WEBVTT - Wet w/ David Krumholtz

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories done.

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<v Speaker 1>Done, Yay, that's messed up.

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<v Speaker 3>An SVU podcast.

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<v Speaker 1>I'm Liza Traeger and I'm Kara Klank And every week

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<v Speaker 1>on this show, we recap a classic episode of Law

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<v Speaker 1>and Order SVU as well as the crime that it

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<v Speaker 1>was based on, and then we talk usually to somebody

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<v Speaker 1>amazing from the episode.

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<v Speaker 3>And today is no exception. We have been.

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<v Speaker 2>We were holding out, we were holding out. We did it,

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<v Speaker 2>and it's cool. We're on the same time zone. That

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<v Speaker 2>never happens. How do you feel recording later in the

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<v Speaker 2>after verse earlier in the morning.

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<v Speaker 3>I mean, I kind of like it.

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<v Speaker 1>I can see why you loved when you moved like it,

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<v Speaker 1>Like the time is better.

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<v Speaker 3>It's just better. But I am going to be recording today.

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<v Speaker 1>My kids will come home and my parents will be

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<v Speaker 1>attempting to keep them quiet, so we'll see what happens

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<v Speaker 1>with that, you know, so I will say the morning

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<v Speaker 1>records for me when they're fully in school. I mean,

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<v Speaker 1>I've been on the West East Coast for like a month,

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<v Speaker 1>and I have just got my kids into camp this

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<v Speaker 1>week and it's changed my life. I mean, I cannot

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<v Speaker 1>No one is meant to be with their kids every

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<v Speaker 1>single day for a month. It's just not it's not

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<v Speaker 1>a natural it's not Our summer has seemed so great, Yes,

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<v Speaker 1>and you want kids to be obsessed with New York

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<v Speaker 1>and they're just little like they just are kind of like, yeah,

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<v Speaker 1>what it's whatever. I'm like, isn't this the most amazing

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<v Speaker 1>city in the world. And they're like, are we going

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<v Speaker 1>to the eminem store? You know, like they just don't

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<v Speaker 1>like it's I think I was expecting a little bit

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<v Speaker 1>too much from them. But they have been having a

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<v Speaker 1>great time. I took them tol Luwie's house. I took

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<v Speaker 1>them to Staten Island Ferry, like they've got they've We

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<v Speaker 1>did the Natural History Museum and like the butterfly exhibit,

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<v Speaker 1>which they both love butterflies.

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<v Speaker 3>So we've been we've been having a blast.

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<v Speaker 1>And I'll tell a little anecdote from my summer vacation

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<v Speaker 1>because this is relevant to the listeners. So I go

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<v Speaker 1>to a wedding, I go back to La for a wedding,

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<v Speaker 1>the one wedding I have all year, and it's on

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<v Speaker 1>the West Coast while I'm in in New York. So

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<v Speaker 1>I go out to LA for this wedding, and I

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<v Speaker 1>forgot that it's the wedding of my friend who helped

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<v Speaker 1>us get Marcia gay Harden as a guest on our podcast.

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<v Speaker 1>And I didn't even I didn't even remember that she

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<v Speaker 1>would be at the wedding. So I'm sitting in a

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<v Speaker 1>row with her, like three people away from her. And

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<v Speaker 1>so when we all get up to like leave after

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<v Speaker 1>the wedding, which was amazing, it was such a great wedding.

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<v Speaker 1>As we're leaving to like go up to our you know,

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<v Speaker 1>the cocktail hour, Marcia comes out of her seat and

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<v Speaker 1>I go, Hi, Marsha, it's so nice to meet you

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<v Speaker 1>in person, Like I interviewed you with my co host

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<v Speaker 1>Lisa on That's Messed Up. It's our podcast about loner Respuu.

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<v Speaker 1>And she goes like she squinted and was searching the

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<v Speaker 1>recesses of her mind, and it's like, I get it.

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<v Speaker 1>You're a busy woman. I'm sure you've done a bunch

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<v Speaker 1>of podcasts. But it's like we specific we are a

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<v Speaker 1>very specific podcast, Like I didn't think she would completely

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<v Speaker 1>forget about it, but she goes, will you forgive me?

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<v Speaker 3>My brain is mush? And I go, you know what's same?

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<v Speaker 1>And then we proceeded to just hang out NonStop for

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<v Speaker 1>a full hour, like she just stayed with me, Like

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<v Speaker 1>I was alone at the wedding. I didn't have cock friends.

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<v Speaker 1>You guys have cocktails. We had cocktails.

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<v Speaker 3>She gave me.

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<v Speaker 1>Okay, So there were three little signature drinks and I

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<v Speaker 1>think first she started with the margarita and I was

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<v Speaker 1>drinking this other one that was like delicious, like a

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<v Speaker 1>rose spritzer, and I think she had that second because

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<v Speaker 1>the first one she said was too sweet. But she

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<v Speaker 1>got a little mini cup of mac and cheese and

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<v Speaker 1>I go, oh.

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<v Speaker 3>That looks good. She goes, you want to buite?

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<v Speaker 1>She gimme? She goes, if you don't mind my fork,

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<v Speaker 1>I'm sharing apps with MGH. We're sharing apps. Have you

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<v Speaker 1>ever shared a fork with an oscar winner before?

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<v Speaker 3>It was my first time.

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<v Speaker 4>I can't.

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<v Speaker 1>It was my first time, and like it was just

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<v Speaker 1>like really natural conversation. We were talking about her kids.

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<v Speaker 1>We were talking about like my kids. I was telling

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<v Speaker 1>her all like we were just talking about random stuff.

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<v Speaker 1>Like we didn't even get back. I mean, I wasn't like, oh,

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<v Speaker 1>I have some follow up questions about as for you,

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<v Speaker 1>Like we were just chatting.

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<v Speaker 3>So then this is so funny.

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<v Speaker 1>Like so then we're outside the cocktail hours outside, I'm hot,

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<v Speaker 1>I'm sweating, okay, and I'm wearing my Honey Love shapewear.

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<v Speaker 1>Thank you, Honey Love for sponsoring the podcast. This is

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<v Speaker 1>an unpaid mention. But We're outside in La and it

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<v Speaker 1>is hot, right and I'm like sweating, and she goes,

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<v Speaker 1>we how old are you? And I tell her how

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<v Speaker 1>old I am. She goes, maybe it's perimenopause. I go, yeah,

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<v Speaker 1>but I don't have any other symptoms. And she goes, Honey,

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<v Speaker 1>you're melting right now. I go, Marcia, I'm outside in

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<v Speaker 1>July in La, and I'm wearing shapewear.

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<v Speaker 3>And we were just like laughing.

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<v Speaker 1>And then we took a picture together at my request,

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<v Speaker 1>of course, and she goes, send me those pictures, gets

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<v Speaker 1>my We get, we exchange phone numbers.

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<v Speaker 3>She faces dropped my jaws on the floor.

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<v Speaker 1>She texts me and goes, thanks Kara or whatever, and

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<v Speaker 1>then the next morning texts me a salad recipe. We

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<v Speaker 1>had not been talking about salad. She just texts me

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<v Speaker 1>and I love Halluomi. It's like a Halloomi salad. I'm like,

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<v Speaker 1>I love this, sends me a Hallumi salad recipe and goes,

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<v Speaker 1>this is one of my favorites. And she says, it

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<v Speaker 1>was so great hanging out with you last night. And

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<v Speaker 1>I said, I had such a good time with you,

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<v Speaker 1>and I'm totally gonna make this salad. But now I've

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<v Speaker 1>got her in my phone, and if we do another

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<v Speaker 1>Dana Lewis episode and I have any questions, I'll just

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<v Speaker 1>text her up. I mean, it's one of those things

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<v Speaker 1>I'll probably never see her again in my life. But

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<v Speaker 1>we had a glorious she texted you means that there

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<v Speaker 1>was like, you know, she wasn't scared. You weren't giving

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<v Speaker 1>an energy of fear, Like she wasn't scared to reveal

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<v Speaker 1>her number to you.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, we we We had had a nice time. I

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<v Speaker 1>mean I was there alone. I had friends there obviously,

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<v Speaker 1>but I didn't have my like husband, and she wasn't

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<v Speaker 1>there with her husband. So I think we were just

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<v Speaker 1>kind of like at the cocktail and we were like, yeah,

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<v Speaker 1>it's just a couple of single gals going to get

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<v Speaker 1>a cocktail, you know. But I was just expecting after

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<v Speaker 1>she said she didn remember the podcast, for her to

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<v Speaker 1>be like but nice meeting you and like, but she

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<v Speaker 1>just started engaging me in conversation.

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<v Speaker 3>We just like walked and then after that we were

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<v Speaker 3>like where should we go?

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<v Speaker 1>Now?

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<v Speaker 3>Should we go outside? And we just like what outside?

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<v Speaker 1>And like people were going up to her and asking

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<v Speaker 1>for photos and stuff, and she was being so generous

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<v Speaker 1>and sweet.

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<v Speaker 3>But then she was coming.

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<v Speaker 1>Back to talk to me and I was like, you're

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<v Speaker 1>my new best friend. I don't know what's saying.

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<v Speaker 3>Wow, this is huge. I also remember that she was

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<v Speaker 3>a big Katya fan.

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<v Speaker 1>When we talked to her, yes, and we talked about

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<v Speaker 1>came we didn't talk about.

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<v Speaker 3>We talked about like lgbt.

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<v Speaker 1>Q issues and stuff like that, and like how you

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<v Speaker 1>know it's like affecting her family and the current administration

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<v Speaker 1>and shit like that. We talked about that a little bit,

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<v Speaker 1>but like we I forgot about how much she loves Katya.

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<v Speaker 1>We didn't get into that the drag of it all.

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<v Speaker 1>But I'm embarrassed to say I have not watched a

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<v Speaker 1>second of All Stars and now I know who wins that.

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<v Speaker 1>I'm like, I, well, you know the whole time watching it,

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<v Speaker 1>well you don't know until you meet the third crew

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<v Speaker 1>or whatever.

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<v Speaker 3>But it's like you see what they're doing.

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<v Speaker 2>You see the order of challenge, like the lip they

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<v Speaker 2>cut lip syncs, they re edited stuff to like it's

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<v Speaker 2>I don't understand why they were so gung ho with

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<v Speaker 2>the s winner. And if you are, that's okay, but

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<v Speaker 2>then don't end on lip sync Lala perusa, you know

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<v Speaker 2>what I mean.

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<v Speaker 3>Like, so it was just watching someone lose.

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<v Speaker 2>Three lip syncs in a row to people better than them,

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<v Speaker 2>but like win them anyway when they win. Yeah, And

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<v Speaker 2>it's not like Ginger is not an amazing performer.

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<v Speaker 3>It's not like she didn't.

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<v Speaker 1>She nailed every single challenge that was there wasn't a

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<v Speaker 1>design challenge, you know, they did snatch game with her

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<v Speaker 1>and an improv challenge, Like it just was a little

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<v Speaker 1>too much and I miss so I put on All

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<v Speaker 1>Stars too actually to get the energy.

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<v Speaker 5>And energy of it.

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<v Speaker 2>And Naomi Smalls and Bob, I mean, Naomi was reading

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<v Speaker 2>to Phil she called Ginger pathetic, like because of the

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<v Speaker 2>lip sync, because she does this thing where she can't

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<v Speaker 2>lip sync. So she looks at the other girl doing

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<v Speaker 2>something and makes the face of like, well I can't

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<v Speaker 2>do that, and it's like and Naomi called it pathetic

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<v Speaker 2>on sibling Revelry.

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<v Speaker 3>Rivalry Rivalry Revelry's the Kate Hudson one. Well, that's what

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<v Speaker 3>I was gonna say, that's the new Kate Hudson one.

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<v Speaker 1>How many people do you think go to Apple Podcasts

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<v Speaker 1>and put in sibling Rivalry thinking it's Kate Hudson and

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<v Speaker 1>then they're like, who are these two queens just screaming

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<v Speaker 1>at each other, like, you know, like just tearing each

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<v Speaker 1>other apart. But anyway, that's my little story from not

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<v Speaker 1>a little story, the biggest little story from the Christmas,

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<v Speaker 1>from the Christmas, from the summer break.

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<v Speaker 3>So what's what's been going on with you?

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<v Speaker 2>Well, if you follow me on Instagram, you would know

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<v Speaker 2>my labubu got stolen. I saw, I can't, I can't

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<v Speaker 2>how off of what?

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<v Speaker 3>So this is the thing.

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<v Speaker 1>So you know Jared Goldstein a friend and a colleague

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<v Speaker 1>of ours. He a friend and coworker.

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<v Speaker 3>He loves purses.

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<v Speaker 2>He's his brain is broken and he's gotten into purses,

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<v Speaker 2>refurbishing purses, high end purses, fake purses.

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<v Speaker 1>No. He was at my show like a month ago,

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<v Speaker 1>right before I left LA, and was like showing me

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<v Speaker 1>a person was like, isn't this amazing?

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<v Speaker 3>I was like you, this is your passion. It's all yeah.

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<v Speaker 3>So we decided to do.

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<v Speaker 1>A purse's themed show at Sunday at five am. So

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<v Speaker 1>you know.

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<v Speaker 3>Ever, so there's a lot of purse themes stuff.

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<v Speaker 1>So I bring out my turtle backpack and I clip

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<v Speaker 1>a laboo boo on each end of the backpack to

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<v Speaker 1>go on stage. He has a bag, he puts his

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<v Speaker 1>his labubo, has a Gucci outfit o fake, but puts

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<v Speaker 1>it on his belt loop. Like I had my clear

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<v Speaker 1>tail far filled with tote backs thanks for everyone who

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<v Speaker 1>came to and it was like, guess how many tote

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<v Speaker 1>bags are in here?

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<v Speaker 3>And we had her eyes as.

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<v Speaker 2>A bad purses and like I got gifted a purse

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<v Speaker 2>and we were like, is this ugly or not?

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<v Speaker 3>Does anyone want it?

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<v Speaker 2>It's ugly? No one wanted it, but whatever. So I

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<v Speaker 2>had lots of bags and I was drinking. It's still early,

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<v Speaker 2>it's hot in the summer city. I'm walking with some

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<v Speaker 2>friends to go to get dinner. In the Lower East Side,

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<v Speaker 2>So like, I don't know when it happened, Like it

0:10:23.679 --> 0:10:27.320
<v Speaker 2>could have been sitting at the venue bar. It could

0:10:27.320 --> 0:10:29.480
<v Speaker 2>have been on my walk waiting across the street. It

0:10:29.520 --> 0:10:32.240
<v Speaker 2>could have been unclipped it. Yeah, because we had to

0:10:32.280 --> 0:10:34.079
<v Speaker 2>wait for a table at this restaurant for like a

0:10:34.120 --> 0:10:37.040
<v Speaker 2>half hour, so we were just outside. I think my

0:10:37.120 --> 0:10:39.280
<v Speaker 2>friend I waited in line at a bathroom, like I

0:10:39.360 --> 0:10:41.719
<v Speaker 2>don't know, and we didn't notice till the end of

0:10:41.800 --> 0:10:44.880
<v Speaker 2>dinner when I took my turtle backpack up to pay

0:10:45.760 --> 0:10:47.080
<v Speaker 2>and the key rate.

0:10:47.640 --> 0:10:50.160
<v Speaker 3>It's like I CHERYLA.

0:10:49.920 --> 0:10:53.280
<v Speaker 1>Boomers when Rosie got hers, I said, I wouldn't bring

0:10:53.360 --> 0:10:54.400
<v Speaker 1>this to school if I were you.

0:10:54.520 --> 0:10:54.880
<v Speaker 4>I don't know.

0:10:55.040 --> 0:10:58.000
<v Speaker 1>I don't know that she really like comprehends like theft

0:10:58.120 --> 0:11:00.960
<v Speaker 1>really yet, like she's never had anything stolen from her,

0:11:01.080 --> 0:11:05.000
<v Speaker 1>but like you know, I was like, people really want these, Rosie,

0:11:05.000 --> 0:11:06.720
<v Speaker 1>and they're her to find and I'm worried that someone

0:11:06.760 --> 0:11:07.160
<v Speaker 1>could take it.

0:11:07.280 --> 0:11:08.920
<v Speaker 3>She's like, no, I'll be really careful with it, and

0:11:09.240 --> 0:11:11.520
<v Speaker 3>she hasn't had it stolen yet.

0:11:11.559 --> 0:11:12.800
<v Speaker 1>But I also bought it for her, like on the

0:11:12.840 --> 0:11:14.400
<v Speaker 1>second to last day of school, so there hasn't been

0:11:14.440 --> 0:11:16.800
<v Speaker 1>the many opportunities. I would hope no one would steal

0:11:16.840 --> 0:11:19.160
<v Speaker 1>it from a child. Oh no, other children I think

0:11:19.200 --> 0:11:22.280
<v Speaker 1>would steal it. Yeah yeah in school. But out and

0:11:22.360 --> 0:11:24.199
<v Speaker 1>about I think, yeah, yeah, yeah, I don't know.

0:11:24.679 --> 0:11:26.679
<v Speaker 2>I am looking at the box that it came in,

0:11:26.880 --> 0:11:29.880
<v Speaker 2>and then it was a give. But oh yeah, I

0:11:30.000 --> 0:11:32.880
<v Speaker 2>have a retraction to make. I was thinking about I

0:11:33.040 --> 0:11:35.080
<v Speaker 2>was being really a negative and nancy about the New

0:11:35.160 --> 0:11:37.880
<v Speaker 2>York Times movie list, and I liked the movie Gravity.

0:11:38.000 --> 0:11:39.559
<v Speaker 3>I don't know why I was so shocked.

0:11:39.280 --> 0:11:41.079
<v Speaker 1>It was on the list. Wow, I was, And you

0:11:41.160 --> 0:11:43.840
<v Speaker 1>had an apology retraction to make, and this is not where.

0:11:43.880 --> 0:11:45.800
<v Speaker 1>I didn't know where this was going at all, But

0:11:45.920 --> 0:11:48.760
<v Speaker 1>I didn't know it was going to space. I just

0:11:48.920 --> 0:11:53.480
<v Speaker 1>felt like I was being like such a hater on fine.

0:11:53.240 --> 0:11:55.800
<v Speaker 2>Movies, like put them in the list, like I don't care,

0:11:56.160 --> 0:11:58.200
<v Speaker 2>I don't know. I was so gung ho and angry

0:11:58.240 --> 0:12:01.240
<v Speaker 2>about it. I did watch Myrary Report, though i'd never

0:12:01.400 --> 0:12:05.199
<v Speaker 2>seen it. It's Spielberg, Tom Cruise, pre Crime. I don't know,

0:12:05.720 --> 0:12:08.880
<v Speaker 2>and I don't. It doesn't hold up for me, so

0:12:09.040 --> 0:12:11.360
<v Speaker 2>I guess I'm still a hater. But I did give

0:12:11.400 --> 0:12:13.240
<v Speaker 2>one of the movies I hadn't seen a shot and

0:12:14.320 --> 0:12:16.760
<v Speaker 2>that's great, Well, I love it.

0:12:16.920 --> 0:12:17.079
<v Speaker 1>Well.

0:12:17.320 --> 0:12:20.439
<v Speaker 2>Also, so I'm shooting a short, No big deal. But

0:12:21.200 --> 0:12:23.559
<v Speaker 2>I thought I was the completely different character. And I've

0:12:23.600 --> 0:12:28.040
<v Speaker 2>been learning lines for another character. Oh no, and it's

0:12:28.120 --> 0:12:30.760
<v Speaker 2>more and reading the script being like, Wow, this other

0:12:30.880 --> 0:12:33.439
<v Speaker 2>character's so funny. Wow, I can't wait to meet this

0:12:33.559 --> 0:12:36.520
<v Speaker 2>other character. God, these lines are so fun. Oh she

0:12:36.640 --> 0:12:39.400
<v Speaker 2>gets to do that, and then, thank god, this week

0:12:39.480 --> 0:12:43.520
<v Speaker 2>I realized that I'm that character, not.

0:12:43.640 --> 0:12:45.400
<v Speaker 3>The emotion that.

0:12:47.920 --> 0:12:50.240
<v Speaker 1>You could tell the serious reserved girl actress, be like,

0:12:50.240 --> 0:12:51.600
<v Speaker 1>if you need any help with your lines, I also

0:12:51.640 --> 0:12:52.520
<v Speaker 1>memorize your part.

0:12:54.520 --> 0:12:57.600
<v Speaker 3>But I couldn't believe I was studying for the wrong one.

0:12:58.040 --> 0:13:02.000
<v Speaker 2>But you know, well, my manager gave me a little

0:13:02.400 --> 0:13:05.680
<v Speaker 2>talking to and she said, maybe this is a sign

0:13:05.800 --> 0:13:10.280
<v Speaker 2>to read your emails. Oh okay, she goes, because it's

0:13:10.400 --> 0:13:14.439
<v Speaker 2>clearly stated in the emails what character it is, and

0:13:14.559 --> 0:13:16.520
<v Speaker 2>I go for sure it was a misunderstanding.

0:13:20.559 --> 0:13:20.839
<v Speaker 1>Okay.

0:13:21.000 --> 0:13:23.840
<v Speaker 2>Also, I'm sorry to go to Australia obviously visa issues.

0:13:23.880 --> 0:13:27.079
<v Speaker 2>If you listened to this podcast, you heard before the

0:13:27.200 --> 0:13:32.520
<v Speaker 2>cancelation happened. But basically, yeah, I mean, I hope the

0:13:32.679 --> 0:13:35.640
<v Speaker 2>FBI doesn't support me. I am a naturalized citizen. I'm

0:13:35.679 --> 0:13:38.280
<v Speaker 2>on the edge of my seat, but oh, I'm working

0:13:38.440 --> 0:13:41.960
<v Speaker 2>on getting back, so stay tuned to this any announcements.

0:13:42.040 --> 0:13:43.800
<v Speaker 3>If you had tickets, we'll probably reach out to you.

0:13:43.960 --> 0:13:47.840
<v Speaker 1>But and just to reiterate, you've been to Australia multiple

0:13:47.920 --> 0:13:50.480
<v Speaker 1>times before. My husband went to Australia with barely a

0:13:50.840 --> 0:13:53.079
<v Speaker 1>piece of paper that said let him into Australia and

0:13:53.200 --> 0:13:54.800
<v Speaker 1>it was no problem. Oh, I have to write an

0:13:54.800 --> 0:13:57.319
<v Speaker 1>apology letter for the other times I went in and

0:13:58.240 --> 0:14:01.600
<v Speaker 1>why like this time, like they're like, you shady bitch,

0:14:01.679 --> 0:14:02.680
<v Speaker 1>we want an apology.

0:14:02.800 --> 0:14:05.400
<v Speaker 3>So I had to write like a full declaration.

0:14:06.480 --> 0:14:09.520
<v Speaker 2>Up about everything and how I've become a better person

0:14:09.760 --> 0:14:11.680
<v Speaker 2>since my former brushes with the law.

0:14:13.920 --> 0:14:16.120
<v Speaker 3>What in the fucking world?

0:14:16.880 --> 0:14:19.160
<v Speaker 1>Yeah, yeah, yeah, So I've had to be like, I'm

0:14:19.160 --> 0:14:23.320
<v Speaker 1>a dedicated sister and aunt, I have a podcast about

0:14:23.360 --> 0:14:23.760
<v Speaker 1>the law.

0:14:25.640 --> 0:14:27.960
<v Speaker 3>Let's get some AI images of you at a soup

0:14:28.080 --> 0:14:30.720
<v Speaker 3>kitchen we can use for them. I've been volunteering.

0:14:31.280 --> 0:14:31.800
<v Speaker 4>Oh you have.

0:14:32.360 --> 0:14:34.880
<v Speaker 1>Yeah, I've gone back and I'm signed up for next week.

0:14:34.960 --> 0:14:36.720
<v Speaker 1>So I really that's awesome.

0:14:37.040 --> 0:14:37.960
<v Speaker 3>I really like it.

0:14:38.280 --> 0:14:41.200
<v Speaker 2>Well, and I have to be more front facing. I

0:14:41.280 --> 0:14:43.160
<v Speaker 2>let the guys serve and I was scooping the food,

0:14:43.200 --> 0:14:45.400
<v Speaker 2>and I'm like, sir, if you don't smile at these people,

0:14:45.520 --> 0:14:48.400
<v Speaker 2>you can't be in the front, Like, yeah, you gotta,

0:14:48.520 --> 0:14:49.080
<v Speaker 2>but they're.

0:14:48.880 --> 0:14:50.720
<v Speaker 1>Gonna be like they're gonna be like Lisa, you can't

0:14:50.800 --> 0:14:53.160
<v Speaker 1>chat to everybody. You gotta move the line along. It's

0:14:53.200 --> 0:14:56.200
<v Speaker 1>not even about chatting to me. It's just going my pleasure.

0:14:56.600 --> 0:14:58.800
<v Speaker 3>Thank you. Are you guys ready for some food?

0:14:58.920 --> 0:15:02.480
<v Speaker 1>It's like, give these people in experience a little bit

0:15:02.520 --> 0:15:04.680
<v Speaker 1>of like a hospitality.

0:15:04.920 --> 0:15:07.320
<v Speaker 3>Yeah, thank you for the word hospitality.

0:15:08.440 --> 0:15:11.480
<v Speaker 2>You know, scooping is good too, But I'm really scared

0:15:12.480 --> 0:15:14.720
<v Speaker 2>of the like you know, it's hot water and then

0:15:14.760 --> 0:15:16.280
<v Speaker 2>the trays on top of the hot water.

0:15:16.480 --> 0:15:19.640
<v Speaker 3>I'm really scared of that hot water. And I don't

0:15:19.760 --> 0:15:20.160
<v Speaker 3>like that.

0:15:20.560 --> 0:15:23.520
<v Speaker 1>It's scary. Yeah, I got youa that makes sense. And

0:15:23.640 --> 0:15:26.320
<v Speaker 1>the place when they're fresh from the dishwasher are really

0:15:26.360 --> 0:15:29.400
<v Speaker 1>hot too. I'm just not meant for behind the scenes. Like,

0:15:29.560 --> 0:15:33.960
<v Speaker 1>I'm just not. It's just too hot and scary for me.

0:15:34.560 --> 0:15:36.880
<v Speaker 1>I'm not meant from behind the scenes. It's so funny.

0:15:38.520 --> 0:15:40.240
<v Speaker 3>Wait really quick before I forget though.

0:15:40.400 --> 0:15:43.000
<v Speaker 1>This episode's coming out on August fifth, which means you

0:15:43.200 --> 0:15:47.000
<v Speaker 1>still have like a week or so it will sell out,

0:15:47.240 --> 0:15:50.280
<v Speaker 1>So like it don't be like, don't wait till the

0:15:50.360 --> 0:15:50.840
<v Speaker 1>last day.

0:15:51.000 --> 0:15:51.880
<v Speaker 3>It will sell out.

0:15:52.000 --> 0:15:54.680
<v Speaker 1>It is what it is. Yeah, yeah, it's it's a

0:15:54.760 --> 0:15:57.600
<v Speaker 1>great venue. It's not like a two drink minimum situation.

0:15:57.840 --> 0:15:59.880
<v Speaker 1>So it's like less expensive than some of the shows

0:16:00.000 --> 0:16:01.800
<v Speaker 1>you've done in the past. If that's anybody, I know

0:16:01.880 --> 0:16:04.880
<v Speaker 1>that's everybody's worry right now. Is like money's tight all around.

0:16:05.200 --> 0:16:08.080
<v Speaker 1>But come see us. It's a new episode. It's uh

0:16:08.200 --> 0:16:11.800
<v Speaker 1>that you haven't seen in New York and uh games

0:16:11.880 --> 0:16:14.280
<v Speaker 1>and fun. It's like fun stuff, so we're gonna have

0:16:14.280 --> 0:16:16.680
<v Speaker 1>a great time. It's at the Bell House on August fourteenth.

0:16:16.720 --> 0:16:18.400
<v Speaker 1>Go to That's messed Up live dot com. There's a

0:16:18.440 --> 0:16:22.280
<v Speaker 1>ticket link there. Tell them if you're broke, d m us.

0:16:22.440 --> 0:16:24.920
<v Speaker 2>Maybe maybe if your story is good enough, we'll give

0:16:24.920 --> 0:16:28.000
<v Speaker 2>you a comp I mean, Karen Kara has friends.

0:16:28.000 --> 0:16:30.440
<v Speaker 1>I'm not letting anyone come in. I'm making my friends pay.

0:16:30.520 --> 0:16:33.840
<v Speaker 1>Come on, I'm making my friends pay. Enough.

0:16:34.040 --> 0:16:38.160
<v Speaker 3>Enough is enough? Am I seeing Colin? Maybe?

0:16:38.360 --> 0:16:38.520
<v Speaker 1>Oh?

0:16:38.600 --> 0:16:39.000
<v Speaker 3>Yeah, I think he.

0:16:39.080 --> 0:16:40.800
<v Speaker 1>I think they're coming. I think Colin and Joe are coming.

0:16:41.160 --> 0:16:43.720
<v Speaker 1>Yeah I need some Yeah, you guys, brother, come on.

0:16:43.840 --> 0:16:46.240
<v Speaker 1>I'm offering a lot here. Get into the city, come

0:16:46.360 --> 0:16:49.600
<v Speaker 1>see this. Some people have said, we're considering I'm considering

0:16:49.640 --> 0:16:51.400
<v Speaker 1>flying in. I think worth it. Make it, do a

0:16:51.440 --> 0:16:52.320
<v Speaker 1>little trip to New York.

0:16:52.360 --> 0:16:52.880
<v Speaker 3>It'll be fun.

0:16:52.960 --> 0:16:54.600
<v Speaker 1>Yeah, it's not like you'll go into the middle of

0:16:54.720 --> 0:16:57.280
<v Speaker 1>nowhere like you can make a round. We're not making

0:16:57.400 --> 0:17:01.280
<v Speaker 1>them right. The Dakota's no offense. We love the Dakotas.

0:17:02.080 --> 0:17:05.359
<v Speaker 1>We here on this podcast. We love the Dakotas, always have. Oh.

0:17:05.720 --> 0:17:07.879
<v Speaker 2>I and so, because I wasn't in Australia, I do

0:17:07.960 --> 0:17:10.200
<v Speaker 2>want to say hi to everyone that came to Chicago.

0:17:10.440 --> 0:17:10.640
<v Speaker 3>Cara.

0:17:10.920 --> 0:17:13.160
<v Speaker 2>A lot of people said hello, they want more of us.

0:17:14.840 --> 0:17:18.080
<v Speaker 2>But I loved seeing everyone and Chicago. One of the

0:17:18.119 --> 0:17:22.000
<v Speaker 2>greatest things happened to me. I saw geese crossing the

0:17:22.119 --> 0:17:26.960
<v Speaker 2>street and like traffic waiting, and I just I liked it.

0:17:27.200 --> 0:17:28.800
<v Speaker 3>I could. I have never seen that before.

0:17:28.920 --> 0:17:30.879
<v Speaker 1>So I was really, Hey, that's like I have a

0:17:31.080 --> 0:17:34.199
<v Speaker 1>picture of you sitting on a goose.

0:17:34.359 --> 0:17:35.080
<v Speaker 3>Oh it's a duck.

0:17:35.880 --> 0:17:37.520
<v Speaker 1>I have a picture of you in Boston on like

0:17:37.560 --> 0:17:40.280
<v Speaker 1>a duck with its little ducklings behind it, and it's

0:17:40.440 --> 0:17:43.320
<v Speaker 1>very very like in the same vein and I have

0:17:43.400 --> 0:17:46.439
<v Speaker 1>a silly goose tattoo. So I did, like, well, it's

0:17:46.480 --> 0:17:47.919
<v Speaker 1>so funny. So I did some WG.

0:17:48.119 --> 0:17:50.119
<v Speaker 3>I did the Morning News. They're so nice to me

0:17:50.160 --> 0:17:50.960
<v Speaker 3>at WGN.

0:17:51.280 --> 0:17:55.800
<v Speaker 2>But one of the other people that were going on

0:17:55.920 --> 0:17:58.720
<v Speaker 2>the news was the vice president of like the Botanic

0:17:58.800 --> 0:18:01.920
<v Speaker 2>Gardens and my the Chicago Botanic Gardens because of my

0:18:02.080 --> 0:18:05.520
<v Speaker 2>childhood and being dragged there. No child wants to be

0:18:05.680 --> 0:18:08.880
<v Speaker 2>dragged there. And I'm looking at this woman and I go, well,

0:18:08.920 --> 0:18:11.640
<v Speaker 2>you know, the geese, and she goes, We've actually dealt

0:18:11.720 --> 0:18:13.639
<v Speaker 2>with the geese problem. And when I started in nineteen

0:18:13.680 --> 0:18:15.960
<v Speaker 2>ninety four, I know exactly what you're talking about, and

0:18:16.040 --> 0:18:17.040
<v Speaker 2>so I'm not making it up.

0:18:17.080 --> 0:18:19.359
<v Speaker 3>There was a geese problem. So they're not there, but

0:18:19.400 --> 0:18:19.760
<v Speaker 3>they did.

0:18:19.840 --> 0:18:22.080
<v Speaker 1>They did move to the city like the Chicago like

0:18:22.160 --> 0:18:24.720
<v Speaker 1>around Zanies, like the geese star everywhere, and we have

0:18:24.800 --> 0:18:29.000
<v Speaker 1>addressed your concerns visa via the geese. I love that. Yeah,

0:18:29.480 --> 0:18:32.520
<v Speaker 1>it's just nice to be like not solidified, but like

0:18:33.640 --> 0:18:35.560
<v Speaker 1>you know, like validating, validated.

0:18:35.760 --> 0:18:38.920
<v Speaker 3>Yeah that it's not like some like weird thing I

0:18:39.040 --> 0:18:40.480
<v Speaker 3>made up, like the geese were.

0:18:40.480 --> 0:18:43.000
<v Speaker 1>Violent, have like a one bad Geese day, and you

0:18:43.160 --> 0:18:44.880
<v Speaker 1>were attracting the geese in a weird way.

0:18:45.040 --> 0:18:48.080
<v Speaker 3>Yeah, this is everybody I got it speaking of, and

0:18:48.359 --> 0:18:49.240
<v Speaker 3>I know we have to start.

0:18:49.359 --> 0:18:51.160
<v Speaker 2>I also am like, we haven't talked in a month,

0:18:51.200 --> 0:18:55.399
<v Speaker 2>and I feel like we barely even scraped of, like

0:18:55.520 --> 0:19:00.520
<v Speaker 2>all this stuff that's been going on. But I before

0:19:00.560 --> 0:19:05.000
<v Speaker 2>we start, I'll do an either or an either or casey,

0:19:05.040 --> 0:19:08.160
<v Speaker 2>I'd like you to play as well. Okay, you walk

0:19:08.200 --> 0:19:12.720
<v Speaker 2>into your home, would you rather see one thousand roaches

0:19:14.240 --> 0:19:23.920
<v Speaker 2>or one person? One person? Okay, one person. I don't

0:19:23.920 --> 0:19:26.480
<v Speaker 2>think you could ever kill the roaches, and I don't

0:19:26.520 --> 0:19:28.600
<v Speaker 2>think you could. I don't think you could kill all

0:19:28.600 --> 0:19:32.480
<v Speaker 2>of them. They would scatter and they would start re populating.

0:19:33.440 --> 0:19:35.399
<v Speaker 2>It would be forever and you would never forget it.

0:19:35.640 --> 0:19:38.239
<v Speaker 2>The person this is like bear, This is like bear man.

0:19:38.720 --> 0:19:40.920
<v Speaker 2>But you just said person. So it could be a

0:19:41.000 --> 0:19:41.920
<v Speaker 2>woman or a child.

0:19:42.240 --> 0:19:45.879
<v Speaker 1>So I'm like, but you don't know them, but I

0:19:46.080 --> 0:19:47.480
<v Speaker 1>don't know them, and I don't know why they're in

0:19:47.560 --> 0:19:50.399
<v Speaker 1>my house, But I would rather see them.

0:19:50.680 --> 0:19:57.119
<v Speaker 5>I would definitely say roaches, because God, that is horrifying

0:19:57.640 --> 0:20:01.119
<v Speaker 5>and would disturb me to no end. But the idea,

0:20:01.640 --> 0:20:05.760
<v Speaker 5>the true terror of seeing someone that you don't recognize

0:20:05.920 --> 0:20:09.880
<v Speaker 5>inside of your home. That just that seems so horrible

0:20:10.040 --> 0:20:12.560
<v Speaker 5>and I would never I would choose the roaches.

0:20:12.440 --> 0:20:13.840
<v Speaker 1>I know, but my mind is going to like a

0:20:13.960 --> 0:20:17.400
<v Speaker 1>million places of like oops, I walked into the wrong house,

0:20:17.560 --> 0:20:20.159
<v Speaker 1>or like I don't know, like does the person have

0:20:20.280 --> 0:20:21.960
<v Speaker 1>malevolent intentions or that's not part.

0:20:21.800 --> 0:20:22.160
<v Speaker 3>Of the game.

0:20:22.240 --> 0:20:24.399
<v Speaker 2>No, it doesn't even matter. I basically this is from

0:20:24.480 --> 0:20:26.560
<v Speaker 2>the internet. Everything is from the internet. I have no

0:20:26.680 --> 0:20:30.400
<v Speaker 2>original ideas anymore. But there is a video and it's

0:20:30.480 --> 0:20:32.440
<v Speaker 2>not even new, but it was resurfacing again in my

0:20:32.560 --> 0:20:36.119
<v Speaker 2>feed of like a guy's food kept disappearing, and so

0:20:36.280 --> 0:20:38.920
<v Speaker 2>he put a hidden camera and then above his fridge

0:20:39.080 --> 0:20:41.840
<v Speaker 2>was a little drawer crawl space thing and he caught

0:20:41.880 --> 0:20:43.760
<v Speaker 2>a woman coming out of it and eating his food

0:20:43.800 --> 0:20:46.120
<v Speaker 2>and going back in and and him being like, get

0:20:46.160 --> 0:20:48.920
<v Speaker 2>out of here. So it's like, yeah, I guess it's

0:20:49.080 --> 0:20:53.200
<v Speaker 2>not but she's not violent. But the thought of someone

0:20:53.240 --> 0:20:55.000
<v Speaker 2>in your home coming into your.

0:20:55.000 --> 0:20:58.560
<v Speaker 5>Pockets, yeah, well, I do feel like I would prefer

0:20:58.640 --> 0:21:01.200
<v Speaker 5>to have like a parasite situation where someone lives in

0:21:01.280 --> 0:21:03.720
<v Speaker 5>like a crawl space in my basement, eat and eating

0:21:03.760 --> 0:21:04.520
<v Speaker 5>my food.

0:21:04.480 --> 0:21:07.720
<v Speaker 1>Versus a thousand cockroaches that you'll never get back you'll

0:21:07.760 --> 0:21:09.680
<v Speaker 1>never get the sound of them skittering.

0:21:09.880 --> 0:21:12.840
<v Speaker 2>Because Matt Bronger has a story like this where him

0:21:13.000 --> 0:21:15.400
<v Speaker 2>and his friend he used to do this bit. Truly,

0:21:15.480 --> 0:21:17.640
<v Speaker 2>this joke I heard thirteen years ago and it still

0:21:17.680 --> 0:21:20.280
<v Speaker 2>haunts me because he like grabbed this giant frying pan

0:21:20.320 --> 0:21:22.160
<v Speaker 2>he was gonna hit and he saw a woman sitting

0:21:22.240 --> 0:21:25.280
<v Speaker 2>on like the stairs of his friend's house or something,

0:21:26.359 --> 0:21:28.200
<v Speaker 2>and she walked out, and he's just glad he didn't

0:21:28.280 --> 0:21:30.480
<v Speaker 2>murder her with a skillet. Is like the point of

0:21:30.520 --> 0:21:33.440
<v Speaker 2>the story where it's like it was scary, but he's glad,

0:21:33.560 --> 0:21:35.920
<v Speaker 2>like he didn't bang her head.

0:21:36.119 --> 0:21:38.760
<v Speaker 3>I don't know. Wow, you guys have separate answers, So

0:21:38.800 --> 0:21:40.320
<v Speaker 3>that's like why this game is so fun.

0:21:41.240 --> 0:21:47.200
<v Speaker 1>Wow. Uh okay, let's get started. This episode is good.

0:21:47.600 --> 0:21:50.080
<v Speaker 2>I hope we gave you the juice because we you know,

0:21:50.160 --> 0:21:51.920
<v Speaker 2>we were in the time machine for so long, so

0:21:52.119 --> 0:21:55.560
<v Speaker 2>I'm sure we're like missing out on so many events.

0:21:55.600 --> 0:21:59.040
<v Speaker 2>Like if there's stuff we didn't cover that you were like, wait, bitches,

0:21:59.359 --> 0:22:00.640
<v Speaker 2>we want to hear about.

0:22:00.840 --> 0:22:04.640
<v Speaker 3>Yeah, please let us know, because my bad.

0:22:06.440 --> 0:22:08.800
<v Speaker 2>Oh, I know what the fucking Idaho murder that the

0:22:09.119 --> 0:22:15.960
<v Speaker 2>sister of the victim that impact statement was incredible, So kudos, stuff.

0:22:16.040 --> 0:22:17.320
<v Speaker 1>I want to talk about it. Do you want to

0:22:17.320 --> 0:22:18.800
<v Speaker 1>talk about it next week? We can talk about it

0:22:18.840 --> 0:22:20.800
<v Speaker 1>next week. Yeah, it's going to be like it's a tease.

0:22:21.240 --> 0:22:23.240
<v Speaker 1>It's a tease. It's a tease.

0:22:23.400 --> 0:22:24.560
<v Speaker 3>We're starting the app.

0:22:28.560 --> 0:22:33.080
<v Speaker 2>The day has come, Ah, done on them. We're doing

0:22:33.160 --> 0:22:37.719
<v Speaker 2>the episode wet. And if you've seen some of our

0:22:37.760 --> 0:22:40.480
<v Speaker 2>live shows in some cities, we have done wet.

0:22:41.080 --> 0:22:43.680
<v Speaker 3>We have done it live many times, just hoping for

0:22:43.800 --> 0:22:44.240
<v Speaker 3>the moment.

0:22:44.680 --> 0:22:48.760
<v Speaker 2>And today is a real Barton Burner Season twelve, episode five.

0:22:49.080 --> 0:22:50.480
<v Speaker 3>Yes, we love wet.

0:22:50.800 --> 0:22:54.600
<v Speaker 1>We have done it, actually not that many times. It

0:22:54.760 --> 0:22:59.040
<v Speaker 1>seems we've done it only like four at four live shows.

0:22:59.080 --> 0:23:03.600
<v Speaker 1>We've done it in Seattle, Tampa, Denver, and Atlanta. So

0:23:03.680 --> 0:23:05.480
<v Speaker 1>if you were at one of those shows, you saw

0:23:05.600 --> 0:23:07.800
<v Speaker 1>us do this. But you know, it's different every time

0:23:07.840 --> 0:23:09.480
<v Speaker 1>we talk about it, So it's going to be different.

0:23:10.119 --> 0:23:12.920
<v Speaker 1>And yeah, this is a hot one. This is a

0:23:13.000 --> 0:23:15.440
<v Speaker 1>classic episode, like this is maybe in my top ten

0:23:15.560 --> 0:23:15.880
<v Speaker 1>for sure.

0:23:16.280 --> 0:23:19.720
<v Speaker 2>Yeah, a lot of amazing moments. It aired October thirteenth,

0:23:19.920 --> 0:23:24.639
<v Speaker 2>twenty ten. Spooky Season Spooky. I guess I'll start. It's

0:23:24.680 --> 0:23:26.760
<v Speaker 2>like it's like it feels weird to just start it.

0:23:26.960 --> 0:23:29.639
<v Speaker 2>There's so much anticipation in my heart and spirit for

0:23:29.760 --> 0:23:34.120
<v Speaker 2>everyone enjoy it. And it was also like so much

0:23:34.200 --> 0:23:37.320
<v Speaker 2>easier recapping because I have written it and talked about

0:23:37.359 --> 0:23:40.080
<v Speaker 2>it at length, and we would watch it before every

0:23:40.119 --> 0:23:42.520
<v Speaker 2>live show at least once or twice, so I was

0:23:42.600 --> 0:23:45.120
<v Speaker 2>really like running smoothing.

0:23:45.359 --> 0:23:46.720
<v Speaker 3>What's the word? Yeah, all show.

0:23:47.040 --> 0:23:52.560
<v Speaker 1>We also did do a video scene from this episode

0:23:52.600 --> 0:23:55.840
<v Speaker 1>together you and I and a little acting, a little

0:23:55.880 --> 0:24:00.560
<v Speaker 1>acting sketch tweeted for our TikTok and Instagram that a

0:24:00.680 --> 0:24:02.119
<v Speaker 1>lot of you guys really enjoyed.

0:24:04.080 --> 0:24:06.640
<v Speaker 3>So all right, enough enough.

0:24:06.840 --> 0:24:09.200
<v Speaker 2>You know, getting new, getting new, pump. I don't know

0:24:09.280 --> 0:24:12.680
<v Speaker 2>what's the word. I'm teasing you too much. I'll start so,

0:24:12.920 --> 0:24:15.800
<v Speaker 2>drugged up couple is running through the arches, and I

0:24:15.880 --> 0:24:20.119
<v Speaker 2>wrote through, not the arches, just some arches. What do

0:24:20.160 --> 0:24:22.480
<v Speaker 2>you think of when you think of arches? Your go

0:24:22.640 --> 0:24:26.119
<v Speaker 2>to arch? I go to arch because I'm sorry, but

0:24:26.280 --> 0:24:30.240
<v Speaker 2>McDonald's was my second. Yeah, when you say arches, I

0:24:30.280 --> 0:24:31.360
<v Speaker 2>think McDonald's first.

0:24:31.400 --> 0:24:34.520
<v Speaker 1>Thing. Wow, when you're talking about like actual I mean

0:24:34.560 --> 0:24:38.200
<v Speaker 1>the Saint Louis the Arch, I guess this is called

0:24:38.280 --> 0:24:40.960
<v Speaker 1>Bethesda Terraces it's in Central park Way.

0:24:41.040 --> 0:24:43.359
<v Speaker 3>To look that where they are? I have it in

0:24:43.440 --> 0:24:45.080
<v Speaker 3>my old notes from when we did it live.

0:24:45.680 --> 0:24:48.440
<v Speaker 1>Wow, because I was like, where are they I've seen

0:24:48.520 --> 0:24:50.760
<v Speaker 1>this area of New York of the city.

0:24:50.840 --> 0:24:55.160
<v Speaker 2>It's like it's part of Central Park Wow. So the girl,

0:24:55.440 --> 0:24:58.760
<v Speaker 2>she's quirky, she wants to dance. They're dancing, but then

0:24:58.800 --> 0:25:01.159
<v Speaker 2>she starts laughing at his dance, which is a man's

0:25:01.280 --> 0:25:07.320
<v Speaker 2>number one fear. So he gets mad immediately and but yeah,

0:25:07.400 --> 0:25:09.520
<v Speaker 2>we're like, he's about to murder her, but it's too

0:25:09.880 --> 0:25:12.800
<v Speaker 2>it's too early. So she does baby talk at him

0:25:13.040 --> 0:25:18.800
<v Speaker 2>and he's like, you little bitch, like I wild. Yeah,

0:25:18.920 --> 0:25:21.159
<v Speaker 2>men just want a girl with a sense of humor JK,

0:25:21.720 --> 0:25:26.160
<v Speaker 2>or they'll fucking hit you. So and the baby talk

0:25:26.240 --> 0:25:28.400
<v Speaker 2>sounds like the Sex and the City guy that talks

0:25:28.440 --> 0:25:29.720
<v Speaker 2>to Samantha and baby talk.

0:25:29.800 --> 0:25:32.040
<v Speaker 1>It's like disgusting. I don't know why anyone would do

0:25:32.080 --> 0:25:35.240
<v Speaker 1>it as a grownup. It really sickens me. Yeah, this girl,

0:25:35.600 --> 0:25:38.159
<v Speaker 1>the girl in this scene is the girl who plays Supergirl.

0:25:38.560 --> 0:25:40.879
<v Speaker 1>Like she's also in Glee. I know her from Glee,

0:25:41.440 --> 0:25:45.480
<v Speaker 1>but she was Supergirl in like this CW Supergirl show forever.

0:25:45.600 --> 0:25:47.920
<v Speaker 1>So some people might know her from that. I don't

0:25:47.960 --> 0:25:49.960
<v Speaker 1>know the guy at all. He's not worth me looking

0:25:50.000 --> 0:25:52.200
<v Speaker 1>up because he's being an asshole.

0:25:53.119 --> 0:25:53.520
<v Speaker 3>So whatever.

0:25:53.680 --> 0:25:56.560
<v Speaker 2>So he's like, stop it, stop it, but she takes

0:25:56.600 --> 0:25:58.840
<v Speaker 2>off her dress and starts running in her bra and panties,

0:25:58.920 --> 0:26:03.200
<v Speaker 2>so he's not really mad an ymy, he's pumped. The

0:26:03.280 --> 0:26:06.600
<v Speaker 2>mood is not ruined, but then it is ruined because

0:26:06.680 --> 0:26:09.520
<v Speaker 2>there's a dead woman in the fountain. It's dirty, this

0:26:09.720 --> 0:26:13.280
<v Speaker 2>is sad. Her eyes are fully open and then she's

0:26:13.359 --> 0:26:15.879
<v Speaker 2>out of the water, like cuts to her at like

0:26:15.960 --> 0:26:18.440
<v Speaker 2>with everyone on the scene, and it is the most

0:26:18.560 --> 0:26:20.960
<v Speaker 2>close up close up I've ever seen of red eyes.

0:26:21.520 --> 0:26:24.040
<v Speaker 2>It's just scary. It's scary. It's her zoom in her

0:26:24.119 --> 0:26:27.240
<v Speaker 2>like full on face blue late text. Glove is pointing

0:26:27.320 --> 0:26:30.480
<v Speaker 2>to the red eyes and it's petikia, which means she

0:26:30.640 --> 0:26:33.520
<v Speaker 2>drowned and it's not our usual emmy, and this bitch

0:26:33.640 --> 0:26:34.760
<v Speaker 2>is like victim blaming.

0:26:35.720 --> 0:26:38.680
<v Speaker 1>She goes, how is she even dead? Seems too shallow

0:26:39.160 --> 0:26:41.120
<v Speaker 1>and it's like aren't you a science cop?

0:26:41.320 --> 0:26:44.000
<v Speaker 3>Like how do you know? How do you not know

0:26:44.080 --> 0:26:44.520
<v Speaker 3>the answer?

0:26:46.119 --> 0:26:50.320
<v Speaker 2>Yeah, And then Benson is in her like blonde like

0:26:50.560 --> 0:26:55.560
<v Speaker 2>honey Highlight era starts asking questions, and this woman goes, yeah,

0:26:55.560 --> 0:26:58.879
<v Speaker 2>I got some blood and semen in her Hucci who okay,

0:26:59.040 --> 0:27:01.600
<v Speaker 2>forensics guy from Dexter, Like they need to be set

0:27:01.680 --> 0:27:04.800
<v Speaker 2>up on a date. I swear they could like disrespect

0:27:04.960 --> 0:27:06.040
<v Speaker 2>victims from coast to.

0:27:06.080 --> 0:27:09.360
<v Speaker 1>Coast ak like we also just didn't we just get

0:27:09.480 --> 0:27:15.080
<v Speaker 1>rid of fucking stucky, Like yeah, yeah, we just covered

0:27:15.119 --> 0:27:18.240
<v Speaker 1>of Sucky two seasons ago. And now you're like, I

0:27:18.280 --> 0:27:21.000
<v Speaker 1>don't know, we need another like CSU Tech who kind

0:27:21.000 --> 0:27:23.560
<v Speaker 1>of disrespects it like the entire like practice in the

0:27:23.760 --> 0:27:25.840
<v Speaker 1>entire industry. Can we get somebody in there like that

0:27:26.480 --> 0:27:30.520
<v Speaker 1>Hoochi who It's like not what we like. We love Warner.

0:27:31.800 --> 0:27:34.440
<v Speaker 2>And and Judas Ciper like you know what I mean,

0:27:34.640 --> 0:27:37.720
<v Speaker 2>Like yeah, the smart intelligence.

0:27:38.200 --> 0:27:40.600
<v Speaker 1>I don't even take a Rednick. I didn't even take

0:27:40.640 --> 0:27:41.520
<v Speaker 1>a rednick JK.

0:27:41.920 --> 0:27:47.160
<v Speaker 2>But Benson doesn't say a word, but her face says everything,

0:27:47.200 --> 0:27:49.760
<v Speaker 2>and the woman says, oh sorry, and then goes, sometimes

0:27:49.800 --> 0:27:54.560
<v Speaker 2>I forget that they're people. I mean, it's good for

0:27:54.680 --> 0:27:57.600
<v Speaker 2>the dead, but maybe like full more it is the

0:27:57.680 --> 0:27:59.480
<v Speaker 2>more like maybe funeral, Like.

0:27:59.520 --> 0:28:02.840
<v Speaker 3>I don't know, Oh, I we gotta have respect, Okay.

0:28:02.960 --> 0:28:05.400
<v Speaker 2>So she turns to Maloney who just walked on over,

0:28:06.600 --> 0:28:09.840
<v Speaker 2>and she's like, hey, you get anything from Skinny or dipper?

0:28:10.520 --> 0:28:13.399
<v Speaker 2>An stable responds, well, he's obsessed with her and she

0:28:13.600 --> 0:28:16.440
<v Speaker 2>never wants to see him again. So then the science

0:28:16.520 --> 0:28:19.000
<v Speaker 2>woman is still like joking around and I'm like, are

0:28:19.040 --> 0:28:21.960
<v Speaker 2>you not like a little bit haunted by this wet,

0:28:22.119 --> 0:28:24.920
<v Speaker 2>dead woman with red eyes that are fully peering at you?

0:28:25.160 --> 0:28:28.200
<v Speaker 2>But okay, So then she says, guys, this is not

0:28:28.440 --> 0:28:31.200
<v Speaker 2>a fashion statement. And it's in a very intense zoom

0:28:31.280 --> 0:28:34.520
<v Speaker 2>with loud music. Seems like a parody drag race, sketch,

0:28:34.680 --> 0:28:36.879
<v Speaker 2>noise and effect like it is not.

0:28:37.240 --> 0:28:38.360
<v Speaker 3>Sview at all.

0:28:38.800 --> 0:28:42.000
<v Speaker 2>It's like do like so zoomed in and it's just

0:28:42.080 --> 0:28:44.000
<v Speaker 2>like a little bit of this woman's hair is cut

0:28:44.080 --> 0:28:46.720
<v Speaker 2>from underneath long hair, so just like a honk of

0:28:46.800 --> 0:28:50.040
<v Speaker 2>hair is gone. I guess it could be someone'smo everyone's upset.

0:28:50.080 --> 0:28:52.560
<v Speaker 2>We're in the credits. So now we're at the precinct

0:28:52.760 --> 0:28:56.120
<v Speaker 2>and uh, you know it's a new precinct, it's a

0:28:56.200 --> 0:28:59.240
<v Speaker 2>new office they've moved to there. It's Chelsea Piers, it's

0:28:59.280 --> 0:29:04.160
<v Speaker 2>no longer Jersey Z And they blame a flood or something.

0:29:04.440 --> 0:29:07.080
<v Speaker 2>I'm like, what kind of flood, aren't you guys on

0:29:07.120 --> 0:29:12.320
<v Speaker 2>the fourth floor? But it was like elevators. But but

0:29:12.560 --> 0:29:15.800
<v Speaker 2>Finn comes in. There's a matching m Central Park barber.

0:29:16.440 --> 0:29:19.520
<v Speaker 2>This creep loves snipping a chunk out of a woman's hair,

0:29:19.640 --> 0:29:24.600
<v Speaker 2>and they call him Sassoon for Vidal Sassoon, and then

0:29:24.680 --> 0:29:27.960
<v Speaker 2>Benson this seems like something that I would be like, Sassoon,

0:29:28.160 --> 0:29:30.880
<v Speaker 2>whatever that means, and then Benson would be like, oh,

0:29:31.120 --> 0:29:32.959
<v Speaker 2>he revolutionized.

0:29:32.200 --> 0:29:36.040
<v Speaker 1>Them soon yeah, and then let's not forget Eden Sassoon,

0:29:36.200 --> 0:29:39.760
<v Speaker 1>who did not revolutionize the Real Housewives of Beverly Hills. No,

0:29:40.880 --> 0:29:44.040
<v Speaker 1>and so, and Ben's so. Then Benson goes, you know,

0:29:44.120 --> 0:29:47.640
<v Speaker 1>I can I can use a trim an insane. This

0:29:47.800 --> 0:29:50.520
<v Speaker 1>is an insane part of this episode, which is a

0:29:50.560 --> 0:29:54.200
<v Speaker 1>lot saying how where this goes? But they Okay, So

0:29:54.240 --> 0:29:57.160
<v Speaker 1>they're gonna bait this man in the biggest park that

0:29:57.240 --> 0:30:01.200
<v Speaker 1>I've ever been man for maybe the possibility he's out

0:30:01.280 --> 0:30:03.040
<v Speaker 1>that day and is gonna be on the bench and

0:30:03.120 --> 0:30:07.040
<v Speaker 1>spot her to cut her hair. It's insane. In Central Park,

0:30:07.080 --> 0:30:09.840
<v Speaker 1>which is massive. If you've never been to New York,

0:30:09.920 --> 0:30:11.000
<v Speaker 1>it's humongous.

0:30:11.400 --> 0:30:18.520
<v Speaker 2>It's tens, tens and tens of blocks, so she's on

0:30:18.600 --> 0:30:20.600
<v Speaker 2>a bench and she's hoaring out her hair.

0:30:21.200 --> 0:30:25.440
<v Speaker 3>She's flipping it around. It's shimming commercial shit. Yeah's shaking

0:30:25.520 --> 0:30:26.040
<v Speaker 3>it all out.

0:30:26.240 --> 0:30:26.480
<v Speaker 1>Yeah.

0:30:27.240 --> 0:30:29.600
<v Speaker 2>And then there you know, she's on a fake phone call.

0:30:29.720 --> 0:30:34.000
<v Speaker 2>She goes, my hair is so good. My hair feels shiny.

0:30:34.120 --> 0:30:37.120
<v Speaker 2>I feel like a million bucks. And then a man

0:30:37.280 --> 0:30:39.960
<v Speaker 2>is close to her and too close, like if a

0:30:40.040 --> 0:30:41.920
<v Speaker 2>stranger sat even that close to me on a bench

0:30:42.000 --> 0:30:43.520
<v Speaker 2>without trying to cut my hair and be like, what

0:30:43.600 --> 0:30:46.600
<v Speaker 2>the fuck are you doing. He has a white guy afro,

0:30:47.080 --> 0:30:50.440
<v Speaker 2>like a Bob Ross situation, but not as robust, and

0:30:50.520 --> 0:30:53.040
<v Speaker 2>then he takes out his scissors and right as he's

0:30:53.080 --> 0:30:56.520
<v Speaker 2>about to chop Benson's gorgeous hair, Stabler grabs him right

0:30:56.560 --> 0:30:58.680
<v Speaker 2>before the cut, and then they go what are you

0:30:58.840 --> 0:31:02.400
<v Speaker 2>up to, sassoon, And they find blonde hair in his pocket,

0:31:02.520 --> 0:31:05.320
<v Speaker 2>so they take him in. He's dragged into the office

0:31:06.080 --> 0:31:09.080
<v Speaker 2>and he goes, she was already dead before I cut

0:31:09.120 --> 0:31:10.640
<v Speaker 2>her hair, and they're like, yeah, but you raped her.

0:31:10.720 --> 0:31:12.320
<v Speaker 3>He goes, no, I have a lullaby.

0:31:13.040 --> 0:31:15.760
<v Speaker 2>So he's stupid and they all laugh at him and

0:31:15.840 --> 0:31:18.760
<v Speaker 2>he goes, I was at Banana Trama all night, and

0:31:18.840 --> 0:31:20.680
<v Speaker 2>then they throw him in the cage that's in the

0:31:20.760 --> 0:31:24.360
<v Speaker 2>middle of the room. So Banana Raama is a transvestite club,

0:31:24.880 --> 0:31:27.080
<v Speaker 2>and he was getting a miss a lap dance from

0:31:27.200 --> 0:31:31.920
<v Speaker 2>Miss Terry. And so there's also like those whole precincts

0:31:32.000 --> 0:31:35.960
<v Speaker 2>like during this investigation, there's boxes and ladders and paint.

0:31:36.240 --> 0:31:38.960
<v Speaker 2>And then Munch of course like drove to the wrong

0:31:39.040 --> 0:31:42.320
<v Speaker 2>precincts that morning. And to me, Munch seems like a

0:31:42.480 --> 0:31:46.000
<v Speaker 2>train guy, Like I feel like he would be a

0:31:46.080 --> 0:31:50.360
<v Speaker 2>believer of public transportation. I'm really shocked that he would

0:31:50.480 --> 0:31:53.240
<v Speaker 2>drive to the precincts. Where do you think Munch lives?

0:31:54.440 --> 0:31:56.120
<v Speaker 1>I don't know. I could kind of see him leaving

0:31:56.520 --> 0:31:58.920
<v Speaker 1>living like deep in a story are or something.

0:31:59.000 --> 0:32:02.200
<v Speaker 3>I don't know. I don't know. In my head, it's

0:32:02.280 --> 0:32:05.000
<v Speaker 3>like Chelsea, like from I don't know.

0:32:05.760 --> 0:32:08.320
<v Speaker 2>Yeah, So, not only did he drive to the wrong

0:32:08.400 --> 0:32:11.680
<v Speaker 2>precinct he walks into a ladder this detect maybe the

0:32:11.760 --> 0:32:16.520
<v Speaker 2>transition glasses should lighten up, and so paint spills all

0:32:16.560 --> 0:32:20.080
<v Speaker 2>over his outfit. He screams, he goes all hell breaks

0:32:20.160 --> 0:32:23.440
<v Speaker 2>loose when Kragan's not here, and we don't know why

0:32:23.520 --> 0:32:27.240
<v Speaker 2>Craigan's not here. None of the former episodes would inform

0:32:27.360 --> 0:32:29.920
<v Speaker 2>this information. It's also not in near any of the

0:32:30.000 --> 0:32:32.040
<v Speaker 2>times he did get in trouble or stand up for

0:32:32.120 --> 0:32:34.160
<v Speaker 2>someone and had to be like, I don't know what's

0:32:34.200 --> 0:32:34.520
<v Speaker 2>going on.

0:32:35.120 --> 0:32:36.280
<v Speaker 3>Maybe he just took a trip.

0:32:36.720 --> 0:32:40.000
<v Speaker 1>We do know Dan Florek was commuting from California to

0:32:40.080 --> 0:32:42.920
<v Speaker 1>New York, so maybe he just had something to Yeah,

0:32:43.080 --> 0:32:44.480
<v Speaker 1>like he got fucked.

0:32:44.160 --> 0:32:45.920
<v Speaker 3>And like or needed to do something with his wife

0:32:46.280 --> 0:32:47.880
<v Speaker 3>and he couldn't be at that episode.

0:32:48.080 --> 0:32:51.120
<v Speaker 2>Yeah, because he does show up later in this episode,

0:32:51.320 --> 0:32:55.760
<v Speaker 2>so I don't know. So then Stabler goes this guy's lullaby,

0:32:56.600 --> 0:33:01.000
<v Speaker 2>you know it checks that he was all nights and

0:33:01.120 --> 0:33:03.880
<v Speaker 2>the haircutter guy's not it because he was kicked out

0:33:03.880 --> 0:33:05.800
<v Speaker 2>at four point thirty in the morning and that wouldn't

0:33:05.840 --> 0:33:07.000
<v Speaker 2>like work with the time of death.

0:33:07.960 --> 0:33:10.040
<v Speaker 3>So this is a jam packed episode.

0:33:10.080 --> 0:33:13.560
<v Speaker 2>We get Mika Vaughn your New Ada for one episode,

0:33:14.200 --> 0:33:16.280
<v Speaker 2>and if you want to play a drinking game or

0:33:16.320 --> 0:33:18.480
<v Speaker 2>you're smoking some weed, I guess you can eat a

0:33:18.520 --> 0:33:22.560
<v Speaker 2>mushroom every time we say something wink wink. But every

0:33:22.600 --> 0:33:27.080
<v Speaker 2>time she mentioned mentions her son drenched loft, you will

0:33:27.160 --> 0:33:27.800
<v Speaker 2>get fucked up.

0:33:28.640 --> 0:33:31.560
<v Speaker 1>This bitch does not, and it's Paula Patten famously got

0:33:31.640 --> 0:33:33.080
<v Speaker 1>cheeted on by Robin Thick.

0:33:33.320 --> 0:33:35.840
<v Speaker 2>Not that that defines her, but that's mostly what I

0:33:35.880 --> 0:33:37.960
<v Speaker 2>know about her. And she's not very good. We don't

0:33:37.960 --> 0:33:40.080
<v Speaker 2>really care. And I guess she booked James Bond or

0:33:40.120 --> 0:33:44.080
<v Speaker 2>Mission Impossible, and so Neil Bhaer told us he was like, listen, girl,

0:33:44.120 --> 0:33:46.280
<v Speaker 2>I'm not gonna hold you back, like we'll write you out.

0:33:46.400 --> 0:33:49.440
<v Speaker 2>So she was gonna be regular, and I wonder how

0:33:49.480 --> 0:33:51.960
<v Speaker 2>that would have panned out, but she could have still

0:33:52.000 --> 0:33:52.680
<v Speaker 2>been at the show.

0:33:53.440 --> 0:33:56.280
<v Speaker 1>He also told us that Meka Vaughn is an anagram

0:33:56.400 --> 0:34:01.240
<v Speaker 1>of Kim Novak, these old actresses that you know, Neil

0:34:01.320 --> 0:34:02.160
<v Speaker 1>Bear was obsessed with.

0:34:02.400 --> 0:34:04.600
<v Speaker 3>So that's an interesting little tidbit too.

0:34:05.080 --> 0:34:07.880
<v Speaker 1>But yeah, the problem is is, like you can get

0:34:07.920 --> 0:34:11.640
<v Speaker 1>somebody gorgeous, We've done it before with Gray Lick, they

0:34:11.800 --> 0:34:13.520
<v Speaker 1>have to also be good. They have to be a

0:34:13.560 --> 0:34:17.400
<v Speaker 1>Stephanie March. They have to be uh dian Neal, you know,

0:34:17.520 --> 0:34:20.000
<v Speaker 1>like they have to be good looking and good at acting.

0:34:20.200 --> 0:34:23.120
<v Speaker 1>And unfortunately, at least in this role, I'm not feeling

0:34:23.160 --> 0:34:25.959
<v Speaker 1>it from Paula. But no, she's in a different show,

0:34:26.040 --> 0:34:28.879
<v Speaker 1>like she's in a rom com. She's in like she's

0:34:29.239 --> 0:34:33.240
<v Speaker 1>she's totally in a different show. She's like, hey, cuties,

0:34:33.280 --> 0:34:35.800
<v Speaker 1>anybody want my loft? Okay, let's go. Like it's just

0:34:35.960 --> 0:34:38.399
<v Speaker 1>so weird, like the Tonally, it's like she's never seen

0:34:38.480 --> 0:34:40.120
<v Speaker 1>us view and she's like, I got it and just

0:34:40.239 --> 0:34:43.000
<v Speaker 1>marched onto set and started doing this fucking twenty seven

0:34:43.080 --> 0:34:43.920
<v Speaker 1>dresses bullshit.

0:34:44.320 --> 0:34:48.120
<v Speaker 2>Yeah, and so then you know, our detectives go, I'm

0:34:48.280 --> 0:34:49.520
<v Speaker 2>you know, Sabler Benson.

0:34:49.640 --> 0:34:54.480
<v Speaker 3>She goes, wow, no first names, shut up? Who cares?

0:34:54.640 --> 0:34:55.200
<v Speaker 4>How do you like?

0:34:55.440 --> 0:34:57.840
<v Speaker 3>Who cares? She whatever?

0:34:58.040 --> 0:35:00.360
<v Speaker 2>So she's like, okay, so the DNA from the semen

0:35:00.400 --> 0:35:03.520
<v Speaker 2>inside your victim, Like, what's up? You know, I looked

0:35:03.560 --> 0:35:07.920
<v Speaker 2>it up and we did a familial match and we've

0:35:08.040 --> 0:35:12.600
<v Speaker 2>got Monica Worley. So her brother is the person who's

0:35:12.640 --> 0:35:16.719
<v Speaker 2>semen is inside your victim and she was arrested for

0:35:16.800 --> 0:35:20.120
<v Speaker 2>assaulting a cop at a Republican convention in two thousand

0:35:20.120 --> 0:35:20.480
<v Speaker 2>and four.

0:35:21.000 --> 0:35:24.480
<v Speaker 3>Props to Monica. That's with this episode.

0:35:25.360 --> 0:35:28.440
<v Speaker 2>So and then she goes, lucky, we can do this

0:35:28.600 --> 0:35:31.920
<v Speaker 2>here because in Illinois I can't do these little matches.

0:35:32.800 --> 0:35:35.560
<v Speaker 2>But she goes, you know, I'm here from Chicago. I'm

0:35:35.600 --> 0:35:38.440
<v Speaker 2>ready to ditch the Bears. For the giants, and Sailor

0:35:38.520 --> 0:35:42.040
<v Speaker 2>goes jets and it's like, of course, you loser, you

0:35:42.239 --> 0:35:45.839
<v Speaker 2>Catholic loser, just on a path to suffer. So she says,

0:35:45.880 --> 0:35:48.480
<v Speaker 2>if you know anybody that wants my son drench loft

0:35:48.520 --> 0:35:53.600
<v Speaker 2>on Lake Michigan. The seller is motivated and she also

0:35:53.719 --> 0:35:56.960
<v Speaker 2>wants a jingle once they talk to the rapist's sister,

0:35:57.280 --> 0:35:59.600
<v Speaker 2>and so then Benson and Staylor go find the sister

0:35:59.719 --> 0:36:00.399
<v Speaker 2>and she's mime.

0:36:01.200 --> 0:36:01.799
<v Speaker 3>She's a mime.

0:36:02.040 --> 0:36:04.680
<v Speaker 2>She has a caution tape headband. She has white face

0:36:04.760 --> 0:36:07.640
<v Speaker 2>paint clip on big giant earring. She's wearing a white

0:36:07.719 --> 0:36:10.560
<v Speaker 2>jumpsuit and holding a fake rope but has a real

0:36:10.680 --> 0:36:14.680
<v Speaker 2>hammer hanging off her jumpsuit and she's holding this fake

0:36:14.880 --> 0:36:18.480
<v Speaker 2>rope so tight, and she will not acknowledge the authorities.

0:36:18.520 --> 0:36:21.919
<v Speaker 3>So Stabler mime sawing.

0:36:21.680 --> 0:36:22.320
<v Speaker 1>The rope.

0:36:24.080 --> 0:36:26.600
<v Speaker 3>So good, and she's so good.

0:36:26.920 --> 0:36:29.719
<v Speaker 1>She goes, ugh, you suck at mime, and he says,

0:36:29.760 --> 0:36:32.920
<v Speaker 1>you suck at cooperating with the police, and she says

0:36:33.000 --> 0:36:33.560
<v Speaker 1>what did I do?

0:36:33.760 --> 0:36:35.759
<v Speaker 2>And they say your brother, and she says, oh, what

0:36:35.920 --> 0:36:39.000
<v Speaker 2>did you do this time? And she's like, he, I

0:36:39.080 --> 0:36:41.640
<v Speaker 2>always knew you'd go too far. He felt like the

0:36:41.680 --> 0:36:44.680
<v Speaker 2>trust fund entitled him to pot any woman he wanted,

0:36:45.040 --> 0:36:47.760
<v Speaker 2>and he owns a brownstone on seventy fifth and fifth

0:36:47.920 --> 0:36:51.000
<v Speaker 2>and she just sold him out. No loyalty here, and

0:36:51.440 --> 0:36:54.719
<v Speaker 2>she has black outlined lips with like orange lipstick. This

0:36:54.800 --> 0:36:57.520
<v Speaker 2>woman is deranged, Like I can't describe her.

0:36:58.040 --> 0:36:58.879
<v Speaker 3>She's like the person.

0:36:59.000 --> 0:37:01.480
<v Speaker 1>It's like these two come money and the brother has

0:37:01.560 --> 0:37:04.239
<v Speaker 1>turned into like a tool and she has like been

0:37:04.320 --> 0:37:06.640
<v Speaker 1>like I'm going to go against my family wealth. And

0:37:06.800 --> 0:37:08.720
<v Speaker 1>even though she probably has a nice apartment, she spends

0:37:08.760 --> 0:37:11.200
<v Speaker 1>her time like doing performance art to try to like

0:37:11.719 --> 0:37:14.520
<v Speaker 1>be important with her money, like say something with her

0:37:15.239 --> 0:37:19.480
<v Speaker 1>life instead of being you know, she's the classic that

0:37:19.600 --> 0:37:22.200
<v Speaker 1>I think you would say, why are you working? Just

0:37:22.400 --> 0:37:26.799
<v Speaker 1>be rich, and she's like not working, She's she's yeah,

0:37:26.840 --> 0:37:30.240
<v Speaker 1>bono mining on the sidewalk. I wonder if the actress

0:37:30.280 --> 0:37:32.160
<v Speaker 1>that got this part was like, Wow, I did not

0:37:32.280 --> 0:37:37.040
<v Speaker 1>think my college min was ever gonna come into be helpful.

0:37:37.200 --> 0:37:39.600
<v Speaker 1>And there it is a part on SVU where you're

0:37:39.600 --> 0:37:41.600
<v Speaker 1>playing an unhinged min with a trust fund.

0:37:42.200 --> 0:37:44.520
<v Speaker 3>Yeah I'm obsessed, but okay.

0:37:44.640 --> 0:37:47.000
<v Speaker 2>So we go to the douche Lord and he's walking

0:37:47.040 --> 0:37:50.000
<v Speaker 2>in with Stabler and it's yeah, he has a slutty

0:37:50.080 --> 0:37:52.719
<v Speaker 2>douche vibe and they're in cement room bars and they

0:37:52.960 --> 0:37:55.880
<v Speaker 2>throw the photo of the body more vibe like morg style.

0:37:56.000 --> 0:37:58.160
<v Speaker 2>I will stop saying vibes. I have to get a grip.

0:37:58.280 --> 0:38:03.040
<v Speaker 2>I have to get a grip, get a grip. I

0:38:03.160 --> 0:38:05.440
<v Speaker 2>was doing an audition with Ted and there was oh

0:38:05.480 --> 0:38:07.040
<v Speaker 2>my god, okay, so you know, I try. I go

0:38:07.120 --> 0:38:09.800
<v Speaker 2>out for funky stuff. I would say, I'm always pushing myself.

0:38:10.200 --> 0:38:12.200
<v Speaker 2>The one role that broke me, we couldn't even send

0:38:12.239 --> 0:38:14.160
<v Speaker 2>in the tape. I was supposed to just be like

0:38:14.320 --> 0:38:16.239
<v Speaker 2>a loving, supporting wife and.

0:38:16.320 --> 0:38:18.880
<v Speaker 3>I could not do it. I could not do it.

0:38:19.480 --> 0:38:21.840
<v Speaker 1>I kept failing. I kept and then I kept add libbing,

0:38:21.880 --> 0:38:23.439
<v Speaker 1>Oh my gosh, where I had to cut it early.

0:38:23.520 --> 0:38:26.520
<v Speaker 1>He goes, I've been counting. You said it six times

0:38:26.719 --> 0:38:28.600
<v Speaker 1>like I was not. I could not stop saying, oh

0:38:28.640 --> 0:38:31.000
<v Speaker 1>my gosh, I got a sweater. I'm like, I'm just

0:38:31.080 --> 0:38:34.040
<v Speaker 1>a wife at a barbecue. I'm just having a good time.

0:38:34.560 --> 0:38:36.880
<v Speaker 1>And I couldn't do it. I couldn't do it, couldn't

0:38:36.960 --> 0:38:39.080
<v Speaker 1>do it. He's like, I don't think. He's like, let's

0:38:39.120 --> 0:38:42.359
<v Speaker 1>just do the other character. I go, Okay, my god,

0:38:42.520 --> 0:38:45.040
<v Speaker 1>I have all the takes. I have like seventeen takes

0:38:45.120 --> 0:38:47.560
<v Speaker 1>of me. Just try it's the one sheet of lines.

0:38:47.560 --> 0:38:47.759
<v Speaker 5>It was.

0:38:47.920 --> 0:38:50.800
<v Speaker 2>There was no depth to it in any capacity I was.

0:38:51.120 --> 0:38:54.600
<v Speaker 2>It was just like two scenes of doting like suburban woman,

0:38:55.239 --> 0:38:57.920
<v Speaker 2>and it broke me. I'm like sending in tapes for

0:38:58.000 --> 0:38:59.000
<v Speaker 2>Wayne Gacy's sister.

0:38:59.239 --> 0:38:59.600
<v Speaker 1>Got it.

0:39:03.520 --> 0:39:04.520
<v Speaker 3>That I can handle?

0:39:06.239 --> 0:39:06.840
<v Speaker 1>I couldn't.

0:39:07.280 --> 0:39:07.840
<v Speaker 3>I can't do it.

0:39:07.880 --> 0:39:10.480
<v Speaker 2>Well, they've been fun. I did not get something I

0:39:10.600 --> 0:39:13.680
<v Speaker 2>really wanted recently. But that's not an intro, so I'll

0:39:13.719 --> 0:39:16.239
<v Speaker 2>get back to the episode. Yeah, because the product, the

0:39:16.320 --> 0:39:18.680
<v Speaker 2>production called and they go, are you okay with full

0:39:18.800 --> 0:39:20.279
<v Speaker 2>nudity and stimulated sex?

0:39:20.360 --> 0:39:23.440
<v Speaker 1>And I went for sure, but someone else, Yeah, I

0:39:23.520 --> 0:39:25.560
<v Speaker 1>didn't get it. Oh that makes you feel like it's

0:39:26.400 --> 0:39:28.960
<v Speaker 1>gonna happen right, Well, I knew I was at least

0:39:29.000 --> 0:39:30.680
<v Speaker 1>in the mix. But the people they gave it to

0:39:31.360 --> 0:39:36.759
<v Speaker 1>are well, they just it's perfect. It's gonna be perfect. Yeah,

0:39:36.960 --> 0:39:39.920
<v Speaker 1>the people who got it, I'm very happy for them.

0:39:40.080 --> 0:39:41.960
<v Speaker 3>Oh gotcha? Okay? Yeah, that's what I mean.

0:39:42.040 --> 0:39:44.520
<v Speaker 2>Like they because when someone told me, I smiled and

0:39:44.560 --> 0:39:46.080
<v Speaker 2>they go, why do you hate her? I go, no,

0:39:46.200 --> 0:39:48.239
<v Speaker 2>it's kind of perfect casting and that makes sense.

0:39:48.280 --> 0:39:49.040
<v Speaker 4>Oh, got it.

0:39:49.320 --> 0:39:50.600
<v Speaker 2>At the end of the day, I'm a lover of

0:39:50.680 --> 0:39:52.960
<v Speaker 2>the craft. If I'm not the right person, I'm not

0:39:53.000 --> 0:39:58.400
<v Speaker 2>the right person. But whatever, So murder face and the

0:39:58.440 --> 0:40:01.480
<v Speaker 2>guy goes, listen, sex was consensual, and he also was like,

0:40:01.520 --> 0:40:05.640
<v Speaker 2>blonde curls, and so like, sex is consensual, but no

0:40:05.880 --> 0:40:09.359
<v Speaker 2>Raper murder. And then he uh, called well, I also

0:40:09.480 --> 0:40:10.880
<v Speaker 2>would like to say that I did have to do

0:40:10.960 --> 0:40:16.240
<v Speaker 2>this sex scene with Ted on zoom. That was the audition, really,

0:40:16.600 --> 0:40:19.880
<v Speaker 2>I sent it in, yeah, but I couldn't but I

0:40:20.000 --> 0:40:22.480
<v Speaker 2>handled it. And then just being like a woman at

0:40:22.520 --> 0:40:25.920
<v Speaker 2>a barbecue spiraled me where I'm just like, oh my gosh,

0:40:26.320 --> 0:40:30.080
<v Speaker 2>the vibes, the vibes, I'm not a real person anymore.

0:40:30.719 --> 0:40:34.120
<v Speaker 2>Oh my son, I saw a video. The vibes are immaculate.

0:40:34.400 --> 0:40:40.479
<v Speaker 2>Like anyways, So this dude, she's a classic. It's consensual sex.

0:40:40.560 --> 0:40:44.879
<v Speaker 2>It's consensual. No Raper murder. He calls her blondie, which

0:40:45.120 --> 0:40:49.640
<v Speaker 2>Stabler does not like, and so and then he goes, well,

0:40:49.640 --> 0:40:51.680
<v Speaker 2>I don't even know her name. She came over to

0:40:51.800 --> 0:40:55.040
<v Speaker 2>me and she said she was hot and wet. So

0:40:55.120 --> 0:40:58.120
<v Speaker 2>Stabler clears his throat and goes, why would anyone throw

0:40:58.200 --> 0:41:01.120
<v Speaker 2>themselves at you, and he's like, I don't know, but

0:41:01.280 --> 0:41:04.360
<v Speaker 2>she did and I and then he goes and she

0:41:04.560 --> 0:41:08.040
<v Speaker 2>even took out a tampon before we did it. And

0:41:08.120 --> 0:41:15.680
<v Speaker 2>then Stabler goes, Okay, where's the tampon and he goes,

0:41:15.840 --> 0:41:18.640
<v Speaker 2>killer ate it and it's his wienie dog, and yeah,

0:41:18.760 --> 0:41:20.560
<v Speaker 2>one tampon will ruin a weenie dog, Like.

0:41:20.600 --> 0:41:21.719
<v Speaker 3>You do have to take them to the vet.

0:41:21.840 --> 0:41:24.520
<v Speaker 1>It's like they are looking for a killer and you're

0:41:24.560 --> 0:41:26.640
<v Speaker 1>just going killerate it. Like it is like it's a

0:41:26.760 --> 0:41:29.640
<v Speaker 1>full Laurel and Hardy episode. They're like, oh the tampon,

0:41:29.640 --> 0:41:32.520
<v Speaker 1>who ate it? Killer ated a killer? Who's the killer? Oh?

0:41:32.600 --> 0:41:34.520
<v Speaker 3>My dog? Like it's so wild.

0:41:35.320 --> 0:41:37.400
<v Speaker 2>I didn't even catch that because I was still so

0:41:37.600 --> 0:41:39.080
<v Speaker 2>crazy about this tampon, Like.

0:41:40.719 --> 0:41:41.200
<v Speaker 3>Like, how is that?

0:41:41.320 --> 0:41:44.000
<v Speaker 2>I guess I know that speriod now. But if you

0:41:44.120 --> 0:41:47.719
<v Speaker 2>rape someone, you could also take out the tampon. Yeah,

0:41:47.719 --> 0:41:53.680
<v Speaker 2>I don't think taking out a tampon equals consent, right nothing,

0:41:54.040 --> 0:41:54.920
<v Speaker 2>what does that even mean?

0:41:55.760 --> 0:41:55.800
<v Speaker 1>So?

0:41:56.080 --> 0:41:58.560
<v Speaker 2>But whatever, But also if he kept the tampon, like

0:41:58.640 --> 0:42:01.120
<v Speaker 2>then Stabler brings like where's the tam You want him

0:42:01.120 --> 0:42:03.440
<v Speaker 2>to keep the tampon? You want him to be like Oh,

0:42:03.480 --> 0:42:05.480
<v Speaker 2>I have a jar at my house with all these tampons,

0:42:05.520 --> 0:42:08.399
<v Speaker 2>I'd rip out of women like I don't that would

0:42:08.440 --> 0:42:12.400
<v Speaker 2>be better for you, Stabler. Anyways, this guy, he has

0:42:12.480 --> 0:42:14.480
<v Speaker 2>it all on tape, and Stabler's like, why wouldn't you

0:42:14.480 --> 0:42:16.719
<v Speaker 2>say that in the beginning, but he has it on tape,

0:42:16.719 --> 0:42:18.000
<v Speaker 2>but also why would you have it on tape? And

0:42:18.080 --> 0:42:21.040
<v Speaker 2>basically he does videos for a website called sex Prowl.

0:42:21.520 --> 0:42:24.320
<v Speaker 2>It's the YouTube of sex and he taped the encounter

0:42:24.440 --> 0:42:27.440
<v Speaker 2>from last night. So it's a tall woman, she's in

0:42:27.520 --> 0:42:31.080
<v Speaker 2>a business suit and she is saying I'm hot, I'm wet,

0:42:31.239 --> 0:42:34.520
<v Speaker 2>while slowly peeling off her clothing. But she also does

0:42:34.600 --> 0:42:37.160
<v Speaker 2>look like an alien, like fully deranged, out of this world.

0:42:37.239 --> 0:42:40.040
<v Speaker 2>Her eyes are staring off like something is often its freaky,

0:42:40.239 --> 0:42:43.520
<v Speaker 2>very barbarian, and she's saying, I want it now, and

0:42:43.640 --> 0:42:46.359
<v Speaker 2>she's just like desperate to fuck, I want it now,

0:42:46.600 --> 0:42:49.680
<v Speaker 2>taking off her bra. So everyone's watching the tape and

0:42:49.760 --> 0:42:52.680
<v Speaker 2>the dude goes, tell ja, but we might still have

0:42:52.800 --> 0:42:55.040
<v Speaker 2>him for murder, and Finn goes, nope, not anymore.

0:42:55.160 --> 0:42:56.160
<v Speaker 3>He was at the vet till.

0:42:56.080 --> 0:42:56.600
<v Speaker 1>Six a m.

0:42:57.120 --> 0:42:59.640
<v Speaker 2>So he goes, can I get out of here? Stabler says,

0:42:59.800 --> 0:43:03.960
<v Speaker 2>not fast enough. So now Mikavon introduces herself to Finn,

0:43:04.120 --> 0:43:06.600
<v Speaker 2>and I mean he's smitten like a cartoon guy like

0:43:06.800 --> 0:43:10.800
<v Speaker 2>jaw on the floor and he goes, hey, I'm Odafin

0:43:10.960 --> 0:43:12.480
<v Speaker 2>and she goes, wow, a first name.

0:43:12.719 --> 0:43:13.040
<v Speaker 3>Love that.

0:43:13.400 --> 0:43:15.800
<v Speaker 2>It's like, you fucking freak your fetish. This is not

0:43:16.920 --> 0:43:19.919
<v Speaker 2>this is not normal. I've also never seen Fin work harder.

0:43:20.000 --> 0:43:21.879
<v Speaker 2>Like she asks him to do something, he goes right

0:43:21.960 --> 0:43:25.000
<v Speaker 2>on it, boss, no problem, Like he runs off. So

0:43:25.120 --> 0:43:28.440
<v Speaker 2>then Stabler goes to the screen to get you know,

0:43:28.760 --> 0:43:32.000
<v Speaker 2>like the sex site off the big screen, and Munch

0:43:32.120 --> 0:43:34.759
<v Speaker 2>is in a full copy uniform. So Stabler stops his

0:43:34.960 --> 0:43:37.920
<v Speaker 2>task and then makes fun of his friend and he goes, whatever,

0:43:38.040 --> 0:43:40.640
<v Speaker 2>I had a paint attack, Like no clean clothes, so

0:43:40.719 --> 0:43:44.480
<v Speaker 2>this bitch isn't doing his laundry and but he's so

0:43:44.600 --> 0:43:47.239
<v Speaker 2>but he had his cop uniform laying around, but to

0:43:47.360 --> 0:43:49.400
<v Speaker 2>not have one bit of laundry and also are you

0:43:49.520 --> 0:43:51.000
<v Speaker 2>dry cleaning the suits anyways?

0:43:51.239 --> 0:43:52.960
<v Speaker 1>No, I think it was like it happened at the

0:43:53.080 --> 0:43:56.319
<v Speaker 1>office if we just changed into his suit, right, yeah,

0:43:56.320 --> 0:43:57.440
<v Speaker 1>but he could be like I didn't have any other

0:43:57.480 --> 0:43:59.880
<v Speaker 1>clothes here, but to be like there's no clean laundry.

0:44:00.040 --> 0:44:02.440
<v Speaker 2>I bet he stops home. I bet he lives in Chelsea,

0:44:03.120 --> 0:44:06.200
<v Speaker 2>But why is he driving you to Chelsea?

0:44:06.440 --> 0:44:07.120
<v Speaker 3>Doesn't make sense.

0:44:07.160 --> 0:44:09.640
<v Speaker 1>He you know what, Belser lived on the Upper West

0:44:09.680 --> 0:44:12.200
<v Speaker 1>Side because he lived near me, because I would see him.

0:44:12.560 --> 0:44:14.359
<v Speaker 1>So maybe he's an Upper West Side guy. I could

0:44:14.360 --> 0:44:18.000
<v Speaker 1>see that too, you know. So that's still a wild drive.

0:44:18.640 --> 0:44:19.840
<v Speaker 1>It's it's still crazy.

0:44:20.719 --> 0:44:23.880
<v Speaker 2>So then a man, crazed man walks in, pointing to

0:44:23.960 --> 0:44:26.520
<v Speaker 2>the screen and he goes, is this your case? And

0:44:26.719 --> 0:44:29.560
<v Speaker 2>when Stabler says yes, this man goes you son of

0:44:29.600 --> 0:44:33.000
<v Speaker 2>a bitch, swings that Stabler misses. Stabler is like, oh,

0:44:33.239 --> 0:44:35.759
<v Speaker 2>take it easy, you know, like he's a horse and

0:44:35.960 --> 0:44:39.879
<v Speaker 2>someone sent him this viral email. He's wheezing, and he goes,

0:44:39.960 --> 0:44:42.600
<v Speaker 2>my name is Greg Elding and that's my wife.

0:44:43.640 --> 0:44:46.680
<v Speaker 1>And so that's sad. So now I just don't get

0:44:46.760 --> 0:44:50.160
<v Speaker 1>what you thought was gonna happen from punching the cop

0:44:50.239 --> 0:44:53.640
<v Speaker 1>that's leading your wife's case. I don't. I mean, I know,

0:44:53.719 --> 0:44:55.799
<v Speaker 1>we're all mad, we're we're sad, we're mad we've lost

0:44:55.880 --> 0:44:59.040
<v Speaker 1>your wife, But you're punching the lead cop in the case.

0:44:59.120 --> 0:45:01.440
<v Speaker 1>I don't know. What he is his thought process was there?

0:45:01.719 --> 0:45:05.080
<v Speaker 3>All right? So Greg's in it's his wife. Of course,

0:45:05.120 --> 0:45:05.719
<v Speaker 3>this is sad.

0:45:06.320 --> 0:45:09.200
<v Speaker 2>And they send a full uniform Munch into the like

0:45:09.239 --> 0:45:13.200
<v Speaker 2>a third space office third and we need info. Lindsay

0:45:13.280 --> 0:45:15.440
<v Speaker 2>was at the office yesterday. She is head of PR

0:45:15.640 --> 0:45:20.879
<v Speaker 2>for Cola Now, and Munch goes, wow, high pressure job.

0:45:21.000 --> 0:45:23.880
<v Speaker 2>Does she love drugs? And he goes, actually, yeah, but

0:45:24.040 --> 0:45:26.719
<v Speaker 2>up until a year ago, she's a recovering addict and

0:45:26.920 --> 0:45:29.279
<v Speaker 2>she would never go back. He plays a video of

0:45:29.320 --> 0:45:31.759
<v Speaker 2>her on his phone to prove the real Lindsay is

0:45:31.800 --> 0:45:34.680
<v Speaker 2>not some hopped up pore but a family woman at

0:45:34.760 --> 0:45:44.120
<v Speaker 2>the park and Colon Now donate. So Colon Now donates

0:45:44.239 --> 0:45:46.399
<v Speaker 2>jungle gyms. That's not what I called it as a youth,

0:45:46.480 --> 0:45:49.040
<v Speaker 2>I said playground. I never used the term jungle gym.

0:45:49.239 --> 0:45:52.560
<v Speaker 2>My kids call it the apparatus. Oh my god, they

0:45:53.880 --> 0:45:56.399
<v Speaker 2>they go, they go. And I was on the apparatus

0:45:56.520 --> 0:45:57.840
<v Speaker 2>and he was trying to get in front of me,

0:45:57.920 --> 0:45:59.880
<v Speaker 2>because that's what I think. That's probably what the teachers

0:46:00.239 --> 0:46:07.560
<v Speaker 2>it like, the playground apparatus. She'll always be like the apparatus.

0:46:07.640 --> 0:46:11.080
<v Speaker 1>Oh my god, she'll be like at my after school program.

0:46:11.120 --> 0:46:12.839
<v Speaker 1>We don't even have the apparatus. Like then, we don't

0:46:12.840 --> 0:46:15.359
<v Speaker 1>even have access to the apparatus. Oh my god, that's

0:46:15.480 --> 0:46:16.440
<v Speaker 1>so fucking cute.

0:46:17.760 --> 0:46:21.239
<v Speaker 2>So whatever, So Colon now donates a lot of these apparatus.

0:46:21.320 --> 0:46:24.040
<v Speaker 2>I I don't know apparatiparadi.

0:46:24.760 --> 0:46:25.560
<v Speaker 3>So Colon how is.

0:46:25.600 --> 0:46:29.840
<v Speaker 2>Donating apparadi to charities? And she loves helping kids and

0:46:29.920 --> 0:46:33.880
<v Speaker 2>doing pr for Cola and Stabler confirms his alibi.

0:46:35.520 --> 0:46:37.520
<v Speaker 3>Her passion is doing pr for Cola. I don't know

0:46:37.560 --> 0:46:40.680
<v Speaker 3>what to tell you. Oh my god.

0:46:41.440 --> 0:46:43.279
<v Speaker 2>Yeah, I met a girl who's like young, and she

0:46:43.360 --> 0:46:47.000
<v Speaker 2>wants to be a contract lawyer. And I'm like, what's

0:46:47.160 --> 0:46:49.520
<v Speaker 2>what was her childhood? That this is young, you're committing

0:46:49.600 --> 0:46:53.720
<v Speaker 2>to a life of contracts. So confusing to me. But however,

0:46:53.920 --> 0:46:56.920
<v Speaker 2>so Stabler confirms that the husband didn't do it, but

0:46:57.000 --> 0:46:59.520
<v Speaker 2>I never thought it was him, and he apologizes for

0:46:59.600 --> 0:47:01.919
<v Speaker 2>being right. He just lost his mind after he saw

0:47:01.960 --> 0:47:05.160
<v Speaker 2>the video. But you know, he goes working for Cola

0:47:05.440 --> 0:47:07.960
<v Speaker 2>made her a lot of enemies. So they go talk

0:47:08.000 --> 0:47:09.839
<v Speaker 2>to a guy in a suit and Munch is back

0:47:09.880 --> 0:47:12.560
<v Speaker 2>in a suit as well, and the world feels more okay,

0:47:12.880 --> 0:47:15.680
<v Speaker 2>and they're gonna go find these Cola enemies, and people

0:47:15.680 --> 0:47:18.800
<v Speaker 2>are mad at sugar and fat children, and you know tobacco,

0:47:18.960 --> 0:47:21.600
<v Speaker 2>is it cola? What's going on? The man goes, who cares,

0:47:21.960 --> 0:47:25.080
<v Speaker 2>We're not in court because it's Lindsay elling. She's smart

0:47:25.120 --> 0:47:28.359
<v Speaker 2>and sexy, and if the tobacco people had someone as

0:47:28.480 --> 0:47:31.600
<v Speaker 2>sexy and smart as Lindsay, they'd also be able to

0:47:31.680 --> 0:47:34.000
<v Speaker 2>continue a hawking their wares to the.

0:47:34.120 --> 0:47:35.400
<v Speaker 3>Children, to kids.

0:47:37.200 --> 0:47:39.360
<v Speaker 2>So they go talk to now a wild haired, messy

0:47:39.440 --> 0:47:41.759
<v Speaker 2>office mad hatter type of man, and there's a lot

0:47:41.800 --> 0:47:43.880
<v Speaker 2>of pushpins on the board and he of course hates

0:47:43.920 --> 0:47:47.640
<v Speaker 2>cola and he refused one hundred thousand dollars she tried

0:47:47.640 --> 0:47:50.280
<v Speaker 2>to give his organizations. Because he goes, fuck that bribe

0:47:50.320 --> 0:47:53.239
<v Speaker 2>and fuck that bitch, and he goes, soda is bad

0:47:53.320 --> 0:47:56.440
<v Speaker 2>for kids. So he goes go talk to Davy Gamm's

0:47:56.480 --> 0:47:59.200
<v Speaker 2>mother and see what soda did for him. And then

0:47:59.320 --> 0:48:01.759
<v Speaker 2>so we I know, sadly this boy took his own

0:48:01.800 --> 0:48:04.320
<v Speaker 2>life at twelve. He wouldn't put the soda down. He

0:48:04.480 --> 0:48:07.320
<v Speaker 2>was addicted to the cola. And Benson goes, wait, so

0:48:07.480 --> 0:48:09.640
<v Speaker 2>soda made him take his own life. And the mom

0:48:09.880 --> 0:48:12.560
<v Speaker 2>it was also a nurser medical professional. I guess I

0:48:12.600 --> 0:48:15.640
<v Speaker 2>shouldn't be sexist. She could be the highest doctor in town,

0:48:15.760 --> 0:48:18.480
<v Speaker 2>but her scrubs aren't giving that, you know what I mean.

0:48:18.600 --> 0:48:21.319
<v Speaker 2>The scrubs are a shooting star Pastel most yeh yeah

0:48:21.400 --> 0:48:25.520
<v Speaker 2>yeah yeah, maybe a pediatrician, but oh whatever. So she goes,

0:48:25.560 --> 0:48:29.440
<v Speaker 2>obesity can make you depressed. He's depressed. Benson doesn't think

0:48:29.480 --> 0:48:32.279
<v Speaker 2>you can blame soda, and she goes, yeah, yeah, that's

0:48:32.320 --> 0:48:34.840
<v Speaker 2>what the jury said too. She goes, I would have

0:48:34.880 --> 0:48:38.200
<v Speaker 2>won my case if that woman didn't build the Cola

0:48:38.320 --> 0:48:40.520
<v Speaker 2>Now Athletics Center for the community.

0:48:41.000 --> 0:48:42.600
<v Speaker 3>So we go to the center. I mean, this is

0:48:42.760 --> 0:48:44.080
<v Speaker 3>the funniest episode this is.

0:48:44.320 --> 0:48:47.719
<v Speaker 1>I also love this isn't The athletics center is like

0:48:48.040 --> 0:48:51.680
<v Speaker 1>so wild, Like Coca Cola could buy an athletic center,

0:48:51.719 --> 0:48:53.640
<v Speaker 1>but it wouldn't be allowed to be called.

0:48:53.400 --> 0:48:56.120
<v Speaker 3>The Coca Cola Athletics Center. I don't think there's a

0:48:56.239 --> 0:48:57.279
<v Speaker 3>dary episode about this.

0:48:58.239 --> 0:49:00.920
<v Speaker 2>Like soda company takes all over over the school, and

0:49:00.960 --> 0:49:03.719
<v Speaker 2>then the principal wants more funding, so she starts telling

0:49:03.800 --> 0:49:05.759
<v Speaker 2>the students like, the more soda you drink, the more

0:49:05.760 --> 0:49:06.960
<v Speaker 2>extra credit you're gonna get.

0:49:07.480 --> 0:49:10.160
<v Speaker 1>So then all these kids just like can't stop drinking.

0:49:10.239 --> 0:49:14.959
<v Speaker 1>The soda whatever. So this place is nice gymnastics gym,

0:49:15.920 --> 0:49:17.280
<v Speaker 1>it's probably Chelsea Pierce.

0:49:17.560 --> 0:49:21.880
<v Speaker 2>The probably like let's go next door Cola now posters everywhere,

0:49:21.880 --> 0:49:25.560
<v Speaker 2>but kids are doing varying levels of gymnastics. Stabler presses

0:49:25.640 --> 0:49:27.759
<v Speaker 2>him about the pr stuns, and the dude goes, who

0:49:27.800 --> 0:49:29.320
<v Speaker 2>gives a shit? Look at these kids s aving the

0:49:29.360 --> 0:49:32.200
<v Speaker 2>time of their life. The woman's a hero. So Stabler

0:49:32.320 --> 0:49:34.680
<v Speaker 2>confidently goes into the office and he goes, wow, hero

0:49:34.880 --> 0:49:38.359
<v Speaker 2>to some hated by others. Benson says, that's called doing

0:49:38.440 --> 0:49:41.600
<v Speaker 2>your job, good one. So Finn says, yeah, but I

0:49:41.640 --> 0:49:44.120
<v Speaker 2>hate her because she made the soda tax fail. And

0:49:44.239 --> 0:49:46.080
<v Speaker 2>of course Stable, I mean, this is okay. So we're

0:49:46.080 --> 0:49:47.200
<v Speaker 2>gonna get a social issue.

0:49:47.320 --> 0:49:48.160
<v Speaker 1>And they're all arguing.

0:49:48.320 --> 0:49:51.160
<v Speaker 3>So Stabler goes, well, who wants taxes?

0:49:51.520 --> 0:49:54.560
<v Speaker 2>I bet he voted for Cuomo and or would he

0:49:54.680 --> 0:49:57.279
<v Speaker 2>not because of the sex pest stuff and he is

0:49:57.320 --> 0:49:58.920
<v Speaker 2>an SVU detective.

0:49:59.239 --> 0:50:02.880
<v Speaker 1>I mean honest, Yeah, I think Stabler's voting for Adams,

0:50:02.960 --> 0:50:03.959
<v Speaker 1>to be honest.

0:50:04.239 --> 0:50:08.640
<v Speaker 3>Like, oh yeah, what about Finn? Who are they all?

0:50:08.719 --> 0:50:10.240
<v Speaker 3>But Munch is definitely mom Donnie.

0:50:10.840 --> 0:50:15.720
<v Speaker 1>I don't know about Finn because Finn Adams loves cops.

0:50:16.040 --> 0:50:18.719
<v Speaker 1>He's also another black man. I feel like Finn might

0:50:18.760 --> 0:50:19.680
<v Speaker 1>be going for Adams.

0:50:19.800 --> 0:50:23.320
<v Speaker 3>I don't know. Yeah, but then they hate they hate corruption,

0:50:23.719 --> 0:50:25.400
<v Speaker 3>so I don't know, Oh.

0:50:25.440 --> 0:50:27.880
<v Speaker 2>God, so or whatever. I can't believe. I have to

0:50:28.000 --> 0:50:32.600
<v Speaker 2>summarize this tax conversation. Okay, so Stabler doesn't like taxes.

0:50:33.000 --> 0:50:36.359
<v Speaker 2>Munch says, well, taxes already go to soda for there's

0:50:36.360 --> 0:50:38.920
<v Speaker 2>a four billion dollars subsidy on corn syrup and that's

0:50:38.960 --> 0:50:39.760
<v Speaker 2>why it's so cheap.

0:50:40.360 --> 0:50:41.120
<v Speaker 3>I'm like, bad for you.

0:50:41.600 --> 0:50:43.960
<v Speaker 2>And then the tax on the soda fin ads would

0:50:43.960 --> 0:50:46.240
<v Speaker 2>help pay for the cost of diabetes and heart disease.

0:50:46.560 --> 0:50:48.960
<v Speaker 2>Benson goes, but it's not just soda, Like, come on,

0:50:49.600 --> 0:50:51.759
<v Speaker 2>you know, Lindsay was also helping the little guy, and

0:50:51.920 --> 0:50:54.560
<v Speaker 2>Munch goes, yeah, the little guy brought to you by Cola.

0:50:54.680 --> 0:50:59.399
<v Speaker 2>Now the soda argument keeps going, so then Stabler goes

0:50:59.480 --> 0:51:02.960
<v Speaker 2>money going good is good, and Finn says, well, if

0:51:03.000 --> 0:51:05.680
<v Speaker 2>she really cared about poor kids, they wouldn't go plastering

0:51:05.719 --> 0:51:09.040
<v Speaker 2>their logo everywhere. Finally, George Huang comes out of nowhere,

0:51:09.360 --> 0:51:12.440
<v Speaker 2>poof like a genie, and he just goes, Lindsey was

0:51:12.520 --> 0:51:15.360
<v Speaker 2>poisoned and it's like, what's your take on soda? You

0:51:15.480 --> 0:51:20.560
<v Speaker 2>just stood there in silence as they talked. I just like, okay,

0:51:20.880 --> 0:51:27.280
<v Speaker 2>but whatever. So Lindsay's poisoned. And by four the mushrooms

0:51:27.320 --> 0:51:30.840
<v Speaker 2>were found in her gut. Four species from South America

0:51:31.080 --> 0:51:35.640
<v Speaker 2>with a high dose of mascarine and toxic. And it's

0:51:35.800 --> 0:51:38.239
<v Speaker 2>which is a toxin that makes you hot, sweaty and

0:51:38.360 --> 0:51:43.480
<v Speaker 2>sexually aroused. And then Stabler really slowly says, I'm hot,

0:51:44.320 --> 0:51:47.200
<v Speaker 2>I'm wet, and then explain and then he goes explains

0:51:47.239 --> 0:51:49.680
<v Speaker 2>what she threw herself with this jerk looser and took

0:51:49.760 --> 0:51:51.640
<v Speaker 2>off her clothes and wanted to go in the fountain.

0:51:51.800 --> 0:51:55.200
<v Speaker 2>So this answers everything. Somebody slipped this woman a deadly

0:51:55.440 --> 0:51:59.719
<v Speaker 2>cocktail of shrooms, so Huang says they were in her

0:52:01.080 --> 0:52:03.480
<v Speaker 2>so that means it happened around dinner time.

0:52:03.719 --> 0:52:07.719
<v Speaker 3>So then we find out in her calendar. Sorry, it

0:52:07.920 --> 0:52:10.160
<v Speaker 3>was so funny the ways they were in her ju

0:52:10.280 --> 0:52:17.120
<v Speaker 3>juna dinner time. Just stay in Testine, what are you doing?

0:52:17.480 --> 0:52:18.160
<v Speaker 1>What are you doing?

0:52:18.280 --> 0:52:21.239
<v Speaker 3>Saw on where we found the mushrooms. It was dinner time.

0:52:21.920 --> 0:52:24.719
<v Speaker 1>Felt like a misfrizzult, but it also felt like they

0:52:24.840 --> 0:52:29.040
<v Speaker 1>cut my voice out like someone that could say juno.

0:52:29.480 --> 0:52:34.920
<v Speaker 2>But I watched a few times to make sure. So fundraiser.

0:52:34.960 --> 0:52:37.440
<v Speaker 2>She's at a fundraiser at wishing time. So we go

0:52:37.520 --> 0:52:40.280
<v Speaker 2>to wishing time. We heard a rich old voice, classic

0:52:40.640 --> 0:52:43.960
<v Speaker 2>image of a rich old, mean woman. And this this

0:52:44.160 --> 0:52:46.960
<v Speaker 2>is hers, this wishing time. Her grandfather donated the first

0:52:47.040 --> 0:52:50.319
<v Speaker 2>Teeter Totter to Central Park in nineteen oh seven. See

0:52:50.360 --> 0:52:52.920
<v Speaker 2>that's not I never said Teeter Totter. I say seesaw.

0:52:52.800 --> 0:52:56.680
<v Speaker 1>Seesaw, I say seesaw Teeter Totter's a really old way

0:52:56.760 --> 0:52:57.200
<v Speaker 1>of saying it.

0:52:57.400 --> 0:53:00.320
<v Speaker 2>Okay, not to shade this actress, but that's old. And

0:53:00.520 --> 0:53:03.920
<v Speaker 2>she loves continuing his work, and they fulfill kids wishes.

0:53:04.360 --> 0:53:08.520
<v Speaker 2>They built an anti gang clubhouse, and she loves Lindsay

0:53:08.640 --> 0:53:10.600
<v Speaker 2>and this is such a tragedy and she was an

0:53:10.600 --> 0:53:13.839
<v Speaker 2>amazing woman and then one of the best top ten

0:53:13.920 --> 0:53:14.759
<v Speaker 2>quotes of all time.

0:53:16.160 --> 0:53:18.120
<v Speaker 3>She had a genius for corporate giving.

0:53:18.640 --> 0:53:19.520
<v Speaker 1>So that's like.

0:53:21.560 --> 0:53:23.680
<v Speaker 2>It is a scalet is a skill. People can all

0:53:23.719 --> 0:53:26.640
<v Speaker 2>be good at different things. So anyways, Benson notices something

0:53:26.680 --> 0:53:29.680
<v Speaker 2>behind the woman's head and it's blown up photos from

0:53:29.719 --> 0:53:33.000
<v Speaker 2>the dinner and there are mushrooms on her salad. So

0:53:33.640 --> 0:53:36.560
<v Speaker 2>but there's no mushrooms on the menu. So according to

0:53:36.600 --> 0:53:39.400
<v Speaker 2>this old woman, and she is a legend. She's one

0:53:39.480 --> 0:53:43.360
<v Speaker 2>Drama Desk Awards and Tony's and like a legend of

0:53:43.480 --> 0:53:44.720
<v Speaker 2>screen and stage.

0:53:45.280 --> 0:53:47.480
<v Speaker 1>So I am sorry, I just keep referring to her

0:53:47.680 --> 0:53:51.160
<v Speaker 1>as that old woman. And she Mary Harris, right, yeah,

0:53:51.320 --> 0:53:53.680
<v Speaker 1>and she was born in nineteen twenty seven.

0:53:54.440 --> 0:53:56.759
<v Speaker 3>Yeah, so pretty incredible.

0:53:57.400 --> 0:53:59.080
<v Speaker 2>Yeah, I was just yeah, oh my god. She was

0:53:59.120 --> 0:54:02.680
<v Speaker 2>in Spider Man. Holy shit, she's like the grandma and

0:54:02.800 --> 0:54:06.160
<v Speaker 2>Spider Man. And her birthday is the day before mine.

0:54:06.800 --> 0:54:09.279
<v Speaker 2>She's gonna be ninety eight this fall. She was in

0:54:09.400 --> 0:54:12.840
<v Speaker 2>Search Party. I mean she said something come out in

0:54:12.880 --> 0:54:15.279
<v Speaker 2>twenty twenty four. That's what it means to really love

0:54:15.320 --> 0:54:20.080
<v Speaker 2>what you do. And Lindsey, yeah, you do a really

0:54:20.160 --> 0:54:22.000
<v Speaker 2>good Yeah. Can you talk with her a little bit

0:54:22.080 --> 0:54:24.239
<v Speaker 2>so people know why we're like having the times of

0:54:24.320 --> 0:54:24.800
<v Speaker 2>our lives.

0:54:25.239 --> 0:54:26.759
<v Speaker 3>Do the corporate giving line?

0:54:28.680 --> 0:54:31.759
<v Speaker 1>She had a genius for corporate giving. Like she just

0:54:31.840 --> 0:54:37.000
<v Speaker 1>has this wild, like like vaguely British voice, but just

0:54:37.200 --> 0:54:38.000
<v Speaker 1>kind of like.

0:54:38.040 --> 0:54:40.680
<v Speaker 3>Say, there were no mushrooms on the menu. There were

0:54:40.719 --> 0:54:42.280
<v Speaker 3>no mushrooms on the menu.

0:54:43.040 --> 0:54:46.000
<v Speaker 1>Like she's just really but the best is when she

0:54:46.640 --> 0:54:49.239
<v Speaker 1>like talks to her granddaughter, Oh a little bit with

0:54:49.320 --> 0:54:50.720
<v Speaker 1>a little bit of stink on her voice.

0:54:50.840 --> 0:54:53.800
<v Speaker 2>Yeah, So she calls out for this granddaughter. Perfect timing

0:54:54.000 --> 0:54:58.520
<v Speaker 2>for Emma, the granddaughter and Lindsay, and she goes, Lindsay's

0:54:58.560 --> 0:55:01.279
<v Speaker 2>death was a terrible blow to her. So she asked

0:55:01.320 --> 0:55:03.600
<v Speaker 2>Emma to pull all the photos for the cops. And

0:55:04.480 --> 0:55:07.360
<v Speaker 2>we're on the desktop, we're looking through pictures and she

0:55:07.480 --> 0:55:09.759
<v Speaker 2>explains that they met in rehab and the old ladies like,

0:55:09.800 --> 0:55:12.480
<v Speaker 2>don't air out our dirty laundry. But then she goes,

0:55:12.520 --> 0:55:15.200
<v Speaker 2>Emma's parents died when she was ten, and it's like okay.

0:55:16.320 --> 0:55:18.359
<v Speaker 2>So then they see that, like, none of the other

0:55:18.400 --> 0:55:21.680
<v Speaker 2>plates had mushrooms on them, so who put these mushrooms there?

0:55:21.840 --> 0:55:23.960
<v Speaker 2>But there were over three hundred guests at the Swishing

0:55:24.040 --> 0:55:27.120
<v Speaker 2>Time gala, so they have to take all the picks

0:55:27.160 --> 0:55:29.640
<v Speaker 2>and the photographers and photos and we have to like

0:55:29.760 --> 0:55:32.120
<v Speaker 2>see who did it, because at the end of the day,

0:55:32.160 --> 0:55:34.640
<v Speaker 2>it's someone there put mushrooms on the plate. But then

0:55:34.719 --> 0:55:36.640
<v Speaker 2>in one of these blown up photos there's a man

0:55:36.760 --> 0:55:41.279
<v Speaker 2>being held by multiple security screaming, and Stabler goes, well,

0:55:41.320 --> 0:55:44.120
<v Speaker 2>who's that? Why would you not bring it up, like

0:55:44.400 --> 0:55:46.800
<v Speaker 2>this woman is dead. A man was screaming out it,

0:55:46.920 --> 0:55:48.440
<v Speaker 2>like when you'd be like there was a guy there

0:55:48.520 --> 0:55:50.759
<v Speaker 2>screaming that had to be dragged out, Like it just

0:55:50.800 --> 0:55:54.319
<v Speaker 2>seems so funny. And it's photos of Dave Crumbhole, who

0:55:54.600 --> 0:55:56.800
<v Speaker 2>we love, I mean ten things they hate about you,

0:55:56.960 --> 0:56:02.000
<v Speaker 2>oh like Cannon Canon, he's been working for decades dream career.

0:56:02.920 --> 0:56:05.560
<v Speaker 1>Also, by the way, like you can look at the

0:56:05.640 --> 0:56:08.880
<v Speaker 1>scene cards of this, like the woman was found on

0:56:09.000 --> 0:56:12.839
<v Speaker 1>October fifth, I think or fourth, and like they're talking

0:56:12.880 --> 0:56:15.400
<v Speaker 1>at wishing time on October sixth, like how quickly are

0:56:15.480 --> 0:56:18.319
<v Speaker 1>they blowing up photos from this event? Like the event

0:56:18.440 --> 0:56:20.720
<v Speaker 1>was yesterday and they're like, get a bunch of photos

0:56:20.760 --> 0:56:23.040
<v Speaker 1>of the salads and blow them up as big as possible,

0:56:23.280 --> 0:56:27.359
<v Speaker 1>and we need to display them quickly, like it's so crazy. Yeah,

0:56:27.440 --> 0:56:30.359
<v Speaker 1>when they've been like, oh our friend died. Uh oh yeah,

0:56:30.480 --> 0:56:32.240
<v Speaker 1>chill out on the blowing up of the picks.

0:56:33.760 --> 0:56:36.600
<v Speaker 2>Do so so some Okay, so some guy is yelling

0:56:37.000 --> 0:56:39.359
<v Speaker 2>and I just find it shocking that they wouldn't tell

0:56:39.400 --> 0:56:42.640
<v Speaker 2>the authorities immediately. But Emma goes, oh, it's a homeless

0:56:42.680 --> 0:56:45.320
<v Speaker 2>guy looking for food, and the old lady goes, no, no, no.

0:56:46.080 --> 0:56:49.400
<v Speaker 2>He accosted Lindsey and yelled at her about Bolivia. He

0:56:49.520 --> 0:56:52.520
<v Speaker 2>kept screaming, you can't own the rain. Wait, you have

0:56:52.600 --> 0:56:53.080
<v Speaker 2>to say in the.

0:56:53.080 --> 0:56:54.080
<v Speaker 1>Old Lady Boys.

0:56:57.800 --> 0:57:04.440
<v Speaker 3>Hit anythwhere you can't. He he kept screaming, you can't

0:57:04.600 --> 0:57:07.040
<v Speaker 3>own the rain. You know, like that's sort of what

0:57:07.239 --> 0:57:08.839
<v Speaker 3>she's going.

0:57:09.760 --> 0:57:12.840
<v Speaker 1>It's so crazy. Wait, but also, you know what, I

0:57:13.040 --> 0:57:15.239
<v Speaker 1>just discovered the woman that plays Emma. Her name is

0:57:15.280 --> 0:57:17.960
<v Speaker 1>Amanda Fuller, and I just was like, oh, how con

0:57:18.000 --> 0:57:20.280
<v Speaker 1>We've like never I've like never looked her up, even

0:57:20.320 --> 0:57:22.200
<v Speaker 1>though we've done this at like a bunch of live shows.

0:57:22.640 --> 0:57:29.280
<v Speaker 1>She plays Badison in Orange is the New Black. Yes,

0:57:29.600 --> 0:57:32.880
<v Speaker 1>oh that part. Auditioned for that part, but I.

0:57:33.840 --> 0:57:35.320
<v Speaker 3>Didn't even like put that together.

0:57:36.280 --> 0:57:39.040
<v Speaker 1>She plays Britney Murphy and the Britney Murphy story. I mean,

0:57:39.160 --> 0:57:41.040
<v Speaker 1>she's done a lot of stuff.

0:57:42.320 --> 0:57:45.800
<v Speaker 2>But anyway, so yeah, that's wild. I'm glad she's still

0:57:45.840 --> 0:57:48.800
<v Speaker 2>out there. Yeah, she's working, working up a storm. So

0:57:48.840 --> 0:57:50.880
<v Speaker 2>then Benson goes, it didn't make any sense, like they're

0:57:50.920 --> 0:57:52.120
<v Speaker 2>back in the office, and then it cuts to the

0:57:52.160 --> 0:57:55.040
<v Speaker 2>office and Munch goes, oh, it makes a lot of sense.

0:57:55.400 --> 0:58:01.040
<v Speaker 2>Bolivia's ground zero for the water wars of course, So

0:58:01.200 --> 0:58:03.959
<v Speaker 2>now we have another political debate about owning the rain

0:58:04.160 --> 0:58:07.760
<v Speaker 2>and water. And basically Munch pulls up a blog and

0:58:07.840 --> 0:58:10.880
<v Speaker 2>it's about Colon now and how it's trying to own

0:58:10.920 --> 0:58:13.120
<v Speaker 2>all the water. And guess who the blog writer is.

0:58:13.320 --> 0:58:15.680
<v Speaker 2>It's the guy who was held back and yelled at Lindsay.

0:58:16.080 --> 0:58:19.440
<v Speaker 2>He's a professor. His name is Vincent ProCheck and he's

0:58:19.440 --> 0:58:23.160
<v Speaker 2>a professor of mycology at the Natural History Museum, uh oh,

0:58:23.400 --> 0:58:29.280
<v Speaker 2>and he specializes in toxic South American mushrooms. So then,

0:58:29.720 --> 0:58:32.120
<v Speaker 2>and it's like, why would you use the mushrooms of

0:58:32.240 --> 0:58:36.400
<v Speaker 2>your region to poisons? Like get another mushroom.

0:58:37.400 --> 0:58:39.520
<v Speaker 1>Yeah, if you're a mushroom guy and you want to

0:58:39.600 --> 0:58:41.680
<v Speaker 1>kill somebody, you can't do it with mushrooms. Like that's

0:58:41.840 --> 0:58:45.440
<v Speaker 1>you just can't do that, you know. It's like you

0:58:45.520 --> 0:58:47.280
<v Speaker 1>got to figure out a different weapon of choice.

0:58:47.360 --> 0:58:49.760
<v Speaker 2>They go to his lab. It's dark, it's spooky. There's

0:58:49.760 --> 0:58:53.560
<v Speaker 2>a lot of tanks purple lights. And by tanks, I

0:58:53.640 --> 0:58:58.120
<v Speaker 2>mean not military or tank tops, like tanks that are

0:58:58.320 --> 0:59:02.440
<v Speaker 2>like aquariums that are holding ushrooms and so whatever. He's

0:59:02.520 --> 0:59:07.200
<v Speaker 2>working so deep into these mushrooms with his at like telescope, microscope, glass,

0:59:07.280 --> 0:59:09.640
<v Speaker 2>metal things are on his eyes and he's like looking

0:59:09.720 --> 0:59:12.920
<v Speaker 2>in he doesn't even hear them. They yell for him

0:59:13.000 --> 0:59:16.480
<v Speaker 2>multiple times, and then finally he's like ah. Benson takes

0:59:16.520 --> 0:59:18.280
<v Speaker 2>a pot off a lid and goes, well, what's this

0:59:18.520 --> 0:59:20.800
<v Speaker 2>and it's a bunch of steam goes in there and

0:59:21.000 --> 0:59:22.440
<v Speaker 2>it hits her a little, and so it's just to

0:59:22.520 --> 0:59:24.720
<v Speaker 2>clear her throat. And he goes, it's just mushrooms. Is

0:59:24.760 --> 0:59:28.320
<v Speaker 2>that illegal? She responds, it is if you use it

0:59:28.360 --> 0:59:32.240
<v Speaker 2>to poison someone. He's immediately in cement room bars and

0:59:32.360 --> 0:59:35.400
<v Speaker 2>he has the energy of I would say the Father

0:59:35.520 --> 0:59:39.200
<v Speaker 2>and Beauty and the Beast, a lot of inventions, spastic energy,

0:59:39.440 --> 0:59:42.439
<v Speaker 2>trying to get stuff done, you know, ahead of his time.

0:59:43.160 --> 0:59:46.360
<v Speaker 2>And so he's not by looks, not by looks. It's

0:59:46.400 --> 0:59:49.360
<v Speaker 2>the ever Crumholtz. We've told you, Okay. So he's in

0:59:49.400 --> 0:59:53.120
<v Speaker 2>cement room bars. He's railing about Lindsay yelling and privatizing

0:59:53.200 --> 0:59:56.200
<v Speaker 2>water and he and I'm like, you should be saying

0:59:56.200 --> 0:59:59.640
<v Speaker 2>I want a lawyer. But he agrees that murder is bad,

0:59:59.720 --> 1:00:02.720
<v Speaker 2>but he says I'm glad she's dead, yay, And then

1:00:02.800 --> 1:00:05.400
<v Speaker 2>Benson goes, are you happy. Now this girl is gonna

1:00:05.440 --> 1:00:08.040
<v Speaker 2>grow up without a father, and ProCheck goes, do you

1:00:08.160 --> 1:00:11.360
<v Speaker 2>mean mother, and Sablor goes, yay, mother, and then Sailor

1:00:11.480 --> 1:00:14.720
<v Speaker 2>takes out pictures and says, we have you at the scene,

1:00:14.800 --> 1:00:17.160
<v Speaker 2>and Benson goes yeah and gets right in his face

1:00:17.200 --> 1:00:20.479
<v Speaker 2>and goes at Niagara falls. And so now the string

1:00:20.560 --> 1:00:24.760
<v Speaker 2>instruments start to play, and she says, ring a bell.

1:00:25.240 --> 1:00:27.880
<v Speaker 2>We saw you on the roof with your gunman, and

1:00:28.000 --> 1:00:30.360
<v Speaker 2>so Stablor stands up. He's like, what's up, girl, and

1:00:30.560 --> 1:00:33.960
<v Speaker 2>then she says a famous line. She goes, well, I'm

1:00:34.040 --> 1:00:36.320
<v Speaker 2>not the one who stabbed the captain with a pickle,

1:00:36.720 --> 1:00:39.080
<v Speaker 2>and then the professor goes uh oh, and then stands

1:00:39.160 --> 1:00:41.200
<v Speaker 2>up to help. Stallor turns around and puts his hands

1:00:41.280 --> 1:00:43.920
<v Speaker 2>up on him and shoves him, and he goes, well,

1:00:44.000 --> 1:00:46.080
<v Speaker 2>let me see her eyes, and Staylor goes, you're not

1:00:46.160 --> 1:00:48.280
<v Speaker 2>gonna fucking look at her eyes, and he goes, well,

1:00:48.320 --> 1:00:50.440
<v Speaker 2>she's about to fall, and she does fall right into

1:00:50.480 --> 1:00:53.920
<v Speaker 2>Stabler's arms, and Stablor has to call for a bus.

1:00:54.080 --> 1:00:58.560
<v Speaker 2>Girl down. She inhaled too many mushrooms, so now she's tripping.

1:00:58.640 --> 1:01:00.760
<v Speaker 2>We're in the hospital. She's like on a pillow, the

1:01:00.840 --> 1:01:04.040
<v Speaker 2>most beautiful little snow white we've ever seen. Eyes open,

1:01:05.160 --> 1:01:07.480
<v Speaker 2>and there's Hwang and there's no better way to wake

1:01:07.560 --> 1:01:07.960
<v Speaker 2>up from.

1:01:08.200 --> 1:01:08.320
<v Speaker 1>Uh.

1:01:08.800 --> 1:01:10.320
<v Speaker 2>I would be happy if I woke up in the

1:01:10.760 --> 1:01:13.280
<v Speaker 2>hospital from a drug trip and bed Wong was right there.

1:01:13.760 --> 1:01:17.760
<v Speaker 1>Yeah, that'd be nice. But she's confused. She goes, who

1:01:17.800 --> 1:01:18.840
<v Speaker 1>put rocks in my head?

1:01:19.320 --> 1:01:22.480
<v Speaker 2>And basically he's boiling mushrooms and they arrested him, but

1:01:22.600 --> 1:01:25.160
<v Speaker 2>she breathed them way too deep and the vapors are

1:01:25.240 --> 1:01:26.800
<v Speaker 2>temporarily neurotoxic.

1:01:27.560 --> 1:01:29.600
<v Speaker 1>The one thing on her mind, though, is work. You know,

1:01:29.720 --> 1:01:32.440
<v Speaker 1>she's a workhorse, And so she goes, did he confess

1:01:32.520 --> 1:01:32.920
<v Speaker 1>to murder?

1:01:33.480 --> 1:01:37.400
<v Speaker 2>And Bedwong says no, he's actually refusing to speak until

1:01:37.440 --> 1:01:40.520
<v Speaker 2>he knows that you're okay. So he's a softie. And

1:01:40.600 --> 1:01:42.680
<v Speaker 2>then she gets up and asks for a ride. And

1:01:42.800 --> 1:01:44.439
<v Speaker 2>so now they get like, I wonder if they stop

1:01:44.560 --> 1:01:47.640
<v Speaker 2>to get coffees and now and why is everyone driving?

1:01:48.000 --> 1:01:48.200
<v Speaker 4>Where?

1:01:48.600 --> 1:01:50.840
<v Speaker 3>But everyone's driving? But I bet everyone?

1:01:51.040 --> 1:01:53.920
<v Speaker 2>Yeah, So like bed Wong like is coming in from

1:01:53.960 --> 1:01:56.200
<v Speaker 2>the FBI and then renting a vehicle.

1:01:58.040 --> 1:02:00.200
<v Speaker 3>I think they're giving him one. I don't I don't know.

1:02:00.800 --> 1:02:04.680
<v Speaker 1>Listen, this mushroom guy, though he does believe in right

1:02:04.720 --> 1:02:06.560
<v Speaker 1>and wrong. He's got a good sense of right and wrong.

1:02:06.760 --> 1:02:07.840
<v Speaker 1>Oh yeah, gotta give him that.

1:02:08.160 --> 1:02:08.360
<v Speaker 3>Yeah.

1:02:08.520 --> 1:02:11.000
<v Speaker 2>And then so anyway, so now we're here where the

1:02:11.120 --> 1:02:13.240
<v Speaker 2>ride has been given. We're back in cement room bars.

1:02:13.600 --> 1:02:17.000
<v Speaker 2>He's preaching, he won't stop. He's talking about wombats, hippos,

1:02:17.120 --> 1:02:20.520
<v Speaker 2>the importance of water. He also says, so sorry that

1:02:20.880 --> 1:02:23.480
<v Speaker 2>the fun guy hurt, Like, that's not that's not his heart.

1:02:23.640 --> 1:02:25.480
<v Speaker 2>He would never want to, like use fung guy to

1:02:25.600 --> 1:02:28.960
<v Speaker 2>hurt people. Stabler and Benson just hear him, Babbel and Babel,

1:02:29.000 --> 1:02:31.360
<v Speaker 2>and Stabler's like he's been going in circles for a while.

1:02:31.840 --> 1:02:34.000
<v Speaker 2>Benson wants to bring it back to Lindsay and he

1:02:34.080 --> 1:02:36.480
<v Speaker 2>talks about water. But he says he didn't kill her.

1:02:36.920 --> 1:02:39.400
<v Speaker 2>And now Mika and George are what are hanging out

1:02:39.480 --> 1:02:41.720
<v Speaker 2>there watching? And she asks, well, why didn't he get

1:02:41.800 --> 1:02:45.680
<v Speaker 2>fucked up? And and it's obvious you're an idiot. He's

1:02:45.720 --> 1:02:48.520
<v Speaker 2>built up a tolerance, you know, years of exposure. And

1:02:48.640 --> 1:02:50.920
<v Speaker 2>she's like, but he sounds like a psychopath, and he

1:02:51.360 --> 1:02:54.320
<v Speaker 2>goes sure, But he works at this fancy museum. He

1:02:54.400 --> 1:03:00.760
<v Speaker 2>has published articles. He leads foraging trips. He's odd but sane.

1:03:01.560 --> 1:03:04.640
<v Speaker 2>Dave Seaver one of our favorite guests. Michael Boatman, I'm

1:03:04.800 --> 1:03:07.520
<v Speaker 2>obsessed with him. If you haven't listened to that episode.

1:03:08.400 --> 1:03:11.880
<v Speaker 2>His sister called him after the museum called her so

1:03:12.520 --> 1:03:15.480
<v Speaker 2>and then Meeka Vaughn tries to sell her sun drenched

1:03:15.520 --> 1:03:20.360
<v Speaker 2>loft to him. But he's flirty, I mean, he wants

1:03:20.440 --> 1:03:22.800
<v Speaker 2>to fuck, and she's sassy because he's like, when can

1:03:22.880 --> 1:03:26.200
<v Speaker 2>we chat? And she goes arraignment. So they're arguing, like

1:03:26.280 --> 1:03:30.200
<v Speaker 2>always classic, we want remand we want freedom, back and forth.

1:03:30.680 --> 1:03:33.640
<v Speaker 2>Boatman goes from flirty to feisty and calls her new

1:03:34.360 --> 1:03:37.240
<v Speaker 2>and Proache keeps shouting about the water what else is new?

1:03:37.320 --> 1:03:39.360
<v Speaker 2>But Boatman's like, listen, this dude needs to tend to

1:03:39.400 --> 1:03:43.680
<v Speaker 2>his mushrooms. Meeka Vaughn, amateur mistakes, says mushrooms aren't children.

1:03:44.040 --> 1:03:46.680
<v Speaker 2>The judge goes, oh that's a misstep, girl. I love

1:03:46.800 --> 1:03:50.000
<v Speaker 2>my roses. They've won prizes and I'd rather ditch my

1:03:50.120 --> 1:03:54.120
<v Speaker 2>wife than my flowers. So he just has to surrender

1:03:54.240 --> 1:03:56.600
<v Speaker 2>his passport and the bales set for two hundred and

1:03:56.640 --> 1:03:59.800
<v Speaker 2>fifty thousand dollars. Who's paying that? Or do you think

1:03:59.800 --> 1:04:02.360
<v Speaker 2>he's saved all his money or he's also a rich No, yeah,

1:04:02.400 --> 1:04:05.080
<v Speaker 2>he's a professor. I don't know, not a lot of money,

1:04:05.120 --> 1:04:06.920
<v Speaker 2>Like what is that's a lot? But he smiles, he's

1:04:06.920 --> 1:04:10.040
<v Speaker 2>happy with this. Yeah, so I guess it's a doable

1:04:10.080 --> 1:04:12.000
<v Speaker 2>amount for him. So then Stabler comes sick.

1:04:12.080 --> 1:04:14.320
<v Speaker 1>What does he have to actually pay? Pays twenty five

1:04:14.360 --> 1:04:15.960
<v Speaker 1>thousand that's what the bond would be.

1:04:16.080 --> 1:04:17.680
<v Speaker 3>Yeah, I guess he could have that savings.

1:04:18.560 --> 1:04:21.960
<v Speaker 2>Stabler comes to help her do the NYC press run

1:04:22.040 --> 1:04:24.440
<v Speaker 2>because you know, this isn't Chicago, It's New York. And

1:04:24.520 --> 1:04:27.320
<v Speaker 2>it's like you're acting like Chicago's like a fucking hicckville.

1:04:27.800 --> 1:04:30.400
<v Speaker 2>It's the busiest airport in our country. What are you

1:04:30.480 --> 1:04:31.080
<v Speaker 2>talking about?

1:04:31.400 --> 1:04:35.800
<v Speaker 1>And meanwhile, a full Chicago PD, Chicago Fire, Chicago MED,

1:04:35.880 --> 1:04:38.040
<v Speaker 1>they're all on the horizon, they're about they're like all

1:04:38.120 --> 1:04:39.040
<v Speaker 1>coming out this year.

1:04:39.800 --> 1:04:42.640
<v Speaker 2>Yeah, you might not know how the news runs. Yeah,

1:04:42.840 --> 1:04:45.200
<v Speaker 2>but so anyways, she goes, I don't how to handle myself,

1:04:45.960 --> 1:04:48.600
<v Speaker 2>so and she does. She basically is like, Hey, I'm

1:04:48.640 --> 1:04:50.760
<v Speaker 2>not really gonna chat you guys, like we're outside in

1:04:50.760 --> 1:04:52.280
<v Speaker 2>the court steps. She goes, but why don't you go

1:04:52.400 --> 1:04:55.440
<v Speaker 2>talk to that guy mention water and so he's popping

1:04:55.520 --> 1:04:57.959
<v Speaker 2>off and now the office is watching him talk about

1:04:58.000 --> 1:05:01.440
<v Speaker 2>water on the TV screen and you know, good news though,

1:05:01.560 --> 1:05:03.760
<v Speaker 2>the DNA of the mushrooms are a genetic match to

1:05:03.880 --> 1:05:06.480
<v Speaker 2>his mushrooms, so they're picked from the same patch. So

1:05:06.680 --> 1:05:09.560
<v Speaker 2>the weapons is his, everything's his. The lawyer, you know,

1:05:09.680 --> 1:05:12.120
<v Speaker 2>the time whatever. But the lawyer says, we want to

1:05:12.120 --> 1:05:14.880
<v Speaker 2>make a deal, so we got to start chatting. Emma

1:05:14.920 --> 1:05:18.520
<v Speaker 2>and Rosemary, Granny they come on down with boxes and

1:05:18.640 --> 1:05:19.680
<v Speaker 2>boxes of photos.

1:05:19.800 --> 1:05:22.360
<v Speaker 3>Emma's miserable. The old lady is chipper.

1:05:22.440 --> 1:05:25.040
<v Speaker 2>Emma looks into the glass or the professor's on the

1:05:25.120 --> 1:05:27.280
<v Speaker 2>other side, and Granny says, don't stare.

1:05:27.520 --> 1:05:31.320
<v Speaker 3>Okay, you gotta do it. Don't stare. It's rude.

1:05:32.400 --> 1:05:34.720
<v Speaker 2>And then Emma goes, okay, and what killing my best friend?

1:05:34.840 --> 1:05:37.720
<v Speaker 2>Was that a faux paw? And she grabs her and says,

1:05:37.840 --> 1:05:39.840
<v Speaker 2>I know, it's all the rage to mote in public.

1:05:40.080 --> 1:05:42.240
<v Speaker 2>See it's not as fun, but I can't just keep

1:05:42.320 --> 1:05:45.480
<v Speaker 2>forcing you to do it, you know. So she's like,

1:05:45.600 --> 1:05:47.320
<v Speaker 2>it's all the rage toimote in public, but in my

1:05:47.480 --> 1:05:50.400
<v Speaker 2>day it wasn't done. And it's like, Grammy, your day

1:05:50.520 --> 1:05:53.840
<v Speaker 2>is done. She says, well, I'm still alive and I

1:05:54.040 --> 1:05:57.120
<v Speaker 2>never did drugs like you. It's like, yeah, you've said

1:05:57.160 --> 1:06:00.960
<v Speaker 2>it a million times, like good for you probably owned slaves,

1:06:01.000 --> 1:06:03.960
<v Speaker 2>how about that? So then she goes, as long as

1:06:04.000 --> 1:06:08.280
<v Speaker 2>you wear my intaglia necklace, And then I.

1:06:08.280 --> 1:06:09.680
<v Speaker 3>Thought you were going to explain what that is.

1:06:09.960 --> 1:06:13.440
<v Speaker 1>Yeah, I am, I am an intaglia. I've looked it

1:06:13.560 --> 1:06:18.360
<v Speaker 1>up before. It's like a carving technique where like the

1:06:18.520 --> 1:06:20.600
<v Speaker 1>design is inside, so a lot of times it's like

1:06:21.040 --> 1:06:24.880
<v Speaker 1>a side portrait silhouette of somebody or whatever, and.

1:06:26.360 --> 1:06:29.840
<v Speaker 3>It's it's carved in and it creates a recessed.

1:06:29.440 --> 1:06:31.200
<v Speaker 1>Image, is what I've looked up.

1:06:31.920 --> 1:06:32.200
<v Speaker 3>Thank you.

1:06:33.200 --> 1:06:36.960
<v Speaker 2>Yeah, but she goes, you know you will mind your

1:06:37.040 --> 1:06:39.360
<v Speaker 2>manners as long as you wear my necklace. You're minding

1:06:39.440 --> 1:06:42.600
<v Speaker 2>your manners. It's an heirloom. So then Benson goes, hey, lady,

1:06:43.120 --> 1:06:45.000
<v Speaker 2>have you ever been to like an attics support group

1:06:45.080 --> 1:06:47.400
<v Speaker 2>or anything? Maybe at Emma's rehab And she goes, ew

1:06:47.600 --> 1:06:51.000
<v Speaker 2>not with those junkies. Gross, And then we so we

1:06:51.120 --> 1:06:54.000
<v Speaker 2>hear Dave Crumholtz just screaming up a storm, and Grammy

1:06:54.080 --> 1:06:56.400
<v Speaker 2>and Emma runoff, and Benson goes jeez, if I grew

1:06:56.480 --> 1:06:57.800
<v Speaker 2>up with that, I would do drugs too.

1:06:58.440 --> 1:07:00.840
<v Speaker 1>Then we hear a scream I want a livy out,

1:07:01.240 --> 1:07:05.280
<v Speaker 1>don't we all? So Mika opens the door and lets

1:07:05.280 --> 1:07:05.480
<v Speaker 1>her in.

1:07:06.280 --> 1:07:09.360
<v Speaker 2>Boatman wants an insanity defense based on the mushroom fumes,

1:07:09.720 --> 1:07:12.320
<v Speaker 2>but he says I'm not crazy, and he wants Benson

1:07:12.360 --> 1:07:14.800
<v Speaker 2>to confirm that, and he wants to fire him.

1:07:14.880 --> 1:07:15.919
<v Speaker 3>He screams, go away.

1:07:16.080 --> 1:07:18.680
<v Speaker 2>Boatman walks off, spins around and has a pretty woman

1:07:18.800 --> 1:07:23.080
<v Speaker 2>moment and Legit goes big mistake and leaves. So then

1:07:23.160 --> 1:07:26.720
<v Speaker 2>he says, I'm gonna plead guilty. That's what he says,

1:07:27.120 --> 1:07:28.880
<v Speaker 2>but he can't do that without a lawyer, and me

1:07:29.000 --> 1:07:30.640
<v Speaker 2>goes like it's a police building. I'm sure we could

1:07:30.680 --> 1:07:31.360
<v Speaker 2>find some lawyer.

1:07:31.760 --> 1:07:33.000
<v Speaker 3>But he sucks. So we're in court.

1:07:33.080 --> 1:07:34.840
<v Speaker 2>This guy's stuttering, he doesn't know what's going on, he

1:07:34.920 --> 1:07:38.200
<v Speaker 2>doesn't know the charges, but it doesn't matter. Dave crumbolds

1:07:38.240 --> 1:07:40.320
<v Speaker 2>he wants to plead guilty. He goes, I did it

1:07:40.720 --> 1:07:43.120
<v Speaker 2>I wanted or dead, But the judge needs specifics, like

1:07:43.200 --> 1:07:45.320
<v Speaker 2>you have to do a true allocution, like what types?

1:07:45.400 --> 1:07:45.880
<v Speaker 3>What's going on?

1:07:46.240 --> 1:07:49.440
<v Speaker 2>How'd you do it? And he says three types of mushrooms.

1:07:49.600 --> 1:07:53.400
<v Speaker 2>Stabler gets his thinking face on. He has a little notebook.

1:07:53.920 --> 1:07:56.920
<v Speaker 2>It's actually four mushrooms. It's actually four, not three. A

1:07:57.000 --> 1:07:59.000
<v Speaker 2>man like this was such a professional and a professor

1:07:59.040 --> 1:08:00.560
<v Speaker 2>at mushrooms would not fuck this up.

1:08:01.080 --> 1:08:02.040
<v Speaker 3>A fool could suck.

1:08:01.920 --> 1:08:02.840
<v Speaker 1>It up, not this guy.

1:08:03.240 --> 1:08:05.600
<v Speaker 2>So then he tries to get Von to stop the judge,

1:08:05.680 --> 1:08:08.440
<v Speaker 2>just stop the judge. He has it's court side seats.

1:08:08.480 --> 1:08:09.560
<v Speaker 2>It's a Nicks home opener.

1:08:10.320 --> 1:08:13.440
<v Speaker 1>This guy has a lot of hobbies court side basketball

1:08:13.600 --> 1:08:16.080
<v Speaker 1>roses like he just does not want to see his

1:08:16.200 --> 1:08:18.960
<v Speaker 1>wife after work, and he's about to speed up you know,

1:08:19.040 --> 1:08:21.519
<v Speaker 1>the rules of Justice. Because oh my god, I was

1:08:21.560 --> 1:08:26.040
<v Speaker 1>out with friends and obviously talking about crime and Jeriada YadA,

1:08:26.800 --> 1:08:30.280
<v Speaker 1>and and I said something and they thought it was

1:08:30.320 --> 1:08:32.360
<v Speaker 1>a catchphrase. They're like, oh, is that part of the podcast.

1:08:32.439 --> 1:08:34.240
<v Speaker 1>I go, no, truly, I just said it, but maybe

1:08:34.280 --> 1:08:39.040
<v Speaker 1>it should be. But I said, journey to Justice. I

1:08:39.120 --> 1:08:41.160
<v Speaker 1>thought it was like a catchphrase. I had I go, nope,

1:08:41.160 --> 1:08:44.719
<v Speaker 1>here for my sl justice. So talking about always sounds

1:08:44.760 --> 1:08:47.760
<v Speaker 1>like a Lifetime movie about like somebody who like has

1:08:47.840 --> 1:08:50.360
<v Speaker 1>to keep going getting the system to work for them.

1:08:50.600 --> 1:08:53.960
<v Speaker 2>Well, because I knew about this one crime that like,

1:08:54.280 --> 1:08:56.320
<v Speaker 2>and I was talking about it and then I said

1:08:56.360 --> 1:08:58.360
<v Speaker 2>the sentence of the guy, and they go, how long?

1:08:58.520 --> 1:09:00.320
<v Speaker 2>And I said, I don't know how long the journey

1:09:00.360 --> 1:09:05.880
<v Speaker 2>to justice was. So but I've been trying to sneak

1:09:05.920 --> 1:09:08.639
<v Speaker 2>it into conversations, but they thought I was like doing

1:09:08.720 --> 1:09:13.679
<v Speaker 2>bits on them and I was like, no, so whatever,

1:09:13.880 --> 1:09:17.719
<v Speaker 2>so da da da da the musher so he okay.

1:09:17.800 --> 1:09:21.400
<v Speaker 2>So basically, fucking Stabler's like, listen, this isn't justice, Like

1:09:21.439 --> 1:09:24.400
<v Speaker 2>who cares about basketball? Like we need to figure this out,

1:09:24.920 --> 1:09:28.160
<v Speaker 2>but no one's listening to him. So now he pretends

1:09:28.240 --> 1:09:31.040
<v Speaker 2>to have a mushroom attack and acts crazy, makes the

1:09:31.080 --> 1:09:31.960
<v Speaker 2>fool of himself.

1:09:32.080 --> 1:09:35.040
<v Speaker 1>He's like, we gotta, we gotta order the pizza. He

1:09:35.160 --> 1:09:39.000
<v Speaker 1>starts stripping in the galley. We're like, take it off, maloney.

1:09:40.040 --> 1:09:42.320
<v Speaker 2>And then the ambulance gets called for him and he's

1:09:42.320 --> 1:09:45.479
<v Speaker 2>signing himself out and Mika's a bit. She's like, what's

1:09:45.520 --> 1:09:47.479
<v Speaker 2>going on here? And he's like, I know the truth.

1:09:47.560 --> 1:09:49.760
<v Speaker 2>You know the truth. This motherfucker's lying. She goes, who cares?

1:09:50.360 --> 1:09:52.599
<v Speaker 2>And he goes, he's innocent. Well, you don't care about

1:09:52.640 --> 1:09:55.320
<v Speaker 2>any of this, but she doesn't want to look like

1:09:55.400 --> 1:09:57.439
<v Speaker 2>a flake. This is her first you know, go in

1:09:57.720 --> 1:09:59.880
<v Speaker 2>in New York and he's like, well, I need more

1:10:00.000 --> 1:10:02.880
<v Speaker 2>time to figure this out, and so she goes, well,

1:10:02.880 --> 1:10:04.880
<v Speaker 2>you have till tomorrow morning to find the evidence to

1:10:05.000 --> 1:10:07.000
<v Speaker 2>back up whatever you're saying. So it's an all night

1:10:07.080 --> 1:10:09.960
<v Speaker 2>or time. Everyone's at the precinct looking at pics and

1:10:10.080 --> 1:10:13.680
<v Speaker 2>evidence to figure this out. At seven fifty one, no mushrooms.

1:10:13.720 --> 1:10:16.320
<v Speaker 2>At eight oh two, mushrooms. But the thing is pro

1:10:16.520 --> 1:10:18.920
<v Speaker 2>check according to all the photos, is nowhere near the plate,

1:10:19.120 --> 1:10:21.320
<v Speaker 2>nowhere near lindsay like, he could not have done this.

1:10:22.000 --> 1:10:24.720
<v Speaker 2>So Mika makes a call and we don't know what

1:10:24.840 --> 1:10:26.920
<v Speaker 2>it is. But she leaves and she's like, I need sleep,

1:10:27.040 --> 1:10:29.439
<v Speaker 2>and she gives them all attitude. This is actually psychotic.

1:10:29.880 --> 1:10:32.040
<v Speaker 2>She turns around and she goes, hey, I don't think

1:10:32.080 --> 1:10:35.040
<v Speaker 2>you understand how this works. You guys are the pots

1:10:35.080 --> 1:10:36.960
<v Speaker 2>and pans. I'm the chef.

1:10:38.320 --> 1:10:43.920
<v Speaker 1>Okay, bitch, No, no, none of our past like Das

1:10:43.920 --> 1:10:45.400
<v Speaker 1>would have ever said anything like that.

1:10:47.640 --> 1:10:48.200
<v Speaker 3>I don't think so.

1:10:48.360 --> 1:10:53.240
<v Speaker 1>A little woman named Sonia Paxton, well, Sonya was a

1:10:53.320 --> 1:10:55.960
<v Speaker 1>rude bitch, but she knew she needed these fucking detectives.

1:10:56.040 --> 1:10:58.320
<v Speaker 1>You know you're crazy. She knew she needed them. I

1:10:58.360 --> 1:11:00.320
<v Speaker 1>don't think she would have said, I'm the sh chef,

1:11:00.400 --> 1:11:03.360
<v Speaker 1>you're the pots and fans. It's so rude, speaking of

1:11:03.479 --> 1:11:07.640
<v Speaker 1>beauty and the beast. I mean it's written, it's like

1:11:08.040 --> 1:11:13.200
<v Speaker 1>you're missus Potts. I'm bell like it's wild yeah yeah,

1:11:13.400 --> 1:11:16.720
<v Speaker 1>and to them, I mean the ninety seven percent right,

1:11:17.120 --> 1:11:19.080
<v Speaker 1>it's connection, right, come on.

1:11:19.600 --> 1:11:22.400
<v Speaker 2>So Stabler can't even believe she said it. But we're

1:11:22.439 --> 1:11:25.240
<v Speaker 2>back at court. Nobody's seen the defense attorney. Uh oh,

1:11:25.360 --> 1:11:28.120
<v Speaker 2>he went on vacation, so the judge is gonna put

1:11:28.160 --> 1:11:30.840
<v Speaker 2>him in contempt. And then Stabler goes, you bitch, you

1:11:30.880 --> 1:11:33.080
<v Speaker 2>gave him a bad lawyer on purpose. And she goes,

1:11:33.200 --> 1:11:35.560
<v Speaker 2>or is he the best lawyer? She goes, is it

1:11:35.720 --> 1:11:39.320
<v Speaker 2>no lawyer here? The best lawyer? It gives us days,

1:11:39.600 --> 1:11:43.360
<v Speaker 2>not hours. So she actually does like those statement from

1:11:43.360 --> 1:11:46.320
<v Speaker 2>the night before makes no sense. She's playing dirty and

1:11:46.400 --> 1:11:49.559
<v Speaker 2>Staylor really likes it. But she sent him to the loft,

1:11:49.760 --> 1:11:53.160
<v Speaker 2>and Stabler this time says, sun drenched. I can't so

1:11:53.360 --> 1:11:56.559
<v Speaker 2>Kragan's on the steps and not a lot of craigan

1:11:56.600 --> 1:11:58.200
<v Speaker 2>this up. But I think you're right. He had a

1:11:58.240 --> 1:12:01.960
<v Speaker 2>delayed flight and he says, hi, to Mika. So that's

1:12:02.000 --> 1:12:04.679
<v Speaker 2>where she gets to meet him, and Craigan goes, oh, yeah, babe,

1:12:04.800 --> 1:12:07.840
<v Speaker 2>nice knowing you. Your boss called pack your bags. You're

1:12:07.880 --> 1:12:11.439
<v Speaker 2>going back to Chicago. Apparently you sent a defense attorney

1:12:11.479 --> 1:12:14.599
<v Speaker 2>on vacation. And yeah, so she did some dirty tricks.

1:12:14.640 --> 1:12:17.840
<v Speaker 2>Oh so she's out and she's fired, and now she

1:12:17.920 --> 1:12:19.559
<v Speaker 2>has to take the loft off the market.

1:12:20.120 --> 1:12:20.679
<v Speaker 3>They have a floir.

1:12:20.800 --> 1:12:23.719
<v Speaker 2>I just it's so embarrassing. Okay, they have a flirty goodbye.

1:12:23.840 --> 1:12:25.600
<v Speaker 2>She skips off. It doesn't seem like I think she

1:12:25.680 --> 1:12:28.439
<v Speaker 2>comes from money. So then Benson and Sadlor goes straight

1:12:28.520 --> 1:12:30.920
<v Speaker 2>to Crumholtz and say why did you agree to crime

1:12:30.960 --> 1:12:33.240
<v Speaker 2>you didn't commit? And he smiles and goes for the cause,

1:12:33.920 --> 1:12:36.479
<v Speaker 2>I got to be on TV. So they show all

1:12:36.520 --> 1:12:38.640
<v Speaker 2>these photos of people at the party to be like, well,

1:12:38.680 --> 1:12:42.080
<v Speaker 2>who who here had access to your mushrooms? And then

1:12:42.120 --> 1:12:44.600
<v Speaker 2>when it's a photo of Emma, he starts stuttering and

1:12:44.680 --> 1:12:47.479
<v Speaker 2>they all notice, so they leave. But then they see

1:12:47.560 --> 1:12:50.240
<v Speaker 2>him rush off, and so they follow him and they

1:12:50.280 --> 1:12:52.280
<v Speaker 2>follow him right to Emma's house where she goes a

1:12:52.360 --> 1:12:55.360
<v Speaker 2>vinny get out of here, and they see them and

1:12:55.400 --> 1:12:57.200
<v Speaker 2>they're they're like, oh, my god, both of you lied.

1:12:57.280 --> 1:12:59.240
<v Speaker 2>And then Granny comes down and goes, you know this man,

1:13:00.080 --> 1:13:02.720
<v Speaker 2>and so then they arrest both of them, of course accomplices,

1:13:02.760 --> 1:13:05.599
<v Speaker 2>and Grammy's like, you murdered her, and they take them

1:13:05.640 --> 1:13:08.120
<v Speaker 2>away and he screams, no, it was all me.

1:13:08.400 --> 1:13:08.920
<v Speaker 3>I did it.

1:13:09.080 --> 1:13:11.400
<v Speaker 2>So now we're in cement room bars, we're back. Baby

1:13:11.840 --> 1:13:14.960
<v Speaker 2>Benson's in the room with him. They talk mushroom science

1:13:15.000 --> 1:13:17.519
<v Speaker 2>and he's messing up and they know he didn't do it,

1:13:17.720 --> 1:13:20.599
<v Speaker 2>so it's they just have to figure something out to get,

1:13:20.960 --> 1:13:23.720
<v Speaker 2>you know, to justice. So then Emma stole them from

1:13:23.760 --> 1:13:26.680
<v Speaker 2>the lab and she's with Stabler saying she never went

1:13:26.760 --> 1:13:29.000
<v Speaker 2>to his lab, but they already searched her room and

1:13:29.040 --> 1:13:31.000
<v Speaker 2>found a bag of mushrooms that were like the same

1:13:31.000 --> 1:13:32.880
<v Speaker 2>ones that killed Lindsay, like to not get rid of

1:13:32.880 --> 1:13:33.840
<v Speaker 2>the evidence from your room.

1:13:33.920 --> 1:13:35.439
<v Speaker 3>I just the Hubris.

1:13:35.840 --> 1:13:40.599
<v Speaker 1>He's not gonna yeah, I mean, yeah, yeah, No it's hers, Yeah,

1:13:40.600 --> 1:13:41.160
<v Speaker 1>I know it's hers.

1:13:41.200 --> 1:13:41.759
<v Speaker 3>She's stupid.

1:13:41.880 --> 1:13:43.400
<v Speaker 1>Yeah, I was gonna say, he's not going to get

1:13:43.439 --> 1:13:46.639
<v Speaker 1>rid of his little precious children. But she's dumb. Yeah,

1:13:46.720 --> 1:13:49.920
<v Speaker 1>she's dumb. So how who're on the Grammy side?

1:13:49.960 --> 1:13:53.000
<v Speaker 2>Okay, so then how did they meet, and it's a

1:13:53.080 --> 1:13:55.040
<v Speaker 2>back and forth, like you know when they go back

1:13:55.080 --> 1:13:57.920
<v Speaker 2>and forth between the rooms. So so basically, Emma started

1:13:57.920 --> 1:14:00.680
<v Speaker 2>going to water rights meetings and we know Professor was

1:14:00.720 --> 1:14:03.439
<v Speaker 2>there and he just felt such a fire in her

1:14:03.479 --> 1:14:08.840
<v Speaker 2>eyes for the environment. Emma spilled the beans to the

1:14:08.920 --> 1:14:13.080
<v Speaker 2>professor about how her grandma and Lindsay were making deals

1:14:13.280 --> 1:14:16.640
<v Speaker 2>in the Catskills, that the woman was buying up all

1:14:16.720 --> 1:14:19.960
<v Speaker 2>this upstate land and then selling the water rights to

1:14:20.080 --> 1:14:23.880
<v Speaker 2>Lindsay and Cola now, and she begged her grandmother not

1:14:24.080 --> 1:14:26.560
<v Speaker 2>to sell this to Lindsay. But you know, she's just

1:14:26.640 --> 1:14:30.960
<v Speaker 2>an amazing woman and Emma's just a screw up. And

1:14:31.160 --> 1:14:34.640
<v Speaker 2>it's like, well they both went to rehab. Yeah, like

1:14:34.760 --> 1:14:36.240
<v Speaker 2>why is one amazing and one not?

1:14:36.439 --> 1:14:39.960
<v Speaker 1>They both went to rehab, Well, only one has a

1:14:40.040 --> 1:14:43.479
<v Speaker 1>gift for corporate giving, you know that's the problem.

1:14:43.880 --> 1:14:46.400
<v Speaker 2>And it cuts to him telling Benson she's not a

1:14:46.479 --> 1:14:49.599
<v Speaker 2>screw up. She's a subtle person in a loud world.

1:14:50.439 --> 1:14:53.960
<v Speaker 2>I like beautiful, it's beautiful. He really likes her. Benson

1:14:54.040 --> 1:14:56.120
<v Speaker 2>realizes he's in love with her and that's why he

1:14:56.240 --> 1:14:59.640
<v Speaker 2>pled guilty. And he says, like, no, the soapbox, I

1:14:59.720 --> 1:15:02.240
<v Speaker 2>care but yeah, we're in love. And then it hops

1:15:02.240 --> 1:15:04.920
<v Speaker 2>over to Emma and she's like love and my family

1:15:05.000 --> 1:15:07.000
<v Speaker 2>loves about being at the right event and a right

1:15:07.120 --> 1:15:10.519
<v Speaker 2>dress and gossiping. But she never got that, but Lindsay did,

1:15:10.760 --> 1:15:13.760
<v Speaker 2>and you know that it was Grandma's dream girl, and

1:15:13.920 --> 1:15:16.320
<v Speaker 2>so you killed her and she denies killing her, and

1:15:16.439 --> 1:15:18.960
<v Speaker 2>then he really twists the knife and goes, I bet

1:15:19.000 --> 1:15:21.360
<v Speaker 2>if Lindsay was here, Grandma would have shown up and

1:15:21.479 --> 1:15:24.719
<v Speaker 2>seen if she was okay, huh, And Emma knows it's true,

1:15:24.760 --> 1:15:27.000
<v Speaker 2>so she tears up and he goes, let's see. So

1:15:27.080 --> 1:15:29.799
<v Speaker 2>he opens the door, all theatrical walks around the priestinct

1:15:29.840 --> 1:15:32.840
<v Speaker 2>comes back and goes, yeah, no Grandma here. She really

1:15:32.920 --> 1:15:35.840
<v Speaker 2>doesn't care about you, does she? And Emma goes she

1:15:36.080 --> 1:15:38.600
<v Speaker 2>loves me, and Sabah goes, like you love Vinnie and

1:15:38.720 --> 1:15:41.160
<v Speaker 2>Stabler calls him odd and she says he's not odd,

1:15:41.520 --> 1:15:44.200
<v Speaker 2>he's just his own person. I think that's the definition

1:15:44.280 --> 1:15:47.519
<v Speaker 2>of odd. So then Stabler replies, like, you just used

1:15:47.600 --> 1:15:50.920
<v Speaker 2>him for mushrooms, you didn't actually like him. And then

1:15:51.040 --> 1:15:55.040
<v Speaker 2>we realized that Vinnie is behind the spyglass. Vinnie and

1:15:55.160 --> 1:15:57.880
<v Speaker 2>Benson are watching all of this and she walks up

1:15:57.920 --> 1:16:01.479
<v Speaker 2>to the mirror and goes, Vinnie, I'm sorry, and Stabler's like, bitch,

1:16:01.520 --> 1:16:04.439
<v Speaker 2>you're sorry. You saw him get arrested and you said nothing.

1:16:04.600 --> 1:16:07.320
<v Speaker 2>And she says, Vinnie, I love you, and Saba goes, yeah,

1:16:07.400 --> 1:16:09.320
<v Speaker 2>you mean it so much you were gonna let him

1:16:09.320 --> 1:16:12.160
<v Speaker 2>do your prison time for you. She starts getting short

1:16:12.200 --> 1:16:14.599
<v Speaker 2>of breath. She's stressed out, and she keeps repeating I can't,

1:16:14.680 --> 1:16:17.040
<v Speaker 2>I can't. And he goes, what confessed to murdering the

1:16:17.160 --> 1:16:19.600
<v Speaker 2>mother of a nine year old? And you know he

1:16:19.720 --> 1:16:22.320
<v Speaker 2>wants to get in there, and Benson goes, not a chance,

1:16:22.479 --> 1:16:25.960
<v Speaker 2>but also have some self respect, and so they take

1:16:26.000 --> 1:16:28.000
<v Speaker 2>the spy feature off the glass and they make them

1:16:28.040 --> 1:16:29.679
<v Speaker 2>look at each other through the window.

1:16:29.960 --> 1:16:32.600
<v Speaker 3>Very all stars too. Fifi O'Hara, Alyssa, I.

1:16:32.680 --> 1:16:36.759
<v Speaker 2>Bought a comea and she apologizes for not saying anything,

1:16:36.840 --> 1:16:38.720
<v Speaker 2>and he goes, no, I know, I know, and he's

1:16:38.800 --> 1:16:42.240
<v Speaker 2>crying too, and finally she snaps and goes, I killed

1:16:42.280 --> 1:16:45.040
<v Speaker 2>that two faced bitch. She's like, you think that bitch

1:16:45.120 --> 1:16:47.759
<v Speaker 2>cared about me. She used me to get to my grandma,

1:16:48.120 --> 1:16:51.679
<v Speaker 2>and as soon as that bitch died, I'm garbage. Granny

1:16:51.760 --> 1:16:54.080
<v Speaker 2>never cared about me. She never cared about me. My

1:16:54.160 --> 1:16:56.960
<v Speaker 2>grandma's never said one fucking nice word to me, no

1:16:57.120 --> 1:16:59.960
<v Speaker 2>ounce of love. And she's like, there never was any love.

1:17:00.160 --> 1:17:03.000
<v Speaker 2>And then she walks back and he and he's like, oh,

1:17:03.080 --> 1:17:06.200
<v Speaker 2>it wasn't about water, it was about revenge. So like

1:17:06.320 --> 1:17:08.800
<v Speaker 2>he thought she was just passionate about water too, and

1:17:08.960 --> 1:17:11.559
<v Speaker 2>she says, the only water you're going to see is tears.

1:17:11.760 --> 1:17:13.679
<v Speaker 3>That's the stupidest thing Benson's ever said.

1:17:14.200 --> 1:17:16.320
<v Speaker 2>And then he runs off and tries to get in

1:17:16.479 --> 1:17:19.160
<v Speaker 2>and opens the door, tries to push back Stabler, and

1:17:19.240 --> 1:17:22.360
<v Speaker 2>while Stabler and Benson are holding him back, Busy, she

1:17:22.520 --> 1:17:25.240
<v Speaker 2>grabs the bag of mushrooms and starts eating them. And

1:17:25.400 --> 1:17:27.720
<v Speaker 2>she's being dipped by Stabler now, and he's trying to

1:17:27.760 --> 1:17:29.320
<v Speaker 2>get them out of her mouth like she's a golden

1:17:29.400 --> 1:17:33.599
<v Speaker 2>retriever and like ripping these mushrooms out of her mouth

1:17:33.720 --> 1:17:36.360
<v Speaker 2>and screaming at her, and she's like, tell Grammy, her

1:17:36.479 --> 1:17:40.400
<v Speaker 2>problem child is dead. And then you know, she's gasping,

1:17:40.520 --> 1:17:44.519
<v Speaker 2>holding onto Stabler. Crumb holds is watching an agony. He's like, Oh,

1:17:44.560 --> 1:17:47.120
<v Speaker 2>I hope this bitch lives, you know, And then Benson

1:17:47.120 --> 1:17:49.080
<v Speaker 2>and Stabler are now standing over her.

1:17:49.280 --> 1:17:49.920
<v Speaker 3>She is alive.

1:17:50.120 --> 1:17:52.280
<v Speaker 2>She wakes up in the hospital and they go, well,

1:17:52.320 --> 1:17:55.080
<v Speaker 2>look who's here. And Grammy walks into the doorway and

1:17:55.160 --> 1:17:57.439
<v Speaker 2>she goes, oh my god, you came. And Emma's like

1:17:57.640 --> 1:18:01.479
<v Speaker 2>so happy even though she was in a prison. The

1:18:01.560 --> 1:18:04.320
<v Speaker 2>grandma stands over and goes, of course I came. And

1:18:04.400 --> 1:18:06.640
<v Speaker 2>then Emma puts her hand on the grandma and to

1:18:06.760 --> 1:18:09.360
<v Speaker 2>try to explain herself, and the grandma.

1:18:09.000 --> 1:18:12.720
<v Speaker 3>Says, you will take your hands off of me.

1:18:14.000 --> 1:18:16.240
<v Speaker 2>And Emma's like taken aback by that, and she said

1:18:16.680 --> 1:18:19.560
<v Speaker 2>and then she goes, you are not my grandchild. I

1:18:19.720 --> 1:18:22.559
<v Speaker 2>came only for my necklace, and then takes it off

1:18:22.640 --> 1:18:25.800
<v Speaker 2>her neck. Benson goes, you're taking that. She could sell

1:18:25.880 --> 1:18:28.200
<v Speaker 2>that to pay for a defense attorney, and Emma goes,

1:18:28.280 --> 1:18:31.799
<v Speaker 2>I would never do that, and then Grammy is like sure,

1:18:32.560 --> 1:18:35.320
<v Speaker 2>like how you would never steal my Mercedes or lose

1:18:35.360 --> 1:18:39.639
<v Speaker 2>your virginity at fifteen or stuff that garbage up your nose?

1:18:39.920 --> 1:18:41.639
<v Speaker 1>Do you want me to do this whole one because

1:18:41.640 --> 1:18:43.720
<v Speaker 1>I kind of love it, hey, okay, And then the

1:18:43.800 --> 1:18:48.120
<v Speaker 1>grandma goes like, you would never steal my Mercedes or

1:18:48.160 --> 1:18:52.320
<v Speaker 1>lose your virginity at fifteen or stuff that garbage up

1:18:52.360 --> 1:18:54.080
<v Speaker 1>your nose, Like I.

1:18:54.200 --> 1:18:57.560
<v Speaker 3>Loved doing this lipstick so much because she's so wild.

1:18:57.439 --> 1:19:01.960
<v Speaker 2>She's so evil, she's so mean. I wish Emma had

1:19:02.040 --> 1:19:05.479
<v Speaker 2>some Ah, poor Emma, but she's crying. She says I'm sorry,

1:19:06.080 --> 1:19:08.240
<v Speaker 2>and Granny doesn't even look at her and turns around,

1:19:08.400 --> 1:19:13.680
<v Speaker 2>and the detectives are like like they are confused by

1:19:13.920 --> 1:19:17.280
<v Speaker 2>the cruelty. And then she goes, I'm giving this necklace

1:19:17.320 --> 1:19:21.320
<v Speaker 2>to Lindsay's daughter. You will inherit nothing And Emma's like,

1:19:21.439 --> 1:19:24.360
<v Speaker 2>you think I care about money, Like I just wanted

1:19:24.439 --> 1:19:24.880
<v Speaker 2>a mom.

1:19:25.280 --> 1:19:30.720
<v Speaker 1>And then she says, yes, well she died. It's like

1:19:31.200 --> 1:19:34.479
<v Speaker 1>my favorite line of the entire series.

1:19:35.320 --> 1:19:36.360
<v Speaker 4>I just wanted a mom.

1:19:36.880 --> 1:19:40.800
<v Speaker 3>Yes well she died. And it's like, isn't that your daughter?

1:19:41.960 --> 1:19:46.720
<v Speaker 3>Like yeah, she's so heartless. It's fucking you know.

1:19:46.960 --> 1:19:50.560
<v Speaker 1>I love this entire genre of old rich ladies in

1:19:50.760 --> 1:19:54.800
<v Speaker 1>SVU with Angela Lansberry. This woman, you know, we've got

1:19:54.960 --> 1:19:58.080
<v Speaker 1>so many Michael, the woman that we interviewed from Dahmer,

1:19:58.560 --> 1:20:02.439
<v Speaker 1>like all these people and this woman really smashes it.

1:20:03.640 --> 1:20:05.080
<v Speaker 3>Well, yeah she does.

1:20:05.200 --> 1:20:05.400
<v Speaker 1>You know.

1:20:06.000 --> 1:20:10.120
<v Speaker 2>She wants off, and Vinnie is there with flowers and

1:20:10.240 --> 1:20:13.360
<v Speaker 2>the detectives are shocked to see him, but he's there

1:20:13.439 --> 1:20:15.720
<v Speaker 2>for Emma and they're like, she was gonna go to

1:20:15.920 --> 1:20:20.120
<v Speaker 2>jail for you, and then he goes Nobody's perfect, which

1:20:20.479 --> 1:20:22.479
<v Speaker 2>has to be a sun like at hot reference, Like

1:20:22.640 --> 1:20:25.639
<v Speaker 2>it has to because there was that pretty woman reference

1:20:25.680 --> 1:20:28.720
<v Speaker 2>from up top, Like this is just so up to

1:20:28.760 --> 1:20:30.240
<v Speaker 2>the top, this is the best.

1:20:31.240 --> 1:20:33.400
<v Speaker 1>Well, yeah, with Neil Bear too, it feels like it

1:20:33.439 --> 1:20:35.000
<v Speaker 1>would be a it's not like it hot too.

1:20:35.280 --> 1:20:37.400
<v Speaker 3>And then the detectives are dumbfounded again.

1:20:37.439 --> 1:20:40.760
<v Speaker 2>They're like okay, like they've seen everything twisted, everything dark,

1:20:40.800 --> 1:20:44.760
<v Speaker 2>and they're like eyes bugged out, like okay, I guess

1:20:44.800 --> 1:20:48.519
<v Speaker 2>her work here is done, and they're you know, they're

1:20:48.600 --> 1:20:51.000
<v Speaker 2>left flirting. I'm sure he'll visit her in prison, and

1:20:51.240 --> 1:20:52.680
<v Speaker 2>that's dick Wolf baby, and.

1:20:52.720 --> 1:20:55.880
<v Speaker 1>Then Emma becomes Badison in prison and she fucking beats

1:20:55.920 --> 1:20:56.719
<v Speaker 1>the shit out of people.

1:20:57.400 --> 1:20:59.519
<v Speaker 2>Well, because because this was so Neil Bear and so

1:20:59.640 --> 1:21:01.599
<v Speaker 2>theatric I was like who wrote it? And the writers

1:21:01.640 --> 1:21:03.120
<v Speaker 2>it says dick Wolf and Speedweed.

1:21:03.560 --> 1:21:05.679
<v Speaker 1>Ah, they let Speedweed do an episode.

1:21:05.800 --> 1:21:07.920
<v Speaker 3>Yes, those are the two that are credited, which is

1:21:08.000 --> 1:21:08.720
<v Speaker 3>crazy to me.

1:21:09.960 --> 1:21:13.839
<v Speaker 1>Wow, it makes sense to me that someone named Speedweed

1:21:13.880 --> 1:21:16.120
<v Speaker 1>wrote this episode because it's so fucking why it's so

1:21:16.360 --> 1:21:19.120
<v Speaker 1>much more unhinged than like other episodes. You know. Yeah,

1:21:19.560 --> 1:21:22.519
<v Speaker 1>so whereas other writers might have been like, this goes

1:21:22.600 --> 1:21:24.000
<v Speaker 1>kind of against the tone of the show, this gets

1:21:24.040 --> 1:21:26.800
<v Speaker 1>a little bit crazy, Speedweed's like, let's try this, you know,

1:21:27.080 --> 1:21:30.560
<v Speaker 1>like they were letting Speedweed. Dick Wolf was taking Speedweed.

1:21:30.240 --> 1:21:31.640
<v Speaker 3>Under his wing there, I think a little bit.

1:21:39.360 --> 1:21:41.400
<v Speaker 1>I didn't know if this episode was based on anything real,

1:21:41.760 --> 1:21:45.080
<v Speaker 1>and I'm still not convinced, but I've got a couple

1:21:45.400 --> 1:21:49.040
<v Speaker 1>of stories that I know it definitely borrowed from. Here's

1:21:49.080 --> 1:21:52.639
<v Speaker 1>what's crazy. Okay, So Sassoon is based on a couple

1:21:52.720 --> 1:21:54.960
<v Speaker 1>of things. The guy that was, you know, the red herring,

1:21:55.080 --> 1:21:57.479
<v Speaker 1>that was the guy snipping the hair in the park.

1:21:57.520 --> 1:21:57.800
<v Speaker 3>Okay.

1:21:58.320 --> 1:22:02.080
<v Speaker 1>So the nineteen eighty six case of Jack the Snipper

1:22:02.760 --> 1:22:05.840
<v Speaker 1>was in Los Angeles in nineteen eighty six. Starting in February,

1:22:06.600 --> 1:22:09.880
<v Speaker 1>a perpetrator that the LAPD called Jack the Snipper would

1:22:09.920 --> 1:22:12.800
<v Speaker 1>ambush women in Southeast LA and snip off locks of

1:22:12.840 --> 1:22:15.519
<v Speaker 1>their hair. As of July of nineteen eighty six, there

1:22:15.560 --> 1:22:18.680
<v Speaker 1>had been eight attacks. The attacker struck in the neighborhoods

1:22:18.720 --> 1:22:22.439
<v Speaker 1>of Norwalk, Downy, Bellflower, Commerce and Maywood. All of the

1:22:22.560 --> 1:22:26.719
<v Speaker 1>victims were female. The majority were Latina or Asian with long,

1:22:26.960 --> 1:22:30.320
<v Speaker 1>dark hair like long, long long. Three of the victims

1:22:30.360 --> 1:22:32.920
<v Speaker 1>were miners, including a nine year old girl, which is

1:22:33.520 --> 1:22:36.880
<v Speaker 1>super terrifying and creepy. Many were waiting for the bus

1:22:37.040 --> 1:22:39.240
<v Speaker 1>or walking to work, and most of them say they

1:22:39.320 --> 1:22:42.040
<v Speaker 1>remember seeing the guy a few days before being attacked.

1:22:42.400 --> 1:22:45.280
<v Speaker 1>One victim told the La Times, I walked by and

1:22:45.400 --> 1:22:48.080
<v Speaker 1>then he passed by very close. He turned around right away.

1:22:48.240 --> 1:22:50.840
<v Speaker 1>I saw the blade and scissors. I began to scream.

1:22:51.120 --> 1:22:52.720
<v Speaker 1>He told me to shut up and said, if you

1:22:52.800 --> 1:22:55.360
<v Speaker 1>call the police, I'm going to follow you. End quote

1:22:55.840 --> 1:22:58.920
<v Speaker 1>Detective Steve Davis, who was with the Norwalk Sheriff's Department.

1:23:00.000 --> 1:23:02.840
<v Speaker 1>Walk is like a neighborhood over by lax Like. I

1:23:02.920 --> 1:23:04.960
<v Speaker 1>didn't know they had like their own sheriff's department, but

1:23:05.320 --> 1:23:09.240
<v Speaker 1>whatever the eighties, he told La Times. It's hard to

1:23:09.280 --> 1:23:11.720
<v Speaker 1>say what his motivation is. The consensus is he has

1:23:11.800 --> 1:23:14.679
<v Speaker 1>a hair fetish. He was probably getting a sexual thrill

1:23:14.720 --> 1:23:15.240
<v Speaker 1>from doing this.

1:23:15.600 --> 1:23:18.519
<v Speaker 3>This is a sicko. He's like a time bomb waiting

1:23:18.600 --> 1:23:20.280
<v Speaker 3>to go off. End of quote.

1:23:20.680 --> 1:23:22.720
<v Speaker 1>They also said they thought he might be selling the hair,

1:23:22.800 --> 1:23:25.000
<v Speaker 1>but then, of course hair experts are like, you know,

1:23:25.080 --> 1:23:27.639
<v Speaker 1>people are not buying random swatches of hair from people

1:23:27.720 --> 1:23:30.559
<v Speaker 1>off the street, like you're buying professional You're.

1:23:30.479 --> 1:23:31.519
<v Speaker 3>Buying real human hair.

1:23:31.560 --> 1:23:34.240
<v Speaker 1>You're buying it from usually from overseas, and you're buying

1:23:34.360 --> 1:23:36.280
<v Speaker 1>enough to like make full wigs, not just like one

1:23:36.400 --> 1:23:39.160
<v Speaker 1>snip that some guy grabbed in like a park. So

1:23:39.240 --> 1:23:41.400
<v Speaker 1>they were looking for a guy, white male, about thirty

1:23:41.520 --> 1:23:43.960
<v Speaker 1>years old, between one hundred and seventeen hundred and eighty pounds,

1:23:44.200 --> 1:23:47.599
<v Speaker 1>light brown, wavy hair, dresses in blue shirts, pants, work boots,

1:23:48.040 --> 1:23:50.479
<v Speaker 1>and they described his vehicle as a black mini truck

1:23:50.520 --> 1:23:52.080
<v Speaker 1>with orange and yellow pinstripes.

1:23:52.240 --> 1:23:55.040
<v Speaker 3>But as far as I could tell, they never found

1:23:55.160 --> 1:23:55.599
<v Speaker 3>this sky.

1:23:57.000 --> 1:23:59.920
<v Speaker 1>I don't think something was in the air in nineteen eighties,

1:24:00.320 --> 1:24:02.439
<v Speaker 1>because I found another article about a guy doing this

1:24:02.600 --> 1:24:06.800
<v Speaker 1>same thing in Charlottesville, Virginia in November of that same year.

1:24:07.360 --> 1:24:09.680
<v Speaker 1>So this is like, you know, they're still looking for

1:24:09.800 --> 1:24:12.439
<v Speaker 1>this guy as of June and July. In November, some

1:24:12.560 --> 1:24:15.640
<v Speaker 1>guy starts doing this Jack the snippershit at UVA and

1:24:15.720 --> 1:24:18.320
<v Speaker 1>he's described as a well dressed young man who might

1:24:18.360 --> 1:24:20.560
<v Speaker 1>have even been a student at UVA who cut the

1:24:20.600 --> 1:24:23.120
<v Speaker 1>hair of six women who were studying at the UVA Library.

1:24:23.479 --> 1:24:26.160
<v Speaker 1>They increased security, but I couldn't find if they ever

1:24:26.200 --> 1:24:29.960
<v Speaker 1>found this guy. Then what's wild is there's another guy

1:24:30.080 --> 1:24:33.040
<v Speaker 1>doing it in LA in two thousand and one, and

1:24:33.280 --> 1:24:35.080
<v Speaker 1>this guy is called the hair Bandit.

1:24:35.479 --> 1:24:36.759
<v Speaker 3>But is this a fetish?

1:24:37.120 --> 1:24:38.200
<v Speaker 1>Is this? Like? What is it?

1:24:38.880 --> 1:24:39.040
<v Speaker 3>Yeah?

1:24:39.080 --> 1:24:42.880
<v Speaker 1>But what's wild is this guy I'm gonna talk about

1:24:43.040 --> 1:24:47.240
<v Speaker 1>gets arrested in Norwalk, which is the same area of LA.

1:24:47.320 --> 1:24:49.479
<v Speaker 1>So I'm like, is this the guy from nineteen eighty six?

1:24:49.640 --> 1:24:50.200
<v Speaker 3>Like they don't.

1:24:50.680 --> 1:24:53.680
<v Speaker 1>They call this guy the hair Bandit, different name, and

1:24:53.840 --> 1:24:56.519
<v Speaker 1>they get him for nine attacks that he does between

1:24:56.560 --> 1:24:59.400
<v Speaker 1>December fourth and December thirty first, two thousand and one.

1:25:00.400 --> 1:25:03.720
<v Speaker 1>He was forty eight when they got him, so he

1:25:03.800 --> 1:25:06.800
<v Speaker 1>could have easily been in his late twenties doing this.

1:25:07.640 --> 1:25:09.439
<v Speaker 1>They were looking for a guy around thirty, so it

1:25:09.520 --> 1:25:12.120
<v Speaker 1>really could be the same fucking guy from eighty six.

1:25:12.760 --> 1:25:15.160
<v Speaker 1>They say that in any of the stuff that I found,

1:25:15.680 --> 1:25:17.720
<v Speaker 1>and they're calling him a different name. They're not like, Wow,

1:25:17.800 --> 1:25:19.720
<v Speaker 1>we found the old Jack the Snipper. They're calling this

1:25:19.800 --> 1:25:22.559
<v Speaker 1>guy the hair bandon and he's done these attacks are

1:25:22.640 --> 1:25:25.679
<v Speaker 1>much closer together. This is like nine attacks in less

1:25:25.680 --> 1:25:27.800
<v Speaker 1>than four weeks, just in the month of December two

1:25:27.840 --> 1:25:30.200
<v Speaker 1>thousand and one. And he would cut women's hairs with

1:25:30.640 --> 1:25:33.320
<v Speaker 1>with hair with scissors or knives while they stood or

1:25:33.360 --> 1:25:35.880
<v Speaker 1>walked in public. Some of the victims actually got neck

1:25:35.920 --> 1:25:38.160
<v Speaker 1>injuries from how hard he like snatched their hair back

1:25:38.240 --> 1:25:38.960
<v Speaker 1>during the attacks.

1:25:39.360 --> 1:25:40.200
<v Speaker 3>And they found the guy.

1:25:40.280 --> 1:25:42.439
<v Speaker 1>His name is Michael Howard, a forty eight year old

1:25:42.479 --> 1:25:45.559
<v Speaker 1>bike shop owner, and he was arrested on January first,

1:25:45.640 --> 1:25:49.360
<v Speaker 1>two thousand and two, Happy New Year, after the day

1:25:49.400 --> 1:25:52.840
<v Speaker 1>after his last attack. And I don't know if they

1:25:53.560 --> 1:25:57.759
<v Speaker 1>the police didn't actually find him. His brother, a probation officer,

1:25:58.560 --> 1:26:01.320
<v Speaker 1>heard about this the hair bandit and immediately called the

1:26:01.360 --> 1:26:03.040
<v Speaker 1>police and was like, I think this is my brother

1:26:03.439 --> 1:26:05.440
<v Speaker 1>who had been plagued with drug problems.

1:26:05.640 --> 1:26:07.639
<v Speaker 3>And the brother just was like I knew it was him.

1:26:07.680 --> 1:26:09.120
<v Speaker 3>It was hard, but I like turned him in.

1:26:09.840 --> 1:26:12.840
<v Speaker 1>So Howard was arrested in Norwalk, which I think is

1:26:12.880 --> 1:26:15.160
<v Speaker 1>wild because it's same place as the eighty six guy.

1:26:15.439 --> 1:26:18.880
<v Speaker 1>He was charged with ten felony counts, nine robberies which

1:26:18.920 --> 1:26:21.360
<v Speaker 1>is the hair and one lude act against a minor

1:26:21.439 --> 1:26:23.360
<v Speaker 1>because one of his victims was a twelve year old girl,

1:26:23.560 --> 1:26:26.040
<v Speaker 1>so it's like he's also going for kind of like

1:26:26.520 --> 1:26:28.720
<v Speaker 1>you know, nine, ten, eleven, twelve year old girls, he's

1:26:28.880 --> 1:26:32.479
<v Speaker 1>also taking from women. I feel like it's the same dude.

1:26:32.920 --> 1:26:35.200
<v Speaker 1>This guy tried to make a deal, Like they went

1:26:35.240 --> 1:26:37.000
<v Speaker 1>back and forth. He finally took a deal for eight

1:26:37.080 --> 1:26:40.639
<v Speaker 1>years in prison. So yeah, the hair bandit got eight years,

1:26:40.680 --> 1:26:42.640
<v Speaker 1>and he's gonna get more of the time than did

1:26:42.720 --> 1:26:45.639
<v Speaker 1>he Yeah, exactly. And I can't imagine prison was kind

1:26:45.680 --> 1:26:47.679
<v Speaker 1>to a guy who's like in there for like hair cutting.

1:26:47.760 --> 1:26:50.320
<v Speaker 1>I'm sure that people were like, oh, you're you're like,

1:26:50.520 --> 1:26:51.400
<v Speaker 1>we're gonna hurt you.

1:26:51.479 --> 1:26:54.759
<v Speaker 2>Now, like a violent crime. You know, like it is fucked.

1:26:54.800 --> 1:26:56.600
<v Speaker 2>You can't just be cutting people's hair. But then what

1:26:56.680 --> 1:26:57.240
<v Speaker 2>do you run off?

1:26:57.360 --> 1:27:00.839
<v Speaker 1>Like yeah, but like it doesn't I mean it's the jerking,

1:27:00.960 --> 1:27:03.719
<v Speaker 1>Like it doesn't cause like physical pain, I mean mentally,

1:27:03.920 --> 1:27:06.519
<v Speaker 1>like obviously that's traumatic to have to have your haircut,

1:27:07.120 --> 1:27:10.240
<v Speaker 1>but it's wild, Like, but you're right, he's probably getting

1:27:10.280 --> 1:27:13.200
<v Speaker 1>more time than like several rapists we've covered on this show,

1:27:13.320 --> 1:27:18.360
<v Speaker 1>like full on like predators. But the next case that

1:27:19.120 --> 1:27:23.160
<v Speaker 1>we saw that I saw was You're smiling. She's smiling

1:27:23.439 --> 1:27:26.280
<v Speaker 1>based on it's an old timey one. Okay, we don't

1:27:26.320 --> 1:27:28.400
<v Speaker 1>know old timey very much, but and it's not even

1:27:28.439 --> 1:27:31.800
<v Speaker 1>that old timey. It's it's like the eighteen nineties, okay. So,

1:27:32.360 --> 1:27:34.759
<v Speaker 1>and I think it's loose. I think this is loose.

1:27:35.600 --> 1:27:37.920
<v Speaker 1>It's kind of got a poisoning element, but it's not

1:27:38.040 --> 1:27:39.120
<v Speaker 1>similar in any other way.

1:27:39.240 --> 1:27:42.040
<v Speaker 3>But it's fun. I want to cover it. Okay.

1:27:42.360 --> 1:27:46.720
<v Speaker 1>So, in eighteen ninety five, Cordelia Botkin was living in

1:27:46.800 --> 1:27:49.960
<v Speaker 1>California and she was married to a guy named Welcome Botkin.

1:27:50.080 --> 1:27:53.439
<v Speaker 1>His name is Welcome, like welcome back. And they've got

1:27:53.479 --> 1:27:56.360
<v Speaker 1>a son, but he's grown. She married this guy when

1:27:56.360 --> 1:27:58.320
<v Speaker 1>she was like seventeen or eighteen, and at this point

1:27:58.479 --> 1:28:01.040
<v Speaker 1>she's like forty, she's a forty one.

1:28:01.360 --> 1:28:02.960
<v Speaker 3>Okay, she's kind of bored.

1:28:03.160 --> 1:28:05.400
<v Speaker 1>Her son has grown, her husband doesn't pay much attention

1:28:05.479 --> 1:28:07.360
<v Speaker 1>to her, like they're still married. She does whatever the

1:28:07.400 --> 1:28:11.000
<v Speaker 1>fuck she wants. She drinks, she carouses, she like lives

1:28:11.040 --> 1:28:13.760
<v Speaker 1>her life. They live in I believe they live in Stockton,

1:28:14.240 --> 1:28:16.160
<v Speaker 1>but she spends a lot of time in San Francisco

1:28:16.400 --> 1:28:17.360
<v Speaker 1>kind of doing her own thing.

1:28:17.920 --> 1:28:19.560
<v Speaker 3>And so one time in San Francisco.

1:28:20.000 --> 1:28:23.960
<v Speaker 1>She meets John Preston Dunning and he is a fetorig

1:28:24.080 --> 1:28:29.800
<v Speaker 1>war real name John Preston. Yeah wow, so mister her

1:28:29.840 --> 1:28:32.479
<v Speaker 1>own mister big. Okay, she meets her own mister big.

1:28:33.360 --> 1:28:35.960
<v Speaker 1>John Preston Dunning is a foreign war correspondent for the

1:28:36.040 --> 1:28:39.360
<v Speaker 1>Associated Press who had returned to San Francisco to run

1:28:39.439 --> 1:28:41.600
<v Speaker 1>their West Coast bureau. So this is not like a

1:28:42.040 --> 1:28:44.280
<v Speaker 1>extra extra read all about it like journalists. This is

1:28:44.320 --> 1:28:46.840
<v Speaker 1>like a he's a legit, like running a bureau.

1:28:46.560 --> 1:28:47.519
<v Speaker 3>Of the AP. Okay.

1:28:48.080 --> 1:28:51.040
<v Speaker 1>And he is not only a respected reporter, but a gambler,

1:28:51.160 --> 1:28:53.640
<v Speaker 1>a drunk, and a notorious cheater and womanizer.

1:28:53.760 --> 1:28:54.680
<v Speaker 3>Okay he is.

1:28:54.840 --> 1:28:59.240
<v Speaker 1>He is mister big. Yeah, he's mister Big. So Cordelia,

1:28:59.720 --> 1:29:02.560
<v Speaker 1>it's everything but the cigars we've got here. So Cordelia

1:29:02.680 --> 1:29:05.280
<v Speaker 1>is forty one, Dunning is thirty two. They're both married,

1:29:05.400 --> 1:29:07.240
<v Speaker 1>but he meets her and he's immediately obsessed.

1:29:07.360 --> 1:29:07.599
<v Speaker 3>Okay.

1:29:08.000 --> 1:29:11.040
<v Speaker 1>By eighteen ninety six they're having a full fledged affair.

1:29:11.360 --> 1:29:14.200
<v Speaker 1>Dunning's wife is over it. She goes back to Delaware

1:29:14.439 --> 1:29:16.760
<v Speaker 1>with her kid to live with her father, who's a

1:29:16.840 --> 1:29:17.760
<v Speaker 1>former congressman.

1:29:17.920 --> 1:29:21.479
<v Speaker 3>Okay, these are high level people. Cordelia and her husband.

1:29:21.560 --> 1:29:25.200
<v Speaker 1>There's not like Cordelia is there. I don't know.

1:29:25.320 --> 1:29:28.200
<v Speaker 3>I actually I know some I know a Cordelia.

1:29:28.680 --> 1:29:32.880
<v Speaker 1>But Cordelia and her husband they're like a strange but

1:29:33.080 --> 1:29:35.760
<v Speaker 1>like not really like he's supporting her financially. I don't

1:29:35.760 --> 1:29:37.640
<v Speaker 1>think he gives a fuck what she's doing. Really Like,

1:29:37.680 --> 1:29:40.439
<v Speaker 1>I think he realizes he's older, she's younger. He's in

1:29:40.520 --> 1:29:43.160
<v Speaker 1>his late fifties by this point, I think, and he's like,

1:29:43.280 --> 1:29:45.240
<v Speaker 1>she give me my son whatever. We had good times

1:29:45.280 --> 1:29:47.599
<v Speaker 1>and she can just go do her thing. So he's

1:29:47.600 --> 1:29:50.920
<v Speaker 1>supporting her financially. Dunning is, like I said, a drunk

1:29:50.960 --> 1:29:53.160
<v Speaker 1>and a gambler. So he gets fired from his job

1:29:53.240 --> 1:29:55.920
<v Speaker 1>at the AP for stealing four thousand dollars to pay

1:29:55.960 --> 1:29:58.080
<v Speaker 1>off gambling debts, which you have to imagine in the

1:29:58.160 --> 1:30:00.800
<v Speaker 1>eighteen nineties is like a lot of fucking money, right,

1:30:00.880 --> 1:30:05.360
<v Speaker 1>four grand Other newspapers fire him for being a drunk,

1:30:05.760 --> 1:30:07.920
<v Speaker 1>so he just keeps. So he ends up moving into

1:30:08.000 --> 1:30:11.680
<v Speaker 1>Cordelia's hotel with her. By March of eighteen ninety eight,

1:30:12.760 --> 1:30:14.720
<v Speaker 1>they've now been in this affair for two or three

1:30:14.800 --> 1:30:17.880
<v Speaker 1>years now. Dunning gets re hired by the AP to

1:30:18.000 --> 1:30:22.080
<v Speaker 1>report on the Spanish American War, and Cordelia takes him

1:30:22.120 --> 1:30:26.040
<v Speaker 1>to the train station in Oakland to like bid him farewell,

1:30:26.200 --> 1:30:28.040
<v Speaker 1>like they're in love. And it's there that he drops

1:30:28.080 --> 1:30:29.479
<v Speaker 1>the bomb and he goes, oh, by the way, babe,

1:30:29.520 --> 1:30:31.400
<v Speaker 1>I'm not coming back after the war. I'm getting back

1:30:31.400 --> 1:30:33.840
<v Speaker 1>together with my wife and I'm going to live in Delaware. Bye,

1:30:34.560 --> 1:30:36.160
<v Speaker 1>and like he wants to go back to his wife

1:30:36.200 --> 1:30:39.720
<v Speaker 1>and daughter, and he just like that's the rams, that's

1:30:39.800 --> 1:30:44.240
<v Speaker 1>the risk of Yes, yeah, you leave him how you

1:30:44.280 --> 1:30:46.160
<v Speaker 1>found him, or you found him you you lose them

1:30:46.200 --> 1:30:47.800
<v Speaker 1>how you found them, As they say in a lot

1:30:47.840 --> 1:30:49.640
<v Speaker 1>of the Housewives, you lose them how you found them.

1:30:50.400 --> 1:30:52.640
<v Speaker 1>Like if you started in an affair with someone and

1:30:52.760 --> 1:30:56.320
<v Speaker 1>then they ended up getting with you, you know, chances

1:30:56.360 --> 1:30:58.000
<v Speaker 1>are they're going to have an affair at some point again.

1:30:58.520 --> 1:31:00.760
<v Speaker 3>So bye. H.

1:31:01.120 --> 1:31:05.880
<v Speaker 1>Cordelia is of course distraught. She's upset that her lover

1:31:06.040 --> 1:31:08.639
<v Speaker 1>has left her, and she goes full woman scorned.

1:31:08.720 --> 1:31:08.960
<v Speaker 3>Okay.

1:31:09.439 --> 1:31:13.519
<v Speaker 1>She starts sending letters to Dunning's wife, Mary Elizabeth Dunning,

1:31:14.040 --> 1:31:16.679
<v Speaker 1>trolling her about these affairs that he's having, like making

1:31:16.760 --> 1:31:18.840
<v Speaker 1>up women. Like in one of the letters, she wrote,

1:31:18.880 --> 1:31:22.559
<v Speaker 1>your husband is quote constantly with this interesting and pretty woman, who,

1:31:22.640 --> 1:31:25.160
<v Speaker 1>by the way, is an English woman. She is now

1:31:25.240 --> 1:31:28.160
<v Speaker 1>divorcing from her husband, all owing to the market intimacy

1:31:28.240 --> 1:31:29.759
<v Speaker 1>with mister Dunning end quote.

1:31:29.840 --> 1:31:32.759
<v Speaker 3>So like she's like, you know, trolling writing these letters.

1:31:33.080 --> 1:31:36.200
<v Speaker 1>Then on August ninth, eighteen ninety eight, Mary Elizabeth receives

1:31:36.240 --> 1:31:39.360
<v Speaker 1>a package with a note. Inside is an elegant white

1:31:39.400 --> 1:31:42.720
<v Speaker 1>box wrapped in pink satin ribbon, and the word Bombbonds

1:31:42.800 --> 1:31:44.760
<v Speaker 1>is written in gold script on the box, and the

1:31:44.880 --> 1:31:48.760
<v Speaker 1>note says, with love to yourself and baby missus C.

1:31:49.880 --> 1:31:51.640
<v Speaker 3>Nobody talks about who missus C is.

1:31:51.760 --> 1:31:53.800
<v Speaker 1>But this is what I'm reading everywhere is the is

1:31:53.840 --> 1:31:58.639
<v Speaker 1>the inscription and apparently Elizabeth Mary Elizabeth is a big

1:31:58.760 --> 1:32:01.840
<v Speaker 1>candy fan. Okay, So she eats three pieces of the candy.

1:32:02.080 --> 1:32:04.280
<v Speaker 1>Her forty four year old sister Ida eats two pieces

1:32:04.320 --> 1:32:06.040
<v Speaker 1>of the candy. They put the rest away to save

1:32:06.080 --> 1:32:09.599
<v Speaker 1>for later. She immediately gets sick, so does her sister,

1:32:09.840 --> 1:32:14.240
<v Speaker 1>and after two days of agonizing torture, they both die

1:32:14.960 --> 1:32:20.280
<v Speaker 1>of arsenic poisoning. Okay, yeah, Mary Elizabeth's father, a former

1:32:20.439 --> 1:32:24.000
<v Speaker 1>US congressman I mentioned he recognizes the handwriting on the

1:32:24.080 --> 1:32:28.720
<v Speaker 1>note from the candy box. Looks familiar. They match it

1:32:28.840 --> 1:32:31.439
<v Speaker 1>to these anonymous letters that she's been receiving, So whoever

1:32:31.520 --> 1:32:34.800
<v Speaker 1>sent these letters has sent the candy. The news of

1:32:34.880 --> 1:32:38.040
<v Speaker 1>the wife's death gets to Dunning, John Preston Dunning in

1:32:38.120 --> 1:32:38.719
<v Speaker 1>Puerto Rico.

1:32:39.160 --> 1:32:40.840
<v Speaker 3>He promptly catches a ship home.

1:32:41.280 --> 1:32:44.680
<v Speaker 1>Reporters are waiting for him there and if anyone knows

1:32:44.720 --> 1:32:47.720
<v Speaker 1>about getting a story, it's this guy. He admitted to

1:32:47.800 --> 1:32:50.880
<v Speaker 1>having three affairs in San Francisco, but he felt like,

1:32:50.960 --> 1:32:52.920
<v Speaker 1>deep down, Cordelia is the one that could have done this.

1:32:53.479 --> 1:32:55.479
<v Speaker 1>Police found that the candy came from a shop in

1:32:55.520 --> 1:32:58.599
<v Speaker 1>San Francisco, and that led them to Cordelia Bodkin at

1:32:58.680 --> 1:32:59.840
<v Speaker 1>her home in San Francisco.

1:33:00.320 --> 1:33:02.599
<v Speaker 3>She was living at this hotel. She had an apartment

1:33:02.600 --> 1:33:03.599
<v Speaker 3>at the Hotel Victoria.

1:33:04.040 --> 1:33:06.840
<v Speaker 1>They found paper string and a seal from the candy

1:33:06.920 --> 1:33:10.360
<v Speaker 1>box that showed that she had basically, you know, cut

1:33:10.400 --> 1:33:12.840
<v Speaker 1>off the string to open the box, put the arsenic

1:33:12.920 --> 1:33:14.960
<v Speaker 1>in the chocolates, and then sealed it back up. And

1:33:15.080 --> 1:33:17.920
<v Speaker 1>they found her at her husband's house in Stockton and

1:33:18.080 --> 1:33:20.479
<v Speaker 1>the police asked her. She asked the police if she

1:33:20.520 --> 1:33:22.800
<v Speaker 1>could please pack a trunk of clothes before going off

1:33:22.840 --> 1:33:25.320
<v Speaker 1>to jail. And it was so heavy that two deputies

1:33:25.360 --> 1:33:27.599
<v Speaker 1>had to carry it out. So this woman is wild. Okay,

1:33:27.840 --> 1:33:31.280
<v Speaker 1>she got to prison, yeah, I guess so, yeah, she

1:33:31.360 --> 1:33:34.160
<v Speaker 1>got to bring some clothes to jail. And this was

1:33:34.200 --> 1:33:37.800
<v Speaker 1>the second murder by mail ever in American history, and

1:33:37.920 --> 1:33:42.800
<v Speaker 1>it's the first American prosecution of a crime across jurisdictions

1:33:42.880 --> 1:33:45.960
<v Speaker 1>like this because the poison was purchased and sent from

1:33:46.080 --> 1:33:50.720
<v Speaker 1>California but ingested in Delaware. Wow. So she went to

1:33:50.840 --> 1:33:54.200
<v Speaker 1>trial in eighteen ninety eight, she was convicted. She, of course,

1:33:54.400 --> 1:33:58.400
<v Speaker 1>like any person with money, appealed, was retried, was convicted

1:33:58.479 --> 1:34:01.479
<v Speaker 1>again in nineteen oh four, entrance to life, and she

1:34:01.640 --> 1:34:03.960
<v Speaker 1>was sent to prison in San Francisco, But after the

1:34:04.040 --> 1:34:06.639
<v Speaker 1>earthquake in nineteen oh six, she was moved to San

1:34:06.760 --> 1:34:10.080
<v Speaker 1>Quentin and she died there in nineteen ten. Her lover,

1:34:10.360 --> 1:34:13.719
<v Speaker 1>John Dunning, John Preston Dunning, his career was in ruins

1:34:13.760 --> 1:34:16.040
<v Speaker 1>after all the details of the affair were revealed during

1:34:16.080 --> 1:34:18.000
<v Speaker 1>the trial, and he died.

1:34:18.040 --> 1:34:21.760
<v Speaker 3>In nineteen oh eight in Philadelphia. Dude, the thought of this.

1:34:21.920 --> 1:34:27.519
<v Speaker 2>Like upper class rich woman in San Quentin is like wild, yeah, yeah,

1:34:28.240 --> 1:34:29.720
<v Speaker 2>and like so.

1:34:29.840 --> 1:34:32.120
<v Speaker 1>It's kind of like it's got rich people, it's got

1:34:32.200 --> 1:34:35.760
<v Speaker 1>poison and that's kind of the only and candy. Oh well,

1:34:35.960 --> 1:34:38.960
<v Speaker 1>well well mushroom, yeah, yeah, those are the toys. The

1:34:39.040 --> 1:34:42.000
<v Speaker 1>ties to the mushroom A wet episode.

1:34:41.920 --> 1:34:44.959
<v Speaker 2>But I don't know, something about like the old timiness

1:34:45.040 --> 1:34:47.280
<v Speaker 2>of it does make it seem less real, where I'm

1:34:47.320 --> 1:34:49.280
<v Speaker 2>like ooh, what I.

1:34:49.439 --> 1:34:52.360
<v Speaker 1>Know, And also just like the trustingness of like getting

1:34:52.520 --> 1:34:55.200
<v Speaker 1>random package of candy in the mail and going okay,

1:34:55.240 --> 1:34:58.040
<v Speaker 1>yum yum and like eating it, you know, like yeah,

1:34:58.760 --> 1:35:00.760
<v Speaker 1>like that's not a modern story.

1:35:01.080 --> 1:35:03.640
<v Speaker 3>Like no, or it's like was she even like that?

1:35:03.840 --> 1:35:04.600
<v Speaker 3>How was missus c.

1:35:06.200 --> 1:35:06.439
<v Speaker 1>Yeah?

1:35:06.640 --> 1:35:07.760
<v Speaker 3>Was it even a holiday?

1:35:09.120 --> 1:35:12.519
<v Speaker 1>No? It was August, I mean a little pre labor

1:35:12.600 --> 1:35:15.559
<v Speaker 1>day chocolate. I don't know, damn.

1:35:17.120 --> 1:35:19.720
<v Speaker 3>But this is like, you know, there's old pictures of Cordelia,

1:35:19.920 --> 1:35:23.240
<v Speaker 3>like bugshots of her, and like she's is she a hottie?

1:35:24.080 --> 1:35:27.720
<v Speaker 1>She? Well, I wouldn't. I don't know. I wouldn't really

1:35:27.760 --> 1:35:30.479
<v Speaker 1>say that, not the way that she is illustrated and

1:35:30.560 --> 1:35:31.520
<v Speaker 1>also photographed.

1:35:32.160 --> 1:35:33.760
<v Speaker 3>No, she doesn't come across as that.

1:35:33.880 --> 1:35:36.640
<v Speaker 1>But I think that she was probably kind of like

1:35:37.320 --> 1:35:40.120
<v Speaker 1>body and like and had like a sort of independence

1:35:40.200 --> 1:35:43.559
<v Speaker 1>and like sexual freedom to her. That probably a lot

1:35:43.600 --> 1:35:45.439
<v Speaker 1>of other women didn't have because their husbands were like

1:35:46.000 --> 1:35:48.720
<v Speaker 1>weighing on them, and her husband was kind of like,

1:35:48.800 --> 1:35:50.760
<v Speaker 1>do your thing, girl, I'll be in Stockton, like by

1:35:51.000 --> 1:35:53.240
<v Speaker 1>you think he was gay? I don't know.

1:35:53.720 --> 1:35:54.639
<v Speaker 3>They have the one son.

1:35:55.040 --> 1:35:55.559
<v Speaker 4>He grew up.

1:35:55.680 --> 1:35:57.560
<v Speaker 1>She was done being like a mom, and she was

1:35:57.680 --> 1:35:59.439
<v Speaker 1>kind of like, all right, time for some affairs and

1:35:59.520 --> 1:36:00.880
<v Speaker 1>some party in San Francisco.

1:36:01.680 --> 1:36:06.080
<v Speaker 3>Wow, But like all the lawyers are like, you know, mustaches.

1:36:06.160 --> 1:36:07.160
<v Speaker 3>Boy isn't the guy.

1:36:08.600 --> 1:36:11.120
<v Speaker 1>I know? But it's like she probably thought, if she

1:36:11.160 --> 1:36:13.599
<v Speaker 1>got rid of the wife somehow, what if my dads

1:36:14.000 --> 1:36:15.760
<v Speaker 1>ate it, What if a bunch of what if they

1:36:15.800 --> 1:36:16.759
<v Speaker 1>were being a dinner party?

1:36:17.080 --> 1:36:18.479
<v Speaker 3>She could have murdered twelve people.

1:36:18.920 --> 1:36:21.720
<v Speaker 1>I know. I think she probably wasn't thinking, and she

1:36:21.920 --> 1:36:24.840
<v Speaker 1>was doing it through full jealousy, and she thought, if

1:36:24.880 --> 1:36:26.840
<v Speaker 1>I can get rid of this woman, he'll come back

1:36:26.880 --> 1:36:27.040
<v Speaker 1>to me.

1:36:28.040 --> 1:36:28.439
<v Speaker 3>I don't know.

1:36:29.400 --> 1:36:31.560
<v Speaker 1>Oh my god, I just read this thing that she

1:36:31.680 --> 1:36:34.080
<v Speaker 1>died in prison in nineteen ten, and the official cause

1:36:34.160 --> 1:36:38.479
<v Speaker 1>of death is the most fucking old timey thing I've

1:36:38.520 --> 1:36:43.920
<v Speaker 1>ever heard, softening of the brain due to melancholia. So

1:36:44.479 --> 1:36:46.559
<v Speaker 1>her brain got soft because she was so sad about

1:36:46.960 --> 1:36:52.320
<v Speaker 1>getting dumped becoming a murderer and then getting got and imprisoned,

1:36:52.880 --> 1:36:56.640
<v Speaker 1>so that Melancholia just softened her little brain. Right up,

1:36:58.200 --> 1:37:02.560
<v Speaker 1>damn nuts, and stay tuned, guys, because we have a

1:37:02.720 --> 1:37:07.919
<v Speaker 1>jam packed guest. Than you ever take candy from a stranger.

1:37:09.080 --> 1:37:11.320
<v Speaker 1>We have a jam pack guest. Don't go anywhere. We

1:37:11.400 --> 1:37:21.920
<v Speaker 1>have a great guest. Our guest today. Oh my god,

1:37:21.960 --> 1:37:24.280
<v Speaker 1>I'm so excited we got him. He is a beloved

1:37:24.320 --> 1:37:26.840
<v Speaker 1>actor who's been part of our lives for over thirty years.

1:37:27.200 --> 1:37:29.559
<v Speaker 1>You may know him from his early roles in iconic

1:37:29.640 --> 1:37:32.479
<v Speaker 1>films like Adam's Family Values, The Ice Storm, The Santa

1:37:32.520 --> 1:37:35.679
<v Speaker 1>Claus and Ten Things I Hate About You, Delta's most

1:37:35.720 --> 1:37:38.680
<v Speaker 1>played movie. He also recently has been in movies like

1:37:38.800 --> 1:37:41.680
<v Speaker 1>Oppenheimer and the series The Studio. But you know him

1:37:41.720 --> 1:37:45.240
<v Speaker 1>best as our little mushroom man, doctor Vincent pro Chick.

1:37:45.640 --> 1:37:49.000
<v Speaker 1>Please enjoy our chat with the hilarious David Crumholtz.

1:37:49.600 --> 1:37:52.960
<v Speaker 2>This seems like a long time coming because we do

1:37:53.120 --> 1:37:56.920
<v Speaker 2>this episode at our live shows. It's one of our mainstays.

1:37:56.960 --> 1:37:59.120
<v Speaker 2>So we've talked about you a lot. I'm in a

1:37:59.160 --> 1:38:01.800
<v Speaker 2>lot of different city just waiting for this moment.

1:38:02.240 --> 1:38:05.680
<v Speaker 4>How do people react in different cities. Well, when you

1:38:05.800 --> 1:38:06.799
<v Speaker 4>bring me up, well.

1:38:06.680 --> 1:38:10.920
<v Speaker 1>This episode, will you specifically everybody? Yeah, everybody loves this episode.

1:38:10.960 --> 1:38:15.040
<v Speaker 1>It's iconic, it's campy, it's glass. So I would saying

1:38:15.280 --> 1:38:19.679
<v Speaker 1>I hate about you. Oh that's that's kind of that's

1:38:19.720 --> 1:38:22.240
<v Speaker 1>our audience. So that gets people really riled up.

1:38:22.400 --> 1:38:25.360
<v Speaker 3>Where did this? Like, I mean, your your career.

1:38:25.120 --> 1:38:27.640
<v Speaker 1>Goes back so long, and like this feels like it

1:38:27.800 --> 1:38:30.960
<v Speaker 1>kind of falls in between. Like you're doing the show

1:38:31.120 --> 1:38:34.599
<v Speaker 1>Numbers and you're like a regular on Numbers and then

1:38:35.280 --> 1:38:38.360
<v Speaker 1>you're but like you're popping into doing SVU, Like how

1:38:38.400 --> 1:38:39.120
<v Speaker 1>did this come to you?

1:38:40.040 --> 1:38:44.800
<v Speaker 4>This was after Numbers had ended? Okay, uh and not

1:38:45.600 --> 1:38:49.479
<v Speaker 4>too soon after, but not you know, a good couple

1:38:49.520 --> 1:38:54.320
<v Speaker 4>of years, I would guess. And uh, yeah I did

1:38:54.360 --> 1:38:57.920
<v Speaker 4>not audition. Hell yeah, I'm a New York, New York,

1:38:59.120 --> 1:39:04.880
<v Speaker 4>New York. So they came and got me, which is

1:39:05.040 --> 1:39:07.760
<v Speaker 4>very nice of them. I had done an episode of

1:39:07.840 --> 1:39:10.280
<v Speaker 4>the original Law in Order when I was fifteen years old.

1:39:10.640 --> 1:39:12.439
<v Speaker 3>I don't remember were that young, dah yea. I was

1:39:12.479 --> 1:39:13.360
<v Speaker 3>in nineteen eighty three.

1:39:14.320 --> 1:39:16.759
<v Speaker 4>I look eight years old in it, but I'm fifteen

1:39:17.360 --> 1:39:20.800
<v Speaker 4>cool and so then yeah, they came and got me

1:39:21.280 --> 1:39:24.439
<v Speaker 4>and I said, without a doubt I would do it

1:39:25.479 --> 1:39:29.920
<v Speaker 4>fun part, and you know, being part of that whole

1:39:30.040 --> 1:39:33.719
<v Speaker 4>universe for a second time was really thrilling. The idea

1:39:33.720 --> 1:39:36.120
<v Speaker 4>of that was really thrilling to me. Getting to work

1:39:36.160 --> 1:39:43.760
<v Speaker 4>with marishka iced Tea, who's amazing, Chris uh just you know,

1:39:44.920 --> 1:39:46.960
<v Speaker 4>you know, you just know that it's going to be

1:39:47.040 --> 1:39:49.439
<v Speaker 4>a lot of fun. And that episode was really quirky

1:39:49.520 --> 1:39:52.360
<v Speaker 4>and weird and kind of loved that it wasn't too

1:39:53.120 --> 1:39:54.360
<v Speaker 4>dramatic or serious.

1:39:54.560 --> 1:39:57.760
<v Speaker 3>You know, Yeah, just one dead woman, so that's good.

1:39:58.439 --> 1:40:00.720
<v Speaker 4>Just one dead old woman, one dead woman.

1:40:00.800 --> 1:40:04.120
<v Speaker 1>And yeah, she's at the beginning and it's yeah, she's.

1:40:04.000 --> 1:40:06.040
<v Speaker 3>Evil and she's trying to take water away from people.

1:40:06.840 --> 1:40:07.040
<v Speaker 1>Yeah.

1:40:07.160 --> 1:40:10.599
<v Speaker 4>And by the way, I did another episode fairly recently. Yeah,

1:40:10.720 --> 1:40:12.600
<v Speaker 4>us for you, so they seem to like me.

1:40:13.240 --> 1:40:15.760
<v Speaker 1>Yeah, did you note, like, did you notice any big

1:40:15.800 --> 1:40:17.840
<v Speaker 1>differences from when you did it in like twenty ten

1:40:18.000 --> 1:40:20.400
<v Speaker 1>versus doing it again in like twenty thirteen. I mean, now,

1:40:20.439 --> 1:40:24.559
<v Speaker 1>obviously Christopher Maloney's gone, mart is kind of like the big.

1:40:25.280 --> 1:40:29.760
<v Speaker 4>Well the law in order set. Their crew, that's the

1:40:29.880 --> 1:40:33.479
<v Speaker 4>most well oiled crew ever. You know, they've been doing

1:40:33.840 --> 1:40:37.519
<v Speaker 4>the show for what is it twenty seven, twenty eight

1:40:37.640 --> 1:40:38.519
<v Speaker 4>years now? Almost?

1:40:39.200 --> 1:40:41.880
<v Speaker 1>I mean six right now? Yeah, okay, but they're renewed

1:40:41.960 --> 1:40:43.320
<v Speaker 1>for two more years or three years.

1:40:43.360 --> 1:40:47.040
<v Speaker 4>It's just they they blink and make television, you know

1:40:47.040 --> 1:40:51.479
<v Speaker 4>what I mean. Like it's so the days are lovely,

1:40:51.680 --> 1:40:54.840
<v Speaker 4>the freedom. You just don't get that on any other

1:40:54.960 --> 1:40:59.360
<v Speaker 4>crime procedural, any other broadcast network show. It's just show

1:40:59.439 --> 1:41:01.240
<v Speaker 4>up and let's have fun with it. Because at this

1:41:01.400 --> 1:41:04.759
<v Speaker 4>point they're well past the point, let's say, of jumping

1:41:04.840 --> 1:41:08.320
<v Speaker 4>the shark or gilding the lily as a show. So

1:41:08.600 --> 1:41:13.000
<v Speaker 4>they're very interested in finding like the juicy new They're

1:41:13.000 --> 1:41:15.439
<v Speaker 4>always looking for, like, what's the new thing we can

1:41:15.520 --> 1:41:19.920
<v Speaker 4>do to keep ourselves fascinated. You know, they really do

1:41:20.280 --> 1:41:23.599
<v Speaker 4>make law and order for not only their adoring audience,

1:41:24.240 --> 1:41:26.479
<v Speaker 4>but themselves. I think they think that, you know, and

1:41:26.520 --> 1:41:29.360
<v Speaker 4>they have that's the right attitude, which is, if we're entertained,

1:41:29.439 --> 1:41:32.439
<v Speaker 4>if we keep this interesting for ourselves, then our audience

1:41:32.520 --> 1:41:34.519
<v Speaker 4>will will love it. And it seems to be working

1:41:35.040 --> 1:41:38.000
<v Speaker 4>to the tune of two more seasons at least what

1:41:38.120 --> 1:41:39.439
<v Speaker 4>I said, and.

1:41:39.479 --> 1:41:42.599
<v Speaker 3>The longest running live action show on television.

1:41:42.640 --> 1:41:46.400
<v Speaker 4>I think, yeah, yes, so I think ever right, yeah,

1:41:46.560 --> 1:41:47.080
<v Speaker 4>live action.

1:41:47.720 --> 1:41:51.080
<v Speaker 1>I think, who are they against Bonanza or something like

1:41:51.240 --> 1:41:53.800
<v Speaker 1>back in the I don't think at times like yeah,

1:41:54.439 --> 1:41:57.920
<v Speaker 1>olden times Bonanza. So wait, what happened? Like, so the

1:41:58.000 --> 1:42:00.560
<v Speaker 1>second episode you did was in was it like it

1:42:00.680 --> 1:42:05.080
<v Speaker 1>was last year? So did you like, at this point

1:42:05.840 --> 1:42:10.200
<v Speaker 1>you're doing Oppenheimer, You're in all these like movies, but

1:42:10.280 --> 1:42:11.800
<v Speaker 1>they come back to you for law and orders for

1:42:11.840 --> 1:42:12.400
<v Speaker 1>you and you're like.

1:42:12.640 --> 1:42:15.799
<v Speaker 3>I'm there for this second episode.

1:42:16.600 --> 1:42:21.160
<v Speaker 4>Well, no doubt about it, regardless of what the situation was.

1:42:21.240 --> 1:42:24.320
<v Speaker 4>But the situation was that I hadn't worked for nine

1:42:24.320 --> 1:42:26.880
<v Speaker 4>straight months because of the sag actors.

1:42:27.120 --> 1:42:28.320
<v Speaker 3>Right, Okay, I.

1:42:28.400 --> 1:42:32.280
<v Speaker 4>Have two children, I have a dog and two cats.

1:42:33.320 --> 1:42:35.320
<v Speaker 4>Now it's a no brainer. You don't say no to law. No,

1:42:35.760 --> 1:42:38.200
<v Speaker 4>you just don't say no. Yeah, and if you do,

1:42:38.840 --> 1:42:43.280
<v Speaker 4>you know who my precious. I mean, you know, I'm

1:42:43.320 --> 1:42:46.479
<v Speaker 4>not like that. It's a New York staple. I get

1:42:46.560 --> 1:42:48.320
<v Speaker 4>to work in New York, I get to play in

1:42:48.400 --> 1:42:52.559
<v Speaker 4>New Yorker. It's you know, we shot in Queens. I'm

1:42:52.640 --> 1:42:57.559
<v Speaker 4>from Queens. I mean it's a no brainer. Yeah, every time,

1:42:57.640 --> 1:42:58.360
<v Speaker 4>it's a no brainer.

1:42:58.400 --> 1:42:58.559
<v Speaker 1>Yeah.

1:42:58.640 --> 1:42:58.800
<v Speaker 5>Yeah.

1:42:59.120 --> 1:43:03.479
<v Speaker 4>The people, the showrunners, the directors in that case was

1:43:03.880 --> 1:43:06.639
<v Speaker 4>Norbit or Barbara just wonderful people.

1:43:07.160 --> 1:43:07.320
<v Speaker 1>You know.

1:43:07.640 --> 1:43:09.799
<v Speaker 3>Did you ever live in LA or did you always

1:43:09.880 --> 1:43:10.240
<v Speaker 3>New York?

1:43:10.880 --> 1:43:12.960
<v Speaker 4>Yeah? I lived in LA for fifteen years.

1:43:13.880 --> 1:43:14.800
<v Speaker 3>What made you go back?

1:43:15.760 --> 1:43:21.439
<v Speaker 4>I wanted to establish some trace of humanity in myself,

1:43:23.240 --> 1:43:26.320
<v Speaker 4>not find it. It had been stamped out. I needed

1:43:26.400 --> 1:43:30.200
<v Speaker 4>to re establish. It was a rebirth when I moved

1:43:30.280 --> 1:43:34.880
<v Speaker 4>back LA. Just and I we had our romantic period

1:43:35.439 --> 1:43:38.479
<v Speaker 4>and it was very nice, it was, and then it

1:43:38.880 --> 1:43:44.200
<v Speaker 4>got dark quick for me there and I yeah, yeah,

1:43:45.160 --> 1:43:49.040
<v Speaker 4>I got the heck out of Dodge Plus in the nineties.

1:43:49.960 --> 1:43:52.400
<v Speaker 4>When I moved out to LA in the late nineties

1:43:52.920 --> 1:43:57.120
<v Speaker 4>early two thousands, the only thing shooting in New York

1:43:57.439 --> 1:44:02.160
<v Speaker 4>on a regular basis were the Lower Norman. Everything else

1:44:02.240 --> 1:44:05.320
<v Speaker 4>had left town, you know, there was nothing, and so

1:44:05.479 --> 1:44:08.720
<v Speaker 4>it made no sense to stay in New York. I

1:44:08.880 --> 1:44:11.519
<v Speaker 4>needed to go pay my dues and get work in LA.

1:44:12.360 --> 1:44:16.519
<v Speaker 4>But when I you know, fifteen years later, you know,

1:44:16.640 --> 1:44:20.560
<v Speaker 4>with the tax credit, the work had returned in abundance

1:44:20.680 --> 1:44:23.200
<v Speaker 4>to New York, and I thought, well, I need to

1:44:23.320 --> 1:44:25.800
<v Speaker 4>go home, you know, be with my family, go home

1:44:25.960 --> 1:44:29.479
<v Speaker 4>and raise my children here and yees.

1:44:29.920 --> 1:44:31.600
<v Speaker 1>So I want to ask you, since you live in

1:44:31.680 --> 1:44:33.760
<v Speaker 1>New Jersey. Do you have run ins with the Real

1:44:33.800 --> 1:44:35.160
<v Speaker 1>Housewives of New Jersey ever?

1:44:35.720 --> 1:44:35.920
<v Speaker 4>Yeah?

1:44:36.040 --> 1:44:38.440
<v Speaker 1>Have you seen them out and about fighting at restaurants,

1:44:38.600 --> 1:44:41.880
<v Speaker 1>flipping tables, throwing wine at each other's faces. They are

1:44:41.960 --> 1:44:45.320
<v Speaker 1>one of the most out of pocket franchises.

1:44:45.840 --> 1:44:49.679
<v Speaker 4>Yeah. I've only seen one of them out in the wild,

1:44:51.000 --> 1:44:52.799
<v Speaker 4>and she's the normal one. Jakile.

1:44:53.439 --> 1:44:54.680
<v Speaker 3>Oh, Kathy, I don't know.

1:44:54.880 --> 1:45:01.880
<v Speaker 4>Kathya, whose husband is riotously funny. She owns she owns

1:45:01.880 --> 1:45:04.400
<v Speaker 4>a pizza place, and I saw her there the other day.

1:45:05.080 --> 1:45:09.519
<v Speaker 4>I once ran into Caroline Manzo now there now we're

1:45:09.560 --> 1:45:14.479
<v Speaker 4>talking in the city at an industry party, and she

1:45:14.760 --> 1:45:17.400
<v Speaker 4>was clear. She she had a look on her face

1:45:17.479 --> 1:45:22.360
<v Speaker 4>of deep misery. Her life had been ruined by the show.

1:45:22.439 --> 1:45:24.680
<v Speaker 4>It was clear. So I didn't approach her.

1:45:25.320 --> 1:45:28.120
<v Speaker 3>But then she on her sister's husband.

1:45:28.960 --> 1:45:31.000
<v Speaker 4>I don't know about that. And then I and then

1:45:32.120 --> 1:45:39.000
<v Speaker 4>we met, uh who's the Gorgas Joe, And I was

1:45:39.120 --> 1:45:41.920
<v Speaker 4>amazed by how tiny they are.

1:45:42.240 --> 1:45:44.639
<v Speaker 3>Oh yeah, Joe's like five five two.

1:45:45.320 --> 1:45:48.240
<v Speaker 4>Yeah, and she's like five feet yeah. Tiny, little you know,

1:45:48.479 --> 1:45:53.160
<v Speaker 4>hobbit hobbiton hobbit type, you know, little Italian American hobbit.

1:45:55.479 --> 1:45:59.680
<v Speaker 1>Wow, Oh my god, now did you know who they were?

1:45:59.800 --> 1:46:02.320
<v Speaker 1>It's someone have to tell you. No.

1:46:02.720 --> 1:46:05.799
<v Speaker 4>I watched that show. I watched the first three seasons,

1:46:05.880 --> 1:46:10.360
<v Speaker 4>like religiously. It's the best Real Housewives of all of them.

1:46:10.400 --> 1:46:13.280
<v Speaker 4>And I I love the New York one. I loved

1:46:13.560 --> 1:46:17.559
<v Speaker 4>the Beverly Hills one. This is the other one life,

1:46:17.880 --> 1:46:20.560
<v Speaker 4>but Real Housewives of New Jersey, come on, that's the

1:46:20.640 --> 1:46:21.120
<v Speaker 4>best one.

1:46:21.320 --> 1:46:23.840
<v Speaker 2>Well, I would say the Steaks are the highest because

1:46:23.840 --> 1:46:28.120
<v Speaker 2>of them, the familial aspect, the darkness. But I would

1:46:28.160 --> 1:46:31.120
<v Speaker 2>say in terms of comedy, New York just they get

1:46:31.200 --> 1:46:33.680
<v Speaker 2>so drunk. I like New York, right, I.

1:46:33.760 --> 1:46:35.920
<v Speaker 4>Like New York too. But the thing is, here's why

1:46:35.960 --> 1:46:38.639
<v Speaker 4>I like New Jersey. And this is true of New Jersey.

1:46:39.800 --> 1:46:40.879
<v Speaker 4>Very little irony.

1:46:41.520 --> 1:46:45.400
<v Speaker 1>Oh you can't do it, Metapore they take it for.

1:46:45.640 --> 1:46:50.120
<v Speaker 4>Which is weird because New York is like Irony Central

1:46:50.360 --> 1:46:55.600
<v Speaker 4>and just you know, ten miles away, you're you know,

1:46:55.720 --> 1:46:59.000
<v Speaker 4>there's no And so that show works on a sort

1:46:59.040 --> 1:47:03.680
<v Speaker 4>of meta level of understanding that woll these people are

1:47:03.960 --> 1:47:05.519
<v Speaker 4>shockingly real people.

1:47:06.479 --> 1:47:06.640
<v Speaker 1>You know.

1:47:06.960 --> 1:47:08.840
<v Speaker 2>Yeah, well this last season, I know you've been out

1:47:08.840 --> 1:47:11.240
<v Speaker 2>of the game for a while. But the biggest controversy

1:47:11.360 --> 1:47:13.840
<v Speaker 2>was someone called someone else's slob.

1:47:15.000 --> 1:47:17.200
<v Speaker 3>And it costs chaos, and we're like, that doesn't even

1:47:17.280 --> 1:47:18.200
<v Speaker 3>seem like that bad.

1:47:19.360 --> 1:47:22.080
<v Speaker 4>Oh I'm a slot. Let me tell you about your

1:47:22.200 --> 1:47:23.280
<v Speaker 4>slob husband.

1:47:23.160 --> 1:47:23.880
<v Speaker 1>And my family.

1:47:25.280 --> 1:47:27.320
<v Speaker 3>Oh well, where I grew up. Slob didn't mean anything

1:47:27.439 --> 1:47:27.600
<v Speaker 3>like that.

1:47:27.880 --> 1:47:31.880
<v Speaker 1>Like it's oh then too, because I don't mean to

1:47:32.000 --> 1:47:34.960
<v Speaker 1>be insulting them in any way, but they're not aspirational

1:47:35.080 --> 1:47:37.800
<v Speaker 1>to me. Like the Beverly Hills, New York. They've got

1:47:37.880 --> 1:47:41.880
<v Speaker 1>some gorgeous houses, apartments, cars. The people in New Jersey,

1:47:42.040 --> 1:47:43.600
<v Speaker 1>I'm like, I don't want to live in one of

1:47:43.640 --> 1:47:47.520
<v Speaker 1>these architectural nightmares where there's too many pointed columns.

1:47:47.120 --> 1:47:49.760
<v Speaker 3>But you know, and the pools are not.

1:47:49.920 --> 1:47:52.639
<v Speaker 1>But like, you know, I'm not so I'm able since

1:47:52.680 --> 1:47:55.640
<v Speaker 1>I'm not like really jealous of the marble columns or

1:47:55.760 --> 1:47:58.320
<v Speaker 1>the you know, granted, like the marble countertops.

1:47:58.400 --> 1:48:02.120
<v Speaker 3>I'm like, I can just folk on the behavior.

1:48:01.840 --> 1:48:04.200
<v Speaker 1>And the interactions, you know, I can really focus.

1:48:04.000 --> 1:48:05.400
<v Speaker 3>In on them and who they are.

1:48:05.560 --> 1:48:09.400
<v Speaker 4>No, the truth is they've they've made it in their

1:48:09.479 --> 1:48:15.120
<v Speaker 4>opinions to the highest level they can, and so they're

1:48:15.240 --> 1:48:17.240
<v Speaker 4>then they have it's a pain in the ass for

1:48:17.360 --> 1:48:19.439
<v Speaker 4>them to have to deal with the rest of their lives,

1:48:20.040 --> 1:48:23.800
<v Speaker 4>specifically their family members, including each other. Right, they're not

1:48:24.040 --> 1:48:26.800
<v Speaker 4>dealing with Oh I didn't get that business deal or

1:48:26.880 --> 1:48:32.280
<v Speaker 4>I wish i'd you know, met that you know important person. No,

1:48:32.560 --> 1:48:36.240
<v Speaker 4>they're really mired in. Don't you dare come near me?

1:48:36.520 --> 1:48:40.439
<v Speaker 3>You've disrespected me. Everything is like you disrespected palace.

1:48:40.960 --> 1:48:43.200
<v Speaker 4>Right, you walk into this palace, You've better be on

1:48:43.320 --> 1:48:46.320
<v Speaker 4>your best behavior. Bitch. You know it's that.

1:48:46.600 --> 1:48:48.560
<v Speaker 1>Have you not been on Watch What Happens Live? No?

1:48:48.680 --> 1:48:49.439
<v Speaker 3>I just googled it.

1:48:49.640 --> 1:48:51.280
<v Speaker 4>No, No, I've not been on anything.

1:48:51.600 --> 1:48:52.080
<v Speaker 3>That's great.

1:48:52.120 --> 1:48:53.400
<v Speaker 4>It's amazing that you.

1:48:53.680 --> 1:48:56.080
<v Speaker 1>I think if they knew that you liked if they

1:48:56.200 --> 1:48:59.760
<v Speaker 1>knew that you liked Bravo, they'd have you.

1:49:00.080 --> 1:49:02.320
<v Speaker 3>I think they like to have straight men on who

1:49:02.479 --> 1:49:05.799
<v Speaker 3>like the shows. I'm not making a I'm trying.

1:49:05.640 --> 1:49:08.320
<v Speaker 1>Not trying to make a qualification about your sexual mind.

1:49:09.760 --> 1:49:14.280
<v Speaker 4>Carot My uh following if I have a following event

1:49:14.960 --> 1:49:21.519
<v Speaker 4>is such a deep sub subculture. I am truly iconic,

1:49:21.680 --> 1:49:26.759
<v Speaker 4>if anything, for being invisible. No one gives a shit

1:49:27.280 --> 1:49:30.679
<v Speaker 4>what I have to say. And when I'm on talk shows,

1:49:31.400 --> 1:49:34.400
<v Speaker 4>people are like, why am I being subjected to a

1:49:34.479 --> 1:49:37.960
<v Speaker 4>complete nobody? Like when I you know what I inspire

1:49:38.080 --> 1:49:43.000
<v Speaker 4>when people have I inspire total non talents to be like, oh,

1:49:43.280 --> 1:49:44.960
<v Speaker 4>this guy can be on a talk.

1:49:44.960 --> 1:49:50.080
<v Speaker 1>That's so insane because you're in like though Oscar winning movie.

1:49:50.600 --> 1:49:52.479
<v Speaker 3>Yeah, you're just in the Oscar winning movie.

1:49:52.520 --> 1:49:56.519
<v Speaker 1>You're in this new Jeremy Allen White Springsteen biopic that

1:49:56.560 --> 1:49:59.760
<v Speaker 1>everyone's freaking wet in their pants over like you're you.

1:50:00.160 --> 1:50:03.400
<v Speaker 1>Your IMDb is extensive, which I want to get into

1:50:03.560 --> 1:50:04.040
<v Speaker 1>first of all.

1:50:06.520 --> 1:50:11.080
<v Speaker 4>I'm also but the thing is that everybody has to

1:50:11.200 --> 1:50:15.639
<v Speaker 4>understand is this uh and you'll find this this will

1:50:15.680 --> 1:50:20.200
<v Speaker 4>be your lowest rated as no doubt about the name.

1:50:20.400 --> 1:50:23.759
<v Speaker 4>Now here's what I've come to learn. The name crumb holds.

1:50:24.320 --> 1:50:28.200
<v Speaker 4>The name crumb Holds is so jarring to people because

1:50:28.280 --> 1:50:30.840
<v Speaker 4>they read it and they go, how could any celebrity

1:50:31.560 --> 1:50:35.360
<v Speaker 4>or any one of any notoriety keep the name crumb holds.

1:50:36.000 --> 1:50:38.839
<v Speaker 4>This can't be a famous person. This is some random

1:50:38.960 --> 1:50:43.120
<v Speaker 4>PA that worked on the show for two episodes. You know,

1:50:43.280 --> 1:50:46.439
<v Speaker 4>Like the name crumb Holds schisms people's brain. I know

1:50:46.560 --> 1:50:49.680
<v Speaker 4>it does with mine. Actually, a few weeks ago, I'm

1:50:49.760 --> 1:50:53.280
<v Speaker 4>not kidding. I had a very serious conversation this late

1:50:53.360 --> 1:50:56.640
<v Speaker 4>into my career, and I mean dead serious with my

1:50:56.840 --> 1:51:00.760
<v Speaker 4>representation about changing my name to David Crumb because I

1:51:00.920 --> 1:51:03.400
<v Speaker 4>was like, I think it'll be like cuter and it

1:51:03.520 --> 1:51:06.519
<v Speaker 4>has more succinct, and it has a ring, it has

1:51:06.600 --> 1:51:09.600
<v Speaker 4>a thing to it. David Crumb. Dave Crumb and my

1:51:09.800 --> 1:51:10.800
<v Speaker 4>agents were like, do.

1:51:10.960 --> 1:51:13.160
<v Speaker 1>Not do that. Don't do that. You have one hundred

1:51:13.200 --> 1:51:17.360
<v Speaker 1>and thirty two IMDb credits with six you wanted like

1:51:17.439 --> 1:51:19.120
<v Speaker 1>the Parenthesy Crumb holds.

1:51:19.800 --> 1:51:22.439
<v Speaker 4>You know, well maybe, But I thought to myself, you

1:51:22.520 --> 1:51:26.200
<v Speaker 4>know they're wrong. I'm going rogue. And I went so

1:51:26.400 --> 1:51:29.519
<v Speaker 4>far as to reach out to SAG and ask them

1:51:29.640 --> 1:51:31.960
<v Speaker 4>if I can do it, and they said yes, and

1:51:32.080 --> 1:51:35.519
<v Speaker 4>that scared me. Oh god, I'm not doing it, but

1:51:35.720 --> 1:51:39.240
<v Speaker 4>you'll see my Instagram. So that day it was I'm

1:51:39.479 --> 1:51:44.439
<v Speaker 4>very compulsive, impulsive, compulsive, And that day I changed my

1:51:44.600 --> 1:51:48.960
<v Speaker 4>Instagram name to David Crumb and I've been trying to

1:51:49.120 --> 1:51:51.000
<v Speaker 4>change it back and it won't.

1:51:51.200 --> 1:51:54.320
<v Speaker 2>I'm still at Oh, if this is recently, I'll tell

1:51:54.360 --> 1:51:58.360
<v Speaker 2>you what it's. It's a thirty day thing if you're verified.

1:51:58.439 --> 1:52:01.080
<v Speaker 2>So I started because I know who just changed it

1:52:01.160 --> 1:52:04.040
<v Speaker 2>as a fluke his name to Cia and now he

1:52:04.120 --> 1:52:06.160
<v Speaker 2>can't change it back to thirty for thirty.

1:52:06.320 --> 1:52:08.160
<v Speaker 4>That's terrible. I'm going to try to do it right

1:52:08.240 --> 1:52:10.040
<v Speaker 4>now because I've been trying.

1:52:10.120 --> 1:52:11.880
<v Speaker 3>Yeah, you're David Crumb on there.

1:52:12.040 --> 1:52:12.639
<v Speaker 4>Yeah, I'm David.

1:52:12.720 --> 1:52:16.320
<v Speaker 3>Yeah, I'm suching my connect at Watch What Happens Live?

1:52:16.520 --> 1:52:16.800
<v Speaker 4>Thanks?

1:52:18.439 --> 1:52:20.439
<v Speaker 3>Can we ask you though?

1:52:21.000 --> 1:52:24.960
<v Speaker 1>Like, so, your career, according to Wikipedia, was and I

1:52:25.080 --> 1:52:27.880
<v Speaker 1>know that's not always correct, was kicked off when you

1:52:28.000 --> 1:52:30.160
<v Speaker 1>just went to like an open audition when you were thirteen,

1:52:30.240 --> 1:52:32.439
<v Speaker 1>and that's how you just jumped into this long career

1:52:32.520 --> 1:52:35.679
<v Speaker 1>of child acting and into adult acting.

1:52:36.520 --> 1:52:42.439
<v Speaker 4>Yeah, it's super weird that such a it's very I see,

1:52:42.479 --> 1:52:46.639
<v Speaker 4>it is very sort of uh divine in a way.

1:52:46.720 --> 1:52:50.200
<v Speaker 4>Not I'm not joking, like somebody saved my life, you know,

1:52:50.360 --> 1:52:51.080
<v Speaker 4>some spirit.

1:52:51.400 --> 1:52:52.519
<v Speaker 3>It was meant to be because I.

1:52:53.040 --> 1:52:55.439
<v Speaker 4>Would have been a trash heap of a human being

1:52:55.880 --> 1:52:58.719
<v Speaker 4>had I not become an actor. So so, yes, that happened.

1:52:58.840 --> 1:53:02.720
<v Speaker 4>I got crazy, which is hard only when people ask

1:53:02.800 --> 1:53:04.519
<v Speaker 4>me like how do you get into the business? How'd

1:53:04.560 --> 1:53:08.880
<v Speaker 4>you get in? And I'm always like, my story literally apply,

1:53:09.360 --> 1:53:09.519
<v Speaker 4>you know.

1:53:09.800 --> 1:53:13.400
<v Speaker 1>Yeah, and then you're after you did this play on Broadway.

1:53:13.880 --> 1:53:16.720
<v Speaker 1>You the first movie you made, I think is called

1:53:16.760 --> 1:53:19.040
<v Speaker 1>Life with Mikey which my uncle is in. So I've

1:53:19.080 --> 1:53:21.960
<v Speaker 1>seen it a thousand times that I love. And you

1:53:22.040 --> 1:53:23.720
<v Speaker 1>were like a little child star in the movie. But

1:53:23.800 --> 1:53:25.800
<v Speaker 1>it's like your first movie you ever made, right, are

1:53:25.880 --> 1:53:26.920
<v Speaker 1>you like a little child star?

1:53:27.640 --> 1:53:30.280
<v Speaker 4>Yes? I play an obnoxious Yeah.

1:53:30.880 --> 1:53:33.400
<v Speaker 3>So what typical came to set with you.

1:53:36.040 --> 1:53:36.559
<v Speaker 1>On that one?

1:53:36.600 --> 1:53:39.040
<v Speaker 3>And how did they behave throughout your childhood on sets?

1:53:39.920 --> 1:53:44.320
<v Speaker 4>Oh? Okay, my my my mother. It was mostly my mother.

1:53:44.439 --> 1:53:48.200
<v Speaker 4>Once in a while my dad would come. My mother.

1:53:48.760 --> 1:53:52.000
<v Speaker 4>Uh what a questions?

1:53:52.160 --> 1:53:53.800
<v Speaker 3>Oh, we love child actor stuff.

1:53:54.720 --> 1:54:00.280
<v Speaker 4>I gotta be careful. My mother liked being the center

1:54:00.400 --> 1:54:05.559
<v Speaker 4>of attention herself. Aw, and my mother has is one

1:54:05.640 --> 1:54:09.280
<v Speaker 4>of these. She's a New Yorker but born and hungry,

1:54:09.560 --> 1:54:14.719
<v Speaker 4>and she has a very She doesn't mince her words,

1:54:15.080 --> 1:54:19.720
<v Speaker 4>and so she likes to sort of be the you know,

1:54:21.160 --> 1:54:25.960
<v Speaker 4>cursing mom, the nasty cursing mom. She was lovely and

1:54:26.040 --> 1:54:28.280
<v Speaker 4>she's a lot of fun, but she tells it like

1:54:28.360 --> 1:54:31.720
<v Speaker 4>it is, and so she would come to the set

1:54:31.880 --> 1:54:39.040
<v Speaker 4>and embarrass me to no end daily, but in the

1:54:39.120 --> 1:54:41.680
<v Speaker 4>most loving, funny way. But it was the kind of

1:54:41.760 --> 1:54:44.080
<v Speaker 4>thing like one time she was talking, I remember I

1:54:44.160 --> 1:54:46.200
<v Speaker 4>did a TV show, my first TV show, I did,

1:54:46.320 --> 1:54:48.520
<v Speaker 4>and Henry Winkler played my father, and we were sitting

1:54:48.520 --> 1:54:52.120
<v Speaker 4>at lunch one day and she said something in Henry

1:54:52.160 --> 1:54:56.320
<v Speaker 4>Winkler that deeply embarrassed me, and I kicked her under

1:54:56.360 --> 1:54:58.200
<v Speaker 4>the table, not hard, but I gave her like a

1:54:58.280 --> 1:55:00.680
<v Speaker 4>kick in the leg under the table, and she went,

1:55:00.880 --> 1:55:03.520
<v Speaker 4>what are you kicking me for? He's kicking me under

1:55:03.560 --> 1:55:06.280
<v Speaker 4>the table. You know, she's that kind of mom. And

1:55:06.320 --> 1:55:10.200
<v Speaker 4>I'm like, I don't tell people I'm kicking. But she

1:55:10.400 --> 1:55:12.320
<v Speaker 4>had a lot of fun. She was fun, and she

1:55:12.480 --> 1:55:15.120
<v Speaker 4>had a lot of fun, and we travel together, and

1:55:15.440 --> 1:55:18.880
<v Speaker 4>you know, she was she was great. And my dad

1:55:19.200 --> 1:55:23.320
<v Speaker 4>would come and you know, being on a set when

1:55:23.360 --> 1:55:28.000
<v Speaker 4>you really just visiting is crazy boring. And my dad

1:55:28.320 --> 1:55:31.000
<v Speaker 4>was kind of on a lot of high blood pressure

1:55:31.040 --> 1:55:35.560
<v Speaker 4>medication and so which rendered him somewhat narcoleptic, and he

1:55:35.600 --> 1:55:38.600
<v Speaker 4>would fall asleep a lot and snore. And so there

1:55:38.640 --> 1:55:42.640
<v Speaker 4>were times I remember where I'd be on set filming

1:55:43.160 --> 1:55:45.520
<v Speaker 4>in the middle of a take and the set sound

1:55:45.560 --> 1:55:47.440
<v Speaker 4>guy would be like, we have to hold because someone

1:55:47.560 --> 1:55:49.680
<v Speaker 4>is snoring on set, and it would.

1:55:49.560 --> 1:55:55.200
<v Speaker 1>Always be yeah, oh my god, But like your IMDb

1:55:55.360 --> 1:55:57.240
<v Speaker 1>is so wild. It's like this life with Mikey movie,

1:55:57.280 --> 1:55:59.520
<v Speaker 1>which important to me and maybe no one else. Law

1:55:59.520 --> 1:56:03.360
<v Speaker 1>and Order immediately, Adam's family values iconic. Then the Santa

1:56:03.360 --> 1:56:05.880
<v Speaker 1>Claus you looks like your fourth professional credit is like

1:56:05.960 --> 1:56:10.240
<v Speaker 1>this character that sort of established you. Then I got

1:56:10.400 --> 1:56:13.720
<v Speaker 1>to ask you later, you do the Ice Storm filmed

1:56:13.760 --> 1:56:17.320
<v Speaker 1>in my town? Filmed in my hometown. It completely shook

1:56:17.360 --> 1:56:19.480
<v Speaker 1>our whole town. We all went to go watch scenes

1:56:19.520 --> 1:56:21.360
<v Speaker 1>be shot. It was like, were you in New Canaan,

1:56:21.400 --> 1:56:23.040
<v Speaker 1>Connecticut shooting any of that? Or were you in the

1:56:23.080 --> 1:56:23.400
<v Speaker 1>scenes that.

1:56:23.400 --> 1:56:24.160
<v Speaker 3>Were all in Manhattan.

1:56:24.640 --> 1:56:25.520
<v Speaker 4>Yeah, it was in the scenes.

1:56:26.560 --> 1:56:30.600
<v Speaker 1>All this, all the repressed suburban shit was in my hometown.

1:56:31.200 --> 1:56:33.520
<v Speaker 1>Oh my god, I saw Christina Ricci. I almost died.

1:56:33.560 --> 1:56:35.800
<v Speaker 1>It was like we were we were having heart attacks.

1:56:36.000 --> 1:56:37.840
<v Speaker 1>But that was like your thing, out of the kid,

1:56:38.080 --> 1:56:41.960
<v Speaker 1>out of the kid world you were moving into more adults.

1:56:42.200 --> 1:56:46.560
<v Speaker 3>Were incredible, Like as a kid.

1:56:46.520 --> 1:56:49.360
<v Speaker 4>Or are you like, oh my god, truthfully, you want

1:56:49.360 --> 1:56:52.880
<v Speaker 4>to know the truth. That's a good question. So first off,

1:56:52.960 --> 1:56:55.400
<v Speaker 4>I thought, oh, this is what it's what it is

1:56:55.560 --> 1:56:58.360
<v Speaker 4>to be an actor. You just worked constant Yeah, right,

1:56:58.680 --> 1:57:01.280
<v Speaker 4>I had been discovered off the street, so I didn't

1:57:01.480 --> 1:57:06.960
<v Speaker 4>know anything, but you know, consistent success for the first

1:57:07.040 --> 1:57:10.280
<v Speaker 4>four years, and I thought, oh, that's what it's going

1:57:10.360 --> 1:57:13.040
<v Speaker 4>to be. And then you know, I remember when I

1:57:13.160 --> 1:57:18.400
<v Speaker 4>was seventeen, I had like a good nine months of

1:57:18.520 --> 1:57:22.360
<v Speaker 4>unemployment and it really was the moment where I decided

1:57:22.480 --> 1:57:26.120
<v Speaker 4>to become an actor. I'd never really decided. I just

1:57:26.200 --> 1:57:29.400
<v Speaker 4>got lucky, so suddenly I had to be like, is

1:57:29.520 --> 1:57:33.440
<v Speaker 4>this what I want to do? Where it's where this

1:57:33.600 --> 1:57:39.360
<v Speaker 4>huge rollercoaster that has its ups and downs, And so

1:57:40.080 --> 1:57:42.640
<v Speaker 4>that was a tough moment. Did I think I was

1:57:42.760 --> 1:57:45.120
<v Speaker 4>awesome too much?

1:57:45.600 --> 1:57:45.640
<v Speaker 1>So?

1:57:46.120 --> 1:57:51.200
<v Speaker 4>Yes, And I remember, yes, I had a massive ego

1:57:51.320 --> 1:57:55.080
<v Speaker 4>about my acting when I was young, because I went

1:57:55.280 --> 1:57:59.000
<v Speaker 4>from being literally not even wanting to be an actor

1:57:59.160 --> 1:58:04.040
<v Speaker 4>to suddenly being a consistently working actor in movies. And

1:58:04.400 --> 1:58:07.560
<v Speaker 4>you know, I grew up worshiping movies, so suddenly I

1:58:07.680 --> 1:58:11.200
<v Speaker 4>was in them and it was just mind blowing. At

1:58:11.200 --> 1:58:14.800
<v Speaker 4>the same time, I understood how lucky I was, so that,

1:58:15.240 --> 1:58:18.920
<v Speaker 4>thank God tempered my ego a bit. And my mom,

1:58:19.320 --> 1:58:22.080
<v Speaker 4>to her great credit, would always say, this is a fluke,

1:58:22.200 --> 1:58:24.560
<v Speaker 4>this is a fluke, this is a fluke. You're you

1:58:24.640 --> 1:58:28.720
<v Speaker 4>don't understand how lucky you were. And thank God, because

1:58:28.760 --> 1:58:32.760
<v Speaker 4>she was worried I would get a massive ego, And yeah,

1:58:32.840 --> 1:58:36.520
<v Speaker 4>I would say until I was about this is just true.

1:58:37.360 --> 1:58:42.520
<v Speaker 4>Until I was about twenty three, I thought, not only

1:58:42.600 --> 1:58:45.000
<v Speaker 4>am I the greatest actor that ever lived, but I'm

1:58:45.040 --> 1:58:49.240
<v Speaker 4>the greatest that will ever live. I mean, you know,

1:58:49.520 --> 1:58:51.400
<v Speaker 4>I was twenty three.

1:58:51.520 --> 1:58:52.640
<v Speaker 3>Do you remember the shift?

1:58:53.120 --> 1:58:57.080
<v Speaker 4>Yeah, I think I did a couple of failed multiicam sitcoms. Yeah,

1:58:58.000 --> 1:59:01.120
<v Speaker 4>and those will really bring it down earth, because you know,

1:59:01.240 --> 1:59:05.480
<v Speaker 4>you're you're you're slinging not so great jokes that you

1:59:05.680 --> 1:59:09.880
<v Speaker 4>didn't write to a live audience that isn't laughing. I

1:59:09.960 --> 1:59:12.320
<v Speaker 4>mean that's kind of like that's when you realize, oh,

1:59:12.480 --> 1:59:16.080
<v Speaker 4>to some extent, I'm a puppet and you know, like

1:59:16.360 --> 1:59:19.760
<v Speaker 4>you know, I'm just a jobbing actor, feather in the wind.

1:59:19.880 --> 1:59:22.320
<v Speaker 4>And for a while I didn't like that very much,

1:59:22.400 --> 1:59:24.400
<v Speaker 4>but now I love it now. Now it's and I

1:59:24.520 --> 1:59:31.640
<v Speaker 4>do it with great humility and gratitude now because because

1:59:31.920 --> 1:59:35.400
<v Speaker 4>you know, I have to deal with myself at the

1:59:35.560 --> 1:59:37.720
<v Speaker 4>end of the day, right, and I have to come

1:59:37.800 --> 1:59:41.320
<v Speaker 4>home and keep myself to a certain standard, both as

1:59:41.360 --> 1:59:43.920
<v Speaker 4>an actor and as a dad and as a human being.

1:59:44.080 --> 1:59:44.200
<v Speaker 1>Right.

1:59:44.400 --> 1:59:48.000
<v Speaker 2>So yeah, I mean, yeah, do you have one before

1:59:48.000 --> 1:59:50.240
<v Speaker 2>I bring up ten things I hate about you. No,

1:59:50.440 --> 1:59:53.040
<v Speaker 2>go ahead, Well, I mean that's like I watch that

1:59:53.360 --> 1:59:55.320
<v Speaker 2>on most of my Delta flights. I would say I

1:59:55.320 --> 1:59:56.800
<v Speaker 2>watched that a few times a year. I'm like, I

1:59:56.880 --> 1:59:58.840
<v Speaker 2>love that movie. It's stood the test of time, and

1:59:58.920 --> 2:00:02.240
<v Speaker 2>it's a classic that like people just love it. Never

2:00:02.680 --> 2:00:04.800
<v Speaker 2>never went away, such iconic scenes.

2:00:04.800 --> 2:00:05.520
<v Speaker 1>It was so good.

2:00:05.640 --> 2:00:07.280
<v Speaker 3>Do you have memories that were positive?

2:00:08.040 --> 2:00:12.080
<v Speaker 4>I'd imagine that it's the most watched Delta flight movie ever.

2:00:13.120 --> 2:00:16.280
<v Speaker 4>It's the first one if there were Delta flight ratings.

2:00:16.720 --> 2:00:17.360
<v Speaker 1>Yeah, it's the.

2:00:17.400 --> 2:00:18.560
<v Speaker 3>First thing that pops up.

2:00:18.800 --> 2:00:23.680
<v Speaker 4>Yeah, yeah, right, because it's a number. Well eight mile, but.

2:00:23.840 --> 2:00:26.120
<v Speaker 3>No, I'm not watching eight mile in the skies.

2:00:26.360 --> 2:00:28.000
<v Speaker 4>But no, it would be the first thing because it's

2:00:28.080 --> 2:00:30.840
<v Speaker 4>one zero. I don't know how that works. But can

2:00:30.920 --> 2:00:33.440
<v Speaker 4>numbers go in number order? I don't know how it works.

2:00:33.480 --> 2:00:37.840
<v Speaker 4>But anyway, I have so many positive stories. That was

2:00:38.320 --> 2:00:41.720
<v Speaker 4>just the blast of all time. You know, the the

2:00:41.880 --> 2:00:46.840
<v Speaker 4>movie surpassed every one of our expectation expectations. The fact

2:00:46.880 --> 2:00:51.760
<v Speaker 4>that it became as popular as it is now, you know,

2:00:51.920 --> 2:00:55.000
<v Speaker 4>to this day, is really wild. I think for all

2:00:55.080 --> 2:00:58.800
<v Speaker 4>of us, we didn't know we were making something that

2:00:58.880 --> 2:01:01.320
<v Speaker 4>would stand the test time and really mean a lot

2:01:01.520 --> 2:01:07.440
<v Speaker 4>to people. And it's a reflection, I believe, a reflection

2:01:07.640 --> 2:01:11.520
<v Speaker 4>of how much we all truly loved making the movie

2:01:11.680 --> 2:01:14.280
<v Speaker 4>with one another. We all loved each other very much,

2:01:14.320 --> 2:01:17.480
<v Speaker 4>and I think you can see that we're having fun

2:01:17.840 --> 2:01:21.520
<v Speaker 4>with each other on screen. You can see it. And

2:01:22.000 --> 2:01:25.160
<v Speaker 4>I think that's what people love most about it is,

2:01:26.400 --> 2:01:28.160
<v Speaker 4>you know, because I know when I watch a movie,

2:01:28.280 --> 2:01:32.120
<v Speaker 4>I imagine what it's like on that set, what it

2:01:32.240 --> 2:01:34.760
<v Speaker 4>might have been like. And I think people do that

2:01:34.960 --> 2:01:37.880
<v Speaker 4>when they watch movies. Is they're able to separate the

2:01:38.440 --> 2:01:41.040
<v Speaker 4>fantasy from the reality and go, what do these actors

2:01:41.200 --> 2:01:43.880
<v Speaker 4>talk about in between takes? And you can just tell

2:01:43.960 --> 2:01:46.320
<v Speaker 4>we all loved each other, And it was very true

2:01:46.720 --> 2:01:50.720
<v Speaker 4>just that set was all smiles all the way through.

2:01:51.160 --> 2:01:55.480
<v Speaker 4>We just as people through and through that entire cast

2:01:55.640 --> 2:01:59.520
<v Speaker 4>had amazing chemistry as people. We just loved each other

2:01:59.600 --> 2:02:02.760
<v Speaker 4>from moment one. We spoke the same language, all of us.

2:02:02.960 --> 2:02:04.879
<v Speaker 3>So that's awesome.

2:02:05.960 --> 2:02:08.560
<v Speaker 2>No, someone recently, you know, one of my dreams is

2:02:08.600 --> 2:02:11.480
<v Speaker 2>to go to the Vanity Fair Oscar party mine too.

2:02:11.600 --> 2:02:15.320
<v Speaker 4>By the way, they don't I don't get in last.

2:02:15.160 --> 2:02:16.040
<v Speaker 1>Year when you won.

2:02:18.880 --> 2:02:21.440
<v Speaker 4>That was two years ago, but two years, two years, no,

2:02:21.840 --> 2:02:27.800
<v Speaker 4>I did not and they don't listen. They don't like me, okay, nobody,

2:02:27.920 --> 2:02:32.040
<v Speaker 4>the industry, the industry, you know what it is. And

2:02:32.120 --> 2:02:36.240
<v Speaker 4>I've come to realize I'm poor form. I am poor form.

2:02:36.360 --> 2:02:41.080
<v Speaker 4>I make other actors look bad because I'm so unbelievably

2:02:41.160 --> 2:02:47.200
<v Speaker 4>amazing and uh and so I'm an embarrassment. Uh I am,

2:02:47.440 --> 2:02:49.920
<v Speaker 4>I'm just an embarrassing. I should not have been let in,

2:02:50.800 --> 2:02:53.080
<v Speaker 4>you know, I am, I am? I am the the

2:02:53.320 --> 2:02:54.360
<v Speaker 4>the the what what what?

2:02:54.480 --> 2:02:54.520
<v Speaker 1>What?

2:02:54.640 --> 2:02:57.240
<v Speaker 4>What would I compare myself to? You know, I must,

2:02:57.400 --> 2:02:57.720
<v Speaker 4>I must.

2:02:58.040 --> 2:02:59.880
<v Speaker 2>I bet you're a type though. I bet when you

2:03:00.200 --> 2:03:02.720
<v Speaker 2>get auditions it's like Dave Cumholt.

2:03:02.920 --> 2:03:05.080
<v Speaker 4>Oh yeah right, oh yeah, no, they want to be me.

2:03:05.360 --> 2:03:07.720
<v Speaker 1>I mean, you're you wouldn't keep working if they if

2:03:07.760 --> 2:03:10.080
<v Speaker 1>they really hated you and wanted you gone, you wouldn't

2:03:10.080 --> 2:03:10.880
<v Speaker 1>be working so much.

2:03:10.920 --> 2:03:14.600
<v Speaker 4>You work, of course, I'm kidding. Yeah, No, I don't

2:03:14.640 --> 2:03:20.360
<v Speaker 4>embarrass other actors. I'm embarrassed of myself most of the time.

2:03:20.680 --> 2:03:24.240
<v Speaker 4>But no, uh yeah, yeah, I don't get invited to

2:03:24.320 --> 2:03:27.240
<v Speaker 4>I haven't been invited to ship. They don't want I'm

2:03:27.320 --> 2:03:29.880
<v Speaker 4>like bummy. They see me and they go you know

2:03:29.960 --> 2:03:31.680
<v Speaker 4>who let the Dog Out?

2:03:33.360 --> 2:03:35.400
<v Speaker 2>But well, the reason I brought it up is because

2:03:35.400 --> 2:03:39.360
<v Speaker 2>someone was like, and I brought up a Lissa Oax

2:03:39.640 --> 2:03:43.040
<v Speaker 2>prom outfit from that movie, Like, that's still my one

2:03:43.040 --> 2:03:44.040
<v Speaker 2>of my dream outfits.

2:03:44.800 --> 2:03:47.640
<v Speaker 4>Yeah, and I would wear the Shakespeare outfit I wore

2:03:47.680 --> 2:03:50.240
<v Speaker 4>in that movie, but no, you know what it is. Also,

2:03:50.920 --> 2:03:51.400
<v Speaker 4>then you'd.

2:03:51.280 --> 2:03:52.520
<v Speaker 3>Really never get invited again.

2:03:53.840 --> 2:03:56.600
<v Speaker 4>I've given up on that dream.

2:03:56.680 --> 2:03:58.800
<v Speaker 3>Oh yeah, I mean, but don't you feel it's like,

2:03:59.280 --> 2:04:01.160
<v Speaker 3>but you're you know, you're in I.

2:04:01.200 --> 2:04:03.720
<v Speaker 4>Would love to be invited. Yeah, but I also am

2:04:03.840 --> 2:04:07.840
<v Speaker 4>credibly awkward at those kinds of things, and you know,

2:04:08.800 --> 2:04:13.160
<v Speaker 4>but but you know, it's also absurd and it's really

2:04:13.280 --> 2:04:17.240
<v Speaker 4>not why I do what I do. And but that said,

2:04:18.480 --> 2:04:21.640
<v Speaker 4>is there a sting to not being invited when you're

2:04:21.720 --> 2:04:25.360
<v Speaker 4>in the movie that won the Academy for Best Yeah,

2:04:25.400 --> 2:04:29.960
<v Speaker 4>there's a real sting to that, you know. But as

2:04:30.000 --> 2:04:32.800
<v Speaker 4>you can imagine, because I'm still talking about it. You

2:04:32.960 --> 2:04:35.000
<v Speaker 4>asked me the question twenty five minutes ago, and I'm

2:04:35.040 --> 2:04:38.040
<v Speaker 4>still I'm trying to say something. And what I'm trying

2:04:38.080 --> 2:04:42.480
<v Speaker 4>to say is I come off, here's the problem. You

2:04:42.560 --> 2:04:45.800
<v Speaker 4>want to know the truth. I don't only look like

2:04:45.880 --> 2:04:51.640
<v Speaker 4>an agent's assistant. But I have an agent's assistants personality.

2:04:52.160 --> 2:04:52.520
<v Speaker 1>And so.

2:04:54.240 --> 2:04:57.880
<v Speaker 4>What they don't need is yet another agent's assistant at

2:04:57.960 --> 2:05:00.080
<v Speaker 4>the Vanity Fair Oscars part.

2:05:00.040 --> 2:05:02.320
<v Speaker 1>If an agent assistant got invited and not you, that

2:05:02.440 --> 2:05:03.400
<v Speaker 1>makes all of it worse.

2:05:04.560 --> 2:05:06.960
<v Speaker 3>Oh, I'm sure you think there's assistance in there.

2:05:08.360 --> 2:05:08.600
<v Speaker 4>One.

2:05:08.760 --> 2:05:12.680
<v Speaker 1>There's definitely some riff raft padding out those parties for sure.

2:05:13.040 --> 2:05:15.240
<v Speaker 3>Not that I thought the Vanity Fair was more tight

2:05:15.360 --> 2:05:15.560
<v Speaker 3>on that.

2:05:16.400 --> 2:05:21.760
<v Speaker 4>Absolutely, absolutely. And here's the problem. Whenever I am invited,

2:05:21.800 --> 2:05:24.560
<v Speaker 4>this is dead true, by the way, whenever I am

2:05:24.680 --> 2:05:28.760
<v Speaker 4>invited to these kinds of big parties, and you know,

2:05:29.480 --> 2:05:32.400
<v Speaker 4>every once in a while, you know, uh, you know,

2:05:32.480 --> 2:05:34.360
<v Speaker 4>they give it the they give the dog a bone.

2:05:35.240 --> 2:05:41.840
<v Speaker 4>I uh, I do feel like many of the people

2:05:42.280 --> 2:05:46.440
<v Speaker 4>that are there who aren't familiar with my work readily

2:05:46.520 --> 2:05:49.440
<v Speaker 4>assume that I am an agent's assistant.

2:05:49.800 --> 2:05:52.720
<v Speaker 1>No, they definitely think age.

2:05:52.880 --> 2:05:58.880
<v Speaker 4>I've aged. I've aged, but not a good one. There

2:05:58.920 --> 2:06:00.800
<v Speaker 4>have been moments I was just saying, where I've had

2:06:00.840 --> 2:06:02.480
<v Speaker 4>to tell actors that I'm an actor.

2:06:02.800 --> 2:06:05.320
<v Speaker 3>Yeah, yeah, I would read.

2:06:05.160 --> 2:06:08.280
<v Speaker 1>A lot of moment. Yeah, I just can't believe nobody

2:06:08.440 --> 2:06:12.320
<v Speaker 1>that's like remotely around our age doesn't know you from

2:06:12.400 --> 2:06:14.880
<v Speaker 1>something that you've been in because you're just in all

2:06:14.920 --> 2:06:17.600
<v Speaker 1>these seminal movies from our like anyone that's like from

2:06:17.640 --> 2:06:18.960
<v Speaker 1>mid thirties to mid forties.

2:06:19.000 --> 2:06:22.400
<v Speaker 4>I feel, you know, I don't get it either, but

2:06:22.600 --> 2:06:24.960
<v Speaker 4>I think it's more of they do know, but they

2:06:25.120 --> 2:06:25.920
<v Speaker 4>choose to forget.

2:06:27.040 --> 2:06:27.960
<v Speaker 3>They've blocked it out.

2:06:28.520 --> 2:06:28.960
<v Speaker 4>That's right.

2:06:29.560 --> 2:06:33.000
<v Speaker 1>Do you have any like other memories of like being

2:06:33.080 --> 2:06:36.879
<v Speaker 1>on set at SVU like that our listeners would appreciate,

2:06:37.000 --> 2:06:39.600
<v Speaker 1>like little tidbits, something funny that happened with Iced Tea,

2:06:39.760 --> 2:06:43.720
<v Speaker 1>a little a little LOL moment with Marishka or Chris Maloney.

2:06:43.760 --> 2:06:45.400
<v Speaker 1>I mean, you know something that our.

2:06:45.440 --> 2:06:48.160
<v Speaker 4>Well, Ice, I'll just say, Ice Teas are riot. Yeah,

2:06:48.760 --> 2:06:54.880
<v Speaker 4>he's brilliant. And he told me the funniest Hollywood joke,

2:06:55.000 --> 2:06:57.600
<v Speaker 4>or one of the funnier, more brilliant Hollywood jokes I've

2:06:57.600 --> 2:07:01.200
<v Speaker 4>ever heard. Do you want to hear it? Okay, I'm

2:07:01.240 --> 2:07:06.360
<v Speaker 4>paying it forward, Ice Tee uh he Okay. So a

2:07:07.200 --> 2:07:13.480
<v Speaker 4>world famous legendary film director suddenly dies, goes to heaven,

2:07:13.640 --> 2:07:16.440
<v Speaker 4>meets Saint Peter at the Pearly Gates, and Saint Peter says,

2:07:16.480 --> 2:07:20.080
<v Speaker 4>we are so happy to see you, and the director says, well,

2:07:20.120 --> 2:07:21.840
<v Speaker 4>I'm not I'm not happy to be here. I don't

2:07:21.840 --> 2:07:24.080
<v Speaker 4>I didn't want to die, you know, I died suddenly,

2:07:24.760 --> 2:07:26.920
<v Speaker 4>and Saint Peter goes, we know, we know. But here's

2:07:26.960 --> 2:07:32.000
<v Speaker 4>the deal. God has chosen you to direct the first

2:07:32.160 --> 2:07:36.680
<v Speaker 4>movie made in Heaven. And the director is like, what, no,

2:07:37.000 --> 2:07:39.280
<v Speaker 4>I don't know what. I don't want to know. I

2:07:39.280 --> 2:07:41.800
<v Speaker 4>don't want to do that, and Saint Peter goes, well,

2:07:41.880 --> 2:07:45.120
<v Speaker 4>hear me out, hear me out. It's written by William Shakespeare,

2:07:46.280 --> 2:07:53.080
<v Speaker 4>Production design Michaelangelo. Okay, okay, it is. You have your

2:07:53.280 --> 2:07:58.920
<v Speaker 4>choice of male lead Sydney Poidier, Marlon Brando or you know,

2:07:59.080 --> 2:08:03.000
<v Speaker 4>Laurence Oliviy and the guy you know. The director thinks

2:08:03.000 --> 2:08:06.960
<v Speaker 4>about it. He goes, holy, wow, William Shakespeare my Clangeloin, yeah,

2:08:07.360 --> 2:08:11.520
<v Speaker 4>randol Wow. He goes, well, who's playing the female league?

2:08:12.360 --> 2:08:16.400
<v Speaker 4>And Saint Peter says, well, God has a girlfriend. That's

2:08:16.440 --> 2:08:22.280
<v Speaker 4>the joke. It's a great joke. Told me that joke,

2:08:22.720 --> 2:08:25.360
<v Speaker 4>just not a joke you'd expect from from iced Tea.

2:08:25.720 --> 2:08:28.520
<v Speaker 4>You know, a a rapper or a gangster.

2:08:28.680 --> 2:08:30.200
<v Speaker 3>Is a girlfriend. He's trying to get her in.

2:08:31.160 --> 2:08:35.320
<v Speaker 4>You get it. It's a misogynt. It's a joke about misogyny.

2:08:35.440 --> 2:08:37.760
<v Speaker 4>I shouldn't make jokes. Yeah, this is this is the

2:08:37.880 --> 2:08:39.200
<v Speaker 4>interview that ruins mind.

2:08:39.280 --> 2:08:42.360
<v Speaker 3>No, this is great. We love this. I love that

2:08:42.680 --> 2:08:43.400
<v Speaker 3>Icy gave you that.

2:08:43.680 --> 2:08:45.840
<v Speaker 1>He We've heard so many great Ice cold facts that

2:08:45.920 --> 2:08:49.440
<v Speaker 1>he's given different actors over the over the years, and

2:08:49.600 --> 2:08:50.600
<v Speaker 1>he sees it and I just.

2:08:50.640 --> 2:08:53.560
<v Speaker 4>Want to say, going back, I would have been an

2:08:53.640 --> 2:08:59.040
<v Speaker 4>amazing agent. And my agents also agree, Yeah, they I

2:08:59.120 --> 2:09:01.840
<v Speaker 4>would have been in a I should have been an age.

2:09:02.560 --> 2:09:04.120
<v Speaker 1>Are you playing an agent in?

2:09:05.000 --> 2:09:07.280
<v Speaker 3>Are you playing an agent in the studio?

2:09:07.840 --> 2:09:08.360
<v Speaker 4>The Studio?

2:09:08.480 --> 2:09:10.200
<v Speaker 3>Which is so good and funny.

2:09:10.280 --> 2:09:12.560
<v Speaker 4>It was the role I was born. Yeah, because it's

2:09:12.600 --> 2:09:14.440
<v Speaker 4>what I should be doing with my life.

2:09:16.520 --> 2:09:19.160
<v Speaker 1>Well, I'm certainly happy that you were in all of

2:09:19.240 --> 2:09:22.960
<v Speaker 1>these movies that I've watched my entire life. And like,

2:09:23.240 --> 2:09:25.600
<v Speaker 1>I mean, so many more coming up. You have so

2:09:25.680 --> 2:09:29.960
<v Speaker 1>many like people about upcoming projects. But you've got this

2:09:30.720 --> 2:09:33.880
<v Speaker 1>Springsteen thing that's like, you know, everyone's talking about, and

2:09:33.960 --> 2:09:37.600
<v Speaker 1>then there's any other anything else upcoming. Oh wait, you

2:09:37.680 --> 2:09:42.040
<v Speaker 1>were in Miracle on seventy fourth Street. My friend Carol

2:09:43.160 --> 2:09:47.360
<v Speaker 1>and Sean wrote that and I think you know produced it.

2:09:48.160 --> 2:09:48.959
<v Speaker 1>Carol Hartzell.

2:09:49.840 --> 2:09:51.560
<v Speaker 4>Right, yeah, they're wonderful.

2:09:51.720 --> 2:09:53.400
<v Speaker 1>I know that's from stand up in New York and

2:09:53.440 --> 2:09:57.000
<v Speaker 1>stuff and that I've been well, I don't know when

2:09:57.040 --> 2:09:58.919
<v Speaker 1>that's coming out, but maybe this Christmas.

2:10:00.040 --> 2:10:02.320
<v Speaker 4>Oh cool, that'd be amazing, right because it's holiday. I

2:10:02.400 --> 2:10:05.280
<v Speaker 4>know nothing. Yeah, I don't know. It is a holiday. Yeah, yes,

2:10:05.960 --> 2:10:06.400
<v Speaker 4>I don't know.

2:10:06.560 --> 2:10:07.120
<v Speaker 3>But that's funny.

2:10:07.160 --> 2:10:09.840
<v Speaker 1>I just saw that in your upcoming anything else you

2:10:09.920 --> 2:10:11.880
<v Speaker 1>want to plug, Well, you got.

2:10:11.800 --> 2:10:14.200
<v Speaker 4>The super Girl and you got this one and that one.

2:10:14.240 --> 2:10:17.640
<v Speaker 4>But yeah, I I I don't. I don't know because

2:10:17.800 --> 2:10:18.440
<v Speaker 4>you know, I don't.

2:10:18.560 --> 2:10:22.440
<v Speaker 3>Yeah, yeah, no, I'm yeah, okay, great, great on Insta.

2:10:22.800 --> 2:10:26.520
<v Speaker 4>This will not be aired anywhere, correct, this is this is.

2:10:26.600 --> 2:10:29.000
<v Speaker 3>Only an No one's going to see your face.

2:10:29.120 --> 2:10:31.640
<v Speaker 4>See. This is where I'm in trouble. This is bad

2:10:31.720 --> 2:10:35.160
<v Speaker 4>for me, and I'll tell you why because the voice

2:10:35.640 --> 2:10:39.000
<v Speaker 4>and what I say will come off as real in

2:10:39.120 --> 2:10:42.360
<v Speaker 4>terms of the ego stuff. But no one will see

2:10:42.400 --> 2:10:45.320
<v Speaker 4>how ashamed. No one will see the shame in my

2:10:45.480 --> 2:10:49.520
<v Speaker 4>eyes that you are witnessed to at this moment.

2:10:49.640 --> 2:10:54.320
<v Speaker 3>No, but listen, this has been wonderful. It's like, thank

2:10:54.360 --> 2:10:55.600
<v Speaker 3>you so much for talking to us.

2:10:55.680 --> 2:10:58.720
<v Speaker 1>Thank you for the Real Housewives of New Jersey tea

2:10:59.240 --> 2:11:02.120
<v Speaker 1>and this so exciting and we were so happy.

2:11:02.200 --> 2:11:04.480
<v Speaker 4>It was the journey that I didn't expect.

2:11:04.840 --> 2:11:09.080
<v Speaker 1>I didn't have a journey, a career, reference everything, everything.

2:11:09.200 --> 2:11:11.240
<v Speaker 4>Y'all are awesome, y'all are wonderful.

2:11:15.160 --> 2:11:17.280
<v Speaker 2>I would say this is one of our best episodes ever.

2:11:17.960 --> 2:11:20.480
<v Speaker 2>I'm gonna say it. I feel you got to do

2:11:20.600 --> 2:11:22.080
<v Speaker 2>your incredible voice work.

2:11:23.920 --> 2:11:25.320
<v Speaker 3>And we had to talk.

2:11:25.800 --> 2:11:29.840
<v Speaker 2>He was so funny. He was like so kind of

2:11:29.960 --> 2:11:33.480
<v Speaker 2>self deprecating but self away, like I don't know. It

2:11:33.600 --> 2:11:37.040
<v Speaker 2>was just really like such a silly good time. And

2:11:37.200 --> 2:11:39.560
<v Speaker 2>his stories. I mean, the way he talked about ten

2:11:39.600 --> 2:11:41.960
<v Speaker 2>things I hate about you just makes my heart like her,

2:11:42.120 --> 2:11:44.480
<v Speaker 2>like I don't know, just of course thinking about Heath Ledger,

2:11:44.640 --> 2:11:46.960
<v Speaker 2>you know, but yeah, then they're all like pals. But

2:11:47.200 --> 2:11:49.720
<v Speaker 2>I was telling people because I was so excited, and

2:11:49.840 --> 2:11:51.640
<v Speaker 2>I was like, David Cromwolds was on today, Oh my god,

2:11:51.680 --> 2:11:52.560
<v Speaker 2>we talked to today.

2:11:52.600 --> 2:11:53.240
<v Speaker 3>It was so amazing.

2:11:53.640 --> 2:11:55.560
<v Speaker 2>I know a lot of people don't know him by name,

2:11:55.720 --> 2:11:58.640
<v Speaker 2>and then as soon as you show the face, everyone said,

2:11:58.680 --> 2:12:01.000
<v Speaker 2>Santa Claus, this is a I haven't seen. I mean,

2:12:01.200 --> 2:12:04.120
<v Speaker 2>everyone remembers him from Santa Claus, it was I didn't

2:12:04.240 --> 2:12:11.640
<v Speaker 2>really yeah, huh. I mean for me, it's like I

2:12:11.720 --> 2:12:13.440
<v Speaker 2>can't even pick a thing. I'm like, he's in so

2:12:13.560 --> 2:12:16.280
<v Speaker 2>many things, you know, like yeah, in this weird show

2:12:16.320 --> 2:12:18.400
<v Speaker 2>about the old woman. I mean yeah, he's like a

2:12:18.480 --> 2:12:23.000
<v Speaker 2>part of yeah, my life for sure. But you know,

2:12:23.120 --> 2:12:25.280
<v Speaker 2>not everyone's as psycho as us. Like some people are

2:12:25.400 --> 2:12:27.560
<v Speaker 2>just more known by a face than a name. Yeah,

2:12:28.920 --> 2:12:31.400
<v Speaker 2>but I don't think you'd mind. Yeah, And I don't

2:12:31.400 --> 2:12:33.480
<v Speaker 2>think he should change his name. I think he should

2:12:33.560 --> 2:12:33.760
<v Speaker 2>keep it.

2:12:33.960 --> 2:12:37.000
<v Speaker 3>It looks good. I think it's good. Yeah, No, do

2:12:37.160 --> 2:12:38.200
<v Speaker 3>not become crumb.

2:12:38.640 --> 2:12:41.960
<v Speaker 2>I mean I just really enjoyed it and it made

2:12:42.080 --> 2:12:45.200
<v Speaker 2>a I'm always happy to do the pod, but sometimes

2:12:45.240 --> 2:12:47.360
<v Speaker 2>you just we wanted to do this episode and talk

2:12:47.400 --> 2:12:47.880
<v Speaker 2>to him for so.

2:12:48.040 --> 2:12:50.640
<v Speaker 1>Long that it was it just felt really good. Yeah,

2:12:50.800 --> 2:12:53.600
<v Speaker 1>And he's like just like a funny It's it's nice

2:12:53.600 --> 2:12:56.040
<v Speaker 1>to meet somebody who's been acting since they were like fourteen,

2:12:56.240 --> 2:12:58.320
<v Speaker 1>but is like still very down to earth and like

2:12:58.480 --> 2:13:02.120
<v Speaker 1>self deprecating and like funny. He's like not like on

2:13:02.360 --> 2:13:04.720
<v Speaker 1>some shit like he's more important than other people and

2:13:05.000 --> 2:13:06.280
<v Speaker 1>like not that we talk to a lot of people

2:13:06.360 --> 2:13:08.480
<v Speaker 1>like that, but he's just like, uh no, I don't.

2:13:08.320 --> 2:13:09.560
<v Speaker 3>Think they would do the podcast.

2:13:10.040 --> 2:13:14.160
<v Speaker 1>Yeah, I just feel like we can hang out with

2:13:14.240 --> 2:13:15.760
<v Speaker 1>him at a party and he would be fun, you know,

2:13:15.960 --> 2:13:18.240
<v Speaker 1>like I could have talked to him for like truly

2:13:18.280 --> 2:13:19.960
<v Speaker 1>another hour. I know we say that all the time,

2:13:20.040 --> 2:13:24.360
<v Speaker 1>but I really mean it with him. But this episode,

2:13:24.880 --> 2:13:29.720
<v Speaker 1>we I mean, it's so great. We start out with

2:13:29.880 --> 2:13:34.640
<v Speaker 1>a CSU tech who cannot fucking who has who has

2:13:34.760 --> 2:13:40.280
<v Speaker 1>no kouth, and we end up with a grandmother callously

2:13:40.400 --> 2:13:43.040
<v Speaker 1>taking back her ententaglia necklace. I mean this episode, and

2:13:43.120 --> 2:13:45.720
<v Speaker 1>in the middle we just have Benson Benson having a

2:13:45.800 --> 2:13:48.800
<v Speaker 1>mushroom attack and Stabler feigning a mushroom attack. I don't

2:13:48.840 --> 2:13:53.200
<v Speaker 1>know what our post mortem takeaways are, keep your don't

2:13:53.280 --> 2:13:55.880
<v Speaker 1>breathe in deeply when you're around a pot in some

2:13:56.440 --> 2:13:58.440
<v Speaker 1>mushroom man's thing.

2:13:58.560 --> 2:14:01.320
<v Speaker 2>Well, and that men are rapist even if it's consensual,

2:14:01.360 --> 2:14:02.920
<v Speaker 2>because at the end of the day, that dude up

2:14:03.040 --> 2:14:05.040
<v Speaker 2>top was like she wanted it, and it's like she

2:14:05.160 --> 2:14:06.920
<v Speaker 2>looks like an alien and you could tell she's under

2:14:06.960 --> 2:14:09.120
<v Speaker 2>the influence, Like, yeah, you fucked her in a fountain

2:14:09.160 --> 2:14:11.560
<v Speaker 2>and you still left her to drown and die in there,

2:14:11.800 --> 2:14:14.600
<v Speaker 2>Like right, the fact that that's not criminal at all

2:14:14.840 --> 2:14:17.520
<v Speaker 2>and it's totally fine and he gets to leave, but

2:14:18.520 --> 2:14:22.760
<v Speaker 2>truly disgusting, Like the bar for legality is so hot,

2:14:22.960 --> 2:14:27.000
<v Speaker 2>like you could, Yeah, she clearly is under the influence.

2:14:27.760 --> 2:14:29.600
<v Speaker 1>And then it took us down like a road of

2:14:29.960 --> 2:14:34.160
<v Speaker 1>that intelligence he left, ye, this pond while negligence. Then

2:14:34.200 --> 2:14:37.000
<v Speaker 1>we go to a road of sugary sodas. We go

2:14:37.080 --> 2:14:39.240
<v Speaker 1>down that road, the road of sugary of like two

2:14:39.280 --> 2:14:42.560
<v Speaker 1>sugary sodas, and then we're back. So now we're talking

2:14:42.600 --> 2:14:45.920
<v Speaker 1>about corporate greed and then it's like but really, in

2:14:46.000 --> 2:14:49.160
<v Speaker 1>the end, it's just like a poor girl who lost

2:14:49.240 --> 2:14:52.560
<v Speaker 1>her mom and is looking for family in a mean

2:14:52.640 --> 2:14:57.280
<v Speaker 1>old lady. And I guess takeaway should be quit looking

2:14:57.480 --> 2:15:00.960
<v Speaker 1>for find your family outside of your family sometimes, because

2:15:01.000 --> 2:15:03.680
<v Speaker 1>that woman was a mean old bitch and she was

2:15:03.760 --> 2:15:05.960
<v Speaker 1>never gonna You were never gonna be what she like.

2:15:06.320 --> 2:15:09.120
<v Speaker 3>You know, you're never gonna be Lindsay. Lindsay was a.

2:15:11.080 --> 2:15:15.240
<v Speaker 1>Ex speedhead too, Yeah yeah, so yeah, I don't know.

2:15:15.600 --> 2:15:17.400
<v Speaker 1>She just seemed like she was never willing to give

2:15:17.440 --> 2:15:19.839
<v Speaker 1>Emma a chance on that was flirting.

2:15:20.160 --> 2:15:23.840
<v Speaker 2>I like that, iced t Na Michael, both as their

2:15:23.920 --> 2:15:26.640
<v Speaker 2>characters wanted a fuck Paula Patten so bad.

2:15:27.200 --> 2:15:31.320
<v Speaker 3>And there was full flirting like there was. Yeah, it was.

2:15:31.680 --> 2:15:33.080
<v Speaker 3>It was a good one.

2:15:33.200 --> 2:15:35.960
<v Speaker 1>It's a good episode and I know we've done it

2:15:36.040 --> 2:15:38.120
<v Speaker 1>on the road, so hopefully if you've seen us do

2:15:38.200 --> 2:15:41.480
<v Speaker 1>it on the road, you enjoyed our recap with the

2:15:41.600 --> 2:15:42.960
<v Speaker 1>David Crumholtz chaser.

2:15:44.280 --> 2:15:47.120
<v Speaker 2>Well, I'm on the IMDb for we and the main

2:15:47.280 --> 2:15:50.760
<v Speaker 2>photo from it is the Kouchi Ku medical examiner.

2:15:51.400 --> 2:15:55.080
<v Speaker 1>Yeah, that woman hits her face kind of like they

2:15:55.120 --> 2:15:57.040
<v Speaker 1>never have her back. I think they're like, this is

2:15:57.080 --> 2:15:58.880
<v Speaker 1>too stucky adjacent, like we can't.

2:15:59.160 --> 2:16:02.200
<v Speaker 2>Oh yeah it was, but also obviously reminds me of

2:16:02.760 --> 2:16:05.680
<v Speaker 2>the New Dexter is like so good. I'm like, I

2:16:05.720 --> 2:16:07.440
<v Speaker 2>don't know if I'm i don't know if I'm just

2:16:07.520 --> 2:16:09.400
<v Speaker 2>such a big fan that I'm like delusional.

2:16:09.520 --> 2:16:12.440
<v Speaker 1>Maybe it's not good, but I love it. I'm LoVa, Wait,

2:16:12.520 --> 2:16:13.600
<v Speaker 1>what do you mean what do you mean by the

2:16:13.680 --> 2:16:15.680
<v Speaker 1>New Dexter? Is this the the Is this a new

2:16:15.760 --> 2:16:19.120
<v Speaker 1>season of the prequel show? Where the prequel? So that's

2:16:19.160 --> 2:16:19.680
<v Speaker 1>what's crazy.

2:16:19.760 --> 2:16:22.920
<v Speaker 2>So Dexter original eight seasons, then it came back with

2:16:23.160 --> 2:16:26.240
<v Speaker 2>New Blood. It was, which I liked, Yeah, which I

2:16:26.360 --> 2:16:28.840
<v Speaker 2>really liked then. It was this prequel that I didn't want.

2:16:29.000 --> 2:16:31.080
<v Speaker 2>I've tried watching, I'll watch it on you, but I

2:16:31.120 --> 2:16:31.680
<v Speaker 2>didn't like it.

2:16:32.280 --> 2:16:35.560
<v Speaker 3>This is a continuation of New Blood and it's called Resurrection.

2:16:36.360 --> 2:16:39.280
<v Speaker 1>Oh. No, one told me that was happening. Oh, Kara,

2:16:39.480 --> 2:16:43.240
<v Speaker 1>it's in New York City. Oh, I'm excited. And can

2:16:43.280 --> 2:16:46.840
<v Speaker 1>I tell you the cast? Yes, Uma Thurman's in it,

2:16:47.400 --> 2:16:50.400
<v Speaker 1>cam from Modern Family is in it, Kristin Ritters in it,

2:16:50.840 --> 2:16:54.480
<v Speaker 1>Neil Patrick Harris is in it, and Tyrian Lanister, what

2:16:54.560 --> 2:16:57.920
<v Speaker 1>the fun? Peter Dinklic is in it? Oh yeah, and

2:16:58.120 --> 2:17:01.119
<v Speaker 1>Derek for Musa Guests of Our Pot and Dominic.

2:17:01.400 --> 2:17:04.200
<v Speaker 3>Yeah, oh Dominic. I knew it was wrong. I kept

2:17:04.240 --> 2:17:07.200
<v Speaker 3>telling people. I'm like Derek from I knew something was up. Yeah,

2:17:07.240 --> 2:17:08.199
<v Speaker 3>Dominic for Musa.

2:17:09.640 --> 2:17:16.280
<v Speaker 2>But it's Dexter, It's Harrison Bautista's in it, and it's

2:17:17.000 --> 2:17:17.600
<v Speaker 2>York City.

2:17:18.120 --> 2:17:19.160
<v Speaker 3>Is Dexter the ghost?

2:17:19.240 --> 2:17:19.400
<v Speaker 4>Now?

2:17:20.280 --> 2:17:23.240
<v Speaker 1>No, it's it was in a coma. They just kept

2:17:23.320 --> 2:17:27.400
<v Speaker 1>the coma. It's fine. I don't care, Okay, okay, okay, okay, okay. No,

2:17:27.720 --> 2:17:30.359
<v Speaker 1>I'm fine with it. He woke up from a coma.

2:17:30.480 --> 2:17:33.640
<v Speaker 1>He's not really dead. It's whatever. It's far fetched. I

2:17:33.640 --> 2:17:36.840
<v Speaker 1>don't get so I don't care. It's fine if Michael C.

2:17:37.000 --> 2:17:39.039
<v Speaker 1>Hall was down to do it again, like, that's fine.

2:17:39.120 --> 2:17:42.040
<v Speaker 1>And who's our former guests that I met on a flight?

2:17:42.200 --> 2:17:45.960
<v Speaker 1>Who's married to Game of Thrown, Mark Machaka, he's also

2:17:46.080 --> 2:17:49.400
<v Speaker 1>in it? Okay, our buddy Mark, friend of the pod,

2:17:49.600 --> 2:17:50.560
<v Speaker 1>two friends of the Pod.

2:17:50.800 --> 2:17:54.080
<v Speaker 2>Yeah, it's really awesome. I think they're on only four

2:17:54.160 --> 2:17:55.840
<v Speaker 2>episodes so far, four or five episodes?

2:17:55.920 --> 2:17:56.120
<v Speaker 3>Wait?

2:17:56.360 --> 2:17:59.560
<v Speaker 1>Shit, did you have to get the showtime add on

2:17:59.680 --> 2:18:01.800
<v Speaker 1>to Waking.

2:18:00.879 --> 2:18:03.080
<v Speaker 2>Well, it's not showtim anymore. It's Paramount plus. But I

2:18:03.200 --> 2:18:04.600
<v Speaker 2>have the Paramount Plus. I'm sorry.

2:18:04.640 --> 2:18:07.240
<v Speaker 3>I know we haven't even talked about Colbert south Park.

2:18:07.680 --> 2:18:08.080
<v Speaker 3>Thank god.

2:18:08.120 --> 2:18:10.160
<v Speaker 2>Well if people are like my friends be like, how

2:18:10.240 --> 2:18:12.040
<v Speaker 2>do you watch the South Park? I go, well, I

2:18:12.160 --> 2:18:15.680
<v Speaker 2>have Paramount plus so unfortunately, well I do want to

2:18:15.760 --> 2:18:16.240
<v Speaker 2>cancel it.

2:18:16.600 --> 2:18:19.720
<v Speaker 3>Fuck yeah, Colbert whatever, but like I'm watching Dexter in

2:18:19.760 --> 2:18:20.240
<v Speaker 3>south Park.

2:18:20.280 --> 2:18:23.200
<v Speaker 1>Sorry, guys, I had already canceled mine because I was

2:18:23.240 --> 2:18:27.440
<v Speaker 1>done with Yellow Jackets, which we have to review another time.

2:18:27.600 --> 2:18:29.080
<v Speaker 1>I mean, I don't know if we've talked about it, right,

2:18:29.120 --> 2:18:31.440
<v Speaker 1>but I thought it was better than this, you know what.

2:18:31.600 --> 2:18:32.200
<v Speaker 1>I was reading.

2:18:32.280 --> 2:18:34.280
<v Speaker 2>What Vulture said is like they had to make like

2:18:34.520 --> 2:18:38.240
<v Speaker 2>they had everything planned and then Juliet Lewis wanted to leave,

2:18:39.080 --> 2:18:41.560
<v Speaker 2>So it's like we really, like I want they had

2:18:41.640 --> 2:18:44.560
<v Speaker 2>to re purpose everything.

2:18:44.120 --> 2:18:45.640
<v Speaker 3>They get it back on track, and I do feel

2:18:45.640 --> 2:18:48.240
<v Speaker 3>like they got it back on track. I do, Am

2:18:48.280 --> 2:18:50.320
<v Speaker 3>I wrong? You don't feel that way?

2:18:50.520 --> 2:18:54.440
<v Speaker 1>I don't know, I.

2:18:55.920 --> 2:18:56.360
<v Speaker 3>I am.

2:18:56.640 --> 2:18:58.720
<v Speaker 1>I like where things were going in the wilderness, but

2:18:58.840 --> 2:19:01.240
<v Speaker 1>I still think what's happening in real life is fucking

2:19:01.400 --> 2:19:05.280
<v Speaker 1>off the like wild and like not justified all the time.

2:19:05.680 --> 2:19:08.760
<v Speaker 1>But we we should talk about this. Maybe this is

2:19:08.800 --> 2:19:11.000
<v Speaker 1>a tease. Maybe this is another tease for the next intro.

2:19:11.240 --> 2:19:13.160
<v Speaker 3>Listen. We can't. We just can't. This can't be a

2:19:13.160 --> 2:19:14.039
<v Speaker 3>six hour episode.

2:19:14.400 --> 2:19:18.240
<v Speaker 1>But uh, I'm going to totally I don't know what

2:19:18.320 --> 2:19:20.680
<v Speaker 1>I'm gonna do about getting Paramount plus back now so

2:19:20.720 --> 2:19:21.640
<v Speaker 1>that I can watch this dexter.

2:19:21.720 --> 2:19:22.840
<v Speaker 3>I'll figure it out. I'll figure it out.

2:19:22.920 --> 2:19:24.400
<v Speaker 2>Well, you don't have to do fully, you could just

2:19:24.440 --> 2:19:27.039
<v Speaker 2>add an extension on Amazon for the month, like wait

2:19:27.080 --> 2:19:29.039
<v Speaker 2>till that's.

2:19:28.959 --> 2:19:29.400
<v Speaker 3>What I did.

2:19:29.560 --> 2:19:32.080
<v Speaker 2>Yeah, that's what I did with my Paramount Because South

2:19:32.120 --> 2:19:34.200
<v Speaker 2>Park's only going to be I think ten episodes too.

2:19:34.400 --> 2:19:38.360
<v Speaker 2>So it's like, that's ten and then Dexter will probably

2:19:38.360 --> 2:19:42.000
<v Speaker 2>be ten. Yeah, Uma, Thurman, that's that's a list that's

2:19:42.080 --> 2:19:45.280
<v Speaker 2>pretty killer. Yeah yeah, not to be make a pun.

2:19:45.560 --> 2:19:49.320
<v Speaker 1>Yeah, I didn't even mean to do that, but okay,

2:19:49.440 --> 2:19:51.440
<v Speaker 1>let's move on to our what would Sister Peg Do?

2:19:52.320 --> 2:19:53.880
<v Speaker 1>And you guys know that What would Mister Peg Do

2:19:54.040 --> 2:19:56.440
<v Speaker 1>is our weekly segment where we direct you towards like

2:19:56.879 --> 2:19:59.920
<v Speaker 1>usually a resource like a book or an article or

2:20:00.040 --> 2:20:02.080
<v Speaker 1>or an organization that will give you more information about

2:20:02.120 --> 2:20:03.960
<v Speaker 1>what we talked about in today's episode. But I think

2:20:04.040 --> 2:20:07.200
<v Speaker 1>you're all doing pretty okay with staying away from Mushroom Labs.

2:20:07.600 --> 2:20:11.520
<v Speaker 1>So we are going to use this opportunity to direct

2:20:11.560 --> 2:20:15.480
<v Speaker 1>you towards blah blah blah blah teacher wish lists. Every

2:20:15.560 --> 2:20:19.160
<v Speaker 1>year we at that's messed up. We will share the

2:20:19.320 --> 2:20:23.680
<v Speaker 1>wish lists of the listeners of our show who are teachers,

2:20:23.760 --> 2:20:27.200
<v Speaker 1>of which there are many. There is a highlight on

2:20:27.360 --> 2:20:30.400
<v Speaker 1>our Instagram page called teachers that shows you exactly what

2:20:30.480 --> 2:20:32.600
<v Speaker 1>you have to do in order to make the post

2:20:32.800 --> 2:20:35.240
<v Speaker 1>and share it and so that I am able to

2:20:35.320 --> 2:20:37.840
<v Speaker 1>share it to our listeners. But I am also this

2:20:38.040 --> 2:20:40.600
<v Speaker 1>year going to keep track of all of them in

2:20:40.720 --> 2:20:43.840
<v Speaker 1>a Google sheet, which is will be linked to in

2:20:43.959 --> 2:20:46.720
<v Speaker 1>our show notes, and so you can if you're not

2:20:46.800 --> 2:20:49.920
<v Speaker 1>an Instagram user or it's easier for you to just

2:20:50.040 --> 2:20:51.680
<v Speaker 1>go to this Google sheet that'll be linked in our

2:20:51.680 --> 2:20:55.040
<v Speaker 1>show notes and I'll make a story linking to that

2:20:55.120 --> 2:20:57.920
<v Speaker 1>Google sheet as well. So if you have the means

2:20:58.040 --> 2:21:01.720
<v Speaker 1>and you want to, just like maybe every week from

2:21:01.840 --> 2:21:04.840
<v Speaker 1>now until school starts, you just throw a pack of

2:21:05.000 --> 2:21:06.560
<v Speaker 1>post its at one of the teachers. You know what

2:21:06.640 --> 2:21:09.400
<v Speaker 1>I mean, Like, if everybody just gives like one little thing,

2:21:10.120 --> 2:21:12.400
<v Speaker 1>it fucking sucks that we live in a country where

2:21:13.080 --> 2:21:17.920
<v Speaker 1>our governments is trying to end the Department of Education

2:21:18.200 --> 2:21:23.720
<v Speaker 1>rying but teacher, you can get money for your concentration camps,

2:21:24.160 --> 2:21:26.880
<v Speaker 1>but these teachers need money for their school classrooms. So

2:21:26.959 --> 2:21:28.960
<v Speaker 1>we always love to support teachers. So that is this

2:21:29.040 --> 2:21:32.600
<v Speaker 1>week's WWSPD. So that will be in our show notes

2:21:32.720 --> 2:21:37.080
<v Speaker 1>and posted, and you can feel free to tag us

2:21:37.240 --> 2:21:39.879
<v Speaker 1>in your wishless and we will share them and hopefully

2:21:39.959 --> 2:21:43.920
<v Speaker 1>the That's Messed Up Hive will rise up and support

2:21:44.000 --> 2:21:47.120
<v Speaker 1>some of the teachers in our midst Thank you.

2:21:47.200 --> 2:21:49.000
<v Speaker 2>I think this is the first time I've ever interrupted

2:21:49.080 --> 2:21:50.800
<v Speaker 2>you during what would sister peg.

2:21:51.080 --> 2:21:54.240
<v Speaker 1>But always new times. We can always find new times

2:21:54.240 --> 2:22:03.440
<v Speaker 1>to interrupt. I saw a post online that was like, oh,

2:22:03.520 --> 2:22:05.360
<v Speaker 1>how are you funny? Have you seen these? Like oh,

2:22:05.440 --> 2:22:06.400
<v Speaker 1>how are you so funny?

2:22:06.520 --> 2:22:08.880
<v Speaker 2>And yeah, and it was like, well, my desk was

2:22:09.000 --> 2:22:11.360
<v Speaker 2>put outside the classroom when I was young, and that

2:22:11.560 --> 2:22:13.840
<v Speaker 2>did happen to me in fifth grade. I had to

2:22:13.879 --> 2:22:15.879
<v Speaker 2>post it on my desk and every time I interrupted

2:22:15.920 --> 2:22:17.640
<v Speaker 2>the teacher, I had to do a tally mark, and

2:22:17.680 --> 2:22:20.160
<v Speaker 2>when I got to ten, I was kicked out and I'd.

2:22:20.000 --> 2:22:21.560
<v Speaker 3>Have to spend the rest of the day in the hall.

2:22:22.320 --> 2:22:23.320
<v Speaker 3>Oh my god.

2:22:23.600 --> 2:22:26.120
<v Speaker 1>That a true problem. It truly is a problem. I

2:22:26.160 --> 2:22:28.080
<v Speaker 1>don't think they do that kind of shaming anymore. I

2:22:28.200 --> 2:22:28.520
<v Speaker 1>hope not.

2:22:28.760 --> 2:22:30.880
<v Speaker 3>I hope not. Teachers let us know. Well, now i'd

2:22:30.920 --> 2:22:31.520
<v Speaker 3>be medicated.

2:22:31.600 --> 2:22:32.039
<v Speaker 1>I think.

2:22:33.640 --> 2:22:35.680
<v Speaker 2>If it was today, I think I'd be medicated. I

2:22:35.920 --> 2:22:38.800
<v Speaker 2>really because I didn't I didn't even have the patience

2:22:38.840 --> 2:22:41.600
<v Speaker 2>too scantron tests. I would I would just I would

2:22:41.640 --> 2:22:42.960
<v Speaker 2>just fill out the answers and be like I want

2:22:42.959 --> 2:22:44.760
<v Speaker 2>to go outside, like I didn't care. I didn't have

2:22:45.120 --> 2:22:46.840
<v Speaker 2>I didn't have the focus or anything like. I think

2:22:46.840 --> 2:22:48.879
<v Speaker 2>I'd be medicated if it was now or I didn't

2:22:48.879 --> 2:22:52.680
<v Speaker 2>have immigrant parents. I had been medicated. But anyways, next

2:22:52.760 --> 2:22:56.320
<v Speaker 2>week we will be doing shock Collar. Sounds like a

2:22:56.360 --> 2:22:57.280
<v Speaker 2>fun hip hop song.

2:22:57.520 --> 2:22:58.560
<v Speaker 3>Not, it's not.

2:22:58.920 --> 2:23:03.400
<v Speaker 2>It's a disase from season twenty six, episode twenty. It's current,

2:23:03.520 --> 2:23:05.880
<v Speaker 2>so you can only watch it on peacock or like

2:23:06.000 --> 2:23:08.680
<v Speaker 2>your DVR, so do not go to even the peacock

2:23:08.800 --> 2:23:11.840
<v Speaker 2>I have. It was making me upgrade to another another

2:23:12.440 --> 2:23:13.240
<v Speaker 2>tier to watch it.

2:23:13.320 --> 2:23:13.880
<v Speaker 3>So what I did did?

2:23:13.920 --> 2:23:16.120
<v Speaker 1>I watch it at NBC dot com with commercials. So

2:23:16.200 --> 2:23:17.959
<v Speaker 1>if you want to watch it for free, it's at

2:23:18.040 --> 2:23:21.880
<v Speaker 1>NBC dot com with commercials. Oh wow, that's yeah, cool

2:23:21.959 --> 2:23:24.880
<v Speaker 1>to hear. All right, So yeah, that's next week. We

2:23:25.000 --> 2:23:28.240
<v Speaker 1>thank you all for listening. We're so happy to be

2:23:28.280 --> 2:23:31.320
<v Speaker 1>out of the time machine a while journey for sure. Yeah,

2:23:31.840 --> 2:23:35.080
<v Speaker 1>and we'll see you at our live show. Yep, see

2:23:35.120 --> 2:23:37.440
<v Speaker 1>you guys in Brooklyn and next week, Bye bye.

2:23:45.959 --> 2:23:48.119
<v Speaker 2>That's Messed Up as an exactly right production.

2:23:48.560 --> 2:23:50.600
<v Speaker 1>If you have compliments you'd like to give us, or

2:23:50.720 --> 2:23:52.959
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:23:53.000 --> 2:23:56.280
<v Speaker 1>it That's messed uppod at gmail dot com. Listen to

2:23:56.360 --> 2:23:59.280
<v Speaker 1>That's Messed Up on the iHeartRadio app Apple Podcasts or

2:23:59.280 --> 2:24:00.680
<v Speaker 1>wherever you get your podcasts.

2:24:00.920 --> 2:24:04.040
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

2:24:04.320 --> 2:24:08.000
<v Speaker 2>and follow us personally at Kara Klank and at Glitter Cheese.

2:24:08.400 --> 2:24:11.080
<v Speaker 1>As always, please see our show notes for sources and

2:24:11.160 --> 2:24:11.760
<v Speaker 1>more information.

2:24:12.240 --> 2:24:15.199
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:24:15.400 --> 2:24:18.480
<v Speaker 2>and our associate producer Christina Chamberlain, and to.

2:24:18.520 --> 2:24:21.640
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

2:24:21.879 --> 2:24:24.520
<v Speaker 1>and to Henry Kaperski for our theme song and Carly

2:24:24.680 --> 2:24:27.800
<v Speaker 1>Geen Andrews for our artwork. Thank you to our executive

2:24:27.840 --> 2:24:32.000
<v Speaker 1>producers Georgia Hardstart, Karen Kilgareff, Daniel Kramer, and everybody at

2:24:32.080 --> 2:24:34.520
<v Speaker 1>Exactly Right Media. Dun dun