WEBVTT - Mini Crush #70

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, welcome to Mini Crush Sick Edition Part two.

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<v Speaker 1>But on a Monday. It's two minutes past the last recording.

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<v Speaker 1>So Noel's elbow still hurts, his wrist still hurts. I'm

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<v Speaker 1>still sick. How's my pride, Chuck? Oh jeez, I think

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<v Speaker 1>it's okay. All right, Yeah, we'll just speak, you know,

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<v Speaker 1>because I had to bail out on that scooter spectacularly,

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<v Speaker 1>and uh, my pride took a bit of a hit,

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<v Speaker 1>but I think it's healed over the past few days.

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<v Speaker 1>Were you by yourself? Well, I was with my friend Frank,

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<v Speaker 1>but he was up ahead and I was he was

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<v Speaker 1>I was kind of the straggler and he didn't even

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<v Speaker 1>see it go down. So Frankly was like, where were

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<v Speaker 1>you know exactly, and he's like high five scooting. You're like, yeah,

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<v Speaker 1>with my left hand, exactly exactly. Um, I told you,

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<v Speaker 1>I think I might even sit on the show about

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<v Speaker 1>the time in college when I saw the guy bust

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<v Speaker 1>ass on his bike on campus. Kind of one of

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<v Speaker 1>the funniest things I've ever seen. A guy was riding

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<v Speaker 1>and I'm sorry if I've told the story before everyone.

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<v Speaker 1>But he's riding his bike on the campus of the

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<v Speaker 1>University of Georgia. He totally busted ass, fell on the

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<v Speaker 1>ground face first, bike wheels spinning in the air, books

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<v Speaker 1>scattered all over the street, and this dude Nol puts

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<v Speaker 1>his hand under his chin, laying on the ground, opens

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<v Speaker 1>a book and pretends like he's reading. Yeah, that's very

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<v Speaker 1>similar to what happened with me. It was one of

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<v Speaker 1>the best moves I've ever seen, and I still wonder

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<v Speaker 1>to this day, like, who are you, sir? Where are

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<v Speaker 1>you in the world? Now? Where have those talents taken

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<v Speaker 1>you to be able to play something else? With such

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<v Speaker 1>a skill and a plum man? That was good? Alright. So,

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<v Speaker 1>because I'm sick everyone and UM, I went to bed

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<v Speaker 1>super early last night, I did not prepare any usual

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<v Speaker 1>UM movie Crush stuff like social studies. I spend all

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<v Speaker 1>those in the sick edition from Friday. So what we're

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<v Speaker 1>doing here is a movie Crushers tribute episode. No, because

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<v Speaker 1>as everyone knows, there's a movie Crush page, and there's

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<v Speaker 1>a movie Crushers sub page, which um is for the

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<v Speaker 1>superest of fans and the oldest of pals, and they

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<v Speaker 1>have so much great stuff going on, and people are

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<v Speaker 1>really playing along and posting a bunch of really fun

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<v Speaker 1>um games and questions and interactive stuff, and it just

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<v Speaker 1>makes me smile every time I go over there and

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<v Speaker 1>checks uff out. So I am stealing some of it

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<v Speaker 1>for our own purposes. How does that sound? It sounds lovely, Chuck.

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<v Speaker 1>We're gonna start off with Dave priests Um just about

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<v Speaker 1>a day ago called for the funniest movie scene ever?

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<v Speaker 1>Do you have one all off the dome. I've got

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<v Speaker 1>a couple. I saw the movie hot Rod over the weekend,

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<v Speaker 1>which I really saw that. It's really funny. It's the

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<v Speaker 1>lonely island guys and all that. I mean. Samberg there's

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<v Speaker 1>one scene where he is like in the forest doing

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<v Speaker 1>this like weird zen kind of frolicking meditation ritual and

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<v Speaker 1>he falls down a hill, but he falls for like

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<v Speaker 1>five minutes, and it's just I'm a big fan of

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<v Speaker 1>prat falls in physical comedy like that, taken to the

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<v Speaker 1>inst degree, taken to the instage. Another one that comes

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<v Speaker 1>to mind, I think I've mentioned this before is that

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<v Speaker 1>scene in Wolf of Wall Street where Jonah Hill and

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<v Speaker 1>Leonardo DiCaprio or like the drug and they're just crawling

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<v Speaker 1>around each other and just like getting wrapped up in

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<v Speaker 1>the phone line, and it's just that's just good comedy.

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<v Speaker 1>Makes me laugh. So agreed. By the way, have you

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<v Speaker 1>seen Sorry to get distracted already? But have you seen

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<v Speaker 1>the early marks for Once upon a Time? In Hollywood?

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<v Speaker 1>Everyone says it's great. I can't wait. The trailer looks fantastic.

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<v Speaker 1>I've heard a bit of redemption for Tarantino. What do

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<v Speaker 1>you need redemption for? I mean, hateful It wasn't the

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<v Speaker 1>best reviewed film I enjoyed Hatefully. I'm glad, but the

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<v Speaker 1>reviews that I read said a bit of a comeback

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<v Speaker 1>towards the pulp fiction days. You know, it looks like

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<v Speaker 1>a big old fun l a movie, you know, and

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<v Speaker 1>a period piece to boot. Yeah, and um apparently has

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<v Speaker 1>like a knockout ending that that. Tarantino himself has wrote

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<v Speaker 1>a very kind letter at the con Film Festival to

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<v Speaker 1>the journalists saying, please please do not give away anything

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<v Speaker 1>I saw that. Yeah, he did in a great way,

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<v Speaker 1>I think, And he said, we all love cinema. Thinest

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<v Speaker 1>part of that is coming for hash to it to

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<v Speaker 1>a thing, experiencing it. Please allow others to experience this

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<v Speaker 1>the same way that you have. Yeah, yeah, exactly right.

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<v Speaker 1>He didn't throw that in. Uh. No, I think I'm

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<v Speaker 1>sure it's gonna be great. I can't wait. Yeah, I'm

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<v Speaker 1>really looking forward to that as tomorrow the I'm sorry.

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<v Speaker 1>In two days, the Rocketman, the Elton John film comes out,

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<v Speaker 1>and I believe this week Deadwood comes out. Oh really?

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<v Speaker 1>Oh great. I don't know what to do. No, I

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<v Speaker 1>don't have enough time to go to all those movies.

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<v Speaker 1>Deadwoods on the TV right, Oh, that's right. I think

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<v Speaker 1>you're right on the TV. Right, it's on the TV

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<v Speaker 1>Cox sucker. Uh if you don't watch Deadwood. By the way,

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<v Speaker 1>that was he didn't just pull that out of nowhere.

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<v Speaker 1>Chuck you foul mouth. So and so oh and also no,

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<v Speaker 1>I filled a hole and I'm gonna fill the other two.

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<v Speaker 1>I watched John Wick and boy did I love it. Yeah,

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<v Speaker 1>it's great. I watched part two over the weekend with

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<v Speaker 1>a friend and I really the first time for the

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<v Speaker 1>first time. But I I thought I had seen part one,

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<v Speaker 1>but I realized I hadn't, So I need to go

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<v Speaker 1>back and watch part one. So you never saw John Wick.

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<v Speaker 1>I saw John Wick two well, I don't know what

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<v Speaker 1>to say about that. I'm sorry, man, Il thought you

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<v Speaker 1>were a wicker, so I'm I'm a wicker man. I

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<v Speaker 1>have you? Have you confused with someone else? Uh? So

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<v Speaker 1>I'm gonna watch part two. They have a good deal

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<v Speaker 1>go nol on Apple iTunes. You can buy John Wick

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<v Speaker 1>one and two, or if you're sucker, you can rent

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<v Speaker 1>them for five nine nine each. Did the math? Alright,

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<v Speaker 1>So funniest movie scenes ever. We'll start it off with

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<v Speaker 1>Brent a Price, the cat and the ashes and meet

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<v Speaker 1>the parents. Keith Edward says a sightecag and clue. When

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<v Speaker 1>everyone is running around, they all collide on the second level.

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<v Speaker 1>Seeing that movie a hundred times and it still cracks

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<v Speaker 1>me up. Yeah, agreed, you know how I love that movie.

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<v Speaker 1>All Right, we're gonna go to Will Thomas Tommy Boy

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<v Speaker 1>restaurant scene, Tommy like Wingy Lea Mitchell, Tommy Boy dear

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<v Speaker 1>breaking out of the convertible. I've never seen Tommy Boy nol,

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<v Speaker 1>have you. Yeah, it's the one where he puts on

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<v Speaker 1>us as the fat guy in a little coat. That's

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<v Speaker 1>a famous scene as well. He's like fat guy and

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<v Speaker 1>a little coat and then he rips Javid David Spade's coat.

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<v Speaker 1>Skyler Banks is Tommy Boy when he lights the model

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<v Speaker 1>car on fire. I think I need to see Tommy.

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<v Speaker 1>But it's funny. That one's funny. That's the funniest one

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<v Speaker 1>because then they did it again like Black Sheep. It

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<v Speaker 1>was very similar pairing with Spade and Farley, very similar,

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<v Speaker 1>where like you know, Spade was kind of his babysitter, right, right, right,

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<v Speaker 1>that's the dynamic there, r I p Sir Jeff Noel,

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<v Speaker 1>our old friend, the self destructing play performance and noises off. Yeah, man,

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<v Speaker 1>noises off. That's a classic. Uh. And he got a

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<v Speaker 1>comment there that you know, none of people know about

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<v Speaker 1>that film. I think I agree with that. Uh. George

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<v Speaker 1>Ferris has twenty two Jump Street Schmidt fuck the Captain's daughter. Yeah,

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<v Speaker 1>that was a good scene. That was a funny movie.

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<v Speaker 1>I haven't seen either one of those. I don't. I

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<v Speaker 1>saw the second one, Jump Streight. Yeah, isn't that the

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<v Speaker 1>second one? Yeah? The first one is twenty one Jump Street. Right,

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<v Speaker 1>so you didn't see the one in question here? No,

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<v Speaker 1>I did see both. I'm just you definitely knew the reference. Yeah, yeah,

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<v Speaker 1>I'm sick. Give me a breaknal, I was just thinking. Sure,

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<v Speaker 1>Becca Lure, old friend says, Uh, terrible movie called bomb

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<v Speaker 1>Water starring Luke Wilson and Andy Dick. Luke's character's house

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<v Speaker 1>burned down and he's staying with Andy Dick's character over breakfast.

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<v Speaker 1>They're talking and Andy Dick says, guests, who just quick?

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<v Speaker 1>I guess who just quit smoking? Luke asked who, and

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<v Speaker 1>Andy Dick says, your house. I guess that kids her

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<v Speaker 1>every time. Um. Michael O'Neill the barbershop scene and coming

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<v Speaker 1>to America certainly a good one. Art riddles his black

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<v Speaker 1>sheep Farley falls down the mountain. Dodger phillips Our old

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<v Speaker 1>friends is world, according to Garp, either when he and

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<v Speaker 1>his new wife are looking to buy their first home

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<v Speaker 1>or later when you see the look on his wife's

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<v Speaker 1>face while wearing a neck brace. Yeah, that was a

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<v Speaker 1>good movie. More Tommy Boy, where have I been? Noel?

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<v Speaker 1>Watching other things? Uh? Paul Scarnsky says the bathroom seeing

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<v Speaker 1>in Dumb and Dummer. Sure that's body humor, that it's maximum?

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<v Speaker 1>Is there pooping partner Dumb and Dumber with Jeff Daniels

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<v Speaker 1>on the toilet? Oh yeah, I wonder how. I wonder

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<v Speaker 1>how how they do the folly for that. Do you

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<v Speaker 1>think it's like a lot of balloons. I don't know, man,

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<v Speaker 1>I think a lot of dudes blowing into their hands.

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<v Speaker 1>I'd love to get a fully artist in here, would

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<v Speaker 1>be fun. Hasn't happened yet, you know, and I know,

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<v Speaker 1>and you should get Michael um Oh gosh, I forget

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<v Speaker 1>his last name now. He does all of them. He

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<v Speaker 1>does a lot of music for Adult Swim and we

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<v Speaker 1>interviewed him on the animation podcast me and Holly Fry

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<v Speaker 1>did from stuff he miss in history class, and he

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<v Speaker 1>is local and is very much a fully artist. Really, yeah,

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<v Speaker 1>I'll do that. I think we should. I'll figure out.

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<v Speaker 1>Let's look it up. He's great. I thought there was

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<v Speaker 1>nothing cooler to me when I was a kid than

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<v Speaker 1>seeing a special unfold the artists. When they would do

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<v Speaker 1>a split screen and show what's happening on the movie

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<v Speaker 1>and then show the folly artist at work, uh, walking

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<v Speaker 1>around on like lightbulbs or punching a hamsteak or something.

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<v Speaker 1>It's just the coolest thing. Ever, it's neat too, because

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<v Speaker 1>there's that thing they do where they have like a

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<v Speaker 1>wooden pit that they build because it contains the sounds

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<v Speaker 1>just enough and they might get so close that it

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<v Speaker 1>gives the sense of more of a contained environment as

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<v Speaker 1>opposed to just doing it in an open room. So

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<v Speaker 1>it's almost like a raised flowerbed stage and that's what

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<v Speaker 1>they stomp around in and they fill it with sand

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<v Speaker 1>or whatever. You know, it's really neat. Lots of little

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<v Speaker 1>tricks that you wouldn't think, but yeah, they've figured out

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<v Speaker 1>how to do over time, you know. Yeah, And I

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<v Speaker 1>love that they have attached the word artist to that title.

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<v Speaker 1>You know, it's really appropriate. I think. Karen petrick Um,

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<v Speaker 1>she actually just posted a meme of the chest waxing

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<v Speaker 1>scene in forty year Old Virgin Great, great scene because

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<v Speaker 1>you know, Steve Carrell got really he really got wax there. No,

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<v Speaker 1>I'm sure everyone knows that by now. Oh he did.

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<v Speaker 1>Huh sure that wouldn't fake. You ever got a wax chuck? Uh?

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<v Speaker 1>Em least to do my I'm not the harriest guy

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<v Speaker 1>in the world. Um, but I do have some of

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<v Speaker 1>the neckline creepers. So she used to do my upper

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<v Speaker 1>back occasionally. Uma. But that's when we all cared exactly

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<v Speaker 1>I had it happened once my ex wife was a

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<v Speaker 1>pesthetician and she did it actually just to practice. I

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<v Speaker 1>think that's her guinea pig, and it won fine. I

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<v Speaker 1>definitely don't denvy the ladies that have to do that

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<v Speaker 1>or choose to do it that way, you know, on

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<v Speaker 1>the leg on the reg um. Let me see here,

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<v Speaker 1>Let's do a few more of these funny scenes. Much

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<v Speaker 1>appreciated David for this. By the way, Chrissie Nadine goes

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<v Speaker 1>with Wolf of Wall Street, but not that scene, noal,

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<v Speaker 1>the party scene where DiCaprio does that that kind of

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<v Speaker 1>funky break dance in the tuxedo, you know I'm talking about.

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<v Speaker 1>I think I do that were they're like tossing the

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<v Speaker 1>little people. It's this one right there. Yes, when he's

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<v Speaker 1>doing those moves, that's different thing that is really funny.

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<v Speaker 1>He is so funny in that he is a really

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<v Speaker 1>good physical comedian. I I I'm coming around to like

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<v Speaker 1>in leoh, I love him and people bag on him. Still,

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<v Speaker 1>I don't get it. My whole thing, and I think

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<v Speaker 1>I've told you this is I just always feel like

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<v Speaker 1>he looks too young for the roles he plays. If

0:12:26.240 --> 0:12:28.840
<v Speaker 1>that's not his fault. He's not young anymore. He's properly

0:12:29.280 --> 0:12:31.719
<v Speaker 1>middle aged, but I just think of him as being

0:12:31.760 --> 0:12:35.600
<v Speaker 1>a tiny child. Yeah, because he's got this baby face,

0:12:35.679 --> 0:12:39.200
<v Speaker 1>you know still, you know it's it is we and

0:12:39.240 --> 0:12:42.200
<v Speaker 1>we've all seen him grow up since what was Different

0:12:42.200 --> 0:12:46.800
<v Speaker 1>Strokes it was Family Guy, Family Matters. Yeah, he was

0:12:46.840 --> 0:12:48.960
<v Speaker 1>he was when he was a young cartoon on Family

0:12:48.960 --> 0:12:51.960
<v Speaker 1>Guy and grew up into an adult, real human. I

0:12:52.000 --> 0:12:54.200
<v Speaker 1>will say this thing, I'm really the thing that looks

0:12:54.200 --> 0:12:56.400
<v Speaker 1>really cool about Once upon a Time in Hollywood is

0:12:56.440 --> 0:12:59.640
<v Speaker 1>like both he and Brad Pitt have this like grizzled

0:12:59.720 --> 0:13:04.200
<v Speaker 1>leather relook faces. Like it's just very like Steve McQueen

0:13:04.360 --> 0:13:06.439
<v Speaker 1>kind of like it's got that vibe. I really yeah,

0:13:06.440 --> 0:13:08.040
<v Speaker 1>which if you know, you spend time in l A

0:13:08.080 --> 0:13:10.920
<v Speaker 1>and you see those people that are just sun kiss

0:13:11.000 --> 0:13:13.760
<v Speaker 1>for forty years and they have this sort of leathery,

0:13:14.280 --> 0:13:17.439
<v Speaker 1>otherworldly look. Scott Marble says, for me, it's the photograph

0:13:17.559 --> 0:13:22.880
<v Speaker 1>sequence in the credits of The Hangover that was really funny, yep,

0:13:23.000 --> 0:13:24.560
<v Speaker 1>And it was you know, it was a kind of

0:13:24.559 --> 0:13:26.160
<v Speaker 1>the perfect way to in that films the perfob waiting

0:13:26.200 --> 0:13:28.480
<v Speaker 1>the film because that was the Hangover that was the

0:13:28.679 --> 0:13:31.400
<v Speaker 1>part in question, right, Yeah, where or not the hangover

0:13:31.440 --> 0:13:34.319
<v Speaker 1>that was the kind of the blackout period. Yeah. Yeah,

0:13:34.320 --> 0:13:37.440
<v Speaker 1>and then you get to see exactly what. Yeah, pretty brilliant.

0:13:37.480 --> 0:13:39.959
<v Speaker 1>It's great. And they were so funny too. I bet

0:13:40.000 --> 0:13:41.960
<v Speaker 1>they had a lot of fun taking those shots. I

0:13:42.000 --> 0:13:45.880
<v Speaker 1>bet uh amna stimilar um. She posted a meme to

0:13:45.960 --> 0:13:47.360
<v Speaker 1>a lot of people are doing that and guts that's

0:13:47.400 --> 0:13:53.480
<v Speaker 1>the thing. Um, Kristen Wig the flight scene in Bridesmaids. Uh,

0:13:53.679 --> 0:13:56.960
<v Speaker 1>when Kristin Wick is not in first class and gets tanked.

0:13:57.160 --> 0:14:01.920
<v Speaker 1>That's right. Oh god, that was so good man. She's funny.

0:14:02.120 --> 0:14:03.719
<v Speaker 1>She is funny. I don't know, if I don't this

0:14:03.760 --> 0:14:06.120
<v Speaker 1>is the right time to bring this up. But really quickly, Um,

0:14:06.200 --> 0:14:07.880
<v Speaker 1>you know, christ and Wig had a film that was

0:14:07.880 --> 0:14:11.160
<v Speaker 1>gonna shoot here in Atlanta, and she pulled it because

0:14:11.200 --> 0:14:15.040
<v Speaker 1>of this horrible heartbeat bill we have going on. I'm

0:14:15.040 --> 0:14:17.600
<v Speaker 1>wondering how that's going to affect our industry. Chuck kind

0:14:17.600 --> 0:14:21.720
<v Speaker 1>of concerned. Yeah, should we talk about that? Well, I mean,

0:14:21.760 --> 0:14:23.440
<v Speaker 1>just briefly. I don't know. I just I think it's

0:14:23.440 --> 0:14:25.520
<v Speaker 1>a big deal. Obviously, it's it's it's it's it's a

0:14:25.560 --> 0:14:27.320
<v Speaker 1>horrible thing to begin with, But I think it's so

0:14:27.400 --> 0:14:30.920
<v Speaker 1>shortsighted of our you know, government to not realize that

0:14:30.920 --> 0:14:33.400
<v Speaker 1>people aren't gonna stand for it, and we're gonna lose,

0:14:34.240 --> 0:14:37.880
<v Speaker 1>We're gonna lose business. Yeah, and that's we've been building

0:14:37.880 --> 0:14:41.360
<v Speaker 1>this for years. It's just so so petty and shortsighted

0:14:41.360 --> 0:14:42.880
<v Speaker 1>and they're just trying to you know, it's it's all

0:14:42.920 --> 0:14:45.560
<v Speaker 1>about like a political ploy to like get Roe v.

0:14:45.720 --> 0:14:50.080
<v Speaker 1>Wade overturned, and I just don't I don't get it, Chuck. Yeah,

0:14:50.240 --> 0:14:55.600
<v Speaker 1>it is uh, not only is it um dangerous legislation,

0:14:55.680 --> 0:14:59.840
<v Speaker 1>but it's uh, it's embarrassing to be lumped in. Is

0:14:59.880 --> 0:15:05.040
<v Speaker 1>just this backward place. And just so the non Georgians

0:15:05.040 --> 0:15:08.880
<v Speaker 1>out there listening, No, they've done poles in se Georgians

0:15:08.880 --> 0:15:11.440
<v Speaker 1>are pro choice, and we have a governor who is

0:15:11.520 --> 0:15:14.880
<v Speaker 1>literally going against the will of his constituents and saying

0:15:14.920 --> 0:15:17.560
<v Speaker 1>that he is invoking the will of the people and

0:15:17.560 --> 0:15:20.720
<v Speaker 1>it's just not true. Nope, and it's uh, it's really

0:15:21.280 --> 0:15:23.840
<v Speaker 1>it's sad. That's all I'm gonna say. That's all. That's

0:15:23.840 --> 0:15:25.320
<v Speaker 1>all we need to say about that, And that's all

0:15:25.320 --> 0:15:27.760
<v Speaker 1>I have to say about that. Now. I just hope,

0:15:28.600 --> 0:15:31.640
<v Speaker 1>I hope, you know, because money talks so I hope

0:15:31.640 --> 0:15:35.080
<v Speaker 1>that if enough production companies threatened a poll, and it's

0:15:35.560 --> 0:15:39.040
<v Speaker 1>very much a real threat, then maybe something will change.

0:15:39.120 --> 0:15:41.920
<v Speaker 1>I don't know. We'll see, we will see. Moving on

0:15:42.600 --> 0:15:52.960
<v Speaker 1>all right, No, we're gonna move on to another movie

0:15:53.000 --> 0:15:58.040
<v Speaker 1>Crusher curated segment. So no, this one has got a

0:15:58.040 --> 0:16:00.880
<v Speaker 1>lot of great feedback. This is for our old friend

0:16:00.960 --> 0:16:04.800
<v Speaker 1>Vanessa Cashman, because I'm not sure if you know this, Knull,

0:16:04.920 --> 0:16:09.200
<v Speaker 1>but a show called Game of Thrones just wrapped up

0:16:10.040 --> 0:16:15.000
<v Speaker 1>more like Game of Groans? Am I right? And uh,

0:16:15.040 --> 0:16:16.720
<v Speaker 1>well go ahead, because this is what I want to

0:16:16.760 --> 0:16:20.400
<v Speaker 1>know as a non watcher. What are your feelings? Um,

0:16:20.440 --> 0:16:24.600
<v Speaker 1>I guess you can spoil. So let's just say, if

0:16:24.600 --> 0:16:26.400
<v Speaker 1>you haven't watched the end of Game of Thrones and

0:16:26.440 --> 0:16:28.560
<v Speaker 1>you and you're going to one day, tune out for

0:16:28.600 --> 0:16:30.520
<v Speaker 1>the next couple of minutes, I'm not even gonna get

0:16:30.520 --> 0:16:32.280
<v Speaker 1>in a specifics. I don't think it's even worth it.

0:16:32.280 --> 0:16:34.600
<v Speaker 1>I'm just gonna All I'm gonna say is that none

0:16:34.600 --> 0:16:37.680
<v Speaker 1>of the motivations of the characters to do the actions

0:16:37.720 --> 0:16:40.120
<v Speaker 1>that they ended up doing on the show made any sense.

0:16:40.640 --> 0:16:44.400
<v Speaker 1>And the show was built on really intricate character development

0:16:44.440 --> 0:16:48.120
<v Speaker 1>that was very expertly laid over the course of many

0:16:48.200 --> 0:16:52.720
<v Speaker 1>seasons and several most of the most important characters in

0:16:52.760 --> 0:16:55.920
<v Speaker 1>the show just made these bizarre like hell turns in

0:16:55.960 --> 0:16:58.520
<v Speaker 1>the last two or three episodes. But it just reeked

0:16:58.520 --> 0:17:01.960
<v Speaker 1>of desperation. It reeked of let's get this done, let's

0:17:02.000 --> 0:17:04.640
<v Speaker 1>get to a conclusion, let's make it happen, let's get

0:17:04.640 --> 0:17:07.720
<v Speaker 1>these characters from A to X. And there was just

0:17:07.880 --> 0:17:11.280
<v Speaker 1>no in between. And I know, you know, say what

0:17:11.320 --> 0:17:13.280
<v Speaker 1>you all about, George R. Martin, But if these were

0:17:13.280 --> 0:17:16.159
<v Speaker 1>the choices that he actually wanted for these characters, he

0:17:16.200 --> 0:17:19.280
<v Speaker 1>would have devoted a lot of time and inc to

0:17:19.920 --> 0:17:21.520
<v Speaker 1>having it makes sense for them to get to where

0:17:21.560 --> 0:17:24.840
<v Speaker 1>they ultimately got. So I found a couple episodes in

0:17:24.840 --> 0:17:28.480
<v Speaker 1>the last season pretty satisfying, but the last two were

0:17:28.600 --> 0:17:31.560
<v Speaker 1>just head scratchers, And I was just like Jesus, all right,

0:17:31.640 --> 0:17:33.720
<v Speaker 1>So all the criticism that I've read about you feel

0:17:33.760 --> 0:17:38.520
<v Speaker 1>is totally warranted. And what's the deal, George R. Martin

0:17:38.760 --> 0:17:42.800
<v Speaker 1>is still finishing the last book? Is that two books? Dude,

0:17:43.119 --> 0:17:45.840
<v Speaker 1>and so HBO couldn't wait and they just sort of

0:17:45.960 --> 0:17:48.760
<v Speaker 1>went off into their own thing. I thought, what I happened,

0:17:48.880 --> 0:17:51.840
<v Speaker 1>what I have heard is that the show runners for

0:17:51.920 --> 0:17:57.320
<v Speaker 1>A Game of Thrones dB Weisse and David uh Ben

0:17:57.400 --> 0:18:03.560
<v Speaker 1>Benny Off, Yeah, many off Um, they received outlines for

0:18:04.119 --> 0:18:08.360
<v Speaker 1>the character arcs from from Martin from Martin. So that's

0:18:08.400 --> 0:18:10.560
<v Speaker 1>why I'm saying, if the way it ended up going

0:18:10.840 --> 0:18:14.560
<v Speaker 1>was Martin's desire was what he had in mind, he

0:18:14.920 --> 0:18:16.720
<v Speaker 1>I hope he damned well does a better job of

0:18:16.720 --> 0:18:19.240
<v Speaker 1>it than they did, because this didn't make any sense

0:18:19.640 --> 0:18:21.960
<v Speaker 1>in terms of like what you know about these characters

0:18:22.000 --> 0:18:23.239
<v Speaker 1>for them to end up where they ended up. I'm

0:18:23.240 --> 0:18:24.760
<v Speaker 1>not even gonna spoil it for anybody because it's just

0:18:24.920 --> 0:18:28.520
<v Speaker 1>you know, watch well. Is it plausible that uh, he

0:18:28.560 --> 0:18:30.840
<v Speaker 1>wanted them to end up there? But in two books

0:18:30.880 --> 0:18:32.240
<v Speaker 1>you can do it in such a way. That's what

0:18:32.280 --> 0:18:34.080
<v Speaker 1>I'm saying. It really feels right, That's what I'm saying,

0:18:34.080 --> 0:18:35.760
<v Speaker 1>because they said to rush it because they had to rush,

0:18:36.080 --> 0:18:39.480
<v Speaker 1>and I think HBO wanted two seasons. But these dudes,

0:18:39.480 --> 0:18:41.840
<v Speaker 1>I think they got a Star Wars franchise or something,

0:18:41.880 --> 0:18:43.800
<v Speaker 1>and it seemed like they were out the door. Seemed

0:18:43.840 --> 0:18:46.240
<v Speaker 1>like they had fucking senior itis on this last season.

0:18:46.280 --> 0:18:48.679
<v Speaker 1>Like seriously, I mean, it's a slog to shoot that

0:18:48.720 --> 0:18:51.879
<v Speaker 1>show I'm sure I listen, I understand that, and I

0:18:51.960 --> 0:18:54.040
<v Speaker 1>and I know that anybody on that worked on that

0:18:54.080 --> 0:18:57.840
<v Speaker 1>show hearing some tool like me criticizing it, you know,

0:18:58.640 --> 0:19:00.680
<v Speaker 1>I understand how much I would make you want to

0:19:00.720 --> 0:19:03.040
<v Speaker 1>punch me in the face. But think about it from

0:19:03.080 --> 0:19:06.400
<v Speaker 1>like how good the previous seasons were and how earned

0:19:06.480 --> 0:19:09.800
<v Speaker 1>every character arc felt, and then for them to just

0:19:09.880 --> 0:19:11.760
<v Speaker 1>kind of rush it out like that, I felt like

0:19:11.800 --> 0:19:14.360
<v Speaker 1>it was kind of a an insult to the characters

0:19:14.359 --> 0:19:16.320
<v Speaker 1>and the show, into the people that spent so many

0:19:16.440 --> 0:19:21.120
<v Speaker 1>years years show No, because that's just idiotic. What They're

0:19:21.119 --> 0:19:24.639
<v Speaker 1>not going to rewrite the last season. But it's a statement.

0:19:24.680 --> 0:19:27.119
<v Speaker 1>But and again I'm not like dying on this hill

0:19:27.200 --> 0:19:30.560
<v Speaker 1>or anything. I was just personally disappointed, and I think

0:19:30.600 --> 0:19:34.080
<v Speaker 1>that's my right to be disappointed. And the craftsmen and

0:19:34.200 --> 0:19:38.080
<v Speaker 1>women and people and that worked on the show genius beautiful,

0:19:38.160 --> 0:19:43.240
<v Speaker 1>beautifully shot, beautiful visual. The writing just not very good.

0:19:44.119 --> 0:19:46.480
<v Speaker 1>Actually was just fine. It just I don't know, it

0:19:46.560 --> 0:19:48.960
<v Speaker 1>just really took a nose dive in quality and you

0:19:48.960 --> 0:19:52.000
<v Speaker 1>could sense the rush, you could smell the desperation. All right,

0:19:53.480 --> 0:19:57.240
<v Speaker 1>thanks for that take? Very valuable? Was it hot? Hot take?

0:19:57.400 --> 0:20:00.359
<v Speaker 1>It was a hot but it's a it's a good stuff.

0:20:00.400 --> 0:20:04.360
<v Speaker 1>So Vanessa said, this was after the ending. She said,

0:20:04.440 --> 0:20:07.240
<v Speaker 1>just curious, what TV series do you think actually had

0:20:07.280 --> 0:20:10.199
<v Speaker 1>a good and satisfying ending. It's tough to wrap up

0:20:10.200 --> 0:20:14.760
<v Speaker 1>a TV series. It's hard. Yeah, Um, I've got a

0:20:14.760 --> 0:20:20.520
<v Speaker 1>few that I can think of. Uh, the ending too,

0:20:21.480 --> 0:20:26.560
<v Speaker 1>breaking bad, in great, incredible, really good finale in final

0:20:26.600 --> 0:20:29.560
<v Speaker 1>season I think earned everything that happened to that character.

0:20:29.600 --> 0:20:32.520
<v Speaker 1>You were like, oh, yes, that makes sense, and there's twists,

0:20:32.680 --> 0:20:34.239
<v Speaker 1>and even the twists makes sense, you know what I mean,

0:20:34.280 --> 0:20:37.920
<v Speaker 1>like all of it. The thing felt just so you know, Yeah,

0:20:37.920 --> 0:20:40.240
<v Speaker 1>that the Seinfeld ending always got a lot of grief,

0:20:41.640 --> 0:20:44.240
<v Speaker 1>and I think that is because Seinfeld was a show

0:20:44.280 --> 0:20:48.439
<v Speaker 1>that was impossible to end satisfyingly. But that show are

0:20:48.440 --> 0:20:49.800
<v Speaker 1>you going to end that show? How? And how are

0:20:49.840 --> 0:20:52.600
<v Speaker 1>you gonna rag on them from having a quote unquote

0:20:52.640 --> 0:20:56.160
<v Speaker 1>satisfying ending. It's not like there's a bunch of storylines

0:20:56.240 --> 0:20:57.840
<v Speaker 1>you have to wrap up. They just have to have

0:20:57.920 --> 0:21:00.840
<v Speaker 1>it be interesting and kind of like a little bit unusual. Yeah,

0:21:00.880 --> 0:21:04.000
<v Speaker 1>and this they did the sitcom ending. The I mean,

0:21:04.000 --> 0:21:06.760
<v Speaker 1>they're totally different types of shows obviously than something like

0:21:06.800 --> 0:21:10.960
<v Speaker 1>Game of Thrones. That's a hot take. Seinfeld different than

0:21:11.000 --> 0:21:13.800
<v Speaker 1>Game of Thrones big time, very much. But now the

0:21:13.840 --> 0:21:18.600
<v Speaker 1>old you know, multi camera stage sitcom, how you generally

0:21:18.640 --> 0:21:22.120
<v Speaker 1>wrap those up is with all the characters move on

0:21:22.200 --> 0:21:24.280
<v Speaker 1>to some new thing in their life that is very

0:21:24.680 --> 0:21:28.440
<v Speaker 1>uh um, gives everyone hope or a warm feeling. You

0:21:28.480 --> 0:21:30.600
<v Speaker 1>couldn't do that with Seinfeld. Why they wouldn't do that

0:21:30.600 --> 0:21:34.800
<v Speaker 1>with Seinfeld is a very kind of nihilistic, Like Jerry

0:21:34.840 --> 0:21:37.080
<v Speaker 1>and Elaine end up together, like that's what a normal

0:21:37.080 --> 0:21:39.400
<v Speaker 1>show might do. You just couldn't do that with It's

0:21:39.400 --> 0:21:42.720
<v Speaker 1>not that kind of show. So just a couple of taps,

0:21:42.800 --> 0:21:46.400
<v Speaker 1>you know what, the office, not the ending, but the

0:21:46.520 --> 0:21:49.919
<v Speaker 1>Steve Carrell's final episode one of the best episodes of

0:21:49.920 --> 0:21:53.560
<v Speaker 1>TV I've ever seen, very good. And then jeez, the

0:21:53.560 --> 0:21:56.359
<v Speaker 1>show just kind of wasn't great after that. No, it wasn't,

0:21:56.400 --> 0:21:58.240
<v Speaker 1>but it also but it had some moments. It had,

0:21:58.280 --> 0:22:01.040
<v Speaker 1>like some bright moments. I really like Robert California played

0:22:01.040 --> 0:22:04.639
<v Speaker 1>by James Spader. I didn't watch much. Man drifted in

0:22:04.680 --> 0:22:07.119
<v Speaker 1>and out after Carilla, and then it's like, ind just

0:22:07.240 --> 0:22:08.960
<v Speaker 1>elba is in it for a little bit, and uh, yeah,

0:22:08.960 --> 0:22:12.719
<v Speaker 1>I didn't see any episode, Will Farrell plays David Brent's

0:22:12.720 --> 0:22:14.920
<v Speaker 1>immediate replacement, not David Brant was his name on the show,

0:22:14.920 --> 0:22:18.600
<v Speaker 1>Michael Scott's immediate replacement for a couple eisodes. It's very funny.

0:22:19.240 --> 0:22:21.119
<v Speaker 1>H jeez, I don't know if I watched it at all. No,

0:22:22.040 --> 0:22:25.280
<v Speaker 1>after he left, Parks and Wreck had a nice ending,

0:22:25.920 --> 0:22:28.359
<v Speaker 1>a really heartwarming and also quite funny ending where it

0:22:28.400 --> 0:22:30.679
<v Speaker 1>was like the future. Yeah, yeah, for sure. All right,

0:22:31.359 --> 0:22:33.200
<v Speaker 1>So let's see what the movie crushers have to say.

0:22:34.160 --> 0:22:38.360
<v Speaker 1>B J Lynda says, mash uh Casey, Robert says um,

0:22:38.680 --> 0:22:42.240
<v Speaker 1>Robert y'all says Parks and Wreck and Glee, Dean Pickett

0:22:42.240 --> 0:22:46.320
<v Speaker 1>breaking bad, JJ Verbino six ft under. Oh yeah, man, dude,

0:22:46.480 --> 0:22:50.760
<v Speaker 1>what a great what a crusher? Oh see a song.

0:22:51.280 --> 0:22:55.040
<v Speaker 1>I'm like starting to get misty just thinking about that.

0:22:55.359 --> 0:23:02.760
<v Speaker 1>I have lost God. You know. I live kitty corner

0:23:02.920 --> 0:23:06.840
<v Speaker 1>to a funeral home. Um my home is across well

0:23:06.920 --> 0:23:09.680
<v Speaker 1>kitty corner from and it looks sort of like the

0:23:09.720 --> 0:23:11.760
<v Speaker 1>Fisher House is kind of the one you're talking big

0:23:11.840 --> 0:23:14.560
<v Speaker 1>on Memorial Drive. That's where I love and always gives

0:23:14.600 --> 0:23:16.600
<v Speaker 1>me pleasant feelings because I think because they also have

0:23:16.680 --> 0:23:19.639
<v Speaker 1>a second house, and I think of Claire living upstairs

0:23:19.720 --> 0:23:24.320
<v Speaker 1>of that second house that show Rex me dude, Yeah,

0:23:22.960 --> 0:23:28.280
<v Speaker 1>I love David k. Gwen Vaughan says New Heart, great ending.

0:23:29.800 --> 0:23:35.040
<v Speaker 1>Juan Casta Nata says, Sons of Anarchy. I never saw that.

0:23:35.400 --> 0:23:38.960
<v Speaker 1>I watched it for a while, but I fell off. Yeah. Uh.

0:23:39.359 --> 0:23:42.560
<v Speaker 1>Dave Priest, who supplied us with our previous post, said

0:23:42.560 --> 0:23:46.240
<v Speaker 1>Saint Elsewhere, certainly a great, great ending. Old you did

0:23:46.280 --> 0:23:49.320
<v Speaker 1>you know that show? Seeing also was a hospital show

0:23:49.480 --> 0:23:54.240
<v Speaker 1>in the Jesus guess what was the eighties? And um

0:23:54.359 --> 0:23:58.000
<v Speaker 1>it in Well, I'm not gonna spoil it. Yeah, I'm

0:23:58.000 --> 0:24:00.160
<v Speaker 1>gonna spoil it. If you are going to go back

0:24:00.160 --> 0:24:03.240
<v Speaker 1>and watching Elter, everyone, don't listen to this next bit.

0:24:03.800 --> 0:24:07.800
<v Speaker 1>At the Endnal the son of one of I believe

0:24:08.160 --> 0:24:10.640
<v Speaker 1>I'm gonna get this wrong. It's gonna go in corrections corner,

0:24:10.640 --> 0:24:12.720
<v Speaker 1>but I'm gonna say it anyway. I believe the son

0:24:12.800 --> 0:24:17.560
<v Speaker 1>of one of the doctors who has autism. The very

0:24:17.680 --> 0:24:22.080
<v Speaker 1>last shots of the show are of the hospital, and

0:24:22.119 --> 0:24:26.520
<v Speaker 1>then it pulls back to reveal that this boy is

0:24:27.280 --> 0:24:30.200
<v Speaker 1>this hospital is in a snow globe that this boy

0:24:30.240 --> 0:24:34.200
<v Speaker 1>is staring at, with the implication that this whole thing

0:24:34.320 --> 0:24:37.760
<v Speaker 1>has been in his imagination. It's all a dream sort

0:24:37.800 --> 0:24:40.919
<v Speaker 1>of but enough of a spin on that. But it

0:24:40.960 --> 0:24:43.920
<v Speaker 1>was clever that it was clever. I think so interesting

0:24:44.160 --> 0:24:46.520
<v Speaker 1>because you know that's a big trope. Of course it

0:24:46.400 --> 0:24:48.679
<v Speaker 1>is weird. Is it a weird show? Now? It's not

0:24:48.720 --> 0:24:54.560
<v Speaker 1>weird at all? What the fuck? You know what I'm

0:24:54.600 --> 0:25:00.239
<v Speaker 1>typing in saying? Elsworth finale, the last one is what

0:25:00.240 --> 0:25:02.520
<v Speaker 1>it's called. All right, here we go from Vulture on

0:25:02.600 --> 0:25:06.000
<v Speaker 1>the thirtieth anniversary from last year says one of the

0:25:06.040 --> 0:25:08.880
<v Speaker 1>most famous endings of all in all of television. Um

0:25:09.000 --> 0:25:13.600
<v Speaker 1>Doctor Westfall watches his son with autism, Tommy stare at

0:25:13.600 --> 0:25:16.440
<v Speaker 1>a snow globe that he gazes at all day long.

0:25:16.520 --> 0:25:19.320
<v Speaker 1>What's he thinking about? He asked? Uh. Then the boy

0:25:19.359 --> 0:25:21.000
<v Speaker 1>puts the snow globe down to prepare for bed, and

0:25:21.040 --> 0:25:23.760
<v Speaker 1>the camera slowly zooms into the snow globe to reveal

0:25:23.840 --> 0:25:27.680
<v Speaker 1>miniature version of St. Eligis Hospital. To make things weirder,

0:25:27.760 --> 0:25:30.760
<v Speaker 1>the characters weren't the characters anymore. Westfall was now a

0:25:30.800 --> 0:25:33.879
<v Speaker 1>construction worker rather than a doctor. Oh that's right, and

0:25:33.960 --> 0:25:38.240
<v Speaker 1>sat aligas Dr Auschlander, who had died earlier in the

0:25:38.280 --> 0:25:43.800
<v Speaker 1>episode was alive and well and was suddenly Tommy's grandfather. Wow,

0:25:44.760 --> 0:25:47.320
<v Speaker 1>that's crazy, that is crazy. It seems a little lot

0:25:47.359 --> 0:25:50.320
<v Speaker 1>of left field, though, totally. That's the point. What was

0:25:50.359 --> 0:25:54.320
<v Speaker 1>the what was the public outcry? Alright, the public reaction? Well,

0:25:54.359 --> 0:25:56.640
<v Speaker 1>I mean there was no social media, so who fucking knows.

0:25:57.760 --> 0:26:01.040
<v Speaker 1>That's fair back in the good old days when everyone's

0:26:01.040 --> 0:26:05.359
<v Speaker 1>opinions were just inside their own homes. Alright. Paul Armstrong says,

0:26:05.359 --> 0:26:08.119
<v Speaker 1>Halt and Catch Fire. I have not seen it. The

0:26:08.200 --> 0:26:13.840
<v Speaker 1>Hacker show, I think yeah, good ending apparently. Brian Stephen says, uh,

0:26:14.000 --> 0:26:16.840
<v Speaker 1>the wire Cheers, Breaking Bad and Madman Boy, the end

0:26:16.880 --> 0:26:19.879
<v Speaker 1>of mad Men was great. You know I never finished Madman.

0:26:20.600 --> 0:26:23.639
<v Speaker 1>Great ending. Okay, let's check it out. Well, no, I'm

0:26:23.640 --> 0:26:26.480
<v Speaker 1>not gonna spoil it for you. Jane Dia says, the

0:26:26.480 --> 0:26:30.600
<v Speaker 1>Americans don't watch it. Emily loves it, though. Uh. Stacy

0:26:30.720 --> 0:26:33.520
<v Speaker 1>Coglin says Battlestar Galactica hands down one of the best,

0:26:33.880 --> 0:26:38.480
<v Speaker 1>most well constructed series of all times. Um, Sarah Stanislaft

0:26:38.520 --> 0:26:41.880
<v Speaker 1>another vote for six ft under our old friend Mark

0:26:41.920 --> 0:26:46.760
<v Speaker 1>no X's Game of Thrones. Crazy talk. I don't know, man,

0:26:47.240 --> 0:26:49.800
<v Speaker 1>you know, my friend Melissa saw her over the weekend.

0:26:50.240 --> 0:26:52.240
<v Speaker 1>She said that she liked it. I actually read a

0:26:52.320 --> 0:26:56.080
<v Speaker 1>piece in defense of it on some site I can't remember, uh,

0:26:56.119 --> 0:26:59.160
<v Speaker 1>and it made some good points. But no, man, no, yeah,

0:26:59.200 --> 0:27:02.520
<v Speaker 1>I just felt rushed and weird. I mean, like I said,

0:27:03.320 --> 0:27:07.560
<v Speaker 1>maybe the actual end points the characters reached made sense

0:27:07.680 --> 0:27:11.200
<v Speaker 1>if they had been handled differently. Yeah, it's a little

0:27:11.200 --> 0:27:13.399
<v Speaker 1>more development, a little more like, you know, earning of

0:27:13.480 --> 0:27:16.840
<v Speaker 1>the of the choices they made. I hear you. That's

0:27:16.880 --> 0:27:22.359
<v Speaker 1>a big big thing, earning, earning your arc. Adam practed

0:27:22.359 --> 0:27:26.320
<v Speaker 1>our old friends, says Homicide Life on the Street Um

0:27:26.359 --> 0:27:33.800
<v Speaker 1>Alexander J. Reichert says, unpopular opinion here. But lost. Yeah,

0:27:33.800 --> 0:27:37.840
<v Speaker 1>that's a that's an unpopular opinion. Yeah, I mean it

0:27:38.240 --> 0:27:42.399
<v Speaker 1>just wasn't very good. I mean, they my my theory

0:27:42.520 --> 0:27:44.080
<v Speaker 1>n lost, and I don't think I'm alone in this,

0:27:44.160 --> 0:27:48.680
<v Speaker 1>But my theory and lost is that they wrote themselves

0:27:48.720 --> 0:27:53.000
<v Speaker 1>into a corner um or maybe it's better said this way.

0:27:53.040 --> 0:27:56.320
<v Speaker 1>They wrote checks that their butts couldn't cash. Totally. I

0:27:56.320 --> 0:28:00.040
<v Speaker 1>don't think they really knew, like, oh geez, they're a

0:28:00.119 --> 0:28:03.040
<v Speaker 1>lot of things to tie up here, and we just

0:28:03.080 --> 0:28:06.520
<v Speaker 1>can't do it. And the thing is too. Like I

0:28:06.680 --> 0:28:08.800
<v Speaker 1>when I was watching that show, I I kind of

0:28:09.359 --> 0:28:13.480
<v Speaker 1>was under the impression that they really had the whole

0:28:13.520 --> 0:28:15.560
<v Speaker 1>thing laid out, that they knew what they were doing,

0:28:15.600 --> 0:28:18.639
<v Speaker 1>that they weren't dropping red herrings left and right, and

0:28:18.640 --> 0:28:21.119
<v Speaker 1>then I was gonna get some kind of satisfaction. And

0:28:21.160 --> 0:28:22.520
<v Speaker 1>I think a lot of people felt that way too.

0:28:22.560 --> 0:28:26.440
<v Speaker 1>So when it was so unsatisfying and almost and literally

0:28:26.440 --> 0:28:28.520
<v Speaker 1>broke their own promise that they made where they said

0:28:28.520 --> 0:28:31.280
<v Speaker 1>it wasn't going to be this thing, I found that

0:28:31.359 --> 0:28:34.960
<v Speaker 1>a little bit irritating. But here's another thing that chuck.

0:28:35.720 --> 0:28:39.200
<v Speaker 1>If you enjoyed a show and you enjoy the ride

0:28:39.320 --> 0:28:42.920
<v Speaker 1>and then the finale sucks, does that diminish your entire

0:28:42.960 --> 0:28:45.720
<v Speaker 1>experience of the show? Do you throw the show under

0:28:45.760 --> 0:28:48.720
<v Speaker 1>the bus because they wrote a check that there you

0:28:48.760 --> 0:28:53.000
<v Speaker 1>know they couldn't cash. Mm hmm. Well what's your take

0:28:53.040 --> 0:28:55.840
<v Speaker 1>on Game of Thrones. I think it's a great show

0:28:56.040 --> 0:28:59.160
<v Speaker 1>that had a very poor last season. Yeah, I think

0:28:59.200 --> 0:29:04.160
<v Speaker 1>that's the That's where I am. Um. I really enjoyed

0:29:04.200 --> 0:29:07.560
<v Speaker 1>loss for a long time. I was way away into it.

0:29:07.800 --> 0:29:11.120
<v Speaker 1>I was on those boards, dude, I was trying to

0:29:11.120 --> 0:29:15.480
<v Speaker 1>figure out the numbers and all that ship. Um. Yeah,

0:29:15.840 --> 0:29:19.240
<v Speaker 1>so it doesn't maybe a little bit of a diminishing

0:29:19.920 --> 0:29:24.480
<v Speaker 1>because like you, I'm like, uh, kind of just disappointed

0:29:24.480 --> 0:29:27.000
<v Speaker 1>in like you feel strung along a little bit, especially

0:29:27.000 --> 0:29:29.600
<v Speaker 1>with loss. That's right, That's right, Like, oh, you didn't

0:29:29.920 --> 0:29:32.080
<v Speaker 1>know what you were doing the whole time, not that

0:29:32.080 --> 0:29:35.120
<v Speaker 1>that that's harsh to say. You didn't have, like have

0:29:35.280 --> 0:29:38.920
<v Speaker 1>a grand plan, which I think is what Breaking Bad did.

0:29:39.360 --> 0:29:42.840
<v Speaker 1>It's very clear that it did. Yeah. And that's how

0:29:42.840 --> 0:29:44.719
<v Speaker 1>you keep yourself from having that, That's how you keep

0:29:44.800 --> 0:29:47.480
<v Speaker 1>from writing yourself into a corner is by having it

0:29:47.520 --> 0:29:49.760
<v Speaker 1>all at least fleshed out in outline form. You know,

0:29:49.880 --> 0:29:52.960
<v Speaker 1>at least you know the main beats that everything is

0:29:52.960 --> 0:29:55.200
<v Speaker 1>gonna hit. Yeah, yeah, yeah, and then you don't have

0:29:55.240 --> 0:29:57.800
<v Speaker 1>to just like improvise kind of you know. Yeah. Uh.

0:29:57.960 --> 0:30:03.000
<v Speaker 1>Kieran Gandhi says Firefly with the Serenity film. You know, No,

0:30:03.160 --> 0:30:05.880
<v Speaker 1>I was late to Firefly and then, uh, quite a

0:30:05.880 --> 0:30:08.160
<v Speaker 1>few years ago, so many people had talked about it

0:30:08.200 --> 0:30:10.760
<v Speaker 1>that I finally went and't watched at all, and oh

0:30:10.880 --> 0:30:13.120
<v Speaker 1>did I love it? Did you watch? Bart's really good?

0:30:13.280 --> 0:30:16.520
<v Speaker 1>It's so great. It's really good acting, good writing, nice adventure,

0:30:16.840 --> 0:30:20.160
<v Speaker 1>very fun, funny everything about It's cool. Yeah, it's like

0:30:20.200 --> 0:30:23.480
<v Speaker 1>a more interesting Star Trek. Well, I don't know Star Trek,

0:30:23.520 --> 0:30:25.640
<v Speaker 1>but Star Trek is just so dull to me. I mean, I,

0:30:26.080 --> 0:30:28.160
<v Speaker 1>like I said, I get why people like it, but

0:30:28.680 --> 0:30:31.560
<v Speaker 1>to me, Firefly has it ticks all the boxes that

0:30:31.600 --> 0:30:34.080
<v Speaker 1>Star Trek ticks, but it's got more dynamic kind of

0:30:34.680 --> 0:30:37.720
<v Speaker 1>you know, citing performances and stuff. Yeah, and Serenity was

0:30:37.760 --> 0:30:42.720
<v Speaker 1>great too. Agreed, totally. Derek Speedy says Scrubs, the show

0:30:42.760 --> 0:30:46.640
<v Speaker 1>I never saw apparently had a good ending. Sarah Jayan

0:30:46.720 --> 0:30:51.960
<v Speaker 1>says e Er Raleigh Bartholomew says Psych. I don't know

0:30:52.040 --> 0:30:56.720
<v Speaker 1>that show. No, Psych. Isn't that with Tony Shalub? Oh?

0:30:56.840 --> 0:31:00.360
<v Speaker 1>Is it friend of the show? I think so? No, No,

0:31:00.440 --> 0:31:03.640
<v Speaker 1>it's not. Never mind, I'm thinking of Monk. But it's

0:31:03.640 --> 0:31:07.920
<v Speaker 1>about like, uh, it's sort of about are they like

0:31:08.000 --> 0:31:12.800
<v Speaker 1>ghost hunters or something? What do they do? I was

0:31:12.840 --> 0:31:16.560
<v Speaker 1>based on the hit nineteen eighties TV series Moonlighting. What

0:31:16.800 --> 0:31:20.719
<v Speaker 1>That's what it says on Wikipedia. It's a detective comedy drama.

0:31:21.880 --> 0:31:24.720
<v Speaker 1>All right, I see here partially inspired by Moonlighting? Got

0:31:24.800 --> 0:31:31.680
<v Speaker 1>it all right? Interesting? Um? Justified? That's from Christine Cunningham

0:31:31.960 --> 0:31:34.680
<v Speaker 1>watched season one of that and really enjoyed it, and

0:31:34.680 --> 0:31:37.640
<v Speaker 1>it just sort of forgot about it. I think I

0:31:37.640 --> 0:31:40.280
<v Speaker 1>watched the whole thing, really, I think I did. I

0:31:40.320 --> 0:31:44.640
<v Speaker 1>really like what's his name, the sheriff from Deadwood to

0:31:44.720 --> 0:31:47.320
<v Speaker 1>me to the old Timothy Oliphant. And I also really

0:31:47.360 --> 0:31:51.080
<v Speaker 1>like Walton Goggins. He's a great god. He's read nicky

0:31:51.640 --> 0:31:55.040
<v Speaker 1>loony tune. He's awesome. He is awesome. I can watch

0:31:55.120 --> 0:31:58.440
<v Speaker 1>him anything. Did you watch Vice Principles? Oh? God, no,

0:31:58.720 --> 0:32:03.520
<v Speaker 1>he'd love it. Yeah, you know it's Danny h McBride, Yeah,

0:32:03.600 --> 0:32:06.479
<v Speaker 1>and Walton Guwkins just sort of at each other as

0:32:06.560 --> 0:32:09.200
<v Speaker 1>enemies and then eventually his allies. It's so good. I

0:32:09.240 --> 0:32:10.960
<v Speaker 1>just remembered. I just saw coming back to me. I

0:32:11.000 --> 0:32:14.160
<v Speaker 1>first saw Walton Goggins as like the loose cannon like

0:32:14.520 --> 0:32:17.760
<v Speaker 1>ship bag cop in that show The Shield. Oh. I

0:32:17.800 --> 0:32:21.640
<v Speaker 1>never saw a guy who was Yeah, what's the actors,

0:32:21.680 --> 0:32:27.600
<v Speaker 1>Michael checklist? Checklists. That's a good one, chicklets exactly. Um.

0:32:27.680 --> 0:32:32.520
<v Speaker 1>Walton Goggins has one of the best uh fox in

0:32:33.200 --> 0:32:35.880
<v Speaker 1>TV and film. When he when he says the F word,

0:32:35.920 --> 0:32:38.960
<v Speaker 1>when he drops an F bomb, Knoll, it's just there's

0:32:39.000 --> 0:32:42.520
<v Speaker 1>something about it the way he enunciates that f it's

0:32:42.520 --> 0:32:45.360
<v Speaker 1>always really really powerful. Hats off to him for that.

0:32:46.320 --> 0:32:50.120
<v Speaker 1>We should have a up with Fuck thing dedicated to

0:32:50.120 --> 0:32:54.520
<v Speaker 1>Walton Goggins. Love that do with super Cut. Maggie Burne says,

0:32:54.600 --> 0:32:58.480
<v Speaker 1>Friends in Sex in the City. Uh. Yeah, the Prince finale,

0:32:58.720 --> 0:33:00.800
<v Speaker 1>it didn't ended about how it probably should have ended.

0:33:00.880 --> 0:33:08.800
<v Speaker 1>I agree. Uh. Anastasia Bowden says, down to Nabbey Yeah. Uh.

0:33:09.040 --> 0:33:11.920
<v Speaker 1>J B. Lindenburger says, no contest six feet under best

0:33:11.920 --> 0:33:16.680
<v Speaker 1>series Finelli of all time ever? Hard to argue. Jacob

0:33:16.680 --> 0:33:20.520
<v Speaker 1>Thompson says. Thompson says the Sopranos, which I know that

0:33:20.560 --> 0:33:25.520
<v Speaker 1>got a lot of heat for that ending. Don't stop?

0:33:27.800 --> 0:33:30.320
<v Speaker 1>Are you gonna finish? That's how it's That's how it stops.

0:33:30.480 --> 0:33:32.600
<v Speaker 1>Oh did you say believing? No, it ends it with

0:33:32.720 --> 0:33:36.000
<v Speaker 1>don't Stop. I knew it ended with that song, but

0:33:36.040 --> 0:33:37.440
<v Speaker 1>I didn't know it cut it off like and it

0:33:37.520 --> 0:33:39.800
<v Speaker 1>goes to black. That's the whole deal. Like Tony's in

0:33:39.800 --> 0:33:42.400
<v Speaker 1>there with his family, he's looking around. He's not particularly

0:33:42.440 --> 0:33:45.200
<v Speaker 1>paranoid exactly, but everyone in there could be your potential,

0:33:45.640 --> 0:33:50.719
<v Speaker 1>you know, a whacker. Uh. And the fact that I

0:33:50.760 --> 0:33:53.920
<v Speaker 1>think it's brilliant, the fact that you don't see it happen,

0:33:54.360 --> 0:33:57.680
<v Speaker 1>that it could happen. Then it could happen anytime. You know,

0:33:58.200 --> 0:34:01.120
<v Speaker 1>he's he's gonna live his life. Look over his shoulder.

0:34:01.160 --> 0:34:03.600
<v Speaker 1>But you know that that prequels coming out soon with

0:34:03.600 --> 0:34:06.040
<v Speaker 1>his son. Have you seen any pictures from the set. Yeah,

0:34:06.040 --> 0:34:09.120
<v Speaker 1>it looks great. His son looks just like. It's awesome.

0:34:09.200 --> 0:34:11.080
<v Speaker 1>It's gonna I think, and and it's it's the a

0:34:11.080 --> 0:34:12.719
<v Speaker 1>tribute to it's the show runner. I mean, it's it's

0:34:12.760 --> 0:34:14.480
<v Speaker 1>gonna be It's the real deal he's been working on

0:34:14.560 --> 0:34:16.040
<v Speaker 1>for a long time. It's gonna be good. I need

0:34:16.120 --> 0:34:17.840
<v Speaker 1>to finish up the Sopranos. I think I missed the

0:34:17.920 --> 0:34:21.319
<v Speaker 1>last couple of seasons. I love it. Yes, that was

0:34:21.320 --> 0:34:24.880
<v Speaker 1>one of those those shows where I had the privilege

0:34:25.000 --> 0:34:28.160
<v Speaker 1>of coming in about halfway, so I got to binge

0:34:28.200 --> 0:34:30.040
<v Speaker 1>a bunch of it, and then I watched it in

0:34:30.120 --> 0:34:34.880
<v Speaker 1>real time for the last maybe two or three seasons. Yeah. Yeah,

0:34:34.960 --> 0:34:37.040
<v Speaker 1>Jonathan B. Williams, I'm glad he mentioned this one. This

0:34:37.120 --> 0:34:39.960
<v Speaker 1>is a great, great show that I think wasn't a

0:34:40.000 --> 0:34:43.800
<v Speaker 1>little bit undersung. Extras, The Ricky Gerray Show on HBO.

0:34:44.000 --> 0:34:46.040
<v Speaker 1>So good, and the ending to that was so good.

0:34:46.840 --> 0:34:48.720
<v Speaker 1>I don't know what we've talked about that show before,

0:34:49.040 --> 0:34:52.720
<v Speaker 1>because I remember us singing Cat Stevens together. I also

0:34:52.760 --> 0:34:57.880
<v Speaker 1>think of pathetical little fat Man, No One's bloody laughing

0:34:58.719 --> 0:35:01.960
<v Speaker 1>that David Bowie's song. M hmm, it's you know, we

0:35:02.000 --> 0:35:04.040
<v Speaker 1>should do an I'm gonna do a segment at some

0:35:04.120 --> 0:35:09.160
<v Speaker 1>point about best TV show theme songs too. Yeah, absolutely,

0:35:09.200 --> 0:35:13.120
<v Speaker 1>because I was thinking about this yesterday with I mean extras.

0:35:13.239 --> 0:35:15.319
<v Speaker 1>Ricky Gervais always does it well because Extra has had

0:35:15.320 --> 0:35:18.000
<v Speaker 1>the Cat Stephen song t for the Tillerman, which is great,

0:35:18.360 --> 0:35:22.800
<v Speaker 1>and then the Office office had and the glad rags

0:35:22.880 --> 0:35:26.320
<v Speaker 1>that's your g and Dad had to sell so good bye,

0:35:26.560 --> 0:35:30.000
<v Speaker 1>so great. Yeah, Rod Stewart, I think that was the

0:35:30.080 --> 0:35:34.120
<v Speaker 1>Rod Stewart version, right, absolutely, Yeah, it's so good. All right, everyone,

0:35:34.280 --> 0:35:40.719
<v Speaker 1>that's it. Thanks to Vanessa and Dave for contributing and

0:35:40.880 --> 0:35:43.479
<v Speaker 1>basically writing this episode. Your check is in the mail.

0:35:43.880 --> 0:35:46.680
<v Speaker 1>Thanks for hanging in again while I'm sick, and I'm

0:35:46.680 --> 0:35:49.760
<v Speaker 1>gonna be better by next Wednesday when we record these again.

0:35:50.440 --> 0:35:53.840
<v Speaker 1>And uh, thanks thanks for understanding. So no you got

0:35:53.840 --> 0:36:02.120
<v Speaker 1>any partying shots now sir. Parting compliments, Um, I'm you're

0:36:02.160 --> 0:36:03.880
<v Speaker 1>I like you, Chuck, You're a good guy. I like

0:36:03.920 --> 0:36:06.160
<v Speaker 1>you to hope you feel better. Uh yeah, and I'm

0:36:06.160 --> 0:36:08.160
<v Speaker 1>I'm Addie. Here, I'm off. I'm off to to take

0:36:08.160 --> 0:36:25.880
<v Speaker 1>a little trip. Alright, enjoy the acid. We'll do. For

0:36:25.960 --> 0:36:28.359
<v Speaker 1>more podcasts for my heart Radio, visit the I heart

0:36:28.440 --> 0:36:31.120
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:36:31.120 --> 0:36:31.800
<v Speaker 1>favorite shows.