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Speaker 1: Good morning us say yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo.

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Speaker 2: Jess Hilario, Labor Day.

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Speaker 1: Yeah, it is absolutely right. It's absolutely Labor Day Day. Okay,

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Speaker 1: and we're not really here, but we have an amazing

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Speaker 1: best of show for you today.

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Speaker 3: It's not even really the best of. Oh we got

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Speaker 3: some new interviews, got new interviews. We got patients will

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Speaker 3: be joining us. Okay, patience, this is Foster. Yes, Cardi

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Speaker 3: B's brand manager.

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Speaker 2: Correct.

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Speaker 1: Oh, we never beaten the Cardi B payroll allegations. Oh yeah,

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Speaker 1: they gonna swear we on the payroll. We got Cardi

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Speaker 1: B's brand manager.

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Speaker 3: And I'm gonna have to walk out halfway through to

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Speaker 3: show people that I'm not really riding all the way.

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Speaker 1: That means that they only give you the front end.

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Speaker 1: That's right, Okay, got you got you.

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Speaker 4: Gave you the back Listen.

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Speaker 2: I want to tell everybody too.

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Speaker 1: I only remind people in Chalton, South Carolina that today

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Speaker 1: at noon, the International African American Museum is going to

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Speaker 1: be absolutely free.

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Speaker 2: Okay.

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Speaker 1: Myself and the Black Effect Podcast Network sponsored a free

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Speaker 1: day at the International African American Museum in Charleston starting

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Speaker 1: at noon today. So if you off the Labor Day,

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Speaker 1: gather the kids and you know, go to the International

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Speaker 1: African American Museum starting today at noon.

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Speaker 5: It is completely free. Admission is free and NBA trainer

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Speaker 5: Chris Brickley of being the building as well.

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Speaker 6: And I also wanted to say for Labor Day for

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Speaker 6: the next three hours, Messy Vision is completely free.

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Speaker 4: It's sych now. You can get your ticket.

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Speaker 1: Nor you said it on that they're gonna hold you today.

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Speaker 6: Going happened twenty of use use the pro bowl code

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Speaker 6: psych s. I K love y'all so much Messy Vision

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Speaker 6: oway dot com.

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Speaker 3: All right, let's get the show cracking. It's the Breakfast

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Speaker 3: Club morning. This is your time to get it off

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Speaker 3: your chest. Eight hundred and five eight five one, five

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Speaker 3: to one. We want to hear from you on the

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Speaker 3: Breakfast Club.

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Speaker 2: Hello. Who's this?

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Speaker 7: Hey?

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Speaker 2: Heymy hey Jamie? What's up?

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Speaker 5: Get it off your chest?

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Speaker 8: Hey? How you doing? I just want I wanted to

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Speaker 8: get on here and excuse me.

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Speaker 9: I might be a roy nervous.

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Speaker 8: I ain't never called the radio station before, but uh,

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Speaker 8: I just want to sing a little.

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Speaker 2: Song for y'all real quick.

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Speaker 5: All right there, brother, and it's my birthday.

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Speaker 2: Birthday.

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Speaker 4: You're from Baltimore, Thank you, thank you? How yeah you're

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Speaker 4: from Baltimore.

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Speaker 9: I'm definitely from Baltimore.

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Speaker 2: That's definite, ain't it ain't no?

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Speaker 4: What's up? No, you can't not from don't.

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Speaker 2: Go ahead say something for a show, all right?

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Speaker 8: Yeah, there's so many things I die to tell you.

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Speaker 8: Bird almost free. I don't know how mm hmmm, because

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Speaker 8: there's a postive visited that you look at me different

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Speaker 8: news ever since that first moment I spoomed from me No,

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Speaker 8: I m my bye.

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Speaker 10: The change love esus.

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Speaker 4: Okay, shuty, all right.

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Speaker 8: Okay, your name is Bang? What else youthing?

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Speaker 5: Trying to finish the hook me?

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Speaker 1: Don't do me?

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Speaker 11: All right?

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Speaker 2: What else you do? You need to be saying? Trade school?

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Speaker 2: I need to.

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Speaker 12: Stop playing my man.

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Speaker 2: You need to find something else. You have a great one, bro,

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Speaker 2: Like what else you do besides sing? Thank you?

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Speaker 10: For uh?

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Speaker 9: I played ball for real in college now in college

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Speaker 9: right now, I got a little girl for real though.

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Speaker 3: Oh you don't do nothing play ball in school and

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Speaker 3: see yo yo, yeah twenty three.

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Speaker 8: Now I'm from Baltimore, vent.

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Speaker 2: Now I'm in Florida. What you doing in Florida?

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Speaker 8: Uh? Telling work?

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Speaker 2: You know, working? Got job?

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Speaker 1: Hey, Yo, ain't no such thing as a regular job. Brother,

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Speaker 1: You got a job. That's a good day. You're working

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Speaker 1: at the marryout. You're making a living man for sure.

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Speaker 12: Yeah.

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Speaker 8: I went to all to see me out here.

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Speaker 1: I want to see me man, Yes, sir, I'm wishing

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Speaker 1: the best.

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Speaker 2: For you, absolutely, and God bless you.

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Speaker 6: Man and Baltimore if you listen, to make sure you

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Speaker 6: get your tickets for the show. I'm gonna be at

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Speaker 6: Baltimore Comedy Factory the first weekend in September. September fifth

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Speaker 6: through the seventh, Men Dazzi Alexander. So get your tickets

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Speaker 6: now at just Alaria's official dot com. We got six

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Speaker 6: shows Friday, Saturday and Sunday, two each night.

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Speaker 2: All right, get it off your chest.

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Speaker 3: Eight hundred and five eighty five one O five one.

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Speaker 3: If you need to vent, hit us up now. It's

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Speaker 3: the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 13: Ray right, Ray Yo, Charlotte, Man.

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Speaker 4: What up are we lying?

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Speaker 2: This is your time to get it off your chest?

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Speaker 5: I got an indoor poll.

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Speaker 2: We want to hear from you on the Breakfast club.

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Speaker 5: Get on the phone right now, he'll tell you what

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Speaker 5: it is.

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Speaker 8: We live.

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Speaker 9: Hello, who's this It's Sydney.

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Speaker 3: Hey, Sydney Lauren, and happy birthday, belated, thank.

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Speaker 8: You so much, thank you.

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Speaker 13: So I'm head to get my chest. I had a

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Speaker 13: it was my thirty thirty and I I this, like,

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Speaker 13: let's say, thirty.

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Speaker 10: People and literally only nine sold.

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Speaker 13: Up, and they left me with a bill.

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Speaker 4: Dangn what and it was your dirty thirty.

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Speaker 13: It was my thirty thirty.

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Speaker 6: Y'all went out to dinner. You had a dinner and

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Speaker 6: they and only nine people showed up. You invited thirty people,

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Speaker 6: nine showed up, and he let.

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Speaker 13: No, truly, I'm just so just a beautiful restaurant in

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Speaker 13: the Bronx from Miaspar and grill. So I kind of

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Speaker 13: went it off the back section to have and it

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Speaker 13: was gonna be open bar. You just had to pay

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Speaker 13: one hundred dollars. But you know, I got to give

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Speaker 13: him a headcount to know how much you know.

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Speaker 9: Food, to make how many people?

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Speaker 4: Yeah, yeah, So.

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Speaker 13: I give him the head thinking people's gonna pop up,

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Speaker 13: you know, and they kind of did that, and they

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Speaker 13: kind of stuck me with that bill.

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Speaker 2: Damn.

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Speaker 3: That was three thousand dollars a hundred to pop and

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Speaker 3: only nine so you so you got to come out

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Speaker 3: of your pocket with twenty one hundred.

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Speaker 6: Hey Jaffrey, jesus, I'm so sorry, and I'm still I.

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Speaker 13: Had to put it on the payment plan.

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Speaker 14: I ain't gonna lie.

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Speaker 13: I come, I ain't got it.

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Speaker 4: I tell you, I understand. And they knew that too.

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Speaker 5: And if they knew that they wasn't.

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Speaker 6: Going, how can you even show up somewhere not having

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Speaker 6: no money and it's the birthday girl birthday?

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Speaker 13: No it was him, and that they didn't even show

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Speaker 13: up with no money. They said it was coming and

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Speaker 13: just didn't show up.

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Speaker 2: So they are repeat and everything all that. Damn.

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Speaker 6: I'm so sorry. But you see you look going and

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Speaker 6: see your thirties. You see you gotta leave some people

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Speaker 6: back in the twenties.

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Speaker 13: No, yah, yeah, I don't trust me.

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Speaker 2: I'll say that now.

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Speaker 13: So fun that Nexsary, I cussed everybody out.

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Speaker 3: Oh you want to sell all your friends that didn't

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Speaker 3: show up? You want to you want to issue on

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Speaker 3: them this morning? You want to say their names?

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Speaker 13: Well I know one of them because they got a

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Speaker 13: definite family. But you know what people didn't show up,

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Speaker 13: and I'm like, at least you gonna pay me the bill,

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Speaker 13: send me something to pay for this bill. I was

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Speaker 13: everybody I caught across, y'all send me something to me

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Speaker 13: at least had to call and pay this bill because

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Speaker 13: this ain't me.

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Speaker 2: You really, but you do realize they don't really like

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Speaker 2: you though.

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Speaker 13: Right, damn thanks Charlotte.

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Speaker 2: They didn't show up, Like, did they give valid reasons?

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Speaker 2: What was the reason that.

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Speaker 4: One person gave a valid reason?

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Speaker 2: They had a definite family and everybody else is just

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Speaker 2: I mean, they haven't everybody.

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Speaker 13: I just I didn't even tell you that. I'm sure

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Speaker 13: I didn't even care about that explanation or whatever. I

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Speaker 13: just had to at least pay something, give me something

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Speaker 13: because they cause.

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Speaker 5: You tell them that it was one hundred dollars or

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Speaker 5: you just said pull little, it was a.

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Speaker 13: Sire everything, one hundred dollars open bar food. Yeah, it

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Speaker 13: was a hope fer. I didn't just tell them pull

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Speaker 13: up and that, No, you gotta pres you gotta prep

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Speaker 13: some people. And everybody got it. You know, some people

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Speaker 13: you know pressed and you know, save their money and stuff.

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Speaker 13: But no, I didn't just tell him to, you know,

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Speaker 13: talk I'm sorry.

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Speaker 2: At least the rest of my did a payment plan.

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Speaker 3: Most restaurants would have probably lost, you know, at least

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Speaker 3: they did a payment plan.

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Speaker 12: I know.

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Speaker 13: That's what I'm saying. He's very good and it's a

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Speaker 13: food is delicious. Maya's part of the restaurant on East

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Speaker 13: if you're ever to go, but I want to bless.

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Speaker 2: Yeah, Maya's apartment a little bit. You know, only nine

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Speaker 2: people ate, only nine people drink.

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Speaker 3: Maya's help her out a little bit if fault, I know, but.

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Speaker 2: I don't do it. Goddamn thing is helping me.

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Speaker 13: He is helping me and he's working with me. So

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Speaker 13: he said, I just want to shout out his just

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Speaker 13: one because he's the dope person.

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Speaker 5: Go go to her mind, Maybe Mike take on some more.

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Speaker 4: Yeah, that's what's.

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Speaker 8: Saying that to No.

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Speaker 13: Can I took for my cash in case somebody want

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Speaker 13: to bless me and feel desperate for girl.

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Speaker 1: Man, this is crazy, Charlotte, everything going on in the world,

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Speaker 1: and you're really going to ask people for your cash

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Speaker 1: because people didn't show up your birthday party.

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Speaker 6: Come on now, no, it's not even that is because

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Speaker 6: she got a whole big ass bill to pay by herself.

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Speaker 2: She should have better friends that actually like her. Well

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Speaker 2: she doesn't.

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Speaker 1: She just found out the ass the public to cover

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Speaker 1: that bill. No, God, bless you, sweetheart, We love you.

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Speaker 1: Have a great day, you know in the radio and

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Speaker 1: ass the public to send something to your cash should be.

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Speaker 2: For dire needs, bro, Yeah, like not this, come on, man?

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Speaker 4: No, but what if she has dire needs that she

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Speaker 4: can't take.

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Speaker 6: Care of because she had to pay.

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Speaker 2: She should have thought about that before she could at it.

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Speaker 1: Maybe should have had a smaller function on once again,

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Speaker 1: have some friends that actually like.

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Speaker 2: You, friends that actually liked you, take you out for

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Speaker 2: your birthday.

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Speaker 6: Exactly, or it shouldn't have been at mice because one

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Speaker 6: hundred dollars is steep for one night when people ain't

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Speaker 6: got it right now, she should go to Corral in

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Speaker 6: the Bronx that.

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Speaker 3: It was like twenty good you'd have been good that

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Speaker 3: Damn I agree, damn damn sorry mama.

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Speaker 5: Well, if I had your cash, a do something, get

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Speaker 5: it off your chest eight hundred and five eight five.

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Speaker 5: If you need event, hit us up now. It's the

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Speaker 5: breakfast Club.

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Speaker 2: Gome morning, the Breakfast Club.

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Speaker 3: Warning, everybody's d j n V just hilarious charlamage the

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Speaker 3: God we are the Breakfast Club.

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Speaker 5: Laura La Rosa is here with us, and we got

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Speaker 5: some special guests in the boland this morning.

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Speaker 1: The host of the new show Friday Night Vibes on TBS.

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Speaker 1: What the new host Friday Night Vibes on TVs.

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Speaker 2: Dina Parker Kevin I walked that up because you know,

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Speaker 2: keV didn't talk about that last time he was here.

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Speaker 2: And I saw Nina and Chance, and Nina was like,

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Speaker 2: Nina was like, I don't know why he was up

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Speaker 2: there and did not mention that we're in a new home.

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Speaker 15: Friday Night may be having tunnel vision, so you got

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Speaker 15: all these other projects he was. I watched the interview

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Speaker 15: and I was so excited, like, I can't wait till

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Speaker 15: he mentions Friday Night viox because we were in the

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Speaker 15: middle of filming Friday Night Vibes.

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Speaker 2: About it man, Friday Night Friday Night Vibes, and.

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Speaker 15: I had just did tring Hall and I was like, Keith,

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Speaker 15: I mentioned you and shout at you out and showed

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Speaker 15: your picture on the back.

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Speaker 2: I feel, I mean ghastling, I said at first, So

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Speaker 2: it means it's true.

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Speaker 3: Baby, that's just not who you are because you know

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Speaker 3: one of your best friends was up here right just like.

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Speaker 5: Just right here, And when we told him that you

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Speaker 5: were coming, he was like, he didn't even tell me

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Speaker 5: he was here in New York.

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Speaker 2: He was like, we were playing pool and friendship.

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Speaker 4: We saw Tony just in the grind, like, what are

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Speaker 4: you doing here?

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Speaker 2: Shown they didn't tell me he was doing the breakfast clo.

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Speaker 15: But men don't share details like that, Like if it

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Speaker 15: would have been me and my homegirl, we would have

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Speaker 15: been like at the hotel having breakfast before we came over.

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Speaker 15: I feel like y'all just see each other when you see.

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Speaker 2: To He had to show in New York. I didn't

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Speaker 2: know that I got tickets to a show, surprising.

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Speaker 13: I was gonna pull up on right.

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Speaker 16: Ticket always by my I don't even play that. I'm

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Speaker 16: not trying to hear it. Don't hear me because people

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Speaker 16: you ain't even cool with, like what's up on the ticket?

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Speaker 16: Kevo stays dot com.

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Speaker 2: It's what we're talking with them. My parents buy tickets

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Speaker 2: to my show.

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Speaker 15: I want to support, but then they want you to

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Speaker 15: give up the ticket.

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Speaker 2: Yeah, that ain't support. Parents buy tickets to your show.

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Speaker 16: Your parents refuse to get free tickets. They're like, I

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Speaker 16: believe in you and what you're doing. I'll go get tickets.

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Speaker 14: They won't make sure they got loan you no money

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Speaker 14: ever again?

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Speaker 2: No, well yes, like you keep doing good. So you

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Speaker 2: know what I'm saying, need you to make it.

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Speaker 1: You know, they're not just testing you just to see

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Speaker 1: if you're gonna say no, no, no, y'all done enough,

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Speaker 1: I got you.

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Speaker 2: No, they buy them. They support for the next show.

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Speaker 16: My friends, I don't mind. It's people I don't know.

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Speaker 16: We ain't got a relationship. You trying to get the

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Speaker 16: free tickets? Man, Nah, okay, it's like a hookup. When

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Speaker 16: I work in Popey's. I give my friends a hook up,

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Speaker 16: not everybody like some of the biscuits.

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Speaker 2: You see the price, that's true. How did this come together?

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Speaker 15: You know what's crazy? We actually chem tested together. Kevin

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Speaker 15: and I knew each other only on social media, like

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Speaker 15: I was a fan of his work and we had

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Speaker 15: never met, so we would, you know, exchange on social media.

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Speaker 15: And then you know, the show used to be hosted

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Speaker 15: by Tiffany Hattius and Dione Cole. They were revamping it

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Speaker 15: and so they did like a big casting call. So

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Speaker 15: when we got called. And sometimes when you get to

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Speaker 15: a certain level, you're like, oh, I still got a

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Speaker 15: KYMP test.

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Speaker 11: Okay.

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Speaker 15: I was like, So we did the KYM test and

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Speaker 15: it was it was actually like a family reunion. It

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Speaker 15: was about twenty about what, fifteen women, fifteen men. Yeah,

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Speaker 15: and we were kim testing with our friends. So it

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Speaker 15: was like a big dat trouble.

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Speaker 2: It took all day long.

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Speaker 16: Yeah, it was like you you spend five minutes with

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Speaker 16: this person and the okay, y'all done and this person

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Speaker 16: and when Nina and I went, it was like this

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Speaker 16: sounds cliche, but I was like, I forgot we were

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Speaker 16: even auditioning.

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Speaker 2: We were just chopping it up and they stopped us.

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Speaker 2: We're like, okay, cool.

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Speaker 15: I was like this, we got this. Like there's sometimes

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Speaker 15: I feel like you get that little voice because you

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Speaker 15: know when you're when you're in this industry, you just

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Speaker 15: know when something that is magic. And we were sitting

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Speaker 15: next to each other and it was so easy with him.

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Speaker 15: And I've had a lot of co hosts over the years,

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Speaker 15: and keV is by far like the easiest person I've.

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Speaker 2: Ever worked with. Oh that's an ultimate compliment. By the way,

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Speaker 2: it's not.

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Speaker 15: It's not to him. It's his life.

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Speaker 8: Wullis right.

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Speaker 15: Because his wife is he knows how to there is

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Speaker 15: a there's a dance, as you guys know. And then

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Speaker 15: when you have like a co host who knows how

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Speaker 15: to communicate in a healthy way with a woman, it's

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Speaker 15: just like even like he'll be like do you.

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Speaker 5: Need to sit?

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Speaker 15: I'm like what because I used to people being like

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Speaker 15: get off the way, and it's just he's very kind.

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Speaker 15: So it just makes it so easy to work with.

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Speaker 1: Nita, go ahead, I tell you that all the time.

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Speaker 1: When somebody says you're easy to work with, that's beautiful.

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Speaker 1: And when somebody says you're a pleasure to work with,

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Speaker 1: you gonna always work.

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Speaker 16: Yeah, because it's so long, the work is hard, so

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Speaker 16: talent is evenly distributed, you know in La New York,

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Speaker 16: but good people to work with, it's not so much.

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Speaker 16: And then it's already stressful. You got early call times

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Speaker 16: and all that stuff. If you're also a jerk on

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Speaker 16: top of that, it's like, bro, I don't even.

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Speaker 2: Want to do it.

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Speaker 15: It's life be lifing, as you know, so it's like

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Speaker 15: it's hard to get on it and have to like

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Speaker 15: turn all of that off, you know, in filming. So

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Speaker 15: when you have somebody that's like keV is really like

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Speaker 15: my real life brother, you know, I really love him.

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Speaker 15: I love his wife, like we have dinners. Like it's

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Speaker 15: so it's just it doesn't it truly doesn't feel like work.

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Speaker 15: So we just be cutting up. And you know, this

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Speaker 15: show really allowed me to be funny and like really

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Speaker 15: tap into cause I feel like I've done so much

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Speaker 15: formal journalism. This was like a different This was more vulnerable,

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Speaker 15: and keV is more my coach sometimes where he's like,

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Speaker 15: just say it, like, you know, cause I'm so trained

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Speaker 15: that sometimes it's a little bit more stiff. So he's like,

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Speaker 15: just say it. They ain't gonna care.

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Speaker 16: Yeah, and we need to help me too, because I

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Speaker 16: had never done official TV, never worked off a prompter before.

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Speaker 16: So the first day I was like, dang man, this

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Speaker 16: like there's a lot of pressure and you can't really

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Speaker 16: mess up. It's time for you to do your job right.

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Speaker 16: And he was like, oh, it's good, there's how you

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Speaker 16: do it.

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Speaker 2: Let's run through it once.

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Speaker 16: And Nina, man, let me tell you what she big

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Speaker 16: sis for real, because when I only want to do stuff,

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Speaker 16: she'd be like, ah, we ain't doing that, y'all.

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Speaker 2: We are doing this.

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Speaker 16: Like you can tell she's been in the game for

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Speaker 16: a long time, never rude or anything like that, but

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Speaker 16: she she knows how to assert herself and people respect

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Speaker 16: her for that.

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Speaker 2: And I'm more of like, I never done this, so

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Speaker 2: whatever y'all say is cool.

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Speaker 15: But also when you've done it a long time, you

394
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Speaker 15: know when people are padding time like you like, we

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Speaker 15: don't need we got this. We can just roll through this,

396
00:16:02,880 --> 00:16:04,920
Speaker 15: like y'all ain't got a babys Like we're gonna come in,

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Speaker 15: were gonna knock this out and we're gonna go home.

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Speaker 15: Everybody gonna get home on time. Y'all got pill over time.

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Speaker 2: And hard for you, keV being on a production that

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00:16:12,160 --> 00:16:16,960
Speaker 2: you don't control, no low key. Actually it's free because

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Speaker 2: you like to do.

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Speaker 16: Oh my god, there's a certain amount of stress when

403
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Speaker 16: you control it, Like the talent is just one aspect.

404
00:16:24,280 --> 00:16:26,080
Speaker 16: Then you gotta worry about the budget and the controlling,

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Speaker 16: the editing, the delivery. Friday night vibes, brother. When it's

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Speaker 16: over all right, y'all, and it's it is, it is

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00:16:33,320 --> 00:16:35,840
Speaker 16: a welcome reprieve from having a duel. I don't want

408
00:16:35,880 --> 00:16:38,520
Speaker 16: to have to worry about post edit deliveries, time code,

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00:16:38,960 --> 00:16:43,040
Speaker 16: you know, s and p leave it at the door coffee.

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Speaker 2: Yes, what time is lunch? Okay?

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Speaker 16: Perfect, see you all tomorrow. I just come on time

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Speaker 16: do my job. Chopping up with Mena.

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Speaker 2: I knew we was cool. You need to let me

414
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Speaker 2: she was getting braided down, y'all real.

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Speaker 15: Friends, man, you let me see the bread.

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Speaker 2: The breakdown is into Yeah.

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Speaker 16: No, That's why I think that camaraderie and chemistry from

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00:17:07,840 --> 00:17:10,240
Speaker 16: the audition through the show, it just carries on throughout.

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Speaker 16: And then that's why the show feels so natural. Our

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Speaker 16: guests come on, they feel really natural with us, you

421
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Speaker 16: know what I'm saying.

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Speaker 15: So, and it doubled the ratings. So we did the

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Speaker 15: first season, we only had like twelve episodes, so it

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Speaker 15: was just the first Friday of every month, which right now,

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Speaker 15: you know, TV is very difficult. They actually doubled our

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Speaker 15: episode order because they were saying that our interviews with

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Speaker 15: each other and with our guests were spiking over the movies. Yeah,

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00:17:31,840 --> 00:17:34,320
Speaker 15: so I mean listen to get a double order. During

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Speaker 15: this time, we feel very blessed.

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Speaker 3: We're still kicking it with Nina Parker and keV on

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Speaker 3: stage the new show Friday Night Vibes is on TBS.

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Speaker 5: Was it toxic working there?

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Speaker 14: ANGI what I mean?

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Speaker 15: Listen, this is I've heard. It's not like that anymore.

435
00:17:48,960 --> 00:17:51,480
Speaker 15: I don't know, And this is this is one of

436
00:17:51,520 --> 00:17:54,119
Speaker 15: the reasons you and I haven't talked because I checked

437
00:17:54,160 --> 00:17:56,400
Speaker 15: out of all things TMZ, I never watched the show again.

438
00:17:56,440 --> 00:17:59,920
Speaker 15: When I stopped like, I didn't, I stopped community. I didn't,

439
00:18:00,000 --> 00:18:02,320
Speaker 15: so I'm not communicre with people I knew, but anything

440
00:18:02,440 --> 00:18:03,840
Speaker 15: like I just kind of shut that part of my

441
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Speaker 15: brain off because I had a lot of PTSD and

442
00:18:07,200 --> 00:18:09,080
Speaker 15: it was you have to think about it. This was

443
00:18:09,200 --> 00:18:12,879
Speaker 15: like the birth of New age media. There were no rules,

444
00:18:13,440 --> 00:18:16,960
Speaker 15: so we would work like fourteen hours a day. You

445
00:18:16,960 --> 00:18:19,520
Speaker 15: would get in trouble for taking a lunch. You couldn't

446
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Speaker 15: leave like your desk. You had to answer your phone

447
00:18:22,280 --> 00:18:24,840
Speaker 15: if four in the morning. It was You would work

448
00:18:24,880 --> 00:18:27,920
Speaker 15: weekends and you couldn't say no. We would rock. People

449
00:18:27,960 --> 00:18:29,600
Speaker 15: would walk around with their laptop. We would go to

450
00:18:29,640 --> 00:18:31,119
Speaker 15: a concert. You have to have your laptop in your

451
00:18:31,160 --> 00:18:33,320
Speaker 15: back because if you got a call it for you

452
00:18:33,359 --> 00:18:34,600
Speaker 15: didn't answer, you would get fired.

453
00:18:35,600 --> 00:18:36,320
Speaker 2: It was over for you.

454
00:18:36,560 --> 00:18:39,159
Speaker 15: So and I made the decision to participate in that

455
00:18:39,280 --> 00:18:41,760
Speaker 15: because I didn't have anybody, I didn't have anything else,

456
00:18:41,800 --> 00:18:44,600
Speaker 15: I didn't have a team. We were kind of deterred

457
00:18:44,640 --> 00:18:47,880
Speaker 15: from getting a team, like you know. So the things

458
00:18:47,920 --> 00:18:51,720
Speaker 15: I know now this is this is there was no

459
00:18:51,960 --> 00:18:53,240
Speaker 15: hr R.

460
00:18:55,320 --> 00:18:57,560
Speaker 12: Was very new, and there was the union. Things that

461
00:18:57,680 --> 00:18:59,600
Speaker 12: come in when you have in your protection. They got

462
00:18:59,680 --> 00:19:01,720
Speaker 12: ridden that didn't exist back then.

463
00:19:01,880 --> 00:19:04,399
Speaker 15: Like they had Telepictures that was the parent company that

464
00:19:04,520 --> 00:19:06,960
Speaker 15: technically you could go, but you didn't know anybody there

465
00:19:07,040 --> 00:19:09,880
Speaker 15: because they weren't. You only knew who was in the building.

466
00:19:10,080 --> 00:19:13,359
Speaker 15: So it was it was really the wild West. And

467
00:19:13,480 --> 00:19:15,960
Speaker 15: I probably I mean when Michael Jackson died, I didn't

468
00:19:16,000 --> 00:19:18,879
Speaker 15: leave the office for three days, like we slept there.

469
00:19:19,119 --> 00:19:21,159
Speaker 5: And that was your salary of fifty thousand dollars or

470
00:19:21,240 --> 00:19:21,560
Speaker 5: less whatever.

471
00:19:21,600 --> 00:19:21,760
Speaker 7: I mean.

472
00:19:21,800 --> 00:19:23,919
Speaker 15: I think I was still making like the PA salary then,

473
00:19:24,400 --> 00:19:25,960
Speaker 15: which was I think I had got boosted to like

474
00:19:26,040 --> 00:19:26,840
Speaker 15: six fifty a week.

475
00:19:27,000 --> 00:19:29,360
Speaker 3: Crazy thing is when Lauren started working here. You ever

476
00:19:29,400 --> 00:19:31,359
Speaker 3: see that dog that they and I'm not comparing you

477
00:19:31,440 --> 00:19:33,600
Speaker 3: to a dog, but that dog that when you get

478
00:19:33,640 --> 00:19:35,080
Speaker 3: out the shelter right and.

479
00:19:35,160 --> 00:19:36,960
Speaker 5: You put your hand up to pettit and skin.

480
00:19:37,520 --> 00:19:40,639
Speaker 3: That's how Lauren was. Lauren was like, wait a minute,

481
00:19:41,119 --> 00:19:43,080
Speaker 3: you guys just said good job like it was. I'm

482
00:19:43,119 --> 00:19:45,800
Speaker 3: like what I thought she was joking? Then I realized no,

483
00:19:46,080 --> 00:19:47,040
Speaker 3: she was traumatized.

484
00:19:49,840 --> 00:19:50,520
Speaker 2: How long were you there?

485
00:19:50,800 --> 00:19:51,560
Speaker 4: How was that TMC?

486
00:19:51,720 --> 00:19:53,040
Speaker 14: For eight years?

487
00:19:53,440 --> 00:19:55,359
Speaker 12: And when you come in you hear woll from the

488
00:19:55,359 --> 00:19:57,240
Speaker 12: black people there. You hear so much about you. Van

489
00:19:57,359 --> 00:19:59,600
Speaker 12: was always really big about, you know, talking to me

490
00:19:59,600 --> 00:20:01,159
Speaker 12: about you. He was there when I was. When I

491
00:20:01,240 --> 00:20:03,040
Speaker 12: was there, so was Raquel. And then they left, and

492
00:20:03,119 --> 00:20:05,359
Speaker 12: when they left it was me and I was like, what.

493
00:20:06,200 --> 00:20:07,640
Speaker 15: At least you had the camaraderie.

494
00:20:08,119 --> 00:20:10,600
Speaker 12: But then they left right and then George Floyd and

495
00:20:10,600 --> 00:20:12,639
Speaker 12: I'm odd aurey happened and it was like, oh.

496
00:20:12,720 --> 00:20:15,879
Speaker 15: And you're fighting by yourself because there's a lot of microaggressions.

497
00:20:15,960 --> 00:20:19,000
Speaker 15: There's macro too. And one of the things that was

498
00:20:19,040 --> 00:20:20,800
Speaker 15: hard for me was like, at the time, and this

499
00:20:21,000 --> 00:20:22,680
Speaker 15: was before Van even got there, I was the only

500
00:20:22,720 --> 00:20:26,440
Speaker 15: black person on camera. And so you are soul.

501
00:20:26,640 --> 00:20:29,600
Speaker 5: Yes, yes, the stories you tell me yourself.

502
00:20:29,400 --> 00:20:32,440
Speaker 15: And you feel an obligation, but sometimes you're tired, right

503
00:20:32,520 --> 00:20:37,440
Speaker 15: and half the time, but the thing is with black talent, especially,

504
00:20:38,200 --> 00:20:40,800
Speaker 15: you don't have the luxury of being silent when it's

505
00:20:40,800 --> 00:20:43,119
Speaker 15: a black issue, because they're gonna look at you in

506
00:20:43,160 --> 00:20:44,560
Speaker 15: this room full of white people and wonder why you

507
00:20:44,600 --> 00:20:46,959
Speaker 15: just say anything they're not gonna think about. Like I've

508
00:20:47,000 --> 00:20:49,200
Speaker 15: been doing this every single day. I got a migraine.

509
00:20:49,240 --> 00:20:51,240
Speaker 15: I'm tired, Like I'm tired of arguing. I know, their

510
00:20:51,280 --> 00:20:54,240
Speaker 15: race baiting me. There, they bait you on purpose. But

511
00:20:54,320 --> 00:20:55,800
Speaker 15: at the same time, I'm like, I got to think

512
00:20:55,800 --> 00:20:57,560
Speaker 15: about the people who are watching that look like me,

513
00:20:57,640 --> 00:20:59,280
Speaker 15: that are like, you know, why didn't you speak up?

514
00:20:59,640 --> 00:21:02,320
Speaker 15: But you know, you know, as you age, fighting every

515
00:21:02,400 --> 00:21:06,160
Speaker 15: day gets exhausting. And also when you're getting baited because

516
00:21:06,200 --> 00:21:07,960
Speaker 15: it's like I don't mind having a healthy discussion, but

517
00:21:08,000 --> 00:21:10,040
Speaker 15: you're purposely trying to bait me to have this conversation

518
00:21:10,400 --> 00:21:12,159
Speaker 15: so you can have content, and I'm not really with that.

519
00:21:12,560 --> 00:21:14,560
Speaker 15: And so you get tired of being used. You get

520
00:21:14,600 --> 00:21:17,680
Speaker 15: tired of like women being talked about. You know, you

521
00:21:17,800 --> 00:21:20,240
Speaker 15: feel like I'm in this space. When I was there,

522
00:21:20,440 --> 00:21:23,080
Speaker 15: it was very toxic, like we would get they had

523
00:21:23,119 --> 00:21:26,120
Speaker 15: a relationship with Vivid because you know, Kim Kardashians sex

524
00:21:26,160 --> 00:21:28,240
Speaker 15: tape and they vivid would send like sex tapes in

525
00:21:29,040 --> 00:21:31,320
Speaker 15: and sometimes people would just watch them in the office,

526
00:21:31,760 --> 00:21:33,000
Speaker 15: you know, and it was like you were like what

527
00:21:33,680 --> 00:21:35,959
Speaker 15: am I What's going on? But then also you're like, well,

528
00:21:36,000 --> 00:21:37,680
Speaker 15: what are my other options? And that's when you start

529
00:21:37,720 --> 00:21:39,359
Speaker 15: to build these relationships, and you're like, I got to

530
00:21:39,400 --> 00:21:40,040
Speaker 15: make an exit plan.

531
00:21:40,760 --> 00:21:42,880
Speaker 12: I had a I just want to say this real quick.

532
00:21:42,880 --> 00:21:44,240
Speaker 12: Then we can move away from TMZ because you have

533
00:21:44,320 --> 00:21:44,920
Speaker 12: moved away.

534
00:21:44,880 --> 00:21:50,520
Speaker 2: Yes, but I met Trenches said nothing about this.

535
00:21:50,840 --> 00:21:53,359
Speaker 12: I met you a long time ago in LA and

536
00:21:53,440 --> 00:21:56,320
Speaker 12: our interaction you weren't rude, but it just wasn't the best.

537
00:21:56,480 --> 00:21:58,240
Speaker 12: And one I was about to leave, Ban was like,

538
00:21:58,480 --> 00:21:59,840
Speaker 12: you should call Meena, and I was like, I don't

539
00:21:59,840 --> 00:22:01,359
Speaker 12: think she cares for me that much, and he was

540
00:22:02,000 --> 00:22:03,800
Speaker 12: and I was like, well, and I told him, but

541
00:22:03,960 --> 00:22:05,520
Speaker 12: now here in your I don't know if you even

542
00:22:05,560 --> 00:22:08,320
Speaker 12: knew who I was, But if so, I'm thinking, like

543
00:22:08,440 --> 00:22:10,600
Speaker 12: maybe that I had nothing to do with that. But

544
00:22:10,680 --> 00:22:13,200
Speaker 12: I never thought about this, because when you're in that environment,

545
00:22:13,240 --> 00:22:16,320
Speaker 12: you think it's regular, you think it's okay. I never

546
00:22:16,359 --> 00:22:19,240
Speaker 12: thought about like what your post life felt like mentally

547
00:22:19,520 --> 00:22:20,879
Speaker 12: having to go through and deal with all of that.

548
00:22:21,040 --> 00:22:22,960
Speaker 2: I think that so I got to do you telling

549
00:22:23,040 --> 00:22:27,720
Speaker 2: the world that Nina no I said, why would you do?

550
00:22:29,760 --> 00:22:31,320
Speaker 12: The reason why I want to say that is because

551
00:22:31,560 --> 00:22:33,560
Speaker 12: now I'm sitting here and I felt your emotion just

552
00:22:33,560 --> 00:22:35,080
Speaker 12: now when you were talking about your experience, and I

553
00:22:35,240 --> 00:22:37,560
Speaker 12: identify with it so much, and it made me think

554
00:22:37,560 --> 00:22:40,639
Speaker 12: about if I were to run into someone right in

555
00:22:40,760 --> 00:22:44,159
Speaker 12: that same predicament unknowingly, I might not like, you know,

556
00:22:44,320 --> 00:22:45,080
Speaker 12: do you know what I'm trying to.

557
00:22:45,160 --> 00:22:47,760
Speaker 15: When you're reacting to the place, not the person, yes,

558
00:22:48,200 --> 00:22:50,520
Speaker 15: And so you you know, it's like if someone brings

559
00:22:50,600 --> 00:22:52,960
Speaker 15: up a relationship that hurts you, you're kind of like,

560
00:22:54,200 --> 00:22:56,000
Speaker 15: especially if you're not in a space to like say,

561
00:22:56,040 --> 00:22:57,800
Speaker 15: you're not thinking about it, and it jars you for

562
00:22:57,880 --> 00:23:02,719
Speaker 15: a second where you're just like And also, I'm very

563
00:23:02,800 --> 00:23:05,120
Speaker 15: media trained, right, so sometimes I don't want to speak

564
00:23:05,200 --> 00:23:07,520
Speaker 15: bad on a place, and I don't know if my

565
00:23:07,560 --> 00:23:09,920
Speaker 15: experience will be your experience. So there's a lot I

566
00:23:10,000 --> 00:23:13,160
Speaker 15: can't say to you without saying it right where I can.

567
00:23:13,600 --> 00:23:16,000
Speaker 15: It's like, how do I tell this person there in

568
00:23:16,080 --> 00:23:19,399
Speaker 15: the trenches and like get out quickly, yes, because that

569
00:23:19,480 --> 00:23:21,480
Speaker 15: may not be your journey. So how do I say

570
00:23:21,520 --> 00:23:24,240
Speaker 15: that to you, because it's so nuanced. So it's just

571
00:23:24,359 --> 00:23:27,199
Speaker 15: such a layered thing. So sometimes if like people come

572
00:23:27,280 --> 00:23:28,600
Speaker 15: up to me like I'm at TMZ, I'm kind of

573
00:23:28,640 --> 00:23:31,720
Speaker 15: like and I'm like, yeah, I don't know what to

574
00:23:31,800 --> 00:23:34,399
Speaker 15: tell you, because this is it's only something you understand

575
00:23:34,400 --> 00:23:35,960
Speaker 15: if you've been there. It's like being in a sorority.

576
00:23:36,280 --> 00:23:38,639
Speaker 15: But at the same time, and I think I've just

577
00:23:38,760 --> 00:23:42,159
Speaker 15: healed from being there probably within the last like four years,

578
00:23:42,240 --> 00:23:44,800
Speaker 15: four or five years. You I have this thing now

579
00:23:44,840 --> 00:23:47,760
Speaker 15: where I'm my friends say I'm the fastest responder because

580
00:23:48,000 --> 00:23:50,760
Speaker 15: you had to be this thing, right. I always even

581
00:23:50,880 --> 00:23:53,760
Speaker 15: now I'm not really in news anymore, like I'm a

582
00:23:53,840 --> 00:23:55,560
Speaker 15: host for shows, and even now, I feel like I

583
00:23:55,600 --> 00:23:57,000
Speaker 15: got to look at these headlines. I'm like, what am

584
00:23:57,000 --> 00:23:58,360
Speaker 15: I doing? I am posting about no news.

585
00:24:00,200 --> 00:24:02,879
Speaker 2: I'm the first supposed to tweet about it. So you

586
00:24:03,000 --> 00:24:03,760
Speaker 2: have these things.

587
00:24:03,840 --> 00:24:08,160
Speaker 15: So I don't remember the the interaction, but I'll say

588
00:24:08,280 --> 00:24:13,080
Speaker 15: that it was so traumatizing that sometimes it was hard

589
00:24:13,240 --> 00:24:17,760
Speaker 15: to react positively about it. And also, you know, as

590
00:24:17,840 --> 00:24:20,680
Speaker 15: you grow, you learn how to temper that a little

591
00:24:20,680 --> 00:24:21,080
Speaker 15: bit better.

592
00:24:21,480 --> 00:24:25,360
Speaker 3: Friday Night Vibes on TV, Yeah, we appreciate you guys

593
00:24:25,520 --> 00:24:26,520
Speaker 3: coming up and don't be strange.

594
00:24:26,560 --> 00:24:29,680
Speaker 2: You could come on more. Ke I feel like me

595
00:24:29,840 --> 00:24:31,639
Speaker 2: a girl. I was watching too. I was like, oh

596
00:24:31,760 --> 00:24:34,320
Speaker 2: my god, this is really happening. They gonna put this on.

597
00:24:39,080 --> 00:24:39,440
Speaker 17: Watch it.

598
00:24:39,800 --> 00:24:44,000
Speaker 2: Please come if you are in town, please come on away.

599
00:24:44,040 --> 00:24:45,080
Speaker 2: Seven years to get keVs.

600
00:24:46,000 --> 00:24:47,000
Speaker 15: Well, y'all just had him.

601
00:24:47,080 --> 00:24:50,480
Speaker 2: So this was fine. I was fullying. I was in

602
00:24:50,560 --> 00:24:52,040
Speaker 2: the coverage, tweeting, I was in.

603
00:24:52,040 --> 00:24:52,720
Speaker 17: The common.

604
00:24:54,800 --> 00:24:56,480
Speaker 15: Yes, yes, I have a I have a clothing line

605
00:24:56,520 --> 00:24:59,320
Speaker 15: for plus women sizes twelve to thirty is. Yes, it's

606
00:24:59,320 --> 00:25:02,600
Speaker 15: in stores that it's doing very well, and so this

607
00:25:02,720 --> 00:25:05,159
Speaker 15: is one of the designs. So yeah, it's still you know,

608
00:25:05,240 --> 00:25:08,040
Speaker 15: the multiple streams. It's always needed the little.

609
00:25:08,960 --> 00:25:09,560
Speaker 2: To keep a check.

610
00:25:10,240 --> 00:25:13,080
Speaker 5: It was Nina Parker Kep on stage Friday Night Vibes

611
00:25:13,119 --> 00:25:13,760
Speaker 5: on TBS.

612
00:25:14,000 --> 00:25:14,880
Speaker 2: It's the Breakfast Club.

613
00:25:14,880 --> 00:25:18,119
Speaker 3: Good morning, Good morning everybody. It's DJ and the just

614
00:25:18,240 --> 00:25:20,880
Speaker 3: Hilarry and Charlamagne the guy. We are the Breakfast Club

615
00:25:20,920 --> 00:25:23,160
Speaker 3: now if you're just joining us, phone lines wide open,

616
00:25:23,200 --> 00:25:25,159
Speaker 3: eight hundred and five eighty five, one oh five to one.

617
00:25:25,840 --> 00:25:28,840
Speaker 3: This morning, they had been calling me flex Washington, Flexington, Yes,

618
00:25:29,000 --> 00:25:30,720
Speaker 3: and a host of others And why is this just.

619
00:25:31,240 --> 00:25:34,560
Speaker 6: Because you made a video the other day that hit

620
00:25:34,600 --> 00:25:36,359
Speaker 6: the shave room that made it seem like you was

621
00:25:36,440 --> 00:25:38,119
Speaker 6: trying to go save your dogs from the rain.

622
00:25:38,160 --> 00:25:39,840
Speaker 4: I don't know who the hell think dogs got to

623
00:25:39,840 --> 00:25:40,800
Speaker 4: be saved from the rain.

624
00:25:41,080 --> 00:25:45,359
Speaker 6: But you had the video a selfie style right to

625
00:25:45,440 --> 00:25:47,360
Speaker 6: show the big castle that you living in the back

626
00:25:47,400 --> 00:25:49,600
Speaker 6: instead of showing the dogs. The objective was to show

627
00:25:49,880 --> 00:25:52,240
Speaker 6: you rescuing the dogs from the rain. I always finally

628
00:25:52,320 --> 00:25:54,880
Speaker 6: got them from their one bedroom apartment in your backyard.

629
00:25:55,480 --> 00:25:56,760
Speaker 2: You want to training the dog.

630
00:25:56,840 --> 00:25:58,520
Speaker 4: You wanted us to even see how big the cage is.

631
00:25:58,520 --> 00:25:59,879
Speaker 4: But he stood in the cage.

632
00:26:00,040 --> 00:26:02,080
Speaker 5: And if dav is not not sure, I put that

633
00:26:02,200 --> 00:26:03,760
Speaker 5: cage together. I got it from track to supply.

634
00:26:04,160 --> 00:26:06,480
Speaker 4: Think about that you were standing in the cave.

635
00:26:06,359 --> 00:26:10,120
Speaker 3: And how much is I put them together myself from

636
00:26:10,160 --> 00:26:12,600
Speaker 3: track to supply. And I was showing the process. I've

637
00:26:12,600 --> 00:26:15,000
Speaker 3: talked about these two puppies that my kids and family wanted.

638
00:26:15,280 --> 00:26:17,280
Speaker 3: We got these dogs, and now nobody helps me with

639
00:26:17,359 --> 00:26:19,240
Speaker 3: these dogs. I have to do it every day and

640
00:26:19,640 --> 00:26:20,280
Speaker 3: train these dogs.

641
00:26:20,400 --> 00:26:21,560
Speaker 14: Those are some big puppies.

642
00:26:22,080 --> 00:26:23,960
Speaker 2: Imagine they were born on March.

643
00:26:24,040 --> 00:26:26,600
Speaker 1: Now, imagine a plane flying over that house and seeing

644
00:26:26,680 --> 00:26:28,600
Speaker 1: you in that cage and thinking to themselves, oh.

645
00:26:28,560 --> 00:26:31,639
Speaker 2: My god, they got dominicans in cages in New Jersey.

646
00:26:32,640 --> 00:26:34,040
Speaker 4: It was big. Did you see the cage?

647
00:26:34,600 --> 00:26:38,000
Speaker 2: It were crazy cages. I didn't I didn't hit the cage.

648
00:26:38,000 --> 00:26:39,680
Speaker 2: I saw him running in the backyard door man.

649
00:26:39,880 --> 00:26:41,480
Speaker 5: But it was It's what I did to, you know,

650
00:26:41,600 --> 00:26:44,240
Speaker 5: to show people that when when your kids say they

651
00:26:44,280 --> 00:26:46,080
Speaker 5: want dogs, just know that it's all on you get

652
00:26:46,240 --> 00:26:47,480
Speaker 5: on another level.

653
00:26:48,760 --> 00:26:50,159
Speaker 6: You could have came in here and got it off

654
00:26:50,200 --> 00:26:52,399
Speaker 6: your chest about that. You did not have to make

655
00:26:52,440 --> 00:26:54,440
Speaker 6: a selfie style video to show your house in the

656
00:26:54,480 --> 00:26:55,560
Speaker 6: back never dropped the phone?

657
00:26:55,640 --> 00:26:56,280
Speaker 2: Was that it was?

658
00:26:56,440 --> 00:26:57,400
Speaker 5: It was from my TikTok.

659
00:26:57,400 --> 00:26:59,159
Speaker 3: If you follow me on TikTok, I explained some of

660
00:26:59,200 --> 00:27:01,720
Speaker 3: the things that I do just show fun, just being funny,

661
00:27:01,800 --> 00:27:02,679
Speaker 3: doing certain things that.

662
00:27:02,800 --> 00:27:03,720
Speaker 2: Your phone is proof.

663
00:27:03,840 --> 00:27:05,360
Speaker 4: What's the craziest phone waterproof?

664
00:27:05,520 --> 00:27:06,320
Speaker 5: Is my phone water proof?

665
00:27:06,400 --> 00:27:08,520
Speaker 2: Is your phone waterproof? I don't know, but I'm asking

666
00:27:08,600 --> 00:27:10,640
Speaker 2: you you it was you was pouring down raining.

667
00:27:10,720 --> 00:27:11,880
Speaker 5: Yes it works in water.

668
00:27:14,359 --> 00:27:17,320
Speaker 4: What's the craziest way y'all ever flexed?

669
00:27:17,640 --> 00:27:20,000
Speaker 2: Craziest thing about I don't do that?

670
00:27:20,400 --> 00:27:23,680
Speaker 5: Jax were talking talking about you. She she never say

671
00:27:23,720 --> 00:27:25,040
Speaker 5: her house, my state.

672
00:27:25,200 --> 00:27:25,720
Speaker 18: This is not.

673
00:27:28,119 --> 00:27:30,480
Speaker 2: I'm not in the penthouse in Jersey City.

674
00:27:31,800 --> 00:27:33,560
Speaker 12: And then what look she was She was talking about

675
00:27:33,560 --> 00:27:35,679
Speaker 12: her daughter's first birthday and it was very casual.

676
00:27:35,760 --> 00:27:36,920
Speaker 14: She was like, okay, this is my house.

677
00:27:36,920 --> 00:27:38,320
Speaker 12: That gonna put this here to say I'm like, it's

678
00:27:38,320 --> 00:27:41,240
Speaker 12: an aerial shot of a huge plot of land. I

679
00:27:41,440 --> 00:27:44,920
Speaker 12: was like, okay, Joss, I'm not going to fake save

680
00:27:45,119 --> 00:27:48,119
Speaker 12: no dogs to show that I'm.

681
00:27:49,760 --> 00:27:51,719
Speaker 2: About don't you're here?

682
00:27:52,240 --> 00:27:58,600
Speaker 1: He damn it, man, Lawrence Laurence. Ain't nothing flexed about

683
00:27:58,680 --> 00:28:04,760
Speaker 1: Lauren stiff stiff you hear me.

684
00:28:07,080 --> 00:28:11,760
Speaker 2: About Lauren cheat?

685
00:28:11,840 --> 00:28:15,200
Speaker 14: This is virgie, this is don't play with me. Okay,

686
00:28:16,160 --> 00:28:17,359
Speaker 14: install is installing.

687
00:28:19,080 --> 00:28:19,800
Speaker 4: Hello, good morning.

688
00:28:19,840 --> 00:28:20,159
Speaker 2: Who's this?

689
00:28:20,560 --> 00:28:20,919
Speaker 16: Yea yo?

690
00:28:21,000 --> 00:28:21,359
Speaker 2: What's up?

691
00:28:21,440 --> 00:28:22,920
Speaker 10: This is James Jada cable guy.

692
00:28:23,160 --> 00:28:24,160
Speaker 4: Good morning, Jkble.

693
00:28:24,560 --> 00:28:25,159
Speaker 10: What's going on?

694
00:28:25,560 --> 00:28:27,520
Speaker 4: Not much? What's the craziest thing you did to flex?

695
00:28:27,920 --> 00:28:28,679
Speaker 12: So check this out?

696
00:28:28,760 --> 00:28:28,879
Speaker 2: Right?

697
00:28:28,920 --> 00:28:31,160
Speaker 18: This is back back in my hey day. I say

698
00:28:31,160 --> 00:28:34,040
Speaker 18: about two thousand. I was really jocking this girl, trying

699
00:28:34,040 --> 00:28:35,920
Speaker 18: to get it to go out. She finally accepted it,

700
00:28:36,080 --> 00:28:38,280
Speaker 18: went on a date, right, So I'm really trying to flex.

701
00:28:38,600 --> 00:28:41,440
Speaker 18: I checked my bank account on speaker phone in front

702
00:28:41,440 --> 00:28:44,960
Speaker 18: of her just to watch your reaction. And I think

703
00:28:45,040 --> 00:28:47,200
Speaker 18: I said around that time it was about you know,

704
00:28:47,640 --> 00:28:50,360
Speaker 18: one hundred and four, one hundred and four thousand.

705
00:28:51,840 --> 00:28:54,240
Speaker 2: Two thousand. Okay, Nick, you want to hear that.

706
00:28:55,080 --> 00:28:56,720
Speaker 10: This is my contracting days.

707
00:28:56,880 --> 00:29:00,320
Speaker 18: You know with ninety nine you was running of all that.

708
00:29:00,600 --> 00:29:04,520
Speaker 10: It's all legit now. But uh, that was the craziest

709
00:29:04,520 --> 00:29:04,760
Speaker 10: thing I.

710
00:29:04,760 --> 00:29:05,320
Speaker 18: Did to flex.

711
00:29:05,480 --> 00:29:06,960
Speaker 2: What did she say when you did that?

712
00:29:07,400 --> 00:29:08,200
Speaker 4: What was that reaction?

713
00:29:08,520 --> 00:29:08,680
Speaker 18: Oh?

714
00:29:08,720 --> 00:29:12,440
Speaker 10: Oh, the attitude changed. The attitude went straight from uh,

715
00:29:12,720 --> 00:29:17,479
Speaker 10: you know wallysip Diddy to is this something serious with us?

716
00:29:20,040 --> 00:29:22,040
Speaker 10: Do you see yourself going forward with this?

717
00:29:22,200 --> 00:29:23,760
Speaker 18: And it was like, yeah, okay, yeah.

718
00:29:23,680 --> 00:29:26,320
Speaker 10: Sure sure did you hit la B?

719
00:29:26,560 --> 00:29:27,080
Speaker 4: Did you hit?

720
00:29:27,560 --> 00:29:28,040
Speaker 2: Did you hit?

721
00:29:28,520 --> 00:29:30,280
Speaker 10: Look, I'm not gonna kitch and tell.

722
00:29:34,360 --> 00:29:34,760
Speaker 2: Work out?

723
00:29:35,240 --> 00:29:36,000
Speaker 10: It didn't work out?

724
00:29:36,160 --> 00:29:37,400
Speaker 2: Okay, right?

725
00:29:37,560 --> 00:29:39,880
Speaker 4: Marriedright, married to it to this day. That's why.

726
00:29:40,840 --> 00:29:45,040
Speaker 2: Hell come on, and who's this yo?

727
00:29:45,160 --> 00:29:46,480
Speaker 9: You know the vibes and mellow?

728
00:29:46,760 --> 00:29:48,480
Speaker 2: How you doing? Mellow? What's up?

729
00:29:48,560 --> 00:29:50,760
Speaker 4: What's the craziest thing you ever did? The flex?

730
00:29:50,880 --> 00:29:52,120
Speaker 2: Like your boy Envy?

731
00:29:52,560 --> 00:29:55,680
Speaker 9: Oh I'm not even the first off? Can we drop

732
00:29:55,720 --> 00:29:56,880
Speaker 9: on the cool box for Envy?

733
00:29:56,960 --> 00:29:57,880
Speaker 8: Perflexing so hard?

734
00:29:57,960 --> 00:29:59,200
Speaker 10: That was big fire.

735
00:30:00,480 --> 00:30:00,680
Speaker 2: Sign.

736
00:30:00,760 --> 00:30:01,280
Speaker 16: The video.

737
00:30:03,000 --> 00:30:05,920
Speaker 2: Fire wasn't bake fire.

738
00:30:07,000 --> 00:30:09,680
Speaker 9: It's alright, little tickets. But I'm not gonna hold me

739
00:30:09,760 --> 00:30:12,480
Speaker 9: back in the days. In my younger days, I was

740
00:30:12,560 --> 00:30:15,360
Speaker 9: on some Drakes also some Drake Thomas, you know, no kid.

741
00:30:15,440 --> 00:30:16,800
Speaker 9: I was like, yo, you want shock for the girls

742
00:30:16,840 --> 00:30:19,080
Speaker 9: and all the song and you know what I mean.

743
00:30:19,280 --> 00:30:22,680
Speaker 9: I shouldn't have did that, and I had to pretty

744
00:30:22,760 --> 00:30:26,840
Speaker 9: much keep ordering shocks until I direct deposit here, you.

745
00:30:26,800 --> 00:30:27,239
Speaker 5: Know what I mean.

746
00:30:27,360 --> 00:30:29,280
Speaker 9: And I feel like that's the wildest thing I've ever done,

747
00:30:29,320 --> 00:30:31,600
Speaker 9: because I was sitting there for additional hour and a half.

748
00:30:31,720 --> 00:30:35,840
Speaker 12: Bro, what you would have did it that deposit was

749
00:30:35,920 --> 00:30:37,600
Speaker 12: like later like your bank, you know what I mean.

750
00:30:37,680 --> 00:30:39,120
Speaker 12: Sometimes to be off like what you would.

751
00:30:38,960 --> 00:30:40,680
Speaker 9: Have done might even go hold you. We was in

752
00:30:40,720 --> 00:30:42,320
Speaker 9: a karaoke bar and I can sing. I would have

753
00:30:42,360 --> 00:30:47,000
Speaker 9: distracted them word I would have you know what I mean?

754
00:30:47,040 --> 00:30:48,920
Speaker 9: They called me Trey Rooms in the hood. I'm not

755
00:30:48,960 --> 00:30:49,640
Speaker 9: even gonna lie to you.

756
00:30:50,200 --> 00:30:55,360
Speaker 2: I don't like listen.

757
00:30:55,520 --> 00:30:57,560
Speaker 1: I want to tell everybody to I only remind people

758
00:30:57,640 --> 00:31:01,320
Speaker 1: in Charlton, South Carolina, that today at noon, the International

759
00:31:01,400 --> 00:31:04,960
Speaker 1: African American Museum is going to be absolutely free okay,

760
00:31:05,320 --> 00:31:08,320
Speaker 1: myself and the Black Effect Podcast Network sponsored a free

761
00:31:08,400 --> 00:31:12,200
Speaker 1: day at the International African American Museum in Charleston starting

762
00:31:12,240 --> 00:31:14,600
Speaker 1: at noon today. So if you off the Labor Day,

763
00:31:14,880 --> 00:31:17,360
Speaker 1: gather the kids, and you know, go to the International

764
00:31:17,400 --> 00:31:19,680
Speaker 1: African American Museum starting today at noon.

765
00:31:19,800 --> 00:31:22,760
Speaker 5: It is completely free. Admission is free. The Breakfast Club,

766
00:31:22,800 --> 00:31:29,640
Speaker 5: Good morning, The Breakfast Club, Good morning everybody, cej n V,

767
00:31:29,880 --> 00:31:32,560
Speaker 5: Jesse hilarious, Charlamagne the guy we are the Breakfast Club.

768
00:31:32,640 --> 00:31:35,160
Speaker 3: La La Rosa is here as well. We got a

769
00:31:35,200 --> 00:31:38,120
Speaker 3: special guest in the building. Yes, indeed, she's the only

770
00:31:38,160 --> 00:31:41,160
Speaker 3: other person from Delaware that I know. You know, you

771
00:31:41,240 --> 00:31:43,840
Speaker 3: know Joe Biden, President Body, Joe Body, Yes, yes, I

772
00:31:43,920 --> 00:31:46,680
Speaker 3: know him as well. And you know, as Patience, what the.

773
00:31:48,200 --> 00:31:52,360
Speaker 2: Patience ladies talking about, I'm about it.

774
00:31:52,400 --> 00:31:55,160
Speaker 3: Too, you know, all imaginary players, she says, and Patience,

775
00:31:55,200 --> 00:31:56,920
Speaker 3: what the When she's about to, I guess do something

776
00:31:56,920 --> 00:31:58,280
Speaker 3: she's not supposed to with patience.

777
00:31:58,040 --> 00:32:00,320
Speaker 2: So she said, Patience be liked as I.

778
00:32:00,280 --> 00:32:02,440
Speaker 3: Said, Yeah, when Cardi's about to do something she's not

779
00:32:02,480 --> 00:32:04,360
Speaker 3: supposed to be, I guess you pop up in of

780
00:32:04,400 --> 00:32:08,040
Speaker 3: mind like Cardi, the founder and CEO of Cream Labs,

781
00:32:08,080 --> 00:32:10,000
Speaker 3: but you know she's behind You know some of the

782
00:32:10,080 --> 00:32:12,640
Speaker 3: biggest artists rollouts.

783
00:32:12,520 --> 00:32:14,800
Speaker 2: In hip hop. Correct, right, and you've been with Cardis

784
00:32:14,800 --> 00:32:15,360
Speaker 2: since day one?

785
00:32:15,760 --> 00:32:15,960
Speaker 8: Yeah?

786
00:32:16,600 --> 00:32:16,920
Speaker 15: Years?

787
00:32:17,320 --> 00:32:17,600
Speaker 17: Wow?

788
00:32:18,400 --> 00:32:21,760
Speaker 12: Yes, ten years as of September of this year.

789
00:32:21,880 --> 00:32:22,120
Speaker 2: Wow.

790
00:32:22,240 --> 00:32:23,920
Speaker 5: But let's start there. How did you meet Cardy and

791
00:32:23,960 --> 00:32:25,040
Speaker 5: how did you get on part of her team?

792
00:32:25,280 --> 00:32:25,440
Speaker 2: Oh?

793
00:32:25,960 --> 00:32:26,760
Speaker 15: I love this story.

794
00:32:27,640 --> 00:32:30,640
Speaker 12: So when I had my son, I decided not to

795
00:32:30,760 --> 00:32:32,600
Speaker 12: go back and work for Hurts.

796
00:32:32,640 --> 00:32:33,960
Speaker 4: I was running cars Hurts.

797
00:32:34,040 --> 00:32:36,320
Speaker 12: Okay, after I graduated college, I ended up having to

798
00:32:36,400 --> 00:32:39,080
Speaker 12: rint cars. There were no jobs, so I decided to

799
00:32:39,160 --> 00:32:42,200
Speaker 12: open up a salon in Wilmington called Victated the Salon

800
00:32:42,880 --> 00:32:44,080
Speaker 12: with my tax refund money.

801
00:32:45,640 --> 00:32:45,760
Speaker 17: La.

802
00:32:48,320 --> 00:32:49,520
Speaker 14: I've been so for since day one.

803
00:32:49,600 --> 00:32:50,880
Speaker 12: We were in there doing aller for I was in

804
00:32:50,920 --> 00:32:56,400
Speaker 12: the photo shocause.

805
00:32:53,960 --> 00:32:55,320
Speaker 2: I continue on, you know what.

806
00:32:56,040 --> 00:33:00,320
Speaker 12: So basically I was, you know, just operating in the salon.

807
00:33:00,400 --> 00:33:02,360
Speaker 12: But I opened the salon because I always wanted to

808
00:33:02,400 --> 00:33:04,480
Speaker 12: be a publicist. So I'm like, I'm gonna use my

809
00:33:04,560 --> 00:33:08,000
Speaker 12: stylist as like my case studies my clients while I

810
00:33:08,120 --> 00:33:10,880
Speaker 12: self teach myself, right, So I would look for opportunities

811
00:33:10,920 --> 00:33:13,000
Speaker 12: for them outside of the booth. Was like my selling point.

812
00:33:13,800 --> 00:33:18,120
Speaker 12: So fast forward maybe four years. My partner actually who's here.

813
00:33:19,240 --> 00:33:22,320
Speaker 12: He was bringing a lot of talent and celebrities to Wilmington,

814
00:33:22,400 --> 00:33:25,160
Speaker 12: and we're a very, very small market, so there's not

815
00:33:25,280 --> 00:33:27,560
Speaker 12: a ton of talent that comes in and out of Wilmington,

816
00:33:27,680 --> 00:33:31,280
Speaker 12: especially because we're so close to Philly. So he would

817
00:33:31,320 --> 00:33:33,920
Speaker 12: throw live events. There were a ton of different events

818
00:33:34,000 --> 00:33:37,200
Speaker 12: and talent and celebrities that you know, he would bring out.

819
00:33:37,360 --> 00:33:40,240
Speaker 12: So my stylists were telling me, Hey, this girl named

820
00:33:40,280 --> 00:33:43,040
Speaker 12: Carti is coming to Delaware, she's coming to dance. We

821
00:33:43,160 --> 00:33:45,160
Speaker 12: want to do her hair and makeup. I didn't follow

822
00:33:45,200 --> 00:33:47,040
Speaker 12: her at the time, but I, you know, I followed

823
00:33:47,040 --> 00:33:50,200
Speaker 12: their lead, and I reached out to Bunn and asked him,

824
00:33:50,320 --> 00:33:52,360
Speaker 12: you know, would you mind putting in a word with

825
00:33:53,000 --> 00:33:55,239
Speaker 12: Cardi and her management. You know, we'll do her hair

826
00:33:55,320 --> 00:33:58,400
Speaker 12: and her makeup at no costs. So he followed through

827
00:33:59,320 --> 00:34:03,400
Speaker 12: and he made the connection, the very first connection between

828
00:34:03,440 --> 00:34:06,520
Speaker 12: myself and Cardi. And she pulled up with her manager

829
00:34:06,560 --> 00:34:08,440
Speaker 12: at the time and a pt cruiser. She had this

830
00:34:08,600 --> 00:34:14,480
Speaker 12: orange wig on, Yes, pa cruiser. This was so early on.

831
00:34:14,640 --> 00:34:17,640
Speaker 12: This was like literally like before love and hip hop ear.

832
00:34:25,520 --> 00:34:27,880
Speaker 12: So yeah, she pulled up, she got her hair and

833
00:34:27,920 --> 00:34:29,520
Speaker 12: makeup done, and she was just like, you want to

834
00:34:29,560 --> 00:34:31,080
Speaker 12: come to the club with me? And I'm like, oh,

835
00:34:31,520 --> 00:34:32,560
Speaker 12: you know, I gotta sit her.

836
00:34:33,000 --> 00:34:33,279
Speaker 15: Why not?

837
00:34:33,960 --> 00:34:36,720
Speaker 12: So we go to the club and she gets dressed.

838
00:34:36,760 --> 00:34:38,319
Speaker 12: She asked me to help me pick her money up

839
00:34:38,480 --> 00:34:41,520
Speaker 12: while she's dancing. We order some wings, We go our

840
00:34:41,560 --> 00:34:43,320
Speaker 12: separate ways at the end of the night. And about

841
00:34:43,400 --> 00:34:46,160
Speaker 12: maybe a month or two later, I had started filling

842
00:34:46,200 --> 00:34:50,200
Speaker 12: out internship applications because I was just like, I'm twenty six.

843
00:34:50,239 --> 00:34:52,120
Speaker 12: I think I was how old. I was like, oh

844
00:34:52,160 --> 00:34:54,840
Speaker 12: my gosh, I was twenty six, and I'm like, you know,

845
00:34:54,960 --> 00:34:57,479
Speaker 12: my son is two three. At the time, I really

846
00:34:57,560 --> 00:34:59,279
Speaker 12: still want to be a publicist. I need to make

847
00:34:59,320 --> 00:35:01,440
Speaker 12: a move. So I just started filling out all of

848
00:35:01,480 --> 00:35:04,560
Speaker 12: these internship applications for fashion week, which is kind of

849
00:35:04,600 --> 00:35:08,960
Speaker 12: what segued us into that space, and I took an internship.

850
00:35:09,080 --> 00:35:11,200
Speaker 12: I slept on my friend's couch in Newark, New Jersey,

851
00:35:12,280 --> 00:35:15,120
Speaker 12: and maybe my third day on the job, I ran

852
00:35:15,160 --> 00:35:17,880
Speaker 12: into Cardi backstage. She was walking in the Gypsy Sports

853
00:35:17,920 --> 00:35:21,000
Speaker 12: show because they wanted all like internet or you know,

854
00:35:21,120 --> 00:35:23,800
Speaker 12: social media personalities, and she was like, oh, like, what

855
00:35:23,920 --> 00:35:26,040
Speaker 12: are you doing here? Are you doing hair and I

856
00:35:26,160 --> 00:35:29,279
Speaker 12: was like, no, I'm a publicist. She was like, oh,

857
00:35:29,280 --> 00:35:31,440
Speaker 12: I need one of those. And I was like okay,

858
00:35:31,960 --> 00:35:34,040
Speaker 12: And her and chef invited me to dinner that night

859
00:35:34,520 --> 00:35:37,160
Speaker 12: and I walked in and they introduced me as her

860
00:35:37,239 --> 00:35:38,680
Speaker 12: new publicist. And that's how.

861
00:35:40,200 --> 00:35:40,360
Speaker 18: This was.

862
00:35:40,440 --> 00:35:50,160
Speaker 12: Before we were selling makeup, watch, popping cosmetics, everything the cosmetics.

863
00:35:50,920 --> 00:35:51,960
Speaker 4: I'm sorry, your hair salon.

864
00:35:52,360 --> 00:35:52,400
Speaker 18: No.

865
00:35:53,280 --> 00:35:56,560
Speaker 12: So as we continued to like grow and the business grew,

866
00:35:57,719 --> 00:36:00,880
Speaker 12: I you know, leveraged my what I was building with

867
00:36:00,960 --> 00:36:03,879
Speaker 12: her into an agency, which is how cream Labs came about.

868
00:36:04,960 --> 00:36:07,920
Speaker 12: And you know, I decided that, you know, maybe like

869
00:36:08,080 --> 00:36:10,240
Speaker 12: six years after having the salon open, I just didn't

870
00:36:10,239 --> 00:36:12,400
Speaker 12: have the capacity, where the bandwidth to do it. And

871
00:36:12,480 --> 00:36:14,799
Speaker 12: the industry and the salon, like the salon industry has

872
00:36:14,800 --> 00:36:17,640
Speaker 12: shifted so much. People wanted their own suites, their own brands.

873
00:36:18,120 --> 00:36:20,760
Speaker 12: So I just focused on building out and expanding the agency.

874
00:36:21,719 --> 00:36:24,239
Speaker 12: But that's what you know, all of it led up

875
00:36:24,280 --> 00:36:26,800
Speaker 12: into building with party story.

876
00:36:26,840 --> 00:36:28,640
Speaker 2: Did you do her half for her recent court case?

877
00:36:33,560 --> 00:36:37,040
Speaker 12: I was here for the Whigs, like definitely, But talk

878
00:36:37,080 --> 00:36:39,239
Speaker 12: about that, I mean, Charlatne mentioned that it's funny, but

879
00:36:39,560 --> 00:36:41,880
Speaker 12: I think even when we saw her switching wigs recently,

880
00:36:42,200 --> 00:36:45,080
Speaker 12: people instantly started remembering the first time we saw her

881
00:36:45,120 --> 00:36:47,200
Speaker 12: in court and everything was a moment when she was

882
00:36:47,239 --> 00:36:49,359
Speaker 12: showing up the court, right, And you guys have been

883
00:36:49,400 --> 00:36:51,640
Speaker 12: really good about making moments from the beginning.

884
00:36:52,480 --> 00:36:54,400
Speaker 14: Was Cardi always the artist that wanted to do that?

885
00:36:54,520 --> 00:36:55,680
Speaker 14: Did you have to talk her into it?

886
00:36:55,840 --> 00:36:58,040
Speaker 12: How to What was her first moment where she's like,

887
00:36:58,080 --> 00:36:59,719
Speaker 12: I needed this, how I need to live the rest

888
00:36:59,719 --> 00:37:03,759
Speaker 12: of my Oh, her first moment, I would say it

889
00:37:03,920 --> 00:37:07,200
Speaker 12: was the week that we met. Is the week that

890
00:37:07,480 --> 00:37:10,120
Speaker 12: we decided to work with each other, which was fashion week.

891
00:37:10,640 --> 00:37:14,080
Speaker 12: And I say that because the way that she showed

892
00:37:14,160 --> 00:37:15,919
Speaker 12: up so once we decided, like, all right, we're gonna

893
00:37:15,960 --> 00:37:19,279
Speaker 12: work together, there was a few shows left and the

894
00:37:19,400 --> 00:37:22,200
Speaker 12: last show that normally happens during fashion week was The Blonde.

895
00:37:23,000 --> 00:37:25,200
Speaker 12: So you know, as an intern, my job was to

896
00:37:25,239 --> 00:37:27,360
Speaker 12: get people from their black trucks to the front, you know,

897
00:37:27,480 --> 00:37:29,920
Speaker 12: to their front row seat. So I'm like, you know,

898
00:37:30,800 --> 00:37:33,719
Speaker 12: nobody really knows you outside of the personality that you

899
00:37:33,840 --> 00:37:37,160
Speaker 12: built on social media. Let's just start increasing your visibility

900
00:37:37,200 --> 00:37:39,680
Speaker 12: right away. And again I'm like self teaching myself at

901
00:37:39,719 --> 00:37:42,440
Speaker 12: this point, I'm just doing what feels right. So I

902
00:37:42,520 --> 00:37:44,239
Speaker 12: told her to come to the show, and I was

903
00:37:44,320 --> 00:37:46,759
Speaker 12: just gonna seat her, and I'm like, just come and

904
00:37:47,040 --> 00:37:50,360
Speaker 12: just look like you belong. Like she shows up in

905
00:37:50,480 --> 00:37:54,520
Speaker 12: a turban, these like wooden nipple pasties and like a

906
00:37:54,680 --> 00:37:58,080
Speaker 12: flared bell bottom pant, and everybody was just like if

907
00:37:58,120 --> 00:37:59,600
Speaker 12: they didn't know who she was, they wanted to know

908
00:37:59,600 --> 00:38:01,640
Speaker 12: who she was. And I just set her. I just

909
00:38:01,719 --> 00:38:04,040
Speaker 12: found a spot on the front row and just set her.

910
00:38:04,640 --> 00:38:07,640
Speaker 12: And that told me that she was number one. She

911
00:38:07,800 --> 00:38:10,440
Speaker 12: was willing to be collaborative and trusting. It wasn't like

912
00:38:10,760 --> 00:38:12,760
Speaker 12: why I gotta do this, or I'm not really invited.

913
00:38:12,760 --> 00:38:14,880
Speaker 12: I don't want to show up. I'm not gonna always

914
00:38:14,880 --> 00:38:17,000
Speaker 12: get an invite in the very beginning. Sometimes you got

915
00:38:17,080 --> 00:38:19,200
Speaker 12: to show people why you should be invited, right, and

916
00:38:19,320 --> 00:38:22,400
Speaker 12: that does come with a risk, obviously, but she was

917
00:38:22,480 --> 00:38:25,759
Speaker 12: willing to. Like Dugget, She's like, Okay, where I gotta be,

918
00:38:25,880 --> 00:38:28,520
Speaker 12: I'm gonna show up, what I gotta wear, Okay, I'm there,

919
00:38:28,719 --> 00:38:30,359
Speaker 12: and she just went with it. So at that moment,

920
00:38:30,440 --> 00:38:34,200
Speaker 12: I knew like she loved and wanted to leave an

921
00:38:34,239 --> 00:38:36,800
Speaker 12: impression wherever she went and really make a moment, and

922
00:38:37,000 --> 00:38:39,560
Speaker 12: I think we just always carried that same energy throughout

923
00:38:39,600 --> 00:38:40,239
Speaker 12: everything we did.

924
00:38:40,440 --> 00:38:42,640
Speaker 3: I love that because that really defines car to B

925
00:38:42,719 --> 00:38:45,080
Speaker 3: as a person. A lot of times people don't hear

926
00:38:45,160 --> 00:38:47,440
Speaker 3: that side of it. Charlamage and myself, we've seen her

927
00:38:47,480 --> 00:38:49,759
Speaker 3: early on, so we've seen the grind. We've seen her

928
00:38:49,800 --> 00:38:52,080
Speaker 3: eating the McDonald's in the morning. You've seen her going

929
00:38:52,120 --> 00:38:54,719
Speaker 3: to the teen parties, and we've seen that grind and

930
00:38:54,880 --> 00:38:57,120
Speaker 3: the clubs and the strip clubs and the regular clubs

931
00:38:57,160 --> 00:38:59,400
Speaker 3: and this. So I love that story because it shows that,

932
00:39:00,000 --> 00:39:02,080
Speaker 3: you know, sometimes people like, oh, no, she's that No,

933
00:39:02,200 --> 00:39:06,800
Speaker 3: she deserves to be here. She worked absolutely.

934
00:39:05,400 --> 00:39:10,080
Speaker 12: Against all odds, and it's great that I was so

935
00:39:10,360 --> 00:39:14,680
Speaker 12: fortunate to number one be you know, just given the

936
00:39:14,760 --> 00:39:17,920
Speaker 12: space to like, we're gonna figure this out together. You've

937
00:39:18,000 --> 00:39:20,480
Speaker 12: never been necessarily a publicist of X amount of years,

938
00:39:20,520 --> 00:39:22,839
Speaker 12: I've never been a superstar, like you're just gonna figure

939
00:39:22,880 --> 00:39:26,239
Speaker 12: this out and trusting one another's intuition, in one another's vision.

940
00:39:26,400 --> 00:39:30,120
Speaker 12: And she literally like being there to see all the nose.

941
00:39:30,440 --> 00:39:32,440
Speaker 12: I love that I'm still in a seat to be

942
00:39:32,520 --> 00:39:34,319
Speaker 12: able to see all of those people just eat their

943
00:39:34,360 --> 00:39:37,719
Speaker 12: words like so many people were just like, it'll never

944
00:39:37,880 --> 00:39:38,440
Speaker 12: happen for her.

945
00:39:38,560 --> 00:39:39,800
Speaker 5: We're still kicking it with patients.

946
00:39:39,840 --> 00:39:40,160
Speaker 2: Foster.

947
00:39:40,719 --> 00:39:44,680
Speaker 6: Yes, I love more, particularly about your story, how you

948
00:39:44,840 --> 00:39:48,600
Speaker 6: went through, how you use the hair industry to step into.

949
00:39:50,400 --> 00:39:53,600
Speaker 4: PR. Yeah, that is so dope. Yeah it was.

950
00:39:53,760 --> 00:39:57,000
Speaker 12: I mean living in a place like Wilmington and Lauren

951
00:39:57,080 --> 00:40:00,520
Speaker 12: knows like we're Delaware. Down wherever we got it's like, yes,

952
00:40:00,600 --> 00:40:03,960
Speaker 12: we're from Delaware, but the community and the network is

953
00:40:04,080 --> 00:40:06,680
Speaker 12: so small. It's so limited, and to be in a

954
00:40:06,760 --> 00:40:10,800
Speaker 12: space like public relations, you have to put yourself in

955
00:40:11,320 --> 00:40:13,480
Speaker 12: spaces where you can rub elbows and kiss babies and

956
00:40:13,520 --> 00:40:16,719
Speaker 12: build a network. So I still felt like before I

957
00:40:16,800 --> 00:40:19,560
Speaker 12: put myself out there, I wanted to have enough confidence

958
00:40:19,680 --> 00:40:22,359
Speaker 12: and experience just from an entry level point of view.

959
00:40:22,719 --> 00:40:26,799
Speaker 12: So looking at my stylists more like clients was really

960
00:40:26,920 --> 00:40:29,839
Speaker 12: what helped me to feel like, Okay, I got enough

961
00:40:30,200 --> 00:40:33,200
Speaker 12: confidence to walk into a space and feel like I

962
00:40:33,400 --> 00:40:36,239
Speaker 12: know how to represent people, even if it's on a

963
00:40:36,320 --> 00:40:39,480
Speaker 12: small level. I feel like I had the fundamentals to

964
00:40:40,000 --> 00:40:43,160
Speaker 12: represent someone and help leverage whatever talent they have into

965
00:40:43,719 --> 00:40:45,480
Speaker 12: a brand. I didn't know that that's what I was

966
00:40:45,520 --> 00:40:47,600
Speaker 12: doing so early on, but now that I'm much more

967
00:40:47,640 --> 00:40:49,560
Speaker 12: aware of my capabilities and what I'm able to do.

968
00:40:50,200 --> 00:40:53,080
Speaker 12: I know that I'm able to take talent and leverage

969
00:40:53,120 --> 00:40:55,800
Speaker 12: that into a brand, a brand that is sustainable outside

970
00:40:55,800 --> 00:40:56,640
Speaker 12: of just one category.

971
00:40:56,760 --> 00:41:01,080
Speaker 1: Imagine question there's between managing talent and managing the perception.

972
00:41:00,760 --> 00:41:01,239
Speaker 2: Of the talent.

973
00:41:02,760 --> 00:41:05,320
Speaker 12: I mean, I think that that's a piece of it.

974
00:41:05,520 --> 00:41:09,920
Speaker 12: Managing the perception of the talent, because the perception is

975
00:41:10,080 --> 00:41:12,880
Speaker 12: essential to the value of the brand at the end

976
00:41:12,880 --> 00:41:15,480
Speaker 12: of the day. But managing the talent, I mean, I

977
00:41:15,520 --> 00:41:17,640
Speaker 12: think there's a lot of different aspects of managing the talent.

978
00:41:17,719 --> 00:41:21,080
Speaker 12: You have day to day, you need someone who's consistently

979
00:41:21,120 --> 00:41:24,080
Speaker 12: paying attention to the logistics, yeah, the tallendar, all of

980
00:41:24,120 --> 00:41:26,680
Speaker 12: the things that keep everything moving. And then you have

981
00:41:26,800 --> 00:41:29,240
Speaker 12: people that have their expertise. You have your music managers,

982
00:41:29,280 --> 00:41:32,239
Speaker 12: you have your brand managers, and I think managing the

983
00:41:32,360 --> 00:41:36,440
Speaker 12: talent overall is just making sure that there's consistently a strategy.

984
00:41:36,640 --> 00:41:39,560
Speaker 12: There's consistently a plan, Like I don't know if people

985
00:41:39,640 --> 00:41:41,879
Speaker 12: think that it's just we're just winging it, Like there's

986
00:41:41,880 --> 00:41:45,320
Speaker 12: always a plan and there's always a goal. There's always

987
00:41:45,520 --> 00:41:47,879
Speaker 12: like we know exactly what it is that we want

988
00:41:47,920 --> 00:41:50,160
Speaker 12: to do and what we want to accomplish. But I

989
00:41:50,280 --> 00:41:55,280
Speaker 12: think really managing the talent is understanding the product itself,

990
00:41:55,360 --> 00:41:57,759
Speaker 12: which is what the talent is, whether it's music, whether

991
00:41:57,840 --> 00:42:01,920
Speaker 12: it's making clothes, whatever it is, and then understanding how

992
00:42:02,080 --> 00:42:06,239
Speaker 12: you create a relationship that's engaging with that audience in

993
00:42:06,320 --> 00:42:08,759
Speaker 12: a way that grows the brand, that builds value in

994
00:42:08,800 --> 00:42:10,520
Speaker 12: the brand, because at the end of the day, you

995
00:42:10,560 --> 00:42:12,680
Speaker 12: want to be able to leverage that brand into something

996
00:42:12,760 --> 00:42:13,840
Speaker 12: that is legacy for you.

997
00:42:14,120 --> 00:42:14,799
Speaker 2: Let me ask you a question.

998
00:42:14,880 --> 00:42:18,000
Speaker 3: How do you decide when somebody's a front or when

999
00:42:18,040 --> 00:42:20,360
Speaker 3: somebody is a client? Right, because you're going to have

1000
00:42:20,480 --> 00:42:23,200
Speaker 3: clients to pay you for certain things. But I'm assuming

1001
00:42:23,239 --> 00:42:24,919
Speaker 3: Carudi B Is not just a client. She's your friend,

1002
00:42:25,000 --> 00:42:26,000
Speaker 3: meaning you can see that.

1003
00:42:26,239 --> 00:42:28,320
Speaker 2: Yeah, But like so, if you're working.

1004
00:42:28,160 --> 00:42:30,480
Speaker 3: With somebody and now Cardi B Is beefing with that person,

1005
00:42:30,680 --> 00:42:32,200
Speaker 3: you can't work with that person anymore.

1006
00:42:32,360 --> 00:42:34,440
Speaker 5: But with a client is just like it's just a check.

1007
00:42:34,520 --> 00:42:35,480
Speaker 5: So how do you decide that?

1008
00:42:35,600 --> 00:42:37,680
Speaker 3: And if Cardi's like, you know, let's say it's not

1009
00:42:37,800 --> 00:42:39,960
Speaker 3: rocking with somebody, you say, all, well, I can't work

1010
00:42:40,000 --> 00:42:41,399
Speaker 3: with that person anymore. How does that work?

1011
00:42:41,440 --> 00:42:43,440
Speaker 12: I mean that's a very real thing. Like and I

1012
00:42:43,520 --> 00:42:47,000
Speaker 12: think also it's just what is your philosophy as what

1013
00:42:47,160 --> 00:42:50,000
Speaker 12: is your philosophy as an entrepreneur or a boss or

1014
00:42:50,040 --> 00:42:51,839
Speaker 12: whatever it is that you do right. And I feel

1015
00:42:51,840 --> 00:42:54,279
Speaker 12: like whatever your philosophy is and your principles are is

1016
00:42:54,400 --> 00:42:57,600
Speaker 12: how you show up when it comes to making those

1017
00:42:57,600 --> 00:42:59,880
Speaker 12: type of decisions. And my philosophy is a lot different

1018
00:42:59,880 --> 00:43:03,640
Speaker 12: for other people, Like there is no real defining line

1019
00:43:03,680 --> 00:43:07,240
Speaker 12: between personal and business, Like my business is very personal,

1020
00:43:07,400 --> 00:43:10,759
Speaker 12: Like my business feeds my kid, My business builds my

1021
00:43:10,920 --> 00:43:14,360
Speaker 12: livelihood and keeps my livelihood and maintains a lifestyle that

1022
00:43:14,960 --> 00:43:17,200
Speaker 12: I like to live. Like, so my business is very

1023
00:43:17,320 --> 00:43:20,560
Speaker 12: personal because you know, you compromise my business. Now you're

1024
00:43:20,600 --> 00:43:24,040
Speaker 12: compromising the way I eat. So when it comes to

1025
00:43:24,200 --> 00:43:27,120
Speaker 12: cardying any other client, and anyone can tell you, like

1026
00:43:27,520 --> 00:43:32,560
Speaker 12: wherever there are boundaries or there's an opposition, or someone

1027
00:43:32,640 --> 00:43:35,640
Speaker 12: that you know has done something in a way that

1028
00:43:36,680 --> 00:43:38,719
Speaker 12: not only makes them feel away, but has messed with

1029
00:43:38,800 --> 00:43:41,640
Speaker 12: their business and their livelihood, I could never do business

1030
00:43:41,680 --> 00:43:43,800
Speaker 12: with you. Yeah, And that's just what it is. Like,

1031
00:43:43,880 --> 00:43:46,799
Speaker 12: I think some people try to convince themselves that it's

1032
00:43:46,840 --> 00:43:49,719
Speaker 12: okay because it's just business. But there is no way

1033
00:43:49,800 --> 00:43:52,960
Speaker 12: that you don't have any emotional attachment or personal relationship

1034
00:43:53,000 --> 00:43:55,480
Speaker 12: with somebody that you go into a conference room or

1035
00:43:55,520 --> 00:43:57,759
Speaker 12: on a conference call every day and fight for them

1036
00:43:57,840 --> 00:44:00,360
Speaker 12: to eat. We got to have a personal relationship that

1037
00:44:00,440 --> 00:44:02,279
Speaker 12: doesn't turn off when I decide I want to take

1038
00:44:02,280 --> 00:44:06,080
Speaker 12: another check from somebody that doesn't align with you. We

1039
00:44:06,200 --> 00:44:07,960
Speaker 12: got to be on the same side for this to work.

1040
00:44:08,680 --> 00:44:13,719
Speaker 6: Yeah, do you guys generally only manage artists or is

1041
00:44:13,800 --> 00:44:14,600
Speaker 6: it actresses?

1042
00:44:14,760 --> 00:44:15,560
Speaker 4: It's actresses.

1043
00:44:16,840 --> 00:44:20,000
Speaker 12: We're not specific to artists or the company that we've

1044
00:44:20,040 --> 00:44:23,680
Speaker 12: recently announced and built Fifth and Freedom. It's not just

1045
00:44:23,760 --> 00:44:27,640
Speaker 12: specific to artists. It's just specific to talent, but talent

1046
00:44:27,760 --> 00:44:31,800
Speaker 12: that is talent that I can see true value in.

1047
00:44:32,080 --> 00:44:35,240
Speaker 12: Because one of the main things about Fifth and Freedom

1048
00:44:35,320 --> 00:44:37,680
Speaker 12: is that it's a new way of management and it's

1049
00:44:37,719 --> 00:44:40,160
Speaker 12: a new way of looking at talent where some people

1050
00:44:40,239 --> 00:44:42,600
Speaker 12: are just more reactive. They're waiting on an email, they're

1051
00:44:42,640 --> 00:44:45,359
Speaker 12: waiting for a deal, they're waiting to respond like. It's

1052
00:44:45,360 --> 00:44:48,080
Speaker 12: about being proactive, but also making sure that we're not

1053
00:44:48,200 --> 00:44:51,160
Speaker 12: limiting the talent to this one category that we're building

1054
00:44:51,200 --> 00:44:55,160
Speaker 12: a brand that can sustain over years without necessarily having

1055
00:44:55,200 --> 00:44:57,880
Speaker 12: to be active in one category. So it's about like

1056
00:44:57,960 --> 00:45:03,400
Speaker 12: building legacy, equitable opportunity, like joint ventures, things that you know,

1057
00:45:03,719 --> 00:45:06,120
Speaker 12: at the end of the day they'll have something to

1058
00:45:06,280 --> 00:45:08,800
Speaker 12: pass down or they'll have something to fall back on,

1059
00:45:09,000 --> 00:45:12,480
Speaker 12: because everybody doesn't whether you're an artist, whether you're an influencer.

1060
00:45:12,520 --> 00:45:14,480
Speaker 12: You may not want to make content every single day.

1061
00:45:14,600 --> 00:45:16,920
Speaker 12: Once you reach a certain point, it gets tiring. You

1062
00:45:17,000 --> 00:45:19,160
Speaker 12: may not be inspired, you may not be ready to

1063
00:45:19,239 --> 00:45:22,080
Speaker 12: drop a project every other month to meet a certain

1064
00:45:22,160 --> 00:45:24,600
Speaker 12: goal or drop a single right, but how are you

1065
00:45:24,680 --> 00:45:27,120
Speaker 12: sustaining in between time? I think that comes from like

1066
00:45:27,239 --> 00:45:30,160
Speaker 12: building real brand value, so that way you can, you know,

1067
00:45:30,360 --> 00:45:31,280
Speaker 12: build a true legacy.

1068
00:45:31,360 --> 00:45:33,319
Speaker 3: How do you deal with somebody like Lauren? First of all,

1069
00:45:34,120 --> 00:45:36,240
Speaker 3: I'm no serious, right, because you know Lauren from Delaware,

1070
00:45:36,840 --> 00:45:38,040
Speaker 3: but she thinks.

1071
00:45:38,360 --> 00:45:43,960
Speaker 2: To ask the question from Delaware? No, I want to

1072
00:45:44,000 --> 00:45:44,840
Speaker 2: know how do you deal with her?

1073
00:45:44,920 --> 00:45:48,120
Speaker 3: So, meaning you know she's a she's gonna poke the bell,

1074
00:45:48,200 --> 00:45:49,440
Speaker 3: she's gonna find out the story.

1075
00:45:49,800 --> 00:45:52,400
Speaker 2: But that's your client, right and she don't.

1076
00:45:52,320 --> 00:45:54,320
Speaker 3: Call you and say I just heard this, but you

1077
00:45:54,400 --> 00:45:56,640
Speaker 3: don't want the story out or maybe the story is wrong.

1078
00:45:57,160 --> 00:45:59,600
Speaker 5: In most cases, you can just say in the middle

1079
00:45:59,640 --> 00:46:00,520
Speaker 5: Finger the movie.

1080
00:46:00,760 --> 00:46:04,560
Speaker 2: But now and I've heard her call you mad times time.

1081
00:46:04,920 --> 00:46:06,800
Speaker 3: So how do you deal with somebody that's a friend

1082
00:46:07,400 --> 00:46:09,560
Speaker 3: but you have a client and then he can't hold

1083
00:46:09,600 --> 00:46:10,040
Speaker 3: water for.

1084
00:46:10,239 --> 00:46:14,759
Speaker 2: Nothing right, you.

1085
00:46:17,480 --> 00:46:18,680
Speaker 14: Know, ask anything that's wrong?

1086
00:46:19,200 --> 00:46:21,120
Speaker 3: But like I said, so, how do you deal with like,

1087
00:46:21,239 --> 00:46:23,239
Speaker 3: you know, because you have relationships with TMC, you have

1088
00:46:23,320 --> 00:46:26,320
Speaker 3: relationships with these blocks, how do you deal with that?

1089
00:46:27,520 --> 00:46:29,640
Speaker 12: I mean, I think like I'm just real big on

1090
00:46:29,840 --> 00:46:32,320
Speaker 12: like whoever I'm dealing with on a level like that,

1091
00:46:32,480 --> 00:46:35,719
Speaker 12: you're calling me directly and we're having conversations about things

1092
00:46:35,760 --> 00:46:38,320
Speaker 12: that are pertaining to clients. Like we already have a

1093
00:46:38,400 --> 00:46:40,720
Speaker 12: level of trust there and a level of respect because

1094
00:46:40,920 --> 00:46:44,360
Speaker 12: most people will send out And I was a publicist

1095
00:46:44,480 --> 00:46:48,240
Speaker 12: years ago. I am no longer the publicist for everyone

1096
00:46:48,400 --> 00:46:53,480
Speaker 12: that is still mentioningreem Labs.

1097
00:46:53,520 --> 00:46:54,200
Speaker 2: What's your title?

1098
00:46:54,600 --> 00:46:57,120
Speaker 12: I'm also the co founder in Fifth and Freedom with

1099
00:46:57,239 --> 00:47:00,440
Speaker 12: my partner Button, But I'm also I'm the Brent for Carti.

1100
00:47:00,600 --> 00:47:04,040
Speaker 12: I'm her brand manager and her creative director. Yes, so

1101
00:47:04,440 --> 00:47:08,520
Speaker 12: at the end of the day, I work across her

1102
00:47:08,719 --> 00:47:10,839
Speaker 12: entire business. At the end of the day because again,

1103
00:47:11,040 --> 00:47:14,560
Speaker 12: like the longest standing member of her, you know, of

1104
00:47:14,680 --> 00:47:18,320
Speaker 12: her group, of her, of her team. So I'm involved

1105
00:47:18,360 --> 00:47:20,520
Speaker 12: in every single conversation at the end of the day

1106
00:47:21,719 --> 00:47:25,360
Speaker 12: because we built that currency of trust there. But no,

1107
00:47:25,680 --> 00:47:29,279
Speaker 12: I was a publicist and that was, you know, what

1108
00:47:29,480 --> 00:47:32,200
Speaker 12: got me into the spaces that I needed to be in.

1109
00:47:32,320 --> 00:47:35,759
Speaker 12: But as I understood what I'm truly capable of, just

1110
00:47:35,840 --> 00:47:38,320
Speaker 12: outside of helping to control narratives and stories.

1111
00:47:38,400 --> 00:47:40,000
Speaker 5: So you've got old pictures of Lauren to make sure

1112
00:47:40,000 --> 00:47:40,799
Speaker 5: she'sn'm putting that now.

1113
00:47:40,840 --> 00:47:41,000
Speaker 18: And you.

1114
00:47:42,760 --> 00:47:46,440
Speaker 12: Used to share in l A and go out to

1115
00:47:46,600 --> 00:47:47,840
Speaker 12: like the awards.

1116
00:47:47,920 --> 00:47:48,320
Speaker 4: We weren't.

1117
00:47:48,719 --> 00:47:50,160
Speaker 12: We didn't have a name at the time, so we

1118
00:47:50,239 --> 00:47:56,359
Speaker 12: weren't on the list. So we were just finessing. We've

1119
00:47:56,440 --> 00:48:00,279
Speaker 12: been We've been for well over well over game. We

1120
00:48:00,360 --> 00:48:02,719
Speaker 12: grew up together. So but how I deal to your

1121
00:48:02,960 --> 00:48:05,920
Speaker 12: to answer your question, I think it's just already a

1122
00:48:06,040 --> 00:48:09,879
Speaker 12: level of respect there. So she's not gonna she's gonna

1123
00:48:09,960 --> 00:48:12,600
Speaker 12: tell me what it is. This is the information I have.

1124
00:48:14,160 --> 00:48:16,200
Speaker 12: What do you want to do with that information? Right?

1125
00:48:16,960 --> 00:48:18,960
Speaker 12: And it's two things for me. Are you on the

1126
00:48:19,000 --> 00:48:19,480
Speaker 12: record or are.

1127
00:48:19,400 --> 00:48:30,560
Speaker 5: We off the record? Number one, you always the records.

1128
00:48:26,160 --> 00:48:29,560
Speaker 12: Like journalists guys do. A lot of times when I

1129
00:48:29,680 --> 00:48:32,239
Speaker 12: call her too and be like completely before she even

1130
00:48:32,280 --> 00:48:33,359
Speaker 12: starts completely.

1131
00:48:34,080 --> 00:48:34,520
Speaker 11: You know what I mean.

1132
00:48:35,200 --> 00:48:38,399
Speaker 12: Yeah, So it's like I'm going to approach I don't.

1133
00:48:38,440 --> 00:48:39,920
Speaker 12: I think I do a very good job, Like I

1134
00:48:39,960 --> 00:48:42,080
Speaker 12: don't blur the lines between what I do as a

1135
00:48:42,200 --> 00:48:44,560
Speaker 12: professional and who I am as a person, because they're

1136
00:48:44,600 --> 00:48:47,800
Speaker 12: pretty much aligned. Like who I am as a professional

1137
00:48:47,920 --> 00:48:50,359
Speaker 12: is how I show up as a person. So how

1138
00:48:50,400 --> 00:48:54,200
Speaker 12: I deal with her is just in any friendship. Let's

1139
00:48:54,239 --> 00:48:57,480
Speaker 12: be transparent, Let's be honest with each other. This is

1140
00:48:57,520 --> 00:48:58,719
Speaker 12: what I have to say. This is what I'm not

1141
00:48:58,800 --> 00:49:02,440
Speaker 12: gonna say hypothetic. I'm going to say this, and you know,

1142
00:49:02,640 --> 00:49:04,920
Speaker 12: we just worked through it together. And I don't ever

1143
00:49:05,080 --> 00:49:07,000
Speaker 12: think for a moment I'm never going to have a

1144
00:49:07,000 --> 00:49:09,600
Speaker 12: conversation with somebody that got a second guess, is this information?

1145
00:49:09,640 --> 00:49:13,080
Speaker 12: You want to leave this phone call? So it's like,

1146
00:49:13,320 --> 00:49:15,680
Speaker 12: I think, because of our friendship and the trust and

1147
00:49:15,760 --> 00:49:18,680
Speaker 12: the history that we have there, we can do good business.

1148
00:49:18,840 --> 00:49:20,000
Speaker 5: It's still kicking it with patients.

1149
00:49:20,040 --> 00:49:23,040
Speaker 1: Foster Charlemagne, how do you decide what's best for your client,

1150
00:49:23,080 --> 00:49:24,560
Speaker 1: what's best for your girl? And what I mean by

1151
00:49:24,600 --> 00:49:26,480
Speaker 1: that is like, you know, you see, like somebody like

1152
00:49:26,520 --> 00:49:28,680
Speaker 1: Lauren in the position she's in, she's growing, like you know,

1153
00:49:28,760 --> 00:49:31,320
Speaker 1: she's building her name. You might have some information that

1154
00:49:31,400 --> 00:49:33,880
Speaker 1: you could be I could get the People magazine, but

1155
00:49:33,920 --> 00:49:35,200
Speaker 1: if I give it to them law and it's really

1156
00:49:35,239 --> 00:49:36,480
Speaker 1: going to help Brown girl grinding?

1157
00:49:36,800 --> 00:49:38,000
Speaker 2: So what are you doing those situations?

1158
00:49:38,040 --> 00:49:43,160
Speaker 12: I think it depends on a situation. For wherever there's controversy, drama,

1159
00:49:43,560 --> 00:49:46,680
Speaker 12: no punt intended, right, that's not ever, That's never been

1160
00:49:46,719 --> 00:49:49,480
Speaker 12: a part of my process or my systems, Like I'm

1161
00:49:49,560 --> 00:49:52,440
Speaker 12: never feeding. I know there's people that think like, oh,

1162
00:49:52,480 --> 00:49:55,280
Speaker 12: this is a pr stunt, like never feeding or setting

1163
00:49:55,360 --> 00:49:58,680
Speaker 12: up a stunt, right, But in terms of like exclusives,

1164
00:49:58,880 --> 00:50:01,160
Speaker 12: like oh we have this like great information or something

1165
00:50:01,200 --> 00:50:03,400
Speaker 12: we want to share about the album, Like of course,

1166
00:50:03,560 --> 00:50:05,960
Speaker 12: like I will want, you know, my friend to have

1167
00:50:06,160 --> 00:50:09,440
Speaker 12: the exclusive, But when it comes to the client, it's

1168
00:50:09,560 --> 00:50:12,200
Speaker 12: just like you if you love me and you say

1169
00:50:12,239 --> 00:50:14,279
Speaker 12: you're my friend, then you respect the fact that I

1170
00:50:14,360 --> 00:50:17,160
Speaker 12: have to do what's best for my client, and that's

1171
00:50:17,360 --> 00:50:19,960
Speaker 12: just you know, And if that level of understanding is

1172
00:50:20,040 --> 00:50:22,480
Speaker 12: just not there, then we're truly we're not friends and

1173
00:50:22,520 --> 00:50:23,400
Speaker 12: we can't have business.

1174
00:50:23,560 --> 00:50:25,239
Speaker 14: And I will say, there's been plenty of time.

1175
00:50:25,280 --> 00:50:26,640
Speaker 12: And also too, I think it's like a trade thing

1176
00:50:26,680 --> 00:50:28,719
Speaker 12: because like for me, it's like, okay, maybe if I

1177
00:50:28,800 --> 00:50:31,520
Speaker 12: know this or you've just given me this, but then

1178
00:50:31,560 --> 00:50:33,560
Speaker 12: your client whoever's like, we want to go another place

1179
00:50:33,600 --> 00:50:33,800
Speaker 12: with it.

1180
00:50:33,960 --> 00:50:35,520
Speaker 14: I'm like, I talk to her all the time. She'll

1181
00:50:35,560 --> 00:50:36,359
Speaker 14: call me about something else.

1182
00:50:36,360 --> 00:50:38,520
Speaker 12: There's been many times where I couldn't do something, but

1183
00:50:38,640 --> 00:50:40,640
Speaker 12: on the back end it's like, ooh, I might get

1184
00:50:40,680 --> 00:50:42,680
Speaker 12: another story that's bigger, or you might come to me

1185
00:50:42,719 --> 00:50:45,680
Speaker 12: and say, hey, this is announcing. Like so it's a

1186
00:50:45,719 --> 00:50:48,160
Speaker 12: transactional thing as well for me, But I want to

1187
00:50:48,200 --> 00:50:52,080
Speaker 12: talk about when, like so Carti says, patients be like,

1188
00:50:52,120 --> 00:50:54,759
Speaker 12: what the There's a lot of moments because y'all don't

1189
00:50:54,800 --> 00:50:57,000
Speaker 12: stage these things, but people always think things are stage

1190
00:50:57,120 --> 00:51:02,520
Speaker 12: uh huh. So like the Harper's Bizarre Party, the Nicki

1191
00:51:02,560 --> 00:51:04,799
Speaker 12: Minaj Cardi b the fight at the Prists party.

1192
00:51:04,960 --> 00:51:07,439
Speaker 3: First, well, she didn't even hear the uh she wasn't

1193
00:51:07,480 --> 00:51:09,480
Speaker 3: there when when Cardi made the record, because you heard

1194
00:51:09,520 --> 00:51:10,120
Speaker 3: it when when.

1195
00:51:10,120 --> 00:51:11,880
Speaker 2: Cardivated for you, you were surprised when she when she

1196
00:51:11,880 --> 00:51:12,560
Speaker 2: said to yeah.

1197
00:51:12,400 --> 00:51:14,400
Speaker 12: I was I wasn't there for when she when she

1198
00:51:14,520 --> 00:51:18,520
Speaker 12: recorded the record in real life, I was just like

1199
00:51:18,680 --> 00:51:23,000
Speaker 12: taken back because why do it have to be mean?

1200
00:51:23,239 --> 00:51:25,880
Speaker 12: But I mean, I guess it only makes sense because

1201
00:51:26,520 --> 00:51:29,400
Speaker 12: a lot of people probably think that there's this this

1202
00:51:29,760 --> 00:51:33,719
Speaker 12: yes man complex and our relationship, and it's the complete opposite,

1203
00:51:34,280 --> 00:51:38,040
Speaker 12: like I'm gonna always have her back right, wrong, oring different,

1204
00:51:38,640 --> 00:51:40,400
Speaker 12: Like there's never gonna be a time that I was

1205
00:51:40,400 --> 00:51:42,759
Speaker 12: standing down from that. But at the same time, where

1206
00:51:42,800 --> 00:51:45,360
Speaker 12: we don't agree, we don't agree respectfully right, and we

1207
00:51:45,520 --> 00:51:47,920
Speaker 12: handled that like adults, and I think we do a

1208
00:51:47,960 --> 00:51:50,520
Speaker 12: really good job of like we know that our loyalty

1209
00:51:50,719 --> 00:51:54,640
Speaker 12: is like friends and basically sisters, is you know, the

1210
00:51:54,800 --> 00:51:57,000
Speaker 12: core of our relationship. But it really doesn't blur the

1211
00:51:57,080 --> 00:52:00,200
Speaker 12: lines when it comes to like being direct about out

1212
00:52:00,760 --> 00:52:03,960
Speaker 12: you know, business decisions or just you know, life decisions.

1213
00:52:04,000 --> 00:52:06,600
Speaker 12: We don't always see out of eye. So there are

1214
00:52:06,719 --> 00:52:09,239
Speaker 12: plenty of times that she does. And I don't know

1215
00:52:09,320 --> 00:52:12,560
Speaker 12: why the Internet thinks that I like have these strings

1216
00:52:12,640 --> 00:52:14,800
Speaker 12: and control what she says or what she can do.

1217
00:52:15,080 --> 00:52:16,960
Speaker 12: Like I think her fans kind of have this idea

1218
00:52:17,360 --> 00:52:19,480
Speaker 12: like take her phone, make her get off the internet,

1219
00:52:19,640 --> 00:52:22,319
Speaker 12: like it's a grown ass woman, Like she's the one

1220
00:52:22,440 --> 00:52:24,879
Speaker 12: do and say as she pleases, and yes, from time

1221
00:52:24,920 --> 00:52:28,520
Speaker 12: to time she asks for suggestions or advisement, but there

1222
00:52:28,560 --> 00:52:30,160
Speaker 12: are some times where she jumps out the window and

1223
00:52:30,200 --> 00:52:31,800
Speaker 12: she do and say whatever she want to do, and

1224
00:52:31,880 --> 00:52:35,040
Speaker 12: now yam looking like what the fuck? Like so like

1225
00:52:35,120 --> 00:52:37,520
Speaker 12: the talent that's coming into fitting freedom. I think what

1226
00:52:37,640 --> 00:52:39,640
Speaker 12: I was going to ask was, there's a lot of

1227
00:52:39,680 --> 00:52:41,680
Speaker 12: those moments in there big because of who she is

1228
00:52:41,760 --> 00:52:44,239
Speaker 12: and become of her personality. How do you in real

1229
00:52:44,360 --> 00:52:48,440
Speaker 12: time strategize and figure it out where it doesn't hit

1230
00:52:48,560 --> 00:52:51,719
Speaker 12: her brand or her business too hard and it works

1231
00:52:51,760 --> 00:52:53,799
Speaker 12: out in your in her favor or at least her

1232
00:52:53,920 --> 00:52:55,960
Speaker 12: narrative is in her fault. I will almost say it's

1233
00:52:56,000 --> 00:52:58,200
Speaker 12: in the re It's kind of like in the reverse,

1234
00:52:58,400 --> 00:53:01,960
Speaker 12: like I'm not thinking with something happens like damage control,

1235
00:53:02,080 --> 00:53:05,200
Speaker 12: which oh my god, like the Association of Publicists, please

1236
00:53:05,200 --> 00:53:07,080
Speaker 12: don't kill me. I'm not thinking like, oh my god,

1237
00:53:07,120 --> 00:53:09,439
Speaker 12: I need to get in crisis control because I think

1238
00:53:10,719 --> 00:53:13,840
Speaker 12: what you build from the beginning, in the tone you

1239
00:53:14,080 --> 00:53:17,279
Speaker 12: set with your client in terms of authenticity, is what

1240
00:53:17,600 --> 00:53:20,800
Speaker 12: carries you through those moments. Because when those moments happen,

1241
00:53:21,680 --> 00:53:24,760
Speaker 12: I don't have to jump into damage control mode because

1242
00:53:25,880 --> 00:53:28,640
Speaker 12: we've been who we are from the beginning. She's been

1243
00:53:28,760 --> 00:53:31,120
Speaker 12: authentic in who she is from the beginning. She's been

1244
00:53:31,200 --> 00:53:35,720
Speaker 12: unapologetic and unfiltered from the beginning. So it really sometimes

1245
00:53:35,760 --> 00:53:37,600
Speaker 12: in a lot of these moments just doubles down on

1246
00:53:37,719 --> 00:53:40,719
Speaker 12: who she's always shown up as. So I think it's

1247
00:53:40,760 --> 00:53:42,759
Speaker 12: really in the opposite for me, Like, I'm not in

1248
00:53:42,880 --> 00:53:45,960
Speaker 12: that moment. Of course, if it's absolutely crazy, let's talk

1249
00:53:46,040 --> 00:53:49,080
Speaker 12: through it, let's figure it out. But it's not a

1250
00:53:49,200 --> 00:53:52,400
Speaker 12: lot of like spinning of the narrative and coming up

1251
00:53:52,480 --> 00:53:54,960
Speaker 12: with things that may not necessarily be true to help

1252
00:53:55,000 --> 00:53:57,400
Speaker 12: stay faced. Like and I love that she's just a

1253
00:53:57,480 --> 00:54:00,680
Speaker 12: woman that she just stands on her Like damn, I

1254
00:54:00,719 --> 00:54:01,160
Speaker 12: did say that.

1255
00:54:01,840 --> 00:54:05,880
Speaker 6: But you know, so do you feel with your pr background, right,

1256
00:54:05,920 --> 00:54:08,240
Speaker 6: do you feel that all publicity is good publicity?

1257
00:54:09,320 --> 00:54:09,800
Speaker 2: I don't know.

1258
00:54:09,960 --> 00:54:13,480
Speaker 12: I understand it, I understand what it means, but I

1259
00:54:14,360 --> 00:54:18,400
Speaker 12: do still feel like things can be harmful, Like unless

1260
00:54:18,480 --> 00:54:22,080
Speaker 12: all you care about is the attention, that's the advantage

1261
00:54:22,120 --> 00:54:26,200
Speaker 12: of you know, everything is publicity, But if you truly

1262
00:54:26,320 --> 00:54:29,759
Speaker 12: care about a brand that's going to build value and

1263
00:54:29,880 --> 00:54:32,800
Speaker 12: be valuable X amount of years from now, then you

1264
00:54:32,920 --> 00:54:35,640
Speaker 12: should care about you do have to care about what

1265
00:54:35,800 --> 00:54:39,040
Speaker 12: could possibly be harmful. And I think a lot of

1266
00:54:39,120 --> 00:54:42,560
Speaker 12: times for her, she gets this backlash of you don't

1267
00:54:42,600 --> 00:54:44,960
Speaker 12: have to explain everything, you don't need to say everything.

1268
00:54:45,120 --> 00:54:47,359
Speaker 12: And I think there are some times that I'm kind

1269
00:54:47,400 --> 00:54:49,600
Speaker 12: of like, I feel like we could have not said something.

1270
00:54:50,080 --> 00:54:53,760
Speaker 12: But I also feel like I love that she feels

1271
00:54:53,840 --> 00:54:56,680
Speaker 12: the need to set the record straight. So that way,

1272
00:54:56,840 --> 00:54:59,040
Speaker 12: when a conversation does come up with a potential brand

1273
00:54:59,120 --> 00:55:02,560
Speaker 12: partner or you know, a potential partner just in business,

1274
00:55:02,719 --> 00:55:05,759
Speaker 12: or you know, what have you, it's like, I made

1275
00:55:05,840 --> 00:55:08,279
Speaker 12: sure to clear my name and set the record straight,

1276
00:55:08,320 --> 00:55:10,239
Speaker 12: and if what I'm saying is not true, you prove

1277
00:55:10,320 --> 00:55:12,239
Speaker 12: to me that it's not true. And I feel like

1278
00:55:12,280 --> 00:55:15,200
Speaker 12: she calls a lot of people's bluff and and she

1279
00:55:15,400 --> 00:55:18,719
Speaker 12: makes sure to stand on exactly what she thinks and

1280
00:55:18,760 --> 00:55:21,560
Speaker 12: how she feels, and sometimes that comes out in Instagram

1281
00:55:21,680 --> 00:55:24,160
Speaker 12: comments or tweets or what have you. But you know,

1282
00:55:24,440 --> 00:55:28,400
Speaker 12: I don't think that all publicity is good publicity. I

1283
00:55:28,560 --> 00:55:32,600
Speaker 12: think that all publicity is attention, but all attention is

1284
00:55:32,640 --> 00:55:33,200
Speaker 12: not good attention.

1285
00:55:33,440 --> 00:55:38,000
Speaker 2: So sometimes don't know the difference bad things about you.

1286
00:55:38,000 --> 00:55:40,320
Speaker 2: It's like, damn, she got mentioned a million times in

1287
00:55:40,400 --> 00:55:41,759
Speaker 2: out right, but it's.

1288
00:55:41,680 --> 00:55:43,920
Speaker 12: Like, what is she getting mentioned for? You know, at

1289
00:55:43,920 --> 00:55:45,600
Speaker 12: the end of the day, especially if it's something that

1290
00:55:46,960 --> 00:55:50,440
Speaker 12: defames your character. It's one thing. If it's like if

1291
00:55:50,480 --> 00:55:55,040
Speaker 12: it's about something frivolous like wardrobe or a rumor like

1292
00:55:55,680 --> 00:55:59,239
Speaker 12: a surface you know, gossip topic, but something that defames

1293
00:55:59,320 --> 00:56:03,719
Speaker 12: your character and just your moral compass, like, those still

1294
00:56:03,800 --> 00:56:06,560
Speaker 12: have real repercussions. A lot of people think that no

1295
00:56:06,680 --> 00:56:11,000
Speaker 12: one has any sort of principle anymore when it comes

1296
00:56:11,040 --> 00:56:13,239
Speaker 12: to these businesses. Everybody just wants a name. They just

1297
00:56:13,280 --> 00:56:16,120
Speaker 12: want a celebrity. You know, they'll pay for no, Like,

1298
00:56:16,239 --> 00:56:19,520
Speaker 12: there's still moral clauses and contracts. There are still people

1299
00:56:19,600 --> 00:56:21,400
Speaker 12: that have principles and they want to know how you

1300
00:56:21,440 --> 00:56:23,840
Speaker 12: show up as a person. So if you are defaming

1301
00:56:23,920 --> 00:56:27,080
Speaker 12: who I am and my character which could possibly stand

1302
00:56:27,120 --> 00:56:30,440
Speaker 12: in the way or intervene or interfere with what I'm building,

1303
00:56:30,760 --> 00:56:31,919
Speaker 12: then I'm set the record.

1304
00:56:31,960 --> 00:56:35,880
Speaker 1: Strator can like, how do these solations headlines hurt or

1305
00:56:36,000 --> 00:56:37,600
Speaker 1: help deals with corporate brands?

1306
00:56:38,719 --> 00:56:39,160
Speaker 16: I mean.

1307
00:56:41,000 --> 00:56:46,840
Speaker 12: They do hurt, right, especially if it's a lot of brands.

1308
00:56:47,520 --> 00:56:50,000
Speaker 12: The brand partnerships go deeper than just the money, Like

1309
00:56:50,080 --> 00:56:53,400
Speaker 12: what's the upfront guarantee? Like how are we structuring this partnership,

1310
00:56:53,520 --> 00:56:56,839
Speaker 12: Like there's still compliance at the end of the day.

1311
00:56:57,000 --> 00:56:58,960
Speaker 12: They want a lot of brands still want to know

1312
00:56:59,080 --> 00:57:02,160
Speaker 12: this is a decent person and they show up as

1313
00:57:02,200 --> 00:57:03,840
Speaker 12: a decent person, and when they go out into the

1314
00:57:03,880 --> 00:57:05,880
Speaker 12: space or in the marketplace to represent my brand or

1315
00:57:05,920 --> 00:57:08,680
Speaker 12: my company, they can be trusted, right because they've obviously

1316
00:57:08,719 --> 00:57:12,000
Speaker 12: spent millions of dollars in resources and manpower to build

1317
00:57:12,040 --> 00:57:13,600
Speaker 12: whatever it is that they're building, and they don't want

1318
00:57:13,600 --> 00:57:17,520
Speaker 12: to compromise that. So a salacious headline. If you think

1319
00:57:17,560 --> 00:57:20,880
Speaker 12: about press, right, there's never a time where a headline

1320
00:57:20,880 --> 00:57:24,240
Speaker 12: will go up about a particular person or topic and

1321
00:57:24,360 --> 00:57:27,120
Speaker 12: they don't end that article recount every other thing that

1322
00:57:27,240 --> 00:57:30,880
Speaker 12: is attached to that person. So and also, right before

1323
00:57:30,960 --> 00:57:33,440
Speaker 12: this happened, such and such was supposed to sign a

1324
00:57:33,520 --> 00:57:35,800
Speaker 12: deal or a signing a deal with this company. So

1325
00:57:36,000 --> 00:57:38,440
Speaker 12: now you're you know, if I'm a publicist for this

1326
00:57:38,600 --> 00:57:40,960
Speaker 12: brand and I'm getting these Google alerts, this person who

1327
00:57:40,960 --> 00:57:43,360
Speaker 12: I'm supposed to be doing business with is now showing

1328
00:57:43,480 --> 00:57:46,120
Speaker 12: up in my alerts in correlation to the name of

1329
00:57:46,200 --> 00:57:49,680
Speaker 12: my brand. Or my company in a terrible way. So

1330
00:57:49,960 --> 00:57:52,680
Speaker 12: to your point even earlier, it's all press good press.

1331
00:57:52,840 --> 00:57:56,240
Speaker 12: That's not good press for them, especially depending on whatever

1332
00:57:56,320 --> 00:57:58,680
Speaker 12: that brand is built upon. If their geared towards mothers,

1333
00:57:59,000 --> 00:58:01,560
Speaker 12: or their geared towards a cer type of audience, and

1334
00:58:01,720 --> 00:58:06,560
Speaker 12: that headline is either prejudiced or hurtful against that audience,

1335
00:58:06,680 --> 00:58:09,040
Speaker 12: that's not good press. You want to say what I'm saying,

1336
00:58:09,120 --> 00:58:13,880
Speaker 12: So I mean salacious headlines do you know come with

1337
00:58:14,160 --> 00:58:17,000
Speaker 12: a certain level of damage when you're building outside of

1338
00:58:17,160 --> 00:58:20,800
Speaker 12: just your self brand and most talent, if they're smart,

1339
00:58:21,120 --> 00:58:23,160
Speaker 12: they're building a brand of their own so that they

1340
00:58:23,200 --> 00:58:26,200
Speaker 12: can collaborate and partner with other companies and other brands.

1341
00:58:26,560 --> 00:58:29,440
Speaker 1: Man, thank you for coming patients. We ain't gonna never

1342
00:58:29,520 --> 00:58:31,000
Speaker 1: beat the CARDI B payroll.

1343
00:58:40,400 --> 00:58:42,200
Speaker 14: Fifth and Freedom. Those artists are going to be lucky.

1344
00:58:42,240 --> 00:58:43,000
Speaker 14: Talent gonna be lucky.

1345
00:58:47,280 --> 00:58:48,680
Speaker 2: How did they reach out? Do you even want them to?

1346
00:58:49,000 --> 00:58:51,320
Speaker 12: Yeah, they can definitely reach us. We have fifth in

1347
00:58:51,360 --> 00:58:55,160
Speaker 12: Freedom on Instagram. You can reach out. I'm very We're

1348
00:58:55,320 --> 00:58:58,720
Speaker 12: very active on our Instagram and obviously you know you

1349
00:58:58,800 --> 00:59:00,800
Speaker 12: can see the services and things that we provide.

1350
00:59:01,680 --> 00:59:05,200
Speaker 2: Are you looking for something in particular right now, I.

1351
00:59:05,200 --> 00:59:07,600
Speaker 12: Don't think we're ever looking for something in particular. It

1352
00:59:07,680 --> 00:59:10,200
Speaker 12: really is just a field thing. Like we have a really,

1353
00:59:10,480 --> 00:59:14,000
Speaker 12: really dope emerging artist that's coming out of Delaware, Billy Bird,

1354
00:59:14,240 --> 00:59:16,720
Speaker 12: who we've been working with for a few years. But

1355
00:59:16,880 --> 00:59:20,840
Speaker 12: now we're even we're in a better position and have

1356
00:59:20,960 --> 00:59:24,360
Speaker 12: a lot more there's a lot more opportunity in like

1357
00:59:24,440 --> 00:59:26,720
Speaker 12: building her out, because breaking artists out of very small

1358
00:59:26,800 --> 00:59:29,760
Speaker 12: markets is very difficult. But she's so talented, she's so

1359
00:59:29,880 --> 00:59:32,160
Speaker 12: We're all like, so I don't think we're really looking

1360
00:59:32,320 --> 00:59:36,200
Speaker 12: for anything, but we're also not looking so not not

1361
00:59:36,600 --> 00:59:41,680
Speaker 12: do with that information, which you will, thank you so much.

1362
00:59:43,160 --> 01:00:00,640
Speaker 17: Yes, some donkey today's just themselves man, Charlotte Magne, prudy given,

1363
01:00:00,680 --> 01:00:02,080
Speaker 17: don't get a dud shouldna.

1364
01:00:03,040 --> 01:00:06,160
Speaker 1: Well, donkey Todave goes the twenty one year old Angel

1365
01:00:06,400 --> 01:00:10,360
Speaker 1: Gomez Montanez. Now that's a name that alert ice. Now listen,

1366
01:00:11,040 --> 01:00:14,200
Speaker 1: this man was born in two thousand and four. Okay,

1367
01:00:14,240 --> 01:00:16,080
Speaker 1: I got a rule. I don't know you people who

1368
01:00:16,120 --> 01:00:19,040
Speaker 1: were born the same year Kanye West College Dropout was released. Okay,

1369
01:00:19,640 --> 01:00:21,720
Speaker 1: I'm not going back and forth with anybody who was

1370
01:00:21,760 --> 01:00:25,560
Speaker 1: born the same year Ti I dropped his third urban legend. Okay,

1371
01:00:25,680 --> 01:00:28,360
Speaker 1: how do I look debating somebody who just entered the

1372
01:00:28,440 --> 01:00:31,520
Speaker 1: world the year Lula Wayne dropped the car to one?

1373
01:00:31,760 --> 01:00:33,800
Speaker 1: There is nothing to be gained by that conversation.

1374
01:00:34,160 --> 01:00:34,400
Speaker 2: Okay.

1375
01:00:34,440 --> 01:00:36,440
Speaker 1: There is also a theory that young inns of that

1376
01:00:36,560 --> 01:00:38,480
Speaker 1: age don't want to work, Okay, that young ends of

1377
01:00:38,520 --> 01:00:41,320
Speaker 1: that age have a sense of entitlement, that young inns

1378
01:00:41,360 --> 01:00:44,600
Speaker 1: that age want things handed to them. Well, Angel didn't

1379
01:00:44,640 --> 01:00:46,960
Speaker 1: disprove any of that, Okay. In fact, Angel might be

1380
01:00:47,000 --> 01:00:49,439
Speaker 1: exhibiting on why a lot of that is probably true.

1381
01:00:49,640 --> 01:00:52,000
Speaker 1: Let's go to ABC thirteen Eye Witness News for the report.

1382
01:00:51,800 --> 01:00:53,200
Speaker 2: Police breaking overnight.

1383
01:00:53,280 --> 01:00:55,920
Speaker 16: The man investigators to say murdered his roommate rather than

1384
01:00:56,000 --> 01:00:57,760
Speaker 16: pay Rent is under arrest.

1385
01:00:57,920 --> 01:01:01,520
Speaker 19: Harris County Sheriff's Office says that on Hell Gomez Montaignes

1386
01:01:02,160 --> 01:01:03,800
Speaker 19: was safely taken into Castady.

1387
01:01:03,880 --> 01:01:05,400
Speaker 5: No other details published about this.

1388
01:01:05,920 --> 01:01:10,280
Speaker 19: Montanes is charged with the murder of Christopher Rodriguez. Lara

1389
01:01:10,600 --> 01:01:14,120
Speaker 19: Laura's mother telling ABC thirteen that Montanees had been living

1390
01:01:14,160 --> 01:01:17,200
Speaker 19: with the family for free for about three months when

1391
01:01:17,240 --> 01:01:20,040
Speaker 19: she started to ask him to start contributing. She says

1392
01:01:20,120 --> 01:01:23,320
Speaker 19: Montanez shot and killed her son Thursday, outside the apartment

1393
01:01:23,400 --> 01:01:25,640
Speaker 19: on Butte Creek Road in North Harrison County.

1394
01:01:27,320 --> 01:01:29,240
Speaker 5: Rest in peace to eighteen year old Christoph Valara.

1395
01:01:29,600 --> 01:01:30,680
Speaker 2: You did not deserve that.

1396
01:01:31,200 --> 01:01:35,080
Speaker 1: This young man, Angel Montanez, was offered a place on

1397
01:01:35,960 --> 01:01:39,000
Speaker 1: the on this apartment's couch for three months.

1398
01:01:39,400 --> 01:01:39,880
Speaker 2: Three months.

1399
01:01:39,920 --> 01:01:42,920
Speaker 1: You didn't have to contribute to no bills, okay, no rent,

1400
01:01:43,160 --> 01:01:46,040
Speaker 1: no nothing, just free loading your monkey ass off. And

1401
01:01:46,120 --> 01:01:49,200
Speaker 1: then when you were told this can't be happening, we

1402
01:01:49,360 --> 01:01:52,280
Speaker 1: have bills depay, you decided to shoot and kill eighteen

1403
01:01:52,400 --> 01:01:56,960
Speaker 1: year old Christophalara. This is why you have to avoid unhappy, unlucky,

1404
01:01:57,080 --> 01:01:57,920
Speaker 1: miserable souls.

1405
01:01:57,920 --> 01:01:58,160
Speaker 2: Okay.

1406
01:01:58,240 --> 01:02:01,480
Speaker 1: This young eighteen year old living his best life okay,

1407
01:02:01,920 --> 01:02:05,880
Speaker 1: with his family, an angel who has family ties with them,

1408
01:02:06,080 --> 01:02:08,160
Speaker 1: decided to smoke him for no other reason than his

1409
01:02:08,240 --> 01:02:08,960
Speaker 1: feelings were hurt.

1410
01:02:09,200 --> 01:02:11,320
Speaker 2: Okay. He also tried to shoot the victim's brother.

1411
01:02:11,840 --> 01:02:13,840
Speaker 1: That's what a nine year old witness reportedly heard the

1412
01:02:13,840 --> 01:02:15,680
Speaker 1: suspects say, I'm gonna kill all of them.

1413
01:02:16,760 --> 01:02:17,240
Speaker 2: Here's the thing.

1414
01:02:18,440 --> 01:02:19,720
Speaker 5: If you can come up with a plan to commit

1415
01:02:19,760 --> 01:02:21,000
Speaker 5: a murder, then you can come up with a plan

1416
01:02:21,080 --> 01:02:21,560
Speaker 5: to get a job.

1417
01:02:21,960 --> 01:02:22,200
Speaker 2: Okay.

1418
01:02:22,360 --> 01:02:26,439
Speaker 1: Twenty one year old, twenty one years old, living rent

1419
01:02:26,520 --> 01:02:27,680
Speaker 1: free for three months.

1420
01:02:27,800 --> 01:02:29,240
Speaker 2: Do you know what kind of blessing that is?

1421
01:02:29,440 --> 01:02:32,000
Speaker 1: Everybody out there listening to me right now, just imagine

1422
01:02:32,240 --> 01:02:34,720
Speaker 1: the kind of cushion you could have for yourself if

1423
01:02:34,760 --> 01:02:37,960
Speaker 1: you didn't have to pay any bills, not one for

1424
01:02:38,160 --> 01:02:39,040
Speaker 1: three months.

1425
01:02:40,080 --> 01:02:41,120
Speaker 2: Let me tell you, free.

1426
01:02:41,040 --> 01:02:43,760
Speaker 1: Loaders out there, if somebody is blessing you with the

1427
01:02:43,880 --> 01:02:47,040
Speaker 1: opportunity to not have to pay any bills for any

1428
01:02:47,120 --> 01:02:49,480
Speaker 1: amount of time, please find a way to make that

1429
01:02:49,720 --> 01:02:55,520
Speaker 1: person's life easier. Young man, your name is Angel Gomez Montanez.

1430
01:02:56,040 --> 01:02:58,120
Speaker 1: I know you had to urge to do some law

1431
01:02:58,160 --> 01:03:02,000
Speaker 1: and work. Okay, it's in you, all right. I know

1432
01:03:02,240 --> 01:03:04,880
Speaker 1: you wanted to cut some grass, trim some hedges, find

1433
01:03:04,920 --> 01:03:07,640
Speaker 1: a cabinet to fix. Okay, there's gotta be a pipe

1434
01:03:07,680 --> 01:03:10,320
Speaker 1: clogged up somewhere. There was something you could have been

1435
01:03:10,400 --> 01:03:13,320
Speaker 1: doing in that apartment to make things easier for the

1436
01:03:13,400 --> 01:03:16,680
Speaker 1: people you was freeloading off. This is why we can't

1437
01:03:16,720 --> 01:03:19,160
Speaker 1: get rid of job cart No, no, no, okay, the

1438
01:03:19,200 --> 01:03:21,360
Speaker 1: screech needed. Young men like this don't have nothing else

1439
01:03:21,400 --> 01:03:23,640
Speaker 1: to do, can't find a job. Job car would be

1440
01:03:23,800 --> 01:03:25,680
Speaker 1: perfect for him. Let him go to job called learn

1441
01:03:25,760 --> 01:03:28,680
Speaker 1: the trade, get his GEDA diploma and go out there

1442
01:03:28,920 --> 01:03:31,600
Speaker 1: and you know, have some money to pay his on bills. Now, look,

1443
01:03:31,840 --> 01:03:35,600
Speaker 1: kids nowadays don't want to work. Is a broad generalization. Okay,

1444
01:03:35,920 --> 01:03:37,960
Speaker 1: I don't even believe it. Okay, I know plenty of

1445
01:03:38,080 --> 01:03:41,360
Speaker 1: young hustling ass kids, but these young kids will kill you.

1446
01:03:41,840 --> 01:03:44,600
Speaker 1: It's not a generalization. Okay, these young is just crazy.

1447
01:03:44,680 --> 01:03:45,040
Speaker 2: All right.

1448
01:03:45,200 --> 01:03:47,840
Speaker 1: I know the prefrontal cor text doesn't fully develop until

1449
01:03:47,840 --> 01:03:51,160
Speaker 1: the age of twenty five, but my god, all right, Angel,

1450
01:03:51,200 --> 01:03:53,760
Speaker 1: you would have never survived in those scrubs era. He

1451
01:03:53,800 --> 01:03:56,080
Speaker 1: would have been in the passenger side of his best

1452
01:03:56,080 --> 01:03:57,080
Speaker 1: friend's ride letting.

1453
01:03:56,920 --> 01:03:59,400
Speaker 2: Off shots if you calling them bus.

1454
01:04:00,680 --> 01:04:04,840
Speaker 1: But guess what, Angel, all that was from you know,

1455
01:04:05,440 --> 01:04:09,200
Speaker 1: all that all that was was a challenge from your family.

1456
01:04:09,320 --> 01:04:09,560
Speaker 2: Okay.

1457
01:04:09,600 --> 01:04:11,560
Speaker 1: When somebody says, yo, you need to go get a

1458
01:04:11,680 --> 01:04:13,960
Speaker 1: job to help pay some bills, that means you need

1459
01:04:14,040 --> 01:04:16,120
Speaker 1: to get up, get out and get something. Okay, That's

1460
01:04:16,160 --> 01:04:19,560
Speaker 1: why they was encouraging you to do that. That's all

1461
01:04:19,600 --> 01:04:21,800
Speaker 1: they wanted. But now you don't have to worry about

1462
01:04:21,840 --> 01:04:23,960
Speaker 1: room and board anymore because you got a murder charge. Okay,

1463
01:04:24,040 --> 01:04:25,800
Speaker 1: in Texas, you're going to jail for ninety nine years

1464
01:04:25,840 --> 01:04:27,760
Speaker 1: of life, and you will have to get a job.

1465
01:04:27,640 --> 01:04:28,040
Speaker 5: Young man.

1466
01:04:28,280 --> 01:04:32,640
Speaker 1: Okay, food service, laundry, maintenance, furniture manufacturing. Oh, you're gonna

1467
01:04:32,640 --> 01:04:35,160
Speaker 1: get a job in prison, and you're gonna give a

1468
01:04:35,240 --> 01:04:37,200
Speaker 1: job in prison. It's just gonna have a blow in

1469
01:04:37,240 --> 01:04:41,000
Speaker 1: front of it. Please let rem Ma give Angel Montana

1470
01:04:41,000 --> 01:04:42,120
Speaker 1: as the biggest he huh.

1471
01:04:42,240 --> 01:04:46,439
Speaker 2: Hee ha heh you stupid? Are you dumb?

1472
01:04:46,840 --> 01:04:49,920
Speaker 7: And they sound like a fake Mexican. This is Mantana's Angel.

1473
01:04:50,160 --> 01:04:54,360
Speaker 7: I'm probably pronouncing it wrong because ain't no r in

1474
01:04:54,440 --> 01:04:57,920
Speaker 7: it spelled m O n t A n e z

1475
01:04:58,680 --> 01:04:59,000
Speaker 7: mon Z.

1476
01:05:00,040 --> 01:05:02,040
Speaker 4: Yeah, let me see, let me let me show he's

1477
01:05:02,040 --> 01:05:03,760
Speaker 4: not like he's an impersonating you.

1478
01:05:04,000 --> 01:05:05,320
Speaker 2: You can have Mexican.

1479
01:05:05,800 --> 01:05:08,040
Speaker 4: First of all, No, let me say.

1480
01:05:12,240 --> 01:05:14,560
Speaker 2: That's exactly one, exactly.

1481
01:05:14,560 --> 01:05:17,280
Speaker 5: Okay, all right, well, thank you for that. Donkey today, sir,

1482
01:05:18,160 --> 01:05:19,440
Speaker 5: the breakfast.

1483
01:05:19,000 --> 01:05:25,600
Speaker 3: Club one of everybody is DJ mv Ess hilarious charlamage

1484
01:05:25,600 --> 01:05:25,840
Speaker 3: the guy.

1485
01:05:25,880 --> 01:05:28,000
Speaker 5: We are the breakfast club. We got a special guest

1486
01:05:28,040 --> 01:05:28,480
Speaker 5: in the building.

1487
01:05:28,520 --> 01:05:30,480
Speaker 3: Longa roast to say as well, we got a special

1488
01:05:30,520 --> 01:05:33,600
Speaker 3: guest in the buildings. Indeed, training to the NBA players

1489
01:05:33,640 --> 01:05:35,080
Speaker 3: and the host of other things he has going on,

1490
01:05:35,200 --> 01:05:35,800
Speaker 3: Ladies and gentlemen.

1491
01:05:35,880 --> 01:05:38,000
Speaker 5: Chris Brickley, welcome back, man, thanks for having me.

1492
01:05:38,120 --> 01:05:39,680
Speaker 2: How you feeling. I feel great.

1493
01:05:39,760 --> 01:05:39,880
Speaker 1: You know.

1494
01:05:40,200 --> 01:05:40,760
Speaker 2: I feel like.

1495
01:05:41,560 --> 01:05:44,400
Speaker 11: Coming to this show three times it means like you're

1496
01:05:44,440 --> 01:05:46,800
Speaker 11: doing something right. To me, this is the dopest show,

1497
01:05:47,360 --> 01:05:49,800
Speaker 11: got the biggest platform where you guys do is amazing.

1498
01:05:49,920 --> 01:05:52,800
Speaker 11: So to come three times, and so I'm a little tired.

1499
01:05:52,960 --> 01:05:55,440
Speaker 11: Last night, I won a little drive went to my

1500
01:05:55,480 --> 01:05:58,040
Speaker 11: old apartments just to like, you know, kind of like

1501
01:05:58,240 --> 01:06:01,280
Speaker 11: celebrate where I'm at right now. And yeah, I'm mis

1502
01:06:01,320 --> 01:06:02,240
Speaker 11: thankful in the moment.

1503
01:06:02,360 --> 01:06:04,160
Speaker 3: What's important to why'd you decide to do that? Why

1504
01:06:04,280 --> 01:06:05,800
Speaker 3: you wanted to go back? Most people go forward?

1505
01:06:06,240 --> 01:06:07,480
Speaker 11: Why do you want to go back and see where

1506
01:06:07,520 --> 01:06:09,760
Speaker 11: you So you know, going on the breakfast club is

1507
01:06:09,800 --> 01:06:11,880
Speaker 11: cool for the third time. So I'm like, okay, I'm

1508
01:06:11,960 --> 01:06:14,680
Speaker 11: literally going to drive to one on sixth and Columbus.

1509
01:06:15,200 --> 01:06:18,640
Speaker 11: Then I drove to I lived in cliffs Side Park,

1510
01:06:19,360 --> 01:06:21,920
Speaker 11: and then so I drove to all these just I

1511
01:06:22,040 --> 01:06:23,920
Speaker 11: do that just sometimes when I feel like I might

1512
01:06:23,960 --> 01:06:27,400
Speaker 11: be losing motivation, just to get that back. And then

1513
01:06:27,440 --> 01:06:29,920
Speaker 11: also sometimes it's in celebration mode type thing.

1514
01:06:30,200 --> 01:06:32,960
Speaker 3: Yeah, now, for people that don't know who you are.

1515
01:06:33,000 --> 01:06:36,560
Speaker 3: You're an NBA trainer, play basketball for Louisville. Yeah, and

1516
01:06:36,680 --> 01:06:39,200
Speaker 3: what got you into training basketball? Why do people feel

1517
01:06:39,280 --> 01:06:41,040
Speaker 3: like you are the trainer that they should work with

1518
01:06:41,080 --> 01:06:42,840
Speaker 3: because you work. We've seen you work with people like

1519
01:06:42,960 --> 01:06:45,360
Speaker 3: of course Mellow, We've seen you work with Lebron, We've

1520
01:06:45,360 --> 01:06:47,760
Speaker 3: seen you work with Hard and Westbrook, just to name

1521
01:06:47,800 --> 01:06:48,080
Speaker 3: a few.

1522
01:06:48,480 --> 01:06:50,360
Speaker 5: So why are you the person that people say I

1523
01:06:50,440 --> 01:06:51,800
Speaker 5: got to train with Chris.

1524
01:06:51,920 --> 01:06:55,240
Speaker 11: Man's That's a great question. I thank God every day.

1525
01:06:55,840 --> 01:06:57,000
Speaker 11: I think at the end of the day, I'm a

1526
01:06:57,040 --> 01:07:01,360
Speaker 11: good person. I study my craft and the players know

1527
01:07:01,480 --> 01:07:04,640
Speaker 11: I care. And also I'd be dumb not to say

1528
01:07:04,960 --> 01:07:08,560
Speaker 11: luck comes with anything. Anyone really successful, some type of

1529
01:07:08,680 --> 01:07:09,960
Speaker 11: luck needs to come wrong the way.

1530
01:07:11,240 --> 01:07:15,360
Speaker 4: How much of a player development is mental versus physical?

1531
01:07:15,600 --> 01:07:16,280
Speaker 2: That's a great question.

1532
01:07:17,320 --> 01:07:20,560
Speaker 11: That's so many players that if you watch the workout,

1533
01:07:20,600 --> 01:07:22,680
Speaker 11: they wouldn't miss a shot, and you bet they should

1534
01:07:22,680 --> 01:07:24,920
Speaker 11: be in the NBA. They play in Europe because when

1535
01:07:24,960 --> 01:07:28,160
Speaker 11: the game comes, they just become like a mental midget,

1536
01:07:28,400 --> 01:07:30,680
Speaker 11: Like they miss a shot then they just pack it in.

1537
01:07:31,160 --> 01:07:33,760
Speaker 11: So yeah, the mental aspect is huge. So like my

1538
01:07:33,920 --> 01:07:37,160
Speaker 11: job is a I'm a trainer, teaching players how to play,

1539
01:07:37,240 --> 01:07:40,840
Speaker 11: but then also teaching players like don't get too down,

1540
01:07:41,640 --> 01:07:45,120
Speaker 11: hold yourself accountable. A lot of mental stuff, yeah, a

1541
01:07:45,320 --> 01:07:46,800
Speaker 11: part of it, huge, huge.

1542
01:07:46,640 --> 01:07:48,240
Speaker 12: So aside of mental, what else do you look at

1543
01:07:48,280 --> 01:07:50,080
Speaker 12: when a player when you're like okay this. Players want

1544
01:07:50,120 --> 01:07:50,440
Speaker 12: to be a star.

1545
01:07:50,840 --> 01:07:52,680
Speaker 2: Yeah, So there's two ways that go about it.

1546
01:07:52,800 --> 01:07:54,760
Speaker 11: So sometimes else I'll work with a player and he's

1547
01:07:54,760 --> 01:07:58,040
Speaker 11: already all star. So in those aspects, they still want

1548
01:07:58,080 --> 01:07:59,960
Speaker 11: to get better, but they'll be like studying my game,

1549
01:08:00,280 --> 01:08:02,520
Speaker 11: try and figure out what I need to get better at.

1550
01:08:02,680 --> 01:08:04,920
Speaker 11: I'll tell him what I think and then we'll attack it.

1551
01:08:05,320 --> 01:08:08,560
Speaker 11: Then you have situations like Donovan Mitchell. So I started

1552
01:08:08,600 --> 01:08:10,680
Speaker 11: working with Donovan Mitchell. He had like seven hundred followers

1553
01:08:10,720 --> 01:08:13,640
Speaker 11: on Instagram. He was like in eleventh grade. Now he's

1554
01:08:13,680 --> 01:08:16,320
Speaker 11: an NBA superstar. So they're like to do that and

1555
01:08:16,439 --> 01:08:18,639
Speaker 11: see that it's super dope. I did that with Kayane Anthony,

1556
01:08:19,160 --> 01:08:23,880
Speaker 11: Cole Anthony, and recently Sierra Future Junior. He's eleven years old.

1557
01:08:24,640 --> 01:08:26,920
Speaker 11: Russell Wilson hits me up and he's like, yo, I

1558
01:08:27,080 --> 01:08:30,599
Speaker 11: want you to do what you did Kayenne Cole Donovan

1559
01:08:31,560 --> 01:08:33,599
Speaker 11: to my son so he's been in the gym.

1560
01:08:34,360 --> 01:08:36,160
Speaker 3: But let me ask you, what when you like a

1561
01:08:36,240 --> 01:08:39,760
Speaker 3: play like Lebron, right, who's probably one of the best

1562
01:08:39,760 --> 01:08:43,360
Speaker 3: players ever one of Right, what do you train him

1563
01:08:43,400 --> 01:08:44,040
Speaker 3: to make him better?

1564
01:08:44,160 --> 01:08:44,200
Speaker 18: Like?

1565
01:08:44,439 --> 01:08:45,719
Speaker 5: What can make him better?

1566
01:08:46,040 --> 01:08:48,639
Speaker 2: When I'm saying, what makes you like he's the goat?

1567
01:08:48,840 --> 01:08:52,400
Speaker 11: So, yeah, you're right, it's like, so a he can

1568
01:08:52,880 --> 01:08:55,360
Speaker 11: get better at things, like even great players always have

1569
01:08:55,479 --> 01:08:58,559
Speaker 11: some flaws in their game. Once we started working, Lebron

1570
01:08:58,720 --> 01:08:59,840
Speaker 11: was like, all right, I want you to watch film

1571
01:09:00,000 --> 01:09:01,880
Speaker 11: and I come over to the workout tomorrow and tell

1572
01:09:01,920 --> 01:09:03,800
Speaker 11: me two things that I need to get better at.

1573
01:09:04,280 --> 01:09:07,040
Speaker 11: So this is like nerve wracking going on. Lebron he

1574
01:09:07,280 --> 01:09:09,080
Speaker 11: did it, and so I gave him two things. He

1575
01:09:09,320 --> 01:09:13,360
Speaker 11: liked them, and uh yeah, so that there's always weaknesses.

1576
01:09:13,439 --> 01:09:15,280
Speaker 11: There's always weaknesses even the greats.

1577
01:09:15,479 --> 01:09:17,160
Speaker 5: Now you call Lebron the goat, people will be like,

1578
01:09:17,360 --> 01:09:18,320
Speaker 5: Lebron's not the goat.

1579
01:09:18,600 --> 01:09:21,280
Speaker 2: Jordan is the go too. Why do you have Lebron

1580
01:09:21,360 --> 01:09:22,160
Speaker 2: as your goat?

1581
01:09:22,439 --> 01:09:22,639
Speaker 7: Man?

1582
01:09:24,120 --> 01:09:27,400
Speaker 11: He would scored the most points in NBA history. That's

1583
01:09:27,479 --> 01:09:29,960
Speaker 11: just the fact he holds so many records, I mean,

1584
01:09:30,040 --> 01:09:32,320
Speaker 11: effect doing in this era with the social media and

1585
01:09:32,360 --> 01:09:34,720
Speaker 11: all that all the hate, it's just a lot what

1586
01:09:34,840 --> 01:09:37,519
Speaker 11: he's going through. He's won team championships with three teams.

1587
01:09:38,080 --> 01:09:42,080
Speaker 11: His his brand is Giant, so this was Jordan's. But

1588
01:09:42,280 --> 01:09:43,519
Speaker 11: now I'm teaming Lebron all day.

1589
01:09:44,040 --> 01:09:46,240
Speaker 14: How do you fee when people be coming for Bronni.

1590
01:09:46,479 --> 01:09:48,400
Speaker 11: It's it's messed up because the end of the day,

1591
01:09:48,920 --> 01:09:53,840
Speaker 11: he didn't choose to be Lebron's son. Like he he's

1592
01:09:53,880 --> 01:09:57,560
Speaker 11: a great He's literally like a great kid. And you

1593
01:09:57,600 --> 01:10:00,200
Speaker 11: could tell, you know, it's like a little it's a

1594
01:10:00,280 --> 01:10:03,080
Speaker 11: sore spot for the family. I wouldn't want someone messed

1595
01:10:03,080 --> 01:10:04,800
Speaker 11: with my kid, and none of none of you guys would.

1596
01:10:05,160 --> 01:10:07,600
Speaker 11: But Brownie is actually really good. I think that. Uh,

1597
01:10:08,200 --> 01:10:11,439
Speaker 11: I think he's just gonna peak, like in a year

1598
01:10:11,520 --> 01:10:11,720
Speaker 11: or two.

1599
01:10:12,160 --> 01:10:13,880
Speaker 5: Do you think he should bring in the league because

1600
01:10:13,920 --> 01:10:15,599
Speaker 5: that's your training for sure.

1601
01:10:16,160 --> 01:10:18,760
Speaker 11: For sure, because people don't understand before his freshman year

1602
01:10:18,760 --> 01:10:21,519
Speaker 11: here that hard stuff, like I think he had the

1603
01:10:21,600 --> 01:10:25,080
Speaker 11: guest was this seizure or he passed out something the

1604
01:10:25,160 --> 01:10:28,719
Speaker 11: major couldn't so he could played like half the season.

1605
01:10:29,040 --> 01:10:30,360
Speaker 11: So yeah, and he's an NBA player.

1606
01:10:30,800 --> 01:10:34,439
Speaker 4: Yeah, what what made you pivot to being a trainer

1607
01:10:34,479 --> 01:10:37,320
Speaker 4: right rather than in a career of being a player.

1608
01:10:37,600 --> 01:10:40,360
Speaker 11: Yeah, so obviously I wanted the d NBA player, but

1609
01:10:40,960 --> 01:10:46,360
Speaker 11: I wasn't good enough, so I couldn't. I couldn't. Yeah, nah,

1610
01:10:47,920 --> 01:10:50,120
Speaker 11: so I made the most him. So I grew up

1611
01:10:50,120 --> 01:10:52,519
Speaker 11: in New Hampshire. You know, I still hold the record

1612
01:10:52,640 --> 01:10:53,439
Speaker 11: many records there.

1613
01:10:53,800 --> 01:10:54,559
Speaker 2: Played at Louisville.

1614
01:10:54,560 --> 01:10:57,920
Speaker 11: Had two NBA guys in front of me, and yeah,

1615
01:10:57,920 --> 01:11:00,720
Speaker 11: I could have gone overseas, but I was like, I

1616
01:11:00,840 --> 01:11:04,080
Speaker 11: played for Rick Patino and then my two mentors at

1617
01:11:04,120 --> 01:11:07,000
Speaker 11: Rick Patino and Phil Jackson was actually on the shirt two.

1618
01:11:06,840 --> 01:11:08,240
Speaker 2: Of the greatest coaches ever do it.

1619
01:11:08,600 --> 01:11:11,240
Speaker 11: And so I'm like, Okay, if I have the opportunity

1620
01:11:11,280 --> 01:11:14,200
Speaker 11: to know these guys, let's attack this coaching thing. So

1621
01:11:14,240 --> 01:11:16,840
Speaker 11: I did the coaching thing, Like now it's not for me.

1622
01:11:17,080 --> 01:11:18,559
Speaker 11: So then I started training thing.

1623
01:11:18,840 --> 01:11:20,559
Speaker 5: Who was the first player that believed in you as

1624
01:11:20,600 --> 01:11:20,920
Speaker 5: a trader?

1625
01:11:20,960 --> 01:11:24,240
Speaker 2: Said, you know, Jarah Smith, that's one of my some

1626
01:11:24,360 --> 01:11:25,240
Speaker 2: of my close friends.

1627
01:11:25,800 --> 01:11:27,439
Speaker 11: My first year when I was with the Knicks, I

1628
01:11:27,560 --> 01:11:29,960
Speaker 11: was making three hundred dollars a week. He let me

1629
01:11:30,040 --> 01:11:32,519
Speaker 11: stay in his and his couch. So I stayed on

1630
01:11:32,680 --> 01:11:34,800
Speaker 11: Jr's couch for the whole year. Shout out to Jr.

1631
01:11:34,920 --> 01:11:38,000
Speaker 11: For that hand to do that. Yeah Jr. Is a

1632
01:11:38,040 --> 01:11:38,360
Speaker 11: good guy.

1633
01:11:38,520 --> 01:11:40,960
Speaker 12: Did you see recently Don Sali was talking about she

1634
01:11:41,040 --> 01:11:42,679
Speaker 12: interviewed to be the coach of the Knicks.

1635
01:11:42,840 --> 01:11:44,040
Speaker 11: Yeah, what do you think about that?

1636
01:11:44,360 --> 01:11:45,200
Speaker 4: I mean, I think it's fire.

1637
01:11:45,360 --> 01:11:49,720
Speaker 12: I don't know if I feel like they would have

1638
01:11:49,800 --> 01:11:51,280
Speaker 12: known how to protect her in the way she might

1639
01:11:51,360 --> 01:11:53,760
Speaker 12: have needed. They would have came right. Everything I would

1640
01:11:53,760 --> 01:11:54,880
Speaker 12: have came her way, and I would have hated to

1641
01:11:54,960 --> 01:11:56,719
Speaker 12: have seen that. But I don't know much about sports.

1642
01:11:56,760 --> 01:11:58,400
Speaker 12: I just know being a black woman.

1643
01:11:58,600 --> 01:12:01,400
Speaker 11: Yeah, no, for sure, I wanted to get the job.

1644
01:12:02,479 --> 01:12:04,880
Speaker 11: I think soon enough there will be a coach in

1645
01:12:04,960 --> 01:12:07,080
Speaker 11: the NBA. It's a girl coach there, tot girl refs.

1646
01:12:07,520 --> 01:12:09,439
Speaker 11: It's kind of funny when the players yelling at the

1647
01:12:09,720 --> 01:12:12,280
Speaker 11: but uh, yeah, no, I think it's coming soon for sure.

1648
01:12:12,600 --> 01:12:14,960
Speaker 4: What's the most slept on player in NBA right now?

1649
01:12:15,080 --> 01:12:18,080
Speaker 11: To slept on right now in the league, So like

1650
01:12:19,040 --> 01:12:21,280
Speaker 11: there's levels, I guess, but I would say tie Jerome,

1651
01:12:22,080 --> 01:12:25,160
Speaker 11: Tie Jerome. Yeah, he's like another kid. I guess I'm

1652
01:12:25,160 --> 01:12:27,240
Speaker 11: being biased. I've worked to them since like eighth grade,

1653
01:12:27,760 --> 01:12:30,880
Speaker 11: and just to see that, there's no better feeling working

1654
01:12:30,960 --> 01:12:34,320
Speaker 11: with the kid and watching him like achieve his dreams.

1655
01:12:35,120 --> 01:12:37,200
Speaker 6: Have you ever trained somebody that you knew they was

1656
01:12:37,240 --> 01:12:40,000
Speaker 6: just gonna be trash after you even after that?

1657
01:12:40,680 --> 01:12:43,320
Speaker 11: Maybe if I do like favorite workouts like but like

1658
01:12:43,479 --> 01:12:49,360
Speaker 11: for like someone's some celebrity son you know, Clue. Clue

1659
01:12:49,560 --> 01:12:54,320
Speaker 11: is overly confident. He's like delusionally confident. But so yes,

1660
01:12:54,439 --> 01:12:57,120
Speaker 11: but to be a good colul that is so funny.

1661
01:12:57,400 --> 01:12:59,920
Speaker 11: So to be a good shooter, you need to be

1662
01:13:00,120 --> 01:13:03,800
Speaker 11: delusionally confident. But he's he's just not a great shiitt

1663
01:13:03,920 --> 01:13:05,599
Speaker 11: yet talking about.

1664
01:13:06,240 --> 01:13:09,400
Speaker 5: Yeah, who plays basket Cloe takes basketball series?

1665
01:13:11,040 --> 01:13:12,800
Speaker 11: Do these rapper runs and it will be like Drake

1666
01:13:12,920 --> 01:13:16,599
Speaker 11: Quavo Bieber and who's there? He's there?

1667
01:13:16,760 --> 01:13:19,439
Speaker 5: Okay, No, No, Clue plays well for real, like he

1668
01:13:19,479 --> 01:13:23,200
Speaker 5: comes like, yes, I know all the time you think

1669
01:13:23,200 --> 01:13:25,360
Speaker 5: about the jump hut what he does like from the

1670
01:13:25,400 --> 01:13:26,320
Speaker 5: side it goes in though, So.

1671
01:13:26,360 --> 01:13:28,560
Speaker 11: You get that, and he's probably get mad at me

1672
01:13:28,640 --> 01:13:31,200
Speaker 11: for what I've said me to it. He's a good guy.

1673
01:13:31,240 --> 01:13:32,960
Speaker 2: We're still kicking it with Chris Brickley.

1674
01:13:33,520 --> 01:13:35,400
Speaker 3: I want to ask you know, when you train these

1675
01:13:35,439 --> 01:13:37,320
Speaker 3: players and you look at somebody like Lebron or you

1676
01:13:37,360 --> 01:13:41,000
Speaker 3: look at somebody like Chris Paul that that are, you know,

1677
01:13:41,120 --> 01:13:44,720
Speaker 3: forty year old, but they still play good ball. Why

1678
01:13:44,760 --> 01:13:47,760
Speaker 3: do you think they're able to play so good at

1679
01:13:47,840 --> 01:13:49,519
Speaker 3: this age where a lot of players at the age

1680
01:13:49,560 --> 01:13:50,760
Speaker 3: of thirty two got to tap out?

1681
01:13:50,880 --> 01:13:51,840
Speaker 2: Is it the training?

1682
01:13:52,040 --> 01:13:54,080
Speaker 3: Is it the body in shape or is it your

1683
01:13:54,200 --> 01:13:56,200
Speaker 3: IQ when it comes to basketball, just the way they

1684
01:13:56,439 --> 01:13:59,519
Speaker 3: their approach, Like, so Lebron will do it eight am workout.

1685
01:14:00,080 --> 01:14:02,400
Speaker 3: He shows up at six am every single time. Say

1686
01:14:02,439 --> 01:14:05,200
Speaker 3: we've worked out twenty times, ten am workout, he shows

1687
01:14:05,240 --> 01:14:08,920
Speaker 3: up at eight am, like he's just like prepared. And

1688
01:14:09,040 --> 01:14:11,720
Speaker 3: I think these guys, I think the ones that make

1689
01:14:11,800 --> 01:14:14,360
Speaker 3: it so to take ten years, super hard to make

1690
01:14:14,439 --> 01:14:16,600
Speaker 3: it past ten years. To do that, you got to

1691
01:14:16,680 --> 01:14:21,360
Speaker 3: sacrifice sometimes your family time. You got to sacrifice a lot. Yeah,

1692
01:14:21,400 --> 01:14:21,840
Speaker 3: it's tough.

1693
01:14:22,720 --> 01:14:25,639
Speaker 4: You got this new shoe coming out. You ain't coming

1694
01:14:25,680 --> 01:14:26,759
Speaker 4: here with no sneaking.

1695
01:14:26,920 --> 01:14:27,080
Speaker 8: Nah.

1696
01:14:27,160 --> 01:14:31,960
Speaker 11: So you guys, No, you guys got so Ben's also

1697
01:14:32,040 --> 01:14:32,439
Speaker 11: that's dope.

1698
01:14:33,439 --> 01:14:35,840
Speaker 2: Yeah, Mercedes, So she you know.

1699
01:14:35,880 --> 01:14:39,000
Speaker 11: That when I was at FDU, I was the youngest

1700
01:14:39,080 --> 01:14:40,080
Speaker 11: vision one assistant.

1701
01:14:40,160 --> 01:14:41,960
Speaker 2: She was a coach. You know, she coached.

1702
01:14:42,439 --> 01:14:45,439
Speaker 3: I met us, she was coaching and she was coaching

1703
01:14:45,479 --> 01:14:48,320
Speaker 3: against my son, Okay, and that's how we actually met.

1704
01:14:48,320 --> 01:14:50,680
Speaker 3: And then she started coaching my son. Yeah, and she

1705
01:14:50,800 --> 01:14:52,479
Speaker 3: coached a bunch of players actually too, made them to

1706
01:14:52,479 --> 01:14:52,800
Speaker 3: the league.

1707
01:14:52,920 --> 01:14:54,200
Speaker 2: Yeah. Yeah, sure.

1708
01:14:54,600 --> 01:14:56,720
Speaker 11: So she gave me all your guys sizes, so you

1709
01:14:56,760 --> 01:14:58,640
Speaker 11: guys are gonna have next week. So I have your

1710
01:14:58,640 --> 01:14:59,360
Speaker 11: size yet your size?

1711
01:14:59,439 --> 01:14:59,599
Speaker 8: Yeah?

1712
01:14:59,640 --> 01:14:59,800
Speaker 17: Yeah.

1713
01:15:00,000 --> 01:15:01,679
Speaker 4: The sales are fire.

1714
01:15:02,000 --> 01:15:04,320
Speaker 11: So I want them to be basketball shoes that you

1715
01:15:04,360 --> 01:15:06,760
Speaker 11: could wear off the court. And I feel like, you know,

1716
01:15:07,120 --> 01:15:08,640
Speaker 11: it's it in Yeah, you can wear them?

1717
01:15:08,760 --> 01:15:09,759
Speaker 4: Did you design meself?

1718
01:15:09,920 --> 01:15:14,200
Speaker 11: Design them everything? So the leather, it's leather and swede,

1719
01:15:14,600 --> 01:15:16,639
Speaker 11: which is kind of rare for a basketball shoe. Shut

1720
01:15:16,640 --> 01:15:18,759
Speaker 11: out to Rihanna. She did like a leather and swede

1721
01:15:18,800 --> 01:15:20,400
Speaker 11: Puma shoe, and I was like, ah, that's dope.

1722
01:15:20,600 --> 01:15:20,800
Speaker 8: Nice.

1723
01:15:21,680 --> 01:15:23,600
Speaker 11: You guys know what brown street signs me in New

1724
01:15:23,680 --> 01:15:26,760
Speaker 11: York City? No, so you know, mostlim the green, so

1725
01:15:27,000 --> 01:15:30,320
Speaker 11: brown one means like an historical landmark. So I did brown.

1726
01:15:30,520 --> 01:15:32,320
Speaker 11: So the whole thing is like old to New York City.

1727
01:15:33,640 --> 01:15:37,200
Speaker 11: Nineteen forty eight is when Puma started, like legacy and

1728
01:15:37,320 --> 01:15:39,680
Speaker 11: then street signs. But I did the street signs, like

1729
01:15:39,720 --> 01:15:42,639
Speaker 11: the names of my gym, certain things that mean something

1730
01:15:42,680 --> 01:15:42,840
Speaker 11: to me.

1731
01:15:43,160 --> 01:15:44,640
Speaker 2: So, yeah, I hope they do well.

1732
01:15:44,680 --> 01:15:48,200
Speaker 11: I got the one O six and Columbus Deli menu,

1733
01:15:48,560 --> 01:15:50,679
Speaker 11: you know in the so it's like a little dope

1734
01:15:50,720 --> 01:15:54,040
Speaker 11: things like my photographer took this from my from my crib.

1735
01:15:54,240 --> 01:15:56,920
Speaker 11: This is like my view shot the next subject, so

1736
01:15:57,080 --> 01:15:57,200
Speaker 11: you know.

1737
01:15:57,760 --> 01:15:59,479
Speaker 5: And how did you get to how did you link

1738
01:15:59,520 --> 01:16:00,559
Speaker 5: up with pooma so.

1739
01:16:01,360 --> 01:16:04,639
Speaker 11: Man when we first started, So no trainers ever signed

1740
01:16:04,640 --> 01:16:07,120
Speaker 11: a sneaker deal, like a real sneaker deal, like an

1741
01:16:07,240 --> 01:16:08,240
Speaker 11: NBA player sneaker deal.

1742
01:16:08,280 --> 01:16:10,080
Speaker 4: I've never heard of a trainer even getting a sneaker,

1743
01:16:10,400 --> 01:16:11,439
Speaker 4: and it's crazy.

1744
01:16:11,680 --> 01:16:13,080
Speaker 14: It's like a trainer influencer.

1745
01:16:14,040 --> 01:16:14,680
Speaker 2: Yeah, I hate that.

1746
01:16:14,840 --> 01:16:16,720
Speaker 11: Influence a word, but no, I guess you could say

1747
01:16:16,800 --> 01:16:20,639
Speaker 11: that for sure. But so we I seen someone wearing

1748
01:16:20,840 --> 01:16:23,400
Speaker 11: Rudy Gay was wearing Puma's. I sent my manager, but

1749
01:16:23,880 --> 01:16:25,880
Speaker 11: we need to get this done. We end up getting

1750
01:16:25,920 --> 01:16:28,400
Speaker 11: it done. So then two years into it, asked them

1751
01:16:28,439 --> 01:16:30,600
Speaker 11: for a sneaker. They're like, no, I remember being on

1752
01:16:30,680 --> 01:16:32,760
Speaker 11: the flight to alex like, yo, I gotta work harder.

1753
01:16:33,040 --> 01:16:36,439
Speaker 11: Like next year, got a sneaker. First sneaker sold out

1754
01:16:36,479 --> 01:16:39,200
Speaker 11: first day, and I'm like, damn, I didn't even think people,

1755
01:16:39,640 --> 01:16:43,400
Speaker 11: second Sneaker, sold out, first day, foot Locker, Dick Sporting

1756
01:16:43,439 --> 01:16:46,000
Speaker 11: Goods all of the world. Now this is the third one,

1757
01:16:46,520 --> 01:16:49,000
Speaker 11: and uh, you know, I'm hoping it just does good

1758
01:16:49,080 --> 01:16:49,920
Speaker 11: helping ourselves up.

1759
01:16:50,200 --> 01:16:50,840
Speaker 4: Man, it's dope.

1760
01:16:50,880 --> 01:16:52,880
Speaker 6: I heard you say earlier that you like to go

1761
01:16:52,960 --> 01:16:55,000
Speaker 6: back to some of the places that you live when

1762
01:16:55,040 --> 01:16:57,960
Speaker 6: you feel I cannot motivate it or you want to celebrate.

1763
01:16:58,560 --> 01:17:02,479
Speaker 4: What about what you do get you in a rupt

1764
01:17:02,479 --> 01:17:03,799
Speaker 4: where you're not motivated?

1765
01:17:03,840 --> 01:17:07,760
Speaker 11: Sometimes, man, just uh, I feel like I'm giving all

1766
01:17:07,800 --> 01:17:10,120
Speaker 11: my energy, right, I feel like, so, say I have

1767
01:17:10,200 --> 01:17:13,160
Speaker 11: seven workouts today, every seventh player that comes in, all

1768
01:17:13,240 --> 01:17:16,920
Speaker 11: seven players, they want the full Chris Brickley. So I

1769
01:17:17,000 --> 01:17:19,679
Speaker 11: feel like seven pm comes and like my brain is done.

1770
01:17:20,280 --> 01:17:22,800
Speaker 11: And sometimes that affects my personal life, like I'm not

1771
01:17:22,920 --> 01:17:25,439
Speaker 11: giving my girlfriend the energy she needs, or I'm not

1772
01:17:25,560 --> 01:17:28,599
Speaker 11: giving my family I have. I have a big family,

1773
01:17:29,760 --> 01:17:32,080
Speaker 11: or maybe I'm it just and I know you guys

1774
01:17:32,200 --> 01:17:35,240
Speaker 11: know how that how that works. But so just any job,

1775
01:17:35,760 --> 01:17:39,840
Speaker 11: and then sometimes the players, one superstar player might not

1776
01:17:40,040 --> 01:17:42,080
Speaker 11: like it if I'm marking another superstar player out. So

1777
01:17:42,200 --> 01:17:43,479
Speaker 11: keeping the politics and all that.

1778
01:17:43,920 --> 01:17:46,360
Speaker 3: Yeah, you surprised by your fame sometimes because I know

1779
01:17:47,160 --> 01:17:48,880
Speaker 3: you came to the call show last week and just

1780
01:17:49,000 --> 01:17:50,840
Speaker 3: like people were taking pictures with you like crazy, like

1781
01:17:50,880 --> 01:17:52,640
Speaker 3: it would be like almost surprising to you.

1782
01:17:54,160 --> 01:17:55,680
Speaker 2: My boy next so he's seen it all.

1783
01:17:55,760 --> 01:17:59,320
Speaker 11: He was when no one knew me he was there,

1784
01:17:59,439 --> 01:18:01,519
Speaker 11: so shout out. The next he was with me at

1785
01:18:01,520 --> 01:18:03,559
Speaker 11: the at the car show. So you know, I'm looking

1786
01:18:03,560 --> 01:18:06,560
Speaker 11: at the BMW's first off, your car shows fire, thank you,

1787
01:18:07,160 --> 01:18:09,720
Speaker 11: I'm gonna go back, and I was just trying to,

1788
01:18:09,760 --> 01:18:12,800
Speaker 11: you know, take pictures and then you know, one dude's like, yo,

1789
01:18:12,920 --> 01:18:16,080
Speaker 11: we do an interview, we had some podcasting. Then another

1790
01:18:16,160 --> 01:18:17,800
Speaker 11: dude's like, we take a picture and there's just like

1791
01:18:17,960 --> 01:18:19,959
Speaker 11: six people right away, And I was just like it's

1792
01:18:20,479 --> 01:18:24,960
Speaker 11: it's amazing right to have that. But just sometimes like

1793
01:18:25,960 --> 01:18:28,479
Speaker 11: where I live, it's an issue. I have to promote

1794
01:18:28,520 --> 01:18:30,760
Speaker 11: where my gym is and where I live, so as

1795
01:18:30,800 --> 01:18:34,800
Speaker 11: people waiting outside that I want to propose stuff and

1796
01:18:35,280 --> 01:18:37,559
Speaker 11: it's just like, uh, I want some privacy.

1797
01:18:37,800 --> 01:18:40,960
Speaker 4: Yeah yeah. I started feeling like your car show were

1798
01:18:41,040 --> 01:18:45,519
Speaker 4: not his, but it was dope.

1799
01:18:45,360 --> 01:18:45,960
Speaker 2: Though, oh thank you.

1800
01:18:46,720 --> 01:18:47,960
Speaker 3: I want to ask you know, when it when it

1801
01:18:48,040 --> 01:18:51,360
Speaker 3: comes to these trainers and they seek you out.

1802
01:18:52,200 --> 01:18:53,240
Speaker 5: Do these people pay you?

1803
01:18:53,880 --> 01:18:55,960
Speaker 3: Does Lebron cut you a check for training? Or does

1804
01:18:56,040 --> 01:18:58,200
Speaker 3: these people You'd be like, nah, I'll train Lebron for free.

1805
01:18:58,479 --> 01:18:59,920
Speaker 2: Yeah no, so they'll all pay.

1806
01:19:00,400 --> 01:19:04,519
Speaker 11: Everyone I trained pays, but I let it. I like

1807
01:19:04,680 --> 01:19:07,400
Speaker 11: leave it up to them, especially like the superstar players.

1808
01:19:07,439 --> 01:19:10,080
Speaker 11: I know I'm getting some out of it, so I'm like,

1809
01:19:10,360 --> 01:19:13,360
Speaker 11: whatever you think that you deserve, pay me now. The

1810
01:19:13,520 --> 01:19:15,800
Speaker 11: young guys, I feel like some guys come to me

1811
01:19:15,800 --> 01:19:17,479
Speaker 11: because they just want an Instagram post to have like

1812
01:19:17,520 --> 01:19:20,360
Speaker 11: a big platform, and I'm like, nah, I'm not. If

1813
01:19:20,400 --> 01:19:21,639
Speaker 11: you want to work out a week or two weeks,

1814
01:19:21,680 --> 01:19:23,880
Speaker 11: we can do it, but I'm not doing the one workout,

1815
01:19:24,000 --> 01:19:25,519
Speaker 11: one Instagram post. We're not doing that.

1816
01:19:25,880 --> 01:19:27,560
Speaker 5: What's the most you got paid? You know what you

1817
01:19:27,600 --> 01:19:29,080
Speaker 5: got to say? Who's from just the most you got

1818
01:19:29,120 --> 01:19:30,479
Speaker 5: paid to train with Chris Breakley?

1819
01:19:30,680 --> 01:19:33,160
Speaker 11: Well, I guess I'll give you two answers.

1820
01:19:33,400 --> 01:19:33,800
Speaker 4: Gary V.

1821
01:19:34,000 --> 01:19:34,439
Speaker 17: Did it like.

1822
01:19:36,200 --> 01:19:39,479
Speaker 11: Did some of my charity thing? Someone spent? Was it

1823
01:19:39,560 --> 01:19:42,120
Speaker 11: fifteen thousand dollars to train on me? But as far

1824
01:19:42,200 --> 01:19:45,320
Speaker 11: as like how much I charge someone, so usually it

1825
01:19:45,320 --> 01:19:46,719
Speaker 11: would be like I won't be in a good mood,

1826
01:19:47,080 --> 01:19:49,560
Speaker 11: I'm tired. Someone asked me to train, and I just

1827
01:19:49,640 --> 01:19:52,000
Speaker 11: give some crazy number, thinking say no because you.

1828
01:19:51,960 --> 01:19:52,600
Speaker 4: Don't feel like it.

1829
01:19:52,800 --> 01:19:55,000
Speaker 2: For sure. We got that for sure.

1830
01:19:55,080 --> 01:19:57,799
Speaker 11: So I got twenty five hundred, like a thirty minute workout.

1831
01:19:58,120 --> 01:20:02,320
Speaker 11: That was the most for sure. Yeah that's which is fine,

1832
01:20:02,320 --> 01:20:02,920
Speaker 11: which is cool.

1833
01:20:03,120 --> 01:20:05,479
Speaker 6: I mean, it's just it's not like now you did

1834
01:20:05,600 --> 01:20:09,360
Speaker 6: say you're you know, sometimes your your your girlfriend and

1835
01:20:09,400 --> 01:20:11,000
Speaker 6: your kid doesn't get to see you like that. Who

1836
01:20:11,240 --> 01:20:14,680
Speaker 6: are you outside of your brand? And yeah you do right,

1837
01:20:14,720 --> 01:20:17,200
Speaker 6: because definitely matter as a person.

1838
01:20:17,080 --> 01:20:17,479
Speaker 11: For sure.

1839
01:20:17,720 --> 01:20:18,080
Speaker 4: I'm not.

1840
01:20:18,520 --> 01:20:22,280
Speaker 11: I'm like a super introvert. So I watched the first

1841
01:20:22,360 --> 01:20:25,960
Speaker 11: two my two interviews here and I'm like cringe. I'm like,

1842
01:20:26,080 --> 01:20:27,960
Speaker 11: damn because that's not me. I get mad at Chai.

1843
01:20:28,400 --> 01:20:30,640
Speaker 11: It's funny, like I'm like, but when I'm speaking to

1844
01:20:30,720 --> 01:20:33,360
Speaker 11: Lebron or I'm speaking to KD or these like or

1845
01:20:33,560 --> 01:20:38,599
Speaker 11: Bieber or Drake in a workout, I'm like, I'm super confident. Yeah,

1846
01:20:38,720 --> 01:20:41,519
Speaker 11: but then I get I become introvert. But nah, I'm

1847
01:20:42,120 --> 01:20:45,680
Speaker 11: just a super loving person, care about my people. That's

1848
01:20:45,760 --> 01:20:48,040
Speaker 11: my whole life. Like when I told my dad he

1849
01:20:48,080 --> 01:20:51,519
Speaker 11: could retire, that was like like I made it like

1850
01:20:51,600 --> 01:20:54,160
Speaker 11: in my life and my that's how I feel. So yeah,

1851
01:20:54,240 --> 01:20:55,920
Speaker 11: So I think I'm I'm a good person that take

1852
01:20:55,960 --> 01:21:00,880
Speaker 11: pride in that I've learned though, as your life is living,

1853
01:21:01,120 --> 01:21:02,040
Speaker 11: people take advantage of that.

1854
01:21:02,720 --> 01:21:04,080
Speaker 2: How was Drake as a basketball player?

1855
01:21:04,240 --> 01:21:06,240
Speaker 11: He's gotten a lot better. He's gotten a lot better

1856
01:21:06,360 --> 01:21:08,800
Speaker 11: for sure. Last time he came here like thirteen threes.

1857
01:21:08,960 --> 01:21:10,920
Speaker 11: So he's still I was on his page. It's funny

1858
01:21:10,960 --> 01:21:14,320
Speaker 11: these rappers come and like to me, like, doing a

1859
01:21:14,360 --> 01:21:17,439
Speaker 11: show in front eighty thousand people's cool. They think a video,

1860
01:21:17,640 --> 01:21:19,800
Speaker 11: a workout video on my gym is cool, and I'm like, yo,

1861
01:21:20,240 --> 01:21:23,840
Speaker 11: all the things, like yes, that's it's funny.

1862
01:21:24,080 --> 01:21:24,840
Speaker 5: We're still kicking it.

1863
01:21:24,840 --> 01:21:28,200
Speaker 2: With Chris Brikley, celebrity ball man.

1864
01:21:28,960 --> 01:21:30,760
Speaker 11: So I would say I got a girl in it guy.

1865
01:21:30,840 --> 01:21:34,320
Speaker 11: So I worked with her, the singer for like six months.

1866
01:21:35,439 --> 01:21:38,080
Speaker 11: She's nice, she's nice.

1867
01:21:38,240 --> 01:21:39,160
Speaker 14: She wanted to do it.

1868
01:21:39,400 --> 01:21:42,080
Speaker 11: Yes, yes, you knows. She wanted to try and make

1869
01:21:42,120 --> 01:21:42,799
Speaker 11: the WNBA.

1870
01:21:43,400 --> 01:21:47,120
Speaker 2: So basically the singer. Yeah, if you guys google it.

1871
01:21:47,400 --> 01:21:51,000
Speaker 11: Her successor no, this is two years ago, for like

1872
01:21:51,000 --> 01:21:53,200
Speaker 11: almost a year ship if you google it as pictures

1873
01:21:53,280 --> 01:21:53,479
Speaker 11: of it.

1874
01:21:53,960 --> 01:21:55,200
Speaker 2: So we we trained.

1875
01:21:55,720 --> 01:21:58,479
Speaker 11: The The goal was She's like I'm gonna make a

1876
01:21:58,640 --> 01:22:04,040
Speaker 11: WNBA roster and then uh, she had a label switch

1877
01:22:04,160 --> 01:22:05,880
Speaker 11: some personal stuff and she's like, I just got to

1878
01:22:05,880 --> 01:22:08,080
Speaker 11: get this album. And she's been in that mode. But

1879
01:22:08,240 --> 01:22:10,599
Speaker 11: we were training every day she had she was making

1880
01:22:10,720 --> 01:22:11,720
Speaker 11: fifteen threes in a row.

1881
01:22:11,920 --> 01:22:14,040
Speaker 2: Really wow, her NBA threes.

1882
01:22:15,400 --> 01:22:19,080
Speaker 6: You're gonna ask, they said, yeah, because I'll see them

1883
01:22:19,080 --> 01:22:19,599
Speaker 6: when I've seen them.

1884
01:22:19,600 --> 01:22:21,639
Speaker 5: One time he played basketball.

1885
01:22:22,600 --> 01:22:23,720
Speaker 2: Not gonna if I could post up?

1886
01:22:24,120 --> 01:22:24,680
Speaker 1: What was the guy?

1887
01:22:24,920 --> 01:22:28,720
Speaker 2: The guy best Jacoal because I mean he hit.

1888
01:22:28,880 --> 01:22:30,200
Speaker 11: He came to me and he's like, yo, I know

1889
01:22:30,280 --> 01:22:32,479
Speaker 11: him ten years too late, but I'm willing to give

1890
01:22:32,520 --> 01:22:34,120
Speaker 11: you three months. Can you get me to become a

1891
01:22:34,160 --> 01:22:36,800
Speaker 11: pro basketball player? And he played in NBA Africa and

1892
01:22:36,880 --> 01:22:39,200
Speaker 11: then he played in the camp so that was ope.

1893
01:22:39,200 --> 01:22:42,120
Speaker 11: He would put his kids to sleep getting his bike Jape,

1894
01:22:42,200 --> 01:22:43,920
Speaker 11: you know the whole bike that he would ride his

1895
01:22:44,040 --> 01:22:46,639
Speaker 11: bike to my crib. We work over two hours where

1896
01:22:46,640 --> 01:22:50,320
Speaker 11: he instructed his jump shot. Yeah, made NBA Africa.

1897
01:22:50,560 --> 01:22:52,679
Speaker 4: Have you ever played Chris Brown?

1898
01:22:53,080 --> 01:22:54,760
Speaker 11: So you know Chris Brown, that was my best friend

1899
01:22:54,920 --> 01:22:57,280
Speaker 11: in the world for like four years too.

1900
01:22:57,680 --> 01:23:00,960
Speaker 5: Yeah, that's my man. So to a point where best remember, well,

1901
01:23:01,080 --> 01:23:02,000
Speaker 5: I'm sorry, go ahead please.

1902
01:23:02,080 --> 01:23:02,200
Speaker 16: Chris.

1903
01:23:02,600 --> 01:23:04,320
Speaker 11: So to a point when I was working with the Knicks,

1904
01:23:05,000 --> 01:23:07,560
Speaker 11: every day off we had, I would fly out to

1905
01:23:07,720 --> 01:23:09,720
Speaker 11: LA and we'd chill, we'd kick it. He'd flying for

1906
01:23:09,800 --> 01:23:12,160
Speaker 11: my birthday. That was my man. That's like I think,

1907
01:23:12,280 --> 01:23:14,760
Speaker 11: so the whole music stuff. I started meeting all these

1908
01:23:14,880 --> 01:23:17,200
Speaker 11: artists through Chris. So I'd come to New York with Chris.

1909
01:23:18,120 --> 01:23:20,760
Speaker 11: He was like, he's already prime Chris. But he was

1910
01:23:20,840 --> 01:23:24,120
Speaker 11: like super prime Chris, and uh, you know, I got

1911
01:23:24,200 --> 01:23:26,360
Speaker 11: cast Snova on tour with him. I got so many

1912
01:23:26,479 --> 01:23:30,360
Speaker 11: artists songs through being cool. That's definitely a cool thing.

1913
01:23:30,640 --> 01:23:32,439
Speaker 2: But CB is nice.

1914
01:23:32,600 --> 01:23:34,840
Speaker 11: If he like wanted to be from like an eighteen

1915
01:23:34,920 --> 01:23:36,800
Speaker 11: year old, I got a story for you. So I

1916
01:23:36,880 --> 01:23:43,360
Speaker 11: coached at Ludacris Weekend, nine NBA players, one artist, Chris Brown.

1917
01:23:43,520 --> 01:23:47,000
Speaker 11: He scored thirty points. Wow, this is like six years ago.

1918
01:23:47,479 --> 01:23:48,800
Speaker 2: Really? Yeah, how's Dirk?

1919
01:23:49,040 --> 01:23:51,320
Speaker 11: People say dirt yea Derk, and Dirk's good too, Dirk,

1920
01:23:51,360 --> 01:23:54,600
Speaker 11: and shoot shout Dirk. You know everything that's going on.

1921
01:23:55,120 --> 01:23:56,920
Speaker 11: I hope, uh yeah, I hope he gets that soon.

1922
01:23:57,080 --> 01:23:59,640
Speaker 11: I spoke to him last night, k last night.

1923
01:23:59,680 --> 01:23:59,800
Speaker 17: Yep.

1924
01:23:59,840 --> 01:24:02,000
Speaker 2: Yeah, really, he's in good spirits.

1925
01:24:02,800 --> 01:24:05,400
Speaker 11: It was actually like really really good spirits and he's like, yo, bro,

1926
01:24:05,960 --> 01:24:07,800
Speaker 11: He's like, when I get out, I'm coming to the

1927
01:24:07,840 --> 01:24:10,120
Speaker 11: gym with training, I'm going league and he.

1928
01:24:10,160 --> 01:24:12,120
Speaker 2: Said that, So yeah, shut out, Derek.

1929
01:24:12,160 --> 01:24:13,160
Speaker 11: Man, it's one of my good friends.

1930
01:24:13,439 --> 01:24:14,519
Speaker 14: He checking with you all the time.

1931
01:24:14,760 --> 01:24:17,160
Speaker 11: Yeah, we're super close. We're super close. And I was

1932
01:24:17,160 --> 01:24:20,600
Speaker 11: super close with Vaughan too, Me and me and my

1933
01:24:21,040 --> 01:24:25,599
Speaker 11: I got next the night before that happened. I remember

1934
01:24:25,640 --> 01:24:27,559
Speaker 11: we're at I was at my house. I'm like sleeping

1935
01:24:27,600 --> 01:24:29,600
Speaker 11: and he's facetiming me Van over. Oh He's like, come on,

1936
01:24:29,680 --> 01:24:31,439
Speaker 11: pull up on me, Come pull up on me. We

1937
01:24:31,560 --> 01:24:33,560
Speaker 11: pulled up on him. We got pictures. And then the

1938
01:24:33,680 --> 01:24:36,200
Speaker 11: next day that happened, I was messed up.

1939
01:24:36,600 --> 01:24:39,960
Speaker 4: Yeah, yeah, I.

1940
01:24:41,439 --> 01:24:43,559
Speaker 2: Thank you well for yourself, yes too.

1941
01:24:43,760 --> 01:24:47,120
Speaker 5: All right, well, the shoe comes out September fifth, which

1942
01:24:47,160 --> 01:24:49,479
Speaker 5: is next Friday. Make sure you go pick him up.

1943
01:24:49,479 --> 01:24:50,400
Speaker 5: And where can people get him?

1944
01:24:51,080 --> 01:24:56,559
Speaker 11: So foot Locker, Dick Sporting Goods, Puma dot Com. They're

1945
01:24:56,600 --> 01:24:59,599
Speaker 11: gonna sell out quicks then Beyond Grail and yeah.

1946
01:24:59,520 --> 01:25:03,000
Speaker 4: All over the we all pro Nitro Two's Chris Brickley.

1947
01:25:03,040 --> 01:25:04,639
Speaker 3: Ladies and gentlemen, make sure you pick up a sneakers

1948
01:25:04,640 --> 01:25:07,840
Speaker 3: that come out this Friday. Charlomage is already waiting online

1949
01:25:07,880 --> 01:25:12,439
Speaker 3: of Dick, so he's there already. It is Chris Brickley

1950
01:25:12,760 --> 01:25:16,760
Speaker 3: only everybody, it's DJ NV just hilarious, Charlamagne the God.

1951
01:25:16,880 --> 01:25:20,160
Speaker 3: We are the Breakfast Club now, Charlamon, you've got a

1952
01:25:20,160 --> 01:25:20,760
Speaker 3: positive note?

1953
01:25:20,920 --> 01:25:21,120
Speaker 18: I do.

1954
01:25:21,640 --> 01:25:23,400
Speaker 1: I just want to tell y'all, man, this is your

1955
01:25:23,479 --> 01:25:27,200
Speaker 1: Monday morning reminder that you can handle whatever this week

1956
01:25:27,320 --> 01:25:29,479
Speaker 1: throws at you. Okay, if you don't feel like that,

1957
01:25:29,800 --> 01:25:31,559
Speaker 1: then I want you to get a new perspective because

1958
01:25:31,560 --> 01:25:34,120
Speaker 1: whatever obstacle you're facing, it's not permanent.

1959
01:25:34,400 --> 01:25:36,000
Speaker 2: Have a great day, Breakfast Club.

1960
01:25:36,760 --> 01:25:37,639
Speaker 15: You don't finish for y'all.

1961
01:25:37,720 --> 01:25:37,920
Speaker 4: Done,