation. If this is not in a rotation. Okay, 87 00:04:52,279 --> 00:04:56,159 Speaker 1: so you say right, Keina, Yes you're saying right. All right, 88 00:04:56,160 --> 00:04:57,719 Speaker 1: I'm gonna fast forward a little bit here. Let's see 89 00:04:57,720 --> 00:05:02,840 Speaker 1: how this goes. Okay, because you don't get that doesn't count. 90 00:05:03,640 --> 00:05:06,360 Speaker 2: Don't mean all this pain. 91 00:05:09,480 --> 00:05:15,440 Speaker 1: Every come back and bring back the smile, Come and 92 00:05:15,520 --> 00:05:17,680 Speaker 1: kiss the tears away. 93 00:05:19,440 --> 00:05:24,400 Speaker 2: As your arms to home me. Now, your life is 94 00:05:24,520 --> 00:05:26,000 Speaker 2: so cal. 95 00:05:28,760 --> 00:05:35,039 Speaker 1: Life was so cool without you here beside me, break my. 96 00:05:37,680 --> 00:05:39,640 Speaker 2: Say you love me again? 97 00:05:41,560 --> 00:05:45,920 Speaker 1: Lie dude, it's hurt your calls when you walked out 98 00:05:46,000 --> 00:05:55,440 Speaker 1: the dawn and walked out on my life so many man, 99 00:05:55,760 --> 00:05:56,400 Speaker 1: man and night. 100 00:05:58,760 --> 00:06:01,960 Speaker 2: Yes, Wow, Wow. 101 00:06:02,400 --> 00:06:03,200 Speaker 1: That was. 102 00:06:03,320 --> 00:06:05,320 Speaker 2: I can't believe it. Dell was here, and then Tony 103 00:06:05,440 --> 00:06:06,520 Speaker 2: Blaxton walked. 104 00:06:06,279 --> 00:06:08,839 Speaker 1: In her son's graduation. 105 00:06:09,279 --> 00:06:12,880 Speaker 2: This is so crazy. Yeah, what's the outfit and everything? 106 00:06:12,880 --> 00:06:13,240 Speaker 1: All right? 107 00:06:13,320 --> 00:06:13,599 Speaker 2: Tina? 108 00:06:13,680 --> 00:06:18,040 Speaker 1: You got that one all right, so you're gonna get 109 00:06:18,040 --> 00:06:29,000 Speaker 1: this last one here to win the game. Yeah, uncanny, uncanny? 110 00:06:31,839 --> 00:06:34,359 Speaker 1: Did you walk down the. 111 00:06:37,320 --> 00:06:38,240 Speaker 2: Beautiful? Beautiful? 112 00:06:38,839 --> 00:06:43,640 Speaker 1: Grady and dogs are howling across the land? 113 00:06:44,279 --> 00:06:44,600 Speaker 2: All right? 114 00:06:44,680 --> 00:06:48,880 Speaker 1: Finally, uh in X songs, breakup songs, whatever we're calling 115 00:06:48,920 --> 00:06:50,240 Speaker 1: this all, let's take it. 116 00:06:50,320 --> 00:06:51,200 Speaker 2: Let's take a right turn. 117 00:06:51,680 --> 00:06:57,360 Speaker 1: Avril Levigne, Oh, my happy ending, my happy ending? 118 00:06:57,800 --> 00:07:00,520 Speaker 2: Do you think that she will get this right? Or wrong? Keina? 119 00:07:01,360 --> 00:07:01,640 Speaker 1: I don't know. 120 00:07:01,680 --> 00:07:02,479 Speaker 2: It's a tricky song. 121 00:07:02,800 --> 00:07:03,160 Speaker 1: I don't know. 122 00:07:03,320 --> 00:07:13,320 Speaker 2: Sorry, you know, such a break a book. I'll give 123 00:07:13,360 --> 00:07:26,000 Speaker 2: you the No. You were everything have everything that I want. 124 00:07:27,720 --> 00:07:30,840 Speaker 2: We were meant to be supposed to be, but we 125 00:07:31,000 --> 00:07:36,520 Speaker 2: lost that. How could so close to me? Just fay? 126 00:07:36,880 --> 00:07:41,960 Speaker 2: Oh wait? What all my time? You were pretended so 127 00:07:42,200 --> 00:07:43,880 Speaker 2: much for my happy. 128 00:07:46,840 --> 00:07:47,040 Speaker 1: Yeah? 129 00:07:48,280 --> 00:07:54,440 Speaker 2: Yes, happy ending? No? But yes, I don't know. Did 130 00:07:54,480 --> 00:07:55,800 Speaker 2: you say she was thinking it right? Keena? 131 00:07:55,840 --> 00:07:56,000 Speaker 1: Wrong? 132 00:07:56,000 --> 00:07:59,080 Speaker 2: I don't know you wait anyway you said wrong? I 133 00:07:59,080 --> 00:08:03,240 Speaker 2: don't know. It was close No, it doesn't. It doesn't 134 00:08:03,320 --> 00:08:06,560 Speaker 2: matter she gets taken, it doesn't matter. It was close enough. 135 00:08:06,640 --> 00:08:08,640 Speaker 2: I'm fine with that. Keena, you win. 136 00:08:10,560 --> 00:08:14,000 Speaker 1: I mean it's amazing the range here, Adele to Tony 137 00:08:14,080 --> 00:08:19,440 Speaker 1: Braxton to Avril Levigne, they're all just walking a wife's 138 00:08:19,480 --> 00:08:21,360 Speaker 1: like Lili's fair but not really. 139 00:08:22,600 --> 00:08:25,400 Speaker 2: Hang on, Keena, have a great deal. Okay, thank you. 140 00:08:25,560 --> 00:08:29,360 Speaker 1: See how to your forty seven kids? 141 00:08:29,760 --> 00:08:31,960 Speaker 2: I should the entertainer of for it next in two minutes. 142 00:08:32,559 --> 00:08:32,800 Speaker 1: Top