1 00:00:03,240 --> 00:00:05,400 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,680 --> 00:00:24,800 Speaker 1: phone Elvis to represents Minute Morning show. Are we all ready? Yes, 3 00:00:25,960 --> 00:00:28,040 Speaker 1: Elvis is not going to be on the podcast, even 4 00:00:28,080 --> 00:00:31,080 Speaker 1: though we can see you can't, like Lark in the background, 5 00:00:31,080 --> 00:00:33,040 Speaker 1: I pretend he's not here. I'm right here. Look, you know, 6 00:00:33,440 --> 00:00:35,920 Speaker 1: hang on, let me. We're doing many things here today, 7 00:00:36,360 --> 00:00:40,160 Speaker 1: many things. We're about to do an interview with someone, 8 00:00:40,200 --> 00:00:42,760 Speaker 1: and I want to be so much knowledgeable about that, 9 00:00:42,840 --> 00:00:45,519 Speaker 1: but then we got a podcast to do it, so 10 00:00:45,640 --> 00:00:49,599 Speaker 1: much to do. Who else here? There's Brody? Is he 11 00:00:49,600 --> 00:00:52,200 Speaker 1: here yet? Not yet? But he's not here. There's Danielle, 12 00:00:52,200 --> 00:00:57,400 Speaker 1: there's Froggy, there's Gandhi, Hello, straight Nate. And there's Scary Scary. 13 00:00:57,440 --> 00:01:03,840 Speaker 1: We're Scary laying out showing off the new logo. Okay, 14 00:01:05,280 --> 00:01:08,840 Speaker 1: we're missing Scotty be Garrett's here. You want to talk 15 00:01:08,880 --> 00:01:11,560 Speaker 1: about doing a lot of stuff. Yeah, Garrett's running a 16 00:01:11,640 --> 00:01:14,000 Speaker 1: radio station. He's a one. Scott is on the toilet. 17 00:01:14,040 --> 00:01:18,080 Speaker 1: He has diarrhea today, he's got food poisoning. He texted 18 00:01:18,120 --> 00:01:21,600 Speaker 1: me last night at eleven thirty eight, which I didn't 19 00:01:21,600 --> 00:01:24,279 Speaker 1: see until I woke up to p at three, and 20 00:01:24,680 --> 00:01:27,680 Speaker 1: he's like, yeah, I've been. I don't know if I 21 00:01:27,720 --> 00:01:30,959 Speaker 1: should say what he said, but um, he was at night, 22 00:01:31,000 --> 00:01:34,040 Speaker 1: he had a bad night, and so he's like, I'll 23 00:01:34,120 --> 00:01:35,840 Speaker 1: let you know how I am in the morning. Like, 24 00:01:36,520 --> 00:01:39,520 Speaker 1: if you're having that come out of you all night long, 25 00:01:39,720 --> 00:01:44,160 Speaker 1: we don't want you coming in. I don't ye no offense. 26 00:01:44,400 --> 00:01:47,400 Speaker 1: I love you. But okay, Well, so Scotty Be's not 27 00:01:47,480 --> 00:01:50,480 Speaker 1: here now you know what I mean? Are you on now? Brodie? Yes? 28 00:01:51,360 --> 00:01:55,800 Speaker 1: I can't the screen. I can't tell this anyway. So 29 00:01:55,920 --> 00:01:58,160 Speaker 1: what are we doing on this podcast other than you know, 30 00:01:58,400 --> 00:02:03,320 Speaker 1: offending someone? I'm sure. Well, I wanted to talk about 31 00:02:03,640 --> 00:02:06,440 Speaker 1: off of the Golden Corral fight. What food would you 32 00:02:06,480 --> 00:02:10,840 Speaker 1: get into a fight for? All of it? So many things? Yeah, 33 00:02:10,880 --> 00:02:12,680 Speaker 1: but there has to be one like one that you 34 00:02:12,840 --> 00:02:15,280 Speaker 1: literally would throw down and start throwing chairs over if 35 00:02:15,360 --> 00:02:17,560 Speaker 1: someone took the last of it, the end slice of 36 00:02:17,560 --> 00:02:20,480 Speaker 1: meat loaf. Maybe I probably wouldn't fight over food. I'm sorry, don't. 37 00:02:20,560 --> 00:02:22,080 Speaker 1: I can't. I can't. But if you had to, like 38 00:02:22,120 --> 00:02:24,480 Speaker 1: if you had a fight, like I know you wouldn't. 39 00:02:24,520 --> 00:02:27,440 Speaker 1: You're not a fighter, You're more of a lover. Oh. 40 00:02:27,520 --> 00:02:29,800 Speaker 1: I know when you fought me over those corn bread 41 00:02:29,840 --> 00:02:33,480 Speaker 1: crisps that time. Remember that he said, you've had too 42 00:02:33,520 --> 00:02:37,000 Speaker 1: many corn break Chrisp, give me the motherfucking corn break 43 00:02:37,120 --> 00:02:46,679 Speaker 1: crisp finger gun fingering the motherfucking corns. I mean that's 44 00:02:46,680 --> 00:02:49,240 Speaker 1: not like I think. I think in a Chinese buffet, 45 00:02:49,320 --> 00:02:51,040 Speaker 1: I would get upset if someone took like the last 46 00:02:51,080 --> 00:02:54,160 Speaker 1: pork dumpling or or shoe, my shrimp or something, because 47 00:02:54,160 --> 00:02:57,679 Speaker 1: those are like individual things. Chinese food I'll fight over absolutely. 48 00:02:57,720 --> 00:03:00,600 Speaker 1: I love shim. Say yeah, well, they don't get me. 49 00:03:00,680 --> 00:03:02,919 Speaker 1: The last one was a finger. My dad, I don't 50 00:03:02,960 --> 00:03:04,480 Speaker 1: have that big of a deal. I mean, I don't 51 00:03:04,480 --> 00:03:06,440 Speaker 1: have to fight that many people over gluten free food. 52 00:03:06,480 --> 00:03:11,000 Speaker 1: But if you have it, yeah, no fights, there, no fights. 53 00:03:11,080 --> 00:03:13,640 Speaker 1: What about you frog? My dad is seventy, I don't know, 54 00:03:13,760 --> 00:03:15,440 Speaker 1: three or four years old, and he says that he 55 00:03:15,960 --> 00:03:18,280 Speaker 1: remembers the worst ass kick and he ever got as 56 00:03:18,320 --> 00:03:21,080 Speaker 1: a kid. There was one pork chop left and his 57 00:03:21,160 --> 00:03:24,839 Speaker 1: sister went to get it first, and he jokingly went 58 00:03:24,880 --> 00:03:27,680 Speaker 1: to stab her hand with the fork, and he fucked 59 00:03:27,760 --> 00:03:30,200 Speaker 1: up and he hit her hand and when he left 60 00:03:30,200 --> 00:03:32,080 Speaker 1: the fork, oh, it was standing up in her hand. 61 00:03:33,639 --> 00:03:36,120 Speaker 1: And his father kicked his ass. So my Dad's like 62 00:03:36,400 --> 00:03:38,080 Speaker 1: he loves pork chops, and he's like, you know what, 63 00:03:38,120 --> 00:03:39,840 Speaker 1: if there's one pork chop left, you can have it. 64 00:03:39,880 --> 00:03:44,600 Speaker 1: I don't want it any more. Scarred for life, for life. 65 00:03:44,600 --> 00:03:47,640 Speaker 1: I almost almost got into a fight at a Thanksgiving dinner. 66 00:03:48,040 --> 00:03:50,160 Speaker 1: So we went to one of those extended family things 67 00:03:50,160 --> 00:03:52,120 Speaker 1: where they invite their other half of the family you're 68 00:03:52,120 --> 00:03:54,000 Speaker 1: not related to. And it was just I don't know. 69 00:03:54,040 --> 00:03:56,000 Speaker 1: I was twelve or thirteen, and I always like the 70 00:03:56,000 --> 00:03:58,480 Speaker 1: turkey leg That's my favorite part of Thanksgiving because you 71 00:03:58,520 --> 00:03:59,760 Speaker 1: can just pick it up and eat with your hand. 72 00:03:59,800 --> 00:04:02,600 Speaker 1: Like again, it has its own handle. That's right, and 73 00:04:02,680 --> 00:04:05,160 Speaker 1: there there was. It doesn't matter, but I think it does. 74 00:04:05,480 --> 00:04:09,280 Speaker 1: She was a girl about my age, and uh, I 75 00:04:09,280 --> 00:04:11,800 Speaker 1: didn't know her, and when the plate came around, she 76 00:04:11,920 --> 00:04:16,480 Speaker 1: grabbed both turkey legs and I was unacceptable. I got 77 00:04:16,560 --> 00:04:18,279 Speaker 1: very upset. So I was like twelve with thirty. I 78 00:04:18,279 --> 00:04:19,880 Speaker 1: stood up and my mother had to grab my arm 79 00:04:19,920 --> 00:04:23,440 Speaker 1: and pulled me back down. Wow, that's that's a love 80 00:04:23,480 --> 00:04:27,320 Speaker 1: for turkey legs. Yeah. Her name was Janet. I will 81 00:04:27,360 --> 00:04:31,640 Speaker 1: never forgive Janet for taking both turkey legs. Speaking of 82 00:04:31,720 --> 00:04:35,200 Speaker 1: turkey legs, where do they get the turkeys that provide 83 00:04:35,240 --> 00:04:38,360 Speaker 1: the legs at Disneyland. In places like that, I mean 84 00:04:38,960 --> 00:04:45,160 Speaker 1: those my parents backyard park, like Chernobyl farms in Universal. 85 00:04:45,400 --> 00:04:48,760 Speaker 1: Those things are massive. There's there's I wouldn't. I wouldn't. 86 00:04:48,960 --> 00:04:51,360 Speaker 1: Turkey's got an ass on it if those legs are 87 00:04:51,360 --> 00:04:56,760 Speaker 1: that there's yeah, my family, I would usually leave the 88 00:04:56,800 --> 00:05:00,640 Speaker 1: legs behind. But when walking around at the I State Fair, 89 00:05:01,080 --> 00:05:02,960 Speaker 1: I have to have a turkey leg in my hand 90 00:05:03,240 --> 00:05:06,479 Speaker 1: and one of those the chicken lips, the chicken lips 91 00:05:06,520 --> 00:05:09,239 Speaker 1: and the other thing. But that turkey leg is a thing, 92 00:05:09,680 --> 00:05:11,760 Speaker 1: but only when I'm in that mind. Right, Well, I 93 00:05:11,760 --> 00:05:13,680 Speaker 1: would like you to bring me in the turkey legs 94 00:05:13,680 --> 00:05:16,120 Speaker 1: because I love them, so thank you very much. All Right, 95 00:05:17,960 --> 00:05:20,280 Speaker 1: this podcast about turkey. I'm just kind of bored with 96 00:05:20,360 --> 00:05:23,800 Speaker 1: this podcast. Okay, I'm hungry. Now let's come back to 97 00:05:23,800 --> 00:05:26,920 Speaker 1: Scotty Be's diarrhea. Well, he said he was vomiting earlier 98 00:05:27,160 --> 00:05:30,520 Speaker 1: that so that usually means food poisoning and it could 99 00:05:30,520 --> 00:05:32,400 Speaker 1: be a stomach a stomach virus, and you know what 100 00:05:32,480 --> 00:05:34,719 Speaker 1: that means. He was in here yesterday. And when it 101 00:05:34,720 --> 00:05:38,320 Speaker 1: comes to stomach virus is the before is very contagious. 102 00:05:39,680 --> 00:05:45,480 Speaker 1: Vomiting tomorrow? Can we Is there somebody in your life 103 00:05:45,480 --> 00:05:47,600 Speaker 1: though that whenever they tell you they're sick, you're kind 104 00:05:47,600 --> 00:05:50,880 Speaker 1: of like, but are you. I'm sure he is vomiting 105 00:05:50,920 --> 00:05:53,160 Speaker 1: and mothering right now. I believe that. But Scotty is 106 00:05:53,200 --> 00:05:55,520 Speaker 1: also the person who you can look at him sideways 107 00:05:55,560 --> 00:05:57,560 Speaker 1: and he's like, Oh, that made my stomach hurt. I 108 00:05:57,600 --> 00:05:59,920 Speaker 1: think I have to go to the emergency room. He's 109 00:06:00,080 --> 00:06:03,800 Speaker 1: easily queasy, and he has like four heart attacks a day. 110 00:06:03,800 --> 00:06:08,040 Speaker 1: He was like, oh I got heart attack. Remember one 111 00:06:08,080 --> 00:06:10,200 Speaker 1: he wore an eyepatch because somebody like flicked him in 112 00:06:10,240 --> 00:06:14,120 Speaker 1: the eye. Here with an eyepatch for like a month. 113 00:06:15,480 --> 00:06:17,560 Speaker 1: This is what happens. It's like the Boy who Cried 114 00:06:17,600 --> 00:06:21,120 Speaker 1: Wolf exactly. It really is a serious matter. Then we 115 00:06:21,200 --> 00:06:25,960 Speaker 1: don't believe you. Our interview after we're done with a 116 00:06:26,000 --> 00:06:29,119 Speaker 1: fifteen minute morning show podcast is our friend uh Mickey 117 00:06:30,000 --> 00:06:32,560 Speaker 1: or I can never can say her last name, ug 118 00:06:33,160 --> 00:06:37,440 Speaker 1: ugger Wall. Not only did she invent the Hello tushy, 119 00:06:38,960 --> 00:06:41,680 Speaker 1: which is a partner of ours, she has a book 120 00:06:41,720 --> 00:06:44,880 Speaker 1: out that came out, oh God, over five years ago 121 00:06:45,000 --> 00:06:50,040 Speaker 1: called um do cool shit, Quit your day job? And 122 00:06:50,120 --> 00:06:52,080 Speaker 1: it's more relevant. It's more relevant now than it was 123 00:06:52,160 --> 00:06:55,159 Speaker 1: back then because when people are locked down or they 124 00:06:55,200 --> 00:06:57,359 Speaker 1: have been locked down, they want to do something different, 125 00:06:57,400 --> 00:07:00,640 Speaker 1: and it's so empowering, especially to women. I felt the 126 00:07:00,880 --> 00:07:02,560 Speaker 1: book really was If I was a woman, I would 127 00:07:02,560 --> 00:07:05,200 Speaker 1: read it. It's called Do Cool Ship, Quit your day job, 128 00:07:05,520 --> 00:07:08,440 Speaker 1: start your own business, Live happily ever after, if that's 129 00:07:08,480 --> 00:07:10,240 Speaker 1: ever been your goal. But now she's a new book 130 00:07:10,240 --> 00:07:17,600 Speaker 1: out called disrupt Her. Yes like that, And the reason 131 00:07:17,640 --> 00:07:19,960 Speaker 1: we have to record her interview with with Mickey is, Uh, 132 00:07:20,400 --> 00:07:25,160 Speaker 1: she's got a mouth on her. She is so fun. Well, 133 00:07:25,640 --> 00:07:27,800 Speaker 1: when you buy her Hello Tushi, what does it saying? 134 00:07:27,840 --> 00:07:30,360 Speaker 1: The instructions the instruction manual on the cover, it says 135 00:07:30,640 --> 00:07:35,560 Speaker 1: how to put this ship together. Her book is called 136 00:07:35,680 --> 00:07:38,440 Speaker 1: do Cool Shit. Then she invented the Tushi. Well, you 137 00:07:38,560 --> 00:07:44,240 Speaker 1: literally can do a cool shit. So that's our guest. 138 00:07:44,280 --> 00:07:45,960 Speaker 1: I can't wait to get her on. You think she's 139 00:07:45,960 --> 00:07:52,720 Speaker 1: awesome today? Over time, I'm sure when it came out 140 00:07:52,760 --> 00:07:53,960 Speaker 1: of him, it came out of him. It made the 141 00:07:54,080 --> 00:08:02,679 Speaker 1: Hello tushy jealous, I gotta get out of here. Silly 142 00:08:02,760 --> 00:08:05,520 Speaker 1: quick question speaking to the microphone when you're when you're 143 00:08:05,600 --> 00:08:08,400 Speaker 1: hanging out in a zoom or a team's meeting. Are 144 00:08:08,480 --> 00:08:11,040 Speaker 1: you looking at yourself or all the other squares because 145 00:08:11,080 --> 00:08:14,040 Speaker 1: I can't take my eyes off myself. Of course not. 146 00:08:14,840 --> 00:08:18,800 Speaker 1: Of course I look at who is talking. And even then, 147 00:08:18,920 --> 00:08:20,800 Speaker 1: no matter where you look, you're not looking at the 148 00:08:20,840 --> 00:08:23,040 Speaker 1: camera because those squares are all over the screen, so 149 00:08:23,120 --> 00:08:25,040 Speaker 1: you never really look like you're looking straight ahead at 150 00:08:25,080 --> 00:08:28,040 Speaker 1: the person who's watching it. Well, in media training, they 151 00:08:28,240 --> 00:08:30,720 Speaker 1: they teach you how to look straight at the camera 152 00:08:31,120 --> 00:08:34,520 Speaker 1: the entire time. So how do I know I can't 153 00:08:34,559 --> 00:08:37,000 Speaker 1: see who's talking? You look at that little green light 154 00:08:37,080 --> 00:08:39,800 Speaker 1: the whole time. Yeah, you're supposed to. For instance, when 155 00:08:39,840 --> 00:08:42,120 Speaker 1: you watch let's see see an Inner, Fox News, whatever 156 00:08:42,200 --> 00:08:45,240 Speaker 1: you channel, you watch your network. Uh, they're interviewing people 157 00:08:45,480 --> 00:08:48,120 Speaker 1: at home whatever, They're staring at the camera the entire time. 158 00:08:48,160 --> 00:08:50,000 Speaker 1: They are not looking at the person talking to them. 159 00:08:50,080 --> 00:08:51,679 Speaker 1: Like when we had Jay Shetty on the other day, 160 00:08:51,679 --> 00:08:54,319 Speaker 1: I mean his eyes were piercing into my soul. I 161 00:08:54,360 --> 00:08:58,719 Speaker 1: mean he was just gazing. He has media training. So 162 00:08:59,000 --> 00:09:01,040 Speaker 1: while you're talking to that person there like this, you 163 00:09:01,120 --> 00:09:03,320 Speaker 1: have no idea because you're not looking at it. How 164 00:09:03,320 --> 00:09:05,199 Speaker 1: do you not know I'm looking at the camera, but 165 00:09:05,240 --> 00:09:06,959 Speaker 1: I saw you hold something up. You can make a 166 00:09:07,120 --> 00:09:12,000 Speaker 1: quick glance. Yes, I'm like, hey, yeah, yeah, you're doing 167 00:09:12,040 --> 00:09:14,160 Speaker 1: a really great job there. Yeah, this is great. Yeah, 168 00:09:14,520 --> 00:09:17,520 Speaker 1: I don't see that great. Hey, how you doing over 169 00:09:17,880 --> 00:09:20,880 Speaker 1: Like I'm looking at the camera. I don't know what 170 00:09:20,960 --> 00:09:25,560 Speaker 1: he did. You don't want to know. Ja Shetty needs 171 00:09:25,600 --> 00:09:39,120 Speaker 1: the Hello d Sorry so juvenile, such a nice guy. No, 172 00:09:39,400 --> 00:09:41,560 Speaker 1: we love him, but we can still make a job. 173 00:09:42,520 --> 00:09:47,040 Speaker 1: So anyway, Makey's book disrupt her. I'll read what we 174 00:09:47,160 --> 00:09:52,320 Speaker 1: have here. It's a manifesto that galvanizes us to action 175 00:09:52,400 --> 00:09:56,960 Speaker 1: in thirteen major areas of our lives. Which is much firepower, 176 00:09:57,280 --> 00:10:00,400 Speaker 1: with as much firepower as possible. These are the credos 177 00:10:00,440 --> 00:10:02,079 Speaker 1: we live by, the advice we give to friends, the 178 00:10:02,160 --> 00:10:04,559 Speaker 1: tenants we instill in our companies and peers on a 179 00:10:04,640 --> 00:10:08,080 Speaker 1: daily basis. Stories of badass female movers and shakers are 180 00:10:08,120 --> 00:10:10,920 Speaker 1: shared in this book. Give you an extra jolt of 181 00:10:11,040 --> 00:10:14,000 Speaker 1: I've got this. It's a whole body fuck. Yeah. To 182 00:10:14,280 --> 00:10:16,920 Speaker 1: do your work and your love and get into your 183 00:10:16,960 --> 00:10:20,439 Speaker 1: relationships and your mission while doing it all with all authenticity, 184 00:10:21,040 --> 00:10:25,959 Speaker 1: unapologetically and with full integrity. What does it mean? What 185 00:10:26,040 --> 00:10:28,200 Speaker 1: does you think we're going to find out do everything 186 00:10:28,240 --> 00:10:31,520 Speaker 1: opposite of what we do every day. Yes, it means 187 00:10:31,520 --> 00:10:35,720 Speaker 1: to get the audible so we can hear her curse. Yeah, anyway, 188 00:10:35,760 --> 00:10:38,640 Speaker 1: so we're gonna have her on the show tomorrow. She's awesome. 189 00:10:39,840 --> 00:10:43,520 Speaker 1: Are we done? We're done? You gotta go, you know, 190 00:10:43,800 --> 00:10:48,320 Speaker 1: turkey legs and diarrhea. Yeah, I feel like it's an 191 00:10:48,320 --> 00:10:52,040 Speaker 1: improvement over. There was some good information about make sure 192 00:10:52,080 --> 00:10:53,600 Speaker 1: to look at the green light or whatever you're using 193 00:10:53,640 --> 00:10:55,800 Speaker 1: by look at that versus trying to look at the 194 00:10:55,800 --> 00:10:58,440 Speaker 1: rest of the screen. And don't forget Scotty always finds 195 00:10:58,480 --> 00:11:00,319 Speaker 1: a way to work poop into the podcast. So he's 196 00:11:00,320 --> 00:11:03,320 Speaker 1: not here, he's still found away. He works in all right, 197 00:11:03,320 --> 00:11:10,360 Speaker 1: we Gotta get out of here by Babe, The fifteen 198 00:11:10,440 --> 00:11:11,400 Speaker 1: Minute Morning Show