WEBVTT - Shrek Forever After

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<v Speaker 1>On the Bechdel Cast. The questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? It's the patriarchy, z

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<v Speaker 1>EFFI bast start changing it with the Bechdel Cast.

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<v Speaker 2>Hello, and welcome to the Shrektel Cast.

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<v Speaker 3>Whoas twenty twenty four baby nothing matters anymore and we're

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<v Speaker 3>rebranding women. It's over intersectionality.

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<v Speaker 2>It's all about Shreks now, it's all.

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<v Speaker 3>About Shrek hates being a father. After one week, it's

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<v Speaker 3>so hard, it stinks. We don't like it. Oh, raising

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<v Speaker 3>my own children. I feel fucking sick in my head.

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<v Speaker 2>What would the Shrektel test be? Oh?

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<v Speaker 3>I think this? Okay? I was gonna make an argument

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<v Speaker 3>that this movie really passes attractile test because it's like,

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<v Speaker 3>how many Shreks are talking to each other about being

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<v Speaker 3>Shrek in this movie. Like there's a whole sequence whereas

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<v Speaker 3>just like Shreks are talking to Shreks are talking to Shreks,

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<v Speaker 3>and they're talking about liberating Shreks. I'm like, this is like,

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<v Speaker 3>this is the Shrek Dell test.

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<v Speaker 2>All.

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<v Speaker 3>It was like it's almost like you know when you

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<v Speaker 3>see seeing in a Marvel movie that it's like, oh,

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<v Speaker 3>someone told Kevin Faigey about the Bechdel Test, and now

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<v Speaker 3>he's like, well, just have something, have something, and it

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<v Speaker 3>feels forced. It was like that, but with like four

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<v Speaker 3>hundred Shreks.

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<v Speaker 2>I there's a John ham Shrek. There's a unbelieveable Craig

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<v Speaker 2>Robinson Shrek.

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<v Speaker 3>There is a Craig Robinson Shrek. There's a Kristin Shawl Shrek.

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<v Speaker 2>No witch, but there is a everyone is Jane Lynch's Shrek.

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<v Speaker 3>There is a Jane Lynch Shrek. And if that's not

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<v Speaker 3>twenty ten, tell me what is.

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<v Speaker 2>I mean? Seriously, the witches have green skin. You think

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<v Speaker 2>there would be solid among the witches and the Shreks.

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<v Speaker 3>And I have some thoughts on that, and I have

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<v Speaker 3>some thoughts on that. And also like the randomest man

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<v Speaker 3>in the world, Walt Dorn, who no offense to Walt Dorn,

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<v Speaker 3>but who are you? It's baffling. Anyways, He's truly some guy.

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<v Speaker 3>He like works in animation and they're like, you're fun,

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<v Speaker 3>and it's like he, I mean, whatever, whatever. This is

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<v Speaker 3>a main feed. Welcome to the Bechdel Cast. My name's

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<v Speaker 3>Jimmie Loftis.

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<v Speaker 2>My name is Caitlin Derante, and this is our show

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<v Speaker 2>where we examine movies through an intersectional feminis lens. Before

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<v Speaker 2>we even get into more details about that, the Shrek sinle?

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<v Speaker 2>What Intershrek sinle? Excuse me, I can't try to say

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<v Speaker 2>Intershrek sinle?

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<v Speaker 3>No feminist lens.

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<v Speaker 2>Do you see your isaacly I did see it and

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<v Speaker 2>I loved it.

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<v Speaker 3>Thank you Aten.

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<v Speaker 2>Before we talk any more about intertrectionality, yep, I would

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<v Speaker 2>love to plug the tour that we have coming up. Yes, yes, yes, yes,

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<v Speaker 2>So you might have already heard listeners that Jamie and

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<v Speaker 2>I are going on tour and it's for the most

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<v Speaker 2>part a tour where we are covering the movie Barbie,

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<v Speaker 2>so get excited. We are doing shows in San Francisco

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<v Speaker 2>for SF Sketch Fest on February first, then we're scooping

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<v Speaker 2>over to Sacramento. We're doing a show on Barbie that

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<v Speaker 2>unfortunately is already sold out, but we are doing a

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<v Speaker 2>second show on the Wolf of Wall Street because we're like,

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<v Speaker 2>we got to double up on Margot Robbie movies.

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<v Speaker 3>Which is such a confusing thing to pair with Barbie

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<v Speaker 3>that it is not yet sold out and you could

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<v Speaker 3>still get tickets to it.

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<v Speaker 2>Yeah, Well, we were like, should we do Oppenheimer And

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<v Speaker 2>then we were unanimously like, no, we should not, thank you,

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<v Speaker 2>so we're doing Wolf of Wall Street instead. There are

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<v Speaker 2>still tickets available to that show in Sacramento on February second.

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<v Speaker 2>On February third, we will be in Dallas covering Barbie.

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<v Speaker 2>Still tickets to that show available. On February fifth, we

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<v Speaker 2>will be in Austin, and then we're scooting back to

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<v Speaker 2>California to do a show in San Diego on February tenth,

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<v Speaker 2>and all of those shows are also us covering Barbie,

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<v Speaker 2>and we're gonna have a blast. We have so much

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<v Speaker 2>fun during the live shows. We do extra things. We

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<v Speaker 2>do slide shows, we do games, we wear fun outfits.

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<v Speaker 2>There's lots of goofs. We usually eat on stage, you know,

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<v Speaker 2>things like that.

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<v Speaker 3>There's always a meet and greed afterwards. There's tour exclusive birch.

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<v Speaker 3>It's a blast and actually I feel like to transition

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<v Speaker 3>back to the main episode that today we'll have a

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<v Speaker 3>similar vibe because they tend to be kind of chaotic

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<v Speaker 3>and fun. We like to cover fun movies live and

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<v Speaker 3>we also love to cover fun but also socially impactful

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<v Speaker 3>movies to start the But if you would like to

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<v Speaker 3>get tickets to that that tour, which you should, Yes,

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<v Speaker 3>you can go to the link in the bio or

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<v Speaker 3>go to link tree our link tree which is l

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<v Speaker 3>I n K t R dot ee slash Bechdel Cast

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<v Speaker 3>pain in the ass. Well worth it and we'll see

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<v Speaker 3>you at the show.

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<v Speaker 2>Yeah. But now back to Shrek.

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<v Speaker 3>Back to the Shrektel cast. Yeah, okay, so this is

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<v Speaker 3>it's interesting. I feel like, because our show has been

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<v Speaker 3>around for so long, we're reaching the end of a

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<v Speaker 3>lot of franchises we've been covering for for many years.

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<v Speaker 3>I mean, we fortunately they made a season two of

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<v Speaker 3>the Santa claus Is for us to cover with Grace

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<v Speaker 3>this year. But you know, for a while, it seemed

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<v Speaker 3>like we were we were gonna be out right, and

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<v Speaker 3>we have. We still have the Puss and Booth spin offs.

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<v Speaker 3>But this is the final canonical Shrek movie we have

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<v Speaker 3>not covered on the show. We're covering Shrek now forever after.

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<v Speaker 3>Should we tell people what the Buckdel cast test is?

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<v Speaker 2>Well, we already discussed the Shrektel test, and I think

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<v Speaker 2>that covers it now. Yeah, the show is named after

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<v Speaker 2>the Bechdel Test, although we only ever use it as

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<v Speaker 2>a jumping off point to initiate larger conversations about representation

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<v Speaker 2>and intersectionality.

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<v Speaker 3>And the truth.

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<v Speaker 2>And it is a media metric created by Allison Bechdel

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<v Speaker 2>along with her pal Liz Wallace, and so it's often

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<v Speaker 2>called the Bechdel Wallace Test. It was a test that

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<v Speaker 2>first appeared in Allison Bechdel's Duck to Watch Out For

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<v Speaker 2>in the eighties, examining how women rarely speak to each

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<v Speaker 2>other in movies, and specifically queer women in the representation

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<v Speaker 2>of them in mainstream cinema. So that was what the

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<v Speaker 2>test was originally. There are many versions of it. Ours

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<v Speaker 2>is this, do two characters of a marginalized gender have names?

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<v Speaker 2>Do they speak to each other? And is their conversation

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<v Speaker 2>about something other than a man? And we especially like

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<v Speaker 2>it if the conversation has some kind of like narrative

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<v Speaker 2>oomph to.

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<v Speaker 3>It, a little hoof, a little oof, a little fun.

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<v Speaker 2>Yeah. So yes, that is the Bechdel Test. Not to

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<v Speaker 2>be confused with the Shrektel test, which.

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<v Speaker 3>We already we don't even need to talk about it

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<v Speaker 3>again because we already know that this movie heartily passes heavily.

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<v Speaker 3>But yeah, today we are talking about Shrek Forever after

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<v Speaker 3>Shrek four. Many call it Shrek Forever after it was

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<v Speaker 3>released in twenty ten, which I know because I went

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<v Speaker 3>on a date to see this movie in high school.

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<v Speaker 3>Thank you very much. It made three quarters of a

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<v Speaker 3>billion dollars, which is a really shocking statistic for a

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<v Speaker 3>movie that is both eighty minutes long and horrible, not

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<v Speaker 3>very good. I would say this is the weakest installed.

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<v Speaker 3>It's the weakest installment for me by a country mile.

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<v Speaker 2>Really, It's just I find Shrek the Third to be

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<v Speaker 2>a lot less.

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<v Speaker 3>Enjoyable Shrek the Third. I mean, I guess that this

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<v Speaker 3>one is mercifully shorter.

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<v Speaker 2>It's not even they're both like eighty one minutes long.

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<v Speaker 3>Yeah, wow, Okay, I mean I guess I the third

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<v Speaker 3>one is with Arty right ARTI pendrive.

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<v Speaker 2>Justin Timberlake, isn't it?

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<v Speaker 3>For some reason, the justin Timberlake one is pretty bad.

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<v Speaker 3>I still feel like Shrek four takes it for me, uh,

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<v Speaker 3>just because of the internal messaging. I feel like, you know,

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<v Speaker 3>in Shrek one, and we've talked about this show, how

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<v Speaker 3>Shrek changed everything. And I'm just quoting James Gun when

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<v Speaker 3>I say that, Yeah, yeah, of course Shrek changed everything.

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<v Speaker 3>And I think that that is unfortunately, whether you like

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<v Speaker 3>it or not, that is true. Yeah, Shrek changed children's

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<v Speaker 3>entertainment for a long time, forever after, even forever after.

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<v Speaker 3>It ain't ogre till it's ogre to quote the poster

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<v Speaker 3>of this movie.

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<v Speaker 2>But the tagline of the movie.

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<v Speaker 3>Unfortunately, Yes, because this was marketed as the final chapter. Oh,

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<v Speaker 3>that's which I mean in terms of canonical Shrek movies,

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<v Speaker 3>it's the you know, it's been fourteen years now, it's

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<v Speaker 3>been fourteen years and I can still smell the fresh farts. Wow.

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<v Speaker 3>We have options, But in any case, I feel like

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<v Speaker 3>this franchise starts with like Fiona, who, as we've talked

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<v Speaker 3>about over the years, is she a you know, perfect

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<v Speaker 3>feminist character. No, but I feel like she is like disenfranchised.

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<v Speaker 3>Does the movies go on like Shrek One Fiona is

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<v Speaker 3>the best Fiona, and then we just see her like

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<v Speaker 3>wifified and in Shrek Forever After, which we'll talk about,

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<v Speaker 3>we see an alternate reality Fiona where she is more empowered. Yes,

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<v Speaker 3>but also there's all I don't know I think that

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<v Speaker 3>this the Shrek Forever After kind of fucked with my

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<v Speaker 3>head because we just covered because we're recording this in

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<v Speaker 3>late December, we just did our live show about It's

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<v Speaker 3>a Wonderful Life, and I'm just bowled over with how

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<v Speaker 3>many feature films there are about how the world would

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<v Speaker 3>be a shithole if one man didn't exist. I just

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<v Speaker 3>don't buy it.

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<v Speaker 2>Okay, we're on the same wavelength as per usual. Because

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<v Speaker 2>I finished this movie, I was like, Wow, that was

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<v Speaker 2>just the exact same plot as It's a Wonderful Life. However,

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<v Speaker 2>which movie do I like more? I think that Shrek

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<v Speaker 2>Forever After is a better movie than It's a Wonderful Life.

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<v Speaker 2>And I know that is probably one of the most

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<v Speaker 2>controversial statements ever made, But I have a master's degree

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<v Speaker 2>in film and screenwriting, which I would never mention, but

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<v Speaker 2>it does give me the credibility to say that, and

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<v Speaker 2>you have to believe me, and you have to agree

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<v Speaker 2>with me because of my credentials.

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<v Speaker 3>I respect your a pion, Yeah, thank you so much,

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<v Speaker 3>our respect your opinion. This movie stinks. This movie is stinky,

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<v Speaker 3>stinky poop poop. But but who's going to argue with

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<v Speaker 3>a quarter billion or three quarters of a billion dollars.

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<v Speaker 3>I have one last thing to say before we talk

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<v Speaker 3>about this. For over an hour, I was thinking about

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<v Speaker 3>the year twenty ten, right, Obama's first term. Yeah, remember

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<v Speaker 3>that in any case, Shrek as a popular You know,

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<v Speaker 3>this is a decade that Shrek owns true, right, Yes,

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<v Speaker 3>but things in movies are shifting. Shrek Forever After did

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<v Speaker 3>it make seven hundred and fifty six million dollars. It

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<v Speaker 3>sure did, But that is less money than Shrek the

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<v Speaker 3>Third Maid and even less money than Shrek two made.

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<v Speaker 3>Wo So Shrek's on the downturn.

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<v Speaker 2>Yeah, right.

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<v Speaker 3>And also four movies in a decade, that's a lot.

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<v Speaker 3>That's a lot. That's you know, we've maybe reached peak

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<v Speaker 3>Shrek saturation. We've also I've got Kung Fu Panda, right,

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<v Speaker 3>We've got other DreamWorks that comes out in two thousand

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<v Speaker 3>and eight, kind of coming for Shrek's Crown, that comes

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<v Speaker 3>up between Shrek the Third and Shrek Forever After. But

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<v Speaker 3>most pertinently, and I feel like you know where I'm

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<v Speaker 3>going with this. Oh, I already know a very important

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<v Speaker 3>movie comes out in twenty ten, and I would say

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<v Speaker 3>derails Shrek's chances at being a powerful franchise for over

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<v Speaker 3>a decade. Okay, maybe even a more dominant species. I mean,

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<v Speaker 3>do you know what movie I'm talking about?

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<v Speaker 2>Obviously you're talking about Despicable Me starring the Minions.

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<v Speaker 3>Yes, I had to check because I also went on

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<v Speaker 3>a date in high school to see Despicable of Me.

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<v Speaker 3>Of course, because when I was in high school I

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<v Speaker 3>was ten.

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<v Speaker 2>Okay, I don't know if you remember this, but I

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<v Speaker 2>went back and re listened to our Shrek the Third

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<v Speaker 2>episode in which you very publicly and openly say that

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<v Speaker 2>you got fingered during the screen of Shrek the Third

0:13:02.000 --> 0:13:02.520
<v Speaker 2>in the theater.

0:13:03.320 --> 0:13:06.439
<v Speaker 3>I wasn't going to bring that up today because New

0:13:06.520 --> 0:13:09.480
<v Speaker 3>Year knew me. But you're right, I have to No, no, no,

0:13:09.520 --> 0:13:11.600
<v Speaker 3>don't edit it out. I need to own my past.

0:13:12.080 --> 0:13:14.400
<v Speaker 3>You're right, and you would be right to say it.

0:13:14.800 --> 0:13:15.160
<v Speaker 2>Thank you.

0:13:18.080 --> 0:13:20.160
<v Speaker 3>Wow. I really don't know how to look out for

0:13:20.240 --> 0:13:26.280
<v Speaker 3>myself whatsoever. Okay, So running the numbers, Running the numbers,

0:13:26.360 --> 0:13:30.080
<v Speaker 3>because a little film called Despicable Me comes out in

0:13:30.160 --> 0:13:33.160
<v Speaker 3>twenty ten. Let's see how close they came out together. Okay,

0:13:33.200 --> 0:13:37.400
<v Speaker 3>Despicable Me starring of course grew in Le Mignon's that

0:13:37.440 --> 0:13:42.600
<v Speaker 3>comes out June ninth. Shrek Forever After, I think would

0:13:42.600 --> 0:13:46.360
<v Speaker 3>come out a little earlier. Yes, April May, in wide

0:13:46.400 --> 0:13:48.520
<v Speaker 3>release May twenty first.

0:13:48.679 --> 0:13:49.920
<v Speaker 2>That's my sister's birthday.

0:13:50.559 --> 0:13:52.800
<v Speaker 3>Wow, she must have been so thrilled this year.

0:13:53.559 --> 0:13:54.400
<v Speaker 2>Yes, she was.

0:13:54.720 --> 0:13:56.680
<v Speaker 3>So they come out within a month of each other.

0:13:57.120 --> 0:14:01.560
<v Speaker 3>Now I'm looking at domestic gross because Shrek Forever After

0:14:01.880 --> 0:14:06.240
<v Speaker 3>it's got global clout, right, so it takes despicable me

0:14:06.920 --> 0:14:11.320
<v Speaker 3>over in worldwide gross, but domestic grows. Something fascinating happens.

0:14:11.720 --> 0:14:16.400
<v Speaker 3>Despicable me edges. Shrek for Americans are done with this guy.

0:14:17.080 --> 0:14:20.560
<v Speaker 3>American said, no, we won't give him any more than

0:14:20.680 --> 0:14:24.560
<v Speaker 3>two hundred and thirty eight million dollars, seven hundred and

0:14:24.600 --> 0:14:28.560
<v Speaker 3>thirty six, seven hundred eighty seven dollars. Okay, But these

0:14:28.640 --> 0:14:31.920
<v Speaker 3>new guys, the Minions, they're like, wait, big Green guy,

0:14:32.080 --> 0:14:35.880
<v Speaker 3>more like little little Yellow guy, because they give the

0:14:35.920 --> 0:14:39.840
<v Speaker 3>minions two hundred and fifty one million, five hundred and

0:14:39.960 --> 0:14:42.920
<v Speaker 3>thirteen thousand, nine hundred and eighty five dollars just a

0:14:43.000 --> 0:14:43.680
<v Speaker 3>smidge more.

0:14:43.960 --> 0:14:44.400
<v Speaker 2>Uh huh.

0:14:44.680 --> 0:14:46.560
<v Speaker 3>And I just think that's it. There's sort of like

0:14:46.600 --> 0:14:49.520
<v Speaker 3>a changing of the because Shrek changed everything. But also

0:14:50.800 --> 0:14:54.680
<v Speaker 3>you gotta hang up that leather vest at some point.

0:14:54.680 --> 0:15:00.520
<v Speaker 2>Pals It's true. Well, and now we are in minion era.

0:15:00.800 --> 0:15:04.000
<v Speaker 2>We are in the minion era Shrek era over except

0:15:04.400 --> 0:15:08.600
<v Speaker 2>I know if you google is Shrek five happening? I

0:15:08.640 --> 0:15:12.200
<v Speaker 2>know the answer is Shrek five is slated to come

0:15:12.200 --> 0:15:15.840
<v Speaker 2>out in twenty twenty five, So we are actually not

0:15:15.960 --> 0:15:16.720
<v Speaker 2>done with Shrek.

0:15:16.960 --> 0:15:19.960
<v Speaker 3>And I'm I'm thrilled and I think I honestly, as

0:15:20.000 --> 0:15:21.840
<v Speaker 3>I was watching this movie, I was telling my boyfriend

0:15:21.960 --> 0:15:24.160
<v Speaker 3>was like, I really think if Shrek came back after

0:15:24.280 --> 0:15:28.640
<v Speaker 3>fifteen years and he's been on a fascinating I mean,

0:15:28.680 --> 0:15:30.360
<v Speaker 3>and I'm not going to get into my history of

0:15:30.440 --> 0:15:32.320
<v Speaker 3>the Shrek culture. I know I've done on the show before,

0:15:32.480 --> 0:15:35.880
<v Speaker 3>but he'd been on this fascinating journey where he's like

0:15:36.200 --> 0:15:39.400
<v Speaker 3>kind of a big joke but also so beloved that

0:15:39.480 --> 0:15:42.000
<v Speaker 3>I feel like Shrek would be Shrek five would make

0:15:42.000 --> 0:15:45.360
<v Speaker 3>a billion dollars if it was good. If it was good,

0:15:45.440 --> 0:15:47.280
<v Speaker 3>it would make a billion dollars if it.

0:15:47.280 --> 0:15:50.040
<v Speaker 2>Was like Shrek two quality.

0:15:50.000 --> 0:15:52.880
<v Speaker 3>Exactly, or even I mean, I think we can even

0:15:52.960 --> 0:15:55.360
<v Speaker 3>dream bigger the last Oh yeah, and also I wanted

0:15:55.400 --> 0:15:58.080
<v Speaker 3>to say, the next highest grossing movie after Despicable Me

0:15:58.240 --> 0:16:00.160
<v Speaker 3>was inception. I just thought that was funn.

0:16:00.080 --> 0:16:03.560
<v Speaker 2>Oh wow, I think.

0:16:03.600 --> 0:16:07.080
<v Speaker 3>And also the minions have been you know, dominant for

0:16:07.440 --> 0:16:10.160
<v Speaker 3>you know, over ten years, going on fifteen years now,

0:16:10.440 --> 0:16:13.360
<v Speaker 3>so it's it's time for a challenger to enter the ring.

0:16:13.600 --> 0:16:16.840
<v Speaker 3>Certainly not gonna be Secret Life of motherfucking Pets, I'll

0:16:16.840 --> 0:16:21.240
<v Speaker 3>tell you that much boo toy story for dogs. Try harder.

0:16:23.480 --> 0:16:26.520
<v Speaker 2>Yeah. Well, anyway, okay, so you what's your history for

0:16:26.640 --> 0:16:29.600
<v Speaker 2>Shrek four. I had never seen it before. This was

0:16:29.640 --> 0:16:33.440
<v Speaker 2>the only Shrek installment that I well, not including I

0:16:33.480 --> 0:16:36.760
<v Speaker 2>haven't seen the first Puss and Boots movie. I famously

0:16:36.840 --> 0:16:39.960
<v Speaker 2>love Puss and Boots the Last Wish, which came out

0:16:40.080 --> 0:16:41.520
<v Speaker 2>in late twenty twenty two.

0:16:41.920 --> 0:16:43.920
<v Speaker 3>I finally saw it a couple of weeks ago. It's great.

0:16:43.960 --> 0:16:46.240
<v Speaker 2>Do you think, isn't it so good? It's really good,

0:16:46.240 --> 0:16:50.200
<v Speaker 2>and it's beautiful. It's so well animated. Yeah, Visually it's amazing,

0:16:50.640 --> 0:16:55.520
<v Speaker 2>Narratively it's amazing. Thematically, it's amazing. I love that movie. Anyway,

0:16:55.840 --> 0:16:59.840
<v Speaker 2>I had never seen Shrek four because yeah, by the

0:16:59.880 --> 0:17:02.760
<v Speaker 2>time time twenty ten rolled around, I think I did

0:17:02.800 --> 0:17:07.399
<v Speaker 2>have Shrek fatigue, and yeah, I just wasn't we were

0:17:07.440 --> 0:17:10.919
<v Speaker 2>suffering enthusiastic about it anymore. So I didn't see it.

0:17:11.240 --> 0:17:15.800
<v Speaker 2>So yeah, that's my short history with Shrek Forever after.

0:17:15.920 --> 0:17:17.680
<v Speaker 2>But you saw it in theaters?

0:17:18.080 --> 0:17:21.760
<v Speaker 3>Yes, I did, and I have nothing else to say.

0:17:22.600 --> 0:17:27.040
<v Speaker 2>Cool cool, cool, All right, Well, Shelby dive deeper into

0:17:27.080 --> 0:17:28.280
<v Speaker 2>it and do the recap.

0:17:28.400 --> 0:17:30.520
<v Speaker 3>Oh I guess I should say I also did not

0:17:30.720 --> 0:17:33.240
<v Speaker 3>like this movie when it came out. In my opinion

0:17:33.320 --> 0:17:36.919
<v Speaker 3>has not been unfortunately, you know, time has not healed

0:17:36.920 --> 0:17:38.640
<v Speaker 3>that wound for me. I still don't like it.

0:17:38.600 --> 0:17:42.600
<v Speaker 2>I see for me. The ranking goes as follows Shrek

0:17:42.600 --> 0:17:48.359
<v Speaker 2>two number one, Shrek one number two, Shruk four number three,

0:17:48.400 --> 0:17:53.040
<v Speaker 2>and then Shrek three number four. Wow, amazing, I'm going

0:17:53.400 --> 0:17:53.840
<v Speaker 2>to and.

0:17:54.240 --> 0:17:59.200
<v Speaker 3>Thret four, three and four are both so storid. Yeah,

0:17:59.640 --> 0:18:01.800
<v Speaker 3>they might be tied for last because I kind of

0:18:01.840 --> 0:18:05.560
<v Speaker 3>forgot about the whole the justin Timberlake of it all

0:18:05.600 --> 0:18:09.359
<v Speaker 3>that was really challenging. But I also hate, like, I

0:18:09.440 --> 0:18:12.400
<v Speaker 3>just feel like rumpel Stiltskin should just be far Quad again.

0:18:12.640 --> 0:18:15.480
<v Speaker 3>Why are we? Why are we doing rumpel Stiltskin. Can't

0:18:15.480 --> 0:18:19.000
<v Speaker 3>we just like give far Quad a magic wand like

0:18:19.080 --> 0:18:20.600
<v Speaker 3>I feel like it's the same.

0:18:20.600 --> 0:18:27.400
<v Speaker 2>Character Yeah, I'm just fatigued. It's annoying. Should I say

0:18:27.440 --> 0:18:28.359
<v Speaker 2>what the movie is about?

0:18:28.720 --> 0:18:29.320
<v Speaker 3>Let's do it.

0:18:29.640 --> 0:18:32.280
<v Speaker 2>Let's take a quick break first, and then we'll come

0:18:32.280 --> 0:18:43.119
<v Speaker 2>back for the recap. We're back, all right? Here is

0:18:43.200 --> 0:18:44.919
<v Speaker 2>this Shrek Forever?

0:18:45.000 --> 0:18:46.240
<v Speaker 3>After buckle In.

0:18:46.520 --> 0:18:53.480
<v Speaker 2>The movie opens on the standard Shrek storybook opening, explaining

0:18:53.720 --> 0:18:58.240
<v Speaker 2>that Fiona's parents, the King and Queen, had locked Fiona

0:18:58.320 --> 0:19:01.359
<v Speaker 2>in a tower guarded by a dress, but as time

0:19:01.400 --> 0:19:04.960
<v Speaker 2>wore on and her curse still hadn't been broken, they

0:19:05.040 --> 0:19:08.359
<v Speaker 2>had to resort to desperate measures. So we cut to

0:19:08.880 --> 0:19:14.280
<v Speaker 2>the King and Queen approaching rumpel stilt Skin, voiced by

0:19:14.560 --> 0:19:16.600
<v Speaker 2>what's his name again, Walt Dorn.

0:19:17.000 --> 0:19:20.040
<v Speaker 3>I feel so bad, but I'm like, who is this bad? It?

0:19:20.119 --> 0:19:22.240
<v Speaker 3>I mean, I guess, I guess it's kind of a

0:19:22.280 --> 0:19:25.480
<v Speaker 3>double standard because you're like, oh, who voices the minions?

0:19:26.119 --> 0:19:29.280
<v Speaker 3>Pierre Colfet, That's who. But he also is like some

0:19:29.440 --> 0:19:31.800
<v Speaker 3>random guy in animation. But he's not some random guy

0:19:31.800 --> 0:19:36.800
<v Speaker 3>and animation anymore. I mean, fortunately, Walt Dorn still some

0:19:37.000 --> 0:19:40.719
<v Speaker 3>random guy and animation where Pierre Coffin has transcended and

0:19:40.880 --> 0:19:42.320
<v Speaker 3>is the voice of every minion.

0:19:42.480 --> 0:19:43.720
<v Speaker 2>Wow. Amazing.

0:19:43.840 --> 0:19:46.560
<v Speaker 3>Anyways, random guy don't know, Okay.

0:19:46.280 --> 0:19:49.640
<v Speaker 2>So they approach rumpel Stiltskin to see if he can

0:19:49.640 --> 0:19:52.879
<v Speaker 2>put an end to Fiona's curse that turns her into

0:19:53.000 --> 0:19:56.720
<v Speaker 2>an ogre at night, and rumpel Stiltskin's like, yeah, I'll

0:19:56.720 --> 0:19:59.400
<v Speaker 2>do it, and in exchange, you have to sign away

0:19:59.440 --> 0:20:01.119
<v Speaker 2>the kingdom far far away.

0:20:01.359 --> 0:20:08.400
<v Speaker 3>These damn parents are just terrific. Maybe it's maybe it's

0:20:08.480 --> 0:20:11.080
<v Speaker 3>like commentary or something, but they just, like in each

0:20:11.119 --> 0:20:15.800
<v Speaker 3>and every movie, they mismanage and gamble their people's lives

0:20:15.840 --> 0:20:20.520
<v Speaker 3>away because they're embarrassed of their daughter's physical appearance.

0:20:20.600 --> 0:20:24.320
<v Speaker 2>It's so bad, yep, okay. So they are about to

0:20:24.640 --> 0:20:28.040
<v Speaker 2>sign away their kingdom in exchange for like Fiona's curse

0:20:28.160 --> 0:20:31.720
<v Speaker 2>to be lifted, but just then someone comes in to

0:20:31.800 --> 0:20:36.600
<v Speaker 2>be like Princess Fiona has been saved parentheses by Shrek,

0:20:37.400 --> 0:20:42.000
<v Speaker 2>and this makes Rumpelstiltskin furious because he wants control over

0:20:42.400 --> 0:20:46.600
<v Speaker 2>far far away. We then cut to Shrek in his swamp.

0:20:47.000 --> 0:20:51.879
<v Speaker 2>He and Fiona are raising their three ogre babies.

0:20:51.720 --> 0:20:56.200
<v Speaker 3>As promised at the end of Shrek the Third. Can

0:20:56.280 --> 0:20:59.080
<v Speaker 3>I just say and let me know if this is

0:20:59.320 --> 0:21:03.840
<v Speaker 3>at a pocket? I hate looking at those damn Ogre babies.

0:21:03.880 --> 0:21:07.359
<v Speaker 3>They look like shit. They're so oh I hate they

0:21:07.400 --> 0:21:09.119
<v Speaker 3>make me sick to look they look like adults.

0:21:10.119 --> 0:21:12.480
<v Speaker 2>It's upsetting. I don't like them either.

0:21:12.960 --> 0:21:16.800
<v Speaker 3>The least you can do when you're making animated anything

0:21:17.640 --> 0:21:21.640
<v Speaker 3>is ensure that you can make a baby version of

0:21:21.680 --> 0:21:24.960
<v Speaker 3>your character. That's cute. That's the Muppet baby law. Like,

0:21:25.640 --> 0:21:28.600
<v Speaker 3>it's not that hard. I don't think that it would

0:21:28.600 --> 0:21:31.040
<v Speaker 3>have been impossible to make a cute Shrek baby or

0:21:31.080 --> 0:21:34.560
<v Speaker 3>a cute The fact that the Donkey dragon babies also

0:21:34.640 --> 0:21:38.159
<v Speaker 3>look like shit scary. That's a slam dunk. That's so cute.

0:21:38.640 --> 0:21:41.520
<v Speaker 3>But they fuck it up, they fake time it up.

0:21:42.359 --> 0:21:42.919
<v Speaker 2>I don't know what.

0:21:43.760 --> 0:21:45.919
<v Speaker 3>I don't know what they're doing, but I know what

0:21:45.920 --> 0:21:46.600
<v Speaker 3>they aren't doing.

0:21:48.280 --> 0:21:52.840
<v Speaker 2>Uh. We see Shrek and Fiona. Of course Donkey and

0:21:52.920 --> 0:21:57.880
<v Speaker 2>Puss and Boots are also there. But the monotony and

0:21:58.520 --> 0:22:03.600
<v Speaker 2>repetitiveness of life is really getting to Shrek. Also, people

0:22:03.680 --> 0:22:07.000
<v Speaker 2>aren't scared of Ogres the way they used to be.

0:22:07.040 --> 0:22:11.280
<v Speaker 2>They're not scared of Shrek anymore, which is abundantly clear

0:22:11.359 --> 0:22:15.359
<v Speaker 2>when they go too far far away for Shrek and

0:22:15.440 --> 0:22:18.080
<v Speaker 2>Fiona's kids birthday party.

0:22:18.400 --> 0:22:20.919
<v Speaker 3>There's a lot to be said about this whole, like

0:22:21.440 --> 0:22:23.960
<v Speaker 3>Shrek is fatigued of being a parent, while we're led

0:22:24.000 --> 0:22:27.880
<v Speaker 3>to believe Fiona it just comes naturally to her. We'll

0:22:27.880 --> 0:22:31.280
<v Speaker 3>talk about that. Yeah, but can I just say the

0:22:31.400 --> 0:22:34.560
<v Speaker 3>little kid who says dude, they roar, uh huh. I

0:22:34.600 --> 0:22:35.160
<v Speaker 3>was laughing.

0:22:35.400 --> 0:22:37.120
<v Speaker 2>See, I hated him.

0:22:37.200 --> 0:22:39.040
<v Speaker 3>Every time he said it, I was laughing.

0:22:39.160 --> 0:22:39.680
<v Speaker 2>I hate Wow.

0:22:39.760 --> 0:22:43.679
<v Speaker 3>That was the one laugh this movie got out of me.

0:22:43.800 --> 0:22:46.399
<v Speaker 3>And then when Shrek roars he says, I love you daddy,

0:22:48.200 --> 0:22:49.280
<v Speaker 3>I was laughing.

0:22:50.640 --> 0:22:53.040
<v Speaker 2>I think this movie got zero laughs out of me.

0:22:53.200 --> 0:22:55.960
<v Speaker 2>Every joke Wow falls flat on its face.

0:22:56.119 --> 0:22:58.399
<v Speaker 3>It's ivan. The movie sucks ass, but I liked with

0:22:58.480 --> 0:23:04.280
<v Speaker 3>the kids. I love your daddy, yuck. Fair enough, fair enough.

0:23:05.000 --> 0:23:08.240
<v Speaker 3>I only have an undergrad so yeah, it's just I

0:23:08.240 --> 0:23:09.600
<v Speaker 3>have simple taste.

0:23:10.440 --> 0:23:14.960
<v Speaker 2>It's okay, It's okay. So anyway, the party goes horribly

0:23:15.119 --> 0:23:20.480
<v Speaker 2>wrong and no one is taking Shrek seriously, and he's like, ugh,

0:23:20.800 --> 0:23:22.520
<v Speaker 2>I wish things would just go back to the way

0:23:22.560 --> 0:23:27.320
<v Speaker 2>they were when I could do everything I wanted, whenever

0:23:27.400 --> 0:23:32.720
<v Speaker 2>I wanted. And Fiona is like, okay, ungrateful much.

0:23:32.640 --> 0:23:35.879
<v Speaker 3>Yeah, you ungrateful piece of shit? You have every like

0:23:35.920 --> 0:23:38.040
<v Speaker 3>and then she like lists out everything that's going well

0:23:38.040 --> 0:23:40.600
<v Speaker 3>with his life. I'm like, damn, I'm jealous of Shrek.

0:23:41.400 --> 0:23:42.720
<v Speaker 3>He really does have it all.

0:23:43.040 --> 0:23:46.000
<v Speaker 2>He's he's got a lot that you would think he

0:23:46.000 --> 0:23:49.080
<v Speaker 2>would be grateful for, but he's not. And so they

0:23:49.080 --> 0:23:53.800
<v Speaker 2>both storm off in different directions. And then who does

0:23:53.960 --> 0:23:59.119
<v Speaker 2>Shrek bump into? Who had overheard this whole conversation. It's

0:23:59.200 --> 0:24:01.520
<v Speaker 2>Rumpel still skined, and he's like and.

0:24:01.520 --> 0:24:04.280
<v Speaker 3>His big old goose. Which did you grow up with

0:24:04.320 --> 0:24:06.399
<v Speaker 3>the story of rumpel Stiltskin. I don't know what the

0:24:06.440 --> 0:24:07.919
<v Speaker 3>fuck his whole deal is.

0:24:08.320 --> 0:24:11.160
<v Speaker 2>I do, yes, I did grow up with that story.

0:24:11.240 --> 0:24:14.840
<v Speaker 2>I don't remember him having a goose, but I do

0:24:15.000 --> 0:24:16.560
<v Speaker 2>know this story, all.

0:24:16.520 --> 0:24:20.920
<v Speaker 3>Right, I'll take it to Google. Does Rumpel stelt skin?

0:24:22.119 --> 0:24:22.280
<v Speaker 2>Oh?

0:24:22.320 --> 0:24:24.480
<v Speaker 3>I guess he was a character on Once upon a Time.

0:24:25.160 --> 0:24:27.000
<v Speaker 3>This is the point where someone in our is like,

0:24:27.280 --> 0:24:31.440
<v Speaker 3>someone hits our Apple podcast reviews are like, Jamie didn't

0:24:31.440 --> 0:24:34.200
<v Speaker 3>do enough research to even know if rumpel Stiltskin has

0:24:34.320 --> 0:24:39.239
<v Speaker 3>canonically has a goose. I'm not seeing goose. I'm not

0:24:39.280 --> 0:24:41.680
<v Speaker 3>seeing goose. I am seeing a page for Fifi the

0:24:41.720 --> 0:24:42.959
<v Speaker 3>Goose on Wiki Shrek.

0:24:43.480 --> 0:24:48.320
<v Speaker 2>Okay, so it seems like it's only canon to Shrek.

0:24:48.040 --> 0:24:50.879
<v Speaker 3>Lore, a Shrek innovation. Yeah wow.

0:24:51.359 --> 0:24:54.520
<v Speaker 2>Also, we did this last time too for Shrek the Third,

0:24:54.520 --> 0:24:57.960
<v Speaker 2>but we still haven't said the word Shrekian yet.

0:24:59.040 --> 0:24:59.920
<v Speaker 3>I mean give it time.

0:25:00.359 --> 0:25:04.400
<v Speaker 2>I mean, yeah, it'll come up organically, right, It's okay.

0:25:04.680 --> 0:25:09.480
<v Speaker 2>So Rumpelstiltskin is like, hey, Shrek, I will make a

0:25:09.520 --> 0:25:12.119
<v Speaker 2>deal with you that will let you be the ogre

0:25:12.240 --> 0:25:15.879
<v Speaker 2>that you used to be, you know, like feared. You

0:25:15.920 --> 0:25:19.959
<v Speaker 2>can do that for a day in exchange for just

0:25:20.040 --> 0:25:23.639
<v Speaker 2>any other day in your life. So Shrek would just

0:25:23.680 --> 0:25:25.639
<v Speaker 2>have to like give up a day from his past,

0:25:26.200 --> 0:25:28.480
<v Speaker 2>and it could be like a day when he was

0:25:28.520 --> 0:25:31.520
<v Speaker 2>a baby that he wouldn't even remember. So he's like,

0:25:31.680 --> 0:25:34.960
<v Speaker 2>sounds like a great deal to me. So Shrek signs

0:25:35.040 --> 0:25:38.520
<v Speaker 2>this contract with Rumpelstiltskin, and as soon as he does,

0:25:38.760 --> 0:25:43.720
<v Speaker 2>he is transported to this reality where sure enough everyone

0:25:43.920 --> 0:25:47.480
<v Speaker 2>fears him, and Shrek is loving it at first, but

0:25:47.520 --> 0:25:50.600
<v Speaker 2>then he goes to his swamp, but it's all dried

0:25:50.720 --> 0:25:53.680
<v Speaker 2>up and abandoned, and he's like, what's going on? What's

0:25:53.680 --> 0:25:57.600
<v Speaker 2>happening here? Then he is attacked and captured by a

0:25:57.600 --> 0:26:01.399
<v Speaker 2>group of witches and the next Shrek knows he's in

0:26:01.480 --> 0:26:05.840
<v Speaker 2>a carriage that's being pulled by Donkey, but Donkey does

0:26:05.880 --> 0:26:08.359
<v Speaker 2>not recognize him. And this is where you start to

0:26:08.400 --> 0:26:13.199
<v Speaker 2>realize that this movie and It's a Wonderful Life have

0:26:13.480 --> 0:26:15.199
<v Speaker 2>basically the same plot.

0:26:15.480 --> 0:26:17.520
<v Speaker 3>YEP, because it's like, why is this movie coming out

0:26:17.560 --> 0:26:20.159
<v Speaker 3>in May? I honestly feel like if this movie was

0:26:20.280 --> 0:26:23.359
<v Speaker 3>just like more transparent about what it's obviously doing, I

0:26:23.480 --> 0:26:26.960
<v Speaker 3>just released it as like cause there were Shrek Christmas specials, Yeah,

0:26:26.960 --> 0:26:28.720
<v Speaker 3>I feel like I'd be less annoyed with it if

0:26:28.720 --> 0:26:33.000
<v Speaker 3>they just were like, this is like, it's a wonderful Shrek.

0:26:33.320 --> 0:26:35.560
<v Speaker 3>You're like, sure, fine, I don't know why I would

0:26:35.600 --> 0:26:37.200
<v Speaker 3>be less I like, but it's trying to like pass

0:26:37.240 --> 0:26:40.320
<v Speaker 3>itself off as I don't know, I just like just

0:26:40.359 --> 0:26:42.440
<v Speaker 3>say it's a wonderful Shrek or.

0:26:42.880 --> 0:26:46.920
<v Speaker 2>It's a Shrekian life. It's true, and there you go.

0:26:47.080 --> 0:26:50.520
<v Speaker 3>It's a shreky in text, it is everything about.

0:26:50.320 --> 0:26:54.040
<v Speaker 2>That anyway, Shrek is in this alternate reality where he

0:26:54.280 --> 0:26:58.520
<v Speaker 2>never met Donkey, where far far Away is in shambles,

0:26:59.000 --> 0:26:59.600
<v Speaker 2>and they.

0:26:59.520 --> 0:27:05.439
<v Speaker 3>Also imply that if Shrek didn't break this stigma against Ogres,

0:27:05.520 --> 0:27:11.240
<v Speaker 3>that the Ogres would be extremely oppressed. Like without Shrek,

0:27:12.280 --> 0:27:16.199
<v Speaker 3>the ogres are like a severe underclass in society to

0:27:16.240 --> 0:27:19.919
<v Speaker 3>the point where they have to revolt. I'm just like,

0:27:20.040 --> 0:27:23.760
<v Speaker 3>I just don't give Shrek that much credit, no right,

0:27:24.400 --> 0:27:26.600
<v Speaker 3>And I think that that's fine, you know, like you

0:27:27.040 --> 0:27:29.840
<v Speaker 3>but it's like he's one guy, you know, he's one

0:27:30.040 --> 0:27:34.840
<v Speaker 3>unremarkable guy. That's kind of his whole thing. Yeah, what right? Anyways,

0:27:35.119 --> 0:27:35.920
<v Speaker 3>I agree.

0:27:36.400 --> 0:27:38.600
<v Speaker 2>Anyway, all these things are different and we'll come to

0:27:38.680 --> 0:27:44.320
<v Speaker 2>find out more soon. But the witches who are rumbel

0:27:44.320 --> 0:27:47.680
<v Speaker 2>Stiltskin's minions, okay.

0:27:47.400 --> 0:27:52.240
<v Speaker 3>Okay, they're trying trying to be but it's too late.

0:27:53.960 --> 0:27:54.760
<v Speaker 3>It's too late.

0:27:55.600 --> 0:28:00.199
<v Speaker 2>So they take Shrek to Rumbelstiltskin's palace and he is

0:28:00.200 --> 0:28:02.880
<v Speaker 2>delighted to see Shrek because he's the one who made

0:28:02.880 --> 0:28:06.840
<v Speaker 2>this all possible. Because the day that Rumpelstiltskin took from

0:28:06.960 --> 0:28:10.000
<v Speaker 2>Shrek was the day that he was born, which means

0:28:10.320 --> 0:28:15.119
<v Speaker 2>Shrek never even existed, which means he never rescued or

0:28:15.160 --> 0:28:19.560
<v Speaker 2>even met Fiona. It means that when this day comes

0:28:19.600 --> 0:28:24.560
<v Speaker 2>to an end, Shrek will cease to exist.

0:28:24.040 --> 0:28:29.160
<v Speaker 3>And he'll like explode into light. Which seemed so dramatic.

0:28:29.720 --> 0:28:30.720
<v Speaker 2>My stakes are high.

0:28:30.920 --> 0:28:33.639
<v Speaker 3>Yeah. I and this is you know, spoiler alert for

0:28:33.680 --> 0:28:36.000
<v Speaker 3>this eighty minute movie. This episode will be longer than

0:28:36.040 --> 0:28:39.200
<v Speaker 3>the movie. But I think that it was quite bold

0:28:39.360 --> 0:28:43.720
<v Speaker 3>in a living in twenty twenty four. Now, let's say,

0:28:44.440 --> 0:28:47.560
<v Speaker 3>in a world where all children's movies are too cowardly

0:28:47.680 --> 0:28:52.480
<v Speaker 3>to murder their protagonist in the fourth installment, I think

0:28:52.480 --> 0:28:54.720
<v Speaker 3>it's shocked. I think it is rather shocking that we

0:28:54.800 --> 0:28:58.360
<v Speaker 3>do see Shrek fully die. I mean only for like

0:28:58.520 --> 0:29:02.000
<v Speaker 3>two minutes, but you're still damn they killed Shrek. I

0:29:02.080 --> 0:29:06.880
<v Speaker 3>killed his ass, they got his ass. Loved that.

0:29:07.160 --> 0:29:12.880
<v Speaker 2>Yeah. So anyway, Shrek never existing also means that Rumpel's

0:29:12.880 --> 0:29:15.480
<v Speaker 2>Stiltskin was able to seize control of Far Far Away,

0:29:15.480 --> 0:29:19.720
<v Speaker 2>which is why he wanted this whole thing to happen,

0:29:19.720 --> 0:29:21.880
<v Speaker 2>which is why he made this deal with Shrek, etc.

0:29:22.560 --> 0:29:26.600
<v Speaker 2>So Rumpel Stiltskin finally has what he wants, so Shrek

0:29:26.760 --> 0:29:32.600
<v Speaker 2>grabs Donkey and they escape from the palace. Shrek gets

0:29:32.680 --> 0:29:37.000
<v Speaker 2>Donkey to trust him, and then Donkey tells him about

0:29:37.160 --> 0:29:42.440
<v Speaker 2>the secret exit clause to the contract that Shrek had signed,

0:29:43.000 --> 0:29:45.920
<v Speaker 2>and the way to render this contract null and void

0:29:46.160 --> 0:29:50.000
<v Speaker 2>is for Shrek to have true Love's kiss and then

0:29:50.040 --> 0:29:54.280
<v Speaker 2>we're like, okay, wait a minute, exit clause Santa Claus three,

0:29:54.320 --> 0:29:55.840
<v Speaker 2>the escape clause.

0:29:56.120 --> 0:29:59.920
<v Speaker 3>This is a Christmas movie. I kept writing that down

0:30:00.200 --> 0:30:04.200
<v Speaker 3>like another Christmas thing. There's a Santa Claus in the

0:30:05.400 --> 0:30:08.000
<v Speaker 3>Just why did this movie come out in May?

0:30:08.400 --> 0:30:09.440
<v Speaker 2>Yeah? Not sure?

0:30:09.880 --> 0:30:10.719
<v Speaker 3>Yeah, yeah.

0:30:10.760 --> 0:30:13.680
<v Speaker 2>Anyway, So Shrek is like, okay, I have to go

0:30:13.760 --> 0:30:19.200
<v Speaker 2>find Truelove's kiss with Fiona. He realizes that if he

0:30:19.360 --> 0:30:23.240
<v Speaker 2>never rescued her from the dragon guarded tower, she must

0:30:23.280 --> 0:30:26.440
<v Speaker 2>still be there. But when he goes to the tower,

0:30:26.680 --> 0:30:30.040
<v Speaker 2>she's not there. So he's like, okay, well, if I

0:30:30.160 --> 0:30:32.640
<v Speaker 2>didn't save her, then who did?

0:30:33.080 --> 0:30:39.200
<v Speaker 3>Because he cannot conceive of a world in which Fiona

0:30:39.320 --> 0:30:42.720
<v Speaker 3>could escape the tower on her own.

0:30:42.440 --> 0:30:46.000
<v Speaker 2>Well, neither could the first Shrek movie, So I know

0:30:46.880 --> 0:30:51.880
<v Speaker 2>he's a flaw. He's okay. So Shrek and Donkey continue

0:30:51.880 --> 0:30:56.560
<v Speaker 2>their search for Fiona, and they stumble upon an Ogre community.

0:30:57.040 --> 0:31:02.320
<v Speaker 2>There this resistance group who is fire against Rumpelstiltskin and

0:31:02.400 --> 0:31:08.560
<v Speaker 2>his oppressive regime, and their leader is Fiona.

0:31:08.600 --> 0:31:12.480
<v Speaker 3>Ooh, and it's a great reveal shot. It is, yes

0:31:12.720 --> 0:31:15.560
<v Speaker 3>and really brings out I'm certain we've talked about this

0:31:15.640 --> 0:31:19.800
<v Speaker 3>in past episodes. Really brings out how weak Cameron Diaz's

0:31:19.920 --> 0:31:23.080
<v Speaker 3>voice acting is, because we get this amazing reveal of

0:31:23.160 --> 0:31:26.920
<v Speaker 3>Fiona and then Cameron Dia like, I love Camera Diaz,

0:31:26.960 --> 0:31:30.240
<v Speaker 3>but like she's not a very strong voice actor and

0:31:30.600 --> 0:31:33.440
<v Speaker 3>doesn't improve of her time, and so you get like

0:31:33.520 --> 0:31:36.960
<v Speaker 3>this incredibly animated like Fiona's hair is whipping around, she's

0:31:36.960 --> 0:31:39.440
<v Speaker 3>wearing this warrior off it, and then she's like, okay, guys,

0:31:39.560 --> 0:31:44.720
<v Speaker 3>let's okay, everyone, time to go into battle. And you're like, yea, yay.

0:31:45.360 --> 0:31:49.320
<v Speaker 2>I've always thought that Cameron Diaz was not well cast.

0:31:49.760 --> 0:31:52.440
<v Speaker 3>It's as roll right, which is challenging because it's like,

0:31:52.600 --> 0:31:56.600
<v Speaker 3>I don't it's in that way inadvertently because of how

0:31:56.640 --> 0:31:59.360
<v Speaker 3>these movies are structured. You were coming down on basically

0:31:59.400 --> 0:32:02.600
<v Speaker 3>the only woman who's meaningfully in the movie. But uh,

0:32:03.840 --> 0:32:09.000
<v Speaker 3>but also we've been shielding her for years. I just

0:32:09.080 --> 0:32:12.240
<v Speaker 3>have to say, how I feel that's fair. Okay, guys,

0:32:12.320 --> 0:32:16.120
<v Speaker 3>let's go into battle. You're like, oh my god, oh

0:32:16.160 --> 0:32:17.000
<v Speaker 3>my god.

0:32:17.960 --> 0:32:22.240
<v Speaker 2>Anyway, so we get this revealed that Fiona is the

0:32:22.320 --> 0:32:27.040
<v Speaker 2>leader of this revolution, and of course she does not

0:32:27.400 --> 0:32:30.960
<v Speaker 2>know Shrek because they have never met in this alternate reality.

0:32:31.520 --> 0:32:35.760
<v Speaker 2>So Shrek tries to woo Fiona, but she's too busy

0:32:35.840 --> 0:32:41.560
<v Speaker 2>planning an attack on rumpel Stiltskin and his witches that night. Also,

0:32:41.880 --> 0:32:45.680
<v Speaker 2>we learn that Puss and Boots is her pet cat,

0:32:46.240 --> 0:32:49.560
<v Speaker 2>although he's not the you know, fierce assassin we know

0:32:49.720 --> 0:32:54.160
<v Speaker 2>him to be anymore. He's a quote unquote lazy house cat.

0:32:54.200 --> 0:32:58.080
<v Speaker 2>And we'll talk more about the implications and choices that

0:32:58.080 --> 0:33:01.959
<v Speaker 2>were made with this character. Anyway, So Shrek is trying

0:33:02.000 --> 0:33:05.440
<v Speaker 2>to win Fiona over, and so he goes to her

0:33:05.520 --> 0:33:08.360
<v Speaker 2>and they start this kind of like play fighting thing

0:33:09.440 --> 0:33:15.160
<v Speaker 2>and they're vibing, but still no kiss. Meanwhile, Rumpelstiltskin wants

0:33:15.240 --> 0:33:19.000
<v Speaker 2>to find Shrek to prevent him from kissing Fiona because

0:33:19.040 --> 0:33:22.040
<v Speaker 2>he doesn't want this contract to be nullified because it

0:33:22.040 --> 0:33:25.360
<v Speaker 2>would mean the end of his empire. So he hires

0:33:25.400 --> 0:33:28.360
<v Speaker 2>a bounty hunter to find Shrek, who turns out to

0:33:28.400 --> 0:33:31.040
<v Speaker 2>be the Pied Piper. And this is when I was like, Okay,

0:33:31.920 --> 0:33:36.560
<v Speaker 2>why would you interro just have Puss in Boots, Yeah,

0:33:36.560 --> 0:33:41.360
<v Speaker 2>be the assassin that gets hired, bring that thing back

0:33:41.400 --> 0:33:45.720
<v Speaker 2>in that makes more sense, And then it's baffling. Yeah,

0:33:45.800 --> 0:33:48.000
<v Speaker 2>it would be maybe too similar to the plot of

0:33:48.000 --> 0:33:51.480
<v Speaker 2>Shrek too. But that's a callback that would make sense

0:33:51.800 --> 0:33:54.440
<v Speaker 2>where then Shrek would have to like, you know, do

0:33:54.560 --> 0:33:58.000
<v Speaker 2>something similar to like get Pussing Boots on his side

0:33:58.120 --> 0:34:02.160
<v Speaker 2>and just like why why why is Pied Piper here?

0:34:02.240 --> 0:34:06.040
<v Speaker 2>Like worst I did fill in minion I've ever seen.

0:34:06.120 --> 0:34:09.520
<v Speaker 3>I didn't, especially in a year where we're being introduced

0:34:09.520 --> 0:34:13.200
<v Speaker 3>to the minions and Shrek's bringing who to the tape

0:34:13.239 --> 0:34:19.520
<v Speaker 3>like no wonder, no wonder you were dethroned king, No,

0:34:19.560 --> 0:34:21.319
<v Speaker 3>but I agree with you. I hadn't thought of it.

0:34:21.360 --> 0:34:24.200
<v Speaker 3>That's that's a really smart fix for that too, And

0:34:24.400 --> 0:34:28.960
<v Speaker 3>a far more logical use of puss in Boots character

0:34:29.040 --> 0:34:31.919
<v Speaker 3>because he really is like he's used as a fat

0:34:31.920 --> 0:34:34.759
<v Speaker 3>shaming site gag basically, and then he kind of like

0:34:34.880 --> 0:34:37.840
<v Speaker 3>doesn't do anything the whole movie. He uterly does nothing

0:34:38.040 --> 0:34:40.440
<v Speaker 3>to the point where it's like egregious and at one

0:34:40.440 --> 0:34:43.320
<v Speaker 3>point I left because they're just trying to justify his presence,

0:34:43.360 --> 0:34:46.400
<v Speaker 3>so which is like, also, if you're paying Antonio banderis,

0:34:46.400 --> 0:34:49.120
<v Speaker 3>please use him like it's wired either way. But there's

0:34:49.160 --> 0:34:51.239
<v Speaker 3>like at one point where Shrek and Fiona spoiler like

0:34:51.320 --> 0:34:53.239
<v Speaker 3>they have to fall bug in love, and there's a

0:34:53.239 --> 0:34:56.279
<v Speaker 3>point where they're like they're vibing, and then it just

0:34:56.320 --> 0:35:00.560
<v Speaker 3>cuts to Puss and Boots and he's like wow, You're like,

0:35:00.600 --> 0:35:03.680
<v Speaker 3>why is he here? He's just like wow.

0:35:04.520 --> 0:35:08.080
<v Speaker 2>Sense anyway, So the assassin for some reason or the

0:35:08.080 --> 0:35:12.240
<v Speaker 2>bounty hunter is the Pied Piper, and then when the

0:35:12.280 --> 0:35:16.560
<v Speaker 2>Ogres launched their attack against rumpel Stiltskin, it's actually a

0:35:16.640 --> 0:35:19.280
<v Speaker 2>trap laid by the Pied Piper, and then he plays

0:35:19.680 --> 0:35:23.520
<v Speaker 2>his flute and it like forces them to dance, and

0:35:23.560 --> 0:35:31.000
<v Speaker 2>that's how he bounty hunts them question marks. Exhausting, but

0:35:31.440 --> 0:35:34.960
<v Speaker 2>Shrek and Fiona manage to get away m hmm. So

0:35:35.000 --> 0:35:37.160
<v Speaker 2>they're like on the run. And also he's trying to

0:35:37.320 --> 0:35:40.200
<v Speaker 2>prove to her that he is her true love and

0:35:40.200 --> 0:35:42.280
<v Speaker 2>that he knows a bunch of stuff about her.

0:35:42.520 --> 0:35:45.120
<v Speaker 3>Including well and he's also like, what if I forcibly

0:35:45.200 --> 0:35:47.359
<v Speaker 3>kissed you with that convinced you huh?

0:35:47.960 --> 0:35:52.400
<v Speaker 2>He does that many many times. It's disgusting. But he's like, look,

0:35:52.640 --> 0:35:55.640
<v Speaker 2>I know all this stuff about you, including your curse

0:35:55.760 --> 0:36:00.759
<v Speaker 2>where you're human during the day, and he's like, so

0:36:01.000 --> 0:36:05.080
<v Speaker 2>kiss me, and she does basically just to I think,

0:36:05.120 --> 0:36:07.960
<v Speaker 2>get him to shut up and leave her alone. Yeah,

0:36:08.200 --> 0:36:10.920
<v Speaker 2>but the kiss doesn't change anything because.

0:36:10.680 --> 0:36:14.440
<v Speaker 3>Because why would it. She's a revolution. Yeah, I just

0:36:14.480 --> 0:36:18.280
<v Speaker 3>hate that, Like, I mean it's complicated to the extent

0:36:19.160 --> 0:36:23.359
<v Speaker 3>that you know, like without Shrek's presence in this world, right,

0:36:23.520 --> 0:36:28.240
<v Speaker 3>Like the Shreks are oppressed. That's bad. However, it's also

0:36:28.280 --> 0:36:31.600
<v Speaker 3>presented that it's equally bad that Fiona is the leader

0:36:31.600 --> 0:36:34.080
<v Speaker 3>of a revolution, which is not bad. That's like a

0:36:34.160 --> 0:36:37.839
<v Speaker 3>fun like it's it's so weird how Fiona is characterized

0:36:37.840 --> 0:36:41.160
<v Speaker 3>over the years, where it's like she it just feels

0:36:41.160 --> 0:36:44.399
<v Speaker 3>like antiquated, even for the two thousands to be like, well,

0:36:44.640 --> 0:36:46.359
<v Speaker 3>she would be much happier if she was just the

0:36:46.400 --> 0:36:49.719
<v Speaker 3>mother of newborn triplets than if she were the you know,

0:36:49.800 --> 0:36:53.839
<v Speaker 3>like warrior goddess of the Shreks, right, I don't I

0:36:53.880 --> 0:36:56.280
<v Speaker 3>feel like we can split the difference there a little

0:36:56.680 --> 0:36:57.640
<v Speaker 3>or not, you know.

0:36:57.840 --> 0:37:01.200
<v Speaker 2>Like it's just it's the same kind of like empty

0:37:01.280 --> 0:37:04.680
<v Speaker 2>feminism that we've seen throughout the entire franchise, where like

0:37:04.719 --> 0:37:08.760
<v Speaker 2>there will be moments where like Fiona gets one little

0:37:08.840 --> 0:37:13.520
<v Speaker 2>scene where she does something that vaguely seems empowering, but

0:37:13.760 --> 0:37:16.799
<v Speaker 2>when you actually look at it closely, it's a very

0:37:16.840 --> 0:37:22.439
<v Speaker 2>hollow gesture or it has weird implications. The same thing's

0:37:22.440 --> 0:37:23.560
<v Speaker 2>happening here.

0:37:23.440 --> 0:37:25.600
<v Speaker 3>The same thing's happening, and she.

0:37:26.480 --> 0:37:29.040
<v Speaker 2>At this time does not love Shrek, so when she

0:37:29.120 --> 0:37:34.080
<v Speaker 2>kisses him, it doesn't break the contract with ruppel Stiltskin.

0:37:34.239 --> 0:37:36.560
<v Speaker 3>And I thought, I because I of course I didn't

0:37:36.640 --> 0:37:39.200
<v Speaker 3>remember what happened in this movie, fully because I was

0:37:39.440 --> 0:37:48.799
<v Speaker 3>busy doing what pegot. But like I sort of was like,

0:37:49.600 --> 0:37:51.279
<v Speaker 3>far be it for me to think this Shrek. I

0:37:51.320 --> 0:37:53.440
<v Speaker 3>feel like this happens in every Shrek movie, where it's

0:37:53.480 --> 0:37:55.400
<v Speaker 3>like they have an opportunity to do something cool and

0:37:55.480 --> 0:37:58.640
<v Speaker 3>interesting and then they're like, nah, we're not gonna, We're

0:37:58.640 --> 0:38:01.759
<v Speaker 3>not gonna. You're like, okay, sorry, never mind.

0:38:01.600 --> 0:38:04.960
<v Speaker 2>Yeah they don't. Sorry for having any expectations.

0:38:05.360 --> 0:38:09.120
<v Speaker 3>Go God, sorry for thinking that the franchise could grow.

0:38:10.000 --> 0:38:17.000
<v Speaker 2>Ugh yeah right anyway, So rumpel Stiltskin, desperate to stop Shrek,

0:38:17.120 --> 0:38:21.400
<v Speaker 2>and Fiona puts out a call basically saying that whoever

0:38:21.440 --> 0:38:26.680
<v Speaker 2>brings them in rumpel Stiltskin will grant them any wish

0:38:26.719 --> 0:38:30.000
<v Speaker 2>they desire. So Shrek realizes he can use this to

0:38:30.080 --> 0:38:34.840
<v Speaker 2>his advantage, and he turns himself in in exchange for

0:38:35.200 --> 0:38:39.239
<v Speaker 2>freeing all of the ogres that the Pied Piper had captured,

0:38:39.719 --> 0:38:44.480
<v Speaker 2>except rumpel Stiltskin refuses to release Fiona since she's only

0:38:44.960 --> 0:38:49.080
<v Speaker 2>half ogre. So now she and Shrek are captured together

0:38:50.120 --> 0:38:56.880
<v Speaker 2>and Rumpelstiltskin unleashes dragon on them, but they work together

0:38:57.160 --> 0:39:00.759
<v Speaker 2>to best the dragon and defeat Rumpel still skin, but.

0:39:00.960 --> 0:39:04.759
<v Speaker 3>Then Shrek dies so abrupt too.

0:39:05.160 --> 0:39:08.399
<v Speaker 2>Yes, because it's dawn, which means Shrek's time is up,

0:39:08.480 --> 0:39:10.359
<v Speaker 2>and he starts to fade away, which I.

0:39:10.320 --> 0:39:11.880
<v Speaker 3>Kind of forgot was gonna happen.

0:39:12.000 --> 0:39:18.360
<v Speaker 2>Yeah, yeah, and she kisses him, but he disappears, but

0:39:19.719 --> 0:39:25.640
<v Speaker 2>just kidding. The kiss worked, and this alternate reality vanishes.

0:39:26.200 --> 0:39:30.760
<v Speaker 2>We're transported back to Shrek's children's birthday party and Shrek

0:39:30.880 --> 0:39:35.360
<v Speaker 2>is like, wow, Fiona, I love you, babe. I always

0:39:35.400 --> 0:39:39.720
<v Speaker 2>thought it was me who rescued you from the dragons Keep,

0:39:39.760 --> 0:39:45.440
<v Speaker 2>but really it was you who rescued me the enda

0:39:47.560 --> 0:39:51.440
<v Speaker 2>and you're just like and then a smash Mouth cover starts.

0:39:51.040 --> 0:39:56.640
<v Speaker 3>Weezer, that's Weezer. It's Weezer covering smash Mouth covering the monkeys.

0:39:56.680 --> 0:39:58.400
<v Speaker 3>And at this point we're like, we got to retire

0:39:58.440 --> 0:40:00.880
<v Speaker 3>Shrek for fifteen years. He's got go in the vault.

0:40:01.200 --> 0:40:04.040
<v Speaker 2>I think that they did talk about inception a song

0:40:04.120 --> 0:40:05.680
<v Speaker 2>within a song within a song.

0:40:05.880 --> 0:40:10.600
<v Speaker 3>Wa wha, all right, let's take a break, will help

0:40:10.600 --> 0:40:20.200
<v Speaker 3>her be right back? All right, and we're back.

0:40:20.400 --> 0:40:21.080
<v Speaker 2>Yeah.

0:40:21.480 --> 0:40:25.600
<v Speaker 3>As with all things Shrekian, uh, this movie did suck,

0:40:26.040 --> 0:40:30.960
<v Speaker 3>But I do think that there is a fair amount

0:40:31.080 --> 0:40:33.600
<v Speaker 3>to talk about, especially in regards to I just like

0:40:34.280 --> 0:40:38.560
<v Speaker 3>if in Shrek five we could like get an arc

0:40:38.840 --> 0:40:42.520
<v Speaker 3>for Fiona, that's like we're saying on par with Shrek

0:40:42.560 --> 0:40:44.760
<v Speaker 3>two and let's say better because we have the benefit

0:40:44.800 --> 0:40:50.040
<v Speaker 3>of fifteen years, right, But Shrek four sucks for fiot.

0:40:50.120 --> 0:40:54.799
<v Speaker 3>It's so weird because it and speaking to the empty feminism,

0:40:55.040 --> 0:40:57.920
<v Speaker 3>which I feel like is yeah, it's very very prevalent

0:40:58.760 --> 0:41:01.400
<v Speaker 3>and again like best done in the earlier installments, not

0:41:01.440 --> 0:41:07.160
<v Speaker 3>the later ones, which is depressing. But like the message

0:41:07.160 --> 0:41:11.840
<v Speaker 3>of this movie for women is bad as you, but

0:41:11.960 --> 0:41:15.040
<v Speaker 3>we see a lot of cool stuff, which is weird.

0:41:15.600 --> 0:41:17.440
<v Speaker 3>I feel like that there is like a sort of

0:41:17.640 --> 0:41:20.239
<v Speaker 3>game of forty chess being played because you get to

0:41:20.280 --> 0:41:24.920
<v Speaker 3>see Fiona in a position of power where she's respected

0:41:25.160 --> 0:41:29.200
<v Speaker 3>and hyper competent, and like, I think the sequences where

0:41:29.200 --> 0:41:32.880
<v Speaker 3>she's fighting and like leading is really cool. There is

0:41:32.960 --> 0:41:36.560
<v Speaker 3>sort of I know that there's Jane Lynch's character is

0:41:36.920 --> 0:41:40.800
<v Speaker 3>a woman coded Shrek, but outside of that, it appears

0:41:40.840 --> 0:41:43.920
<v Speaker 3>that it's kind of a Smurfette situation like most of

0:41:43.960 --> 0:41:49.520
<v Speaker 3>the Shrek's overwhelmingly male, which is Minyon coded. I will say, true,

0:41:49.719 --> 0:41:53.120
<v Speaker 3>but obviously not as effective if John Hamm is actually

0:41:53.160 --> 0:41:56.440
<v Speaker 3>in Minion's one, so he's kind of double dipping when

0:41:56.480 --> 0:41:59.000
<v Speaker 3>you think about it. And also, wait is he Yeah,

0:41:59.000 --> 0:42:04.840
<v Speaker 3>he plays Sandra Bulls groovy husband in Minions and he's

0:42:04.840 --> 0:42:08.680
<v Speaker 3>Minions one, not Despicable Me one, not Despicable Me. We're

0:42:08.719 --> 0:42:12.879
<v Speaker 3>talking this spinoff franchise, I see the real moneymaker.

0:42:13.120 --> 0:42:16.560
<v Speaker 2>I don't think I've seen Minions one all the way through.

0:42:16.760 --> 0:42:18.880
<v Speaker 3>Oh my gosh, we should watch it on Christmas?

0:42:19.000 --> 0:42:21.640
<v Speaker 2>Okay, we should cover it on the podcast.

0:42:21.880 --> 0:42:23.480
<v Speaker 3>I would love to. I mean, I've seen it so

0:42:23.560 --> 0:42:27.040
<v Speaker 3>many times, and not to mention Rise of Group, like,

0:42:28.000 --> 0:42:28.680
<v Speaker 3>I mean.

0:42:28.719 --> 0:42:31.600
<v Speaker 2>I saw that one in the theaters and.

0:42:31.520 --> 0:42:34.919
<v Speaker 3>It's so cute. I love it. Yeah. Twenty tway four,

0:42:35.080 --> 0:42:37.399
<v Speaker 3>it's a Minions year, thank god. Twenty twenty three were

0:42:37.680 --> 0:42:41.160
<v Speaker 3>we were panting, starving, like what was gonna happen to us?

0:42:41.719 --> 0:42:45.399
<v Speaker 3>Thankfully we're back. But but yeah, I mean, and good

0:42:45.440 --> 0:42:48.280
<v Speaker 3>for John hann for sensing which way the wind was blowing.

0:42:49.239 --> 0:42:51.839
<v Speaker 3>But in any case, I don't know, like Fiona is

0:42:52.600 --> 0:42:55.680
<v Speaker 3>in a position of huge power. We find out that

0:42:55.800 --> 0:42:58.759
<v Speaker 3>she has liberated herself from the tower, which I think

0:42:58.880 --> 0:43:03.040
<v Speaker 3>is cool and like, because this is all established, I

0:43:03.080 --> 0:43:06.440
<v Speaker 3>almost wished at the end of Shrek four, instead of

0:43:06.600 --> 0:43:10.319
<v Speaker 3>Shrek being pulled back to his normal reality where we've

0:43:10.320 --> 0:43:13.719
<v Speaker 3>seen Fiona for two movies, now be pushed into these

0:43:13.760 --> 0:43:16.279
<v Speaker 3>traditional roles, which, as we say, oh it like, we're

0:43:16.280 --> 0:43:19.640
<v Speaker 3>not saying that these are bad roles to be in

0:43:19.800 --> 0:43:22.160
<v Speaker 3>to want to be married or to be a parent,

0:43:22.200 --> 0:43:26.480
<v Speaker 3>but they are stereotypical roles that are you know whatever,

0:43:26.640 --> 0:43:29.520
<v Speaker 3>you know what we're talking about. That's all we see

0:43:29.520 --> 0:43:32.560
<v Speaker 3>Fiona do in these movies anymore. And I was really

0:43:32.600 --> 0:43:36.239
<v Speaker 3>hoping that they went to some like third location where

0:43:36.239 --> 0:43:38.319
<v Speaker 3>there could be some like I think that would have

0:43:38.320 --> 0:43:41.800
<v Speaker 3>been cool, where they like went to an alternate reality

0:43:42.040 --> 0:43:45.839
<v Speaker 3>where Fiona could have access to both of these, where

0:43:45.880 --> 0:43:49.160
<v Speaker 3>she could be a warrior, because she's always been a

0:43:49.280 --> 0:43:52.640
<v Speaker 3>really like fighty character since the first movie. She's been

0:43:52.680 --> 0:43:56.520
<v Speaker 3>a good fighter and like a world where she could

0:43:56.840 --> 0:43:58.640
<v Speaker 3>you know, have both of these. I feel like that

0:43:58.680 --> 0:44:00.960
<v Speaker 3>wouldn't be out of the question in this world. But

0:44:01.040 --> 0:44:04.880
<v Speaker 3>instead Shrek is just sent back to the world where

0:44:04.920 --> 0:44:10.520
<v Speaker 3>we've seen Fiona turned into a very like unchallenging wife

0:44:10.520 --> 0:44:13.719
<v Speaker 3>and mother character, and Shrek is just like, Wow, I'm

0:44:13.760 --> 0:44:16.120
<v Speaker 3>so grateful that you're like this, and you're like.

0:44:17.160 --> 0:44:21.640
<v Speaker 2>Ugh, right, no, yeah, no. This movie can't imagine a

0:44:21.719 --> 0:44:25.200
<v Speaker 2>world and suggests that like, if you are, you know,

0:44:25.600 --> 0:44:30.480
<v Speaker 2>a warrior and the leader of a revolution, you would

0:44:30.480 --> 0:44:33.319
<v Speaker 2>not also be a parent like that. It's like you're

0:44:33.400 --> 0:44:35.840
<v Speaker 2>one or the other. And if you are a parent,

0:44:35.920 --> 0:44:41.480
<v Speaker 2>then you have to live this like hyper domesticated life

0:44:41.560 --> 0:44:45.640
<v Speaker 2>and that goes for Fiona and Shrek, and that's why

0:44:45.680 --> 0:44:48.880
<v Speaker 2>he tries to like escape. So, like I said, I

0:44:48.960 --> 0:44:51.080
<v Speaker 2>went back and listened to our Shrek the third episode

0:44:51.120 --> 0:44:55.120
<v Speaker 2>and a big criticism, thank you. A big criticism we

0:44:55.160 --> 0:44:58.760
<v Speaker 2>had about that movie was that it reinforces a gendered

0:44:58.800 --> 0:45:02.400
<v Speaker 2>trope of like men and being very reluctant to become

0:45:02.560 --> 0:45:07.960
<v Speaker 2>parents and women being hyper enthusiastic about becoming a parent.

0:45:08.400 --> 0:45:11.560
<v Speaker 2>In this movie, we're already kind of touched on this,

0:45:11.640 --> 0:45:13.640
<v Speaker 2>but it does something similar in the sense that we

0:45:13.719 --> 0:45:20.680
<v Speaker 2>see Shrek growing increasingly bored, frustrated, disillusioned with domestic life

0:45:20.800 --> 0:45:23.040
<v Speaker 2>of like, you know, taking care of his three babies.

0:45:23.400 --> 0:45:26.880
<v Speaker 2>He's tired of the monotony of it. But we do

0:45:26.960 --> 0:45:31.280
<v Speaker 2>not see Fiona feeling this way, which reinforces a similar

0:45:31.560 --> 0:45:35.080
<v Speaker 2>gendered trope of like, oh, well, women don't mind doing

0:45:35.360 --> 0:45:39.080
<v Speaker 2>the same domestic tasks over and over. Women don't mind

0:45:39.719 --> 0:45:43.920
<v Speaker 2>the monotony that might accompany that. Right, She's happily doing it,

0:45:43.960 --> 0:45:47.360
<v Speaker 2>and she's never getting frustrated or bored because women just

0:45:47.560 --> 0:45:51.040
<v Speaker 2>inherently love that kind of work. But men, well, of

0:45:51.239 --> 0:45:54.680
<v Speaker 2>course they're going to get bored and yearn for something

0:45:55.200 --> 0:45:57.879
<v Speaker 2>more exciting. They're going to yearn for their days when

0:45:57.880 --> 0:46:00.440
<v Speaker 2>they were a bachelor and they weren't, you know, like

0:46:00.560 --> 0:46:03.960
<v Speaker 2>weighed down by this ball and chain. And of course

0:46:04.000 --> 0:46:07.680
<v Speaker 2>their masculinity will feel threatened now that they have to

0:46:07.760 --> 0:46:11.319
<v Speaker 2>stay at home and do domestic tasks and take care

0:46:11.400 --> 0:46:12.520
<v Speaker 2>of a family.

0:46:12.480 --> 0:46:15.840
<v Speaker 3>Which is like exacerbated by the fact that the movie

0:46:15.840 --> 0:46:20.000
<v Speaker 3>doesn't even bother to like add the trophy layer to

0:46:20.040 --> 0:46:22.200
<v Speaker 3>make it seem like Shrek has a job, like he

0:46:22.320 --> 0:46:25.600
<v Speaker 3>does it, he does it. They're both stay at home parents,

0:46:25.640 --> 0:46:27.360
<v Speaker 3>but like and and also it's like I think that

0:46:27.440 --> 0:46:30.080
<v Speaker 3>these are easy as I know that we've talked about

0:46:30.080 --> 0:46:33.359
<v Speaker 3>this in others Trek installments. There's easy small effixes that

0:46:33.480 --> 0:46:36.520
<v Speaker 3>allow Fiona to participate more fully in the plot. If

0:46:36.560 --> 0:46:40.720
<v Speaker 3>they're both burned out as new parents, that totally changes

0:46:40.800 --> 0:46:43.920
<v Speaker 3>the dynamic of that because you're like, yeah, parents of

0:46:44.160 --> 0:46:48.200
<v Speaker 3>newborn triplets that are being like surveilled by the far

0:46:48.320 --> 0:46:51.799
<v Speaker 3>far away paparazzi or whatever. That would be exhausting for

0:46:52.080 --> 0:46:56.719
<v Speaker 3>both of them, But she is shielded by mother powers

0:46:56.840 --> 0:46:59.799
<v Speaker 3>that like don't just add on these tropes but like

0:47:00.320 --> 0:47:04.840
<v Speaker 3>fundamentally exclude her from the plot. Like there's maybe I

0:47:04.880 --> 0:47:07.600
<v Speaker 3>mean it was still suck because it's like Shrek four,

0:47:07.719 --> 0:47:10.200
<v Speaker 3>but like there's a version of this where they could

0:47:10.400 --> 0:47:14.960
<v Speaker 3>go through this journey together and see the alternate version

0:47:15.000 --> 0:47:17.240
<v Speaker 3>of reality of like what if both of them didn't

0:47:17.239 --> 0:47:20.480
<v Speaker 3>exist and if Fiona doesn't exist. Honestly, I'm more inclined

0:47:20.480 --> 0:47:23.880
<v Speaker 3>to believe that Ogres would be more oppressed versus Shrek

0:47:24.080 --> 0:47:27.640
<v Speaker 3>because she is an Ogre who is a princess. Like

0:47:27.680 --> 0:47:30.520
<v Speaker 3>that actually makes like, yeah, talking it out now, that

0:47:30.560 --> 0:47:34.160
<v Speaker 3>makes a lot more sense that like Fiona has far

0:47:34.239 --> 0:47:37.239
<v Speaker 3>more to do with like the you know, ogres are

0:47:37.320 --> 0:47:41.360
<v Speaker 3>scary stigma being removed from that community than Shrek does

0:47:42.160 --> 0:47:45.200
<v Speaker 3>because she came out as an ogre and everyone still

0:47:45.239 --> 0:47:45.799
<v Speaker 3>loved her.

0:47:46.680 --> 0:47:50.240
<v Speaker 2>So, I mean, hello, end of Shrek one, it.

0:47:50.120 --> 0:47:52.600
<v Speaker 3>Was like an earth shattering moment.

0:47:53.640 --> 0:47:58.160
<v Speaker 2>It changed the world. Yeah, right, there's that. So there's

0:47:58.160 --> 0:48:00.879
<v Speaker 2>a bunch of different things going on with Shrek one.

0:48:01.320 --> 0:48:07.560
<v Speaker 2>He's frustrated with the monotony of domestic life. He's also ungrateful,

0:48:07.760 --> 0:48:12.400
<v Speaker 2>you know, despite having, as Fiona points out, three beautiful children,

0:48:12.840 --> 0:48:17.120
<v Speaker 2>a wife, a wife who loves him, friends who adore him.

0:48:17.400 --> 0:48:22.400
<v Speaker 2>He's just acting very ungrateful and unappreciative of it. And

0:48:22.440 --> 0:48:25.360
<v Speaker 2>then on top of that, he doesn't like that people

0:48:25.440 --> 0:48:28.360
<v Speaker 2>are no longer afraid of him, and he wants to

0:48:28.400 --> 0:48:31.040
<v Speaker 2>go back to the good old days where people were

0:48:31.080 --> 0:48:34.680
<v Speaker 2>afraid of ogres, when the world made sense. And I'm like, okay,

0:48:35.200 --> 0:48:38.720
<v Speaker 2>maga vibe yikes.

0:48:37.920 --> 0:48:43.080
<v Speaker 3>Maga, maga before maga. Yeah, I mean it's super weird,

0:48:43.120 --> 0:48:46.600
<v Speaker 3>Like I don't know, in the Shrek world. I'll let

0:48:46.640 --> 0:48:49.880
<v Speaker 3>that slide where it's like, Okay, he misses what he

0:48:50.120 --> 0:48:52.600
<v Speaker 3>was a scary oak, but I feel like that's just telegraphic,

0:48:52.719 --> 0:48:55.520
<v Speaker 3>like I miss my bachelor days like you were saying earlier.

0:48:55.880 --> 0:48:59.080
<v Speaker 3>But it's also like let Fiona in on that, that's

0:48:59.120 --> 0:49:03.520
<v Speaker 3>what I'm saying. Yeah, he doesn't bother to openly communicate

0:49:03.600 --> 0:49:07.160
<v Speaker 3>any of these frustrations or these feelings with Fiona. He

0:49:07.200 --> 0:49:10.919
<v Speaker 3>doesn't say anything like, Hey, I've been overwhelmed, I've been frustrated.

0:49:11.160 --> 0:49:14.000
<v Speaker 3>Here are my needs that aren't being met? Like can

0:49:14.040 --> 0:49:16.080
<v Speaker 3>we work on this together to like try to figure

0:49:16.120 --> 0:49:19.800
<v Speaker 3>out a solution. And also, hey, Fiona, how are you feeling?

0:49:19.960 --> 0:49:21.959
<v Speaker 3>Is any of this getting to you? Like they don't

0:49:21.960 --> 0:49:25.560
<v Speaker 3>have any conversation like that, and Shrek is like famously

0:49:25.680 --> 0:49:27.680
<v Speaker 3>bad at being inter relent, but it's like, why can't

0:49:27.680 --> 0:49:30.400
<v Speaker 3>we just let his character grow a little because it

0:49:30.440 --> 0:49:33.479
<v Speaker 3>gets exhausting and you would I mean, it's been nine

0:49:33.560 --> 0:49:38.240
<v Speaker 3>years Shrek and again to come to Fiona's defense here,

0:49:38.520 --> 0:49:42.680
<v Speaker 3>like it makes far more sense for her to be

0:49:43.120 --> 0:49:47.200
<v Speaker 3>like shaken by this shift because she has you know,

0:49:47.239 --> 0:49:50.080
<v Speaker 3>I forget how much time is canonically passed and Shrek won,

0:49:50.400 --> 0:49:54.720
<v Speaker 3>but like she has gone through far more big changes

0:49:54.760 --> 0:49:58.480
<v Speaker 3>in her life in the last several Shrek years than Shrek.

0:49:58.840 --> 0:50:02.520
<v Speaker 3>She was still she's still got tower PTSD. She and

0:50:02.560 --> 0:50:05.040
<v Speaker 3>then she's like coming out as an ogre, which is

0:50:05.080 --> 0:50:09.040
<v Speaker 3>a huge deal in this world, right, the whole Shrek

0:50:09.120 --> 0:50:12.879
<v Speaker 3>two of it all. Like she is married now, she's

0:50:12.920 --> 0:50:17.040
<v Speaker 3>living in a swamp. She's had three kids. Like there

0:50:17.120 --> 0:50:21.440
<v Speaker 3>it again, her life has changed more and unfortunate not

0:50:21.520 --> 0:50:23.520
<v Speaker 3>to be like I feel like I'm starting to sound

0:50:23.560 --> 0:50:26.879
<v Speaker 3>like a royalist, but like her just because of who

0:50:26.960 --> 0:50:32.600
<v Speaker 3>she is. Unfortunately, she's like Prince she I'll say it.

0:50:32.760 --> 0:50:36.680
<v Speaker 3>She's the Princess Da far far away. She's the people's princess.

0:50:37.920 --> 0:50:43.560
<v Speaker 3>And I feel like it's disrespectful for Shrek Prince Charles

0:50:43.640 --> 0:50:46.920
<v Speaker 3>over here, not exactly, not exact and exact one to one,

0:50:47.239 --> 0:50:50.040
<v Speaker 3>but he's a flop. He's not the most interesting character.

0:50:50.440 --> 0:50:53.840
<v Speaker 3>It's like disrespectful to even have Fiona voice by Cameron Diaz.

0:50:54.880 --> 0:50:57.680
<v Speaker 3>I mean, but it's too late. It's twenty three years

0:50:57.680 --> 0:51:00.600
<v Speaker 3>too late to fix that. So let's just give her something.

0:51:00.719 --> 0:51:03.680
<v Speaker 3>Let's give her something and the kids look like shit.

0:51:04.760 --> 0:51:08.359
<v Speaker 2>Come on, I didn't we know that these animators can

0:51:08.360 --> 0:51:11.800
<v Speaker 2>make something look cute because uh put some boots with

0:51:11.920 --> 0:51:12.720
<v Speaker 2>his big eyes.

0:51:13.320 --> 0:51:17.200
<v Speaker 3>Yeah, so I don't know. Yeah, it felt very yeah,

0:51:17.239 --> 0:51:20.960
<v Speaker 3>like it something fat. I mean, I guess you can't

0:51:21.000 --> 0:51:23.520
<v Speaker 3>like overestimate the amount of cynicism that goes into a

0:51:23.560 --> 0:51:25.640
<v Speaker 3>franchise like this, except for Dispicable to me, which is

0:51:25.800 --> 0:51:28.680
<v Speaker 3>you know, pure. They would never do anything for me

0:51:29.200 --> 0:51:35.439
<v Speaker 3>merchandising purvises, holding my vampire minion who watches me while

0:51:35.480 --> 0:51:37.320
<v Speaker 3>I create content.

0:51:38.800 --> 0:51:43.160
<v Speaker 4>Okay, but but seriously, you guys, no, I feel like

0:51:43.200 --> 0:51:47.359
<v Speaker 4>they they It's almost like advantageous for them to have

0:51:47.440 --> 0:51:52.319
<v Speaker 4>these shots and sequences of Fiona as a warrior because

0:51:52.360 --> 0:51:53.680
<v Speaker 4>of it, and then they can put it in the

0:51:53.719 --> 0:51:56.320
<v Speaker 4>trailer and be like, oh, se Fiona.

0:51:56.719 --> 0:51:59.359
<v Speaker 3>But then the status quo is always re established, as

0:51:59.400 --> 0:52:01.719
<v Speaker 3>it is with in a time and time again. And

0:52:01.760 --> 0:52:04.239
<v Speaker 3>then also, I mean all those yucky things that we

0:52:04.560 --> 0:52:08.759
<v Speaker 3>touched on during the recap where Shrek is so convinced

0:52:08.840 --> 0:52:10.680
<v Speaker 3>that like all he has to do is give her

0:52:10.680 --> 0:52:12.400
<v Speaker 3>a kiss, he doesn't have to grow as a person,

0:52:12.560 --> 0:52:15.440
<v Speaker 3>which he I would say, arguably doesn't in this movie

0:52:15.480 --> 0:52:18.120
<v Speaker 3>really at all. Right, Okay, well, I guess he learns

0:52:18.160 --> 0:52:22.400
<v Speaker 3>to be grateful for his wife, but like does he

0:52:22.600 --> 0:52:23.080
<v Speaker 3>I don't know.

0:52:23.360 --> 0:52:25.279
<v Speaker 2>See, That's what I was trying to figure out. So

0:52:25.800 --> 0:52:29.360
<v Speaker 2>instead of him, you know, trying to have an open

0:52:29.560 --> 0:52:34.600
<v Speaker 2>and honest conversation about his feelings with Fiona. Instead, he

0:52:34.680 --> 0:52:37.440
<v Speaker 2>storms off and then makes a deal with the first

0:52:37.680 --> 0:52:41.800
<v Speaker 2>sleazy guy he finds, which ends up having these dire consequences.

0:52:41.800 --> 0:52:43.600
<v Speaker 2>So the rest of the plot is him having to

0:52:43.640 --> 0:52:47.839
<v Speaker 2>like fix this situation, and the lesson he ends up

0:52:48.520 --> 0:52:53.040
<v Speaker 2>quote unquote learning is, oh, I didn't know what I

0:52:53.160 --> 0:52:55.799
<v Speaker 2>had until it was gone, and I should learn to

0:52:55.880 --> 0:52:59.400
<v Speaker 2>appreciate the love I share with my family and friends.

0:52:59.560 --> 0:53:05.120
<v Speaker 2>And sure that's a valid lesson to learn, but I'm

0:53:05.120 --> 0:53:08.719
<v Speaker 2>trying to, Like, I guess they just have mixed feelings

0:53:08.800 --> 0:53:12.400
<v Speaker 2>about stories like this where a man has to learn

0:53:12.680 --> 0:53:16.680
<v Speaker 2>emotional intelligence or a man you know, has to have

0:53:16.760 --> 0:53:21.560
<v Speaker 2>this emotional redemption arc because on one hand, I'm very

0:53:21.880 --> 0:53:27.239
<v Speaker 2>for men learning and growing emotionally, but sure women are

0:53:27.520 --> 0:53:30.799
<v Speaker 2>rarely given arcs like this in stories because women are

0:53:30.840 --> 0:53:34.360
<v Speaker 2>expected to already have this emotional intelligence because of a

0:53:34.600 --> 0:53:38.480
<v Speaker 2>you know, gendered expectation that women are nurturing and tuned

0:53:38.520 --> 0:53:42.200
<v Speaker 2>into their feelings and things like that, whereas men it's

0:53:42.280 --> 0:53:46.560
<v Speaker 2>just like, well, of course they're gonna start out being

0:53:46.840 --> 0:53:51.239
<v Speaker 2>you know, not very emotionally intelligent and they have to

0:53:51.400 --> 0:53:55.000
<v Speaker 2>learn these things, and they kind of barely learn them,

0:53:55.040 --> 0:53:58.160
<v Speaker 2>and it takes this whole epic saga for them to

0:53:58.320 --> 0:54:00.680
<v Speaker 2>figure these things out. And then I'm right, does he

0:54:00.760 --> 0:54:04.480
<v Speaker 2>even learn it? Because at the end he doesn't apologize

0:54:04.560 --> 0:54:07.319
<v Speaker 2>to Fiona when he's like back at the party. He

0:54:07.360 --> 0:54:12.319
<v Speaker 2>doesn't like say, wow, I've been acting horribly. He just

0:54:12.360 --> 0:54:16.640
<v Speaker 2>says like, it was actually you who rescued me, which

0:54:16.680 --> 0:54:19.000
<v Speaker 2>is I feel like what people say to the like

0:54:19.080 --> 0:54:20.520
<v Speaker 2>the pets that they adopt.

0:54:21.200 --> 0:54:23.239
<v Speaker 3>Yes, yes, I was like you talk her to her

0:54:23.280 --> 0:54:27.239
<v Speaker 3>like she's a damn dog, like oh my god. Yeah.

0:54:27.360 --> 0:54:30.960
<v Speaker 2>Then yeah, he doesn't apologize and say like, hey, sorry

0:54:31.000 --> 0:54:35.920
<v Speaker 2>for being an ungrateful little shit. He's just like you

0:54:36.080 --> 0:54:36.719
<v Speaker 2>rescued me.

0:54:38.239 --> 0:54:39.799
<v Speaker 3>And I just feel like.

0:54:39.760 --> 0:54:44.720
<v Speaker 2>It's very a very like oversimplified version.

0:54:44.880 --> 0:54:49.480
<v Speaker 3>It's a freaking mess. It's a freaking mess. It's a disaster,

0:54:49.600 --> 0:54:54.600
<v Speaker 3>it's a catastrophe. It stinks. It's gotta go, like.

0:54:55.040 --> 0:54:58.719
<v Speaker 2>Right, And then with Fiona like okay, yes, this is

0:54:58.800 --> 0:55:03.799
<v Speaker 2>an alternate reality where Shrek never saved her, so she

0:55:03.960 --> 0:55:08.600
<v Speaker 2>saved herself from the dragon guarded tower, which again is

0:55:08.680 --> 0:55:12.400
<v Speaker 2>like something that the movie Shrek won couldn't even conceive.

0:55:12.040 --> 0:55:13.920
<v Speaker 3>Of and shocking.

0:55:14.080 --> 0:55:17.200
<v Speaker 2>Why don't we get a flashback of like her saving

0:55:17.200 --> 0:55:20.839
<v Speaker 2>herself showing how she did that. Maybe it informs why

0:55:20.880 --> 0:55:23.719
<v Speaker 2>she becomes such an effective leader of a revolution. You know,

0:55:23.800 --> 0:55:26.759
<v Speaker 2>there's like again, it's just like this empty well of

0:55:26.800 --> 0:55:29.960
<v Speaker 2>course she's the leader. Now why well you don't have

0:55:30.040 --> 0:55:34.360
<v Speaker 2>to know about that. It just happened. It just glasses

0:55:34.400 --> 0:55:36.040
<v Speaker 2>over everything.

0:55:36.719 --> 0:55:40.360
<v Speaker 3>It stinks. It stinks. Yeah, I mean I totally agree.

0:55:40.400 --> 0:55:43.360
<v Speaker 3>Where it's like the things that this movie makes narrative

0:55:43.400 --> 0:55:46.680
<v Speaker 3>space for acting as if it only has eighty minutes

0:55:46.719 --> 0:55:52.080
<v Speaker 3>to exist or it'll die, Like it's yeah, and this,

0:55:52.200 --> 0:55:54.359
<v Speaker 3>And I know we've talked about this before, but I

0:55:54.400 --> 0:55:57.720
<v Speaker 3>was reminded of it again in this installment of Shrek.

0:55:58.200 --> 0:56:03.280
<v Speaker 3>That Fiona and Dragon, that is the dragon that guarded

0:56:03.320 --> 0:56:09.399
<v Speaker 3>her tower for over a decade. And why do these

0:56:09.400 --> 0:56:13.400
<v Speaker 3>two characters not have a relationship at all? Like it

0:56:13.440 --> 0:56:17.000
<v Speaker 3>could even be contentious, it would make sense, but it's

0:56:17.160 --> 0:56:21.000
<v Speaker 3>so weird, like because they introduce Dragon in the alternate

0:56:21.080 --> 0:56:23.880
<v Speaker 3>reality at the end, but it's only so that Donkey

0:56:23.960 --> 0:56:26.080
<v Speaker 3>and Dragon can fall in love again. But the way

0:56:26.080 --> 0:56:28.799
<v Speaker 3>that it's like these are the two characters of the

0:56:28.840 --> 0:56:32.200
<v Speaker 3>four of the two married couples, Fiona and Dragon have

0:56:32.360 --> 0:56:37.640
<v Speaker 3>known each other for the longest, but they have no relationship.

0:56:37.640 --> 0:56:40.239
<v Speaker 3>They act like, oh, our husbands are friends, so I

0:56:40.239 --> 0:56:44.239
<v Speaker 3>guess we hang out. I'm like, this dragon was going

0:56:44.280 --> 0:56:47.040
<v Speaker 3>to kill you for ten years, like, how do you

0:56:47.120 --> 0:56:50.200
<v Speaker 3>have no feelings on? Like? And I think that that

0:56:50.239 --> 0:56:53.719
<v Speaker 3>could also it would. It feels very Shrekian there it is.

0:56:54.400 --> 0:56:57.719
<v Speaker 3>It feels very Shrekian to put two characters that were

0:56:57.719 --> 0:56:59.919
<v Speaker 3>like at severe odds. They'd be like, oh, we get

0:57:00.120 --> 0:57:02.320
<v Speaker 3>Martini is now we hang out blah blah blah, like

0:57:02.400 --> 0:57:05.960
<v Speaker 3>whatever it is established some sort of relationship like why,

0:57:06.200 --> 0:57:07.759
<v Speaker 3>I don't know. I feel like the franchise thinks so

0:57:07.840 --> 0:57:11.920
<v Speaker 3>little of the two women. And also Dragon can't talk great.

0:57:12.960 --> 0:57:15.919
<v Speaker 3>But the two women who you see most frequently, which

0:57:15.920 --> 0:57:19.400
<v Speaker 3>are Fiona and Dragon, they have the longest relationship and

0:57:19.400 --> 0:57:23.760
<v Speaker 3>they're like, eh, no one cares, well, not true, we care.

0:57:24.040 --> 0:57:28.120
<v Speaker 2>Also, why can't drag I mean basically every other dragon tall.

0:57:28.560 --> 0:57:31.240
<v Speaker 2>We got Puss and Boots. He's talking. We got the

0:57:31.320 --> 0:57:34.960
<v Speaker 2>three little pigs, they're always talking. We got the wolf.

0:57:35.280 --> 0:57:39.520
<v Speaker 2>The wolf is talking. We got a sentient gingerbread man

0:57:40.040 --> 0:57:44.640
<v Speaker 2>who gets eaten because of the thing we were hinting

0:57:44.640 --> 0:57:47.800
<v Speaker 2>at as far as like Puss and Boots, he's now

0:57:47.920 --> 0:57:52.120
<v Speaker 2>a fat character, and the movie takes every opportunity to

0:57:52.160 --> 0:57:55.200
<v Speaker 2>make very like fat shamy jokes, which is.

0:57:55.440 --> 0:57:58.120
<v Speaker 3>Very in step with what the franchise is always in,

0:57:58.200 --> 0:58:02.080
<v Speaker 3>as well as the no homo like vampire oh ye

0:58:02.240 --> 0:58:05.360
<v Speaker 3>kissy joke at the like it's all just like bluff

0:58:05.440 --> 0:58:10.360
<v Speaker 3>and you already suggested a far better utility of that carriac.

0:58:10.160 --> 0:58:11.280
<v Speaker 2>Of Puss and Boots.

0:58:11.400 --> 0:58:15.720
<v Speaker 3>Yeah, of pus, Pus, there's so many better uses of Puss.

0:58:15.760 --> 0:58:17.720
<v Speaker 2>Here's how you use puss.

0:58:18.000 --> 0:58:19.720
<v Speaker 3>I have a master's degree, and I know how to

0:58:19.840 --> 0:58:24.320
<v Speaker 3>use Puss in this movie.

0:58:25.480 --> 0:58:30.680
<v Speaker 2>And well, since you mentioned that like queer phobic vampire thing,

0:58:31.240 --> 0:58:34.520
<v Speaker 2>that's just like a fleeting moment in a quick scene

0:58:34.560 --> 0:58:38.680
<v Speaker 2>where the King and Queen are riding their carriage through

0:58:39.120 --> 0:58:43.640
<v Speaker 2>what seems to be coded as like a medieval trailer park,

0:58:44.480 --> 0:58:47.040
<v Speaker 2>and all of the people there are made to seem

0:58:47.240 --> 0:58:50.000
<v Speaker 2>like weird and scary, and it's just like this a

0:58:50.080 --> 0:58:53.320
<v Speaker 2>very obviously like classist like, yeah, oh, if you live

0:58:53.360 --> 0:58:57.960
<v Speaker 2>in a trailer park, you're a freaking weirdo.

0:58:57.800 --> 0:59:00.200
<v Speaker 3>Which is weird because like this movie is all all

0:59:00.240 --> 0:59:03.640
<v Speaker 3>over the map with that too, because the Shreks are

0:59:03.640 --> 0:59:07.520
<v Speaker 3>presented as an underclass that are like staging a revolution

0:59:07.720 --> 0:59:11.919
<v Speaker 3>and are to be rooted for this Like this movie

0:59:11.920 --> 0:59:15.520
<v Speaker 3>can't even decide how they feel about Green, Like they

0:59:15.840 --> 0:59:18.880
<v Speaker 3>can't even decide what they feel about Green, because we

0:59:18.960 --> 0:59:24.000
<v Speaker 3>also have true the witches as the they work for

0:59:24.080 --> 0:59:26.760
<v Speaker 3>rumbel stilts Can. Again, I don't know, rumpel stilts Can

0:59:26.840 --> 0:59:31.360
<v Speaker 3>Lore please come for me. I guess, Like, God, I'm

0:59:31.360 --> 0:59:34.480
<v Speaker 3>so tired, but like, I don't get I mean, And

0:59:34.240 --> 0:59:38.880
<v Speaker 3>we've talked extensively on other episodes about a lot of

0:59:38.920 --> 0:59:43.880
<v Speaker 3>the stereotyping that exists around witches. There's a lot of

0:59:44.240 --> 0:59:48.080
<v Speaker 3>heavy stereotyping around older women and also a lot of

0:59:48.120 --> 0:59:51.760
<v Speaker 3>antisemitic tropes that come up in the animation style, which

0:59:51.760 --> 0:59:55.360
<v Speaker 3>is which I think is not challenged in this movie whatsoever,

0:59:55.720 --> 0:59:58.560
<v Speaker 3>for sure, And even outside of that, you're just like,

0:59:59.400 --> 1:00:02.600
<v Speaker 3>why do the witches work for rumpel stilt Skit Like

1:00:03.760 --> 1:00:06.200
<v Speaker 3>it's really, I don't know, it's a mess.

1:00:06.440 --> 1:00:10.560
<v Speaker 2>I don't know it they just the Shrek writers and

1:00:10.640 --> 1:00:15.880
<v Speaker 2>director aka Mess. Movie was written by Josh Klausner and

1:00:15.960 --> 1:00:20.480
<v Speaker 2>Darren Lemkey and directed by Mike Mitchell. Uh, they just

1:00:20.560 --> 1:00:22.080
<v Speaker 2>kind of do whatever the hell they want.

1:00:22.440 --> 1:00:25.600
<v Speaker 3>It's so funny because it was like directed by Mike Mitchell.

1:00:25.600 --> 1:00:28.440
<v Speaker 3>I was like, Wow, I loved I love Doe Boys

1:00:28.480 --> 1:00:28.800
<v Speaker 3>so much.

1:00:29.000 --> 1:00:29.640
<v Speaker 5>Boys.

1:00:30.320 --> 1:00:34.800
<v Speaker 3>Wow, Mitch, what a what a even even bigger multi

1:00:34.880 --> 1:00:38.480
<v Speaker 3>hyphen it that we imagine different Mike Mitchell. But in

1:00:38.520 --> 1:00:42.600
<v Speaker 3>my mind, Mitch directed Shrek Forever After. He also directed

1:00:42.600 --> 1:00:44.480
<v Speaker 3>all of the other Mike Mitchell movies. Can I rattle

1:00:44.520 --> 1:00:44.840
<v Speaker 3>them off?

1:00:45.040 --> 1:00:45.440
<v Speaker 2>Please?

1:00:45.880 --> 1:00:50.400
<v Speaker 3>My buddy? Mitch also directed Sky High, Deuce, Bigelow, Mail, Chick,

1:00:52.320 --> 1:00:56.520
<v Speaker 3>Alvin and the Chipmunks, chip Wrecked, whoa Trolls? Okay, He's

1:00:56.680 --> 1:00:59.880
<v Speaker 3>killing it, Lego Movie two, and Kung Fu Panda four

1:01:00.120 --> 1:01:03.960
<v Speaker 3>or so. Yeah, if you're a fan of the Dope Boys,

1:01:04.000 --> 1:01:08.960
<v Speaker 3>guess what, there's more where that came from and it's

1:01:07.920 --> 1:01:09.600
<v Speaker 3>four incredible.

1:01:10.760 --> 1:01:13.560
<v Speaker 2>Hmmm. Do you have anything else that you want to

1:01:13.600 --> 1:01:16.120
<v Speaker 2>talk about? Because I've pretty much come to the end

1:01:16.120 --> 1:01:16.920
<v Speaker 2>of my notes.

1:01:18.880 --> 1:01:21.280
<v Speaker 3>Let's see, let's see. Uh, well, I guess I just

1:01:21.280 --> 1:01:24.600
<v Speaker 3>wanted to get back to Rumpelstiltskin and I think, just

1:01:24.680 --> 1:01:29.720
<v Speaker 3>even from writing perspective, is a really really weak character,

1:01:30.080 --> 1:01:34.280
<v Speaker 3>like a stinky character that felt like a retread of

1:01:34.440 --> 1:01:36.760
<v Speaker 3>far Quad. For I was like, could they not get

1:01:37.360 --> 1:01:42.320
<v Speaker 3>the original voice actor of far Quad back? Like, oh sorry,

1:01:42.400 --> 1:01:45.720
<v Speaker 3>I put some respect on his name. I just thought,

1:01:45.760 --> 1:01:49.000
<v Speaker 3>like a really weak villain. For the third and the fourth.

1:01:48.960 --> 1:01:52.120
<v Speaker 2>Also has nothing to do with the Rumpelstiltskin narrative, which

1:01:52.200 --> 1:01:54.520
<v Speaker 2>is all about like, I will give you whatever you

1:01:54.600 --> 1:01:58.760
<v Speaker 2>want if you're able to guess my name, and if not,

1:01:58.880 --> 1:02:01.280
<v Speaker 2>I'm going to steal all your babies away from you.

1:02:02.080 --> 1:02:05.920
<v Speaker 2>That's the lore of Rumpelstiltskin. And then none of that

1:02:06.080 --> 1:02:09.200
<v Speaker 2>appears except for like him making shady deals.

1:02:09.400 --> 1:02:14.600
<v Speaker 3>I guess see the babies technically disappear. I guess it's

1:02:14.640 --> 1:02:17.560
<v Speaker 3>a no. I mean that's me giving it too much credit.

1:02:17.760 --> 1:02:18.560
<v Speaker 2>That's a stretch.

1:02:19.000 --> 1:02:21.360
<v Speaker 3>Yeah, I just I think it's weird that this movie

1:02:21.440 --> 1:02:24.800
<v Speaker 3>ultimately comes down and Fiona would be like clearly establishes

1:02:24.840 --> 1:02:28.040
<v Speaker 3>Fiona would be cooler if she hadn't met Shrek.

1:02:28.200 --> 1:02:30.320
<v Speaker 2>True, I mean that is true, like.

1:02:30.320 --> 1:02:34.640
<v Speaker 3>Objectively and also taking it like again, just there's so

1:02:34.680 --> 1:02:36.720
<v Speaker 3>many more interesting ways for this movie to go because

1:02:36.760 --> 1:02:41.360
<v Speaker 3>if we know now in twenty ten, something that seemed obvious, right,

1:02:41.440 --> 1:02:44.240
<v Speaker 3>but like that Fiona eventually would have escaped the tower

1:02:44.320 --> 1:02:47.640
<v Speaker 3>on her own. I think that that should send Shrek

1:02:47.680 --> 1:02:51.160
<v Speaker 3>into more of a crisis than it does. Like, yeah,

1:02:51.320 --> 1:02:54.400
<v Speaker 3>I think it's interesting. I had this written down as well,

1:02:54.440 --> 1:02:57.440
<v Speaker 3>where it's like, if I I, as Shrek.

1:02:57.280 --> 1:03:01.560
<v Speaker 2>Saw that Fiona would have h comma Shrek, unlike Ikmma

1:03:01.600 --> 1:03:04.520
<v Speaker 2>tana Ikamma Frankenstein.

1:03:04.520 --> 1:03:08.480
<v Speaker 3>Two of my favorite movies. If I Shrek found out

1:03:08.560 --> 1:03:10.640
<v Speaker 3>that Fionda would have escaped the tower on her own

1:03:10.680 --> 1:03:13.120
<v Speaker 3>and become a revolutionary leader if she had never met me,

1:03:13.640 --> 1:03:16.840
<v Speaker 3>I would be like, hold on, maybe, like I would

1:03:16.880 --> 1:03:19.080
<v Speaker 3>have the kind of crisis where it's like, wow, maybe

1:03:19.120 --> 1:03:23.680
<v Speaker 3>I really don't matter, Like there's a whole like I mean,

1:03:23.720 --> 1:03:25.560
<v Speaker 3>and I know that that's complicated by the fact that,

1:03:25.600 --> 1:03:30.000
<v Speaker 3>for some reason, without Shrek, the Shreks are more marginalized

1:03:30.160 --> 1:03:32.000
<v Speaker 3>then they would. They seem to be like exploited for

1:03:32.080 --> 1:03:35.560
<v Speaker 3>like it seems like they're being used as slaves to

1:03:35.680 --> 1:03:38.480
<v Speaker 3>Ruympel still looking too, which is a disaster.

1:03:38.920 --> 1:03:45.400
<v Speaker 2>He seems to specifically target and capture Shreks and enslave them.

1:03:45.400 --> 1:03:47.880
<v Speaker 2>I don't understand, but this is the first time we're

1:03:47.920 --> 1:03:52.960
<v Speaker 2>even ever learning about other Shreks in this world because

1:03:53.160 --> 1:03:57.200
<v Speaker 2>Aside from Fiona, there are no other Ogres until the

1:03:57.240 --> 1:03:59.880
<v Speaker 2>fourth movie, and then suddenly there's a whole community of

1:04:00.200 --> 1:04:03.400
<v Speaker 2>which begs the question where have these other Shreks been.

1:04:03.440 --> 1:04:07.320
<v Speaker 3>Which is actually a really scary image to see. Like

1:04:07.360 --> 1:04:09.400
<v Speaker 3>You're just like, oh, I feel like I'm having a nightmare.

1:04:09.520 --> 1:04:10.120
<v Speaker 2>It's jarring.

1:04:10.400 --> 1:04:13.400
<v Speaker 3>Yeah, And I just honestly, I don't think that this

1:04:13.520 --> 1:04:17.080
<v Speaker 3>franchise is equipped to deal with the topic of slavery.

1:04:17.240 --> 1:04:20.160
<v Speaker 3>I will bravely say that, And I don't think that

1:04:20.160 --> 1:04:23.960
<v Speaker 3>they should have tried. I guess, like it's that plot

1:04:24.000 --> 1:04:26.600
<v Speaker 3>point made me very uncomfortable. And also to suggest that

1:04:26.640 --> 1:04:30.560
<v Speaker 3>without Shrek there would be many more Shreks, but they

1:04:30.600 --> 1:04:33.360
<v Speaker 3>would be enslaved. You're like, I'd hate this. I hate

1:04:33.440 --> 1:04:36.880
<v Speaker 3>every second of this, Like this is a really, really

1:04:36.960 --> 1:04:40.160
<v Speaker 3>brutal tangle to put into this story that they are

1:04:40.240 --> 1:04:43.360
<v Speaker 3>not able to write themselves out of. It's a disaster.

1:04:44.440 --> 1:04:48.120
<v Speaker 3>That's bad. But then on the other hand, I did

1:04:49.040 --> 1:04:53.240
<v Speaker 3>like how the Shreks as a community were characterized, where

1:04:53.240 --> 1:04:56.400
<v Speaker 3>they were stage a revolution. They call Shrek a I

1:04:56.440 --> 1:05:01.880
<v Speaker 3>think John Aham Shrek calls regular a comrade in arms.

1:05:01.920 --> 1:05:04.560
<v Speaker 3>You're like, that's kind of fun. They're like preparing to

1:05:04.560 --> 1:05:07.440
<v Speaker 3>take down their oppressors. It's kind of like, woahoo, this

1:05:07.640 --> 1:05:12.480
<v Speaker 3>is cool. And you know, alternate reality, Fiona is very active.

1:05:12.560 --> 1:05:17.000
<v Speaker 3>She is planning the revolution, right, Craig, I think it's

1:05:17.000 --> 1:05:21.240
<v Speaker 3>Craig Robinson, Shrek has a chimney choga stand. You're like, wow,

1:05:21.960 --> 1:05:26.360
<v Speaker 3>epic random Bacon Humor twenty ten whatever. But but like

1:05:26.680 --> 1:05:30.360
<v Speaker 3>I I liked how like I just think again, it's

1:05:30.600 --> 1:05:35.959
<v Speaker 3>interesting to establish like this canon of there's a whole

1:05:36.000 --> 1:05:42.160
<v Speaker 3>Shrek community and they're essentially like revolutionaryas that are going

1:05:42.240 --> 1:05:44.400
<v Speaker 3>to topple the overclass.

1:05:44.640 --> 1:05:48.080
<v Speaker 2>And that feed to be confused with the ogre class.

1:05:48.520 --> 1:05:53.600
<v Speaker 3>The ogre class topples the overclass. Whoa and this alternate

1:05:53.680 --> 1:06:02.360
<v Speaker 3>university university sorry, this ALTI universe implies, in a way

1:06:02.360 --> 1:06:08.000
<v Speaker 3>that is also under explored, that Fiona has abandoned the

1:06:08.040 --> 1:06:11.400
<v Speaker 3>idea of monarchy like she in a way that she

1:06:11.560 --> 1:06:15.680
<v Speaker 3>doesn't in the main franchise. She maintains a relationship with royalty.

1:06:15.760 --> 1:06:19.640
<v Speaker 3>She maintains like she is like a badass in not

1:06:19.680 --> 1:06:22.479
<v Speaker 3>to I feel like that's over used, but like she's

1:06:22.600 --> 1:06:26.120
<v Speaker 3>really really cool in this altered because she like rejects

1:06:27.040 --> 1:06:31.120
<v Speaker 3>the monarchy she becomes an underground revolutionary and uses what

1:06:31.200 --> 1:06:34.680
<v Speaker 3>she knows about the monarchy to get the Ogres into

1:06:35.280 --> 1:06:38.120
<v Speaker 3>the palace into like tap like it's all really really

1:06:38.120 --> 1:06:41.000
<v Speaker 3>cool again and then if you like think it through,

1:06:41.040 --> 1:06:43.720
<v Speaker 3>which you're not supposed to, right, this is like lobotomy

1:06:43.760 --> 1:06:49.920
<v Speaker 3>brain filmmaking. But like that, Shrek is also totally fine

1:06:50.240 --> 1:06:53.040
<v Speaker 3>meeting and connecting with this whole community of Ogres and

1:06:53.160 --> 1:06:57.120
<v Speaker 3>just losing that why.

1:06:56.320 --> 1:07:02.640
<v Speaker 2>Yeah, I don't know Shrek. Once he does learn that,

1:07:02.920 --> 1:07:06.640
<v Speaker 2>like you know, what Fiona could have done or what

1:07:06.680 --> 1:07:11.760
<v Speaker 2>she's capable of if he wasn't involved in her life,

1:07:12.160 --> 1:07:14.840
<v Speaker 2>and you would think the thought would cross his mind,

1:07:14.960 --> 1:07:17.600
<v Speaker 2>like wow, maybe I've been holding her back. So when

1:07:17.640 --> 1:07:22.600
<v Speaker 2>he does show up again in like Shrek Prime reality,

1:07:23.400 --> 1:07:27.680
<v Speaker 2>he needs to be like miss Shrek. I feel like

1:07:27.760 --> 1:07:30.160
<v Speaker 2>he needs to be like, hey, babe, like let me

1:07:30.240 --> 1:07:33.760
<v Speaker 2>help you see your full potential here You're like, you know,

1:07:33.800 --> 1:07:35.680
<v Speaker 2>like is there anything else you want to be doing

1:07:35.760 --> 1:07:38.240
<v Speaker 2>with your life? Like right, I don't know, it's just.

1:07:38.240 --> 1:07:40.080
<v Speaker 3>Where at that point, Like but at this point, it's

1:07:40.080 --> 1:07:41.440
<v Speaker 3>like it's not even clear at the end of the

1:07:41.440 --> 1:07:45.080
<v Speaker 3>movie if he's ever going to tell her that this happened.

1:07:45.640 --> 1:07:49.520
<v Speaker 2>Probably not, I would say, maybe he's not, which is

1:07:49.680 --> 1:07:52.720
<v Speaker 2>so scary. It's like the end of what was that

1:07:52.760 --> 1:07:57.600
<v Speaker 2>movie we recently covered, Ruby sparks yes, yes, or like

1:07:57.640 --> 1:07:59.360
<v Speaker 2>at the end he's like, I'm not gonna tell her

1:07:59.480 --> 1:08:01.920
<v Speaker 2>that I was freaking creep.

1:08:03.280 --> 1:08:10.040
<v Speaker 3>You're like, this absolutely sucks. This stinks as truly.

1:08:10.640 --> 1:08:14.760
<v Speaker 2>The last thing I wanted to touch on was something

1:08:14.760 --> 1:08:17.160
<v Speaker 2>that comes up a few different times throughout the movie

1:08:17.960 --> 1:08:23.400
<v Speaker 2>is a discussion of Fiona being quote only half Ogre,

1:08:24.120 --> 1:08:26.479
<v Speaker 2>and then at one point Shrek says something like, well,

1:08:26.520 --> 1:08:29.439
<v Speaker 2>you're not a real ogre. You know, you spent half

1:08:29.439 --> 1:08:33.559
<v Speaker 2>of your life in a palace. And Fiona, I mean,

1:08:34.200 --> 1:08:36.880
<v Speaker 2>I don't want to necessarily, you know, judge her for

1:08:36.960 --> 1:08:39.920
<v Speaker 2>how she responds to this, but it's something that I

1:08:39.920 --> 1:08:43.800
<v Speaker 2>feel like you could equate with, like a person in

1:08:43.840 --> 1:08:47.080
<v Speaker 2>the real world having a dual identity in some way,

1:08:47.479 --> 1:08:51.360
<v Speaker 2>for example, people who are mixed race, or people who

1:08:51.640 --> 1:08:55.719
<v Speaker 2>are the child of immigrants and have two or more

1:08:56.000 --> 1:08:59.600
<v Speaker 2>cultures that are a part of their identity, or just

1:08:59.720 --> 1:09:03.000
<v Speaker 2>you know, like anyone who's gotten criticized for you know,

1:09:03.080 --> 1:09:07.439
<v Speaker 2>not being xyz enough, you know, when for example, again

1:09:07.680 --> 1:09:10.960
<v Speaker 2>mixed race people are told, oh, you know, you're not

1:09:11.040 --> 1:09:14.320
<v Speaker 2>black enough, or you're not Asian enough, or you know,

1:09:14.680 --> 1:09:18.880
<v Speaker 2>whatever the case may be, basically being told like you're

1:09:18.920 --> 1:09:22.519
<v Speaker 2>not one thing or the other, so you don't belong

1:09:22.720 --> 1:09:26.520
<v Speaker 2>in either space. I think that would be an interesting

1:09:26.720 --> 1:09:30.320
<v Speaker 2>Not that I think the Shrek movies are capable of

1:09:30.360 --> 1:09:34.599
<v Speaker 2>exploring this any further, but it does get brought up.

1:09:34.479 --> 1:09:37.760
<v Speaker 3>Well any any more than the Harry Potter universe was

1:09:37.800 --> 1:09:41.760
<v Speaker 3>equipped to explore that through Hermion's character. True, I feel

1:09:41.760 --> 1:09:44.439
<v Speaker 3>like you have a very similar I mean not to

1:09:44.600 --> 1:09:46.160
<v Speaker 3>bring up Harry Potter, but like, I think it's a

1:09:46.160 --> 1:09:50.000
<v Speaker 3>similar plot point brought up in the same era that

1:09:50.120 --> 1:09:53.640
<v Speaker 3>also kind of like was always trying to start that

1:09:53.760 --> 1:09:55.599
<v Speaker 3>but then never quite you know, did.

1:09:55.680 --> 1:09:59.479
<v Speaker 2>Doesn't know how to actually like, yeah, have a character

1:10:00.320 --> 1:10:06.000
<v Speaker 2>deal with this. Shrek says something like really cruel to her.

1:10:06.080 --> 1:10:08.880
<v Speaker 2>He says, you're not a real Ogre. He's saying this

1:10:08.960 --> 1:10:12.600
<v Speaker 2>to her as she is like an Ogre.

1:10:12.439 --> 1:10:16.839
<v Speaker 3>Running the Ogre Revolution, and what are you talking about,

1:10:16.880 --> 1:10:19.120
<v Speaker 3>you fucking asshole.

1:10:19.280 --> 1:10:21.679
<v Speaker 2>I just it would have again, it would have been

1:10:22.120 --> 1:10:27.759
<v Speaker 2>cool if that could have been explored more thoughtfully and thoroughly,

1:10:28.120 --> 1:10:31.880
<v Speaker 2>and if we saw like how people saying that to

1:10:31.920 --> 1:10:35.680
<v Speaker 2>her makes Fiona feel because like this is something that

1:10:35.760 --> 1:10:39.400
<v Speaker 2>like Fiona would likely struggle with or deal with or

1:10:39.560 --> 1:10:43.519
<v Speaker 2>you know, like have feelings about, but we barely see that.

1:10:43.880 --> 1:10:46.599
<v Speaker 3>And also for her own husband to have such a

1:10:46.640 --> 1:10:49.360
<v Speaker 3>callous way of speaking with her about it, for sure,

1:10:49.400 --> 1:10:54.040
<v Speaker 3>which feels like a step back from what we hear

1:10:54.439 --> 1:10:59.559
<v Speaker 3>in the first Shrek movie where he is like, that's

1:10:59.600 --> 1:11:02.760
<v Speaker 3>part of why she falls for him is because he

1:11:02.880 --> 1:11:05.840
<v Speaker 3>is accepting of who she is in all parts of

1:11:05.880 --> 1:11:08.759
<v Speaker 3>who she is. But then like they have a couple

1:11:08.800 --> 1:11:11.120
<v Speaker 3>of kids, and he's like, you're not a real ogre.

1:11:11.400 --> 1:11:14.040
<v Speaker 3>I mean I think that, yeah, these I that it

1:11:14.040 --> 1:11:18.680
<v Speaker 3>does seem like being mixed race is the clear implication

1:11:18.760 --> 1:11:21.120
<v Speaker 3>that's being made through Fiona's character. But you're right, like

1:11:21.280 --> 1:11:24.799
<v Speaker 3>it's I can see, you know, especially in a media

1:11:24.960 --> 1:11:29.719
<v Speaker 3>property this broad that it could be you know, used

1:11:29.960 --> 1:11:33.559
<v Speaker 3>for viewers to connect who are coming from a lot

1:11:33.600 --> 1:11:37.679
<v Speaker 3>of different points of marginalization, and it just basically says

1:11:37.760 --> 1:11:41.160
<v Speaker 3>like no, Shrek says you gotta pick a lane, and

1:11:41.200 --> 1:11:43.360
<v Speaker 3>you're like, that doesn't make any fucking sense, And it

1:11:43.400 --> 1:11:45.680
<v Speaker 3>also just like doesn't even make sense with who we

1:11:45.800 --> 1:11:48.600
<v Speaker 3>know this character to be, which is why they had

1:11:48.680 --> 1:11:51.000
<v Speaker 3>to retire him for fifteen years so he could really

1:11:51.000 --> 1:11:56.320
<v Speaker 3>think about what he said. Yeah, another another big missed opportunity.

1:11:56.600 --> 1:11:58.320
<v Speaker 3>The last thing I wanted to say.

1:11:58.360 --> 1:12:07.280
<v Speaker 5>Is between Shrek the Third and Shrek Forever after another

1:12:07.360 --> 1:12:10.280
<v Speaker 5>Shrek property came out in two thousand and eight and

1:12:10.360 --> 1:12:11.760
<v Speaker 5>it was on Broadway.

1:12:11.600 --> 1:12:14.519
<v Speaker 3>And it was called Shrek the Musical, right, and I

1:12:14.600 --> 1:12:18.599
<v Speaker 3>am very intimately familiar with this musical. I didn't get

1:12:18.600 --> 1:12:22.000
<v Speaker 3>to see it on Broadway, unfortunately, but I have seen

1:12:22.120 --> 1:12:25.200
<v Speaker 3>several local productions of it. I've seen it seven times,

1:12:25.280 --> 1:12:30.880
<v Speaker 3>oh my god. And I've also watched it a lot.

1:12:30.920 --> 1:12:35.360
<v Speaker 3>There's a professional Broadway recording of it that exists on

1:12:35.479 --> 1:12:38.000
<v Speaker 3>I don't know where it's currently streaming. Generally, with the

1:12:38.040 --> 1:12:44.040
<v Speaker 3>other Shreks, it is really difficult to watch Broadway great.

1:12:44.160 --> 1:12:48.800
<v Speaker 3>Brian Darcy James, who is a decorated Broadway veteran, play

1:12:48.840 --> 1:12:53.479
<v Speaker 3>Shrek beside Sutton Foster, another like Broadway legend playing Fiona,

1:12:53.560 --> 1:12:59.160
<v Speaker 3>and you're just like, what am I watching? And how

1:12:59.439 --> 1:13:03.840
<v Speaker 3>much money must they have been paid? I hope right?

1:13:03.960 --> 1:13:09.120
<v Speaker 3>As well as another Daniel Breaker plays Donkey extra like

1:13:09.680 --> 1:13:13.200
<v Speaker 3>John Tartaglia won a Tony for playing Pinocchio. You're just like,

1:13:13.240 --> 1:13:17.000
<v Speaker 3>this is a nightmare, this is disaster, right, But I

1:13:17.040 --> 1:13:19.840
<v Speaker 3>do love it. I think it is. It's an adaptation

1:13:19.920 --> 1:13:24.320
<v Speaker 3>of Shrek one that I think honestly worked better than

1:13:24.360 --> 1:13:28.840
<v Speaker 3>Shrek one. I think it has more emotional punch it

1:13:28.880 --> 1:13:31.840
<v Speaker 3>gives Shrek. I think so. I just I was thinking

1:13:31.880 --> 1:13:36.240
<v Speaker 3>about that because this I think opened and closed on

1:13:36.479 --> 1:13:40.400
<v Speaker 3>Broadway between the third and the fourth movie. But it

1:13:40.439 --> 1:13:43.240
<v Speaker 3>does add to Shrek lore. I don't know. You know,

1:13:43.520 --> 1:13:46.200
<v Speaker 3>if we're talking to the Shrek team and we say,

1:13:46.479 --> 1:13:50.400
<v Speaker 3>is Shrek the musical on Broadway canonical to the Shrek universe,

1:13:50.439 --> 1:13:54.240
<v Speaker 3>I think they would say, I don't care. But in

1:13:54.280 --> 1:13:56.519
<v Speaker 3>a world where they did care, we would have a

1:13:56.520 --> 1:14:01.840
<v Speaker 3>little bit of context for Shrek that includes, I think

1:14:01.920 --> 1:14:07.360
<v Speaker 3>mainly the thrust of it explains why he got mean.

1:14:07.439 --> 1:14:11.320
<v Speaker 3>It implies that he was thrown out by his parents, right.

1:14:11.360 --> 1:14:13.920
<v Speaker 3>I remember that he was when he was very young,

1:14:14.600 --> 1:14:19.240
<v Speaker 3>because that's Ogre tradition, is like to harden yourself to

1:14:19.280 --> 1:14:22.840
<v Speaker 3>the world in the Ogre like fashion. You get tossed

1:14:22.840 --> 1:14:25.160
<v Speaker 3>out by your parents when you're very young, and so

1:14:25.240 --> 1:14:30.040
<v Speaker 3>that's how you become like a hardened Ogre right, and

1:14:30.120 --> 1:14:33.000
<v Speaker 3>again it's just like, Wow, we have this incredible lore

1:14:33.080 --> 1:14:36.120
<v Speaker 3>going into Shrek the fourth Edit's like the Broadway musical

1:14:36.200 --> 1:14:40.200
<v Speaker 3>that won Tony's somehow, by the way, it won one.

1:14:41.280 --> 1:14:44.840
<v Speaker 3>It won Best Costume Design. Sorry John Tartaglia didn't win

1:14:44.880 --> 1:14:47.720
<v Speaker 3>a Tony for that, but you know, it won a

1:14:47.760 --> 1:14:50.799
<v Speaker 3>couple drama desks as well. It was nominated for a Grammy.

1:14:50.840 --> 1:14:52.840
<v Speaker 3>I'm just saying it got more than it should have.

1:14:53.439 --> 1:14:56.720
<v Speaker 3>I mean, certainly, it just makes me really sad to

1:14:56.760 --> 1:14:59.240
<v Speaker 3>think of like an actor as good as Brian Darcy

1:14:59.320 --> 1:15:02.920
<v Speaker 3>James having to get into Shrek makeup every day for

1:15:03.120 --> 1:15:06.559
<v Speaker 3>eight shows a week. That just seems like a horrible

1:15:06.600 --> 1:15:12.600
<v Speaker 3>way to have to live. I think about that sometimes. Anyways,

1:15:13.000 --> 1:15:15.320
<v Speaker 3>I just wanted to mention that there was a I

1:15:15.360 --> 1:15:18.200
<v Speaker 3>think probably my favorite Shrek thing is Shrek the Musical

1:15:18.240 --> 1:15:22.320
<v Speaker 3>because also the music is like good. It's like I

1:15:23.080 --> 1:15:26.599
<v Speaker 3>I think so, I mean, I have a nostalgic attachment

1:15:26.640 --> 1:15:29.040
<v Speaker 3>to it because I've seen it seven times and like

1:15:29.240 --> 1:15:31.080
<v Speaker 3>many things Shrek, you know, started as a joke became

1:15:31.120 --> 1:15:33.640
<v Speaker 3>real over time. But like, the music is good. I

1:15:33.680 --> 1:15:37.240
<v Speaker 3>would recommend if you're popping on the soundtrack Build a

1:15:37.280 --> 1:15:40.599
<v Speaker 3>Wall is like a bon Jovi song. It's wild that

1:15:40.640 --> 1:15:43.280
<v Speaker 3>Shrek is singing, and also its pre Trump like it.

1:15:43.479 --> 1:15:45.800
<v Speaker 3>You know, harder to listen to the song build a Wall,

1:15:45.880 --> 1:15:49.360
<v Speaker 3>but he meant he means an emotional wall to keep

1:15:49.400 --> 1:15:54.559
<v Speaker 3>out pain and hurt. That's another good one. Don't Let

1:15:54.560 --> 1:15:57.439
<v Speaker 3>Me Go is Donkey's song when he's trying to be

1:15:57.640 --> 1:16:01.759
<v Speaker 3>Shrek's friend. Iconic song I Know It's Today, A great

1:16:01.840 --> 1:16:07.120
<v Speaker 3>song for Fiona. Oh god, it's just all I'll admit,

1:16:07.200 --> 1:16:12.120
<v Speaker 3>it's all good. Yeah. So I would say my review

1:16:12.360 --> 1:16:15.240
<v Speaker 3>of Shrek four is watch Shrek.

1:16:14.960 --> 1:16:19.080
<v Speaker 2>The musical, okay, And my review of Shrek four is

1:16:19.520 --> 1:16:22.760
<v Speaker 2>watch Puss in Boots the Last Wish.

1:16:22.360 --> 1:16:26.679
<v Speaker 3>Hell yeah, incredible? Okay. So we know that this movie

1:16:26.800 --> 1:16:31.200
<v Speaker 3>passes the Shrek Doel test, Yes, but does it pass

1:16:31.840 --> 1:16:38.519
<v Speaker 3>the Bechdel test? Well, no, Let's start the year twenty

1:16:38.560 --> 1:16:42.519
<v Speaker 3>twenty four out on a hard and clear No. The

1:16:42.560 --> 1:16:45.240
<v Speaker 3>witches talk to each other, but it's only about Shrek,

1:16:45.320 --> 1:16:48.200
<v Speaker 3>and I don't know if we're really given. They're credited

1:16:48.240 --> 1:16:51.640
<v Speaker 3>with names, but I don't remember learning them canonically.

1:16:51.800 --> 1:16:55.360
<v Speaker 2>Yeah, they don't address each other by name. No, And yeah,

1:16:55.400 --> 1:17:00.759
<v Speaker 2>they're talking about Shrek, and Fiona doesn't talk to any

1:17:00.800 --> 1:17:01.639
<v Speaker 2>other women.

1:17:02.600 --> 1:17:07.400
<v Speaker 3>She does. She talks to I think Jane Lynch Shrek, gretched.

1:17:08.680 --> 1:17:13.679
<v Speaker 3>She talks to Gretchen, good name, gret pretty awesome, but gretched,

1:17:13.840 --> 1:17:18.040
<v Speaker 3>I don't believe responds she's making a military plan and

1:17:18.200 --> 1:17:21.880
<v Speaker 3>they are like the dual smurfets of the town. Also,

1:17:22.000 --> 1:17:25.919
<v Speaker 3>there is one joke at Gretchen's expense where it's implied

1:17:26.240 --> 1:17:30.080
<v Speaker 3>in this Smurf like Ogre kingdom that everyone has the

1:17:30.160 --> 1:17:33.599
<v Speaker 3>hots for Fiona but she doesn't. Oh, that is one

1:17:33.600 --> 1:17:36.320
<v Speaker 3>thing that we didn't get to that even in the

1:17:36.360 --> 1:17:40.200
<v Speaker 3>world where Fiona is a revolutionary leader, she still can't

1:17:40.200 --> 1:17:42.439
<v Speaker 3>have it all. Like she has to choose being a

1:17:42.479 --> 1:17:44.639
<v Speaker 3>war which is which is fundamentally what this movie comes

1:17:44.640 --> 1:17:47.360
<v Speaker 3>down to. You have to choose having a relationship with

1:17:47.439 --> 1:17:50.680
<v Speaker 3>a family or being a revolutionary leader and never the

1:17:50.720 --> 1:17:53.639
<v Speaker 3>Twain shall meet. But they're in a conversation like that

1:17:54.080 --> 1:17:57.479
<v Speaker 3>I forget where they're like, oh, you know, nothing will

1:17:57.760 --> 1:18:01.920
<v Speaker 3>convince Fiona to be in a relationship because blah blah

1:18:01.960 --> 1:18:04.320
<v Speaker 3>blah blah blah, and Gratch It's like it would convince me,

1:18:04.840 --> 1:18:08.960
<v Speaker 3>and everyone's like, eh, we're not attracted to you and

1:18:09.000 --> 1:18:12.280
<v Speaker 3>you're like, okay, anyways, it doesn't pass the backdel test.

1:18:13.439 --> 1:18:17.800
<v Speaker 3>But what about uh, let's get it coming hot. First

1:18:18.240 --> 1:18:21.360
<v Speaker 3>nipple scale of the year, Caitlin get pumps?

1:18:22.120 --> 1:18:23.360
<v Speaker 2>All right? Zero do.

1:18:25.400 --> 1:18:26.120
<v Speaker 3>Do do?

1:18:26.120 --> 1:18:26.360
<v Speaker 2>Do?

1:18:26.360 --> 1:18:27.320
<v Speaker 3>Do? Do? Do do do?

1:18:29.600 --> 1:18:31.959
<v Speaker 2>Okay, so on our scale of zero to five nipples,

1:18:32.000 --> 1:18:35.200
<v Speaker 2>where we rate the movie examining it through an intersectional

1:18:35.240 --> 1:18:42.400
<v Speaker 2>an interstrectional yes, lens, I would say, I'm going to

1:18:42.439 --> 1:18:48.799
<v Speaker 2>give this a half nipple. As much as I enjoy

1:18:49.080 --> 1:18:53.439
<v Speaker 2>seeing the very you know, fleeting moments of Fiona as

1:18:53.520 --> 1:18:58.439
<v Speaker 2>a revolutionary leader, as a warrior, it's surrounded by a

1:18:58.439 --> 1:19:04.960
<v Speaker 2>bunch of other gender tropy implications and just all the

1:19:05.000 --> 1:19:11.120
<v Speaker 2>fat phobia around the puss and boots character. And at

1:19:11.120 --> 1:19:13.559
<v Speaker 2>the end of the day, this is a story about

1:19:13.560 --> 1:19:17.160
<v Speaker 2>like a man learning an emotional lesson. He's learning to

1:19:17.200 --> 1:19:21.040
<v Speaker 2>be more emotionally intelligent and grateful, but also what does

1:19:21.040 --> 1:19:24.440
<v Speaker 2>he learn. He doesn't learn to communicate any more effectively

1:19:25.040 --> 1:19:31.439
<v Speaker 2>and open up emotionally to his partner. He learns that

1:19:31.560 --> 1:19:35.920
<v Speaker 2>he needs to be grateful. But if you have to

1:19:36.080 --> 1:19:39.640
<v Speaker 2>like have your entire life stripped away from you to

1:19:39.840 --> 1:19:44.000
<v Speaker 2>learn that lesson, I don't know. Try harder go to therapy,

1:19:44.160 --> 1:19:46.479
<v Speaker 2>like you need to learn gratitude wells.

1:19:46.640 --> 1:19:50.680
<v Speaker 3>And also just as as a Shrek fan demonstrates, I

1:19:50.720 --> 1:19:54.960
<v Speaker 3>think a real I just realize the sentence I'm about

1:19:54.960 --> 1:19:58.919
<v Speaker 3>to say demonstrates are real stagnancy and the character development

1:19:59.000 --> 1:20:02.559
<v Speaker 3>of Shrek. Yeah, you're just like We've had four movies.

1:20:02.640 --> 1:20:05.799
<v Speaker 3>Shrek should be past this stuff now. He's been working

1:20:05.840 --> 1:20:08.040
<v Speaker 3>through this ship for the whole franchise.

1:20:08.160 --> 1:20:12.120
<v Speaker 2>My goodness. Yeah, he's very static. He never seems to

1:20:12.280 --> 1:20:15.160
<v Speaker 2>learn or change, and he gets himself into the same

1:20:15.400 --> 1:20:18.280
<v Speaker 2>high jinks for the same reasons over and over again,

1:20:18.400 --> 1:20:24.160
<v Speaker 2>for Christe's sake. So it's annoying and I will give

1:20:24.680 --> 1:20:27.640
<v Speaker 2>I'll give my half nipple. I mean, I'm inclined to

1:20:27.640 --> 1:20:28.559
<v Speaker 2>give it to Fiona.

1:20:28.880 --> 1:20:31.280
<v Speaker 3>Yeah, the alternate universe Fiona.

1:20:31.000 --> 1:20:32.879
<v Speaker 2>Alternate universe Fiona.

1:20:33.320 --> 1:20:35.840
<v Speaker 3>I think I'm gonna give this movie no nipples. I

1:20:35.920 --> 1:20:39.599
<v Speaker 3>was so disappointed. I've been disappointed in this movie for

1:20:39.640 --> 1:20:43.080
<v Speaker 3>almost fourteen years now, and I don't think I have

1:20:43.120 --> 1:20:45.160
<v Speaker 3>any nipples to give this time. I feel like, yeah,

1:20:45.160 --> 1:20:47.519
<v Speaker 3>this is like a I think. And also because I

1:20:47.680 --> 1:20:51.240
<v Speaker 3>I did like, it's a wonderful life, far better than

1:20:51.280 --> 1:20:52.960
<v Speaker 3>I like Shrek. Forever After. But I feel like it's

1:20:53.320 --> 1:20:56.760
<v Speaker 3>not an identical but a similar plot and takeaway that

1:20:56.920 --> 1:21:01.599
<v Speaker 3>like is like worse or at least equally considerate of

1:21:02.240 --> 1:21:06.880
<v Speaker 3>its woman character almost seventy years later. It's such a bummer, right,

1:21:07.400 --> 1:21:10.679
<v Speaker 3>so I simply have no nipples to give it this time.

1:21:10.800 --> 1:21:13.040
<v Speaker 3>I can't give it any like well it was of

1:21:13.120 --> 1:21:17.280
<v Speaker 3>the time, like it wasn't. And I would love to

1:21:17.280 --> 1:21:21.400
<v Speaker 3>see Shrek five written by not two Like, guys, what

1:21:21.560 --> 1:21:22.640
<v Speaker 3>if that happened?

1:21:23.439 --> 1:21:25.839
<v Speaker 2>We should write Shrek five.

1:21:26.320 --> 1:21:26.639
<v Speaker 3>I can't.

1:21:26.680 --> 1:21:30.280
<v Speaker 2>I can't handle the pressure. It's too much, at least

1:21:30.479 --> 1:21:34.919
<v Speaker 2>in Shrek Forever After. When we see alternate reality Fiona,

1:21:35.080 --> 1:21:40.360
<v Speaker 2>she isn't a quote unquote old spinster librarian that's true,

1:21:41.280 --> 1:21:46.240
<v Speaker 2>is a loser because Shrek never married her. She's a winner.

1:21:46.680 --> 1:21:47.400
<v Speaker 2>It's awesome.

1:21:47.560 --> 1:21:51.479
<v Speaker 3>That's the one improvement that we've made in seventy years.

1:21:51.520 --> 1:21:55.840
<v Speaker 3>It's not enough. Yeah, no, no nipples from Jamie. And

1:21:55.880 --> 1:22:02.240
<v Speaker 3>with that, twenty twenty four is off to the traces.

1:22:03.240 --> 1:22:11.080
<v Speaker 2>We're Shrek the hall. We've shreked the halls and now

1:22:11.320 --> 1:22:13.000
<v Speaker 2>and now we're off to the traces.

1:22:13.360 --> 1:22:15.599
<v Speaker 3>I also just say, okay, last I just think it's

1:22:15.640 --> 1:22:18.519
<v Speaker 3>really funny and no offense to the Felicies of the world.

1:22:18.520 --> 1:22:20.920
<v Speaker 3>But I think it was such an underwhelming line to

1:22:20.920 --> 1:22:23.960
<v Speaker 3>be like, I've always wanted a daughter named Felicia, and

1:22:24.000 --> 1:22:26.880
<v Speaker 3>you're like, okay, wow, why.

1:22:26.680 --> 1:22:30.360
<v Speaker 2>All of our Felicia listeners just unsubscribed.

1:22:30.680 --> 1:22:32.479
<v Speaker 3>I just it's such a like. No, I mean, I

1:22:32.520 --> 1:22:34.280
<v Speaker 3>would it would be weird if they said either of

1:22:34.280 --> 1:22:37.920
<v Speaker 3>our names. You're like, that's a pretty normal, like, that's really.

1:22:37.880 --> 1:22:41.120
<v Speaker 2>I've always wanted a baby Shrek named Caitlin.

1:22:42.000 --> 1:22:46.799
<v Speaker 3>I don't know. Anyways, Happy twenty twenty four. We're rigging

1:22:46.800 --> 1:22:50.320
<v Speaker 3>it in as always, and again, just another reminder if

1:22:50.360 --> 1:22:53.040
<v Speaker 3>you want to check out our tour tickets, that's on

1:22:53.120 --> 1:22:56.840
<v Speaker 3>our link tree, which is linked in the description of

1:22:56.880 --> 1:23:02.360
<v Speaker 3>this that's San Francisco, Sacramento, d Austin, and San Diego

1:23:02.840 --> 1:23:05.519
<v Speaker 3>coming up at the beginning of next month. And you

1:23:05.560 --> 1:23:08.480
<v Speaker 3>can follow us in all the normal places on Instagram,

1:23:08.960 --> 1:23:14.519
<v Speaker 3>and we still post on the platform formerly known as Twitter,

1:23:14.680 --> 1:23:16.880
<v Speaker 3>so that's where you can find us.

1:23:17.120 --> 1:23:22.160
<v Speaker 2>Yes, and you can also subscribe to our Patreon aka maatreon,

1:23:22.360 --> 1:23:26.519
<v Speaker 2>where we release two bonus episodes every month, plus you'll

1:23:26.560 --> 1:23:30.960
<v Speaker 2>get access to the back catalog of one hundred and

1:23:31.080 --> 1:23:35.559
<v Speaker 2>fifty ish bonus episodes, all for five dollars a month

1:23:35.800 --> 1:23:40.600
<v Speaker 2>at patreon dot com slash Bechdel Cast. This month is

1:23:41.640 --> 1:23:46.960
<v Speaker 2>Dance December and we're covering Flash Dance and Save the

1:23:47.040 --> 1:23:48.400
<v Speaker 2>Last Dance, So.

1:23:48.320 --> 1:23:52.160
<v Speaker 3>We're celebrating a little late this year. You'll forgive us.

1:23:52.479 --> 1:23:54.439
<v Speaker 2>Yeah, yeah, yeah, yeah, Well, I mean we never, I

1:23:54.439 --> 1:24:00.280
<v Speaker 2>mean Portman July has been celebrated in every other month based.

1:24:00.680 --> 1:24:03.599
<v Speaker 3>You're damn right. And you can also get our birch

1:24:03.800 --> 1:24:07.320
<v Speaker 3>at teapublic dot com slash Bechdel Cast. And again, if

1:24:07.320 --> 1:24:10.000
<v Speaker 3>you're going to those tour shows, we will have tour

1:24:10.160 --> 1:24:13.880
<v Speaker 3>exclusive merch at the meet and greet, so that'll be

1:24:13.920 --> 1:24:17.720
<v Speaker 3>a blast. And we also have an exciting January plan

1:24:17.840 --> 1:24:21.759
<v Speaker 3>for you, so stay tuned. Gang We love.

1:24:21.680 --> 1:24:32.040
<v Speaker 2>Yeah, Shreculator, sh reculator, Bye bye. The Bechdel Cast is

1:24:32.080 --> 1:24:35.759
<v Speaker 2>a production of iHeartMedia, hosted by Caitlin Derante and Jamie

1:24:35.760 --> 1:24:39.960
<v Speaker 2>loftis produced by Sophie Lichterman, edited by Mola Board. Our

1:24:40.000 --> 1:24:43.120
<v Speaker 2>theme song was composed by Mike Kaplan with vocals by

1:24:43.200 --> 1:24:47.400
<v Speaker 2>Catherine Vosskrosenski. Our logo and merch is designed by Jamie

1:24:47.400 --> 1:24:51.439
<v Speaker 2>Loftis and a special thanks to Aristotle Acevedo. For more

1:24:51.479 --> 1:24:54.960
<v Speaker 2>information about the podcast, please visit link Tree Slash Bechdel

1:24:55.000 --> 1:24:55.720
<v Speaker 2>Cast